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Speaker 1: Hello the Internet, and welcome to this episode of Peanut

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Speaker 1: Trend and M's. We will be talking about Eminem's later

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Speaker 1: America's favorite candy.

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Speaker 2: Oh, I think California.

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Speaker 1: Eminem's are California's favorite in this year's candy map.

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Speaker 3: Yeah, the thing that was most frightening hot to Molly's

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Speaker 3: was hot Rise. But again to the the analyzes there

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Speaker 3: was suggesting that because they aren't as readily available in

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Speaker 3: store just means it's feeling more online sales. That's so,

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Speaker 3: don't worry. We're not losing not losing our ship over candy.

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Speaker 2: Like I think it's fascism. I think it's fascism.

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Speaker 1: Just people just need to feel something. Yeah, and it's

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Speaker 1: their mouth subtly tingling.

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Speaker 3: When's the last time you heard someone call another person

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Speaker 3: a hot to Molly ernest brother?

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Speaker 1: It was this morning. It was coming out of my

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Speaker 1: own mouth. I was driving my kids to school. Yeah,

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Speaker 1: now that that one's gone the.

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Speaker 3: I haven't heard that in a while.

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Speaker 1: Gone away. It really really shouldn't. He comes hot to

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Speaker 1: BALI like, who are you talking about? All right, we're

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Speaker 1: gonna do some social media misinformation up top. Yeah, in

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Speaker 1: case it seems like things have gotten worse and less reliable.

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Speaker 2: They have. Yeah, so all the way back.

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Speaker 1: In twenty eighteen, five years ago, a study found that

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Speaker 1: false news actually traveled faster than real news on Twitter

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Speaker 1: by a substantial margin. Yeah, farther, faster, deeper, and more

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Speaker 1: broadly than the truth in all categories of information.

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Speaker 3: And it said, and in many cases by an order

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Speaker 3: of magnitude based magnitude, Twitters smoke in the competition in

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Speaker 3: terms of getting the bad info out.

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Speaker 1: And now that platform, the one that they were talking

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Speaker 1: about there as like this is a major problem. That

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Speaker 1: platform has scrapped many of its pre existing guardrails. Yeah,

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Speaker 1: and now like the big one being the verification system,

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Speaker 1: which used to used to be a way to be like,

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Speaker 1: this person has a blue check let me click on it.

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Speaker 1: I es they are a reporter from the BBC, And

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Speaker 1: now it is a way to be like, ah, yes,

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Speaker 1: this person has racial slurs in their bio.

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Speaker 3: Yes, this person has some kind of fashion NFT thing

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Speaker 3: going okay.

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Speaker 1: But yeah, so I mean taking the one verification, like

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Speaker 1: the one sort of thing that was supposed to be

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Speaker 1: unfakeable and obviously was not perfect, but taking that and

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Speaker 1: making it a thing you could pay monthly for was

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Speaker 1: really you know, I don't think unintentionally just dismantling the

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Speaker 1: idea of this being any sort of reasonable source of information.

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Speaker 1: Elon Musk, who has been flirting with openly embracing anti

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Speaker 1: Semitism for years now, personally recommended at the beginning of

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Speaker 1: this conflict, I recommended two accounts for following the war

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Speaker 1: in real time, but they happen to be accounts with

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Speaker 1: a history of spreading false information and in the case

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Speaker 1: of one of them, posting anti Semitic statements.

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Speaker 3: Oh perfect, Yeah, perfect, that's exactly what Elon Mulbitt wants

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Speaker 3: to do. And also yeah, like, I mean, just he's

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Speaker 3: found a way to make a little bit of money

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Speaker 3: and also just set the disinformation dial to fucking fourteen

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Speaker 3: by basically saying like, yeah, we'll use this thing you

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Speaker 3: can pay for, and also the algorithm will favor you,

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Speaker 3: so you have an even wider audience for whatever video

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Speaker 3: game clip you want to post and say that it's

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Speaker 3: actual wow war footage.

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Speaker 1: Yeah, but I mean one of the people he linked

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Speaker 1: off to and his his post got eleven million views

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Speaker 1: before he took it down. He argued with others over

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Speaker 1: Israel and religion, posting a year ago that the overwhelming

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Speaker 1: majority of people in the media and banks are Zionists

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Speaker 1: and telling a correspondent in June to go worship a

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Speaker 1: Jew little bro.

