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Speaker 1: And it's Drink Chats, motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like Green is your boy in o R. He's

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Speaker 1: a Miami hippop pioneer up his dj e FN. Together

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Speaker 1: they drink it up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast. And your number one

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Speaker 1: sorts for drunk fat drink chas motherfucking poda. Every day

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Speaker 1: is New Year's e. That's it's time for drink Champs,

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Speaker 1: drink up mother mother. Hey, Hank sa Gria Hop Savia.

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Speaker 1: This is your boy in o R. E up his

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Speaker 1: dj e FN and this is his drink chance, motherfucking

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Speaker 1: conglomerate make up. And right now when we talk about

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Speaker 1: leg because the thing about Drink Chats podcast, we said

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Speaker 1: that we're gonna start out and we're gonna only uh

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Speaker 1: interview legends, and you know we're straight away because we

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Speaker 1: got Hollywood. You could say, you know, I'm gonna claiming

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Speaker 1: we got a little Hollywood, but when the guests that

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Speaker 1: we have tonight, there's no way a person could ever

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Speaker 1: question he's a legend on it. He's came from the

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Speaker 1: bottom the dirt U g K Underground when when the

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Speaker 1: South was actually not even looked at. Now the South

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Speaker 1: is the ship, but back then there was on the battlefield.

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Speaker 1: There was on the battlefield. It was them an outcast,

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Speaker 1: and they were frightening against the whole East coast, and

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Speaker 1: they came in and they stood down. Right now, it's

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Speaker 1: my honor to introduce my brother, my friend, one of

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Speaker 1: the best assisting the works, one of the illest groups

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Speaker 1: in the world. I'm talking about Bumby from U G. K. Less.

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Speaker 1: I need I need every time I walk in the room.

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Speaker 1: You need to be in a room in the room.

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Speaker 1: But I'm gonna do it every time every artists walking

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Speaker 1: on room. Just gonna introduce you. But listen, here's a deal, bun.

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Speaker 1: And what I just said, this real ship because you

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Speaker 1: came from the era where actually the people who actually

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Speaker 1: frowned on the South. People didn't really want to look

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Speaker 1: at people from the South and say, you guys are lyricists.

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Speaker 1: So you guys are artists, you guys or whatever. And

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Speaker 1: it was you guys and outcast. That's the only two

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Speaker 1: groups I remember. I apologize if I am. There's a

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Speaker 1: lot of a little groups that I remember. The frame

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Speaker 1: of reference. I respected you know, there's definitely a lot

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Speaker 1: of other people. Three six Field J, the Texas, the

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Speaker 1: ghetto boys, I mean ghetto boys wrap records. You know

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Speaker 1: you wrap a lot of out right now. Yeah you

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Speaker 1: still records can sign no more they still wrapping's respect.

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Speaker 1: That was that because you know back then they see

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Speaker 1: New York. It's not running the game right now, and

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Speaker 1: you know what, funk us we fucked up. But you

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Speaker 1: gotta relax, like I like, you didn't like that we

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Speaker 1: got more white people coming in. You know what beginning

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Speaker 1: revolt checks it's going down to listen. So how did

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Speaker 1: you feel in the beginning when when because you was

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Speaker 1: against the text of time, you was against you was

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Speaker 1: playing against the actual uh C. I mean you know

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Speaker 1: back then it wasn't really a lot of money involved.

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Speaker 1: So you as a rapper, what you wanted was like

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Speaker 1: your respect, you know what I'm saying. You wanted to

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Speaker 1: be around other rappers and had them been like, oh,

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Speaker 1: y'all heard your ship. You're nice with it, you know,

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Speaker 1: And niggas can admit it that if they want to

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Speaker 1: or not. You know, they can say whether they want

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Speaker 1: to or not. But you ultimately as an MC, no

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Speaker 1: matter where you was from. Wanted to come to New

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Speaker 1: York and have the people from New York that you

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Speaker 1: looked up to acknowledge you as an MC. So for

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Speaker 1: me in the early days, I just wanted to be

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Speaker 1: able to when I sit in front of like Kane

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Speaker 1: or g rap or Lord Finess or Caress one front

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Speaker 1: of these people, you know what I'm saying, that they

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Speaker 1: would be like, oh, Bumby, I heard of you. You nice.

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Speaker 1: You know. It wasn't even guarantee you was gonna make

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Speaker 1: no money and be famous or none of that. So

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Speaker 1: for me, that was all we wanted was to be

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Speaker 1: able to stand in front of the people that we

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Speaker 1: looked up to and had them basic you know, tip

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Speaker 1: your hat, tipped they hat to us and in case

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Speaker 1: I don't know, if you don't know, we tipped our

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Speaker 1: hat to your guy long time ago. And then one

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Speaker 1: of my favorite songs in the world, and this is

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Speaker 1: this is how you know this is really Look, this

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Speaker 1: is me, it's me. It's not none of y'all, it's me,

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Speaker 1: but one of my favorite songs. Going to then tell

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Speaker 1: us my wife I love her. I'm so sorry. I

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Speaker 1: kept I kept my phone on just for probable let's okay,

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Speaker 1: but one of my favorite songs in the world, one

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Speaker 1: of my favorite times and hip hop period, it's when

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Speaker 1: Outcast and Eugi K got together and not only did

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Speaker 1: you do a song, you did a video, you did

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Speaker 1: the whole thing where it was like a wedding or

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Speaker 1: some yeah, And it was crazy because at the time

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Speaker 1: and even really to this day, like man, I'm a

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Speaker 1: person for two man, you know, I sat back, I said, damn,

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Speaker 1: I wanted to do something like that with Marv D.

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Speaker 1: But we just never got it together. And there was

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Speaker 1: a lot of times like Ugi Can and they all

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Speaker 1: m j G. You know, there's a lot of songs

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Speaker 1: we wanted to do. Please we want your all drink chats,

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Speaker 1: Please come sit on the Scissor was actually was the

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Speaker 1: first song from a group that you G K and

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Speaker 1: three six Mafia was doing together. We were gonna be

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Speaker 1: the underground Mafia. Oh, that would have been Sipping on Scissor.

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Speaker 1: I don't know too many people know that. A couple

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Speaker 1: of people might know that other records made Like a Pimp,

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Speaker 1: so um, Sipping on Scissor was the record for their album,

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Speaker 1: and the song Like a Pimp was a song for

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Speaker 1: our album. We did them super Bowl weekend in Atlanta,

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Speaker 1: but didn't make any kind of like an EP or projects.

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Speaker 1: We never got definitely we never got that far in

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Speaker 1: too because Pimp ended up getting locked up, so we

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Speaker 1: never even got to finish the project coming back home.

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Speaker 1: And then, like most people don't know that, the original

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Speaker 1: version of Players Anthem was Us in three, So that's

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Speaker 1: like the return actually of us getting back to underground

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Speaker 1: mafia music, but that version wasn't clear, just sounds underground.

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Speaker 1: I want to be down with Cold. I could never

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Speaker 1: have been. I said women that, so you know, but

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Speaker 1: I always kind of like, I always kind of like

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Speaker 1: related to you more because although people don't know this,

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Speaker 1: but Pip was kind of like the wild Car, and

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Speaker 1: people think I'm the wild Call of the Croup, but

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Speaker 1: in all actuality, it's camponed you and any other room

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Speaker 1: when everybody when any other MC would probably be the

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Speaker 1: wild Car. But I didn't compone in the room with idiot,

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Speaker 1: didn't know the campone if I'm gonna because he's like

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Speaker 1: the wilder of the wild brother. Okay, but so that

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Speaker 1: was one of the first things I identified with because

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Speaker 1: you know, Pimp was so outrageous, he was so you know,

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Speaker 1: outspoken and then and then he will always protect you

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Speaker 1: to It's not like he was gonna be outspoken to

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Speaker 1: say you know me and Bud saying no, I'm speaking

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Speaker 1: for my sound because he knew I knew a lot

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Speaker 1: of people and to travel a lot. You know, Pemple's

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Speaker 1: more of an introversy, and you know he kind of

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Speaker 1: kept usself and this whole thing was like whatever issues

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Speaker 1: he had, he didn't want me to feel like I

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Speaker 1: had to fight his fights for him, Like he felt

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Speaker 1: like he was mad enough to fight his own fight.

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Speaker 1: But you know, I'm gonna be moving around and seeing people,

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Speaker 1: so you're like, yo, I'll be trying to run up

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Speaker 1: on b based on what I said. You know what

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Speaker 1: I'm saying, which I had a problem with. No way,

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Speaker 1: That's why I still went anywhere I wanted to go.

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Speaker 1: You know, anybody that know me and when they see me,

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Speaker 1: I'm usually one day maybe one other dude, but we're

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Speaker 1: not We're gonna move Yeah, well, I'm talking my younger years.

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Speaker 1: You know, back when we was in my younger years,

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Speaker 1: when we were back on I was like I didn't

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Speaker 1: know that word younger years. So now let's not let's

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Speaker 1: take it to that because said something that still bothers

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Speaker 1: me to this day. Okay, said that Atlanta is shouldn't

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Speaker 1: be considered the south right because of the time zone.

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Speaker 1: To this day, that's still conflicts in my mind. I'm sure,

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Speaker 1: I'm sure it doesn't make sense to everybody. Miami wouldn't

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Speaker 1: because yeah, no, I'm sure, like I said, one of

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Speaker 1: the basis everybody. But I think what Pep was trying

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Speaker 1: to say, And I'm not trying to make any apologies

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Speaker 1: for him, because people say, look, if I if I

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Speaker 1: finished you with what I said, I apologize, but I'm

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Speaker 1: not apologizing for what I said. You know what I'm saying. Um,

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Speaker 1: But what Pep was trying to say, it was that,

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Speaker 1: and it was real. At the time when you went

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Speaker 1: to Atlanta, you didn't necessarily feel like you were in

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Speaker 1: the South. Atlanta and Georgia were primarily felt like very

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Speaker 1: southern areas. But at the time, Georgia had a large

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Speaker 1: influxing people from New York and you know what, you know,

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Speaker 1: if you drive down downtown to get by Underground Mall

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Speaker 1: and all of that stuff, you would see dudes with

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Speaker 1: timberlance on the block. You know, happening in Miami as well,

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Speaker 1: you know what I'm saying. So it was just it

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Speaker 1: wasn't anything against the city of Atlanta or anything like that.

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Speaker 1: It was just like, yo, when you come, when you

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Speaker 1: moved through the South, you're supposed to feel like you're

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Speaker 1: in the South, but when you go to New York,

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Speaker 1: you feel like you're in New York, you know what

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Speaker 1: I'm saying. And but I mean, it was what it was.

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Speaker 1: I have anybody felt about it, you know, we just

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Speaker 1: I mean, that's just how he felt at the time.

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Speaker 1: You guys, you g K. I just I don't know

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Speaker 1: if you know, but I would like to express this

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Speaker 1: expression is yous. Guys, was one of the first groups

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Speaker 1: from the South that directly identified with New York, even

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Speaker 1: though we were in pan we were doing that or

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Speaker 1: exactly identifying, but we were exactly identifying. We tried to

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Speaker 1: make ship as simple as possible for people and try

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Speaker 1: to align the ship that we was going through with

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Speaker 1: the ship other people was going through. So we understand

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Speaker 1: the world as a ghetto, you know what I'm saying.

