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Speaker 1: The transmitting there. All right, we're here. We're pumped. It

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Speaker 1: gonna be a great show. Lady A is gonna be

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Speaker 1: in later. They're gonna play my three favorite songs. Yet

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Speaker 1: they don't even know what they are. I was like,

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Speaker 1: we do a thing where I just request songs and

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Speaker 1: I'm like, yeah, we guess. So it's gonna be awesome.

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Speaker 1: I love those guys. Lady A in a little bit

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Speaker 1: later more in studio. Morning, everybody's here, Amy, What happened

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Speaker 1: to you? So? I was doing self check out at

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Speaker 1: the grocery store and probably about four items weren't scanning.

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Speaker 1: Everything else was. But a couple of these items were

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Speaker 1: about six dollars each, and so I was like, Okay,

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Speaker 1: why is this weird? So I just set them aside,

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Speaker 1: and then when I was done scanning everything else, I

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Speaker 1: had the attendant come over. She came over, she couldn't

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Speaker 1: get them to scan. Was it fruit? I always have

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Speaker 1: trouble with fruit? Now. Some of them were like these

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Speaker 1: chocolate bars that I liked. It are kind of faith.

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Speaker 1: They're like really nice chocolate bars. I'm like, yeah, I know,

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Speaker 1: real housewives in National I keep their hoo chocolate. I

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Speaker 1: keep them in my fridge. I like one little square

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Speaker 1: because I need them to last longer because they are

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Speaker 1: they're nice, and I wanted them and they wouldn't scan

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Speaker 1: and she couldn't get them to skin either, So then

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Speaker 1: she threw them in my bag. She looked at me

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Speaker 1: and she goes, Merry Christmas. Wow, Christmas in June. Awesome.

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Speaker 1: And so I mean, that's so funny, because I don't

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Speaker 1: know if she can really do that. Yeah, I thought

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Speaker 1: I felt a little weird walking out, because what is

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Speaker 1: her authority to give me these things for free? Or

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Speaker 1: she a manager? I don't know. Didn't see manager on

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Speaker 1: her tag, but I one gonna lie. I was a

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Speaker 1: little excited about getting Yeah, me too, my hoo chocolate

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Speaker 1: for free, and it's part of me just felt a

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Speaker 1: little weird, like surely I could have just gone through

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Speaker 1: and scanned somewhere else. It's like she must have been

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Speaker 1: stressed and her day was long, and she's like, you know, scridges, go,

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Speaker 1: you get out of here, and she blocks for you,

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Speaker 1: she covers you on the way up. Yeah, yeah, i'd

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Speaker 1: have felt weird. I think that problem, I think of

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Speaker 1: what happened, have done Okay, I'm there. I would have

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Speaker 1: been like this. No, I'm not gonna I can't. Am

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Speaker 1: I gonna do that just because I wouldn't have wanted to.

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Speaker 1: Something happen accidentally getting troubles and like I saw Bobby

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Speaker 1: Bone steal and stuff, I don't think I'm better than

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Speaker 1: just taking it. If she said take it, I just

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Speaker 1: wouldn't want to get But no problem, you got it right.

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Speaker 1: I'm at home with my talking and I feel a

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Speaker 1: little bit like should I go back maybe and pay? Yeah?

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Speaker 1: She said, Merry Christmas. And isn't that the universal rules?

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Speaker 1: Merry Christmas, it's yours. If someone pulled me over or

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Speaker 1: caught or said something to me, I could say no,

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Speaker 1: she said. She said said Merry Christmas. I don't think

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Speaker 1: that holds up in court. No, you're on a sporty

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Speaker 1: God said Merry Christmas. And that's why I have it.

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Speaker 1: Let's go over and open up the mail bag something year.

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Speaker 1: I think this one's for you, Amy, Hello, Bobby Bones.

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Speaker 1: I have a fourteen year old daughter who was begging

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Speaker 1: me to get her nose pierced this summer. I'm on

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Speaker 1: the fence. I'm not sure what I should do again.

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Speaker 1: She's fourteen, but she's a mature fourteen? Should I tell

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Speaker 1: her to wait till she's old enough to get it

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Speaker 1: done herself, or do I give in and take her

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Speaker 1: thank you sign mom of a teen girl, please help,

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Speaker 1: I guess. So my question before you give an answer here,

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Speaker 1: it's how old do you have to be by yourself?

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Speaker 1: Can you do it at sixteen? I think eighteen? Again

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Speaker 1: the piercing without a parent, maybe it's sixteen. I just

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Speaker 1: signed consent forms from my daughter to get her second

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Speaker 1: holes like in her ear or maybe her third. Actually

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Speaker 1: now she's got three on each side. Well, you have

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Speaker 1: to sign consent forms, yeah, I think to take that

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Speaker 1: and there you have to be there. Oh, I had

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Speaker 1: to forward the crap out of it as a kid. No,

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Speaker 1: it's not like you take it home and then all

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Speaker 1: my parents signed it permission. So I don't know about

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Speaker 1: the nose ring and it might be different state to state. Well, Pierce,

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Speaker 1: it doesn't be a ring. It could be a stud

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Speaker 1: small staid. Yeah, yeah, any kind of piercing. But I

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Speaker 1: have learned with age and parenting that we got to

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Speaker 1: pick our battles, and for me now the piercing stuff

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Speaker 1: isn't that big of a deal. And you could come

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Speaker 1: up with a compromise. If you're not comfortable with fourteen,

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Speaker 1: could it be like, hey, can we wait till your

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Speaker 1: fifteenth birthday? I'll meet you there or sixteenth and maybe

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Speaker 1: not go all the way till they're eighteen? Okay, Well

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Speaker 1: I'm just throw spit bawling something for me, okay, but

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Speaker 1: for me, I follow some other moms that have I

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Speaker 1: really admire and they've shared on Instagram and through different things,

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Speaker 1: you know, platforms that they've evolved as well, and some

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Speaker 1: of the stuff that we sweat as parents, it's just

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Speaker 1: really not that big of a deal in the grand

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Speaker 1: scheme of things. So like if they want to do

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Speaker 1: this or they want to do that, and you have

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Speaker 1: to weigh the values of your family whatever it may be.

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Speaker 1: But some stuff is just not that big of a

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Speaker 1: deal if you really think about it. And the maturation maturity, yes,

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Speaker 1: the daughter, and if she says her daughter is mature

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Speaker 1: for a fourteen year old, then based on what you know,

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Speaker 1: a mature fourteen year old that makes responsible decisions, would

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Speaker 1: you let her? I would? My husband probably be but

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Speaker 1: then I would work to then um and I think

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Speaker 1: that I would probably eventually be okay with it as

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Speaker 1: long as my fifteen year od dater's not listening right now. Yeah,

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Speaker 1: I don't know. What do I know a fourteen year

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Speaker 1: old daughter at all? I feel like having no skin

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Speaker 1: in the game at all. I'm mature. Fourteen year old

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Speaker 1: is enough to get a small nose stud. Maybe the

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Speaker 1: you bring up a good point. Maybe the compromise isn't

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Speaker 1: that she gets herceptum pierced. Oh yeah, that's what she wanted,

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Speaker 1: like a bowl or what a big nose ring. It's like, okay,

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Speaker 1: but we're gonna get a small stud. You me, tiny

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Speaker 1: little stud. And then really just it can start and

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Speaker 1: open up good communication between you and your child and

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Speaker 1: just yeah, you're not making big deal. I mean then

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Speaker 1: you you say no to this, and then why you

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Speaker 1: send them down the spiral of being angry at you

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Speaker 1: jumped them? Yeah, like it ed, do you have your

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Speaker 1: oldest son's held fourteen? You just let him get a tattoo?

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Speaker 1: So what was that? Like? Yeah, no with me in

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Speaker 1: this situation, I love the whole Like, hey, when you're eighteen,

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Speaker 1: do whatever you want to me. That's the best thing

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Speaker 1: fifties I know, but it's the best thing you can

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Speaker 1: tell them because they're like, all right, all right, everything's

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Speaker 1: gonna be No, what do you want? I want a boat?

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Speaker 1: When you're eighteen, you can go buy a boat. It's

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Speaker 1: stud fourteen. What I'm saying is it's the best excuse

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Speaker 1: to tell them, like why have that big conversation of

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Speaker 1: like no, let's wait one year. Yeah, I don't know.

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Speaker 1: It also shuts them down, and it shuts it off

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Speaker 1: from them not feeling like, Hey, I kind of want

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Speaker 1: to express myself right now and this is something I

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Speaker 1: would like and is it really the end of the world? Right?

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Speaker 1: And I say express yourself when you're eighteen, you're gonna

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Speaker 1: have a lot of fives. Like people that is associated

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Speaker 1: nose piercing, like oh if we do that to gateway

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Speaker 1: into this type of behavior, and it's just not the case.

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Speaker 1: What if your son wanted can't do? You said, Hey, dad,

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Speaker 1: I'd like to give no drink nice? Yeah, when you're eighteen,

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Speaker 1: I can't wait to see Wait, close it up. We

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Speaker 1: got your That was about the cloth. Yea, there's a

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Speaker 1: voicemail from Jerry in Kentucky. The vacation song is that

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Speaker 1: Abbey song that they were working all because I thought

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Speaker 1: they were coming up with writing a song for Abby

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Speaker 1: the thing. Also, lunch Box is a third. That's why

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Speaker 1: he got kicked off the soccer team because he's not

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Speaker 1: good to me. Chill. I didn't know I was going there,

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Speaker 1: but I'll start with the first one. No, I wrote

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Speaker 1: a song for Abbie to sing, and then I got

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Speaker 1: sidetracked in many ways with a lot of other stuff,

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Speaker 1: and then I got sick. So that's not Abby's solo debut.

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Speaker 1: A lot of times with interesting artists. They put him

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Speaker 1: on tracks of other artists. Yeah, and so Abby sang

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Speaker 1: on this song Vacation Part two with Eric Dodd, Ray

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Speaker 1: Mundo and Abby Leanderson. Here's the clip Vacation. He's a

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Speaker 1: good song. Yeah, I like it. Hey, Lunchbox, he says,

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Speaker 1: you need to chill. Any response, Oh no, he needs

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Speaker 1: to get a good attitude. I don't know, calling me

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Speaker 1: a turd whatever? Oh you got me turd? Wow? Good?

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Speaker 1: Come back? All right. Ronnie and Virginia left this voicemail.

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Speaker 1: I have a morning corny for Amy who did the

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Speaker 1: cat injure me? Oh hikay, that's pretty good. Pretty good.

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Speaker 1: Leave us a voicemail eight seven seven seventy seven. Bobby

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Speaker 1: eight seven seven seventy seven, Bobby, You're Zamy's pile of stories.

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Speaker 1: All right, So we all know Carrie Erwood song before

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Speaker 1: He Cheats. It's a jam years ago, but it's making

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Speaker 1: a comeback thanks to what the Netflix teen vampire drama

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Speaker 1: that just came out called First Kill, and some people

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Speaker 1: that are watching it because they're teenagers, they don't know

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Speaker 1: what it is, so they're chazamming it and now it's

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Speaker 1: in one of the top ten songs being shazammed right now.

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Speaker 1: That's funny when songs make comebacks because of TikTok too,

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Speaker 1: like nat at Ada. Take a look at my Girlfriend,

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Speaker 1: She's the only one NA. That song made a huge

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Speaker 1: comeback and it's fifteen years old because people were like,

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Speaker 1: what is this? So I'm in good for Carrie. She's struggling,

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Speaker 1: she needs the money. Oh yeah good. Some of the

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Speaker 1: other most chazammed country songs right now in at number three,

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Speaker 1: Take My Name, Parmely at two aa Walker, and number

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Speaker 1: one most shazam song Morgan Wallen Wasted on You. So

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Speaker 1: basically the big songs right now, all the new songs.

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Speaker 1: I don't shazam a whole lot, but every once in

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Speaker 1: a while. Ago like, what is that song? And then

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Speaker 1: I'll hold the phone up to it and I just

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Speaker 1: won't be close enough and I'll go, we have no idea,

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Speaker 1: and so there I am left clueless. All right? What else?

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Speaker 1: So how long when you're on hold with customer service

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Speaker 1: till you start to get frustrated? Bobby? I guess, am

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Speaker 1: I talking to them or just waiting? You could be

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Speaker 1: talking wait and dealing with stuff transferring. I don't really care.

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Speaker 1: I don't have a number. I just like to be

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Speaker 1: told how long that number is going to be. If

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Speaker 1: they go, hey, you have seventeen minutes. Okay, I know

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Speaker 1: what I'm getting myself into. I'll wait seventeen minutes. But

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Speaker 1: if they go, please hold the next person and they

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Speaker 1: don't tell me four oh wow. If it's half an hour,

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Speaker 1: it's like, wait half an hour, I'll put it on

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Speaker 1: speaker phone and just chill and not be upset. Well,

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Speaker 1: the average person is nine minute, so you're in the

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Speaker 1: under and it looks like some people, yeah, are obviously

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Speaker 1: longer than that. But that's where it starts to affect

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Speaker 1: our mood. Around that point. I like it when they say, hey,

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Speaker 1: you can just hang out and we'll call you back.

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Speaker 1: I like that, but I don't trust it. It works

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Speaker 1: for me every time. Yeah, it makes me think about

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Speaker 1: I saw something about millennials and how they don't want

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Speaker 1: phone calls anymore at work, and jen zears, I don't

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Speaker 1: know I phone calls ever, But it worked. They're like,

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Speaker 1: done with it, just send me an email. Yeah, I don't.

