WEBVTT - #238 - RJmrLA

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<v Speaker 1>Boutleg Cap podcast special guest, one of my favorites, been

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<v Speaker 1>waiting on his album for a very long time, about

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<v Speaker 1>three and a half years twenty nineteen ish. Bet that

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<v Speaker 1>bet that RJ's here, mister La welcome man. How you

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<v Speaker 1>how you feeling now that you got this body of

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<v Speaker 1>work finally into the world. I know you've been working

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<v Speaker 1>on it for a long time. With it, I do,

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<v Speaker 1>I think you know what's crazy? I feel like that

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<v Speaker 1>you're the most consistent outside of Kendrick because we got

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<v Speaker 1>to give it up to KTA, But I feel like

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<v Speaker 1>consistency when I know you drop. I just know that

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<v Speaker 1>there's a certain level of quality that comes with RJ.

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<v Speaker 1>You think he's with I think Kendrick's fucking with everybody.

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<v Speaker 1>So that's you know, just to be I mean, I'm

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<v Speaker 1>doing me a lot of you. I'm honesty. I just think,

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<v Speaker 1>like when I think of like the City, I'm like, yo,

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<v Speaker 1>I just know I'm getting quality of music from RJ,

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<v Speaker 1>every fucking go, timeless music. And I think you're the

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<v Speaker 1>best performer. Uh, I think you're top five performer in

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<v Speaker 1>hip hop to be honest, hip hop. Yeah, when I

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<v Speaker 1>see you performed, bro, I saw you at the Real

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<v Speaker 1>Street Fest which is like twenty nineteen as well, when

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<v Speaker 1>we had our Real ninety two three festival you performed

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<v Speaker 1>at and I was just like in owe, bro, Yeah,

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<v Speaker 1>could you be fucking you be popping and locking and shitah,

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<v Speaker 1>you got every movement that it reminded me of like

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<v Speaker 1>early Tech nine, Like when I used to see Tech

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<v Speaker 1>nine when I was a kid. Shout out to Tech

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<v Speaker 1>nine is another one of the greats. Tech would have

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<v Speaker 1>like a movement for every fucking like bar and I

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<v Speaker 1>feel like you're kind of similar you are you high

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<v Speaker 1>right now? No, it's really the beats that that tell

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<v Speaker 1>the story. Yeah, the other song of the movements, you know,

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<v Speaker 1>the beats be so you know, like like you know

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<v Speaker 1>it like yeah, you know what I'm saying. My beats

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<v Speaker 1>really hit. How especially on stage, I was gonna say,

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<v Speaker 1>how like you inspired your like performance game or did

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<v Speaker 1>you just figure that shit out on your own? I'm

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<v Speaker 1>a students another game? Yeamn. When I was coming know,

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<v Speaker 1>we used to watch a lot of a lot of

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<v Speaker 1>artists perform. Yeah, one artists in particular was his Buster Rons.

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<v Speaker 1>Of course, he made an announcement, you know, I said,

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<v Speaker 1>artists need to start performing. Yep, and I took heat

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<v Speaker 1>and I started studying performers, and uh, I just developed

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<v Speaker 1>my own style. That's smart. And Bust is one of

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<v Speaker 1>those ones. Man him and Spliff Star. You've seen him

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<v Speaker 1>live in person for fucking fire. Yeah yeah, yeah, Busters

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<v Speaker 1>will go for sure. They just they just did. Uh

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<v Speaker 1>wheveryday at l A was a Hollywood ball with nas

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<v Speaker 1>was nas Buster Wu Tang clan. Yeah, shout out the bus,

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<v Speaker 1>shout out kids though, because he spoke on him. He's

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<v Speaker 1>a great performance too, amazing. Yeah did you go to

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<v Speaker 1>the uh the the tour? I mean he had like

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<v Speaker 1>seven days in LA. It was good. It was dope.

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<v Speaker 1>Kendrick is also one of those guys that can captivate

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<v Speaker 1>a crowd without, you know, I think some people mistake

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<v Speaker 1>screaming and jumping into a mosh pit and crowdsurfing and

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<v Speaker 1>like just doing wild shit on stage with like good

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<v Speaker 1>performing and like sure sometimes that goes over well, but

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<v Speaker 1>I think like your breath control, how you sound, like

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<v Speaker 1>how captivating you are without doing all the crazy antics

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<v Speaker 1>on stage, to me is like very more. It's more

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<v Speaker 1>important because like anybody can like throw shit and CrowdSurf

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<v Speaker 1>and yeah, I'll be looking at that like that's cool. Yeah,

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<v Speaker 1>it's like cool. It's like cool if you can't perform

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<v Speaker 1>and you're like wrapping over your fucking track, all right,

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<v Speaker 1>it's cool. Yeah, you're wrapping over your two track, but

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<v Speaker 1>you fucking jumped off of a speaker and you know,

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<v Speaker 1>sprang your ankle, So everyone's like, Yo, you're a god bro,

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<v Speaker 1>you know what I'm saying. Yeah, Yo, the album is dope, though,

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<v Speaker 1>Man than you, I really I love the Tie record.

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<v Speaker 1>OT record is just super flagrantly fucking disrespectful without love.

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<v Speaker 1>It was like a classic You got just a classic

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<v Speaker 1>OT moment. Ye shout out my brother man OT shot out.

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<v Speaker 1>What did he rhyme Vagina with on the song China,

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<v Speaker 1>China and Vagina. Listen any song in which they rhyme

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<v Speaker 1>China with vagina? It's amazing. Pelo has a song too short.

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<v Speaker 1>He was talking about how to make a girl make

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<v Speaker 1>money off of her pe hole, and I was like,

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<v Speaker 1>I love that China Vagina. Love it? Yeah, you guys,

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<v Speaker 1>it sucks. So it's crazy because like I feel like

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<v Speaker 1>somehow throughout the pandemic, I know the club scene is

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<v Speaker 1>popping in l A again, But I feel like we

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<v Speaker 1>kind of lost Like I kind of missed Playhouse. Does

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<v Speaker 1>that make sense? We gotta understand a lot of the

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<v Speaker 1>money left with the that pandemic. I just feel like,

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<v Speaker 1>so it's not a lot of but I'm still like poppy.

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<v Speaker 1>There's I feel like, you know, there's still spots like

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<v Speaker 1>the LA function is though, like obviously Penthouse, but I

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<v Speaker 1>just like I missed Playhouse. I feel like Playhouse was

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<v Speaker 1>like the spot where like you could go and like

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<v Speaker 1>you could really have a temperature on what LA sounds

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<v Speaker 1>like at the time. Well, like you know, one of

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<v Speaker 1>the people who's in charge of a playoffs is that Dragonfly. Now,

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<v Speaker 1>so I haven't missed it. I still got shit going on.

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<v Speaker 1>It's just relocated. Yeah. So I'm the type of person

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<v Speaker 1>since the pandemic, I've just decided I'm not going outside

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<v Speaker 1>unless I'm getting paid or unless it's some ship where

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<v Speaker 1>I'm like it's the homie, I gotta go support. I'll

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<v Speaker 1>be fucking tired, broke. I'm with the kids. I'm telling

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<v Speaker 1>you know what I'm saying. How many songs like did

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<v Speaker 1>you pull from for this project? Like, I know you've

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<v Speaker 1>been recording for three years now, you know so was there, like,

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<v Speaker 1>how many songs didn't make the album? Steven? Was there?

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<v Speaker 1>I got a lot of songs, a lot, Yeah, it was,

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<v Speaker 1>it was there. Okay, four songs from the entire like

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<v Speaker 1>three years, it's what I have, you know, that stayed

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<v Speaker 1>on the album. And then the rest we was in

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<v Speaker 1>this record plant for ten days. I think we recorded

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<v Speaker 1>like probably like seventy five of the project. Yeah, like

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<v Speaker 1>thirty songs or something like that. Shit. So there's four

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<v Speaker 1>records on here that are older in terms of just

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<v Speaker 1>the timeline of when you started recording in since the

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<v Speaker 1>last album. Yeah, everything else you knocked out in that

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<v Speaker 1>ten day period. Correct. Wow. Do you feel like you

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<v Speaker 1>ever become a victim of demo ititis? Where? Yeah, Because

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<v Speaker 1>like artists will have songs where everybody will hear them,

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<v Speaker 1>they're like, Yo, that's a fucking hit. But you listen

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<v Speaker 1>to your own ship and your cruise, listening to your

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<v Speaker 1>own shit so much that you it gets played out

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<v Speaker 1>to you. Well, not good songs are good songs, but

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<v Speaker 1>more so when the songs are being mastered, we get

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<v Speaker 1>demo artists and we could just be like, nah, it

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<v Speaker 1>needs to sound like the demo true, or if like

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<v Speaker 1>you the engineer, Like the engineer would be like, you know,

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<v Speaker 1>cleaning it up, making it clean. But we like the

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<v Speaker 1>rough We like the raw material. It happens a lot,

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<v Speaker 1>you know what I'm saying. We like how it sound rough,

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<v Speaker 1>but we just clean it up. Even if I give

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<v Speaker 1>away to much sauce. No, that's a lot of that's

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<v Speaker 1>real sauce right there. I mean, I have an artist

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<v Speaker 1>and we're just going through this album and there was

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<v Speaker 1>like some shit got moved around like and I was like, yeah, nah,

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<v Speaker 1>that's that's not how I know it to be, you

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<v Speaker 1>know what I mean. Especially I think that should be

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<v Speaker 1>happening too, when like there's like a demo hook cut

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<v Speaker 1>on someone's record and you have the demo version for

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<v Speaker 1>so long, but so long, and then then the big

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<v Speaker 1>artist gets on it and you're like, man, I don't know, yeah,

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<v Speaker 1>well the big artists that got on these records, well

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<v Speaker 1>all right. The Funny Ship we had a record that

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<v Speaker 1>we did. We had two records that we did with

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<v Speaker 1>tar in the same day, and we just picked. We

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<v Speaker 1>picked the one that we went with the special Delivery.

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<v Speaker 1>That shit was like that shit was though both of

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<v Speaker 1>them is fire. So what happens to the other one. Man,

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<v Speaker 1>It's just this goes in the vault. You guys are like, uh,

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<v Speaker 1>you know what I'm saying. I'd be like, yo, I

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<v Speaker 1>want both. Yeah, if he wanted, he could have it,

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<v Speaker 1>though I'm not stingy put it under the deluxe when

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<v Speaker 1>it comes to tar Are you gonna do it lux?

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<v Speaker 1>I don't know. Yeah, it's kind of like mundane to me. Yeah,

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<v Speaker 1>everybody doing the Deluxes and shit like that. I'd rather

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<v Speaker 1>just do a whole other project. I love that. Just

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<v Speaker 1>don't make us wait three years. Nah, I'm back in

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<v Speaker 1>the in the bag now. I'm back in that emotion.

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<v Speaker 1>So pretty much want to put out a lot of content.

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<v Speaker 1>I don't want to oversaturate it, but I want to

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<v Speaker 1>put out a lot of great content because you know,

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<v Speaker 1>tomorrow's my promise. So facts, how many music videos do

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<v Speaker 1>you have in the can right now? Mm hm? We

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<v Speaker 1>pretty much go with the flow videos. You kind of

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<v Speaker 1>just let the fans tell you which which joins to shoot.

