WEBVTT - S1: EP 5 — “And She Screams, He Disappeared!”

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<v Therésa>Hello, my angels or devils, demons, mortals, reanimated ectoplasm, however

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<v Therésa>you identify. Welcome back to another episode of Haunting.

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<v Therésa>We're running into a little problem here at Haunting HQ

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<v Therésa>that I'm not entirely unfamiliar with. We're generating too much

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<v Therésa>at revenue. We're not sure how to spend it. All

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<v Therésa>material goods are of no use to me here, hence

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<v Therésa>the reworking of my entire brand. So we're in a

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<v Therésa>little bit of a "financial pickle," as my dad's tax

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<v Therésa>fraud attorney used to put it, different sides of the

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<v Therésa>same coin, though we're flush, whereas he was basically doing

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<v Therésa>dishes for the IRS.

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<v Therésa>AnyWho, I had the idea to donate our proceeds to charity.

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<v Len>(mumbles)

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<v Therésa>Okay? Len and I had the idea to donate our

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<v Therésa>proceeds to charity. Len pitched the American Cancer Society, but

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<v Therésa>I was thinking Camp Conflict, which is a summer program

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<v Therésa>I funded Maine where we manufacture safe adverse experiences for

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<v Therésa>privileged teens so they have something to write their college

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<v Therésa>essays about. It's helped a lot of deserving kids get

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<v Therésa>into bottom tier ivys.

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<v Therésa>So while Naomi prepares the oversized check, we'll meet James

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<v Therésa>from Philadelphia, who guides a ghost tour through the city

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<v Therésa>where he and his group - Honestly, you can probably guess.

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<v Story A>I work with Stephen DeMarco, another ghost tour guide. He's

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<v Story A>my de facto mentor. Stephen's telling me this story. He

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<v Story A>had three college girls. They had booked the extended tour.

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<v Story A>One of them screams, "He disappeared! You didn't see that?

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<v Story A>He disappeared! You were just talking to him, and now

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<v Story A>he's gone." They're scared to death because they just watched

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<v Story A>a man disappear in front of him. Spirits are here.

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<v Story A>I don't know why, but they're here, and I'm all

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<v Story A>for skepticism, but there are many things that can't be explained.

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<v Story A>My name is James. I am a ghost tour guide

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<v Story A>in Philadelphia, and we encountered a ghost on our ghost tour.

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<v Story A>I give extended ghost tours in Philadelphia. It's about an

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<v Story A>hour tour and they're eight different stops, all from the

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<v Story A>colonial period. There's a lot of history to it. We

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<v Story A>don't do flim flammory. We don't set up bluetooth speakers

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<v Story A>that play scary music. We don't have actors pop out.

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<v Story A>It's just me doing historical lessons and telling them about hauntings.

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<v Story A>Sometimes I use gadgets on the tour. I used to

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<v Story A>bring like an EMF detector or a spirit box, just

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<v Story A>to see if they'd do anything, you know, shake it

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<v Story A>up a little bit. One night, I'm talking about Alexander Hamilton.

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<v Story A>All of a sudden, the spirit box goes off and

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<v Story A>they point, they go, "look the thing turned red." And

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<v Story A>I've found that I've been able to convince, I wouldn't

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<v Story A>say hardcore skeptics by any means, but people who didn't

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<v Story A>believe it and just kind of wanted to see what

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<v Story A>the tour was about.

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<v Story A>It was October 2021, right before the season really ramped up,

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<v Story A>as we were heading deeper into the month towards Halloween.

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<v Story A>It was brisk. It was a very small group they

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<v Story A>had booked the extended tour. There was an older woman

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<v Story A>in her late forties to early fifties. I'll just call

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<v Story A>her Ma. She was tall and thin, kind of reminded

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<v Story A>me of Allison Janney. She was nice enough, she really wanted

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<v Story A>to be there. This was for her. Her daughter, who

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<v Story A>was a woman about my age in her mid to

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<v Story A>late thirties, blonde, a bit shorter. She didn't want to be there,

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<v Story A>and that's okay, like she had no interest, but she

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<v Story A>wasn't disrespectful. And then there was a youngest girl. She

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<v Story A>was a teenager.

