WEBVTT - Mini Crush #100

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Many Crush. I'm sitting across from Nole. I

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<v Speaker 1>was about to do a trumpet fanfare sounded fact that's

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<v Speaker 1>not very No, Like, what do you mean, I don't

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<v Speaker 1>know what we want to make it. I don't know.

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<v Speaker 1>I'm doing my best. Nol's across from me, which means

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<v Speaker 1>Ramsey is to my left and Nold's right, and the

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<v Speaker 1>reason we're all in here today and for the fanfare

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<v Speaker 1>and for the fright. You know, Ramsey never misses fanfare. Uh,

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<v Speaker 1>Ramsey is your mic live too. By the way, it

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<v Speaker 1>is okay good. Feel free to say stuff whenever I

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<v Speaker 1>point at you right with finger guns specifically. So the

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<v Speaker 1>reason we're all in here today, everybody, as you have

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<v Speaker 1>seen on your little pod player, this is episode number one,

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<v Speaker 1>Many episode one. Yeah, so does that mean it's regular

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<v Speaker 1>episode one as well? No, they started later, duh. They

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<v Speaker 1>started later, and they're twice as many, so it's more

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<v Speaker 1>like two D and something. Wow. So we're totally I've

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<v Speaker 1>I've it's been six days, chuck, I've I've already gotten

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<v Speaker 1>my start on just fine. Um No, So it's so

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<v Speaker 1>we're technically winning because you know, many crushes winning over

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<v Speaker 1>the regular crush. It's clearly the superior sub position with

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<v Speaker 1>myself already have enough of those. Um, yeah, it's exciting, dude,

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<v Speaker 1>it's number one hundred. I'm very proud of what to

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<v Speaker 1>many crush has become. Uh. It started off as just

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<v Speaker 1>an idea quite honestly, everyone to get more downloads. And

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<v Speaker 1>then all of a sudden I was like, wait a minute,

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<v Speaker 1>this is super fun and um the nulk comes aboard

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<v Speaker 1>as a voice and you were worked in more and more?

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<v Speaker 1>Is that all I am to chuck? A voice? Well,

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<v Speaker 1>your voice wrapped in a meat sack, Harry meat sack?

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<v Speaker 1>What's Stephen Colbert? How he described Harvey Weinstein? He said,

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<v Speaker 1>he looks like the dude gum rolled in cat hair.

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<v Speaker 1>These are very visceral images, freaking walker into court? What

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<v Speaker 1>did he really? Mr Brady? Well, Mr Brady didn't wear it?

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<v Speaker 1>Why is he not? Well? What's what's wrong with Harvey?

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<v Speaker 1>I don't know? Not enough? Is it? Is this really

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<v Speaker 1>the equivalent of like wearing a neck brace when you're

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<v Speaker 1>going to like got you got got? Yeah, that's pretty funny.

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<v Speaker 1>But Mr Brady thor did that one he got popped though,

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<v Speaker 1>like didn't he already get a conviction or like, no,

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<v Speaker 1>this is his day in court, you know he but

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<v Speaker 1>he wasn't he indicted in l A And then like

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<v Speaker 1>like this more kid, that's what it was. Excuse me,

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<v Speaker 1>more new charges. On the very same day he was

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<v Speaker 1>to be more rap. That's all we need in he

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<v Speaker 1>so he who's admonished for being on a cell phone

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<v Speaker 1>in court too much after warnings, and the judge was

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<v Speaker 1>just like, dude, you gotta fucking serious. That's why. Really

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<v Speaker 1>what the judge said, He's gotta fucking kid. He really

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<v Speaker 1>said that. He's saying, like a Brooklyn accent, I wish

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<v Speaker 1>it would have been great. Get the funk out of here.

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<v Speaker 1>You gotta be fucking kidding me with that, Harvey. Anyway,

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<v Speaker 1>Number one, everyone, it's become one of the most fun

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<v Speaker 1>things because uh of Noel's inclusion and because of the

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<v Speaker 1>interaction that we have with you all out there is

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<v Speaker 1>really what makes it fun and special. And it's like

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<v Speaker 1>you always say this, it's like one of the most

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<v Speaker 1>fun things we do here. It's really nice. I always

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<v Speaker 1>say it too, and I'll say it the last time

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<v Speaker 1>I swear to god, we do it early. It's one

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<v Speaker 1>of the earlier things that I do here, you know,

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<v Speaker 1>podcast wise, and it's really always sets the tone really

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<v Speaker 1>nice food day. I really really enjoy it. I'm sorry,

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<v Speaker 1>just slort my coffee and people. Uh so, let's say

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<v Speaker 1>we just do a hundred more okay and then quit

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<v Speaker 1>just one finite we have we'll have to put a

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<v Speaker 1>clock on it. I like that. Good that? Um so everyone?

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<v Speaker 1>This is also the final show before the live movie

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<v Speaker 1>crush in uh sketch Fest. Is someone knocking on our

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<v Speaker 1>goddamn door? What's that you, Ramsey? You can speak? It

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<v Speaker 1>was my coffee cup? Is that it's a beefy coffee cup.

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<v Speaker 1>It's like got it looks like a like a ride

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<v Speaker 1>at the fair, like one of those like pirate ship things,

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<v Speaker 1>but dragon shapeffe rams horns though. Yeah, my daughter painted

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<v Speaker 1>painted it for me as a Christmas present and like

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<v Speaker 1>one of those places like a color me mine or whatever.

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<v Speaker 1>That's some pretty good painting too, man. Yeah, she got

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<v Speaker 1>artistic skill. She does. All she does is craft. I

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<v Speaker 1>have she has an entire room in our basement just

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<v Speaker 1>for crafting. I have an original on canvas from from

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<v Speaker 1>her daughter yeah, yeah, can I commission one? I'm sure

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<v Speaker 1>you can. She's very entrepreneurial. Speaking of North the cap mall, Um,

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<v Speaker 1>that's the one place in it's like sort of a

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<v Speaker 1>dying mall here in uh in Atlanta work. Yeah, okay,

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<v Speaker 1>I'm just telling the folks. I'm it's sort of a

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<v Speaker 1>half living, half like undead kind of mall. Which mall it's, yeah, exactly,

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<v Speaker 1>it's a sad mall. There's this one store that's like

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<v Speaker 1>been in liquidation sale for like a year, two years now.

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<v Speaker 1>It's everything's covered in plastic and on pallettes. It's the

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<v Speaker 1>whole thing. But there's a movie theater there that shows

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<v Speaker 1>first run, like you know, blockbuster type movies, and it's

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<v Speaker 1>always five bucks. Inexplicably, it's super cheap. It doesn't make

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<v Speaker 1>any I don't understand it. I think it's a front.

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<v Speaker 1>It's an AMC two. It's an AMC. And it's also

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<v Speaker 1>in a neighborhood with a lot of Indian and Indian families,

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<v Speaker 1>so they show a lot of Bollywood movies there, which

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<v Speaker 1>is an unusual thing for a first run movie theater.

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<v Speaker 1>I don't know. All I'm saying is I was there

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<v Speaker 1>over the weekend, speaking of the Paint your Own Pottery

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<v Speaker 1>place that used to be there at the North Caplan

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<v Speaker 1>saw the movie Cats, and uh, let's hear it it

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<v Speaker 1>will it will? I take it you went either just

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<v Speaker 1>because your daughter wanted to see it or because you

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<v Speaker 1>just wanted to have a good time and laughing at something. Yeah,

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<v Speaker 1>and I had heard that it was like so bad

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<v Speaker 1>that it wasn't even fun. Uh. That kind of proved

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<v Speaker 1>to be the case, Like, yeah, it just it made

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<v Speaker 1>me physically uncomfortable, and just something about it just felt

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<v Speaker 1>like because it was you know, c g I combined

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<v Speaker 1>with really intense like modern dance and like you know

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<v Speaker 1>it dressed Elba in a weird ripped first suit, you know,

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<v Speaker 1>like pirouetting around this the floor. And I've got I'm

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<v Speaker 1>gonna I'm not gonna see it in the theater, but

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<v Speaker 1>I definitely can't wait to watch it. It's one of

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<v Speaker 1>those movies that is so regarded as weirdly awful that

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<v Speaker 1>you've got to see. I feel like it's gonna get

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<v Speaker 1>a little cult niche kind of following because it's just

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<v Speaker 1>so nightmare fuel psychedelic in a bad way. I usually

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<v Speaker 1>use that term. I me and its like in twenty

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<v Speaker 1>or is this the kids are gonna be sitting around

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<v Speaker 1>doing bod hits and watching Cats. Totally totally, but they're

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<v Speaker 1>gonna be their room. I do recommend seeing it if

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<v Speaker 1>for only like to just like the fact that it

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<v Speaker 1>exists is fascinating to me. Like nobody asked for this movie.

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<v Speaker 1>Cats is always a weird Broadway show. It's like, has

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<v Speaker 1>got no plot. It's all these weird cats suited like dancers,

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<v Speaker 1>with no plot to speak of. And it's just kind

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<v Speaker 1>of cats catting around and with funny names, and and

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<v Speaker 1>I don't there's not it's not only about anything. They

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<v Speaker 1>should pin the executive who actually green lit it and

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<v Speaker 1>expose that person. You think so docs them. Yeah, I

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<v Speaker 1>just you know, I feel bad for for Tom Hooper

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<v Speaker 1>because I thought Leams was a damn good adaptation of

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<v Speaker 1>Broadway show that I love. They did a great job

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<v Speaker 1>in King's speech, obviously great film. This is just a

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<v Speaker 1>real weird one. I wonder if he pushed forward, if

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<v Speaker 1>it got dropped on him or what. He was probably

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<v Speaker 1>excited about it because it's a kind of a legendary

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<v Speaker 1>Broadway show. It's beloved, but it's also weird. And like

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<v Speaker 1>kind of iceive people either love cats and they're all

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<v Speaker 1>in or like, I don't know what this thing is.

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<v Speaker 1>And as a movie, that's that's a tough sell, right

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<v Speaker 1>It's like, you know, to get that buy in from

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<v Speaker 1>like a broad audience for a weird ass thing like

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<v Speaker 1>that is it is a tall order. Well, and there's

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<v Speaker 1>something different about clearly watching a human on a stage

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<v Speaker 1>in a cat suit and makeup or than trying to

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<v Speaker 1>do the weird CG cats that is that you know

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<v Speaker 1>everything it's like and they have this sounds strange, but

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<v Speaker 1>they have no genitalia. It's a smooth down there and

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<v Speaker 1>and and yet interest Elba is like ripped and has

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<v Speaker 1>this like weird like nine pack, and then Rebel Wilson

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<v Speaker 1>has you know, all of the female cats have very

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<v Speaker 1>pronounced bosoms, you know, let's say, and they're all thats

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<v Speaker 1>not to get to graphic, but bosom me. But no

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<v Speaker 1>nipples of course, of course not so it's like a

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<v Speaker 1>doll almost. It's a weird effects and smoothed out breasts. Yeah,

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<v Speaker 1>with tales kind of just doing their thing. And there's

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<v Speaker 1>even if there's a scene where the tails almost it

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<v Speaker 1>feels like they're meant to represent like getting an erection.

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<v Speaker 1>It's all the cats are real sexy at each other too.

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<v Speaker 1>It's just like there's a lot of preening and kind

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<v Speaker 1>of like nuzzling and stuff. My kid was like covering

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<v Speaker 1>her face but not understanding why she was uncomfortable. I

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<v Speaker 1>don't know what this is weird, man, It was very straight.

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<v Speaker 1>If you track down the original email that green lit

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<v Speaker 1>the movie, and it was like clearly written by a

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<v Speaker 1>cat who had yeah, you need to make this movie

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<v Speaker 1>right now exactly. Don't don't think they don't say there's

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<v Speaker 1>a lot of weird miss mows and so Ian McKellan

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<v Speaker 1>like literally he's the catti as cat of them all.

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<v Speaker 1>Everyone's giving him props for like really just leaning into

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<v Speaker 1>being a cat, because he clearly was into it. Um

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<v Speaker 1>as you see apparently Judy Dinch they didn't even see

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<v Speaker 1>g her yeah, or she left off her paw. Yeah.

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<v Speaker 1>And you can see a human in hand and see

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<v Speaker 1>your human hand. They all have human hands. They don't

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<v Speaker 1>have paws, but they're covered in slight for this is

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<v Speaker 1>not notred. Like a mistake that got really and then

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<v Speaker 1>they've fixed. They sent out a new print, you know,

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<v Speaker 1>it's bad when they're like, no, no, sorry, wrong movie

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<v Speaker 1>watch this one. Apparently it was just so down to

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<v Speaker 1>the wire that even like the effects like in the trailer,

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<v Speaker 1>the one that made the Internet loses fucking mind, weren't

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<v Speaker 1>ready so it looked extra creepy in on Canny Valley.

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<v Speaker 1>So anyway, the whole real ship show with that one.

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<v Speaker 1>But now people are like, you know, to see people

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<v Speaker 1>are writing blogs about watching it on mushrooms and stuff,

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<v Speaker 1>and like that's gonna be where it's probably where it's headed,

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<v Speaker 1>you know. Oh, I love it all right. This is

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<v Speaker 1>also the last show before the live Sketch Fest Movie Crush. Um,

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<v Speaker 1>there is still time to get tickets, and god, let's

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<v Speaker 1>be honest, if it's thirty seconds before showtime, there's gonna

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<v Speaker 1>be tickets available totally. Who are you talking to? You

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<v Speaker 1>said you're doing a new thing this time, like a

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<v Speaker 1>group thing. Yeah, So what I'm gonna do is, by

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<v Speaker 1>the way, the show is Sunday, January nine, That is

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<v Speaker 1>this coming Sunday at eight pm. And you can get

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<v Speaker 1>tickets at the s F Sketch Fest site. Just google

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<v Speaker 1>that junk google movie crush. It'll take you right there

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<v Speaker 1>and I'm gonna have two people I know for sure,

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<v Speaker 1>I'm having the great how lublin uh improv buddy. He's hysterical. Um,

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<v Speaker 1>he's a podcaster. He's uh, he's one of the ones

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<v Speaker 1>that works with Janet Varney and had me on stage

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<v Speaker 1>at at max vun to tell stories and stuff that

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<v Speaker 1>they improv. So we are also getting a lady on

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<v Speaker 1>and I'm just not sure who uh it may Well.

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<v Speaker 1>I don't want to say who yet because she's reached

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<v Speaker 1>out to a few people. But the idea is there's

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<v Speaker 1>gonna be a couple of people there are gonna get

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<v Speaker 1>in microphones and we're gonna walk around in the audience

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<v Speaker 1>and get people to contribute. So your assignment if you

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<v Speaker 1>were coming to the show for sure, is you need

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<v Speaker 1>to uh put together a haiku. Bring in a haiku

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<v Speaker 1>uh that the guests will have to guess the movie title.

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<v Speaker 1>So we're gonna do that deal. So haiku that describes

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<v Speaker 1>a film. Um, And I'm not sure what else we're

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<v Speaker 1>gonna do that'll get us started. Pay attention to the

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<v Speaker 1>Facebook page because you will have more homework assignments. What

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<v Speaker 1>else would be fun to do? Noel, that we've done

0:12:18.720 --> 0:12:21.160
<v Speaker 1>that would be interactive. I was gonna do a live

0:12:21.200 --> 0:12:24.800
<v Speaker 1>Holes where all the audience keeps their own score, and

0:12:24.840 --> 0:12:27.840
<v Speaker 1>then maybe a little prize for the winner, hope, who

0:12:27.880 --> 0:12:30.280
<v Speaker 1>have seen the most movies. So get ready for live

0:12:30.320 --> 0:12:34.480
<v Speaker 1>Holes Live. I like that. That's a good name in

0:12:34.480 --> 0:12:36.760
<v Speaker 1>and of itself, live in active Holes. I'm trying to think,

0:12:36.840 --> 0:12:38.920
<v Speaker 1>like needed a couple of more bits. Was it trope

0:12:38.960 --> 0:12:41.520
<v Speaker 1>trope time? Trope time? Was it? How could you? How

0:12:41.559 --> 0:12:44.240
<v Speaker 1>could you crowdsource trope times? Just feel like we've been

0:12:44.360 --> 0:12:46.520
<v Speaker 1>over those so much. I don't know, there's only there's

0:12:46.520 --> 0:12:49.319
<v Speaker 1>a there's a finite number of tropes. All right, we'll

0:12:49.360 --> 0:12:51.760
<v Speaker 1>just pay attention to the Facebook page for more homework,

0:12:51.840 --> 0:12:54.160
<v Speaker 1>and at the show, I'll come out a little early

0:12:54.280 --> 0:12:56.280
<v Speaker 1>and kind of you know, everyone will have a pad

0:12:56.320 --> 0:12:57.880
<v Speaker 1>of paper and a pencil. I'm gonna bring all that

0:12:57.920 --> 0:13:00.199
<v Speaker 1>stuff and I'm gonna give you some more home work

0:13:00.240 --> 0:13:02.360
<v Speaker 1>to do. So that sounds like fun. Looking forward to that.

