WEBVTT - Episode 91 w/ Bun B

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<v Speaker 1>And it's Drink Chats, motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's like Green is your boy in o R. He's

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<v Speaker 1>a Miami hippop pioneer up his dj e FN. Together

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<v Speaker 1>they drink it up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast. And your number one

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<v Speaker 1>sorts for drunk fat drink chas motherfucking poda. Every day

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<v Speaker 1>is New Year's e. That's it's time for drink Champs,

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<v Speaker 1>drink up mother mother. Hey, Hank sa Gria Hop Savia.

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<v Speaker 1>This is your boy in o R. E up his

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<v Speaker 1>dj e FN and this is his drink chance, motherfucking

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<v Speaker 1>conglomerate make up. And right now when we talk about

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<v Speaker 1>leg because the thing about Drink Chats podcast, we said

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<v Speaker 1>that we're gonna start out and we're gonna only uh

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<v Speaker 1>interview legends, and you know we're straight away because we

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<v Speaker 1>got Hollywood. You could say, you know, I'm gonna claiming

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<v Speaker 1>we got a little Hollywood, but when the guests that

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<v Speaker 1>we have tonight, there's no way a person could ever

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<v Speaker 1>question he's a legend on it. He's came from the

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<v Speaker 1>bottom the dirt U g K Underground when when the

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<v Speaker 1>South was actually not even looked at. Now the South

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<v Speaker 1>is the ship, but back then there was on the battlefield.

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<v Speaker 1>There was on the battlefield. It was them an outcast,

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<v Speaker 1>and they were frightening against the whole East coast, and

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<v Speaker 1>they came in and they stood down. Right now, it's

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<v Speaker 1>my honor to introduce my brother, my friend, one of

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<v Speaker 1>the best assisting the works, one of the illest groups

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<v Speaker 1>in the world. I'm talking about Bumby from U G. K. Less.

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<v Speaker 1>I need I need every time I walk in the room.

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<v Speaker 1>You need to be in a room in the room.

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<v Speaker 1>But I'm gonna do it every time every artists walking

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<v Speaker 1>on room. Just gonna introduce you. But listen, here's a deal, bun.

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<v Speaker 1>And what I just said, this real ship because you

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<v Speaker 1>came from the era where actually the people who actually

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<v Speaker 1>frowned on the South. People didn't really want to look

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<v Speaker 1>at people from the South and say, you guys are lyricists.

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<v Speaker 1>So you guys are artists, you guys or whatever. And

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<v Speaker 1>it was you guys and outcast. That's the only two

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<v Speaker 1>groups I remember. I apologize if I am. There's a

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<v Speaker 1>lot of a little groups that I remember. The frame

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<v Speaker 1>of reference. I respected you know, there's definitely a lot

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<v Speaker 1>of other people. Three six Field J, the Texas, the

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<v Speaker 1>ghetto boys, I mean ghetto boys wrap records. You know

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<v Speaker 1>you wrap a lot of out right now. Yeah you

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<v Speaker 1>still records can sign no more they still wrapping's respect.

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<v Speaker 1>That was that because you know back then they see

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<v Speaker 1>New York. It's not running the game right now, and

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<v Speaker 1>you know what, funk us we fucked up. But you

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<v Speaker 1>gotta relax, like I like, you didn't like that we

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<v Speaker 1>got more white people coming in. You know what beginning

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<v Speaker 1>revolt checks it's going down to listen. So how did

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<v Speaker 1>you feel in the beginning when when because you was

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<v Speaker 1>against the text of time, you was against you was

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<v Speaker 1>playing against the actual uh C. I mean you know

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<v Speaker 1>back then it wasn't really a lot of money involved.

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<v Speaker 1>So you as a rapper, what you wanted was like

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<v Speaker 1>your respect, you know what I'm saying. You wanted to

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<v Speaker 1>be around other rappers and had them been like, oh,

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<v Speaker 1>y'all heard your ship. You're nice with it, you know,

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<v Speaker 1>And niggas can admit it that if they want to

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<v Speaker 1>or not. You know, they can say whether they want

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<v Speaker 1>to or not. But you ultimately as an MC, no

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<v Speaker 1>matter where you was from. Wanted to come to New

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<v Speaker 1>York and have the people from New York that you

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<v Speaker 1>looked up to acknowledge you as an MC. So for

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<v Speaker 1>me in the early days, I just wanted to be

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<v Speaker 1>able to when I sit in front of like Kane

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<v Speaker 1>or g rap or Lord Finess or Caress one front

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<v Speaker 1>of these people, you know what I'm saying, that they

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<v Speaker 1>would be like, oh, Bumby, I heard of you. You nice.

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<v Speaker 1>You know. It wasn't even guarantee you was gonna make

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<v Speaker 1>no money and be famous or none of that. So

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<v Speaker 1>for me, that was all we wanted was to be

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<v Speaker 1>able to stand in front of the people that we

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<v Speaker 1>looked up to and had them basic you know, tip

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<v Speaker 1>your hat, tipped they hat to us and in case

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<v Speaker 1>I don't know, if you don't know, we tipped our

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<v Speaker 1>hat to your guy long time ago. And then one

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<v Speaker 1>of my favorite songs in the world, and this is

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<v Speaker 1>this is how you know this is really Look, this

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<v Speaker 1>is me, it's me. It's not none of y'all, it's me,

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<v Speaker 1>but one of my favorite songs. Going to then tell

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<v Speaker 1>us my wife I love her. I'm so sorry. I

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<v Speaker 1>kept I kept my phone on just for probable let's okay,

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<v Speaker 1>but one of my favorite songs in the world, one

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<v Speaker 1>of my favorite times and hip hop period, it's when

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<v Speaker 1>Outcast and Eugi K got together and not only did

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<v Speaker 1>you do a song, you did a video, you did

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<v Speaker 1>the whole thing where it was like a wedding or

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<v Speaker 1>some yeah, And it was crazy because at the time

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<v Speaker 1>and even really to this day, like man, I'm a

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<v Speaker 1>person for two man, you know, I sat back, I said, damn,

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<v Speaker 1>I wanted to do something like that with Marv D.

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<v Speaker 1>But we just never got it together. And there was

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<v Speaker 1>a lot of times like Ugi Can and they all

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<v Speaker 1>m j G. You know, there's a lot of songs

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<v Speaker 1>we wanted to do. Please we want your all drink chats,

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<v Speaker 1>Please come sit on the Scissor was actually was the

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<v Speaker 1>first song from a group that you G K and

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<v Speaker 1>three six Mafia was doing together. We were gonna be

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<v Speaker 1>the underground Mafia. Oh, that would have been Sipping on Scissor.

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<v Speaker 1>I don't know too many people know that. A couple

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<v Speaker 1>of people might know that other records made Like a Pimp,

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<v Speaker 1>so um, Sipping on Scissor was the record for their album,

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<v Speaker 1>and the song Like a Pimp was a song for

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<v Speaker 1>our album. We did them super Bowl weekend in Atlanta,

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<v Speaker 1>but didn't make any kind of like an EP or projects.

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<v Speaker 1>We never got definitely we never got that far in

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<v Speaker 1>too because Pimp ended up getting locked up, so we

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<v Speaker 1>never even got to finish the project coming back home.

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<v Speaker 1>And then, like most people don't know that, the original

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<v Speaker 1>version of Players Anthem was Us in three, So that's

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<v Speaker 1>like the return actually of us getting back to underground

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<v Speaker 1>mafia music, but that version wasn't clear, just sounds underground.

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<v Speaker 1>I want to be down with Cold. I could never

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<v Speaker 1>have been. I said women that, so you know, but

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<v Speaker 1>I always kind of like, I always kind of like

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<v Speaker 1>related to you more because although people don't know this,

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<v Speaker 1>but Pip was kind of like the wild Car, and

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<v Speaker 1>people think I'm the wild Call of the Croup, but

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<v Speaker 1>in all actuality, it's camponed you and any other room

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<v Speaker 1>when everybody when any other MC would probably be the

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<v Speaker 1>wild Car. But I didn't compone in the room with idiot,

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<v Speaker 1>didn't know the campone if I'm gonna because he's like

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<v Speaker 1>the wilder of the wild brother. Okay, but so that

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<v Speaker 1>was one of the first things I identified with because

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<v Speaker 1>you know, Pimp was so outrageous, he was so you know,

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<v Speaker 1>outspoken and then and then he will always protect you

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<v Speaker 1>to It's not like he was gonna be outspoken to

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<v Speaker 1>say you know me and Bud saying no, I'm speaking

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<v Speaker 1>for my sound because he knew I knew a lot

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<v Speaker 1>of people and to travel a lot. You know, Pemple's

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<v Speaker 1>more of an introversy, and you know he kind of

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<v Speaker 1>kept usself and this whole thing was like whatever issues

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<v Speaker 1>he had, he didn't want me to feel like I

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<v Speaker 1>had to fight his fights for him, Like he felt

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<v Speaker 1>like he was mad enough to fight his own fight.

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<v Speaker 1>But you know, I'm gonna be moving around and seeing people,

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<v Speaker 1>so you're like, yo, I'll be trying to run up

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<v Speaker 1>on b based on what I said. You know what

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<v Speaker 1>I'm saying, which I had a problem with. No way,

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<v Speaker 1>That's why I still went anywhere I wanted to go.

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<v Speaker 1>You know, anybody that know me and when they see me,

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<v Speaker 1>I'm usually one day maybe one other dude, but we're

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<v Speaker 1>not We're gonna move Yeah, well, I'm talking my younger years.

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<v Speaker 1>You know, back when we was in my younger years,

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<v Speaker 1>when we were back on I was like I didn't

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<v Speaker 1>know that word younger years. So now let's not let's

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<v Speaker 1>take it to that because said something that still bothers

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<v Speaker 1>me to this day. Okay, said that Atlanta is shouldn't

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<v Speaker 1>be considered the south right because of the time zone.

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<v Speaker 1>To this day, that's still conflicts in my mind. I'm sure,

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<v Speaker 1>I'm sure it doesn't make sense to everybody. Miami wouldn't

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<v Speaker 1>because yeah, no, I'm sure, like I said, one of

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<v Speaker 1>the basis everybody. But I think what Pep was trying

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<v Speaker 1>to say, And I'm not trying to make any apologies

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<v Speaker 1>for him, because people say, look, if I if I

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<v Speaker 1>finished you with what I said, I apologize, but I'm

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<v Speaker 1>not apologizing for what I said. You know what I'm saying. Um,

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<v Speaker 1>But what Pep was trying to say, it was that,

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<v Speaker 1>and it was real. At the time when you went

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<v Speaker 1>to Atlanta, you didn't necessarily feel like you were in

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<v Speaker 1>the South. Atlanta and Georgia were primarily felt like very

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<v Speaker 1>southern areas. But at the time, Georgia had a large

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<v Speaker 1>influxing people from New York and you know what, you know,

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<v Speaker 1>if you drive down downtown to get by Underground Mall

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<v Speaker 1>and all of that stuff, you would see dudes with

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<v Speaker 1>timberlance on the block. You know, happening in Miami as well,

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<v Speaker 1>you know what I'm saying. So it was just it

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<v Speaker 1>wasn't anything against the city of Atlanta or anything like that.

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<v Speaker 1>It was just like, yo, when you come, when you

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<v Speaker 1>moved through the South, you're supposed to feel like you're

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<v Speaker 1>in the South, but when you go to New York,

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<v Speaker 1>you feel like you're in New York, you know what

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<v Speaker 1>I'm saying. And but I mean, it was what it was.

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<v Speaker 1>I have anybody felt about it, you know, we just

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<v Speaker 1>I mean, that's just how he felt at the time.

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<v Speaker 1>You guys, you g K. I just I don't know

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<v Speaker 1>if you know, but I would like to express this

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<v Speaker 1>expression is yous. Guys, was one of the first groups

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<v Speaker 1>from the South that directly identified with New York, even

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<v Speaker 1>though we were in pan we were doing that or

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<v Speaker 1>exactly identifying, but we were exactly identifying. We tried to

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<v Speaker 1>make ship as simple as possible for people and try

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<v Speaker 1>to align the ship that we was going through with

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<v Speaker 1>the ship other people was going through. So we understand

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<v Speaker 1>the world as a ghetto, you know what I'm saying.

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<v Speaker 1>So the really the only difference in most of these

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<v Speaker 1>hoods is the close and the slang. Once you get

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<v Speaker 1>past that. You're gonna understand everything that's happening in that neighborhood,

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<v Speaker 1>you know what I'm saying, And you don't know how

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<v Speaker 1>to move in that neighborhood. Okay, they winning gamester nights

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<v Speaker 1>on the West Coast. They're winning rebox in New Orleans.

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<v Speaker 1>You know, they're wearing timberlands in New York. You know

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<v Speaker 1>what I'm saying. It's different. Clokay what they mean? Buck fits.

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<v Speaker 1>I feel like you're racist, you know, I'm sure you

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<v Speaker 1>know what the grat is so true? We really do here. Yeah, no,

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<v Speaker 1>and in the South, Like you see a dude walking

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<v Speaker 1>around in the South with the pants of the tumbles

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<v Speaker 1>from here, but we just wanted to identify with that,

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<v Speaker 1>so they're okay. So once we go and see these things,

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<v Speaker 1>we realize, okay, outside of the clothes and and the

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<v Speaker 1>and the talk, the world is a ghetto. So we're

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<v Speaker 1>just gonna talk about the ship that we see every

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<v Speaker 1>day and half and and just assume that that's pretty

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<v Speaker 1>much the ship everybody's seeing every day, you know. And

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<v Speaker 1>that's my question to you, because you guys being from

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<v Speaker 1>the South and you guys from the real South, and

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<v Speaker 1>I don't mean that any other part the South what

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<v Speaker 1>we to call it deep South. We like to call

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<v Speaker 1>the deep shop Deep Shop. Like when I'm listening to

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<v Speaker 1>the Pepsie and I'm listening to where he's coming from

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<v Speaker 1>and he's saying that it's a different time zone all that.

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<v Speaker 1>How did you know that if you spoke about your hood,

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<v Speaker 1>the world will relates to that. I didn't before you

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<v Speaker 1>answer that, Before you answer that, because I never made

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<v Speaker 1>the Worry for for the world. I made the war

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<v Speaker 1>report from our hood. I can't believe Europe when I

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<v Speaker 1>go out there and these white people like you. I

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<v Speaker 1>didn't make this for you. But and I think everybody's

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<v Speaker 1>like that, Norry. I think I think you know, you

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<v Speaker 1>make your first album for the hood, you make your

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<v Speaker 1>second album for the world, and then if you would

0:12:31.840 --> 0:12:34.320
<v Speaker 1>get that far, you make you start making music for yourself.

0:12:36.600 --> 0:12:43.280
<v Speaker 1>You know what I'm saying. No, but that's what it is, man. Again,

0:12:43.360 --> 0:12:44.840
<v Speaker 1>That's all you want to do because you don't really

0:12:44.840 --> 0:12:47.120
<v Speaker 1>know if anybody's gonna be checking for you outside of

0:12:47.160 --> 0:12:50.319
<v Speaker 1>your neighborhood. But you don't. Nigga's in the hoods waiting

0:12:50.360 --> 0:12:52.560
<v Speaker 1>to listen just to see the case you sunk up. Really,

0:12:52.640 --> 0:12:54.440
<v Speaker 1>that's what it is. So it's like, yeah, I gotta

0:12:54.480 --> 0:12:56.720
<v Speaker 1>make sure I stund hard so nigga's gonnam not playing,

0:12:56.880 --> 0:12:58.360
<v Speaker 1>so that when I go out and be like I'm

0:12:58.400 --> 0:13:02.120
<v Speaker 1>from the niggas, no back into dun them, that when

0:13:02.160 --> 0:13:05.200
<v Speaker 1>I leave, I'm rapping that because if you don't rap home, right,

0:13:05.280 --> 0:13:07.680
<v Speaker 1>you can't go back. At least that's where I'm from.

0:13:07.760 --> 0:13:09.880
<v Speaker 1>You know what I'm I don't know anybody else. Now,

0:13:10.000 --> 0:13:13.480
<v Speaker 1>Wrap a Lot Records, Yes, J Prince hold one of

0:13:13.520 --> 0:13:18.600
<v Speaker 1>the most legendary relations ever. And you guys, how how

0:13:18.720 --> 0:13:21.040
<v Speaker 1>was that to even be affiliated with Rappings? It was

0:13:21.040 --> 0:13:23.560
<v Speaker 1>a trip because when we when we went to rap

0:13:23.600 --> 0:13:26.520
<v Speaker 1>a Lot, it was it was in the midst of

0:13:26.520 --> 0:13:29.120
<v Speaker 1>everything going crazy with job Regor's Rap a Lot. They

0:13:29.160 --> 0:13:33.079
<v Speaker 1>came and tried to sign you g kn't really was

0:13:33.160 --> 0:13:35.240
<v Speaker 1>already know. He was like he wanted to bring us

0:13:35.240 --> 0:13:36.720
<v Speaker 1>over the rap a Lot and we was like, well

0:13:37.200 --> 0:13:39.520
<v Speaker 1>we number one in all the situation. We don't want

0:13:39.520 --> 0:13:41.360
<v Speaker 1>to go and have to be behind the ghetto boys

0:13:41.559 --> 0:13:43.400
<v Speaker 1>in scar face. That was one thing. Pemple was like,

0:13:43.520 --> 0:13:46.520
<v Speaker 1>we go sign with anybody. They already got their roster

0:13:46.679 --> 0:13:48.559
<v Speaker 1>and we got to find all the spot. But if

0:13:48.559 --> 0:13:50.360
<v Speaker 1>we stay in all the spot we number one on

0:13:50.400 --> 0:13:53.280
<v Speaker 1>our roster that we didn't never got to fight for position.

0:13:54.040 --> 0:13:56.280
<v Speaker 1>So but then once we got into the job system,

0:13:56.320 --> 0:13:58.560
<v Speaker 1>we realized we were just in their roster. They wouldn't

0:13:58.600 --> 0:14:01.040
<v Speaker 1>be gad about it. So we just you know, we

0:14:01.120 --> 0:14:04.920
<v Speaker 1>operated in a way where it was like we don't

0:14:04.960 --> 0:14:07.120
<v Speaker 1>get the support from the label. We don't get the

0:14:07.120 --> 0:14:09.199
<v Speaker 1>back and from the label. We don't get real money

0:14:09.200 --> 0:14:11.800
<v Speaker 1>from the label, visual support market and none of that ship.

0:14:12.160 --> 0:14:13.800
<v Speaker 1>So we're just gonna move like we ain't even on

0:14:13.880 --> 0:14:17.120
<v Speaker 1>no label. We're gonna make sure we're doing shows. We're

0:14:17.120 --> 0:14:20.440
<v Speaker 1>gonna make sure we still doing records with motherfucker's and

0:14:20.480 --> 0:14:22.920
<v Speaker 1>still trying to get money whatever, and until later us

0:14:22.960 --> 0:14:25.720
<v Speaker 1>we can't do something, we're just gonna just keep independent grinding.

0:14:25.800 --> 0:14:28.200
<v Speaker 1>So for us, we spent a lot of years arguing

0:14:28.200 --> 0:14:30.520
<v Speaker 1>with the record company and we would would literally eat

0:14:30.560 --> 0:14:33.040
<v Speaker 1>off of like doing features and pimp making beats for

0:14:33.120 --> 0:14:35.120
<v Speaker 1>niggers and just being out on the road and doing

0:14:35.160 --> 0:14:39.720
<v Speaker 1>shows and ship y' y'all on job before yeah y'all.

0:14:39.720 --> 0:14:42.120
<v Speaker 1>Original record company was Big Time Records. That was the

0:14:42.200 --> 0:14:44.200
<v Speaker 1>independent label we signed to, and then they did a

0:14:44.280 --> 0:14:47.000
<v Speaker 1>deal with Jive and ninety and like May and ninety two,

0:14:47.000 --> 0:14:48.960
<v Speaker 1>and we stayed on Jove Records all the way up

0:14:49.040 --> 0:14:53.160
<v Speaker 1>until after Pimp passed away. Um, but our solo albums

0:14:53.200 --> 0:14:55.480
<v Speaker 1>was with rap a lot, and it came at a

0:14:55.520 --> 0:14:58.560
<v Speaker 1>time where like Pimp was locked up and you know,

0:14:58.960 --> 0:15:00.840
<v Speaker 1>we were stifled by the A company and we just

0:15:00.880 --> 0:15:04.200
<v Speaker 1>needed to get the message out. And so j Prince

0:15:04.240 --> 0:15:06.160
<v Speaker 1>was the one that that helped me get into position.

0:15:06.200 --> 0:15:08.440
<v Speaker 1>Because what I said I wanted to do a solo album.

0:15:08.560 --> 0:15:10.400
<v Speaker 1>I was like, no, we're not working with that and

0:15:10.560 --> 0:15:12.480
<v Speaker 1>Pimper and Jail and he ain't making the music and

0:15:12.520 --> 0:15:14.920
<v Speaker 1>he ain't on the record, Like the baby saying Pippers

0:15:14.960 --> 0:15:17.000
<v Speaker 1>the ship. You you just kind of like the sidekick

0:15:17.360 --> 0:15:21.120
<v Speaker 1>and she's not gonna pop up without you, and so

0:15:21.000 --> 0:15:23.160
<v Speaker 1>and so I left and went to Asylum and put

0:15:23.200 --> 0:15:26.440
<v Speaker 1>out a solo record, sold seven fifty independent. You know

0:15:26.480 --> 0:15:29.400
<v Speaker 1>what I'm saying. Let me tell you something, as a

0:15:29.440 --> 0:15:32.160
<v Speaker 1>person that's up and that ain't no streams down over

0:15:32.280 --> 0:15:38.120
<v Speaker 1>that that CD person as a two man group, a

0:15:38.160 --> 0:15:40.800
<v Speaker 1>part of a two man group, the love that you

0:15:40.880 --> 0:15:45.000
<v Speaker 1>guys have for each other was something that I admired.

0:15:45.600 --> 0:15:49.800
<v Speaker 1>It's something that I treasure. It's something that I looked

0:15:49.800 --> 0:15:52.960
<v Speaker 1>out for. And if here's the crazy ship and was

0:15:53.000 --> 0:15:56.560
<v Speaker 1>gonna tell you I was the biggest you g K friend,

0:15:57.360 --> 0:16:01.320
<v Speaker 1>But Pimp C was the person he that's not going

0:16:01.360 --> 0:16:04.200
<v Speaker 1>to do it, just do a record with you. He

0:16:04.240 --> 0:16:10.880
<v Speaker 1>asked the question you. He has the question you. He

0:16:10.920 --> 0:16:13.040
<v Speaker 1>has to hang out with you, and I kid you.

0:16:13.520 --> 0:16:15.400
<v Speaker 1>Look look, he told me I'm doing a record with

0:16:15.400 --> 0:16:18.200
<v Speaker 1>your noise, but he still wanted to hang out. And

0:16:18.200 --> 0:16:21.760
<v Speaker 1>we said that, and we tell him we hung out

0:16:21.800 --> 0:16:26.120
<v Speaker 1>for our like from like seven o'clock and even until

0:16:26.200 --> 0:16:32.920
<v Speaker 1>like easy three and the more easily three. Yeah, yeah,

0:16:33.920 --> 0:16:41.520
<v Speaker 1>but that's not the time that I know. But that

0:16:41.760 --> 0:16:45.960
<v Speaker 1>that was the thing. What um, what pimp is what

0:16:46.000 --> 0:16:49.280
<v Speaker 1>I respected is he heard about me, he heard I

0:16:49.360 --> 0:16:51.520
<v Speaker 1>was a real nigger, but he still wanted to meet me,

0:16:51.920 --> 0:16:54.400
<v Speaker 1>and he still wanted to look at me face to face.

0:16:54.480 --> 0:16:57.480
<v Speaker 1>And that's the thing is I take that to me

0:16:58.040 --> 0:17:01.800
<v Speaker 1>since today, like you know, anybody who's you know, I

0:17:01.840 --> 0:17:04.439
<v Speaker 1>don't give I could love your record, but now I

0:17:04.480 --> 0:17:07.600
<v Speaker 1>want to hang out with you know, nine records, that's

0:17:07.680 --> 0:17:10.800
<v Speaker 1>recording hip hop that required two people. Ain't even got

0:17:10.880 --> 0:17:13.800
<v Speaker 1>the two people in the same room. You know what

0:17:13.840 --> 0:17:17.080
<v Speaker 1>I'm saying, it's probably more more than that. You know,

0:17:17.160 --> 0:17:20.359
<v Speaker 1>more motherfucker's actually do records, have a hit record and

0:17:20.359 --> 0:17:25.240
<v Speaker 1>don't even meet the mother to the videos from we

0:17:25.320 --> 0:17:27.600
<v Speaker 1>come from an hour that even if I wanted to

0:17:27.640 --> 0:17:30.080
<v Speaker 1>send y'all the record, I can't send you right now. Yeah,

0:17:30.160 --> 0:17:33.399
<v Speaker 1>I gotta come get it. I gotta go. I'm coming

0:17:33.440 --> 0:17:35.399
<v Speaker 1>with you at you gotta come to mind, because that's

0:17:35.400 --> 0:17:37.480
<v Speaker 1>the only way we can physically do this. Otherwise I

0:17:37.520 --> 0:17:39.960
<v Speaker 1>gotta send my whole record. And that definitely has a

0:17:40.040 --> 0:17:42.200
<v Speaker 1>change the dynamics of the way, you know, the music

0:17:42.200 --> 0:17:44.640
<v Speaker 1>comes out of the well for one, and you for one.

0:17:44.720 --> 0:17:47.080
<v Speaker 1>You don't get into a situation where like nowadays, dudes

0:17:47.080 --> 0:17:49.520
<v Speaker 1>get into situations and do songs and they'd be deep

0:17:49.560 --> 0:17:51.360
<v Speaker 1>in the motherfucking life and don't even really know who

0:17:51.359 --> 0:17:54.440
<v Speaker 1>they're fucking with, and then something happens and you start

0:17:54.520 --> 0:17:56.400
<v Speaker 1>to see the true character these dudes. But your name

0:17:56.440 --> 0:17:59.040
<v Speaker 1>is already tied in with that person because it might

0:17:59.040 --> 0:18:01.239
<v Speaker 1>not be your biggest but it might be their biggest, right,

0:18:02.200 --> 0:18:03.840
<v Speaker 1>you know what I'm saying, So now you're tied into

0:18:03.920 --> 0:18:07.040
<v Speaker 1>whatever that motherfucker got going on. Where's back then you

0:18:07.119 --> 0:18:09.119
<v Speaker 1>actually got to meet the motherfucker and see who they

0:18:09.160 --> 0:18:10.880
<v Speaker 1>were and know who they were about. You's been able

0:18:10.920 --> 0:18:13.280
<v Speaker 1>to call and be like yo, these days, you would

0:18:13.280 --> 0:18:16.320
<v Speaker 1>practically get everything on demand, like our podcast listen whenever

0:18:16.400 --> 0:18:18.760
<v Speaker 1>you want, when it's convenient for you. So why are

0:18:18.800 --> 0:18:20.639
<v Speaker 1>you still going to the post office and dealing with

0:18:20.680 --> 0:18:23.919
<v Speaker 1>limited hours when you can get postage on demand with

0:18:24.040 --> 0:18:26.399
<v Speaker 1>stamps dot Com. That's right, anything you can do at

0:18:26.400 --> 0:18:29.040
<v Speaker 1>the post office you can now do right from your

0:18:29.080 --> 0:18:31.440
<v Speaker 1>desk with stamps dot Com. Stamps dot Com by in

0:18:31.480 --> 0:18:34.680
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0:18:34.720 --> 0:18:37.399
<v Speaker 1>your own computer and printer. And unlike the post office,

0:18:37.440 --> 0:18:40.360
<v Speaker 1>stamps dot Com never closes, so you can get postage

0:18:40.400 --> 0:18:43.400
<v Speaker 1>whenever you need it. Seven See. I use stamps dot

0:18:43.400 --> 0:18:46.639
<v Speaker 1>com to deliver you know, expensive jury, to deliver my cats,

0:18:46.680 --> 0:18:50.200
<v Speaker 1>you know, food, to deliver my dogs, toe nails. I

0:18:50.240 --> 0:18:52.560
<v Speaker 1>would do things like that with stamps dot Com. Yeah, man,

0:18:52.600 --> 0:18:53.960
<v Speaker 1>you know, I just don't want to deal with the

0:18:53.960 --> 0:18:56.000
<v Speaker 1>lines at the post office. I love the post Office,

0:18:56.000 --> 0:18:57.760
<v Speaker 1>but man, if I could just use stamps dot com,

0:18:57.800 --> 0:18:59.400
<v Speaker 1>It's gonna save me a lot of time, a lot

0:18:59.440 --> 0:19:01.280
<v Speaker 1>of headache, and just a lot of just a lot

0:19:01.280 --> 0:19:02.600
<v Speaker 1>of time I could be doing other things, you know,

0:19:02.760 --> 0:19:05.280
<v Speaker 1>So right now, use our name for this special offer.

0:19:05.640 --> 0:19:08.719
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0:19:08.760 --> 0:19:12.720
<v Speaker 1>ef four week trial includes postage and digital scale. Don't wait.

0:19:13.000 --> 0:19:15.320
<v Speaker 1>Go to Stamps dot com before you do anything else.

0:19:15.560 --> 0:19:17.439
<v Speaker 1>Click on the radio microphone at the top of the

0:19:17.440 --> 0:19:20.640
<v Speaker 1>homepage and type in Champs that Stamps dot com. Enter

0:19:20.800 --> 0:19:24.320
<v Speaker 1>Champs Stamps dot com. Never go to the post office again.

0:19:24.520 --> 0:19:29.160
<v Speaker 1>That's Champs c A A MPs. Drink chance Baby. Let's

0:19:29.200 --> 0:19:30.879
<v Speaker 1>say like we've been to do a song with Norris,

0:19:30.880 --> 0:19:32.520
<v Speaker 1>so I can call somebody from New York and be

0:19:32.680 --> 0:19:35.320
<v Speaker 1>like hey and he really oh yeah, yeah, he wright

0:19:35.359 --> 0:19:38.080
<v Speaker 1>with they'd be over there that you you don't be

0:19:38.080 --> 0:19:43.120
<v Speaker 1>knowing who nobody is now, Like I don't know. Oh,

0:19:43.160 --> 0:19:45.879
<v Speaker 1>you see a situation where motherucker got beef and you

0:19:45.960 --> 0:19:48.040
<v Speaker 1>just noticed they did man records with that person just

0:19:48.320 --> 0:19:50.479
<v Speaker 1>a year ago or six months ago, and now they

0:19:50.560 --> 0:19:52.520
<v Speaker 1>beat for like a motherfucker because they never built up.

0:19:53.160 --> 0:19:55.119
<v Speaker 1>That's what I never understood, because that ship is a

0:19:55.119 --> 0:19:57.960
<v Speaker 1>lot of That ship is so easy to square either

0:19:58.119 --> 0:20:05.080
<v Speaker 1>on either on they drinking drink I'm drinking where like

0:20:05.280 --> 0:20:09.840
<v Speaker 1>beef is very easy to squash, very easy to pop off.

0:20:10.359 --> 0:20:12.639
<v Speaker 1>Like most of these people go to the same ship,

0:20:12.720 --> 0:20:14.919
<v Speaker 1>invited to the same ship. So if you really wanted

0:20:14.960 --> 0:20:18.320
<v Speaker 1>to get asked them and with social media and you

0:20:18.359 --> 0:20:20.360
<v Speaker 1>can neither send somebody at d M or you can

0:20:20.400 --> 0:20:22.600
<v Speaker 1>tag get phone I get anybody phone up. I'm sure

0:20:22.600 --> 0:20:24.720
<v Speaker 1>anybody could get my phone up if they wanted to

0:20:24.800 --> 0:20:27.359
<v Speaker 1>hard enough. So all that talk and in flexing and

0:20:27.400 --> 0:20:30.000
<v Speaker 1>ship on like the Graham or whatever you want to

0:20:30.000 --> 0:20:32.240
<v Speaker 1>call it, all that ship like that, that automatically tells

0:20:32.280 --> 0:20:35.800
<v Speaker 1>me that I feel like nobody real in the situation.

0:20:35.880 --> 0:20:38.720
<v Speaker 1>That's just me from the outside looking in. Because any

0:20:38.720 --> 0:20:41.240
<v Speaker 1>time I have asked, any time I ever had, I

0:20:41.320 --> 0:20:43.320
<v Speaker 1>saw a situation where it was wrong. This is not

0:20:43.440 --> 0:20:46.320
<v Speaker 1>my staff, this is not where it was on like

0:20:46.400 --> 0:20:48.359
<v Speaker 1>people was moving on it because I don't think people

0:20:48.400 --> 0:20:51.399
<v Speaker 1>realized like what he said on the reference rooms, more

0:20:51.440 --> 0:20:54.000
<v Speaker 1>fuckers didn't really make like we're playing. They wouldn't. If

0:20:54.040 --> 0:20:55.520
<v Speaker 1>they could get at you, they would get at you.

0:20:55.560 --> 0:20:58.320
<v Speaker 1>If they couldn't, then maybe they might recollect make a

0:20:58.320 --> 0:21:00.399
<v Speaker 1>regular letter. They you know, they're trying to it, but

0:21:00.920 --> 0:21:04.399
<v Speaker 1>they were actively trying to get at motherfucker's you know,

0:21:04.960 --> 0:21:07.000
<v Speaker 1>not one of the things off top. I gotta I

0:21:07.040 --> 0:21:10.439
<v Speaker 1>gotta bring up, I gotta talk about it. It's trail.

0:21:10.960 --> 0:21:14.679
<v Speaker 1>Your brothers bring that word trail to the game. Trail

0:21:14.920 --> 0:21:20.320
<v Speaker 1>is overused right now. These guys are using it, they're

0:21:20.359 --> 0:21:23.440
<v Speaker 1>not really understanding where they got it from. And it's

0:21:23.480 --> 0:21:26.280
<v Speaker 1>a problem now. Like we at first speak about it

0:21:26.480 --> 0:21:29.080
<v Speaker 1>at first, like sling right, Like it's very hard to

0:21:29.640 --> 0:21:34.240
<v Speaker 1>like quote copyright slang. I've never caught right in my slam.

0:21:34.400 --> 0:21:38.240
<v Speaker 1>But but then people get to trying to capitalize, the monopolize,

0:21:38.240 --> 0:21:40.760
<v Speaker 1>and that one we had a problem because now you're

0:21:40.800 --> 0:21:43.080
<v Speaker 1>trying to make some money off of something that I

0:21:43.200 --> 0:21:45.840
<v Speaker 1>wasn't even trying to make money off of, you know

0:21:45.840 --> 0:21:48.800
<v Speaker 1>what I'm saying, Yeah, exactly, So like we had to

0:21:48.840 --> 0:21:51.680
<v Speaker 1>copyright ship just to protect it protected, you know what

0:21:51.720 --> 0:21:53.480
<v Speaker 1>I'm saying, And then you still get people trying to

0:21:53.480 --> 0:21:57.160
<v Speaker 1>make money. Yeah, but then people still assault the brand,

0:21:57.359 --> 0:21:59.160
<v Speaker 1>and like I just had a meeting with some young kids,

0:21:59.160 --> 0:22:01.200
<v Speaker 1>you know what I'm saying, And then there they love

0:22:01.280 --> 0:22:03.639
<v Speaker 1>the city, they love the culture, and they're trying to

0:22:03.680 --> 0:22:06.200
<v Speaker 1>do something to represent the culture. When I see that,

0:22:06.640 --> 0:22:08.879
<v Speaker 1>I know that it's not somebody trying to appropriate my

0:22:08.880 --> 0:22:11.720
<v Speaker 1>ship and appropriate the culture. I can work with you,

0:22:11.720 --> 0:22:13.439
<v Speaker 1>you know what I'm saying, Let's do a shirt together.

0:22:13.720 --> 0:22:15.720
<v Speaker 1>But then when I see people that are old enough

0:22:15.800 --> 0:22:17.760
<v Speaker 1>to know, right, because the kids I'm talking about like

0:22:19.000 --> 0:22:21.080
<v Speaker 1>they don't know. But when I see like a thirty five,

0:22:21.320 --> 0:22:23.760
<v Speaker 1>thirty six year old motherfucker out here trying to sell stuff,

0:22:23.960 --> 0:22:25.520
<v Speaker 1>you know. I tried to let a lot of things

0:22:25.680 --> 0:22:27.199
<v Speaker 1>wash over because I didn't think it would be as

0:22:27.200 --> 0:22:29.919
<v Speaker 1>aggressive as it was. But with social media and like

0:22:30.040 --> 0:22:34.760
<v Speaker 1>the especially especially the Instagram, I ain't trased it with.

0:22:35.280 --> 0:22:40.800
<v Speaker 1>I tried with associate half of it, but then people

0:22:40.800 --> 0:22:44.440
<v Speaker 1>started becoming very like actively trying to just steal from

0:22:44.440 --> 0:22:47.280
<v Speaker 1>the brand that had no good I'm keeping neat, Oh

0:22:47.359 --> 0:22:50.240
<v Speaker 1>you keeping neat. Keep And then you know, the wife

0:22:50.280 --> 0:22:52.280
<v Speaker 1>was like, look, this is becoming too much. People are

0:22:52.320 --> 0:22:54.840
<v Speaker 1>just doing too much. You know what I'm saying, They're

0:22:54.880 --> 0:22:56.359
<v Speaker 1>doing too much. Like I was going to shoot a

0:22:56.400 --> 0:22:59.520
<v Speaker 1>couple of people for you probably wouldn't even call to you,

0:22:59.880 --> 0:23:01.480
<v Speaker 1>just did it. And I'm like when it comes to

0:23:01.640 --> 0:23:03.520
<v Speaker 1>music and that kind of stuff, I don't mind that,

0:23:03.640 --> 0:23:05.560
<v Speaker 1>you know what I'm saying, Just make sure you about

0:23:05.600 --> 0:23:07.040
<v Speaker 1>that if we run up. If we run up, I

0:23:07.040 --> 0:23:08.920
<v Speaker 1>ain't saying run up to fight you. But if I'm

0:23:08.960 --> 0:23:10.840
<v Speaker 1>ever in the room with you, you know what I'm saying.

