1 00:00:02,759 --> 00:00:07,400 Speaker 1: Are you leaving? I you wanta way back home? Either way, 2 00:00:07,600 --> 00:00:12,840 Speaker 1: we want to be there. Doesn't matter how much baggage 3 00:00:12,920 --> 00:00:17,560 Speaker 1: you claim and give us time and a terminol and gay. 4 00:00:19,040 --> 00:00:21,640 Speaker 2: We want to send you off InStyle. 5 00:00:23,000 --> 00:00:28,520 Speaker 1: You wanna welcome you back home? Tell us all about it. 6 00:00:28,680 --> 00:00:33,000 Speaker 1: We scared her? Was it fine? Malcorn? 7 00:00:48,960 --> 00:00:50,360 Speaker 2: Do you need to ride? 8 00:00:51,000 --> 00:00:52,360 Speaker 1: Do you need to ride? 9 00:00:52,960 --> 00:00:54,280 Speaker 2: Do you need to ride? 10 00:00:54,920 --> 00:00:58,200 Speaker 1: Do you need to ride? Do you need to ride? 11 00:00:58,840 --> 00:01:00,680 Speaker 3: Do you need to ride? 12 00:01:01,840 --> 00:01:02,120 Speaker 4: Ride? 13 00:01:02,800 --> 00:01:15,200 Speaker 2: Do you need with Karen and Chris welcome to Do 14 00:01:15,240 --> 00:01:17,640 Speaker 2: you need to ride? This is Chris Fairbanks and this 15 00:01:17,800 --> 00:01:22,280 Speaker 2: is Karen Tilgara. If you're just tuning in now you 16 00:01:22,360 --> 00:01:24,720 Speaker 2: missed the last couple episodes. We are back in the car. 17 00:01:24,760 --> 00:01:28,800 Speaker 2: It's very exciting. We're leaving Karen's house to pick up 18 00:01:29,880 --> 00:01:31,440 Speaker 2: Roz Hernandez. 19 00:01:30,920 --> 00:01:35,240 Speaker 1: Today's guest of Ghosted by ros Hernandez podcast. Roz Fernandez 20 00:01:35,720 --> 00:01:41,399 Speaker 1: and I've been on Ghosted. I can't remember my ghost 21 00:01:41,640 --> 00:01:46,720 Speaker 1: much like a ghost. My story just dissipated into the 22 00:01:46,760 --> 00:01:51,920 Speaker 1: air like a spiritual dandelion spot. Your story was fuzzy 23 00:01:51,920 --> 00:01:54,240 Speaker 1: at the bottom and had no shoes because it wasn't 24 00:01:54,320 --> 00:01:54,960 Speaker 1: really there. 25 00:01:55,480 --> 00:01:59,600 Speaker 2: Yes, I don't know why, but in preparation, like I'm 26 00:01:59,720 --> 00:02:05,760 Speaker 2: just to bombard her with ghosty talks. I've been watching sightings. 27 00:02:06,120 --> 00:02:09,840 Speaker 2: I started with because We're in a car, the ghosts 28 00:02:09,440 --> 00:02:13,280 Speaker 2: in Japan after the tsunami, and twenty eleven who were 29 00:02:13,880 --> 00:02:18,360 Speaker 2: getting into taxis. This journalist talked to like one hundred 30 00:02:18,400 --> 00:02:22,520 Speaker 2: taxi drivers and seven of them all had stories of wet, 31 00:02:22,720 --> 00:02:25,400 Speaker 2: young people getting in the car and then they get 32 00:02:25,440 --> 00:02:27,200 Speaker 2: to the destination, no one's there. 33 00:02:28,240 --> 00:02:32,000 Speaker 1: That's also on an episode of which was. 34 00:02:32,280 --> 00:02:35,200 Speaker 2: Funny because it's all murders. And then all of a 35 00:02:35,240 --> 00:02:37,640 Speaker 2: sudden there was a very interesting what I felt like 36 00:02:37,720 --> 00:02:39,320 Speaker 2: could have been a longer documentary. 37 00:02:39,400 --> 00:02:42,080 Speaker 1: Oh yeah, I think it should be ghost taxis. 38 00:02:42,600 --> 00:02:45,640 Speaker 2: Well, I went down a wormhole. And there's the problem 39 00:02:45,720 --> 00:02:50,559 Speaker 2: is when there's footage, like there was so much footage 40 00:02:50,600 --> 00:02:54,320 Speaker 2: of ghosts. What Oh wow. I mean, you're just a 41 00:02:54,360 --> 00:02:57,519 Speaker 2: guy that you know what, And if you drive a 42 00:02:57,560 --> 00:03:00,440 Speaker 2: BMW out there, I'm sure you're not because if you 43 00:03:00,480 --> 00:03:02,840 Speaker 2: listen to this podcast, you're like minded and you're not 44 00:03:02,840 --> 00:03:07,320 Speaker 2: an aggressive traveler. But I'm afraid a lot of BMW 45 00:03:07,440 --> 00:03:12,520 Speaker 2: drivers are Hey entitled, I am yeah, me first. 46 00:03:12,720 --> 00:03:14,880 Speaker 1: Well, and also what that guy did is the classic 47 00:03:14,880 --> 00:03:17,359 Speaker 1: and I'd really like to bring this up to our listenership. 48 00:03:18,160 --> 00:03:20,480 Speaker 1: If you're driving a car and you're trying to pull 49 00:03:20,520 --> 00:03:23,000 Speaker 1: out into traffic and you're looking to the right, you 50 00:03:23,160 --> 00:03:25,840 Speaker 1: have to also look to the left. It's the rule. 51 00:03:26,280 --> 00:03:28,560 Speaker 1: And I think the rule is right, left, right or 52 00:03:28,639 --> 00:03:29,720 Speaker 1: left right left. 53 00:03:29,520 --> 00:03:33,520 Speaker 2: Which i've my whole life. I've tripled that. I go 54 00:03:33,600 --> 00:03:36,120 Speaker 2: right left, right, left, right, left, right left. I look 55 00:03:36,240 --> 00:03:37,680 Speaker 2: like a luna, yes. 56 00:03:37,440 --> 00:03:40,440 Speaker 1: But it's only so that you don't. Because my big 57 00:03:40,520 --> 00:03:44,400 Speaker 1: crash in the Honda Fit back in twenty seventeen. I 58 00:03:44,400 --> 00:03:47,240 Speaker 1: don't know if you remember that where I pulled out 59 00:03:47,240 --> 00:03:51,280 Speaker 1: in front of someone. I went right, left, right, and 60 00:03:51,320 --> 00:03:54,440 Speaker 1: then there was a lady who was waiting to make 61 00:03:54,480 --> 00:03:56,920 Speaker 1: a left turn around me and I was at a 62 00:03:56,920 --> 00:03:59,960 Speaker 1: stop sign. She was not, and she waved me to go, 63 00:04:00,440 --> 00:04:03,880 Speaker 1: like you're fine, go ahead, and I went and pulled 64 00:04:03,880 --> 00:04:05,600 Speaker 1: out in front of someone and got t boned. 65 00:04:05,760 --> 00:04:10,640 Speaker 2: Oh see, I bet she was a ghost. Oh getting revenge. 66 00:04:10,680 --> 00:04:12,280 Speaker 1: You never considered it. 67 00:04:12,680 --> 00:04:15,120 Speaker 2: Yeah, this is how I died, And now this is 68 00:04:15,120 --> 00:04:15,760 Speaker 2: how you're going. 69 00:04:16,400 --> 00:04:20,680 Speaker 1: Oh that was Ken Marino. We just drove by Ken Marino. 70 00:04:20,720 --> 00:04:22,600 Speaker 2: Ken Marino from the Catering Show. 71 00:04:22,800 --> 00:04:26,440 Speaker 1: Yes, the catering show of which the name I can't remember, 72 00:04:26,440 --> 00:04:29,760 Speaker 1: Party Down, Party Down. And he's also on the other 73 00:04:29,839 --> 00:04:33,400 Speaker 1: two as the hilarious manager who I love. And he 74 00:04:33,600 --> 00:04:36,080 Speaker 1: was just driving and I noticed him because he was 75 00:04:36,160 --> 00:04:38,560 Speaker 1: driving in a Tesla and you can really see people 76 00:04:39,120 --> 00:04:41,080 Speaker 1: sitting in their seat, and it was that guy. 77 00:04:41,400 --> 00:04:43,960 Speaker 2: Yeah, they're just like. 78 00:04:45,360 --> 00:04:47,679 Speaker 1: They're just exactly like Karen. 79 00:04:47,720 --> 00:04:52,760 Speaker 2: You're a celebrity too, Oh not like minute, I don't. 80 00:04:52,960 --> 00:04:57,080 Speaker 2: There's certain in certain rooms, I'm a bit of a 81 00:04:57,160 --> 00:04:57,760 Speaker 2: Ken Marino. 82 00:04:57,960 --> 00:05:01,440 Speaker 1: Hell, yes you are, because I uh. 83 00:05:01,040 --> 00:05:05,160 Speaker 2: Where shorted jeans shorts like he did in wet, hot 84 00:05:05,200 --> 00:05:08,599 Speaker 2: American summer sometimes in certain way. That's really all I 85 00:05:08,640 --> 00:05:10,640 Speaker 2: have in common with him, just mainly because he's so 86 00:05:10,720 --> 00:05:13,480 Speaker 2: much taller. Was he He's big? Could you tell he 87 00:05:13,520 --> 00:05:14,520 Speaker 2: was tall in the car? 88 00:05:15,320 --> 00:05:17,480 Speaker 1: No, I was just I was just mes Maris by 89 00:05:17,480 --> 00:05:17,880 Speaker 1: his face. 90 00:05:18,520 --> 00:05:21,360 Speaker 2: I in my car, you can crank up the height 91 00:05:21,640 --> 00:05:24,000 Speaker 2: of the seat like there's a little pomp on the side. 92 00:05:24,080 --> 00:05:27,120 Speaker 2: Oh yeah, and I have it to the very tallest, 93 00:05:27,360 --> 00:05:30,440 Speaker 2: so I look like I'm tall while driving. Sometimes I'm 94 00:05:30,480 --> 00:05:33,680 Speaker 2: hunched over. Yeah, and people are less likely to do 95 00:05:33,960 --> 00:05:37,040 Speaker 2: me first, slow down in front of me, like that 96 00:05:37,080 --> 00:05:38,880 Speaker 2: guy did. And they're like, oh, that guy looks like 97 00:05:38,920 --> 00:05:41,440 Speaker 2: six ' four. But they don't know about my little legs. 98 00:05:41,520 --> 00:05:43,960 Speaker 1: You don't know they're being tricked. You're like a Ventril 99 00:05:44,320 --> 00:05:45,440 Speaker 1: puppet driving a car. 100 00:05:45,600 --> 00:05:47,000 Speaker 2: You're a far away magicon. 101 00:05:49,360 --> 00:05:51,799 Speaker 1: Oh, I have to tell you just a brief story 102 00:05:51,800 --> 00:05:55,080 Speaker 1: about going to dinner last night. Keep it, keep it brief, 103 00:05:55,200 --> 00:05:59,159 Speaker 1: as brief as possible, but I love details. Yeah, went 104 00:05:59,200 --> 00:06:02,440 Speaker 1: to dinner with did Yl Kramer COO of the exactly right, 105 00:06:03,320 --> 00:06:08,560 Speaker 1: and I ordered chicken. I wasn't that hungry. They gave 106 00:06:08,600 --> 00:06:11,320 Speaker 1: me literally like eight pieces of chicken. It was the 107 00:06:11,360 --> 00:06:14,480 Speaker 1: craziest thing I've ever seen. And so then I was like, 108 00:06:14,560 --> 00:06:15,760 Speaker 1: can I take this to go? 109 00:06:16,360 --> 00:06:19,040 Speaker 2: Were these fingers or thighs or I. 110 00:06:19,040 --> 00:06:22,120 Speaker 1: Believe they were thighs. Actually they were really good, but 111 00:06:22,160 --> 00:06:24,719 Speaker 1: I only ate one, and so I took the box 112 00:06:24,760 --> 00:06:28,400 Speaker 1: to go. And when I got home, the dogs were 113 00:06:28,600 --> 00:06:30,719 Speaker 1: very happy to see me, got a lot of attention. 114 00:06:31,480 --> 00:06:33,640 Speaker 1: I went right to bed because it was like ten 115 00:06:33,640 --> 00:06:38,000 Speaker 1: o'clock and Blossom didn't come in the way she always does, 116 00:06:38,640 --> 00:06:40,679 Speaker 1: and I'm like, what are you doing? Get in here? 117 00:06:40,720 --> 00:06:44,320 Speaker 1: Like what where else are you? That's so weird? And 118 00:06:44,560 --> 00:06:46,400 Speaker 1: when she came in she was a licking her lips 119 00:06:46,400 --> 00:06:48,920 Speaker 1: and licking her and I'm like, what did you do? 120 00:06:49,160 --> 00:06:51,599 Speaker 1: So then when I got into this card today to 121 00:06:51,680 --> 00:06:55,520 Speaker 1: get us ready for this record, I noticed there was 122 00:06:55,720 --> 00:06:59,799 Speaker 1: chicken grease all over this console, all over your seat. 123 00:07:00,560 --> 00:07:02,479 Speaker 1: So this the box that I had taken it in. 124 00:07:02,560 --> 00:07:04,560 Speaker 1: They must have been like, well, here's a great part 125 00:07:04,600 --> 00:07:09,120 Speaker 1: of this chicken. Is this super greasy sauce. Oh And 126 00:07:09,200 --> 00:07:12,960 Speaker 1: basically it's spilled out without me knowing, And the car 127 00:07:13,040 --> 00:07:15,120 Speaker 1: had been covered in like chicken. 128 00:07:14,800 --> 00:07:17,680 Speaker 2: Sauce, so no chicken was consumed. They just got the 129 00:07:17,720 --> 00:07:18,840 Speaker 2: greasy juices. 130 00:07:19,120 --> 00:07:21,600 Speaker 1: Yes, I think my purse had a lot of chicken 131 00:07:21,600 --> 00:07:25,200 Speaker 1: grease on the outside of it, and I probably tracked 132 00:07:25,200 --> 00:07:25,560 Speaker 1: some in. 133 00:07:25,760 --> 00:07:28,920 Speaker 2: You know, five, This is actually good news. I thought 134 00:07:28,920 --> 00:07:30,920 Speaker 2: I had had an accident squeaking around. 135 00:07:32,640 --> 00:07:36,160 Speaker 1: You're eating those olio chips, yes. 136 00:07:36,960 --> 00:07:42,520 Speaker 5: The constant yen Yeah, the wow ruffles. 137 00:07:42,960 --> 00:07:47,840 Speaker 1: Wow. We all thought overweight had been saltd. 138 00:07:47,640 --> 00:07:48,440 Speaker 3: Yes, it was. 139 00:07:48,560 --> 00:07:51,320 Speaker 2: It was the well I can't remember the miracle drug 140 00:07:51,360 --> 00:07:56,440 Speaker 2: that everyone's taking. Yeah, this was like a delicious ozempic, 141 00:07:56,560 --> 00:07:59,840 Speaker 2: except it caused and I'm not here to be graphic, 142 00:07:59,840 --> 00:08:03,760 Speaker 2: but that in a medical way. It caused foamy. Oh 143 00:08:03,880 --> 00:08:04,960 Speaker 2: lay kage. 144 00:08:04,600 --> 00:08:05,560 Speaker 1: I never heard phony. 145 00:08:05,840 --> 00:08:10,320 Speaker 2: Yeah, well that's from uh not first person experience. It 146 00:08:10,400 --> 00:08:12,480 Speaker 2: was my last stepmother. 147 00:08:12,560 --> 00:08:17,120 Speaker 1: Second person, Your last stepmother, your most recent. 148 00:08:17,000 --> 00:08:22,640 Speaker 2: Yeah, no, no, the one before the most recent. I've 149 00:08:22,720 --> 00:08:25,120 Speaker 2: made an effort to have the most stepmothers. 150 00:08:25,400 --> 00:08:26,480 Speaker 1: How many do you have so far? 151 00:08:26,760 --> 00:08:28,200 Speaker 2: Oh there's only been two? 152 00:08:28,360 --> 00:08:31,040 Speaker 1: Okay, yeah, I like. I like the counting though. 153 00:08:31,360 --> 00:08:34,640 Speaker 2: Yes, yeah, I am keeping it. I have hash marks 154 00:08:34,679 --> 00:08:39,400 Speaker 2: above my prison bed. One time, my my cousin and 155 00:08:39,440 --> 00:08:42,160 Speaker 2: best friend from best friend, first cousin. We found out 156 00:08:42,240 --> 00:08:44,240 Speaker 2: later when I found him at a family reunion. 157 00:08:44,520 --> 00:08:45,079 Speaker 1: Is that true? 158 00:08:45,080 --> 00:08:46,640 Speaker 2: Wait? What? Yep? 159 00:08:47,280 --> 00:08:48,319 Speaker 1: From childhood? 160 00:08:48,400 --> 00:08:49,040 Speaker 2: You heard it? 161 00:08:50,080 --> 00:08:51,559 Speaker 1: I can't believe when I'm hearing. 162 00:08:51,280 --> 00:08:53,720 Speaker 2: Sixth grade he was one of my best I know, 163 00:08:53,760 --> 00:08:56,439 Speaker 2: it sounds like there should be banjo's playing in the background. 164 00:08:57,320 --> 00:09:02,600 Speaker 2: He was. He was a cool kid skateboarder and he 165 00:09:02,720 --> 00:09:06,839 Speaker 2: became a professional snowboarder. But he's my good friend. And 166 00:09:07,080 --> 00:09:09,680 Speaker 2: in sixth grade we met. And then later that year 167 00:09:09,760 --> 00:09:12,560 Speaker 2: I went to a family reunion at Flathead Lake and 168 00:09:12,600 --> 00:09:16,800 Speaker 2: he was there and we found out that his uncle 169 00:09:16,960 --> 00:09:18,160 Speaker 2: was my mother's cousin. 170 00:09:18,280 --> 00:09:20,560 Speaker 1: Oh my god, oh wait, and he's starting to sound. Yes, 171 00:09:21,240 --> 00:09:22,199 Speaker 1: you've told me this before. 172 00:09:22,240 --> 00:09:25,520 Speaker 2: I yes, And I wouldn't have. I wouldn't have. I 173 00:09:25,600 --> 00:09:31,319 Speaker 2: only it was new to us because of our memory problems. 174 00:09:32,120 --> 00:09:34,719 Speaker 1: Everything's kind of new. Heay, talk about a left right 175 00:09:34,760 --> 00:09:36,800 Speaker 1: left situation. I just put myself. 176 00:09:36,440 --> 00:09:40,400 Speaker 2: Into your fear. I'm hoping you extend your right arm 177 00:09:40,520 --> 00:09:44,320 Speaker 2: like I'm a fragile bag of breakable books. 178 00:09:45,080 --> 00:09:47,320 Speaker 1: I mean, I'm never going to get across in this way. 179 00:09:47,360 --> 00:09:48,440 Speaker 1: There's just too much. 180 00:09:48,600 --> 00:09:50,840 Speaker 2: But it was, Oh, you're doing good, you're doing good. 181 00:09:50,960 --> 00:09:53,280 Speaker 2: Oh man, this car is some silent get up and go. 182 00:09:54,200 --> 00:09:58,000 Speaker 2: His dog on Christmas? Ate an entire honeybag, tam an 183 00:09:58,160 --> 00:10:02,000 Speaker 2: entire was a little cocker spaniel. Ate an entire your 184 00:10:02,040 --> 00:10:04,480 Speaker 2: cousin friend the dog is dog. 185 00:10:04,720 --> 00:10:08,600 Speaker 5: No, no, I know, yes, No, my cousin friend didn't 186 00:10:08,679 --> 00:10:10,880 Speaker 5: get my cousin's slash friend didn't get a bite of 187 00:10:10,920 --> 00:10:13,200 Speaker 5: hamm and neither did any humans because of the dog, 188 00:10:13,760 --> 00:10:17,920 Speaker 5: and was on his back, barely breathing, almost. 189 00:10:17,600 --> 00:10:18,319 Speaker 1: Ate to death. 190 00:10:18,520 --> 00:10:21,599 Speaker 2: Yeah, that's good to be rushed to ask, like, imagine 191 00:10:21,640 --> 00:10:24,839 Speaker 2: being to where it's like, now's my chance. I used 192 00:10:24,840 --> 00:10:26,880 Speaker 2: to eat like that when I was younger. Oh yeah, 193 00:10:26,960 --> 00:10:28,760 Speaker 2: I don't know when I'm gonna have a giant plate 194 00:10:28,760 --> 00:10:31,320 Speaker 2: of spaghetti in the next forty eight hours. I better 195 00:10:31,360 --> 00:10:34,440 Speaker 2: eat it all now, even all signs, even though all 196 00:10:34,480 --> 00:10:38,440 Speaker 2: signs are showing, don't showing me to stop. 197 00:10:38,960 --> 00:10:44,360 Speaker 1: Yeah, that's the hardest when you either are hungry and 198 00:10:44,520 --> 00:10:47,360 Speaker 1: worried about the next time you're gonna eat, or you're 199 00:10:47,520 --> 00:10:52,120 Speaker 1: just kind of scarred from like that experience. That was 200 00:10:52,160 --> 00:10:55,280 Speaker 1: my childhood experience where it's like I'm gonna leave school. 