WEBVTT - Inner Dialogues, Monologues and Stone Cold Silence

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<v Speaker 1>Welcome to Stuff you should know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too, and this is stuff you

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<v Speaker 2>should know, where the inner voices in your head. It

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<v Speaker 2>turns out, no, good job, Chuck, good job, you got this.

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<v Speaker 3>You got this.

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<v Speaker 2>So what you're engaged in, Chuck, is called private speech.

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<v Speaker 3>Oh you're so stupid.

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<v Speaker 2>That's still private good job. As long as we can

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<v Speaker 2>hear you, and you're talking to yourself.

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<v Speaker 1>Yes, I get it now, sure saying it out loud,

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<v Speaker 1>which means it's not the inner monologue or dialogue.

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<v Speaker 2>No, I'm always heard it called the inner monologue too,

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<v Speaker 2>or internal monologue. But Anna helped us out with this, right, yeah,

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<v Speaker 2>Ana g. She points out that inner monologue is a

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<v Speaker 2>pretty limiting term because that voice in your head, the

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<v Speaker 2>way that you talk to yourself, it can take all

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<v Speaker 2>sorts of different shapes rather than you having a conversation

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<v Speaker 2>beating yourself up quietly, those are kind of the keys

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<v Speaker 2>to what we would call inner speech, or the people

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<v Speaker 2>who research it would call it inner speech.

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<v Speaker 3>Yeah, or inner voice.

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<v Speaker 1>And it turns out this is kind of a tough

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<v Speaker 1>one in some ways, because it's like I imagine Ana

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<v Speaker 1>was up against it because there are many, many, many,

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<v Speaker 1>many facets to this and it can serve a lot

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<v Speaker 1>of different purposes. It's very common, but also some people

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<v Speaker 1>don't have it. Yeah, we can look at brain scans

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<v Speaker 1>and say like, hey, this is lighting up. But it's like,

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<v Speaker 1>it's also really hard to study and get a consensus

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<v Speaker 1>on because a lot of it is self reported as

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<v Speaker 1>far as when people do it, and why people do it,

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<v Speaker 1>and what function it could serve or doesn't serve, and

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<v Speaker 1>if you don't have one, what does that mean. So

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<v Speaker 1>there's just a lot of different avenues and it's tough

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<v Speaker 1>to kind of make this a real tidy package.

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<v Speaker 2>Yeah, and it's really impressive that people are figuring out

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<v Speaker 2>how to research this at all. It's a definitely developing field.

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<v Speaker 2>It's not established quite yet, so it's kind of the

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<v Speaker 2>wild West in a lot of ways as far as

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<v Speaker 2>you know psychology goes. But one of the reasons why

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<v Speaker 2>it's fairly new is because people forever just thought like

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<v Speaker 2>there are such things as inner voices, will never be

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<v Speaker 2>able to study them because they are the definition of

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<v Speaker 2>subjective and like you said, self reported tests are how

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<v Speaker 2>they had studied them before, and that's just not super reliable.

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<v Speaker 2>William James, the father of American psychology, he had to

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<v Speaker 2>quote a paraphrase, I mean basically said, like trying to

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<v Speaker 2>study something like inner speech is like turning up the

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<v Speaker 2>lights to get a good look at what the dark

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<v Speaker 2>looks like. You can't do it, was the end of

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<v Speaker 2>his speech.

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<v Speaker 3>Yeah, oh boy, that makes a lot of sense, it does.

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<v Speaker 2>I've heard another one too that I love. Studying consciousness

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<v Speaker 2>is like trying to use a flashlight to find the shadows.

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<v Speaker 3>Oh, I got one too. Okay, youth is wasted on

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<v Speaker 3>the young.

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<v Speaker 2>Oh that's a good one. That's a good one too.

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<v Speaker 2>What was spuds? Mackenzie? Party? Animal? Two words? That's all

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<v Speaker 2>you need to know.

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<v Speaker 1>Yeah, this is just a tough one because there's so

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<v Speaker 1>many little nuggets to uncover. Like after I had done

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<v Speaker 1>all the research and I was kind of like, all right,

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<v Speaker 1>let's go do this, I was like, wait, wait a minute, though,

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<v Speaker 1>Like when my grandfather had a stroke when I was

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<v Speaker 1>a kid, he had a phasia, which is some stroke

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<v Speaker 1>patients you know, can't you know they're talking, but they're

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<v Speaker 1>not saying the words that you.

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<v Speaker 3>Understand, right.

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<v Speaker 1>It was like, I wonder what's going on in their

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<v Speaker 1>head and what that has to do with your inner voice.

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<v Speaker 1>And I saw some things that said like, nope, your

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<v Speaker 1>are it completely disturbs your inner voice as well, and

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<v Speaker 1>then another other studies it said, no, your inner speech

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<v Speaker 1>can be preserve herbed relative to the spoken language if

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<v Speaker 1>you have a phasia. So it's just it can be frustrating,

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<v Speaker 1>but it's also I shouldn't look at it that way

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<v Speaker 1>and just think of it as like just super fascinating

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<v Speaker 1>and maybe you know, we don't always have all the answers.

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<v Speaker 2>Yeah, that's a great way put I think. Another way

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<v Speaker 2>to say it is we don't understand it, so those

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<v Speaker 2>listening to this episode aren't going to understand it by

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<v Speaker 2>the end of it either.

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<v Speaker 3>Well.

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<v Speaker 1>Yeah, and just in the case of the stroke thing

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<v Speaker 1>with my grandfather, I remember very specifically being a kid

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<v Speaker 1>and seeing the frustration and thinking as a ten year

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<v Speaker 1>old like he in his head, he's saying what he's

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<v Speaker 1>trying to say, right, Like I can tell because he's

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<v Speaker 1>getting really frustrated that it's coming out as something that

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<v Speaker 1>is unintelligible to us. But you know, all these years later,

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<v Speaker 1>I got two answers.

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<v Speaker 2>Yeah, there you go, full circle, I guess in that sense.

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<v Speaker 3>Yes, not a very satisfying one.

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<v Speaker 2>But yeah, so so, like we said, inner monologue is

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<v Speaker 2>a little too limiting, we don't want to use that.

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<v Speaker 2>Inner speech is way better. And inner speech is actually

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<v Speaker 2>a little limiting, as we'll see too. But it turns

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<v Speaker 2>out there's a lot of things that our inner speech does. Besides,

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<v Speaker 2>like you demonstrated beating yourself up, it can be used

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<v Speaker 2>to motivate. It's a good one. You kind of did

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<v Speaker 2>that at first.

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<v Speaker 3>Right, Yeah, I think that was That was good, Chuck.

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<v Speaker 2>Right. We use it for memorizing things, problem solving, We

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<v Speaker 2>used it to regulate ourselves, like, okay, Chuck, don't be

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<v Speaker 2>mean to yourself all down. Yeah, that kind of stuff.

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<v Speaker 2>But again not out loud, and then even more not

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<v Speaker 2>me saying it, because dude, if your voice in your

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<v Speaker 2>head was my voice, oh man, I would be so

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<v Speaker 2>sorry for you.

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<v Speaker 3>I dream as you. Is that weird?

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<v Speaker 2>That's a little weird. I'd like to hear more about

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<v Speaker 2>that though later on.

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<v Speaker 3>Now I'm just joking.

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<v Speaker 1>There have been plenty of people that have studied this,

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<v Speaker 1>so and you know, we're going to talk about some

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<v Speaker 1>of these people here and there. That was a pair

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<v Speaker 1>of researchers in twenty eleven, Simon McCarthy Jones and Charles

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<v Speaker 1>Fernie Howe.

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<v Speaker 2>Maybe Fernie Hoe is what I saw. I heard, Yeah,

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<v Speaker 2>like Tally Ho exactly, but Fernie right.

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<v Speaker 1>They developed to survey and where they kind of categorize

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<v Speaker 1>different varieties of inner speech, and their survey was called

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<v Speaker 1>the VISC the Varieties of Inner Speech Questionnaire y I SQ.

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<v Speaker 1>And they also, along with others, have other categories and

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<v Speaker 1>we're kind of just gonna go through these now. But

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<v Speaker 1>one can be dialogic, which means you're like you're having

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<v Speaker 1>a back and forth with yourself.

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<v Speaker 3>Or others.

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<v Speaker 1>I asked Emily if I could talk about this because

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<v Speaker 1>she talks out loud, which I guess isn't quite the

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<v Speaker 1>same thing, but she'll I'll see her talking to herself

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<v Speaker 1>sometimes having a conversation with someone much more common when

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<v Speaker 1>she was having frustrations with her business, talking like out loud.

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<v Speaker 3>To people, but it would be in her head.

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<v Speaker 1>But then I would also see her talking out loud,

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<v Speaker 1>and I'll walk into her room and say are you

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<v Speaker 1>talking to and she'd tell me in but that's dialogic

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<v Speaker 1>because there's some someone else involved, even if that someone

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<v Speaker 1>else is another you.

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<v Speaker 2>Right, what you can't see is the giant, furry purple

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<v Speaker 2>monster with googly eyes and a tiki drink.

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<v Speaker 3>Oh man, that'd be great.

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<v Speaker 2>So, yeah, dialogic seems to be fairly fairly common too. Yeah,

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<v Speaker 2>there's also condensed inner speech. That's it's kind of like

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<v Speaker 2>a different form of so this. Okay, here's one of

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<v Speaker 2>the things that I had trouble with, Chuck. Let me

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<v Speaker 2>just be forth right here these there's not any neat

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<v Speaker 2>package of this kind, this kind, and this kind, and

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<v Speaker 2>then there's this sub kind of this kind and this

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<v Speaker 2>kind and this kind. No one's put it together like that,

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<v Speaker 2>so it's a little confusing. So, for example, dialogic inner speech,

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<v Speaker 2>you'd think that the next thing would be monologic or

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<v Speaker 2>something like that. That's not here. Instead, we're talking about

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<v Speaker 2>condensed inner speech, which is using like abbreviations or like

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<v Speaker 2>just words rather than full sentences. And that this is

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<v Speaker 2>a way that you speak to yourself in a very

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<v Speaker 2>private manner that you would probably never use to speak

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<v Speaker 2>out loud. It's just the kind of shorthand that you

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<v Speaker 2>use for yourself doesn't fit this list at all, and

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<v Speaker 2>yet here we are.

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<v Speaker 3>Yeah.

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<v Speaker 1>And as example for that is, you know you're leaving

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<v Speaker 1>the house and you know phone, keys, wallet in your head,

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<v Speaker 1>that kind of thing.

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<v Speaker 2>Right, But at the same time, you could be having

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<v Speaker 2>a conversation with somebody about your own case, wallet, so

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<v Speaker 2>it would be dialogic condensed inner speech drives me nuts.

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<v Speaker 1>Yeah, I see your point other people as another one.

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<v Speaker 1>That's when your voice, not when you're speaking to someone else,

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<v Speaker 1>but when it takes on the voice of someone else.

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<v Speaker 1>It could be Abraham Lincoln, it could be Josh Clark.

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<v Speaker 1>And that's when you're imagining a conversation with someone else,

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<v Speaker 1>where your own inner voice sounds like someone else. Is

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<v Speaker 1>different than like Emily having a conversation with another person.

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<v Speaker 2>Right for sure, Like you're the bystander. Basically there's two

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<v Speaker 2>people talking. There's a did you see that Guardian article

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<v Speaker 2>about the that included the woman whose inner voice was

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<v Speaker 2>a like a stereotypical Italian couple fighting arguing, so interesting

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<v Speaker 2>and that's how she works stuff out. Like the wife

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<v Speaker 2>would be like, no, she needs to quit her job

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<v Speaker 2>and follow her dreams, and the husband would be like no,

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<v Speaker 2>she's got a good job. She needs to keep her

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<v Speaker 2>feet on the ground, and like eventually one would win

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<v Speaker 2>the argument and then that's what she would do. That's

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<v Speaker 2>what that lady's inner voice is.

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<v Speaker 1>Like, Yeah, it's very fascinating. One can be motivational or

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<v Speaker 1>a value to either you know, am I doing a

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<v Speaker 1>good job here?

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<v Speaker 3>Or do a good job?

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<v Speaker 1>They found that, you know, with like sports performance and

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<v Speaker 1>any kind of like public speaking or any kind of

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<v Speaker 1>performative thing. You know, that inner voice pumping you up

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<v Speaker 1>can lead to real results, usually good.

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<v Speaker 2>Yeah, and I saw that that was kind of expanded

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<v Speaker 2>or changed. You're kind of cutt into sub categories later

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<v Speaker 2>on or at some point. There's evaluative critical, which is

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<v Speaker 2>basically like you know, did I do a good job

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<v Speaker 2>or why didn't you get one hundred percent? That kind

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<v Speaker 2>of thing. Yeah, there's also positive regulatory, which kind of

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<v Speaker 2>ties into what you were just saying, Like if you

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<v Speaker 2>imagine yourself, you know, doing really well practicing shooting baskets,

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<v Speaker 2>there's some part of you that could be like keep

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<v Speaker 2>up the hard work and you'll be in the MBA

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<v Speaker 2>in no time. Where you did a great job, like

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<v Speaker 2>those would fall under positive regulatory.

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<v Speaker 1>When I play basketball, all I hear in my head

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<v Speaker 1>is what I hear on the court, which is swish.

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<v Speaker 2>Oh nice, I was gonna say. I was waiting for

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<v Speaker 2>you to say brick, because that's what I hear.