0:13:02.400 --> 0:13:04.160
<v Speaker 1>We we'll get you out there one year. No, I

0:13:04.160 --> 0:13:06.040
<v Speaker 1>look forward to We'll just do a we just need

0:13:06.080 --> 0:13:07.520
<v Speaker 1>to take this on the road. I think we need to.

0:13:07.600 --> 0:13:09.840
<v Speaker 1>I think there's at least a city or two cities

0:13:09.880 --> 0:13:12.200
<v Speaker 1>we could we could have it's like a hundred people

0:13:12.240 --> 0:13:14.240
<v Speaker 1>in our room. Less than a hundred. It gets a

0:13:14.240 --> 0:13:20.200
<v Speaker 1>little sad, you know, for everybody. For as much as

0:13:20.200 --> 0:13:21.679
<v Speaker 1>the crushers would like, Oh no, they'd be great to

0:13:21.679 --> 0:13:23.440
<v Speaker 1>have a show with like twelve of us. And you guys,

0:13:24.320 --> 0:13:25.839
<v Speaker 1>you know that's not the best kind of thing. That's

0:13:25.880 --> 0:13:28.040
<v Speaker 1>not the best kind of I don't think that's that's

0:13:28.080 --> 0:13:31.400
<v Speaker 1>an issue. Um, but we need to figure out a

0:13:31.440 --> 0:13:34.600
<v Speaker 1>good way to do it. Whether we uh, it might

0:13:34.600 --> 0:13:36.719
<v Speaker 1>be fun to like watch a movie together and then

0:13:36.760 --> 0:13:39.320
<v Speaker 1>talk about it or did and do some live mini

0:13:39.320 --> 0:13:42.080
<v Speaker 1>crushed style stuff. Maybe we'll just put our heads together

0:13:42.120 --> 0:13:44.880
<v Speaker 1>and see if we can do like three shows this year.

0:13:44.920 --> 0:13:46.800
<v Speaker 1>I would love that it is a new year. What

0:13:46.920 --> 0:13:48.720
<v Speaker 1>cities do you think? I was thinking, like, you know,

0:13:48.960 --> 0:13:52.720
<v Speaker 1>New York, Um, maybe I mean the big ones New York, Chicago, Seattle,

0:13:52.760 --> 0:13:56.520
<v Speaker 1>they're always supportive. Or we've got so many folks out

0:13:56.520 --> 0:14:00.240
<v Speaker 1>in l A with our l A people, with the

0:14:00.240 --> 0:14:02.640
<v Speaker 1>other shows that are out there, like the Daily Zeitgeist

0:14:02.720 --> 0:14:05.240
<v Speaker 1>and stuff. I wonder if we could like buddy up

0:14:05.240 --> 0:14:06.959
<v Speaker 1>with one of them or something. Maybe we could do

0:14:07.000 --> 0:14:09.600
<v Speaker 1>a show in l A. I think maybe New York.

0:14:09.600 --> 0:14:11.120
<v Speaker 1>It might be a good first step. I think you're

0:14:11.160 --> 0:14:13.640
<v Speaker 1>right because we can pull from several different states. That's

0:14:13.640 --> 0:14:17.880
<v Speaker 1>a good point. And I'm sorry Topeka and St. Louis.

0:14:18.040 --> 0:14:21.479
<v Speaker 1>Never been a Topeca, Minnapolis. Minneapolis is great. I love Minneapolis.

0:14:21.920 --> 0:14:24.760
<v Speaker 1>I haven't been to Topeka. What's the other one? I said, St. Louis.

0:14:25.640 --> 0:14:28.040
<v Speaker 1>They're all great cities at the arch, But when you're

0:14:28.080 --> 0:14:30.760
<v Speaker 1>trying to draw like enough people to you know, at

0:14:30.840 --> 0:14:33.920
<v Speaker 1>least cover our travel. You know, we're looking to get

0:14:33.960 --> 0:14:35.840
<v Speaker 1>rich off of mini Crush shows, but it would be

0:14:35.880 --> 0:14:39.040
<v Speaker 1>a lot of fun to meet everyone. All right, Enough

0:14:39.080 --> 0:14:43.160
<v Speaker 1>of that, So here's what I did nol. Since we're

0:14:43.160 --> 0:14:46.480
<v Speaker 1>on the one hundred thread, I asked the movie crushers,

0:14:47.240 --> 0:14:51.600
<v Speaker 1>what is your either favorite moment from the first one

0:14:51.640 --> 0:14:56.280
<v Speaker 1>hundred If you have something specific or just sort of

0:14:56.320 --> 0:14:58.960
<v Speaker 1>some favorite memories of the first one hundred, it can

0:14:58.960 --> 0:15:02.240
<v Speaker 1>be a little more broad, anything stands out that you

0:15:02.320 --> 0:15:04.720
<v Speaker 1>loved basically. So we're gonna go through some of those

0:15:04.800 --> 0:15:07.160
<v Speaker 1>right now. We got a hundred and thirty four of them.

0:15:07.440 --> 0:15:10.600
<v Speaker 1>We'll go ahead and start with top fan Candy Mauger, writer.

0:15:10.760 --> 0:15:12.760
<v Speaker 1>She said, my favorite episode was the one you did

0:15:13.640 --> 0:15:17.200
<v Speaker 1>with Tig Nataro. Okay, well this is not many based.

0:15:17.400 --> 0:15:21.000
<v Speaker 1>It's okay, go to sleep now for the next seconds.

0:15:21.240 --> 0:15:23.240
<v Speaker 1>I'll love her dry humor, but especially like listening to

0:15:23.280 --> 0:15:26.600
<v Speaker 1>your conversation with her after the intro you gave explaining

0:15:26.640 --> 0:15:29.880
<v Speaker 1>what it happened immediately before recording started, she seemed less

0:15:29.920 --> 0:15:32.280
<v Speaker 1>like a famous star and more real. That was like

0:15:32.320 --> 0:15:34.680
<v Speaker 1>the first one and that's what kept me coming back. Yeah,

0:15:35.040 --> 0:15:37.400
<v Speaker 1>I was there for that one takes doing a small

0:15:37.440 --> 0:15:43.040
<v Speaker 1>market show that she's doing, just these tiny cities like Montgomery,

0:15:43.080 --> 0:15:47.760
<v Speaker 1>Alabama and places. I really enjoyed being being sitting on

0:15:47.760 --> 0:15:50.400
<v Speaker 1>the interview. It was that's when you were just running

0:15:50.400 --> 0:15:54.320
<v Speaker 1>the mics, designing the music. I designed the one, the

0:15:54.360 --> 0:15:56.480
<v Speaker 1>one music. Now that they cut a little, the little

0:15:56.600 --> 0:15:59.480
<v Speaker 1>ad breaks, I guess. Um. Yeah, she's a really nice

0:15:59.560 --> 0:16:01.600
<v Speaker 1>human part and it was really cool to see that

0:16:01.640 --> 0:16:03.800
<v Speaker 1>side of her and like kind of you know, letting

0:16:03.800 --> 0:16:06.280
<v Speaker 1>her guard down, and it was a really great conversation. Yeah,

0:16:06.320 --> 0:16:08.680
<v Speaker 1>for someone who's now spent a little bit of time

0:16:08.680 --> 0:16:11.560
<v Speaker 1>with Tig a couple of times, she is a very

0:16:11.680 --> 0:16:14.640
<v Speaker 1>very real, down to earth person. She is exactly how

0:16:14.640 --> 0:16:17.640
<v Speaker 1>you think she is, which is a wonderful human. Daveney

0:16:17.760 --> 0:16:20.600
<v Speaker 1>La Drew says, I love hearing about the bedtime stories

0:16:20.640 --> 0:16:22.360
<v Speaker 1>you make up for your daughter and Nold telling you

0:16:22.640 --> 0:16:25.840
<v Speaker 1>that you're a good dad. That's very nice that I

0:16:25.920 --> 0:16:28.200
<v Speaker 1>almost teared up a little bit just then, just then,

0:16:28.320 --> 0:16:30.320
<v Speaker 1>just then, it's sure you're a good dad. And that's

0:16:30.320 --> 0:16:31.520
<v Speaker 1>a really I al was thought it was a really

0:16:31.520 --> 0:16:32.880
<v Speaker 1>sweet thing that you do, or you make up these

0:16:33.200 --> 0:16:34.480
<v Speaker 1>I used to do that too, but you seem like

0:16:34.520 --> 0:16:36.400
<v Speaker 1>you're better at it than I was. You've got a

0:16:36.400 --> 0:16:39.600
<v Speaker 1>little more purpose. Maybe it's a formula though, but it's

0:16:39.600 --> 0:16:41.720
<v Speaker 1>all it's like a kid. Don't give me too much credit.

0:16:41.840 --> 0:16:43.920
<v Speaker 1>I'm giving you all the credit. It's it's it's her,

0:16:43.960 --> 0:16:46.480
<v Speaker 1>it's got her same name or no, no, it's always

0:16:46.520 --> 0:16:48.520
<v Speaker 1>just like a young just a little something great and

0:16:48.600 --> 0:16:50.560
<v Speaker 1>like tackles some big project, you know what I'm thinking about.

0:16:50.560 --> 0:16:52.560
<v Speaker 1>I think I kind of did it along those lines

0:16:52.600 --> 0:16:54.560
<v Speaker 1>as well. Last night was a little girl who built

0:16:54.600 --> 0:16:56.920
<v Speaker 1>a horse a house and that also has a fun

0:16:56.960 --> 0:16:59.280
<v Speaker 1>like word play going on, and then all the other

0:16:59.280 --> 0:17:00.920
<v Speaker 1>horses want how say so she did that for the

0:17:00.920 --> 0:17:03.000
<v Speaker 1>rest of her life. You're a regular Dr SEUs. She

0:17:03.040 --> 0:17:05.720
<v Speaker 1>did that until she died at eighteen. That was the story.

0:17:06.119 --> 0:17:11.000
<v Speaker 1>That's a sad story. Don't tell her that part. Adam Palettier,

0:17:11.080 --> 0:17:13.040
<v Speaker 1>one of our oldest friends, says, generally speaking, I love

0:17:13.080 --> 0:17:15.240
<v Speaker 1>the chemistry between you and NOL, and I love that

0:17:15.280 --> 0:17:17.040
<v Speaker 1>we could get to meet a new side of you

0:17:17.600 --> 0:17:20.280
<v Speaker 1>that we don't really get on stuff you should know,

0:17:20.600 --> 0:17:23.960
<v Speaker 1>which I will now refer to as sweary chuck, sweary

0:17:24.480 --> 0:17:28.560
<v Speaker 1>swear engine. Oh here we go. No, here's your big moment.

0:17:28.920 --> 0:17:31.360
<v Speaker 1>Joshua Road, I knew who's gonna be on here, Joshua

0:17:31.440 --> 0:17:34.720
<v Speaker 1>Road says Noel, singing cry little Sister from the Lost

0:17:34.720 --> 0:17:44.399
<v Speaker 1>Boys soundtrack, hit it, little Sister, shot, not go do

0:17:44.560 --> 0:17:51.439
<v Speaker 1>your bro not Gil, It's it's it's, it's all the commandments.

0:17:51.480 --> 0:17:53.200
<v Speaker 1>I think. Man, that was good. Even backed off the

0:17:53.240 --> 0:17:55.120
<v Speaker 1>mic like a real get back off the mic. Dude,

0:17:55.119 --> 0:17:59.919
<v Speaker 1>you don't want to blow anybody's ears out. Friends. Here

0:18:00.000 --> 0:18:03.080
<v Speaker 1>he blood trickling down from his headphone, his ear cup.

0:18:03.320 --> 0:18:07.159
<v Speaker 1>His ears are he has cat like hearing. As it

0:18:07.200 --> 0:18:11.199
<v Speaker 1>turns out, I say that when my kids screams in

0:18:11.240 --> 0:18:13.240
<v Speaker 1>the car or something I got. Oh great, now my

0:18:13.280 --> 0:18:15.640
<v Speaker 1>ears bleeding. And then she'll do it again. I'll say, great,

0:18:15.680 --> 0:18:17.560
<v Speaker 1>now my other ears bleeding. And then I worked my

0:18:17.600 --> 0:18:20.000
<v Speaker 1>way through all the face holes and now it's a game.

0:18:20.040 --> 0:18:22.679
<v Speaker 1>She scream and go your ears bleating. Oh my gosh,

0:18:22.720 --> 0:18:25.879
<v Speaker 1>that is adorable. Is there blood coming out of your

0:18:25.880 --> 0:18:28.800
<v Speaker 1>eyes yet? Daddy? We have so much fun Lydia Grieve

0:18:28.840 --> 0:18:32.280
<v Speaker 1>says the April fools Day episode with Christopher Walking, my

0:18:32.320 --> 0:18:34.679
<v Speaker 1>friend I had in here the other day for the

0:18:34.720 --> 0:18:38.520
<v Speaker 1>movie Being There. Jason, my friend from college. He was

0:18:38.560 --> 0:18:40.920
<v Speaker 1>fooled by Christopher Walking. He didn't give it much of

0:18:40.920 --> 0:18:45.159
<v Speaker 1>a listen because he gets uncomfortable with uncomfortable content, and

0:18:45.200 --> 0:18:48.560
<v Speaker 1>that was, you know, very purposefully and uncomfortable chair. So

0:18:48.800 --> 0:18:51.320
<v Speaker 1>it fooled him, which I kind of felt bad about.

0:18:51.680 --> 0:18:53.920
<v Speaker 1>He's probably not a Curb your Enthusiasm fan. Then I

0:18:53.960 --> 0:18:56.720
<v Speaker 1>guess he specifically said he is not. Yeah, I know

0:18:56.800 --> 0:18:58.639
<v Speaker 1>people that are like that. It's it's very triggering for

0:18:58.680 --> 0:19:01.359
<v Speaker 1>soll of this. I get it. I watched The Office

0:19:01.400 --> 0:19:04.040
<v Speaker 1>on repeat. It makes me like happy. It's good comforts

0:19:04.040 --> 0:19:06.000
<v Speaker 1>to me. I guess I thrive on that kind of weird,

0:19:06.080 --> 0:19:08.200
<v Speaker 1>awkward tension. I don't mind it. I think it's funny

0:19:08.200 --> 0:19:11.080
<v Speaker 1>as long as it's not me one of our oldest

0:19:11.080 --> 0:19:15.840
<v Speaker 1>Friends Local A T. L. Leon Alison Gallagher says, so

0:19:15.880 --> 0:19:17.399
<v Speaker 1>many to choose from, but I think back to the

0:19:17.440 --> 0:19:20.560
<v Speaker 1>first many crush I'd like to go listen to that. Actually,

0:19:21.480 --> 0:19:25.439
<v Speaker 1>I was the first comment you read from the Crushers page. Wow,

0:19:27.200 --> 0:19:30.080
<v Speaker 1>she was true, first part part of history. It's what

0:19:30.160 --> 0:19:32.679
<v Speaker 1>she says. I accidentally listened to number eight the other

0:19:32.760 --> 0:19:35.000
<v Speaker 1>day because for some reason in the Apple podcast that

0:19:35.080 --> 0:19:38.119
<v Speaker 1>comes up first, like as like a previous episode, but

0:19:38.119 --> 0:19:40.639
<v Speaker 1>it's it's it's weirdly number eight And I listened to

0:19:40.720 --> 0:19:42.399
<v Speaker 1>because I was trying to listen to the most recent

0:19:42.440 --> 0:19:44.800
<v Speaker 1>one just to see what you know, I do that occasionally,

0:19:45.119 --> 0:19:47.760
<v Speaker 1>and uh, I listened to the whole thing, not realizing

0:19:47.800 --> 0:19:49.520
<v Speaker 1>it was an old one until I caught like a

0:19:49.600 --> 0:19:52.240
<v Speaker 1>dated reference at the end. It just goes to show

0:19:52.280 --> 0:19:54.080
<v Speaker 1>like we do these and like I don't remember what

0:19:54.080 --> 0:19:55.960
<v Speaker 1>we talked about, and it's like it's like it's like

0:19:56.000 --> 0:20:00.520
<v Speaker 1>caring it for the first time. I just spilled coffee.