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<v Story A>They were visiting from Washington, and they got the Philadelphia experience,

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<v Story A>which is you're trying to cross the street and someone

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<v Story A>nearly runs you over, and then that car who tries

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<v Story A>to run you over yells at you. Welcome to Philadelphia,

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<v Story A>was kind of all I could say.

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<v Story A>I'm checking them in and I'm trying to confirm the

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<v Story A>extended tour, and then Ma leans in then whispers in

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<v Story A>my ear, "You know, I'm a clairvoyant. I can see

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<v Story A>spirits around us." Okay, this was unprompted. I'm just kind

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<v Story A>of trying to get all of this done at this point,

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<v Story A>and I have stuff I have to say. I have

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<v Story A>things I have to get through. But they were actually

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<v Story A>very nice, especially Ma, who really wanted to be there.

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<v Story A>I get through this standard tour and I'm continuing with

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<v Story A>the extended tour. I go the extra mile. I bring

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<v Story A>out some equipment. Maybe it works, maybe we hear something

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<v Story A>on the spirit box. Sometimes we don't, and I move on

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<v Story A>and I try to make it interesting one way or

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<v Story A>the other. The middle one, the daughter, was on her

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<v Story A>phone the entire time. She wasn't interested. This wasn't her

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<v Story A>cup of tea. As my gear was going off and

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<v Story A>I got more into the ghost stuff, the teenage daughter

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<v Story A>kind of warmed up to it. She kind of started

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<v Story A>to ask questions. She kind of started to want to

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<v Story A>know about experiences that had happened to me. Part of

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<v Story A>being a tour guide is personal experience. They want to

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<v Story A>know what we've seen, what we've experienced. I show people

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<v Story A>some orbs in pictures I've taken of a certain locations.

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<v Story A>I talk about times the EMF point a bit nuts,

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<v Story A>when the spirit box had a full conversation with me.

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<v Story A>I always work that in. We're walking down Fourth Street,

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<v Story A>Philadelphia towards Spruce. Those are very old buildings, and if

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<v Story A>the streets are empty, which they just happen to be,

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<v Story A>there's a lot of echoes, there's a lot of footsteps.

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<v Story A>Some footsteps maybe people walking behind us and some not.

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<v Story A>Basically I'm listening for anything, but it looked like just

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<v Story A>your average night on Fourth Street. As I'm walking with

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<v Story A>my lantern in hand, Ma leans in and she says, "You know,

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<v Story A>there's a man following us." The thing I thought was

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<v Story A>someone's jumped on. I've had homeless people try to jump on.

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<v Story A>I've had people just visiting locations try to jump on.

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<v Story A>Immediately I turn around, you know, I look for him.

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<v Story A>I don't see anyone. It's just the three and myself.

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<v Story A>And she says, "He is wearing jogging attire, he is

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<v Story A>bleeding from his forehead and his nose is broken. He

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<v Story A>died some time ago. His name is John, and he's

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<v Story A>just checking on us." All this is unprompted. Now, I

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<v Story A>approach this with skepticism. P.T. Barnum said, if they believe something,

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<v Story A>let them believe it. And that's a paraphrase.

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<v Story A>The thing I noticed about the daughter and the teenage daughter,

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<v Story A>neither one of them seems surprised, and they weren't shocked.

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<v Story A>They just sort of were like, oh well here it

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<v Story A>is like very matter of factly. So I said, I

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<v Story A>hope John enjoys the rest of the tour.

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<v Story A>When I got into the Philadelphia market, Stephen was the

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<v Story A>only one they're giving tours as such. He was my trainer,

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<v Story A>he was my de facto mentor, so to speak.

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<v Story A>My name is Steve, and I am a ghost tour

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<v Story A>guide in the city of Philadelphia. Now I gotta go

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<v Story A>forward a bit to when we're starting an Atlantic City ghost tour.

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<v Story A>You know, they were doing a test run and they

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<v Story A>wanted me to see how it would look, and you know,

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<v Story A>give my own two cents about it. So I went there.

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<v Story A>We're doing a practice and it's me giving Steven a tour.

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<v Story A>This time, we complete the tour and we're walking back

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<v Story A>down the board walk. I asked, Hey, has anything ever

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<v Story A>happened to you on the tour, like, do you have

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<v Story A>a personal experience? Stephen then goes into his story.