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<v Speaker 1>Ruby expressed interest in playing basketball the other day, and

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<v Speaker 1>I had a hard time containing myself. I was like,

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<v Speaker 1>you know, that's the only sport I was actually pretty

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<v Speaker 1>good at. Like I can actually teach you something here.

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<v Speaker 2>That's awesome, man.

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<v Speaker 1>But I didn't want to say it too positively because

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<v Speaker 1>then she'd be like, yeah, maybe not.

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<v Speaker 2>Very smart boy. You know what you're doing.

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<v Speaker 3>Don't to I'm working on it.

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<v Speaker 1>Another is prompted no, no, no, I'm sorry expanded speech, which

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<v Speaker 1>is like if you have to have a tough conversation

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<v Speaker 1>with someone and you're literally kind of just rehearsing that

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<v Speaker 1>in your head as one or both. That is like

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<v Speaker 1>when you're speaking not in any kind of abbreviate, abbreviated way.

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<v Speaker 2>Yeah, it's the opposite of condensed speech, like you're thinking

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<v Speaker 2>in or hearing in your inner voice the exact words,

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<v Speaker 2>with the phonetics and the grammar and everything that you

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<v Speaker 2>would say out.

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<v Speaker 1>Loud, right, Which that got me on a side track

0:11:49.440 --> 0:11:52.080
<v Speaker 1>of like, Oh, that's like, why do people when you

0:11:52.120 --> 0:11:53.800
<v Speaker 1>hear your voice played on a recording?

0:11:53.800 --> 0:11:55.680
<v Speaker 3>Why does that sound different? It's just has anything to

0:11:55.720 --> 0:11:56.080
<v Speaker 3>do with that.

0:11:56.640 --> 0:11:58.280
<v Speaker 1>And I just had to park that because that gets

0:11:58.320 --> 0:12:01.280
<v Speaker 1>into a whole other thing, which should probably.

0:12:01.040 --> 0:12:03.480
<v Speaker 2>Be a shorty, the efference copy.

0:12:03.720 --> 0:12:07.079
<v Speaker 1>No, no, no, like when I listen to a podcast

0:12:07.120 --> 0:12:10.000
<v Speaker 1>of us, like, why does your voice never match when

0:12:10.040 --> 0:12:11.720
<v Speaker 1>you hear it out loud as it does in your

0:12:11.720 --> 0:12:12.160
<v Speaker 1>own brain?

0:12:12.320 --> 0:12:14.880
<v Speaker 2>I think your efference copy probably no.

0:12:14.960 --> 0:12:17.480
<v Speaker 1>It has to do with like the way your skull reverberates. Oh,

0:12:17.520 --> 0:12:20.400
<v Speaker 1>really actual physical stuff. But I think that could be

0:12:20.440 --> 0:12:20.960
<v Speaker 1>a shorty.

0:12:21.440 --> 0:12:23.920
<v Speaker 2>Reverberating Skull is a great album name.

0:12:24.360 --> 0:12:26.760
<v Speaker 3>It is, and we'll get to efference copy later on it.

0:12:26.800 --> 0:12:28.040
<v Speaker 2>I clearly can't wait.

0:12:28.360 --> 0:12:29.320
<v Speaker 3>Yeah, it's good stuff.

0:12:29.400 --> 0:12:31.600
<v Speaker 2>There's now we reach a point of the list where

0:12:31.600 --> 0:12:35.520
<v Speaker 2>coherence starts to emerge. We've got like basically like a

0:12:36.240 --> 0:12:38.640
<v Speaker 2>one and then the opposite. I don't know why I

0:12:38.720 --> 0:12:41.679
<v Speaker 2>just put it so confusingly, So let's just start. There's

0:12:41.840 --> 0:12:46.360
<v Speaker 2>elicited or prompted, which is inner speech that's basically triggered

0:12:46.400 --> 0:12:50.400
<v Speaker 2>by some external factor. Someone comes along and says, here's

0:12:50.440 --> 0:12:55.280
<v Speaker 2>some pictures of different stuff, pick out the ones who's

0:12:55.360 --> 0:12:58.320
<v Speaker 2>named rhyme. So you've got to write a boot and

0:12:58.400 --> 0:13:01.280
<v Speaker 2>then I don't know, a foot or something like that.

0:13:01.360 --> 0:13:03.360
<v Speaker 2>Like you would pick out the boot and the foot,

0:13:03.679 --> 0:13:08.440
<v Speaker 2>and depending on how liberally they were with their their judgments,

0:13:08.440 --> 0:13:09.800
<v Speaker 2>they would say, yes, that rhymes.

0:13:10.040 --> 0:13:13.040
<v Speaker 1>Yeah, but it's a prompt from an outside source, right,

0:13:13.400 --> 0:13:17.839
<v Speaker 1>whereas the next one, which logically follows thankfully pristine or spontaneous.

0:13:19.040 --> 0:13:23.679
<v Speaker 1>That was Russell hurl Bert, kind of a mouthful researcher

0:13:23.679 --> 0:13:28.240
<v Speaker 1>that coined this one. That is that's just unprompted, spontaneous,

0:13:28.280 --> 0:13:30.800
<v Speaker 1>and it's a part of what makes us us.

0:13:31.679 --> 0:13:35.880
<v Speaker 2>Yes, Like that is your genuine true inner voice. Sometimes

0:13:35.880 --> 0:13:38.200
<v Speaker 2>it just comes out of nowhere, sometimes when you just

0:13:38.480 --> 0:13:40.559
<v Speaker 2>are talking to yourself and don't even realize you're talking

0:13:40.600 --> 0:13:44.320
<v Speaker 2>to yourself in your head. Like that's what Herbert Herlbert

0:13:44.360 --> 0:13:47.920
<v Speaker 2>calls pristine. And there's this really great Aon article about

0:13:48.200 --> 0:13:51.760
<v Speaker 2>your inner voice that was written by Phil Jacole j A. E.

0:13:51.880 --> 0:13:56.560
<v Speaker 2>K L. And Phil points out, I'm hopefully hoping I can.

0:13:56.880 --> 0:14:00.200
<v Speaker 2>We're on first name basis, me and Phil. But he

0:14:00.240 --> 0:14:03.240
<v Speaker 2>points out that this is leading psychologists to be like, oh,

0:14:03.240 --> 0:14:06.000
<v Speaker 2>my god, oh my god. If we can study pristine

0:14:06.320 --> 0:14:12.040
<v Speaker 2>inner voices, like that's essentially like the external, the exterior

0:14:12.120 --> 0:14:15.120
<v Speaker 2>of the unconscious, and we would be tapping into people's

0:14:15.160 --> 0:14:19.320
<v Speaker 2>unconscious and other people are like, I think Fernio is like, whoa, whoa.

0:14:19.760 --> 0:14:22.040
<v Speaker 2>Let's not get ahead of ourselves here, Let's just kind

0:14:22.040 --> 0:14:24.760
<v Speaker 2>of take this one step at a time. Old Ferniho,

0:14:24.840 --> 0:14:27.120
<v Speaker 2>that's what he's known nas. They call him the breaks.

0:14:27.760 --> 0:14:30.240
<v Speaker 1>That's right and well, except when he gets excited about

0:14:30.240 --> 0:14:35.720
<v Speaker 1>something then he yells out Fernie hoo. Maybe before we break,

0:14:35.760 --> 0:14:39.800
<v Speaker 1>we should talk about these other four because that visc

0:14:39.920 --> 0:14:41.920
<v Speaker 1>is still they've been revising it over the years and

0:14:41.920 --> 0:14:44.680
<v Speaker 1>it's still in use for some researchers. But in twenty

0:14:44.720 --> 0:14:48.880
<v Speaker 1>fifteen there was another researcher name what a great name,

0:14:49.000 --> 0:14:57.000
<v Speaker 1>mal Gorzada a Polchaska wasl wasil wasel. Maybe they were like,

0:14:57.000 --> 0:15:00.880
<v Speaker 1>all right, let's categorize it by emotional types, and these

0:15:00.920 --> 0:15:03.360
<v Speaker 1>are the faithful friend, which has a nice ring to it.

0:15:03.720 --> 0:15:07.120
<v Speaker 1>That's like your personal strength, positive feelings about yourself.

0:15:07.320 --> 0:15:08.000
<v Speaker 2>You're a neighborer.

0:15:08.600 --> 0:15:09.240
<v Speaker 3>Yeah.

0:15:09.280 --> 0:15:13.520
<v Speaker 1>The ambivalent parent, which is awful otherwise known as gen

0:15:13.720 --> 0:15:18.720
<v Speaker 1>X parent, associated with strength and love and caring criticism.

0:15:19.360 --> 0:15:21.080
<v Speaker 2>So wait a minute, is it the parent of a

0:15:21.120 --> 0:15:23.640
<v Speaker 2>gen xer or a gen x er as a parent.

0:15:23.680 --> 0:15:24.360
<v Speaker 2>I'm confused.

0:15:24.400 --> 0:15:27.160
<v Speaker 1>I would say the parent. I mean, weren't most of

0:15:27.160 --> 0:15:28.920
<v Speaker 1>our parents fairly ambivalent about us?

0:15:29.520 --> 0:15:32.120
<v Speaker 2>Yeah? I would think so. Sure, It's like, oh, this.

0:15:32.160 --> 0:15:36.120
<v Speaker 1>Is weird because associated with strength, love and caring criticism, right,

0:15:36.320 --> 0:15:37.200
<v Speaker 1>that's not ambivalent.

0:15:37.360 --> 0:15:40.640
<v Speaker 2>So here is another problem with this field. People are

0:15:40.760 --> 0:15:42.960
<v Speaker 2>naming stuff just way off.

0:15:43.440 --> 0:15:44.680
<v Speaker 3>Yeah, wily way off.

0:15:44.760 --> 0:15:47.640
<v Speaker 2>That doesn't make any sense whatsoever. And it's hard to

0:15:48.080 --> 0:15:51.280
<v Speaker 2>remember and understand this stuff if the pieces don't fit

0:15:51.360 --> 0:15:54.280
<v Speaker 2>together because they're dripping, you know what I mean.

0:15:54.840 --> 0:15:58.560
<v Speaker 3>That's gross. Yeah, but it's true. I know. What about

0:15:58.560 --> 0:16:01.440
<v Speaker 3>the others emotionally ticking proud rival?

0:16:02.080 --> 0:16:06.520
<v Speaker 2>Okay, And then there's one that was initially called calm optivist,

0:16:06.560 --> 0:16:09.960
<v Speaker 2>but Pulchasca Waizl did a follow up study testing to

0:16:10.000 --> 0:16:14.400
<v Speaker 2>see if her initial results were confirmed, and faithful friend,

0:16:14.440 --> 0:16:17.360
<v Speaker 2>ambivalent parent, and proud rival were all there again in

0:16:17.400 --> 0:16:20.360
<v Speaker 2>the second one, but optimist didn't show up, so she

0:16:20.440 --> 0:16:23.440
<v Speaker 2>ended up replacing that with something called helpless child, which

0:16:23.480 --> 0:16:25.400
<v Speaker 2>apparently is probably the worst of the worst.

0:16:26.520 --> 0:16:29.280
<v Speaker 3>All right, that's a lot.

0:16:29.720 --> 0:16:32.880
<v Speaker 2>It is, It was a lot. Do you understand this anymore?

0:16:33.760 --> 0:16:36.440
<v Speaker 2>Sort of okay, good, well, we're making headway, Chuck.

0:16:36.800 --> 0:16:38.400
<v Speaker 1>All right, well we'll take a break and see if

0:16:38.400 --> 0:16:40.720
<v Speaker 1>we can rain this puppy in right after this.

0:17:03.200 --> 0:17:05.000
<v Speaker 2>Uh okay, Chuck. So, one of the things we're talking

0:17:05.000 --> 0:17:10.359
<v Speaker 2>about with inner speech is it's easy to kind of

0:17:10.359 --> 0:17:13.399
<v Speaker 2>confuse it with like say, private speech, where you're actually

0:17:13.440 --> 0:17:15.920
<v Speaker 2>talking out loud yourself somebody could hear it. But one

0:17:15.960 --> 0:17:20.280
<v Speaker 2>of the big differences with inner speech and verbal speech

0:17:21.119 --> 0:17:24.760
<v Speaker 2>is that it's just faster. I guess allegedly for some people.

0:17:24.840 --> 0:17:27.159
<v Speaker 2>It's not for me. Mine goes very slow and actually

0:17:27.160 --> 0:17:30.760
<v Speaker 2>slows me down. It's like it goes slow. Yeah, the

0:17:30.840 --> 0:17:33.960
<v Speaker 2>part of me that has to process the words slows

0:17:34.040 --> 0:17:36.560
<v Speaker 2>down the speed that I could conceivably go at.

0:17:37.440 --> 0:17:38.280
<v Speaker 3>Okay, it's just.

0:17:38.320 --> 0:17:40.320
<v Speaker 2>Yeah, it's it's like old erniho. It just kind of

0:17:40.320 --> 0:17:44.320
<v Speaker 2>puts the brake on everything. But normally, if you compare

0:17:44.359 --> 0:17:48.199
<v Speaker 2>the two, it should be much faster, just because a

0:17:48.200 --> 0:17:50.959
<v Speaker 2>lot of times you're using condensed speech, which you know

0:17:51.040 --> 0:17:54.359
<v Speaker 2>again is you're just using shorthand that you can understand.

