1 00:00:00,440 --> 00:00:05,000 Speaker 1: Hello the Internet, and welcome to this episode of Don't Trend, 2 00:00:05,200 --> 00:00:10,280 Speaker 1: So don't trend so close to me. That's courtesy of 3 00:00:10,400 --> 00:00:17,599 Speaker 1: Lisa P Lisa, Hello, thank you. Uh, I'm Jack. That's mild. 4 00:00:18,120 --> 00:00:21,160 Speaker 1: How's it going? Oh, it goes, it goes, it goes, goes. 5 00:00:22,200 --> 00:00:24,400 Speaker 1: What do you want to talk about? First? There are 6 00:00:24,440 --> 00:00:28,880 Speaker 1: four things trending right now that are worth talking about. Uh. Yeah. 7 00:00:29,000 --> 00:00:32,360 Speaker 1: The first one is a little grim um. Brooklyn Bridge 8 00:00:32,400 --> 00:00:35,320 Speaker 1: was trending because a man climbed the Brooklyn Bridge um 9 00:00:35,600 --> 00:00:39,000 Speaker 1: and was threatening to harm himself. Uh. And it was 10 00:00:39,040 --> 00:00:42,080 Speaker 1: a huge like I mean, there was helicopters everywhere the 11 00:00:42,120 --> 00:00:47,199 Speaker 1: news coverage. I think it's just for new I think 12 00:00:47,240 --> 00:00:49,879 Speaker 1: it's obvious right now that the country and most of 13 00:00:49,880 --> 00:00:52,720 Speaker 1: the world right now is a tremendous amount of chaos 14 00:00:52,840 --> 00:00:57,160 Speaker 1: and financial hardship. This just seemed to be a moment that, 15 00:00:57,240 --> 00:01:00,160 Speaker 1: you know, I'm not sure what the reason was for 16 00:01:00,200 --> 00:01:02,560 Speaker 1: this guy climbing the bridge, but it just seemed like 17 00:01:02,560 --> 00:01:05,520 Speaker 1: a moment that was kind of odd to like have 18 00:01:05,680 --> 00:01:09,119 Speaker 1: every news helicopter kind of showing, like as if they 19 00:01:09,120 --> 00:01:11,959 Speaker 1: wanted to broadcast whatever this man was gonna do, like 20 00:01:12,080 --> 00:01:15,760 Speaker 1: live across TV. But I think it really underlines the 21 00:01:15,800 --> 00:01:19,520 Speaker 1: fact that, especially right now, with people so isolated and 22 00:01:19,600 --> 00:01:22,920 Speaker 1: unable to have certain routines, especially for people like where 23 00:01:23,000 --> 00:01:26,880 Speaker 1: a routine is you know, massively important for your mental health. 24 00:01:27,240 --> 00:01:29,520 Speaker 1: The show is like, just how much that the other 25 00:01:29,600 --> 00:01:31,720 Speaker 1: kinds of support we still need to be offering people 26 00:01:31,800 --> 00:01:34,440 Speaker 1: during this quarantine rather than just sort of like focusing 27 00:01:34,480 --> 00:01:36,959 Speaker 1: on the economy and things like that. There are people 28 00:01:37,000 --> 00:01:39,720 Speaker 1: who also are you know, we we also need to 29 00:01:39,760 --> 00:01:45,399 Speaker 1: look after from a mental health standpoint. Yeah, little little 30 00:01:45,720 --> 00:01:49,920 Speaker 1: little uh grim to see that trending, but you know, 31 00:01:50,000 --> 00:01:53,000 Speaker 1: that's that is the situation. I think we'd have to 32 00:01:53,040 --> 00:01:54,760 Speaker 1: be in a bit of denial to not think that 33 00:01:54,800 --> 00:01:57,760 Speaker 1: there's a lot of pain right now. And hopefully those 34 00:01:57,800 --> 00:02:00,160 Speaker 1: who need any kind of assistance can get that. But 