1 00:00:02,880 --> 00:00:04,400 Speaker 1: Ring ring. 2 00:00:06,000 --> 00:00:07,640 Speaker 2: Pick up, pick up, pick up. 3 00:00:07,760 --> 00:00:09,799 Speaker 1: Hello, Hi, it's us. 4 00:00:10,119 --> 00:00:13,280 Speaker 2: It's us two guys, five rings, Matt Rodgers and Bawn Yang. 5 00:00:13,320 --> 00:00:16,360 Speaker 2: This is our Olympics podcast. It's off to the races. 6 00:00:16,400 --> 00:00:18,720 Speaker 2: I mean, it's quickly claimed. At this point, we're four 7 00:00:18,720 --> 00:00:20,680 Speaker 2: episodes in. We can only assume anyway. 8 00:00:20,880 --> 00:00:24,360 Speaker 1: We can only assume that we've already won some awards 9 00:00:24,400 --> 00:00:29,560 Speaker 1: for this. Now, Matt, when I say the word newness, 10 00:00:30,280 --> 00:00:33,599 Speaker 1: m what is the free song? What's the sensation inside 11 00:00:33,640 --> 00:00:34,920 Speaker 1: you that you feel? 12 00:00:35,120 --> 00:00:37,680 Speaker 2: Can I be honest? Yes, When you say newness, I 13 00:00:37,680 --> 00:00:46,480 Speaker 2: think efficiency, cleanliness, I think low stress. Really yeah, newness. 14 00:00:46,640 --> 00:00:49,440 Speaker 2: Remember I'm a city planner, so when I think newness, 15 00:00:49,479 --> 00:00:51,879 Speaker 2: I think practicality. I'm always thinking like how do we 16 00:00:51,880 --> 00:00:53,400 Speaker 2: get from place to place? You know what I mean? Like? 17 00:00:53,400 --> 00:00:55,440 Speaker 2: How do we make things clearer? How do we make 18 00:00:55,480 --> 00:00:56,200 Speaker 2: things easier? 19 00:00:56,680 --> 00:00:57,200 Speaker 1: Uh huh. 20 00:00:57,360 --> 00:00:59,320 Speaker 2: Here's what I think about where we're at in society. 21 00:00:59,320 --> 00:01:03,400 Speaker 2: We need to call we need to make things more streamlined. 22 00:01:03,840 --> 00:01:08,600 Speaker 1: Yes, okay, I'm with you. What about well, I guess 23 00:01:08,640 --> 00:01:12,479 Speaker 1: I'm thinking more in terms of like there's a new 24 00:01:12,720 --> 00:01:16,880 Speaker 1: blank in town. As Vanessa Williams once said famously in 25 00:01:16,920 --> 00:01:20,120 Speaker 1: the trailer for her Desperate House Life season is in your. 26 00:01:19,920 --> 00:01:24,080 Speaker 2: House in town. See, I'm I guess I'm just I'm 27 00:01:24,120 --> 00:01:26,560 Speaker 2: so stuck on like how we make things work that 28 00:01:26,640 --> 00:01:29,640 Speaker 2: I'm not thinking about like new stuff. But maybe I'm 29 00:01:29,640 --> 00:01:31,920 Speaker 2: thinking about a lot of repackaging. That's what I'm thinking of. 30 00:01:32,040 --> 00:01:35,080 Speaker 2: I'm like, how do we move? I have very Tomorrowland 31 00:01:35,200 --> 00:01:39,000 Speaker 2: sense of newness, but you're thinking of frontier. 32 00:01:38,959 --> 00:01:41,679 Speaker 1: I'm thinking of frontier Land and not tomorrow Land. But 33 00:01:41,760 --> 00:01:43,840 Speaker 1: I guess they're both kind of the same concept, right, 34 00:01:43,880 --> 00:01:47,160 Speaker 1: it's thinking about the future. Can I say what I 35 00:01:47,240 --> 00:01:50,400 Speaker 1: think of when I think of newness? Yeah, I think 36 00:01:50,560 --> 00:01:54,600 Speaker 1: of We call it a burst in graphic design. It's 37 00:01:54,640 --> 00:01:56,400 Speaker 1: like on a bag of chips. Let's say, when it 38 00:01:56,440 --> 00:01:59,560 Speaker 1: says new flavor, Like there's like it's like it's like 39 00:01:59,560 --> 00:02:01,960 Speaker 1: that little circle with a bunch of rays poking out 40 00:02:02,360 --> 00:02:06,280 Speaker 1: like bursts. It's a burst like new flavor. Yeah, new 41 00:02:06,360 --> 00:02:10,560 Speaker 1: phone model, new car model, Yeah, yeah, I love new carsmell. 42 00:02:10,880 --> 00:02:13,040 Speaker 2: Oh my god, I just got a new air freshener. 43 00:02:13,160 --> 00:02:13,720 Speaker 2: So excited? 44 00:02:14,080 --> 00:02:15,000 Speaker 1: Is it new car? Smell? 45 00:02:15,600 --> 00:02:16,440 Speaker 2: No, you know what it is? 46 00:02:16,560 --> 00:02:17,880 Speaker 1: Well, then I don't know why you brought it up. 47 00:02:18,080 --> 00:02:18,920 Speaker 2: Okay, I'm sorry. 48 00:02:19,160 --> 00:02:23,960 Speaker 1: I think we're talking about factory settings. Yeah, and I 49 00:02:24,000 --> 00:02:24,400 Speaker 1: love that. 50 00:02:24,639 --> 00:02:27,160 Speaker 2: You know what, I completely understand that, and I think 51 00:02:27,200 --> 00:02:29,520 Speaker 2: for the purposes of this episode, we should go with 52 00:02:29,639 --> 00:02:33,399 Speaker 2: more what you're thinking, because there's there's a lot of new, 53 00:02:33,520 --> 00:02:36,520 Speaker 2: really exciting stuff happening at the Paris twenty twenty four Olympics, 54 00:02:36,560 --> 00:02:38,280 Speaker 2: and there's even some new events. 55 00:02:38,600 --> 00:02:40,920 Speaker 1: There's one new event specific. 56 00:02:40,520 --> 00:02:41,840 Speaker 2: There's even one new event. 57 00:02:42,880 --> 00:02:45,400 Speaker 1: There's one new event, and there's one event that has 58 00:02:45,400 --> 00:02:45,880 Speaker 1: a new. 59 00:02:45,800 --> 00:02:48,760 Speaker 2: Name, yeah, and a sort of a new edge and 60 00:02:48,840 --> 00:02:52,000 Speaker 2: a new edge. There's a new bombshell at the Villa. 61 00:02:52,480 --> 00:02:55,079 Speaker 1: There's a new bombshell at the Villa, as Venizza Williams 62 00:02:55,120 --> 00:02:58,720 Speaker 1: once said, it's a new attitude, as Patti LaBelle said, 63 00:02:59,360 --> 00:03:02,800 Speaker 1: oh yeah. And one some of these events have new rules, 64 00:03:02,840 --> 00:03:05,360 Speaker 1: as du Alipa said, absolutely. 65 00:03:05,480 --> 00:03:07,440 Speaker 2: Yeah, I think she did say that, and I would 66 00:03:07,480 --> 00:03:10,480 Speaker 2: agree that it applies here. Just before we get into 67 00:03:10,520 --> 00:03:12,880 Speaker 2: the five rings section of the show, I want to 68 00:03:12,919 --> 00:03:15,040 Speaker 2: stay in the two guys section and it does relate 69 00:03:15,080 --> 00:03:18,200 Speaker 2: to one of these new events. So just spoiler alert 70 00:03:18,240 --> 00:03:21,120 Speaker 2: for the five rings section. The new event is breaking, yes, 71 00:03:21,280 --> 00:03:27,040 Speaker 2: literally breakdancing, and I want to ask you Bowen in 72 00:03:27,720 --> 00:03:31,360 Speaker 2: any point in your life. Were you someone who break danced? No? 73 00:03:31,800 --> 00:03:33,600 Speaker 2: And were you? Were you ever? Because I just I 74 00:03:33,600 --> 00:03:35,880 Speaker 2: don't know why I have this image of Young Boon 75 00:03:35,960 --> 00:03:38,880 Speaker 2: Yang in my head, like young you like talking about 76 00:03:38,880 --> 00:03:43,320 Speaker 2: like seven or eight years old, like absolutely popping, locking, dropping, 77 00:03:43,560 --> 00:03:46,640 Speaker 2: like doing breakdancing. I just in my minds, I see 78 00:03:46,680 --> 00:03:49,520 Speaker 2: you as a very excited, spry child. Was a new 79 00:03:49,640 --> 00:03:51,760 Speaker 2: dance around a plenty. 80 00:03:52,920 --> 00:03:56,880 Speaker 1: You thought I was. You thought I was biting. I'm 81 00:03:56,880 --> 00:03:59,480 Speaker 1: just looking at some of these breaking terms biting. You 82 00:03:59,520 --> 00:04:04,040 Speaker 1: thought it a powerhead. I was a cipher cat. A 83 00:04:04,160 --> 00:04:08,080 Speaker 1: powerhead is someone who loves to practice, to mostly practice 84 00:04:08,120 --> 00:04:11,200 Speaker 1: and perform power moves in their breaking. A cipher is 85 00:04:11,280 --> 00:04:13,800 Speaker 1: like a circle that breaks form and dance in. If 86 00:04:13,840 --> 00:04:15,880 Speaker 1: you're at a breaking event, you'll just see multiple ciphers 87 00:04:15,880 --> 00:04:17,920 Speaker 1: around the room happening while the DJ spins music in 88 00:04:17,960 --> 00:04:20,920 Speaker 1: between breaks and the competition wow breakers going to cipher 89 00:04:20,960 --> 00:04:23,120 Speaker 1: when at a time to dance. Okay, we need to 90 00:04:23,120 --> 00:04:25,640 Speaker 1: save this for the actual five rings portion, because there 91 00:04:25,680 --> 00:04:27,640 Speaker 1: is a lot of fun stuff happening and breaking that 92 00:04:27,720 --> 00:04:29,760 Speaker 1: I would love to talk about. 