0:23:11.160 --> 0:23:13.760
<v Speaker 1>If you choose to call yourself that, just please come

0:23:13.800 --> 0:23:16.960
<v Speaker 1>across as this. You know what I'm saying. Like if you,

0:23:17.040 --> 0:23:19.159
<v Speaker 1>if you, if you get on the regular, I know

0:23:20.480 --> 0:23:24.440
<v Speaker 1>if I do a regular than Trill was always more

0:23:24.480 --> 0:23:26.760
<v Speaker 1>than just a word. It was a way of life.

0:23:26.760 --> 0:23:28.640
<v Speaker 1>It was something that kind of spoke to a way

0:23:28.680 --> 0:23:30.520
<v Speaker 1>of life. So it was about the way that you

0:23:30.600 --> 0:23:33.119
<v Speaker 1>carried yourself. Triill originally started in the Texas, in the

0:23:33.119 --> 0:23:37.159
<v Speaker 1>penitentiary system. You know what, that's the world. So that

0:23:37.240 --> 0:23:40.280
<v Speaker 1>word came home to p a from the penitentiary and eight.

0:23:40.840 --> 0:23:44.000
<v Speaker 1>So it was a word that I'm sorry from to

0:23:44.040 --> 0:23:47.080
<v Speaker 1>put off the Texas. That's so the homie came home

0:23:47.680 --> 0:23:51.480
<v Speaker 1>East Coast when you say Pennsylvania, so the holy Little

0:23:51.480 --> 0:23:56.200
<v Speaker 1>Block came home from jail, and Little Block started talking,

0:23:56.440 --> 0:23:57.960
<v Speaker 1>started talking about true and he was one of the

0:23:57.960 --> 0:24:00.320
<v Speaker 1>first people to really use that term. And deviend Actually

0:24:00.520 --> 0:24:02.160
<v Speaker 1>a lot of people on the west side of town

0:24:02.200 --> 0:24:04.439
<v Speaker 1>started using it, and then people and put out in

0:24:04.480 --> 0:24:07.760
<v Speaker 1>general just started using it. So when we started making music,

0:24:07.800 --> 0:24:09.520
<v Speaker 1>we were like, well, this is a word that not

0:24:09.600 --> 0:24:12.960
<v Speaker 1>only represents who we are and where we're from, but

0:24:13.080 --> 0:24:17.200
<v Speaker 1>we'll also separate us from everybody that's already in hip hop,

0:24:17.400 --> 0:24:21.240
<v Speaker 1>people in Dallas. But it was separate. It was separated

0:24:21.320 --> 0:24:24.439
<v Speaker 1>from Mary. Yeah, so it wasn't our thing, but it was.

0:24:24.520 --> 0:24:26.240
<v Speaker 1>It was always in terms of where we were from,

0:24:26.600 --> 0:24:28.760
<v Speaker 1>you know. So we always give credit to the homes.

0:24:28.840 --> 0:24:30.800
<v Speaker 1>And that's why when we copyrighted, it was never to

0:24:30.880 --> 0:24:33.119
<v Speaker 1>just go out and sell T shirts and merchant none

0:24:33.160 --> 0:24:35.400
<v Speaker 1>of that ship, but to protect the integrity of this ship,

0:24:35.440 --> 0:24:37.880
<v Speaker 1>because I'm responsible for that ship. You know what I'm saying.

0:24:37.880 --> 0:24:41.320
<v Speaker 1>When they see niggas misusing tril, they don't get mad

0:24:41.320 --> 0:24:44.480
<v Speaker 1>at them, they get mad at me. Like you out there,

0:24:44.560 --> 0:24:47.080
<v Speaker 1>like we hear the projects, we can't get it. You

0:24:47.119 --> 0:24:50.760
<v Speaker 1>gotta go to l A and check rockdas. You gotta

0:24:50.840 --> 0:24:53.359
<v Speaker 1>go over to these places to check these dudes. You

0:24:53.359 --> 0:24:57.720
<v Speaker 1>know what I'm saying. No, damn, that's that's very true.

0:24:57.800 --> 0:24:59.840
<v Speaker 1>That's the obligation, you know what I'm saying. And so

0:25:00.400 --> 0:25:02.240
<v Speaker 1>and I can get busy and called upself. So my

0:25:02.240 --> 0:25:03.960
<v Speaker 1>wife is a real good rounded she'd be like, yo,

0:25:04.000 --> 0:25:06.680
<v Speaker 1>somebody trying it again, let's pick up your wife. What

0:25:06.680 --> 0:25:09.280
<v Speaker 1>I'm saying, But because why did like yo, if they

0:25:09.440 --> 0:25:11.720
<v Speaker 1>if they eat, that's money out of our podcast. And

0:25:11.800 --> 0:25:14.399
<v Speaker 1>that's why we weren't even trying to get She like,

0:25:14.440 --> 0:25:16.320
<v Speaker 1>we ain't out here like exploiting it. So if they're

0:25:16.359 --> 0:25:19.480
<v Speaker 1>gonna exploit it, it's not right. I think I agree

0:25:19.480 --> 0:25:23.000
<v Speaker 1>with your White be the shooter's number before we leave.

0:25:23.760 --> 0:25:26.480
<v Speaker 1>No White used to shoot. No, no, no, no no, you

0:25:26.560 --> 0:25:30.280
<v Speaker 1>can't have wife to go to jail. We're gonna give

0:25:30.320 --> 0:25:32.760
<v Speaker 1>them the shore. Gonna shoot. Shouldn't get me to get

0:25:33.119 --> 0:25:35.800
<v Speaker 1>to go to jail. But listen, and here's the thing, bun,

0:25:36.160 --> 0:25:38.600
<v Speaker 1>And I'm sorry, I'm going to a little dark place,

0:25:39.119 --> 0:25:44.680
<v Speaker 1>but we recently just lost Prodigy real and the thing

0:25:44.720 --> 0:25:53.200
<v Speaker 1>about that is, uh, your partner, your two man. So

0:25:53.480 --> 0:25:55.760
<v Speaker 1>what could be your advice to have it right now?

0:25:56.200 --> 0:25:58.159
<v Speaker 1>It's just the first thing you gotta do is support

0:25:58.200 --> 0:26:00.240
<v Speaker 1>the family as much as you can. That's it, right.

0:26:00.680 --> 0:26:04.400
<v Speaker 1>And now sometimes the family doesn't want to be supported

0:26:04.840 --> 0:26:10.359
<v Speaker 1>right sometimes because yeah right, And sometimes you know they

0:26:10.480 --> 0:26:12.080
<v Speaker 1>have an idea of what they want to do, like

0:26:12.119 --> 0:26:15.359
<v Speaker 1>with Pamp's wife for example, Um, she had an idea

0:26:15.400 --> 0:26:18.399
<v Speaker 1>of what she thought her husband's legacy should be. People

0:26:18.880 --> 0:26:22.000
<v Speaker 1>think that I should take the lead and have the

0:26:22.119 --> 0:26:24.639
<v Speaker 1>idea of what his legacy should be started. For one second,

0:26:25.240 --> 0:26:29.720
<v Speaker 1>everybody wanted you to to to k but but you

0:26:29.760 --> 0:26:32.440
<v Speaker 1>know how much you respected Pam. It's not It's deeper

0:26:32.440 --> 0:26:34.159
<v Speaker 1>than that. It's not even just it's deeper than the

0:26:34.240 --> 0:26:37.000
<v Speaker 1>respect I have a pimp. Should anything happen to me,

0:26:38.119 --> 0:26:40.880
<v Speaker 1>right or wrong, I would hope that people support my wife.

0:26:41.440 --> 0:26:43.920
<v Speaker 1>That's all I'm ask you know what I'm saying. If

0:26:44.160 --> 0:26:46.560
<v Speaker 1>if she's right or she's wrong, if she wants to

0:26:46.640 --> 0:26:48.960
<v Speaker 1>run it into the ground, then let her do that.

0:26:49.119 --> 0:26:52.440
<v Speaker 1>But please, like, just just just support her. Right. If

0:26:52.440 --> 0:26:54.520
<v Speaker 1>she don't know, she don't know, no better try to

0:26:54.560 --> 0:26:56.800
<v Speaker 1>tell her. If she don't want to listen, just support

0:26:56.800 --> 0:26:59.040
<v Speaker 1>as much as you as much as you can write

0:26:59.080 --> 0:27:03.119
<v Speaker 1>without compromise yourself. That that's all you can do, you know. Um,

0:27:03.359 --> 0:27:06.680
<v Speaker 1>Like I said, people, Um, the wife has an idea,

0:27:06.680 --> 0:27:08.960
<v Speaker 1>and maybe the kids have an idea, and maybe the

0:27:09.040 --> 0:27:11.879
<v Speaker 1>mother has an idea. Different people have different ideas of

0:27:11.960 --> 0:27:16.480
<v Speaker 1>how they feel the legacy should be maintained. The consumer,

0:27:16.600 --> 0:27:19.600
<v Speaker 1>the listener to the fan base because they don't know

0:27:19.680 --> 0:27:22.760
<v Speaker 1>as much about his personal life, assumes that the closest

0:27:22.760 --> 0:27:26.200
<v Speaker 1>person to him is meet. So people always like, yo, Bunny,

0:27:26.200 --> 0:27:28.520
<v Speaker 1>I know you got pimpsy versus I know you've got

0:27:28.640 --> 0:27:30.560
<v Speaker 1>U G K songs. And I have to educate people

0:27:30.600 --> 0:27:33.400
<v Speaker 1>about how that works, like, no, the estate has everything.

0:27:33.840 --> 0:27:37.919
<v Speaker 1>Once passes away, then the estate gets all them, Like

0:27:37.960 --> 0:27:40.120
<v Speaker 1>my I mean, I got forty two songs. I don't

0:27:40.119 --> 0:27:42.400
<v Speaker 1>have any pimpsy music on. It's not because I don't

0:27:42.400 --> 0:27:46.280
<v Speaker 1>want it, because it's much. It's it's more profitable to

0:27:46.320 --> 0:27:49.280
<v Speaker 1>the estate in their hands than it is in my hand,

0:27:50.359 --> 0:27:52.439
<v Speaker 1>you know, And we want them to eat. That's what

0:27:52.520 --> 0:27:57.120
<v Speaker 1>we want, you know, So we you know, whether we agree,

0:27:57.119 --> 0:27:59.119
<v Speaker 1>look no, but it's just being real because and I

0:27:59.119 --> 0:28:02.640
<v Speaker 1>gotta leave by Apple because because you got you got

0:28:02.640 --> 0:28:07.880
<v Speaker 1>seventeen point versus I've never used one. You just don't

0:28:07.880 --> 0:28:12.800
<v Speaker 1>want to be And the other thing is that you know,

0:28:12.920 --> 0:28:15.320
<v Speaker 1>and if too many people lean on the legacy, then

0:28:15.359 --> 0:28:18.760
<v Speaker 1>they can't it can't rise, right. If everybody's holding onto it,

0:28:18.840 --> 0:28:20.719
<v Speaker 1>then they can't really rise with the angels like it's

0:28:20.760 --> 0:28:23.400
<v Speaker 1>supposed to. So it's my job to keep ship off

0:28:23.400 --> 0:28:25.320
<v Speaker 1>his name keep dirt off his name and to keep

0:28:25.320 --> 0:28:27.520
<v Speaker 1>people from attaching themselves or something that they really want

0:28:27.520 --> 0:28:29.040
<v Speaker 1>to part to. You know, you you don't want to

0:28:29.040 --> 0:28:33.879
<v Speaker 1>talking about bitch ass nigger. Yea nigger. Now let's take it.

0:28:34.440 --> 0:28:36.400
<v Speaker 1>I know we spoke about it a little bit earlier,

0:28:36.680 --> 0:28:44.040
<v Speaker 1>but Biga man still international calling car any country I

0:28:44.120 --> 0:28:47.040
<v Speaker 1>go when they sue, because they sue jay Z every

0:28:47.120 --> 0:28:52.920
<v Speaker 1>year for like every do they sue y'all? So here's

0:28:53.000 --> 0:28:55.680
<v Speaker 1>so it's what happened. This is this is what was

0:28:55.720 --> 0:28:57.960
<v Speaker 1>crazy about the whole thing. When we did the song.

0:28:58.160 --> 0:29:00.320
<v Speaker 1>What was like, Yo, I want to buy the mission

0:29:00.400 --> 0:29:06.400
<v Speaker 1>on this and we were like, he wanted to buy

0:29:06.440 --> 0:29:11.040
<v Speaker 1>our publishing on the show, and so we were like,

0:29:11.120 --> 0:29:12.720
<v Speaker 1>what do you mean. He was like, Yo, we kind

0:29:12.760 --> 0:29:14.920
<v Speaker 1>of want to keep all of this. And at the time,

0:29:15.000 --> 0:29:17.680
<v Speaker 1>this was a very strange beat. This was not something

0:29:17.720 --> 0:29:20.760
<v Speaker 1>that pimp really wanted to do. And they were and

0:29:21.080 --> 0:29:25.440
<v Speaker 1>they were really they were going towards the Mariah record.

0:29:25.600 --> 0:29:27.280
<v Speaker 1>At the time, he had a record with Mariah and

0:29:27.280 --> 0:29:29.000
<v Speaker 1>now I was supposed to be the one. This was

0:29:29.080 --> 0:29:30.880
<v Speaker 1>like something in a row. So they but they had

0:29:30.920 --> 0:29:33.200
<v Speaker 1>they were cash flush. So and he's like, yeah, we

0:29:33.240 --> 0:29:34.680
<v Speaker 1>want to buy you out on this, you know what

0:29:34.680 --> 0:29:37.040
<v Speaker 1>I'm saying, Like fully, and we was in this place

0:29:37.080 --> 0:29:42.960
<v Speaker 1>where like Yo're like yo, You're like, we'll take it,

0:29:43.200 --> 0:29:45.920
<v Speaker 1>you know, And then the song becomes literally you have

0:29:46.000 --> 0:29:47.800
<v Speaker 1>to understand at one point, this is the biggest record

0:29:47.800 --> 0:29:51.080
<v Speaker 1>in the world, Like I'm looking at the B d

0:29:51.240 --> 0:29:54.640
<v Speaker 1>S numbers and it's like five thousand, seven thousand, eleven thousand.

0:29:55.440 --> 0:29:58.280
<v Speaker 1>I've never seen anything like this with anything period. And

0:29:58.320 --> 0:30:01.120
<v Speaker 1>then my name is attached to it, and like we

0:30:01.240 --> 0:30:03.080
<v Speaker 1>start trying to do the math. We don't even know

0:30:03.120 --> 0:30:05.160
<v Speaker 1>the intricacies of this ship, but they start trying to

0:30:05.280 --> 0:30:07.000
<v Speaker 1>like let's just say five cents, nigger, you know what

0:30:07.040 --> 0:30:09.480
<v Speaker 1>I'm saying. But we start trying to do the math

0:30:09.560 --> 0:30:11.480
<v Speaker 1>on it's like yo's it's a lot of money, and

0:30:11.560 --> 0:30:14.680
<v Speaker 1>we're up on the table. And then of course Pim

0:30:14.800 --> 0:30:16.840
<v Speaker 1>gets locked up at the lawsuit because the lawsuit doesn't

0:30:16.880 --> 0:30:20.440
<v Speaker 1>happen until pimp goes to jail, Okay, so then the

0:30:20.520 --> 0:30:23.040
<v Speaker 1>lawsuit happens, and then the money is sucked up anyway

0:30:23.040 --> 0:30:25.200
<v Speaker 1>because happy group is locked up. So then it's like yo,

0:30:25.200 --> 0:30:27.760
<v Speaker 1>they getting shoot, Like Yo, we ain't get nothing. We

0:30:27.840 --> 0:30:30.600
<v Speaker 1>didn't get ship they can't get nothing from so they

0:30:30.760 --> 0:30:33.960
<v Speaker 1>go to prison and they get the lawyer and do

0:30:34.080 --> 0:30:37.160
<v Speaker 1>to that position, like, yo, we worked for High my nigger.

0:30:37.280 --> 0:30:39.320
<v Speaker 1>We got nothing to do with that. And then they

0:30:39.400 --> 0:30:41.640
<v Speaker 1>come to me, I do work you know, didn't work

0:30:41.680 --> 0:30:44.480
<v Speaker 1>for Hi. So we still got the shows, we still

0:30:44.520 --> 0:30:52.200
<v Speaker 1>got the increase in fan base, We still taking ahead,

0:30:52.320 --> 0:30:54.280
<v Speaker 1>and it was beautiful, like I want a lie, Like

0:30:54.360 --> 0:30:56.360
<v Speaker 1>at the time, that was way more money than we

0:30:56.440 --> 0:30:58.520
<v Speaker 1>had gotten paid for wrap. Let me just take something

0:30:58.560 --> 0:31:00.720
<v Speaker 1>the ship. I don't know if you know, and you know,

0:31:01.200 --> 0:31:04.360
<v Speaker 1>jay Z's not paying me at all um to say this,

0:31:05.080 --> 0:31:08.040
<v Speaker 1>but I remember jay Z going to Angie Martinez and

0:31:08.160 --> 0:31:11.240
<v Speaker 1>going to like DJ enough saying that, like and they said,

0:31:11.240 --> 0:31:13.200
<v Speaker 1>why did you put you g K on the joint?

0:31:13.560 --> 0:31:18.200
<v Speaker 1>And he said, huk yo, he wouldn't big y'all up

0:31:18.360 --> 0:31:21.440
<v Speaker 1>so crazy. And I don't know if y'all understood that.

0:31:21.880 --> 0:31:23.840
<v Speaker 1>We see so a lot of people don't know that

0:31:23.920 --> 0:31:27.200
<v Speaker 1>we got the call before there was Pimp C was

0:31:27.240 --> 0:31:29.360
<v Speaker 1>actually supposed to be on just a week ago. We're

0:31:29.400 --> 0:31:32.560
<v Speaker 1>too short, so but this was in the middle of

0:31:32.600 --> 0:31:35.600
<v Speaker 1>the East Coast West Coast beef and Jay wasn't leaving

0:31:35.800 --> 0:31:37.880
<v Speaker 1>New York. So when we called Pimpther like I want

0:31:37.920 --> 0:31:40.040
<v Speaker 1>you on this record, people was like, yeah, just come

0:31:40.120 --> 0:31:42.440
<v Speaker 1>on Atlanta. I got the studio at the house. We

0:31:42.480 --> 0:31:45.800
<v Speaker 1>can knock it out of the house. Like Jay like,

0:31:46.000 --> 0:31:48.560
<v Speaker 1>I'm not leaving New York right now. So peoples like ship,

0:31:48.640 --> 0:31:52.040
<v Speaker 1>I ain't even the South right now? Get the and

0:31:52.240 --> 0:31:55.600
<v Speaker 1>the never happened, and then we got the call again

0:31:56.560 --> 0:31:59.360
<v Speaker 1>um for Big Pempon and then it eventually it eventually

0:31:59.440 --> 0:32:01.840
<v Speaker 1>came to get because see me, me as being a

0:32:01.920 --> 0:32:06.000
<v Speaker 1>hip hop fan, I was aware of U g K was,

0:32:06.560 --> 0:32:09.440
<v Speaker 1>But for me seeing a person that's a quote unquote

0:32:09.560 --> 0:32:13.400
<v Speaker 1>above me and begging people up like that, I was like, damn,

0:32:13.560 --> 0:32:15.320
<v Speaker 1>because you know, I don't know if people know. Like

0:32:15.920 --> 0:32:20.440
<v Speaker 1>Juvenile's first feature was with me, the band's first feature

0:32:20.560 --> 0:32:22.560
<v Speaker 1>was with me. I've been bigging up the South were

0:32:24.160 --> 0:32:29.240
<v Speaker 1>first feature. Yeah, Up the South for years? Uh E.

0:32:29.440 --> 0:32:33.280
<v Speaker 1>I can you going on Little Ways, Little Away and

0:32:33.360 --> 0:32:39.280
<v Speaker 1>cash money for me? I definitely by J beat me.

0:32:40.920 --> 0:32:45.120
<v Speaker 1>You ain't gonna pack this, but you were super dug

0:32:45.160 --> 0:32:49.400
<v Speaker 1>of the game. And that's what I'm trying. Look at

0:32:49.400 --> 0:32:59.520
<v Speaker 1>that that good my bad rock No, But I'm like,

0:33:00.080 --> 0:33:05.240
<v Speaker 1>that's that's the last. The thing is that that that

0:33:05.400 --> 0:33:09.360
<v Speaker 1>feature of that class correboration from the South, because I

0:33:09.440 --> 0:33:14.600
<v Speaker 1>always felt like it's no difference, and who's the fun.

0:33:15.040 --> 0:33:18.160
<v Speaker 1>The world's agether. The world is agether. And if you notice,

0:33:18.200 --> 0:33:20.320
<v Speaker 1>if you look at all those names, all those those

0:33:20.400 --> 0:33:22.520
<v Speaker 1>artists that hooked up, those people represent the hoods and

0:33:22.680 --> 0:33:25.320
<v Speaker 1>not just people that are popping. Those are people that

0:33:25.480 --> 0:33:29.080
<v Speaker 1>represent the hood. So it's not a mistake that Nori

0:33:29.280 --> 0:33:32.000
<v Speaker 1>and EU GK makes a record a camera and U

0:33:32.080 --> 0:33:35.880
<v Speaker 1>g K makes a record that little Wayne and makes

0:33:35.880 --> 0:33:38.680
<v Speaker 1>a record that's not It shouldn't be a surprise to anybody.

0:33:39.040 --> 0:33:41.120
<v Speaker 1>We speak to the same people, just in different places,

0:33:41.160 --> 0:33:45.040
<v Speaker 1>in different accents. That's the only difference. My nigga. Now

0:33:45.680 --> 0:33:49.840
<v Speaker 1>when you look at it's Travis Scott from Travis Scotts, Houston.

0:33:50.160 --> 0:33:53.040
<v Speaker 1>He's and he tries to put it in the music.

0:33:53.600 --> 0:33:56.400
<v Speaker 1>And if you're from Houston, you listen to it. He's

0:33:56.400 --> 0:33:58.320
<v Speaker 1>saying everything to let you know, like he's on the

0:33:58.400 --> 0:34:00.640
<v Speaker 1>new um this is a record. He's like, I'm from

0:34:01.120 --> 0:34:03.880
<v Speaker 1>it's that Most City that side because he's from Missouri City,

0:34:04.240 --> 0:34:06.080
<v Speaker 1>but in the Hood they call it Most City. So

0:34:06.200 --> 0:34:07.920
<v Speaker 1>he's trying to do it, but he doesn't make the

0:34:08.080 --> 0:34:12.440
<v Speaker 1>music that's automatically identified with You know, he came in

0:34:12.520 --> 0:34:14.719
<v Speaker 1>the game in Atlanta, signed the TI I That's how

0:34:14.800 --> 0:34:21.320
<v Speaker 1>he came in. Yeah traffic is originally Yeah. Tia always

0:34:21.360 --> 0:34:23.600
<v Speaker 1>said that that he always has a good time in

0:34:23.640 --> 0:34:25.520
<v Speaker 1>the studio and gets along with everybody. The only person

0:34:25.600 --> 0:34:28.400
<v Speaker 1>he's ever disagreed with the studio is Travis, because Travis

0:34:28.440 --> 0:34:32.120
<v Speaker 1>has a very clear idea of how his music should

0:34:32.160 --> 0:34:34.520
<v Speaker 1>sound and he know it too. If you listen to

0:34:34.600 --> 0:34:37.240
<v Speaker 1>it like nobody, it doesn't sound like anything else anybody

0:34:37.400 --> 0:34:40.040
<v Speaker 1>is doing. And that's why most people don't connect him

0:34:40.080 --> 0:34:43.480
<v Speaker 1>to music, because he's so closely and social associated with

0:34:43.600 --> 0:34:47.680
<v Speaker 1>Kanye and you know what and t I. But but

0:34:47.840 --> 0:34:50.520
<v Speaker 1>he's not from either one of those places. He's bred

0:34:50.600 --> 0:34:54.399
<v Speaker 1>from a different place. But that's the one thing music

0:34:54.520 --> 0:34:56.680
<v Speaker 1>did you you identify it with? It means no, no,

0:34:56.920 --> 0:34:59.160
<v Speaker 1>not at all. But I'm I'm from a different error,

0:34:59.320 --> 0:35:01.759
<v Speaker 1>you know what I'm saying. So so in different places,

0:35:01.800 --> 0:35:04.439
<v Speaker 1>in a different just a different I'm a different city.

0:35:04.680 --> 0:35:06.640
<v Speaker 1>But even more so, it's the time difference in the

0:35:06.719 --> 0:35:11.520
<v Speaker 1>generational gap. And I like Travis because I don't want

0:35:11.600 --> 0:35:14.400
<v Speaker 1>motherfucker's to feel like they gotta lean or that they

0:35:14.520 --> 0:35:17.520
<v Speaker 1>need to lean on Pimp C and DJ Screw forever.

0:35:18.080 --> 0:35:21.400
<v Speaker 1>Like that was a great time. It was a beautiful

0:35:21.440 --> 0:35:25.840
<v Speaker 1>time for the city. But you can't. But I'm just saying, like,

0:35:25.920 --> 0:35:30.200
<v Speaker 1>the city can't grow if we don't move past June seven.

0:35:30.840 --> 0:35:33.640
<v Speaker 1>You don't say dem birthday. It's a good thing to celebrate,

0:35:33.680 --> 0:35:35.680
<v Speaker 1>and it's a great thing to acknowledge, but we got

0:35:35.800 --> 0:35:39.080
<v Speaker 1>to show the growths past that. Yes, this is what

0:35:39.239 --> 0:35:41.280
<v Speaker 1>when when Screw is looking down on us and people

0:35:41.320 --> 0:35:44.359
<v Speaker 1>looking down on us, they don't want to they don't

0:35:44.400 --> 0:35:46.680
<v Speaker 1>want us to keep concentrating on what they did. They're

0:35:46.719 --> 0:35:48.560
<v Speaker 1>waiting for one of us to pick up the goddamn

0:35:48.600 --> 0:35:51.399
<v Speaker 1>for time. So like, and I'm back in the lab

0:35:51.520 --> 0:35:53.480
<v Speaker 1>now because I sat around for four years and I

0:35:53.600 --> 0:35:55.640
<v Speaker 1>was like, I'm waiting to see who's gonna do what.

0:35:55.719 --> 0:35:57.480
<v Speaker 1>And then I realized, like, Nigga, you the o G

0:35:58.360 --> 0:36:00.759
<v Speaker 1>You can't expect eighteen. You know, Nigga's twenty one year old.

0:36:00.800 --> 0:36:03.120
<v Speaker 1>Niggas twenty four. You not not to represent me, but

0:36:03.680 --> 0:36:06.799
<v Speaker 1>but to save their generation. Older heads have always given

0:36:06.840 --> 0:36:09.759
<v Speaker 1>younger heads game, but now it's just young heads given

0:36:09.800 --> 0:36:11.840
<v Speaker 1>young heads games. So it's the blind leading the blind,

0:36:12.239 --> 0:36:15.560
<v Speaker 1>and we got comfortable houses and cars and we can

0:36:15.640 --> 0:36:18.319
<v Speaker 1>sit around and complain like our children is the only

0:36:18.400 --> 0:36:20.800
<v Speaker 1>children that we need to worry about. But when m

0:36:20.880 --> 0:36:22.640
<v Speaker 1>C has come to me and say, yo, yo, you

0:36:22.800 --> 0:36:26.200
<v Speaker 1>raised me, I have agation to that. MC's you know

0:36:26.239 --> 0:36:28.360
<v Speaker 1>what I'm saying, that's an obligation. When people come up

0:36:28.400 --> 0:36:30.839
<v Speaker 1>and say, yo, y'all music raised us. Y'all niggas told

0:36:30.880 --> 0:36:33.000
<v Speaker 1>me this, then that means that they're still looking for

0:36:33.120 --> 0:36:35.520
<v Speaker 1>whatever I gave them. And if I was the only

0:36:35.560 --> 0:36:37.120
<v Speaker 1>person they gave it to him them, then I need

0:36:37.200 --> 0:36:39.360
<v Speaker 1>to beat the motherfucker giving it to him now. And

0:36:39.520 --> 0:36:47.759
<v Speaker 1>that's why we think that goddamn bun bund you got responsibility. No,

0:36:48.000 --> 0:36:50.680
<v Speaker 1>we all do. We all do. Especially we ain't good.

0:36:51.160 --> 0:36:53.799
<v Speaker 1>That's the reality. Especially we ain't good. I'm gonna throw

0:36:53.840 --> 0:36:57.600
<v Speaker 1>him more on you than me. I got you, I

0:36:57.719 --> 0:37:02.200
<v Speaker 1>got you, because you know why, bun Like, we can't

0:37:02.200 --> 0:37:05.160
<v Speaker 1>save everybody. We gotta try to save somebody, so you

0:37:05.239 --> 0:37:06.799
<v Speaker 1>can't go back and save the whole host some of them,

0:37:07.200 --> 0:37:09.680
<v Speaker 1>some of them don't want to say anymore than what's

0:37:09.680 --> 0:37:12.279
<v Speaker 1>being done. They want women to take care of them,

0:37:12.400 --> 0:37:14.920
<v Speaker 1>you know what I'm saying, So they on some other ship. Anyway,

0:37:14.960 --> 0:37:17.120
<v Speaker 1>we have to come. But you might not agree with this,

0:37:17.320 --> 0:37:19.880
<v Speaker 1>but I say that our generation. I say because of

0:37:19.920 --> 0:37:23.640
<v Speaker 1>the age group, our generation dropped the ball. No, it's

0:37:24.480 --> 0:37:26.759
<v Speaker 1>sting at some point, you know. I'm gonna tell you

0:37:26.800 --> 0:37:29.640
<v Speaker 1>what happened. First of all, people got scared of catching

0:37:29.640 --> 0:37:31.759
<v Speaker 1>the cases that they knew they were getting into, so

0:37:31.880 --> 0:37:34.640
<v Speaker 1>they started putting drugs and guns and young niggas and

0:37:34.800 --> 0:37:37.600
<v Speaker 1>hands that were under eighteen that they knew wouldn't necessarily

0:37:37.640 --> 0:37:41.520
<v Speaker 1>get real time. But what they did was stop the

0:37:41.680 --> 0:37:45.800
<v Speaker 1>opportunity to progress. Right. So then young niggas got older.

0:37:45.920 --> 0:37:47.600
<v Speaker 1>And I'm gonna tell you another thing, because nobody want

0:37:47.640 --> 0:37:49.080
<v Speaker 1>to talk about I'm glad we're talking about this on

0:37:49.200 --> 0:37:52.120
<v Speaker 1>dream chat. There's a lot of niggas that went into

0:37:52.239 --> 0:37:55.719
<v Speaker 1>houses and manipulated women for sex and money and put

0:37:55.760 --> 0:37:58.000
<v Speaker 1>them on drugs. And little niggas sat in those houses

0:37:58.040 --> 0:38:00.879
<v Speaker 1>and watch niggers do that, and out they're old enough

0:38:00.920 --> 0:38:03.480
<v Speaker 1>and they remember what you did to their mom. That's

0:38:03.480 --> 0:38:11.600
<v Speaker 1>why young Donna respect what I say identified with but

0:38:11.719 --> 0:38:15.279
<v Speaker 1>it's exact part of why this is one of the

0:38:15.400 --> 0:38:19.759
<v Speaker 1>reasons why, because they gave they put cases on them

0:38:19.960 --> 0:38:22.600
<v Speaker 1>that they knew your niggas would never shake. They got

0:38:22.680 --> 0:38:25.239
<v Speaker 1>montas that put credit on their name that they can't

0:38:25.719 --> 0:38:27.680
<v Speaker 1>and now they got niggas in their life in these

0:38:27.719 --> 0:38:31.120
<v Speaker 1>houses putting values that they can't shape. But stop right there.

0:38:31.360 --> 0:38:33.560
<v Speaker 1>But this here's the I want you to finish your ship.

0:38:34.360 --> 0:38:36.719
<v Speaker 1>But I've seen a meme the other day and they said,

0:38:36.760 --> 0:38:39.400
<v Speaker 1>how the fuck you mad at mumble rap? You so

0:38:39.719 --> 0:38:43.000
<v Speaker 1>crack to their moms and the ship. Let me tell

0:38:43.040 --> 0:38:46.520
<v Speaker 1>you something, mumble wrap is. I don't even like that term.

0:38:46.680 --> 0:38:49.160
<v Speaker 1>I don't even like young niggas. I don't like nobody

0:38:49.200 --> 0:38:52.120
<v Speaker 1>putting a term on nigga because, to be honest, just

0:38:52.239 --> 0:38:55.560
<v Speaker 1>being real, twenty years ago, twenty five years ago, when

0:38:55.600 --> 0:38:58.000
<v Speaker 1>they didn't understand the Southern slang and the twin and

0:38:58.040 --> 0:38:59.920
<v Speaker 1>the way we bent our words, but they could have

0:39:00.000 --> 0:39:02.960
<v Speaker 1>called that, so that ain't no difference with that. And

0:39:03.000 --> 0:39:06.759
<v Speaker 1>I tell you, I tell I tell that you, thank you.

0:39:07.000 --> 0:39:08.759
<v Speaker 1>I tell people all the time, man, y'all need to

0:39:08.800 --> 0:39:10.879
<v Speaker 1>get offended at that ship. You know what I'm saying.

0:39:10.920 --> 0:39:13.600
<v Speaker 1>They should be offended about that ship. They shouldn't take

0:39:13.680 --> 0:39:15.560
<v Speaker 1>if they want to take it and reclaim it and

0:39:15.960 --> 0:39:17.959
<v Speaker 1>and shoot on the people that did it. Then that's fine,

0:39:18.160 --> 0:39:20.040
<v Speaker 1>but they need to be offended by that because that

0:39:20.320 --> 0:39:22.400
<v Speaker 1>when people say, your mum, and that means they really

0:39:22.440 --> 0:39:23.800
<v Speaker 1>don't want to take the time and listen to what

0:39:23.880 --> 0:39:26.319
<v Speaker 1>you got to say. That's what that me. That's all

0:39:26.400 --> 0:39:29.600
<v Speaker 1>that tell me, because I know what they're talking about.

0:39:29.719 --> 0:39:31.560
<v Speaker 1>When you first listen to a young thug record and

0:39:31.600 --> 0:39:33.480
<v Speaker 1>you never heard it before, you gotta bag it up

0:39:33.480 --> 0:39:36.080
<v Speaker 1>and listen to it again, and you gotta wait until

0:39:36.120 --> 0:39:38.320
<v Speaker 1>you figure out, Okay, wait a minute, there's a pattern

0:39:38.360 --> 0:39:40.720
<v Speaker 1>to this. There's he's saying words, but I don't normally

0:39:40.760 --> 0:39:43.080
<v Speaker 1>hear these words bent like this. I don't hear hear

0:39:43.160 --> 0:39:46.280
<v Speaker 1>him something like this. They're usually not inflected in this tone,

0:39:46.320 --> 0:39:48.480
<v Speaker 1>on this syllable, So I don't. I didn't know that's

0:39:48.520 --> 0:39:50.040
<v Speaker 1>what he was saying because I ain't never heard that

0:39:50.120 --> 0:39:54.919
<v Speaker 1>word said like that, right right exactly, and I didn't.

0:39:54.920 --> 0:39:56.680
<v Speaker 1>Once you get it, you're like, oh, Nick, this is

0:39:57.400 --> 0:40:01.040
<v Speaker 1>you know when yeah, exa, And it takes a while

0:40:01.080 --> 0:40:02.680
<v Speaker 1>to figure out what to me goes the same. Once

0:40:02.719 --> 0:40:05.560
<v Speaker 1>you figure out, right, yo, these dudes are killing it.

0:40:06.960 --> 0:40:09.400
<v Speaker 1>And that's what we're trying to do at Drink Chaps

0:40:09.560 --> 0:40:14.520
<v Speaker 1>with volt TV audio boom, audio boom. What we're trying

0:40:14.560 --> 0:40:17.200
<v Speaker 1>to do is we're trying to we don't want to

0:40:17.239 --> 0:40:20.359
<v Speaker 1>school people on hip hop. We wanna we wanna give

0:40:20.400 --> 0:40:23.680
<v Speaker 1>you our version of hip hop. Want you don't want

0:40:23.680 --> 0:40:29.520
<v Speaker 1>to sound, you don't want to like blind, We're gonna

0:40:29.560 --> 0:40:35.879
<v Speaker 1>send it. But this is the deal. Here's the deals around.

0:40:35.920 --> 0:40:39.200
<v Speaker 1>Here's a deal. Here's a deal. You know, um, you

0:40:39.280 --> 0:40:41.839
<v Speaker 1>know our of all TV, we got great people. We've

0:40:41.840 --> 0:40:44.399
<v Speaker 1>got people from Queens that work there. We got people

0:40:44.480 --> 0:40:47.160
<v Speaker 1>from motherfucking everywhere that worked there. And you know what

0:40:47.400 --> 0:40:50.960
<v Speaker 1>it is, here's the beautiful part about it. If we

0:40:51.160 --> 0:40:55.160
<v Speaker 1>all representing the same culture. It's hip hop, and you

0:40:55.200 --> 0:40:58.680
<v Speaker 1>know what, our version might be different, their version might

0:40:58.800 --> 0:41:00.960
<v Speaker 1>be different. But the thing gets as long as we

0:41:01.480 --> 0:41:04.200
<v Speaker 1>wrapping the hip hop, we didn't we didn't know, that's

0:41:04.200 --> 0:41:07.239
<v Speaker 1>the reality. We didn't know. I sat in Texas, I

0:41:07.320 --> 0:41:09.239
<v Speaker 1>looved in New York on TV and I just didn't know.

0:41:09.920 --> 0:41:12.920
<v Speaker 1>You know, people say in New York with Texas on

0:41:13.000 --> 0:41:15.680
<v Speaker 1>TV looking at Dallas and then like that, and they

0:41:15.760 --> 0:41:18.520
<v Speaker 1>didn't know. We all hear A little deserved was a drink.

0:41:18.760 --> 0:41:21.040
<v Speaker 1>We look at London and we looked at London and

0:41:22.560 --> 0:41:26.840
<v Speaker 1>we don't even black people were getting drunk. That's what

0:41:26.920 --> 0:41:28.719
<v Speaker 1>I thought, you know, you know some of it, like

0:41:29.080 --> 0:41:34.279
<v Speaker 1>Sarah was, yeah, look at and that's the thing, real talk.

