1
00:00:00,520 --> 00:00:02,480
Speaker 1: Come on, man, it's your boy Tie Dollars sign. We

2
00:00:02,600 --> 00:00:04,600
Speaker 1: on the eighty five South fuck y'all talking.

3
00:00:04,400 --> 00:00:14,120
Speaker 2: About absolutely hell yeah, that game there it is.

4
00:00:14,560 --> 00:00:18,040
Speaker 3: You might not notice now, but I do because I

5
00:00:18,079 --> 00:00:20,520
Speaker 3: was on wild Now when Tire Dollar Sign came and

6
00:00:20,600 --> 00:00:25,079
Speaker 3: we made some of the hardest songs and wilding out

7
00:00:25,200 --> 00:00:30,600
Speaker 3: history Tire Dollar Sign eighty five out Show BT Award

8
00:00:30,680 --> 00:00:31,480
Speaker 3: twenty twenty five.

9
00:00:31,760 --> 00:00:33,920
Speaker 4: Here you'll clap it up for him. Man, don't be

10
00:00:34,040 --> 00:00:34,360
Speaker 4: no hater.

11
00:00:34,640 --> 00:00:37,360
Speaker 3: First of all, we gotta show love and respect to

12
00:00:37,360 --> 00:00:39,640
Speaker 3: all the dope ass music and songs you done put

13
00:00:39,640 --> 00:00:40,800
Speaker 3: out over the years.

14
00:00:41,159 --> 00:00:42,440
Speaker 5: Hooks and appreciate it.

15
00:00:42,800 --> 00:00:48,879
Speaker 3: Bridges, choruses, bars, beats, you know, my ship horses.

16
00:00:49,200 --> 00:00:52,120
Speaker 5: Oh, Man, appreciate it. Appreciate it.

17
00:00:52,120 --> 00:00:54,560
Speaker 3: It made me feel like I could do that one day.

18
00:00:55,680 --> 00:00:56,760
Speaker 5: Did you do it though? Now?

19
00:00:56,880 --> 00:00:57,080
Speaker 4: Yet?

20
00:00:57,160 --> 00:00:57,440
Speaker 5: Nigga?

21
00:00:57,640 --> 00:01:00,480
Speaker 2: You named a lot of places that you had horses

22
00:01:00,480 --> 00:01:02,800
Speaker 2: that I got a few horses, But I ain't.

23
00:01:03,040 --> 00:01:05,160
Speaker 4: Everywhere I go ain't just something.

24
00:01:05,440 --> 00:01:09,440
Speaker 5: Tell him get up, don't you tell me? I said,

25
00:01:09,480 --> 00:01:14,520
Speaker 5: telling giddy up? That ain't all. Yeah, you know I

26
00:01:14,600 --> 00:01:17,559
Speaker 5: do my thing. Now, I'm gonna tell you the truth.

27
00:01:18,880 --> 00:01:21,640
Speaker 5: Ain't a seven couple of folks.

28
00:01:21,240 --> 00:01:24,280
Speaker 3: Come on man on the late night, on the late night,

29
00:01:24,800 --> 00:01:26,520
Speaker 3: ill do a three point come on.

30
00:01:28,000 --> 00:01:33,760
Speaker 4: Nig hitting three.

31
00:01:32,720 --> 00:01:37,120
Speaker 1: Sweaty motherfucker twenty five man tat Dollard saying what you're

32
00:01:37,120 --> 00:01:39,840
Speaker 1: looking forward to the sin this weekend? Oh man the

33
00:01:39,880 --> 00:01:44,360
Speaker 1: best artist Leon Thomas, come on, man, he the best.

34
00:01:44,720 --> 00:01:47,280
Speaker 1: He also signed my level easy Money.

35
00:01:47,080 --> 00:01:48,680
Speaker 5: So you knew he was the best way before.

36
00:01:48,680 --> 00:01:51,720
Speaker 1: It was the best before everybody else did. And uh,

37
00:01:52,560 --> 00:01:56,920
Speaker 1: shout out to Ali introducing us, and shout out to

38
00:01:57,000 --> 00:01:59,520
Speaker 1: Leon Man for just like I said, being the greatest,

39
00:01:59,600 --> 00:02:03,880
Speaker 1: being the easiest to work with, no stress, no like

40
00:02:04,080 --> 00:02:07,680
Speaker 1: putting it all on you, no blaming you for what happens.

