1 00:00:00,160 --> 00:00:03,320 Speaker 1: What up, Dallas j mving OL basketball season? It's here, 2 00:00:03,360 --> 00:00:05,280 Speaker 1: and you know, I'm a New York fan, all right, 3 00:00:05,480 --> 00:00:08,000 Speaker 1: and I'm so excited for everything that's happened in New York. 4 00:00:08,200 --> 00:00:10,600 Speaker 1: So why not when this basketball season start, why not 5 00:00:10,640 --> 00:00:12,760 Speaker 1: have a little fun with it? All right? Today's video 6 00:00:12,800 --> 00:00:15,440 Speaker 1: sponsor is Draft Kings Sports Club, and they're dishing out 7 00:00:15,480 --> 00:00:18,360 Speaker 1: in an awesome offer for all their new customers. All 8 00:00:18,360 --> 00:00:20,640 Speaker 1: new customers need to do is sign up using promo 9 00:00:20,720 --> 00:00:24,680 Speaker 1: code TBC. 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Yeah, I'm in Progue, 34 00:01:47,040 --> 00:01:50,520 Speaker 1: I'm in product Okay, okay, Tech Republic. I don't even 35 00:01:50,560 --> 00:01:52,760 Speaker 1: want you to see me in America no more, Shalom. 36 00:01:52,880 --> 00:01:54,360 Speaker 1: I want you to see me when I'm outside of 37 00:01:54,400 --> 00:01:59,640 Speaker 1: the country because they treat me so much better. You 38 00:01:59,680 --> 00:02:01,640 Speaker 1: gotta see me out there. I did the Old two 39 00:02:01,640 --> 00:02:04,280 Speaker 1: Arena last night, sold out, and then getting tonight. I 40 00:02:04,360 --> 00:02:07,360 Speaker 1: do it again. Wow, And in the midst of a 41 00:02:08,160 --> 00:02:11,480 Speaker 1: whole bunch of we're going on here absolutely, you know 42 00:02:11,520 --> 00:02:13,480 Speaker 1: this this is like my day job, you know, and 43 00:02:13,639 --> 00:02:17,200 Speaker 1: that other stuff was you know, really I'm a full 44 00:02:17,240 --> 00:02:20,360 Speaker 1: time producer, you know. So I got the state coming 45 00:02:20,720 --> 00:02:26,720 Speaker 1: h Actually tomorrow the Florides Twins podcast is Surviving El Chapel. Yeah, 46 00:02:26,800 --> 00:02:29,000 Speaker 1: this is the first time they spoken about this, right, 47 00:02:29,720 --> 00:02:33,280 Speaker 1: first time they spoke. And then they're like, I came 48 00:02:33,320 --> 00:02:35,240 Speaker 1: across them the ill things. I came across them in 49 00:02:35,240 --> 00:02:38,079 Speaker 1: two thousand and four. At the height, they get Richard 50 00:02:38,320 --> 00:02:41,840 Speaker 1: trying Um, one of one of the dudes in box Entourrise, 51 00:02:42,480 --> 00:02:44,919 Speaker 1: decided to leave the hotel and go to competing green 52 00:02:44,960 --> 00:02:50,560 Speaker 1: projects because he wants the party. He had to spin them. 53 00:02:50,600 --> 00:02:51,960 Speaker 1: Did you want to spind a piece? They were all 54 00:02:52,080 --> 00:02:55,520 Speaker 1: them for the piece alway, So I got roll for that, 55 00:02:55,560 --> 00:02:57,600 Speaker 1: the Twins. They got it to the Twins because they 56 00:02:57,639 --> 00:03:00,360 Speaker 1: that's who would have the money to buy that. And 57 00:03:00,400 --> 00:03:03,400 Speaker 1: then uh, Jave Floors. He got the piece back to 58 00:03:03,440 --> 00:03:06,080 Speaker 1: me because just to create the relationship, he brought the 59 00:03:06,120 --> 00:03:09,959 Speaker 1: piece back. He stole it from Buck's Boy. Yeah, and 60 00:03:12,520 --> 00:03:16,120 Speaker 1: then then he got back to me through Gobby Gobby, 61 00:03:16,160 --> 00:03:18,079 Speaker 1: but he's working at US at the time on the 62 00:03:18,120 --> 00:03:20,480 Speaker 1: Steve Rifkin and he had relationship with him, and then 63 00:03:20,520 --> 00:03:22,560 Speaker 1: that's how he got the piece back. I wonder what 64 00:03:22,639 --> 00:03:24,320 Speaker 1: a project like that, what makes you say, you know what, 65 00:03:24,360 --> 00:03:26,400 Speaker 1: I'm gonna take it to a podcast as a poser, 66 00:03:26,480 --> 00:03:29,680 Speaker 1: developing it as a show or film. Now it's developing 67 00:03:29,919 --> 00:03:33,560 Speaker 1: as h it's the new narcles. Okay, what I do 68 00:03:33,600 --> 00:03:35,400 Speaker 1: so I mean is I'm making a podcast so you 69 00:03:35,440 --> 00:03:37,720 Speaker 1: can hear it, because you don't do anything destroying the 70 00:03:37,800 --> 00:03:42,040 Speaker 1: story by informing an audience. Like how many great feature 71 00:03:42,040 --> 00:03:44,320 Speaker 1: films were books that you read before you got a 72 00:03:44,400 --> 00:03:47,640 Speaker 1: chance to see the film. So make the podcast. I 73 00:03:47,680 --> 00:03:52,000 Speaker 1: got the Doctor series coming, and then the actually scripted 74 00:03:52,120 --> 00:03:54,680 Speaker 1: series is on the way foward. Why not? And it's 75 00:03:54,680 --> 00:03:56,520 Speaker 1: like making It's like you're making so much money off 76 00:03:56,520 --> 00:03:59,360 Speaker 1: one piece of content. Yeah, and then when you can 77 00:03:59,360 --> 00:04:01,440 Speaker 1: get it into early stages when they have never said 78 00:04:01,440 --> 00:04:05,160 Speaker 1: anything like you technically it's Chapo is the biggest drug 79 00:04:05,400 --> 00:04:10,400 Speaker 1: like that. That's Look, they've moved one hundred and thirty 80 00:04:10,480 --> 00:04:15,480 Speaker 1: tons of cocaine and harrold damn for that organization. So 81 00:04:15,520 --> 00:04:17,680 Speaker 1: if you look when you say that. I was like 82 00:04:17,680 --> 00:04:21,840 Speaker 1: when you you were selling drugs, I was doing something different. 