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Speaker 1: So the really the only difference in most of these

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Speaker 1: hoods is the close and the slang. Once you get

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Speaker 1: past that. You're gonna understand everything that's happening in that neighborhood,

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Speaker 1: you know what I'm saying, And you don't know how

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Speaker 1: to move in that neighborhood. Okay, they winning gamester nights

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Speaker 1: on the West Coast. They're winning rebox in New Orleans.

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Speaker 1: You know, they're wearing timberlands in New York. You know

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Speaker 1: what I'm saying. It's different. Clokay what they mean? Buck fits.

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Speaker 1: I feel like you're racist, you know, I'm sure you

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Speaker 1: know what the grat is so true? We really do here. Yeah, no,

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Speaker 1: and in the South, Like you see a dude walking

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Speaker 1: around in the South with the pants of the tumbles

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Speaker 1: from here, but we just wanted to identify with that,

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Speaker 1: so they're okay. So once we go and see these things,

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Speaker 1: we realize, okay, outside of the clothes and and the

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Speaker 1: and the talk, the world is a ghetto. So we're

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Speaker 1: just gonna talk about the ship that we see every

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Speaker 1: day and half and and just assume that that's pretty

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Speaker 1: much the ship everybody's seeing every day, you know. And

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Speaker 1: that's my question to you, because you guys being from

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Speaker 1: the South and you guys from the real South, and

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Speaker 1: I don't mean that any other part the South what

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Speaker 1: we to call it deep South. We like to call

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Speaker 1: the deep shop Deep Shop. Like when I'm listening to

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Speaker 1: the Pepsie and I'm listening to where he's coming from

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Speaker 1: and he's saying that it's a different time zone all that.

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Speaker 1: How did you know that if you spoke about your hood,

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Speaker 1: the world will relates to that. I didn't before you

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Speaker 1: answer that, Before you answer that, because I never made

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Speaker 1: the Worry for for the world. I made the war

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Speaker 1: report from our hood. I can't believe Europe when I

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Speaker 1: go out there and these white people like you. I

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Speaker 1: didn't make this for you. But and I think everybody's

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Speaker 1: like that, Norry. I think I think you know, you

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Speaker 1: make your first album for the hood, you make your

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Speaker 1: second album for the world, and then if you would

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Speaker 1: get that far, you make you start making music for yourself.

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Speaker 1: You know what I'm saying. No, but that's what it is, man. Again,

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Speaker 1: That's all you want to do because you don't really

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Speaker 1: know if anybody's gonna be checking for you outside of

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Speaker 1: your neighborhood. But you don't. Nigga's in the hoods waiting

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Speaker 1: to listen just to see the case you sunk up. Really,

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Speaker 1: that's what it is. So it's like, yeah, I gotta

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Speaker 1: make sure I stund hard so nigga's gonnam not playing,

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Speaker 1: so that when I go out and be like I'm

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Speaker 1: from the niggas, no back into dun them, that when

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Speaker 1: I leave, I'm rapping that because if you don't rap home, right,

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Speaker 1: you can't go back. At least that's where I'm from.

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Speaker 1: You know what I'm I don't know anybody else. Now,

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Speaker 1: Wrap a Lot Records, Yes, J Prince hold one of

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Speaker 1: the most legendary relations ever. And you guys, how how

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Speaker 1: was that to even be affiliated with Rappings? It was

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Speaker 1: a trip because when we when we went to rap

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Speaker 1: a Lot, it was it was in the midst of

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Speaker 1: everything going crazy with job Regor's Rap a Lot. They

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Speaker 1: came and tried to sign you g kn't really was

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Speaker 1: already know. He was like he wanted to bring us

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Speaker 1: over the rap a Lot and we was like, well

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Speaker 1: we number one in all the situation. We don't want

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Speaker 1: to go and have to be behind the ghetto boys

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Speaker 1: in scar face. That was one thing. Pemple was like,

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Speaker 1: we go sign with anybody. They already got their roster

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Speaker 1: and we got to find all the spot. But if

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Speaker 1: we stay in all the spot we number one on

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Speaker 1: our roster that we didn't never got to fight for position.

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Speaker 1: So but then once we got into the job system,

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Speaker 1: we realized we were just in their roster. They wouldn't

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Speaker 1: be gad about it. So we just you know, we

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Speaker 1: operated in a way where it was like we don't

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Speaker 1: get the support from the label. We don't get the

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Speaker 1: back and from the label. We don't get real money

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Speaker 1: from the label, visual support market and none of that ship.

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Speaker 1: So we're just gonna move like we ain't even on

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Speaker 1: no label. We're gonna make sure we're doing shows. We're

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Speaker 1: gonna make sure we still doing records with motherfucker's and

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Speaker 1: still trying to get money whatever, and until later us

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Speaker 1: we can't do something, we're just gonna just keep independent grinding.

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Speaker 1: So for us, we spent a lot of years arguing

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Speaker 1: with the record company and we would would literally eat

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Speaker 1: off of like doing features and pimp making beats for

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Speaker 1: niggers and just being out on the road and doing

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Speaker 1: shows and ship y' y'all on job before yeah y'all.

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Speaker 1: Original record company was Big Time Records. That was the

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Speaker 1: independent label we signed to, and then they did a

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Speaker 1: deal with Jive and ninety and like May and ninety two,

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Speaker 1: and we stayed on Jove Records all the way up

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Speaker 1: until after Pimp passed away. Um, but our solo albums

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Speaker 1: was with rap a lot, and it came at a

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Speaker 1: time where like Pimp was locked up and you know,

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Speaker 1: we were stifled by the A company and we just

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Speaker 1: needed to get the message out. And so j Prince

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Speaker 1: was the one that that helped me get into position.

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Speaker 1: Because what I said I wanted to do a solo album.

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Speaker 1: I was like, no, we're not working with that and

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Speaker 1: Pimper and Jail and he ain't making the music and

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Speaker 1: he ain't on the record, Like the baby saying Pippers

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Speaker 1: the ship. You you just kind of like the sidekick

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Speaker 1: and she's not gonna pop up without you, and so

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Speaker 1: and so I left and went to Asylum and put

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Speaker 1: out a solo record, sold seven fifty independent. You know

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Speaker 1: what I'm saying. Let me tell you something, as a

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Speaker 1: person that's up and that ain't no streams down over

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Speaker 1: that that CD person as a two man group, a

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Speaker 1: part of a two man group, the love that you

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Speaker 1: guys have for each other was something that I admired.

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Speaker 1: It's something that I treasure. It's something that I looked

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Speaker 1: out for. And if here's the crazy ship and was

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Speaker 1: gonna tell you I was the biggest you g K friend,

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Speaker 1: But Pimp C was the person he that's not going

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Speaker 1: to do it, just do a record with you. He

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Speaker 1: asked the question you. He has the question you. He

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Speaker 1: has to hang out with you, and I kid you.

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Speaker 1: Look look, he told me I'm doing a record with

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Speaker 1: your noise, but he still wanted to hang out. And

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Speaker 1: we said that, and we tell him we hung out

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Speaker 1: for our like from like seven o'clock and even until

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Speaker 1: like easy three and the more easily three. Yeah, yeah,

304
00:16:33,920 --> 00:16:41,520
Speaker 1: but that's not the time that I know. But that

305
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Speaker 1: that was the thing. What um, what pimp is what

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Speaker 1: I respected is he heard about me, he heard I

307
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Speaker 1: was a real nigger, but he still wanted to meet me,

308
00:16:51,920 --> 00:16:54,400
Speaker 1: and he still wanted to look at me face to face.

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Speaker 1: And that's the thing is I take that to me

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Speaker 1: since today, like you know, anybody who's you know, I

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Speaker 1: don't give I could love your record, but now I

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Speaker 1: want to hang out with you know, nine records, that's

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Speaker 1: recording hip hop that required two people. Ain't even got

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Speaker 1: the two people in the same room. You know what

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00:17:13,840 --> 00:17:17,080
Speaker 1: I'm saying, it's probably more more than that. You know,

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00:17:17,160 --> 00:17:20,359
Speaker 1: more motherfucker's actually do records, have a hit record and

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Speaker 1: don't even meet the mother to the videos from we

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Speaker 1: come from an hour that even if I wanted to

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Speaker 1: send y'all the record, I can't send you right now. Yeah,

320
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Speaker 1: I gotta come get it. I gotta go. I'm coming

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00:17:33,440 --> 00:17:35,399
Speaker 1: with you at you gotta come to mind, because that's

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Speaker 1: the only way we can physically do this. Otherwise I

323
00:17:37,520 --> 00:17:39,960
Speaker 1: gotta send my whole record. And that definitely has a

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Speaker 1: change the dynamics of the way, you know, the music

325
00:17:42,200 --> 00:17:44,640
Speaker 1: comes out of the well for one, and you for one.

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Speaker 1: You don't get into a situation where like nowadays, dudes

327
00:17:47,080 --> 00:17:49,520
Speaker 1: get into situations and do songs and they'd be deep

328
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Speaker 1: in the motherfucking life and don't even really know who

329
00:17:51,359 --> 00:17:54,440
Speaker 1: they're fucking with, and then something happens and you start

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00:17:54,520 --> 00:17:56,400
Speaker 1: to see the true character these dudes. But your name

331
00:17:56,440 --> 00:17:59,040
Speaker 1: is already tied in with that person because it might

332
00:17:59,040 --> 00:18:01,239
Speaker 1: not be your biggest but it might be their biggest, right,

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00:18:02,200 --> 00:18:03,840
Speaker 1: you know what I'm saying, So now you're tied into

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00:18:03,920 --> 00:18:07,040
Speaker 1: whatever that motherfucker got going on. Where's back then you

335
00:18:07,119 --> 00:18:09,119
Speaker 1: actually got to meet the motherfucker and see who they

336
00:18:09,160 --> 00:18:10,880
Speaker 1: were and know who they were about. You's been able

337
00:18:10,920 --> 00:18:13,280
Speaker 1: to call and be like yo, these days, you would

338
00:18:13,280 --> 00:18:16,320
Speaker 1: practically get everything on demand, like our podcast listen whenever

339
00:18:16,400 --> 00:18:18,760
Speaker 1: you want, when it's convenient for you. So why are

340
00:18:18,800 --> 00:18:20,639
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341
00:18:20,680 --> 00:18:23,919
Speaker 1: limited hours when you can get postage on demand with

342
00:18:24,040 --> 00:18:26,399
Speaker 1: stamps dot Com. That's right, anything you can do at

343
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344
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Speaker 1: desk with stamps dot Com. Stamps dot Com by in

345
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346
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347
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348
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349
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350
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351
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Speaker 1: you know, I just don't want to deal with the

353
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354
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Speaker 1: but man, if I could just use stamps dot com,

355
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356
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357
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Speaker 1: of time I could be doing other things, you know,

358
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359
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360
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361
00:19:13,000 --> 00:19:15,320
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00:19:15,560 --> 00:19:17,439
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363
00:19:17,440 --> 00:19:20,640
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364
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Speaker 1: Champs Stamps dot com. Never go to the post office again.