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<v Story A>It happened in 2021. I had three young girls in

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<v Story A>the early twenties walking with me. I just finished up

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<v Story A>the standard tour and I had an extended tour. We're

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<v Story A>on Third and Pine Street. It's kind of like the

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<v Story A>older part of Philadelphia. At night they got street lamps

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<v Story A>on and on that intersection, it can't get a little noisy.

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<v Story A>I was just wrapping up the tour and this guy

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<v Story A>crossing the street came over.He appeared to be in his

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<v Story A>mid twenties. He looked like he was jogging through the

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<v Story A>city because he had jogging shorts on and he was sweaty. Initially,

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<v Story A>I thought he may have just been like running and

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<v Story A>it was just kind of crossing paths. But what was

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<v Story A>so off putting about him was that as he got closer,

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<v Story A>I noticed a big bloody gash on his forehead and

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<v Story A>it looked like there was blood running down his face.

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<v Story A>My first reaction was, I thought that this guy got

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<v Story A>into a fight. And then he said, "Oh, don't mind me,

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<v Story A>I'm just looking in." It was very casual. Who says that,

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<v Story A>you know? It just was weird, and so my gut

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<v Story A>reaction was that this guy was like looking for trouble. Basically,

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<v Story A>I just said, "Oh, I'm sorry, this is a private tour.

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<v Story A>We love you to have you on the next tour,

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<v Story A>you know, please check us out. And all he said, and

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<v Story A>he shook his head, was "Oh don't mind me, I'm

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<v Story A>just looking in." I'm thinking to myself, if he's on drugs

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<v Story A>or anything like that, because he didn't seem all there.

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<v Story A>So for a three second I turned to the three

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<v Story A>girls and they're looking at the guy, and I turned

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<v Story A>back and he vanishes. Boom. He was just gone. I

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<v Story A>look back, and you could tell the girls were kind

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<v Story A>of shocked. As I was telling him the story, James

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<v Story A>interrupted me and said, wait a minute, that kind of

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<v Story A>sounds like something that happened to me too.

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<v Story A>I turned to him, I said, "Guess what, Stephen, his

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<v Story A>name is John, and he's just looking in on the tour."

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<v Story A>Stephen freaks out at this point, he goes, what are

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<v Story A>you talking about? And I tell him the wholeMa story.

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<v Story A>I see he's visibly freaked out. He goes, "No, you're lying."

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<v Story A>He's like, well, how could that have happened? "Did the

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<v Story A>college girls maybe posted on Reddit and the woman in

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<v Story A>Washington maybe?" But I'm like, Stephen, "What you're trying to

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<v Story A>give me as a skeptical explanation makes less sense than

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<v Story A>us having a shared paranormal experience."

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<v Story A>What do I think about John? I think that he

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<v Story A>likes to just come back, and I think he really

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<v Story A>does like the tour, So I guess we're doing a

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<v Story A>good enough job.

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<v Therésa>Mortals kill me. You saw a ghost on the ghost

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<v Therésa>tour and we're shocked. Surely we expected at least the possibility,

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<v Therésa>But I get it, I once did sponsored content for

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<v Therésa>Glowgarden's Advanced retinoid eye treatment. And yes, even though I

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<v Therésa>was hawking it, I did not expect it to tighten

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<v Therésa>my under eyes so well, and at a pretty affordable

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<v Therésa>price point too.

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<v Therésa>Don't worry, that wasn't an ad. Glow Garden ended our

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<v Therésa>partnership after the surveillance footage from that food court bathroom

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<v Therésa>got leaked. They dropped the charges though, But if anyone

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<v Therésa>from corporate is listening and wants to get back in

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<v Therésa>the Therésa business, just email Len at Huntingthepodcast at gmail

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<v Therésa>dot com. I don't really have under eyes anymore, but

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<v Therésa>I still love the gesture. I digress. Point is we're

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<v Therésa>allowed to be skeptics, but in my opinion, a supernatural

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<v Therésa>experience is like falling in love. It comes when you

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<v Therésa>least expect it.

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<v Therésa>Right, right, right, or you chase after it obsessively, look

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<v Therésa>for signs where there are none, finally find it, only

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<v Therésa>to realize maybe this was a huge mistake, and then

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<v Therésa>pay a lawyer to help make it go away. What

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<v Therésa>about you, Len, Were you ever in love?