41
00:02:07,680 --> 00:02:10,240
Speaker 1: And now what happens is him. It's like he's making

42
00:02:10,240 --> 00:02:12,640
Speaker 1: the beats, he's playing the instruments, he's making the songs,

43
00:02:13,200 --> 00:02:15,320
Speaker 1: and he comes in lierly with the whole album here

44
00:02:15,360 --> 00:02:18,040
Speaker 1: it is. What do you think would you be down

45
00:02:18,040 --> 00:02:21,680
Speaker 1: to hop on this? I'm like, what, come on, let's go.

46
00:02:21,720 --> 00:02:24,480
Speaker 1: Whatever I could do to help man and h it's

47
00:02:24,480 --> 00:02:25,960
Speaker 1: been the greatest experience.

48
00:02:26,440 --> 00:02:28,920
Speaker 3: What do you like? So you say he's signing your label? Man, Like,

49
00:02:28,960 --> 00:02:31,480
Speaker 3: what do you see him going there? Like he already

50
00:02:31,760 --> 00:02:33,720
Speaker 3: in the stratosphere. Man, what do you see next?

51
00:02:33,840 --> 00:02:36,120
Speaker 1: I see him going wherever he wants to go. The

52
00:02:36,160 --> 00:02:40,200
Speaker 1: world is in his hands. He's got it, no question,

53
00:02:41,440 --> 00:02:43,880
Speaker 1: and the next project is already ready.

54
00:02:44,840 --> 00:02:46,919
Speaker 4: It's like that, what was it about him that you like,

55
00:02:47,000 --> 00:02:48,320
Speaker 4: you know what I mean? That opens your eye?

56
00:02:48,400 --> 00:02:51,760
Speaker 1: Like yeah, hearing it, hearing the music for the first

57
00:02:51,760 --> 00:02:54,639
Speaker 1: time and hearing what he was doing with the vocals.

58
00:02:54,639 --> 00:02:57,120
Speaker 5: Hearing the song, asked him who produced?

59
00:02:57,160 --> 00:03:01,120
Speaker 1: Oh, that's me, he said, what, and then seeing him

60
00:03:01,120 --> 00:03:04,200
Speaker 1: in action, like actually, he's like a logic guy. He

61
00:03:04,240 --> 00:03:08,560
Speaker 1: works on logic, but he plays everything guitar, does these

62
00:03:08,600 --> 00:03:11,120
Speaker 1: crazy things I've never seen people do with the vocals,

63
00:03:11,160 --> 00:03:13,160
Speaker 1: like slowing the track all the way down, speeding it

64
00:03:13,200 --> 00:03:15,360
Speaker 1: up to do all those like hard chipmunk vocals.

65
00:03:15,639 --> 00:03:19,240
Speaker 5: He's just you know, he's got it. Yeah.

66
00:03:19,760 --> 00:03:22,120
Speaker 1: Now, I work with a lot of people, obviously, and

67
00:03:22,240 --> 00:03:24,880
Speaker 1: like he's one of the top three I've ever worked with.

68
00:03:25,000 --> 00:03:26,920
Speaker 3: So that's what I was just about to ask you.

69
00:03:26,680 --> 00:03:29,560
Speaker 3: You do work with a lot of different people. It's

70
00:03:29,639 --> 00:03:33,560
Speaker 3: like you got that, Like you're a real dynamic artist, man, dude,

71
00:03:33,919 --> 00:03:36,400
Speaker 3: Like working with different people, they just bring different shit

72
00:03:36,480 --> 00:03:39,120
Speaker 3: out or like you have these ideas and you hit

73
00:03:39,160 --> 00:03:41,480
Speaker 3: them and like, shit, there's some shit that I thought

74
00:03:41,480 --> 00:03:43,800
Speaker 3: of that might go good with what you got going on.

75
00:03:43,920 --> 00:03:47,720
Speaker 3: It's like, how do you decide which bag to get in?

76
00:03:47,880 --> 00:03:49,120
Speaker 3: Is basically what a masking?

77
00:03:49,120 --> 00:03:53,360
Speaker 1: It just comes to me, man, Uh, just like them horses,

78
00:03:54,840 --> 00:03:55,840
Speaker 1: and I get it.

79
00:03:56,360 --> 00:03:58,360
Speaker 5: It just it just comes straight to me, man.

