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Speaker 1: Alaska. You guys, welcome to Wednesday's show More Studio Morning.

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Speaker 1: Everybody's having a good day so far. Early morning for

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Speaker 1: some folks. Here's a story that I read this morning

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Speaker 1: before coming in, and I love AI and the stories

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Speaker 1: of AI in the future. And then I'm not going

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Speaker 1: to spend a lot of time getting too deep into it,

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Speaker 1: but I just wanted to scare you just enough. They

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Speaker 1: have an AI robot artificial intelligence robot, and they can

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Speaker 1: communicate with it. You know, you teach it and then

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Speaker 1: it teaches itself. An AI robot says it will probably

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Speaker 1: end up destroying humanity, though it doesn't want to exactly.

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Speaker 1: The GPT three says it has no interest in harming mankind,

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Speaker 1: but it claims humans will likely end up programming it

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Speaker 1: to do something that leads to heavy human casualties. Yeah.

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Speaker 1: The Language Generator, commissioned by open Ai, was given a

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Speaker 1: writing assignment. Gp T T three ended up writing a

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Speaker 1: piece which it described itself as a thinking robot. It's

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Speaker 1: not planning any kind of robo apocalypse, but it sees

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Speaker 1: that humans will use it for the wrong thing and

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Speaker 1: it will kill humans. Nerd minute for sure, But does

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Speaker 1: that freak you out at all. Yeah. I was watching

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Speaker 1: this robot try to teach itself how to run, and

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Speaker 1: at first thing I asked to like crawl and its

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Speaker 1: slowly fit. It's running away and then it figures out

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Speaker 1: how to That's it's wild. Okay, I don't want to

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Speaker 1: freak everybody out, so let's end. I'm already freaked out

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Speaker 1: to something as we start the show that's pretty goofy

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Speaker 1: and funny. So Lunchbox called us salon. What did you

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Speaker 1: say to the salon? Lunchbox? Did I want to give

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Speaker 1: my mom a bikini wax? I want to come in and,

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Speaker 1: you know, give her a bikini wax. She had a

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Speaker 1: pool party coming up? Oh my mom? All right, here

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Speaker 1: we go. Here is Lunchbox calling a salon to see

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Speaker 1: if they would give us mom bikini wa Hi. I

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Speaker 1: was just calling because I want to give my mom

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Speaker 1: a bikini wax for Were you looking to get it

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Speaker 1: done today? Oh no, just later this week because she

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Speaker 1: has a pool party this weekend and she wants to

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Speaker 1: feel comfortable in her bikini. And are you okay with

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Speaker 1: anyone doing it? Or did you have a specific person

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Speaker 1: you want to to see? Oh? Yeah, I was gonna

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Speaker 1: do it. I just needed to I didn't know if

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Speaker 1: I needed to come early to set up or how

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Speaker 1: that works. Um, so we won't be able to have

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Speaker 1: you do it, but one of us, one of the

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Speaker 1: girls here to do it for her. Do you have

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Speaker 1: like a wax heater I could use, or and you

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Speaker 1: provide the wax? Or do I need to bring my

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Speaker 1: own wax? We have our own. Um, we're not able

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Speaker 1: to anything. Okay, perfect, that's that's even better that I mean,

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Speaker 1: that's good. That means the wax is there. I don't

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Speaker 1: have to bring any supplies. Um do I need to

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Speaker 1: come in? Like? Do I just wait in the room

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Speaker 1: and then you bring her in? Or do we just

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Speaker 1: walk in together? Um? So we're not able to have

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Speaker 1: you wax her. That can be a safety liability for us.

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Speaker 1: So we're not able to do that. No, I got

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Speaker 1: fifteen years of experience. I'm not gonna there's no liability.

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Speaker 1: I got fifteen years experience, Like my mom will vouch

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Speaker 1: for me. I'm really good at waxing her. I understand.

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Speaker 1: So we're just not able to do that for you.

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Speaker 1: The whole premise of that is disgusting. It's so funny though,

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Speaker 1: ye morning studio, They say, I'm emailing you this morning

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Speaker 1: because I needs some advice. About a month ago, I

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Speaker 1: was cleaning my boyfriend's apartment for him when I came

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Speaker 1: across a beautiful diamond engagement ring in his night table,

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Speaker 1: and I felt my heart melt. I figured he proposed

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Speaker 1: any moment because I found the ring. But it's been

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Speaker 1: over a month and still no proposal. Every time we

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Speaker 1: go out to dinner, I think this is it. The

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Speaker 1: anticipation is too much for me to handle at this point.

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Speaker 1: Should I confront him about finding the ring, I'd really

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Speaker 1: like to get started planning the wedding. Signed with quotation marks, Sarah.

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Speaker 1: Here's the thing, Sarah. I know it's super important for you,

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Speaker 1: but if he's holding onto the ring, you don't want

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Speaker 1: to run a possible surprise that he's been planning for you,

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Speaker 1: or the timing of something happening. Because he has put

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Speaker 1: so much thought into it. I can't imagine him buying it,

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Speaker 1: holding it for a month just to go. You know,

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Speaker 1: I'll do it when the wind hits just right. Something

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Speaker 1: is spinning in his head. Ninety percent of me goes

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Speaker 1: he's planning something, waiting for the time is right for

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Speaker 1: something ten percent of me, he says he don't know yet,

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Speaker 1: but that's only ten percent. And second of all, let's

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Speaker 1: be honest about you cleaning his place and getting in

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Speaker 1: his night table. You don't clean inside of a night table.

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Speaker 1: You were looking for that ring. Yeah, I'm sending you

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Speaker 1: eyeball emog's right now. But no, you don't say anything

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Speaker 1: to him. You don't even let him know. You don't

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Speaker 1: even let him know that you found it until at

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Speaker 1: least five years into the relationship because if he planned

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Speaker 1: something for you you, he wants it to be so special.

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Speaker 1: And you talk about peer pressure for a guy to

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Speaker 1: have to think about proposing now, because everything on Instagram

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Speaker 1: is crazy, people have big proposals, people crying, and people

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Speaker 1: will be like, there's pressure on a guy now, so

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Speaker 1: let him take the pressure. Hopefully that pressure and his

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Speaker 1: love for you will manifest into something that's that that

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Speaker 1: that you will always remember. Say nothing to him, thank you.

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Speaker 1: That's that's my advice. Amy. I agree, you can't say anything. Nope, Nope, nope,

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Speaker 1: I don't even know that you say a five years

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Speaker 1: in Gosh, that would be so hard. But I mean,

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Speaker 1: it's not your fault. You found it. It might mean

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Speaker 1: you snooping. I don't know that she nobody. You can't

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Speaker 1: prove that she was snooping. But yeah, I would just

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Speaker 1: be patient and it'll mean more too when you're really surprised.

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Speaker 1: So just trying not to think about it. But keep

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Speaker 1: your nails ready. That's the thing that is the whole.

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Speaker 1: Showing the ring that close is a little makes me

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Speaker 1: uncomfortable as a flex. Okay, so I don't think that

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Speaker 1: it's just for that, but the girl, it's like, not

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Speaker 1: for Instagram, but for family and friends. Oh, it's for

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Speaker 1: INSTAMU it's I get that you want to sit and

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Speaker 1: need a text message of your ring. Yeah, but it's

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Speaker 1: for Instagram. Everyone's also in person. Forget the pictures. Once

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Speaker 1: you get engaged, everyone is asking to see your hand.

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Speaker 1: And so you want your nails. If he sends you

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Speaker 1: to get your nails done, you know what's coming. By

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Speaker 1: the way, I don't do that. Yeah, you have her

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Speaker 1: like a range for her friends. Even then it's two.

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Speaker 1: You can't. You can't anybody that's coming to her at

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Speaker 1: this point going let's get your nails done. She knows

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Speaker 1: it's coming. Okay. The answer is, though you don't say

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Speaker 1: anything about it, right, guys, yea for all in the

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Speaker 1: same thing. We've got your that was about to cloth

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Speaker 1: Raymundo telling Amy what you saw at Starbucks. So I'm

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Speaker 1: in the Starbucks line. This is crazy, and apparently this

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Speaker 1: lady two people back was a medium, like a psychic,

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Speaker 1: and she goes, she goes to the dude in front

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Speaker 1: of me and says, did your father pass away? And

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Speaker 1: the guys just like kind of fluster and goes, uh, yeah, why,

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Speaker 1: and she goes he forgives you. I needed to tell

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Speaker 1: you that I'm a medium and he's in this uh

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Speaker 1: in Starbucks right now, and he wanted me to tell

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Speaker 1: you that. I'm so sorry, but I just felt the

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Speaker 1: urgent I needed to tell and it was is all

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Speaker 1: in front of everybody else, and so then other people

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Speaker 1: are probably looking around wondering who else is chilling this rest.

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Speaker 1: I think about that part of it. Isn't that crazy though,

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Speaker 1: So first of all, just that you see that is wild,

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Speaker 1: even if it's completely somebody that's kooky, is right. She

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Speaker 1: could do that to multiple people. And then she got

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Speaker 1: lucky because yeah, his dad had died, so did he

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Speaker 1: believe it? He was weirded out. By the whole thing.

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Speaker 1: He did say thank you, but and then I'm just so,

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Speaker 1: I guess the ghost was literally in Starbucks in the

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Speaker 1: line with us. Okay, just let me play Devil's advocate

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Speaker 1: here before we all go Cookie Cookie? What if she

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Speaker 1: really could? We can't prove she couldn't. I mean, she nailed.

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Speaker 1: His dada just died. And that's a tough one. You

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Speaker 1: can't just go up to someone to be like, hey,

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Speaker 1: do you know somebody with a you in their name?

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Speaker 1: That's tough. Yea, the dead we think I'm not. I

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Speaker 1: don't think so, but could be. I'm not a believer

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Speaker 1: in that either. However, I do leave a shred of

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Speaker 1: doubt because I don't know anything that I can't see

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Speaker 1: or touch or smell. Right, So did you believe it? Ray?

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Speaker 1: I did? And honestly, the guy what a relief his

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Speaker 1: dad forgave him. Did you ask the guy, hey, what

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Speaker 1: would you do? I should have? It's always a good reporter,

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Speaker 1: I would have. It's time for the good news. So

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Speaker 1: these two people, Joe and Julie, they met when they

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Speaker 1: were teenagers at church. Always had a little interest in

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Speaker 1: each other, but nothing happened till they got reacquainted in

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Speaker 1: their thirties, but even at that point, they just had

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Speaker 1: so much going on in their lives they never took

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Speaker 1: the time to tie the knot, get married, make it happen. Well, Now,

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Speaker 1: seventy five years old and seventy nine years old, they

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Speaker 1: finally tied the knot. Yeah, he has commitment issues. Huh No, No,

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Speaker 1: one day, I guess when they find things finally settled down.

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Speaker 1: They were caring for family members that were sick and

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Speaker 1: other ones. They had stuff going on work Joe. Joe

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Speaker 1: finally turned to Julie and said, you want to get married,

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Speaker 1: and she laughed and said, yeah, I thought you'd never ask.