365
00:19:24,520 --> 00:19:29,160
Speaker 1: That's Champs c A A MPs. Drink chance Baby. Let's

366
00:19:29,200 --> 00:19:30,879
Speaker 1: say like we've been to do a song with Norris,

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00:19:30,880 --> 00:19:32,520
Speaker 1: so I can call somebody from New York and be

368
00:19:32,680 --> 00:19:35,320
Speaker 1: like hey and he really oh yeah, yeah, he wright

369
00:19:35,359 --> 00:19:38,080
Speaker 1: with they'd be over there that you you don't be

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00:19:38,080 --> 00:19:43,120
Speaker 1: knowing who nobody is now, Like I don't know. Oh,

371
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Speaker 1: you see a situation where motherucker got beef and you

372
00:19:45,960 --> 00:19:48,040
Speaker 1: just noticed they did man records with that person just

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Speaker 1: a year ago or six months ago, and now they

374
00:19:50,560 --> 00:19:52,520
Speaker 1: beat for like a motherfucker because they never built up.

375
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Speaker 1: That's what I never understood, because that ship is a

376
00:19:55,119 --> 00:19:57,960
Speaker 1: lot of That ship is so easy to square either

377
00:19:58,119 --> 00:20:05,080
Speaker 1: on either on they drinking drink I'm drinking where like

378
00:20:05,280 --> 00:20:09,840
Speaker 1: beef is very easy to squash, very easy to pop off.

379
00:20:10,359 --> 00:20:12,639
Speaker 1: Like most of these people go to the same ship,

380
00:20:12,720 --> 00:20:14,919
Speaker 1: invited to the same ship. So if you really wanted

381
00:20:14,960 --> 00:20:18,320
Speaker 1: to get asked them and with social media and you

382
00:20:18,359 --> 00:20:20,360
Speaker 1: can neither send somebody at d M or you can

383
00:20:20,400 --> 00:20:22,600
Speaker 1: tag get phone I get anybody phone up. I'm sure

384
00:20:22,600 --> 00:20:24,720
Speaker 1: anybody could get my phone up if they wanted to

385
00:20:24,800 --> 00:20:27,359
Speaker 1: hard enough. So all that talk and in flexing and

386
00:20:27,400 --> 00:20:30,000
Speaker 1: ship on like the Graham or whatever you want to

387
00:20:30,000 --> 00:20:32,240
Speaker 1: call it, all that ship like that, that automatically tells

388
00:20:32,280 --> 00:20:35,800
Speaker 1: me that I feel like nobody real in the situation.

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00:20:35,880 --> 00:20:38,720
Speaker 1: That's just me from the outside looking in. Because any

390
00:20:38,720 --> 00:20:41,240
Speaker 1: time I have asked, any time I ever had, I

391
00:20:41,320 --> 00:20:43,320
Speaker 1: saw a situation where it was wrong. This is not

392
00:20:43,440 --> 00:20:46,320
Speaker 1: my staff, this is not where it was on like

393
00:20:46,400 --> 00:20:48,359
Speaker 1: people was moving on it because I don't think people

394
00:20:48,400 --> 00:20:51,399
Speaker 1: realized like what he said on the reference rooms, more

395
00:20:51,440 --> 00:20:54,000
Speaker 1: fuckers didn't really make like we're playing. They wouldn't. If

396
00:20:54,040 --> 00:20:55,520
Speaker 1: they could get at you, they would get at you.

397
00:20:55,560 --> 00:20:58,320
Speaker 1: If they couldn't, then maybe they might recollect make a

398
00:20:58,320 --> 00:21:00,399
Speaker 1: regular letter. They you know, they're trying to it, but

399
00:21:00,920 --> 00:21:04,399
Speaker 1: they were actively trying to get at motherfucker's you know,

400
00:21:04,960 --> 00:21:07,000
Speaker 1: not one of the things off top. I gotta I

401
00:21:07,040 --> 00:21:10,439
Speaker 1: gotta bring up, I gotta talk about it. It's trail.

402
00:21:10,960 --> 00:21:14,679
Speaker 1: Your brothers bring that word trail to the game. Trail

403
00:21:14,920 --> 00:21:20,320
Speaker 1: is overused right now. These guys are using it, they're

404
00:21:20,359 --> 00:21:23,440
Speaker 1: not really understanding where they got it from. And it's

405
00:21:23,480 --> 00:21:26,280
Speaker 1: a problem now. Like we at first speak about it

406
00:21:26,480 --> 00:21:29,080
Speaker 1: at first, like sling right, Like it's very hard to

407
00:21:29,640 --> 00:21:34,240
Speaker 1: like quote copyright slang. I've never caught right in my slam.

408
00:21:34,400 --> 00:21:38,240
Speaker 1: But but then people get to trying to capitalize, the monopolize,

409
00:21:38,240 --> 00:21:40,760
Speaker 1: and that one we had a problem because now you're

410
00:21:40,800 --> 00:21:43,080
Speaker 1: trying to make some money off of something that I

411
00:21:43,200 --> 00:21:45,840
Speaker 1: wasn't even trying to make money off of, you know

412
00:21:45,840 --> 00:21:48,800
Speaker 1: what I'm saying, Yeah, exactly, So like we had to

413
00:21:48,840 --> 00:21:51,680
Speaker 1: copyright ship just to protect it protected, you know what

414
00:21:51,720 --> 00:21:53,480
Speaker 1: I'm saying, And then you still get people trying to

415
00:21:53,480 --> 00:21:57,160
Speaker 1: make money. Yeah, but then people still assault the brand,

416
00:21:57,359 --> 00:21:59,160
Speaker 1: and like I just had a meeting with some young kids,

417
00:21:59,160 --> 00:22:01,200
Speaker 1: you know what I'm saying, And then there they love

418
00:22:01,280 --> 00:22:03,639
Speaker 1: the city, they love the culture, and they're trying to

419
00:22:03,680 --> 00:22:06,200
Speaker 1: do something to represent the culture. When I see that,

420
00:22:06,640 --> 00:22:08,879
Speaker 1: I know that it's not somebody trying to appropriate my

421
00:22:08,880 --> 00:22:11,720
Speaker 1: ship and appropriate the culture. I can work with you,

422
00:22:11,720 --> 00:22:13,439
Speaker 1: you know what I'm saying, Let's do a shirt together.

423
00:22:13,720 --> 00:22:15,720
Speaker 1: But then when I see people that are old enough

424
00:22:15,800 --> 00:22:17,760
Speaker 1: to know, right, because the kids I'm talking about like

425
00:22:19,000 --> 00:22:21,080
Speaker 1: they don't know. But when I see like a thirty five,

426
00:22:21,320 --> 00:22:23,760
Speaker 1: thirty six year old motherfucker out here trying to sell stuff,

427
00:22:23,960 --> 00:22:25,520
Speaker 1: you know. I tried to let a lot of things

428
00:22:25,680 --> 00:22:27,199
Speaker 1: wash over because I didn't think it would be as

429
00:22:27,200 --> 00:22:29,919
Speaker 1: aggressive as it was. But with social media and like

430
00:22:30,040 --> 00:22:34,760
Speaker 1: the especially especially the Instagram, I ain't trased it with.

431
00:22:35,280 --> 00:22:40,800
Speaker 1: I tried with associate half of it, but then people

432
00:22:40,800 --> 00:22:44,440
Speaker 1: started becoming very like actively trying to just steal from

433
00:22:44,440 --> 00:22:47,280
Speaker 1: the brand that had no good I'm keeping neat, Oh

434
00:22:47,359 --> 00:22:50,240
Speaker 1: you keeping neat. Keep And then you know, the wife

435
00:22:50,280 --> 00:22:52,280
Speaker 1: was like, look, this is becoming too much. People are

436
00:22:52,320 --> 00:22:54,840
Speaker 1: just doing too much. You know what I'm saying, They're

437
00:22:54,880 --> 00:22:56,359
Speaker 1: doing too much. Like I was going to shoot a

438
00:22:56,400 --> 00:22:59,520
Speaker 1: couple of people for you probably wouldn't even call to you,

439
00:22:59,880 --> 00:23:01,480
Speaker 1: just did it. And I'm like when it comes to

440
00:23:01,640 --> 00:23:03,520
Speaker 1: music and that kind of stuff, I don't mind that,

441
00:23:03,640 --> 00:23:05,560
Speaker 1: you know what I'm saying, Just make sure you about

442
00:23:05,600 --> 00:23:07,040
Speaker 1: that if we run up. If we run up, I

443
00:23:07,040 --> 00:23:08,920
Speaker 1: ain't saying run up to fight you. But if I'm

444
00:23:08,960 --> 00:23:10,840
Speaker 1: ever in the room with you, you know what I'm saying.

445
00:23:11,160 --> 00:23:13,760
Speaker 1: If you choose to call yourself that, just please come

446
00:23:13,800 --> 00:23:16,960
Speaker 1: across as this. You know what I'm saying. Like if you,

447
00:23:17,040 --> 00:23:19,159
Speaker 1: if you, if you get on the regular, I know

448
00:23:20,480 --> 00:23:24,440
Speaker 1: if I do a regular than Trill was always more

449
00:23:24,480 --> 00:23:26,760
Speaker 1: than just a word. It was a way of life.

450
00:23:26,760 --> 00:23:28,640
Speaker 1: It was something that kind of spoke to a way

451
00:23:28,680 --> 00:23:30,520
Speaker 1: of life. So it was about the way that you

452
00:23:30,600 --> 00:23:33,119
Speaker 1: carried yourself. Triill originally started in the Texas, in the

453
00:23:33,119 --> 00:23:37,159
Speaker 1: penitentiary system. You know what, that's the world. So that

454
00:23:37,240 --> 00:23:40,280
Speaker 1: word came home to p a from the penitentiary and eight.

455
00:23:40,840 --> 00:23:44,000
Speaker 1: So it was a word that I'm sorry from to

456
00:23:44,040 --> 00:23:47,080
Speaker 1: put off the Texas. That's so the homie came home

457
00:23:47,680 --> 00:23:51,480
Speaker 1: East Coast when you say Pennsylvania, so the holy Little

458
00:23:51,480 --> 00:23:56,200
Speaker 1: Block came home from jail, and Little Block started talking,

459
00:23:56,440 --> 00:23:57,960
Speaker 1: started talking about true and he was one of the

460
00:23:57,960 --> 00:24:00,320
Speaker 1: first people to really use that term. And deviend Actually

461
00:24:00,520 --> 00:24:02,160
Speaker 1: a lot of people on the west side of town

462
00:24:02,200 --> 00:24:04,439
Speaker 1: started using it, and then people and put out in

463
00:24:04,480 --> 00:24:07,760
Speaker 1: general just started using it. So when we started making music,

464
00:24:07,800 --> 00:24:09,520
Speaker 1: we were like, well, this is a word that not

465
00:24:09,600 --> 00:24:12,960
Speaker 1: only represents who we are and where we're from, but

466
00:24:13,080 --> 00:24:17,200
Speaker 1: we'll also separate us from everybody that's already in hip hop,

467
00:24:17,400 --> 00:24:21,240
Speaker 1: people in Dallas. But it was separate. It was separated

468
00:24:21,320 --> 00:24:24,439
Speaker 1: from Mary. Yeah, so it wasn't our thing, but it was.

469
00:24:24,520 --> 00:24:26,240
Speaker 1: It was always in terms of where we were from,

470
00:24:26,600 --> 00:24:28,760
Speaker 1: you know. So we always give credit to the homes.

