1 00:00:02,279 --> 00:00:04,720 Speaker 1: I'm a homegirl that knows a little bit about everything 2 00:00:04,800 --> 00:00:05,640 Speaker 1: and everybody. 3 00:00:06,519 --> 00:00:07,600 Speaker 2: You know, if you don't lie about that? 4 00:00:07,680 --> 00:00:07,800 Speaker 1: Right? 5 00:00:07,920 --> 00:00:11,040 Speaker 2: La Hey, y'all, what's up. 6 00:00:11,080 --> 00:00:14,040 Speaker 1: It's Lauren de Rosa and this is the latest with 7 00:00:14,120 --> 00:00:16,360 Speaker 1: Lauren de Rosa. This is your DELI dig on all 8 00:00:16,400 --> 00:00:20,680 Speaker 1: things pop culture, entertainment, news and all of the conversations 9 00:00:20,680 --> 00:00:21,880 Speaker 1: that shake the room. 10 00:00:21,960 --> 00:00:23,680 Speaker 2: Baby. Now today we are. 11 00:00:23,560 --> 00:00:29,600 Speaker 1: Going to get into a conversation about TB about television 12 00:00:30,040 --> 00:00:32,960 Speaker 1: or what is left of television because, as we all know, 13 00:00:33,080 --> 00:00:35,760 Speaker 1: the way that we consume television is completely different today 14 00:00:35,800 --> 00:00:36,800 Speaker 1: in twenty twenty five. 15 00:00:37,400 --> 00:00:39,560 Speaker 2: Now, raise your hand out there, and of course. 16 00:00:39,560 --> 00:00:42,320 Speaker 1: I can't see you, so that means you need to 17 00:00:42,440 --> 00:00:45,559 Speaker 1: hit the like button comment below, yell at me on 18 00:00:45,640 --> 00:00:49,800 Speaker 1: social media at Lauren Rosa, L R E N everywhere. 19 00:00:50,240 --> 00:00:54,160 Speaker 1: How do you guys consume what would have been cable 20 00:00:54,280 --> 00:01:00,000 Speaker 1: television content today? Because I mean, if I'm thinking about myself, 21 00:01:00,120 --> 00:01:04,960 Speaker 1: I haven't had like actual cable TV. Wow, when is 22 00:01:05,000 --> 00:01:09,080 Speaker 1: the last time I had cable TV? I think, Woh, 23 00:01:09,280 --> 00:01:09,919 Speaker 1: can't you remember? 24 00:01:10,600 --> 00:01:11,240 Speaker 2: Uh? 25 00:01:11,360 --> 00:01:14,080 Speaker 1: It might have been right before the pandemic and even 26 00:01:14,160 --> 00:01:18,319 Speaker 1: then I think, yeah, that was a streaming ish version 27 00:01:18,400 --> 00:01:18,640 Speaker 1: of it. 28 00:01:19,600 --> 00:01:20,199 Speaker 2: That's crazy. 29 00:01:20,200 --> 00:01:22,560 Speaker 1: I don't remember the last time I've paid like a 30 00:01:22,720 --> 00:01:27,000 Speaker 1: Exfinity or wherever you are, whatever you know, city or 31 00:01:27,040 --> 00:01:31,280 Speaker 1: state you live in, an actual cable provider to provide 32 00:01:31,640 --> 00:01:33,840 Speaker 1: like TV that you turn on that isn't attached to 33 00:01:33,880 --> 00:01:37,320 Speaker 1: Wi Fi. So yeah, y'all, let me know, getting right 34 00:01:37,360 --> 00:01:41,040 Speaker 1: on into the latest, here's what's going down. So as 35 00:01:41,080 --> 00:01:44,479 Speaker 1: I was driving in uh to the podcast, I begin 36 00:01:44,600 --> 00:01:47,240 Speaker 1: to see the story. I got a notification from the 37 00:01:47,280 --> 00:01:50,760 Speaker 1: Hollywood Reporter, And you know some of the other trades. 38 00:01:50,840 --> 00:01:55,120 Speaker 1: Trades are the media outlets that announced like the shows 39 00:01:55,280 --> 00:01:57,560 Speaker 1: and new businesses and new deals and things like that. 40 00:01:57,560 --> 00:02:00,000 Speaker 1: That's what the trades are called. Shout out to Dame Dash. 41 00:01:59,840 --> 00:02:03,440 Speaker 1: The title of this article is Oscars Bolts from ABC 42 00:02:03,560 --> 00:02:07,040 Speaker 1: to YouTube. Starting in twenty twenty nine, the world's highest 43 00:02:07,080 --> 00:02:10,320 Speaker 1: profile and most watched award show, which has aired on 44 00:02:10,360 --> 00:02:13,639 Speaker 1: ABC since nineteen seventy six, will be moving to streaming 45 00:02:13,680 --> 00:02:19,280 Speaker 1: only platform. Will be moving to a streaming only platform 46 00:02:19,440 --> 00:02:21,440 Speaker 1: as a part of as a part of a deal 47 00:02:21,480 --> 00:02:25,200 Speaker 1: that also includes red carpet coverage, the Oscar nominations, announcement, 48 00:02:25,320 --> 00:02:28,280 Speaker 1: the Governor Awards, and more so, not even just to 49 00:02:28,400 --> 00:02:31,760 Speaker 1: Oscar Awards show, but everything that leads up to the awards, 50 00:02:31,800 --> 00:02:35,280 Speaker 1: So the Governor awards the Red Carpet, which is again 51 00:02:35,720 --> 00:02:39,200 Speaker 1: I'm sitting here like they I know