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Speaker 1: And it is drinke Chans motherfucking podcast Make Time.

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Speaker 2: He's a legends eary Queens rapper.

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Speaker 3: He's agreed as your boy in O R E.

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Speaker 2: He's a Miami hip hop ponere put up his DJ

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Speaker 2: E f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: you know what I mean. And the most professional, unprofessional podcast.

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Speaker 2: And your number one source for drunk d.

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Speaker 1: Chans mother fucking post for every day is New Year's e. Listen,

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Speaker 1: It's time for drink Champions, drink up, motherfuck motherfucker.

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Speaker 2: Would it good? Be hopeings wonna should be This your

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Speaker 2: boy and O R.

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Speaker 1: E d J E f N and this motherfucking minutes

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Speaker 1: ta me crazy boar ye you have. When we started

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Speaker 1: this show, we've said we wanted to We wanted to

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Speaker 1: shine the light and give the key to the city

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Speaker 1: somewhat to speak to people who are legends. These people

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Speaker 1: right here is your favorite rappers, favorite rapper, your favorite groups,

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Speaker 1: favorite group.

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Speaker 3: These guys are icons, ty tycoons.

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Speaker 1: I personally went on tour with them and I used

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Speaker 1: to we used to go and perform and just watch

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Speaker 1: them just do all of their classes.

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Speaker 3: These guys are what we made this show for.

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Speaker 1: And I guarantee you, if your if your mama was

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Speaker 1: fucking to rap music, you are one.

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Speaker 3: Of their babies. I can guarantee you. These are legends, legends,

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Speaker 3: real or the real.

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Speaker 2: This is your rappers, rappers, rappers, rappers.

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Speaker 1: Favorite rapper request I requested from the time we started it.

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Speaker 1: And I'm so glad to give the South what they've

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Speaker 1: been beating us up conspiracy. They're not here, and today

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Speaker 1: we get to give the flowers to people that I respect,

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Speaker 1: I look up to. I want to personally when I say,

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Speaker 1: I mean us the whole family. Motherfucker ate ball J.

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Speaker 1: That's one of the things that I like, really really

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Speaker 1: admire you, Like y'all one of the groups.

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Speaker 3: It's like y'all are outcasts.

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Speaker 1: Yeah, one of the groups that people are not ashamed

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Speaker 1: to be like, that's my favorite group. Like, like, I

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Speaker 1: hit two changs this morning, and as soon as I

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Speaker 1: hit two changes, he was like, he was like, do

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Speaker 1: you know that's one of my favorite groups. I'm like

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Speaker 1: to change. That's why I'm hitting you. And it's like

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Speaker 1: y'all are one of those Yeah, come on as one

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Speaker 1: of those type of groups that know, like everyone everyone

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Speaker 1: throws there, they start them out the window and they

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Speaker 1: become fans.

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Speaker 3: Is that something that y'all know that.

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Speaker 2: It happens?

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Speaker 1: And the street just got named after y'all? Right, let

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Speaker 1: me say something grew up in a block from his street.

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Speaker 3: Let me we all gotta make some noise for this,

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Speaker 3: everyone in this motherfucker room.

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Speaker 1: I was blown away, right because a friend of mine's

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Speaker 1: name was Big Pun. You know, he passed away and

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Speaker 1: then he has has a song with him and here

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Speaker 1: that's right, and he passed the away and then he

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Speaker 1: got a street. So everyone was saying, that's how it happens.

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Speaker 1: You know, they don't give rappers name a street after

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Speaker 1: them and give them that praise while they're alive.

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Speaker 3: But people who did that, y'all broke the mold.

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Speaker 1: Y'all aware, y'all probably one of the only rappers have

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Speaker 1: a street name that's alive. Y'all that yeah, you do

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Speaker 1: that too, Yeah, man, it's a blessing man, that's what

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Speaker 1: That's what they set out to do.

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Speaker 2: You know what I'm saying.

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Speaker 4: Do Prano from Push and the mayor Paul Young, Paul Young,

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Speaker 4: they wanted to get it done. Okay, what something happened

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Speaker 4: to us. Yeah, you know, trying to make it happen.

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Speaker 4: That's the right way to to But how does that feel?

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Speaker 2: Though? Like I don't get it.

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Speaker 1: Never gonna name the street up to me, So let

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Speaker 1: me just get it out the way. You know we

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Speaker 1: can get it.

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Speaker 2: You're talking about boulevard. Let me ask you.

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Speaker 1: Let me actually when y'all got the call, how did

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Speaker 1: this work? The mayor's office called y'all and say, yo

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Speaker 1: were trying to make.

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Speaker 2: They had been working on it.

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Speaker 1: Man.

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Speaker 2: Okay, okay, okay, you picked the time. Man, they've done it.

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Speaker 4: Man, the block man, so the block up it with

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Speaker 4: thick out there? Yeah, about a year though, right?

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Speaker 1: Do you actually know how much the rap game really

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Speaker 1: really respects you?

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Speaker 2: You know? Why?

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Speaker 3: Why why did you answer like that? Because it's like,

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Speaker 3: you know, but.

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Speaker 4: Our fans is who we really you know what I'm saying,

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Speaker 4: That's who hold us. Yeah you know, I'm yeah, you know,

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Speaker 4: but I know that you know, rappers and producers and

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Speaker 4: people of that nature.

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Speaker 3: Man, we understand it, you.

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Speaker 2: Know, we just don't like looking, don't.

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Speaker 4: It's all about the fans with man like they held

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Speaker 4: us down man when nobody else did you know?

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Speaker 2: What I'm saying.

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Speaker 3: I'm gonna tell you straight up.

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Speaker 1: That's one thing that I love about doing this show

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Speaker 1: is I get to, like, you know, encounter you guys fast.

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Speaker 1: You know, I always have my own fans, So then

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Speaker 1: when I litl Wayne has some phenomenal fast, Kanye had

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Speaker 1: some phenomenal fast. But y'all fans, they thought it was

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Speaker 1: a conspiracy. Y'all fans are so crazy. They think everything.

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Speaker 2: Was told to be up.

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Speaker 3: Here agreeing with them, and I'm agreeing with them, but like,

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Speaker 3: come on, if they they'll be like yo.

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Speaker 1: And do you think because y'all, y'all really was like

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Speaker 1: one of the first groups to come out of the South, right,

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Speaker 1: do you think that y'all was ahead of your time?

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Speaker 2: We may have been.

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Speaker 3: We didn't know it though.

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Speaker 5: We were just doing us and you know, we didn't

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Speaker 5: know it was probably a year, a good year after

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Speaker 5: coming all came out. Before we started to hear that

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Speaker 5: it was catching buzz other places. We didn't even know it, right.

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Speaker 2: Because you can't have the internet back then, the window Internet.

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Speaker 1: You might have been hot in New York and didn't

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Speaker 1: even know be hot in Atlanta, and unless you had

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Speaker 1: some more traveling we.

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Speaker 4: Went to Atlanta, man, like crazy story. It was a

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Speaker 4: club called the Warehouse.

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Speaker 2: In ninety four.

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Speaker 4: Mate, okay, okay, and they booked us. We was on

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Speaker 4: the tour bus. We were going city to city and uh,

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Speaker 4: this might have been ninety four.

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Speaker 3: And ninety three. I think it might have been Seen

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Speaker 3: the Nine three years later, but they was.

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Speaker 2: They had then already expressed to us like, how man, no,

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Speaker 2: Ima love y'all niggas this, We don't booked the show

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Speaker 2: at the Warehouse? Get there? Uh what's my boy name?

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Speaker 2: The d J man? Uh?

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Speaker 1: DJ driving Greg Street, old school, mars Ice Skin.

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Speaker 3: No, you're trying to.

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Speaker 2: Kick kickpre pree with DJing Man.

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Speaker 4: Yeah, they don't book a ball and m J G

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Speaker 4: from Missus Tennessee on New York Night.

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Speaker 3: All right, so in Atlanta it's called New York.

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Speaker 2: I mean, I don't know what.

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Speaker 4: It was like hip hop Knight. I'm gonna say, okay

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Speaker 4: to us, you know, we equate with you know what

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Speaker 4: I'm saying. But it was like hip hop nights, you know,

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Speaker 4: in ninety four. So imagine what East Coast Hill was

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Speaker 4: in ninety and it was very dominant. Yeah, so we

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Speaker 4: come up in here, man, we got bitches dancing and

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Speaker 4: you know, like the song is new niggas starts throwing bottles.

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Speaker 3: Out of respect on throwing bottom.

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Speaker 2: Like but it was it was a mistake, like literally, like.

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Speaker 4: We didn't get ran out of the club, that's one, right,

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Speaker 4: We went to the booth and fuck with kigg pre

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Speaker 4: for a minute, you know what I'm saying, and uh man,

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Speaker 4: come back like a month later a place called the

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Speaker 4: Gate Old Kroger shopping some na full of motherfuckers, thousand people.

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Speaker 2: Bro. We were doing that joint like every couple of months, right, yeah,

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Speaker 2: so it we knew Yeah yeah.

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Speaker 1: Yeah, not because I'm gonna be honest, I believe it.

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Speaker 1: It's y'all and ugk right, And it was pretty much

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Speaker 1: that was it that we was hearing. I mean, obviously

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Speaker 1: we had the raffle Lot explosion and things like that,

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Speaker 1: but it was y'all and it was just like and

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Speaker 1: when I'm going back and I'm studying the music, and

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Speaker 1: I'm like, damn, they was doing that then, like you'll

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Speaker 1: got music now that can drop now and it fits nowadays,

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Speaker 1: Like how the funck was y'all living in the future

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Speaker 1: like that, man, that was.

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Speaker 3: The whole thing. Space Age you know that's said.

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Speaker 5: It came about, you know, for us to try to

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Speaker 5: there was our model to try to make stuff that

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Speaker 5: would still make sense later on, or he kind of

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Speaker 5: something that's kind of future, you know. So yeah, you

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Speaker 5: know that's how we came up with space. Yeah, you'll

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Speaker 5: want to drink of course. Okay, I've seen somewhere.

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Speaker 6: You know.

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Speaker 1: One of my favorite things doing Drinks Champions is getting

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Speaker 1: the drinks order orders. But I think y'all ordered Don Julio.

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Speaker 1: Y'all ordered to kill her. Okay, but I see you

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Speaker 1: online ordering Jack Daniels.

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Speaker 3: Yeah, I'm so.

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Speaker 1: I was like, I was wondering why you ordered Jack Daniel. Yes,

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Speaker 1: I'm a professional alcoholic.

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Speaker 2: Swift it up. Yeah, I'm swift.

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Speaker 3: No ice to kill her?

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Speaker 2: No Ice some ship.

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Speaker 3: Alight by the way, let's.

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Speaker 1: Let's just shut out the killer drinkers that we had

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Speaker 1: on the show.

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Speaker 2: T Pain is t Pain is up there. The game.

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Speaker 1: The game is fifty fifty now because people are like,

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Speaker 1: they're harassing me game. We need a part too to

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Speaker 1: make sure that we buy your bottles this time. Game

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Speaker 1: game is up there, but he's he's finished the game.

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Speaker 1: I personally didn't game drinking then who else did we

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Speaker 1: just have the baby?

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Speaker 2: Baby?

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Speaker 3: The baby drinking by yourself.

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Speaker 2: But we gotta finish this when we gotta finish the bar,

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Speaker 2: I finish.

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Speaker 1: Yeah.

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Speaker 3: Yeah, the baby you just got, he's you just got.

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Speaker 3: And that's why I'm I pressed.

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Speaker 1: There's the killer no ice, that's okay, now it's it's

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Speaker 1: as killer that's not for healthy. We sings right while

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Speaker 1: the fuck is everybody? Yeah, yeah, it's supposed to be this,

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Speaker 1: you know. It's like the closest thing the moon shine,

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Speaker 1: the moon sham. Okay, let's the scribe moon Shine.

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Speaker 3: Moonshine is like the best of the best.

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Speaker 1: You didn't make it in the person top because he

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Speaker 1: drink touble.

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Speaker 3: Cup, I will get along.

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Speaker 2: He loved him some to Hey, if you ever come

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Speaker 2: to Memphis, man and you want to have you a

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Speaker 2: good time drinking and like that.

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Speaker 1: Okay, so okay, alright, because I only heard the moonshine

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Speaker 1: and I drink it. I drank Tune in the jail,

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Speaker 1: but not moonshine.

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Speaker 2: I got shot out.

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Speaker 3: Wolf.

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Speaker 5: Okay, Wolf make like like the classic flavor for moonshine

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Speaker 5: is just straight up straight that's clear.

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Speaker 3: Yeah, but he makes like about forty flavors, so you

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Speaker 3: can make flavor. Yes, how did it make that?

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Speaker 5: Oh well, I don't know exactly how you making, but

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Speaker 5: he got the blueprints. Somebody got Bahamma breaze, moonshine, butter scotch,

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Speaker 5: moon shine, sheery tined out of moonshine.

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Speaker 1: I'm talking about. Hey, it's hiddy, like the liquor stuff.

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Speaker 1: A lot of that's good, said, like the stuff Jez Louise.

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Speaker 1: So is that a Memphis staple?

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Speaker 5: Oh yeah, a lot of kids. Yeah really okay, Yeah,

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Speaker 5: you can get that moon shine by the gallon. Okay,

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Speaker 5: you know in the South, and it's no ingredients. I

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Speaker 5: mean like when you get get it, it's like it's

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Speaker 5: the same moon shine on you. It's it's pure alcohol.

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Speaker 2: Yeah, coming is.

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Speaker 1: Basically corn corn looking that's what you know, that's what

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Speaker 1: really is on the load.

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Speaker 3: It was it's corner looker.

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Speaker 2: It was holy.

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Speaker 1: Now your city when you first came out, you guys

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Speaker 1: talking about Memphis, everybody, that ship.

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Speaker 3: Was all over everybody people like, man, they got black

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Speaker 3: people in Memphis.

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Speaker 7: Like that's how lost we were, right And now now

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Speaker 7: damn thet it's been not just now it's been tam Ma'm.

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Speaker 1: Sorry Jesus way been to music Elvis right, yeah before

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Speaker 1: like tax references.

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Speaker 3: Yeah.

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Speaker 7: And you know.

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Speaker 4: Downtown Memphis in the fifties and sixties was like the

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Speaker 4: best the sixties and seventies.

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Speaker 1: Harlem some ship. Wow, that's right, that's right. So but

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Speaker 1: I had a club on Bill Street, yep. Uh, Mohammed

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Speaker 1: a Le had a club on three Bill. You never

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Speaker 1: got to meet how about Prince? No, I wish though

255
00:14:36,800 --> 00:14:40,760
Speaker 1: wish friends French? How about Mike m J? Never Big

256
00:14:41,160 --> 00:14:43,640
Speaker 1: I never man J. Prince neither got yet. But you

257
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Speaker 1: met Biggie no WHOA never met Big always was like

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Speaker 1: this close, would be in the same hotel.

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Speaker 3: You never met Hockey they was.

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Speaker 2: They was at the.

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Speaker 1: Same one night we was at the Old monthre on

262
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Speaker 1: in La like that. No, and but never like right,

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Speaker 1: I swore y'all met Pox. I heard you on the

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Speaker 1: record of park.

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Speaker 5: I know you heard it was going to having a

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Speaker 5: big but you know we was in the middle of

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Speaker 5: all doing the same thing and it just hadn't happened yet,

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Speaker 5: but it was right there.

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Speaker 1: Okay, I'm gonna ask you this question a couple of

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Speaker 1: different times, because I got a couple of different people

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Speaker 1: that I told you. I reached out to a couple

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Speaker 1: of different people and I wanted to Yeah, I'm getting

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Speaker 1: a little Hollywood, get a little.

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Speaker 3: Bogie hates the Space Spress.

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Speaker 2: The guy, Yes, it is everybody.

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Speaker 3: We don't think they did it like that, don't know.

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Speaker 1: Okay, Okay, So i'body asking this a couple of times,

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Speaker 1: a couple of different ways, because I got this question

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Speaker 1: being thrown at me in different ways. But how was

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Speaker 1: it being signed to a Houston based label coming from

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Speaker 1: where y'all are coming from. Was that an advantage at

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Speaker 1: one point you had to move to Houston, right?

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00:16:01,160 --> 00:16:04,080
Speaker 3: Yeah? Was that advantage or did you look at that

284
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Speaker 3: as like a plus for that time? It was a plus?

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Speaker 5: Okay because at that time, like ninety two is when

286
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Speaker 5: we moved to Houston, and uh, to give you the

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Speaker 5: idea of what time frame it was, Uh, they had

288
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Speaker 5: just finished shooting Jason Leary.

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Speaker 1: Wow, that's what the dude for G Money from. Yeah,

290
00:16:28,440 --> 00:16:30,120
Speaker 1: I called him G Money. I'll see him in the space,

291
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Speaker 1: I might call.

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Speaker 3: Him G Money.

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Speaker 5: That's when we moved to Houston, and like it was

294
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Speaker 5: really nowhere, you know, like the only real rap label

295
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Speaker 5: at the time that was in Memphis was the label that.

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Speaker 1: We was on the forore swad Okay what was that?

297
00:16:45,080 --> 00:16:48,400
Speaker 1: Oh yes, oh yes, on the strength Okay, on the

298
00:16:48,480 --> 00:16:51,840
Speaker 1: string was on the street.

299
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Speaker 3: Okay, yeah, okay.

300
00:16:55,400 --> 00:16:58,720
Speaker 5: And man, so like Houston was a good move, you know,

301
00:16:58,840 --> 00:17:02,720
Speaker 5: for the time, because you know, we just felt like

302
00:17:02,760 --> 00:17:04,680
Speaker 5: we were going some the thing to do and got

303
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Speaker 5: us about the first time riding the plane.

304
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Speaker 2: It was a big thing, you know what you said,

305
00:17:08,119 --> 00:17:10,119
Speaker 2: the first time we got us about the mint on

306
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Speaker 2: the first time riding on the plane.

307
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Speaker 3: For sure, ran on the plane.

308
00:17:14,080 --> 00:17:14,960
Speaker 1: They smoking cigaretes.

309
00:17:15,040 --> 00:17:19,359
Speaker 5: Then damn, there were almost counted. But we did start

310
00:17:19,480 --> 00:17:21,760
Speaker 5: flying when you could just walk in with your carry

311
00:17:21,840 --> 00:17:24,600
Speaker 5: on all the way to the no ticket, none of that,

312
00:17:24,720 --> 00:17:27,680
Speaker 5: none of that, none of that anything, and they carry on.

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Speaker 5: Yeah yeah, wow.

314
00:17:29,640 --> 00:17:32,119
Speaker 2: Japan was pre nine to eleven, Yes, yes it was.

315
00:17:32,680 --> 00:17:40,880
Speaker 2: But ship I brought you by the way. We scared

316
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Speaker 2: to death.

317
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Speaker 3: We like we're going to We're going to Japan. Were

318
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Speaker 3: the first time in Japan.

319
00:17:45,240 --> 00:17:48,159
Speaker 1: They're like yo, they named all these other groups and

320
00:17:48,200 --> 00:17:50,080
Speaker 1: they're like you're you're gonna be with a boy M

321
00:17:50,160 --> 00:17:51,760
Speaker 1: J G. I was like, damn, who the fuck that

322
00:17:51,840 --> 00:17:54,439
Speaker 1: we can't go after them, like like we and then

323
00:17:54,480 --> 00:17:57,440
Speaker 1: we meet them and they so cool. But then we realized,

324
00:17:57,920 --> 00:17:59,800
Speaker 1: oh ship, there's no weed in Japan.

325
00:18:00,960 --> 00:18:01,360
Speaker 2: No weed.

326
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Speaker 1: So all four of us, we all just can tell

327
00:18:04,960 --> 00:18:09,200
Speaker 1: we all were missing out on but and this is

328
00:18:09,200 --> 00:18:11,719
Speaker 1: the first time I ever heard a lean or scisser

329
00:18:11,960 --> 00:18:14,600
Speaker 1: or whatever. And you was like, but I got that drying.

330
00:18:16,119 --> 00:18:18,320
Speaker 2: And I was like what, Like I did that?

331
00:18:18,480 --> 00:18:20,680
Speaker 1: Like this was like speaking foreign language to me. So

332
00:18:20,720 --> 00:18:22,200
Speaker 1: I was like, well, he was like, yeah, man, you

333
00:18:22,359 --> 00:18:25,679
Speaker 1: just mixed that. And I was like, I think I skipped.

334
00:18:25,680 --> 00:18:27,159
Speaker 1: I don't believe I did it. I don't believe I

335
00:18:27,280 --> 00:18:27,480
Speaker 1: hit it.

336
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Speaker 3: But I will tell you the funniest story in the world.

337
00:18:30,480 --> 00:18:31,200
Speaker 2: We come back.

338
00:18:31,320 --> 00:18:32,480
Speaker 3: We on the flood hit it.

339
00:18:38,520 --> 00:18:42,480
Speaker 1: I I'm not sure. But the story nothing. That's not

340
00:18:42,600 --> 00:18:45,119
Speaker 1: the catcher. The story is were flying back to the

341
00:18:45,280 --> 00:18:48,560
Speaker 1: US from Japan. It's I got eleven hour flight. So

342
00:18:48,680 --> 00:18:51,040
Speaker 1: I get up and I go to the bathroom and

343
00:18:51,080 --> 00:18:53,040
Speaker 1: the stewards because it's only like four or five of

344
00:18:53,160 --> 00:18:54,800
Speaker 1: us black people on the whole plane.

345
00:18:55,200 --> 00:18:57,280
Speaker 2: So she assumed that we were together. She was correct.

346
00:18:57,600 --> 00:18:59,760
Speaker 1: She comes to me, she said, she said, excuse me,

347
00:19:01,320 --> 00:19:02,520
Speaker 1: are you And I was like yeah.

348
00:19:02,840 --> 00:19:04,240
Speaker 3: With him, she was like he.

349
00:19:04,440 --> 00:19:10,320
Speaker 1: Hasn't moved for an hour. What she said, he hasn't moved,

350
00:19:10,359 --> 00:19:11,920
Speaker 1: he has a snow, he hasn't golf.

351
00:19:12,280 --> 00:19:13,520
Speaker 3: He just it is okay.

352
00:19:13,600 --> 00:19:16,040
Speaker 2: And I was just like for some reason, I was like, yeah,

353
00:19:17,359 --> 00:19:18,000
Speaker 2: I did not know.

354
00:19:18,400 --> 00:19:19,359
Speaker 3: I was like, I'm looking.

355
00:19:19,640 --> 00:19:22,040
Speaker 1: But that was the first time I ever heard of Lean,

356
00:19:22,359 --> 00:19:24,560
Speaker 1: I ever heard of Scissor. And I came back to

357
00:19:24,680 --> 00:19:27,000
Speaker 1: my town and I was like, are they doing something else?

358
00:19:28,640 --> 00:19:30,920
Speaker 1: Look at some other ship that they doing and people

359
00:19:30,960 --> 00:19:33,720
Speaker 1: were like what, And I said, I just try to

360
00:19:33,800 --> 00:19:36,320
Speaker 1: describe it. For two years straight, I looked like a

361
00:19:36,400 --> 00:19:38,520
Speaker 1: botoe like. People were like, what the fuck are you

362
00:19:38,600 --> 00:19:41,879
Speaker 1: talking about? And then you know, some sister came out

363
00:19:41,880 --> 00:19:47,040
Speaker 1: and I was like, I'm telling y'all's and then you

364
00:19:47,119 --> 00:19:49,760
Speaker 1: know what happened after that, they popped up.

365
00:19:49,720 --> 00:19:55,400
Speaker 3: In Philadelphia, like I see. For me, I didn't see

366
00:19:56,160 --> 00:19:56,960
Speaker 3: when it hit Houston.

367
00:19:57,160 --> 00:19:59,600
Speaker 1: I seen him when it from from Memphis came up

368
00:19:59,640 --> 00:20:02,080
Speaker 1: to fit and then it came up to Philly and.

369
00:20:02,280 --> 00:20:03,240
Speaker 2: Then I saw.

370
00:20:03,280 --> 00:20:05,720
Speaker 1: I'm not saying it didn't go up Houston first, I'm

371
00:20:05,760 --> 00:20:06,280
Speaker 1: sure I did.

372
00:20:06,440 --> 00:20:08,479
Speaker 2: I think Houston is like the Holy Houston.

373
00:20:10,520 --> 00:20:13,880
Speaker 5: I see it from the beginning of that and that's

374
00:20:13,920 --> 00:20:14,520
Speaker 5: the motherland.

375
00:20:14,600 --> 00:20:18,480
Speaker 3: Yeah, so how did how did that drink get to Memphis?

376
00:20:19,440 --> 00:20:24,400
Speaker 2: Well, we drink yellow yellow. Yeah, that was definitely yeah,

377
00:20:24,920 --> 00:20:30,000
Speaker 2: straight at yeah, not mixed with anything. I don't I

378
00:20:30,080 --> 00:20:31,040
Speaker 2: believe that's what you said.

379
00:20:31,080 --> 00:20:37,560
Speaker 4: You called it was like, I mean, you called it that,

380
00:20:37,720 --> 00:20:40,200
Speaker 4: but it was like, uh it was it was like

381
00:20:40,320 --> 00:20:43,840
Speaker 4: yellow like that the words on there, you know, and

382
00:20:44,040 --> 00:20:45,360
Speaker 4: the yellow serve.

383
00:20:45,400 --> 00:20:48,200
Speaker 2: I'm gonna give you all two toys. Okay, but young

384
00:20:48,320 --> 00:20:53,000
Speaker 2: kids noticing it already yellow syrup. You just drink it straight,

385
00:20:53,080 --> 00:20:54,840
Speaker 2: you don't mix it, yeah, straight up.

386
00:20:56,840 --> 00:20:59,200
Speaker 1: But the activist purple yeah, all of this, it's the

387
00:20:59,240 --> 00:21:01,960
Speaker 1: active niggas like to mix it with Johnny answers and

388
00:21:01,960 --> 00:21:08,880
Speaker 1: ship like whatever, diabetes and went from fruity drinks to root.

389
00:21:08,760 --> 00:21:14,000
Speaker 2: Beard to all types of get whatever. You you know,

390
00:21:14,520 --> 00:21:16,680
Speaker 2: you're getting the drugs and you however you want to do,

391
00:21:17,040 --> 00:21:17,639
Speaker 2: you know what I mean?

392
00:21:17,800 --> 00:21:18,320
Speaker 1: So what was that?

393
00:21:18,560 --> 00:21:19,720
Speaker 3: What was that drug made of?

394
00:21:20,000 --> 00:21:21,840
Speaker 2: Like what was it made of?

395
00:21:21,960 --> 00:21:24,240
Speaker 5: It was coding with for Memphis? And what is it

396
00:21:24,440 --> 00:21:28,240
Speaker 5: for people who can't sleep? Uh it's like cancer, yeah,

397
00:21:28,280 --> 00:21:34,360
Speaker 5: you know severe real Yeah, it's a serious opioid. It's

398
00:21:34,520 --> 00:21:39,520
Speaker 5: like uh like for real p s a. It's like heroin. Man,

399
00:21:40,800 --> 00:21:44,880
Speaker 5: young boys get on this and they don't know what's coming.

400
00:21:45,520 --> 00:21:48,840
Speaker 5: I'm saying, and that is gonna fuck your intestines. U

401
00:21:49,240 --> 00:21:54,359
Speaker 5: that she's gonna all types of ship. So what is

402
00:21:54,400 --> 00:21:56,520
Speaker 5: it made to cure that pain?

403
00:21:56,840 --> 00:21:57,119
Speaker 2: Pain?

404
00:21:57,680 --> 00:22:00,400
Speaker 3: Yeah, it's for extreme pain when it really ain't nothing

405
00:22:00,480 --> 00:22:00,879
Speaker 3: else for you.

406
00:22:01,520 --> 00:22:03,840
Speaker 1: Holy I didn't know that not to be drink regular

407
00:22:03,920 --> 00:22:06,280
Speaker 1: cancer places like old school cancel places.

408
00:22:06,320 --> 00:22:07,919
Speaker 2: Get that ship and sell it in the hood. That's

409
00:22:07,960 --> 00:22:09,399
Speaker 2: how they start buying it.

410
00:22:09,480 --> 00:22:10,120
Speaker 3: That's the hood.

411
00:22:11,680 --> 00:22:13,240
Speaker 1: Who the first nigga that said, I'm gonna get hot

412
00:22:13,320 --> 00:22:15,760
Speaker 1: this ship. Son Nigga had cancer, Sonny.

413
00:22:17,359 --> 00:22:19,119
Speaker 2: Nigga sitting Man, This h feels so.

414
00:22:23,119 --> 00:22:26,000
Speaker 1: Because I imagine like that's like like the dentist, you know,

415
00:22:26,080 --> 00:22:28,440
Speaker 1: how you get the gas and then someone eventually like

416
00:22:28,520 --> 00:22:30,719
Speaker 1: they selling them ships. That's probably halleen.

417
00:22:30,760 --> 00:22:31,240
Speaker 3: It is like something.

418
00:22:31,680 --> 00:22:33,240
Speaker 2: Yeah, you know, that's just how they're doing them with this.

419
00:22:33,440 --> 00:22:39,480
Speaker 5: Now, what's that that that that's the whipped cream, you know,

420
00:22:39,640 --> 00:22:41,240
Speaker 5: that's just.

421
00:22:41,359 --> 00:22:41,840
Speaker 2: Like the gas.

422
00:22:41,960 --> 00:22:43,879
Speaker 1: That's that's that's that's that white boys ship though, right,

423
00:22:43,920 --> 00:22:49,320
Speaker 1: I don't know what niggas do. Whippingsiggas gonna start doing nigga.

424
00:22:51,520 --> 00:22:56,320
Speaker 4: Yeah, yeah, hands they got on tight hands then I'm

425
00:22:56,359 --> 00:23:03,520
Speaker 4: not sure I'm not doing that too, ain't you the

426
00:23:03,640 --> 00:23:06,720
Speaker 4: young boy New Whippers too though, Yeah, get the funk

427
00:23:06,760 --> 00:23:10,840
Speaker 4: out of here that I ever Yeah yeah, never does never,

428
00:23:10,960 --> 00:23:11,320
Speaker 4: never know.

429
00:23:12,800 --> 00:23:15,040
Speaker 2: So go back to the swap house.

430
00:23:15,400 --> 00:23:16,840
Speaker 3: How'd you'll connect Tony Draper?

431
00:23:16,920 --> 00:23:21,960
Speaker 5: Right through a mutual friend that we knew from school

432
00:23:23,119 --> 00:23:26,240
Speaker 5: and they knew each other, and that's how it happened.

433
00:23:26,280 --> 00:23:29,520
Speaker 3: You know, he put us together and he.

434
00:23:29,560 --> 00:23:34,720
Speaker 1: Will have one he already had a record label. Yes, okay, no,

435
00:23:34,920 --> 00:23:41,040
Speaker 1: he has already. Yeah, he already and uh he had

436
00:23:41,080 --> 00:23:44,040
Speaker 1: a couple of groups already. But he knew the kid

437
00:23:44,160 --> 00:23:46,520
Speaker 1: we went to school with him members, Yeah, and he

438
00:23:46,720 --> 00:23:48,280
Speaker 1: was telling them about you know, we had put a

439
00:23:48,359 --> 00:23:50,760
Speaker 1: record our call Lyrics of a Pimp. That was our

440
00:23:50,840 --> 00:23:52,960
Speaker 1: first record or the actual man would listening to the

441
00:23:53,040 --> 00:23:57,800
Speaker 1: near that was on o TS Yeah, everybody who listening

442
00:23:57,880 --> 00:24:00,520
Speaker 1: that don't know. I'm gonna tell y'all again. Uh so

443
00:24:00,640 --> 00:24:04,080
Speaker 1: we listen to the lyrics. We was in the twelfth

444
00:24:04,160 --> 00:24:10,440
Speaker 1: grade when this came out, Like literally, I graduated that

445
00:24:14,440 --> 00:24:17,879
Speaker 1: to write the spring before it was the yeah, the

446
00:24:18,040 --> 00:24:19,840
Speaker 1: spring before the summer.

447
00:24:19,960 --> 00:24:25,000
Speaker 4: Yeah, and uh uh so we had already this one

448
00:24:25,200 --> 00:24:28,960
Speaker 4: song like kind of blew us up locally.

449
00:24:29,520 --> 00:24:31,680
Speaker 5: And we're in a try to state area, you know,

450
00:24:31,800 --> 00:24:33,960
Speaker 5: like what we're at, So it's travel. It's a lot

451
00:24:34,240 --> 00:24:35,720
Speaker 5: Augusta and Mississi.

452
00:24:35,760 --> 00:24:38,960
Speaker 3: Tennessee, Arkansas. Man, Yes, yeah area.

453
00:24:44,440 --> 00:24:47,960
Speaker 4: So our partner told draper Man, the boys is boom

454
00:24:48,000 --> 00:24:50,560
Speaker 4: and you need to fuck with them and see we

455
00:24:50,680 --> 00:24:56,400
Speaker 4: connected about a year later, moved to Houston and starting music.

456
00:24:56,680 --> 00:24:59,920
Speaker 1: Because y'all been friends since y'all was in the seventh grade. Yeah,

457
00:25:00,280 --> 00:25:11,920
Speaker 1: how many arguments have y'all had? I was like, damn,

458
00:25:12,600 --> 00:25:13,600
Speaker 1: now we like brothers.

459
00:25:13,680 --> 00:25:17,560
Speaker 4: Man, I can tell you brother really grew up brother

460
00:25:17,840 --> 00:25:19,160
Speaker 4: staying house with type ship.

461
00:25:20,040 --> 00:25:22,399
Speaker 2: You know, y'all gonna fight and whatever the fuck you.

462
00:25:23,520 --> 00:25:26,600
Speaker 1: I'm sitting y'all, I'm sitting here just watching y'all communicate.

463
00:25:26,680 --> 00:25:28,320
Speaker 1: And I'm sitting here acting like I was on my phone,

464
00:25:28,359 --> 00:25:30,600
Speaker 1: but I was really hustling. Just listen to what y'all

465
00:25:30,640 --> 00:25:33,760
Speaker 1: saying and how y'all talk. It's like it's like y'all

466
00:25:33,880 --> 00:25:35,800
Speaker 1: understand each other. I feel like y'all got your own

467
00:25:35,880 --> 00:25:38,280
Speaker 1: kind of language. When y'all speak to each other together

468
00:25:38,400 --> 00:25:40,879
Speaker 1: so long, you gotta know that this niggas get me

469
00:25:40,960 --> 00:25:44,720
Speaker 1: in trouble in school because I can't hold my lef.

470
00:25:45,880 --> 00:25:49,080
Speaker 4: He'll say some ship and I'm a buzzer. I laugh

471
00:25:49,160 --> 00:25:52,720
Speaker 4: and he just be straight and everybody think it's me

472
00:25:52,880 --> 00:25:54,399
Speaker 4: and ship, you know.

473
00:25:54,520 --> 00:25:57,359
Speaker 2: But we've been like that since yeah, seventh grade.

474
00:25:57,680 --> 00:26:02,760
Speaker 3: Oh wow, we gotta give them the flowers.

475
00:26:02,840 --> 00:26:03,199
Speaker 2: That's right.

476
00:26:03,280 --> 00:26:06,400
Speaker 1: Our show is about giving people they flowers while they're alive. Man,

477
00:26:06,440 --> 00:26:09,080
Speaker 1: I'm telling you, man, you guys are icons and icons.

478
00:26:09,320 --> 00:26:12,800
Speaker 1: You guys are legends and legends. Everyone respects you, everyone

479
00:26:12,920 --> 00:26:15,200
Speaker 1: loves you, and we wanted to give you all flowers.

480
00:26:15,240 --> 00:26:15,800
Speaker 2: We want to get this.

481
00:26:15,920 --> 00:26:18,280
Speaker 1: For eight years ago, We've been searching and I had

482
00:26:18,359 --> 00:26:21,120
Speaker 1: yall numbers and I don't be trusting the internet sometimes.

483
00:26:20,760 --> 00:26:21,280
Speaker 2: With the d M.

484
00:26:21,600 --> 00:26:22,960
Speaker 1: You know what I'm saying. You know, I'm old school

485
00:26:23,000 --> 00:26:31,960
Speaker 1: and sits like y'all y'all said, it's like a Grammy

486
00:26:31,960 --> 00:26:32,880
Speaker 1: because the company you got.

487
00:26:37,240 --> 00:26:39,720
Speaker 2: Like this is this is.

488
00:26:42,040 --> 00:26:43,680
Speaker 1: I just I just want I just want to want

489
00:26:43,720 --> 00:26:45,879
Speaker 1: you to know, you know what I mean, because I

490
00:26:45,960 --> 00:26:48,119
Speaker 1: want you to know on behalf of the industry. Obviously

491
00:26:48,119 --> 00:26:49,800
Speaker 1: I can't speak on behalf of the whole industry, but

492
00:26:49,880 --> 00:26:53,119
Speaker 1: I am and this is in this situation. I have

493
00:26:53,440 --> 00:26:57,240
Speaker 1: never heard nobody say anything bad about a ball and JG.

494
00:26:57,520 --> 00:27:00,479
Speaker 3: I swear to God like exists.

495
00:27:02,560 --> 00:27:05,320
Speaker 1: They some quiet ass they some quiet ass motherfuckers. I

496
00:27:05,440 --> 00:27:08,680
Speaker 1: have never seen that. Man. I have always seen people

497
00:27:08,760 --> 00:27:11,560
Speaker 1: give you the utmost respect, give you out the utmost love,

498
00:27:11,880 --> 00:27:13,320
Speaker 1: and I want the world to know it.

499
00:27:13,400 --> 00:27:15,920
Speaker 3: You know what I'm saying today on this not the show.

500
00:27:19,840 --> 00:27:21,440
Speaker 3: Like I said, I hit everyone.

501
00:27:22,160 --> 00:27:25,720
Speaker 1: Everyone's first response was do they know how much they means?

502
00:27:26,400 --> 00:27:29,960
Speaker 4: We don't bother nobody? Man, right, we are part here

503
00:27:30,119 --> 00:27:33,720
Speaker 4: studio rat you know what I'm saying bother people.

504
00:27:34,440 --> 00:27:37,399
Speaker 1: We're getting in the studio since the studio been in

505
00:27:37,440 --> 00:27:41,520
Speaker 1: the studio. We've been in the bedroom studio since it

506
00:27:41,840 --> 00:27:43,080
Speaker 1: wasn't a bedroom.

507
00:27:42,760 --> 00:27:45,639
Speaker 2: Coming out, like I was saying, that's the reason that

508
00:27:46,720 --> 00:27:48,360
Speaker 2: that's on my notes, and yeah.

509
00:27:48,280 --> 00:27:52,560
Speaker 4: We made that album in an apartment Tony Draper's girlfriend's apartment.

510
00:27:53,320 --> 00:27:55,760
Speaker 2: She had an extra bits on my first note coming out.

511
00:27:57,520 --> 00:28:00,040
Speaker 3: All listen speech that yeah, yeah, I already.

512
00:28:00,080 --> 00:28:02,280
Speaker 4: That was our reasonable doubt. Man here we made that

513
00:28:02,400 --> 00:28:04,520
Speaker 4: album with when we left Memphis.

514
00:28:05,480 --> 00:28:08,000
Speaker 1: When you say a reasonable doubt, you meaning like this

515
00:28:08,119 --> 00:28:10,720
Speaker 1: is this is your first album that got or the

516
00:28:10,800 --> 00:28:14,640
Speaker 1: first classic everything you think everything A fan that love

517
00:28:14,800 --> 00:28:18,480
Speaker 1: reasonable doubt think about yeah, a fan that love coming

518
00:28:18,520 --> 00:28:18,920
Speaker 1: out heart.

519
00:28:19,000 --> 00:28:21,439
Speaker 4: It's the same thing, you know, and that what JA

520
00:28:21,640 --> 00:28:24,040
Speaker 4: first did. Yeah, you know what I'm saying, But it

521
00:28:24,160 --> 00:28:27,240
Speaker 4: was underground. I didn't know about it till three four

522
00:28:27,359 --> 00:28:31,800
Speaker 4: albums later. Always coming out hard, coming the same thing

523
00:28:32,880 --> 00:28:36,800
Speaker 4: like we're still to this day, like Pimpson coming out.

524
00:28:36,680 --> 00:28:39,080
Speaker 2: Hard and still two of the songs.

525
00:28:41,960 --> 00:28:44,080
Speaker 1: Then let me ask you something because y'all got to

526
00:28:44,160 --> 00:28:47,240
Speaker 1: meet another prolific brother that was probably y'all brother as well.

527
00:28:48,240 --> 00:28:53,240
Speaker 1: What's what's pep c y'all got records with them? Jack

528
00:28:53,880 --> 00:28:58,480
Speaker 1: got how did your first hook up or underground camps

529
00:28:59,520 --> 00:29:03,960
Speaker 1: man as uh being in Texas? Yeah, in the same

530
00:29:04,040 --> 00:29:07,680
Speaker 1: places and used to be closer to Bun.

531
00:29:07,960 --> 00:29:08,160
Speaker 2: Yeah.

532
00:29:08,160 --> 00:29:13,040
Speaker 1: Of course he stayed down the street from was it Cohensident?

533
00:29:13,920 --> 00:29:15,800
Speaker 1: He was two streets over streets.

534
00:29:17,600 --> 00:29:18,840
Speaker 2: The middle and his.

535
00:29:21,480 --> 00:29:23,200
Speaker 4: And we was a couple of streets from them, and

536
00:29:23,640 --> 00:29:29,080
Speaker 4: we used to Bunn good records and uh give each

537
00:29:29,120 --> 00:29:31,800
Speaker 4: other things, you know what I'm saying, and uh, me

538
00:29:31,880 --> 00:29:36,040
Speaker 4: and me and pimp Uh we had the same shout

539
00:29:36,120 --> 00:29:40,760
Speaker 4: out my boss Scully man Scully. Uh, but we we

540
00:29:40,960 --> 00:29:44,120
Speaker 4: we used to get you know, we from Scully, and

541
00:29:44,400 --> 00:29:45,560
Speaker 4: Scully used to tell.

542
00:29:45,520 --> 00:29:48,760
Speaker 2: Me, man, Chad was over here and you need the

543
00:29:48,880 --> 00:29:50,880
Speaker 2: man all boys need to you know what I'm saying.

544
00:29:51,080 --> 00:29:54,600
Speaker 1: And they called him Chad what he called Yeah, Sully

545
00:29:54,720 --> 00:30:00,400
Speaker 1: was a different type dude, like he was a uh.

546
00:29:58,920 --> 00:30:02,320
Speaker 3: He was like a and we we all of them

547
00:30:03,360 --> 00:30:04,520
Speaker 3: knowing where we come from.

548
00:30:06,400 --> 00:30:12,880
Speaker 4: The house, but we you know, we he wanted us

549
00:30:12,960 --> 00:30:15,360
Speaker 4: to meet and this and then that y'all boys seemed.

550
00:30:15,120 --> 00:30:20,280
Speaker 2: Like y'all on the same page. Yeah, we we we

551
00:30:20,440 --> 00:30:20,920
Speaker 2: met him.

552
00:30:21,120 --> 00:30:25,760
Speaker 4: Now, Pimp, we kicked it like not so many times

553
00:30:25,920 --> 00:30:29,720
Speaker 4: before he went to jail, but more after Yeah, after

554
00:30:29,840 --> 00:30:31,800
Speaker 4: he got after he got out of jail, then he

555
00:30:31,840 --> 00:30:32,640
Speaker 4: go to Joswite's.

556
00:30:33,480 --> 00:30:35,800
Speaker 2: Well this is the one, the long one, long. Yeah.

557
00:30:36,680 --> 00:30:40,560
Speaker 1: Yeah, he did go twice the end of the night. Yeah,

558
00:30:41,360 --> 00:30:45,080
Speaker 1: but we we ran more then, you know what I'm saying.

559
00:30:45,920 --> 00:30:50,120
Speaker 1: Then back back, you know, a lot of shows together. Yeah,

560
00:30:50,200 --> 00:30:52,920
Speaker 1: that that would be crazy. Pimp was one of a kind.

561
00:30:54,240 --> 00:30:57,040
Speaker 1: Versus would have been like U g K versus praise.

562
00:30:57,400 --> 00:31:01,080
Speaker 1: That would have been crazy. I could picture it where

563
00:31:01,680 --> 00:31:04,960
Speaker 1: if y'all had a chance, right, I suppose peoples here, Yeah,

564
00:31:05,040 --> 00:31:07,840
Speaker 1: and they came to y'all with the right bag obviously

565
00:31:08,280 --> 00:31:11,000
Speaker 1: said Yo, we got this amount and we want you

566
00:31:11,080 --> 00:31:13,880
Speaker 1: to battle you GK and it's on y'all to wear

567
00:31:14,120 --> 00:31:17,080
Speaker 1: This place would take place.

