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Speaker 1: Forever. Look man, oh I see you? Why why? And

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Speaker 1: look over there? How is that culture? Yeah? Goodness, less

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Speaker 1: cultures calling bitch. It is a fucking sop fest New

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Speaker 1: York City. Can I say something publicly? Yes? No more

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Speaker 1: talking about the weather, no interest. But this has got

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Speaker 1: to be interesting. We have to settle on the it's

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Speaker 1: the discourse. On the discourse, it's so meta. It's like

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Speaker 1: a culture vote. It's like voting to vote. It's it's

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Speaker 1: it's having the conversation. To have the conversation about talking

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Speaker 1: about the weather, because I keep going back and forth,

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Speaker 1: and you keep going back and forth, and where they're

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Speaker 1: not talking about the weather is acceptable? I think it is.

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Speaker 1: When something is so unusual you have to call it.

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Speaker 1: It is unusually humid. Look at my fucking shirt. I'm drenched.

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Speaker 1: I've never looked this way. I've never looked as I've

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Speaker 1: never seen you. I have never seen you. You bowen

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Speaker 1: one of the warmest presences. When you send that to him,

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Speaker 1: it's like there's always a crackling fire. And he came

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Speaker 1: in here and he said, don't hug me. No one

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Speaker 1: hugged me. I did not. You said this. You put

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Speaker 1: up both your hands in our guest face, and you said,

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Speaker 1: don't hug me, no one touched me. I'm a sop

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Speaker 1: fest that's what you said. That wasn't the reading. And

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Speaker 1: I would have hugged you anyway. That was not the reading.

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Speaker 1: Then what then? How what did you say? So our

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Speaker 1: guest shoots up from his chair our guest? I mean,

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Speaker 1: I mean if I'm if anyone were to outmatch my warmth,

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Speaker 1: it would be our guest shut up? Okay, what she

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Speaker 1: could be icy? She could be icy over email, Well,

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Speaker 1: she shot up over she shut up from her chair

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Speaker 1: to hug me. And this is this is this is

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Speaker 1: the reading. Well can you can you just repeat the

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Speaker 1: quote you said, don't touch me, no one hugged me.

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Speaker 1: I'm a sop befest. Okay, this is this is how

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Speaker 1: I said it. Don't touch me, no one hugged me.

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Speaker 1: I'm a stop fast. You love to give yourself a

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Speaker 1: good narrative. You are You're a victim. You're a public victim.

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Speaker 1: Bowen yang, a public victim. That's the title of your

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Speaker 1: stand up. Like oh my god, wait, gorgeous beat of

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Speaker 1: sweat just rolled on your face. It was like it

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Speaker 1: was like, my god, it was like Gray's anatomy, but

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Speaker 1: for heat. But for heat that was so glamour, rude,

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Speaker 1: lamor rude. You can't believe how beautiful that was. Can

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Speaker 1: you feel the energy? I can, It's a thick energy.

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Speaker 1: And can I say something? Yes, we only allow so

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Speaker 1: many straight men. I always say, can I say something?

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Speaker 1: I know I've noticed and you and I always tell

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Speaker 1: you always have the permission and we have the right

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Speaker 1: to say thing. And but just to address what you

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Speaker 1: just said, we only allow a certain number of straight

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Speaker 1: I mean we really do. Can we name them? Can

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Speaker 1: we count them? On one hand? First of all Sylvestry,

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Speaker 1: sylvest Street, Tim Platt, Billy Dominant, Domino, Chris Red, Chris

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Speaker 1: Red Famous, And we're missing a couple. I mean there

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Speaker 1: have been other straits, There's been other straits, but I

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Speaker 1: mean those are the queens of the Straits though apparently

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Speaker 1: queens of the Straits. And I got to say, the sky.

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Speaker 1: You know there's something about this guy. Um when when

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Speaker 1: he came into our life, this guy, this guy, he

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Speaker 1: approached us and said, I think there's something there, and

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Speaker 1: we said, we know, we know, we know, we've been

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Speaker 1: around each other and we know there's something about this energy,

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Speaker 1: this duo. But truly, I mean, he gave us so

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Speaker 1: many opportunities. He was he was the one who sort

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Speaker 1: of opened the door for us to write recaps for Vulture.

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Speaker 1: I'm still making those checks. I'm still making those checks.

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Speaker 1: I'm not me. I wish, I wish I could even

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Speaker 1: though I had. This is how in love with making

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Speaker 1: money I am. This is how obsessed with money I am.

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Speaker 1: Even though I had a full time job. I would

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Speaker 1: still wake up at not getting six in them morning too, right,

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Speaker 1: watch RuPaul's Dragons and write those recaps before I had

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Speaker 1: to go into work. Attempt I can't believe because I'm

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Speaker 1: so obsessed with just getting any money. So if you

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Speaker 1: guys go back and read the season eleven recounts, just

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Speaker 1: like read that from the lens of Matt Rodgers being

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Speaker 1: completely stretched, then, um, honestly and being a fucking money

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Speaker 1: hungry ass. I'm a money hungry ass. My ass is

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Speaker 1: hungry for money. UM. So here's the thing. There's something

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Speaker 1: about this something about this guy. You know. The thing

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Speaker 1: about him is he's a senior editor Vulture. That is

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Speaker 1: one of the things about him. And another thing about

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Speaker 1: him is he's one of he's not one of the

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Speaker 1: host He is the host of the Good One podcast

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Speaker 1: presented by Vulture, presented by Headgum, Headgun and Vulture. You

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Speaker 1: know that this is something I I know very well,

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Speaker 1: presented by Headgum and Vulture. I was the one of

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Speaker 1: the co hosts of a podcast called Web the Tuck,

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Speaker 1: which he puts he he was the mastermind behind called

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Speaker 1: drag Her and you know, they continue on and he's

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Speaker 1: but he's such a champion for people in the community.

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Speaker 1: He really is, and he's laughing, No, he really is.

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Speaker 1: He like has really helped, you know, showcase. He said

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Speaker 1: such nice things about us. We were on a good one.

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Speaker 1: We were we had a fifteen minute thing on Good

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Speaker 1: One because we're not big comics, you know, we were tiny,

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Speaker 1: tiny commy baby, I'm not even not even both of

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Speaker 1: us are big enough to get a full We both

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Speaker 1: were roughly amount to like seven and a half minutes

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Speaker 1: worth of time, you know what. That's how much we

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Speaker 1: are after after posts after after you know, exactly exactly.

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Speaker 1: But that was really fun. That was so fun, and

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Speaker 1: that was such a fun show. Yeah, and I really

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Speaker 1: love and he really asks the right question and just

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Speaker 1: so you want to know. The Good One podcast has

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Speaker 1: comics come on and they talk about and dissected their

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Speaker 1: iconic jokes and their iconic bits and the material, and

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Speaker 1: then we kind of get a glimpse into the process.

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Speaker 1: It's if you love comedy, you would love this podcast.

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Speaker 1: Love Good One. And this is a man that I

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Speaker 1: would like to tickle me. I would I'm sorry what

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Speaker 1: I would like him to tickle me? But I think

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Speaker 1: that if you were to approach me in a romantic setting, Okay,

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Speaker 1: I would let him tickle me. What if it was

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Speaker 1: completely patanic? Fine, Okay, she sounds really fine. That sounds fine.

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Speaker 1: I bet that me and our guest would have been

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Speaker 1: really good friends at elementary school. I bet the three

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Speaker 1: of us would have had a sleepover, you know, before

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Speaker 1: things get like sexually complicated. Yeah, okay, that's all I

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Speaker 1: have to say about throwing out. So I would enjoy

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Speaker 1: a frozen pizza with this You're throwing out something about

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Speaker 1: this guy tickling sleepover's pizza. I don't know. I get

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Speaker 1: to sense when I'm around him that we would have

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Speaker 1: innocent fun together. And there's something about this guy. And

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Speaker 1: then there's something about this guy. Yes, there's something about

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Speaker 1: this guy. Please welcome into your ears, Jesse David Fox,

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Speaker 1: Oh that was so nice. Forever you are. You know,

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Speaker 1: you're the sweetest boy. You're the sweetest boy. I try.

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Speaker 1: You are really do treet boy and you end on

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Speaker 1: your tweets with love Jesse. Because Hunter made me and

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Speaker 1: Hunter's young and taught me how Twitter war this is.

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Speaker 1: You were talking about the iconic I have to say something.

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Speaker 1: This episode will largely be about you. But now that

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Speaker 1: you've mentioned well, I bring her up and then immediately

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Speaker 1: I brought it up. So the first time I first

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Speaker 1: became involved on Twitter with Hunter Harris when Alex Young

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Speaker 1: was coming to Game Show. He asked for tickets to

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Speaker 1: Game show and I said yes. He's like, can I

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Speaker 1: have a plus one to bring the iconic counter Harris?

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Speaker 1: And I was like, I think I know this person

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Speaker 1: from Twitter and even he referred to her as the

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Speaker 1: iconic uns. You have to follow Hunter Harris at Hunter

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Speaker 1: y Harris. You will not be disappointed. It's daily, just

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Speaker 1: like daily. Belly laughs for me, are you bringing something up?

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Speaker 1: I'm bringing something up? She So we're recording this on July.

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Speaker 1: What is the seventeen um tweet? Nineteen I mean nations

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Speaker 1: came out yesterday. She tweeted her. She tweeted, um, not

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Speaker 1: not a single billions nomination. I see period locking off

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Speaker 1: and fajor bars she her, So I like sort of

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Speaker 1: had a private good one with her. But how she

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Speaker 1: does it to Her computer is filled with folders that

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Speaker 1: are collated by types of gifts, types of photos. I

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Speaker 1: was like, I was like, she was like my friends like,

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Speaker 1: don't let them make this is special. It's really a thing.

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Speaker 1: She's amazing, the queen of Twitter for me, Queen of Twitter,

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Speaker 1: the queen truly so goddamn funny, so fun I'm just

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Speaker 1: laughing at like she you tweeted something that you just

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Speaker 1: tweeted the other day we were together, we were just

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Speaker 1: I was at mats apartment. We were laughing, laughing, laughing

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Speaker 1: about Hunter, and then you tweeted screaming why Harrison is

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Speaker 1: the queen of Twitter or something. And then she quite

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Speaker 1: tweets and she and all she says is the taste

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Speaker 1: he has taste spelled t a with an M S

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Speaker 1: t e. Axon take the toss day that he has. Wait,

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Speaker 1: hold on, I'm going to share one more, one more

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Speaker 1: tweet that I liked that is just like, hold, this

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Speaker 1: is so annoying. Don't mean a private good one like you. No. No.

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Speaker 1: I literally just asked her how she did it. I

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Speaker 1: think you. I think that's so. She said six, I

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Speaker 1: mean six Emmy nominations for Homecoming, a film by Beyonce,

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Speaker 1: eight periods, a huge ellipses, a moment most pleasing to

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Speaker 1: me in my career. It crazy. I don't know who

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Speaker 1: one of those was for writing which I which can

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Speaker 1: we talk about this? I think it's odd, It's beyond odd.

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Speaker 1: It's her Nanette want of Sykes because this is the

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Speaker 1: way where most stand ups get nominated. I'm very aware

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Speaker 1: of this guy. So her Nanette wanted Sikes, Amy Schumer

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Speaker 1: and man Who's and Adam Sandler and Adam Sandler. It's

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Speaker 1: truly like four Netflix specials and Beyonce for writing um Homecoming,

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Speaker 1: which we should be said, a phenomenal special, phenomenal phenomenal.

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Speaker 1: Let's let's even give it a phenomenal outstanding variety of

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Speaker 1: special whatever the next word is for her. I mean

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Speaker 1: maybe part of the submission was I don't know, I'm

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Speaker 1: not as much of an Awards one because I would

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Speaker 1: like to be. But maybe part of the special is

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Speaker 1: submitting some writing sample from the true But it's like,

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Speaker 1: I'm sure you know, like all like the phone muffled

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Speaker 1: phone voiceovers in Homecoming, I'm sure like she like I

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Speaker 1: don't know, I'm sure she was involved in that creative process. Well,

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Speaker 1: someone had to write that sketch with the bug a

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Speaker 1: booze bugga booze make me laugh, which is Emmy worthy.

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Speaker 1: But I also think that Emmy's like when think they

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Speaker 1: like to teut like this got eleven, this guy they

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Speaker 1: like having both one nominees like things yetting on a role.

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Speaker 1: I don't know totally why. So it's probably also like,

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Speaker 1: well there is writing. It was not bad, so like

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Speaker 1: this is a sensation they want to make sure that

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Speaker 1: you haven't. They want when you look at the total

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Speaker 1: nominees like these are the most important TV things of

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Speaker 1: the year. I get that. Here's my problem with it.

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Speaker 1: And actually this is this is something where I was

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Speaker 1: talking to my dad about this today, like their dad

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Speaker 1: was like nominated. I forget how it came up. It

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Speaker 1: probably wasn't a topic and then I just started talking

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Speaker 1: about and knowing me um, but I was saying, like

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Speaker 1: it's weird that there's no category called like individual performance,

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Speaker 1: because when you watch Homecoming, what is amazing about Homecoming?

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Speaker 1: Beyonce's performance? And yet there is not a category that

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Speaker 1: exists to reward performance and especially like that. So even

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Speaker 1: if we're calling live performance, yes, even like if we're

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Speaker 1: calling what Hannah Gatsby does there an individual performance, there's

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Speaker 1: no right, there's no category to acknowledge that. And yet

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Speaker 1: there is this writing category that Beyonce gets nominated for

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Speaker 1: when it's like, if you watch that, you're like, wow,

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Speaker 1: she should win an Emmy for this performance on television,

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Speaker 1: and yet there is no category four. And that is

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Speaker 1: actually where I would place all the Saturday Night Live performers.

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Speaker 1: That is a weird thing, very much weird. It's always weird,

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Speaker 1: but it's nice. I guess when there was a time

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Speaker 1: where sn L. I mean there's decades where there no

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Speaker 1: one is getting nominated, so well, what's cool when they

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Speaker 1: started getting But now because it's in the news all

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Speaker 1: the time. I don't know if you've heard Bowen that

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Speaker 1: now that they have to try out a few Robert

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Speaker 1: de Niro's getting one for eight minutes of screen time, right,

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Speaker 1: which is he submitted the Sandra episode, which is which

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Speaker 1: Sandra also got nominated for. But for me, the SNL

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Speaker 1: thing is weird because it's it's weird that it splits

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Speaker 1: off into there's it lives under the umbrella category of variety.

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Speaker 1: But then but then these these nominations fall under comedy.

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Speaker 1: You can there be variety performed, Yes, there you go,

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Speaker 1: that's what that's what's missing there. And I think I

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Speaker 1: think there did used to be a category called individual performance,

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Speaker 1: which with them was done away with and they moved

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Speaker 1: the SML performers to competing all and supporting, which is

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Speaker 1: fine comedy in comedy. But my my issue with that,

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Speaker 1: and it has nothing to do with should they be recognized.

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Speaker 1: Of course they should be recognized, but I have I

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Speaker 1: have a tough time reconciling and also knowing, by the

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Speaker 1: way that none of this matters and most of its bought.

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Speaker 1: But like I have a tough sime time reconciling, like,

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Speaker 1: how do you put Kate McKinnon's incredible performance on sn

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Speaker 1: NOW up next to someone like Betty Gilbin, You know

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Speaker 1: what I mean? They are doing two different things. And

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Speaker 1: also you know what, shall I started watching dead to

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Speaker 1: me fantastic, fantastic, But I don't think that a comedy,

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Speaker 1: and it's twenty nine minutes long, so it's not really

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Speaker 1: a drama. It's like all these things are like blending

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Speaker 1: in together and it's just getting too weird. And now

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Speaker 1: I'm kind of thinking, like, at what point did these

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Speaker 1: and also it's binary too, which is weird. At what

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Speaker 1: point of these categories just melt away and we just

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Speaker 1: start honoring performances for what they are. I get that

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Speaker 1: it's less fun, but you know what I mean, like

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Speaker 1: it's getting weird. The only two directions it could go

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Speaker 1: is if it if it got more granular like best

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Speaker 1: performance in a drama, which is never which I don't

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Speaker 1: think it's gonna happen. Or the other direction is it

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Speaker 1: all gets lump together into one monolith of but then

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Speaker 1: it becomes like the Pulitzers or the other warden that

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Speaker 1: sounds like Pulitzers, or like here's a pile of people

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Speaker 1: body which is not fun to look at. You're like, oh,

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Speaker 1: there's no you don't know what they're being judged against.

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Speaker 1: It becomes like a fair award, but not a thing

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Speaker 1: you'd want to watch a show up of course, right,

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Speaker 1: It's like part of it is you're seeing the faces

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Speaker 1: of six Now eight people are nominated for Best, so

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Speaker 1: you'll see their eight faces and you're like, who's it

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Speaker 1: going to be? And then they'll they'll pick somebody and

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Speaker 1: then they'll get some speech and you'll forget who wins

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Speaker 1: or whatever. Um, but that is it is good TV?

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Speaker 1: Is it good awarding? Who knows? But that is why

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Speaker 1: we watch it because it's a television. Yeah, if you

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Speaker 1: lumped it, then it's just literally like listing people's names. Yeah, literally,

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Speaker 1: that is you know who I think does it? Right?

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Speaker 1: Is the Television Critics Association of the They what they

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Speaker 1: do is they say, here are six nominations for achievement

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Speaker 1: and comedy, and here's six nominations for achievement and drama,

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Speaker 1: and it's individual achievement and drama. And I remember, like, um,

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Speaker 1: this is an award that like Rachel Bloom has won

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Speaker 1: and that and they don't break it down by gender.

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Speaker 1: They do not, and the the the the um. Whenever

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Speaker 1: I brought this up before as an idea, some people say,

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Speaker 1: you know, I think rightfully, so like, well, you know

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Speaker 1: what will happen, Like it'll be all men and then

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Speaker 1: the women will be under representative and honestly, I actually

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Speaker 1: think that, and you can see on these t c

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Speaker 1: A awards like it's predominantly women. I think that the

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Speaker 1: women on television are by far giving the most exciting

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Speaker 1: performances because they're giving the space to do so. So

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Speaker 1: I don't necessarily think it would go that way, but yeah,

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Speaker 1: I think TV would be It would work because, as

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Speaker 1: you said, there's more shows for women, there's more interesting roles.

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Speaker 1: The roles written for Manner television or the same roll

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Speaker 1: over and over again, which is at the same time whatever.

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Speaker 1: But it would You couldn't do it for the oscars

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Speaker 1: because it would be it would take forever. And this

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Speaker 1: is just the nature of that industry, is that the

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Speaker 1: movie industry moved so slowly, like because there's such an

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Speaker 1: investment each thing, it takes forever. There's like only so

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Speaker 1: many movies a year that released, so that's why hard.

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Speaker 1: But TV you can definitely do it, and then women

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Speaker 1: would win all the time. Like I feel like other

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Speaker 1: than the sort of like Lynchpin, big male antihero characters

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Speaker 1: on TV, I feel like you're not seeing that that

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Speaker 1: much interesting stuff in lead actor roles. For the most part,

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Speaker 1: I think there's so much more in male supporting roles

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Speaker 1: and in female lead roles and female supports. I mean,

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Speaker 1: you saw a Game of Thrones, like they got so

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Speaker 1: many nominations and it's like it was supporting actress tons

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Speaker 1: of women, four out of the six, which is kucku.

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Speaker 1: But then you look and you're like, well, they're all great,

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Speaker 1: but did you see um somebody posted like the breakdown

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Speaker 1: of screen time that all the Game of Thrones cast

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Speaker 1: that they're and like it's like dink Ledge has like

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Speaker 1: over a forty minutes of screen time when you can

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Speaker 1: take all the season and Alfie Allen have like eight,

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Speaker 1: and it's like yet they're both supporting actors and it's

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Speaker 1: you know what I mean, It's it's just I think TV.

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Speaker 1: I felt that. I always think the Emmys is interesting

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Speaker 1: because the Emmy's is voted on by people that work

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Speaker 1: in all of TV, including people that make the TV

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Speaker 1: we never talked about, right, so they like when TV

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Speaker 1: works like, which means people watch it. So there's like

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Speaker 1: Game of Thrones is a big hit, we have to

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Speaker 1: celebrate it because it did sort of like stop time,

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Speaker 1: like it might be the last time we all sit down,

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Speaker 1: like big bank there didn't get nominated because they do

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Speaker 1: feel like they support like doing a good job, like

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Speaker 1: I feel like with like Late Night Variety, the late

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Speaker 1: night shows, they feel like they often reward like successful

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Speaker 1: broadcasting opposed to like artful television or whatever, like oh,

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Speaker 1: they are the best, sort of the most basic of

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Speaker 1: like they responded to the day or whatever it means

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Speaker 1: to be a broadcaster. And I think that's probably where,

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Speaker 1: like Game of Thrones is a big hit, let's celebrate

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Speaker 1: the whole run by seeing how many people we can nominate.

