WEBVTT - Let The Stream Races Begin (

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<v Speaker 1>I'm a homegirl that knows a little bit about everything

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<v Speaker 1>and everybody.

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<v Speaker 2>You know, if you don't lie about that?

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<v Speaker 1>Right?

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<v Speaker 2>La Hey, y'all, what's up.

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<v Speaker 1>It's Lauren de Rosa and this is the latest with

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<v Speaker 1>Lauren de Rosa. This is your DELI dig on all

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<v Speaker 1>things pop culture, entertainment, news and all of the conversations

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<v Speaker 1>that shake the room.

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<v Speaker 2>Baby. Now today we are.

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<v Speaker 1>Going to get into a conversation about TB about television

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<v Speaker 1>or what is left of television because, as we all know,

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<v Speaker 1>the way that we consume television is completely different today

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<v Speaker 1>in twenty twenty five.

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<v Speaker 2>Now, raise your hand out there, and of course.

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<v Speaker 1>I can't see you, so that means you need to

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<v Speaker 1>hit the like button comment below, yell at me on

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<v Speaker 1>social media at Lauren Rosa, L R E N everywhere.

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<v Speaker 1>How do you guys consume what would have been cable

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<v Speaker 1>television content today? Because I mean, if I'm thinking about myself,

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<v Speaker 1>I haven't had like actual cable TV. Wow, when is

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<v Speaker 1>the last time I had cable TV? I think, Woh,

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<v Speaker 1>can't you remember?

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<v Speaker 2>Uh?

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<v Speaker 1>It might have been right before the pandemic and even

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<v Speaker 1>then I think, yeah, that was a streaming ish version

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<v Speaker 1>of it.

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<v Speaker 2>That's crazy.

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<v Speaker 1>I don't remember the last time I've paid like a

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<v Speaker 1>Exfinity or wherever you are, whatever you know, city or

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<v Speaker 1>state you live in, an actual cable provider to provide

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<v Speaker 1>like TV that you turn on that isn't attached to

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<v Speaker 1>Wi Fi. So yeah, y'all, let me know, getting right

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<v Speaker 1>on into the latest, here's what's going down. So as

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<v Speaker 1>I was driving in uh to the podcast, I begin

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<v Speaker 1>to see the story. I got a notification from the

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<v Speaker 1>Hollywood Reporter, And you know some of the other trades.

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<v Speaker 1>Trades are the media outlets that announced like the shows

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<v Speaker 1>and new businesses and new deals and things like that.

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<v Speaker 1>That's what the trades are called. Shout out to Dame Dash.

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<v Speaker 1>The title of this article is Oscars Bolts from ABC

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<v Speaker 1>to YouTube. Starting in twenty twenty nine, the world's highest

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<v Speaker 1>profile and most watched award show, which has aired on

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<v Speaker 1>ABC since nineteen seventy six, will be moving to streaming

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<v Speaker 1>only platform. Will be moving to a streaming only platform

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<v Speaker 1>as a part of as a part of a deal

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<v Speaker 1>that also includes red carpet coverage, the Oscar nominations, announcement,

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<v Speaker 1>the Governor Awards, and more so, not even just to

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<v Speaker 1>Oscar Awards show, but everything that leads up to the awards,

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<v Speaker 1>So the Governor awards the Red Carpet, which is again

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<v Speaker 1>I'm sitting here like they I know that they traditionally

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<v Speaker 1>air a lot of the award shows on these like

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<v Speaker 1>you know, very cable network ish channels, the ABC's, NBC's

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<v Speaker 1>which all do have their own you know, streaming ends

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<v Speaker 1>as well for the most part, or they team up

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<v Speaker 1>with a streamer, like I know, like NBC does stuff

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<v Speaker 1>with Peacock. Shout out to NBC New York for who

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<v Speaker 1>we did a lot of our Diddy coverage with. In

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<v Speaker 1>a lot of our coverage that we did there is

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<v Speaker 1>on Peacock as well. But I was surprised to read

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<v Speaker 1>this because I'm like, why wasn't there already a deal?

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<v Speaker 2>I know, when I watch all Red Carpets and all you.