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<v Speaker 1>I respect that. That's smart. Obviously, you've had a great

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<v Speaker 1>relationship with Thug over time. Shout out to Young Doug

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<v Speaker 1>free Man, Free slim Man, Free Free Dope, Free, Slan,

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<v Speaker 1>Freak Gunner, Freedom, gods Man, Free, I Sail for Real,

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<v Speaker 1>for real. He was on the last album, right, Yeah,

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<v Speaker 1>you guys shout the video and everything. He's somebody who

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<v Speaker 1>I feel like super tapped in with your movement. I

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<v Speaker 1>always hear just about how great of a guy he is, Like,

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<v Speaker 1>he's very generous. How did you guys initially link up?

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<v Speaker 1>We I'll perform. He was like, who's at He already

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<v Speaker 1>knew who I was. He told me, he told me

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<v Speaker 1>he already knewho I was. Also, you opened up on

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<v Speaker 1>tour for him. Correct, it was you him and m

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<v Speaker 1>g K. Correct. That was before I met him. Just

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<v Speaker 1>after I met him, know right right right For people

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<v Speaker 1>who don't know your guys' full history. Yeah, I met

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<v Speaker 1>him at Le Jardon. He was at La Jardan. They

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<v Speaker 1>told me to pull up. I pulled up. I performed, Man,

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<v Speaker 1>you know what I'm saying. I blew everybody away, per usual,

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<v Speaker 1>and we you know, shook hands, turned up after that,

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<v Speaker 1>and then it was cool after that, and then I

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<v Speaker 1>met him again, got reacquainted with Jomoses. I was, you know,

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<v Speaker 1>sliding around with Jomoses, Jomoses the Future et cetera. And

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<v Speaker 1>you know that's the team Birder and all them that,

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<v Speaker 1>you know what I mean with the Slanes boom. And

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<v Speaker 1>then as soon as I went to the studio, he

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<v Speaker 1>just like you trying to record and then that's history

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<v Speaker 1>and we just went from there and then put me

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<v Speaker 1>on the tour. I went crazy. Was the every conversation

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<v Speaker 1>that have you maybe come over to white self. Nah.

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<v Speaker 1>He just always try to push my career forward, and

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<v Speaker 1>that advised me to do, you know, make proper steps

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<v Speaker 1>and proper moves and shit. Things that work for him,

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<v Speaker 1>things that don't work, you know, and just you know,

0:11:07.800 --> 0:11:11.040
<v Speaker 1>blessed niggas with gang, I respect that a lot of

0:11:11.040 --> 0:11:13.560
<v Speaker 1>our almost will only do that if they have the

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<v Speaker 1>motive of trying to get you under their label at

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<v Speaker 1>the end of the day, you know what I'm saying,

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<v Speaker 1>the fact he does he did that like from a

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<v Speaker 1>selfless point of view. So so I'll pick up on

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<v Speaker 1>that too. Like I tell the people I'm with you

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<v Speaker 1>an gotta sign to me. Yeah, I would love you

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<v Speaker 1>to sign with me if you're great, if you're a

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<v Speaker 1>great talent, but they don't have to sign with me.

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<v Speaker 1>It's just really a whoile being under an umbrella and

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<v Speaker 1>you know, fucking with the squad and on that we

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<v Speaker 1>family and we got your you know what I'm saying,

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<v Speaker 1>got your back. Fully, Hey, what up, y'all? Boolet keV

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<v Speaker 1>got to stop the interview to tell you about our

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<v Speaker 1>newest sponsor. Man shout out to the homies at hard Dean,

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<v Speaker 1>Las Vegas. That's right then, number one dispensary in the

0:11:50.440 --> 0:11:54.199
<v Speaker 1>whole state of Nevada, let alone in the whole fucking country.

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<v Speaker 1>So many choices of premium cannabis, ladies and gentlemen. It

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<v Speaker 1>You go to Hardan in Las Vegas when you're on vacation,

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<v Speaker 1>when you're out there tricking off whatever you're doing, stop

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<v Speaker 1>off at Hardan. Tell them I sent you. Be like yo,

0:12:11.920 --> 0:12:14.320
<v Speaker 1>bootleg keV sent me. They're gonna take care of you

0:12:14.360 --> 0:12:17.600
<v Speaker 1>at Hardean. When I say selection, I mean selection of

0:12:17.640 --> 0:12:22.960
<v Speaker 1>the best premium cannabis in the world, the best dispensary.

0:12:23.040 --> 0:12:26.959
<v Speaker 1>There's a reason why Harden is world famous. Follow them

0:12:27.040 --> 0:12:30.800
<v Speaker 1>right now, Hardan Underscore Las Vegas. Go to their website

0:12:30.880 --> 0:12:36.800
<v Speaker 1>Hardenlasvegas dot com. That's Ja R d N underscore Las Vegas.

0:12:36.920 --> 0:12:39.920
<v Speaker 1>When you're in Vegas, you have to pull up to Hardan,

0:12:40.280 --> 0:12:42.920
<v Speaker 1>tell them I sent you, and get high off your

0:12:42.960 --> 0:12:45.320
<v Speaker 1>fucking face. I don't even know what that means. How

0:12:45.320 --> 0:12:47.440
<v Speaker 1>do you get high off of your face? Whatever? Melt

0:12:47.440 --> 0:12:49.600
<v Speaker 1>your fucking face off with some of that good Hard Dean.

0:12:49.679 --> 0:12:51.959
<v Speaker 1>Y'all go follow them one more time. That's Hardyan Underscore

0:12:52.000 --> 0:12:54.640
<v Speaker 1>Las Vegas. Let's get back to the interview. How was

0:12:54.679 --> 0:12:59.040
<v Speaker 1>it touring with MGK, who's another amazing performer. He dope too,

0:12:59.160 --> 0:13:01.360
<v Speaker 1>He's dope. That had to be. That's a fucking crazy

0:13:01.360 --> 0:13:03.440
<v Speaker 1>tour if we just think about the historical context of

0:13:03.440 --> 0:13:06.520
<v Speaker 1>an r J MGK Young Thug tour. So was that

0:13:06.600 --> 0:13:10.760
<v Speaker 1>twenty nineteen? So yeah, what I'm saying, Yeah, that was real, dope.

0:13:10.840 --> 0:13:14.880
<v Speaker 1>It was fun. You know, we got into a lot. Yeah,

0:13:15.200 --> 0:13:17.720
<v Speaker 1>you know, he's a wild boy. I mean, I know

0:13:17.760 --> 0:13:19.280
<v Speaker 1>he has a song called Another that wa ain't gettingto

0:13:19.360 --> 0:13:22.640
<v Speaker 1>nothing too bad, ship like that. Like it's just typical

0:13:22.720 --> 0:13:25.560
<v Speaker 1>tour ship, right, getting sucked up, going to different city,

0:13:25.640 --> 0:13:28.320
<v Speaker 1>going to different stage, you know, being on the road

0:13:28.360 --> 0:13:32.240
<v Speaker 1>and you know, and you know ship missing home things

0:13:32.280 --> 0:13:34.520
<v Speaker 1>like that. It's regular, you know, just turning up shit

0:13:34.720 --> 0:13:38.520
<v Speaker 1>just given our full energy, you know what I'm saying,

0:13:38.520 --> 0:13:40.880
<v Speaker 1>given one hundred and thirty two percent every city in

0:13:40.920 --> 0:13:43.360
<v Speaker 1>every state. So that's pretty much what it'd be like.

0:13:45.200 --> 0:13:49.760
<v Speaker 1>Talk to me about who is on the label? Oh amo,

0:13:49.760 --> 0:13:52.840
<v Speaker 1>who's under the ameo and bro see they off top.

0:13:53.040 --> 0:13:59.160
<v Speaker 1>He's been here before, so uh precrder three card stuff recorder?

0:14:00.200 --> 0:14:05.800
<v Speaker 1>That your lady or my mother of my children baby mama? Okay, yeah, okay,

0:14:06.640 --> 0:14:11.240
<v Speaker 1>mother of my children. You're you're a mother of your children? Yes, yes, okay,

0:14:11.360 --> 0:14:16.520
<v Speaker 1>so she's she's on there. She was on the Jeezy

0:14:16.559 --> 0:14:23.640
<v Speaker 1>record too, right, correct, Mike Wayne Coppy Poppy Uh splack.

0:14:24.360 --> 0:14:28.520
<v Speaker 1>We got another artist named Melody Melody Baby. Uh. He's

0:14:28.520 --> 0:14:32.360
<v Speaker 1>an Egyptian and he just type got a dope as voice,

0:14:34.480 --> 0:14:40.600
<v Speaker 1>got producers. That's just under the umbrella, you know. Harry

0:14:40.680 --> 0:14:47.200
<v Speaker 1>j m hm uh uh, my boy man, we got

0:14:47.240 --> 0:14:55.080
<v Speaker 1>him eighty nine with us, my boy Freddie Ruger and

0:14:55.280 --> 0:14:58.560
<v Speaker 1>we just you know, we're just flooding. Is there anything

0:14:58.560 --> 0:15:01.960
<v Speaker 1>you learned because you had obviously league being under the

0:15:01.960 --> 0:15:03.720
<v Speaker 1>ten suming I want to shout out GFO to g

0:15:03.880 --> 0:15:07.760
<v Speaker 1>FO young Cat to shruy g for yeah, fuck you

0:15:07.800 --> 0:15:09.640
<v Speaker 1>know what I'm saying, that's just family. I'm just speaking

0:15:09.640 --> 0:15:12.000
<v Speaker 1>on people that just a lot of times I speak

0:15:12.040 --> 0:15:14.640
<v Speaker 1>on just family and knowing that I you know, I

0:15:14.680 --> 0:15:17.280
<v Speaker 1>want to, you know, share my platform. Why not you

0:15:17.280 --> 0:15:19.880
<v Speaker 1>feel me what you should do? Yeah, I'm not that

0:15:19.920 --> 0:15:21.840
<v Speaker 1>type of person where you just like, if you ain't

0:15:21.880 --> 0:15:23.480
<v Speaker 1>signing to me, I'm not fucking with you, no right

0:15:23.920 --> 0:15:26.320
<v Speaker 1>type shit. I was gonna say, what did you learn

0:15:26.480 --> 0:15:31.080
<v Speaker 1>from the ten summer situation that you're applying to AMEO?

0:15:32.160 --> 0:15:36.200
<v Speaker 1>Because Mustard obviously is a fucking boss. You know what

0:15:36.240 --> 0:15:39.160
<v Speaker 1>I'm saying. You guys put out some timeless music together.