201 00:10:55,920 --> 00:10:58,760 Speaker 1: I ate it like a bolognan cheese sandwich at what 202 00:10:59,160 --> 00:11:01,920 Speaker 1: twelve thirty, I'm gonna leave school at three point thirty. 203 00:11:02,240 --> 00:11:05,160 Speaker 1: Anything can happen, And the next time somebody's gonna provide 204 00:11:05,160 --> 00:11:07,920 Speaker 1: anything for me is seven pm at the Earth Right. 205 00:11:08,600 --> 00:11:09,360 Speaker 1: That's not great. 206 00:11:09,679 --> 00:11:11,760 Speaker 2: Yeah, so you were like that too. It's like I 207 00:11:11,760 --> 00:11:13,400 Speaker 2: would cord food but with my. 208 00:11:13,400 --> 00:11:16,360 Speaker 1: Mouth yes, Or I would just always be on the 209 00:11:16,440 --> 00:11:18,679 Speaker 1: kind of like the lookout of like do I have 210 00:11:18,720 --> 00:11:20,840 Speaker 1: a quarter? Can I buy a snicker? Would? 211 00:11:21,679 --> 00:11:24,760 Speaker 2: I wouldn't have overeaten if someone would finally invent a 212 00:11:24,880 --> 00:11:29,240 Speaker 2: refrigerated fanny pack or just sharks. 213 00:11:29,320 --> 00:11:32,120 Speaker 1: Go over the plan, like, yeah, how much have you 214 00:11:32,160 --> 00:11:35,280 Speaker 1: planned for your children today? It's nineteen eighty one, yeah, 215 00:11:35,320 --> 00:11:37,839 Speaker 1: how much of you planned? Can you add anything in? 216 00:11:38,080 --> 00:11:42,679 Speaker 2: Here's my mother's plan, open refrigerator, wet half chopped in 217 00:11:42,760 --> 00:11:49,280 Speaker 2: half tofu block. What a plan? No, se well it's okay. 218 00:11:49,480 --> 00:11:51,400 Speaker 2: I'm not a passionate cook either. 219 00:11:52,080 --> 00:11:53,920 Speaker 1: Well you can't be now, No. 220 00:11:54,080 --> 00:11:56,439 Speaker 2: But it's so funny when I think about that dog 221 00:11:56,880 --> 00:12:01,280 Speaker 2: packed entirely with him. I always think of that dog 222 00:12:01,360 --> 00:12:05,800 Speaker 2: when someone mentions a kur ducan or kur duck. Oh yeah, 223 00:12:06,440 --> 00:12:09,040 Speaker 2: which is an animal shoved? And I'm just thinking of 224 00:12:09,080 --> 00:12:14,480 Speaker 2: dog meat on the outside of pig meat. Yes, yeah, 225 00:12:14,720 --> 00:12:17,720 Speaker 2: I mean, I know that dog was uncomfortable, but if 226 00:12:17,720 --> 00:12:20,000 Speaker 2: an airplane had crashed, and I know I bring up 227 00:12:20,040 --> 00:12:20,920 Speaker 2: cannibalism a. 228 00:12:20,880 --> 00:12:24,120 Speaker 1: Lot, that would have been the perfect dog to eat. 229 00:12:24,320 --> 00:12:27,720 Speaker 2: Yeah, yeah, Just I'm sorry, your man's best friend and 230 00:12:27,760 --> 00:12:30,760 Speaker 2: I've loved you forever. But there's ham inside you. 231 00:12:30,760 --> 00:12:35,520 Speaker 1: You're you're croakeness your dog. What is that? That's not 232 00:12:35,800 --> 00:12:38,600 Speaker 1: like French sandwich? Oh yeah, ham and cheese. 233 00:12:39,040 --> 00:12:41,400 Speaker 2: Okay, I knew what that was, and that's why I 234 00:12:41,880 --> 00:12:45,240 Speaker 2: am just laughing at the joke. Now, No, I don't, 235 00:12:47,240 --> 00:12:50,079 Speaker 2: I know, No, everyone knows that my fake laugh sounds 236 00:12:50,160 --> 00:12:51,840 Speaker 2: exactly like my genuine laugh. 237 00:12:52,920 --> 00:12:54,840 Speaker 1: Also, they know you can't speak French. 238 00:12:55,520 --> 00:13:00,040 Speaker 2: I listen. We can't all be like our last guest, Reggie. 239 00:12:59,720 --> 00:13:01,760 Speaker 1: Watt, Oh my god, multi lingual. 240 00:13:02,080 --> 00:13:07,400 Speaker 2: Yeah, probably throws down a book or two every now 241 00:13:07,440 --> 00:13:12,199 Speaker 2: and then. Sure, there are certain things I'm ashamed of, 242 00:13:12,400 --> 00:13:17,640 Speaker 2: and taking two full years of Spanish and letting it 243 00:13:17,760 --> 00:13:22,920 Speaker 2: all disappear like a tsunami ghost is one of them. 244 00:13:23,440 --> 00:13:28,160 Speaker 1: Well, but Reggie Watts was an Air Force brat, so 245 00:13:28,320 --> 00:13:31,599 Speaker 1: he moved to several different countries. Like I think he 246 00:13:31,760 --> 00:13:36,240 Speaker 1: was acclimated to speaking other languages from childhood, whereas you 247 00:13:36,360 --> 00:13:39,800 Speaker 1: were acclimated to half a block of wet tofu. 248 00:13:41,160 --> 00:13:43,640 Speaker 2: Yeah, that's all I had. That was my muscle memory. 249 00:13:43,760 --> 00:13:47,560 Speaker 2: But then later in college and my passion with Spanish 250 00:13:47,800 --> 00:13:51,319 Speaker 2: was fulfilling a structural systems requirement. It was either that 251 00:13:51,640 --> 00:13:56,480 Speaker 2: or statistics. I was in a math class taught by 252 00:13:56,520 --> 00:14:00,439 Speaker 2: an army general I'm not kidding. So all this totistics 253 00:14:00,559 --> 00:14:04,120 Speaker 2: somehow were geared towards military things, and we had to 254 00:14:04,440 --> 00:14:08,400 Speaker 2: make charts using a ruler. He didn't like calculators. He 255 00:14:08,559 --> 00:14:12,319 Speaker 2: was the most old school Jesus military math teacher, like 256 00:14:12,559 --> 00:14:15,880 Speaker 2: the worst class ever. Like you know how every Civics 257 00:14:15,960 --> 00:14:18,640 Speaker 2: course in high school was taught by a wrestling coach 258 00:14:18,800 --> 00:14:21,800 Speaker 2: or I taught. I got world history and government classes 259 00:14:21,880 --> 00:14:25,720 Speaker 2: from wrestling coaches and football coaches yep. And I'm not 260 00:14:25,920 --> 00:14:29,000 Speaker 2: sure why, but this was like a military math class. 261 00:14:29,200 --> 00:14:31,880 Speaker 2: And I didn't want to buy the book, that's how 262 00:14:31,960 --> 00:14:35,680 Speaker 2: little I respected the content. So I would get the 263 00:14:35,720 --> 00:14:38,480 Speaker 2: book from the library, but it had been updated, so 264 00:14:38,600 --> 00:14:43,080 Speaker 2: the page numbers progressively were off, Like by the end 265 00:14:43,160 --> 00:14:45,720 Speaker 2: of the book, I was like to see where everyone 266 00:14:45,760 --> 00:14:48,200 Speaker 2: else was on. Oh, I'm twenty pages before you because 267 00:14:48,200 --> 00:14:53,000 Speaker 2: they learned more about this math whatever. Anyway, I knew 268 00:14:53,000 --> 00:14:56,880 Speaker 2: I wouldn't pass, and so I went into Spanish. That 269 00:14:57,240 --> 00:14:59,440 Speaker 2: fulfilled that requirement, which so. 270 00:14:59,480 --> 00:15:01,840 Speaker 1: It was almost it's like a It was a move 271 00:15:01,880 --> 00:15:04,760 Speaker 1: out of desperation instead of passion for the language. 272 00:15:05,040 --> 00:15:07,840 Speaker 2: Right, but in order to you know, college is it's 273 00:15:07,960 --> 00:15:12,080 Speaker 2: not easy. It wasn't for me. And to pass Spanish 274 00:15:12,200 --> 00:15:14,480 Speaker 2: I did have to learn and write it and understand 275 00:15:14,520 --> 00:15:17,640 Speaker 2: it when spoken. And the fact that I went to 276 00:15:17,920 --> 00:15:23,760 Speaker 2: Costa Rica and I didn't understand anything. Although after ten 277 00:15:23,880 --> 00:15:26,920 Speaker 2: days there, and this was a decade ago or more, 278 00:15:27,680 --> 00:15:29,160 Speaker 2: it was starting to come back. 279 00:15:29,360 --> 00:15:33,200 Speaker 1: Yeah, just conversationally they should have asked you where the 280 00:15:33,280 --> 00:15:33,960 Speaker 1: library was. 281 00:15:34,120 --> 00:15:39,520 Speaker 2: Then you would have been, oh, I hope that's not 282 00:15:39,640 --> 00:15:48,400 Speaker 2: a dance club to car log guitarauns of pazzos. This 283 00:15:48,680 --> 00:15:54,000 Speaker 2: my bonitas, my fail. I So what I said is 284 00:15:54,160 --> 00:15:58,800 Speaker 2: play guitar, your cat's ugly, my shoes are beautiful. That's 285 00:15:58,880 --> 00:15:59,480 Speaker 2: all I got. 286 00:16:00,080 --> 00:16:04,120 Speaker 1: What you retained, Yeah, yeah, that's all I retained. I 287 00:16:04,200 --> 00:16:07,920 Speaker 1: mean when I was in Italy and I'd literally taken 288 00:16:08,080 --> 00:16:11,960 Speaker 1: like three rounds of Babel and then would ignore every 289 00:16:12,080 --> 00:16:14,680 Speaker 1: prompt when the Babbel's like learn a new word today, 290 00:16:14,680 --> 00:16:18,840 Speaker 1: and I'm like, oh, fuck yourself, which why? And so 291 00:16:18,960 --> 00:16:21,560 Speaker 1: when we were there, I had that like I wanted 292 00:16:21,640 --> 00:16:25,840 Speaker 1: to be able to communicate so badly it was embarrassing 293 00:16:26,000 --> 00:16:28,080 Speaker 1: to me. And then I'm like, well that's a really 294 00:16:28,200 --> 00:16:31,960 Speaker 1: good like impetus to learn being kind of humiliated and 295 00:16:32,120 --> 00:16:33,440 Speaker 1: needing to cover right. 296 00:16:33,760 --> 00:16:33,880 Speaker 2: Uh. 297 00:16:34,520 --> 00:16:37,360 Speaker 1: You know, I started picking up on context clues very 298 00:16:37,440 --> 00:16:43,440 Speaker 1: quickly and like absorbing it because oh, oh it's and 299 00:16:43,680 --> 00:16:45,720 Speaker 1: I ran a yellow around the block. 300 00:16:45,840 --> 00:16:48,840 Speaker 2: Yeah, we'll go around the block. That it was your idea. 301 00:16:48,880 --> 00:16:50,440 Speaker 2: I'm repeating it as if to. 302 00:16:50,520 --> 00:16:54,200 Speaker 1: Them you're confirming, like the co pilot on a plane, Yes, 303 00:16:54,840 --> 00:16:56,040 Speaker 1: and I appreciate. 304 00:16:55,600 --> 00:16:59,040 Speaker 2: It, but it's one that doesn't I'm just that inflatable 305 00:16:59,080 --> 00:17:01,720 Speaker 2: one because I'm not doing. 306 00:17:01,600 --> 00:17:03,560 Speaker 1: Much the dirty one from airplane. 307 00:17:03,800 --> 00:17:07,080 Speaker 2: Yeah, yeah, that's not where an air nozzle goes. 308 00:17:07,840 --> 00:17:09,960 Speaker 1: I don't want to be a snob. But when we recorded, 309 00:17:10,359 --> 00:17:14,040 Speaker 1: we just recorded with Reggie Wats yesterday listener, So this 310 00:17:14,119 --> 00:17:15,600 Speaker 1: is why we're kind of talking about it a lot. 311 00:17:15,680 --> 00:17:21,400 Speaker 1: But to be driving around Burbank instead of Central Los Angeles, 312 00:17:21,520 --> 00:17:24,920 Speaker 1: it's so nice. Yeah, I just love this town. 313 00:17:25,240 --> 00:17:25,440 Speaker 3: Yeah. 314 00:17:25,440 --> 00:17:27,639 Speaker 2: At the end of the podcast, when we saw the 315 00:17:27,720 --> 00:17:31,479 Speaker 2: man was six tears on his face, it isn't because 316 00:17:31,520 --> 00:17:35,800 Speaker 2: he's a professional clown for children. No, And there's not 317 00:17:35,920 --> 00:17:38,639 Speaker 2: a lot of tears on faces over here, tattoos of them. 318 00:17:38,880 --> 00:17:42,560 Speaker 1: There's more of like this is where all the guys 319 00:17:42,600 --> 00:17:46,120 Speaker 1: who do the lights for two and a half Men live. 320 00:17:47,280 --> 00:17:49,119 Speaker 1: There's a lot of crew people, there's a lot of 321 00:17:49,320 --> 00:17:52,160 Speaker 1: union members and people who have made a good living 322 00:17:52,400 --> 00:17:54,159 Speaker 1: with a great trade. 323 00:17:54,960 --> 00:17:57,560 Speaker 2: That kind of shit doing props for Hugh Laurie. 324 00:17:57,840 --> 00:18:02,560 Speaker 1: Yeah, that cane doesn't show up on set by itself. 325 00:18:04,560 --> 00:18:08,120 Speaker 2: I always confuse. I'm thinking of Chuck Lory. Oh, he's 326 00:18:08,240 --> 00:18:10,840 Speaker 2: the two and a half man guy right, yep, okay, 327 00:18:11,000 --> 00:18:12,080 Speaker 2: But Hugh Laurie's great. 328 00:18:12,600 --> 00:18:15,120 Speaker 1: But Hugh Lori is nothing to shake a cane out 329 00:18:15,600 --> 00:18:18,320 Speaker 1: when now have to make a left turn on this weird. 330 00:18:18,200 --> 00:18:22,679 Speaker 2: It's okay, it's okay. It's a red arrow. That's that's reassuring. 331 00:18:22,720 --> 00:18:24,560 Speaker 2: That means it's about to be a green arrow. 332 00:18:24,680 --> 00:18:26,000 Speaker 1: That's true. It's controlled. 333 00:18:26,200 --> 00:18:30,400 Speaker 2: See, I am doing some co piloting. You are for real, 334 00:18:30,680 --> 00:18:33,879 Speaker 2: Hugh Laurie. When I got my tonsils, I think I 335 00:18:34,000 --> 00:18:37,840 Speaker 2: mentioned this, the anesthesiologist just said, oh, stand up comedies, 336 00:18:37,880 --> 00:18:40,879 Speaker 2: what what's that like? And he was looking into my 337 00:18:41,000 --> 00:18:43,119 Speaker 2: eyes as he put the needle in my arm and 338 00:18:43,280 --> 00:18:46,560 Speaker 2: hit a nerve. He pulled a real house, you're a 339 00:18:46,640 --> 00:18:49,760 Speaker 2: loose cannon? Are you a real doctor? And he looked 340 00:18:49,800 --> 00:18:52,440 Speaker 2: like howse? But I didn't have the chance to tell 341 00:18:52,480 --> 00:18:55,440 Speaker 2: him because it was so much pain and then I 342 00:18:55,600 --> 00:18:57,960 Speaker 2: was out, so the needle was in that nerve the 343 00:18:58,040 --> 00:19:01,920 Speaker 2: whole surgery. Anyway, he is great, and if you if 344 00:19:01,960 --> 00:19:05,639 Speaker 2: you ever do some youtubing, look up Hugh Laurie and 345 00:19:05,800 --> 00:19:09,399 Speaker 2: his his you know, British sketch comedy, because he was 346 00:19:09,560 --> 00:19:11,680 Speaker 2: like a bit of fry and Laurie a bit of 347 00:19:11,760 --> 00:19:14,359 Speaker 2: Fry and Laurie. Mm hm, that is what it is. 348 00:19:15,000 --> 00:19:16,919 Speaker 3: I know called Yes, I. 349 00:19:16,960 --> 00:19:19,960 Speaker 2: Thought you were saying when people go to YouTube, they 350 00:19:20,000 --> 00:19:22,359 Speaker 2: should check out a bit of Fry and Laurie like 351 00:19:22,520 --> 00:19:25,440 Speaker 2: you're saying, No, the portion they should take in. 352 00:19:25,960 --> 00:19:29,040 Speaker 1: It's just a bit anything that might be on the Acorn, 353 00:19:29,600 --> 00:19:33,840 Speaker 1: BBC or BritBox channel. I'm going to know it. Yeah, 354 00:19:33,920 --> 00:19:36,760 Speaker 1: that's why I spend all my time. That's like my skateboarding. 355 00:19:37,240 --> 00:19:42,000 Speaker 2: Yeah, skateboarding is my skateboarding, but so is comedy and uh, 356 00:19:42,359 --> 00:19:46,840 Speaker 2: you know, fast and furious drifting footage. 357 00:19:48,000 --> 00:19:49,320 Speaker 1: Oh, not doing it? 358 00:19:49,960 --> 00:19:52,480 Speaker 2: No, No, I stay clear. I stay clear. You know 359 00:19:52,560 --> 00:19:56,080 Speaker 2: when they block off an intersection and then people. I 360 00:19:56,240 --> 00:19:59,560 Speaker 2: do not know what I looked up. Maybe I was 361 00:20:00,720 --> 00:20:03,399 Speaker 2: looking for a steering wheel cover. I don't know what 362 00:20:03,560 --> 00:20:06,879 Speaker 2: it is that made my phone think that I am 363 00:20:06,960 --> 00:20:12,960 Speaker 2: interested in that, But my algorithm shows me street drifting 364 00:20:13,480 --> 00:20:16,080 Speaker 2: every other video. I don't know how to undo it 365 00:20:16,560 --> 00:20:19,080 Speaker 2: or tell my phone this actually is an interest in mine. 366 00:20:19,440 --> 00:20:20,520 Speaker 2: Do you know what I should do? 367 00:20:20,840 --> 00:20:21,760 Speaker 1: Maybe say it out loud? 368 00:20:22,800 --> 00:20:28,920 Speaker 2: Okay, Siri, Tom Cruise's daughter, are you lestening? 369 00:20:29,160 --> 00:20:33,760 Speaker 1: Alexa? Stop it Alexa, Siri, knock it off? 370 00:20:34,560 --> 00:20:37,119 Speaker 2: You're not getting dinner unless you have some in your 371 00:20:38,119 --> 00:20:41,359 Speaker 2: refrigerated fanny pack. I've just blurted that out, and I 372 00:20:41,440 --> 00:20:42,719 Speaker 2: think it's actually a good invention. 373 00:20:43,280 --> 00:20:45,560 Speaker 1: Uh, how would you refrigerate it? 374 00:20:46,320 --> 00:20:49,760 Speaker 2: It has coils, it has a small it's really essentially 375 00:20:49,760 --> 00:20:53,440 Speaker 2: a small refrigerator, but rather than in a box of metal, 376 00:20:53,520 --> 00:20:55,879 Speaker 2: it's cloth and it's a strap and you wear it 377 00:20:55,920 --> 00:20:59,640 Speaker 2: around your waist. Okay, it's batteries. How are we okay? 378 00:20:59,680 --> 00:21:11,520 Speaker 2: Battery sharks eight? Who's seventy percent? 379 00:21:11,760 --> 00:21:11,960 Speaker 1: Usual? 380 00:21:12,280 --> 00:21:13,560 Speaker 2: Yell percentages at them? 381 00:21:13,640 --> 00:21:13,800 Speaker 3: Right? 