1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,480 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:09,520 Speaker 1: new and final season, on Max. 4 00:00:09,720 --> 00:00:10,800 Speaker 2: You can also watch the. 5 00:00:10,840 --> 00:00:14,200 Speaker 1: Video version of the history of Curb Your Enthusiasm podcast 6 00:00:14,280 --> 00:00:17,439 Speaker 1: on Max and YouTube, as well. Links available in the 7 00:00:17,480 --> 00:00:28,000 Speaker 1: episode description. Here we are Jeff and Susie. 8 00:00:28,120 --> 00:00:31,880 Speaker 2: Yes, Jeff, it's your enthusiasm. 9 00:00:32,360 --> 00:00:33,920 Speaker 3: We're doing episode. 10 00:00:33,479 --> 00:00:35,520 Speaker 2: Eight, Episode eight, beloved ant. 11 00:00:35,760 --> 00:00:36,000 Speaker 3: Yes. 12 00:00:36,280 --> 00:00:40,519 Speaker 1: Now, what's interesting is my opinion. I mean, yes, the 13 00:00:40,560 --> 00:00:44,400 Speaker 1: wire you saw things. Now open the door for what Yes, 14 00:00:44,520 --> 00:00:47,000 Speaker 1: we are now, episode is kurb. 15 00:00:46,880 --> 00:00:49,920 Speaker 3: This is yes. And also this is of the first season, 16 00:00:50,080 --> 00:00:53,000 Speaker 3: the one the class that people talked about for a 17 00:00:53,040 --> 00:00:53,640 Speaker 3: long time. 18 00:00:53,760 --> 00:00:56,640 Speaker 1: And what's interesting is this was my third episode that 19 00:00:56,720 --> 00:01:00,640 Speaker 1: I did, and I hadn't seen the special, the pilot. 20 00:01:00,960 --> 00:01:04,080 Speaker 1: I hadn't seen any outlines or anything. So I was 21 00:01:04,160 --> 00:01:06,840 Speaker 1: just showing up and you know, Larry would tell me 22 00:01:06,959 --> 00:01:08,240 Speaker 1: this is what the scene is about, and I would 23 00:01:08,240 --> 00:01:11,720 Speaker 1: do it. For some reason, I saw the outline for 24 00:01:11,760 --> 00:01:14,840 Speaker 1: this episode. Oh okay, And I read the outline and 25 00:01:14,920 --> 00:01:18,120 Speaker 1: I remember, you know, twenty two years ago, I remember 26 00:01:18,160 --> 00:01:21,759 Speaker 1: thinking to myself, oh my god, this is fucking brilliant. 27 00:01:22,240 --> 00:01:25,560 Speaker 2: Yeah, oh yeah. I read this outline. 28 00:01:25,600 --> 00:01:29,199 Speaker 1: I was like, this shit is amazing how he put 29 00:01:29,240 --> 00:01:31,920 Speaker 1: this stuff together. And this episode, more than any that 30 00:01:31,959 --> 00:01:35,760 Speaker 1: we've discussed thus far, is really the jigsaw puzzle, the 31 00:01:35,840 --> 00:01:38,200 Speaker 1: crossword puzzle, however you want to put it of how 32 00:01:38,240 --> 00:01:40,360 Speaker 1: he puts the episodes together, more than any. 33 00:01:40,480 --> 00:01:41,840 Speaker 2: That was one of the worst. 34 00:01:41,840 --> 00:01:45,840 Speaker 3: Classic mentioned that Hiken before. Who did Bill Cohen car 35 00:01:45,920 --> 00:01:48,960 Speaker 3: fifty four where it's like if you've ever seen someone 36 00:01:49,040 --> 00:01:52,000 Speaker 3: touch the domino and it goes up and down, it 37 00:01:52,040 --> 00:01:53,800 Speaker 3: all over and it ends up in. 38 00:01:53,760 --> 00:01:56,960 Speaker 1: The same which Larry has become a master of, and 39 00:01:57,000 --> 00:01:59,560 Speaker 1: to me, this is the beginning of that. So the 40 00:01:59,600 --> 00:02:03,840 Speaker 1: episode begins with a cross, you know, it begins with 41 00:02:03,920 --> 00:02:06,680 Speaker 1: the picture of a cross, and they're at a funeral 42 00:02:07,080 --> 00:02:09,880 Speaker 1: and it's such a guyish funeral. It's Cheryl's family, it's 43 00:02:09,960 --> 00:02:13,919 Speaker 1: Cheryl's aunt. They flew in from Florida and Craig Anton 44 00:02:14,639 --> 00:02:16,840 Speaker 1: this is the first time we meet Cheryl's family. Yes, 45 00:02:17,040 --> 00:02:19,280 Speaker 1: so Becky, who was Caitlyn Olson? 46 00:02:19,520 --> 00:02:22,360 Speaker 3: Yep, Kaitlyn Olson. That was her first episode and I 47 00:02:22,360 --> 00:02:24,079 Speaker 3: think it was her first big. 48 00:02:23,880 --> 00:02:25,799 Speaker 2: Gig and she's gone on to well. 49 00:02:26,160 --> 00:02:29,040 Speaker 3: She worked a lot after Curb and what a delight 50 00:02:29,200 --> 00:02:29,919 Speaker 3: to work with. 51 00:02:30,320 --> 00:02:32,560 Speaker 2: You know, I never actually worked with her. I love 52 00:02:32,639 --> 00:02:33,600 Speaker 2: to watch her because. 53 00:02:33,360 --> 00:02:35,600 Speaker 3: I think she's a lovely person. 54 00:02:36,040 --> 00:02:38,760 Speaker 1: And she went on to always Sonny in Philadelphia and 55 00:02:38,800 --> 00:02:40,720 Speaker 1: that that other I'm blocking. 56 00:02:41,280 --> 00:02:43,680 Speaker 2: She's that brain fog amazing work. 57 00:02:44,000 --> 00:02:46,000 Speaker 1: And of course she comes back to Curb for many 58 00:02:46,120 --> 00:02:48,040 Speaker 1: years after, including more recently. 59 00:02:48,600 --> 00:02:52,040 Speaker 2: And Paul Dooley, who was Erl's father, Oh my god. 60 00:02:53,000 --> 00:02:54,840 Speaker 3: I guess most people know him as the father in 61 00:02:54,960 --> 00:02:56,640 Speaker 3: sixteen Candles. 62 00:02:56,400 --> 00:02:58,960 Speaker 2: And also the what was the one, the bicycling one, 63 00:02:59,040 --> 00:03:00,079 Speaker 2: breaking away. 64 00:03:00,160 --> 00:03:03,680 Speaker 3: Away fund refund That's what he would. 65 00:03:03,480 --> 00:03:05,520 Speaker 2: Say to He was also an improv actor. 66 00:03:05,760 --> 00:03:09,400 Speaker 3: Yeah, yeah, no, he's very much. He was also one 67 00:03:09,400 --> 00:03:13,160 Speaker 3: of my heroes. And to be in a scene with 68 00:03:13,240 --> 00:03:17,160 Speaker 3: Paul Dooley, to hang out with Paul Dooley, you know, 69 00:03:17,720 --> 00:03:21,359 Speaker 3: I was see Mike Haggerty was a contemporary of mine 70 00:03:21,360 --> 00:03:25,920 Speaker 3: who we talked about in the last year. Was a 71 00:03:25,960 --> 00:03:31,040 Speaker 3: hero of mine because for me, the improvisational, comedic character 72 00:03:31,160 --> 00:03:33,640 Speaker 3: actors who can sometimes star in movies. 