35 00:02:00,240 --> 00:02:02,160 Speaker 1: and hey, if you have anyone that you feel like 36 00:02:02,160 --> 00:02:03,920 Speaker 1: you haven't heard from in a second, please reach out 37 00:02:03,920 --> 00:02:06,920 Speaker 1: and check on everybody. It's just you know, you'll you'll 38 00:02:06,920 --> 00:02:10,680 Speaker 1: feel better and everybody always appreciates a checking, especially right 39 00:02:10,680 --> 00:02:14,320 Speaker 1: now on less Grim. But somewhat related, I just I 40 00:02:14,360 --> 00:02:18,960 Speaker 1: feel like the bridges going into Manhattan or like the 41 00:02:18,960 --> 00:02:23,280 Speaker 1: coolest looking thing in any like part of America just 42 00:02:23,320 --> 00:02:25,920 Speaker 1: like all like how massive they are and just like 43 00:02:25,960 --> 00:02:30,120 Speaker 1: the weird like ways that scale messes with your like 44 00:02:30,639 --> 00:02:35,400 Speaker 1: visual field. It's really Yeah. It's one thing when you 45 00:02:35,400 --> 00:02:38,280 Speaker 1: always see like those bridges or any bridge, the Golden 46 00:02:38,280 --> 00:02:41,560 Speaker 1: Gate Bridge on a postcard screensaver wall, and then you 47 00:02:41,560 --> 00:02:44,720 Speaker 1: can get there and you're like, uh, this cable is 48 00:02:44,840 --> 00:02:47,880 Speaker 1: like about as thick as like like an NFL football 49 00:02:47,880 --> 00:02:50,960 Speaker 1: teams hot. Yeah, And there's just like entire towns, like 50 00:02:51,280 --> 00:02:54,640 Speaker 1: the entire Yeah, basically like sections of the city that 51 00:02:54,639 --> 00:02:58,440 Speaker 1: would be as big as like big cities in America 52 00:02:58,520 --> 00:03:01,519 Speaker 1: that are just like all take place in the shadow 53 00:03:01,800 --> 00:03:04,880 Speaker 1: of like one of the bridges. Like they're just like massive, 54 00:03:05,240 --> 00:03:08,000 Speaker 1: very cool. I feel like a sci fi movie, but 55 00:03:08,080 --> 00:03:12,560 Speaker 1: they were built in the nineteen early nineteen hundreds. Uh, 56 00:03:12,639 --> 00:03:16,480 Speaker 1: Megan Fox is Filipino. That's something that's trending and it's 57 00:03:16,520 --> 00:03:20,760 Speaker 1: not true. Yeah, no, not true. Well, also Filipino people, 58 00:03:20,880 --> 00:03:25,280 Speaker 1: especially in like the Filipinos I know in California, Filipinos. 59 00:03:25,360 --> 00:03:30,840 Speaker 1: No immediately if any celebrity is even remotely or partially Filipino. 60 00:03:30,919 --> 00:03:33,400 Speaker 1: It's like I think any group, any ethnic group who 61 00:03:33,400 --> 00:03:36,480 Speaker 1: has like celebrities, like we all know who we can 62 00:03:36,480 --> 00:03:39,640 Speaker 1: claim as our own celebrities. So this is kind of 63 00:03:39,680 --> 00:03:41,600 Speaker 1: a joke because there was like a fashion show where 64 00:03:41,600 --> 00:03:44,760 Speaker 1: I think someone had a Megan Fox mask on in 65 00:03:44,800 --> 00:03:47,560 Speaker 1: a fashion show in the Philippines and people were making 66 00:03:47,720 --> 00:03:50,600 Speaker 1: you know, that's when Filipino Twitter started making fun of. 67 00:03:50,640 --> 00:03:53,840 Speaker 1: It's being like, yes, Megan Fox is Filipino with a 68 00:03:53,880 --> 00:03:57,240 Speaker 1: bunch of just you know, tropes