0:17:55.000 --> 0:17:57.000
<v Speaker 2>I think that's where I get tripped up. I don't

0:17:57.000 --> 0:18:01.600
<v Speaker 2>really do that. And then like physical physiologically, it's just

0:18:01.760 --> 0:18:03.760
<v Speaker 2>you can think a lot faster than you can speak

0:18:03.960 --> 0:18:07.200
<v Speaker 2>because you're not moving your mouth, You're not like taking

0:18:07.240 --> 0:18:10.439
<v Speaker 2>a breath or anything like that. It's just supposedly faster.

0:18:10.680 --> 0:18:11.359
<v Speaker 2>Is yours faster?

0:18:12.240 --> 0:18:12.960
<v Speaker 3>Yeah? For sure.

0:18:14.160 --> 0:18:16.800
<v Speaker 1>There was one person, a researcher who actually endeavored to

0:18:16.800 --> 0:18:19.080
<v Speaker 1>find out how fast that can get. This is in

0:18:19.160 --> 0:18:22.720
<v Speaker 1>nineteen ninety and they found that some participants in the

0:18:22.720 --> 0:18:25.879
<v Speaker 1>study could think more than four thousand words a minute.

0:18:27.240 --> 0:18:30.480
<v Speaker 1>And you know, just for context, the world record for

0:18:30.600 --> 0:18:34.080
<v Speaker 1>fastest out loud talker as a Canadian guy who went

0:18:34.119 --> 0:18:36.359
<v Speaker 1>to six hundred and fifty five words per minute.

0:18:36.400 --> 0:18:37.560
<v Speaker 3>So this is wow.

0:18:37.880 --> 0:18:42.480
<v Speaker 1>Basically you can think up to six times faster than

0:18:42.640 --> 0:18:44.120
<v Speaker 1>the fastest talker on the planet.

0:18:44.280 --> 0:18:46.000
<v Speaker 2>Yeah, that's at least twice as much.

0:18:46.480 --> 0:18:48.880
<v Speaker 3>Yeah, I actually did the math. It's roughly six.

0:18:48.920 --> 0:18:51.480
<v Speaker 2>Was that the guy from the uh dunkin Donuts commercials

0:18:51.520 --> 0:18:52.600
<v Speaker 2>or the FedEx commercials in.

0:18:52.600 --> 0:18:53.359
<v Speaker 3>They at now?

0:18:53.560 --> 0:18:57.280
<v Speaker 1>It's unfortunately just some I mean, hey, I love this guy.

0:18:57.600 --> 0:19:00.000
<v Speaker 1>It's been a knock him down. His name is Sean Shannon.

0:19:00.040 --> 0:19:02.720
<v Speaker 1>He's a Canadian guy who who did the to be

0:19:02.840 --> 0:19:05.399
<v Speaker 1>or not to be soliloqually in twenty three point eight seconds.

0:19:05.440 --> 0:19:07.119
<v Speaker 2>Wow, well it goes sean.

0:19:07.200 --> 0:19:10.520
<v Speaker 1>You can't understand anything he's saying, but he can't have

0:19:10.600 --> 0:19:12.720
<v Speaker 1>judges you know that are like, yeah, he's still saying

0:19:12.760 --> 0:19:14.400
<v Speaker 1>those words.

0:19:14.400 --> 0:19:17.440
<v Speaker 2>So I guess then we reach another question, how does

0:19:17.440 --> 0:19:22.280
<v Speaker 2>inner speech develop? Which apparently when they started figuring this

0:19:22.400 --> 0:19:25.399
<v Speaker 2>out thanks to a guy named Lev by Gotsky who

0:19:25.440 --> 0:19:29.280
<v Speaker 2>will meet in a second, it completely changed our understanding

0:19:29.359 --> 0:19:32.040
<v Speaker 2>of children, because up to this point it was like,

0:19:32.080 --> 0:19:36.400
<v Speaker 2>do kids learn first and then or does their brain

0:19:36.440 --> 0:19:38.800
<v Speaker 2>develop and then they learn first? Or do they learn

0:19:38.880 --> 0:19:42.320
<v Speaker 2>first by did they develop their brain by learning? Clearly

0:19:42.359 --> 0:19:45.760
<v Speaker 2>I did neither at some point. Right, you can kind

0:19:45.760 --> 0:19:47.639
<v Speaker 2>of get the gist of what I was saying.

0:19:48.200 --> 0:19:51.760
<v Speaker 1>Yeah, I thought this was super interesting. Child development is

0:19:51.800 --> 0:19:54.520
<v Speaker 1>just fascinating to me, like going through it now, like

0:19:54.560 --> 0:19:57.560
<v Speaker 1>more than ever obviously, but for most kids. And by

0:19:57.560 --> 0:20:00.600
<v Speaker 1>the way, this Lev that got Ski he said we

0:20:00.640 --> 0:20:03.080
<v Speaker 1>would meet you know what, let's just spring them and

0:20:03.119 --> 0:20:03.760
<v Speaker 1>come on in love.

0:20:04.800 --> 0:20:07.119
<v Speaker 3>Hey I'm dead, yeah exactly.

0:20:07.680 --> 0:20:09.600
<v Speaker 1>This is in the nineteen thirties, so he has left

0:20:09.680 --> 0:20:13.600
<v Speaker 1>us earthwise, but a lot of this has been born

0:20:13.600 --> 0:20:17.080
<v Speaker 1>out in modern research. But in the thirties he was

0:20:17.080 --> 0:20:22.000
<v Speaker 1>looking at like, basically, it starts out as private speech,

0:20:22.040 --> 0:20:26.560
<v Speaker 1>like kids saying things out loud to themselves. And you know,

0:20:26.680 --> 0:20:29.399
<v Speaker 1>first they start talking just to communicate like I'm hungry,

0:20:29.560 --> 0:20:32.600
<v Speaker 1>I need to whatever, go to sleep. Actually kids never

0:20:32.640 --> 0:20:36.080
<v Speaker 1>say that, I want to stay up right, and you know,

0:20:36.119 --> 0:20:38.680
<v Speaker 1>that's just social communication. But then as they get older,

0:20:38.720 --> 0:20:42.199
<v Speaker 1>they start sort of privately talking to themselves as an

0:20:42.240 --> 0:20:48.320
<v Speaker 1>internal motivator. And then eventually that I think around that's

0:20:48.359 --> 0:20:50.480
<v Speaker 1>between like three and four, and then around six or

0:20:50.520 --> 0:20:53.840
<v Speaker 1>seven is when kids take that private voice inside their

0:20:53.840 --> 0:20:57.240
<v Speaker 1>head and that's when the inner monologue kicks off more or.

0:20:57.280 --> 0:20:59.879
<v Speaker 2>Less right, and then they start to After that they

0:21:00.040 --> 0:21:03.640
<v Speaker 2>continue to develop and get good at things like condensed

0:21:03.640 --> 0:21:09.080
<v Speaker 2>speech and creating their own self shorthand and stuff like that. Yeah,

0:21:09.160 --> 0:21:12.440
<v Speaker 2>it's pretty cool. So again I said that this kind

0:21:12.440 --> 0:21:16.280
<v Speaker 2>of turned things on our head as far as understanding PJA.

0:21:16.400 --> 0:21:19.760
<v Speaker 2>He was a very famous French psychologist. He said kids

0:21:19.800 --> 0:21:22.040
<v Speaker 2>are dumb and then they learned, or their brain grows

0:21:22.080 --> 0:21:25.160
<v Speaker 2>and then they learn. And this showed the exact opposite

0:21:25.200 --> 0:21:28.760
<v Speaker 2>that they they developed their brain and their understanding of

0:21:28.760 --> 0:21:32.960
<v Speaker 2>the world through learning. Through this inner dialogue, and it

0:21:33.000 --> 0:21:37.399
<v Speaker 2>was by Goatsky, believe it or not, was a Soviet researcher,

0:21:37.960 --> 0:21:40.600
<v Speaker 2>so the West wasn't exposed to his ideas until like

0:21:40.640 --> 0:21:44.600
<v Speaker 2>the fifties, and they when they finally came out We're translated,

0:21:44.640 --> 0:21:47.919
<v Speaker 2>it was like, great, okay, now we finally understand.

0:21:48.440 --> 0:21:51.440
<v Speaker 3>Right, he's the one that coined the term InterVoice.

0:21:51.080 --> 0:21:54.320
<v Speaker 2>Right, yeah, yeah, I'm not sure what that is in Russian,

0:21:54.359 --> 0:21:56.680
<v Speaker 2>but yes, apparently it translates the inner voice.

0:21:57.320 --> 0:22:01.040
<v Speaker 1>I think it's a property of the Soviet Union. Why

0:22:01.080 --> 0:22:02.280
<v Speaker 1>I said that as a German.

0:22:02.960 --> 0:22:05.080
<v Speaker 2>It sounded Russian to me in my head.

0:22:07.320 --> 0:22:09.320
<v Speaker 1>You know, we mentioned that not everyone has in her

0:22:09.400 --> 0:22:12.119
<v Speaker 1>speech or develops that it exists, like a lot of

0:22:12.160 --> 0:22:15.800
<v Speaker 1>things do on a spectrum some people. Emily is a

0:22:15.960 --> 0:22:19.199
<v Speaker 1>very very She's like, I'm constantly talking to people in

0:22:19.200 --> 0:22:19.560
<v Speaker 1>my head.

0:22:19.760 --> 0:22:22.639
<v Speaker 3>Really, I know, I see it happening. You know.

0:22:22.680 --> 0:22:25.439
<v Speaker 1>The other interesting thing she does I don't think I've

0:22:25.440 --> 0:22:28.119
<v Speaker 1>ever mentioned on the show. And she was like, you

0:22:28.119 --> 0:22:31.200
<v Speaker 1>can say all this, I don't really care. She spells

0:22:31.240 --> 0:22:33.959
<v Speaker 1>out when she's stressed. She'll spell out things with her

0:22:34.000 --> 0:22:35.359
<v Speaker 1>thumb in.

0:22:35.280 --> 0:22:39.080
<v Speaker 2>Cursive like on a table, like just no, just.

0:22:39.000 --> 0:22:41.800
<v Speaker 1>Like sitting there, like we'll be watching a TV show

0:22:41.840 --> 0:22:44.439
<v Speaker 1>and although she's stressed and her thumb will be going,

0:22:45.480 --> 0:22:47.600
<v Speaker 1>and now I'll not on the not what she's doing

0:22:47.640 --> 0:22:49.399
<v Speaker 1>for years now, I'll be like, what are you writing?

0:22:49.880 --> 0:22:54.119
<v Speaker 1>And if it's a scene about like a tense standoff

0:22:54.520 --> 0:22:58.080
<v Speaker 1>in an office or something, she might spelled typewriter or

0:22:58.119 --> 0:23:01.520
<v Speaker 1>office or something just that she sees huh. It's not

0:23:01.600 --> 0:23:04.639
<v Speaker 1>always like I'm nervous. It's never like I'm stressed or

0:23:04.640 --> 0:23:05.360
<v Speaker 1>anything like that.

0:23:05.560 --> 0:23:09.720
<v Speaker 2>So it's a way to alleviate her anxiety. I guess

0:23:10.000 --> 0:23:12.080
<v Speaker 2>how interesting. That's cool. I've never heard of that.

0:23:12.560 --> 0:23:15.159
<v Speaker 3>Yeah, hey man.

0:23:14.880 --> 0:23:16.800
<v Speaker 2>I've said it before and I'll say it again. Emily

0:23:16.920 --> 0:23:17.720
<v Speaker 2>is one of a kind.

0:23:18.040 --> 0:23:21.040
<v Speaker 1>We couple up with people, it's and you really dig in.

0:23:21.480 --> 0:23:24.359
<v Speaker 1>You don't have any of those barriers up. It turns

0:23:24.359 --> 0:23:26.360
<v Speaker 1>out that we're all just a little strange.

0:23:26.640 --> 0:23:28.360
<v Speaker 2>Well how is her air penmanship?

0:23:29.560 --> 0:23:32.000
<v Speaker 1>She ge'ez great. I can read it all. I can

0:23:32.040 --> 0:23:34.080
<v Speaker 1>look at her you know, thumb and just I can

0:23:34.119 --> 0:23:35.040
<v Speaker 1>spell it right out in my.

0:23:35.000 --> 0:23:37.440
<v Speaker 2>Head very neat. Wow, can you really are you just?

0:23:37.440 --> 0:23:38.560
<v Speaker 2>Just no, no, no, no, okay.

0:23:39.000 --> 0:23:41.720
<v Speaker 3>It looks like a wow, it looks like some's gone wild.

0:23:42.000 --> 0:23:44.879
<v Speaker 2>Right, nice, too hot for a TV thumb one.

0:23:45.440 --> 0:23:49.239
<v Speaker 1>Anyway, But that's kind of her inner voice too, you know,

0:23:49.320 --> 0:23:53.000
<v Speaker 1>in a way, just manifesting itself physically, but it's still

0:23:53.080 --> 0:23:56.959
<v Speaker 1>you know, not out loud. But some people constantly are

0:23:56.960 --> 0:23:59.960
<v Speaker 1>doing this kind of thing, talking to themselves, others sometimes,

0:24:00.160 --> 0:24:06.720
<v Speaker 1>some never. These two researchers, Johann Nedergert and Gary Lupien,

0:24:08.119 --> 0:24:10.480
<v Speaker 1>if you have zero inner speech, they have termed that

0:24:10.640 --> 0:24:13.680
<v Speaker 1>an end of phasia. And they say, and this is

0:24:13.720 --> 0:24:16.720
<v Speaker 1>another kind of frustration, like between five to ten percent

0:24:16.760 --> 0:24:20.879
<v Speaker 1>of people don't have inner speech, whereas Russell Hurlbert, who

0:24:20.960 --> 0:24:24.320
<v Speaker 1>we've met, said, no, it's more like fifty to seventy percent.