73 00:03:33,680 --> 00:03:36,800 Speaker 2: But man, that guy was he a second city guy? 74 00:03:36,920 --> 00:03:38,920 Speaker 3: You know, I don't believe. I don't think he was. 75 00:03:38,960 --> 00:03:42,280 Speaker 2: You know, his wife Winnie Yeah, wrote Wicked. 76 00:03:43,640 --> 00:03:45,200 Speaker 3: That she created that TV show. 77 00:03:45,200 --> 00:03:47,440 Speaker 2: She created Wicked, and she was also on Curb. 78 00:03:47,640 --> 00:03:48,480 Speaker 3: She was on Curb. 79 00:03:48,560 --> 00:03:50,600 Speaker 2: I will get to her mini TV. 80 00:03:50,520 --> 00:03:52,000 Speaker 3: Show she did with Claire Danes. 81 00:03:52,160 --> 00:03:56,480 Speaker 2: I don't know, okay. Craig Anton plays Becky's. 82 00:03:56,040 --> 00:03:58,680 Speaker 1: Boyfriend who was a stand up I knew him stand 83 00:03:58,760 --> 00:04:00,240 Speaker 1: up for many. 84 00:03:59,760 --> 00:04:02,320 Speaker 3: Great stand up Yeah. And do you know a story 85 00:04:02,440 --> 00:04:04,880 Speaker 3: because he looks like Andy Kaufman so much? 86 00:04:04,960 --> 00:04:06,360 Speaker 2: Yeah, a little bit. Yeah, you say a. 87 00:04:06,360 --> 00:04:09,200 Speaker 3: Little bit, I say a lot. Together were cops. But 88 00:04:09,760 --> 00:04:13,920 Speaker 3: he auditioned for Man on the Moon for Milos Foreman, 89 00:04:13,960 --> 00:04:17,040 Speaker 3: who directed it. Yea, And he was going to get 90 00:04:17,080 --> 00:04:21,240 Speaker 3: it until the studio said we want Jim Carrey. And 91 00:04:21,560 --> 00:04:24,960 Speaker 3: Jim Carrey was great, So don't get me wrong, I 92 00:04:24,960 --> 00:04:28,400 Speaker 3: think Jim Carrey is remarkable, But until that moment, he 93 00:04:28,480 --> 00:04:29,080 Speaker 3: was going to be. 94 00:04:29,040 --> 00:04:31,360 Speaker 2: Playing And you know, there's a million stories like. 95 00:04:33,000 --> 00:04:35,919 Speaker 3: But I know, but that's really heartbreaking to get that 96 00:04:36,200 --> 00:04:38,040 Speaker 3: close to something, being. 97 00:04:37,839 --> 00:04:39,200 Speaker 2: A star in a movie. 98 00:04:39,240 --> 00:04:44,360 Speaker 1: And as we say, a really kind sweet man who 99 00:04:44,520 --> 00:04:47,160 Speaker 1: was so experimental as a comedian. 100 00:04:46,920 --> 00:04:49,600 Speaker 2: Always and very funny, very very funny. 101 00:04:49,720 --> 00:04:51,839 Speaker 1: Yeah yeah, I remember working with him in New York 102 00:04:52,320 --> 00:04:56,040 Speaker 1: and he and Larry start talking at the funeral you know, 103 00:04:56,200 --> 00:04:58,799 Speaker 1: thank you for the hotel room, is the mini bar included, 104 00:04:58,880 --> 00:05:02,600 Speaker 1: and Larry's being in tobly generous and gracious, and it's 105 00:05:02,640 --> 00:05:04,440 Speaker 1: the first time we meet Cheryl's family, and we get 106 00:05:04,480 --> 00:05:07,200 Speaker 1: the whole sense of this, right this, you know, Cheryl's 107 00:05:07,360 --> 00:05:11,240 Speaker 1: is really from Tallahassee, Florida, yes, and you know, not 108 00:05:11,320 --> 00:05:17,320 Speaker 1: Jewish and marries this super jew and there's that juxtaposition. 109 00:05:17,960 --> 00:05:20,719 Speaker 1: And then Craig starts to confide in Larry that he 110 00:05:20,800 --> 00:05:22,880 Speaker 1: wants to break up with Becky because Becky wants to 111 00:05:22,920 --> 00:05:25,800 Speaker 1: get married and he doesn't want to get married, and 112 00:05:25,839 --> 00:05:27,400 Speaker 1: he was going to break up with her on the 113 00:05:27,520 --> 00:05:29,840 Speaker 1: day her aunt died, but then of course he couldn't. 114 00:05:29,920 --> 00:05:35,000 Speaker 3: Okay, this to me is a complete page of Larry David. Yes, absolutely, 115 00:05:35,080 --> 00:05:38,400 Speaker 3: the can I break up now? Oh this happened. I 116 00:05:38,440 --> 00:05:40,640 Speaker 3: can't do it now, I can do it next Tuesday. 117 00:05:41,000 --> 00:05:44,479 Speaker 3: By the way, Craig Anton's character could not be talking 118 00:05:44,520 --> 00:05:47,720 Speaker 3: to a better person than Larry Larry David in that moment. 119 00:05:47,720 --> 00:05:49,840 Speaker 3: But that's Larry. I was going to break up with her, 120 00:05:49,839 --> 00:05:52,120 Speaker 3: but then you know, aunt died, And. 121 00:05:52,040 --> 00:05:55,640 Speaker 1: We've had so many scenarios like that that come up 122 00:05:55,640 --> 00:05:58,120 Speaker 1: where it's you know, and Larry says, you know, if 123 00:05:58,160 --> 00:06:01,760 Speaker 1: it was her mother, you could wait six days after 124 00:06:01,800 --> 00:06:04,000 Speaker 1: you get back to Florida. But with an aunt, you 125 00:06:04,040 --> 00:06:05,080 Speaker 1: could do it when you get home. 126 00:06:05,200 --> 00:06:05,800 Speaker 3: As you get home. 127 00:06:05,880 --> 00:06:08,000 Speaker 2: Yeah, yeah, And what should I say to tell her 128 00:06:08,040 --> 00:06:08,680 Speaker 2: you're unhappy? 129 00:06:08,720 --> 00:06:12,440 Speaker 1: That works every time, Larry is the worst one relationship 130 00:06:13,400 --> 00:06:14,600 Speaker 1: to tell her you're unhappy? 131 00:06:14,640 --> 00:06:16,719 Speaker 3: It works every time. And then he follows that with 132 00:06:17,240 --> 00:06:19,960 Speaker 3: I've never done that, yes, but I know it works everything. 133 00:06:19,960 --> 00:06:24,400 Speaker 1: He's a totally wrong person to get relationship advice from. Yes, completely, 134 00:06:25,040 --> 00:06:26,839 Speaker 1: And then he says, and we never had this conversation. 135 00:06:27,120 --> 00:06:27,600 Speaker 3: Yeah. 136 00:06:27,640 --> 00:06:31,520 Speaker 1: So, and then they go back to the house and 137 00:06:31,520 --> 00:06:34,600 Speaker 1: they're all sitting around with the other relatives, I assume 138 00:06:34,960 --> 00:06:36,120 Speaker 1: from Aunt Louise. 139 00:06:36,320 --> 00:06:37,600 Speaker 2: Was it yes, well, well I. 140 00:06:37,560 --> 00:06:39,599 Speaker 3: Wrote down after we had intercourse. 