568
00:31:17,000 --> 00:31:18,080
Speaker 2: Birmingham, Alabama.

569
00:31:18,120 --> 00:31:18,600
Speaker 3: Birmingham.

570
00:31:19,400 --> 00:31:20,840
Speaker 2: I'm gonna tell you it's not ready for that.

571
00:31:21,480 --> 00:31:25,720
Speaker 4: I'm gonna tell you because the versions in Birmingham, Yeah,

572
00:31:26,160 --> 00:31:29,360
Speaker 4: because we did shows like that after after we did

573
00:31:29,520 --> 00:31:31,040
Speaker 4: Versus were Us.

574
00:31:31,040 --> 00:31:33,600
Speaker 3: And Bone and they wanted us to recreate Versus.

575
00:31:33,760 --> 00:31:37,280
Speaker 2: We did Man energy bro.

576
00:31:37,880 --> 00:31:40,520
Speaker 3: It was incredible. It was a lot of inviting.

577
00:31:41,440 --> 00:31:44,920
Speaker 2: Yeah, fans, you know what I'm saying.

578
00:31:45,160 --> 00:31:46,920
Speaker 3: Damn, I understand what you're trying to say.

579
00:31:47,240 --> 00:31:49,320
Speaker 2: Yeah, different different energy.

580
00:31:49,520 --> 00:31:50,080
Speaker 3: Like it's crazy.

581
00:31:50,120 --> 00:31:53,960
Speaker 1: I'm from New York, but my favorite place to perform

582
00:31:54,080 --> 00:31:54,720
Speaker 1: is Connecticut.

583
00:31:56,000 --> 00:31:58,680
Speaker 3: Like so I get you totally totally.

584
00:31:58,960 --> 00:32:00,400
Speaker 2: I get that. Like if I was do it like

585
00:32:01,040 --> 00:32:01,760
Speaker 2: I would like to do it.

586
00:32:01,840 --> 00:32:03,920
Speaker 1: Yeah, I would like to do a Connecticut or Philly.

587
00:32:04,000 --> 00:32:07,400
Speaker 1: It's crazy, you know what I'm saying. Well, do y'all

588
00:32:07,440 --> 00:32:08,280
Speaker 1: consider yourselves?

589
00:32:09,000 --> 00:32:11,400
Speaker 6: Like when people talk about y'all, I hear often that

590
00:32:11,480 --> 00:32:12,560
Speaker 6: they think y'all are lyrical?

591
00:32:12,640 --> 00:32:17,320
Speaker 3: Do you consider yourselves lyrical? Yes? Yeah, yeah, I got that.

592
00:32:18,320 --> 00:32:24,080
Speaker 4: I think, yeah, I think we do a little bit

593
00:32:24,160 --> 00:32:26,280
Speaker 4: of both, you know what I mean, like do a

594
00:32:26,320 --> 00:32:29,120
Speaker 4: little ship talking, but you know, we try to keep

595
00:32:29,160 --> 00:32:32,640
Speaker 4: it lyrical though a monthst you know. I think that's

596
00:32:32,680 --> 00:32:35,400
Speaker 4: why plays stuck with us so long, because we kind

597
00:32:35,440 --> 00:32:37,600
Speaker 4: of ride the line a little bit.

598
00:32:37,720 --> 00:32:37,880
Speaker 2: You know.

599
00:32:38,000 --> 00:32:40,720
Speaker 4: We could talk about some pim ship and then talk

600
00:32:40,800 --> 00:32:44,240
Speaker 4: about some serious, you know, on something else.

601
00:32:44,280 --> 00:32:46,760
Speaker 3: You know, so I ain't gonna front.

602
00:32:46,760 --> 00:32:49,200
Speaker 1: I got a Miami hat, I got on Rad sh

603
00:32:49,400 --> 00:32:51,760
Speaker 1: I got rad shorts, and I got on I got

604
00:32:51,840 --> 00:32:53,280
Speaker 1: the same black potal.

605
00:32:53,480 --> 00:32:57,160
Speaker 3: But the way you match that ship up, like why ain't.

606
00:32:57,000 --> 00:32:57,360
Speaker 8: Thinking of that.

607
00:33:00,440 --> 00:33:09,240
Speaker 2: Like a mask? That's perfectly the whole time?

608
00:33:10,800 --> 00:33:15,800
Speaker 1: Put that again, let's play quick time. Let's just tell them,

609
00:33:15,920 --> 00:33:18,280
Speaker 1: tell them the rules out the way Jamie put.

610
00:33:18,760 --> 00:33:21,160
Speaker 6: This is our drinking game. We're gonna give you guys

611
00:33:21,240 --> 00:33:24,320
Speaker 6: two choices. If you pick one of the choices, I'm

612
00:33:24,320 --> 00:33:28,320
Speaker 6: sure nobody drinks. If you say both or neither, then

613
00:33:28,360 --> 00:33:31,280
Speaker 6: everybody drinks. Say again, we're gonna give you two choices.

614
00:33:31,920 --> 00:33:33,760
Speaker 6: You pick one. It's like, I mean, we're not trying

615
00:33:33,760 --> 00:33:36,800
Speaker 6: to dis nobody. So any stories that come up with anybody,

616
00:33:36,840 --> 00:33:39,480
Speaker 6: but you pick one of them. And we're not drinking.

617
00:33:40,240 --> 00:33:42,200
Speaker 6: But if you say both of them or neither, like

618
00:33:42,280 --> 00:33:44,040
Speaker 6: the PC answers like you really don't want to answer it,

619
00:33:44,080 --> 00:33:45,800
Speaker 6: then we drinking, you know.

620
00:33:47,080 --> 00:33:50,600
Speaker 3: Cool, So you want to set it off. Yeah, let's

621
00:33:50,640 --> 00:33:53,440
Speaker 3: do it. Oh Ship Tupac are easy?

622
00:33:56,320 --> 00:33:58,960
Speaker 2: That's heavy right there though?

623
00:33:59,720 --> 00:34:05,800
Speaker 1: Yeah, okay, all right, yeah, the easy connection and everything.

624
00:34:05,920 --> 00:34:09,719
Speaker 1: That's how we became cool with Bomb. Okay, because when

625
00:34:09,760 --> 00:34:12,920
Speaker 1: he was just starting to mess with Bomb, he was

626
00:34:13,080 --> 00:34:16,640
Speaker 1: in conversation with Tony Draper and Easy.

627
00:34:16,719 --> 00:34:19,360
Speaker 3: He was always telling Tony, you know about you know,

628
00:34:19,480 --> 00:34:21,239
Speaker 3: I love you know.

629
00:34:21,239 --> 00:34:21,680
Speaker 2: About you know.

630
00:34:21,719 --> 00:34:23,440
Speaker 3: He was saying that about us, don't talk, don't tell

631
00:34:23,480 --> 00:34:28,640
Speaker 3: me the possibility you were joint Easy, but we was.

632
00:34:28,840 --> 00:34:33,480
Speaker 1: We was already Lincoln. It like after he died, Draper

633
00:34:33,680 --> 00:34:37,600
Speaker 1: did some work with his wife. Draper reminded him of hisself. Wow,

634
00:34:37,760 --> 00:34:39,520
Speaker 1: And he was telling Drake that you got to get

635
00:34:39,600 --> 00:34:42,040
Speaker 1: picked with him? Boy, what is this the shots?

636
00:34:42,600 --> 00:34:44,960
Speaker 2: What is it? Yeah?

637
00:34:45,040 --> 00:34:46,640
Speaker 3: Yeah, okay, yeah, but.

638
00:34:46,760 --> 00:34:49,360
Speaker 4: Yeah that's a hard thing. Many That's how I not

639
00:34:49,719 --> 00:34:51,360
Speaker 4: two different ends of the spectrum.

640
00:34:51,440 --> 00:34:53,879
Speaker 3: Man was a question.

641
00:34:54,000 --> 00:35:00,879
Speaker 2: I'm gonna say I love Easy, but I'm gonna say Pop. Okay, Yeah,

642
00:35:02,440 --> 00:35:08,919
Speaker 2: both both Okay, so everybody got a drink. Yeah, yeah, old,

643
00:35:08,920 --> 00:35:11,200
Speaker 2: I'm gonna catch up. So he wanted to get it wrong.

644
00:35:11,280 --> 00:35:24,640
Speaker 3: Yeah, whoa next monthy U g K ghetto boys wolves

645
00:35:25,320 --> 00:35:28,959
Speaker 3: what Yeah, we're finish drink around.

646
00:35:29,080 --> 00:35:33,560
Speaker 1: Yeah, that's why you see the small shots because now

647
00:35:33,560 --> 00:35:36,320
Speaker 1: I ain't gonna lie I'm drinking because I can't pick that.

648
00:35:36,520 --> 00:35:38,600
Speaker 2: That what I'm saying, Uncle FaZe.

649
00:35:39,840 --> 00:35:42,000
Speaker 3: Bush week a lot of drinking and by the way,

650
00:35:42,040 --> 00:35:43,840
Speaker 3: get well soon on the face.

651
00:35:43,719 --> 00:35:50,279
Speaker 2: Man, you know what I'm saying. Yes, yes, brother, right,

652
00:35:51,480 --> 00:35:53,600
Speaker 2: both yeah both away?

653
00:35:53,760 --> 00:35:58,160
Speaker 3: Hell ain't no way? Yeah, come on, I told you this.

654
00:35:58,239 --> 00:36:02,080
Speaker 3: One time I took a car out to eat. He

655
00:36:02,200 --> 00:36:05,120
Speaker 3: caught an allergic reaction and I thought he was playing

656
00:36:05,160 --> 00:36:05,360
Speaker 3: with me.

657
00:36:05,560 --> 00:36:10,040
Speaker 1: Yeah, he was playing with me. He's like, yo, I'm

658
00:36:10,080 --> 00:36:12,360
Speaker 1: allergy to shellfish. But then he orders crab legs and

659
00:36:12,400 --> 00:36:18,480
Speaker 1: I'm like, what the fucks smarting in the world? The

660
00:36:18,520 --> 00:36:19,800
Speaker 1: story too about shrimp.

661
00:36:21,120 --> 00:36:21,759
Speaker 3: He hated the shrimp.

662
00:36:21,920 --> 00:36:24,359
Speaker 2: Yeah, the shrimping, and he broke out.

663
00:36:25,080 --> 00:36:26,839
Speaker 1: Shrimp though this out the middle he just start going

664
00:36:27,440 --> 00:36:29,239
Speaker 1: and I'm like, what the I never heard?

665
00:36:30,320 --> 00:36:33,720
Speaker 2: Then he's the feeling I'm allergic to sell you allergic? Selfish?

666
00:36:34,239 --> 00:36:35,840
Speaker 3: Fuck you were sorry for y'all thiggers.

667
00:36:35,960 --> 00:36:38,520
Speaker 2: I don't. I don't miss it. I hated when I

668
00:36:38,640 --> 00:36:41,239
Speaker 2: was younger. I know what it tastes like. But just

669
00:36:41,320 --> 00:36:44,320
Speaker 2: one day I had like a fucked up reaction pussy

670
00:36:44,480 --> 00:37:07,280
Speaker 2: taking the shellfish. Technically none at all, because that's the weird.

671
00:37:09,640 --> 00:37:13,000
Speaker 5: Seafood straight up. That's the that's that's that what you

672
00:37:13,160 --> 00:37:15,880
Speaker 5: call them when you're young. That's that's the what I

673
00:37:16,000 --> 00:37:18,960
Speaker 5: call the forty five pumper. I don't know if y'all

674
00:37:19,000 --> 00:37:21,279
Speaker 5: ever heard about the forty five pumper. Do y'all know

675
00:37:21,360 --> 00:37:25,560
Speaker 5: what five pumpers? Probably most men in the room probably

676
00:37:25,600 --> 00:37:28,080
Speaker 5: have had one of these ones or twice in life. Okay,

677
00:37:28,320 --> 00:37:30,920
Speaker 5: the forty five pumpers, that's the one that you know,

678
00:37:31,040 --> 00:37:35,040
Speaker 5: everything starts out beautiful, loveless, smelling good, like you say,

679
00:37:35,160 --> 00:37:39,880
Speaker 5: tasting good whatever, you know, the whole nine yards you pumping,

680
00:37:40,080 --> 00:37:47,879
Speaker 5: you stroking forty one, forty two, forty three, forty four,

681
00:37:52,719 --> 00:37:57,880
Speaker 5: but the hell forecasting in the summer, I'm telling you

682
00:37:58,239 --> 00:38:01,400
Speaker 5: the forty y'all might don't want to tell it, but

683
00:38:01,520 --> 00:38:02,239
Speaker 5: you know it's true.

684
00:38:02,360 --> 00:38:04,799
Speaker 2: Now, that's that jump when you hit the back.

685
00:38:05,280 --> 00:38:08,440
Speaker 5: All the mother d nas and stuff come on you

686
00:38:08,560 --> 00:38:11,120
Speaker 5: got about sixty five DNA.

687
00:38:11,800 --> 00:38:14,880
Speaker 1: Put me in the back of them Old Charles ex husband,

688
00:38:15,280 --> 00:38:21,480
Speaker 1: baby dad. All that right, John, hit forty five pumpler.

689
00:38:22,000 --> 00:38:25,239
Speaker 1: You'll ignore it if you really like her, If you

690
00:38:25,400 --> 00:38:28,680
Speaker 1: still really like him that much, learn how to tone

691
00:38:28,760 --> 00:38:29,319
Speaker 1: your game down.

692
00:38:29,360 --> 00:38:33,680
Speaker 3: About thirty five. Yeah, put the brakes on it. Get

693
00:38:33,760 --> 00:38:36,400
Speaker 3: you three fab whole slow, you know, come on it.

694
00:38:38,040 --> 00:38:41,120
Speaker 5: Don't get close to forty five pumps because you'll know

695
00:38:41,160 --> 00:38:42,759
Speaker 5: if you got your forty five pump.

696
00:38:49,560 --> 00:38:54,160
Speaker 2: Next one teelor Le Project Pat Boy. Oh man, come

697
00:38:54,200 --> 00:38:58,560
Speaker 2: on man, trying to start some ship man, man, Man,

698
00:38:58,680 --> 00:39:02,239
Speaker 2: come on man. They and then that's again, that's that's

699
00:39:02,320 --> 00:39:04,000
Speaker 2: two different ends of the spectrum.

700
00:39:04,719 --> 00:39:07,600
Speaker 1: We go back both my brothers and they in the beginning,

701
00:39:07,719 --> 00:39:10,200
Speaker 1: you know, like Juicy Jay and Project Past.

702
00:39:10,320 --> 00:39:14,880
Speaker 3: You know they brothers, They brothers, brothers. Oh wow, that's.

703
00:39:14,840 --> 00:39:17,319
Speaker 2: Cold and uh man.

704
00:39:18,719 --> 00:39:21,320
Speaker 5: Back in the beginning days, man, we used to ride

705
00:39:22,400 --> 00:39:27,040
Speaker 5: and old Ford Pharamunt that Juicy j had.

706
00:39:27,440 --> 00:39:27,680
Speaker 2: Wow.

707
00:39:27,920 --> 00:39:29,440
Speaker 5: You know, we didn't have no car, but he had

708
00:39:29,440 --> 00:39:32,640
Speaker 5: to beat up pharamount. He used to come pick us

709
00:39:32,680 --> 00:39:33,840
Speaker 5: up and take us to the studio.

710
00:39:34,360 --> 00:39:34,799
Speaker 3: It's crazy.

711
00:39:34,800 --> 00:39:36,720
Speaker 2: It was our DJ for a minute, you know, because

712
00:39:37,080 --> 00:39:41,919
Speaker 2: him and Paul was DJ. Yeah before the it wasn't

713
00:39:42,280 --> 00:39:44,960
Speaker 2: no clubs up and he wasn't smoking or nothing like.

714
00:39:45,160 --> 00:39:46,520
Speaker 3: It was the good guy, y'all.

715
00:39:46,520 --> 00:39:47,800
Speaker 2: I met Juicy the nerd.

716
00:39:48,440 --> 00:39:53,279
Speaker 3: Yeah, you know, the straight guy, the guy. The good

717
00:39:53,320 --> 00:39:54,960
Speaker 3: guy used to take.

718
00:39:54,880 --> 00:39:56,520
Speaker 2: Us to Crystals at three in the morning.

719
00:39:57,040 --> 00:39:59,359
Speaker 1: It's not a good strip club to me. No, Oh,

720
00:39:59,400 --> 00:40:00,720
Speaker 1: what is Christals white Castle?

721
00:40:00,920 --> 00:40:09,560
Speaker 2: White Castle? Tomorrow Checkers?

722
00:40:11,840 --> 00:40:15,000
Speaker 1: Okay, yeah, yeah, three o'clock in the morning.

723
00:40:15,600 --> 00:40:17,880
Speaker 2: Choice is the only one sober? You know what I'm saying.

724
00:40:18,080 --> 00:40:23,200
Speaker 4: And yeah, but yeah, that uh my project pat or

725
00:40:23,320 --> 00:40:29,279
Speaker 4: teeth maybe gonna have the journal man, I don't have another, Yeah,

726
00:40:29,360 --> 00:40:34,000
Speaker 4: I say about it, all right, all right?

727
00:40:35,520 --> 00:40:40,320
Speaker 3: No limited cash money? M damn, what are you doing it?

728
00:40:40,600 --> 00:40:41,279
Speaker 3: Why are you doing it?

729
00:40:41,719 --> 00:40:44,560
Speaker 1: Well, it's the Dominican and Columbia right there, you do

730
00:40:44,960 --> 00:40:46,239
Speaker 1: They sniff coc and they just make.

731
00:40:46,200 --> 00:40:46,400
Speaker 3: Up the.

732
00:41:05,880 --> 00:41:09,759
Speaker 2: Yeah that's heavy right there, So we're gonna drink to that.

733
00:41:10,840 --> 00:41:13,759
Speaker 3: Yeah, we just took cash money or.

734
00:41:13,760 --> 00:41:14,200
Speaker 2: What come on?

735
00:41:15,360 --> 00:41:22,120
Speaker 5: No limits? They may both mann. Hey, those trail blazers,

736
00:41:22,200 --> 00:41:23,040
Speaker 5: man pioneers.

737
00:41:23,560 --> 00:41:25,000
Speaker 1: You know what I want to pick up while we're

738
00:41:25,000 --> 00:41:26,480
Speaker 1: talking about that, I want to big up Master p.

739
00:41:28,040 --> 00:41:28,640
Speaker 3: Coming out.

740
00:41:31,840 --> 00:41:34,080
Speaker 2: With that award or whatever it was.

741
00:41:34,560 --> 00:41:37,080
Speaker 1: But the fact is, for years we always heard these

742
00:41:37,160 --> 00:41:40,680
Speaker 1: rumors about cash money and No Limit having problems, and

743
00:41:40,880 --> 00:41:43,279
Speaker 1: whether it's true or not, the fact that master P

744
00:41:43,480 --> 00:41:45,720
Speaker 1: came out that night and he can walked on stage

745
00:41:45,800 --> 00:41:49,120
Speaker 1: by himself that ship was so powerful to me, Like

746
00:41:49,200 --> 00:41:52,879
Speaker 1: as a hip hop fan, I don't care a little

747
00:41:52,960 --> 00:41:54,759
Speaker 1: tear came to my eye. I was like, you know,

748
00:41:54,800 --> 00:41:57,280
Speaker 1: because I seen the beginning of both of those crews.

749
00:41:57,320 --> 00:41:58,680
Speaker 1: You know what I'm saying, that's the that's a good

750
00:41:58,719 --> 00:42:01,239
Speaker 1: thing about being an O G. And then for me

751
00:42:01,320 --> 00:42:03,880
Speaker 1: to see him and me to see the Hot Boys reunited,

752
00:42:04,200 --> 00:42:06,480
Speaker 1: and but but me to see master P walk outside

753
00:42:06,719 --> 00:42:09,160
Speaker 1: on that stage. But he walked out by himself, and

754
00:42:09,239 --> 00:42:11,120
Speaker 1: he could have came with he could have had one

755
00:42:11,160 --> 00:42:13,000
Speaker 1: of the ghules with him, he could had a security,

756
00:42:13,040 --> 00:42:16,640
Speaker 1: would have came out right by himself.

757
00:42:16,680 --> 00:42:19,640
Speaker 3: That was some grown man. I respect you, Matthew Be.

758
00:42:23,239 --> 00:42:24,480
Speaker 2: And for years, I'm gonna.

759
00:42:24,280 --> 00:42:25,719
Speaker 1: Just say this is an East Coast guide. I know

760
00:42:25,800 --> 00:42:33,320
Speaker 1: you're gonna gonna you know it's the truth. I'm because

761
00:42:33,880 --> 00:42:38,759
Speaker 1: y'all guys in the South show so much camarader that

762
00:42:39,120 --> 00:42:40,279
Speaker 1: sometimes I wanted.

763
00:42:40,080 --> 00:42:42,239
Speaker 2: Y'all to be because it was like, damn, why we

764
00:42:42,360 --> 00:42:44,799
Speaker 2: being only people?

765
00:42:45,120 --> 00:42:46,400
Speaker 3: And I know, like, you know what I'm saying. So

766
00:42:46,719 --> 00:42:47,600
Speaker 3: sometimes when I used.

767
00:42:47,480 --> 00:42:50,200
Speaker 1: To see people in the South beat like all right,

768
00:42:50,280 --> 00:42:52,719
Speaker 1: cool not not not not not those gas on the.

769
00:42:54,320 --> 00:42:57,480
Speaker 3: But from of course the street, you don't feel so

770
00:42:57,640 --> 00:42:59,799
Speaker 3: far in that, Okay.

771
00:43:00,040 --> 00:43:03,080
Speaker 1: At the same ship he started, I was like, yeah,

772
00:43:04,040 --> 00:43:05,960
Speaker 1: I was like, it's not just us, you know what

773
00:43:06,120 --> 00:43:08,839
Speaker 1: I'm saying. So I'm like, you know, so I wanted

774
00:43:08,840 --> 00:43:11,440
Speaker 1: to point that out because master P he did recently,

775
00:43:12,000 --> 00:43:13,800
Speaker 1: he's been he's been leading by example man.

776
00:43:14,480 --> 00:43:19,279
Speaker 2: And yeah he's a trailblazer. Yeah, ahead to the next one.

777
00:43:19,440 --> 00:43:27,320
Speaker 3: Yeah, huh Little Wayne or Drake oh.

778
00:43:27,440 --> 00:43:29,480
Speaker 2: Wae wheezy man.

779
00:43:29,800 --> 00:43:35,480
Speaker 3: I love Drake. I love but shout out pop pop.

780
00:43:37,600 --> 00:43:40,400
Speaker 1: From member Yeah yeah yeah Drake Box do look he

781
00:43:40,520 --> 00:43:45,040
Speaker 1: be pimping out man, Listen Drake. I've seen him. I've

782
00:43:45,040 --> 00:43:48,239
Speaker 1: seen him in that ship in l A. When I

783
00:43:48,400 --> 00:43:50,520
Speaker 1: read Drake will say the same thing. You know what

784
00:43:50,560 --> 00:43:50,959
Speaker 1: I'm saying.

785
00:43:51,280 --> 00:43:54,680
Speaker 3: His hard Drake pop is. He walked up to me,

786
00:43:54,800 --> 00:43:56,719
Speaker 3: He's like, hey, what's uping man, Like he knew I

787
00:43:56,800 --> 00:43:57,120
Speaker 3: knew her.

788
00:44:02,520 --> 00:44:06,840
Speaker 2: He got to know pop. So who do we go

789
00:44:06,960 --> 00:44:08,840
Speaker 2: with you with the way.

790
00:44:08,960 --> 00:44:11,600
Speaker 3: Well you picked up Drake Pops because yeah here pipping

791
00:44:11,680 --> 00:44:22,160
Speaker 3: yeah with the dick mustache to save that he got

792
00:44:22,200 --> 00:44:23,800
Speaker 3: that we want t and that stass.

793
00:44:23,920 --> 00:44:25,640
Speaker 2: I see you got me.

794
00:44:26,440 --> 00:44:28,640
Speaker 3: He got gonna Drake Pop.

795
00:44:28,760 --> 00:44:31,799
Speaker 1: Alter his Instagram to say Drake Popps.

796
00:44:33,080 --> 00:44:34,879
Speaker 2: Like man, I forgot his name? Is his name?

797
00:44:36,880 --> 00:44:41,520
Speaker 1: But yeah, called Drake Popps. Drake Popps man, that's Pops.

798
00:44:41,760 --> 00:44:46,480
Speaker 1: Yeah he's a He's a real one too. Okay, Okay,

799
00:44:46,840 --> 00:44:50,240
Speaker 1: I want this one. Kicking Pre or funk Master Flex

800
00:44:50,880 --> 00:44:51,640
Speaker 1: the lights kin Board.

801
00:44:53,440 --> 00:44:54,319
Speaker 2: I love both of them.

802
00:44:54,360 --> 00:44:58,719
Speaker 4: I love I'm gonna say kid Caprito because only because

803
00:44:58,960 --> 00:45:01,560
Speaker 4: I shook his hand and talk to him more time

804
00:45:01,719 --> 00:45:03,160
Speaker 4: than I've done that with.

805
00:45:03,360 --> 00:45:05,320
Speaker 2: I don't think I ever met Flicks.

806
00:45:05,880 --> 00:45:09,040
Speaker 1: You never meant for mister flessing person get out of here.

807
00:45:09,400 --> 00:45:14,120
Speaker 3: You neither, And I'm pretty much the same with him

808
00:45:14,200 --> 00:45:14,400
Speaker 3: on that.

809
00:45:14,640 --> 00:45:17,160
Speaker 5: But I know if I bump into Flax or whatever,

810
00:45:17,280 --> 00:45:19,040
Speaker 5: I'm with the old school car showed out.

811
00:45:19,400 --> 00:45:24,640
Speaker 1: Oh yeah you know, yeah, Okay, see I went kicking Free.

812
00:45:25,719 --> 00:45:30,400
Speaker 1: You've been in the Kicking Pre party. Yeah you know

813
00:45:30,440 --> 00:45:32,239
Speaker 1: it's crazy about kicking Prie. I'm gonna be honest with

814
00:45:32,280 --> 00:45:35,200
Speaker 1: you he's my brother, and I talk behind his back

815
00:45:35,320 --> 00:45:37,640
Speaker 1: like this, like in a good way, in a good way.

816
00:45:37,680 --> 00:45:40,279
Speaker 3: And I actually never really told kick Free how much.

817
00:45:40,360 --> 00:45:42,160
Speaker 1: Sometimes I used to go to his party sneak in

818
00:45:42,280 --> 00:45:44,520
Speaker 1: and never tell him I'm there, Like I'll be in

819
00:45:44,600 --> 00:45:46,840
Speaker 1: DC somewhere or Virginia somewhere, and I would go sneak in,

820
00:45:46,920 --> 00:45:48,840
Speaker 1: tell the people, don't tell him I'm here, and I

821
00:45:48,880 --> 00:45:52,680
Speaker 1: would just watch him rot every single generation, Like when

822
00:45:52,719 --> 00:45:55,600
Speaker 1: he plays he plays old School and he plays New,

823
00:45:55,920 --> 00:45:59,160
Speaker 1: then he plays Middle and he plays then he's like, yo,

824
00:45:59,360 --> 00:46:03,279
Speaker 1: thirty five, Hold we go, Yeah, here we go. You

825
00:46:03,400 --> 00:46:04,839
Speaker 1: know what I'm saying, Like, I love that. I love

826
00:46:04,880 --> 00:46:08,440
Speaker 1: that about DJ School. The next one our cast her

827
00:46:08,480 --> 00:46:09,320
Speaker 1: three six months.

828
00:46:09,200 --> 00:46:16,040
Speaker 3: You wow, damn man, let's heave it. I'm just gonna

829
00:46:16,040 --> 00:46:21,880
Speaker 3: say right now, both okay, you know you got you

830
00:46:21,920 --> 00:46:25,080
Speaker 3: got shot? Say yourself.

831
00:46:25,120 --> 00:46:28,680
Speaker 1: I'm not gonna I can tell you up top. Yeah

832
00:46:29,160 --> 00:46:33,800
Speaker 1: he's my favorite shot. He hasn't say nothing to nothing

833
00:46:33,880 --> 00:46:43,840
Speaker 1: else right now about that, like just looking like, hey, babies,

834
00:46:43,880 --> 00:46:50,080
Speaker 1: all will he be coming here? Colling?

835
00:46:50,800 --> 00:46:52,120
Speaker 2: Hey, how you doing for Lona?

836
00:46:54,920 --> 00:46:55,880
Speaker 3: He bore too young?

837
00:46:58,520 --> 00:47:02,640
Speaker 1: Yeah, you gotta know it, Okay, big pun or Biggie

838
00:47:02,680 --> 00:47:09,520
Speaker 1: Smalls stop, I said, I went to you, that's name. Man.

839
00:47:09,560 --> 00:47:12,080
Speaker 2: You can't put every d nothing in that. Yeah yeah, the.

840
00:47:13,560 --> 00:47:20,880
Speaker 1: Big Boy ye card Man, because man, I I interacted

841
00:47:20,960 --> 00:47:24,319
Speaker 1: with Pawn for a yeah. Yeah, yeah.

842
00:47:24,360 --> 00:47:27,680
Speaker 2: You know we go back with when the school was broke.

843
00:47:27,800 --> 00:47:29,680
Speaker 2: That's when we were filming the video there.

844
00:47:31,400 --> 00:47:35,040
Speaker 5: And you know, uh, you know at one time I

845
00:47:35,120 --> 00:47:40,240
Speaker 5: think us Foxy, jay Z, Pawn, uh, Fat Joe Alers

846
00:47:40,320 --> 00:47:41,080
Speaker 5: was on Relativity.

847
00:47:41,320 --> 00:47:45,960
Speaker 1: Oh that's right, right, Relativity. I don't think Foxy was

848
00:47:46,000 --> 00:47:48,640
Speaker 1: on Relativity though. I think she was always on depth.

849
00:47:50,320 --> 00:47:52,360
Speaker 3: What it was it was that she was with.

850
00:47:54,960 --> 00:47:55,520
Speaker 2: But yeah, that.

851
00:47:58,000 --> 00:48:05,239
Speaker 4: The like it goes back to you know, I do

852
00:48:05,320 --> 00:48:08,400
Speaker 4: and shook hands with Paun and talk to him, like

853
00:48:08,960 --> 00:48:11,319
Speaker 4: interacted with him and Fat Joe a couple of times,

854
00:48:11,360 --> 00:48:13,800
Speaker 4: like a few times, and you know he was in

855
00:48:13,880 --> 00:48:18,040
Speaker 4: New York like a lot, a lot like uh over.

856
00:48:17,960 --> 00:48:20,759
Speaker 2: The name of that store, Jazzy's on one twenty fifth

857
00:48:20,800 --> 00:48:22,200
Speaker 2: for something like jazz.

858
00:48:22,560 --> 00:48:26,480
Speaker 3: H It's like Jimmy Jazz, Jimmy Jazz, Jimmy Jazz.

859
00:48:26,560 --> 00:48:26,719
Speaker 1: Yeah.

860
00:48:27,239 --> 00:48:27,520
Speaker 2: M wh G.

861
00:48:27,920 --> 00:48:32,960
Speaker 1: So she got damn remember you remember Golden Chicken. Golden

862
00:48:33,040 --> 00:48:36,640
Speaker 1: Chicken that was in the city Okay.

863
00:48:37,000 --> 00:48:39,920
Speaker 4: But I don't know, man, because I don't think and

864
00:48:40,160 --> 00:48:42,719
Speaker 4: I'm I'm glad you asked that question just to give

865
00:48:42,840 --> 00:48:44,040
Speaker 4: my opinion to the world.

866
00:48:44,200 --> 00:48:48,600
Speaker 2: Man, I don't think Biggie got his chance. He was

867
00:48:48,760 --> 00:48:52,960
Speaker 2: all he was. Just know, it's been said over and

868
00:48:53,040 --> 00:48:55,240
Speaker 2: over again, but I'm gonna say it again.

869
00:48:55,560 --> 00:48:58,799
Speaker 4: You know, Biggie didn't get his chance to and then

870
00:48:58,840 --> 00:49:04,439
Speaker 4: you got him in, but he pun got a chance

871
00:49:04,480 --> 00:49:07,160
Speaker 4: to like move around a little.

872
00:49:06,960 --> 00:49:07,719
Speaker 2: Bit more, you know.

873
00:49:08,280 --> 00:49:11,440
Speaker 3: And them cats, they did so much in a short time.

874
00:49:11,560 --> 00:49:11,759
Speaker 1: You know.

875
00:49:12,760 --> 00:49:15,440
Speaker 5: Yeah, you look at the numbers of it. It was

876
00:49:15,520 --> 00:49:18,239
Speaker 5: really short, like that run was five or six years,

877
00:49:18,440 --> 00:49:22,279
Speaker 5: both of them. But the magnitude was was was great

878
00:49:22,760 --> 00:49:24,640
Speaker 5: but still going to his day, Yeah, and it and

879
00:49:24,760 --> 00:49:27,880
Speaker 5: it only leads you to wonder how much could they

880
00:49:28,840 --> 00:49:31,440
Speaker 5: did what really could have been because that was like

881
00:49:31,600 --> 00:49:33,760
Speaker 5: greatness likely.

882
00:49:33,960 --> 00:49:35,440
Speaker 3: You know, they didn't know it.

883
00:49:35,680 --> 00:49:38,000
Speaker 2: They've been sitting here like us now talking about Man.

884
00:49:37,920 --> 00:49:40,319
Speaker 4: We didn't even know it. We were just doing us

885
00:49:40,800 --> 00:49:42,480
Speaker 4: you know what I'm saying. But you know they had

886
00:49:42,520 --> 00:49:45,560
Speaker 4: already captivated. Yeah, I'm the world. I'm gonna go with

887
00:49:45,640 --> 00:49:49,440
Speaker 4: Biggie man. Yeah, Yeah, I love a pawn, but I'm

888
00:49:49,440 --> 00:49:50,680
Speaker 4: gonna go with Biggie.

889
00:49:50,600 --> 00:49:54,960
Speaker 1: Now if he goes to a point and he still drinking, I.

890
00:49:54,960 --> 00:50:00,880
Speaker 2: Don't want to be a player. No, you know, I

891
00:50:00,960 --> 00:50:03,880
Speaker 2: love all this ship. I know I'm telling you I

892
00:50:04,000 --> 00:50:04,319
Speaker 2: love But.

893
00:50:04,400 --> 00:50:06,600
Speaker 4: You know, I got a real like I was a

894
00:50:06,880 --> 00:50:09,520
Speaker 4: fan fan of Biggie, you know what I'm saying, even

895
00:50:09,520 --> 00:50:11,160
Speaker 4: though we were like kind of right there together.

896
00:50:11,400 --> 00:50:16,640
Speaker 2: But look, picture his name with them little glasses, mam

897
00:50:16,719 --> 00:50:20,200
Speaker 2: me and that nigga look just like. That's what I thought.

898
00:50:21,040 --> 00:50:23,239
Speaker 2: But fan fan, I got it.

899
00:50:23,480 --> 00:50:27,239
Speaker 3: You know, man?

900
00:50:28,000 --> 00:50:28,640
Speaker 2: What is rough?

901
00:50:30,000 --> 00:50:34,640
Speaker 3: Rough? While y'all doing me like this, I'm down to drink.

902
00:50:36,120 --> 00:50:38,520
Speaker 2: I can't. I can't do this, man.

903
00:50:39,239 --> 00:50:42,320
Speaker 5: Really, I ain't trying to make it easy, you know,

904
00:50:42,480 --> 00:50:45,319
Speaker 5: and get out of it. But I really feel this way,

905
00:50:45,600 --> 00:50:45,800
Speaker 5: you know.

906
00:50:46,640 --> 00:50:47,160
Speaker 2: That's all.

907
00:50:47,840 --> 00:50:54,360
Speaker 1: That's all, Okay, DMX so big al, DM mix, m

908
00:50:54,440 --> 00:50:57,759
Speaker 1: mixt DMX Oh yeah yeah, you.

909
00:50:59,160 --> 00:51:03,080
Speaker 3: Plenty shows together. You know, man, he's just a real guy.

910
00:51:03,200 --> 00:51:03,359
Speaker 2: Man.

911
00:51:03,680 --> 00:51:06,879
Speaker 3: I loved, you know, man, I love he's a people person.

912
00:51:07,040 --> 00:51:07,200
Speaker 2: Yeah.

913
00:51:07,280 --> 00:51:10,600
Speaker 4: Yeah, you know, come down to the hotel lobby and

914
00:51:10,680 --> 00:51:12,319
Speaker 4: three in the morning, guess who's down there, and.

915
00:51:13,800 --> 00:51:19,560
Speaker 2: Yeah, say something. You know, I didn't get a chance to,

916
00:51:20,280 --> 00:51:21,600
Speaker 2: uh the big al wave.

917
00:51:22,280 --> 00:51:24,360
Speaker 3: Weeah, yeah, to get.

918
00:51:24,520 --> 00:51:25,880
Speaker 2: To but you know, but we was on it.

919
00:51:26,239 --> 00:51:28,120
Speaker 5: You know, we was on it, but we didn't never

920
00:51:28,239 --> 00:51:31,000
Speaker 5: really get a chance to mingle. But you know we

921
00:51:31,080 --> 00:51:33,800
Speaker 5: should have, but circumstances, you know.

922
00:51:34,719 --> 00:51:41,520
Speaker 1: But we'll give us a DMX story. Well everybody know DMX. Uh,

923
00:51:43,560 --> 00:51:48,200
Speaker 1: you know the car driver too, he's into that ship.

924
00:51:48,360 --> 00:51:50,600
Speaker 5: My d MX stories is really kind of the third

925
00:51:50,719 --> 00:51:53,480
Speaker 5: person because he was there, but he wasn't you know.

926
00:51:55,719 --> 00:51:57,160
Speaker 2: You know, he's talking to you.

927
00:51:59,360 --> 00:52:01,279
Speaker 1: You know, he talked to you one minute and you

928
00:52:01,400 --> 00:52:03,840
Speaker 1: look over here for a second. He over here, you know,

929
00:52:04,000 --> 00:52:06,439
Speaker 1: and over here, and then bam down he's doing the show.

930
00:52:06,600 --> 00:52:08,040
Speaker 1: Now it's over with, you know.

931
00:52:08,239 --> 00:52:12,399
Speaker 5: But uh, the most one thing that I know from

932
00:52:12,840 --> 00:52:15,480
Speaker 5: dealing with him and talking to him was that, you know,

933
00:52:15,560 --> 00:52:19,560
Speaker 5: he was down to earth, uh, a people person. He

934
00:52:19,680 --> 00:52:22,520
Speaker 5: was approachable, that he would give you his time. Yes,

935
00:52:22,640 --> 00:52:25,480
Speaker 5: he was, you know, uh and I know that for

936
00:52:25,560 --> 00:52:28,400
Speaker 5: a fact. You know, we all you know together, you know,

937
00:52:28,480 --> 00:52:31,160
Speaker 5: we understood and had our moments and talked and it

938
00:52:31,280 --> 00:52:33,759
Speaker 5: was just regular. It was so regular that you know,

939
00:52:33,840 --> 00:52:36,120
Speaker 5: it was just like me standing and talking to somebody

940
00:52:36,160 --> 00:52:37,040
Speaker 5: I grew up on the street.

941
00:52:37,120 --> 00:52:37,279
Speaker 2: Yep.

942
00:52:37,480 --> 00:52:42,040
Speaker 5: Yeah, you know, and uh, you know that was you know,

943
00:52:42,200 --> 00:52:43,800
Speaker 5: that was that guy. You know how they say the

944
00:52:43,920 --> 00:52:47,560
Speaker 5: good die young. You know we we you know, we

945
00:52:47,800 --> 00:52:49,800
Speaker 5: think we're good. We ain't good enough yet, you know,

946
00:52:49,920 --> 00:52:52,759
Speaker 5: the God needs the real soldiers, you know, you know

947
00:52:52,880 --> 00:52:54,680
Speaker 5: the general. You know, we still got some ship to

948
00:52:54,719 --> 00:52:55,560
Speaker 5: get straight down here.

949
00:52:55,760 --> 00:52:55,960
Speaker 2: Well.

950
00:52:57,560 --> 00:52:59,560
Speaker 1: Also while we speaking about that, rest in peace to

951
00:52:59,600 --> 00:53:05,080
Speaker 1: Percy and recipe to Chubby baby jobs you know, down

952
00:53:05,160 --> 00:53:08,000
Speaker 1: for future in them camp and he just passed away

953
00:53:08,080 --> 00:53:10,000
Speaker 1: and you know deep earlier.

954
00:53:10,120 --> 00:53:13,160
Speaker 4: But you you you gotta a d m X story.

955
00:53:16,000 --> 00:53:18,480
Speaker 4: I mean it's really the same. Like we never really

956
00:53:18,600 --> 00:53:21,320
Speaker 4: had no like we didn't.

957
00:53:21,120 --> 00:53:22,840
Speaker 2: Kick it outside of our business.

958
00:53:23,000 --> 00:53:25,600
Speaker 4: Yeah, like we had shows together and you know he

959
00:53:25,800 --> 00:53:28,600
Speaker 4: was uh, super energetic, gonna.

960
00:53:28,360 --> 00:53:34,319
Speaker 2: Stay right back up and.

961
00:53:36,200 --> 00:53:38,960
Speaker 4: Yeah yeah, but I just I like he said, you know,

962
00:53:39,040 --> 00:53:41,520
Speaker 4: I just loved his energy. He was the regular like

963
00:53:41,640 --> 00:53:44,959
Speaker 4: you know, we literally talked like me and you right here.

964
00:53:45,120 --> 00:53:45,680
Speaker 2: Right right.

965
00:53:45,920 --> 00:53:51,839
Speaker 1: So that's that that go along with goddamn both our

966
00:53:52,040 --> 00:53:54,919
Speaker 1: MANX yes, Scarface or ice Cube.

967
00:53:55,560 --> 00:54:01,279
Speaker 5: Wow's head, see I got another couple over here.

968
00:54:01,440 --> 00:54:04,000
Speaker 2: Yeah, I'm ready, come on, let's gonna do Okay, let's

969
00:54:04,040 --> 00:54:04,560
Speaker 2: go do it.

970
00:54:05,120 --> 00:54:08,839
Speaker 5: He's gonna do you know, you know, we go back

971
00:54:08,880 --> 00:54:11,600
Speaker 5: to them times, you know, you know, we go back

972
00:54:11,680 --> 00:54:14,200
Speaker 5: with Que to the nineties, you know, to the suave house,

973
00:54:14,280 --> 00:54:16,319
Speaker 5: both of them, both of them, man, you know.

974
00:54:16,480 --> 00:54:25,120
Speaker 1: So hey, master P or Jay Prince mm hmm them

975
00:54:25,200 --> 00:54:30,560
Speaker 1: two different things of the spectrum, like two different But

976
00:54:30,680 --> 00:54:33,000
Speaker 1: what I can say is that both of them is

977
00:54:33,080 --> 00:54:36,719
Speaker 1: trailblazers and the only way. And there wouldn't be one

978
00:54:36,800 --> 00:54:38,640
Speaker 1: without the all them. There wouldn't be a master P

979
00:54:38,800 --> 00:54:41,960
Speaker 1: without a J Prince. It wouldn't be I think master

980
00:54:42,000 --> 00:54:45,320
Speaker 1: people even say that, yeah, and uh, you know, I

981
00:54:45,560 --> 00:54:50,000
Speaker 1: just without getting into anything personal or whatever, like I say,

982
00:54:50,080 --> 00:54:52,880
Speaker 1: you know, as far as business man and entrepreneurs and

983
00:54:54,160 --> 00:54:57,959
Speaker 1: giving us a vision of us seeing ourselves being able

984
00:54:58,000 --> 00:55:01,000
Speaker 1: to do that, you know, like I said, again, man people,

985
00:55:01,280 --> 00:55:06,000
Speaker 1: man Pete followed his basketball dreams, his music dreams, his

986
00:55:06,239 --> 00:55:10,960
Speaker 1: entrepreneur dreams, his college dreams. Uh and ship man he

987
00:55:11,120 --> 00:55:14,640
Speaker 1: out here he's still product, like he said, product.

988
00:55:14,320 --> 00:55:18,719
Speaker 2: Stuff that's gonna sustain families for generations.

989
00:55:18,920 --> 00:55:21,600
Speaker 3: You're talking about product out through the talent man.