93 00:04:29,880 --> 00:04:32,160 Speaker 2: To just get into one hundred percent. But I do 94 00:04:32,240 --> 00:04:35,279 Speaker 2: have to say, like, just because you. Bowen Yang is 95 00:04:35,320 --> 00:04:40,320 Speaker 2: famously like famously a Dance Dance Revolution icon. Like when 96 00:04:40,320 --> 00:04:42,920 Speaker 2: he was younger, he would go play GDR and that's 97 00:04:43,040 --> 00:04:45,480 Speaker 2: why I learned, like really throw it in the face 98 00:04:45,520 --> 00:04:48,600 Speaker 2: of everyone that worked there, and like really shut down 99 00:04:48,640 --> 00:04:51,640 Speaker 2: any competition that stepped towards him. Yeah, and I just 100 00:04:51,720 --> 00:04:53,960 Speaker 2: I don't know. I just think of this. I think 101 00:04:53,960 --> 00:04:57,400 Speaker 2: of Dance Dance Revolution as breaking adjacent and so I 102 00:04:57,440 --> 00:04:59,040 Speaker 2: guess that's why I brought it up. That's why I 103 00:04:59,040 --> 00:05:02,000 Speaker 2: associated a potential with you. 104 00:05:02,560 --> 00:05:06,960 Speaker 1: That's very nice. Look, maybe if this is the matrix 105 00:05:07,000 --> 00:05:10,080 Speaker 1: we're living in, and it is, you know, Morpheus can 106 00:05:10,600 --> 00:05:15,600 Speaker 1: give me the little can download that into me. Yeah, 107 00:05:15,640 --> 00:05:17,320 Speaker 1: and I will learn it and I will know it. 108 00:05:17,480 --> 00:05:19,400 Speaker 1: But not here, not in this matrix. 109 00:05:20,360 --> 00:05:23,279 Speaker 2: Can everything just fall away from one second? And let 110 00:05:23,320 --> 00:05:25,840 Speaker 2: me ask you a question. Red pill or blue pill? 111 00:05:28,360 --> 00:05:31,760 Speaker 1: Neither? Oh my god, I'm staying. 112 00:05:31,960 --> 00:05:35,039 Speaker 2: They're gonna kill you. They're gonna kill you if you 113 00:05:35,080 --> 00:05:37,720 Speaker 2: don't choose, They're gonna kill you. 114 00:05:38,160 --> 00:05:42,520 Speaker 1: Here's where I'm pilled Olympics pilled. 115 00:05:41,920 --> 00:05:45,200 Speaker 2: Is that I is that where pilled came from? 116 00:05:45,279 --> 00:05:47,960 Speaker 1: I think like you're red pilled, you're blue pilled, Like 117 00:05:48,000 --> 00:05:49,000 Speaker 1: it's oh. 118 00:05:48,800 --> 00:05:52,520 Speaker 2: Wow, So being something pilled actually dates to the matrix. 119 00:05:52,880 --> 00:05:54,400 Speaker 1: That's where I draw the connection. 120 00:05:54,800 --> 00:05:57,600 Speaker 2: Yeah, that's where you stop asking questions. 121 00:05:57,520 --> 00:05:59,200 Speaker 1: And so I guess I'm blue pilled. 122 00:05:59,279 --> 00:06:02,240 Speaker 2: And thank you for answering my question. And see, that's 123 00:06:02,279 --> 00:06:04,159 Speaker 2: why you have to always think like a lawyer in 124 00:06:04,160 --> 00:06:06,640 Speaker 2: the way that I just did like a lawyer, because 125 00:06:06,640 --> 00:06:08,520 Speaker 2: you have to get people to admit something in a 126 00:06:08,600 --> 00:06:11,400 Speaker 2: roundabout way when they refuse the first time I asked 127 00:06:11,400 --> 00:06:13,640 Speaker 2: you a direct question or you read pilled or blue pilled, 128 00:06:13,880 --> 00:06:15,760 Speaker 2: and then I had to ask follow up questions based 129 00:06:15,800 --> 00:06:18,279 Speaker 2: on your psyche, and I eventually got to the fact 130 00:06:18,320 --> 00:06:20,200 Speaker 2: that you are blue pilled. You don't want to know 131 00:06:20,279 --> 00:06:20,719 Speaker 2: the truth. 132 00:06:20,920 --> 00:06:23,719 Speaker 1: You would be a trial lawyer when you like the performance. 133 00:06:24,120 --> 00:06:26,479 Speaker 2: I did tell you that. Like when I was younger, 134 00:06:26,520 --> 00:06:27,760 Speaker 2: that's what I wanted to be. I wanted to be 135 00:06:27,760 --> 00:06:29,080 Speaker 2: a lawyer. I love to get up and sort of 136 00:06:29,120 --> 00:06:33,080 Speaker 2: twirl in front of people and say and isn't it true? 137 00:06:34,920 --> 00:06:36,880 Speaker 2: But actually, if you know that, you can't really say 138 00:06:36,880 --> 00:06:39,119 Speaker 2: and isn't it true, because that's leading the way leading. 139 00:06:39,320 --> 00:06:42,200 Speaker 2: So all these movies and television shows you've seen where 140 00:06:42,200 --> 00:06:46,000 Speaker 2: a lawyer said and isn't it true, mister Belafonte, that 141 00:06:46,080 --> 00:06:51,760 Speaker 2: you did this objection constructing the jury? Is that one 142 00:06:51,760 --> 00:06:55,520 Speaker 2: of them there's leading the witness, badgering the witness hearsay 143 00:06:56,040 --> 00:06:58,279 Speaker 2: asked An answered, which is my favorite. I love when 144 00:06:58,279 --> 00:07:00,400 Speaker 2: someone is talking to me in real life and they 145 00:07:00,400 --> 00:07:03,000 Speaker 2: have said this a million times and say this and 146 00:07:03,040 --> 00:07:05,320 Speaker 2: I go objection, asked An answered. 147 00:07:05,160 --> 00:07:10,120 Speaker 1: Can I tell you mine what objection? Why is this relevant? 148 00:07:10,600 --> 00:07:14,760 Speaker 2: Relevant? Objection? Relevant, irrelevant? 149 00:07:15,560 --> 00:07:19,880 Speaker 1: Blonde and legally blonde. That the prosecution literally was just. 150 00:07:19,800 --> 00:07:23,440 Speaker 2: Like, WHOA, I have a point, I promise, then they 151 00:07:23,640 --> 00:07:24,320 Speaker 2: make it. 152 00:07:24,880 --> 00:07:28,080 Speaker 1: But I think that lawyer goes, why is this relevant? 153 00:07:28,600 --> 00:07:33,040 Speaker 2: Yep? So good, yep, objection? Why is this relevant? That 154 00:07:33,120 --> 00:07:36,360 Speaker 2: lawyer turned it? That lawyer as another iconic line, when 155 00:07:36,520 --> 00:07:38,400 Speaker 2: I reached with this, Phene comes into the jury and 156 00:07:38,400 --> 00:07:41,600 Speaker 2: she's gonna represent Ellie Larder, and the other lawyer goes, 157 00:07:41,920 --> 00:07:43,320 Speaker 2: I have no problem with this. 158 00:07:48,080 --> 00:07:51,280 Speaker 1: And when Shutney confesses like they cut to her and 159 00:07:51,320 --> 00:07:53,520 Speaker 1: she goes her jaw drops. 160 00:07:53,320 --> 00:07:58,760 Speaker 2: I didn't mean to shoot him the door. Oh my god, 161 00:07:59,080 --> 00:07:59,560 Speaker 2: oh my. 162 00:07:59,520 --> 00:08:02,120 Speaker 1: God, oh my god. 163 00:08:03,520 --> 00:08:05,800 Speaker 2: Levond is, without a doubt, the greatest film of all time, 164 00:08:05,840 --> 00:08:07,600 Speaker 2: of all of our generations. It would win a gold 165 00:08:07,600 --> 00:08:11,240 Speaker 2: medal to match her blonde hair if they gave medals 166 00:08:11,240 --> 00:08:14,239 Speaker 2: for film, but they don't. They give oscars for film, 167 00:08:14,280 --> 00:08:16,240 Speaker 2: and the movie was what snubbed. 168 00:08:17,280 --> 00:08:19,280 Speaker 1: When we come back from our break, we will go 169 00:08:19,400 --> 00:08:22,440 Speaker 1: into by rings and talk about the new sports and evats. 170 00:08:22,760 --> 00:08:28,800 Speaker 2: See after the ranking on the bend. 171 00:08:34,240 --> 00:08:34,760 Speaker 1: We're back. 172 00:08:35,120 --> 00:08:37,800 Speaker 2: We're back to talk about I mean at number one 173 00:08:38,080 --> 00:08:41,640 Speaker 2: on what's happening. What's new is the fact that breaking 174 00:08:42,240 --> 00:08:45,920 Speaker 2: is the loan sport making its Olympic debut. Now, we 175 00:08:46,000 --> 00:08:49,240 Speaker 2: talked a little bit before this break about what breaking is, 176 00:08:49,320 --> 00:08:52,599 Speaker 2: but by definition, the official definition from the Olympics of 177 00:08:52,640 --> 00:08:57,600 Speaker 2: breaking is the dance battle sport characterized by acrobatic movements, 178 00:08:57,760 --> 00:09:01,280 Speaker 2: stylized footwork, and the key role by the DJ and 179 00:09:01,320 --> 00:09:04,280 Speaker 2: the MC during battles. This is really fascinating. 