1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff you missed in History Class, A production 2 00:00:04,360 --> 00:00:13,760 Speaker 1: of I Heart Radio. Hello, and welcome to Casual Friday 3 00:00:13,920 --> 00:00:17,400 Speaker 1: Chatter Chatter with Polly and Tracy. I'm Polly Fry, I'm 4 00:00:17,440 --> 00:00:20,760 Speaker 1: Tracy Vie Wilson. Our first episode this week was kind 5 00:00:20,800 --> 00:00:23,320 Speaker 1: of all casual chatter. That's exactly what I was thinking. 6 00:00:23,320 --> 00:00:25,880 Speaker 1: It was like, we had casual Friday on Monday. Yes, 7 00:00:26,520 --> 00:00:29,960 Speaker 1: uh in talking about this this wild time that we're 8 00:00:30,000 --> 00:00:32,240 Speaker 1: living through. But then we got to talk about someone 9 00:00:32,280 --> 00:00:34,360 Speaker 1: that you picked out and who is one of the 10 00:00:34,479 --> 00:00:38,320 Speaker 1: more charming figures we have talked about in recent history 11 00:00:38,360 --> 00:00:42,760 Speaker 1: in my opinion, Yeah, lighthousekeeper Ida Lewis. So I had 12 00:00:43,880 --> 00:00:46,479 Speaker 1: a circuitous path of getting to this topic that I 13 00:00:46,560 --> 00:00:48,959 Speaker 1: alluded to at the beginning of the episode. This sort 14 00:00:49,000 --> 00:00:54,000 Speaker 1: of illustrates how my working life has changed. UM. The 15 00:00:54,040 --> 00:00:57,959 Speaker 1: first thing was I had thought about doing UM an 16 00:00:58,000 --> 00:01:03,480 Speaker 1: episode on the Athenian Play and I'm I'm not saying 17 00:01:03,480 --> 00:01:06,920 Speaker 1: I'll never do that, but so many, uh so many 18 00:01:06,959 --> 00:01:09,880 Speaker 1: of our listeners have talked about how stressed out they 19 00:01:09,880 --> 00:01:13,039 Speaker 1: have been, and we're so appreciative when we dropped a 20 00:01:13,040 --> 00:01:15,959 Speaker 1: playlist of just goofy offbeat stuff. But I was like, 21 00:01:16,000 --> 00:01:18,720 Speaker 1: you know, maybe a really stressful episode about a plague 22 00:01:18,760 --> 00:01:21,880 Speaker 1: is not where I want to go right now. Like, 23 00:01:21,920 --> 00:01:24,280 Speaker 1: I know there's value in talking about the historical context 24 00:01:24,360 --> 00:01:26,720 Speaker 1: for things, but there are so many places to get 25 00:01:27,280 --> 00:01:30,319 Speaker 1: pandemic news right now, and so many people have told 26 00:01:30,400 --> 00:01:32,800 Speaker 1: us about just how phenomenally stressed out they were. I 27 00:01:32,800 --> 00:01:35,520 Speaker 1: was like, let's let's do something. Let's find something that 28 00:01:35,600 --> 00:01:40,800 Speaker 1: feels positive and uplifting but also seems thematically appropriate to 29 00:01:40,800 --> 00:01:43,920 Speaker 1: what we're living through. And that's how I eventually wound 30 00:01:43,959 --> 00:01:46,199 Speaker 1: up on Idle Louis. But Idle Louis was not actually 31 00:01:46,319 --> 00:01:48,600 Speaker 1: my first choice, which was not the first person that 32 00:01:48,720 --> 00:01:51,360 Speaker 1: occurred to me. UM. The first person that I actually 33 00:01:51,360 --> 00:01:55,760 Speaker 1: thought about doing was Emily Dickinson, who was not as 34 00:01:55,840 --> 00:02:01,000 Speaker 1: solitary as a lot of people think of her UM, 35 00:02:01,040 --> 00:02:02,080 Speaker 1: and that was one of the things that I was 36 00:02:02,480 --> 00:02:05,440 Speaker 1: I got very excited about this idea of doing an 37 00:02:05,440 --> 00:02:08,639 Speaker 1: episode about Emily Dickinson and talking about that that aspect 38 00:02:08,680 --> 00:02:12,600 Speaker 1: of her. But then I was like, Amherst is just 39 