0:41:34.520 --> 0:41:37.799
<v Speaker 1>We were never telling people what it was. Somebody gave

0:41:37.840 --> 0:41:39.239
<v Speaker 1>it away in the end of you I'm not gonna,

0:41:39.400 --> 0:41:41.400
<v Speaker 1>I'm not here to blast them. They know who they are.

0:41:41.560 --> 0:41:45.520
<v Speaker 1>Definitely need but they're they're a good friend and they

0:41:45.520 --> 0:41:48.440
<v Speaker 1>didn't they didn't realize what they were doing. But but

0:41:49.000 --> 0:41:51.920
<v Speaker 1>the understanding between everybody's like, we're not gonna just actually

0:41:52.040 --> 0:41:55.120
<v Speaker 1>say what this is. But then somebody actually said it

0:41:55.239 --> 0:41:57.400
<v Speaker 1>and then it kind of became what it was. But

0:41:57.520 --> 0:42:00.239
<v Speaker 1>it was never just us because Philly Niggas was wanted

0:42:00.280 --> 0:42:04.319
<v Speaker 1>at the same that's how well we know, like, well,

0:42:04.480 --> 0:42:06.600
<v Speaker 1>if you want to talk about that Mississippi, Alabama Nigga

0:42:06.600 --> 0:42:09.440
<v Speaker 1>said yellow too, and Tennessee, so you're in Tennessee, Niggas

0:42:09.480 --> 0:42:12.880
<v Speaker 1>talk about scissor. That wasn't really purple, that wasn't red, sir,

0:42:13.120 --> 0:42:17.160
<v Speaker 1>that was jealous. That was the activists, activists active. This

0:42:17.360 --> 0:42:19.919
<v Speaker 1>is what they sell now. Because the original sur brand

0:42:20.000 --> 0:42:22.680
<v Speaker 1>was called bar b a r E. So when big

0:42:22.800 --> 0:42:25.000
<v Speaker 1>most things about the bar Baby and we rap about

0:42:25.000 --> 0:42:28.280
<v Speaker 1>sipping ball, that's what we talked about because the original brand,

0:42:28.760 --> 0:42:31.719
<v Speaker 1>pharmaceutical brand that sold it was a company called bar

0:42:32.320 --> 0:42:34.359
<v Speaker 1>B A r r E. And that's where the name

0:42:34.480 --> 0:42:36.960
<v Speaker 1>came from. So people still say sipping ball, but they're

0:42:37.000 --> 0:42:39.719
<v Speaker 1>not really sipping ball. They're probably sipping activists. And what

0:42:39.880 --> 0:42:42.080
<v Speaker 1>we used to sip was like sweet because they're early

0:42:42.160 --> 0:42:45.600
<v Speaker 1>medicine to be tight. I don't even know, don't sipping.

0:42:45.760 --> 0:42:47.440
<v Speaker 1>And that's why we had the screw tapes and the

0:42:47.600 --> 0:42:50.600
<v Speaker 1>music slowed down like that to try to excre my schemes.

0:42:52.960 --> 0:42:55.160
<v Speaker 1>But we never knew that ship was gonna We never

0:42:55.200 --> 0:42:57.239
<v Speaker 1>expected that ship to really get past where we were.

0:42:57.280 --> 0:42:59.640
<v Speaker 1>We didn't speak for anybody to understand. And now it's

0:42:59.680 --> 0:43:02.400
<v Speaker 1>so big. Even if you were the screw getting a

0:43:02.440 --> 0:43:07.000
<v Speaker 1>just old Ward before Justice, they had to make they

0:43:07.040 --> 0:43:09.799
<v Speaker 1>had to literally make a category for him because they

0:43:09.920 --> 0:43:14.239
<v Speaker 1>created an entirely new styllar dj wow. But they gave

0:43:14.280 --> 0:43:15.799
<v Speaker 1>it and the awards were like a ring I think

0:43:16.160 --> 0:43:18.120
<v Speaker 1>I got just gave me a little like a boom

0:43:18.160 --> 0:43:20.919
<v Speaker 1>box that he made it just crip. Yeah, she was dope.

0:43:20.960 --> 0:43:23.160
<v Speaker 1>It was my favorite or whatever. I remember being there

0:43:23.200 --> 0:43:27.000
<v Speaker 1>watching Slave slap Pudgy p with the plaque. We definitely

0:43:27.120 --> 0:43:29.560
<v Speaker 1>here about this, but let's get into it. Oh that

0:43:29.719 --> 0:43:32.839
<v Speaker 1>was me. So the only people after just old wards

0:43:32.840 --> 0:43:35.080
<v Speaker 1>from the South that year was me, and I think

0:43:35.160 --> 0:43:38.279
<v Speaker 1>was me and killing Mike. I don't know. It's a

0:43:38.360 --> 0:43:41.839
<v Speaker 1>year slag slap Puggy, but Puggy pa Puggy, I don't

0:43:41.880 --> 0:43:45.520
<v Speaker 1>know pug It was a DJ from Yeah, it was

0:43:45.840 --> 0:43:49.120
<v Speaker 1>Puggy PJ from someone, I'm not sure. But he had

0:43:49.160 --> 0:43:52.040
<v Speaker 1>been talking greasy about slave. So Slay had just won

0:43:52.160 --> 0:43:59.320
<v Speaker 1>his award and went off to like sway Slave was

0:43:59.400 --> 0:44:03.440
<v Speaker 1>hitting him. That's what I'm talking about, my twin. So

0:44:04.239 --> 0:44:06.560
<v Speaker 1>he had just won his award and it went to

0:44:07.680 --> 0:44:11.160
<v Speaker 1>the back to so he was doing. So he like

0:44:11.200 --> 0:44:14.279
<v Speaker 1>get in the press like woooo. Pudgy goes up and

0:44:14.480 --> 0:44:16.120
<v Speaker 1>I don't know if he performed or one or something,

0:44:16.400 --> 0:44:18.759
<v Speaker 1>but he was on stage and he said some slick

0:44:18.840 --> 0:44:22.560
<v Speaker 1>ship and Slay moved immediately, and so the whole area

0:44:23.400 --> 0:44:27.120
<v Speaker 1>got crazy. And the only nigga I know is killing Mike,

0:44:27.520 --> 0:44:29.719
<v Speaker 1>and I'm the only nigga he know. So he got

0:44:29.840 --> 0:44:32.200
<v Speaker 1>a tube by four. I gotta five hundred and we're

0:44:32.239 --> 0:44:34.600
<v Speaker 1>back to back like we're getting out of here. We're

0:44:34.600 --> 0:44:38.279
<v Speaker 1>going on because ain't nobody know who he is. If

0:44:38.360 --> 0:44:41.000
<v Speaker 1>you didn't come with who, you fight with you, finn swing,

0:44:41.520 --> 0:44:44.359
<v Speaker 1>that's how I'm moving if you if you ain't come

0:44:44.440 --> 0:44:46.520
<v Speaker 1>with me, if you ain't come with me, and you

0:44:46.680 --> 0:44:50.000
<v Speaker 1>between where I'm trying to get to, we're fnna move you.

0:44:51.040 --> 0:44:56.359
<v Speaker 1>And so we realizing immediately in the moments going down,

0:44:57.760 --> 0:44:59.799
<v Speaker 1>and they just kind of happened like that. But if

0:44:59.840 --> 0:45:02.080
<v Speaker 1>they it was open about maybe five seven minutes. It

0:45:02.160 --> 0:45:05.560
<v Speaker 1>happened real quick. But it was funny. That was funny. Drama,

0:45:06.239 --> 0:45:11.040
<v Speaker 1>especially the little Sid is the drama king. He not

0:45:11.160 --> 0:45:15.399
<v Speaker 1>only plays drama, he addresses drama. Addresses drama. Now. One

0:45:15.480 --> 0:45:19.160
<v Speaker 1>of the best times in my life was when I

0:45:19.239 --> 0:45:22.239
<v Speaker 1>hung out with both of you brothers together and I

0:45:22.360 --> 0:45:24.840
<v Speaker 1>bring you out of that frak city. This is my

0:45:25.000 --> 0:45:27.080
<v Speaker 1>first time I left fracking, my first time, mean, but

0:45:27.400 --> 0:45:29.520
<v Speaker 1>this was a crazy way that's your first time meeting.

0:45:29.840 --> 0:45:31.880
<v Speaker 1>I thought it was crazy, like I'm a Miami duties

0:45:31.880 --> 0:45:33.520
<v Speaker 1>of Texas during the first time. We're gonna meet us

0:45:33.960 --> 0:45:38.319
<v Speaker 1>in the project, in the project and you know, last

0:45:38.440 --> 0:45:44.360
<v Speaker 1>night and my Greatest night Ka straight at the bottom

0:45:45.000 --> 0:45:48.480
<v Speaker 1>the Champago, what's the ship with the yellow rap? Christal

0:45:48.840 --> 0:45:52.520
<v Speaker 1>dright at the bottom? DTS drove by three times. I

0:45:52.560 --> 0:45:57.040
<v Speaker 1>remember every time, Um, I watched under age dude slap

0:45:57.200 --> 0:46:01.160
<v Speaker 1>over age dude commented an everything on the side just

0:46:01.320 --> 0:46:07.440
<v Speaker 1>like yo, and it was hilarious everything um corner beef

0:46:07.880 --> 0:46:10.880
<v Speaker 1>because somebody pressed somebody. I'm not naming on it, but

0:46:10.960 --> 0:46:14.000
<v Speaker 1>somebody pressed somebody and didn't know that he was working

0:46:14.040 --> 0:46:16.759
<v Speaker 1>for somebody else. So that became a thing like yo.

0:46:16.840 --> 0:46:18.839
<v Speaker 1>So I needed somebody need to shoot you to five

0:46:18.920 --> 0:46:22.160
<v Speaker 1>for that because you didn't know. Um there was an

0:46:22.200 --> 0:46:25.120
<v Speaker 1>an all and the all got got he got shot

0:46:25.200 --> 0:46:31.160
<v Speaker 1>to five. He got shot. He got shot the five.

0:46:31.320 --> 0:46:33.640
<v Speaker 1>And then while that happened and his keys flew out

0:46:33.680 --> 0:46:36.360
<v Speaker 1>his hand, the other young homie, I don't want to

0:46:36.360 --> 0:46:37.800
<v Speaker 1>say his name, but he being used it with me

0:46:37.840 --> 0:46:40.160
<v Speaker 1>and truck all the time to being Texas shout out

0:46:40.200 --> 0:46:42.759
<v Speaker 1>to him kept his foot I've never kept his foot

0:46:42.800 --> 0:46:44.799
<v Speaker 1>on his keys for two and a half hours, while

0:46:44.920 --> 0:46:47.560
<v Speaker 1>he was looking everywhere for his keys, they were right

0:46:47.600 --> 0:46:49.480
<v Speaker 1>there on the one dude shoot for two and a

0:46:49.520 --> 0:46:56.680
<v Speaker 1>half hours. He never moved. He kept that was an

0:46:56.680 --> 0:47:00.960
<v Speaker 1>amazing night, and trying to get a cab home, trying

0:47:01.000 --> 0:47:05.319
<v Speaker 1>to get a cat still black, and trying to get

0:47:05.320 --> 0:47:09.640
<v Speaker 1>a cat from left rack back. We can't get a cat. Yeah,

0:47:09.719 --> 0:47:11.440
<v Speaker 1>but let me just tell you something. That was one

0:47:11.440 --> 0:47:14.480
<v Speaker 1>of the most memorable moments for my life, because you

0:47:14.560 --> 0:47:18.160
<v Speaker 1>know why, I don't realize how out of control my

0:47:18.320 --> 0:47:22.040
<v Speaker 1>hood is because I'm just a part of it. Like

0:47:22.680 --> 0:47:26.360
<v Speaker 1>you came with me yesterday and I feel like I

0:47:26.440 --> 0:47:29.640
<v Speaker 1>feel like you finally realized, like okay, and it was

0:47:29.760 --> 0:47:37.640
<v Speaker 1>ill because you were faking it was look at the blink.

0:47:37.760 --> 0:47:41.000
<v Speaker 1>I'm sorry telling you. It's good. It's good. I thought

0:47:41.040 --> 0:47:44.200
<v Speaker 1>it was beautiful because Norri was my all accounts famous

0:47:44.520 --> 0:47:48.920
<v Speaker 1>at this point, right, and he's in he's intellections and

0:47:49.000 --> 0:47:50.799
<v Speaker 1>he's on the block with his homies and even brought

0:47:50.880 --> 0:47:53.680
<v Speaker 1>us out there and he's in his hood. And it

0:47:53.800 --> 0:47:57.399
<v Speaker 1>was like you probably don't know this, but ever since

0:47:57.440 --> 0:48:00.799
<v Speaker 1>I ever since you did that, every time somebody comes

0:48:00.800 --> 0:48:03.400
<v Speaker 1>to Houston, I picked them up. I ride him around

0:48:03.840 --> 0:48:05.799
<v Speaker 1>and people don't know why this happened. I picked them

0:48:05.840 --> 0:48:07.520
<v Speaker 1>up a ride around and take them straight, Like where

0:48:07.520 --> 0:48:09.520
<v Speaker 1>do you want to go in Houston? I want to

0:48:09.560 --> 0:48:10.759
<v Speaker 1>go to fifth Ward. I want to go back to

0:48:10.760 --> 0:48:14.040
<v Speaker 1>the school. I'm just giving you real I'm just giving

0:48:14.040 --> 0:48:16.239
<v Speaker 1>you real ship. I'm like, yeah, I'm so gass because

0:48:16.280 --> 0:48:19.040
<v Speaker 1>my thing is if I can't do for people in

0:48:19.200 --> 0:48:21.680
<v Speaker 1>my city with NOI did for me, they're not real.

0:48:22.440 --> 0:48:31.960
<v Speaker 1>They're not real. But damn that's that's because you never

0:48:32.040 --> 0:48:33.640
<v Speaker 1>even acted like you was the hard sneak out of

0:48:33.719 --> 0:48:35.560
<v Speaker 1>left right, Like you know what I'm saying, but you

0:48:35.719 --> 0:48:37.520
<v Speaker 1>know that you can go home, but you know you could,

0:48:37.800 --> 0:48:40.440
<v Speaker 1>but you know you could go home, right, And there's

0:48:40.480 --> 0:48:42.680
<v Speaker 1>a lot of people that can't go home. You know

0:48:42.680 --> 0:48:48.719
<v Speaker 1>what I'm saying. Home yesterday and everybody, let me tell

0:48:48.760 --> 0:48:50.759
<v Speaker 1>you something, that was the best compliment I ever got

0:48:50.840 --> 0:48:53.319
<v Speaker 1>in my life, because that's the real ship. The thing

0:48:53.360 --> 0:48:55.839
<v Speaker 1>about it is a lot of us we come from

0:48:55.920 --> 0:48:58.440
<v Speaker 1>the hood. A lot of people say, oh, this dick

0:48:58.480 --> 0:49:01.000
<v Speaker 1>head can't come back to the not because I go

0:49:01.280 --> 0:49:04.960
<v Speaker 1>right back and rich and prod we're talking about the

0:49:05.520 --> 0:49:08.240
<v Speaker 1>and and then when to go back, here's the crazy

0:49:08.320 --> 0:49:11.200
<v Speaker 1>ship they leave because you know, I was really a shooter.

0:49:11.239 --> 0:49:14.759
<v Speaker 1>I never had a shooter, like I know serious, I

0:49:15.080 --> 0:49:17.600
<v Speaker 1>was the shooter. So when I come back everybody leaves

0:49:17.640 --> 0:49:21.719
<v Speaker 1>and it's like it's weird. So for me, I was

0:49:21.800 --> 0:49:24.880
<v Speaker 1>always I was always a storyteller. I was always to

0:49:24.960 --> 0:49:26.799
<v Speaker 1>do like I came, I went to Houston and came

0:49:26.840 --> 0:49:29.480
<v Speaker 1>back to put author. Yo, this is a blank like

0:49:29.600 --> 0:49:31.680
<v Speaker 1>I went to Houston came back, Yo. But this is

0:49:31.719 --> 0:49:33.920
<v Speaker 1>the basic. This is wet Yo. I left, went to Houston,

0:49:34.200 --> 0:49:36.799
<v Speaker 1>came back. This is hisserve. I went to Houston back

0:49:36.960 --> 0:49:39.759
<v Speaker 1>like I would always bring all that type of ship too.

0:49:39.920 --> 0:49:41.640
<v Speaker 1>But that's a big thing right there, because you know

0:49:41.719 --> 0:49:46.040
<v Speaker 1>what you just said, right my very importance. You said

0:49:46.080 --> 0:49:48.520
<v Speaker 1>you went to Houston and you went to Paul Author. See,

0:49:48.560 --> 0:49:52.640
<v Speaker 1>most people who listen to this, they don't realize that, Yeah,

0:49:52.680 --> 0:49:56.800
<v Speaker 1>if I went half away from Houston, like I'm faces

0:49:56.840 --> 0:49:59.320
<v Speaker 1>from Houston, I'm closer to Louisiana than I am in

0:49:59.400 --> 0:50:04.080
<v Speaker 1>Houston from and like all my families from Louisiana. But

0:50:05.080 --> 0:50:07.400
<v Speaker 1>there was there was only if you wanted to make music,

0:50:07.560 --> 0:50:09.759
<v Speaker 1>you had to go to Houston. Houston like that was

0:50:09.840 --> 0:50:12.279
<v Speaker 1>where you had to go to make your bones about music,

0:50:12.360 --> 0:50:15.360
<v Speaker 1>you know what I'm saying. So for us, it was

0:50:15.400 --> 0:50:17.600
<v Speaker 1>a no brain like we didn't even have real recording

0:50:17.640 --> 0:50:19.960
<v Speaker 1>studios put author, you know what I'm saying. But we

0:50:20.080 --> 0:50:22.400
<v Speaker 1>had people that wanted to be real m c s.

0:50:22.719 --> 0:50:24.960
<v Speaker 1>I'm listening. So we just kept going at it, kept

0:50:25.000 --> 0:50:28.040
<v Speaker 1>going at it, and eventually we went to the flea

0:50:28.120 --> 0:50:30.120
<v Speaker 1>market one day and kid the flea Market had it

0:50:30.200 --> 0:50:32.680
<v Speaker 1>in Houston, had to sign in in his store and

0:50:32.760 --> 0:50:35.359
<v Speaker 1>he said, we're looking for demos. And we got back

0:50:35.400 --> 0:50:38.160
<v Speaker 1>in the car, drove back to put the Author, got

0:50:38.200 --> 0:50:41.279
<v Speaker 1>the demo, drove back to the flea market, played him

0:50:41.320 --> 0:50:46.759
<v Speaker 1>the demo and he was like, Okay, we're four deep

0:50:46.880 --> 0:50:49.759
<v Speaker 1>in the old school prelud. You remember the old prelude

0:50:50.160 --> 0:50:57.399
<v Speaker 1>that they have no back seat? Were four deep? Want

0:50:57.400 --> 0:51:00.040
<v Speaker 1>to I want to have the whole other city. I

0:51:00.160 --> 0:51:02.560
<v Speaker 1>wanted to go a little deeper right now. But let's go.

0:51:02.920 --> 0:51:05.719
<v Speaker 1>How did you and Pimp even meet? Me? And Pimp

0:51:05.840 --> 0:51:08.920
<v Speaker 1>had a mutual friend Mitchell Queen, and pimp was his

0:51:09.040 --> 0:51:12.000
<v Speaker 1>name was Mitchell Quinn Big Mitch, and Mitch was rapping

0:51:12.040 --> 0:51:17.120
<v Speaker 1>with and he was he was rapping with Pimp before

0:51:17.200 --> 0:51:21.000
<v Speaker 1>I was. And I had an idea who Pimp was,

0:51:21.080 --> 0:51:23.239
<v Speaker 1>and I ain't really liked him, and Pimp had an

0:51:23.280 --> 0:51:26.920
<v Speaker 1>idea of who I was, and like me, he liked me.

0:51:28.320 --> 0:51:31.840
<v Speaker 1>We met at like a football game, and he fronted

0:51:31.880 --> 0:51:34.839
<v Speaker 1>me about some ship and I actually proved I don't

0:51:34.880 --> 0:51:36.160
<v Speaker 1>want to get too deep in it. I got saved

0:51:36.280 --> 0:51:38.279
<v Speaker 1>some ship for the book, like my wife said, I said,

0:51:38.560 --> 0:51:41.440
<v Speaker 1>for the book. He fronted me on something I proved

0:51:41.480 --> 0:51:44.359
<v Speaker 1>myself right, and from that point on we became real

0:51:44.480 --> 0:51:47.480
<v Speaker 1>tight because I thought he was a certain type of

0:51:47.560 --> 0:51:49.000
<v Speaker 1>dude and he approached me a certain way that I

0:51:49.040 --> 0:51:51.520
<v Speaker 1>ain't expect from him, and then I handled it a

0:51:51.560 --> 0:51:53.480
<v Speaker 1>certain way that he didn't expect from me. And then

0:51:53.520 --> 0:51:55.800
<v Speaker 1>we realized and this is this is literally like my

0:51:55.960 --> 0:51:59.960
<v Speaker 1>junior years, sophomore year. Yeah, nothing that before we were

0:52:00.200 --> 0:52:02.080
<v Speaker 1>making music because he was already man, I wasn't even

0:52:02.120 --> 0:52:05.799
<v Speaker 1>really rap. That was k first album name K's first.

0:52:06.040 --> 0:52:09.320
<v Speaker 1>Our first project was The Southern Way. But he and

0:52:09.400 --> 0:52:11.120
<v Speaker 1>Mitchell Queen to do what I'm talking about with you

0:52:11.239 --> 0:52:16.320
<v Speaker 1>g K. First Wait, wait, it wasn't. No, I'm not

0:52:16.520 --> 0:52:19.040
<v Speaker 1>one of the original members of ug Cat, but that's

0:52:19.080 --> 0:52:22.880
<v Speaker 1>what the book. But that's what the I can smacked myself,

0:52:23.280 --> 0:52:29.080
<v Speaker 1>you g K Whitey book coming so, but it's not

0:52:29.200 --> 0:52:31.680
<v Speaker 1>an actual album that came out. No, no, no, just

0:52:31.800 --> 0:52:33.719
<v Speaker 1>as a group, and then because what it was when

0:52:33.760 --> 0:52:35.480
<v Speaker 1>they were two men, they were a group, and then

0:52:35.560 --> 0:52:37.880
<v Speaker 1>I ended up being in another group. So when we

0:52:38.040 --> 0:52:40.920
<v Speaker 1>got together we as a four man group, we became

0:52:41.360 --> 0:52:44.080
<v Speaker 1>a totally different group. And then when the dude hurt

0:52:44.120 --> 0:52:46.319
<v Speaker 1>because the demo we made was just the four man group.

0:52:46.920 --> 0:52:49.160
<v Speaker 1>So someone like, I want to sign y'all. But one

0:52:49.200 --> 0:52:51.640
<v Speaker 1>of the other two dudes had a football scholarship. He

0:52:51.719 --> 0:52:54.960
<v Speaker 1>was like, I'm going to play football. And then the

0:52:55.080 --> 0:52:58.840
<v Speaker 1>other dude was like a football like prodigy. He was

0:52:58.920 --> 0:53:02.160
<v Speaker 1>like a prospect, but he was a junior. So he's like, yo,

0:53:02.239 --> 0:53:04.080
<v Speaker 1>I'm gonna I want to play ball like him, So

0:53:04.160 --> 0:53:07.160
<v Speaker 1>I'm to concentrate onitial and get a scholarship. So it

0:53:07.280 --> 0:53:10.560
<v Speaker 1>ended up just kind of being me and paim let

0:53:10.600 --> 0:53:13.919
<v Speaker 1>me ask you, Let me ask you a question, being

0:53:14.000 --> 0:53:19.160
<v Speaker 1>from Houston, being from the Rolling more Weed on how

0:53:20.480 --> 0:53:24.040
<v Speaker 1>we good? Right now? You're good? Had a scar face

0:53:24.120 --> 0:53:27.520
<v Speaker 1>player roll. So scar Face was the first time scar

0:53:27.640 --> 0:53:31.080
<v Speaker 1>Face was this is all right, So I don't want

0:53:31.080 --> 0:53:32.680
<v Speaker 1>to go I ain't gonna tell that strike like wife,

0:53:32.719 --> 0:53:34.680
<v Speaker 1>you said, you're gonna tell everything, but I will say

0:53:34.760 --> 0:53:38.680
<v Speaker 1>scarface one time. I want to say scar face was

0:53:38.719 --> 0:53:40.880
<v Speaker 1>the first like real rapper with a record out that

0:53:40.960 --> 0:53:43.920
<v Speaker 1>I've ever seen in my life. He came to he

0:53:44.040 --> 0:53:46.040
<v Speaker 1>came to a show that I was at and rapped

0:53:46.239 --> 0:53:48.400
<v Speaker 1>and this was scared Face back when he used to

0:53:48.400 --> 0:53:50.400
<v Speaker 1>wear the suit in the hat. And he was the

0:53:50.400 --> 0:53:52.200
<v Speaker 1>first time I've ever been in the in the room

0:53:52.320 --> 0:53:55.480
<v Speaker 1>with somebody that actually had made a record. And that

0:53:55.640 --> 0:53:58.240
<v Speaker 1>changed my perspective on who gets to make a record?

0:53:58.360 --> 0:54:01.759
<v Speaker 1>Why did not that scar Face wasn't special, but that

0:54:01.920 --> 0:54:05.000
<v Speaker 1>you didn't have to just be from New York l

0:54:05.080 --> 0:54:07.920
<v Speaker 1>A to actually be able to make a rap record

0:54:08.040 --> 0:54:10.759
<v Speaker 1>and then go and get shows away from where you from.

0:54:11.160 --> 0:54:13.560
<v Speaker 1>So you're walking aroom when a win a bathroom and

0:54:13.640 --> 0:54:15.880
<v Speaker 1>escaping marine, I feel like scarf Face gotta figure out

0:54:15.920 --> 0:54:24.719
<v Speaker 1>shoot on like a Sioux suit. Yeah, I definitely was off.

0:54:25.200 --> 0:54:28.080
<v Speaker 1>I was wrong. So I described the scene you guys

0:54:28.160 --> 0:54:30.799
<v Speaker 1>show he's with Kay Reino. I'm in the bathroom, Hey Reno.

0:54:30.880 --> 0:54:33.919
<v Speaker 1>I feel like it's cares one cousin. He from that era.

0:54:34.280 --> 0:54:36.800
<v Speaker 1>Ka Rio was like the first bout. Ka Rio was

0:54:36.880 --> 0:54:39.920
<v Speaker 1>like the first original battle rapper from Houston, like eighty eight.

0:54:40.560 --> 0:54:43.720
<v Speaker 1>He still like the dude that will like he guys,

0:54:44.560 --> 0:54:47.440
<v Speaker 1>he got like that he's to dude right now, right now,

0:54:47.719 --> 0:54:53.719
<v Speaker 1>like he will too bar you to death. Well he

0:54:53.880 --> 0:55:00.719
<v Speaker 1>had two part boom boom like death like he's got it.

0:55:00.800 --> 0:55:02.640
<v Speaker 1>He got what he called the Black Book and it's

0:55:02.880 --> 0:55:07.200
<v Speaker 1>literally thirty years of wrapping there. But um yeah, and

0:55:07.239 --> 0:55:09.120
<v Speaker 1>then we were freestyling in the room and me and

0:55:09.239 --> 0:55:12.560
<v Speaker 1>my man David Forrest, um d a from the Black Monks.

0:55:13.080 --> 0:55:16.560
<v Speaker 1>We were hurting niggas. We were hurting the Black Monks.

0:55:16.920 --> 0:55:18.680
<v Speaker 1>That was a rap group, the Black Monks shot out

0:55:18.719 --> 0:55:24.200
<v Speaker 1>the old school that he really did, I really did,

0:55:24.320 --> 0:55:29.560
<v Speaker 1>I really did. Look we were in there like me

0:55:29.640 --> 0:55:31.480
<v Speaker 1>and because we went to the same high school. To guess,

0:55:31.600 --> 0:55:35.359
<v Speaker 1>we were like bodying niggas. And then facing Krino comes

0:55:35.400 --> 0:55:38.719
<v Speaker 1>in and face doesn't even wrap Kino the sixteen bars

0:55:38.760 --> 0:55:41.000
<v Speaker 1>and then they just walk out and they just kind

0:55:41.040 --> 0:55:45.520
<v Speaker 1>of just go home. But did you know how how

0:55:45.719 --> 0:55:50.239
<v Speaker 1>classic Like I don't want to say that pemp c

0:55:51.280 --> 0:55:56.800
<v Speaker 1>was out of lis after he died, because he just

0:55:56.960 --> 0:56:00.760
<v Speaker 1>wasn't appreciated until he died, That's what you said. Because

0:56:00.840 --> 0:56:03.279
<v Speaker 1>I people didn't realize how much of the U g

0:56:03.440 --> 0:56:07.920
<v Speaker 1>K library he produced. They didn't realize how much music

0:56:08.080 --> 0:56:11.200
<v Speaker 1>outside of U g K. He produced UM and he

0:56:11.320 --> 0:56:14.239
<v Speaker 1>didn't Yeah, yeah, see see what I'm saying. That's what

0:56:14.280 --> 0:56:16.200
<v Speaker 1>I'm talking about. And people didn't really know that. And

0:56:16.239 --> 0:56:18.680
<v Speaker 1>people didn't know that he and he was He didn't

0:56:18.680 --> 0:56:20.919
<v Speaker 1>make beats, he was a producer. He had a real

0:56:21.120 --> 0:56:25.960
<v Speaker 1>discipline for music, and people didn't really realize that outside

0:56:26.000 --> 0:56:28.239
<v Speaker 1>of the South. I think Willie D was the first

0:56:28.280 --> 0:56:31.240
<v Speaker 1>person to say, people think we just lost a rapper,

0:56:31.400 --> 0:56:34.840
<v Speaker 1>We lost way mold than a rapper, you know what

0:56:34.880 --> 0:56:38.000
<v Speaker 1>I'm saying. And that was what really made him great

0:56:38.080 --> 0:56:41.239
<v Speaker 1>to the people in the South because they knew my bad.

0:56:42.080 --> 0:56:45.000
<v Speaker 1>I'll tell you something funny. Ice Q wouldn't do a

0:56:45.080 --> 0:56:48.560
<v Speaker 1>record of me unless he seemed to me in the studio,

0:56:49.880 --> 0:56:53.080
<v Speaker 1>and PIMC was the same way. PIMC said, I think

0:56:53.520 --> 0:56:55.400
<v Speaker 1>I think he's a real nigger, but I gotta I

0:56:55.480 --> 0:57:00.760
<v Speaker 1>gotta be sure, because Nigga is a real good, realigo uniform.

0:57:00.840 --> 0:57:04.400
<v Speaker 1>And war just think you got to go to this

0:57:04.840 --> 0:57:09.720
<v Speaker 1>meeting to get your real nigger uniform. Right, you already

0:57:09.760 --> 0:57:12.640
<v Speaker 1>consigned each other to leave each other along and it

0:57:12.719 --> 0:57:15.320
<v Speaker 1>was like six seven hours were in the studio. We

0:57:15.480 --> 0:57:18.240
<v Speaker 1>just keep going and Buttons like, all right, everybody coslines

0:57:18.240 --> 0:57:21.120
<v Speaker 1>with each other, Let's finish the rector because I've done

0:57:21.160 --> 0:57:23.919
<v Speaker 1>you already know, if wet, I'm probably the first person

0:57:24.000 --> 0:57:25.600
<v Speaker 1>down with the rids. I'm just sitting around way for

0:57:25.640 --> 0:57:28.440
<v Speaker 1>everybody else know. But I appreciated that so much. I

0:57:28.520 --> 0:57:32.760
<v Speaker 1>appreciate it, though, did you your two brothers together? I

0:57:32.800 --> 0:57:36.200
<v Speaker 1>appreciate that y'all love for each other because y'all love

0:57:36.240 --> 0:57:38.520
<v Speaker 1>for each other was the same exact way that me

0:57:38.600 --> 0:57:42.360
<v Speaker 1>and Capone love each other, meaning that I ain't gotta

0:57:42.440 --> 0:57:45.960
<v Speaker 1>show Capone love on camera. I ain't gotta fun with him.

0:57:46.000 --> 0:57:48.040
<v Speaker 1>I'm gonna ask you. I ask you a couple of questions.

0:57:48.200 --> 0:57:50.480
<v Speaker 1>You should love it, and you should ask answer these

0:57:51.280 --> 0:57:53.800
<v Speaker 1>in a way that's very predictable. Yes, with you and Pone.

0:57:54.240 --> 0:57:57.440
<v Speaker 1>Did y'all have the same friends? No? Did y'all like

0:57:57.520 --> 0:58:00.680
<v Speaker 1>the same kind of woman? No? Did y'all handle money

0:58:00.720 --> 0:58:03.760
<v Speaker 1>the same way? No? But y'all made amazing music and

0:58:03.840 --> 0:58:09.960
<v Speaker 1>history they got damn it. That's that's it. That's it.

0:58:10.240 --> 0:58:12.600
<v Speaker 1>This is y Yang, right, you see what I'm saying.

0:58:12.840 --> 0:58:14.480
<v Speaker 1>This is Yin and Yang, and that's why that ship

0:58:14.640 --> 0:58:16.960
<v Speaker 1>hurt work. And when I watched E P m D

0:58:17.360 --> 0:58:20.360
<v Speaker 1>and groups like that, right, the two man groups. And

0:58:21.200 --> 0:58:23.240
<v Speaker 1>if you couldn't find too many two different niggas in

0:58:23.320 --> 0:58:28.280
<v Speaker 1>parishing area. Right, But that's but because separate, right, but

0:58:28.520 --> 0:58:31.800
<v Speaker 1>but but that means that we encompass everything that all

0:58:31.880 --> 0:58:34.280
<v Speaker 1>with hoods, because that's the one thing we shared is

0:58:34.280 --> 0:58:36.760
<v Speaker 1>our hood. You know what I'm saying, Like, that's the

0:58:36.800 --> 0:58:39.200
<v Speaker 1>one thing you upo y'all left right, Nigga, no, no, no,

0:58:40.040 --> 0:58:51.240
<v Speaker 1>crazy but Queen but Queens it's a different diss it work.

0:58:51.800 --> 0:58:55.560
<v Speaker 1>Crypto made it work. Was we're from two different hoods,

0:58:55.600 --> 0:58:58.200
<v Speaker 1>and that that'sn't even deeper inning. You know, listen, let

0:58:58.240 --> 0:58:59.760
<v Speaker 1>me just tell you because me and Pimple from the

0:58:59.800 --> 0:59:03.960
<v Speaker 1>same neighborhood. I can't go to Queensbridge. I went to

0:59:04.080 --> 0:59:06.919
<v Speaker 1>Queen's Bridge just now. It's not my left rack, guys there,

0:59:07.320 --> 0:59:10.720
<v Speaker 1>I went to left rack. There's nothing queen there but

0:59:11.000 --> 0:59:14.160
<v Speaker 1>me and Capone set that up. And we didn't know

0:59:14.280 --> 0:59:17.000
<v Speaker 1>what we were doing. We just had love for each

0:59:17.000 --> 0:59:19.760
<v Speaker 1>other and we said, you know what funk that, we're

0:59:19.760 --> 0:59:23.920
<v Speaker 1>gonna We're gonna mess with each other. And here's there.

0:59:24.040 --> 0:59:27.760
<v Speaker 1>I'm glad he's alive and glad he's still here. Because

0:59:28.200 --> 0:59:31.160
<v Speaker 1>we hugged hugged them the other day and I said, damn,

0:59:31.800 --> 0:59:35.760
<v Speaker 1>and he said, look this, it's left right Queen's ridge.

0:59:36.160 --> 0:59:38.479
<v Speaker 1>And then he came to left rock. He said, I said,

0:59:38.520 --> 0:59:43.080
<v Speaker 1>look this queens. He said, if we set that up,

0:59:43.480 --> 0:59:45.880
<v Speaker 1>and then I gave him a hug, and it's beautiful.

0:59:46.200 --> 0:59:48.880
<v Speaker 1>It's a beautiful thing. Because haw, did it not meant

0:59:48.960 --> 0:59:54.160
<v Speaker 1>for us that that we all leave respective legacies? And yes, yes,

0:59:54.360 --> 0:59:56.680
<v Speaker 1>some of them bigger than others, but we all leave.

0:59:57.040 --> 1:00:00.240
<v Speaker 1>We said precedents in from one right? Were of us

1:00:00.240 --> 1:00:02.600
<v Speaker 1>are the first nigger times you use that word A

1:00:02.720 --> 1:00:04.280
<v Speaker 1>lot of us are the first Niggers from my old

1:00:04.280 --> 1:00:07.840
<v Speaker 1>hoods that did that or saw that brought that. What

1:00:07.840 --> 1:00:13.960
<v Speaker 1>I'm saying, pressist, you know what I'm saying, No, no,

1:00:14.360 --> 1:00:16.600
<v Speaker 1>because I just won't laugh at you. Just try to

1:00:16.640 --> 1:00:21.880
<v Speaker 1>say it. I'm dyslexic. Just say I'm dyslexic. But no, no.

1:00:22.080 --> 1:00:23.960
<v Speaker 1>But and because of the fact that we were those

1:00:24.000 --> 1:00:26.920
<v Speaker 1>people that set those presidents dudes that normally would it

1:00:27.000 --> 1:00:29.960
<v Speaker 1>be like for example, you g K, we come from

1:00:30.000 --> 1:00:32.640
<v Speaker 1>put off the Texas. The next time to us is Bonumont, Texas.

1:00:33.640 --> 1:00:39.080
<v Speaker 1>Beef years like beef physical, physical guns all of that.

1:00:39.480 --> 1:00:41.360
<v Speaker 1>We were the first put off the niggas to actually

1:00:41.360 --> 1:00:43.360
<v Speaker 1>be able to go to bonmout like have a concert

1:00:43.600 --> 1:00:47.360
<v Speaker 1>and let niggas mean muggas. But but like, look, eventually

1:00:47.400 --> 1:00:51.240
<v Speaker 1>the music one over and they realized that, look, whether

1:00:51.320 --> 1:00:54.560
<v Speaker 1>we like these dudes or not, nobody even know where

1:00:54.600 --> 1:00:58.680
<v Speaker 1>we're from. These dudes are actually kind of representing the whole.