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Speaker 3: So like that's so he is platform yeah, yeah, and

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Speaker 3: again like I think the one thing that a lot

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Speaker 3: of people warned everyone about is like, you know, people

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Speaker 3: autocratic leaders would love nothing more than to have Twitter

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Speaker 3: turned into a thing where it's like you can see

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Speaker 3: anything anytime. It won't get checked or it'll take a

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Speaker 3: like millions of people will see it before something's corrected,

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Speaker 3: and now no one can really agree on what is

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Speaker 3: happening over a given thing, which is very useful right

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Speaker 3: now as Gaza is being leveled and just completely level

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Speaker 3: and I like to be honest, like the talk of misinformation,

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Speaker 3: it's it's like also like crowding out the discussion of like, well,

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Speaker 3: what about these people who are now experiencing collective punishment

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Speaker 3: from the Israeli government, which is a war crime that

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Speaker 3: it's taking up Like there's so many, so much shit

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Speaker 3: has come out of this that it's like there's like

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Speaker 3: seventeen different conversations happening while yea, like for Americans, I

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Speaker 3: think we really need to be grappling with the fact

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Speaker 3: of like where are our tax dollars going right now?

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Speaker 3: Because this is we're in another moment where misinformation has caused,

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Speaker 3: like you know, pre first Iraq War and Second Iraq War,

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Speaker 3: like this thirst for vengeance and blood that we're seeing

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Speaker 3: awful shit happen in real time, and like there's barely

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Speaker 3: any commentary on that, which I think is really the

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Speaker 3: most is super fucked up now because beyond the tragedy

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Speaker 3: that happened from Saturday's attack, now we're moving on to

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Speaker 3: the destruction of Gaza and it's like sort of an

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Speaker 3: afterthought while we keep switching focus on things in the

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Speaker 3: mainstream media.

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Speaker 1: Yeah, obviously Facebook has a history of allowing this information

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Speaker 1: to thrive. One EU regulator told Mark Zuckerberg and Elon

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Speaker 1: Musk in a letter that he has to fix the

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Speaker 1: problem immediately, and he gave them twenty four hours.

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Speaker 2: To do so.

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Speaker 1: Like giving off police chief in an eighties action movie, vibes.

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Speaker 3: Right from like I need that on my desk yesterday.

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Speaker 2: Yeah, I don't know.

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Speaker 1: It's just the entire premise of these platforms, like they

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Speaker 1: are too big to fact check reasonably at the in

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Speaker 1: the economic model that in which they were built, if

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Speaker 1: they were viewed as the public resources that they are

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Speaker 1: and you know, staffed and funded by taxpayer dollars, so

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Speaker 1: that there was you know, things that took advantage of

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Speaker 1: like our current level of technology, that were accurately staffed

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Speaker 1: and like fully staffed to be like responsible, that would

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Speaker 1: be one thing, But these are incapable, like fully incapable

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Speaker 1: as long as they are you know, profit driven institutions.

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Speaker 2: Totally.

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Speaker 3: I feel like there are more people monitoring password sharing

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Speaker 3: on streaming sites, and there probably are misinformation on social

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Speaker 3: media because again that that endeavor actually helps create money,

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Speaker 3: whereas this one, it's like, well, I mean, yeah, it's

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Speaker 3: I guess it's like it's better for the common good

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Speaker 3: to check this kind of stuff, but ultimately not a

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Speaker 3: priority for X formally known as X.

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Speaker 1: Yeah, there's the SIFT method that some people are passing

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Speaker 1: around is developed by digital literacy expert Mike Callfield and

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Speaker 1: serves as a good baseline method for how to navigate

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Speaker 1: social media in the middle of an unfolding crisis, and

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Speaker 1: just it's not supposed to be like this replaces fact checking,

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Speaker 1: but it's like for you to just be like, Okay,

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Speaker 1: so you know, but here's the thing for me to

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Speaker 1: like just a mental checklist to run through. And the

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Speaker 1: goal here isn't like again full fact check. It's just

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Speaker 1: to make sure you're not just doing is it sharing

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Speaker 1: something two seconds after you fucking see it right exactly?