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Speaker 1: And it's like when a Lord of the Rings was

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Speaker 1: nominated for every single Oscar, there's like, look, this is

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Speaker 1: only going to happen so many times. I feel like

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Speaker 1: the industry wants to applaud itself for having a hit,

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Speaker 1: like they once to, Look, we can still do it,

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Speaker 1: Like we're still a monoculture. We still this thing was

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Speaker 1: both big and good, which is I feel like a

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Speaker 1: very sort of a very and a very Ellie sort

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Speaker 1: of reasoning, which is like, if it is good, and

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Speaker 1: it is if it is successfully big, that it is

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Speaker 1: at least somewhat good, right that you have to reward

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Speaker 1: it for for for it had to do something right

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Speaker 1: it costs a lot of money, like it it did

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Speaker 1: sort of the job of like successfully employing people in

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Speaker 1: the entertainment industry. What are your favorite nominations that happened?

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Speaker 1: Oh god, this is so hard. I can tell you

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Speaker 1: mine what you think? Um yeah, you go. I actually

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Speaker 1: can't believe that Fleabag was nominated. I can, of course,

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Speaker 1: I can believe it based on quality. But like ship

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Speaker 1: like that, like that everyone's talking about and everyone knows

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Speaker 1: is so good, rarely like rarely breaks through, Like like

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Speaker 1: you remember when The Wire was on TV and everyone

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Speaker 1: knew The Wire was the best show. Never was The

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Speaker 1: Wire like up for those awards and maybe later on,

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Speaker 1: but like never, like Friday Night Lights, it took so

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Speaker 1: long for that show to get recognized. So something like

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Speaker 1: this where it's like, you know, it's the whole industry

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Speaker 1: stopped and was like literally the industry stopped working and

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Speaker 1: scared the funk out of people, um like truly, like

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Speaker 1: you don't believe that those things are gonna get recognized.

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Speaker 1: And then something like Ships Creek where I just thought

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Speaker 1: that had like a niche fan base, but it just

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Speaker 1: goes to show I think the efforts to diversify and

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Speaker 1: include like younger people, diverse people like that slowly and

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Speaker 1: shortly you're seeing those things get embraced. M is it.

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Speaker 1: I think it might have something to do with the

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Speaker 1: finality of both of those things, because it was that

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Speaker 1: I think has one more season. I think Fleet I

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Speaker 1: mean flee Back. It's like like part of the narrative

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Speaker 1: for Fleaback wid this is this is the last season

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Speaker 1: she's doing, and it was it's been two years since.

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Speaker 1: It's a small show, and usually small shows don't get

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Speaker 1: nominated because like it doesn't make Usually a small show

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Speaker 1: does not make as big of an impression, but it

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Speaker 1: seemingly did. When you sort of exist in sort of

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Speaker 1: media bubbles, you do not know if it actually is

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Speaker 1: being watched by people outside of those media bubbles, and

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Speaker 1: like we have written about in a million times, but

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Speaker 1: we don't and we have an audience who cared about it,

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Speaker 1: but we have no sense of like, and it seemingly

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Speaker 1: has connected with people. But that's why I think the

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Speaker 1: biggest snubbles that the Hot Priest didn't get nominated. It's

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Speaker 1: so weird because two supporting actors I just did. It's

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Speaker 1: crazy and no one was checking for Shawn Clifford, but

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Speaker 1: she's amazing. She got a nomination, and that shows that

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Speaker 1: people did love it and watched it. And the thing

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Speaker 1: about Olivia Coleman getting nominated that she didn't deserve it.

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Speaker 1: But it's like she's like her screen time and this

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Speaker 1: season was like amounted to what like minutes super small,

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Speaker 1: and I can't remember anything in this season. I feel

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Speaker 1: like I'm remembered, but like, and I would say, it's like, oh,

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Speaker 1: the Emmy's like to nominate movie Star, but then the

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Speaker 1: then they did not like to nominate movie Starts because

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Speaker 1: Julia Roberts didn't get nominated, like exactly that is to

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Speaker 1: be both so the Emmys and so not the Emmies

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Speaker 1: at the same time. Truly is bizarre, the fact that

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Speaker 1: they could have had Julia Roberts there and so deserving.

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Speaker 1: Do you think Beyonce will go? Yes, I don't think.

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Speaker 1: I don't think she will at all. Well, I guess

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Speaker 1: it will come down to whether or not they show

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Speaker 1: those categories on the main show. I don't think they

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Speaker 1: will because John John mulaney one for one year and

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Speaker 1: I remember he gave a speech, so he must have

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Speaker 1: won first he won or either Best Outstanding Variety of

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Speaker 1: special or writing for variety and like panton Oswalt one

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Speaker 1: for something. So they usually do it because they probably

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Speaker 1: usually do because that means the stand up comedian will

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Speaker 1: say it's something funny. Sure, but they had that great

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Speaker 1: powder blue suit last year. You know that, though, I though,

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Speaker 1: what if they bring around she doesn't win, that'll be

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Speaker 1: that's when you're rigg it. I mean, and in this

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Speaker 1: the year of Lion King and the Winds by Medwinds,

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Speaker 1: imagine a net winning Michael j will fucking over beyond that, like,

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Speaker 1: oh my, I have I have my favorites. I do

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Speaker 1: want to point out one gigantic snab and I'm biased,

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Speaker 1: but it's something that Jesse's pushed. I was going to say,

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Speaker 1: I think Cecily Strong should should be nominated, and I

425
00:22:26,960 --> 00:22:29,600
Speaker 1: think that it is agreed. It's crazy that she doesn't

426
00:22:29,600 --> 00:22:33,199
Speaker 1: get nominated. I felt I saw it. I looked. I

427
00:22:33,280 --> 00:22:35,440
Speaker 1: was like, I was nervous. I looked slowly. I was like,

428
00:22:36,160 --> 00:22:38,000
Speaker 1: and I saw she wasn't there. It's like I should

429
00:22:38,000 --> 00:22:39,920
Speaker 1: have wrote a thing because I was like, I wrote

430
00:22:39,920 --> 00:22:41,720
Speaker 1: the thing about Keenan and Keena got nominated, and he

431
00:22:41,880 --> 00:22:43,879
Speaker 1: might have gotten doing a service, and I was like,

432
00:22:44,160 --> 00:22:46,280
Speaker 1: and we had talked about doing something and we tried

433
00:22:46,320 --> 00:22:47,440
Speaker 1: to and we couldn't get work. And I was like,

434
00:22:47,520 --> 00:22:50,439
Speaker 1: she needs again. She does what the she is, what

435
00:22:50,520 --> 00:22:52,879
Speaker 1: the show is, She does all the parts. She is

436
00:22:53,560 --> 00:22:56,640
Speaker 1: what Bill Hater was for the show what what's his name?

437
00:22:56,720 --> 00:23:01,439
Speaker 1: The guy from the nineties, Chris Parnell, not Chris Parnell

438
00:23:02,040 --> 00:23:08,920
Speaker 1: but like forte nineties and his wife killed him Phil Hartman. Yeah,

439
00:23:10,480 --> 00:23:15,440
Speaker 1: but I know, and and and of course it's amazing

440
00:23:15,440 --> 00:23:17,240
Speaker 1: that Kick got nominated again fifth year in a row.

441
00:23:17,960 --> 00:23:20,560
Speaker 1: UM and ad Lesly of course, like In the Path

442
00:23:20,640 --> 00:23:23,439
Speaker 1: got nominated so deservedly. UM would have been great if

443
00:23:23,480 --> 00:23:26,720
Speaker 1: they got nominated again too. But like Cecily going, if

444
00:23:26,800 --> 00:23:29,280
Speaker 1: she leaves that show with ever getting nominated for an Emmy,

445
00:23:29,359 --> 00:23:32,800
Speaker 1: I'm just like, that is such such an oversight for me.

446
00:23:33,160 --> 00:23:34,880
Speaker 1: And you know, the thing about it, too, is it's

447
00:23:34,920 --> 00:23:38,080
Speaker 1: like it's tough because, like I'm saying, like they don't

448
00:23:38,240 --> 00:23:42,000
Speaker 1: really belong in that category, but but yet it seems

449
00:23:42,040 --> 00:23:45,360
Speaker 1: like they've made so much room before. Like I am

450
00:23:45,480 --> 00:23:48,000
Speaker 1: so thrilled to see that so many of the performers

451
00:23:48,000 --> 00:23:49,879
Speaker 1: from that show get recognized because what they do is

452
00:23:50,200 --> 00:23:55,919
Speaker 1: so difficult and so grueling. And perform, yeah, it is performance,

453
00:23:56,000 --> 00:24:00,359
Speaker 1: real performance and like. But but to see that she

454
00:24:00,560 --> 00:24:02,720
Speaker 1: is the one that constantly gets left out is just

455
00:24:03,000 --> 00:24:06,960
Speaker 1: not correct. It's so incorrect. I mean, she she can

456
00:24:07,040 --> 00:24:10,320
Speaker 1: do anything. It's yeah, she's amazing. It'll they'll they'll be

457
00:24:10,440 --> 00:24:14,040
Speaker 1: some sort of karmic justice hopefully, yeah in the future.

458
00:24:14,480 --> 00:24:17,080
Speaker 1: Um if if, if it doesn't, if it doesn't happen,

459
00:24:17,520 --> 00:24:20,239
Speaker 1: well she's a superstar and incredible. You know, while we're

460
00:24:20,280 --> 00:24:22,800
Speaker 1: also talking about that category which has eight people in it,

461
00:24:23,080 --> 00:24:25,720
Speaker 1: there's no space for Darcy card in there. Oh my god,

462
00:24:26,880 --> 00:24:30,040
Speaker 1: how do you watch the episode that you know was

463
00:24:30,119 --> 00:24:32,919
Speaker 1: nominated for writing so that you know they watch it,

464
00:24:32,960 --> 00:24:38,720
Speaker 1: they're like, this is good. Now it is easy. But

465
00:24:38,760 --> 00:24:43,600
Speaker 1: now they're like them is interesting, and you know, it's

466
00:24:43,600 --> 00:24:45,200
Speaker 1: almost like they wrote it for her to get nominated

467
00:24:45,240 --> 00:24:49,000
Speaker 1: for an Emmy and eight and they couldn't. That's it suck.

468
00:24:49,080 --> 00:24:53,119
Speaker 1: It's really bad. And that's why that that's that's what

469
00:24:53,200 --> 00:24:55,679
Speaker 1: brings me back around to Fleabag might fucking win that

470
00:24:55,720 --> 00:25:00,480
Speaker 1: category because they obviously love it because supporting there were Yes,

471
00:25:00,840 --> 00:25:02,960
Speaker 1: I mean, I mean I think it my win comedy.

472
00:25:03,600 --> 00:25:07,720
Speaker 1: They love Barry. They fully love Barry. They are in

473
00:25:07,880 --> 00:25:13,280
Speaker 1: love supporting actors. And I'm sorry, but like the titular Berry,

474
00:25:13,480 --> 00:25:21,919
Speaker 1: they love Mazel. They're made for them. And the Mazel

475
00:25:21,960 --> 00:25:24,399
Speaker 1: was Maazel for the Emmy's actually really culture number fifty

476
00:25:24,440 --> 00:25:28,800
Speaker 1: five Mazel, And I have to say in the I

477
00:25:28,920 --> 00:25:33,800
Speaker 1: love Mazel. Yeah, we we we stand Mazel. It's just

478
00:25:33,880 --> 00:25:36,320
Speaker 1: crazy because that's when you realize how good television is,

479
00:25:36,359 --> 00:25:38,200
Speaker 1: because you look at the list and you're like, what

480
00:25:38,240 --> 00:25:40,320
Speaker 1: do you mean Darcy and Tsily weren't nominated? To get

481
00:25:40,320 --> 00:25:41,679
Speaker 1: out of my way, let me see the list, And

482
00:25:41,720 --> 00:25:43,760
Speaker 1: then you look at it and you're like, oh god,

483
00:25:44,320 --> 00:25:47,760
Speaker 1: this is so thick. The so you asked one of

484
00:25:47,760 --> 00:25:51,120
Speaker 1: my favorite because I had just for this recording interviewed

485
00:25:51,160 --> 00:25:55,240
Speaker 1: the Palladinos, the Sherman Palladinos. I had rewatched the guy

486
00:25:55,280 --> 00:25:57,600
Speaker 1: that plays the artists in episode seven in season two,

487
00:25:57,880 --> 00:25:59,960
Speaker 1: which I thought was like, oh, it's a great performer,

488
00:26:00,119 --> 00:26:03,320
Speaker 1: but no one will notice it that he got nominated. Yeah,

489
00:26:03,359 --> 00:26:06,119
Speaker 1: like the guy who plays Um the comedian, obviously he

490
00:26:06,119 --> 00:26:08,600
Speaker 1: was going to get nominated. His name, Lenny Bruce, Lenny.

491
00:26:08,640 --> 00:26:12,119
Speaker 1: He's so good. It's such a good performance and but

492
00:26:12,280 --> 00:26:15,200
Speaker 1: that the guy that played this artist in like three scenes,

493
00:26:15,920 --> 00:26:17,880
Speaker 1: and I had noticed it because that scene is so

494
00:26:17,920 --> 00:26:20,080
Speaker 1: good and so to how they shoot the show because

495
00:26:20,080 --> 00:26:22,159
Speaker 1: they don't shooting close up, so he acts with this

496
00:26:22,280 --> 00:26:24,240
Speaker 1: full body. I was like, very aware of this is

497
00:26:24,280 --> 00:26:26,680
Speaker 1: what I think. Yeah, it's also an Amazon thing where

498
00:26:26,680 --> 00:26:28,679
Speaker 1: it's like they they're programming is pretty lead and so

499
00:26:28,680 --> 00:26:30,720
Speaker 1: they're able to throw all them go into this one

500
00:26:30,800 --> 00:26:35,400
Speaker 1: they gave. They're like this, I mean, like they spent

501
00:26:35,560 --> 00:26:37,480
Speaker 1: so much money on Mazel. They didn't if that didn't

502
00:26:37,480 --> 00:26:40,520
Speaker 1: get as many nominated nominations as it did, then they'd

503
00:26:40,520 --> 00:26:43,000
Speaker 1: be like, but it did because it got a million

504
00:26:43,040 --> 00:26:46,760
Speaker 1: for it, got two for directing, a couple for writing, obviously, customs,

505
00:26:46,760 --> 00:26:50,560
Speaker 1: obviously producting, design, her incredible lead performance. I don't know

506
00:26:50,600 --> 00:26:53,439
Speaker 1: what will win because they clearly liked those shows so,

507
00:26:53,680 --> 00:26:55,560
Speaker 1: like they tell you like those three shows so much.

508
00:26:55,600 --> 00:26:58,320
Speaker 1: It's a weird one too, because ordinarily you'd look at

509
00:26:58,359 --> 00:27:00,920
Speaker 1: it and you'd say, oh, veep last season of the show,

510
00:27:01,080 --> 00:27:03,720
Speaker 1: and not for nothing. But it's not like Julia Louis

511
00:27:03,760 --> 00:27:06,400
Speaker 1: Dreyfuss wasn't just as good as she always is, if

512
00:27:06,440 --> 00:27:08,480
Speaker 1: not better. I mean, I think she was on eleven

513
00:27:08,560 --> 00:27:11,280
Speaker 1: this season, and there's of course the narrative of she

514
00:27:11,359 --> 00:27:13,560
Speaker 1: returned to the show after being sick. So it's like,

515
00:27:13,960 --> 00:27:16,439
Speaker 1: and she's one more Emmies than I think anyone in

516
00:27:16,440 --> 00:27:20,560
Speaker 1: that category. But but it's like, so, but it'll be interesting,

517
00:27:20,560 --> 00:27:23,119
Speaker 1: and I mean, you look at that category and I'm also,

518
00:27:23,200 --> 00:27:25,400
Speaker 1: like I said, I'm watching dead to me and Christina

519
00:27:25,440 --> 00:27:31,560
Speaker 1: Applegate is forever this woman. She is an icon. Yeah,

520
00:27:31,840 --> 00:27:36,040
Speaker 1: dream guest for the pod. Can you imagine I would

521
00:27:36,359 --> 00:27:37,880
Speaker 1: lose that, I would only want to talk about married

522
00:27:37,880 --> 00:27:46,480
Speaker 1: with children? You would only want to talk about Mary bitch. No, No, Samanthatha.

523
00:27:47,400 --> 00:27:50,119
Speaker 1: What was the movie with her? The movie that she

524
00:27:50,200 --> 00:27:53,560
Speaker 1: did that was her Cameron Diaz, Oh, come on. The

525
00:27:53,560 --> 00:27:57,680
Speaker 1: Sweetest Thing, Sweetest Thing, Sweetest Thing famously Sudie Green's favorite movie.

526
00:27:58,080 --> 00:28:00,960
Speaker 1: She would be people's favorite movie. It's far comedy. It's

527
00:28:01,000 --> 00:28:03,040
Speaker 1: like I feel like it was marketed as like a

528
00:28:03,200 --> 00:28:09,280
Speaker 1: light rom was like a proto brides maid like hard comedy. Yeah,

529
00:28:09,400 --> 00:28:11,240
Speaker 1: you know what this is, This is just a random

530
00:28:11,280 --> 00:28:13,119
Speaker 1: thinking about me. Is that for some reason I was,

531
00:28:13,480 --> 00:28:16,200
Speaker 1: I was obsessed with the marketing behind this movie. But

532
00:28:16,240 --> 00:28:19,240
Speaker 1: I never watched I never saw it. Was in her shoes.

533
00:28:19,720 --> 00:28:22,200
Speaker 1: Oh my god, Ken, I was like, I need to

534
00:28:22,240 --> 00:28:23,760
Speaker 1: see this movie. I never ended up seeing it. I

535
00:28:23,800 --> 00:28:27,200
Speaker 1: like I would stare at the poster for like thirty minutes.

536
00:28:27,280 --> 00:28:30,600
Speaker 1: You've never seen it, I feel like you. I went

537
00:28:30,640 --> 00:28:33,159
Speaker 1: on IMDb. This is like early days of IMDb. I

538
00:28:33,160 --> 00:28:35,560
Speaker 1: would go on IMDb and like read the quote section

539
00:28:35,640 --> 00:28:37,639
Speaker 1: and just like soak up the dialect, and I was like,

540
00:28:37,640 --> 00:28:39,200
Speaker 1: what am I doing? I should just go see this.

541
00:28:39,680 --> 00:28:41,440
Speaker 1: Actually it was probably in the closet. I was like

542
00:28:41,480 --> 00:28:43,160
Speaker 1: too afraid to go because they'd be made fun like that.

543
00:28:43,280 --> 00:28:45,480
Speaker 1: Like that's why I would watch in Her Shoes with you,

544
00:28:45,880 --> 00:28:47,840
Speaker 1: because because they saw it on a plane. I recommend

545
00:28:47,880 --> 00:28:49,440
Speaker 1: seeing on a plane. I quited the entire time. I

546
00:28:49,480 --> 00:28:51,360
Speaker 1: don't know if I like the movie, but I was like,

547
00:28:51,440 --> 00:28:53,680
Speaker 1: that was also exactly on a plane the tone that

548
00:28:53,720 --> 00:28:55,840
Speaker 1: I want. Oh yeah, that's a plane to plane, honey.

549
00:28:56,240 --> 00:28:59,040
Speaker 1: That's actually it's actually rule coach number seventy one, and

550
00:28:59,720 --> 00:29:04,240
Speaker 1: that's how plane movie honey. Shirley McClain. Shirley McClain, Oh

551
00:29:04,280 --> 00:29:07,120
Speaker 1: my god, Yeah, what an amazing Shirley. There's a scene

552
00:29:07,160 --> 00:29:09,320
Speaker 1: where there's like a running joke where Cameron has like

553
00:29:09,360 --> 00:29:11,440
Speaker 1: in a bikini at like the old folks Home pool

554
00:29:12,000 --> 00:29:16,000
Speaker 1: and alder Men are like, oh, it's like, Cameron Han,

555
00:29:16,120 --> 00:29:20,760
Speaker 1: Cameron Han, Cameron Han. Did she really retire? I mean

556
00:29:21,360 --> 00:29:24,640
Speaker 1: where she at? I don't know. Well, God, she's retired.