471
00:24:28,840 --> 00:24:30,800
Speaker 1: And that's why when we copyrighted, it was never to

472
00:24:30,880 --> 00:24:33,119
Speaker 1: just go out and sell T shirts and merchant none

473
00:24:33,160 --> 00:24:35,400
Speaker 1: of that ship, but to protect the integrity of this ship,

474
00:24:35,440 --> 00:24:37,880
Speaker 1: because I'm responsible for that ship. You know what I'm saying.

475
00:24:37,880 --> 00:24:41,320
Speaker 1: When they see niggas misusing tril, they don't get mad

476
00:24:41,320 --> 00:24:44,480
Speaker 1: at them, they get mad at me. Like you out there,

477
00:24:44,560 --> 00:24:47,080
Speaker 1: like we hear the projects, we can't get it. You

478
00:24:47,119 --> 00:24:50,760
Speaker 1: gotta go to l A and check rockdas. You gotta

479
00:24:50,840 --> 00:24:53,359
Speaker 1: go over to these places to check these dudes. You

480
00:24:53,359 --> 00:24:57,720
Speaker 1: know what I'm saying. No, damn, that's that's very true.

481
00:24:57,800 --> 00:24:59,840
Speaker 1: That's the obligation, you know what I'm saying. And so

482
00:25:00,400 --> 00:25:02,240
Speaker 1: and I can get busy and called upself. So my

483
00:25:02,240 --> 00:25:03,960
Speaker 1: wife is a real good rounded she'd be like, yo,

484
00:25:04,000 --> 00:25:06,680
Speaker 1: somebody trying it again, let's pick up your wife. What

485
00:25:06,680 --> 00:25:09,280
Speaker 1: I'm saying, But because why did like yo, if they

486
00:25:09,440 --> 00:25:11,720
Speaker 1: if they eat, that's money out of our podcast. And

487
00:25:11,800 --> 00:25:14,399
Speaker 1: that's why we weren't even trying to get She like,

488
00:25:14,440 --> 00:25:16,320
Speaker 1: we ain't out here like exploiting it. So if they're

489
00:25:16,359 --> 00:25:19,480
Speaker 1: gonna exploit it, it's not right. I think I agree

490
00:25:19,480 --> 00:25:23,000
Speaker 1: with your White be the shooter's number before we leave.

491
00:25:23,760 --> 00:25:26,480
Speaker 1: No White used to shoot. No, no, no, no no, you

492
00:25:26,560 --> 00:25:30,280
Speaker 1: can't have wife to go to jail. We're gonna give

493
00:25:30,320 --> 00:25:32,760
Speaker 1: them the shore. Gonna shoot. Shouldn't get me to get

494
00:25:33,119 --> 00:25:35,800
Speaker 1: to go to jail. But listen, and here's the thing, bun,

495
00:25:36,160 --> 00:25:38,600
Speaker 1: And I'm sorry, I'm going to a little dark place,

496
00:25:39,119 --> 00:25:44,680
Speaker 1: but we recently just lost Prodigy real and the thing

497
00:25:44,720 --> 00:25:53,200
Speaker 1: about that is, uh, your partner, your two man. So

498
00:25:53,480 --> 00:25:55,760
Speaker 1: what could be your advice to have it right now?

499
00:25:56,200 --> 00:25:58,159
Speaker 1: It's just the first thing you gotta do is support

500
00:25:58,200 --> 00:26:00,240
Speaker 1: the family as much as you can. That's it, right.

501
00:26:00,680 --> 00:26:04,400
Speaker 1: And now sometimes the family doesn't want to be supported

502
00:26:04,840 --> 00:26:10,359
Speaker 1: right sometimes because yeah right, And sometimes you know they

503
00:26:10,480 --> 00:26:12,080
Speaker 1: have an idea of what they want to do, like

504
00:26:12,119 --> 00:26:15,359
Speaker 1: with Pamp's wife for example, Um, she had an idea

505
00:26:15,400 --> 00:26:18,399
Speaker 1: of what she thought her husband's legacy should be. People

506
00:26:18,880 --> 00:26:22,000
Speaker 1: think that I should take the lead and have the

507
00:26:22,119 --> 00:26:24,639
Speaker 1: idea of what his legacy should be started. For one second,

508
00:26:25,240 --> 00:26:29,720
Speaker 1: everybody wanted you to to to k but but you

509
00:26:29,760 --> 00:26:32,440
Speaker 1: know how much you respected Pam. It's not It's deeper

510
00:26:32,440 --> 00:26:34,159
Speaker 1: than that. It's not even just it's deeper than the

511
00:26:34,240 --> 00:26:37,000
Speaker 1: respect I have a pimp. Should anything happen to me,

512
00:26:38,119 --> 00:26:40,880
Speaker 1: right or wrong, I would hope that people support my wife.

513
00:26:41,440 --> 00:26:43,920
Speaker 1: That's all I'm ask you know what I'm saying. If

514
00:26:44,160 --> 00:26:46,560
Speaker 1: if she's right or she's wrong, if she wants to

515
00:26:46,640 --> 00:26:48,960
Speaker 1: run it into the ground, then let her do that.

516
00:26:49,119 --> 00:26:52,440
Speaker 1: But please, like, just just just support her. Right. If

517
00:26:52,440 --> 00:26:54,520
Speaker 1: she don't know, she don't know, no better try to

518
00:26:54,560 --> 00:26:56,800
Speaker 1: tell her. If she don't want to listen, just support

519
00:26:56,800 --> 00:26:59,040
Speaker 1: as much as you as much as you can write

520
00:26:59,080 --> 00:27:03,119
Speaker 1: without compromise yourself. That that's all you can do, you know. Um,

521
00:27:03,359 --> 00:27:06,680
Speaker 1: Like I said, people, Um, the wife has an idea,

522
00:27:06,680 --> 00:27:08,960
Speaker 1: and maybe the kids have an idea, and maybe the

523
00:27:09,040 --> 00:27:11,879
Speaker 1: mother has an idea. Different people have different ideas of

524
00:27:11,960 --> 00:27:16,480
Speaker 1: how they feel the legacy should be maintained. The consumer,

525
00:27:16,600 --> 00:27:19,600
Speaker 1: the listener to the fan base because they don't know

526
00:27:19,680 --> 00:27:22,760
Speaker 1: as much about his personal life, assumes that the closest

527
00:27:22,760 --> 00:27:26,200
Speaker 1: person to him is meet. So people always like, yo, Bunny,

528
00:27:26,200 --> 00:27:28,520
Speaker 1: I know you got pimpsy versus I know you've got

529
00:27:28,640 --> 00:27:30,560
Speaker 1: U G K songs. And I have to educate people

530
00:27:30,600 --> 00:27:33,400
Speaker 1: about how that works, like, no, the estate has everything.

531
00:27:33,840 --> 00:27:37,919
Speaker 1: Once passes away, then the estate gets all them, Like

532
00:27:37,960 --> 00:27:40,120
Speaker 1: my I mean, I got forty two songs. I don't

533
00:27:40,119 --> 00:27:42,400
Speaker 1: have any pimpsy music on. It's not because I don't

534
00:27:42,400 --> 00:27:46,280
Speaker 1: want it, because it's much. It's it's more profitable to

535
00:27:46,320 --> 00:27:49,280
Speaker 1: the estate in their hands than it is in my hand,

536
00:27:50,359 --> 00:27:52,439
Speaker 1: you know, And we want them to eat. That's what

537
00:27:52,520 --> 00:27:57,120
Speaker 1: we want, you know, So we you know, whether we agree,

538
00:27:57,119 --> 00:27:59,119
Speaker 1: look no, but it's just being real because and I

539
00:27:59,119 --> 00:28:02,640
Speaker 1: gotta leave by Apple because because you got you got

540
00:28:02,640 --> 00:28:07,880
Speaker 1: seventeen point versus I've never used one. You just don't

541
00:28:07,880 --> 00:28:12,800
Speaker 1: want to be And the other thing is that you know,

542
00:28:12,920 --> 00:28:15,320
Speaker 1: and if too many people lean on the legacy, then

543
00:28:15,359 --> 00:28:18,760
Speaker 1: they can't it can't rise, right. If everybody's holding onto it,

544
00:28:18,840 --> 00:28:20,719
Speaker 1: then they can't really rise with the angels like it's

545
00:28:20,760 --> 00:28:23,400
Speaker 1: supposed to. So it's my job to keep ship off

546
00:28:23,400 --> 00:28:25,320
Speaker 1: his name keep dirt off his name and to keep

547
00:28:25,320 --> 00:28:27,520
Speaker 1: people from attaching themselves or something that they really want

548
00:28:27,520 --> 00:28:29,040
Speaker 1: to part to. You know, you you don't want to

549
00:28:29,040 --> 00:28:33,879
Speaker 1: talking about bitch ass nigger. Yea nigger. Now let's take it.

550
00:28:34,440 --> 00:28:36,400
Speaker 1: I know we spoke about it a little bit earlier,

551
00:28:36,680 --> 00:28:44,040
Speaker 1: but Biga man still international calling car any country I

552
00:28:44,120 --> 00:28:47,040
Speaker 1: go when they sue, because they sue jay Z every

553
00:28:47,120 --> 00:28:52,920
Speaker 1: year for like every do they sue y'all? So here's

554
00:28:53,000 --> 00:28:55,680
Speaker 1: so it's what happened. This is this is what was

555
00:28:55,720 --> 00:28:57,960
Speaker 1: crazy about the whole thing. When we did the song.

556
00:28:58,160 --> 00:29:00,320
Speaker 1: What was like, Yo, I want to buy the mission

557
00:29:00,400 --> 00:29:06,400
Speaker 1: on this and we were like, he wanted to buy

558
00:29:06,440 --> 00:29:11,040
Speaker 1: our publishing on the show, and so we were like,

559
00:29:11,120 --> 00:29:12,720
Speaker 1: what do you mean. He was like, Yo, we kind

560
00:29:12,760 --> 00:29:14,920
Speaker 1: of want to keep all of this. And at the time,

561
00:29:15,000 --> 00:29:17,680
Speaker 1: this was a very strange beat. This was not something

562
00:29:17,720 --> 00:29:20,760
Speaker 1: that pimp really wanted to do. And they were and

563
00:29:21,080 --> 00:29:25,440
Speaker 1: they were really they were going towards the Mariah record.

564
00:29:25,600 --> 00:29:27,280
Speaker 1: At the time, he had a record with Mariah and

565
00:29:27,280 --> 00:29:29,000
Speaker 1: now I was supposed to be the one. This was

566
00:29:29,080 --> 00:29:30,880
Speaker 1: like something in a row. So they but they had

567
00:29:30,920 --> 00:29:33,200
Speaker 1: they were cash flush. So and he's like, yeah, we

568
00:29:33,240 --> 00:29:34,680
Speaker 1: want to buy you out on this, you know what

569
00:29:34,680 --> 00:29:37,040
Speaker 1: I'm saying, Like fully, and we was in this place

570
00:29:37,080 --> 00:29:42,960
Speaker 1: where like Yo're like yo, You're like, we'll take it,

571
00:29:43,200 --> 00:29:45,920
Speaker 1: you know, And then the song becomes literally you have

572
00:29:46,000 --> 00:29:47,800
Speaker 1: to understand at one point, this is the biggest record

573
00:29:47,800 --> 00:29:51,080
Speaker 1: in the world, Like I'm looking at the B d

574
00:29:51,240 --> 00:29:54,640
Speaker 1: S numbers and it's like five thousand, seven thousand, eleven thousand.