180 00:09:04,920 --> 00:09:11,280 Speaker 1: There is going to be an Olympics DJ on the 181 00:09:11,320 --> 00:09:16,400 Speaker 1: floor and an MC depending on the matchups for this event. 182 00:09:16,520 --> 00:09:19,960 Speaker 1: I am so excited. I'm true. When I found out 183 00:09:19,960 --> 00:09:23,320 Speaker 1: about this last year, I was so thrilled, gooped gagged. 184 00:09:23,360 --> 00:09:26,120 Speaker 1: I was like, I can't wait to watch this popcorn 185 00:09:26,240 --> 00:09:27,720 Speaker 1: in the bowl on my lefe. 186 00:09:27,760 --> 00:09:31,199 Speaker 2: It's gonna be amazing. It's gonna be really really, really cool. 187 00:09:31,280 --> 00:09:33,679 Speaker 2: So the NBC. Our friends at NBC have said the 188 00:09:33,720 --> 00:09:38,400 Speaker 2: sports techniques include top rock, which is standing footwork, and 189 00:09:38,559 --> 00:09:41,000 Speaker 2: down rock, which is moves on the floor. So top 190 00:09:41,040 --> 00:09:44,240 Speaker 2: rock when you're vertical, downrock when your horizont Then there's 191 00:09:44,280 --> 00:09:47,720 Speaker 2: power moves, which are twists and spins, and the freeze 192 00:09:47,960 --> 00:09:50,800 Speaker 2: when breakers freeze and poses while using their heads or 193 00:09:50,840 --> 00:09:53,160 Speaker 2: hands for support. So that's that thing of like where 194 00:09:53,320 --> 00:09:55,880 Speaker 2: they're sort of using you know, their body weight and 195 00:09:55,920 --> 00:09:59,080 Speaker 2: like defying gravity as it were if Alphabet were a judge. 196 00:09:59,200 --> 00:10:01,240 Speaker 1: Can you perform a for me right now? 197 00:10:01,760 --> 00:10:04,440 Speaker 2: Yeah? Ready? 198 00:10:06,160 --> 00:10:08,680 Speaker 1: Yes, that wasn't so good? 199 00:10:09,000 --> 00:10:11,160 Speaker 2: That was good. Can I tell you something. I could 200 00:10:11,400 --> 00:10:15,120 Speaker 2: never be a breaker. Never. I'm more of a someone 201 00:10:15,160 --> 00:10:18,200 Speaker 2: who rolls his body than my hit. 202 00:10:18,360 --> 00:10:21,160 Speaker 1: You have to move, you can't praise, You can't. 203 00:10:20,960 --> 00:10:23,640 Speaker 2: See this when I'm doing a very sexy movement with 204 00:10:23,720 --> 00:10:25,679 Speaker 2: my shoulders and this is more my thing. 205 00:10:25,679 --> 00:10:28,200 Speaker 1: Your more perpetual motion. And this is about stopping. 206 00:10:28,520 --> 00:10:31,040 Speaker 2: Yeah, this is about control and I have almost none. 207 00:10:31,200 --> 00:10:34,720 Speaker 1: What I'm excited about is it seems like they're really 208 00:10:34,720 --> 00:10:37,959 Speaker 1: honoring the history of breaking as it relates to hip 209 00:10:38,000 --> 00:10:42,839 Speaker 1: hop history. Our NBC friends are saying sport originated in 210 00:10:42,920 --> 00:10:45,360 Speaker 1: a rec room in the Bronx where legendary DJ named 211 00:10:45,440 --> 00:10:48,640 Speaker 1: cool Herk debuted a new technique that's centered around percussive 212 00:10:48,720 --> 00:10:52,520 Speaker 1: breaks in songs. So this is when in the breaks 213 00:10:52,640 --> 00:10:56,160 Speaker 1: people would start dancing, and so that created the term 214 00:10:56,280 --> 00:11:00,600 Speaker 1: break dancing. So breaks are central to the form to 215 00:11:00,640 --> 00:11:01,120 Speaker 1: this event. 216 00:11:02,320 --> 00:11:06,320 Speaker 2: Yeah, there's a gold medal favorite bee Boy Victor and 217 00:11:06,360 --> 00:11:10,520 Speaker 2: then Sonny Choi or B Girl Sonny is also competing. 218 00:11:10,679 --> 00:11:11,960 Speaker 2: Do you know B Girl Sonny? 219 00:11:12,080 --> 00:11:16,760 Speaker 1: I met Sonny in Can last summer. We were hanging 220 00:11:16,840 --> 00:11:22,280 Speaker 1: out for promotional things for NBC stuff. She is the 221 00:11:22,520 --> 00:11:26,280 Speaker 1: coolest girl. I met her beautiful partner. They are so 222 00:11:26,800 --> 00:11:30,840 Speaker 1: lovely together. She's got the partner. He's so cool. But 223 00:11:31,080 --> 00:11:35,000 Speaker 1: hello again. From the podcast Airwaves, she was working at 224 00:11:35,080 --> 00:11:35,560 Speaker 1: Esday latter. 225 00:11:35,760 --> 00:11:36,560 Speaker 2: This is amazing. 226 00:11:37,160 --> 00:11:39,640 Speaker 1: This is what you forget is these Olympians have the 227 00:11:39,720 --> 00:11:44,600 Speaker 1: day jobs and they are oftentimes so fascinating, especially in 228 00:11:44,640 --> 00:11:48,120 Speaker 1: relation to the events that our Olympians perform in. 229 00:11:48,520 --> 00:11:51,720 Speaker 2: Yeah, this says she was director of Global Creative Operations 230 00:11:51,760 --> 00:11:54,800 Speaker 2: at Esday Lauder and she quit that job to focus 231 00:11:54,880 --> 00:11:58,559 Speaker 2: on breaking full time. That's insane, like people are leaving 232 00:11:59,120 --> 00:12:02,920 Speaker 2: really great jobs to fulfill their passion and it's taken 233 00:12:02,960 --> 00:12:04,640 Speaker 2: them all the way to the Olympics. But we should 234 00:12:04,640 --> 00:12:08,319 Speaker 2: do an episode about all these athletes day jobs. Someone 235 00:12:08,360 --> 00:12:09,280 Speaker 2: write that down. 236 00:12:09,240 --> 00:12:11,760 Speaker 1: Someone write that down. I think we could go in 237 00:12:11,800 --> 00:12:15,439 Speaker 1: the Olympic Village, as we said last episode and kind 238 00:12:15,480 --> 00:12:18,320 Speaker 1: of do a Man on the Street TikTok style or 239 00:12:18,520 --> 00:12:20,959 Speaker 1: you know, wide video. It doesn't have to be vertical. 240 00:12:21,240 --> 00:12:22,480 Speaker 2: Bring back Man on the Street. 241 00:12:22,760 --> 00:12:25,199 Speaker 1: They're trying to but some of these TikTok people don't 242 00:12:25,240 --> 00:12:28,360 Speaker 1: have it. They don't have no to borrow return from 243 00:12:28,400 --> 00:12:30,880 Speaker 1: gen Z there is. Back in my day, man on 244 00:12:30,920 --> 00:12:35,120 Speaker 1: the Street was you had to have something, You had 245 00:12:35,160 --> 00:12:38,080 Speaker 1: to have the X factor. Ross Matthews in turn Ross 246 00:12:38,280 --> 00:12:42,360 Speaker 1: at the Tonight Show. Billy Eichner one of the best 247 00:12:42,400 --> 00:12:44,120 Speaker 1: to ever do it, one of the best people to 248 00:12:44,120 --> 00:12:45,839 Speaker 1: be on the street. I would love to be on 249 00:12:45,920 --> 00:12:49,960 Speaker 1: the Olympic Village square with my sister Matt Rogers and 250 00:12:50,080 --> 00:12:53,040 Speaker 1: ask these people what their day jobs are slash worse 251 00:12:53,040 --> 00:12:53,680 Speaker 1: slash will be. 252 00:12:53,960 --> 00:12:56,080 Speaker 2: We would do great work there because can I say, 253 00:12:56,160 --> 00:12:58,040 Speaker 2: back in the day when Bowen and I were coming up, 254 00:12:58,520 --> 00:13:00,280 Speaker 2: you had to do everything you had to be an 255 00:13:00,320 --> 00:13:03,240 Speaker 2: actor a writer. You have to be able to, you know, 256 00:13:03,600 --> 00:13:06,440 Speaker 2: sing your music. You had to write your music that 257 00:13:06,520 --> 00:13:09,440 Speaker 2: you sang, otherwise you'd never get a deal. You would 258 00:13:09,440 --> 00:13:11,240 Speaker 2: have to be able to dance or at least move 259 00:13:11,320 --> 00:13:13,360 Speaker 2: and do a choreography. And you'd have to be able 260 00:13:13,360 --> 00:13:14,959 Speaker 2: to do Man on the street and. 261 00:13:15,559 --> 00:13:19,200 Speaker 1: Make your own posters for your shows. But more importantly 262 00:13:19,480 --> 00:13:20,160 Speaker 1: man on the street. 