141 00:06:40,640 --> 00:06:43,039 Speaker 1: Oh that was because he said, how long did it 142 00:06:43,040 --> 00:06:45,719 Speaker 1: take you to get married? And he said, very soon 143 00:06:45,760 --> 00:06:48,040 Speaker 1: after we had intercourse, but we were friends first. 144 00:06:48,240 --> 00:06:49,240 Speaker 3: Yeah, okay, got it. 145 00:06:49,360 --> 00:06:50,200 Speaker 2: That's a Larry thing. 146 00:06:50,600 --> 00:06:53,520 Speaker 1: I mean, Larry's being incredibly gracious and you could see 147 00:06:53,520 --> 00:06:56,280 Speaker 1: how bored he is sitting with the family and talking 148 00:06:56,320 --> 00:06:57,880 Speaker 1: about their gaysious stuff. 149 00:06:58,600 --> 00:07:00,159 Speaker 3: It's an Unjewish ship. 150 00:07:00,640 --> 00:07:02,920 Speaker 2: Right, there's no rug anything. 151 00:07:03,600 --> 00:07:06,080 Speaker 3: And Paul, by the way, I want to also because 152 00:07:06,080 --> 00:07:10,520 Speaker 3: I love you, you always ask me a shiva is 153 00:07:10,560 --> 00:07:13,400 Speaker 3: what Jews do you do? You visit the home of 154 00:07:13,520 --> 00:07:17,920 Speaker 3: the relatives of whoever passed away, and it's chock. 155 00:07:17,880 --> 00:07:21,800 Speaker 2: Full of food and great food, great food. 156 00:07:22,080 --> 00:07:25,280 Speaker 1: And remember there's usually a deli spread and a lot 157 00:07:25,320 --> 00:07:30,520 Speaker 1: of always and then there's a lot of fruits. 158 00:07:29,560 --> 00:07:34,160 Speaker 3: Yes, a lot of Yeah. So as you can see 159 00:07:34,160 --> 00:07:36,040 Speaker 3: from the one on TV, there's nothing. 160 00:07:35,760 --> 00:07:38,120 Speaker 2: To eat, right, it's a it's you know, people just 161 00:07:38,200 --> 00:07:39,000 Speaker 2: like this studio. 162 00:07:39,400 --> 00:07:40,760 Speaker 3: They got nothing to eat. 163 00:07:41,160 --> 00:07:45,200 Speaker 1: People a shiva non Jews, And I say it's it's 164 00:07:45,240 --> 00:07:45,920 Speaker 1: awake with. 165 00:07:47,160 --> 00:07:51,560 Speaker 3: It's like Halloween, except with three characters. 166 00:07:52,240 --> 00:08:06,040 Speaker 2: Will be right back, Stay tuned and we're back. 167 00:08:06,720 --> 00:08:09,920 Speaker 1: So Paul's character, I forgot his name in the show. 168 00:08:10,120 --> 00:08:13,920 Speaker 1: They never say it. Ryl's father cock Magic, that's not it, 169 00:08:13,960 --> 00:08:16,640 Speaker 1: but anyway we'll call it. He brings up that he 170 00:08:16,680 --> 00:08:20,240 Speaker 1: wishes that there was an obituary, and Larry volunteers it. 171 00:08:20,280 --> 00:08:22,920 Speaker 1: He'll take care of it because my manager being Jeff, 172 00:08:23,080 --> 00:08:25,520 Speaker 1: he has a friend that works for the newspaper and 173 00:08:25,560 --> 00:08:27,520 Speaker 1: it'll be very tasteful and appropriate. 174 00:08:28,000 --> 00:08:30,000 Speaker 2: Larry says, and then he meets. 175 00:08:29,840 --> 00:08:33,640 Speaker 1: You at the restaurant and talks about maintaining the outfit. 176 00:08:33,760 --> 00:08:36,000 Speaker 1: He's in a suit. Larry always looks very handsome in 177 00:08:36,040 --> 00:08:39,439 Speaker 1: a suit. He's got that long, lanky look, and just 178 00:08:39,480 --> 00:08:42,000 Speaker 1: says he's gonna take care of the obituary. And we 179 00:08:42,040 --> 00:08:44,680 Speaker 1: find out that Aunt Louise actually killed herself and didn't 180 00:08:44,720 --> 00:08:47,040 Speaker 1: leave a note, so rude, that's what. 181 00:08:47,040 --> 00:08:49,320 Speaker 3: Larry and Lar are saying that we're getting angry about 182 00:08:49,360 --> 00:08:50,040 Speaker 3: who would do that? 183 00:08:50,480 --> 00:08:53,360 Speaker 2: And you tell Larry, my mom's in town with my dad. 184 00:08:53,720 --> 00:08:56,880 Speaker 3: It's her birthday. It'd be great, considering all that's gone 185 00:08:56,880 --> 00:08:58,920 Speaker 3: down between you and my parents, if for my mom's 186 00:08:58,920 --> 00:09:00,800 Speaker 3: birthday you got our a little gift, a little something, 187 00:09:00,920 --> 00:09:02,040 Speaker 3: it doesn't matter what it is. 188 00:09:02,440 --> 00:09:06,200 Speaker 1: And so you start to write the obituary. Louise Hoenig 189 00:09:06,240 --> 00:09:10,200 Speaker 1: whatever her name was, devoted sister, beloved Aunt. Cut to 190 00:09:10,760 --> 00:09:14,080 Speaker 1: now they're at the house at the Shiva slash wake 191 00:09:14,200 --> 00:09:18,480 Speaker 1: whatever it is, and and Paul's talking about traffic, and 192 00:09:18,520 --> 00:09:22,040 Speaker 1: that we find out Craig broke up with Becky, and 193 00:09:22,120 --> 00:09:24,920 Speaker 1: Larry's non plus by this just in his face because 194 00:09:24,960 --> 00:09:27,000 Speaker 1: he told him to wait till they got back Craig 195 00:09:27,120 --> 00:09:29,040 Speaker 1: clearly could not contain himself. 196 00:09:29,240 --> 00:09:31,240 Speaker 3: Wait wait, wait, wait wait doesn't he go out to 197 00:09:31,240 --> 00:09:32,600 Speaker 3: get the newspapers yet? 198 00:09:32,720 --> 00:09:33,360 Speaker 2: Oh not yet. 199 00:09:34,240 --> 00:09:37,000 Speaker 1: Yeah, Larry wants to play golf and Cheryl says, you 200 00:09:37,040 --> 00:09:39,880 Speaker 1: can't play golf, and then Paul starts talking about how 201 00:09:39,880 --> 00:09:43,000 Speaker 1: funny carra Top is, which you know, for comedians, it's 202 00:09:43,000 --> 00:09:45,320 Speaker 1: like put a gun to my fucking head, right, And 203 00:09:45,360 --> 00:09:48,880 Speaker 1: Paul goes to get the obituary right because I remember 204 00:09:49,000 --> 00:09:50,760 Speaker 1: Julie saying it always cracked me up. 205 00:09:51,000 --> 00:09:53,000 Speaker 2: It gives him pleasure to use the rental car. 206 00:09:53,200 --> 00:09:59,840 Speaker 3: Yes, when he got up and said that he hadn't 207 00:09:59,840 --> 00:10:02,920 Speaker 3: you use his mileage on the car? That was also fun. 208 00:10:03,000 --> 00:10:06,000 Speaker 1: Yeah, those are the things that a great improviser just 209 00:10:06,679 --> 00:10:09,400 Speaker 1: comes up with. And then Paul gets up and leaves, 210 00:10:09,440 --> 00:10:12,840 Speaker 1: and Julie will not move over. Larry has to move over. 211 00:10:13,000 --> 00:10:17,080 Speaker 1: She's like it's okay, and she pats hissney. No boundaries whatsoever, 212 00:10:17,440 --> 00:10:20,719 Speaker 1: no sense of personal space, and Larry starts doing Don 213 00:10:20,800 --> 00:10:25,040 Speaker 1: Corleone and being generally charming and doing impressions. And then 214 00:10:25,160 --> 00:10:29,559 Speaker 1: Becky comes in hysterical crying that Craig says something. 