0:15:39.480 --> 0:15:42.960
<v Speaker 1>So was there anything you learned from that experience that

0:15:43.000 --> 0:15:46.240
<v Speaker 1>you're applying to your own imprint? Now? Yeah, for sure,

0:15:47.080 --> 0:15:49.440
<v Speaker 1>I learned a lot from myself. I learned, you know,

0:15:50.560 --> 0:15:53.600
<v Speaker 1>first hand, on how to deal with you know, situations,

0:15:54.160 --> 0:15:57.920
<v Speaker 1>and you feel me even being involved with you know

0:15:57.960 --> 0:16:00.760
<v Speaker 1>what I'm saying, who you involved with? It's just like

0:16:00.960 --> 0:16:03.280
<v Speaker 1>you know always you know what I mean, do your

0:16:03.320 --> 0:16:05.280
<v Speaker 1>you know what I mean, keep your best foot forward.

0:16:05.760 --> 0:16:07.400
<v Speaker 1>You know what I'm saying. I wouldn't be in the

0:16:07.400 --> 0:16:12.080
<v Speaker 1>game if it wasn't for usf me, he took a

0:16:13.320 --> 0:16:16.720
<v Speaker 1>he single handedly took me under his wing and you know,

0:16:17.000 --> 0:16:19.840
<v Speaker 1>shine shine a lot of light on you know what

0:16:19.880 --> 0:16:22.760
<v Speaker 1>I'm saying, and learned like the business too. You feel

0:16:22.760 --> 0:16:26.040
<v Speaker 1>me being on your being on your boss standing on business.

0:16:26.560 --> 0:16:28.920
<v Speaker 1>You know what I'm saying. Shit like that. It's real, dope.

0:16:29.480 --> 0:16:32.760
<v Speaker 1>Oh a lot to him and every chance I give

0:16:32.880 --> 0:16:35.200
<v Speaker 1>you know, I speak to you. But you know what

0:16:35.240 --> 0:16:39.640
<v Speaker 1>I'm saying. That's why, you know, being independent, it's like

0:16:40.320 --> 0:16:43.000
<v Speaker 1>it's kind of like easy for me. Not easy because

0:16:43.000 --> 0:16:44.640
<v Speaker 1>it's a lot of weight on our shoulders and shit

0:16:44.760 --> 0:16:48.720
<v Speaker 1>like that. But you know, being independent, you know, we

0:16:48.880 --> 0:16:55.120
<v Speaker 1>try to like, you know, tackle certain certain mainstream tactics.

0:16:55.320 --> 0:16:58.640
<v Speaker 1>You know what I'm saying, right, take certain mainstream tactics

0:16:58.640 --> 0:17:00.720
<v Speaker 1>and you know, go with the floor. You know, shit

0:17:00.840 --> 0:17:03.520
<v Speaker 1>like that, you know, because you know, being independent, like

0:17:03.840 --> 0:17:10.040
<v Speaker 1>you gotta do more of the work on the business work. Yeah,

0:17:10.119 --> 0:17:12.320
<v Speaker 1>you know what I'm saying. It's a lot more work,

0:17:12.359 --> 0:17:15.840
<v Speaker 1>it's a lot more tedious, but it's a lot more rewarding.

0:17:16.160 --> 0:17:18.760
<v Speaker 1>The payoff is worth it, yeah for sure. Because this

0:17:18.840 --> 0:17:26.320
<v Speaker 1>is your second album since I guess leaving the Innerscope ship, right, yes, yeah,

0:17:26.480 --> 0:17:32.879
<v Speaker 1>Actually my first album was my first album period on

0:17:33.000 --> 0:17:36.280
<v Speaker 1>God was my first album period. I was when I

0:17:36.359 --> 0:17:40.439
<v Speaker 1>was signed. I was only signed for uh two mixtapes,

0:17:40.680 --> 0:17:44.280
<v Speaker 1>which was to those two projects, which was Mister La

0:17:44.480 --> 0:17:48.960
<v Speaker 1>and the Ghetto. Everything else was ameo. Those were independent

0:17:49.119 --> 0:17:52.680
<v Speaker 1>early those are yeah, those are independent release records. Yeah,

0:17:52.880 --> 0:17:56.919
<v Speaker 1>you feel me, so those ameo records is what you know.

0:17:57.000 --> 0:18:01.240
<v Speaker 1>We have titles too, that's amazing, which keeps us afloat

0:18:01.280 --> 0:18:05.000
<v Speaker 1>and keeps us going. I mean, you got some fucking classics, man, yea,

0:18:05.280 --> 0:18:08.560
<v Speaker 1>some real classics. More well, a little bit above a float,

0:18:08.760 --> 0:18:12.879
<v Speaker 1>but yes, that's fair. Uh. You know what I appreciate

0:18:13.040 --> 0:18:15.720
<v Speaker 1>about you is like one of the early things that

0:18:15.760 --> 0:18:18.280
<v Speaker 1>had happened in La when I first moved out here

0:18:18.400 --> 0:18:22.919
<v Speaker 1>was you and Grido did the first versus Correct, definitely,

0:18:22.960 --> 0:18:26.919
<v Speaker 1>the first versus It was at the Novo Correct and

0:18:27.000 --> 0:18:30.720
<v Speaker 1>the Observers. I guess you guys did do too. The

0:18:30.760 --> 0:18:32.680
<v Speaker 1>first one was at the Novo though, right, the first

0:18:32.720 --> 0:18:35.440
<v Speaker 1>one was Observe. Oh see, the first one. They thought

0:18:35.520 --> 0:18:39.000
<v Speaker 1>everybody was gonna die. Yeah. I mean I remember talking

0:18:39.040 --> 0:18:41.080
<v Speaker 1>to Head and He's like, I'm not gonna be there,

0:18:41.160 --> 0:18:43.000
<v Speaker 1>and I was like we should go, Like you know

0:18:43.000 --> 0:18:45.320
<v Speaker 1>what I'm gonna listen to anything LA related. I just

0:18:45.359 --> 0:18:47.120
<v Speaker 1>listened to head on. I'm like, you know what, you're right,

0:18:47.160 --> 0:18:50.800
<v Speaker 1>head And it was a success. But it was so

0:18:50.880 --> 0:18:53.080
<v Speaker 1>dope because I remember y'all going back and forth online

0:18:53.560 --> 0:18:56.680
<v Speaker 1>and then you guys had this fucking incredible event where

0:18:56.720 --> 0:19:00.520
<v Speaker 1>everybody was on stage and it just felt like, wow,

0:19:00.640 --> 0:19:03.720
<v Speaker 1>this is like, this is like history. Low key for sure,

0:19:03.840 --> 0:19:08.080
<v Speaker 1>it was basically like you know, it was what Gucci

0:19:08.119 --> 0:19:12.120
<v Speaker 1>and Jeezy did, but we did it because our ship

0:19:12.320 --> 0:19:15.119
<v Speaker 1>was more like in the in the in the in

0:19:15.200 --> 0:19:17.040
<v Speaker 1>the moment. It was in the moment. That's what made

0:19:17.040 --> 0:19:19.679
<v Speaker 1>it different for sure. And the fact that there was

0:19:19.800 --> 0:19:25.800
<v Speaker 1>no incidents is amazing. Yeah, for sure. Did you guys

0:19:25.840 --> 0:19:28.320
<v Speaker 1>talk like before it went down, like, was there like

0:19:28.359 --> 0:19:30.600
<v Speaker 1>a low meet up backstage? We will keep it respectful,

0:19:30.640 --> 0:19:32.399
<v Speaker 1>we will make sure. No, we didn't know what was

0:19:32.400 --> 0:19:35.359
<v Speaker 1>gonna happen. What the fuck I was gonna whoop it ad?

0:19:35.480 --> 0:19:38.399
<v Speaker 1>It was just organized chaos. But then we just like

0:19:38.440 --> 0:19:40.040
<v Speaker 1>you know, kept it cool and I just playing. We

0:19:40.359 --> 0:19:43.040
<v Speaker 1>talked about it, Yeah, we talked about it on the

0:19:43.040 --> 0:19:45.800
<v Speaker 1>phone because it got out of hand. It got out

0:19:45.800 --> 0:19:48.840
<v Speaker 1>of hand on the like on the internet, the internet,

0:19:49.119 --> 0:19:52.439
<v Speaker 1>you know, always blows things over portion, and you know,

0:19:52.440 --> 0:19:54.960
<v Speaker 1>when you don't have communication, you know, it up the nation.

0:19:55.520 --> 0:19:59.880
<v Speaker 1>So you know, we talked about we uh shout out,

0:20:00.320 --> 0:20:02.760
<v Speaker 1>Well no oh nos is also an artist. My fault,

0:20:02.760 --> 0:20:05.640
<v Speaker 1>excuse my fault, my fault. Little enough that he's also

0:20:05.680 --> 0:20:10.000
<v Speaker 1>an artist for Ameo. But you know he's always been around,

0:20:10.000 --> 0:20:15.800
<v Speaker 1>you know know, but him and Mafia Horn they got involved,

0:20:16.160 --> 0:20:20.880
<v Speaker 1>and you know they Mafia Horn talked to Grito Knows

0:20:20.920 --> 0:20:22.680
<v Speaker 1>to talk to me, and we got on the phone.

0:20:22.680 --> 0:20:24.119
<v Speaker 1>And when we got on the phone, it was like,

0:20:24.359 --> 0:20:26.800
<v Speaker 1>you know, it was it was like that, you know

0:20:26.840 --> 0:20:30.960
<v Speaker 1>what I'm saying. Initially, yeah, but you know, they talk

0:20:31.080 --> 0:20:34.000
<v Speaker 1>to us, talk some sense into us. And then you

0:20:34.000 --> 0:20:36.240
<v Speaker 1>know what I'm saying, we carry out the show and

0:20:36.400 --> 0:20:39.640
<v Speaker 1>kept it going because it's really bigger than us. Yeah,

0:20:39.720 --> 0:20:42.200
<v Speaker 1>And sometimes, you know, being in the moment, you don't

0:20:42.280 --> 0:20:45.640
<v Speaker 1>understand that. Sometimes, being in the beef, you don't understand

0:20:45.680 --> 0:20:49.880
<v Speaker 1>that it's bigger than you. You got the focus right now,

0:20:49.920 --> 0:20:52.080
<v Speaker 1>people on you. Right now. They're perpetuating this beef, they

0:20:52.160 --> 0:20:55.639
<v Speaker 1>perpetuating it and making it blow up. But it's bigger

0:20:55.640 --> 0:20:59.280
<v Speaker 1>than you. You know, it's more about a whole you

0:20:59.359 --> 0:21:03.359
<v Speaker 1>feel me in what both of y'all represent, and it

0:21:03.400 --> 0:21:07.280
<v Speaker 1>could be detrimental. So like, sometimes you gotta rise above

0:21:07.320 --> 0:21:10.320
<v Speaker 1>yourself and rise above the situation and really like see

0:21:10.320 --> 0:21:13.200
<v Speaker 1>yourself above it and see the whole game and look

0:21:13.240 --> 0:21:16.480
<v Speaker 1>at yourself from a bird's off view, and you know,

0:21:16.960 --> 0:21:20.280
<v Speaker 1>then moved up, move accordingly. You know what I'm saying.