263 00:13:20,320 --> 00:13:22,760 Speaker 2: I have a question about breaking. Is it binary or no? 264 00:13:23,000 --> 00:13:25,560 Speaker 2: Is it everyone's competing altogether? I is binary. 265 00:13:25,640 --> 00:13:28,360 Speaker 1: I think there is a man in women's breaking event. Hold, 266 00:13:28,440 --> 00:13:33,200 Speaker 1: let's look this up. Breaking confirmed binary? Confirmed binary? Who 267 00:13:33,240 --> 00:13:33,839 Speaker 1: confirmed it? 268 00:13:33,960 --> 00:13:36,920 Speaker 2: No, I'm just saying in a world where we can 269 00:13:37,000 --> 00:13:40,640 Speaker 2: confirm it, it is a confirmed binary sport. I am interested 270 00:13:40,679 --> 00:13:41,920 Speaker 2: to hear, because. 271 00:13:41,920 --> 00:13:45,040 Speaker 1: Yes, yes, there's b boying and be girling events. All right, 272 00:13:45,320 --> 00:13:49,280 Speaker 1: sixteen b boys and be girls competing for two metal events. 273 00:13:50,040 --> 00:13:52,720 Speaker 1: What if your men went from women? IOC president Thomas 274 00:13:52,760 --> 00:13:54,800 Speaker 1: Box stated that they added break dancing as part of 275 00:13:54,800 --> 00:13:56,600 Speaker 1: an effort to draw more interest from young people in 276 00:13:56,600 --> 00:13:59,960 Speaker 1: the Olympics. Well, if I count as young, which I don't, 277 00:14:00,040 --> 00:14:00,880 Speaker 1: and it's working. 278 00:14:00,920 --> 00:14:05,120 Speaker 2: Oh absolutely, I think I'm excited about this. First and foremost, now, 279 00:14:05,360 --> 00:14:07,720 Speaker 2: but also this next event we're going to talk about 280 00:14:07,760 --> 00:14:10,320 Speaker 2: in terms of newness. You know, this is more my 281 00:14:10,440 --> 00:14:12,839 Speaker 2: definition of newness, like, how do we make it more 282 00:14:13,280 --> 00:14:15,840 Speaker 2: streamline inclusive, how do we make it streamline? How do 283 00:14:15,880 --> 00:14:18,560 Speaker 2: we really say what this is? So it's no longer 284 00:14:18,600 --> 00:14:21,440 Speaker 2: synchronized swimming, and guess what it kind of never really was. 285 00:14:21,640 --> 00:14:26,800 Speaker 2: It's artistic swimming. Artistic swimming is what we are calling 286 00:14:27,200 --> 00:14:30,080 Speaker 2: the sport in which we see people in the water 287 00:14:30,480 --> 00:14:34,560 Speaker 2: give art pop. This is the most art pop event 288 00:14:34,760 --> 00:14:38,360 Speaker 2: we have seen thus far. There's breaking which is up 289 00:14:38,360 --> 00:14:41,560 Speaker 2: there in terms of art pop, and then artistic swimming. Now, 290 00:14:41,600 --> 00:14:44,480 Speaker 2: whenever I get in the water, consider it artistic swimming. 291 00:14:44,480 --> 00:14:46,920 Speaker 2: By the way, I'm giving art pop whenever I swim. 292 00:14:47,040 --> 00:14:49,600 Speaker 2: But there's been major changes to this event to really 293 00:14:49,680 --> 00:14:52,520 Speaker 2: take it to the next level. For example, men are 294 00:14:52,560 --> 00:14:54,640 Speaker 2: now allowed on teams. Congrats to men. 295 00:14:55,040 --> 00:14:57,560 Speaker 1: We have to be more inclusive to men. Let them 296 00:14:57,560 --> 00:15:00,240 Speaker 1: swim dance, Let them swim dance, let them do a 297 00:15:00,240 --> 00:15:04,840 Speaker 1: Buzzby Berkeley routine in the water. For God's sake, For 298 00:15:04,880 --> 00:15:06,960 Speaker 1: the first time in the history of the Olympics, male 299 00:15:07,040 --> 00:15:09,080 Speaker 1: artistic summers will be allowed to compete in Paris. Up 300 00:15:09,120 --> 00:15:11,880 Speaker 1: to two men per country may compete in the team competition, 301 00:15:12,160 --> 00:15:15,480 Speaker 1: so not more than two. I guess baby steps, baby steps, 302 00:15:15,480 --> 00:15:18,200 Speaker 1: But I really want to see a bunch of guys 303 00:15:18,240 --> 00:15:21,840 Speaker 1: in a circle kicking their legs up doing the same move, 304 00:15:22,720 --> 00:15:26,320 Speaker 1: and then a champagne, a big champagne coup rises out 305 00:15:26,360 --> 00:15:28,680 Speaker 1: of the water, and then there's more guys on that 306 00:15:29,000 --> 00:15:32,560 Speaker 1: I'm I want. There should be a Buzzby Berkeley metal 307 00:15:32,560 --> 00:15:36,840 Speaker 1: event for artistic swimming in the future, is what I'm saying. 308 00:15:37,440 --> 00:15:39,680 Speaker 2: This can evolve, and it has evolved, and it can 309 00:15:39,800 --> 00:15:41,040 Speaker 2: evolve to be what you want it to be. 310 00:15:41,120 --> 00:15:44,520 Speaker 1: It can for LA twenty twenty eight, we're thicking ahead, 311 00:15:45,080 --> 00:15:47,400 Speaker 1: could be something that we consider. 312 00:15:47,320 --> 00:15:51,240 Speaker 2: Could be something. Wow. To think that in four years 313 00:15:51,280 --> 00:15:53,800 Speaker 2: the Olympics are going to be here in La in 314 00:15:53,840 --> 00:15:55,080 Speaker 2: my backyard. 315 00:15:55,080 --> 00:15:55,760 Speaker 1: So cool. 316 00:15:56,400 --> 00:16:00,160 Speaker 2: This is so freaking cool for the so but yeah, 317 00:16:00,160 --> 00:16:01,840 Speaker 2: so if you go out there and you call it 318 00:16:01,920 --> 00:16:05,120 Speaker 2: like synchronized swimming, you're going to sound like a rube 319 00:16:05,560 --> 00:16:07,360 Speaker 2: a rub and you'll be shamed for it. 320 00:16:07,560 --> 00:16:08,400 Speaker 1: In the village. 321 00:16:08,640 --> 00:16:11,280 Speaker 2: A lot of people asking how do artistic swimmers hear 322 00:16:11,360 --> 00:16:13,640 Speaker 2: the music? Because famously Bowen, I don't know if you've 323 00:16:13,640 --> 00:16:16,720 Speaker 2: tried this, but when you swim underwater, it can become 324 00:16:16,760 --> 00:16:17,840 Speaker 2: difficult to. 325 00:16:17,880 --> 00:16:20,360 Speaker 1: Hear sound waves travels. 326 00:16:20,400 --> 00:16:23,280 Speaker 2: Yeah, sound it's so, but it is different. I mean 327 00:16:23,320 --> 00:16:25,840 Speaker 2: everything's just a little bit more different underwater. It's kind 328 00:16:25,880 --> 00:16:29,080 Speaker 2: of like going to Vire Island. How time works differently there. Yeah, 329 00:16:29,320 --> 00:16:33,000 Speaker 2: it's like sound works differently underwater. NBC has this to say, 330 00:16:33,640 --> 00:16:37,360 Speaker 2: a set of underwater and pool side loudspeakers allows swimmers 331 00:16:37,360 --> 00:16:40,080 Speaker 2: to hear their music and stay in sync, whether submerged 332 00:16:40,200 --> 00:16:42,880 Speaker 2: or performing with their heads above the surface. So they're 333 00:16:42,880 --> 00:16:47,160 Speaker 2: playing the music underwater basically. So it's like a hard 334 00:16:47,200 --> 00:16:49,560 Speaker 2: rock hotel. You ever been to a hard rock hotel 335 00:16:49,560 --> 00:16:51,000 Speaker 2: and gone under the water in the pool. 336 00:16:51,360 --> 00:16:53,920 Speaker 1: I can't say that I have, but now I want to. 337 00:16:54,200 --> 00:16:56,360 Speaker 2: I'll take you. I'll take you. We'll go to hard 338 00:16:56,440 --> 00:16:59,960 Speaker 2: rock hotel. Oh, you create at the NBC Universal Resort. 339 00:17:00,440 --> 00:17:04,280 Speaker 1: Yes, I just want a pool like this anywhere. I 340 00:17:04,560 --> 00:17:07,760 Speaker 1: don't think hard about hotel should have a monopoly on 341 00:17:07,840 --> 00:17:11,200 Speaker 1: pools with speaker systems underwater. Like I would love for 342 00:17:11,320 --> 00:17:16,400 Speaker 1: this to be a feature in a fire Island house. Yeah, 343 00:17:16,440 --> 00:17:20,280 Speaker 1: in a house on the beach in Miami. Not on 344 00:17:20,359 --> 00:17:22,760 Speaker 1: the beach but you know, like a house, a house 345 00:17:22,800 --> 00:17:24,679 Speaker 1: in Miami, I should say listen. 