80
00:03:58,400 --> 00:04:02,240
Speaker 1: And you know we just like if you work with

81
00:04:02,280 --> 00:04:03,760
Speaker 1: any other comedian or any.

82
00:04:03,600 --> 00:04:05,840
Speaker 5: Other well, I'll be working with them. Niggas don't inspire.

83
00:04:08,080 --> 00:04:10,880
Speaker 3: I take shots every chances that get just because we comedians.

84
00:04:10,880 --> 00:04:14,320
Speaker 6: Ain't a bad gonna do nothing. Ain't nobody gonna do that.

85
00:04:15,000 --> 00:04:21,719
Speaker 6: Nigga talking about that? Come on, but man, it's dope

86
00:04:21,960 --> 00:04:24,320
Speaker 6: to see you pop out. You don't pop out that much.

87
00:04:24,360 --> 00:04:24,520
Speaker 5: Man.

88
00:04:24,560 --> 00:04:26,400
Speaker 4: They got you out here in the whole suit.

89
00:04:26,240 --> 00:04:30,040
Speaker 5: With the gloves and ship take a moment. Season I am.

90
00:04:30,080 --> 00:04:32,080
Speaker 1: I'm about to take this ship back. It's more time

91
00:04:32,600 --> 00:04:36,240
Speaker 1: you're talking about album dropping. This documentary it's called still

92
00:04:36,279 --> 00:04:41,440
Speaker 1: pre TC talking about my whole life basically going from

93
00:04:41,440 --> 00:04:44,760
Speaker 1: the bottom to the top, you know, from doing shows

94
00:04:45,279 --> 00:04:48,080
Speaker 1: in front of twenty people, doing shows in front of

95
00:04:48,120 --> 00:04:50,080
Speaker 1: like schools and ship when I was like a fourteen

96
00:04:50,160 --> 00:04:53,719
Speaker 1: year old to now doing stadiums all over the world

97
00:04:53,760 --> 00:05:00,000
Speaker 1: and stuff. And while all that's going on, my brother

98
00:05:00,080 --> 00:05:04,159
Speaker 1: this in prison, which I started off making music with him.

99
00:05:04,520 --> 00:05:07,520
Speaker 1: So it's like, what part of me is in the light,

100
00:05:07,680 --> 00:05:10,400
Speaker 1: the other part is, you know, in the start.

101
00:05:10,680 --> 00:05:11,600
Speaker 4: Yeah, I mean that.

102
00:05:11,800 --> 00:05:13,960
Speaker 7: What can you tell somebody who, like when you say

103
00:05:14,000 --> 00:05:15,880
Speaker 7: you did that in front of school, in front of

104
00:05:15,920 --> 00:05:18,240
Speaker 7: twenty people didn't go to the stadiums and stuff, What

105
00:05:18,279 --> 00:05:19,000
Speaker 7: can you tell them?

106
00:05:19,200 --> 00:05:20,400
Speaker 4: You know what I mean about the journey?

107
00:05:20,400 --> 00:05:21,520
Speaker 5: What not to do?

108
00:05:21,560 --> 00:05:22,960
Speaker 4: What they should do? You know what I mean?

109
00:05:23,080 --> 00:05:25,039
Speaker 1: Just like I said about Leon, it's like the world

110
00:05:25,160 --> 00:05:27,119
Speaker 1: is in his hands. The world is also in your hands.

111
00:05:27,160 --> 00:05:27,320
Speaker 7: Man.

112
00:05:27,360 --> 00:05:30,159
Speaker 5: It's whatever you want to do. You know, if you

113
00:05:30,160 --> 00:05:31,320
Speaker 5: want to do it, you're gonna do it.

114
00:05:31,839 --> 00:05:31,960
Speaker 2: Uh.

115
00:05:33,839 --> 00:05:38,120
Speaker 1: Yeah, Like we can all be born into different situations.

116
00:05:38,160 --> 00:05:41,000
Speaker 1: Some people are born a billionaires, some people are born

117
00:05:41,400 --> 00:05:44,520
Speaker 1: you know, broke. But as long as you have a

118
00:05:44,560 --> 00:05:47,800
Speaker 1: working brain, you got two hands, you got two feet, man,

119
00:05:48,080 --> 00:05:49,360
Speaker 1: you could do what the fuck you want to know?