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Speaker 1: So in front of two hundred loved ones who waited

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Speaker 1: a really long time to see this go down, they

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Speaker 1: watched them say I do. I guess the commitment issues. Good,

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Speaker 1: that's gonna be me and it Telly's only good, you know,

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Speaker 1: Bobby finally get married, set down, Amy good, I'm good.

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Speaker 1: All right, that's tell me something good. Good work there,

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Speaker 1: and good work to the couple after all those years

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Speaker 1: Joe and July sixty years they got married. That was

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Speaker 1: tell me something good. If you're feeling anxious, they say,

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Speaker 1: you should watch a TV show that you love to

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Speaker 1: watch when you were a kid, because anything nostalgic remind

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Speaker 1: you of a time when you felt secure. That's cool,

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Speaker 1: kind of relaxes you a bit and calms anxiety. I

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Speaker 1: do that when I sleep. I watched The Office every night,

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Speaker 1: not because I was a kid, but because it calms me.

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Speaker 1: I know what's gonna happen. I don't have to worry

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Speaker 1: about because if I'm watching a show and I'm like, cool,

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Speaker 1: wonder what's gonna happen next, I can't go to sleep.

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Speaker 1: Here is Linley from Texas. Here you go, Hey, morning Studios.

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Speaker 1: I was just had a random thought and I was

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Speaker 1: wondering if you could tell me if I made this

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Speaker 1: up or if y'all used to do this a really,

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Speaker 1: really long time ago. They used to go like, I

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Speaker 1: feel good, Oh I feel so good? Then I make

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Speaker 1: that up. Also, does Bobby have a belly button? A

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Speaker 1: long long time ago? There was a segment and I

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Speaker 1: swear he said he didn't have a belly button anyway.

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Speaker 1: Weird things to make you go. Okay, two things, you're

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Speaker 1: right about. Both of those. When when people used to

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Speaker 1: win a game like go, how do you feel and

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Speaker 1: their que was I feel good. Oh, I feel so good. Huh.

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Speaker 1: And then we keep going much the way that people

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Speaker 1: call and they go morning studio and we go morning

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Speaker 1: all together, just a little calling answer type things. But yes,

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Speaker 1: we used to do that, probably ten years ago. And

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Speaker 1: then I only have part of a belly button because

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Speaker 1: I have a scar from when I rubbed her my spleen.

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Speaker 1: They had to take it out. I have a scar

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Speaker 1: going from right below my stern I'm down to my

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Speaker 1: close to my pubybone, and it had to run through

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Speaker 1: my belly button. So I only have part of a

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Speaker 1: belly button. So both those are pretty accurate. Let me

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Speaker 1: see that good memory. Wait, look at that dude right there,

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Speaker 1: see it? Yeah, thank you. Um let's see here is

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Speaker 1: three kids from Buffalo, New York. Him from Buffalo, New York. Hi,

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Speaker 1: I'm Abby, Hi, Anna, Alex, mikemo Busill And it would

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Speaker 1: mean the world to her as you could shut up.

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Speaker 1: Happy birthday, Gale, Happy birthday Gale. That's awesome. All right.

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Speaker 1: Here's another one. Hey, Bobby, I'm getting married and I

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Speaker 1: need to pick a garter song, and everyone does the

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Speaker 1: magic Mike Pony song, and I really don't want to

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Speaker 1: use that. I've preferred to beat country, So if you

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Speaker 1: guys can help me out, i'd appreciate it. Well, there's

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Speaker 1: always honkey talk, but donkey don Oh, that's good if

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Speaker 1: you're looking for like a song that is dancy, goofy, sexy,

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Speaker 1: you know, honky donk, but don get don or. You

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Speaker 1: can just do anything up beat. You could do Blake

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Speaker 1: shelt and footloose, although you're not really good, but it's jumping.

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Speaker 1: So what about big and rich Save a Horse? Yeah,

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Speaker 1: that's pretty good one too. Let's do one more. Here

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Speaker 1: we go, last boy smell, Hey Bobby, how are you doing? Hey? Studio? Um,

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Speaker 1: I know that you guys have tattoos, or some of

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Speaker 1: you do. Um you think fifty is too old to

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Speaker 1: kind of look at getting your first tattoo right of

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Speaker 1: the show. Keep it up? Yeah, yeah, absolutely not. Don't

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Speaker 1: let other people's feelings about what they should do at

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Speaker 1: their age affect what you should do at your age.

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Speaker 1: These are just social constructs that people you want to

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Speaker 1: get a tattoo at fifty or seventy or sometimes people

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Speaker 1: like eighty and they get their first tattoo, have had it. Man.

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Speaker 1: The only thing you gotta worry about is how good

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Speaker 1: it makes you feel. It makes you feel good, go

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Speaker 1: to town, because who cares what everybody else thinks? So

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Speaker 1: go and get that old English written on your back

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Speaker 1: all the way across it says mack truck. Yeah, with

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Speaker 1: a bulldog face. Have had it, man, I could not

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Speaker 1: be more supportive of you. Who cares what age you are?

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Speaker 1: All right? There you go. Those are the voicemails. You

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Speaker 1: can leave us a voicemail anytime we're not on the air.

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Speaker 1: Eight seven, seven seventy seven, Bobbies, it's now time for

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Speaker 1: a segment. We call rejected segments. Rejected segments. So these

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Speaker 1: didn't make it, and I compile a bunch of them

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Speaker 1: and then I come on and read them. All. These

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Speaker 1: are ideas that people on the show have sent me.

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Speaker 1: And what inspired this was Lunchbox sent this. Bobby, we

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Speaker 1: need a lot keep your hair. Would you be willing

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Speaker 1: to let us sell your hair Abraham Lincoln's hair soul

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Speaker 1: for eighty one thousand dollars at an auction? This could

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Speaker 1: be some extra spending cash, Abe Lincoln. Yeah, I think

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Speaker 1: it would be great. People would go crazy to have

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Speaker 1: a locker your hair, and it would just be like

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Speaker 1: an extra ten thousand bucks. We'd make you know he's

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Speaker 1: not wrong. No chance, right, Eddie, He's not wrong, He's

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Speaker 1: very wrong. Nobody gives a crap about my hair. These

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Speaker 1: listeners would buy it now, they would, and that's why

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Speaker 1: it's a rejected segments. Here's another one. Eddie said this,

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Speaker 1: I had another crazy Dreamy we ever talked about dreams

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Speaker 1: on this show. Dreams never make it, he said, However,

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Speaker 1: this one was a good one, and if it ever

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Speaker 1: came true, I would start taking my dreams a little

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Speaker 1: more serious and believe that they were actually telling me things.

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Speaker 1: I dreamt. Blake and Gwynn broke up Save the Day.

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Speaker 1: You heard it here first, Yeah, what is the difference

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Speaker 1: between that and Raimundo come in and said I saw

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Speaker 1: a tweet. It may mean something else that it says

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Speaker 1: you had a dream. Yeah, guys, if but he saw

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Speaker 1: something in real life phones give it happens. You can

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Speaker 1: come back to this rejected segment and be like, wow,

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Speaker 1: Eddie did have that dream. Oh man, I had a dream.

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Speaker 1: Carry's gonna have another kid someday, So if it ever happened.

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Speaker 1: Okay had a train that you're gonna have to drinking

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Speaker 1: water today. See you're being dumb about I had to dream.

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Speaker 1: I can't even share right now. And this is a

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Speaker 1: segment that made it go ahead. Accepted segments. No, it's

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Speaker 1: more like a nightmare, and I hope it doesn't come true, Eddie,

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Speaker 1: all right, that's why it was a rejected segments. Here's

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Speaker 1: another one. RAYMONDO said, I may have found the creepiest

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Speaker 1: website of all time. Wait till you hear about it.

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Speaker 1: What is it? It's just called windows Swap. It's not

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Speaker 1: even that creepy it is. So he pulled broadcasts from

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Speaker 1: their houses, and like sometimes the window is in their

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Speaker 1: bedroom and so there's a live audio feed. So sometimes

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Speaker 1: people leave the camera on in and I think maybe

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Speaker 1: they're having fun in the morning before they go to

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Speaker 1: work or something like that. But you just go to it.

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Speaker 1: You can see cities across the globe other people's windows,

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Speaker 1: and I thought, maybe bones could do this in his

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Speaker 1: window and put it on the website. Well, that's why

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Speaker 1: it was a rejected segments. Here's one from Eddie. This

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Speaker 1: is terrible again. These are segments sent to me that

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Speaker 1: they want to talk about on the show. Ray is

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Speaker 1: trying to want to contest as an apartment complex. I

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Speaker 1: got a text from one of our friends that does videos.

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Speaker 1: He said that Ray hit him up over the weekend

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Speaker 1: asked him he could shoot a video of his apartment

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Speaker 1: for one hundred dollars. Ray said that he's trying to

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Speaker 1: win some open door contests that his apartment is having

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Speaker 1: and the prize will be a Visa gift card. Yeah,

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Speaker 1: too late, We already lost that. So did you try? Yeah? Absolutely,

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Speaker 1: And they picked a different guy. He lived with my parents,

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Speaker 1: I guess his family. So they went that route and

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Speaker 1: study just me in Bay. Okay, let's do one more.

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Speaker 1: Here's another one rejected segments. This one's from Eddie. It says,

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Speaker 1: is hey, you always said in a flirty way. This

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Speaker 1: is a good one. Okay, go ahead, then? Yeah, is

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Speaker 1: it is? There's a mom at my shouldn't have said that.

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Speaker 1: There's someone at some place. Every time she sees me,

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Speaker 1: she goes hey you, and I'm like, why don't you

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Speaker 1: just say hi? I feel like she's flirting with me,

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Speaker 1: So I want to ask you, guys, does that mean

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Speaker 1: she's flirting? Hey you? Hey you guys, listen, Hey you

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Speaker 1: I mean it, Hey you? I don't know that, he said,

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Speaker 1: she's not going hey you, She's going hey you, hey you.

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Speaker 1: How do we know she's not going hey you? And

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Speaker 1: Eddie's hearing it is hey. I wouldn't make that up.

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Speaker 1: She doesn't know your name and it's awkward. So she

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Speaker 1: just tries to say hey you. She like her left

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Speaker 1: before she says it. No's you're a wife around? When

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Speaker 1: she says never never if your wife's around, does she

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Speaker 1: not say that? I didn't notice. I will pay attention

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Speaker 1: next time, So do it again? What does she do?

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Speaker 1: Hey you? On borderline on this it can be funny.

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Speaker 1: It's like, hey you, Yeah, she does it all the time.

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Speaker 1: I really think she doesn't know your name. She's she's

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Speaker 1: just doing what Bobby does with Caitlin's dad. Hey, I

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Speaker 1: didn't say anything. It doesn't make eye contact and start talking.

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Speaker 1: That was rejected segments. It's time for the good news.