382 00:21:13,960 --> 00:21:16,280 Speaker 1: I don't know. I've only watched that like part of 383 00:21:16,400 --> 00:21:19,760 Speaker 1: that show, and it was two women who were designing 384 00:21:19,840 --> 00:21:22,000 Speaker 1: jewelry and they were sisters and they'd both been in 385 00:21:22,080 --> 00:21:26,320 Speaker 1: the army, and somehow they thought both of them being 386 00:21:26,359 --> 00:21:31,399 Speaker 1: in the army made that jewelry more appealing. Oh, and 387 00:21:31,680 --> 00:21:34,560 Speaker 1: I was like, this hurts my feelings because I don't 388 00:21:35,280 --> 00:21:36,840 Speaker 1: this is like one of those things where we were 389 00:21:36,920 --> 00:21:39,159 Speaker 1: like they nobody believed in it. Yeah, it's just like 390 00:21:39,240 --> 00:21:41,000 Speaker 1: that's and this is being televised. 391 00:21:41,240 --> 00:21:45,879 Speaker 2: Yeah. I hate it when when someone actually has a 392 00:21:46,000 --> 00:21:49,040 Speaker 2: very bad idea, it hurts my feelings, Like when you 393 00:21:49,200 --> 00:21:54,359 Speaker 2: drive by a bad business idea. That's closing pants for cats. 394 00:21:54,480 --> 00:22:00,520 Speaker 2: Oh there she is waiting, looking super cool. Those are 395 00:22:00,600 --> 00:22:08,360 Speaker 2: cool glasses. They look like they're made of marshmallows. Hi ros. 396 00:22:09,600 --> 00:22:10,560 Speaker 3: I didn't know if it was you. 397 00:22:10,960 --> 00:22:13,600 Speaker 1: Hi. Oh ship up? 398 00:22:16,080 --> 00:22:16,800 Speaker 2: You look cool? 399 00:22:17,359 --> 00:22:19,240 Speaker 3: Oh my gosh, yeah you. 400 00:22:19,800 --> 00:22:23,760 Speaker 2: I thought at first your sunglasses were made entirely of 401 00:22:23,920 --> 00:22:27,360 Speaker 2: mushrooms or marshmallows. Mushrooms? 402 00:22:28,880 --> 00:22:29,119 Speaker 1: Have you? 403 00:22:29,720 --> 00:22:30,840 Speaker 3: Did you eat a mushroom? 404 00:22:31,080 --> 00:22:31,119 Speaker 2: That? 405 00:22:31,960 --> 00:22:32,200 Speaker 1: Yeah? 406 00:22:32,640 --> 00:22:36,560 Speaker 2: Yeah, that sweet and delicious mushroom like on us some more? O. 407 00:22:36,720 --> 00:22:39,200 Speaker 3: This car smells so new, does it? 408 00:22:39,640 --> 00:22:42,920 Speaker 1: Yeah? It's nice because we did have a chicken grease 409 00:22:42,960 --> 00:22:44,600 Speaker 1: spill last night, and so I was afraid it was 410 00:22:44,640 --> 00:22:45,560 Speaker 1: gonna smell like that. 411 00:22:45,800 --> 00:22:47,240 Speaker 2: Don't worry. It was in my seat. 412 00:22:48,400 --> 00:22:50,240 Speaker 3: Where where'd you get chicken grease from? 413 00:22:50,480 --> 00:22:54,199 Speaker 1: It was the chicken too, or I got the chicken, 414 00:22:54,320 --> 00:22:55,879 Speaker 1: I got the grease. It was in a to go 415 00:22:56,160 --> 00:23:00,960 Speaker 1: box that was I mishandled basically, and then discovered a 416 00:23:01,040 --> 00:23:05,359 Speaker 1: little congealed pile of chick and Greece and Chris's seat 417 00:23:05,440 --> 00:23:05,960 Speaker 1: this morning. 418 00:23:06,240 --> 00:23:10,719 Speaker 3: Yeah, I had a friend, do you kind of uh 419 00:23:11,520 --> 00:23:14,600 Speaker 3: make breakfast of some sort of crease stain on my 420 00:23:14,840 --> 00:23:17,399 Speaker 3: seat that was there for like a couple of weeks 421 00:23:17,520 --> 00:23:20,080 Speaker 3: and I forgot about it and we just got it 422 00:23:20,160 --> 00:23:22,360 Speaker 3: scrubbed out. So everything's going right over here. 423 00:23:24,720 --> 00:23:27,000 Speaker 1: I love to hear a victory story right off the bat. 424 00:23:27,200 --> 00:23:28,920 Speaker 3: How is everyone good? 425 00:23:29,160 --> 00:23:31,480 Speaker 2: I'm terrific good. How are you. 426 00:23:33,200 --> 00:23:33,400 Speaker 1: Well? 427 00:23:33,560 --> 00:23:36,800 Speaker 3: I'm pretty great. I was just listening to some Cheryl 428 00:23:36,920 --> 00:23:39,720 Speaker 3: Crow and all I want to do is I have 429 00:23:39,840 --> 00:23:40,200 Speaker 3: some fun? 430 00:23:40,400 --> 00:23:41,280 Speaker 1: Yes? Really? 431 00:23:41,480 --> 00:23:46,240 Speaker 6: Have you just rediscovered Cheryl Crow or it's like for 432 00:23:46,400 --> 00:23:48,840 Speaker 6: some reason, I just haven't listened to Cheryl Crow in 433 00:23:48,920 --> 00:23:53,760 Speaker 6: a minute, and then went to you know, Cheryl Crow 434 00:23:53,840 --> 00:23:56,440 Speaker 6: and some of the music apps, and then before I 435 00:23:56,600 --> 00:23:59,880 Speaker 6: know it, I'm you know, I have a feeling I'm 436 00:23:59,880 --> 00:24:02,520 Speaker 6: not the only one girl wants to have some fun. 437 00:24:02,880 --> 00:24:07,240 Speaker 2: But if you go on random eventually her country duet 438 00:24:07,359 --> 00:24:08,720 Speaker 2: with Kid Rock's Gonna Come On. 439 00:24:09,920 --> 00:24:11,000 Speaker 3: Is one that I skipped. 440 00:24:11,440 --> 00:24:14,679 Speaker 2: Yeah, yeah, well we all make weird decisions. 441 00:24:15,040 --> 00:24:19,480 Speaker 1: Yeah, I feel like Cheryl And it's rude to ask 442 00:24:19,560 --> 00:24:21,639 Speaker 1: you so. And I was going to but I won't 443 00:24:22,560 --> 00:24:26,200 Speaker 1: how old you were when the og Cheryl Crow album 444 00:24:26,320 --> 00:24:28,280 Speaker 1: came out, because it was when I first moved to 445 00:24:28,480 --> 00:24:32,119 Speaker 1: LA And truly it was like every billboard, it was 446 00:24:32,200 --> 00:24:35,760 Speaker 1: on every radio station because it was like the early nineties. 447 00:24:35,960 --> 00:24:40,280 Speaker 1: It was so pervasive and kind of like, you know, 448 00:24:40,720 --> 00:24:42,560 Speaker 1: as a young rebel, I had to. 449 00:24:43,200 --> 00:24:45,200 Speaker 3: I wonder how Angeline felt about that. 450 00:24:46,240 --> 00:24:48,440 Speaker 1: She was getting serious serious. 451 00:24:48,800 --> 00:24:51,399 Speaker 3: I'm sure any time you bring up Cheryl Crow to 452 00:24:51,480 --> 00:24:52,879 Speaker 3: her it's a sore spot. 453 00:24:53,119 --> 00:24:56,240 Speaker 2: Yes, well, I've always been confronted by the fact that 454 00:24:56,400 --> 00:24:59,680 Speaker 2: the sun does not come up over Santa Monica Bull 455 00:24:59,720 --> 00:25:02,840 Speaker 2: of her. I guess so, I mean it would have 456 00:25:02,960 --> 00:25:04,840 Speaker 2: to be running east west right. 457 00:25:05,320 --> 00:25:07,280 Speaker 3: Do you guys ever listen to Cheryl? Do you ever 458 00:25:07,520 --> 00:25:08,680 Speaker 3: ever put on a little Cheryl? 459 00:25:09,119 --> 00:25:11,159 Speaker 1: Yeah? Yeah, it's good stuff. 460 00:25:11,320 --> 00:25:12,639 Speaker 3: She's a really good songwriter. 461 00:25:12,960 --> 00:25:16,720 Speaker 1: She's truly unbelievable. And if you've ever seen her live, 462 00:25:17,359 --> 00:25:20,879 Speaker 1: she is album perfect sounding and playing when. 463 00:25:20,800 --> 00:25:22,440 Speaker 3: She re live, you can't. 464 00:25:22,840 --> 00:25:24,000 Speaker 2: I always appreciate that. 465 00:25:24,320 --> 00:25:26,760 Speaker 1: Yes, it's kind of crazy. I can't remember where I 466 00:25:26,840 --> 00:25:30,480 Speaker 1: saw her, but I kept going, is she lip syncing? 467 00:25:30,600 --> 00:25:31,080 Speaker 3: This is so? 468 00:25:32,400 --> 00:25:38,000 Speaker 1: She's not Queen with a weird perm wig on? 469 00:25:38,480 --> 00:25:39,400 Speaker 2: That place looks fun. 470 00:25:39,440 --> 00:25:42,520 Speaker 3: There's a saloon with Oh well, I'll tell you that 471 00:25:42,600 --> 00:25:46,600 Speaker 3: place is not fun. No, it is not. 472 00:25:46,920 --> 00:25:47,560 Speaker 2: You've been there. 473 00:25:48,560 --> 00:25:52,480 Speaker 3: No, but I've read the papers and the place that 474 00:25:53,040 --> 00:25:58,360 Speaker 3: had gun fights. No, no vaccine fights. 475 00:25:58,600 --> 00:25:58,760 Speaker 1: Yeah. 476 00:25:59,040 --> 00:26:02,560 Speaker 3: Oh wow, they refused to shut down during COVID, and 477 00:26:02,760 --> 00:26:04,280 Speaker 3: so the city shut them down. 478 00:26:04,480 --> 00:26:04,680 Speaker 2: Yeah. 479 00:26:05,040 --> 00:26:09,440 Speaker 3: And then it turned into protests and a yeah rallies 480 00:26:09,560 --> 00:26:10,480 Speaker 3: up and down the street. 481 00:26:11,320 --> 00:26:15,040 Speaker 2: Everyone protesting dressed like a cowboy because it's it's I 482 00:26:15,119 --> 00:26:18,679 Speaker 2: think it's hilarious that that's a business in Burbank had 483 00:26:18,760 --> 00:26:21,840 Speaker 2: to look like an old like they do reenactments. I 484 00:26:21,880 --> 00:26:25,440 Speaker 2: always wanted to be a cowboy gunfight reenactor. And it's 485 00:26:25,520 --> 00:26:28,240 Speaker 2: my job every Wednesday to pretend to get shot and 486 00:26:28,359 --> 00:26:29,560 Speaker 2: fall into a horse trough. 487 00:26:30,000 --> 00:26:32,040 Speaker 3: Don't you have a story about getting bit by a 488 00:26:32,119 --> 00:26:33,399 Speaker 3: scorpion or something? 489 00:26:33,880 --> 00:26:35,080 Speaker 2: Thank you? No, I know. 490 00:26:37,119 --> 00:26:38,640 Speaker 3: I've been listening to the show. 491 00:26:39,000 --> 00:26:42,160 Speaker 2: For years and you just proved it and I really 492 00:26:42,280 --> 00:26:48,560 Speaker 2: appreciate it. Anyway, the year was two thousand. Uh, I 493 00:26:48,720 --> 00:26:52,040 Speaker 2: will not talk about that. I brought my cat. The 494 00:26:52,119 --> 00:26:54,040 Speaker 2: cat had feel like what if I just did the 495 00:26:54,119 --> 00:26:55,480 Speaker 2: greatest chance of everything? 496 00:26:55,640 --> 00:26:57,680 Speaker 1: One sentence each for it. 497 00:26:58,080 --> 00:27:02,000 Speaker 2: But you're right, that did all my childhood desire to 498 00:27:02,119 --> 00:27:04,679 Speaker 2: be in a Western reenactment. 499 00:27:04,800 --> 00:27:09,280 Speaker 3: Yes, this Burbank, particularly this street is the I think 500 00:27:09,359 --> 00:27:13,000 Speaker 3: the most interesting street in Los Angeles. Yes, this we're 501 00:27:13,200 --> 00:27:17,640 Speaker 3: driving to Magnolia Boulevard, right now, And this is where 502 00:27:17,720 --> 00:27:23,080 Speaker 3: you will find weird like the weirdest weirdos in the 503 00:27:23,200 --> 00:27:26,320 Speaker 3: best way, yep. And you'll find the gun people. For 504 00:27:26,480 --> 00:27:29,359 Speaker 3: some reason, there's like three or four guns over there. 505 00:27:29,400 --> 00:27:31,600 Speaker 2: Are a lot of gun stores. 506 00:27:31,680 --> 00:27:34,480 Speaker 1: Wait a second, I'm so sorry, but is that Jojo 507 00:27:34,680 --> 00:27:35,640 Speaker 1: Seawas studio? 508 00:27:35,880 --> 00:27:39,639 Speaker 3: That is indeed, Jojo was studio one time as a 509 00:27:39,840 --> 00:27:43,720 Speaker 3: car parked out front that had pictures of her like 510 00:27:43,920 --> 00:27:46,280 Speaker 3: as part of the paint job. It was just like 511 00:27:46,480 --> 00:27:48,600 Speaker 3: pictures everywhere of her. 512 00:27:49,240 --> 00:27:51,760 Speaker 1: And so is it like her dance or her like 513 00:27:52,560 --> 00:27:55,240 Speaker 1: what kind of studio you know? 514 00:27:55,640 --> 00:27:58,680 Speaker 3: I can't I can't answer that question for you, Oka, 515 00:27:59,160 --> 00:28:01,439 Speaker 3: but I have a question. There's Hollywolf dog. 516 00:28:01,359 --> 00:28:05,919 Speaker 2: Groomer, I love any all excuse it with any grooming, not. 517 00:28:06,080 --> 00:28:07,879 Speaker 3: To be confused with the one that I take my 518 00:28:08,000 --> 00:28:09,840 Speaker 3: dog too, which is also on the street. It's called 519 00:28:09,920 --> 00:28:11,760 Speaker 3: Pimp My Pooch. Oh I like it. 520 00:28:12,119 --> 00:28:15,359 Speaker 2: The one in my hometown is called Cats over Broadway, 521 00:28:15,680 --> 00:28:19,680 Speaker 2: and there's like a film reel and cat silhouettes of 522 00:28:19,760 --> 00:28:24,439 Speaker 2: cats with little top hats and it's everything everything. 523 00:28:29,200 --> 00:28:31,840 Speaker 1: So it's basically saying like, if you bring your cat here, 524 00:28:32,119 --> 00:28:33,880 Speaker 1: your cat will look like a Broadway stuff. 525 00:28:34,000 --> 00:28:37,080 Speaker 2: Yeah, yeah, your cat's ready for stage, not film, though 526 00:28:41,160 --> 00:28:43,080 Speaker 2: they put little tap shoes on their paws. 527 00:28:43,280 --> 00:28:45,720 Speaker 1: I just the only reason I had that Joe Jesse 528 00:28:45,880 --> 00:28:49,720 Speaker 1: West Studio gave me such pauses because I thank you. 529 00:28:50,680 --> 00:28:53,280 Speaker 1: I just wanted to explain myself. One time, when we 530 00:28:53,360 --> 00:28:57,080 Speaker 1: were on vacation in Hawaii, we went to a bar 531 00:28:57,160 --> 00:28:59,960 Speaker 1: and I drank my ties and I basically never drank, 532 00:29:00,160 --> 00:29:03,080 Speaker 1: but I did it on vacation. And when I came home, 533 00:29:04,040 --> 00:29:05,560 Speaker 1: I went to bed, and then when I woke up 534 00:29:05,560 --> 00:29:08,600 Speaker 1: in the morning, I realized I had tweeted something. And 535 00:29:08,680 --> 00:29:11,400 Speaker 1: when I looked at it, it was I retweeted a 536 00:29:11,600 --> 00:29:15,040 Speaker 1: video of Jojo Seewa dancing with like this really amazing. 537 00:29:15,080 --> 00:29:17,360 Speaker 1: I think he was a choreographer and they were doing 538 00:29:17,480 --> 00:29:21,680 Speaker 1: all this crazy, really hard fast, you know, like high 539 00:29:21,760 --> 00:29:26,120 Speaker 1: level dancing, and I retweeted it and wrote something along 540 00:29:26,200 --> 00:29:31,480 Speaker 1: the lines of like in your face, and I don't 541 00:29:31,720 --> 00:29:33,560 Speaker 1: I didn't know who she was. It's not like I 542 00:29:33,640 --> 00:29:36,280 Speaker 1: was a fan or even like, oh I get it 543 00:29:36,480 --> 00:29:39,760 Speaker 1: or anything. It was like I had accidentally just done 544 00:29:39,840 --> 00:29:43,120 Speaker 1: this weird thing, like drunkenly and went to sleep. 545 00:29:43,480 --> 00:29:44,320 Speaker 3: And whose face? 546 00:29:44,560 --> 00:29:45,480 Speaker 2: Whose face was it? 547 00:29:45,600 --> 00:29:46,520 Speaker 3: In I'm not. 548 00:29:46,640 --> 00:29:49,240 Speaker 1: I think I was just like writing something dumb. 549 00:29:49,480 --> 00:29:53,920 Speaker 2: Yeah yeah, yeah, I mean I for our listeners, and 550 00:29:54,000 --> 00:29:56,640 Speaker 2: I'm not saying I'm one of them. Who's Jojo Siwa? 551 00:29:56,960 --> 00:29:58,520 Speaker 1: Oh Jojo? See? 552 00:29:58,520 --> 00:29:59,440 Speaker 2: What is a Well? 553 00:29:59,480 --> 00:30:00,640 Speaker 1: Actually I I don't really know. 554 00:30:00,960 --> 00:30:05,040 Speaker 3: But you know, I just know context clues that I've gathered, Right, 555 00:30:05,440 --> 00:30:07,440 Speaker 3: what are your context clues? Okay, she was on the 556 00:30:07,480 --> 00:30:15,960 Speaker 3: show Dance Moms. Pretty sure she's an out lesbian. She 557 00:30:16,160 --> 00:30:21,240 Speaker 3: loves a tight ponytail, and I believe since she was 558 00:30:21,320 --> 00:30:23,640 Speaker 3: on Dance Moms, she's not one of the moms, which 559 00:30:23,720 --> 00:30:25,760 Speaker 3: makes me think she's one of the dance girls. 560 00:30:26,040 --> 00:30:28,720 Speaker 1: Yes. And I think the other thing I knew about 561 00:30:28,800 --> 00:30:31,440 Speaker 1: her was because I also think she became like a 562 00:30:31,520 --> 00:30:37,080 Speaker 1: YouTube like influencer, Okay, because I basically saw her like 563 00:30:37,480 --> 00:30:40,000 Speaker 1: my niece Nora referenced her when she was like seven 564 00:30:40,120 --> 00:30:42,520 Speaker 1: years old one time. But I didn't have any kind 565 00:30:42,560 --> 00:30:45,400 Speaker 1: of idea of what the conversation was. I was just like, oh, 566 00:30:45,480 --> 00:30:47,960 Speaker 1: this is this is entertainment for children that I have 567 00:30:48,040 --> 00:30:49,440 Speaker 1: absolutely no idea about it. 568 00:30:50,240 --> 00:30:54,720 Speaker 2: It's such a weird time where there's famous people and 569 00:30:54,840 --> 00:30:57,360 Speaker 2: when you know their names and none of us can 570 00:30:57,400 --> 00:30:58,880 Speaker 2: pinpoint why we know. 571 00:30:58,960 --> 00:31:01,960 Speaker 1: Them and they don't start. It's not like, oh, Jojo 572 00:31:02,040 --> 00:31:04,360 Speaker 1: Siwa was the little sister on Happy Days, so we 573 00:31:04,680 --> 00:31:07,400 Speaker 1: all know what we're talking about. It truly is like 574 00:31:07,600 --> 00:31:09,880 Speaker 1: they're from a reality show, but they're the ones the 575 00:31:09,960 --> 00:31:13,200 Speaker 1: fans liked and then they did this thing. I mean, 576 00:31:13,280 --> 00:31:15,360 Speaker 1: she was a good dancer, okay. 577 00:31:16,200 --> 00:31:21,080 Speaker 2: I I like last night there was a line at 578 00:31:21,120 --> 00:31:25,200 Speaker 2: the Echo that was so I've never seen a longer 579 00:31:25,320 --> 00:31:30,400 Speaker 2: line and it said it doesn't matter. I had to 580 00:31:30,520 --> 00:31:33,160 Speaker 2: google who it was. It was someone's name that I 581 00:31:33,240 --> 00:31:36,720 Speaker 2: didn't retain, but it was I had to read page 582 00:31:36,760 --> 00:31:39,040 Speaker 2: and after page, and it was just a kid that 583 00:31:39,120 --> 00:31:42,440 Speaker 2: got wildly popular after a viral TikTok oh. 584 00:31:42,960 --> 00:31:45,160 Speaker 3: It's such an era where there's just like so many 585 00:31:45,280 --> 00:31:48,240 Speaker 3: people that are technically considered famous. Like it's not the 586 00:31:49,400 --> 00:31:52,120 Speaker 3: old days of three channels. I always think about like 587 00:31:52,480 --> 00:31:56,640 Speaker 3: how people seventies and before how famous they were, like 588 00:31:56,720 --> 00:31:59,680 Speaker 3: they were so famous. Yeah, and now, I mean it's 589 00:31:59,760 --> 00:32:03,040 Speaker 3: good in a lot of ways that there's like more 590 00:32:03,560 --> 00:32:08,640 Speaker 3: spread out for everyone to enjoy, but it's not as 591 00:32:08,720 --> 00:32:12,560 Speaker 3: much of a communal collective thing where we all know 592 00:32:12,680 --> 00:32:13,680 Speaker 3: the same references. 