WEBVTT - Episode 5: Fan Films

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<v Speaker 1>Welcome to Nerdificent. I'm one half Nerdifficent, your host if

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<v Speaker 1>you wady. Wayne sitting across from me is the other

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<v Speaker 1>half of Nerdificent, Danny Fernandez. If we both sound really good?

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<v Speaker 1>Oh yeah, no, I feel like you might be a

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<v Speaker 1>little sick. Yeah. No. I woke up and it was

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<v Speaker 1>just like frog throat City and I have had to

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<v Speaker 1>talk all day, so I actually like when my voice

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<v Speaker 1>is frog throat City. Yeah, but mine will get into

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<v Speaker 1>smoker ish It'll be like Lindsay Lowen uh. And then

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<v Speaker 1>I love doing my vo auditions that way. So I'm

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<v Speaker 1>sure that's great for the cords. Yes, just going through

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<v Speaker 1>the whole range. But yeah, no, speaking of range and

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<v Speaker 1>and hitting the ups and bottoms of what we can

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<v Speaker 1>do you as people and fans. Today, we're tackling fan films,

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<v Speaker 1>fan films. Yeah. We're also having our friends come in

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<v Speaker 1>that have made a couple of very popular fan films

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<v Speaker 1>Robot Underdogs, so they will be joining us a little

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<v Speaker 1>bit later. But if you off the top of your head, like,

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<v Speaker 1>what are some fan films that you remember? Oh man,

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<v Speaker 1>the fan films, I remember that. I think the latest

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<v Speaker 1>one that comes to bind besides the ones Donnie and

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<v Speaker 1>Rita did, which is DVZ line of hope. Is the

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<v Speaker 1>one we were talking about just before we got started,

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<v Speaker 1>which was The Power Rangers. It was like dark and

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<v Speaker 1>gritty and everyone was like, what, it'd be crazy if

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<v Speaker 1>this was the Power Ranger. And then Power Rangers came

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<v Speaker 1>out and there a little semi gritty. I don't want

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<v Speaker 1>to say it was dark. It was still I feel

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<v Speaker 1>like it was pretty much Power Rangers. But I feel

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<v Speaker 1>like the excitement for the fan film might have been

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<v Speaker 1>ultimately got the green light. I do agree with that,

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<v Speaker 1>I think, and we'll get into that, but I think

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<v Speaker 1>a lot of these fan films do help hype up

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<v Speaker 1>the actual problem parties themselves and probably also showing the

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<v Speaker 1>companies like what could be done and the demand for it.

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<v Speaker 1>But getting into what fan films are, so, they're essentially

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<v Speaker 1>film or video that's inspired by you know, a comic book,

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<v Speaker 1>television program, some type of source like that. It's made

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<v Speaker 1>pretty much by amateurs, I would say, but this can

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<v Speaker 1>lead to having professional filmmakers actually working on the project,

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<v Speaker 1>which we'll get into as well. But yeah, so the

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<v Speaker 1>main issue that they kind of run into is because

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<v Speaker 1>they are fans they're not the copyright holders, so whether

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<v Speaker 1>they should be allowed to do this, like what actually

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<v Speaker 1>as far as fair use, what they're allowed to do,

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<v Speaker 1>we're going to tackle that to in this episode. Yeah. No,

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<v Speaker 1>I think that's very interesting and we'll get more into

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<v Speaker 1>that later. But the allowing to do it and just

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<v Speaker 1>kind of the legality of it all. And I feel

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<v Speaker 1>like for most people it's pretty kosher because it's tensy,

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<v Speaker 1>it's usually free, usually on YouTube, and I think that's

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<v Speaker 1>what makes it so beautiful because it has heard. It's

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<v Speaker 1>not done for profit, it's done just because they're so

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<v Speaker 1>passionate about it. Just like Cosplay, it's like the next

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<v Speaker 1>step up where it's like, Okay, we got a cosplayed down,

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<v Speaker 1>but let's actually do our own spinoff. Let's see what

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<v Speaker 1>that's popping. Yeah, But like if we're looking at Cosplay,

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<v Speaker 1>when you start making money off of someone else's I

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<v Speaker 1>P and you start selling calendars or things like that,

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<v Speaker 1>which I'm totally four, but a lot of these companies

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<v Speaker 1>and sometimes studios, they will We know of a couple

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<v Speaker 1>that have gotten shut down as far as um fan

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<v Speaker 1>films or YouTube videos and stuff for using their trademark

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<v Speaker 1>characters Essentially, I think what happens is when it gets

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<v Speaker 1>bigger than they expected it to be, and when it

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<v Speaker 1>looks better maybe than the film that they made. When

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<v Speaker 1>this amateur filmmaker got their friends together and made a

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<v Speaker 1>better film than your studio, it gets a little spicy,

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<v Speaker 1>it does. Then there's also stories of it being a

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<v Speaker 1>happy ending word now something they get the rights to,

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<v Speaker 1>the actual rights to something and get to create something dope.

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<v Speaker 1>But we'll get, like I said, more into that later.

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<v Speaker 1>We'll just start with the history our deep dive, of

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<v Speaker 1>our deep dive, Deep Dive, Deep Dive. Yeah. So the

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<v Speaker 1>earliest known fan film is uh Anderson Our Gang, which

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<v Speaker 1>was produced in nineteen actually by a pair of filmmakers.

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<v Speaker 1>So Our Gang is essentially the Little Rascals um. It

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<v Speaker 1>was shot in Anderson, South Carolina, and Uh it was

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<v Speaker 1>a short that was based off of Our Gang, and

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<v Speaker 1>the only known copy resides in the University of South

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<v Speaker 1>Carolina's News Film Library. Nice and it seems like the

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<v Speaker 1>technology required to make fan films was the limited factor,

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<v Speaker 1>which makes sense because I feel like we saw boom

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<v Speaker 1>in fan films in the YouTube age because of specifically

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<v Speaker 1>access when YouTube came around, it was the growth of

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<v Speaker 1>the access of being able to produce video yourself. You know,

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<v Speaker 1>back in the day you have to have like the

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<v Speaker 1>family cam that on your shoulder, and then the camera

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<v Speaker 1>started getting smaller and more acces until it was like

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<v Speaker 1>a handheld but also like who was seeing it? Just

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<v Speaker 1>your family, whereas now with YouTube you were able to

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<v Speaker 1>have a larger audience and mainly of the same fandom

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<v Speaker 1>to make it more popular. So going back further after

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<v Speaker 1>our gang um in the nineteen sixties U. C. L.

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<v Speaker 1>A film student, Don Glutt filmed a series of short,

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<v Speaker 1>black and white underground films that were essentially based on

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<v Speaker 1>adventure and comic book characters like Superman, the Spirit and Batman.

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<v Speaker 1>And his final amateur film was nineteen sixty nine spider Man,

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<v Speaker 1>and then he moved on so he was a success story.

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<v Speaker 1>So because of the level of popularity of his films,

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<v Speaker 1>he actually moved into professional work full time. He went

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<v Speaker 1>on to write for a ton of kids shows, Land

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<v Speaker 1>of the Loss, Transformers, Duck Tails, Spiderman and his Amazing Friends,

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<v Speaker 1>g I, Joe, Real American here out Do you remember

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<v Speaker 1>that I was just looking at Oh gosh, if you

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<v Speaker 1>have to show you the p S A S from

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<v Speaker 1>g I Joe. They're so good. Oh yeah, I remember

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<v Speaker 1>the more you know. Yeah, and then somebody did a

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<v Speaker 1>parody of them. That are how I could not stop

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<v Speaker 1>laughing this weekend watching them. But then okay, So Glut

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<v Speaker 1>also went on to write for d C and Marvel Comics. Again,

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<v Speaker 1>this was a fan who had made fan films and

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<v Speaker 1>then went on to write for those properties. And he

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<v Speaker 1>also did the Empire Strikes Back novel that was based

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<v Speaker 1>on the film. Yeah. Yeah, it's funny because I feel

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<v Speaker 1>like back then it probably was way easier to get

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<v Speaker 1>a Spiderman or Batman film than it is now. Now

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<v Speaker 1>now it's a big undertaking. It's if you get a

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<v Speaker 1>superhero film, your name is, it's like who is that guy?

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<v Speaker 1>Back then it was like, oh yeah, sure Spiderman, I

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<v Speaker 1>see what you mean. Yeah. Yeah. As far as popularity,

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<v Speaker 1>if you do want to go back and watch all

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<v Speaker 1>forty one of Glett's amateur films, there's a DVD set

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<v Speaker 1>called I Was a Teenage Movie Maker, which I think

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<v Speaker 1>is so cool, and you can go back and watch

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<v Speaker 1>all these old films that he did. That's tight. And

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<v Speaker 1>then in nineteen sixty four, any Warhol produced a film

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<v Speaker 1>called Batman Dracula, which could be described as a fan film.

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<v Speaker 1>It was like his homage to Batman, accept completely without

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<v Speaker 1>dcent comments permissions in Andy Warhol, do you think like

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<v Speaker 1>I wonder? Yeah, yeah, he did it completely without their permission,

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<v Speaker 1>and it was considered to be the first film that

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<v Speaker 1>was featuring a blatantly campy Batman. Yeah back then, but yeah,

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<v Speaker 1>you can actually still catch it. We'll try and leave

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<v Speaker 1>in our footnotes on our site. We'll try and leave

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<v Speaker 1>a lot of the YouTube links where you can watch

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<v Speaker 1>some of these. Oh yeah, definitely check it out and

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<v Speaker 1>let us know what you think. But then, it wasn't

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<v Speaker 1>until the nineteen seventies that the popularization of science fiction conventions,

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<v Speaker 1>uh you know, like we talked about in our Comic

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<v Speaker 1>Kind episode. It allowed fans to show their films to

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<v Speaker 1>a wider fan community, which is great because before it

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<v Speaker 1>was just you and your friends. You watch it, and

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<v Speaker 1>I feel like when you see other people do things

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<v Speaker 1>is when it really catches fire. So I can only

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<v Speaker 1>imagine sitting down in a theater at a convention and

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<v Speaker 1>see someone do a fan film to be like nudging

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<v Speaker 1>my buddy and just yo, we gotta get on that. Yeah. Also,

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<v Speaker 1>you can like live out all of your fan fiction.

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<v Speaker 1>You know, it's basically like your fan fiction come to life.

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<v Speaker 1>Like whatever characters that you wanted to see battle each other,

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<v Speaker 1>you finally get to have that Danny storylines that you want. What. Well,

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<v Speaker 1>since we haven't done a fan fiction episode, why don't

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<v Speaker 1>you break down what fiction? Fan Fiction is something I'm

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<v Speaker 1>very familiar with someone that it wrote it when I

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<v Speaker 1>was a teenager and kind of still read here and there.

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<v Speaker 1>But fan fiction is essentially fiction that is written by fans.

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<v Speaker 1>It is stories about characters that are written. So Harry

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<v Speaker 1>Potter fan fiction essentially would be stories about or mine

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<v Speaker 1>E and you know, Harry Potter and um, their romantic

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<v Speaker 1>life or their daily life or whatever you want to

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<v Speaker 1>write about. But it's essentially these stories that are written

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<v Speaker 1>short stories, and some of them are actually have like

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<v Speaker 1>fifty chapters. I have read fan fiction that has like

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<v Speaker 1>fifty chapters long. Um. But there are fan fiction sites.

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<v Speaker 1>One of the most popular ones the last couple of

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<v Speaker 1>decades that I used to play around on was fan

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<v Speaker 1>fiction dot Net. So if you ever want to read

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<v Speaker 1>you you can find anything anything that you're into. If

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<v Speaker 1>you're into Star Trek, if you're into sailor Moon, whatever,

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<v Speaker 1>it will be on there. But yeah, it's essentially stories

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<v Speaker 1>that are written by fans and they're damn good. There

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<v Speaker 1>are some that are really good and those people should

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<v Speaker 1>be getting paid for them. But yeah, I used to

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<v Speaker 1>read a lot of anime fan fiction and I would

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<v Speaker 1>write some of it. So yeah, it's basically the text

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<v Speaker 1>version of this. Yeah, it's basically the text version of

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<v Speaker 1>a fan film. Um and where you're able to kind

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<v Speaker 1>of live out these these storylines that you have always

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<v Speaker 1>wanted to see. Oh yeah, back to fan films. Now,

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<v Speaker 1>there's a ton of fan films. You know, you have

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<v Speaker 1>Star Wars, Star Trek, Buffy the vampires Layer, Doctor Who,

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<v Speaker 1>anime fan films. Uh, you know, once again plug in

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<v Speaker 1>light of hope from our guests who you will here

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<v Speaker 1>later in the episode. But because fan films generally utilize

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<v Speaker 1>characters and storylines copyright and trademarked by the original filmmakers,

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<v Speaker 1>they are rarely distributed commercially for legal reasons. But like

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<v Speaker 1>I said, you can just type fan film into YouTube

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<v Speaker 1>and you'll have a plethora of things to play with.

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<v Speaker 1>Because we now live in an age where not only

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<v Speaker 1>it's filmmaking accessible, but so is special effects. You know,

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<v Speaker 1>even on vines and Twitter videos you're seeing some wild

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<v Speaker 1>stuff and Instagram too. Yeah, on all the social media,

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<v Speaker 1>I feel like you can see a lot of people

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<v Speaker 1>and like you were saying, with special effects, which to

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<v Speaker 1>plug our friends again, who did dbz liaut of hope.

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<v Speaker 1>I know that they had a lot of I think

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<v Speaker 1>even in the first year that they started to the

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<v Speaker 1>more recent years that they actually were able to utilize

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<v Speaker 1>more technology in their film. Yeah. Yeah. So filmmaker Sandy Cholera,

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<v Speaker 1>he actually gained a lot of notoriety in the early

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<v Speaker 1>two thousands for a series of fan films he produced

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<v Speaker 1>featuring Batman and Superman. But I think his most famous

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<v Speaker 1>ones were Batman. It was dead End, uh and that

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<v Speaker 1>premiered at San Diego Comic Con in two thousand and three,

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<v Speaker 1>but World's Finest, his other fan film was actually prevented

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<v Speaker 1>from showing in two thousand and four due to copyright

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<v Speaker 1>claims from Warner Brothers. So he essentially so dead End

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<v Speaker 1>was before Nolan's Batman trilogy, and it showed audience this

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<v Speaker 1>like gritty comic book style, dark night film and you

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<v Speaker 1>can only possibly wonder that that probably excited audiences. I

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<v Speaker 1>don't want to say that it necessarily influenced Nolan. I

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<v Speaker 1>mean it might have, but it probably got people hyped

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<v Speaker 1>about seeing that type of Batman. And it's very interesting

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<v Speaker 1>to see that Warner Brothers block to free screening because

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<v Speaker 1>I don't necessarily think it was besides any power outside

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<v Speaker 1>of their connection with San Diego Comic com Like, I

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<v Speaker 1>don't think they hit him with a C CND or something.

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<v Speaker 1>I think it was as simple as Warner Brothers being like,

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<v Speaker 1>they can't show that, and we're Warner Brothers and you

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<v Speaker 1>better make sure they don't show it. Yeah. I wonder

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<v Speaker 1>when Nolan was originally in talks, like what if it

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<v Speaker 1>was at the same time, you know what I mean, Like,

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<v Speaker 1>I wonder if that could have influenced because they were

0:12:56.960 --> 0:13:00.480
<v Speaker 1>preparing to have Batman begins. I don't know, I don't know.