557
00:29:25,040 --> 00:29:27,880
Speaker 1: Did she announce her retirement? That's definitely asking yeah, like

558
00:29:27,920 --> 00:29:31,200
Speaker 1: a few times. And I think Cameron, what was the

559
00:29:31,240 --> 00:29:34,480
Speaker 1: lasting she was in that movie? Annie was after it

560
00:29:35,480 --> 00:29:37,360
Speaker 1: and he yeah, and he was after I mean Annie

561
00:29:37,360 --> 00:29:39,920
Speaker 1: would put the nail on the coffin for anybody that's

562
00:29:40,120 --> 00:29:42,480
Speaker 1: that's a real rough run. Wait that movie, that movie

563
00:29:42,480 --> 00:29:44,920
Speaker 1: where she fokes a car, like is that like the

564
00:29:45,040 --> 00:29:49,080
Speaker 1: energy of it is? It's that movie? Hspt hots Senior

565
00:29:49,080 --> 00:29:52,640
Speaker 1: producer Tracy is making a face. She's like, I'm sorry what, Yeah,

566
00:29:52,680 --> 00:29:54,520
Speaker 1: what is It's not that she sucks a car, but

567
00:29:54,600 --> 00:29:59,720
Speaker 1: it's definitely Cameron a car energy the car? Why is

568
00:30:00,000 --> 00:30:01,600
Speaker 1: talking about? Are you talking about the movie with Michael

569
00:30:01,600 --> 00:30:05,880
Speaker 1: Fastbender and Penelope Cruise where she's like, yeah, and Howard

570
00:30:07,840 --> 00:30:12,120
Speaker 1: is telling a story to Michael Fastbender and he's like,

571
00:30:12,400 --> 00:30:14,800
Speaker 1: this weird thing happened, and then he's then it's a

572
00:30:14,840 --> 00:30:19,240
Speaker 1: flashback in a car and then she's like, this car

573
00:30:19,360 --> 00:30:22,600
Speaker 1: is hot or something so hot, I would have sex

574
00:30:22,640 --> 00:30:28,160
Speaker 1: with it. Yeah, the counsel written by cor mckmccarthy, truly

575
00:30:28,160 --> 00:30:31,840
Speaker 1: three years McCarthy wrote it. Yeah, and she full on

576
00:30:31,960 --> 00:30:35,360
Speaker 1: what's the year on this with the car? It was

577
00:30:35,400 --> 00:30:37,720
Speaker 1: recent and I remember like on those awards websites that

578
00:30:37,800 --> 00:30:40,960
Speaker 1: like Prognosticate, she was getting a lot of supporting natural buzz.

579
00:30:41,000 --> 00:30:43,360
Speaker 1: They were like, this is the kind of thing. Before

580
00:30:43,360 --> 00:30:44,880
Speaker 1: it came out, people were like, this movie is gonna

581
00:30:44,880 --> 00:30:48,640
Speaker 1: be good. And then so I think you probably have

582
00:30:48,840 --> 00:30:50,200
Speaker 1: ideas of what it would mean for her to have

583
00:30:50,200 --> 00:30:53,080
Speaker 1: sex with a car. But if I remember correctly, it

584
00:30:53,200 --> 00:30:56,200
Speaker 1: is not that she has sex with the windshield. Okay,

585
00:30:56,200 --> 00:30:58,840
Speaker 1: And I just want to say, I just want to say,

586
00:30:59,240 --> 00:31:02,600
Speaker 1: how did you so that it walked so that? Why

587
00:31:02,640 --> 00:31:06,320
Speaker 1: did you do that to me? Could fly even not

588
00:31:06,400 --> 00:31:09,640
Speaker 1: even run? Fly? And we have to just prayers up

589
00:31:09,680 --> 00:31:14,760
Speaker 1: to Hunter, why Harris? Because just her dedication to still

590
00:31:14,840 --> 00:31:18,840
Speaker 1: doing about the stars almost a year later, can we

591
00:31:18,920 --> 00:31:22,760
Speaker 1: say what a moment a star was born? And the

592
00:31:22,800 --> 00:31:25,720
Speaker 1: culture it really was? It really was, this is a

593
00:31:25,760 --> 00:31:29,200
Speaker 1: cultural podcast. We have to give respect we did to

594
00:31:29,200 --> 00:31:33,160
Speaker 1: get ahold Goddam episode booster. I remember that I was like,

595
00:31:33,200 --> 00:31:36,440
Speaker 1: I can't wait for this episode. I remember where I

596
00:31:36,480 --> 00:31:38,080
Speaker 1: was when I listened to that. And the episode came

597
00:31:38,120 --> 00:31:40,360
Speaker 1: about six weeks later because we couldn't get Jolie in

598
00:31:40,400 --> 00:31:42,880
Speaker 1: the studio and we were like, there's no one else.

599
00:31:43,000 --> 00:31:45,960
Speaker 1: We have to talk to Joe about what a moment

600
00:31:45,960 --> 00:31:48,600
Speaker 1: most pleasing to me in my career? It was do

601
00:31:48,640 --> 00:31:50,520
Speaker 1: you feel like the movie? It was a rare time

602
00:31:50,520 --> 00:31:53,720
Speaker 1: where I feel like, sorry, guy could have been a

603
00:31:53,760 --> 00:31:56,440
Speaker 1: thing where the trailer was the moment I know then

604
00:31:56,720 --> 00:31:59,080
Speaker 1: the movie was like, oh remember how good the like

605
00:31:59,200 --> 00:32:03,640
Speaker 1: like miss was, were like at the moment where the

606
00:32:03,640 --> 00:32:06,160
Speaker 1: wild things are like where the trailer was the moment. Wait,

607
00:32:06,320 --> 00:32:08,480
Speaker 1: now we have to stop everything and have a moment

608
00:32:08,760 --> 00:32:12,880
Speaker 1: because did you see speaking of literally the late and

609
00:32:13,200 --> 00:32:18,640
Speaker 1: you know this podcast do talk about Cats? Honey. We

610
00:32:18,640 --> 00:32:22,040
Speaker 1: are about to enter the cultural moment that is Cats

611
00:32:22,120 --> 00:32:25,240
Speaker 1: the film, and they have put out the feature I

612
00:32:25,280 --> 00:32:28,600
Speaker 1: haven't seen the future. We should just say it is

613
00:32:28,680 --> 00:32:30,760
Speaker 1: July seventeenth. As I said, this is a moment. This

614
00:32:30,840 --> 00:32:32,880
Speaker 1: is a time capsule for the world as it was

615
00:32:32,960 --> 00:32:37,200
Speaker 1: before the Cats trailer dropped. Before the trailer most fature,

616
00:32:37,800 --> 00:32:41,840
Speaker 1: this is this isn't almostly I'm like, care July sevente

617
00:32:42,160 --> 00:32:48,680
Speaker 1: to July Yes, so sorry, um, okay, how is the

618
00:32:48,880 --> 00:32:51,280
Speaker 1: You guys both saw the faturette? I mean so it

619
00:32:51,600 --> 00:32:53,920
Speaker 1: definitely calls back to the Late Miss featurette and that

620
00:32:54,400 --> 00:32:58,320
Speaker 1: Hugh Jackman is like when you're acting and it's amazing,

621
00:32:58,440 --> 00:33:02,280
Speaker 1: and like basically it's reply is Hugh with Jennifer Hudson

622
00:33:02,280 --> 00:33:05,840
Speaker 1: and Taylor Swift, which I'm sorry, the iconography that that has,

623
00:33:05,880 --> 00:33:10,880
Speaker 1: the access that that has, the international implications that that has. Taylor.

624
00:33:11,480 --> 00:33:16,120
Speaker 1: Taylor is so excited to be on set, to work

625
00:33:16,200 --> 00:33:18,920
Speaker 1: with choreographers that are this good and to just be

626
00:33:18,960 --> 00:33:21,720
Speaker 1: a part of the moment that is Cats. And Jennifer

627
00:33:21,800 --> 00:33:23,719
Speaker 1: Hudson when she heard that she was going to be

628
00:33:23,760 --> 00:33:27,719
Speaker 1: in Cats, she said who and she will be This

629
00:33:27,760 --> 00:33:30,120
Speaker 1: is all in the feature. She'll be singing as Grizabella.

630
00:33:30,800 --> 00:33:35,160
Speaker 1: And you know they do give Grizabella this song memory

631
00:33:35,680 --> 00:33:39,280
Speaker 1: all Alone in the Moonlight JD for Taylor. So Jay

632
00:33:39,360 --> 00:33:42,479
Speaker 1: Hudge think, oh my god, even you gave Taylor Swift

633
00:33:42,800 --> 00:33:44,960
Speaker 1: Memory and be like, no, it would be rough, but

634
00:33:45,040 --> 00:33:47,240
Speaker 1: I mean famously they told with the idea of giving

635
00:33:47,240 --> 00:33:53,280
Speaker 1: Taylor Swift the role of happening on my own, just

636
00:33:53,360 --> 00:33:56,440
Speaker 1: Taylors singing on my own? Can you imagine? I actually can?

637
00:33:56,440 --> 00:33:59,800
Speaker 1: And that is horrifying and noting. But you you've like

638
00:34:00,160 --> 00:34:04,360
Speaker 1: really inhabited tailors, you know, mind and headspace. All I'm

639
00:34:04,400 --> 00:34:06,760
Speaker 1: saying is they backed off of her for le miss

640
00:34:06,800 --> 00:34:09,920
Speaker 1: and invited her into cats, and there show some clips

641
00:34:09,960 --> 00:34:13,560
Speaker 1: of her like sort of dancing up steps and dancing

642
00:34:13,600 --> 00:34:16,440
Speaker 1: down steps, and it's like really going to be something,

643
00:34:16,480 --> 00:34:19,400
Speaker 1: and Jennifer Hudson is being the oldest cat in the world.

644
00:34:19,440 --> 00:34:22,040
Speaker 1: And then the funniest thing, the funniest thing about it

645
00:34:22,080 --> 00:34:25,560
Speaker 1: is she's talking about playing like this old glamour cat

646
00:34:25,640 --> 00:34:28,560
Speaker 1: and they cut to Judy Dench and it's like, why

647
00:34:28,640 --> 00:34:31,319
Speaker 1: isn't she the old cat. She's clearly the old cat.

648
00:34:31,480 --> 00:34:33,480
Speaker 1: And then Judy Dench says, I she was like, I

649
00:34:33,480 --> 00:34:35,400
Speaker 1: was supposed to be in cats, and then I tore

650
00:34:35,480 --> 00:34:38,400
Speaker 1: my achilles tending and I was like, I thought cats

651
00:34:38,400 --> 00:34:40,440
Speaker 1: and me would never I thought that was the end

652
00:34:40,440 --> 00:34:44,600
Speaker 1: of my story with cats. And then Adris Elba, you

653
00:34:44,600 --> 00:34:47,040
Speaker 1: would think would be like above it, but he's like

654
00:34:47,360 --> 00:34:51,560
Speaker 1: the size of the scale of the sets to be

655
00:34:51,640 --> 00:34:54,000
Speaker 1: in the world of the cats. And then you see rebel.

656
00:34:54,080 --> 00:34:57,560
Speaker 1: Rebel Wilson walked to a door and can't reach the door. Now, um,

657
00:34:57,719 --> 00:35:00,760
Speaker 1: I will say this is going to be a horrible movie.

658
00:35:01,840 --> 00:35:05,080
Speaker 1: I would not disagree. And then James Cordon is also

659
00:35:05,160 --> 00:35:08,480
Speaker 1: in it, and he goes and he goes, it's technology

660
00:35:08,480 --> 00:35:11,000
Speaker 1: I've never seen before where you're human but you're also

661
00:35:11,040 --> 00:35:14,720
Speaker 1: a cat. And then they show and then they show

662
00:35:15,120 --> 00:35:20,120
Speaker 1: the like computer bones of someone dancing, like you just

663
00:35:20,160 --> 00:35:22,279
Speaker 1: see a outline of a person, and then like the

664
00:35:22,440 --> 00:35:24,640
Speaker 1: red Skeleton and they're going they're doing exactly that, and

665
00:35:24,800 --> 00:35:26,920
Speaker 1: you think they're to do we have to be the

666
00:35:27,000 --> 00:35:29,399
Speaker 1: highest we've ever been. I think the movie is going

667
00:35:29,440 --> 00:35:32,360
Speaker 1: to be what if you it's not going to be good,

668
00:35:32,520 --> 00:35:34,920
Speaker 1: so will be exactly what you wanted to be. Well, famously,

669
00:35:35,000 --> 00:35:36,480
Speaker 1: things don't have to be good to be good, and

670
00:35:36,480 --> 00:35:40,359
Speaker 1: famously the source material itself is not very good. That's

671
00:35:40,360 --> 00:35:44,760
Speaker 1: why Unlikely Miss, which could be good where the should

672
00:35:45,040 --> 00:35:48,240
Speaker 1: should be good, had one like probably good ten minutes

673
00:35:48,280 --> 00:35:51,760
Speaker 1: and then like was unwatchable. This is should be bad.

674
00:35:51,960 --> 00:35:54,439
Speaker 1: So then you're like, this is so if it does

675
00:35:54,480 --> 00:35:57,439
Speaker 1: what it's supposed to do. Camp it's got it's got

676
00:35:57,440 --> 00:36:04,720
Speaker 1: a low floor, high ceiling low ceiling, low ceiling, low ceiling. Yeah, whatever,

677
00:36:04,760 --> 00:36:06,200
Speaker 1: And but I get what you're saying that, Like, I

678
00:36:06,239 --> 00:36:10,400
Speaker 1: think it will be a assuming that they're taking they are,

679
00:36:10,960 --> 00:36:14,319
Speaker 1: it will be a true it's bad and exactly what

680
00:36:14,320 --> 00:36:16,200
Speaker 1: it was. I mean, if you had any suspicions about

681
00:36:16,239 --> 00:36:18,480
Speaker 1: whether or not they're taking it seriously, this feature that

682
00:36:18,560 --> 00:36:22,960
Speaker 1: will confirm, yes, they are taking it seriously. And Rebel

683
00:36:23,000 --> 00:36:25,960
Speaker 1: Wilson is also which always makes me feel like, okay, like,

684
00:36:26,280 --> 00:36:29,080
Speaker 1: how seriously can we take this if Rebel Wilson isn't

685
00:36:29,080 --> 00:36:32,279
Speaker 1: it not saying that I don't I love Rebel is

686
00:36:32,440 --> 00:36:35,560
Speaker 1: a comedy star, Like, I don't think I'm gonna see

687
00:36:35,640 --> 00:36:39,880
Speaker 1: the truth in Rebel's eyes? Really, Okay, Wow, I'm just

688
00:36:39,920 --> 00:36:44,440
Speaker 1: saying my Mike screen partner, Rebel Wilson, and I'm not

689
00:36:44,640 --> 00:36:47,799
Speaker 1: coming for her. I'm just saying, like, it seems like

690
00:36:47,920 --> 00:36:51,759
Speaker 1: they went when it came to casting, they said, how

691
00:36:51,800 --> 00:36:56,400
Speaker 1: do we go a full ten with every role? Memory?

692
00:36:56,440 --> 00:37:01,040
Speaker 1: And then sorry spoiler alert die. She goes to the

693
00:37:01,239 --> 00:37:03,640
Speaker 1: side layer. It's rule culture. Now, I got what's the

694
00:37:03,719 --> 00:37:09,719
Speaker 1: rule culture. It's rule culture number five. She goes to um,

695
00:37:09,760 --> 00:37:11,680
Speaker 1: I'm sorry, I what were those words I did not.

696
00:37:11,760 --> 00:37:15,160
Speaker 1: She goes to the Heaviside layer. Oh, that's part, that's

697
00:37:15,200 --> 00:37:17,320
Speaker 1: part of the show. Well, you know they have a

698
00:37:17,360 --> 00:37:21,160
Speaker 1: side layer. Have you not seen I've never seen cats

699
00:37:21,160 --> 00:37:24,279
Speaker 1: so funny, neither of I And more than anything else,

700
00:37:24,600 --> 00:37:27,960
Speaker 1: it's a common you know, the jet, you know the idea,

701
00:37:28,120 --> 00:37:30,600
Speaker 1: you know this, which is it's not really a storage,

702
00:37:30,640 --> 00:37:34,839
Speaker 1: just the things in order. You fucking stand cats. I've

703
00:37:34,880 --> 00:37:36,200
Speaker 1: just seen it once and it was like, oh, there's

704
00:37:36,239 --> 00:37:37,719
Speaker 1: the things in order, and people come out to you

705
00:37:37,960 --> 00:37:39,520
Speaker 1: like they should do it? Did you do it in

706
00:37:39,560 --> 00:37:43,200
Speaker 1: three D? So they can do the I feel like

707
00:37:43,200 --> 00:37:45,120
Speaker 1: that's the main thing people know about cats is that

708
00:37:45,120 --> 00:37:48,319
Speaker 1: the cats can touch you. The wait what, I'm sorry? Yeah,

709
00:37:48,360 --> 00:37:51,719
Speaker 1: I didn't, I did not PT is nodding, confirming. So

710
00:37:52,000 --> 00:37:55,279
Speaker 1: the main things about cats, as I explained cats, is

711
00:37:55,480 --> 00:37:57,719
Speaker 1: the cats come through the audience and they climb all

712
00:37:57,719 --> 00:38:01,239
Speaker 1: over you. That's number one thing about cats. Number two

713
00:38:01,280 --> 00:38:04,320
Speaker 1: is yeah, I think so Number two is the dancing

714
00:38:04,440 --> 00:38:08,640
Speaker 1: is too sexy for how it rum tum tugger is

715
00:38:08,680 --> 00:38:10,680
Speaker 1: giving it to you. That those are the number one,

716
00:38:10,760 --> 00:38:13,600
Speaker 1: number two, and then memory is three, and then I

717
00:38:13,600 --> 00:38:16,759
Speaker 1: think someone and the goals. Yeah, the goal is to

718
00:38:16,800 --> 00:38:19,279
Speaker 1: go to heaven. They want to be taken to the heaviside. LA,

719
00:38:19,560 --> 00:38:21,480
Speaker 1: that's what Okay, that's heave a side there, that's what

720
00:38:21,520 --> 00:38:23,839
Speaker 1: it is. Um. I was gonna say, Oh, we should

721
00:38:23,840 --> 00:38:26,680
Speaker 1: also point out, I mean agreedious casting mistake for Patty

722
00:38:26,680 --> 00:38:28,520
Speaker 1: Harrison and Mature hard to not be in it. I mean,

723
00:38:28,719 --> 00:38:30,960
Speaker 1: especially watching the featurette to know that they could have

724
00:38:31,000 --> 00:38:32,759
Speaker 1: had them in the future atte talking about it and

725
00:38:32,800 --> 00:38:35,520
Speaker 1: they passed on that. It's crazy. And all I can

726
00:38:35,520 --> 00:38:38,000
Speaker 1: say is the next musical shouldn't make the same mistake,

727
00:38:38,080 --> 00:38:41,160
Speaker 1: because Bowen and I are now campaigning to be Flotsam

728
00:38:41,200 --> 00:38:45,040
Speaker 1: and Jetsam in the film, and I would I feel

729
00:38:45,120 --> 00:38:46,719
Speaker 1: that would be a moment most pleasing to me in

730
00:38:46,840 --> 00:38:50,319
Speaker 1: my career to be able to portray. All we can

731
00:38:50,640 --> 00:38:53,839
Speaker 1: share at this point with everybody is that. I mean,

732
00:38:53,840 --> 00:38:56,640
Speaker 1: Matt sent a very farstical text to our team what

733
00:38:56,719 --> 00:38:58,800
Speaker 1: I thought was a farstical text to our agents and

734
00:38:58,840 --> 00:39:02,880
Speaker 1: our managers and Low and Beholder one of them. It

735
00:39:02,960 --> 00:39:05,280
Speaker 1: was looked into. It was looked into, and we got

736
00:39:05,320 --> 00:39:10,560
Speaker 1: like spicy, spicy details back. I mean, there's no there's

737
00:39:10,600 --> 00:39:12,799
Speaker 1: there's no progress, but we we know more than the

738
00:39:12,840 --> 00:39:15,719
Speaker 1: general public does. I would say that we know more

739
00:39:15,840 --> 00:39:20,680
Speaker 1: than you. Yeah, you read read you the reader. You

740
00:39:20,760 --> 00:39:23,520
Speaker 1: don't know what they're planning for the film, but suffice

741
00:39:23,719 --> 00:39:27,520
Speaker 1: say that this is not going to be your your

742
00:39:27,600 --> 00:39:31,680
Speaker 1: mom's Little Mermaid. Um, I think it's about I think

743
00:39:31,680 --> 00:39:33,560
Speaker 1: it's not. I don't agree with it with the direction.