593 00:32:13,840 --> 00:32:18,280 Speaker 1: Yeah, exactly. Well and it's almost like that's how the 594 00:32:19,760 --> 00:32:22,840 Speaker 1: like the super fan stand culture. It's almost like you 595 00:32:22,960 --> 00:32:26,520 Speaker 1: have to go represent the person, like this is who 596 00:32:26,560 --> 00:32:29,520 Speaker 1: I believe in and you should too. It almost feels 597 00:32:29,560 --> 00:32:32,240 Speaker 1: like the vibe because it's like, right, I need that 598 00:32:32,440 --> 00:32:35,240 Speaker 1: energy because other than that, I don't know who any 599 00:32:35,280 --> 00:32:38,040 Speaker 1: of these people are. And I wouldn't like the idea 600 00:32:38,080 --> 00:32:41,880 Speaker 1: that my niece watched YouTube like it was TV, like 601 00:32:42,080 --> 00:32:47,520 Speaker 1: prefer that. Yeah, it's so different than anything I'm used 602 00:32:47,520 --> 00:32:49,840 Speaker 1: to where it's like, oh, that's she doesn't want to 603 00:32:49,880 --> 00:32:52,520 Speaker 1: come and sit. I mean she would eventually like watch 604 00:32:52,720 --> 00:32:55,600 Speaker 1: sitcoms with my sister or whatever, but ultimately she's in 605 00:32:55,680 --> 00:32:58,640 Speaker 1: her room watching YouTube like it is TV. I know. 606 00:32:58,800 --> 00:33:03,440 Speaker 3: I was talking to someone today. I always think the 607 00:33:03,560 --> 00:33:07,680 Speaker 3: past few years that like, is stand up gonna go away? 608 00:33:08,320 --> 00:33:12,240 Speaker 3: Like as you know, TikTok and stuff takes over, And 609 00:33:12,400 --> 00:33:15,360 Speaker 3: because I wonder, because I don't see as many comedians 610 00:33:15,800 --> 00:33:18,080 Speaker 3: when I do shows that are like, oh this nineteen 611 00:33:18,160 --> 00:33:20,560 Speaker 3: year old just moved to town, Like I'm not seeing 612 00:33:20,640 --> 00:33:22,440 Speaker 3: as many like super young. 613 00:33:22,960 --> 00:33:26,600 Speaker 2: Yeah, it's just the old old people like me sticking 614 00:33:26,640 --> 00:33:26,960 Speaker 2: it out. 615 00:33:27,680 --> 00:33:31,560 Speaker 3: Well me so, but I think like maybe it will. 616 00:33:32,040 --> 00:33:34,400 Speaker 3: I mean I don't know the audiences. All kinds of 617 00:33:34,440 --> 00:33:37,600 Speaker 3: people come, but I'm like, maybe it will be something 618 00:33:37,640 --> 00:33:41,200 Speaker 3: where like the audiences get older and you know, it's 619 00:33:41,240 --> 00:33:43,440 Speaker 3: like I always say, like what's wrong with being the Eagles? 620 00:33:43,600 --> 00:33:46,080 Speaker 3: You know, like they can play for people your age 621 00:33:46,160 --> 00:33:48,560 Speaker 3: and if younger people are into it, they can show up. 622 00:33:48,640 --> 00:33:50,320 Speaker 3: But like, like, I don't want to be sitting here 623 00:33:50,400 --> 00:33:53,200 Speaker 3: being like, so, kids, what are we talking about? Like 624 00:33:53,240 --> 00:33:55,560 Speaker 3: I don't care. I'd rather just talk to my people 625 00:33:55,680 --> 00:33:56,120 Speaker 3: my age. 626 00:33:56,240 --> 00:33:56,800 Speaker 1: I are real. 627 00:33:57,000 --> 00:33:59,360 Speaker 2: I like to think that I'm not. I'm only saying 628 00:33:59,400 --> 00:34:03,160 Speaker 2: it get the audiences get better, and I love people 629 00:34:03,320 --> 00:34:06,040 Speaker 2: getting interested in stand up and it's the one thing 630 00:34:07,520 --> 00:34:12,680 Speaker 2: that's impossible to replace because I one time I went 631 00:34:12,760 --> 00:34:16,360 Speaker 2: in I don't know whose idea it was, but we 632 00:34:17,280 --> 00:34:20,840 Speaker 2: put on ball a ball suit and they were making 633 00:34:21,000 --> 00:34:24,600 Speaker 2: holograms of us so they could have us do stand 634 00:34:24,680 --> 00:34:28,320 Speaker 2: up project it anywhere, and I'm like, this is a 635 00:34:28,440 --> 00:34:31,120 Speaker 2: terrible idea, but I'll take your money. Weird guy with 636 00:34:31,200 --> 00:34:35,239 Speaker 2: a yellow Lamborghini and I knew it wouldn't work. That's 637 00:34:35,280 --> 00:34:37,920 Speaker 2: as close as they've gotten. Like it was after the 638 00:34:38,960 --> 00:34:42,239 Speaker 2: everyone was freaking out because Tupac was in hologram form 639 00:34:42,400 --> 00:34:45,480 Speaker 2: was at Coachella or something. Yeah, this was back then, 640 00:34:46,000 --> 00:34:48,760 Speaker 2: and that was such a bad idea that I decided 641 00:34:48,800 --> 00:34:53,319 Speaker 2: that day that nothing could ever replace live stand up. 642 00:34:53,640 --> 00:34:57,040 Speaker 2: But you're thinking more, will it just not be interesting 643 00:34:57,120 --> 00:34:58,480 Speaker 2: to people anymore? Right? 644 00:34:59,000 --> 00:35:01,680 Speaker 3: But I keep getting proven wrong? Is the good thing 645 00:35:01,880 --> 00:35:06,239 Speaker 3: by like seeing well, at least the audiences are definitely like, 646 00:35:06,840 --> 00:35:09,880 Speaker 3: there's so many audiences and so many shows that I 647 00:35:10,600 --> 00:35:13,800 Speaker 3: have done that I'm like really excited, But I just 648 00:35:13,920 --> 00:35:18,000 Speaker 3: don't see as many like twenty one year old comedians 649 00:35:18,239 --> 00:35:20,520 Speaker 3: or like I think they just go to TikTok now, Right. 650 00:35:21,239 --> 00:35:24,640 Speaker 2: The weird thing that I'm seeing from short attention span 651 00:35:24,840 --> 00:35:28,720 Speaker 2: TikTok and everything is this trend of crowd work because 652 00:35:28,760 --> 00:35:31,600 Speaker 2: people don't want to burn their material. Yeah, audiences now 653 00:35:31,719 --> 00:35:34,680 Speaker 2: expect they're back to being scared to sit in the 654 00:35:34,719 --> 00:35:39,200 Speaker 2: front row or they heckle, and that's like a new 655 00:35:39,280 --> 00:35:40,680 Speaker 2: thing that I've seen that. 656 00:35:41,560 --> 00:35:46,000 Speaker 3: And I'm just not good enough at improv. I believe 657 00:35:46,040 --> 00:35:47,440 Speaker 3: I talked about this last time I was here. I 658 00:35:47,520 --> 00:35:50,160 Speaker 3: did take an improv class over the pandemic. 659 00:35:50,239 --> 00:35:52,120 Speaker 1: And oh right, your zoom improv. 660 00:35:52,360 --> 00:35:55,279 Speaker 3: Yeah, And I sometimes will be up on stage and 661 00:35:55,400 --> 00:35:58,560 Speaker 3: I'm like I can do this. Like somebody says something 662 00:35:58,600 --> 00:36:00,719 Speaker 3: in the audience, I'm like, yes. 663 00:36:04,000 --> 00:36:05,400 Speaker 1: Yes, what what would you like? 664 00:36:05,719 --> 00:36:08,600 Speaker 2: Yeah that I don't mind. It's asking for it, which 665 00:36:08,920 --> 00:36:12,000 Speaker 2: inevitably means, hey, what do you do for a living? 666 00:36:12,239 --> 00:36:14,200 Speaker 2: Or how long have you two been together? I will 667 00:36:14,280 --> 00:36:18,080 Speaker 2: never ask that ever. I refuse to Well, isn't that 668 00:36:18,120 --> 00:36:18,439 Speaker 2: the worst? 669 00:36:18,480 --> 00:36:19,960 Speaker 3: Like? Are you guys on a date? And the way 670 00:36:20,560 --> 00:36:21,640 Speaker 3: are we? I don't know? 671 00:36:24,600 --> 00:36:28,080 Speaker 2: Yeah, potentially ruining what they had blossoming because you confronted 672 00:36:28,120 --> 00:36:28,680 Speaker 2: them about it. 673 00:36:29,840 --> 00:36:32,240 Speaker 3: Yeah, where are we going? 674 00:36:32,520 --> 00:36:32,680 Speaker 2: Well? 675 00:36:32,680 --> 00:36:34,560 Speaker 1: I thought we'd go to the Starbucks drive through? 676 00:36:34,840 --> 00:36:37,000 Speaker 3: Okay, right. I love that. 677 00:36:37,640 --> 00:36:40,120 Speaker 2: It's it's kind of a tradition that we haven't been 678 00:36:40,160 --> 00:36:41,960 Speaker 2: able to engage in. 679 00:36:43,600 --> 00:36:43,920 Speaker 1: Cars. 680 00:36:44,000 --> 00:36:45,919 Speaker 2: I feel like, no, it's been a while. 681 00:36:46,200 --> 00:36:48,960 Speaker 3: The gift cards, Yeah we did. 682 00:36:49,160 --> 00:36:51,399 Speaker 1: We did have a bunch of gift cards for a while. 683 00:36:51,680 --> 00:36:54,680 Speaker 3: Well, now that we're back in the car, yeah, yeah, 684 00:36:55,120 --> 00:37:00,759 Speaker 3: I actually brought my own jug here, so I'm good. 685 00:37:01,239 --> 00:37:02,880 Speaker 1: Do you need anything from the bakery? 686 00:37:03,440 --> 00:37:05,759 Speaker 2: Yeah? Perhaps a birthday cake pop? 687 00:37:07,520 --> 00:37:09,880 Speaker 3: No, I'm okay, I'm not gonna make people listen to 688 00:37:10,000 --> 00:37:11,799 Speaker 3: me chomp on a cake pop? 689 00:37:12,520 --> 00:37:16,760 Speaker 2: Can we confirm that a cheese Danish isn't actually cheese? 690 00:37:17,400 --> 00:37:21,120 Speaker 2: Ask it's some cream cheese, okay, but sweetened. 691 00:37:21,560 --> 00:37:24,799 Speaker 1: Look at that funny bird, A funny bird. 692 00:37:26,640 --> 00:37:28,440 Speaker 2: Are you injured? Are you just chilling? 693 00:37:28,600 --> 00:37:31,399 Speaker 1: It looks like he's chilling and watching people go through 694 00:37:31,480 --> 00:37:32,880 Speaker 1: the dry Yeah. 695 00:37:33,200 --> 00:37:33,800 Speaker 3: I don't see it. 696 00:37:34,080 --> 00:37:35,920 Speaker 2: It's a little bird on the menu. 697 00:37:35,960 --> 00:37:39,560 Speaker 3: Just like, look at a funny bird. 698 00:37:40,000 --> 00:37:43,200 Speaker 2: Look at you. I really like his belly's hanging over 699 00:37:43,320 --> 00:37:47,200 Speaker 2: the edge like you just had a big yeah. 700 00:37:47,360 --> 00:37:50,000 Speaker 1: I wonder if he gets if he's like the Starbucks 701 00:37:50,080 --> 00:37:52,560 Speaker 1: bird that like picks up the danishes people throw out 702 00:37:52,600 --> 00:37:53,200 Speaker 1: of their car way. 703 00:37:53,239 --> 00:37:56,600 Speaker 2: I wonder if we rolled down the window, he'd go like, 704 00:37:59,520 --> 00:38:00,759 Speaker 2: don't forget, I can't pop it. 705 00:38:02,239 --> 00:38:04,080 Speaker 3: He's the one that know. He doesn't want to tell 706 00:38:04,120 --> 00:38:07,520 Speaker 3: all his bird friends that this is where you hang out. Yeah, scraps. 707 00:38:07,719 --> 00:38:09,399 Speaker 1: He pretends he's at work, but he's here. 708 00:38:09,840 --> 00:38:12,760 Speaker 2: Maybe that's why that bird's so interesting to me, because 709 00:38:12,760 --> 00:38:15,880 Speaker 2: it's just a lone bird chilling and staring. 710 00:38:16,440 --> 00:38:18,480 Speaker 1: He was staring at it. That's what caught my attention. 711 00:38:18,600 --> 00:38:20,520 Speaker 1: I was like, is this where I'm supposed to order? 712 00:38:21,040 --> 00:38:23,160 Speaker 1: And then I looked up as if he was going to. 713 00:38:23,200 --> 00:38:28,239 Speaker 2: Tell me yeah, yeah, and that's why I freaked out 714 00:38:28,320 --> 00:38:32,440 Speaker 2: years ago and talked about turtle eye contact. Birds will 715 00:38:32,520 --> 00:38:34,480 Speaker 2: do that too. They'll give you a side eye and 716 00:38:34,600 --> 00:38:36,759 Speaker 2: it's aimed right at you, And I don't know why. 717 00:38:36,960 --> 00:38:38,520 Speaker 3: Wait, what's turtle eye contact? 718 00:38:38,680 --> 00:38:39,200 Speaker 2: Turtles? 719 00:38:39,840 --> 00:38:41,680 Speaker 1: You said you listened to the show right now. 720 00:38:43,440 --> 00:38:45,839 Speaker 2: When I first moved to my neighborhood in Echo Park. 721 00:38:45,880 --> 00:38:48,799 Speaker 2: There's a lot of turtles in that lake. And uh 722 00:38:49,400 --> 00:38:52,120 Speaker 2: oh yeah, and they might be tortoises. I love them 723 00:38:52,160 --> 00:38:52,760 Speaker 2: both equally. 724 00:38:53,000 --> 00:38:55,400 Speaker 3: Well, if they're in the water, they're probably turtles. 725 00:38:55,880 --> 00:38:56,120 Speaker 1: Yeah. 726 00:38:56,360 --> 00:38:57,080 Speaker 2: I think you're right. 727 00:38:57,000 --> 00:39:00,680 Speaker 3: Because I follow more tortoises than humans on Instagram. 728 00:39:01,160 --> 00:39:04,480 Speaker 2: Oh so you're into them, ALTI I'm very into tortoises. 729 00:39:05,400 --> 00:39:10,080 Speaker 1: Hi. Can I get a tall one pump hot mocha? 730 00:39:11,520 --> 00:39:14,600 Speaker 2: All have a Grandis ice coffee with some almond milk? 731 00:39:15,600 --> 00:39:15,880 Speaker 3: Lease? 732 00:39:17,320 --> 00:39:20,880 Speaker 1: Oh that's gonna be it. Thank you? Sorry to interrupt. 733 00:39:21,239 --> 00:39:22,440 Speaker 2: Yes, sorry, I. 734 00:39:22,560 --> 00:39:27,120 Speaker 3: Was just talking about how much I love tortoises. Well, 735 00:39:27,440 --> 00:39:31,960 Speaker 3: my dream is to have a backyard filled with tortoises. Oh, 736 00:39:32,320 --> 00:39:34,240 Speaker 3: I want that more than anything in the world. 737 00:39:34,840 --> 00:39:37,719 Speaker 1: I think you say, filled with how many. 738 00:39:37,560 --> 00:39:45,440 Speaker 3: Do you mean to the brim capacity? Well, I don't know. 739 00:39:45,760 --> 00:39:49,840 Speaker 3: I imagine that they'll get freaky, deeky and multiply. But 740 00:39:50,440 --> 00:39:53,120 Speaker 3: I just want lots of them. I just find them 741 00:39:53,200 --> 00:39:59,000 Speaker 3: so majestic. They're not bothered by anything. They're so peaceful. 742 00:39:59,480 --> 00:39:59,680 Speaker 2: Yeah. 743 00:40:00,120 --> 00:40:01,560 Speaker 3: I just loved it so much. 744 00:40:01,719 --> 00:40:04,440 Speaker 2: It's the demeanor more than the eyes. Hey, it's all 745 00:40:04,480 --> 00:40:06,640 Speaker 2: about me. They're looking at me. I like the way 746 00:40:06,719 --> 00:40:07,279 Speaker 2: they carry them. 747 00:40:07,400 --> 00:40:10,080 Speaker 3: The weird thing is, turtles don't do it for me. 748 00:40:10,760 --> 00:40:11,640 Speaker 3: It's tortoises. 749 00:40:11,760 --> 00:40:12,480 Speaker 1: It's the big ones. 750 00:40:12,960 --> 00:40:16,200 Speaker 3: No, like the water. I don't like water. I'm not 751 00:40:16,840 --> 00:40:19,280 Speaker 3: like the ones that swim around with the web feet. 752 00:40:19,800 --> 00:40:22,640 Speaker 2: It's not that seat turtles. Yeah, well I do like 753 00:40:22,719 --> 00:40:23,440 Speaker 2: the sea turtle. 754 00:40:23,840 --> 00:40:28,800 Speaker 1: But you know it feels like you don't. I know. 755 00:40:30,560 --> 00:40:34,320 Speaker 3: I follow so many tortoise accounts it's not even funny. 756 00:40:34,560 --> 00:40:39,680 Speaker 3: Yeah yeah, my whole feed is just tortoises eating cucumbers and. 757 00:40:40,200 --> 00:40:43,160 Speaker 1: Oh yeah, yes, heads, I get it. 758 00:40:43,280 --> 00:40:46,080 Speaker 2: I get you wanting them to be dry. Do you 759 00:40:46,160 --> 00:40:48,840 Speaker 2: have any childhood experiences where you've got to ride on 760 00:40:49,000 --> 00:40:52,800 Speaker 2: a giant tortoise like a horse turtle rather, No, I can't. 761 00:40:52,640 --> 00:40:53,640 Speaker 3: Say I ever did that. 762 00:40:54,000 --> 00:40:56,600 Speaker 2: I did, and they could they can actually move. Yeah, 763 00:40:57,120 --> 00:41:01,279 Speaker 2: But it was in San Diego in the backyard had 764 00:41:01,680 --> 00:41:05,799 Speaker 2: a cave system for this giant, one hundred year old 765 00:41:06,239 --> 00:41:07,200 Speaker 2: huge turtle. 766 00:41:07,719 --> 00:41:10,600 Speaker 1: Wow, that's that's the thing. If you do get a 767 00:41:10,680 --> 00:41:12,879 Speaker 1: backyard full of them, you'll have them for so long. 768 00:41:13,000 --> 00:41:16,279 Speaker 3: Oh they live, they'll be and my will. Yeah, there'll 769 00:41:16,320 --> 00:41:17,600 Speaker 3: be someone else problem. 770 00:41:17,680 --> 00:41:21,160 Speaker 2: Every year, so many tortoises and parrots are being bequeathed 771 00:41:22,080 --> 00:41:25,520 Speaker 2: exactly to some college student. It's like, my grandma gave 772 00:41:25,600 --> 00:41:29,399 Speaker 2: me an old bird. What cut to a script that, Yeah, 773 00:41:29,440 --> 00:41:31,439 Speaker 2: that could be a good movie written by me. Yeah. 774 00:41:31,920 --> 00:41:34,520 Speaker 3: Yeah, So I mean, kids, I feel like I won't, 775 00:41:35,200 --> 00:41:39,240 Speaker 3: you know, end up looking too hard for a tortoise. 