0:21:20.320 --> 0:21:24.240
<v Speaker 1>So that's what we did. We just seen ourselves birds

0:21:24.240 --> 0:21:27.200
<v Speaker 1>off view and moved accordingly. And we made money off

0:21:27.240 --> 0:21:30.760
<v Speaker 1>that shit. That was like my first fifty thousand dollars show. Wow,

0:21:31.040 --> 0:21:34.119
<v Speaker 1>no cap, get me fifty bands off the show? I

0:21:34.200 --> 0:21:38.040
<v Speaker 1>did shit. Shout out to you. What's a good fucking

0:21:38.119 --> 0:21:41.879
<v Speaker 1>day the show, that's a great day. What show was

0:21:41.920 --> 0:21:44.600
<v Speaker 1>at the Novo and we had two of them. Jesus

0:21:45.920 --> 0:21:49.040
<v Speaker 1>salute the show. Hey, we gotta stop the interview real

0:21:49.119 --> 0:21:51.600
<v Speaker 1>quick to tell you about our partners at odd Socks

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<v Speaker 1>and the podcast at the same fucking time. Let's get

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<v Speaker 1>back to the interview you mentioned. Stepping outs is so

0:22:55.960 --> 0:22:58.480
<v Speaker 1>hard for people to remove themselves from their own situation

0:22:58.560 --> 0:22:59.960
<v Speaker 1>and try to look at it from like an ouse

0:23:00.240 --> 0:23:03.240
<v Speaker 1>point of view. Yeah. So I got on my side though, too,

0:23:03.320 --> 0:23:06.040
<v Speaker 1>and I got good people around me. Don't want to

0:23:06.040 --> 0:23:10.080
<v Speaker 1>see me win because they know if I win, they win. Yes,

0:23:10.200 --> 0:23:13.120
<v Speaker 1>I feel like it's it's uh, you know, that's part

0:23:13.160 --> 0:23:15.720
<v Speaker 1>of growing up to man like you because you're always

0:23:15.720 --> 0:23:17.800
<v Speaker 1>gonna have like a biased opinion on what's going on

0:23:17.800 --> 0:23:19.920
<v Speaker 1>because you're in it. But if you could just look

0:23:19.960 --> 0:23:22.520
<v Speaker 1>at it from like how it looks at from the outside,

0:23:22.800 --> 0:23:24.520
<v Speaker 1>like you you you know a lot of people make

0:23:24.560 --> 0:23:28.439
<v Speaker 1>short sighted decisions because they don't do that correct. Do

0:23:28.480 --> 0:23:32.160
<v Speaker 1>you feel like nowadays you're kind of like a big

0:23:32.200 --> 0:23:35.159
<v Speaker 1>homie in la, you know what I mean? So do

0:23:35.240 --> 0:23:37.679
<v Speaker 1>you find yourself like giving game the artists that you

0:23:37.760 --> 0:23:40.960
<v Speaker 1>see that you admire, that you might maybe see fucking

0:23:41.040 --> 0:23:42.480
<v Speaker 1>up or moving like a way in which you might

0:23:42.560 --> 0:23:43.720
<v Speaker 1>just be able to like, hey, let me give you

0:23:43.760 --> 0:23:45.760
<v Speaker 1>some game, real quick type shit all the time? Most

0:23:45.760 --> 0:23:50.320
<v Speaker 1>definitely I'll give game a lot. It's just a you know,

0:23:50.840 --> 0:23:54.920
<v Speaker 1>I apply it. What is you gonna use it though? Yeah?

0:23:54.960 --> 0:23:56.240
<v Speaker 1>Like I might tell you about it, but are you

0:23:56.240 --> 0:23:59.840
<v Speaker 1>gonna like listen? Yeah, Like I'm not really into what

0:24:00.000 --> 0:24:03.760
<v Speaker 1>it's in my breath because your energy on my energy,

0:24:03.840 --> 0:24:09.440
<v Speaker 1>you know, So I sort of picked certain times when

0:24:09.560 --> 0:24:12.840
<v Speaker 1>to speak it. Otherwise you're just trying to hear yourself

0:24:12.840 --> 0:24:15.600
<v Speaker 1>speak like an old head trying to hear yourself talk,

0:24:16.200 --> 0:24:19.120
<v Speaker 1>you know. Sometimes being wise, it's not saying nothing at all,

0:24:19.640 --> 0:24:22.800
<v Speaker 1>feel me. So sometimes you just got to pick the win,

0:24:22.800 --> 0:24:24.600
<v Speaker 1>the right time to say, the right time to speak.

0:24:24.880 --> 0:24:27.800
<v Speaker 1>So I just you know, so like you know, I

0:24:27.960 --> 0:24:30.600
<v Speaker 1>pop it a little bit, you know, give my game,

0:24:31.040 --> 0:24:35.320
<v Speaker 1>but you know you gotta know how to give it though,

0:24:35.520 --> 0:24:38.920
<v Speaker 1>you know what I'm saying when and when exactly, you know,

0:24:39.119 --> 0:24:42.520
<v Speaker 1>and being a big homian being like you know these niggas,

0:24:42.560 --> 0:24:45.440
<v Speaker 1>some niggas like my little brothers. I get mad too, right,

0:24:46.240 --> 0:24:48.639
<v Speaker 1>and I lose sometimes I could lose my cool and

0:24:48.960 --> 0:24:51.720
<v Speaker 1>jump out of character too. I'm you know, I'm human too,

0:24:52.040 --> 0:24:56.240
<v Speaker 1>So you know, I fuck up, players fuck up. But

0:24:56.280 --> 0:24:58.600
<v Speaker 1>at the end of the day, like it's about you know,

0:24:58.800 --> 0:25:01.320
<v Speaker 1>recovering and just like you know what, be manning up

0:25:01.359 --> 0:25:03.720
<v Speaker 1>and be like, hey, look man, I fucked up. You

0:25:03.760 --> 0:25:06.600
<v Speaker 1>know this is how I should have can you know

0:25:06.600 --> 0:25:10.280
<v Speaker 1>what I'm saying? So being a big homie like I

0:25:10.320 --> 0:25:11.800
<v Speaker 1>have to, you know, I got to take on those

0:25:11.880 --> 0:25:14.600
<v Speaker 1>certain roles. When I was younger, it's just like fu

0:25:15.520 --> 0:25:18.280
<v Speaker 1>right you feel me, like I don't care like they

0:25:18.359 --> 0:25:21.960
<v Speaker 1>got my bad. But now that I'm older, I realize

0:25:21.960 --> 0:25:26.120
<v Speaker 1>that people and IM just older, just wiser. I realized

0:25:26.119 --> 0:25:29.679
<v Speaker 1>that people have to like like like people have to

0:25:29.760 --> 0:25:34.280
<v Speaker 1>understand you can't just be out here popping ship and

0:25:34.400 --> 0:25:38.639
<v Speaker 1>you just look like an old head. It's not cool.

0:25:38.720 --> 0:25:41.600
<v Speaker 1>Like I know how we use respect you? Yeah, when

0:25:41.600 --> 0:25:44.480
<v Speaker 1>people got to respect you if you, like you said,

0:25:44.480 --> 0:25:46.680
<v Speaker 1>if you don't always speak, when you do speak, it

0:25:46.720 --> 0:25:49.600
<v Speaker 1>carries more weight, true, you know what I mean. And

0:25:49.600 --> 0:25:52.680
<v Speaker 1>they also have to like respect you to listen for sure,

0:25:52.880 --> 0:25:54.800
<v Speaker 1>you know what I mean. You just can't put put

0:25:54.800 --> 0:25:56.960
<v Speaker 1>your arm around some young kid that you just saw

0:25:57.000 --> 0:25:58.639
<v Speaker 1>on Instagram be like hey man, you're sucking up bro,

0:25:58.720 --> 0:26:04.520
<v Speaker 1>and like fuck out here, bro. Yeah yeah, that's real, yo.

0:26:04.680 --> 0:26:07.560
<v Speaker 1>What it's like for you because obviously l A is

0:26:08.119 --> 0:26:10.720
<v Speaker 1>you know, you have Like I said, man, you got classics. Bro.

0:26:11.720 --> 0:26:13.959
<v Speaker 1>When you look at the metrics, what is your biggest

0:26:13.960 --> 0:26:17.199
<v Speaker 1>market outside of the state of California. I don't know.

0:26:17.480 --> 0:26:19.159
<v Speaker 1>I think I need to pay more attention to that.

0:26:19.200 --> 0:26:21.840
<v Speaker 1>You're gonna put that back in on Spotify, man. Yeah?

0:26:22.880 --> 0:26:26.280
<v Speaker 1>What about like when you were on I like last

0:26:26.320 --> 0:26:27.960
<v Speaker 1>time you're on tour, did you notice like a random

0:26:28.000 --> 0:26:30.080
<v Speaker 1>city where were like, oh, ship, they were really fucking

0:26:30.119 --> 0:26:32.960
<v Speaker 1>with me even so and so or whatever. It's hard

0:26:33.040 --> 0:26:37.160
<v Speaker 1>to tell because my energy is everyone's with you want

0:26:37.200 --> 0:26:41.600
<v Speaker 1>something's done. It's like everybody fu My energy is electrophone. Yeah,

0:26:41.760 --> 0:26:44.440
<v Speaker 1>so they fuck with me. It's hard to tell, like

0:26:44.520 --> 0:26:48.080
<v Speaker 1>if they knew the words already and my songs are

0:26:48.640 --> 0:26:51.119
<v Speaker 1>you know, I know how to tell hooks, I know

0:26:51.200 --> 0:26:53.240
<v Speaker 1>how to tell a story. I know how to speak

0:26:53.800 --> 0:26:57.680
<v Speaker 1>to the audience, you know, so I can get them

0:26:57.760 --> 0:27:00.360
<v Speaker 1>to say what's going on? Because you know, I'm saying

0:27:00.600 --> 0:27:04.520
<v Speaker 1>my message is pure. So like it's kind of hard

0:27:05.359 --> 0:27:09.920
<v Speaker 1>as far as when I'm performing and touring. But honestly,

0:27:09.960 --> 0:27:15.040
<v Speaker 1>I do need to pay more attention to who's what market,

0:27:15.119 --> 0:27:16.880
<v Speaker 1>what cities is really fuck with me because I want

0:27:16.880 --> 0:27:19.120
<v Speaker 1>to tackle these cities more. You know. I'm in la

0:27:19.240 --> 0:27:21.760
<v Speaker 1>Head of course, be out here, you know, trying to

0:27:22.760 --> 0:27:25.320
<v Speaker 1>you know, I deal with the same pains that my

0:27:25.440 --> 0:27:28.120
<v Speaker 1>homies deal with. I'm not gone, I'm not too far,

0:27:28.560 --> 0:27:32.479
<v Speaker 1>I'm not far fetch. I'm you know, I'm here. They

0:27:32.600 --> 0:27:34.320
<v Speaker 1>can touch me and shit. So it's kind of like

0:27:34.760 --> 0:27:37.159
<v Speaker 1>I deal with the same depths, the same joy, the

0:27:37.240 --> 0:27:39.200
<v Speaker 1>same accomplishments, you know what I mean, Like when my

0:27:39.280 --> 0:27:41.600
<v Speaker 1>homies is up and they win and I see that

0:27:41.720 --> 0:27:44.200
<v Speaker 1>and I feel that you feel me. So I'm just

0:27:44.359 --> 0:27:48.240
<v Speaker 1>right here, so I feel like mm hmm, sometimes you

0:27:48.280 --> 0:27:52.200
<v Speaker 1>can be trapped. Do you feel like you sometimes you

0:27:52.280 --> 0:27:54.879
<v Speaker 1>can get lost in the sauce of l A and

0:27:55.040 --> 0:27:59.080
<v Speaker 1>not think of like the country, because I feel like

0:27:59.200 --> 0:28:02.560
<v Speaker 1>sometimes I could never be lost in sauce man. Well

0:28:02.640 --> 0:28:04.360
<v Speaker 1>you know I don't mean listen, I'm not talking about

0:28:04.359 --> 0:28:07.480
<v Speaker 1>from a Gucci man perspective. Can't you could never be lost?