120
00:05:50,360 --> 00:05:53,120
Speaker 3: Hey, I want to ask you this, man, because you

121
00:05:53,160 --> 00:05:57,000
Speaker 3: know this. The BET Awards have always been big to us.

122
00:05:57,040 --> 00:05:57,280
Speaker 5: Man.

123
00:05:57,360 --> 00:06:02,720
Speaker 3: Do you remember, like before you became tie dollar sign?

124
00:06:02,839 --> 00:06:04,680
Speaker 5: Yeah, watching the BT Wars.

125
00:06:04,720 --> 00:06:07,839
Speaker 3: Did you ever have like a favorite BT Awards moment.

126
00:06:09,880 --> 00:06:18,760
Speaker 1: Favorite be ET Awards moment that I can't remember? Maybe

127
00:06:18,800 --> 00:06:21,240
Speaker 1: one of them Old Prince performances. Man, Prince is my

128
00:06:21,279 --> 00:06:26,880
Speaker 1: favorite artist all time, and uh, probably something to do

129
00:06:26,920 --> 00:06:28,279
Speaker 1: with him.

130
00:06:28,480 --> 00:06:32,000
Speaker 5: Yeah, Prince a legend. Bro. Yeah, a real one.

131
00:06:32,040 --> 00:06:35,040
Speaker 1: Bro, like on an artist, man, right, write everything, play

132
00:06:35,040 --> 00:06:38,479
Speaker 1: all the instruments, hold the mica up, write everything, play

133
00:06:38,520 --> 00:06:40,279
Speaker 1: all the instruments, like the real thing.

134
00:06:40,360 --> 00:06:40,600
Speaker 5: You know.

135
00:06:41,960 --> 00:06:45,200
Speaker 3: Hey, man, he was on a like on some left

136
00:06:45,200 --> 00:06:48,480
Speaker 3: brain type shit, because this nigga would write songs from

137
00:06:48,560 --> 00:06:51,200
Speaker 3: different perspectives, Like you ever listen to the lyrics of

138
00:06:51,279 --> 00:06:53,000
Speaker 3: this song girlfriend.

139
00:06:52,839 --> 00:06:58,919
Speaker 7: That nigga wrote a song as his own girlfriend to himself.

140
00:06:59,040 --> 00:07:01,640
Speaker 4: Yeah, sung it to him.

141
00:07:01,839 --> 00:07:03,560
Speaker 3: I don't even know how you come up with some

142
00:07:03,600 --> 00:07:04,360
Speaker 3: shit like that.

143
00:07:04,480 --> 00:07:04,680
Speaker 5: Man.

144
00:07:05,200 --> 00:07:07,680
Speaker 1: Nah, he's just like a film writer. I feel like

145
00:07:07,720 --> 00:07:09,480
Speaker 1: even though it was a song, he was making films,

146
00:07:09,520 --> 00:07:11,440
Speaker 1: you know. And I try to tell people that all

147
00:07:11,480 --> 00:07:14,400
Speaker 1: the time. It's like we've come to a point where

148
00:07:14,760 --> 00:07:17,800
Speaker 1: everybody feel like the artists got to talk about their

149
00:07:17,840 --> 00:07:20,120
Speaker 1: full life or you can't write with nobody else. It's

150
00:07:20,160 --> 00:07:21,920
Speaker 1: all got to be you, or we don't believe like

151
00:07:21,960 --> 00:07:24,520
Speaker 1: it's not about that. It's just like, how does Steven

152
00:07:24,600 --> 00:07:27,720
Speaker 1: Spielberg and he makes the craziest movies. You gotta let

153
00:07:27,840 --> 00:07:29,840
Speaker 1: artists do that. It's art at the end of the day,

154
00:07:30,040 --> 00:07:32,080
Speaker 1: you know, and people shouldn't be pressured by that.

155
00:07:32,920 --> 00:07:35,800
Speaker 3: I always wonder, bro, like when you have a song

156
00:07:36,160 --> 00:07:38,920
Speaker 3: that's a massive hit, you go and, like you said,

157
00:07:38,920 --> 00:07:42,040
Speaker 3: you perform this shit all around the world. You then

158
00:07:42,200 --> 00:07:45,440
Speaker 3: sold our shows with it. This motherfucker went platinum. People

159
00:07:45,480 --> 00:07:47,480
Speaker 3: still want to hear it. You get what I'm saying,

160
00:07:47,480 --> 00:07:51,040
Speaker 3: And this, like, as an artist, how do you how

161
00:07:51,040 --> 00:07:53,400
Speaker 3: do you just leave that? You know what I'm saying, Like,

162
00:07:53,480 --> 00:07:55,920
Speaker 3: I don't even perform that shit no more. But this

163
00:07:56,040 --> 00:07:58,840
Speaker 3: is one of the ones that's a certifiedt here.