215 00:10:29,320 --> 00:10:32,240 Speaker 2: About not being happy. What does that even mean. 216 00:10:33,200 --> 00:10:35,680 Speaker 1: There was a little moment that when she lies down 217 00:10:35,720 --> 00:10:38,040 Speaker 1: on Cheryl's lap and Larry goes to pet her hair. 218 00:10:38,160 --> 00:10:39,199 Speaker 3: Oh so funny. 219 00:10:39,240 --> 00:10:42,400 Speaker 2: Those awkward moments, those little moments are so beautiful. And 220 00:10:42,480 --> 00:10:44,679 Speaker 2: then Larry decides he has to leave to go get 221 00:10:44,720 --> 00:10:45,560 Speaker 2: your mother a gift. 222 00:10:45,920 --> 00:10:49,560 Speaker 3: And as he's leaving, he's saying goodbye to the whole 223 00:10:49,760 --> 00:10:53,320 Speaker 3: circle of family members, and he remembered all their names. 224 00:10:53,360 --> 00:10:54,920 Speaker 2: He did, Fred didn't. 225 00:10:56,280 --> 00:10:56,319 Speaker 1: That. 226 00:10:56,600 --> 00:10:58,719 Speaker 3: We loved the minute we heard it. One of the 227 00:10:58,800 --> 00:11:01,680 Speaker 3: guys in that scene, his name was Brass. 228 00:11:02,120 --> 00:11:02,480 Speaker 2: Brass. 229 00:11:02,920 --> 00:11:05,400 Speaker 3: Yeah, okay, Brass, you're here. 230 00:11:05,880 --> 00:11:09,360 Speaker 2: Okay, Barbara George right here, Glass. 231 00:11:09,480 --> 00:11:11,840 Speaker 3: You know, Yeah, that was delightful. Larry loves a good 232 00:11:11,960 --> 00:11:12,920 Speaker 3: name too, he does. 233 00:11:13,120 --> 00:11:14,679 Speaker 2: He does, We all do. We're comics. 234 00:11:15,280 --> 00:11:17,600 Speaker 1: So he goes to go get a gift for your mother, 235 00:11:18,240 --> 00:11:20,920 Speaker 1: and this is a typical Larry thing as in real life. 236 00:11:21,160 --> 00:11:24,439 Speaker 1: He's fucking clueless how to buy a gift, how to 237 00:11:24,559 --> 00:11:27,480 Speaker 1: wrap a gift, how to present a gift. He doesn't 238 00:11:27,600 --> 00:11:31,320 Speaker 1: know the general niceties of the world and how to behave. 239 00:11:32,080 --> 00:11:34,200 Speaker 1: So he goes shopping and he goes to get her 240 00:11:34,240 --> 00:11:37,760 Speaker 1: some sunglasses that Liz Taylor apparently has the same ones, 241 00:11:38,280 --> 00:11:39,880 Speaker 1: and I believe that was his. 242 00:11:40,040 --> 00:11:44,000 Speaker 2: Niece Julie, who was playing the y. Yeah, she did great. 243 00:11:44,080 --> 00:11:47,280 Speaker 1: She's been in other times as well, who was playing 244 00:11:47,320 --> 00:11:49,640 Speaker 1: the salesperson. And then he asked her to wrap it. 245 00:11:49,720 --> 00:11:51,679 Speaker 1: He has no idea how to wrap What do you 246 00:11:51,760 --> 00:11:53,400 Speaker 1: get a scissor? What do you get a tape? What 247 00:11:53,480 --> 00:11:57,800 Speaker 1: do he get wrapping paper? And it's very complicated. He's flummocks. 248 00:11:58,240 --> 00:12:01,200 Speaker 1: He leaves with the sunglasses just in the glass case, 249 00:12:01,559 --> 00:12:04,040 Speaker 1: and he returns home and they're all up in arms 250 00:12:04,320 --> 00:12:05,480 Speaker 1: because they got the O bit. 251 00:12:05,880 --> 00:12:07,280 Speaker 2: And what happens Jeff. 252 00:12:07,679 --> 00:12:12,000 Speaker 3: Well, he h Paul Dooley says, why don't you read it? 253 00:12:12,400 --> 00:12:15,160 Speaker 3: Larry starts reading it, and the second Larry gets in 254 00:12:15,240 --> 00:12:20,360 Speaker 3: the key moment, Paul Dewley screams, beloved kunt, beloved kunt. 255 00:12:20,720 --> 00:12:23,160 Speaker 3: Is that how she's supposed to be remembered? Beloved cunt? 256 00:12:23,240 --> 00:12:24,760 Speaker 3: He timed it perfect, yes. 257 00:12:25,200 --> 00:12:28,120 Speaker 1: Because he's brilliant, and there was a typo and instead 258 00:12:28,160 --> 00:12:31,440 Speaker 1: of devoted sister, beloved ant, it's a beloved cunt. 259 00:12:31,640 --> 00:12:34,600 Speaker 3: By the way, it is repeated so many times. 260 00:12:34,520 --> 00:12:37,559 Speaker 1: Yes, so many times, and it's not a word that 261 00:12:37,679 --> 00:12:39,640 Speaker 1: we really use in this show at all. 262 00:12:40,120 --> 00:12:41,959 Speaker 2: Whilf used it once. 263 00:12:42,080 --> 00:12:45,360 Speaker 3: The first improvised shows that came after Curb that I 264 00:12:45,559 --> 00:12:49,040 Speaker 3: watch in one still then comics, different people trying to 265 00:12:49,440 --> 00:12:52,959 Speaker 3: copy Curb. They seem to think that just by saying 266 00:12:53,240 --> 00:12:56,720 Speaker 3: swear words and being dirty, that they're doing the same 267 00:12:56,800 --> 00:12:57,200 Speaker 3: thing work. 268 00:12:57,440 --> 00:12:59,360 Speaker 1: And they think that about me. They think that that's 269 00:12:59,440 --> 00:13:03,360 Speaker 1: what I'm doing when it's not right. You know, let's 270 00:13:03,440 --> 00:13:07,400 Speaker 1: just take this opportunity to say that. You know, people 271 00:13:07,640 --> 00:13:10,520 Speaker 1: have tried to imitate Curb, but they can't because they 272 00:13:10,600 --> 00:13:14,000 Speaker 1: don't have Larry's story brain. That's right, That's what's the 273 00:13:14,120 --> 00:13:16,679 Speaker 1: glue that holds the whole show together. It's not just 274 00:13:16,800 --> 00:13:18,120 Speaker 1: some random Hey. 275 00:13:18,040 --> 00:13:22,079 Speaker 3: I'm developing an improvised show right now. I don't know 276 00:13:22,120 --> 00:13:23,760 Speaker 3: if I'm going to be on camera or not it, 277 00:13:23,920 --> 00:13:25,480 Speaker 3: but I know it won't be as good as Curb. 278 00:13:25,840 --> 00:13:28,120 Speaker 3: You know what that feels like to go, I'm creating 279 00:13:28,160 --> 00:13:30,000 Speaker 3: this new show. I'm excited about it. It's not going 280 00:13:30,080 --> 00:13:30,480 Speaker 3: to be as well. 281 00:13:30,880 --> 00:13:31,160 Speaker 2: That's well. 282 00:13:31,240 --> 00:13:32,959 Speaker 1: Larry has a lot of geniuses, but I think his 283 00:13:33,120 --> 00:13:36,199 Speaker 1: main genius is his story brain, his sense of story. 284 00:13:36,280 --> 00:13:38,079 Speaker 2: And I think you saw that on Seinfeld as well. 285 00:13:38,480 --> 00:13:41,240 Speaker 1: Becky comes in and confronts him that she just got 286 00:13:41,280 --> 00:13:43,959 Speaker 1: off the phone with Craig and you know, all this 287 00:13:44,120 --> 00:13:46,880 Speaker 1: kind of stuff that he told Craig say to her. 288 00:13:47,400 --> 00:13:51,040 Speaker 3: I'm surprised that she's called Becky because every other human being, 289 00:13:51,240 --> 00:13:53,480 Speaker 3: I know, it's the first season, it's their real first name. 290 00:13:54,080 --> 00:13:54,600 Speaker 2: That's true. 291 00:13:54,840 --> 00:13:57,160 Speaker 3: Yeah, I know, Solia. I'm just thinking that now because 292 00:13:57,160 --> 00:13:57,800 Speaker 3: we go ahead. 293 00:13:57,679 --> 00:14:00,360 Speaker 1: But she's called Becky and she you know, she just 294 00:14:00,480 --> 00:14:03,160 Speaker 1: confronts Larry and it's just a pylon on Larry and 295 00:14:03,240 --> 00:14:06,720 Speaker 1: then Cheryl kicks him out. Before he leaves, he says 296 00:14:06,720 --> 00:14:09,000 Speaker 1: to Shoe, how do I get this gift wrapped? About 297 00:14:09,040 --> 00:14:11,800 Speaker 1: the glasses? He's at a gas station. He asked the 298 00:14:11,880 --> 00:14:13,599 Speaker 1: guy how to get a gift? And there was that 299 00:14:13,800 --> 00:14:16,840 Speaker 1: producer with the blonde hair. Was the name Scott, Yes, Scott, 300 00:14:16,920 --> 00:14:17,559 Speaker 1: Scott Butler. 301 00:14:17,640 --> 00:14:19,880 Speaker 2: I think Scott Butler. 302 00:14:20,200 --> 00:14:21,800 Speaker 3: Yeah, he did a great job in there. 303 00:14:22,240 --> 00:14:24,160 Speaker 2: A Hallmark store, party store. 304 00:14:26,320 --> 00:14:30,280 Speaker 3: The gas attendant was played by a guy I know, Paul, 305 00:14:31,960 --> 00:14:34,600 Speaker 3: I can't remember, but anyhow, it was perfect the way 306 00:14:34,640 --> 00:14:36,440 Speaker 3: they played it, like, I don't know where would it 307 00:14:36,520 --> 00:14:37,800 Speaker 3: be and how do you do that? 308 00:14:38,080 --> 00:14:39,960 Speaker 2: And it's one of these things. I mean, it never 309 00:14:40,200 --> 00:14:40,720 Speaker 2: occurred to me. 310 00:14:40,840 --> 00:14:44,000 Speaker 1: But I've noticed in LA it's harder to do those 311 00:14:44,120 --> 00:14:47,280 Speaker 1: little kinds of things than it is in New York. Yeah, Like, 312 00:14:47,360 --> 00:14:49,440 Speaker 1: for example, I need to get a key made. In 313 00:14:49,560 --> 00:14:51,520 Speaker 1: New York, there's a locksmith around the corner from me. 314 00:14:51,840 --> 00:14:55,040 Speaker 1: I just go, yeah, Jim, but I just Jim, Phil, 315 00:14:55,320 --> 00:14:57,920 Speaker 1: I just go to him and whatever. It's just, you know, 316 00:14:58,240 --> 00:15:00,640 Speaker 1: I need to buy a flashlight. I can't find a 317 00:15:00,680 --> 00:15:04,280 Speaker 1: freaking hardware store here. Whatever, it's different here. So I 318 00:15:04,400 --> 00:15:07,600 Speaker 1: understand his confusion that you can't get the scissors and 319 00:15:07,720 --> 00:15:09,480 Speaker 1: the tape and the gift right go to. 320 00:15:09,560 --> 00:15:12,360 Speaker 3: North Hollywood Hardware. You can't giving them a plug. 321 00:15:12,680 --> 00:15:14,880 Speaker 1: Then Larry comes to Airhouse, and this was a moment 322 00:15:14,960 --> 00:15:16,720 Speaker 1: that I noticed. I don't know if you noticed it. 323 00:15:17,080 --> 00:15:20,480 Speaker 1: There was something when he walks in. Something happens between 324 00:15:20,560 --> 00:15:23,720 Speaker 1: Larry and I that again at a character, never happened 325 00:15:23,720 --> 00:15:27,720 Speaker 1: again for the next twenty two years. We kiss each 326 00:15:27,760 --> 00:15:31,800 Speaker 1: other hello. We have never kissed each other hello since then. 327 00:15:32,320 --> 00:15:35,040 Speaker 1: But at this point we didn't know what the relationship was. 328 00:15:35,120 --> 00:15:37,280 Speaker 3: And you even a little later on, I'll mention it now, 329 00:15:37,840 --> 00:15:41,640 Speaker 3: tell Mana after she's had a moment with Larry that wasn't. 330 00:15:41,440 --> 00:15:43,120 Speaker 2: Pleasant, that he's not such a bad guy. 331 00:15:43,200 --> 00:15:44,080 Speaker 3: He's got a sweet size. 332 00:15:44,080 --> 00:15:45,000 Speaker 2: He's got a sweet size. 333 00:15:45,480 --> 00:15:48,320 Speaker 1: Yes, so all of this is just I mean, I 334 00:15:48,400 --> 00:15:51,840 Speaker 1: think that relationship really developed in the next season, right, 335 00:15:52,280 --> 00:15:54,640 Speaker 1: you know, but right now in this season, we're just 336 00:15:54,760 --> 00:15:55,240 Speaker 1: finding it. 337 00:15:56,680 --> 00:16:08,480 Speaker 2: We'll be right back. Stay tuned. Okay, we're back. 338 00:16:08,880 --> 00:16:12,120 Speaker 1: So he gives your mother the glasses and she's, you know, 339 00:16:13,520 --> 00:16:15,360 Speaker 1: they're not good enough because I have a prescription. 340 00:16:15,600 --> 00:16:16,960 Speaker 2: They don't really work for me. 341 00:16:17,200 --> 00:16:19,640 Speaker 3: And by the way, Louis always said, what is this 342 00:16:19,840 --> 00:16:20,800 Speaker 3: thing not wrapped? 343 00:16:20,880 --> 00:16:23,720 Speaker 2: Yeah? Exactly, you know, I guess Louie and I were 344 00:16:23,760 --> 00:16:26,160 Speaker 2: talking hero hero here. 345 00:16:26,360 --> 00:16:28,560 Speaker 1: And then Larry offers he's going to take care of 346 00:16:28,640 --> 00:16:31,760 Speaker 1: the prescription. He's so he's so Eddie haskelling right now 347 00:16:32,120 --> 00:16:35,000 Speaker 1: with your mother. And then we get the O bit 348 00:16:35,520 --> 00:16:37,800 Speaker 1: and we read the oh bit, and again we say 349 00:16:37,880 --> 00:16:42,320 Speaker 1: cunt many many times, beloved, cunt, beloved, cunt, horrified. 350 00:16:42,000 --> 00:16:47,880 Speaker 3: And then my character says that we'll get a attraction, yes, attraction, 351 00:16:48,280 --> 00:16:50,120 Speaker 3: And you have the line, aren't you the one who says, 352 00:16:50,400 --> 00:16:53,720 Speaker 3: who's gonna you can't retract a maybe a thing? What 353 00:16:53,840 --> 00:16:55,200 Speaker 3: can you do? It's just so funny. 354 00:16:55,480 --> 00:16:57,480 Speaker 1: So then you go off with your dad to watch 355 00:16:57,560 --> 00:17:01,160 Speaker 1: the rest of the movie, right, and Mina, your mother 356 00:17:01,960 --> 00:17:04,840 Speaker 1: decides that she wants to again see what the glasses 357 00:17:04,880 --> 00:17:07,520 Speaker 1: look like. So she gets the glasses and there's a toaster, 358 00:17:07,640 --> 00:17:11,400 Speaker 1: a shiny stainless steel toaster that she could see her reflection. 359 00:17:11,520 --> 00:17:14,280 Speaker 1: And Larry lifts the toaster up to look in it, 360 00:17:14,600 --> 00:17:20,399 Speaker 1: and he inadvertently grazes her breast. He goes against it, 361 00:17:20,560 --> 00:17:22,240 Speaker 1: goes against it, and he stands there. 362 00:17:22,480 --> 00:17:25,200 Speaker 3: Yeah, and here's the thing. So Mina Colb, who was 363 00:17:25,240 --> 00:17:28,000 Speaker 3: in the original company of Second City, the very first one, 364 00:17:28,400 --> 00:17:30,840 Speaker 3: played my mother in my movie I want someone toea 365 00:17:30,920 --> 00:17:35,320 Speaker 3: cheese with one of the kindest and funny, so funny. 366 00:17:35,400 --> 00:17:38,800 Speaker 3: But you know what, her natural pacing, which is very 367 00:17:38,960 --> 00:17:42,879 Speaker 3: slow and nuanced, is so perfect in that scene. I 368 00:17:42,920 --> 00:17:47,120 Speaker 3: think love when it happens, the look and the thing. 369 00:17:47,400 --> 00:17:48,840 Speaker 2: He doesn't push anything. 370 00:17:48,640 --> 00:17:51,439 Speaker 3: Zero push, And that's been like I talked about Mike Haggerty, 371 00:17:51,720 --> 00:17:55,480 Speaker 3: that's her. Great improvisers do what they do in their 372 00:17:55,560 --> 00:17:56,960 Speaker 3: own time, you. 373 00:17:57,000 --> 00:17:59,159 Speaker 2: Know, rhythms they trust. 374 00:17:59,440 --> 00:18:03,440 Speaker 3: Yeah, and she was so great. But the look on 375 00:18:03,520 --> 00:18:05,159 Speaker 3: her face when they look at each other. 376 00:18:05,240 --> 00:18:07,040 Speaker 2: Yeah, yeah, fantastic. 377 00:18:07,520 --> 00:18:09,440 Speaker 1: She sees the reflection in the toaster, and then she 378 00:18:09,520 --> 00:18:13,080 Speaker 1: gives Larry that look, and then everybody goes to bed, 379 00:18:13,520 --> 00:18:17,320 Speaker 1: and Larry's lying in bed in our house because kicked. 380 00:18:18,760 --> 00:18:21,000 Speaker 2: Yes, that's right, that's right. I insist that he stays. 381 00:18:21,640 --> 00:18:21,960 Speaker 3: I have a. 382 00:18:22,000 --> 00:18:27,560 Speaker 1: Completely different relationship. But it's fine, you know, and we 383 00:18:27,680 --> 00:18:30,480 Speaker 1: have plenty of food, we have plenty of space. Stay stay, stay, 384 00:18:31,000 --> 00:18:33,119 Speaker 1: And then you come and tell him he's got to 385 00:18:33,240 --> 00:18:35,000 Speaker 1: leave because he copped a feel from you, mom. 386 00:18:35,240 --> 00:18:37,600 Speaker 3: That's the first thing I say. The second thing I say, 387 00:18:38,160 --> 00:18:41,119 Speaker 3: and this is the first time I ever remembering this happened. 388 00:18:41,560 --> 00:18:44,840 Speaker 3: Larry loses his ship and the crew lost their ship. 389 00:18:44,960 --> 00:18:46,879 Speaker 3: Back then, they didn't know like I should keep my 390 00:18:46,960 --> 00:18:50,879 Speaker 3: mouth shut. Everyone burst out laughing when I said. The 391 00:18:51,000 --> 00:18:53,360 Speaker 3: second thing I said, is you gotta go. You touch 392 00:18:53,440 --> 00:18:56,639 Speaker 3: my mom's bosom. Yeah, and for whatever reason, that's what 393 00:18:57,840 --> 00:19:01,320 Speaker 3: fine funny, I know, But everybody broke and Larry had 394 00:19:01,359 --> 00:19:04,680 Speaker 3: trouble getting back into it from bosom. 395 00:19:04,760 --> 00:19:07,639 Speaker 1: You know, And then of course the whole interaction. He 396 00:19:07,680 --> 00:19:08,680 Speaker 1: didn't want to make her feel bad. 397 00:19:09,800 --> 00:19:11,600 Speaker 3: Plussed by that story, I tell you. 398 00:19:13,400 --> 00:19:14,720 Speaker 2: To break out into laft no. 399 00:19:14,920 --> 00:19:17,560 Speaker 3: But you really had really very little response to that. 400 00:19:17,920 --> 00:19:22,280 Speaker 3: Here I am injecting something that's not a non sequitary. 401 00:19:23,359 --> 00:19:24,359 Speaker 3: I don't feel it all. 402 00:19:24,400 --> 00:19:27,320 Speaker 1: I keep going, this is our relationship, and you know, 403 00:19:27,880 --> 00:19:30,320 Speaker 1: you have the whole interaction. You know, he's I don't 404 00:19:30,359 --> 00:19:32,639 Speaker 1: go around filling up old ladies, and you were like 405 00:19:32,800 --> 00:19:35,000 Speaker 1: you were understanding because of course he didn't want to 406 00:19:35,040 --> 00:19:37,920 Speaker 1: just pull away as though it was you know, bad bosom. 407 00:19:38,080 --> 00:19:38,240 Speaker 2: You know. 408 00:19:38,760 --> 00:19:41,160 Speaker 3: And by the way, this is also the very first 409 00:19:41,200 --> 00:19:43,879 Speaker 3: time and actually it happened in the pilot a few times, 410 00:19:44,040 --> 00:19:45,760 Speaker 3: but this is the first time in the season where 411 00:19:46,480 --> 00:19:47,720 Speaker 3: we're screaming at each other. 