575
00:29:55,440 --> 00:29:58,280
Speaker 1: I've never seen anything like this with anything period. And

576
00:29:58,320 --> 00:30:01,120
Speaker 1: then my name is attached to it, and like we

577
00:30:01,240 --> 00:30:03,080
Speaker 1: start trying to do the math. We don't even know

578
00:30:03,120 --> 00:30:05,160
Speaker 1: the intricacies of this ship, but they start trying to

579
00:30:05,280 --> 00:30:07,000
Speaker 1: like let's just say five cents, nigger, you know what

580
00:30:07,040 --> 00:30:09,480
Speaker 1: I'm saying. But we start trying to do the math

581
00:30:09,560 --> 00:30:11,480
Speaker 1: on it's like yo's it's a lot of money, and

582
00:30:11,560 --> 00:30:14,680
Speaker 1: we're up on the table. And then of course Pim

583
00:30:14,800 --> 00:30:16,840
Speaker 1: gets locked up at the lawsuit because the lawsuit doesn't

584
00:30:16,880 --> 00:30:20,440
Speaker 1: happen until pimp goes to jail, Okay, so then the

585
00:30:20,520 --> 00:30:23,040
Speaker 1: lawsuit happens, and then the money is sucked up anyway

586
00:30:23,040 --> 00:30:25,200
Speaker 1: because happy group is locked up. So then it's like yo,

587
00:30:25,200 --> 00:30:27,760
Speaker 1: they getting shoot, Like Yo, we ain't get nothing. We

588
00:30:27,840 --> 00:30:30,600
Speaker 1: didn't get ship they can't get nothing from so they

589
00:30:30,760 --> 00:30:33,960
Speaker 1: go to prison and they get the lawyer and do

590
00:30:34,080 --> 00:30:37,160
Speaker 1: to that position, like, yo, we worked for High my nigger.

591
00:30:37,280 --> 00:30:39,320
Speaker 1: We got nothing to do with that. And then they

592
00:30:39,400 --> 00:30:41,640
Speaker 1: come to me, I do work you know, didn't work

593
00:30:41,680 --> 00:30:44,480
Speaker 1: for Hi. So we still got the shows, we still

594
00:30:44,520 --> 00:30:52,200
Speaker 1: got the increase in fan base, We still taking ahead,

595
00:30:52,320 --> 00:30:54,280
Speaker 1: and it was beautiful, like I want a lie, Like

596
00:30:54,360 --> 00:30:56,360
Speaker 1: at the time, that was way more money than we

597
00:30:56,440 --> 00:30:58,520
Speaker 1: had gotten paid for wrap. Let me just take something

598
00:30:58,560 --> 00:31:00,720
Speaker 1: the ship. I don't know if you know, and you know,

599
00:31:01,200 --> 00:31:04,360
Speaker 1: jay Z's not paying me at all um to say this,

600
00:31:05,080 --> 00:31:08,040
Speaker 1: but I remember jay Z going to Angie Martinez and

601
00:31:08,160 --> 00:31:11,240
Speaker 1: going to like DJ enough saying that, like and they said,

602
00:31:11,240 --> 00:31:13,200
Speaker 1: why did you put you g K on the joint?

603
00:31:13,560 --> 00:31:18,200
Speaker 1: And he said, huk yo, he wouldn't big y'all up

604
00:31:18,360 --> 00:31:21,440
Speaker 1: so crazy. And I don't know if y'all understood that.

605
00:31:21,880 --> 00:31:23,840
Speaker 1: We see so a lot of people don't know that

606
00:31:23,920 --> 00:31:27,200
Speaker 1: we got the call before there was Pimp C was

607
00:31:27,240 --> 00:31:29,360
Speaker 1: actually supposed to be on just a week ago. We're

608
00:31:29,400 --> 00:31:32,560
Speaker 1: too short, so but this was in the middle of

609
00:31:32,600 --> 00:31:35,600
Speaker 1: the East Coast West Coast beef and Jay wasn't leaving

610
00:31:35,800 --> 00:31:37,880
Speaker 1: New York. So when we called Pimpther like I want

611
00:31:37,920 --> 00:31:40,040
Speaker 1: you on this record, people was like, yeah, just come

612
00:31:40,120 --> 00:31:42,440
Speaker 1: on Atlanta. I got the studio at the house. We

613
00:31:42,480 --> 00:31:45,800
Speaker 1: can knock it out of the house. Like Jay like,

614
00:31:46,000 --> 00:31:48,560
Speaker 1: I'm not leaving New York right now. So peoples like ship,

615
00:31:48,640 --> 00:31:52,040
Speaker 1: I ain't even the South right now? Get the and

616
00:31:52,240 --> 00:31:55,600
Speaker 1: the never happened, and then we got the call again

617
00:31:56,560 --> 00:31:59,360
Speaker 1: um for Big Pempon and then it eventually it eventually

618
00:31:59,440 --> 00:32:01,840
Speaker 1: came to get because see me, me as being a

619
00:32:01,920 --> 00:32:06,000
Speaker 1: hip hop fan, I was aware of U g K was,

620
00:32:06,560 --> 00:32:09,440
Speaker 1: But for me seeing a person that's a quote unquote

621
00:32:09,560 --> 00:32:13,400
Speaker 1: above me and begging people up like that, I was like, damn,

622
00:32:13,560 --> 00:32:15,320
Speaker 1: because you know, I don't know if people know. Like

623
00:32:15,920 --> 00:32:20,440
Speaker 1: Juvenile's first feature was with me, the band's first feature

624
00:32:20,560 --> 00:32:22,560
Speaker 1: was with me. I've been bigging up the South were

625
00:32:24,160 --> 00:32:29,240
Speaker 1: first feature. Yeah, Up the South for years? Uh E.

626
00:32:29,440 --> 00:32:33,280
Speaker 1: I can you going on Little Ways, Little Away and

627
00:32:33,360 --> 00:32:39,280
Speaker 1: cash money for me? I definitely by J beat me.

628
00:32:40,920 --> 00:32:45,120
Speaker 1: You ain't gonna pack this, but you were super dug

629
00:32:45,160 --> 00:32:49,400
Speaker 1: of the game. And that's what I'm trying. Look at

630
00:32:49,400 --> 00:32:59,520
Speaker 1: that that good my bad rock No, But I'm like,

631
00:33:00,080 --> 00:33:05,240
Speaker 1: that's that's the last. The thing is that that that

632
00:33:05,400 --> 00:33:09,360
Speaker 1: feature of that class correboration from the South, because I

633
00:33:09,440 --> 00:33:14,600
Speaker 1: always felt like it's no difference, and who's the fun.

634
00:33:15,040 --> 00:33:18,160
Speaker 1: The world's agether. The world is agether. And if you notice,

635
00:33:18,200 --> 00:33:20,320
Speaker 1: if you look at all those names, all those those

636
00:33:20,400 --> 00:33:22,520
Speaker 1: artists that hooked up, those people represent the hoods and

637
00:33:22,680 --> 00:33:25,320
Speaker 1: not just people that are popping. Those are people that

638
00:33:25,480 --> 00:33:29,080
Speaker 1: represent the hood. So it's not a mistake that Nori

639
00:33:29,280 --> 00:33:32,000
Speaker 1: and EU GK makes a record a camera and U

640
00:33:32,080 --> 00:33:35,880
Speaker 1: g K makes a record that little Wayne and makes

641
00:33:35,880 --> 00:33:38,680
Speaker 1: a record that's not It shouldn't be a surprise to anybody.

642
00:33:39,040 --> 00:33:41,120
Speaker 1: We speak to the same people, just in different places,

643
00:33:41,160 --> 00:33:45,040
Speaker 1: in different accents. That's the only difference. My nigga. Now

644
00:33:45,680 --> 00:33:49,840
Speaker 1: when you look at it's Travis Scott from Travis Scotts, Houston.

645
00:33:50,160 --> 00:33:53,040
Speaker 1: He's and he tries to put it in the music.

646
00:33:53,600 --> 00:33:56,400
Speaker 1: And if you're from Houston, you listen to it. He's

647
00:33:56,400 --> 00:33:58,320
Speaker 1: saying everything to let you know, like he's on the

648
00:33:58,400 --> 00:34:00,640
Speaker 1: new um this is a record. He's like, I'm from

649
00:34:01,120 --> 00:34:03,880
Speaker 1: it's that Most City that side because he's from Missouri City,

650
00:34:04,240 --> 00:34:06,080
Speaker 1: but in the Hood they call it Most City. So

651
00:34:06,200 --> 00:34:07,920
Speaker 1: he's trying to do it, but he doesn't make the

652
00:34:08,080 --> 00:34:12,440
Speaker 1: music that's automatically identified with You know, he came in

653
00:34:12,520 --> 00:34:14,719
Speaker 1: the game in Atlanta, signed the TI I That's how

654
00:34:14,800 --> 00:34:21,320
Speaker 1: he came in. Yeah traffic is originally Yeah. Tia always

655
00:34:21,360 --> 00:34:23,600
Speaker 1: said that that he always has a good time in

656
00:34:23,640 --> 00:34:25,520
Speaker 1: the studio and gets along with everybody. The only person

657
00:34:25,600 --> 00:34:28,400
Speaker 1: he's ever disagreed with the studio is Travis, because Travis

658
00:34:28,440 --> 00:34:32,120
Speaker 1: has a very clear idea of how his music should

659
00:34:32,160 --> 00:34:34,520
Speaker 1: sound and he know it too. If you listen to

660
00:34:34,600 --> 00:34:37,240
Speaker 1: it like nobody, it doesn't sound like anything else anybody

661
00:34:37,400 --> 00:34:40,040
Speaker 1: is doing. And that's why most people don't connect him

662
00:34:40,080 --> 00:34:43,480
Speaker 1: to music, because he's so closely and social associated with

663
00:34:43,600 --> 00:34:47,680
Speaker 1: Kanye and you know what and t I. But but

664
00:34:47,840 --> 00:34:50,520
Speaker 1: he's not from either one of those places. He's bred

665
00:34:50,600 --> 00:34:54,399
Speaker 1: from a different place. But that's the one thing music

666
00:34:54,520 --> 00:34:56,680
Speaker 1: did you you identify it with? It means no, no,

667
00:34:56,920 --> 00:34:59,160
Speaker 1: not at all. But I'm I'm from a different error,

668
00:34:59,320 --> 00:35:01,759
Speaker 1: you know what I'm saying. So so in different places,

669
00:35:01,800 --> 00:35:04,439
Speaker 1: in a different just a different I'm a different city.

670
00:35:04,680 --> 00:35:06,640
Speaker 1: But even more so, it's the time difference in the

671
00:35:06,719 --> 00:35:11,520
Speaker 1: generational gap. And I like Travis because I don't want

672
00:35:11,600 --> 00:35:14,400
Speaker 1: motherfucker's to feel like they gotta lean or that they

673
00:35:14,520 --> 00:35:17,520
Speaker 1: need to lean on Pimp C and DJ Screw forever.