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Speaker 1: SIFT stands for stop yourself from immediately sharing something without

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Speaker 1: fully considering. Investigate the source, check out that account sharing

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Speaker 1: the info right, find better coverage. See if this info

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Speaker 1: is also being shared entrusted news sources. Trace the source,

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Speaker 1: see where the information can be traced back to, whether

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Speaker 1: that's a quote or a photo or a video. You know,

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Speaker 1: a lot of the videos that are being shared are

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Speaker 1: from you know, months ago, years ago, Are you know,

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Speaker 1: just being taken out of context to make things seem

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Speaker 1: more sensational?

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Speaker 2: And also callfield is.

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Speaker 1: Just like and look, you might not be the person

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Speaker 1: to share information on this, You're you might not be

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Speaker 1: the person to know what the fuck is going on? Like,

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Speaker 1: can you personally translate the language being spoken? Are you

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Speaker 1: equipped to research and analyze videos and photos from sources

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Speaker 1: you've never encountered before? If you haven't encountered them before,

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Speaker 1: don't just be like, well, seems seems good because this

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Speaker 1: other person I trust, uh shared it.

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Speaker 3: Yeah, you know, it's it's but again, like this is

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Speaker 3: kind of like our problem with just you know, not

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Speaker 3: just social media, but now journalists, especially in America. We've

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Speaker 3: talked about this too, Like how like when we talk

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Speaker 3: about other you know, like the New York Times or

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Speaker 3: like CNN, we're like, why aren't they like able to

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Speaker 3: talk about like what the fuck's actually happening in like

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Speaker 3: any given fucking topic where it's like, yeah, why aren't

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Speaker 3: they actually criticizing qualified immunity when we're talking about police

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Speaker 3: violence and why do they only take quotes from the

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Speaker 3: police to do something? Or why aren't we talking about

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Speaker 3: what corporate landlords are doing to the housing crisis? We're

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Speaker 3: only focusing on like a very narrow part of a crime.

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Speaker 3: Like because again, the people that are able to continue

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Speaker 3: that sort of lack of thinking or at least questioning

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Speaker 3: the status quo, those are the people that end up

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Speaker 3: in the jobs because they they're like, Okay, you know

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Speaker 3: how to do this, Yeah, you're right, you know how

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Speaker 3: to not rock the boat.

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Speaker 2: And now when we.

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Speaker 1: Get they're confident and they make it go down easy, right,

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Speaker 1: you know exactly.

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Speaker 3: Yeah, and now and now we're now we're at this

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Speaker 3: point too with like like this like super contentious piece

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Speaker 3: of reporting that's come out of the attack on Saturday,

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Speaker 3: which is everyone has been talking about like how many

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Speaker 3: babies were beheaded? Was it forty? Were they beheaded?

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Speaker 2: Were this?

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Speaker 3: I mean, like, look when the media gets like into

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Speaker 3: like and this is justified vengeance, that's when it's becoming

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Speaker 3: an issue. So like you talk like we've talked about

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Speaker 3: this thing. Yesterday, Joe Biden said, like at the podium,

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Speaker 3: this guy said, oh, I saw pictures. The actual quote is,

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Speaker 3: I've been doing this a long time. I never really

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Speaker 3: thought that I would see, how, you know, have confirmed

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Speaker 3: pictures of terrorists beheading children?

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Speaker 1: Right, And everyone makes it sound like that like that

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Speaker 1: seems like okay, well, case closed. Obviously he got an

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Speaker 1: intelligence briefing, right, right.

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Speaker 3: And that's what he's saying in his capacity as president.

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Speaker 3: Wait a second, he makes up stories about knowing a

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Speaker 3: guy named corn Pop with a razor blade and like

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Speaker 3: a rusty drum, and then the White House had to

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Speaker 3: come back and clarify that he in fact did not

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Speaker 3: see anything. He was just saying like what he heard

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Speaker 3: from other unverified, unverified.

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Speaker 1: News report that everybody else was quoting. Yeah, right, so

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Speaker 1: it is unverified still just you know, some people were like,

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Speaker 1: actually it has been verified, and no, no, it isn't.