0:13:00.880 --> 0:13:04.920
<v Speaker 1>But moving on, there's also Star Trek New Voyages that

0:13:05.000 --> 0:13:08.280
<v Speaker 1>was a fan production, but it's another successful one where

0:13:08.280 --> 0:13:12.160
<v Speaker 1>it attracted support from so many people as well as

0:13:12.240 --> 0:13:14.640
<v Speaker 1>crew and cast members. That's another thing that we're seeing

0:13:15.040 --> 0:13:19.120
<v Speaker 1>is a lot of times either voice actors or actors

0:13:19.160 --> 0:13:23.080
<v Speaker 1>of the actual series or films. They love seeing these

0:13:23.120 --> 0:13:26.720
<v Speaker 1>fan films and when they get involved then it ends

0:13:26.760 --> 0:13:30.199
<v Speaker 1>up being greenlit. So Star Trek new Voyages was one

0:13:30.240 --> 0:13:33.240
<v Speaker 1>of those. Another one was the Lord of the Rings

0:13:33.280 --> 0:13:36.240
<v Speaker 1>fan films Born of Hope and The Hunt for Golem

0:13:36.280 --> 0:13:39.000
<v Speaker 1>and those debuted at Ring Con. If we didn't even

0:13:39.000 --> 0:13:41.240
<v Speaker 1>talk about Ring Con in our comic con, I don't

0:13:41.240 --> 0:13:44.120
<v Speaker 1>even know that that existed either. That's the first time

0:13:44.160 --> 0:13:47.400
<v Speaker 1>I love that. So now there's I love this specific

0:13:47.440 --> 0:13:50.960
<v Speaker 1>ones because there's one coming up called a Con and

0:13:51.000 --> 0:13:55.199
<v Speaker 1>then there's Ring Con and um Star Wars Celebration. Yeah.

0:13:55.360 --> 0:13:57.760
<v Speaker 1>But to answer your question, by the way, so Warner

0:13:57.800 --> 0:14:01.360
<v Speaker 1>Brothers hired No. One in January area of two thousand three,

0:14:02.000 --> 0:14:04.640
<v Speaker 1>So look this came out in two thousand three. Yeah,

0:14:04.720 --> 0:14:07.200
<v Speaker 1>so two thousand four was when they're like, we're not

0:14:07.280 --> 0:14:10.320
<v Speaker 1>letting that happen again, especially because if they hired them

0:14:10.320 --> 0:14:12.800
<v Speaker 1>in two thousand three, that year is probably when the

0:14:12.880 --> 0:14:18.400
<v Speaker 1>buzzing talk started happening. The movie dropped in two thousand five. Yeah,

0:14:18.600 --> 0:14:20.440
<v Speaker 1>that could have been it. Even though a lot of

0:14:20.440 --> 0:14:24.240
<v Speaker 1>people do see it as like free promotion or publicity,

0:14:24.760 --> 0:14:29.320
<v Speaker 1>my thing might be it could possibly be because now

0:14:29.480 --> 0:14:32.240
<v Speaker 1>fans have in their head how they want it to be.

0:14:32.440 --> 0:14:36.440
<v Speaker 1>Maybe that's it. Maybe when they see this story, that's

0:14:36.640 --> 0:14:39.280
<v Speaker 1>what they want and think that this new film is

0:14:39.280 --> 0:14:41.480
<v Speaker 1>going to be. And so maybe that's why it got

0:14:41.480 --> 0:14:44.360
<v Speaker 1>to definitely see that. So another one is the Legend

0:14:44.400 --> 0:14:48.280
<v Speaker 1>of Zelda, which is a very popular video game, and

0:14:48.680 --> 0:14:51.640
<v Speaker 1>they had a fan film called The Hero of Time

0:14:52.240 --> 0:14:55.880
<v Speaker 1>uh and that was also had a huge following. The

0:14:55.880 --> 0:14:58.640
<v Speaker 1>movie premiered in Atlanta in two thousand and nine and

0:14:58.760 --> 0:15:01.520
<v Speaker 1>online in number of two thousand and nine, only to

0:15:01.520 --> 0:15:06.640
<v Speaker 1>be shut down by Nintendo on January. Nintendo is very litigious.

0:15:06.840 --> 0:15:10.680
<v Speaker 1>They are very, very very protective of their rights, so

0:15:10.760 --> 0:15:13.360
<v Speaker 1>that was coming from a mile away. I think even

0:15:13.440 --> 0:15:18.920
<v Speaker 1>the Hero of Time crew knew any Pokemon like fan

0:15:19.040 --> 0:15:22.920
<v Speaker 1>made game because there's a yeah, there's a unity of

0:15:23.240 --> 0:15:27.360
<v Speaker 1>Pokemon fan made games. They get shut down almost instantaneously

0:15:28.040 --> 0:15:32.600
<v Speaker 1>because Nintendo is that litigious. So yeah, that was definitely

0:15:32.600 --> 0:15:35.400
<v Speaker 1>gonna happen. It's such a weird and when we bring

0:15:35.480 --> 0:15:37.320
<v Speaker 1>Donnie and read on, you know, this is something I

0:15:37.320 --> 0:15:39.320
<v Speaker 1>want to talk to them about because it is such

0:15:39.360 --> 0:15:43.240
<v Speaker 1>a weird line and balance that you have to have

0:15:43.480 --> 0:15:47.160
<v Speaker 1>is like, these are fans these are amateur fans that

0:15:47.200 --> 0:15:51.160
<v Speaker 1>are making something. But then, like we said, it gains

0:15:51.240 --> 0:15:54.000
<v Speaker 1>traction and a lot of times, like people think this

0:15:54.080 --> 0:15:57.480
<v Speaker 1>is harmless, but no, they'll get shut down. Well, because

0:15:57.720 --> 0:16:00.200
<v Speaker 1>there is a level you get when you are to

0:16:00.320 --> 0:16:03.920
<v Speaker 1>grain momentum and popularity that does in a way start

0:16:03.960 --> 0:16:07.800
<v Speaker 1>to infringe upon the rights for the creators, because, like

0:16:07.880 --> 0:16:11.920
<v Speaker 1>you were saying earlier, sometimes fans make a film that

0:16:12.240 --> 0:16:16.800
<v Speaker 1>the community will enjoy better than an actual copyrighted material,

0:16:17.560 --> 0:16:20.640
<v Speaker 1>and they will use that as a scapegoat as to

0:16:20.720 --> 0:16:23.800
<v Speaker 1>why it was unsuccessful. Instead of being like, oh, we

0:16:23.880 --> 0:16:25.840
<v Speaker 1>didn't make the movie as good as it could be,

0:16:25.840 --> 0:16:27.920
<v Speaker 1>it was like, well, people really like this version and

0:16:28.040 --> 0:16:29.960
<v Speaker 1>they had an idea of what it should look like

0:16:30.000 --> 0:16:32.960
<v Speaker 1>based off of this fan made thing, so it ruined

0:16:32.960 --> 0:16:36.000
<v Speaker 1>our chances, which in a way could be kind of true,

0:16:36.040 --> 0:16:40.040
<v Speaker 1>but lots of times it's mostly from the idea of oh,

0:16:40.080 --> 0:16:43.360
<v Speaker 1>this is how good it can be. Yeah, yeah, uh.

0:16:43.520 --> 0:16:46.920
<v Speaker 1>For those of you that don't know, uh, there was

0:16:47.000 --> 0:16:50.360
<v Speaker 1>a live action dragon ball Z film, which, if you

0:16:50.360 --> 0:16:53.000
<v Speaker 1>don't know, dragon ball Z is a very very popular anime.

0:16:53.080 --> 0:16:55.520
<v Speaker 1>There was a live action dragon ball Z film. I

0:16:55.560 --> 0:16:57.160
<v Speaker 1>can't even remember the name. Of it if he was

0:16:57.200 --> 0:17:03.280
<v Speaker 1>the name of that which one, Oh, Evolution, Dragonball, Evolution, Revolution, Evolution.

0:17:03.480 --> 0:17:05.760
<v Speaker 1>I don't even This is how much I don't care

0:17:05.760 --> 0:17:09.240
<v Speaker 1>about that film, and it's my favorite anime. So anyways,

0:17:09.320 --> 0:17:13.119
<v Speaker 1>that film was made by Fox and then Donnie and

0:17:13.200 --> 0:17:17.320
<v Speaker 1>ritat at Robot Underdog, who are coming on. They made

0:17:17.320 --> 0:17:20.040
<v Speaker 1>their own fan film, and you should see the amount

0:17:20.080 --> 0:17:22.919
<v Speaker 1>of comments that were like, this is what it should

0:17:22.920 --> 0:17:26.240
<v Speaker 1>have been like and these are you know, amateur filmmakers

0:17:26.320 --> 0:17:29.159
<v Speaker 1>as opposed to an actual studio. Uh, and so a

0:17:29.160 --> 0:17:33.600
<v Speaker 1>lot of fans kind of kind of grasp onto that instead. Well, yeah,

0:17:33.640 --> 0:17:36.800
<v Speaker 1>because it's funny because I feel like when you have

0:17:36.840 --> 0:17:40.280
<v Speaker 1>a fan film, it's being created by people passionate about

0:17:40.280 --> 0:17:43.720
<v Speaker 1>the source material, so it'll follow it more closely, it'll

0:17:43.760 --> 0:17:48.280
<v Speaker 1>take less risks and try and be true to the source,

0:17:48.760 --> 0:17:53.280
<v Speaker 1>versus a Hollywood one which wants to always. I feel

0:17:53.280 --> 0:17:56.040
<v Speaker 1>like the problem with a lot of nerd properties that

0:17:56.080 --> 0:17:59.560
<v Speaker 1>Hollywood tries to tackle that only recently has been broken

0:18:00.160 --> 0:18:04.240
<v Speaker 1>was the it's basically like the habit of trying to

0:18:04.320 --> 0:18:08.000
<v Speaker 1>approach the source material and go, let's make this realistic

0:18:08.320 --> 0:18:11.919
<v Speaker 1>and or for everyone that all the time for a

0:18:12.040 --> 0:18:16.879
<v Speaker 1>big audience, and it's what's happened on a larger scale

0:18:17.200 --> 0:18:21.240
<v Speaker 1>to Hollywood, where people are afraid to take creative risks

0:18:21.359 --> 0:18:24.119
<v Speaker 1>because they would much rather try and make something palatable.

0:18:24.480 --> 0:18:29.440
<v Speaker 1>But lots of times, the best piece of creative material

0:18:29.800 --> 0:18:32.480
<v Speaker 1>is one that makes a choice. And when you're trying

0:18:32.520 --> 0:18:34.480
<v Speaker 1>to make it for everyone, you're not making a choice.

0:18:34.520 --> 0:18:39.040
<v Speaker 1>You're actually watering down the choice is made. I think also,

0:18:39.040 --> 0:18:40.879
<v Speaker 1>when you're trying to make it for everyone, you piss

0:18:40.920 --> 0:18:43.840
<v Speaker 1>off the fans. I understand that you your market is

0:18:43.880 --> 0:18:46.320
<v Speaker 1>not just the fans. Your movie is not going to

0:18:46.359 --> 0:18:48.520
<v Speaker 1>be successful then if it were just Even when you

0:18:48.520 --> 0:18:51.919
<v Speaker 1>look at um like the latest run of Marvel films,

0:18:51.960 --> 0:18:54.159
<v Speaker 1>I feel like they're not just made in y C.

0:18:54.560 --> 0:18:57.720
<v Speaker 1>But I feel like they're not specifically just made Like

0:18:57.720 --> 0:19:00.280
<v Speaker 1>when they made Wonder Woman, they didn't just make get

0:19:00.280 --> 0:19:03.200
<v Speaker 1>for comic book readers of Wonder Woman, like they tried

0:19:03.200 --> 0:19:06.960
<v Speaker 1>to appeal to a much larger audience, which they got. Well.

0:19:07.000 --> 0:19:09.120
<v Speaker 1>I feel like with the smart way they did that.

0:19:09.480 --> 0:19:12.360
<v Speaker 1>And here's in first my take on that. My take

0:19:12.440 --> 0:19:15.320
<v Speaker 1>on that is when people do that, when they're like

0:19:15.400 --> 0:19:17.240
<v Speaker 1>we're trying to make for everyone, they're just being greedy

0:19:17.280 --> 0:19:20.320
<v Speaker 1>because the reason you bought that the rights to that,

0:19:20.359 --> 0:19:22.760
<v Speaker 1>the only reason is because you feel the fan base

0:19:22.840 --> 0:19:27.200
<v Speaker 1>is big enough to support that the thing you're creating,

0:19:27.280 --> 0:19:30.040
<v Speaker 1>that's why you bought it. So now that you bought it,

0:19:30.040 --> 0:19:31.880
<v Speaker 1>you're trying to be greedy. And I was like, how

0:19:31.880 --> 0:19:34.440
<v Speaker 1>do I get more people on top of this instead

0:19:34.440 --> 0:19:37.879
<v Speaker 1>of just making it the best and hoping people follow. Now,

0:19:37.960 --> 0:19:41.240
<v Speaker 1>what I feel like movies like Wonder Woman and Black

0:19:41.280 --> 0:19:46.359
<v Speaker 1>pant did was they took the source material and looked

0:19:46.359 --> 0:19:50.639
<v Speaker 1>at it's actual the Venn diagram of its actual source material.

0:19:50.680 --> 0:19:53.720
<v Speaker 1>They didn't look at outside reasons it can be better.

0:19:54.160 --> 0:19:56.720
<v Speaker 1>They looked at what they had and why it's good.

0:19:57.000 --> 0:20:00.320
<v Speaker 1>Wonder Woman is good even as a comic book because

0:20:00.359 --> 0:20:04.399
<v Speaker 1>if you are a woman, it's very empowering as a woman.

0:20:04.480 --> 0:20:07.359
<v Speaker 1>You can read Wonder Woman. It's empowering as a comic book.

0:20:07.400 --> 0:20:10.000
<v Speaker 1>It's good for everyone. So they took that and really

0:20:10.000 --> 0:20:12.639
<v Speaker 1>blew that out. So they're like, let's make a movie

0:20:13.480 --> 0:20:16.400
<v Speaker 1>that the comic book fans will see, but women will

0:20:16.440 --> 0:20:19.960
<v Speaker 1>really enjoy because this is a comic book on its

0:20:19.960 --> 0:20:23.960
<v Speaker 1>own strength is empowering for women. So it's it's that's

0:20:23.960 --> 0:20:26.720
<v Speaker 1>a smart move to look for ways for that, and

0:20:26.760 --> 0:20:29.040
<v Speaker 1>I feel like Black Panther did the same thing, same

0:20:29.119 --> 0:20:32.600
<v Speaker 1>VENN diagram. This comic book is a good comic book

0:20:32.640 --> 0:20:35.439
<v Speaker 1>character for comic book fans, but if you're a black person,

0:20:35.520 --> 0:20:37.320
<v Speaker 1>this is good. So how do we make this movie

0:20:37.680 --> 0:20:40.919
<v Speaker 1>a good movie for all black people even if you

0:20:40.960 --> 0:20:43.600
<v Speaker 1>don't like comic books, because that's what I saw a

0:20:43.600 --> 0:20:46.000
<v Speaker 1>lot of tweets of was like, I'm not even into comics. Yeah,

0:20:46.359 --> 0:20:49.320
<v Speaker 1>and I absolutely love this film. It's it's real funny

0:20:49.400 --> 0:20:51.720
<v Speaker 1>listening to the read when they talk about it because

0:20:51.840 --> 0:20:54.000
<v Speaker 1>Kid furies like a real big comic book fan and

0:20:54.080 --> 0:20:57.560
<v Speaker 1>Crystal does not care for it. So it's interesting to

0:20:57.840 --> 0:21:00.359
<v Speaker 1>hear both sides in one take. And it is and

0:21:00.480 --> 0:21:02.840
<v Speaker 1>it goes even bigger that you don't even have to

0:21:02.960 --> 0:21:06.000
<v Speaker 1>be black, because the fact of the matter is if

0:21:06.000 --> 0:21:10.159
<v Speaker 1>you make a good product for a marginalized group, a

0:21:10.280 --> 0:21:14.280
<v Speaker 1>minority group, if it's good enough, everyone's gonna still like it.