0:28:17.080 --> 0:28:19.560
<v Speaker 1>He could, he could have sauce, but he could be

0:28:20.280 --> 0:28:21.960
<v Speaker 1>you know what I'm saying. If you don't got sauce,

0:28:22.000 --> 0:28:25.200
<v Speaker 1>you lost in the sauce. You feel me like, do

0:28:25.280 --> 0:28:27.680
<v Speaker 1>you ever feel like do you ever feel like you

0:28:27.840 --> 0:28:34.560
<v Speaker 1>know what's going on? Like you you could focus too

0:28:34.640 --> 0:28:37.199
<v Speaker 1>much on l A and and let and and at

0:28:37.280 --> 0:28:39.960
<v Speaker 1>times let the bigger picture fall by the wayside, because

0:28:39.960 --> 0:28:42.120
<v Speaker 1>I do feel like sometimes an l A artists we

0:28:42.320 --> 0:28:45.200
<v Speaker 1>see like a ceiling get hit and it's like yo,

0:28:45.680 --> 0:28:49.280
<v Speaker 1>we know you're lit from here to Seattle, Arizona, Vegas

0:28:50.440 --> 0:28:54.920
<v Speaker 1>sometimes Texas. But like I think sometimes like l A

0:28:55.120 --> 0:28:59.400
<v Speaker 1>artists are so like focused on l A that it's

0:28:59.440 --> 0:29:01.360
<v Speaker 1>not I'm not even talking about sonically. I just mean,

0:29:01.440 --> 0:29:02.959
<v Speaker 1>like you said earlier, like damn, I need to pay

0:29:02.960 --> 0:29:05.920
<v Speaker 1>attention more, like you know something that Kaylen did early

0:29:06.000 --> 0:29:08.080
<v Speaker 1>on that I loved. Was like he just went out

0:29:08.120 --> 0:29:10.000
<v Speaker 1>to Atlanta for like six months. You know, Yeah, he

0:29:10.120 --> 0:29:11.760
<v Speaker 1>was out there like he was out there, you know

0:29:11.800 --> 0:29:13.080
<v Speaker 1>what I mean. He tapped in with a lot like

0:29:13.200 --> 0:29:15.800
<v Speaker 1>I saw that from the jump and I was like, oh,

0:29:15.920 --> 0:29:18.040
<v Speaker 1>that's that's something I see a lot of people doing that.

0:29:18.480 --> 0:29:22.040
<v Speaker 1>Blue Bucks do that. Yeah, you know he does, you know,

0:29:22.320 --> 0:29:28.080
<v Speaker 1>definitely does that. Kaylen of course did that. Another person

0:29:28.080 --> 0:29:30.200
<v Speaker 1>who did at Massie did that ship big time. You

0:29:30.280 --> 0:29:32.600
<v Speaker 1>know what I'm saying, he did that, But I don't know, bro,

0:29:33.840 --> 0:29:37.600
<v Speaker 1>you know ship, I'm having fun. That's all that matters.

0:29:37.680 --> 0:29:40.040
<v Speaker 1>Feed your family, feed my family. I'm having fun. I'm

0:29:40.120 --> 0:29:44.720
<v Speaker 1>enjoying life. I'll cross those you know what I'm saying

0:29:45.400 --> 0:29:47.640
<v Speaker 1>once when I get throw those crossroads. And for sure,

0:29:48.360 --> 0:29:50.440
<v Speaker 1>I do need to pay attention to it though, for sure,

0:29:50.520 --> 0:29:52.280
<v Speaker 1>you know what I'm saying. And when I get there,

0:29:52.320 --> 0:29:55.040
<v Speaker 1>I'll get there. But right now, I got right here

0:29:55.120 --> 0:29:57.840
<v Speaker 1>to deal with. You know, it's people that I have

0:29:58.000 --> 0:29:59.840
<v Speaker 1>to deal with. I have to, you know, make sure

0:29:59.840 --> 0:30:03.000
<v Speaker 1>they straight. I have to make sure people is saying times.

0:30:03.040 --> 0:30:05.040
<v Speaker 1>You know what I'm saying. Sometimes when I'm going too long,

0:30:05.440 --> 0:30:08.520
<v Speaker 1>you know, shit fucks up, you know what I'm saying,

0:30:08.560 --> 0:30:10.840
<v Speaker 1>the ruptures and ship like that. Like so I hold

0:30:10.880 --> 0:30:13.920
<v Speaker 1>a lot of shit together and I stand on that

0:30:14.480 --> 0:30:16.280
<v Speaker 1>and I could I could you know what I'm saying

0:30:16.360 --> 0:30:19.000
<v Speaker 1>if if you know, if see if they blow up

0:30:19.120 --> 0:30:22.280
<v Speaker 1>and he gets you know what I'm saying to you know, uh,

0:30:22.760 --> 0:30:25.120
<v Speaker 1>New York and all that shit for Shure, that's I'm

0:30:25.240 --> 0:30:27.479
<v Speaker 1>a we we We're there, you know. I feel like too,

0:30:27.800 --> 0:30:29.880
<v Speaker 1>Like sonically, he's like an artist that I can see

0:30:29.920 --> 0:30:33.080
<v Speaker 1>that really happening with right. I feel like he has

0:30:33.720 --> 0:30:39.680
<v Speaker 1>that young soul that uh the world needs mm hmm.

0:30:39.840 --> 0:30:42.800
<v Speaker 1>I feel like he has that that that hunger that

0:30:42.960 --> 0:30:45.480
<v Speaker 1>the world needs to you know what I'm saying experience

0:30:45.720 --> 0:30:49.880
<v Speaker 1>for sure. You know what if you had to pick

0:30:49.920 --> 0:30:52.320
<v Speaker 1>a song that you can never perform again, what would

0:30:52.320 --> 0:30:54.000
<v Speaker 1>be the song you're just kind of tired of performing,

0:30:54.880 --> 0:30:58.800
<v Speaker 1>tired of performing? Or is it none? Yeah? I don't know,

0:30:59.000 --> 0:31:02.760
<v Speaker 1>because when I came in game, I came you know,

0:31:05.400 --> 0:31:07.840
<v Speaker 1>making songs or like which song of yours is the

0:31:07.880 --> 0:31:12.280
<v Speaker 1>most played out to you? Yeah, like a song where

0:31:12.280 --> 0:31:14.040
<v Speaker 1>you're like, yo, if I never heard this song from

0:31:14.080 --> 0:31:16.800
<v Speaker 1>me again, It's fine because I've heard it a million times,

0:31:16.840 --> 0:31:18.240
<v Speaker 1>like does it get rich? Is it like or is

0:31:18.280 --> 0:31:20.040
<v Speaker 1>it you just like? No? These are like you know,

0:31:20.120 --> 0:31:22.920
<v Speaker 1>some artists are like what I'm saying, You got some

0:31:23.000 --> 0:31:27.240
<v Speaker 1>fucking huge records and do they get played out to you? No? No, Okay,

0:31:27.320 --> 0:31:31.680
<v Speaker 1>I gotta ask. No, it's a complet compliment. I'm trying

0:31:31.720 --> 0:31:34.360
<v Speaker 1>to compliment. I appreciate you, my brother. I can talk

0:31:34.400 --> 0:31:36.400
<v Speaker 1>to you what you trying to say, Bren. I can

0:31:36.480 --> 0:31:38.320
<v Speaker 1>talk to you, you know what I'm saying. I can

0:31:38.400 --> 0:31:40.160
<v Speaker 1>be upfront. I can be real with you, you know,

0:31:40.520 --> 0:31:43.640
<v Speaker 1>because sometimes you know, question be hitting shit in questions.

0:31:44.320 --> 0:31:47.240
<v Speaker 1>You'll hear like I'm like, you'll hear artists be like, yo,

0:31:47.320 --> 0:31:49.920
<v Speaker 1>I'm so fucking sick, and like I'm sure Roddy Rich

0:31:50.040 --> 0:31:51.600
<v Speaker 1>is tired of the box, you know what I mean?

0:31:51.680 --> 0:31:53.760
<v Speaker 1>He has to be. There's no way Roddy's not tired

0:31:54.240 --> 0:31:57.040
<v Speaker 1>of the box, at least personally. For me, I'm tired

0:31:57.080 --> 0:31:59.120
<v Speaker 1>of the box. And I don't have to perform it.

0:31:59.560 --> 0:32:01.480
<v Speaker 1>I don't know, because like people ask me questions like

0:32:01.520 --> 0:32:04.480
<v Speaker 1>this all the time, right, and they'd be it'd be

0:32:04.600 --> 0:32:06.400
<v Speaker 1>like new people with me, Like it'd probably be a

0:32:06.480 --> 0:32:09.200
<v Speaker 1>new security, new bodyguard with me or something like that, right,

0:32:09.440 --> 0:32:13.120
<v Speaker 1>or just new people and they'll just be at all

0:32:13.480 --> 0:32:16.840
<v Speaker 1>at what's going on, you know, because you know it'd

0:32:16.880 --> 0:32:18.960
<v Speaker 1>be fans running up and RJ let me get a

0:32:19.000 --> 0:32:21.520
<v Speaker 1>picture random times and shit like that, and they ask

0:32:21.680 --> 0:32:26.240
<v Speaker 1>me do we'll ever get tired of that? And it's

0:32:26.400 --> 0:32:31.080
<v Speaker 1>like they cannot be running up to me, right, you know,

0:32:31.520 --> 0:32:34.680
<v Speaker 1>like I cannot be performing these songs true, you know,

0:32:34.960 --> 0:32:38.520
<v Speaker 1>so no, I love these songs. These songs just feed

0:32:38.640 --> 0:32:42.760
<v Speaker 1>my family, these songs just making sure my kids grow strong, right,

0:32:43.000 --> 0:32:45.200
<v Speaker 1>you know what I mean. I love these songs. When

0:32:45.240 --> 0:32:46.960
<v Speaker 1>I came in the game, I came to make songs

0:32:47.000 --> 0:32:51.160
<v Speaker 1>that can live on for ten years, you know and beyond.