0:20:01.119 --> 0:20:02.640
<v Speaker 1>I think we should leave all this in. No, we're

0:20:02.640 --> 0:20:09.960
<v Speaker 1>not leaving this in. You got Amy recycling, then that's wonderful.

0:20:11.359 --> 0:20:13.720
<v Speaker 1>We're not leaving this in. Okay, we're leaving in it

0:20:13.760 --> 0:20:16.120
<v Speaker 1>I don't know what we're doing. Well, well, well will

0:20:16.119 --> 0:20:17.600
<v Speaker 1>you either. I don't even remember what I was saying,

0:20:17.640 --> 0:20:19.359
<v Speaker 1>So will we either leave it in or I'll start

0:20:19.400 --> 0:20:22.199
<v Speaker 1>with this awkward pick up because I don't know what

0:20:22.240 --> 0:20:24.440
<v Speaker 1>I was saying when Noll spilled his coffee and you

0:20:24.520 --> 0:20:26.080
<v Speaker 1>either heard that or you didn't, because I don't know

0:20:26.119 --> 0:20:27.919
<v Speaker 1>if we left we haven't decided yet. Should we just

0:20:27.960 --> 0:20:31.040
<v Speaker 1>leave it up to Ramsey? No? Is it your choice?

0:20:31.560 --> 0:20:35.520
<v Speaker 1>You're hey, you know the line, whoever spilled it decides

0:20:35.600 --> 0:20:38.080
<v Speaker 1>if it's in the edit. That's right, that's still rhymes

0:20:38.200 --> 0:20:42.600
<v Speaker 1>edit spelled it. What do we got next? Chuck? All right,

0:20:42.720 --> 0:20:45.280
<v Speaker 1>I'm frazzled. Now, that's all right, you're you're great. I'm

0:20:45.359 --> 0:20:49.120
<v Speaker 1>rattled and frazzled and coffeeless. Oh I know you were

0:20:49.119 --> 0:20:53.240
<v Speaker 1>talking about listening to number eight, Oh, listening to number

0:20:53.240 --> 0:20:56.679
<v Speaker 1>Oh No. My point is like the dynamic was pretty

0:20:56.920 --> 0:21:00.920
<v Speaker 1>pretty decently fully formed from the start, because I kind

0:21:00.920 --> 0:21:03.320
<v Speaker 1>of anyway, It's not like it was getting to know you,

0:21:03.480 --> 0:21:05.480
<v Speaker 1>that's right, And I just I made it all the

0:21:05.480 --> 0:21:07.680
<v Speaker 1>way through not realizing it was an old episode until

0:21:07.680 --> 0:21:12.080
<v Speaker 1>like some dated comment came on at the end, So um,

0:21:12.080 --> 0:21:14.040
<v Speaker 1>it's weird that it's eight though, and it comes up,

0:21:14.320 --> 0:21:17.280
<v Speaker 1>isn't it? Isn't it? One? I don't understand. I haven't

0:21:17.280 --> 0:21:19.280
<v Speaker 1>listened any other podcasts lately because I think I told

0:21:19.320 --> 0:21:21.920
<v Speaker 1>you I'm listening to are you listening? Are you talking?

0:21:22.040 --> 0:21:24.520
<v Speaker 1>R E? M RE ME, and I'm just That's all

0:21:24.560 --> 0:21:28.240
<v Speaker 1>I listened to right now. It is the best funniest thing. Wait,

0:21:28.280 --> 0:21:29.600
<v Speaker 1>so you haven't made it all the way through to

0:21:29.640 --> 0:21:32.000
<v Speaker 1>the no, not yet. You're you a monster yet? Because

0:21:32.800 --> 0:21:35.720
<v Speaker 1>podcast when I drive, and thankfully I don't drive that much.

0:21:36.359 --> 0:21:37.960
<v Speaker 1>So how far are you an album? Are you on?

0:21:38.000 --> 0:21:42.120
<v Speaker 1>I'm just started the post automatic for the People David

0:21:42.160 --> 0:21:45.040
<v Speaker 1>Wayne episode, the slow Slowdown episode. Whatever that means that,

0:21:45.080 --> 0:21:47.439
<v Speaker 1>I'm I'm sure what that means. He brings on an album,

0:21:47.560 --> 0:21:51.359
<v Speaker 1>David when he brings in these like stems for the record,

0:21:51.400 --> 0:21:53.080
<v Speaker 1>like he has them on his garage band on his

0:21:53.160 --> 0:21:56.040
<v Speaker 1>laptop and then like the separated vocals and guitar, and

0:21:56.240 --> 0:21:57.800
<v Speaker 1>he got them. I don't know how you got them

0:21:57.800 --> 0:22:00.160
<v Speaker 1>on like a Torrents or something like that, but that

0:22:00.160 --> 0:22:02.040
<v Speaker 1>that happens little way. I'm trying to get Ackerman on

0:22:02.119 --> 0:22:04.320
<v Speaker 1>a movie crush. That would be great meeting with him

0:22:04.359 --> 0:22:07.680
<v Speaker 1>after the podcast works. That's great, pretty exciting. I will

0:22:07.680 --> 0:22:09.920
<v Speaker 1>be there. I'm a huge comedy bank bank fan. He's

0:22:09.960 --> 0:22:12.440
<v Speaker 1>a he's a lovely guy. I hope so. It seems

0:22:12.480 --> 0:22:14.119
<v Speaker 1>like I hope so too. He seems I don't know,

0:22:14.160 --> 0:22:16.320
<v Speaker 1>he does this so often, like he's podcasts like every week.

0:22:16.320 --> 0:22:18.160
<v Speaker 1>I can't imagine that he's no. Oh, I'm sure he's great.

0:22:18.240 --> 0:22:20.720
<v Speaker 1>He seems like how he would be if you meet

0:22:20.760 --> 0:22:23.959
<v Speaker 1>someone in there, like a big pompous dickhead podcast like

0:22:24.240 --> 0:22:28.080
<v Speaker 1>famous person. And I've met a couple actually, but they're

0:22:28.119 --> 0:22:32.040
<v Speaker 1>doing the wrong thing in life. Probably you know you

0:22:32.040 --> 0:22:36.199
<v Speaker 1>know what I'm talking about? Is it me? Of course? Not?

0:22:36.680 --> 0:22:37.800
<v Speaker 1>All right, Oh, I know you know, I do know

0:22:37.800 --> 0:22:39.879
<v Speaker 1>who you're talking about. Actually, uh, let's let's see hear

0:22:39.920 --> 0:22:43.680
<v Speaker 1>Robbie Pool says Verna hurts augmentation every time I heard

0:22:43.680 --> 0:22:46.679
<v Speaker 1>the actual actor. After watching Mandalorian, I laughed, all right, now,

0:22:46.720 --> 0:22:48.639
<v Speaker 1>you gotta give us one tidbit. I can't do it.

0:22:48.960 --> 0:22:52.760
<v Speaker 1>I've been listening to the Year. Yeah, I've been listening

0:22:52.760 --> 0:22:55.320
<v Speaker 1>to the Year in round up some a comedy bank bang.

0:22:55.880 --> 0:22:58.680
<v Speaker 1>He's just so good and I'm obviously just ripping. I'm

0:22:58.720 --> 0:23:02.080
<v Speaker 1>obviously just ripping off is impressed. Okay, I know everyone,

0:23:03.480 --> 0:23:04.960
<v Speaker 1>he didn't make it up. I will say this, I

0:23:05.000 --> 0:23:06.520
<v Speaker 1>wish I want to find the full text of it.

0:23:06.560 --> 0:23:08.520
<v Speaker 1>There's a monologue that was written for him, or a

0:23:08.520 --> 0:23:12.480
<v Speaker 1>really short bit of dialogue um that clearly was written,

0:23:12.560 --> 0:23:15.120
<v Speaker 1>like whoever wrote the Mandalorian episodes, Like I'm gonna give

0:23:15.520 --> 0:23:18.440
<v Speaker 1>Verner a very Verner monologue because he says something to

0:23:18.520 --> 0:23:25.800
<v Speaker 1>the effect of like bounty hunting is and sadness and exists.

0:23:25.880 --> 0:23:29.080
<v Speaker 1>It's I'm exaggerating, but it was very much that Warner thing,

0:23:29.560 --> 0:23:31.479
<v Speaker 1>and someone wrote it and had a good time. Right,

0:23:31.520 --> 0:23:34.840
<v Speaker 1>that's great. Well, Paula Thompkins is his is so great

0:23:34.880 --> 0:23:38.199
<v Speaker 1>because he does a good voice, but he's such a

0:23:38.240 --> 0:23:41.040
<v Speaker 1>great improv comedian. He says all the things. He says

0:23:41.040 --> 0:23:43.600
<v Speaker 1>all the right things, like he truly gets into Werner

0:23:43.640 --> 0:23:47.320
<v Speaker 1>Herzog's head. It's great. David Mills, one of our old friends, says,

0:23:47.320 --> 0:23:49.560
<v Speaker 1>have enjoyed Movie Crush so much, I had to start

0:23:49.600 --> 0:23:52.560
<v Speaker 1>a sub group Movie Crush movie Club. That's what I've

0:23:52.600 --> 0:23:55.080
<v Speaker 1>talked about, so everyone could have their own movie pick

0:23:55.119 --> 0:23:57.680
<v Speaker 1>of the week. Loving the show, keep up the great work.

0:23:58.480 --> 0:24:00.480
<v Speaker 1>Gretchen Herman says you and Emily drink King wine and

0:24:00.600 --> 0:24:04.840
<v Speaker 1>watching the Oscars. I wonder if we should do that again. Yeah.

0:24:05.000 --> 0:24:06.760
<v Speaker 1>I never listened to that one. That was a tough

0:24:06.800 --> 0:24:09.480
<v Speaker 1>one because we were live watching it, so we would

0:24:09.480 --> 0:24:11.560
<v Speaker 1>stop and pause it like every twenty minutes to kind

0:24:11.560 --> 0:24:14.200
<v Speaker 1>of do a bit of the show. Watch another twenty

0:24:14.200 --> 0:24:16.199
<v Speaker 1>minutes and do a bit of the show. It was.

0:24:16.320 --> 0:24:19.160
<v Speaker 1>It was clunky. There must be a better way, Chuck,

0:24:19.280 --> 0:24:23.080
<v Speaker 1>there must be all everything's on the table. But just

0:24:23.119 --> 0:24:26.080
<v Speaker 1>listening to someone live watching TV is not a fun show. Yeah,

0:24:26.119 --> 0:24:27.679
<v Speaker 1>but then you edit it, you can just do like

0:24:27.720 --> 0:24:30.320
<v Speaker 1>a clip thing, do reacts. I don't. I don't know.

0:24:30.400 --> 0:24:33.440
<v Speaker 1>It's hard. Awards shows are boring anyway, so like it's

0:24:33.480 --> 0:24:36.040
<v Speaker 1>by its very nature someone watching an Awards show is

0:24:36.040 --> 0:24:37.960
<v Speaker 1>going to be a little tedious. I didn't even watch

0:24:38.040 --> 0:24:40.320
<v Speaker 1>the Golden Globes. I don't think. I mean, it's seen

0:24:40.320 --> 0:24:45.400
<v Speaker 1>the winners very satisfied. C Fleabag and Chernop. Yeah, for sure.

0:24:45.400 --> 0:24:47.280
<v Speaker 1>Who else one of one of these great shows that

0:24:47.359 --> 0:24:50.160
<v Speaker 1>we we love so much. Succession one Big, I really

0:24:50.200 --> 0:24:54.399
<v Speaker 1>like that ship. Yeah, all the right pastors don't just

0:24:54.440 --> 0:24:56.359
<v Speaker 1>don't care. I know, it gets a little bit I

0:24:56.400 --> 0:24:58.040
<v Speaker 1>just want to watch when the world is going to

0:24:58.320 --> 0:25:01.879
<v Speaker 1>ship in, Australia's burn to the ground and we have

0:25:01.960 --> 0:25:06.560
<v Speaker 1>a fucking bloated per Simmon in the Oval Office taking

0:25:06.640 --> 0:25:09.639
<v Speaker 1>us to war. It's hard to think about Hollywood Awards.

0:25:10.720 --> 0:25:12.280
<v Speaker 1>All right. I'm off myself and know you're good. I

0:25:12.320 --> 0:25:14.560
<v Speaker 1>feel like they should give an award to like this

0:25:14.680 --> 0:25:19.480
<v Speaker 1>administration for like you know, the theater of it all. Yeah,

0:25:20.280 --> 0:25:25.200
<v Speaker 1>it has united people in and in a loathing sort

0:25:25.200 --> 0:25:28.360
<v Speaker 1>of way. All right, Luis Silva, one of our oldest friends, says,

0:25:28.680 --> 0:25:32.879
<v Speaker 1>anytime Lord of the Rings or Harry Potter gets brought up,

0:25:33.160 --> 0:25:38.159
<v Speaker 1>your interjections or those in the those are mine. Dylan Thomas,

0:25:38.200 --> 0:25:42.119
<v Speaker 1>the Noelhelm scream squeal, let's go ahead and drop that

0:25:42.160 --> 0:25:47.240
<v Speaker 1>in Ramsey. There it is. I love it. That was

0:25:47.280 --> 0:25:50.320
<v Speaker 1>my react to finding out that Werner was in The Mandalorian.

0:25:50.920 --> 0:25:54.120
<v Speaker 1>One of the great all time human reactions he delivered.

0:25:54.200 --> 0:25:56.440
<v Speaker 1>Though it really, I really I loved that show, by

0:25:56.440 --> 0:25:58.639
<v Speaker 1>the way, like I I just every minute of it.

0:25:58.680 --> 0:26:01.440
<v Speaker 1>I really enjoyed I and I'm only through like five,

0:26:01.680 --> 0:26:03.640
<v Speaker 1>I quite a bit to catch up on. It's only

0:26:03.680 --> 0:26:06.680
<v Speaker 1>like eight. I think, all right, it's not you're you're

0:26:06.720 --> 0:26:08.440
<v Speaker 1>you're you're close. I just feel like, I don't know,

0:26:08.480 --> 0:26:10.920
<v Speaker 1>And I know you enjoyed the new Star Wars movie

0:26:10.960 --> 0:26:14.080
<v Speaker 1>and I thought it was just fine, but like it

0:26:14.240 --> 0:26:17.560
<v Speaker 1>just lacks the heart that Mandali. Mandalorian just feels like

0:26:17.600 --> 0:26:20.760
<v Speaker 1>it gets the spirit of the original movies, the camp,

0:26:21.119 --> 0:26:24.560
<v Speaker 1>the kind of you know, um, the intrigue, the kind

0:26:24.560 --> 0:26:26.360
<v Speaker 1>of double crossing and all that stuff, and I feel

0:26:26.400 --> 0:26:29.880
<v Speaker 1>like the newer movies just are trying to grasp at that.