00:02:12,800 --> 00:02:16,440 Speaker 1: down the street, not literally, it's but you know, we 40 00:02:16,480 --> 00:02:18,919 Speaker 1: could get in the car and go there. We can't 41 00:02:19,000 --> 00:02:22,080 Speaker 1: right now, though, Can I go to Amherst uh, And 42 00:02:22,120 --> 00:02:24,079 Speaker 1: I was like, you know, I would kind of rather 43 00:02:24,160 --> 00:02:26,960 Speaker 1: do this episode at a time when I can go 44 00:02:27,800 --> 00:02:30,880 Speaker 1: um and visit where she lived, because you know, when 45 00:02:30,880 --> 00:02:32,800 Speaker 1: I have the opportunity to do that, I really enjoy 46 00:02:32,880 --> 00:02:37,079 Speaker 1: doing that. UM. So I said, Okay, I'll put Emily 47 00:02:37,120 --> 00:02:40,760 Speaker 1: Dickinson back on the list of things to talk about later. Um. 48 00:02:40,800 --> 00:02:43,560 Speaker 1: But then when I got into the Idle Louis episode, 49 00:02:44,080 --> 00:02:48,040 Speaker 1: I kept running into situations where I was like, oh, 50 00:02:48,160 --> 00:02:51,280 Speaker 1: it really felt like UM. Because I do so much 51 00:02:51,280 --> 00:02:53,359 Speaker 1: work at home, Because I do so much work that's 52 00:02:53,400 --> 00:02:57,639 Speaker 1: related to sources that are online, I was not expecting 53 00:02:57,639 --> 00:03:03,280 Speaker 1: a big disruption in my work. However, Ida Lewis's personnel 54 00:03:03,320 --> 00:03:07,120 Speaker 1: record is something that's open to the public. It cannot 55 00:03:07,120 --> 00:03:10,800 Speaker 1: be requested right now because the library is closed. The 56 00:03:11,040 --> 00:03:14,600 Speaker 1: biography that was written of her in the nineteenth century 57 00:03:14,639 --> 00:03:19,440 Speaker 1: that we referenced in the episode is a lot of 58 00:03:19,480 --> 00:03:21,680 Speaker 1: stuff of that age has been digitized, and you can 59 00:03:21,720 --> 00:03:24,400 Speaker 1: get to it at places like the Project Guttenberg or 60 00:03:24,480 --> 00:03:28,680 Speaker 1: archive dot org or something similar. That particular work does 61 00:03:28,760 --> 00:03:33,600 Speaker 1: exist on microfiche and as a physical copy in two 62 00:03:33,639 --> 00:03:39,240 Speaker 1: different libraries that I can access. The library is closed, though, 63 00:03:39,400 --> 00:03:42,120 Speaker 1: so It's just like, this is a case where I 64 00:03:42,120 --> 00:03:44,680 Speaker 1: would have had some physical sources I might have gone 65 00:03:44,720 --> 00:03:47,520 Speaker 1: to consult, but I sure cannot do that because the 66 00:03:47,560 --> 00:03:50,960 Speaker 1: library is closed. I do feel like that's the correct 67 00:03:51,000 --> 00:03:53,680 Speaker 1: decision for the library to be closed, but it it 68 00:03:53,800 --> 00:03:56,560 Speaker 1: kind of tickled me a little bit that it turned 69 00:03:56,560 --> 00:03:59,240 Speaker 1: out that that was the case with this particular episode. 70 00:04:00,560 --> 00:04:03,480 Speaker 1: I like that. Um, Again, not to make light of 71 00:04:03,520 --> 00:04:05,160 Speaker 1: any of it, but we have been very frank that 72 00:04:05,240 --> 00:04:08,600 Speaker 1: we're very fortunate because we can keep doing our jobs 73 00:04:08,640 --> 00:04:12,920 Speaker 1: from home relatively uninterrupted, but that somehow it managed to 74 00:04:12,960 --> 00:04:17,560 Speaker 1: be interrupted just the same. UM, it's interesting. I have 75 00:04:17,680 --> 00:04:20,920 Speaker 1: a question for you, which, UM, let me just ask 76 00:04:20,920 --> 00:04:26,800 Speaker 1: a question. Are you and Emily Dickinson person? Uh? I 77 00:04:26,880 --> 00:04:30,120 Speaker 1: own a