that they traditionally 52 00:02:39,280 --> 00:02:41,440 Speaker 1: air a lot of the award shows on these like 53 00:02:41,520 --> 00:02:46,280 Speaker 1: you know, very cable network ish channels, the ABC's, NBC's 54 00:02:46,280 --> 00:02:49,240 Speaker 1: which all do have their own you know, streaming ends 55 00:02:49,280 --> 00:02:50,880 Speaker 1: as well for the most part, or they team up 56 00:02:50,919 --> 00:02:53,960 Speaker 1: with a streamer, like I know, like NBC does stuff 57 00:02:54,000 --> 00:02:57,760 Speaker 1: with Peacock. Shout out to NBC New York for who 58 00:02:57,760 --> 00:02:59,560 Speaker 1: we did a lot of our Diddy coverage with. In 59 00:02:59,600 --> 00:03:01,800 Speaker 1: a lot of our coverage that we did there is 60 00:03:01,840 --> 00:03:04,519 Speaker 1: on Peacock as well. But I was surprised to read 61 00:03:04,520 --> 00:03:06,639 Speaker 1: this because I'm like, why wasn't there already a deal? 62 00:03:06,720 --> 00:03:10,440 Speaker 2: I know, when I watch all Red Carpets and all you. 63 00:03:10,400 --> 00:03:12,840 Speaker 1: Know, Grammys or whatever award shows just to cover it 64 00:03:12,919 --> 00:03:15,359 Speaker 1: in news, I'm watching it via YouTube television. 65 00:03:15,360 --> 00:03:16,560 Speaker 2: I have the subscription there. 66 00:03:16,919 --> 00:03:19,639 Speaker 1: But even before I had that subscription to be able 67 00:03:19,639 --> 00:03:22,520 Speaker 1: to see things live, like actually, like I'm paying for 68 00:03:22,639 --> 00:03:25,400 Speaker 1: it to know I'll get it. I always knew that 69 00:03:25,480 --> 00:03:27,880 Speaker 1: I could watch the Red Carpets live because they stream 70 00:03:27,919 --> 00:03:30,480 Speaker 1: live not even just on YouTube, but like I know, 71 00:03:30,760 --> 00:03:33,440 Speaker 1: a lot of platforms now go live on Twitter and 72 00:03:33,560 --> 00:03:36,240 Speaker 1: have it set up literally on your Twitter feed or 73 00:03:36,240 --> 00:03:38,200 Speaker 1: your x feed where you could just watch the Red 74 00:03:38,240 --> 00:03:41,640 Speaker 1: Carpets from there, and it's a whole news broadcast. 75 00:03:41,720 --> 00:03:43,160 Speaker 2: So I don't know. 76 00:03:43,200 --> 00:03:45,560 Speaker 1: I think the deals are finally catching up with Times 77 00:03:45,600 --> 00:03:48,200 Speaker 1: or something. But this report says in the news that 78 00:03:48,240 --> 00:03:51,800 Speaker 1: will send shockwaves across the entertainment industry. The Oscar Ceremony, 79 00:03:51,800 --> 00:03:54,400 Speaker 1: which has aired on ABC since nineteen seventy six, will 80 00:03:54,440 --> 00:03:57,600 Speaker 1: be moving to YouTube starting in twenty twenty nine, so 81 00:03:57,640 --> 00:04:00,280 Speaker 1: they have some time and we'll be broadcast by the 82 00:04:00,320 --> 00:04:03,160 Speaker 1: streamer through at least twenty thirty three. The Academy of 83 00:04:03,160 --> 00:04:06,960 Speaker 1: Motion Picture Arts and Scientists announced today, which is Wednesday, 84 00:04:07,640 --> 00:04:11,640 Speaker 1: December seventeenth, The Disney owned Alphabet Network will continue to 85 00:04:11,680 --> 00:04:13,520 Speaker 1: when y'all hear Alphabet boys, y'all either think about the 86 00:04:13,520 --> 00:04:15,840 Speaker 1: irs or the community. 87 00:04:15,400 --> 00:04:17,320 Speaker 2: You don't want to mess with. That's where I start laughing. 88 00:04:17,560 --> 00:04:19,640 Speaker 1: Will continue to air the Oscars, which has long been 89 00:04:19,680 --> 00:04:24,400 Speaker 1: the world's most watched awards telecast, through the one hundredth 90 00:04:24,520 --> 00:04:27,440 Speaker 1: edition of the awards show in twenty twenty eight. After that, 91 00:04:27,480 --> 00:04:29,719 Speaker 1: the ceremony will be available live and for free to 92 00:04:29,800 --> 00:04:33,039 Speaker 1: cover to over two billion people around the world on 93 00:04:33,080 --> 00:04:36,000 Speaker 1: YouTube and YouTube TV subscribers in the United States. Shout 94 00:04:36,000 --> 00:04:38,880 Speaker 1: out to me YouTube TV subscriber I signed. 