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Speaker 3: And I think people have gotten hung up that like

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Speaker 3: potentially I'm bringing this up to say, like and that

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Speaker 3: therefore negates everything. No, no, no, no no. What I'm talking

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Speaker 3: about is the sensationalism in media to manufacture consent where

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Speaker 3: we look the other way when like horrific shit is happening,

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Speaker 3: and now there's there's a connection to me as a

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Speaker 3: United States citizen where I'm like, well, this is our

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Speaker 3: government is here funding this. Yeah, and that is an

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Speaker 3: issue too. So we've talked about like how this has

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Speaker 3: happened in countless conflicts of some kind of sensational piece

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Speaker 3: of reporting that ends up getting coming out of it

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Speaker 3: like in everyone's mind, and we blindly go into bloodier

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Speaker 3: conflicts like the fucking last time we went on a

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Speaker 3: fucking imperial mission into this region of the world off

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Speaker 3: the back of WMD nonsense and things like that, and

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Speaker 3: at the time, people were like, oh, yeah, like you

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Speaker 3: gotta do it. After a little bit of distance, and

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Speaker 3: people took a breath, They're like, yeah, that was so

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Speaker 3: fucked up and wrong. And what I would what I

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Speaker 3: would hate is that we would repeat something like that

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Speaker 3: when you know, even more horrific violence is being unleashed

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Speaker 3: on people, innocent people, and you have no way in Gaza,

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Speaker 3: no way out. There's no power, there's no electricity. People

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Speaker 3: are now like sending like I'm I think I'm just

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Speaker 3: gonna We're probably gonna die here at this point. And

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Speaker 3: I look on other I look on the like, you know,

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Speaker 3: the the main front page of places like CBS News,

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Speaker 3: and like their main thing isn't like, you know, people

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Speaker 3: are pulling, you know, innocent bodies out of the rebel.

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Speaker 3: It's US arranging flights to get Americans.

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Speaker 2: Out of Israel.

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Speaker 3: Right, Oh, well, there's also there's also Americans in Gaza. Yeah,

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Speaker 3: and that's also not talked about it And so I

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Speaker 3: think that's so for me, I'd rather take this time

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Speaker 3: to talk about things that aren't being discussed enough because

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Speaker 3: all the other atrocities, and that's what they are, atrocities

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Speaker 3: are being reported on. But I'm not seeing from especially

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Speaker 3: this the media in the United States, you know, faithfully

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Speaker 3: reporting on the other horrific things that are happening, which

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Speaker 3: are also of the public interest and people to know

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Speaker 3: what is happening.

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Speaker 2: And yeah, so again.

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Speaker 3: The misinformation plays a huge part in that because it's

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Speaker 3: NonStop and again check out like every most of these

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Speaker 3: news sites like Reuters and stuff, they have fact checking

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Speaker 3: sub sections that you can check out, which is really important.

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Speaker 3: But anyway, along with all that, we just continue to see,

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Speaker 3: you know, what everyone is calling, at lightly i think euphemistically,

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Speaker 3: a humanitarian crisis happening and in a more you know,

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Speaker 3: probably potent way of saying it is like you're potentially seeing,

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Speaker 3: we're seeing the rhetoric of like mass death being bandied about,

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Speaker 3: and you know that everything else is just kind of

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Speaker 3: taking our attention other ways versus how things are covered

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Speaker 3: on websites like you know, al Jazeero or at least

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Speaker 3: even like the BBC, like there's at least a humanity

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Speaker 3: attached to what has happened to people in The.

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Speaker 1: Guardian has been good, BBC has been good. It's yeah,

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Speaker 1: somebody proposed the thought experiment on social media, like in

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Speaker 1: the aftermath of nine to eleven, like in retrospector do

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Speaker 1: you feel like the problem was that people didn't emphasize

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Speaker 1: the barbarity of al Qaeda enough, or that people didn't

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Speaker 1: try and pump the brakes on the indiscriminate killing of

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Speaker 1: people who are just the same color or from the

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Speaker 1: same country as those people.

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Speaker 3: You know, Yeah, because when you look back, completely destroyed

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Speaker 3: a part of the earth and hundreds of thousands of

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Speaker 3: lives were lost off the back of not being able

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Speaker 3: to like have any kind of real analysis. But again,

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Speaker 3: I don't. That's a much larger issue of how the

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Speaker 3: United States operates and our larger place than global foreign policy.

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Speaker 3: So anyway, and I do, it's a lot of I just.