744
00:39:33,719 --> 00:39:39,600
Speaker 1: We just say, OK, we just let's just say. Let's

745
00:39:39,640 --> 00:39:43,280
Speaker 1: just say that Matt, just you're going up against Disney.

746
00:39:44,520 --> 00:39:48,640
Speaker 1: Can you believe that you know what? We can't We

747
00:39:48,680 --> 00:39:50,799
Speaker 1: can't say I can't say what because if I wasn't

748
00:39:50,840 --> 00:39:52,120
Speaker 1: allowed back in the parks, that will be the end

749
00:39:52,120 --> 00:39:54,760
Speaker 1: of my life. We're going in August. We're going in August.

750
00:39:55,120 --> 00:39:56,960
Speaker 1: Let me think of how I feel like. This is

751
00:39:57,000 --> 00:39:59,359
Speaker 1: a quandry that happens a lot. That's an interviewer people

752
00:39:59,360 --> 00:40:02,320
Speaker 1: were theyre not allowed to about how when you heard

753
00:40:02,360 --> 00:40:08,680
Speaker 1: about this development. What was the feeling you had? This

754
00:40:08,719 --> 00:40:10,480
Speaker 1: is a great, thank you, this is a great I

755
00:40:10,560 --> 00:40:14,239
Speaker 1: was disappointed. Yeah, disappointment. Disappointment was the feeling. I would

756
00:40:14,280 --> 00:40:17,120
Speaker 1: say that the feeling was disappointment and also sort of

757
00:40:17,239 --> 00:40:20,920
Speaker 1: um allure. I was like, well, well there's that. If

758
00:40:20,920 --> 00:40:24,200
Speaker 1: that's true, then how do we have and here's sure.

759
00:40:24,760 --> 00:40:28,080
Speaker 1: Here's what I think we're able to say. What the

760
00:40:28,120 --> 00:40:31,440
Speaker 1: information we've been given is that there might not be

761
00:40:31,480 --> 00:40:35,520
Speaker 1: an opportunity for us. Well, that's saying it. I don't

762
00:40:35,600 --> 00:40:38,680
Speaker 1: think so do you know what that means? Well, at minimum,

763
00:40:38,719 --> 00:40:41,680
Speaker 1: the assumption is those characters aren't in it. And that's

764
00:40:41,719 --> 00:40:45,960
Speaker 1: what That's what the assumption is. I mean, look, all

765
00:40:46,000 --> 00:40:50,480
Speaker 1: I'm saying is, look, let's just make a note of

766
00:40:50,520 --> 00:40:52,640
Speaker 1: Lesley might have to take them. No, I actually love it,

767
00:40:52,680 --> 00:40:54,480
Speaker 1: and we have to keep it in because guess what,

768
00:40:54,960 --> 00:40:59,399
Speaker 1: No press is bad press. It's actually real Colt number

769
00:40:59,440 --> 00:41:04,719
Speaker 1: fifty one. No press is bad press. Um bad. No,

770
00:41:04,800 --> 00:41:07,680
Speaker 1: No press is bad press. No press is bad problem.

771
00:41:07,760 --> 00:41:11,520
Speaker 1: I I was gonna say, um, but if if it's

772
00:41:11,520 --> 00:41:13,239
Speaker 1: if it, if it means that you don't get you're

773
00:41:13,280 --> 00:41:16,640
Speaker 1: not allowed back in the parks, then but well, at

774
00:41:16,640 --> 00:41:19,880
Speaker 1: that point I'll just have I'll get like I'll get plastic.

775
00:41:20,320 --> 00:41:23,600
Speaker 1: Is that worse than the fact that Disney will by

776
00:41:23,719 --> 00:41:26,120
Speaker 1: well it's soon represent like two thirds of the entertainer.

777
00:41:26,200 --> 00:41:27,920
Speaker 1: I was going to say, like the fact like we

778
00:41:27,960 --> 00:41:30,040
Speaker 1: will keep running, everyone will keep running into this thing

779
00:41:30,040 --> 00:41:32,759
Speaker 1: where they people in show base at least will not

780
00:41:32,840 --> 00:41:36,040
Speaker 1: be able to talk disparagingly about Disney because they will

781
00:41:36,080 --> 00:41:39,000
Speaker 1: be They will have some monopoly on everything. Here's what

782
00:41:39,040 --> 00:41:42,000
Speaker 1: I think Disney knows better than anyone. No press is

783
00:41:42,040 --> 00:41:44,400
Speaker 1: bad press. And I think the fact that we're talking

784
00:41:44,400 --> 00:41:48,440
Speaker 1: about it this actually is building on the intrigue that

785
00:41:48,640 --> 00:41:50,279
Speaker 1: is the little roomaid because I don't know, if you know,

786
00:41:50,719 --> 00:41:53,560
Speaker 1: there's a lot of a lot of fascination about the

787
00:41:53,600 --> 00:41:56,680
Speaker 1: casting of this movie. People are up in arms, people

788
00:41:56,719 --> 00:42:00,440
Speaker 1: are intrigued. Yes, I was gonna say, because I was

789
00:42:00,480 --> 00:42:02,520
Speaker 1: going to ask you, is it Is it good press

790
00:42:02,560 --> 00:42:07,520
Speaker 1: for them or for both? Okay, and that's a relationship.

791
00:42:08,000 --> 00:42:12,319
Speaker 1: Bowen Yang actually didn't know about Hallie Bailey. He didn't

792
00:42:12,360 --> 00:42:14,960
Speaker 1: know the extent of Hallie Billy a arial. Oh. I

793
00:42:15,280 --> 00:42:17,759
Speaker 1: just I just hadn't heard her sing before Beautiful. I've

794
00:42:17,800 --> 00:42:20,000
Speaker 1: heard Chloe and Hailey songs. But I'm just like, oh yeah, okay, yeah,

795
00:42:20,000 --> 00:42:22,719
Speaker 1: they're just like those two girls. I knew she was

796
00:42:22,880 --> 00:42:25,880
Speaker 1: of the two. What happens to the had they split already? No?

797
00:42:26,040 --> 00:42:27,919
Speaker 1: I think it like the Olsen Twins, where one doesn't

798
00:42:27,960 --> 00:42:31,839
Speaker 1: want to be famous anymore. I don't like they both

799
00:42:31,840 --> 00:42:33,839
Speaker 1: went up against it and they're like you are the

800
00:42:33,880 --> 00:42:36,560
Speaker 1: more well. I hope that the way they're looking at

801
00:42:36,600 --> 00:42:41,359
Speaker 1: it is a rising tide. Yes, Hey, guess who gets

802
00:42:41,360 --> 00:42:45,680
Speaker 1: a lot more clicks now. And I'm just gonna say

803
00:42:45,719 --> 00:42:50,440
Speaker 1: it may be a Dakota l narrative where the Dakota

804
00:42:50,480 --> 00:42:53,000
Speaker 1: of the situation, the older one, Hallie Bailey is going

805
00:42:53,040 --> 00:42:55,280
Speaker 1: to have her moment right now, and then l Fanning

806
00:42:55,360 --> 00:42:58,000
Speaker 1: is going to be the one who isn't Super eight

807
00:42:58,719 --> 00:43:01,200
Speaker 1: is in Super eight? And who the fund is she dating? Now?

808
00:43:01,200 --> 00:43:03,560
Speaker 1: She's dating someone way old. I don't know. I don't

809
00:43:03,640 --> 00:43:05,640
Speaker 1: keep up with that, Okay, Like I saw a picture

810
00:43:05,640 --> 00:43:07,239
Speaker 1: of her and whoever she's dating, and I was like,

811
00:43:07,400 --> 00:43:09,960
Speaker 1: this actually is hurtful to me. WHOA, what do you

812
00:43:09,960 --> 00:43:11,440
Speaker 1: think of the Zack. I'm gonna find out what she's

813
00:43:11,480 --> 00:43:13,040
Speaker 1: dating right now. We're going to discuss it. What do

814
00:43:13,040 --> 00:43:15,360
Speaker 1: you think of the Zach Brath and the other person

815
00:43:16,800 --> 00:43:19,600
Speaker 1: year old and he's or she's twenty three and he's

816
00:43:19,600 --> 00:43:23,759
Speaker 1: forty four or something that that's weird to me. Yeah. Oh,

817
00:43:23,880 --> 00:43:28,239
Speaker 1: her boyfriend is Max Manguela from Brown Maids Tale and

818
00:43:28,280 --> 00:43:32,000
Speaker 1: Brown Face Social Network. Yeah yeah, yeah, he was broad.

819
00:43:32,000 --> 00:43:34,760
Speaker 1: He was in Brown Face. Yeah, and he's much older

820
00:43:34,800 --> 00:43:39,160
Speaker 1: than than Hush sure, Um, oh we should I want to.

821
00:43:39,200 --> 00:43:42,480
Speaker 1: I'm sorry Hunter keeps creeping back into this. Hunter could

822
00:43:42,480 --> 00:43:46,239
Speaker 1: have had Hunter address, We've inquired about, We've required a

823
00:43:47,400 --> 00:43:50,120
Speaker 1: um just really quickly, Hunter tweeted, I think a Hunter

824
00:43:50,480 --> 00:43:53,359
Speaker 1: broke the news to me that, Um, Chris Pratt wore

825
00:43:53,480 --> 00:43:58,200
Speaker 1: fucking Gadsden snake shirt. Um, what's that? That? Don't tread

826
00:43:58,239 --> 00:44:02,759
Speaker 1: on me? Snake. That's like Douglass like, like he's a

827
00:44:02,760 --> 00:44:05,719
Speaker 1: bad guy. You know, he's he's out to me. Chris

828
00:44:05,760 --> 00:44:10,279
Speaker 1: Pratt is out for being conservative. Uh, it's not just well,

829
00:44:10,400 --> 00:44:15,160
Speaker 1: here's my thing with well, look for wronging Anna faris that? Yeah?

830
00:44:17,160 --> 00:44:22,160
Speaker 1: Was that the he was at his wedding. I feel

831
00:44:22,160 --> 00:44:24,360
Speaker 1: like that felt like a thing of they had a

832
00:44:24,400 --> 00:44:26,680
Speaker 1: certain power dynamic, and then he also got famous and

833
00:44:26,719 --> 00:44:29,080
Speaker 1: they sort of couldn't figure out the timing of he

834
00:44:29,160 --> 00:44:31,359
Speaker 1: had Like I think it's so hard when they're both

835
00:44:31,360 --> 00:44:33,440
Speaker 1: famous people and you can't do it if they're both

836
00:44:33,680 --> 00:44:36,960
Speaker 1: being in movies and traveling. I mean, it looks like

837
00:44:37,000 --> 00:44:40,759
Speaker 1: a lot changed about them during their marriage. I mean

838
00:44:40,800 --> 00:44:44,239
Speaker 1: he went from Chris Pratt like on Parks and rec

839
00:44:44,360 --> 00:44:47,160
Speaker 1: to Chris Pratt. I'm the start of Guardians of the

840
00:44:47,160 --> 00:44:50,000
Speaker 1: Galaxy and Jurassic World. You know what I mean, Like,

841
00:44:50,239 --> 00:44:55,120
Speaker 1: he's a massive superstar, and that what bothers me about

842
00:44:55,200 --> 00:44:58,880
Speaker 1: Chris Pratt is you're a massive superstar and someone calls

843
00:44:58,880 --> 00:45:04,560
Speaker 1: you out rightfully. Queen Ellen Page calls you out and says, hey,

844
00:45:04,760 --> 00:45:07,920
Speaker 1: you're involved with an anti gay church, which he is.

845
00:45:08,840 --> 00:45:14,160
Speaker 1: And his response is the typical Republican bullshit of whoa, whoa, whoa,

846
00:45:14,480 --> 00:45:17,319
Speaker 1: I'm not the enemy. Actually I love all people, which

847
00:45:17,360 --> 00:45:20,960
Speaker 1: says nothing. Which is my difficulty right now with all

848
00:45:21,040 --> 00:45:25,319
Speaker 1: Republicans across the board is like we like you. You're

849
00:45:25,360 --> 00:45:28,799
Speaker 1: not talking to me, you're talking past me. And now

850
00:45:28,840 --> 00:45:32,960
Speaker 1: it's like we're done. There's no common ground anymore. You

851
00:45:32,960 --> 00:45:35,520
Speaker 1: you're standing behind the president who put kids in cages,

852
00:45:35,520 --> 00:45:38,040
Speaker 1: and now he's saying that, you know, congresswomen have to

853
00:45:38,080 --> 00:45:39,799
Speaker 1: go back to their country. It's like, I'm not in

854
00:45:39,840 --> 00:45:42,680
Speaker 1: the place anymore where I can like tolerate this anymore.

855
00:45:42,680 --> 00:45:44,160
Speaker 1: So for her to call you out in this way

856
00:45:44,200 --> 00:45:47,360
Speaker 1: and then you pretend, j K laal, I love all people,

857
00:45:47,440 --> 00:45:49,319
Speaker 1: It's like, no, no, no, you're a part of an

858
00:45:49,320 --> 00:45:53,680
Speaker 1: anti gay organization. So answer for that. Actually, right now, Yeah,

859
00:45:53,719 --> 00:45:56,680
Speaker 1: he sucks and thank you Matt for that. Um whatever

860
00:45:56,800 --> 00:45:59,920
Speaker 1: he is. Matt has been called that as a dalist

861
00:46:00,120 --> 00:46:04,320
Speaker 1: celebrity democratic mouthpiece by some fucking random someone on Twitter

862
00:46:04,360 --> 00:46:07,560
Speaker 1: said if Matt Rogers wasn't a de list celebrity with

863
00:46:07,600 --> 00:46:10,439
Speaker 1: these democratic views, etcetera. And I was like, what, First

864
00:46:10,440 --> 00:46:14,880
Speaker 1: of all, can I say? It is you and Cathy

865
00:46:15,080 --> 00:46:21,279
Speaker 1: honestly huge for me? For you, that's not f It's

866
00:46:21,320 --> 00:46:25,839
Speaker 1: not although who's there's cool? That would mean that you're

867
00:46:25,880 --> 00:46:28,640
Speaker 1: like a C list or no, I'm deal list with you, baby,

868
00:46:29,080 --> 00:46:31,759
Speaker 1: I'm dealist with that. You are cless. The two of

869
00:46:31,840 --> 00:46:33,759
Speaker 1: us can't even get more than seven fucking minutes on

870
00:46:33,800 --> 00:46:37,480
Speaker 1: good one. You believe that, like literally, like it's crazy.

871
00:46:38,520 --> 00:46:40,879
Speaker 1: He wants us to host this Podma show. Oh yes,

872
00:46:40,920 --> 00:46:42,680
Speaker 1: we didn't mention, but he doesn't want to give us

873
00:46:42,680 --> 00:46:44,560
Speaker 1: more than seven point five. We didn't mention that. Jesse

874
00:46:44,719 --> 00:46:47,080
Speaker 1: is also a fabulous producer of live shows. He produced

875
00:46:47,080 --> 00:46:51,560
Speaker 1: the Padma Show, puts on a comedy show, Comedy Show

876
00:46:51,680 --> 00:46:56,480
Speaker 1: happening again in August fifty another comedy show. So can

877
00:46:56,520 --> 00:46:58,640
Speaker 1: you talk about how the heck did that come about?

878
00:46:59,080 --> 00:47:03,040
Speaker 1: I Padma one day Padma follows a lot of people

879
00:47:03,080 --> 00:47:05,839
Speaker 1: on Twitter. It was really strange. It was I saw

880
00:47:05,840 --> 00:47:07,759
Speaker 1: it happening. I was like, she's following these comedians. Then

881
00:47:07,760 --> 00:47:10,160
Speaker 1: she follows me. I was like, Padma's into because, like

882
00:47:10,320 --> 00:47:13,480
Speaker 1: I understand following comedians on Twitter, they're funny. To follow

883
00:47:13,600 --> 00:47:16,799
Speaker 1: me on Twitter, who is famously not funny. What are

884
00:47:16,800 --> 00:47:19,840
Speaker 1: you talking about? It's like, it's funny, but not really.

885
00:47:20,000 --> 00:47:24,160
Speaker 1: Stop this is the point of not turning me off.

886
00:47:24,200 --> 00:47:26,279
Speaker 1: I don't want to tickle you anymore. I thought I

887
00:47:26,360 --> 00:47:30,239
Speaker 1: was tickling. I was planning on revealing that I was

888
00:47:30,280 --> 00:47:32,600
Speaker 1: going to tickle YouTube. Now I don't even want you

889
00:47:32,600 --> 00:47:35,279
Speaker 1: in my room no less. So she follows me. I

890
00:47:35,320 --> 00:47:37,919
Speaker 1: was like, she must be into comedy. Yeah, And then

891
00:47:38,520 --> 00:47:40,799
Speaker 1: Lucy castuff happened. She tweets that stuff, and I was like,

892
00:47:40,800 --> 00:47:45,920
Speaker 1: Padma's into comedy. And then I just was like, we

893
00:47:45,920 --> 00:47:48,040
Speaker 1: should do it. I don't I didn't know. I was like,

894
00:47:48,080 --> 00:47:50,959
Speaker 1: a comedy show should be done with Padma. I would

895
00:47:51,000 --> 00:47:53,960
Speaker 1: like to raise money. I think I had heard of

896
00:47:54,080 --> 00:47:56,640
Speaker 1: the organization that we had raised money for the first time,

897
00:47:56,640 --> 00:47:58,600
Speaker 1: which was the Moving Voter Project. I was like, I

898
00:47:58,640 --> 00:48:03,240
Speaker 1: want to raise money for that organization. And I DM Panma.

899
00:48:03,280 --> 00:48:06,480
Speaker 1: I was like, look, it was a DM even that's all.

900
00:48:06,480 --> 00:48:10,400
Speaker 1: I was like, hey, so I think I said sorry

901
00:48:10,400 --> 00:48:12,960
Speaker 1: to d M you, but would you want to put

902
00:48:13,000 --> 00:48:15,680
Speaker 1: on a comedy show? And she's like, let's yes, Let's

903
00:48:15,680 --> 00:48:17,839
Speaker 1: have a phone call and we talked about and immediately

904
00:48:18,360 --> 00:48:20,520
Speaker 1: she was like, yes, I would love to do this.

905
00:48:20,680 --> 00:48:22,960
Speaker 1: God and she was like and then the media was like,

906
00:48:23,080 --> 00:48:24,560
Speaker 1: and I will ask this person and she was like,

907
00:48:24,600 --> 00:48:26,200
Speaker 1: I'll ask Chris and she started using a lot of

908
00:48:26,200 --> 00:48:28,680
Speaker 1: people's first names. And I was like, this is very exciting,

909
00:48:29,120 --> 00:48:31,560
Speaker 1: Oh my god, very but a very She was like, yeah, definitely.

910
00:48:31,920 --> 00:48:35,719
Speaker 1: You know, she was lovely. She was a lovely and

911
00:48:35,760 --> 00:48:41,520
Speaker 1: I couldn't believe how how specific, how present she was

912
00:48:41,880 --> 00:48:44,759
Speaker 1: with the each individual person and how much he was like,

913
00:48:44,800 --> 00:48:47,359
Speaker 1: this is so great that we're doing this. And then

914
00:48:47,440 --> 00:48:50,320
Speaker 1: then that translated and you guys were so amazing as hosts.