346 00:17:24,720 --> 00:17:26,879 Speaker 2: I think if you want a home with a pool 347 00:17:26,920 --> 00:17:29,199 Speaker 2: that has an underwater speaker, I think you can do that. 348 00:17:29,240 --> 00:17:31,800 Speaker 2: You just got to keep working. You've got to keep working, 349 00:17:32,400 --> 00:17:34,639 Speaker 2: just keep keep the money coming in, and then you 350 00:17:34,680 --> 00:17:37,080 Speaker 2: can put all that money invested into a pool with 351 00:17:37,119 --> 00:17:39,399 Speaker 2: an underwater speaker, and then you can get what you want. Bowen, 352 00:17:39,440 --> 00:17:41,720 Speaker 2: But you have to you have to make these things happen. 353 00:17:41,800 --> 00:17:45,879 Speaker 1: But here's the thing. I know my worth internally, and 354 00:17:45,960 --> 00:17:49,159 Speaker 1: it is definitely worth a pool with an underwater speaker system. 355 00:17:49,600 --> 00:17:51,560 Speaker 1: I am worth at least that much. 356 00:17:52,160 --> 00:17:54,919 Speaker 2: Yeah, yeah, yeah, yeah, yeah yeah. Well let's see. 357 00:17:55,080 --> 00:17:58,880 Speaker 1: I want to talk about the five rules of artistic swimming. 358 00:17:59,240 --> 00:18:02,480 Speaker 2: Yes, it's really important to know the rules, yes, Purtacey, 359 00:18:02,480 --> 00:18:06,800 Speaker 2: if swimming dot org, these are rules for life as well. Yeah, 360 00:18:06,880 --> 00:18:09,760 Speaker 2: so I've went out there looking to become an artistic swimmer. 361 00:18:09,840 --> 00:18:11,520 Speaker 2: Just know that these are the basic tenants. 362 00:18:12,440 --> 00:18:16,639 Speaker 1: Never touch the bottom except me, You can't touch the 363 00:18:16,680 --> 00:18:19,679 Speaker 1: bottom of the pool at any time. Just keep treading 364 00:18:19,720 --> 00:18:21,919 Speaker 1: water and things will work out for you. 365 00:18:22,760 --> 00:18:24,520 Speaker 2: Yeah. But if it's bow when you may touch the 366 00:18:24,560 --> 00:18:28,919 Speaker 2: bottom next. You don't need bling, no jewelry, no theatrical makeup, 367 00:18:28,920 --> 00:18:32,000 Speaker 2: no inappropriate costumes. If you look at photos of artistic swimmers, 368 00:18:32,240 --> 00:18:35,080 Speaker 2: they all still look fabulous. So we're keeping it very minimalist. 369 00:18:35,200 --> 00:18:39,280 Speaker 2: It should be about the swim dancing, not the extra coutrement. Okay, 370 00:18:39,280 --> 00:18:42,200 Speaker 2: this isn't a drag show. This isn't Rue Paul's artistic 371 00:18:42,200 --> 00:18:45,760 Speaker 2: swimming Olympics event. Keep it simple, keep it classy, keep 372 00:18:45,800 --> 00:18:47,280 Speaker 2: it together. 373 00:18:47,160 --> 00:18:49,400 Speaker 1: Keep it unembellished and unadorned. 374 00:18:49,720 --> 00:18:50,080 Speaker 2: Yeah. 375 00:18:50,200 --> 00:18:54,000 Speaker 1: Next, the more people, the better. Teams normally contain eight swimmers, 376 00:18:54,000 --> 00:18:56,560 Speaker 1: but the minimum number for a team is four. You 377 00:18:56,640 --> 00:18:59,080 Speaker 1: lose points when you have fewer swimmers because it's easier 378 00:18:59,080 --> 00:19:01,679 Speaker 1: to synchronize with you. We're swimmers, although I guess we 379 00:19:01,800 --> 00:19:04,200 Speaker 1: are up to two men per country they can be 380 00:19:04,320 --> 00:19:07,600 Speaker 1: in the team competition. So maybe there's a certain composition 381 00:19:07,720 --> 00:19:10,320 Speaker 1: that is specific to the Olympics, but that seems to 382 00:19:10,359 --> 00:19:14,520 Speaker 1: be the general rule of thumb for artistic swimming events outside. 383 00:19:14,760 --> 00:19:16,719 Speaker 2: So the more people, the better, like you could probably 384 00:19:16,920 --> 00:19:19,679 Speaker 2: you would look more impressive if it was sixteen people 385 00:19:19,720 --> 00:19:21,800 Speaker 2: all swimming instead of just two. But I will say 386 00:19:21,840 --> 00:19:24,320 Speaker 2: if it is just two, you can probably because you 387 00:19:24,359 --> 00:19:26,320 Speaker 2: only have two people to look at. You can probably 388 00:19:26,359 --> 00:19:28,959 Speaker 2: see the mistakes. Oh then again, it is the Olympics, 389 00:19:28,960 --> 00:19:31,920 Speaker 2: so they're not going to really make mistakes exactly. 390 00:19:32,000 --> 00:19:36,400 Speaker 1: But it's like, gosh, somebody, the commentators and the judges 391 00:19:36,440 --> 00:19:40,520 Speaker 1: for the synchronized diving, those eyes are trained because they 392 00:19:40,520 --> 00:19:42,240 Speaker 1: are picking up on things that I'm like, how did 393 00:19:42,280 --> 00:19:46,080 Speaker 1: you possibly see that? Yeah, but these are experts, y'all. 394 00:19:46,440 --> 00:19:49,320 Speaker 2: Next rule, stick to the schedule of people. Routines can 395 00:19:49,400 --> 00:19:52,280 Speaker 2: be anything from two and a half minutes to five minutes, 396 00:19:52,280 --> 00:19:54,600 Speaker 2: but you'll be penalized if your routine is off by 397 00:19:54,640 --> 00:19:58,680 Speaker 2: fifteen seconds. Oh wow, so you really it's like there 398 00:19:58,720 --> 00:20:02,600 Speaker 2: is a program. Your song is your song, hit your 399 00:20:02,600 --> 00:20:05,040 Speaker 2: beats and do not overstay. 400 00:20:05,320 --> 00:20:07,880 Speaker 1: This is I don't know, this is very I take 401 00:20:07,880 --> 00:20:10,159 Speaker 1: an issue with this because what if someone wants to 402 00:20:10,200 --> 00:20:13,920 Speaker 1: do a routine to a mordem a Vie by Billie Eilish. 403 00:20:14,119 --> 00:20:16,399 Speaker 1: That's a seven minute song I think. 404 00:20:16,440 --> 00:20:19,840 Speaker 2: You couldn't do but Daddy I Love Him by Taylor Swift. 405 00:20:19,560 --> 00:20:21,399 Speaker 1: Certainly an All Too Well ten minute version. 406 00:20:21,920 --> 00:20:24,359 Speaker 2: No, you couldn't even do the regular version of All 407 00:20:24,400 --> 00:20:27,280 Speaker 2: Too Well. And honestly, I want to see that swam 408 00:20:27,359 --> 00:20:29,879 Speaker 2: dance too. I want to see someone artistically swim to 409 00:20:29,880 --> 00:20:32,359 Speaker 2: All too Well more than I want most things. And 410 00:20:32,440 --> 00:20:35,520 Speaker 2: I want so much, bo I want so much in life. 411 00:20:35,920 --> 00:20:37,480 Speaker 1: But how badly do you want this? 412 00:20:38,040 --> 00:20:40,119 Speaker 2: Not bad enough that I'm willing to make an issue 413 00:20:40,119 --> 00:20:42,600 Speaker 2: with the Olympic Committee. But I'm not happy about this 414 00:20:42,680 --> 00:20:45,320 Speaker 2: rule at all. And I have integrity, and I know 415 00:20:45,400 --> 00:20:47,679 Speaker 2: so do you, and so we're speaking up on this 416 00:20:47,720 --> 00:20:50,200 Speaker 2: podcast to say this rule is book and they need 417 00:20:50,240 --> 00:20:52,680 Speaker 2: to be able to extend it a little bit, to adjust, 418 00:20:52,800 --> 00:20:56,200 Speaker 2: include the length of Taylor Swift All too Well, because 419 00:20:56,240 --> 00:20:59,800 Speaker 2: we have as a culture have not heard that song enough, 420 00:21:00,680 --> 00:21:02,320 Speaker 2: and we haven't talked about that song. 421 00:21:02,280 --> 00:21:06,040 Speaker 1: Enough now, and we certainly haven't swam to it artistically enough. 422 00:21:07,359 --> 00:21:09,600 Speaker 2: Until we do. This conversation is ongoing. 423 00:21:10,200 --> 00:21:13,919 Speaker 1: Absolutely, no goggles is the last rule. This rule may 424 00:21:13,960 --> 00:21:16,800 Speaker 1: not be a great rule for life. If you want 425 00:21:16,800 --> 00:21:18,879 Speaker 1: to wear goggles in real life for any reason, you 426 00:21:18,880 --> 00:21:20,679 Speaker 1: can wear goggles as long as if. 427 00:21:20,520 --> 00:21:22,720 Speaker 2: You want to wear goggles, wear goggles. 