95 00:04:38,640 --> 00:04:39,480 Speaker 2: Up a long time ago. 96 00:04:40,880 --> 00:04:43,320 Speaker 1: As part of the newly inked deal, YouTube will broadcast 97 00:04:43,360 --> 00:04:46,800 Speaker 1: not only the Oscars ceremony itself, which generated over one 98 00:04:46,880 --> 00:04:50,159 Speaker 1: hundred and fifty million dollars in revenue y'all this fiscal 99 00:04:50,279 --> 00:04:54,400 Speaker 1: year which ended in June ended June thirtieth, And they'll 100 00:04:54,400 --> 00:04:56,680 Speaker 1: also be broadcast a lot of other related content like 101 00:04:56,720 --> 00:05:03,279 Speaker 1: what we talked about, the Red Carpet, the Governor Awards. Yeah, 102 00:05:03,320 --> 00:05:05,240 Speaker 1: this is a big deal. I mean, it's a big deal, 103 00:05:05,760 --> 00:05:08,080 Speaker 1: but it's like a duh thing. And I do know 104 00:05:08,120 --> 00:05:10,520 Speaker 1: that there were like small things happening again, like I said, 105 00:05:10,520 --> 00:05:14,640 Speaker 1: because you could watch all of like if not majority 106 00:05:14,680 --> 00:05:17,160 Speaker 1: of the award shows at this point in the carpets 107 00:05:17,200 --> 00:05:21,039 Speaker 1: prior to and in certain things via social media platforms live. 108 00:05:21,400 --> 00:05:23,120 Speaker 1: So I know that a lot of these award shows 109 00:05:23,160 --> 00:05:26,280 Speaker 1: they had to because it's literally like get rid of 110 00:05:26,279 --> 00:05:26,919 Speaker 1: it or get lost. 111 00:05:27,000 --> 00:05:28,960 Speaker 2: Like if you were not. 112 00:05:29,520 --> 00:05:35,440 Speaker 1: Streaming something somewhere digitally at this point, you're burnt out 113 00:05:35,920 --> 00:05:38,320 Speaker 1: like we are miles ahead of you. But to see 114 00:05:38,320 --> 00:05:41,000 Speaker 1: the official deal go out this way, especially with the 115 00:05:41,000 --> 00:05:45,000 Speaker 1: Oscars being such a big like and long coveted show 116 00:05:45,520 --> 00:05:48,320 Speaker 1: number one, I think it shows, if I'm being completely honest, 117 00:05:48,360 --> 00:05:54,159 Speaker 1: it shows that Hollywood is a little bit more reluctant 118 00:05:54,400 --> 00:05:56,440 Speaker 1: to give in I think to where things are going. 119 00:05:56,480 --> 00:05:58,159 Speaker 1: And I think a lot of that is because of 120 00:05:58,200 --> 00:06:01,880 Speaker 1: the studios. Now grant it, the Oscars isn't like a major, 121 00:06:02,040 --> 00:06:06,160 Speaker 1: you know, studio production. You know, studios typically lean more 122 00:06:06,160 --> 00:06:10,640 Speaker 1: into things like like big box office style films and 123 00:06:10,720 --> 00:06:12,720 Speaker 1: you know, things of that nature. But I was reading 124 00:06:12,720 --> 00:06:14,720 Speaker 1: about the deal that they were doing or trying to do, 125 00:06:14,880 --> 00:06:18,000 Speaker 1: and it's very competitive. They're you know, direct op. The 126 00:06:18,040 --> 00:06:21,960 Speaker 1: opposition is Paramount because Paramount also wants in on ownership 127 00:06:22,000 --> 00:06:24,680 Speaker 1: of the entire Warner Brothers. One of the articles that 128 00:06:24,720 --> 00:06:26,919 Speaker 1: I read across one of the trades, it was just 129 00:06:26,960 --> 00:06:29,960 Speaker 1: talking about how a lot of the studio owners are 130 00:06:30,640 --> 00:06:33,680 Speaker 1: like they're nervous and are saying that you know, a 131 00:06:33,800 --> 00:06:38,800 Speaker 1: Netflix or a paramount you know streaming servicer picking up 132 00:06:39,880 --> 00:06:43,200 Speaker 1: you know, a big entity like Warner Brothers, it almost 133 00:06:43,320 --> 00:06:48,040 Speaker 1: kills the studios because you don't need the big Hollywood 134 00:06:48,040 --> 00:06:50,320 Speaker 1: studios to do a lot of what we're seeing on 135 00:06:50,360 --> 00:06:53,000 Speaker 1: these streaming platforms. Like I do think that there is 136 00:06:53,400 --> 00:06:55,360 Speaker 1: you know, in a perfect world, there's always a way 137 00:06:55,400 --> 00:06:58,240 Speaker 1: that you can make business work, right because if it's 138 00:06:58,240 --> 00:06:59,800 Speaker 1: not broke, you're not gonna fix it. So like if 139 00:06:59,839 --> 00:07:04,800 Speaker 1: you can take you know, the same initiative power infrastructure 140 00:07:04,839 --> 00:07:08,080 Speaker 1: that a Hollywood studio has and lend it to a 141 00:07:08,120 --> 00:07:10,520 Speaker 1: streaming platform, which a lot of them do, Like there 142 00:07:10,600 --> 00:07:12,320 Speaker 1: are movies that goes to uh, straight to streaming. 