83 00:04:26,400 --> 00:04:28,760 Speaker 1: You look at it like that. You go, wait now, 84 00:04:29,120 --> 00:04:32,520 Speaker 1: because Charlot me that ground level stuff that we was 85 00:04:32,600 --> 00:04:35,480 Speaker 1: involved in in these environments, in the neighborhoods. When you 86 00:04:35,800 --> 00:04:37,960 Speaker 1: in that level. The first time that they asked for 87 00:04:38,480 --> 00:04:40,240 Speaker 1: some work for them, they had to sell for three 88 00:04:40,279 --> 00:04:43,480 Speaker 1: and they gave them five. So you couldn't court. You 89 00:04:43,520 --> 00:04:46,040 Speaker 1: would have got life your first transaction. You would have 90 00:04:46,040 --> 00:04:49,200 Speaker 1: got life. Damn, you gotta caught five, he though. So 91 00:04:50,240 --> 00:04:53,160 Speaker 1: they're pretty much but their life is online the entire time. 92 00:04:55,640 --> 00:04:57,760 Speaker 1: With all the shows you got coming out, What what 93 00:04:57,800 --> 00:05:00,279 Speaker 1: made you want to go back on the road? You 94 00:05:00,320 --> 00:05:02,240 Speaker 1: know what? I look I could, I said I would 95 00:05:02,720 --> 00:05:06,279 Speaker 1: the first leg of this run, and then it's so 96 00:05:06,480 --> 00:05:09,680 Speaker 1: much Acquiris came in following that that I said, I'll 97 00:05:09,720 --> 00:05:11,880 Speaker 1: go back. I'll look do it that again. But then 98 00:05:11,920 --> 00:05:13,680 Speaker 1: I started calling the world tour and I can't call 99 00:05:13,720 --> 00:05:15,920 Speaker 1: the world torn as I hit all the markets. So 100 00:05:16,880 --> 00:05:20,280 Speaker 1: the third, the third leg of this run will be 101 00:05:20,839 --> 00:05:24,000 Speaker 1: in February, so I'll be back out and felt wary, 102 00:05:24,000 --> 00:05:27,880 Speaker 1: and then I can hit Africa and Australia and the 103 00:05:28,200 --> 00:05:32,279 Speaker 1: Asian country like Thailand and Taipei, Taiwan, Bangkok, China, things 104 00:05:32,279 --> 00:05:34,719 Speaker 1: like that, and then because I hadn't, I haven't been 105 00:05:34,760 --> 00:05:38,760 Speaker 1: back there since the first Anger Management, right, you know 106 00:05:38,800 --> 00:05:41,680 Speaker 1: what I mean? So is there a documentary coming with 107 00:05:41,720 --> 00:05:44,479 Speaker 1: this tour, this world tour. I've been looking in filming 108 00:05:44,560 --> 00:05:49,320 Speaker 1: the whole time. Yeah, it only makes sense. Yeah, everybody 109 00:05:49,360 --> 00:05:51,520 Speaker 1: wants to know where you're going. Fifth you left Stars, 110 00:05:52,200 --> 00:05:54,719 Speaker 1: left Stars high and dry. Yeah, you know what in 111 00:05:54,760 --> 00:05:57,840 Speaker 1: between town because I got three different offers that I'm 112 00:05:57,880 --> 00:06:00,960 Speaker 1: looking at now but showing me. I'm tell you the 113 00:06:00,960 --> 00:06:04,520 Speaker 1: difference is even my relationships at Ryder's Gate, I've been consistent. 114 00:06:04,560 --> 00:06:06,120 Speaker 1: I sold the last thing that I pitched to the 115 00:06:06,240 --> 00:06:13,000 Speaker 1: my soul so um Stars picked it up. The uh 116 00:06:13,520 --> 00:06:16,400 Speaker 1: in that time period, like I got four new shows up. 117 00:06:17,560 --> 00:06:19,480 Speaker 1: You know what I'm saying that we got the Property 118 00:06:19,520 --> 00:06:23,440 Speaker 1: players with Nbing up. You know his wife start the show, 119 00:06:23,480 --> 00:06:28,440 Speaker 1: he just in it. His wife is there. So when 120 00:06:28,440 --> 00:06:32,280 Speaker 1: you see when you see the counterparts, you understand how 121 00:06:32,320 --> 00:06:35,159 Speaker 1: everything else works away from the entertainment, because that's the 122 00:06:35,200 --> 00:06:37,560 Speaker 1: interesting parts of that show to me and their kids. 123 00:06:37,960 --> 00:06:39,880 Speaker 1: Because he did like the Royal Family, you got like 124 00:06:39,920 --> 00:06:43,080 Speaker 1: five we got a whole team, a Chileader. Yeah, that's 125 00:06:43,080 --> 00:06:44,960 Speaker 1: why you know, you know, that's why Caesar got the 126 00:06:45,000 --> 00:06:50,080 Speaker 1: BBL three years ago because he knew eventually he got BBL. 127 00:06:55,720 --> 00:07:04,560 Speaker 1: He did, though, man been in development for you guys 128 00:07:04,560 --> 00:07:07,680 Speaker 1: for a while. So what was the first iteration and 129 00:07:07,800 --> 00:07:09,560 Speaker 1: how did that evolved for you guys to get that 130 00:07:09,600 --> 00:07:12,440 Speaker 1: picked up properly? That was what we went through. A 131 00:07:12,440 --> 00:07:16,400 Speaker 1: bidding war for that show. Like they it was multiple networks. 132 00:07:16,400 --> 00:07:20,440 Speaker 1: They were excited about it. And then of course when 133 00:07:20,480 --> 00:07:24,160 Speaker 1: you see kind of draw that the NBA has with 134 00:07:24,160 --> 00:07:29,320 Speaker 1: with with even the cars showed the seminars about real 135 00:07:29,440 --> 00:07:32,480 Speaker 1: estate and stuff like that, then it looks way more 136 00:07:32,560 --> 00:07:35,440 Speaker 1: significant than a show that you just came with this 137 00:07:35,480 --> 00:07:38,080 Speaker 1: concept and you got this person. It's a personality that's 138 00:07:38,080 --> 00:07:40,040 Speaker 1: going to be on it. When they see it's already 139 00:07:40,120 --> 00:07:43,120 Speaker 1: drawing that many people to it, and and it's already 140 00:07:43,160 --> 00:07:45,640 Speaker 1: so so well established, Like they don't we don't have 141 00:07:45,680 --> 00:07:48,360 Speaker 1: to pick any properties. These are all properties that they 142 00:07:48,400 --> 00:07:52,520 Speaker 1: actually owned in their business with So it's like the 143 00:07:52,560 --> 00:07:55,200 Speaker 1: coolest way was was figuring out the format for it 144 00:07:55,640 --> 00:07:58,920 Speaker 1: to keep it entertaining away from it being just a 145 00:07:59,000 --> 00:08:01,760 Speaker 1: real estate show. It's going to have to show about 146 00:08:01,760 --> 00:08:05,800 Speaker 1: their families while doing real estate. Dope, do you have 147 00:08:05,840 --> 00:08:09,560 Speaker 1: an idea where you're going? Now? You know what? It's 148 00:08:09,600 --> 00:08:13,040 Speaker 1: getting good, it's getting really interesting because look, Charlotte, when 149 00:08:13,080 --> 00:08:16,160 Speaker 1: when you start to see look even I'm on a 150 00:08:17,360 --> 00:08:21,520 Speaker 1: one of the on the board for the Motion Picture 151 00:08:21,720 --> 00:08:24,960 Speaker 1: Television Fun and I'm doing that everybody, all of the 152 00:08:25,000 --> 00:08:27,560 Speaker 1: heads of the studios are. There's the night before the 153 00:08:27,560 --> 00:08:30,520 Speaker 1: Emmies party and You're like, I get a chance