915
00:48:50,920 --> 00:48:54,520
Speaker 1: You're just so good. You're so like, you're so good,

916
00:48:54,880 --> 00:48:57,200
Speaker 1: and the audience was like, this is safe and it's

917
00:48:57,239 --> 00:48:59,600
Speaker 1: going to be so much fun, and it was like

918
00:49:00,320 --> 00:49:01,920
Speaker 1: it was and it was like this is you know,

919
00:49:02,000 --> 00:49:04,799
Speaker 1: I see so much so much comedy and I like

920
00:49:04,880 --> 00:49:07,120
Speaker 1: a lot of it, but like what it was from

921
00:49:07,120 --> 00:49:08,640
Speaker 1: the first This is the part of the podcast where

922
00:49:08,640 --> 00:49:10,239
Speaker 1: I'm just in commment you guys for a while. But

923
00:49:11,320 --> 00:49:13,600
Speaker 1: when I first when I first saw that, I don't

924
00:49:13,600 --> 00:49:16,120
Speaker 1: think so honey five, which was now like two or

925
00:49:16,160 --> 00:49:18,680
Speaker 1: three years ago, I didn't know what it was. I

926
00:49:18,719 --> 00:49:21,200
Speaker 1: just saw a show had fifty comedians on the lineup.

927
00:49:21,520 --> 00:49:23,719
Speaker 1: I go in and you and I was like, this

928
00:49:23,760 --> 00:49:26,480
Speaker 1: is correct, this feels home. These are people that I

929
00:49:26,560 --> 00:49:29,080
Speaker 1: know because it's it's the same thing like when I

930
00:49:29,120 --> 00:49:32,600
Speaker 1: first met Hunter Harris, which was like, there's certain people

931
00:49:32,680 --> 00:49:34,560
Speaker 1: like I've been a vulture for seven years, there's certain

932
00:49:34,600 --> 00:49:38,360
Speaker 1: people that see culture the way that I do see

933
00:49:38,840 --> 00:49:41,080
Speaker 1: the world via pop culture, the way I do and

934
00:49:41,120 --> 00:49:44,080
Speaker 1: speak that way, and the way that you do with

935
00:49:44,080 --> 00:49:48,080
Speaker 1: both sweetness while also being so talented, which is you

936
00:49:48,160 --> 00:49:50,880
Speaker 1: were ready for the success that you guys have been getting,

937
00:49:51,280 --> 00:49:53,759
Speaker 1: which is a thing that is very important that I

938
00:49:53,760 --> 00:49:55,359
Speaker 1: try to tell comedians. It's like, it's good to try

939
00:49:55,400 --> 00:49:57,000
Speaker 1: to get opportunities. We should be ready, and you guys

940
00:49:57,040 --> 00:50:00,279
Speaker 1: were ready for so that and that energy brought to

941
00:50:00,360 --> 00:50:02,120
Speaker 1: the show, and then we have so many great comedians

942
00:50:02,120 --> 00:50:04,279
Speaker 1: of different styles, but it all made sense. And so

943
00:50:04,640 --> 00:50:07,720
Speaker 1: after the first one, Patma I had a deep brief

944
00:50:07,800 --> 00:50:09,520
Speaker 1: or whatever he talks like, did you have fun? She's like,

945
00:50:09,520 --> 00:50:11,759
Speaker 1: that was so much fun. She did stand up like

946
00:50:11,800 --> 00:50:16,319
Speaker 1: she wrote, she gave you jokes, she wrote them down

947
00:50:16,560 --> 00:50:20,320
Speaker 1: like she and her and herself was shooting on Louis.

948
00:50:20,600 --> 00:50:23,560
Speaker 1: I mean you have to remember that's a talented, talented,

949
00:50:23,680 --> 00:50:27,400
Speaker 1: talented person. I mean she's done it all. Yeah and

950
00:50:27,440 --> 00:50:29,440
Speaker 1: so and then so afterwards I was like, did you

951
00:50:29,440 --> 00:50:30,880
Speaker 1: have fun? Just like guesses like would you like to

952
00:50:30,920 --> 00:50:33,319
Speaker 1: do it again? Sometimes She's like definitely. And then I

953
00:50:33,360 --> 00:50:36,080
Speaker 1: was just sort of waiting for a moment to do it.

954
00:50:36,160 --> 00:50:37,920
Speaker 1: You want to have enough time so it feels like

955
00:50:37,960 --> 00:50:41,640
Speaker 1: a special occasion. Um. And then after the the about

956
00:50:41,680 --> 00:50:44,080
Speaker 1: Alabama abortion stuff, I sent her, I sent her to

957
00:50:44,080 --> 00:50:45,759
Speaker 1: her and her team and email immediately be like, what

958
00:50:46,000 --> 00:50:48,080
Speaker 1: Patna like to do another show this time to make

959
00:50:48,640 --> 00:50:52,759
Speaker 1: raise money for reproductive justice? And she said yes immediately,

960
00:50:53,080 --> 00:50:56,160
Speaker 1: Like that's been so great? Is that she's been so

961
00:50:56,680 --> 00:50:59,719
Speaker 1: like I think dealing with famous people, you're nervous that

962
00:51:00,040 --> 00:51:02,080
Speaker 1: a or like I'm being famous, don't treat me like

963
00:51:02,560 --> 00:51:04,680
Speaker 1: and she's like, nowhere on the same team for what

964
00:51:04,719 --> 00:51:07,319
Speaker 1: this thing is. And she's been so good to be like.

965
00:51:07,920 --> 00:51:09,880
Speaker 1: And Jesse, he's this person that did it with like

966
00:51:09,920 --> 00:51:14,680
Speaker 1: she's aware that this is there was an undertaking. And um,

967
00:51:14,719 --> 00:51:16,360
Speaker 1: the fact that we're doing it again, which will be

968
00:51:16,400 --> 00:51:18,759
Speaker 1: at the time this released, like you know, like a

969
00:51:18,760 --> 00:51:21,440
Speaker 1: week or so. I'll just say right now, it's gonna

970
00:51:21,440 --> 00:51:24,840
Speaker 1: be on August fift and that I can tell you

971
00:51:24,880 --> 00:51:27,280
Speaker 1: the lineup. You can tell this is. There's some people pending,

972
00:51:27,280 --> 00:51:30,520
Speaker 1: there's certain people will be surprises, some people are pending something.

973
00:51:30,800 --> 00:51:34,040
Speaker 1: But the following are confirmed. Um At at the Bellhouse

974
00:51:34,080 --> 00:51:37,680
Speaker 1: on August fifteenth, It's gonna be Julio Torres, roy Wood Jr.

975
00:51:37,760 --> 00:51:42,080
Speaker 1: Chris Gethard, Mayeve Higgins, Michelle Butto On a Fabriga, Chloe Fyneman,

976
00:51:42,160 --> 00:51:45,799
Speaker 1: Marie Fauston, Larry Owens, Pat Reagan, and Benito Skinner and

977
00:51:45,840 --> 00:51:48,720
Speaker 1: Bowen Yang and I are going to host and podmel

978
00:51:48,719 --> 00:51:51,359
Speaker 1: Action will be there as well, and David Fox will

979
00:51:51,400 --> 00:51:57,719
Speaker 1: be flitting around. That's gone. I love I love going

980
00:51:57,760 --> 00:52:00,160
Speaker 1: to events. I love putting on events and seeing pell

981
00:52:00,400 --> 00:52:04,040
Speaker 1: have fun. It's like very Can I just say, first

982
00:52:04,080 --> 00:52:06,880
Speaker 1: of all, let me just say Benito Skinner, okay, Benny Drama, Hey, bitch,

983
00:52:07,160 --> 00:52:10,080
Speaker 1: I heard you listen to the show, and I see you, girl, bitch,

984
00:52:10,560 --> 00:52:12,799
Speaker 1: you should come on to come on and read us

985
00:52:12,800 --> 00:52:16,480
Speaker 1: for Filth's astrologically. I love that. I love that, And

986
00:52:16,560 --> 00:52:19,239
Speaker 1: just just shoot the ship and shoot the sheet. Will

987
00:52:19,239 --> 00:52:22,000
Speaker 1: meet you will meet them soon and then you'll get

988
00:52:22,040 --> 00:52:24,719
Speaker 1: to ask him in person. Yeah, oh my god, perfectly.

989
00:52:24,719 --> 00:52:26,520
Speaker 1: I think it's time we asked the questions. We got

990
00:52:26,520 --> 00:52:30,120
Speaker 1: to ask the question. Um, and so this is the question.

991
00:52:30,600 --> 00:52:32,960
Speaker 1: So the question that we asked on last Coultures, which

992
00:52:32,960 --> 00:52:35,319
Speaker 1: is this podcast hosted by Matt Rogers and Bowen Yang.

993
00:52:35,600 --> 00:52:39,160
Speaker 1: I'm Mat, that's Bowen. We met many years, many years,

994
00:52:39,160 --> 00:52:42,719
Speaker 1: became friends and started a podcast after doing other things,

995
00:52:42,800 --> 00:52:47,080
Speaker 1: and you know, various amount of success, a lot of

996
00:52:47,080 --> 00:52:48,960
Speaker 1: bumps in the road, a lot of bumps in the road,

997
00:52:49,000 --> 00:52:55,120
Speaker 1: but mostly mostly mostly really great time. Like for I

998
00:52:55,120 --> 00:52:58,799
Speaker 1: would say I enjoy every episode. Oh we're talking about

999
00:52:58,800 --> 00:53:01,120
Speaker 1: the podcast. I was going to ask you guys, if

1000
00:53:01,160 --> 00:53:06,680
Speaker 1: you enjoy every episode. There's two I don't like so much.

1001
00:53:07,040 --> 00:53:08,360
Speaker 1: I know one I don't know. I don't know the

1002
00:53:08,360 --> 00:53:12,000
Speaker 1: other just too I don't like. Okay, but I add

1003
00:53:12,200 --> 00:53:14,839
Speaker 1: because doing a lot of podcasts, it's sometimes easy to

1004
00:53:14,920 --> 00:53:17,560
Speaker 1: forget you like doing it. Oh no, that's what I

1005
00:53:17,600 --> 00:53:19,520
Speaker 1: always say, is I still have fun doing that. I

1006
00:53:19,600 --> 00:53:23,279
Speaker 1: had a run where I was I forgot that I

1007
00:53:23,440 --> 00:53:26,080
Speaker 1: liked the show, that I really your own show. I

1008
00:53:26,120 --> 00:53:27,480
Speaker 1: was just sort of like I'm doing it. I was like,

1009
00:53:27,520 --> 00:53:29,200
Speaker 1: I want you to be good. And then I didn't think.

1010
00:53:29,200 --> 00:53:31,719
Speaker 1: It's like I like the comedians. I'm talking to listen

1011
00:53:31,760 --> 00:53:33,520
Speaker 1: to them and have fun, Like I literally, now have

1012
00:53:33,560 --> 00:53:36,719
Speaker 1: ago you like this person? Have fun? Listen to them talk. Yeah,

1013
00:53:36,880 --> 00:53:39,279
Speaker 1: I'll tell you. One thing I don't love is the

1014
00:53:39,360 --> 00:53:41,960
Speaker 1: feeling of anxiety when I don't know the guests and

1015
00:53:42,000 --> 00:53:44,840
Speaker 1: I'm nervous about at you not not nervous and I

1016
00:53:44,880 --> 00:53:46,880
Speaker 1: don't think it's going to be a great episode. Nervous

1017
00:53:46,880 --> 00:53:49,080
Speaker 1: and that like I really respect the guests, like I

1018
00:53:49,120 --> 00:53:51,480
Speaker 1: really wanted to be good, like you know what I mean,

1019
00:53:51,520 --> 00:53:53,719
Speaker 1: Like we've had some people come in here liked came

1020
00:53:53,760 --> 00:53:58,720
Speaker 1: in here and the bad episodes. She came in full

1021
00:53:58,960 --> 00:54:05,680
Speaker 1: black Audie suit, face looking right, hair, vove click in

1022
00:54:05,719 --> 00:54:07,040
Speaker 1: her hand. She said, I thought there was going to

1023
00:54:07,080 --> 00:54:09,400
Speaker 1: be an audience. I said, oh my god, I'm so sorry.

1024
00:54:09,520 --> 00:54:11,600
Speaker 1: She goes, now, this is fine. We fucking shot the

1025
00:54:11,640 --> 00:54:18,360
Speaker 1: ship drank and had that episode done. Um. Anyway, No,

1026
00:54:18,520 --> 00:54:21,400
Speaker 1: that's that's interesting that you scary. This is this is

1027
00:54:21,560 --> 00:54:25,239
Speaker 1: this is a fun little comparison moment where yeah, I

1028
00:54:25,440 --> 00:54:28,959
Speaker 1: still yeah, I feel the same way you feel. Both

1029
00:54:28,960 --> 00:54:31,480
Speaker 1: of you feel about having the anxiety run our guests

1030
00:54:31,520 --> 00:54:34,080
Speaker 1: and like, yeah, having to like prime yourself for this

1031
00:54:35,000 --> 00:54:38,080
Speaker 1: thing of like I enjoyed doing this. I enjoyed this

1032
00:54:38,120 --> 00:54:41,680
Speaker 1: person I'm with. Let's just let let me just enjoy this. Yeah,

1033
00:54:41,800 --> 00:54:43,799
Speaker 1: but you okay, so just we are going to ask

1034
00:54:43,800 --> 00:54:46,400
Speaker 1: the question, but just while while we're while we're here,

1035
00:54:46,440 --> 00:54:50,040
Speaker 1: you have you deal with, legit, some of the most

1036
00:54:50,040 --> 00:54:52,680
Speaker 1: famous people, Yes, I mean you, Lee, Jimmy Fallon on

1037
00:54:52,719 --> 00:54:55,120
Speaker 1: your show, and you prepare the questions like what like

1038
00:54:55,160 --> 00:54:58,759
Speaker 1: what is the preparation process? Um I I for a

1039
00:54:58,760 --> 00:55:01,840
Speaker 1: while it was consuming every interview they've ever done. So

1040
00:55:02,440 --> 00:55:06,120
Speaker 1: um and within reason. If they are a certain level

1041
00:55:06,160 --> 00:55:07,680
Speaker 1: of a famous person who've lived in a lave where

1042
00:55:07,680 --> 00:55:09,279
Speaker 1: they have like a lot of podcast interviews, I can

1043
00:55:09,320 --> 00:55:10,719
Speaker 1: do so much. Or if they host this show, I

1044
00:55:10,719 --> 00:55:12,840
Speaker 1: can only do so much, but I'll try to consume

1045
00:55:12,880 --> 00:55:15,759
Speaker 1: every written thing they do. Um. So that and I'll

1046
00:55:16,120 --> 00:55:19,080
Speaker 1: ideally spend a week, and what I what I say

1047
00:55:19,160 --> 00:55:20,759
Speaker 1: is I try to fall in love with them and

1048
00:55:20,800 --> 00:55:24,239
Speaker 1: then ask questions to convey to the audience why I'm

1049
00:55:24,280 --> 00:55:28,680
Speaker 1: in love with M so. But then what has happened

1050
00:55:28,719 --> 00:55:32,400
Speaker 1: recently is I realize I'm getting better at pretty quickly

1051
00:55:32,440 --> 00:55:34,919
Speaker 1: getting a sense of what they're what I feel about

1052
00:55:34,960 --> 00:55:37,399
Speaker 1: them quicker. So I don't have to consume every single

1053
00:55:37,480 --> 00:55:39,319
Speaker 1: little thing, but I have to get enough that I

1054
00:55:39,400 --> 00:55:42,760
Speaker 1: know that feeling. I will consume all their work and definitely,

1055
00:55:42,800 --> 00:55:45,000
Speaker 1: but I don't need to consume all their interviews because

1056
00:55:45,000 --> 00:55:46,359
Speaker 1: you at first you just want to know what they

1057
00:55:46,440 --> 00:55:48,440
Speaker 1: how they like to talk about certain things. And the

1058
00:55:48,480 --> 00:55:51,279
Speaker 1: thing that I tried that I want to avoid is

1059
00:55:52,080 --> 00:55:55,799
Speaker 1: people have stories they fall into, not because there can

1060
00:55:55,920 --> 00:55:58,120
Speaker 1: just because if you talk about yourself, you don't have

1061
00:55:58,160 --> 00:56:01,200
Speaker 1: that many things to say. So you like said, it's like, oh,

1062
00:56:01,239 --> 00:56:02,879
Speaker 1: what was this like? And then they go into their

1063
00:56:03,120 --> 00:56:05,719
Speaker 1: story about starting SNL. But if you what I try

1064
00:56:05,760 --> 00:56:10,640
Speaker 1: to do is asked, in my question, use their answer

1065
00:56:10,880 --> 00:56:13,520
Speaker 1: that they usually give, so I'll go like, oh, usually

1066
00:56:13,520 --> 00:56:15,400
Speaker 1: when you talk about starting at SNL, you say that

1067
00:56:15,440 --> 00:56:18,200
Speaker 1: this was scary. Then I asked a question that they've

1068
00:56:18,200 --> 00:56:22,200
Speaker 1: never been asked me. That's so once I figured out

1069
00:56:22,239 --> 00:56:24,960
Speaker 1: certain things that I tried to do and then like

1070
00:56:25,000 --> 00:56:26,160
Speaker 1: I have a goal of what I want to show

1071
00:56:26,200 --> 00:56:29,040
Speaker 1: to be like it's it's very written out and there's

1072
00:56:29,040 --> 00:56:31,360
Speaker 1: an arc that I'm trying to go. They don't know that,

1073
00:56:31,400 --> 00:56:35,120
Speaker 1: but I I am walking them monitor of their of

1074
00:56:35,200 --> 00:56:38,000
Speaker 1: their own hopefully where they discovered the thing about themselves

1075
00:56:38,000 --> 00:56:40,640
Speaker 1: that I have already realized about them, which is like

1076
00:56:40,680 --> 00:56:43,720
Speaker 1: the highest complment where certain comedians will be like, oh wow,

1077
00:56:43,760 --> 00:56:47,279
Speaker 1: I guess my whole career has been building. I mean,

1078
00:56:47,280 --> 00:56:51,040
Speaker 1: this is a real master class from just see for

1079
00:56:52,040 --> 00:56:58,040
Speaker 1: who have you been? Like? So ged by Um Jesus

1080
00:56:58,040 --> 00:57:02,480
Speaker 1: and Marrow was most fun I had doing this show

1081
00:57:02,520 --> 00:57:04,799
Speaker 1: because I wasn't I knew their working I like them,

1082
00:57:04,800 --> 00:57:06,920
Speaker 1: but then I prepared a lot. But they were so

1083
00:57:07,400 --> 00:57:11,080
Speaker 1: good at being interviewed. One They're so funny and they

1084
00:57:11,120 --> 00:57:14,200
Speaker 1: talk so fast that I was like, we're getting through everything,

1085
00:57:14,760 --> 00:57:18,280
Speaker 1: where like Lonely Island, I'm obsessed with only Island Loland,

1086
00:57:18,320 --> 00:57:20,160
Speaker 1: I think to find so much of what I find funny.

1087
00:57:20,800 --> 00:57:24,000
Speaker 1: But it was almost too hard because I had so

1088
00:57:24,000 --> 00:57:26,280
Speaker 1: so many things I wanted to talk to them about.

1089
00:57:26,480 --> 00:57:28,480
Speaker 1: I had to talk to them. And also they had

1090
00:57:28,480 --> 00:57:31,000
Speaker 1: been aware of things that I've written about them, So

1091
00:57:31,040 --> 00:57:33,080
Speaker 1: at times a key would be like, you know, like

1092
00:57:33,120 --> 00:57:35,040
Speaker 1: the thing you wrote, I was like, I need you

1093
00:57:35,160 --> 00:57:38,240
Speaker 1: to talk about No, I can't reread a thing that

1094
00:57:38,280 --> 00:57:41,560
Speaker 1: I wrote. I mean there's I'm trying to think of

1095
00:57:41,560 --> 00:57:47,280
Speaker 1: who was actually nervous for I'm nervous live more than

1096
00:57:47,320 --> 00:57:49,200
Speaker 1: anything else. And because you just don't know be a

1097
00:57:49,240 --> 00:57:51,200
Speaker 1: was nervous Anthony Jessica because you don't know which Anthony

1098
00:57:51,240 --> 00:57:55,200
Speaker 1: jess Like you're gonna get, and he was, Uh. It

1099
00:57:55,320 --> 00:57:59,240
Speaker 1: was so fun because he was able to both be

1100
00:57:59,320 --> 00:58:02,000
Speaker 1: who he is off off mike or off stage or whatever,

1101
00:58:02,000 --> 00:58:04,680
Speaker 1: which is like very very sweet and he like so

1102
00:58:04,920 --> 00:58:06,920
Speaker 1: we would look at each other and it's very nice.