776 00:41:39,360 --> 00:41:43,200 Speaker 3: I just you know, ask around. Anyone's grandma got a tortoise? 777 00:41:43,360 --> 00:41:47,240 Speaker 1: Yeah, get a rescue foundations situation. 778 00:41:47,719 --> 00:41:51,200 Speaker 3: I want and I want like little like Pomeranians that 779 00:41:51,400 --> 00:41:53,799 Speaker 3: like ride on the back like this. That's what I want. 780 00:41:53,840 --> 00:41:55,800 Speaker 3: I want to wake up in the morning with my 781 00:41:56,040 --> 00:42:00,200 Speaker 3: coffee and look out my backyard and see tortoises with 782 00:42:00,320 --> 00:42:02,759 Speaker 3: little Pomeranians sitting on top of Yeah. 783 00:42:02,920 --> 00:42:08,000 Speaker 2: I do like the idea of some mutual symbiotic ride 784 00:42:08,080 --> 00:42:15,640 Speaker 2: me backyard relationship. All right, two animals. Yeah, No, I 785 00:42:15,800 --> 00:42:19,960 Speaker 2: just stand in the corner a lot. I'll be over 786 00:42:20,040 --> 00:42:21,920 Speaker 2: here behind this, but I want. 787 00:42:21,800 --> 00:42:23,799 Speaker 3: To go back to stand up for a time. Let's 788 00:42:23,840 --> 00:42:26,640 Speaker 3: do it, because I've been doing a lot of it 789 00:42:26,800 --> 00:42:29,120 Speaker 3: lately and I've just been really into it lately. 790 00:42:29,520 --> 00:42:30,359 Speaker 1: Has it been going good? 791 00:42:31,239 --> 00:42:35,440 Speaker 3: Yeah? Yeah, I mean I've just been having fun. Yeah, Like, 792 00:42:35,880 --> 00:42:38,600 Speaker 3: I don't know, I've just been excited about a lot 793 00:42:38,640 --> 00:42:41,239 Speaker 3: of things that I've been talking about. Well, it's also 794 00:42:41,320 --> 00:42:45,879 Speaker 3: because I wasn't. I haven't been talking about ghosts much, 795 00:42:46,480 --> 00:42:49,279 Speaker 3: and I kind of keep the ghosts and the stand 796 00:42:49,360 --> 00:42:51,719 Speaker 3: up like separate, and so then I can't. It gave 797 00:42:51,760 --> 00:42:54,120 Speaker 3: me a second to like work on some stand ups, 798 00:42:54,160 --> 00:42:57,560 Speaker 3: and then I got really excited about stand up material. 799 00:42:58,680 --> 00:43:00,239 Speaker 3: And I think it was because I have like a 800 00:43:00,320 --> 00:43:04,600 Speaker 3: couple of months off from the ghosts And well, how 801 00:43:04,680 --> 00:43:06,399 Speaker 3: long have you guys? When did you guys start doing 802 00:43:06,480 --> 00:43:07,000 Speaker 3: stand up. 803 00:43:07,719 --> 00:43:11,880 Speaker 2: In the in the very beginning? Yeah? So long? Twenty 804 00:43:12,000 --> 00:43:12,760 Speaker 2: three years. 805 00:43:12,520 --> 00:43:16,600 Speaker 1: Ago, nineteen ninety thirty. 806 00:43:17,040 --> 00:43:20,000 Speaker 2: Yeah, oh my god, wow, I didn't know that. 807 00:43:21,080 --> 00:43:25,200 Speaker 3: I started when I was twenty what wait, okay, so Chris, 808 00:43:25,960 --> 00:43:28,320 Speaker 3: you started in what the year two thousand? 809 00:43:29,040 --> 00:43:29,239 Speaker 1: Yes? 810 00:43:29,719 --> 00:43:32,640 Speaker 3: Was this in Austin? It was or Missoula. I mean 811 00:43:32,960 --> 00:43:33,480 Speaker 3: I listen. 812 00:43:33,880 --> 00:43:39,560 Speaker 2: Yeah, that's so yeah. And I knew when I was 813 00:43:39,920 --> 00:43:42,400 Speaker 2: I was doing I was in an improv group and 814 00:43:42,600 --> 00:43:46,680 Speaker 2: I was enjoying that. But I moved there knowing that 815 00:43:46,840 --> 00:43:49,880 Speaker 2: was that there was a scene there, and I checked 816 00:43:49,880 --> 00:43:52,840 Speaker 2: out no other scene. I just knew that there was 817 00:43:52,920 --> 00:43:54,560 Speaker 2: one there. That's for my coffee. 818 00:43:55,640 --> 00:43:57,440 Speaker 1: Oh yeah, some five dollars. 819 00:43:57,680 --> 00:43:59,960 Speaker 2: It's wrankling, ripped. Isn't that why you don't like it? 820 00:44:01,239 --> 00:44:06,480 Speaker 2: It looks counterfeit. It's stuff like a tissue. Do you 821 00:44:06,560 --> 00:44:09,040 Speaker 2: think you'll bring back? Could you go to the improv 822 00:44:09,120 --> 00:44:10,919 Speaker 2: lab and bring back your show? 823 00:44:13,840 --> 00:44:18,520 Speaker 3: I don't like being responsible yeah for people. Oh this 824 00:44:18,640 --> 00:44:22,600 Speaker 3: person's running late and you got to find someone to Yeah. 825 00:44:22,760 --> 00:44:28,920 Speaker 3: I have canceled also, and I feel like I deserve 826 00:44:29,160 --> 00:44:31,719 Speaker 3: people to cancel on me when I'm in charge, right, 827 00:44:32,280 --> 00:44:35,239 Speaker 3: and I just don't. I just don't want to deal 828 00:44:35,320 --> 00:44:36,440 Speaker 3: with that. It's so stressful. 829 00:44:36,480 --> 00:44:39,560 Speaker 2: I have never done it. I've never been responsible for 830 00:44:39,680 --> 00:44:41,680 Speaker 2: a show. It's too much for me. 831 00:44:42,000 --> 00:44:44,600 Speaker 3: I feel like when I'm hosting and producing or whatever, 832 00:44:44,880 --> 00:44:47,600 Speaker 3: the last thing I'm thinking about is the performing. Yes, 833 00:44:47,840 --> 00:44:50,200 Speaker 3: and that's like, that's not fun for me. 834 00:44:51,160 --> 00:44:54,400 Speaker 1: So it becomes yeah, becomes when April and I had 835 00:44:54,440 --> 00:44:56,640 Speaker 1: that show at the Improv Lab. It was so fun 836 00:44:56,719 --> 00:45:00,600 Speaker 1: to have something that like we can rely on, that 837 00:45:00,680 --> 00:45:02,359 Speaker 1: we knew we were going to do. We would see 838 00:45:02,560 --> 00:45:04,920 Speaker 1: all the people we liked, we would have a fun night, 839 00:45:05,080 --> 00:45:05,760 Speaker 1: all those things. 840 00:45:06,000 --> 00:45:07,400 Speaker 2: That was good times. 841 00:45:07,719 --> 00:45:11,160 Speaker 1: But but I never wrote anything. I thought it would 842 00:45:11,160 --> 00:45:13,440 Speaker 1: make me write new material, and it was like the 843 00:45:13,520 --> 00:45:16,719 Speaker 1: opposite where I started treating it like a history assignment 844 00:45:16,840 --> 00:45:18,120 Speaker 1: that I didn't want to get done. 845 00:45:18,239 --> 00:45:20,080 Speaker 2: It's just like what am I doing? Yeah? 846 00:45:20,280 --> 00:45:22,560 Speaker 1: Yeah, now I'm just producing. Yeah. 847 00:45:23,000 --> 00:45:28,359 Speaker 2: Are you doing it anywhere regularly? No? I mean it's 848 00:45:28,440 --> 00:45:31,600 Speaker 2: kind of dumb question because I don't go anywhere regularly. 849 00:45:32,080 --> 00:45:34,120 Speaker 3: Yeah, not regular I don't know why I never crossed 850 00:45:34,160 --> 00:45:36,680 Speaker 3: paths with you. Are you like on the road a lot? 851 00:45:36,800 --> 00:45:41,200 Speaker 2: Or I've started doing like a like kind of the 852 00:45:41,880 --> 00:45:48,080 Speaker 2: Austin right Just kidding, No, I I I'm getting better 853 00:45:48,160 --> 00:45:50,880 Speaker 2: about performing in town, but for a while I was 854 00:45:51,040 --> 00:45:56,320 Speaker 2: lazily waiting until I was out of town. I get it. 855 00:45:57,200 --> 00:45:58,880 Speaker 3: I just think it's like a fun time right now, 856 00:45:59,000 --> 00:46:01,200 Speaker 3: Like I just think there's a lot show. 857 00:46:02,160 --> 00:46:05,040 Speaker 1: Well fun And I feel like I was just listening 858 00:46:05,120 --> 00:46:08,440 Speaker 1: to this thing because about the rise of the fascist 859 00:46:09,080 --> 00:46:10,600 Speaker 1: Christian nationalists in this country. 860 00:46:10,640 --> 00:46:12,400 Speaker 2: And I jokingly just brought that up. 861 00:46:12,480 --> 00:46:14,800 Speaker 1: Did you hear me say I didn't know? 862 00:46:15,120 --> 00:46:17,319 Speaker 2: I backed out of my own show? 863 00:46:17,760 --> 00:46:23,280 Speaker 1: All right, y jokes. But they were talking about the reason, 864 00:46:23,640 --> 00:46:26,480 Speaker 1: like they're trying to figure out like what's going on 865 00:46:26,600 --> 00:46:29,799 Speaker 1: aside from the political action, Like what's going on why people? 866 00:46:30,440 --> 00:46:35,000 Speaker 1: And it's this idea. It's called something like group effervescence, 867 00:46:35,480 --> 00:46:38,600 Speaker 1: where when you're in a crowd and like a singular 868 00:46:38,719 --> 00:46:42,239 Speaker 1: thing happens and everyone experiences it together. There's it's why 869 00:46:42,320 --> 00:46:45,799 Speaker 1: people love concerts, and it's why like it's why Trump 870 00:46:45,880 --> 00:46:49,520 Speaker 1: people started going to all those rallies. It's this unification 871 00:46:49,719 --> 00:46:53,280 Speaker 1: that we as humans need because it's like this bonding 872 00:46:53,360 --> 00:46:57,040 Speaker 1: and this social thing. And I think comedy is crucial 873 00:46:57,120 --> 00:47:01,040 Speaker 1: to that, for for like certain people and for sorry 874 00:47:01,120 --> 00:47:05,080 Speaker 1: but smart people, because it's like going and having smart 875 00:47:05,120 --> 00:47:08,160 Speaker 1: people go, here's some new thoughts, not the same old 876 00:47:08,200 --> 00:47:11,280 Speaker 1: shit you're hearing over and over again in like commercials 877 00:47:11,360 --> 00:47:14,520 Speaker 1: or conversations about the water cooler. Here's this crazy thing 878 00:47:14,560 --> 00:47:17,719 Speaker 1: you've never put together before, and the crowd is like, 879 00:47:17,920 --> 00:47:20,839 Speaker 1: fuck yeah, this is I love this, and everyone's having 880 00:47:20,920 --> 00:47:24,600 Speaker 1: this like unified experience. So that's my theory of why, 881 00:47:25,320 --> 00:47:28,160 Speaker 1: even though it's going to change, because everything always does 882 00:47:29,080 --> 00:47:31,839 Speaker 1: comedy and that live performing will always be a thing. 883 00:47:32,800 --> 00:47:36,200 Speaker 2: I think you're right. We can restitirt and don't worry. 884 00:47:36,239 --> 00:47:38,520 Speaker 3: I'm not gonna ask you when we're going to see 885 00:47:38,840 --> 00:47:39,560 Speaker 3: you perform. 886 00:47:40,440 --> 00:47:42,120 Speaker 2: Oh, there has been talks. 887 00:47:42,760 --> 00:47:46,760 Speaker 3: I only know that every single word, even the banter 888 00:47:47,040 --> 00:47:53,160 Speaker 3: to your old Yeah, you guys know, I'm like, this 889 00:47:53,360 --> 00:47:59,719 Speaker 3: is my fan fan club thing. I want to be here. 890 00:48:00,120 --> 00:48:04,319 Speaker 3: I'm like the biggest fan of both of you. Yeah. Wait, 891 00:48:04,400 --> 00:48:08,640 Speaker 3: So nineteen ninety very big year for me. I'm not 892 00:48:08,680 --> 00:48:09,799 Speaker 3: gonna say why, but. 893 00:48:09,880 --> 00:48:14,000 Speaker 1: It was least do not tell me you were born 894 00:48:14,040 --> 00:48:15,120 Speaker 1: in nineteen ninety. 895 00:48:15,719 --> 00:48:17,759 Speaker 3: What that was in San Francisco. 896 00:48:18,160 --> 00:48:21,840 Speaker 1: Yeah, I started in Sacramento, but moved to San Francisco 897 00:48:21,880 --> 00:48:23,040 Speaker 1: almost immediately after. 898 00:48:23,920 --> 00:48:26,160 Speaker 3: Okay, and who was doing a stand up in San 899 00:48:26,200 --> 00:48:28,400 Speaker 3: Francisco in nineteen ninety ish. 900 00:48:28,680 --> 00:48:31,560 Speaker 1: The headliners were like Greg Proops, Mark. 901 00:48:31,480 --> 00:48:36,600 Speaker 2: Marin, the Bulldog Comedy, Bobby Slaty. 902 00:48:35,920 --> 00:48:48,000 Speaker 1: Slate was the punchline that, yeah, she knows comedy. The 903 00:48:48,080 --> 00:48:48,919 Speaker 1: pit Bull was there. 904 00:48:49,280 --> 00:48:50,919 Speaker 3: I believe were Pitbull there. 905 00:48:51,320 --> 00:48:58,759 Speaker 1: I know he was in Florida, and of course worldwide. Yeah, 906 00:48:58,800 --> 00:49:00,680 Speaker 1: there was a ton of a me using people. 907 00:49:00,760 --> 00:49:03,480 Speaker 3: And then there was like, was Joey Gladstone there? 908 00:49:03,880 --> 00:49:08,279 Speaker 1: No, I mean not that I knew. Wait, not that 909 00:49:08,360 --> 00:49:10,080 Speaker 1: I would acknowledge you. 910 00:49:10,360 --> 00:49:13,240 Speaker 3: Do you understand what I'm saying of the ice Cream 911 00:49:13,280 --> 00:49:16,520 Speaker 3: glad Show. No, but I'm telling you there's like a 912 00:49:16,760 --> 00:49:19,360 Speaker 3: millennial or two that thinks I just said the funniest 913 00:49:19,400 --> 00:49:23,439 Speaker 3: thing in the world. Oh No, Joey Gladstone was Dave 914 00:49:23,560 --> 00:49:27,719 Speaker 3: Coolier's character I'm full and he was a San Francisco 915 00:49:27,920 --> 00:49:28,760 Speaker 3: stand up comedy. 916 00:49:30,280 --> 00:49:37,520 Speaker 2: That's so funny. Please explain it to anyone with a 917 00:49:37,680 --> 00:49:41,360 Speaker 2: false hip in the car that I didn't know it 918 00:49:41,480 --> 00:49:45,439 Speaker 2: was a comic on that. Yeah, was cut it out, 919 00:49:45,600 --> 00:49:49,399 Speaker 2: but there was the kids catchphrase. She was just making 920 00:49:49,480 --> 00:49:51,640 Speaker 2: her dad he was the uncle. 921 00:49:51,880 --> 00:49:55,960 Speaker 3: Yeah, Uncle Joey is responsible for that one, which my 922 00:49:56,239 --> 00:50:01,279 Speaker 3: mind was blown when I moved here and realized, like, 923 00:50:02,000 --> 00:50:04,759 Speaker 3: oh wait, they didn't shoot that in San Francisco, like 924 00:50:05,160 --> 00:50:07,680 Speaker 3: they didn't even like ever, Probably go to San like 925 00:50:07,760 --> 00:50:11,160 Speaker 3: they did the opening credits there. Yeah, and then everything 926 00:50:11,200 --> 00:50:13,760 Speaker 3: else is probably at like Warner Brothers or something. 927 00:50:14,000 --> 00:50:17,640 Speaker 1: Yeah, yeah, they were here in Burbank probably probably. 928 00:50:17,800 --> 00:50:22,160 Speaker 2: Yeah, there's just one establishing shot of a house near 929 00:50:22,320 --> 00:50:23,320 Speaker 2: Dolores Park. 930 00:50:23,200 --> 00:50:25,239 Speaker 3: Or because I was in San Francisco like a couple 931 00:50:25,280 --> 00:50:28,200 Speaker 3: of years back, and I went to some like live 932 00:50:28,360 --> 00:50:30,120 Speaker 3: music thing and I'm like, I wonder if this is 933 00:50:30,160 --> 00:50:32,680 Speaker 3: where Uncle Jesse would perform, because on the show he 934 00:50:32,920 --> 00:50:37,160 Speaker 3: was a local musician, and I'm like, wait, now, whatever, 935 00:50:37,520 --> 00:50:38,719 Speaker 3: it's not real. 936 00:50:39,040 --> 00:50:41,520 Speaker 2: Real life, he was drumming for the Beach Boy. Wait 937 00:50:41,640 --> 00:50:44,560 Speaker 2: did everyone on Full House? Did their characters have their 938 00:50:44,640 --> 00:50:45,759 Speaker 2: real life interests? 939 00:50:46,120 --> 00:50:50,919 Speaker 3: Probably, you know, I think so, except Bob Seger's character. Well, 940 00:50:51,239 --> 00:50:54,799 Speaker 3: then there's also Aunt Becky, which is a turned into 941 00:50:54,840 --> 00:50:58,880 Speaker 3: a different storyline in real life, but she was a 942 00:51:00,120 --> 00:51:06,600 Speaker 3: use castor with Bob Bob Sagan. Yeah, and that is 943 00:51:06,719 --> 00:51:08,880 Speaker 3: what Karen watched every morning to hear the. 944 00:51:08,960 --> 00:51:12,400 Speaker 1: Next when I would get up and smoke a clove 945 00:51:12,719 --> 00:51:15,320 Speaker 1: and stare out the window and then watch the local 946 00:51:15,400 --> 00:51:16,440 Speaker 1: news that was called. 947 00:51:16,320 --> 00:51:17,480 Speaker 3: Wake Up San Francisco. 948 00:51:18,200 --> 00:51:20,160 Speaker 1: But I'd be like, I don't want to. 949 00:51:20,920 --> 00:51:23,400 Speaker 3: Also, Uncle Joey at one point was a Ventrilla quizt, 950 00:51:23,640 --> 00:51:24,919 Speaker 3: which is another thing. 951 00:51:25,239 --> 00:51:27,880 Speaker 2: Uncle Joey was Dave Coolier. 952 00:51:28,280 --> 00:51:31,920 Speaker 1: Okay, Joey Gladstone, the comedian the stand up that we 953 00:51:32,400 --> 00:51:35,120 Speaker 1: were out there doing sets with that's so funny. 954 00:51:35,440 --> 00:51:38,200 Speaker 2: Thank you for explaining that, because we just let it 955 00:51:38,280 --> 00:51:38,759 Speaker 2: breathe by. 956 00:51:40,080 --> 00:51:43,000 Speaker 1: I literally was taking I immediately picture in my head 957 00:51:43,760 --> 00:51:46,759 Speaker 1: a blonde guy. That's kind of weird. Maybe my subconscious 958 00:51:46,800 --> 00:51:49,080 Speaker 1: had some idea of what you were doing, but in 959 00:51:49,200 --> 00:51:53,080 Speaker 1: my head, I was just like younger, probably hipper. I 960 00:51:53,280 --> 00:51:55,000 Speaker 1: wasn't around during the Gladstone era. 961 00:51:56,000 --> 00:52:00,960 Speaker 3: Stone era. Here's the deal, I have date. Look at this. 962 00:52:01,600 --> 00:52:05,319 Speaker 2: Oh we've I forgot. Oh yeah, that was a possibility, 963 00:52:05,400 --> 00:52:09,640 Speaker 2: and we need to quickly. Okay, well let's change the 964 00:52:09,760 --> 00:52:10,480 Speaker 2: subject to that. 965 00:52:10,960 --> 00:52:12,320 Speaker 3: Okay, yes, let's do it. 966 00:52:12,600 --> 00:52:13,160 Speaker 2: I need to. 967 00:52:14,760 --> 00:52:18,200 Speaker 3: It's it became a tentative thing not that long ago. 968 00:52:19,960 --> 00:52:22,879 Speaker 3: I am sort of in a Flake era a little bit. 969 00:52:23,400 --> 00:52:26,640 Speaker 3: And I did tell because he was telling me like, oh, 970 00:52:26,719 --> 00:52:28,440 Speaker 3: he's like in Santa Monica and then he has to 971 00:52:28,520 --> 00:52:33,759 Speaker 3: drive to downtown and then has to come back over here, so. 972 00:52:33,840 --> 00:52:35,000 Speaker 2: He's busy all the time. 973 00:52:35,280 --> 00:52:36,160 Speaker 1: Is an uber driver. 