990
00:55:21,760 --> 00:55:26,040
Speaker 2: Definitely. So personally, we're gonna give it the person the person.

991
00:55:27,160 --> 00:55:30,680
Speaker 3: Do you chaste the cereal gave me a box of that.

992
00:55:30,920 --> 00:55:37,960
Speaker 2: It's fantastic. I haven't tasted in Vegas, yes, yeah, I

993
00:55:38,080 --> 00:55:40,920
Speaker 2: haven't tasted it yet. No, but hey, that's some real ship.

994
00:55:41,120 --> 00:55:43,920
Speaker 2: Man we be talking about. Man, the niggas man.

995
00:55:44,000 --> 00:55:47,520
Speaker 1: It's a nigga and I ain't gonna say a nigga, Okay,

996
00:55:47,680 --> 00:55:52,040
Speaker 1: a niggah.

997
00:55:51,520 --> 00:55:51,680
Speaker 2: Man.

998
00:55:51,800 --> 00:55:55,800
Speaker 4: His family been making a cardboard box for one hundred

999
00:55:56,120 --> 00:55:59,239
Speaker 4: hundred years and they sustained and they found I'm just saying, and.

1000
00:55:59,280 --> 00:56:00,680
Speaker 2: That's what it will prod up.

1001
00:56:00,760 --> 00:56:03,320
Speaker 4: You know what I'm saying, Just car board box and

1002
00:56:03,440 --> 00:56:07,440
Speaker 4: just I'm just as apples, okay, you know, And that's

1003
00:56:07,520 --> 00:56:10,440
Speaker 4: and that's lovely to see he get into.

1004
00:56:11,719 --> 00:56:14,680
Speaker 5: The physical you know what, we call him the South

1005
00:56:14,760 --> 00:56:16,960
Speaker 5: hand over fist. Other than just clothing, when you can

1006
00:56:17,080 --> 00:56:20,080
Speaker 5: cance your inventory, it ain't the strength.

1007
00:56:20,160 --> 00:56:22,520
Speaker 2: Hip hop people seem to generate towards.

1008
00:56:22,600 --> 00:56:25,359
Speaker 1: You know, my brother fact Joe, he got we one

1009
00:56:25,480 --> 00:56:26,600
Speaker 1: time facts.

1010
00:56:28,320 --> 00:56:30,279
Speaker 2: Up. This is like to c the.

1011
00:56:32,880 --> 00:56:33,279
Speaker 3: Yet black.

1012
00:56:34,920 --> 00:56:38,080
Speaker 2: You know what I'm saying. You can't stream, hey, Joe, Yeah,

1013
00:56:38,160 --> 00:56:39,759
Speaker 2: you gotta put it on the box.

1014
00:56:40,440 --> 00:56:57,399
Speaker 1: Come on, Joe, tell this ship in the beauty store, right, Yeah,

1015
00:56:57,480 --> 00:57:07,680
Speaker 1: that's crazy. Based on camraon hm hm oh well, you

1016
00:57:07,760 --> 00:57:14,279
Speaker 1: know we got history back to the boy too and Man,

1017
00:57:14,360 --> 00:57:15,279
Speaker 1: I gotta stay both.

1018
00:57:15,360 --> 00:57:20,200
Speaker 3: I got to man man looking.

1019
00:57:24,520 --> 00:57:25,040
Speaker 2: Thing the game.

1020
00:57:25,080 --> 00:57:26,160
Speaker 3: That what I'm talking about.

1021
00:57:25,920 --> 00:57:26,920
Speaker 2: Because I love both of them.

1022
00:57:28,040 --> 00:57:31,440
Speaker 4: Even though we have an interactor with Cam that like,

1023
00:57:32,160 --> 00:57:34,840
Speaker 4: but I have smoked with your boy and Sugars.

1024
00:57:35,360 --> 00:57:37,240
Speaker 2: We talked, Yeah, we are going together.

1025
00:57:37,360 --> 00:57:38,000
Speaker 3: You know we were.

1026
00:57:40,360 --> 00:57:42,720
Speaker 2: Back back okay, you know we was on this debut.

1027
00:57:44,080 --> 00:57:46,800
Speaker 3: That's what that's murder makes murder.

1028
00:57:48,840 --> 00:57:52,160
Speaker 2: In a little beady studio somewhere, nigga, like you know yeah,

1029
00:57:52,720 --> 00:57:54,760
Speaker 2: like it was some some back back in the day.

1030
00:57:54,880 --> 00:57:57,640
Speaker 3: Type is that how you first got affiliated?

1031
00:57:58,600 --> 00:58:00,560
Speaker 4: It was a rounded time. It was a around that time,

1032
00:58:00,640 --> 00:58:05,240
Speaker 4: but it was Draper. Draper had the original relationship with Puffy.

1033
00:58:05,880 --> 00:58:09,200
Speaker 2: Wow. We used to go to like the club in Atlanta.

1034
00:58:09,360 --> 00:58:10,520
Speaker 2: Like we used to go to Atlanta.

1035
00:58:10,600 --> 00:58:13,480
Speaker 5: Was the first inauguration, you can say he had us.

1036
00:58:13,680 --> 00:58:16,600
Speaker 5: He had us for a special guest one night on

1037
00:58:16,720 --> 00:58:20,080
Speaker 5: this show, but without telling anybody, so they didn't know

1038
00:58:20,160 --> 00:58:21,600
Speaker 5: we was gonna be there in Atlanta.

1039
00:58:21,960 --> 00:58:22,200
Speaker 2: Wow.

1040
00:58:22,520 --> 00:58:26,080
Speaker 5: Every time came across a certain border, that's all he

1041
00:58:26,200 --> 00:58:28,000
Speaker 5: was hearing. He was like, who is the got Like

1042
00:58:28,200 --> 00:58:30,960
Speaker 5: whow every time I come here. I can't get here

1043
00:58:31,040 --> 00:58:32,560
Speaker 5: even if we throwing the show or whatever.

1044
00:58:32,640 --> 00:58:33,680
Speaker 2: This is all I hear.

1045
00:58:34,560 --> 00:58:38,360
Speaker 5: So he made a relationship with Drake and then we

1046
00:58:38,480 --> 00:58:40,800
Speaker 5: did a surprise bus out in the middle of a

1047
00:58:40,920 --> 00:58:43,360
Speaker 5: bad Boy show when they didn't know we was gonna

1048
00:58:43,400 --> 00:58:43,680
Speaker 5: be there.

1049
00:58:44,160 --> 00:58:47,480
Speaker 1: And wait wait you said they didn't know. You're talking

1050
00:58:47,480 --> 00:58:50,760
Speaker 1: about the crowd. Then yeah, okay, okay, then like you know,

1051
00:58:50,880 --> 00:58:54,320
Speaker 1: we're done done in that relationship. Yeah, you know, he

1052
00:58:55,320 --> 00:58:59,160
Speaker 1: we we he had the relationship. We did the record

1053
00:58:59,240 --> 00:59:03,960
Speaker 1: with with with Mace with Mace like that was our

1054
00:59:04,080 --> 00:59:05,760
Speaker 1: first the first Wecord.

1055
00:59:06,440 --> 00:59:10,240
Speaker 4: Mixed shout out tea Mix super so they did all

1056
00:59:10,320 --> 00:59:15,760
Speaker 4: of our early stuff after coming out hard. He did

1057
00:59:15,800 --> 00:59:18,880
Speaker 4: a lot of production for them, hit their time as well.

1058
00:59:19,920 --> 00:59:21,760
Speaker 1: I just always try to give him how You're gonna

1059
00:59:21,760 --> 00:59:25,680
Speaker 1: never take it, but you know, one day, one day,

1060
00:59:27,280 --> 00:59:27,840
Speaker 1: but uh.

1061
00:59:31,000 --> 00:59:35,200
Speaker 4: So Team Mix did a lot of the production and uh,

1062
00:59:36,880 --> 00:59:40,000
Speaker 4: hold up, I'm lost, hold up t mixing the production.

1063
00:59:41,280 --> 00:59:46,280
Speaker 4: We need a shot so he can bring it. Give

1064
00:59:46,320 --> 00:59:47,120
Speaker 4: me a shot, bring.

1065
00:59:52,480 --> 00:59:57,280
Speaker 1: One other because you know what today's episode it was

1066
00:59:57,360 --> 00:59:59,960
Speaker 1: dedicated to people who paved the way for me. Personal

1067
01:00:00,720 --> 01:00:03,200
Speaker 1: a ball the motherfucker m J G Man I really

1068
01:00:03,240 --> 01:00:05,960
Speaker 1: want to give you all your flowers. Continue to salute

1069
01:00:06,040 --> 01:00:10,440
Speaker 1: y'all because y'all are fucking space age, y'all, motherfucking kings,

1070
01:00:10,680 --> 01:00:18,040
Speaker 1: y'all icons, and we love it solid. Damn man, you're

1071
01:00:18,040 --> 01:00:23,800
Speaker 1: gonna make me Benzino over. Oh yeah, it's nothing to

1072
01:00:24,120 --> 01:00:28,280
Speaker 1: shout out Benzino back. What was the name of the

1073
01:00:28,360 --> 01:00:31,520
Speaker 1: Source Awards, right? What was the name of the groups?

1074
01:00:32,840 --> 01:00:34,000
Speaker 3: Almighty Our Yeah?

1075
01:00:34,040 --> 01:00:37,560
Speaker 1: Man, we did a song with all might rs backing,

1076
01:00:37,640 --> 01:00:40,240
Speaker 1: like what was this like ninety four or something like that. Wait,

1077
01:00:40,360 --> 01:00:42,480
Speaker 1: you know that's you know, never real gag though. That

1078
01:00:42,680 --> 01:00:46,160
Speaker 1: was one of Benzino was rapping. When he's still rapping.

1079
01:00:46,280 --> 01:00:47,760
Speaker 2: Yeah, I know, you know, I know.

1080
01:00:48,040 --> 01:00:50,200
Speaker 1: But this was when the Source was nowhere in the

1081
01:00:50,800 --> 01:00:52,919
Speaker 1: There was nowhere in the vision, you know what I'm saying.

1082
01:00:53,040 --> 01:00:53,840
Speaker 3: They was managed by.

1083
01:00:55,240 --> 01:00:55,680
Speaker 2: Them, you know.

1084
01:00:56,760 --> 01:01:01,040
Speaker 3: Yeah, yeah, he was on the real gangster almost ship.

1085
01:01:01,360 --> 01:01:03,920
Speaker 2: Yo. Listen. We were riding around in l A with

1086
01:01:04,040 --> 01:01:06,640
Speaker 2: Benzino in a rental van with no ten.

1087
01:01:09,000 --> 01:01:13,360
Speaker 1: Okay, the fifty pastor no like a little like an

1088
01:01:13,400 --> 01:01:15,120
Speaker 1: astro astro man with.

1089
01:01:15,240 --> 01:01:20,560
Speaker 3: The sorter slots not automatic. This is this is the

1090
01:01:21,320 --> 01:01:22,040
Speaker 3: got to open it up.

1091
01:01:22,040 --> 01:01:25,880
Speaker 2: Going to the studio he came to schools. He had

1092
01:01:25,920 --> 01:01:26,840
Speaker 2: good week death.

1093
01:01:27,080 --> 01:01:30,640
Speaker 1: Yes, Zino always has good wik Yes, it's a big

1094
01:01:30,720 --> 01:01:31,680
Speaker 1: of Banzino and it's good.

1095
01:01:31,720 --> 01:01:37,640
Speaker 2: Wig boy than got a nigga drunk.

1096
01:01:40,160 --> 01:01:42,520
Speaker 1: I'm trying to get Drake Lunnon to have his fucking

1097
01:01:42,560 --> 01:01:44,400
Speaker 1: te killer to come up here. We got a black

1098
01:01:44,480 --> 01:01:46,600
Speaker 1: man that owns the te Killer company, and when your

1099
01:01:46,600 --> 01:01:49,200
Speaker 1: guys owned the Killer, I invited him, so I wanted.

1100
01:01:49,000 --> 01:01:49,520
Speaker 2: Him to come here.

1101
01:01:49,600 --> 01:01:52,919
Speaker 3: But he's he's late. You know black people. Oh look,

1102
01:01:54,480 --> 01:01:55,240
Speaker 3: it's mc.

1103
01:02:00,040 --> 01:02:02,080
Speaker 2: Mama, My mama, my mama.

1104
01:02:02,200 --> 01:02:03,480
Speaker 3: Not ain't glorial, You're.

1105
01:02:06,800 --> 01:02:09,240
Speaker 2: That's why. Hold on, I'm gonna hear the pull on

1106
01:02:09,400 --> 01:02:09,800
Speaker 2: the fact.

1107
01:02:11,160 --> 01:02:11,760
Speaker 3: I loved it.

1108
01:02:12,280 --> 01:02:13,040
Speaker 2: Hold on time out.

1109
01:02:13,640 --> 01:02:18,440
Speaker 1: I love to see the elder Statesman Cole signing.

1110
01:02:19,520 --> 01:02:23,440
Speaker 2: I love that ship. Shout out glow, really shout out,

1111
01:02:23,840 --> 01:02:27,280
Speaker 2: shout out. She represented.

1112
01:02:27,680 --> 01:02:30,320
Speaker 3: She took me up the other day. I was like,

1113
01:02:30,360 --> 01:02:31,240
Speaker 3: what is he talking about?

1114
01:02:31,400 --> 01:02:32,640
Speaker 2: It's like most snuckle nigga.

1115
01:02:32,640 --> 01:02:36,040
Speaker 3: I said, Oh, I'm sitting there.

1116
01:02:38,480 --> 01:02:38,920
Speaker 2: Listening to.

1117
01:02:40,560 --> 01:02:42,200
Speaker 1: Listen to the real stations because I just did the

1118
01:02:42,320 --> 01:02:45,840
Speaker 1: radio right, so I'm just listening to it and that's all.

1119
01:02:45,960 --> 01:02:51,760
Speaker 1: Come on, no cod my two sons come out and

1120
01:02:51,800 --> 01:02:54,360
Speaker 1: They're like, they're looking at me like what the fuck

1121
01:02:54,480 --> 01:02:55,000
Speaker 1: is you doing?

1122
01:02:55,760 --> 01:02:58,520
Speaker 2: And I'm like what, It's the radio and they're like

1123
01:02:59,000 --> 01:03:01,760
Speaker 2: that we listening to. I'm like, what what is that?

1124
01:03:02,600 --> 01:03:05,440
Speaker 2: And I'm like and they're like, you know most knuckle.

1125
01:03:07,600 --> 01:03:10,680
Speaker 2: My kids told me what the snooker moose knuckle my

1126
01:03:10,840 --> 01:03:11,960
Speaker 2: mama named Gloria.

1127
01:03:12,160 --> 01:03:19,480
Speaker 6: So yes, yeah, got these guys a foul. Look at

1128
01:03:19,480 --> 01:03:22,720
Speaker 6: the question. They just saying, Okay, Gloriala or gangsta.

1129
01:03:22,400 --> 01:03:26,120
Speaker 1: Boo, stop it, come on, man, get the fuck out man, gangs,

1130
01:03:26,200 --> 01:03:31,520
Speaker 1: the boot man, you shot this b birth.

1131
01:03:31,600 --> 01:03:35,480
Speaker 5: People like Glorial and Glorial understand that. Yeah, that's why

1132
01:03:35,560 --> 01:03:38,720
Speaker 5: Gloriala represent right now. You know what she's standing on

1133
01:03:39,480 --> 01:03:42,959
Speaker 5: right now. But people like gangs the boot one little

1134
01:03:43,560 --> 01:03:44,200
Speaker 5: more drink.

1135
01:03:44,080 --> 01:03:46,320
Speaker 3: Chaps, great person, great person, God damn it.

1136
01:03:46,560 --> 01:03:47,840
Speaker 2: We love your baby girl.

1137
01:03:49,240 --> 01:03:54,760
Speaker 3: And we miss it. Outlaws or tribe called quest outlaws.

1138
01:03:55,400 --> 01:03:59,840
Speaker 2: I love them both, YEA, love them both. But m see,

1139
01:03:59,880 --> 01:04:00,840
Speaker 2: I auncol too fast.

1140
01:04:01,040 --> 01:04:06,400
Speaker 5: See I ain't gonna lie now you know I'm going

1141
01:04:06,480 --> 01:04:12,800
Speaker 5: to say he's gonna be wind wind God damn lit.

1142
01:04:13,280 --> 01:04:14,439
Speaker 3: But I love them both.

1143
01:04:14,600 --> 01:04:17,240
Speaker 2: Man. See, you know we know about the trip.

1144
01:04:17,080 --> 01:04:19,640
Speaker 1: Call quit everything and I had to go onto our

1145
01:04:19,760 --> 01:04:21,640
Speaker 1: track on question THIGP the Outlaws too. By the way,

1146
01:04:22,640 --> 01:04:25,360
Speaker 1: I think we have shut our q TI. I love

1147
01:04:25,400 --> 01:04:32,240
Speaker 1: that production. Just got indicted inducted. It was too much,

1148
01:04:32,320 --> 01:04:34,240
Speaker 1: just sucking punked up, all right, but they just got

1149
01:04:34,360 --> 01:04:36,560
Speaker 1: inducted into the rocking room.

1150
01:04:38,200 --> 01:04:40,600
Speaker 2: All right, shout shout out.

1151
01:04:45,160 --> 01:04:49,040
Speaker 1: M J or Prince picked though, man, I thought you

1152
01:04:49,680 --> 01:04:55,160
Speaker 1: did they we winded it. Yeah, I think we said

1153
01:04:55,280 --> 01:04:58,880
Speaker 1: both Yeah, both got okay, m jail Press. I like

1154
01:04:58,960 --> 01:05:02,960
Speaker 1: this one, both man and boys iconic.

1155
01:05:03,080 --> 01:05:06,080
Speaker 2: Man. There will never be another m J and no Prince. Okay.

1156
01:05:06,160 --> 01:05:07,480
Speaker 2: So God came down right now.

1157
01:05:07,600 --> 01:05:12,800
Speaker 1: God said, listen, oh you can hang out with one

1158
01:05:13,040 --> 01:05:16,160
Speaker 1: or the other, and a record with one of the other.

1159
01:05:16,400 --> 01:05:16,680
Speaker 2: Prince.

1160
01:05:16,960 --> 01:05:18,880
Speaker 1: Now, hold on, I gotta tell you which version of press.

1161
01:05:21,040 --> 01:05:25,320
Speaker 1: It's Prince with the ass out. Well, I was gonna say, Mike,

1162
01:05:25,400 --> 01:05:26,120
Speaker 1: and I really can.

1163
01:05:27,120 --> 01:05:27,600
Speaker 2: Let me give you.

1164
01:05:30,240 --> 01:05:33,320
Speaker 1: This is Prince with the ass out. But then it's

1165
01:05:33,440 --> 01:05:38,080
Speaker 1: Mike before he turned light skin, Oh before he went white.

1166
01:05:38,600 --> 01:05:41,760
Speaker 1: Oh yeah, man, Mike, before you white, before he went white.

1167
01:05:41,840 --> 01:05:43,160
Speaker 2: Mike, I feel like.

1168
01:05:44,720 --> 01:05:45,120
Speaker 3: The Brothers.

1169
01:05:45,560 --> 01:05:51,160
Speaker 1: Yeah yeah, the Prince but Dirty Mind album. The boy

1170
01:05:51,200 --> 01:05:55,840
Speaker 1: had underwear on on the cover, You're yeah, right up. Yeah,

1171
01:05:58,000 --> 01:06:01,120
Speaker 1: underwear were a good time. So I definitely rather fuck

1172
01:06:01,160 --> 01:06:04,520
Speaker 1: with Mike with the with the beady jacket.

1173
01:06:05,640 --> 01:06:07,760
Speaker 2: With him and Bubbles and go to the one the

1174
01:06:07,840 --> 01:06:11,480
Speaker 2: night whatever, you know, Bubbles smoke out with.

1175
01:06:14,920 --> 01:06:17,960
Speaker 1: DJ Quick came on hand and said he was not playing.

1176
01:06:18,000 --> 01:06:20,240
Speaker 1: He was like, yes, I believe Mike was a crip.

1177
01:06:22,000 --> 01:06:23,920
Speaker 2: And you shot well.

1178
01:06:23,960 --> 01:06:26,000
Speaker 6: He said that his voice was deep, that he would

1179
01:06:26,040 --> 01:06:27,959
Speaker 6: make that voice up and then when he would talk normal.

1180
01:06:28,080 --> 01:06:29,920
Speaker 3: Yeah, you got to It's on the internet somewhere.

1181
01:06:30,200 --> 01:06:30,520
Speaker 2: I don't.

1182
01:06:30,560 --> 01:06:32,200
Speaker 3: I don't heard that a few times.

1183
01:06:32,080 --> 01:06:34,360
Speaker 6: That Mike was And they have a track that they

1184
01:06:34,400 --> 01:06:36,520
Speaker 6: said he had to do a voice over for something

1185
01:06:36,600 --> 01:06:38,400
Speaker 6: and they said he used his real voice for a

1186
01:06:38,480 --> 01:06:40,160
Speaker 6: video game and they said this.

1187
01:06:40,240 --> 01:06:40,880
Speaker 2: Is his real voice.

1188
01:06:42,760 --> 01:06:49,080
Speaker 1: Yeah, really, that's the record. God, So this is what

1189
01:06:49,200 --> 01:06:52,240
Speaker 1: they're saying, this is that that move would be true.

1190
01:06:52,280 --> 01:06:58,600
Speaker 3: I don't mind. I said the next one nineties hip

1191
01:06:58,640 --> 01:07:00,040
Speaker 3: hop for two thousand hip hop.

1192
01:07:02,800 --> 01:07:06,040
Speaker 5: I gotta say nineties, don't ever Finally we got one. Now,

1193
01:07:06,240 --> 01:07:13,880
Speaker 5: two thousands was the Yeah, the two thousand to the nineties.

1194
01:07:13,920 --> 01:07:16,040
Speaker 5: And I know this just sounds simple as fucking ship,

1195
01:07:16,480 --> 01:07:18,680
Speaker 5: but the two thousands of the nineties was like the

1196
01:07:19,320 --> 01:07:20,440
Speaker 5: eighties to the seventies.

1197
01:07:21,520 --> 01:07:24,000
Speaker 1: Okay, what what R and B and jazz and all that,

1198
01:07:24,120 --> 01:07:25,680
Speaker 1: all that, you know, and it was some great ship

1199
01:07:25,720 --> 01:07:28,680
Speaker 1: in the eighties andy seventies. That's basically the ship we

1200
01:07:28,760 --> 01:07:31,680
Speaker 1: came about, you know. But you know, they still was

1201
01:07:31,760 --> 01:07:33,720
Speaker 1: kind of like their own thing. But they were similar

1202
01:07:34,280 --> 01:07:37,840
Speaker 1: in a way. I got ball from the old news.

1203
01:07:38,320 --> 01:07:42,439
Speaker 2: Yeah yeah, but it wasn't so new as the news, right.

1204
01:07:45,120 --> 01:07:46,920
Speaker 3: At Aliens or a Crimini.

1205
01:07:47,960 --> 01:07:54,840
Speaker 2: Mm hmmm, I like a criminatic best, yeah, criminal.

1206
01:07:56,280 --> 01:08:00,200
Speaker 1: Yeah, this got to just disagree just so we can

1207
01:08:00,320 --> 01:08:03,000
Speaker 1: drink at this point. It's just it's just it's just

1208
01:08:03,080 --> 01:08:09,560
Speaker 1: the way going. I think I gotta go with everybody.

1209
01:08:12,160 --> 01:08:19,720
Speaker 1: Come on, everybody in the line. Hey, hold up, man,

1210
01:08:21,560 --> 01:08:26,760
Speaker 1: t I or two Chains, Why are you doing this?

1211
01:08:26,920 --> 01:08:33,519
Speaker 1: That's the same umbrella baby. Well, well, I like how

1212
01:08:33,560 --> 01:08:34,200
Speaker 1: he said, Well.

1213
01:08:35,040 --> 01:08:38,639
Speaker 2: I'm gonna stay t I man like I love two Chains.

1214
01:08:38,680 --> 01:08:39,439
Speaker 2: That's my dog.

1215
01:08:40,840 --> 01:08:42,840
Speaker 4: We used to sitting in the studio and Drama Boy

1216
01:08:43,080 --> 01:08:46,760
Speaker 4: spot like two three in the morning and smoking. I

1217
01:08:46,880 --> 01:08:50,240
Speaker 4: be just they're smoking listening to him, you know, doing

1218
01:08:50,320 --> 01:08:51,400
Speaker 4: his ship like I ain't.

1219
01:08:51,240 --> 01:08:51,920
Speaker 2: Even doing nothing.

1220
01:08:52,280 --> 01:08:53,160
Speaker 3: Is when he was Teddy Boy.

1221
01:08:53,880 --> 01:08:55,400
Speaker 2: Oh he was transitioning.

1222
01:08:56,160 --> 01:09:00,840
Speaker 5: Yeah, I really off yet both for different different things

1223
01:09:01,240 --> 01:09:02,360
Speaker 5: and kind of the same thing.

1224
01:09:03,040 --> 01:09:05,559
Speaker 1: You know, I know both of them cats been rocking

1225
01:09:06,400 --> 01:09:09,320
Speaker 1: with us since day one. Yeah, and I know that

1226
01:09:09,479 --> 01:09:13,080
Speaker 1: for a fact. And uh, you know, say Tip because

1227
01:09:13,120 --> 01:09:16,000
Speaker 1: we did a record on yeah, and Tip extended his

1228
01:09:16,160 --> 01:09:19,479
Speaker 1: hands to you know, he in his hand. He ain't

1229
01:09:19,600 --> 01:09:22,080
Speaker 1: have to do it, you know, that was that was

1230
01:09:22,160 --> 01:09:24,600
Speaker 1: the thing on him. You know that he wanted to

1231
01:09:24,640 --> 01:09:29,200
Speaker 1: work with us, you know, man, you know so you

1232
01:09:29,240 --> 01:09:32,760
Speaker 1: know big up Tip, Big up Tip, Big up and

1233
01:09:33,479 --> 01:09:35,720
Speaker 1: the whole I just want you to the whole family.

1234
01:09:35,520 --> 01:09:39,040
Speaker 3: Man, as rappers that came behind you.

1235
01:09:40,880 --> 01:09:42,960
Speaker 1: Every rapper wants to work with y'all, just so you know,

1236
01:09:43,680 --> 01:09:45,559
Speaker 1: like even if they didn't say it even and then

1237
01:09:45,720 --> 01:09:48,880
Speaker 1: reach out like the stable that y'all left on this

1238
01:09:49,040 --> 01:09:52,639
Speaker 1: hip hop imprint makes everybody want to collab with y'all.

1239
01:09:52,720 --> 01:09:54,280
Speaker 1: So I want to pick those artists up who you

1240
01:09:54,400 --> 01:09:56,160
Speaker 1: just said. I just want you to know it's the

1241
01:09:56,200 --> 01:09:57,920
Speaker 1: inside of that's the outside of looking out as the

1242
01:09:57,960 --> 01:09:59,360
Speaker 1: inside that's the outside of looking at.

1243
01:10:07,280 --> 01:10:08,200
Speaker 2: The first time, I.

1244
01:10:08,280 --> 01:10:12,320
Speaker 4: Did a record called Sundown with a group called Pa

1245
01:10:12,600 --> 01:10:16,080
Speaker 4: from at Leant and we used his drop top.

1246
01:10:16,160 --> 01:10:20,760
Speaker 2: That's his car in that video. That's what's up the

1247
01:10:20,880 --> 01:10:24,479
Speaker 2: baby or little baby? This this this is a baby

1248
01:10:24,560 --> 01:10:25,800
Speaker 2: asked question. Yeah, that's heavy.

1249
01:10:25,920 --> 01:10:30,200
Speaker 3: Well now, hey, I gotta roll both man, both.

1250
01:10:31,800 --> 01:10:32,920
Speaker 2: Baby man.

1251
01:10:33,040 --> 01:10:33,599
Speaker 3: I can't.

1252
01:10:35,040 --> 01:10:36,560
Speaker 1: I want to hear the baby and the baby on

1253
01:10:36,680 --> 01:10:39,800
Speaker 1: the record again. You know, they got one together, both

1254
01:10:39,840 --> 01:10:43,040
Speaker 1: of the boy doing anything man and I can't picture

1255
01:10:43,960 --> 01:10:47,599
Speaker 1: because they kind of you know, they may straight off

1256
01:10:47,640 --> 01:10:49,200
Speaker 1: and get a little wild with it a kind of

1257
01:10:49,720 --> 01:10:50,799
Speaker 1: in their own era.

1258
01:10:50,840 --> 01:10:53,640
Speaker 2: But then they still know how to you know, they

1259
01:10:53,680 --> 01:10:54,920
Speaker 2: both have great energy.

1260
01:10:55,040 --> 01:10:59,320
Speaker 5: Yeah, you know, they know how to capture uh someone

1261
01:10:59,439 --> 01:11:03,720
Speaker 5: older or nothing like they still spit ship that right,

1262
01:11:04,080 --> 01:11:07,040
Speaker 5: older person may listen to or whatever a kick like

1263
01:11:07,160 --> 01:11:08,720
Speaker 5: they you know, they got the blueprint.

1264
01:11:09,000 --> 01:11:11,559
Speaker 3: So today in the case.

1265
01:11:12,200 --> 01:11:19,960
Speaker 1: Between little baby and dumb baby, done, picket baby, Yeah baby,

1266
01:11:21,080 --> 01:11:24,000
Speaker 1: both baby. Drink to that all baby and shout out

1267
01:11:24,080 --> 01:11:34,320
Speaker 1: the baby. Put some respect all the baby baby, all baby.

1268
01:11:35,240 --> 01:11:44,559
Speaker 1: Count shout out the baby face, ma baby face.

1269
01:11:45,120 --> 01:11:46,600
Speaker 2: Yeah there you go.

1270
01:11:46,880 --> 01:11:50,160
Speaker 1: Moonshine or tequila, Hey man, you got to give it

1271
01:11:50,240 --> 01:11:52,080
Speaker 1: up the moon shine further, come on, it wouldn't be

1272
01:11:52,160 --> 01:11:53,719
Speaker 1: no tequila without moon shine.

1273
01:11:54,160 --> 01:11:56,000
Speaker 2: At the beginning to sho look at that.

1274
01:11:56,160 --> 01:11:59,479
Speaker 1: They did that in the Woods prohibition in the Woods

1275
01:11:59,600 --> 01:12:04,920
Speaker 1: back moon shine, Like drag racing was created because of moonshine,

1276
01:12:05,560 --> 01:12:10,479
Speaker 1: because because of get away from That's right, and that's

1277
01:12:10,479 --> 01:12:14,439
Speaker 1: how drag. I learned that take nights. Yes, Ricky Bobby,

1278
01:12:22,040 --> 01:12:26,240
Speaker 1: Bobby Ricky. I never heard of Bobby Ricky, only Wicky.

1279
01:12:26,000 --> 01:12:32,240
Speaker 3: Bobby, bad boys, swap house, well stop it, swave got

1280
01:12:32,280 --> 01:12:38,680
Speaker 3: the hook up, the swag got the chee. Next one

1281
01:12:40,520 --> 01:12:41,719
Speaker 3: that throw a rap a lot.

1282
01:12:44,520 --> 01:12:50,000
Speaker 2: A lot only because well I mean rap a lot

1283
01:12:50,920 --> 01:12:52,120
Speaker 2: show ten toes down.

1284
01:12:52,000 --> 01:12:55,760
Speaker 4: Because I love and respect that, all the rap a

1285
01:12:55,800 --> 01:12:58,200
Speaker 4: lot that the world don't know about, you know what

1286
01:12:58,280 --> 01:13:02,519
Speaker 4: I'm saying. They had lots of artists all that. Yeah,

1287
01:13:02,760 --> 01:13:05,560
Speaker 4: like that ship Man was so heavy in Memphis, like

1288
01:13:06,080 --> 01:13:09,639
Speaker 4: Memphis was. We was on all that with Texas music.

1289
01:13:09,720 --> 01:13:11,680
Speaker 1: I always thought Texas and Memphis was a part of

1290
01:13:11,760 --> 01:13:16,200
Speaker 1: tri state to ya said that earlier Tennessee, Mississippi and Arkansas.

1291
01:13:16,280 --> 01:13:20,439
Speaker 2: Okay, yeah, so we're rolling away, Uh.

1292
01:13:23,520 --> 01:13:27,719
Speaker 3: Yeah, m P Mob Deep. That's some real New York questions.

1293
01:13:27,800 --> 01:13:32,520
Speaker 2: Mob Deep. We used to do shows with MAB Chicago

1294
01:13:32,720 --> 01:13:34,000
Speaker 2: and ship like that Detroit.

1295
01:13:34,479 --> 01:13:35,600
Speaker 3: They have a track with.

1296
01:13:37,680 --> 01:13:39,600
Speaker 4: I think we might did a remix or something. We

1297
01:13:39,720 --> 01:13:43,200
Speaker 4: was on remix back back in the day. I don't know,

1298
01:13:44,200 --> 01:13:47,519
Speaker 4: but but I know we did like boot Woo shows them.

1299
01:13:48,000 --> 01:13:51,759
Speaker 4: Like you said, book, I ain't hear that word so long.

1300
01:13:52,400 --> 01:13:59,600
Speaker 2: Yallah catching on it like.

1301
01:14:01,479 --> 01:14:01,840
Speaker 7: A lot.

1302
01:14:03,080 --> 01:14:11,519
Speaker 2: It's a lot. Next one w A. This one that's

1303
01:14:11,560 --> 01:14:12,280
Speaker 2: always hard for me.

1304
01:14:12,760 --> 01:14:14,560
Speaker 3: Hey man, both man, Okay, let's go.

1305
01:14:14,680 --> 01:14:17,640
Speaker 2: I'm gonna say n w A though I love I

1306
01:14:17,840 --> 01:14:20,479
Speaker 2: love both, but n w A.

1307
01:14:20,680 --> 01:14:24,800
Speaker 4: I got a different love for them because me and

1308
01:14:24,880 --> 01:14:27,719
Speaker 4: this nigga used to walk down Imagine two young niggas

1309
01:14:27,760 --> 01:14:31,679
Speaker 4: in Memphis with job and suits with a radio nigga

1310
01:14:31,720 --> 01:14:34,360
Speaker 4: walking down the street listening to n w A and easy.

1311
01:14:34,680 --> 01:14:36,439
Speaker 2: That was That was the man.

1312
01:14:37,640 --> 01:14:38,920
Speaker 3: Did you have, asked Carl.

1313
01:14:40,200 --> 01:14:40,880
Speaker 2: At that time?

1314
01:14:41,080 --> 01:14:50,479
Speaker 8: Maybe it wasn't what it was there's a girl, but no,

1315
01:14:50,720 --> 01:14:54,599
Speaker 8: definitely like yeah, we was, yeah, yeah.

1316
01:14:56,280 --> 01:14:58,160
Speaker 3: All the times at the n w I got them

1317
01:14:58,200 --> 01:14:59,200
Speaker 3: stories with the n w A.

1318
01:15:00,160 --> 01:15:04,920
Speaker 5: Then, you know, East Coast was so dominant in that

1319
01:15:05,120 --> 01:15:08,000
Speaker 5: time that it was like watching sports in the sixties

1320
01:15:08,120 --> 01:15:10,559
Speaker 5: or something. It was like four teams and ship. Did

1321
01:15:10,640 --> 01:15:15,479
Speaker 5: you see also a video I'm looking at the TV

1322
01:15:15,640 --> 01:15:17,080
Speaker 5: and ships.

1323
01:15:17,120 --> 01:15:22,360
Speaker 4: You know what I'm saying, hey, us, we did shows

1324
01:15:22,439 --> 01:15:26,640
Speaker 4: in uh Denver with uh with Red and melt like

1325
01:15:28,080 --> 01:15:30,320
Speaker 4: three years ago, like two shows a day, like we

1326
01:15:30,479 --> 01:15:32,920
Speaker 4: still Yeah, like sold out both shows.

1327
01:15:33,360 --> 01:15:36,800
Speaker 2: Us and red Man and melth. Just picture that they

1328
01:15:36,880 --> 01:15:39,920
Speaker 2: come out of over there. Yeah, shout out them more.

1329
01:15:40,600 --> 01:15:50,160
Speaker 3: Yeah, shout out read well. Reasonable doubt or amatic doubt.

1330
01:15:51,680 --> 01:15:54,879
Speaker 2: I like them both, but I think I like reasonable

1331
01:15:54,960 --> 01:15:56,160
Speaker 2: doubt looking a little better.

1332
01:15:58,000 --> 01:16:07,280
Speaker 3: Yeah, uh what you regardless m J. It's rough up

1333
01:16:07,320 --> 01:16:07,599
Speaker 3: in here.

1334
01:16:10,080 --> 01:16:13,280
Speaker 1: Yeah, you know you're asking some hard ones, man, Like

1335
01:16:15,040 --> 01:16:16,759
Speaker 1: you got to think about man, we are.

1336
01:16:18,680 --> 01:16:21,600
Speaker 4: Like behind all the pimp sion and this and the

1337
01:16:21,920 --> 01:16:25,200
Speaker 4: blah blah with them two little niggas that sitting in

1338
01:16:25,280 --> 01:16:29,160
Speaker 4: front of radio on Friday nights. This weird that we

1339
01:16:29,240 --> 01:16:34,240
Speaker 4: were doing listening to the primpis DJ sunny D back

1340
01:16:34,280 --> 01:16:35,880
Speaker 4: in the day used.

1341
01:16:35,720 --> 01:16:39,040
Speaker 2: To bring the DJ read Alert used to bring it.

1342
01:16:41,040 --> 01:16:43,880
Speaker 3: He used to bring DJ read Alert tape Like we

1343
01:16:44,000 --> 01:16:45,000
Speaker 3: were like.

1344
01:16:46,160 --> 01:16:51,320
Speaker 1: Man, I'm talking about from uh Man from uh Schoolly Deed.

1345
01:16:51,280 --> 01:16:52,439
Speaker 2: To Deep you know.

1346
01:16:56,040 --> 01:17:00,320
Speaker 4: But all over like his music like everything, you know,

1347
01:17:00,560 --> 01:17:04,160
Speaker 4: like we was a big gumboard it you can't like

1348
01:17:06,240 --> 01:17:10,080
Speaker 4: like we was on we listened to literally everything.

1349
01:17:09,880 --> 01:17:14,759
Speaker 3: Everything, Hill, Maddie, you picked reasonable?

1350
01:17:15,000 --> 01:17:15,439
Speaker 2: Reasonable?

1351
01:17:15,720 --> 01:17:18,080
Speaker 3: What do you pick it? Picking?

1352
01:17:18,280 --> 01:17:24,400
Speaker 2: Max? We could drink shout out now, I'm putting it

1353
01:17:24,439 --> 01:17:26,559
Speaker 2: out there. I need to do a song with Nods.

1354
01:17:27,320 --> 01:17:28,120
Speaker 3: You need to funk with.

1355
01:17:30,160 --> 01:17:30,639
Speaker 2: Do something.

1356
01:17:31,400 --> 01:17:37,200
Speaker 3: Yeah, I love hes working on the album with Primo maybe. Yeah,

1357
01:17:37,400 --> 01:17:38,400
Speaker 3: that's that's something going on.

1358
01:17:38,520 --> 01:17:39,800
Speaker 1: That fucking dope he's working on.

1359
01:17:41,160 --> 01:17:44,840
Speaker 4: Nas has always kept He's always been him, man.

1360
01:17:45,000 --> 01:17:47,000
Speaker 5: I was just gonna say he trump it up to

1361
01:17:47,240 --> 01:17:50,479
Speaker 5: now man, that keep it authentic basically.

1362
01:17:50,600 --> 01:17:53,000
Speaker 3: Yeah, he loved hip hop. Yeah, ain't no, ain't no

1363
01:17:53,200 --> 01:17:57,880
Speaker 3: changing though. Next one ye Nas and Jadakiss.

1364
01:17:59,600 --> 01:18:00,800
Speaker 2: Cold Blood.

1365
01:18:03,280 --> 01:18:04,720
Speaker 3: Jadakins hates this question too.

1366
01:18:05,040 --> 01:18:08,080
Speaker 2: I already know. Man. Look man, I'm gonna say Jada

1367
01:18:08,160 --> 01:18:09,840
Speaker 2: though Jayla.

1368
01:18:10,000 --> 01:18:13,479
Speaker 1: Yeah, I'm saying both. It's come on, jay the first ass.

1369
01:18:13,600 --> 01:18:15,840
Speaker 1: Man we're talking about right there, you got one right there,

1370
01:18:15,880 --> 01:18:20,880
Speaker 1: look in the middle. Yeah, look yeah, that's I'm drunk, okay, Man,

1371
01:18:20,920 --> 01:18:22,519
Speaker 1: we're talking about two lyricists.

1372
01:18:22,560 --> 01:18:24,120
Speaker 3: Man, Yes, let's go.

1373
01:18:24,200 --> 01:18:27,000
Speaker 6: And when he said he's on Jada's first album talking

1374
01:18:27,000 --> 01:18:29,160
Speaker 6: about that, that's that track and how it came about.

1375
01:18:30,080 --> 01:18:32,559
Speaker 4: I just we used to see we we did shows

1376
01:18:32,640 --> 01:18:36,760
Speaker 4: like that's how you we met everybody doing show. We

1377
01:18:36,960 --> 01:18:39,040
Speaker 4: do show with the Nigga back in the day, and uh,

1378
01:18:39,200 --> 01:18:41,840
Speaker 4: we just was like trading records. He was on a

1379
01:18:41,880 --> 01:18:45,160
Speaker 4: couple of our remixes, and uh, I think he sent

1380
01:18:45,240 --> 01:18:46,000
Speaker 4: me a record that.

1381
01:18:46,400 --> 01:18:47,800
Speaker 2: Fend you produced.

1382
01:18:49,160 --> 01:18:50,479
Speaker 3: Fiend from No Limit.

1383
01:18:51,000 --> 01:18:54,000
Speaker 2: Ye you produced it. I can't remember the name of it.

1384
01:18:55,040 --> 01:18:57,000
Speaker 2: You know it's on his first app. Did not do

1385
01:18:57,120 --> 01:18:57,479
Speaker 2: one for you?

1386
01:18:57,600 --> 01:18:59,439
Speaker 3: And fen No it wasn't.

1387
01:18:59,680 --> 01:19:04,639
Speaker 2: It was you and somebody let Dre London in did jump.

1388
01:19:06,000 --> 01:19:09,599
Speaker 3: Yeah, he ain't been thinking about that. Jada was definitely

1389
01:19:09,600 --> 01:19:11,040
Speaker 3: one of those New York artists that was working a

1390
01:19:11,080 --> 01:19:12,160
Speaker 3: lot with so then artists.

1391
01:19:12,439 --> 01:19:15,080
Speaker 2: Yeah, Jada always you one of the first.

1392
01:19:15,560 --> 01:19:15,920
Speaker 9: But Ja.

1393
01:19:17,479 --> 01:19:21,679
Speaker 1: He went in, j Man, Jada, this guy here, Man,

1394
01:19:22,400 --> 01:19:23,880
Speaker 1: I'm gonna tell you something you don't remember.

1395
01:19:23,960 --> 01:19:25,680
Speaker 3: Come on get it.

1396
01:19:26,880 --> 01:19:30,479
Speaker 2: So Japan was all I gotta go back to this.

1397
01:19:30,920 --> 01:19:31,360
Speaker 2: I love.

1398
01:19:33,040 --> 01:19:37,280
Speaker 3: I ever did Okay without weed because we just woke

1399
01:19:37,320 --> 01:19:37,840
Speaker 3: that whole time.

1400
01:19:37,920 --> 01:19:38,040
Speaker 2: Right.

1401
01:19:38,120 --> 01:19:40,960
Speaker 3: We never got weed right one time. We got one time.

1402
01:19:41,000 --> 01:19:42,679
Speaker 3: One time, y'all got a back and we got.

1403
01:19:42,640 --> 01:19:46,880
Speaker 2: To and uh we had to fight.

1404
01:19:47,120 --> 01:19:50,640
Speaker 4: We was at Glam Slam Prince Club, That's where we

1405
01:19:50,800 --> 01:19:52,559
Speaker 4: was at in Yokahama, or or something.

1406
01:19:52,760 --> 01:19:53,000
Speaker 1: Wow.

1407
01:19:53,560 --> 01:19:55,920
Speaker 2: Yeah, we sh.

1408
01:20:00,040 --> 01:20:01,840
Speaker 4: It was in one john and we was in the other,

1409
01:20:02,520 --> 01:20:05,360
Speaker 4: and the promoter was just telling us, don't go outside

1410
01:20:05,400 --> 01:20:09,240
Speaker 4: with this ship. Like the military boy was outside right, like,

1411
01:20:09,360 --> 01:20:09,680
Speaker 4: don't go.