674
00:35:18,080 --> 00:35:21,400
Speaker 1: Like that was a great time. It was a beautiful

675
00:35:21,440 --> 00:35:25,840
Speaker 1: time for the city. But you can't. But I'm just saying, like,

676
00:35:25,920 --> 00:35:30,200
Speaker 1: the city can't grow if we don't move past June seven.

677
00:35:30,840 --> 00:35:33,640
Speaker 1: You don't say dem birthday. It's a good thing to celebrate,

678
00:35:33,680 --> 00:35:35,680
Speaker 1: and it's a great thing to acknowledge, but we got

679
00:35:35,800 --> 00:35:39,080
Speaker 1: to show the growths past that. Yes, this is what

680
00:35:39,239 --> 00:35:41,280
Speaker 1: when when Screw is looking down on us and people

681
00:35:41,320 --> 00:35:44,359
Speaker 1: looking down on us, they don't want to they don't

682
00:35:44,400 --> 00:35:46,680
Speaker 1: want us to keep concentrating on what they did. They're

683
00:35:46,719 --> 00:35:48,560
Speaker 1: waiting for one of us to pick up the goddamn

684
00:35:48,600 --> 00:35:51,399
Speaker 1: for time. So like, and I'm back in the lab

685
00:35:51,520 --> 00:35:53,480
Speaker 1: now because I sat around for four years and I

686
00:35:53,600 --> 00:35:55,640
Speaker 1: was like, I'm waiting to see who's gonna do what.

687
00:35:55,719 --> 00:35:57,480
Speaker 1: And then I realized, like, Nigga, you the o G

688
00:35:58,360 --> 00:36:00,759
Speaker 1: You can't expect eighteen. You know, Nigga's twenty one year old.

689
00:36:00,800 --> 00:36:03,120
Speaker 1: Niggas twenty four. You not not to represent me, but

690
00:36:03,680 --> 00:36:06,799
Speaker 1: but to save their generation. Older heads have always given

691
00:36:06,840 --> 00:36:09,759
Speaker 1: younger heads game, but now it's just young heads given

692
00:36:09,800 --> 00:36:11,840
Speaker 1: young heads games. So it's the blind leading the blind,

693
00:36:12,239 --> 00:36:15,560
Speaker 1: and we got comfortable houses and cars and we can

694
00:36:15,640 --> 00:36:18,319
Speaker 1: sit around and complain like our children is the only

695
00:36:18,400 --> 00:36:20,800
Speaker 1: children that we need to worry about. But when m

696
00:36:20,880 --> 00:36:22,640
Speaker 1: C has come to me and say, yo, yo, you

697
00:36:22,800 --> 00:36:26,200
Speaker 1: raised me, I have agation to that. MC's you know

698
00:36:26,239 --> 00:36:28,360
Speaker 1: what I'm saying, that's an obligation. When people come up

699
00:36:28,400 --> 00:36:30,839
Speaker 1: and say, yo, y'all music raised us. Y'all niggas told

700
00:36:30,880 --> 00:36:33,000
Speaker 1: me this, then that means that they're still looking for

701
00:36:33,120 --> 00:36:35,520
Speaker 1: whatever I gave them. And if I was the only

702
00:36:35,560 --> 00:36:37,120
Speaker 1: person they gave it to him them, then I need

703
00:36:37,200 --> 00:36:39,360
Speaker 1: to beat the motherfucker giving it to him now. And

704
00:36:39,520 --> 00:36:47,759
Speaker 1: that's why we think that goddamn bun bund you got responsibility. No,

705
00:36:48,000 --> 00:36:50,680
Speaker 1: we all do. We all do. Especially we ain't good.

706
00:36:51,160 --> 00:36:53,799
Speaker 1: That's the reality. Especially we ain't good. I'm gonna throw

707
00:36:53,840 --> 00:36:57,600
Speaker 1: him more on you than me. I got you, I

708
00:36:57,719 --> 00:37:02,200
Speaker 1: got you, because you know why, bun Like, we can't

709
00:37:02,200 --> 00:37:05,160
Speaker 1: save everybody. We gotta try to save somebody, so you

710
00:37:05,239 --> 00:37:06,799
Speaker 1: can't go back and save the whole host some of them,

711
00:37:07,200 --> 00:37:09,680
Speaker 1: some of them don't want to say anymore than what's

712
00:37:09,680 --> 00:37:12,279
Speaker 1: being done. They want women to take care of them,

713
00:37:12,400 --> 00:37:14,920
Speaker 1: you know what I'm saying, So they on some other ship. Anyway,

714
00:37:14,960 --> 00:37:17,120
Speaker 1: we have to come. But you might not agree with this,

715
00:37:17,320 --> 00:37:19,880
Speaker 1: but I say that our generation. I say because of

716
00:37:19,920 --> 00:37:23,640
Speaker 1: the age group, our generation dropped the ball. No, it's

717
00:37:24,480 --> 00:37:26,759
Speaker 1: sting at some point, you know. I'm gonna tell you

718
00:37:26,800 --> 00:37:29,640
Speaker 1: what happened. First of all, people got scared of catching

719
00:37:29,640 --> 00:37:31,759
Speaker 1: the cases that they knew they were getting into, so

720
00:37:31,880 --> 00:37:34,640
Speaker 1: they started putting drugs and guns and young niggas and

721
00:37:34,800 --> 00:37:37,600
Speaker 1: hands that were under eighteen that they knew wouldn't necessarily

722
00:37:37,640 --> 00:37:41,520
Speaker 1: get real time. But what they did was stop the

723
00:37:41,680 --> 00:37:45,800
Speaker 1: opportunity to progress. Right. So then young niggas got older.

724
00:37:45,920 --> 00:37:47,600
Speaker 1: And I'm gonna tell you another thing, because nobody want

725
00:37:47,640 --> 00:37:49,080
Speaker 1: to talk about I'm glad we're talking about this on

726
00:37:49,200 --> 00:37:52,120
Speaker 1: dream chat. There's a lot of niggas that went into

727
00:37:52,239 --> 00:37:55,719
Speaker 1: houses and manipulated women for sex and money and put

728
00:37:55,760 --> 00:37:58,000
Speaker 1: them on drugs. And little niggas sat in those houses

729
00:37:58,040 --> 00:38:00,879
Speaker 1: and watch niggers do that, and out they're old enough

730
00:38:00,920 --> 00:38:03,480
Speaker 1: and they remember what you did to their mom. That's

731
00:38:03,480 --> 00:38:11,600
Speaker 1: why young Donna respect what I say identified with but

732
00:38:11,719 --> 00:38:15,279
Speaker 1: it's exact part of why this is one of the

733
00:38:15,400 --> 00:38:19,759
Speaker 1: reasons why, because they gave they put cases on them

734
00:38:19,960 --> 00:38:22,600
Speaker 1: that they knew your niggas would never shake. They got

735
00:38:22,680 --> 00:38:25,239
Speaker 1: montas that put credit on their name that they can't

736
00:38:25,719 --> 00:38:27,680
Speaker 1: and now they got niggas in their life in these

737
00:38:27,719 --> 00:38:31,120
Speaker 1: houses putting values that they can't shape. But stop right there.

738
00:38:31,360 --> 00:38:33,560
Speaker 1: But this here's the I want you to finish your ship.

739
00:38:34,360 --> 00:38:36,719
Speaker 1: But I've seen a meme the other day and they said,

740
00:38:36,760 --> 00:38:39,400
Speaker 1: how the fuck you mad at mumble rap? You so

741
00:38:39,719 --> 00:38:43,000
Speaker 1: crack to their moms and the ship. Let me tell

742
00:38:43,040 --> 00:38:46,520
Speaker 1: you something, mumble wrap is. I don't even like that term.

743
00:38:46,680 --> 00:38:49,160
Speaker 1: I don't even like young niggas. I don't like nobody

744
00:38:49,200 --> 00:38:52,120
Speaker 1: putting a term on nigga because, to be honest, just

745
00:38:52,239 --> 00:38:55,560
Speaker 1: being real, twenty years ago, twenty five years ago, when

746
00:38:55,600 --> 00:38:58,000
Speaker 1: they didn't understand the Southern slang and the twin and

747
00:38:58,040 --> 00:38:59,920
Speaker 1: the way we bent our words, but they could have

748
00:39:00,000 --> 00:39:02,960
Speaker 1: called that, so that ain't no difference with that. And

749
00:39:03,000 --> 00:39:06,759
Speaker 1: I tell you, I tell I tell that you, thank you.

750
00:39:07,000 --> 00:39:08,759
Speaker 1: I tell people all the time, man, y'all need to

751
00:39:08,800 --> 00:39:10,879
Speaker 1: get offended at that ship. You know what I'm saying.

752
00:39:10,920 --> 00:39:13,600
Speaker 1: They should be offended about that ship. They shouldn't take

753
00:39:13,680 --> 00:39:15,560
Speaker 1: if they want to take it and reclaim it and

754
00:39:15,960 --> 00:39:17,959
Speaker 1: and shoot on the people that did it. Then that's fine,

755
00:39:18,160 --> 00:39:20,040
Speaker 1: but they need to be offended by that because that

756
00:39:20,320 --> 00:39:22,400
Speaker 1: when people say, your mum, and that means they really

757
00:39:22,440 --> 00:39:23,800
Speaker 1: don't want to take the time and listen to what

758
00:39:23,880 --> 00:39:26,319
Speaker 1: you got to say. That's what that me. That's all

759
00:39:26,400 --> 00:39:29,600
Speaker 1: that tell me, because I know what they're talking about.

760
00:39:29,719 --> 00:39:31,560
Speaker 1: When you first listen to a young thug record and

761
00:39:31,600 --> 00:39:33,480
Speaker 1: you never heard it before, you gotta bag it up

762
00:39:33,480 --> 00:39:36,080
Speaker 1: and listen to it again, and you gotta wait until

763
00:39:36,120 --> 00:39:38,320
Speaker 1: you figure out, Okay, wait a minute, there's a pattern

764
00:39:38,360 --> 00:39:40,720
Speaker 1: to this. There's he's saying words, but I don't normally

765
00:39:40,760 --> 00:39:43,080
Speaker 1: hear these words bent like this. I don't hear hear

766
00:39:43,160 --> 00:39:46,280
Speaker 1: him something like this. They're usually not inflected in this tone,

767
00:39:46,320 --> 00:39:48,480
Speaker 1: on this syllable, So I don't. I didn't know that's

768
00:39:48,520 --> 00:39:50,040
Speaker 1: what he was saying because I ain't never heard that

769
00:39:50,120 --> 00:39:54,919
Speaker 1: word said like that, right right exactly, and I didn't.

770
00:39:54,920 --> 00:39:56,680
Speaker 1: Once you get it, you're like, oh, Nick, this is

771
00:39:57,400 --> 00:40:01,040
Speaker 1: you know when yeah, exa, And it takes a while

772
00:40:01,080 --> 00:40:02,680
Speaker 1: to figure out what to me goes the same. Once

773
00:40:02,719 --> 00:40:05,560
Speaker 1: you figure out, right, yo, these dudes are killing it.