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<v Len>(mumbles)

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<v Therésa>You met your wife at a Kenny Chesney concert, that

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<v Therésa>really checks out. Naomi? Hate to break it to you,

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<v Therésa>but Phi-Delts Champagne and Shackles probably isn't love. You're right,

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<v Therésa>not for me to judge. Hey, how about this, everyone

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<v Therésa>sound off in the comments and tell us either where

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<v Therésa>you saw your first ghost or where you met your

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<v Therésa>first love, and later I'll try to guess which one

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<v Therésa>it was.

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<v Therésa>Anyway, so on one side of the spectrum we have James,

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<v Therésa>who's looking for ghosts but doesn't always find them, and

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<v Therésa>on the other side we have Miranda, who's never looking

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<v Therésa>but they always seem to find her.

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<v Story B>I just got hit with this bad, scary, terror. It

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<v Story B>was just like, ugh, I gotta go. I gotta get out .

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<v Story B>That's the only car there. It's raining, it's nasty, it's

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<v Story B>pulled out, and I look over across from me. All

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<v Story B>the plumps are empty, but there's a light. It's just

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<v Story B>flickering above the plump directly across from me. And I

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<v Story B>was like, nope, I gotta go.

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<v Story B>My name's Miranda. I'm kind of like that kid from

0:14:38.520 --> 0:14:42.160
<v Story B>the Sixth Sense, except I don't see dead people, I

0:14:42.240 --> 0:14:45.520
<v Story B>feel them.

0:14:45.760 --> 0:14:49.560
<v Story B>I lived in Columbus, Georgia in college, and it's known

0:14:49.600 --> 0:14:53.240
<v Story B>for being a haunted city. There were battlefields and battles

0:14:53.280 --> 0:14:55.880
<v Story B>there during the Civil War, so it's you know, the

0:14:55.920 --> 0:15:02.400
<v Story B>stereotypical old timey ghosts that hang out there. I lived

0:15:02.440 --> 0:15:04.960
<v Story B>in a one hundred and two year old house, and I would

0:15:05.000 --> 0:15:10.320
<v Story B>notice things from time to time. I felt presences. It

0:15:10.400 --> 0:15:14.440
<v Story B>wasn't one thing that I felt constantly each time it's

0:15:14.480 --> 0:15:15.200
<v Story B>a little different.

0:15:15.880 --> 0:15:18.280
<v Story B>Sometimes you walk into a room and that room would

0:15:18.320 --> 0:15:20.680
<v Story B>be ice cold, you could see your breath, and it's summer.

0:15:22.240 --> 0:15:24.960
<v Story B>Some days my dogs would get all spoofed, and my

0:15:25.040 --> 0:15:29.240
<v Story B>dog was growling at me. She wasn't staring at me.

0:15:29.320 --> 0:15:31.960
<v Story B>It was like she was staring behind me and just

0:15:32.000 --> 0:15:37.440
<v Story B>like looking through me, growling, which is particularly spooky. And then

0:15:37.480 --> 0:15:40.560
<v Story B>I had this one really awful experience.

0:15:47.080 --> 0:15:50.400
<v Story B>I was getting ready to go somewhere and I'm doing

0:15:50.440 --> 0:15:56.120
<v Story B>my hair and I hear this bang. They'd been doing

0:15:56.160 --> 0:15:58.640
<v Story B>work near my house, so I just figured, Okay, it's

0:15:58.640 --> 0:16:03.520
<v Story B>like seven pm., why are they still doing in construction? Just like bang, bang, bang.

0:16:04.680 --> 0:16:10.400
<v Story B>It kept getting louder and closer, so loud you can

0:16:10.400 --> 0:16:13.280
<v Story B>feel the vibration. It sounded like it was on my

0:16:13.480 --> 0:16:14.040
<v Story B>roof just.

0:16:17.960 --> 0:16:20.200
<v Story B>And I was trying to ignore it blow during my hair.

0:16:20.800 --> 0:16:23.920
<v Story B>And then I heard my side door.

0:16:23.760 --> 0:16:26.440
<v Story B>Open and footsteps.

0:16:30.520 --> 0:16:33.640
<v Story B>It sounded like something ran from my side door through

0:16:33.680 --> 0:16:36.680
<v Story B>my kitchen. Oh god, oh no, someone's in my house.