143 00:07:12,360 --> 00:07:16,320 Speaker 2: I know Tyler Perry does it. I know Amazon does. 144 00:07:16,360 --> 00:07:20,240 Speaker 1: Like there's a lot of different you know, platforms that 145 00:07:20,600 --> 00:07:22,600 Speaker 1: or Tyler Perry does. It would be a lot with BT. 146 00:07:22,680 --> 00:07:25,680 Speaker 1: Plus he's also done it with Netflix. Netflix has done 147 00:07:25,680 --> 00:07:28,600 Speaker 1: it with other studios and to has Amazon Prime. But 148 00:07:29,200 --> 00:07:34,440 Speaker 1: for them to own such a big catalog of content 149 00:07:34,720 --> 00:07:37,200 Speaker 1: in that way and be able to kind of almost 150 00:07:37,240 --> 00:07:41,200 Speaker 1: like throw their weight around even bigger than they already got, 151 00:07:41,200 --> 00:07:44,040 Speaker 1: I mean, their Netflix, it's already possible, but for them 152 00:07:44,080 --> 00:07:48,240 Speaker 1: to do it even bigger and not need all of 153 00:07:48,280 --> 00:07:54,360 Speaker 1: the other studios in Hollywood, I mean that's a win win. 154 00:07:54,560 --> 00:07:57,240 Speaker 1: But I think other people are looking at it like 155 00:07:57,280 --> 00:08:00,720 Speaker 1: this changes the industry so much because with one big 156 00:08:00,760 --> 00:08:03,320 Speaker 1: conglomerate like a Netflix controlling all of that, you don't 157 00:08:03,360 --> 00:08:05,360 Speaker 1: need as much, you don't need as many people because 158 00:08:05,360 --> 00:08:07,880 Speaker 1: Netflix internally is able to build out their own production 159 00:08:08,000 --> 00:08:09,280 Speaker 1: as well too, which is where a lot of the 160 00:08:09,320 --> 00:08:13,080 Speaker 1: studios come in with bringing in the different production companies 161 00:08:13,120 --> 00:08:16,120 Speaker 1: that they work with under their studios and the licensing deals, 162 00:08:16,160 --> 00:08:18,520 Speaker 1: and you know, things are just shifting and they're changing. 163 00:08:18,560 --> 00:08:20,920 Speaker 1: And I think what a lot of this is going 164 00:08:20,960 --> 00:08:26,560 Speaker 1: to mean is that the antiquated way, right because think 165 00:08:26,560 --> 00:08:29,000 Speaker 1: about the Oscars. The Oscars has been around since nineteen 166 00:08:29,120 --> 00:08:33,640 Speaker 1: seventy six. The Oscars is so highly coveted and prestigious, 167 00:08:33,679 --> 00:08:35,520 Speaker 1: and like everybody wants these awards. 168 00:08:36,640 --> 00:08:39,360 Speaker 2: Everybody turns on cable television to watch it. 169 00:08:39,440 --> 00:08:44,320 Speaker 1: And you know, regardless of how you're watching ABC at 170 00:08:44,360 --> 00:08:46,040 Speaker 1: the time, you're watching the Oscars. 171 00:08:46,080 --> 00:08:50,040 Speaker 2: It's just one of those things that you do. I 172 00:08:50,080 --> 00:08:51,439 Speaker 2: think that it shows that. 173 00:08:53,320 --> 00:08:57,360 Speaker 1: As regal and regarded as old, Hollywood wants to remain 174 00:08:58,320 --> 00:09:01,120 Speaker 1: it is. It is like although we've come to the 175 00:09:01,200 --> 00:09:03,720 Speaker 1: end of the road, like they can't fight what's happening. 176 00:09:03,920 --> 00:09:08,200 Speaker 1: I mean, they're already behind and trying to, you know, 177 00:09:09,080 --> 00:09:12,360 Speaker 1: do things any other way than what we've saw announced today. 178 00:09:12,760 --> 00:09:15,120 Speaker 1: But when I saw the announcement today, I'm like this 179 00:09:15,200 --> 00:09:17,960 Speaker 1: took for like why now, Like this is something that should. 180 00:09:17,720 --> 00:09:18,520 Speaker 2: Have been happened. 181 00:09:19,080 --> 00:09:20,880 Speaker 1: But I do know that they're you know, and there's 182 00:09:20,880 --> 00:09:22,720 Speaker 1: a sense of if it's not broke, don't fix it. 183 00:09:22,760 --> 00:09:26,520 Speaker 1: And I do think that there's a sense of it's 184 00:09:26,520 --> 00:09:29,120 Speaker 1: almost like if you're a clothing designer and you've been 185 00:09:29,440 --> 00:09:32,000 Speaker 1: sewing by hand and doing you know, cut and sell, 186 00:09:32,040 --> 00:09:34,360 Speaker 1: which is like a very like you know, higher quality 187 00:09:34,440 --> 00:09:37,920 Speaker 1: intimate process, you don't ever want to lean into fast fashion, 188 00:09:38,000 --> 00:09:40,480 Speaker 1: which is you know where things are like produced very fast. 189 00:09:40,520 --> 00:09:43,319 Speaker 1: The fabrics may not be as high quality, but you 190 00:09:43,400 --> 00:09:44,959 Speaker 1: try and do your best to make it good. Right. 