to 154 00:08:30,600 --> 00:08:32,520 Speaker 1: jump out on that and that fun. That's my party 155 00:08:32,559 --> 00:08:36,600 Speaker 1: now that that's my h You know how you Jay's 156 00:08:36,640 --> 00:08:40,000 Speaker 1: brunch before the war. Yeah, okay, so mind is before 157 00:08:40,040 --> 00:08:44,320 Speaker 1: the Emmies before, So I'll do that there and then um, 158 00:08:44,440 --> 00:08:47,560 Speaker 1: that's the So it's a lot of fun. Just I 159 00:08:47,640 --> 00:08:51,000 Speaker 1: have relationships now with the heads of the studios and 160 00:08:51,360 --> 00:08:54,400 Speaker 1: so many different networks that I've been that I familiarize 161 00:08:54,480 --> 00:08:58,640 Speaker 1: myself with while coming with these different projects, and then 162 00:08:59,000 --> 00:09:02,160 Speaker 1: the success rades on hi that they just it's the 163 00:09:02,240 --> 00:09:05,000 Speaker 1: right way. I think one of the unwritten laws a 164 00:09:05,160 --> 00:09:08,520 Speaker 1: power is to appear not to need anything. And because 165 00:09:08,559 --> 00:09:10,959 Speaker 1: they know I don't need to sell the show to 166 00:09:11,080 --> 00:09:13,920 Speaker 1: see it the right way, and then they buy the 167 00:09:13,920 --> 00:09:16,480 Speaker 1: show because it's a presentation, is like, this is an 168 00:09:16,480 --> 00:09:18,960 Speaker 1: opportunity for us to have a hit together, not I 169 00:09:18,960 --> 00:09:22,800 Speaker 1: don't need you to do this show. When people are 170 00:09:22,800 --> 00:09:25,560 Speaker 1: pitching themselves or pitching the idea that you know, kind 171 00:09:25,559 --> 00:09:28,520 Speaker 1: of this points of desperation where they're trying to sell 172 00:09:28,559 --> 00:09:30,920 Speaker 1: you something, you know, like trying to hustle you a 173 00:09:30,920 --> 00:09:34,920 Speaker 1: little bit. You know, that's that's his answer. He's not 174 00:09:35,040 --> 00:09:38,600 Speaker 1: telling you where he's going. I will be back to 175 00:09:38,600 --> 00:09:41,760 Speaker 1: tell you exactly what's happening. But I just got multiple 176 00:09:41,800 --> 00:09:43,920 Speaker 1: balls in the look at the same time, I need 177 00:09:43,920 --> 00:09:47,280 Speaker 1: those networks that I think this is a strong possibility 178 00:09:47,320 --> 00:09:49,920 Speaker 1: that I will to buy and move the projects that 179 00:09:49,960 --> 00:09:52,920 Speaker 1: I have with them forward. Okay, and you have hip 180 00:09:52,960 --> 00:09:56,960 Speaker 1: hop homicide. That one sounds fascinating. Yeah, so I don't 181 00:09:56,960 --> 00:10:00,040 Speaker 1: want that that one specifically. You know, that's that's on 182 00:10:00,200 --> 00:10:02,720 Speaker 1: hit home with us because it's just a culture. Even 183 00:10:02,720 --> 00:10:06,840 Speaker 1: if you're not when you report it, you kind of 184 00:10:07,000 --> 00:10:10,040 Speaker 1: have information on people that you're not interested in, Like 185 00:10:10,160 --> 00:10:14,240 Speaker 1: you don't particularly like that artist enough to follow that artist, 186 00:10:14,280 --> 00:10:17,520 Speaker 1: but you still know, we still culturally are aware of 187 00:10:17,600 --> 00:10:19,520 Speaker 1: things happening with them, you know what I mean? And 188 00:10:20,080 --> 00:10:23,280 Speaker 1: when you get into the homicide side of it's so many. 189 00:10:23,400 --> 00:10:25,959 Speaker 1: How many, it's like seven hundred homicide the hip hop 190 00:10:26,040 --> 00:10:29,760 Speaker 1: because the new artists they come, they're still in the street. 191 00:10:30,600 --> 00:10:35,319 Speaker 1: It's the whole what would have been street cultures. Now 192 00:10:35,360 --> 00:10:38,800 Speaker 1: it's like the drill scene, drill music, all of that's happening. 193 00:10:39,120 --> 00:10:41,560 Speaker 1: So so many artists that get knocked off before they 194 00:10:41,600 --> 00:10:47,560 Speaker 1: actually get to the point that they're really recognizable artists. 195 00:10:47,600 --> 00:10:52,120 Speaker 1: We started with the artists that we TV pick, But 196 00:10:52,160 --> 00:10:55,360 Speaker 1: I looked at it like it was a true Prime show. 197 00:10:55,440 --> 00:10:57,520 Speaker 1: So it was like Charlemagne if it was when I'm 198 00:10:57,520 --> 00:11:00,760 Speaker 1: watching First forty eight or when I'm watching Forensic Files. 199 00:11:00,760 --> 00:11:02,400 Speaker 1: I don't care who it is. I'm just looking at 200 00:11:02,400 --> 00:11:06,520 Speaker 1: the details of the scenario and imagining, like what happened, 201 00:11:06,679 --> 00:11:09,400 Speaker 1: Like I'm trying to figure out what happened before they 202 00:11:09,400 --> 00:11:11,839 Speaker 1: tell them. Yeah, I think that they think that's gonna fun. 203 00:11:11,880 --> 00:11:13,719 Speaker 1: People love about hip hop homicide when they see it, 204 00:11:13,760 --> 00:11:16,160 Speaker 1: especially people that's not of the culture. I think they're 205 00:11:16,160 --> 00:11:18,600 Speaker 1: going to be shocked that so many of these rappers 206 00:11:18,960 --> 00:11:22,280 Speaker 1: talk about the ship that they that that they're actually 207 00:11:22,320 --> 00:11:26,080 Speaker 1: going through. Look, I would say I try not to 208 00:11:26,080 --> 00:11:28,160 Speaker 1: say nothing the DA might play in court. That's right 209 00:11:28,760 --> 00:11:30,840 Speaker 1: on two thousand and three in the records, right. And 210 00:11:30,880 --> 00:11:36,360 Speaker 1: then when they go now it's crazier because they're almost 211 00:11:37,360 --> 00:11:40,640 Speaker 1: say specific, they're talking about a crime was committed. And 212 00:11:41,520 --> 00:11:43,079 Speaker 1: look as much as you you would say, no, this 213 00:11:43,240 --> 00:11:46,040 Speaker 1: is art, and you know you're not for them using 214 00:11:46,160 --> 00:11:49,360 Speaker 1: lyrics against the people when when in you know, situations, 215 00:11:49,920 --> 00:11:55,079 Speaker 1: it's tough when it's blatantly said, this directly relates to this, 216 00:11:55,760 --> 00:11:57,720 Speaker 1: you know what I'm saying. And then they got to 217 00:11:57,720 --> 00:11:59,560 Speaker 1: have a better syst than that. Man, they can't can't 218 00:11:59,559 --> 00:12:03,400 Speaker 1: do that, you know what I mean. Garicia to being 219 00:12:03,720 --> 00:12:07,040 Speaker 1: down too, Yeah, yeah, she's working on the BMS series. 