from Filipino culture about 69 00:03:57,360 --> 00:04:03,000 Speaker 1: you know, like how just given her Flipino cretit? Yeah, well, 70 00:04:03,040 --> 00:04:06,080 Speaker 1: shout out to Twitter then, and I thought one of 71 00:04:06,120 --> 00:04:09,880 Speaker 1: the great uh tweets I saw in this hashtag with 72 00:04:10,000 --> 00:04:13,400 Speaker 1: someone said I won't believe hashtag Megan foxes Filipino until 73 00:04:13,440 --> 00:04:18,039 Speaker 1: Scarlett Johanson places bio pick. That never gets old. It 74 00:04:18,080 --> 00:04:22,000 Speaker 1: never gets old because never gets old because Scarlett Johansson 75 00:04:22,160 --> 00:04:24,800 Speaker 1: still won't admit that she was wrong about that. She's 76 00:04:24,800 --> 00:04:27,360 Speaker 1: still just like yeah know what what are you talking about? 77 00:04:28,640 --> 00:04:31,040 Speaker 1: And we will continue to hand you these al Oh. 78 00:04:31,080 --> 00:04:33,600 Speaker 1: By the way, Megan Fox uh and Machine Gun Kelly 79 00:04:33,640 --> 00:04:36,000 Speaker 1: they're like in a new music video together and in 80 00:04:36,040 --> 00:04:40,200 Speaker 1: a movie together. So maybe that's why they were hanging out, 81 00:04:40,560 --> 00:04:46,280 Speaker 1: or maybe that's why they together is because they are 82 00:04:47,160 --> 00:04:50,480 Speaker 1: all the Mr and Mrs Smith. The old Mr and 83 00:04:50,600 --> 00:04:55,520 Speaker 1: Mrs Smith effect, as physicists call it, Jerry Sloan is 84 00:04:55,600 --> 00:04:58,880 Speaker 1: trending R I P to a real one. The coach 85 00:04:59,120 --> 00:05:03,440 Speaker 1: of the Utah Jazz for a long time. Uh had 86 00:05:03,480 --> 00:05:06,240 Speaker 1: some good lines in the last Dance where he was like, 87 00:05:06,720 --> 00:05:12,000 Speaker 1: wait is that the real final score? Holy shit? When 88 00:05:12,000 --> 00:05:14,880 Speaker 1: they lost. He seems like he was a good guy, right, 89 00:05:14,920 --> 00:05:16,680 Speaker 1: I feel like he was seemed like a really stand 90 00:05:16,760 --> 00:05:22,039 Speaker 1: up I don't know, I don't know anybody who was 91 00:05:22,120 --> 00:05:24,599 Speaker 1: like in his coaching tree, so I don't really know 92 00:05:25,520 --> 00:05:28,120 Speaker 1: him that well, but like he just seemed like he 93 00:05:28,200 --> 00:05:30,760 Speaker 1: was like a real life for like all he cared 94 00:05:30,760 --> 00:05:35,479 Speaker 1: about was basketball and yeah, real like badass dude. I 95 00:05:35,480 --> 00:05:38,440 Speaker 1: mean I grew up hating Jerry Sloan as a Laker 96 00:05:38,520 --> 00:05:42,760 Speaker 1: fan because, especially like pre Kobe Shock, when we would 97 00:05:42,800 --> 00:05:46,480 Speaker 1: get to the postseason, inevitably our play our postseason ended 98 00:05:46,520 --> 00:05:48,800 Speaker 1: in Utah because they were just a better team and 99 00:05:48,839 --> 00:05:50,359 Speaker 1: we don't have a we don't have an answer for 100 00:05:50,400 --> 00:05:52,680 Speaker 1: that pick and roll until you know Phil Jackson, I 101 00:05:52,720 --> 00:05:56,880 Speaker 1: mean even Jack Kobe. Yeah. But then but then the 102 00:05:56,920 --> 00:05:58,800 Speaker 1: balance of power came back, and then we would put 103 00:05:58,800 --> 00:06:01,200 Speaker 1: the smash