0:26:30.200 --> 0:26:32.600
<v Speaker 1>But it feels like kind of a weird photo copy

0:26:32.640 --> 0:26:35.639
<v Speaker 1>of a photo copy guy. It's not quite the same,

0:26:35.720 --> 0:26:38.840
<v Speaker 1>but Mandalorian like it uses puppets, it's got like, you know,

0:26:38.840 --> 0:26:41.119
<v Speaker 1>there's something about it. It just feels really authentic, and

0:26:41.160 --> 0:26:43.840
<v Speaker 1>it's just fun and not too self serious. And I

0:26:43.840 --> 0:26:46.480
<v Speaker 1>don't know, I really enjoyed it. Yeah, I'm curious where

0:26:46.480 --> 0:26:49.080
<v Speaker 1>they go with season two. Truly, there's gonna be a

0:26:49.080 --> 0:26:52.400
<v Speaker 1>season two. There has to be. Cat Jim Bruno, one

0:26:52.400 --> 0:26:55.440
<v Speaker 1>of our old friends, says, your timely response to Walk

0:26:55.480 --> 0:26:58.400
<v Speaker 1>and Gate. Yeah, I remember when people got all mad.

0:26:58.560 --> 0:27:01.320
<v Speaker 1>They get mad, and some people got mad because they

0:27:01.320 --> 0:27:04.080
<v Speaker 1>felt like they were they were deceived. Yeah, and we

0:27:04.160 --> 0:27:06.800
<v Speaker 1>I think we ended up realizing that apparently, like an

0:27:06.840 --> 0:27:09.960
<v Speaker 1>April Fool's joke or being tricked like that is a

0:27:10.000 --> 0:27:12.560
<v Speaker 1>trigger for some people, which I get. It makes sense,

0:27:12.560 --> 0:27:15.200
<v Speaker 1>And I felt really bad if I made someone feel

0:27:15.200 --> 0:27:17.160
<v Speaker 1>bad when no one ever wants to make anyone feel bad.

0:27:17.600 --> 0:27:22.320
<v Speaker 1>Anna Shresths, I usually hate tangents and random asides, but

0:27:22.400 --> 0:27:25.240
<v Speaker 1>I love chucking Nole's little moments. And she even said

0:27:25.359 --> 0:27:33.040
<v Speaker 1>little moments. That's great, Zack Pointer one of our old friends.

0:27:33.320 --> 0:27:34.880
<v Speaker 1>Maybe a little self centered, but I love the first

0:27:34.880 --> 0:27:38.040
<v Speaker 1>time you said one of my replies I was driving

0:27:38.040 --> 0:27:40.520
<v Speaker 1>and it was about Aladdin the original. I also loved

0:27:40.520 --> 0:27:43.320
<v Speaker 1>the first time I got called out as old Pal. Well, Zack,

0:27:43.960 --> 0:27:48.960
<v Speaker 1>you're fired, selfish, selfish son of a bit, not nice. No,

0:27:49.200 --> 0:27:51.920
<v Speaker 1>Zack's great, She's not fired. Did you know there's a

0:27:52.040 --> 0:27:54.760
<v Speaker 1>promotion there's a bar in Athens called the Old Pal

0:27:55.240 --> 0:27:59.080
<v Speaker 1>Oh really? Yeah? What you know? Where it is too?

0:27:59.080 --> 0:28:02.240
<v Speaker 1>It's right next to where is that hardware store? The

0:28:02.480 --> 0:28:04.919
<v Speaker 1>kind of famous like old one. What the hell? What

0:28:04.960 --> 0:28:08.760
<v Speaker 1>the hell's it called? Give me another landmarks? Oh gosh,

0:28:08.880 --> 0:28:11.160
<v Speaker 1>hold on, no, that's the thing like it's it's it's

0:28:11.160 --> 0:28:12.960
<v Speaker 1>in a part that's in a B fifty two song.

0:28:13.040 --> 0:28:15.520
<v Speaker 1>It's in like a little strip and I'm trying to

0:28:15.560 --> 0:28:17.359
<v Speaker 1>think of what used to be there and what the

0:28:17.800 --> 0:28:22.040
<v Speaker 1>two line is. Oh tuen roof, No, it's not that one.

0:28:22.040 --> 0:28:23.240
<v Speaker 1>It's about it. It It was used to be like a

0:28:23.280 --> 0:28:25.560
<v Speaker 1>Burger place there that was kind of like big in

0:28:25.680 --> 0:28:27.920
<v Speaker 1>like the eighties or whatever. But it was like an old,

0:28:28.000 --> 0:28:29.760
<v Speaker 1>divy kind of dinery place. Let me look it up

0:28:29.760 --> 0:28:38.800
<v Speaker 1>real quick. Well, I'll read another one of these. John

0:28:38.800 --> 0:28:41.920
<v Speaker 1>Millstep says, anytimes you guys explore each other's holes and

0:28:42.040 --> 0:28:44.080
<v Speaker 1>always get another movie or two to add to my list,

0:28:44.200 --> 0:28:48.360
<v Speaker 1>don't say explore each other's holes. Dan Maynard, one of

0:28:48.440 --> 0:28:50.120
<v Speaker 1>our oldest of princes, there was a moment near the

0:28:50.200 --> 0:28:53.200
<v Speaker 1>very start of the minis when there was a realization

0:28:53.240 --> 0:28:55.560
<v Speaker 1>that Noel was a vital part of the show, and

0:28:55.600 --> 0:28:57.440
<v Speaker 1>it really felt like a duo from there on in

0:29:00.000 --> 0:29:04.000
<v Speaker 1>to work on walking that back. What we remember me

0:29:04.040 --> 0:29:07.280
<v Speaker 1>picking on you is people love that it's all just

0:29:07.400 --> 0:29:09.960
<v Speaker 1>a good I'm a good fall guy. Um, normal hardware

0:29:10.600 --> 0:29:13.520
<v Speaker 1>on Prince Avenue, like a normal town. But it's like

0:29:13.520 --> 0:29:15.200
<v Speaker 1>it's like a little strip and now there's a place

0:29:15.560 --> 0:29:18.000
<v Speaker 1>Allen's and Allen Allens that's what I was just trying

0:29:18.040 --> 0:29:19.520
<v Speaker 1>to the Hamburger place. That's that's in a b F

0:29:19.720 --> 0:29:23.560
<v Speaker 1>two lyric. Okay, coming down to Allen's, going down to

0:29:23.600 --> 0:29:25.840
<v Speaker 1>Allen's Bar, Yeah, all right, So why do we start

0:29:25.840 --> 0:29:27.280
<v Speaker 1>talking about that? Because there's a bar there called the

0:29:27.280 --> 0:29:30.440
<v Speaker 1>Old pal Is it Allen's? No, I don't know what

0:29:30.520 --> 0:29:32.360
<v Speaker 1>building it is, but it's right there. There's a place

0:29:32.360 --> 0:29:34.640
<v Speaker 1>called High Low, and then there's Aqua Lindo, which is

0:29:34.680 --> 0:29:38.280
<v Speaker 1>a really good came because that was my hangout, which

0:29:38.320 --> 0:29:40.800
<v Speaker 1>was in the basement of Allen's. Scroll around on that

0:29:40.880 --> 0:29:44.280
<v Speaker 1>if you wish, well, you can't tell because it interest you.

0:29:44.400 --> 0:29:47.160
<v Speaker 1>Drag it underground. No, no, no, I don't know it's

0:29:47.200 --> 0:29:49.760
<v Speaker 1>it's under Alan's Bar. That's normal town. I mean I

0:29:49.760 --> 0:29:51.480
<v Speaker 1>lived right around the corner field that I lived off

0:29:51.480 --> 0:29:54.200
<v Speaker 1>of Prince Avenue. It's my favorite part of town. Miss.

0:29:54.600 --> 0:29:56.240
<v Speaker 1>I'm actually going back for the first Are you gonna

0:29:56.240 --> 0:29:58.360
<v Speaker 1>go to that? That John Cameron Mitchell thing we talked about,

0:29:58.480 --> 0:30:02.960
<v Speaker 1>Oh when is that? It's the twenty of January. We

0:30:03.000 --> 0:30:04.800
<v Speaker 1>should put this off there, But like I know, I'm

0:30:04.920 --> 0:30:07.280
<v Speaker 1>I'm putting that on my calendar. I very much want

0:30:07.320 --> 0:30:10.640
<v Speaker 1>to go to that. I'm going with Sean. So that's next.

0:30:10.720 --> 0:30:13.320
<v Speaker 1>It's two Saturdays from this Saturday, and we're actually gonna

0:30:13.360 --> 0:30:15.600
<v Speaker 1>We're gonna we could come back or we could stay.

0:30:15.680 --> 0:30:18.120
<v Speaker 1>Um Taylor's gonna come. He lives there, and uh all right,

0:30:18.320 --> 0:30:19.760
<v Speaker 1>I need to get John said we would do we

0:30:19.800 --> 0:30:23.120
<v Speaker 1>could do a movie movie from from Athens, like backstage

0:30:23.120 --> 0:30:25.040
<v Speaker 1>at the forty Water World. I need to get that going.

0:30:25.120 --> 0:30:27.120
<v Speaker 1>No all right, I need to I need to get

0:30:27.160 --> 0:30:29.880
<v Speaker 1>some some family permissions if you know what I mean.

0:30:30.320 --> 0:30:33.560
<v Speaker 1>Of course you know how that goes. Let me see here.

0:30:34.280 --> 0:30:36.600
<v Speaker 1>Jimmy Mallory, my favorite mini moment was on the first

0:30:36.760 --> 0:30:39.880
<v Speaker 1>My first mention the quote Jimmy does what Jimmy wants.

0:30:40.760 --> 0:30:43.560
<v Speaker 1>It sounds like something you might have said. No me,

0:30:44.080 --> 0:30:47.880
<v Speaker 1>who's Jimmy Jimmy Mallory, Jimmy Mallory quote I just read

0:30:48.120 --> 0:30:51.520
<v Speaker 1>or maybe that was me. Uh Lea Mitchell again says

0:30:51.520 --> 0:30:54.920
<v Speaker 1>the Lost Boys theme Noel heelm scream again from Pete

0:30:54.960 --> 0:30:59.360
<v Speaker 1>Drummond Austin our deb Sky Old Palaces, the moments when

0:30:59.440 --> 0:31:02.640
<v Speaker 1>Chuck shows imp of the two Nolds, breakups, Olds, breakups,

0:31:03.600 --> 0:31:08.560
<v Speaker 1>the long list, They're always best through the run of

0:31:08.560 --> 0:31:12.400
<v Speaker 1>the show. That's very nice. I'm in between breakups right now.

0:31:12.760 --> 0:31:15.000
<v Speaker 1>That's a joke that means I have a girlfriend. Yeah.

0:31:15.400 --> 0:31:17.640
<v Speaker 1>I think she went really well. It's great. She's really cool.

0:31:17.720 --> 0:31:21.440
<v Speaker 1>She's a very chill kind of hippie. Um, she's great,

0:31:21.600 --> 0:31:23.640
<v Speaker 1>you know, lovely person. When we bumped into each other

0:31:23.800 --> 0:31:26.000
<v Speaker 1>in a public bathroom, which I have to say is

0:31:26.080 --> 0:31:29.400
<v Speaker 1>hysterical of all the bathrooms could have been any time

0:31:29.400 --> 0:31:32.000
<v Speaker 1>of day anywhere in Atlanta. I walk in and you

0:31:32.240 --> 0:31:34.520
<v Speaker 1>have your penis in your hand. No, you were done.

0:31:34.560 --> 0:31:37.680
<v Speaker 1>Actually you had just watched up. I was show was shaking. Um,

0:31:37.880 --> 0:31:41.040
<v Speaker 1>it was crazy. And then I walk out and uh,

0:31:41.160 --> 0:31:42.960
<v Speaker 1>your lovely girlfriend comes over and just gives me a

0:31:43.000 --> 0:31:45.440
<v Speaker 1>big hug, which was just And I don't only met

0:31:45.440 --> 0:31:47.160
<v Speaker 1>her once, and he felt very warm. She's a very

0:31:47.160 --> 0:31:50.120
<v Speaker 1>warm and I'm into that. So oh yeah, it was

0:31:50.160 --> 0:31:51.880
<v Speaker 1>it was great. She's never met a stranger, she's a

0:31:51.960 --> 0:31:54.800
<v Speaker 1>she's a really lovely human And I'm feeling very good

0:31:54.840 --> 0:31:57.600
<v Speaker 1>about things like that. Oldest her friends, Molly Thibodeau, says,

0:31:57.640 --> 0:32:00.000
<v Speaker 1>the story about Chuck not pushing a kid in public

0:32:00.040 --> 0:32:03.880
<v Speaker 1>exactly laughing so hard. You you like you you held

0:32:03.920 --> 0:32:06.240
<v Speaker 1>yourself back. You really wanted to push this kid a

0:32:06.320 --> 0:32:08.720
<v Speaker 1>story where the mother accused me of pushing her son

0:32:09.400 --> 0:32:11.440
<v Speaker 1>and I didn't, and I was just like, what do

0:32:11.480 --> 0:32:14.080
<v Speaker 1>you do there? You know? Wow? Did I tell that?

0:32:14.080 --> 0:32:15.240
<v Speaker 1>I thought that was on stuff? You should know. It

0:32:15.320 --> 0:32:17.600
<v Speaker 1>might have been on Mini crush maybe what was the wait?

0:32:17.640 --> 0:32:20.120
<v Speaker 1>What what was was? It? Just like it was a

0:32:20.160 --> 0:32:22.400
<v Speaker 1>lot of people were around. It was crappy. Yeah, I

0:32:22.440 --> 0:32:24.000
<v Speaker 1>was dashing through. I was in a hurry and I

0:32:24.120 --> 0:32:26.920
<v Speaker 1>like skirted by this kid and the mom later on

0:32:27.040 --> 0:32:28.800
<v Speaker 1>like yelled at me and it was like, you pushed

0:32:28.800 --> 0:32:31.560
<v Speaker 1>my kid. I was like, no, I didn't, and she said, yes,

0:32:31.600 --> 0:32:33.640
<v Speaker 1>you did. And eventually I was like, I'm not going

0:32:33.680 --> 0:32:35.240
<v Speaker 1>to get an argument with this lady. Oh my god.

0:32:35.280 --> 0:32:37.640
<v Speaker 1>I was just like, I'm very sorry for whatever happened. Yeah,

0:32:37.680 --> 0:32:40.640
<v Speaker 1>of course, like all of a sudden, his cell phones out,

0:32:41.400 --> 0:32:44.440
<v Speaker 1>you know, and someone's videotaping me. People are really sensitive

0:32:44.440 --> 0:32:47.280
<v Speaker 1>about their kids. Sure, I get it, helicopter. I mean,

0:32:47.280 --> 0:32:49.520
<v Speaker 1>she thought I pushed her kids, so I can't blame her.

0:32:51.720 --> 0:32:53.760
<v Speaker 1>That's the thing though, Chuck, I'm sure you didn't. And

0:32:53.800 --> 0:32:58.000
<v Speaker 1>I'm sure there was a bit of an overreaction there. Oh,

0:32:58.080 --> 0:33:00.000
<v Speaker 1>I don't know who knows. I'm giving her a break.

0:33:00.040 --> 0:33:03.840
<v Speaker 1>Everyone a break these days. Let me see here. Hans

0:33:03.960 --> 0:33:08.080
<v Speaker 1>lebron Cell says that one time Chuck judged a OL's

0:33:08.080 --> 0:33:11.800
<v Speaker 1>attempt at keeping score in the whole bit. Yeah, and

0:33:11.840 --> 0:33:15.640
<v Speaker 1>then you like, then you put me on the blast like.

0:33:16.040 --> 0:33:20.000
<v Speaker 1>It wasn't that dumb, you guys laughing. It was not

0:33:20.160 --> 0:33:23.200
<v Speaker 1>that big deal. It was hysterical. You caught me off guard.

0:33:23.240 --> 0:33:25.400
<v Speaker 1>I didn't have a score keeping me. I don't keep

0:33:25.440 --> 0:33:27.400
<v Speaker 1>score like on the regular check if you're not a

0:33:27.440 --> 0:33:29.560
<v Speaker 1>regular scorekeeper. No, i'd keep you know what I do.