0:21:14.320 --> 0:21:16.920
<v Speaker 1>But that doesn't take away the fact that that's who

0:21:17.040 --> 0:21:19.760
<v Speaker 1>was made right. Yes, I agree, And I also feel

0:21:19.800 --> 0:21:22.040
<v Speaker 1>like it's so interesting when people are like, oh, I

0:21:22.119 --> 0:21:25.520
<v Speaker 1>really related to this, It was like, yeah, you know,

0:21:26.359 --> 0:21:31.520
<v Speaker 1>people of color do also have a similar stories and issues.

0:21:31.680 --> 0:21:37.320
<v Speaker 1>Yeah weird, weird. Oh you have a little kid's sister. Weird. Um. Anyways,

0:21:37.880 --> 0:21:40.560
<v Speaker 1>so I agree, But I do remember that when Wonder

0:21:40.560 --> 0:21:42.399
<v Speaker 1>Woman came out, there were a lot of women that

0:21:42.440 --> 0:21:44.800
<v Speaker 1>were like, I'm not and this isn't stereotyping anything. I

0:21:45.000 --> 0:21:48.240
<v Speaker 1>read a ton of comics, but I had a lot

0:21:48.280 --> 0:21:50.280
<v Speaker 1>of friends of mine that said, you know, I don't

0:21:50.280 --> 0:21:53.160
<v Speaker 1>read comics, and I'm very into it. It was also

0:21:53.320 --> 0:21:57.439
<v Speaker 1>a good war film. Yeah it had all the nice sides.

0:21:58.080 --> 0:22:00.359
<v Speaker 1>But we've been dancing around it. But let's full jump

0:22:00.400 --> 0:22:05.040
<v Speaker 1>into the legal stuff. So a fun thing is Canada's

0:22:05.119 --> 0:22:10.120
<v Speaker 1>Copyright Monertization Act explicitly added an exemption which allows non

0:22:10.119 --> 0:22:13.320
<v Speaker 1>commercial creation of fan film material in two thousand twelve.

0:22:14.240 --> 0:22:18.439
<v Speaker 1>That is, man, that's so cool because that really is

0:22:18.480 --> 0:22:22.639
<v Speaker 1>a modernization of your copyright Act because it's taking into

0:22:22.680 --> 0:22:26.800
<v Speaker 1>account a trimd that is happening and protecting people who's

0:22:26.840 --> 0:22:28.680
<v Speaker 1>doing those trends because at the end of the day, yeah,

0:22:28.680 --> 0:22:30.359
<v Speaker 1>they're not trying to make money. They're just trying to

0:22:30.359 --> 0:22:33.159
<v Speaker 1>make a fun thing that they can share with the

0:22:33.200 --> 0:22:35.679
<v Speaker 1>fan base and there's no harm in that. And like

0:22:35.760 --> 0:22:39.280
<v Speaker 1>you were, saying it does create buzz for it and

0:22:39.359 --> 0:22:42.720
<v Speaker 1>lots of times. Another thing that's being said on light

0:22:42.760 --> 0:22:45.800
<v Speaker 1>of hope is like, man, this gets me excited to

0:22:45.800 --> 0:22:50.600
<v Speaker 1>see like a whole studio Dragon ball Z movie, you know, yeah, yeah,

0:22:50.600 --> 0:22:52.639
<v Speaker 1>how it could look, and also a studio that would

0:22:52.640 --> 0:22:57.840
<v Speaker 1>like respect the property exactly. So moving on this one

0:22:57.960 --> 0:22:59.920
<v Speaker 1>was a big one. So the U S Court rule

0:23:00.240 --> 0:23:04.320
<v Speaker 1>Lens versus Universal Music Group, So essentially, a woman named

0:23:04.320 --> 0:23:08.399
<v Speaker 1>Stephanie Lenz she posted on YouTube a home video of

0:23:08.440 --> 0:23:11.760
<v Speaker 1>her kid dancing to Prince's song Let's Go Crazy and

0:23:11.880 --> 0:23:16.280
<v Speaker 1>Universal so it wasn't Prince. Universal sent YouTube a takedown

0:23:16.320 --> 0:23:21.680
<v Speaker 1>notice basically claiming that her video violated their copyright, and

0:23:21.760 --> 0:23:26.160
<v Speaker 1>so the court ruled and acknowledged that creative fan activities

0:23:26.720 --> 0:23:30.880
<v Speaker 1>on copyrighted works might fall under fair use, and they

0:23:31.000 --> 0:23:36.480
<v Speaker 1>asked that copyright holders check and respect fair use before

0:23:36.680 --> 0:23:40.159
<v Speaker 1>using these d m c A takedown notices, which is

0:23:40.240 --> 0:23:44.760
<v Speaker 1>d m c A is the Digital Millennium Copyright Act essentially, yeah,

0:23:44.920 --> 0:23:48.040
<v Speaker 1>tackles some of that fair use. This was all the

0:23:48.240 --> 0:23:52.120
<v Speaker 1>crossfire that happened with YouTube's messy breakup with Universal Music

0:23:52.160 --> 0:23:54.040
<v Speaker 1>Group in the first place, because they used to have

0:23:54.080 --> 0:23:56.719
<v Speaker 1>a partnership and that's why they had all the videos

0:23:56.800 --> 0:23:59.800
<v Speaker 1>up there. In the moment that partnership ended, they did

0:23:59.840 --> 0:24:03.200
<v Speaker 1>a wide sweep of takedowns, and if you weren't smart

0:24:03.680 --> 0:24:06.320
<v Speaker 1>about fair use laws, like me, back then, I had

0:24:06.320 --> 0:24:10.240
<v Speaker 1>a very popular YouTube video where I was parodying this

0:24:10.680 --> 0:24:13.800
<v Speaker 1>video of these guys called It was called like Late

0:24:13.920 --> 0:24:17.360
<v Speaker 1>Night Special and They're humping Ottoman. It was like on

0:24:17.480 --> 0:24:19.920
<v Speaker 1>every late night show. Well, me and my friends did

0:24:19.920 --> 0:24:22.359
<v Speaker 1>a parody. We had the pretty rickey song in the

0:24:22.400 --> 0:24:26.520
<v Speaker 1>background Late Night Special. We got the takedown. I freaked out.

0:24:26.680 --> 0:24:28.480
<v Speaker 1>You know now I see it and I roll my

0:24:28.520 --> 0:24:31.679
<v Speaker 1>eyes because I've seen it enough. But if you're on

0:24:31.720 --> 0:24:34.320
<v Speaker 1>YouTube as a kid and you see that it's a

0:24:34.480 --> 0:24:38.119
<v Speaker 1>very legal like notice and you freak out and you're like,

0:24:38.200 --> 0:24:41.800
<v Speaker 1>you remove the song please, I don't want to be sued. Yeah, Well,

0:24:41.880 --> 0:24:44.800
<v Speaker 1>it also sucks because a lot of these people, I mean,

0:24:44.840 --> 0:24:47.119
<v Speaker 1>aside from this, this was like her just posting a

0:24:47.200 --> 0:24:51.040
<v Speaker 1>video over kid dancing. When you can take stuff down

0:24:51.119 --> 0:24:54.080
<v Speaker 1>like that, I feel like that has a huge precedent

0:24:54.840 --> 0:24:56.720
<v Speaker 1>as far as what they're allowed to take down. We

0:24:56.760 --> 0:24:59.639
<v Speaker 1>have a lot of friends that do movie reviews or

0:24:59.680 --> 0:25:02.040
<v Speaker 1>they'll of view TV shows, and it's like they have

0:25:02.119 --> 0:25:04.719
<v Speaker 1>to be super careful about their fair use as far

0:25:04.760 --> 0:25:08.160
<v Speaker 1>as like even what they're allowed to show, how much

0:25:08.200 --> 0:25:12.640
<v Speaker 1>they're allowed to show. Uh So it's super gray when

0:25:12.640 --> 0:25:14.320
<v Speaker 1>it comes to a lot of these I P s

0:25:14.440 --> 0:25:17.440
<v Speaker 1>and and companies, Some are much more stricter than others.

0:25:17.480 --> 0:25:19.320
<v Speaker 1>I think a lot of anime companies are a lot

0:25:19.320 --> 0:25:21.800
<v Speaker 1>more stricter, some of them that I can think of.

0:25:22.560 --> 0:25:25.639
<v Speaker 1>But since fan films tend to be fairly long and

0:25:25.720 --> 0:25:30.040
<v Speaker 1>extensive in nature, it's a lot harder to kind of

0:25:30.080 --> 0:25:33.639
<v Speaker 1>just wave it as fair use because they're not just

0:25:33.760 --> 0:25:35.920
<v Speaker 1>using like a still or a tiny bit of a

0:25:36.240 --> 0:25:39.960
<v Speaker 1>teaser trailer like they're actually making an entire film. Some

0:25:40.000 --> 0:25:42.920
<v Speaker 1>companies see it and think of it as free promotion

0:25:43.280 --> 0:25:47.359
<v Speaker 1>and others don't. And we'll we'll get into that with

0:25:47.480 --> 0:26:00.800
<v Speaker 1>Donnie and Rita Robot Underdog right after this. Welcome back

0:26:00.840 --> 0:26:04.080
<v Speaker 1>to Netificent. I am Danny Fernandez And if you why

0:26:04.080 --> 0:26:06.679
<v Speaker 1>do you way? I hope you enjoyed that ad for

0:26:07.280 --> 0:26:09.760
<v Speaker 1>I'm just gonna assume it was Atlanta Monster again. I've

0:26:09.760 --> 0:26:13.040
<v Speaker 1>been doing those ads going back for I'm gonna have

0:26:13.080 --> 0:26:17.720
<v Speaker 1>to check it out. Uh yeah, I wanted to correct something,

0:26:17.800 --> 0:26:22.120
<v Speaker 1>so right before the break, I was saying that Universal

0:26:22.200 --> 0:26:25.320
<v Speaker 1>Music Group had a nasty split with YouTube, but it

0:26:25.400 --> 0:26:28.800
<v Speaker 1>was actually Warner Music Group that had a split from YouTube.

0:26:28.960 --> 0:26:31.760
<v Speaker 1>Universal Music Group has been hand in hand in a

0:26:31.840 --> 0:26:36.560
<v Speaker 1>deal with YouTube that allows them to just pull videos

0:26:36.720 --> 0:26:41.480
<v Speaker 1>that they infringes upon them, like yeah, so that's why

0:26:41.480 --> 0:26:44.560
<v Speaker 1>it's pretty quick when it's a Universal Music because they

0:26:44.800 --> 0:26:46.840
<v Speaker 1>since they have a contract with YouTube, all they have

0:26:46.920 --> 0:26:50.119
<v Speaker 1>to do is cough and it just plugs the video

0:26:50.960 --> 0:26:54.199
<v Speaker 1>and it's gone. Yeah. So we are joined here by

0:26:54.240 --> 0:26:57.600
<v Speaker 1>two of our very good friends, Donnie and Rita McMillan

0:26:57.760 --> 0:27:05.760
<v Speaker 1>from Robot Underdog here. So y'all have I'm just gonna say,

0:27:05.760 --> 0:27:10.639
<v Speaker 1>like the most popular Dragon ball Z fan film that

0:27:10.760 --> 0:27:16.280
<v Speaker 1>is out there. Yeah, that's just facts at this point, opinion.

0:27:17.800 --> 0:27:20.720
<v Speaker 1>Thank you very much. I don't know what to say.

0:27:20.760 --> 0:27:23.680
<v Speaker 1>That's about. It's good of a compliment as you can get. Yeah,

0:27:23.680 --> 0:27:26.120
<v Speaker 1>it's done really well. It's been a lot of fun. Yeah,

0:27:26.200 --> 0:27:29.919
<v Speaker 1>what are your current numbers for your for both of them,

0:27:30.800 --> 0:27:37.120
<v Speaker 1>it's definitely for both of them, wow collectively? Yeah, yeah,

0:27:37.560 --> 0:27:42.040
<v Speaker 1>the first one did insane, just blew up. I don't

0:27:41.520 --> 0:27:45.600
<v Speaker 1>ye didn't even know why yeah, and that's that's a

0:27:45.680 --> 0:27:49.440
<v Speaker 1>light of hope. Um, So how did y'all get started?

0:27:49.720 --> 0:27:51.879
<v Speaker 1>When did you get started? Like, what year was it

0:27:51.880 --> 0:27:53.760
<v Speaker 1>when you got started? When did you decide that you

0:27:53.800 --> 0:27:55.800
<v Speaker 1>were going to make a Dragon ball Z fan film?

0:27:55.840 --> 0:27:59.359
<v Speaker 1>How did you? How did that happen? So we started

0:27:59.359 --> 0:28:02.800
<v Speaker 1>with the first fan film we did was a Miles

0:28:02.800 --> 0:28:07.359
<v Speaker 1>Morales Ultimate Spider Man, So that is the blackest fanic

0:28:07.400 --> 0:28:09.960
<v Speaker 1>Spider Man, who was one of our favorite characters. I'm Hispanic,

0:28:10.080 --> 0:28:19.000
<v Speaker 1>Donnie's black boom like diagram, Miles Morales. So that's how

0:28:19.040 --> 0:28:21.600
<v Speaker 1>we actually got started into fan films, was we wanted

0:28:21.640 --> 0:28:25.400
<v Speaker 1>to represent characters who weren't being represented in film that

0:28:25.480 --> 0:28:28.880
<v Speaker 1>were of course minority, and also just characters we love

0:28:29.080 --> 0:28:32.919
<v Speaker 1>and I think bring something new to the genre, like

0:28:32.960 --> 0:28:35.760
<v Speaker 1>geek culture. So we started with the Miles film, and

0:28:35.760 --> 0:28:38.200
<v Speaker 1>then after that, for some crazy reason, we thought that

0:28:38.240 --> 0:28:41.760
<v Speaker 1>we should do the hardest live action project ever, which

0:28:41.800 --> 0:28:45.320
<v Speaker 1>was Dragon ball Z. And that was probably what I

0:28:45.360 --> 0:28:46.920
<v Speaker 1>just want to say, because, like you were saying, with

0:28:47.000 --> 0:28:50.320
<v Speaker 1>the hardest, most people argue that Dragon ball Z cannot

0:28:50.400 --> 0:28:53.480
<v Speaker 1>be made into live action. We hear that all the time.

0:28:53.680 --> 0:28:55.800
<v Speaker 1>That was quite literally, like because it was at the

0:28:55.840 --> 0:28:58.400
<v Speaker 1>beginning of us launching our YouTube channel, So we were thinking,

0:28:58.400 --> 0:29:00.600
<v Speaker 1>all right, we did the Spider Man thing, what can

0:29:00.640 --> 0:29:03.840
<v Speaker 1>we do next that will be like, like everyone says

0:29:03.880 --> 0:29:05.440
<v Speaker 1>you can't do it because they had just come out

0:29:05.480 --> 0:29:11.920
<v Speaker 1>with um evolution, Dragon ball about or didn't talk about that. Well,

0:29:11.960 --> 0:29:14.200
<v Speaker 1>that's the thing. That's like our number one comment, and

0:29:14.320 --> 0:29:19.240
<v Speaker 1>anything we do is better than evolution. That was the thing.