copy of her entire I have a complicated 78 00:04:30,160 --> 00:04:35,880 Speaker 1: relationship with Emily Dickinson. Okay, me too, UM trying So 79 00:04:36,960 --> 00:04:40,479 Speaker 1: Emily Dickinson is so it tends to be such a huge, 80 00:04:40,520 --> 00:04:44,760 Speaker 1: huge part of American literature classes. She gets kind of 81 00:04:44,880 --> 00:04:49,520 Speaker 1: shoved on people in high school. And and then also 82 00:04:49,600 --> 00:04:52,440 Speaker 1: when you notice patterns in the rhythm of her writing, 83 00:04:53,800 --> 00:04:57,640 Speaker 1: noticed them. What song is it for you? Um? Because 84 00:04:57,680 --> 00:05:01,760 Speaker 1: I've discovered over the years, I mean it's a simple pattern, 85 00:05:02,480 --> 00:05:04,839 Speaker 1: and so everybody has like that thing where they're like 86 00:05:04,920 --> 00:05:07,320 Speaker 1: And then it becomes obvious that you can sing every 87 00:05:07,320 --> 00:05:10,280 Speaker 1: one of her poems to this song. But I've discovered 88 00:05:10,279 --> 00:05:12,520 Speaker 1: that different people have different songs. Yes, you don't want 89 00:05:12,520 --> 00:05:14,040 Speaker 1: to know the song if you don't want to never 90 00:05:14,120 --> 00:05:16,120 Speaker 1: be able to unhear it, just like I don't know 91 00:05:16,200 --> 00:05:19,480 Speaker 1: Skip ahead by thirty seconds. The theme from Gilligan's Island 92 00:05:19,640 --> 00:05:22,320 Speaker 1: Oh Mine is yellow Rose of Texas. That also works 93 00:05:22,839 --> 00:05:27,560 Speaker 1: both of them. But then the thing is, her life 94 00:05:27,960 --> 00:05:32,840 Speaker 1: has been so mischaracterized, um, and there are so many 95 00:05:32,880 --> 00:05:35,960 Speaker 1: just wonderful biographies of her that have come out more 96 00:05:36,000 --> 00:05:39,480 Speaker 1: recently that have given us a more honest look, UM 97 00:05:39,520 --> 00:05:43,400 Speaker 1: at what her life was like and what uh what 98 00:05:44,080 --> 00:05:49,279 Speaker 1: happens to her literary legacy after she died, Like I 99 00:05:49,400 --> 00:05:51,719 Speaker 1: found all, I found all that really fascinating. I in 100 00:05:51,760 --> 00:05:54,560 Speaker 1: a lot of ways feel like she is a kindred spirit, 101 00:05:55,200 --> 00:05:58,719 Speaker 1: even though I can't stop myself from singing songs while 102 00:05:58,760 --> 00:06:03,080 Speaker 1: I'm reading her poet. I will say I'm not the 103 00:06:03,160 --> 00:06:06,920 Speaker 1: hugest fan of her poetry because that sort of makes 104 00:06:06,920 --> 00:06:09,000 Speaker 1: it feel a little simplistic to me in a way 105 00:06:09,000 --> 00:06:12,080 Speaker 1: that I don't connect to UM. But also I think 106 00:06:12,080 --> 00:06:15,200 Speaker 1: it's one of those things where she has been so romanticized. 107 00:06:15,279 --> 00:06:18,000 Speaker 1: And we talked about this phenomenon on the show before. 108 00:06:18,839 --> 00:06:23,160 Speaker 1: She and her biography and her life story has been 109 00:06:23,200 --> 00:06:27,880 Speaker 1: so romanticized that it does the great disservice of completely 110 00:06:28,520 --> 00:06:32,120 Speaker 1: including the person that she actually was. So I'm glad 111 00:06:32,160 --> 00:06:35,320 Speaker 1: that you're planning an episode because we are Emily Dickinson 112 00:06:35,360 --> 00:06:39,359 Speaker 1: MythBuster H. We will keep our fingers crossed UM that 113 00:06:39,480 --> 00:06:46,160 Speaker 1: at some points the pandemic has ended, UH and you know, 114 00:06:46,360 --> 00:06:49,520 Speaker 1: are the places in Amherst, Massachusetts that are related to 115 00:06:49,560 --> 00:06:52,200 