0:32:51.440 --> 0:32:54.400
<v Speaker 1>You know, like that's why my songs are so you know,

0:32:54.600 --> 0:32:58.240
<v Speaker 1>deep rooted into your soul, into your bones, because I

0:32:58.360 --> 0:33:01.560
<v Speaker 1>do that intentionally. Like I said saying, when I'm in

0:33:01.720 --> 0:33:05.000
<v Speaker 1>La like a hole shit together, it's like that shit

0:33:05.120 --> 0:33:08.720
<v Speaker 1>is real. It's not just about me, right, you know,

0:33:08.920 --> 0:33:12.240
<v Speaker 1>it's a whole Like mister La is somebody for real.

0:33:12.680 --> 0:33:18.360
<v Speaker 1>It's not just a name that somebody made up. Oh wait,

0:33:19.520 --> 0:33:21.200
<v Speaker 1>what up, y'all? We gotta stop the interview real quick.

0:33:21.240 --> 0:33:23.640
<v Speaker 1>Tell you about our good friends at my Bookie. That's right, man,

0:33:23.720 --> 0:33:25.640
<v Speaker 1>My bookie is where you want to get this money

0:33:25.800 --> 0:33:30.520
<v Speaker 1>and enjoy being a degenerate like myself. And it's the

0:33:30.560 --> 0:33:32.720
<v Speaker 1>best time of the year to be a degenerate because

0:33:32.840 --> 0:33:35.520
<v Speaker 1>NFL season is obviously we are in the midst of

0:33:35.560 --> 0:33:39.520
<v Speaker 1>a crazy NFL season, NBA season just started. World Series

0:33:39.640 --> 0:33:41.800
<v Speaker 1>is going down, and you can get your bets in

0:33:42.040 --> 0:33:44.840
<v Speaker 1>right now. Go to my Bookie and sign up for

0:33:44.920 --> 0:33:48.600
<v Speaker 1>a new account using the promo code Bootleg. That's b

0:33:48.800 --> 0:33:52.000
<v Speaker 1>oot l eg. You sign up right now, they will

0:33:52.040 --> 0:33:56.400
<v Speaker 1>match your first deposit. That's right. Put in a thousand. Oh,

0:33:56.480 --> 0:33:59.720
<v Speaker 1>they'll give you another thousand to gamble with. That's free money,

0:34:00.000 --> 0:34:03.120
<v Speaker 1>free money to gamble with. Let's get in on this action, man,

0:34:03.320 --> 0:34:06.880
<v Speaker 1>NFL season. I'm loving this part of the year so

0:34:07.040 --> 0:34:14.160
<v Speaker 1>much good just everything to bet on, football, basketball, fucking UFC, NFL, baseball, whatever.

0:34:14.600 --> 0:34:16.680
<v Speaker 1>Now is the best time to get your gamble on.

0:34:16.880 --> 0:34:19.200
<v Speaker 1>So go sign up for a new account at my Bookie.

0:34:19.440 --> 0:34:22.480
<v Speaker 1>Use that promo code Bootleg and double your deposit. Let's

0:34:22.480 --> 0:34:25.799
<v Speaker 1>get back to the interview. Outside of La Outside of Cali,

0:34:25.880 --> 0:34:28.600
<v Speaker 1>if you could do a joint mixtape album with another

0:34:28.680 --> 0:34:33.960
<v Speaker 1>rapper who to be right now? Yeah, right now outside

0:34:34.000 --> 0:34:37.040
<v Speaker 1>of LA. Can't be California. The state of California is

0:34:37.120 --> 0:34:40.040
<v Speaker 1>off limits. And anyone who signed your label is off limits.

0:34:41.600 --> 0:34:44.480
<v Speaker 1>Younger old. It could be anybody yelling give me a

0:34:44.520 --> 0:34:48.040
<v Speaker 1>young and and old both all right, go first? Who

0:34:48.360 --> 0:34:54.919
<v Speaker 1>what younger old? Young? Young? Boston, Boston rich peace fire,

0:34:55.360 --> 0:34:59.080
<v Speaker 1>Yeah so Boston Richie on the young side. What about

0:34:59.080 --> 0:35:07.720
<v Speaker 1>on the old side? Oh sorry, uh oh dead, are alive? Alive?

0:35:07.880 --> 0:35:09.799
<v Speaker 1>Let's be honest. Yeah, I mean yeah, you could take

0:35:09.840 --> 0:35:12.240
<v Speaker 1>fucking Tupac becets. He was from New York and Baltimore.

0:35:12.320 --> 0:35:18.399
<v Speaker 1>But you know that would be cheating, Okay, not from LA, guys,

0:35:18.480 --> 0:35:21.560
<v Speaker 1>just so you didn't know, Yeah, yeah, right, like you know,

0:35:21.680 --> 0:35:23.320
<v Speaker 1>because there's a lot of all this from LA. I

0:35:23.360 --> 0:35:25.560
<v Speaker 1>would love to do mixtapes with you know what I'm saying.

0:35:26.480 --> 0:35:28.279
<v Speaker 1>I'm just saying I would love to hear you and

0:35:28.320 --> 0:35:30.480
<v Speaker 1>Blast do a project that would be kind of hard.

0:35:31.000 --> 0:35:32.800
<v Speaker 1>You wouldn't see. I think it would be dope. M M,

0:35:34.680 --> 0:35:38.600
<v Speaker 1>what's over? So I don't know, I don't know. You

0:35:38.600 --> 0:35:41.239
<v Speaker 1>would bust the rhymes to be dope and think so yeah,

0:35:41.280 --> 0:35:43.040
<v Speaker 1>why not? You guys could fucking go on a tour

0:35:43.080 --> 0:35:45.080
<v Speaker 1>and you guys can fucking try to outperform each other.

0:35:45.160 --> 0:35:47.239
<v Speaker 1>Be a lot of calories burned on stage. I think

0:35:47.280 --> 0:35:49.279
<v Speaker 1>I got him right now though. He dope though, because

0:35:49.280 --> 0:35:51.400
<v Speaker 1>I just seen him right. Not to be total turned up,

0:35:51.440 --> 0:35:53.399
<v Speaker 1>but I'm about another nigga though, But I'm just saying

0:35:54.600 --> 0:35:57.520
<v Speaker 1>I seen him do some ship on stage. Bro. That

0:35:57.719 --> 0:35:59.960
<v Speaker 1>was dope as fuck. It didn't take a lot of energy.

0:36:00.480 --> 0:36:05.360
<v Speaker 1>It just was real like it just had It was

0:36:05.480 --> 0:36:08.560
<v Speaker 1>just real, like poised, you know what I mean. And

0:36:08.680 --> 0:36:11.600
<v Speaker 1>like he he he acts like he he acts like

0:36:11.680 --> 0:36:15.400
<v Speaker 1>he fucked up. Oh no, what do you do? He uh?

0:36:16.960 --> 0:36:20.680
<v Speaker 1>He went he the music was turned up, and then

0:36:20.760 --> 0:36:22.759
<v Speaker 1>he turned it down like but he rapping though, and

0:36:22.840 --> 0:36:24.840
<v Speaker 1>he going low, He going lower, He going lower, he

0:36:24.920 --> 0:36:26.839
<v Speaker 1>going low, and then he turned the ship back up.

0:36:27.200 --> 0:36:31.160
<v Speaker 1>And I'm looking at this like this, fucking jezz, It's amazing.

0:36:31.320 --> 0:36:34.080
<v Speaker 1>It's fucking jeez. I'm just like, damn, there's certain things

0:36:34.160 --> 0:36:35.719
<v Speaker 1>like that I like to take when I like to

0:36:35.760 --> 0:36:39.120
<v Speaker 1>steal though, but man, steal it, god blood, A lot

0:36:39.160 --> 0:36:41.360
<v Speaker 1>of people do that. It's not like Buster Rymes is

0:36:41.400 --> 0:36:45.080
<v Speaker 1>the only guy doing that. And shit, who else you know?

0:36:45.280 --> 0:36:46.960
<v Speaker 1>Doing that. I've seen that before. I can't tell you

0:36:47.000 --> 0:36:48.640
<v Speaker 1>if I thought it was something else he did that.

0:36:48.719 --> 0:36:50.560
<v Speaker 1>I just don't want to, you know, I expose his

0:36:50.640 --> 0:36:53.040
<v Speaker 1>little his show. But yeah, I mean he's on tour

0:36:53.160 --> 0:36:54.640
<v Speaker 1>right now with Tang, and if you can go see

0:36:54.680 --> 0:36:59.200
<v Speaker 1>it for yourself, go see a Bust Rhymes on tour

0:36:59.280 --> 0:37:01.359
<v Speaker 1>right now, go see us then on the tour might

0:37:01.360 --> 0:37:05.319
<v Speaker 1>be over. Actually, Wang shoutout Wool Tang. I like this show. Yeah,

0:37:05.560 --> 0:37:07.800
<v Speaker 1>that's that's if you can get all night Well, you

0:37:07.840 --> 0:37:09.920
<v Speaker 1>can't get all nine guys because you know r P

0:37:10.000 --> 0:37:12.480
<v Speaker 1>dor od B. But if you could get method Man

0:37:13.040 --> 0:37:15.120
<v Speaker 1>to show up to a WO show, it's amazing. Method

0:37:15.200 --> 0:37:17.520
<v Speaker 1>is very like he's kind of like one ft in,

0:37:17.640 --> 0:37:19.040
<v Speaker 1>one foot out on the Woo ship. I think he

0:37:19.120 --> 0:37:20.520
<v Speaker 1>only did like four of the dates on the tour.

0:37:21.160 --> 0:37:25.400
<v Speaker 1>Has a dope performance. Amazing and Yo, I've seen this

0:37:25.520 --> 0:37:28.840
<v Speaker 1>big ass nigga stage dog Bro. That's it was crazy

0:37:29.800 --> 0:37:34.120
<v Speaker 1>Method Man stage the stage, dough Bro, the nigga. Nobody

0:37:34.280 --> 0:37:37.680
<v Speaker 1>called him. Oh man Bro, this nigga is a fool.

0:37:37.760 --> 0:37:39.719
<v Speaker 1>He got up like it wasn't nothing, shook it off.

0:37:39.760 --> 0:37:44.480
<v Speaker 1>It's the biggest fuck bro. Dove and the motherfuck. I

0:37:44.520 --> 0:37:46.960
<v Speaker 1>think bitch got kicked in the face. Excuse me. I

0:37:47.000 --> 0:37:50.160
<v Speaker 1>don't mean to say it's just you know, it's a

0:37:50.239 --> 0:37:53.279
<v Speaker 1>term of endearment. No, because I got a lot of

0:37:53.400 --> 0:37:56.080
<v Speaker 1>female I got a lot of female fans. It sounds

0:37:56.120 --> 0:37:58.399
<v Speaker 1>good on the record, it sounds great. It sounds great

0:37:58.440 --> 0:38:00.680
<v Speaker 1>on the record. But you know, come on, without a beat,

0:38:00.719 --> 0:38:02.719
<v Speaker 1>it don't sound like I'm saying that's fair. I got

0:38:02.719 --> 0:38:04.560
<v Speaker 1>a lot of females I respect. You know what I'm saying.