0:29:19.240 --> 0:29:22.520
<v Speaker 1>We're like, well, if I couldn't do it, evolution, yeah,

0:29:22.520 --> 0:29:25.000
<v Speaker 1>like you were saying, Evolution just was the one that

0:29:25.040 --> 0:29:28.520
<v Speaker 1>Fox had made. Yeah, yeah, And being filmmakers, were thinking, well,

0:29:29.000 --> 0:29:31.520
<v Speaker 1>like we wanted to kind of align everything. We wanted

0:29:31.520 --> 0:29:33.400
<v Speaker 1>the channel to do well, but wanted to showcase our

0:29:33.440 --> 0:29:36.120
<v Speaker 1>filmmaking skills. So if we could do something that Hollywood

0:29:36.120 --> 0:29:39.640
<v Speaker 1>couldn't do on a micro budget, then job well done

0:29:39.840 --> 0:29:42.000
<v Speaker 1>kind of you know, And we wanted to prove that

0:29:42.240 --> 0:29:45.600
<v Speaker 1>these films that fall flat when the superhero based it's

0:29:45.680 --> 0:29:48.360
<v Speaker 1>a lot of times it just feels like fans aren't

0:29:48.360 --> 0:29:51.200
<v Speaker 1>involved in the creative process, and so it was the

0:29:51.200 --> 0:29:53.600
<v Speaker 1>whole thing. It was like, well, it's let's before the fans,

0:29:53.640 --> 0:29:58.200
<v Speaker 1>by the fans and show them that when geeks freak out,

0:29:58.360 --> 0:30:02.160
<v Speaker 1>over movies being wrong, it's justified because they actually a

0:30:02.240 --> 0:30:05.160
<v Speaker 1>lot of times have better opinions. Yeah, we're actually saying

0:30:05.200 --> 0:30:09.479
<v Speaker 1>before the break, how the reason that tends to happen

0:30:09.560 --> 0:30:15.160
<v Speaker 1>is because you know, Hollywood has this problem with trying

0:30:15.160 --> 0:30:18.240
<v Speaker 1>to make it super relatable, trying to make it for everyone,

0:30:18.520 --> 0:30:22.920
<v Speaker 1>and then watering down the actual perspective of the peace

0:30:22.960 --> 0:30:26.040
<v Speaker 1>and the source material. Yes, and when you do that,

0:30:26.120 --> 0:30:30.280
<v Speaker 1>you alienate the fans, and you also ruin the story itself.

0:30:30.360 --> 0:30:32.720
<v Speaker 1>Like the reason it has a fan basis because it's

0:30:32.720 --> 0:30:38.440
<v Speaker 1>a unique story and perspective. So in order to embolden that,

0:30:38.480 --> 0:30:41.640
<v Speaker 1>you have to embrace it and look from there versus

0:30:41.680 --> 0:30:44.160
<v Speaker 1>the other way of looking at it as like, Okay,

0:30:44.200 --> 0:30:47.960
<v Speaker 1>these nerds like this thing, but obviously everyone's not gonna

0:30:48.080 --> 0:30:49.840
<v Speaker 1>like this thing, So how do I make it like

0:30:49.960 --> 0:30:52.160
<v Speaker 1>everyone nerds are going to spend their money because it

0:30:52.200 --> 0:30:54.520
<v Speaker 1>has the names that, oh, that's how you get your

0:30:54.560 --> 0:30:58.600
<v Speaker 1>movie roasted and you end up like dragon Ball. It's

0:30:58.680 --> 0:31:02.720
<v Speaker 1>super arrogant the approach. It's like, it's a lot of arrogance.

0:31:02.800 --> 0:31:05.080
<v Speaker 1>Like we got to talk to a director who was

0:31:05.560 --> 0:31:08.120
<v Speaker 1>we can't say who, but he actually interviewed to direct

0:31:08.280 --> 0:31:11.959
<v Speaker 1>the movie, and he was basically just saying that it's

0:31:12.000 --> 0:31:14.960
<v Speaker 1>old Hollywood and they're so arrogant, like even if you

0:31:15.000 --> 0:31:17.880
<v Speaker 1>have numbers, they don't care. Like he was saying that

0:31:17.960 --> 0:31:20.719
<v Speaker 1>they either needed to be set in the United States,

0:31:20.720 --> 0:31:24.360
<v Speaker 1>all white cast, like which is going to piss people off,

0:31:25.200 --> 0:31:31.720
<v Speaker 1>don't understanding of the films Tokyo, you're going to piss

0:31:31.760 --> 0:31:34.160
<v Speaker 1>off the fan base that you're planning to capitalize on.

0:31:35.000 --> 0:31:37.040
<v Speaker 1>Or it was either that or getting no money, like

0:31:37.080 --> 0:31:39.040
<v Speaker 1>a super low budget. And he tried to like tell him,

0:31:39.080 --> 0:31:40.480
<v Speaker 1>He's like, look, I love this, It's like one of

0:31:40.480 --> 0:31:42.280
<v Speaker 1>my favorite animals of all time. Like I try to

0:31:42.280 --> 0:31:44.800
<v Speaker 1>tell him, like I showed him all the numbers. They

0:31:44.840 --> 0:31:47.920
<v Speaker 1>did not care. They're just old and arrogant and they

0:31:47.920 --> 0:31:51.440
<v Speaker 1>don't want they don't care. What's so funny is when

0:31:51.480 --> 0:31:54.440
<v Speaker 1>that fallout happens, then you get them trying to be like, well,

0:31:54.680 --> 0:31:56.400
<v Speaker 1>you know, we're just trying to make it work and

0:31:56.440 --> 0:31:58.600
<v Speaker 1>all this stuff, but literally, you weren't trying to make

0:31:58.640 --> 0:32:00.000
<v Speaker 1>it work. As a matter of fact, you made an

0:32:00.080 --> 0:32:03.400
<v Speaker 1>ultimatum for a white cast, Like you you really put

0:32:03.400 --> 0:32:05.080
<v Speaker 1>the movie on the line where it's like we're only

0:32:05.120 --> 0:32:07.240
<v Speaker 1>going to make this movie if it can be a

0:32:07.240 --> 0:32:09.360
<v Speaker 1>white cast and it really just goes to show. He

0:32:09.440 --> 0:32:11.760
<v Speaker 1>was like, oh, you want diversity, all right, well we

0:32:11.800 --> 0:32:14.880
<v Speaker 1>won't give you any money. Yeah, it's built off an

0:32:14.880 --> 0:32:17.080
<v Speaker 1>old model. Because I thought about this a lot, because

0:32:17.120 --> 0:32:19.480
<v Speaker 1>I was thinking, like, why would people even make those

0:32:19.560 --> 0:32:21.640
<v Speaker 1>kind of decisions. But you know, if you go back

0:32:21.680 --> 0:32:25.160
<v Speaker 1>twenty years before everyone had the Internet, it kind of

0:32:25.200 --> 0:32:28.240
<v Speaker 1>makes sense if you have a white majority country to

0:32:28.320 --> 0:32:30.640
<v Speaker 1>make something that caters towards that audience. I mean, you're

0:32:30.680 --> 0:32:33.520
<v Speaker 1>still neglecting the other people in the country, but at

0:32:33.600 --> 0:32:36.240
<v Speaker 1>least you can make some sense out of it, Whereas

0:32:36.320 --> 0:32:39.480
<v Speaker 1>now it's like we're all connected, like we're globally connected.

0:32:39.520 --> 0:32:42.880
<v Speaker 1>If you make a Japanese franchise, if you tell a

0:32:42.920 --> 0:32:46.840
<v Speaker 1>story from that world and it just totally whitewasher or

0:32:46.880 --> 0:32:49.600
<v Speaker 1>just change it dramatically in any way, you're left with

0:32:49.680 --> 0:32:52.240
<v Speaker 1>something totally new and different. That's why people freak out

0:32:52.240 --> 0:32:55.560
<v Speaker 1>over like a death Note on Netflix, you know those

0:32:55.640 --> 0:32:57.600
<v Speaker 1>kind of shows. The thing is with both death Note

0:32:57.640 --> 0:33:00.360
<v Speaker 1>and like a Kira death Note could have been a

0:33:00.440 --> 0:33:03.280
<v Speaker 1>new person. Like if you think, like re drops the

0:33:03.360 --> 0:33:07.560
<v Speaker 1>Notebook every so thousand years or every hundred years, why

0:33:07.600 --> 0:33:10.440
<v Speaker 1>not set it in like I don't know, thirty thirty

0:33:10.600 --> 0:33:13.480
<v Speaker 1>United States. It's a completely new kid if you want,

0:33:13.520 --> 0:33:17.280
<v Speaker 1>like an American cat, Like you could do that with

0:33:17.320 --> 0:33:20.400
<v Speaker 1>something else. Yeah, no, that's what's so wild about it.

0:33:20.440 --> 0:33:22.880
<v Speaker 1>And even that's how I felt about Ghosts of the Shell,

0:33:22.960 --> 0:33:25.800
<v Speaker 1>where it's like ghost in the Shell at its core,

0:33:26.800 --> 0:33:30.280
<v Speaker 1>skeletons would be an interesting story no matter who's at

0:33:30.280 --> 0:33:36.440
<v Speaker 1>the mantle. Like it's just this cyber cop using technology

0:33:36.480 --> 0:33:39.600
<v Speaker 1>to solve crimes. It's basically just the future of crime.

0:33:40.280 --> 0:33:44.440
<v Speaker 1>But when you use the same character, same name, and

0:33:44.440 --> 0:33:47.760
<v Speaker 1>then cast Scarlett Johansen, that becomes a problem. It's a

0:33:47.800 --> 0:33:51.720
<v Speaker 1>problem to sit in a movie and watch a white

0:33:51.760 --> 0:33:54.760
<v Speaker 1>woman be addressed as a Japanese woman. Like that's what's

0:33:54.800 --> 0:33:56.920
<v Speaker 1>so funny is people like I don't see the problem. Well,

0:33:56.920 --> 0:33:59.440
<v Speaker 1>they could have just acknowledged it, like like something like

0:33:59.480 --> 0:34:00.840
<v Speaker 1>Altered Car have been I don't know if you guys,

0:34:01.640 --> 0:34:03.680
<v Speaker 1>but it's like the Asian guy dies and he makes

0:34:03.800 --> 0:34:05.880
<v Speaker 1>up in the white guy's body. Yeah, but it's like

0:34:06.280 --> 0:34:08.799
<v Speaker 1>because they showed you that, and it's like it wasn't

0:34:08.840 --> 0:34:11.520
<v Speaker 1>as bad because it's like, okay, like we understand that

0:34:11.520 --> 0:34:14.319
<v Speaker 1>this he's still the Asian guy. Yeah, you know, like

0:34:14.360 --> 0:34:16.759
<v Speaker 1>he's just in this body. You know, that's that that's

0:34:16.800 --> 0:34:21.680
<v Speaker 1>me transparently seeing you cheat. You're like diversity. We're going

0:34:21.760 --> 0:34:24.120
<v Speaker 1>to get people writing you because that was in the book.

0:34:24.800 --> 0:34:29.080
<v Speaker 1>People were very angry. But oh well, I guess what then?

0:34:29.120 --> 0:34:33.000
<v Speaker 1>I guess the book is trashed too. I don't care

0:34:33.040 --> 0:34:35.759
<v Speaker 1>a damn I don't care. Now y'all care about what's

0:34:35.760 --> 0:34:37.920
<v Speaker 1>in the book. Like that's what's so funny. It is

0:34:37.960 --> 0:34:41.280
<v Speaker 1>like y'all weren't mad at the Beguild because they completely

0:34:41.280 --> 0:34:45.000
<v Speaker 1>erased the black women in that story. But when oh man,

0:34:45.120 --> 0:34:50.799
<v Speaker 1>let somebody touch your oversaturated part of Hollywood. Oh no,

0:34:51.360 --> 0:34:53.279
<v Speaker 1>it's like, yeah, no, it was whack in the book,

0:34:53.280 --> 0:34:54.600
<v Speaker 1>and it was whacked. Now you know when you want

0:34:54.600 --> 0:34:56.600
<v Speaker 1>to know what book also doesn't hold up the Bible

0:34:56.680 --> 0:35:00.719
<v Speaker 1>that ships you're really going to get people, alright, if

0:35:00.880 --> 0:35:07.759
<v Speaker 1>we just celebrated Easter, what's your Twitter handle? That that

0:35:07.960 --> 0:35:11.480
<v Speaker 1>stuff is out to ask you? What are some fan

0:35:11.600 --> 0:35:14.799
<v Speaker 1>films that you enjoy? Did you watch any like over

0:35:14.880 --> 0:35:17.440
<v Speaker 1>while you were making yours? Were you inspired? Are there

0:35:17.440 --> 0:35:20.600
<v Speaker 1>ones now that you particularly like? Oh yeah, there's a lot.

0:35:20.600 --> 0:35:22.120
<v Speaker 1>I guess I'll just start naming a couple of my

0:35:22.160 --> 0:35:25.040
<v Speaker 1>favorite We're actually really good friends with the East Mahat crew,

0:35:25.640 --> 0:35:29.480
<v Speaker 1>h Danny Shepard, Jeremy Lee, all those guys, and they

0:35:29.520 --> 0:35:33.120
<v Speaker 1>had the Night Wing the series what Yeah, that came

0:35:33.120 --> 0:35:36.480
<v Speaker 1>out that we watched and really loved. And a few

0:35:36.520 --> 0:35:40.600
<v Speaker 1>before that was like Batman Verse Predator. I don't remember what.

0:35:41.000 --> 0:35:43.480
<v Speaker 1>That's the first one I've ever seen and still one

0:35:43.480 --> 0:35:47.200
<v Speaker 1>of my favorites. It's probably it's so SD and like,

0:35:47.680 --> 0:35:50.920
<v Speaker 1>you know, just old. It's probably like super pixelated. But

0:35:51.000 --> 0:35:53.279
<v Speaker 1>when I saw that, I was like, you could make

0:35:53.360 --> 0:35:59.839
<v Speaker 1>your own Batman movie. Yeah, you were talking about dead End?

0:36:00.040 --> 0:36:05.840
<v Speaker 1>Do you guys see that? Oh? Okay, dead End. Yeah.

0:36:06.120 --> 0:36:08.520
<v Speaker 1>There's also several snape in the Marauders by our good

0:36:08.520 --> 0:36:13.400
<v Speaker 1>friend just his channel's Broadshroke Productions that he's working on.

0:36:13.440 --> 0:36:16.719
<v Speaker 1>I think he's going to try Cowboy Bebop and like

0:36:16.760 --> 0:36:22.240
<v Speaker 1>an anime perhaps. And then there's Troopers. Troopers, Yeah, Troops

0:36:22.360 --> 0:36:28.600
<v Speaker 1>truph So Troops was a parody of Star Wars and Cops. Essentially,

0:36:28.719 --> 0:36:32.000
<v Speaker 1>it was like a mockumentary fan film set in the

0:36:32.040 --> 0:36:34.560
<v Speaker 1>Star Wars universe where they're essentially like interview. It's like

0:36:34.560 --> 0:36:38.320
<v Speaker 1>an everyday glimpse of Stormtroopers on the job. It's hilarious,

0:36:38.400 --> 0:36:40.720
<v Speaker 1>It's it's shot and edited just like an old episode

0:36:40.719 --> 0:36:43.400
<v Speaker 1>of Cops. Perfect. Yeah. I felt really bad that I

0:36:43.480 --> 0:36:45.919
<v Speaker 1>somehow missed that for the longest time. We we met

0:36:45.960 --> 0:36:48.560
<v Speaker 1>the guy that made it at a panel at a con,

0:36:48.680 --> 0:36:51.400
<v Speaker 1>a couple of cons ago, and uh, I was just

0:36:51.480 --> 0:36:53.880
<v Speaker 1>blown away, like, wait, how did I not see this?

0:36:53.960 --> 0:36:59.440
<v Speaker 1>Because originally debuted, wasn't the internet not like YouTube? So

0:37:00.000 --> 0:37:02.080
<v Speaker 1>commered at comic Con. It did premiere at San Diego

0:37:02.080 --> 0:37:06.400
<v Speaker 1>Comic Con. Yeah. It was done by Kevin Rubio, Sean

0:37:06.520 --> 0:37:11.120
<v Speaker 1>Jordan's and Patrick Perez. Yeah. Yeah. Another one, another Star

0:37:11.160 --> 0:37:15.239
<v Speaker 1>Wars one was Chad Vader. So Chad Vader was the

0:37:15.320 --> 0:37:20.520
<v Speaker 1>younger brother of Darth Vader. Uh. And that was actually

0:37:20.640 --> 0:37:23.680
<v Speaker 1>that became really popular on Channel one oh one, and

0:37:23.760 --> 0:37:26.720
<v Speaker 1>George Lucas was a fan of the series, so Matt

0:37:26.800 --> 0:37:30.719
<v Speaker 1>Sloane got hired as the voice of Darth Vader for

0:37:30.960 --> 0:37:34.040
<v Speaker 1>the Force Unleashed video game. So just showing that when

0:37:34.040 --> 0:37:37.560
<v Speaker 1>you have a popular fan film or fan show and

0:37:37.600 --> 0:37:39.880
<v Speaker 1>the people that are involved, I think that's the other thing,

0:37:39.960 --> 0:37:42.440
<v Speaker 1>Like the people that are involved also enjoy it, then

0:37:42.480 --> 0:37:46.719
<v Speaker 1>you can sometimes brought in for the for the real deal.