1412
01:20:09,760 --> 01:20:12,400
Speaker 2: Outside with this ship. And we smoked in the dress.

1413
01:20:12,800 --> 01:20:13,320
Speaker 2: I didn't know that.

1414
01:20:13,400 --> 01:20:15,720
Speaker 1: That what I'm saying. It looks like y'all were having

1415
01:20:15,800 --> 01:20:19,960
Speaker 1: so much fun. We had our gams with us. We

1416
01:20:20,120 --> 01:20:21,040
Speaker 1: had to be like PC.

1417
01:20:22,880 --> 01:20:27,599
Speaker 2: We worked as y'all room they going.

1418
01:20:29,960 --> 01:20:39,439
Speaker 3: Ladies that because that's our role. Now, these niggasa the pool.

1419
01:20:39,600 --> 01:20:44,120
Speaker 2: Did you remember the slide the pool? Ye, this nigga

1420
01:20:44,160 --> 01:20:48,719
Speaker 2: gets so drunk. Bro. This nigga we drinking wine mixed

1421
01:20:48,760 --> 01:20:49,680
Speaker 2: with something he was like.

1422
01:20:49,760 --> 01:20:53,439
Speaker 1: Trying like, and we drunk it like some something is bro.

1423
01:20:55,080 --> 01:20:58,240
Speaker 1: We went to the pool like six big old grown

1424
01:20:58,400 --> 01:21:02,719
Speaker 1: niggas and all the kids FLI.

1425
01:21:06,479 --> 01:21:10,679
Speaker 3: I'm not embarrassed about that all Like it was indoor.

1426
01:21:10,960 --> 01:21:13,880
Speaker 1: The person off is Okinawa and the only only place

1427
01:21:13,960 --> 01:21:15,080
Speaker 1: I've ever heard of Okinawa?

1428
01:21:15,120 --> 01:21:16,800
Speaker 3: Do you know who Okinawa is? Tonight?

1429
01:21:18,080 --> 01:21:20,000
Speaker 2: No man, mister.

1430
01:21:19,880 --> 01:21:25,840
Speaker 1: Miyagi from They give about nothing else but mister karate

1431
01:21:26,000 --> 01:21:29,840
Speaker 1: kids guy with mister Miyagi because he's from I'm going

1432
01:21:29,840 --> 01:21:32,479
Speaker 1: to Okinawa and I was just like, and I'm sitting

1433
01:21:32,520 --> 01:21:36,240
Speaker 1: there with other hood niggas, we hood niggas, and I'm like, man,

1434
01:21:36,439 --> 01:21:38,400
Speaker 1: we're gonna go downstairs to that and so you know

1435
01:21:38,520 --> 01:21:41,800
Speaker 1: how hard that show was that day or the next day?

1436
01:21:41,920 --> 01:21:47,040
Speaker 2: Man, yo hard. That's one of my.

1437
01:21:47,080 --> 01:21:49,280
Speaker 1: Favorites to us. I always say this about Josh. So

1438
01:21:49,840 --> 01:21:53,360
Speaker 1: that's the reason why the fans he destroys me.

1439
01:21:53,960 --> 01:21:56,680
Speaker 3: They like you always say that story, but you're not him.

1440
01:21:56,800 --> 01:21:59,960
Speaker 2: From now on, say big ball, don't say the big

1441
01:22:00,320 --> 01:22:04,240
Speaker 2: you know, the big one. Man, I'm not.

1442
01:22:07,400 --> 01:22:18,639
Speaker 1: Again again. I love uh uh, you know, I'm I'm

1443
01:22:18,680 --> 01:22:21,640
Speaker 1: a dected. I'm obsessed when we do drink chances and

1444
01:22:21,680 --> 01:22:23,960
Speaker 1: we get people who drink orders. And when I heard

1445
01:22:24,080 --> 01:22:26,759
Speaker 1: that you guys ordered to kill her, I wanted to personally.

1446
01:22:26,760 --> 01:22:30,320
Speaker 1: I called personally one of the owners or the owner

1447
01:22:30,439 --> 01:22:32,439
Speaker 1: of one of the finests the killers on the planet,

1448
01:22:33,120 --> 01:22:37,360
Speaker 1: called what is it called Drake, and we're gonna.

1449
01:22:37,200 --> 01:22:41,960
Speaker 3: Present it to y'all justicate. So now, huh, I know

1450
01:22:42,160 --> 01:22:45,400
Speaker 3: I know it's Drake. God damn. Look look sexy too.

1451
01:22:45,720 --> 01:22:49,840
Speaker 3: The bottle of Let Jamie bring it over. Yeah yeah, yeah, yeah,

1452
01:22:50,439 --> 01:22:51,160
Speaker 3: So we're gonna.

1453
01:22:50,920 --> 01:22:52,040
Speaker 2: Give y'all soistication.

1454
01:22:52,160 --> 01:22:55,080
Speaker 3: This is the killer from a black man. I know

1455
01:22:55,200 --> 01:22:55,599
Speaker 3: this man.

1456
01:22:55,680 --> 01:23:01,320
Speaker 1: I see his come up. He's motherfucking a great motherfucker.

1457
01:23:01,840 --> 01:23:04,560
Speaker 1: And we're gonna put eight baller m J G on

1458
01:23:05,160 --> 01:23:09,040
Speaker 1: the motherfucking to killer. Yes, yeah, yes, let's present them,

1459
01:23:09,040 --> 01:23:10,439
Speaker 1: giving both bottle got damn.

1460
01:23:12,120 --> 01:23:18,360
Speaker 2: Right, I don't know one obviously is the bock in

1461
01:23:18,520 --> 01:23:22,960
Speaker 2: the block, all right? And then yeah, yeah, yeah, already, man,

1462
01:23:23,040 --> 01:23:26,479
Speaker 2: appreciate the look. That's what I got that already I've

1463
01:23:26,520 --> 01:23:28,760
Speaker 2: been the god damn fly.

1464
01:23:29,880 --> 01:23:32,800
Speaker 1: The next shots we take, We're gonna take her that Jesus,

1465
01:23:33,160 --> 01:23:35,840
Speaker 1: let's do it. Okay, Well you got the next question.

1466
01:23:36,520 --> 01:23:42,479
Speaker 1: Analog or digital? And we are children of law cheers.

1467
01:23:42,720 --> 01:23:49,600
Speaker 1: Analog is is syrup to digital is water. If you

1468
01:23:49,680 --> 01:23:51,559
Speaker 1: ever recorded that again, say that again.

1469
01:23:52,040 --> 01:23:54,720
Speaker 5: Analog is syrup. And let me say syrup. I can

1470
01:23:54,840 --> 01:23:59,120
Speaker 5: you know, some say so, some say syrup. You know,

1471
01:23:59,280 --> 01:24:05,240
Speaker 5: so it's is served to water. Digital is water, Analogue

1472
01:24:05,280 --> 01:24:08,599
Speaker 5: is served. I got something to add on to that book.

1473
01:24:08,600 --> 01:24:10,000
Speaker 2: I want to know. I was just saying, if you

1474
01:24:10,080 --> 01:24:12,280
Speaker 2: ever recorded on the two inch tape about to.

1475
01:24:12,280 --> 01:24:17,840
Speaker 1: Say, it's like carrying a little door around, you know,

1476
01:24:17,960 --> 01:24:20,360
Speaker 1: like we used to deal to dash our ship to

1477
01:24:21,880 --> 01:24:25,080
Speaker 1: I've seen the interview where y'all was talking about having

1478
01:24:25,120 --> 01:24:26,599
Speaker 1: to fly out all your.

1479
01:24:26,520 --> 01:24:29,200
Speaker 3: Reels and like say, like you had to like the

1480
01:24:29,280 --> 01:24:33,280
Speaker 3: first that sh you had to go to the airport.

1481
01:24:33,760 --> 01:24:37,360
Speaker 5: Yes, send off tapes and they would get to where

1482
01:24:37,360 --> 01:24:39,760
Speaker 5: we send them to in the time that the flight

1483
01:24:39,880 --> 01:24:40,720
Speaker 5: would take to get there.

1484
01:24:40,760 --> 01:24:44,040
Speaker 1: Okay, damn, y'all a little before me. So you had

1485
01:24:44,080 --> 01:24:46,200
Speaker 1: to go to the actual airport. I would have to

1486
01:24:46,240 --> 01:24:48,280
Speaker 1: go to the fed X SO U p S to

1487
01:24:48,400 --> 01:24:50,320
Speaker 1: send send it at the time, at the time you

1488
01:24:50,400 --> 01:24:55,960
Speaker 1: could go to the today. Yeah, got there the same

1489
01:24:56,080 --> 01:24:59,439
Speaker 1: day though, what Yeah, so you would send a two

1490
01:24:59,520 --> 01:25:01,040
Speaker 1: inch for let's say.

1491
01:25:03,840 --> 01:25:05,800
Speaker 2: We get there, the real the rail will be there.

1492
01:25:05,840 --> 01:25:07,519
Speaker 1: So this way you don't got to take that on

1493
01:25:07,600 --> 01:25:11,040
Speaker 1: your your your check in lack or if we're doing

1494
01:25:11,120 --> 01:25:14,320
Speaker 1: some work like this was before, we do it online

1495
01:25:14,439 --> 01:25:18,800
Speaker 1: or whatever. We'll do it first and then shoot the

1496
01:25:18,880 --> 01:25:22,960
Speaker 1: tapes m hm over to the person on the flight. Wow,

1497
01:25:23,040 --> 01:25:26,080
Speaker 1: and then they'll do their first and then they shoot

1498
01:25:26,080 --> 01:25:29,000
Speaker 1: it back. But you didn't record on tape on the planets.

1499
01:25:29,080 --> 01:25:31,200
Speaker 2: I did on the plane. But I didn't.

1500
01:25:31,200 --> 01:25:31,479
Speaker 3: I didn't.

1501
01:25:31,479 --> 01:25:31,800
Speaker 2: I didn't.

1502
01:25:31,880 --> 01:25:34,600
Speaker 1: I didn't when I had to send my rails like

1503
01:25:34,680 --> 01:25:36,439
Speaker 1: I would have to send it to AX, so I

1504
01:25:36,520 --> 01:25:38,600
Speaker 1: never had to go through the actual airport. That's the

1505
01:25:38,640 --> 01:25:41,160
Speaker 1: first time I actually heard that. I just said that.

1506
01:25:41,920 --> 01:25:43,760
Speaker 1: But see, you know, like Memphis is like the big

1507
01:25:43,840 --> 01:25:44,760
Speaker 1: distribution hub.

1508
01:25:44,840 --> 01:25:48,040
Speaker 5: You know, we like really like the largest distribution hub

1509
01:25:48,320 --> 01:25:50,240
Speaker 5: damn in the world, you know, because of faed X.

1510
01:25:50,600 --> 01:25:53,439
Speaker 1: Oh really, and that's coming from That's where the hub is.

1511
01:25:54,120 --> 01:25:56,040
Speaker 1: That's where the main hub and all the drugs come

1512
01:25:56,120 --> 01:26:03,360
Speaker 1: through Memphis. That's why I remember I did say that, Yeah,

1513
01:26:03,720 --> 01:26:08,240
Speaker 1: great place to be. Yeah, now we had young Dolph

1514
01:26:08,280 --> 01:26:10,479
Speaker 1: on here, right, We're gonna get back in a quick

1515
01:26:10,520 --> 01:26:12,639
Speaker 1: time of slamps. But we had Young Dolf on here,

1516
01:26:12,720 --> 01:26:16,000
Speaker 1: and I had a moment for him where I told him,

1517
01:26:16,040 --> 01:26:19,120
Speaker 1: I said, it seems like most rappers are getting killed

1518
01:26:19,200 --> 01:26:23,400
Speaker 1: in their own city, right, and you know, rest in

1519
01:26:23,439 --> 01:26:24,439
Speaker 1: peace to young Dolf.

1520
01:26:24,840 --> 01:26:26,200
Speaker 2: I want to say this with a heavy heart.

1521
01:26:26,800 --> 01:26:29,519
Speaker 1: And he basically looked at me and he basically was like, nah, Nor,

1522
01:26:29,720 --> 01:26:33,080
Speaker 1: you know, that's the mother people basically like I mean,

1523
01:26:33,200 --> 01:26:37,400
Speaker 1: I'm paraphrase obviously, and I wish I would have doubled down.

1524
01:26:37,400 --> 01:26:38,160
Speaker 2: I wish it had been like.

1525
01:26:38,200 --> 01:26:40,960
Speaker 3: Nah, man, that rule applies to all of us.

1526
01:26:41,280 --> 01:26:41,400
Speaker 2: Right.

1527
01:26:42,680 --> 01:26:44,800
Speaker 1: It was like the first time we see like a

1528
01:26:44,960 --> 01:26:49,559
Speaker 1: person but loved in his city get killed in his city.

1529
01:26:50,439 --> 01:26:53,840
Speaker 1: And then I remember the first time I mean that

1530
01:26:53,960 --> 01:26:55,160
Speaker 1: that information being district.

1531
01:26:57,160 --> 01:26:58,719
Speaker 3: Yeah, yeah, shout out Nibsey.

1532
01:26:59,000 --> 01:27:00,880
Speaker 1: But let me let me tell you difference, right, let

1533
01:27:00,920 --> 01:27:04,840
Speaker 1: me tell you the difference between Nipsey's and Young Dolphs.

1534
01:27:05,479 --> 01:27:10,240
Speaker 1: When Young Dolphs happened, I remember seeing the comments of

1535
01:27:10,360 --> 01:27:14,800
Speaker 1: people from Memphis and they're saying that's the city, like

1536
01:27:14,960 --> 01:27:17,599
Speaker 1: like like they're like, that's exactly how the city works.

1537
01:27:18,080 --> 01:27:19,519
Speaker 3: That's the way the ship happens.

1538
01:27:19,720 --> 01:27:20,960
Speaker 2: This is the way it does.

1539
01:27:21,120 --> 01:27:23,360
Speaker 1: And I remember, like me, like, you know, trying to

1540
01:27:23,439 --> 01:27:27,720
Speaker 1: be a good investigative reporter and me just reading that

1541
01:27:27,960 --> 01:27:29,680
Speaker 1: and I'm just being like and then I would go

1542
01:27:29,760 --> 01:27:33,240
Speaker 1: on these people's profile just to see and they'd be

1543
01:27:33,320 --> 01:27:36,040
Speaker 1: like Memphis, Memphis raised and you know what I'm saying,

1544
01:27:36,439 --> 01:27:37,800
Speaker 1: And I'm like, damn, Thisten is coming.

1545
01:27:37,840 --> 01:27:38,679
Speaker 3: This is actually coming.

1546
01:27:38,960 --> 01:27:41,800
Speaker 1: So is that something that you guys knew or is

1547
01:27:41,880 --> 01:27:44,200
Speaker 1: that something that happened after Dolph's.

1548
01:27:43,920 --> 01:27:48,120
Speaker 5: Murdered that Oh no, you know we knew, don't personally, Okay,

1549
01:27:48,680 --> 01:27:51,719
Speaker 5: you know that was our guy Memphis.

1550
01:27:51,800 --> 01:27:56,040
Speaker 4: Though Memphis has always been how it's been. It's like

1551
01:27:56,200 --> 01:27:59,519
Speaker 4: every other urban city I think in America. You know,

1552
01:27:59,720 --> 01:28:02,720
Speaker 4: you know it best when you there every day, you know,

1553
01:28:02,840 --> 01:28:05,000
Speaker 4: and Nick can tell you more about his city when

1554
01:28:05,000 --> 01:28:05,880
Speaker 4: they're there every day.

1555
01:28:06,120 --> 01:28:11,040
Speaker 3: Yeah, and Memphis just uh man, you know, it's uh

1556
01:28:13,000 --> 01:28:13,679
Speaker 3: one of them towns.

1557
01:28:14,000 --> 01:28:19,280
Speaker 5: It's like uh if as long as you know, really,

1558
01:28:19,320 --> 01:28:22,080
Speaker 5: if you know how to move anywhere, it could be

1559
01:28:22,200 --> 01:28:24,479
Speaker 5: one of the best places you ever visited in your life.

1560
01:28:25,200 --> 01:28:27,320
Speaker 5: And you will meet some genuine people and people who

1561
01:28:27,320 --> 01:28:30,200
Speaker 5: will say yes ma'am and no sir, open the door

1562
01:28:30,280 --> 01:28:32,120
Speaker 5: for you and speak to you when they walk past

1563
01:28:32,160 --> 01:28:32,320
Speaker 5: to you.

1564
01:28:32,800 --> 01:28:32,960
Speaker 2: You know.

1565
01:28:33,360 --> 01:28:35,879
Speaker 3: Uh, that's the type of you know, that's the good qualities.

1566
01:28:36,560 --> 01:28:41,120
Speaker 4: Don't live fall for the hype, fuck up your perception

1567
01:28:41,400 --> 01:28:45,599
Speaker 4: of mythics. Okay, Now, I ain't saying that you don't

1568
01:28:45,640 --> 01:28:50,519
Speaker 4: have to keep your head on swivels. That's what I'm

1569
01:28:50,520 --> 01:28:52,640
Speaker 4: telling you. A saying that if you come from my

1570
01:28:52,840 --> 01:28:55,000
Speaker 4: town and you stay at the hotel where you got

1571
01:28:55,120 --> 01:28:57,639
Speaker 4: to part your car and the you know what I'm saying,

1572
01:28:57,760 --> 01:29:00,559
Speaker 4: the rental or whatever you in, you know, to take

1573
01:29:00,600 --> 01:29:04,240
Speaker 4: all your ship out the car like that's any city,

1574
01:29:04,920 --> 01:29:06,240
Speaker 4: you know, and that's that's all it is.

1575
01:29:06,400 --> 01:29:09,680
Speaker 3: Man, Remember big album, You know how to move man?

1576
01:29:09,800 --> 01:29:12,120
Speaker 2: You know them things happen to guys.

1577
01:29:12,280 --> 01:29:12,439
Speaker 1: Man.

1578
01:29:12,600 --> 01:29:14,439
Speaker 2: And it's my personal opinion, man.

1579
01:29:14,920 --> 01:29:18,639
Speaker 4: It be bigger than the picture of what we all

1580
01:29:18,840 --> 01:29:21,679
Speaker 4: see because you don't see what people are doing behind

1581
01:29:21,800 --> 01:29:25,760
Speaker 4: closed door or in other situations. We don't know that,

1582
01:29:26,360 --> 01:29:28,600
Speaker 4: you know what I'm saying, So it ain't you know,

1583
01:29:28,680 --> 01:29:33,040
Speaker 4: it be bigger than what we see. Everybody situation don't

1584
01:29:33,080 --> 01:29:35,960
Speaker 4: be the same. Every rapper don't die when they go

1585
01:29:36,120 --> 01:29:36,519
Speaker 4: back home.

1586
01:29:36,760 --> 01:29:41,200
Speaker 3: Like that's true. That's not true. I don't believe, don't believe,

1587
01:29:41,520 --> 01:29:43,560
Speaker 3: but but we must say that.

1588
01:29:43,680 --> 01:29:46,800
Speaker 1: We all go through a phase where, you know, you

1589
01:29:46,880 --> 01:29:48,840
Speaker 1: grow up with people who who was in the seventh

1590
01:29:48,880 --> 01:29:51,479
Speaker 1: grade with y'all, the same seventh grade class, and they're

1591
01:29:51,479 --> 01:29:54,240
Speaker 1: sitting there back saying that you guys are successful and

1592
01:29:54,400 --> 01:29:54,720
Speaker 1: they're not.

1593
01:29:55,080 --> 01:29:56,920
Speaker 3: So everyone goes through that phase of hate.

1594
01:29:57,280 --> 01:29:58,200
Speaker 2: Yeah that's just life.

1595
01:29:58,360 --> 01:30:01,840
Speaker 1: Yeah you eventually most of the time, I'll grow it,

1596
01:30:02,120 --> 01:30:05,880
Speaker 1: but then sometimes it's just it just doesn't. And they

1597
01:30:05,960 --> 01:30:09,200
Speaker 1: have so much tools nowadays to destroy themselves, Like at

1598
01:30:09,280 --> 01:30:11,400
Speaker 1: least we didn't have that, you know what I'm saying, like,

1599
01:30:12,400 --> 01:30:15,760
Speaker 1: if something happened, if something happened, like I know I

1600
01:30:15,920 --> 01:30:19,880
Speaker 1: do right now, that got beef with this other block, right,

1601
01:30:21,040 --> 01:30:22,920
Speaker 1: And I followed him on Instagram because I'm an idiot.

1602
01:30:24,520 --> 01:30:26,720
Speaker 3: And all he does is go to that block like

1603
01:30:26,800 --> 01:30:28,120
Speaker 3: three o'clock in the morning.

1604
01:30:29,439 --> 01:30:31,880
Speaker 1: Or like five o'clock at night where everyone is like

1605
01:30:31,920 --> 01:30:33,400
Speaker 1: getting out of work, and he'll post.

1606
01:30:33,200 --> 01:30:34,720
Speaker 3: A picture and then he'll leave.

1607
01:30:35,280 --> 01:30:36,800
Speaker 2: And I'm like, you got to go through all of

1608
01:30:36,920 --> 01:30:40,280
Speaker 2: that shit to prove, like just to prove that you're

1609
01:30:40,320 --> 01:30:40,920
Speaker 2: not scared.

1610
01:30:41,200 --> 01:30:44,479
Speaker 3: The point is proven what I'm saying, like it's trying

1611
01:30:44,520 --> 01:30:45,719
Speaker 3: to prove alone.

1612
01:30:47,600 --> 01:30:50,760
Speaker 2: I don't understand this shit, Like I'm so over like

1613
01:30:51,200 --> 01:30:53,479
Speaker 2: and excuse me if I'm offending anybody, But like.

1614
01:30:54,080 --> 01:30:57,439
Speaker 4: Fifty year old niggas trying to impress other mothers with

1615
01:30:57,600 --> 01:30:58,120
Speaker 4: dumb shit.

1616
01:30:58,760 --> 01:31:01,080
Speaker 2: That's what's wrong with nigga man. You know what I'm saying,

1617
01:31:01,160 --> 01:31:03,960
Speaker 2: Like niggas, you can't get too old.

1618
01:31:04,080 --> 01:31:06,479
Speaker 4: You can't be too old to be youthful and and

1619
01:31:06,640 --> 01:31:09,880
Speaker 4: and and and do youthful things. That's not you can't

1620
01:31:09,960 --> 01:31:12,240
Speaker 4: do that, but you can be too old to be

1621
01:31:12,360 --> 01:31:16,880
Speaker 4: doing this dumb ship you know is old.

1622
01:31:18,800 --> 01:31:21,560
Speaker 3: You wouldn't encourage your kids to do what you You

1623
01:31:21,720 --> 01:31:22,840
Speaker 3: have to understand that.

1624
01:31:23,200 --> 01:31:27,680
Speaker 4: Uh, you know, just like our lifestyle is a lifestyle.

1625
01:31:28,200 --> 01:31:31,160
Speaker 4: These people that do these things, that's a lifestyle.

1626
01:31:31,840 --> 01:31:35,760
Speaker 2: You know. People people get old that lifestyle. Man.

1627
01:31:35,840 --> 01:31:40,320
Speaker 4: You know people people people live their whole life that way.

1628
01:31:40,720 --> 01:31:43,400
Speaker 4: You know, like we we in music. You know it's

1629
01:31:43,439 --> 01:31:44,559
Speaker 4: some career criminals.

1630
01:31:44,640 --> 01:31:51,120
Speaker 2: We know that. Yeah, yeah, yeah, next one Guccie or

1631
01:31:51,160 --> 01:31:53,160
Speaker 2: Walker Wow Gucci?

1632
01:31:54,720 --> 01:31:58,880
Speaker 5: You know Walker is because of Gucci. You know, respect that. Uh,

1633
01:31:59,160 --> 01:32:02,080
Speaker 5: and that's all the same. You know, I love them both,

1634
01:32:02,400 --> 01:32:04,280
Speaker 5: you know, we know both of them personally.

1635
01:32:04,200 --> 01:32:12,479
Speaker 3: Uh, Gucci, boys in the hood and menster society.

1636
01:32:14,080 --> 01:32:14,439
Speaker 2: Mhmm.

1637
01:32:15,760 --> 01:32:19,120
Speaker 1: Boys and boy come on, that's that's that's on ice

1638
01:32:19,200 --> 01:32:23,720
Speaker 1: cube right and now yeah, boys and like Jerry Carols, we.

1639
01:32:26,120 --> 01:32:31,400
Speaker 2: Come to tell you Memphis boy you had at one time,

1640
01:32:33,120 --> 01:32:38,280
Speaker 2: but he's coaching all head. I'm I'm here.

1641
01:32:38,400 --> 01:32:51,280
Speaker 1: I'm gonna give you a funny story. I will tell

1642
01:32:51,280 --> 01:32:53,760
Speaker 1: you a funny story about Memphis. Right, I'm on good

1643
01:32:53,800 --> 01:33:00,080
Speaker 1: Belt gang Tall you know I'm talking about. So we

1644
01:33:00,160 --> 01:33:06,280
Speaker 1: go to what's that street, Burdon Street Street. So we

1645
01:33:06,439 --> 01:33:09,000
Speaker 1: there we're doing white people ship, you know what I mean? Like, yeah,

1646
01:33:09,080 --> 01:33:12,439
Speaker 1: we're definitely doing it. And then my friend, his name

1647
01:33:12,520 --> 01:33:18,880
Speaker 1: of Shampool. Shampool sees this, this white girl. And you

1648
01:33:18,960 --> 01:33:22,639
Speaker 1: can tell this white girl has never seen a person.

1649
01:33:24,200 --> 01:33:25,080
Speaker 1: What's that ship called?

1650
01:33:27,240 --> 01:33:28,040
Speaker 3: He hit up with a.

1651
01:33:30,920 --> 01:33:33,719
Speaker 2: She was ready for she wasn't. He spent all round.

1652
01:33:34,520 --> 01:33:35,839
Speaker 3: He gave her the Gosa blanca.

1653
01:33:42,280 --> 01:33:46,400
Speaker 1: I'm looking like this nigga fell in love in three minutes, right,

1654
01:33:47,760 --> 01:33:49,960
Speaker 1: I'm talked about. I thought they were together for life,

1655
01:33:50,400 --> 01:33:54,559
Speaker 1: the way they were hugging. So he told a bit

1656
01:33:54,960 --> 01:33:59,439
Speaker 1: like I need some bud. She hollers at somebody might

1657
01:33:59,479 --> 01:34:06,560
Speaker 1: come give him. But the police pulls up a paraphrasing,

1658
01:34:06,680 --> 01:34:10,400
Speaker 1: of course, might be skipping a little fuck. The police

1659
01:34:10,439 --> 01:34:12,400
Speaker 1: pulls up and he goes, why'd you hit her?

1660
01:34:14,320 --> 01:34:15,720
Speaker 3: He goes, what what do you mean?

1661
01:34:16,200 --> 01:34:16,800
Speaker 2: I didn't hit her?

1662
01:34:17,240 --> 01:34:22,479
Speaker 1: And then the girls going, oh, I wasn't dead. By

1663
01:34:22,520 --> 01:34:24,920
Speaker 1: this is when I heard. She goes, no, I didn't.

1664
01:34:25,000 --> 01:34:27,479
Speaker 1: He didn't hit me, And I was like, really, so

1665
01:34:27,640 --> 01:34:29,479
Speaker 1: we're gonna just search him and we'll let him go.

1666
01:34:29,720 --> 01:34:34,240
Speaker 3: So they searched him. Obviously she just gave me the dude,

1667
01:34:34,360 --> 01:34:36,600
Speaker 3: but so they fired her.

1668
01:34:36,640 --> 01:34:39,640
Speaker 1: But and then they searched in that little pocket this

1669
01:34:39,760 --> 01:34:42,560
Speaker 1: is this you know all ecstasy niggas know that little pocket.

1670
01:34:42,920 --> 01:34:49,000
Speaker 3: A little small I know. Go on, you know that

1671
01:34:49,160 --> 01:34:52,200
Speaker 3: little pocket. They went in the little pocket and they

1672
01:34:52,280 --> 01:34:52,600
Speaker 3: caught that.

1673
01:34:53,800 --> 01:34:56,519
Speaker 2: Stop it cold, look, I said.

1674
01:34:58,600 --> 01:35:03,479
Speaker 3: And then the min said, why you have that? And

1675
01:35:03,720 --> 01:35:06,200
Speaker 3: my man his name is Shampoo.

1676
01:35:07,920 --> 01:35:09,320
Speaker 2: Ra Sam.

1677
01:35:11,280 --> 01:35:13,639
Speaker 3: Like that man, give it up to Shampoo.

1678
01:35:14,640 --> 01:35:20,840
Speaker 2: Can we take a shampo take a time for shampoo man?

1679
01:35:20,920 --> 01:35:25,160
Speaker 2: Hold on? Yeah, that's how it was.

1680
01:35:25,320 --> 01:35:30,360
Speaker 3: Listen right, were on the were on tour with his

1681
01:35:30,520 --> 01:35:32,519
Speaker 3: son Conan.

1682
01:35:33,439 --> 01:35:35,720
Speaker 1: So we leave Shampoo. We don't know Sampoo got locked up.

1683
01:35:35,760 --> 01:35:36,200
Speaker 2: We leave him.

1684
01:35:36,439 --> 01:35:39,640
Speaker 3: This is a name, his son name is Conan. They

1685
01:35:39,680 --> 01:35:40,480
Speaker 3: wear people.

1686
01:35:41,880 --> 01:35:44,080
Speaker 2: Shampoo. This is my people. It's my family.

1687
01:35:44,160 --> 01:35:46,160
Speaker 1: Don't You don't get to choose them. So anyway, let

1688
01:35:46,160 --> 01:35:49,439
Speaker 1: me just tell you that what happened. So we leave,

1689
01:35:49,800 --> 01:35:53,200
Speaker 1: We leave, and I go back to the hotel. Ironically,

1690
01:35:53,800 --> 01:35:57,200
Speaker 1: Caampoo is the driver. We just see somebody that's random

1691
01:35:57,720 --> 01:36:00,920
Speaker 1: in Memphis. He he opens up his fucking CD case.

1692
01:36:01,360 --> 01:36:03,719
Speaker 1: He got every one of my albums. He got mixtapes

1693
01:36:03,720 --> 01:36:04,840
Speaker 1: I don't even remember making.

1694
01:36:05,479 --> 01:36:06,280
Speaker 2: So I'm like, I can.

1695
01:36:06,240 --> 01:36:11,080
Speaker 1: Trust this motherfucker, even though he might have he might

1696
01:36:11,120 --> 01:36:13,280
Speaker 1: have been a butcher. We just jumped in the car

1697
01:36:13,400 --> 01:36:13,720
Speaker 1: with him.

1698
01:36:13,840 --> 01:36:14,280
Speaker 2: We left.

1699
01:36:14,439 --> 01:36:14,679
Speaker 3: Wow.

1700
01:36:15,400 --> 01:36:19,160
Speaker 1: Two hours later, his son knocks on my door and

1701
01:36:19,240 --> 01:36:24,280
Speaker 1: he's like, so, I'm like, I know that knock. So

1702
01:36:24,720 --> 01:36:26,439
Speaker 1: you know you know that you know when you get

1703
01:36:26,479 --> 01:36:29,759
Speaker 1: a bad phone call, it rings different, like a signature,

1704
01:36:29,920 --> 01:36:31,639
Speaker 1: you like, you know it's a bad call.

1705
01:36:31,760 --> 01:36:35,080
Speaker 3: It's like, oh ship, So that knock. I was like,

1706
01:36:35,280 --> 01:36:36,120
Speaker 3: oh fuck.

1707
01:36:36,600 --> 01:36:37,519
Speaker 2: So I opened the door.

1708
01:36:37,640 --> 01:36:39,600
Speaker 1: But mind you, this is his man's son, So I

1709
01:36:39,720 --> 01:36:41,600
Speaker 1: want to be like, your fox was a freak nigga.

1710
01:36:42,920 --> 01:36:44,280
Speaker 3: In the plank man.

1711
01:36:45,280 --> 01:36:46,200
Speaker 2: He had to go with us.

1712
01:36:47,800 --> 01:36:51,360
Speaker 1: So he's like, Yo, my dad didn't go home last night.

1713
01:36:51,520 --> 01:36:54,360
Speaker 1: So I'm like, how the fuck did I wound up

1714
01:36:54,400 --> 01:36:59,519
Speaker 1: with this responsibility? Like, no, I don't worry about it,

1715
01:37:00,240 --> 01:37:03,800
Speaker 1: it's okay. As soon as he turned around, like you

1716
01:37:03,960 --> 01:37:06,600
Speaker 1: call the fucking bell. As soon as he goes to

1717
01:37:06,680 --> 01:37:07,280
Speaker 1: his room.

1718
01:37:07,439 --> 01:37:07,920
Speaker 3: I called.

1719
01:37:08,000 --> 01:37:12,960
Speaker 1: We called him, fucking I believe we called. I think

1720
01:37:13,000 --> 01:37:15,000
Speaker 1: you'll call me immediately.

1721
01:37:15,040 --> 01:37:16,160
Speaker 2: We know what time it is.

1722
01:37:16,600 --> 01:37:21,400
Speaker 1: We know we're experienced criminals, ex criminals, So we called

1723
01:37:21,439 --> 01:37:24,880
Speaker 1: the bell of Bonsman. And this is the first time

1724
01:37:24,960 --> 01:37:27,760
Speaker 1: this is ever it happens to me. I swear to God,

1725
01:37:28,160 --> 01:37:29,800
Speaker 1: I'm gonna make I'm gonna close the story with this.

1726
01:37:31,120 --> 01:37:34,439
Speaker 3: I called and they're like, yo, Doude. You know I

1727
01:37:34,479 --> 01:37:35,880
Speaker 3: don't want to blow over his real name.

1728
01:37:35,920 --> 01:37:36,200
Speaker 2: Do you know?

1729
01:37:36,960 --> 01:37:39,479
Speaker 3: It's like, yes, blow who is the real name?

1730
01:37:39,560 --> 01:37:39,640
Speaker 1: Up?

1731
01:37:39,920 --> 01:37:40,599
Speaker 3: Whose real name?

1732
01:37:41,000 --> 01:37:41,360
Speaker 10: His name?

1733
01:37:42,560 --> 01:37:45,400
Speaker 1: I'm sucking it up. I'm doing that on purpose. I

1734
01:37:45,479 --> 01:37:49,599
Speaker 1: was being racist. I'm just naming a random, random, no name.

1735
01:37:49,640 --> 01:37:53,760
Speaker 3: I was being racist. So this is how you know

1736
01:37:53,840 --> 01:37:54,479
Speaker 3: Ship was real.

1737
01:37:55,040 --> 01:37:57,280
Speaker 11: The lady on the phone said, I suggest you come

1738
01:37:57,320 --> 01:37:59,000
Speaker 11: and get this guy immediately.

1739
01:38:00,600 --> 01:38:03,439
Speaker 3: He's the only Latino in here with a pink shirt on.

1740
01:38:07,960 --> 01:38:10,520
Speaker 2: The lady knew he was the only Latino.

1741
01:38:10,840 --> 01:38:12,679
Speaker 1: Like, we said his name and it was like, yes,

1742
01:38:13,360 --> 01:38:18,599
Speaker 1: we have him. You're talking about you exactly. He's only

1743
01:38:18,760 --> 01:38:19,200
Speaker 1: one here.

1744
01:38:19,360 --> 01:38:21,519
Speaker 2: It's only one here, and there's a bunch of Mexicans.

1745
01:38:21,600 --> 01:38:24,600
Speaker 2: She didn't say that, but in my mind she said, we.

1746
01:38:26,240 --> 01:38:30,760
Speaker 1: Go. No, I'm just saying I figured that. She said that,

1747
01:38:30,760 --> 01:38:33,080
Speaker 1: I'm just giving you. So we go and we bail

1748
01:38:33,160 --> 01:38:37,840
Speaker 1: him out. Who calls me two minutes later and says, yo, bye,

1749
01:38:38,000 --> 01:38:39,400
Speaker 1: I needed you to come pick me up. I just

1750
01:38:39,439 --> 01:38:41,960
Speaker 1: bailed myself out. I said, yeah, you bailed yourself out

1751
01:38:41,960 --> 01:38:45,720
Speaker 1: because I bailed you out, and he goes, no, the

1752
01:38:45,840 --> 01:38:48,880
Speaker 1: security guard knew who you were, so he let me

1753
01:38:48,960 --> 01:38:51,920
Speaker 1: build myself out. I said, there's no way. I just

1754
01:38:52,080 --> 01:38:56,160
Speaker 1: paid for the bell. So he's like, nah, bah, I

1755
01:38:56,320 --> 01:38:59,760
Speaker 1: paid for the bell. So I'm like, oh, they got charge.

1756
01:39:01,360 --> 01:39:01,479
Speaker 10: Right.

1757
01:39:02,920 --> 01:39:07,559
Speaker 1: Luckily, the fucking lady was a bronx lady from New

1758
01:39:07,680 --> 01:39:09,840
Speaker 1: York City, and she was like, we don't give back

1759
01:39:09,920 --> 01:39:10,439
Speaker 1: bell money.

1760
01:39:10,680 --> 01:39:13,559
Speaker 3: And I was like, you're gonna make an exception, correct,

1761
01:39:14,320 --> 01:39:15,599
Speaker 3: And she gave me back the money.

1762
01:39:16,200 --> 01:39:19,400
Speaker 1: So I just wanted to get you, by the way,

1763
01:39:20,040 --> 01:39:21,840
Speaker 1: By the way, shampoo, you did you slick?

1764
01:39:22,080 --> 01:39:26,320
Speaker 3: You never went to court. Motherfuckers. Don't go back to Memphis. Yeah,

1765
01:39:26,640 --> 01:39:29,200
Speaker 3: just don't take your ass back to That's it.

1766
01:39:29,760 --> 01:39:31,760
Speaker 2: Holy on this straight d a looking man.

1767
01:39:32,240 --> 01:39:33,639
Speaker 3: Now they're gonna catch his ad.

1768
01:39:35,280 --> 01:39:40,840
Speaker 2: Shirt again. It was the area man, Arkansas, Mississippi.

1769
01:39:40,920 --> 01:39:42,800
Speaker 3: He was the only Puerto Rican in the whole fucking area.

1770
01:39:43,560 --> 01:39:44,960
Speaker 3: He like a sore thumb.

1771
01:39:45,040 --> 01:39:46,639
Speaker 2: God damn, Like how many years.

1772
01:39:46,439 --> 01:39:48,880
Speaker 1: Ago there were I don't remember how many years this

1773
01:39:49,040 --> 01:39:49,800
Speaker 1: when Coco was a lot.

1774
01:39:49,880 --> 01:39:54,920
Speaker 2: Y'all in there Now you're yeah, y'all in there in there,

1775
01:39:55,360 --> 01:39:56,040
Speaker 2: yeah yeah.

1776
01:39:56,960 --> 01:39:59,160
Speaker 1: Now Puerto Rican is on Mexican because Mexicans is taking

1777
01:39:59,160 --> 01:40:00,840
Speaker 1: away the only one.

1778
01:40:00,920 --> 01:40:02,439
Speaker 2: I think it's both both.

1779
01:40:03,760 --> 01:40:06,519
Speaker 1: Yeah, we all over you go from Cuba to Miami

1780
01:40:06,600 --> 01:40:06,760
Speaker 1: and this.

1781
01:40:08,080 --> 01:40:14,880
Speaker 3: Yeah yeah, I mean your family, especially your father. That's

1782
01:40:14,960 --> 01:40:18,400
Speaker 3: your wife. Yeah, I mean it's your Union City.

1783
01:40:18,600 --> 01:40:18,880
Speaker 7: That's it.

1784
01:40:20,240 --> 01:40:21,280
Speaker 2: That's Union.

1785
01:40:21,520 --> 01:40:26,479
Speaker 3: We have a Spanish Harlem. Start. Okay, there's four Cubans. Spanish.

1786
01:40:27,360 --> 01:40:30,439
Speaker 6: Check out the history of Spanish Harlem. You'll see Cubans. Yeah,

1787
01:40:30,479 --> 01:40:33,000
Speaker 6: and then you got left. The last got out of

1788
01:40:33,040 --> 01:40:36,040
Speaker 6: the shirt. He went to Union City. It's not the

1789
01:40:36,120 --> 01:40:39,600
Speaker 6: best place in the world to claim. I'm sorry to

1790
01:40:39,600 --> 01:40:41,200
Speaker 6: people in Union City. I'm just playing around.

1791
01:40:41,400 --> 01:40:46,240
Speaker 3: Okay. Last to last two boone bone a goodie mob.

1792
01:40:46,800 --> 01:40:52,799
Speaker 3: Mm aymen it amen?

1793
01:40:54,560 --> 01:40:56,840
Speaker 2: Oh man man.

1794
01:40:56,920 --> 01:41:00,840
Speaker 1: We hung out here than nineteen well over there hung

1795
01:41:00,920 --> 01:41:05,439
Speaker 1: out in the morning with them niggas. First he took

1796
01:41:05,520 --> 01:41:08,960
Speaker 1: up to the hood because we were netive through easy.

1797
01:41:09,560 --> 01:41:10,639
Speaker 1: They were like love lorve.

1798
01:41:10,760 --> 01:41:14,000
Speaker 5: So we went to the neighborhood they grew up on

1799
01:41:14,200 --> 01:41:16,519
Speaker 5: at like two clock and they went, I were have

1800
01:41:16,560 --> 01:41:18,160
Speaker 5: sick folds out of we're supposed to.

1801
01:41:19,439 --> 01:41:22,640
Speaker 2: Pick up the bone, the bone taking a shot for but.

1802
01:41:25,160 --> 01:41:26,360
Speaker 3: Yeah the other one.

1803
01:41:29,280 --> 01:41:34,840
Speaker 5: Hold on you know, good and them going shouting when

1804
01:41:34,880 --> 01:41:39,400
Speaker 5: we first reached out to him or feature rich that's

1805
01:41:39,400 --> 01:41:39,920
Speaker 5: the old song.

1806
01:41:40,000 --> 01:41:45,280
Speaker 2: I never heard that. Nigga said racket. They say we

1807
01:41:45,560 --> 01:41:52,400
Speaker 2: reached we rich out for him for a feature.

1808
01:41:53,439 --> 01:41:55,400
Speaker 1: He thought that we wanted him to rap on the

1809
01:41:55,520 --> 01:41:58,400
Speaker 1: song you wanted to sing? Yeah, and know we like

1810
01:41:58,560 --> 01:42:02,080
Speaker 1: we we know you flowing your hands off. So he's

1811
01:42:02,080 --> 01:42:04,080
Speaker 1: said about the verses and we love good and mo

1812
01:42:04,479 --> 01:42:05,559
Speaker 1: he said about the verse rapping.

1813
01:42:05,680 --> 01:42:08,400
Speaker 5: But yeah, we know what we done. We used him

1814
01:42:08,520 --> 01:42:13,160
Speaker 5: as a singing feature, damn it. And he wasn't expecting it.

1815
01:42:13,360 --> 01:42:15,120
Speaker 2: And we was like this before. He was doing it

1816
01:42:15,160 --> 01:42:18,000
Speaker 2: a lot, right before he was doing it with day stuff.

1817
01:42:18,080 --> 01:42:20,040
Speaker 2: Yeah you have a day stuff, but he wasn't known

1818
01:42:20,080 --> 01:42:22,360
Speaker 2: for it yet, Like we were like see low.

1819
01:42:26,280 --> 01:42:27,120
Speaker 3: Like Bobs and class.

1820
01:42:27,240 --> 01:42:28,639
Speaker 2: You know. So he did the pay dues.

1821
01:42:28,880 --> 01:42:35,120
Speaker 1: You know, it always was himself, legend got out reco way.

1822
01:42:38,680 --> 01:42:41,559
Speaker 1: Mama Wade just was rent in Peace transition.

1823
01:42:42,000 --> 01:42:46,080
Speaker 4: But uh like but yeah, you know we we we didn't.

1824
01:42:46,200 --> 01:42:51,120
Speaker 4: You know, uh, all them boys man roots with Joe

1825
01:42:52,160 --> 01:42:58,320
Speaker 4: Joe shout out my brothers. Yeah yeah do you follow on.

1826
01:43:00,479 --> 01:43:02,519
Speaker 2: Yo, give me.

1827
01:43:04,240 --> 01:43:07,720
Speaker 3: Speaking mine. He's speaking money.