0:38:04.600 --> 0:38:10.320
<v Speaker 1>We only disrespect women on beats. So look this, but

0:38:10.640 --> 0:38:12.840
<v Speaker 1>I say that shit. One time I stole stage. I

0:38:12.960 --> 0:38:16.120
<v Speaker 1>did that shit. One time you've jumped off stage. Did

0:38:16.160 --> 0:38:18.399
<v Speaker 1>you get caught? Nah? I didn't get caught. I think

0:38:18.400 --> 0:38:21.000
<v Speaker 1>I kicked somebody in the head. Nobody even knew me though.

0:38:21.200 --> 0:38:24.399
<v Speaker 1>That's all you know. I've been booed before, bro, when

0:38:26.040 --> 0:38:28.160
<v Speaker 1>like I think I was like opening up for like

0:38:28.560 --> 0:38:32.480
<v Speaker 1>Tiger or somebody like Jesus at the Observatory. What year

0:38:32.600 --> 0:38:37.120
<v Speaker 1>was this? That shit was like twenty fifteen, fourteen, twenty fourteen,

0:38:37.239 --> 0:38:39.439
<v Speaker 1>twenty thirty. So this was like twenty thirteen or something

0:38:39.440 --> 0:38:41.400
<v Speaker 1>like the rack City had already been out all that,

0:38:41.520 --> 0:38:44.239
<v Speaker 1>he already going up last King's people wearing that and

0:38:44.320 --> 0:38:47.680
<v Speaker 1>I opened up right before him. So I'm opened up

0:38:47.760 --> 0:38:54.239
<v Speaker 1>right before him, right and like they restless, they're ready

0:38:54.280 --> 0:38:57.360
<v Speaker 1>to see the tiger. They pay the seat tager terrible

0:38:57.400 --> 0:38:59.960
<v Speaker 1>clothes on the last they got the filled faral tea

0:39:00.120 --> 0:39:02.880
<v Speaker 1>shirt on. So I'm doing my ship and like in

0:39:02.920 --> 0:39:07.600
<v Speaker 1>the middle of my performance, they just like boo, fuck

0:39:07.680 --> 0:39:16.200
<v Speaker 1>off the stacks. I'm like bo So, I'm like, what alright,

0:39:16.320 --> 0:39:20.279
<v Speaker 1>bet So I play a song that everybody I know

0:39:20.400 --> 0:39:28.320
<v Speaker 1>they know this ship bom. I played bitches that nigga.

0:39:28.360 --> 0:39:31.520
<v Speaker 1>The whole crowd went crazy. They're like, oh, that's you

0:39:31.640 --> 0:39:34.440
<v Speaker 1>because nobody knew my song. They aint knew who I was.

0:39:34.680 --> 0:39:37.839
<v Speaker 1>Was I played that shit? They went crazy. I'm like, yeah,

0:39:38.520 --> 0:39:41.040
<v Speaker 1>bitch as niggas. Yeah, Like I'm going to fuck up,

0:39:41.120 --> 0:39:43.480
<v Speaker 1>Like yeah, nigga, that's right here. You know what I'm saying.

0:39:43.560 --> 0:39:46.880
<v Speaker 1>You thought I was a nobody. Y'all know my record.

0:39:47.320 --> 0:39:49.680
<v Speaker 1>I know that was They going crazy, like, oh my god,

0:39:49.760 --> 0:39:52.479
<v Speaker 1>that's you. I love this record. I'm like, yeah, for sure,

0:39:52.560 --> 0:39:55.200
<v Speaker 1>but things like that I take you know what I'm saying,

0:39:55.239 --> 0:39:57.200
<v Speaker 1>and I remember ship like that, and I'll be like, damn,

0:39:57.200 --> 0:39:59.960
<v Speaker 1>look around at today. That wasn't the show you try

0:40:00.120 --> 0:40:05.000
<v Speaker 1>the crowdsurfing, was it? It might have been bad business decision.

0:40:05.480 --> 0:40:07.560
<v Speaker 1>They were just brewing you. They sure gonna catch you.

0:40:09.120 --> 0:40:12.760
<v Speaker 1>I think they bowed me after that. After I definitely

0:40:12.880 --> 0:40:15.360
<v Speaker 1>have crowdsurfd a bunch and I got dry. Who is

0:40:15.440 --> 0:40:19.480
<v Speaker 1>this Thigg? Yeah? Nah? But though, bro, I love I

0:40:19.560 --> 0:40:22.239
<v Speaker 1>love my trialiship relations. I love what I what I

0:40:22.360 --> 0:40:24.960
<v Speaker 1>where I came from. I can never forget it, you

0:40:25.040 --> 0:40:27.399
<v Speaker 1>know what I'm saying. And I got so much room,

0:40:27.960 --> 0:40:30.239
<v Speaker 1>so much more room to go. It is dope because

0:40:30.239 --> 0:40:33.440
<v Speaker 1>it's a whole world that don't know who laurd J is.

0:40:34.320 --> 0:40:37.080
<v Speaker 1>Any touring or live shows coming up for this album?

0:40:38.360 --> 0:40:42.400
<v Speaker 1>Oh yeah, I got the I got the Novo. You

0:40:42.440 --> 0:40:47.279
<v Speaker 1>know it's backyard the Novo November fourth, you know, make

0:40:47.320 --> 0:40:50.080
<v Speaker 1>sure I'll grab your tickets. Man, it's gonna be dope.

0:40:50.120 --> 0:40:52.600
<v Speaker 1>We got a lot of ship going on the special

0:40:52.640 --> 0:40:54.880
<v Speaker 1>guests to show. You know what I'm saying. I am

0:40:54.960 --> 0:40:57.680
<v Speaker 1>the one that brought out Snoop Dogg. Yes, that is me.

0:40:59.000 --> 0:41:02.359
<v Speaker 1>I am him. Know what I'm saying. Out for show

0:41:02.680 --> 0:41:06.760
<v Speaker 1>shout out Snoop Man. He's a joint m hm, Snoop

0:41:06.880 --> 0:41:09.680
<v Speaker 1>is the guy. He's a joint, like for real, I

0:41:10.120 --> 0:41:12.920
<v Speaker 1>don't know what that means. I mean, I know, like

0:41:12.960 --> 0:41:14.480
<v Speaker 1>if I see a girl that's pretty, I'll be like, Yo,

0:41:14.560 --> 0:41:17.359
<v Speaker 1>that's a joint right there, Or if I'm smoking a joint.

0:41:17.800 --> 0:41:20.080
<v Speaker 1>Whatever interpolation you're using right now, I haven't heard yet,

0:41:20.120 --> 0:41:23.000
<v Speaker 1>so please explain. Oh for real, Hey man, funk what

0:41:23.080 --> 0:41:24.279
<v Speaker 1>you want for me? You want me to lie to you?

0:41:24.480 --> 0:41:26.880
<v Speaker 1>I don't want no lies, man. I want honesty. You

0:41:26.960 --> 0:41:30.080
<v Speaker 1>are honesty, man, That's what I want. I need honesty.

0:41:30.360 --> 0:41:32.279
<v Speaker 1>If I see Rosa Acosta, I'll be like, yeah, that's

0:41:32.280 --> 0:41:33.880
<v Speaker 1>a joint right there. Yeah, shout out to her. You

0:41:33.920 --> 0:41:38.920
<v Speaker 1>know snoop dog smoking joints but also a joint simultaneously.

0:41:40.160 --> 0:41:43.440
<v Speaker 1>There's that like a joint. Top boy, top boy, He's

0:41:43.440 --> 0:41:46.680
<v Speaker 1>a top boy for sure. Pause for sure, man for sure,

0:41:46.800 --> 0:41:54.120
<v Speaker 1>for sure. Greatest of all time, possibly for show, best

0:41:54.239 --> 0:41:57.880
<v Speaker 1>best rap album, second best rap album ever is Doggy

0:41:57.960 --> 0:42:01.399
<v Speaker 1>Style In my opinion to what Illmatic? I'm a nas guy,

0:42:01.560 --> 0:42:06.400
<v Speaker 1>so oh my, I feel you it was it wouldn't

0:42:06.400 --> 0:42:10.320
<v Speaker 1>be honest, wasn't Illmatic wasn't Like Doggy Style has aged

0:42:11.000 --> 0:42:12.960
<v Speaker 1>way better than ill Matt. That's why I was trying

0:42:12.960 --> 0:42:14.920
<v Speaker 1>to That's where I was going with it. That's where

0:42:14.960 --> 0:42:16.680
<v Speaker 1>I was going with it. Like if you play doggy

0:42:16.719 --> 0:42:20.800
<v Speaker 1>style right now, it's just like a it's I just

0:42:21.280 --> 0:42:25.760
<v Speaker 1>you can feel doggy style today. Doggie style is today, tomorrow,

0:42:26.120 --> 0:42:27.959
<v Speaker 1>and a year from now, ten years, you're gonna feel

0:42:28.000 --> 0:42:31.480
<v Speaker 1>doggy still for show. That's what I fuck with. That's

0:42:31.520 --> 0:42:33.680
<v Speaker 1>what I come from. That's where I stem from. I

0:42:33.760 --> 0:42:35.400
<v Speaker 1>think Snoop Doggs. I was on you know, I was

0:42:35.400 --> 0:42:38.360
<v Speaker 1>on Snoop on tour with Snoop too, which was just

0:42:38.520 --> 0:42:40.840
<v Speaker 1>one of the with him, and like I want to

0:42:40.880 --> 0:42:43.880
<v Speaker 1>thank me to Oh okay, okay, you didn't know that, bro.

0:42:44.040 --> 0:42:46.319
<v Speaker 1>I don't fucking know Snoopy on tour so fucking much.

0:42:46.360 --> 0:42:48.520
<v Speaker 1>It's like him, it's he forty, it's too short, it's

0:42:48.600 --> 0:42:51.880
<v Speaker 1>ice cube, it's every amphitheater from here to fucking Wichita.

0:42:52.040 --> 0:42:53.960
<v Speaker 1>I don't fucking know. Snoop's never not on tour, bro.

0:42:54.040 --> 0:42:56.000
<v Speaker 1>I can't keep track who the fuck's on tour with Snoop.

0:42:56.280 --> 0:42:59.200
<v Speaker 1>Oh well, it's a lot of Snoop tours happening. You know,

0:43:00.160 --> 0:43:03.600
<v Speaker 1>stays getting the bag for s stays getting the bag.

0:43:03.880 --> 0:43:07.920
<v Speaker 1>So that's what it's about uh, you know, let me

0:43:08.760 --> 0:43:12.759
<v Speaker 1>preach that, let me let me lambs. Yeah, I thigga

0:43:12.840 --> 0:43:15.600
<v Speaker 1>preach that ship break I gues. It's about keeping the bag,

0:43:15.800 --> 0:43:17.320
<v Speaker 1>like you know what I'm saying. Setting up, bads, We

0:43:17.400 --> 0:43:19.719
<v Speaker 1>got back set up for next year. You got to man,

0:43:20.760 --> 0:43:21.880
<v Speaker 1>that's how you know you got a good guy in

0:43:21.920 --> 0:43:24.560
<v Speaker 1>your corner for sure. Yep, Hey, guys, we gotta stop

0:43:24.640 --> 0:43:26.239
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0:43:26.320 --> 0:43:29.000
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0:43:29.040 --> 0:43:32.600
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0:43:32.680 --> 0:43:35.160
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0:43:35.200 --> 0:43:40.240
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0:43:40.520 --> 0:43:45.640
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0:43:46.160 --> 0:43:49.000
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0:43:49.080 --> 0:43:52.000
<v Speaker 1>down with your beverage of choice, and then get to

0:43:52.200 --> 0:43:55.879
<v Speaker 1>work with that hard fucking cock of yours. Your dick

0:43:56.000 --> 0:43:58.400
<v Speaker 1>is gonna be harder than Triggonometry was in high school.