412 00:19:47,880 --> 00:19:50,640 Speaker 2: Yeah, but you're on the same page basically, Yes, you're 413 00:19:50,680 --> 00:19:51,159 Speaker 2: not adding a. 414 00:19:51,200 --> 00:19:54,639 Speaker 3: Fun No, he's not mad at me. He's frustrated with 415 00:19:54,680 --> 00:19:57,960 Speaker 3: the situation, as am I. But Larry is actually like 416 00:19:58,320 --> 00:20:00,639 Speaker 3: really yelling and he hadn't done that. 417 00:20:01,119 --> 00:20:03,240 Speaker 2: Is that's true. I didn't notice that. Yeah, that was 418 00:20:03,280 --> 00:20:06,359 Speaker 2: the first time he's yelling. He yelled. He's yelled plenty 419 00:20:06,440 --> 00:20:08,480 Speaker 2: since then, and used tell him to go to sleep 420 00:20:09,000 --> 00:20:10,040 Speaker 2: dreaming about sucking your mother. 421 00:20:10,440 --> 00:20:13,120 Speaker 1: Yeah, and he's got to get up early at seven 422 00:20:13,160 --> 00:20:16,160 Speaker 1: o'clock and leave before she sees him. So he's digging 423 00:20:16,200 --> 00:20:19,680 Speaker 1: a hole. So now your family hates him. Cheryl's family 424 00:20:19,800 --> 00:20:21,960 Speaker 1: hates him, and then he gets up in the middle 425 00:20:22,000 --> 00:20:22,520 Speaker 1: of the night. 426 00:20:22,480 --> 00:20:26,399 Speaker 3: To go to But also my good feeling is he 427 00:20:26,480 --> 00:20:30,080 Speaker 3: hasn't even been to sleep yet, like it's just been restless. 428 00:20:29,640 --> 00:20:30,800 Speaker 2: And could be could be. 429 00:20:31,000 --> 00:20:33,920 Speaker 1: Yeah, and your mother's coming out of the bathroom and 430 00:20:34,000 --> 00:20:36,800 Speaker 1: there's a confrontation. You think I enjoyed that kind of thing, 431 00:20:36,960 --> 00:20:40,359 Speaker 1: She says to him, Remember, yeah, yeah, And Louis, Louis 432 00:20:40,359 --> 00:20:43,520 Speaker 1: comes running out, how dare you? And you know, we 433 00:20:43,720 --> 00:20:46,520 Speaker 1: come running out and you kick him out and you 434 00:20:46,680 --> 00:20:50,320 Speaker 1: apologize and I'm shushing Sam, He's going to wake up 435 00:20:50,320 --> 00:20:53,000 Speaker 1: who was still a boy at that point. And you 436 00:20:53,400 --> 00:20:56,160 Speaker 1: escort Larry out, and he says, even when I was dating, 437 00:20:56,160 --> 00:20:58,160 Speaker 1: I would wait four months before a breast move. 438 00:20:58,520 --> 00:21:01,359 Speaker 3: Okay, So before that, I want to point out something 439 00:21:01,440 --> 00:21:03,439 Speaker 3: that I noticed and I watched it a few times. 440 00:21:04,160 --> 00:21:07,639 Speaker 3: So as Larry's going out, I'm going out, and the 441 00:21:07,800 --> 00:21:10,440 Speaker 3: family is moving down the hallway to go back to 442 00:21:10,520 --> 00:21:11,080 Speaker 3: their rooms. 443 00:21:11,680 --> 00:21:13,280 Speaker 2: Louis goes the other way. 444 00:21:13,400 --> 00:21:17,639 Speaker 3: No, no, no, no, Louie says to Mina in the 445 00:21:17,760 --> 00:21:23,040 Speaker 3: middle of this stand up straight, which is like what what? 446 00:21:23,800 --> 00:21:26,639 Speaker 3: And I went back, Did I see that? Yes, Louis 447 00:21:26,760 --> 00:21:30,439 Speaker 3: came up with, Yeah, stand up straight. He tells her, 448 00:21:30,560 --> 00:21:31,800 Speaker 3: Oh god, he was funny. 449 00:21:32,119 --> 00:21:34,840 Speaker 1: Oh he was funny though anything out of his mouth 450 00:21:35,000 --> 00:21:38,240 Speaker 1: was so funny. So then you ask him for the 451 00:21:38,320 --> 00:21:41,560 Speaker 1: glasses back. You say, I'll take care of the prescription. 452 00:21:42,000 --> 00:21:44,359 Speaker 1: You're standing on the steps of our first house and 453 00:21:44,480 --> 00:21:46,320 Speaker 1: you say I'll take care of the prescription. He said, 454 00:21:46,359 --> 00:21:49,240 Speaker 1: she's not getting the glasses now, and he leaves and 455 00:21:49,359 --> 00:21:50,200 Speaker 1: he has nowhere to go. 456 00:21:51,040 --> 00:21:51,800 Speaker 2: So where does he go. 457 00:21:51,960 --> 00:21:54,520 Speaker 1: He goes to the Roosevelt Hotel, where he already has 458 00:21:54,560 --> 00:21:57,280 Speaker 1: a room book that he gave to Becky and Craig, 459 00:21:57,720 --> 00:22:00,639 Speaker 1: and there are no rooms whatsoever, and he has a 460 00:22:00,680 --> 00:22:03,320 Speaker 1: whole thing with the desk clerk and he says to her, 461 00:22:03,640 --> 00:22:06,160 Speaker 1: Frank Sinatra Junior walks in here, and you're not gonna. 462 00:22:05,920 --> 00:22:07,119 Speaker 2: Get all the people by that. 463 00:22:07,400 --> 00:22:10,440 Speaker 1: Correct me, up, it's not Frank Sinatra. You say, Frank 464 00:22:10,480 --> 00:22:12,440 Speaker 1: Sinatra walks in here, You're not gonna be room. Okay, 465 00:22:12,480 --> 00:22:14,280 Speaker 1: that makes sense, but Junior. 466 00:22:14,280 --> 00:22:17,840 Speaker 3: Yeah, but you know, also the premise of I want 467 00:22:17,880 --> 00:22:20,040 Speaker 3: you to kick them out of the room because I'm 468 00:22:20,119 --> 00:22:21,640 Speaker 3: paying for it and set. 469 00:22:21,520 --> 00:22:24,119 Speaker 2: It up for me is such a you know, he 470 00:22:24,240 --> 00:22:25,960 Speaker 2: tries to bribe her with the sunglasses. 471 00:22:26,119 --> 00:22:29,520 Speaker 3: Oh but there's a key moment here that is so beautiful, 472 00:22:29,920 --> 00:22:35,160 Speaker 3: and that is he says, and she says, yeah, yeah, 473 00:22:35,240 --> 00:22:38,320 Speaker 3: of course, and then he can't bring him telling you 474 00:22:38,840 --> 00:22:42,480 Speaker 3: telling people who you are in order to get something 475 00:22:43,080 --> 00:22:44,720 Speaker 3: is such a difficult thing to do. 476 00:22:44,920 --> 00:22:47,920 Speaker 2: Some people have no problem with it, no problem, but 477 00:22:48,200 --> 00:22:49,560 Speaker 2: I have a problem. 478 00:22:49,640 --> 00:22:52,160 Speaker 3: I totally have a problem with it. But Larry gets 479 00:22:52,280 --> 00:22:56,680 Speaker 3: the point where he's going to say I created that show, 480 00:22:57,359 --> 00:22:57,920 Speaker 3: but he can't. 481 00:22:57,960 --> 00:23:01,440 Speaker 2: He can't just checking he can't. He can't do that. 482 00:23:01,760 --> 00:23:03,320 Speaker 1: And as a matter of fact, that was in an 483 00:23:03,400 --> 00:23:07,440 Speaker 1: earlier scene I think episode one, when Cheryl goes over 484 00:23:07,520 --> 00:23:11,200 Speaker 1: to the matre d and says he created Seinfeld and 485 00:23:11,240 --> 00:23:13,040 Speaker 1: he's just horrified. 