1828
01:43:08,120 --> 01:43:09,800
Speaker 2: So it ain't nothing wrong with.

1829
01:43:11,360 --> 01:43:14,559
Speaker 3: Follow you know what he's saying he speaks his mind.

1830
01:43:15,360 --> 01:43:17,240
Speaker 3: So we took a shot for that, both of them bore.

1831
01:43:18,120 --> 01:43:21,640
Speaker 1: I took my shot already, Okay, yeah, last one, last one.

1832
01:43:22,320 --> 01:43:25,040
Speaker 1: This is the last one. This is I'm sorry, what

1833
01:43:25,160 --> 01:43:27,560
Speaker 1: do you call it? Interrogate the witness.

1834
01:43:29,600 --> 01:43:30,200
Speaker 2: Leading witness?

1835
01:43:30,520 --> 01:43:31,880
Speaker 3: But this is the only time that me and.

1836
01:43:32,120 --> 01:43:34,840
Speaker 1: FN says that you should both take a shot.

1837
01:43:37,800 --> 01:43:38,920
Speaker 3: Let the funk out of the witness.

1838
01:43:38,920 --> 01:43:41,000
Speaker 2: I'm sorry. Maybe I just wanted to take a shot.

1839
01:43:41,040 --> 01:43:48,559
Speaker 3: That's okay. Loyalty or respect ship?

1840
01:43:48,640 --> 01:43:51,840
Speaker 5: Man, you gotta you don't have them both, you know.

1841
01:43:54,240 --> 01:43:58,559
Speaker 5: I kind of knew you Lord taking falling it real,

1842
01:43:59,160 --> 01:44:03,720
Speaker 5: you know? And then that funny line because people can

1843
01:44:03,800 --> 01:44:10,800
Speaker 5: differ on who what or who you're loyal too? Could

1844
01:44:12,240 --> 01:44:19,240
Speaker 5: our minds could see that a different way? Respect? Everybody

1845
01:44:19,320 --> 01:44:23,280
Speaker 5: want that, you know? Uh, Lord could fall in that

1846
01:44:24,560 --> 01:44:31,000
Speaker 5: in that realm of follower or worshiper or you know.

1847
01:44:31,479 --> 01:44:31,840
Speaker 3: I don't.

1848
01:44:33,880 --> 01:44:34,479
Speaker 2: I don't.

1849
01:44:35,840 --> 01:44:38,599
Speaker 3: Believe nobody got to be loyal to me or nothing

1850
01:44:38,720 --> 01:44:41,920
Speaker 3: like that. That's not on some sounds like a shot

1851
01:44:42,000 --> 01:44:44,280
Speaker 3: to me. Yeah, I think.

1852
01:44:46,400 --> 01:44:54,200
Speaker 1: Just give everybody. I think it's both both. Yeah, why

1853
01:44:54,240 --> 01:44:56,120
Speaker 1: wouldn't it be both? Now I'm gonna be honest with you.

1854
01:44:56,439 --> 01:44:58,000
Speaker 2: You know what's going on.

1855
01:44:58,400 --> 01:45:02,760
Speaker 5: Yeah, but I think, like I said, lord could but

1856
01:45:02,960 --> 01:45:05,360
Speaker 5: it could different on who you who are, what you're

1857
01:45:05,360 --> 01:45:08,439
Speaker 5: being lord to. I would say, be lord to self

1858
01:45:09,240 --> 01:45:13,320
Speaker 5: and respect one another. You see what I'm saying. Okay,

1859
01:45:13,360 --> 01:45:14,880
Speaker 5: I'm gonna be honest with you. We've been doing this

1860
01:45:14,960 --> 01:45:18,920
Speaker 5: for eight years. People come, they bring their own weed,

1861
01:45:19,800 --> 01:45:23,080
Speaker 5: but I've never seen somebody with medical.

1862
01:45:24,320 --> 01:45:25,439
Speaker 3: Is that a medical case?

1863
01:45:26,400 --> 01:45:26,879
Speaker 2: Possibly?

1864
01:45:27,240 --> 01:45:29,519
Speaker 1: The float flower right there, it's right in your face.

1865
01:45:29,880 --> 01:45:33,000
Speaker 2: I don't know where it came. I don't know, is.

1866
01:45:34,520 --> 01:45:34,560
Speaker 1: It.

1867
01:45:35,240 --> 01:45:35,600
Speaker 2: I don't know.

1868
01:45:35,720 --> 01:45:37,840
Speaker 3: I'm gonna put this on push. You know I'm talking.

1869
01:45:41,280 --> 01:45:44,800
Speaker 2: Came out here? Yeah, it's around here.

1870
01:45:44,880 --> 01:45:47,680
Speaker 1: So okay, all right, cool because that's that's because that's

1871
01:45:47,720 --> 01:45:52,880
Speaker 1: what I get. I'm a medical patient. Okay, right, me too, man,

1872
01:45:53,680 --> 01:45:58,719
Speaker 1: I am doctor. Doctors prescribe this motherfucker.

1873
01:45:58,800 --> 01:45:59,280
Speaker 2: This is real.

1874
01:46:00,040 --> 01:46:02,280
Speaker 3: Bucket pulled over. They giving me back my weed. That's

1875
01:46:03,000 --> 01:46:03,320
Speaker 3: me too.

1876
01:46:03,360 --> 01:46:07,400
Speaker 1: I can't see ship right now? Is kicking in every

1877
01:46:07,479 --> 01:46:09,160
Speaker 1: time I hit the blood I have to see about.

1878
01:46:13,520 --> 01:46:14,839
Speaker 1: I just recently got glasses.

1879
01:46:16,160 --> 01:46:18,320
Speaker 3: Yeah, I'll be counting this zone not too long. Are

1880
01:46:18,360 --> 01:46:19,360
Speaker 3: you in the restaurant like this?

1881
01:46:20,320 --> 01:46:20,439
Speaker 1: Uh?

1882
01:46:20,760 --> 01:46:22,400
Speaker 3: It was happening, and uh, I.

1883
01:46:28,560 --> 01:46:32,639
Speaker 2: Love what happened because I have to wear man drive

1884
01:46:32,720 --> 01:46:33,400
Speaker 2: a lot at night.

1885
01:46:33,560 --> 01:46:36,680
Speaker 1: Bro, I don't have a problem with driving, but like

1886
01:46:36,840 --> 01:46:40,560
Speaker 1: reading menus and late night tweets, I can't sunk with.

1887
01:46:41,080 --> 01:46:42,080
Speaker 2: I got to put it on the back.

1888
01:46:46,479 --> 01:46:46,800
Speaker 9: I don't know.

1889
01:46:47,000 --> 01:46:59,880
Speaker 2: I guess, oh my god, yeah, but you get older,

1890
01:47:00,439 --> 01:47:04,439
Speaker 2: but you have to Yeah, straight up.

1891
01:47:05,000 --> 01:47:07,240
Speaker 1: Okay, let's now we're gonna bounce around a little bit.

1892
01:47:08,280 --> 01:47:12,160
Speaker 1: Let's talk about coming out hard, the single and the album. Correct, Yes,

1893
01:47:12,240 --> 01:47:14,439
Speaker 1: it's a single and the album. Yes, let's talk about

1894
01:47:14,479 --> 01:47:14,920
Speaker 1: both of them.

1895
01:47:19,560 --> 01:47:21,920
Speaker 2: Uh it was.

1896
01:47:23,080 --> 01:47:25,160
Speaker 1: I mean, we brushed on it earlier, but I wanted

1897
01:47:25,160 --> 01:47:27,400
Speaker 1: to do it. It's a tight like like I said, man,

1898
01:47:28,360 --> 01:47:33,679
Speaker 1: it was a new doubt. It started out. I produced

1899
01:47:33,720 --> 01:47:34,800
Speaker 1: the whole thing for one.

1900
01:47:34,880 --> 01:47:40,640
Speaker 4: Y'all produced every song on there with his sonic that

1901
01:47:40,800 --> 01:47:44,000
Speaker 4: damn the classic keyboard niggas still working that jump right now?

1902
01:47:44,400 --> 01:47:45,280
Speaker 3: Yeah that's crazy.

1903
01:47:46,000 --> 01:47:47,360
Speaker 2: Yeah yeah.

1904
01:47:47,520 --> 01:47:50,040
Speaker 4: But we me and him when we went to Houston,

1905
01:47:50,120 --> 01:47:53,479
Speaker 4: we both had a suitcase filled with records.

1906
01:47:54,200 --> 01:47:57,640
Speaker 1: I told this story one hundred times. He got him

1907
01:47:57,640 --> 01:48:00,679
Speaker 1: from his mama. I got him from mama. We didn't

1908
01:48:00,720 --> 01:48:06,080
Speaker 1: know we each had and every song on there that

1909
01:48:06,200 --> 01:48:10,120
Speaker 1: you hear a sample from, like our our parents actually

1910
01:48:10,200 --> 01:48:11,640
Speaker 1: gave us the records.

1911
01:48:12,120 --> 01:48:13,479
Speaker 2: Crazy you know.

1912
01:48:15,000 --> 01:48:17,960
Speaker 1: From your parents gave us like a bunch of a

1913
01:48:18,040 --> 01:48:21,080
Speaker 1: bunch of that they wanted y'all to sample from, or

1914
01:48:21,160 --> 01:48:22,479
Speaker 1: they just knew what.

1915
01:48:22,560 --> 01:48:24,920
Speaker 3: You were doing. This was kind of like what we

1916
01:48:25,000 --> 01:48:28,400
Speaker 3: were used to they play around. That's a origin story

1917
01:48:28,479 --> 01:48:29,200
Speaker 3: for that track.

1918
01:48:29,800 --> 01:48:33,960
Speaker 2: Because coming out hard is uh simply read and shaka

1919
01:48:34,040 --> 01:48:38,519
Speaker 2: kun m holding back to holding back the.

1920
01:48:38,600 --> 01:48:44,720
Speaker 1: Days Simp's an artist called simply read simply read not

1921
01:48:44,840 --> 01:48:48,679
Speaker 1: sexy red. This is there's a record the sample man, yoh,

1922
01:48:50,560 --> 01:48:52,479
Speaker 1: some publisher back then.

1923
01:48:53,200 --> 01:48:56,240
Speaker 2: They're two different ends of the spectrum. Yeah, like what's

1924
01:48:56,240 --> 01:48:59,960
Speaker 2: her name again? It was a dude then what I said,

1925
01:49:05,000 --> 01:49:05,840
Speaker 2: it's a girl, it's a.

1926
01:49:08,080 --> 01:49:14,960
Speaker 1: Spected bid was singing white boyd was a dancing black bro.

1927
01:49:15,200 --> 01:49:19,080
Speaker 2: That's sorry, excuse me whatever. Shout out steaks red shout.

1928
01:49:19,840 --> 01:49:24,120
Speaker 6: She'd be going in this before y'all like really started

1929
01:49:24,200 --> 01:49:27,920
Speaker 6: making the music. Who in Memphis inspired you guys? Besides,

1930
01:49:27,920 --> 01:49:29,439
Speaker 6: I know you've got a lot of influence from outside,

1931
01:49:29,439 --> 01:49:31,880
Speaker 6: but were anybody popping or bubbling in Memphis?

1932
01:49:32,840 --> 01:49:33,040
Speaker 2: Yeah?

1933
01:49:33,640 --> 01:49:37,240
Speaker 4: It was a rapper call thankster Pat. Yeah, you know

1934
01:49:37,280 --> 01:49:40,280
Speaker 4: what I'm saying. He's actually with the record label O

1935
01:49:40,400 --> 01:49:43,760
Speaker 4: T S. We was before we got there. Used to

1936
01:49:43,760 --> 01:49:46,840
Speaker 4: be a dude named Fat Tony on O T S.

1937
01:49:47,000 --> 01:49:52,400
Speaker 4: Before the guy boiling on it when we came, but

1938
01:49:52,439 --> 01:49:56,960
Speaker 4: we didn't know that Tony got killed. Was actually in

1939
01:49:56,960 --> 01:49:57,760
Speaker 4: the car with him when he.

1940
01:49:57,800 --> 01:50:01,519
Speaker 1: Got got when he got killed and he died and

1941
01:50:01,800 --> 01:50:04,439
Speaker 1: left the Uh well, Reggie went on.

1942
01:50:05,640 --> 01:50:08,360
Speaker 4: He bought oh yes, going, you know what I'm saying.

1943
01:50:08,680 --> 01:50:12,280
Speaker 4: And but Gangster Pat was definitely one of them. Pretty

1944
01:50:12,360 --> 01:50:19,320
Speaker 4: Tony had a song called blood that ship actually al Capone.

1945
01:50:19,400 --> 01:50:22,280
Speaker 4: It's a rapping al Capone. They had a group called

1946
01:50:22,360 --> 01:50:25,800
Speaker 4: me in Up. Have you ever seen Grizzlies play? They

1947
01:50:25,880 --> 01:50:29,000
Speaker 4: got a song Whooped that Trick who It's like an

1948
01:50:29,120 --> 01:50:37,360
Speaker 4: official from It's actually the ticket from.

1949
01:50:37,240 --> 01:50:42,680
Speaker 5: That like A wrote Boody wrapped it, Al wrote it

1950
01:50:43,080 --> 01:50:46,679
Speaker 5: and I was actually on Ford his label at one time.

1951
01:50:47,479 --> 01:50:48,920
Speaker 2: He was signed to Sigarette for.

1952
01:50:50,439 --> 01:50:54,640
Speaker 4: But al al Capone was like a superstar to us

1953
01:50:54,800 --> 01:50:55,559
Speaker 4: back in the day.

1954
01:50:56,360 --> 01:50:57,400
Speaker 2: They had a song.

1955
01:51:00,280 --> 01:51:02,920
Speaker 3: Lyrical Drive. Lyrical Drive, Lyrical Drive.

1956
01:51:03,400 --> 01:51:06,559
Speaker 4: Yeah, but that was like Apleone was like a start

1957
01:51:06,600 --> 01:51:10,559
Speaker 4: of us back Gangster Pad, Pretty Tony and.

1958
01:51:10,640 --> 01:51:12,720
Speaker 5: All us came on the same time, man, but you

1959
01:51:12,800 --> 01:51:16,600
Speaker 5: know we looked up to each other and uh, like

1960
01:51:16,680 --> 01:51:20,200
Speaker 5: I said, Gangster Pat kicked this ship off gangs the pack, but.

1961
01:51:20,240 --> 01:51:21,760
Speaker 3: A lot of people do credit you guys.

1962
01:51:21,880 --> 01:51:26,280
Speaker 6: Is being really the first to really go nationwide crossed

1963
01:51:26,320 --> 01:51:28,280
Speaker 6: a lot of ye you know how the timing is

1964
01:51:28,320 --> 01:51:29,080
Speaker 6: a bitch, you know.

1965
01:51:29,800 --> 01:51:33,720
Speaker 5: So, Uh, it's just I think it was the time

1966
01:51:33,800 --> 01:51:39,000
Speaker 5: and the things. Uh, but Gangster Pet really, you know,

1967
01:51:39,080 --> 01:51:43,280
Speaker 5: he had the first big distribution deal and everything ship

1968
01:51:43,439 --> 01:51:43,640
Speaker 5: like that.

1969
01:51:44,680 --> 01:51:47,880
Speaker 2: Uh, what's the Florida company? I can't think of?

1970
01:51:49,360 --> 01:51:50,960
Speaker 3: And pretty and we still pretty Tony a lot too

1971
01:51:51,000 --> 01:51:51,960
Speaker 3: down here Miami.

1972
01:51:52,560 --> 01:51:56,920
Speaker 2: Pretty Tony Tony Green bends man.

1973
01:51:59,120 --> 01:51:59,360
Speaker 1: A lot.

1974
01:51:59,479 --> 01:52:01,160
Speaker 2: M j G. This hash is so good.

1975
01:52:01,200 --> 01:52:02,840
Speaker 1: You don't want to you want to say some of that.

1976
01:52:03,840 --> 01:52:04,439
Speaker 3: I ain't gonna lie.

1977
01:52:05,160 --> 01:52:05,720
Speaker 2: I don't want to.

1978
01:52:05,760 --> 01:52:08,680
Speaker 1: I don't want to keep this to myself because it's fantastic.

1979
01:52:08,880 --> 01:52:11,680
Speaker 1: This is this is this is like, he's fabulous.

1980
01:52:11,760 --> 01:52:11,960
Speaker 2: Yeah.

1981
01:52:11,960 --> 01:52:14,080
Speaker 3: If Jesus cut his toenails off and just put it

1982
01:52:14,120 --> 01:52:23,360
Speaker 3: in Jesus Christ, that's it. Maca makes cry, you know

1983
01:52:23,400 --> 01:52:31,840
Speaker 3: what I mean? You got a part she a little

1984
01:52:31,920 --> 01:52:32,960
Speaker 3: fun ship.

1985
01:52:35,120 --> 01:52:36,920
Speaker 2: Shout ounlooked.

1986
01:52:38,000 --> 01:52:40,439
Speaker 1: You guys say that Uncle Luke was one of the

1987
01:52:40,479 --> 01:52:41,519
Speaker 1: biggest record labels.

1988
01:52:43,360 --> 01:52:46,200
Speaker 3: Was like real trail blazing from the South. Okay, and

1989
01:52:46,880 --> 01:52:48,559
Speaker 3: you got back in his basket.

1990
01:52:49,120 --> 01:52:51,040
Speaker 5: We want, you know, get that shout out to Luke,

1991
01:52:51,240 --> 01:52:57,040
Speaker 5: you know, because I most definitely remember letting the older

1992
01:52:57,160 --> 01:52:58,600
Speaker 5: people in my family.

1993
01:52:59,479 --> 01:53:02,280
Speaker 3: Luke here the first like around.

1994
01:53:04,280 --> 01:53:04,600
Speaker 2: Hold on on.

1995
01:53:04,920 --> 01:53:08,720
Speaker 1: So you're telling me you went to your family listen,

1996
01:53:09,160 --> 01:53:14,000
Speaker 1: let me let's listen to pop that pussy want we

1997
01:53:14,240 --> 01:53:14,479
Speaker 1: want to?

1998
01:53:14,560 --> 01:53:16,479
Speaker 2: But you know how you had a cool uncle. Cool?

1999
01:53:16,560 --> 01:53:17,439
Speaker 2: Ain't you whatever?

2000
01:53:18,400 --> 01:53:18,600
Speaker 10: You know?

2001
01:53:18,840 --> 01:53:22,880
Speaker 2: But you know, hey, check this out right here, check

2002
01:53:22,960 --> 01:53:23,400
Speaker 2: Luke out?

2003
01:53:24,600 --> 01:53:25,320
Speaker 3: What doing?

2004
01:53:27,600 --> 01:53:32,280
Speaker 1: When I prepare, like uh, to do interviews, I always

2005
01:53:32,600 --> 01:53:35,599
Speaker 1: listen to the music prior to that was the first

2006
01:53:35,640 --> 01:53:37,360
Speaker 1: person I was like, you turned it down.

2007
01:53:39,960 --> 01:53:55,600
Speaker 2: Coming out y'all. But that ship was huge, right, That

2008
01:53:55,720 --> 01:53:56,679
Speaker 2: ship was huge.

2009
01:53:56,760 --> 01:54:00,280
Speaker 1: Man. When we first moved to Houston, you just come

2010
01:54:00,360 --> 01:54:02,080
Speaker 1: to a club called nine point nine.

2011
01:54:03,320 --> 01:54:07,240
Speaker 2: Nine point nine sounds dangerous, it was. It was the club.

2012
01:54:07,360 --> 01:54:10,200
Speaker 1: It was like some tunnel type ship tunnel. We played

2013
01:54:10,240 --> 01:54:13,400
Speaker 1: the tunnel one time. Getting it wasn't nice.

2014
01:54:13,960 --> 01:54:14,519
Speaker 3: It was odd.

2015
01:54:14,960 --> 01:54:15,240
Speaker 2: It was.

2016
01:54:17,200 --> 01:54:20,479
Speaker 1: South was like people's trying us, trying his own, you

2017
01:54:20,520 --> 01:54:22,280
Speaker 1: know what I mean? It really wasn't like they knew

2018
01:54:22,439 --> 01:54:24,160
Speaker 1: he was, but they.

2019
01:54:24,200 --> 01:54:26,000
Speaker 3: Was when you were on Bad Boy that you do.

2020
01:54:27,760 --> 01:54:29,479
Speaker 3: Because let me ask you, this is this, this is

2021
01:54:29,560 --> 01:54:29,920
Speaker 3: my brother.

2022
01:54:30,880 --> 01:54:37,360
Speaker 1: And he always remembers the time, and I'm paraphrasing, I

2023
01:54:37,440 --> 01:54:38,360
Speaker 1: guarantee you they don't know.

2024
01:54:39,040 --> 01:54:39,640
Speaker 2: I know.

2025
01:54:42,720 --> 01:54:44,800
Speaker 3: They're gonna be on your side maybe, but.

2026
01:54:44,920 --> 01:54:48,200
Speaker 1: He remembers the time where New York was just so

2027
01:54:48,520 --> 01:54:51,480
Speaker 1: arrogant and I'm out of Miami and he's out of

2028
01:54:51,560 --> 01:54:54,200
Speaker 1: Miami by the way of l A and he and

2029
01:54:54,480 --> 01:54:56,400
Speaker 1: I don't remember this time, like I mean, I do

2030
01:54:56,600 --> 01:54:59,800
Speaker 1: remember it, but I don't remember identify.

2031
01:55:00,120 --> 01:55:02,240
Speaker 3: You can't remember it if you're from New York, how

2032
01:55:02,240 --> 01:55:03,000
Speaker 3: you gonna remember it.

2033
01:55:03,440 --> 01:55:04,080
Speaker 2: I can't remember.

2034
01:55:04,400 --> 01:55:07,040
Speaker 3: You can't remember how we feel in another you know,

2035
01:55:07,160 --> 01:55:10,640
Speaker 3: I can't identify. It's not I can't. So what I'm

2036
01:55:10,640 --> 01:55:10,960
Speaker 3: trying to.

2037
01:55:10,920 --> 01:55:15,040
Speaker 1: Say is I can't identify because I'm coming coming from

2038
01:55:15,720 --> 01:55:18,400
Speaker 1: I don't want to say, like you know, the the duo, right,

2039
01:55:18,760 --> 01:55:20,880
Speaker 1: So he says, at one point, like New York was

2040
01:55:20,920 --> 01:55:24,320
Speaker 1: so arrogant, like no one could close off and it

2041
01:55:24,480 --> 01:55:25,160
Speaker 1: was closed off.

2042
01:55:26,480 --> 01:55:28,520
Speaker 3: I actually never experienced that.

2043
01:55:28,600 --> 01:55:31,080
Speaker 1: Like some of my first records was with David Banner,

2044
01:55:31,680 --> 01:55:33,840
Speaker 1: juvenile Lil Wayne.

2045
01:55:33,960 --> 01:55:36,840
Speaker 3: Like you know, going to the South around because I

2046
01:55:36,960 --> 01:55:37,920
Speaker 3: knew you came out.

2047
01:55:37,960 --> 01:55:38,400
Speaker 2: That's what I.

2048
01:55:40,720 --> 01:55:43,120
Speaker 1: Used to do, records with New York niggas. Yeah, I

2049
01:55:43,160 --> 01:55:47,000
Speaker 1: did a record, yeah you know, but you got around

2050
01:55:47,680 --> 01:55:48,480
Speaker 1: I did, I did.

2051
01:55:48,600 --> 01:55:50,520
Speaker 6: So you're one of the first, and you came at

2052
01:55:50,560 --> 01:55:52,760
Speaker 6: a time where that started to change. It just started

2053
01:55:52,840 --> 01:55:55,280
Speaker 6: changing when you started. And I never I never debate you.

2054
01:55:55,400 --> 01:55:55,800
Speaker 2: Yeah, I never.

2055
01:55:56,640 --> 01:55:58,720
Speaker 3: You was in jab so I'm talking about ever when

2056
01:56:00,600 --> 01:56:02,200
Speaker 3: I mean, it's true, guy, it's true.

2057
01:56:03,320 --> 01:56:05,600
Speaker 1: Let me ask y'all at one point, did y'all feel

2058
01:56:05,720 --> 01:56:08,560
Speaker 1: like it was like how he describes it, like like

2059
01:56:08,680 --> 01:56:12,880
Speaker 1: New York wasn't letting people in. Definitely, definitely, it was like,

2060
01:56:13,080 --> 01:56:18,120
Speaker 1: you know, I'm just but we understand, you know, I

2061
01:56:18,280 --> 01:56:23,480
Speaker 1: understood basically after we start going up there and seeing

2062
01:56:23,560 --> 01:56:27,000
Speaker 1: where these niggas, where y'all come from, Like that that explained.

2063
01:56:27,000 --> 01:56:29,320
Speaker 1: It's a lot about a person when you can walk

2064
01:56:29,400 --> 01:56:30,200
Speaker 1: the soul, you know.

2065
01:56:31,280 --> 01:56:33,880
Speaker 6: But you see how you said early on how he

2066
01:56:34,000 --> 01:56:37,880
Speaker 6: called it hip hop, like like what they did wasn't

2067
01:56:37,920 --> 01:56:40,400
Speaker 6: hip hop because that's how much it was just made

2068
01:56:41,440 --> 01:56:43,120
Speaker 6: that And I have to base.

2069
01:56:43,040 --> 01:56:44,320
Speaker 3: My friends out here down South.

2070
01:56:44,560 --> 01:56:46,040
Speaker 6: They would I would say it's all hip hop, but

2071
01:56:46,120 --> 01:56:48,400
Speaker 6: they The way it looks and the way it felt

2072
01:56:48,440 --> 01:56:50,880
Speaker 6: is it felt that New York was keeping hip hop and.

2073
01:56:50,960 --> 01:56:52,040
Speaker 3: Everybody else was just rapping.

2074
01:56:52,200 --> 01:56:52,440
Speaker 2: See.

2075
01:56:52,600 --> 01:56:55,000
Speaker 1: This is the reason why I'm debating this and their

2076
01:56:55,080 --> 01:56:58,760
Speaker 1: group is that was the group that transitioned session that

2077
01:56:59,200 --> 01:57:02,600
Speaker 1: in my opinion, like like so many people that from

2078
01:57:02,680 --> 01:57:03,680
Speaker 1: New York were.

2079
01:57:03,600 --> 01:57:04,680
Speaker 3: Banging the albums.

2080
01:57:04,920 --> 01:57:08,880
Speaker 1: Now, we didn't have Instagram back Instagram back then to

2081
01:57:09,000 --> 01:57:10,440
Speaker 1: actually showcase.

2082
01:57:10,000 --> 01:57:12,720
Speaker 3: That, so all you probably got to see.

2083
01:57:12,800 --> 01:57:15,000
Speaker 6: Was but I never I don't think it's the people

2084
01:57:15,080 --> 01:57:19,160
Speaker 6: that's New York or say it was the gatekeeping.

2085
01:57:18,760 --> 01:57:20,960
Speaker 3: Industry, because that was there.

2086
01:57:21,040 --> 01:57:22,640
Speaker 2: It's like when we used to go up there, Bro.

2087
01:57:23,120 --> 01:57:26,800
Speaker 3: Got lost to heal. Yeah you see this like.

2088
01:57:30,360 --> 01:57:34,520
Speaker 1: Around to like underground the basement of a club where

2089
01:57:34,520 --> 01:57:36,839
Speaker 1: they was having Ozone magazine.

2090
01:57:36,920 --> 01:57:39,360
Speaker 3: Yeah yeah, but I know that you're talking about. Was

2091
01:57:39,400 --> 01:57:40,400
Speaker 3: that during the mixtape board?

2092
01:57:40,560 --> 01:57:47,400
Speaker 2: Did you go no, not I'm tripping, Bro, not shout

2093
01:57:47,440 --> 01:57:49,840
Speaker 2: out Julia, but no, uh.

2094
01:57:52,080 --> 01:57:54,920
Speaker 1: Julie green Wall, No, that's Atlantic record.

2095
01:57:56,560 --> 01:57:57,400
Speaker 3: Now you can make me.

2096
01:57:58,200 --> 01:57:59,720
Speaker 4: It's on the tip of my tongue and I'm gonna

2097
01:57:59,720 --> 01:58:02,400
Speaker 4: come back to it. But for real, like New York

2098
01:58:02,520 --> 01:58:03,280
Speaker 4: like a lot of people.

2099
01:58:03,400 --> 01:58:03,600
Speaker 1: Man.

2100
01:58:04,920 --> 01:58:08,160
Speaker 2: When we started going in the nineties, like with Suave.

2101
01:58:07,920 --> 01:58:12,160
Speaker 1: Records, Man, we touched the West coast and the East

2102
01:58:12,200 --> 01:58:14,280
Speaker 1: coast because it was like in the middle heavy though.

2103
01:58:14,520 --> 01:58:17,320
Speaker 1: We used to go and get in studios and go

2104
01:58:17,560 --> 01:58:20,000
Speaker 1: shopping and you know, things of that nature, and and.

2105
01:58:20,320 --> 01:58:23,360
Speaker 2: Be with people like Red Man. Like I used to

2106
01:58:23,400 --> 01:58:25,720
Speaker 2: go to Branson. Man. I used to buy weed at Bramson.

2107
01:58:25,920 --> 01:58:32,600
Speaker 2: I seen y'all true story. Man.

2108
01:58:32,760 --> 01:58:36,440
Speaker 4: Red was sitting on the stoop and I might have

2109
01:58:36,600 --> 01:58:39,880
Speaker 4: took a cab or something up there, and uh oj

2110
01:58:40,840 --> 01:58:42,560
Speaker 4: possibly I get out.

2111
01:58:42,760 --> 01:58:43,680
Speaker 2: I go in the store.

2112
01:58:43,720 --> 01:58:46,560
Speaker 4: One of my partners from Atlanta was cool with Bramson.

2113
01:58:46,600 --> 01:58:50,240
Speaker 4: So you tell me, man with me, Yeah, I shoot

2114
01:58:50,320 --> 01:58:52,520
Speaker 4: up to the little store, go puck with him. Red

2115
01:58:52,640 --> 01:58:54,760
Speaker 4: is sitting on the stoopid and ship. He got a

2116
01:58:54,840 --> 01:58:57,160
Speaker 4: car in front of them, but he ain't got no license.

2117
01:58:57,800 --> 01:59:00,880
Speaker 4: I need a ride's man, I take you to if

2118
01:59:00,920 --> 01:59:04,200
Speaker 4: you want to drive. I drove this Nigga car back

2119
01:59:04,280 --> 01:59:07,280
Speaker 4: to the through New York back to like that was

2120
01:59:07,800 --> 01:59:10,120
Speaker 4: one of them days. Man, you know, but we we

2121
01:59:10,320 --> 01:59:15,080
Speaker 4: just like I could see they. That's why I say

2122
01:59:15,160 --> 01:59:18,520
Speaker 4: like we was different though, But like We felt like

2123
01:59:18,640 --> 01:59:22,000
Speaker 4: that too, though, like New York has always made a

2124
01:59:22,160 --> 01:59:26,120
Speaker 4: motherfucker anything, So glad, I feel like your niggas ain't

2125
01:59:26,200 --> 01:59:26,480
Speaker 4: like us.

2126
01:59:27,480 --> 01:59:33,600
Speaker 1: You know, yeah, we'll doing that's what you don't, you

2127
01:59:33,680 --> 01:59:36,800
Speaker 1: know what, because I guarantee you and I always I

2128
01:59:36,920 --> 01:59:40,280
Speaker 1: always kind of like I love this argument when we

2129
01:59:40,360 --> 01:59:43,240
Speaker 1: have it. It's it's an argument. It's like like a disagreement,

2130
01:59:43,320 --> 01:59:45,880
Speaker 1: but like I love it. But I love what y'all

2131
01:59:45,960 --> 01:59:48,760
Speaker 1: just said, because I'm telling you it wasn't the majority

2132
01:59:49,480 --> 01:59:51,960
Speaker 1: was It wasn't Every.

2133
01:59:51,920 --> 01:59:54,280
Speaker 2: Time we went up there, it was nothing but love.

2134
01:59:54,840 --> 01:59:59,520
Speaker 2: I would love niggas didn't. We didn't with a bunch

2135
01:59:59,560 --> 02:00:03,080
Speaker 2: of rapping regularly regular I know.

2136
02:00:03,200 --> 02:00:04,120
Speaker 3: It was the industry.

2137
02:00:04,200 --> 02:00:06,800
Speaker 6: Part of it was keeping it very New York centric,

2138
02:00:07,000 --> 02:00:10,000
Speaker 6: and they controlled the hip hop industry up there.

2139
02:00:10,120 --> 02:00:12,760
Speaker 1: And you know what, I'm not actually debating you on that.

2140
02:00:13,120 --> 02:00:15,080
Speaker 1: What I'm saying is it wasn't the people.

2141
02:00:15,400 --> 02:00:17,160
Speaker 2: No, the people.

2142
02:00:17,240 --> 02:00:19,320
Speaker 3: It was the people, and it was starting to either

2143
02:00:19,520 --> 02:00:21,280
Speaker 3: And you know what it was was just the industry.

2144
02:00:21,320 --> 02:00:21,920
Speaker 2: To be honest.

2145
02:00:22,240 --> 02:00:26,360
Speaker 1: If you traveled, you wanted to do a record with

2146
02:00:26,440 --> 02:00:28,880
Speaker 1: somebody for Memphis, If you travel you wanted to do

2147
02:00:28,960 --> 02:00:30,080
Speaker 1: a record with somebody from New York.

2148
02:00:31,640 --> 02:00:34,200
Speaker 3: You wanted to be connected to Miami exactly.

2149
02:00:34,560 --> 02:00:37,120
Speaker 4: Deal with them places, man, But it's the sign for

2150
02:00:37,240 --> 02:00:39,080
Speaker 4: New York. It's the same for the West Coast.

2151
02:00:39,240 --> 02:00:41,680
Speaker 1: Like if you get around, man, I want to funk

2152
02:00:41,720 --> 02:00:44,640
Speaker 1: with the nigga doing music in Oakland?

2153
02:00:45,160 --> 02:00:51,200
Speaker 2: You know what I'm saying? Like, yeah, yeah, straight up,

2154
02:00:51,480 --> 02:00:51,960
Speaker 2: hell yeah.

2155
02:00:53,440 --> 02:00:56,160
Speaker 1: Yeall was signed a bad Boy at one point, I

2156
02:00:56,240 --> 02:00:58,720
Speaker 1: worked there Records. I was doing the street promot here

2157
02:00:58,760 --> 02:01:01,680
Speaker 1: for y'all Boris too. How did that come about? I

2158
02:01:01,720 --> 02:01:03,480
Speaker 1: know y'all be brushed on a little earlier. Say, ye,

2159
02:01:03,600 --> 02:01:07,360
Speaker 1: Tony Draper had a thing, the relationship with him. But

2160
02:01:07,520 --> 02:01:10,280
Speaker 1: the thing about it is, this was a powerhouse East

2161
02:01:10,320 --> 02:01:13,720
Speaker 1: Coast label, right, so you have to go back to

2162
02:01:13,760 --> 02:01:16,280
Speaker 1: the South. You guys have to live in Memphis. You

2163
02:01:16,320 --> 02:01:18,920
Speaker 1: guys gotta come back to Atlanta. You guys gotta go

2164
02:01:19,360 --> 02:01:22,320
Speaker 1: you know what I mean, all these different places. So

2165
02:01:22,400 --> 02:01:24,280
Speaker 1: many people would say, damn well, why would you go

2166
02:01:24,400 --> 02:01:27,040
Speaker 1: to an East Coast label? Right? I'm sure that y'all

2167
02:01:27,080 --> 02:01:30,560
Speaker 1: received flat for that, or maybe you received love for

2168
02:01:30,680 --> 02:01:32,480
Speaker 1: that because it was one of the biggest labels in

2169
02:01:32,560 --> 02:01:32,920
Speaker 1: the world.

2170
02:01:33,800 --> 02:01:36,640
Speaker 2: How was it was both? It was both both, okay,

2171
02:01:36,960 --> 02:01:44,920
Speaker 2: because definitely we we we like to go against the grain.

2172
02:01:45,120 --> 02:01:48,800
Speaker 4: You know, when when people in Memphis was doing krump

2173
02:01:49,000 --> 02:01:51,200
Speaker 4: music or whatever, we did more.

2174
02:01:51,160 --> 02:01:53,560
Speaker 2: Laid backs, you know what I'm saying. That was just us.

2175
02:01:54,240 --> 02:01:56,520
Speaker 2: And that's the same thing with the bad boy thing.

2176
02:01:56,800 --> 02:01:58,160
Speaker 2: Like when we were.

2177
02:02:00,800 --> 02:02:04,760
Speaker 4: When we was away from Swab and looking for another

2178
02:02:05,000 --> 02:02:09,720
Speaker 4: thing to do. Uh, we we had been uh like

2179
02:02:10,760 --> 02:02:14,160
Speaker 4: doing beings with Puff you know, he was on I

2180
02:02:14,240 --> 02:02:16,400
Speaker 4: had a song called Stopped Playing Games. He was on

2181
02:02:16,520 --> 02:02:19,760
Speaker 4: that John Uh you know, and then we just after

2182
02:02:19,840 --> 02:02:26,080
Speaker 4: the Mace, after the after the Swab and all that. Yeah,

2183
02:02:26,360 --> 02:02:29,640
Speaker 4: all of that was before we signed with them, you know,

2184
02:02:29,760 --> 02:02:37,240
Speaker 4: because yeah, but uh like so we used to be

2185
02:02:37,320 --> 02:02:39,280
Speaker 4: in New York a lot, like I said, you know,

2186
02:02:39,520 --> 02:02:42,280
Speaker 4: and when the nigga used to record or whatever, I

2187
02:02:42,360 --> 02:02:45,040
Speaker 4: could hit him, you know, bruh, where did we at?

2188
02:02:45,400 --> 02:02:45,840
Speaker 2: Just whatever?

2189
02:02:45,960 --> 02:02:49,120
Speaker 4: You know what I'm saying, and uh, things of that nature.

2190
02:02:49,160 --> 02:02:51,640
Speaker 4: So this is before we signed with then.

2191
02:02:52,240 --> 02:02:52,320
Speaker 6: Uh.

2192
02:02:52,480 --> 02:02:56,080
Speaker 4: Once we was looking for a place to go, he

2193
02:02:56,240 --> 02:02:58,640
Speaker 4: put something on the table with a bunch of other people.

2194
02:02:59,080 --> 02:03:01,280
Speaker 2: We went with what he he wanted to do, wasn't

2195
02:03:01,320 --> 02:03:02,360
Speaker 2: a jeezy or something like that?

2196
02:03:02,520 --> 02:03:03,760
Speaker 3: Yeah, boys in the hoodie boys.

2197
02:03:06,560 --> 02:03:09,760
Speaker 1: It was after us though, right after us, so he

2198
02:03:09,840 --> 02:03:13,800
Speaker 1: had signed y'all then he then yeah, okay, but he

2199
02:03:14,040 --> 02:03:15,760
Speaker 1: just you know we uh.

2200
02:03:17,960 --> 02:03:20,160
Speaker 3: Was it bad Boys South? That's what they were calling.

2201
02:03:21,640 --> 02:03:25,640
Speaker 4: Okay, we we we really wouldn't like bad boy. We

2202
02:03:25,800 --> 02:03:28,160
Speaker 4: was like bad boys sold. We was something else. But

2203
02:03:28,440 --> 02:03:29,640
Speaker 4: you know what I'm saying, did you.

2204
02:03:29,680 --> 02:03:30,440
Speaker 3: Think that was a slight?

2205
02:03:30,640 --> 02:03:32,440
Speaker 2: It was being called bad Boys South and not just

2206
02:03:32,520 --> 02:03:35,960
Speaker 2: a trader bad boy. Uh it could it could have

2207
02:03:36,120 --> 02:03:37,600
Speaker 2: been sometimes.

2208
02:03:37,120 --> 02:03:39,920
Speaker 3: But everybody was trying to do like deaf Jam Jam, so.

2209
02:03:40,400 --> 02:03:43,400
Speaker 2: You know, he was following the steps.

2210
02:03:43,440 --> 02:03:46,280
Speaker 4: But then at the same time, like I did feel

2211
02:03:46,400 --> 02:03:49,040
Speaker 4: like like some of them bad Boy reunion shows.

2212
02:03:49,200 --> 02:03:52,280
Speaker 2: You know, we never was asked to be a part

2213
02:03:52,360 --> 02:03:52,720
Speaker 2: of none of.

2214
02:03:52,760 --> 02:03:56,240
Speaker 1: This oh recently like four years ago, okay, yeah, yeah,

2215
02:03:56,760 --> 02:03:59,080
Speaker 1: when it was good good to be a part of

2216
02:03:59,720 --> 02:04:02,040
Speaker 1: part you know what I'm saying, Like and and he

2217
02:04:02,160 --> 02:04:04,880
Speaker 1: when he played in Cities, you know, but I'm not

2218
02:04:05,120 --> 02:04:06,680
Speaker 1: you know, I ain't mad at none of this ship.

2219
02:04:07,080 --> 02:04:08,000
Speaker 2: It is what it is.

2220
02:04:08,760 --> 02:04:10,960
Speaker 4: But we just man, you know, we were doing something

2221
02:04:11,000 --> 02:04:15,640
Speaker 4: new because and I have to tell my reality man, uh,

2222
02:04:16,440 --> 02:04:24,600
Speaker 4: like before you know what the bologney is made or

2223
02:04:24,840 --> 02:04:28,200
Speaker 4: you love it until you see how they make the.

2224
02:04:28,280 --> 02:04:31,920
Speaker 3: Blow your bolooney got a couple of first names.

2225
02:04:31,960 --> 02:04:40,440
Speaker 2: I'm just saying, you don't remember what you mean and

2226
02:04:40,600 --> 02:04:43,560
Speaker 2: what I mean, And what I mean is that by

2227
02:04:44,120 --> 02:04:47,120
Speaker 2: you know, uh man.

2228
02:04:47,120 --> 02:04:51,400
Speaker 4: Before like and and I still man like the nothing

2229
02:04:51,520 --> 02:04:55,320
Speaker 4: ever happened negative with us, ever with dude, Like nothing

2230
02:04:55,440 --> 02:04:57,200
Speaker 4: ever happened with a ball and him j G.

2231
02:04:57,600 --> 02:04:59,280
Speaker 2: Nothing ever happened negative with us.

2232
02:05:00,480 --> 02:05:00,600
Speaker 8: Uh.

2233
02:05:00,840 --> 02:05:03,240
Speaker 4: We just wanted to do something new because we looked

2234
02:05:03,600 --> 02:05:07,280
Speaker 4: up to brow like that ship looked like something different,

2235
02:05:07,640 --> 02:05:07,920
Speaker 4: like I.

2236
02:05:08,200 --> 02:05:10,920
Speaker 2: Biggie and all that, Like he had a movement, Joe.

2237
02:05:13,320 --> 02:05:17,960
Speaker 2: That ship, Uh, that ship was Yeah, that that ship

2238
02:05:18,120 --> 02:05:21,640
Speaker 2: was black. And that's what That's what we felt like.

2239
02:05:21,720 --> 02:05:23,280
Speaker 4: Man, we're finl to be a part of this ship,

2240
02:05:23,720 --> 02:05:26,000
Speaker 4: you know what I'm saying. But as time went on,

2241
02:05:26,360 --> 02:05:28,640
Speaker 4: you know, we we were a part of it, but

2242
02:05:28,800 --> 02:05:30,720
Speaker 4: not really you know what I'm saying.

2243
02:05:30,920 --> 02:05:32,320
Speaker 2: So you know that was.

2244
02:05:36,120 --> 02:05:38,160
Speaker 1: I'mnna be honest, like as the outside of looking at

2245
02:05:38,360 --> 02:05:40,240
Speaker 1: the inside of looking out I said that earlier.

2246
02:05:40,880 --> 02:05:44,440
Speaker 12: I just feel like, and y'all y'all so much ahead

2247
02:05:44,480 --> 02:05:47,600
Speaker 12: of time. It's that like tim has to catch up

2248
02:05:47,680 --> 02:05:50,720
Speaker 12: to y'all. Like that's what I swear to God, like

2249
02:05:51,040 --> 02:05:53,400
Speaker 12: like like I swear to God.

2250
02:05:53,360 --> 02:05:58,080
Speaker 3: Because age, yes, I swear to God.

2251
02:05:58,160 --> 02:06:01,800
Speaker 1: Because it's like that's even even when he started, like

2252
02:06:02,240 --> 02:06:05,280
Speaker 1: you know, the bad Boy South and then I believe

2253
02:06:05,360 --> 02:06:08,080
Speaker 1: Death Jam had Death Jamp South, the scarface was running there.