428 00:21:22,240 --> 00:21:24,879 Speaker 1: As long as you're not obstructing your own view for 429 00:21:24,960 --> 00:21:28,520 Speaker 1: something that requires your attention, if you're not operating haaving 430 00:21:28,560 --> 00:21:29,679 Speaker 1: machinery in quitting. 431 00:21:29,440 --> 00:21:31,159 Speaker 2: A car, or if you want to compete in this 432 00:21:31,200 --> 00:21:34,560 Speaker 2: Olympic event because no goggles, that's the rule. Honestly, chlorine 433 00:21:35,200 --> 00:21:39,320 Speaker 2: is such a problem when you dive into these waters 434 00:21:39,320 --> 00:21:41,400 Speaker 2: and you open up your eyes down there, like chlorine 435 00:21:41,440 --> 00:21:43,399 Speaker 2: is going to be a major issue. So I my 436 00:21:43,480 --> 00:21:45,359 Speaker 2: heart goes out to these artistic swimmers. 437 00:21:45,520 --> 00:21:49,000 Speaker 1: They're bloodshot, they're blood shot. Finally, let's talk about a 438 00:21:49,040 --> 00:21:52,600 Speaker 1: new ish event, which is surfing. But the news here 439 00:21:52,720 --> 00:21:54,760 Speaker 1: is that it is not going to be in parissed 440 00:21:54,800 --> 00:21:57,760 Speaker 1: because you're thinking it's a landlocked city. They're certainly not 441 00:21:57,800 --> 00:22:00,360 Speaker 1: going to surf on the river, sin are they? Where 442 00:22:00,400 --> 00:22:01,040 Speaker 1: are they surfing? 443 00:22:01,080 --> 00:22:04,800 Speaker 2: Now? Well, it will take place in Tahiti. We're gonna 444 00:22:04,880 --> 00:22:08,600 Speaker 2: cut to Tahiti. We're gonna be leaving the Parisian streets 445 00:22:09,119 --> 00:22:12,960 Speaker 2: like Eiffel Tower. We'll check back in with you in 446 00:22:13,000 --> 00:22:16,440 Speaker 2: a second, because the Paris surfing competition will take place 447 00:22:16,480 --> 00:22:19,240 Speaker 2: in Tahiti, which is ten thousand miles away. The setting 448 00:22:19,280 --> 00:22:25,360 Speaker 2: has been called breath takingly beautiful and punishingly tricky. Wow. 449 00:22:25,680 --> 00:22:27,680 Speaker 2: This sport made its Olympic debut in the twenty twenty 450 00:22:27,680 --> 00:22:31,360 Speaker 2: Tokyo Games. It's new ish. There are two surfing events, 451 00:22:31,560 --> 00:22:34,040 Speaker 2: Men's short board and women's shortboard. And by the way, 452 00:22:34,040 --> 00:22:37,240 Speaker 2: a short board is a smaller surfboard, generally in the 453 00:22:37,240 --> 00:22:40,760 Speaker 2: five to seven foot range, designed for maximum speed through turns. 454 00:22:40,880 --> 00:22:44,200 Speaker 2: So you're gonna be seeing your twists, your turns, your dips, 455 00:22:44,240 --> 00:22:47,119 Speaker 2: your dives on these shorter boards than usual. 456 00:22:47,680 --> 00:22:50,600 Speaker 1: I can't even wrap my head around surfing. If you're 457 00:22:50,640 --> 00:22:52,760 Speaker 1: telling me you're supposed to do it faster. 458 00:22:53,160 --> 00:22:55,680 Speaker 2: I know, listen, it's one of those things you're not 459 00:22:55,720 --> 00:22:58,479 Speaker 2: gonna see me try. I'm not gonna try surfing now. 460 00:22:58,520 --> 00:22:59,840 Speaker 2: I'm not gonna try skiing now. 461 00:23:00,440 --> 00:23:02,960 Speaker 1: I just I think feel like frustrating. I think you 462 00:23:03,000 --> 00:23:04,160 Speaker 1: would You think I would like skiing. 463 00:23:04,240 --> 00:23:06,960 Speaker 2: You always say this, but it's like, I don't know. 464 00:23:08,119 --> 00:23:09,880 Speaker 2: I think I'd like a ski atmosphere. 465 00:23:09,920 --> 00:23:12,120 Speaker 1: Don't you want to feel like Gwyneth? Don't you want 466 00:23:12,160 --> 00:23:13,440 Speaker 1: to feel. 467 00:23:13,160 --> 00:23:17,639 Speaker 2: Like what crashing into men? Give me a break. If 468 00:23:17,680 --> 00:23:22,959 Speaker 2: I want to feel like Gwyneth, I'll go to Goop kitchen. Okay, 469 00:23:23,160 --> 00:23:24,880 Speaker 2: she did really good work with that. 470 00:23:26,080 --> 00:23:28,119 Speaker 1: I'm sure that sounds good to me. 471 00:23:28,200 --> 00:23:30,040 Speaker 2: Now, do you know what goofy footed means? Do you 472 00:23:30,080 --> 00:23:31,560 Speaker 2: know what it means to be goofy footed? When you 473 00:23:31,560 --> 00:23:35,720 Speaker 2: serve means you go, that was really good. Lorn bone 474 00:23:35,720 --> 00:23:38,040 Speaker 2: as a goofy bone, as a goofy bone as a 475 00:23:38,080 --> 00:23:42,040 Speaker 2: goofy could be interesting. Olympics are coming up. Goofy footed. 476 00:23:42,160 --> 00:23:45,080 Speaker 1: No, of course I know what goofy footed means. It 477 00:23:45,119 --> 00:23:47,360 Speaker 1: means a surfer who serves with their right foot forward. 478 00:23:47,560 --> 00:23:51,040 Speaker 1: I think I would be goofy footed. No, no, I 479 00:23:51,119 --> 00:23:52,960 Speaker 1: think I'm regular footed, which is the left foot. 480 00:23:53,240 --> 00:23:56,399 Speaker 2: We should start calling gay guys goofy footed. Well, you 481 00:23:56,440 --> 00:23:57,760 Speaker 2: know he's goofy footed. 482 00:23:57,480 --> 00:23:59,760 Speaker 1: He's goofy footed. Hmm, what does that mean? 483 00:24:00,480 --> 00:24:02,480 Speaker 2: He serves with the right foot forward. If you catch 484 00:24:02,560 --> 00:24:05,840 Speaker 2: my meaning, if you gather my meaning, I don't. A 485 00:24:05,960 --> 00:24:08,320 Speaker 2: regular footed describes a server who serves with their left 486 00:24:08,320 --> 00:24:11,200 Speaker 2: foot forward, also called natural footed in Australia. 487 00:24:11,320 --> 00:24:13,680 Speaker 1: Now maybe that's why I'm leaning towards that. I'm a 488 00:24:13,760 --> 00:24:17,280 Speaker 1: very natural person. So that's why I'm thinking maybe I'm 489 00:24:17,320 --> 00:24:20,200 Speaker 1: regular footed. It's the way God wanted me to surf, 490 00:24:20,680 --> 00:24:21,879 Speaker 1: which is not to surf. 491 00:24:22,080 --> 00:24:25,160 Speaker 2: Body made right, body made right, God created. 492 00:24:25,600 --> 00:24:27,960 Speaker 1: Now I want to say this name to you, and 493 00:24:28,000 --> 00:24:30,280 Speaker 1: I want you to tell me picture her in your 494 00:24:30,320 --> 00:24:33,119 Speaker 1: mind's eye. Carissa Moore. 495 00:24:36,240 --> 00:24:38,719 Speaker 2: First of all, I play her in a movie. Carissa 496 00:24:38,840 --> 00:24:40,919 Speaker 2: Moore is definitely my name in the film. 497 00:24:41,480 --> 00:24:44,760 Speaker 1: Yes, well, guess what this is what the movie's about. 498 00:24:45,000 --> 00:24:47,960 Speaker 1: It's about coming back for more after you took home 499 00:24:48,000 --> 00:24:51,760 Speaker 1: the gold for surfing in Tokyo. But guess what those 500 00:24:51,800 --> 00:24:54,879 Speaker 1: were some depressing Olympics, weren't they. Now she's back for 501 00:24:54,960 --> 00:24:59,880 Speaker 1: the I'm sorry, the real thing, the real thing in Paris, 502 00:25:00,440 --> 00:25:03,639 Speaker 1: and she's coming back to the gold for women's shortboard. 503 00:25:04,040 --> 00:25:07,200 Speaker 2: I support her. I feel very connected to her without 504 00:25:07,240 --> 00:25:09,800 Speaker 2: really knowing at all anything about her besides what you 505 00:25:09,840 --> 00:25:13,240 Speaker 2: just said or what she looks like. Carisa Moore, When 506 00:25:13,280 --> 00:25:16,840 Speaker 2: you strap that little strap onto your ankle, I don't 507 00:25:16,880 --> 00:25:19,560 Speaker 2: care if you're goofy footed or regular footed. You have 508 00:25:19,640 --> 00:25:22,879 Speaker 2: both of these goofs in your corner. Two goofy footed 509 00:25:22,960 --> 00:25:25,760 Speaker 2: podcast hosts want you to take home the gold more 510 00:25:25,800 --> 00:25:29,360 Speaker 2: than anything, sister, and we're gonna be watching and willing 511 00:25:30,040 --> 00:25:30,800 Speaker 2: your victory. 