974 00:52:36,719 --> 00:52:41,719 Speaker 3: No, but he does live downtown, which I'm like, I'm 975 00:52:41,760 --> 00:52:44,359 Speaker 3: not going there. So I was like, do you want 976 00:52:44,400 --> 00:52:47,160 Speaker 3: to do it some other times? Because like I don't 977 00:52:47,160 --> 00:52:50,200 Speaker 3: want to wait for like because he it sounds like 978 00:52:50,280 --> 00:52:52,320 Speaker 3: he wants to be there later than I want to 979 00:52:52,360 --> 00:52:55,520 Speaker 3: be there. Beware be at a restaurant. 980 00:52:55,680 --> 00:52:57,879 Speaker 2: Oh okay, so you're going to arrest? 981 00:52:58,040 --> 00:53:00,080 Speaker 1: Is it restaurant over here? Like we can Yeah, we 982 00:53:00,120 --> 00:53:01,440 Speaker 1: can drop either if it. 983 00:53:02,040 --> 00:53:04,680 Speaker 3: Yes, it is pretty close by. 984 00:53:05,640 --> 00:53:08,160 Speaker 2: This is great. We're not only are we back in 985 00:53:08,239 --> 00:53:12,400 Speaker 2: the car, we're actually taking you to a real not 986 00:53:12,560 --> 00:53:15,200 Speaker 2: only that, it's my first date. 987 00:53:17,120 --> 00:53:21,919 Speaker 3: Being single. I haven't been on a date since before 988 00:53:21,960 --> 00:53:22,520 Speaker 3: the pandemic. 989 00:53:22,760 --> 00:53:27,440 Speaker 2: Oh my lord, I love this flight. Can we change 990 00:53:27,480 --> 00:53:28,400 Speaker 2: the podcast to that? 991 00:53:28,760 --> 00:53:28,960 Speaker 3: Yes? 992 00:53:29,160 --> 00:53:30,719 Speaker 2: To do you need a date? 993 00:53:30,920 --> 00:53:31,359 Speaker 1: First date? 994 00:53:32,320 --> 00:53:34,320 Speaker 3: And I thought I would share that with you guys, 995 00:53:34,800 --> 00:53:36,120 Speaker 3: because how do you feel? 996 00:53:36,200 --> 00:53:36,920 Speaker 2: Are you nervous? 997 00:53:37,000 --> 00:53:41,080 Speaker 3: Do you well? Okay? To be fair, I do think 998 00:53:41,200 --> 00:53:44,759 Speaker 3: that covid changed the dating world in some ways. And 999 00:53:45,000 --> 00:53:48,360 Speaker 3: one way is like, first of all, I'm not meeting 1000 00:53:48,520 --> 00:53:52,240 Speaker 3: anybody until I FaceTime you. Oh and so we already 1001 00:53:52,280 --> 00:53:55,200 Speaker 3: did a two hour FaceTime, so I kind of got 1002 00:53:55,239 --> 00:53:56,560 Speaker 3: a lot of that out of the way. 1003 00:53:57,440 --> 00:53:58,520 Speaker 2: This is when go. 1004 00:54:00,360 --> 00:54:03,760 Speaker 3: It went well well enough to do a tentative dinner. 1005 00:54:04,280 --> 00:54:08,320 Speaker 1: It was the beginning because I find FaceTime so horrifying 1006 00:54:08,920 --> 00:54:11,960 Speaker 1: every time it comes on my phone is so close 1007 00:54:12,000 --> 00:54:15,000 Speaker 1: to my face and it's awful. But how do you 1008 00:54:15,160 --> 00:54:17,000 Speaker 1: deal with Maybe this is the way I should structure 1009 00:54:17,000 --> 00:54:20,880 Speaker 1: this question. How do you deal with like the awkwardness 1010 00:54:21,200 --> 00:54:24,520 Speaker 1: of a conversation like that? Would you have any tips 1011 00:54:24,600 --> 00:54:25,080 Speaker 1: or tricks? 1012 00:54:25,640 --> 00:54:32,520 Speaker 3: Oh, I'm very big on this now. I'm just gonna 1013 00:54:32,560 --> 00:54:37,799 Speaker 3: be completely honest with you, guys. This is my first date, 1014 00:54:37,960 --> 00:54:41,919 Speaker 3: not in my home. I've had a person or two over. 1015 00:54:42,360 --> 00:54:44,880 Speaker 3: I'm not gonna lie. Okay, we've met, you know. 1016 00:54:45,239 --> 00:54:45,319 Speaker 1: And. 1017 00:54:47,000 --> 00:54:49,440 Speaker 3: Yeah, some arts and crafts or whatever it is that 1018 00:54:49,520 --> 00:54:54,840 Speaker 3: we did glue around. Sure, yeah, yeah, Daco par. 1019 00:54:59,360 --> 00:54:59,560 Speaker 1: Yes. 1020 00:55:00,080 --> 00:55:02,840 Speaker 3: The guy that came over, his name was Michael. He 1021 00:55:03,000 --> 00:55:10,040 Speaker 3: told me he had a store and his Africa and 1022 00:55:10,120 --> 00:55:17,800 Speaker 3: they're Christian, uncle hobby anyways, So this is how I 1023 00:55:17,920 --> 00:55:22,440 Speaker 3: do it. First, I talk to them until I feel 1024 00:55:22,880 --> 00:55:25,040 Speaker 3: like they're not creepy, Like I need to make sure 1025 00:55:25,040 --> 00:55:28,000 Speaker 3: you can have a conversation. I like a little bit 1026 00:55:28,040 --> 00:55:32,840 Speaker 3: of back and forth, yeah whatever. Sometimes it takes longer. Actually, 1027 00:55:32,880 --> 00:55:35,080 Speaker 3: I don't allow it to take that that long. I 1028 00:55:35,160 --> 00:55:37,799 Speaker 3: need to make sure I like, I like going back 1029 00:55:37,800 --> 00:55:40,839 Speaker 3: and forth with you. And then I say, we got 1030 00:55:40,920 --> 00:55:44,480 Speaker 3: to hop over to FaceTime, which some of these apps 1031 00:55:44,800 --> 00:55:46,360 Speaker 3: just have it built in, so you don't even have 1032 00:55:46,440 --> 00:55:50,799 Speaker 3: to like exchange your phone number. And then I mean, 1033 00:55:50,800 --> 00:55:53,120 Speaker 3: I don't want to give it way too much because 1034 00:55:53,200 --> 00:55:55,520 Speaker 3: then if anyone one listening is going to be like, 1035 00:55:55,640 --> 00:55:59,520 Speaker 3: wait she does that with other people. Usually I'm like, 1036 00:56:00,000 --> 00:56:06,480 Speaker 3: oh my god, you are real. Maybe you're fake. No, 1037 00:56:06,760 --> 00:56:10,280 Speaker 3: you have to say that, yeah, definitely. 1038 00:56:09,880 --> 00:56:13,120 Speaker 2: Because you do. There is the chance that it's you're 1039 00:56:13,400 --> 00:56:16,040 Speaker 2: being catfished totally. 1040 00:56:16,040 --> 00:56:18,359 Speaker 3: Or that I could be a catfish to you could 1041 00:56:18,400 --> 00:56:19,160 Speaker 3: be a burglar. 1042 00:56:19,239 --> 00:56:21,719 Speaker 2: You could have a scheme. Ask if we can all 1043 00:56:21,760 --> 00:56:24,480 Speaker 2: be anything we want to if we put our minds 1044 00:56:24,520 --> 00:56:27,160 Speaker 2: to it, we could be any criminals we want. 1045 00:56:27,920 --> 00:56:32,640 Speaker 3: Yes. Absolutely. And I've had all kinds of experiences and 1046 00:56:33,960 --> 00:56:38,000 Speaker 3: I'm very picky with any of the stuff, but I've 1047 00:56:38,040 --> 00:56:40,279 Speaker 3: had facetimes where I'm like, it's not going past this, 1048 00:56:40,960 --> 00:56:45,680 Speaker 3: like nope, I don't know. I'm also secretly psychic. I 1049 00:56:45,760 --> 00:56:49,880 Speaker 3: don't really like lead with that, but I am pretty 1050 00:56:49,920 --> 00:56:53,400 Speaker 3: psychic about like picking up vibes. Also back to comedy, 1051 00:56:53,600 --> 00:56:55,800 Speaker 3: I feel like comedians have to be like you have 1052 00:56:55,880 --> 00:56:58,920 Speaker 3: to be good at like reading rooms and like picking 1053 00:56:59,040 --> 00:57:01,880 Speaker 3: up on vibe, so that sort of thing, and I 1054 00:57:02,040 --> 00:57:05,440 Speaker 3: just am very in tune. I feel with that. When 1055 00:57:05,480 --> 00:57:09,720 Speaker 3: it comes to people living people, I'm not like a medium. 1056 00:57:10,280 --> 00:57:14,839 Speaker 3: I can't predict anything. I'm not gonna like I can't 1057 00:57:14,960 --> 00:57:16,160 Speaker 3: charge anyone for it. 1058 00:57:16,520 --> 00:57:18,280 Speaker 2: But that's a shame. I know. 1059 00:57:19,440 --> 00:57:23,480 Speaker 3: I am definitely like I can just tell if I'm like, okay, 1060 00:57:23,560 --> 00:57:25,160 Speaker 3: you're creepy or whatever. 1061 00:57:25,360 --> 00:57:25,560 Speaker 1: Yeah. 1062 00:57:26,120 --> 00:57:29,640 Speaker 3: So this guy has passed a two hour FaceTime. Yeah, 1063 00:57:29,680 --> 00:57:30,439 Speaker 3: that's pretty good. 1064 00:57:30,560 --> 00:57:37,640 Speaker 2: That's a long FaceTime. Yeah. So and after dinner with Bowling, 1065 00:57:37,920 --> 00:57:40,360 Speaker 2: I don't even know. That's the heart in my whole life. 1066 00:57:40,440 --> 00:57:42,480 Speaker 2: It's been the hardest thing in the world to think 1067 00:57:42,560 --> 00:57:43,680 Speaker 2: of date ideas. 1068 00:57:44,640 --> 00:57:50,280 Speaker 3: Oh, and then's Euphuria, which is a pet salon ufurry, 1069 00:57:50,480 --> 00:57:54,640 Speaker 3: Oh it is. And you leave looking like the girls 1070 00:57:54,720 --> 00:57:56,200 Speaker 3: from Euphoria. 1071 00:57:56,360 --> 00:57:59,520 Speaker 1: Sparkles underneath your eyes, your dog will have rhinestone. 1072 00:58:00,440 --> 00:58:01,120 Speaker 3: It's crazy. 1073 00:58:02,040 --> 00:58:03,800 Speaker 1: This is shameless. 1074 00:58:04,400 --> 00:58:07,280 Speaker 3: So wait, what was the thing you asked me? Oh? Dates, 1075 00:58:07,920 --> 00:58:10,320 Speaker 3: I think this one I would just end there because 1076 00:58:10,960 --> 00:58:15,040 Speaker 3: I like him. Yeah, I think I think we should 1077 00:58:15,080 --> 00:58:16,040 Speaker 3: just take it slow. 1078 00:58:16,520 --> 00:58:21,000 Speaker 2: You know, when you call it quits in the FaceTime stage, 1079 00:58:21,040 --> 00:58:23,440 Speaker 2: are you open? Do you just kind of oh, I 1080 00:58:23,520 --> 00:58:26,520 Speaker 2: gotta go, that's my internet, just went out and unplug it, 1081 00:58:26,680 --> 00:58:30,680 Speaker 2: or do you say I can tell this isn't going anywhere, 1082 00:58:30,800 --> 00:58:34,360 Speaker 2: so goodbye. Like I cut and dry, so you don't 1083 00:58:34,400 --> 00:58:36,800 Speaker 2: have to worry about it anymore. Of course you don't. 1084 00:58:36,880 --> 00:58:39,400 Speaker 3: You're nice, No, I'm pretty honest. 1085 00:58:41,400 --> 00:58:42,479 Speaker 2: Well you're still nice. 1086 00:58:43,640 --> 00:58:48,280 Speaker 3: I'm just kind of like I'm not for everyone, that's 1087 00:58:48,360 --> 00:58:52,560 Speaker 3: for sure. I'm a specific flavor fame, but there is 1088 00:58:54,000 --> 00:58:56,160 Speaker 3: a man. Okay, well, first of all, let me backtrack. 1089 00:58:56,760 --> 00:59:01,560 Speaker 3: Another era I'm in is my cougar era. Yes, I'm 1090 00:59:01,680 --> 00:59:06,880 Speaker 3: definitely talking to guys that are younger than me, and 1091 00:59:07,240 --> 00:59:11,120 Speaker 3: I don't know, I think like being six foot one 1092 00:59:11,560 --> 00:59:15,880 Speaker 3: and like a comedian and whatever, like I'm kind of like, uh, 1093 00:59:16,840 --> 00:59:20,000 Speaker 3: what's the word, Like I'm kind of bossy. 1094 00:59:20,360 --> 00:59:22,560 Speaker 2: Yeah, you have the upper hand. 1095 00:59:23,400 --> 00:59:28,640 Speaker 3: I'm kind of like I don't like that. And I 1096 00:59:28,760 --> 00:59:32,960 Speaker 3: think my comedy persona too, is definitely from a place 1097 00:59:33,000 --> 00:59:35,920 Speaker 3: of real life, and it's a side of me that's like, like, 1098 00:59:36,000 --> 00:59:39,000 Speaker 3: I've been having so much fun lately yelling at audience. 1099 00:59:40,160 --> 00:59:43,880 Speaker 2: And just being like, I don't know, it is pretty 1100 00:59:44,520 --> 00:59:48,080 Speaker 2: cool that you're getting dropped off in this way. At 1101 00:59:48,160 --> 00:59:50,960 Speaker 2: least it gives you something to talk about. Oh, I 1102 00:59:51,000 --> 00:59:53,600 Speaker 2: got dropped off by a mobile podcast. 1103 00:59:53,840 --> 00:59:54,960 Speaker 3: The sentence and. 1104 00:59:56,840 --> 00:59:59,720 Speaker 1: So cherlcros should cover that off. 1105 01:00:00,520 --> 01:00:07,520 Speaker 3: Yeah, yeah, I'm bossy god. And you know, sometimes these 1106 01:00:07,560 --> 01:00:10,920 Speaker 3: guys don't like that, and I don't blame them, but 1107 01:00:11,880 --> 01:00:13,800 Speaker 3: sometimes they're. 1108 01:00:13,680 --> 01:00:18,120 Speaker 1: Like, yes, they're like hello, hello, I like that. 1109 01:00:19,960 --> 01:00:23,760 Speaker 3: But so to answer your question, if the ViBe's not right, 1110 01:00:23,880 --> 01:00:27,360 Speaker 3: I'm just like, you know, I'm not feeling this. 1111 01:00:28,000 --> 01:00:31,520 Speaker 2: And so you do say that, I'm such a lamp. 1112 01:00:31,640 --> 01:00:34,000 Speaker 2: I'm scared to say I'm not feeling that. 1113 01:00:34,360 --> 01:00:34,960 Speaker 1: So what do you do? 1114 01:00:35,480 --> 01:00:38,040 Speaker 2: Oh? I let it go on for three or four years. 1115 01:00:41,080 --> 01:00:44,360 Speaker 3: Yeah, I don't know. I'm definitely dating guys that are 1116 01:00:44,400 --> 01:00:48,960 Speaker 3: a few years younger than me, which is it's really 1117 01:00:49,240 --> 01:00:53,200 Speaker 3: interesting because I'm, you know, I'm millennial age, and there's 1118 01:00:53,280 --> 01:00:55,080 Speaker 3: people that are a few years younger than me that 1119 01:00:55,280 --> 01:00:59,640 Speaker 3: just have like a very different outlook, like their idea 1120 01:00:59,760 --> 01:01:02,040 Speaker 3: of like dating and gender and like all that stuff 1121 01:01:02,120 --> 01:01:04,800 Speaker 3: is so different than my age and older. 1122 01:01:05,240 --> 01:01:08,320 Speaker 2: Yeah, so in a way that's refreshing. 1123 01:01:09,040 --> 01:01:12,400 Speaker 3: Yeah, yeah, it's so much better. And like, of course 1124 01:01:12,640 --> 01:01:16,160 Speaker 3: I've had a lot of experiences dating guys are like 1125 01:01:16,320 --> 01:01:19,600 Speaker 3: my age, are older that are a little bit more 1126 01:01:19,800 --> 01:01:21,080 Speaker 3: like don't. 1127 01:01:20,920 --> 01:01:25,240 Speaker 4: Tell my wife, like yeah, just like yeah, no, one 1128 01:01:25,360 --> 01:01:31,200 Speaker 4: knows I'm here, do they don't tell my wife A yeah, sir, 1129 01:01:31,800 --> 01:01:34,640 Speaker 4: their go home, please your family, please go. 1130 01:01:36,360 --> 01:01:36,600 Speaker 2: Yeah. 1131 01:01:39,000 --> 01:01:44,960 Speaker 3: So these younger guys, which I feel, I'm it's weird 1132 01:01:44,960 --> 01:01:47,560 Speaker 3: because I'm not old, but they're like, there is a 1133 01:01:47,680 --> 01:01:53,200 Speaker 3: big difference between millennial and you know, people in their 1134 01:01:53,520 --> 01:01:58,160 Speaker 3: twenties mid twentiesies, Yeah, alphas or whatever. Yeah, there's just 1135 01:01:58,280 --> 01:02:01,640 Speaker 3: a lot more that are like, yeah, bye, I'm pan sexual, 1136 01:02:01,880 --> 01:02:06,440 Speaker 3: I'm whatever, I'm no big deal. So that's great. Yes, 1137 01:02:07,000 --> 01:02:08,280 Speaker 3: and I haven't having fun with that. 1138 01:02:08,560 --> 01:02:11,560 Speaker 2: And that age group is rarely hiding from wives. 1139 01:02:11,800 --> 01:02:12,640 Speaker 3: I just kid. 1140 01:02:15,320 --> 01:02:16,080 Speaker 2: A train robber. 1141 01:02:16,240 --> 01:02:19,680 Speaker 3: They all have eight wives or whatever because they're all polyamorous. 1142 01:02:20,000 --> 01:02:25,480 Speaker 3: But everyone's fine with it. Yeah, you know, so it's 1143 01:02:25,520 --> 01:02:30,560 Speaker 3: an interesting it's an interesting adjustment to talk to people 1144 01:02:30,760 --> 01:02:33,040 Speaker 3: that you're like, oh, wow, you don't have a problem 1145 01:02:33,120 --> 01:02:36,360 Speaker 3: with that. I'm like conditioned to believe that, like this 1146 01:02:36,560 --> 01:02:39,760 Speaker 3: thing is bad, right whatever, and they're like, well, I 1147 01:02:39,880 --> 01:02:43,080 Speaker 3: grew up when it wasn't and then it's it is 1148 01:02:43,440 --> 01:02:44,240 Speaker 3: very refreshing. 1149 01:02:44,520 --> 01:02:47,840 Speaker 1: Yeah, it's such a huge change. 1150 01:02:48,240 --> 01:02:52,600 Speaker 3: Yeah, Yeah, I like them. I like that age group 1151 01:02:52,760 --> 01:02:57,160 Speaker 3: a lot. They keep me young and they're possible. 1152 01:02:57,320 --> 01:03:00,160 Speaker 1: Sorry, sir. They couldn't they couldn't make a decision like 1153 01:03:00,320 --> 01:03:01,640 Speaker 1: that's yeah. 1154 01:03:01,680 --> 01:03:08,240 Speaker 3: Because they're impossible. I yeah, I guess I am bossy. Well, also, 1155 01:03:08,480 --> 01:03:13,000 Speaker 3: like I feel like it's easy for a lot of 1156 01:03:14,000 --> 01:03:18,280 Speaker 3: guys on dating apps to or just anyone in general, 1157 01:03:18,480 --> 01:03:21,920 Speaker 3: just to kind of be disrespectful or like, you know, 1158 01:03:22,160 --> 01:03:23,680 Speaker 3: they don't talk to you the way that they would 1159 01:03:23,680 --> 01:03:28,000 Speaker 3: in real life. It's just like they just instantly are gross. 