2254
02:06:08,360 --> 02:06:11,520
Speaker 1: That's when they signed Luther cris But even that little movement,

2255
02:06:11,560 --> 02:06:16,440
Speaker 1: that little spark of movement start off. Obviously, Andre three

2256
02:06:16,440 --> 02:06:19,680
Speaker 1: thousand was the first person to really put the South

2257
02:06:19,800 --> 02:06:20,480
Speaker 1: on his back.

2258
02:06:20,320 --> 02:06:22,520
Speaker 3: When he said the South got something to say.

2259
02:06:22,920 --> 02:06:25,000
Speaker 1: And I'm gonna be honest with you as a New Yorker,

2260
02:06:25,040 --> 02:06:28,760
Speaker 1: I'm speaking for myself, not as the whole coast. We

2261
02:06:28,840 --> 02:06:30,160
Speaker 1: didn't know what the fuck he was talking about.

2262
02:06:31,840 --> 02:06:32,800
Speaker 2: We didn't know what the fuck.

2263
02:06:32,880 --> 02:06:34,440
Speaker 1: We didn't know what the fuck he was talking about

2264
02:06:34,520 --> 02:06:36,400
Speaker 1: until the South.

2265
02:06:38,720 --> 02:06:42,160
Speaker 3: He was like, okay, hey, all right, We're like okay,

2266
02:06:42,440 --> 02:06:42,760
Speaker 3: then go.

2267
02:06:42,880 --> 02:06:45,320
Speaker 4: Back to the conversation we were just having. Man, when

2268
02:06:45,360 --> 02:06:48,960
Speaker 4: you go back to New York and like the backpack days.

2269
02:06:48,720 --> 02:06:51,400
Speaker 1: And shit, oh niggas made you feel like a nigga,

2270
02:06:51,440 --> 02:06:53,920
Speaker 1: You South round, nigga, what the fuck is the.

2271
02:06:54,720 --> 02:06:58,360
Speaker 3: Like that he going? Then you know what I'm just saying, No,

2272
02:06:58,480 --> 02:06:58,760
Speaker 3: I don't.

2273
02:06:59,200 --> 02:07:02,240
Speaker 1: I'm not hating. I'm just talking about what Really I

2274
02:07:02,520 --> 02:07:04,600
Speaker 1: love New York. Yeah, like I'm a fan, That's what

2275
02:07:04,640 --> 02:07:05,040
Speaker 1: I'm saying.

2276
02:07:05,080 --> 02:07:06,880
Speaker 6: Like as a fan of hip hop from the South,

2277
02:07:06,960 --> 02:07:09,560
Speaker 6: everybody you love all these you love New York hip hop,

2278
02:07:10,120 --> 02:07:11,240
Speaker 6: just to find out they.

2279
02:07:11,160 --> 02:07:11,680
Speaker 2: Don't love you.

2280
02:07:11,680 --> 02:07:13,680
Speaker 3: You know what I'm saying, Like certain gas.

2281
02:07:14,040 --> 02:07:16,360
Speaker 1: Just say the industry side of the story, man, Yeah,

2282
02:07:16,400 --> 02:07:20,800
Speaker 1: please the double ng say cover the Freshman cover.

2283
02:07:20,880 --> 02:07:21,080
Speaker 2: Rection.

2284
02:07:21,800 --> 02:07:24,720
Speaker 4: I was on the first one with a bunch of niggas,

2285
02:07:24,760 --> 02:07:26,040
Speaker 4: bust around all that shit.

2286
02:07:26,880 --> 02:07:27,880
Speaker 2: Copa Donna.

2287
02:07:29,320 --> 02:07:32,680
Speaker 3: Cap Dona from Madonna, My bad, bro, my bad, you

2288
02:07:32,760 --> 02:07:34,040
Speaker 3: know yeah yeah, but.

2289
02:07:36,240 --> 02:07:38,520
Speaker 1: Donna walked in the room and I had a hat

2290
02:07:38,560 --> 02:07:40,680
Speaker 1: on like a bucket Nigga on the same cover.

2291
02:07:41,120 --> 02:07:47,720
Speaker 2: Facts look about look looking at you? Okay, on the

2292
02:07:47,760 --> 02:07:50,520
Speaker 2: cover I'm talking to bust around.

2293
02:07:50,800 --> 02:07:54,160
Speaker 4: We just did a song that on my loss alf Okay, okay,

2294
02:07:54,440 --> 02:07:56,320
Speaker 4: Cappa Donna walks in the room and said, who's the

2295
02:07:56,400 --> 02:07:57,240
Speaker 4: kid with the hats?

2296
02:07:57,320 --> 02:08:03,840
Speaker 2: Son you talking about? Nigga said, who's the kid. But

2297
02:08:04,160 --> 02:08:06,440
Speaker 2: that's you know, that's I'm just I'll go back to.

2298
02:08:07,280 --> 02:08:09,520
Speaker 1: But you gotta remember Capa Jnna had just came home from.

2299
02:08:09,520 --> 02:08:11,840
Speaker 2: I believe, and he wanted to be real New York.

2300
02:08:12,120 --> 02:08:14,120
Speaker 3: Yeah yeah, no, no, no, he had came home from jails.

2301
02:08:14,200 --> 02:08:14,960
Speaker 2: He probably didn't know.

2302
02:08:15,320 --> 02:08:18,200
Speaker 4: No, but I'm just saying not no, that ain't got

2303
02:08:18,240 --> 02:08:21,879
Speaker 4: ship to do with He won them niggas like yeah, shut.

2304
02:08:21,640 --> 02:08:22,960
Speaker 3: It up, like I get that.

2305
02:08:23,720 --> 02:08:23,920
Speaker 2: Yeah.

2306
02:08:24,880 --> 02:08:27,160
Speaker 1: I always hate that time when people blame my city

2307
02:08:27,240 --> 02:08:29,600
Speaker 1: with me, like the meanings, like I'm not a meaning,

2308
02:08:31,400 --> 02:08:35,880
Speaker 1: Like what is m J called Prince? He's a meaning?

2309
02:08:36,080 --> 02:08:38,280
Speaker 2: I mean, not a mean.

2310
02:08:38,480 --> 02:08:40,880
Speaker 5: Ain't not wrong with that man period in New York

2311
02:08:40,960 --> 02:08:44,400
Speaker 5: Man sticky chests out man. Yeah, yeah, it would be.

2312
02:08:44,520 --> 02:08:46,560
Speaker 1: It wouldn't be New York if y'all wasn't like me,

2313
02:08:47,160 --> 02:08:50,480
Speaker 1: that's true. And then you said your experience of the

2314
02:08:50,520 --> 02:08:52,200
Speaker 1: tunnel like.

2315
02:08:52,280 --> 02:08:55,400
Speaker 2: You had fun. Okay, no, we had fun. We wasn't

2316
02:08:55,680 --> 02:08:59,720
Speaker 2: like they wasn't like damning to ours because y'all performed.

2317
02:09:00,040 --> 02:09:02,080
Speaker 4: Yeah yeah, yeah, because we had a whole night like

2318
02:09:02,200 --> 02:09:04,200
Speaker 4: Draper used to do it like really big, like we

2319
02:09:04,320 --> 02:09:07,000
Speaker 4: come into the New York and we would share places

2320
02:09:07,080 --> 02:09:08,960
Speaker 4: down but nigga didn't know who he was, you know,

2321
02:09:09,200 --> 02:09:13,839
Speaker 4: like and you know like but yeah we had a poom.

2322
02:09:13,960 --> 02:09:15,960
Speaker 1: Yeah, we had poom and This is what I want

2323
02:09:16,040 --> 02:09:20,760
Speaker 1: y'all to know. You want the sex bathroom first, you

2324
02:09:21,040 --> 02:09:21,680
Speaker 1: sec bathroom.

2325
02:09:21,720 --> 02:09:22,040
Speaker 2: That's right.

2326
02:09:22,160 --> 02:09:24,720
Speaker 3: Yeah, I want y'all to know.

2327
02:09:25,800 --> 02:09:28,040
Speaker 1: And this is I want to speak to EF and

2328
02:09:28,160 --> 02:09:30,680
Speaker 1: I want to speak to y'all. It was the same

2329
02:09:31,440 --> 02:09:35,760
Speaker 1: the other way. Nah Man, go ahead, hit me out

2330
02:09:37,520 --> 02:09:43,160
Speaker 1: past Virginia. It was considered the South. Past Virginia, it

2331
02:09:43,280 --> 02:09:46,400
Speaker 1: was considered the South. So every record that we we

2332
02:09:46,680 --> 02:09:49,040
Speaker 1: had to make crossover records in order to get to

2333
02:09:49,160 --> 02:09:51,480
Speaker 1: that top forty. If you're not in the top forty,

2334
02:09:51,520 --> 02:09:53,040
Speaker 1: you know what I'm talking about. If you're not in

2335
02:09:53,120 --> 02:09:56,720
Speaker 1: the top forty, your records doesn't cross over so you

2336
02:09:56,840 --> 02:09:57,839
Speaker 1: can go to Miami.

2337
02:09:58,200 --> 02:09:59,560
Speaker 3: There's been times I went to Miami.

2338
02:09:59,640 --> 02:10:02,000
Speaker 1: If it wasn't a New York crowd, I did not

2339
02:10:02,120 --> 02:10:02,720
Speaker 1: have a great.

2340
02:10:02,520 --> 02:10:05,040
Speaker 3: TI I'm gonna tell you why. No, but there's there

2341
02:10:05,120 --> 02:10:06,680
Speaker 3: had to be a crowd that followed no.

2342
02:10:06,720 --> 02:10:06,760
Speaker 1: No.

2343
02:10:06,920 --> 02:10:09,280
Speaker 3: But there's a reason for that tough crowd in New York.

2344
02:10:09,800 --> 02:10:12,040
Speaker 6: Just as I worked street teams, I work marketing.

2345
02:10:12,080 --> 02:10:12,920
Speaker 2: I know this, Okay.

2346
02:10:13,200 --> 02:10:15,880
Speaker 6: The thing in the South is that we didn't have

2347
02:10:16,080 --> 02:10:18,680
Speaker 6: mix shows like you guys had up there. We didn't

2348
02:10:18,680 --> 02:10:20,480
Speaker 6: have dedicated hip hop mix shows.

2349
02:10:21,000 --> 02:10:23,720
Speaker 2: No, we didn't have them. We didn't have video music

2350
02:10:23,800 --> 02:10:24,240
Speaker 2: box Neather.

2351
02:10:24,640 --> 02:10:26,280
Speaker 3: No, we didn't have that either. You're right, we had

2352
02:10:26,960 --> 02:10:29,080
Speaker 3: on on Rob McDaniels that you Got to Taste.

2353
02:10:29,440 --> 02:10:32,200
Speaker 6: Yeah, die hard hip hop head. But you're talking about

2354
02:10:32,440 --> 02:10:35,480
Speaker 6: crossover radio and radio. We didn't have mix shows till

2355
02:10:35,560 --> 02:10:39,000
Speaker 6: way later, hip hop mix shows like night and Jams. Luke,

2356
02:10:39,320 --> 02:10:41,680
Speaker 6: we talked about it with Luke Luke brought But my

2357
02:10:41,880 --> 02:10:44,000
Speaker 6: first to make the first hip like, one of the

2358
02:10:44,000 --> 02:10:44,600
Speaker 6: first hip hop.

2359
02:10:45,920 --> 02:10:49,840
Speaker 2: I ever heard in my life, came from New York. Yeah.

2360
02:10:50,440 --> 02:10:52,920
Speaker 4: My best friend stayed across the street from me. His

2361
02:10:53,160 --> 02:10:58,200
Speaker 4: mama big shout out, Big Darry. He lived in Milwaukee

2362
02:10:58,320 --> 02:11:02,800
Speaker 4: right now, but keep up. His mama married a nigga

2363
02:11:02,840 --> 02:11:05,240
Speaker 4: from New York moved up there. He used to go

2364
02:11:06,600 --> 02:11:08,920
Speaker 4: in the summertime to stay with his mama, and he

2365
02:11:09,000 --> 02:11:12,880
Speaker 4: would take the mixed shows off the radio bring them

2366
02:11:12,960 --> 02:11:14,360
Speaker 4: back in the school.

2367
02:11:15,400 --> 02:11:16,960
Speaker 2: And that's how I heard, Like.

2368
02:11:17,280 --> 02:11:18,160
Speaker 3: Was it a DJ that.

2369
02:11:20,200 --> 02:11:22,840
Speaker 2: He's saying off for the radio and off radio? But

2370
02:11:22,960 --> 02:11:23,200
Speaker 2: that's the.

2371
02:11:23,200 --> 02:11:24,040
Speaker 3: Original mix tape.

2372
02:11:24,080 --> 02:11:25,880
Speaker 6: No, No, I'm saying a lot of people would record

2373
02:11:25,960 --> 02:11:28,640
Speaker 6: the mix show because we didn't have mixed shows out here.

2374
02:11:28,800 --> 02:11:33,640
Speaker 2: So hearing that off the radio. Yeah, just the.

2375
02:11:39,200 --> 02:11:40,600
Speaker 3: Night clarity of this moment.

2376
02:11:41,120 --> 02:11:43,640
Speaker 4: When I was a kid, we had one night Friday

2377
02:11:43,720 --> 02:11:45,520
Speaker 4: Night when they we had.

2378
02:11:45,480 --> 02:11:48,920
Speaker 1: Like New York style mixed show, and that was it.

2379
02:11:49,320 --> 02:11:52,840
Speaker 1: Like that's all we had radio? What so what what

2380
02:11:53,080 --> 02:11:54,920
Speaker 1: was they playing on? He said, Friday night?

2381
02:11:55,000 --> 02:11:55,120
Speaker 2: Right?

2382
02:11:55,400 --> 02:11:57,720
Speaker 1: So what was they playing in Memphis? From Monday to Thursday?

2383
02:11:58,640 --> 02:12:03,960
Speaker 1: They were playing this. Yeah the record label you know what.

2384
02:12:04,040 --> 02:12:09,280
Speaker 1: I like all the record ladys. So just pop yeah whatever,

2385
02:12:10,360 --> 02:12:15,160
Speaker 1: I'll feel your pain. That's why Friday night was so special.

2386
02:12:15,920 --> 02:12:17,520
Speaker 1: Like I was one of them niggas. You know, it's

2387
02:12:17,680 --> 02:12:20,960
Speaker 1: they outside playing bro at ten o'clock. I'm in front

2388
02:12:21,000 --> 02:12:25,920
Speaker 1: of the radio, nigga hitting the butts outside, I'm hitting

2389
02:12:25,960 --> 02:12:29,640
Speaker 1: his button, showing up the next day you got this.

2390
02:12:29,880 --> 02:12:31,960
Speaker 2: Yeah, listen to this. Nigga got.

2391
02:12:33,720 --> 02:12:35,880
Speaker 6: Example to show to what I'm telling you. The way

2392
02:12:35,920 --> 02:12:37,880
Speaker 6: we broke records out here was the Strip Club. And

2393
02:12:38,000 --> 02:12:40,280
Speaker 6: that's why, because in the Strip Club were getting played

2394
02:12:40,440 --> 02:12:40,800
Speaker 6: by the way.

2395
02:12:40,840 --> 02:12:43,560
Speaker 1: I just want to let y'all know that's why people

2396
02:12:43,600 --> 02:12:44,360
Speaker 1: still come to Miami.

2397
02:12:44,480 --> 02:12:46,640
Speaker 2: I'm just saying, I'm telling you that's that's how we said.

2398
02:12:46,680 --> 02:12:48,640
Speaker 1: I'm bringing records and strip clubs, and that's kind of

2399
02:12:48,680 --> 02:12:49,600
Speaker 1: like fucking fantastic.

2400
02:12:49,600 --> 02:12:55,280
Speaker 2: Miami was like this motherfucker every marriage.

2401
02:12:55,000 --> 02:12:58,360
Speaker 1: Guys, best wish. Look, I don't think I want to

2402
02:12:58,360 --> 02:12:58,600
Speaker 1: be there.

2403
02:12:59,000 --> 02:12:59,200
Speaker 2: Huh.

2404
02:13:00,040 --> 02:13:02,400
Speaker 3: You think I want to go to the I have.

2405
02:13:02,560 --> 02:13:07,240
Speaker 1: To be on Thursday or the four o'clock and and

2406
02:13:07,400 --> 02:13:12,000
Speaker 1: watch somebody named sinner Man. You think I just sme

2407
02:13:12,000 --> 02:13:14,400
Speaker 1: out like pol parade you saw, we just take it.

2408
02:13:14,440 --> 02:13:17,200
Speaker 1: The show Girls, Yeah, let me say something. They had

2409
02:13:17,240 --> 02:13:20,960
Speaker 1: the worst strip club in the world. They had show girls.

2410
02:13:21,120 --> 02:13:26,120
Speaker 1: Everybody got shot in there. Talking about the only person

2411
02:13:26,200 --> 02:13:27,640
Speaker 1: that didn't get shot with the security.

2412
02:13:29,040 --> 02:13:32,200
Speaker 3: The girls was hard. Show Girls was in It's down

2413
02:13:32,280 --> 02:13:34,200
Speaker 3: south in the Colored Ridge area.

2414
02:13:34,680 --> 02:13:35,280
Speaker 2: Don't go there.

2415
02:13:35,920 --> 02:13:37,360
Speaker 3: They had a couple of different names. They changed the

2416
02:13:37,400 --> 02:13:40,600
Speaker 3: name of Ole Times. Yeah, dancing with the Knife in

2417
02:13:40,720 --> 02:13:41,080
Speaker 3: the back.

2418
02:13:42,760 --> 02:13:44,200
Speaker 2: No, we loved you, loved to day.

2419
02:13:44,240 --> 02:13:46,560
Speaker 3: We loved to day. I just like we walk in

2420
02:13:46,720 --> 02:13:48,760
Speaker 3: they showed. Man, just didn't want to offend you.

2421
02:13:48,920 --> 02:13:51,680
Speaker 1: They were playing whatever record we wanted them play. Nah,

2422
02:13:51,800 --> 02:13:53,880
Speaker 1: you loved that house and I was threatened. You know,

2423
02:13:54,360 --> 02:13:56,400
Speaker 1: we have a ball a lot of dancing before we

2424
02:13:56,480 --> 02:13:59,520
Speaker 1: were both married. Us throw that out there.

2425
02:14:01,680 --> 02:14:02,320
Speaker 2: Back in the day.

2426
02:14:02,880 --> 02:14:07,560
Speaker 3: Wait, wait, hell, let's just get into some more.

2427
02:14:07,840 --> 02:14:11,920
Speaker 1: Okay, we talked about breaking off already, break them off,

2428
02:14:12,200 --> 02:14:13,320
Speaker 1: We've talked about that already.

2429
02:14:13,520 --> 02:14:17,200
Speaker 2: No the song break right, go ahead, let's talk about

2430
02:14:17,200 --> 02:14:17,920
Speaker 2: it up.

2431
02:14:18,760 --> 02:14:20,360
Speaker 3: Break them all problem, break them home?

2432
02:14:20,720 --> 02:14:21,040
Speaker 8: The hell?

2433
02:14:21,600 --> 02:14:21,800
Speaker 2: Yeah?

2434
02:14:23,120 --> 02:14:23,960
Speaker 3: How did that come about?

2435
02:14:27,040 --> 02:14:31,440
Speaker 4: We always tried to do something against the grain. It

2436
02:14:31,560 --> 02:14:35,160
Speaker 4: didn't sound like nothing our periods is doing it sound

2437
02:14:35,200 --> 02:14:36,160
Speaker 4: like you want to take a shot.

2438
02:14:37,680 --> 02:14:40,240
Speaker 2: Come on, what you do?

2439
02:14:40,320 --> 02:14:43,040
Speaker 1: You dropped got ten over here? She just stop me up,

2440
02:14:43,840 --> 02:14:48,080
Speaker 1: you get one of the man. I don't need only drinking.

2441
02:14:48,120 --> 02:14:57,800
Speaker 1: I'm overmer over my limit anyway, myself to my six brother.

2442
02:14:58,280 --> 02:15:00,480
Speaker 2: Yeah, I need not again.

2443
02:15:00,480 --> 02:15:01,040
Speaker 3: You tat shout.

2444
02:15:01,040 --> 02:15:02,680
Speaker 1: I'm gonna catch up. Don' worry about it. I wouldn't.

2445
02:15:03,440 --> 02:15:06,720
Speaker 1: That's my whole dead bodies, just so I know that's

2446
02:15:06,760 --> 02:15:07,600
Speaker 1: all my dead bodies.

2447
02:15:07,640 --> 02:15:10,720
Speaker 3: So yeah, So.

2448
02:15:13,600 --> 02:15:16,400
Speaker 1: I'm gonna be honest with you. I've done this ship

2449
02:15:16,480 --> 02:15:20,440
Speaker 1: for eight years about to be not We are not

2450
02:15:20,560 --> 02:15:24,080
Speaker 1: getting m j G drunk, just being honest. He is

2451
02:15:24,160 --> 02:15:26,440
Speaker 1: like I gave up on that a long time ago.

2452
02:15:26,600 --> 02:15:30,520
Speaker 1: He's a professional. He is not and he got water.

2453
02:15:30,680 --> 02:15:33,960
Speaker 1: And by the way, it's how you know a real

2454
02:15:34,240 --> 02:15:39,200
Speaker 1: real drinker because he drink his water. See, because I

2455
02:15:39,200 --> 02:15:41,560
Speaker 1: fake drinking, you sip it and your water is still

2456
02:15:41,640 --> 02:15:44,360
Speaker 1: up there. So it really doesn't help you out when

2457
02:15:44,560 --> 02:15:48,880
Speaker 1: when you that's when you hid, and that's when you

2458
02:15:49,160 --> 02:15:52,280
Speaker 1: he read it. God, you know we can go horseback

2459
02:15:52,360 --> 02:15:52,600
Speaker 1: rid now.

2460
02:15:54,200 --> 02:15:54,760
Speaker 2: He don't give a.

2461
02:15:56,920 --> 02:15:59,480
Speaker 1: I do drink when I see a drinker, trust me.

2462
02:15:59,560 --> 02:16:01,720
Speaker 1: Through and mill in Japan with him drinking for twenty

2463
02:16:01,760 --> 02:16:04,280
Speaker 1: four hours. Oh my boy, that was probably the drunkest

2464
02:16:04,960 --> 02:16:05,400
Speaker 1: fool story.

2465
02:16:05,440 --> 02:16:06,040
Speaker 3: Is hilarious.

2466
02:16:06,240 --> 02:16:09,400
Speaker 1: No, I mean honest, because we really didn't have no

2467
02:16:09,520 --> 02:16:12,680
Speaker 1: weed and we did like a month and a half, right,

2468
02:16:13,040 --> 02:16:15,520
Speaker 1: it was something crazy. It was something crazy. Bro a

2469
02:16:15,600 --> 02:16:18,040
Speaker 1: month and a half on tour in Japan with a boy,

2470
02:16:18,080 --> 02:16:20,720
Speaker 1: and I took a big ball of serve.

2471
02:16:20,800 --> 02:16:24,280
Speaker 2: I took the whole paint of this ship like it

2472
02:16:24,440 --> 02:16:26,800
Speaker 2: fucked me up because I went through customs and everything

2473
02:16:27,960 --> 02:16:35,320
Speaker 2: that was in the ball, nobody saying nothing. They're in back.

2474
02:16:35,760 --> 02:16:38,160
Speaker 2: Took what was left back. Ain't nobody saying nothing.

2475
02:16:39,080 --> 02:16:41,640
Speaker 1: And by the way, I want to thank you brothers

2476
02:16:41,680 --> 02:16:45,560
Speaker 1: for that experience. You know that was me and component.

2477
02:16:45,920 --> 02:16:48,879
Speaker 1: Component was fresh off of jail. He was fresh over jail.

2478
02:16:49,000 --> 02:16:52,000
Speaker 1: I believe that was his first tour, Yeah came home.

2479
02:16:53,080 --> 02:16:53,760
Speaker 2: We got them right.

2480
02:16:54,600 --> 02:16:58,440
Speaker 1: And that was our first tour. And our first tour

2481
02:16:58,600 --> 02:17:01,000
Speaker 1: was with y'all in Japan. And let me just tell

2482
02:17:01,000 --> 02:17:04,360
Speaker 1: you something, I will never ever forget that tour. I

2483
02:17:04,400 --> 02:17:07,400
Speaker 1: will never forget y'all, and I will never forget that experience.

2484
02:17:07,800 --> 02:17:10,400
Speaker 1: I brag about this experience all the time, right.

2485
02:17:12,520 --> 02:17:16,720
Speaker 2: To show on the show, like I always drag about

2486
02:17:16,720 --> 02:17:20,600
Speaker 2: that we can do because I'll be honest.

2487
02:17:20,320 --> 02:17:23,600
Speaker 1: With you, like and I know I'm putting a lot

2488
02:17:23,600 --> 02:17:26,120
Speaker 1: of pressure on y'all. Put a lot of pressure on

2489
02:17:26,240 --> 02:17:29,840
Speaker 1: y'all if I'm a legend. Y'all taught me how to

2490
02:17:29,879 --> 02:17:34,040
Speaker 1: be a legend. And this is real talk, because I

2491
02:17:34,080 --> 02:17:36,480
Speaker 1: would go hang out with y'all every night, and will

2492
02:17:36,760 --> 02:17:39,400
Speaker 1: I will. I would think they're gonna say not tonight, no,

2493
02:17:41,600 --> 02:17:43,520
Speaker 1: because I'm a little too much, you know what I'm saying,

2494
02:17:43,600 --> 02:17:49,360
Speaker 1: Like that version of you eight year old, come on,

2495
02:17:51,000 --> 02:17:52,520
Speaker 1: think about it a lot, you know what I'm saying,

2496
02:17:52,600 --> 02:17:58,560
Speaker 1: Like it was crazy, It wasn't the nice guy. And

2497
02:17:58,640 --> 02:18:00,720
Speaker 1: I would come to Yeah, wanna hang out and they

2498
02:18:00,800 --> 02:18:02,600
Speaker 1: be like I could tell they looking at me like

2499
02:18:02,680 --> 02:18:03,360
Speaker 1: little nigga.

2500
02:18:05,879 --> 02:18:08,600
Speaker 3: But they hung out with me every single night. They

2501
02:18:08,760 --> 02:18:10,760
Speaker 3: drunk me every single night.

2502
02:18:11,000 --> 02:18:14,200
Speaker 1: I can't remember another act that I ever was on

2503
02:18:14,400 --> 02:18:18,160
Speaker 1: show with that didn't get tired of me fast like you.

2504
02:18:18,200 --> 02:18:19,000
Speaker 2: Got me you drunk.

2505
02:18:19,879 --> 02:18:21,720
Speaker 3: I can make sound check the next day.

2506
02:18:22,920 --> 02:18:24,480
Speaker 2: Them shows, I don't remember.

2507
02:18:26,120 --> 02:18:26,640
Speaker 3: We drank.

2508
02:18:29,120 --> 02:18:31,920
Speaker 1: This is this is my development of drink chance, because

2509
02:18:32,480 --> 02:18:35,440
Speaker 1: I'm on tour the whole time smoking weed everywhere I go,

2510
02:18:35,879 --> 02:18:37,560
Speaker 1: and then they don't tell me there's no weed in

2511
02:18:37,680 --> 02:18:41,240
Speaker 1: Japan until I land, Man, and then I land.

2512
02:18:41,120 --> 02:18:42,800
Speaker 2: And they're like, oh, by the way, you know, there's

2513
02:18:42,840 --> 02:18:46,040
Speaker 2: not really no bud out here. And this wasn't on

2514
02:18:46,120 --> 02:18:48,360
Speaker 2: my round. It's real illegal. It's not just.

2515
02:18:50,240 --> 02:18:54,400
Speaker 3: I give you one more for the story. Then we're

2516
02:18:54,400 --> 02:18:55,200
Speaker 3: gonna get back into this.

2517
02:18:56,360 --> 02:18:59,959
Speaker 2: We Land, we Land. This is crazy shit.

2518
02:19:00,920 --> 02:19:03,360
Speaker 1: It's just two part stories. I'm hurry ups as fast

2519
02:19:03,360 --> 02:19:05,880
Speaker 1: as I can. The ill is traffic I've ever seen

2520
02:19:05,920 --> 02:19:08,560
Speaker 1: in my life. We land, and I'm like, yo, why

2521
02:19:08,640 --> 02:19:09,640
Speaker 1: is the traffic not moving?

2522
02:19:09,920 --> 02:19:10,400
Speaker 2: They're like yo.

2523
02:19:11,080 --> 02:19:13,560
Speaker 1: So so we get finally into the hotel, people say, yo,

2524
02:19:13,680 --> 02:19:17,200
Speaker 1: this this. There was four kids. Three of them made

2525
02:19:17,240 --> 02:19:20,680
Speaker 1: it to college, the fourth one did. All four of

2526
02:19:20,720 --> 02:19:25,160
Speaker 1: them jumped off the roof and killed themself. Whoa Where

2527
02:19:25,200 --> 02:19:28,920
Speaker 1: am I at, where I'm from. If three kids make

2528
02:19:28,959 --> 02:19:30,360
Speaker 1: it the college, that's a celebration.

2529
02:19:32,160 --> 02:19:38,760
Speaker 6: I'm like, wait a minute, they killed theirself in solidarity

2530
02:19:38,800 --> 02:19:39,200
Speaker 6: with each other.

2531
02:19:39,280 --> 02:19:40,240
Speaker 3: That's crazy. Boom.

2532
02:19:40,720 --> 02:19:43,000
Speaker 1: Now my people go to the mall. I won't I

2533
02:19:43,040 --> 02:19:46,119
Speaker 1: won't say this guy's name. It's still around. I still

2534
02:19:46,160 --> 02:19:47,080
Speaker 1: got love fun.

2535
02:19:49,040 --> 02:19:51,560
Speaker 2: He goes to the mall. This is been G shots.

2536
02:19:51,760 --> 02:19:52,240
Speaker 2: That's hot.

2537
02:19:53,360 --> 02:19:57,560
Speaker 1: He still is like seven G shots because they don't

2538
02:19:57,640 --> 02:20:01,360
Speaker 1: look at you in Japan to steal because no one.

2539
02:20:04,160 --> 02:20:07,560
Speaker 1: This idiot comes back to the hotel room and is like,

2540
02:20:09,600 --> 02:20:10,640
Speaker 1: nobody looked at me.

2541
02:20:10,920 --> 02:20:13,520
Speaker 3: Wow, he had seven G shots.

2542
02:20:13,959 --> 02:20:14,160
Speaker 2: Oh.

2543
02:20:14,600 --> 02:20:17,840
Speaker 1: The promoter knocks on my door, wants to give me something,

2544
02:20:18,240 --> 02:20:20,760
Speaker 1: and he just he just walks in nonsal. He doesn't

2545
02:20:20,800 --> 02:20:23,080
Speaker 1: know nothing, and he's like, yo, I just want everybody

2546
02:20:23,120 --> 02:20:27,760
Speaker 1: to know that you'd rather commit murder out here than

2547
02:20:27,800 --> 02:20:35,560
Speaker 1: to steal anything, so I said, And you're just looking

2548
02:20:35,600 --> 02:20:37,480
Speaker 1: at him. He's under all you know, you know, you

2549
02:20:37,560 --> 02:20:40,640
Speaker 1: know that sweat, that real sweat, and I'm looking and

2550
02:20:40,720 --> 02:20:43,640
Speaker 1: he's like yo. So soon as goes, he's like, I

2551
02:20:43,720 --> 02:20:45,600
Speaker 1: got to bring him back. I said, I think you

2552
02:20:45,720 --> 02:20:48,480
Speaker 1: might die more to bring it back. Just at this point,

2553
02:20:48,600 --> 02:20:50,960
Speaker 1: just get the fuck with her. But that was the

2554
02:20:51,000 --> 02:20:53,920
Speaker 1: first time, like like he actually stole. He knows exactly

2555
02:20:53,959 --> 02:20:59,720
Speaker 1: who it is. He's alive, breathing. Oh and you put

2556
02:20:59,760 --> 02:21:01,120
Speaker 1: me in jeopardy, motherfucker with.

2557
02:21:01,280 --> 02:21:05,160
Speaker 2: Eight boy, and do you imagine how it looked? But

2558
02:21:05,280 --> 02:21:09,400
Speaker 2: still a fucking hundred dollars watch if it was twenty

2559
02:21:10,000 --> 02:21:11,840
Speaker 2: twenty four, you go viral nigga.

2560
02:21:13,480 --> 02:21:15,400
Speaker 1: Back then you would have went to jail and just

2561
02:21:15,480 --> 02:21:18,680
Speaker 1: went to jail nigga. Now you would watch Getting Out

2562
02:21:18,760 --> 02:21:23,400
Speaker 1: right now A watch in Japan, A g shock, My

2563
02:21:23,560 --> 02:21:25,400
Speaker 1: motherfucker watched Connoisseur at.

2564
02:21:25,400 --> 02:21:28,520
Speaker 4: This point, Jesus, So, hey, look you're trying to go

2565
02:21:28,600 --> 02:21:30,520
Speaker 4: in the strip club right in Japan.

2566
02:21:30,760 --> 02:21:33,080
Speaker 13: Yeah, man, okay, you're the only niggas that trying to

2567
02:21:33,120 --> 02:21:39,080
Speaker 13: go to sprip Boater said, no, no, no, no, no, no, no,

2568
02:21:39,240 --> 02:21:44,280
Speaker 13: no no, wait wow, they said, they explained us, like

2569
02:21:44,440 --> 02:21:48,120
Speaker 13: the black military niggas was going in them.

2570
02:21:48,200 --> 02:21:51,680
Speaker 2: John's get the fighting and ship oh too, drunk and

2571
02:21:51,760 --> 02:21:53,440
Speaker 2: ship Oh okay, And we didn't know.

2572
02:21:53,560 --> 02:21:56,280
Speaker 1: We just got seen the pictures of the We didn't

2573
02:21:56,280 --> 02:21:58,440
Speaker 1: even it wasn't we didn't even know what we were reading.

2574
02:21:59,040 --> 02:22:03,120
Speaker 2: It was just pictures on this wall. We should have

2575
02:22:03,200 --> 02:22:05,720
Speaker 2: got up here like and man went up the steps.

2576
02:22:05,760 --> 02:22:08,240
Speaker 2: Bro I said no, no, no no. We was like, no,

2577
02:22:08,320 --> 02:22:10,240
Speaker 2: we can't come. We put in our money in niggas.

2578
02:22:10,240 --> 02:22:13,880
Speaker 2: And because I ain't gonna lot Japan, lay you a

2579
02:22:13,959 --> 02:22:16,200
Speaker 2: long time. I ain't.

2580
02:22:16,240 --> 02:22:17,920
Speaker 3: A lot of black man is gone in Japan.

2581
02:22:18,000 --> 02:22:19,480
Speaker 2: I don't know if you know that. I said, y'all,

2582
02:22:19,560 --> 02:22:21,320
Speaker 2: boy will have a fun know what I'm telling you.

2583
02:22:21,840 --> 02:22:30,520
Speaker 3: I ain't gonna be out of nowhere. But I do

2584
02:22:30,680 --> 02:22:31,160
Speaker 3: have a question.

2585
02:22:31,879 --> 02:22:33,720
Speaker 6: And we talked actually a lot about this with Gangsta

2586
02:22:33,760 --> 02:22:36,560
Speaker 6: Boo and I think somebody else. But what was your

2587
02:22:36,640 --> 02:22:41,199
Speaker 6: take on Hustle and Flow and the portrayal of Memphis?

2588
02:22:41,560 --> 02:22:42,160
Speaker 3: Of Memphis?

2589
02:22:43,120 --> 02:22:50,720
Speaker 2: Mhm uh, I don't know, man, You know all right, ain't.

2590
02:22:50,560 --> 02:22:53,640
Speaker 3: Like Terrence and Hall Man. It was a great performance,

2591
02:22:54,040 --> 02:22:57,440
Speaker 3: you know, like the lingo was cool, man, Like, was

2592
02:22:57,480 --> 02:22:59,160
Speaker 3: it accurate from your standpoints?

2593
02:22:59,280 --> 02:22:59,520
Speaker 10: It was?

2594
02:22:59,680 --> 02:23:00,400
Speaker 3: It was close.

2595
02:23:00,560 --> 02:23:04,160
Speaker 2: It was a good parody. Yeah, it was a great parody.

2596
02:23:05,200 --> 02:23:10,880
Speaker 4: I said that I feel I'm objective, like you shouldn't

2597
02:23:10,920 --> 02:23:14,560
Speaker 4: ask us this question because I feel a certain way

2598
02:23:14,600 --> 02:23:15,560
Speaker 4: to be too close to it.

2599
02:23:15,879 --> 02:23:16,000
Speaker 2: Now.

2600
02:23:16,160 --> 02:23:19,840
Speaker 4: We didn't have a cameo in the Mother Are we

2601
02:23:19,920 --> 02:23:23,000
Speaker 4: saying on the flow head, I'm not saying that. Okay,

2602
02:23:23,879 --> 02:23:26,200
Speaker 4: it helped a lot of like it spawned uh and

2603
02:23:26,360 --> 02:23:27,240
Speaker 4: we're not great things.

2604
02:23:28,680 --> 02:23:30,840
Speaker 2: That's what I'm saying, Like it spawned great things for

2605
02:23:30,920 --> 02:23:32,480
Speaker 2: three sis might be. I'm not saying that.

2606
02:23:33,080 --> 02:23:37,200
Speaker 4: I'm just saying that the people that created it should

2607
02:23:37,240 --> 02:23:38,840
Speaker 4: have included a ball of them JG.

2608
02:23:39,040 --> 02:23:41,280
Speaker 1: Okay, So let me ask you seeing the movie, everybody

2609
02:23:41,280 --> 02:23:44,360
Speaker 1: here seeing the movie, what role would y'all would wanted

2610
02:23:44,400 --> 02:23:46,240
Speaker 1: to play if the director came to y'all and said,

2611
02:23:46,400 --> 02:23:49,560
Speaker 1: your guys from I want you to be a part

2612
02:23:49,560 --> 02:23:49,840
Speaker 1: of them.

2613
02:23:49,959 --> 02:23:52,720
Speaker 2: I want y'all to play who y'all want to play?

2614
02:23:53,040 --> 02:23:53,680
Speaker 2: Who would you pick?

2615
02:23:53,720 --> 02:23:55,720
Speaker 3: Would you pick yourself or would you pick no.

2616
02:23:55,879 --> 02:23:58,640
Speaker 2: I would want to be a character like everybody was.

2617
02:24:01,959 --> 02:24:07,200
Speaker 1: Like, yeah, black head Paul, like he was the dope

2618
02:24:07,240 --> 02:24:09,440
Speaker 1: boy or something, you know what, Like yeah, I could

2619
02:24:09,480 --> 02:24:12,680
Speaker 1: have a cash drive, a nigga whatever, like put me

2620
02:24:12,760 --> 02:24:13,480
Speaker 1: in the motherfucker.

2621
02:24:13,560 --> 02:24:17,400
Speaker 2: That's all I'm saying. Like, was it film Memphis? Definitely?

2622
02:24:17,879 --> 02:24:18,520
Speaker 3: It was filmed.

2623
02:24:19,680 --> 02:24:19,880
Speaker 8: Wow.

2624
02:24:21,440 --> 02:24:23,640
Speaker 4: But I mean it was a great movie and it

2625
02:24:23,760 --> 02:24:25,959
Speaker 4: did a lot for the city. It did a lot

2626
02:24:26,000 --> 02:24:28,680
Speaker 4: for people from the city. And I'm not hating on it.

2627
02:24:29,320 --> 02:24:31,560
Speaker 4: I just hate that we wasn't a party.

2628
02:24:32,440 --> 02:24:34,680
Speaker 1: God damn, I think we all hate that you wasn't

2629
02:24:34,720 --> 02:24:36,440
Speaker 1: a part of it. So we're gonna look at Hustle

2630
02:24:36,440 --> 02:24:42,120
Speaker 1: and Flow different now, Hey, shi it is different. Yes,

2631
02:24:42,440 --> 02:24:49,840
Speaker 1: produce to Hustle and the Flow part two. Sorry, I

2632
02:24:49,879 --> 02:24:52,520
Speaker 1: ain't gonna lie know, we gotta Uh. We're working on

2633
02:24:52,600 --> 02:24:54,240
Speaker 1: a series called the Mound.

2634
02:24:55,720 --> 02:24:56,840
Speaker 3: Y'all about your life.

2635
02:24:57,360 --> 02:24:59,240
Speaker 4: That's what we want to see though. It's like the

2636
02:24:59,320 --> 02:25:02,160
Speaker 4: early ship, like going into coming out hard.

2637
02:25:02,920 --> 02:25:05,920
Speaker 1: You know it starts wu tang you've seen no whit.

2638
02:25:07,959 --> 02:25:09,920
Speaker 1: That's what we're talking about. We should have We should

2639
02:25:09,959 --> 02:25:11,400
Speaker 1: have let off with this hold on so hold on

2640
02:25:12,000 --> 02:25:12,959
Speaker 1: scripted obviously.

2641
02:25:13,600 --> 02:25:17,800
Speaker 2: Yeah, it's in the works.

2642
02:25:17,879 --> 02:25:22,880
Speaker 4: Man, who's gonna play you ain't no telling? And you

2643
02:25:23,000 --> 02:25:27,840
Speaker 4: know we we started off man, uh, what's my boy name?

2644
02:25:27,959 --> 02:25:28,360
Speaker 2: To Sean?

2645
02:25:29,520 --> 02:25:33,080
Speaker 4: Yeah he he on BOMF now, but he was playing

2646
02:25:33,200 --> 02:25:35,800
Speaker 4: me and this other kid was playing him when.

2647
02:25:35,680 --> 02:25:41,279
Speaker 2: We started with it's my boy name, we'll tie the actor,

2648
02:25:41,879 --> 02:25:46,560
Speaker 2: uh something like that. But that was that was then.

2649
02:25:46,720 --> 02:25:50,440
Speaker 4: See, we already we started as a movie, but we

2650
02:25:50,680 --> 02:25:55,160
Speaker 4: have started on it. It's best to do a series.

2651
02:25:55,240 --> 02:25:55,760
Speaker 2: We think.

2652
02:25:57,320 --> 02:25:59,720
Speaker 1: You know what, one of the greatest things is Tupac's

2653
02:25:59,760 --> 02:26:03,720
Speaker 1: movie So good, but it was so limited because of

2654
02:26:03,840 --> 02:26:06,280
Speaker 1: the three hour or two hours or whatever it was.

2655
02:26:06,640 --> 02:26:08,120
Speaker 3: So many people critiques it because of that.

2656
02:26:08,440 --> 02:26:10,520
Speaker 1: But now with the Wu Tang series, I think the

2657
02:26:10,600 --> 02:26:13,879
Speaker 1: Wu Tang series, I'm kind of like leveled it out

2658
02:26:13,959 --> 02:26:17,080
Speaker 1: because you get and now they are like season three

2659
02:26:17,240 --> 02:26:20,080
Speaker 1: or something like that. So yeah, yeah, and you're saying,

2660
02:26:20,160 --> 02:26:23,240
Speaker 1: start from the beginning of the first album, Yeah, yeah,

2661
02:26:27,040 --> 02:26:29,120
Speaker 1: twelve to twenty seasons. Yeah, if you do it that

2662
02:26:29,240 --> 02:26:31,119
Speaker 1: way going and yeah, that's beautiful.

2663
02:26:32,240 --> 02:26:34,680
Speaker 3: So that's in the works he's planning to see.

2664
02:26:35,400 --> 02:26:36,600
Speaker 2: And let me just tell y'all, bro.

2665
02:26:39,720 --> 02:26:41,760
Speaker 1: I know I said this earlier and I alluded to it,

2666
02:26:42,160 --> 02:26:46,200
Speaker 1: but there's there's probably no one in the music industry

2667
02:26:46,600 --> 02:26:50,800
Speaker 1: that is a respectful individual that don't respect y'all. So

2668
02:26:51,080 --> 02:26:54,320
Speaker 1: I don't think there's not one individual that you guys

2669
02:26:54,400 --> 02:26:58,440
Speaker 1: could call that will say no. I don't think so, bro,

2670
02:26:58,920 --> 02:27:02,520
Speaker 1: it's some man. Nah manuck them. Let's suppose them. Let

2671
02:27:02,600 --> 02:27:06,440
Speaker 1: them know, give me so many texts. Look, look at

2672
02:27:06,440 --> 02:27:10,640
Speaker 1: this nigga. This nigga ain't said no. Let's whip that trick,

2673
02:27:13,200 --> 02:27:16,400
Speaker 1: all right, So let me, let me move through, let

2674
02:27:16,440 --> 02:27:18,040
Speaker 1: me move through it. Let's move through it. Okay.