on the Jazz rightfully, as we should. But 104 00:06:01,240 --> 00:06:03,280 Speaker 1: there was something about Jerry Sloan. Even though I this 105 00:06:03,440 --> 00:06:06,000 Speaker 1: the disdain I had for the Jazz as an organization, 106 00:06:06,000 --> 00:06:08,360 Speaker 1: there was something about Jerry Sloan. I couldn't quite like 107 00:06:08,520 --> 00:06:11,800 Speaker 1: hate about him because he just seemed like respectable And 108 00:06:11,839 --> 00:06:14,680 Speaker 1: I was like, damn, like, you're not really antagonizing me 109 00:06:14,720 --> 00:06:16,560 Speaker 1: as a coach or anything. He's just putting out a 110 00:06:16,600 --> 00:06:19,520 Speaker 1: better team. For some reason. Every time I look at him, 111 00:06:19,680 --> 00:06:22,880 Speaker 1: I hear the Law and Order Denton, Like he looks 112 00:06:22,920 --> 00:06:25,320 Speaker 1: like he should be one of the prosecutors or something 113 00:06:25,800 --> 00:06:28,239 Speaker 1: in Law and order. Yeah, but yeah, man, he built 114 00:06:28,320 --> 00:06:32,839 Speaker 1: he built a really strong team. I know. My my 115 00:06:32,960 --> 00:06:34,560 Speaker 1: dad used to say he was one of the best 116 00:06:34,560 --> 00:06:36,960 Speaker 1: coaches in the league, Like one of the hardest guys 117 00:06:37,000 --> 00:06:41,479 Speaker 1: to prepare against. Uh so right, because those teams he 118 00:06:41,520 --> 00:06:44,160 Speaker 1: did it with two Like I'm like, we've got Jeff Horness, 119 00:06:44,360 --> 00:06:47,920 Speaker 1: John Stockton and Karl Malone just beating the breaks right now. 120 00:06:47,960 --> 00:06:50,800 Speaker 1: And that's what's frustrating too, because between Stockton and Hornets, 121 00:06:51,000 --> 00:06:56,200 Speaker 1: they look like a count and it's just like they're good. 122 00:06:57,839 --> 00:07:02,800 Speaker 1: Uh Tenant is true? Ending not George t n e 123 00:07:03,120 --> 00:07:07,520 Speaker 1: t We still do not know what that means, but 124 00:07:07,640 --> 00:07:12,400 Speaker 1: it is the name of an upcoming Christopher Nolan movie. Uh, 125 00:07:12,440 --> 00:07:15,920 Speaker 1: it is a movie. It looks like it's really like 126 00:07:16,040 --> 00:07:21,080 Speaker 1: in the tradition of inception, it's like his next inception 127 00:07:21,160 --> 00:07:25,200 Speaker 1: because it's it's messing with the time space continuum like 128 00:07:25,280 --> 00:07:29,200 Speaker 1: it's it seems like the main kind of tropes instead 129 00:07:29,200 --> 00:07:33,440 Speaker 1: of dreams. They're able to manipulate the time stream, like 130 00:07:33,720 --> 00:07:37,880 Speaker 1: time moves forward and backward, and uh, there's just all 131 00:07:37,920 --> 00:07:42,480 Speaker 1: sorts of dope visual effects. Stars John David Washington. It 132 00:07:42,640 --> 00:07:49,320 Speaker 1: stars Robert Pattinson It looks so good, and Sean Bean 133 00:07:49,440 --> 00:07:53,560 Speaker 1: Bean mich Okay, it's got it. Everybody in there, I mean, 134 00:07:53,560 --> 00:07:56,240 Speaker 1: no Kenneth Brownna. Sorry, I've confused it too because they 135 00:07:56,240 --> 00:08:00,320 Speaker 1: both have impossibly thin they do. I mean, hey, like 136 00:08:00,440 --> 00:08:04,000 Speaker 1: the same person basically, but Kenneth Bruna, Yeah, they're