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Speaker 1: I think there's a way to stay committed to core

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Speaker 1: values of you know, not supporting the killing of innocent people,

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Speaker 1: like the importance of the truth, and also equality in

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Speaker 1: terms of who gets talked about and when when innocent

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Speaker 1: people are killed, Like are some of the innocent people

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Speaker 1: being talked about and others are not? And right, So

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Speaker 1: like why do we think that's the case?

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Speaker 3: Right? And it's the same you know, Yeah, we have

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Speaker 3: these kinds of disparities in our own domestic media coverage too,

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Speaker 3: and you just see this like bad hat that play

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Speaker 3: out on another scale.

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Speaker 2: So yeah, there we are there.

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Speaker 1: We are all right, let's take a quick break. We'll

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Speaker 1: come back with some actual good news. We'll be right back.

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Speaker 1: And we're back. And a new study was just released

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Speaker 1: documenting how a pioneering bionic hand has improved a woman's life.

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Speaker 1: She lost her arm in a farming accident and continued

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Speaker 1: to suffer from chronic pain.

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Speaker 2: Like there's a wild thing that happens to people who

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Speaker 2: like lose a limb.

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Speaker 3: Oh, like phantom limb.

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Speaker 2: Yeah, phantom limb and like phantom pain.

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Speaker 1: So she had a neuro musculo skeletal implant which allows

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Speaker 1: her to maneuver a prosthetic hand with her mind. It's

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Speaker 1: just fucking crazy. And also like not from Elon Musk,

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Speaker 1: so it sounds a lot cooler. Yea was tested on

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Speaker 1: presumably hundreds of thousands of monkeys, but yeah, it's her

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Speaker 1: description of what she was dealing with, Like before the

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Speaker 1: bionic hand, it felt like I constantly had my hand

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Speaker 1: in a meat grinder, which created a high level of stress,

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Speaker 1: and I had to take high doses of various pain

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Speaker 1: killers before this. And then with the aid of the

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Speaker 1: neuromuscular implant, the patient can maneuver the prosthetic hand with

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Speaker 1: her mind, allowing her to pick up objects, and the

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Speaker 1: titanium hand actually bonded with her bone matter through the

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Speaker 1: surgical process.

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Speaker 3: Ok One time, bones and doll isn't a little bit freaky? Okay?

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Speaker 3: I like this version of bone fusing with I mean

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Speaker 3: because this is something that I've like, I feel like

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Speaker 3: in the nineties we always saw like the promise of

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Speaker 3: some like bionic prostheses, and I'm like, when is that happening?

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Speaker 3: But I guess this is like the way I'm seeing

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Speaker 3: it written about. This is pretty Uh, this is a

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Speaker 3: pretty major breakthrough.

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Speaker 2: Yeah, and it is Star Wars and it is you know.

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Speaker 1: Now we just need them to do Lightsaber and we'll

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Speaker 1: have I would start.

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Speaker 3: With maybe, you know, advancements in oncology, maybe.

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Speaker 1: Thing like Darth Vader pill to grow my hair back

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Speaker 1: pill to grow hairback light safer on College World Hopper

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Speaker 1: and the yeah you have your marching orders Eminem's Are you?

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Speaker 2: Are you a eminem king Miles? I don't know.

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Speaker 3: I'm an eminem popper. You're an eminem popper with them

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Speaker 3: because I pop them, baby, But it's a double on,

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Speaker 3: you know what I mean?

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Speaker 2: Oh?

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Speaker 3: Yeah, I mean I like. Yeah, look, look I love

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Speaker 3: peanut eminems. I don't like almond eminems. I like the

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Speaker 3: brownie eminems. I like the cookie Eminem's. Shout out Rex, Ryan, y, you.

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Speaker 2: Do want to fuck the green eminem you've always said off?

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Speaker 2: Mic Oh? Is that? Where are we supposed to keep

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Speaker 2: that off?

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Speaker 1: Mic?

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Speaker 3: Well, I mean, I guess guts out of the back. Sorry,

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Speaker 3: Lola Bunny, you've been replaced.

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Speaker 1: But they are a logical promotion where you can get

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Speaker 1: free candy delivered to your house on Halloween night if

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Speaker 1: you're running out of Eminem's for trigger treaters, or presumably

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Speaker 1: if you're you know, just getting high and watching Rocky

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Speaker 1: horror and just you want some free candy exactly. But

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Speaker 1: this is being done through So my first thought is

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Speaker 1: bad time to be on the roads.