486 00:23:12,560 --> 00:23:14,080 Speaker 3: That she did. Think I was the one who went 487 00:23:14,080 --> 00:23:14,680 Speaker 3: to the matro d. 488 00:23:15,280 --> 00:23:18,080 Speaker 2: Cheryl did first, and then you went after her. Yeah. 489 00:23:18,480 --> 00:23:21,480 Speaker 1: So Frank Sinatra Junior, the Pope, he wants Craig's room 490 00:23:22,280 --> 00:23:24,360 Speaker 1: and he tries to bribe her with the sunglass ever 491 00:23:24,400 --> 00:23:27,040 Speaker 1: watched on Hill And then he runs into Craig with 492 00:23:27,160 --> 00:23:30,399 Speaker 1: a woman, a fluzy Craig with a fluzy and he 493 00:23:30,520 --> 00:23:33,240 Speaker 1: confronts him, thanks for riding me out with Becky because 494 00:23:33,240 --> 00:23:34,080 Speaker 1: he's in hot water. 495 00:23:34,240 --> 00:23:36,159 Speaker 2: And then the security guy they started with. 496 00:23:36,280 --> 00:23:39,320 Speaker 3: Security guy comes though. I love how Craig rolls up 497 00:23:39,359 --> 00:23:41,240 Speaker 3: his sleeve like he's going to get into a fight 498 00:23:41,320 --> 00:23:44,320 Speaker 3: with Larry, and Larry says, what are we gonna fight now? 499 00:23:44,520 --> 00:23:46,560 Speaker 3: You know? And it's really funny the. 500 00:23:46,560 --> 00:23:50,719 Speaker 1: Way Security confronts Larry and says that you're guest. Well 501 00:23:50,760 --> 00:23:53,600 Speaker 1: he's not, and Craig has a room key. Yeah, so 502 00:23:54,119 --> 00:23:56,760 Speaker 1: Security says to Craig, go up to your room, and 503 00:23:56,960 --> 00:23:58,280 Speaker 1: Larry is kicked out. 504 00:23:58,640 --> 00:24:01,000 Speaker 2: The indignity, oh the indeed. 505 00:24:01,560 --> 00:24:04,520 Speaker 1: Yeah, he paid for the fucking room, He paid for 506 00:24:04,640 --> 00:24:08,800 Speaker 1: the obituary, he paid for the sunglasses. The guy can't 507 00:24:08,840 --> 00:24:11,720 Speaker 1: catch a break. No, that's the episode. He goes home, 508 00:24:12,000 --> 00:24:15,400 Speaker 1: he parks in front of the house and he sleeps 509 00:24:15,440 --> 00:24:18,120 Speaker 1: in the car. The sun comes up, takes the sunglasses out, 510 00:24:18,280 --> 00:24:18,800 Speaker 1: puts them in. 511 00:24:18,880 --> 00:24:19,560 Speaker 3: Its beautiful. 512 00:24:19,800 --> 00:24:22,280 Speaker 2: It is the perfect half hour. 513 00:24:22,440 --> 00:24:25,880 Speaker 3: It goes Yeah, that's the first great show we ever die. 514 00:24:25,960 --> 00:24:29,760 Speaker 3: I think so an episode. Other episodes had moments of greatness. 515 00:24:29,600 --> 00:24:32,399 Speaker 1: But this episode, I really, I think we agree is 516 00:24:32,480 --> 00:24:37,280 Speaker 1: a classic and it really solidified what Curve was going 517 00:24:37,359 --> 00:24:39,439 Speaker 1: to become in the future. 518 00:24:41,040 --> 00:24:43,200 Speaker 2: And it was a brilliant bant episode. 519 00:24:43,480 --> 00:24:46,040 Speaker 3: When we were filming it, I was like, this is different. 520 00:24:46,320 --> 00:24:49,199 Speaker 1: I didn't because until, as I said in the beginning, 521 00:24:49,320 --> 00:24:51,720 Speaker 1: I read the outline. It's the first outline I read, 522 00:24:52,200 --> 00:24:54,840 Speaker 1: and even though I wasn't allowed, that was normal. 523 00:24:55,680 --> 00:24:59,000 Speaker 3: The only people that really read the outline prior to 524 00:24:59,119 --> 00:25:03,399 Speaker 3: us shooting was Larry myself and whoever the director was, 525 00:25:03,960 --> 00:25:06,280 Speaker 3: and probably the line producer to know what to do. 526 00:25:07,080 --> 00:25:08,159 Speaker 3: It wasn't given out, and. 527 00:25:08,160 --> 00:25:09,919 Speaker 2: It wasn't given out. It was a big secret. 528 00:25:10,200 --> 00:25:12,600 Speaker 3: Now a lot of people are able to read this. 529 00:25:12,760 --> 00:25:14,200 Speaker 2: That's only in the past couple of seasons. 530 00:25:14,359 --> 00:25:14,520 Speaker 3: Yeah. 531 00:25:14,600 --> 00:25:17,280 Speaker 1: No, I mean up until maybe last season, nobody read 532 00:25:17,320 --> 00:25:18,600 Speaker 1: the outline and we did. 533 00:25:18,720 --> 00:25:21,240 Speaker 3: But you know, I once did a movie that way, 534 00:25:21,880 --> 00:25:25,280 Speaker 3: and anyone who wasn't like a real improviser was very 535 00:25:25,680 --> 00:25:28,040 Speaker 3: unhappy about I mean, they were happy, we had a 536 00:25:28,080 --> 00:25:29,920 Speaker 3: good time, but they were they were like, I can't. 537 00:25:30,240 --> 00:25:32,639 Speaker 1: I think this was episode eight, and I think that 538 00:25:32,800 --> 00:25:37,359 Speaker 1: we see up until this point how almost everybody who's 539 00:25:37,440 --> 00:25:41,720 Speaker 1: hired has improv background, yes, or stand up background, which 540 00:25:41,800 --> 00:25:46,560 Speaker 1: is similar. Yeah, it's different, but it carries over lotion. 541 00:25:47,200 --> 00:25:49,920 Speaker 1: Lotion's over, So that's the beloved aunt one of my 542 00:25:50,040 --> 00:25:51,320 Speaker 1: favorites of all times. 543 00:25:51,480 --> 00:25:55,080 Speaker 2: It's in a top ten classic. It's a classic. Yeah, 544 00:25:55,240 --> 00:25:56,760 Speaker 2: and we'll be back next week. 545 00:25:57,000 --> 00:26:00,480 Speaker 3: We will, or or later this week or this week, 546 00:26:01,080 --> 00:26:02,760 Speaker 3: and we don't know what it's going to be, but 547 00:26:02,880 --> 00:26:04,880 Speaker 3: we'll talk to you soon. Bye bye. 548 00:26:07,320 --> 00:26:09,680 Speaker 2: The History of carb Your Enthusiasm is a production of 549 00:26:09,800 --> 00:26:10,600 Speaker 2: iHeart Radio. 550 00:26:10,760 --> 00:26:14,800 Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio app, 551 00:26:14,920 --> 00:26:17,840 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.