very 137 00:08:04,160 --> 00:08:07,600 Speaker 1: very similar. I mean the you know. I I love 138 00:08:07,680 --> 00:08:11,600 Speaker 1: a lot of Christopher Nolan's films, mostly to do because 139 00:08:11,640 --> 00:08:14,240 Speaker 1: of his like philosophy of doing everything as much in 140 00:08:14,360 --> 00:08:17,520 Speaker 1: camera as possible, because I think you know that that's 141 00:08:17,560 --> 00:08:20,360 Speaker 1: really I think that's the magic sauce. A lot of 142 00:08:20,400 --> 00:08:23,920 Speaker 1: his films, Inception I keep rewatching, and I look, I 143 00:08:23,960 --> 00:08:26,040 Speaker 1: can live with the plot holes, because like it's tough 144 00:08:26,040 --> 00:08:28,440 Speaker 1: trying to keep track of all these you know, the 145 00:08:28,480 --> 00:08:31,400 Speaker 1: way time works and time dilation and dreams. This one, 146 00:08:31,480 --> 00:08:34,760 Speaker 1: I can only imagine how like hard it will be 147 00:08:34,840 --> 00:08:37,000 Speaker 1: to keep track of all these threads because we're like 148 00:08:37,120 --> 00:08:40,400 Speaker 1: messing with how time works as like part of the plot. 149 00:08:40,720 --> 00:08:44,880 Speaker 1: But it looks really really interesting. I'm so happy to 150 00:08:44,960 --> 00:08:48,440 Speaker 1: be followed by a Christopher Nolan plot hole. Like Christopher 151 00:08:48,440 --> 00:08:51,760 Speaker 1: Nolan is a master of the plot hole, and he 152 00:08:51,880 --> 00:08:56,720 Speaker 1: uses them to his advantage. He knows he he knows 153 00:08:56,800 --> 00:09:01,079 Speaker 1: that like movie logic is not the same as regular logic, 154 00:09:01,240 --> 00:09:04,720 Speaker 1: and so he will do things like send Batman through 155 00:09:04,720 --> 00:09:08,880 Speaker 1: a tunnel and like when he goes into the tunnel, 156 00:09:08,880 --> 00:09:12,160 Speaker 1: it's daytime. When he comes out of the tunnel, it's nighttime, 157 00:09:12,559 --> 00:09:17,480 Speaker 1: and like your brain doesn't notice it because it's just like, oh, yeah, 158 00:09:17,600 --> 00:09:22,560 Speaker 1: it doesn't really matter. It's nice for some reason, like 159 00:09:23,120 --> 00:09:27,040 Speaker 1: he's yeah, he's got like a grasp of movie magic 160 00:09:27,160 --> 00:09:30,840 Speaker 1: that I feel like other directors don't. And that's why 161 00:09:31,080 --> 00:09:34,839 Speaker 1: I yeah, that's why he's so good. Inception full of 162 00:09:34,880 --> 00:09:37,160 Speaker 1: plath holes. If you think about it, but don't think 163 00:09:37,160 --> 00:09:39,959 Speaker 1: about it. Just watch it. Don't just watch me, Like, whoa, 164 00:09:40,360 --> 00:09:44,120 Speaker 1: what if you could go into someone else's dream? The 165 00:09:44,200 --> 00:09:47,920 Speaker 1: thing that was I think with the title it being 166 00:09:47,960 --> 00:09:51,080 Speaker 1: a palindrome probably matters because they're talking about time going 167 00:09:51,120 --> 00:09:54,600 Speaker 1: forwards and backwards, so tenant reads the same. Uh that's 168 00:09:54,640 --> 00:09:57,599 Speaker 1: my one theory there, but I'm trying to like it. 169 00:09:57,800 --> 00:10:03,959 Speaker 1: Go hang us salamiama lasagna U oh boy, my longest palindrome. 