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<v Speaker 1>Know, Grammys or whatever award shows just to cover it

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<v Speaker 1>in news, I'm watching it via YouTube television.

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<v Speaker 2>I have the subscription there.

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<v Speaker 1>But even before I had that subscription to be able

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<v Speaker 1>to see things live, like actually, like I'm paying for

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<v Speaker 1>it to know I'll get it. I always knew that

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<v Speaker 1>I could watch the Red Carpets live because they stream

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<v Speaker 1>live not even just on YouTube, but like I know,

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<v Speaker 1>a lot of platforms now go live on Twitter and

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<v Speaker 1>have it set up literally on your Twitter feed or

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<v Speaker 1>your x feed where you could just watch the Red

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<v Speaker 1>Carpets from there, and it's a whole news broadcast.

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<v Speaker 2>So I don't know.

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<v Speaker 1>I think the deals are finally catching up with Times

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<v Speaker 1>or something. But this report says in the news that

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<v Speaker 1>will send shockwaves across the entertainment industry. The Oscar Ceremony,

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<v Speaker 1>which has aired on ABC since nineteen seventy six, will

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<v Speaker 1>be moving to YouTube starting in twenty twenty nine, so

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<v Speaker 1>they have some time and we'll be broadcast by the

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<v Speaker 1>streamer through at least twenty thirty three. The Academy of

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<v Speaker 1>Motion Picture Arts and Scientists announced today, which is Wednesday,

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<v Speaker 1>December seventeenth, The Disney owned Alphabet Network will continue to

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<v Speaker 1>when y'all hear Alphabet boys, y'all either think about the

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<v Speaker 1>irs or the community.

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<v Speaker 2>You don't want to mess with. That's where I start laughing.

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<v Speaker 1>Will continue to air the Oscars, which has long been

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<v Speaker 1>the world's most watched awards telecast, through the one hundredth

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<v Speaker 1>edition of the awards show in twenty twenty eight. After that,

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<v Speaker 1>the ceremony will be available live and for free to

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<v Speaker 1>cover to over two billion people around the world on

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<v Speaker 1>YouTube and YouTube TV subscribers in the United States. Shout

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<v Speaker 1>out to me YouTube TV subscriber I signed.

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<v Speaker 2>Up a long time ago.

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<v Speaker 1>As part of the newly inked deal, YouTube will broadcast

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<v Speaker 1>not only the Oscars ceremony itself, which generated over one

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<v Speaker 1>hundred and fifty million dollars in revenue y'all this fiscal

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<v Speaker 1>year which ended in June ended June thirtieth, And they'll

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<v Speaker 1>also be broadcast a lot of other related content like

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<v Speaker 1>what we talked about, the Red Carpet, the Governor Awards. Yeah,

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<v Speaker 1>this is a big deal. I mean, it's a big deal,

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<v Speaker 1>but it's like a duh thing. And I do know

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<v Speaker 1>that there were like small things happening again, like I said,

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<v Speaker 1>because you could watch all of like if not majority

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<v Speaker 1>of the award shows at this point in the carpets

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<v Speaker 1>prior to and in certain things via social media platforms live.

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<v Speaker 1>So I know that a lot of these award shows

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<v Speaker 1>they had to because it's literally like get rid of

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<v Speaker 1>it or get lost.

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<v Speaker 2>Like if you were not.

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<v Speaker 1>Streaming something somewhere digitally at this point, you're burnt out

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<v Speaker 1>like we are miles ahead of you. But to see

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<v Speaker 1>the official deal go out this way, especially with the

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<v Speaker 1>Oscars being such a big like and long coveted show

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<v Speaker 1>number one, I think it shows, if I'm being completely honest,

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<v Speaker 1>it shows that Hollywood is a little bit more reluctant

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<v Speaker 1>to give in I think to where things are going.