0:43:58.440 --> 0:44:03.080
<v Speaker 1>Ladies and gentlemen, It's gonna be fucking ah like you know,

0:44:03.400 --> 0:44:06.120
<v Speaker 1>uh Ryu and street fighter. He'd be like, oh yuk

0:44:06.160 --> 0:44:08.319
<v Speaker 1>and he does the motherfucking this is gonna be your dick.

0:44:08.400 --> 0:44:10.560
<v Speaker 1>It's gonna be like Ryu's fucking uppercut, you know what

0:44:10.600 --> 0:44:13.600
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0:44:13.719 --> 0:44:15.920
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0:44:15.960 --> 0:44:18.440
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0:44:29.400 --> 0:44:31.320
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0:44:31.400 --> 0:44:33.759
<v Speaker 1>hey doc, my dick. I could use a little pep

0:44:33.920 --> 0:44:35.799
<v Speaker 1>in my step, and then it's awkward. You gotta look

0:44:35.800 --> 0:44:37.839
<v Speaker 1>at this old fuck talking about your dick. He might

0:44:37.880 --> 0:44:39.799
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0:44:39.840 --> 0:44:42.640
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0:44:42.719 --> 0:44:44.880
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0:45:00.120 --> 0:45:03.480
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0:45:03.719 --> 0:45:06.000
<v Speaker 1>your girlfriend will thank you, your boyfriend will thank you.

0:45:07.080 --> 0:45:09.319
<v Speaker 1>Whatever the fuck you're fucking I'll thank you as long

0:45:09.360 --> 0:45:11.720
<v Speaker 1>as it's legal. All right, let's get back to the interview.

0:45:11.840 --> 0:45:13.880
<v Speaker 1>Go to butt you dot com promo call Bootleg. That's it.

0:45:14.680 --> 0:45:17.279
<v Speaker 1>Snoop I think is the most famous rapper of all time?

0:45:19.440 --> 0:45:22.920
<v Speaker 1>Who do you think? Yeah, no, who's more famous than Snoop?

0:45:23.600 --> 0:45:26.920
<v Speaker 1>Nobody Drake's not more famous than Snoop. Jayz's not more

0:45:26.960 --> 0:45:31.759
<v Speaker 1>famous than Snoop bro That's a fact. Yeah, Sloop Dogg,

0:45:31.960 --> 0:45:35.120
<v Speaker 1>who was bigger peak Snoop. I'm talking about at they're

0:45:35.239 --> 0:45:42.720
<v Speaker 1>very at their peak peak Snoop Dogg or peak fifty Snoop.

0:45:43.480 --> 0:45:47.839
<v Speaker 1>Don't think it was close close for show, it was close, though, Diamond, Yeah,

0:45:47.840 --> 0:45:49.080
<v Speaker 1>I mean get rich of you. I try, and it's

0:45:49.360 --> 0:45:51.719
<v Speaker 1>fucking that was a that was a moment that was like,

0:45:52.080 --> 0:45:54.680
<v Speaker 1>it's close though. I always say it was those two

0:45:54.760 --> 0:45:57.040
<v Speaker 1>at their peak. I'm not talking about overall, I just

0:45:57.160 --> 0:45:58.919
<v Speaker 1>mean peak. If you were to take like their top

0:45:59.040 --> 0:46:01.680
<v Speaker 1>years and terms of just like who was the hottest,

0:46:01.719 --> 0:46:03.680
<v Speaker 1>who had the most energy, it's those two. And then

0:46:03.680 --> 0:46:06.279
<v Speaker 1>I think it's like everybody else. I think Wayne shit

0:46:07.080 --> 0:46:09.239
<v Speaker 1>was like over time he had to you know what

0:46:09.280 --> 0:46:10.960
<v Speaker 1>I mean, Like he had like a cool like eight

0:46:11.120 --> 0:46:14.040
<v Speaker 1>was like his peak. Yeah, but it's like controversy sales.

0:46:14.120 --> 0:46:17.239
<v Speaker 1>It wasn't fifty though. It was the controversy. And then

0:46:17.320 --> 0:46:20.160
<v Speaker 1>you got to think, like Drake was more like thirteen

0:46:20.280 --> 0:46:22.719
<v Speaker 1>years in, we're now in the Drake's run and it's

0:46:22.760 --> 0:46:24.400
<v Speaker 1>like he's still the top guy. But like I'm not

0:46:24.480 --> 0:46:26.200
<v Speaker 1>sure at a certain point in time, like Drake had

0:46:26.200 --> 0:46:32.480
<v Speaker 1>more energy than fifty or Snoop, Like track just stood

0:46:32.480 --> 0:46:34.719
<v Speaker 1>at the times. So it was just crazy. That's like

0:46:34.960 --> 0:46:37.160
<v Speaker 1>never been done before. Yeah, it's crazy. So it was

0:46:37.200 --> 0:46:39.480
<v Speaker 1>crazy one of one for sure. Look, man, the new

0:46:39.480 --> 0:46:42.520
<v Speaker 1>album is out. The new album's out. Rodney Brown Junior

0:46:45.080 --> 0:46:47.200
<v Speaker 1>the streets calling of the classic. I want you to

0:46:47.280 --> 0:46:48.840
<v Speaker 1>hear it. I want you to listen to it. And

0:46:50.280 --> 0:46:53.959
<v Speaker 1>this press play from beginning to end at least one time. Yeah,

0:46:54.040 --> 0:46:57.239
<v Speaker 1>at least at least one time. Don't don't look at

0:46:57.760 --> 0:47:00.239
<v Speaker 1>the your artists on there and say, oh, I want

0:47:00.280 --> 0:47:03.919
<v Speaker 1>to go to this song. No go from number one

0:47:04.160 --> 0:47:07.399
<v Speaker 1>to number twenty and just tell me how you feel.

0:47:07.800 --> 0:47:09.239
<v Speaker 1>I mean, tell me, you know what I'm saying how

0:47:09.239 --> 0:47:11.719
<v Speaker 1>you feel about it. I love it. I like it

0:47:11.800 --> 0:47:14.480
<v Speaker 1>a lot. The people love it that has heard it

0:47:14.640 --> 0:47:18.719
<v Speaker 1>thus far, they love it. Rodney Brown Junior were going,

0:47:19.400 --> 0:47:22.000
<v Speaker 1>you know, we're on tour. We got the Novo show

0:47:22.200 --> 0:47:26.960
<v Speaker 1>November fourth. Man, it's it's lit right now, bro, I'm back.

0:47:27.360 --> 0:47:29.120
<v Speaker 1>I have to wait three and a half years for

0:47:29.120 --> 0:47:33.759
<v Speaker 1>another album. It depends on the demand for real, for real,

0:47:33.800 --> 0:47:36.920
<v Speaker 1>because don't say that, just say no, no and a

0:47:36.920 --> 0:47:39.080
<v Speaker 1>half years. Not because I don't want you to. Just

0:47:39.239 --> 0:47:41.640
<v Speaker 1>I don't want to be another fucking pandemic. But listen,

0:47:41.719 --> 0:47:44.040
<v Speaker 1>I don't want you to. I don't want you to.

0:47:44.280 --> 0:47:47.680
<v Speaker 1>I don't want you to not listening to this one

0:47:47.920 --> 0:47:49.399
<v Speaker 1>just thinking of you know what I mean. I don't

0:47:49.400 --> 0:47:52.480
<v Speaker 1>want you to take this one lightly. Don't take it lightly. Like,

0:47:52.719 --> 0:47:56.880
<v Speaker 1>let's worry about this right now. Rodney Brown Junior is

0:47:57.080 --> 0:48:01.520
<v Speaker 1>here right now. Rodney Brown is my government. So you

0:48:01.760 --> 0:48:08.080
<v Speaker 1>know the severity, uh and the sincereness of this album.

0:48:08.200 --> 0:48:11.400
<v Speaker 1>You know what I'm saying, Rodney Brown Junior, that's my government.

0:48:11.920 --> 0:48:14.080
<v Speaker 1>I assumed when I saw I said, I hope that's

0:48:14.120 --> 0:48:16.759
<v Speaker 1>his name, because if what else's name? For sure? You

0:48:16.800 --> 0:48:19.200
<v Speaker 1>know what I'm saying, So you know that was funny,

0:48:19.719 --> 0:48:24.359
<v Speaker 1>But listen that nigga that's right now is the ship

0:48:24.440 --> 0:48:26.600
<v Speaker 1>that you need to listen to, you know what I'm saying.

0:48:27.000 --> 0:48:29.879
<v Speaker 1>And buy some tickets November. Yeah, and bo tickets November four,

0:48:30.520 --> 0:48:32.759
<v Speaker 1>November fourth, We're gonna we live. You know, I'm gonna

0:48:32.760 --> 0:48:37.200
<v Speaker 1>have merched there. The man you see Snoop Dog there,

0:48:37.360 --> 0:48:42.600
<v Speaker 1>you never know, Snoop yg Mustard, Ot is definitely gonna

0:48:42.600 --> 0:48:45.560
<v Speaker 1>be there. Ot is everywhere. I think he has stunt

0:48:45.600 --> 0:48:49.640
<v Speaker 1>doubles somehow. Ot Genesis is everywhere. At the same time,

0:48:50.000 --> 0:48:52.560
<v Speaker 1>him and Ad got some voodoo shit going on, because

0:48:52.600 --> 0:48:55.480
<v Speaker 1>before Ad was on No Jumper, Ad would be everywhere.

0:48:55.600 --> 0:48:58.560
<v Speaker 1>I'd be in Scottsdale one night, Oh Ads at the

0:48:58.560 --> 0:49:00.319
<v Speaker 1>club of DJ and that, and then the next day

0:49:00.320 --> 0:49:01.799
<v Speaker 1>I'd be DJ in in l A and he'd be there,

0:49:01.840 --> 0:49:03.160
<v Speaker 1>And I'm like, Yo, what the fuck is going on

0:49:03.239 --> 0:49:05.960
<v Speaker 1>with your life? Bro? You have no responsibilities? Shout out

0:49:06.320 --> 0:49:08.120
<v Speaker 1>love him. That's my brother for out a d Shout

0:49:08.160 --> 0:49:10.400
<v Speaker 1>out o T. She'll probably be there and he'll probably

0:49:10.400 --> 0:49:11.759
<v Speaker 1>come out and do juice just for the culture. You,

0:49:11.800 --> 0:49:13.920
<v Speaker 1>I mean, why not? Yeah, never know, let's do it.

0:49:14.160 --> 0:49:16.879
<v Speaker 1>Boom Archie. Appreciate you man, love you brother, Yes, sir,