Speaker 1: her life will be open for visitors again. And I 116 00:06:52,240 --> 00:06:55,920 Speaker 1: will UH coerce my husband into going on a road 117 00:06:55,920 --> 00:06:59,000 Speaker 1: trip with me, which is UM actually that that my 118 00:06:59,160 --> 00:07:00,440 Speaker 1: I don't know, I don't know what is. I have 119 00:07:00,480 --> 00:07:02,800 Speaker 1: not asked him about this at all. He has been 120 00:07:03,400 --> 00:07:07,000 Speaker 1: just very accommodating and on board. Various times that I 121 00:07:07,000 --> 00:07:10,120 Speaker 1: have suggested some random road trip to go to, usually 122 00:07:10,120 --> 00:07:14,760 Speaker 1: somewhere in Massachusetts or an adjacent UH state, to do 123 00:07:14,880 --> 00:07:18,040 Speaker 1: some kind of podcast research. UM. He has, he's been 124 00:07:18,040 --> 00:07:20,680 Speaker 1: on board. He's been game for all of that. UM. 125 00:07:20,720 --> 00:07:27,480 Speaker 1: Possibly because of the like the ubiquity and weird representation 126 00:07:27,520 --> 00:07:31,000 Speaker 1: of Emily Dickinson and most people's high school lives. Um, 127 00:07:31,080 --> 00:07:32,280 Speaker 1: I don't know if you would be on board for 128 00:07:32,320 --> 00:07:34,280 Speaker 1: that one. I could just go by myself. He'd be fine, 129 00:07:34,840 --> 00:07:39,000 Speaker 1: that's true. Uh. Yeah, I'm trying to think of any that. 130 00:07:39,080 --> 00:07:40,760 Speaker 1: I don't think I have any in the hopper right 131 00:07:40,800 --> 00:07:43,200 Speaker 1: now that I'm like, I would like to travel to 132 00:07:43,320 --> 00:07:46,840 Speaker 1: go check this out. Well, another place that is not 133 00:07:46,960 --> 00:07:50,960 Speaker 1: quite as close to here, but is doable and is 134 00:07:51,160 --> 00:07:55,120 Speaker 1: somebody that everybody hit not a lot. A lot of 135 00:07:55,120 --> 00:07:57,040 Speaker 1: people have got a lot of request to talk about 136 00:07:57,120 --> 00:08:01,480 Speaker 1: Lucy maud Montgomery. I know, I'm Prince Edward Island though 137 00:08:01,520 --> 00:08:05,280 Speaker 1: it's just right over there. We can all travel again. 138 00:08:06,200 --> 00:08:09,600 Speaker 1: I would like to go to their. Yeah, that's less 139 00:08:09,600 --> 00:08:10,880 Speaker 1: of a like a day trip, a bore of a 140 00:08:10,920 --> 00:08:14,640 Speaker 1: weekend trip though, right I keep thinking about where I 141 00:08:14,720 --> 00:08:17,760 Speaker 1: would want to travel first when all of this blows over, 142 00:08:18,960 --> 00:08:21,239 Speaker 1: presuming we may it through and all of the places 143 00:08:21,280 --> 00:08:24,160 Speaker 1: I might want to travel are once again open and available. 144 00:08:25,080 --> 00:08:26,880 Speaker 1: I mean, I don't know who I'm kidding. I'm going. 145 00:08:26,920 --> 00:08:28,800 Speaker 1: I'm getting in the car and going to Disney World 146 00:08:29,400 --> 00:08:31,920 Speaker 1: the minute. The minute you have a chance. I also 147 00:08:31,960 --> 00:08:34,319 Speaker 1: want to make it clear and just in case anybody 148 00:08:34,400 --> 00:08:38,720 Speaker 1: is feeling frustrated, Uh, we understand absolutely that this is 149 00:08:38,760 --> 00:08:41,439 Speaker 1: not something that is literally going to just go away 150 00:08:41,840 --> 00:08:45,280 Speaker 1: without human beings taking concrete steps to stop it. So 151 00:08:45,320 --> 00:08:47,400 Speaker 1: when we say blow over, we don't mean like a 152 00:08:47,480 --> 00:08:50,640 Speaker 1: magical ferry is going to make it stop being a pandemic. No, 153 00:08:50,800 --> 00:08:52,800 Speaker 1: I mean when we are on the other