0:33:29.600 --> 0:33:31.320
<v Speaker 1>I keep it in my head. That's where I keep

0:33:31.320 --> 0:33:37.240
<v Speaker 1>my score. I'm seeing Justin Kimler, Austin Handler, Taylor Johnson,

0:33:37.440 --> 0:33:43.560
<v Speaker 1>Steve Newman, Laura Duke, Evan Gundy all saying Noelhelm scream.

0:33:43.600 --> 0:33:45.600
<v Speaker 1>So that is clearly the moment of the show. I

0:33:45.600 --> 0:33:48.360
<v Speaker 1>think we have a winner. At least it wasn't me

0:33:48.440 --> 0:33:51.080
<v Speaker 1>being a dumbass as a scorekeeper. I'm cool with the Well,

0:33:51.120 --> 0:33:53.440
<v Speaker 1>that's my favorite moment. I'm really glad you you've got

0:33:53.480 --> 0:33:56.000
<v Speaker 1>so much enjoyment that in the coffee spill twenty ten

0:33:56.000 --> 0:33:58.160
<v Speaker 1>minutes ago, that was a pretty epic coffee spill. Just

0:33:58.200 --> 0:34:01.080
<v Speaker 1>to recap that in case anyone what we didn't needed.

0:34:01.800 --> 0:34:03.320
<v Speaker 1>There's a lot of coffee. It's in one of these

0:34:03.360 --> 0:34:06.600
<v Speaker 1>air tight mugs, so I thought airtight. I bumped it. Well,

0:34:06.600 --> 0:34:10.080
<v Speaker 1>you know it's got like a little mouthing. Well it's not,

0:34:11.520 --> 0:34:13.560
<v Speaker 1>that's my point though, it's supposed to be. It's got

0:34:13.560 --> 0:34:15.879
<v Speaker 1>a seal on it, and it popped over and then

0:34:15.880 --> 0:34:18.040
<v Speaker 1>it just the lid just you know, flew right off

0:34:18.080 --> 0:34:19.600
<v Speaker 1>and coffee with it. But then there was a recycling

0:34:19.640 --> 0:34:21.439
<v Speaker 1>been right under the edge of the table that caught

0:34:21.480 --> 0:34:23.799
<v Speaker 1>all the drippage and it was a quick clean up

0:34:23.960 --> 0:34:26.040
<v Speaker 1>that we're moving on. But you don't give a shit

0:34:26.080 --> 0:34:30.279
<v Speaker 1>about the recycling you spoiled. Can you dry that out?

0:34:32.000 --> 0:34:35.600
<v Speaker 1>Can you dry these tears chuck from you? Oh? Goodness?

0:34:35.840 --> 0:34:39.399
<v Speaker 1>All right? Um, Ramsey, do you have a top ten

0:34:39.480 --> 0:34:43.319
<v Speaker 1>of the year movie wise? Because I asked no Gold

0:34:43.360 --> 0:34:44.800
<v Speaker 1>to put this together, I didn't know you're gonna be

0:34:44.840 --> 0:34:47.239
<v Speaker 1>in here. You just want to chime in with some

0:34:47.280 --> 0:34:49.759
<v Speaker 1>of these, So Nolan, I are going to go over

0:34:49.840 --> 0:34:54.480
<v Speaker 1>our top tens of the year? Um, did you really wait? No,

0:34:54.560 --> 0:34:55.960
<v Speaker 1>I didn't. I just put twenty at the top of

0:34:55.960 --> 0:34:58.359
<v Speaker 1>the page and only did ten. Okay, So Are they

0:34:58.360 --> 0:35:00.640
<v Speaker 1>in order? Yeah? I ordered them, yes, all right, So

0:35:00.719 --> 0:35:04.960
<v Speaker 1>here's what we'll do. We're allowed to honorable mentions. I

0:35:05.040 --> 0:35:08.439
<v Speaker 1>have four, Okay, now i'll pair it down. No, I've

0:35:08.440 --> 0:35:11.400
<v Speaker 1>got four too, because I have a documentary category and

0:35:11.400 --> 0:35:14.120
<v Speaker 1>a regular movie category. Okay, well all minor regular movies,

0:35:14.120 --> 0:35:16.279
<v Speaker 1>all right, So we'll go with four honorable mentions. It's

0:35:16.280 --> 0:35:18.600
<v Speaker 1>really a top fourteen, let's be honest. Uh. And then

0:35:18.600 --> 0:35:20.759
<v Speaker 1>we'll go start there and go in reverse order, tend

0:35:20.760 --> 0:35:23.920
<v Speaker 1>to one and Ramsey, let's just have you pepper in

0:35:23.960 --> 0:35:26.759
<v Speaker 1>your thoughts as you see fit. All right, I'm gonna

0:35:26.760 --> 0:35:31.719
<v Speaker 1>start with my two honorable mentions in documentary. Um. And

0:35:31.760 --> 0:35:34.040
<v Speaker 1>the reason I just separated those out is because I

0:35:34.120 --> 0:35:39.040
<v Speaker 1>just did. Uh, Linda ronstat the sound of my voice, great, great,

0:35:39.320 --> 0:35:42.640
<v Speaker 1>great great seen in films are doing some good stuff.

0:35:43.320 --> 0:35:45.600
<v Speaker 1>Linda Ronstants an artist that I've always really wanted to

0:35:45.640 --> 0:35:48.000
<v Speaker 1>get into. That sounds really lazy, but what I just mean,

0:35:48.320 --> 0:35:50.680
<v Speaker 1>I've heard a little bit here and there is interesting

0:35:50.719 --> 0:35:54.160
<v Speaker 1>story fastness. I need to do that. It's great, It's

0:35:54.160 --> 0:35:56.719
<v Speaker 1>really wonderful and heartbreaking and warm and what's the big

0:35:56.800 --> 0:35:59.400
<v Speaker 1>Linda Ronstadts song? They like I would Oh boy. She

0:35:59.440 --> 0:36:02.040
<v Speaker 1>had so many hit snall, you don't no good, you

0:36:02.080 --> 0:36:06.840
<v Speaker 1>know good. But she was known for she did country

0:36:06.880 --> 0:36:09.920
<v Speaker 1>stuff with Graham Parsons and in lou Harrison Dolly Parton.

0:36:10.040 --> 0:36:13.520
<v Speaker 1>She did rock and roll. She did uh Pirates of

0:36:13.600 --> 0:36:18.239
<v Speaker 1>pans Ants on Broadway, an opera. Um, she's she. She

0:36:18.400 --> 0:36:20.360
<v Speaker 1>was known for just doing a range of stuff. You

0:36:20.440 --> 0:36:22.239
<v Speaker 1>didn't know any of those things specifically, but I knew

0:36:22.280 --> 0:36:25.879
<v Speaker 1>there was something unusual and interesting and different about man.

0:36:25.880 --> 0:36:27.920
<v Speaker 1>When you watch this documentary, I need to check it out,

0:36:28.000 --> 0:36:30.839
<v Speaker 1>especially as a child of the seventies and eighties. It's like,

0:36:30.880 --> 0:36:33.759
<v Speaker 1>every ten minutes, you're going Jesus. She wrote that she

0:36:33.800 --> 0:36:35.520
<v Speaker 1>didn't write songs. Actually, that was one of the kind

0:36:35.520 --> 0:36:38.319
<v Speaker 1>of key takeaway. She was just a singer, which is

0:36:38.320 --> 0:36:41.640
<v Speaker 1>not to degrade that in anyway, but she Uh, every

0:36:41.840 --> 0:36:44.120
<v Speaker 1>five minutes, you're going man, that was the Linda ron

0:36:44.160 --> 0:36:46.719
<v Speaker 1>Stet song. That was a Linda ron Stet song. And

0:36:46.760 --> 0:36:49.720
<v Speaker 1>she was also famous for making taking other people songs

0:36:49.719 --> 0:36:52.480
<v Speaker 1>and making them bigger hits. Yea heat wave I'm seeing here.

0:36:52.560 --> 0:36:56.440
<v Speaker 1>That was I guess I probably more know her version

0:36:56.600 --> 0:36:59.719
<v Speaker 1>and one of the best voices in the history of music. Uh.

0:36:59.760 --> 0:37:03.680
<v Speaker 1>So that and a Rolling Thunder review the Martin Scorsese

0:37:03.840 --> 0:37:06.120
<v Speaker 1>his best movie of the year in my opinion. You know,

0:37:06.239 --> 0:37:08.960
<v Speaker 1>I I really really enjoyed what I saw that, but

0:37:09.000 --> 0:37:11.439
<v Speaker 1>I did not finish it. It was a little long

0:37:11.520 --> 0:37:15.040
<v Speaker 1>and meandering, I found, but I really really enjoyed like

0:37:15.120 --> 0:37:17.200
<v Speaker 1>the first like thirty forty minutes and I just kind

0:37:17.200 --> 0:37:19.480
<v Speaker 1>of I loved it. I started it like three times.

0:37:19.480 --> 0:37:23.080
<v Speaker 1>But I'm a Dylan guy. Spoiler quick. Weird about a documentary.

0:37:23.440 --> 0:37:25.880
<v Speaker 1>I think I heard that some of the interview subjects

0:37:25.920 --> 0:37:28.360
<v Speaker 1>weren't real people, and it was sort of it was

0:37:28.600 --> 0:37:31.239
<v Speaker 1>like a fictional parts of it. We're fiction, which is

0:37:31.800 --> 0:37:34.080
<v Speaker 1>great and funny and weird interesting, which I didn't know

0:37:34.200 --> 0:37:35.719
<v Speaker 1>till after the fact. I need to. I need to

0:37:36.080 --> 0:37:37.920
<v Speaker 1>does it pay off? Like I didn't need to finish it.

0:37:37.960 --> 0:37:39.680
<v Speaker 1>I mean, I just loved it. I'm a Dylan freako.

0:37:39.840 --> 0:37:42.239
<v Speaker 1>All that footage is insane, Like in the Speed what

0:37:42.320 --> 0:37:45.160
<v Speaker 1>is it like the um Village Vanguard, I guess what

0:37:45.239 --> 0:37:47.360
<v Speaker 1>they're doing, like these poetry slam things with like Pattie

0:37:47.360 --> 0:37:50.839
<v Speaker 1>Smith and uh Alan Ginsburg is there and just all

0:37:50.880 --> 0:37:53.719
<v Speaker 1>the people. It's really really cool. Just announced Timothy Shallomy

0:37:53.760 --> 0:37:57.160
<v Speaker 1>is playing Dylan in a Oh God, damnit and all

0:37:57.160 --> 0:38:01.040
<v Speaker 1>you almost spilt your copy again. It's tight quarters in here, chuck,

0:38:01.520 --> 0:38:04.480
<v Speaker 1>all right. And then my two honorable mentions on the

0:38:04.480 --> 0:38:07.560
<v Speaker 1>movie side are Star Wars, Rise of Skott Walker and

0:38:07.719 --> 0:38:11.359
<v Speaker 1>Yesterday you talked about. Yesterday didn't quite make the top ten,

0:38:11.440 --> 0:38:13.239
<v Speaker 1>but I really enjoyed both those films, all right, So

0:38:13.280 --> 0:38:19.200
<v Speaker 1>what are your honorable mentions? Um, Midsummer we talked hate,

0:38:19.200 --> 0:38:22.719
<v Speaker 1>I hate pronounced I just I really resent having to

0:38:22.760 --> 0:38:27.399
<v Speaker 1>pronounce it that way. I'm just a summer midsummer. Um.

0:38:27.440 --> 0:38:30.040
<v Speaker 1>I feel like an asshole just for having said call

0:38:30.080 --> 0:38:32.799
<v Speaker 1>it summer school. Summer school. That's yeah, that would be good.

0:38:33.040 --> 0:38:34.200
<v Speaker 1>You know. We talked about it, and I said I

0:38:34.400 --> 0:38:36.080
<v Speaker 1>was a little mad about it, but I also just

0:38:36.080 --> 0:38:39.239
<v Speaker 1>thought it was so beautifully shot and a really interesting,

0:38:39.880 --> 0:38:43.440
<v Speaker 1>uh choice for a second film from this director on

0:38:43.480 --> 0:38:47.040
<v Speaker 1>a movie that you have bagged on a lot. I didn't.

0:38:48.000 --> 0:38:49.719
<v Speaker 1>It was mainly I had a little more time to

0:38:49.760 --> 0:38:52.600
<v Speaker 1>sit with it. I haven't seen it again. I realized

0:38:52.680 --> 0:38:55.239
<v Speaker 1>it was affecting in in in some way, and I

0:38:55.520 --> 0:38:57.799
<v Speaker 1>said that from the start, but I also just thought

0:38:57.800 --> 0:38:59.080
<v Speaker 1>that there was a little bit about it that was

0:38:59.160 --> 0:39:02.319
<v Speaker 1>kind of a little half baked, I guess, you know,

0:39:02.360 --> 0:39:05.200
<v Speaker 1>But I thought it was beautifully shot and executed and

0:39:05.239 --> 0:39:08.719
<v Speaker 1>had one of the best, like mushroom tripping scenes that

0:39:08.760 --> 0:39:11.600
<v Speaker 1>I've seen in a film. So I did enjoy Ramsey.

0:39:11.640 --> 0:39:14.560
<v Speaker 1>Did you see Midsuwhere did you like it? Did not? Oh,

0:39:14.680 --> 0:39:17.399
<v Speaker 1>not at all? Or Um. I thought it started out

0:39:17.560 --> 0:39:19.799
<v Speaker 1>like the first thirty where it was was great, and

0:39:19.840 --> 0:39:22.040
<v Speaker 1>I think when the people fell off the cliff is

0:39:22.080 --> 0:39:24.640
<v Speaker 1>when it started going downhill for me, fell off the

0:39:24.640 --> 0:39:27.640
<v Speaker 1>cliff as a pretty generous way of describing it. I

0:39:27.680 --> 0:39:31.440
<v Speaker 1>actually said the same accident the whole movie. Really they

0:39:31.440 --> 0:39:33.279
<v Speaker 1>fell off the cliff in tandem, the movie and the

0:39:33.360 --> 0:39:35.479
<v Speaker 1>and the people. So it went south to you after

0:39:35.719 --> 0:39:37.840
<v Speaker 1>the face plat, yeah, I said, I said that we

0:39:37.880 --> 0:39:39.440
<v Speaker 1>both kind of said the same thing where that almost

0:39:39.480 --> 0:39:43.560
<v Speaker 1>felt like such a climax. Then then after everything after that,

0:39:44.120 --> 0:39:45.279
<v Speaker 1>where do you go from there? It was? That was

0:39:45.320 --> 0:39:47.680
<v Speaker 1>because that was an excellent sequence. I mean, that's expertly

0:39:48.200 --> 0:39:50.920
<v Speaker 1>pay to revisit it. I think there's something there, all right?

0:39:50.960 --> 0:39:53.319
<v Speaker 1>What else is on the honorable mentioned listener? Um? I

0:39:53.320 --> 0:39:57.439
<v Speaker 1>put John Wick three because I should have been. It's

0:39:57.480 --> 0:39:59.600
<v Speaker 1>just a fun movie and that one just up the

0:39:59.640 --> 0:40:01.960
<v Speaker 1>annie to like eleven, you know, of the first two,

0:40:02.000 --> 0:40:05.080
<v Speaker 1>which were already batshit and and super fun, and just

0:40:05.160 --> 0:40:08.840
<v Speaker 1>like you know, I don't usually like these super fast

0:40:08.880 --> 0:40:13.480
<v Speaker 1>paced like you know, attention deficit disorder theater kind of stuff,

0:40:13.600 --> 0:40:16.960
<v Speaker 1>but like this one really hit. There's like a sword

0:40:17.040 --> 0:40:21.160
<v Speaker 1>fight on motorcycles. And I'm not a fast and furious guy, don't.