0:24:25.160 --> 0:24:28.560
<v Speaker 2>Have inner speech or no, don't have inner speech.

0:24:28.640 --> 0:24:31.199
<v Speaker 3>Right, Yeah, so that's just that's wildly different.

0:24:31.440 --> 0:24:34.200
<v Speaker 2>It is wild. That's a great term for it again. Wild.

0:24:34.680 --> 0:24:38.959
<v Speaker 2>So now Ferni Hooe comes in and says, whoa, everybody,

0:24:39.400 --> 0:24:43.520
<v Speaker 2>I'm not really excited about this having its own term

0:24:44.000 --> 0:24:50.399
<v Speaker 2>anendophasia and means lack endo means innerphasia's speech because and

0:24:50.440 --> 0:24:54.159
<v Speaker 2>I think he makes a reasonable argument here when you

0:24:54.800 --> 0:24:58.119
<v Speaker 2>come up with a term, especially a Latin term, for

0:24:58.359 --> 0:25:01.760
<v Speaker 2>something the way people be or think or whatever. It

0:25:02.200 --> 0:25:05.960
<v Speaker 2>seems to suggest that this is a condition, maybe even

0:25:05.960 --> 0:25:10.160
<v Speaker 2>a disorder. And he's like, that's not necessarily true, especially

0:25:10.200 --> 0:25:13.440
<v Speaker 2>if the majority of people don't have this inner voice.

0:25:13.480 --> 0:25:15.800
<v Speaker 2>So do we really need a name for it? And

0:25:15.920 --> 0:25:19.280
<v Speaker 2>I think Netderguard and Lupian were like, it's a pretty

0:25:19.280 --> 0:25:22.119
<v Speaker 2>cool name, though, can we please keep it in ferni

0:25:22.160 --> 0:25:23.600
<v Speaker 2>hoo's thinking about it right now?

0:25:24.840 --> 0:25:25.560
<v Speaker 3>Right? Well?

0:25:26.160 --> 0:25:28.960
<v Speaker 1>That got me thinking, like, if you have no inner dialogue,

0:25:29.000 --> 0:25:31.399
<v Speaker 1>does that mean like do sociopaths have that?

0:25:31.960 --> 0:25:33.560
<v Speaker 3>But I found no correlation there.

0:25:33.560 --> 0:25:36.720
<v Speaker 1>It seems like sociopaths quite often have an inner dialogue

0:25:36.720 --> 0:25:38.080
<v Speaker 1>saying like do this awful thing?

0:25:38.240 --> 0:25:39.639
<v Speaker 2>Right? Yeah? Should we?

0:25:40.280 --> 0:25:40.800
<v Speaker 3>Who are you?

0:25:43.080 --> 0:25:45.119
<v Speaker 2>They have other things though, Like so it's not like

0:25:45.240 --> 0:25:48.600
<v Speaker 2>if you don't have an inner voice that there's no

0:25:48.800 --> 0:25:53.560
<v Speaker 2>thought whatsoever. It can also come in different forms, I think,

0:25:53.640 --> 0:25:54.560
<v Speaker 2>is what they're finding.

0:25:55.520 --> 0:25:59.240
<v Speaker 1>Yeah, and they've also found this is Netderguard and Lepian

0:25:59.359 --> 0:26:01.760
<v Speaker 1>and it studied just last year in twenty twenty four

0:26:02.640 --> 0:26:04.800
<v Speaker 1>where they tested they wanted to know how it related

0:26:04.800 --> 0:26:08.600
<v Speaker 1>to memory, and apparently a verbal memory of groups with

0:26:08.960 --> 0:26:11.800
<v Speaker 1>very They tested people very high and very low rates

0:26:11.800 --> 0:26:13.760
<v Speaker 1>of inner speech and found that you have a very

0:26:13.760 --> 0:26:14.840
<v Speaker 1>low rate of inner speech.

0:26:15.280 --> 0:26:17.240
<v Speaker 3>You're not going to be as good.

0:26:17.160 --> 0:26:19.760
<v Speaker 1>At just remembering stuff like your lines in a play

0:26:19.840 --> 0:26:22.960
<v Speaker 1>or a grocery list or anything, the poor bastards.

0:26:24.119 --> 0:26:26.879
<v Speaker 2>The thing is, though, is that seems to be at

0:26:26.960 --> 0:26:29.680
<v Speaker 2>least as far as they've discovered. Really the only big

0:26:29.800 --> 0:26:33.320
<v Speaker 2>drawbacks is you aren't You don't do well necessarily in

0:26:33.760 --> 0:26:38.280
<v Speaker 2>memory tests or something like that. But even for somebody

0:26:38.320 --> 0:26:43.280
<v Speaker 2>who isn't thinking in like inner speech, where they're talking

0:26:43.320 --> 0:26:46.120
<v Speaker 2>to themselves, there's a voice in their head talking, there's

0:26:46.240 --> 0:26:50.639
<v Speaker 2>other ways that you can think using what is basically

0:26:51.240 --> 0:26:55.480
<v Speaker 2>some sort of inner inner Well, inner speech is the

0:26:55.480 --> 0:26:58.000
<v Speaker 2>best way to put it, but imagine that without speech,

0:26:58.119 --> 0:27:01.800
<v Speaker 2>without language or words, there's inner seeing. Some people think

0:27:01.800 --> 0:27:07.080
<v Speaker 2>in images, right, uh, feelings like just your emotions, which

0:27:07.119 --> 0:27:09.360
<v Speaker 2>I'm kind of like, okay, is that does that get

0:27:09.359 --> 0:27:11.560
<v Speaker 2>you in trouble? If that's how you respond and move

0:27:11.600 --> 0:27:14.320
<v Speaker 2>and behave from the world, Because it's one of the

0:27:14.320 --> 0:27:17.800
<v Speaker 2>big things from inner speech is what we do is

0:27:17.840 --> 0:27:20.600
<v Speaker 2>we prepare ourselves and come up with a plan of action.

0:27:20.640 --> 0:27:21.919
<v Speaker 2>What are we going to do next? How are we

0:27:21.920 --> 0:27:24.439
<v Speaker 2>going to respond to this? So if you're not thinking

0:27:24.480 --> 0:27:27.560
<v Speaker 2>it over in your head, and it's your emotions that

0:27:27.560 --> 0:27:30.680
<v Speaker 2>that drive you. Like that just seems like it could

0:27:30.720 --> 0:27:37.320
<v Speaker 2>get scary. There's fraut huh, like it's fraud, fraud exactly. Yeah,

0:27:37.400 --> 0:27:43.600
<v Speaker 2>there's unsim unsymbolized thinking. So you've got like you're just

0:27:43.720 --> 0:27:47.200
<v Speaker 2>not you're not thinking like Okay, I need to get

0:27:47.240 --> 0:27:50.959
<v Speaker 2>in that car. You just I don't know, I don't know.

0:27:51.080 --> 0:27:54.000
<v Speaker 2>I can't even give you an example here. Uh. And

0:27:54.040 --> 0:27:57.439
<v Speaker 2>then the last one that they've mentioned is sensory awareness,

0:27:58.040 --> 0:28:01.840
<v Speaker 2>which is just sensing things and then I guess responding

0:28:02.600 --> 0:28:07.159
<v Speaker 2>essentially like an amoeba like that, Oh this it's this

0:28:07.280 --> 0:28:09.680
<v Speaker 2>stove is hot, so I'm going to move my hand.

0:28:09.920 --> 0:28:14.960
<v Speaker 2>But imagine nothing in between the heat, the sensation of

0:28:15.000 --> 0:28:18.160
<v Speaker 2>heat entering your hand and removing your hand, no thought

0:28:18.200 --> 0:28:21.960
<v Speaker 2>whatsoever between that. That's right. Apparently what sensory awareness is.

0:28:22.000 --> 0:28:23.480
<v Speaker 3>Like huh all right.

0:28:24.040 --> 0:28:26.679
<v Speaker 1>Uh. That that study from last year where they were

0:28:26.720 --> 0:28:31.760
<v Speaker 1>talking about verbal memory made me wonder about dyslexia because

0:28:32.119 --> 0:28:35.000
<v Speaker 1>you know, my daughter has dyslexia, and and I was like,

0:28:35.040 --> 0:28:37.320
<v Speaker 1>I bet you there's a tie there, And I was

0:28:37.359 --> 0:28:41.560
<v Speaker 1>actually right on the money with this one. Supposedly, if

0:28:41.600 --> 0:28:44.360
<v Speaker 1>you have dyslexia, you have very little to know inner

0:28:44.440 --> 0:28:48.200
<v Speaker 1>voice really, so it was fascinating. Yeah, because a lot

0:28:48.240 --> 0:28:50.000
<v Speaker 1>of times they think in images and they think and

0:28:50.200 --> 0:28:51.600
<v Speaker 1>they call it kind of like three D thinking.

0:28:51.760 --> 0:28:55.280
<v Speaker 3>Gotcha, So it's less word based, gotcha.

0:28:55.560 --> 0:28:59.120
<v Speaker 2>That's maybe cool. I tested myself on this a little

0:28:59.120 --> 0:29:01.960
<v Speaker 2>bit to find out what I do, Like, I typically

0:29:02.080 --> 0:29:05.000
<v Speaker 2>just think in words.

0:29:05.200 --> 0:29:06.800
<v Speaker 3>I guess, Yeah, a lot.

0:29:06.600 --> 0:29:09.680
<v Speaker 2>Of times I talk to myself, but I think I

0:29:09.720 --> 0:29:11.360
<v Speaker 2>don't know. I think that there's a lot going on

0:29:11.400 --> 0:29:14.880
<v Speaker 2>in there that I'm not cognizant of. I'm really bad at,

0:29:14.960 --> 0:29:19.800
<v Speaker 2>like how I feel and like just understanding, you know,

0:29:19.880 --> 0:29:22.080
<v Speaker 2>what's going on in my head at any given time,

0:29:22.360 --> 0:29:25.680
<v Speaker 2>like really just introspecting, like I do it a lot,

0:29:25.800 --> 0:29:28.080
<v Speaker 2>but I'm not necessarily good at is I guess what

0:29:28.080 --> 0:29:28.760
<v Speaker 2>I'm trying to say.

0:29:28.920 --> 0:29:30.640
<v Speaker 3>Yeah, I know what you're talking about. I can be

0:29:30.760 --> 0:29:31.200
<v Speaker 3>like that too.

0:29:32.120 --> 0:29:34.840
<v Speaker 2>See, I don't believe that one bit. I think you're

0:29:34.880 --> 0:29:36.360
<v Speaker 2>a champion at that kind of thing.

0:29:37.480 --> 0:29:40.280
<v Speaker 1>So well, maybe certain kinds. You know how I get

0:29:40.320 --> 0:29:41.120
<v Speaker 1>so complicated.

0:29:41.840 --> 0:29:43.960
<v Speaker 2>I appreciate you trying to make me feel better, but

0:29:44.680 --> 0:29:48.200
<v Speaker 2>you're wrong about you not being good at it. So

0:29:48.360 --> 0:29:50.440
<v Speaker 2>I tested myself to see if I could think in

0:29:50.600 --> 0:29:53.640
<v Speaker 2>just images without words, because I've never really thought about that.

0:29:53.960 --> 0:29:57.160
<v Speaker 2>So some part of me told myself to think of

0:29:57.200 --> 0:30:01.080
<v Speaker 2>a watering can, okay, And I didn't hear it. Was

0:30:01.240 --> 0:30:04.480
<v Speaker 2>just like there wasn't in words. I didn't hear it.

0:30:04.560 --> 0:30:07.360
<v Speaker 2>No one spoke it, I didn't see it spelled out.

0:30:07.440 --> 0:30:09.120
<v Speaker 2>It was just there was some command all of a

0:30:09.160 --> 0:30:11.040
<v Speaker 2>sudden to think of a water and cant, and all

0:30:11.080 --> 0:30:13.239
<v Speaker 2>of a sudden, a water and cant came up. And

0:30:13.280 --> 0:30:17.280
<v Speaker 2>the proof that I was not thinking in words is

0:30:17.320 --> 0:30:19.680
<v Speaker 2>that I couldn't think of the word for what I

0:30:19.760 --> 0:30:20.200
<v Speaker 2>was seeing.

0:30:20.600 --> 0:30:22.040
<v Speaker 3>Oh wow, Yeah.

0:30:22.080 --> 0:30:23.840
<v Speaker 2>And then some other part of me came in and

0:30:24.000 --> 0:30:26.680
<v Speaker 2>was like, you know, I think you were actually supposed

0:30:26.720 --> 0:30:28.719
<v Speaker 2>to produce an image of a flower pot. And then

0:30:28.720 --> 0:30:31.960
<v Speaker 2>I got worried about cognitive decline. And that's no joke,

0:30:32.080 --> 0:30:33.680
<v Speaker 2>Like that was the whole process right there.