512 00:25:30,960 --> 00:25:31,359 Speaker 1: Thank you. 513 00:25:31,840 --> 00:25:34,960 Speaker 2: There are several other new events that come out. We'll 514 00:25:35,000 --> 00:25:37,440 Speaker 2: just run through them quickly before we give our medals out. 515 00:25:37,560 --> 00:25:41,320 Speaker 2: There's women's bantamweight added in boxing to get closer to 516 00:25:41,400 --> 00:25:46,040 Speaker 2: parody among genders, and men's light heavyweight has been dropped. 517 00:25:46,560 --> 00:25:51,000 Speaker 1: Men's and women's extreme k one for the canoe slalom. 518 00:25:51,359 --> 00:25:56,000 Speaker 1: Am I saying that right, slalom slalom, mixed team skeet 519 00:25:56,240 --> 00:26:00,840 Speaker 1: for shooting skeet skt sket skeet skeet, thank you. Sport 520 00:26:00,880 --> 00:26:03,879 Speaker 1: climbing wereorganized into speed events men and women, and combined 521 00:26:03,920 --> 00:26:07,280 Speaker 1: bouldering and lead events rather than a single event comprising 522 00:26:07,359 --> 00:26:08,440 Speaker 1: all three disciplines. 523 00:26:08,880 --> 00:26:11,320 Speaker 2: I am so excited about this next one. There's mixed 524 00:26:11,400 --> 00:26:15,640 Speaker 2: team thirty five kilometer racewalk. Do you know the racewalk 525 00:26:15,760 --> 00:26:17,720 Speaker 2: is a very competitive thing? 526 00:26:18,000 --> 00:26:21,560 Speaker 1: Yes, but is it interesting to watch to you as 527 00:26:21,560 --> 00:26:23,840 Speaker 1: a track as a former truck star. 528 00:26:24,200 --> 00:26:26,760 Speaker 2: As a former track star. Let me tell you something. Yes, 529 00:26:27,080 --> 00:26:30,720 Speaker 2: my best friend was a racewalker and her name was Sam, 530 00:26:30,960 --> 00:26:35,640 Speaker 2: and she was one of the best racewalkers. And it's 531 00:26:35,880 --> 00:26:37,639 Speaker 2: there's so much more to it than you think, and 532 00:26:37,680 --> 00:26:39,760 Speaker 2: there's so much more to it that makes it difficult. 533 00:26:39,840 --> 00:26:41,800 Speaker 2: Like one foot has to be on the ground at 534 00:26:41,800 --> 00:26:44,600 Speaker 2: all times, and they're watching you the entire time to 535 00:26:44,600 --> 00:26:46,880 Speaker 2: make sure that's the case. And like it's a very 536 00:26:46,880 --> 00:26:47,880 Speaker 2: technical thing. 537 00:26:48,080 --> 00:26:52,560 Speaker 1: I mean thirty five kilometers long, so these people, the 538 00:26:52,640 --> 00:26:57,080 Speaker 1: judges are focused up watching the ground making sure one 539 00:26:57,080 --> 00:26:59,240 Speaker 1: foot is on it at all times for a while. 540 00:26:59,760 --> 00:27:02,600 Speaker 2: Yeah, yeah, I mean it's actually really hard to not 541 00:27:02,760 --> 00:27:06,119 Speaker 2: pick up your both feet when you're competitively moving, like 542 00:27:06,160 --> 00:27:09,640 Speaker 2: as someone who ran a four thirty six mile. Wow, 543 00:27:10,840 --> 00:27:12,400 Speaker 2: I know that both my feet were off the ground 544 00:27:12,480 --> 00:27:14,520 Speaker 2: during much of that. I could not have moved very 545 00:27:14,560 --> 00:27:16,720 Speaker 2: quickly had I had my one foot on the ground 546 00:27:16,720 --> 00:27:19,399 Speaker 2: at all times. Like all respect to these people, I 547 00:27:19,480 --> 00:27:22,560 Speaker 2: wonder at an Olympic racewalker what their mile time is 548 00:27:22,680 --> 00:27:24,680 Speaker 2: racewalking I've been. It's shockingly low. 549 00:27:25,000 --> 00:27:27,520 Speaker 1: Of course, of course it is. Can I say something? Yeah, 550 00:27:27,720 --> 00:27:30,600 Speaker 1: I don't see myself as a bee boy, and that's 551 00:27:30,640 --> 00:27:33,439 Speaker 1: your fantasy about me. But my fantasy about myself is 552 00:27:34,119 --> 00:27:36,680 Speaker 1: that I would compete in the racewalk. I'm a fast walker. 553 00:27:36,920 --> 00:27:40,639 Speaker 2: You would be amazing. I'm telling you, bowhen Yang, walking 554 00:27:40,680 --> 00:27:46,200 Speaker 2: with a purpose is Olympic racewalk material. And I very 555 00:27:46,200 --> 00:27:48,159 Speaker 2: confident saying that I put you up against any of 556 00:27:48,200 --> 00:27:50,680 Speaker 2: these people. I think if you learned form, we would 557 00:27:50,680 --> 00:27:56,000 Speaker 2: see the first ever Saturday Night Live cast member Olympic racewalker. 558 00:27:56,480 --> 00:27:58,400 Speaker 2: And that is your legacy. I think. 559 00:28:00,320 --> 00:28:01,280 Speaker 1: You would be. 560 00:28:01,600 --> 00:28:04,640 Speaker 2: You're already like such an apple of NBC Universal's eye. 561 00:28:04,680 --> 00:28:08,520 Speaker 2: If you went and competed in the racewalk, I don't know, Bowen, 562 00:28:08,560 --> 00:28:09,800 Speaker 2: I think you could take over the world. 563 00:28:10,240 --> 00:28:11,320 Speaker 1: Could be very cool. 564 00:28:11,480 --> 00:28:14,600 Speaker 2: I would be so emotional on the sidewalk, on the sidewalk, 565 00:28:14,680 --> 00:28:16,400 Speaker 2: on the sidelines, watching your racewalk. 566 00:28:16,800 --> 00:28:17,879 Speaker 1: You'll be on the sidewalk. 567 00:28:17,960 --> 00:28:20,840 Speaker 2: I'd be like wiping away to yours, like my sister 568 00:28:21,320 --> 00:28:21,919 Speaker 2: is out there. 569 00:28:21,800 --> 00:28:28,280 Speaker 1: Walking thirty five kilometers. Well overall, Matt, wouldn't you say 570 00:28:28,320 --> 00:28:30,960 Speaker 1: that the Olympics are very open to new. 571 00:28:30,880 --> 00:28:35,760 Speaker 2: Sports queer Olympics this year. The openness, the inclusivity, I'm 572 00:28:35,800 --> 00:28:37,240 Speaker 2: loving it. Should we give it our medals? 573 00:28:38,120 --> 00:28:41,760 Speaker 1: Let's give it our medals. I would say Bronze goes 574 00:28:41,800 --> 00:28:45,160 Speaker 1: to surfing. Surfing in Tahiti, even. 575 00:28:45,000 --> 00:28:47,040 Speaker 2: If it's not as new. I mean, it's a little 576 00:28:47,080 --> 00:28:49,680 Speaker 2: bit new, and I love that we're like, we're so 577 00:28:49,720 --> 00:28:51,400 Speaker 2: committed that we're actually going to cut all the way 578 00:28:51,440 --> 00:28:54,200 Speaker 2: to Tahiti. But it gets bronze because to be honest 579 00:28:54,200 --> 00:28:56,360 Speaker 2: with you, like we are really focused on how to 580 00:28:56,440 --> 00:28:59,800 Speaker 2: make Paris a good experience. So that's cute for y'all. 581 00:29:00,080 --> 00:29:01,520 Speaker 2: I do kind of feel like, oh, it's a bummer 582 00:29:01,520 --> 00:29:04,280 Speaker 2: they don't get to experience like the opening ceremony, et cetera. 583 00:29:04,440 --> 00:29:06,280 Speaker 2: But it's like all the best to them, it's just 584 00:29:06,600 --> 00:29:07,640 Speaker 2: really giving bronze. 585 00:29:07,880 --> 00:29:09,400 Speaker 1: Oh no, I think they're gonna be at the opening 586 00:29:09,480 --> 00:29:11,280 Speaker 1: ceremony and then I think the surfing event's gonna be 587 00:29:11,360 --> 00:29:13,320 Speaker 1: later on, Like they're gonna they're gonna fly them out 588 00:29:13,640 --> 00:29:14,720 Speaker 1: in the days afterwards. 589 00:29:15,120 --> 00:29:17,720 Speaker 2: Really is that like tenable though? I mean, like, are 590 00:29:17,720 --> 00:29:20,760 Speaker 2: you gonna want to jel Yeah? I don't know. I'm 591 00:29:20,760 --> 00:29:22,880 Speaker 2: interesting to hear more about this, and there's many more 592 00:29:22,920 --> 00:29:24,479 Speaker 2: episodes of the podcast, so we'll figure out. 593 00:29:24,560 --> 00:29:26,640 Speaker 1: I think Carisa Moore deserves to be at the opening 594 00:29:26,720 --> 00:29:28,160 Speaker 1: ceremony on a boat. 595 00:29:28,560 --> 00:29:32,360 Speaker 2: No doubt that charism Moore deserves that. But is it practical? 596 00:29:32,480 --> 00:29:35,080 Speaker 2: It's my only question. I guess Carissa would be the 597 00:29:35,280 --> 00:29:35,880 Speaker 2: one to ask. 598 00:29:36,280 --> 00:29:39,320 Speaker 1: I think Chrisa is gonna push for that. Where's her 599 00:29:39,320 --> 00:29:40,120 Speaker 1: Olympic village? 