0:40:21.200 --> 0:40:23.400
<v Speaker 1>But something about the style of this movie and the

0:40:24.080 --> 0:40:26.640
<v Speaker 1>sort of wink and nod of it all, it really

0:40:26.680 --> 0:40:29.279
<v Speaker 1>really liked a lot all of them. You're more slow

0:40:29.320 --> 0:40:32.919
<v Speaker 1>and furious. That's true, very true, You're furious. But I'm

0:40:32.920 --> 0:40:38.600
<v Speaker 1>just I'm enraged. I'm enraged. What else? I put the

0:40:38.640 --> 0:40:42.200
<v Speaker 1>Irishman on my Honorable Mentions because I there were things

0:40:42.239 --> 0:40:43.879
<v Speaker 1>that were great about it, but it was, like we said,

0:40:43.880 --> 0:40:45.319
<v Speaker 1>I just I don't think either one of us really

0:40:45.560 --> 0:40:48.040
<v Speaker 1>got it, quote unquote, Well, like I said, Rolling Thunder

0:40:48.040 --> 0:40:51.200
<v Speaker 1>review was Martin Scorsese's best movie. He did say that, uh,

0:40:51.280 --> 0:40:52.839
<v Speaker 1>is that the four or three? I got one more

0:40:52.920 --> 0:40:55.560
<v Speaker 1>Avengers Endgame. I just thought it was a great wrapping

0:40:55.640 --> 0:40:58.040
<v Speaker 1>up to that series. But I also, I don't know,

0:40:58.080 --> 0:40:59.840
<v Speaker 1>this is gonna be a little old man of me.

0:41:00.040 --> 0:41:04.080
<v Speaker 1>But like, I don't look at it as like prime cinema.

0:41:04.239 --> 0:41:07.040
<v Speaker 1>It's more like a theme park ride or something. But

0:41:07.200 --> 0:41:09.360
<v Speaker 1>that's so good at what it is. Well, no, that

0:41:09.400 --> 0:41:12.600
<v Speaker 1>leads me that's my number ten movie. Um, and we

0:41:12.640 --> 0:41:15.000
<v Speaker 1>should say about at least the way I devise my list.

0:41:16.160 --> 0:41:18.680
<v Speaker 1>You know, there are certain people, they're the cases of

0:41:18.680 --> 0:41:21.880
<v Speaker 1>the world who say things like cinema and refused to

0:41:21.920 --> 0:41:25.480
<v Speaker 1>say the word movie. That doesn't get into stuff like that.

0:41:25.719 --> 0:41:28.440
<v Speaker 1>God bless Casey. I love it. But when I make

0:41:28.520 --> 0:41:31.480
<v Speaker 1>my top ten, I just rate it as like did

0:41:31.520 --> 0:41:34.799
<v Speaker 1>I enjoy seeing this movie? And did I love it?

0:41:35.040 --> 0:41:37.919
<v Speaker 1>And some of them is cinema and our films and

0:41:38.120 --> 0:41:42.360
<v Speaker 1>some of them are Avengers in Game and Yesterday and

0:41:42.360 --> 0:41:45.080
<v Speaker 1>and that's pretty common on a lot of these, uh,

0:41:45.320 --> 0:41:47.520
<v Speaker 1>I me, yeah, unless you're like like New Yorker type stuff.

0:41:47.520 --> 0:41:49.640
<v Speaker 1>And I mean they're they're they're always going to be

0:41:49.640 --> 0:41:51.480
<v Speaker 1>some of those movies that sneak into people's top ten

0:41:51.520 --> 0:41:56.600
<v Speaker 1>lists because they're fun movies. No, No, not at all, No, Casey.

0:41:56.680 --> 0:41:58.920
<v Speaker 1>I think Casey likes all kinds of fun bullshit. But

0:41:58.920 --> 0:42:03.000
<v Speaker 1>he absolutely does. And yeah, I know he would be

0:42:03.000 --> 0:42:04.719
<v Speaker 1>the first one to tell you that, all Right, that's great.

0:42:05.400 --> 0:42:09.400
<v Speaker 1>Let me see here, number, what's your number ten? My

0:42:09.520 --> 0:42:12.680
<v Speaker 1>number ten is kind of a smaller movie. I don't

0:42:12.719 --> 0:42:14.920
<v Speaker 1>think got a lot of buzz, and there aren't that

0:42:14.920 --> 0:42:16.400
<v Speaker 1>many of those on my list, but it's the Art

0:42:16.440 --> 0:42:20.120
<v Speaker 1>of Self Defense. Did not see it with Jesse Eisenberg.

0:42:20.680 --> 0:42:23.279
<v Speaker 1>I thought it was great and really dark, you know,

0:42:23.400 --> 0:42:28.560
<v Speaker 1>pitch black comedy. UM, really tense but really funny. Um.

0:42:28.560 --> 0:42:32.759
<v Speaker 1>It almost is like if Napoleon Dynamite was like sort

0:42:32.760 --> 0:42:37.200
<v Speaker 1>of a thriller, Like the really awkward character who's who's

0:42:37.239 --> 0:42:40.840
<v Speaker 1>a kind of insecure single, you know, loner kind of

0:42:40.840 --> 0:42:42.759
<v Speaker 1>guy who works in an office, has picked on all

0:42:42.800 --> 0:42:46.120
<v Speaker 1>the time, and he gets mugged and he decides to

0:42:46.160 --> 0:42:48.880
<v Speaker 1>start taking karate and so it's got a lot of

0:42:48.920 --> 0:42:52.120
<v Speaker 1>like almost like eighties karate kid kind of vibes to

0:42:52.200 --> 0:42:54.400
<v Speaker 1>it as well. But then it gets really dark and

0:42:54.600 --> 0:42:57.000
<v Speaker 1>spins kind of out of control, and I thought it

0:42:57.040 --> 0:42:59.360
<v Speaker 1>was was great. Well. I think Jesse Eisenberg is a

0:42:59.480 --> 0:43:03.520
<v Speaker 1>great act her and makes really interesting choices. So that

0:43:03.560 --> 0:43:05.799
<v Speaker 1>was on my list. Did you see that? Ramsey did not?

0:43:05.920 --> 0:43:09.080
<v Speaker 1>But yeah, I agree, like it had that Napoleon Dynamite

0:43:09.080 --> 0:43:11.240
<v Speaker 1>feel to it and all that, But yeah, I wanted

0:43:11.239 --> 0:43:13.000
<v Speaker 1>to see it, but I saw on a plane. I

0:43:13.280 --> 0:43:16.120
<v Speaker 1>recommend its streaming everywhere now, I think. And the soundtrack

0:43:16.160 --> 0:43:19.600
<v Speaker 1>is by Heather Mackintosh who was an Athens person living

0:43:19.600 --> 0:43:21.480
<v Speaker 1>in l A. She was in a lot of the

0:43:21.520 --> 0:43:25.440
<v Speaker 1>Elephants six bands and like Narles Barkley, I think she

0:43:25.520 --> 0:43:27.000
<v Speaker 1>was in. She did some stuff with it that danger

0:43:27.040 --> 0:43:30.200
<v Speaker 1>Mouse Skuy was also an Athens person um and she

0:43:30.280 --> 0:43:32.760
<v Speaker 1>was in like the Circulatory System or some Olivia tremor

0:43:32.760 --> 0:43:36.000
<v Speaker 1>control adjacent project. But she does cello, uh kind of

0:43:36.120 --> 0:43:38.640
<v Speaker 1>score orchestral stuff that sort of leads with cello, and

0:43:38.640 --> 0:43:41.279
<v Speaker 1>it's got a really cool dark orchestral score that she

0:43:41.440 --> 0:43:43.759
<v Speaker 1>she did and it's really really cool. Alright. No, On

0:43:43.840 --> 0:43:47.600
<v Speaker 1>my number nine, it was a movie called Joker. Uh

0:43:48.640 --> 0:43:53.919
<v Speaker 1>the time it I liked it a lot, But it's

0:43:53.920 --> 0:43:55.600
<v Speaker 1>a movie that when I reflect back upon it, I

0:43:55.640 --> 0:43:57.680
<v Speaker 1>liked it more. You liked it more on when you

0:43:57.760 --> 0:43:59.640
<v Speaker 1>reflected back on it. Yeah, that's how I felt about

0:43:59.680 --> 0:44:02.680
<v Speaker 1>mids are kind of Actually, I really Joker was just

0:44:02.760 --> 0:44:05.640
<v Speaker 1>a really quality, well done movie, great acting. I love

0:44:05.680 --> 0:44:08.879
<v Speaker 1>the vibe. I finally saw it, I was into it. Yeah,

0:44:08.920 --> 0:44:14.000
<v Speaker 1>I thought there was a much to do about nothing.

0:44:14.160 --> 0:44:16.560
<v Speaker 1>On both sides. There are so many people saying it

0:44:16.600 --> 0:44:19.000
<v Speaker 1>was the best thing of all time. It was like historically,

0:44:19.160 --> 0:44:21.279
<v Speaker 1>you know, I captured the zeitgeist of blot now and

0:44:21.320 --> 0:44:23.240
<v Speaker 1>all this, and then all the people are saying it's dangerous,

0:44:23.239 --> 0:44:25.799
<v Speaker 1>it's gonna cause you know, school shooters and you know

0:44:26.040 --> 0:44:28.560
<v Speaker 1>all of these lone wolf in sell people to like

0:44:28.760 --> 0:44:31.480
<v Speaker 1>revolt or whatever. I did not think it was either

0:44:31.600 --> 0:44:33.560
<v Speaker 1>of those things. I thought it was somewhere in the

0:44:33.560 --> 0:44:38.560
<v Speaker 1>middle of perfectly, very well expertly realistic origin story. I'm

0:44:38.600 --> 0:44:41.120
<v Speaker 1>a bad guy, completely agree. I very much, very much

0:44:41.200 --> 0:44:43.759
<v Speaker 1>enjoyed it, but I don't think it was I don't

0:44:43.760 --> 0:44:45.960
<v Speaker 1>think you should read too much into it. Did you

0:44:45.960 --> 0:44:48.759
<v Speaker 1>see that, Ramsey? Yeah, I did, um walking did a

0:44:48.800 --> 0:44:51.480
<v Speaker 1>great job as a joker, and um, I don't know.

0:44:51.520 --> 0:44:55.080
<v Speaker 1>I thought the directing was a little off. It felt

0:44:55.080 --> 0:44:57.040
<v Speaker 1>a little rushed or I don't know, it was just

0:44:58.960 --> 0:45:00.800
<v Speaker 1>not quite there for you. They parts of it that

0:45:00.880 --> 0:45:03.040
<v Speaker 1>were paced better than others, I would say, And I

0:45:03.080 --> 0:45:05.640
<v Speaker 1>really like, there's actually a really smart twist in it

0:45:05.760 --> 0:45:08.439
<v Speaker 1>that I didn't see coming and elevated it a little

0:45:08.440 --> 0:45:09.680
<v Speaker 1>bit from me, because at first I was like, oh,

0:45:09.719 --> 0:45:12.080
<v Speaker 1>is it just gonna be like this crazy guy going crazier,

0:45:12.480 --> 0:45:14.520
<v Speaker 1>you know, and it almost felt like there was a

0:45:14.560 --> 0:45:17.439
<v Speaker 1>little I was concerned it was going to come off

0:45:17.480 --> 0:45:21.960
<v Speaker 1>as unkind to mentally disabled people or like, you know,

0:45:22.080 --> 0:45:24.799
<v Speaker 1>people with mental health issues, but it actually addressed it

0:45:24.840 --> 0:45:28.680
<v Speaker 1>really smartly, and it's almost like he became what he

0:45:28.760 --> 0:45:33.279
<v Speaker 1>ultimately became when he like stopped taking his meds, and

0:45:33.440 --> 0:45:36.279
<v Speaker 1>he stopped taking his meds because he couldn't get them

0:45:36.320 --> 0:45:39.040
<v Speaker 1>because he's lost his health care subsidy or something. So

0:45:39.080 --> 0:45:41.600
<v Speaker 1>it had a you know, a nice little commentary on

0:45:41.600 --> 0:45:43.600
<v Speaker 1>that stuff. He needs to get into the crime Union

0:45:43.960 --> 0:45:47.960
<v Speaker 1>exactly health care. I didn't see him as the Joker

0:45:48.040 --> 0:45:50.799
<v Speaker 1>that could take on Batman because like the Batman and

0:45:50.840 --> 0:45:53.800
<v Speaker 1>the Joker like like this his arch rival, he still

0:45:53.840 --> 0:45:58.760
<v Speaker 1>felt a little weak, like physically, and the age difference

0:45:58.760 --> 0:46:01.440
<v Speaker 1>between the two. I mean, by the time Batman becomes Batman,

0:46:01.480 --> 0:46:06.160
<v Speaker 1>the guy will be like in his sixties. And so

0:46:07.600 --> 0:46:09.799
<v Speaker 1>that's a good point. But I will always say that

0:46:09.920 --> 0:46:12.600
<v Speaker 1>in the comics, Joker was always pretty spindle dude that

0:46:12.719 --> 0:46:15.200
<v Speaker 1>wasn't there for fist fighting. He was there for like

0:46:15.520 --> 0:46:19.080
<v Speaker 1>you know, playing crazy pranks and you know, doing the mastermind, evil,

0:46:19.160 --> 0:46:21.160
<v Speaker 1>mischief and stuff. And I guess what I'm saying is,

0:46:21.960 --> 0:46:23.919
<v Speaker 1>at the beginning of the movie, you saw this guy

0:46:24.040 --> 0:46:27.000
<v Speaker 1>who was kind of like he was medicated and was like,

0:46:27.040 --> 0:46:28.600
<v Speaker 1>this guy can't even hold down a job, how is

0:46:28.600 --> 0:46:30.760
<v Speaker 1>he going to be a criminal mastermind? But you start

0:46:30.840 --> 0:46:33.239
<v Speaker 1>to see as he stops taking the meds, he sort

0:46:33.239 --> 0:46:35.920
<v Speaker 1>of becomes the thing that the meds were maybe keeping

0:46:35.960 --> 0:46:38.279
<v Speaker 1>down kind of, And that to me was like, oh,

0:46:38.320 --> 0:46:40.440
<v Speaker 1>I could say I did see him kind of transform

0:46:40.760 --> 0:46:44.200
<v Speaker 1>into what I could view as a joker, criminal mastermind

0:46:44.320 --> 0:46:47.960
<v Speaker 1>esque character eventually. Uh, no, one, what's your number nine?

0:46:48.200 --> 0:46:49.800
<v Speaker 1>I did Once upon a Time in Hollywood, which I

0:46:49.840 --> 0:46:52.160
<v Speaker 1>know seems maybe low on the list. I very very

0:46:52.239 --> 0:46:54.600
<v Speaker 1>much enjoyed it, but I really enjoyed Art of Self

0:46:54.600 --> 0:46:57.000
<v Speaker 1>Defense too, And um, there were a lot of great

0:46:57.000 --> 0:47:01.160
<v Speaker 1>movies this year. Agreed my number eight into the Spider Verse.

0:47:01.520 --> 0:47:04.480
<v Speaker 1>Oh shit, I didn't even put that. I've adored that movie.

0:47:04.480 --> 0:47:08.600
<v Speaker 1>I forgot about it since it comes you forget Uh

0:47:08.640 --> 0:47:11.400
<v Speaker 1>oh geez. I think you're right. Was that it had

0:47:11.440 --> 0:47:13.719
<v Speaker 1>to have been because it won an Oscar? That's right,

0:47:13.800 --> 0:47:17.440
<v Speaker 1>all right? Sorry, everybody. Well, let's look at the release date. No.

0:47:17.560 --> 0:47:19.719
<v Speaker 1>I had to have been. Yeah, it did win did

0:47:19.840 --> 0:47:22.160
<v Speaker 1>make the award rounds all right, Well that means that

0:47:22.239 --> 0:47:28.680
<v Speaker 1>can slide in. Um, well, who cares, right, what's your number? Eight?

0:47:28.719 --> 0:47:34.080
<v Speaker 1>Nol I chose Book Smart the night, thoroughly enjoyed it.