0:30:34.280 --> 0:30:38.080
<v Speaker 1>Wow, that is fascinating, And I would imagine hard to do,

0:30:38.440 --> 0:30:41.400
<v Speaker 1>kind of like a Ghostbusters, you know, don't clear your

0:30:41.440 --> 0:30:45.120
<v Speaker 1>mind right and then you get the safe up marshmallow

0:30:45.200 --> 0:30:48.680
<v Speaker 1>man like that. If anything has suggested, I will immediately

0:30:49.280 --> 0:30:50.680
<v Speaker 1>see the word if it says like don't think of

0:30:50.720 --> 0:30:52.120
<v Speaker 1>the word, I'll be I'll think of that word.

0:30:52.320 --> 0:30:55.560
<v Speaker 2>Yeah, I guess I didn't. It was more like not.

0:30:56.200 --> 0:30:58.400
<v Speaker 2>It wasn't like I was saying like, don't do this.

0:30:58.640 --> 0:31:01.760
<v Speaker 2>It was more do this or try this. So because

0:31:01.800 --> 0:31:05.200
<v Speaker 2>there wasn't like that blanket prohibition, I'm not thinking about

0:31:05.200 --> 0:31:07.880
<v Speaker 2>the word. Yeah, it was easier to do. But just

0:31:08.000 --> 0:31:11.000
<v Speaker 2>back to Ruby, So, did you ask her she has

0:31:11.040 --> 0:31:13.880
<v Speaker 2>an inter voice or if she thinks in symbols or whatever.

0:31:14.440 --> 0:31:16.600
<v Speaker 1>No, she's at school, so it didn't come to me.

0:31:16.680 --> 0:31:18.400
<v Speaker 1>But I'll ask her later and let you know, Okay,

0:31:18.440 --> 0:31:20.880
<v Speaker 1>to let me know, text me she yeah, this says

0:31:20.960 --> 0:31:24.640
<v Speaker 1>Ruby says that her inner voice just says find Josh

0:31:24.800 --> 0:31:25.800
<v Speaker 1>kill Josh.

0:31:26.480 --> 0:31:29.840
<v Speaker 2>Burned, Josh, No, she loves you. I know. I love

0:31:29.920 --> 0:31:31.440
<v Speaker 2>her too. I think she's sweet.

0:31:32.480 --> 0:31:35.000
<v Speaker 3>I love her too. I think that's what I thought

0:31:35.000 --> 0:31:35.720
<v Speaker 3>you were saying.

0:31:35.480 --> 0:31:38.400
<v Speaker 2>Hey, did she know did she like Magdalena Bay?

0:31:39.880 --> 0:31:40.320
<v Speaker 3>She did?

0:31:40.640 --> 0:31:43.080
<v Speaker 2>Did she really? I just figured that she hadn't and

0:31:43.120 --> 0:31:44.240
<v Speaker 2>you were just not mentioning it.

0:31:44.400 --> 0:31:47.200
<v Speaker 3>Now. No, I thought I texted you back. No, yeah, Josh,

0:31:47.280 --> 0:31:48.040
<v Speaker 3>it was very sweet.

0:31:48.040 --> 0:31:49.840
<v Speaker 1>Got a text and he said, Hey, I got this

0:31:49.880 --> 0:31:51.320
<v Speaker 1>new artist that I've been listening to.

0:31:51.360 --> 0:31:52.440
<v Speaker 3>I think Ruby might like it.

0:31:53.640 --> 0:31:55.640
<v Speaker 2>Well, I'm glad I was right. For some reason. Every

0:31:55.640 --> 0:31:57.840
<v Speaker 2>time I heard it, I would just be like, Ruby

0:31:57.880 --> 0:32:00.920
<v Speaker 2>would really like this. That does not happen every time

0:32:00.960 --> 0:32:02.800
<v Speaker 2>I listened to something, so I thought I should love

0:32:02.800 --> 0:32:03.480
<v Speaker 2>to say something.

0:32:03.720 --> 0:32:05.920
<v Speaker 1>Oh I could have sworn I texted you, but yeah,

0:32:05.960 --> 0:32:08.080
<v Speaker 1>we listened to it together and she dug it cool.

0:32:09.000 --> 0:32:11.680
<v Speaker 3>Cool, so hey, big plug for Magdalena Bay. Also a

0:32:11.800 --> 0:32:12.480
<v Speaker 3>nice place to visit.

0:32:12.560 --> 0:32:15.600
<v Speaker 2>From what I hear, she's great. Is that a place too?

0:32:15.640 --> 0:32:17.680
<v Speaker 2>Are you joking? No, I'm just kidding me, and you're

0:32:17.680 --> 0:32:19.120
<v Speaker 2>getting me all over the place today.

0:32:20.520 --> 0:32:24.320
<v Speaker 1>Back to Russell Hurlbert, that's just so hard to It

0:32:24.320 --> 0:32:26.600
<v Speaker 1>doesn't roll off the tongue. Sorry, even in your head

0:32:26.640 --> 0:32:30.440
<v Speaker 1>it doesn't. Yeah, oh yeah in my inner voice. It's

0:32:30.440 --> 0:32:31.040
<v Speaker 1>hard to say too.

0:32:32.640 --> 0:32:32.720
<v Speaker 3>That.

0:32:32.840 --> 0:32:37.680
<v Speaker 1>He developed a tool called the Descriptive Experience Sampling. I

0:32:37.720 --> 0:32:40.440
<v Speaker 1>would call it the sampler, but DES that is when

0:32:40.560 --> 0:32:44.480
<v Speaker 1>he sets you down and puts I guess a device

0:32:44.480 --> 0:32:47.320
<v Speaker 1>in the room and it's like, hey, just sit there

0:32:47.320 --> 0:32:49.240
<v Speaker 1>and chill out and do whatever and think about whatever.

0:32:49.640 --> 0:32:51.880
<v Speaker 1>And anytime you hear beep, though, you got to write

0:32:51.880 --> 0:32:54.560
<v Speaker 1>down whatever is in your brain at that exact moment.

0:32:55.640 --> 0:32:57.760
<v Speaker 1>I guess in the idea of just sorting to try

0:32:57.800 --> 0:33:01.760
<v Speaker 1>and hit on the randomness of like what you might

0:33:01.800 --> 0:33:04.760
<v Speaker 1>be thinking at any given time and just log those

0:33:04.760 --> 0:33:07.640
<v Speaker 1>thoughts right then and then they would talk about those

0:33:08.280 --> 0:33:10.480
<v Speaker 1>and he said, maybe this could give me a good framework.

0:33:11.160 --> 0:33:13.960
<v Speaker 1>And when he got the results back, he was like, wow,

0:33:14.120 --> 0:33:18.320
<v Speaker 1>this is fascinating. How just all over the place it was.

0:33:18.400 --> 0:33:22.360
<v Speaker 1>It's so multilayered, it's so varied. People can be thinking

0:33:22.440 --> 0:33:25.760
<v Speaker 1>of a watering can and be saying the words flower

0:33:25.760 --> 0:33:28.960
<v Speaker 1>pot at the same time with no explanation at all. Right,

0:33:29.960 --> 0:33:33.040
<v Speaker 1>sometimes you have multiple voices all talking over each other.

0:33:33.120 --> 0:33:36.080
<v Speaker 1>And he was just like this is he just put

0:33:36.080 --> 0:33:38.720
<v Speaker 1>the device away and walk slowly out of the room.

0:33:38.720 --> 0:33:42.960
<v Speaker 2>I think, yeah, yeah, So this is a really big

0:33:43.000 --> 0:33:45.040
<v Speaker 2>deal that he was able to come up with this,

0:33:45.200 --> 0:33:48.120
<v Speaker 2>because this is one of the reasons why people were

0:33:48.200 --> 0:33:51.880
<v Speaker 2>so I guess wary of trying to study inner voices

0:33:51.880 --> 0:33:54.880
<v Speaker 2>because they're so subjective. Hurlbert figured out a way to

0:33:55.000 --> 0:33:59.200
<v Speaker 2>like take as much subjectivity out of it as possible. Yeah,

0:33:59.240 --> 0:34:02.320
<v Speaker 2>you know, and I think exactly, And I think in

0:34:02.360 --> 0:34:05.360
<v Speaker 2>the more like the bigger studies that he came up with,

0:34:05.720 --> 0:34:08.480
<v Speaker 2>like you would get a beeper and like turned out

0:34:08.520 --> 0:34:10.600
<v Speaker 2>in the world for like a week or two weeks

0:34:10.680 --> 0:34:13.040
<v Speaker 2>or something, so that you would eventually get used to

0:34:13.080 --> 0:34:15.840
<v Speaker 2>the beeper being there, wouldn't just be like waiting like

0:34:15.960 --> 0:34:18.319
<v Speaker 2>I'm right to have this awesome thought like ready for.

0:34:18.320 --> 0:34:20.440
<v Speaker 3>When the deeper goes off, you know, good way to do.

0:34:20.400 --> 0:34:23.200
<v Speaker 2>It, Yeah, so that you would like he was genuinely

0:34:23.239 --> 0:34:26.400
<v Speaker 2>tapping into whatever random thoughts are in your head. So

0:34:27.200 --> 0:34:31.000
<v Speaker 2>he also the process also includes extensive interviews. I saw

0:34:31.760 --> 0:34:36.000
<v Speaker 2>like multiple like six seven minutes on one word, one

0:34:36.239 --> 0:34:40.040
<v Speaker 2>thought from one entry. And then they're really careful not

0:34:40.200 --> 0:34:43.280
<v Speaker 2>to lead the person and have them, you know, start

0:34:43.320 --> 0:34:47.520
<v Speaker 2>to implant memories accidentally that kind of stuff for revise

0:34:47.640 --> 0:34:50.279
<v Speaker 2>what they are actually thinking, but instead kind of dig

0:34:50.320 --> 0:34:52.600
<v Speaker 2>deeper and deeper and deeper into what else was there

0:34:52.680 --> 0:34:55.560
<v Speaker 2>at the time. And I think the people who are

0:34:55.640 --> 0:34:59.360
<v Speaker 2>participants studies like this are actually surprised from these interviews

0:34:59.360 --> 0:35:02.279
<v Speaker 2>because they didn't realize, like, you know, in addition to

0:35:02.280 --> 0:35:04.680
<v Speaker 2>thinking this word, wait, there was this image over here too,

0:35:04.840 --> 0:35:07.600
<v Speaker 2>and you know it just goes on from there.

0:35:08.200 --> 0:35:11.920
<v Speaker 1>Yeah, and he's like Rosebud's gotta be more than a wagon.

0:35:12.480 --> 0:35:13.480
<v Speaker 2>It was a sled.

0:35:14.719 --> 0:35:17.600
<v Speaker 3>I thought it was a wagon. Was it a sled? Yeah?

0:35:17.719 --> 0:35:21.839
<v Speaker 2>Good lord, you're the movie guy too, aren't you. Man?

0:35:22.200 --> 0:35:24.120
<v Speaker 2>Burl Lives just roll over in his grave.

0:35:24.560 --> 0:35:27.080
<v Speaker 3>Why did I think it was a wagon? It's a slid,

0:35:27.520 --> 0:35:29.360
<v Speaker 3>which is really just a wagon with rails.

0:35:30.960 --> 0:35:34.240
<v Speaker 2>Yeah, I guess it is. I think radio fire makes both.

0:35:34.320 --> 0:35:37.080
<v Speaker 2>So who's gonna discriminate? Not mean?

0:35:37.520 --> 0:35:38.520
<v Speaker 3>Shall we take a break?

0:35:38.960 --> 0:35:39.360
<v Speaker 2>Yeah?

0:35:39.600 --> 0:35:41.239
<v Speaker 1>All right, we'll take another break and we'll talk a

0:35:41.239 --> 0:36:07.440
<v Speaker 1>little bit about brain areas lighting up right after this. Okay, buddy,

0:36:07.520 --> 0:36:09.360
<v Speaker 1>I'm supposed to lead off this segment, but I'm going

0:36:09.440 --> 0:36:11.000
<v Speaker 1>to hand it right back to you because I know

0:36:11.480 --> 0:36:15.120
<v Speaker 1>when I say the word efference you get excited. We're

0:36:15.120 --> 0:36:18.759
<v Speaker 1>going to talk about efference copies at long last take

0:36:18.760 --> 0:36:19.120
<v Speaker 1>it away.

0:36:19.360 --> 0:36:22.680
<v Speaker 2>Oh okay, I had never heard about this before, had

0:36:22.719 --> 0:36:26.799
<v Speaker 2>you same? Okay, So apparently when we think when we're

0:36:26.840 --> 0:36:30.839
<v Speaker 2>about to speak right now, without me being cognizant of it,

0:36:30.920 --> 0:36:35.759
<v Speaker 2>there's a part of my brain that is pre arranging

0:36:36.200 --> 0:36:39.919
<v Speaker 2>and planning what I'm about to say. Right I have

0:36:39.960 --> 0:36:42.040
<v Speaker 2>no idea that this is going on. I think I'm

0:36:42.160 --> 0:36:44.080
<v Speaker 2>just talking at this point, but there's a part of

0:36:44.120 --> 0:36:46.640
<v Speaker 2>my brain that knows exactly what's going to happen, and

0:36:46.640 --> 0:36:49.799
<v Speaker 2>they set out, they send out what's called sorry, my

0:36:49.880 --> 0:36:54.319
<v Speaker 2>brain apologizes for that, what's called an efference copy, which

0:36:54.360 --> 0:36:57.240
<v Speaker 2>is basically a blueprint of what I'm about to say

0:36:57.600 --> 0:37:01.120
<v Speaker 2>to the rest of my brain. That includes, but what

0:37:01.239 --> 0:37:04.160
<v Speaker 2>movements I'm going to make with my jaw and tongue,

0:37:05.600 --> 0:37:08.040
<v Speaker 2>and a prediction of what it's going to sound like

0:37:08.200 --> 0:37:13.080
<v Speaker 2>coming out, and then also a basically a blanket statement

0:37:13.200 --> 0:37:15.279
<v Speaker 2>like what you're about to hear is coming from you,

0:37:15.719 --> 0:37:18.560
<v Speaker 2>So it keeps us from being startled. It allows us

0:37:18.560 --> 0:37:21.759
<v Speaker 2>to recognize that what we're saying is coming from us.