0:37:46.880 --> 0:37:50.600
<v Speaker 1>That's what's interesting with Star Wars fan films specifically, is

0:37:50.719 --> 0:37:55.360
<v Speaker 1>at least early on, it seemed like Lucas really embraced those,

0:37:55.480 --> 0:37:58.960
<v Speaker 1>uh those films because a lot of those people created

0:37:58.960 --> 0:38:02.759
<v Speaker 1>a viable option to get into the industry. So the

0:38:02.760 --> 0:38:04.960
<v Speaker 1>guy that did Troopers, he I think he's doing the

0:38:05.040 --> 0:38:09.160
<v Speaker 1>comic book, like he's making a Star Wars comic book.

0:38:09.160 --> 0:38:15.799
<v Speaker 1>Now there are the legal hoops, and you do have

0:38:16.160 --> 0:38:20.440
<v Speaker 1>a thirty million hit Dragon Balls fan film. Have you

0:38:20.680 --> 0:38:24.640
<v Speaker 1>gotten any any problems from that? Has has Toey hit

0:38:24.719 --> 0:38:29.400
<v Speaker 1>you up or any I mean, well with the fan film, no,

0:38:29.640 --> 0:38:32.239
<v Speaker 1>I mean they've actually we've actually got a pretty we

0:38:32.320 --> 0:38:35.759
<v Speaker 1>got a weird relationship with Toey, I'd say, because they

0:38:35.840 --> 0:38:38.000
<v Speaker 1>like us and we get invited to a bunch of

0:38:38.000 --> 0:38:41.280
<v Speaker 1>cool stuff. But you know, when you're dealing with videos

0:38:41.320 --> 0:38:44.880
<v Speaker 1>on YouTube, just because the people at the company are

0:38:44.920 --> 0:38:48.200
<v Speaker 1>supportive of whatever you're doing, you still have like people

0:38:48.239 --> 0:38:50.600
<v Speaker 1>that their job is to like just kind of mass

0:38:50.719 --> 0:38:54.279
<v Speaker 1>flag videos. So what we get we get hung up

0:38:54.320 --> 0:38:57.319
<v Speaker 1>on our like reaction videos and stuff like that. So

0:38:57.360 --> 0:38:59.600
<v Speaker 1>I have to be really careful because it's it feels

0:38:59.600 --> 0:39:02.439
<v Speaker 1>like we're on a shortlists sometimes because it felt weird.

0:39:02.760 --> 0:39:06.160
<v Speaker 1>We have thirty million views are films, but then our

0:39:06.400 --> 0:39:09.560
<v Speaker 1>reaction videos about the video as far as the film,

0:39:09.640 --> 0:39:12.480
<v Speaker 1>so there's been no I mean, it's all been positive.

0:39:12.560 --> 0:39:15.279
<v Speaker 1>And what's interesting is the time that we released the

0:39:15.320 --> 0:39:18.920
<v Speaker 1>pilot was actually when Adi Shankar, like almost the same

0:39:19.000 --> 0:39:22.040
<v Speaker 1>day he released the bootleg Power Rangers and they got

0:39:22.040 --> 0:39:27.920
<v Speaker 1>taken down and so but because he's rich and a

0:39:27.960 --> 0:39:31.759
<v Speaker 1>producer and has Hollywood connections, like he fought Sabin in

0:39:31.920 --> 0:39:35.640
<v Speaker 1>one and so that that court case is kind of

0:39:35.640 --> 0:39:38.719
<v Speaker 1>set the precedence where like, if you're creating all of

0:39:38.719 --> 0:39:42.120
<v Speaker 1>your if you're writing an original script, creating original video,

0:39:42.200 --> 0:39:46.359
<v Speaker 1>original soundtrack, everything is your own original work, that case

0:39:46.440 --> 0:39:49.120
<v Speaker 1>kind of stands as a precedent to say, Okay, they

0:39:49.120 --> 0:39:52.680
<v Speaker 1>can legally do this. It falls within the fair use.

0:39:53.080 --> 0:39:56.279
<v Speaker 1>We really make a point to at the beginning, it's

0:39:56.320 --> 0:39:58.960
<v Speaker 1>like this isn't you know this is a tribute to

0:39:59.320 --> 0:40:03.040
<v Speaker 1>the sourcement's aerial. We credit the original creators, and you know,

0:40:03.080 --> 0:40:05.880
<v Speaker 1>we do everything we can just to kind of lighten

0:40:06.160 --> 0:40:08.920
<v Speaker 1>any issue that they would be there. Basically, the checklist

0:40:08.960 --> 0:40:11.719
<v Speaker 1>is don't take away money from the official releases, don't

0:40:11.800 --> 0:40:15.600
<v Speaker 1>use any of their like sound effects images, stuff like that,

0:40:16.200 --> 0:40:19.000
<v Speaker 1>and then let people know that you're not the official one. Like,

0:40:19.040 --> 0:40:21.000
<v Speaker 1>as long as we're not confusing people and like trying

0:40:21.040 --> 0:40:24.239
<v Speaker 1>to pretend like you're an official product, they're going to

0:40:24.320 --> 0:40:26.279
<v Speaker 1>be cool. Yeah, because I think half the reason the

0:40:26.280 --> 0:40:29.319
<v Speaker 1>Power Rangers video gott in such hot water as they

0:40:29.320 --> 0:40:32.879
<v Speaker 1>were legitimately making that new Power Rangers movie and so

0:40:32.920 --> 0:40:35.440
<v Speaker 1>it confused them because we actually got in trouble with

0:40:35.480 --> 0:40:38.760
<v Speaker 1>our Miles morales Um project. And what's weird is Brian

0:40:38.800 --> 0:40:43.279
<v Speaker 1>Michael Vendace straight up like created a fan film like

0:40:43.800 --> 0:40:48.480
<v Speaker 1>contest just because I think we won it. I think

0:40:48.480 --> 0:40:51.120
<v Speaker 1>we were number one or we were on you already

0:40:51.360 --> 0:40:58.520
<v Speaker 1>remember it. It was just you know things, but I'm

0:40:58.520 --> 0:41:01.839
<v Speaker 1>pretty sure we were number one. Well, what was cool

0:41:01.840 --> 0:41:04.799
<v Speaker 1>as we got to meet him and were cool. We're like, hey,

0:41:04.840 --> 0:41:09.960
<v Speaker 1>we're the ones that did the thing, and okay, great,

0:41:10.000 --> 0:41:12.080
<v Speaker 1>we'll put it in the show notes, so y'all can

0:41:12.120 --> 0:41:15.440
<v Speaker 1>go check it out. Yeah that'd be awesome. Yeah, but okay,

0:41:15.440 --> 0:41:18.879
<v Speaker 1>so so so but you got flagged. So yeah, So

0:41:18.960 --> 0:41:21.279
<v Speaker 1>it was weird because we tweeted Michael Bendes and he

0:41:21.360 --> 0:41:23.400
<v Speaker 1>was like, oh, this is great. And again the contest

0:41:23.440 --> 0:41:25.239
<v Speaker 1>got made and we were on there and so we're like, oh,

0:41:25.280 --> 0:41:27.839
<v Speaker 1>it's all good, but we at least the exact same

0:41:27.920 --> 0:41:31.960
<v Speaker 1>week as the Amazing Spider Man. Yeah, so we're promoting

0:41:32.000 --> 0:41:35.440
<v Speaker 1>it is like, you know, ho Spider Man thing, and

0:41:35.480 --> 0:41:37.279
<v Speaker 1>I think that's why we got flagged. Yeah, but it

0:41:37.320 --> 0:41:39.080
<v Speaker 1>was funny because when we were kind of dealing with

0:41:39.120 --> 0:41:42.200
<v Speaker 1>all that, we got word from even people within Sony

0:41:42.239 --> 0:41:44.120
<v Speaker 1>that they really liked it and everyone had seen it.

0:41:44.200 --> 0:41:46.480
<v Speaker 1>We're like, oh, that's that's cool. Can we get a

0:41:46.600 --> 0:41:51.279
<v Speaker 1>video back? Yeah, they're getting it back a long time. No,

0:41:51.440 --> 0:41:53.680
<v Speaker 1>it was actually, can we get our channel back? Because

0:41:53.719 --> 0:41:57.200
<v Speaker 1>they took your channel. That's why we're Robot Underdog too,

0:41:57.400 --> 0:42:01.200
<v Speaker 1>that's right. So it was Robot Underdog. The original one

0:42:01.239 --> 0:42:04.279
<v Speaker 1>just gone. Yeah, it had to be down for like

0:42:04.320 --> 0:42:06.480
<v Speaker 1>a year. We reclaimed it when it came back, but

0:42:06.560 --> 0:42:09.240
<v Speaker 1>we had already grew all the subscribers on the other channel.

0:42:09.600 --> 0:42:11.880
<v Speaker 1>That's so I can't I always wondered why you were

0:42:11.880 --> 0:42:14.279
<v Speaker 1>a Robot Underdog too. We need to do like a

0:42:14.360 --> 0:42:19.359
<v Speaker 1>switch a kind of thing because that, Yeah, that's that's

0:42:19.360 --> 0:42:21.879
<v Speaker 1>so frustrating to me. That they can actually take your

0:42:21.960 --> 0:42:24.239
<v Speaker 1>channel for an entire year. So what they do is

0:42:24.280 --> 0:42:27.239
<v Speaker 1>if you get three copyright strikes within three months, then

0:42:27.400 --> 0:42:30.560
<v Speaker 1>your channels disabled for like a year or whatever. And

0:42:30.640 --> 0:42:34.799
<v Speaker 1>so was it all from Miles Morales because they not

0:42:34.880 --> 0:42:37.600
<v Speaker 1>only flagged the trailer, like the teaser trailer we released,

0:42:37.600 --> 0:42:39.759
<v Speaker 1>but they flagged every behind the scenes video we did

0:42:39.760 --> 0:42:42.960
<v Speaker 1>where we even said the word Miles Morales. Really, so

0:42:43.000 --> 0:42:45.160
<v Speaker 1>even if we didn't have footage, we didn't have comic books. Still,

0:42:45.239 --> 0:42:47.880
<v Speaker 1>how could they do that because they're a huge corporation

0:42:47.920 --> 0:42:49.759
<v Speaker 1>and we were nobody at the time. We didn't have

0:42:49.800 --> 0:42:52.120
<v Speaker 1>a network behind us. We had like five to ten

0:42:52.200 --> 0:42:55.560
<v Speaker 1>thousand subscribers. If that it was our very first project,

0:42:55.640 --> 0:42:57.759
<v Speaker 1>like we don't we could have fought it. We were

0:42:57.800 --> 0:43:03.040
<v Speaker 1>just naive and scared. Yeah, probably could a network and

0:43:03.280 --> 0:43:07.120
<v Speaker 1>well with your fan base you could base right right

0:43:07.200 --> 0:43:09.279
<v Speaker 1>right now, I feel like your fan base would go

0:43:09.360 --> 0:43:12.799
<v Speaker 1>to war. It would take them down. I feel like, yeah,

0:43:12.800 --> 0:43:16.880
<v Speaker 1>it would be a lot better now. Oh man, but

0:43:16.880 --> 0:43:19.880
<v Speaker 1>what if you were just reviewing the Miles Morales like

0:43:20.000 --> 0:43:22.080
<v Speaker 1>comic book, Because what you said is you also get

0:43:22.120 --> 0:43:24.400
<v Speaker 1>flagged for reaction. So I know a lot of what

0:43:24.440 --> 0:43:27.240
<v Speaker 1>you all do is also like dragon Ball Super after

0:43:27.600 --> 0:43:31.439
<v Speaker 1>reactions and stuff. Do you get flagged for those or what?

0:43:31.440 --> 0:43:34.600
<v Speaker 1>What reactions are you getting flagged for? I mean, it's

0:43:34.640 --> 0:43:37.880
<v Speaker 1>weird because we're we actually don't even show the video

0:43:38.000 --> 0:43:40.560
<v Speaker 1>at all, right, Like we just say, hey, one, two, three,

0:43:40.719 --> 0:43:45.880
<v Speaker 1>sync up along, Yeah, because we don't want any legal issues.

0:43:46.000 --> 0:43:47.360
<v Speaker 1>But like I said, it seems like we're on some

0:43:47.440 --> 0:43:50.200
<v Speaker 1>kind of short list, you know, because we're so known

0:43:50.320 --> 0:43:53.440
<v Speaker 1>for the dragon Ball for dragon Ball content. So for

0:43:53.480 --> 0:43:56.760
<v Speaker 1>whatever reason, no, we did a couple where people were complaining,

0:43:56.760 --> 0:43:58.719
<v Speaker 1>so we're like, okay, so I'll play it on my iPhone.

0:43:59.280 --> 0:44:01.439
<v Speaker 1>It's like our ends has very shallowed up to field,

0:44:01.480 --> 0:44:03.960
<v Speaker 1>so we'll put it completely out of focus. I'll turn

0:44:04.000 --> 0:44:06.680
<v Speaker 1>the brightness down. Like literally they could just see like flashes.

0:44:07.120 --> 0:44:10.120
<v Speaker 1>It was like unidentifiable, but people who were also watching

0:44:10.120 --> 0:44:12.960
<v Speaker 1>along could kind of get like some visual cues to

0:44:12.960 --> 0:44:15.640
<v Speaker 1>know where we were in the episode. And that video

0:44:15.840 --> 0:44:19.000
<v Speaker 1>got flagged a couple of months ago, and so we

0:44:19.120 --> 0:44:22.800
<v Speaker 1>fought it, and it was actually from a copyright troll

0:44:22.920 --> 0:44:25.759
<v Speaker 1>like company, like basically like a company that makes money

0:44:25.760 --> 0:44:28.920
<v Speaker 1>off of taking down these videos. So they were like

0:44:28.960 --> 0:44:32.160
<v Speaker 1>a law firm and Uh, what's crazy is whenever you

0:44:32.200 --> 0:44:35.359
<v Speaker 1>fight a copyright strike on YouTube, it literally says, if

0:44:35.400 --> 0:44:37.840
<v Speaker 1>you fill out this form, you're saying I agree to

0:44:37.880 --> 0:44:41.600
<v Speaker 1>go to court, like they can sue you legally, like

0:44:41.640 --> 0:44:43.960
<v Speaker 1>if you submit this counter like a counter to it.

0:44:44.239 --> 0:44:46.960
<v Speaker 1>And so we're just like, let's just do it. It's

0:44:47.000 --> 0:44:53.160
<v Speaker 1>just so we're going up against the law firm. Is

0:44:53.160 --> 0:44:56.520
<v Speaker 1>that what we're talking about? All right? I really must

0:44:56.520 --> 0:44:59.239
<v Speaker 1>want this reaction video because there's the thing you have

0:44:59.320 --> 0:45:02.040
<v Speaker 1>to because if not, anytime you get a strike on YouTube,

0:45:02.080 --> 0:45:05.040
<v Speaker 1>all of your features are disabled. We can't live stream,

0:45:05.080 --> 0:45:07.800
<v Speaker 1>we can't use YouTube space, we can't use like any

0:45:07.840 --> 0:45:10.680
<v Speaker 1>of the things like we need to make content for

0:45:10.680 --> 0:45:14.000
<v Speaker 1>our fans. So it was wait a whole three months

0:45:14.520 --> 0:45:17.120
<v Speaker 1>or fight it out and try to win, and fortunately

0:45:17.120 --> 0:45:21.600
<v Speaker 1>we won. Yes, like more creators. Yeah, I hope this

0:45:21.680 --> 0:45:25.760
<v Speaker 1>is inspiring to more creators um to fight back because

0:45:25.960 --> 0:45:28.920
<v Speaker 1>I feel aside from that also having pressure from the internet,

0:45:28.920 --> 0:45:31.920
<v Speaker 1>I feel like your followers and stuff could also tweet

0:45:31.920 --> 0:45:34.000
<v Speaker 1>at these companies to kind of step in and help you.