1:00:58.720 --> 1:01:00.680
<v Speaker 1>Because we wouldn't just say put after, we'd be like, yo,

1:01:00.720 --> 1:01:03.320
<v Speaker 1>we're from the Golden Triangle. The Golden Triangle is put

1:01:03.400 --> 1:01:06.680
<v Speaker 1>off the whole. And so even though put off the

1:01:06.760 --> 1:01:09.320
<v Speaker 1>niggas might beef with Bonmone niggas and beef with Orange niggas,

1:01:09.560 --> 1:01:11.840
<v Speaker 1>if we got to go to use if a Bonmone

1:01:11.880 --> 1:01:14.360
<v Speaker 1>nigga and put off the niggas in Houston and they

1:01:14.440 --> 1:01:16.760
<v Speaker 1>get into it with Houston, they're gonna shoulder to show.

1:01:17.360 --> 1:01:19.880
<v Speaker 1>We gotta get back home and then we'll deal with

1:01:20.040 --> 1:01:22.800
<v Speaker 1>that later. It's like street beef versus it's like the

1:01:22.840 --> 1:01:25.640
<v Speaker 1>street versus the penitentiary. In the street, we would beef

1:01:25.760 --> 1:01:28.240
<v Speaker 1>in the pending. Now we gotta lock up. It's a

1:01:28.280 --> 1:01:30.480
<v Speaker 1>different it's a different dynamic. I'm not gonna get into it,

1:01:30.560 --> 1:01:35.000
<v Speaker 1>but you're talking about it, and I'm like, I don't

1:01:35.040 --> 1:01:39.520
<v Speaker 1>want to know what you had to choose. It's terrible.

1:01:40.000 --> 1:01:42.720
<v Speaker 1>You don't need to go to jail right now. Ever ever, listen,

1:01:43.080 --> 1:01:47.920
<v Speaker 1>but now it came on one time with Pam actually

1:01:48.000 --> 1:01:53.000
<v Speaker 1>got on land the radio and he shoot up everybody.

1:01:53.080 --> 1:01:54.880
<v Speaker 1>And I wouldn't say he shipping or everybody. He was

1:01:55.040 --> 1:01:56.800
<v Speaker 1>very honest about how he saw the world, how I

1:01:56.920 --> 1:01:58.400
<v Speaker 1>saw the world. And you know what I'm saying that

1:01:58.520 --> 1:02:01.400
<v Speaker 1>people if we was scared to be honest about how

1:02:01.440 --> 1:02:03.640
<v Speaker 1>they see ship people. You want to say, now we

1:02:03.880 --> 1:02:09.040
<v Speaker 1>understand that. But back then that was too advance. No, no,

1:02:09.320 --> 1:02:11.960
<v Speaker 1>And even I was like, what is he doing because

1:02:12.640 --> 1:02:16.160
<v Speaker 1>and there were people that were like, yo, um, this

1:02:16.400 --> 1:02:19.440
<v Speaker 1>is crazy, like people are gonna people are about to

1:02:19.520 --> 1:02:21.760
<v Speaker 1>go off on Pimp. I'm like, na, this will probably

1:02:21.800 --> 1:02:24.600
<v Speaker 1>be fifty fifty and they were like, you're crazy, like

1:02:24.720 --> 1:02:27.919
<v Speaker 1>Atlanta ain't the East coast. But I'm like, you don't

1:02:28.000 --> 1:02:30.800
<v Speaker 1>understand how people love pim C. This will probably be

1:02:31.160 --> 1:02:34.040
<v Speaker 1>about fifty fifty. And then and it became that kind

1:02:34.080 --> 1:02:36.440
<v Speaker 1>of a situation. Now, I'll be honest, I think it's

1:02:39.720 --> 1:02:42.760
<v Speaker 1>like everybody agreed with Pimp, but I did too, and

1:02:43.200 --> 1:02:46.360
<v Speaker 1>it was because Pimp had been very honest and open

1:02:46.840 --> 1:02:50.960
<v Speaker 1>and eventually right about a lot of ship before they

1:02:51.480 --> 1:02:55.840
<v Speaker 1>so when he gave that opinion, even people that lived

1:02:55.880 --> 1:02:59.800
<v Speaker 1>in Atlanta kind of had to be like, I know what,

1:03:00.680 --> 1:03:02.720
<v Speaker 1>I know what he's saying, but then I also know

1:03:02.840 --> 1:03:06.560
<v Speaker 1>what he means, right, And maybe he didn't and maybe

1:03:07.000 --> 1:03:09.760
<v Speaker 1>maybe he didn't see it in the right way, but

1:03:09.920 --> 1:03:11.640
<v Speaker 1>I know what he meant because then he was like, Yo,

1:03:11.720 --> 1:03:13.600
<v Speaker 1>you're saying Atlanta with the gay capital of the world.

1:03:13.880 --> 1:03:18.880
<v Speaker 1>And he's like, okay, right, And at that time, people like, yo,

1:03:18.960 --> 1:03:22.040
<v Speaker 1>you were wrong for that, But now in retrospect, if

1:03:22.080 --> 1:03:26.840
<v Speaker 1>you go Atlantic small, I'm sorry it's and I'm not

1:03:26.960 --> 1:03:29.400
<v Speaker 1>saying there's nothing wrong with being gay, but I'm sorry.

1:03:29.480 --> 1:03:32.280
<v Speaker 1>He was running something like a lot of black people

1:03:32.360 --> 1:03:34.920
<v Speaker 1>that are trying to explore their sexuality or trying to

1:03:35.240 --> 1:03:40.520
<v Speaker 1>confirm their sexuality or finding themselves in Atlanta, in Atlanta, Georgia,

1:03:40.840 --> 1:03:43.120
<v Speaker 1>and it's been like that, and that was there was

1:03:43.160 --> 1:03:46.720
<v Speaker 1>a very ugly undercurrent of people that were on the download,

1:03:46.720 --> 1:03:48.760
<v Speaker 1>and that was another thing he was trying to expose

1:03:49.240 --> 1:03:53.240
<v Speaker 1>because we knew it. Because here's the thing, Pimsey was

1:03:53.320 --> 1:03:58.520
<v Speaker 1>not homophobic, Pimsey had no problem with gay People's problem

1:03:58.760 --> 1:04:04.040
<v Speaker 1>was quit hiding the fact whatever you are would be that, yes,

1:04:04.440 --> 1:04:07.360
<v Speaker 1>because you're sucking up, and he would say that the

1:04:08.200 --> 1:04:14.000
<v Speaker 1>problem when you're down a little, you're up the pussy population, right,

1:04:14.240 --> 1:04:16.240
<v Speaker 1>And that was his problem. If you gave b gay,

1:04:16.600 --> 1:04:19.280
<v Speaker 1>let everybody know who you are so we can identify

1:04:19.440 --> 1:04:21.520
<v Speaker 1>that and separate that and be like, okay, so you

1:04:21.640 --> 1:04:24.480
<v Speaker 1>leave the women alone. You don't have to program. I'm

1:04:24.480 --> 1:04:28.520
<v Speaker 1>gonna cut you off for one second month. That's probably

1:04:29.680 --> 1:04:34.760
<v Speaker 1>the first time I actually actually really want to, actually

1:04:35.440 --> 1:04:40.160
<v Speaker 1>like really love How didn't just get jez Jeezy Because

1:04:40.280 --> 1:04:43.960
<v Speaker 1>Jeez the biggest artist he could. He could have just

1:04:44.120 --> 1:04:47.600
<v Speaker 1>turned around and just sit it on Pimpsie. He could

1:04:47.640 --> 1:04:49.680
<v Speaker 1>have said something, but but you know what, Jeez did

1:04:50.120 --> 1:04:53.200
<v Speaker 1>Jez shut the funk up that I'm not I'm not

1:04:53.320 --> 1:04:55.360
<v Speaker 1>saying and I'll be honest that was out of all

1:04:55.440 --> 1:05:02.360
<v Speaker 1>respect and didn't know pimp Jesz knew me. You knows

1:05:02.360 --> 1:05:05.080
<v Speaker 1>what I'm saying. Hold on, describe that, please, we'll break

1:05:05.120 --> 1:05:07.680
<v Speaker 1>that down. Jeez rode for pamp like free Pampsy and

1:05:07.680 --> 1:05:11.720
<v Speaker 1>all of that because because he left me. But Jeez

1:05:11.840 --> 1:05:14.760
<v Speaker 1>didn't have that relationship with Pamp and vice versa, and

1:05:14.960 --> 1:05:17.880
<v Speaker 1>so Pamp didn't really know who Jeezy was as a person.

1:05:18.520 --> 1:05:21.560
<v Speaker 1>But in the middle of whatever he was doing, he

1:05:21.640 --> 1:05:25.680
<v Speaker 1>felt a certain way about something and it put me

1:05:26.040 --> 1:05:29.200
<v Speaker 1>in Jeez in a funny position because Jesus got up.

1:05:29.320 --> 1:05:31.480
<v Speaker 1>He's got to represent his hood, he's got to do

1:05:31.600 --> 1:05:34.560
<v Speaker 1>what he has to do. But and I'm telling him, look,

1:05:34.600 --> 1:05:36.640
<v Speaker 1>whatever you feel you need to do, do what you

1:05:36.720 --> 1:05:42.360
<v Speaker 1>gotta do. And he he didn't. But at the end

1:05:42.360 --> 1:05:46.640
<v Speaker 1>of no, it's not that he didn't know. No, Jeez

1:05:46.760 --> 1:05:49.880
<v Speaker 1>did everything he was supposed to do, like and he

1:05:49.920 --> 1:05:52.360
<v Speaker 1>don't never say this, and obviously we're drinking that spite,

1:05:52.880 --> 1:05:55.040
<v Speaker 1>but the reality of was Jesz did everything he was

1:05:55.080 --> 1:05:57.720
<v Speaker 1>supposed to do. We did everything we were supposed to do,

1:05:58.080 --> 1:06:01.960
<v Speaker 1>and God kept us away beautiful from each other. Jes

1:06:02.200 --> 1:06:04.360
<v Speaker 1>was ready to do whatever he had to do to

1:06:04.520 --> 1:06:07.000
<v Speaker 1>handle his situation, and we were ready to do everything

1:06:07.080 --> 1:06:10.760
<v Speaker 1>we had to do. Then all our situation and God intervene.

1:06:11.680 --> 1:06:15.120
<v Speaker 1>That's just. And then now like Jesus, he's never not

1:06:15.320 --> 1:06:18.520
<v Speaker 1>been my brother, he's pimper, has never not been my brother.

1:06:19.160 --> 1:06:20.720
<v Speaker 1>And so God was like, look, I don't want you

1:06:20.840 --> 1:06:23.280
<v Speaker 1>to have to choose between brother and brother. So here's

1:06:23.320 --> 1:06:26.320
<v Speaker 1>what is what we're gonna do. How difficult is that

1:06:26.520 --> 1:06:29.200
<v Speaker 1>for you? Like it wasn't. It wasn't difficult at all

1:06:29.280 --> 1:06:31.480
<v Speaker 1>because Jesz had to do what he had to do

1:06:31.560 --> 1:06:32.600
<v Speaker 1>and I had to do what I had to do.

1:06:32.920 --> 1:06:35.440
<v Speaker 1>And I'm just talking about in general, like if you no,

1:06:35.600 --> 1:06:38.920
<v Speaker 1>it wasn't. It wasn't Like I said, Jeez knew what

1:06:38.960 --> 1:06:41.160
<v Speaker 1>he had to do. I knew what I had to do,

1:06:42.640 --> 1:06:45.320
<v Speaker 1>and you maintain that and he did too. And that's why,

1:06:45.400 --> 1:06:48.360
<v Speaker 1>and that's why we could still stand together as men

1:06:48.560 --> 1:06:51.920
<v Speaker 1>and speak and whatever, because nobody got compromised in that position.

1:06:52.160 --> 1:06:55.440
<v Speaker 1>And I don't know if you know, bum B, but

1:06:56.280 --> 1:06:59.720
<v Speaker 1>this is a podcast, this is a show. We all

1:06:59.760 --> 1:07:02.760
<v Speaker 1>have old TV, but we're big up our artists. We

1:07:02.880 --> 1:07:05.440
<v Speaker 1>give our artists they flowers when they could smell them.

1:07:06.760 --> 1:07:09.240
<v Speaker 1>We give them their drinks when they can wait, hold on,

1:07:09.360 --> 1:07:12.160
<v Speaker 1>excuse me, I can't with another bottle be gave when

1:07:12.200 --> 1:07:17.080
<v Speaker 1>they flowers when they can smell them, their trees when

1:07:17.120 --> 1:07:19.240
<v Speaker 1>they get the hell them. We give them their drinks

1:07:19.280 --> 1:07:22.400
<v Speaker 1>when they get take them and they when they get

1:07:22.480 --> 1:07:28.439
<v Speaker 1>drink because I know that the need to get my trees,

1:07:29.720 --> 1:07:33.640
<v Speaker 1>Bunby and Bumby. I don't know if you know, but

1:07:34.000 --> 1:07:38.720
<v Speaker 1>if it wasn't for you g K, they might have

1:07:39.000 --> 1:07:42.800
<v Speaker 1>been a mob D. No, no, relax, come on, let

1:07:42.840 --> 1:07:47.160
<v Speaker 1>me pick you up and relax. Relax, it wasn't for you,

1:07:49.120 --> 1:07:51.040
<v Speaker 1>No excuse me. You know what, I'll take it even

1:07:51.120 --> 1:07:54.160
<v Speaker 1>further than that. And once for eight ball m j G,

1:07:55.200 --> 1:07:57.640
<v Speaker 1>they might have been a U g K. If it

1:07:57.800 --> 1:07:59.920
<v Speaker 1>wasn't for you g K, they might have not been

1:08:00.000 --> 1:08:02.600
<v Speaker 1>a mob Deep. It wasn't for MAB Deep, they might

1:08:02.680 --> 1:08:06.720
<v Speaker 1>have been not seeing that. I remember when I remember

1:08:06.800 --> 1:08:13.720
<v Speaker 1>Juvenile Hill, let's go there. I remember that's how long

1:08:13.800 --> 1:08:16.000
<v Speaker 1>I've been in the hip hop. I've been listening to

1:08:16.080 --> 1:08:22.519
<v Speaker 1>hip hop since. Um what's that called uptown hustler? This

1:08:22.680 --> 1:08:28.200
<v Speaker 1>nigga took it back definitely, So I've been here. He's

1:08:28.240 --> 1:08:31.880
<v Speaker 1>a student. I've been here. Is a tough crew and

1:08:32.000 --> 1:08:35.880
<v Speaker 1>Justice and all these crew. That's when I felt what happened.

1:08:36.360 --> 1:08:38.840
<v Speaker 1>So I watched and see where everybody comes up. I

1:08:39.000 --> 1:08:44.120
<v Speaker 1>remember mob D being teenagers making hip hop. Remember you

1:08:44.200 --> 1:08:47.599
<v Speaker 1>and Poem being teenagers and making hip hop. I remember

1:08:47.640 --> 1:08:51.080
<v Speaker 1>people don't realize when our first record came out. I

1:08:51.360 --> 1:08:56.439
<v Speaker 1>was eighteen, Pemper seventeen. I remember being a teenager making

1:08:56.520 --> 1:08:58.160
<v Speaker 1>hip hop, and I know what it's like when it's

1:08:58.200 --> 1:09:00.960
<v Speaker 1>just you and another nig in the room, Like yo,

1:09:01.520 --> 1:09:04.680
<v Speaker 1>fuck these other niggas. I got you and another nig

1:09:04.720 --> 1:09:06.160
<v Speaker 1>could be being like, you know and I got you,

1:09:07.120 --> 1:09:09.519
<v Speaker 1>so like you bring your crew, y'all, bring my cool.

1:09:09.560 --> 1:09:12.720
<v Speaker 1>Whatever niggas gonna get to, man, nigga is gonna be

1:09:12.760 --> 1:09:15.400
<v Speaker 1>in the reckless, But when it comes to the rooms

1:09:15.439 --> 1:09:18.439
<v Speaker 1>that them niggas ain't in. I got you and you

1:09:18.600 --> 1:09:22.320
<v Speaker 1>got me, and and that's that's the beautiful thing about

1:09:22.439 --> 1:09:25.560
<v Speaker 1>what we do is hip hop has bunged us to

1:09:25.680 --> 1:09:30.400
<v Speaker 1>the world. No, I don't know, it's crazy. That's crazy.

1:09:30.520 --> 1:09:33.080
<v Speaker 1>That's the crazy ship. You You ever look at your

1:09:33.120 --> 1:09:37.080
<v Speaker 1>photo map on your phone and just be like, like,

1:09:37.240 --> 1:09:39.280
<v Speaker 1>this is everywhere I've ever been. Like me and my

1:09:39.320 --> 1:09:42.080
<v Speaker 1>wife would try to sit back and just go into

1:09:42.280 --> 1:09:44.200
<v Speaker 1>into the map ship and look at every way you

1:09:44.280 --> 1:09:48.040
<v Speaker 1>ever took a picture nigger, And it's all on hip

1:09:48.800 --> 1:09:58.040
<v Speaker 1>There's always passport. They're still my passport. But I had

1:09:58.280 --> 1:10:03.240
<v Speaker 1>every fucking in the world. I was so proud of

1:10:03.320 --> 1:10:07.040
<v Speaker 1>my passport. Shout out to my nigga Mike from New York.

1:10:07.120 --> 1:10:09.800
<v Speaker 1>Mike got a North Korea passport. He got a stamp

1:10:09.840 --> 1:10:14.880
<v Speaker 1>from North Korea. That's the next ship he got. He

1:10:14.920 --> 1:10:18.479
<v Speaker 1>got a camp from Korea with Kim Johnes. No, no, no,

1:10:18.640 --> 1:10:23.080
<v Speaker 1>he drove through North Korea. He got out. They were

1:10:23.120 --> 1:10:28.800
<v Speaker 1>doing gunball and there was on the way to be though,

1:10:28.800 --> 1:10:32.160
<v Speaker 1>because I'm back on my music ship. That's where you

1:10:32.360 --> 1:10:37.000
<v Speaker 1>drive across. It's three thousand, three thousand miles in six days.

1:10:39.680 --> 1:10:43.800
<v Speaker 1>Just manh the cannonball it is, but it's it's way

1:10:43.880 --> 1:10:45.840
<v Speaker 1>more here than cannonball because it's like a hundred and

1:10:45.920 --> 1:10:49.000
<v Speaker 1>twenty cars, probably about eighty million illars worth of cars

1:10:49.600 --> 1:10:53.400
<v Speaker 1>and drink champs. Yeah, we can't let you leave it.

1:10:53.439 --> 1:10:55.880
<v Speaker 1>I told you got a new album coming out. No,

1:10:56.520 --> 1:10:59.200
<v Speaker 1>I got an EP coming out. Then I got a

1:10:59.280 --> 1:11:06.160
<v Speaker 1>new album. That's then I got another album and three book.

1:11:07.040 --> 1:11:08.800
<v Speaker 1>So you were going to do the album and then

1:11:08.840 --> 1:11:12.240
<v Speaker 1>white people like, look, take your time on, y'all. You

1:11:12.360 --> 1:11:14.240
<v Speaker 1>got a bunch of music. Put a little ep a

1:11:14.400 --> 1:11:19.720
<v Speaker 1>right click, you can still eat. Hey, niked. We don't

1:11:19.880 --> 1:11:23.599
<v Speaker 1>call it white. We call it a muse. I make art, right,

1:11:24.280 --> 1:11:26.800
<v Speaker 1>I make I don't make music. I make art. My

1:11:26.920 --> 1:11:31.160
<v Speaker 1>wife is my muticic. Right, so when the music says

1:11:31.200 --> 1:11:34.280
<v Speaker 1>you're doing right, we mashed on that. When you said

1:11:34.320 --> 1:11:37.200
<v Speaker 1>you're doing wrong, we erased that. So the describe a

1:11:37.280 --> 1:11:40.439
<v Speaker 1>AP what is that five songs? So we're somewhere between

1:11:40.520 --> 1:11:44.599
<v Speaker 1>seven and eight. Okay, so we have to be careful

1:11:44.680 --> 1:11:49.240
<v Speaker 1>because anything more than eight is an album. Seven eight

1:11:49.520 --> 1:11:51.640
<v Speaker 1>just when I'm not doing no intros, out track. So

1:11:51.960 --> 1:11:53.960
<v Speaker 1>but she was like, look, let's just put some music out.

1:11:54.200 --> 1:11:57.920
<v Speaker 1>Let niggas know your back, increase the shows, get the

1:11:58.000 --> 1:12:01.519
<v Speaker 1>money up, so you still can do your album because

1:12:01.560 --> 1:12:03.960
<v Speaker 1>my album division is separate from what we're doing on this.

1:12:04.280 --> 1:12:07.880
<v Speaker 1>That's what that's you. You want to answer this, but

1:12:08.680 --> 1:12:14.040
<v Speaker 1>you gotta relax, so you gotta answer it was all album.

1:12:17.560 --> 1:12:19.920
<v Speaker 1>I feel like you gotta relax bad. I don't know.

1:12:21.680 --> 1:12:24.000
<v Speaker 1>I'm sitting it's time to roll a blood, don't Yeah,

1:12:24.000 --> 1:12:28.880
<v Speaker 1>I'm man, but I gotta actually to relax. I should

1:12:28.880 --> 1:12:35.040
<v Speaker 1>have put him out speaker. Now, I hear you, I

1:12:35.160 --> 1:12:40.960
<v Speaker 1>hear you. I'm I'm in the middle of the interview minutes.

1:12:41.160 --> 1:12:44.840
<v Speaker 1>You gotta relax, movie, But yeah, I remember shout out

1:12:44.920 --> 1:12:49.439
<v Speaker 1>to branch and you're going there one shout and that

1:12:49.520 --> 1:12:51.920
<v Speaker 1>way we want to go. Right now, I'm in. I'm

1:12:52.280 --> 1:12:56.639
<v Speaker 1>one of one of Pimc's best friends. Like we should

1:12:56.640 --> 1:12:58.880
<v Speaker 1>go to the spot set there for three hours, I

1:12:58.920 --> 1:13:00.640
<v Speaker 1>would just sit and look at the on warwork on

1:13:00.680 --> 1:13:03.479
<v Speaker 1>the wall and that the same tree spot I was.

1:13:03.640 --> 1:13:05.240
<v Speaker 1>Let me tell you something about Pamp. I'm gonna be

1:13:05.280 --> 1:13:10.759
<v Speaker 1>honest with you. Pamp called niggers. They said, you're Norm's

1:13:10.760 --> 1:13:17.600
<v Speaker 1>your real niggers. I'm sure they say, yeah, yeah, no, No,

1:13:17.760 --> 1:13:20.040
<v Speaker 1>He's gonna go all out with you. He said, you sure,

1:13:20.600 --> 1:13:23.759
<v Speaker 1>and then he still wanted to meet me. He still

1:13:24.000 --> 1:13:26.599
<v Speaker 1>looked at me. And then he came and looked at

1:13:26.640 --> 1:13:29.840
<v Speaker 1>me and he was like, I walk with you anywhere.

1:13:30.400 --> 1:13:34.479
<v Speaker 1>And I said, but that's what I appreciate it, like

1:13:34.720 --> 1:13:38.559
<v Speaker 1>I actually, because very few people are genuine in this game, right,

1:13:39.080 --> 1:13:42.479
<v Speaker 1>very few people are genuine. So like he was very excited,

1:13:42.640 --> 1:13:45.160
<v Speaker 1>like yo to meet y'all, to meet y'all. You into

1:13:45.240 --> 1:13:48.920
<v Speaker 1>in particular, and you will who you were, right, because

1:13:48.960 --> 1:13:52.080
<v Speaker 1>a lot of people I'm not gonna put you know,

1:13:52.360 --> 1:13:55.680
<v Speaker 1>I'm not, but there are a lot of people that

1:13:55.800 --> 1:13:58.600
<v Speaker 1>are not who they say they are. And when you

1:13:58.760 --> 1:14:00.519
<v Speaker 1>took me to that that's why I was backside. When

1:14:00.520 --> 1:14:02.160
<v Speaker 1>you took me to that, I was like, Yo, I

1:14:02.280 --> 1:14:06.320
<v Speaker 1>took you, got Glupe big Sean, I took everything, picked

1:14:06.360 --> 1:14:09.240
<v Speaker 1>him up from the airport. Where you want to go.

1:14:09.960 --> 1:14:11.920
<v Speaker 1>I'm gonna go here and eat fry chicken. I go here,

1:14:11.960 --> 1:14:16.479
<v Speaker 1>eat barbecue, gone screw shop, getting my call with me,

1:14:16.720 --> 1:14:18.840
<v Speaker 1>just me and you. I'm gonna take you anyway you

1:14:18.920 --> 1:14:22.160
<v Speaker 1>want to go, and you and you're good. And that

1:14:22.320 --> 1:14:24.200
<v Speaker 1>was because Nor took me a left rack and was

1:14:24.280 --> 1:14:26.360
<v Speaker 1>exactly where he was supposed to be in left rack. Now,

1:14:26.439 --> 1:14:29.600
<v Speaker 1>I thank you brother so much for describing that. But

1:14:29.880 --> 1:14:32.840
<v Speaker 1>but it was so beautiful when I met Pimp, because

1:14:32.960 --> 1:14:37.479
<v Speaker 1>Pimp said, listen, everybody told me your real nigga, but

1:14:37.680 --> 1:14:44.800
<v Speaker 1>you're not a real nigga to That's so I was like, damn,

1:14:45.160 --> 1:14:49.760
<v Speaker 1>my brother. My brother was very literal, yo, So I

1:14:49.840 --> 1:14:51.880
<v Speaker 1>had to go. I went to sound on South. Would

1:14:51.880 --> 1:14:54.400
<v Speaker 1>never forget this. I still did for three hours, and

1:14:54.439 --> 1:14:56.400
<v Speaker 1>he kept looking at him, and they did the nigga

1:14:56.479 --> 1:15:02.640
<v Speaker 1>never lost the studio. No, and I'm looking at this

1:15:03.600 --> 1:15:06.040
<v Speaker 1>funny because this funny because I knew he's that line

1:15:06.080 --> 1:15:09.120
<v Speaker 1>and I wasn't there. And that's what's funny because in

1:15:09.200 --> 1:15:11.640
<v Speaker 1>those moments, like it's very important for pamp to be

1:15:11.760 --> 1:15:14.560
<v Speaker 1>like because the reality for Pamper is like when I

1:15:14.640 --> 1:15:16.639
<v Speaker 1>come to New York and you say you that dude,

1:15:16.800 --> 1:15:20.519
<v Speaker 1>I get my life. You know, I don't go to

1:15:20.640 --> 1:15:24.840
<v Speaker 1>every hood. The last time after you, the only hood

1:15:24.880 --> 1:15:26.519
<v Speaker 1>I went to in stood to three in the morning

1:15:26.960 --> 1:15:30.320
<v Speaker 1>was Chicago. Oh yes, you know, I love Chicago's way.

1:15:30.720 --> 1:15:33.360
<v Speaker 1>I love Chicago, said in the hood. Shot a video

1:15:33.479 --> 1:15:37.320
<v Speaker 1>late the morning, and who in the artists? Yeah, it's

1:15:37.360 --> 1:15:39.160
<v Speaker 1>my man, Jay Artist. I can't think of the names

1:15:39.280 --> 1:15:44.320
<v Speaker 1>right now, damn, but I'm know I'm fucked up. Dren

1:15:47.320 --> 1:15:54.639
<v Speaker 1>from Chicago. You know. It's two dudes from the two

1:15:54.760 --> 1:15:57.880
<v Speaker 1>dudes dif from Chicago. Um, damn, I can't think of

1:15:57.920 --> 1:16:01.360
<v Speaker 1>the names once one skin with braids, the other dark

1:16:01.400 --> 1:16:10.000
<v Speaker 1>skin with short hair. And my man, you're gonna but

1:16:10.240 --> 1:16:19.880
<v Speaker 1>let me just tell you somebody l ep bogus. But

1:16:20.040 --> 1:16:25.280
<v Speaker 1>but let me tell you something. But you are one

1:16:25.320 --> 1:16:28.360
<v Speaker 1>of the most respected people, one of the most respected

1:16:28.439 --> 1:16:33.480
<v Speaker 1>all that sank you are one of the most respected individuals,

1:16:35.080 --> 1:16:40.720
<v Speaker 1>and we want to continue to respect you. But in

1:16:40.920 --> 1:16:43.080
<v Speaker 1>order to do that, I gotta still be who I'm

1:16:43.080 --> 1:16:45.880
<v Speaker 1>supposed to be. You ain't supposed to respect somebody just

1:16:46.000 --> 1:16:48.920
<v Speaker 1>because of what they did. You gotta maintain and respect

1:16:49.000 --> 1:16:52.639
<v Speaker 1>people because of what they're doing. Because if people continue

1:16:52.680 --> 1:16:54.800
<v Speaker 1>to if we continue to give people credit based on

1:16:54.880 --> 1:16:57.000
<v Speaker 1>what they did, they're gonna keep leaning on that. They

1:16:57.000 --> 1:17:01.000
<v Speaker 1>ain't gonna proving themselves. I got improved myself. I gotta

1:17:01.120 --> 1:17:03.200
<v Speaker 1>keep making sure that I'm who I'm supposed to be.

1:17:03.320 --> 1:17:06.560
<v Speaker 1>For niggas, see, we're locked in on the moment we

1:17:06.720 --> 1:17:09.400
<v Speaker 1>had ten twelve years ago, and we respect each other

1:17:09.479 --> 1:17:12.479
<v Speaker 1>in that moment. Other niggas don't have that moment with

1:17:12.640 --> 1:17:14.800
<v Speaker 1>me or you, so we still have to maintain that.

1:17:14.920 --> 1:17:17.719
<v Speaker 1>Here's what I gotta stop. Okay, I gotta two different

1:17:17.800 --> 1:17:24.400
<v Speaker 1>kinds of drunks. I love this, this me and you're

1:17:24.400 --> 1:17:27.680
<v Speaker 1>at the bar right now, no real ship. This me

1:17:27.760 --> 1:17:30.360
<v Speaker 1>and you're at to listen. But I got a platform,

1:17:30.840 --> 1:17:33.720
<v Speaker 1>I got a format, and you know what I'm gonna do.

1:17:34.320 --> 1:17:38.040
<v Speaker 1>I gotta stop you because you know why. You need

1:17:38.160 --> 1:17:41.439
<v Speaker 1>to be respected. You need to be saluted. You g

1:17:41.640 --> 1:17:47.000
<v Speaker 1>k bunby everything you guys did to your ticket, hat off, Goddamn,

1:17:47.439 --> 1:17:50.519
<v Speaker 1>we're gonna here. Look look this this is my towe.

1:17:50.520 --> 1:17:54.680
<v Speaker 1>I'm gonna wipe your sweat. Listen, this is what you

1:17:54.800 --> 1:17:57.920
<v Speaker 1>need to do. You need to sit here, you need

1:17:58.000 --> 1:18:01.679
<v Speaker 1>to you need to be respected, because know why hip

1:18:01.760 --> 1:18:06.200
<v Speaker 1>hop shi salute hip hop. And that's the part that

1:18:06.280 --> 1:18:09.720
<v Speaker 1>we don't have. We don't have. You know what it is.

1:18:09.800 --> 1:18:12.840
<v Speaker 1>People would sit back and they say, Ah, this guy

1:18:13.000 --> 1:18:15.479
<v Speaker 1>is this guy, and this guy is this guy, and

1:18:15.640 --> 1:18:18.560
<v Speaker 1>that's not what youd be happening. You know, we just

1:18:18.680 --> 1:18:22.160
<v Speaker 1>recently went to Atlanta, hung out with a big boy,

1:18:22.600 --> 1:18:25.080
<v Speaker 1>hung out with cel I, hung out I'm now we're

1:18:25.120 --> 1:18:29.639
<v Speaker 1>hanging out with motherfucking button b and bud By can never, ever, ever, ever,

1:18:29.800 --> 1:18:31.920
<v Speaker 1>ever in his life come to New York. And I

1:18:32.040 --> 1:18:36.680
<v Speaker 1>feel appreciate it, especially when I'm in New York. And

1:18:36.800 --> 1:18:41.040
<v Speaker 1>you know why because a lot of motherfucker's might not say,

1:18:41.360 --> 1:18:44.439
<v Speaker 1>you know what, you GK raised us, But that's them, Nicks,

1:18:44.840 --> 1:18:50.760
<v Speaker 1>it's not me. You g K fucking raised us, you know,

1:18:50.800 --> 1:18:52.720
<v Speaker 1>and you know how how important he is to the

1:18:52.800 --> 1:18:58.120
<v Speaker 1>culture and how much you respect the before you go in,

1:18:58.240 --> 1:19:00.719
<v Speaker 1>Before you go, I want to get your love because

1:19:02.080 --> 1:19:05.800
<v Speaker 1>you and RP Prodigy, y'all was young niggas. You know

1:19:05.800 --> 1:19:07.759
<v Speaker 1>what I'm saying, and we saw it as young niggas,

1:19:08.240 --> 1:19:11.200
<v Speaker 1>and that was something that we respected from y'all. Y'all

1:19:11.360 --> 1:19:14.240
<v Speaker 1>was so because Pimp was I was. I was nineteen

1:19:14.280 --> 1:19:18.400
<v Speaker 1>and Pimp was eighteen when you was seventeen, you know

1:19:18.439 --> 1:19:21.320
<v Speaker 1>what I'm saying. When Pimp was literally like, Yo, am

1:19:21.320 --> 1:19:23.000
<v Speaker 1>I gonna go and get Am I gonna graduate from

1:19:23.080 --> 1:19:26.240
<v Speaker 1>high school and make music? You know what I'm saying?

1:19:26.320 --> 1:19:27.880
<v Speaker 1>And I had just graduated, I was like, am I

1:19:27.880 --> 1:19:30.720
<v Speaker 1>gonna go to college? I'm gonna make music? And both

1:19:30.800 --> 1:19:32.599
<v Speaker 1>of us like, yo, we're gonna get this ship a year.

1:19:33.240 --> 1:19:35.679
<v Speaker 1>If not, we're gonna do whatever. And the day before

1:19:36.360 --> 1:19:40.120
<v Speaker 1>we made this decision after I graduated on May on

1:19:40.320 --> 1:19:44.800
<v Speaker 1>April thirtieth, and on on my mean it was me no,

1:19:44.920 --> 1:19:47.320
<v Speaker 1>it was Aple thirties and literally went to New York

1:19:47.640 --> 1:19:49.719
<v Speaker 1>a year later on April thirties and signed a record

1:19:49.800 --> 1:19:53.880
<v Speaker 1>deal on May first with Yoah. And from that point on,

1:19:54.240 --> 1:19:59.439
<v Speaker 1>we made a decision either way that we were going

1:19:59.479 --> 1:20:02.000
<v Speaker 1>to ride that it out together. And I've been running

1:20:02.040 --> 1:20:06.120
<v Speaker 1>for my nigger hard for me when he was here

1:20:06.160 --> 1:20:10.000
<v Speaker 1>because we're not in the interview. But what I want

1:20:10.000 --> 1:20:12.599
<v Speaker 1>to say is because you cut me off. He cut

1:20:12.680 --> 1:20:22.840
<v Speaker 1>me off, He cut me off and the first But

1:20:23.080 --> 1:20:27.080
<v Speaker 1>but I'm gonna tell you something. Buy me and this

1:20:27.240 --> 1:20:30.920
<v Speaker 1>brother right here, we started this podcast because we wanted

1:20:30.920 --> 1:20:36.320
<v Speaker 1>to respect legends. And we could have been dead because

1:20:36.520 --> 1:20:41.880
<v Speaker 1>you know why these guys want the new guys, but

1:20:42.040 --> 1:20:45.240
<v Speaker 1>me and him stuck to our guns. And when we

1:20:45.360 --> 1:20:48.400
<v Speaker 1>started this, we want to pick up brothers like you,

1:20:49.360 --> 1:20:53.680
<v Speaker 1>brothers like PAM, brothers like m g K. I'm excuse me,

1:20:54.000 --> 1:21:02.680
<v Speaker 1>M just me, but listen. And the thing about it is,

1:21:04.800 --> 1:21:08.400
<v Speaker 1>this is exactly what hip hop has to do. They

1:21:08.600 --> 1:21:10.800
<v Speaker 1>keep telling me. They say, you know what drink champs work.

1:21:11.120 --> 1:21:13.000
<v Speaker 1>I've met with Leo Cohns and you know what leg

1:21:13.080 --> 1:21:16.479
<v Speaker 1>cons told me. He said, because you're a legend, big

1:21:16.600 --> 1:21:20.200
<v Speaker 1>enough legends And I said, Leo, I wanted to tell

1:21:20.280 --> 1:21:22.200
<v Speaker 1>him to shut up, but then I said, I think

1:21:22.240 --> 1:21:30.040
<v Speaker 1>he's right. That's what we gotta keep doing. But go bun,

1:21:30.680 --> 1:21:39.640
<v Speaker 1>we're going tonight. We are celebrating bund motherfucking bel No,

1:21:39.760 --> 1:21:42.519
<v Speaker 1>let me get let me getne off. Please let me

1:21:42.560 --> 1:21:46.240
<v Speaker 1>get mine off, because you mean we met and left

1:21:46.280 --> 1:21:50.560
<v Speaker 1>Frank that time and from that point on, you know,

1:21:50.760 --> 1:21:53.320
<v Speaker 1>like the DJs with the background you know what I'm saying.

1:21:53.920 --> 1:21:56.720
<v Speaker 1>Sometimes we get overlooked over here, like as a fan,

1:21:56.760 --> 1:21:58.519
<v Speaker 1>I'm sitting here looking at you already to talk about it.

1:21:58.560 --> 1:22:01.280
<v Speaker 1>I'm I'm a fan, so I'm gonna say I'm gonna

1:22:01.280 --> 1:22:03.800
<v Speaker 1>listen to this. Take it all in. You know what

1:22:03.800 --> 1:22:05.920
<v Speaker 1>I'm saying. And you guys have all these stories, but

1:22:06.720 --> 1:22:09.479
<v Speaker 1>little do people know the work y'all doing behind the

1:22:09.560 --> 1:22:13.479
<v Speaker 1>scenes and helping other people out. But no problem. When

1:22:13.520 --> 1:22:16.040
<v Speaker 1>I called bon up back in those days, I don't

1:22:16.040 --> 1:22:20.439
<v Speaker 1>know how we email or text or two. And I'm like,

1:22:20.600 --> 1:22:23.519
<v Speaker 1>I need I need a freestyle for the mixtape bomb,

1:22:23.800 --> 1:22:26.880
<v Speaker 1>I need another one for the mixtape bo He says me.

1:22:26.960 --> 1:22:29.200
<v Speaker 1>Pro tool sessions. I said, I got an artist. Can

1:22:29.240 --> 1:22:31.679
<v Speaker 1>I use one of these sessions and make a track

1:22:32.000 --> 1:22:34.439
<v Speaker 1>and keeping it? And this is a legend. You know

1:22:34.479 --> 1:22:36.920
<v Speaker 1>what I'm saying already, But I'm go ahead and do it.

1:22:36.960 --> 1:22:38.840
<v Speaker 1>You know what I'm saying. And then on the recent

1:22:38.880 --> 1:22:40.960
<v Speaker 1>album I did in two thousand fifteen, hit him up,

1:22:41.120 --> 1:22:45.880
<v Speaker 1>same things never changed. Thank you. And you know, I

1:22:45.920 --> 1:22:47.320
<v Speaker 1>just want to say than because I know I'm probably

1:22:47.320 --> 1:22:50.360
<v Speaker 1>not the only DJ that you were supporting and and

1:22:50.560 --> 1:22:52.639
<v Speaker 1>and from from all the DJs. I want to thank

1:22:52.680 --> 1:22:55.040
<v Speaker 1>you as well, but it was very genuine because there's

1:22:55.040 --> 1:22:57.200
<v Speaker 1>a million motherfucker's they wrap you know when you were

1:22:57.320 --> 1:22:59.560
<v Speaker 1>very adamant on your projects that you wanted me, and

1:23:00.479 --> 1:23:02.519
<v Speaker 1>it is a very unique place. And it wasn't a

1:23:02.600 --> 1:23:05.960
<v Speaker 1>thing of you wanted me because I was hot or

1:23:06.000 --> 1:23:08.200
<v Speaker 1>any of that. It's like, Yo, I got something. I

1:23:08.280 --> 1:23:11.400
<v Speaker 1>want people to know it's a good project, but can

1:23:11.479 --> 1:23:13.120
<v Speaker 1>you give me something? I just want to support you.

1:23:13.760 --> 1:23:19.960
<v Speaker 1>I always always talk about I always talk about but

1:23:20.040 --> 1:23:23.400
<v Speaker 1>I always talk about in the way that people probably

1:23:23.479 --> 1:23:26.280
<v Speaker 1>now talk about Callett because of the genuine spirit and

1:23:26.360 --> 1:23:28.760
<v Speaker 1>everybody has ever given anything that ef and is never

1:23:28.800 --> 1:23:31.200
<v Speaker 1>asked for. Really, I don't know, but I feel like

1:23:31.240 --> 1:23:33.919
<v Speaker 1>everybody's giving it to you because they don't they genuinely

1:23:34.040 --> 1:23:36.360
<v Speaker 1>like you as a person, you know what I'm saying.

1:23:37.640 --> 1:23:39.360
<v Speaker 1>And that's when when I saw him, I was like, Yo,

1:23:39.479 --> 1:23:41.320
<v Speaker 1>look what life is taking us. You know what I'm saying,

1:23:41.600 --> 1:23:45.959
<v Speaker 1>Look how the ship came all the way around because everybody,

1:23:46.040 --> 1:23:50.960
<v Speaker 1>and I told you this earlier, everybody wants to win

1:23:51.080 --> 1:23:54.280
<v Speaker 1>a certain way, and you might be set up to win,

1:23:54.520 --> 1:23:56.280
<v Speaker 1>but not in the way that you want to win.

1:23:56.840 --> 1:24:00.360
<v Speaker 1>But if you leave yourself open to things. You know

1:24:00.360 --> 1:24:03.040
<v Speaker 1>what I'm saying, because I know I can guarantee neither

1:24:03.080 --> 1:24:04.439
<v Speaker 1>one of you need to touch all what's gonna win

1:24:04.520 --> 1:24:06.960
<v Speaker 1>on this podcast? You know what I'm saying. But but

1:24:07.360 --> 1:24:09.400
<v Speaker 1>but y'all did it because like you know what, with

1:24:09.520 --> 1:24:12.040
<v Speaker 1>you with me, we're gonna get on this mic and

1:24:12.040 --> 1:24:14.800
<v Speaker 1>we're gonna hold each other down. And it's taking and

1:24:14.920 --> 1:24:17.680
<v Speaker 1>it's very it's it's very nice to see when when

1:24:17.680 --> 1:24:19.479
<v Speaker 1>people be like, Yo, we're just gonna ride this obviou

1:24:19.479 --> 1:24:21.760
<v Speaker 1>see what happens, you know what I'm saying, And then

1:24:21.920 --> 1:24:24.479
<v Speaker 1>and then it ends up getting a chat just being real.

1:24:24.920 --> 1:24:33.280
<v Speaker 1>Shout out to revolt y. I don't know the shout

1:24:33.280 --> 1:24:35.120
<v Speaker 1>out to a rock because I'm like, funked up on

1:24:35.920 --> 1:24:38.080
<v Speaker 1>you got you gotta big for that. You can't. You

1:24:38.120 --> 1:24:41.120
<v Speaker 1>can'tnot shout them out for that. Picked them up. I

1:24:41.200 --> 1:24:42.800
<v Speaker 1>got to pick him a bigger shout out to wife

1:24:42.840 --> 1:24:47.040
<v Speaker 1>you because she's here, look it up. She's like, ain't

1:24:47.040 --> 1:24:50.519
<v Speaker 1>been drunk with somebody. I'm just throwing it out there.

1:24:50.880 --> 1:24:54.040
<v Speaker 1>She's like, he had been a drunks and he when

1:24:54.120 --> 1:24:59.759
<v Speaker 1>the drunk his birthday. But it's good because I'm sweating

1:24:59.800 --> 1:25:01.479
<v Speaker 1>to so I'm not as drunk as I should. Are

1:25:01.520 --> 1:25:04.000
<v Speaker 1>you doing you know you don't you want to be doing?

1:25:04.280 --> 1:25:08.040
<v Speaker 1>God the premium feed in the bag because I want

1:25:08.040 --> 1:25:10.720
<v Speaker 1>to say that that he inspired teach to teach to

1:25:10.800 --> 1:25:13.200
<v Speaker 1>get involved with the food drug and all that. Like you,

1:25:13.320 --> 1:25:15.360
<v Speaker 1>I know, I've seen it in some way that you

1:25:15.600 --> 1:25:19.040
<v Speaker 1>helped inspire. That's my brother. Teacher. Teachers is a good dude,

1:25:19.120 --> 1:25:22.240
<v Speaker 1>and teachers in the place where he had made money.

1:25:22.280 --> 1:25:25.599
<v Speaker 1>He was successful managing pit boll He had made money

1:25:25.640 --> 1:25:28.920
<v Speaker 1>or whatever, but there wasn't any personal fulfillment for him.

1:25:29.040 --> 1:25:30.640
<v Speaker 1>And I was like, well, what do you What do

1:25:30.720 --> 1:25:34.040
<v Speaker 1>you like like to do, like to cook, to cook

1:25:34.080 --> 1:25:35.960
<v Speaker 1>for names, like when I come to Miami cook for

1:25:36.040 --> 1:25:38.639
<v Speaker 1>me and he cooked out like you can actually really

1:25:38.720 --> 1:25:41.120
<v Speaker 1>cook like And I was like, if this is what

1:25:41.280 --> 1:25:43.479
<v Speaker 1>you want to do, you should follow this because if

1:25:43.520 --> 1:25:46.679
<v Speaker 1>you don't do this, you're gonna spend money doing something

1:25:46.800 --> 1:25:49.719
<v Speaker 1>else and you're gonna regret not doing it doing something

1:25:49.800 --> 1:25:52.160
<v Speaker 1>that you really love to do. If you're gonna take

1:25:52.280 --> 1:25:55.400
<v Speaker 1>the money that you've worked hard for yourself and your family,

1:25:56.000 --> 1:25:57.760
<v Speaker 1>if you're gonna put that on the line, it should

1:25:57.800 --> 1:26:00.360
<v Speaker 1>be for something and that you believe in and heart

1:26:01.200 --> 1:26:04.320
<v Speaker 1>and above everything else, he loved to cook and he's

1:26:04.360 --> 1:26:07.840
<v Speaker 1>got fulfillment now. And it's not just about money. I

1:26:08.000 --> 1:26:09.640
<v Speaker 1>used to think it was about money. And there was

1:26:09.680 --> 1:26:13.000
<v Speaker 1>a lot of things that I missed. Moments with my wife,

1:26:13.080 --> 1:26:18.559
<v Speaker 1>moments with my kids, you know, just being really your wife.

1:26:18.600 --> 1:26:25.320
<v Speaker 1>I love that, that's how But it's just there were

1:26:25.439 --> 1:26:27.519
<v Speaker 1>things that that I felt like, I'm like, yo, I

1:26:27.600 --> 1:26:30.000
<v Speaker 1>need I need to make sure they can live in

1:26:30.040 --> 1:26:32.040
<v Speaker 1>a certain house. I need to make sure they can

1:26:32.120 --> 1:26:35.320
<v Speaker 1>wear certain clothes, they can go to certain places. But

1:26:35.560 --> 1:26:37.760
<v Speaker 1>it wasn't really about that, you know what I'm saying.

1:26:37.800 --> 1:26:42.160
<v Speaker 1>It was about living life for personal fulfillment, Like what

1:26:42.320 --> 1:26:45.120
<v Speaker 1>do we enjoy as a family, What do we enjoy

1:26:45.160 --> 1:26:47.160
<v Speaker 1>as a couple, What do we enjoy it from the

1:26:47.280 --> 1:26:50.479
<v Speaker 1>parents the child dynamic? And if you don't really stick

1:26:50.560 --> 1:26:53.160
<v Speaker 1>to that, you're gonna lose it. Because the ship that

1:26:53.280 --> 1:26:57.599
<v Speaker 1>we do is designed to prop you up. I designed

1:26:57.680 --> 1:27:01.040
<v Speaker 1>to prop the couple of us, the parent up. It's

1:27:01.040 --> 1:27:03.880
<v Speaker 1>trying to prop you up. You gotta find it in

1:27:04.000 --> 1:27:06.080
<v Speaker 1>yourself to be like yo, I gotta make sure that

1:27:06.439 --> 1:27:08.320
<v Speaker 1>I'm still a husband to my wife. I'm still a

1:27:08.400 --> 1:27:11.360
<v Speaker 1>father to my kids. I'm still a brother to my friends.

1:27:11.680 --> 1:27:14.040
<v Speaker 1>Because this game is like you know what. I know,

1:27:14.160 --> 1:27:16.320
<v Speaker 1>you got your crew with you, but you're the ship.

1:27:17.200 --> 1:27:20.479
<v Speaker 1>This ship is about you. They need you. I wouldn't

1:27:20.520 --> 1:27:23.560
<v Speaker 1>be here if it wasn't food. Damn, that's exactly what

1:27:23.680 --> 1:27:25.800
<v Speaker 1>I'm doing my food show. They told me on my

1:27:25.920 --> 1:27:30.479
<v Speaker 1>food show, I could listen on my food show. I

1:27:30.560 --> 1:27:34.479
<v Speaker 1>could have did anything, but I hired. I had about

1:27:34.560 --> 1:27:37.920
<v Speaker 1>list six six different people. You know what I could

1:27:37.960 --> 1:27:40.720
<v Speaker 1>have did loving hip hop. But if I did love

1:27:40.840 --> 1:27:44.800
<v Speaker 1>hip hop, don't even get would I would bring my

1:27:44.880 --> 1:27:47.400
<v Speaker 1>wife up here right out. Let me feel like they started.

1:27:47.720 --> 1:27:50.280
<v Speaker 1>If I would have did loveing hip hop, you wouldn't

1:27:50.280 --> 1:27:52.280
<v Speaker 1>have seen him. You want to see him. And guess

1:27:52.360 --> 1:27:54.639
<v Speaker 1>what if I was the love of hip hop, they

1:27:54.720 --> 1:27:58.599
<v Speaker 1>didn't want me to do drink champs and shout out.

1:27:59.000 --> 1:28:01.439
<v Speaker 1>I got nothing against them right now what they do.

1:28:02.320 --> 1:28:05.519
<v Speaker 1>But I know that every time they wanted to, like

1:28:05.800 --> 1:28:07.880
<v Speaker 1>after loving hip hop New York before they went to

1:28:08.000 --> 1:28:12.840
<v Speaker 1>Atlanta and Hollywood. The first at the first people, they

1:28:12.960 --> 1:28:15.080
<v Speaker 1>was like, yo, me and I'm being want you and

1:28:15.160 --> 1:28:17.920
<v Speaker 1>your wife. We looked at everything and we made a

1:28:17.960 --> 1:28:22.680
<v Speaker 1>conscious decision as the family. We don't need that. It's

1:28:22.720 --> 1:28:24.679
<v Speaker 1>not worth it. I don't want your wife fighting nobody

1:28:24.720 --> 1:28:27.599
<v Speaker 1>because I'm gonna shoot whoever. No, no, don't miss let

1:28:27.600 --> 1:28:33.280
<v Speaker 1>me say that. But but we're a real family, right,

1:28:33.439 --> 1:28:36.120
<v Speaker 1>We're a real family. And I'm not saying anybody else

1:28:36.160 --> 1:28:38.000
<v Speaker 1>any real family, but we're a real family. And we

1:28:38.080 --> 1:28:42.080
<v Speaker 1>didn't need that. We didn't need that. No disrespect to that,

1:28:42.320 --> 1:28:45.600
<v Speaker 1>we just didn't need that, you know. You know, and

1:28:45.680 --> 1:28:47.760
<v Speaker 1>I'm not saying that people that did it like, we're

1:28:47.800 --> 1:28:50.000
<v Speaker 1>not saying it like that, you know, but that was

1:28:50.120 --> 1:28:53.080
<v Speaker 1>something that was like, you know what, we have our family.

1:28:54.160 --> 1:28:56.960
<v Speaker 1>Nobody knows the dynamic and our family and just say,

1:28:57.040 --> 1:28:59.120
<v Speaker 1>you know, I'm sorry, I gotta cut you off. Food,

1:28:59.560 --> 1:29:07.040
<v Speaker 1>don't come I listen, I'll say vault TV. Yeah, what

1:29:07.160 --> 1:29:09.880
<v Speaker 1>we're trying to do, we're trying to change black media

1:29:10.200 --> 1:29:13.880
<v Speaker 1>because black media. Did we controlled by black media? Did

1:29:13.960 --> 1:29:15.840
<v Speaker 1>that make Did that make sense? Did you want to

1:29:15.840 --> 1:29:18.000
<v Speaker 1>say that, say we want to change media and the

1:29:18.200 --> 1:29:23.439
<v Speaker 1>media black change media? Change? You know why us ask

1:29:24.920 --> 1:29:27.920
<v Speaker 1>us as the creative people in the world. We don't

1:29:27.920 --> 1:29:30.120
<v Speaker 1>have to change anything. All we gotta do is continue

1:29:30.160 --> 1:29:31.880
<v Speaker 1>to be who we need to own. What we do

1:29:32.120 --> 1:29:34.439
<v Speaker 1>is we just need the owner. We do but because

1:29:34.479 --> 1:29:37.160
<v Speaker 1>they can't sell nothing without us. We would love to

1:29:37.360 --> 1:29:41.840
<v Speaker 1>get you on your wife's podcast Together TV. We would

1:29:41.880 --> 1:29:44.800
<v Speaker 1>love to do that on film because she loved that.

1:29:45.439 --> 1:29:50.080
<v Speaker 1>I want to think that would be EP credit. She's

1:29:50.120 --> 1:29:52.519
<v Speaker 1>fine film because that's the only reason why we haven't

1:29:52.560 --> 1:29:54.639
<v Speaker 1>do it done it because at the end of the day,

1:29:55.080 --> 1:29:57.719
<v Speaker 1>we never had EP credit. We would never get EP credit,

1:29:57.800 --> 1:30:00.559
<v Speaker 1>so we wouldn't do it. If we're gonna put our

1:30:00.640 --> 1:30:02.720
<v Speaker 1>family out to the world, then we need to be

1:30:03.000 --> 1:30:06.479
<v Speaker 1>in control of the vision. I'm not because I'm not

1:30:06.640 --> 1:30:08.960
<v Speaker 1>here for Nick to go to dinner with my wife

1:30:09.520 --> 1:30:12.240
<v Speaker 1>and have a nice dinner and then somebody coming and

1:30:12.360 --> 1:30:14.679
<v Speaker 1>have a fucking fight. We're talking about the table three?

1:30:15.360 --> 1:30:19.560
<v Speaker 1>Are we talking about the buns? The camera? No, no, no,

1:30:20.439 --> 1:30:23.439
<v Speaker 1>shout out. I want to buy that. And there's a name,

1:30:23.479 --> 1:30:25.400
<v Speaker 1>but I'm not gonna say it right now because somebody's

1:30:25.400 --> 1:30:28.200
<v Speaker 1>gonna try to go there. If I say the name

1:30:28.320 --> 1:30:30.720
<v Speaker 1>right now on this on this thing, they'll go there.

1:30:30.880 --> 1:30:34.639
<v Speaker 1>I'm gonna tell you, I'll tell you tell a lot

1:30:35.240 --> 1:30:46.439
<v Speaker 1>I got. I'm telling it like the blood called puff

1:30:46.960 --> 1:30:51.400
<v Speaker 1>Tell puffing his ear We're gonna drink summer cold because

1:30:51.439 --> 1:30:54.920
<v Speaker 1>it's my wife drinking. And listen, this is how we

1:30:55.000 --> 1:30:57.200
<v Speaker 1>do it. We only do know that's my wife controls

1:30:57.240 --> 1:31:01.000
<v Speaker 1>it because my wife has my family's best love. I

1:31:01.000 --> 1:31:03.280
<v Speaker 1>don't know a lot of this. My wife is the business. Yes,

1:31:03.920 --> 1:31:06.599
<v Speaker 1>let me tell yo before no, I want to tell

1:31:06.640 --> 1:31:09.439
<v Speaker 1>the story before we go. Him's locked up in jail.

1:31:09.680 --> 1:31:11.519
<v Speaker 1>I was getting ready to a bad boys out. Puff

1:31:11.560 --> 1:31:14.880
<v Speaker 1>comes to Houston. That's a big part. That's why she's laughing.

1:31:15.240 --> 1:31:17.680
<v Speaker 1>This real ship buff comes. Pump said, But I'm not

1:31:17.760 --> 1:31:19.559
<v Speaker 1>talking to you, talking to the wife because the wife

1:31:19.560 --> 1:31:23.120
<v Speaker 1>friends the white friends of ship Puff office. Uh this

1:31:24.439 --> 1:31:26.800
<v Speaker 1>Southern figures. He's like, Yo, I'm gonna give bun this.

1:31:26.960 --> 1:31:28.800
<v Speaker 1>I wanna get pimp this. I want this, this and

1:31:28.880 --> 1:31:31.479
<v Speaker 1>that and that. That we go home. My wife was like, yo,

1:31:32.439 --> 1:31:34.360
<v Speaker 1>we should do this. We need what you Why you're

1:31:34.400 --> 1:31:36.519
<v Speaker 1>not doing that? I whisper. Then my wife's there like

1:31:36.520 --> 1:31:41.160
<v Speaker 1>I whisper in your ear. Wife's like, I'm with you,

1:31:41.920 --> 1:31:44.040
<v Speaker 1>and that's why I'm here right now doing drink. Tramps

1:31:44.560 --> 1:31:48.400
<v Speaker 1>in that moment like real ship, real niggah. In that moment,

1:31:48.479 --> 1:31:50.840
<v Speaker 1>we went home after the club for in the moment

1:31:50.880 --> 1:31:53.200
<v Speaker 1>and very why are we not? Why are we're not

1:31:53.360 --> 1:31:56.080
<v Speaker 1>doing it? Let's go, let's move. I whisper. Then my

1:31:56.160 --> 1:31:58.519
<v Speaker 1>wife's ill like I whisper in your ear. And that's

1:31:58.560 --> 1:32:02.080
<v Speaker 1>why I'm here today, no no hold on. And at

1:32:02.200 --> 1:32:05.439
<v Speaker 1>some point in my life between that and today's nobody's business.

1:32:05.800 --> 1:32:08.439
<v Speaker 1>Between that point and today, my wife whispered in miad,

1:32:08.840 --> 1:32:19.720
<v Speaker 1>And that's why we did. Especially listen right now, right now,

1:32:19.960 --> 1:32:21.960
<v Speaker 1>I don't know my wife. When I leave here, my

1:32:22.000 --> 1:32:24.120
<v Speaker 1>wife would be like if I lied, my wife would

1:32:24.120 --> 1:32:27.360
<v Speaker 1>be like, I respect that. You know what I'm saying.

1:32:27.439 --> 1:32:31.400
<v Speaker 1>I respect that. And listen. If you from hip hop,

1:32:33.280 --> 1:32:38.280
<v Speaker 1>if you from Houston, left from the South, if you're

1:32:38.320 --> 1:32:42.599
<v Speaker 1>from anywhere else in the world, and you understand who

1:32:42.680 --> 1:32:47.519
<v Speaker 1>this man is, we support him, We salute him, we

1:32:47.720 --> 1:32:52.280
<v Speaker 1>respect him. He had one of the most controversy to

1:32:53.040 --> 1:32:58.439
<v Speaker 1>artists in the world. He stood there and he stood

1:32:58.520 --> 1:33:02.400
<v Speaker 1>by him. The same is to me still do no. No,

1:33:02.600 --> 1:33:06.599
<v Speaker 1>I think he won like he wont. He won't way

1:33:06.680 --> 1:33:11.720
<v Speaker 1>more than me. But the fact that is, Bumby, we

1:33:11.840 --> 1:33:15.680
<v Speaker 1>can't thank you enough. We want to stand up. We're

1:33:15.720 --> 1:33:18.880
<v Speaker 1>gonna salute you. Because back I came to Dream Camp

1:33:18.960 --> 1:33:21.800
<v Speaker 1>they got drunk and you know what, you know what

1:33:21.880 --> 1:33:25.080
<v Speaker 1>the crazy ship is. We didn't even talk about your

1:33:25.160 --> 1:33:30.760
<v Speaker 1>new album. You have a new album, ABU DP is

1:33:30.800 --> 1:33:34.519
<v Speaker 1>called Extended Play Extended Pay. When does it come out?

1:33:35.080 --> 1:33:39.040
<v Speaker 1>August twenty nine? Feature on it? Because um yeah, but

1:33:39.160 --> 1:33:44.120
<v Speaker 1>you'll see that August twenty nine. Because Bumby Days, because

1:33:44.200 --> 1:33:51.839
<v Speaker 1>Bumby Day, Houston. When ready for Bumby Day in Houston,

1:33:52.080 --> 1:33:54.400
<v Speaker 1>like the mayor Houston, get me bumby Damn August thirties.

1:33:55.880 --> 1:33:57.519
<v Speaker 1>That's the deeper story to that. But I got saved

1:33:57.520 --> 1:34:02.920
<v Speaker 1>it to the book I'm Coming. I'm coming so but

1:34:03.120 --> 1:34:05.640
<v Speaker 1>the but Bumby Day this year is a Wednesday. So

1:34:05.680 --> 1:34:11.680
<v Speaker 1>we're gonna drop the album that you no no, but

1:34:12.200 --> 1:34:14.200
<v Speaker 1>we're gonna drop the EP before and then we're gonna

1:34:14.240 --> 1:34:15.840
<v Speaker 1>go out and do the food bank and ship like

1:34:15.960 --> 1:34:18.360
<v Speaker 1>that and things that we do because Bumpy Day is

1:34:18.360 --> 1:34:20.639
<v Speaker 1>not about me. It's about giving back to the community.

1:34:20.720 --> 1:34:23.680
<v Speaker 1>By example, He's got my wife is like, Yo, we

1:34:24.080 --> 1:34:26.760
<v Speaker 1>did good once or twice. We need to step it

1:34:26.880 --> 1:34:29.960
<v Speaker 1>up and kick it up. This is what you need,

1:34:30.280 --> 1:34:34.840
<v Speaker 1>you need, you need right give me. It comes to

1:34:34.880 --> 1:34:38.080
<v Speaker 1>me problem. But every time you what you asked for,

1:34:38.439 --> 1:34:41.120
<v Speaker 1>every time you have a high moment. That's what I need.

1:34:41.280 --> 1:34:43.600
<v Speaker 1>I need you to hit me because I don't want to.

1:34:43.760 --> 1:34:46.360
<v Speaker 1>I want to be the opposite of your humble moment,

1:34:46.920 --> 1:34:49.519
<v Speaker 1>right and things will be like it was bumpy, bumpy,

1:34:50.080 --> 1:34:52.439
<v Speaker 1>and then you'd be like, Yo, I'm good huh. And

1:34:52.479 --> 1:34:53.960
<v Speaker 1>now I just want to stand by you and be

1:34:54.040 --> 1:34:57.439
<v Speaker 1>like fu, Yeah, nigger, you know what you have to

1:34:57.479 --> 1:35:02.240
<v Speaker 1>get behind her? No, no, you're that's me to do it.

1:35:02.400 --> 1:35:07.720
<v Speaker 1>I'm telling you what I'm telling you. I'm telling you

1:35:09.040 --> 1:35:14.400
<v Speaker 1>to sign to listen to you g K Bumby. You

1:35:14.439 --> 1:35:18.160
<v Speaker 1>should be celebrated everything in hip hop and shouting out

1:35:18.200 --> 1:35:21.400
<v Speaker 1>to you for being an entrepreneur. I know that I

1:35:21.479 --> 1:35:24.720
<v Speaker 1>know your show. No, I know to designed for you

1:35:24.800 --> 1:35:28.200
<v Speaker 1>to celebrate niggas. But I've known you, like dude, and

1:35:28.320 --> 1:35:29.840
<v Speaker 1>even when I didn't know you, I knew you so

1:35:29.920 --> 1:35:32.600
<v Speaker 1>I so when I met you, it was ship was

1:35:32.640 --> 1:35:34.639
<v Speaker 1>obvious because I already knew what type of nigga y'all.

1:35:35.200 --> 1:35:37.960
<v Speaker 1>But but but I gotta but no, but Joe, Joe,

1:35:38.080 --> 1:35:40.120
<v Speaker 1>you get you know, you get paid to celebrateing niggas.

1:35:40.360 --> 1:35:45.040
<v Speaker 1>This was on me. You can't. I'm not saying you

1:35:45.080 --> 1:35:48.080
<v Speaker 1>can't pick me up, but it's important. It's important because

1:35:48.600 --> 1:35:50.800
<v Speaker 1>I was telling my wife earlier. I said, Yo, I said,

1:35:51.560 --> 1:35:54.600
<v Speaker 1>I said, no one's ever understood how smart Alway is.

1:35:55.600 --> 1:35:58.639
<v Speaker 1>I said, and that's why he's always got richer than

1:35:58.720 --> 1:36:01.760
<v Speaker 1>anybody ever thought he was gonna get. I said, I know,

1:36:01.800 --> 1:36:09.280
<v Speaker 1>I mean to put him on blast, but you know,

1:36:09.439 --> 1:36:12.680
<v Speaker 1>but he's so Yeah, but no, but no, Re is

1:36:12.720 --> 1:36:16.600
<v Speaker 1>a genius. He's always going further than anybody thought he

1:36:16.720 --> 1:36:23.200
<v Speaker 1>was gonna go, which was surprising to me because I'm like, why, no, No,

1:36:23.400 --> 1:36:25.600
<v Speaker 1>she already knows. And I was like, yeah, I was like,

1:36:25.680 --> 1:36:27.519
<v Speaker 1>look at him. Now he's got a food choice of

1:36:27.640 --> 1:36:30.320
<v Speaker 1>the pocket, all this other stuff that i' not this

1:36:30.680 --> 1:36:33.360
<v Speaker 1>was going. I was like this, like, I don't even

1:36:33.400 --> 1:36:35.760
<v Speaker 1>know what I can say, what I can't say. I

1:36:35.760 --> 1:36:37.559
<v Speaker 1>don't even know what I can't say, what I can't say.

1:36:37.960 --> 1:36:42.280
<v Speaker 1>But the reality is that people look at us being

1:36:42.360 --> 1:36:46.040
<v Speaker 1>from certain in finance, being from certain neighborhoods, and putting

1:36:46.080 --> 1:36:51.240
<v Speaker 1>limitations on us, and so many times we accept those limitations. Damn.

1:36:51.320 --> 1:36:53.640
<v Speaker 1>But you know what I'm saying, And it's beautiful to

1:36:53.680 --> 1:36:57.200
<v Speaker 1>see somebody like Nori Dad has never accepted what people

1:36:57.280 --> 1:37:00.320
<v Speaker 1>said he was supposed to be you and you look.

1:37:00.400 --> 1:37:03.240
<v Speaker 1>I know it's no, it's not a person that ships

1:37:03.280 --> 1:37:05.240
<v Speaker 1>on people. But it's got to be very interesting to

1:37:05.360 --> 1:37:10.519
<v Speaker 1>look back everybody that that not only shipped on me,

1:37:10.640 --> 1:37:13.880
<v Speaker 1>but like was like, but this was luck, this was

1:37:14.280 --> 1:37:16.639
<v Speaker 1>this was timing or whatever. You know what I'm saying

1:37:16.760 --> 1:37:24.200
<v Speaker 1>light he knew. I say that Christ just being real. Christnew.

1:37:25.760 --> 1:37:28.439
<v Speaker 1>I just want to say that Chris knew. But I'm

1:37:28.479 --> 1:37:31.120
<v Speaker 1>just saying nobody ever knew that they didn't want to

1:37:31.520 --> 1:37:33.560
<v Speaker 1>if they knew, they didn't want to give credit. And

1:37:33.680 --> 1:37:36.439
<v Speaker 1>I dealt with that in my career. Niggas had an

1:37:36.520 --> 1:37:38.400
<v Speaker 1>idea of what we would do, but niggas would never

1:37:38.439 --> 1:37:41.560
<v Speaker 1>give us credit. And it's it's amazing to see what

1:37:41.720 --> 1:37:45.840
<v Speaker 1>Nori has done because Nori has been Nori. This is

1:37:45.880 --> 1:37:48.120
<v Speaker 1>the same dude I said in lovet Reckord, the same

1:37:48.240 --> 1:37:50.160
<v Speaker 1>dude I was at the studio with. You know, this

1:37:50.320 --> 1:37:52.840
<v Speaker 1>was who I anticipated on meeting and that's who we

1:37:52.960 --> 1:37:55.400
<v Speaker 1>ended up being and that's who he still is. And

1:37:55.960 --> 1:37:59.080
<v Speaker 1>people don't realize everybody is fighting. I just want to

1:37:59.120 --> 1:38:01.759
<v Speaker 1>say this, and I'm sorry I could be out of pocket. Niggas.

1:38:02.360 --> 1:38:05.120
<v Speaker 1>Niggas are fighting to get on Drink Champs, and I

1:38:05.200 --> 1:38:07.240
<v Speaker 1>can show you and I can show you my phone,

1:38:07.360 --> 1:38:10.680
<v Speaker 1>and literally every seven to ten days, I'm begging him

1:38:10.720 --> 1:38:14.920
<v Speaker 1>to come whenever you're ready to come on Drink. How

1:38:14.960 --> 1:38:17.120
<v Speaker 1>many people get called by the top one of the

1:38:17.240 --> 1:38:22.680
<v Speaker 1>top podcasts in the country, Yo, what are you doing? Yo?

1:38:22.760 --> 1:38:24.800
<v Speaker 1>Where you I'm in New York. That's the only reason

1:38:24.840 --> 1:38:27.760
<v Speaker 1>I'm here because we were talking this week and he

1:38:27.920 --> 1:38:31.639
<v Speaker 1>was like, we're making him up to you, but it's

1:38:31.680 --> 1:38:35.080
<v Speaker 1>been real. You're like, You're like, I'm going to Miami.

1:38:35.160 --> 1:38:36.920
<v Speaker 1>I'm in New York right now. Can you get to Miami.

1:38:36.960 --> 1:38:39.439
<v Speaker 1>I'm like, I don't know. And then literally the next

1:38:39.560 --> 1:38:41.360
<v Speaker 1>day I got called to come and do a show

1:38:41.400 --> 1:38:43.719
<v Speaker 1>in New York. And then the day after I got booked,

1:38:43.760 --> 1:38:45.640
<v Speaker 1>I called North's like, Yo, you're in New York to

1:38:46.040 --> 1:38:48.439
<v Speaker 1>twelfth right, Like, I'm gonna be in New York this week.

1:38:48.560 --> 1:38:51.280
<v Speaker 1>And that's why I'm on the microphone right now because

1:38:51.400 --> 1:38:53.880
<v Speaker 1>my man left this door open, and as soon as

1:38:53.920 --> 1:38:57.240
<v Speaker 1>I had opportunity and called him, I walked right through. Yeah.

1:38:57.320 --> 1:39:02.000
<v Speaker 1>But in all due respect, Bun, I really appreciate the

1:39:02.080 --> 1:39:05.639
<v Speaker 1>love that you just gave me. But I just want

1:39:05.680 --> 1:39:13.240
<v Speaker 1>you to never ever, ever, ever not remember who you are.

1:39:14.000 --> 1:39:16.519
<v Speaker 1>That's why my wife is here. And you know why,

1:39:17.360 --> 1:39:24.680
<v Speaker 1>because the design a totally different aspect of life. What

1:39:24.840 --> 1:39:29.080
<v Speaker 1>you g K did to us, but you guys gave

1:39:29.280 --> 1:39:33.320
<v Speaker 1>to the music community, I could never thank you know.

1:39:33.520 --> 1:39:35.760
<v Speaker 1>But we looked as a true man group. We looked

1:39:35.800 --> 1:39:40.800
<v Speaker 1>at everybody, looked at you and you know what I'm saying.

1:39:40.840 --> 1:39:45.760
<v Speaker 1>But I'm saying as through longevity and there was always

1:39:46.280 --> 1:39:49.240
<v Speaker 1>a dynamic that we could look at. When we started

1:39:50.360 --> 1:39:54.800
<v Speaker 1>My fucking hat bumby PIMPC run D m C, there's

1:39:54.880 --> 1:39:58.320
<v Speaker 1>always been something that we could look at. Run DMC

1:39:58.600 --> 1:40:01.639
<v Speaker 1>was the first pm D. You know what I'm saying.

1:40:02.200 --> 1:40:04.439
<v Speaker 1>You know, even Houdini in different groups like that, we

1:40:04.479 --> 1:40:07.040
<v Speaker 1>would look at like the two man group and need

1:40:07.200 --> 1:40:09.040
<v Speaker 1>not just because there were two men, because you can

1:40:09.120 --> 1:40:11.519
<v Speaker 1>put those two people in the room and leave with

1:40:11.600 --> 1:40:14.360
<v Speaker 1>an album. And that's where the dynamic with Game Star

1:40:14.560 --> 1:40:17.519
<v Speaker 1>comes in, the dynamic with Mob Deep comes in with

1:40:17.720 --> 1:40:19.720
<v Speaker 1>E P m D comes in because you got the

1:40:19.800 --> 1:40:22.920
<v Speaker 1>producing an m C. Put them dudes in the room,

1:40:23.000 --> 1:40:25.360
<v Speaker 1>they come out with an album. You know what I'm saying.

1:40:26.640 --> 1:40:28.640
<v Speaker 1>But even deeper than that, put these two dudes in

1:40:28.640 --> 1:40:31.280
<v Speaker 1>the room, you come out with a movement component noriega

1:40:35.040 --> 1:40:38.720
<v Speaker 1>killed it killed. That's why I keep my room and

1:40:39.040 --> 1:40:41.479
<v Speaker 1>my wife in the room with me because I can't.

1:40:43.200 --> 1:40:45.320
<v Speaker 1>I can't lie. She won't because she gonna sit right

1:40:45.400 --> 1:40:47.479
<v Speaker 1>there and if I try to lie, she don't look

1:40:47.640 --> 1:40:54.240
<v Speaker 1>up and be like, no, sir, God bless her. Okay,

1:40:54.640 --> 1:40:57.400
<v Speaker 1>So here, here's a deal. You know, I'm so drunk

1:40:57.560 --> 1:41:00.719
<v Speaker 1>right now, I'm almost certain that kid can't be anything.

1:41:01.080 --> 1:41:03.640
<v Speaker 1>Is that Barcelo open downstairs? Let's killing right now. We

1:41:03.680 --> 1:41:06.680
<v Speaker 1>could go downstairs, but but I ain't gonna lie to you. Man.

1:41:09.840 --> 1:41:13.840
<v Speaker 1>I can't thank you enough, because the thing about it is,

1:41:14.160 --> 1:41:19.360
<v Speaker 1>people think that your soul like because because how front

1:41:19.560 --> 1:41:24.840
<v Speaker 1>Pet was, people think that you're like like you. You

1:41:24.920 --> 1:41:28.240
<v Speaker 1>won't even answer a question because I don't. I don't talk.

1:41:28.720 --> 1:41:31.920
<v Speaker 1>I don't know. But I'm your brother. Know what I'm saying.

1:41:31.920 --> 1:41:34.960
<v Speaker 1>I'm talking to you. I'm talking to you, but in

1:41:35.040 --> 1:41:37.719
<v Speaker 1>the in the in the physics, in the physical world,

1:41:38.920 --> 1:41:42.599
<v Speaker 1>in the physical world, like me and me and out

1:41:43.520 --> 1:41:45.880
<v Speaker 1>in my better half. Yes, I walk in any room

1:41:45.920 --> 1:41:50.040
<v Speaker 1>to walk out. Yes, yes, h God, we're walking to

1:41:50.040 --> 1:41:52.559
<v Speaker 1>any wom to walk out. I never let me tell

1:41:52.600 --> 1:41:54.680
<v Speaker 1>you all the iller ship, my brother ever said, all

1:41:54.760 --> 1:41:58.160
<v Speaker 1>that fly ship and minkoes on the ellership. Pimp Ever

1:41:58.240 --> 1:42:00.880
<v Speaker 1>said was I don't need body guds, I just need

1:42:01.000 --> 1:42:09.479
<v Speaker 1>mighty God, Mighty God. I said, that's said, and I've

1:42:09.840 --> 1:42:11.760
<v Speaker 1>ever since he said that. I never told him I

1:42:11.960 --> 1:42:15.960
<v Speaker 1>moved like that. I knew then't I didn't need nobody

1:42:16.080 --> 1:42:18.479
<v Speaker 1>with me. I didn't need know nobody if you wasn't

1:42:18.520 --> 1:42:21.799
<v Speaker 1>moving with me within God, I just moved by myself,

1:42:22.880 --> 1:42:25.760
<v Speaker 1>you know. And it's and and and and this is

1:42:25.880 --> 1:42:29.400
<v Speaker 1>that the way hip hop should be. That's the way,

1:42:30.040 --> 1:42:32.880
<v Speaker 1>because that's the way life should be. You know, that's

1:42:32.880 --> 1:42:36.240
<v Speaker 1>the way life should be. Like you don't need people

1:42:36.320 --> 1:42:40.280
<v Speaker 1>to show who you are, prove who you are. If

1:42:40.320 --> 1:42:42.360
<v Speaker 1>you are how you say you are, and you're on

1:42:42.520 --> 1:42:44.800
<v Speaker 1>in that in a real way, you can move anywhere

1:42:44.880 --> 1:42:47.920
<v Speaker 1>in this world and people. And I prove of that.

1:42:48.880 --> 1:42:52.680
<v Speaker 1>I was telling the story earlier to Jeffanary about we

1:42:52.800 --> 1:42:54.439
<v Speaker 1>came to New York, we got signed, people like, you're

1:42:54.479 --> 1:42:57.280
<v Speaker 1>gonna go to Hollow. I was like, what's going to holler?

1:42:58.160 --> 1:43:00.920
<v Speaker 1>So we took a cab from the hotel and he

1:43:01.000 --> 1:43:02.000
<v Speaker 1>was like, he was like, where you want to go?

1:43:02.120 --> 1:43:03.320
<v Speaker 1>Were like, we want to go to Hall and cab

1:43:03.400 --> 1:43:08.320
<v Speaker 1>drop himself on Amsterdam and just me and pimp get

1:43:08.360 --> 1:43:11.080
<v Speaker 1>out of cab and that's where we are. There's a barbershop.

1:43:11.439 --> 1:43:16.400
<v Speaker 1>This is nine. It's a barbershop on Amster that we're

1:43:16.439 --> 1:43:23.000
<v Speaker 1>going into the barbershop. We get a hack. I love you, brother,

1:43:23.479 --> 1:43:26.880
<v Speaker 1>you know how much you've been through. We're trying to

1:43:26.960 --> 1:43:29.080
<v Speaker 1>talk and it's funny because we're trying to talk about

1:43:29.080 --> 1:43:31.680
<v Speaker 1>it on here. I know we can't talk about the

1:43:31.760 --> 1:43:35.080
<v Speaker 1>studio session and be talking about how crazy got in

1:43:35.120 --> 1:43:37.240
<v Speaker 1>the hood, your shot a little man, that slap dude

1:43:37.240 --> 1:43:46.519
<v Speaker 1>behind that tongue ring. I can't. I can't thank you enough.

1:43:48.120 --> 1:43:51.720
<v Speaker 1>We'll we're just talking about understand and all this other ship. No,

1:43:51.920 --> 1:43:54.240
<v Speaker 1>but it's important for people to see me cry, because

1:43:55.200 --> 1:43:57.240
<v Speaker 1>this is what they don't get to see, right. Hip

1:43:57.280 --> 1:44:04.120
<v Speaker 1>hop is designed for ego like that. But when you

1:44:04.240 --> 1:44:06.040
<v Speaker 1>love people and you think about them and they're not

1:44:06.200 --> 1:44:07.599
<v Speaker 1>next you and you can't be next to you them,

1:44:07.640 --> 1:44:10.160
<v Speaker 1>you're supposed to be like And so that's why I

1:44:10.280 --> 1:44:12.479
<v Speaker 1>love talking through it. I love crime while I'm talking

1:44:12.479 --> 1:44:15.280
<v Speaker 1>about something because that lets people know about us, we are,

1:44:15.320 --> 1:44:17.560
<v Speaker 1>about what we're talking about you know, you know. You

1:44:17.600 --> 1:44:20.320
<v Speaker 1>know what I think about it is it's like we

1:44:20.479 --> 1:44:26.000
<v Speaker 1>just lost prodigy, so we can't ask have it right

1:44:26.080 --> 1:44:30.120
<v Speaker 1>now the same way we couldn't ask you when yeah

1:44:30.320 --> 1:44:32.880
<v Speaker 1>you can't. I can talk down. I can talk a

1:44:33.000 --> 1:44:35.960
<v Speaker 1>lot easier. And it's not like and see people think

1:44:36.000 --> 1:44:38.280
<v Speaker 1>you get choked up when it's like, Yo, how you

1:44:38.400 --> 1:44:40.759
<v Speaker 1>felt about you know? I think about the little moments

1:44:41.320 --> 1:44:44.479
<v Speaker 1>that's what choke you up, not about you know. It's

1:44:44.680 --> 1:44:47.479
<v Speaker 1>for me when I think about him, I think about

1:44:48.520 --> 1:44:52.920
<v Speaker 1>there's new cause and he went that he would have bought.

1:44:53.439 --> 1:44:56.040
<v Speaker 1>You know what I'm saying when I look at the racing,

1:44:56.280 --> 1:45:00.479
<v Speaker 1>When I look at the race like for real, like

1:45:00.760 --> 1:45:03.560
<v Speaker 1>like people don't realize when Pimp pulled up in the

1:45:03.640 --> 1:45:06.040
<v Speaker 1>binds that he's in big crimping. He was the first

1:45:06.120 --> 1:45:09.360
<v Speaker 1>person on the street with that car. He was in

1:45:09.479 --> 1:45:12.200
<v Speaker 1>Miami with that car. I remember Ray Kwen coming up

1:45:12.240 --> 1:45:14.439
<v Speaker 1>to him. I remember Fat Joe coming up to him.

1:45:14.680 --> 1:45:17.400
<v Speaker 1>Because people don't realize that I forgot what this because

1:45:17.479 --> 1:45:21.120
<v Speaker 1>Carl spring bling that. But it was loud weekend back

1:45:21.160 --> 1:45:23.920
<v Speaker 1>then the first time they did that in Miami, it

1:45:24.080 --> 1:45:27.160
<v Speaker 1>was like it was a loud all this thing. So

1:45:28.040 --> 1:45:30.719
<v Speaker 1>the Cheffer was in town, Joe was in telling everybody,

1:45:30.800 --> 1:45:33.280
<v Speaker 1>and we're on Colin and Pimper just got that joint

1:45:33.280 --> 1:45:35.639
<v Speaker 1>and nobody had that joint, you know what I'm saying.

1:45:35.720 --> 1:45:40.640
<v Speaker 1>So it was a very very fantastic they and they

1:45:40.720 --> 1:45:43.200
<v Speaker 1>put Pimp and people did. This was before Big Pepper,

1:45:43.400 --> 1:45:45.680
<v Speaker 1>so let people know exactly what type of duty he was,

1:45:46.040 --> 1:45:47.360
<v Speaker 1>you know what I'm saying. And it wasn't like I

1:45:47.439 --> 1:45:49.559
<v Speaker 1>got it before. He was like, I got what y'all got.

1:45:50.360 --> 1:45:52.439
<v Speaker 1>Were from the South, We we do. We can do

1:45:52.560 --> 1:45:54.960
<v Speaker 1>anything anybody else could do, you know what I'm saying.

1:45:55.000 --> 1:45:59.080
<v Speaker 1>But it was the honesty about Pimp that I think

1:45:59.160 --> 1:46:04.040
<v Speaker 1>it's gets missed about the uk K legacy, no fault.

1:46:04.600 --> 1:46:08.200
<v Speaker 1>That's the beautiful thing about you guys. It's like when

1:46:08.240 --> 1:46:09.920
<v Speaker 1>I met you, I asked you, I swear to God,

1:46:09.960 --> 1:46:12.880
<v Speaker 1>this is the best beautiful thing. Pampa was like, tell them, Nori,

1:46:13.080 --> 1:46:20.480
<v Speaker 1>come on the studio, listen. This nigger analyzed every aspect

1:46:20.640 --> 1:46:23.559
<v Speaker 1>of me. But that's exactly what I would have. Did

1:46:24.439 --> 1:46:27.719
<v Speaker 1>you understand, like I would have this same exactive Pample

1:46:27.800 --> 1:46:37.120
<v Speaker 1>looked at me, he was like it and I was like, damn.

1:46:37.520 --> 1:46:41.320
<v Speaker 1>And then we funked through each other the whole like this,

1:46:42.160 --> 1:46:45.400
<v Speaker 1>and you people would never know how how close this

1:46:45.600 --> 1:46:49.840
<v Speaker 1>group was, like U Kane and Campona Noriega, because when

1:46:49.880 --> 1:46:52.120
<v Speaker 1>people look at people, they think people are close because

1:46:52.160 --> 1:46:53.799
<v Speaker 1>they do a bunch of songs, a bunch of songs,

1:46:53.920 --> 1:46:56.280
<v Speaker 1>you know what I'm saying. But the real people that

1:46:56.479 --> 1:46:58.640
<v Speaker 1>really have friendships in music, they don't even really do

1:46:58.800 --> 1:47:03.160
<v Speaker 1>music together. We talk about family, we talk about children,

1:47:03.760 --> 1:47:07.720
<v Speaker 1>we talk about contracts and legacy and ship, like real

1:47:07.880 --> 1:47:10.560
<v Speaker 1>life ship. You don't be like, yo, let's do this

1:47:10.840 --> 1:47:13.240
<v Speaker 1>and let's start this. That's not what real people do.

1:47:13.400 --> 1:47:17.880
<v Speaker 1>Real people, like a company's flaking on me right in

1:47:18.000 --> 1:47:20.640
<v Speaker 1>my ain't all you only live like ten minutes? How

1:47:20.680 --> 1:47:23.479
<v Speaker 1>should I move on this? But like, yo, I want

1:47:23.520 --> 1:47:25.840
<v Speaker 1>to go to the label and let like fifty rats loops,

1:47:25.960 --> 1:47:29.080
<v Speaker 1>like it's not gonna do this. They got rats in

1:47:29.160 --> 1:47:32.280
<v Speaker 1>New York up there they got and but let me

1:47:32.360 --> 1:47:36.280
<v Speaker 1>tell you something. But I can't thank you so much

1:47:36.360 --> 1:47:39.200
<v Speaker 1>too drunk, No, no, no, but listen, I am not you.

1:47:39.400 --> 1:47:42.920
<v Speaker 1>I can't thank you so much because no, we all

1:47:43.080 --> 1:47:48.960
<v Speaker 1>drink chaps to drink Champs, drink Champs finishes, drink Champs

1:47:49.560 --> 1:47:53.559
<v Speaker 1>drink Jam. The thing is this. We ain't these other

1:47:53.680 --> 1:47:57.160
<v Speaker 1>shows where we want to, like, you know, pull up

1:47:57.240 --> 1:47:59.680
<v Speaker 1>gossip and all this ship. All we want to do

1:47:59.840 --> 1:48:04.600
<v Speaker 1>is represent our hip hop legends. And today we're not

1:48:04.720 --> 1:48:07.040
<v Speaker 1>only big en up you, but we're also bigging up

1:48:07.080 --> 1:48:11.400
<v Speaker 1>your brother who's not here, PIMPSI. And we're also big

1:48:11.520 --> 1:48:15.000
<v Speaker 1>enough Prodigy because Prodigy is not here, and we understand

1:48:15.160 --> 1:48:18.120
<v Speaker 1>exactly what you guys are going through right now for

1:48:18.320 --> 1:48:22.320
<v Speaker 1>real with you. And this is Drink Champs, and Drink

1:48:22.400 --> 1:48:27.280
<v Speaker 1>Champs is only to big up hip hop, fuck everything

1:48:27.439 --> 1:48:33.920
<v Speaker 1>else about life. Hip Hop should be saluted every fucking day.

1:48:34.920 --> 1:48:44.800
<v Speaker 1>There's a war going on that my bud. I thank

1:48:44.840 --> 1:48:49.479
<v Speaker 1>you so much, yo, Bunny, I thank you so much

1:48:49.960 --> 1:48:56.280
<v Speaker 1>for me because I feel like my son is coming

1:48:56.320 --> 1:49:01.439
<v Speaker 1>up with and I'm listen, buddy, There's no way I

1:49:01.520 --> 1:49:05.040
<v Speaker 1>can thank you so much. Men together, the fact that

1:49:05.160 --> 1:49:09.080
<v Speaker 1>you came to left right with me, you hang off,

1:49:09.400 --> 1:49:11.600
<v Speaker 1>and that wasn't left right yesterday here. This is a

1:49:11.760 --> 1:49:14.360
<v Speaker 1>very ill like. That's why I laughed so much when

1:49:14.400 --> 1:49:17.880
<v Speaker 1>we were all standing in front of Sweet, because I

1:49:17.920 --> 1:49:19.640
<v Speaker 1>don't think anybody thought you would have been who you

1:49:19.720 --> 1:49:22.200
<v Speaker 1>were going to be. I don't think nobody really thought

1:49:22.520 --> 1:49:26.080
<v Speaker 1>like you. People thought and me like and and who

1:49:26.160 --> 1:49:28.599
<v Speaker 1>we are not because of what we were? Then that's

1:49:28.640 --> 1:49:30.960
<v Speaker 1>the ill ship. That's the like, that's the ill ship.

1:49:31.080 --> 1:49:33.120
<v Speaker 1>Like we're not even who we are now because of

1:49:33.120 --> 1:49:35.920
<v Speaker 1>who we wasn't because we weren't scared to beat more

1:49:36.000 --> 1:49:37.920
<v Speaker 1>than we are now. You know what I'm saying, That's

1:49:37.960 --> 1:49:40.880
<v Speaker 1>why we are now. That's what I man so like

1:49:42.840 --> 1:49:46.240
<v Speaker 1>I feel like questions. I feel like I'm just like

1:49:46.479 --> 1:49:49.800
<v Speaker 1>I'm telling you I'm so good because I'm a fan

1:49:49.840 --> 1:49:53.200
<v Speaker 1>of and just Bun. Just to know that when we

1:49:53.320 --> 1:49:55.599
<v Speaker 1>all when I'm met Bunn and left right, that's such

1:49:55.600 --> 1:49:57.760
<v Speaker 1>a memorable. I feel like I'm back in that and

1:49:58.160 --> 1:50:00.519
<v Speaker 1>and I see it like it was yesterday. And is this,

1:50:00.680 --> 1:50:03.280
<v Speaker 1>Like I said, there's intricac either of that day that

1:50:03.439 --> 1:50:07.040
<v Speaker 1>we could never as deep as this. And I tell

1:50:07.120 --> 1:50:10.080
<v Speaker 1>people all the time about that story. So it's so

1:50:10.320 --> 1:50:13.920
<v Speaker 1>funny to talk about it here in this space because

1:50:13.960 --> 1:50:15.960
<v Speaker 1>I talked about that story all the time, Like, Yo,

1:50:16.000 --> 1:50:17.760
<v Speaker 1>you want to know when I really was in New York.

1:50:18.200 --> 1:50:20.080
<v Speaker 1>You don't know when I really do in New York.

1:50:20.160 --> 1:50:24.800
<v Speaker 1>Please tell us, like like drinking story, my mom number

1:50:24.880 --> 1:50:27.760
<v Speaker 1>one moment and there's a lot but just literally like

1:50:28.080 --> 1:50:31.200
<v Speaker 1>turning up the belver their bottle. And then like I

1:50:31.320 --> 1:50:33.600
<v Speaker 1>felt like I was in Clocus because the nig the

1:50:33.760 --> 1:50:38.160
<v Speaker 1>d T shirt, the quarter and I'm like it's one time,

1:50:38.320 --> 1:50:42.720
<v Speaker 1>right on time. Same but so like we're sitting there

1:50:42.800 --> 1:50:45.960
<v Speaker 1>with the corner and this is when Armadale Vodka it's

1:50:46.040 --> 1:50:50.360
<v Speaker 1>popping right like we're supporting I'm sorry, but we're supporting

1:50:50.720 --> 1:50:53.840
<v Speaker 1>support business like we are that but that was a

1:50:53.920 --> 1:50:56.960
<v Speaker 1>move Armadale. Right, So I'm in New York. I'm with

1:50:57.200 --> 1:51:01.840
<v Speaker 1>no read. I'm drinking Armadale like Nord's like yo, it

1:51:01.920 --> 1:51:04.320
<v Speaker 1>goes over the so and not like not this side,

1:51:04.439 --> 1:51:06.720
<v Speaker 1>like shout out the puff. But you know we had

1:51:06.760 --> 1:51:11.320
<v Speaker 1>to magnim had just being real where the hood. So

1:51:11.439 --> 1:51:15.559
<v Speaker 1>I got this huge bottom a vodka. You know, it's

1:51:15.600 --> 1:51:18.280
<v Speaker 1>just crazy. I'm in the Queens. I'm in left right.

1:51:19.160 --> 1:51:21.680
<v Speaker 1>And then like just like clocks and literally like the

1:51:22.280 --> 1:51:26.240
<v Speaker 1>old school, like it's literally what my man was driving

1:51:26.600 --> 1:51:30.360
<v Speaker 1>past your boy Clockers. He's in the same detective like

1:51:30.560 --> 1:51:33.360
<v Speaker 1>Lincoln Call and I'm like, really, word, that's what you

1:51:33.439 --> 1:51:36.080
<v Speaker 1>came to New York foot And he's like now you're good,

1:51:37.000 --> 1:51:41.040
<v Speaker 1>and apparently I was good. Yeah, but I watched a

1:51:41.120 --> 1:51:43.839
<v Speaker 1>couple of dudes can slap. Somebody got shot the five

1:51:44.960 --> 1:51:46.920
<v Speaker 1>a couple of dudes. I shot to five yard. It

1:51:47.080 --> 1:51:52.519
<v Speaker 1>was it really. I was like, damn not because it happened.

1:51:52.520 --> 1:51:54.840
<v Speaker 1>I'm like, Yo, this is the same ship. Though. If

1:51:54.880 --> 1:51:59.280
<v Speaker 1>I was on this corner and you right, and this

1:51:59.360 --> 1:52:02.360
<v Speaker 1>should happened, the same ship would have happened, and the

1:52:02.479 --> 1:52:05.679
<v Speaker 1>whole night. As the night progress, I'm like, the world together.

1:52:05.960 --> 1:52:10.880
<v Speaker 1>That's all can say. You know, that's exactly what we

1:52:10.920 --> 1:52:14.800
<v Speaker 1>should do. Nothing scared me. Nothing surprised me, exactly. You

1:52:14.840 --> 1:52:17.080
<v Speaker 1>know what I'm saying. You not just standing mean, nothing

1:52:17.120 --> 1:52:20.280
<v Speaker 1>surprised me. I'm like, I'm gonna tell this funny story.

1:52:20.840 --> 1:52:23.680
<v Speaker 1>Just one of the first things that happened. Little man

1:52:23.800 --> 1:52:25.920
<v Speaker 1>comes up. North's like, yo, but just so you know,

1:52:26.280 --> 1:52:28.680
<v Speaker 1>little man, what we don't do when we eat bananas,

1:52:28.840 --> 1:52:31.880
<v Speaker 1>we don't eat h hot dogs. That I was like,

1:52:32.400 --> 1:52:36.240
<v Speaker 1>this is crazy because you asked a little dude from

1:52:36.240 --> 1:52:37.760
<v Speaker 1>where I grew up if you want to pops, and

1:52:37.760 --> 1:52:42.040
<v Speaker 1>they will look at you crazy, right, And it's it's

1:52:42.120 --> 1:52:45.360
<v Speaker 1>it's not that there's anything wrong with eating pops, right,

1:52:45.640 --> 1:52:51.799
<v Speaker 1>in general. It's just that's against my rules. Rules continued,

1:52:52.439 --> 1:52:54.559
<v Speaker 1>but it was very funny, like and he's looking at

1:52:54.600 --> 1:52:57.120
<v Speaker 1>north the whole top, he said, and kid was less

1:52:57.120 --> 1:53:00.320
<v Speaker 1>than twelve. And then the kids something that any kid

1:53:00.400 --> 1:53:03.599
<v Speaker 1>less than they teat this, something like to get finished.

1:53:03.920 --> 1:53:06.360
<v Speaker 1>But listen, you know what I ate downstairs? And ate

1:53:06.400 --> 1:53:08.280
<v Speaker 1>a hot dog or everything on it? No hot dog?

1:53:10.080 --> 1:53:14.439
<v Speaker 1>A fact, what did I eat downstairs? Everything on it?

1:53:14.640 --> 1:53:18.080
<v Speaker 1>No dog? I get a hot dog? Okay, continue, but no,

1:53:18.479 --> 1:53:22.280
<v Speaker 1>there's nothing saying to that. The same noise, the same

1:53:26.479 --> 1:53:31.560
<v Speaker 1>black Let me tell you something. This is not the

1:53:31.640 --> 1:53:37.200
<v Speaker 1>back in the days, or this is not nowadays. When

1:53:37.240 --> 1:53:41.519
<v Speaker 1>I asked bumby to come to my hood. This wasn't

1:53:41.600 --> 1:53:46.760
<v Speaker 1>the nice hood. This was the hot That was when

1:53:46.840 --> 1:53:49.200
<v Speaker 1>niggas was like, yo, you know these buildings got underground,

1:53:50.240 --> 1:53:53.560
<v Speaker 1>like shooting things like if they come, just run with

1:53:53.680 --> 1:53:55.680
<v Speaker 1>following me. All we gotta do is make it to

1:53:55.720 --> 1:53:58.760
<v Speaker 1>the building. He's like, all we want to do, the

1:53:58.960 --> 1:54:01.479
<v Speaker 1>say all we have to They said, all we gotta

1:54:01.479 --> 1:54:03.800
<v Speaker 1>just make it to the building. And they don't know

1:54:03.840 --> 1:54:06.000
<v Speaker 1>if we go up or go down, so we're good.

1:54:06.160 --> 1:54:10.640
<v Speaker 1>Left right out underground ship. So it's like, yo, that

1:54:10.880 --> 1:54:13.680
<v Speaker 1>was that time, and it was literally it was like,

1:54:13.800 --> 1:54:15.680
<v Speaker 1>you know, if anything happened, just run with us. It

1:54:15.840 --> 1:54:17.680
<v Speaker 1>was a time and now all we gotta do is

1:54:17.760 --> 1:54:20.560
<v Speaker 1>make it to the building. All you gotta do is

1:54:20.640 --> 1:54:24.920
<v Speaker 1>make it to the building. And the words. I was like, okay,

1:54:25.320 --> 1:54:27.000
<v Speaker 1>and I ain't got the bump me now like I

1:54:27.080 --> 1:54:29.200
<v Speaker 1>got now I gotta tore menis because so I ain't

1:54:29.200 --> 1:54:31.439
<v Speaker 1>got to bump you. But they was like, all we

1:54:31.479 --> 1:54:33.560
<v Speaker 1>gotta do because we're on the corner. We had the

1:54:33.640 --> 1:54:36.000
<v Speaker 1>light and so it's a building right here. There's a

1:54:36.040 --> 1:54:38.480
<v Speaker 1>building right there, and it's it's like yo, be we're good. Ah,

1:54:38.520 --> 1:54:40.000
<v Speaker 1>we gotta just make it to the building. They don't

1:54:40.000 --> 1:54:42.000
<v Speaker 1>know where we're going. The DT's got to catch us

1:54:42.040 --> 1:54:44.240
<v Speaker 1>before we getting the building. Once we're getting the building,

1:54:44.320 --> 1:54:48.600
<v Speaker 1>they don't be going up or we're going down. Intellects,

1:54:53.320 --> 1:54:57.640
<v Speaker 1>it's beautiful because that's sorry, no, no, but that was

1:54:57.680 --> 1:55:00.360
<v Speaker 1>the New York I wanted to see. That's what I

1:55:00.480 --> 1:55:03.200
<v Speaker 1>wanted New York. I'm all enough to remember the warriors

1:55:03.280 --> 1:55:05.320
<v Speaker 1>and ship, so New York had to be a certain

1:55:05.360 --> 1:55:06.720
<v Speaker 1>way where I got here. I didn't want to go

1:55:06.760 --> 1:55:10.000
<v Speaker 1>to Junior's with jee shout out the puff. But that's

1:55:10.000 --> 1:55:12.920
<v Speaker 1>not what I wanted. I know, I'm taking the piss.

1:55:12.960 --> 1:55:16.360
<v Speaker 1>I'll come right back. I'm so sorry I did not,

1:55:16.880 --> 1:55:18.680
<v Speaker 1>But we were very We were close to the buildings,

1:55:18.680 --> 1:55:21.200
<v Speaker 1>but I wasn't tripping it. I wasn't tripping. But that's

1:55:21.360 --> 1:55:25.080
<v Speaker 1>the one thing I remember distinctly. Yes, yo, so, But

1:55:25.600 --> 1:55:27.880
<v Speaker 1>it's not like we WoT to selling crap. We were

1:55:27.960 --> 1:55:32.160
<v Speaker 1>drinking big If it was, who did I be allowed

1:55:32.200 --> 1:55:39.040
<v Speaker 1>that I met? There? Can you talking about talking about that?

1:55:39.920 --> 1:55:45.360
<v Speaker 1>That's why that's where I'm very for the first time. Literally,

1:55:45.920 --> 1:55:52.280
<v Speaker 1>it's crazy. Showed me too, but she got real, you know, so,

1:55:52.520 --> 1:55:56.920
<v Speaker 1>bun Man, So what would you think, um, before we

1:55:56.960 --> 1:55:59.880
<v Speaker 1>get up out of here, what would pimps think? This

1:56:00.080 --> 1:56:03.160
<v Speaker 1>whole generation right now? I think you think. I think

1:56:03.240 --> 1:56:07.480
<v Speaker 1>he would love the fact that young people are getting

1:56:07.760 --> 1:56:11.560
<v Speaker 1>paid for the music, because we used to have to

1:56:11.600 --> 1:56:13.400
<v Speaker 1>try to figure out just how to get paid for

1:56:13.480 --> 1:56:16.280
<v Speaker 1>putting the record out. Nowadays you get paid for from

1:56:16.400 --> 1:56:20.320
<v Speaker 1>the record out, from downloads, from streaming, all these other things,

1:56:20.400 --> 1:56:22.360
<v Speaker 1>So you get paid off of one song ten different

1:56:22.360 --> 1:56:24.280
<v Speaker 1>ways if you know how to work the game. We

1:56:24.360 --> 1:56:25.880
<v Speaker 1>were just trying to figure out how to get paid

1:56:26.160 --> 1:56:28.640
<v Speaker 1>from putting a record out, So I think you know,

1:56:28.840 --> 1:56:31.640
<v Speaker 1>from that aspect, he would be happy of the freedom

1:56:31.720 --> 1:56:35.320
<v Speaker 1>that autists have. But on the other right, but on

1:56:35.440 --> 1:56:38.000
<v Speaker 1>the other side, he would be I think he would

1:56:38.000 --> 1:56:42.720
<v Speaker 1>be disappointed and a lack of honesty, you know. Lat yeah,

1:56:42.880 --> 1:56:46.000
<v Speaker 1>like because we're here to like right now, expose everything

1:56:46.080 --> 1:56:49.520
<v Speaker 1>that's fake. But if you're a fake, you can't expose

1:56:49.680 --> 1:56:52.840
<v Speaker 1>anything because it would expose you. And that's what he

1:56:52.880 --> 1:56:55.480
<v Speaker 1>would be disappointed about. Pamper never had a problem with

1:56:55.520 --> 1:56:58.320
<v Speaker 1>who people were. It was about people pretending about who

1:56:58.360 --> 1:57:00.720
<v Speaker 1>they were. That was his problem. You know what I'm saying.

1:57:01.080 --> 1:57:03.760
<v Speaker 1>If you're gamester, you're game say. If you're hipster, your hipster,

1:57:04.200 --> 1:57:06.560
<v Speaker 1>if you straight, get whatever, just be who you tell

1:57:06.640 --> 1:57:09.080
<v Speaker 1>me when I meet you. Just be that every time

1:57:09.120 --> 1:57:11.160
<v Speaker 1>I see you, and I can live and if I

1:57:11.320 --> 1:57:13.880
<v Speaker 1>like that, if I can accept that, I'm good with that.

1:57:14.280 --> 1:57:17.600
<v Speaker 1>But don't visit seen thousand niggas told pimp Nor was

1:57:17.640 --> 1:57:21.720
<v Speaker 1>a real nigga. He still wanted to me, I gotta

1:57:21.840 --> 1:57:25.160
<v Speaker 1>meet you. He looked at me, sir, and then he

1:57:25.280 --> 1:57:28.600
<v Speaker 1>hugged me the whole night. Tell him and it was

1:57:28.760 --> 1:57:32.600
<v Speaker 1>It was funny because pimps like yo, man, I'm so

1:57:32.800 --> 1:57:35.960
<v Speaker 1>happy that this nigs who he said that the people

1:57:36.080 --> 1:57:38.800
<v Speaker 1>said he was. I'm so happy that he was who

1:57:38.920 --> 1:57:43.000
<v Speaker 1>you said he was. If you and Keith Murder, you

1:57:43.160 --> 1:57:47.920
<v Speaker 1>and Keith Murray, um, like what exactly? Who we where?

1:57:48.000 --> 1:57:50.560
<v Speaker 1>He thought that we're going to be. You are everything

1:57:50.680 --> 1:57:56.520
<v Speaker 1>we thought there was gonna be before walking the ball shop.

1:57:56.600 --> 1:57:58.440
<v Speaker 1>What happened? We went in there, We was like we

1:57:58.520 --> 1:58:01.240
<v Speaker 1>were from Texas and he's like, you gotta be you

1:58:01.320 --> 1:58:03.800
<v Speaker 1>know what I'm saying, like what you're doing in the homes,

1:58:03.840 --> 1:58:05.320
<v Speaker 1>Like we want to get a hair cut, we want

1:58:05.360 --> 1:58:07.200
<v Speaker 1>to get weed, and we want to get some food,

1:58:07.840 --> 1:58:10.680
<v Speaker 1>and Niggs like we just want thet You say something

1:58:10.720 --> 1:58:16.720
<v Speaker 1>before you can ren this. Listen, pimp. See, didn't he

1:58:16.760 --> 1:58:22.520
<v Speaker 1>give a fuck? We took the way that and he

1:58:22.760 --> 1:58:26.240
<v Speaker 1>checked me in New York. It's not like I was

1:58:26.360 --> 1:58:30.520
<v Speaker 1>the sexist on Houston said these nigga told me your

1:58:30.560 --> 1:58:33.840
<v Speaker 1>real nigga. Pimp. He shaw to rump in his head

1:58:33.920 --> 1:58:38.520
<v Speaker 1>like just I said, oh ship, I've never been checking

1:58:38.600 --> 1:58:41.920
<v Speaker 1>this way, so I just had to ride with it.

1:58:42.000 --> 1:58:45.520
<v Speaker 1>I was just like, oh yeah, yeah, definitely, that's what

1:58:45.640 --> 1:58:47.880
<v Speaker 1>they told you. He said, yeah, yeah, he said you good,

1:58:48.320 --> 1:58:54.560
<v Speaker 1>your real nigger. I said, yeah. He said, I'm gonna

1:58:54.640 --> 1:58:58.560
<v Speaker 1>make sure you're real nigga. All right, oh ship, yeah,

1:59:00.800 --> 1:59:02.760
<v Speaker 1>and then he's like, I'm gonna watch you the whole

1:59:02.840 --> 1:59:09.760
<v Speaker 1>name okay, and didn't his best friends, but he definitely

1:59:09.840 --> 1:59:14.120
<v Speaker 1>watched me. He made sure every room look that came

1:59:14.200 --> 1:59:17.600
<v Speaker 1>around saluted me, and if they didn't, he looked at

1:59:17.640 --> 1:59:23.400
<v Speaker 1>me and said, make sure that's fun and that's real

1:59:23.560 --> 1:59:25.440
<v Speaker 1>ship because it was important for us. We were so

1:59:25.560 --> 1:59:27.680
<v Speaker 1>far removed from a lot of this ship. We moved

1:59:27.720 --> 1:59:30.640
<v Speaker 1>it straight away. So it was like, man, we gotta

1:59:30.680 --> 1:59:34.000
<v Speaker 1>make sure then we that niggas were around moved like

1:59:34.120 --> 1:59:38.400
<v Speaker 1>we moved right like. It was never about worrying about drama,

1:59:38.760 --> 1:59:41.000
<v Speaker 1>be for none of that. You like, Yo, we're gonna

1:59:41.000 --> 1:59:44.120
<v Speaker 1>be around certain people. We gotta make sure we're around

1:59:44.160 --> 1:59:47.000
<v Speaker 1>you like that we moved. It's just that simple. And

1:59:47.080 --> 1:59:49.280
<v Speaker 1>if you're a real nigked, then you don't you don't

1:59:49.280 --> 1:59:50.760
<v Speaker 1>even get infitted with you, like, yeah, we need to

1:59:50.800 --> 1:59:56.440
<v Speaker 1>make sure you really you need to call you. Take

1:59:56.520 --> 2:00:00.160
<v Speaker 1>my phone to him and he said, he says, I'm

2:00:00.160 --> 2:00:04.080
<v Speaker 1>still gonna you can tell me everything. He said, I'm

2:00:04.080 --> 2:00:07.960
<v Speaker 1>not what you And that was a beautiful everything should

2:00:08.000 --> 2:00:10.600
<v Speaker 1>come back, right, that's the beautiful thing because I're thinking

2:00:11.080 --> 2:00:14.040
<v Speaker 1>right and you know, and button, let me just let

2:00:14.080 --> 2:00:20.080
<v Speaker 1>me just tell you something. Mine and hip hop people

2:00:20.120 --> 2:00:23.360
<v Speaker 1>don't bag each other up. People don't sit there and

2:00:23.480 --> 2:00:27.200
<v Speaker 1>say to you, but we love you and we love

2:00:27.320 --> 2:00:30.040
<v Speaker 1>what you can contribute it to hip hop. We love

2:00:30.080 --> 2:00:32.160
<v Speaker 1>what you gave to hip hop. We love you just

2:00:32.280 --> 2:00:34.520
<v Speaker 1>your booted to hip hop. And this is not the

2:00:34.640 --> 2:00:38.120
<v Speaker 1>shows that you're on. This show that you're on right

2:00:38.160 --> 2:00:42.440
<v Speaker 1>now is We're gonna fucking salute that. That's beautiful. Really,

2:00:43.000 --> 2:00:47.560
<v Speaker 1>we really can't thank you enough. We're gonna continue to

2:00:47.600 --> 2:00:50.760
<v Speaker 1>support your ship. We're gonna blow up your fucking album

2:00:50.840 --> 2:00:53.400
<v Speaker 1>that just came out. It's coming out. The singles out now,

2:00:53.560 --> 2:00:55.520
<v Speaker 1>Game I guess when this comes out, Game times out

2:00:55.640 --> 2:01:00.040
<v Speaker 1>right now. That's not even a single. I just know

2:01:00.400 --> 2:01:08.360
<v Speaker 1>still take over the show, take over and everything because

2:01:08.400 --> 2:01:18.720
<v Speaker 1>I okay let him to single pits DJ, so like

2:01:19.320 --> 2:01:21.520
<v Speaker 1>you know, you worked with them, and you said that

2:01:21.720 --> 2:01:25.560
<v Speaker 1>every time. Every time, you're like you're still about Vinyl,

2:01:25.760 --> 2:01:28.560
<v Speaker 1>Like a lot of think he don't like, we don't

2:01:28.560 --> 2:01:33.560
<v Speaker 1>know Vinyl was like that was what a DJ's dream

2:01:33.880 --> 2:01:38.040
<v Speaker 1>was not this laptop ship, you know, freestyle cutting this,

2:01:38.160 --> 2:01:40.160
<v Speaker 1>so I know it's deep. Ye know. If you go

2:01:40.320 --> 2:01:43.200
<v Speaker 1>and look on the Ryan Dirty album on the on

2:01:43.320 --> 2:01:45.760
<v Speaker 1>the pictures on the insert, there's a picture of me,

2:01:45.920 --> 2:01:48.240
<v Speaker 1>Pimp C and DJ Screw and there's a piece of

2:01:48.360 --> 2:01:51.200
<v Speaker 1>vinyl behind him, and that's the test press from the

2:01:51.280 --> 2:01:54.280
<v Speaker 1>first record we ever did. Because Screw was like he

2:01:54.400 --> 2:01:56.760
<v Speaker 1>was the after Hour DJ. So when I got the

2:01:56.840 --> 2:01:59.280
<v Speaker 1>test press, I brought it to him because he was

2:01:59.280 --> 2:02:02.120
<v Speaker 1>the only DJ I knew like mixing. So I used

2:02:02.120 --> 2:02:03.880
<v Speaker 1>to go to the spot to shoot dice. So I

2:02:04.000 --> 2:02:06.280
<v Speaker 1>brought it straight to him and was like, yo, and

2:02:06.400 --> 2:02:10.080
<v Speaker 1>this was old, this is ninety it's ninety two, like

2:02:10.160 --> 2:02:13.160
<v Speaker 1>February ninety two. And I'm like, yo, play this, let

2:02:13.200 --> 2:02:14.560
<v Speaker 1>me know what you think. And I'm on the pool

2:02:14.600 --> 2:02:16.720
<v Speaker 1>table shooting dice because that's where we had to shoot dice.

2:02:17.000 --> 2:02:18.560
<v Speaker 1>And after I was on the pool table in the

2:02:18.640 --> 2:02:21.920
<v Speaker 1>back and he plays the ship and he was like it.