2675
02:27:20,600 --> 02:27:21,320
Speaker 3: Chess had.

2676
02:27:23,080 --> 02:27:28,119
Speaker 1: Uh uh funk Junkie featuring empty bread.

2677
02:27:28,800 --> 02:27:31,920
Speaker 3: That's my man. Let I breed, Man shout Breed.

2678
02:27:32,000 --> 02:27:36,120
Speaker 2: I still got Breed saved in my phone, the same

2679
02:27:36,360 --> 02:27:39,320
Speaker 2: nor from back then. Breed.

2680
02:27:39,640 --> 02:27:43,520
Speaker 4: That was our first paid feature feature. First time we

2681
02:27:43,640 --> 02:27:45,480
Speaker 4: ever paid a nigga to wrap on something.

2682
02:27:46,480 --> 02:27:47,280
Speaker 3: That y'all paid.

2683
02:27:47,959 --> 02:27:53,480
Speaker 2: Wow, Swab he was on swa Okay, but we used to.

2684
02:27:53,560 --> 02:27:55,640
Speaker 2: We was big fans of like the album The New

2685
02:27:55,720 --> 02:27:58,800
Speaker 2: Breed and all this shit he had with park.

2686
02:27:58,800 --> 02:27:59,959
Speaker 3: Yeah, Joe Parking.

2687
02:28:00,280 --> 02:28:01,480
Speaker 2: Yeah, we were big fans of that.

2688
02:28:03,160 --> 02:28:04,879
Speaker 1: So how did you initially hook up.

2689
02:28:06,800 --> 02:28:07,800
Speaker 3: Getting the future from him?

2690
02:28:08,520 --> 02:28:08,800
Speaker 2: That's it.

2691
02:28:10,160 --> 02:28:14,480
Speaker 1: Reached out to people and slew that nigga to Houston. Man,

2692
02:28:14,560 --> 02:28:18,080
Speaker 1: he came to Houston and did anything. And ever since then,

2693
02:28:18,200 --> 02:28:22,600
Speaker 1: we were cooling here and there. Okay, So let's look,

2694
02:28:22,879 --> 02:28:25,640
Speaker 1: I mean me, I I personally noticed. But but but

2695
02:28:26,200 --> 02:28:28,840
Speaker 1: my information that I personally know doesn't necessarily relate to

2696
02:28:28,920 --> 02:28:32,480
Speaker 1: the fans, right, And I know we spoke about it

2697
02:28:32,520 --> 02:28:35,200
Speaker 1: earlier about you know, the rails and all that. But

2698
02:28:35,280 --> 02:28:39,520
Speaker 1: let's let's let's let's describe to fans people that's listening

2699
02:28:40,879 --> 02:28:43,480
Speaker 1: how hard it was to do a feature back then,

2700
02:28:43,520 --> 02:28:45,800
Speaker 1: because it's either you had to actually be in the

2701
02:28:46,000 --> 02:28:49,119
Speaker 1: actual room with them or how we alluded to earlier.

2702
02:28:51,280 --> 02:28:52,000
Speaker 3: Getting it to them.

2703
02:28:52,680 --> 02:28:54,280
Speaker 7: So how what?

2704
02:28:54,560 --> 02:28:57,400
Speaker 1: What's do you think doing a feature back then was harder?

2705
02:28:58,600 --> 02:28:59,800
Speaker 3: It was in the studio with it.

2706
02:29:00,000 --> 02:29:02,240
Speaker 1: You had to be in the studio. That's why I

2707
02:29:02,240 --> 02:29:03,160
Speaker 1: don't think it was hard.

2708
02:29:03,800 --> 02:29:08,920
Speaker 2: Different, you know what I'm saying, always more calamborated.

2709
02:29:11,120 --> 02:29:12,360
Speaker 3: You've got chemistry in the studio.

2710
02:29:12,400 --> 02:29:14,400
Speaker 1: You feel like the music was better because y'all had

2711
02:29:14,440 --> 02:29:15,920
Speaker 1: to be in the studio together.

2712
02:29:16,080 --> 02:29:18,440
Speaker 3: Like I couldn't. I can't. It's a different chemistry. Yeah,

2713
02:29:18,440 --> 02:29:19,480
Speaker 3: it's a different chemistry.

2714
02:29:20,520 --> 02:29:23,600
Speaker 1: That's why I love analog like me personally, Like when

2715
02:29:23,600 --> 02:29:25,000
Speaker 1: I did this song with Bust and ro did this

2716
02:29:25,040 --> 02:29:28,960
Speaker 1: song with Nash, you know, you know, so on and

2717
02:29:29,040 --> 02:29:32,080
Speaker 1: so hard from R. Kelly to whatever, Like yeah, yeah,

2718
02:29:32,080 --> 02:29:32,800
Speaker 1: I did this song with R.

2719
02:29:32,879 --> 02:29:35,560
Speaker 3: Kelly. Men, motherfucker I did. And I took that check.

2720
02:29:35,760 --> 02:29:39,160
Speaker 1: Kelly challenged a mother and that nigga made me wait

2721
02:29:39,160 --> 02:29:41,240
Speaker 1: for like three four hours he played basketball.

2722
02:29:41,240 --> 02:29:43,960
Speaker 2: I was like, what the fuck com nigga?

2723
02:29:44,000 --> 02:29:47,000
Speaker 3: Hurry the fuck up? But he gave me fifty thousand and.

2724
02:29:46,959 --> 02:29:50,760
Speaker 2: I liked it. That's I went to Okay.

2725
02:29:52,200 --> 02:29:54,440
Speaker 1: But yeah, that's why I felt like the music was

2726
02:29:54,480 --> 02:29:55,840
Speaker 1: better because you have to be in the same.

2727
02:29:56,200 --> 02:29:58,280
Speaker 3: Same, fucking the same place. You ever did a.

2728
02:29:58,280 --> 02:29:59,000
Speaker 2: Record with R Kelly?

2729
02:30:00,360 --> 02:30:04,920
Speaker 1: No sample one one I did one with I'm in

2730
02:30:05,000 --> 02:30:07,040
Speaker 1: love with Oh yeah, yeah, I'm in love with a

2731
02:30:07,080 --> 02:30:12,959
Speaker 1: strip of remix remix Kelly jumped on the jont him

2732
02:30:13,280 --> 02:30:19,160
Speaker 1: R Kelly, Uh twister, Yeah, it's a bunch of me.

2733
02:30:19,680 --> 02:30:22,879
Speaker 3: Uh yeah, twisted PEMC R Kelly.

2734
02:30:23,080 --> 02:30:27,800
Speaker 4: Yeah, and we sample wanted Nigga records. He took eighty

2735
02:30:27,879 --> 02:30:28,720
Speaker 4: percent of the song.

2736
02:30:28,879 --> 02:30:30,560
Speaker 3: Jesus Damn. He makes a noise for that.

2737
02:30:30,760 --> 02:30:35,320
Speaker 2: No, I mean a ship to me.

2738
02:30:35,480 --> 02:30:35,800
Speaker 7: I ain't.

2739
02:30:37,720 --> 02:30:40,680
Speaker 1: I'm just saying I'm not with Kelly though, Like I

2740
02:30:41,440 --> 02:30:45,200
Speaker 1: don't have no I'm not Uh what a nigga do

2741
02:30:45,320 --> 02:30:47,080
Speaker 1: on they you know what I'm saying, I ain't got

2742
02:30:47,120 --> 02:30:47,800
Speaker 1: nothing to do with that.

2743
02:30:47,879 --> 02:30:49,039
Speaker 2: Comedian and nigga music.

2744
02:30:49,240 --> 02:30:53,080
Speaker 1: Comedian just said that now today have elected Trump, that

2745
02:30:53,200 --> 02:30:59,640
Speaker 1: he's openly now listening to R Kelly, the criminals stopping.

2746
02:31:00,080 --> 02:31:01,280
Speaker 1: I mean, that's what the comedian said.

2747
02:31:01,560 --> 02:31:07,520
Speaker 2: I'm gonna make an album everything but round, I'm telling

2748
02:31:07,520 --> 02:31:12,160
Speaker 2: you already. Let me.

2749
02:31:13,720 --> 02:31:16,280
Speaker 1: Let me ask you the man dollar question, and this

2750
02:31:16,440 --> 02:31:21,520
Speaker 1: is real. Was you ever in love with the strippers? Hold, look,

2751
02:31:23,080 --> 02:31:27,280
Speaker 1: don't dun't dumb. Look, you had a couple of nights.

2752
02:31:27,720 --> 02:31:28,120
Speaker 2: I made it.

2753
02:31:28,280 --> 02:31:32,680
Speaker 3: Almost almost thought I would, but I had to bounce back.

2754
02:31:34,200 --> 02:31:38,600
Speaker 3: This is after the forty five strokes, right around forty

2755
02:31:38,680 --> 02:31:46,400
Speaker 3: three love, I love forty three side the temper.

2756
02:31:47,280 --> 02:31:49,360
Speaker 1: This is the only nigga that will go into sleep,

2757
02:31:49,680 --> 02:31:51,920
Speaker 1: go to sleep at the strip club.

2758
02:31:52,800 --> 02:31:53,039
Speaker 3: Damn.

2759
02:31:53,480 --> 02:31:55,520
Speaker 4: We was at the Still Club one night. Bro we

2760
02:31:55,720 --> 02:31:58,760
Speaker 4: deep like this right here, my ball over here like this.

2761
02:32:00,560 --> 02:32:03,040
Speaker 4: We our young niggas. The winning got a bunch of chicks,

2762
02:32:03,120 --> 02:32:03,640
Speaker 4: bring them back.

2763
02:32:03,720 --> 02:32:04,199
Speaker 2: They dance.

2764
02:32:04,560 --> 02:32:05,840
Speaker 3: I'm saying you did infind the girls.

2765
02:32:05,879 --> 02:32:07,640
Speaker 2: The girl BIS would.

2766
02:32:07,520 --> 02:32:10,080
Speaker 1: Dance and on this boy for twenty minutes. Man, my boy,

2767
02:32:10,200 --> 02:32:14,000
Speaker 1: like this is sleep. She gonna have for some money

2768
02:32:14,040 --> 02:32:18,199
Speaker 1: when she finished. He like, I don't happened. I didn't

2769
02:32:18,200 --> 02:32:19,480
Speaker 1: even ask you to do nothing.

2770
02:32:22,120 --> 02:32:22,320
Speaker 2: Man.

2771
02:32:23,879 --> 02:32:26,039
Speaker 3: So for the record, he was never in love.

2772
02:32:27,080 --> 02:32:31,320
Speaker 1: He said almost almost forty two strokes in yeah, forty

2773
02:32:31,360 --> 02:32:34,119
Speaker 1: two strokes, forty two pumps, forty two pumps.

2774
02:32:34,360 --> 02:32:36,199
Speaker 3: Okay, stop short, my brother.

2775
02:32:36,760 --> 02:32:37,400
Speaker 2: Stop.

2776
02:32:39,160 --> 02:32:41,000
Speaker 1: Because you know. At one point, I'm gonna just be

2777
02:32:41,080 --> 02:32:46,240
Speaker 1: honest with you. You know what was the phrase? I

2778
02:32:46,320 --> 02:32:49,760
Speaker 1: believe it was country bunking right that they used to say, right,

2779
02:32:49,840 --> 02:32:53,200
Speaker 1: And at one point that was the reason for it, right,

2780
02:32:53,480 --> 02:32:56,279
Speaker 1: was because we looked at people in the south.

2781
02:32:56,080 --> 02:32:56,600
Speaker 3: Of her Bama.

2782
02:32:56,680 --> 02:32:59,080
Speaker 1: There was a Mama love Bama or whatever, like why

2783
02:32:59,120 --> 02:33:00,680
Speaker 1: do y'all throw money at girls?

2784
02:33:00,879 --> 02:33:01,039
Speaker 9: Right?

2785
02:33:01,560 --> 02:33:03,840
Speaker 1: We thought that was lame. You should see New York

2786
02:33:03,920 --> 02:33:06,400
Speaker 1: strip clubs right now, right, But we thought that was

2787
02:33:06,560 --> 02:33:09,000
Speaker 1: lame back then, like we was like there was there

2788
02:33:09,080 --> 02:33:13,440
Speaker 1: was three things that we said we'll never do, throw

2789
02:33:13,520 --> 02:33:17,199
Speaker 1: money at bitches, eating the strip club, and then shipping

2790
02:33:17,240 --> 02:33:17,920
Speaker 1: the script club.

2791
02:33:18,160 --> 02:33:19,879
Speaker 3: I lived out here for a week. I brought all

2792
02:33:19,920 --> 02:33:23,840
Speaker 3: those rules in two days. I was Scott's star was

2793
02:33:23,879 --> 02:33:25,080
Speaker 3: out there like, what the are you doing?

2794
02:33:25,680 --> 02:33:25,840
Speaker 1: Man?

2795
02:33:30,520 --> 02:33:32,000
Speaker 2: My reason to go now?

2796
02:33:34,840 --> 02:33:39,760
Speaker 3: Listen to me? What's what's what's that? What's that strip?

2797
02:33:39,879 --> 02:33:40,199
Speaker 2: Tootsy?

2798
02:33:42,040 --> 02:33:44,240
Speaker 3: I swear to God. At one point I was going

2799
02:33:44,320 --> 02:33:45,400
Speaker 3: to Tutsies.

2800
02:33:46,440 --> 02:33:46,920
Speaker 2: For lunch.

2801
02:33:48,560 --> 02:33:51,360
Speaker 1: I didn't get no fucking dance. I didn't look at

2802
02:33:51,400 --> 02:33:53,360
Speaker 1: no bitches, and I smoked a little bit of weed.

2803
02:33:54,040 --> 02:33:57,360
Speaker 1: They had this fried lobster. They said that the chef

2804
02:33:57,480 --> 02:34:00,959
Speaker 1: was a culinary chef. I didn't I didn't research him.

2805
02:34:01,200 --> 02:34:01,920
Speaker 2: I just believe it.

2806
02:34:05,320 --> 02:34:08,000
Speaker 1: It said that the Lemon Peppers was born in Miami

2807
02:34:08,240 --> 02:34:13,080
Speaker 1: at Toutsi's I didn't question the chef. I just for

2808
02:34:13,280 --> 02:34:18,160
Speaker 1: extra blue cheese. So some of the strip club's got

2809
02:34:18,200 --> 02:34:21,800
Speaker 1: some great rings. What's one of the greatest strip club

2810
02:34:21,920 --> 02:34:22,840
Speaker 1: foods you ever had?

2811
02:34:25,240 --> 02:34:31,960
Speaker 5: Well from the times, from the limited times that I

2812
02:34:32,080 --> 02:34:38,680
Speaker 5: am enduged in the strip club areas, I would say

2813
02:34:38,840 --> 02:34:42,280
Speaker 5: maybe some Lamb chops, or.

2814
02:34:43,959 --> 02:34:45,640
Speaker 3: From from the club where we be going on.

2815
02:34:45,840 --> 02:34:47,879
Speaker 2: Man, say the name of that junt.

2816
02:34:49,640 --> 02:34:52,760
Speaker 1: With the Lamb Burgers and sho you know he halfway

2817
02:34:53,560 --> 02:34:55,920
Speaker 1: he said, you know everybody.

2818
02:34:55,680 --> 02:34:58,879
Speaker 2: Looking at him like that. He said he remembered better.

2819
02:34:59,000 --> 02:35:03,280
Speaker 2: That's all in Atlanta, man, that Wood's so.

2820
02:35:03,400 --> 02:35:06,600
Speaker 1: Good and that Johnt Man. I like Alex Wings better

2821
02:35:06,680 --> 02:35:07,720
Speaker 1: than Chas in Atlanta.

2822
02:35:08,600 --> 02:35:09,039
Speaker 2: I don't want.

2823
02:35:09,720 --> 02:35:12,680
Speaker 4: I don't even do the wings. Yeah still open winds,

2824
02:35:12,760 --> 02:35:14,760
Speaker 4: No I do. I'm just saying I like the Lamb

2825
02:35:14,840 --> 02:35:15,760
Speaker 4: Burger better.

2826
02:35:15,879 --> 02:35:22,119
Speaker 5: Lamb Burger, the Lamb ham Burger, Lamber Lamb Burger.

2827
02:35:22,280 --> 02:35:22,440
Speaker 6: Oh.

2828
02:35:24,400 --> 02:35:26,320
Speaker 1: I like the clubs, and I like the Wings and

2829
02:35:26,400 --> 02:35:31,560
Speaker 1: Onyx because you know what was the other from the

2830
02:35:31,720 --> 02:35:36,840
Speaker 1: Puerto Rican spot that closed down. Come on, Jesus, that's

2831
02:35:36,879 --> 02:35:39,320
Speaker 1: how the whole one. I was looking at people to

2832
02:35:39,360 --> 02:35:48,520
Speaker 1: go to Atlanta. You look like you've never been in Atlanta. Follies, follies, food, horrible,

2833
02:35:49,600 --> 02:35:54,600
Speaker 1: great atmosphere, great atmosphere, great atmosphere. So like he said

2834
02:35:54,680 --> 02:35:57,440
Speaker 1: earlier that they used to break records in the strip clubs,

2835
02:35:57,600 --> 02:36:00,440
Speaker 1: was that, like, is Memphis like that? Like that you

2836
02:36:00,640 --> 02:36:03,720
Speaker 1: you could go and break records at one time if.

2837
02:36:03,720 --> 02:36:07,360
Speaker 5: It's used to be that that strip club. It actually

2838
02:36:07,520 --> 02:36:11,320
Speaker 5: brought that strip club city naked.

2839
02:36:12,640 --> 02:36:17,320
Speaker 11: Way, bucket, naked with a bucket, a bucket, buckets.

2840
02:36:17,200 --> 02:36:22,160
Speaker 3: Naked all the way for a couple of decades.

2841
02:36:23,080 --> 02:36:26,240
Speaker 4: Oh they changed up now, yeah, you know, like we

2842
02:36:26,440 --> 02:36:29,560
Speaker 4: got too violent for the strip club to survive. Like

2843
02:36:30,280 --> 02:36:34,400
Speaker 4: only the Square strip Club survived the jumps where they

2844
02:36:34,680 --> 02:36:37,600
Speaker 4: just topless and you gotta get two tickets and get

2845
02:36:37,680 --> 02:36:41,040
Speaker 4: some burro or something. That ship's gonna survive, But like

2846
02:36:41,160 --> 02:36:44,400
Speaker 4: the gonna spend that you want to go to, that

2847
02:36:44,440 --> 02:36:47,280
Speaker 4: ship ain't gonna survive because they're killing niggas on the

2848
02:36:47,320 --> 02:36:47,840
Speaker 4: parking lot.

2849
02:36:47,879 --> 02:36:50,320
Speaker 2: I'm telling you the truth. That's when I knew new York.

2850
02:36:50,480 --> 02:36:54,800
Speaker 1: We had nothing. It's like when we first strip clubs.

2851
02:36:55,120 --> 02:36:56,920
Speaker 1: South Nigga used to come off club and be like.

2852
02:36:56,959 --> 02:37:05,520
Speaker 9: This what Atlanta changed the world as far as strip

2853
02:37:05,600 --> 02:37:08,240
Speaker 9: clubs because Atlanta was locking it.

2854
02:37:08,600 --> 02:37:10,400
Speaker 2: Well they what they did it.

2855
02:37:10,879 --> 02:37:13,840
Speaker 1: That's a discussion. The two biggest discussions. Like I said,

2856
02:37:13,879 --> 02:37:16,960
Speaker 1: members was like that in the eighties Members, eighties and

2857
02:37:17,080 --> 02:37:22,640
Speaker 1: nineties Miami sure yeah, Miami was to see.

2858
02:37:22,680 --> 02:37:23,600
Speaker 3: And the lap dances.

2859
02:37:24,720 --> 02:37:27,520
Speaker 1: They wasn't doing the dune And I ain't gonna lie

2860
02:37:27,560 --> 02:37:29,680
Speaker 1: to you. Miami had no age limit neither.

2861
02:37:30,200 --> 02:37:30,960
Speaker 3: I don't know about that.

2862
02:37:31,040 --> 02:37:33,760
Speaker 1: They were let niggas. It was niggas now eleven years old.

2863
02:37:36,600 --> 02:37:38,080
Speaker 1: Look at Boris, Look at jumping up.

2864
02:37:38,080 --> 02:37:38,680
Speaker 2: Look at Boris.

2865
02:37:46,320 --> 02:37:47,760
Speaker 3: He got stuck into the club.

2866
02:37:51,920 --> 02:37:54,800
Speaker 2: Too young. They used to have a snow and down.

2867
02:37:54,959 --> 02:37:57,000
Speaker 2: It used to be a strip club called Bottoms.

2868
02:37:56,680 --> 02:37:59,160
Speaker 3: Of Last Man. That's in my own bottom. That's where

2869
02:37:59,160 --> 02:38:01,280
Speaker 3: you're from right speaking there.

2870
02:38:01,560 --> 02:38:04,320
Speaker 4: Like at a certain age, as long as you have money,

2871
02:38:04,360 --> 02:38:05,959
Speaker 4: they wouldn't ask you for no idea.

2872
02:38:06,240 --> 02:38:12,400
Speaker 3: Miami eleven though. Man, by the way, thank y'all so much.

2873
02:38:12,520 --> 02:38:16,520
Speaker 1: Man, because one this is something that me and my

2874
02:38:17,280 --> 02:38:22,720
Speaker 1: partner friend one personally, but other than that this is

2875
02:38:22,760 --> 02:38:26,200
Speaker 1: something your fans really want, It's something that the hip

2876
02:38:26,240 --> 02:38:27,520
Speaker 1: hop community really want.

2877
02:38:28,520 --> 02:38:28,800
Speaker 3: Vocal.

2878
02:38:29,760 --> 02:38:34,040
Speaker 1: I'm honored to bow down and give you brothers your

2879
02:38:34,120 --> 02:38:38,480
Speaker 1: flowers because one, you deserve it, and two it's something

2880
02:38:38,560 --> 02:38:42,480
Speaker 1: that we have to do because you fucking deserve it.

2881
02:38:48,840 --> 02:38:52,080
Speaker 2: As for you, I gotta tell you them to let

2882
02:38:52,120 --> 02:38:52,280
Speaker 2: me go.

2883
02:38:53,879 --> 02:38:56,959
Speaker 3: Hold of that. We take a pison in periodicity.

2884
02:38:58,360 --> 02:39:01,120
Speaker 6: So we talked about the people you said with Memphis

2885
02:39:01,200 --> 02:39:03,360
Speaker 6: that they were listening to, But now what the out

2886
02:39:03,400 --> 02:39:05,600
Speaker 6: of town influences, like the artists that really stuck out

2887
02:39:05,600 --> 02:39:08,280
Speaker 6: to you that you think influenced how you guys rhyme today?

2888
02:39:09,720 --> 02:39:13,600
Speaker 6: Not from Memphis though, Yeah, is there anybody specifically?

2889
02:39:16,680 --> 02:39:18,119
Speaker 2: I mean we were.

2890
02:39:21,400 --> 02:39:24,760
Speaker 4: As kids, I want to say, like twelve years old,

2891
02:39:25,720 --> 02:39:27,920
Speaker 4: heavily influenced by Run DMC.

2892
02:39:30,280 --> 02:39:32,080
Speaker 2: You know our name Ayball and.

2893
02:39:33,800 --> 02:39:35,880
Speaker 3: It's like run DMC.

2894
02:39:37,680 --> 02:39:38,480
Speaker 2: I think to think of a.

2895
02:39:38,520 --> 02:39:41,320
Speaker 1: Group name like let's just do like them boys, you know,

2896
02:39:42,400 --> 02:39:46,520
Speaker 1: but heavily influenced by them and just all I don't know.

2897
02:39:46,840 --> 02:39:48,560
Speaker 2: Early like we listened to everything.

2898
02:39:48,640 --> 02:39:51,640
Speaker 4: If you listen to our music, I think it's a

2899
02:39:51,840 --> 02:39:54,080
Speaker 4: it's a little bit of everything. And there you know,

2900
02:39:54,760 --> 02:39:56,600
Speaker 4: he was talking about break him off.

2901
02:39:57,959 --> 02:40:01,920
Speaker 1: That was like as coast I record, almost as far

2902
02:40:02,000 --> 02:40:07,040
Speaker 1: as the music was, you know, and just I don't know,

2903
02:40:07,160 --> 02:40:08,800
Speaker 1: we went everywhere with it. Th man.

2904
02:40:08,959 --> 02:40:10,960
Speaker 3: You know what about production style?

2905
02:40:13,360 --> 02:40:13,480
Speaker 1: Uh?

2906
02:40:14,879 --> 02:40:20,080
Speaker 4: I think our best our best music came from when

2907
02:40:21,560 --> 02:40:24,480
Speaker 4: when we work with t MIGX. Definitely, you know what

2908
02:40:24,520 --> 02:40:29,240
Speaker 4: I mean? Yeah, like from uh, from on the outside

2909
02:40:29,320 --> 02:40:30,959
Speaker 4: looking in to.

2910
02:40:32,440 --> 02:40:36,840
Speaker 1: In our lifetime, like that was probably our best music

2911
02:40:36,959 --> 02:40:39,199
Speaker 1: every definitely.

2912
02:40:40,760 --> 02:40:40,960
Speaker 2: Yeah.

2913
02:40:41,800 --> 02:40:43,680
Speaker 1: Now yeah, I did a dream of big crip money

2914
02:40:43,720 --> 02:40:47,680
Speaker 1: on the floor featuring you guys and shout out yeah.

2915
02:40:47,959 --> 02:40:51,119
Speaker 1: I believe he changed on that song as well. How

2916
02:40:51,160 --> 02:40:58,519
Speaker 1: did that song come about? Critig He's from miss Mississippi?

2917
02:40:59,160 --> 02:41:01,800
Speaker 1: Uh Invanity taught me how to smell Mississippi and I

2918
02:41:01,879 --> 02:41:03,959
Speaker 1: still I still get it wrong.

2919
02:41:07,160 --> 02:41:10,840
Speaker 3: I think it's for laughing at that. Well, how did

2920
02:41:10,879 --> 02:41:11,720
Speaker 3: that come about?

2921
02:41:12,080 --> 02:41:14,640
Speaker 2: He just hollered, man, He just hollered man.

2922
02:41:14,680 --> 02:41:16,680
Speaker 4: I think he did a you produced a couple of

2923
02:41:16,720 --> 02:41:19,520
Speaker 4: records for us as you know at that time as well,

2924
02:41:20,680 --> 02:41:25,039
Speaker 4: But he just hollered man. He always, you know, been

2925
02:41:25,120 --> 02:41:28,800
Speaker 4: a fan man. He wanted to make something happen. Made

2926
02:41:28,840 --> 02:41:29,280
Speaker 4: it happen.

2927
02:41:30,760 --> 02:41:32,760
Speaker 1: So let me ask y'all, is it anybody who ever

2928
02:41:32,959 --> 02:41:34,680
Speaker 1: told y'all they was a fan of y'all that y'all

2929
02:41:34,680 --> 02:41:35,160
Speaker 1: were shocked.

2930
02:41:38,360 --> 02:41:41,560
Speaker 3: Lots of people, lots of people.

2931
02:41:42,560 --> 02:41:48,240
Speaker 2: Give me an example, give me example one. Uh man,

2932
02:41:48,600 --> 02:41:56,160
Speaker 2: uh boy, I don't know, man, uh, I have to

2933
02:41:56,240 --> 02:41:56,879
Speaker 2: think about that.

2934
02:41:56,959 --> 02:42:00,120
Speaker 3: One, you know, because everybody's a fan of y'all, So.

2935
02:42:01,840 --> 02:42:06,360
Speaker 4: I don't know, but you know it just uh, I

2936
02:42:06,400 --> 02:42:10,600
Speaker 4: don't know. We we are such fans of the whole,

2937
02:42:10,840 --> 02:42:14,360
Speaker 4: you know what I'm saying, like, Uh, I don't know.

2938
02:42:14,440 --> 02:42:19,280
Speaker 2: I don't look at it like that, you know, you know,

2939
02:42:19,360 --> 02:42:19,760
Speaker 2: I mean.

2940
02:42:21,680 --> 02:42:23,240
Speaker 3: Because you're legends and legends.

2941
02:42:23,360 --> 02:42:25,560
Speaker 1: I want to I want to get in the interviews

2942
02:42:25,640 --> 02:42:28,680
Speaker 1: see and be like, how did how did it feel

2943
02:42:28,760 --> 02:42:31,600
Speaker 1: to work with Ford? I'm about to ask y'all because

2944
02:42:31,879 --> 02:42:36,360
Speaker 1: that's that's one thing that I noticed that that y'all

2945
02:42:36,400 --> 02:42:39,560
Speaker 1: didn't work with what a cross path.

2946
02:42:40,920 --> 02:42:44,400
Speaker 4: Went to the studio one time with Diddy, okay and

2947
02:42:45,120 --> 02:42:46,800
Speaker 4: met him and talked or whatever.

2948
02:42:47,320 --> 02:42:48,440
Speaker 2: But we never worked there.

2949
02:42:49,080 --> 02:42:52,560
Speaker 3: But it was in the studio and did he play

2950
02:42:52,640 --> 02:42:53,320
Speaker 3: your beats or No.

2951
02:42:54,520 --> 02:42:56,920
Speaker 4: We wasn't there for that. I think we was with

2952
02:42:57,280 --> 02:43:00,240
Speaker 4: somebody else that was working and we were just there

2953
02:43:00,360 --> 02:43:01,240
Speaker 4: for the introduction.

2954
02:43:01,600 --> 02:43:01,880
Speaker 3: Okay.

2955
02:43:02,120 --> 02:43:04,520
Speaker 2: You know, what I'm saying. So we wasn't there to work,

2956
02:43:04,600 --> 02:43:07,440
Speaker 2: I don't think, okay, but I don't know what it.

2957
02:43:07,640 --> 02:43:11,000
Speaker 4: Was, but I would have loved to you know what

2958
02:43:11,080 --> 02:43:13,320
Speaker 4: I'm saying, And that would have been some monument of

2959
02:43:13,360 --> 02:43:14,640
Speaker 4: shit show.

2960
02:43:15,320 --> 02:43:16,160
Speaker 3: I can hear that record.

2961
02:43:16,320 --> 02:43:17,440
Speaker 2: Butt me. Let me ask you.

2962
02:43:17,600 --> 02:43:21,440
Speaker 1: God comes down from Earth, I mean from heaven. He

2963
02:43:21,560 --> 02:43:23,960
Speaker 1: comes to Earth and he meets with y'all and he

2964
02:43:24,120 --> 02:43:29,280
Speaker 1: having some motherfucking dres the Killer with y'all, and he says,

2965
02:43:29,360 --> 02:43:35,480
Speaker 1: you got one record to save humanity. You got one

2966
02:43:35,520 --> 02:43:39,360
Speaker 1: producer who's gonna produce this record, and if you would like,

2967
02:43:39,959 --> 02:43:43,760
Speaker 1: we have one feature. This one feature could be dead

2968
02:43:44,520 --> 02:43:49,840
Speaker 1: or alive. You got one record to save humanity, and

2969
02:43:49,959 --> 02:43:53,240
Speaker 1: you got one feature. Who is that producer that's gonna

2970
02:43:53,360 --> 02:43:55,960
Speaker 1: make that record? And who is that feature that you're

2971
02:43:56,000 --> 02:43:56,600
Speaker 1: gonna choose?

2972
02:43:58,000 --> 02:43:58,200
Speaker 9: Huh?

2973
02:44:01,040 --> 02:44:01,680
Speaker 3: That all live?

2974
02:44:04,080 --> 02:44:04,280
Speaker 2: Yeah?

2975
02:44:05,840 --> 02:44:12,480
Speaker 1: Well me personally, I always choose Marvin like my dad

2976
02:44:12,600 --> 02:44:14,039
Speaker 1: or alive that I would look.

2977
02:44:13,879 --> 02:44:14,760
Speaker 2: At you do something with.

2978
02:44:18,120 --> 02:44:20,600
Speaker 4: That would have been you know what I'm saying. I

2979
02:44:20,640 --> 02:44:23,119
Speaker 4: would definitely pick him, but I don't know the production though.

2980
02:44:24,040 --> 02:44:29,880
Speaker 4: Uh hum, that's heavy right there? His name T Mix.

2981
02:44:30,520 --> 02:44:33,160
Speaker 2: Yeah, Yeah, that would be that would be some magic

2982
02:44:34,200 --> 02:44:37,119
Speaker 2: he mixing Marvin Gaye. Yeah, that would be some magic ship.

2983
02:44:37,680 --> 02:44:39,040
Speaker 1: I got a shot, but I said, I'll take a

2984
02:44:39,080 --> 02:44:40,560
Speaker 1: shot if there's a shot.

2985
02:44:40,640 --> 02:44:41,680
Speaker 3: Head guess what.

2986
02:44:42,800 --> 02:44:45,280
Speaker 1: Yeah, yeah, if you want to God damn, go to

2987
02:44:45,440 --> 02:44:49,520
Speaker 1: some you know. Uh but yeah, Marvin Gaye.

2988
02:44:49,600 --> 02:44:51,840
Speaker 3: Man, you guys ever did anything with organized noise?

2989
02:44:52,800 --> 02:44:58,200
Speaker 2: Yeah, we go ways. Man recognized noise. They did. That's

2990
02:44:58,280 --> 02:44:59,280
Speaker 2: the piece right he passed away.

2991
02:45:00,840 --> 02:45:05,160
Speaker 4: Yeah, they did work on in our Lifetime album we did, uh,

2992
02:45:06,879 --> 02:45:11,560
Speaker 4: hey do the one to see those song on? He

2993
02:45:12,320 --> 02:45:19,240
Speaker 4: produced that put your hands up with Outcast. Yeah, you

2994
02:45:19,280 --> 02:45:19,760
Speaker 4: don't give.

2995
02:45:21,760 --> 02:45:21,880
Speaker 1: Uh.

2996
02:45:22,000 --> 02:45:23,680
Speaker 4: We got a song called we Don't Give a funk.

2997
02:45:23,760 --> 02:45:29,160
Speaker 4: They did John Pleasure and our first gold record ever

2998
02:45:29,440 --> 02:45:33,600
Speaker 4: was Soul Food remixed with Good first gold record I

2999
02:45:33,680 --> 02:45:37,280
Speaker 4: ever got. Wow, So let me ask you the same question.

3000
02:45:37,959 --> 02:45:40,840
Speaker 1: God comes down, says man, we got one record to

3001
02:45:40,879 --> 02:45:44,600
Speaker 1: save humanity, and you get to pick the producer and

3002
02:45:44,680 --> 02:45:46,279
Speaker 1: you get to pick the artist feature.

3003
02:45:49,800 --> 02:45:59,160
Speaker 5: Oh man, I think I would have to say I

3004
02:45:59,200 --> 02:46:02,080
Speaker 5: would be the produce us and that would be the

3005
02:46:02,200 --> 02:46:02,800
Speaker 5: artist feature.

3006
02:46:05,480 --> 02:46:05,680
Speaker 2: Damn.

3007
02:46:06,320 --> 02:46:12,400
Speaker 1: That's the first that's in first. So a ball m

3008
02:46:12,520 --> 02:46:23,360
Speaker 1: j G featuring MJG produced. I was not ready for that,

3009
02:46:23,800 --> 02:46:28,920
Speaker 1: I'm taking a shot if there's anything you could take

3010
02:46:28,959 --> 02:46:33,480
Speaker 1: back from the game, like something that maybe let me

3011
02:46:33,600 --> 02:46:38,520
Speaker 1: then rephrase the question. I'm gonna give you a example

3012
02:46:38,560 --> 02:46:41,200
Speaker 1: of minds that I went through. A friend of mine

3013
02:46:41,280 --> 02:46:46,240
Speaker 1: name is Tata. He he sends me bottles of Yamazaki whiskey,

3014
02:46:47,320 --> 02:46:48,040
Speaker 1: you know, all the time.

3015
02:46:48,240 --> 02:46:48,520
Speaker 2: Whatever.

3016
02:46:48,600 --> 02:46:49,360
Speaker 3: That's one friend.

3017
02:46:49,959 --> 02:46:53,120
Speaker 1: But he brung me this girl one time and he

3018
02:46:53,200 --> 02:46:56,119
Speaker 1: said to me, I want her to do the remix

3019
02:46:56,600 --> 02:47:00,400
Speaker 1: to a BODI more than and I was like, no problem,

3020
02:47:01,959 --> 02:47:04,640
Speaker 1: and then he goes, but she wants fifteen grand. I

3021
02:47:04,720 --> 02:47:11,440
Speaker 1: had a million dollar budget and I basically was like

3022
02:47:11,680 --> 02:47:13,440
Speaker 1: that's too much, you know, like you know what I mean?

3023
02:47:14,680 --> 02:47:17,080
Speaker 1: And I fucked up. This girl wound up being Rihanna.

3024
02:47:18,520 --> 02:47:23,160
Speaker 1: The biggest mistake in my career. Wo biggest now you

3025
02:47:23,240 --> 02:47:25,520
Speaker 1: think about it, that fifteen grand could have made me

3026
02:47:25,640 --> 02:47:30,640
Speaker 1: five million dollars, but I couldn't think like that. So

3027
02:47:31,000 --> 02:47:33,720
Speaker 1: it has there ever been a time where someone presented

3028
02:47:33,800 --> 02:47:37,279
Speaker 1: you an artist or feature or something that you couldn't.

3029
02:47:36,959 --> 02:47:39,879
Speaker 3: See it and you realized later on regret.

3030
02:47:39,800 --> 02:47:41,119
Speaker 2: La same story.

3031
02:47:41,360 --> 02:47:41,640
Speaker 3: Okay.

3032
02:47:41,760 --> 02:47:44,400
Speaker 4: We used to record at the studio in Houston called

3033
02:47:44,480 --> 02:47:47,080
Speaker 4: Digital Services, and everybody used.

3034
02:47:46,920 --> 02:47:49,120
Speaker 2: To record at this studio. Did not tell me Beyonce

3035
02:47:50,040 --> 02:47:51,160
Speaker 2: bro these little girls.

3036
02:47:53,760 --> 02:48:02,240
Speaker 10: I'm telling you, God, God, these little girls is in here,

3037
02:48:02,520 --> 02:48:04,720
Speaker 10: and they telling us y'all need to smoke back there

3038
02:48:06,160 --> 02:48:08,840
Speaker 10: because the old man walks back there.

3039
02:48:08,879 --> 02:48:12,240
Speaker 4: We don't know who these people are and tells us man,

3040
02:48:12,360 --> 02:48:14,080
Speaker 4: y'all better get a song with a girl.

3041
02:48:14,280 --> 02:48:14,480
Speaker 2: Man.

3042
02:48:14,600 --> 02:48:17,000
Speaker 4: They finished go guess what they was up there working on,

3043
02:48:17,680 --> 02:48:21,440
Speaker 4: way Cliff. We never knew what was going on because

3044
02:48:21,959 --> 02:48:23,480
Speaker 4: when you got your head up.

3045
02:48:23,480 --> 02:48:25,800
Speaker 2: Your own ass, you ain't look at.

3046
02:48:29,280 --> 02:48:29,680
Speaker 8: And they.

3047
02:48:31,160 --> 02:48:33,240
Speaker 4: They working on the Why Club. What was the remix

3048
02:48:33,840 --> 02:48:37,959
Speaker 4: bills or something? Okay, wasn't that the Why Club remix?

3049
02:48:38,520 --> 02:48:41,440
Speaker 4: That's what they was up there working on. He was

3050
02:48:41,560 --> 02:48:43,119
Speaker 4: telling us to come.

3051
02:48:43,160 --> 02:48:45,560
Speaker 2: Do a song with them. We was in the back.

3052
02:48:45,680 --> 02:48:49,440
Speaker 4: We had our side because we stayed in there and

3053
02:48:49,640 --> 02:48:52,200
Speaker 4: just it was. It was a common area that had

3054
02:48:52,240 --> 02:48:56,280
Speaker 4: a ping pong table. Okay, yeah, yeah, TV yeah that

3055
02:48:56,400 --> 02:48:57,879
Speaker 4: type shit, and we be in there like.

3056
02:48:58,680 --> 02:49:02,160
Speaker 1: Okay, So I want to get this straight, mister Knowles

3057
02:49:02,200 --> 02:49:03,000
Speaker 1: walks in your room.

3058
02:49:03,720 --> 02:49:05,680
Speaker 2: They were little girls. They were a little girl.

3059
02:49:05,800 --> 02:49:07,640
Speaker 1: That's how we looked at it. We didn't know this

3060
02:49:07,840 --> 02:49:10,840
Speaker 1: is Beyonce. We were just like Nigga, we are here

3061
02:49:10,879 --> 02:49:15,720
Speaker 1: talking all this pimp shit some little girl right right right,

3062
02:49:16,000 --> 02:49:20,320
Speaker 1: so they could be taking the wrong way. I'm trying

3063
02:49:20,360 --> 02:49:22,920
Speaker 1: to imagine this is destiny child. It's not Beyonce, it

3064
02:49:23,080 --> 02:49:27,920
Speaker 1: was I'm trying to imagine what a destiny child.

3065
02:49:30,640 --> 02:49:33,000
Speaker 2: I think would that have been? That's what I'm trying

3066
02:49:33,040 --> 02:49:36,600
Speaker 2: to Like, Wes, what would we have done at that time?

3067
02:49:37,160 --> 02:49:38,360
Speaker 3: I mean you you would have had to.

3068
02:49:40,000 --> 02:49:43,000
Speaker 2: Maybe make something.

3069
02:49:42,840 --> 02:49:45,520
Speaker 6: Yeah, yeah, like I don't want to say commercial, but

3070
02:49:45,680 --> 02:49:47,800
Speaker 6: like we think, think old dirty bastard.

3071
02:49:47,920 --> 02:49:51,080
Speaker 1: Mariah that's a great that's a great example. That's oh

3072
02:49:51,160 --> 02:49:52,680
Speaker 1: dirty basket and Mariah that's the greatest.

3073
02:49:52,680 --> 02:49:54,240
Speaker 2: That what I'm saying, old dirty though.

3074
02:49:54,360 --> 02:49:57,000
Speaker 3: But he made it work for him, like we.

3075
02:49:57,040 --> 02:49:59,840
Speaker 2: Would add to definitely make something work.

3076
02:50:00,440 --> 02:50:02,080
Speaker 1: But you was space age, so y'all could have.

3077
02:50:02,480 --> 02:50:06,240
Speaker 2: I could have. We just wasn't in that mind frame

3078
02:50:06,400 --> 02:50:07,360
Speaker 2: at that time. Man.

3079
02:50:07,600 --> 02:50:09,560
Speaker 1: But had you been to that mindfraid, what'd you think

3080
02:50:09,600 --> 02:50:13,920
Speaker 1: that record would have sounded like? Probably would have been

3081
02:50:13,959 --> 02:50:18,120
Speaker 1: bombing team mixed producing that ship and them singing on it.

3082
02:50:18,200 --> 02:50:19,240
Speaker 2: That ship probably would have been.

3083
02:50:20,200 --> 02:50:24,400
Speaker 1: Because I know I asked you this earlier, but was

3084
02:50:24,480 --> 02:50:28,040
Speaker 1: that an advantage of having that Houston connection because like

3085
02:50:28,440 --> 02:50:30,360
Speaker 1: you had Memphis, you had that on lock. You got

3086
02:50:30,440 --> 02:50:33,880
Speaker 1: that that city comes with you regardless. But like you know,

3087
02:50:34,040 --> 02:50:37,200
Speaker 1: Houston actually accepted you. You got like it wasn't like

3088
02:50:37,280 --> 02:50:41,280
Speaker 1: you guys, Houston was like was going to Houston. And

3089
02:50:41,320 --> 02:50:43,400
Speaker 1: I'm gonna get real candid with you right now.

3090
02:50:45,200 --> 02:50:45,440
Speaker 2: Ship.

3091
02:50:46,160 --> 02:50:50,000
Speaker 4: At that time, a lot of illegal things came from

3092
02:50:50,080 --> 02:50:51,560
Speaker 4: Houston to Memphis.

3093
02:50:51,680 --> 02:50:53,480
Speaker 3: So it was a big connection.

3094
02:50:53,760 --> 02:50:57,119
Speaker 2: Like for us to go down there and flourish in Houston,

3095
02:50:58,520 --> 02:51:01,080
Speaker 2: that was big for the town. That was big for

3096
02:51:01,200 --> 02:51:01,560
Speaker 2: the time.

3097
02:51:02,560 --> 02:51:05,680
Speaker 4: Yeah, I love the ship, man, and I love that ship.