1103
00:58:07,120 --> 00:58:08,440
Speaker 1: But then when he would answer the question to be

1104
00:58:08,480 --> 00:58:10,280
Speaker 1: to the audience, and he would like slip in and out,

1105
00:58:10,400 --> 00:58:14,440
Speaker 1: and he's got a he's got a real old school

1106
00:58:14,520 --> 00:58:19,000
Speaker 1: performance persona. And that's something I feel like, I don't

1107
00:58:19,040 --> 00:58:22,000
Speaker 1: I think nowadays, in this era of stand up, in

1108
00:58:22,000 --> 00:58:24,120
Speaker 1: this era of comedy, I think you see really I

1109
00:58:24,200 --> 00:58:27,120
Speaker 1: think people are responding to people being who they are

1110
00:58:27,200 --> 00:58:30,080
Speaker 1: because the media is so like sensitive and everything we

1111
00:58:30,160 --> 00:58:32,200
Speaker 1: know who people are, but he feels to me like

1112
00:58:32,240 --> 00:58:35,280
Speaker 1: a throwback to like when I'm on stage, I am

1113
00:58:35,320 --> 00:58:39,040
Speaker 1: performing as Anthony Jesselnik, whereas like Anthony might be someone different,

1114
00:58:39,280 --> 00:58:41,160
Speaker 1: and now he's he's playing with slipping in and out.

1115
00:58:41,200 --> 00:58:43,240
Speaker 1: He has the story about someone asked him to be

1116
00:58:43,320 --> 00:58:45,520
Speaker 1: a sperm donor and then saying they didn't want him anymore,

1117
00:58:45,760 --> 00:58:48,080
Speaker 1: which he tells on stage where he's both like he

1118
00:58:48,120 --> 00:58:49,920
Speaker 1: gets to have this moment like of course all these

1119
00:58:49,960 --> 00:58:53,200
Speaker 1: women would, and then while also being like feeling how

1120
00:58:53,320 --> 00:58:57,800
Speaker 1: this persona deals with being turned down is really interesting.

1121
00:58:58,440 --> 00:59:02,320
Speaker 1: Um he I'm I'm trying to think of who I

1122
00:59:02,480 --> 00:59:04,200
Speaker 1: just want to make sure I get. I don't want

1123
00:59:04,200 --> 00:59:08,479
Speaker 1: to not say people that I was gagged for. Katherine Cohen, Yes,

1124
00:59:08,680 --> 00:59:11,400
Speaker 1: well she The thing about Katherine is she's like a

1125
00:59:11,440 --> 00:59:14,400
Speaker 1: fifteen minute girl right now in her career. She's like

1126
00:59:14,440 --> 00:59:16,600
Speaker 1: a fifteen minute grow whereas like me and Bowen together

1127
00:59:16,680 --> 00:59:22,840
Speaker 1: were Katherine being c list firmly, yes, she gets fifteen minutes.

1128
00:59:22,880 --> 00:59:25,800
Speaker 1: Let it be quoted that Matt Roger was called his

1129
00:59:26,040 --> 00:59:30,680
Speaker 1: very good friend and she was huge kidding. I'm just

1130
00:59:30,680 --> 00:59:33,320
Speaker 1: saying I am so thrilled to be Dealist I'm I'm

1131
00:59:33,360 --> 00:59:36,080
Speaker 1: thrilled to be d as well. If you are C list,

1132
00:59:36,440 --> 00:59:39,240
Speaker 1: you've been on sn L. It's a compliment to be

1133
00:59:39,320 --> 00:59:42,400
Speaker 1: on the list, to be on the on the list,

1134
00:59:42,600 --> 00:59:44,760
Speaker 1: Oh my god. I imagine as kids you were like,

1135
00:59:44,840 --> 00:59:49,000
Speaker 1: I wish I could be on the list anyway. Um,

1136
00:59:49,360 --> 00:59:52,520
Speaker 1: I want to finally ask I forget bow and take

1137
00:59:52,520 --> 00:59:57,080
Speaker 1: it away. Beach j was a man recording a new

1138
00:59:57,240 --> 01:00:00,240
Speaker 1: little um, you know, new little, new little What is

1139
01:00:00,280 --> 01:00:04,800
Speaker 1: it like a pet name? No be stupa beach STI

1140
01:00:05,040 --> 01:00:06,080
Speaker 1: and you say it fast and it sounds like a

1141
01:00:06,080 --> 01:00:08,520
Speaker 1: super Jesse. What was the culture that made you say?

1142
01:00:08,560 --> 01:00:11,400
Speaker 1: Culture is for me? Ah? The question that you ask.

1143
01:00:12,760 --> 01:00:16,640
Speaker 1: So when I first heard the podcast forever, I knew

1144
01:00:16,640 --> 01:00:18,720
Speaker 1: what I thought. My answer was going, Okay, when did

1145
01:00:18,720 --> 01:00:20,920
Speaker 1: you think there's gonna be to us? Which was it

1146
01:00:20,960 --> 01:00:22,439
Speaker 1: was gonna be this? It was I thought it's gonna

1147
01:00:22,440 --> 01:00:25,400
Speaker 1: be the Simpsons. I was gonna be like, oh, I know,

1148
01:00:25,920 --> 01:00:28,240
Speaker 1: I knew I would say that so and I considered

1149
01:00:28,240 --> 01:00:30,520
Speaker 1: Michael Jordan, but then Brendan's canal said, Michael Jordan, can

1150
01:00:30,600 --> 01:00:33,960
Speaker 1: you that Brendan Snell coming at you with the Chicago

1151
01:00:34,040 --> 01:00:39,040
Speaker 1: Bulls moment? But then I remembered, Um, so we will

1152
01:00:39,200 --> 01:00:40,360
Speaker 1: tell me if this is too broad and I can

1153
01:00:40,400 --> 01:00:43,800
Speaker 1: get more specific. But I realized the answer is, uh

1154
01:00:44,200 --> 01:00:51,000
Speaker 1: MTV and early and specifically music videos first, my earlier

1155
01:00:51,120 --> 01:00:54,200
Speaker 1: So many of my earliest memories were music videos, and

1156
01:00:54,360 --> 01:00:57,200
Speaker 1: talk about some of the iconic ones that formed you. Sure,

1157
01:00:57,400 --> 01:00:59,640
Speaker 1: so I will tell the one that I think of

1158
01:00:59,720 --> 01:01:02,919
Speaker 1: first is I must have been younger than five, because

1159
01:01:02,920 --> 01:01:05,120
Speaker 1: it's the eighties. Do you know the video for Call

1160
01:01:05,200 --> 01:01:07,520
Speaker 1: Me Out? The Paul Simon video was him and Chevy Chase.

1161
01:01:07,600 --> 01:01:09,720
Speaker 1: I don't know the video you will really well, I

1162
01:01:09,720 --> 01:01:11,480
Speaker 1: don't know if you like it. It It again, might be straight,

1163
01:01:11,480 --> 01:01:16,280
Speaker 1: but so essentially I like stuff. So here, so they're

1164
01:01:16,280 --> 01:01:20,480
Speaker 1: singing the song, so it's him and Chevy Chevy and

1165
01:01:20,480 --> 01:01:23,760
Speaker 1: they're sitting and then Chevy sings the song as and

1166
01:01:23,840 --> 01:01:28,760
Speaker 1: Paul Simon just sort of sits as yes. So it's like, oh,

1167
01:01:28,920 --> 01:01:32,760
Speaker 1: look at adults being silly. That's fun. So that's that's

1168
01:01:32,760 --> 01:01:34,960
Speaker 1: an early one. But then the memory that I was

1169
01:01:35,000 --> 01:01:37,600
Speaker 1: like this is exactly what the question is is. I

1170
01:01:37,640 --> 01:01:42,520
Speaker 1: remember one day, Oh, I love this. It's and um,

1171
01:01:42,560 --> 01:01:45,200
Speaker 1: I was home all day. My dad comes home and goes,

1172
01:01:45,240 --> 01:01:47,920
Speaker 1: what did you do today and I go MTV played

1173
01:01:47,960 --> 01:01:52,400
Speaker 1: Michael Jackson's Free Willie video seven times and Janet Jackson's

1174
01:01:52,480 --> 01:01:55,280
Speaker 1: video for um That's Why It Love Goes five times.

1175
01:01:55,280 --> 01:01:57,520
Speaker 1: That was my answer for what I did today was

1176
01:01:57,600 --> 01:02:00,480
Speaker 1: not I don't even it was the cult are you consume?

1177
01:02:00,520 --> 01:02:03,120
Speaker 1: It's it was just sort of like I knew with

1178
01:02:03,160 --> 01:02:05,120
Speaker 1: the culture. I was sort of hop star Jackson culture.

1179
01:02:05,320 --> 01:02:06,919
Speaker 1: I was. And it's not even like I like Michael

1180
01:02:07,000 --> 01:02:09,480
Speaker 1: Jackson or Janet Jackson particularly that much at the time.

1181
01:02:09,520 --> 01:02:11,920
Speaker 1: It was literally like I was just interested in empty

1182
01:02:11,960 --> 01:02:15,280
Speaker 1: these programming and I feel like that is a thing

1183
01:02:15,360 --> 01:02:17,840
Speaker 1: that was my career for forever, which is sort of

1184
01:02:17,880 --> 01:02:21,040
Speaker 1: like I was always interested in the entertainment industry as

1185
01:02:21,080 --> 01:02:23,480
Speaker 1: an industry. I feel like I always love behind music.

1186
01:02:23,760 --> 01:02:26,040
Speaker 1: I love love behind the music. I just sort of

1187
01:02:26,080 --> 01:02:28,919
Speaker 1: like that. I was like, oh, someone was like oh,

1188
01:02:29,040 --> 01:02:31,360
Speaker 1: I was like, Michael Jackson is really popular right now,

1189
01:02:31,840 --> 01:02:34,000
Speaker 1: and that is that. I was like, that is the moment.

1190
01:02:34,080 --> 01:02:35,840
Speaker 1: I'm like, this is the thing that is this is

1191
01:02:35,920 --> 01:02:38,160
Speaker 1: the me wow. Because what's interesting is in that moment

1192
01:02:38,200 --> 01:02:43,720
Speaker 1: you were bundling, you were making whatever, like a narrative

1193
01:02:43,760 --> 01:02:47,040
Speaker 1: out of like the culture. You consumed that day. You're like, well,

1194
01:02:47,520 --> 01:02:49,640
Speaker 1: this is the way to sum it up, and here

1195
01:02:49,640 --> 01:02:51,880
Speaker 1: you go, and it was a full day. I was like,

1196
01:02:51,920 --> 01:02:53,840
Speaker 1: this is what I did. I watched these things and

1197
01:02:53,880 --> 01:02:56,120
Speaker 1: it was like and you kept track and like, I

1198
01:02:56,160 --> 01:02:58,920
Speaker 1: just I remember so distinctly. I do not remember my

1199
01:02:59,000 --> 01:03:01,720
Speaker 1: dad's response. I just sort of like I just be like,

1200
01:03:01,880 --> 01:03:04,160
Speaker 1: this is what I did, and I think and then

1201
01:03:04,640 --> 01:03:07,040
Speaker 1: just thinking about it, I was like, oh, this music video.

1202
01:03:07,080 --> 01:03:11,000
Speaker 1: I was like, oh, I remember the freedom video. Freedom video.

1203
01:03:11,160 --> 01:03:14,640
Speaker 1: I remember the video for um read a Rate Runaway Trained.

1204
01:03:14,680 --> 01:03:17,200
Speaker 1: You know that song it's It's I can't remember the

1205
01:03:17,280 --> 01:03:18,920
Speaker 1: name of the band, but it was a song about

1206
01:03:19,000 --> 01:03:21,760
Speaker 1: kids being stolen. And I was like six when that

1207
01:03:21,840 --> 01:03:24,080
Speaker 1: song came out, and I was like, this is a

1208
01:03:24,200 --> 01:03:26,920
Speaker 1: very scary video to me. Do you remember all the

1209
01:03:26,960 --> 01:03:29,480
Speaker 1: words to all those songs? No, I have no memory

1210
01:03:29,480 --> 01:03:35,600
Speaker 1: of anything. I mean I was curious because those songs

1211
01:03:35,760 --> 01:03:40,360
Speaker 1: from like when I was like five to ten are

1212
01:03:40,400 --> 01:03:43,600
Speaker 1: in there forever. Like you know that song Janet Jackson

1213
01:03:43,680 --> 01:03:46,800
Speaker 1: Together Again. That was like such a huge and I

1214
01:03:46,800 --> 01:03:50,280
Speaker 1: remember the video like I just remember that song can

1215
01:03:50,320 --> 01:03:51,880
Speaker 1: come on now. I could sing every single word, like

1216
01:03:51,920 --> 01:03:53,480
Speaker 1: I don't know what it is. Maybe it's because when

1217
01:03:53,480 --> 01:03:56,600
Speaker 1: your brain is not like of chaotic mess like it

1218
01:03:56,720 --> 01:03:59,240
Speaker 1: is now. But like that time of like I just

1219
01:03:59,280 --> 01:04:01,880
Speaker 1: remember watching all those music videos and like soaking up

1220
01:04:01,880 --> 01:04:04,600
Speaker 1: every single word and image, and I remember the Top

1221
01:04:04,640 --> 01:04:07,280
Speaker 1: twenty countdowns, like or I guess that was the VH

1222
01:04:07,280 --> 01:04:08,800
Speaker 1: one version. I was only allowed to watch VH one.

1223
01:04:08,800 --> 01:04:11,120
Speaker 1: I couldn't watch MTV, but of course they had TRL

1224
01:04:11,200 --> 01:04:13,560
Speaker 1: and like I remember like every single thing, needing to

1225
01:04:13,600 --> 01:04:15,680
Speaker 1: know what was number one? Why were not allowed to

1226
01:04:15,680 --> 01:04:18,120
Speaker 1: watch MTV? Or you're just like sexy? We're like you're

1227
01:04:18,120 --> 01:04:23,040
Speaker 1: like you can watch Jason Mraz. Well that was a

1228
01:04:23,040 --> 01:04:25,320
Speaker 1: little that was like a little bit later. That's actually

1229
01:04:26,320 --> 01:04:34,480
Speaker 1: number seventies seven Jason ras artists. Actually it's of the time.

1230
01:04:34,800 --> 01:04:39,320
Speaker 1: It's New York back back one. Now Tiffany New York

1231
01:04:39,320 --> 01:04:42,800
Speaker 1: Pollard is the defining artists. I have to talk about

1232
01:04:42,840 --> 01:04:45,080
Speaker 1: what I was just going to say. At that time,

1233
01:04:45,080 --> 01:04:48,480
Speaker 1: it was like like v H one was like, it's

1234
01:04:48,480 --> 01:04:50,240
Speaker 1: funny that my mom was like, you can't watch MTV.

1235
01:04:50,280 --> 01:04:52,840
Speaker 1: It's too sexy, because VH one was also very sexual.

1236
01:04:52,840 --> 01:04:55,600
Speaker 1: It was just some more adult like sensuality. So my

1237
01:04:55,680 --> 01:04:59,000
Speaker 1: ship was like I remember watching like Shania Twain You're

1238
01:04:59,000 --> 01:05:00,880
Speaker 1: Still the one music video. It was like close ups

1239
01:05:00,880 --> 01:05:04,840
Speaker 1: of her like like um sepia tone, like lips, like singing,

1240
01:05:04,840 --> 01:05:06,960
Speaker 1: and it was just like draped in like a blanket

1241
01:05:07,000 --> 01:05:10,400
Speaker 1: and her like like very manly, sort of not MTV

1242
01:05:10,480 --> 01:05:12,800
Speaker 1: hot but VH one hot love and just kind of

1243
01:05:12,800 --> 01:05:15,400
Speaker 1: slowly walking towards her and like holding her and like

1244
01:05:15,400 --> 01:05:17,720
Speaker 1: they were smelling each other. And I'm like, this is

1245
01:05:17,760 --> 01:05:26,200
Speaker 1: actually sex, whereas MTV is like, wow, that that that's

1246
01:05:26,200 --> 01:05:32,880
Speaker 1: how that's some forty on that famously sexual. Oh my god,

1247
01:05:32,920 --> 01:05:35,600
Speaker 1: but that song fucking the word abortion in it and

1248
01:05:35,800 --> 01:05:37,960
Speaker 1: just blew everyone's minds at the time. At the time,

1249
01:05:38,120 --> 01:05:41,680
Speaker 1: everyone's minds are the abortion, and you know we haven't

1250
01:05:41,680 --> 01:05:44,160
Speaker 1: gotten better. Um wait, hold on, ray Sonny just pointed

1251
01:05:44,160 --> 01:05:46,760
Speaker 1: out something about remember like just the Surreal Life franchise

1252
01:05:47,000 --> 01:05:52,320
Speaker 1: ending at Megan Wants a Millionaire because because one of

1253
01:05:52,320 --> 01:05:54,720
Speaker 1: the contestants who makes it to the final two or

1254
01:05:54,800 --> 01:05:58,400
Speaker 1: three murdered his girlfriends. But then like but then that

1255
01:05:58,440 --> 01:06:01,760
Speaker 1: like it had a butterfly fact out, um for something.

1256
01:06:01,920 --> 01:06:04,560
Speaker 1: Hold on, I just um, I need to look this

1257
01:06:04,600 --> 01:06:06,360
Speaker 1: up and then we can come Well, the thing about

1258
01:06:06,400 --> 01:06:10,600
Speaker 1: those contestants is they're not well, um right, but like

1259
01:06:10,800 --> 01:06:13,760
Speaker 1: and they still do it. But I'm saying, like the

1260
01:06:13,760 --> 01:06:16,400
Speaker 1: there's some something about like the TV landscape now has

1261
01:06:16,440 --> 01:06:19,320
Speaker 1: been directly like was it was a direct result of

1262
01:06:19,800 --> 01:06:21,760
Speaker 1: the surreal life and I love money and like those

1263
01:06:21,760 --> 01:06:25,880
Speaker 1: shows being completely wiped away from those producers that like

1264
01:06:25,960 --> 01:06:29,600
Speaker 1: family of shows were you did you watch Joe Millionaire?

1265
01:06:29,600 --> 01:06:34,000
Speaker 1: You guys? Yeah? How the fact that that was a

1266
01:06:34,040 --> 01:06:37,120
Speaker 1: sensation is the weirdest part, not only that it was

1267
01:06:37,200 --> 01:06:40,840
Speaker 1: dumb that it existed and also not for nothing, but

1268
01:06:40,960 --> 01:06:43,000
Speaker 1: he was such a dud and the final two girls

1269
01:06:43,160 --> 01:06:46,360
Speaker 1: Zora and I forgot the other one's name is one

1270
01:06:46,680 --> 01:06:50,600
Speaker 1: million our season one they were such dud. Everyone on

1271
01:06:50,640 --> 01:06:53,080
Speaker 1: the show was such a dun And then you were like,

1272
01:06:53,120 --> 01:06:56,880
Speaker 1: I'm rooting for Zora and it's like she was nothing

1273
01:06:57,240 --> 01:07:01,520
Speaker 1: and he was nothing. I mean, he was like only hot.

1274
01:07:01,600 --> 01:07:05,360
Speaker 1: It's also weird that winning meant losing, winning meant truly

1275
01:07:05,640 --> 01:07:09,640
Speaker 1: like I'll never forget that show was Psycho Dude, do

1276
01:07:09,720 --> 01:07:14,560
Speaker 1: you watch season two? I didn't see, oh Europe because

1277
01:07:14,560 --> 01:07:17,680
Speaker 1: they couldn't have done it again. They did it in

1278
01:07:17,720 --> 01:07:19,880
Speaker 1: Europe where he is this like and I thought he

1279
01:07:19,920 --> 01:07:23,280
Speaker 1: was hotter um they're also they're also but no season two.

1280
01:07:23,400 --> 01:07:27,960
Speaker 1: It's just it's this fucking guy from like Plano, Texas.

1281
01:07:28,160 --> 01:07:33,360
Speaker 1: He was like a cowboy. I think because they couldn't

1282
01:07:33,360 --> 01:07:35,240
Speaker 1: do it again in America because then people people were like,

1283
01:07:35,240 --> 01:07:36,840
Speaker 1: you know, I saw I assumed it was gonna be

1284
01:07:36,880 --> 01:07:40,000
Speaker 1: European famous. They're like, you know, he's an American brig.

1285
01:07:40,200 --> 01:07:43,240
Speaker 1: They're like, they're like, oh, he's a cowboy, like like

1286
01:07:43,320 --> 01:07:47,280
Speaker 1: it was that he is cowboy and I want to

1287
01:07:47,320 --> 01:07:54,240
Speaker 1: marry rich cowboy. It's montreal m. I want to marry Mary.