220 00:12:07,080 --> 00:12:09,240 Speaker 1: And then you know City Girls up like a moth. 221 00:12:10,720 --> 00:12:15,480 Speaker 1: That just Diddy No no, no, that was a that 222 00:12:15,520 --> 00:12:19,000 Speaker 1: was ahead of the thing with Dathane whatever like that. 223 00:12:19,480 --> 00:12:20,959 Speaker 1: But y'all know, I ain't kissed in the mouth for 224 00:12:21,040 --> 00:12:30,320 Speaker 1: ten years. Man, somebody got to kiss up beaut you know, 225 00:12:30,720 --> 00:12:33,360 Speaker 1: I didn't know, like for real, for real, you know, 226 00:12:33,440 --> 00:12:35,800 Speaker 1: like I ain't one of those situations where you know 227 00:12:35,960 --> 00:12:39,760 Speaker 1: that they had us, like they'll still go back to 228 00:12:39,800 --> 00:12:41,439 Speaker 1: the baby mother, hang out with the baby mother and 229 00:12:41,440 --> 00:12:44,560 Speaker 1: stuff like that. Nah, that that's and and that was 230 00:12:44,640 --> 00:12:47,319 Speaker 1: not like a relationship than anyway. It was more like 231 00:12:47,400 --> 00:12:52,520 Speaker 1: an arrangement, you know. And look, scis my boy. I 232 00:12:52,520 --> 00:12:56,199 Speaker 1: almost named him Chance because of me and Floyd's relationship. 233 00:12:57,120 --> 00:13:00,160 Speaker 1: He kept acting me to come back to Vegas and 234 00:13:00,200 --> 00:13:02,360 Speaker 1: then he'll go, bring bring daply. I'm like, why, he said, 235 00:13:02,400 --> 00:13:04,280 Speaker 1: so we can leave forward with miss Jackson, we can 236 00:13:04,320 --> 00:13:08,600 Speaker 1: go you know, champaut four or five girls his girlfriends 237 00:13:08,720 --> 00:13:11,920 Speaker 1: right there, I'm saying, so he just needs a reason 238 00:13:12,040 --> 00:13:13,320 Speaker 1: for them to be out of the way so we 239 00:13:13,320 --> 00:13:17,040 Speaker 1: can go through everything else. And that kept her around 240 00:13:17,080 --> 00:13:19,240 Speaker 1: consistent enough for that to happen, for us to have 241 00:13:20,000 --> 00:13:22,240 Speaker 1: a little guy. But he's a blessing. I love him 242 00:13:22,280 --> 00:13:25,000 Speaker 1: to death. And this is the only thing. Where do 243 00:13:25,080 --> 00:13:28,400 Speaker 1: you leave the money? Yeah, yeah, yeah, yeah, yeah, I 244 00:13:28,440 --> 00:13:32,319 Speaker 1: saw you saw you got the sire Spirits. Yeah, And 245 00:13:32,679 --> 00:13:34,800 Speaker 1: I put it even that that company is for him 246 00:13:34,800 --> 00:13:38,719 Speaker 1: to run later, you know, to develop it and get 247 00:13:38,720 --> 00:13:41,520 Speaker 1: it going, and then I'll go off to something else 248 00:13:41,520 --> 00:13:44,280 Speaker 1: and do some other things out. Yeah, you got to 249 00:13:44,280 --> 00:13:46,920 Speaker 1: collaborate the Texans and the Kings and the Rockets and 250 00:13:46,960 --> 00:13:49,160 Speaker 1: the Astros where they carry the liquid, they carry the 251 00:13:49,200 --> 00:13:53,400 Speaker 1: brands and in the paces today. It came out in 252 00:13:53,480 --> 00:13:55,960 Speaker 1: the in the paces that we're there for shoot, Coneyak 253 00:13:56,000 --> 00:14:00,560 Speaker 1: and Champagne. Wow. So I'm going to call that there 254 00:14:03,000 --> 00:14:06,240 Speaker 1: the Rockets, the Texans, the Astros, the all of Houston. 255 00:14:06,400 --> 00:14:08,000 Speaker 1: You know what I mean because I'm just got out there. 256 00:14:08,720 --> 00:14:10,760 Speaker 1: I was at a focus there right quick to get 257 00:14:10,760 --> 00:14:16,400 Speaker 1: that together, and then um, I went to Sacramento, Kings 258 00:14:16,080 --> 00:14:19,600 Speaker 1: the spots in that. It's cool to be coming around 259 00:14:19,640 --> 00:14:21,760 Speaker 1: full circle. But you know, like when the league is 260 00:14:21,840 --> 00:14:25,600 Speaker 1: it's very tough for you to meet what they feel 261 00:14:25,680 --> 00:14:29,880 Speaker 1: like a sufficient standard wise the person. Now, I was 262 00:14:29,920 --> 00:14:33,320 Speaker 1: constantly putting out material and it was the old fifty 263 00:14:33,360 --> 00:14:37,640 Speaker 1: six content. It would be afraid to do business with 264 00:14:37,760 --> 00:14:39,760 Speaker 1: me on that level. And then you know when they 265 00:14:39,800 --> 00:14:42,480 Speaker 1: don't see that coming up as much and they just 266 00:14:42,520 --> 00:14:49,200 Speaker 1: see it doesn't really in state that crazy. Yeah, yeah, yeah, 267 00:14:49,560 --> 00:14:52,600 Speaker 1: you got everything. Yeah, you think he's gonna have a 268 00:14:52,640 --> 00:14:55,720 Speaker 1: hard time dealing with business from that one, dealing with manufacturers, 269 00:14:55,760 --> 00:14:59,040 Speaker 1: companies and all. I think, yeah, yeah, because look when 270 00:14:59,080 --> 00:15:02,680 Speaker 1: you personalize when they people, when the things hit people personally, 271 00:15:02,760 --> 00:15:05,760 Speaker 1: they are affected by it personally, So they're using their 272 00:15:05,800 --> 00:15:07,920 Speaker 1: personal judgment with what they want to work who they 273 00:15:07,920 --> 00:15:11,160 Speaker 1: want to work with, who not, And when you like 274 00:15:11,520 --> 00:15:16,200 Speaker 1: you say things that it affects people in the different ways. Man. 275 00:15:16,200 --> 00:15:18,920 Speaker 1: It's like like when I tell even when the boy, 276 00:15:19,040 --> 00:15:21,080 Speaker 1: what's they came around the six nine. I was saying, 277 00:15:21,200 --> 00:15:22,840 Speaker 1: if you got a problem, have a problem with the 278 00:15:22,880 --> 00:15:25,040 Speaker 1: person you have a problem with, don't have a problem 279 00:15:25,080 --> 00:15:29,440 Speaker 1: with all with Chicago, Right, you see what I'm saying, 280 00:15:29,480 --> 00:15:33,480 Speaker 1: and then that what he's saying, it's really broad, So 281 00:15:34,120 --> 00:15:36,320 Speaker 1: you really