2:02:22.000 --> 2:02:24.960
<v Speaker 1>He played again, like you'll keep that to and keep

2:02:24.960 --> 2:02:27.720
<v Speaker 1>it popping, and and I'm like, I'm I'm a hundred

2:02:27.760 --> 2:02:29.360
<v Speaker 1>miles away from where I grew up and I'm in

2:02:29.400 --> 2:02:31.040
<v Speaker 1>the after I was at three and one shooting dice

2:02:31.520 --> 2:02:33.600
<v Speaker 1>just to make sure my see what my record due

2:02:33.680 --> 2:02:36.280
<v Speaker 1>to connect with people. And so Screw took that record

2:02:36.480 --> 2:02:39.080
<v Speaker 1>and put it on the wall in the room where

2:02:39.080 --> 2:02:41.160
<v Speaker 1>he mixed that. And when we went in that room,

2:02:41.320 --> 2:02:44.400
<v Speaker 1>which is literally about eight years later, and we go

2:02:44.600 --> 2:02:46.320
<v Speaker 1>in that room, you know, he pulled it out because

2:02:46.320 --> 2:02:48.800
<v Speaker 1>it's on the walls, and so we literally posed in

2:02:48.960 --> 2:02:52.440
<v Speaker 1>front of the picture. And at this time he wasn't

2:02:52.440 --> 2:02:54.320
<v Speaker 1>in DJ Screw when I gave him this record, He's

2:02:54.320 --> 2:02:57.080
<v Speaker 1>just the after our DJ. We're in the after hour

2:02:57.240 --> 2:03:01.640
<v Speaker 1>the club this is stupens are on like the dance floor.

2:03:02.120 --> 2:03:05.080
<v Speaker 1>We're shooting dice on the pool table in the back

2:03:05.120 --> 2:03:07.520
<v Speaker 1>of that bitch, right next to Gallagher, my nigga. We're

2:03:07.560 --> 2:03:09.320
<v Speaker 1>shooting dice in that bitch or three in the morning,

2:03:09.680 --> 2:03:13.160
<v Speaker 1>and he played my record and niggas, it's probably forty

2:03:13.200 --> 2:03:15.920
<v Speaker 1>niggas in the after hours, and he's like, like that ship,

2:03:16.040 --> 2:03:18.640
<v Speaker 1>that ship tight, I ain't play that ship again, you know.

2:03:19.160 --> 2:03:22.440
<v Speaker 1>And then I'm like, you might have something. And then

2:03:22.600 --> 2:03:24.680
<v Speaker 1>three months later we're in New York and callumb A

2:03:24.760 --> 2:03:27.760
<v Speaker 1>Circle getting ready to go to Job Records. Forty second,

2:03:29.320 --> 2:03:33.160
<v Speaker 1>just tell me something good. I got the test press vinyl,

2:03:33.320 --> 2:03:35.440
<v Speaker 1>and I brought it to the after hours, like my

2:03:35.560 --> 2:03:39.840
<v Speaker 1>nigga run that. Let me know what you think. You

2:03:39.960 --> 2:03:43.920
<v Speaker 1>know what I'm saying, Like it's amazing, It's probably gonna

2:03:43.920 --> 2:03:47.360
<v Speaker 1>be a little weird. No, no, nothing is with because

2:03:47.440 --> 2:03:50.760
<v Speaker 1>because I came to New York in ninety two before Giuliani,

2:03:51.160 --> 2:03:56.520
<v Speaker 1>so I remember the weird New York so after Pimp

2:03:56.920 --> 2:04:02.160
<v Speaker 1>like because he went off right he said, zones is different. Now,

2:04:02.280 --> 2:04:05.480
<v Speaker 1>how was your life after that? Because and then he

2:04:05.880 --> 2:04:09.000
<v Speaker 1>made it clear he said this is not this was

2:04:09.200 --> 2:04:12.360
<v Speaker 1>this was not the first time that this is not

2:04:12.480 --> 2:04:14.920
<v Speaker 1>the first time that Pippa said nothing that I didn't

2:04:14.920 --> 2:04:17.200
<v Speaker 1>know that, but that I didn't know Pemper was gonna

2:04:17.240 --> 2:04:21.000
<v Speaker 1>say what he said. If you look at the wire,

2:04:22.080 --> 2:04:25.680
<v Speaker 1>there's a moment where Big G says, um, well, I

2:04:26.000 --> 2:04:28.880
<v Speaker 1>can't remember Slim Charles and on the white, but it's

2:04:28.960 --> 2:04:32.080
<v Speaker 1>it's Big G for d C. And he's like, even

2:04:32.120 --> 2:04:35.000
<v Speaker 1>if it's a lie, we gotta ride on that lie.

2:04:35.240 --> 2:04:37.480
<v Speaker 1>And I'm not saying my brother lie, but no matter

2:04:37.600 --> 2:04:41.760
<v Speaker 1>what my brother says in the moment, we gotta move

2:04:41.880 --> 2:04:43.800
<v Speaker 1>on that even if it's a lie, we're gonna have

2:04:43.880 --> 2:04:47.080
<v Speaker 1>to go to war on that lot. Now, when me

2:04:47.200 --> 2:04:50.440
<v Speaker 1>and him get in the back room while the shots

2:04:50.480 --> 2:04:54.040
<v Speaker 1>in the front, me and him gotta have words in

2:04:54.120 --> 2:04:56.560
<v Speaker 1>the back about why we're in this situation. That's what

2:04:56.640 --> 2:05:00.480
<v Speaker 1>I love you. But the reality is, and there was

2:05:00.560 --> 2:05:02.800
<v Speaker 1>a lot of moments what would be like he would

2:05:02.880 --> 2:05:04.520
<v Speaker 1>get out there and be like, yo, you know what

2:05:05.200 --> 2:05:08.480
<v Speaker 1>fox on and so my wife is right there, my

2:05:08.560 --> 2:05:10.560
<v Speaker 1>wife know him the line. My wife was probably on

2:05:10.600 --> 2:05:14.720
<v Speaker 1>the side and be like, that's what we had to day,

2:05:15.040 --> 2:05:18.640
<v Speaker 1>you know, and we go home and again, even if

2:05:18.680 --> 2:05:22.280
<v Speaker 1>it ain't right or even IF's a misunderstanding in that moment,

2:05:22.400 --> 2:05:25.040
<v Speaker 1>we gotta move on that we got. We gotta move

2:05:25.120 --> 2:05:27.720
<v Speaker 1>on that, you know. And it was it was very

2:05:27.880 --> 2:05:29.880
<v Speaker 1>rough for us as a family and ship like that

2:05:29.880 --> 2:05:32.000
<v Speaker 1>because I don't I don't talk about a lot of

2:05:32.200 --> 2:05:34.480
<v Speaker 1>because that ship was real ship, you know what I'm saying.

2:05:34.480 --> 2:05:35.720
<v Speaker 1>So I don't talk about a lot of that ship.

2:05:35.880 --> 2:05:38.320
<v Speaker 1>I'll protect the integrity of my family. But just the

2:05:38.400 --> 2:05:40.840
<v Speaker 1>reality is that even if I didn't agree with him,

2:05:41.760 --> 2:05:45.640
<v Speaker 1>I was riding with him. That was that wasn't even understood.

2:05:45.840 --> 2:05:48.120
<v Speaker 1>I mean, that wasn't even something that had to be understood.

2:05:48.920 --> 2:05:51.520
<v Speaker 1>Whatever happens in that moment, people's like, this is what

2:05:51.720 --> 2:05:55.680
<v Speaker 1>we're saying. Even if I didn't agree in that movement,

2:05:55.880 --> 2:06:00.040
<v Speaker 1>if we're in front of niggers. He also beginning that

2:06:00.600 --> 2:06:03.240
<v Speaker 1>Bunny ain't got nothing to do much. But I always

2:06:03.280 --> 2:06:09.440
<v Speaker 1>had something to do with you knew, because the Pimple

2:06:09.480 --> 2:06:12.680
<v Speaker 1>was my little brother. Damn that you know what I'm saying.

2:06:13.720 --> 2:06:17.840
<v Speaker 1>People come with my older brother. Comp was younger than me.

2:06:18.560 --> 2:06:21.120
<v Speaker 1>Component is older than me. So my whole thing with

2:06:21.280 --> 2:06:24.720
<v Speaker 1>pimp was, like I understand that I understood that were

2:06:24.760 --> 2:06:27.200
<v Speaker 1>things he didn't really understand about certain things about how

2:06:27.240 --> 2:06:30.000
<v Speaker 1>to handle ship. People had what they he didn't have

2:06:30.200 --> 2:06:34.640
<v Speaker 1>what they call inner dialogue, right like, I feel this

2:06:34.760 --> 2:06:37.560
<v Speaker 1>way about this person. Should I say this? Should I

2:06:37.680 --> 2:06:40.520
<v Speaker 1>not say? That didn't even exist? That didn't even exist.

2:06:41.640 --> 2:06:44.480
<v Speaker 1>I got addressed this right here, right now. So that

2:06:44.640 --> 2:06:47.080
<v Speaker 1>was whether that was a rapper, a nigger on the street,

2:06:47.680 --> 2:06:52.160
<v Speaker 1>whether it was the CEO did yeah, yeah. But even

2:06:52.240 --> 2:06:54.400
<v Speaker 1>if that was like Verry White to see you all

2:06:54.440 --> 2:06:56.880
<v Speaker 1>the record company, it would be I remember be in

2:06:56.920 --> 2:07:00.320
<v Speaker 1>a room with like the person that the term in

2:07:00.440 --> 2:07:05.360
<v Speaker 1>my future a bit nigger, and then get up and

2:07:05.480 --> 2:07:08.320
<v Speaker 1>walk out, and I'm like, well, I guess we understand

2:07:08.320 --> 2:07:10.720
<v Speaker 1>where were all that. You know what I'm saying, So

2:07:11.240 --> 2:07:15.480
<v Speaker 1>because I talked to you about a year so but

2:07:15.600 --> 2:07:17.240
<v Speaker 1>I wasn't gonna be like, yo, I don't know what

2:07:17.320 --> 2:07:19.640
<v Speaker 1>he said, but that's not what we If that's how

2:07:19.720 --> 2:07:22.920
<v Speaker 1>he felt, then we'll talk about that on the plane

2:07:22.960 --> 2:07:25.200
<v Speaker 1>on the way home, like maybe that wasn't the best

2:07:25.240 --> 2:07:27.560
<v Speaker 1>way to do this, but at the end of the day,

2:07:27.760 --> 2:07:31.480
<v Speaker 1>Pemple loved this ship. Say, and this is what people

2:07:31.520 --> 2:07:35.080
<v Speaker 1>don't understand. I'll say this giving away a lot about

2:07:35.480 --> 2:07:37.160
<v Speaker 1>because my wife looks up every now and then just

2:07:37.280 --> 2:07:42.360
<v Speaker 1>get But I will say, like this was Pimp's life.

2:07:42.520 --> 2:07:45.040
<v Speaker 1>There was no plan B for Pimp, for this ship,

2:07:45.960 --> 2:07:47.720
<v Speaker 1>and if there were certain moments where he felt a

2:07:47.760 --> 2:07:52.240
<v Speaker 1>certain way, even if I didn't really understand it, all right,

2:07:53.200 --> 2:07:55.720
<v Speaker 1>all right, well, I guess this meeting is over. But

2:07:56.200 --> 2:07:59.680
<v Speaker 1>you're a bitch, you know what I'm saying. You who

2:08:00.040 --> 2:08:03.040
<v Speaker 1>sneakers don't understand what we're trying to do fun this ship. Mommy,

2:08:03.160 --> 2:08:06.160
<v Speaker 1>we out of here. Well, guys, I guess you can't

2:08:06.160 --> 2:08:13.480
<v Speaker 1>see we have each other's numbers. But what he said,

2:08:14.080 --> 2:08:16.920
<v Speaker 1>you know what I'm saying. And on the home like, yeah,

2:08:16.920 --> 2:08:21.640
<v Speaker 1>we shouldn't have done it like that. Yeah, but in

2:08:21.760 --> 2:08:25.280
<v Speaker 1>the moment, but right a wrong, we gotta ride on that.

2:08:25.440 --> 2:08:28.080
<v Speaker 1>Shout out to big G your But I don't know

2:08:29.200 --> 2:08:32.720
<v Speaker 1>if you ever you got a new album coming out? Yes, well,

2:08:32.760 --> 2:08:35.960
<v Speaker 1>I don't know if you ever because this is a

2:08:36.040 --> 2:08:39.200
<v Speaker 1>different type of hip hop show. There's a different type

2:08:39.240 --> 2:08:44.520
<v Speaker 1>of place where you at and at our place, we

2:08:44.800 --> 2:08:48.760
<v Speaker 1>big up our artists and Bundy be nice. You are

2:08:48.920 --> 2:08:53.560
<v Speaker 1>so fucking appreciated or I don't know, no, no, for real,

2:08:53.840 --> 2:08:57.000
<v Speaker 1>I don't know way you ever. There's a real reason

2:08:57.080 --> 2:09:01.080
<v Speaker 1>why God gave drink champs to the world. Talk about that,

2:09:01.200 --> 2:09:03.880
<v Speaker 1>because you've been a drink champion for I think the

2:09:03.960 --> 2:09:06.480
<v Speaker 1>only person is even giving you a battle is forty

2:09:06.560 --> 2:09:10.160
<v Speaker 1>and be Legiti destroy me, you know what I'm saying.

2:09:10.960 --> 2:09:13.280
<v Speaker 1>But that's a powderful pound. That's the best powerful powder.

2:09:15.760 --> 2:09:17.880
<v Speaker 1>I mean, you're like the Floyd Medal Mayweather. When I

2:09:17.960 --> 2:09:21.440
<v Speaker 1>say poundful pound, please please keep your pound for pound,

2:09:21.760 --> 2:09:24.080
<v Speaker 1>keeping the drink champ. I'm just saying that. I'm just

2:09:24.200 --> 2:09:26.520
<v Speaker 1>that's all I mean. You go to get six ft

2:09:26.560 --> 2:09:29.120
<v Speaker 1>six niggers and three hund of pounds, Yes, I got

2:09:29.200 --> 2:09:32.720
<v Speaker 1>a little then you gonna But but like you, you know,

2:09:32.840 --> 2:09:34.680
<v Speaker 1>you went to every state, you went to every region,

2:09:35.440 --> 2:09:39.640
<v Speaker 1>every hood, and you drink recklessly, not just regularly, you

2:09:39.720 --> 2:09:42.400
<v Speaker 1>drink recklessly to the point where if it's going down,

2:09:42.440 --> 2:09:44.240
<v Speaker 1>it's going down in a very real way. Right now

2:09:45.400 --> 2:09:47.720
<v Speaker 1>you made it home safe. That's a beautiful thing. That's

2:09:47.760 --> 2:09:51.960
<v Speaker 1>the thing. There's there's no person we were other big

2:09:52.080 --> 2:09:56.280
<v Speaker 1>up right now and drink champs and revote history. Then

2:09:56.400 --> 2:10:00.280
<v Speaker 1>bumb absolutely right here loves you so much, you know

2:10:00.320 --> 2:10:03.640
<v Speaker 1>because if if it's called me a few times in

2:10:03.720 --> 2:10:06.160
<v Speaker 1>his life, and I'd be surprised if I didn't give

2:10:06.160 --> 2:10:15.880
<v Speaker 1>you what you know, but if drama smalls, these were

2:10:15.960 --> 2:10:19.000
<v Speaker 1>people that were very genuine in their love and support.

2:10:19.600 --> 2:10:21.400
<v Speaker 1>I like, you know what I'm saying. They were like, Yo,

2:10:22.000 --> 2:10:23.840
<v Speaker 1>I ain't got no money, I ain't got this, I

2:10:23.840 --> 2:10:26.320
<v Speaker 1>ain't got that. I just I really funk with you,

2:10:26.840 --> 2:10:28.840
<v Speaker 1>and I'm doing this and if you want to be

2:10:28.880 --> 2:10:30.400
<v Speaker 1>a part of it, I love that you be a

2:10:30.440 --> 2:10:32.920
<v Speaker 1>part of it. And I remember my wife being like

2:10:33.200 --> 2:10:34.960
<v Speaker 1>my wife was like, YO, why are you doing this stuff?

2:10:34.960 --> 2:10:38.560
<v Speaker 1>And I'm like, yo, please trust me because of you,

2:10:38.760 --> 2:10:41.720
<v Speaker 1>because of drama, because of small but there wasn't a music.

2:10:41.880 --> 2:10:46.560
<v Speaker 1>Woun't being real because I didn't get because it's very

2:10:46.600 --> 2:10:48.480
<v Speaker 1>easy for me to sit here and let you give

2:10:48.560 --> 2:10:52.360
<v Speaker 1>me accolades. But if it is a real, dude, and

2:10:52.520 --> 2:10:55.839
<v Speaker 1>if it knows that there's never been any money exchange,

2:10:56.440 --> 2:11:00.560
<v Speaker 1>just been real, It's never been any and I just

2:11:00.680 --> 2:11:05.280
<v Speaker 1>wanted to see him win and he and he always

2:11:05.320 --> 2:11:08.400
<v Speaker 1>wanted to see me. When there's been times where people

2:11:08.400 --> 2:11:10.840
<v Speaker 1>would check up the efit more than it's been. Really,

2:11:11.160 --> 2:11:14.120
<v Speaker 1>they're being really a lot of times, a couple of buns.

2:11:14.320 --> 2:11:17.320
<v Speaker 1>There's a couple of months if but no, if it

2:11:17.440 --> 2:11:19.200
<v Speaker 1>had up end and he was like, yo, but this

2:11:19.320 --> 2:11:23.040
<v Speaker 1>is drink with me. You gotta stop taking over even

2:11:23.120 --> 2:11:25.560
<v Speaker 1>with the group. I'm gonna be that. But there's a

2:11:25.640 --> 2:11:28.680
<v Speaker 1>lot and let us make you up. This is not

2:11:29.800 --> 2:11:35.960
<v Speaker 1>my wife is over, it's not the show. Let's talk

2:11:36.000 --> 2:11:39.360
<v Speaker 1>about him now. That's begging him up. Yeah, that's what

2:11:39.480 --> 2:11:47.000
<v Speaker 1>you're edited. We'll put this on the end. No, I'm

2:11:47.160 --> 2:11:49.760
<v Speaker 1>very uncomfortable to sit around and just kind of like

2:11:50.720 --> 2:11:52.480
<v Speaker 1>I'm in a new place now where I don't want

2:11:52.480 --> 2:11:54.560
<v Speaker 1>to celebrate me. I want to celebrate God and people

2:11:54.640 --> 2:11:57.080
<v Speaker 1>that have been good. We're celebrating God, what's what I'm saying?

2:11:57.200 --> 2:12:00.400
<v Speaker 1>And so like when people start leading on me, gotta

2:12:00.640 --> 2:12:03.640
<v Speaker 1>but my wife is like, Yo, shut the funk up,

2:12:05.360 --> 2:12:19.880
<v Speaker 1>it's time to go twelve minutes, goddamn bub Let me

2:12:19.920 --> 2:12:25.720
<v Speaker 1>tell you something. Us in New York City were recognized.

2:12:26.480 --> 2:12:30.280
<v Speaker 1>We knew what y'all was doing in the Houston and

2:12:30.360 --> 2:12:36.280
<v Speaker 1>the authors, we understood what y'all was doing. But you

2:12:36.360 --> 2:12:38.560
<v Speaker 1>know what happened. It's like a drinking game when you

2:12:38.560 --> 2:12:44.040
<v Speaker 1>say you want more, No, because my wife, but let

2:12:44.080 --> 2:12:47.600
<v Speaker 1>me just tell it. But listen, let me tell you something, bunny,

2:12:48.720 --> 2:12:55.080
<v Speaker 1>But you should be saluted every day on Monday, do Sunday.

2:12:56.320 --> 2:12:59.240
<v Speaker 1>And that's what we're gonna continue to do. And drink champs.

2:13:00.520 --> 2:13:03.560
<v Speaker 1>Drink chips. First of all, Dree Champs is everything I

2:13:03.640 --> 2:13:09.400
<v Speaker 1>thought it was gonna be. It was, yes, everything I

2:13:09.480 --> 2:13:11.360
<v Speaker 1>thought it was gonna be because I thought I was

2:13:11.400 --> 2:13:13.080
<v Speaker 1>gonna be the dude they came in and talked that

2:13:13.160 --> 2:13:20.080
<v Speaker 1>didn't get drunk. Yom listen because you know why we

2:13:20.160 --> 2:13:23.360
<v Speaker 1>select we celebrate hip hop. And the thing about it

2:13:23.600 --> 2:13:26.320
<v Speaker 1>is in the hip hop. Hip hop don't set up

2:13:26.440 --> 2:13:30.000
<v Speaker 1>a hip hop what the fund is our problem? This

2:13:30.320 --> 2:13:33.200
<v Speaker 1>is hip hop right here. Nah, it's not hip hop.

2:13:33.320 --> 2:13:42.760
<v Speaker 1>It's hip hop and bun Pam and pimp check me.

2:13:42.920 --> 2:13:47.400
<v Speaker 1>I've never been checked before hip hop. So when checked me,

2:13:47.480 --> 2:13:51.080
<v Speaker 1>I said, there, I gotta check myself too. Let we

2:13:51.200 --> 2:13:54.200
<v Speaker 1>checked the end. The thing about it is we want

2:13:54.200 --> 2:13:57.800
<v Speaker 1>to continue to support people like you, boy. That's why

2:13:57.880 --> 2:14:02.560
<v Speaker 1>this works the because this wasn't about money and sponsorship

2:14:02.600 --> 2:14:05.880
<v Speaker 1>and none of that ship You've been out even at

2:14:05.920 --> 2:14:09.200
<v Speaker 1>the like I said, it's funny because like what, you

2:14:09.240 --> 2:14:11.200
<v Speaker 1>ain't gonna pat yourself on the back. That's that's for

2:14:11.320 --> 2:14:14.120
<v Speaker 1>other things to do. But dream Chaps is Dream Chaps

2:14:14.160 --> 2:14:16.240
<v Speaker 1>is killing it right now. But even in the midst

2:14:16.240 --> 2:14:21.040
<v Speaker 1>of that, you kept the format and the platform opening.

2:14:21.080 --> 2:14:22.720
<v Speaker 1>He's like, yo, bot, what's up? And I can show

2:14:22.760 --> 2:14:27.200
<v Speaker 1>you my phone. It's literally I've been hitting month. Come

2:14:27.240 --> 2:14:29.440
<v Speaker 1>funk with me because we tell because we tell the

2:14:29.520 --> 2:14:32.000
<v Speaker 1>left Frac story to everybody. You know what I'm saying,

2:14:32.280 --> 2:14:33.560
<v Speaker 1>and we got to get it out there. And I

2:14:33.600 --> 2:14:35.720
<v Speaker 1>woun't have to tell it no more that we can

2:14:35.800 --> 2:14:38.000
<v Speaker 1>just talk about this story and how many hours we

2:14:38.080 --> 2:14:44.240
<v Speaker 1>sat and sweet this story. But this is this is

2:14:44.280 --> 2:14:46.200
<v Speaker 1>a beautiful thing. Shout and shout out to revote for

2:14:46.240 --> 2:14:52.800
<v Speaker 1>supporting you because you know, listen, Charlemagne, you gotta relax.

2:14:52.880 --> 2:14:55.400
<v Speaker 1>I got a little problem with you. Wait now, Charlotte Magne,

2:14:55.920 --> 2:14:59.440
<v Speaker 1>you gotta stop this specum of vault because of the

2:14:59.640 --> 2:15:03.680
<v Speaker 1>vault is what's holding us down. That is a different

2:15:03.840 --> 2:15:08.800
<v Speaker 1>episode for a different day. But I can't thank you

2:15:08.960 --> 2:15:10.720
<v Speaker 1>so much because you know why I want to thank you.

2:15:14.680 --> 2:15:16.839
<v Speaker 1>I'm not only want to thank you because you're deserved

2:15:16.880 --> 2:15:19.280
<v Speaker 1>to be thanked, but I want to thank you for

2:15:19.520 --> 2:15:24.040
<v Speaker 1>staying here and understanding that hip hop has to be respected.

2:15:24.920 --> 2:15:28.280
<v Speaker 1>And the thing about it is so many people they say,

2:15:28.440 --> 2:15:32.160
<v Speaker 1>they sit back and they say ah, and then you

2:15:32.240 --> 2:15:36.560
<v Speaker 1>know what they don't do. They don't the actual bars,

2:15:37.320 --> 2:15:40.720
<v Speaker 1>don't delude the actual culture. It's a difference between being

2:15:41.080 --> 2:15:45.800
<v Speaker 1>a creative something me and they inherit or something I

2:15:45.920 --> 2:15:49.160
<v Speaker 1>need you describe that hip hop is something that we

2:15:49.280 --> 2:15:52.160
<v Speaker 1>were part of the creation. The new generation hip hop

2:15:52.240 --> 2:15:55.320
<v Speaker 1>is something they inherited. So there's a different dynamic as

2:15:55.360 --> 2:15:57.280
<v Speaker 1>the how hip hop We were there to create it.

2:15:57.440 --> 2:16:00.920
<v Speaker 1>They it was something they got on their birthday. You

2:16:00.960 --> 2:16:03.440
<v Speaker 1>know what I'm saying. You know that's something they got

2:16:03.480 --> 2:16:06.040
<v Speaker 1>for Christmas? Hip hop or something they got for Christmas,

2:16:06.280 --> 2:16:07.880
<v Speaker 1>and it's not a bad thing, but they have a

2:16:07.920 --> 2:16:10.800
<v Speaker 1>different discipline and a different dynamic that we have. And

2:16:10.920 --> 2:16:12.520
<v Speaker 1>if we and if we look at it like that,

2:16:12.800 --> 2:16:16.200
<v Speaker 1>right that hip hop was a right for us, right

2:16:16.400 --> 2:16:18.600
<v Speaker 1>a writer passage, but for them it was a gift.

2:16:19.600 --> 2:16:21.800
<v Speaker 1>And if we look at it like that, then we'll

2:16:21.920 --> 2:16:25.560
<v Speaker 1>understand the dynamic between us and the next generation. And

2:16:25.680 --> 2:16:29.680
<v Speaker 1>you won't fault people for not being of the culture

2:16:30.000 --> 2:16:32.720
<v Speaker 1>or understanding like being real health hop and none of

2:16:32.800 --> 2:16:35.600
<v Speaker 1>that ship it was. We earned it and we gave

2:16:35.680 --> 2:16:38.120
<v Speaker 1>it to them, and some of them don't do what

2:16:39.240 --> 2:16:41.400
<v Speaker 1>we thought they would do with it. But to judge

2:16:41.400 --> 2:16:43.720
<v Speaker 1>them is to judge our children, because we all got

2:16:43.840 --> 2:16:46.360
<v Speaker 1>kids and they don't all do what we thought they

2:16:46.400 --> 2:16:48.880
<v Speaker 1>were supposed to do. So and we're the children that

2:16:49.160 --> 2:16:51.520
<v Speaker 1>they're the children of hip hop. They're not the children

2:16:51.560 --> 2:16:53.960
<v Speaker 1>of us, but we are. We are also children in

2:16:54.080 --> 2:16:57.200
<v Speaker 1>hip hop. So we have to remember what we did

2:16:57.760 --> 2:16:59.840
<v Speaker 1>when Cool, when Cool HERC and all of them gave

2:16:59.879 --> 2:17:03.400
<v Speaker 1>it to us. We didn't really do what all of

2:17:03.440 --> 2:17:05.440
<v Speaker 1>them expected us to do with it, you know what

2:17:05.480 --> 2:17:08.200
<v Speaker 1>I'm saying. But it's still hip hop still exists, So

2:17:08.320 --> 2:17:10.480
<v Speaker 1>we can't be mad because some of them are still

2:17:10.879 --> 2:17:13.000
<v Speaker 1>keeping hip hop alive. It may not be what we

2:17:13.120 --> 2:17:16.080
<v Speaker 1>wanted them to do with it. But if you're a parent,

2:17:16.280 --> 2:17:20.000
<v Speaker 1>you're just happy your kids alive, right, You're not even

2:17:20.560 --> 2:17:23.760
<v Speaker 1>You're not even if your kids you just if you

2:17:23.840 --> 2:17:26.000
<v Speaker 1>wake up in the morning, your kids alive. We got

2:17:26.120 --> 2:17:30.120
<v Speaker 1>a chance and that's how I feel wake up the

2:17:30.240 --> 2:17:33.320
<v Speaker 1>whole We Got a Chance album. But he said, it's

2:17:33.360 --> 2:17:39.199
<v Speaker 1>that old niggas stop acting like you knew because Tupac

2:17:39.280 --> 2:17:42.880
<v Speaker 1>had a nose ring too, because losy Verd who I

2:17:42.959 --> 2:17:46.240
<v Speaker 1>feel like he's speaking specifically because he has a nose

2:17:46.360 --> 2:17:49.120
<v Speaker 1>ring and he clothes And it's very easy for us

2:17:49.560 --> 2:17:52.959
<v Speaker 1>to judge young niggas based on what young niggas do right,

2:17:53.040 --> 2:17:54.959
<v Speaker 1>and it's and it's easy for us to judge old

2:17:55.040 --> 2:17:57.760
<v Speaker 1>people right because we look at the dynamic of how

2:17:57.879 --> 2:17:59.840
<v Speaker 1>we got it right. So we look at the people

2:18:00.120 --> 2:18:02.280
<v Speaker 1>for us, who got hip hop from disco, and we're

2:18:02.280 --> 2:18:04.360
<v Speaker 1>looking at people aftercls. We got hip hop from pop

2:18:04.440 --> 2:18:08.240
<v Speaker 1>records and it being a part of the mainstream, and

2:18:08.520 --> 2:18:10.760
<v Speaker 1>we you know, for us, if people don't go through

2:18:10.800 --> 2:18:13.680
<v Speaker 1>the struggle to get to where we got, then we

2:18:13.800 --> 2:18:18.240
<v Speaker 1>feel different. But You don't live your life for your

2:18:18.320 --> 2:18:20.600
<v Speaker 1>children to have a struggle. You live your life for

2:18:20.680 --> 2:18:24.240
<v Speaker 1>your children have it easier. And now we're sitting here

2:18:24.440 --> 2:18:27.119
<v Speaker 1>judging our children because they had it easier than we had.

2:18:27.600 --> 2:18:29.800
<v Speaker 1>We shouldn't be doing that. We should be raising them.

2:18:30.440 --> 2:18:33.320
<v Speaker 1>We're just not our job to judge them. So you

2:18:33.480 --> 2:18:36.400
<v Speaker 1>have to love them and raise him. And you know

2:18:36.440 --> 2:18:39.320
<v Speaker 1>what I'm saying, because when your children do, you don't

2:18:39.320 --> 2:18:43.280
<v Speaker 1>cut your children off. Okay, how fucked up your children get.

2:18:43.280 --> 2:18:45.440
<v Speaker 1>You don't cut your children off. You bring them back

2:18:45.480 --> 2:18:47.440
<v Speaker 1>in and you try again. You bring them back to

2:18:47.520 --> 2:18:50.240
<v Speaker 1>the principles and made you who you were. And you

2:18:50.360 --> 2:18:52.600
<v Speaker 1>just keep praying that one day they'll wake up like

2:18:52.760 --> 2:19:02.320
<v Speaker 1>you woke up. Because they're eighteen and we like your

2:19:02.440 --> 2:19:12.600
<v Speaker 1>but drink Champs, drink cha down, drink Champs. Yeah, but

2:19:12.920 --> 2:19:15.440
<v Speaker 1>I can't think you're enough. And then you know the

2:19:15.520 --> 2:19:19.680
<v Speaker 1>crazy thing is I never ever, ever, like kind of

2:19:19.840 --> 2:19:24.960
<v Speaker 1>claimed that I met no And that's what's that's what's crazy.

2:19:25.040 --> 2:19:27.560
<v Speaker 1>And like I said, hip hop artists that really funk

2:19:27.600 --> 2:19:31.880
<v Speaker 1>with each other don't do music right. Like some some

2:19:32.120 --> 2:19:34.800
<v Speaker 1>of this very exponsive, But the people in hip out

2:19:34.840 --> 2:19:38.320
<v Speaker 1>that really bond bond over real life ship. We meet

2:19:38.400 --> 2:19:41.840
<v Speaker 1>people in real life scenarios. We realize, Joe, if I

2:19:41.920 --> 2:19:44.320
<v Speaker 1>need to talk to somebody, I'm gonna call that dude.

2:19:44.760 --> 2:19:46.920
<v Speaker 1>The rest of these niggas is just on TV and

2:19:47.080 --> 2:19:50.320
<v Speaker 1>just a different type of nigga. But when she get real, Like,

2:19:50.400 --> 2:19:52.080
<v Speaker 1>if me and my girl ever get into it, I'm

2:19:52.080 --> 2:19:54.840
<v Speaker 1>gonna call that nick. Right, if me and my partner

2:19:55.000 --> 2:19:57.520
<v Speaker 1>ever get into it, I'm gonna call that Nick. And

2:19:57.600 --> 2:20:00.680
<v Speaker 1>you're blessed if you can find these people in the culture.

2:20:00.920 --> 2:20:03.120
<v Speaker 1>You know what I'm saying, because the numbers is way

2:20:03.200 --> 2:20:06.080
<v Speaker 1>different from when we started. It was like dirty niggas

2:20:08.280 --> 2:20:10.800
<v Speaker 1>and hip hop, and it's like I meet thirty niggas

2:20:10.959 --> 2:20:13.440
<v Speaker 1>while I'm in New York before I get back to

2:20:13.520 --> 2:20:16.480
<v Speaker 1>the airport that want to wrap. But it's a beautiful

2:20:16.520 --> 2:20:19.039
<v Speaker 1>thing when when people who are in the same struggle

2:20:19.080 --> 2:20:22.000
<v Speaker 1>find each other, and when we do, we don't exploit it,

2:20:23.040 --> 2:20:25.640
<v Speaker 1>you know, because you're probably mad about your deal. I'm

2:20:25.640 --> 2:20:27.600
<v Speaker 1>mad about my deal, and we don't want to let

2:20:27.680 --> 2:20:30.879
<v Speaker 1>these know. We gotta little Like the only time I've

2:20:30.920 --> 2:20:33.320
<v Speaker 1>ever actually done a song where everybody on the song

2:20:33.480 --> 2:20:36.680
<v Speaker 1>was like really friends was um, we did a song

2:20:36.840 --> 2:20:40.080
<v Speaker 1>for um, what is it to be in medicine in

2:20:40.280 --> 2:20:43.960
<v Speaker 1>South central whatever, And it's it's you g K PIMC.

2:20:44.280 --> 2:20:47.760
<v Speaker 1>It's you G k um Lord Jama and Keith Murray

2:20:47.920 --> 2:20:50.640
<v Speaker 1>and those are like some of the closest friends that

2:20:50.760 --> 2:20:53.880
<v Speaker 1>I've ever had in hip hop nor including and that's

2:20:53.920 --> 2:20:57.600
<v Speaker 1>like the only song Niggas ever did. But those are

2:20:57.640 --> 2:21:01.400
<v Speaker 1>people that like when I see them, I hugged them, like, Yo, nigger, Yo,

2:21:01.480 --> 2:21:04.320
<v Speaker 1>you remember when you remember you beat We smashed on

2:21:04.400 --> 2:21:06.160
<v Speaker 1>dude in front of the club and body have the party.

2:21:06.640 --> 2:21:09.600
<v Speaker 1>I remember, like Yo took Washington and they haven't bought

2:21:09.640 --> 2:21:11.280
<v Speaker 1>weed and told me he was the diggie's hood and

2:21:11.959 --> 2:21:14.760
<v Speaker 1>like that, Like it's very very genuine moments when they

2:21:14.959 --> 2:21:18.080
<v Speaker 1>have a very genuine moment with you that you tell

2:21:18.200 --> 2:21:20.360
<v Speaker 1>your people about. I tell my people about now we

2:21:20.440 --> 2:21:22.520
<v Speaker 1>tell the world about. And that's the thing before we

2:21:22.600 --> 2:21:27.119
<v Speaker 1>get about it. Yeah, I don't know how much love

2:21:27.400 --> 2:21:30.480
<v Speaker 1>you really realize that New York love you do you

2:21:30.640 --> 2:21:35.760
<v Speaker 1>realize that I knew that when I came in into Amsterdam, Okay,

2:21:36.080 --> 2:21:42.560
<v Speaker 1>and no, no, I knew that when I came in

2:21:42.640 --> 2:21:45.760
<v Speaker 1>the left rot right, I didn't have to be anything

2:21:45.840 --> 2:21:48.280
<v Speaker 1>other than who I was. I was just a regular

2:21:48.360 --> 2:21:50.920
<v Speaker 1>nigger from the hood, and niggas received it and I

2:21:51.000 --> 2:21:53.800
<v Speaker 1>saw it happened. I didn't even I didn't know. No

2:21:53.959 --> 2:21:58.320
<v Speaker 1>nobody gave me. I didn't. I didn't under Yo. He

2:21:58.440 --> 2:22:03.520
<v Speaker 1>just slapped dude. Okay, but it was a reason why,

2:22:04.440 --> 2:22:07.000
<v Speaker 1>my Yo, those dudes. You've been sitting there talking too

2:22:07.080 --> 2:22:09.960
<v Speaker 1>far with him and him and they go fight. Okay,

2:22:10.560 --> 2:22:13.320
<v Speaker 1>now that I know why they need to fight. That

2:22:13.480 --> 2:22:15.360
<v Speaker 1>was That was fine. I'm not gonna go into it.

2:22:15.680 --> 2:22:19.920
<v Speaker 1>But everything that happened happened under the same scenarios where

2:22:19.920 --> 2:22:22.160
<v Speaker 1>it would have happened where I grew up. And that

2:22:22.360 --> 2:22:25.800
<v Speaker 1>for me was so eye opening, like yo, and for

2:22:25.879 --> 2:22:28.440
<v Speaker 1>me it confirmed everything like that. Only is the world

2:22:28.480 --> 2:22:31.600
<v Speaker 1>to get that nigg is from together, you know. And

2:22:31.720 --> 2:22:33.760
<v Speaker 1>I talked about the ghetto, the hood, and the trap.

2:22:33.840 --> 2:22:36.480
<v Speaker 1>Those are three different places. They can all exist on

2:22:36.560 --> 2:22:38.600
<v Speaker 1>one corner. But the ghetto, the hood and the trap

2:22:38.680 --> 2:22:40.800
<v Speaker 1>with three different things and different people come for different things.