1288
01:07:55,000 --> 01:07:57,320
Speaker 1: You know what? What I brought up at work the

1289
01:07:57,360 --> 01:08:02,880
Speaker 1: other day was sucking Mr Personality I hosted by I

1290
01:08:02,920 --> 01:08:05,640
Speaker 1: Can't Forget, You can't forget. That was that was the

1291
01:08:05,680 --> 01:08:07,760
Speaker 1: one where they wore masks. The men were masks and

1292
01:08:07,800 --> 01:08:11,200
Speaker 1: she could only pick the winner based on who whose

1293
01:08:11,240 --> 01:08:14,120
Speaker 1: personality she liked best. And then afterwards, when they get eliminated,

1294
01:08:14,200 --> 01:08:16,760
Speaker 1: they take the masks off and some of them are hot. Yes,

1295
01:08:16,880 --> 01:08:20,599
Speaker 1: remember I guess some of them right right right right

1296
01:08:20,600 --> 01:08:22,360
Speaker 1: from the tradition. And Monica was the host and she

1297
01:08:22,400 --> 01:08:25,360
Speaker 1: was like it's hard, right, She was like, it's really

1298
01:08:25,360 --> 01:08:27,200
Speaker 1: hard to do this but this was like two thousand

1299
01:08:27,240 --> 01:08:31,080
Speaker 1: one or two thousand two, like pretty like close proximity

1300
01:08:31,120 --> 01:08:34,639
Speaker 1: to like the fucking Lewinsky. And I can think about

1301
01:08:34,680 --> 01:08:36,760
Speaker 1: that fact that at that point she is not like

1302
01:08:36,800 --> 01:08:40,200
Speaker 1: a celebrity celebrity thrown her hair out, she grown her

1303
01:08:40,200 --> 01:08:41,360
Speaker 1: hair up. But it's like it's like for her to

1304
01:08:41,400 --> 01:08:44,360
Speaker 1: be like, I guess I'll go back into the spotlight

1305
01:08:44,439 --> 01:08:47,720
Speaker 1: like four years, four or five years after I was

1306
01:08:48,040 --> 01:08:52,760
Speaker 1: humiliated internationally. Well she couldn't get I mean, that's that's

1307
01:08:52,800 --> 01:08:56,200
Speaker 1: the Track's another part of the trag that she has

1308
01:08:56,280 --> 01:08:58,559
Speaker 1: to do the things that she does to survive. Like

1309
01:08:58,760 --> 01:09:01,000
Speaker 1: I only think now we are a culture already to

1310
01:09:01,040 --> 01:09:07,280
Speaker 1: say like maybe we were full monster Monica Lewinsky, who

1311
01:09:07,560 --> 01:09:12,599
Speaker 1: was a complete victim in every regard and was preyed

1312
01:09:12,680 --> 01:09:17,840
Speaker 1: upon by President William Jefferson Clinton, who, if he has

1313
01:09:17,920 --> 01:09:20,960
Speaker 1: anything to do with this Epstein stuff, should go to prison.

1314
01:09:21,560 --> 01:09:26,839
Speaker 1: And that should be said me Matt Rogers, Democrats dect

1315
01:09:27,400 --> 01:09:30,880
Speaker 1: mouthpiece political voice who says Bill Clinton should go to

1316
01:09:30,960 --> 01:09:34,160
Speaker 1: prison if he slept with the woman he the young know,

1317
01:09:34,360 --> 01:09:38,479
Speaker 1: the girl he was pictured with on Jeffrey Epstein's private plane,

1318
01:09:38,560 --> 01:09:41,320
Speaker 1: which is a thing looking up what do you at at?

1319
01:09:41,760 --> 01:09:44,840
Speaker 1: What do you remember from the Bill Clinton? I had

1320
01:09:44,880 --> 01:09:48,320
Speaker 1: some like I knew was happening. I remember seeing her

1321
01:09:48,840 --> 01:09:51,559
Speaker 1: on the cover of every magazine with the words like fully,

1322
01:09:51,600 --> 01:09:56,240
Speaker 1: like whore. I remember like the way that they painted Hillary.

1323
01:09:56,000 --> 01:10:00,840
Speaker 1: I remember very little it actually being about him. I

1324
01:10:01,000 --> 01:10:04,439
Speaker 1: remember it being about women, women, and and the cat

1325
01:10:04,520 --> 01:10:08,840
Speaker 1: fight narrative and the Hillary throws Bill out? Or is

1326
01:10:08,880 --> 01:10:10,840
Speaker 1: Hillary doing the wrong thing by standing by her? Man

1327
01:10:10,920 --> 01:10:14,080
Speaker 1: fuck her? Like none of them could win. Monica Lewinsky's

1328
01:10:14,120 --> 01:10:17,559
Speaker 1: life was ruined at twenty four, and it took a

1329
01:10:17,640 --> 01:10:22,200
Speaker 1: long time for even the most I guess like liberal

1330
01:10:22,280 --> 01:10:24,920
Speaker 1: or woke people to come around and say, hey, we

1331
01:10:24,960 --> 01:10:27,280
Speaker 1: have to reassess this Monica stuff. And she even is

1332
01:10:27,320 --> 01:10:30,280
Speaker 1: so scarred from it that she says it's the whole

1333
01:10:30,320 --> 01:10:33,240
Speaker 1: feminism thing now is difficult for her because no one

1334
01:10:33,320 --> 01:10:36,320
Speaker 1: had her back. Well, there was in did you listen

1335
01:10:36,360 --> 01:10:41,400
Speaker 1: to slow Burn? Either you? So that there uh to

1336
01:10:41,600 --> 01:10:44,880
Speaker 1: speak upon the feminist opinion of the nineties. They spend

1337
01:10:44,880 --> 01:10:47,080
Speaker 1: an episode on it. I really recommend listening to it

1338
01:10:47,080 --> 01:10:49,920
Speaker 1: because it is the best episode of that season, and

1339
01:10:50,720 --> 01:10:52,960
Speaker 1: there was a discourse. I think there's like they talked

1340
01:10:52,960 --> 01:10:54,920
Speaker 1: about a roundtable at the Observer that had a lot

1341
01:10:54,920 --> 01:10:58,800
Speaker 1: of feminist people, and there they were talking about it

1342
01:10:58,880 --> 01:11:00,599
Speaker 1: was at a time where they're like, well, she has

1343
01:11:00,600 --> 01:11:02,599
Speaker 1: an agency, we don't want to treat her like she's

1344
01:11:02,600 --> 01:11:04,920
Speaker 1: a victim. This is just what they were saying at

1345
01:11:04,960 --> 01:11:07,479
Speaker 1: the time. This is what at the time. This one

1346
01:11:07,520 --> 01:11:09,479
Speaker 1: thing that was told me from a podcast. I do

1347
01:11:09,560 --> 01:11:11,960
Speaker 1: not want to assert I have an opinion about that,

1348
01:11:12,240 --> 01:11:15,519
Speaker 1: but so U but that that was a narrative that

1349
01:11:15,560 --> 01:11:19,360
Speaker 1: was very publicly done. And also at the time, Bill

1350
01:11:19,560 --> 01:11:24,160
Speaker 1: was one of the more publicly feminist cause adjacent presidents

1351
01:11:24,200 --> 01:11:29,040
Speaker 1: that we had. He was very hardline on pro choice.

1352
01:11:29,240 --> 01:11:31,680
Speaker 1: He much show like and he would not budge. He

1353
01:11:31,720 --> 01:11:36,000
Speaker 1: budged on famously everything but that he would not And

1354
01:11:36,040 --> 01:11:38,760
Speaker 1: I think that is partly what made it harder. It's

1355
01:11:38,760 --> 01:11:40,360
Speaker 1: easier now from the distance of like, oh, would that

1356
01:11:40,400 --> 01:11:43,640
Speaker 1: already happen? Um, But also that's because that was the

1357
01:11:43,640 --> 01:11:45,720
Speaker 1: discourse that people wanted to have, because you probably had

1358
01:11:45,960 --> 01:11:49,240
Speaker 1: male editors of newspapers and magazines like, let's find us

1359
01:11:49,280 --> 01:11:51,560
Speaker 1: the feminist who think that Bill Glynn is okay, like,

1360
01:11:51,600 --> 01:11:54,120
Speaker 1: because that's interesting. It's not interesting if there's women who

1361
01:11:54,160 --> 01:11:58,040
Speaker 1: also think that this was terrible and no, now in retrospect,

1362
01:11:58,040 --> 01:12:01,760
Speaker 1: you're like, all of this was fucked and we were

1363
01:12:01,800 --> 01:12:04,720
Speaker 1: too young to be complicit. But everyone else, well, I

1364
01:12:04,720 --> 01:12:06,800
Speaker 1: think it was an interesting moment because it was like

1365
01:12:06,960 --> 01:12:09,080
Speaker 1: I think some people felt like, we have to go

1366
01:12:09,120 --> 01:12:11,479
Speaker 1: to Hillary side, we have to like and they thought

1367
01:12:11,479 --> 01:12:13,120
Speaker 1: that they were on the right side of it, but

1368
01:12:13,120 --> 01:12:16,160
Speaker 1: then in doing that they were like anti Monica when

1369
01:12:16,280 --> 01:12:19,160
Speaker 1: really what you had was you had a man who

1370
01:12:19,240 --> 01:12:23,160
Speaker 1: was ruining the lives of everyone around him. And it

1371
01:12:23,240 --> 01:12:26,080
Speaker 1: was just like we weren't at the moment culturally to

1372
01:12:26,080 --> 01:12:28,840
Speaker 1: be able to say, like, no, fuck him, fuck him,

1373
01:12:28,840 --> 01:12:31,479
Speaker 1: fuck him, fuck him because he's a predator, Like like

1374
01:12:31,520 --> 01:12:33,840
Speaker 1: what is that instinct to be protective of? Like, I

1375
01:12:33,880 --> 01:12:36,440
Speaker 1: don't know. At the time, I think it was party politics,

1376
01:12:36,439 --> 01:12:39,760
Speaker 1: and I think it was deep, deep, deep deep sexism.

1377
01:12:39,800 --> 01:12:42,800
Speaker 1: And I think we also it was like a big

1378
01:12:42,840 --> 01:12:46,160
Speaker 1: moment for blow jobs, right, So like for me it

1379
01:12:46,200 --> 01:12:48,360
Speaker 1: was people didn't think it was said for me it was.

1380
01:12:48,600 --> 01:12:51,200
Speaker 1: It was just sort of like, I mean, I brought

1381
01:12:51,200 --> 01:12:53,719
Speaker 1: blow jobs into the lexicon for sure. I gotta say

1382
01:12:53,960 --> 01:12:56,360
Speaker 1: that taught me what come was? Keeping tell me what

1383
01:12:56,400 --> 01:12:58,400
Speaker 1: come was? I thought, can I say what I thought

1384
01:12:58,400 --> 01:13:01,120
Speaker 1: come was. I thought come was when you got too

1385
01:13:01,120 --> 01:13:05,080
Speaker 1: sexually decided you threw up white I thought that was

1386
01:13:05,160 --> 01:13:07,160
Speaker 1: come from your mouth. From your mouth, I thought when

1387
01:13:07,200 --> 01:13:08,720
Speaker 1: you got too worked up. And then I was just

1388
01:13:08,720 --> 01:13:11,200
Speaker 1: afraid because I hate throwing up. I really like it,

1389
01:13:11,479 --> 01:13:13,840
Speaker 1: just a little pump or two of white stuff. Literally.

1390
01:13:13,880 --> 01:13:15,880
Speaker 1: Someone said, it's when you get too excited and white

1391
01:13:15,880 --> 01:13:18,759
Speaker 1: stuff comes out of your mouth. This is like fifth grade,

1392
01:13:18,920 --> 01:13:21,599
Speaker 1: fourth grade, fifth grade. That is like logic. That's like

1393
01:13:21,400 --> 01:13:23,360
Speaker 1: a like a comedy writers. You're like writing a kid

1394
01:13:23,680 --> 01:13:26,480
Speaker 1: and then something being like we can beat that. Like

1395
01:13:26,680 --> 01:13:28,920
Speaker 1: that's like a really first thought, stupid fucking thing. It's

1396
01:13:28,960 --> 01:13:32,360
Speaker 1: not for a kid to say, you know what I'm saying.

1397
01:13:32,400 --> 01:13:35,960
Speaker 1: They think com is throwing up. Nah nah, that would

1398
01:13:36,000 --> 01:13:39,080
Speaker 1: never happen. Um. Wow, getting hot and political up in here. Um.

1399
01:13:39,200 --> 01:13:42,240
Speaker 1: But it's actually is time to do a segment, another

1400
01:13:42,240 --> 01:13:45,880
Speaker 1: segment we have Jesse. You know, well, I don't think so, honey.

1401
01:13:46,080 --> 01:13:48,320
Speaker 1: I can't find this race Sunny tweet. Okay, anyway, Yeah,

1402
01:13:49,200 --> 01:13:52,439
Speaker 1: just going to race Sonny's Twitter fucking gold mine. It's

1403
01:13:52,520 --> 01:13:56,040
Speaker 1: we take one minute to go off on something in culture,

1404
01:13:56,160 --> 01:13:57,680
Speaker 1: and I have a good one. I have got a

1405
01:13:57,680 --> 01:13:59,000
Speaker 1: good one too, But yeah, I will let you go.

1406
01:13:59,479 --> 01:14:01,599
Speaker 1: Uh this is Matt Rogers. I don't think so, honey.

1407
01:14:01,600 --> 01:14:04,000
Speaker 1: As time starts now, I don't think so honey. People

1408
01:14:04,040 --> 01:14:08,400
Speaker 1: sleeping on real Housewives of Potomac. Housewives of Potomac is

1409
01:14:08,560 --> 01:14:13,280
Speaker 1: up there. The girls are doing their job. Barren Ashley bitch,

1410
01:14:13,320 --> 01:14:17,280
Speaker 1: bitch keep. Karen Hugo is an icon the Grand the

1411
01:14:17,320 --> 01:14:21,840
Speaker 1: Grand Dom. Also, Giselle Bryant is doing things that Waitfield

1412
01:14:21,880 --> 01:14:24,040
Speaker 1: only dreams she could do. You really want to see

1413
01:14:24,040 --> 01:14:26,880
Speaker 1: who the bone collector is. It is just she will

1414
01:14:26,880 --> 01:14:31,479
Speaker 1: come in there and start it up. Also fucking gorgeous, Okay, drama,

1415
01:14:31,520 --> 01:14:37,200
Speaker 1: that is it? Gay panic? Yes? But am I on board? Absolutely?

1416
01:14:37,280 --> 01:14:39,479
Speaker 1: I do think so, honey. I don't think so honey,

1417
01:14:39,520 --> 01:14:42,240
Speaker 1: gay panic. I do think so honey. The drama going

1418
01:14:42,280 --> 01:14:45,439
Speaker 1: on with Ashley's husband who be sucking dick and be

1419
01:14:45,600 --> 01:14:48,799
Speaker 1: grabbing the asses of cameraman who worked on the show.

1420
01:14:49,120 --> 01:14:53,080
Speaker 1: I love it when it gets meta. Okay gets broken,

1421
01:14:53,160 --> 01:14:56,000
Speaker 1: my god, the pregnant one serving the truth. We love

1422
01:14:56,360 --> 01:14:59,719
Speaker 1: this crazy one, Candice. They're all firing on different cylinders.

1423
01:15:00,320 --> 01:15:03,559
Speaker 1: Beverly Hills is asleep Potomac and that's one minute. Thank

1424
01:15:03,600 --> 01:15:08,680
Speaker 1: you so much, thank you for that public service. For myself,

1425
01:15:09,479 --> 01:15:13,280
Speaker 1: it's actually real culture number three. I myself, I have

1426
01:15:13,360 --> 01:15:15,000
Speaker 1: not watched it, but I went to school with a

1427
01:15:15,040 --> 01:15:17,320
Speaker 1: lot of people from Potomac, Maryland, and it's a very

1428
01:15:17,320 --> 01:15:19,439
Speaker 1: different perception of what it is than this. It is

1429
01:15:19,560 --> 01:15:22,479
Speaker 1: the franchise. Well, I think this is the season that

1430
01:15:22,520 --> 01:15:25,960
Speaker 1: it's broken through and the big voice and people and

1431
01:15:26,000 --> 01:15:27,920
Speaker 1: the charming thing about it is and it's been this

1432
01:15:27,920 --> 01:15:30,200
Speaker 1: way the whole time is that it's like, um, they're

1433
01:15:30,240 --> 01:15:35,040
Speaker 1: excessively wealthy. They're poor, like they're poorer than the other house. Interesting,

1434
01:15:35,280 --> 01:15:36,840
Speaker 1: and so they'll do like it'll be like a dinner party,

1435
01:15:36,840 --> 01:15:38,960
Speaker 1: where whereas like it'll be in Beverly Hills would be

1436
01:15:38,960 --> 01:15:41,880
Speaker 1: like in some giant fucking backyard. And the thing is

1437
01:15:41,880 --> 01:15:45,679
Speaker 1: they rely on that because they don't have the real drama, right,

1438
01:15:46,560 --> 01:15:48,840
Speaker 1: So in Potomac, it's like someone's having a dinner party.

1439
01:15:48,840 --> 01:15:53,640
Speaker 1: It's like a fucking townhouse, truly, nothing on the walls,

1440
01:15:53,280 --> 01:15:56,559
Speaker 1: just like on upholstered chair, like you know. I mean

1441
01:15:56,640 --> 01:15:59,920
Speaker 1: the last episode of Potomac, which was fire, the drama

1442
01:16:00,000 --> 01:16:03,479
Speaker 1: completely happened at like a wooden table. They were having

1443
01:16:03,479 --> 01:16:06,000
Speaker 1: like a barbecue, and I was like, this is it,

1444
01:16:06,320 --> 01:16:08,679
Speaker 1: but this actually isn't. You don't need the set dressing.

1445
01:16:08,720 --> 01:16:11,160
Speaker 1: You do not because they give it to you down

1446
01:16:11,560 --> 01:16:15,400
Speaker 1: and honestly, honestly, it's great. It is so much better

1447
01:16:15,840 --> 01:16:19,040
Speaker 1: than watching whatever the fuck Dorite is wearing and then

1448
01:16:19,160 --> 01:16:22,840
Speaker 1: talking about vander pump dogs for the millionth time. Get out,

1449
01:16:22,920 --> 01:16:26,920
Speaker 1: Who's who's the young one who just got married? Um? Yes,

1450
01:16:27,320 --> 01:16:30,479
Speaker 1: fucking I mean they're all gorge. Janique the one is pregnant,

1451
01:16:30,760 --> 01:16:33,640
Speaker 1: not the one who just got married. Um she she

1452
01:16:33,680 --> 01:16:35,800
Speaker 1: got in a fight with Giselle. Anyway, she could it

1453
01:16:35,840 --> 01:16:40,959
Speaker 1: be Candice Candice? No, because honestly that it's Candice. Candice

1454
01:16:41,080 --> 01:16:45,200
Speaker 1: is truly a stunning like Helen of Troy Beauty. Well,

1455
01:16:45,240 --> 01:16:48,880
Speaker 1: they're all fucking gorge. First of all, Giselle needs to

1456
01:16:48,880 --> 01:16:52,599
Speaker 1: be a household name Giselle. Giselle Bryant must be a household.

1457
01:16:52,600 --> 01:16:54,120
Speaker 1: I can't really make the comparison. I don't really watch

1458
01:16:54,120 --> 01:16:55,519
Speaker 1: it Landa that much, but like, I feel like Giselle

1459
01:16:55,560 --> 01:16:57,800
Speaker 1: is doing what Eva wish, Like Gill reminds me a

1460
01:16:57,840 --> 01:17:00,479
Speaker 1: lot of Eva wishes. That's what I'm saying, right, It's

1461
01:17:00,479 --> 01:17:04,240
Speaker 1: actually a real culture number fifty four wishes anyway, thank

1462
01:17:04,240 --> 01:17:06,559
Speaker 1: you for that so much. And one more thing, one

1463
01:17:06,560 --> 01:17:09,600
Speaker 1: more thing. There's a friend of on the show. Her

1464
01:17:09,680 --> 01:17:14,040
Speaker 1: name is Katie. Katie Katie is something else the way

1465
01:17:14,120 --> 01:17:17,479
Speaker 1: I just are. I just want to see these names.