1160 01:03:28,200 --> 01:03:30,720 Speaker 3: You know, Like I'll just I'll encounter guys that are 1161 01:03:30,800 --> 01:03:33,240 Speaker 3: just like, what are you wearing right now? Yeah, and 1162 01:03:33,320 --> 01:03:35,600 Speaker 3: it's like can you say hi? How are you? 1163 01:03:36,640 --> 01:03:36,680 Speaker 5: Like? 1164 01:03:36,920 --> 01:03:41,400 Speaker 3: That's how I'm bossy. That's when I'm like no. But 1165 01:03:41,560 --> 01:03:44,160 Speaker 3: sometimes it's like, God, you are really cute though, so 1166 01:03:44,280 --> 01:03:48,880 Speaker 3: I'm like, don't talk to me normal, And then if 1167 01:03:48,920 --> 01:03:50,960 Speaker 3: they don't, then I'm like and. 1168 01:03:51,040 --> 01:03:53,880 Speaker 2: That's also a good idea. The FaceTime gets rid of that. 1169 01:03:54,240 --> 01:03:57,160 Speaker 2: Oh I'm a tough guy when I'm texting or you know. 1170 01:03:58,160 --> 01:04:02,560 Speaker 2: That's why I've never liked about email, even if someone 1171 01:04:02,760 --> 01:04:06,560 Speaker 2: wants to be confronting and then all of a sudden, 1172 01:04:06,640 --> 01:04:08,040 Speaker 2: it's like, well, I'm not going to go back and 1173 01:04:08,160 --> 01:04:10,680 Speaker 2: forth with email. I'm just going to call and then 1174 01:04:10,800 --> 01:04:15,840 Speaker 2: they will totally change their tune and I oh, yeah. 1175 01:04:16,160 --> 01:04:18,000 Speaker 3: I mean it's like the people that write the mean 1176 01:04:18,160 --> 01:04:22,640 Speaker 3: comments and stuff. Yeah, okay, well it's looking like if 1177 01:04:22,680 --> 01:04:24,400 Speaker 3: I do hang out with them, it's going to be late. 1178 01:04:25,040 --> 01:04:29,360 Speaker 1: Okay, well, but I love it though. I mean, the 1179 01:04:29,480 --> 01:04:33,400 Speaker 1: possibility is really fun and the idea that, like, you know, 1180 01:04:34,440 --> 01:04:38,480 Speaker 1: there's something really about an official date that's very I 1181 01:04:38,600 --> 01:04:41,680 Speaker 1: realize we're all always trying to be like, no big deal, 1182 01:04:42,400 --> 01:04:44,920 Speaker 1: everything's low key. But at the same time, it's like, 1183 01:04:45,000 --> 01:04:47,960 Speaker 1: you made it past, let's just call it phase three 1184 01:04:48,240 --> 01:04:50,800 Speaker 1: or whatever, and now you're in phase four, which doesn't 1185 01:04:50,840 --> 01:04:52,520 Speaker 1: happen that often, so it's exciting. 1186 01:04:52,800 --> 01:04:53,000 Speaker 2: Yeah. 1187 01:04:53,280 --> 01:04:55,920 Speaker 3: Yeah, I don't know. I don't even know how I 1188 01:04:56,000 --> 01:04:58,360 Speaker 3: feel about if I want a date. Like that's why 1189 01:04:58,360 --> 01:05:01,520 Speaker 3: I'm just kind of like whatever. It's like I just 1190 01:05:01,600 --> 01:05:04,360 Speaker 3: kind of am on the dating apps and then I 1191 01:05:04,440 --> 01:05:06,880 Speaker 3: don't know, sometimes someone nice pops up that I can 1192 01:05:06,920 --> 01:05:10,560 Speaker 3: actually have a conversation with, and I'm like, sure, why not? Yeah, so. 1193 01:05:12,440 --> 01:05:16,920 Speaker 2: Yeah, we at least drive by the restaurant. 1194 01:05:16,680 --> 01:05:18,160 Speaker 1: Stuck it out practice. 1195 01:05:18,440 --> 01:05:19,120 Speaker 2: I'm just kidding. 1196 01:05:19,120 --> 01:05:27,560 Speaker 3: It's here in Burbank. It's something vegan on Riverside Drive Riverside. 1197 01:05:28,120 --> 01:05:32,040 Speaker 3: That was my suggestion because it's one of my favorite restaurants. 1198 01:05:32,200 --> 01:05:32,920 Speaker 2: Are you vegan? 1199 01:05:35,400 --> 01:05:38,640 Speaker 3: Yeah? I am, but I have a real sweet tooth. 1200 01:05:38,760 --> 01:05:41,480 Speaker 3: And so if if you hand me a donut and 1201 01:05:41,560 --> 01:05:43,919 Speaker 3: you don't tell me what's in it, I'm not gonna ask. 1202 01:05:44,640 --> 01:05:45,680 Speaker 2: Yeah, it's not gonna be. 1203 01:05:46,320 --> 01:05:47,320 Speaker 3: But I don't eat meat. 1204 01:05:47,560 --> 01:05:47,760 Speaker 1: Yeah. 1205 01:05:48,000 --> 01:05:49,560 Speaker 2: Sure, I actually went to. 1206 01:05:52,080 --> 01:05:57,200 Speaker 3: Grease just peanut oil and stuff like that. I actually 1207 01:05:57,240 --> 01:06:01,720 Speaker 3: went to something vegan yesterday with Jackie Jackie Be one 1208 01:06:01,760 --> 01:06:03,640 Speaker 3: of the great Marry drag queen. 1209 01:06:04,120 --> 01:06:06,760 Speaker 1: You know, my first writing job I ever had was 1210 01:06:07,040 --> 01:06:09,800 Speaker 1: Jackie Beat was on the staff too true. 1211 01:06:11,280 --> 01:06:16,240 Speaker 3: I'm a historian of you people, I really am. I 1212 01:06:16,440 --> 01:06:18,120 Speaker 3: know everything about all of you. 1213 01:06:19,880 --> 01:06:20,760 Speaker 2: I didn't know that. 1214 01:06:21,640 --> 01:06:24,400 Speaker 3: I just thought you blurted that out and I like 1215 01:06:24,800 --> 01:06:28,640 Speaker 3: the show was called it was it was a skeed show, right, 1216 01:06:28,800 --> 01:06:29,200 Speaker 3: it was. 1217 01:06:29,600 --> 01:06:29,800 Speaker 1: Yeah. 1218 01:06:30,240 --> 01:06:32,640 Speaker 3: I mean I hang out with Jackie constantly, and I've 1219 01:06:33,040 --> 01:06:37,600 Speaker 3: heard so many stories about so many things that I'm 1220 01:06:37,640 --> 01:06:38,520 Speaker 3: like a biographer. 1221 01:06:38,880 --> 01:06:41,360 Speaker 1: Please say the next time you hang out with Jackie Frock. 1222 01:06:41,400 --> 01:06:45,200 Speaker 1: Oh yeah, because Jackie Beat is truly a genius in 1223 01:06:45,280 --> 01:06:48,120 Speaker 1: a way that like I kind of didn't understand. And 1224 01:06:48,200 --> 01:06:52,040 Speaker 1: it was like I would see the work they did 1225 01:06:52,280 --> 01:06:54,720 Speaker 1: at that show and just be like, holy shit, how 1226 01:06:54,760 --> 01:06:58,440 Speaker 1: did you think of that? But then like, have you 1227 01:06:58,480 --> 01:07:01,200 Speaker 1: ever seen Jackie Bete live? Like, just do a show? 1228 01:07:02,120 --> 01:07:07,000 Speaker 3: I have not. She's incredible. She's also a brilliant singer. 1229 01:07:07,400 --> 01:07:11,320 Speaker 1: Like so she plays to be Arthur in the Golden 1230 01:07:11,360 --> 01:07:13,560 Speaker 1: Girls show that they used to do at Cassyo Sell Campo. 1231 01:07:13,920 --> 01:07:17,120 Speaker 3: Yeah, and actually, I think it's all right if I 1232 01:07:17,200 --> 01:07:21,160 Speaker 3: say it. There will be a run in August at 1233 01:07:21,200 --> 01:07:24,800 Speaker 3: the Lyric Hyperion and I'll be playing Rose. 1234 01:07:25,200 --> 01:07:25,520 Speaker 2: Wow. 1235 01:07:26,200 --> 01:07:30,240 Speaker 3: Congratulations, I've done it in the past. It's big shoes 1236 01:07:30,320 --> 01:07:34,440 Speaker 3: to fill Drew DROGI, but yeah, I'll be doing it 1237 01:07:34,440 --> 01:07:36,040 Speaker 3: and I'm very excited. That's great. 1238 01:07:36,160 --> 01:07:37,160 Speaker 1: That's yeah. 1239 01:07:37,560 --> 01:07:40,120 Speaker 2: And where's that Larry's going to be at the lyrics? Oh, 1240 01:07:40,400 --> 01:07:40,959 Speaker 2: that's great. 1241 01:07:41,440 --> 01:07:43,720 Speaker 1: Golden Girls was one of the first things I did 1242 01:07:43,920 --> 01:07:47,040 Speaker 1: out of true quarantine, like when people literally weren't going 1243 01:07:47,120 --> 01:07:52,040 Speaker 1: anywhere anything, and that show started up again. I can't 1244 01:07:52,040 --> 01:07:54,120 Speaker 1: remember how it all kind of played out, but I 1245 01:07:54,280 --> 01:07:56,120 Speaker 1: was like, I need to do this and I need 1246 01:07:56,240 --> 01:07:59,600 Speaker 1: to go be around actual people and stuff. And this 1247 01:07:59,760 --> 01:08:01,880 Speaker 1: sing of the theme song at the beginning of that 1248 01:08:01,960 --> 01:08:05,000 Speaker 1: showing it all together, it was, oh. 1249 01:08:05,040 --> 01:08:06,920 Speaker 2: Yeah, that would be great, beautiful. 1250 01:08:07,120 --> 01:08:10,840 Speaker 1: It really really helped me a lot out of you know, 1251 01:08:11,200 --> 01:08:13,760 Speaker 1: two and a half years of just like watching TV 1252 01:08:13,920 --> 01:08:14,479 Speaker 1: with my dog. 1253 01:08:15,720 --> 01:08:19,200 Speaker 3: Yeah, yeah, it's that's a big I mean, that's a 1254 01:08:19,240 --> 01:08:23,679 Speaker 3: big part of my like queer upbringing as an adult 1255 01:08:23,880 --> 01:08:27,000 Speaker 3: is like working with them and doing because I've done 1256 01:08:27,600 --> 01:08:31,040 Speaker 3: like the Guest Star Rules with them since I don't know, 1257 01:08:31,320 --> 01:08:34,160 Speaker 3: twenties fourteen or fifteen or something, and I've done a 1258 01:08:34,240 --> 01:08:36,599 Speaker 3: bunch of them and then a bunch of other shows 1259 01:08:37,600 --> 01:08:41,360 Speaker 3: in that basement with the same people Jackie Bee, Cherry Vine, 1260 01:08:41,360 --> 01:08:45,880 Speaker 3: Sam Pegget or Jogi, and it's just a magical little 1261 01:08:46,000 --> 01:08:49,400 Speaker 3: crew of the best of the best. Really, yeah, it 1262 01:08:49,520 --> 01:08:50,879 Speaker 3: really is like a special. 1263 01:08:51,080 --> 01:08:54,120 Speaker 2: Did you do a pilot with them? That I watched? 1264 01:08:54,400 --> 01:08:57,360 Speaker 2: That was funny? And now I'm not remembering the plot, 1265 01:08:57,800 --> 01:09:01,439 Speaker 2: but I laughed a lot. I don't know if I 1266 01:09:01,600 --> 01:09:04,960 Speaker 2: did do a pilot with them, maybe it wasn't. Well 1267 01:09:05,000 --> 01:09:06,920 Speaker 2: how long the thing of the lyric is it like 1268 01:09:07,000 --> 01:09:08,960 Speaker 2: a run? Are you committed to it? 1269 01:09:09,720 --> 01:09:16,479 Speaker 3: We like about two weeks, like Thursday to Sunday, maybe 1270 01:09:16,680 --> 01:09:19,519 Speaker 3: eight shows or so a week's great, So it just 1271 01:09:19,600 --> 01:09:20,519 Speaker 3: gets better and better. 1272 01:09:20,680 --> 01:09:25,360 Speaker 1: Does that mean Casito Theater is gone permanently for now. Oh, 1273 01:09:25,960 --> 01:09:27,760 Speaker 1: They're gonna They're gonna figure out a way to build 1274 01:09:27,800 --> 01:09:28,840 Speaker 1: a fire exit. 1275 01:09:30,280 --> 01:09:33,600 Speaker 3: I don't know. I don't know the exact details, but 1276 01:09:34,840 --> 01:09:35,640 Speaker 3: I'm hopeful. 1277 01:09:35,920 --> 01:09:38,400 Speaker 1: I am too, because God, I love that place so much. 1278 01:09:38,400 --> 01:09:42,240 Speaker 1: I mean, lyric I Perian is great and like there's 1279 01:09:42,439 --> 01:09:45,400 Speaker 1: we've all done shows and whatever, but there's something about 1280 01:09:45,439 --> 01:09:48,960 Speaker 1: Casitos because it is downstairs, which is very like that 1281 01:09:49,240 --> 01:09:53,360 Speaker 1: rat Scalar comedy room. That's like where I started to 1282 01:09:54,160 --> 01:09:56,080 Speaker 1: and it just is I just love. 1283 01:09:56,280 --> 01:09:58,760 Speaker 3: It fels like the kids are in the basement play 1284 01:09:59,360 --> 01:10:03,080 Speaker 3: the parents are yes, very low ceilings, which I love. 1285 01:10:03,240 --> 01:10:04,120 Speaker 2: I require them. 1286 01:10:04,400 --> 01:10:04,599 Speaker 3: Yeah. 1287 01:10:05,400 --> 01:10:07,280 Speaker 1: Drew and Sam did that show when they were the 1288 01:10:08,160 --> 01:10:13,599 Speaker 1: Spiritual Leaders Drewers, and they were doing riffs, like naming 1289 01:10:13,680 --> 01:10:16,840 Speaker 1: different parts of the audience, giving them names, and at 1290 01:10:16,880 --> 01:10:19,320 Speaker 1: one point Sam just goes like this to like the 1291 01:10:19,479 --> 01:10:22,599 Speaker 1: top row of people, and it's like the original cast 1292 01:10:22,640 --> 01:10:27,160 Speaker 1: of the sand Lot and one of the funniest. It's 1293 01:10:27,240 --> 01:10:29,839 Speaker 1: just like, that's that's how commed is not going anywhere. 1294 01:10:29,960 --> 01:10:33,400 Speaker 1: Live performance isn't going anywhere. Yeah, people need that ship. 1295 01:10:33,800 --> 01:10:35,840 Speaker 1: It's so funny, it's so good. 1296 01:10:36,280 --> 01:10:38,640 Speaker 3: Yeah, anyone. I forget that. I forgot people who are 1297 01:10:38,720 --> 01:10:42,840 Speaker 3: listening to us. If anyone listening, uh, doesn't know what 1298 01:10:42,880 --> 01:10:45,840 Speaker 3: we're talking about. This place Casita del Campo, and it's 1299 01:10:45,880 --> 01:10:50,759 Speaker 3: the Los Angeles area called Silver Lake, and it's family 1300 01:10:50,840 --> 01:10:54,640 Speaker 3: owned Mexican restaurant. The food is great, it is the 1301 01:10:54,920 --> 01:10:57,080 Speaker 3: decor is so fun. 1302 01:10:57,360 --> 01:11:00,280 Speaker 2: Now you're talking. It's right down the street from Eric. 1303 01:11:00,560 --> 01:11:03,360 Speaker 3: Yes, right, I love it there. It's a pink building 1304 01:11:03,800 --> 01:11:10,040 Speaker 3: and the most gorgeous mosaic tables and very queer but 1305 01:11:10,400 --> 01:11:13,960 Speaker 3: you know, open for everyone. And then in the basement 1306 01:11:14,040 --> 01:11:14,920 Speaker 3: there's a little theater. 1307 01:11:15,240 --> 01:11:15,920 Speaker 2: I didn't know that. 1308 01:11:16,520 --> 01:11:19,719 Speaker 1: Yes, it's so great. It's the perfect size too, because 1309 01:11:19,720 --> 01:11:21,200 Speaker 1: it's what like a hundred. 1310 01:11:21,439 --> 01:11:25,160 Speaker 3: Even last maybe seventy or something like that. I used 1311 01:11:25,200 --> 01:11:29,240 Speaker 3: to do my podcast live down there because they say 1312 01:11:29,240 --> 01:11:32,000 Speaker 3: it's haunted. Oh no really, yeah, I would have like 1313 01:11:32,080 --> 01:11:35,839 Speaker 3: psychics and we do like we do boards and stuff 1314 01:11:35,920 --> 01:11:38,200 Speaker 3: down there and live on stage. 1315 01:11:38,439 --> 01:11:41,240 Speaker 1: Wait. Ros should we spend a little bit of time 1316 01:11:41,320 --> 01:11:43,920 Speaker 1: talking about your podcast just for the marketing aspect? 1317 01:11:44,200 --> 01:11:48,599 Speaker 2: Yeah, yeah, it's a cross marketing congratulations, Yes, being an 1318 01:11:48,760 --> 01:11:52,440 Speaker 2: exactly right family member, family. 1319 01:11:52,640 --> 01:11:53,120 Speaker 1: Welcome to this. 1320 01:11:53,760 --> 01:11:54,600 Speaker 3: Can we talk about it? 1321 01:11:54,720 --> 01:11:57,280 Speaker 1: Yeah, because this comes out like a week after Oh 1322 01:11:57,400 --> 01:11:58,960 Speaker 1: my god, wow. 1323 01:11:59,040 --> 01:12:09,439 Speaker 3: My tongues bla. Now you tell me, yeah, it is 1324 01:12:09,840 --> 01:12:17,480 Speaker 3: a true dream. I have to tell you, like everybody 1325 01:12:18,240 --> 01:12:21,040 Speaker 3: that you got over at this exactly the right thing. 1326 01:12:23,200 --> 01:12:27,240 Speaker 3: They are so they make me feel so special. They 1327 01:12:27,320 --> 01:12:33,160 Speaker 3: make me feel so appreciated and just excited. It's just 1328 01:12:33,400 --> 01:12:37,840 Speaker 3: really like an exciting place. The morale is high. 1329 01:12:40,120 --> 01:12:40,960 Speaker 2: I love it. 1330 01:12:42,280 --> 01:12:47,800 Speaker 3: It's been a dream working with everybody. I have no 1331 01:12:48,160 --> 01:12:53,080 Speaker 3: notes whatsoever, Like I'm not even kidding you, no notes. 1332 01:12:53,439 --> 01:12:55,760 Speaker 3: And like there was a thing just the other day 1333 01:12:55,800 --> 01:13:00,880 Speaker 3: where they were kind of showing me some wording of 1334 01:13:01,000 --> 01:13:04,160 Speaker 3: something that I could say, and I was like, I've 1335 01:13:04,160 --> 01:13:07,600 Speaker 3: had so many people be like here's something that you 1336 01:13:07,680 --> 01:13:10,559 Speaker 3: should say or whatever that I'm like I would never say. 1337 01:13:10,920 --> 01:13:12,760 Speaker 3: And I was looking at this and I'm like, this 1338 01:13:12,920 --> 01:13:15,679 Speaker 3: is the first time ever. This is like this sounds 1339 01:13:15,760 --> 01:13:20,559 Speaker 3: like me. You must have spent so much time listening 1340 01:13:20,640 --> 01:13:24,160 Speaker 3: to my podcast, and like I just it just really 1341 01:13:24,200 --> 01:13:24,840 Speaker 3: felt that way. 1342 01:13:25,000 --> 01:13:27,720 Speaker 2: When I read the promos we recorded the other day, 1343 01:13:29,120 --> 01:13:33,120 Speaker 2: it was in our voices, well, attention is being paid. 1344 01:13:33,439 --> 01:13:36,160 Speaker 1: Attention is paid and by people. You know, we have 1345 01:13:36,200 --> 01:13:39,240 Speaker 1: an amazing Allison and Aaron the marketing, but Aaron Brown 1346 01:13:39,320 --> 01:13:42,680 Speaker 1: who she writes those scripts, and and Alison you know 1347 01:13:43,000 --> 01:13:46,560 Speaker 1: they zet all that stuff, but they dive in like 1348 01:13:46,840 --> 01:13:52,160 Speaker 1: it's The approach is obviously the approach of like a fan, 1349 01:13:52,439 --> 01:13:54,680 Speaker 1: like you have to love a show to add it 1350 01:13:54,800 --> 01:13:57,439 Speaker 1: to your mix, because it's like now we now we're 1351 01:13:57,479 --> 01:14:00,120 Speaker 1: all working together, so like, yeah, get into it it 1352 01:14:00,360 --> 01:14:03,519 Speaker 1: and know the voice and I know it's it's it's 1353 01:14:03,600 --> 01:14:05,560 Speaker 1: so nice. I love those guys so much. They do 1354 01:14:05,680 --> 01:14:06,640 Speaker 1: such an amazing. 