0:37:22.640 --> 0:37:25.439
<v Speaker 2>And the most amazing part about this is that when

0:37:25.480 --> 0:37:28.839
<v Speaker 2>we think to ourselves using our inner voice or inner

0:37:28.840 --> 0:37:31.279
<v Speaker 2>symbols or whatever, but definitely inner voice, I'm not sure

0:37:31.280 --> 0:37:33.759
<v Speaker 2>about symbols now that I mention it, we do the

0:37:33.760 --> 0:37:36.279
<v Speaker 2>same thing. We get basically a cruder version of the

0:37:36.320 --> 0:37:41.399
<v Speaker 2>efference copy, but it also includes orders to not move

0:37:41.400 --> 0:37:45.000
<v Speaker 2>your mouth, to not move your tongue, that there's not

0:37:45.160 --> 0:37:49.640
<v Speaker 2>going to be a touch sensation, but that everything else

0:37:49.760 --> 0:37:53.040
<v Speaker 2>is like the efference copy contains all the other stuff.

0:37:53.920 --> 0:37:58.040
<v Speaker 1>Yeah, fascinating, and efference copy is not a bad band name, No,

0:37:58.320 --> 0:38:00.359
<v Speaker 1>little brainy it is.

0:38:00.400 --> 0:38:02.759
<v Speaker 2>But yeah, I could see I'm gonna go to the

0:38:02.800 --> 0:38:04.120
<v Speaker 2>old standby mathrock.

0:38:05.440 --> 0:38:09.640
<v Speaker 1>Yeah, yeah, totally okay, So as far as the old

0:38:09.680 --> 0:38:13.600
<v Speaker 1>Wonder Machine goes there obviously have done plenty of studies

0:38:13.600 --> 0:38:16.359
<v Speaker 1>where they they always like to see what's lighting up,

0:38:16.520 --> 0:38:19.799
<v Speaker 1>you know, but these are often disappointing to me when

0:38:19.800 --> 0:38:23.440
<v Speaker 1>it comes to stuff like this, because it's like I

0:38:23.480 --> 0:38:25.680
<v Speaker 1>feel like, at this point in our show after so

0:38:25.760 --> 0:38:28.880
<v Speaker 1>many years, even listeners will say, oh, I bet the

0:38:29.600 --> 0:38:30.960
<v Speaker 1>temporal cortex lights up.

0:38:31.200 --> 0:38:32.200
<v Speaker 3>That's associated with.

0:38:32.200 --> 0:38:35.239
<v Speaker 1>Memory and hearing in language, and then broke his area,

0:38:35.280 --> 0:38:38.760
<v Speaker 1>which we've talked about countless times, is it's associated with speech,

0:38:39.800 --> 0:38:41.839
<v Speaker 1>and yes, those areas light up.

0:38:42.840 --> 0:38:45.879
<v Speaker 2>Yeah, da da yes. But at the same time, there's

0:38:45.960 --> 0:38:51.600
<v Speaker 2>also different regions that light up as well that wouldn't

0:38:51.640 --> 0:38:53.960
<v Speaker 2>light up when we speak out loud. So it's clear

0:38:54.000 --> 0:38:57.960
<v Speaker 2>that there are it has its own thing, that inner

0:38:58.080 --> 0:39:01.200
<v Speaker 2>voice is different as far as the brain is concerned

0:39:01.600 --> 0:39:05.520
<v Speaker 2>from speech as well, that they bear a strong resemblance

0:39:05.560 --> 0:39:08.080
<v Speaker 2>to one another. And then also they found the brain

0:39:08.200 --> 0:39:12.960
<v Speaker 2>patterns for when we are spontaneously speaking to ourselves that

0:39:13.320 --> 0:39:19.440
<v Speaker 2>Christine in her talk that Herobert mentioned that that uses

0:39:19.600 --> 0:39:22.799
<v Speaker 2>or different regions of the brain light up for elicited

0:39:23.200 --> 0:39:26.759
<v Speaker 2>types where we're like using where we're we're we're rehearsing

0:39:26.800 --> 0:39:30.680
<v Speaker 2>what we're saying, or something like that. Man, my efference copy.

0:39:30.440 --> 0:39:36.120
<v Speaker 3>Is is it is it working slow or fast?

0:39:36.239 --> 0:39:38.360
<v Speaker 2>It's a little rough around the edges today.

0:39:38.719 --> 0:39:44.320
<v Speaker 1>Okay, you might be wondering about schizophrenia. This is something

0:39:44.320 --> 0:39:47.600
<v Speaker 1>that we've we've talked about on the show before because

0:39:47.800 --> 0:39:50.640
<v Speaker 1>very sadly, many times you will see someone suffering from

0:39:50.680 --> 0:39:55.040
<v Speaker 1>schizophrenia having a conversation out loud, seemingly with someone. So

0:39:55.080 --> 0:39:57.759
<v Speaker 1>it's it's very natural to probably wonder like, oh, what's

0:39:57.800 --> 0:39:58.480
<v Speaker 1>going on there?

0:39:59.200 --> 0:39:59.360
<v Speaker 3>You know?

0:39:59.360 --> 0:40:03.880
<v Speaker 1>They can call those verbal hallucinations. Is that someone's inner voice,

0:40:03.960 --> 0:40:06.799
<v Speaker 1>And they have done studies and they found that there

0:40:06.800 --> 0:40:10.360
<v Speaker 1>can be an impairment of the process that creates efference

0:40:10.400 --> 0:40:14.000
<v Speaker 1>copies in those cases. I think it's another term as

0:40:14.040 --> 0:40:17.440
<v Speaker 1>corollary discharge, and if you have schizophrenia, can make it

0:40:17.480 --> 0:40:21.080
<v Speaker 1>hard for you to identify that voice as their own.

0:40:21.160 --> 0:40:24.120
<v Speaker 1>So yeah, kind of what it seems like is happening,

0:40:24.200 --> 0:40:25.920
<v Speaker 1>seems like that's exactly what's happening.

0:40:26.000 --> 0:40:28.680
<v Speaker 2>Yeah, that message is not included in the efference copy

0:40:28.719 --> 0:40:32.080
<v Speaker 2>then also I've failed to mention before. One of the

0:40:32.080 --> 0:40:35.200
<v Speaker 2>things that the efference copy does is say, you don't

0:40:35.200 --> 0:40:38.000
<v Speaker 2>need to pay attention to what is about to come

0:40:38.040 --> 0:40:40.480
<v Speaker 2>out of your head as much like the sound of it.

0:40:40.480 --> 0:40:42.960
<v Speaker 2>It's not coming from you, you don't have to respond

0:40:43.000 --> 0:40:46.000
<v Speaker 2>to it as you would if somebody was talking to you.

0:40:46.920 --> 0:40:49.320
<v Speaker 2>And that's another thing that gets lost in the efference

0:40:49.360 --> 0:40:52.360
<v Speaker 2>copy as well. They respond to the sound of the

0:40:52.440 --> 0:40:57.359
<v Speaker 2>voices in their head in a way that makes them

0:40:57.440 --> 0:41:01.040
<v Speaker 2>feel where they respond to a v as if somebody

0:41:01.040 --> 0:41:03.440
<v Speaker 2>walked up and was talking to them. The problem is

0:41:03.480 --> 0:41:08.120
<v Speaker 2>there's no one there, and they are misattributing their own

0:41:08.120 --> 0:41:12.400
<v Speaker 2>inner thoughts. That's kind of one of the big postulations

0:41:12.160 --> 0:41:18.160
<v Speaker 2>for schizophrenia, at least audio verbal hallucinations associated with schizophrenia,

0:41:18.360 --> 0:41:21.319
<v Speaker 2>which is that's a great example right there of why

0:41:21.400 --> 0:41:25.640
<v Speaker 2>studying inner speech is such a big deal. Like, if

0:41:25.680 --> 0:41:29.240
<v Speaker 2>we can figure this out, you could conceivably help treat

0:41:29.239 --> 0:41:32.080
<v Speaker 2>people that much better, you know, I mean, like being

0:41:32.120 --> 0:41:35.000
<v Speaker 2>plagued with inner voices that you think are coming from

0:41:35.000 --> 0:41:37.920
<v Speaker 2>somewhere else, especially if they're like commanding you to do things,

0:41:38.239 --> 0:41:40.759
<v Speaker 2>that's a great thing to learn how to treat you

0:41:40.800 --> 0:41:44.080
<v Speaker 2>know that's debilitating. And then also kind of related to

0:41:44.120 --> 0:41:48.080
<v Speaker 2>that is the idea that as we start to learn

0:41:48.080 --> 0:41:49.960
<v Speaker 2>more about inner speech and where it comes from, what

0:41:50.000 --> 0:41:53.120
<v Speaker 2>it does, and all that, that we could conceivably get

0:41:53.120 --> 0:41:58.080
<v Speaker 2>better at treating things like anxiety or OCD because those

0:41:58.080 --> 0:42:01.920
<v Speaker 2>things have clearly shown to associated with negative self talk,

0:42:03.480 --> 0:42:06.520
<v Speaker 2>that that you can increase your own anxiety and stress

0:42:06.600 --> 0:42:12.600
<v Speaker 2>by basically being mean to yourself or being just having

0:42:12.719 --> 0:42:15.120
<v Speaker 2>a negative outlook on life. And it's I mean, just

0:42:15.160 --> 0:42:20.359
<v Speaker 2>from my own experience, it's nuts how illuminating it can

0:42:20.400 --> 0:42:23.200
<v Speaker 2>be when you have somebody point out like do you

0:42:23.280 --> 0:42:26.000
<v Speaker 2>do you hear like how you're how you're viewing the world,

0:42:26.040 --> 0:42:28.319
<v Speaker 2>like in your own head, Like do you hear the

0:42:28.360 --> 0:42:31.000
<v Speaker 2>things you're saying to yourself? And when you become aware

0:42:31.040 --> 0:42:32.600
<v Speaker 2>of it, you can change it. And when you change

0:42:32.640 --> 0:42:36.319
<v Speaker 2>it, it can have sweeping effects on your entire life, one

0:42:36.360 --> 0:42:39.200
<v Speaker 2>of which is treating anxiety and even depression.

0:42:39.239 --> 0:42:42.279
<v Speaker 1>I think, yeah, I mean, man, it seems like so

0:42:42.400 --> 0:42:46.480
<v Speaker 1>much stuff with the human condition can come down to

0:42:46.600 --> 0:42:51.120
<v Speaker 1>being in touch with yourself and really self aware. But

0:42:51.360 --> 0:42:52.960
<v Speaker 1>you know that can being too self aware it can

0:42:52.960 --> 0:42:56.280
<v Speaker 1>also be a problem. So it's just it's like living

0:42:56.360 --> 0:43:00.239
<v Speaker 1>life is tough. Yeah, well, you know what, man with

0:43:00.280 --> 0:43:02.040
<v Speaker 1>the OCD. You know, I'm a little bit on the

0:43:02.040 --> 0:43:06.879
<v Speaker 1>OCD spectrum. Mine doesn't manifest though in negative self talk.

0:43:07.000 --> 0:43:11.000
<v Speaker 1>But I was thinking about my inner voice, and I

0:43:11.080 --> 0:43:15.040
<v Speaker 1>do a lot of with my OCD. It's like efficiencies

0:43:15.200 --> 0:43:18.040
<v Speaker 1>I'll talk about in my head, Like when I'm doing

0:43:18.080 --> 0:43:22.239
<v Speaker 1>something like cooking. In my head, I'm literally saying, all right,

0:43:22.280 --> 0:43:23.880
<v Speaker 1>you're gonna grab the spoon and you're gonna take it

0:43:23.920 --> 0:43:25.560
<v Speaker 1>over here, and you're gonna grab the salt, and then

0:43:25.600 --> 0:43:27.880
<v Speaker 1>you're going to cut that thing. And I'm kind of

0:43:27.920 --> 0:43:31.200
<v Speaker 1>planning out stuff that I'm about to do. But it's

0:43:31.320 --> 0:43:34.120
<v Speaker 1>in my brain. It's all in the in the like

0:43:34.200 --> 0:43:36.840
<v Speaker 1>kind of wrapped up as an efficiency, like if I

0:43:36.880 --> 0:43:39.799
<v Speaker 1>do it in exactly just this right way, in this order,

0:43:39.880 --> 0:43:41.279
<v Speaker 1>it's it's the best way to do that.

0:43:41.360 --> 0:43:44.640
<v Speaker 2>I do that too. I associate that with perfectionism.

0:43:46.280 --> 0:43:47.799
<v Speaker 3>M interesting for me.

0:43:47.880 --> 0:43:49.640
<v Speaker 2>It is at least like I have to do it

0:43:49.640 --> 0:43:53.800
<v Speaker 2>as efficiently as possible, and efficiency is a form of perfectionism,

0:43:53.800 --> 0:43:55.200
<v Speaker 2>and that if you do it all at all order,

0:43:55.200 --> 0:43:57.960
<v Speaker 2>it's lucy goosey and why even bother to get out

0:43:57.960 --> 0:43:58.480
<v Speaker 2>of bed.