don't know who you started beef with just now, 282 00:15:38,120 --> 00:15:40,360 Speaker 1: like who really is affected by it? And feel and 283 00:15:40,400 --> 00:15:43,720 Speaker 1: dislike you for saying that and saying just tided you 284 00:15:44,160 --> 00:15:47,880 Speaker 1: being around here anyway. Yeah. Yeah, as with the forty 285 00:15:47,880 --> 00:15:50,960 Speaker 1: a lot of powers, they don't don't offend the wrong person. Yeah, 286 00:15:51,080 --> 00:15:54,640 Speaker 1: and they don't take much Yeah, people and positions that 287 00:15:54,680 --> 00:15:58,560 Speaker 1: they can't block what you got coming now. One person 288 00:15:58,600 --> 00:16:05,920 Speaker 1: that offended you was his whole enhancement situation. Yeah, so Angelo, 289 00:16:05,920 --> 00:16:07,800 Speaker 1: I've been working with this jo for the whole time. 290 00:16:08,960 --> 00:16:11,040 Speaker 1: I'm gonna say it was this a new one? And 291 00:16:11,040 --> 00:16:13,120 Speaker 1: you're gonna tell me mister new one? Then like like 292 00:16:13,320 --> 00:16:18,600 Speaker 1: what she said, No, No, I'm gonna get up because 293 00:16:18,640 --> 00:16:21,040 Speaker 1: it's like the terror Marie thing. Man, it's for like 294 00:16:21,720 --> 00:16:25,080 Speaker 1: you do that. It's not about money, it's about you 295 00:16:25,160 --> 00:16:29,080 Speaker 1: making that mistake, blatant mistake. See what I'm saying. And 296 00:16:29,680 --> 00:16:32,200 Speaker 1: there's other people then I'm sure that I'm not sure 297 00:16:32,280 --> 00:16:34,520 Speaker 1: what they've done, but I know floor Rider didn't know 298 00:16:34,600 --> 00:16:37,880 Speaker 1: you got a facial bro. You see what I'm saying, 299 00:16:41,680 --> 00:16:44,760 Speaker 1: Oh yeah, yeah, okay, okay, gotta face you waiting and 300 00:16:45,040 --> 00:16:48,680 Speaker 1: they think that somehow that that was compensation by them 301 00:16:48,680 --> 00:16:52,520 Speaker 1: being able to utilize you. However, they feel, oh gotcha 302 00:16:52,600 --> 00:16:56,040 Speaker 1: get what you're saying. You will comes so you put 303 00:16:57,120 --> 00:17:02,880 Speaker 1: pen pen of enhancement. I'm gonna see you. Definitely, you 304 00:17:02,960 --> 00:17:05,159 Speaker 1: need to kind of figure out when you scratch that 305 00:17:05,200 --> 00:17:08,200 Speaker 1: money together before everybody's control. We saw a bificult. Fox 306 00:17:08,200 --> 00:17:11,240 Speaker 1: came to your defense what she want online she wanted. 307 00:17:14,920 --> 00:17:17,119 Speaker 1: But you know, it could be a win either way 308 00:17:17,119 --> 00:17:20,399 Speaker 1: because now people know about this, this enhancement surgery, they 309 00:17:20,400 --> 00:17:22,960 Speaker 1: could do that they might not have known before. And 310 00:17:23,000 --> 00:17:26,960 Speaker 1: so she could think they're thinking that I'm directed them 311 00:17:26,960 --> 00:17:30,880 Speaker 1: to do it like I've done it. That's wrong. Don't 312 00:17:30,920 --> 00:17:33,720 Speaker 1: do that. They made Charlotte mayn't want to go because 313 00:17:33,720 --> 00:17:36,000 Speaker 1: when we first saw and reported on I just asked 314 00:17:36,000 --> 00:17:40,480 Speaker 1: about the consultation I didn't want. I'm not saying, you 315 00:17:40,520 --> 00:17:42,280 Speaker 1: know how many guys were like, yo, I didn't even 316 00:17:42,280 --> 00:17:44,440 Speaker 1: know you could do that, even though we know it's 317 00:17:44,440 --> 00:17:46,520 Speaker 1: a law suit and you didn't get it done. The 318 00:17:46,520 --> 00:17:49,640 Speaker 1: fact that it exists now people know. I've never even 319 00:17:49,640 --> 00:17:56,000 Speaker 1: heard anyone successfully doing that. I've heard of guys have 320 00:17:56,680 --> 00:17:58,760 Speaker 1: had a lot of money when did that and died? 321 00:17:59,520 --> 00:18:03,240 Speaker 1: Oh why Yeah, tried to enhance himself in that way. 322 00:18:03,240 --> 00:18:05,800 Speaker 1: And I'm like, yeah, so you was. You had everything 323 00:18:05,800 --> 00:18:08,160 Speaker 1: else going and he was trying to fix that and 324 00:18:08,359 --> 00:18:11,840 Speaker 1: fucked it all up. Damn you. You got the BMF 325 00:18:11,920 --> 00:18:15,720 Speaker 1: dot coming um this Sunday, October twenty three, It's that's 326 00:18:15,720 --> 00:18:18,360 Speaker 1: gonna be on Stars. Like, why why are doc now? 327 00:18:18,520 --> 00:18:20,760 Speaker 1: Like we didn't see in the first season? Yeah the 328 00:18:20,840 --> 00:18:24,160 Speaker 1: doc you know, tell me that that was shot where 329 00:18:24,160 --> 00:18:27,160 Speaker 1: they could have put it in the hole the six 330 00:18:27,240 --> 00:18:31,760 Speaker 1: month gap that they had. Yeah, so, um, but there 331 00:18:31,760 --> 00:18:34,720 Speaker 1: were timing for for it to be seen. So the 332 00:18:34,840 --> 00:18:38,840 Speaker 1: doctor Sharis will come on and that the night that 333 00:18:39,000 --> 00:18:41,960 Speaker 1: the finality is on, that will be the night that 334 00:18:42,840 --> 00:18:46,400 Speaker 1: BMF season two commutes. Oh so when the doc comes 335 00:18:46,400 --> 00:18:50,720 Speaker 1: out this Saturday at midnight see the Two Stars. Wow, 336 00:18:51,160 --> 00:18:53,639 Speaker 1: that's when it starts, and then when the Finality shows up. 337 00:18:53,680 --> 00:18:56,920 Speaker 1: That evening that the Finality is is the evening that 338 00:18:57,040 --> 00:19:01,840 Speaker 1: the BMF scripted series commit Wow, you got so much 339 00:19:01,840 --> 00:19:03,919 Speaker 1: going on. Raising Kennan is one of my favorite shows 340 00:19:03,920 --> 00:19:07,280 Speaker 1: to watch right now. So I just want to say 341 00:19:07,400 --> 00:19:09,879 Speaker 1: the actor who plays like a young fifty he sounds 342 00:19:09,920 --> 00:19:13,040 Speaker 1: like you for real. He does. He slurs words, it 343 00:19:13,040 --> 00:19:15,679 Speaker 1: does everything in the way. I'm like, good, he pays's 344 00:19:15,720 --> 00:19:18,600 Speaker 1: where he worked on that, Like, because you don't really 345 00:19:18,640 --> 00:19:21,040 Speaker 1: talk like that. Oh he does, Okay, Because