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<v Speaker 1>And I think a lot of that is because of

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<v Speaker 1>the studios. Now grant it, the Oscars isn't like a major,

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<v Speaker 1>you know, studio production. You know, studios typically lean more

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<v Speaker 1>into things like like big box office style films and

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<v Speaker 1>you know, things of that nature. But I was reading

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<v Speaker 1>about the deal that they were doing or trying to do,

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<v Speaker 1>and it's very competitive. They're you know, direct op. The

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<v Speaker 1>opposition is Paramount because Paramount also wants in on ownership

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<v Speaker 1>of the entire Warner Brothers. One of the articles that

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<v Speaker 1>I read across one of the trades, it was just

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<v Speaker 1>talking about how a lot of the studio owners are

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<v Speaker 1>like they're nervous and are saying that you know, a

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<v Speaker 1>Netflix or a paramount you know streaming servicer picking up

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<v Speaker 1>you know, a big entity like Warner Brothers, it almost

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<v Speaker 1>kills the studios because you don't need the big Hollywood

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<v Speaker 1>studios to do a lot of what we're seeing on

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<v Speaker 1>these streaming platforms. Like I do think that there is

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<v Speaker 1>you know, in a perfect world, there's always a way

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<v Speaker 1>that you can make business work, right because if it's

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<v Speaker 1>not broke, you're not gonna fix it. So like if

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<v Speaker 1>you can take you know, the same initiative power infrastructure

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<v Speaker 1>that a Hollywood studio has and lend it to a

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<v Speaker 1>streaming platform, which a lot of them do, Like there

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<v Speaker 1>are movies that goes to uh, straight to streaming.

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<v Speaker 2>I know Tyler Perry does it. I know Amazon does.

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<v Speaker 1>Like there's a lot of different you know, platforms that

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<v Speaker 1>or Tyler Perry does. It would be a lot with BT.

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<v Speaker 1>Plus he's also done it with Netflix. Netflix has done

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<v Speaker 1>it with other studios and to has Amazon Prime. But

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<v Speaker 1>for them to own such a big catalog of content

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<v Speaker 1>in that way and be able to kind of almost

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<v Speaker 1>like throw their weight around even bigger than they already got,

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<v Speaker 1>I mean, their Netflix, it's already possible, but for them

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<v Speaker 1>to do it even bigger and not need all of

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<v Speaker 1>the other studios in Hollywood, I mean that's a win win.

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<v Speaker 1>But I think other people are looking at it like

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<v Speaker 1>this changes the industry so much because with one big

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<v Speaker 1>conglomerate like a Netflix controlling all of that, you don't

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<v Speaker 1>need as much, you don't need as many people because

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<v Speaker 1>Netflix internally is able to build out their own production

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<v Speaker 1>as well too, which is where a lot of the

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<v Speaker 1>studios come in with bringing in the different production companies

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<v Speaker 1>that they work with under their studios and the licensing deals,

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<v Speaker 1>and you know, things are just shifting and they're changing.

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<v Speaker 1>And I think what a lot of this is going

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<v Speaker 1>to mean is that the antiquated way, right because think

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<v Speaker 1>about the Oscars. The Oscars has been around since nineteen

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<v Speaker 1>seventy six. The Oscars is so highly coveted and prestigious,

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<v Speaker 1>and like everybody wants these awards.

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<v Speaker 2>Everybody turns on cable television to watch it.

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<v Speaker 1>And you know, regardless of how you're watching ABC at

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<v Speaker 1>the time, you're watching the Oscars.

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<v Speaker 2>It's just one of those things that you do. I

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<v Speaker 2>think that it shows that.

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<v Speaker 1>As regal and regarded as old, Hollywood wants to remain

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<v Speaker 1>it is. It is like although we've come to the

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<v Speaker 1>end of the road, like they can't fight what's happening.

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<v Speaker 1>I mean, they're already behind and trying to, you know,

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<v Speaker 1>do things any other way than what we've saw announced today.

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<v Speaker 1>But when I saw the announcement today, I'm like this

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<v Speaker 1>took for like why now, Like this is something that should.

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<v Speaker 2>Have been happened.

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<v Speaker 1>But I do know that they're you know, and there's

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<v Speaker 1>a sense of if it's not broke, don't fix it.

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<v Speaker 1>And I do think that there's a sense of it's

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<v Speaker 1>almost like if you're a clothing designer and you've been

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<v Speaker 1>sewing by hand and doing you know, cut and sell,

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<v Speaker 1>which is like a very like you know, higher quality

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<v Speaker 1>intimate process, you don't ever want to lean into fast fashion,

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<v Speaker 1>which is you know where things are like produced very fast.

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<v Speaker 1>The fabrics may not be as high quality, but you

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<v Speaker 1>try and do your best to make it good. Right.

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<v Speaker 1>You want to remain like the person who was like

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<v Speaker 1>taking the time. But then you have all these companies

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<v Speaker 1>coming in like a fashion nova, a Shean a T Mood,

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<v Speaker 1>all these Instagram brands who are running circles around you

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<v Speaker 1>because of the mass that they're able to produce and

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<v Speaker 1>put out. You gotta keep up. I think what we're

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<v Speaker 1>about to see now is old school Hollywood and just

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<v Speaker 1>old school everything. Old school regimes and entertainment. They've already

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<v Speaker 1>and I think especially since the pandemic, with people cutting

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<v Speaker 1>budgets and creators realizing how much you could do with less.

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<v Speaker 1>The old regime of how we produce content for the masses,

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<v Speaker 1>whether it's audio or visual, there's no turning back after

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<v Speaker 1>this year, Like you can't you can't.

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<v Speaker 2>Even fake the funk anymore.

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<v Speaker 1>But either way, it's good for us, right, It's good

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<v Speaker 1>to see things moving changing, presenting more opportunities. You know,

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<v Speaker 1>Oscar so White, it was some years ago now and

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<v Speaker 1>they've been working ever since to do better. So there's

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<v Speaker 1>more of that as well, because you know, black people

0:10:45.600 --> 0:10:48.800
<v Speaker 1>be on the internet. Were there so Yesterday it was

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<v Speaker 1>announced that The Breakfast Club is heading on over the Netflix,

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<v Speaker 1>and then YouTube decided they wanted to pull up on

0:10:56.520 --> 0:10:59.200
<v Speaker 1>the oscars and bring the Oscars back home too, like

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<v Speaker 1>a GPO. Let's talk about what this means for content creation,

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<v Speaker 1>for storytelling, shoot for me, Let's talk about it.

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<v Speaker 2>Congratulations to the Breakfast Club.

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<v Speaker 1>We talked about this today on the show The Breakfast Club,

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<v Speaker 1>along with Bobby Bones presents the Bobby Cast My Favorite Murder,

0:11:17.800 --> 0:11:22.280
<v Speaker 1>which is a a hit original true crime show Derek Chelsea,

0:11:22.760 --> 0:11:25.360
<v Speaker 1>which is a big podcast that Chelsea Handler has. Joe

0:11:25.440 --> 0:11:29.240
<v Speaker 1>and Jada, which is y'all know if you don't know,

0:11:29.640 --> 0:11:31.600
<v Speaker 1>Fat Joe and Jadakiss have a show where they sit

0:11:31.640 --> 0:11:35.120
<v Speaker 1>down and discuss all things music, hip hop culture. This

0:11:35.200 --> 0:11:38.880
<v Speaker 1>Is Important, which is a comedy podcast featuring the Workaholics

0:11:38.920 --> 0:11:44.520
<v Speaker 1>Adam Devine and Andrews Home and Blake Anderson The Psychology

0:11:44.559 --> 0:11:46.760
<v Speaker 1>of Your Twenties. It's also another show that you guys

0:11:46.760 --> 0:11:50.640
<v Speaker 1>will see in this partnership on Netflix, Behind the Bastards.

0:11:51.520 --> 0:11:53.120
<v Speaker 1>Stuff they Don't Want You to Know, which is a

0:11:53.120 --> 0:11:57.400
<v Speaker 1>curiosity podcast with Matt Frederick, Ben Bolin, and Noel Brown.

0:11:57.600 --> 0:12:02.920
<v Speaker 1>Stuff You Missed in History Class? Another curiosity podcast with

0:12:03.000 --> 0:12:04.480
<v Speaker 1>Holy Frey and Tracy Wilson.

0:12:04.720 --> 0:12:09.160
<v Speaker 2>Stuff to Blow Your Mind. Three and Out with John middlecof.

0:12:10.600 --> 0:12:14.320
<v Speaker 1>Buried Bones, A History and true Let me tell you

0:12:14.400 --> 0:12:17.240
<v Speaker 1>how when I got into podcasts and I learned quickly

0:12:17.720 --> 0:12:22.080
<v Speaker 1>that true crime podcast tear it Up. Okay, take me

0:12:22.120 --> 0:12:23.760
<v Speaker 1>through that, take me through there where we're going to

0:12:23.800 --> 0:12:26.880
<v Speaker 1>and eat it up, Eat it up true crime podcasts. Okay,

0:12:27.880 --> 0:12:31.000
<v Speaker 1>the genre kills it on the podcast side. But yeah,

0:12:31.040 --> 0:12:33.000
<v Speaker 1>so there's a lot of true crime on this list.

0:12:33.480 --> 0:12:36.640
<v Speaker 1>New Roy and Mau are also on the list. So yes, y'all,

0:12:36.720 --> 0:12:37.880
<v Speaker 1>let me tell y'all.

0:12:37.880 --> 0:12:39.040
<v Speaker 2>The new regime.

0:12:40.200 --> 0:12:43.920
<v Speaker 1>Is here, like it is literally here because all of these,

0:12:44.040 --> 0:12:46.439
<v Speaker 1>all of these things that I talked about today from

0:12:46.480 --> 0:12:49.640
<v Speaker 1>the podcast, you'll still hear them wherever you originally begin

0:12:49.720 --> 0:12:50.120
<v Speaker 1>to hear them.

0:12:50.160 --> 0:12:52.680
<v Speaker 2>So Breakfast Club still on the radio every morning.

0:12:53.280 --> 0:12:56.000
<v Speaker 1>But with Netflix coming in as a partner, it just

0:12:56.160 --> 0:12:58.360
<v Speaker 1>I mean, you're you're taking things to new heights, like

0:12:59.120 --> 0:13:01.000
<v Speaker 1>it's no turning back at this point. Like if you

0:13:01.040 --> 0:13:03.280
<v Speaker 1>were ever to deny where streaming was and how it

0:13:03.320 --> 0:13:04.880
<v Speaker 1>was happening and how you were going to integrate it

0:13:04.880 --> 0:13:09.240
<v Speaker 1>in a lot of those household shows and vehicles, don't

0:13:09.240 --> 0:13:09.920
<v Speaker 1>even think about it.

0:13:09.960 --> 0:13:11.800
<v Speaker 2>Just do it, that's the answer.

0:13:13.360 --> 0:13:15.720
<v Speaker 1>So I google this cause I'm like, I know for

0:13:15.760 --> 0:13:18.440
<v Speaker 1>a fact, so when I watch the Oscars, I don't

0:13:18.440 --> 0:13:20.440
<v Speaker 1>have cable, so I know I watched it via streaming.

0:13:20.480 --> 0:13:23.760
<v Speaker 1>So I wanted to understand what their partnership prior to

0:13:25.559 --> 0:13:28.320
<v Speaker 1>this big announcement of them coming to YouTube fully in

0:13:28.320 --> 0:13:33.200
<v Speaker 1>twenty twenty nine will look like. So, according to online research,

0:13:33.240 --> 0:13:36.880
<v Speaker 1>the Oscars have historically been on broadcast television traditional broadcast

0:13:36.920 --> 0:13:40.160
<v Speaker 1>television ABC like we mentioned, but they began partnering with

0:13:40.160 --> 0:13:43.920
<v Speaker 1>streaming platforms in a limited capacity, so they did something

0:13:43.960 --> 0:13:46.400
<v Speaker 1>with Hulu as a part of a larger Disney ABC

0:13:46.440 --> 0:13:49.960
<v Speaker 1>corporate structure. The ceremony was available to stream on Hulu

0:13:50.000 --> 0:13:52.880
<v Speaker 1>in the US in recent years, though some live stream

0:13:52.960 --> 0:13:57.280
<v Speaker 1>viewers experienced technical difficulties. They also had some international partners

0:13:57.320 --> 0:14:00.360
<v Speaker 1>that they partner with as well. The YouTube ce Neil

0:14:00.400 --> 0:14:04.560
<v Speaker 1>Mohan said in a statement to Deadline, who is the

0:14:04.559 --> 0:14:07.440
<v Speaker 1>trade that broke the news? Partnering with the academy to

0:14:07.440 --> 0:14:09.920
<v Speaker 1>bring the celebration of art and entertainments of viewers all

0:14:09.920 --> 0:14:12.439
<v Speaker 1>over the world or inspire a new generation of creativity.

0:14:12.480 --> 0:14:15.320
<v Speaker 2>I told y'all, the new.

0:14:15.240 --> 0:14:19.160
<v Speaker 1>Generation of content creator, of show producer, of what a

0:14:19.200 --> 0:14:22.240
<v Speaker 1>studio looks like is here. You cannot get around it.

0:14:22.320 --> 0:14:26.200
<v Speaker 1>This is the best time if you are of the

0:14:26.200 --> 0:14:30.160
<v Speaker 1>new generation of content creator, or even if you don't

0:14:30.200 --> 0:14:33.680
<v Speaker 1>create content, if you I mean, like if you're not

0:14:33.800 --> 0:14:35.960
<v Speaker 1>the subject of the content or like the actual person

0:14:35.960 --> 0:14:37.480
<v Speaker 1>coming up with the idea. But maybe you just work

0:14:37.480 --> 0:14:40.360
<v Speaker 1>on a team that executed or whatever, and you are

0:14:40.640 --> 0:14:43.520
<v Speaker 1>young and you understand the streaming and the Internet and

0:14:44.080 --> 0:14:46.440
<v Speaker 1>you're able to I feel like with our generation, because

0:14:46.440 --> 0:14:50.640
<v Speaker 1>we've been on we're really Internet babies, and I'm in

0:14:50.720 --> 0:14:54.440
<v Speaker 1>that middle point where I kind of remember when like

0:14:54.520 --> 0:14:57.400
<v Speaker 1>internet was like there, but like it wasn't what it

0:14:57.480 --> 0:14:59.960
<v Speaker 1>was now, so like we had like I remember when

0:15:00.320 --> 0:15:04.480
<v Speaker 1>you had to go and like print out your directions

0:15:04.480 --> 0:15:07.560
<v Speaker 1>to get somewhere, so like you didn't have GPS for real.

0:15:08.120 --> 0:15:10.680
<v Speaker 1>You could go on maps dot com and answer the

0:15:10.680 --> 0:15:12.160
<v Speaker 1>address and it would tell you how to get there,

0:15:12.160 --> 0:15:14.080
<v Speaker 1>but it wasn't updating you in real time on your

0:15:14.080 --> 0:15:17.240
<v Speaker 1>phone or your tablet or whatever. I also remember there

0:15:17.280 --> 0:15:20.000
<v Speaker 1>only being like a black planet and then a MySpace,

0:15:20.080 --> 0:15:22.560
<v Speaker 1>and then Facebook came, and then Instagram came. I remember

0:15:22.600 --> 0:15:24.800
<v Speaker 1>you could only post like I remember you couldn't post

0:15:24.880 --> 0:15:28.000
<v Speaker 1>video Instagram at all, and then you could post like small.

0:15:27.680 --> 0:15:29.960
<v Speaker 2>Like I think it was like ten or fifteen second videos.

0:15:30.400 --> 0:15:31.960
<v Speaker 2>So we got to.

0:15:31.920 --> 0:15:35.680
<v Speaker 1>See the evolution of a lot of the Internet. So

0:15:35.720 --> 0:15:38.000
<v Speaker 1>it's kind of easy to predict. I don't know about y'all,

0:15:38.040 --> 0:15:40.040
<v Speaker 1>but for me, when I see things like this, it

0:15:40.080 --> 0:15:44.200
<v Speaker 1>makes me excited because I'm looking at this, like it's

0:15:44.200 --> 0:15:46.040
<v Speaker 1>so easy to predict where things are going, and it's

0:15:46.040 --> 0:15:49.520
<v Speaker 1>so easy to position yourself in a way where your

0:15:49.640 --> 0:15:53.160
<v Speaker 1>business can grow and you can learn, you know, from

0:15:53.160 --> 0:15:56.000
<v Speaker 1>the mistakes in the winds of other people around you

0:15:56.040 --> 0:15:58.400
<v Speaker 1>as things grow, because you're able to keep in mind

0:15:58.440 --> 0:16:01.480
<v Speaker 1>where things are headed. Because we've seen this before, like

0:16:01.920 --> 0:16:04.480
<v Speaker 1>we've seen this evolution. Some people just late to throw

0:16:04.560 --> 0:16:09.480
<v Speaker 1>in in the full twel The YouTube CEO continues to

0:16:09.480 --> 0:16:13.359
<v Speaker 1>say that this one inspired that new generation of creativity

0:16:13.680 --> 0:16:17.600
<v Speaker 1>and film lovers while staying true to the Oscar story legacy.

0:16:19.160 --> 0:16:20.320
<v Speaker 2>Well, thank you guys so much for.

0:16:20.320 --> 0:16:23.520
<v Speaker 1>Joining me today to talk about all things like new

0:16:23.920 --> 0:16:25.720
<v Speaker 1>and y'all better get way to get lost or get

0:16:25.720 --> 0:16:26.520
<v Speaker 1>out the way.

0:16:26.680 --> 0:16:28.000
<v Speaker 2>Okay, I am excited.

0:16:28.080 --> 0:16:30.800
<v Speaker 1>I think twenty twenty six, with everything that we're seeing

0:16:30.840 --> 0:16:32.960
<v Speaker 1>in the news, is going to bring room for new opportunity,

0:16:33.360 --> 0:16:36.520
<v Speaker 1>for new things to look forward to. But also too,

0:16:36.640 --> 0:16:40.280
<v Speaker 1>I think, like I really just and this has been

0:16:41.040 --> 0:16:44.880
<v Speaker 1>for some years now where I think, especially with at

0:16:44.920 --> 0:16:50.520
<v Speaker 1>like once the writer strike hit, creators and content and

0:16:50.640 --> 0:16:53.240
<v Speaker 1>storytelling has been in a very different place. I think

0:16:53.280 --> 0:16:56.640
<v Speaker 1>people you know, sadly have had to figure out how

0:16:56.680 --> 0:16:58.280
<v Speaker 1>to do a lot with a little bit, which is

0:16:58.320 --> 0:17:01.320
<v Speaker 1>never good when you're talking about art because is you know,

0:17:01.400 --> 0:17:04.920
<v Speaker 1>like when budgets get tight, people lose jobs, people are

0:17:04.960 --> 0:17:08.120
<v Speaker 1>not able to do things that you know, for some creators,

0:17:08.160 --> 0:17:12.080
<v Speaker 1>like it's creator die like, it's literally what you've lived

0:17:12.080 --> 0:17:15.560
<v Speaker 1>your life to do, and your fallback plan isn't something

0:17:15.600 --> 0:17:17.719
<v Speaker 1>that you want to ever have to fall back on.

0:17:17.800 --> 0:17:21.280
<v Speaker 1>So when things get tight, people shut down, productions shut

0:17:21.280 --> 0:17:24.320
<v Speaker 1>down studios, people lose jobs. It's never a good thing.

0:17:25.280 --> 0:17:28.040
<v Speaker 1>But I think, you know, as we are seeing things

0:17:28.040 --> 0:17:32.760
<v Speaker 1>like these, these partnerships happen. Although traditionally in the digital

0:17:32.800 --> 0:17:36.119
<v Speaker 1>space teams are really smaller, I think it just you know,

0:17:36.960 --> 0:17:38.760
<v Speaker 1>if I'm looking at the silver lining and all of

0:17:38.800 --> 0:17:41.960
<v Speaker 1>this and the big lean towards you know, all of

0:17:41.960 --> 0:17:46.480
<v Speaker 1>the big prestigious regimes fully leading and throwing themselves into

0:17:46.520 --> 0:17:49.080
<v Speaker 1>the digital space and the streaming space, I think what

0:17:49.160 --> 0:17:53.000
<v Speaker 1>it will do is it will create a lane where,

0:17:53.440 --> 0:17:55.399
<v Speaker 1>you know, with us being able to just turn on

0:17:55.440 --> 0:17:59.440
<v Speaker 1>our phone record and press upload and have a platform,

0:17:59.720 --> 0:18:02.680
<v Speaker 1>it'll create opportunity in a lane where if you do

0:18:02.720 --> 0:18:05.960
<v Speaker 1>that and you do it, you know with quality, you

0:18:06.119 --> 0:18:10.920
<v Speaker 1>do it consistently. There's really really really big opportunity. And

0:18:11.520 --> 0:18:13.800
<v Speaker 1>I keep using the word opportunity, but there's really big

0:18:14.680 --> 0:18:17.200
<v Speaker 1>there's really big room for growth in partnership there, and

0:18:17.520 --> 0:18:19.640
<v Speaker 1>it's for anybody Like I.

0:18:19.640 --> 0:18:21.120
<v Speaker 2>I'm feeling again.

0:18:22.320 --> 0:18:25.840
<v Speaker 1>Like the optimistic feeling that I had way before I

0:18:25.840 --> 0:18:28.560
<v Speaker 1>started doing anything in entertainment. But I would literally just

0:18:29.080 --> 0:18:31.320
<v Speaker 1>turn on some of my favorite shows or see my

0:18:31.359 --> 0:18:34.280
<v Speaker 1>favorite it girls on the internet doing things and trying

0:18:34.280 --> 0:18:36.040
<v Speaker 1>to figure out how did they do this? Like how

0:18:36.040 --> 0:18:38.760
<v Speaker 1>are they living their lives just being themselves and telling

0:18:38.800 --> 0:18:41.080
<v Speaker 1>stories that they love to tell. And you know, everything

0:18:41.080 --> 0:18:43.120
<v Speaker 1>in all peaches and creams, a lot of peaches and cream.

0:18:43.119 --> 0:18:45.879
<v Speaker 1>A lot of this is highlight reels. But you know,

0:18:47.119 --> 0:18:50.960
<v Speaker 1>to be able to be a creator, or to work

0:18:50.960 --> 0:18:53.919
<v Speaker 1>with creators, to be able to tell story is not

0:18:54.119 --> 0:18:56.440
<v Speaker 1>something that anybody should take lightly. And I think whenever

0:18:56.480 --> 0:19:00.080
<v Speaker 1>we see shifts in the industry, there's two things you

0:19:00.119 --> 0:19:02.280
<v Speaker 1>can do. You can fight it, or you can figure

0:19:02.280 --> 0:19:05.600
<v Speaker 1>out your positioning, your foundation, build it and let them come.

0:19:05.720 --> 0:19:07.400
<v Speaker 2>And I'm excited to see what is.

0:19:07.359 --> 0:19:10.040
<v Speaker 1>Built in this new rain, in this new era of

0:19:10.280 --> 0:19:13.920
<v Speaker 1>streaming partnership for everybody all over the world, and who

0:19:14.040 --> 0:19:16.320
<v Speaker 1>rises in it, the criminal crowd will rise and who

0:19:16.440 --> 0:19:19.439
<v Speaker 1>rises in it? And I'm excited to be amongst the

0:19:19.480 --> 0:19:22.480
<v Speaker 1>people in it. So congratulations to the Breakfast Club heading

0:19:22.520 --> 0:19:25.520
<v Speaker 1>on over the Netflix, and I guess we'll be seeing you.

0:19:25.560 --> 0:19:28.240
<v Speaker 2>Know you all let the Oscars on YouTube too. That

0:19:28.359 --> 0:19:30.800
<v Speaker 2>was a little cheap little plug. Oscars, Invite your girl.

0:19:31.480 --> 0:19:33.159
<v Speaker 1>I'm loring the rods that this is the latest with

0:19:33.240 --> 0:19:36.040
<v Speaker 1>Laurna the rows of my Low Riders. You guys could

0:19:36.040 --> 0:19:38.640
<v Speaker 1>be anywhere with anybody talking about all of these things,

0:19:38.680 --> 0:19:40.639
<v Speaker 1>but if you choose to be right here with me,

0:19:41.080 --> 0:19:43.520
<v Speaker 1>I will catch you in my next episode.