191 00:09:45,360 --> 00:09:47,400 Speaker 1: You want to remain like the person who was like 192 00:09:47,480 --> 00:09:50,000 Speaker 1: taking the time. But then you have all these companies 193 00:09:50,040 --> 00:09:53,360 Speaker 1: coming in like a fashion nova, a Shean a T Mood, 194 00:09:53,920 --> 00:09:57,080 Speaker 1: all these Instagram brands who are running circles around you 195 00:09:57,120 --> 00:10:00,160 Speaker 1: because of the mass that they're able to produce and 196 00:10:00,160 --> 00:10:02,719 Speaker 1: put out. You gotta keep up. I think what we're 197 00:10:02,720 --> 00:10:06,480 Speaker 1: about to see now is old school Hollywood and just 198 00:10:06,600 --> 00:10:11,320 Speaker 1: old school everything. Old school regimes and entertainment. They've already 199 00:10:11,320 --> 00:10:13,760 Speaker 1: and I think especially since the pandemic, with people cutting 200 00:10:13,760 --> 00:10:16,520 Speaker 1: budgets and creators realizing how much you could do with less. 201 00:10:17,000 --> 00:10:20,360 Speaker 1: The old regime of how we produce content for the masses, 202 00:10:20,440 --> 00:10:25,560 Speaker 1: whether it's audio or visual, there's no turning back after 203 00:10:25,760 --> 00:10:29,200 Speaker 1: this year, Like you can't you can't. 204 00:10:29,000 --> 00:10:30,320 Speaker 2: Even fake the funk anymore. 205 00:10:30,600 --> 00:10:33,520 Speaker 1: But either way, it's good for us, right, It's good 206 00:10:33,520 --> 00:10:37,280 Speaker 1: to see things moving changing, presenting more opportunities. You know, 207 00:10:37,559 --> 00:10:40,240 Speaker 1: Oscar so White, it was some years ago now and 208 00:10:40,280 --> 00:10:43,120 Speaker 1: they've been working ever since to do better. So there's 209 00:10:43,160 --> 00:10:45,559 Speaker 1: more of that as well, because you know, black people 210 00:10:45,600 --> 00:10:48,800 Speaker 1: be on the internet. Were there so Yesterday it was 211 00:10:48,840 --> 00:10:52,520 Speaker 1: announced that The Breakfast Club is heading on over the Netflix, 212 00:10:53,200 --> 00:10:56,480 Speaker 1: and then YouTube decided they wanted to pull up on 213 00:10:56,520 --> 00:10:59,200 Speaker 1: the oscars and bring the Oscars back home too, like 214 00:10:59,200 --> 00:11:03,400 Speaker 1: a GPO. Let's talk about what this means for content creation, 215 00:11:03,880 --> 00:11:07,240 Speaker 1: for storytelling, shoot for me, Let's talk about it. 216 00:11:09,360 --> 00:11:11,000 Speaker 2: Congratulations to the Breakfast Club. 217 00:11:11,000 --> 00:11:14,160 Speaker 1: We talked about this today on the show The Breakfast Club, 218 00:11:14,280 --> 00:11:17,760 Speaker 1: along with Bobby Bones presents the Bobby Cast My Favorite Murder, 219 00:11:17,800 --> 00:11:22,280 Speaker 1: which is a a hit original true crime show Derek Chelsea, 220 00:11:22,760 --> 00:11:25,360 Speaker 1: which is a big podcast that Chelsea Handler has. Joe 221 00:11:25,440 --> 00:11:29,240 Speaker 1: and Jada, which is y'all know if you don't know, 222 00:11:29,640 --> 00:11:31,600 Speaker 1: Fat Joe and Jadakiss have a show where they sit 223 00:11:31,640 --> 00:11:35,120 Speaker 1: down and discuss all things music, hip hop culture. This 224 00:11:35,200 --> 00:11:38,880 Speaker 1: Is Important, which is a comedy podcast featuring the Workaholics 225 00:11:38,920 --> 00:11:44,520 Speaker 1: Adam Devine and Andrews Home and Blake Anderson The Psychology 226 00:11:44,559 --> 00:11:46,760 Speaker 1: of Your Twenties. It's also another show that you guys 227 00:11:46,760 --> 00:11:50,640 Speaker 1: will see in this partnership on Netflix, Behind the Bastards. 228 00:11:51,520 --> 00:11:53,120 Speaker 1: Stuff they Don't Want You to Know, which is a 229 00:11:53,120 --> 00:11:57,400 Speaker 1: curiosity podcast with Matt Frederick, Ben Bolin, and Noel Brown. 230 00:11:57,600 --> 00:12:02,920 Speaker 1: Stuff You Missed in History Class? Another curiosity podcast with 231 00:12:03,000 --> 00:12:04,480 Speaker 1: Holy Frey and Tracy Wilson. 232 00:12:04,720 --> 00:12:09,160 Speaker 2: Stuff to Blow Your Mind. Three and Out with John middlecof. 233 00:12:10,600 --> 00:12:14,320 Speaker 1: Buried Bones, A History and true Let me tell you 234 00:12:14,400 --> 00:12:17,240 Speaker 1: how when I got into podcasts and I learned quickly 235 00:12:17,720 --> 00:12:22,080 Speaker 1: that true crime podcast tear it Up. Okay, take me 236 00:12:22,120 --> 00:12:23,760 Speaker 1: through that, take me through there where we're going to 237 00:12:23,800 --> 00:12:26,880 Speaker 1: and eat it up, Eat it up true crime podcasts. Okay, 238 00:12:27,880 --> 00:12:31,000 Speaker 1: the genre kills it on the podcast side. But yeah, 239 00:12:31,040 --> 00:12:33,000 Speaker 1: so there's a lot of true crime on this list. 240 00:12:33,480 --> 00:12:36,640 Speaker 1: New Roy and Mau are also on the list. So yes, y'all, 241 00:12:36,720 --> 00:12:37,880 Speaker 1: let me tell y'all. 242 00:12:37,880 --> 00:12:39,040 Speaker 2: The new regime. 