0:47:34.480 --> 0:47:36.920
<v Speaker 1>It's like you said about like, you know, what was

0:47:36.960 --> 0:47:39.160
<v Speaker 1>my experience? Like what did I walk away feeling? That

0:47:39.160 --> 0:47:40.560
<v Speaker 1>didn't make me feel a thing that I have a

0:47:40.600 --> 0:47:42.680
<v Speaker 1>good time. I was on a plane watching the movie

0:47:42.680 --> 0:47:44.640
<v Speaker 1>and I kind of like teared up a couple of times.

0:47:44.719 --> 0:47:49.320
<v Speaker 1>Totally thought it was very fun, lovely um who was

0:47:49.360 --> 0:47:52.959
<v Speaker 1>the lead actor. Her name is um Jonah Hill's sister.

0:47:53.640 --> 0:47:57.120
<v Speaker 1>She's fantastic. Yeah, they were both great. They were both

0:47:57.120 --> 0:48:01.240
<v Speaker 1>so great. Yeah, but it was all off to Olivia Wilde,

0:48:01.320 --> 0:48:05.120
<v Speaker 1>Beanie Fieldstein or Feldstein excuse me, Genie Feldstein, and everything

0:48:05.120 --> 0:48:07.440
<v Speaker 1>about it was just it really was pitched perfect and

0:48:07.480 --> 0:48:10.439
<v Speaker 1>it was like it felt like a can't hardly wait

0:48:10.680 --> 0:48:15.640
<v Speaker 1>or like days didn't confused or long tradition of last

0:48:15.719 --> 0:48:17.839
<v Speaker 1>day of school nerds try and find the cool party

0:48:17.880 --> 0:48:20.200
<v Speaker 1>movie that's but it. But it didn't feel like a

0:48:20.280 --> 0:48:22.239
<v Speaker 1>retread at all. It felt like its own thing. It

0:48:22.320 --> 0:48:25.399
<v Speaker 1>felt really fresh and like a great perspective. We haven't

0:48:25.400 --> 0:48:29.319
<v Speaker 1>seen I loved it. Yeah, me too. Did you see it? Ramsey? No,

0:48:30.200 --> 0:48:32.359
<v Speaker 1>not for Ramsey. All he's doing is shaking his head.

0:48:33.239 --> 0:48:35.600
<v Speaker 1>Uh what is Did you go to your number e yet?

0:48:35.880 --> 0:48:38.320
<v Speaker 1>That was my number you you lost a spot because

0:48:38.360 --> 0:48:41.080
<v Speaker 1>you had a teen movie. I'm already off everyone. My

0:48:41.160 --> 0:48:45.239
<v Speaker 1>number seven was Rocketman. I'm a as everyone knows, I'm

0:48:45.239 --> 0:48:48.960
<v Speaker 1>a Elton John fanatic, and so this movie was perfect

0:48:48.960 --> 0:48:51.799
<v Speaker 1>for me. I loved it. That's why I wanted to

0:48:51.840 --> 0:48:53.960
<v Speaker 1>see um but didn't. I was telling you earlier in

0:48:53.960 --> 0:48:56.160
<v Speaker 1>the break room, like I there's so many great movies

0:48:56.160 --> 0:48:57.960
<v Speaker 1>this year. I was looking back over the list, and

0:48:57.960 --> 0:49:00.120
<v Speaker 1>there's a bunch that I really, you know, kind of

0:49:00.560 --> 0:49:02.440
<v Speaker 1>bookmark to see that I just haven't made it too.

0:49:02.520 --> 0:49:03.840
<v Speaker 1>So I'm gonna I've got a lot of catching up

0:49:03.880 --> 0:49:05.680
<v Speaker 1>to do. But what's your number seven? My number seven

0:49:05.840 --> 0:49:09.040
<v Speaker 1>was The Lighthouse. Well that's my number six. So let's

0:49:09.040 --> 0:49:12.160
<v Speaker 1>just go ahead and say it was great. It was weird.

0:49:12.280 --> 0:49:16.440
<v Speaker 1>We crushed it. I loved it. Ramsey's nodding. It's in

0:49:16.480 --> 0:49:20.360
<v Speaker 1>the affirmative. It feels like a moving painting or something,

0:49:20.520 --> 0:49:25.279
<v Speaker 1>or like, uh, good, weird nightmare I just I loved it,

0:49:25.719 --> 0:49:28.560
<v Speaker 1>and it's funny and dark. It's all the things you want.

0:49:28.560 --> 0:49:31.239
<v Speaker 1>And it's like these guys are acting their balls off.

0:49:31.280 --> 0:49:34.480
<v Speaker 1>I mean, it's insane how much there. But it doesn't

0:49:34.480 --> 0:49:38.240
<v Speaker 1>feel like one upsmanship or it doesn't feel like scenery chewing.

0:49:38.280 --> 0:49:41.319
<v Speaker 1>It feels very like this, this is how this would be,

0:49:41.400 --> 0:49:43.080
<v Speaker 1>you know, like when they called rap at the end

0:49:43.080 --> 0:49:45.279
<v Speaker 1>of the movie, some prop guy came over and he

0:49:45.360 --> 0:49:48.120
<v Speaker 1>was like, guys, here's your testicles exactly. I picked him

0:49:48.160 --> 0:49:50.480
<v Speaker 1>up off the floor in the day three and uh,

0:49:50.600 --> 0:49:53.160
<v Speaker 1>I've just been taking care of him exactly. Keep him

0:49:53.160 --> 0:49:57.960
<v Speaker 1>in a jar. It's your number six and old. Um. Yeah,

0:49:58.000 --> 0:50:00.320
<v Speaker 1>it was another smaller one that I think good. Definitely

0:50:00.320 --> 0:50:01.680
<v Speaker 1>got a lot of love, but like I had, a

0:50:01.719 --> 0:50:03.959
<v Speaker 1>lot of people haven't heard of it. Um, the Last

0:50:03.960 --> 0:50:07.600
<v Speaker 1>Black Man in San Francisco. I want to see that. Yeah,

0:50:07.760 --> 0:50:10.200
<v Speaker 1>it's a I don't know, it's another nodding you saw it.

0:50:10.200 --> 0:50:12.799
<v Speaker 1>It's good. Yeah, it's a it's another kind of like

0:50:13.080 --> 0:50:17.800
<v Speaker 1>dreamy meditation on like um, the State of the World.

0:50:17.840 --> 0:50:22.080
<v Speaker 1>It takes place that's sort of like a mildly post apocalyptic,

0:50:22.160 --> 0:50:26.480
<v Speaker 1>like very near future version of San Francisco. Like, well, no,

0:50:26.600 --> 0:50:28.400
<v Speaker 1>there's like something wrong with the water and like you

0:50:28.440 --> 0:50:30.160
<v Speaker 1>see a three eyed fish at one point, but they

0:50:30.160 --> 0:50:32.920
<v Speaker 1>don't play it like it's not it's it's very background

0:50:33.280 --> 0:50:35.680
<v Speaker 1>and they're these people in hazmat suits occasionally you'll see

0:50:35.719 --> 0:50:37.520
<v Speaker 1>but it's not they don't talk about it. It's but

0:50:37.560 --> 0:50:41.480
<v Speaker 1>it's like very much a a sort of subtly near future,

0:50:42.080 --> 0:50:45.040
<v Speaker 1>um end of the world type scenario. But like it's

0:50:45.040 --> 0:50:48.640
<v Speaker 1>about gentrification. The movie is about like gentrification and the

0:50:48.719 --> 0:50:52.840
<v Speaker 1>idea of home and the idea of what it means

0:50:52.920 --> 0:50:55.239
<v Speaker 1>for a place to be your home, and like it's

0:50:55.280 --> 0:50:58.440
<v Speaker 1>cutting down roots and you know, family and uh, legacy

0:50:58.520 --> 0:51:00.959
<v Speaker 1>and it's it's it's just one full it's a really

0:51:00.960 --> 0:51:04.000
<v Speaker 1>really special movie. I think my number five is Once

0:51:04.040 --> 0:51:08.360
<v Speaker 1>upon a Time in Hollywood, which we've talked enough about.

0:51:08.800 --> 0:51:10.759
<v Speaker 1>I used to see a second time. I really did.

0:51:11.160 --> 0:51:14.000
<v Speaker 1>I've seen it twice. Um. We bought it on iTunes

0:51:14.080 --> 0:51:16.080
<v Speaker 1>just because it's got a lot of good extras and stuff.

0:51:16.160 --> 0:51:17.759
<v Speaker 1>Got it. Oh, I'd love to see the actors the whole,

0:51:17.760 --> 0:51:21.239
<v Speaker 1>the way they transformed Hollywood and in l A. I mean,

0:51:21.280 --> 0:51:23.520
<v Speaker 1>it's just that's one of the most fun parts of

0:51:23.520 --> 0:51:25.600
<v Speaker 1>the movie for me for what's your number five? Number

0:51:25.640 --> 0:51:28.719
<v Speaker 1>five for me was Us. Oh interesting, that did not

0:51:28.840 --> 0:51:31.440
<v Speaker 1>make my list. Yeah, I liked it quite a bit.

0:51:31.640 --> 0:51:34.439
<v Speaker 1>But I saw it twice in the theaters, so that's

0:51:34.440 --> 0:51:37.160
<v Speaker 1>a big benchmark for me. That's how much I liked

0:51:37.160 --> 0:51:39.279
<v Speaker 1>the movie. Yeah, I liked it a lot. Um and

0:51:39.600 --> 0:51:41.600
<v Speaker 1>I liked Uh. I think that some people had problems

0:51:41.640 --> 0:51:43.920
<v Speaker 1>with where it went in the end. I liked it,

0:51:43.960 --> 0:51:45.640
<v Speaker 1>but I thought it was cool. I liked it. Yeah,

0:51:47.640 --> 0:51:49.640
<v Speaker 1>it's great. Oh, and it introduced me to my favorite

0:51:49.680 --> 0:51:52.799
<v Speaker 1>song of the year, favorite old new to me song.

0:51:53.080 --> 0:51:57.000
<v Speaker 1>I think it's pronounced Le Fleur by Minnie Ripperton. It's

0:51:57.040 --> 0:51:59.640
<v Speaker 1>over the end credits, and I that I've been obsessed

0:51:59.680 --> 0:52:03.319
<v Speaker 1>with that song. That's right. Yeah, I only just recently

0:52:03.320 --> 0:52:12.440
<v Speaker 1>found that out. But yeah, I really liked US a lot. Alright.

0:52:12.600 --> 0:52:14.720
<v Speaker 1>Number four for me this is where it gets serious. Everyone,

0:52:14.800 --> 0:52:16.640
<v Speaker 1>These are truly the best films of the year. These

0:52:16.680 --> 0:52:21.359
<v Speaker 1>top five. Um My number four was Jojoe Rabbit. Loved it,

0:52:21.360 --> 0:52:23.160
<v Speaker 1>loved it, loved it, loved it. Didn't see it yet,

0:52:23.200 --> 0:52:24.920
<v Speaker 1>I really want to. I'm pretty sure I'm gonna love it.

0:52:24.960 --> 0:52:27.960
<v Speaker 1>What's your number four? My number four was knives out.

0:52:28.600 --> 0:52:31.520
<v Speaker 1>That's my number three. So I mean we've talked to you.

0:52:31.520 --> 0:52:33.080
<v Speaker 1>Weren't on the round table for that where you had

0:52:33.120 --> 0:52:34.440
<v Speaker 1>to sit that one now? And I think, yeah, I did,

0:52:34.600 --> 0:52:36.719
<v Speaker 1>I did out, Um, I I loved it. It was

0:52:36.760 --> 0:52:40.120
<v Speaker 1>just fun, a fun movie. I can't wait to see

0:52:40.320 --> 0:52:43.880
<v Speaker 1>so smart like it does that drawing room murder mystery

0:52:43.960 --> 0:52:47.239
<v Speaker 1>thing to a t but keeps you guessing and and

0:52:47.280 --> 0:52:49.920
<v Speaker 1>it's just a good commentary on like some very subtle

0:52:49.960 --> 0:52:52.279
<v Speaker 1>political things, but doesn't like shove it down your like.

0:52:52.320 --> 0:52:53.840
<v Speaker 1>I just think it's a great move. They just announced

0:52:53.840 --> 0:52:56.520
<v Speaker 1>there they're trying to do a sequel. Why not that character?

0:52:56.600 --> 0:52:58.160
<v Speaker 1>That damn the perfect way to do it. Yeah, that's

0:52:58.160 --> 0:52:59.799
<v Speaker 1>all they're gonna do. It's it's just gonna be the

0:52:59.800 --> 0:53:03.879
<v Speaker 1>next case for for what was it Ben Wah. Yeah,

0:53:03.920 --> 0:53:06.560
<v Speaker 1>I don't have something like that. It's like a par

0:53:06.680 --> 0:53:09.279
<v Speaker 1>oh thing or like exactly what they're setting up. Man,

0:53:09.400 --> 0:53:11.600
<v Speaker 1>they should. I hope we get like five of these

0:53:11.680 --> 0:53:13.800
<v Speaker 1>with him. I'd much rather see him play that character

0:53:13.840 --> 0:53:18.680
<v Speaker 1>than James Pond Free movies. And he's singing in the

0:53:18.719 --> 0:53:22.000
<v Speaker 1>car with the phones when the thing's going on. You

0:53:22.000 --> 0:53:24.279
<v Speaker 1>can't tell because there's parts of the movie where he

0:53:24.440 --> 0:53:27.840
<v Speaker 1>genuinely seems oblivious, but like, I think it's all in

0:53:27.920 --> 0:53:29.719
<v Speaker 1>act kind of. He turns out that was one of

0:53:29.760 --> 0:53:31.640
<v Speaker 1>the things we were talking about is you can't One

0:53:31.680 --> 0:53:33.279
<v Speaker 1>of the fun things is you can't tell as you're

0:53:33.280 --> 0:53:35.440
<v Speaker 1>going it's like, is he a brilliant detective or in

0:53:35.560 --> 0:53:38.560
<v Speaker 1>buffoon exactly? But turns out he's a brilliant detective. It's

0:53:38.600 --> 0:53:41.840
<v Speaker 1>so good, it's such it's like, what a good payoff

0:53:41.880 --> 0:53:44.000
<v Speaker 1>two of justice and getting come up and it's like

0:53:44.040 --> 0:53:50.279
<v Speaker 1>that I'm thinking about now, did you love it? Love it? Yeah?

0:53:50.320 --> 0:53:53.279
<v Speaker 1>It's definitely in my top five. I love three. Oh wow,

0:53:53.320 --> 0:53:57.040
<v Speaker 1>alright and just fun and unpretentious and just like goods

0:53:57.200 --> 0:54:00.440
<v Speaker 1>good originally? Is that a movie or is it cinema?

0:54:01.280 --> 0:54:04.560
<v Speaker 1>I'm asking, Oh, I mean, because it's sort of accomplishes both,

0:54:04.600 --> 0:54:06.480
<v Speaker 1>doesn't it. It's sort of a big popcorn kind of

0:54:06.520 --> 0:54:09.920
<v Speaker 1>like WHOA, what's gonna happen? Yeah? I think he probably

0:54:09.960 --> 0:54:11.440
<v Speaker 1>loved it. If he hasn't seen it, he did he

0:54:11.520 --> 0:54:13.560
<v Speaker 1>was in the round tip. Yeah, yeah, he liked a lot.

0:54:14.480 --> 0:54:16.920
<v Speaker 1>Uh nol. What is your number three? My number three

0:54:16.920 --> 0:54:18.480
<v Speaker 1>is a weird one. It is a little bit more

0:54:18.520 --> 0:54:21.799
<v Speaker 1>of an art house movie. It's called Haga Zuza. It

0:54:21.920 --> 0:54:26.480
<v Speaker 1>was a German I believe, sort of horror film about

0:54:27.680 --> 0:54:30.680
<v Speaker 1>a witch. Um. It takes place in these three kind

0:54:30.680 --> 0:54:34.960
<v Speaker 1>of vignette like sort of chapters, and it reminds me

0:54:35.000 --> 0:54:36.880
<v Speaker 1>a lot of the Witch in the way it's shot.