0:16:39.280 --> 0:16:42.840
<v Story B>I just immediately freaked out, threw a blow dryer down,

0:16:43.040 --> 0:16:44.080
<v Story B>didn't have on shoes.

0:16:44.160 --> 0:16:44.800
<v Story B>I was like, I'm.

0:16:44.680 --> 0:16:47.040
<v Story B>Getting out of here right now. It's all like someone

0:16:47.120 --> 0:16:49.400
<v Story B>just broke in my house. So I go to run

0:16:49.400 --> 0:16:53.000
<v Story B>out the front door, and the chain lock was locked.

0:16:53.960 --> 0:16:55.920
<v Story B>I'd never locked that chain lock in my whole life.

0:16:56.040 --> 0:16:57.680
<v Story B>I was like, oh god, oh god.

0:16:59.040 --> 0:17:00.000
<v Story B>I threw it a front door.

0:17:00.480 --> 0:17:02.280
<v Story B>I ran out, got in my car, and I drove

0:17:02.320 --> 0:17:10.119
<v Story B>two blocks away and I called the cops. They came

0:17:10.280 --> 0:17:13.080
<v Story B>and they checked out my house. No signs of forced entry,

0:17:14.080 --> 0:17:18.000
<v Story B>nothing was touched. I was just scared out of my mind.

0:17:19.520 --> 0:17:23.439
<v Story B>I definitely sensed something. It was a really bad feeling.

0:17:23.840 --> 0:17:27.000
<v Story B>Most times whatever I'm sensing is not very ominous, but

0:17:27.080 --> 0:17:30.040
<v Story B>this one was terror. I feel like it wants to

0:17:30.240 --> 0:17:32.480
<v Story B>kill me or hurt me. I don't want to be here,

0:17:32.600 --> 0:17:35.359
<v Story B>like it was really scary.

0:17:36.240 --> 0:17:38.600
<v Story B>I had a friend in college and he said, oh,

0:17:38.640 --> 0:17:42.240
<v Story B>your house is a portal for spirits. So he came

0:17:42.280 --> 0:17:46.040
<v Story B>over and he brought some salt. He sprinkled it around

0:17:46.080 --> 0:17:48.200
<v Story B>like my door frames and burned some sage and said

0:17:48.240 --> 0:17:51.560
<v Story B>some stuff. I lived in that house for three years

0:17:51.800 --> 0:17:53.439
<v Story B>and I didn't have any problems after that.

0:17:56.280 --> 0:18:00.560
<v Story B>I worked in a trauma center. We had six trauma

0:18:00.600 --> 0:18:04.480
<v Story B>base and trauma four was the biggest room, so that's

0:18:04.520 --> 0:18:07.240
<v Story B>where all patients that were in the worst shape would

0:18:07.240 --> 0:18:09.280
<v Story B>go because there's gonna be like twenty people in the

0:18:09.359 --> 0:18:11.680
<v Story B>room trying to save lives as quickly as possible.

0:18:13.320 --> 0:18:16.560
<v Story B>And in trauma four the lights would do this thing where

0:18:16.560 --> 0:18:18.439
<v Story B>they would flicker, and a lot of people died in

0:18:18.480 --> 0:18:20.520
<v Story B>frauma four. When the light would flicker, then they sayto

0:18:20.600 --> 0:18:23.240
<v Story B>my coworkers, I'd be like, "oh, oh, guys, they're here.

0:18:23.800 --> 0:18:26.480
<v Story B>Looks like whoever's coming trauma four is gonna die."

0:18:27.040 --> 0:18:30.679
<v Story B>They all me like spooky, Miranda, like stop it, that's weird.

0:18:30.920 --> 0:18:33.040
<v Story B>Like I'm just letting you know that I send it.

0:18:33.600 --> 0:18:35.679
<v Story B>I'm not trying to be spooky. I'm just letting you

0:18:35.800 --> 0:18:36.680
<v Story B>know they're here.

0:18:37.800 --> 0:18:41.240
<v Story B>Every time I've sent something or seen that flickering light,

0:18:41.320 --> 0:18:44.560
<v Story B>it's either somebody's gonna die.

0:18:44.640 --> 0:18:46.760
<v Story B>Or somebody just die.