0:45:34.320 --> 0:45:37.520
<v Speaker 1>Oh yeah, there's just that intimidation factor when you're an

0:45:37.560 --> 0:45:40.560
<v Speaker 1>independent person and you're going up against a company. But

0:45:40.600 --> 0:45:43.040
<v Speaker 1>if you know you're in the right fight, you know,

0:45:44.520 --> 0:45:46.680
<v Speaker 1>pushed over. You can look up the things online, but

0:45:46.719 --> 0:45:49.400
<v Speaker 1>it's literally like if you know, you'll know, if you know,

0:45:49.480 --> 0:45:52.000
<v Speaker 1>you're not taken away from the official release, Like nobody

0:45:52.040 --> 0:45:57.279
<v Speaker 1>was watching our video in place of watching the episode

0:45:58.600 --> 0:46:01.320
<v Speaker 1>unidentifiable like that was in no way taking money away

0:46:01.360 --> 0:46:03.040
<v Speaker 1>from them. So we had a case. But like if

0:46:03.040 --> 0:46:05.600
<v Speaker 1>you're just gonna straight like you know, some people have

0:46:05.719 --> 0:46:08.040
<v Speaker 1>like the reaction videos that's in the screen, like even

0:46:08.040 --> 0:46:10.160
<v Speaker 1>like what we did with you guys on Funimations channel,

0:46:10.600 --> 0:46:12.960
<v Speaker 1>like that, I would say does not fall into fair use.

0:46:15.040 --> 0:46:19.360
<v Speaker 1>We had to get explicit permission from toy. Yeah, we

0:46:19.880 --> 0:46:22.480
<v Speaker 1>actually got permission from them directly. They sent us the

0:46:22.520 --> 0:46:25.280
<v Speaker 1>download of an episode. We did a watch along for

0:46:25.760 --> 0:46:28.120
<v Speaker 1>the second to last episode of dragon Ball Super and

0:46:28.200 --> 0:46:31.000
<v Speaker 1>Donnie and Rita joined us for that, and we were

0:46:31.040 --> 0:46:36.000
<v Speaker 1>allowed to show the episode on YouTube because they explicitly

0:46:36.040 --> 0:46:39.719
<v Speaker 1>sent it to us. So yeah, but we're actually going

0:46:39.760 --> 0:46:41.560
<v Speaker 1>to take a break and after this we will go

0:46:41.680 --> 0:46:53.400
<v Speaker 1>into the future of fan films. Right after this, Welcome

0:46:53.440 --> 0:46:58.440
<v Speaker 1>back to Nerdificent. I am Danny Fernandez, Boom and me.

0:46:58.719 --> 0:47:01.319
<v Speaker 1>Who's beat Box. If you may not know I beat

0:47:01.320 --> 0:47:03.800
<v Speaker 1>box with my mouth, the theme song and the introduced

0:47:04.560 --> 0:47:07.279
<v Speaker 1>if you I appreciate it, IFFI, and we are joined

0:47:07.320 --> 0:47:11.439
<v Speaker 1>again with Donnie and Rita of Robot Underdogs. So, y'all,

0:47:11.480 --> 0:47:14.319
<v Speaker 1>what do you think the future of fan film are

0:47:14.880 --> 0:47:17.440
<v Speaker 1>now that there's like such technology where I feel like

0:47:17.480 --> 0:47:21.120
<v Speaker 1>people can actually make like y'all's like can make a

0:47:21.239 --> 0:47:26.160
<v Speaker 1>real film. I mean, it is insane how accessible it's become,

0:47:26.640 --> 0:47:29.040
<v Speaker 1>you know. I mean even when we started, I felt like,

0:47:29.719 --> 0:47:32.759
<v Speaker 1>you know, it felt accessible. Did the technology change a

0:47:32.760 --> 0:47:35.400
<v Speaker 1>lot from when you started to Yeah? Yeah, I mean

0:47:35.440 --> 0:47:37.719
<v Speaker 1>it's just every year there's this new plug in, there's

0:47:37.719 --> 0:47:41.080
<v Speaker 1>this new software that allows you to do more cheaper,

0:47:41.280 --> 0:47:46.919
<v Speaker 1>you know, there's new websites that have built assets. I mean,

0:47:47.280 --> 0:47:50.399
<v Speaker 1>you can get so crazy on a small budget. Now

0:47:50.440 --> 0:47:53.239
<v Speaker 1>it's really there's no excuse. I mean, ever since you've

0:47:53.239 --> 0:47:56.120
<v Speaker 1>had ten a DP on an iPhone, you can make movies.

0:47:56.719 --> 0:47:58.000
<v Speaker 1>You're on your on your own if you want to.

0:47:58.040 --> 0:48:00.640
<v Speaker 1>Now on the tin that you get four kiss incredible,

0:48:00.760 --> 0:48:02.960
<v Speaker 1>I mean, and it's I had someone come up to us.

0:48:03.320 --> 0:48:05.239
<v Speaker 1>We were at a con. We did a panel, and

0:48:05.640 --> 0:48:07.560
<v Speaker 1>after the panels, some young guy came up to me

0:48:07.600 --> 0:48:09.680
<v Speaker 1>and he's like, hey, I want to make films like

0:48:09.440 --> 0:48:11.520
<v Speaker 1>a like a light of hope, Like what do you

0:48:11.560 --> 0:48:14.319
<v Speaker 1>suggest or whatever? And it's like the iPhone you have

0:48:14.320 --> 0:48:16.120
<v Speaker 1>in your hand right now, that's enough because he wanted that.

0:48:16.160 --> 0:48:18.160
<v Speaker 1>He wanted the answer to be by this new camera,

0:48:18.640 --> 0:48:21.239
<v Speaker 1>by this by that. It's like you actually have Like,

0:48:21.320 --> 0:48:23.560
<v Speaker 1>first off, you're going to suck on the first thing

0:48:23.600 --> 0:48:27.120
<v Speaker 1>you do. It's going to be horrible. It's like you

0:48:27.160 --> 0:48:30.520
<v Speaker 1>do like, God, I'm so glad we had another secret

0:48:30.560 --> 0:48:33.200
<v Speaker 1>old YouTube channel with like our old projects that you

0:48:33.239 --> 0:48:38.320
<v Speaker 1>guys will under the Yeah, it's gonna take a while,

0:48:38.400 --> 0:48:40.399
<v Speaker 1>so like you might as well just start on what

0:48:40.480 --> 0:48:43.759
<v Speaker 1>you have, yeah, because it's not the tools. Why your

0:48:43.800 --> 0:48:46.200
<v Speaker 1>thing didn't turn out good isn't because of the tools

0:48:46.239 --> 0:48:48.880
<v Speaker 1>you had access to. Yeah, And also I think it

0:48:49.040 --> 0:48:52.040
<v Speaker 1>is like the resources. Like my brother has been teaching

0:48:52.120 --> 0:48:55.359
<v Speaker 1>himself how to edit, and it's just been YouTube tutorials

0:48:55.520 --> 0:48:58.920
<v Speaker 1>and like reddit stuff, and he's seeing the where he

0:48:59.040 --> 0:49:01.719
<v Speaker 1>started and where he is now. It really is you

0:49:01.760 --> 0:49:06.560
<v Speaker 1>can learn almost anything off the internet, and that's gives

0:49:06.640 --> 0:49:12.160
<v Speaker 1>so much more to you for Yeah. So he's like

0:49:12.280 --> 0:49:15.960
<v Speaker 1>using after effects and all those things, and it's crazy

0:49:16.000 --> 0:49:18.680
<v Speaker 1>to know that he just did that from just the

0:49:18.760 --> 0:49:21.520
<v Speaker 1>gumption too. I'm going to figure this out. I'm gonna

0:49:21.640 --> 0:49:24.200
<v Speaker 1>lock myself in this room and just watch these videos

0:49:24.200 --> 0:49:28.280
<v Speaker 1>and follow these guys. But it's it's dope. It's beautiful

0:49:28.400 --> 0:49:30.960
<v Speaker 1>because it's like, you know, college is expensive, and then

0:49:31.000 --> 0:49:33.240
<v Speaker 1>to think that you're going to dive into a life

0:49:33.280 --> 0:49:36.560
<v Speaker 1>of debt for an art degree that you don't know

0:49:36.640 --> 0:49:39.040
<v Speaker 1>if you'll ever make a dollar off of. I mean,

0:49:39.640 --> 0:49:44.239
<v Speaker 1>like we did, you know you can learn so much

0:49:44.320 --> 0:49:47.400
<v Speaker 1>for free you really don't need school anymore. I mean,

0:49:47.440 --> 0:49:49.640
<v Speaker 1>I'm not gonna ever encourage someone to just not go

0:49:49.719 --> 0:49:53.839
<v Speaker 1>to college, but highly considerate if you know what I mean, Like,

0:49:53.920 --> 0:49:56.000
<v Speaker 1>look at what your career path is. What do you

0:49:56.000 --> 0:49:58.840
<v Speaker 1>want to do? You want to be an entertainer? Maybe

0:49:59.640 --> 0:50:03.279
<v Speaker 1>google some stuff, right, Yeah. A lot of writer, a

0:50:03.280 --> 0:50:05.839
<v Speaker 1>lot of writers and filmmakers feel that way where it's

0:50:05.880 --> 0:50:08.759
<v Speaker 1>like something that you could teach yourself, especially now, like

0:50:08.800 --> 0:50:10.520
<v Speaker 1>you were saying on YouTube, I know a lot of

0:50:10.520 --> 0:50:13.640
<v Speaker 1>my friends have taught themselves editing from YouTube. Where would

0:50:13.680 --> 0:50:16.080
<v Speaker 1>you recommend aside from YouTube, Like if someone is starting

0:50:16.120 --> 0:50:19.480
<v Speaker 1>to make shorts or sketches or starting to make you know,

0:50:19.680 --> 0:50:22.400
<v Speaker 1>smaller fan films or even larger ones. Where would you

0:50:22.440 --> 0:50:26.280
<v Speaker 1>recommend them uploading their stuff? Is YouTube the only place

0:50:26.280 --> 0:50:28.839
<v Speaker 1>for them to go or is there another? Are there

0:50:28.840 --> 0:50:31.840
<v Speaker 1>other outlets that you recommend? Well, we actually just started

0:50:32.000 --> 0:50:35.200
<v Speaker 1>a new series on our channel. It's called Robot Underdog Presents,

0:50:35.719 --> 0:50:38.440
<v Speaker 1>and it's basically like opening it up for other filmmakers

0:50:38.440 --> 0:50:41.480
<v Speaker 1>who make fan films. So, I mean, we can't guarantee

0:50:41.520 --> 0:50:43.560
<v Speaker 1>people have a lot of views, but we can say, okay,

0:50:43.560 --> 0:50:46.480
<v Speaker 1>we've made this audience. They like geek stuff sci fi.

0:50:46.880 --> 0:50:49.160
<v Speaker 1>If your film is good and you don't want to

0:50:49.160 --> 0:50:51.640
<v Speaker 1>spend four years making a YouTube channel, because that's what

0:50:51.680 --> 0:50:53.640
<v Speaker 1>we had to do. Like it's not you can't just

0:50:53.880 --> 0:50:56.560
<v Speaker 1>upload something and expect people to see it. Like it's

0:50:56.560 --> 0:50:58.719
<v Speaker 1>not going to happen. I mean, you might get like

0:50:58.800 --> 0:51:01.120
<v Speaker 1>fifty thousand views like a bee, but if you spend

0:51:01.120 --> 0:51:04.920
<v Speaker 1>a year on a project, you want more. So, um,

0:51:04.960 --> 0:51:07.480
<v Speaker 1>that's definitely an outlet. And if people have films, they

0:51:07.480 --> 0:51:10.040
<v Speaker 1>can you know, hit us up, they can submit to you. Yeah,

0:51:10.080 --> 0:51:12.400
<v Speaker 1>they can submit on our website and you know, if

0:51:12.400 --> 0:51:14.960
<v Speaker 1>it's good, that's definitely something that we're willing to put

0:51:15.000 --> 0:51:18.920
<v Speaker 1>on our channel and open that up. People could do Twitch.

0:51:19.080 --> 0:51:21.080
<v Speaker 1>I guess, like we actually just started a Twitch channel

0:51:21.520 --> 0:51:24.720
<v Speaker 1>because um, as most people know, essentially YouTube stop sending

0:51:24.719 --> 0:51:27.839
<v Speaker 1>notification to our subscribers and to every other YouTube channel

0:51:27.840 --> 0:51:32.280
<v Speaker 1>they don't notify people who have subscribed. So it's really

0:51:32.280 --> 0:51:34.520
<v Speaker 1>shaking things up and having a lot of creators trying

0:51:34.520 --> 0:51:36.680
<v Speaker 1>to figure out, like what do I do. Like I've

0:51:36.680 --> 0:51:39.640
<v Speaker 1>spent years of my life putting all this time and

0:51:39.680 --> 0:51:42.160
<v Speaker 1>money into like this channel, and people have said, oh,

0:51:42.200 --> 0:51:44.680
<v Speaker 1>I'm committed, like I want to watch your stuff, and

0:51:44.680 --> 0:51:46.920
<v Speaker 1>then you're dealing with a middleman that doesn't want to

0:51:46.920 --> 0:51:50.959
<v Speaker 1>notify people. Um I've noticed that Twitch always sends notifications

0:51:51.000 --> 0:51:54.480
<v Speaker 1>right now that could change, But I mean that's another

0:51:54.520 --> 0:51:57.040
<v Speaker 1>platform that people could could try and upload too, but

0:51:57.080 --> 0:51:59.399
<v Speaker 1>it's really hard to build an audience there. To kind

0:51:59.400 --> 0:52:01.640
<v Speaker 1>of piggyback off what you're saying, I think what's really

0:52:01.680 --> 0:52:04.360
<v Speaker 1>important for up and coming or people that want to

0:52:04.400 --> 0:52:06.400
<v Speaker 1>be content creators. I think you have to look at

0:52:06.440 --> 0:52:09.120
<v Speaker 1>the platform like what you want to do. Are you

0:52:09.160 --> 0:52:13.320
<v Speaker 1>a filmmaker? Do you want to make short films or whatever? Um?

0:52:13.360 --> 0:52:15.000
<v Speaker 1>And is that all you want to do? Because if

0:52:15.040 --> 0:52:19.320
<v Speaker 1>that's the case, that means you're talking about like every

0:52:19.360 --> 0:52:22.440
<v Speaker 1>few months maybe you're uploading a video. Maybe once a

0:52:22.520 --> 0:52:25.920
<v Speaker 1>year you're uploading a video. So YouTube doesn't favor those

0:52:25.960 --> 0:52:27.680
<v Speaker 1>kind of creators, So you need to you need to

0:52:27.719 --> 0:52:30.200
<v Speaker 1>look at that before you pick your platform, and then

0:52:30.239 --> 0:52:32.960
<v Speaker 1>maybe like find a channel like ours or someone else,

0:52:33.040 --> 0:52:35.920
<v Speaker 1>like I know, Maschinema used to host like fan film stuff.