0:43:59.200 --> 0:44:01.440
<v Speaker 1>Right, But I'll even do that when it's not like

0:44:01.480 --> 0:44:03.840
<v Speaker 1>a specific thing, like all right, if you're cooking something,

0:44:03.840 --> 0:44:05.319
<v Speaker 1>I sort of get that. But if I'm at my

0:44:05.440 --> 0:44:08.120
<v Speaker 1>desk sometimes and it comes and goes, I'll be like,

0:44:08.280 --> 0:44:09.880
<v Speaker 1>all right, you're gonna grab the mouse and click on

0:44:09.920 --> 0:44:11.560
<v Speaker 1>that thing, and you're going to answer that email and

0:44:11.560 --> 0:44:14.040
<v Speaker 1>then you're going to grab your pen here man, Like,

0:44:14.200 --> 0:44:16.279
<v Speaker 1>how interesting? All right, I had no idea that we

0:44:16.320 --> 0:44:17.200
<v Speaker 1>had that in common.

0:44:17.640 --> 0:44:18.759
<v Speaker 3>Hey, look at us.

0:44:18.880 --> 0:44:22.000
<v Speaker 2>Wow, see what happens when you talk about your inner voice? Chuck,

0:44:22.360 --> 0:44:24.680
<v Speaker 2>We're meant to be I've been asking you to do

0:44:24.719 --> 0:44:26.319
<v Speaker 2>this for decades now.

0:44:26.400 --> 0:44:28.880
<v Speaker 3>I know it's like I don't want to look at myself.

0:44:29.280 --> 0:44:32.080
<v Speaker 2>Well, that kind of leads us to the purposes of

0:44:32.080 --> 0:44:34.560
<v Speaker 2>inner speech a little bit, right, I Mean talking about

0:44:34.600 --> 0:44:37.920
<v Speaker 2>it clearly helps connect people. But there's there's things that

0:44:37.960 --> 0:44:41.400
<v Speaker 2>we gain from talking to ourselves or just being able

0:44:41.440 --> 0:44:41.880
<v Speaker 2>to do that.

0:44:42.840 --> 0:44:45.600
<v Speaker 3>Sure, and we've kind of touched on them here and there.

0:44:45.760 --> 0:44:47.880
<v Speaker 1>You know, when kids are developing it, they believe that

0:44:47.960 --> 0:44:51.640
<v Speaker 1>it's a way to sort of grow and mature into

0:44:51.680 --> 0:44:55.560
<v Speaker 1>being responsible. Like you start out hearing your parents say

0:44:55.600 --> 0:44:57.920
<v Speaker 1>to go do something, go clean up your room. And

0:44:58.000 --> 0:45:01.560
<v Speaker 1>eventually the more you hear that, you start thinking I

0:45:01.600 --> 0:45:05.279
<v Speaker 1>should really go clean up my room or I'm not

0:45:05.280 --> 0:45:08.640
<v Speaker 1>sure when that's supposed to start, but yeah, at some

0:45:08.719 --> 0:45:11.680
<v Speaker 1>point eventually that will lead to you saying those things

0:45:11.680 --> 0:45:15.440
<v Speaker 1>to yourself like you would as a you know, responsible adult,

0:45:15.560 --> 0:45:17.320
<v Speaker 1>like I gotta clean this mess.

0:45:17.200 --> 0:45:18.080
<v Speaker 3>Up, right.

0:45:18.160 --> 0:45:23.719
<v Speaker 2>Yeah. And also I mean executive functioning, like making decisions,

0:45:24.440 --> 0:45:28.200
<v Speaker 2>figuring out the best solution to a problem by simulating them,

0:45:29.080 --> 0:45:33.160
<v Speaker 2>like thinking through your actions before acting, which also oftentimes

0:45:33.200 --> 0:45:37.520
<v Speaker 2>ties into emotional regulation. Yeah, all of this uses some

0:45:37.560 --> 0:45:40.920
<v Speaker 2>sort of like inner voice inner speech. Interheering is another

0:45:40.960 --> 0:45:45.239
<v Speaker 2>way that you can experience it. That's a that's just

0:45:45.400 --> 0:45:48.600
<v Speaker 2>that's an enormous role because that's essentially how we navigate

0:45:48.680 --> 0:45:50.239
<v Speaker 2>life as adults.

0:45:50.760 --> 0:45:53.080
<v Speaker 1>Yeah, and you know, I already mentioned sort of the

0:45:53.200 --> 0:45:56.680
<v Speaker 1>performance aspect, like if you're if you're about to play

0:45:57.000 --> 0:46:02.560
<v Speaker 1>a game or run a or something like talking to yourself,

0:46:02.600 --> 0:46:04.040
<v Speaker 1>you got this, you're the best, you can do this.

0:46:04.120 --> 0:46:06.239
<v Speaker 3>You're gonna run fast. You might have a routine that

0:46:06.239 --> 0:46:07.279
<v Speaker 3>you run over in your head.

0:46:07.880 --> 0:46:11.880
<v Speaker 1>That's all your voice, Yeah, exactly, And that can be

0:46:12.239 --> 0:46:16.880
<v Speaker 1>that can really pay off obviously, much more than negative

0:46:16.920 --> 0:46:18.440
<v Speaker 1>self talk and motivation.

0:46:18.600 --> 0:46:20.640
<v Speaker 2>You know, it's not exactly tied to what you're saying,

0:46:20.640 --> 0:46:23.000
<v Speaker 2>but what you were mentioning before, like how you were

0:46:23.000 --> 0:46:25.880
<v Speaker 2>planning out which action to do next for cooking, and

0:46:25.920 --> 0:46:29.200
<v Speaker 2>then the one boat beyond that. I realized that's why

0:46:29.280 --> 0:46:31.880
<v Speaker 2>I had to stop playing video games, because I would

0:46:31.880 --> 0:46:35.879
<v Speaker 2>walk around thinking about how to do it better next time,

0:46:36.600 --> 0:46:39.040
<v Speaker 2>and even when I wasn't playing the video game, and

0:46:39.080 --> 0:46:41.920
<v Speaker 2>realize like, this is not no way to spend my

0:46:41.960 --> 0:46:44.439
<v Speaker 2>mental energy. Like it's one thing to just sit down

0:46:44.480 --> 0:46:46.719
<v Speaker 2>and relax and play a video game. And if all

0:46:46.719 --> 0:46:49.120
<v Speaker 2>I if that was it for me and I could

0:46:49.200 --> 0:46:51.719
<v Speaker 2>leave it there, I would totally play video games still,

0:46:51.760 --> 0:46:52.880
<v Speaker 2>but I just couldn't leave it.

0:46:52.960 --> 0:46:54.240
<v Speaker 3>Yeah.

0:46:54.360 --> 0:46:56.959
<v Speaker 1>Yeah, mine comes and goes too, And I haven't thought

0:46:57.000 --> 0:46:59.480
<v Speaker 1>too much about when or why so that I think

0:46:59.480 --> 0:47:00.239
<v Speaker 1>that's interesting.

0:47:00.480 --> 0:47:03.440
<v Speaker 2>Do they still call them video games? It feels really

0:47:03.880 --> 0:47:05.120
<v Speaker 2>eighties or nineties.

0:47:05.760 --> 0:47:08.440
<v Speaker 3>Uh, I don't know.

0:47:08.480 --> 0:47:11.759
<v Speaker 1>I think it's more used as like like a verb,

0:47:12.200 --> 0:47:13.720
<v Speaker 1>like when I game gaming?

0:47:13.960 --> 0:47:16.200
<v Speaker 2>Right, Yeah, I've heard that, but I heard that on

0:47:16.280 --> 0:47:17.120
<v Speaker 2>in a magazine.

0:47:17.960 --> 0:47:20.200
<v Speaker 1>Yeah, but I think if you said, hey, do you

0:47:20.200 --> 0:47:22.840
<v Speaker 1>play video games? It'd be a very gen x way.

0:47:22.719 --> 0:47:23.080
<v Speaker 3>To say that.

0:47:23.160 --> 0:47:25.040
<v Speaker 2>Okay, I'll watch wrong with that.

0:47:28.960 --> 0:47:31.319
<v Speaker 1>If you're wondering about you know, because we've talked about

0:47:31.360 --> 0:47:33.239
<v Speaker 1>whether you dream in other languages, if you learn a

0:47:33.239 --> 0:47:36.560
<v Speaker 1>second language, is that a mark of fluency kind of

0:47:36.560 --> 0:47:40.160
<v Speaker 1>ties into inner voice? Generally speaking, you think in your

0:47:40.480 --> 0:47:42.840
<v Speaker 1>or you talk to yourself in your first language. But

0:47:43.480 --> 0:47:45.560
<v Speaker 1>if you are fluent, and you know, let's say I

0:47:45.600 --> 0:47:48.520
<v Speaker 1>was fluent in German, if only and I moved to

0:47:48.600 --> 0:47:50.879
<v Speaker 1>Germany at times.

0:47:50.560 --> 0:47:52.880
<v Speaker 3>There or eventually I could have an inner voice.

0:47:53.760 --> 0:47:57.400
<v Speaker 1>Is that just talking in a different way. Yeah, not

0:47:57.520 --> 0:47:59.160
<v Speaker 1>with a German accent an American.

0:47:59.200 --> 0:48:04.239
<v Speaker 2>But yeah. So also deaf people apparently, and I would guess,

0:48:04.320 --> 0:48:09.440
<v Speaker 2>especially if you were deaf from birth, they see or

0:48:09.520 --> 0:48:14.279
<v Speaker 2>think in sign language, so they visualize the word but

0:48:14.440 --> 0:48:18.360
<v Speaker 2>through signs. That is super cool. And then other people

0:48:18.360 --> 0:48:22.480
<v Speaker 2>can actually they might envision someone like their face, so

0:48:22.520 --> 0:48:26.440
<v Speaker 2>they're reading their lips, but they're not hearing anything. I

0:48:26.520 --> 0:48:30.760
<v Speaker 2>just think that's just fascinating. They also don't speak at themselves.

0:48:31.120 --> 0:48:33.280
<v Speaker 3>Yeah, yeah, I think that's totally fascinating.

0:48:33.400 --> 0:48:36.000
<v Speaker 2>There was also in that same Guardian article with the

0:48:36.040 --> 0:48:38.880
<v Speaker 2>woman who was featured with the Italian couple bickering in

0:48:38.920 --> 0:48:42.280
<v Speaker 2>her head. There was a dude and man, I can't

0:48:42.320 --> 0:48:47.520
<v Speaker 2>find his name anywhere, but he I think is the

0:48:47.560 --> 0:48:53.240
<v Speaker 2>hero of this entire story. Chuck, his name is Justin Hopkins.

0:48:53.320 --> 0:48:57.359
<v Speaker 2>I found it. He has this what he basically calls

0:48:57.400 --> 0:49:00.640
<v Speaker 2>an island in a sea of void, and the island

0:49:00.760 --> 0:49:04.040
<v Speaker 2>is his mind, and his mind turns on when it

0:49:04.080 --> 0:49:08.400
<v Speaker 2>needs to. So an example, because I don't fully understand

0:49:08.400 --> 0:49:12.320
<v Speaker 2>how this guy how his mind works, but the best

0:49:12.320 --> 0:49:16.840
<v Speaker 2>I can say is he realizes that he's out of milk,

0:49:17.280 --> 0:49:21.200
<v Speaker 2>so he needs to go buy milk. So he buys milk, right,

0:49:21.480 --> 0:49:24.759
<v Speaker 2>but imagine that being the extent of it. So he

0:49:25.200 --> 0:49:28.359
<v Speaker 2>needs to buy milk, and he goes and buys milk,

0:49:28.440 --> 0:49:30.600
<v Speaker 2>and he puts the milk back in his refrigerator, and

0:49:30.640 --> 0:49:33.080
<v Speaker 2>then he doesn't have another thought until the next thing

0:49:33.120 --> 0:49:35.960
<v Speaker 2>that comes along. He said that he can go hours

0:49:36.520 --> 0:49:39.279
<v Speaker 2>without a thought, and so he can just sit in

0:49:39.360 --> 0:49:41.640
<v Speaker 2>front of a sunset and enjoy the sunset, and the

0:49:41.680 --> 0:49:47.000
<v Speaker 2>most basic way that you can enjoy a sunset and

0:49:47.520 --> 0:49:50.200
<v Speaker 2>just not be thinking about all the problems he has

0:49:50.280 --> 0:49:51.719
<v Speaker 2>or what he has to do next, or how to

0:49:51.760 --> 0:49:57.239
<v Speaker 2>most sufficiently watch the sunset. And this guy is like,

0:49:57.960 --> 0:50:00.640
<v Speaker 2>I wouldn't want to necessarily live like that all the time,

0:50:00.719 --> 0:50:03.440
<v Speaker 2>because I do enjoy having like an inner life, but

0:50:03.560 --> 0:50:06.160
<v Speaker 2>to just be able to modulate it and do that

0:50:06.239 --> 0:50:09.480
<v Speaker 2>once in a while. I think that guy's amazing. And

0:50:09.680 --> 0:50:12.000
<v Speaker 2>apparently in the Guardian article they said that he says

0:50:12.000 --> 0:50:15.120
<v Speaker 2>he sleeps like a baby, which I can totally imagine.