164
00:08:00,080 --> 00:08:01,560
Speaker 1: I mean, it's kind of hard to do that, but

165
00:08:01,600 --> 00:08:03,800
Speaker 1: like some some shows are gonna be like like that.

166
00:08:03,960 --> 00:08:06,480
Speaker 1: You know, you can get your Like for me, it

167
00:08:06,480 --> 00:08:09,320
Speaker 1: would take me three hours, yeah, three or four to

168
00:08:09,400 --> 00:08:12,160
Speaker 1: do like all the top top top joints that every day.

169
00:08:13,280 --> 00:08:15,559
Speaker 1: Sometimes I do a forty five minute set, a thirty

170
00:08:15,600 --> 00:08:17,640
Speaker 1: minute set. I just just run on here. But what

171
00:08:17,720 --> 00:08:19,960
Speaker 1: I can fit in there, and of course I want

172
00:08:19,960 --> 00:08:22,360
Speaker 1: to do my new ship. Yeah, you know I don't

173
00:08:22,400 --> 00:08:24,240
Speaker 1: hurt the old ship so many times. I know y'all

174
00:08:24,280 --> 00:08:24,520
Speaker 1: have to.

175
00:08:24,960 --> 00:08:28,240
Speaker 4: But yeah, it was like, but some shit, it's just

176
00:08:28,280 --> 00:08:29,440
Speaker 4: like niggas.

177
00:08:29,120 --> 00:08:30,640
Speaker 1: Be like, Yo, what's the best song you ever made?

178
00:08:30,680 --> 00:08:32,080
Speaker 1: I'll be like the one I made last night?

179
00:08:32,440 --> 00:08:35,280
Speaker 3: Yeah, but it's like some people you go see and

180
00:08:35,320 --> 00:08:36,400
Speaker 3: you you just like Nigga.

181
00:08:36,400 --> 00:08:38,760
Speaker 4: Okay, man, we're gonna watch everything. I know he gonna

182
00:08:38,800 --> 00:08:41,880
Speaker 4: do that. Come on top down, don't you leave?

183
00:08:42,080 --> 00:08:42,280
Speaker 5: Yeah?

184
00:08:42,480 --> 00:08:45,320
Speaker 2: Don't you at least sing the hook? When I watch

185
00:08:45,400 --> 00:08:48,040
Speaker 2: other artists like hell, yeah, you.

186
00:08:48,040 --> 00:08:49,800
Speaker 7: Got so much to just put in, you know what

187
00:08:49,840 --> 00:08:52,560
Speaker 7: I mean? With all the musicians you don't work with

188
00:08:52,720 --> 00:08:55,000
Speaker 7: artists and all that. Who's somebody that you still want

189
00:08:55,000 --> 00:08:56,360
Speaker 7: to get one in with?

190
00:08:58,480 --> 00:09:01,040
Speaker 1: It'd be funny because when I'm in the moment of

191
00:09:01,080 --> 00:09:02,079
Speaker 1: an interview, I'll be like.

192
00:09:02,120 --> 00:09:04,000
Speaker 5: Forgetting Nigga spoke too much?

193
00:09:04,040 --> 00:09:07,720
Speaker 1: We uh, who have I not worked with that? I

194
00:09:07,800 --> 00:09:09,920
Speaker 1: really really want to work with, you know what I

195
00:09:09,960 --> 00:09:12,800
Speaker 1: want to work It's gonna be left to certain people.

196
00:09:12,880 --> 00:09:15,280
Speaker 1: But Billy Oilish is cold. I want to work with

197
00:09:15,320 --> 00:09:17,479
Speaker 1: Billy Olish.

198
00:09:16,480 --> 00:09:19,520
Speaker 3: She gonna see this ship and hit you immediately.

199
00:09:20,000 --> 00:09:23,000
Speaker 4: No time with me like that. No, she know her

200
00:09:23,960 --> 00:09:24,880
Speaker 4: hit on the white.