2:22:41.000 --> 2:22:46.160
<v Speaker 1>But here's the thing, but is people, you have the

2:22:46.560 --> 2:22:53.000
<v Speaker 1>worldwide ghetto past everywhere you the same way I'm talking

2:22:53.080 --> 2:22:55.760
<v Speaker 1>to you. You can go to Atlanta and do this.

2:22:56.640 --> 2:23:03.280
<v Speaker 1>You can go to Pittsburgh and do this, and I'm

2:23:03.320 --> 2:23:05.440
<v Speaker 1>gonna say this, and we're gonna shut it down with this,

2:23:05.760 --> 2:23:07.840
<v Speaker 1>shut it down. My wife makes sure that I won't

2:23:07.879 --> 2:23:16.960
<v Speaker 1>just use it for chicken wings we got just because

2:23:17.000 --> 2:23:18.920
<v Speaker 1>you're going to the hood. It's always a good chicken wings.

2:23:18.959 --> 2:23:20.280
<v Speaker 1>And if you got a hood pass, you can go

2:23:20.440 --> 2:23:23.280
<v Speaker 1>to the real hood spot. But if you got if

2:23:23.280 --> 2:23:24.960
<v Speaker 1>you got another of a hood pass to going to

2:23:25.080 --> 2:23:27.400
<v Speaker 1>any hood and get chicken wings, you should be doing

2:23:27.480 --> 2:23:31.400
<v Speaker 1>other ship, yo. But that's just that you're focusing on

2:23:31.560 --> 2:23:36.960
<v Speaker 1>me where we're all cameras you I'm focusing Listen. I

2:23:37.080 --> 2:23:39.920
<v Speaker 1>couldn't now. Thank you so much for coming out, hanging

2:23:39.920 --> 2:23:42.200
<v Speaker 1>out with drink Champs and doing what we gotta do

2:23:42.280 --> 2:23:47.160
<v Speaker 1>what we gotta do. Do this open. I'm drinking you

2:23:48.720 --> 2:23:53.039
<v Speaker 1>every type of liquor your butt. Thank you for coming

2:23:53.120 --> 2:23:58.240
<v Speaker 1>hanging out with us, and that and that and that

2:23:59.000 --> 2:24:06.800
<v Speaker 1>thing so extended play August twenty night, Monday. Let's talk

2:24:06.840 --> 2:24:10.480
<v Speaker 1>about that before we get up out of here. I've

2:24:10.480 --> 2:24:12.160
<v Speaker 1>been trying to do an album, end up doing that

2:24:12.240 --> 2:24:14.800
<v Speaker 1>for the two songs white People like look still do

2:24:14.879 --> 2:24:19.560
<v Speaker 1>an album White People the movie you said White People,

2:24:19.720 --> 2:24:23.240
<v Speaker 1>No White People owe me money, white white white people

2:24:24.080 --> 2:24:27.360
<v Speaker 1>always wife does your money? Why you said, Look, I

2:24:27.480 --> 2:24:30.000
<v Speaker 1>know you want to do your album. You might not

2:24:30.120 --> 2:24:32.280
<v Speaker 1>get it out before the years over. Put some music out.

2:24:33.280 --> 2:24:35.280
<v Speaker 1>You can still let people know where you're coming from.

2:24:36.000 --> 2:24:37.560
<v Speaker 1>You still can do your album like you want to.

2:24:38.120 --> 2:24:42.600
<v Speaker 1>You still get them checks. I'm like, I'm like, we

2:24:42.680 --> 2:24:44.600
<v Speaker 1>got forty two songs. We ain't putting a twelve on

2:24:44.640 --> 2:24:47.200
<v Speaker 1>the album anyway. Shout out to the solo album. Ain't

2:24:47.200 --> 2:24:49.320
<v Speaker 1>tell you not about that, but that's coming two later.

2:24:49.879 --> 2:24:52.080
<v Speaker 1>But she was like, just put something on, like she said,

2:24:52.080 --> 2:24:55.040
<v Speaker 1>because everybody's out there doing things and they're trying to

2:24:55.120 --> 2:24:57.280
<v Speaker 1>do things. She's like, Yo, you got this music, you've

2:24:57.280 --> 2:25:00.200
<v Speaker 1>been sitting on it. Let the world no throw it

2:25:00.280 --> 2:25:02.520
<v Speaker 1>out there because we got a different worldview. I'm trying

2:25:02.560 --> 2:25:06.360
<v Speaker 1>to spend my whole life trying to save the game

2:25:06.440 --> 2:25:08.720
<v Speaker 1>in the streets or whatever. And I realized by saving myself,

2:25:08.800 --> 2:25:11.520
<v Speaker 1>that's how I saved my brother. You know what I'm saying,

2:25:12.080 --> 2:25:13.520
<v Speaker 1>Like I've been trying to save my brother, but I

2:25:13.600 --> 2:25:16.360
<v Speaker 1>can't save my brother until I saved myself. I found

2:25:16.400 --> 2:25:20.720
<v Speaker 1>myself in a just being real, just so I can't

2:25:20.760 --> 2:25:22.720
<v Speaker 1>do nothing for other people. And I do for myself.

2:25:23.440 --> 2:25:25.720
<v Speaker 1>And so my wife is like, look, this is what

2:25:25.840 --> 2:25:27.880
<v Speaker 1>you want to do, then we're gonna stick to it.

2:25:28.120 --> 2:25:30.920
<v Speaker 1>It's like going the studio. I did forty songs and

2:25:31.280 --> 2:25:33.920
<v Speaker 1>forty two and she was like, this is what this

2:25:34.120 --> 2:25:37.200
<v Speaker 1>is exactly what you wanted to do, So keep that. Now,

2:25:37.280 --> 2:25:39.160
<v Speaker 1>what do we do with what's what else we got?

2:25:39.800 --> 2:25:41.520
<v Speaker 1>And I was like, well, we'll put that out later.

2:25:41.560 --> 2:25:43.680
<v Speaker 1>She's like, na fu later. People need to hear what

2:25:43.720 --> 2:25:46.640
<v Speaker 1>you're talking about now because we're trying to do the

2:25:46.800 --> 2:25:50.600
<v Speaker 1>right thing. Wife is my sister. I don't know, and

2:25:50.720 --> 2:25:52.880
<v Speaker 1>just being really closer together. You know. I didn't say

2:25:52.920 --> 2:25:54.640
<v Speaker 1>when you're drunk, you don't lie. I'm just being honest.

2:25:54.800 --> 2:25:56.480
<v Speaker 1>And she was like, look, she was like, look we

2:25:56.560 --> 2:25:59.000
<v Speaker 1>can do this. We can because my whole thing is

2:25:59.080 --> 2:26:01.200
<v Speaker 1>like I want to bite the allet. I mean, people

2:26:01.280 --> 2:26:03.040
<v Speaker 1>call me to O G. I never called myself o G.

2:26:03.240 --> 2:26:06.160
<v Speaker 1>Niggas called me o G. There's a connotation that comes

2:26:06.240 --> 2:26:09.040
<v Speaker 1>with that when you accept being called as an o G,

2:26:09.360 --> 2:26:11.240
<v Speaker 1>that at some point you gotta bite the bullet for

2:26:11.320 --> 2:26:14.920
<v Speaker 1>the next generation. So my album was the Biting was

2:26:15.120 --> 2:26:17.360
<v Speaker 1>a concept of biting the bullet for the next generation.

2:26:17.360 --> 2:26:20.320
<v Speaker 1>She's like, look, you have that, but you still need

2:26:20.360 --> 2:26:24.080
<v Speaker 1>to let people know. Look the leadership coming, you know

2:26:24.080 --> 2:26:27.000
<v Speaker 1>what I'm saying before that, like like let people know

2:26:27.080 --> 2:26:29.480
<v Speaker 1>you're a leader and then be a humble leader. So

2:26:29.560 --> 2:26:31.720
<v Speaker 1>I'm like, all right, so cool, so we'll come out,

2:26:32.040 --> 2:26:34.400
<v Speaker 1>letting me go the South still here, just like Hove

2:26:34.520 --> 2:26:38.120
<v Speaker 1>just came out. And my thing was, this is so funny.

2:26:38.440 --> 2:26:41.000
<v Speaker 1>I thought Hope was coming in December, so I was like,

2:26:41.360 --> 2:26:46.200
<v Speaker 1>I need to get out before Hope whole drop. Like yo,

2:26:46.440 --> 2:26:52.640
<v Speaker 1>so now we're good. We're good. So it was like

2:26:52.879 --> 2:26:56.680
<v Speaker 1>and and and I love where Hove came from. Um,

2:26:57.240 --> 2:27:00.640
<v Speaker 1>a person like jay doesn't have to be vulnerable, but

2:27:00.800 --> 2:27:04.080
<v Speaker 1>that that that's so. That's so it's honorable for you

2:27:04.240 --> 2:27:08.480
<v Speaker 1>to say that because you have one of the most

2:27:08.600 --> 2:27:11.720
<v Speaker 1>honorable records that jay Z has ever made. Is like,

2:27:12.200 --> 2:27:16.040
<v Speaker 1>jay Z doesn't ever have to be anything but jay Z. Right,

2:27:16.840 --> 2:27:19.280
<v Speaker 1>this is I think the closest we've seen is Sean

2:27:20.760 --> 2:27:25.880
<v Speaker 1>right on Music talk about it. Well, I mean, I'm bumby.

2:27:26.040 --> 2:27:28.840
<v Speaker 1>My wife doesn't call me bumby. Myife doesn't even call me.

2:27:29.680 --> 2:27:32.119
<v Speaker 1>My mom does, didn't call me bunt me, Your wife

2:27:32.160 --> 2:27:36.240
<v Speaker 1>don't even Yeah, I'm not even my wife's favorite rapper.

2:27:36.480 --> 2:27:39.160
<v Speaker 1>So the dynamic is good wife and I have to

2:27:39.240 --> 2:27:43.560
<v Speaker 1>assume that there's a there's a similar maybe your wife favor.

2:27:44.240 --> 2:27:46.640
<v Speaker 1>I know my wife's Savy rapp. Who is j Z.

2:27:48.040 --> 2:27:52.680
<v Speaker 1>We gotta sucking up, you know, because I'm not gonna

2:27:52.760 --> 2:27:59.480
<v Speaker 1>my masculinity. My mascul my masculinity is not built on

2:27:59.640 --> 2:28:02.600
<v Speaker 1>my wife fantasy. If you don't go on my wife's reality,

2:28:02.640 --> 2:28:04.200
<v Speaker 1>you know who that is. You know what I'm saying

2:28:04.280 --> 2:28:06.720
<v Speaker 1>that is. I don't worry about black, but you know

2:28:06.800 --> 2:28:09.240
<v Speaker 1>what that is. That's a real man. I'm just saying,

2:28:09.280 --> 2:28:13.480
<v Speaker 1>real man can less. I don't care less. But that's now.

2:28:14.480 --> 2:28:16.120
<v Speaker 1>That's now. When she first told me that, I felt

2:28:16.120 --> 2:28:17.800
<v Speaker 1>a certain way, you know, and my wife did a

2:28:17.920 --> 2:28:20.720
<v Speaker 1>very good job made me feel secure about the fact

2:28:20.800 --> 2:28:23.240
<v Speaker 1>that what I was doing the radio or what I

2:28:23.360 --> 2:28:25.760
<v Speaker 1>love it. But it's a different thing. You know. If

2:28:25.879 --> 2:28:30.200
<v Speaker 1>and he um his girl was in Throng song that

2:28:30.280 --> 2:28:33.160
<v Speaker 1>was in Big Pimpinson and he was in she was

2:28:33.400 --> 2:28:39.320
<v Speaker 1>not he she was girl girl. She was to bring

2:28:39.400 --> 2:28:42.600
<v Speaker 1>this up. She was in a budget videos. She was

2:28:42.720 --> 2:28:47.320
<v Speaker 1>one girl at the time and she no not no,

2:28:49.480 --> 2:28:51.360
<v Speaker 1>you know what, let me can I say something about this.

2:28:52.160 --> 2:28:55.200
<v Speaker 1>If you're very concerned about the person that you want

2:28:55.200 --> 2:28:58.080
<v Speaker 1>to be with, pass you can throw away the future

2:28:59.440 --> 2:29:03.560
<v Speaker 1>this na. Can we just say that because I can

2:29:03.640 --> 2:29:06.240
<v Speaker 1>guarantee you if you're a man worried about how many

2:29:06.920 --> 2:29:10.800
<v Speaker 1>dudes your girl fuck you probably three four times before

2:29:10.879 --> 2:29:14.000
<v Speaker 1>y'all came together, is that especially if you got money?

2:29:14.840 --> 2:29:17.560
<v Speaker 1>But and that can I can I go? There? Could

2:29:17.560 --> 2:29:21.120
<v Speaker 1>I just go? My pastor told me that there's no

2:29:21.400 --> 2:29:24.480
<v Speaker 1>man built in this world that can handle what a

2:29:24.560 --> 2:29:28.160
<v Speaker 1>woman can handle. A woman can handle her man dealing

2:29:28.200 --> 2:29:31.560
<v Speaker 1>with more than one man. But if a man finds

2:29:31.600 --> 2:29:34.520
<v Speaker 1>out his woman step with more than one dude, that's

2:29:34.560 --> 2:29:37.760
<v Speaker 1>how women get killed. Like that's murder, suicide all day.

2:29:38.400 --> 2:29:41.680
<v Speaker 1>God built women to handle things that man could never handle,

2:29:43.760 --> 2:29:48.240
<v Speaker 1>you know what I'm saying. And we're built to handle

2:29:48.360 --> 2:29:51.640
<v Speaker 1>things physically like hit. I'm gonna tell you some real

2:29:51.720 --> 2:29:55.360
<v Speaker 1>ship God built man to handle. I'm gonna keep it real.

2:29:55.600 --> 2:29:58.920
<v Speaker 1>God built man to handle ship on his shoulder. God

2:29:59.000 --> 2:30:02.840
<v Speaker 1>build one and handle things in their heart right, so

2:30:03.240 --> 2:30:07.320
<v Speaker 1>we can handle the weight of the physical weight of

2:30:07.360 --> 2:30:11.520
<v Speaker 1>the world, but not the emotional. And you got a

2:30:11.600 --> 2:30:14.920
<v Speaker 1>good woman is a good woman that can hold you

2:30:15.680 --> 2:30:19.520
<v Speaker 1>woman that can hold you down when the emotional weight

2:30:19.640 --> 2:30:28.080
<v Speaker 1>of the world down. My wife and my room, going

2:30:28.160 --> 2:30:34.080
<v Speaker 1>the room with your wife, and I'm very love and

2:30:34.480 --> 2:30:39.879
<v Speaker 1>take and we will close it out with this. Nor

2:30:39.959 --> 2:30:42.640
<v Speaker 1>You're not very lucky that as we go into these

2:30:42.720 --> 2:30:48.480
<v Speaker 1>latest stags with our wife, um, as we transition from

2:30:48.560 --> 2:30:51.440
<v Speaker 1>music to the next level, that we have the same

2:30:51.520 --> 2:30:56.840
<v Speaker 1>support system because who it was very easy to be

2:30:57.080 --> 2:31:01.200
<v Speaker 1>uplifted as an m C. Outside of that, it's very rough.

2:31:02.040 --> 2:31:04.680
<v Speaker 1>There's a lot of anxiety, there's a lot of depression.

2:31:05.240 --> 2:31:07.360
<v Speaker 1>There's a lot of stress. And if you don't have

2:31:07.440 --> 2:31:09.720
<v Speaker 1>a woman, you gotta go to drugs. You gotta go

2:31:09.800 --> 2:31:12.160
<v Speaker 1>to alcohol, you gotta go to pills, you gotta go

2:31:12.280 --> 2:31:15.240
<v Speaker 1>to sex, you gotta go to everything except that. And

2:31:16.200 --> 2:31:18.280
<v Speaker 1>in my weakest moments where I felt like I need

2:31:18.360 --> 2:31:20.720
<v Speaker 1>to smoke more weeks, I need to drink more liquor.

2:31:21.360 --> 2:31:23.720
<v Speaker 1>God bless my wife, Like you know, you need more God,

2:31:23.920 --> 2:31:27.400
<v Speaker 1>you need more family, you need more you. You know

2:31:27.440 --> 2:31:30.560
<v Speaker 1>what I'm saying, You need more you and so and

2:31:30.720 --> 2:31:33.080
<v Speaker 1>that's what this new music is about. And even me

2:31:33.200 --> 2:31:35.840
<v Speaker 1>being here and being in position to do this podcast

2:31:36.480 --> 2:31:40.800
<v Speaker 1>was about being honest about I have anxiety as an artist.

2:31:41.120 --> 2:31:44.360
<v Speaker 1>I get depressed about maybe I'm not in two thousand

2:31:44.400 --> 2:31:47.800
<v Speaker 1>and seventeen, who I was a seven or ninety seven

2:31:47.879 --> 2:31:49.920
<v Speaker 1>or whatever. But that doesn't mean I'm not a good man.

2:31:50.040 --> 2:31:54.880
<v Speaker 1>That doesn't mean I can't provide. Right, here's a reality

2:31:54.959 --> 2:31:56.720
<v Speaker 1>that a lot of artists have to deal with, and

2:31:56.760 --> 2:31:59.760
<v Speaker 1>I'm glad we get to talk about this East all

2:31:59.800 --> 2:32:02.120
<v Speaker 1>that come into the game. You have a record, you

2:32:02.200 --> 2:32:04.400
<v Speaker 1>get paid for that record, and you assume that your

2:32:04.440 --> 2:32:06.600
<v Speaker 1>life is based on that record. So what you're getting

2:32:06.600 --> 2:32:09.280
<v Speaker 1>paid for that record, you assume that's what you're gonna

2:32:09.280 --> 2:32:11.200
<v Speaker 1>get paid for the rest of your life. And even

2:32:11.280 --> 2:32:14.000
<v Speaker 1>if you find a rang a range of way, Okay,

2:32:14.440 --> 2:32:17.560
<v Speaker 1>this is what the show is like from here on out.

2:32:18.240 --> 2:32:20.600
<v Speaker 1>Maybe five thousand more or five thous and less, but

2:32:20.680 --> 2:32:22.920
<v Speaker 1>this is what the show is. So you said, Okay,

2:32:22.920 --> 2:32:25.880
<v Speaker 1>I can live my life around that, right. I got

2:32:25.959 --> 2:32:27.520
<v Speaker 1>a wife, I got two kids. I can live my

2:32:27.600 --> 2:32:29.560
<v Speaker 1>life based on what I'm getting paid. And you have

2:32:29.640 --> 2:32:33.480
<v Speaker 1>a third kid, and you have a fourth kid. Then

2:32:33.560 --> 2:32:38.160
<v Speaker 1>your kids graduate and you got a kid going to college,

2:32:38.560 --> 2:32:41.200
<v Speaker 1>you got a second kid. God, for a bit, you know,

2:32:41.400 --> 2:32:43.600
<v Speaker 1>you're ino a situation like I said, God for a bit,

2:32:43.680 --> 2:32:46.119
<v Speaker 1>but it's a beautiful thing because every child is a blessing.

2:32:46.480 --> 2:32:49.119
<v Speaker 1>Then when your kids have a kid, so you're still

2:32:49.160 --> 2:32:52.360
<v Speaker 1>getting paid in two thousand seventeen, which you got paid

2:32:52.360 --> 2:32:54.959
<v Speaker 1>for two thousand seven for a show when you only

2:32:55.040 --> 2:32:59.640
<v Speaker 1>had two responsibilities. But now you've got five responsibilities. You

2:32:59.720 --> 2:33:01.880
<v Speaker 1>still getting that show money, maybe even a little less.

2:33:02.240 --> 2:33:05.200
<v Speaker 1>So you're still getting what you normally got, but your

2:33:05.240 --> 2:33:09.040
<v Speaker 1>responsibilities increase. Your money don't increase, but your responsibilities increase.

2:33:09.840 --> 2:33:12.040
<v Speaker 1>And then but at the same time, you look at

2:33:12.040 --> 2:33:14.160
<v Speaker 1>your wife. You love your wife. You want your wife

2:33:14.240 --> 2:33:16.520
<v Speaker 1>to be comfortable. You look at your kids, want your

2:33:16.600 --> 2:33:19.760
<v Speaker 1>kids to be comfortable. God forbid, you've got grandkids because

2:33:19.800 --> 2:33:22.840
<v Speaker 1>they're all bets off. We're gonna do whatever we got

2:33:22.959 --> 2:33:28.360
<v Speaker 1>to do it for them. But right, but you don't

2:33:28.400 --> 2:33:31.480
<v Speaker 1>want them to work. So you take the worry that

2:33:31.560 --> 2:33:34.240
<v Speaker 1>you would normally your wife would have about finance. You

2:33:34.400 --> 2:33:37.800
<v Speaker 1>take that, the worry that your kids would have you

2:33:37.920 --> 2:33:40.640
<v Speaker 1>have grandkids, you take that. You're dealing with all of that,

2:33:41.600 --> 2:33:43.680
<v Speaker 1>and then you go around other dudes. I come around,

2:33:43.720 --> 2:33:45.960
<v Speaker 1>nord Nor how you doing. I'm good? Be what's up

2:33:45.959 --> 2:33:50.320
<v Speaker 1>with you? I'm good? That's a lot. I'm not good stress,

2:33:51.600 --> 2:33:54.640
<v Speaker 1>stress like a mother. Just be honest. It's just funked up,

2:33:55.640 --> 2:33:57.800
<v Speaker 1>just funked up. But I don't be that. I'm not

2:33:57.920 --> 2:34:00.920
<v Speaker 1>going up. I don't want to tell you that because

2:34:01.320 --> 2:34:06.280
<v Speaker 1>from my perspective, I think you're eating right, and I

2:34:06.360 --> 2:34:08.760
<v Speaker 1>don't want it to seem like you're eating and I'm not.

2:34:10.000 --> 2:34:15.000
<v Speaker 1>So you're You said you're good and I'm good, but

2:34:15.120 --> 2:34:17.840
<v Speaker 1>the reality is I'm not good. And if I talk

2:34:17.920 --> 2:34:22.959
<v Speaker 1>to him, regardless of what he's eating, he's not good. Right.

2:34:23.480 --> 2:34:25.520
<v Speaker 1>It's not about the money all the time. You can

2:34:25.600 --> 2:34:27.320
<v Speaker 1>make the money that you need to pay the bills,

2:34:27.720 --> 2:34:29.760
<v Speaker 1>but it doesn't help the stress that you deal with,

2:34:30.360 --> 2:34:35.440
<v Speaker 1>and that pursuit of those bills it doesn't alleviate. You

2:34:35.520 --> 2:34:38.840
<v Speaker 1>can make the bills for July, right, and then you

2:34:38.920 --> 2:34:42.640
<v Speaker 1>go to be everybody's happy, wife's happy, kids happy. Everybody

2:34:42.680 --> 2:34:44.840
<v Speaker 1>goes to sleep at ten o'clock. You up at two

2:34:44.879 --> 2:34:54.920
<v Speaker 1>in the morning. August September. You know what I'm saying. Birthdays, Christmas,

2:34:56.160 --> 2:34:59.360
<v Speaker 1>And that's what's wrong with us. We've put up these

2:35:00.360 --> 2:35:02.960
<v Speaker 1>images of who we are, we want us ups to be,

2:35:04.600 --> 2:35:06.240
<v Speaker 1>and we tell the people that we love that this

2:35:06.360 --> 2:35:08.480
<v Speaker 1>is who we're gonna be, and they can rely on

2:35:08.640 --> 2:35:11.960
<v Speaker 1>that person, and you can always count on that person.

2:35:13.080 --> 2:35:17.400
<v Speaker 1>And this person comes, right, you can count on this person.

2:35:17.760 --> 2:35:21.720
<v Speaker 1>It's five people, two other people come, mother in law,

2:35:22.120 --> 2:35:25.959
<v Speaker 1>father in law, cousin, just in law, ten people, twelve people,

2:35:26.040 --> 2:35:30.320
<v Speaker 1>fifteen people. You can count on this person. And nobody

2:35:30.440 --> 2:35:34.560
<v Speaker 1>understands that I'm not getting no extra shows. I'm getting

2:35:34.600 --> 2:35:38.880
<v Speaker 1>no extra money, but I'm still taking on this ship.

2:35:39.840 --> 2:35:43.080
<v Speaker 1>And you you don't end up telling anybody until Yo,

2:35:43.160 --> 2:35:45.680
<v Speaker 1>I thought I was supposed to get this, it's coming.

2:35:45.680 --> 2:35:47.720
<v Speaker 1>Don't worry about don't worry about that. You know you

2:35:47.840 --> 2:35:49.960
<v Speaker 1>got that. Don't worry about that. I got that. And

2:35:50.040 --> 2:35:51.880
<v Speaker 1>then this comes. Don't worry about that. I got that.

2:35:51.959 --> 2:35:55.040
<v Speaker 1>I got that and you and then I talked about

2:35:55.080 --> 2:35:58.160
<v Speaker 1>them on New music in this in this world, and

2:35:58.879 --> 2:36:01.360
<v Speaker 1>it's very easy to say in the entertainment industry, but

2:36:01.440 --> 2:36:04.280
<v Speaker 1>this is a real world. We all end up at

2:36:04.360 --> 2:36:08.480
<v Speaker 1>some point Robert Peter to paper and the only time

2:36:08.560 --> 2:36:14.200
<v Speaker 1>it becomes a problem is what Peter gets mad. You

2:36:14.240 --> 2:36:17.320
<v Speaker 1>know what I'm saying now here, Pop, Now, I'm gonna

2:36:17.360 --> 2:36:19.680
<v Speaker 1>keep it. I'm gonna keep it. One hunted and hip hop.

2:36:19.800 --> 2:36:21.920
<v Speaker 1>You can find a Peter with a bunch of money.

2:36:22.000 --> 2:36:25.600
<v Speaker 1>They just want to be alone for the rock, right,

2:36:26.560 --> 2:36:30.119
<v Speaker 1>So just keep it real. And Peter's got X amount

2:36:30.160 --> 2:36:34.000
<v Speaker 1>of money. So it's like you, if Peter funk with me,

2:36:34.120 --> 2:36:36.640
<v Speaker 1>were gonna get from February to November, we're good money.

2:36:37.520 --> 2:36:39.920
<v Speaker 1>We could Peter funk with us and then Peter SHEI

2:36:40.040 --> 2:36:44.520
<v Speaker 1>get bad, Oh should get bad the same m and

2:36:44.640 --> 2:36:46.560
<v Speaker 1>your family don't know that Peter is a part of it.

2:36:47.040 --> 2:36:50.200
<v Speaker 1>It's crazy and you gotta trying to figure out how

2:36:50.240 --> 2:36:52.880
<v Speaker 1>to make all this ship makes sense. This is not

2:36:53.160 --> 2:36:57.640
<v Speaker 1>my issue, and any rapper that's watching this at least

2:36:59.200 --> 2:37:06.000
<v Speaker 1>me to the fun. Peter and Paul real talk. My bottom,

2:37:06.080 --> 2:37:07.960
<v Speaker 1>My class is empty. It's not about looking. This is

2:37:07.959 --> 2:37:13.440
<v Speaker 1>about real life. We gotta stop going to Peter to

2:37:13.600 --> 2:37:20.960
<v Speaker 1>pay Paul. The record industry is built around you because

2:37:21.000 --> 2:37:24.720
<v Speaker 1>they're Peter. That's who. That's who. Peter is, the record

2:37:24.800 --> 2:37:30.000
<v Speaker 1>is that's the industry. That's the advance. Peter is the advance.

2:37:31.360 --> 2:37:35.000
<v Speaker 1>Paul's the family. So you gotta go and get another

2:37:35.040 --> 2:37:39.240
<v Speaker 1>advance into another album. I eat rob Peter to pay Paul.

2:37:40.200 --> 2:37:44.120
<v Speaker 1>But the reality is Peter is mad because you're not

2:37:44.240 --> 2:37:47.920
<v Speaker 1>robbing Peter. Peter is just front you. That's where she

2:37:48.120 --> 2:37:53.320
<v Speaker 1>gets bad. And then families fall apart because they thought

2:37:53.400 --> 2:38:03.520
<v Speaker 1>you were Peter. You just being real, and that's where

2:38:03.560 --> 2:38:09.680
<v Speaker 1>families fall apart. Keep going. And if you I used

2:38:09.680 --> 2:38:11.360
<v Speaker 1>to say if your luck, I almost said it your luck,

2:38:11.440 --> 2:38:17.600
<v Speaker 1>if you're blessed, you realize that God is Peter, and

2:38:17.720 --> 2:38:21.879
<v Speaker 1>you've been leaning on him too long, for too long,

2:38:22.240 --> 2:38:26.960
<v Speaker 1>and Paul is man, and you've been robbing God, taking

2:38:27.040 --> 2:38:30.200
<v Speaker 1>every all the blessings and opportunities from God to make

2:38:30.360 --> 2:38:36.840
<v Speaker 1>man happy. And then God gets mad at you because

2:38:36.840 --> 2:38:41.160
<v Speaker 1>you've never given him anything because you know what the

2:38:41.200 --> 2:38:43.160
<v Speaker 1>reality is. You don't get mad at Paul. You get

2:38:43.240 --> 2:38:46.320
<v Speaker 1>mad at Peter because the reality is Peter's and beholding

2:38:46.360 --> 2:38:51.800
<v Speaker 1>you down. Paul is You've been front from Paul is

2:38:51.840 --> 2:38:56.360
<v Speaker 1>the fan base, Paul is social media, that's who Paul is.

2:38:57.320 --> 2:39:01.040
<v Speaker 1>And he's shouting too, and Paul don't care. Paul yo

2:39:01.240 --> 2:39:03.600
<v Speaker 1>the illusion I heard and this is literally from four

2:39:03.640 --> 2:39:05.320
<v Speaker 1>weeks ago with the Bible studdy, and it was like

2:39:06.760 --> 2:39:09.959
<v Speaker 1>most of us are going broke to prove to people

2:39:10.040 --> 2:39:13.120
<v Speaker 1>we don't even like that we got money. That's not

2:39:13.240 --> 2:39:16.400
<v Speaker 1>even my word word to John Gray, that's not even

2:39:16.520 --> 2:39:20.200
<v Speaker 1>my word. And I didn't even really and I'm not

2:39:20.360 --> 2:39:24.480
<v Speaker 1>living like that now, right, But I'm like, yo, I

2:39:24.640 --> 2:39:28.920
<v Speaker 1>did that at some point. So when you realize this ship,

2:39:29.760 --> 2:39:32.240
<v Speaker 1>are you gonna keep lying to yourself on lying to

2:39:32.360 --> 2:39:35.720
<v Speaker 1>the people because that's how we keep the shows up.

2:39:35.800 --> 2:39:38.760
<v Speaker 1>I'm just I'm gonna with that right now. That's how

2:39:38.800 --> 2:39:41.320
<v Speaker 1>we keep the shows up and the money and all

2:39:41.360 --> 2:39:44.240
<v Speaker 1>of that is because people want to lie about where

2:39:44.280 --> 2:39:49.200
<v Speaker 1>they are, and we co sign that lot. People want

2:39:49.240 --> 2:39:51.520
<v Speaker 1>to be like, yo, it's all right, We're good, and

2:39:51.680 --> 2:39:55.160
<v Speaker 1>we'd be like, yeah, that's all good. But the sooner

2:39:55.280 --> 2:39:57.680
<v Speaker 1>we admit the truth about where we're at, the sooner

2:39:57.760 --> 2:40:02.280
<v Speaker 1>they can. Because I went to hip hop watching Chuck

2:40:02.360 --> 2:40:04.800
<v Speaker 1>d and X claiming trying to be real about where

2:40:04.800 --> 2:40:08.360
<v Speaker 1>I was as a black man, and they weren't getting

2:40:08.400 --> 2:40:10.760
<v Speaker 1>paid for it like I get paid for it. And

2:40:10.840 --> 2:40:14.160
<v Speaker 1>it's very easy for these the industry. I'm sorry, Rock,

2:40:14.280 --> 2:40:16.959
<v Speaker 1>this doesn't go against what you guys are trying to promote,

2:40:17.360 --> 2:40:22.760
<v Speaker 1>but it's very easy to go against that too. Maintain

2:40:22.840 --> 2:40:27.360
<v Speaker 1>a lifestyle that you pray for, right because when you

2:40:27.440 --> 2:40:29.840
<v Speaker 1>think about your family and your children, you don't think

2:40:29.879 --> 2:40:34.320
<v Speaker 1>about God. I'm just being real when we think about

2:40:34.480 --> 2:40:37.720
<v Speaker 1>what you didn't have. We had God when were coming up,

2:40:38.120 --> 2:40:41.080
<v Speaker 1>but we didn't have money, we didn't have opportunity, we

2:40:41.200 --> 2:40:44.600
<v Speaker 1>didn't have privilege. So when we that's what we wanted

2:40:44.640 --> 2:40:48.800
<v Speaker 1>for our kids. And then when you get old, at

2:40:48.800 --> 2:40:50.480
<v Speaker 1>the point where I got grandkids, and I can look

2:40:50.520 --> 2:40:53.040
<v Speaker 1>at my kids, it's growing people and that's what they

2:40:53.520 --> 2:40:56.039
<v Speaker 1>I can see that that's what they wanted and needed.

2:40:57.200 --> 2:41:00.520
<v Speaker 1>Was everything that made us who we were, but we

2:41:00.879 --> 2:41:04.160
<v Speaker 1>didn't make them what they were. Based on that, we

2:41:04.320 --> 2:41:08.200
<v Speaker 1>thought about everything we didn't get or like I didn't

2:41:08.240 --> 2:41:13.279
<v Speaker 1>get a tar reason coll Echo's, so when Xboxing and Playtation,

2:41:13.360 --> 2:41:15.720
<v Speaker 1>I wanted to give them that. I was like to

2:41:15.840 --> 2:41:18.800
<v Speaker 1>babysit and do other ship for Jordan's. So I wanted

2:41:18.840 --> 2:41:24.119
<v Speaker 1>my kids to have Jordan's. But I was also raised

2:41:24.800 --> 2:41:28.440
<v Speaker 1>to appreciate and respect and acknowledge God, and I didn't

2:41:29.080 --> 2:41:32.120
<v Speaker 1>do that every moment. I'm not saying I didn't acknowledge

2:41:32.160 --> 2:41:34.560
<v Speaker 1>God in my life, but there was some ship that

2:41:34.640 --> 2:41:37.000
<v Speaker 1>I didn't do when I should have done. And you know,

2:41:37.040 --> 2:41:39.520
<v Speaker 1>I don't know if it's again, Rob, I don't know

2:41:39.560 --> 2:41:46.200
<v Speaker 1>if this is against but but just to say, you

2:41:46.280 --> 2:41:50.480
<v Speaker 1>know I saw God in you. You saw God and me,

2:41:50.760 --> 2:41:54.879
<v Speaker 1>we didn't know it was God right and we're there

2:41:54.959 --> 2:41:58.880
<v Speaker 1>now and taking God out of everything. I didn't know

2:41:58.920 --> 2:42:01.840
<v Speaker 1>who I was when I started it. I had more

2:42:01.920 --> 2:42:05.400
<v Speaker 1>faith in who you guys were, looking at Copon Noriega,

2:42:05.440 --> 2:42:07.040
<v Speaker 1>looking at my deep, looking at E. P. M D.

2:42:07.680 --> 2:42:11.920
<v Speaker 1>Wanted to be emulative of that, and then realizing that

2:42:12.120 --> 2:42:15.640
<v Speaker 1>I was already that when I met him, like this,

2:42:15.760 --> 2:42:18.240
<v Speaker 1>nigg is me. I don't need to do like this.

2:42:18.400 --> 2:42:23.480
<v Speaker 1>Nig is me. Killed that I was in Atlanta, people

2:42:24.120 --> 2:42:28.840
<v Speaker 1>k killed that ed. You know, I gotta drink more

2:42:30.800 --> 2:42:42.360
<v Speaker 1>and yo, God bless. I don't know what makes the

2:42:42.480 --> 2:42:44.520
<v Speaker 1>room to make the podcast, but I know it made

2:42:44.560 --> 2:42:53.600
<v Speaker 1>the room. But I can't think usually enough but the drop.

2:42:58.480 --> 2:43:00.440
<v Speaker 1>Before we get out of here, we just want remind

2:43:00.520 --> 2:43:02.680
<v Speaker 1>you that you can buy drink Champs gear at your

2:43:02.760 --> 2:43:05.800
<v Speaker 1>local DTLR store, so look up the store nearest to you.

2:43:06.160 --> 2:43:08.840
<v Speaker 1>You can also buy drink Champs gear and other merch

2:43:09.120 --> 2:43:11.840
<v Speaker 1>at drink Champs dot com or eight and nine dot com.

2:43:12.240 --> 2:43:15.279
<v Speaker 1>Check us on Revolt TV every Thursday night at MPM.

2:43:15.560 --> 2:43:19.760
<v Speaker 1>Then unedited audio drops Monday nights going into Tuesday at midnight.

2:43:20.160 --> 2:43:23.160
<v Speaker 1>Then check for the United video Wednesdays on Revolt dot Tv,

2:43:23.720 --> 2:43:26.520
<v Speaker 1>Drink Champs dot Com, or you can go directly to YouTube.

2:43:26.920 --> 2:43:29.800
<v Speaker 1>Look out for Nori's new food show coming soon, as

2:43:29.840 --> 2:43:32.640
<v Speaker 1>well as new project featuring the upcoming single Uno mass

2:43:32.920 --> 2:43:36.800
<v Speaker 1>Produced and featuring Farrell check from My Coming Home documentaries

2:43:36.959 --> 2:43:40.240
<v Speaker 1>Coming Home Vietnam documentary right now currently airing on Revolt

2:43:40.320 --> 2:43:44.560
<v Speaker 1>TV and coming soon Coming Home Columbia. Follow us at

2:43:44.640 --> 2:43:48.160
<v Speaker 1>Drink Champs on i G, Twitter and Facebook, and Nori

2:43:48.360 --> 2:43:51.640
<v Speaker 1>at the Real Noriega on Instagram, at Noriega on Twitter,

2:43:51.920 --> 2:43:54.720
<v Speaker 1>and me e fn at Who's Crazy on i G

2:43:55.080 --> 2:43:57.000
<v Speaker 1>and at d j e f n on Twitter. And

2:43:57.120 --> 2:43:58.960
<v Speaker 1>until next week, we had to hear peace