I was wondering, 346 00:19:21,080 --> 00:19:23,520 Speaker 1: I was like, he really sound like this, No, he 347 00:19:23,600 --> 00:19:26,119 Speaker 1: really did. He really plays attention to him college Like 348 00:19:26,160 --> 00:19:28,760 Speaker 1: y'all gotta say, because who look at the interviews in 349 00:19:28,840 --> 00:19:31,320 Speaker 1: here where I say things a little different and then 350 00:19:31,880 --> 00:19:34,040 Speaker 1: he goes would you say this like this or like that? 351 00:19:34,080 --> 00:19:36,320 Speaker 1: And like when I'm on set and I'm like, yeah, 352 00:19:36,359 --> 00:19:37,840 Speaker 1: you did it right the first time or where you 353 00:19:37,880 --> 00:19:40,359 Speaker 1: did it. You know what's great about all these shows, 354 00:19:40,359 --> 00:19:42,480 Speaker 1: it really does elevate a lot of the people on 355 00:19:42,520 --> 00:19:44,560 Speaker 1: them to a higher status. A lot of them have 356 00:19:44,680 --> 00:19:47,680 Speaker 1: been in things, but maybe not had like a starring role, 357 00:19:47,760 --> 00:19:50,800 Speaker 1: but I see like how much has elevated people Malcolm 358 00:19:50,880 --> 00:19:53,399 Speaker 1: May's you know, he did an amazing job. And I 359 00:19:53,440 --> 00:19:56,040 Speaker 1: know he's done, He's been in multiple things, but for this, 360 00:19:56,040 --> 00:19:58,240 Speaker 1: this is a huge role and out and he was 361 00:19:58,320 --> 00:20:03,600 Speaker 1: he was als amazing and softball you know. And I 362 00:20:03,680 --> 00:20:06,360 Speaker 1: worked with him in that film before we got him 363 00:20:06,359 --> 00:20:09,399 Speaker 1: to come back and him and like Russell Hornsby was 364 00:20:09,440 --> 00:20:11,520 Speaker 1: in good Ridge to that trying with me, I'm getting 365 00:20:11,560 --> 00:20:14,840 Speaker 1: a chance to get the guys that I always like 366 00:20:14,840 --> 00:20:17,199 Speaker 1: like to work with and put them in projects that 367 00:20:17,920 --> 00:20:20,400 Speaker 1: are really exciting projects to get them to the next level. 368 00:20:20,400 --> 00:20:25,280 Speaker 1: And then when when things that we've made the biggest 369 00:20:25,280 --> 00:20:30,119 Speaker 1: live events connected to television programming, so it gives us 370 00:20:30,119 --> 00:20:32,320 Speaker 1: an advantage like we do I do the premier at 371 00:20:32,400 --> 00:20:35,480 Speaker 1: Radio City Music Hall or at Massion School Garden or 372 00:20:35,480 --> 00:20:38,520 Speaker 1: like in Atlanta, were in the shed outdoors because of 373 00:20:38,560 --> 00:20:41,320 Speaker 1: the COVID stuff, you know what I mean. And but 374 00:20:41,400 --> 00:20:44,320 Speaker 1: it's a big enough event that I can bring all 375 00:20:44,400 --> 00:20:46,880 Speaker 1: of the I could kind of use my juice card 376 00:20:47,000 --> 00:20:49,440 Speaker 1: like and have everybody come out and do a little 377 00:20:49,520 --> 00:20:53,480 Speaker 1: something because the event is already sold out, everything's already 378 00:20:54,000 --> 00:20:57,640 Speaker 1: set up. They just come rock you know, you know Flip. 379 00:20:57,720 --> 00:21:01,280 Speaker 1: Everybody wants to know, is there a possibility of of you? 380 00:21:01,280 --> 00:21:03,280 Speaker 1: You know, actually your son, Your son wants to sit 381 00:21:03,320 --> 00:21:06,720 Speaker 1: down with you. No, he doesn't see solo. Man, you 382 00:21:06,760 --> 00:21:10,560 Speaker 1: would call me. You don't call TMZ to say you 383 00:21:10,600 --> 00:21:14,240 Speaker 1: want to sit down. M M. Think about it, man. 384 00:21:15,600 --> 00:21:19,240 Speaker 1: You know he wants some attention and it's okay. You 385 00:21:19,240 --> 00:21:22,520 Speaker 1: can't have as much of that as you want. You know. 386 00:21:22,600 --> 00:21:26,639 Speaker 1: It's just like you, he's been trained to believe what 387 00:21:26,800 --> 00:21:30,040 Speaker 1: you see him say in an in that interview, that 388 00:21:30,280 --> 00:21:32,399 Speaker 1: what he was saying. He's been trained to believe that 389 00:21:32,520 --> 00:21:35,880 Speaker 1: for a long time. Bro. Like you don't just wake 390 00:21:36,000 --> 00:21:37,679 Speaker 1: up and say, oh well, I don't believe what I've 391 00:21:37,720 --> 00:21:40,280 Speaker 1: been believing forever, you know what I mean? Like when 392 00:21:40,280 --> 00:21:46,639 Speaker 1: I said that that he's entitled. Really it's his mom's title. Man, 393 00:21:46,640 --> 00:21:50,879 Speaker 1: it's been filtered. See when I told you I was 394 00:21:50,960 --> 00:21:53,919 Speaker 1: giving out half a million hours a year, they go 395 00:21:54,000 --> 00:21:56,480 Speaker 1: through the paperwork, they see half million hours a year. Well, 396 00:21:56,560 --> 00:22:00,399 Speaker 1: at that point she still was expecting more. This is 397 00:22:00,400 --> 00:22:03,400 Speaker 1: why I took the JOWD sport. You don't usually sign 398 00:22:03,520 --> 00:22:05,920 Speaker 1: up to jown sport like I took myself to John 399 00:22:05,960 --> 00:22:09,280 Speaker 1: Support because she wasn't understanding and that were Almo, already 400 00:22:09,320 --> 00:22:11,600 Speaker 1: giving you more than you're supposed to get it. Then 401 00:22:11,600 --> 00:22:13,720 Speaker 1: when it turns into the sixty seven hundred, that's not 402 00:22:13,840 --> 00:22:17,119 Speaker 1: enough and it's never gonna be enough. But remember me 403 00:22:17,200 --> 00:22:19,400 Speaker 1: constantly coming to you, talk to you about she don't 404 00:22:19,400 --> 00:22:22,639 Speaker 1: want to what you need to get a job. She 405 00:22:22,680 --> 00:22:26,320 Speaker 1: didn't hear me. Yeah, you used to always say, he's 406 00:22:26,320 --> 00:22:29,000 Speaker 1: almost eighteen. The child sport is gonna be up. I 407 00:22:29,119 --> 00:22:30,960 Speaker 1: gonna be up soon. And you don't see it because 408 00:22:31,600 --> 00:22:34,879 Speaker 1: that's not real to them. They just live in the moment, 409 00:22:35,040 --> 00:22:36,760 Speaker 1: like and it's it's fine, I'll take care of it 410 00:22:36,800 --> 00:22:39,439 Speaker 1: on the next thing when it comes, the next the 