600 00:29:40,200 --> 00:29:42,720 Speaker 2: I agree? I agree. I hope they build a tiny 601 00:29:42,760 --> 00:29:47,760 Speaker 2: one into EATI yeah, like an installation. Yes, silver Metal 602 00:29:47,760 --> 00:29:49,640 Speaker 2: I think is going to go to artistic swimming. I 603 00:29:49,680 --> 00:29:52,760 Speaker 2: think that we've taken such positive steps forward. I think 604 00:29:52,800 --> 00:29:54,960 Speaker 2: now we know the rules, we really know what to watch. 605 00:29:55,080 --> 00:29:58,360 Speaker 2: I do think they could have really gotten the gold 606 00:29:58,360 --> 00:30:03,040 Speaker 2: medal here had they loud a length of competition that 607 00:30:03,080 --> 00:30:05,680 Speaker 2: would include Taylor Swift's all too well, it's just it's 608 00:30:05,680 --> 00:30:09,600 Speaker 2: stopping me from really being excited. 609 00:30:10,240 --> 00:30:13,160 Speaker 1: Yeah, there's still a lot of limitations that need to 610 00:30:13,200 --> 00:30:16,120 Speaker 1: be undone for the full potential of artistics swimming to 611 00:30:16,160 --> 00:30:17,200 Speaker 1: be unlocked. 612 00:30:16,880 --> 00:30:21,960 Speaker 2: For such an open Queer Olympics. It feels sad, sad. 613 00:30:21,760 --> 00:30:24,840 Speaker 1: And finally I think we're gonna get gold to breaking 614 00:30:25,160 --> 00:30:31,600 Speaker 1: as the lone new sport. This is huge, This is historic, 615 00:30:31,640 --> 00:30:35,440 Speaker 1: and I think it'll really make a huge splash in Paris, 616 00:30:35,520 --> 00:30:37,720 Speaker 1: and then it has the potential to make an even 617 00:30:37,840 --> 00:30:39,480 Speaker 1: bigger impact in Los Angeles. 618 00:30:39,560 --> 00:30:44,680 Speaker 2: So La Breaking is gonna go really wild. It's gonna 619 00:30:44,680 --> 00:30:46,800 Speaker 2: be very exciting. And can I say I've not met 620 00:30:46,800 --> 00:30:49,440 Speaker 2: Bee Girl Sonny. I know Bowen has. I am rooting 621 00:30:49,440 --> 00:30:51,000 Speaker 2: for be Girls Sonny as I'm sure you are. 622 00:30:51,240 --> 00:30:54,440 Speaker 1: You guys would get along same as I'm excited. Oh 623 00:30:54,520 --> 00:30:57,320 Speaker 1: my gosh, she is one to root for and watch. 624 00:30:58,160 --> 00:31:00,840 Speaker 1: We have one question. We have one final question, ask 625 00:31:00,920 --> 00:31:09,920 Speaker 1: each other after the break and we're back. Matt. This 626 00:31:10,000 --> 00:31:11,640 Speaker 1: is what I was trying to get at earlier. The 627 00:31:11,680 --> 00:31:14,400 Speaker 1: Olympics are very open to new sports. As we've seen, 628 00:31:15,240 --> 00:31:20,720 Speaker 1: they are an evolving body and evolving events evolving. I mean, 629 00:31:21,040 --> 00:31:25,120 Speaker 1: this resembles nothing like the Greek Games of antiquity. 630 00:31:25,400 --> 00:31:28,520 Speaker 2: We've come a long way since ah increase absolutely. 631 00:31:28,760 --> 00:31:30,360 Speaker 1: What sports do we want to see in the twenty 632 00:31:30,400 --> 00:31:33,120 Speaker 1: twenty eight Summer Olympics in la We are an official 633 00:31:33,200 --> 00:31:36,360 Speaker 1: NBC Olympics podcast. I think we get to say, are 634 00:31:36,400 --> 00:31:39,480 Speaker 1: there any activities we're really good at that we law before? 635 00:31:39,680 --> 00:31:41,880 Speaker 2: I'm not good at this, but I would like to 636 00:31:41,920 --> 00:31:45,040 Speaker 2: see hopscotch out of to the Games. I think that 637 00:31:45,120 --> 00:31:48,880 Speaker 2: hopscotch is international. I think it would remind people of 638 00:31:48,920 --> 00:31:51,640 Speaker 2: what it was like to be a child. And I 639 00:31:51,680 --> 00:31:54,680 Speaker 2: think that what we're not seeing enough of is embracing 640 00:31:54,760 --> 00:31:58,240 Speaker 2: of the inner child. Yes, I think that artistic swimming 641 00:31:58,280 --> 00:32:02,640 Speaker 2: takes us closer, because who among us can't remember splash splash, 642 00:32:02,680 --> 00:32:04,800 Speaker 2: taking a bath as a young kid and having fun 643 00:32:04,800 --> 00:32:07,520 Speaker 2: in the water and sort of, you know, learning to 644 00:32:07,560 --> 00:32:11,239 Speaker 2: express yourself under the water like artistically like and thinking, oh, 645 00:32:11,280 --> 00:32:14,040 Speaker 2: I wish there was music underneath the surface, and now 646 00:32:14,080 --> 00:32:15,960 Speaker 2: there is. I just I feel like we're moving in 647 00:32:16,000 --> 00:32:19,000 Speaker 2: a really positive direction there in terms of reconnecting the 648 00:32:19,040 --> 00:32:22,280 Speaker 2: inner child and like allowing the fantasy. We need Hopscotch 649 00:32:22,320 --> 00:32:25,000 Speaker 2: to be an Olympic sport. Bowen, what would you add 650 00:32:25,000 --> 00:32:25,760 Speaker 2: to the Summer. 651 00:32:25,480 --> 00:32:30,560 Speaker 1: Olympics Something laser based. It could be laser tag, could 652 00:32:30,560 --> 00:32:33,080 Speaker 1: be dodging lasers to steal a piece of. 653 00:32:33,160 --> 00:32:35,760 Speaker 2: Art, both both Olympic lasers. 654 00:32:36,040 --> 00:32:38,000 Speaker 1: I think lasers should be an event. 655 00:32:38,120 --> 00:32:40,040 Speaker 2: Yes, okay, wait, that's really good. So like it's almost 656 00:32:40,080 --> 00:32:42,880 Speaker 2: like a triathlon where it's like the first room is 657 00:32:42,920 --> 00:32:44,920 Speaker 2: a room where you have to make it through sort 658 00:32:44,960 --> 00:32:47,760 Speaker 2: of Catherine Zaanda Jones and entrapment, like sort of get 659 00:32:47,800 --> 00:32:51,520 Speaker 2: through like the lasers. Then you get to a laser tag, 660 00:32:51,520 --> 00:32:52,920 Speaker 2: a moment where they give you a gun and you 661 00:32:52,960 --> 00:32:54,840 Speaker 2: have to like make your way through a room. And 662 00:32:54,880 --> 00:32:55,920 Speaker 2: then the last. 663 00:32:55,560 --> 00:32:58,760 Speaker 1: One is chasing a laser dot like a cat. 664 00:32:59,000 --> 00:33:02,480 Speaker 2: Yeah, or you there's a hairy man on a table 665 00:33:02,520 --> 00:33:03,840 Speaker 2: in front of you and you have to do a 666 00:33:03,920 --> 00:33:05,200 Speaker 2: laser procedure on him. 667 00:33:05,400 --> 00:33:07,840 Speaker 1: Oh my god, that's amazing. 668 00:33:08,680 --> 00:33:12,000 Speaker 2: Every time we're thinking about it, every way we can 669 00:33:12,400 --> 00:33:16,880 Speaker 2: make this man hairless, and we're checking every fold. A 670 00:33:16,880 --> 00:33:18,720 Speaker 2: lot of hairy guys in France too, we could have 671 00:33:18,760 --> 00:33:19,120 Speaker 2: done this. 672 00:33:19,640 --> 00:33:20,920 Speaker 1: Oh, my God, not. 673 00:33:21,000 --> 00:33:24,400 Speaker 2: Enough Harry guys in La. All these gay guys. 674 00:33:24,240 --> 00:33:26,920 Speaker 1: Getting theirself waxed, getting their peaches defudged. 675 00:33:29,240 --> 00:33:33,840 Speaker 2: This has been yet another episode of Two Guys, five Rings. 676 00:33:33,840 --> 00:33:36,560 Speaker 2: We are off to the races. This podcast was critically acclaimed. 677 00:33:36,920 --> 00:33:41,240 Speaker 2: We are really capitalizing on the moment and we are 678 00:33:41,640 --> 00:33:46,960 Speaker 2: delivering crucial Olympic commentary. Watch every moment of the twenty 679 00:33:47,000 --> 00:33:50,720 Speaker 2: twenty four Paris Olympics beginning July twenty sixth on Nbcnpeacock 680 00:33:51,000 --> 00:33:53,360 Speaker 2: and for the first time, you can stream the twenty 681 00:33:53,400 --> 00:33:58,680 Speaker 2: twenty four Paris games on the iHeartRadio app. Come on now, 682 00:33:59,120 --> 00:34:16,200 Speaker 2: the future is now. Do that's me sort of beatboxing? 683 00:34:16,280 --> 00:34:18,160 Speaker 2: Anyway later, heybye,