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Speaker 1: I just think it. Maybe I'll think it too. Yeah. Okay.

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Speaker 1: So there's a mom of four. Her husband is in

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Speaker 1: dental school, so they're working to put him through there,

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Speaker 1: and she's like, hey, I'm really good at teaching online classes.

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Speaker 1: I've done it to teach foreign languages around the world

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Speaker 1: over video I'm also really good at video games. So

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Speaker 1: she now teaches hour long courses to teenagers trying to

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Speaker 1: learn how to play video games. And it's fifteen dollars

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Speaker 1: an hour and she's making four thousand dollars a month

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Speaker 1: through her classes. Yeah, it's pretty good. I would imagine

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Speaker 1: it doesn't matter what you love. If you have to

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Speaker 1: do it all the time and teach it, you probably

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Speaker 1: it's like a day at work. Still, I mean still,

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Speaker 1: even though she loves it, she's like, more, how can

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Speaker 1: I go teach some video games? Yeah, it's something she

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Speaker 1: just fell into. She didn't realize that this could be

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Speaker 1: lucrative for her. She took her other skill set of

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Speaker 1: teaching other types of classes online, and then her love

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Speaker 1: for video games and her knowledge of that combine them

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Speaker 1: boom formed a business and now they're making money. Some

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Speaker 1: of these video game tutors make a lot of money.

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Speaker 1: Like if they teach specifically Madden, which I play, or

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Speaker 1: Call of Duty, Like if you're a Elita Elite, you

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Speaker 1: make a lot of money. Or I guess she just

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Speaker 1: teaches general video games, Like how do you do that? Yeah,

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Speaker 1: she's teaching kids Mario Kart. All right, guys, today's Mario Kart. Yeah,

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Speaker 1: Zelda Mario, Actually Kirby and Mario Kart on her list.

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Speaker 1: Maybe that's my file. That was Amy's pile of stories.

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Speaker 1: Bob was the latest from Nashville and Tullywood Morgan number

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Speaker 1: two thirty cent Skinny Sam Hunt released a new song.

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Speaker 1: It's called Water under the Bridge Through thee Chris Stapleton

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Speaker 1: had to postpone his shows in Utah and call Colorado

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Speaker 1: after testing positive for COVID. The shows are rescheduled for

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Speaker 1: the following weekend. At July first, through July third. Tim

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Speaker 1: McGraw and Faith Hill talked with Entertainment Tonight about shooting

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Speaker 1: their music video for their song It's Your Love. This

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Speaker 1: year is the song's twenty fifth anniversary. She had a

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Speaker 1: milkshake when we were when we were shooting the video,

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Speaker 1: and so she if you look really closely in a

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Speaker 1: few shots, you'll see a milkshake stain. Oh. Thanks, a

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Speaker 1: good outb I'm Morgan. That's your skinny Hall. It's time

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Speaker 1: for the good news. Bobby Aby tell her audience what

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Speaker 1: tender is. Oh, it's a dating app where you swipe

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Speaker 1: to meet people. That's you swipe right if you like

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Speaker 1: on the swipe left off you don't, or vice versa.

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Speaker 1: And then if you like each other and you get

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Speaker 1: together on tender, especially what happens, Oh, Tender's definitely what

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Speaker 1: they call a hook up. Yes, it feels like it's

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Speaker 1: the dirtier one of them. Right, it's been a spell

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Speaker 1: Tender The app t I and d R right, So

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Speaker 1: that's tender t I n d r okay. And there's

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Speaker 1: also tender t E n d r okay. Tender no

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Speaker 1: like tender loving care like the actual word. So in Florida,

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Speaker 1: these cops have set up something called Tender. It's a

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Speaker 1: little site called Tender t e n d e R

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Speaker 1: where they go, Hey, let's take these dogs from the

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Speaker 1: shelter here and put them on Tinder like Tender Loving

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Speaker 1: Care and let people swipe and see if they like

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Speaker 1: them or not. All these dogs have been adopted because

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Speaker 1: they've built their version of Tender, but spelled differently. The

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Speaker 1: Bavard County Sheriff's office set up a spoof dating site

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Speaker 1: for cats and dogs called Tinder. America's top police dog

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Speaker 1: canine Johnny, is launching his brand new dating site Tender.

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Speaker 1: The post reads, and there's a picture, and so far

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Speaker 1: lots of dogs are getting adopted because they were creative

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Speaker 1: and you know, putting it out there and doing a

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Speaker 1: parody of Tender. Yeah, I thinking outside the box. I

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Speaker 1: love it. Yep, that's it. That's awesome. That's what it's

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Speaker 1: all about. That was tell me something good on the

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Speaker 1: Bobby Bone Show. Now, hey guys, good to see you. Guys. Hey,

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Speaker 1: let me ask Charles Kelly. You're you're just going to

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Speaker 1: town on a cough drop over there. Before we was like,

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Speaker 1: it's like a horse eating corn. Man. I've never seen

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Speaker 1: anything like this before. It's it's it helps your voice,

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Speaker 1: so like it's early morning singing. I got a whole

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Speaker 1: bucket for you. Want to win. But is this a

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Speaker 1: thing like you're not sick, you just have a lot

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Speaker 1: of cough Yeah, no, I do a cough drop. I

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Speaker 1: mean literally are our assistant that comes out. I mean

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Speaker 1: she's got a thing full of cough drops, hot teas

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Speaker 1: and different things like that kind of help you. You know,

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Speaker 1: every person we travel with out in that room has

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Speaker 1: a cough drop in their pocket ready to go. When

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Speaker 1: Charles asked Hilary, Hillary's gotten on the cough drop train too,

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Speaker 1: though she does. She's weird trains. Trains, that's a weird one.

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Speaker 1: We'll think about it. I mean, if you got like

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Speaker 1: a little crud in your voice or just anything that

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Speaker 1: opens it up, it's effervescent. So it's just a singing thing.

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Speaker 1: And yeah, you know it constantly. There's no there's no

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Speaker 1: COVID over here in my friend, because I would have

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Speaker 1: moved you to that room satellite you and these two

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Speaker 1: will stay in here. It's just it's just the thing, man.

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Speaker 1: It's it's honestly too. It's like it's now just become

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Speaker 1: like a ritual, so to speak. It's interesting with you

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Speaker 1: three because individually I really love all three of you,

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Speaker 1: you know, and I feel like I have a different

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Speaker 1: relationship with all three of you individually, and then you

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Speaker 1: come in and I don't know who I really want

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Speaker 1: to talk to. So I'm just gonna kind of go

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Speaker 1: down the line here and talk to each of you

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Speaker 1: a bit differently. Charles, one more question for you, And

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Speaker 1: that's a really question. It's just a statement. We were

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Speaker 1: backstage and I'm telling the show this. You already know this.

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Speaker 1: We're backstage at the Opry and Charles was performing and

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Speaker 1: I was performing, and my wife was with me, and

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Speaker 1: I believe this is Charles the first time to meet

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Speaker 1: my wife. And Charles, you know, he just say whatever

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Speaker 1: he thinks whenever he's saying. He goes up to her

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Speaker 1: and she's not pregnant. He goes when you're having a baby. Yeah,

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Speaker 1: And she was like, the tall guy just asked me

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Speaker 1: a really weird question. Well, I just know figure y'all

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Speaker 1: got here. I said, when when is this baby train starting? Hillary?

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Speaker 1: Could you see you? You know, I was thinking about you,

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Speaker 1: And mostly it's kind of your relationship with fame because

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Speaker 1: it is such famous, weird, and I've only been able

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Speaker 1: to like reach out and kind of touch it occasionally,

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Speaker 1: like I've had a weird career where occasionally I'm cool

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Speaker 1: and then kind of you go back to just being normal.

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Speaker 1: But for you guys, and you, especially with growing up

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Speaker 1: with a mom who is in the business and had

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Speaker 1: her her fame and her talent. You you guys blowing up,

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Speaker 1: taking a break, coming back, and even again you and

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Speaker 1: I at a different time, we're talking at the opera

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Speaker 1: about you just walking out a target and somebody being

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Speaker 1: so surprised they saw you just walk out a target.

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Speaker 1: What is it? What is fame to you in your

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Speaker 1: relationship with it? Now? What have you learned about what

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Speaker 1: it means to actually be famous? First off the top

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Speaker 1: of my head would be my relationship with it has

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Speaker 1: changed over the years. I think then that's natural. I

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Speaker 1: mean we're fifteen years sixteen this summer and to being

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Speaker 1: a band. It's a little bit different now with kids,

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Speaker 1: but I think as I've gotten older, I consider it,

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Speaker 1: you know, a privilege and an honor, and I kind

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Speaker 1: of take the platform pretty seriously and really because I

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Speaker 1: just want to be a good example for my girls.

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Speaker 1: But ultimately, what I'm learning is the older I get,

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Speaker 1: the more work than I do, the more normal my

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Speaker 1: life is, the happier I am. So I'm gonna go

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Speaker 1: to Target, I'm gonna go to the grocery store. I'm

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Speaker 1: gonna do those things because they're fun for me. And

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Speaker 1: I love being able to engage with people who either

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Speaker 1: just hey, that your daughter has on a really cute dress,

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Speaker 1: or hey, I really love that song that you're sing like.

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Speaker 1: However conversation starts in public spaces, I welcome it because

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Speaker 1: it's fun, do you. And again, I have now an

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Speaker 1: understanding that may change that, especially fame or it's just

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Speaker 1: not that it's just not real. It's awesome, it's awful,

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Speaker 1: but in the end of the day, you can't touch it.

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Speaker 1: It's not real. It goes away. It just isn't something

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Speaker 1: you can depend on, right, right, And that was that's

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Speaker 1: gotta be tough, especially when you're young, because you guys

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Speaker 1: got famous, young quick boom, your massive stars, international stars.

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Speaker 1: Was that ever a struggle for you as a very

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Speaker 1: young artist? You know, I feel like we were talking

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Speaker 1: about this in then just a couple of minutes ago.

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Speaker 1: There's a bit of being in a band together. Um,

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Speaker 1: when we traveled together, we get recognized a lot more.

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Speaker 1: And I would say Charles gets the brunt of it

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Speaker 1: just because he's six six and you know, he walks

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Speaker 1: into a room or walks through the airport and you're

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Speaker 1: you know, he's tall. Um, so there. But there is

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Speaker 1: some ananimity that comes with being in a band when

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Speaker 1: we're separate from each other in places. Um, but it

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Speaker 1: is I mean, it's you. It's really You're bringing up

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Speaker 1: a really great point. It's it's a strange thing that

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Speaker 1: is ever changing because you know, in the prime of

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Speaker 1: like when Need You Now came out and when we

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Speaker 1: did our first arena tour, I mean, it was happening

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Speaker 1: a lot more often, um, getting recognized out in public

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Speaker 1: and all that. But um, that's why we live in Nashville.

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Speaker 1: Everybody's pretty pretty cool here. You know. It's like you

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Speaker 1: can tell they kind of know, but they don't really know.

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Speaker 1: They're like you might be a little big town, you

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Speaker 1: might be they just kind of like, you know, I

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Speaker 1: know you and familiar. It's very different than like, you know,

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Speaker 1: when I'm hanging out with like Thomas Rhett or Luke

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Speaker 1: and you're out somewhere and it's just constant. You know,

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Speaker 1: we kind of get this perfect little spot where we

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Speaker 1: get to feel like rock stars and then get off

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Speaker 1: stage and like you know, like together you get to

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Speaker 1: be really freaking famous and then apart, sometimes you are,

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Speaker 1: suptimes you're yeah, depending on that's that's pretty cool. It's

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Speaker 1: like us in the show when we only go dinner together.

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Speaker 1: We don't need all of us at once, or we

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Speaker 1: just don't. Dave. I'm gonna come to you in a

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Speaker 1: second because I didn't even deeper question that's about the

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Speaker 1: existence of time and earth. So we're gonna come. But

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Speaker 1: I do want to talk about the brand new song

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Speaker 1: that came out here, because you know it's special whenever

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Speaker 1: they bring a snow trunk snow cone truck to the

401
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Speaker 1: studio at the butt cracking dawn and they were like,

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Speaker 1: there's a snow cone truck outside and I was like,

403
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Speaker 1: they're a bomb in it and they were like, no,

404
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Speaker 1: lady sent it up. So we had snow cones this morning.

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Speaker 1: And this song is called Summer State of Mind, and

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Speaker 1: I'm assuming that there's the tie in there. It just

407
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Speaker 1: wasn't a random snowcone drug Yeah, the first official day

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Speaker 1: of summer softest snow cone ice I've ever had in

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Speaker 1: my life. Yeah, So this song and if I'm right here,

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Speaker 1: Dave you and Hillary wrote this one with a couple

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Speaker 1: of other folks. So when you go into a room

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Speaker 1: because they are writing sessions where you're like, somebody's sad,

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Speaker 1: somebody has something that they don't really want to get

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Speaker 1: off their chest. Maybe we can write a song about this.