0:18:47.680 --> 0:18:50.080
<v Story B>Even if I'm alone with the patient and they're about

0:18:50.119 --> 0:18:53.040
<v Story B>to die, it feels like it's more than just me

0:18:53.160 --> 0:18:54.480
<v Story B>and that one person there.

0:18:54.720 --> 0:18:56.920
<v Story B>It feels like there's something else there.

0:19:00.880 --> 0:19:01.520
<v Story B>Thank God, I.

0:19:01.440 --> 0:19:04.400
<v Story B>Can't see whatever I'm sensing. If I could see it,

0:19:04.680 --> 0:19:07.119
<v Story B>I would lose it. It already creeps me out one

0:19:07.160 --> 0:19:08.680
<v Story B>hundred percent of the time. Every time.

0:19:10.160 --> 0:19:12.600
<v Story B>I've seen people live that should have died, and I've

0:19:12.600 --> 0:19:14.240
<v Story B>seen people die that should have lived, and there's not

0:19:14.320 --> 0:19:14.600
<v Story B>a lot of.

0:19:14.640 --> 0:19:15.320
<v Story B>Rhyme or reason.

0:19:16.840 --> 0:19:21.680
<v Story B>One that I specifically remember was really bad. This person's young,

0:19:21.760 --> 0:19:23.840
<v Story B>they have no health problems, but I have just like

0:19:23.880 --> 0:19:28.720
<v Story B>an overwhelmingly bad feeling. And I said, something's wrong. They're

0:19:28.720 --> 0:19:32.280
<v Story B>gonna die, and they're like, oh no. Their oxygen's saturation

0:19:32.480 --> 0:19:35.000
<v Story B>was really good. It was like ninety nine percent the

0:19:35.040 --> 0:19:36.760
<v Story B>best you can get to the hundred. And they're like,

0:19:36.840 --> 0:19:39.160
<v Story B>it's fine, and I was like, it's not fine. And

0:19:39.200 --> 0:19:44.760
<v Story B>then the lights flickered and they did end up dying.

0:19:46.600 --> 0:19:48.359
<v Story B>There's a lot of lights in the room, but the

0:19:48.400 --> 0:19:50.760
<v Story B>one flickering in the trouba room was the one that's

0:19:50.840 --> 0:19:55.640
<v Story B>right over the patient bed. I have happened in ambulances

0:19:55.680 --> 0:19:58.399
<v Story B>where the lights have flickered but I don't know it's landing,

0:19:58.560 --> 0:20:02.439
<v Story B>just like, oh, something else is here. We had someone

0:20:02.440 --> 0:20:06.119
<v Story B>that had been shot a bunch of times that was

0:20:06.280 --> 0:20:08.639
<v Story B>already a losing battle. It was just too much. But

0:20:08.760 --> 0:20:13.280
<v Story B>I definitely since that one too. There's always one light

0:20:13.359 --> 0:20:17.240
<v Story B>right over the patient, and that's the one flickering. I

0:20:17.280 --> 0:20:20.760
<v Story B>mean sure from a scientific sampoy the light flicker maybe.

0:20:20.600 --> 0:20:24.560
<v Story B>Just bad wiring, but it's kind of coincidental and it's

0:20:24.640 --> 0:20:26.160
<v Story B>only at certain times.

0:20:26.840 --> 0:20:28.679
<v Story B>But I have noticed it in the trauma bay, I

0:20:28.760 --> 0:20:32.680
<v Story B>noticed it in the ambulance, and then most recently, I.

0:20:32.760 --> 0:20:39.760
<v Story B>Noticed it at the gas station. It was kind of

0:20:39.760 --> 0:20:41.960
<v Story B>cold and rainy, and I was running late to work.

0:20:42.680 --> 0:20:44.960
<v Story B>I don't have enough gasket to work, okay, So I

0:20:44.960 --> 0:20:46.919
<v Story B>stopped at the gas station. I don't normally go to,

0:20:48.520 --> 0:20:51.520
<v Story B>oh my gas, and all of a sudden, I got

0:20:51.520 --> 0:20:55.119
<v Story B>this overwhelmingly bad feeling, just like a punch you and

0:20:55.160 --> 0:20:58.480
<v Story B>you're kind of bad feeling. The first thing I did,

0:20:58.480 --> 0:21:02.800
<v Story B>of course, was just look around, is somebody here? There's

0:21:02.880 --> 0:21:06.359
<v Story B>nobody there, nothing going on, no other cars but mine,

0:21:06.800 --> 0:21:08.680
<v Story B>and all the pumps are empty. But there's a light

0:21:08.960 --> 0:21:13.920
<v Story B>above the pump directly across from me, flickering. I was like, nope,

0:21:14.200 --> 0:21:15.440
<v Story B>I gotta leave, and.