411 00:22:39,480 --> 00:22:42,560 Speaker 1: next check coming in every month. Like I don't feel 412 00:22:42,560 --> 00:22:46,760 Speaker 1: the pressure that or resentment that men feel with Chow 413 00:22:46,840 --> 00:22:51,080 Speaker 1: support because I take care of it, winning the problem 414 00:22:51,119 --> 00:22:54,960 Speaker 1: type mean. I took the money and moved it to 415 00:22:55,040 --> 00:22:57,920 Speaker 1: account that year, so on the books that was an 416 00:22:57,920 --> 00:23:00,040 Speaker 1: expense for that year. And then the next year I 417 00:23:00,040 --> 00:23:03,920 Speaker 1: didn't feel that financially anymore, and it was like David 418 00:23:03,960 --> 00:23:06,920 Speaker 1: was receiving it every month, but I had already put 419 00:23:06,920 --> 00:23:09,760 Speaker 1: that money, so it's already took the loss on that year. 420 00:23:10,640 --> 00:23:12,960 Speaker 1: So later if you're not, if you're not having years 421 00:23:12,960 --> 00:23:17,520 Speaker 1: that bringing the same kind of money, it may affect 422 00:23:17,560 --> 00:23:21,040 Speaker 1: you more later, I mean, if your career slows down 423 00:23:21,119 --> 00:23:23,280 Speaker 1: if you're not you know, like, I just didn't want 424 00:23:23,280 --> 00:23:24,680 Speaker 1: that to be an issue at any point, so I 425 00:23:24,760 --> 00:23:28,600 Speaker 1: just took care of the sire. Is the situation when't 426 00:23:28,960 --> 00:23:34,680 Speaker 1: I have good communications with like and for him, his 427 00:23:35,160 --> 00:23:38,160 Speaker 1: aunt really his ansome make it easier for me because 428 00:23:38,160 --> 00:23:40,840 Speaker 1: I don't really like his moms like that. So but 429 00:23:41,000 --> 00:23:47,560 Speaker 1: we I've been able to share and raise him, you 430 00:23:47,560 --> 00:23:49,719 Speaker 1: know what I'm saying, or real fighting and stuff like that. 431 00:23:49,760 --> 00:23:54,560 Speaker 1: And you God, outside of you, you could think puffy, 432 00:23:54,560 --> 00:23:57,000 Speaker 1: that puffy situation. You could there nothing else there. And 433 00:23:58,920 --> 00:24:01,040 Speaker 1: you know, most most young men grow up and they 434 00:24:01,080 --> 00:24:03,480 Speaker 1: realized that, you know, they was only getting one side 435 00:24:03,480 --> 00:24:06,800 Speaker 1: of the story, usually from the mother. So that's that's 436 00:24:06,840 --> 00:24:08,439 Speaker 1: when they want to, you know, go go talk to 437 00:24:08,440 --> 00:24:11,720 Speaker 1: the pops and the like, damn have that relationship. Kind 438 00:24:11,720 --> 00:24:16,960 Speaker 1: of it kind of happened. And raising Kinane, you know, 439 00:24:17,160 --> 00:24:21,440 Speaker 1: raising Canan was was like it's really like him as 440 00:24:21,480 --> 00:24:23,600 Speaker 1: the kid has been sheltered and he looks and he's 441 00:24:23,640 --> 00:24:27,440 Speaker 1: excited by ghosts. He's wearing the suit stuff and you 442 00:24:27,520 --> 00:24:31,760 Speaker 1: don't really understand who ghost is. You see what I'm saying, 443 00:24:32,600 --> 00:24:35,480 Speaker 1: can in the jail to to make that and he 444 00:24:35,480 --> 00:24:38,000 Speaker 1: wouldn't get his business back. He's just allowing him the 445 00:24:38,040 --> 00:24:40,520 Speaker 1: opportunity to do deal with that, so he would deserve 446 00:24:40,600 --> 00:24:44,320 Speaker 1: everything that he did for him. You see what I'm 447 00:24:44,320 --> 00:24:49,479 Speaker 1: saying in that character. But when you look at to 448 00:24:49,560 --> 00:24:53,320 Speaker 1: this point, when you if you mailed someone a million 449 00:24:53,359 --> 00:24:57,040 Speaker 1: dollars right and have zero respect for you, how much 450 00:24:57,040 --> 00:24:58,560 Speaker 1: you think you got to give them before they have 451 00:24:58,600 --> 00:25:05,200 Speaker 1: a little bit? Dang, Yeah, it's not gonna the relationship. 452 00:25:05,240 --> 00:25:09,920 Speaker 1: I don't think that works. So you so you would 453 00:25:09,960 --> 00:25:12,520 Speaker 1: never be open to it now, I don't think the 454 00:25:12,560 --> 00:25:15,280 Speaker 1: relationship works. I'm not looking for a long time telling 455 00:25:15,320 --> 00:25:18,639 Speaker 1: me I've I've been running behind him. I went places 456 00:25:18,720 --> 00:25:22,479 Speaker 1: that he went, and he left the place. You see 457 00:25:22,560 --> 00:25:24,480 Speaker 1: what I'm saying. And then there's a I went to 458 00:25:26,760 --> 00:25:28,960 Speaker 1: in the text messages that it was out. If y'll 459 00:25:29,000 --> 00:25:30,960 Speaker 1: get a chance to look at him, that's me talking 460 00:25:31,000 --> 00:25:34,040 Speaker 1: to his mother because his mother's texting me through his phone. 461 00:25:35,359 --> 00:25:37,480 Speaker 1: You see what I'm saying. So I said that I said, 462 00:25:38,160 --> 00:25:42,159 Speaker 1: knowing that this is hard responding to me, and it 463 00:25:42,280 --> 00:25:45,120 Speaker 1: looks a little rough for him from what I'm saying 464 00:25:45,160 --> 00:25:48,560 Speaker 1: to him. But it's the circumstances of Look, what's the 465 00:25:48,640 --> 00:25:51,800 Speaker 1: penalty of if you're not following the order? All you 466 00:25:51,880 --> 00:25:55,160 Speaker 1: do is go back to court. Yeah, she never got 467 00:25:55,200 --> 00:25:59,639 Speaker 1: a job. What is the penalty. There's no penalty for her. 468 00:25:59,680 --> 00:26:02,280 Speaker 1: They tell me to pay my lawyer, to pay her lawyer. 