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Speaker 1: But when Summer state of Mind comes up, do you

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Speaker 1: go into the room going because we need like a

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Speaker 1: fun summer song that lets people just go like like

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Speaker 1: what is this vibe? I mean, honestly, I was done

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Speaker 1: at the beach earlier this year and I had sent

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Speaker 1: a guitar idea to Sam Ellis and to Charles and

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Speaker 1: Hillary too, and I was just like, I don't know

422
00:20:48,080 --> 00:20:49,760
Speaker 1: when I was I was at the beach playing guitar,

423
00:20:49,920 --> 00:20:53,320
Speaker 1: literally just had on by the beach, and I sent

424
00:20:53,359 --> 00:20:55,080
Speaker 1: it to Sam and then he we got to the

425
00:20:55,160 --> 00:20:56,760
Speaker 1: room and he was like, man, what about with that

426
00:20:56,840 --> 00:21:00,080
Speaker 1: guitar idea something like Summer state of Mind? And we

427
00:21:00,080 --> 00:21:01,720
Speaker 1: were like, oh my gosh, that'd be so fun. Charles

428
00:21:01,720 --> 00:21:03,919
Speaker 1: actually his son got sick and he was unable to

429
00:21:03,920 --> 00:21:05,080
Speaker 1: make it that day. This song is gonna make so

430
00:21:05,200 --> 00:21:11,199
Speaker 1: much money. Sorry, buddy. It's the golf course, and I

431
00:21:11,280 --> 00:21:14,840
Speaker 1: just decided because I write a ton and of course,

432
00:21:15,000 --> 00:21:17,359
Speaker 1: like there's been a couple other occasions where it's like

433
00:21:17,400 --> 00:21:19,480
Speaker 1: the one time, it's like, oh, I'm going to play

434
00:21:19,520 --> 00:21:21,879
Speaker 1: golf in this At this case, my son was a

435
00:21:21,920 --> 00:21:23,639
Speaker 1: little sick. He was sick, and I didn't come in

436
00:21:23,720 --> 00:21:25,280
Speaker 1: and he was a good dad. He was a good

437
00:21:25,440 --> 00:21:27,920
Speaker 1: very next day and they said, check out this song

438
00:21:28,080 --> 00:21:29,800
Speaker 1: that we just wrote, and I was like, you did

439
00:21:29,800 --> 00:21:33,080
Speaker 1: it to me again. But it's fun to write fun songs.

440
00:21:33,119 --> 00:21:34,960
Speaker 1: I mean, we have, like, you know, we're starting to

441
00:21:35,080 --> 00:21:36,960
Speaker 1: kind of just put out music, just one song at

442
00:21:36,960 --> 00:21:38,320
Speaker 1: a time for a while because we feel like we're

443
00:21:38,320 --> 00:21:40,919
Speaker 1: in a different you know, people consume differently now, you know.

444
00:21:40,920 --> 00:21:43,440
Speaker 1: The next song we're putting out is totally different feel wise.

445
00:21:43,520 --> 00:21:46,520
Speaker 1: It's more like a kind of sad, introspective, kind of

446
00:21:46,600 --> 00:21:49,159
Speaker 1: lady a kind of ballad thing. But I don't know,

447
00:21:49,200 --> 00:21:51,000
Speaker 1: I just it's fun to write these fun songs. We're

448
00:21:51,040 --> 00:21:53,240
Speaker 1: all out touring again and kind of doing the deal

449
00:21:53,240 --> 00:21:56,359
Speaker 1: at festivals and fairs, and this song feels great. In

450
00:21:56,400 --> 00:21:58,840
Speaker 1: those rooms too, when you traveled back from the beach,

451
00:21:58,880 --> 00:22:02,480
Speaker 1: like you were just saying to a dreary, stormy Nashville day.

452
00:22:02,800 --> 00:22:04,800
Speaker 1: So a lot of times I think when we're in

453
00:22:04,840 --> 00:22:07,760
Speaker 1: the riding room sometimes you want to even just escape

454
00:22:07,840 --> 00:22:10,840
Speaker 1: from from the weather where you are. I mean, And

455
00:22:10,920 --> 00:22:13,919
Speaker 1: that song just really emoted, like the track that you

456
00:22:14,040 --> 00:22:16,560
Speaker 1: and Sam built, it was like, oh, we're gonna go

457
00:22:16,640 --> 00:22:20,120
Speaker 1: somewhere warm today, whether it is here, and when we've

458
00:22:20,200 --> 00:22:23,199
Speaker 1: we've done our Christmas album in summer, like you have

459
00:22:23,240 --> 00:22:25,040
Speaker 1: to make your still have to bring in the back

460
00:22:25,160 --> 00:22:31,480
Speaker 1: head space on the Bobby Bones Show. Now, I have

461
00:22:31,560 --> 00:22:33,439
Speaker 1: a couple other things I want to talk to you

462
00:22:33,440 --> 00:22:35,879
Speaker 1: guys about. Number one is in the last segment, I

463
00:22:35,880 --> 00:22:37,840
Speaker 1: think Hillery had mentioned that Charles when he walks to

464
00:22:37,880 --> 00:22:41,080
Speaker 1: an airport, gets recognized. You child, you would you you're

465
00:22:41,080 --> 00:22:42,919
Speaker 1: going to an airport. It's not normal person airports at

466
00:22:42,960 --> 00:22:46,160
Speaker 1: this point? Yeah? Oh yeah, oh yeah, you fly guy.

467
00:22:46,320 --> 00:22:50,800
Speaker 1: We are a list on Southwest, okay, we I mean, listen.

468
00:22:50,840 --> 00:22:53,080
Speaker 1: I think the quickest way to go broke in our

469
00:22:53,200 --> 00:22:55,200
Speaker 1: line of business is I think it's going to last

470
00:22:55,200 --> 00:22:58,040
Speaker 1: forever and you never know how long. And you know

471
00:22:58,080 --> 00:22:59,760
Speaker 1: the thing's gonna last, and it's like, I want to

472
00:22:59,800 --> 00:23:01,520
Speaker 1: be I want to take care and have something to

473
00:23:02,080 --> 00:23:05,200
Speaker 1: leave my kids and stuff. And anytime you start to

474
00:23:05,240 --> 00:23:07,679
Speaker 1: figure out how much you could spend on private planes,

475
00:23:08,080 --> 00:23:10,920
Speaker 1: it's just too much. Another thing a minute ago, we're

476
00:23:10,920 --> 00:23:13,040
Speaker 1: talking about the new song summer Stayed in mind, which

477
00:23:13,080 --> 00:23:14,400
Speaker 1: ray Could you play me a clip of that again

478
00:23:14,440 --> 00:23:29,399
Speaker 1: for our audience. It's just turning in my final summer

479
00:23:29,480 --> 00:23:31,000
Speaker 1: question because then I got some stuff for day. If

480
00:23:31,000 --> 00:23:32,560
Speaker 1: here about Charles, I'm gonna come to you one one

481
00:23:32,680 --> 00:23:35,880
Speaker 1: last time once, one last time. Yeah, one last time.

482
00:23:35,880 --> 00:23:37,480
Speaker 1: I was at a charity auction and I bid to

483
00:23:37,760 --> 00:23:39,720
Speaker 1: go stay in like your beach house. Oh yeah, and

484
00:23:39,760 --> 00:23:43,040
Speaker 1: I lost about like ten dollars, and I know sad.

485
00:23:43,080 --> 00:23:44,199
Speaker 1: Then I was like, how weird would that have been

486
00:23:44,200 --> 00:23:45,440
Speaker 1: if I wouldn't have told him? And then I was

487
00:23:45,480 --> 00:23:48,199
Speaker 1: just texted him from the house being like, bro, is

488
00:23:48,200 --> 00:23:50,240
Speaker 1: this your play? I thought of that had been hilarious,

489
00:23:50,440 --> 00:23:53,560
Speaker 1: but I didn't win. And then your wife kindly at

490
00:23:53,600 --> 00:23:54,879
Speaker 1: one point reached out to me. I was like, hey,

491
00:23:54,880 --> 00:23:56,040
Speaker 1: do you want to stay in the house for free?

492
00:23:56,080 --> 00:23:57,840
Speaker 1: I was like, I could have gone it for free,

493
00:23:58,119 --> 00:23:59,800
Speaker 1: but at my point with those two stories. As you

494
00:24:00,119 --> 00:24:03,000
Speaker 1: biggest celebrities as you guys are, I would like people

495
00:24:03,000 --> 00:24:05,680
Speaker 1: to know that you are, You're as normal and nice

496
00:24:05,720 --> 00:24:09,320
Speaker 1: of folks as you can be still being big stars.

497
00:24:09,359 --> 00:24:11,480
Speaker 1: And that's my point with that little intro there is

498
00:24:11,760 --> 00:24:13,560
Speaker 1: it's odd that you guys can be so normal and

499
00:24:13,680 --> 00:24:17,359
Speaker 1: nice and lovely individually as successful as you are. Thank you,

500
00:24:17,600 --> 00:24:20,080
Speaker 1: that doesn't happen. Thank you, I mean thank you my wife.

501
00:24:20,200 --> 00:24:22,960
Speaker 1: We actually just hoasted up Saint Jude dinner in our

502
00:24:22,960 --> 00:24:27,119
Speaker 1: house last night. Um get that invite? Yeah, funny, I

503
00:24:27,160 --> 00:24:31,879
Speaker 1: hear about it now, but no, it's I think we

504
00:24:32,000 --> 00:24:34,760
Speaker 1: learned early on too about just giving back and charity.

505
00:24:34,760 --> 00:24:37,600
Speaker 1: We started, you know, all our all our heroes did that,

506
00:24:37,760 --> 00:24:40,280
Speaker 1: and I don't know, it's amazing how it's just kind

507
00:24:40,280 --> 00:24:43,560
Speaker 1: of as two as we've had with our families and kids.

508
00:24:44,080 --> 00:24:47,000
Speaker 1: It's just something we're passionate about. But thank you. I

509
00:24:47,040 --> 00:24:49,960
Speaker 1: appreciate that. Hey, Dave, you've a group dynamic here with

510
00:24:49,960 --> 00:24:51,960
Speaker 1: you three. Yeah, you guys have been together a long time,

511
00:24:52,000 --> 00:24:53,679
Speaker 1: and I can tell you from experience myself. We've had

512
00:24:53,680 --> 00:24:56,560
Speaker 1: a group dynamic where me Amy Lunchbox, we've been together

513
00:24:56,680 --> 00:25:00,840
Speaker 1: a long time for you, guys, what has been the key?

514
00:25:01,000 --> 00:25:03,280
Speaker 1: And I would not like an answer like communication, because

515
00:25:03,320 --> 00:25:05,359
Speaker 1: that's always it. What's the key to marriage with communication?

516
00:25:05,400 --> 00:25:06,879
Speaker 1: All right? I don't Yeah, I'll get it. I know

517
00:25:06,880 --> 00:25:12,359
Speaker 1: what it means. Yeah, what's been the key to staying together?

518
00:25:12,640 --> 00:25:15,680
Speaker 1: Even though sometimes you don't always want to stay together?

519
00:25:15,960 --> 00:25:17,360
Speaker 1: And I mean that you love each other. We love

520
00:25:17,359 --> 00:25:18,640
Speaker 1: each other, but it's not like we're not real humans

521
00:25:18,640 --> 00:25:20,280
Speaker 1: and don't fight, and at times aren't we have to

522
00:25:20,359 --> 00:25:22,680
Speaker 1: because we're so close. What's the key to stay together

523
00:25:23,960 --> 00:25:25,680
Speaker 1: over a long period of time. I'm not going to

524
00:25:25,760 --> 00:25:30,119
Speaker 1: use communication and get on that train, but but I mean, honestly,

525
00:25:30,160 --> 00:25:31,679
Speaker 1: I think we have such a respect for what the

526
00:25:31,720 --> 00:25:33,560
Speaker 1: three of us have when we get in a room together.

527
00:25:33,960 --> 00:25:36,399
Speaker 1: I mean are We were touring a lot right now,

528
00:25:36,440 --> 00:25:37,919
Speaker 1: and we always talk about we've been a band for

529
00:25:37,960 --> 00:25:40,600
Speaker 1: fifteen and sixteen years. We often play like the first

530
00:25:40,600 --> 00:25:42,240
Speaker 1: song we wrote, and it just takes me back to

531
00:25:42,320 --> 00:25:45,280
Speaker 1: that room, like when we walked in, something was different

532
00:25:45,320 --> 00:25:47,679
Speaker 1: and special there. I just feel like no one can

533
00:25:47,680 --> 00:25:49,000
Speaker 1: take that away from us. When the three of us

534
00:25:49,040 --> 00:25:51,560
Speaker 1: step into a room to create something, I know we can.