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Speaker 3: Yeah, okay, I gotta I gotta drop off this promotional

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Speaker 3: bag of Eminem's kids get to the fucking.

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Speaker 1: Road, like to and to be like calling something like

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Speaker 1: rescue squad. So it suggests like an emergency is taking place,

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Speaker 1: like as children uh with diminished visibility or wandering around

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Speaker 1: uh night darkened streets.

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Speaker 2: Yeah, I don't know. I don't know about this.

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Speaker 1: Also, this delivery is being facilitated by Go Puff.

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Speaker 2: You might wonder why they call Go Puff.

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Speaker 3: Yeah. I always thought it was like, are they selling weed?

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Speaker 2: And they never was.

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Speaker 1: No, but it was a hookah delivery service. That's how

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Speaker 1: they started. Oh that's why they go Puff.

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Speaker 3: Holy shit. I love when like they're like, we're staying

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Speaker 3: true to our fucking big clouds of hookah smoke roofs.

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Speaker 2: Yeah, Go Puff, uh huh.

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Speaker 1: But they have been called out in recent years for

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Speaker 1: pressuring managers to not let their employees take bathroom breaks.

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Speaker 1: Oh great, great, great, Greg, you have a emergency delivery

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Speaker 1: from a rescue squad driver who have to pee real bad,

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Speaker 1: and a bunch of children walking around with their witch

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Speaker 1: mask on backwards.

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Speaker 2: You know, Yeah, I just don't love it. McDonald's. Don't

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Speaker 2: love it as much as I love peanut Eminem's.

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Speaker 3: Wait, why'd you say McDonald's. Yeah, I don't love him

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Speaker 3: mcd Oh, you're just giving them the reverse, Are you

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Speaker 3: mean eminem's Eminem's Oh uh wait? Does Eminem's not stand

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Speaker 3: for McDonald's and McDonald No, Jack, I keep damn it.

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Speaker 3: Christ all right, all right, let's take it from the top. Hello,

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Speaker 3: the uh mark three here we go.

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Speaker 2: Yeah, I don't.

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Speaker 3: Again, I think at first I was like, oh, I

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Speaker 3: hope you can just like bring their business down. But

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Speaker 3: now when you know that obviously this is going to

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Speaker 3: be delivered off the back of someone who's just.

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Speaker 2: Been like, oh fuck, it's gonna have to.

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Speaker 3: Drive around town throwing one bag of Eminem's out.

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Speaker 2: Yeah.

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Speaker 1: I got my own emergency eminem delivery service and it's

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Speaker 1: called my Children. Wow, go trigger treating and then deliver

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Speaker 1: those eminems to me. The erotic thriller is back. Maybe

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Speaker 1: I don't know. Are you an erotic thriller fan?

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Speaker 3: Oh?

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Speaker 2: Of course you like to get horned up with your scares?

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Speaker 2: Oh man, disclosure disclosure disclothed.

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Speaker 3: What was the other one, dude? I was like, again,

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Speaker 3: it was a Sharon Stone freak back in the day.

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Speaker 2: Deliver Aaron Stone free.

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Speaker 3: Yeah, man, Sliver, I was fucking with even Yeah, like

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Speaker 3: I just remember all those movies back then for sure.

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Speaker 2: Well yeah, I mean pre internet porn.

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Speaker 3: Like when we were talking when we did our episode

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Speaker 3: with Chelsea Davante's about our lack of horniness, is like

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00:22:18,480 --> 00:22:21,040
Speaker 3: those The reason it wasn't because I was like, I

402
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Speaker 3: was just like I might see sex.

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Speaker 2: M hmm, so bringing.

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Speaker 1: See I'm gonna watch this because I might see might

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Speaker 1: see sex.

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Speaker 2: How about that?

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Speaker 1: Anyways, Disclosure also just a great super realistic depiction of

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Speaker 1: the future of technology, where wherein we all use virtual

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Speaker 1: reality head pieces to do filing. You know, we file

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Speaker 1: away our computer files in a virtual library and just

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Speaker 1: like carry them around through hallways instead of saving them

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Speaker 1: to a disc. But anyways, there's a new movie on Netflix.