201
00:09:24,960 --> 00:09:29,560
Speaker 3: Will check this out. It's the BET Awards twenty twenty five.

202
00:09:30,480 --> 00:09:33,760
Speaker 3: Me and now came up with our own segment. And

203
00:09:33,840 --> 00:09:37,200
Speaker 3: this segment is called what the fuck you got on?

204
00:09:37,400 --> 00:09:39,080
Speaker 7: And you just tell us what you got on and

205
00:09:39,120 --> 00:09:41,040
Speaker 7: you pop that ship the way you pop your ship.

206
00:09:41,160 --> 00:09:45,760
Speaker 5: Man, I got some Marginlla. I think this ship.

207
00:09:45,880 --> 00:09:49,840
Speaker 1: I guess you tell Margella coke with a pro club wife.

208
00:09:49,920 --> 00:09:51,640
Speaker 1: That's how you know it is what it is. Because

209
00:09:51,679 --> 00:09:54,560
Speaker 1: the nigga wanted you to check the label. Okay, that

210
00:09:54,760 --> 00:09:59,160
Speaker 1: is what it's saying. You could I mixed the marginala

211
00:09:59,200 --> 00:10:04,959
Speaker 1: with the Pro Club that day. Yeah, you're keeping a nigga.

212
00:10:05,520 --> 00:10:08,559
Speaker 4: What's on your fots? Make oh bro for.

213
00:10:08,720 --> 00:10:11,360
Speaker 1: Some of them ass kicking boots. That's some ass kicking

214
00:10:11,360 --> 00:10:13,720
Speaker 1: boots right there. You know what I'm saying. Some nice

215
00:10:13,720 --> 00:10:16,440
Speaker 1: pants being tycoon season, So I'm dressing like a tycoon

216
00:10:16,440 --> 00:10:16,839
Speaker 1: every day.

217
00:10:17,840 --> 00:10:20,320
Speaker 5: You know, tip dollars dollars?

218
00:10:20,480 --> 00:10:22,360
Speaker 1: Bot take a belt? Yeah, this belt, boat take it.

219
00:10:23,440 --> 00:10:25,079
Speaker 1: We'll see some chrome heart glasses.

220
00:10:25,520 --> 00:10:27,320
Speaker 5: You feel me? Custom jewry.

221
00:10:28,520 --> 00:10:30,480
Speaker 4: You ain't gonna forget them.

222
00:10:30,480 --> 00:10:34,240
Speaker 1: Gloves, Come on, all the gloves. The gloves is the part.

223
00:10:34,320 --> 00:10:36,679
Speaker 1: These are the new tie dollar sign gloves. Okay, new

224
00:10:36,760 --> 00:10:38,320
Speaker 1: merchs dropping. You know what I'm saying.

225
00:10:38,320 --> 00:10:40,160
Speaker 4: You dropping leather gloves for the murders.

226
00:10:39,960 --> 00:10:42,520
Speaker 1: Dropping some gloves. I'm dropping all type. That's what's his

227
00:10:42,640 --> 00:10:43,480
Speaker 1: ty coon season.

228
00:10:43,520 --> 00:10:45,560
Speaker 4: No, I need some of them gloves. I ain't gonna lie.

229
00:10:45,720 --> 00:10:45,880
Speaker 5: Now.

230
00:10:45,920 --> 00:10:47,760
Speaker 3: You know, we can literally sit here and talk this

231
00:10:47,800 --> 00:10:50,559
Speaker 3: ship all day. But for you to be sitting here

232
00:10:50,600 --> 00:10:53,400
Speaker 3: with us right now, we appreciate that. And we gotta

233
00:10:53,600 --> 00:10:56,280
Speaker 3: extend the invite next time you're in Atlanta to stop

234
00:10:56,320 --> 00:10:58,280
Speaker 3: through the trap and we can really chop up some

235
00:10:58,360 --> 00:10:59,520
Speaker 3: real good ship.

236
00:10:59,640 --> 00:11:03,240
Speaker 5: Yeah yeah, man, I'm pulling up. I'm pulling up BT

237
00:11:03,400 --> 00:11:06,400
Speaker 5: Awards twenty twenty five. He and the Five show.

238
00:11:06,640 --> 00:11:14,640
Speaker 1: We out of here Doelers by the way, Oh yeah yeah,