535
00:25:52,080 --> 00:25:54,400
Speaker 1: That's just where we're great that's what we do, that's

536
00:25:54,400 --> 00:25:56,159
Speaker 1: what we love. We feel called to do that. So

537
00:25:56,200 --> 00:25:58,400
Speaker 1: I think it's a respect and a remembrance of that

538
00:25:59,480 --> 00:26:02,040
Speaker 1: which give us the fuel to kind of like power

539
00:26:02,080 --> 00:26:04,520
Speaker 1: through the times when it's tough, somebody's in a tough season,

540
00:26:04,960 --> 00:26:06,320
Speaker 1: you know, some of the other ones kind of we

541
00:26:06,440 --> 00:26:08,679
Speaker 1: pull each other along. I mean, honestly, we literally have

542
00:26:08,880 --> 00:26:11,800
Speaker 1: like seasons where one of us may be really struggling

543
00:26:11,800 --> 00:26:14,160
Speaker 1: and the other two are kind of like there and supportive,

544
00:26:14,200 --> 00:26:16,480
Speaker 1: and we're listening or present with each other and trying

545
00:26:16,480 --> 00:26:18,439
Speaker 1: to lift each other up. So I don't know, but

546
00:26:18,440 --> 00:26:20,600
Speaker 1: it all comes back to me to just the respect

547
00:26:20,640 --> 00:26:23,840
Speaker 1: of each other's talents, what they bring to the table,

548
00:26:23,880 --> 00:26:25,600
Speaker 1: what we all have when the three of us kind

549
00:26:25,600 --> 00:26:28,200
Speaker 1: of step into a room together. Is there a and

550
00:26:28,440 --> 00:26:30,679
Speaker 1: with us? You know, I communicate with Eddie different than

551
00:26:30,720 --> 00:26:32,480
Speaker 1: I do Amy. Amy. If I send to Amy a

552
00:26:32,520 --> 00:26:34,080
Speaker 1: one line email and I'm like, Okay, let's good, do this,

553
00:26:34,280 --> 00:26:36,199
Speaker 1: and that's all I'm thinking. But she needs to be

554
00:26:36,240 --> 00:26:39,880
Speaker 1: talked to with some extra sentences and showing a little

555
00:26:39,920 --> 00:26:43,040
Speaker 1: extra attention. That's our communication style. Eddie. I can do

556
00:26:43,080 --> 00:26:46,120
Speaker 1: the same thing, and we just talk to each other

557
00:26:46,160 --> 00:26:48,960
Speaker 1: different although we're different close and different ways. Are there

558
00:26:48,960 --> 00:26:51,919
Speaker 1: different communications that you guys have individually? And you know

559
00:26:52,040 --> 00:26:54,439
Speaker 1: this is how I communicate with down. I mean, we

560
00:26:54,520 --> 00:26:59,159
Speaker 1: know it so well now what I'm the fastest. I

561
00:26:59,280 --> 00:27:02,080
Speaker 1: literally just say what I think immediately always, and I'm

562
00:27:02,119 --> 00:27:04,080
Speaker 1: doing emails and have to come back and one thing,

563
00:27:04,520 --> 00:27:07,320
Speaker 1: you know, and like Hillary sheet somewhere in the middle,

564
00:27:07,320 --> 00:27:10,560
Speaker 1: and Dave is it is really like sits back, I mean,

565
00:27:10,600 --> 00:27:12,640
Speaker 1: and sometimes to where it's like he won't answer an email.

566
00:27:12,680 --> 00:27:17,720
Speaker 1: I'm like, he doesn't like the idea, that's it and

567
00:27:17,840 --> 00:27:20,240
Speaker 1: starts racing and going and I knew it. I knew

568
00:27:20,280 --> 00:27:21,720
Speaker 1: Dave went in and finally it's like, oh, I'm sorry,

569
00:27:21,720 --> 00:27:24,719
Speaker 1: I was taking my kids te ball here, you know,

570
00:27:25,000 --> 00:27:28,720
Speaker 1: and I'm like eight paces down the road thinking, you know, yeah,

571
00:27:28,760 --> 00:27:30,320
Speaker 1: I feel like we've learned it so well. It does

572
00:27:30,359 --> 00:27:32,239
Speaker 1: feel like a marriage. I mean, we know it like

573
00:27:32,280 --> 00:27:34,080
Speaker 1: the back of our hands. Now we've got it all

574
00:27:34,119 --> 00:27:36,400
Speaker 1: figured out. Has there been a time when you guys

575
00:27:36,400 --> 00:27:37,520
Speaker 1: have and I want to ask you two of these.

576
00:27:37,560 --> 00:27:38,800
Speaker 1: I'm gonna have you play a few songs if you

577
00:27:38,840 --> 00:27:40,879
Speaker 1: don't mind, But has there been a time where you

578
00:27:40,880 --> 00:27:42,960
Speaker 1: you've written a song together two of you or three

579
00:27:42,960 --> 00:27:45,600
Speaker 1: of you, and you go, that's fine. I mean it

580
00:27:45,640 --> 00:27:47,120
Speaker 1: was just okay, it's an okay song, but it had

581
00:27:47,160 --> 00:27:48,879
Speaker 1: been a really massive song for you guys. Like you

582
00:27:48,960 --> 00:27:50,520
Speaker 1: left the room and you're like, I don't think it

583
00:27:50,600 --> 00:27:52,240
Speaker 1: was that good, but we at least we did something

584
00:27:52,240 --> 00:27:56,480
Speaker 1: you're never gonna know, say, need you know. We didn't

585
00:27:56,480 --> 00:27:58,240
Speaker 1: feel special. Right after you wrote it, I would say,

586
00:27:58,320 --> 00:28:00,560
Speaker 1: run you too, Like we walked off. I'll like, I

587
00:28:00,600 --> 00:28:03,960
Speaker 1: was like, man, that's a really really poetic song, but

588
00:28:04,000 --> 00:28:05,680
Speaker 1: I was like, it's too heavy. It's not the hookiest

589
00:28:05,680 --> 00:28:07,840
Speaker 1: thing I've ever heard in the world. I mean, those

590
00:28:07,840 --> 00:28:10,160
Speaker 1: two songs, they're like two of our biggest Yeah, so

591
00:28:11,160 --> 00:28:13,800
Speaker 1: that was hooky. I just I don't know, none of

592
00:28:13,880 --> 00:28:15,679
Speaker 1: us walked out of that room though, thinking we had

593
00:28:15,720 --> 00:28:18,520
Speaker 1: written a hit song. Yeah. Well, and especially with needs

594
00:28:18,520 --> 00:28:21,520
Speaker 1: You Now, it was just a very stripped basic work

595
00:28:21,560 --> 00:28:24,440
Speaker 1: tape and it was the second song we wrote that day,

596
00:28:24,600 --> 00:28:28,080
Speaker 1: and so I think, you know, we were just it

597
00:28:28,080 --> 00:28:30,000
Speaker 1: had been a bit of a long day. Were the

598
00:28:30,000 --> 00:28:33,080
Speaker 1: first one I do that it's called like young love,

599
00:28:33,320 --> 00:28:35,679
Speaker 1: what's called love? And we were just it was like

600
00:28:35,800 --> 00:28:37,600
Speaker 1: so forced, you know, it was like trying to write

601
00:28:37,600 --> 00:28:39,120
Speaker 1: a hit song with needs you Now. It was like

602
00:28:39,360 --> 00:28:40,840
Speaker 1: it just came out. It came out in like an

603
00:28:40,880 --> 00:28:43,240
Speaker 1: hour and a half. And then we go into our

604
00:28:43,320 --> 00:28:47,840
Speaker 1: label meeting and thankfully Charles leaves no stone unturned when

605
00:28:47,880 --> 00:28:50,280
Speaker 1: it comes to like we've written all these songs. It

606
00:28:50,320 --> 00:28:52,160
Speaker 1: was the last song we played in the label meeting

607
00:28:52,680 --> 00:28:55,400
Speaker 1: and they said you've got to go in and try this,

608
00:28:55,840 --> 00:28:58,320
Speaker 1: and we're like, really, in the rest is history, I mean,

609
00:28:58,360 --> 00:29:00,520
Speaker 1: And then that was the only song that when we

610
00:29:00,680 --> 00:29:02,440
Speaker 1: brought the label end to play them, like the first

611
00:29:02,480 --> 00:29:05,280
Speaker 1: six or seven off that record when we cut them,

612
00:29:05,360 --> 00:29:06,920
Speaker 1: that was the only one they asked for us to

613
00:29:06,960 --> 00:29:10,080
Speaker 1: play over. And so we were like, oh, okay, maybe

614
00:29:10,080 --> 00:29:13,600
Speaker 1: we're on Maybe maybe we hit something. Did that teach

615
00:29:13,640 --> 00:29:16,760
Speaker 1: you that after you create, you're maybe now in the

616
00:29:16,800 --> 00:29:20,160
Speaker 1: best place to actually evaluate what you created? Were always

617
00:29:20,240 --> 00:29:22,200
Speaker 1: lean on our team, I mean, I think that's the

618
00:29:22,240 --> 00:29:24,840
Speaker 1: biggest example. It says another thing too, while we say

619
00:29:24,880 --> 00:29:30,560
Speaker 1: like put your you know, your pride and your self

620
00:29:30,600 --> 00:29:33,120
Speaker 1: worth in the process, not the outcome, because some certain

621
00:29:33,160 --> 00:29:34,760
Speaker 1: songs don't work that we thought were going to be

622
00:29:34,800 --> 00:29:36,720
Speaker 1: big hits and other ones do and you're just like

623
00:29:37,160 --> 00:29:40,280
Speaker 1: you can't control that, and it's just enjoy the process

624
00:29:40,280 --> 00:29:43,240
Speaker 1: of writing songs and put it out there. And they

625
00:29:43,320 --> 00:29:45,800
Speaker 1: all serve a purpose, like a real profound purpose. It

626
00:29:45,960 --> 00:29:48,720
Speaker 1: either breaks you through to the next one that was

627
00:29:48,880 --> 00:29:51,000
Speaker 1: really meant for that time, or it is the one

628
00:29:51,040 --> 00:29:53,080
Speaker 1: you know it just it really never know. They all

629
00:29:53,120 --> 00:29:56,480
Speaker 1: have a journey. Well listed my top three lady A

630
00:29:56,560 --> 00:29:58,600
Speaker 1: songs of all time, and that's actually number three. Need

631
00:29:58,640 --> 00:30:00,480
Speaker 1: You Now coming in a number of don't go to

632
00:30:00,480 --> 00:30:02,720
Speaker 1: play a live here on the countdown. Um, and you

633
00:30:02,720 --> 00:30:04,800
Speaker 1: guys have a guitar and you're so gracious to sing

634
00:30:04,840 --> 00:30:07,080
Speaker 1: this early in the morning. Here is my number three

635
00:30:07,080 --> 00:30:09,480
Speaker 1: favorite lady A song. It does Needs You now? Oh,

636
00:30:09,720 --> 00:30:12,960
Speaker 1: I love it. You're requesting because that's the name of

637
00:30:13,000 --> 00:30:15,680
Speaker 1: our tour is request line, so we're getting requests from you.

638
00:30:15,960 --> 00:30:19,360
Speaker 1: Yeah interesting, Yeah, I love it. I have requested machine

639
00:30:19,400 --> 00:30:23,200
Speaker 1: on Kelly next. You ready, here we go fix your

640
00:30:23,280 --> 00:30:32,760
Speaker 1: perfect memory? Scattered all around the floor, reaching for the

641
00:30:32,760 --> 00:30:40,760
Speaker 1: phone because I can't fight it anymore. And now one

642
00:30:41,800 --> 00:30:50,640
Speaker 1: if that ever cross your mind for me, it happens

643
00:30:50,960 --> 00:30:57,360
Speaker 1: all the time. It's a quarter at you one, I'm

644
00:30:57,400 --> 00:31:05,400
Speaker 1: all alone and at me you no sad. I wouldn't come.

645
00:31:05,680 --> 00:31:13,720
Speaker 1: I'm controlling. I need you now, and I don't know

646
00:31:14,160 --> 00:31:22,000
Speaker 1: how I can do widow. I just need you come

647
00:31:22,080 --> 00:31:28,920
Speaker 1: on a number three. You guys have eleven number ones

648
00:31:28,960 --> 00:31:30,200
Speaker 1: that I have here on the list, which is so

649
00:31:30,360 --> 00:31:31,920
Speaker 1: that's just so many songs, and it's got to be

650
00:31:31,920 --> 00:31:33,760
Speaker 1: difficult to put a set together at times because you

651
00:31:33,800 --> 00:31:35,560
Speaker 1: want to get them all in. And but I was

652
00:31:35,800 --> 00:31:37,960
Speaker 1: I didn't look at the list when I was picking

653
00:31:38,000 --> 00:31:40,160
Speaker 1: my favorite songs, and what I picked here at number

654
00:31:40,160 --> 00:31:42,360
Speaker 1: two was not a number one, which again reminds me

655
00:31:42,400 --> 00:31:44,760
Speaker 1: of it's not always about what's number one that ends

656
00:31:44,840 --> 00:31:47,320
Speaker 1: up lasting in people's hearts and mind. It's so true.

657
00:31:47,360 --> 00:31:50,360
Speaker 1: I mean, love don't live. Here was number three. I

658
00:31:50,400 --> 00:31:53,000
Speaker 1: think you look good went to three, like dancing Away.

659
00:31:53,000 --> 00:31:54,800
Speaker 1: We've had a few that are like two or three.

660
00:31:55,000 --> 00:32:00,720
Speaker 1: At number two, you look good from twenty seventeen. You're

661
00:32:00,720 --> 00:32:04,080
Speaker 1: on a boat on the beach and water and the

662
00:32:04,200 --> 00:32:10,040
Speaker 1: back of breaking hearts, breaking mishrom me, rolling down the street,

663
00:32:10,120 --> 00:32:14,400
Speaker 1: heads churning all day in the sea with me. I'm

664
00:32:14,440 --> 00:32:20,880
Speaker 1: thinking ever re boding better standing line because they need

665
00:32:20,960 --> 00:32:26,680
Speaker 1: to know that your bids coming with me tonight. They're like, hey,

666
00:32:26,840 --> 00:32:30,360
Speaker 1: pu that them with the shaints like boot will you

667
00:32:30,640 --> 00:32:36,000
Speaker 1: move to the bab folder spread from the second that

668
00:32:36,320 --> 00:32:42,920
Speaker 1: you walking and you look good, you look good, so fresh,

669
00:32:43,000 --> 00:32:48,560
Speaker 1: so fine, you look good. God everybody watching you, Charris

670
00:32:48,680 --> 00:32:53,320
Speaker 1: in Hollywood, you look good. Come a all right, that's

671
00:32:53,360 --> 00:32:57,520
Speaker 1: number two. That's we're gonna come back, right, it's so good? Yeah? Oh,

672
00:32:57,560 --> 00:32:59,640
Speaker 1: I just like I mean, I don't know how to

673
00:32:59,760 --> 00:33:02,040
Speaker 1: see do it live and here before Baby they did

674
00:33:02,080 --> 00:33:05,640
Speaker 1: a lot that so particular song because they wrote it's

675
00:33:05,800 --> 00:33:13,280
Speaker 1: interesting how they go in and out. Yeah, yeah, cool homes, okay, whatever,

676
00:33:13,880 --> 00:33:16,640
Speaker 1: We're gonna come back one more segment with Lady A

677
00:33:16,960 --> 00:33:18,960
Speaker 1: and now I'm gonna we're gonna do the number one song.

678
00:33:19,000 --> 00:33:20,760
Speaker 1: But what's funny is I'm gonna sing it. They're gonna

679
00:33:20,760 --> 00:33:25,600
Speaker 1: watch if that was the bit on the Bobby Bones Show.

680
00:33:25,680 --> 00:33:29,800
Speaker 1: Now we are celebrating this song, Summer State of Mind

681
00:33:29,880 --> 00:33:45,640
Speaker 1: from Lady A Baby. So that song is out and

682
00:33:45,680 --> 00:33:47,320
Speaker 1: I want you guys to listen to it all summer

683
00:33:47,360 --> 00:33:49,840
Speaker 1: long and only that song. That's the only song that

684
00:33:49,960 --> 00:33:52,360
Speaker 1: they can listen to as of today. So you guys

685
00:33:52,400 --> 00:33:54,680
Speaker 1: are here and we're gonna do our number my number

686
00:33:54,680 --> 00:33:56,520
Speaker 1: one song from you guys in a second. But I

687
00:33:56,560 --> 00:34:00,640
Speaker 1: wonder when you guys, you're all, I mean, such wonderful singers. Charles,

688
00:34:00,640 --> 00:34:02,880
Speaker 1: how do you warm up before a show? What do

689
00:34:02,880 --> 00:34:05,760
Speaker 1: you do specifically? Run to you specifically is one of

690
00:34:05,800 --> 00:34:08,400
Speaker 1: those It used to be loved to live here before,

691
00:34:08,520 --> 00:34:10,759
Speaker 1: like running you was a single. But I always know

692
00:34:10,800 --> 00:34:13,560
Speaker 1: if I can go full voice into that falsetto, then

693
00:34:13,600 --> 00:34:16,080
Speaker 1: my voice is in good shape. And then if it isn't,

694
00:34:16,560 --> 00:34:19,160
Speaker 1: i have about a thirty minute panic attack and I'm

695
00:34:19,239 --> 00:34:23,040
Speaker 1: drinking hot tea. I'm doing the Nettie pot and falsetto.

696
00:34:23,080 --> 00:34:29,120
Speaker 1: That's the hot so and then I do like and

697
00:34:29,160 --> 00:34:32,560
Speaker 1: I was like, love don't live anymore. And then that's

698
00:34:32,560 --> 00:34:37,080
Speaker 1: it and I'll literally do It's not even this is

699
00:34:37,120 --> 00:34:39,400
Speaker 1: like everyone on our team can attest. This is about

700
00:34:39,440 --> 00:34:42,719
Speaker 1: thirty times a day. Probably haven't I've been in a

701
00:34:42,760 --> 00:34:44,960
Speaker 1: hotel room multiple times. I can hear through the pipes

702
00:34:45,000 --> 00:34:49,560
Speaker 1: from another room. Oh yeah, true story. Yeah, so it's

703
00:34:50,160 --> 00:34:52,120
Speaker 1: there's I've got a lot of quirks. I mean, over

704
00:34:52,160 --> 00:34:54,120
Speaker 1: the years too, they develop in this kind of thing

705
00:34:54,120 --> 00:34:56,560
Speaker 1: where it's like these little routines kind of just happened.

706
00:34:56,960 --> 00:35:00,879
Speaker 1: I mean, cough drops hot tea warm up, warm ups,

707
00:35:01,440 --> 00:35:03,320
Speaker 1: push ups to get your voice kind of which is

708
00:35:03,360 --> 00:35:05,880
Speaker 1: weird that push ups but get your blood flowing. I

709
00:35:05,880 --> 00:35:08,319
Speaker 1: don't know, it's it's it's just but at this point

710
00:35:08,320 --> 00:35:10,759
Speaker 1: in your career, you know what works for you exactly,

711
00:35:11,480 --> 00:35:13,319
Speaker 1: and I can tell too, Like right when like I'm

712
00:35:13,320 --> 00:35:15,359
Speaker 1: about to have like a science affection or something, I'll

713
00:35:15,400 --> 00:35:16,480
Speaker 1: go and I'll get like a little one of those

714
00:35:16,480 --> 00:35:18,879
Speaker 1: little steroid shots. You know, if you have a show

715
00:35:18,880 --> 00:35:21,560
Speaker 1: on the show doesn't go as well as you had hoped,

716
00:35:21,600 --> 00:35:25,719
Speaker 1: which one of you is the most upset? Pretty much?

717
00:35:25,760 --> 00:35:27,680
Speaker 1: Guess is he? Okay? Oh yeah? What if you have

718
00:35:27,680 --> 00:35:29,600
Speaker 1: a great are you able to celebrate a great show too?

719
00:35:30,200 --> 00:35:32,239
Speaker 1: So you are the vote? You're up and down the

720
00:35:32,239 --> 00:35:35,839
Speaker 1: most you're I mean, is this is the guy? This

721
00:35:35,920 --> 00:35:38,920
Speaker 1: is that they chose who is the most even killed? Though,

722
00:35:38,920 --> 00:35:40,759
Speaker 1: who's the one who's like, all right, guys, David, to you,

723
00:35:40,960 --> 00:35:43,680
Speaker 1: I can be even kill But I get upset when

724
00:35:43,680 --> 00:35:46,760
Speaker 1: there's technical things that happen in the show and something

725
00:35:46,800 --> 00:35:49,120
Speaker 1: goes wrong. I mean that upsets me. But I can

726
00:35:49,160 --> 00:35:52,200
Speaker 1: still be like, you know, see the bright side and everything,

727
00:35:52,239 --> 00:35:53,920
Speaker 1: like I'm so grateful to be here. Are you. Never

728
00:35:53,960 --> 00:35:56,160
Speaker 1: too high, never too low, because it'll affect a performance.

729
00:35:56,200 --> 00:35:58,839
Speaker 1: I mean, are you that Lenny, you're thinking where? Okay,

730
00:35:58,840 --> 00:36:00,520
Speaker 1: I'm gonna focus and make sure you get the best

731
00:36:00,520 --> 00:36:02,280
Speaker 1: out of us and not get so emotional and affects

732
00:36:02,360 --> 00:36:04,759
Speaker 1: us either way. I try to let go of that

733
00:36:05,000 --> 00:36:06,600
Speaker 1: a lot of these shows, like we're doing this Request

734
00:36:06,600 --> 00:36:08,120
Speaker 1: Line tour in the fall. We're just gonna take requests

735
00:36:08,120 --> 00:36:10,359
Speaker 1: and it's gonna be different every night, and who cares

736
00:36:10,400 --> 00:36:11,879
Speaker 1: what happens. I mean when we just like what we're

737
00:36:11,920 --> 00:36:14,600
Speaker 1: doing today, just play songs, make tell stories. I mean,

738
00:36:14,640 --> 00:36:16,440
Speaker 1: this is what I love and that's what we're actually

739
00:36:16,560 --> 00:36:18,040
Speaker 1: getting to do. I'm not trying to segue, but that's

740
00:36:18,040 --> 00:36:19,680
Speaker 1: what we're doing this fall. Well. I had no idea

741
00:36:19,760 --> 00:36:21,480
Speaker 1: that because I saw request Line was the name of

742
00:36:21,520 --> 00:36:23,319
Speaker 1: the tour, I had no idea you were actually doing that. Yeah,

743
00:36:23,440 --> 00:36:24,960
Speaker 1: but I was doing this. I don't know if you

744
00:36:24,960 --> 00:36:27,120
Speaker 1: guys thought that was on purpose. No. I literally was like,

745
00:36:27,160 --> 00:36:28,880
Speaker 1: you know, I've spent so much time with these guys,

746
00:36:28,880 --> 00:36:30,279
Speaker 1: like what can I do? And then I was like, well,

747
00:36:30,280 --> 00:36:31,960
Speaker 1: I'll just be selfish and haven't play my favorite ye,

748
00:36:32,280 --> 00:36:34,279
Speaker 1: So that's what is happening. The tour. Yeah, and that's

749
00:36:34,280 --> 00:36:35,520
Speaker 1: what we're gonna do on the tour, and we're gonna

750
00:36:35,560 --> 00:36:37,000
Speaker 1: take We have a hot line people can call, leave

751
00:36:37,000 --> 00:36:39,600
Speaker 1: a voicemail. We're gonna build the setlist around the requests.

752
00:36:39,880 --> 00:36:41,720
Speaker 1: But then also, like we've done a couple of shows

753
00:36:41,719 --> 00:36:44,040
Speaker 1: already where we just open it up to the audience.

754
00:36:44,080 --> 00:36:45,440
Speaker 1: I mean, you don't get a chance to do that

755
00:36:45,640 --> 00:36:47,560
Speaker 1: in a big amphitheater arena. I mean, but just to

756
00:36:47,719 --> 00:36:50,960
Speaker 1: literally say, does anybody having a requests? People are yelling

757
00:36:51,000 --> 00:36:53,239
Speaker 1: things out, you pick somebody out, maybe bring them up

758
00:36:53,239 --> 00:36:55,600
Speaker 1: and just do a song and somebody from the audience

759
00:36:55,640 --> 00:36:59,799
Speaker 1: to sing a song just potentially that or you know,

760
00:37:00,040 --> 00:37:01,759
Speaker 1: letna tell the story real quick breaking them Number one.

761
00:37:02,040 --> 00:37:04,600
Speaker 1: I went to a Green Day concert once and so

762
00:37:04,640 --> 00:37:08,560
Speaker 1: they're who knows who knows our songs? And uh, Everybody's like,

763
00:37:08,680 --> 00:37:10,600
Speaker 1: I know the songs. I'm there and I'm I love

764
00:37:10,640 --> 00:37:12,279
Speaker 1: Green Day. I grew up on early Green Days. Still

765
00:37:12,360 --> 00:37:14,919
Speaker 1: like Green Day. And so they're like, all right, we're

766
00:37:14,960 --> 00:37:19,759
Speaker 1: gonna play. Uh, well I'm having dude, you have the

767
00:37:19,960 --> 00:37:26,000
Speaker 1: time to lit brain stew about is that is that?

768
00:37:26,920 --> 00:37:32,040
Speaker 1: What was? What is it? Keep going basket case? Yeah,

769
00:37:32,480 --> 00:37:34,920
Speaker 1: they're like, who knows basket case And everybody's like I

770
00:37:35,000 --> 00:37:37,640
Speaker 1: know it, I know it, and so uh he's like

771
00:37:37,680 --> 00:37:39,320
Speaker 1: you know, yeah, you know you have played a guitar.

772
00:37:39,520 --> 00:37:42,319
Speaker 1: He's like yeah, And so the takes the bass and

773
00:37:42,360 --> 00:37:44,919
Speaker 1: goes domaks playing the bass guitar. He takes the guys

774
00:37:44,920 --> 00:37:46,759
Speaker 1: bass and he's like wow, and the crowds going yeah,

775
00:37:46,800 --> 00:37:49,640
Speaker 1: basic guitar knows the song? Cool. And the next guy

776
00:37:49,640 --> 00:37:51,520
Speaker 1: comes up, who knows that I played on drums? The

777
00:37:51,560 --> 00:37:53,359
Speaker 1: crowd some guys like I do you know? I played?

778
00:37:53,400 --> 00:37:57,960
Speaker 1: Cool guy in the bass. Boom. They've got it. They

779
00:37:58,040 --> 00:38:01,080
Speaker 1: got two down in the crowds like, there's amazing. We're

780
00:38:01,080 --> 00:38:02,640
Speaker 1: watching people come out of the crowd of the Green

781
00:38:02,719 --> 00:38:05,160
Speaker 1: Day show and they're gonna play basket Okay, boom boom

782
00:38:06,160 --> 00:38:08,560
Speaker 1: the whole the crowd. It's awesome and I'm into it

783
00:38:08,600 --> 00:38:09,960
Speaker 1: and I'm I paid to watch Green Day, but this

784
00:38:10,000 --> 00:38:12,600
Speaker 1: is gonna be a cool moment. And so uh Billy

785
00:38:12,680 --> 00:38:14,440
Speaker 1: Joe the lead singers, like all right, all right, and

786
00:38:14,480 --> 00:38:15,920
Speaker 1: the guys on the bass and he's just keeping the

787
00:38:15,920 --> 00:38:18,239
Speaker 1: baseline going up the song and don't forget boomoom the

788
00:38:18,280 --> 00:38:21,520
Speaker 1: drums going boom and like, all right, who wants to play? Uh,

789
00:38:21,800 --> 00:38:24,480
Speaker 1: lead and sing? And some guys like I do, and

790
00:38:24,520 --> 00:38:26,879
Speaker 1: the crowd's like oh, and the guy looks like Billy

791
00:38:26,960 --> 00:38:30,200
Speaker 1: Joran Strong and so I'm like, is this a setup?

792
00:38:30,680 --> 00:38:33,440
Speaker 1: Because I wouldn't be a get cool whatever, it's entertainment.

793
00:38:33,480 --> 00:38:36,120
Speaker 1: I don't care. And I'm like, wow, So it wasn't.

794
00:38:36,120 --> 00:38:37,680
Speaker 1: So the guy gets up, and the guy's freaking out

795
00:38:37,680 --> 00:38:38,880
Speaker 1: and you can tell he's so pumped to be on

796
00:38:38,920 --> 00:38:40,680
Speaker 1: stage the green day and Billy Joe's like, you have

797
00:38:40,680 --> 00:38:42,640
Speaker 1: to play? He goes yeah, and so again the bass

798
00:38:43,680 --> 00:38:46,879
Speaker 1: drums they got it. They don't only stop, they're playing

799
00:38:46,920 --> 00:38:48,840
Speaker 1: the whole time. And so the guy takes the guitar

800
00:38:48,920 --> 00:38:50,360
Speaker 1: and he gets on the because you guys riding and

801
00:38:50,400 --> 00:38:52,080
Speaker 1: the guys they're still playing to doing it, and he goes,

802
00:38:52,640 --> 00:38:54,920
Speaker 1: has no idea to play it. It's awful, it's awesome,

803
00:38:55,040 --> 00:38:56,680
Speaker 1: it's a great and then they he took the guitar

804
00:38:56,719 --> 00:38:58,719
Speaker 1: from him, he said get off stage, and then he

805
00:38:58,840 --> 00:39:02,560
Speaker 1: played that part and it was amazing. So don't do

806
00:39:02,600 --> 00:39:05,840
Speaker 1: that bit. Yeah it didn't. So that's so, but that

807
00:39:05,880 --> 00:39:08,000
Speaker 1: would be cool if you probably gole up. Yeah, yeah,

808
00:39:08,239 --> 00:39:10,440
Speaker 1: you never know. I mean, you gotta especially too, like

809
00:39:10,440 --> 00:39:12,440
Speaker 1: we'll take a request in the audience. I mean, you

810
00:39:12,480 --> 00:39:14,200
Speaker 1: can only do that maybe a couple of times, because

811
00:39:14,239 --> 00:39:16,719
Speaker 1: it's you know, you get like and then won't stop yelling,

812
00:39:17,160 --> 00:39:19,160
Speaker 1: and that kind of gets disruptive, and of course everybody

813
00:39:19,200 --> 00:39:21,600
Speaker 1: has to somebody's got to say free bird. Just it

814
00:39:21,640 --> 00:39:24,200
Speaker 1: just happens every time. Well, my number one song, free

815
00:39:24,200 --> 00:39:28,560
Speaker 1: bird all right here is uh this is my favorite

816
00:39:28,600 --> 00:39:30,799
Speaker 1: lady a song. It is from two thousand and ten.

817
00:39:31,120 --> 00:39:41,240
Speaker 1: It is American Honey. She grew up on the side

818
00:39:41,320 --> 00:39:46,760
Speaker 1: of the road with the church bells, free and strong

819
00:39:46,880 --> 00:39:53,040
Speaker 1: glow girls. She grew up good, she grew up so

820
00:39:54,760 --> 00:40:01,280
Speaker 1: black American Honey. Let's go to the chorus through there's

821
00:40:01,360 --> 00:40:09,680
Speaker 1: a wooing and the wind coming out my name like

822
00:40:10,040 --> 00:40:17,480
Speaker 1: a long lost friend. This the sas as E's ba

823
00:40:18,360 --> 00:40:27,600
Speaker 1: oh nothing sweet summertime an American honey. That's awesome, lady.

824
00:40:27,680 --> 00:40:32,120
Speaker 1: And in studio the request line tour with just a

825
00:40:32,200 --> 00:40:34,600
Speaker 1: lovely guy Dave Barnes opening up was so good and

826
00:40:34,719 --> 00:40:37,440
Speaker 1: it's funny, and so the tour is gonna be awesome.

827
00:40:37,600 --> 00:40:39,680
Speaker 1: And today we are here celebrating the new song. Are

828
00:40:39,680 --> 00:40:41,239
Speaker 1: you guys doing a video for Summer State of Mone.

829
00:40:41,520 --> 00:40:43,600
Speaker 1: You've already done it and it's not out is it

830
00:40:43,600 --> 00:40:45,719
Speaker 1: comes out Friday? Oh than goodness, because if I've been out,

831
00:40:46,040 --> 00:40:50,120
Speaker 1: you're doing and awkward for everybody. Okay, so tomorrow it's

832
00:40:50,120 --> 00:40:52,960
Speaker 1: gonna be out. Summer State of Mind the video. This

833
00:40:53,000 --> 00:40:55,239
Speaker 1: song is out now, Summer State of Mind, and listen

834
00:40:55,320 --> 00:40:57,359
Speaker 1: I say it again, and you know, I don't ever

835
00:40:57,400 --> 00:40:58,680
Speaker 1: want it to get lost that. I just you guys

836
00:40:58,719 --> 00:41:00,880
Speaker 1: are just really cool, like Ie, I like you people.

837
00:41:00,960 --> 00:41:03,319
Speaker 1: You're also very talented as a group, but you're just

838
00:41:03,400 --> 00:41:05,680
Speaker 1: you're just cool folks. And I can appreciate that. And

839
00:41:06,239 --> 00:41:07,759
Speaker 1: I would never ask you guys just to come in

840
00:41:07,800 --> 00:41:09,160
Speaker 1: and perform because it's early. But they were like, do

841
00:41:09,160 --> 00:41:10,239
Speaker 1: you want to perform? And I was like, I don't

842
00:41:10,239 --> 00:41:12,440
Speaker 1: know if they want to perform. They're big stars. They're like, no,

843
00:41:12,520 --> 00:41:14,960
Speaker 1: don't perform. One time I said no and Charles like

844
00:41:14,960 --> 00:41:17,960
Speaker 1: you don't want us to perform? And I remember that

845
00:41:18,000 --> 00:41:19,839
Speaker 1: and I was like, I'm never gonna finch Charles again.

846
00:41:20,640 --> 00:41:24,000
Speaker 1: So it's like, show people what we you know, what

847
00:41:24,040 --> 00:41:26,680
Speaker 1: we love to do. So thank you everyone. If they

848
00:41:26,719 --> 00:41:29,160
Speaker 1: come to your town, you should go watch this. There's

849
00:41:29,200 --> 00:41:31,239
Speaker 1: a number. You can go to their website and see

850
00:41:31,239 --> 00:41:33,240
Speaker 1: the number to call and leave them a voice inmail

851
00:41:33,320 --> 00:41:35,920
Speaker 1: and go watch the request line tour, stream the song

852
00:41:36,280 --> 00:41:38,319
Speaker 1: and can't wait. Whenever you guys get the full body,

853
00:41:38,360 --> 00:41:40,239
Speaker 1: you do a whole record. If you're gonna do that, great,

854
00:41:40,239 --> 00:41:42,399
Speaker 1: If not, whatever, you got a key to the place,

855
00:41:42,400 --> 00:41:46,239
Speaker 1: so come by anytime. Thank you. All Right, there they are, lady, everybody, guys,

856
00:41:49,200 --> 00:41:56,640
Speaker 1: it's time for the good news. Fourteen year old Tie

857
00:41:56,680 --> 00:41:59,960
Speaker 1: Spender is from South Carolina and he loves his step back.

858
00:42:00,120 --> 00:42:03,240
Speaker 1: He's actually had a stepdad since he was two years old,

859
00:42:03,520 --> 00:42:05,960
Speaker 1: but he hates the word step in front of the dad.

860
00:42:06,080 --> 00:42:09,320
Speaker 1: So he really wants to get adopted. So he said, guys,

861
00:42:09,400 --> 00:42:12,080
Speaker 1: I'm going to start mowing lawns to help make money

862
00:42:12,120 --> 00:42:15,160
Speaker 1: for this adoption fees. There's so many court fees, thousands

863
00:42:15,160 --> 00:42:18,080
Speaker 1: of dollars, so he's already made about three hundred dollars

864
00:42:18,080 --> 00:42:21,160
Speaker 1: in the family's life. I love it. The step dad's like,

865
00:42:21,160 --> 00:42:22,640
Speaker 1: I'm gonna pay for most of it, but the fact

866
00:42:22,640 --> 00:42:25,080
Speaker 1: that he's taken the initiative to do this is awesome. Yeah,

867
00:42:25,120 --> 00:42:27,759
Speaker 1: I mean, and the stepdad has to also feel extremely

868
00:42:27,760 --> 00:42:31,560
Speaker 1: touched that I think he's wanted as the dad. He

869
00:42:31,640 --> 00:42:33,440
Speaker 1: wants it that bad that he's going to work for

870
00:42:33,520 --> 00:42:35,759
Speaker 1: it for I love it. That's pretty cool. That's a

871
00:42:35,760 --> 00:42:38,120
Speaker 1: good one. That's what it's all about. Right there. That

872
00:42:38,520 --> 00:42:42,520
Speaker 1: was tell me something good. Ninety seconds on the clock.

873
00:42:42,560 --> 00:42:44,840
Speaker 1: It's time for the morning Corny. But we get to

874
00:42:44,840 --> 00:42:47,960
Speaker 1: figure it out. It's the investigative Morning Corny, Amy, All

875
00:42:47,960 --> 00:42:54,200
Speaker 1: you ready, Morning Corny? What do you call a dad

876
00:42:54,239 --> 00:42:56,360
Speaker 1: when he falls through ice? What do you call a

877
00:42:56,440 --> 00:42:59,640
Speaker 1: dad when he falls through ice? Pops? Pops pops, popsicle,

878
00:43:00,360 --> 00:43:05,839
Speaker 1: pop snickle? Right? Frozen pop? Frozen pop? Pop pop pop,

879
00:43:06,120 --> 00:43:09,920
Speaker 1: ice pop with ice pop? Come on for wrong though

880
00:43:10,160 --> 00:43:13,480
Speaker 1: we're not wrong, we don't get to move on too

881
00:43:13,960 --> 00:43:17,480
Speaker 1: like we lose and it's it pop sickle or ice pop.

882
00:43:18,080 --> 00:43:20,839
Speaker 1: Both are good. I like ice pop pop sickle pop.

883
00:43:21,400 --> 00:43:24,160
Speaker 1: I think it's probably popsickle because ice pop. I don't

884
00:43:24,200 --> 00:43:27,920
Speaker 1: think it's universal. What is an ice pop? Uh? We

885
00:43:27,960 --> 00:43:31,759
Speaker 1: don't know. Let's go popsicle? Okay, come on, let's go

886
00:43:31,800 --> 00:43:34,520
Speaker 1: pop sickle All right, go amy? Popsicle? Yeah? So what

887
00:43:34,560 --> 00:43:36,920
Speaker 1: do you call a dad when he falls through the ice? Popsicle?

888
00:43:36,920 --> 00:43:43,680
Speaker 1: We got popsicles? Okay? What is a housewear? What is

889
00:43:43,719 --> 00:43:49,160
Speaker 1: a housewear apron um, housewears house roof home home eve

890
00:43:49,280 --> 00:43:55,160
Speaker 1: homebody shingle home home, housewears a home homer spoon. What's

891
00:43:55,200 --> 00:44:04,080
Speaker 1: a housewar hants tllar address address address, go dress address, Amy,

892
00:44:04,080 --> 00:44:08,640
Speaker 1: address the house wearing address? Give us one more? What

893
00:44:08,840 --> 00:44:16,680
Speaker 1: concert costs forty five cents cents with nickel back nickel back? Okay?

894
00:44:16,480 --> 00:44:28,440
Speaker 1: Why why do crabs never give to charity? There? That's what? No,

895
00:44:29,080 --> 00:44:34,120
Speaker 1: because they're shellfish? Okay, we got three walk through because

896
00:44:34,160 --> 00:44:36,600
Speaker 1: we ran through amy, go ahead. Number one was what

897
00:44:36,640 --> 00:44:37,920
Speaker 1: do you call a dad when he falls with the

898
00:44:37,960 --> 00:44:46,360
Speaker 1: ice pop popsicle? What does a housewear? Address? Address? Good? One? Yeah?

899
00:44:46,440 --> 00:44:49,000
Speaker 1: What concert costs forty five cents? I just knew this

900
00:44:49,040 --> 00:44:53,080
Speaker 1: one fifty cent with nickel back. Technically fifty cent featuring nickelback.

901
00:44:53,480 --> 00:44:57,600
Speaker 1: Technically that that doesn't make a joke. I like featuring. Okay,

902
00:44:57,640 --> 00:45:01,600
Speaker 1: go ahead. Why do crabs ever give to charity because

903
00:45:01,719 --> 00:45:04,400
Speaker 1: they're shellfish? That's good shelfish. I didn't I didn't realize

904
00:45:04,400 --> 00:45:08,200
Speaker 1: crabs for fish. There's shell there's there's shellfish. The bell

905
00:45:08,320 --> 00:45:11,560
Speaker 1: it's a play on selfish shellfish. I thought a shellfish

906
00:45:11,640 --> 00:45:14,319
Speaker 1: is like a clam in an oyster and they have

907
00:45:14,320 --> 00:45:18,040
Speaker 1: a shell. They literally have a shell. Okay, shell, Okay,

908
00:45:18,120 --> 00:45:21,480
Speaker 1: all right, thank you. That's what's happening. We're about to

909
00:45:21,480 --> 00:45:23,799
Speaker 1: get to number two in a second, so let's do it.

910
00:45:24,000 --> 00:45:27,759
Speaker 1: Nineties music videos Artists had to be awesome. Song had

911
00:45:27,800 --> 00:45:30,319
Speaker 1: to be awesome. Video had to be awesome. At number

912
00:45:30,400 --> 00:45:34,759
Speaker 1: five with Chattahoochie by Alan Jackson is nineteen ninety two.

913
00:45:34,920 --> 00:45:36,640
Speaker 1: Number four is boot Scoot and Boogie by Brooks and

914
00:45:36,719 --> 00:45:43,160
Speaker 1: Dunne ninety one. At number three, Probbed Me Up Beside

915
00:45:43,160 --> 00:45:49,920
Speaker 1: the jew Box Joe Diffy Si Je Box at number

916
00:45:49,920 --> 00:45:51,839
Speaker 1: two of the year was nineteen ninety nine. It just

917
00:45:51,920 --> 00:45:57,520
Speaker 1: made the cut. So nineteen nine, Well, why two K?

918
00:45:58,560 --> 00:46:01,680
Speaker 1: Everyone thought that were old was ending because when all

919
00:46:01,719 --> 00:46:04,960
Speaker 1: the computers hit z Rose Rose Boom, apparently we just exploded.

920
00:46:05,120 --> 00:46:06,719
Speaker 1: Some people still think it did end, and we're in

921
00:46:06,719 --> 00:46:11,000
Speaker 1: a simulation since then. Do you believe that? You know,

922
00:46:11,040 --> 00:46:15,319
Speaker 1: here's the thing I believe. I believe in life after love? Okay, sir,

923
00:46:15,480 --> 00:46:19,800
Speaker 1: thank you, also even laugh after love. That's what I

924
00:46:19,840 --> 00:46:23,880
Speaker 1: believe in. WHYK not so much? Yeah, so that happened?

925
00:46:24,320 --> 00:46:27,560
Speaker 1: Who wants to be a millionaire premiered massive that happened.

926
00:46:27,600 --> 00:46:30,920
Speaker 1: Everybody watched that show. Amazing show. Yeah, I mean, is

927
00:46:30,960 --> 00:46:34,520
Speaker 1: that your finally into rageous? Yeah, that show was awesome.

928
00:46:34,560 --> 00:46:37,160
Speaker 1: At the time, DVD players were starting to phase out

929
00:46:37,239 --> 00:46:39,719
Speaker 1: VHS tape, so the DVD was the deal. And there

930
00:46:39,760 --> 00:46:41,520
Speaker 1: was a whole time where it was all right, is

931
00:46:41,520 --> 00:46:43,880
Speaker 1: a DVD or blue ray and you buy one or

932
00:46:43,880 --> 00:46:46,480
Speaker 1: the other, and blue rays gone the way of the

933
00:46:46,520 --> 00:46:50,440
Speaker 1: Dodo bird. Nobody blue rays. It DVD wins, although even then,

934
00:46:50,440 --> 00:46:53,600
Speaker 1: since then it's been killed too. So we were download

935
00:46:53,640 --> 00:46:57,960
Speaker 1: songs on Napster for free. Miss those days. Yeah, many

936
00:46:58,400 --> 00:47:00,600
Speaker 1: lots of music. I just I just clicked the letter

937
00:47:00,760 --> 00:47:02,120
Speaker 1: L and be like, oh, I'm gonna go to sleep

938
00:47:03,040 --> 00:47:04,960
Speaker 1: down every song the start with the letter L and

939
00:47:05,120 --> 00:47:07,400
Speaker 1: wake up and have a whole new music library. It

940
00:47:07,520 --> 00:47:09,640
Speaker 1: is awesome. And we were like, we hate these bands

941
00:47:09,640 --> 00:47:11,600
Speaker 1: for making us more to pay for their music. Free

942
00:47:11,680 --> 00:47:16,719
Speaker 1: music rules and they're Talenta sucks And obviously we were wrong. Wrong.

943
00:47:17,200 --> 00:47:19,960
Speaker 1: In nineteen ninety nine, the Pokemon franchise was exploding all

944
00:47:19,960 --> 00:47:22,600
Speaker 1: over the United States with the release of the Pokemon

945
00:47:22,600 --> 00:47:25,400
Speaker 1: Red and Blue video game. The year before nineteen ninety nine,

946
00:47:25,480 --> 00:47:29,120
Speaker 1: Pokemon has taken over, never gotten to Pokemon. Mike Dee

947
00:47:29,160 --> 00:47:31,000
Speaker 1: did and still has all these cards that are worth

948
00:47:31,040 --> 00:47:33,160
Speaker 1: a lot of money. Huh what do you think they're

949
00:47:33,160 --> 00:47:35,440
Speaker 1: all worth? Right now? Just about round it? Go a

950
00:47:35,480 --> 00:47:38,239
Speaker 1: few thousand and three thousand, three thousand, I give you

951
00:47:38,320 --> 00:47:41,080
Speaker 1: fifteen hundred or forty percent. Here we go, I keep

952
00:47:41,120 --> 00:47:47,359
Speaker 1: them okay. The song at number two from nineteen ninety nine.

953
00:47:47,480 --> 00:47:52,320
Speaker 1: It debuted March third, nineteen ninety nine, on CMT. The

954
00:47:52,440 --> 00:47:54,880
Speaker 1: song's music video was shot in New York City and

955
00:47:55,000 --> 00:47:58,880
Speaker 1: at parodies the song you might as well face it

956
00:47:59,200 --> 00:48:03,640
Speaker 1: addicted to love Donna, So it parodies it in music video,

957
00:48:03,680 --> 00:48:06,879
Speaker 1: not in sound. But do you remember that? You might

958
00:48:07,000 --> 00:48:12,759
Speaker 1: as well? Robert Palmer? Palmers right, do you remember it? Yeah?

959
00:48:12,800 --> 00:48:15,520
Speaker 1: You remember the video? Yeah? No? What is it? Is? That?

960
00:48:15,600 --> 00:48:18,279
Speaker 1: The one where they're in the black dresses and the

961
00:48:18,360 --> 00:48:21,399
Speaker 1: girls dancing look back here in the red lipstick. That

962
00:48:21,600 --> 00:48:24,280
Speaker 1: is exactly what it is. The role Reversal Show Shania

963
00:48:24,320 --> 00:48:30,240
Speaker 1: Twain surrounded by sex emale musicians at number two Shania Twain.

964
00:48:30,920 --> 00:48:32,920
Speaker 1: The song won the Best Grammy one of the Grammy

965
00:48:32,920 --> 00:48:35,279
Speaker 1: Award for Best Female Country Vocal Performance. She performed at

966
00:48:35,320 --> 00:48:38,040
Speaker 1: the Super Bowl halftime Show number two. Man, I feel

967
00:48:38,040 --> 00:48:40,800
Speaker 1: like a woman. Nice job at So who do you

968
00:48:40,840 --> 00:48:44,279
Speaker 1: think is the most famous person alive? Now? Think, think

969
00:48:44,320 --> 00:48:45,880
Speaker 1: about your answer before you just yelled out, because I

970
00:48:45,920 --> 00:48:47,520
Speaker 1: don't want you to just yelling out. I think it

971
00:48:47,520 --> 00:48:51,200
Speaker 1: could be this one. You get one answer here, one answer.

972
00:48:51,360 --> 00:48:55,200
Speaker 1: So they've talked to over five hundred thousand people from

973
00:48:55,239 --> 00:48:59,040
Speaker 1: all over the Western world, meaning in India they have

974
00:48:59,080 --> 00:49:01,760
Speaker 1: a whole different list of celebrities because it's so massive,

975
00:49:01,760 --> 00:49:06,160
Speaker 1: and China, so you're talking about America, the UK people

976
00:49:06,239 --> 00:49:10,120
Speaker 1: we would consider famous. Okay, so who would you consider

977
00:49:10,480 --> 00:49:13,799
Speaker 1: the most famous person alive? And then at one, two, three,

978
00:49:13,880 --> 00:49:15,919
Speaker 1: four or five? I have seven people on the list.

979
00:49:16,080 --> 00:49:17,719
Speaker 1: So write your answer down because you guys can have

980
00:49:17,760 --> 00:49:21,720
Speaker 1: the same answer. I got it. It's easy. It doesn't

981
00:49:21,719 --> 00:49:24,799
Speaker 1: include um celebrity. So you get three right right down

982
00:49:24,840 --> 00:49:28,200
Speaker 1: your top three? Right? Yeah yeah, yeah, all but are politicians,

983
00:49:28,520 --> 00:49:31,520
Speaker 1: it doesn't matter. Famous is famous? Write down your three

984
00:49:31,600 --> 00:49:33,880
Speaker 1: and the person who's three gets those points as the

985
00:49:33,880 --> 00:49:40,080
Speaker 1: winner of this game. All right, three most famous people

986
00:49:40,120 --> 00:49:43,000
Speaker 1: alive in the higher Europe on the list. More points

987
00:49:43,000 --> 00:49:47,920
Speaker 1: you get, Oh okay. People are asked, who do you

988
00:49:47,920 --> 00:49:56,320
Speaker 1: consider the most famous person alive. My list is so weird.

989
00:49:57,840 --> 00:50:00,439
Speaker 1: Let me know when you have your three. I'm my three,

990
00:50:01,320 --> 00:50:05,080
Speaker 1: I'm in, I'm in. All right, who do you have

991
00:50:05,160 --> 00:50:09,920
Speaker 1: for your most famous person? Amy? The Queen Queen Elizabeth. Okay,

992
00:50:09,960 --> 00:50:14,080
Speaker 1: maybe I'll have Queen Elizabeth. No, no, no, but everybody

993
00:50:14,120 --> 00:50:18,560
Speaker 1: knows her, she's famous. I had to think about Elizabeth.

994
00:50:18,560 --> 00:50:20,279
Speaker 1: I didn't know that was her name. When you say queen,

995
00:50:20,320 --> 00:50:24,279
Speaker 1: I was like, just the Queen, Queen, Queen Elizabeth. Okay,

996
00:50:24,280 --> 00:50:29,000
Speaker 1: so you have Queen Elizabeth. Yeah. Uh, Taylor Swift, may

997
00:50:29,200 --> 00:50:33,480
Speaker 1: have Taylor Swift. No, no no, no, how okay? Right? And uh,

998
00:50:34,040 --> 00:50:38,320
Speaker 1: dang it, toss up Tom Hanks. So you have Queen Elizabeth,

999
00:50:38,440 --> 00:50:40,960
Speaker 1: Taylor Swift, and Tom Hanks. Let me do your points

1000
00:50:40,960 --> 00:50:42,600
Speaker 1: here without telling you where they are on the list.

1001
00:50:42,960 --> 00:50:47,520
Speaker 1: So I just picked those quickly of Amy with a

1002
00:50:47,560 --> 00:50:51,799
Speaker 1: total of zero fourteen points. Oh take that? So you

1003
00:50:51,800 --> 00:50:54,919
Speaker 1: get ten if you get the number one. Huh nine,

1004
00:50:54,960 --> 00:50:58,799
Speaker 1: eight seven, six? Okay, lunchbox, who is your most famous Parson?

1005
00:50:58,920 --> 00:51:02,759
Speaker 1: Ronaldo the soccer player, Ye okay, I don't even pop

1006
00:51:02,800 --> 00:51:07,600
Speaker 1: in my head. Go ahead, Lionel Messi, okay, go ahead,

1007
00:51:07,640 --> 00:51:16,080
Speaker 1: and Kim Kay yeah, okay, Lunchbox at total point, did

1008
00:51:16,120 --> 00:51:22,440
Speaker 1: you carry the one ten? Yeah? What? Ronaldo is the

1009
00:51:22,480 --> 00:51:24,839
Speaker 1: most famous autletes because you know them and he doesn't

1010
00:51:24,880 --> 00:51:26,520
Speaker 1: know Ronald which you could pick him out the room. Yeah,

1011
00:51:26,520 --> 00:51:33,680
Speaker 1: she could. Christ absolutely, he did not make the list.

1012
00:51:33,760 --> 00:51:35,880
Speaker 1: Eddie Bones, I don't have any of those people. My

1013
00:51:35,960 --> 00:51:41,200
Speaker 1: list is fresh go ahead o. Number one, Donald Trump, okay,

1014
00:51:42,080 --> 00:51:47,680
Speaker 1: number two, Dolly Parton. Everyone knows Dolly Parton. And number

1015
00:51:47,719 --> 00:51:51,560
Speaker 1: three the goat of basketball, Michael Jordan. Okay, all right,

1016
00:51:51,600 --> 00:51:55,120
Speaker 1: let me have Eddie. That's actually pretty good. Thank you, Ronaldo.

1017
00:51:55,640 --> 00:51:57,960
Speaker 1: I almost put Tiger Woods. Eddie, you have a total

1018
00:51:58,160 --> 00:52:13,760
Speaker 1: come on, hit me zero points. Ruser loser grass person

1019
00:52:14,000 --> 00:52:18,279
Speaker 1: in the world. According to this, it's Kim Kardashian number one.

1020
00:52:18,719 --> 00:52:20,680
Speaker 1: It's number one. That's the only one Lunchbox got. By

1021
00:52:20,719 --> 00:52:23,839
Speaker 1: the way, so Kim Kardashian was worth ten points. She's

1022
00:52:23,960 --> 00:52:28,000
Speaker 1: number one. Number two nobody got. It was Beyonce and

1023
00:52:28,120 --> 00:52:33,080
Speaker 1: number three Queen Elizabethan. I just I can't believe it.

1024
00:52:33,280 --> 00:52:37,839
Speaker 1: Number four, you didn't win. I'm so honored. I want

1025
00:52:37,840 --> 00:52:41,879
Speaker 1: to thank me so hard. You love me, you really

1026
00:52:41,920 --> 00:52:47,120
Speaker 1: love me. It's amazing. Barack Obama's at four Taylor swept.