0:54:36.920 --> 0:54:40.120
<v Speaker 1>It's all during the course of a season, like going

0:54:40.160 --> 0:54:43.040
<v Speaker 1>from winter to spring, and so there's amazing shots in

0:54:43.040 --> 0:54:46.760
<v Speaker 1>the snow, and it's about like Um, a young woman

0:54:46.920 --> 0:54:50.759
<v Speaker 1>who's in the first vignette. Her mother is considered to

0:54:50.800 --> 0:54:53.640
<v Speaker 1>be like this outcast and she's like, you know, maybe

0:54:53.640 --> 0:54:55.919
<v Speaker 1>she's a witch. You don't really quite know. But there's

0:54:55.960 --> 0:54:58.200
<v Speaker 1>they live in this like shock way away from the

0:54:58.320 --> 0:55:02.280
<v Speaker 1>village and they're treated like outsiders, and the mother passes

0:55:02.320 --> 0:55:06.560
<v Speaker 1>away in a brutal, horrific fashion while the young girl

0:55:06.719 --> 0:55:08.520
<v Speaker 1>is taking care of her and she's left on her

0:55:08.520 --> 0:55:11.520
<v Speaker 1>own and living in that same house and growing up

0:55:11.520 --> 0:55:15.440
<v Speaker 1>there and becoming the new the which which and you

0:55:15.480 --> 0:55:18.960
<v Speaker 1>don't know really if she is or isn't, And it's

0:55:19.080 --> 0:55:23.080
<v Speaker 1>very ambiguous, but it's just beautifully shot and really subtly

0:55:23.120 --> 0:55:26.440
<v Speaker 1>disturbing and unnerving, and I recommend you don't check it out.

0:55:26.560 --> 0:55:30.000
<v Speaker 1>So young New director German director by the name of

0:55:30.120 --> 0:55:36.560
<v Speaker 1>Lucas uh figel feigelfeld figelfeld You also wrote the Figelfeldt,

0:55:36.840 --> 0:55:39.600
<v Speaker 1>who also wrote the screenplay. So I feel like big

0:55:39.640 --> 0:55:41.600
<v Speaker 1>things are Wait a minute that maybe he didn't come

0:55:41.640 --> 0:55:45.640
<v Speaker 1>out until letbe he came out in twenties. No, I

0:55:45.680 --> 0:55:49.320
<v Speaker 1>think it came out in Germany and came out in

0:55:49.320 --> 0:55:51.360
<v Speaker 1>the States in twenty nineteen. I saw it in twenty nineteen,

0:55:51.520 --> 0:55:54.400
<v Speaker 1>but it was released in the States as Haga Zeusa

0:55:54.719 --> 0:55:59.759
<v Speaker 1>A Heathen's Curse, which was like the americanized this, you know,

0:56:00.040 --> 0:56:04.440
<v Speaker 1>re release version, but really great on Rotten Tomatoes. Who yeah,

0:56:05.320 --> 0:56:07.680
<v Speaker 1>any bad tomatoes there, highly recommend it, all right. My

0:56:07.760 --> 0:56:13.520
<v Speaker 1>number two was Marriage Story. Every part of that movie

0:56:13.520 --> 0:56:16.040
<v Speaker 1>worked for me and we crushed it out and I

0:56:16.040 --> 0:56:18.080
<v Speaker 1>don't really need to talk anymore about it. I loved

0:56:18.160 --> 0:56:21.520
<v Speaker 1>every single frame. Should I watch it? You want to? Well,

0:56:21.520 --> 0:56:23.080
<v Speaker 1>I don't know. I mean, I I've been divorced, so

0:56:23.239 --> 0:56:25.160
<v Speaker 1>if I was kind of like, is it gonna bum

0:56:25.239 --> 0:56:27.279
<v Speaker 1>me out? Like is it going to be? I didn't

0:56:27.280 --> 0:56:30.080
<v Speaker 1>have a particularly acrimonious divorce, but it is, you know,

0:56:30.200 --> 0:56:33.920
<v Speaker 1>it's something that that kind of dynamic I can understand

0:56:34.000 --> 0:56:38.120
<v Speaker 1>and it's almost like I'm a little scared. Yeah, I

0:56:38.120 --> 0:56:40.319
<v Speaker 1>don't want to recommend it or not recommend it for

0:56:40.320 --> 0:56:42.239
<v Speaker 1>you that I love to walk through that door on

0:56:42.280 --> 0:56:45.400
<v Speaker 1>your own. I think I probably will. It's great. I

0:56:45.400 --> 0:56:47.360
<v Speaker 1>mean it's no bomb bucket, his best and some of

0:56:47.360 --> 0:56:49.919
<v Speaker 1>the best acting in the year. What is your number two?

0:56:51.000 --> 0:56:55.399
<v Speaker 1>My number two? Um is Uncut Gems. Okay, well, that's

0:56:55.480 --> 0:56:57.440
<v Speaker 1>my number one film of the year. Oh boy, I

0:56:57.440 --> 0:56:59.919
<v Speaker 1>know what your number one is, which I haven't seen yet.

0:57:00.600 --> 0:57:04.000
<v Speaker 1>It's Parasite. It is Parasite, so uh, Uncut Gim's were

0:57:04.000 --> 0:57:06.759
<v Speaker 1>about to round table. So I don't want to overtalk now,

0:57:07.640 --> 0:57:11.120
<v Speaker 1>but it was my favorite movie the year. It justelie.

0:57:11.560 --> 0:57:14.080
<v Speaker 1>I want to see it again tonight. Maybe my favorite

0:57:14.120 --> 0:57:18.720
<v Speaker 1>movie score of all time? Um, that was score is incredible.

0:57:18.720 --> 0:57:21.480
<v Speaker 1>It's that dude, Daniel Lupatan who does uh on a

0:57:21.520 --> 0:57:23.919
<v Speaker 1>tricks point never and he's done all of the he's

0:57:23.960 --> 0:57:26.280
<v Speaker 1>it's it's just it's a perfect film. It's so right

0:57:26.560 --> 0:57:29.480
<v Speaker 1>and and it's Uh. I think Adam Sandler is a

0:57:29.560 --> 0:57:32.320
<v Speaker 1>lock to win his first Oscar. I hope so I have.

0:57:32.720 --> 0:57:35.560
<v Speaker 1>He's not getting great odds. I've been really I've heard

0:57:35.600 --> 0:57:39.240
<v Speaker 1>just uh fucking Joaquin Phoenix is getting really good odds

0:57:39.240 --> 0:57:41.080
<v Speaker 1>which bumps? Which bumps me out? I mean, I mean

0:57:41.120 --> 0:57:45.560
<v Speaker 1>he was great. Boy. Sandler just what's his name? Marriage

0:57:45.600 --> 0:57:48.280
<v Speaker 1>marriage story? Dude, Adam Driver is getting good. He was

0:57:48.360 --> 0:57:51.640
<v Speaker 1>great too. But Sandler's nuts. He disappears into that character

0:57:51.680 --> 0:57:54.840
<v Speaker 1>of Howard. It was a tough one. My Number one

0:57:54.840 --> 0:57:56.400
<v Speaker 1>and number two they were they were almost neck and

0:57:56.600 --> 0:57:59.440
<v Speaker 1>but they're very different kinds of movies. Um, but god,

0:58:00.040 --> 0:58:02.320
<v Speaker 1>I I just love the SOFTI Brothers saw an interview

0:58:02.360 --> 0:58:05.200
<v Speaker 1>with them. They don't call action. They just get the

0:58:05.280 --> 0:58:07.440
<v Speaker 1>vibe going and people kind of know when to start.

0:58:07.680 --> 0:58:10.320
<v Speaker 1>That's how they get that naturalistic feel. And like so

0:58:10.400 --> 0:58:13.200
<v Speaker 1>many like claustrophobic bits where they're in the jewelry store

0:58:13.400 --> 0:58:15.520
<v Speaker 1>and like the you know, there's like these gates you

0:58:15.520 --> 0:58:18.440
<v Speaker 1>have to get buzzed in. There's constantly something going on,

0:58:18.800 --> 0:58:22.560
<v Speaker 1>and like, you know, it's it feels like this anxiety

0:58:22.600 --> 0:58:25.560
<v Speaker 1>attack kind of like like brewing and then it kind

0:58:25.560 --> 0:58:27.520
<v Speaker 1>of just like hits. You know. Yeah, some of the

0:58:27.560 --> 0:58:30.880
<v Speaker 1>best directors I worked with do not say action. Um.

0:58:31.920 --> 0:58:34.680
<v Speaker 1>I feel like it's a bit of an old school thing.

0:58:35.680 --> 0:58:37.520
<v Speaker 1>Like most of the directors i've worked with. I thought

0:58:37.520 --> 0:58:40.240
<v Speaker 1>did a good job. You know, everyone knows cameras rolling

0:58:40.240 --> 0:58:44.120
<v Speaker 1>because he go rolling speeding jack lights jack everything sound speeding.

0:58:44.440 --> 0:58:46.560
<v Speaker 1>And then they'll just go like like when you're ready

0:58:46.640 --> 0:58:48.600
<v Speaker 1>or or something like that, that's right, you know, not

0:58:49.600 --> 0:58:52.720
<v Speaker 1>right now, of course, See Ramsey just jumped to get

0:58:52.800 --> 0:58:55.120
<v Speaker 1>you in the mood to do a quiet scene. They

0:58:55.120 --> 0:58:57.680
<v Speaker 1>also have a lot of like real people from the

0:58:58.360 --> 0:59:01.080
<v Speaker 1>Diamond District, like on set all the time and in

0:59:01.160 --> 0:59:03.360
<v Speaker 1>the scenes, and like you know, they had like a

0:59:03.360 --> 0:59:06.160
<v Speaker 1>consultant who was some guy. So there's a really good

0:59:06.160 --> 0:59:08.560
<v Speaker 1>interview with them on Film Spotting. It's another good movie

0:59:08.560 --> 0:59:11.680
<v Speaker 1>podcast if you haven't checked that ups Fromat That's true.

0:59:11.720 --> 0:59:13.120
<v Speaker 1>This one's been around for a long time. I just

0:59:13.160 --> 0:59:15.360
<v Speaker 1>recently started re listening to it again and it's it's great.

0:59:15.560 --> 0:59:17.400
<v Speaker 1>But um, the Softie Brothers are on there, and they

0:59:17.440 --> 0:59:20.480
<v Speaker 1>also they've been nursing this script for like twenty year

0:59:20.600 --> 0:59:23.040
<v Speaker 1>ten years. Uh. They wrote it right at a film

0:59:23.080 --> 0:59:25.439
<v Speaker 1>school and like they're like my age, like thirty five,

0:59:25.520 --> 0:59:27.400
<v Speaker 1>thirty six something like that, and they wrote it for

0:59:27.480 --> 0:59:30.120
<v Speaker 1>Sandler and they weren't famous enough to do anything with it.

0:59:30.200 --> 0:59:34.320
<v Speaker 1>And then you know, favorite favorite movie. Uh so Parasite

0:59:34.320 --> 0:59:38.680
<v Speaker 1>was your number one? Of course? Oh man, um should

0:59:38.680 --> 0:59:40.720
<v Speaker 1>be streaming soon. I guess it's the words I want

0:59:40.720 --> 0:59:42.280
<v Speaker 1>to catch in the theater. I'll make it out way

0:59:42.520 --> 0:59:46.280
<v Speaker 1>probably next week. Is it still around though? Okay? Yeah,

0:59:46.320 --> 0:59:49.520
<v Speaker 1>I just I've seen it four times at this point. Yeah.

0:59:49.800 --> 0:59:53.480
<v Speaker 1>It's just there's a lot of subtexts in the gestures,

0:59:53.520 --> 0:59:55.200
<v Speaker 1>in the way the characters kind of interact with each

0:59:55.200 --> 0:59:57.840
<v Speaker 1>other physically, and the way they used the space is

0:59:57.920 --> 1:00:00.360
<v Speaker 1>really great. Boss Connell texted me of the day. He

1:00:00.440 --> 1:00:01.959
<v Speaker 1>was like, dude, that's my movie the year. You gotta

1:00:01.960 --> 1:00:04.120
<v Speaker 1>see it. I can't wait. It's want to hear any

1:00:04.120 --> 1:00:05.360
<v Speaker 1>more about No, I'm not gonna tell you. You You do

1:00:05.480 --> 1:00:07.040
<v Speaker 1>need to know nothing about it, and that's why I'm

1:00:07.040 --> 1:00:09.600
<v Speaker 1>being super vague. It's way better if you know pretty

1:00:09.680 --> 1:00:13.240
<v Speaker 1>much nothing about it. Going, well, Ramsey, let's hear it.

1:00:13.520 --> 1:00:14.840
<v Speaker 1>That's all right, let's heared the ship out of me.

1:00:14.880 --> 1:00:18.680
<v Speaker 1>I forgot your there action. My top two were Uncut

1:00:18.720 --> 1:00:22.520
<v Speaker 1>Gems and Parasite. Okay, I don't know which one is

1:00:22.600 --> 1:00:27.040
<v Speaker 1>number one that I think Parasite number one, because again

1:00:27.360 --> 1:00:29.360
<v Speaker 1>I've seen it four times and I'm going to see

1:00:29.440 --> 1:00:33.200
<v Speaker 1>Uncut Gems for a second time tonight. To me, Parasite

1:00:33.280 --> 1:00:35.880
<v Speaker 1>is a little bit I can't do it. Parasites is

1:00:35.960 --> 1:00:39.400
<v Speaker 1>really fun and also it really speaks to a very

1:00:39.480 --> 1:00:45.200
<v Speaker 1>specific thing that is very much in the consciousness of

1:00:45.400 --> 1:00:47.480
<v Speaker 1>our world right now. You know, I don't think I

1:00:47.520 --> 1:00:51.720
<v Speaker 1>would describe it as fun. It is. I disagree, because

1:00:51.720 --> 1:00:55.040
<v Speaker 1>it's it's intrigue, you know, it's like a mystery, you know,

1:00:55.160 --> 1:00:57.360
<v Speaker 1>like it's got that quality to it, whereas Uncut Gems

1:00:57.400 --> 1:00:59.880
<v Speaker 1>is just kind of a dude fucking his life up,

1:01:00.280 --> 1:01:03.720
<v Speaker 1>like repeatedly, and you want to just shake him and say, dude,

1:01:03.880 --> 1:01:07.680
<v Speaker 1>stop doing what you're doing. All right, every brothers are

1:01:07.720 --> 1:01:10.040
<v Speaker 1>tapped to do the next They were supposed to do

1:01:10.280 --> 1:01:13.800
<v Speaker 1>a remake of forty eight Hours, and are they not

1:01:13.880 --> 1:01:16.120
<v Speaker 1>doing it? Now? They're not. There's like, hey, we wrote

1:01:16.120 --> 1:01:18.480
<v Speaker 1>the script that's kind of loosely based on forty eight Hours,

1:01:18.520 --> 1:01:20.320
<v Speaker 1>but we think this is better, and so they're just

1:01:22.560 --> 1:01:24.600
<v Speaker 1>what is forty eight hours? That a Nick Nulty thing?

1:01:25.760 --> 1:01:29.400
<v Speaker 1>He got it classic film? Interesting? I haven't seen it, alright.

1:01:29.440 --> 1:01:31.680
<v Speaker 1>I've said all right everyone three times, are we allowed

1:01:31.720 --> 1:01:33.360
<v Speaker 1>to stop this show? We can stop the show anytime

1:01:33.400 --> 1:01:35.959
<v Speaker 1>you say all right, anyone, thank you for the first

1:01:36.000 --> 1:01:38.360
<v Speaker 1>one hundred, all the support. We have so much fun

1:01:38.400 --> 1:01:43.080
<v Speaker 1>doing this, and uh, let's raise our glasses of coffee

1:01:43.360 --> 1:01:47.160
<v Speaker 1>to another one hundred. Everyone. Here we go. I'm gonna

1:01:47.160 --> 1:02:01.800
<v Speaker 1>just dump it right on the computer, all right, by everyone.

1:02:03.680 --> 1:02:05.960
<v Speaker 1>For more podcasts for my heart Radio, visit the I

1:02:06.040 --> 1:02:08.840
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

1:02:08.880 --> 1:02:09.640
<v Speaker 1>your favorite shows.