469 00:26:03,160 --> 00:26:06,520 Speaker 1: That's real, to pay for everything every time you go 470 00:26:06,680 --> 00:26:09,320 Speaker 1: do it, And there's no penalty for her because she 471 00:26:09,400 --> 00:26:11,840 Speaker 1: doesn't have anything outside of what they're saying is support 472 00:26:11,880 --> 00:26:16,720 Speaker 1: for the child. So what do they do. They're not 473 00:26:16,800 --> 00:26:18,200 Speaker 1: going to tell her to pay for any She just 474 00:26:18,680 --> 00:26:20,719 Speaker 1: to continue the same energy. You see there has been 475 00:26:20,760 --> 00:26:22,600 Speaker 1: there the whole time. Look, you told about the kid. 476 00:26:22,960 --> 00:26:25,320 Speaker 1: That's not even a kid. It's twenty five years old. 477 00:26:26,160 --> 00:26:29,040 Speaker 1: You know. My issue was a sixteen angela. They wanted 478 00:26:29,040 --> 00:26:32,359 Speaker 1: to charge me as an adult. Then you see what 479 00:26:32,400 --> 00:26:36,040 Speaker 1: I'm saying. So you look and you go, wouldn't you 480 00:26:36,160 --> 00:26:39,440 Speaker 1: gonna figure it out? Right in front? Like they act 481 00:26:39,520 --> 00:26:42,440 Speaker 1: like they got money, You ain't done the money. Ain't 482 00:26:42,440 --> 00:26:44,800 Speaker 1: the money there? The house that they stayed in, the 483 00:26:44,840 --> 00:26:47,000 Speaker 1: Atlanta while he was out there, four clothes on them 484 00:26:47,040 --> 00:26:51,480 Speaker 1: before they left, as the child support wasn't complete. Mismanager 485 00:26:51,560 --> 00:26:54,480 Speaker 1: the money that you was being said, you see what 486 00:26:54,520 --> 00:26:57,800 Speaker 1: I'm saying, And they'll look and keep making reference to 487 00:26:57,880 --> 00:26:59,640 Speaker 1: that point that they have money. That was the point 488 00:26:59,720 --> 00:27:03,840 Speaker 1: that you was around me. But they don't. They don't 489 00:27:03,840 --> 00:27:06,159 Speaker 1: have no. Now that he was in Queens working in Vanity, 490 00:27:06,320 --> 00:27:10,520 Speaker 1: he's a hooker boy, you see what I'm saying. So 491 00:27:10,760 --> 00:27:14,720 Speaker 1: while he's there or the hooker, watermelon hooker, and you 492 00:27:14,760 --> 00:27:19,359 Speaker 1: see him, wouldn't go get it. Man. But by the way, 493 00:27:19,400 --> 00:27:20,920 Speaker 1: fifth you are the person who said have a baby 494 00:27:20,960 --> 00:27:23,240 Speaker 1: by me, baby be a millionaire. So that's your fault. Yeah, 495 00:27:23,400 --> 00:27:27,399 Speaker 1: this is after I got the numbers back. I tell me, 496 00:27:28,560 --> 00:27:31,119 Speaker 1: what was gonna happen if you do? I said, what 497 00:27:33,240 --> 00:27:35,159 Speaker 1: that's crazy? I know you, I know you gotta go. 498 00:27:35,240 --> 00:27:39,400 Speaker 1: But now you're on the road, a new project, new music. 499 00:27:39,760 --> 00:27:41,600 Speaker 1: What are we doing music wise? And you know what, 500 00:27:41,720 --> 00:27:44,480 Speaker 1: I got some things that end up putting on it 501 00:27:44,600 --> 00:27:47,960 Speaker 1: in the soundtrack on the projects. And then of course 502 00:27:48,080 --> 00:27:50,440 Speaker 1: even when they get a chance to see if Popply plays, 503 00:27:50,440 --> 00:27:52,280 Speaker 1: I might have something special for that to have, you know, 504 00:27:52,440 --> 00:27:55,520 Speaker 1: opening sequences and stuff like that on the show. You 505 00:27:55,640 --> 00:27:58,760 Speaker 1: got to you gotta make it the highest production value 506 00:27:58,840 --> 00:28:02,760 Speaker 1: possible to make this feel good, you know what I mean? Absolutely, Yeah, 507 00:28:03,520 --> 00:28:05,639 Speaker 1: we appreciate you checking in and we're waiting to hear 508 00:28:05,680 --> 00:28:08,560 Speaker 1: that announcement to see where you're going. Many. Yeah, it's 509 00:28:08,600 --> 00:28:11,040 Speaker 1: all love. Man, It's gonna be good. You know that. 510 00:28:12,320 --> 00:28:15,320 Speaker 1: You should. I think you who's who we are your podcast? 511 00:28:15,400 --> 00:28:17,119 Speaker 1: Don't think I don't cut my ears everywhere. I'm all 512 00:28:17,160 --> 00:28:22,960 Speaker 1: on the street, trouping, going everything. I'm think attention to 513 00:28:23,080 --> 00:28:26,200 Speaker 1: everything like this. We gotta figure something now. Definitely, I 514 00:28:26,280 --> 00:28:30,200 Speaker 1: would love to you. I tell people all the time, 515 00:28:30,240 --> 00:28:32,760 Speaker 1: fifty one of the biggest people out here moving in television. 516 00:28:33,160 --> 00:28:35,679 Speaker 1: And for whatever reason, it don't feel like Hollywood has 517 00:28:35,680 --> 00:28:38,960 Speaker 1: given you that recognition. But it's not too many people 518 00:28:39,080 --> 00:28:42,120 Speaker 1: doing it like you're doing it black all white. But 519 00:28:42,280 --> 00:28:45,520 Speaker 1: then our culture they'll see who's making things get done, 520 00:28:45,680 --> 00:28:47,960 Speaker 1: you know what I'm saying, and then how how it? No, 521 00:28:48,080 --> 00:28:50,600 Speaker 1: I don't need trophies, man, guys, got enough of them 522 00:28:50,640 --> 00:28:55,120 Speaker 1: with the music. Um, it's just to get more done. 523 00:28:55,880 --> 00:28:58,640 Speaker 1: Like then, when you say diversity, it is the key 524 00:28:58,800 --> 00:29:02,640 Speaker 1: to real entertainment. At this point because it's been isolated 525 00:29:02,720 --> 00:29:04,920 Speaker 1: to one thing for a long time. Bro, And this 526 00:29:05,080 --> 00:29:07,160 Speaker 1: is when you have the hits that will unexpected hits 527 00:29:07,600 --> 00:29:09,800 Speaker 1: like the Power series, and when they see the successive 528 00:29:09,960 --> 00:29:14,440 Speaker 1: Power Universe and everything else, they go, yeah, it's then 529 00:29:14,640 --> 00:29:19,600 Speaker 1: like I got twenty six shows right now. Damn damn. Yeah, 530 00:29:19,640 --> 00:29:23,600 Speaker 1: that next deal gonna be like eleven figures. They're gonna 531 00:29:23,600 --> 00:29:25,360 Speaker 1: have to pay. I ain't going I ain't even gonna 532 00:29:25,360 --> 00:29:27,480 Speaker 1: do it. I'd be like this, No, I'm I like 533 00:29:27,640 --> 00:29:31,640 Speaker 1: it here nice by myself. And then I'll build the 534 00:29:31,720 --> 00:29:34,440 Speaker 1: studios and everything else. I'll start making them myself instead 535 00:29:34,480 --> 00:29:38,160 Speaker 1: of giving them to them first. All right, all right, 536 00:29:38,240 --> 00:29:41,200 Speaker 1: well appreciate your filth. Yeah, when you're back in New York, 537 00:29:41,240 --> 00:29:44,640 Speaker 1: you gotta come up definitely. I come up there right nearly, 538 00:29:45,280 --> 00:29:48,320 Speaker 1: all right, fifty cent. It's the Breakfast Club the morning