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Speaker 1: It's the number one movie on Netflix. It's called fair Play.

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Speaker 1: Like okay, that title sounds like a thing that like

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Speaker 1: a horny guy says, like a fair play. It's about

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Speaker 1: a woman Phoebe dinover de Never who knows from Bridgerton,

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Speaker 1: and a man played by Lil Han Solo, the guy

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Speaker 1: who played Han Solo.

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Speaker 3: In the uh thet Kid.

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Speaker 1: Yeah, yeah, no, I don't think it's el Gort, but

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Speaker 1: it's the guy who I thought was They They occupied

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Speaker 1: the same space my brain for a long time. Yeah yeah, yeah,

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Speaker 1: Aaron Reich. Yeah. But they work at a hedge fund firm.

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Speaker 1: Oh I can't wait, and they begin a steamy relationship huh.

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Speaker 1: But things then go south when the woman gets promoted

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Speaker 1: and the guy doesn't uh.

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Speaker 3: Oh so we're right back to the fear of the

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Speaker 3: powerful woman.

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Speaker 1: Yes, yes, and what I'm hoping the woman is the protagonist.

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Speaker 1: It's made by a woman filmmaker who said they loved

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Speaker 1: Michael douglas movies. Chloe domont is the first time director

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Speaker 1: who wrote and directed this and cites several Michael Douglas

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Speaker 1: movies as influences.

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Speaker 2: So I'm hoping it's not.

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Speaker 1: Just like, man, this girl got too much power and

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Speaker 1: then she was evil to the guy.

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Speaker 2: But we'll see.

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Speaker 3: Oh no, yeah, it sounds like after she gets promoted,

439
00:24:32,240 --> 00:24:35,880
Speaker 3: Luke's resentment over not being promoted becomes increasingly apparent, leading

440
00:24:35,920 --> 00:24:36,800
Speaker 3: to tensions.

441
00:24:37,080 --> 00:24:40,280
Speaker 1: Yeah, but okay, Yeah, it'll be interesting to see if

442
00:24:40,320 --> 00:24:42,240
Speaker 1: this one takes off because there's been a lot of

443
00:24:42,320 --> 00:24:46,119
Speaker 1: erotic thrillers that people have been wanting, Like, we like

444
00:24:46,200 --> 00:24:48,960
Speaker 1: the idea of erotic thrillers making a comeback with like

445
00:24:49,040 --> 00:24:54,280
Speaker 1: Don't Worry Darling, deep Water with ben A Fleck, and

446
00:24:55,880 --> 00:24:57,439
Speaker 1: but those movies like I feel like they kind of

447
00:24:57,440 --> 00:24:58,360
Speaker 1: came and went right.

448
00:24:58,560 --> 00:24:59,080
Speaker 3: Yeah yeah.

449
00:24:59,160 --> 00:24:59,360
Speaker 2: Yeah.

450
00:24:59,400 --> 00:25:02,760
Speaker 3: Well, also with Don't Worry Darling, if no one even

451
00:25:02,800 --> 00:25:05,200
Speaker 3: talked about the movie, everything was like, does Chris Pine

452
00:25:05,280 --> 00:25:09,160
Speaker 3: hate this motherfucker. Like it was like, all, like, that's

453
00:25:09,200 --> 00:25:11,760
Speaker 3: the only thing I remember from the movie, and then

454
00:25:11,920 --> 00:25:15,800
Speaker 3: something something Jason sidekaz Olivia Wild Divorce is like the

455
00:25:16,840 --> 00:25:18,960
Speaker 3: all the only thing is I know about this about

456
00:25:18,960 --> 00:25:22,199
Speaker 3: that movie. But I think it's probably I'd imagine that

457
00:25:22,280 --> 00:25:24,840
Speaker 3: the twenty twenty three version of an erotic thriller isn't

458
00:25:24,840 --> 00:25:28,199
Speaker 3: going to fall into the same old weird shit like

459
00:25:28,320 --> 00:25:30,199
Speaker 3: it's nineties predecessors did.

460
00:25:30,280 --> 00:25:32,239
Speaker 1: We'll see, maybe we can't. Maybe we'll watch it and

461
00:25:32,400 --> 00:25:34,520
Speaker 1: review it for you on Monday. I got a lot

462
00:25:34,520 --> 00:25:38,160
Speaker 1: of a lot of options. The Taylor Swift.