0:52:36.320 --> 0:52:38.160
<v Speaker 1>Find someone else to host it. Like if you don't

0:52:38.160 --> 0:52:41.800
<v Speaker 1>want to be like an online personality and constantly upload

0:52:41.840 --> 0:52:45.080
<v Speaker 1>YouTube videos every single week, you can host it somewhere else. Yeah,

0:52:45.080 --> 0:52:47.200
<v Speaker 1>that's definitely that's a big incentive for why we we

0:52:47.280 --> 0:52:50.480
<v Speaker 1>did that because for us, we like to make you know,

0:52:50.520 --> 0:52:54.560
<v Speaker 1>the highest quality stuff we can, and we do relatively

0:52:54.800 --> 0:52:57.839
<v Speaker 1>upload regularly, like especially a dragon Ball Super out, we're

0:52:57.840 --> 0:53:00.520
<v Speaker 1>doing weekly stuff. But um, you know, we want to

0:53:00.520 --> 0:53:03.880
<v Speaker 1>put all our energy into the big like the internet

0:53:03.920 --> 0:53:07.960
<v Speaker 1>blockbuster thing, you know, And so that used to the

0:53:08.000 --> 0:53:10.319
<v Speaker 1>algorithm on YouTube used to cater to that, just like

0:53:10.400 --> 0:53:13.160
<v Speaker 1>everything else. But now that everything's changed, like like you're

0:53:13.200 --> 0:53:15.799
<v Speaker 1>saying it, it is more like you got to talk

0:53:15.840 --> 0:53:19.280
<v Speaker 1>about trending topics or you gotta find something that keeps

0:53:19.320 --> 0:53:23.759
<v Speaker 1>you making content basically daily. And if that's what you're

0:53:23.800 --> 0:53:26.880
<v Speaker 1>wanting to do as a new creator, then maybe YouTube

0:53:26.960 --> 0:53:29.520
<v Speaker 1>is the perfect spot. But I would overall my biggest

0:53:29.520 --> 0:53:32.319
<v Speaker 1>advice to be not to let views or any of

0:53:32.320 --> 0:53:35.480
<v Speaker 1>that be something you're thinking about, like while you're making

0:53:35.520 --> 0:53:38.759
<v Speaker 1>your film, Like make something good, like something great that

0:53:38.800 --> 0:53:42.799
<v Speaker 1>has a great story, great characters, and the views will come. Yeah.

0:53:43.000 --> 0:53:45.320
<v Speaker 1>I think that's going into like with these studios that

0:53:45.360 --> 0:53:47.319
<v Speaker 1>are just trying to capitalize on things and they're not

0:53:47.360 --> 0:53:51.200
<v Speaker 1>actually thinking of the passion of the fandom. So instead

0:53:51.200 --> 0:53:53.760
<v Speaker 1>of going into it thinking I'm going to go viral

0:53:53.800 --> 0:53:56.080
<v Speaker 1>and be famous from this, instead making it because it's

0:53:56.080 --> 0:53:59.040
<v Speaker 1>something you're passionate about, something that you can't not make.

0:53:59.280 --> 0:54:01.200
<v Speaker 1>Like that's how it was with us. It's like people

0:54:01.200 --> 0:54:02.719
<v Speaker 1>are like, oh, why how did you get into that.

0:54:02.800 --> 0:54:05.239
<v Speaker 1>It's like we didn't ever think about it. We just

0:54:05.320 --> 0:54:08.080
<v Speaker 1>couldn't not do it, Like it was like just something

0:54:08.520 --> 0:54:10.399
<v Speaker 1>we had an itch, like we had to make these

0:54:10.400 --> 0:54:13.840
<v Speaker 1>films and so we did. It wasn't like a second thought.

0:54:14.160 --> 0:54:16.520
<v Speaker 1>Or you remember the music videos when like Obama would

0:54:16.520 --> 0:54:18.839
<v Speaker 1>have a speech and then someone would make a match

0:54:18.920 --> 0:54:21.760
<v Speaker 1>up every word and it it would be like a popular

0:54:21.800 --> 0:54:24.440
<v Speaker 1>song like that, that trendy kind of thing. I remember

0:54:24.480 --> 0:54:28.400
<v Speaker 1>there was a moment when that was authentically going viral

0:54:28.440 --> 0:54:33.080
<v Speaker 1>online and companies like big networks were wanting that same

0:54:33.239 --> 0:54:35.520
<v Speaker 1>like I want the viral video. There was that phase

0:54:35.520 --> 0:54:40.040
<v Speaker 1>where everyone we were looking for viral. We're buying viral content.

0:54:41.000 --> 0:54:45.680
<v Speaker 1>What things aren't you can't buy viral. But but people

0:54:45.800 --> 0:54:50.400
<v Speaker 1>overlook why things go viral. People videos go viral because

0:54:50.520 --> 0:54:55.960
<v Speaker 1>some crazy person had the audacity to spend obscene amount

0:54:56.000 --> 0:54:59.200
<v Speaker 1>of time on something that didn't need to exist. But

0:54:59.320 --> 0:55:02.200
<v Speaker 1>now that it, that's all you could have ever wanted,

0:55:02.560 --> 0:55:04.879
<v Speaker 1>and like and when you when you pay for that,

0:55:05.680 --> 0:55:08.680
<v Speaker 1>you're paying for like, okay, I need this in five days. Well,

0:55:08.840 --> 0:55:10.879
<v Speaker 1>actually the last video took me a month to make

0:55:11.000 --> 0:55:13.200
<v Speaker 1>and that's why it's got thirty million views or whatever

0:55:13.200 --> 0:55:16.800
<v Speaker 1>it is, you know, so they feel super like corny

0:55:16.880 --> 0:55:19.960
<v Speaker 1>in corporate I remember before we started recording, I told

0:55:19.960 --> 0:55:22.040
<v Speaker 1>you that I was at full screen, and that's the

0:55:22.120 --> 0:55:24.439
<v Speaker 1>note they would always give us in the writer's room,

0:55:24.560 --> 0:55:26.640
<v Speaker 1>was like, okay, but how can we make sure this

0:55:26.680 --> 0:55:31.600
<v Speaker 1>goes viral? Um, can you understand the actual definition of

0:55:31.640 --> 0:55:36.920
<v Speaker 1>the word viral is like unexpectedly, like an anomaly. Well

0:55:36.960 --> 0:55:38.960
<v Speaker 1>that was with light of hope What was so crazy

0:55:39.160 --> 0:55:41.279
<v Speaker 1>is we worked on that thing forever. We knew it

0:55:41.280 --> 0:55:43.200
<v Speaker 1>was going to do well because we've kind of built

0:55:43.280 --> 0:55:45.560
<v Speaker 1>up a little audience and some height behind it because

0:55:45.560 --> 0:55:47.759
<v Speaker 1>it was you know people. What's cool about what we've

0:55:47.760 --> 0:55:50.000
<v Speaker 1>been able to do is kind of take people on

0:55:50.080 --> 0:55:53.200
<v Speaker 1>the ride of us just putting stuff together. So it

0:55:53.239 --> 0:55:56.360
<v Speaker 1>felt like it was a community making the thing. So

0:55:57.080 --> 0:55:59.719
<v Speaker 1>when we finally uploaded it, we were like, man, they're

0:55:59.760 --> 0:56:02.239
<v Speaker 1>probably be tired of waiting. Who knows. It was like

0:56:02.320 --> 0:56:04.399
<v Speaker 1>five am and we've been trying to upload the video

0:56:04.440 --> 0:56:06.440
<v Speaker 1>for twenty four hours and then like all of the

0:56:06.480 --> 0:56:09.120
<v Speaker 1>Internet gods were raining down on us and punishing us

0:56:09.160 --> 0:56:11.120
<v Speaker 1>and things were going wrong, and finally it was like

0:56:11.200 --> 0:56:13.680
<v Speaker 1>five am we uploaded the video. I had to go

0:56:13.680 --> 0:56:16.200
<v Speaker 1>to work at like seven. We just laid down for

0:56:16.239 --> 0:56:18.880
<v Speaker 1>like an hour, woke up and it was like already

0:56:19.120 --> 0:56:22.800
<v Speaker 1>like it hit like seventy five thousand views, and we're like, oh,

0:56:23.000 --> 0:56:26.000
<v Speaker 1>like that's good. Yeah, we're done here, Like we kind

0:56:26.000 --> 0:56:28.080
<v Speaker 1>of did it, and it was like I got, we got,

0:56:28.080 --> 0:56:30.120
<v Speaker 1>I got home from work and it was like a

0:56:30.200 --> 0:56:33.720
<v Speaker 1>million or something like that, and it it just wow, Okay,

0:56:34.320 --> 0:56:36.560
<v Speaker 1>that's great. It doesn't have to go any further than that,

0:56:36.600 --> 0:56:38.680
<v Speaker 1>and it just kept happening. It was like every day,

0:56:38.840 --> 0:56:41.839
<v Speaker 1>like it's not stopping. It's been a week, it's not,

0:56:42.520 --> 0:56:45.680
<v Speaker 1>it's not still still climbing. It was like, this is

0:56:45.920 --> 0:56:48.799
<v Speaker 1>so this is the viral thing, all right. So it

0:56:48.920 --> 0:56:51.080
<v Speaker 1>is weird because when you get the taste of that

0:56:51.239 --> 0:56:53.799
<v Speaker 1>viral bug, you think, oh, man, like we gotta keep

0:56:53.840 --> 0:56:56.879
<v Speaker 1>that up. But you got to accept things happen sometimes

0:56:57.200 --> 0:56:59.279
<v Speaker 1>that are so out of your control. All you can

0:56:59.280 --> 0:57:01.319
<v Speaker 1>do is just make good content that you're proud of

0:57:01.520 --> 0:57:04.000
<v Speaker 1>and just let the Internet do its thing also too.

0:57:04.120 --> 0:57:06.319
<v Speaker 1>I will say on that note to follow up on that,

0:57:06.400 --> 0:57:09.520
<v Speaker 1>like the pilot episode has way more views than the

0:57:10.320 --> 0:57:12.520
<v Speaker 1>latest film we released, which was like episode two and

0:57:12.560 --> 0:57:15.440
<v Speaker 1>three combined as a film, But as a filmmaker, I

0:57:15.480 --> 0:57:20.120
<v Speaker 1>am so much more proud of the second film, And

0:57:20.280 --> 0:57:23.240
<v Speaker 1>even though it has like one tenth of the views,

0:57:23.800 --> 0:57:26.240
<v Speaker 1>it doesn't matter, Like I would much rather have people

0:57:26.320 --> 0:57:28.320
<v Speaker 1>watch that. I'm more proud of that. It doesn't have

0:57:28.360 --> 0:57:30.840
<v Speaker 1>anything to do with the view count. That's what I'm

0:57:30.840 --> 0:57:33.720
<v Speaker 1>proud of, because I mean we were better as filmmakers.

0:57:33.960 --> 0:57:36.280
<v Speaker 1>That was actually our first film out of film school,

0:57:36.280 --> 0:57:39.880
<v Speaker 1>out in l A, so like we were garbage filmmakers

0:57:39.880 --> 0:57:42.320
<v Speaker 1>at the time. We like ran around in Griffith Park

0:57:42.400 --> 0:57:44.760
<v Speaker 1>with like a camera and that's I was that where

0:57:44.760 --> 0:57:51.840
<v Speaker 1>it was filmed. The wo I love that. I love

0:57:51.880 --> 0:57:56.000
<v Speaker 1>whenever it's like, oh, yeah, I've run there, recognize that. Yeah,

0:57:56.000 --> 0:57:58.959
<v Speaker 1>we shot in anything that was free, Like we shot

0:57:58.960 --> 0:58:00.960
<v Speaker 1>in our apartment for one of the scenes with Gohan

0:58:01.040 --> 0:58:03.600
<v Speaker 1>and the first one, which we were really proud because

0:58:03.640 --> 0:58:09.040
<v Speaker 1>it didn't look like our apartment. That happen and it's like,

0:58:09.480 --> 0:58:12.520
<v Speaker 1>you can't quite identify what this place is, So what

0:58:12.560 --> 0:58:16.000
<v Speaker 1>do you feel is next for you too? Uh? Well,

0:58:16.080 --> 0:58:18.840
<v Speaker 1>right now, we're working on a fan film called Blue Exorcist.

0:58:19.000 --> 0:58:23.520
<v Speaker 1>It's anime inspired. Yeah, it's about actually reading. You're directing

0:58:23.560 --> 0:58:25.640
<v Speaker 1>that one, so long't you take take that? Um. Basically,

0:58:25.640 --> 0:58:28.680
<v Speaker 1>we're just adapting the Blue Exercist anime, more so of

0:58:28.760 --> 0:58:31.959
<v Speaker 1>the manga than the anime, and just trying to hone

0:58:31.960 --> 0:58:35.400
<v Speaker 1>our skills as filmmakers. The Dragon ball Z projects were

0:58:35.560 --> 0:58:39.080
<v Speaker 1>very fight based, very action based, and so now for

0:58:39.160 --> 0:58:40.920
<v Speaker 1>the next few projects we do, we're just taking a

0:58:40.960 --> 0:58:44.560
<v Speaker 1>step back and personally I'm working on writing myself and

0:58:44.680 --> 0:58:47.880
<v Speaker 1>our teammate Tyler Tackett co wrote the Blue Exercist script

0:58:48.440 --> 0:58:51.320
<v Speaker 1>and um, probably for the next few projects, I'll be

0:58:51.360 --> 0:58:54.000
<v Speaker 1>looking into writing them, just really practicing writing and directing

0:58:54.520 --> 0:58:58.760
<v Speaker 1>and more so character development the actual story aspect um.

0:58:58.800 --> 0:59:00.959
<v Speaker 1>That's another thing with the first episode of dragon Ball

0:59:01.280 --> 0:59:03.160
<v Speaker 1>the dragon Ball Z project feels more kind of like

0:59:03.160 --> 0:59:06.640
<v Speaker 1>a music video, like we just you know, as filmmakers,

0:59:06.680 --> 0:59:09.600
<v Speaker 1>we need to grow and like practice the you know,

0:59:09.640 --> 0:59:12.320
<v Speaker 1>the arcs and and things like that. So we're gonna

0:59:12.520 --> 0:59:16.680
<v Speaker 1>do a few more anime projects that are less action alright,

0:59:16.720 --> 0:59:18.760
<v Speaker 1>And so do you think you're going to take a

0:59:18.760 --> 0:59:21.640
<v Speaker 1>step out of anime and do you know, make make

0:59:21.680 --> 0:59:26.120
<v Speaker 1>your big, big Hollywood piece soon. Personally, I would like

0:59:26.160 --> 0:59:29.280
<v Speaker 1>to make it animated something. I don't know, if that's

0:59:29.280 --> 0:59:31.560
<v Speaker 1>just kind of what I would like to do next

0:59:32.080 --> 0:59:34.200
<v Speaker 1>afterlive actions, Yeah, I know, I would love to do

0:59:34.280 --> 0:59:36.880
<v Speaker 1>something animated, and it doesn't necessarily even have to be anime,

0:59:37.240 --> 0:59:41.160
<v Speaker 1>just an animated project and we'll see how it goes. Honestly,

0:59:41.200 --> 0:59:44.120
<v Speaker 1>I love I love YouTube. I love the feeling of

0:59:44.560 --> 0:59:47.320
<v Speaker 1>putting your content out there and getting direct feedback with

0:59:47.400 --> 0:59:51.000
<v Speaker 1>the audience. I love having creative control. Um. Of course,

0:59:51.000 --> 0:59:53.880
<v Speaker 1>shared with Donnie over stuff like I don't know how

0:59:53.920 --> 0:59:56.840
<v Speaker 1>I would handle somebody being like, no, it has to

0:59:56.880 --> 0:59:59.040
<v Speaker 1>be this way, Like I'm not sure if I'm ready

0:59:59.080 --> 1:00:01.160
<v Speaker 1>for that, you know, like personally, I feel like I

1:00:01.200 --> 1:00:04.240
<v Speaker 1>need to learn my own style first and then maybe

1:00:04.800 --> 1:00:07.400
<v Speaker 1>do something that could be bigger budget. Well that's what's

1:00:07.400 --> 1:00:10.560
<v Speaker 1>weird is we've both been working in the industry for

1:00:10.920 --> 1:00:12.919
<v Speaker 1>you know, a few quite a few years now, and

1:00:14.520 --> 1:00:17.680
<v Speaker 1>it's it's so liberating to have your own platform where

1:00:17.720 --> 1:00:19.640
<v Speaker 1>you can make what you want, how you want, when

1:00:19.720 --> 1:00:23.200
<v Speaker 1>you want, and it's you know, we started the YouTube

1:00:23.240 --> 1:00:26.560
<v Speaker 1>channel to launch our career and become filmmakers, make feature

1:00:26.600 --> 1:00:28.400
<v Speaker 1>films and all that. But it is, like she said,

1:00:28.440 --> 1:00:30.400
<v Speaker 1>it's it's become kind of strange. We're in a weird

1:00:30.400 --> 1:00:33.040
<v Speaker 1>place because sure, if if a movie comes our way,

1:00:33.120 --> 1:00:36.240
<v Speaker 1>we're jumping on it. That's awesome, But at the same time,

1:00:36.320 --> 1:00:39.320
<v Speaker 1>it's gonna it would be really weird to abandon our

1:00:39.360 --> 1:00:41.400
<v Speaker 1>audience because it is cool to be able to be

1:00:41.440 --> 1:00:45.880
<v Speaker 1>on that journey with our followers. So it's cool like we, yeah,

1:00:45.920 --> 1:00:48.600
<v Speaker 1>we have a Patreon and uh, those that support us,

1:00:48.800 --> 1:00:51.840
<v Speaker 1>we monthly will connect with them, tell them what we're doing,

1:00:51.880 --> 1:00:54.080
<v Speaker 1>where we're at with things and you know, get their

1:00:54.160 --> 1:00:56.880
<v Speaker 1>thoughts and opinions on things, and it's just it's this

1:00:57.000 --> 1:01:01.160
<v Speaker 1>really cool collaborative way of making film. When you remove

1:01:01.200 --> 1:01:03.680
<v Speaker 1>the ego of like I have all the answers, I'm

1:01:03.720 --> 1:01:06.600
<v Speaker 1>the artour of this film. You know, it's like, you know,

1:01:06.960 --> 1:01:09.800
<v Speaker 1>you're just You're just a guy with or a woman

1:01:09.920 --> 1:01:13.640
<v Speaker 1>with some creative ideas. And it's possible that the people

1:01:13.680 --> 1:01:16.720
<v Speaker 1>that are supporting you might want to contribute, especially when

1:01:16.760 --> 1:01:19.200
<v Speaker 1>it's fan films, you could make the wrong choice just

1:01:19.680 --> 1:01:21.520
<v Speaker 1>because you've got a million things going on in in your head.