0:21:15.440 --> 0:21:17.560
<v Story B>I got out of their fronto.

0:21:22.040 --> 0:21:24.280
<v Story B>It was just such a weird, bad feeling, and I

0:21:24.280 --> 0:21:27.959
<v Story B>haven't felt a feeling that weird or overwhelmingly bad sense,

0:21:31.720 --> 0:21:33.640
<v Story B>whatever it was, it felt.

0:21:33.320 --> 0:21:35.320
<v Story B>Like someone was murdered there.

0:21:36.119 --> 0:21:38.960
<v Story B>The next morning, I was getting ready for work and

0:21:40.440 --> 0:21:42.120
<v Story B>I googled it and.

0:21:42.240 --> 0:21:44.880
<v Story B>I with one hundred percent freaked out.

0:21:46.560 --> 0:21:50.399
<v Story B>A few years back, a man's pumping gas at that

0:21:50.520 --> 0:21:54.399
<v Story B>gas station and in the broad daylight, some guy in

0:21:54.480 --> 0:21:57.320
<v Story B>a scream mask gets out and goes to rob the guy.

0:21:58.440 --> 0:21:59.919
<v Story B>The guy but the pump was like.

0:22:00.000 --> 0:22:02.840
<v Story B>Okay, well here's myself take a goat, and the guy

0:22:02.880 --> 0:22:06.480
<v Story B>in the screen mask just shot him dead. Anyway, the

0:22:06.520 --> 0:22:11.320
<v Story B>guy that was Killba's pretty young name was Kenneth. One

0:22:11.400 --> 0:22:13.920
<v Story B>hundred percent think for that was him being like, get

0:22:13.920 --> 0:22:18.000
<v Story B>out of this place. It's bad, it's dangerous. This gift

0:22:18.000 --> 0:22:22.000
<v Story B>that I have, I don't want it, honestly, it's creepy

0:22:22.000 --> 0:22:33.120
<v Story B>and I wish they would just leave me alone.

0:22:36.800 --> 0:22:39.679
<v Therésa>Oh I hear you, Miranda, but I'd give anything to

0:22:39.760 --> 0:22:42.480
<v Therésa>run into someone like you, or even better, that freaky

0:22:42.480 --> 0:22:44.560
<v Therésa>little kid from the sixth sense who could actually see

0:22:44.600 --> 0:22:48.399
<v Therésa>dead people. Do you know how frustrating it is to

0:22:48.440 --> 0:22:51.640
<v Therésa>not be perceived? I haven't gone this unnoticed since before

0:22:51.680 --> 0:22:55.359
<v Therésa>my first nose job. It's almost like if it weren't

0:22:55.359 --> 0:22:59.280
<v Therésa>for this podcast, that would just be no one drifting

0:22:59.320 --> 0:23:03.000
<v Therésa>through the inbetween mustering all my strength to fiddle a

0:23:03.160 --> 0:23:06.200
<v Therésa>light here and there. And for what the rest of eternity?

0:23:07.000 --> 0:23:10.200
<v Therésa>But let's get into the comments, huh! Reminder, the game

0:23:10.280 --> 0:23:15.399
<v Therésa>is first ghost spotting or first love! Okay, dog park. Easy,

0:23:15.520 --> 0:23:20.560
<v Therésa>first love. My grandparents' attic. Hopefully first ghost. The bar

0:23:20.600 --> 0:23:23.840
<v Therésa>at the Standard Hotel. Love. The bar at the Culver Hotel,

0:23:24.000 --> 0:23:27.960
<v Therésa>ghost obvi. My high school. Hmmm, could go either way.