243 00:12:40,200 --> 00:12:43,920 Speaker 1: Is here, like it is literally here because all of these, 244 00:12:44,040 --> 00:12:46,439 Speaker 1: all of these things that I talked about today from 245 00:12:46,480 --> 00:12:49,640 Speaker 1: the podcast, you'll still hear them wherever you originally begin 246 00:12:49,720 --> 00:12:50,120 Speaker 1: to hear them. 247 00:12:50,160 --> 00:12:52,680 Speaker 2: So Breakfast Club still on the radio every morning. 248 00:12:53,280 --> 00:12:56,000 Speaker 1: But with Netflix coming in as a partner, it just 249 00:12:56,160 --> 00:12:58,360 Speaker 1: I mean, you're you're taking things to new heights, like 250 00:12:59,120 --> 00:13:01,000 Speaker 1: it's no turning back at this point. Like if you 251 00:13:01,040 --> 00:13:03,280 Speaker 1: were ever to deny where streaming was and how it 252 00:13:03,320 --> 00:13:04,880 Speaker 1: was happening and how you were going to integrate it 253 00:13:04,880 --> 00:13:09,240 Speaker 1: in a lot of those household shows and vehicles, don't 254 00:13:09,240 --> 00:13:09,920 Speaker 1: even think about it. 255 00:13:09,960 --> 00:13:11,800 Speaker 2: Just do it, that's the answer. 256 00:13:13,360 --> 00:13:15,720 Speaker 1: So I google this cause I'm like, I know for 257 00:13:15,760 --> 00:13:18,440 Speaker 1: a fact, so when I watch the Oscars, I don't 258 00:13:18,440 --> 00:13:20,440 Speaker 1: have cable, so I know I watched it via streaming. 259 00:13:20,480 --> 00:13:23,760 Speaker 1: So I wanted to understand what their partnership prior to 260 00:13:25,559 --> 00:13:28,320 Speaker 1: this big announcement of them coming to YouTube fully in 261 00:13:28,320 --> 00:13:33,200 Speaker 1: twenty twenty nine will look like. So, according to online research, 262 00:13:33,240 --> 00:13:36,880 Speaker 1: the Oscars have historically been on broadcast television traditional broadcast 263 00:13:36,920 --> 00:13:40,160 Speaker 1: television ABC like we mentioned, but they began partnering with 264 00:13:40,160 --> 00:13:43,920 Speaker 1: streaming platforms in a limited capacity, so they did something 265 00:13:43,960 --> 00:13:46,400 Speaker 1: with Hulu as a part of a larger Disney ABC 266 00:13:46,440 --> 00:13:49,960 Speaker 1: corporate structure. The ceremony was available to stream on Hulu 267 00:13:50,000 --> 00:13:52,880 Speaker 1: in the US in recent years, though some live stream 268 00:13:52,960 --> 00:13:57,280 Speaker 1: viewers experienced technical difficulties. They also had some international partners 269 00:13:57,320 --> 00:14:00,360 Speaker 1: that they partner with as well. The YouTube ce Neil 270 00:14:00,400 --> 00:14:04,560 Speaker 1: Mohan said in a statement to Deadline, who is the 271 00:14:04,559 --> 00:14:07,440 Speaker 1: trade that broke the news? Partnering with the academy to 272 00:14:07,440 --> 00:14:09,920 Speaker 1: bring the celebration of art and entertainments of viewers all 273 00:14:09,920 --> 00:14:12,439 Speaker 1: over the world or inspire a new generation of creativity. 274 00:14:12,480 --> 00:14:15,320 Speaker 2: I told y'all, the new. 275 00:14:15,240 --> 00:14:19,160 Speaker 1: Generation of content creator, of show producer, of what a 276 00:14:19,200 --> 00:14:22,240 Speaker 1: studio looks like is here. You cannot get around it. 277 00:14:22,320 --> 00:14:26,200 Speaker 1: This is the best time if you are of the 278 00:14:26,200 --> 00:14:30,160 Speaker 1: new generation of content creator, or even if you don't 279 00:14:30,200 --> 00:14:33,680 Speaker 1: create content, if you I mean, like if you're not 280 00:14:33,800 --> 00:14:35,960 Speaker 1: the subject of the content or like the actual person 281 00:14:35,960 --> 00:14:37,480 Speaker 1: coming up with the idea. But maybe you just work 282 00:14:37,480 --> 00:14:40,360 Speaker 1: on a team that executed or whatever, and you are 283 00:14:40,640 --> 00:14:43,520 Speaker 1: young and you understand the streaming and the Internet and 284 00:14:44,080 --> 00:14:46,440 Speaker 1: you're able to I feel like with our generation, because 285 00:14:46,440 --> 00:14:50,640 Speaker 1: we've been on we're really Internet babies, and I'm in 286 00:14:50,720 --> 00:14:54,440 Speaker 1: that middle point where I kind of remember when like 287 00:14:54,520 --> 00:14:57,400 Speaker 1: internet was like there, but