1:01:21.560 --> 1:01:24.040
<v Speaker 1>So it's actually light of hope. We credit all the

1:01:24.120 --> 1:01:26.640
<v Speaker 1>time to doing it the way we did it, Like

1:01:26.680 --> 1:01:29.920
<v Speaker 1>we're bouncing ideas off people. If we see some crazy comment,

1:01:30.320 --> 1:01:33.840
<v Speaker 1>you know, we might disregard it. But but like we

1:01:34.000 --> 1:01:36.840
<v Speaker 1>got some crazy suggestions. But every now and then you're like,

1:01:36.880 --> 1:01:39.160
<v Speaker 1>there's some gyms in there, and I just can't help

1:01:39.160 --> 1:01:41.840
<v Speaker 1>but think. Man, like, if if a ghost in the

1:01:41.880 --> 1:01:48.880
<v Speaker 1>shell read the comments for sure, I mean responded to them,

1:01:49.120 --> 1:01:52.680
<v Speaker 1>would even would we even be in this situation we

1:01:53.120 --> 1:01:59.320
<v Speaker 1>need to respond to one. I was gonna say, do

1:01:59.360 --> 1:02:02.120
<v Speaker 1>you feel like studios now are getting smarter where they're

1:02:02.200 --> 1:02:04.840
<v Speaker 1>vetting out, like you know, they're kind of letting things

1:02:04.920 --> 1:02:06.760
<v Speaker 1>leak a little bit, or like so and so is

1:02:06.800 --> 1:02:09.760
<v Speaker 1>in talks to play this role. And I feel like

1:02:09.760 --> 1:02:11.320
<v Speaker 1>a lot of times that's their kind of way of

1:02:11.360 --> 1:02:15.080
<v Speaker 1>like seeing how the fandom reacts before they make a

1:02:15.120 --> 1:02:18.000
<v Speaker 1>full blown commitment. And I do feel sometimes they've gotten

1:02:18.000 --> 1:02:21.440
<v Speaker 1>a little bit smart about that. I think it's director

1:02:21.440 --> 1:02:24.680
<v Speaker 1>based to Like I saw Chris McKay on Twitter, um,

1:02:24.720 --> 1:02:26.160
<v Speaker 1>and I had a lot of respect for him for

1:02:26.200 --> 1:02:28.520
<v Speaker 1>putting out this poll, Like he said, like, what's the

1:02:28.520 --> 1:02:32.760
<v Speaker 1>most important quality of Nightwing to you? And it involved

1:02:32.800 --> 1:02:35.160
<v Speaker 1>one was the race, and then it was like acrobats,

1:02:35.280 --> 1:02:39.160
<v Speaker 1>good looking or whatever, and um, it's because it wasn't

1:02:39.240 --> 1:02:41.960
<v Speaker 1>until recently that they revealed like Dick Grayson was part

1:02:42.040 --> 1:02:44.920
<v Speaker 1>romani in the comics or whatever, like people thought he

1:02:44.960 --> 1:02:46.800
<v Speaker 1>was just all white, but then it was revealed that

1:02:46.840 --> 1:02:50.040
<v Speaker 1>he wasn't. And so, like, I respect Chris McKay for

1:02:50.120 --> 1:02:52.560
<v Speaker 1>putting that out there, even though that meant that like

1:02:53.120 --> 1:02:55.480
<v Speaker 1>he could no longer have the option to like whitewash

1:02:55.600 --> 1:02:58.600
<v Speaker 1>this project, because that was like such a huge response

1:02:58.640 --> 1:03:01.840
<v Speaker 1>from fans like, oh, now you know that he was

1:03:02.360 --> 1:03:05.640
<v Speaker 1>so you have to cast somebody with that like a

1:03:05.680 --> 1:03:08.880
<v Speaker 1>piece of that ethnicity in them. So yeah, but it's

1:03:08.880 --> 1:03:11.960
<v Speaker 1>also very interesting too. You know, we talked about the

1:03:12.000 --> 1:03:14.680
<v Speaker 1>horror stories that could happen with fan films, but there

1:03:14.720 --> 1:03:16.920
<v Speaker 1>are some good stories, like I feel like Bat in

1:03:16.960 --> 1:03:19.360
<v Speaker 1>the Sun really kind of came out on top because

1:03:19.400 --> 1:03:22.920
<v Speaker 1>they did the Superhero beat Down and uh, for those

1:03:22.960 --> 1:03:26.120
<v Speaker 1>who don't know, Superhero beat Down is a series on

1:03:26.160 --> 1:03:30.480
<v Speaker 1>YouTube where it's basically fan films that pit different superheroes

1:03:30.520 --> 1:03:33.800
<v Speaker 1>against each other. And they were the ones who got

1:03:33.840 --> 1:03:38.440
<v Speaker 1>the chance to create the Ninjack Versus the World web series,

1:03:38.880 --> 1:03:41.480
<v Speaker 1>which is based off of the Valiant Comics universe. So

1:03:41.640 --> 1:03:45.160
<v Speaker 1>they went from doing you know, unauthorized fan stuff to

1:03:45.640 --> 1:03:49.320
<v Speaker 1>just going straight up getting the rights and actually getting

1:03:49.360 --> 1:03:51.960
<v Speaker 1>to do a legit take on stuff. Look at the

1:03:52.000 --> 1:03:55.880
<v Speaker 1>Street Fighter was about to say that, yeah, official one

1:03:56.160 --> 1:03:59.560
<v Speaker 1>after all. Yeah, So they did street Fighter Legacy and

1:03:59.600 --> 1:04:04.440
<v Speaker 1>then they got permission from Capcom to do the Street

1:04:04.440 --> 1:04:08.880
<v Speaker 1>Fighter Assassin's Fist series and funding too, And now it's

1:04:08.920 --> 1:04:13.200
<v Speaker 1>on Hulu, it's on Amazon, it's on well, it was

1:04:13.240 --> 1:04:15.520
<v Speaker 1>on Go nine even it's on Amazon now. So it's

1:04:15.560 --> 1:04:19.120
<v Speaker 1>like it's cool, man, it's we're really watching all of

1:04:19.160 --> 1:04:22.200
<v Speaker 1>the different facets of the entertainment industry kind of merge

1:04:22.560 --> 1:04:25.080
<v Speaker 1>in this new way. It's cool that there's but that

1:04:25.200 --> 1:04:29.320
<v Speaker 1>is also including YouTubers. You know. The thing like everything

1:04:29.400 --> 1:04:32.200
<v Speaker 1>is becoming so micro based, like micro channel based, Like

1:04:32.400 --> 1:04:34.240
<v Speaker 1>we just started our Twitch channel and we'll have people

1:04:34.320 --> 1:04:36.840
<v Speaker 1>will stream for like five hours, and there's people like

1:04:37.200 --> 1:04:40.520
<v Speaker 1>spending their time watching us. I don't know why, but

1:04:41.040 --> 1:04:44.000
<v Speaker 1>it's kind of like everything so split up that eventually,

1:04:44.520 --> 1:04:48.240
<v Speaker 1>once especially the younger generation comes up, entertainment is going

1:04:48.320 --> 1:04:51.040
<v Speaker 1>to have to realize that like, Okay, they're gonna watch

1:04:51.040 --> 1:04:53.520
<v Speaker 1>what they want to watch. And I think that's gonna

1:04:53.680 --> 1:04:57.560
<v Speaker 1>change things, especially for your internet creators. I mean it's

1:04:57.600 --> 1:05:00.560
<v Speaker 1>already changed things so much. It's the whole reacon, Netflix,

1:05:00.640 --> 1:05:03.919
<v Speaker 1>Hulu in Amazon are thriving so much is because now

1:05:03.960 --> 1:05:07.000
<v Speaker 1>we've fostered a culture of watching what we want when

1:05:07.040 --> 1:05:10.240
<v Speaker 1>we want, versus sitting around waiting weekly so much so

1:05:10.800 --> 1:05:14.080
<v Speaker 1>that it's a weird treat when they flip it on us,

1:05:14.120 --> 1:05:17.960
<v Speaker 1>like with Handmaids Tale, like they released that on a

1:05:17.960 --> 1:05:21.920
<v Speaker 1>weekly basis and people are like, oh, this is different, Yeah,

1:05:22.080 --> 1:05:26.560
<v Speaker 1>it's regular to me. Yeah. And Amazon also has their

1:05:26.560 --> 1:05:30.600
<v Speaker 1>pilot season where you can vote. Yeah, that's a big thing.

1:05:31.200 --> 1:05:33.760
<v Speaker 1>So you as the audience gets to watch the pilot

1:05:33.800 --> 1:05:36.120
<v Speaker 1>episode and then you vote on what gets picked up.

1:05:36.400 --> 1:05:39.800
<v Speaker 1>That's a big deal. And if you have a lot

1:05:39.840 --> 1:05:43.280
<v Speaker 1>of friends, Yeah, some friends that their shows got picked

1:05:43.360 --> 1:05:45.600
<v Speaker 1>up and they were just like tweeting out getting all

1:05:45.640 --> 1:05:48.840
<v Speaker 1>their famous friends to retweet them and uh. It is

1:05:48.840 --> 1:05:53.080
<v Speaker 1>cool though for for creators to have that opportunity. Yeah,

1:05:53.280 --> 1:05:55.120
<v Speaker 1>and it has been the great equalizer in a lot

1:05:55.160 --> 1:05:58.000
<v Speaker 1>of ways. It's kind of a weird thing because we're

1:05:58.000 --> 1:06:01.560
<v Speaker 1>watching the like i mean, the establishment, for lack of

1:06:01.560 --> 1:06:04.040
<v Speaker 1>a better expression, kind of figure things out and kind

1:06:04.040 --> 1:06:06.720
<v Speaker 1>of get involved as well, but like, we still have

1:06:06.760 --> 1:06:10.640
<v Speaker 1>a lot more control than creators did ten years ago,

1:06:10.840 --> 1:06:14.640
<v Speaker 1>five years ago. Yeah, that's pretty cool. Yeah, well, I

1:06:14.680 --> 1:06:17.680
<v Speaker 1>think that's a great place to leave this off. Danny

1:06:17.760 --> 1:06:23.400
<v Speaker 1>and Rito. Where can people find you? Robot Underdog on Twitter, Facebook,

1:06:23.440 --> 1:06:27.560
<v Speaker 1>and Instagram? Um, YouTube, it's Robot Underdog to just the

1:06:27.640 --> 1:06:32.080
<v Speaker 1>number two. Yeah, I think that's it. You can find

1:06:32.160 --> 1:06:35.800
<v Speaker 1>us individually on Instagram, Um, Donnie McMillan and I'm read

1:06:35.840 --> 1:06:38.800
<v Speaker 1>to McMillan on Instagram. But yeah, definitely the YouTube page

1:06:38.880 --> 1:06:41.720
<v Speaker 1>go subscribe. Oh on Twitch too, can't forget twitch. We

1:06:41.800 --> 1:06:43.760
<v Speaker 1>literally just started our twitch, so it's like we always

1:06:43.760 --> 1:06:46.520
<v Speaker 1>forget to say twitch, but we streamed twice a week

1:06:46.600 --> 1:06:48.600
<v Speaker 1>on Twitch, and don't forget. If you have made a

1:06:48.640 --> 1:06:53.680
<v Speaker 1>fan film, are looking to they are accepting submissions. Yeah, yeah, actually,

1:06:53.720 --> 1:06:56.640
<v Speaker 1>and we're going to be releasing our first one of

1:06:56.720 --> 1:06:59.280
<v Speaker 1>the series, which is gonna be it's called Red hood

1:06:59.320 --> 1:07:01.760
<v Speaker 1>It and it's going to be releasing in a week

1:07:01.840 --> 1:07:04.720
<v Speaker 1>or so next week. Yeah, so it's gonna be awesome.

1:07:05.960 --> 1:07:11.360
<v Speaker 1>Been released nice, right, Well, you know me. You can

1:07:11.440 --> 1:07:13.960
<v Speaker 1>catch me at if you I F Y n w

1:07:14.120 --> 1:07:17.800
<v Speaker 1>A d i w E on Twitter and Instagram, is

1:07:17.880 --> 1:07:21.920
<v Speaker 1>your boy if d s on the twitch. A lot

1:07:22.000 --> 1:07:24.280
<v Speaker 1>of you all been coming out Zygang. I've been seeing

1:07:24.280 --> 1:07:29.200
<v Speaker 1>you zygang. Hashtag nerd Gang too, nerd Gang. Yeah, I'm

1:07:29.200 --> 1:07:32.080
<v Speaker 1>at ms Danny Fernandez, M S D A n I

1:07:32.320 --> 1:07:34.880
<v Speaker 1>f E r n n d e Z. And also

1:07:34.960 --> 1:07:38.440
<v Speaker 1>follow us on our socials at Nerdificent everywhere on Facebook,

1:07:38.840 --> 1:07:42.160
<v Speaker 1>Instagram and Twitter and let us know what you want

1:07:42.240 --> 1:07:44.959
<v Speaker 1>us to cover and some of your favorite fan films

1:07:45.040 --> 1:07:46.920
<v Speaker 1>or if you've made a fan film, send it to us.

1:07:47.040 --> 1:07:50.560
<v Speaker 1>Oh yeah, definitely well, we'll urt those on the social account.

1:07:50.960 --> 1:07:53.520
<v Speaker 1>And uh you know, if you have an already fox

1:07:53.520 --> 1:07:56.120
<v Speaker 1>Star review, tell us how much you love us. Helps

1:07:56.160 --> 1:07:58.800
<v Speaker 1>us out a great deal. Thank you so much, and

1:07:59.200 --> 1:08:00.640
<v Speaker 1>I'll see you all the way. B