0:23:28.000 --> 0:23:35.320
<v Therésa>I'm gonna say love. McDonald's play place. Ooh, ghost. Love

0:23:35.359 --> 0:23:39.639
<v Therésa>Shack Fancy sample sale. Huh. Ghost, probably me. Backstage at

0:23:39.640 --> 0:23:44.240
<v Therésa>a B52s concert. Ghost. Open secret, the B52s are all ghosts.

0:23:45.880 --> 0:23:47.760
<v Therésa>Okay, Well, I think that's a good one to end on.

0:23:48.000 --> 0:23:50.240
<v Therésa>I've got to get to a meeting with my caseworker, Sharon.

0:23:50.680 --> 0:23:52.679
<v Therésa>I don't want to jinx it, but I've been feeling

0:23:52.800 --> 0:23:55.919
<v Therésa>pretty good about my unfinished business lately, so don't be

0:23:55.960 --> 0:23:58.560
<v Therésa>shocked if there's no new episode next week. Just know

0:23:58.600 --> 0:24:01.480
<v Therésa>if I'm not here, I'll be vibing behind the pearly gates.

0:24:02.520 --> 0:24:02.560
<v Len>(mumbles)

0:24:04.760 --> 0:24:07.920
<v Therésa>kay, Okay, if you're a loved one has a supernatural

0:24:07.920 --> 0:24:10.560
<v Therésa>experience to share, reach out to Len at HauntingThePodcast@gmail.com and

0:24:10.560 --> 0:24:13.440
<v Therésa>you can be featured on a future episode. Happy Len?

0:24:14.520 --> 0:24:14.840
<v Therésa>(mumbles)

0:24:14.880 --> 0:24:18.240
<v Therésa>Okay, love you all Haunting fam, Kisses kisses, see you next

0:24:18.280 --> 0:24:20.560
<v Therésa>time or not wish me luck.

0:24:23.960 --> 0:24:26.600
<v Credits>If you have a Haunting story to share, please email

0:24:26.680 --> 0:24:31.639
<v Credits>us at HauntingThePodcast@gmail.com. Haunting is a production of Glass Podcasts and

0:24:31.680 --> 0:24:32.320
<v Credits>partnership with iHeartPodcasts.

0:24:33.680 --> 0:24:37.520
<v Credits>Haunting was created and executive produced by Nancy Glass, Andrea Gunning,

0:24:37.640 --> 0:24:41.000
<v Credits>Ben Fetterman, and Lauren Lapkus. It is hosted by Lauren

0:24:41.080 --> 0:24:42.960
<v Credits>Lampkez as her character Therésa.

0:24:43.440 --> 0:24:46.399
<v Credits>Haunting is directed by Aleah Welsh and produced by Trey Morgan.

0:24:46.600 --> 0:24:48.879
<v Credits>It is written by Aleah Welsh, with additional writing by

0:24:48.920 --> 0:24:53.560
<v Credits>Nancy Glass, Trey Morgan, Ben Fetterman, and Kristin Melchiorre. Additional production

0:24:53.600 --> 0:24:56.959
<v Credits>support by Todd Ganz. Additional voice acting by Trey Morgan

0:24:57.160 --> 0:24:59.119
<v Credits>as the character producer Len Walker.

0:25:00.080 --> 0:25:02.960
<v Credits>Editing and sound designed by Matt Delvecchio with additional editing

0:25:03.000 --> 0:25:06.280
<v Credits>by Nico Aruoca, mixed and mastered by Dave Saia.

0:25:06.720 --> 0:25:11.080
<v Credits>Operations and production support by Kristin Melchiorre. Haunting's theme and original

0:25:11.080 --> 0:25:14.720
<v Credits>compositions were composed by Oliver Banes and Dorry Macaulay of Noiser

0:25:15.240 --> 0:25:18.600
<v Credits>Music Library, provided by Mibe Music. Special thanks to Speakeasy

0:25:18.920 --> 0:25:20.800
<v Credits>Sound Studios in Burbank, California.

0:25:21.240 --> 0:25:24.160
<v Credits>Follow us on social media by searching for Glass Podcasts

0:25:24.440 --> 0:25:28.640
<v Credits>or by visiting glasspodcasts.com. For more shows from iHeart Podcasts

0:25:28.640 --> 0:25:32.639
<v Credits>and Glass Podcasts, visit the iHeartRadio app, Apple podcast, or

0:25:32.720 --> 0:25:34.720
<v Credits>wherever you get your podcasts.