1466
01:17:17,520 --> 01:17:20,400
Speaker 1: I mean because because because another franchise of another Cities,

1467
01:17:20,439 --> 01:17:25,080
Speaker 1: you get those fucking patrician whatever names Derenda, deret whatever, like, well,

1468
01:17:25,080 --> 01:17:26,920
Speaker 1: don't come for Dorenda. I'm not saying. I'm saying the

1469
01:17:27,000 --> 01:17:30,280
Speaker 1: names are like so like exotic and like wealthy, wealthy,

1470
01:17:30,600 --> 01:17:32,400
Speaker 1: like you know, you've got like a house, you've got

1471
01:17:32,439 --> 01:17:34,559
Speaker 1: Habsburg in your blood or whatever this is. These are

1472
01:17:34,600 --> 01:17:40,679
Speaker 1: women with average asked names. Katie Ashley fucking care actually

1473
01:17:40,920 --> 01:17:43,200
Speaker 1: is in some hot water too, because I'm sorry, but

1474
01:17:43,840 --> 01:17:47,240
Speaker 1: her husband, it's all I mean, I mean, he's get

1475
01:17:48,520 --> 01:17:52,000
Speaker 1: her husband is get guy, Britty Murphy. Um, thank you

1476
01:17:52,040 --> 01:17:55,160
Speaker 1: so much for that. I got. This is a pubic pobas.

1477
01:17:55,200 --> 01:17:57,800
Speaker 1: What am I gonna do sit here? Because I have

1478
01:17:57,840 --> 01:18:00,360
Speaker 1: a hard time like devoting that much of my media

1479
01:18:00,400 --> 01:18:03,840
Speaker 1: diet to Bravo. My god, every energy, every ounce of

1480
01:18:03,920 --> 01:18:07,400
Speaker 1: energy that you were spending on Beverly Hills, you gotta

1481
01:18:07,479 --> 01:18:10,920
Speaker 1: just take it honestly, send a message, send Yang, send

1482
01:18:10,920 --> 01:18:13,200
Speaker 1: a message to Andy Cohen. I would say, I'm not

1483
01:18:13,280 --> 01:18:15,080
Speaker 1: down with this. I'm not down with this. I don't

1484
01:18:15,120 --> 01:18:19,160
Speaker 1: I don't really want Beverly Hills. Um uh. Potomac is

1485
01:18:19,160 --> 01:18:22,680
Speaker 1: doing it. Potomac patomic down. Okay, all right? I think

1486
01:18:22,680 --> 01:18:23,760
Speaker 1: I had to do with the city. I'm like, how

1487
01:18:23,840 --> 01:18:27,519
Speaker 1: gonna be good? It's Potomac. Like, it's not d C Atlanta.

1488
01:18:27,560 --> 01:18:30,720
Speaker 1: It's like it's because they had d C already and

1489
01:18:30,760 --> 01:18:33,120
Speaker 1: they were like, we need to differentiate this Potomac and

1490
01:18:33,320 --> 01:18:35,880
Speaker 1: let's make it mostly black. It's on fire. It's so good.

1491
01:18:36,280 --> 01:18:38,320
Speaker 1: Is there money DC money or they just sort of

1492
01:18:38,360 --> 01:18:41,240
Speaker 1: like they're I think like they some are wealthier than

1493
01:18:41,280 --> 01:18:44,000
Speaker 1: others and they and like, yeah, it's it's it's just

1494
01:18:44,160 --> 01:18:48,799
Speaker 1: that there's not not opulence, but it's not relying on opulation.

1495
01:18:49,080 --> 01:18:52,599
Speaker 1: Chase Arlington whatever, here's Boone yangs. I don't think so, honey.

1496
01:18:52,600 --> 01:18:56,200
Speaker 1: And this time starts now, I don't think so, honey. Screeners, bitch,

1497
01:18:56,280 --> 01:18:59,120
Speaker 1: screeners that come in the fucking mail. No, I had

1498
01:18:59,240 --> 01:19:01,479
Speaker 1: dump that should. I had to individually take the discs out,

1499
01:19:01,520 --> 01:19:05,200
Speaker 1: recycle those separately, then break down the boxes that came in.

1500
01:19:05,600 --> 01:19:08,439
Speaker 1: Then break down the cases that they would come in. Bitch,

1501
01:19:08,520 --> 01:19:11,759
Speaker 1: Send a fucking link. Who cares if they get shared

1502
01:19:11,800 --> 01:19:13,680
Speaker 1: and passed around. Send a link for the screeners in

1503
01:19:13,720 --> 01:19:15,639
Speaker 1: the future. Do not ever send me a physical screener

1504
01:19:15,800 --> 01:19:20,599
Speaker 1: ever for anything SAG related, Television Academy related. Bitch, This

1505
01:19:20,640 --> 01:19:25,880
Speaker 1: Emmy season was egregious and all you have destroyed. You've

1506
01:19:25,920 --> 01:19:29,200
Speaker 1: basically caused him with the wildfire. You've basically caused another wildfire,

1507
01:19:29,320 --> 01:19:33,280
Speaker 1: Hollywood for this screener. Culture is listening. I don't see.

1508
01:19:33,280 --> 01:19:35,519
Speaker 1: I don't watch Beverly Hills. I don't I don't care. Um,

1509
01:19:35,520 --> 01:19:38,280
Speaker 1: I wish you Beverly Hills. Yes, okay, screeners, this is

1510
01:19:38,280 --> 01:19:40,840
Speaker 1: just my down't think so many about just doing a link.

1511
01:19:41,640 --> 01:19:44,240
Speaker 1: Everyone's gonna pass it around anyway. You're not. The industry

1512
01:19:44,280 --> 01:19:46,320
Speaker 1: is not gonna hemorrhage money from you. Giving up these

1513
01:19:46,360 --> 01:19:49,160
Speaker 1: screeners is actually probably gonna make money, honey, because I

1514
01:19:49,160 --> 01:19:52,240
Speaker 1: don't think so many of these screeners. I want to

1515
01:19:52,240 --> 01:19:54,320
Speaker 1: watch it on a computer screen and that's one minute.

1516
01:19:54,479 --> 01:19:58,000
Speaker 1: Are you an Emmy voter? Yes, I had to sign

1517
01:19:58,040 --> 01:20:00,720
Speaker 1: up for the Academy. I had no no, no no, they

1518
01:20:00,760 --> 01:20:03,080
Speaker 1: just they just sent a memo out at work in

1519
01:20:03,160 --> 01:20:05,639
Speaker 1: like February, and you were like, sign up up. Honestly,

1520
01:20:05,800 --> 01:20:09,760
Speaker 1: let's just do links old people. It's climate change people.

1521
01:20:09,800 --> 01:20:12,479
Speaker 1: Literally only for old people, because young people are the

1522
01:20:12,520 --> 01:20:14,880
Speaker 1: only young people watch all the shows. Old people. You

1523
01:20:15,040 --> 01:20:17,840
Speaker 1: have to shake them to watch anything. But let me

1524
01:20:17,880 --> 01:20:21,400
Speaker 1: get Eric swallwell on on these bitches and set the

1525
01:20:21,520 --> 01:20:27,719
Speaker 1: torch past the torch. Someone has to be nominating Kamitsky method,

1526
01:20:28,640 --> 01:20:32,760
Speaker 1: so Netflix gotta make up physical screener and deliver it

1527
01:20:32,880 --> 01:20:35,280
Speaker 1: by hand. Actually, if you if you try to stream

1528
01:20:35,320 --> 01:20:42,720
Speaker 1: Kaminski you get eat. Unfortunately, catch through the cast. That

1529
01:20:43,000 --> 01:20:45,680
Speaker 1: was good bo Thanks, I mean I environmentally conscious. I

1530
01:20:46,200 --> 01:20:49,280
Speaker 1: you know, spun my wheels a bit at the end,

1531
01:20:49,720 --> 01:20:53,640
Speaker 1: but thank you. I'm getting back into the groove I've had.

1532
01:20:53,680 --> 01:20:55,280
Speaker 1: I've had a weird journey with I T S H

1533
01:20:55,400 --> 01:20:57,280
Speaker 1: where I'm like, I don't really like the last one

1534
01:20:57,320 --> 01:20:59,880
Speaker 1: I heard. You just told a story at a nice pace.

1535
01:21:00,400 --> 01:21:06,200
Speaker 1: Thank you. Sometimes with Bowen, it's a story. Sometimes sometimes Um, okay,

1536
01:21:06,200 --> 01:21:09,240
Speaker 1: this is Jesse David Foxes. I don't think Wow, this

1537
01:21:09,320 --> 01:21:11,240
Speaker 1: is Jesse. David Fox has been invited to do I

1538
01:21:11,280 --> 01:21:13,160
Speaker 1: Don't Think so Honey Live many times and he has said,

1539
01:21:13,280 --> 01:21:14,960
Speaker 1: can we can we can we share the thing that

1540
01:21:14,960 --> 01:21:17,680
Speaker 1: you pitched us when we asked you to do a

1541
01:21:17,720 --> 01:21:20,040
Speaker 1: live show and you're like, oh, yes, yes, yes, yes, Jesse.

1542
01:21:20,320 --> 01:21:22,559
Speaker 1: We were like, Jesse, you would be great, Please do it.

1543
01:21:22,560 --> 01:21:25,639
Speaker 1: I don't think so, honey, and he goes, I don't

1544
01:21:25,680 --> 01:21:27,840
Speaker 1: want to go on. I don't want to perform. How

1545
01:21:27,880 --> 01:21:30,800
Speaker 1: about I get someone another comedian to dress up as me,

1546
01:21:31,400 --> 01:21:33,000
Speaker 1: and you guys call him up and it's clearly like,

1547
01:21:33,040 --> 01:21:35,960
Speaker 1: you know, Joe Flyerstone or someone, and we said, no,

1548
01:21:36,560 --> 01:21:39,000
Speaker 1: it needs to be you, it must be you, and

1549
01:21:39,120 --> 01:21:41,160
Speaker 1: the offer still on the table. Sure, so I was

1550
01:21:41,160 --> 01:21:43,520
Speaker 1: considering you the last one, but it was on passover.

1551
01:21:43,920 --> 01:21:46,720
Speaker 1: The next one is on September one at the Bellhouse

1552
01:21:46,760 --> 01:21:49,840
Speaker 1: in Brooklyn. We'll see how this I guess. We'll see

1553
01:21:49,880 --> 01:21:52,880
Speaker 1: how this one goes. This is Jesse David Foxes. I

1554
01:21:52,880 --> 01:21:55,439
Speaker 1: don't think so, honey. He's shaking his wrist and its

1555
01:21:55,479 --> 01:21:58,439
Speaker 1: time starts now. I don't think so, honey. Collie Flower,

1556
01:21:59,640 --> 01:22:01,800
Speaker 1: So you signed with Brussel Spouts agent and you think

1557
01:22:01,800 --> 01:22:06,400
Speaker 1: you could be in everything? Why because you're white? I

1558
01:22:06,479 --> 01:22:10,120
Speaker 1: don't believe it's not just that you're white. Is that

1559
01:22:10,200 --> 01:22:12,200
Speaker 1: what's supposedly good about you is that you're white and

1560
01:22:12,280 --> 01:22:15,000
Speaker 1: bland and readily available. Your every male character in Big

1561
01:22:15,000 --> 01:22:18,200
Speaker 1: Little Eyes Season two take that, but but but but

1562
01:22:18,280 --> 01:22:21,639
Speaker 1: operhaps cauliflower pizza. Yeah, oper isn't eating that ship. Opera

1563
01:22:21,680 --> 01:22:25,000
Speaker 1: only starts selling cauliflower pizza because support people's own thing

1564
01:22:25,040 --> 01:22:28,519
Speaker 1: left that makes her feel lived silently, I'd rather be

1565
01:22:28,560 --> 01:22:31,439
Speaker 1: dead than eat a cauliflower crust. Fried rice has been

1566
01:22:31,479 --> 01:22:34,400
Speaker 1: around to the fucking Swede dynasty. Are really supposed to

1567
01:22:34,439 --> 01:22:39,160
Speaker 1: believe that fried right would beat wouldn't meet the exacting

1568
01:22:39,240 --> 01:22:44,760
Speaker 1: standards of emperor when oh pan during Sure they're still

1569
01:22:44,760 --> 01:22:46,639
Speaker 1: an egonant, but you do not want to know where

1570
01:22:46,680 --> 01:22:50,040
Speaker 1: it's been. Oh look, I get it. It's hard living

1571
01:22:50,040 --> 01:22:52,599
Speaker 1: in broccoli shadow just getting the boy. She turns down.

1572
01:22:52,760 --> 01:22:54,840
Speaker 1: But this is not your time, Glenn cost You will

1573
01:22:54,880 --> 01:22:56,960
Speaker 1: never be broccoli just because you look like broccoli, and

1574
01:22:56,960 --> 01:22:59,920
Speaker 1: black and white cauliflower is broccoli and Pleasantville before Joana

1575
01:23:00,000 --> 01:23:03,080
Speaker 1: Owen masturbates in the bath, col broccoli for people have

1576
01:23:03,160 --> 01:23:08,080
Speaker 1: never come. And I don't think so, honey, for people

1577
01:23:08,120 --> 01:23:11,080
Speaker 1: who have never come, that is real Coachure number eight.

1578
01:23:11,479 --> 01:23:14,600
Speaker 1: Coliflower is broccoli for people who have never come and

1579
01:23:14,640 --> 01:23:16,639
Speaker 1: thank you for bringing rice and the and you were

1580
01:23:16,720 --> 01:23:20,280
Speaker 1: hinting at the appropriation of the culture. So it's like,

1581
01:23:20,320 --> 01:23:22,360
Speaker 1: you will never be glamoured, you will never be roily,

1582
01:23:22,800 --> 01:23:26,160
Speaker 1: you will never being considered my culture. That made me

1583
01:23:26,200 --> 01:23:29,439
Speaker 1: think culture was broccoli. Broccoli was like, this is the

1584
01:23:29,479 --> 01:23:31,559
Speaker 1: thing that I like, and I want broccoli everywhere. That well,

1585
01:23:31,600 --> 01:23:34,120
Speaker 1: I think all kids have a relationship with broccoli. That's rocky.

1586
01:23:35,200 --> 01:23:38,360
Speaker 1: But he but he's dressed, he saying he loved I

1587
01:23:38,400 --> 01:23:40,479
Speaker 1: will say, actually, we're supposed to unpack that. But we

1588
01:23:40,560 --> 01:23:42,920
Speaker 1: talked about Monica instead. I had that on my list.

1589
01:23:43,000 --> 01:23:45,960
Speaker 1: Here broccoli, it said broccoli. Fifteen minutes we ran and

1590
01:23:46,120 --> 01:23:49,120
Speaker 1: we did Monica. But I want to if you have Celiaca,

1591
01:23:49,120 --> 01:23:51,720
Speaker 1: I apologizing. Can do whatever you want. I don't. I

1592
01:23:51,760 --> 01:23:53,439
Speaker 1: can eat whatever I like, you know, every now and then.

1593
01:23:53,439 --> 01:23:58,040
Speaker 1: I do like a little a cauliflower grain grain, grained rice, cauliflower.

1594
01:23:58,120 --> 01:24:02,640
Speaker 1: But it's very controversial. The grain can unity. Yeah, I

1595
01:24:03,000 --> 01:24:05,240
Speaker 1: go to grain. Twitter is gonna really come for you,

1596
01:24:05,560 --> 01:24:08,360
Speaker 1: green Twitter, and I will be a legend of grain Twitter.

1597
01:24:08,680 --> 01:24:12,400
Speaker 1: You will, you will really huge. A huge thing right

1598
01:24:12,439 --> 01:24:15,880
Speaker 1: now was buffalo cauliflower. Buffalo cauliflower. You can see it.

1599
01:24:16,280 --> 01:24:17,639
Speaker 1: And what do you think it is? A buffalo fan?

1600
01:24:18,080 --> 01:24:22,840
Speaker 1: I think absolutely absolutely, Ali fucking yeah. You just like

1601
01:24:22,920 --> 01:24:26,880
Speaker 1: the sauce anything, Doustin hot sauces anything, It's nothing. It

1602
01:24:26,960 --> 01:24:31,479
Speaker 1: literally is califollowers there to feel like space in your mouth. Yeah,

1603
01:24:32,000 --> 01:24:36,760
Speaker 1: because you can't drink sauce. No, well, disgree, I don't

1604
01:24:36,760 --> 01:24:42,280
Speaker 1: even believe it. You definitely can drink suffing. And on that,

1605
01:24:42,680 --> 01:24:45,000
Speaker 1: on that thought, it might be time to wrap up

1606
01:24:45,040 --> 01:24:47,080
Speaker 1: this episode of Loss Cultures doesn't. But here's the thing,

1607
01:24:47,560 --> 01:24:50,640
Speaker 1: Jesse David Fox, this was so fun, this was I

1608
01:24:50,720 --> 01:24:53,040
Speaker 1: think this was a very superlative episode. I would even

1609
01:24:53,080 --> 01:24:55,200
Speaker 1: say I think I think we really like we all

1610
01:24:55,360 --> 01:25:00,320
Speaker 1: sounded very smart. Well, and there's nothing smarter to then

1611
01:25:00,360 --> 01:25:02,920
Speaker 1: we all sound very smart. Yeah, that's what smart people

1612
01:25:02,920 --> 01:25:07,160
Speaker 1: say smart right now. Of course, the tea was spilled,

1613
01:25:07,200 --> 01:25:10,200
Speaker 1: culture was revealed, culture new and old. We talked about

1614
01:25:10,280 --> 01:25:12,880
Speaker 1: things as current as real hostives of Potomac and as

1615
01:25:13,000 --> 01:25:18,360
Speaker 1: relics of the past as the Sway Dynasty, and of course,

1616
01:25:18,439 --> 01:25:21,519
Speaker 1: right in between those two things was the Lewins. And

1617
01:25:21,560 --> 01:25:23,640
Speaker 1: now we close every episode of this song. But is

1618
01:25:23,680 --> 01:25:25,920
Speaker 1: there anything that you would want to say to the fans,

1619
01:25:26,000 --> 01:25:28,519
Speaker 1: to the listeners, to the readers, UM, thank you so

1620
01:25:28,960 --> 01:25:31,920
Speaker 1: much for listening to this whole thing. I love so much.

1621
01:25:31,960 --> 01:25:34,160
Speaker 1: I love you truly. I was like, I want to

1622
01:25:34,200 --> 01:25:35,599
Speaker 1: do this so I can hang out with you guys.

1623
01:25:35,680 --> 01:25:37,479
Speaker 1: And this was fun, and you can. We're all gonna

1624
01:25:37,479 --> 01:25:40,120
Speaker 1: hang out together again in August fifteen, which is Podma

1625
01:25:40,400 --> 01:25:42,800
Speaker 1: has a comedy show again at the Bellhouse, and you should,

1626
01:25:42,840 --> 01:25:44,400
Speaker 1: of course listen to the good but no sooner. We

1627
01:25:44,479 --> 01:25:49,240
Speaker 1: won't hang on any sooner until then. UM, I know

1628
01:25:49,520 --> 01:25:57,519
Speaker 1: just what to say, Nethering, what different? Okay? Do it?

1629
01:25:57,600 --> 01:26:02,360
Speaker 1: Do it? New Yorky, Netherel, Why aren't you do? Because

1630
01:26:02,360 --> 01:26:04,240
Speaker 1: I'm going to come in? I don't even I don't

1631
01:26:04,240 --> 01:26:14,680
Speaker 1: know the words, Mamory Mary? Can I can I say

1632
01:26:14,760 --> 01:26:20,240
Speaker 1: another one that I thought we were going to sing? Now? Can?

1633
01:26:21,200 --> 01:26:29,880
Speaker 1: Bosses on the fun answers shut up? Pat Carroll The

1634
01:26:29,960 --> 01:26:39,120
Speaker 1: original la Oh. This has been a Forever Dog production

1635
01:26:39,600 --> 01:26:43,759
Speaker 1: executive produced by Brett Bahum, Joe Cilio, and Alex Ramsey.

1636
01:26:44,439 --> 01:26:48,639
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1637
01:26:48,760 --> 01:26:53,000
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1638
01:26:53,439 --> 01:26:55,840
Speaker 1: or wherever you get your podcasts. Keep up with the

1639
01:26:55,920 --> 01:26:59,120
Speaker 1: latest Forever Dog news by following us on Twitter and

1640
01:26:59,280 --> 01:27:04,440
Speaker 1: Instagram at Forever Dog Team, and liking out page on Facebook.