0:50:16.000 --> 0:50:20.279
<v Speaker 1>Well, interestingly, I know that I'm drifting towards sleep when

0:50:20.320 --> 0:50:23.880
<v Speaker 1>my inner voice gets really weird.

0:50:24.000 --> 0:50:24.239
<v Speaker 2>It's like.

0:50:26.040 --> 0:50:28.160
<v Speaker 1>I'll be thinking of things, and when I start thinking

0:50:28.160 --> 0:50:30.760
<v Speaker 1>about things and I can tell that are just absolute

0:50:30.840 --> 0:50:35.360
<v Speaker 1>weird nonsense. It's almost like pre dreaming. But the problem

0:50:35.400 --> 0:50:37.319
<v Speaker 1>is now I know that's that sleep is coming, and

0:50:37.360 --> 0:50:40.000
<v Speaker 1>I know that's what that signals. So in my brain

0:50:40.160 --> 0:50:42.640
<v Speaker 1>I will start inter talking, going all right, baby, I'm

0:50:42.680 --> 0:50:45.160
<v Speaker 1>about to fall asleep, and that takes me out of it.

0:50:45.800 --> 0:50:50.640
<v Speaker 2>So okay, okay, I'm fascinated by this, Like, give us

0:50:50.640 --> 0:50:55.799
<v Speaker 2>an example of how your brain starts just becoming nonsensical

0:50:55.880 --> 0:50:59.239
<v Speaker 2>or speaking gibberish or whatever that you can recognize you're

0:50:59.280 --> 0:51:00.600
<v Speaker 2>starting to drift off.

0:51:00.400 --> 0:51:03.480
<v Speaker 1>Like I'll be drifting and all of a sudden, like

0:51:04.200 --> 0:51:05.960
<v Speaker 1>I mean, I'm just making this up because I can't.

0:51:06.080 --> 0:51:07.600
<v Speaker 1>I don't get up and write it down. What I

0:51:07.600 --> 0:51:09.560
<v Speaker 1>should do is write it down, but then I've ruined

0:51:09.600 --> 0:51:10.400
<v Speaker 1>my or whatever.

0:51:10.520 --> 0:51:10.800
<v Speaker 2>Help you.

0:51:12.040 --> 0:51:14.120
<v Speaker 1>But it's, you know, all of a sudden, if I'm

0:51:14.200 --> 0:51:17.480
<v Speaker 1>just here words or I'm saying here my voice saying

0:51:17.480 --> 0:51:20.000
<v Speaker 1>words like you know, you know, the chicken put on

0:51:20.000 --> 0:51:22.880
<v Speaker 1>a cape and played a little basketball and jumped in

0:51:22.920 --> 0:51:26.919
<v Speaker 1>a pot of chili, like complete nonsense, and I will

0:51:26.960 --> 0:51:30.760
<v Speaker 1>recognize it's happening and go all right, that means I'm

0:51:30.800 --> 0:51:32.960
<v Speaker 1>about there, and then that takes me out of it

0:51:33.000 --> 0:51:34.600
<v Speaker 1>and then like nab it.

0:51:34.680 --> 0:51:37.440
<v Speaker 2>Yeah, but a lot of times you can just experience

0:51:37.480 --> 0:51:40.120
<v Speaker 2>it and not note it and just fall asleep.

0:51:40.480 --> 0:51:43.080
<v Speaker 1>Or note it and then just not let it rouse

0:51:43.120 --> 0:51:44.719
<v Speaker 1>me too much, and it'll lead to sleep.

0:51:44.760 --> 0:51:47.200
<v Speaker 2>Gotcha, man, that's amazing. I've never heard of it. Very

0:51:48.520 --> 0:51:49.120
<v Speaker 2>pretty cool.

0:51:49.719 --> 0:51:50.200
<v Speaker 3>Oh boy.

0:51:50.520 --> 0:51:52.640
<v Speaker 1>But every time I've said something weird about myself like

0:51:52.640 --> 0:51:55.080
<v Speaker 1>that on the air, like stepping on cracks with the

0:51:55.120 --> 0:51:57.200
<v Speaker 1>same place of my foot every time with the OCD,

0:51:57.440 --> 0:51:59.040
<v Speaker 1>I've had people write in and say I.

0:51:59.000 --> 0:52:02.359
<v Speaker 2>Do the same thing, right, So yeah, I think that's

0:52:02.520 --> 0:52:04.120
<v Speaker 2>that's I was going to say, Like, I know, we've

0:52:04.160 --> 0:52:06.920
<v Speaker 2>been talking about ourselves a lot, but part of it

0:52:06.960 --> 0:52:08.839
<v Speaker 2>for me is like, you know, I want to hear

0:52:08.840 --> 0:52:09.879
<v Speaker 2>from people saying like.

0:52:09.840 --> 0:52:11.279
<v Speaker 3>I yeah, that too, absolutely.

0:52:12.280 --> 0:52:16.640
<v Speaker 2>Okay, Well, oh, one other thing before we go, There

0:52:16.719 --> 0:52:19.600
<v Speaker 2>was a tweet what's become kind of a famous tweet

0:52:19.640 --> 0:52:21.760
<v Speaker 2>from a few years back, I think in twenty twenty,

0:52:22.280 --> 0:52:26.600
<v Speaker 2>where somebody just basically said some people have an inner

0:52:26.640 --> 0:52:29.920
<v Speaker 2>voice and some people don't. And it revealed this this

0:52:30.080 --> 0:52:36.080
<v Speaker 2>commonality among people if you don't really have an inner dialogue, monologue,

0:52:36.200 --> 0:52:40.720
<v Speaker 2>inner speech, whatever, you just assume no one else does either.

0:52:40.840 --> 0:52:43.440
<v Speaker 2>And if you do have it, you just assume everybody

0:52:43.480 --> 0:52:45.600
<v Speaker 2>has it. And it was really kind of eye opening

0:52:45.640 --> 0:52:48.239
<v Speaker 2>to people to find like that's not the case at all,

0:52:48.239 --> 0:52:49.759
<v Speaker 2>that it's basically a spectrum.

0:52:50.560 --> 0:52:54.080
<v Speaker 1>Yeah, and I mean maybe new research will spawned because

0:52:54.120 --> 0:52:56.160
<v Speaker 1>everyone was like, oh wait a minute, people are interested in.

0:52:56.120 --> 0:53:02.399
<v Speaker 2>This, Yeah, Fernio said Fernie, ho ooh that's right. Well

0:53:02.440 --> 0:53:03.239
<v Speaker 2>you got anything else?

0:53:04.400 --> 0:53:06.400
<v Speaker 1>I mean, there's a bazillion other things, but we'll just

0:53:06.480 --> 0:53:07.160
<v Speaker 1>park it right here.

0:53:07.239 --> 0:53:10.160
<v Speaker 2>Okay, it has parked. And since we just parked it,

0:53:10.160 --> 0:53:12.920
<v Speaker 2>it's everyone who has been listening to the show from

0:53:12.960 --> 0:53:15.840
<v Speaker 2>the outset knows we've just unlocked listen new Now.

0:53:18.520 --> 0:53:20.880
<v Speaker 1>That's right, I'm gonna call this Toledo and this is

0:53:20.880 --> 0:53:25.439
<v Speaker 1>from Alexander Nozar or Alex Alex says, you know, every

0:53:25.440 --> 0:53:28.200
<v Speaker 1>time Josh talks about having come from Toledo, always thinking

0:53:28.200 --> 0:53:33.160
<v Speaker 1>about Tony Pacos, which he mentioned in the Fan Theory episode.

0:53:34.000 --> 0:53:36.640
<v Speaker 1>What wasn't mentioned, however, was and Tony Paco's is what

0:53:36.680 --> 0:53:37.800
<v Speaker 1>it was a restaurant.

0:53:37.440 --> 0:53:40.719
<v Speaker 2>Right, It's a like a hot dog place, very famous

0:53:41.520 --> 0:53:43.880
<v Speaker 2>in Toledo, and then Jamie Farr made it famous on

0:53:44.080 --> 0:53:45.279
<v Speaker 2>mash That's right.

0:53:45.960 --> 0:53:49.000
<v Speaker 1>What wasn't mentioned, however, was what makes Tony Pacos awesome.

0:53:49.080 --> 0:53:51.560
<v Speaker 1>First and foremost, that was founded by a Hungarian immigrant,

0:53:52.000 --> 0:53:55.560
<v Speaker 1>making it a significant place for Hungarian Americans, especially here

0:53:55.560 --> 0:54:00.920
<v Speaker 1>in Ohio, which has a pretty large Hungarian population in Dayton, Columbus, Toledo,

0:54:01.000 --> 0:54:04.600
<v Speaker 1>and I believe Cleveland. My family is Hungarian on both sides,

0:54:04.600 --> 0:54:07.600
<v Speaker 1>with great grandfathers coming over here in the nineteen hundreds

0:54:07.880 --> 0:54:11.760
<v Speaker 1>early nineteen hundreds. Tony Paco serves not just Hungarian food

0:54:11.800 --> 0:54:14.840
<v Speaker 1>like Spetzel, but they're well known for their homemade pickles

0:54:14.920 --> 0:54:18.400
<v Speaker 1>and most importantly they're hot dogs. But what makes it

0:54:18.440 --> 0:54:20.960
<v Speaker 1>truly unique as a fun place to visit is at

0:54:20.960 --> 0:54:23.200
<v Speaker 1>anytime a celebrity visits, they're asked to sign a hot

0:54:23.239 --> 0:54:25.879
<v Speaker 1>dog bun, which is then encased in plastic and hung

0:54:25.880 --> 0:54:27.480
<v Speaker 1>on the wall. It's been a while since I've been there,

0:54:27.480 --> 0:54:30.759
<v Speaker 1>but I remember Leslie Odom Junior's name, and of course

0:54:30.840 --> 0:54:33.560
<v Speaker 1>Jamie Farr. So I think you too should go up

0:54:33.560 --> 0:54:35.760
<v Speaker 1>there on some sort of tour and you can experience

0:54:35.800 --> 0:54:38.120
<v Speaker 1>our awesome food, but also sign a hot dog bune.

0:54:38.600 --> 0:54:40.640
<v Speaker 2>I don't think they've let us sign a hot dog bune,

0:54:40.640 --> 0:54:42.880
<v Speaker 2>but I appreciate the thought. Kid me, didn't you get

0:54:42.880 --> 0:54:44.480
<v Speaker 2>a key to the city or something. There was a

0:54:44.600 --> 0:54:47.840
<v Speaker 2>listener years back who was trying to get us actually

0:54:47.880 --> 0:54:49.759
<v Speaker 2>the key to the city, and I don't think it

0:54:49.800 --> 0:54:50.600
<v Speaker 2>went anywhere.

0:54:51.239 --> 0:54:54.160
<v Speaker 1>Well, you should get a key to Toledo. I should

0:54:54.160 --> 0:54:56.239
<v Speaker 1>get a key to Stone Mountain, Georgia. You should sign

0:54:56.280 --> 0:55:00.000
<v Speaker 1>a hot dog bun, and I should sign a Stone Mountain.

0:55:00.280 --> 0:55:02.520
<v Speaker 2>Plus also we should have the hot dogs while they're there,

0:55:02.560 --> 0:55:05.120
<v Speaker 2>because Alex ain't lying and they're really good. And I

0:55:05.200 --> 0:55:08.160
<v Speaker 2>have to say, if you're ever in Toledo or apparently Dayton, Columbus,

0:55:08.160 --> 0:55:10.560
<v Speaker 2>Cleveland and you aren't in the mood for a hot dog,

0:55:10.600 --> 0:55:13.240
<v Speaker 2>but there's a Tony Pacos nearby, Go get the stuff

0:55:13.320 --> 0:55:17.200
<v Speaker 2>cabbage because it is top notch, Like you wouldn't think

0:55:17.560 --> 0:55:20.560
<v Speaker 2>this hot dog place. Why does it have stuff cabbage? Well,

0:55:20.560 --> 0:55:24.240
<v Speaker 2>because it's a Hungarian place and it is really good,

0:55:24.640 --> 0:55:27.680
<v Speaker 2>like really good. Okay, I'm just gonna say it again.

0:55:27.840 --> 0:55:29.799
<v Speaker 2>It's really good stuff cabbage.

0:55:30.239 --> 0:55:32.000
<v Speaker 3>What's it? Stuff with love.

0:55:32.160 --> 0:55:38.560
<v Speaker 2>Magic, I'm guessing three kinds of meat, probably it is.

0:55:38.680 --> 0:55:41.200
<v Speaker 2>It is very good. Well, thanks a lot, Alex is

0:55:41.239 --> 0:55:46.400
<v Speaker 2>always nice to hear from a fellow Ohiooo. I'm guessing yeah, yeah.

0:55:46.480 --> 0:55:48.120
<v Speaker 2>And if you want to be like Alex and right

0:55:48.200 --> 0:55:51.400
<v Speaker 2>in and tell us about something we love, like Tony

0:55:51.440 --> 0:55:54.200
<v Speaker 2>Paco's or whatever, you can send us an email to

0:55:54.280 --> 0:55:59.759
<v Speaker 2>Stuff podcast at iHeartRadio dot com.

0:56:00.000 --> 0:56:02.160
<v Speaker 3>Stuff you Should Know is a production of iHeartRadio.

0:56:02.640 --> 0:56:05.880
<v Speaker 1>For more podcasts, my heeart Radio, visit the iHeartRadio app,

0:56:06.040 --> 0:56:08.960
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows