WEBVTT - #391 - Isaac Pelayo

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<v Speaker 1>My name is Isaac Palau. Check me out on the

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<v Speaker 1>Botlet kV podcast.

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<v Speaker 2>Yo Boutlet cav podcast. Man special guests in here. My

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<v Speaker 2>guy Isaac Paleo is in the building. Welcome, Welcome, Welcome,

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<v Speaker 2>Thanks for having me. For people who don't know, this

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<v Speaker 2>guy is an incredible artist, incredible painter. You've seen his works.

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<v Speaker 2>If you are a fan of Griselda, would you say

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<v Speaker 2>that your because you have like a signature style, it's

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<v Speaker 2>like it is it realism with your own twist, because

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<v Speaker 2>I don't I know that there's like, you know, words

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<v Speaker 2>for certain styles of painting.

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<v Speaker 1>Well, the foundation of my work is definitely realism. It's

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<v Speaker 1>a figurative, but in the last like I don't know,

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<v Speaker 1>four or five years of it, introducing more street contemporary

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<v Speaker 1>modern stuff towards you know, mixing it with the realism.

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<v Speaker 2>Like you'll have like a real like like some realism

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<v Speaker 2>and then like the smiley face.

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<v Speaker 1>Yeah yeah, yeah, yeah, that's part of like you know,

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<v Speaker 1>that's a spin of contemporary mixing with the classical realism

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<v Speaker 1>that I do. I do a lot of Renaissance type

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<v Speaker 1>of imagery or religious iconography, and I'll mix out with

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<v Speaker 1>some street shit, you know, it's mixing it with maybe

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<v Speaker 1>some spray paint, oil pastels, kind of introducing a new

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<v Speaker 1>element to it, giving some layered depth and texture. That's

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<v Speaker 1>that's been in recent years though, But the foundation of

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<v Speaker 1>my work is definitely realism.

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<v Speaker 2>How long have you been a full time artist?

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<v Speaker 1>I would say since since the beginning of twenty twenty.

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<v Speaker 2>That's when you were like, all in, Yeah, there was there,

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<v Speaker 2>you are you're making money before twenty twenty.

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<v Speaker 1>Though, yeah, for sure, but twenty twenty was like that

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<v Speaker 1>was the pivoting moment. That's when things really cracked off.

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<v Speaker 2>Was that because because obviously for people who don't know you, uh,

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<v Speaker 2>if you have seen any of these paintings that you've done,

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<v Speaker 2>there's like the third eye and yeah, it's kind of

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<v Speaker 2>like a signature Isaac thing, right, And we were just

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<v Speaker 2>talking you just dropped the Tupac print. How long would

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<v Speaker 2>you do that painting?

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<v Speaker 1>I did that painting January of twenty seventeen. That was

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<v Speaker 1>the first piece that I did incorporating a third eye,

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<v Speaker 1>and it kind of like started. I ended up doing

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<v Speaker 1>a whole series based off of it because it became

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<v Speaker 1>really copy and then so I did a whole show

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<v Speaker 1>a whole body of work surrounding that didn't think it

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<v Speaker 1>was going to take off as much as it did.

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<v Speaker 1>But you know, when West picked up the concept, it

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<v Speaker 1>really blew up Westside Gun.

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<v Speaker 2>For people who don't know, ye yeah, yeah, the Westside

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<v Speaker 2>Gun saw that painting and then just contacted you. And

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<v Speaker 2>you know, he's got this condo in Phoenix that's just

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<v Speaker 2>like a little art museum. It's got so many of

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<v Speaker 2>your pieces in it. Yeah. Man, I've been at Buffalo

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<v Speaker 2>to the store and your stuff's in there.

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<v Speaker 1>Yeah, he's got a gang of my shift.

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<v Speaker 2>For how many paintings has he got off you?

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<v Speaker 1>Probably worth of thirty now, damn, yeah, he's probably he's

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<v Speaker 1>got a lot. He's got a few sculptures, a couple

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<v Speaker 1>of small pieces, a ton of prints for.

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<v Speaker 2>You, Like uh, you know, like I feel like when

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<v Speaker 2>you when you do something like the Third I think

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<v Speaker 2>you didn't know obviously that it was going to change

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<v Speaker 2>change things for you.

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<v Speaker 1>No, not at all. It's funny because I get I

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<v Speaker 1>talk about that situation quite a bit, and still to

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<v Speaker 1>this day, I had no idea. I was just so

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<v Speaker 1>The story the way it goes is, I was in

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<v Speaker 1>college in Vegas and I dropped out to UNLV. Yeah,

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<v Speaker 1>I was going to UNLV. I was technically studying art,

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<v Speaker 1>but you know I lived right by UNLV. Their art

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<v Speaker 1>programs are assa.

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<v Speaker 2>I lived off of a damn like right by the

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<v Speaker 2>Blueberry Hill restaurant off of Trop Okay, I was on

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<v Speaker 2>that was on Flamingo and it was over there somewhere

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<v Speaker 2>shout outs of Vegas.

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<v Speaker 1>You're you're more like northern, You're like more northern, right

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<v Speaker 1>north northeast.

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<v Speaker 2>I was not. I was like right behind you and LV.

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<v Speaker 2>So I was like Flamingo, like right by Blueberryhill, that restaurant.

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<v Speaker 2>It's like I was.

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<v Speaker 1>I was. I was living in south though, like like

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<v Speaker 1>Moore Henderson. Okay, I lived on Eastern and Sunset Okay.

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<v Speaker 1>It was right across the Straight from mccaren.

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<v Speaker 2>Yeah.

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<v Speaker 1>When it was mccaren, I think they call it something else.

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<v Speaker 1>Now I think it's still mccaron no, because I try

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<v Speaker 1>to look it up really and it's like some other name.

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<v Speaker 2>Yeah, you were going to school for art, which is

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<v Speaker 2>a weird thing. I feel like when people say I

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<v Speaker 2>go to school for.

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<v Speaker 1>Art, I'm like, really, I was majoring in fine art,

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<v Speaker 1>but when I got there, I quickly realized that their

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<v Speaker 1>art programs aren't really shit, you know, they got it.

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<v Speaker 2>Was like a hustle, yeah, not a purposeful hustle. But

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<v Speaker 2>there's certain people when they say that they like this

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<v Speaker 2>is their major. I'm like, I mean, do you want

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<v Speaker 2>to be an artist? Because are they going to teach

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<v Speaker 2>you how to be? Like like I might teach you

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<v Speaker 2>like technique or like history or something, but like I

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<v Speaker 2>feel like you either got the sauce or you don't.

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<v Speaker 1>Yeah, you know, I I wasn't even planning on going

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<v Speaker 1>to school. I wanted to go to Pasady and Art Center.

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<v Speaker 1>That's where most people aspire to go to when they

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<v Speaker 1>want to learn, you know, more contemporary stuff kind of

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<v Speaker 1>further and expand their horizons. But I went to please

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<v Speaker 1>you know, my excess parents, my parents, and it was

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<v Speaker 1>just I just sort of fell into it. I was like,

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<v Speaker 1>all right, fuck it, I guess I'm going to go

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<v Speaker 1>to school.

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<v Speaker 2>You know, I could my schoolt everybody up still kind

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<v Speaker 2>of do what I want.

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<v Speaker 1>Got the little college experience. But you know, when I

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<v Speaker 1>got to when I when I started going to school,

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<v Speaker 1>I was already really proficient in drawing. My portraits in

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<v Speaker 1>pencil were already pretty realistic. And I already had a

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<v Speaker 1>sense of a backstory to my work. And you know,

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<v Speaker 1>I had taken art history in high school, and I

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<v Speaker 1>already I felt like I was already I had already

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<v Speaker 1>built a solid foundation as as an you know, young art. Ye,

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<v Speaker 1>I already had a style. I was already drawing pretty good.

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<v Speaker 1>I'd already been exhibiting my work. I mean, I started

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<v Speaker 1>exhibiting my work when I was ten, So by the

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<v Speaker 1>time I was eighteen, you were already great. Yeah, I

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<v Speaker 1>mean I wouldn't say great. I just already had almost

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<v Speaker 1>a ten year head start. So I felt like school

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<v Speaker 1>was just kind of unnecessary. I already knew what I wanted.

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<v Speaker 1>I already knew where I was for the most part headed.

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<v Speaker 1>I just figured, you know, ifuck it, maybe i'll, I

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<v Speaker 1>don't know, maybe I'll learned the business side. I should

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<v Speaker 1>have studied business management or maybe even you know, theater,

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<v Speaker 1>because you know, I was doing acting too, so I

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<v Speaker 1>probably would have benefited.

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<v Speaker 2>More from that.

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<v Speaker 1>But yeah, I was there for about two years. I

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<v Speaker 1>dropped out, and when I dropped out, I started painting.

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<v Speaker 1>I wasn't painting, yeah, because that's always you'll see people

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<v Speaker 1>who are really get at drawing and then they end

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<v Speaker 1>up getting into painting or tattooing. Yeah, and I'm always like, yo,

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<v Speaker 1>that feels like such a far thing to be good

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<v Speaker 1>at that.

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<v Speaker 2>And then like, cause it's different tools, Like.

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<v Speaker 1>Yeah, it's a different way of making art, that's for sure.

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<v Speaker 1>But you know, my dad's a pretty well known artist

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<v Speaker 1>too in the LA community, and his work is some

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<v Speaker 1>of the real the most incredible pencil realism I've seen.

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<v Speaker 1>Would I would argue he's one of the best pencil

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<v Speaker 1>artists that I've ever seen. Yeah, So by the time

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<v Speaker 1>I was eighteen, I was already drawing pretty close to

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<v Speaker 1>that level where we would exhibit our work together side

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<v Speaker 1>by side, and people would mistake my work for his work,

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<v Speaker 1>and I would kind of fall into the shadows. And

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<v Speaker 1>so I already knew then that I wanted to veer

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<v Speaker 1>off and do you know something different that made me

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<v Speaker 1>stand out so that I had my own identity, And

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<v Speaker 1>then painting seemed like the right fit. And luckily, you know,

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<v Speaker 1>I did. Because it was the right fit. It was

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<v Speaker 1>able to create big work, work that people responded to. People.

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<v Speaker 1>It's so hard to sell pencil drawings. People respond more

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<v Speaker 1>to paintings, the detection.

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<v Speaker 2>If someone's gonna spend money on something, Yeah, spend money

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<v Speaker 2>on painting.

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<v Speaker 1>There aren't pencil drawings that, you know, are as coveted

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<v Speaker 1>as paintings are. You know, if you look at the

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<v Speaker 1>history of of the auction houses and all the pieces

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<v Speaker 1>of art that has ever sold for the most amount

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<v Speaker 1>of money, it's all paintings or sculptures. Drawings they fall

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<v Speaker 1>short of it. You know. There's some drawings, I mean,

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<v Speaker 1>if you're fucking da Vincian, you got like one.

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<v Speaker 2>If you're if you're that name and you're this is

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<v Speaker 2>a da Vinci hand hand drawn thing. People are gonna

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<v Speaker 2>spend money on that. Yeah, too many? You know, that's priceless.

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<v Speaker 2>But yeah, pencil drawings aren't. They're really hard.

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<v Speaker 1>To sell in the in the in our world. So

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<v Speaker 1>I knew, you know, painting was definitely my calling when

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<v Speaker 1>I and I honestly it was pretty natural. I started painting,

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<v Speaker 1>picked up a bunch of cheap tools from fucking Michaels

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<v Speaker 1>I think, and just started painting my I painted it

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<v Speaker 1>every day for a whole fucking year. Wow, And that

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<v Speaker 1>was like my four year college experience on my own.

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<v Speaker 1>Right now, I painted every day with Bob Ross playing

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<v Speaker 1>in the background, and that was like I had like

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<v Speaker 1>it was like a you know, eight ten years practice

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<v Speaker 1>smashed into one one year. So after one full year,

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<v Speaker 1>I painted all every day of twenty sixteen, and then

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<v Speaker 1>January twenty seventeen, I decided to paint the Poc portrait.

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<v Speaker 1>I had always wanted to do a portrait of Tupac.

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<v Speaker 1>That's one of my idols growing up, one of my

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<v Speaker 1>inspirations because I do music too, so as someone that was,

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<v Speaker 1>you know, a lyricist enthusiast, That's someone that I've always admired,

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<v Speaker 1>and I wanted to do a portrait of him that

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<v Speaker 1>was different from everything else that I'd seen. My dad had,

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<v Speaker 1>you know, had done a few portrait of Tupac that

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<v Speaker 1>I felt were fucking beautiful. I was like, I wanted

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<v Speaker 1>to do something that competed. And it didn't dawn on

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<v Speaker 1>me right away to do a third eye. That just

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<v Speaker 1>happened midway. I was already halfway into painting it, and

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<v Speaker 1>I was at the time I was going through it

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<v Speaker 1>through a lot of shit with my parents, with my ex,

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<v Speaker 1>I was struggling, dropped out of college. I was, you know,

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<v Speaker 1>doing tattoos on the side to pay rent selling a

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<v Speaker 1>couple of.

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<v Speaker 2>So you were doing tattoos too.

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<v Speaker 1>I've been doing tattoos since I was fifteen.

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<v Speaker 2>Oh shit, okay, yeah.

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<v Speaker 1>So, and I started doing that when I lived in Texas.

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<v Speaker 1>I just picked that shit up randomly, So you know,

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<v Speaker 1>I was doing that as a side hustle and selling drawings,

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<v Speaker 1>doing commissions on the side, and working, you know, some

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<v Speaker 1>part time jobs fucking asked doing like maintenance or hustling.

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<v Speaker 1>That's work, fucking retail.

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<v Speaker 2>Yeah.

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<v Speaker 1>So dude, at one point, I had, like I got

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<v Speaker 1>hired on it, like three different retail places at once.

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<v Speaker 1>It was like fucking bed Bath and Beyond Cohle's and

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<v Speaker 1>fucking guess work.

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<v Speaker 2>Did you work all three at the same time or

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<v Speaker 2>did you just pick like a ship, which one do

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<v Speaker 2>I go to?

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<v Speaker 1>Well, I did the training for each one, and I think.

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<v Speaker 2>I get paid off the training, right, Yeah.

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<v Speaker 1>I just collected like two three fucking weeks of pay

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<v Speaker 1>and I just was like, all right, I'm out, Like

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<v Speaker 1>they were all like what the fuck? Like, Yeah, so

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<v Speaker 1>I did that before.

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<v Speaker 2>Yeah, call centers. I used to do that, call centers.

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<v Speaker 2>I get the call center job and just do the

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<v Speaker 2>training and.

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<v Speaker 1>Quick, yeah, it was just onto the next one. It

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<v Speaker 1>was pretty easy for me to get hired. I would

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<v Speaker 1>I would apply to like thirty fucking places at once

0:11:20.679 --> 0:11:23.320
<v Speaker 1>get Pick, which you know, all backs, and then I

0:11:23.360 --> 0:11:26.360
<v Speaker 1>worked at Guests and Steve Madden for a cool minute

0:11:26.360 --> 0:11:29.040
<v Speaker 1>and then and then left that ship too. So yeah,

0:11:29.080 --> 0:11:30.559
<v Speaker 1>you know, I was I was doing a bunch of

0:11:30.600 --> 0:11:34.040
<v Speaker 1>side hustles just to pay rent and to support my

0:11:35.160 --> 0:11:37.679
<v Speaker 1>my you know, and like my painting journey, because that

0:11:37.720 --> 0:11:39.120
<v Speaker 1>shit ain't cheap. You know, can.

0:11:39.120 --> 0:11:43.920
<v Speaker 2>Imagine supplies, paint brushes, canvases are not canvases are what

0:11:44.000 --> 0:11:45.240
<v Speaker 2>like twenty five bucks?

0:11:45.480 --> 0:11:47.880
<v Speaker 1>Oh no, dude, they go for yeah, I mean if

0:11:47.920 --> 0:11:51.240
<v Speaker 1>you're buying small canvases. But my yeah, my large canvases

0:11:51.240 --> 0:11:53.920
<v Speaker 1>are like two hundred bucks, especially when it's quality stuff.

0:11:53.920 --> 0:11:54.719
<v Speaker 2>And right, I.

0:11:54.679 --> 0:11:56.800
<v Speaker 1>Paint on wood panels, so it's a little more.

0:11:56.920 --> 0:11:59.080
<v Speaker 2>Because like you could probably get like a cheap canvas

0:11:59.120 --> 0:11:59.839
<v Speaker 2>at Michael's and.

0:12:00.120 --> 0:12:03.040
<v Speaker 1>Yeah, but you could tell the difference. In art, it's

0:12:03.080 --> 0:12:08.040
<v Speaker 1>important to use good ship. Like I'm always impressed by

0:12:08.040 --> 0:12:11.360
<v Speaker 1>people trying to make good art with cheap equipment, you know,

0:12:11.480 --> 0:12:14.640
<v Speaker 1>cheap brushes, cheap paint, that stuff matters, you know. I

0:12:14.960 --> 0:12:18.000
<v Speaker 1>remember I was, I was using that stuff, and then

0:12:18.040 --> 0:12:22.040
<v Speaker 1>when I started buying more expensive brushes, more expensive paint.

0:12:21.920 --> 0:12:23.120
<v Speaker 2>I really noticed the difference.

0:12:23.280 --> 0:12:28.080
<v Speaker 1>Oh dude, it's like the comparison I suppose is like

0:12:28.280 --> 0:12:33.800
<v Speaker 1>microphone exactly, you know, using analog equipment versus like you

0:12:33.840 --> 0:12:37.160
<v Speaker 1>know this, doallshit and then and then having like good

0:12:37.640 --> 0:12:40.840
<v Speaker 1>like good good quality ship and then you you really

0:12:41.000 --> 0:12:44.560
<v Speaker 1>can see it in the work. So yeah, for a year,

0:12:44.800 --> 0:12:47.360
<v Speaker 1>you know, I painted every day, was using a bunch

0:12:47.360 --> 0:12:51.040
<v Speaker 1>of cheap shit, started you know, immediately selling work. It

0:12:51.080 --> 0:12:54.160
<v Speaker 1>was crazy because I had started selling paintings right away,

0:12:54.800 --> 0:12:55.560
<v Speaker 1>like way quickly.

0:12:55.600 --> 0:12:57.120
<v Speaker 2>How much were they going for your first ones?

0:12:58.640 --> 0:13:02.520
<v Speaker 1>I want to say. The first painting that I had

0:13:02.559 --> 0:13:07.559
<v Speaker 1>exhibited was a portrait of a skull with a sombrero,

0:13:07.960 --> 0:13:10.679
<v Speaker 1>and I had shown it at one of my dad's events,

0:13:10.720 --> 0:13:12.000
<v Speaker 1>a Day of the Dead events. Sold it for like

0:13:12.040 --> 0:13:15.320
<v Speaker 1>five hundred bucks, and that was like the most I

0:13:15.360 --> 0:13:19.440
<v Speaker 1>had ever sold a piece for in a gallery setting.

0:13:19.120 --> 0:13:20.439
<v Speaker 2>Because before you're doing the pencil stuff.

0:13:20.440 --> 0:13:22.679
<v Speaker 1>I was doing pencil stuff that was going for you know,

0:13:22.920 --> 0:13:26.080
<v Speaker 1>two three hundred dollars and it was easy, it was

0:13:26.240 --> 0:13:28.800
<v Speaker 1>it was easy to move those because they were so affordable.

0:13:29.120 --> 0:13:32.160
<v Speaker 1>But then the paintings completely switched it up for me

0:13:32.200 --> 0:13:35.079
<v Speaker 1>because you know, it was it was quickly seeing how

0:13:35.080 --> 0:13:39.280
<v Speaker 1>they were going. And within art, you know, it's people

0:13:39.280 --> 0:13:42.800
<v Speaker 1>always ask me like, how do you a praise a work?

0:13:42.800 --> 0:13:44.959
<v Speaker 1>How do you determine what work costs? I mean, I've

0:13:45.000 --> 0:13:48.840
<v Speaker 1>been exhibiting my work since I was ten, so you know,

0:13:48.920 --> 0:13:51.640
<v Speaker 1>I built my work up to what it is now

0:13:51.720 --> 0:13:56.520
<v Speaker 1>at a very like early short priced stage. Yeah, where

0:13:56.559 --> 0:13:58.839
<v Speaker 1>my work was going for you know, one hundred, two hundred,

0:13:58.880 --> 0:14:00.240
<v Speaker 1>and every year it just goes up.

0:14:00.679 --> 0:14:02.600
<v Speaker 2>Well, it's also just like whatever someone's willing to pay,

0:14:02.640 --> 0:14:05.120
<v Speaker 2>right that. Sometimes you see a piece of art.

0:14:05.080 --> 0:14:08.079
<v Speaker 1>And you're like, I mean, yeah, at the end of

0:14:08.120 --> 0:14:11.520
<v Speaker 1>the day, art is really worth nothing, but to some

0:14:11.559 --> 0:14:15.720
<v Speaker 1>people it's worth everything. So yeah, it's worth what anybody's

0:14:15.720 --> 0:14:18.199
<v Speaker 1>willing to pay. But I'm talking about you know, in

0:14:18.200 --> 0:14:21.080
<v Speaker 1>in the gallery setting on a secondary market. You know,

0:14:21.200 --> 0:14:22.800
<v Speaker 1>someone buys your work and resells it.

0:14:22.960 --> 0:14:24.880
<v Speaker 2>So do people do that a lot with your stuff?

0:14:24.880 --> 0:14:25.640
<v Speaker 2>They'll buy and flip.

0:14:25.840 --> 0:14:29.360
<v Speaker 1>Yeah, mostly with the prince, not not so with your

0:14:29.440 --> 0:14:29.800
<v Speaker 1>Well you.

0:14:29.800 --> 0:14:31.960
<v Speaker 2>Know what, I see that too, because those Griselda fans,

0:14:32.000 --> 0:14:33.880
<v Speaker 2>they love buying and flipping ship Man.

0:14:34.480 --> 0:14:36.680
<v Speaker 1>The Prey for Paris Joint that I did. You know

0:14:37.000 --> 0:14:39.120
<v Speaker 1>that print went for one hundred bucks and it's sunny

0:14:39.120 --> 0:14:41.000
<v Speaker 1>eBay for like three grandjeesu.

0:14:41.080 --> 0:14:44.560
<v Speaker 2>So you know, it's how many prints did you do? Well?

0:14:45.160 --> 0:14:48.160
<v Speaker 1>Whenever I do ship with Wes, it's you know, it's

0:14:48.200 --> 0:14:52.760
<v Speaker 1>really up to him. I mean, well, it's it's really

0:14:52.800 --> 0:14:56.200
<v Speaker 1>his choice. I have very say, like very little say

0:14:56.200 --> 0:14:59.960
<v Speaker 1>in what he does. You know, at the first you

0:15:00.240 --> 0:15:02.080
<v Speaker 1>ship that we did together, it was it was an

0:15:02.120 --> 0:15:04.720
<v Speaker 1>addition of one hundred and then he quickly started doing

0:15:04.880 --> 0:15:08.120
<v Speaker 1>editions of one eighty seven makes sense on brand, so

0:15:08.800 --> 0:15:11.800
<v Speaker 1>you know, and I think it only recently he started

0:15:11.800 --> 0:15:14.640
<v Speaker 1>doing like two hundred and fifty, you know with the

0:15:14.720 --> 0:15:16.600
<v Speaker 1>with the Virgil stuff and the roll out with and

0:15:16.640 --> 0:15:19.920
<v Speaker 1>then you pray for me. But yeah, I mean that

0:15:19.920 --> 0:15:23.840
<v Speaker 1>that that piece was extremely popular and you know it's

0:15:23.840 --> 0:15:28.360
<v Speaker 1>going for you know, I mean so much more than

0:15:28.360 --> 0:15:29.200
<v Speaker 1>what it actually.

0:15:29.160 --> 0:15:32.120
<v Speaker 2>I wondered like when you and like because obviously Westside

0:15:32.160 --> 0:15:36.000
<v Speaker 2>Guns got so much to do with like giving you exposure. Yeah,

0:15:36.920 --> 0:15:41.080
<v Speaker 2>do you like charge him if he wants a piece? Yeah?

0:15:41.200 --> 0:15:43.800
<v Speaker 1>For Thomas bro pays.

0:15:43.920 --> 0:15:45.240
<v Speaker 2>Okay, Okay, you know, I don't know.

0:15:45.640 --> 0:15:48.160
<v Speaker 1>Yeah, big broke. He pays.

0:15:48.920 --> 0:15:49.200
<v Speaker 2>You know.

0:15:49.640 --> 0:15:53.880
<v Speaker 1>I think my relationship with Wes Is is a unique one.

0:15:54.320 --> 0:15:59.200
<v Speaker 1>And I think after the first year, you know, we

0:15:59.200 --> 0:16:01.480
<v Speaker 1>we did stuff to other. I think it quickly became

0:16:02.080 --> 0:16:06.960
<v Speaker 1>more family base than anything. It became tighter than I

0:16:07.000 --> 0:16:10.160
<v Speaker 1>had expected. And you know, whenever we do shit, it's

0:16:10.520 --> 0:16:12.280
<v Speaker 1>I don't we don't even talk numbers, you know. He

0:16:12.520 --> 0:16:15.520
<v Speaker 1>He'll text me, you know, and I ney this by yesterday.

0:16:15.560 --> 0:16:17.680
<v Speaker 1>I'm like, all right, I'm on it, and the numbers

0:16:17.720 --> 0:16:19.720
<v Speaker 1>will be you know, we'll figure out the numbers later.

0:16:20.400 --> 0:16:22.720
<v Speaker 1>With everybody, with anybody else's it's different, you know what

0:16:22.720 --> 0:16:27.160
<v Speaker 1>I'm saying, because obviously Wes's you know, my doctor Gray.

0:16:27.240 --> 0:16:29.800
<v Speaker 1>I mean, like that's my you know, he put me

0:16:29.840 --> 0:16:33.480
<v Speaker 1>on for sure. And I'll always keep that relationship like

0:16:33.520 --> 0:16:36.400
<v Speaker 1>that because I feel like I owe it to him

0:16:36.480 --> 0:16:39.560
<v Speaker 1>to just you know, I mean, whatever he needs, he

0:16:39.600 --> 0:16:42.800
<v Speaker 1>knows I'm there. So but yeah, I mean, it's crazy

0:16:42.840 --> 0:16:45.560
<v Speaker 1>how that that relationship even you know, came about. Like

0:16:45.600 --> 0:16:47.880
<v Speaker 1>I said, after that first year of painting, I did

0:16:47.880 --> 0:16:51.080
<v Speaker 1>that portrait of Park third, I think cracked off. And

0:16:51.120 --> 0:16:54.680
<v Speaker 1>then some of my homeboys who grew up with Diddy's

0:16:54.720 --> 0:16:56.560
<v Speaker 1>kids hit me up and they're like, yo, you should

0:16:56.600 --> 0:16:58.480
<v Speaker 1>do a portrait of Biggie and we'll move it to Puff.

0:16:58.880 --> 0:17:01.040
<v Speaker 1>So I did a portrait of big I was at

0:17:01.040 --> 0:17:03.320
<v Speaker 1>the time, I was living in Vegas. I fucking drove

0:17:03.600 --> 0:17:05.720
<v Speaker 1>four hours just to drop that shit off in Homby

0:17:05.840 --> 0:17:10.560
<v Speaker 1>Hills at Diddy's crib. So that was, you know, a

0:17:10.600 --> 0:17:11.879
<v Speaker 1>stamp of approval.

0:17:12.320 --> 0:17:13.680
<v Speaker 2>So Diddy bought the Biggie painting.

0:17:15.000 --> 0:17:17.720
<v Speaker 1>It's a little trickier than that, you know, I'm saying.

0:17:17.720 --> 0:17:19.800
<v Speaker 1>I actually never even met Diddy. A lot of people

0:17:19.840 --> 0:17:20.560
<v Speaker 1>think it was like that.

0:17:20.640 --> 0:17:22.119
<v Speaker 2>Is it hung up at his house somewhere?

0:17:22.200 --> 0:17:24.520
<v Speaker 1>Yeah, No, for sure, it's it's it's hung in his

0:17:24.560 --> 0:17:28.000
<v Speaker 1>studio in Hombie Hills. What the crazy shit is that?

0:17:28.880 --> 0:17:32.119
<v Speaker 1>You know? I never met Diddy, but he has posted

0:17:32.160 --> 0:17:34.679
<v Speaker 1>that fucking painting so many times. I mean that that

0:17:34.760 --> 0:17:37.280
<v Speaker 1>painting is hung in the recording studio in his house.

0:17:37.880 --> 0:17:39.640
<v Speaker 1>A lot of people have recorded in there.

0:17:39.480 --> 0:17:40.760
<v Speaker 2>So many people in the background.

0:17:41.520 --> 0:17:44.760
<v Speaker 1>So many people have posted my painting on Instagram. I

0:17:44.760 --> 0:17:47.800
<v Speaker 1>remember Joey Badass was like raving about it. You know,

0:17:49.640 --> 0:17:51.879
<v Speaker 1>this one was kind of this kind of sentimental. But

0:17:52.000 --> 0:17:55.479
<v Speaker 1>when Nipsey was working on Victory Lap. There's a picture

0:17:55.960 --> 0:17:57.960
<v Speaker 1>he posted with him and Puffs side by side and

0:17:57.960 --> 0:18:00.280
<v Speaker 1>you see my Biggie portrait in the background, and I

0:18:00.320 --> 0:18:02.720
<v Speaker 1>was like, damn. I was like, I felt like my

0:18:02.840 --> 0:18:06.040
<v Speaker 1>spirit was there a little bit during that process. And

0:18:06.080 --> 0:18:07.800
<v Speaker 1>I never got to meet dude, and I would have

0:18:07.880 --> 0:18:10.359
<v Speaker 1>loved to because you know that was one of my Well.

0:18:10.240 --> 0:18:11.840
<v Speaker 2>That's going to be one of your paintings. Eventually you

0:18:11.840 --> 0:18:12.880
<v Speaker 2>got to do the nip one man.

0:18:13.280 --> 0:18:16.280
<v Speaker 1>Oh well, I did a Nipsey portrait a while back

0:18:16.440 --> 0:18:18.080
<v Speaker 1>for the Real Street Fest.

0:18:18.400 --> 0:18:20.639
<v Speaker 2>Oh I was posting that, Yeah, I was.

0:18:21.640 --> 0:18:24.959
<v Speaker 1>I it was it was like I had a friend

0:18:25.000 --> 0:18:27.520
<v Speaker 1>who knew the people over at A was it fifteen

0:18:27.600 --> 0:18:30.040
<v Speaker 1>hundred sound? Is that what it is or fifteen hundred

0:18:30.040 --> 0:18:30.680
<v Speaker 1>sound Academy?

0:18:30.760 --> 0:18:32.359
<v Speaker 2>Oh yeah, fifteen dred nothing guys.

0:18:32.560 --> 0:18:35.320
<v Speaker 1>Yeah yeah, and it's like George Pine. Yeah yeah. So

0:18:35.680 --> 0:18:38.239
<v Speaker 1>they had a thing going on with like Fender, and

0:18:38.280 --> 0:18:41.760
<v Speaker 1>I had did a portrait nip to put on display

0:18:41.920 --> 0:18:44.840
<v Speaker 1>at their booth. So I had that. That was the

0:18:44.840 --> 0:18:46.680
<v Speaker 1>only portrait I did of them. But you know, I'm

0:18:46.680 --> 0:18:52.639
<v Speaker 1>not really big into doing like dead celebrities. I really

0:18:52.680 --> 0:18:55.359
<v Speaker 1>only do that shit if it's if it at the

0:18:55.400 --> 0:18:59.320
<v Speaker 1>opportunity makes sense if someone's commissioning it, I won't just

0:18:59.640 --> 0:19:02.040
<v Speaker 1>I did that already. I did that so much early

0:19:02.080 --> 0:19:04.119
<v Speaker 1>on that I realized I didn't want to base my

0:19:04.200 --> 0:19:07.320
<v Speaker 1>identity off of painting dead celebrities. It's not I'm not.

0:19:07.240 --> 0:19:09.600
<v Speaker 2>You've got you've done like shit, Josh Allen.

0:19:10.520 --> 0:19:12.760
<v Speaker 1>Yeah, you know that's that's on West. You know, that's

0:19:12.760 --> 0:19:16.000
<v Speaker 1>like Wes's curation and what he wants. But I won't

0:19:16.000 --> 0:19:18.600
<v Speaker 1>do that consciously. I've only done it a couple of times,

0:19:18.720 --> 0:19:21.240
<v Speaker 1>and and if I do it, that's because it really

0:19:21.280 --> 0:19:22.720
<v Speaker 1>means a lot to me to do it. You know,

0:19:22.760 --> 0:19:25.639
<v Speaker 1>I wanted to build my career off of my own ship.

0:19:25.760 --> 0:19:28.439
<v Speaker 1>I wanted to build my my art career off of

0:19:29.480 --> 0:19:34.600
<v Speaker 1>an original style of work versus being you know that

0:19:34.720 --> 0:19:36.560
<v Speaker 1>dude just paints. It's so easy because it happens a

0:19:36.600 --> 0:19:38.320
<v Speaker 1>lot of celebrities. Do you see that shit all the time.

0:19:38.359 --> 0:19:41.399
<v Speaker 1>I'm not. I think a lot of people misconstrued me

0:19:41.560 --> 0:19:43.840
<v Speaker 1>with other artists, like I'm not an IG artist, So

0:19:44.040 --> 0:19:48.919
<v Speaker 1>if IG disappeared, I'm still going to be Like you know, it's.

0:19:48.800 --> 0:19:50.639
<v Speaker 2>Kind of like modeling, right, It's like you could be

0:19:50.680 --> 0:19:52.840
<v Speaker 2>an Instagram model, but could you like do print work?

0:19:53.000 --> 0:19:53.200
<v Speaker 1>Yeah?

0:19:53.280 --> 0:19:55.000
<v Speaker 2>No, do you have an agent exactly? You know what

0:19:55.040 --> 0:19:55.840
<v Speaker 2>I'm saying, It's different.

0:19:55.880 --> 0:19:59.639
<v Speaker 1>There's a lot of motherfuckers that don't exist in that world,

0:19:59.720 --> 0:20:03.040
<v Speaker 1>but they exist on the social media platform. So if

0:20:03.080 --> 0:20:05.720
<v Speaker 1>that shit disappears, it's like a lot of these TikTokers.

0:20:05.800 --> 0:20:07.679
<v Speaker 1>You know, a lot of these TikTok motherfuckers had to

0:20:07.720 --> 0:20:11.720
<v Speaker 1>find a path because when TikTok started to fall off,

0:20:11.800 --> 0:20:14.040
<v Speaker 1>you know, they had to do something. So either they

0:20:14.080 --> 0:20:16.600
<v Speaker 1>got into music, they got it to acting definitely started

0:20:16.640 --> 0:20:17.240
<v Speaker 1>doing a bunch of that.

0:20:17.359 --> 0:20:19.479
<v Speaker 2>I was gonna say, have you had anybody who just

0:20:19.600 --> 0:20:20.760
<v Speaker 2>straight stolen your style?

0:20:21.040 --> 0:20:24.200
<v Speaker 1>I mean all the time? Yeah, that shit happens weekly,

0:20:24.280 --> 0:20:26.480
<v Speaker 1>you know what I mean, people tag me and shit

0:20:26.600 --> 0:20:29.040
<v Speaker 1>that people will do this like third Eye ship or

0:20:29.119 --> 0:20:32.840
<v Speaker 1>smiley faced shit. You know. I remember Fashion Nova had

0:20:32.920 --> 0:20:34.880
<v Speaker 1>dropped the whole line and they dropped some third ie

0:20:34.920 --> 0:20:38.159
<v Speaker 1>smiley shit, and I tried to hit them up. I

0:20:38.240 --> 0:20:40.280
<v Speaker 1>was actually gonna go over one of their billboards they

0:20:40.359 --> 0:20:42.720
<v Speaker 1>had down in Hollywood. I was gonna fucking blast that shit.

0:20:43.960 --> 0:20:45.480
<v Speaker 1>But I got a fear of heights, so I'm not

0:20:45.520 --> 0:20:47.480
<v Speaker 1>doing that shit. That shit was way too high I

0:20:47.520 --> 0:20:49.680
<v Speaker 1>actually went there like twice. It's on the second time,

0:20:49.680 --> 0:20:50.800
<v Speaker 1>I was like, all right, I'm gonna go up there.

0:20:50.840 --> 0:20:54.359
<v Speaker 1>But I was like the billboard was right above like

0:20:54.440 --> 0:20:57.600
<v Speaker 1>a fence that had the fucking like the spikes and shit. Yeah,

0:20:57.880 --> 0:20:59.600
<v Speaker 1>like if I fall backwards, yeah, I'm like, I'm not

0:20:59.680 --> 0:21:02.720
<v Speaker 1>risking this ship destination. Yeah, I'd rather hit like one

0:21:02.720 --> 0:21:04.200
<v Speaker 1>of the Homeboys to go hit this show.

0:21:04.320 --> 0:21:09.040
<v Speaker 2>They steal so much, Yeah, They'm sheene like all those companies, dude.

0:21:09.080 --> 0:21:12.919
<v Speaker 2>They steal so much from like small like small artists,

0:21:12.960 --> 0:21:16.240
<v Speaker 2>small creators, like small clothing lines. Even they'll steal a

0:21:16.280 --> 0:21:17.480
<v Speaker 2>fucking clothing line design.

0:21:17.640 --> 0:21:20.280
<v Speaker 1>There's no way they didn't see my ship, dude. It

0:21:20.400 --> 0:21:22.320
<v Speaker 1>was a third eye smiley face and where else are

0:21:22.280 --> 0:21:24.160
<v Speaker 1>you going to see that shit with like with like

0:21:24.160 --> 0:21:27.439
<v Speaker 1>like drippy like exactly my Red Trips. Yeah, everything was crazy.

0:21:27.480 --> 0:21:29.240
<v Speaker 1>You know. It was like everybody was tagging me in it.

0:21:29.720 --> 0:21:31.640
<v Speaker 1>I was like, these motherfuckers, you know what I'm saying,

0:21:31.760 --> 0:21:34.760
<v Speaker 1>like like it's cool. I've had a lot of people,

0:21:34.800 --> 0:21:37.439
<v Speaker 1>you know, try to bite this ship and maybe maybe

0:21:37.520 --> 0:21:40.240
<v Speaker 1>you know, it's possible that motherfuckers just got the same idea.

0:21:40.520 --> 0:21:41.800
<v Speaker 1>It's possible that they you know.

0:21:42.520 --> 0:21:44.919
<v Speaker 2>You know what it is too, is your work so

0:21:45.000 --> 0:21:47.959
<v Speaker 2>popular people will see it and not even care to see, like,

0:21:48.000 --> 0:21:49.960
<v Speaker 2>oh what is this? What is this from? They just

0:21:50.000 --> 0:21:51.680
<v Speaker 2>see it and then they're like, oh, we're just gonna

0:21:51.720 --> 0:21:54.040
<v Speaker 2>replicate this, yea without they of.

0:21:53.960 --> 0:21:56.360
<v Speaker 1>You motherfuckers will get inspired and they'll run and through

0:21:56.359 --> 0:21:57.879
<v Speaker 1>their own ship. I mean, I would have loved to

0:21:57.920 --> 0:22:00.680
<v Speaker 1>even just you know, had the conversation of doing a

0:22:00.760 --> 0:22:02.560
<v Speaker 1>legit collapse. It was like, bro, we can make so

0:22:02.640 --> 0:22:04.840
<v Speaker 1>much more by just doing this legitimately, you know what

0:22:04.880 --> 0:22:07.760
<v Speaker 1>I mean. But yeah, people bite the shit all the time.

0:22:07.800 --> 0:22:10.959
<v Speaker 1>And it's funny when I when when Wes hit me up,

0:22:11.760 --> 0:22:15.600
<v Speaker 1>you know, he he immediately responded to the third eye

0:22:15.600 --> 0:22:19.200
<v Speaker 1>shit that was what he liked, and he goes, dude's

0:22:19.240 --> 0:22:24.120
<v Speaker 1>the craziest shit. Because I had read I had discovered

0:22:24.160 --> 0:22:27.240
<v Speaker 1>who Wes and Conway was in an article about them

0:22:27.240 --> 0:22:29.560
<v Speaker 1>shot signing the Shady And at the time, you know,

0:22:29.600 --> 0:22:31.680
<v Speaker 1>I was following a lot of hip hop pages, you know,

0:22:31.800 --> 0:22:33.399
<v Speaker 1>kind of trying to stay up to date with what

0:22:33.520 --> 0:22:37.159
<v Speaker 1>was going on, because I started putting a lot of

0:22:37.240 --> 0:22:40.240
<v Speaker 1>music out in like twenty eighteen, and you know, writing

0:22:40.280 --> 0:22:42.840
<v Speaker 1>a lot, and so I was trying to stay up

0:22:42.880 --> 0:22:45.920
<v Speaker 1>to date and I saw that article and I looked

0:22:45.960 --> 0:22:48.280
<v Speaker 1>into their musics, like, damn, these motherfuckers are dope. I

0:22:48.359 --> 0:22:50.040
<v Speaker 1>had no idea who they were. I was like, this

0:22:50.119 --> 0:22:53.479
<v Speaker 1>dude's obviously like I probably had the same impression as

0:22:53.520 --> 0:22:55.800
<v Speaker 1>everybody else right away. It spoke Wu tang, but I

0:22:55.840 --> 0:22:57.360
<v Speaker 1>was like, I thought these dudes were like some old

0:22:57.359 --> 0:23:00.919
<v Speaker 1>heads that I just never heard of, right, And then

0:23:01.119 --> 0:23:03.720
<v Speaker 1>fast forward that was like in June, June or July

0:23:03.920 --> 0:23:06.960
<v Speaker 1>twenty seventeen. Fast forward to September. I get a DM

0:23:07.000 --> 0:23:10.280
<v Speaker 1>from West because Hip Hop DX posted my Tupac painting.

0:23:10.760 --> 0:23:13.280
<v Speaker 1>So he was like, yo, dude, He's like, I fuck

0:23:13.320 --> 0:23:15.359
<v Speaker 1>with your shit. He was like, you know, I just

0:23:15.359 --> 0:23:17.439
<v Speaker 1>bought a new crib. I want to acquire some work.

0:23:17.880 --> 0:23:20.400
<v Speaker 1>He asked what I had, you know, nothing really spoke

0:23:20.440 --> 0:23:21.840
<v Speaker 1>to him at the time, and he was like, let

0:23:21.840 --> 0:23:23.400
<v Speaker 1>me think about it. And then he hits me back

0:23:23.440 --> 0:23:24.960
<v Speaker 1>up like a month or two later, He's like, I'm

0:23:24.960 --> 0:23:27.720
<v Speaker 1>about to drop an album at the top of twenty eighteen,

0:23:28.119 --> 0:23:29.520
<v Speaker 1>and I want you to do the cover. And I

0:23:29.560 --> 0:23:31.160
<v Speaker 1>was like, all right, I bet like we could do that.

0:23:31.280 --> 0:23:32.760
<v Speaker 1>And it was the first time I had ever been,

0:23:32.960 --> 0:23:35.919
<v Speaker 1>you know, offered to do like an album cover, like

0:23:36.119 --> 0:23:38.840
<v Speaker 1>something legit h and I was like, what do you

0:23:38.880 --> 0:23:40.480
<v Speaker 1>have in mind? And he goes, I want to do

0:23:40.520 --> 0:23:42.280
<v Speaker 1>a portrait of Crisp ban Wan with the Third Eye.

0:23:42.359 --> 0:23:44.720
<v Speaker 1>And I was like, oh shit, it's like, all right,

0:23:44.760 --> 0:23:47.920
<v Speaker 1>we can run that. So and I was already building

0:23:49.280 --> 0:23:52.240
<v Speaker 1>a body of work for a show that year. So

0:23:52.440 --> 0:23:54.439
<v Speaker 1>when I did that cover and it came out, it

0:23:54.560 --> 0:23:57.159
<v Speaker 1>just elevated everything, the whole body of work that I

0:23:57.240 --> 0:23:59.000
<v Speaker 1>was doing. Yeah, Hype Beat picked it up and they

0:23:59.040 --> 0:24:01.280
<v Speaker 1>were talking about it. That was it was a crazy

0:24:01.320 --> 0:24:05.719
<v Speaker 1>co sign And but nobody really at the time. I

0:24:05.800 --> 0:24:08.760
<v Speaker 1>wasn't like I didn't have that big of an IG following.

0:24:08.800 --> 0:24:10.760
<v Speaker 1>I actually I didn't have IG five. I probably had

0:24:10.800 --> 0:24:14.960
<v Speaker 1>like ten thousand followers, so very few. Right, So when

0:24:15.000 --> 0:24:18.919
<v Speaker 1>they saw my Third Eye series, a lot of people

0:24:18.960 --> 0:24:21.359
<v Speaker 1>thought I was biting Wes. They just thought that I

0:24:21.400 --> 0:24:21.840
<v Speaker 1>was there.

0:24:22.040 --> 0:24:23.560
<v Speaker 2>I realized that you're yeah.

0:24:23.600 --> 0:24:25.000
<v Speaker 1>Like I would get a lot of people in my

0:24:25.040 --> 0:24:27.040
<v Speaker 1>comments being like, damn, this shit looks like west Side

0:24:27.040 --> 0:24:30.840
<v Speaker 1>Gunship or this motherfucker's And I'm like, and I just like,

0:24:31.000 --> 0:24:32.840
<v Speaker 1>at the beginning, I would I have to like explain

0:24:32.880 --> 0:24:34.560
<v Speaker 1>to people, and then I just started now and when

0:24:34.600 --> 0:24:37.320
<v Speaker 1>it happened, it still happens. When it happens, I'm just like, man,

0:24:37.640 --> 0:24:40.800
<v Speaker 1>shit's funny because I'm like, these motherfuckers were stupid. They

0:24:40.840 --> 0:24:42.720
<v Speaker 1>just don't know. But that but that's why it's like,

0:24:42.760 --> 0:24:45.399
<v Speaker 1>you know, my ig is fucking like from top to bottom,

0:24:45.400 --> 0:24:47.240
<v Speaker 1>it's just build with West side of ship. So like,

0:24:47.240 --> 0:24:49.480
<v Speaker 1>how do you not know? You know, like it's been

0:24:49.640 --> 0:24:52.280
<v Speaker 1>six years now, like how do you how are you

0:24:52.320 --> 0:24:55.520
<v Speaker 1>not caught up? But yeah, it's funny. So you know,

0:24:55.560 --> 0:24:58.160
<v Speaker 1>a lot of people because West put that ship out,

0:24:58.200 --> 0:25:01.280
<v Speaker 1>a lot of people started copying the smile, especially the

0:25:01.280 --> 0:25:03.000
<v Speaker 1>smiley face thing. You know, I'll see a lot of

0:25:03.000 --> 0:25:05.359
<v Speaker 1>people doing portraits of West with like a third eye,

0:25:05.520 --> 0:25:08.000
<v Speaker 1>with like smiley faces and shit in the background. And

0:25:08.240 --> 0:25:10.280
<v Speaker 1>it wasn't like a conscious thing like I'm gonna paint

0:25:10.280 --> 0:25:12.920
<v Speaker 1>third eyes and smiley faces and that's what's gonna that's

0:25:12.920 --> 0:25:15.199
<v Speaker 1>what's gonna hit. It just it just happened, you know,

0:25:15.520 --> 0:25:17.200
<v Speaker 1>and people responded to it really well.

0:25:17.320 --> 0:25:19.120
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<v Speaker 2>say for you, like I know that you know, you

0:29:00.200 --> 0:29:03.080
<v Speaker 2>just did a commission piece for Pas Fat the Fat

0:29:03.120 --> 0:29:08.600
<v Speaker 2>Joke piece. Like if somebody hit you, you don't have

0:29:08.640 --> 0:29:11.280
<v Speaker 2>to give us your business, but like, like, what's the

0:29:11.320 --> 0:29:14.120
<v Speaker 2>conversation start at if they want to commission a piece

0:29:14.160 --> 0:29:17.680
<v Speaker 2>with you? Well, I mean yeah, I just say some

0:29:17.760 --> 0:29:19.440
<v Speaker 2>dude off the street who just wants you to paint.

0:29:19.800 --> 0:29:21.480
<v Speaker 1>Yeah, I mean I'll put you on game. I mean,

0:29:21.520 --> 0:29:22.440
<v Speaker 1>you know, I get hit up.

0:29:22.520 --> 0:29:24.480
<v Speaker 2>The art game is just so interesting to me because

0:29:24.480 --> 0:29:26.719
<v Speaker 2>you hear like there's these apps. You can buy pieces

0:29:26.720 --> 0:29:28.560
<v Speaker 2>of art, you can buy shares of art, there's the

0:29:28.600 --> 0:29:31.720
<v Speaker 2>gallery game. There's so many like it's just like it's

0:29:31.800 --> 0:29:33.120
<v Speaker 2>kind of like the music game. There's just so many

0:29:33.160 --> 0:29:34.640
<v Speaker 2>different Yeah.

0:29:34.720 --> 0:29:40.160
<v Speaker 1>I think during twenty twenty, though, I kind of things change.

0:29:40.160 --> 0:29:41.720
<v Speaker 1>I'm telling you, like a lot of shit changed for

0:29:41.760 --> 0:29:43.800
<v Speaker 1>me in twenty twenty. There was a lot of things

0:29:43.840 --> 0:29:46.640
<v Speaker 1>that happened that elevated everything that I was doing, and

0:29:46.680 --> 0:29:49.800
<v Speaker 1>I kind of beat the gallery system, especially the galleries

0:29:49.800 --> 0:29:52.920
<v Speaker 1>that I was working with at the time. Up until

0:29:53.200 --> 0:29:55.479
<v Speaker 1>you know, then, I had never had representation. I had

0:29:55.520 --> 0:29:59.040
<v Speaker 1>exhibited my work in tons of galleries, in some museums,

0:29:59.080 --> 0:30:03.320
<v Speaker 1>but you know, I kind of, you know, I kind

0:30:03.320 --> 0:30:06.760
<v Speaker 1>of skipped a lot of steps during that time because

0:30:06.760 --> 0:30:08.760
<v Speaker 1>when Pray for Paris came out I had a lot

0:30:08.800 --> 0:30:12.560
<v Speaker 1>of attention having done the alternate cover that Virgil did,

0:30:13.080 --> 0:30:16.920
<v Speaker 1>so a lot of people, you know, had their eyes

0:30:16.960 --> 0:30:19.200
<v Speaker 1>on me, and I sold a lot of work by myself.

0:30:19.400 --> 0:30:21.560
<v Speaker 1>You know, I never had an art dealer, never had

0:30:21.560 --> 0:30:25.560
<v Speaker 1>an advisor or any type of manager representative. So, you know,

0:30:25.840 --> 0:30:30.080
<v Speaker 1>my my process was very like like it became on

0:30:30.200 --> 0:30:31.440
<v Speaker 1>like on some trapping shit.

0:30:31.560 --> 0:30:31.680
<v Speaker 2>You know.

0:30:31.800 --> 0:30:34.239
<v Speaker 1>That's how like a lot of the shit, That's what

0:30:34.280 --> 0:30:36.479
<v Speaker 1>it felt like like. I felt like the last four

0:30:36.560 --> 0:30:38.719
<v Speaker 1>or five years I've been trapping my shit, just straight

0:30:39.440 --> 0:30:42.479
<v Speaker 1>straight up, like there's no the formula is so simple,

0:30:42.520 --> 0:30:44.160
<v Speaker 1>Like I don't even know how to explain it to

0:30:44.200 --> 0:30:48.480
<v Speaker 1>people in simpler terms. You know, people think that there's

0:30:48.480 --> 0:30:50.600
<v Speaker 1>some sort of crazy formula and I'm like, nah, dude,

0:30:50.600 --> 0:30:54.080
<v Speaker 1>it just sort of happened where it was pretty it's organic.

0:30:54.160 --> 0:30:54.320
<v Speaker 2>You know.

0:30:54.360 --> 0:30:56.120
<v Speaker 1>We hit me when Wes hit me up. It was

0:30:56.200 --> 0:30:58.080
<v Speaker 1>as simple as yo, dude, I want to work with you.

0:30:58.160 --> 0:31:00.720
<v Speaker 1>And I was a fan of him. I was like, yeah,

0:31:00.800 --> 0:31:03.320
<v Speaker 1>let's do it. You know. There was no contract, there

0:31:03.360 --> 0:31:05.520
<v Speaker 1>was no business meeting. It was like what you do,

0:31:05.600 --> 0:31:07.360
<v Speaker 1>what do you want to run? You know, it sent

0:31:07.400 --> 0:31:09.320
<v Speaker 1>me some some images. I was like, all right, let's

0:31:09.360 --> 0:31:11.560
<v Speaker 1>run this one. We did it and gave them a

0:31:11.560 --> 0:31:13.440
<v Speaker 1>price and that was it. And then and that's just

0:31:13.520 --> 0:31:17.800
<v Speaker 1>it's super straightforward, you know. Like so I don't do

0:31:18.320 --> 0:31:21.920
<v Speaker 1>projects for just anybody. Not anybody could just hit not no.

0:31:22.280 --> 0:31:26.000
<v Speaker 1>Like in the beginning, maybe, but I quickly started to

0:31:26.080 --> 0:31:30.200
<v Speaker 1>realize that, you know, I had the opportunity to say

0:31:30.280 --> 0:31:32.760
<v Speaker 1>no to a lot of shit, you know, in the beginning, because.

0:31:32.560 --> 0:31:35.560
<v Speaker 2>What is like if you say yes to something, what

0:31:35.680 --> 0:31:37.760
<v Speaker 2>is the time that it takes to put one of

0:31:37.760 --> 0:31:38.880
<v Speaker 2>your paintings together.

0:31:39.160 --> 0:31:41.800
<v Speaker 1>It just depends on the project. It depends on you know,

0:31:42.200 --> 0:31:43.880
<v Speaker 1>what I got going on at the time. If I'm

0:31:43.880 --> 0:31:45.280
<v Speaker 1>already working on a bunch of shit.

0:31:45.440 --> 0:31:48.400
<v Speaker 2>I'm saying like in terms of just like hours man hours. Yeah,

0:31:48.480 --> 0:31:49.240
<v Speaker 2>actual painting.

0:31:49.360 --> 0:31:51.800
<v Speaker 1>I mean, you know, it depends on how big the pieces,

0:31:51.840 --> 0:31:53.600
<v Speaker 1>how much detail there is. I mean I can bust

0:31:53.640 --> 0:31:55.840
<v Speaker 1>out of painting pretty quickly if I really put everything

0:31:55.840 --> 0:32:02.640
<v Speaker 1>as well fat Joe is it's a five by five painting,

0:32:02.840 --> 0:32:04.600
<v Speaker 1>five feet by five feet. I think I did that

0:32:04.640 --> 0:32:08.080
<v Speaker 1>shit in like like thirty days, like a month's time,

0:32:08.160 --> 0:32:11.040
<v Speaker 1>but I was taking breaks. There was stuff that was

0:32:11.080 --> 0:32:13.400
<v Speaker 1>happening in between. But you know, it's like when West

0:32:13.480 --> 0:32:16.000
<v Speaker 1>hits me up and he's like, yo, I need this

0:32:16.040 --> 0:32:19.960
<v Speaker 1>ship by yesterday. I'm like on a three day timeline,

0:32:20.000 --> 0:32:22.280
<v Speaker 1>Like I gotta go tweak out and just finish, dude,

0:32:23.000 --> 0:32:26.440
<v Speaker 1>straight twelve hour days, just back to back, non stop. Yeah,

0:32:26.480 --> 0:32:30.880
<v Speaker 1>Like when I did when I did the Jordan and

0:32:31.000 --> 0:32:33.480
<v Speaker 1>Virgil portrait, I did those both in like three days,

0:32:33.520 --> 0:32:36.520
<v Speaker 1>like collectively. Yeah, Like Virgil took me like one day

0:32:36.560 --> 0:32:39.000
<v Speaker 1>and then Jordan took me two days. But that's that's

0:32:39.040 --> 0:32:41.840
<v Speaker 1>because I had to I don't think it really matters

0:32:41.880 --> 0:32:44.680
<v Speaker 1>how fast or long it takes for someone to create something.

0:32:46.000 --> 0:32:48.880
<v Speaker 1>I could work very quickly just because I know. Look,

0:32:49.000 --> 0:32:51.520
<v Speaker 1>once I start, I'm locked in. It's like it's like

0:32:51.560 --> 0:32:53.600
<v Speaker 1>a rapper. It's like, you know, when they jump into

0:32:53.640 --> 0:32:56.120
<v Speaker 1>a studio, it's like they already got the material laid out.

0:32:56.560 --> 0:32:58.200
<v Speaker 1>Just give him a fucking beat, and once they're in

0:32:58.240 --> 0:32:59.920
<v Speaker 1>there in you know what I mean, it's not like

0:33:00.720 --> 0:33:02.440
<v Speaker 1>you know, and then you got some of these artists

0:33:02.480 --> 0:33:04.320
<v Speaker 1>who take, you know, a year or two years to

0:33:04.320 --> 0:33:07.000
<v Speaker 1>make a project because they're they're like taking their time,

0:33:07.000 --> 0:33:09.040
<v Speaker 1>they're reminiscing on it. With me, I could just jump

0:33:09.080 --> 0:33:11.840
<v Speaker 1>into it. I'm already especially when West hits me up,

0:33:11.920 --> 0:33:14.440
<v Speaker 1>because when West hits me up, it's like it's synergy,

0:33:14.520 --> 0:33:16.480
<v Speaker 1>like that energy. Just I get locked into it, and

0:33:16.520 --> 0:33:18.719
<v Speaker 1>then I'm already. I'm already on. I'm already on it.

0:33:18.880 --> 0:33:23.480
<v Speaker 1>You know, there's no there's nothing that's gonna slow me

0:33:23.560 --> 0:33:27.280
<v Speaker 1>down when I'm working on his projects. But yeah, I don't,

0:33:27.520 --> 0:33:29.720
<v Speaker 1>you know, I don't take on just any projects. I

0:33:29.800 --> 0:33:32.040
<v Speaker 1>quickly started to say no to a lot of shit.

0:33:32.560 --> 0:33:37.240
<v Speaker 1>You know, I keep the I keep the the the

0:33:37.360 --> 0:33:41.000
<v Speaker 1>group of people that collect my ship is very tight.

0:33:41.200 --> 0:33:43.800
<v Speaker 1>You know, there is a wait list. You know, there

0:33:43.880 --> 0:33:47.720
<v Speaker 1>is a process, a sort of an evaluation process to

0:33:47.760 --> 0:33:49.640
<v Speaker 1>get my ship. Now you know what I mean.

0:33:49.800 --> 0:33:50.920
<v Speaker 2>I mean, that's a good place to be in.

0:33:51.760 --> 0:33:54.440
<v Speaker 1>Yeah it is, but you know it all and I

0:33:54.440 --> 0:33:56.200
<v Speaker 1>get it, you know, I know everybody wants it. But

0:33:56.200 --> 0:33:59.080
<v Speaker 1>that's why I started. You know, doing the prints allows

0:33:59.120 --> 0:34:02.880
<v Speaker 1>people to acquire of my work on a scale that's

0:34:03.360 --> 0:34:05.840
<v Speaker 1>you know, it's like, now everybody's going to afford a

0:34:05.880 --> 0:34:08.640
<v Speaker 1>thirty forty thousand dollars painting, but you know, the prince.

0:34:08.719 --> 0:34:11.719
<v Speaker 1>It allows the work to be accessible for everybody. And

0:34:11.760 --> 0:34:14.719
<v Speaker 1>that's that was you know, important for me to establish

0:34:14.760 --> 0:34:17.000
<v Speaker 1>because I want everybody to have my shit. Yeah, you

0:34:17.080 --> 0:34:20.680
<v Speaker 1>know what I mean. But the the the original shit,

0:34:20.760 --> 0:34:24.560
<v Speaker 1>it's like that's you know, that's reserved for you got

0:34:24.560 --> 0:34:25.920
<v Speaker 1>to come. It's like you got to come.

0:34:25.960 --> 0:34:26.240
<v Speaker 2>Correct.

0:34:26.280 --> 0:34:27.839
<v Speaker 1>And I get a lot of people that'll that will

0:34:27.920 --> 0:34:29.800
<v Speaker 1>hit me up and they'll they'll assume that the work

0:34:29.880 --> 0:34:32.319
<v Speaker 1>is I mean, I really don't care what the price

0:34:32.360 --> 0:34:35.000
<v Speaker 1>of shit goes for. But you know, it took me

0:34:35.040 --> 0:34:37.879
<v Speaker 1>a long time to get to where I'm at, and

0:34:38.520 --> 0:34:41.480
<v Speaker 1>you know, it's hard to explain that to everybody, and

0:34:41.480 --> 0:34:42.960
<v Speaker 1>then when people hit me up and they're like, oh,

0:34:42.960 --> 0:34:44.360
<v Speaker 1>what's your we're going for and I'll give them a

0:34:44.440 --> 0:34:47.280
<v Speaker 1>number and they're like, damn, that shit's crazy, Like I thought,

0:34:47.400 --> 0:34:49.319
<v Speaker 1>you know, I got to wait a while. And I'm like, well,

0:34:49.400 --> 0:34:52.200
<v Speaker 1>you know you it's cool that you didn't know. It's fine,

0:34:52.239 --> 0:34:54.040
<v Speaker 1>but I'm like, you know, what do you expect? Like

0:34:54.280 --> 0:34:57.360
<v Speaker 1>you're hitting me up because you see that West fucks

0:34:57.400 --> 0:35:00.120
<v Speaker 1>with me, PS fucks with me. I'm doing shit for

0:35:00.160 --> 0:35:02.480
<v Speaker 1>fucking Benny. I'm doing this shit for all these people

0:35:02.520 --> 0:35:04.600
<v Speaker 1>and doing collabs with SO and so. I'm like, come on,

0:35:04.640 --> 0:35:06.600
<v Speaker 1>what do you expect? Like, don't you know what I mean?

0:35:06.800 --> 0:35:08.799
<v Speaker 1>That's why I got certain things pinned on my page,

0:35:08.840 --> 0:35:11.160
<v Speaker 1>so motherfuckers know, like, you're not going to go to

0:35:11.800 --> 0:35:14.120
<v Speaker 1>so and so, you know, super established and just.

0:35:14.120 --> 0:35:16.000
<v Speaker 2>Yeah, you're not gonna go to like ask Timbaland for

0:35:16.040 --> 0:35:17.680
<v Speaker 2>a beating and be surprised when he tries to hit

0:35:17.760 --> 0:35:18.399
<v Speaker 2>chips out of head.

0:35:18.520 --> 0:35:20.600
<v Speaker 1>Yeah, And I'm like I wouldn't even you know, so,

0:35:20.719 --> 0:35:22.879
<v Speaker 1>but it takes people to ask so they know, so

0:35:23.080 --> 0:35:24.520
<v Speaker 1>you know what I mean. But that's why I'm like,

0:35:25.040 --> 0:35:27.319
<v Speaker 1>you know that I don't know people. I guess they

0:35:27.320 --> 0:35:29.240
<v Speaker 1>don't really do their research. I mean, you could find

0:35:29.280 --> 0:35:31.759
<v Speaker 1>the price of shit. Unlike Artsy. You know, my ship's there.

0:35:32.000 --> 0:35:33.759
<v Speaker 1>You know what's Artsy is that kind of like Artsy

0:35:33.840 --> 0:35:36.120
<v Speaker 1>is a marketplace for to sell art, you know, I

0:35:36.120 --> 0:35:38.319
<v Speaker 1>gotta I got a bunch of artists there through some

0:35:38.440 --> 0:35:41.400
<v Speaker 1>of my dealers that sell my stuff. So you know,

0:35:41.440 --> 0:35:44.640
<v Speaker 1>there's prices there. I mean, and you know, it's the

0:35:44.719 --> 0:35:47.600
<v Speaker 1>ship that I do with Wes. It's not it's not

0:35:47.680 --> 0:35:49.239
<v Speaker 1>a mystery, you know what I mean. I mean, the

0:35:49.280 --> 0:35:51.520
<v Speaker 1>prices are there. He talks about it, you know. But

0:35:51.600 --> 0:35:53.080
<v Speaker 1>at the end of the day, I really don't think

0:35:53.080 --> 0:35:55.160
<v Speaker 1>the price of shit matters. That's just what it is.

0:35:55.200 --> 0:35:58.759
<v Speaker 1>But you know, I think it's what matters. More is

0:35:58.800 --> 0:36:00.759
<v Speaker 1>like the projects that i'm you know, and I try

0:36:00.800 --> 0:36:03.920
<v Speaker 1>to keep it very curated. Again, I'm not gonna just

0:36:03.960 --> 0:36:06.440
<v Speaker 1>do anything. I've had people come at me with, you know,

0:36:06.480 --> 0:36:07.920
<v Speaker 1>a bag and they're like, yo, I want you to

0:36:07.920 --> 0:36:10.120
<v Speaker 1>do an album cover. I'm like, I don't even know

0:36:10.120 --> 0:36:12.680
<v Speaker 1>your music like that. I don't even fuck with you know,

0:36:12.840 --> 0:36:14.920
<v Speaker 1>with I don't know anything about you. So I'm like,

0:36:14.920 --> 0:36:16.560
<v Speaker 1>I'm not going to just do it because you're waving

0:36:16.560 --> 0:36:18.759
<v Speaker 1>a bag in my face, like I don't need the

0:36:18.800 --> 0:36:21.520
<v Speaker 1>money like that. You know, I'm more, I'm more.

0:36:22.000 --> 0:36:22.640
<v Speaker 2>What makes sense.

0:36:22.880 --> 0:36:25.759
<v Speaker 1>Yeah, I'm concerned about what exactly like does it does

0:36:25.800 --> 0:36:27.959
<v Speaker 1>it align with what I'm doing? And you know, because

0:36:27.960 --> 0:36:29.480
<v Speaker 1>some people will hit me up and they'll be like, oh,

0:36:29.520 --> 0:36:31.759
<v Speaker 1>we want you to do some like Alec Monopoly type ship.

0:36:31.800 --> 0:36:33.440
<v Speaker 1>I'm like, well, then go get a fucking Alec.

0:36:33.440 --> 0:36:35.279
<v Speaker 2>And that ship. I mean, shut out to that guy

0:36:35.320 --> 0:36:39.480
<v Speaker 2>who's obviously really successful, but that that ship is so

0:36:39.640 --> 0:36:42.279
<v Speaker 2>like what is that like? Yeah, I mean to me, like,

0:36:42.680 --> 0:36:45.719
<v Speaker 2>you know, that ship is very like if you go

0:36:45.760 --> 0:36:47.640
<v Speaker 2>to a scammer's house, you might see some fake Alec

0:36:47.719 --> 0:36:48.399
<v Speaker 2>monopoly ship.

0:36:48.560 --> 0:36:51.320
<v Speaker 1>Yeah, for sure. You know it's like you're not gonna

0:36:51.360 --> 0:36:51.960
<v Speaker 1>go different.

0:36:52.000 --> 0:36:52.680
<v Speaker 2>It's just different.

0:36:52.719 --> 0:36:55.040
<v Speaker 1>Yeah, you're not gonna fucking you know, no one's gonna

0:36:55.080 --> 0:36:58.320
<v Speaker 1>ask Timbaland to make them a fucking you know, murder

0:36:58.360 --> 0:37:02.719
<v Speaker 1>beats type saying different like for some ship. So yeah,

0:37:02.840 --> 0:37:05.440
<v Speaker 1>you know I get a lot of that too, something

0:37:05.600 --> 0:37:08.560
<v Speaker 1>like yeah, I get that all the time, or they'll

0:37:08.920 --> 0:37:11.000
<v Speaker 1>I'll get a lot of like you know, if sometimes

0:37:11.000 --> 0:37:14.480
<v Speaker 1>I will humor the situation you know, I'll always hear

0:37:14.560 --> 0:37:17.640
<v Speaker 1>people out and see what they want, just because I

0:37:17.760 --> 0:37:19.880
<v Speaker 1>just I don't know, I like, I just that's just

0:37:19.960 --> 0:37:22.600
<v Speaker 1>me personally. I always hear people out. And sometimes, you know,

0:37:22.640 --> 0:37:25.719
<v Speaker 1>if the opportunity is something that pieced my interest or

0:37:25.800 --> 0:37:28.120
<v Speaker 1>I believe in it, then you know, I'll consider it.

0:37:28.160 --> 0:37:30.920
<v Speaker 1>But a lot of times I'll get some goofy ass

0:37:30.960 --> 0:37:33.440
<v Speaker 1>like you know, idea that people want to do, and

0:37:33.480 --> 0:37:35.600
<v Speaker 1>I'm like, yeah, I'm not doing that, like I'm not

0:37:35.640 --> 0:37:37.560
<v Speaker 1>doing that ship, or like people will want me to

0:37:37.600 --> 0:37:41.480
<v Speaker 1>do some shit like like I'm not going to say

0:37:41.480 --> 0:37:43.759
<v Speaker 1>no names, but because I don't want to sound like

0:37:43.760 --> 0:37:45.840
<v Speaker 1>I'm hating or clowning. But I had a home homeboy

0:37:45.920 --> 0:37:49.479
<v Speaker 1>hit me up to do a project and I'm a fan,

0:37:50.160 --> 0:37:52.000
<v Speaker 1>and he was like, I want to do it. I

0:37:52.040 --> 0:37:53.719
<v Speaker 1>want to just for his house, you know, I want

0:37:53.719 --> 0:37:56.240
<v Speaker 1>to commission a piece. And he had this crazy ass

0:37:56.280 --> 0:37:58.200
<v Speaker 1>like idea about doing a portrait of him on like

0:37:58.239 --> 0:38:00.840
<v Speaker 1>some like Viking battle shit. I was like, dude, I

0:38:00.840 --> 0:38:02.919
<v Speaker 1>don't paint shit like that, Like you know what I'm saying,

0:38:03.200 --> 0:38:05.120
<v Speaker 1>You're like asking me to paint like Frank Frizzetta. I

0:38:05.120 --> 0:38:07.919
<v Speaker 1>don't paint like that. Motherfucker. Like I'm you see my work,

0:38:08.000 --> 0:38:09.520
<v Speaker 1>you know what I'm saying. So, like, if you got

0:38:09.520 --> 0:38:12.359
<v Speaker 1>something that falls into what I do, then you know,

0:38:12.480 --> 0:38:14.840
<v Speaker 1>then I can do it. But you're asking me to

0:38:14.840 --> 0:38:17.200
<v Speaker 1>paint some like fantasy mystery shit that I don't like

0:38:17.280 --> 0:38:21.080
<v Speaker 1>even I'm not even on Yeah. So, and I think

0:38:21.120 --> 0:38:26.040
<v Speaker 1>people who are aren't that learned about art and how artists,

0:38:26.560 --> 0:38:29.759
<v Speaker 1>you know, operate, they just assume, oh, this dude can paint,

0:38:29.840 --> 0:38:32.000
<v Speaker 1>he can paint anything. And it's like, I'm not gonna just.

0:38:32.320 --> 0:38:34.719
<v Speaker 2>Don't want to. You also don't want to paint anything exactly.

0:38:34.760 --> 0:38:37.960
<v Speaker 1>It's like asking fucking Tarantino to do like a love

0:38:38.000 --> 0:38:38.960
<v Speaker 1>film or some shit.

0:38:38.880 --> 0:38:39.920
<v Speaker 2>To do like a rom com.

0:38:40.280 --> 0:38:43.200
<v Speaker 1>You feel me like, it's like you're not gonna ask it. Like, nah,

0:38:43.200 --> 0:38:46.160
<v Speaker 1>he's gonna make what he makes, and because he's mastered that,

0:38:46.520 --> 0:38:46.759
<v Speaker 1>you know.

0:38:46.880 --> 0:38:49.040
<v Speaker 2>So, what's been your favorite painting so far? Because you

0:38:49.040 --> 0:38:50.840
<v Speaker 2>have so many dope ones that Mike Tyson when recently

0:38:50.920 --> 0:38:53.160
<v Speaker 2>was hard. Obviously, Elizabeth Taylor one's probably my favorite. I

0:38:53.200 --> 0:38:54.760
<v Speaker 2>got that on a hoodie. That shit's clean.

0:38:54.960 --> 0:38:59.640
<v Speaker 1>Yeah, you know, I think it's really hard to I

0:38:59.680 --> 0:39:02.400
<v Speaker 1>have a a deep relationship with all the work that

0:39:02.440 --> 0:39:05.600
<v Speaker 1>I've ever created. I think, you know, Tupac has a

0:39:05.640 --> 0:39:08.480
<v Speaker 1>special place in my heart because of what it's done

0:39:08.480 --> 0:39:13.000
<v Speaker 1>for me. I think the my Mona Lisa Master copy

0:39:13.040 --> 0:39:16.200
<v Speaker 1>that I did, you know, was a big pivoting moment

0:39:16.239 --> 0:39:19.319
<v Speaker 1>for me because I grew up studying Italian Renaissance. I

0:39:19.320 --> 0:39:22.919
<v Speaker 1>grew up studying the Baroque period, Neoclassicism and all that shit.

0:39:23.080 --> 0:39:27.080
<v Speaker 1>So Da Vinci was someone that I that's like my

0:39:27.200 --> 0:39:29.480
<v Speaker 1>all time favorite, That's like my Jesus Christ. You know,

0:39:29.520 --> 0:39:31.920
<v Speaker 1>I prayed Da Vinci when I painted. So when I

0:39:31.960 --> 0:39:35.319
<v Speaker 1>did that Mona Lisa Master copy, that was like a

0:39:35.400 --> 0:39:38.560
<v Speaker 1>challenge for me to see if can I really push

0:39:38.680 --> 0:39:41.440
<v Speaker 1>myself to paint? Am I just you know? Am I

0:39:41.520 --> 0:39:43.879
<v Speaker 1>lying of myself? Right? Is this something that I can

0:39:43.920 --> 0:39:45.960
<v Speaker 1>actually do? When I got there, I was like, I

0:39:46.000 --> 0:39:48.279
<v Speaker 1>guess I can paint, you know, pretty good fucking good.

0:39:48.320 --> 0:39:49.960
<v Speaker 1>So it was like, you know, it's for me. So

0:39:50.040 --> 0:39:53.200
<v Speaker 1>then I started retracting my steps and getting more loose

0:39:53.200 --> 0:39:54.960
<v Speaker 1>with it. It was kind of like a Picasso thing.

0:39:55.000 --> 0:39:57.120
<v Speaker 1>I'm not saying on Picasso, but you know, by the

0:39:57.160 --> 0:39:59.800
<v Speaker 1>time Pacasto was fourteen, he was able to paint like Rembrandt,

0:40:00.000 --> 0:40:02.799
<v Speaker 1>and then it took him a lifetime to fucking you know,

0:40:02.960 --> 0:40:06.360
<v Speaker 1>find that style and it wasn't up until he developed

0:40:06.480 --> 0:40:10.200
<v Speaker 1>cubism to what it is now. That took you know,

0:40:10.239 --> 0:40:13.080
<v Speaker 1>gave him his voice. And I think that, you know,

0:40:13.200 --> 0:40:17.320
<v Speaker 1>learning the foundation of portraiture and figurative art and realism

0:40:17.719 --> 0:40:21.920
<v Speaker 1>gave me the leisure to be able to go in

0:40:21.960 --> 0:40:25.200
<v Speaker 1>the direction that I've gone and get so loose with

0:40:25.280 --> 0:40:28.279
<v Speaker 1>my my breaststroke. You know, a lot of people, a

0:40:28.320 --> 0:40:30.840
<v Speaker 1>lot of my aspiring artists homies, will ask me, you know,

0:40:30.960 --> 0:40:34.799
<v Speaker 1>how do how did I find that you know, that

0:40:34.880 --> 0:40:36.960
<v Speaker 1>stroke where I was able to get so loose and

0:40:37.000 --> 0:40:39.160
<v Speaker 1>make it work Because a lot of people think that,

0:40:39.440 --> 0:40:41.719
<v Speaker 1>you know, just because you can paint or draw real

0:40:41.840 --> 0:40:44.640
<v Speaker 1>that's that's what's going to make you successful. It's not

0:40:44.719 --> 0:40:47.120
<v Speaker 1>the case. It's like rappers thinking just because they could

0:40:47.160 --> 0:40:49.000
<v Speaker 1>rap fucking fast that they're going to be.

0:40:50.680 --> 0:40:52.640
<v Speaker 2>Or even like just because you're like super lyrical, if

0:40:52.680 --> 0:40:54.319
<v Speaker 2>you if you are not, if you have like no

0:40:54.440 --> 0:40:55.920
<v Speaker 2>flow or you're hard to hear it.

0:40:56.080 --> 0:40:58.600
<v Speaker 1>Feel me, dude. I know there's some fucking rappers that

0:40:58.680 --> 0:41:01.360
<v Speaker 1>can spit better than ninety percent.

0:41:01.520 --> 0:41:03.640
<v Speaker 2>No, but the music's not palatable. Like you might be

0:41:03.680 --> 0:41:05.719
<v Speaker 2>able to put some cool words together, but like that

0:41:05.719 --> 0:41:10.560
<v Speaker 2>doesn't make you good at rapping, right, it's good at writing.

0:41:10.800 --> 0:41:12.839
<v Speaker 1>There's flavor, you know what I'm saying. You know, there's

0:41:12.880 --> 0:41:14.879
<v Speaker 1>their soul to it. You can't for sure. I tell

0:41:14.880 --> 0:41:16.279
<v Speaker 1>people all the time, like I'm not going to go

0:41:16.320 --> 0:41:19.400
<v Speaker 1>around claiming that I'm an artist and I'm prolific and

0:41:19.440 --> 0:41:22.000
<v Speaker 1>I'm making work that's going to be revered in five

0:41:22.080 --> 0:41:25.560
<v Speaker 1>hundred years. I don't know. Maybe not, But what I

0:41:25.600 --> 0:41:29.919
<v Speaker 1>do know is that art you can't teach that shit.

0:41:30.200 --> 0:41:32.640
<v Speaker 1>You either got it or you don't, but you have

0:41:32.719 --> 0:41:34.880
<v Speaker 1>to put in the hours to discover it, you know

0:41:34.920 --> 0:41:36.960
<v Speaker 1>what I mean, You have to find it. I think

0:41:37.000 --> 0:41:40.120
<v Speaker 1>a lot of people can make art. I think they

0:41:40.200 --> 0:41:43.080
<v Speaker 1>just have to live enough life in order to achieve

0:41:43.760 --> 0:41:47.799
<v Speaker 1>that ability, you know. And again, I've been doing this

0:41:48.040 --> 0:41:50.080
<v Speaker 1>since I was a kid, so I've had a lot

0:41:50.080 --> 0:41:54.160
<v Speaker 1>of hours sharpening my blade, but I've also lived a

0:41:54.160 --> 0:41:57.000
<v Speaker 1>lot of life in between them that gave me the

0:41:57.560 --> 0:42:01.200
<v Speaker 1>experience and storytelling to talk about. Art is storytelling. So

0:42:02.120 --> 0:42:05.120
<v Speaker 1>if you don't have enough experience, you're not gonna have

0:42:05.160 --> 0:42:06.840
<v Speaker 1>good stories to tell. You're not going to, you know,

0:42:06.920 --> 0:42:09.080
<v Speaker 1>just because you can fucking draw or paint so good,

0:42:09.080 --> 0:42:10.960
<v Speaker 1>and what are you gonna paint about? You know, you're

0:42:11.000 --> 0:42:13.080
<v Speaker 1>just gonna be another one of these I G artists

0:42:13.320 --> 0:42:16.319
<v Speaker 1>who are doing portraits of celebrities or shit that you

0:42:16.520 --> 0:42:19.239
<v Speaker 1>know is is going to sell. That's like a commercial artist.

0:42:19.320 --> 0:42:21.880
<v Speaker 1>I wouldn't consider myself a commercial artist because I paint

0:42:21.880 --> 0:42:23.480
<v Speaker 1>what I want to paint, whether I think it's going

0:42:23.520 --> 0:42:26.960
<v Speaker 1>to sell or not. There is a narrative to my work,

0:42:27.000 --> 0:42:30.000
<v Speaker 1>and fortunately, you know, if I've built a following that

0:42:31.719 --> 0:42:34.520
<v Speaker 1>understands the story and they pay attention to the stories

0:42:34.520 --> 0:42:36.759
<v Speaker 1>that I'm telling in the narrative, so they read into

0:42:36.800 --> 0:42:41.479
<v Speaker 1>that and stylistically they like the work. Yeah, but yeah,

0:42:41.560 --> 0:42:45.919
<v Speaker 1>I think I think, man, it's so hard. The first

0:42:45.920 --> 0:42:48.840
<v Speaker 1>pay for Paris painting that I did really fucking holds

0:42:48.840 --> 0:42:51.280
<v Speaker 1>a special place in my heart. You know, that really

0:42:51.360 --> 0:42:55.800
<v Speaker 1>changed everything. That smiley faced shit, like that's what really

0:42:55.840 --> 0:42:56.839
<v Speaker 1>set my whole shit off.

0:42:56.840 --> 0:42:58.160
<v Speaker 2>I think I have that. I have that on a

0:42:58.160 --> 0:42:58.799
<v Speaker 2>T shirt too.

0:42:58.920 --> 0:43:01.879
<v Speaker 1>Yeah, that's that's a sh that set everything off. Dude's

0:43:02.320 --> 0:43:05.200
<v Speaker 1>it's like this in twenty twenty, when that shit came out,

0:43:05.320 --> 0:43:08.799
<v Speaker 1>I sold maybe like I don't know, close to one

0:43:08.880 --> 0:43:12.480
<v Speaker 1>hundred original paintings that year. I bought my house off

0:43:12.520 --> 0:43:15.640
<v Speaker 1>of that year, and then the following year just developed

0:43:15.680 --> 0:43:18.960
<v Speaker 1>even more. And you know again, I probably sold anywhere

0:43:19.000 --> 0:43:23.239
<v Speaker 1>between two three hundred works every year since then. That's

0:43:23.280 --> 0:43:25.640
<v Speaker 1>a lot of fucking works. That's a lot of work

0:43:25.680 --> 0:43:29.960
<v Speaker 1>that doesn't even include print sales, merch sales, commissions, or

0:43:30.480 --> 0:43:34.799
<v Speaker 1>hand embellished you know prints, hand embellished prints are you

0:43:34.840 --> 0:43:37.480
<v Speaker 1>know those are I don't know if you're familiar with,

0:43:37.800 --> 0:43:40.279
<v Speaker 1>what you have is a hand inmbellished prit so that

0:43:40.840 --> 0:43:42.799
<v Speaker 1>you know, holds a little more value than just the

0:43:43.480 --> 0:43:45.520
<v Speaker 1>you know, the large edition print. If I'm doing an

0:43:45.560 --> 0:43:48.440
<v Speaker 1>addition of one hundred, I might do ten hand embellish

0:43:48.480 --> 0:43:52.040
<v Speaker 1>joints and you know, touch it with pastel or spray paint,

0:43:52.080 --> 0:43:54.160
<v Speaker 1>and those are super limited because I'll only do no

0:43:54.239 --> 0:43:58.400
<v Speaker 1>more than ten, so that, you know, including those prints

0:43:58.520 --> 0:44:03.040
<v Speaker 1>originals like yeah, the Hustle And since twenty twenty, twenty one,

0:44:03.239 --> 0:44:06.320
<v Speaker 1>twenty two, and this year has been fucking monstrous.

0:44:06.400 --> 0:44:08.680
<v Speaker 2>I was gonna say, hey, what up, y'all, we got

0:44:08.680 --> 0:44:10.360
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<v Speaker 2>back to the interview. If can you share with us

0:48:05.200 --> 0:48:07.319
<v Speaker 2>the most you've ever gotten for painting.

0:48:07.400 --> 0:48:10.560
<v Speaker 1>Well, the last supper joint, the one hundred thousand dollars painting.

0:48:11.640 --> 0:48:12.279
<v Speaker 2>That one was great.

0:48:12.320 --> 0:48:14.680
<v Speaker 1>That was from my show last year, you know, And

0:48:14.760 --> 0:48:17.160
<v Speaker 1>but I had you know that bought that. That's why

0:48:17.960 --> 0:48:21.000
<v Speaker 1>that's West Is paint. But I had spoken to West

0:48:21.160 --> 0:48:23.640
<v Speaker 1>like six months prior to doing that work, and we

0:48:23.680 --> 0:48:25.520
<v Speaker 1>already had the agreement that it was hit.

0:48:25.560 --> 0:48:27.640
<v Speaker 2>Where does he have it at? Well?

0:48:27.719 --> 0:48:33.680
<v Speaker 1>I shipped it out to Atlanta, but I think I

0:48:33.680 --> 0:48:35.560
<v Speaker 1>think he I think he got a new place, and

0:48:35.600 --> 0:48:38.120
<v Speaker 1>I think he pushed all the art out of Atlanta

0:48:38.200 --> 0:48:40.239
<v Speaker 1>and took put it somewhere else. So I'm not really

0:48:40.280 --> 0:48:42.319
<v Speaker 1>sure how big was it last I last I heard

0:48:42.320 --> 0:48:45.719
<v Speaker 1>it it was at like Urban Necessities, so oh, Vegas. Yeah,

0:48:45.719 --> 0:48:47.839
<v Speaker 1>I think they probably had it there on view some shit.

0:48:47.920 --> 0:48:49.399
<v Speaker 2>I don't know how big was that painting?

0:48:49.480 --> 0:48:53.279
<v Speaker 1>Fourteen feet fourteen feet wide? It's seven is seven feet

0:48:53.280 --> 0:48:57.000
<v Speaker 1>by fourteen feet so the dements the original so big? Yeah,

0:48:57.040 --> 0:49:00.880
<v Speaker 1>the original mural is fourteen by thirty like the original

0:49:00.920 --> 0:49:04.799
<v Speaker 1>last original last supper mural is fourteen by thirty. And

0:49:04.840 --> 0:49:08.040
<v Speaker 1>I wanted mine. Mine needed to be proportionate, so I

0:49:08.120 --> 0:49:10.400
<v Speaker 1>just cut it in half and did seven by fourteen

0:49:10.800 --> 0:49:14.360
<v Speaker 1>or seven. Technical should have been seventeen seven by fifteen,

0:49:14.440 --> 0:49:17.239
<v Speaker 1>but the you know, I had to cut it down

0:49:17.280 --> 0:49:18.960
<v Speaker 1>a little bit. Yeah, I had to fit in my

0:49:19.000 --> 0:49:19.760
<v Speaker 1>fucking studio.

0:49:20.120 --> 0:49:22.279
<v Speaker 2>That's massive, dude. How long did that take you?

0:49:23.239 --> 0:49:26.440
<v Speaker 1>Four days? Four days? That was the last. So you

0:49:26.480 --> 0:49:28.359
<v Speaker 1>saw the show that I did last year, the show

0:49:28.360 --> 0:49:30.880
<v Speaker 1>called the New Renaissance, So I had.

0:49:31.640 --> 0:49:33.399
<v Speaker 2>Wait, it only took you four days to do that?

0:49:33.640 --> 0:49:35.279
<v Speaker 1>Well, it was the last piece that I was working

0:49:35.360 --> 0:49:38.279
<v Speaker 1>on for the show I had painted. I had did

0:49:38.360 --> 0:49:41.360
<v Speaker 1>seventy pieces for that for that exhibit, and that was

0:49:41.360 --> 0:49:43.239
<v Speaker 1>the last one that I was working on, and I

0:49:43.280 --> 0:49:47.240
<v Speaker 1>wanted it to be the last one because I needed

0:49:47.239 --> 0:49:49.440
<v Speaker 1>to have all my focus on it. Yeah, I was

0:49:49.480 --> 0:49:53.120
<v Speaker 1>working on five paintings at once, just you know, while

0:49:53.160 --> 0:49:55.520
<v Speaker 1>one's drying, I'm working on the next one. And I

0:49:55.520 --> 0:49:56.960
<v Speaker 1>didn't want to do that with that one. That one

0:49:57.000 --> 0:50:00.479
<v Speaker 1>had to be painted at a certain pace. And yeah,

0:50:00.480 --> 0:50:03.880
<v Speaker 1>it was the same situation. It was like twelve hour days, NonStop,

0:50:03.880 --> 0:50:06.280
<v Speaker 1>boom boom boom, just smash it out.

0:50:06.600 --> 0:50:08.600
<v Speaker 2>What is like for you? Like, I feel like there's

0:50:08.640 --> 0:50:13.160
<v Speaker 2>so many talented artists, but there's you know, I've seen

0:50:13.280 --> 0:50:15.480
<v Speaker 2>like so many people who I know who paint who

0:50:15.480 --> 0:50:19.280
<v Speaker 2>are dope, but like, for whatever reason, you know, they

0:50:19.320 --> 0:50:21.880
<v Speaker 2>can't pop, you know, or create the demand for their

0:50:21.920 --> 0:50:24.239
<v Speaker 2>work for you, is there any advice? You know, you

0:50:24.280 --> 0:50:27.480
<v Speaker 2>obviously were put in a position where you had a

0:50:27.560 --> 0:50:29.799
<v Speaker 2>light shine bright on you. But for somebody who's a

0:50:29.800 --> 0:50:33.160
<v Speaker 2>struggling artist who's very talented, what would be the advice

0:50:33.200 --> 0:50:35.400
<v Speaker 2>you would give them in terms of like how to

0:50:35.480 --> 0:50:37.440
<v Speaker 2>kind of like try to their best to make a

0:50:37.440 --> 0:50:39.239
<v Speaker 2>living off of their passion. You know.

0:50:39.840 --> 0:50:44.040
<v Speaker 1>Yeah, I mean it's tough. You know. I feel like

0:50:44.080 --> 0:50:46.080
<v Speaker 1>a lot of it has to do with being at

0:50:46.080 --> 0:50:48.239
<v Speaker 1>the right place at the right time. Yeah, because there's

0:50:48.280 --> 0:50:50.319
<v Speaker 1>a lot of talented artists that I know, people that

0:50:50.320 --> 0:50:54.360
<v Speaker 1>I've known for years and they're still you know, in

0:50:54.440 --> 0:50:58.239
<v Speaker 1>a trying to pop off. Yeah, and I think I

0:50:58.280 --> 0:51:01.600
<v Speaker 1>think a lot of you know, this is what I

0:51:01.640 --> 0:51:06.560
<v Speaker 1>know for sure being a fine artist and having a career.

0:51:06.719 --> 0:51:09.399
<v Speaker 1>Half the battle is making good art and the other

0:51:09.480 --> 0:51:14.240
<v Speaker 1>battle is being a good networker. And like in every business,

0:51:14.239 --> 0:51:16.359
<v Speaker 1>it's not what you know, it's who you know. And

0:51:16.920 --> 0:51:19.839
<v Speaker 1>like the gallery game comes in, well, it's just you know,

0:51:20.160 --> 0:51:23.080
<v Speaker 1>what relationships do you have? Because as an artist, you know,

0:51:23.120 --> 0:51:27.840
<v Speaker 1>there's a lot of people who do make art and

0:51:27.840 --> 0:51:29.520
<v Speaker 1>a lot of people that you see on social media

0:51:29.640 --> 0:51:32.360
<v Speaker 1>they have no idea how the real art world operates.

0:51:32.400 --> 0:51:34.880
<v Speaker 1>They don't know nothing about the galleries, the art dealers.

0:51:35.080 --> 0:51:38.040
<v Speaker 2>Because like, will you have like an art dealer shop

0:51:38.080 --> 0:51:38.719
<v Speaker 2>your pieces.

0:51:39.760 --> 0:51:43.279
<v Speaker 1>I mean recently I started working with multiple dealers. I've

0:51:43.280 --> 0:51:44.640
<v Speaker 1>always had people that try to.

0:51:44.600 --> 0:51:46.520
<v Speaker 2>You know what they what do they do though, Like

0:51:46.600 --> 0:51:48.360
<v Speaker 2>are they like they have a client.

0:51:48.440 --> 0:51:51.000
<v Speaker 1>They have a client this is yeah, exactly, they have

0:51:51.080 --> 0:51:53.799
<v Speaker 1>a client tele list that you know, maybe they have

0:51:53.880 --> 0:51:57.560
<v Speaker 1>clients overseas and those clients have built a relationship with them.

0:51:58.000 --> 0:52:03.680
<v Speaker 1>And an art dealer or advisor's job is to advise

0:52:04.120 --> 0:52:07.479
<v Speaker 1>collectors what they should own. You know what I'm saying.

0:52:07.480 --> 0:52:08.719
<v Speaker 1>It's very it's very cure.

0:52:08.800 --> 0:52:11.359
<v Speaker 2>They're almost like selling it to them, like, hey, this

0:52:11.400 --> 0:52:14.040
<v Speaker 2>is you need this, Yes, it's a good investment.

0:52:14.160 --> 0:52:18.520
<v Speaker 1>There's a lot of people collect art as an investment.

0:52:19.040 --> 0:52:21.920
<v Speaker 1>I don't care for collectors like that because I'm not

0:52:22.000 --> 0:52:25.320
<v Speaker 1>trying to sell shit just for a bag, and I

0:52:25.360 --> 0:52:27.759
<v Speaker 1>don't want to see someone reselling my shit ten years

0:52:27.760 --> 0:52:30.560
<v Speaker 1>down the road. I want my work to be in

0:52:30.640 --> 0:52:33.080
<v Speaker 1>collections that are going to get picked up by a

0:52:33.080 --> 0:52:35.880
<v Speaker 1>fucking museum with the you know, collections that are going

0:52:35.960 --> 0:52:40.880
<v Speaker 1>to be alongside people that I admire, or a collection

0:52:41.880 --> 0:52:46.320
<v Speaker 1>is is really storytelling. It's like someone who collects shoes

0:52:46.920 --> 0:52:51.320
<v Speaker 1>or cars. You know, there's there's a reason to collect

0:52:51.360 --> 0:52:54.120
<v Speaker 1>all that shit. You know what I'm saying, there's a passion.

0:52:53.960 --> 0:52:56.040
<v Speaker 2>As opposed to someone who just buys shoes to flip.

0:52:55.840 --> 0:52:58.319
<v Speaker 1>Them, you feel me, or someone who you look at

0:52:58.360 --> 0:53:01.120
<v Speaker 1>a lot of people's art collecttion today, they're gonna have

0:53:01.160 --> 0:53:04.359
<v Speaker 1>you know, fucking Cause with Murakami, and they're gonna have

0:53:04.560 --> 0:53:08.600
<v Speaker 1>like a fucking you know, print by. I don't know

0:53:08.719 --> 0:53:12.800
<v Speaker 1>some you know, some random you know, contemporary commercial artists.

0:53:12.800 --> 0:53:15.279
<v Speaker 1>And I'm not I'm not downing those artists. I'm a

0:53:15.280 --> 0:53:18.759
<v Speaker 1>big fan of Murakami and Cause and Shepherd, you know

0:53:18.840 --> 0:53:22.160
<v Speaker 1>all these guys. But just a lot of people buy

0:53:22.160 --> 0:53:25.399
<v Speaker 1>ship just because of the name that's behind it. They

0:53:25.480 --> 0:53:27.480
<v Speaker 1>know what the value is. What I'm saying, like you

0:53:27.520 --> 0:53:29.719
<v Speaker 1>go to a motherfuckers like you'll go to like a

0:53:29.760 --> 0:53:32.440
<v Speaker 1>thirty year old motherfucker's house and they got everything is

0:53:32.480 --> 0:53:36.960
<v Speaker 1>just dripped and like Bape and Cause and Murror commed yeah,

0:53:36.960 --> 0:53:39.279
<v Speaker 1>And I'm like, bro, you have no knowledge of, like

0:53:39.600 --> 0:53:41.759
<v Speaker 1>you know, curating your ship, Like your ship looks like

0:53:41.800 --> 0:53:43.560
<v Speaker 1>everybody's house looks like.

0:53:43.560 --> 0:53:46.040
<v Speaker 2>Sneakerh it looks like round two.

0:53:46.239 --> 0:53:48.960
<v Speaker 1>You know, like the fuck is this so sure? I

0:53:49.000 --> 0:53:52.080
<v Speaker 1>think you know a person who's a collector because I

0:53:52.080 --> 0:53:54.279
<v Speaker 1>collect art too. I collect other people's work, and I

0:53:54.320 --> 0:53:58.280
<v Speaker 1>collect ship that you know, I I you know, obviously

0:53:58.320 --> 0:54:00.680
<v Speaker 1>have a relationship with. I look into the story of

0:54:00.719 --> 0:54:05.560
<v Speaker 1>what it means stylistically, how it you know, fits in

0:54:05.640 --> 0:54:08.600
<v Speaker 1>with everything else that I have and the relationships that

0:54:08.640 --> 0:54:13.080
<v Speaker 1>I built with those particular artists. So in my opinion,

0:54:13.120 --> 0:54:17.120
<v Speaker 1>I feel like, you know, as a collector, yeah, I

0:54:17.120 --> 0:54:18.880
<v Speaker 1>want or as an artist, I want my work to

0:54:18.880 --> 0:54:21.040
<v Speaker 1>go into collections that are well curated and they are

0:54:21.120 --> 0:54:23.360
<v Speaker 1>going to last or even be talked about, you know.

0:54:24.000 --> 0:54:25.759
<v Speaker 1>You know what I'm saying, Like, it's like, it's like

0:54:25.880 --> 0:54:28.319
<v Speaker 1>Jay Leno's car collection. How many times do people talk

0:54:28.360 --> 0:54:30.279
<v Speaker 1>about that shit? Sure, you know, but there's a lot

0:54:30.280 --> 0:54:32.120
<v Speaker 1>of people that own thirty forty cars, but no one

0:54:32.120 --> 0:54:35.279
<v Speaker 1>gives a fuck. It's like, you got is different people,

0:54:35.320 --> 0:54:37.440
<v Speaker 1>That's what I'm saying. It's different, it's well curated. So

0:54:37.520 --> 0:54:41.399
<v Speaker 1>that's the same concept, and I feel like, you know, yeah,

0:54:41.480 --> 0:54:44.319
<v Speaker 1>so you know, art dealers, though, their job is to

0:54:45.400 --> 0:54:48.759
<v Speaker 1>you know, talk to their clientele and advise them, hey,

0:54:48.880 --> 0:54:50.960
<v Speaker 1>this is this is a market to get into. This

0:54:51.120 --> 0:54:53.520
<v Speaker 1>work fits in your collec I mean a lot of

0:54:53.560 --> 0:54:55.960
<v Speaker 1>it is you know, it's going to be cookie cutter,

0:54:56.040 --> 0:54:59.480
<v Speaker 1>and a lot of it is smoking mirrors. But you know,

0:54:59.560 --> 0:55:01.200
<v Speaker 1>you can make fun of that shit because you ever

0:55:01.200 --> 0:55:04.040
<v Speaker 1>see those like parody videos, like motherfuckers, like in the

0:55:04.160 --> 0:55:06.200
<v Speaker 1>art gallery and they're saying some dumb ass random shit

0:55:06.239 --> 0:55:08.799
<v Speaker 1>about some art. You know, like, dude, motherfuckers don't really

0:55:08.800 --> 0:55:11.880
<v Speaker 1>talk like they do talk like that. Sometimes. Yeah, it's funny,

0:55:11.920 --> 0:55:14.200
<v Speaker 1>you know, and it's silly, but that's how it works.

0:55:14.520 --> 0:55:17.279
<v Speaker 1>So I have a few people who who deal my

0:55:17.360 --> 0:55:21.000
<v Speaker 1>stuff on the side, and and I don't just let anybody,

0:55:21.120 --> 0:55:24.280
<v Speaker 1>you know, it's people who have a solid client tell brace.

0:55:24.520 --> 0:55:26.719
<v Speaker 1>It's people that are actively working. You know. I have

0:55:26.800 --> 0:55:31.160
<v Speaker 1>a dealer who has clients all over the world, and

0:55:31.239 --> 0:55:34.600
<v Speaker 1>she's she sells my work pretty often, you know, and

0:55:34.920 --> 0:55:38.080
<v Speaker 1>she has clients that I can't reach. And I mean,

0:55:38.120 --> 0:55:40.080
<v Speaker 1>for me, I've been fortunate enough to get hit by

0:55:40.120 --> 0:55:43.440
<v Speaker 1>a lot of people. Like the work that I've sold

0:55:43.480 --> 0:55:45.480
<v Speaker 1>over the last few years is people just hitting me

0:55:45.520 --> 0:55:47.400
<v Speaker 1>in the DM being like dude, I want to I

0:55:47.440 --> 0:55:50.160
<v Speaker 1>want to acquire your work. And again, in the beginning,

0:55:50.160 --> 0:55:52.520
<v Speaker 1>it was it was so brand new that I had

0:55:52.560 --> 0:55:55.759
<v Speaker 1>to say yes, to say no, right. You know, once

0:55:55.800 --> 0:55:57.680
<v Speaker 1>I got to say no, I would say it a lot,

0:55:57.760 --> 0:55:59.680
<v Speaker 1>you know what I mean. So like when I did

0:55:59.680 --> 0:56:02.040
<v Speaker 1>my show last year, you know, I had It's funny.

0:56:02.560 --> 0:56:05.560
<v Speaker 1>I had some homeboy walk in with some hot ass chick,

0:56:05.640 --> 0:56:07.800
<v Speaker 1>you know, and he was like, I work with this gallery.

0:56:07.800 --> 0:56:09.759
<v Speaker 1>I work with this gallery. How can I you know,

0:56:09.800 --> 0:56:11.600
<v Speaker 1>get into your work, blah blah. I was like, all right, well,

0:56:11.600 --> 0:56:13.400
<v Speaker 1>there's a weight list, so if you want to shoot

0:56:13.400 --> 0:56:16.279
<v Speaker 1>me an email, we can you know, evaluate and if

0:56:16.320 --> 0:56:17.960
<v Speaker 1>you get approved and we could talk about some work.

0:56:18.040 --> 0:56:19.319
<v Speaker 1>And he was like noah, but you know, like I

0:56:19.360 --> 0:56:20.839
<v Speaker 1>want to like pick up someone. I was like, now

0:56:20.840 --> 0:56:22.399
<v Speaker 1>there's a weightless on me. I'm like, I'm not gonna

0:56:22.440 --> 0:56:24.160
<v Speaker 1>let you flex in front of your girl. I was like,

0:56:24.200 --> 0:56:26.239
<v Speaker 1>there's a weightless. If you really want it, you'll hit

0:56:26.280 --> 0:56:28.480
<v Speaker 1>me up. You won't just flex in front of your chick,

0:56:28.520 --> 0:56:30.319
<v Speaker 1>because if I tell you the price, I doubt you're

0:56:30.320 --> 0:56:35.120
<v Speaker 1>gonna buy. So I'm not gonna even humor it. But yeah,

0:56:35.160 --> 0:56:38.520
<v Speaker 1>so it's you know, in the beginning, you know, I

0:56:38.560 --> 0:56:41.359
<v Speaker 1>said yes a lot, and uh yeah. You know, the

0:56:41.360 --> 0:56:43.959
<v Speaker 1>dealers are cool, you know, they get the work out there.

0:56:44.120 --> 0:56:48.400
<v Speaker 1>But again, I felt for me. It's I've been fortunate

0:56:48.520 --> 0:56:50.479
<v Speaker 1>enough to do a lot of shit on my own

0:56:50.760 --> 0:56:52.600
<v Speaker 1>and wear that hat where people could just hit me

0:56:52.680 --> 0:56:54.480
<v Speaker 1>up and be like, you know, I want to I

0:56:54.520 --> 0:56:56.520
<v Speaker 1>want to acquire something, and then and then we go

0:56:56.560 --> 0:56:56.960
<v Speaker 1>about it.

0:56:57.640 --> 0:56:59.719
<v Speaker 2>For you how because you know you just did the

0:56:59.800 --> 0:57:03.279
<v Speaker 2>j Worthy Kamaya album cover for you. How often are

0:57:03.320 --> 0:57:05.279
<v Speaker 2>you getting hit to do album covers because you just

0:57:05.320 --> 0:57:07.279
<v Speaker 2>said you said earlier that you said no, you know

0:57:07.360 --> 0:57:07.920
<v Speaker 2>to somebody.

0:57:08.120 --> 0:57:10.080
<v Speaker 1>I mean, I get I get hit up by a

0:57:10.080 --> 0:57:14.200
<v Speaker 1>lot of upcoming artists, artists that haven't like even popped off.

0:57:14.280 --> 0:57:17.360
<v Speaker 1>I get that all the time. I mean I've gotten

0:57:17.440 --> 0:57:19.360
<v Speaker 1>hit up by some pretty big people, you know. I

0:57:19.480 --> 0:57:22.600
<v Speaker 1>I mean not to name drop, but you know, over

0:57:22.640 --> 0:57:24.560
<v Speaker 1>the last year, I was talking to Meek Mill about

0:57:24.560 --> 0:57:26.920
<v Speaker 1>doing a project with him, and you know, yeah, it

0:57:26.920 --> 0:57:31.360
<v Speaker 1>would be game changing. So you know, ship like that is,

0:57:31.680 --> 0:57:33.800
<v Speaker 1>you know, it comes around, you know, peasy hit me

0:57:33.880 --> 0:57:35.600
<v Speaker 1>up on just some I'm trying to collect some art

0:57:35.640 --> 0:57:38.360
<v Speaker 1>ship crib exactly, you know what I mean. I mean,

0:57:38.360 --> 0:57:41.040
<v Speaker 1>he's a fan of West like everybody else, so everybody

0:57:41.040 --> 0:57:45.680
<v Speaker 1>wants to acquire When when Wes really paved like the

0:57:45.720 --> 0:57:48.400
<v Speaker 1>groundwork and like put a lot of rap motherfuckers onto.

0:57:48.320 --> 0:57:50.560
<v Speaker 2>Especially the period.

0:57:50.800 --> 0:57:52.480
<v Speaker 1>Yeah, you know, because you have a lot of rappers

0:57:52.480 --> 0:57:57.080
<v Speaker 1>that have been collecting art, you know, uh statues, Well yeah,

0:57:57.120 --> 0:57:59.040
<v Speaker 1>you know, Swizz Beats has a real.

0:57:58.920 --> 0:58:01.560
<v Speaker 2>Funck no Swizz Oh, there's like those. There's a few,

0:58:01.600 --> 0:58:02.720
<v Speaker 2>select few that really.

0:58:02.720 --> 0:58:05.360
<v Speaker 1>Jay Z's collection is not even comparable that he's got

0:58:05.400 --> 0:58:08.400
<v Speaker 1>fucking boscots and ship, Like his ship is blue chip

0:58:08.600 --> 0:58:11.160
<v Speaker 1>art I'm talking about. Like, yeah, I mean, Swizz Beats

0:58:11.280 --> 0:58:13.600
<v Speaker 1>work is even you know, pretty close up there. But

0:58:13.960 --> 0:58:16.560
<v Speaker 1>I mean jay Z's probably got the best collection in

0:58:16.600 --> 0:58:19.360
<v Speaker 1>the rap game as far as rappers go, Oh for sure,

0:58:19.440 --> 0:58:23.080
<v Speaker 1>you know him, Kanye Swizz is right up there, and

0:58:23.120 --> 0:58:25.840
<v Speaker 1>then Wes Is Wes has got a lot of fucking art,

0:58:26.080 --> 0:58:26.600
<v Speaker 1>a lot of it.

0:58:26.760 --> 0:58:30.440
<v Speaker 2>I like, how like he'll like, you know, uh, gravitate

0:58:30.520 --> 0:58:33.480
<v Speaker 2>to like an independent small painter like yourself or or

0:58:33.640 --> 0:58:34.480
<v Speaker 2>what's her name.

0:58:34.360 --> 0:58:38.640
<v Speaker 1>Mario Marielle, Yeah, mary Ella, Squat dead face Kip.

0:58:39.240 --> 0:58:40.880
<v Speaker 2>Yeah, you know, like if you just go to his

0:58:41.120 --> 0:58:43.200
<v Speaker 2>like you know, when we went to the spot in Buffalo,

0:58:43.200 --> 0:58:44.640
<v Speaker 2>it's just like it was like it was like it's

0:58:44.680 --> 0:58:45.600
<v Speaker 2>it's literal gallony.

0:58:45.960 --> 0:58:48.600
<v Speaker 1>But you know, I think Wes. Wes has a keen

0:58:48.720 --> 0:58:51.280
<v Speaker 1>eye for what he likes. I don't think he cares

0:58:51.360 --> 0:58:56.800
<v Speaker 1>whether something. There's certain things that he doesn't really uh

0:58:57.200 --> 0:59:00.720
<v Speaker 1>care about, like the name behind it. If it's dope

0:59:00.800 --> 0:59:03.800
<v Speaker 1>and that ship's raw speak, he's gonna fuck with it.

0:59:03.840 --> 0:59:06.480
<v Speaker 1>And I think that that's how he really operates, like

0:59:06.520 --> 0:59:09.120
<v Speaker 1>that when it comes to art and curating things. Obviously,

0:59:09.160 --> 0:59:11.920
<v Speaker 1>when it's like when he's on his fashion drip, like

0:59:11.960 --> 0:59:15.320
<v Speaker 1>he's going to be wearing like the Kreme de la Creme,

0:59:15.440 --> 0:59:17.520
<v Speaker 1>you know, the best ship that man can buy, you know.

0:59:18.480 --> 0:59:20.640
<v Speaker 1>But with art, he's got a vision and if it

0:59:20.680 --> 0:59:22.720
<v Speaker 1>speaks to him, he's going to run with it. And

0:59:22.760 --> 0:59:26.080
<v Speaker 1>that's been kind of his his genius because you know,

0:59:26.120 --> 0:59:29.200
<v Speaker 1>look how many artists he's worked with. I mean, I'm

0:59:29.200 --> 0:59:33.440
<v Speaker 1>not gonna sit here into my my horn, but obviously

0:59:33.760 --> 0:59:36.640
<v Speaker 1>I think I don't even think I know. I mean,

0:59:36.680 --> 0:59:40.480
<v Speaker 1>I've done the most ship with him. Because it's it

0:59:40.760 --> 0:59:42.760
<v Speaker 1>gets to this, it's a come to this point where

0:59:42.840 --> 0:59:46.360
<v Speaker 1>whenever Wes is working on a project or anything, the

0:59:46.400 --> 0:59:49.640
<v Speaker 1>fans expect him to do shit with me. Right, They're

0:59:49.640 --> 0:59:52.000
<v Speaker 1>like waiting, like when and then you pray for me?

0:59:52.080 --> 0:59:53.440
<v Speaker 1>Came out. There was a bunch of people in the

0:59:53.440 --> 0:59:55.760
<v Speaker 1>comments like, yah, are we getting alternate art from Isaac?

0:59:55.840 --> 0:59:59.840
<v Speaker 1>And you know, so it's like it's right because we've

1:00:00.320 --> 1:00:05.960
<v Speaker 1>so much projects together that people can't separate my work

1:00:06.040 --> 1:00:11.320
<v Speaker 1>from his work. They want the two together, right, So

1:00:11.720 --> 1:00:15.120
<v Speaker 1>it's really hard for them to hear the music without

1:00:15.320 --> 1:00:18.240
<v Speaker 1>seeing some Palaia ships go along with it. They want

1:00:18.240 --> 1:00:20.840
<v Speaker 1>the merch, they want the prints, they want the vinyls

1:00:20.880 --> 1:00:21.480
<v Speaker 1>of the cassettes.

1:00:21.480 --> 1:00:24.680
<v Speaker 2>So now the merch goes crazy. I see that shit everywhere.

1:00:24.760 --> 1:00:27.800
<v Speaker 2>I was gonna say, for you, let everybody know, just

1:00:27.880 --> 1:00:30.720
<v Speaker 2>kind of because people are gonna watch this there when

1:00:30.720 --> 1:00:32.120
<v Speaker 2>I want to know where they can buy because you

1:00:32.120 --> 1:00:33.760
<v Speaker 2>said you have some stuff on artsys.

1:00:34.000 --> 1:00:35.800
<v Speaker 1>Yeah, I mean all my ship is going to be

1:00:35.840 --> 1:00:38.720
<v Speaker 1>listed in my my Instagram, my bio, you know, my

1:00:38.760 --> 1:00:41.880
<v Speaker 1>websites there. I'm always putting out prints and merch I have.

1:00:42.440 --> 1:00:44.800
<v Speaker 1>You know, there's there's my origin. I have a lot

1:00:44.800 --> 1:00:46.840
<v Speaker 1>of original work available on Artsy. There's a lot of

1:00:46.880 --> 1:00:49.440
<v Speaker 1>stuff that's not even online. They got to sort of

1:00:49.520 --> 1:00:52.800
<v Speaker 1>hit me up, and you know, sometimes I'll bring people

1:00:52.840 --> 1:00:54.840
<v Speaker 1>over to my studio, kind of show them around, give

1:00:54.880 --> 1:00:57.840
<v Speaker 1>them a tour. What's not even what I'm saying. You know,

1:00:57.880 --> 1:01:01.320
<v Speaker 1>I'm working on three exhibits right now. I'm working on

1:01:01.400 --> 1:01:05.040
<v Speaker 1>an exhibit, a private exhibit for a members club in

1:01:05.120 --> 1:01:08.200
<v Speaker 1>downtown LA for the this month. I'm working on another

1:01:08.240 --> 1:01:11.480
<v Speaker 1>exhibit in Boston, and then I'm working on a solo

1:01:11.520 --> 1:01:14.480
<v Speaker 1>show for next year in New York. Oh fire, that's

1:01:14.520 --> 1:01:16.280
<v Speaker 1>the first time. I just brought that up, so in

1:01:16.360 --> 1:01:16.800
<v Speaker 1>New York.

1:01:16.960 --> 1:01:19.800
<v Speaker 2>So you're already kind of do you like when you

1:01:20.000 --> 1:01:21.920
<v Speaker 2>do that and you know you have three shows coming up?

1:01:21.920 --> 1:01:24.480
<v Speaker 2>Are you going to like It's almost like when you

1:01:24.480 --> 1:01:26.440
<v Speaker 2>create an album, do you know, like, Okay, this is

1:01:26.480 --> 1:01:27.000
<v Speaker 2>for Boston.

1:01:27.320 --> 1:01:30.320
<v Speaker 1>Yes, I'm already curating it like that, Like I'm already

1:01:30.400 --> 1:01:32.280
<v Speaker 1>I've wrote for for the last six months, I've been

1:01:32.320 --> 1:01:36.360
<v Speaker 1>developing a new body of work, kind of pushing everything

1:01:36.440 --> 1:01:39.000
<v Speaker 1>that I've been doing and trying to take you know,

1:01:39.200 --> 1:01:42.880
<v Speaker 1>put it, take it to a new give it a

1:01:42.880 --> 1:01:46.640
<v Speaker 1>new identity, push the envelope, and hopefully, you know, people

1:01:46.680 --> 1:01:47.320
<v Speaker 1>respond to it.

1:01:47.360 --> 1:01:47.600
<v Speaker 2>Well.

1:01:49.000 --> 1:01:50.880
<v Speaker 1>I'll rotate, you know, like some of the shit that

1:01:50.880 --> 1:01:53.400
<v Speaker 1>I had in my last show, I'll probably exhibit in

1:01:53.480 --> 1:01:57.240
<v Speaker 1>Boston because there's people there who hadn't seen that stuff.

1:01:57.360 --> 1:01:59.280
<v Speaker 1>So I'll introduce them to that work. And I just

1:01:59.360 --> 1:02:02.640
<v Speaker 1>kind of wrote hate and curate things a certain way.

1:02:02.680 --> 1:02:04.760
<v Speaker 1>The exhibit that I have at the Private Members Club,

1:02:05.440 --> 1:02:08.680
<v Speaker 1>they'll be in next an opening next year in January.

1:02:08.920 --> 1:02:13.080
<v Speaker 1>That's gonna be featuring work that's never been seen before. Obviously.

1:02:13.280 --> 1:02:16.360
<v Speaker 1>For the solo show in New York, that's gonna be

1:02:16.400 --> 1:02:18.400
<v Speaker 1>brand new work that no one's ever seen before. I

1:02:18.400 --> 1:02:20.560
<v Speaker 1>haven't even started on that work yet. And I actually

1:02:20.640 --> 1:02:26.880
<v Speaker 1>have my dad featuring an exclusive exhibit work as well. Yeah. Yeah,

1:02:27.320 --> 1:02:30.360
<v Speaker 1>he's gonna be exhibiting like maybe like five your dad's names,

1:02:30.400 --> 1:02:35.040
<v Speaker 1>Antonio Antonio Pale. So it's gonna be dope. I'm excited

1:02:35.080 --> 1:02:37.040
<v Speaker 1>to put that out there. I mean I just did,

1:02:37.080 --> 1:02:40.080
<v Speaker 1>but officially, you know, roll out and start inviting it

1:02:40.200 --> 1:02:43.680
<v Speaker 1>in New York. It's gonna be June sixth, got time, Manhattan,

1:02:43.800 --> 1:02:47.840
<v Speaker 1>six months, well seven months yea, yeah, but do congrats, Yeah,

1:02:47.880 --> 1:02:49.800
<v Speaker 1>thank you, it's gonna be. It's gonna be lit. You know,

1:02:49.880 --> 1:02:52.920
<v Speaker 1>it's gonna be presented by INC Magazine, so they're backing

1:02:52.960 --> 1:02:54.640
<v Speaker 1>it fire. Yeah, man, here it is.

1:02:54.640 --> 1:02:57.160
<v Speaker 2>Man, Well, I appreciate you pulling up brother, thanks for

1:02:57.200 --> 1:02:59.960
<v Speaker 2>having follow this guy. Go buy some prints. You just

1:03:00.080 --> 1:03:02.080
<v Speaker 2>dropped the Tupac prints. Are there any available or they

1:03:02.080 --> 1:03:02.400
<v Speaker 2>sold out?

1:03:02.400 --> 1:03:03.080
<v Speaker 1>That sold out?

1:03:03.240 --> 1:03:06.280
<v Speaker 2>Dono, Okay, there'd be some more prints of something.

1:03:06.320 --> 1:03:08.560
<v Speaker 1>Yeah, I got some ship. I got some an extension

1:03:08.840 --> 1:03:12.360
<v Speaker 1>of that drop coming out I think next month. So

1:03:12.600 --> 1:03:15.200
<v Speaker 1>you know, if they didn't get an opportunity, they didn't

1:03:15.200 --> 1:03:18.160
<v Speaker 1>get an opportunity to uh cop that ship that you know,

1:03:18.200 --> 1:03:19.960
<v Speaker 1>they can get an opportunity to cop some other shit.

1:03:20.040 --> 1:03:22.720
<v Speaker 2>Last question, I always am curious, how do you scan

1:03:22.840 --> 1:03:25.640
<v Speaker 2>a painting to where you can do the print.

1:03:25.960 --> 1:03:29.680
<v Speaker 1>Well, there's scanners out there that you know, scan super

1:03:29.760 --> 1:03:32.040
<v Speaker 1>high rest, but I don't have that ship. I don't have.

1:03:32.560 --> 1:03:34.640
<v Speaker 1>That's you know, that shit costs. That costs a lot

1:03:34.640 --> 1:03:37.040
<v Speaker 1>of money. But there's other ways to go about it.

1:03:37.080 --> 1:03:40.480
<v Speaker 1>You know. Sometimes you can take a high rest photograph.

1:03:40.560 --> 1:03:43.400
<v Speaker 1>I used to have a guy years ago. I used

1:03:43.400 --> 1:03:45.360
<v Speaker 1>to have a guy that would photograph my my pencil

1:03:45.440 --> 1:03:48.240
<v Speaker 1>drawings and color correct it, make it a super high

1:03:48.240 --> 1:03:51.520
<v Speaker 1>rest tip file that was good for printing. And then

1:03:51.560 --> 1:03:53.920
<v Speaker 1>eventually I started taking photos of my own work. So

1:03:54.480 --> 1:03:57.360
<v Speaker 1>everything that's shot at all the prints, that's just me

1:03:57.480 --> 1:03:59.640
<v Speaker 1>taking a high rest photograph of it. And then cleaning

1:03:59.680 --> 1:04:03.320
<v Speaker 1>it up like photoshop. Yeah, make it printable, that's yeah.

1:04:03.480 --> 1:04:05.200
<v Speaker 2>Even I always wondered that because I was like, yo,

1:04:05.320 --> 1:04:07.840
<v Speaker 2>like when people do prints, like where these scanters at?

1:04:08.000 --> 1:04:10.600
<v Speaker 1>Yeah, well, you know, especially the large paintings, you know,

1:04:10.720 --> 1:04:13.080
<v Speaker 1>like things that are super huge that that's taken with

1:04:13.160 --> 1:04:16.120
<v Speaker 1>a super high rest camera where there's.

1:04:15.960 --> 1:04:17.840
<v Speaker 2>Got to be specific angles to its flat.

1:04:18.120 --> 1:04:19.960
<v Speaker 1>Yeah, you know, the lighting has got to be like

1:04:19.960 --> 1:04:22.880
<v Speaker 1>in a black room, so there's no you know, light

1:04:22.960 --> 1:04:25.880
<v Speaker 1>reflection and you see like color, you know. So it's

1:04:25.920 --> 1:04:29.800
<v Speaker 1>there's ways to do it. That's probably the most efficient

1:04:29.840 --> 1:04:32.480
<v Speaker 1>way when you're taking pictures of large works. I mean,

1:04:32.520 --> 1:04:34.360
<v Speaker 1>I'm gonna keep it real. I take all my ship

1:04:34.440 --> 1:04:38.800
<v Speaker 1>on my iPhone really yeah. Yeah, but you know I'm

1:04:38.920 --> 1:04:41.400
<v Speaker 1>I took like six months in photoshop, so I cleaned

1:04:41.400 --> 1:04:44.760
<v Speaker 1>my ship up really well. Color, No, I have the

1:04:44.840 --> 1:04:47.240
<v Speaker 1>I have the I think I have the thirteen. Yeah,

1:04:47.280 --> 1:04:50.520
<v Speaker 1>so I got to update my ship, you know what

1:04:50.520 --> 1:04:52.600
<v Speaker 1>I'm saying. But yeah, there's ways to do it. All

1:04:52.600 --> 1:04:54.480
<v Speaker 1>those files that West has, you know, that's just me

1:04:55.000 --> 1:04:57.680
<v Speaker 1>taking the photos myself, cleaning it up, making sure that

1:04:57.760 --> 1:05:01.280
<v Speaker 1>it's at the highest album yeah, yeah, and make sure

1:05:01.280 --> 1:05:03.840
<v Speaker 1>it's there's no glares or any type of like, you know,

1:05:05.120 --> 1:05:08.720
<v Speaker 1>just weird weird imperfections in the photos. So well now

1:05:08.760 --> 1:05:11.720
<v Speaker 1>you know, yeah, I mean, you know, people don't people

1:05:11.800 --> 1:05:13.400
<v Speaker 1>don't know how to do that shit, and that's part

1:05:13.400 --> 1:05:17.160
<v Speaker 1>of you know, being really embedded and wearing all those hats.

1:05:17.240 --> 1:05:18.959
<v Speaker 1>So yeah, get your shit up.

1:05:19.000 --> 1:05:21.120
<v Speaker 2>Get your shit up out there, man, Isaac. I appreciate

1:05:21.120 --> 1:05:21.439
<v Speaker 2>your brother.

1:05:21.480 --> 1:05:22.000
<v Speaker 1>Thank you so much.

1:05:22.040 --> 1:05:25.240
<v Speaker 2>Yes, sir, big dog boom fire Yo. We're wrapping up

1:05:25.240 --> 1:05:26.720
<v Speaker 2>an interview, man. Of course, we want to shout out

1:05:26.760 --> 1:05:30.200
<v Speaker 2>to our family at Hardean Baby Hardean, Las Vegas, celebrating

1:05:30.200 --> 1:05:34.160
<v Speaker 2>their seventh birthday this month, So happy birthday to Hardean.

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1:05:58.920 --> 1:06:01.479
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