774
00:40:06,960 --> 00:40:09,400
Speaker 1: And that's what we're trying to do at Drink Chaps

775
00:40:09,560 --> 00:40:14,520
Speaker 1: with volt TV audio boom, audio boom. What we're trying

776
00:40:14,560 --> 00:40:17,200
Speaker 1: to do is we're trying to we don't want to

777
00:40:17,239 --> 00:40:20,359
Speaker 1: school people on hip hop. We wanna we wanna give

778
00:40:20,400 --> 00:40:23,680
Speaker 1: you our version of hip hop. Want you don't want

779
00:40:23,680 --> 00:40:29,520
Speaker 1: to sound, you don't want to like blind, We're gonna

780
00:40:29,560 --> 00:40:35,879
Speaker 1: send it. But this is the deal. Here's the deals around.

781
00:40:35,920 --> 00:40:39,200
Speaker 1: Here's a deal. Here's a deal. You know, um, you

782
00:40:39,280 --> 00:40:41,839
Speaker 1: know our of all TV, we got great people. We've

783
00:40:41,840 --> 00:40:44,399
Speaker 1: got people from Queens that work there. We got people

784
00:40:44,480 --> 00:40:47,160
Speaker 1: from motherfucking everywhere that worked there. And you know what

785
00:40:47,400 --> 00:40:50,960
Speaker 1: it is, here's the beautiful part about it. If we

786
00:40:51,160 --> 00:40:55,160
Speaker 1: all representing the same culture. It's hip hop, and you

787
00:40:55,200 --> 00:40:58,680
Speaker 1: know what, our version might be different, their version might

788
00:40:58,800 --> 00:41:00,960
Speaker 1: be different. But the thing gets as long as we

789
00:41:01,480 --> 00:41:04,200
Speaker 1: wrapping the hip hop, we didn't we didn't know, that's

790
00:41:04,200 --> 00:41:07,239
Speaker 1: the reality. We didn't know. I sat in Texas, I

791
00:41:07,320 --> 00:41:09,239
Speaker 1: looved in New York on TV and I just didn't know.

792
00:41:09,920 --> 00:41:12,920
Speaker 1: You know, people say in New York with Texas on

793
00:41:13,000 --> 00:41:15,680
Speaker 1: TV looking at Dallas and then like that, and they

794
00:41:15,760 --> 00:41:18,520
Speaker 1: didn't know. We all hear A little deserved was a drink.

795
00:41:18,760 --> 00:41:21,040
Speaker 1: We look at London and we looked at London and

796
00:41:22,560 --> 00:41:26,840
Speaker 1: we don't even black people were getting drunk. That's what

797
00:41:26,920 --> 00:41:28,719
Speaker 1: I thought, you know, you know some of it, like

798
00:41:29,080 --> 00:41:34,279
Speaker 1: Sarah was, yeah, look at and that's the thing, real talk.

799
00:41:34,520 --> 00:41:37,799
Speaker 1: We were never telling people what it was. Somebody gave

800
00:41:37,840 --> 00:41:39,239
Speaker 1: it away in the end of you I'm not gonna,

801
00:41:39,400 --> 00:41:41,400
Speaker 1: I'm not here to blast them. They know who they are.

802
00:41:41,560 --> 00:41:45,520
Speaker 1: Definitely need but they're they're a good friend and they

803
00:41:45,520 --> 00:41:48,440
Speaker 1: didn't they didn't realize what they were doing. But but

804
00:41:49,000 --> 00:41:51,920
Speaker 1: the understanding between everybody's like, we're not gonna just actually

805
00:41:52,040 --> 00:41:55,120
Speaker 1: say what this is. But then somebody actually said it

806
00:41:55,239 --> 00:41:57,400
Speaker 1: and then it kind of became what it was. But

807
00:41:57,520 --> 00:42:00,239
Speaker 1: it was never just us because Philly Niggas was wanted

808
00:42:00,280 --> 00:42:04,319
Speaker 1: at the same that's how well we know, like, well,

809
00:42:04,480 --> 00:42:06,600
Speaker 1: if you want to talk about that Mississippi, Alabama Nigga

810
00:42:06,600 --> 00:42:09,440
Speaker 1: said yellow too, and Tennessee, so you're in Tennessee, Niggas

811
00:42:09,480 --> 00:42:12,880
Speaker 1: talk about scissor. That wasn't really purple, that wasn't red, sir,

812
00:42:13,120 --> 00:42:17,160
Speaker 1: that was jealous. That was the activists, activists active. This

813
00:42:17,360 --> 00:42:19,919
Speaker 1: is what they sell now. Because the original sur brand

814
00:42:20,000 --> 00:42:22,680
Speaker 1: was called bar b a r E. So when big

815
00:42:22,800 --> 00:42:25,000
Speaker 1: most things about the bar Baby and we rap about

816
00:42:25,000 --> 00:42:28,280
Speaker 1: sipping ball, that's what we talked about because the original brand,

817
00:42:28,760 --> 00:42:31,719
Speaker 1: pharmaceutical brand that sold it was a company called bar

818
00:42:32,320 --> 00:42:34,359
Speaker 1: B A r r E. And that's where the name

819
00:42:34,480 --> 00:42:36,960
Speaker 1: came from. So people still say sipping ball, but they're

820
00:42:37,000 --> 00:42:39,719
Speaker 1: not really sipping ball. They're probably sipping activists. And what

821
00:42:39,880 --> 00:42:42,080
Speaker 1: we used to sip was like sweet because they're early

822
00:42:42,160 --> 00:42:45,600
Speaker 1: medicine to be tight. I don't even know, don't sipping.

823
00:42:45,760 --> 00:42:47,440
Speaker 1: And that's why we had the screw tapes and the

824
00:42:47,600 --> 00:42:50,600
Speaker 1: music slowed down like that to try to excre my schemes.

825
00:42:52,960 --> 00:42:55,160
Speaker 1: But we never knew that ship was gonna We never

826
00:42:55,200 --> 00:42:57,239
Speaker 1: expected that ship to really get past where we were.

827
00:42:57,280 --> 00:42:59,640
Speaker 1: We didn't speak for anybody to understand. And now it's

828
00:42:59,680 --> 00:43:02,400
Speaker 1: so big. Even if you were the screw getting a

829
00:43:02,440 --> 00:43:07,000
Speaker 1: just old Ward before Justice, they had to make they

830
00:43:07,040 --> 00:43:09,799
Speaker 1: had to literally make a category for him because they

831
00:43:09,920 --> 00:43:14,239
Speaker 1: created an entirely new styllar dj wow. But they gave

832
00:43:14,280 --> 00:43:15,799
Speaker 1: it and the awards were like a ring I think

833
00:43:16,160 --> 00:43:18,120
Speaker 1: I got just gave me a little like a boom

834
00:43:18,160 --> 00:43:20,919
Speaker 1: box that he made it just crip. Yeah, she was dope.

835
00:43:20,960 --> 00:43:23,160
Speaker 1: It was my favorite or whatever. I remember being there

836
00:43:23,200 --> 00:43:27,000
Speaker 1: watching Slave slap Pudgy p with the plaque. We definitely

837
00:43:27,120 --> 00:43:29,560
Speaker 1: here about this, but let's get into it. Oh that

838
00:43:29,719 --> 00:43:32,839
Speaker 1: was me. So the only people after just old wards

839
00:43:32,840 --> 00:43:35,080
Speaker 1: from the South that year was me, and I think

840
00:43:35,160 --> 00:43:38,279
Speaker 1: was me and killing Mike. I don't know. It's a

841
00:43:38,360 --> 00:43:41,839
Speaker 1: year slag slap Puggy, but Puggy pa Puggy, I don't

842
00:43:41,880 --> 00:43:45,520
Speaker 1: know pug It was a DJ from Yeah, it was

843
00:43:45,840 --> 00:43:49,120
Speaker 1: Puggy PJ from someone, I'm not sure. But he had

844
00:43:49,160 --> 00:43:52,040
Speaker 1: been talking greasy about slave. So Slay had just won

845
00:43:52,160 --> 00:43:59,320
Speaker 1: his award and went off to like sway Slave was

846
00:43:59,400 --> 00:44:03,440
Speaker 1: hitting him. That's what I'm talking about, my twin. So

847
00:44:04,239 --> 00:44:06,560
Speaker 1: he had just won his award and it went to

848
00:44:07,680 --> 00:44:11,160
Speaker 1: the back to so he was doing. So he like

849
00:44:11,200 --> 00:44:14,279
Speaker 1: get in the press like woooo. Pudgy goes up and

850
00:44:14,480 --> 00:44:16,120
Speaker 1: I don't know if he performed or one or something,

851
00:44:16,400 --> 00:44:18,759
Speaker 1: but he was on stage and he said some slick

852
00:44:18,840 --> 00:44:22,560
Speaker 1: ship and Slay moved immediately, and so the whole area

853
00:44:23,400 --> 00:44:27,120
Speaker 1: got crazy. And the only nigga I know is killing Mike,

854
00:44:27,520 --> 00:44:29,719
Speaker 1: and I'm the only nigga he know. So he got

855
00:44:29,840 --> 00:44:32,200
Speaker 1: a tube by four. I gotta five hundred and we're

856
00:44:32,239 --> 00:44:34,600
Speaker 1: back to back like we're getting out of here. We're

857
00:44:34,600 --> 00:44:38,279
Speaker 1: going on because ain't nobody know who he is. If

858
00:44:38,360 --> 00:44:41,000
Speaker 1: you didn't come with who, you fight with you, finn swing,

859
00:44:41,520 --> 00:44:44,359
Speaker 1: that's how I'm moving if you if you ain't come

860
00:44:44,440 --> 00:44:46,520
Speaker 1: with me, if you ain't come with me, and you

861
00:44:46,680 --> 00:44:50,000
Speaker 1: between where I'm trying to get to, we're fnna move you.

862
00:44:51,040 --> 00:44:56,359
Speaker 1: And so we realizing immediately in the moments going down,

863
00:44:57,760 --> 00:44:59,799
Speaker 1: and they just kind of happened like that. But if

864
00:44:59,840 --> 00:45:02,080
Speaker 1: they it was open about maybe five seven minutes. It

865
00:45:02,160 --> 00:45:05,560
Speaker 1: happened real quick. But it was funny. That was funny. Drama,

866
00:45:06,239 --> 00:45:11,040
Speaker 1: especially the little Sid is the drama king. He not

867
00:45:11,160 --> 00:45:15,399
Speaker 1: only plays drama, he addresses drama. Addresses drama. Now. One

868
00:45:15,480 --> 00:45:19,160
Speaker 1: of the best times in my life was when I

869
00:45:19,239 --> 00:45:22,239
Speaker 1: hung out with both of you brothers together and I

870
00:45:22,360 --> 00:45:24,840
Speaker 1: bring you out of that frak city. This is my

871
00:45:25,000 --> 00:45:27,080
Speaker 1: first time I left fracking, my first time, mean, but

872
00:45:27,400 --> 00:45:29,520
Speaker 1: this was a crazy way that's your first time meeting.