like it wasn't what it 288 00:14:57,480 --> 00:14:59,960 Speaker 1: was now, so like we had like I remember when 289 00:15:00,320 --> 00:15:04,480 Speaker 1: you had to go and like print out your directions 290 00:15:04,480 --> 00:15:07,560 Speaker 1: to get somewhere, so like you didn't have GPS for real. 291 00:15:08,120 --> 00:15:10,680 Speaker 1: You could go on maps dot com and answer the 292 00:15:10,680 --> 00:15:12,160 Speaker 1: address and it would tell you how to get there, 293 00:15:12,160 --> 00:15:14,080 Speaker 1: but it wasn't updating you in real time on your 294 00:15:14,080 --> 00:15:17,240 Speaker 1: phone or your tablet or whatever. I also remember there 295 00:15:17,280 --> 00:15:20,000 Speaker 1: only being like a black planet and then a MySpace, 296 00:15:20,080 --> 00:15:22,560 Speaker 1: and then Facebook came, and then Instagram came. I remember 297 00:15:22,600 --> 00:15:24,800 Speaker 1: you could only post like I remember you couldn't post 298 00:15:24,880 --> 00:15:28,000 Speaker 1: video Instagram at all, and then you could post like small. 299 00:15:27,680 --> 00:15:29,960 Speaker 2: Like I think it was like ten or fifteen second videos. 300 00:15:30,400 --> 00:15:31,960 Speaker 2: So we got to. 301 00:15:31,920 --> 00:15:35,680 Speaker 1: See the evolution of a lot of the Internet. So 302 00:15:35,720 --> 00:15:38,000 Speaker 1: it's kind of easy to predict. I don't know about y'all, 303 00:15:38,040 --> 00:15:40,040 Speaker 1: but for me, when I see things like this, it 304 00:15:40,080 --> 00:15:44,200 Speaker 1: makes me excited because I'm looking at this, like it's 305 00:15:44,200 --> 00:15:46,040 Speaker 1: so easy to predict where things are going, and it's 306 00:15:46,040 --> 00:15:49,520 Speaker 1: so easy to position yourself in a way where your 307 00:15:49,640 --> 00:15:53,160 Speaker 1: business can grow and you can learn, you know, from 308 00:15:53,160 --> 00:15:56,000 Speaker 1: the mistakes in the winds of other people around you 309 00:15:56,040 --> 00:15:58,400 Speaker 1: as things grow, because you're able to keep in mind 310 00:15:58,440 --> 00:16:01,480 Speaker 1: where things are headed. Because we've seen this before, like 311 00:16:01,920 --> 00:16:04,480 Speaker 1: we've seen this evolution. Some people just late to throw 312 00:16:04,560 --> 00:16:09,480 Speaker 1: in in the full twel The YouTube CEO continues to 313 00:16:09,480 --> 00:16:13,359 Speaker 1: say that this one inspired that new generation of creativity 314 00:16:13,680 --> 00:16:17,600 Speaker 1: and film lovers while staying true to the Oscar story legacy. 315 00:16:19,160 --> 00:16:20,320 Speaker 2: Well, thank you guys so much for. 316 00:16:20,320 --> 00:16:23,520 Speaker 1: Joining me today to talk about all things like new 317 00:16:23,920 --> 00:16:25,720 Speaker 1: and y'all better get way to get lost or get 318 00:16:25,720 --> 00:16:26,520 Speaker 1: out the way. 319 00:16:26,680 --> 00:16:28,000 Speaker 2: Okay, I am excited. 320 00:16:28,080 --> 00:16:30,800 Speaker 1: I think twenty twenty six, with everything that we're seeing 321 00:16:30,840 --> 00:16:32,960 Speaker 1: in the news, is going to bring room for new opportunity, 322 00:16:33,360 --> 00:16:36,520 Speaker 1: for new things to look forward to. But also too, 323 00:16:36,640 --> 00:16:40,280 Speaker 1: I think, like I really just and this has been 324 00:16:41,040 --> 00:16:44,880 Speaker 1: for some years now where I think, especially with at 325 00:16:44,920 --> 00:16:50,520 Speaker 1: like once the writer strike hit, creators and content and 326 00:16:50,640 --> 00:16:53,240 Speaker 1: storytelling has been in a very different place. I think 327 00:16:53,280 --> 00:16:56,640 Speaker 1: people you know, sadly have had to figure out how 328 00:16:56,680 --> 00:16:58,280 Speaker 1: to do a lot with a little bit, which is 329 00:16:58,320 --> 00:17:01,320 Speaker 1: never good when you're talking about art because is you know, 330 00:17:01,400 --> 00:17:04,920 Speaker 1: like when budgets get tight, people lose jobs, people are 331 00:17:04,960 --> 00:17:08,120 Speaker 1: not able to do things that you know, for some creators, 332 00:17:08,160 --> 00:17:12,080 Speaker 1: like it's creator die like, it's literally what you've lived 333 00:17:12,080 --> 00:17:15,560 Speaker 1: your life to do, and your fallback plan isn't something 334 00:17:15,600 --> 00:17:17,719 Speaker 1: that you want to ever have to fall back on. 335 00:17:17,800 --> 00:17:21,280 Speaker 1: So when things get tight, people shut down, productions shut 336 00:17:21,280 --> 00:17:24,320 Speaker 1: down studios, people lose jobs. It's never a good thing. 