463
00:25:38,640 --> 00:25:40,520
Speaker 3: I saw the concert though I don't.

464
00:25:40,359 --> 00:25:42,679
Speaker 1: Know, but like so I didn't really know any of

465
00:25:42,680 --> 00:25:45,920
Speaker 1: the songs. I still don't, but like now maybe i'd

466
00:25:45,920 --> 00:25:48,040
Speaker 1: be like, oh yeah, okay, this sounds better the second

467
00:25:48,080 --> 00:25:48,800
Speaker 1: time I'm hearing it.

468
00:25:48,880 --> 00:25:51,119
Speaker 3: I think I would go to see Taylor Swift on

469
00:25:51,200 --> 00:25:54,119
Speaker 3: opening night, but I would bring a folding chair and

470
00:25:54,160 --> 00:25:55,840
Speaker 3: I would put it at the front of the theater

471
00:25:55,960 --> 00:25:58,440
Speaker 3: and I would face the audience. I don't need to

472
00:25:58,480 --> 00:26:00,399
Speaker 3: see the screen. I just want to watch all of

473
00:26:00,480 --> 00:26:01,880
Speaker 3: y'all react to this.

474
00:26:01,960 --> 00:26:05,600
Speaker 1: And just be like yeah, yeah, And I think that

475
00:26:05,640 --> 00:26:07,880
Speaker 1: would be welcomed by the fans, and I don't think

476
00:26:07,880 --> 00:26:09,600
Speaker 1: anyone would be freaked out by that at all.

477
00:26:09,760 --> 00:26:12,879
Speaker 3: No, by a man of color alone in the theater

478
00:26:13,320 --> 00:26:14,640
Speaker 3: setting up and setting them.

479
00:26:17,200 --> 00:26:17,400
Speaker 2: Yeah.

480
00:26:17,480 --> 00:26:19,280
Speaker 1: Super producer Victor asked if I was going for a

481
00:26:19,320 --> 00:26:23,640
Speaker 1: nostalgia because you know, I'm nostalgic for the two months ago.

482
00:26:23,720 --> 00:26:24,800
Speaker 2: It's because you blacked out.

483
00:26:24,600 --> 00:26:28,880
Speaker 3: Bro, you know your memory, you know, you know how Taylor.

484
00:26:28,560 --> 00:26:31,280
Speaker 2: Do you know what? You know what Taylor does to me?

485
00:26:31,520 --> 00:26:36,879
Speaker 2: And a sugar rush you know. Anyways, those are and

486
00:26:36,920 --> 00:26:38,400
Speaker 2: we'll get to Taylor.

487
00:26:38,200 --> 00:26:41,840
Speaker 1: On tomorrow's episode. Yeah, important question. Yeah, we have to

488
00:26:41,880 --> 00:26:42,840
Speaker 1: ask about her.

489
00:26:44,119 --> 00:26:44,880
Speaker 2: That's going to do it.

490
00:26:45,000 --> 00:26:50,200
Speaker 1: Yeah, for this Thursday trending episode, we are back tomorrow

491
00:26:50,280 --> 00:26:51,359
Speaker 1: with a whole ass.

492
00:26:51,160 --> 00:26:53,720
Speaker 2: Episode of the show. A whole it's not a.

493
00:26:53,680 --> 00:26:57,879
Speaker 1: Whole ass episode, it's a whole ass episode. Wow, episode

494
00:26:57,920 --> 00:27:00,679
Speaker 1: is not ass. It's a pretty good one. Actually, I

495
00:27:00,720 --> 00:27:01,399
Speaker 1: think I think.

496
00:27:01,800 --> 00:27:02,800
Speaker 3: Yo, this ship is ass.

497
00:27:03,640 --> 00:27:10,840
Speaker 1: That is as until then, be kind to each other,

498
00:27:11,080 --> 00:27:14,280
Speaker 1: be kind to yourself, get the vaccine. Yes, don't do

499
00:27:14,400 --> 00:27:17,080
Speaker 1: nothing about white supremacy, and we will talk to you

500
00:27:17,119 --> 00:27:17,640
Speaker 1: all tomorrow.

501
00:27:17,880 --> 00:27:22,680
Speaker 3: Fight bite