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Speaker 1: When Kaitlin was three months old, she was diagnosed with

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Speaker 1: cystic fibrosis with the problem with the lungs. So about

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Speaker 1: a year ago they said, listen, you need a double

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Speaker 1: lung transplant or you won't live another year. She had

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Speaker 1: a fiance. She was really down, but she was like,

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Speaker 1: I can do this. She moves to Dallas gets the

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Speaker 1: double lung transplant. A year later, she walks down the

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Speaker 1: aisleand has her fairytale wedding. A double transplant. That's wild amazing,

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Speaker 1: a double lung transplant, two new lungs and a husband. Yeah,

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Speaker 1: that's a good one there. That was tell me something good.

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Speaker 1: What's happened to friends? Let's go over to Amy now

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Speaker 1: with the morning Corny, Morning, Corny. What's the strongest vegetable?

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Speaker 1: What's the strongest vegetable? Muscle sprout, Morning, Corny. Caitlyn tell

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Speaker 1: told me that last night when I was sleeping, because

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Speaker 1: I talk in my sleep like crazy. And I haven't

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Speaker 1: been feeling great for a couple of days, and I've

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Speaker 1: been taking stuff to sleep better, and so I took

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Speaker 1: some mellowtone and I took some like CBD sleep stuff,

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Speaker 1: and so I've been talking. So when I sleep hard,

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Speaker 1: I talk. And she I woke up this morning for

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Speaker 1: us coming in and she goes, hey, um, so can

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Speaker 1: I tell you something? And I was like, oh great.

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Speaker 1: She never asked to tell me something. And I was like, yeah,

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Speaker 1: what's up? She goes, when you talk in your sleep,

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Speaker 1: you talk like a girl. What are you saying I

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Speaker 1: don't know, but she's always like, I'm like girl, like

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Speaker 1: apparently my sleep talking voice is like a girl. How

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Speaker 1: about that? Okay? I don't know if that the tone

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Speaker 1: was girly or the topic was a girly possibly both

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Speaker 1: on with us right now. It is Amanda from Gainesville, Florida. Amanda,

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Speaker 1: how are you doing good? Bobby? How are you guys

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Speaker 1: doing We're doing pretty good. We appreciate you talking with us.

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Speaker 1: What's going on with you? So? I have a two

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Speaker 1: year old his name from Morgan, and he goes to

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Speaker 1: daycare and I love the daycare and they're really helpful.

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Speaker 1: But the past couple of times that I picked him up,

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Speaker 1: he has had a dirty diaper and like a little

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Speaker 1: dirtier than normal, like it's been there for a while.

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Speaker 1: And I love them, I really do. And I don't

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Speaker 1: want to say something because it's like, it's my kid,

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Speaker 1: I should change his diaper, But at the same time,

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Speaker 1: like I don't want him to be sitting in a

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Speaker 1: pee and pooper very long. So I just don't know

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Speaker 1: if I should say something, and if I should say something,

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Speaker 1: like what should I say? Well, let the parents go first, Eddie,

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Speaker 1: you have young kids. I don't do daycare, so I

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Speaker 1: don't know what the protocol is if they are supposed

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Speaker 1: to do diapers, but I figure you got something you need.

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Speaker 1: Did they do diapers, Amanda? Oh yeah, oh yeah, they

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Speaker 1: lifted out on the paper for me. What time they

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Speaker 1: changed his diaper and everything? But the past couple of times,

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Speaker 1: I haven't gotten a sheet lunchbox. Listen, I go to daycare.

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Speaker 1: My kid goes to daycare, and I feel like, this

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Speaker 1: is your daycare. Let me tell you. If I pick

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Speaker 1: up my kid and it's got a dirty diaper, I say,

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Speaker 1: excuse me, do you not smell the poop in his diaper? Like?

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Speaker 1: How long has that been there? Can we get a

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Speaker 1: change before we go home? Playing? And simple? You just

400
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Speaker 1: let them know because then they're like, oh, they noticed

401
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Speaker 1: the poop and the diaper, because you not want to

402
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Speaker 1: put the kid in the car seat with poop and

403
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Speaker 1: his diaper and you're not going to change him right

404
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Speaker 1: there on the sidewalk. So you just straight up saying,

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Speaker 1: excuse me. I know you got things going on, but

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Speaker 1: there's pooping this diaper. Did you not notice? I guess

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Speaker 1: that I would worry if I did that. They wouldn't

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Speaker 1: treat my kid as good. That's what she's worried about. Like,

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Speaker 1: that's what I would really I would never go and

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Speaker 1: do that because I would be like, when I'm gone,

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Speaker 1: they won't treat my kid as good. Okay, what if

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Speaker 1: you don't say in that manner, how would you say? Then?

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Speaker 1: I would say, Hey, the past few times I picked

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Speaker 1: up my son, I've just noticed that there's been a

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Speaker 1: dirty diaper. Is can we just make sure he's being changed? Like,

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Speaker 1: I don't know protocol, I'm not trying to tell anybody

417
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Speaker 1: how to do their job. But I also haven't gotten

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Speaker 1: my sheet lately, and I'm supposed to get a sheet. Okay,

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Speaker 1: this is what I would say. I don't because this

420
00:22:23,240 --> 00:22:25,080
Speaker 1: is how diplomatically I would do it and make it work.

421
00:22:25,080 --> 00:22:27,600
Speaker 1: I would go to them and say, hey, daycare, my

422
00:22:27,640 --> 00:22:30,080
Speaker 1: son's having been having some stomach issues lately where he's

423
00:22:30,080 --> 00:22:31,840
Speaker 1: been pooping a lot more. If you guys could pay

424
00:22:31,840 --> 00:22:33,359
Speaker 1: a little more attention to his diaper, that would be.

425
00:22:33,359 --> 00:22:34,720
Speaker 1: It would help me so much because he's been a

426
00:22:34,760 --> 00:22:37,520
Speaker 1: little That way, you're not putting it on them for

427
00:22:37,840 --> 00:22:41,480
Speaker 1: doing something wrong in the past. You still have them

428
00:22:41,480 --> 00:22:43,840
Speaker 1: looking for it and tell them, hey, sorry, when I

429
00:22:43,840 --> 00:22:45,919
Speaker 1: pick him up, he's he's had in his diaper, but

430
00:22:46,119 --> 00:22:47,720
Speaker 1: you know that he's just not been well. Can you

431
00:22:47,720 --> 00:22:50,240
Speaker 1: guys just watch him a little closer. I think that

432
00:22:50,400 --> 00:22:53,480
Speaker 1: fix it without making them starve your kids. Now you're

433
00:22:53,520 --> 00:23:01,440
Speaker 1: blaming it on the baby difference. He's like, it's it's

434
00:23:01,440 --> 00:23:04,480
Speaker 1: the baby, it's not you, Amanda. What do you think

435
00:23:04,480 --> 00:23:07,000
Speaker 1: about that advice we kind of gave you. I think

436
00:23:07,080 --> 00:23:10,280
Speaker 1: that's awesome. I mean, for not having kids, that's great.

437
00:23:10,119 --> 00:23:13,680
Speaker 1: And of course Bobby knows everything. We're not having kids,

438
00:23:13,680 --> 00:23:16,000
Speaker 1: we're not being married, we're not his eggs were everywhere.

439
00:23:17,280 --> 00:23:19,240
Speaker 1: Bobby's gonna write a how to book for how to

440
00:23:19,280 --> 00:23:21,119
Speaker 1: do everything I don't even really have to do. But

441
00:23:21,160 --> 00:23:27,119
Speaker 1: I mean, it was a hater answer that question. Not

442
00:23:27,200 --> 00:23:29,200
Speaker 1: a hater, but he did blame it on your baby.

443
00:23:29,280 --> 00:23:31,600
Speaker 1: But the baby don't know, and the baby's gonna get

444
00:23:31,680 --> 00:23:34,880
Speaker 1: better care because of that. The baby probably didn't care.

445
00:23:35,119 --> 00:23:36,840
Speaker 1: He'd be like, hey, little Herbie, how do you feel

446
00:23:36,840 --> 00:23:39,880
Speaker 1: if I do this? Little Herbie be like, well, then

447
00:23:39,880 --> 00:23:42,320
Speaker 1: what if they're like, oh, if your baby's having stomach issues,

448
00:23:42,400 --> 00:23:45,000
Speaker 1: we can't have him in the daycare? Like it's not sick. Okay,

449
00:23:47,640 --> 00:23:50,280
Speaker 1: sometimes just going to be blunt though, and then if

450
00:23:50,280 --> 00:23:52,199
Speaker 1: they keep doing it, then you probably do lunchbox or

451
00:23:52,200 --> 00:23:54,680
Speaker 1: then just pull them out go somewhere else. But I say,

452
00:23:54,920 --> 00:23:59,320
Speaker 1: you need to diplomatically approach, not just this situation, any situation.

453
00:23:59,800 --> 00:24:03,720
Speaker 1: I look for this method, start to look how you

454
00:24:03,760 --> 00:24:07,640
Speaker 1: handle me. You don't want to know that. That's many

455
00:24:07,720 --> 00:24:13,000
Speaker 1: years of studying. Oh yeah, to go home and practice

456
00:24:13,160 --> 00:24:14,600
Speaker 1: more than a baby. I look in the mirror all

457
00:24:14,600 --> 00:24:17,320
Speaker 1: the time at night. I'm like Amy, and I just

458
00:24:17,359 --> 00:24:23,040
Speaker 1: tried different tones. All right, Well, Amanda, hope you gained

459
00:24:23,080 --> 00:24:25,800
Speaker 1: something from this experience. She could send this clip to

460
00:24:25,800 --> 00:24:27,239
Speaker 1: the daycare say, hey, do you guys listen to buy

461
00:24:27,280 --> 00:24:32,119
Speaker 1: a bone? You were on the radiots Amanda? If you

462
00:24:32,920 --> 00:24:35,800
Speaker 1: if you approach this, however, will you let us know

463
00:24:35,920 --> 00:24:39,159
Speaker 1: how it turns out? I will, yes, I will. All

464
00:24:39,240 --> 00:24:43,720
Speaker 1: right there she is Amanda in Gainesville, Florida. So Amy,

465
00:24:43,720 --> 00:24:46,280
Speaker 1: haven't done a prank call in how many years? I mean,

466
00:24:46,320 --> 00:24:48,000
Speaker 1: it's been a long time. I feel like the last

467
00:24:48,000 --> 00:24:50,960
Speaker 1: time I did anything like pranky was when I wore

468
00:24:50,960 --> 00:24:54,640
Speaker 1: a mic to the mall and would go into shops

469
00:24:54,840 --> 00:24:56,639
Speaker 1: and Lundbox would tell me what to say, and I

470
00:24:56,680 --> 00:24:59,280
Speaker 1: would go in and say something funny. I hear her.

471
00:24:59,359 --> 00:25:01,399
Speaker 1: We did at eternity store ones, I think, but I

472
00:25:01,440 --> 00:25:04,600
Speaker 1: wasn't pregnant, but I wanted to buy maternity jeans. I

473
00:25:04,640 --> 00:25:06,520
Speaker 1: don't know. I think this is the last time I

474
00:25:06,560 --> 00:25:09,360
Speaker 1: did it, and that was maybe two thousand and eleven.

475
00:25:09,440 --> 00:25:11,439
Speaker 1: And that wasn't even a call. Now, that was an

476
00:25:11,480 --> 00:25:13,960
Speaker 1: in person prank. Well, all right, here we go. This

477
00:25:14,000 --> 00:25:16,600
Speaker 1: is Eddie. You heard this. No, this is Amy calling

478
00:25:16,600 --> 00:25:18,920
Speaker 1: a grocery store asking for some help with their milkbone cookie,

479
00:25:18,960 --> 00:25:21,960
Speaker 1: saying that her kids can't chew them. She tried soaking

480
00:25:22,080 --> 00:25:24,439
Speaker 1: the milk. It's still not working. You get it, dogs,

481
00:25:24,720 --> 00:25:29,240
Speaker 1: All right, let's see how it goes. I have a

482
00:25:29,320 --> 00:25:32,800
Speaker 1: question about the milkbone cookies that you sell. The milk

483
00:25:33,160 --> 00:25:36,000
Speaker 1: cookies like dogs. Well, no, I've been feeding them to

484
00:25:36,040 --> 00:25:39,440
Speaker 1: my kids and they're really hard. Milkone yeah, yeah yeah,

485
00:25:39,440 --> 00:25:42,800
Speaker 1: And I was soaking them in milk to make them soft.

486
00:25:42,840 --> 00:25:45,080
Speaker 1: But they're still hard and my kids can't chew them.

487
00:25:45,080 --> 00:25:47,400
Speaker 1: Milk bone cookie, Yeah, I bought them from your store

488
00:25:47,440 --> 00:25:49,239
Speaker 1: and my kids can't chew them. I don't know if

489
00:25:49,240 --> 00:25:52,000
Speaker 1: I'm doing it wrong, like I'm soaking them in whole

490
00:25:52,040 --> 00:25:56,120
Speaker 1: milk right now. But I could do almond milk, I guess. Yeah. So,

491
00:25:56,359 --> 00:25:58,240
Speaker 1: and you're telling me that the name of them is

492
00:25:58,280 --> 00:26:02,479
Speaker 1: called milkbone. Milkbone, yes, ma'am. The only thing, but the

493
00:26:02,480 --> 00:26:06,840
Speaker 1: only thing I know milkbone is for dog biscuits. Dog biscuits, yes, ma'am.

494
00:26:06,880 --> 00:26:09,119
Speaker 1: Is it a red box? But well yeah, it's a

495
00:26:09,160 --> 00:26:11,480
Speaker 1: red box all right? But you can't. I can't feed

496
00:26:11,520 --> 00:26:13,639
Speaker 1: them to my kids, all right, ma'am. I'm gonna go, Okay,

497
00:26:13,720 --> 00:26:18,600
Speaker 1: do you have a wonderful thing that's pretty good? Pretty good?

498
00:26:19,080 --> 00:26:22,200
Speaker 1: I laughed like you did laugh. She didn't get yourself

499
00:26:22,240 --> 00:26:24,440
Speaker 1: laughing at one point, I know. And that's like when

500
00:26:24,480 --> 00:26:27,680
Speaker 1: you're pranking, you gotta hold it together. So then Lunchbox

501
00:26:27,800 --> 00:26:29,679
Speaker 1: jumps on and calls the guy back as her husband.

502
00:26:29,720 --> 00:26:34,639
Speaker 1: Oh yeah, can I help you? Oh yeah, man, my

503
00:26:34,680 --> 00:26:37,359
Speaker 1: wife just called about the milkbone cookies and she said

504
00:26:37,400 --> 00:26:39,280
Speaker 1: you hung up on her. No, I didn't hang out

505
00:26:39,320 --> 00:26:42,040
Speaker 1: with her. Oh well, I guess she got confused. So

506
00:26:42,080 --> 00:26:44,520
Speaker 1: she yeah, she just chipped her tooth on one of

507
00:26:44,520 --> 00:26:47,760
Speaker 1: the milkbone cookies, and she's like, I bought cookies and

508
00:26:47,840 --> 00:26:50,239
Speaker 1: there put them in the cookie jar and bring them

509
00:26:50,280 --> 00:26:51,920
Speaker 1: back with me in a little talking person with which

510
00:26:51,920 --> 00:26:53,520
Speaker 1: you'll take care of the best way we can do.

511
00:26:53,600 --> 00:26:56,280
Speaker 1: We bring the tooth in also, sure? Why not? I mean,

512
00:26:56,520 --> 00:26:57,840
Speaker 1: do you have a dinnist? Do you guys have a

513
00:26:57,880 --> 00:26:59,520
Speaker 1: company dinnis that you're gonna send us to? How do

514
00:26:59,560 --> 00:27:01,640
Speaker 1: we get this fixed? Sir? Just come on and we'll

515
00:27:01,680 --> 00:27:04,639
Speaker 1: talk to you. Then he's onto your game. I feel

516
00:27:05,119 --> 00:27:07,359
Speaker 1: I feel like he's onto you. And now did you

517
00:27:07,359 --> 00:27:12,359
Speaker 1: have Morgan? Number two calls the daughter exactly, the whole

518
00:27:12,359 --> 00:27:16,040
Speaker 1: family calls all of us. The mailman, Ray calls and

519
00:27:16,040 --> 00:27:17,760
Speaker 1: that's not the mailman. And it's true. I just walk by.

520
00:27:18,240 --> 00:27:25,199
Speaker 1: It's time for the good news. Good I saw this

521
00:27:25,200 --> 00:27:31,080
Speaker 1: one this morning. Rachel Lapierre won thousand bucks a week lottery. Wow.

522
00:27:31,400 --> 00:27:34,480
Speaker 1: Every week she wents a thousand dollars. I'm jealous, right,

523
00:27:34,920 --> 00:27:37,560
Speaker 1: And so she's not kept a single check for herself.

524
00:27:37,600 --> 00:27:40,720
Speaker 1: She's giving it to charity every week. She says this,

525
00:27:40,720 --> 00:27:45,040
Speaker 1: This humanitarian organization which she funds the lottery winnings, aims

526
00:27:45,040 --> 00:27:47,240
Speaker 1: to promote good deeds. So every time she gets a

527
00:27:47,280 --> 00:27:50,200
Speaker 1: check she gives it. Wow, what a thousand bucks? A winks?

528
00:27:50,640 --> 00:27:52,840
Speaker 1: She got that mailbox money, Go ahead, leuch box. I mean,

529
00:27:52,880 --> 00:27:54,760
Speaker 1: I don't understand why you even play the lottery. Then

530
00:27:54,800 --> 00:27:57,040
Speaker 1: if you're not going to enjoy the reward, and maybe

531
00:27:57,040 --> 00:27:59,639
Speaker 1: it does bring her joy to give it away. What

532
00:27:59,720 --> 00:28:02,199
Speaker 1: if the reward is actually helping other people? Right, but

533
00:28:02,320 --> 00:28:05,399
Speaker 1: you gotta help yourself too. Whatever on that money. What

534
00:28:05,440 --> 00:28:07,520
Speaker 1: if she feels like she's in a good place, Yeah,

535
00:28:07,600 --> 00:28:10,040
Speaker 1: she could we get a better place. Give one a

536
00:28:10,119 --> 00:28:13,760
Speaker 1: month and take the other three for yourself. That's pretty nice.

537
00:28:13,880 --> 00:28:16,960
Speaker 1: I'll pass that along to her. But anyway, Rachel Lapierre

538
00:28:17,000 --> 00:28:18,880
Speaker 1: a thousand bucks a week and she donates to help

539
00:28:18,920 --> 00:28:21,560
Speaker 1: other people. I think that's pretty fantastic. And that is

540
00:28:21,600 --> 00:28:24,640
Speaker 1: a tell me something good right there. That was tell

541
00:28:24,720 --> 00:28:32,280
Speaker 1: me something good on the Bobby Bones Show. Now, So Clay, hey,

542
00:28:32,440 --> 00:28:34,600
Speaker 1: brother's so good to be here. It's good. It's I'm

543
00:28:34,640 --> 00:28:36,399
Speaker 1: glad to have you here. If we go back to

544
00:28:36,680 --> 00:28:39,440
Speaker 1: nineteen ninety three, your first number one, what's it to you? Like?

545
00:28:39,520 --> 00:28:41,640
Speaker 1: Why was that put out of the first single? Like? Well,

546
00:28:41,960 --> 00:28:45,000
Speaker 1: what were you thinking? Well, it was gonna be dreaming

547
00:28:45,000 --> 00:28:48,240
Speaker 1: with my eyes open? And we we did back then

548
00:28:48,280 --> 00:28:52,440
Speaker 1: what's called radio showcases, you know where different radio stations

549
00:28:52,440 --> 00:28:55,040
Speaker 1: from around the country would come into one single place

550
00:28:55,040 --> 00:28:58,320
Speaker 1: like Dallas or you know, and they listened to all

551
00:28:58,320 --> 00:29:00,560
Speaker 1: the all the songs, and the new record played them

552
00:29:00,560 --> 00:29:03,120
Speaker 1: all in and when we would do What's It to You,

553
00:29:03,840 --> 00:29:07,800
Speaker 1: we were seeing, you know, the industry people, the gatekeepers

554
00:29:07,840 --> 00:29:10,440
Speaker 1: stand up and cheer, and we were like, hey, maybe

555
00:29:10,440 --> 00:29:12,920
Speaker 1: it should be What's It to You? And of course

556
00:29:13,080 --> 00:29:15,040
Speaker 1: the rest is history. You're telling me that you would

557
00:29:15,040 --> 00:29:16,560
Speaker 1: play that song from a tape or a city people

558
00:29:16,560 --> 00:29:20,320
Speaker 1: would stand up and cheer. We've lost all emotions. No, no,

559
00:29:20,320 --> 00:29:26,200
Speaker 1: now listen, Oh you do? You got a standing ovation

560
00:29:26,280 --> 00:29:30,080
Speaker 1: from a CD or a tape? That crazy, That's amazing.

561
00:29:30,400 --> 00:29:32,120
Speaker 1: I'm gonna put it out of a single. Two. Not

562
00:29:32,280 --> 00:29:34,479
Speaker 1: everybody can be Bobby Bone. Honey, You'll never You'll never

563
00:29:34,520 --> 00:29:36,040
Speaker 1: believe this. I play was It to You? On tape?

564
00:29:36,120 --> 00:29:40,440
Speaker 1: The whole room stood up, all right, all right? What uh?

565
00:29:40,640 --> 00:29:42,959
Speaker 1: Nineteen ninety three? This is your first ever number one?

566
00:29:43,080 --> 00:29:44,360
Speaker 1: Would you give us a little bit of What's It

567
00:29:44,400 --> 00:29:46,520
Speaker 1: to you? Sure? Let's see we stand up a chever

568
00:29:48,000 --> 00:30:02,240
Speaker 1: No pressure, no pressure? What's that? Hi here angel singing

569
00:30:02,880 --> 00:30:09,120
Speaker 1: telling me to make my move? Listen to it. Their

570
00:30:09,240 --> 00:30:13,280
Speaker 1: voice is ringing baby. If you feel it, get in

571
00:30:13,440 --> 00:30:18,480
Speaker 1: the groom. Love is a rhythm of too heart beating,

572
00:30:18,880 --> 00:30:24,720
Speaker 1: pounding out a message, steady and true. Talk to me, baby,

573
00:30:25,160 --> 00:30:28,960
Speaker 1: tell me what you're feeling. I know what love is.

574
00:30:29,480 --> 00:30:33,320
Speaker 1: What's it to you? I love that? Yeah, I head,

575
00:30:33,360 --> 00:30:35,920
Speaker 1: bones of I can't stand up when you know Bobby

576
00:30:35,960 --> 00:30:39,440
Speaker 1: would start me out on the highest song first, right,

577
00:30:40,200 --> 00:30:47,400
Speaker 1: but now you can lose. Um, let's go. I'm interested

578
00:30:47,520 --> 00:30:49,640
Speaker 1: in if I can make a living because Alan Jackson

579
00:30:49,720 --> 00:30:52,360
Speaker 1: wrote that song, right yeah, And so how do you

580
00:30:52,480 --> 00:30:56,479
Speaker 1: get an Allen Jackson song? And why didn't Allen Jackson

581
00:30:56,560 --> 00:31:00,520
Speaker 1: record it because it's such a jam. Well, here's the

582
00:31:00,640 --> 00:31:05,120
Speaker 1: thing too, and we get as songwriters you never really know,

583
00:31:05,840 --> 00:31:07,800
Speaker 1: you know, if every song your write's going to be

584
00:31:07,840 --> 00:31:09,720
Speaker 1: a hit, you know, and they're not all hits, but

585
00:31:10,720 --> 00:31:12,720
Speaker 1: you demo them. You In other words, you might you

586
00:31:12,800 --> 00:31:15,040
Speaker 1: write a song and then you have something to record

587
00:31:15,080 --> 00:31:17,320
Speaker 1: it with and you have it there so you can

588
00:31:17,400 --> 00:31:20,680
Speaker 1: remember it. And he wrote this song with another with

589
00:31:20,760 --> 00:31:22,680
Speaker 1: a couple of other writers, one of them me and

590
00:31:22,800 --> 00:31:24,640
Speaker 1: Keith Steve All who was his producer at the time

591
00:31:24,720 --> 00:31:29,280
Speaker 1: still is and uh so whatever Alan decided, Hey, these

592
00:31:29,320 --> 00:31:30,800
Speaker 1: are my best songs. I'm not going to put these

593
00:31:30,840 --> 00:31:35,080
Speaker 1: other ones on my CD or on my album. Those

594
00:31:35,240 --> 00:31:38,760
Speaker 1: get pitched out to other artists. And so I heard

595
00:31:38,800 --> 00:31:41,520
Speaker 1: the song and it's Alan's voice on it, and my

596
00:31:41,720 --> 00:31:44,120
Speaker 1: producer at the time, James Stroud, played it from me

597
00:31:44,160 --> 00:31:46,040
Speaker 1: and he goes, I go, I don't know, Like I said, James,

598
00:31:46,120 --> 00:31:49,040
Speaker 1: that's a smash. That's a mega smash, you know. And

599
00:31:49,280 --> 00:31:51,000
Speaker 1: I'm a writer and I write a lot of my

600
00:31:51,120 --> 00:31:55,000
Speaker 1: own songs, and that song resonated with me, and I said,

601
00:31:55,040 --> 00:31:56,520
Speaker 1: not only is it a smash I wanted as a

602
00:31:56,560 --> 00:31:59,920
Speaker 1: first single and the album title. And so Alan jack

603
00:32:00,160 --> 00:32:04,400
Speaker 1: and played in my hometown of Beaumont on the show,

604
00:32:05,040 --> 00:32:07,400
Speaker 1: and he actually knows I'm from there, I guess, and

605
00:32:07,520 --> 00:32:09,720
Speaker 1: he played if I can make a living. The police

606
00:32:09,760 --> 00:32:11,400
Speaker 1: went crazy, you know. I had friends at what the

607
00:32:11,400 --> 00:32:13,080
Speaker 1: concert and he said, you're not gonna believe this, you know,

608
00:32:13,400 --> 00:32:15,440
Speaker 1: how can he do that? Or go, well, he wrote it,

609
00:32:15,600 --> 00:32:21,280
Speaker 1: he can do it, because it's It happened a bit

610
00:32:21,320 --> 00:32:23,360
Speaker 1: with Stapleton for a bunch of years here, not so

611
00:32:23,480 --> 00:32:26,080
Speaker 1: much now, but he would just as a songwriter in town,

612
00:32:26,320 --> 00:32:28,280
Speaker 1: but his voice would be on the track on the

613
00:32:28,360 --> 00:32:30,960
Speaker 1: on the demo, and it makes it sound even better

614
00:32:31,080 --> 00:32:33,760
Speaker 1: when Stapleton singing it. I wonder if, when Alan Jackson

615
00:32:33,880 --> 00:32:35,280
Speaker 1: was singing the demo for a little bit, that it

616
00:32:35,320 --> 00:32:39,360
Speaker 1: was Alan Jackson singing it. You're like, dang, this is cool. No.

617
00:32:39,840 --> 00:32:42,760
Speaker 1: I was like, I certainly can't sing it better than him.

618
00:32:43,640 --> 00:32:46,400
Speaker 1: But hopefully no one ever hears Alan sing it. You know, Um,

619
00:32:46,480 --> 00:32:48,479
Speaker 1: if I can make a living from nineteen ninety four

620
00:32:48,640 --> 00:32:50,320
Speaker 1: Clay Walkers here he gets a little bit of that one.

621
00:32:50,640 --> 00:32:54,760
Speaker 1: Oh yeah, If I can make a living love you,

622
00:32:55,440 --> 00:32:58,760
Speaker 1: I'd be there in a week or two. I'd been

623
00:32:58,840 --> 00:33:01,160
Speaker 1: doing what I love and love and want to do.

624
00:33:01,720 --> 00:33:07,560
Speaker 1: I can make a living out of loving you. Early

625
00:33:07,760 --> 00:33:10,960
Speaker 1: every morning when the sun comes up, I'm punching that

626
00:33:11,200 --> 00:33:15,000
Speaker 1: clock on the wall. I'm breaking my back just to

627
00:33:15,240 --> 00:33:19,280
Speaker 1: make a buck. I'm wishing that was in your arms.

628
00:33:21,080 --> 00:33:23,520
Speaker 1: If I can make a living out of loving you,

629
00:33:24,200 --> 00:33:27,360
Speaker 1: I'd be a millionaire in a week or two. I've

630
00:33:27,400 --> 00:33:29,920
Speaker 1: been doing what I love and love and want to do.

631
00:33:30,520 --> 00:33:34,720
Speaker 1: I can make a living out of loving you. Yeah,

632
00:33:35,000 --> 00:33:38,720
Speaker 1: that's awesome. That's three chords in the truth of Bobby's

633
00:33:38,720 --> 00:33:40,240
Speaker 1: a little bit easier than what's into you. You know,

634
00:33:41,120 --> 00:33:43,280
Speaker 1: all right, clay Walker is here. Let's do it more

635
00:33:43,280 --> 00:33:46,120
Speaker 1: before take a break, Let's do let's go nineteen ninety four.

636
00:33:46,960 --> 00:33:50,920
Speaker 1: This woman and this man kind of our first ballady

637
00:33:51,040 --> 00:33:53,840
Speaker 1: song that we're gonna do here, like clay Walker getting

638
00:33:53,840 --> 00:33:55,880
Speaker 1: a little lovey dovey. How you feel about putting out

639
00:33:55,880 --> 00:33:59,320
Speaker 1: a song like this exactly the way you just described it?

640
00:33:59,400 --> 00:34:04,840
Speaker 1: You know, these big ballads have always been where my

641
00:34:05,000 --> 00:34:07,280
Speaker 1: heart is, you know. I mean, I love country music period,

642
00:34:07,320 --> 00:34:09,200
Speaker 1: but man, you get to sing a song like this one.

643
00:34:16,560 --> 00:34:19,640
Speaker 1: I've been trying so hard just to talk to you,

644
00:34:20,719 --> 00:34:30,560
Speaker 1: having heard half of what you want me to. I've

645
00:34:30,640 --> 00:34:34,799
Speaker 1: heard so bad over where we've been. Don't know how

646
00:34:34,960 --> 00:34:45,840
Speaker 1: I'm not to go back there again. I know what

647
00:34:46,040 --> 00:34:51,759
Speaker 1: I want to say. Can I get it through to

648
00:34:52,000 --> 00:34:57,799
Speaker 1: you now in some other way? Like there was this warmer,

649
00:34:59,320 --> 00:35:03,919
Speaker 1: I never is this man. It was a small moment.

650
00:35:04,120 --> 00:35:08,480
Speaker 1: They had a chance to hold only what they had.

651
00:35:09,160 --> 00:35:16,359
Speaker 1: How could they be so up? You still never see? Now?

652
00:35:16,560 --> 00:35:22,000
Speaker 1: The thing could be said, then this woman, this woman

653
00:35:22,320 --> 00:35:31,040
Speaker 1: and this man am that's awesome? Man. That might be

654
00:35:31,160 --> 00:35:34,920
Speaker 1: my favorite. That might that might be my favorite. It

655
00:35:35,120 --> 00:35:38,400
Speaker 1: is mine that I love doing that song every night?

656
00:35:38,600 --> 00:35:40,920
Speaker 1: You know, it's just got a soulfulness. Stood where does

657
00:35:40,960 --> 00:35:45,120
Speaker 1: that go on the set list? It goes near the end.

658
00:35:46,000 --> 00:35:48,200
Speaker 1: But I've been the last few shows that we did,

659
00:35:48,280 --> 00:35:51,560
Speaker 1: which has been a minute. Um, we've ended the night

660
00:35:51,640 --> 00:35:55,440
Speaker 1: with that song, and my agent, Nick Minama said, now,

661
00:35:55,440 --> 00:35:57,040
Speaker 1: I think that it just blew people's mind. If you

662
00:35:57,080 --> 00:35:58,799
Speaker 1: just do this one last, I'm like, we always end

663
00:35:58,840 --> 00:36:01,839
Speaker 1: on an up tempo. We started ending with that song

664
00:36:01,960 --> 00:36:04,280
Speaker 1: right there, and it was like anybody's walking out crying

665
00:36:09,760 --> 00:36:14,040
Speaker 1: on the Bobby Bones Show. Now, well, I'm a friend.

666
00:36:14,400 --> 00:36:16,200
Speaker 1: We're now the second segment where we're gonna do a

667
00:36:16,200 --> 00:36:17,840
Speaker 1: couple of things. We're gonna play a couple more requests

668
00:36:17,880 --> 00:36:20,080
Speaker 1: from me because that's I'm very selfish when it comes

669
00:36:20,080 --> 00:36:22,560
Speaker 1: to when it comes to people that I loved listening

670
00:36:22,640 --> 00:36:24,920
Speaker 1: to like it. Let's just me, me, me, this is

671
00:36:24,920 --> 00:36:26,400
Speaker 1: the only time I really get to be selfish at

672
00:36:26,440 --> 00:36:27,640
Speaker 1: this job. And tell me if this is true. I

673
00:36:27,719 --> 00:36:31,080
Speaker 1: used to work at Super eight motel and you're doing music,

674
00:36:31,239 --> 00:36:33,279
Speaker 1: but you decided to after your shift to go to

675
00:36:33,400 --> 00:36:35,560
Speaker 1: a local radio station and drop off the tape that

676
00:36:35,640 --> 00:36:37,800
Speaker 1: happened It's true? Yes, okay? So and what was on

677
00:36:37,880 --> 00:36:42,560
Speaker 1: that tape? A song that I've written the DJU. You

678
00:36:42,640 --> 00:36:44,600
Speaker 1: want the whole story, just yeah, give me the story.

679
00:36:44,840 --> 00:36:49,160
Speaker 1: So I was working the graveyard shift and it was slow,

680
00:36:49,239 --> 00:36:52,000
Speaker 1: and so the radio station was probably three miles from

681
00:36:52,040 --> 00:36:54,520
Speaker 1: the Super eight. So I got in the car and

682
00:36:54,680 --> 00:36:57,400
Speaker 1: drove down there and I knocked on the door and

683
00:36:57,600 --> 00:36:59,920
Speaker 1: nobody answered. So I went around the other side of

684
00:36:59,920 --> 00:37:02,000
Speaker 1: the building. I knocked on the window, and then I

685
00:37:02,080 --> 00:37:03,759
Speaker 1: guess I climbed up on the side of the wall

686
00:37:03,800 --> 00:37:05,600
Speaker 1: and there was like a little bitty tiny window. It

687
00:37:05,680 --> 00:37:08,640
Speaker 1: was kighty ninety seven KYD and I started banging on

688
00:37:08,719 --> 00:37:10,680
Speaker 1: this one window and that was the actual to the

689
00:37:11,200 --> 00:37:14,160
Speaker 1: where the guy was, you know, DJ and his name

690
00:37:14,239 --> 00:37:18,520
Speaker 1: is Gary Hayes, And I guess he finally heard me,

691
00:37:18,600 --> 00:37:20,200
Speaker 1: and he came around to the door and it's like

692
00:37:20,680 --> 00:37:24,040
Speaker 1: two in the morning, three in the morning. He does

693
00:37:24,120 --> 00:37:25,840
Speaker 1: the door when real fast, you know, he goes what

694
00:37:26,560 --> 00:37:28,799
Speaker 1: And I'm like terrified. You know, this big old guy,

695
00:37:28,880 --> 00:37:32,520
Speaker 1: you big big guy, And he goes up, what do

696
00:37:32,600 --> 00:37:34,680
Speaker 1: you want? And I'm standing there with this little real

697
00:37:34,719 --> 00:37:37,120
Speaker 1: to real back then it was you made this and

698
00:37:37,200 --> 00:37:39,920
Speaker 1: it was, you know, sixteen inches per second kind of thing.

699
00:37:40,360 --> 00:37:42,359
Speaker 1: Only a true radio gavi knew what I'm talking about.

700
00:37:44,040 --> 00:37:46,200
Speaker 1: And he says, what is this. I said, it's my song,

701
00:37:46,320 --> 00:37:49,279
Speaker 1: and he goes, oh my gosh. He goes, come on in.

702
00:37:49,600 --> 00:37:51,480
Speaker 1: So I went in, and he takes me over to

703
00:37:51,560 --> 00:37:55,600
Speaker 1: the studio and he cues it up and he plays

704
00:37:55,640 --> 00:37:57,759
Speaker 1: it and he recorded accords it to this thing that

705
00:37:57,840 --> 00:38:00,520
Speaker 1: looks like an eight track called cart and this is

706
00:38:00,560 --> 00:38:02,319
Speaker 1: the way that the radio stations used to be run,

707
00:38:02,600 --> 00:38:04,480
Speaker 1: you know, And so he records it and he goes, man,

708
00:38:04,560 --> 00:38:07,359
Speaker 1: he goes, it's really nice. He goes, I'm surprised, he said.

709
00:38:07,920 --> 00:38:09,839
Speaker 1: He said, I can't play it. He said, we are

710
00:38:09,880 --> 00:38:12,160
Speaker 1: a reporting station and I didn't know what that. Man.

711
00:38:12,239 --> 00:38:14,640
Speaker 1: He said, I can't play it, he said, but it

712
00:38:14,840 --> 00:38:16,759
Speaker 1: is good. And he handed me my real back and

713
00:38:16,800 --> 00:38:18,880
Speaker 1: I went out. I was driving down the road and

714
00:38:18,960 --> 00:38:20,359
Speaker 1: he comes back on the air and he goes, man,

715
00:38:20,480 --> 00:38:23,040
Speaker 1: ladies and gentlemen. He goes, I might get fired over this,

716
00:38:24,040 --> 00:38:26,360
Speaker 1: he said, but you know, there's the Buddy Holly story

717
00:38:26,480 --> 00:38:29,440
Speaker 1: and blah blah blah. And he goes, here's a local kid,

718
00:38:29,600 --> 00:38:32,520
Speaker 1: Clay Walker, who wrote this song. And he plays it

719
00:38:33,000 --> 00:38:35,439
Speaker 1: and it's on the radio, and I mean, I'm poor.

720
00:38:35,680 --> 00:38:38,239
Speaker 1: I'm like I'm just shaking. I mean, I'm literally just

721
00:38:38,360 --> 00:38:40,840
Speaker 1: just shap I can't even believe it because what the

722
00:38:40,960 --> 00:38:45,440
Speaker 1: airwaves due to people in general, just the listeners. You know.

723
00:38:45,560 --> 00:38:48,839
Speaker 1: I've always been a radio fan, you know, like everybody else,

724
00:38:48,880 --> 00:38:52,640
Speaker 1: and to hear my own self on there freaked me out.

725
00:38:53,040 --> 00:38:54,840
Speaker 1: And I said, man, that's all I wanted for the

726
00:38:54,920 --> 00:38:57,279
Speaker 1: rest of my life, you know. And so I'm on here,

727
00:38:57,320 --> 00:38:59,919
Speaker 1: you know, And congrats to you. I know, people suck

728
00:39:00,080 --> 00:39:01,239
Speaker 1: up to you all the time because you're a big

729
00:39:01,239 --> 00:39:03,239
Speaker 1: shot and all that. But I gotta tell you, man,

730
00:39:03,280 --> 00:39:06,120
Speaker 1: it's hard to make it in the music business. It's

731
00:39:06,160 --> 00:39:08,440
Speaker 1: even harder to make it than the radio business. You

732
00:39:08,600 --> 00:39:10,960
Speaker 1: have knocked it out of the parks. Well that's very kind.

733
00:39:11,080 --> 00:39:13,200
Speaker 1: Well that's crazy. And you still remember his name? Good,

734
00:39:13,360 --> 00:39:15,680
Speaker 1: good for Good for you for And look what you're

735
00:39:15,680 --> 00:39:17,400
Speaker 1: about to do for me. I'm about to be famous.

736
00:39:17,440 --> 00:39:19,080
Speaker 1: I'm about to break up. I'm about to break a

737
00:39:19,120 --> 00:39:21,920
Speaker 1: new artist. Clay Walker. Everybody, first time you heard of

738
00:39:22,680 --> 00:39:27,480
Speaker 1: I got here? Everybody, Let ties the moon another one.

739
00:39:27,640 --> 00:39:29,879
Speaker 1: If I'm putting it into my top two or three,

740
00:39:30,440 --> 00:39:32,640
Speaker 1: this is one for me that I just love. I

741
00:39:32,640 --> 00:39:34,560
Speaker 1: don't know if it's because it reminds me of where

742
00:39:34,600 --> 00:39:37,080
Speaker 1: I was as a teenager, or if it's because I

743
00:39:37,200 --> 00:39:41,400
Speaker 1: just love Clay Walker ballads. No, and I love I

744
00:39:41,520 --> 00:39:43,239
Speaker 1: love the ballots too. I think people know when you

745
00:39:43,400 --> 00:39:45,320
Speaker 1: like something a lot. I love the ballads. You know,

746
00:39:45,400 --> 00:39:48,239
Speaker 1: you can't play, you know, fifteen slow songs in the

747
00:39:48,320 --> 00:39:50,560
Speaker 1: show though, you know, unless you're very man though, you know,

748
00:39:50,640 --> 00:39:53,640
Speaker 1: so you gotta you gotta have the up tempos. But

749
00:39:53,880 --> 00:39:58,320
Speaker 1: I really love the ballots. So this song was written

750
00:39:58,400 --> 00:40:03,319
Speaker 1: by Steve Dorff, and I remember getting this song thinking,

751
00:40:03,440 --> 00:40:05,680
Speaker 1: oh my gosh, this is this is such a great song.

752
00:40:05,760 --> 00:40:07,680
Speaker 1: And I didn't write her to wish they would have

753
00:40:07,719 --> 00:40:16,840
Speaker 1: better ear goes. She knew. She called my eye and

754
00:40:17,160 --> 00:40:26,040
Speaker 1: that was all it too. Ain't it strange? How forever change?

755
00:40:27,760 --> 00:40:36,200
Speaker 1: We'll just wander look the magic field them night. She

756
00:40:36,440 --> 00:40:42,440
Speaker 1: touched my soul like no one else. It's the way

757
00:40:42,840 --> 00:40:51,680
Speaker 1: that woman made me feel, left me talking to myself. WHOA.

758
00:40:54,520 --> 00:40:58,720
Speaker 1: You better run for cover, You better hide your heart

759
00:40:59,400 --> 00:41:02,320
Speaker 1: because it Why don't you start to love it? You

760
00:41:02,560 --> 00:41:07,279
Speaker 1: know you never stop. She shines like a diamond when

761
00:41:07,400 --> 00:41:16,680
Speaker 1: she walks into room. She could charm, stops, hypnotize the moon,

762
00:41:17,920 --> 00:41:22,920
Speaker 1: nice that's so good man, play Walter. I'm gonna ask

763
00:41:22,960 --> 00:41:25,520
Speaker 1: for a Walt more. And you know what's crazy about

764
00:41:25,600 --> 00:41:27,000
Speaker 1: your career that you don't see with a lot of

765
00:41:27,120 --> 00:41:29,359
Speaker 1: artists is that, you know your first hits at ninety three,

766
00:41:29,960 --> 00:41:31,720
Speaker 1: you had she Won't be Along Along in two thousand

767
00:41:31,719 --> 00:41:34,759
Speaker 1: and nine like that. That's quite the run there. I

768
00:41:34,840 --> 00:41:36,320
Speaker 1: mean to be able to have a number one in

769
00:41:36,480 --> 00:41:38,080
Speaker 1: nineteen ninety three and then put out this jam in

770
00:41:38,120 --> 00:41:41,279
Speaker 1: two thousand and nine, like, good for you? I mean,

771
00:41:41,320 --> 00:41:44,319
Speaker 1: how'd you do that when whenever this song hits, had

772
00:41:44,400 --> 00:41:47,000
Speaker 1: you been up? Or was that kind of a regrab?

773
00:41:48,920 --> 00:41:52,600
Speaker 1: I think in this town you're always regrabbing, you know.

774
00:41:52,719 --> 00:41:56,800
Speaker 1: There there's there's all kind of opposition, you know, and

775
00:41:57,320 --> 00:41:59,520
Speaker 1: and there's support too, you know. I think you gotta

776
00:41:59,560 --> 00:42:02,239
Speaker 1: have this. The big songs are gonna make it and

777
00:42:02,360 --> 00:42:06,080
Speaker 1: they find their way somehow to the top. And now

778
00:42:06,120 --> 00:42:10,360
Speaker 1: I think that's fair, you know, Um, I want I

779
00:42:10,480 --> 00:42:14,760
Speaker 1: say opposition. There's there's age, there's there's a new artist,

780
00:42:14,920 --> 00:42:17,120
Speaker 1: there's there's all kinds of competition out there. So you

781
00:42:17,200 --> 00:42:18,960
Speaker 1: gotta have you gotta have something great. But I look

782
00:42:19,000 --> 00:42:21,239
Speaker 1: at George Strait and I'm like, you know what what

783
00:42:21,360 --> 00:42:24,800
Speaker 1: does he have like sixty number one? Something crazy? You know?

784
00:42:24,920 --> 00:42:27,759
Speaker 1: And and uh still sings great, looks great, still it

785
00:42:27,760 --> 00:42:30,440
Speaker 1: does great shows. And and so I think we all

786
00:42:30,520 --> 00:42:33,399
Speaker 1: need something to look to, you know. And I think

787
00:42:33,480 --> 00:42:35,319
Speaker 1: some of the younger artists that are out right now

788
00:42:35,960 --> 00:42:37,960
Speaker 1: look to me in some ways, you know. And I

789
00:42:38,080 --> 00:42:41,200
Speaker 1: think if I have another hit, I think it inspires

790
00:42:41,280 --> 00:42:43,279
Speaker 1: them to know that they could do it too. But

791
00:42:43,880 --> 00:42:48,279
Speaker 1: to your point, um, that song right there was was

792
00:42:48,360 --> 00:42:50,640
Speaker 1: gonna make it, and it didn't have a lot of

793
00:42:50,719 --> 00:42:52,920
Speaker 1: support coming out of the gate. And that's how I

794
00:42:53,000 --> 00:42:56,400
Speaker 1: know it's a great song. It just it just radio said, hey,

795
00:42:56,520 --> 00:42:58,400
Speaker 1: this is a song for us. When I say support,

796
00:42:58,560 --> 00:42:59,920
Speaker 1: we didn't have a lot of money to support it

797
00:43:00,600 --> 00:43:02,759
Speaker 1: and spend money to promote it and things like that.

798
00:43:02,960 --> 00:43:06,359
Speaker 1: And this song would have made it because on its

799
00:43:06,400 --> 00:43:09,440
Speaker 1: own merit and radio radio folks like you really loved it.

800
00:43:09,800 --> 00:43:12,719
Speaker 1: Two thousand and nine, The last request from me, she

801
00:43:12,800 --> 00:43:25,200
Speaker 1: Won't be Lonely Long from Claywalker. Something about the way

802
00:43:26,160 --> 00:43:33,800
Speaker 1: she's wearing her dressled little titter, something about the way

803
00:43:34,760 --> 00:43:41,800
Speaker 1: she's staring, she's looking to start to fight, something about

804
00:43:41,840 --> 00:43:50,400
Speaker 1: the way she's dancing and drinking, chill patrolled. If she's

805
00:43:50,520 --> 00:43:56,000
Speaker 1: long it now, she won't be along and long giving

806
00:43:56,160 --> 00:44:02,000
Speaker 1: help the food. We did a wrong too, too bad,

807
00:44:02,160 --> 00:44:09,520
Speaker 1: she's too far gone. He shooting phone before he lift along.

808
00:44:11,400 --> 00:44:19,200
Speaker 1: If she's molding now, she won't be lonely alone. That's awesome, man.

809
00:44:21,440 --> 00:44:23,120
Speaker 1: The listener left a voice of Meil and asked us

810
00:44:23,120 --> 00:44:24,520
Speaker 1: to bring this game back. So we've done it for

811
00:44:24,560 --> 00:44:26,919
Speaker 1: a couple of times. Here we're gonna play, never gonna

812
00:44:26,960 --> 00:44:30,880
Speaker 1: get it. But first let's talk to Ronda in Tennessee. Hey, Ronda,

813
00:44:30,920 --> 00:44:34,840
Speaker 1: good morning, Hey, good morning, Bobby, good morning, studio morning.

814
00:44:35,080 --> 00:44:38,400
Speaker 1: How the heck are you? Hey? I'm great, thank you.

815
00:44:38,520 --> 00:44:43,760
Speaker 1: It's my birthday. I'm sixty years old. Oh come, hey, Rhonda,

816
00:44:43,840 --> 00:44:47,200
Speaker 1: so knock up on me growing up? Did everybody go

817
00:44:47,560 --> 00:44:52,879
Speaker 1: help me? Rhynda? Help help me? Rhynda? Every day? Every day?

818
00:44:53,000 --> 00:44:56,000
Speaker 1: Every day. It's the only Rhonda phone, I guess, so

819
00:44:56,840 --> 00:45:03,360
Speaker 1: help me RUA, Yeah along, well, happy birthday for that.

820
00:45:03,600 --> 00:45:05,719
Speaker 1: I always just go tell you I'm an shift nurse

821
00:45:05,920 --> 00:45:08,320
Speaker 1: and I work in Murphysboro and leave in Lynchburg. So

822
00:45:08,800 --> 00:45:10,920
Speaker 1: I listen to you guys for a whole hour all

823
00:45:10,960 --> 00:45:13,400
Speaker 1: the way home, and can I and I work with

824
00:45:13,680 --> 00:45:18,400
Speaker 1: developmentally delayed adults. Have four guys, three guys in the home,

825
00:45:18,760 --> 00:45:20,960
Speaker 1: and one of them is listening to you right now

826
00:45:21,120 --> 00:45:22,840
Speaker 1: on the Big ninety eight. Can I give him a

827
00:45:22,840 --> 00:45:26,680
Speaker 1: shout out? Go ahead, shout out to Tyrone Jordan. Good morning,

828
00:45:26,760 --> 00:45:30,319
Speaker 1: Tie Toronto, good morning, good morning, good morning, Tye. It's

829
00:45:30,400 --> 00:45:33,960
Speaker 1: helped me, Rynda, help help me. Ronda. Okay, Ronda, it's

830
00:45:33,960 --> 00:45:36,000
Speaker 1: your birthday. I'm gonna let you get in on this game. Okay,

831
00:45:36,040 --> 00:45:38,520
Speaker 1: So you're gonna pick one of the players. I'm gonna

832
00:45:38,560 --> 00:45:41,040
Speaker 1: read the question. You pick which one of them you

833
00:45:41,120 --> 00:45:43,799
Speaker 1: think will win, and if they win, you and them

834
00:45:43,840 --> 00:45:48,000
Speaker 1: win the money. Oh oh, I love it, so before

835
00:45:48,080 --> 00:45:52,360
Speaker 1: we do. Never gonna get it. It's really tough. So

836
00:45:52,680 --> 00:45:55,560
Speaker 1: up the drafts twenty bucks straight up. If you get it,

837
00:45:55,600 --> 00:45:57,719
Speaker 1: you went twenty bucks on my money and Ronda wins

838
00:45:57,719 --> 00:46:03,400
Speaker 1: twenty bucks on my money. Are you ready ready? I'm ready. Worldwide,

839
00:46:03,840 --> 00:46:07,320
Speaker 1: we've used this about one hundred and thirteen trillion times

840
00:46:07,640 --> 00:46:11,560
Speaker 1: since it was created in two thousand and nine. What

841
00:46:11,920 --> 00:46:16,279
Speaker 1: is it now, Ronda? You can pick Amy, Lunchbox, Eddie

842
00:46:16,360 --> 00:46:17,879
Speaker 1: or Morgan, and if they get it right, you get

843
00:46:17,880 --> 00:46:20,759
Speaker 1: it right. What do you think. Worldwide. We've used this

844
00:46:20,760 --> 00:46:23,000
Speaker 1: about one hundred and thirteen trillion times since it was

845
00:46:23,040 --> 00:46:25,799
Speaker 1: created in two thousand and nine. What is it? Which

846
00:46:25,880 --> 00:46:28,160
Speaker 1: one of them would you like to represent you? Oh,

847
00:46:28,719 --> 00:46:31,759
Speaker 1: two thousand and Ray Mundo, but he ain't gonna get it.

848
00:46:35,160 --> 00:46:39,160
Speaker 1: It's Morgan on there she is? Yeah, Yeah, let me

849
00:46:39,239 --> 00:46:42,439
Speaker 1: have Morgan because she she's a young one, so she'll

850
00:46:42,560 --> 00:46:45,560
Speaker 1: she'll be up on these things. Mark. Okay, So here's

851
00:46:45,560 --> 00:46:47,839
Speaker 1: what we're gonna do. We're gonna play a song here

852
00:46:47,960 --> 00:46:50,120
Speaker 1: and on the other side, you guys give me your

853
00:46:50,120 --> 00:46:53,120
Speaker 1: answer never gonna get it? Right, we'll come back on

854
00:46:53,160 --> 00:46:56,880
Speaker 1: one second. On the phone right now, it's Ronda, and

855
00:46:57,040 --> 00:47:00,640
Speaker 1: Rhonda has chosen Morgan number two to represent her. The

856
00:47:00,840 --> 00:47:05,320
Speaker 1: question in never gonna get it worldwide. We've used this

857
00:47:05,360 --> 00:47:08,279
Speaker 1: about one hundred and thirteen trillion times since it was

858
00:47:08,360 --> 00:47:12,680
Speaker 1: created in two thousand and nine. What is it? Amy?

859
00:47:12,840 --> 00:47:17,319
Speaker 1: What do you have? iPhones? The iPhone? Just general iPhone? Yeah,

860
00:47:17,320 --> 00:47:20,799
Speaker 1: because I think it was invented in two thousand and nine. Okay, lunchbox,

861
00:47:21,040 --> 00:47:23,520
Speaker 1: Well I'm going on that. I put find my phone.

862
00:47:23,880 --> 00:47:30,160
Speaker 1: Oh interesting, Oh, Rhonda was moved by that one. There's

863
00:47:30,200 --> 00:47:33,320
Speaker 1: a good one. You didn't pick me though, so Eddie, okay,

864
00:47:33,440 --> 00:47:37,120
Speaker 1: So I said worldwide, I'm gonna go with Netflix. Okay,

865
00:47:37,360 --> 00:47:40,440
Speaker 1: come on, did that come out? I have no idea? Hey, Raymundo,

866
00:47:40,560 --> 00:47:42,560
Speaker 1: what do you think it is? I went with Rumba,

867
00:47:43,000 --> 00:47:46,919
Speaker 1: the vacuum that does it automated thirteen trillion times. They're

868
00:47:46,960 --> 00:47:50,279
Speaker 1: more popular, and you think, okay, I guess there was

869
00:47:50,320 --> 00:47:53,279
Speaker 1: the Netflix delivery that's not room for a long time.

870
00:47:53,320 --> 00:47:57,479
Speaker 1: But DVD Morgan, if you get this, Rondo wins cash

871
00:47:57,520 --> 00:48:00,080
Speaker 1: and so do you? Well? So much pressure, Morgan, she

872
00:48:00,200 --> 00:48:02,720
Speaker 1: chose you. What is your answer? Well, I'm pretty positive

873
00:48:02,719 --> 00:48:04,600
Speaker 1: this came out right before I went into high school

874
00:48:04,600 --> 00:48:06,600
Speaker 1: and it would have been Facebook. So that's my guess.

875
00:48:08,120 --> 00:48:12,160
Speaker 1: Facebook was two thousand two or three. I'm gonna say this.

876
00:48:12,320 --> 00:48:16,239
Speaker 1: One of you guys are close, but yes, but didn't

877
00:48:16,239 --> 00:48:18,879
Speaker 1: get it, Mike. But what do you say, Mike, I'll

878
00:48:18,920 --> 00:48:20,440
Speaker 1: tell you what. I'll tell you what. Whoever it is,

879
00:48:20,480 --> 00:48:21,759
Speaker 1: I'm going to give a chance to make it a

880
00:48:21,800 --> 00:48:26,560
Speaker 1: little more specific. On hold on, Amy, your answer was

881
00:48:27,239 --> 00:48:34,040
Speaker 1: iPhones incorrect. Eddie, your answer was Netflix incorrect. Not on it?

882
00:48:34,120 --> 00:48:37,600
Speaker 1: I love it, thank you. Morgan, your answer was Facebook Okay,

883
00:48:37,719 --> 00:48:41,680
Speaker 1: it's you. Oh, now, okay, it's not. Don't wasting book, Hey,

884
00:48:41,719 --> 00:48:44,279
Speaker 1: south to out south Amy, don't tell her anything you were?

885
00:48:47,440 --> 00:48:50,880
Speaker 1: Never mind she I'm tried. The caller picked mond Tondo

886
00:48:50,920 --> 00:48:56,480
Speaker 1: though my money. Okay, all right, never mind? All right?

887
00:48:57,320 --> 00:49:01,759
Speaker 1: He encouragement, Morgan. I need a specific answer here. Worldwide,

888
00:49:01,840 --> 00:49:04,640
Speaker 1: we've used this one hundred and thirteen trillion times since

889
00:49:04,680 --> 00:49:06,759
Speaker 1: it was created in two thousand and nine. You can

890
00:49:06,800 --> 00:49:09,040
Speaker 1: talk with Randa about it, but I need your answer

891
00:49:09,080 --> 00:49:11,759
Speaker 1: in about fifty Okay, Rhonda, how are you feeling? Is it?

892
00:49:11,880 --> 00:49:14,960
Speaker 1: Do you have any thoughts on this? I do? I do?

893
00:49:15,320 --> 00:49:18,800
Speaker 1: Is it fibook live? Oh, that's a good one because

894
00:49:18,840 --> 00:49:22,560
Speaker 1: it's streaming. I don't know if Facebook Live came into

895
00:49:22,600 --> 00:49:27,200
Speaker 1: a little bit later though, but but I will be yeah.

896
00:49:28,239 --> 00:49:32,040
Speaker 1: M but if it's Facebook relighted, that's the only thing

897
00:49:32,120 --> 00:49:36,600
Speaker 1: that's pretty close. All right, that's time, I guess Morgan.

898
00:49:36,640 --> 00:49:41,279
Speaker 1: I need an answer. Well, Rhonda, there's two two options here,

899
00:49:41,360 --> 00:49:48,120
Speaker 1: Facebook related to the Facebook Live or Facebook Messenger Messenger.

900
00:49:48,239 --> 00:49:51,400
Speaker 1: Do you feel confident about that? Yeah, I'll feel confident

901
00:49:51,440 --> 00:49:55,719
Speaker 1: about that definitely. Facebook use it every day. Messenger use

902
00:49:55,760 --> 00:49:57,239
Speaker 1: it every day. Rhonda? Who you talk to you most

903
00:50:00,000 --> 00:50:03,840
Speaker 1: and my fun William. Yeah, it make funny stuff and

904
00:50:03,880 --> 00:50:05,640
Speaker 1: I've seen him funny stuff, and it's kind of how

905
00:50:05,680 --> 00:50:11,520
Speaker 1: we communicate. Ask her like what we send it to me? Okay, Ronda,

906
00:50:12,200 --> 00:50:16,879
Speaker 1: the answer is it is Facebook. What do you think

907
00:50:16,920 --> 00:50:19,480
Speaker 1: it is? I thought maybe I don't know for sure,

908
00:50:19,560 --> 00:50:21,759
Speaker 1: but I was thinking the like button. It's the like

909
00:50:21,960 --> 00:50:28,319
Speaker 1: But that's why I wasn't going to see anything. Da

910
00:50:28,400 --> 00:50:32,400
Speaker 1: I'm so sorry. The Facebook like button one hundred and

911
00:50:32,440 --> 00:50:34,520
Speaker 1: thirteen trillion times since it was created in two thousand

912
00:50:34,520 --> 00:50:39,239
Speaker 1: and nine. Morgan, you were close. I had Mike deego

913
00:50:39,320 --> 00:50:44,040
Speaker 1: count them all. Ronda, happy birthday to you. I'm sorry

914
00:50:44,080 --> 00:50:45,359
Speaker 1: you didn't win, but I had a lot of fun

915
00:50:45,440 --> 00:50:47,680
Speaker 1: talking with you. I had a lot of fun with you. Guys.

916
00:50:47,760 --> 00:50:50,320
Speaker 1: Thank you so much for all the positivity and or

917
00:50:50,400 --> 00:50:53,160
Speaker 1: really appreciate you. You two appreciate that. All right? There

918
00:50:53,239 --> 00:50:59,719
Speaker 1: she is Ronda? Everybody, Yeah, there she goes Rnda. Don't

919
00:51:00,160 --> 00:51:04,800
Speaker 1: story today. This story comes us from Pennsylvania. A twenty

920
00:51:04,840 --> 00:51:06,719
Speaker 1: two year old man was looking for a job when

921
00:51:06,760 --> 00:51:09,279
Speaker 1: he saw the pizza play said now hiring. He went

922
00:51:09,400 --> 00:51:12,120
Speaker 1: inside said, hey man, can I get an application? Filled

923
00:51:12,160 --> 00:51:14,320
Speaker 1: it out handed as The worker then pulled out a

924
00:51:14,400 --> 00:51:17,840
Speaker 1: knife and stole the tip jar on our problems. He

925
00:51:17,880 --> 00:51:19,839
Speaker 1: had filled out the application so they had his name.

926
00:51:21,320 --> 00:51:24,080
Speaker 1: I knew that was coming, and he left his backpack

927
00:51:24,120 --> 00:51:28,439
Speaker 1: with his idea beginning worse at this, I'm much blocked

928
00:51:28,440 --> 00:51:31,600
Speaker 1: out to your bone head story of the day, Amy,

929
00:51:31,640 --> 00:51:33,160
Speaker 1: What does it mean when you say that you're working

930
00:51:33,200 --> 00:51:38,040
Speaker 1: on becoming a family focused family? I don't know the lingo. Well.

931
00:51:38,440 --> 00:51:43,799
Speaker 1: I heard that there's kid focused, parent focused, and then

932
00:51:43,840 --> 00:51:46,600
Speaker 1: family focused. There's the kind of the three options. And

933
00:51:46,880 --> 00:51:49,200
Speaker 1: we were kind of a little bit of kid focused

934
00:51:49,200 --> 00:51:50,840
Speaker 1: when we need to be your parent focused. But we

935
00:51:50,920 --> 00:51:53,719
Speaker 1: weren't operating together as a family, like sitting down having

936
00:51:53,840 --> 00:51:57,960
Speaker 1: meetings talking about all the different activities from okay, this

937
00:51:58,160 --> 00:52:01,000
Speaker 1: is you, So Sheer wants to play soccer? Okay, how

938
00:52:01,040 --> 00:52:02,960
Speaker 1: are we going to make that happen? Does that fit

939
00:52:03,080 --> 00:52:05,759
Speaker 1: into everybody's schedule? How can we support this? And even

940
00:52:05,840 --> 00:52:09,000
Speaker 1: our son, how can he help support Stashira and her

941
00:52:09,040 --> 00:52:12,880
Speaker 1: soccer and scheduling? And it really is making decisions like

942
00:52:13,000 --> 00:52:16,000
Speaker 1: that as a family, and my husband and I communicating

943
00:52:16,080 --> 00:52:19,279
Speaker 1: more on where we are with our week and maybe

944
00:52:19,280 --> 00:52:22,080
Speaker 1: even where we are with our day like if I'm oh,

945
00:52:22,280 --> 00:52:24,400
Speaker 1: I've had tons of stuff having me, I'm super stressed,

946
00:52:24,400 --> 00:52:26,560
Speaker 1: maybe something happened with my dad and I'm operating at

947
00:52:26,600 --> 00:52:29,440
Speaker 1: twenty percent, then he can say, Okay, I got you.

948
00:52:29,680 --> 00:52:32,480
Speaker 1: I have the other eighty percent. Or if he's operating

949
00:52:32,520 --> 00:52:34,600
Speaker 1: at twenty percent two then we meet as a family.

950
00:52:35,040 --> 00:52:36,920
Speaker 1: We decide we're going to do take out. We're not

951
00:52:37,000 --> 00:52:39,320
Speaker 1: going to cook, We're not gonna I just heard Burnet

952
00:52:39,400 --> 00:52:41,799
Speaker 1: Brown talking about this for her family and it really

953
00:52:41,920 --> 00:52:45,960
Speaker 1: tried it yet. It is, but I think you're it

954
00:52:46,160 --> 00:52:48,120
Speaker 1: is in the beginning, but then I think you're all

955
00:52:48,280 --> 00:52:50,080
Speaker 1: better for it in the long run because you all

956
00:52:50,160 --> 00:52:52,359
Speaker 1: know what to expect. And that's another thing we're working

957
00:52:52,440 --> 00:52:55,959
Speaker 1: on big time in our family is consistency and predictability.

958
00:52:56,160 --> 00:52:59,160
Speaker 1: And right now we're just kind of law like, Okay,

959
00:52:59,200 --> 00:53:02,120
Speaker 1: we survived today, what's tomorrow. But if we sit down

960
00:53:02,160 --> 00:53:04,839
Speaker 1: and we have these family focused meetings and everybody knows

961
00:53:04,920 --> 00:53:08,920
Speaker 1: what to expect, then I think that we will be

962
00:53:09,040 --> 00:53:11,319
Speaker 1: functioning better as a family. And so that's very new

963
00:53:11,360 --> 00:53:13,759
Speaker 1: to us. We have just been in survival mode and

964
00:53:13,840 --> 00:53:16,560
Speaker 1: I'm over it. I hope it works. It'd be awesome.

965
00:53:16,800 --> 00:53:22,120
Speaker 1: We'll see what happens. Check in everybody, Come on, yeah,