170 00:10:05,280 --> 00:10:10,640 Speaker 1: Wait a salami hog. I just know a man a 171 00:10:10,760 --> 00:10:16,720 Speaker 1: plan a canal Panama. Uh. Anyway, hey, look with Palin palindrome. 172 00:10:16,760 --> 00:10:24,640 Speaker 1: But the other thing with I love Christopher Nolan's like 173 00:10:24,720 --> 00:10:27,199 Speaker 1: trailers like you reminder. This trailer reminds me exactly of 174 00:10:27,240 --> 00:10:30,000 Speaker 1: the Inception trailer where you have it play out and 175 00:10:30,000 --> 00:10:31,720 Speaker 1: then you have a tag at the end where a 176 00:10:31,760 --> 00:10:34,959 Speaker 1: British accent guy has to give you, like the fucking 177 00:10:35,360 --> 00:10:38,480 Speaker 1: the button on the fucking trailer where Tom Hardy wasn't 178 00:10:38,520 --> 00:10:40,600 Speaker 1: the Inception was like You've got to dream a bit 179 00:10:40,600 --> 00:10:42,320 Speaker 1: bigger or whatever the funk he said he had, like 180 00:10:42,440 --> 00:10:44,480 Speaker 1: I'm seventy nine grenade launch or some sh it. And 181 00:10:44,520 --> 00:10:47,840 Speaker 1: then this one is like Robert Pattinson, his thing of 182 00:10:47,960 --> 00:10:51,840 Speaker 1: just being his little big plane crash. Yeah, you know 183 00:10:51,920 --> 00:10:54,720 Speaker 1: that's the that's the Nolan touched. That part is a 184 00:10:54,760 --> 00:11:01,400 Speaker 1: little dramatic. Apparently Pattinson's character mannerism are based on Christopher Hitchens. 185 00:11:03,040 --> 00:11:08,440 Speaker 1: Yeah great, Um, yeah, there's they They debuted this trailer 186 00:11:08,920 --> 00:11:14,680 Speaker 1: in Fortnite, which was apparently a big deal that was there. Yeah, 187 00:11:14,679 --> 00:11:17,520 Speaker 1: of course on my switch? Does Fortnite play on switch? 188 00:11:17,720 --> 00:11:20,199 Speaker 1: You played Fortnite on switch? Oh? Baby, you know it? 189 00:11:20,679 --> 00:11:24,600 Speaker 1: You can? That was a rhetorical question, can you you're 190 00:11:24,720 --> 00:11:27,480 Speaker 1: testing me with that one? They debuted it there a 191 00:11:27,559 --> 00:11:30,319 Speaker 1: lot of people saw out there, and now it's on 192 00:11:30,600 --> 00:11:35,000 Speaker 1: the internet. This looks dope. I'm excited. You're still a 193 00:11:35,080 --> 00:11:38,199 Speaker 1: touch the way you just we followed the trailer right 194 00:11:38,200 --> 00:11:41,640 Speaker 1: back to the Genesis Fortnite boom, and then it was 195 00:11:41,679 --> 00:11:45,480 Speaker 1: on the internet and then et in it. That's that's 196 00:11:45,520 --> 00:11:51,240 Speaker 1: Fortnite backwards. That's not really alright, guys. Well that's gonna 197 00:11:51,240 --> 00:11:53,720 Speaker 1: do it for this Friday. It's been a long week. 198 00:11:53,880 --> 00:11:58,280 Speaker 1: My brain stopped working about halfway through. So I appreciate it. 199 00:11:58,360 --> 00:12:03,040 Speaker 1: We yea sticking with me on this journey, Miles. I 200 00:12:03,120 --> 00:12:06,640 Speaker 1: appreciate you. I hope you have a good long weekend. 201 00:12:06,880 --> 00:12:11,320 Speaker 1: We are going to take Monday off and whatever that. 202 00:12:12,160 --> 00:12:15,280 Speaker 1: We'll be back on Tuesday with more podcasts when we'll 203 00:12:15,400 --> 00:12:18,200 Speaker 1: talk to you guys. Then bye bye,