3098
02:51:05,760 --> 02:51:08,800
Speaker 4: Bro Shout out everybody in Houston name.

3099
02:51:09,520 --> 02:51:15,680
Speaker 3: Little key Key. Let's talk about pumping in my own.

3100
02:51:15,720 --> 02:51:18,160
Speaker 2: Ride, pimping my own.

3101
02:51:19,920 --> 02:51:24,480
Speaker 11: I'm just like already pimp my own right, Let's talk

3102
02:51:24,520 --> 02:51:26,480
Speaker 11: about that. How we get there?

3103
02:51:27,560 --> 02:51:37,960
Speaker 4: Uh man, just one of them, Like say, that's one

3104
02:51:38,000 --> 02:51:41,480
Speaker 4: of them. I don't even know how to but I'm

3105
02:51:41,480 --> 02:51:43,520
Speaker 4: a pimp in my own fucking round.

3106
02:51:46,160 --> 02:51:48,280
Speaker 2: It all run.

3107
02:51:49,440 --> 02:51:56,160
Speaker 1: But yes, but have y'all ever really pimped? And you're right, why,

3108
02:51:57,520 --> 02:52:03,000
Speaker 1: Well that's why uses the term pimp type.

3109
02:52:03,520 --> 02:52:08,040
Speaker 4: Okay, people think it's tight t I g h T,

3110
02:52:09,000 --> 02:52:13,960
Speaker 4: but it's t y T because it's not actually pimping.

3111
02:52:14,080 --> 02:52:19,480
Speaker 3: It's a type of pimps, a mentality that's the pimp.

3112
02:52:19,560 --> 02:52:22,240
Speaker 2: I am mental. I can't survive no pimp ship.

3113
02:52:24,000 --> 02:52:28,640
Speaker 3: I never told y'all tell them I'm bishop.

3114
02:52:28,760 --> 02:52:32,080
Speaker 1: Don Juan tells me, yo, hey man, I want to

3115
02:52:32,120 --> 02:52:34,160
Speaker 1: give you a Player of the Year award. So I'm like,

3116
02:52:34,240 --> 02:52:37,680
Speaker 1: all right, cool, all right. For two days I thought

3117
02:52:37,720 --> 02:52:40,920
Speaker 1: I was a pimp. So I had the silk ship on.

3118
02:52:41,040 --> 02:52:43,560
Speaker 1: I had to cup and then I went to a girl.

3119
02:52:43,600 --> 02:52:45,200
Speaker 1: I was like, hey, you got to choose up. She

3120
02:52:45,320 --> 02:52:47,920
Speaker 1: was like, I choose, I choose you. And I was like, oh, ship,

3121
02:52:48,320 --> 02:52:48,800
Speaker 1: I ain't.

3122
02:52:48,640 --> 02:52:49,080
Speaker 2: Know what you do.

3123
02:52:52,080 --> 02:52:53,440
Speaker 3: I literally didn't know what you do.

3124
02:52:56,800 --> 02:52:59,360
Speaker 1: I was like, she started putting her head down and

3125
02:52:59,440 --> 02:53:01,280
Speaker 1: she wouldn't got contact with other people.

3126
02:53:01,320 --> 02:53:05,440
Speaker 2: I was like, I'm not ready for this ship. Yeah.

3127
02:53:06,560 --> 02:53:10,120
Speaker 4: We we've definitely been in that world, but you know,

3128
02:53:10,320 --> 02:53:14,120
Speaker 4: pimping per se mh, but definitely in that world.

3129
02:53:14,320 --> 02:53:16,080
Speaker 3: Like we space age pemper.

3130
02:53:16,280 --> 02:53:18,160
Speaker 2: Definitely, what is space age pemper.

3131
02:53:18,959 --> 02:53:22,400
Speaker 3: It's it's mad, yeah, yeah, it's frame of man.

3132
02:53:23,000 --> 02:53:25,840
Speaker 1: Most people are we wanted space age sounds like y'all

3133
02:53:25,879 --> 02:53:30,320
Speaker 1: fast forward, that's all It is, and then it's just

3134
02:53:30,400 --> 02:53:34,480
Speaker 1: a saying man like, uh, shout out at boy, Reggie B.

3135
02:53:34,760 --> 02:53:35,800
Speaker 3: Man, Reggie B.

3136
02:53:36,840 --> 02:53:40,440
Speaker 1: That nigga used to say, boy, I don't know nothing

3137
02:53:40,440 --> 02:53:43,760
Speaker 1: about that space, you know. And that's where we got

3138
02:53:43,800 --> 02:53:46,840
Speaker 1: it from space age. He used to say that all

3139
02:53:46,879 --> 02:53:48,600
Speaker 1: the time, Nigga, you don't know nothing about that space.

3140
02:53:49,760 --> 02:53:50,520
Speaker 2: We've made a song.

3141
02:53:50,840 --> 02:53:53,880
Speaker 1: What's his name, Reggie B. He didn't smoke crack before, right,

3142
02:53:54,680 --> 02:53:55,320
Speaker 1: not that I know.

3143
02:53:57,320 --> 02:54:01,800
Speaker 3: You on this crazy understand was actually the he was

3144
02:54:01,840 --> 02:54:02,240
Speaker 3: the owner.

3145
02:54:02,320 --> 02:54:10,279
Speaker 1: He the one that got oks but after after phantom okay,

3146
02:54:10,720 --> 02:54:13,320
Speaker 1: because you know, the person that made up Wangster and

3147
02:54:13,440 --> 02:54:16,320
Speaker 1: the person that made up Super Doug, it was both

3148
02:54:16,360 --> 02:54:16,959
Speaker 1: a crackhead.

3149
02:54:17,120 --> 02:54:23,680
Speaker 2: Oh yeah, yeah, yeah, dude, Wangster is a queen's rich word.

3150
02:54:23,840 --> 02:54:24,480
Speaker 9: And and.

3151
02:54:26,200 --> 02:54:28,879
Speaker 2: He just chase his crackheads crack faces like.

3152
02:54:28,879 --> 02:54:32,480
Speaker 3: Yeah, niggas ain't even your niggas. Even he's never catch him.

3153
02:54:33,320 --> 02:54:38,240
Speaker 2: It's like everybody's like, that's kind of hard.

3154
02:54:39,920 --> 02:54:43,400
Speaker 3: And then there was another dude we tried to stab

3155
02:54:44,280 --> 02:54:45,480
Speaker 3: and legend.

3156
02:54:48,640 --> 02:54:52,280
Speaker 1: Waiting the past seven years and he's like, y'all think,

3157
02:54:52,360 --> 02:54:54,480
Speaker 1: y'all you think you're some super dougs. And I was like,

3158
02:54:54,920 --> 02:55:04,039
Speaker 1: I love that so sorry, So let's move on, don't flex.

3159
02:55:04,959 --> 02:55:10,520
Speaker 1: Let's talk about that. They want to get another shot.

3160
02:55:10,560 --> 02:55:12,880
Speaker 1: I feel like you want to get another shot. I

3161
02:55:12,920 --> 02:55:14,760
Speaker 1: feel like it's a shot clock in your house.

3162
02:55:14,840 --> 02:55:16,000
Speaker 3: I feel like a shot of clock.

3163
02:55:16,080 --> 02:55:19,800
Speaker 1: Man, you didn't take it. He usually take seventeen hundred percent.

3164
02:55:21,280 --> 02:55:22,520
Speaker 2: Got me loaded over here?

3165
02:55:22,560 --> 02:55:24,680
Speaker 3: Oh yeah you got you got, you got left over soldiers.

3166
02:55:24,840 --> 02:55:25,760
Speaker 2: I got plenty of ship.

3167
02:55:26,800 --> 02:55:28,080
Speaker 3: But let's talk about don't flex.

3168
02:55:28,879 --> 02:55:30,240
Speaker 2: Yeah, I don't know.

3169
02:55:30,440 --> 02:55:34,039
Speaker 1: That was just like a Oh that's an organized noise

3170
02:55:34,160 --> 02:55:40,760
Speaker 1: song too produced? Yeah yeah, we go Wave DJ produced it. Okay,

3171
02:55:42,040 --> 02:55:43,720
Speaker 1: So how did this someone come about put us something?

3172
02:55:44,560 --> 02:55:44,760
Speaker 3: Oh?

3173
02:55:45,080 --> 02:55:47,959
Speaker 2: Man, we really just uh, that was in the bats.

3174
02:55:48,080 --> 02:55:49,039
Speaker 2: We went down there.

3175
02:55:49,560 --> 02:55:52,720
Speaker 1: We used to We used to have the parties at

3176
02:55:52,800 --> 02:55:58,680
Speaker 1: his house, parties the backyard. That's how we got Yeah,

3177
02:55:58,720 --> 02:55:59,880
Speaker 1: we used to go to the party.

3178
02:56:00,320 --> 02:56:01,680
Speaker 3: Is how Stinking On became.

3179
02:56:06,560 --> 02:56:09,040
Speaker 4: That's where you know, That's where we went to the

3180
02:56:09,120 --> 02:56:14,119
Speaker 4: basement and worked on some music, and you know that's

3181
02:56:14,720 --> 02:56:15,280
Speaker 4: where it came.

3182
02:56:17,160 --> 02:56:20,440
Speaker 1: Jeez, Louise, man, this is so much history. Man, all right,

3183
02:56:20,680 --> 02:56:23,080
Speaker 1: one of my favorite joints. And I believe this is uh,

3184
02:56:23,560 --> 02:56:25,760
Speaker 1: you guys walked in on this as we was listening

3185
02:56:25,840 --> 02:56:31,760
Speaker 1: to this Armed Robbery and I listened to that record,

3186
02:56:35,040 --> 02:56:38,880
Speaker 1: and what you're talking about back then, it still applies

3187
02:56:39,320 --> 02:56:42,320
Speaker 1: to everything right now that's happening.

3188
02:56:42,840 --> 02:56:45,320
Speaker 4: Yeah, it was a good story we used to write.

3189
02:56:45,440 --> 02:56:49,480
Speaker 4: We just like to write stories like music music movies.

3190
02:56:50,200 --> 02:56:53,520
Speaker 4: That was one hour music movies like and that was

3191
02:56:53,560 --> 02:56:56,320
Speaker 4: a big Louisiana. Like Louisiana. We used to go down

3192
02:56:56,400 --> 02:56:59,840
Speaker 4: there when Armed Robbery was new and we didn't have

3193
02:57:00,120 --> 02:57:03,640
Speaker 4: nothing else, like niggas be mad to their song, Come

3194
02:57:03,720 --> 02:57:07,119
Speaker 4: on like, we ain't getting no love to that song,

3195
02:57:07,240 --> 02:57:08,000
Speaker 4: Come on straight.

3196
02:57:08,240 --> 02:57:10,200
Speaker 1: And then if people go on Robbery, come on man

3197
02:57:10,280 --> 02:57:14,960
Speaker 1: and they go no, predominantly it must have been stick

3198
02:57:15,040 --> 02:57:15,920
Speaker 1: up kids in the crowd.

3199
02:57:15,959 --> 02:57:20,119
Speaker 2: Ain't no telling louis A. You know what I'm saying.

3200
02:57:20,720 --> 02:57:23,320
Speaker 2: But yeah, that was We used to like the right

3201
02:57:23,480 --> 02:57:25,600
Speaker 2: movies straight up.

3202
02:57:25,959 --> 02:57:27,480
Speaker 1: Yeah, I'm gonna take I'm gonna take me a shot

3203
02:57:27,560 --> 02:57:29,080
Speaker 1: for that for On Robbery.

3204
02:57:30,680 --> 02:57:32,119
Speaker 3: It's good. Okay.

3205
02:57:32,360 --> 02:57:35,840
Speaker 1: Now I'm gonna go into a couple of questions. This

3206
02:57:36,040 --> 02:57:42,640
Speaker 1: is from your comradeship. First person. I'm gonna go to.

3207
02:57:46,760 --> 02:57:55,920
Speaker 2: Oh Ship, let me get Texas this whole time. Yeah, okay, hold.

3208
02:57:55,760 --> 02:58:02,120
Speaker 1: On Houston and Memphis always had a really good, strong connection.

3209
02:58:02,879 --> 02:58:06,000
Speaker 1: They were signed to a label out of Houston, Swap House.

3210
02:58:06,840 --> 02:58:09,600
Speaker 1: We in Houston love eight Ball and m j G.

3211
02:58:09,800 --> 02:58:12,880
Speaker 1: I always wondered if they knew how much they meant

3212
02:58:12,959 --> 02:58:16,080
Speaker 1: to the South, not just Memphis. Of course, they really

3213
02:58:16,160 --> 02:58:17,680
Speaker 1: put it down for real, for real.

3214
02:58:19,720 --> 02:58:23,560
Speaker 2: Oh yeah, Houston was home. Yeah. Who do you think

3215
02:58:23,640 --> 02:58:26,520
Speaker 2: that came from Houston?

3216
02:58:26,600 --> 02:58:28,360
Speaker 3: Persons? The person?

3217
02:58:29,600 --> 02:58:37,520
Speaker 1: Maybe it's Paul Wall Paul Wall shut so so so

3218
02:58:37,600 --> 02:58:39,160
Speaker 1: what do you think about that that question?

3219
02:58:40,120 --> 02:58:40,240
Speaker 2: Oh?

3220
02:58:40,360 --> 02:58:46,240
Speaker 1: Yeah, yeah, that we were the cousins. We were the

3221
02:58:46,360 --> 02:58:51,080
Speaker 1: new guys, the first cousin, first cousins to Houston, the

3222
02:58:51,200 --> 02:58:55,080
Speaker 1: nigga from Memphis with curls and gold tee when everybody

3223
02:58:55,200 --> 02:58:58,480
Speaker 1: had fades and the niggas had diamonds on their tea

3224
02:58:58,560 --> 02:59:00,600
Speaker 1: back then then.

3225
02:59:00,840 --> 02:59:05,000
Speaker 3: She was and TVs and TVs and screens and the heads.

3226
02:59:05,080 --> 02:59:08,320
Speaker 1: In the early nineties they had all this ship, Houp

3227
02:59:08,360 --> 02:59:09,720
Speaker 1: of the spokes on the rams.

3228
02:59:09,720 --> 02:59:10,320
Speaker 2: All that ship.

3229
02:59:10,560 --> 02:59:12,640
Speaker 3: They had that ship in the nineties early.

3230
02:59:13,959 --> 02:59:20,480
Speaker 2: And carrying guns TV. The Houston Man. They they embraced

3231
02:59:20,600 --> 02:59:24,080
Speaker 2: us man like that was a great place to live

3232
02:59:24,160 --> 02:59:24,360
Speaker 2: in the.

3233
02:59:24,480 --> 02:59:28,040
Speaker 5: Nineties and they fit right without Manto comes That's the

3234
02:59:28,120 --> 02:59:29,160
Speaker 5: home base of NASA.

3235
02:59:30,200 --> 02:59:30,600
Speaker 2: Mm hmm.

3236
02:59:31,800 --> 02:59:34,959
Speaker 6: You know that's right, Space Age y'all remess with DJ

3237
02:59:35,080 --> 02:59:36,400
Speaker 6: screw definitely.

3238
02:59:37,000 --> 02:59:40,600
Speaker 2: Yeah, yeah, who's the kid in the head? Son?

3239
02:59:41,240 --> 02:59:46,000
Speaker 3: Who kid in the head? Because he's sitting there.

3240
02:59:45,959 --> 02:59:48,520
Speaker 1: Describing the source cover, I'm sitting there like, wait a minute,

3241
02:59:50,080 --> 02:59:53,400
Speaker 1: he was said, that's why you threw me on.

3242
02:59:53,600 --> 02:59:55,720
Speaker 3: You said, I'm looking at you like so this is

3243
02:59:55,720 --> 02:59:56,280
Speaker 3: when he said that.

3244
02:59:56,480 --> 03:00:01,640
Speaker 2: Yeah, yeah, who's right? You know what I'm saying.

3245
03:00:03,560 --> 03:00:04,279
Speaker 3: It's awesome.

3246
03:00:04,760 --> 03:00:06,600
Speaker 1: Let me ask you had me No, we was not

3247
03:00:06,760 --> 03:00:09,320
Speaker 1: on on the talk in Japan. This is the first time.

3248
03:00:10,600 --> 03:00:12,440
Speaker 1: And then we've been in Japan after that, after.

3249
03:00:12,320 --> 03:00:15,280
Speaker 2: That, okay, yeah, okay, all right, cool, yeah, yeah, you

3250
03:00:15,360 --> 03:00:15,440
Speaker 2: know what.

3251
03:00:15,440 --> 03:00:19,680
Speaker 1: I'm staying here listen described like, wait a minute, I

3252
03:00:20,160 --> 03:00:22,640
Speaker 1: I just want to x excel. Okay, all right, boom,

3253
03:00:22,680 --> 03:00:25,680
Speaker 1: I'm gonna go to another one. You got something in between?

3254
03:00:25,760 --> 03:00:26,600
Speaker 3: Who now you got?

3255
03:00:27,560 --> 03:00:32,960
Speaker 1: I got slimmed up? So he said, what is their

3256
03:00:33,080 --> 03:00:36,720
Speaker 1: favorite albums from your catalog?

3257
03:00:37,120 --> 03:00:40,840
Speaker 2: And then in what order? Mm hmmm.

3258
03:00:46,640 --> 03:00:48,280
Speaker 3: By the way, I don't want you to agree on

3259
03:00:48,360 --> 03:00:51,960
Speaker 3: this one. Well you don't have to.

3260
03:00:52,120 --> 03:00:55,320
Speaker 5: I mean, if you if you always put coming out

3261
03:00:55,400 --> 03:00:59,920
Speaker 5: Hard because number one, yeah, Okay, that's the first chime.

3262
03:01:00,200 --> 03:01:04,960
Speaker 5: Well you know, well it's not really actual actual of

3263
03:01:05,040 --> 03:01:07,840
Speaker 5: the first child, but because there was one before that

3264
03:01:08,280 --> 03:01:11,440
Speaker 5: on an independent label. Yeah, and that's kind of real

3265
03:01:11,560 --> 03:01:19,200
Speaker 5: deal to the heart. But the coming at heart that's yeah,

3266
03:01:20,600 --> 03:01:23,720
Speaker 5: that's the baby. M that's the oldest child.

3267
03:01:25,200 --> 03:01:26,800
Speaker 1: And then now you've got to go through the rest

3268
03:01:26,840 --> 03:01:35,320
Speaker 1: of them. Will be number two, that's number one, on

3269
03:01:35,480 --> 03:01:40,560
Speaker 1: top of the world. Maybe probably though on top of

3270
03:01:40,600 --> 03:01:44,160
Speaker 1: the world. Yeah, and then after the act.

3271
03:01:44,240 --> 03:01:47,920
Speaker 5: Now it's a rough time for the third because I'm

3272
03:01:47,959 --> 03:01:49,560
Speaker 5: finish say any things.

3273
03:01:52,080 --> 03:01:54,080
Speaker 3: A lot of them can fall in the third slot.

3274
03:01:54,320 --> 03:02:00,640
Speaker 3: But I'm gonna say living legend and maybe.

3275
03:02:02,720 --> 03:02:09,280
Speaker 1: Yeah, I like John, Oh, I'll go coming out both

3276
03:02:09,360 --> 03:02:11,720
Speaker 1: of you coming out hard, number one on top.

3277
03:02:11,560 --> 03:02:14,240
Speaker 2: Of the world in our life.

3278
03:02:15,600 --> 03:02:16,160
Speaker 3: God damn.

3279
03:02:16,240 --> 03:02:21,600
Speaker 2: Yeah, it was gonna be up and my favorite for show,

3280
03:02:21,800 --> 03:02:23,080
Speaker 2: like I got all of them.

3281
03:02:23,920 --> 03:02:29,600
Speaker 1: The joy Oh shit, Okay, all right now this question,

3282
03:02:29,920 --> 03:02:33,480
Speaker 1: I'm not gonna tell you who's coming from. I asked

3283
03:02:33,520 --> 03:02:38,160
Speaker 1: about the convertible Lexus on the album cover. Also, their

3284
03:02:38,200 --> 03:02:42,440
Speaker 1: record company was owned by Tony Draper was in Houston,

3285
03:02:42,520 --> 03:02:45,960
Speaker 1: but they were from Memphis when they had to move

3286
03:02:46,080 --> 03:02:49,760
Speaker 1: there for a while. How was it different from their

3287
03:02:49,800 --> 03:02:54,480
Speaker 1: hood of Orange Mounds. Can y'all guess who that question

3288
03:02:54,640 --> 03:02:55,080
Speaker 1: was coming from?

3289
03:02:56,200 --> 03:03:06,199
Speaker 3: No, how about you? All right, no clue, it's.

3290
03:03:06,040 --> 03:03:11,160
Speaker 1: Coming from mister trull Berger himself. Motherfucking be. That makes another.

3291
03:03:14,720 --> 03:03:17,280
Speaker 3: First off before you answer that question, have you both

3292
03:03:17,360 --> 03:03:21,640
Speaker 3: had tril Burgers? Definitely? It's definitely. What type of drugs

3293
03:03:21,720 --> 03:03:22,920
Speaker 3: is in drill tril Burgers?

3294
03:03:23,280 --> 03:03:23,760
Speaker 2: I don't know.

3295
03:03:24,640 --> 03:03:26,080
Speaker 3: You can't have one. It's just.

3296
03:03:29,360 --> 03:03:35,840
Speaker 5: Super complex, yeah, complex, it's real good. Everything, got the

3297
03:03:36,000 --> 03:03:39,720
Speaker 5: right amount of everything. Yes, and it'll make you come back.

3298
03:03:40,160 --> 03:03:40,320
Speaker 2: Yes.

3299
03:03:40,520 --> 03:03:41,640
Speaker 1: And and I'm gonna say something.

3300
03:03:41,680 --> 03:03:42,480
Speaker 3: And they got a vegan.

3301
03:03:42,760 --> 03:03:44,760
Speaker 2: They got a vegan. That's why I with the vegan.

3302
03:03:44,879 --> 03:03:45,600
Speaker 3: They got a vegan.

3303
03:03:45,720 --> 03:03:50,720
Speaker 2: But I just got word and for this Thanksgiving?

3304
03:03:51,320 --> 03:03:54,520
Speaker 1: Not sure if it's just this Thanksgiving office on the

3305
03:03:55,720 --> 03:03:59,520
Speaker 1: permanent menu forever, which I don't think it is. I

3306
03:03:59,600 --> 03:04:02,640
Speaker 1: think he's trying it out just for this Thanksgiving. They

3307
03:04:02,720 --> 03:04:04,000
Speaker 1: have a turkey burger.

3308
03:04:04,240 --> 03:04:05,000
Speaker 2: H a trip.

3309
03:04:09,200 --> 03:04:10,039
Speaker 3: I'm a turkey burger.

3310
03:04:10,040 --> 03:04:12,040
Speaker 1: I don't eat b for I don't eat pork, I

3311
03:04:12,080 --> 03:04:15,080
Speaker 1: don't eat oxtails. I'm so sorry. I eat turkey oxtails.

3312
03:04:15,120 --> 03:04:28,640
Speaker 1: It's very fake turkey ox turkey tails turkey, How did

3313
03:04:28,680 --> 03:04:32,360
Speaker 1: you fake that? I went to Saint Thomas and they

3314
03:04:32,440 --> 03:04:37,640
Speaker 1: had and I've been turned out. Even Jamaica's is looking

3315
03:04:37,680 --> 03:04:38,000
Speaker 1: at me like.

3316
03:04:41,840 --> 03:04:50,200
Speaker 2: Turkey ox. Yeah, that's not that's not the best.

3317
03:04:50,320 --> 03:04:52,039
Speaker 3: How did they make that? Turkey stews?

3318
03:04:52,040 --> 03:04:52,840
Speaker 2: Just turkey?

3319
03:04:56,240 --> 03:05:02,080
Speaker 1: But the members uh trapped usion trap fusion, they like

3320
03:05:02,200 --> 03:05:04,600
Speaker 1: make vegan stuff and they used to have some vegan

3321
03:05:05,200 --> 03:05:05,920
Speaker 1: ox tails.

3322
03:05:06,240 --> 03:05:09,280
Speaker 2: Vegan though, Yeah, I hate big up my man.

3323
03:05:09,959 --> 03:05:13,160
Speaker 1: Yeah he's a vegan, but he's tramped every now and then,

3324
03:05:17,040 --> 03:05:17,600
Speaker 1: a little.

3325
03:05:19,720 --> 03:05:21,240
Speaker 3: Here, vegan six days a week.

3326
03:05:23,240 --> 03:05:23,800
Speaker 2: He don't.

3327
03:05:25,320 --> 03:05:30,000
Speaker 1: He be in Houston donating to inside joke?

3328
03:05:30,600 --> 03:05:33,680
Speaker 2: Oh god, Joe, Oh my.

3329
03:05:35,160 --> 03:05:38,840
Speaker 3: Only look only catching the joke inside.

3330
03:05:39,200 --> 03:05:45,000
Speaker 1: Yeah, Chris, all right, come on, I'm good. I got

3331
03:05:45,000 --> 03:05:49,360
Speaker 1: a couple of all right, Robberie, we talked about that.

3332
03:05:49,920 --> 03:05:58,400
Speaker 1: Niggas like us, niggas like us, stolen down park An, Yeah,

3333
03:05:59,280 --> 03:06:03,160
Speaker 1: everyone of them. We had at least about a half

3334
03:06:03,240 --> 03:06:08,600
Speaker 1: of those songs that we had done twice twice, and

3335
03:06:08,800 --> 03:06:10,720
Speaker 1: that was one of them because why the first time

3336
03:06:10,840 --> 03:06:13,880
Speaker 1: wasn't done right? No, the first time was on the

3337
03:06:14,240 --> 03:06:19,879
Speaker 1: other label, all the label okay ots ots before swap.

3338
03:06:19,680 --> 03:06:22,359
Speaker 2: We created a different version of different.

3339
03:06:23,200 --> 03:06:23,280
Speaker 7: But.

3340
03:06:24,879 --> 03:06:30,320
Speaker 3: Because they own the original version. Oh pretty possibly.

3341
03:06:30,520 --> 03:06:37,720
Speaker 1: Okay, yeah, let me ask y'all, there's been this resurgence

3342
03:06:37,800 --> 03:06:45,440
Speaker 1: of of old school artists, uh we gaining their masters.

3343
03:06:48,680 --> 03:06:51,600
Speaker 1: I believe we spoke about it earlier. Luke actually got

3344
03:06:51,800 --> 03:06:54,640
Speaker 1: back his masters. Is that something that you guys are

3345
03:06:54,680 --> 03:06:56,119
Speaker 1: in the game. Well, I believe after.

3346
03:06:56,000 --> 03:07:01,080
Speaker 3: Thirty years it reverted verse, it reverts.

3347
03:07:00,760 --> 03:07:01,120
Speaker 2: Back to you.

3348
03:07:03,680 --> 03:07:07,600
Speaker 1: Is that something that you guys are are exploring, like,

3349
03:07:07,720 --> 03:07:09,800
Speaker 1: you know, getting back all your masters, so you know,

3350
03:07:09,959 --> 03:07:13,160
Speaker 1: you and your kids, your family owns that. Is that

3351
03:07:13,240 --> 03:07:14,240
Speaker 1: something you guys exploring?

3352
03:07:15,240 --> 03:07:18,240
Speaker 2: Definitely? Yeah, definitely.

3353
03:07:18,640 --> 03:07:19,680
Speaker 3: And where y'all at with it?

3354
03:07:20,800 --> 03:07:27,880
Speaker 4: Uh, it's uh, it's being done okay, yeah, basically you know,

3355
03:07:29,240 --> 03:07:31,920
Speaker 4: it's been in the process for a while, so you know,

3356
03:07:32,200 --> 03:07:35,840
Speaker 4: but because y'all past thirty years correct on some stuff,

3357
03:07:36,000 --> 03:07:39,760
Speaker 4: on some stuff okay, yeah, yeah, and that's that.

3358
03:07:39,920 --> 03:07:46,320
Speaker 2: That's the stuff with swab House the first two. Okay,

3359
03:07:47,879 --> 03:07:49,880
Speaker 2: but it looked like it's going to revert back. Oh,

3360
03:07:49,959 --> 03:07:51,760
Speaker 2: it's going to revert. Fact.

3361
03:07:52,959 --> 03:07:54,640
Speaker 3: Is that something that you guys are looking forwards?

3362
03:07:55,480 --> 03:07:55,920
Speaker 2: Definitely?

3363
03:07:57,760 --> 03:08:03,520
Speaker 1: Yeah, yeah, that is uh, you know, I can't get

3364
03:08:03,600 --> 03:08:06,240
Speaker 1: back the time, but you can get back to certain things,

3365
03:08:06,360 --> 03:08:07,119
Speaker 1: you know what I mean?

3366
03:08:07,360 --> 03:08:12,960
Speaker 3: So he we want we can we wind time? We

3367
03:08:13,160 --> 03:08:13,959
Speaker 3: wind the time?

3368
03:08:14,480 --> 03:08:15,119
Speaker 10: What time?

3369
03:08:19,120 --> 03:08:21,600
Speaker 1: Oh god, damn it, man, I guess I got a

3370
03:08:21,600 --> 03:08:27,000
Speaker 1: couple of more than we you know, we're taking the picture. Yes, noah, man,

3371
03:08:28,200 --> 03:08:31,320
Speaker 1: relax and take notes with that record. And you said

3372
03:08:31,360 --> 03:08:33,280
Speaker 1: you worked it and this is when I was on

3373
03:08:33,400 --> 03:08:35,680
Speaker 1: Bad Boy because that's how he's because like it's not

3374
03:08:35,920 --> 03:08:37,400
Speaker 1: easy to clear a bigg small sample.

3375
03:08:37,400 --> 03:08:40,880
Speaker 3: I mean it's on Bad Boys. So that wasn't easy.

3376
03:08:41,480 --> 03:08:42,520
Speaker 2: So it was was easy.

3377
03:08:42,560 --> 03:08:45,080
Speaker 1: It was no no discrepancies going through that like trying.

3378
03:08:45,800 --> 03:08:53,200
Speaker 3: Okay, cool, that might have been a I think they

3379
03:08:53,320 --> 03:08:54,920
Speaker 3: might have gave us that trick.

3380
03:08:55,640 --> 03:08:57,600
Speaker 1: Like meaning you didn't have to pay publishing or none

3381
03:08:57,640 --> 03:08:57,800
Speaker 1: of that.

3382
03:08:58,160 --> 03:08:59,120
Speaker 2: Oh no, that's not that.

3383
03:08:59,400 --> 03:09:02,840
Speaker 1: But look, I mean brought him to the tas okay. Yeah,

3384
03:09:02,920 --> 03:09:04,520
Speaker 1: like me, like the be was already done with the

3385
03:09:04,680 --> 03:09:09,320
Speaker 1: sample in that you produced that man, don't give me

3386
03:09:09,400 --> 03:09:11,320
Speaker 1: the line not d right?

3387
03:09:12,040 --> 03:09:12,680
Speaker 3: Is it a bad Boy?

3388
03:09:12,760 --> 03:09:14,080
Speaker 2: But no, no, it wasn't.

3389
03:09:14,160 --> 03:09:19,240
Speaker 1: It was it was I think that was a bad Lord. No,

3390
03:09:19,520 --> 03:09:24,720
Speaker 1: uh well no, because spit your game was Google it has.

3391
03:09:26,480 --> 03:09:31,520
Speaker 4: Was uh uh, Swiss Beat spits your game with Swiss

3392
03:09:31,600 --> 03:09:33,920
Speaker 4: Beat I can't remember who this one was.

3393
03:09:34,040 --> 03:09:38,200
Speaker 1: I know Project Pat on the John Project Pat his

3394
03:09:38,240 --> 03:09:41,480
Speaker 1: own relax and take notes. I love his verse on

3395
03:09:41,600 --> 03:09:42,320
Speaker 1: this joint, don't.

3396
03:09:42,320 --> 03:09:44,480
Speaker 3: I can't remembers that hard to find.

3397
03:09:47,560 --> 03:09:53,880
Speaker 6: Nasty nasty beats already, man, google that or you just

3398
03:09:54,520 --> 03:09:59,720
Speaker 6: hos this googling and like the oldest Google d J

3399
03:10:00,200 --> 03:10:03,800
Speaker 6: didn't wrestling barule. You don't know if we believe it.

3400
03:10:04,879 --> 03:10:07,600
Speaker 2: Okay, already, that's a different nest.

3401
03:10:08,360 --> 03:10:12,280
Speaker 1: It's not nasty nasty beat. Yeah, that's how dope their

3402
03:10:12,320 --> 03:10:14,599
Speaker 1: life is. Don't even remember the records.

3403
03:10:16,200 --> 03:10:19,080
Speaker 3: And has it still googling yet? They were fucked?

3404
03:10:21,160 --> 03:10:23,440
Speaker 2: Yeah, we didn't. You done so much.

3405
03:10:25,000 --> 03:10:27,080
Speaker 1: Let's move on to the next joint and two highs

3406
03:10:27,120 --> 03:10:29,760
Speaker 1: get just googled together. We started this ship?

3407
03:10:30,000 --> 03:10:30,680
Speaker 3: Is about that?

3408
03:10:31,200 --> 03:10:31,640
Speaker 2: Oh yeah?

3409
03:10:31,680 --> 03:10:34,160
Speaker 3: Because you you guys really did start this ship.

3410
03:10:34,680 --> 03:10:37,640
Speaker 2: We started. We were one of these people that started.

3411
03:10:38,520 --> 03:10:40,000
Speaker 3: Yeah, we're gonna give y'all.

3412
03:10:40,040 --> 03:10:45,360
Speaker 1: Y'all started great record though it okay, great record and

3413
03:10:46,360 --> 03:10:49,000
Speaker 1: it actually came to fruition already.

3414
03:10:49,280 --> 03:10:50,720
Speaker 2: You guys really started this ship.

3415
03:10:50,800 --> 03:10:52,600
Speaker 1: Like I'm not I'm not gonna lie to you, like

3416
03:10:52,680 --> 03:10:54,280
Speaker 1: I said earlier, and I'm gonna say it again. I

3417
03:10:54,400 --> 03:10:57,680
Speaker 1: reiterated for the South. But I don't want to say

3418
03:10:57,720 --> 03:10:59,920
Speaker 1: for the South. I don't want to say just for men.

3419
03:11:00,760 --> 03:11:02,720
Speaker 1: I don't want to say just for y'all city or

3420
03:11:02,800 --> 03:11:05,600
Speaker 1: y'all coast or whatever I want to say worldwide, because

3421
03:11:06,120 --> 03:11:09,960
Speaker 1: what y'all did is if it wasn't for y'all, and

3422
03:11:10,120 --> 03:11:12,200
Speaker 1: you know, it's a couple of others, but you know,

3423
03:11:12,360 --> 03:11:16,560
Speaker 1: the South broadened, Like we didn't even realize how big

3424
03:11:16,640 --> 03:11:20,640
Speaker 1: the South was until the South got represented. You understand

3425
03:11:20,640 --> 03:11:23,000
Speaker 1: what I'm saying, Like because you got the East Coast,

3426
03:11:23,040 --> 03:11:25,480
Speaker 1: got the West coast. For the South, it's a lot bigger.

3427
03:11:25,600 --> 03:11:28,240
Speaker 1: So you know I want the big y'all love for that,

3428
03:11:28,440 --> 03:11:31,040
Speaker 1: Thank you, thank you, Yes, yes, y'all.

3429
03:11:33,080 --> 03:11:33,880
Speaker 3: So I got one more thing.

3430
03:11:33,920 --> 03:11:36,080
Speaker 1: You can get up out of here and take some picures, okay,

3431
03:11:36,720 --> 03:11:37,520
Speaker 1: throw your hands up.

3432
03:11:39,320 --> 03:11:41,640
Speaker 2: Yes, that's another organized noise.

3433
03:11:41,879 --> 03:11:47,840
Speaker 1: Organized that's with us, Big and dred Automatic. The only

3434
03:11:47,959 --> 03:11:52,440
Speaker 1: record we have with them boys man outcasts. Yeah, I

3435
03:11:52,520 --> 03:11:54,560
Speaker 1: love how you call them big jack.

3436
03:11:56,080 --> 03:11:58,080
Speaker 2: Already we don't hang out, but I love them like

3437
03:11:58,160 --> 03:12:00,240
Speaker 2: they my brothers back. So how is that?

3438
03:12:00,360 --> 03:12:02,360
Speaker 1: How does because I mean this, this is a record

3439
03:12:02,440 --> 03:12:05,320
Speaker 1: at the South. You know, along with you you guys

3440
03:12:05,360 --> 03:12:08,959
Speaker 1: and U g K two of the best groups from

3441
03:12:09,000 --> 03:12:09,520
Speaker 1: the South.

3442
03:12:09,400 --> 03:12:13,800
Speaker 2: Of all time, not of that legendary of all times.

3443
03:12:14,080 --> 03:12:16,920
Speaker 3: So how did that record come about? Y'all with out

3444
03:12:17,040 --> 03:12:17,480
Speaker 3: casts and.

3445
03:12:19,080 --> 03:12:22,720
Speaker 4: We were just like mixing it up like we was

3446
03:12:22,800 --> 03:12:27,000
Speaker 4: working with everybody with as far as organized noise go

3447
03:12:27,120 --> 03:12:30,840
Speaker 4: at that time, right. Uh they See Low was on

3448
03:12:31,040 --> 03:12:34,359
Speaker 4: pay Dues DJ produced Don't Flix.

3449
03:12:35,360 --> 03:12:38,039
Speaker 2: Uh, Big and Dre got.

3450
03:12:37,959 --> 03:12:39,959
Speaker 3: On Dungeon Family.

3451
03:12:40,080 --> 03:12:47,280
Speaker 4: We did the Soul Food remix Lost album. Goodie was

3452
03:12:47,360 --> 03:12:50,280
Speaker 4: on the Lost album Backyards City. The song you know

3453
03:12:50,400 --> 03:12:52,960
Speaker 4: what I'm saying, Like we've always been you know that

3454
03:12:53,160 --> 03:12:56,840
Speaker 4: kind of we was working, right, We was working.

3455
03:12:57,520 --> 03:13:01,480
Speaker 1: Okay, So this is my last question because I always

3456
03:13:01,560 --> 03:13:05,600
Speaker 1: wondered this. At that same source you said EXSLS. That's

3457
03:13:05,640 --> 03:13:08,640
Speaker 1: why I didn't catch on earlier. But at that same

3458
03:13:08,760 --> 03:13:13,320
Speaker 1: source interview, you were by yourself. So that was your

3459
03:13:13,360 --> 03:13:18,760
Speaker 1: first time going on a solo mission as far as

3460
03:13:18,840 --> 03:13:23,040
Speaker 1: like an album, Yeah, yeah, basically all right, So what

3461
03:13:23,200 --> 03:13:25,640
Speaker 1: made you wanted to do that? Was was was having

3462
03:13:25,720 --> 03:13:27,200
Speaker 1: like a turnaroariy between each other.

3463
03:13:27,959 --> 03:13:31,240
Speaker 2: We always did solo. Okay. The album came out with

3464
03:13:31,520 --> 03:13:34,760
Speaker 2: six months before that one. Oh okay, no more glory.

3465
03:13:34,920 --> 03:13:40,640
Speaker 4: Okay, you know we always did solo stuff like always right,

3466
03:13:41,720 --> 03:13:44,280
Speaker 4: but the world took it as it was a better

3467
03:13:44,400 --> 03:13:47,440
Speaker 4: story if we was beefing, you know what I'm saying.

3468
03:13:47,520 --> 03:13:49,240
Speaker 3: But that's what some people thought.

3469
03:13:49,560 --> 03:13:53,760
Speaker 1: Yeah, that was okay because I love researching that you

3470
03:13:53,840 --> 03:13:56,480
Speaker 1: guys met in seventh grade and you guys like you

3471
03:13:56,560 --> 03:13:59,800
Speaker 1: know what I mean. I stuck it out the ticket.

3472
03:14:00,400 --> 03:14:02,320
Speaker 1: So I just want to tell y'all man, face to face,

3473
03:14:02,400 --> 03:14:04,400
Speaker 1: man and man, I want to tell y'all, thank y'all

3474
03:14:04,400 --> 03:14:07,280
Speaker 1: for you know, coming to jam. Want to tell y'a

3475
03:14:07,560 --> 03:14:10,840
Speaker 1: this is your house. Whenever y'all want to promote anything

3476
03:14:10,920 --> 03:14:13,760
Speaker 1: you can, you can promote Portuguese toenails. We don't care

3477
03:14:14,120 --> 03:14:18,160
Speaker 1: already because this is made for legends, it's made for icons,

3478
03:14:18,400 --> 03:14:22,000
Speaker 1: It's made for people who deserve this platform. And you

3479
03:14:22,160 --> 03:14:25,680
Speaker 1: guys not only deserve this platform, this is your platform.

3480
03:14:26,400 --> 03:14:28,199
Speaker 1: This is your home. You know what I'm saying.

3481
03:14:28,520 --> 03:14:30,680
Speaker 3: You ain't got to go. You go to wherever you

3482
03:14:30,800 --> 03:14:31,160
Speaker 3: want to go.

3483
03:14:31,320 --> 03:14:33,480
Speaker 1: You know, I know these people painting they toenails and

3484
03:14:33,520 --> 03:14:35,640
Speaker 1: ship like that and the fingernails.

3485
03:14:35,840 --> 03:14:38,360
Speaker 3: We don't mind, man, We don't mind. We don't We

3486
03:14:38,360 --> 03:14:39,280
Speaker 3: don't judge. Other people.

3487
03:14:39,400 --> 03:14:42,200
Speaker 2: You can count on one hand how many podcasts don't

3488
03:14:42,240 --> 03:14:45,360
Speaker 2: we don't do this. Yeah, we're doing that and we

3489
03:14:45,440 --> 03:14:52,480
Speaker 2: don't know this. So I ain't gonna lie to you.

3490
03:14:53,000 --> 03:14:55,040
Speaker 1: I want to let y'all go, but I can't without

3491
03:14:55,080 --> 03:14:57,600
Speaker 1: one more shot because he just want.

3492
03:14:57,520 --> 03:14:58,520
Speaker 2: Me to do another shot.

3493
03:14:59,320 --> 03:15:02,200
Speaker 3: Text me and my take it the picture and let's

3494
03:15:02,200 --> 03:15:04,440
Speaker 3: take it a bitch of y'all. What listen, face to

3495
03:15:04,520 --> 03:15:08,920
Speaker 3: face fellows. Thank y'all, man, thank you so much. Drink Chance.

3496
03:15:09,000 --> 03:15:13,840
Speaker 2: We love y'all. Glad to get your flowers. We're gonna get.

3497
03:15:14,080 --> 03:15:16,840
Speaker 3: We're gonna get y'all that. We want time and everything, y'all.

3498
03:15:18,400 --> 03:15:22,320
Speaker 2: Joey Craick man, look at this, focus on that.

3499
03:15:25,720 --> 03:15:30,880
Speaker 3: Yeah, yeah, yeah, we we wanted in town. God damn it,

3500
03:15:30,959 --> 03:15:31,440
Speaker 3: what's flow?

3501
03:15:31,879 --> 03:15:32,840
Speaker 2: We want your time.

3502
03:15:34,400 --> 03:15:37,720
Speaker 6: Drink Champs is a Drink Champs ll C production hosts

3503
03:15:37,760 --> 03:15:40,600
Speaker 6: and executive producers n O r E and d J

3504
03:15:40,800 --> 03:15:41,360
Speaker 6: E f FN.

3505
03:15:42,520 --> 03:15:43,600
Speaker 3: Listen to Drink Champs on.

3506
03:15:43,640 --> 03:15:48,600
Speaker 6: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3507
03:15:49,720 --> 03:15:52,119
Speaker 6: Thanks for joining us for another episode of Drink Champs

3508
03:15:52,200 --> 03:15:54,800
Speaker 6: hosted by Yours truly, DJ E f N and n

3509
03:15:54,800 --> 03:15:56,880
Speaker 6: O r E. Please make sure to follow us on

3510
03:15:56,959 --> 03:15:59,959
Speaker 6: all our socials that's at Drink Champs across all platforms,

3511
03:16:00,600 --> 03:16:04,080
Speaker 6: at the Real norriegon i g at Noriega on Twitter,

3512
03:16:04,520 --> 03:16:07,920
Speaker 6: mineus at Who's Crazy on I g at dj e

3513
03:16:08,120 --> 03:16:10,440
Speaker 6: f N on Twitter, and most importantly, stay up to

3514
03:16:10,520 --> 03:16:13,840
Speaker 6: date with the latest releases, news and merch by going

3515
03:16:13,879 --> 03:16:15,360
Speaker 6: to drink champs dot com