1355 01:14:06,400 --> 01:14:08,799 Speaker 2: Job when you when you get things up and running, 1356 01:14:08,880 --> 01:14:11,560 Speaker 2: if you need a guest, I'd like to. I have 1357 01:14:11,680 --> 01:14:15,240 Speaker 2: a new I did stand up at a haunted Renwick 1358 01:14:15,320 --> 01:14:20,280 Speaker 2: mansion in Devenport, Iowa. Uh so I can talk about that. 1359 01:14:20,479 --> 01:14:24,360 Speaker 2: I don't want to give away anything, but let's just 1360 01:14:24,439 --> 01:14:32,840 Speaker 2: say some doorknobs jiggled. Okay, yeah, and mostly I scared myself, 1361 01:14:33,000 --> 01:14:36,320 Speaker 2: but the vibes were there and I don't want to 1362 01:14:36,360 --> 01:14:39,719 Speaker 2: give away anymore. There was an abandoned board. 1363 01:14:42,600 --> 01:14:48,080 Speaker 3: Give away some visuals. Wow, I'm very excited to hear 1364 01:14:48,120 --> 01:14:54,160 Speaker 3: about your scaredknobs. No, that's great. Yeah, yeah, but anyway, 1365 01:14:54,320 --> 01:14:58,040 Speaker 3: this whole thing dream city ya dot com. 1366 01:14:59,720 --> 01:15:00,800 Speaker 1: We've lucky to have you. 1367 01:15:01,320 --> 01:15:05,200 Speaker 3: No, it's just thank you well, and I'm so passionate 1368 01:15:05,400 --> 01:15:09,600 Speaker 3: about the show that like to have other people be 1369 01:15:09,760 --> 01:15:13,000 Speaker 3: really into it too. It's like it just feels great. 1370 01:15:13,439 --> 01:15:15,599 Speaker 3: It feels really really nice. 1371 01:15:15,680 --> 01:15:22,080 Speaker 1: Art appreciated and supported. It's just really quite something. Did 1372 01:15:22,160 --> 01:15:25,000 Speaker 1: it for a long time kind of with none of that. 1373 01:15:25,360 --> 01:15:27,559 Speaker 1: It's like, yeah, it really makes a huge difference. 1374 01:15:27,920 --> 01:15:31,240 Speaker 3: Well, and what I do is so like to me, 1375 01:15:31,720 --> 01:15:34,439 Speaker 3: it makes a lot of sense that people would be like, oh, 1376 01:15:34,520 --> 01:15:39,160 Speaker 3: what a fun like concept like ghosts and like celebrities 1377 01:15:39,320 --> 01:15:44,439 Speaker 3: and laughter and queerness and whatever else. But sometimes like 1378 01:15:45,240 --> 01:15:47,519 Speaker 3: people are like, wait, what is this, Like I don't know, 1379 01:15:47,600 --> 01:15:49,519 Speaker 3: They just like don't get what it is. 1380 01:15:49,800 --> 01:15:53,200 Speaker 1: And you're like, hang up that FaceTime called good bye bye. 1381 01:15:54,760 --> 01:15:57,320 Speaker 3: Yeah, I bring up my podcast every time I FaceTime 1382 01:15:57,400 --> 01:15:57,840 Speaker 3: these guys. 1383 01:15:58,080 --> 01:16:02,519 Speaker 2: Well, honestly, it wasn't until I did your podcast that 1384 01:16:02,640 --> 01:16:06,360 Speaker 2: I even asked myself if I'd had any experiences. 1385 01:16:06,600 --> 01:16:11,640 Speaker 3: Well, that's what's so fun. That's I love to have 1386 01:16:11,800 --> 01:16:16,519 Speaker 3: people on that. You know, everyone so used to being 1387 01:16:16,560 --> 01:16:19,960 Speaker 3: asked the same kinds of questions all the time or whatever. 1388 01:16:21,840 --> 01:16:24,000 Speaker 3: How like like I asked you, guys, when did you 1389 01:16:24,120 --> 01:16:29,160 Speaker 3: start doing Yeah, yeah, but like it's it's it's fun 1390 01:16:29,200 --> 01:16:31,400 Speaker 3: to see how excited people are to talk about the 1391 01:16:32,479 --> 01:16:36,320 Speaker 3: jigli door knobs. Like I love to hear people telling 1392 01:16:36,360 --> 01:16:39,240 Speaker 3: stories that they've never told before and then thinking about 1393 01:16:39,280 --> 01:16:40,680 Speaker 3: it and then you know, I get a lot of 1394 01:16:40,720 --> 01:16:43,040 Speaker 3: people that go, oh, yeah, there was this one time 1395 01:16:43,120 --> 01:16:45,840 Speaker 3: I completely forgot about this, And I don't know, I'm 1396 01:16:45,880 --> 01:16:49,760 Speaker 3: just really into the conversations. It's and it opens up 1397 01:16:50,200 --> 01:16:54,919 Speaker 3: a lot of deeper conversations about cultural beliefs and religious 1398 01:16:55,000 --> 01:16:59,960 Speaker 3: beliefs and our upbringings and science and history. 1399 01:17:00,040 --> 01:17:03,560 Speaker 2: All things that weren't really addressed in my home, like 1400 01:17:03,720 --> 01:17:07,000 Speaker 2: the spirituality, and now all that was just kind of 1401 01:17:07,680 --> 01:17:10,679 Speaker 2: which is if I've ignored it for most of my life. Yeah, 1402 01:17:11,120 --> 01:17:13,400 Speaker 2: and You've opened me up. And it's the reason I'm 1403 01:17:13,439 --> 01:17:17,559 Speaker 2: now a ladder day saying, And. 1404 01:17:17,640 --> 01:17:19,800 Speaker 3: I think it's it's to me the show is like 1405 01:17:19,920 --> 01:17:26,599 Speaker 3: a survey of what different people believe, because I don't 1406 01:17:26,640 --> 01:17:29,320 Speaker 3: have any agenda with it, Like I'm not really trying 1407 01:17:29,439 --> 01:17:31,560 Speaker 3: to make people believe it. I think it's up for 1408 01:17:31,640 --> 01:17:36,040 Speaker 3: the audience to decide. But hearing different people upbringing is 1409 01:17:36,080 --> 01:17:38,080 Speaker 3: a huge part of it. I think a lot of times, 1410 01:17:38,200 --> 01:17:41,000 Speaker 3: but it's interesting when like you weren't raised to believe 1411 01:17:41,040 --> 01:17:43,080 Speaker 3: in it, but then it still happens, Like I don't know. 1412 01:17:43,200 --> 01:17:45,400 Speaker 3: That to me is kind of like validating or whatever 1413 01:17:45,479 --> 01:17:48,000 Speaker 3: if that seed is i'mplanted in your head young or 1414 01:17:48,600 --> 01:17:52,320 Speaker 3: There's just so many different types of conversations that we 1415 01:17:52,400 --> 01:17:55,519 Speaker 3: can have that all kind of turn into this like 1416 01:17:55,880 --> 01:17:59,120 Speaker 3: list of different different things that could be true or 1417 01:17:59,160 --> 01:18:01,600 Speaker 3: not true, or or like what you. 1418 01:18:02,240 --> 01:18:07,439 Speaker 1: Have experienced versus what is believed or understood, where it's 1419 01:18:07,520 --> 01:18:10,439 Speaker 1: kind of like I don't think when I tell the 1420 01:18:10,520 --> 01:18:12,200 Speaker 1: story that I told on your show when I was 1421 01:18:12,280 --> 01:18:17,200 Speaker 1: on it Iconic, it's like my and I think I 1422 01:18:17,320 --> 01:18:20,240 Speaker 1: probably said it, but it's like I never am wanting 1423 01:18:20,320 --> 01:18:22,400 Speaker 1: people to believe me. I don't give a shit if 1424 01:18:22,400 --> 01:18:24,799 Speaker 1: they believe me or not. I know what happened totally. 1425 01:18:24,920 --> 01:18:26,839 Speaker 1: And it's that kind of thing where it's like sometimes 1426 01:18:26,920 --> 01:18:30,040 Speaker 1: people feel really defensive or really sorry, I'm going down there. 1427 01:18:31,200 --> 01:18:32,719 Speaker 1: Sorry sir, that's you're right. 1428 01:18:32,840 --> 01:18:35,200 Speaker 2: You're right to look at me like that. 1429 01:18:37,040 --> 01:18:39,120 Speaker 1: But yeah, it's that feeling where it's just like, but 1430 01:18:39,240 --> 01:18:42,040 Speaker 1: it is so fun to go. I understand that this 1431 01:18:42,200 --> 01:18:43,920 Speaker 1: is hard to believe, but I'm still going to tell 1432 01:18:43,960 --> 01:18:47,679 Speaker 1: you what happened to me, because like it only happened 1433 01:18:47,720 --> 01:18:50,439 Speaker 1: to me, and so like it's really fun to be 1434 01:18:50,479 --> 01:18:52,160 Speaker 1: able to go like, can you believe this happened to 1435 01:18:52,200 --> 01:18:54,439 Speaker 1: me to a person that's open to hearing it, Yeah. 1436 01:18:54,240 --> 01:18:56,960 Speaker 3: But you also had other people that you lived with 1437 01:18:57,160 --> 01:19:01,599 Speaker 3: that experience. Yes, I did, which is validating. But that's why, 1438 01:19:01,680 --> 01:19:03,519 Speaker 3: like sometimes people will be like, eh, I don't believe 1439 01:19:03,560 --> 01:19:07,120 Speaker 3: in that stuff, and I'm like, well, I still think 1440 01:19:07,160 --> 01:19:11,400 Speaker 3: that the show is an interesting thing because you'll probably 1441 01:19:11,479 --> 01:19:15,120 Speaker 3: find somebody that's been a guest that you enjoy, uh, 1442 01:19:15,360 --> 01:19:18,000 Speaker 3: or like are a fan of or whatever, and just 1443 01:19:18,120 --> 01:19:20,640 Speaker 3: hearing a good story from them. First of all, like 1444 01:19:20,760 --> 01:19:24,280 Speaker 3: it's just it's just good storytelling. But also it's like 1445 01:19:24,400 --> 01:19:27,000 Speaker 3: nobody has any reason to make any of this stuff up. 1446 01:19:27,080 --> 01:19:30,559 Speaker 3: It's just their experiences. And I don't know, I think 1447 01:19:30,560 --> 01:19:32,680 Speaker 3: it's good to be skeptical of this stuff. Why not? 1448 01:19:32,840 --> 01:19:38,200 Speaker 3: We shouldn't just like assume everything is true. But I don't. 1449 01:19:38,439 --> 01:19:41,120 Speaker 3: It's just fun to ponder and like think about the 1450 01:19:41,240 --> 01:19:44,679 Speaker 3: different possibilities of a well and also. 1451 01:19:44,560 --> 01:19:46,920 Speaker 1: The kind of like, uh, I don't know what I 1452 01:19:47,000 --> 01:19:51,000 Speaker 1: would have said before I had that experience, but then 1453 01:19:51,120 --> 01:19:53,120 Speaker 1: now when other people try to say it, and the 1454 01:19:53,200 --> 01:19:56,160 Speaker 1: people who have to say things like I don't believe 1455 01:19:56,160 --> 01:19:58,800 Speaker 1: in any of that stuff, it's just like, well, I'll 1456 01:19:58,840 --> 01:20:01,160 Speaker 1: talk to you when it happened to you, because it's 1457 01:20:01,240 --> 01:20:04,280 Speaker 1: happened to a ton of people, and like, just because 1458 01:20:04,320 --> 01:20:06,439 Speaker 1: it hasn't happened to you doesn't mean it isn't a 1459 01:20:06,600 --> 01:20:08,960 Speaker 1: possibility in the world. I'm here to tell you it 1460 01:20:09,160 --> 01:20:10,559 Speaker 1: is a possibility in the world. 1461 01:20:10,880 --> 01:20:13,639 Speaker 2: Yeah. For most of my life I said I don't 1462 01:20:13,640 --> 01:20:18,160 Speaker 2: believe in any of that stuff, and then now in retrospect, 1463 01:20:18,400 --> 01:20:22,960 Speaker 2: I'm like, oh, there was several instances where clearly something's 1464 01:20:23,040 --> 01:20:23,519 Speaker 2: going down. 1465 01:20:23,840 --> 01:20:27,120 Speaker 3: Yeah, well it happens all over the world, all throughout time, 1466 01:20:27,600 --> 01:20:32,800 Speaker 3: like it so many people say that they've had these experiences. 1467 01:20:33,080 --> 01:20:35,280 Speaker 3: I feel like the last survey that they did, I 1468 01:20:35,360 --> 01:20:39,160 Speaker 3: want to say, said like it was over half people 1469 01:20:39,400 --> 01:20:44,200 Speaker 3: believe that it's possible, like paranormal experiences. Yeah, and so 1470 01:20:44,320 --> 01:20:46,720 Speaker 3: it's like there's gotta be something there, Like I think 1471 01:20:46,880 --> 01:20:50,320 Speaker 3: every single person knows somebody if you asked around. 1472 01:20:50,960 --> 01:20:53,679 Speaker 1: We get on my favorite order, we get hometowns where 1473 01:20:53,720 --> 01:20:55,960 Speaker 1: people are like my grandma told me she would send 1474 01:20:56,000 --> 01:20:58,919 Speaker 1: me a sign and then they'd say this very specific 1475 01:20:59,000 --> 01:21:02,160 Speaker 1: thing and it's not just like the light blank, it's 1476 01:21:02,320 --> 01:21:05,200 Speaker 1: literally like and then this thing happened that she used 1477 01:21:05,200 --> 01:21:07,760 Speaker 1: to do and blah blah blah. And it's like, sure, 1478 01:21:07,840 --> 01:21:10,640 Speaker 1: people could be lying, people could always be lying, but 1479 01:21:10,800 --> 01:21:14,719 Speaker 1: what is the idea of like a story. It's such 1480 01:21:14,720 --> 01:21:17,800 Speaker 1: a good story to think this person that you loved 1481 01:21:17,920 --> 01:21:21,760 Speaker 1: so much is gone and there's somewhere else going. Hey, 1482 01:21:21,840 --> 01:21:26,439 Speaker 1: I'm I still think about you. That's beautiful. It's the best. 1483 01:21:26,800 --> 01:21:27,640 Speaker 2: Yeah, I know. 1484 01:21:28,280 --> 01:21:29,479 Speaker 3: And that's what I love about it is like so 1485 01:21:29,560 --> 01:21:31,640 Speaker 3: much of it can be spooky. Sometimes it can be 1486 01:21:31,800 --> 01:21:32,720 Speaker 3: like heartwarming. 1487 01:21:33,280 --> 01:21:36,600 Speaker 2: Yeah, I think it was for me also not experiences, 1488 01:21:36,720 --> 01:21:41,080 Speaker 2: but so much when someone dies, like when my mom died, 1489 01:21:41,320 --> 01:21:44,640 Speaker 2: you are You're like, well, there has to be some 1490 01:21:45,280 --> 01:21:48,920 Speaker 2: spiritual element to this. I refuse to believe that, and 1491 01:21:49,000 --> 01:21:51,240 Speaker 2: then you can feel it and it's like, okay, well 1492 01:21:51,280 --> 01:21:54,840 Speaker 2: that wasn't necessarily a haunting, but it's something that you 1493 01:21:54,920 --> 01:21:57,920 Speaker 2: can feel yoh totally yeah, and you can't put it 1494 01:21:58,040 --> 01:22:00,559 Speaker 2: into words and convince someone else. 1495 01:22:01,680 --> 01:22:04,040 Speaker 3: Yeah. And like when I when I ask around to 1496 01:22:04,160 --> 01:22:07,760 Speaker 3: people to be guests on the show, like sometimes they 1497 01:22:07,880 --> 01:22:17,479 Speaker 3: don't have a Karen Kilgarth level story tale. But it 1498 01:22:17,640 --> 01:22:19,760 Speaker 3: might just be like a short because most of the 1499 01:22:19,840 --> 01:22:23,599 Speaker 3: time these things are like little things that happen. They're 1500 01:22:23,640 --> 01:22:28,599 Speaker 3: not like big, long stories, right, But it makes one 1501 01:22:28,800 --> 01:22:33,120 Speaker 3: believe like, oh, there could be more, Yeah, there could 1502 01:22:33,160 --> 01:22:35,920 Speaker 3: be more out there. Maybe one day I live in 1503 01:22:36,080 --> 01:22:38,000 Speaker 3: a house like Karen Kilgarth. 1504 01:22:39,040 --> 01:22:41,480 Speaker 1: Anyone can live in that rental house in Sacramento. 1505 01:22:43,280 --> 01:22:45,479 Speaker 3: That episode when you were at I'm telling you that 1506 01:22:45,960 --> 01:22:48,960 Speaker 3: I was. I was recording in my shower during the 1507 01:22:49,040 --> 01:22:52,880 Speaker 3: pandemic and it just the audio is so bad, but 1508 01:22:53,000 --> 01:22:55,040 Speaker 3: it's like the best story ever. 1509 01:22:56,240 --> 01:22:57,240 Speaker 1: We'll have to revisit. 1510 01:22:58,280 --> 01:23:01,280 Speaker 3: That would be a dreamy way. So well, here we 1511 01:23:01,360 --> 01:23:02,680 Speaker 3: are at my mansion. 1512 01:23:02,439 --> 01:23:05,760 Speaker 2: When it said the Golden Girls show. 1513 01:23:05,800 --> 01:23:11,160 Speaker 3: Run August sometime. Follow me at Roz Hernandez and I'll 1514 01:23:11,240 --> 01:23:12,080 Speaker 3: tell you there. 1515 01:23:12,200 --> 01:23:15,200 Speaker 1: Is that all your handles on everywhere we can find you. 1516 01:23:16,920 --> 01:23:24,719 Speaker 3: Yeah, TikTok is at its ros Hernanzas, but I'm mainly 1517 01:23:24,920 --> 01:23:28,400 Speaker 3: just Instagram. Yeah, even if I posted TikTok, I'll put 1518 01:23:28,439 --> 01:23:29,320 Speaker 3: it on Instagram. 1519 01:23:29,800 --> 01:23:30,000 Speaker 1: Love. 1520 01:23:31,120 --> 01:23:32,240 Speaker 3: Yeah, that's the best. 1521 01:23:32,720 --> 01:23:34,760 Speaker 2: I love ros I love to. 1522 01:23:35,280 --> 01:23:39,120 Speaker 3: Oh my god, why don't you guys marry You're going 1523 01:23:39,160 --> 01:23:49,040 Speaker 3: on a day. Well, you've been listening to Dee whyan. 1524 01:23:52,160 --> 01:23:52,400 Speaker 1: Lave. 1525 01:24:02,160 --> 01:24:04,559 Speaker 2: This has been an exactly right production. 1526 01:24:05,080 --> 01:24:09,280 Speaker 1: Produced by Annalise Nelson, mixed by Edson Choi. Our talent 1527 01:24:09,320 --> 01:24:10,679 Speaker 1: booker is Patrick Kottner. 1528 01:24:10,960 --> 01:24:12,880 Speaker 2: Theme song by Karen Kilgarrett. 1529 01:24:13,320 --> 01:24:16,840 Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter, 1530 01:24:16,920 --> 01:24:21,240 Speaker 1: and Facebook at dinar podcast That's d y nar Podcast. 1531 01:24:21,720 --> 01:24:24,920 Speaker 2: For more information, go to exactly rightmedia dot com. 1532 01:24:25,280 --> 01:24:27,519 Speaker 1: Thank you, Oh, You're welcome