side of this. 154 00:08:53,840 --> 00:08:56,480 Speaker 1: However long it takes to get on the other side 155 00:08:56,520 --> 00:09:01,360 Speaker 1: of this with we hope as as little animal yes, 156 00:09:01,559 --> 00:09:05,800 Speaker 1: as minimal loss as possible, we hope. Um. Yeah, I 157 00:09:05,800 --> 00:09:07,760 Speaker 1: mean I think about I think we're all thinking about 158 00:09:07,760 --> 00:09:09,920 Speaker 1: what it's going to be like to resume normal life. 159 00:09:10,920 --> 00:09:13,360 Speaker 1: And part of that for me is because I have 160 00:09:13,720 --> 00:09:17,559 Speaker 1: been traveling so much. Part of it is, um, like, 161 00:09:18,040 --> 00:09:22,199 Speaker 1: where would I travel to just for fun? Initially it's 162 00:09:22,240 --> 00:09:25,200 Speaker 1: one of the things that we think about. But yes, 163 00:09:25,480 --> 00:09:29,920 Speaker 1: I'm I'm sure there will be somewhere historically relevant that 164 00:09:29,960 --> 00:09:34,520 Speaker 1: I will go. I don't know where yet, though, I 165 00:09:34,559 --> 00:09:38,760 Speaker 1: will want to probably go everywhere after not not being 166 00:09:38,960 --> 00:09:41,520 Speaker 1: anywhere for a while, So we'll see, Yeah, we'll see. 167 00:09:41,520 --> 00:09:45,000 Speaker 1: Oh and just in case people are curious, we were 168 00:09:45,080 --> 00:09:50,040 Speaker 1: planning to go to Italy in May that is postponed 169 00:09:50,240 --> 00:09:53,360 Speaker 1: is postponed, yeah to October, just in case people were like, 170 00:09:53,360 --> 00:09:55,320 Speaker 1: whenever it happened to the only trip, that's what happened. 171 00:09:55,400 --> 00:10:01,360 Speaker 1: The folks that have booked on it are all aware. Yes, yes, yes. Michael, 172 00:10:01,440 --> 00:10:04,319 Speaker 1: who handles all of all of those travels and who 173 00:10:04,400 --> 00:10:06,760 Speaker 1: managed our our trip to Paris last year, has been 174 00:10:06,760 --> 00:10:11,240 Speaker 1: really great about making sure that everybody's bookings can transfer 175 00:10:11,320 --> 00:10:13,400 Speaker 1: over till later in the year and getting that all 176 00:10:13,440 --> 00:10:18,640 Speaker 1: ironed out and squared away. Um. So uh universe willing. 177 00:10:18,800 --> 00:10:22,920 Speaker 1: We will be in Italy in October hopefully. Um. You 178 00:10:23,000 --> 00:10:26,640 Speaker 1: have questions about the cruise to Alaska that we have 179 00:10:26,880 --> 00:10:29,640 Speaker 1: advertised on the show as well. That is not something 180 00:10:29,640 --> 00:10:32,440 Speaker 1: that Holly and I are personally involved with planning, so 181 00:10:32,559 --> 00:10:34,720 Speaker 1: you would need to contact Like, if you're booked on that, 182 00:10:34,760 --> 00:10:39,040 Speaker 1: you would need to contact whatever information you got when 183 00:10:39,040 --> 00:10:43,160 Speaker 1: you booked that. Yeah, yeah, that's um, we have no 184 00:10:43,400 --> 00:10:46,120 Speaker 1: we we are still trying to figure out what is 185 00:10:46,160 --> 00:10:47,560 Speaker 1: going on with that as well, so we don't have 186 00:10:47,559 --> 00:10:51,240 Speaker 1: any updates there. But in the meantime, everybody continue to 187 00:10:51,360 --> 00:10:59,200 Speaker 1: take care of yourselves and stay safe. Stuff you missed 188 00:10:59,200 --> 00:11:02,080 Speaker 1: in history classes, a production of I heart Radio. For 189 00:11:02,160 --> 00:11:04,839 Speaker 1: more podcasts from I heart Radio, visit the i heart 190 00:11:04,920 --> 00:11:08,000 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 191 00:11:08,040 --> 00:11:12,120 Speaker 1: favorite shows. H