337 00:17:25,280 --> 00:17:28,040 Speaker 1: But I think, you know, as we are seeing things 338 00:17:28,040 --> 00:17:32,760 Speaker 1: like these, these partnerships happen. Although traditionally in the digital 339 00:17:32,800 --> 00:17:36,119 Speaker 1: space teams are really smaller, I think it just you know, 340 00:17:36,960 --> 00:17:38,760 Speaker 1: if I'm looking at the silver lining and all of 341 00:17:38,800 --> 00:17:41,960 Speaker 1: this and the big lean towards you know, all of 342 00:17:41,960 --> 00:17:46,480 Speaker 1: the big prestigious regimes fully leading and throwing themselves into 343 00:17:46,520 --> 00:17:49,080 Speaker 1: the digital space and the streaming space, I think what 344 00:17:49,160 --> 00:17:53,000 Speaker 1: it will do is it will create a lane where, 345 00:17:53,440 --> 00:17:55,399 Speaker 1: you know, with us being able to just turn on 346 00:17:55,440 --> 00:17:59,440 Speaker 1: our phone record and press upload and have a platform, 347 00:17:59,720 --> 00:18:02,680 Speaker 1: it'll create opportunity in a lane where if you do 348 00:18:02,720 --> 00:18:05,960 Speaker 1: that and you do it, you know with quality, you 349 00:18:06,119 --> 00:18:10,920 Speaker 1: do it consistently. There's really really really big opportunity. And 350 00:18:11,520 --> 00:18:13,800 Speaker 1: I keep using the word opportunity, but there's really big 351 00:18:14,680 --> 00:18:17,200 Speaker 1: there's really big room for growth in partnership there, and 352 00:18:17,520 --> 00:18:19,640 Speaker 1: it's for anybody Like I. 353 00:18:19,640 --> 00:18:21,120 Speaker 2: I'm feeling again. 354 00:18:22,320 --> 00:18:25,840 Speaker 1: Like the optimistic feeling that I had way before I 355 00:18:25,840 --> 00:18:28,560 Speaker 1: started doing anything in entertainment. But I would literally just 356 00:18:29,080 --> 00:18:31,320 Speaker 1: turn on some of my favorite shows or see my 357 00:18:31,359 --> 00:18:34,280 Speaker 1: favorite it girls on the internet doing things and trying 358 00:18:34,280 --> 00:18:36,040 Speaker 1: to figure out how did they do this? Like how 359 00:18:36,040 --> 00:18:38,760 Speaker 1: are they living their lives just being themselves and telling 360 00:18:38,800 --> 00:18:41,080 Speaker 1: stories that they love to tell. And you know, everything 361 00:18:41,080 --> 00:18:43,120 Speaker 1: in all peaches and creams, a lot of peaches and cream. 362 00:18:43,119 --> 00:18:45,879 Speaker 1: A lot of this is highlight reels. But you know, 363 00:18:47,119 --> 00:18:50,960 Speaker 1: to be able to be a creator, or to work 364 00:18:50,960 --> 00:18:53,919 Speaker 1: with creators, to be able to tell story is not 365 00:18:54,119 --> 00:18:56,440 Speaker 1: something that anybody should take lightly. And I think whenever 366 00:18:56,480 --> 00:19:00,080 Speaker 1: we see shifts in the industry, there's two things you 367 00:19:00,119 --> 00:19:02,280 Speaker 1: can do. You can fight it, or you can figure 368 00:19:02,280 --> 00:19:05,600 Speaker 1: out your positioning, your foundation, build it and let them come. 369 00:19:05,720 --> 00:19:07,400 Speaker 2: And I'm excited to see what is. 370 00:19:07,359 --> 00:19:10,040 Speaker 1: Built in this new rain, in this new era of 371 00:19:10,280 --> 00:19:13,920 Speaker 1: streaming partnership for everybody all over the world, and who 372 00:19:14,040 --> 00:19:16,320 Speaker 1: rises in it, the criminal crowd will rise and who 373 00:19:16,440 --> 00:19:19,439 Speaker 1: rises in it? And I'm excited to be amongst the 374 00:19:19,480 --> 00:19:22,480 Speaker 1: people in it. So congratulations to the Breakfast Club heading 375 00:19:22,520 --> 00:19:25,520 Speaker 1: on over the Netflix, and I guess we'll be seeing you. 376 00:19:25,560 --> 00:19:28,240 Speaker 2: Know you all let the Oscars on YouTube too. That 377 00:19:28,359 --> 00:19:30,800 Speaker 2: was a little cheap little plug. Oscars, Invite your girl. 378 00:19:31,480 --> 00:19:33,159 Speaker 1: I'm loring the rods that this is the latest with 379 00:19:33,240 --> 00:19:36,040 Speaker 1: Laurna the rows of my Low Riders. You guys could 380 00:19:36,040 --> 00:19:38,640 Speaker 1: be anywhere with anybody talking about all of these things, 381 00:19:38,680 --> 00:19:40,639 Speaker 1: but if you choose to be right here with me, 382 00:19:41,080 --> 00:19:43,520 Speaker 1: I will catch you in my next episode.