1027
00:52:47,239 --> 00:52:52,040
Speaker 1: Is it five? Ye? Oprah? Is it six? Who? And

1028
00:52:55,800 --> 00:52:58,399
Speaker 1: she needs one name? And then finally the last one

1029
00:52:58,520 --> 00:53:03,760
Speaker 1: here that was Ariana one day Amy. You know famous

1030
00:53:03,760 --> 00:53:06,040
Speaker 1: people more than these two knuckleheads. I know the most

1031
00:53:06,040 --> 00:53:10,919
Speaker 1: famous thought that. No, okay, I'm good, okay, sorry, Ammy,

1032
00:53:10,960 --> 00:53:13,919
Speaker 1: you won the game and there's our winner, Ammy, nice job,

1033
00:53:14,320 --> 00:53:17,680
Speaker 1: nice job, crown, No crown for this one. No sorry

1034
00:53:17,719 --> 00:53:22,960
Speaker 1: by that? All right, it's time your big stories, Bobby's

1035
00:53:23,120 --> 00:53:29,400
Speaker 1: be stories. A miserable neighbor dubbed Karen, seemed to purposefully

1036
00:53:29,440 --> 00:53:31,200
Speaker 1: run a wedding across the street because she mowed the

1037
00:53:31,280 --> 00:53:37,840
Speaker 1: yard the whole time. Oh no, that's dirty. The lawnmowing

1038
00:53:37,920 --> 00:53:40,719
Speaker 1: session was so noisy that you could hear them in

1039
00:53:40,719 --> 00:53:45,120
Speaker 1: the video of the couple's vowels. Dang, the clip, which

1040
00:53:45,160 --> 00:53:48,279
Speaker 1: has a bunch of views on TikTok, has sparked out right, yeah,

1041
00:53:48,280 --> 00:53:52,200
Speaker 1: I'm I'm mad at that, me too. You got our

1042
00:53:52,280 --> 00:53:55,279
Speaker 1: mo while they're and no one went to go tell them, hey,

1043
00:53:55,280 --> 00:53:58,280
Speaker 1: will you stop mowing? We're doing a wedding over there. Maybe,

1044
00:53:58,400 --> 00:54:01,040
Speaker 1: but I don't she doesn't have to go. Sure, she

1045
00:54:01,080 --> 00:54:03,000
Speaker 1: wouldn't just buy someone going, Hey, would you please stop,

1046
00:54:03,040 --> 00:54:05,200
Speaker 1: because she's doing it for a reason. Huh. That's from

1047
00:54:05,200 --> 00:54:06,960
Speaker 1: the New York Post. I don't like her, I guess

1048
00:54:07,000 --> 00:54:08,680
Speaker 1: I wish I knew more of the story. And there's

1049
00:54:08,680 --> 00:54:12,320
Speaker 1: that picture of her weededing too real close dial in.

1050
00:54:13,920 --> 00:54:16,520
Speaker 1: Jeremy and Sarah Henson were on vacation in Las Vegas.

1051
00:54:16,760 --> 00:54:18,759
Speaker 1: When they're a ring camera notified then there was someone

1052
00:54:18,760 --> 00:54:20,960
Speaker 1: at their front door. The camera showed their dog, Dexter,

1053
00:54:21,200 --> 00:54:23,400
Speaker 1: was at the door. And again, they're on vacation in

1054
00:54:23,480 --> 00:54:26,399
Speaker 1: Las Vegas. They left Dexter at a puppy hotel two

1055
00:54:26,440 --> 00:54:28,520
Speaker 1: miles away, where he climbed a six foot fence and

1056
00:54:28,560 --> 00:54:30,479
Speaker 1: just went home. Amazing. I saw him with the doctor

1057
00:54:30,480 --> 00:54:32,480
Speaker 1: just went home and he's trying to get back in.

1058
00:54:32,920 --> 00:54:34,520
Speaker 1: So you probably have to call anigh or hopefully have

1059
00:54:34,520 --> 00:54:36,480
Speaker 1: someone mulling during your wedding to go let him in.

1060
00:54:37,200 --> 00:54:40,080
Speaker 1: That's from the New York Post. That is funny. An

1061
00:54:40,080 --> 00:54:43,239
Speaker 1: eighty three year old doctor has a newborn son with

1062
00:54:43,320 --> 00:54:46,680
Speaker 1: a thirty five year old wife. So it's not even

1063
00:54:46,680 --> 00:54:48,520
Speaker 1: about the doctor. It's he's eighty three and he had

1064
00:54:48,560 --> 00:54:51,360
Speaker 1: a kid with a thirty five year old Yeah, eighty

1065
00:54:51,360 --> 00:54:54,360
Speaker 1: three is like, oh, like if it's thirty five, and

1066
00:54:54,440 --> 00:54:57,640
Speaker 1: he's like sixty one, Like sixty one is still young

1067
00:54:57,760 --> 00:55:00,320
Speaker 1: enough to like, it's older, but it's still young. Like

1068
00:55:00,400 --> 00:55:02,239
Speaker 1: chill and do stuff. You could probably see him go

1069
00:55:02,280 --> 00:55:06,680
Speaker 1: to college. You're worrying diapers kids, I'm talking about the marriage. Oh,

1070
00:55:06,800 --> 00:55:10,239
Speaker 1: sixty one, like they're they're famous people. Sixty one and

1071
00:55:10,280 --> 00:55:12,320
Speaker 1: you're like, all right, they're older, but it's fine. Eighty

1072
00:55:12,400 --> 00:55:14,000
Speaker 1: three is like an old man, Like I don't worry

1073
00:55:14,000 --> 00:55:16,799
Speaker 1: about him driving. I don't worry about a sixty one

1074
00:55:16,880 --> 00:55:20,000
Speaker 1: year old driving. But an eighty three year old has

1075
00:55:20,040 --> 00:55:23,520
Speaker 1: a son with thirty five year old wife. Doctor who's

1076
00:55:23,560 --> 00:55:26,600
Speaker 1: the father of a baby boy says each day knowing

1077
00:55:26,640 --> 00:55:28,360
Speaker 1: that he won't get to see his son grow up

1078
00:55:28,400 --> 00:55:31,239
Speaker 1: makes them sad. Yeah, you dope. You didn't think about that.

1079
00:55:31,360 --> 00:55:34,040
Speaker 1: How about the final few happy days you get because

1080
00:55:34,080 --> 00:55:36,520
Speaker 1: of your signs? That's more, probably only got eleven days left.

1081
00:55:36,719 --> 00:55:42,120
Speaker 1: I'm very happy. Uh. This nutrition expert, which is the doctor, says,

1082
00:55:42,200 --> 00:55:44,600
Speaker 1: let's I'm gonna give him any memories as possible. She

1083
00:55:44,719 --> 00:55:48,239
Speaker 1: became pregnant after fertility treatments. You look at them, it

1084
00:55:48,239 --> 00:55:50,120
Speaker 1: looks like her and her grandpa, It doesn't it does.

1085
00:55:50,480 --> 00:55:52,799
Speaker 1: So it looks like Grandpa got in the picture at

1086
00:55:52,800 --> 00:55:54,800
Speaker 1: the hospital, like Grandpa, come get a picture with the baby.

1087
00:55:55,400 --> 00:55:57,840
Speaker 1: So that's a part of me was wondering, did it

1088
00:55:58,040 --> 00:56:01,040
Speaker 1: isn't an accident or they planned it was for Tilly treaments. Yeah,

1089
00:56:01,040 --> 00:56:03,080
Speaker 1: I hear that. Now he already had two sons, there

1090
00:56:03,080 --> 00:56:07,360
Speaker 1: were adults, three granddaughters, and now he has a three

1091
00:56:07,400 --> 00:56:10,480
Speaker 1: granddaughter and daughter that's older than the sons. So they're

1092
00:56:10,760 --> 00:56:14,239
Speaker 1: the granddaughters. Let me think about this. So if there's

1093
00:56:14,280 --> 00:56:21,560
Speaker 1: a granddaughter but they have their grandpa's son that's uncle,

1094
00:56:21,640 --> 00:56:24,399
Speaker 1: they're older than their uncle. Oh my god, way way

1095
00:56:24,440 --> 00:56:28,479
Speaker 1: older than their uncle. Dang. There's golfers on the golf

1096
00:56:28,480 --> 00:56:31,719
Speaker 1: course from ABC thirteen in Cyprus, Texas. They're playing. You know,

1097
00:56:31,760 --> 00:56:33,480
Speaker 1: he played golf like for people to be quiet while

1098
00:56:33,480 --> 00:56:37,239
Speaker 1: you swing, And all of a sudden, cops were chasing

1099
00:56:37,280 --> 00:56:39,080
Speaker 1: a guy dude dropping AKA forty five runs to the

1100
00:56:39,120 --> 00:56:44,080
Speaker 1: golf course. Whoah, You imagine a foot pursuit dropping an

1101
00:56:44,080 --> 00:56:46,640
Speaker 1: AKA forty five right through the golf course and they

1102
00:56:46,719 --> 00:56:48,600
Speaker 1: bogeat the holes. Now I don't know about the holes.

1103
00:56:48,640 --> 00:56:50,200
Speaker 1: And that was their school. It was like grand theft

1104
00:56:50,239 --> 00:56:53,279
Speaker 1: auto cars and stuff. There's foot everything right through the

1105
00:56:53,320 --> 00:56:55,480
Speaker 1: golf course that I've been awesome to see as long

1106
00:56:55,480 --> 00:56:57,319
Speaker 1: as somebody got hurt. You just see that, like the

1107
00:56:57,400 --> 00:57:00,320
Speaker 1: sub driving through the golf course right before you stop

1108
00:57:00,320 --> 00:57:02,320
Speaker 1: and it runs. Yeah, and then he gets out runs.

1109
00:57:02,480 --> 00:57:05,000
Speaker 1: It's crazy. It's like a range over flying through the holes.

1110
00:57:05,640 --> 00:57:07,440
Speaker 1: But you didn't art drop on the greens, because that's bad.

1111
00:57:07,719 --> 00:57:11,560
Speaker 1: You didn't do that. The tea boxes. Yeah. Finally a

1112
00:57:11,560 --> 00:57:13,919
Speaker 1: man is reunited with his phone ten months after losing

1113
00:57:13,920 --> 00:57:17,320
Speaker 1: it in the river. Ten months what it was still working.

1114
00:57:18,200 --> 00:57:19,600
Speaker 1: I don't care how many phones I've had that have

1115
00:57:19,920 --> 00:57:21,680
Speaker 1: said to be waterproof if I like spill on it,

1116
00:57:21,680 --> 00:57:24,200
Speaker 1: they don't want to say exactly. Scots wasn't a river.

1117
00:57:25,000 --> 00:57:29,000
Speaker 1: So he lost his phone canoeing and it turned up

1118
00:57:29,160 --> 00:57:31,240
Speaker 1: and it was ten months later. They put in an

1119
00:57:31,280 --> 00:57:37,240
Speaker 1: eric compressor and next day they charged. It worked. Unbelievable. Wow,

1120
00:57:37,360 --> 00:57:39,560
Speaker 1: work plug the charger and it worked. That's a lot

1121
00:57:39,600 --> 00:57:41,680
Speaker 1: of rice. You gotta get the whole right. Rounding company

1122
00:57:41,920 --> 00:57:43,480
Speaker 1: put the phone in that thing to get it to work.

1123
00:57:43,680 --> 00:57:52,280
Speaker 1: That's from BBC's story. The day this story comes with

1124
00:57:52,360 --> 00:57:55,520
Speaker 1: us from West Virginia. We all know the game cornhole

1125
00:57:55,520 --> 00:57:57,440
Speaker 1: where you got the two boards, you got the bean bags,

1126
00:57:57,440 --> 00:57:59,480
Speaker 1: you throw it in the hole. Yeah. Well, one guy

1127
00:57:59,560 --> 00:58:01,320
Speaker 1: lost and he was like, man, I don't think your

1128
00:58:01,360 --> 00:58:03,480
Speaker 1: bean bags a regulation size. And they get in an

1129
00:58:03,560 --> 00:58:07,840
Speaker 1: argument and he leaves, comes back with a chainsaw and

1130
00:58:07,920 --> 00:58:11,960
Speaker 1: slashes the guy's tires. Oh why I go for the tires, Like,

1131
00:58:12,000 --> 00:58:13,680
Speaker 1: really make a statement and go for the boards. Yeah

1132
00:58:14,480 --> 00:58:18,960
Speaker 1: that's what I was thinking. I'll show you regulations. Yeah,

1133
00:58:19,120 --> 00:58:22,959
Speaker 1: that's funny. So what happens? So he got arrested. Yeah,

1134
00:58:23,000 --> 00:58:25,400
Speaker 1: and they do not know if alcohol was involved. Yeah

1135
00:58:25,400 --> 00:58:29,200
Speaker 1: I do it was. I'm munch boxed. That's your bone

1136
00:58:29,240 --> 00:58:32,240
Speaker 1: head story of the day. All right, heck of a

1137
00:58:32,240 --> 00:58:35,000
Speaker 1: show today. You guys can follow me on Instagram. Mister

1138
00:58:35,040 --> 00:58:37,000
Speaker 1: Bobby Bones. Would love to hear from you. So that

1139
00:58:37,080 --> 00:58:40,760
Speaker 1: being said, tomorrow, Big show, Luke Combs, Jimmy Allen, the

1140
00:58:40,800 --> 00:58:42,800
Speaker 1: Friday Morning Dance Party. I hope you guys have an

1141
00:58:42,840 --> 00:58:47,120
Speaker 1: awesome day. We'll see if Friday. That's tomorrow by everybody,