873
00:45:29,840 --> 00:45:31,880
Speaker 1: I thought it was crazy, like I'm a Miami duties

874
00:45:31,880 --> 00:45:33,520
Speaker 1: of Texas during the first time. We're gonna meet us

875
00:45:33,960 --> 00:45:38,319
Speaker 1: in the project, in the project and you know, last

876
00:45:38,440 --> 00:45:44,360
Speaker 1: night and my Greatest night Ka straight at the bottom

877
00:45:45,000 --> 00:45:48,480
Speaker 1: the Champago, what's the ship with the yellow rap? Christal

878
00:45:48,840 --> 00:45:52,520
Speaker 1: dright at the bottom? DTS drove by three times. I

879
00:45:52,560 --> 00:45:57,040
Speaker 1: remember every time, Um, I watched under age dude slap

880
00:45:57,200 --> 00:46:01,160
Speaker 1: over age dude commented an everything on the side just

881
00:46:01,320 --> 00:46:07,440
Speaker 1: like yo, and it was hilarious everything um corner beef

882
00:46:07,880 --> 00:46:10,880
Speaker 1: because somebody pressed somebody. I'm not naming on it, but

883
00:46:10,960 --> 00:46:14,000
Speaker 1: somebody pressed somebody and didn't know that he was working

884
00:46:14,040 --> 00:46:16,759
Speaker 1: for somebody else. So that became a thing like yo.

885
00:46:16,840 --> 00:46:18,839
Speaker 1: So I needed somebody need to shoot you to five

886
00:46:18,920 --> 00:46:22,160
Speaker 1: for that because you didn't know. Um there was an

887
00:46:22,200 --> 00:46:25,120
Speaker 1: an all and the all got got he got shot

888
00:46:25,200 --> 00:46:31,160
Speaker 1: to five. He got shot. He got shot the five.

889
00:46:31,320 --> 00:46:33,640
Speaker 1: And then while that happened and his keys flew out

890
00:46:33,680 --> 00:46:36,360
Speaker 1: his hand, the other young homie, I don't want to

891
00:46:36,360 --> 00:46:37,800
Speaker 1: say his name, but he being used it with me

892
00:46:37,840 --> 00:46:40,160
Speaker 1: and truck all the time to being Texas shout out

893
00:46:40,200 --> 00:46:42,759
Speaker 1: to him kept his foot I've never kept his foot

894
00:46:42,800 --> 00:46:44,799
Speaker 1: on his keys for two and a half hours, while

895
00:46:44,920 --> 00:46:47,560
Speaker 1: he was looking everywhere for his keys, they were right

896
00:46:47,600 --> 00:46:49,480
Speaker 1: there on the one dude shoot for two and a

897
00:46:49,520 --> 00:46:56,680
Speaker 1: half hours. He never moved. He kept that was an

898
00:46:56,680 --> 00:47:00,960
Speaker 1: amazing night, and trying to get a cab home, trying

899
00:47:01,000 --> 00:47:05,319
Speaker 1: to get a cat still black, and trying to get

900
00:47:05,320 --> 00:47:09,640
Speaker 1: a cat from left rack back. We can't get a cat. Yeah,

901
00:47:09,719 --> 00:47:11,440
Speaker 1: but let me just tell you something. That was one

902
00:47:11,440 --> 00:47:14,480
Speaker 1: of the most memorable moments for my life, because you

903
00:47:14,560 --> 00:47:18,160
Speaker 1: know why, I don't realize how out of control my

904
00:47:18,320 --> 00:47:22,040
Speaker 1: hood is because I'm just a part of it. Like

905
00:47:22,680 --> 00:47:26,360
Speaker 1: you came with me yesterday and I feel like I

906
00:47:26,440 --> 00:47:29,640
Speaker 1: feel like you finally realized, like okay, and it was

907
00:47:29,760 --> 00:47:37,640
Speaker 1: ill because you were faking it was look at the blink.

908
00:47:37,760 --> 00:47:41,000
Speaker 1: I'm sorry telling you. It's good. It's good. I thought

909
00:47:41,040 --> 00:47:44,200
Speaker 1: it was beautiful because Norri was my all accounts famous

910
00:47:44,520 --> 00:47:48,920
Speaker 1: at this point, right, and he's in he's intellections and

911
00:47:49,000 --> 00:47:50,799
Speaker 1: he's on the block with his homies and even brought

912
00:47:50,880 --> 00:47:53,680
Speaker 1: us out there and he's in his hood. And it

913
00:47:53,800 --> 00:47:57,399
Speaker 1: was like you probably don't know this, but ever since

914
00:47:57,440 --> 00:48:00,799
Speaker 1: I ever since you did that, every time somebody comes

915
00:48:00,800 --> 00:48:03,400
Speaker 1: to Houston, I picked them up. I ride him around

916
00:48:03,840 --> 00:48:05,799
Speaker 1: and people don't know why this happened. I picked them

917
00:48:05,840 --> 00:48:07,520
Speaker 1: up a ride around and take them straight, Like where

918
00:48:07,520 --> 00:48:09,520
Speaker 1: do you want to go in Houston? I want to

919
00:48:09,560 --> 00:48:10,759
Speaker 1: go to fifth Ward. I want to go back to

920
00:48:10,760 --> 00:48:14,040
Speaker 1: the school. I'm just giving you real I'm just giving

921
00:48:14,040 --> 00:48:16,239
Speaker 1: you real ship. I'm like, yeah, I'm so gass because

922
00:48:16,280 --> 00:48:19,040
Speaker 1: my thing is if I can't do for people in

923
00:48:19,200 --> 00:48:21,680
Speaker 1: my city with NOI did for me, they're not real.

924
00:48:22,440 --> 00:48:31,960
Speaker 1: They're not real. But damn that's that's because you never

925
00:48:32,040 --> 00:48:33,640
Speaker 1: even acted like you was the hard sneak out of

926
00:48:33,719 --> 00:48:35,560
Speaker 1: left right, Like you know what I'm saying, but you

927
00:48:35,719 --> 00:48:37,520
Speaker 1: know that you can go home, but you know you could,

928
00:48:37,800 --> 00:48:40,440
Speaker 1: but you know you could go home, right, And there's

929
00:48:40,480 --> 00:48:42,680
Speaker 1: a lot of people that can't go home. You know

930
00:48:42,680 --> 00:48:48,719
Speaker 1: what I'm saying. Home yesterday and everybody, let me tell

931
00:48:48,760 --> 00:48:50,759
Speaker 1: you something, that was the best compliment I ever got

932
00:48:50,840 --> 00:48:53,319
Speaker 1: in my life, because that's the real ship. The thing

933
00:48:53,360 --> 00:48:55,839
Speaker 1: about it is a lot of us we come from

934
00:48:55,920 --> 00:48:58,440
Speaker 1: the hood. A lot of people say, oh, this dick

935
00:48:58,480 --> 00:49:01,000
Speaker 1: head can't come back to the not because I go

936
00:49:01,280 --> 00:49:04,960
Speaker 1: right back and rich and prod we're talking about the

937
00:49:05,520 --> 00:49:08,240
Speaker 1: and and then when to go back, here's the crazy

938
00:49:08,320 --> 00:49:11,200
Speaker 1: ship they leave because you know, I was really a shooter.

939
00:49:11,239 --> 00:49:14,759
Speaker 1: I never had a shooter, like I know serious, I

940
00:49:15,080 --> 00:49:17,600
Speaker 1: was the shooter. So when I come back everybody leaves

941
00:49:17,640 --> 00:49:21,719
Speaker 1: and it's like it's weird. So for me, I was

942
00:49:21,800 --> 00:49:24,880
Speaker 1: always I was always a storyteller. I was always to

943
00:49:24,960 --> 00:49:26,799
Speaker 1: do like I came, I went to Houston and came

944
00:49:26,840 --> 00:49:29,480
Speaker 1: back to put author. Yo, this is a blank like

945
00:49:29,600 --> 00:49:31,680
Speaker 1: I went to Houston came back, Yo. But this is

946
00:49:31,719 --> 00:49:33,920
Speaker 1: the basic. This is wet Yo. I left, went to Houston,

947
00:49:34,200 --> 00:49:36,799
Speaker 1: came back. This is hisserve. I went to Houston back

948
00:49:36,960 --> 00:49:39,759
Speaker 1: like I would always bring all that type of ship too.

949
00:49:39,920 --> 00:49:41,640
Speaker 1: But that's a big thing right there, because you know

950
00:49:41,719 --> 00:49:46,040
Speaker 1: what you just said, right my very importance. You said

951
00:49:46,080 --> 00:49:48,520
Speaker 1: you went to Houston and you went to Paul Author. See,

952
00:49:48,560 --> 00:49:52,640
Speaker 1: most people who listen to this, they don't realize that, Yeah,

953
00:49:52,680 --> 00:49:56,800
Speaker 1: if I went half away from Houston, like I'm faces

954
00:49:56,840 --> 00:49:59,320
Speaker 1: from Houston, I'm closer to Louisiana than I am in

955
00:49:59,400 --> 00:50:04,080
Speaker 1: Houston from and like all my families from Louisiana. But

956
00:50:05,080 --> 00:50:07,400
Speaker 1: there was there was only if you wanted to make music,

957
00:50:07,560 --> 00:50:09,759
Speaker 1: you had to go to Houston. Houston like that was

958
00:50:09,840 --> 00:50:12,279
Speaker 1: where you had to go to make your bones about music,

959
00:50:12,360 --> 00:50:15,360
Speaker 1: you know what I'm saying. So for us, it was

960
00:50:15,400 --> 00:50:17,600
Speaker 1: a no brain like we didn't even have real recording

961
00:50:17,640 --> 00:50:19,960
Speaker 1: studios put author, you know what I'm saying. But we

962
00:50:20,080 --> 00:50:22,400
Speaker 1: had people that wanted to be real m c s.

963
00:50:22,719 --> 00:50:24,960
Speaker 1: I'm listening. So we just kept going at it, kept

964
00:50:25,000 --> 00:50:28,040
Speaker 1: going at it, and eventually we went to the flea

965
00:50:28,120 --> 00:50:30,120
Speaker 1: market one day and kid the flea Market had it

966
00:50:30,200 --> 00:50:32,680
Speaker 1: in Houston, had to sign in in his store and

967
00:50:32,760 --> 00:50:35,359
Speaker 1: he said, we're looking for demos. And we got back

968
00:50:35,400 --> 00:50:38,160
Speaker 1: in the car, drove back to put the Author, got

969
00:50:38,200 --> 00:50:41,279
Speaker 1: the demo, drove back to the flea market, played him

970
00:50:41,320 --> 00:50:46,759
Speaker 1: the demo and he was like, Okay, we're four deep

971
00:50:46,880 --> 00:50:49,759
Speaker 1: in the old school prelud. You remember the old prelude

972
00:50:50,160 --> 00:50:57,399
Speaker 1: that they have no back seat? Were four deep? Want

973
00:50:57,400 --> 00:51:00,040
Speaker 1: to I want to have the whole other city. I

974
00:51:00,160 --> 00:51:02,560
Speaker 1: wanted to go a little deeper right now. But let's go.

975
00:51:02,920 --> 00:51:05,719
Speaker 1: How did you and Pimp even meet? Me? And Pimp

976
00:51:05,840 --> 00:51:08,920
Speaker 1: had a mutual friend Mitchell Queen, and pimp was his

977
00:51:09,040 --> 00:51:12,000
Speaker 1: name was Mitchell Quinn Big Mitch, and Mitch was rapping

978
00:51:12,040 --> 00:51:17,120
Speaker 1: with and he was he was rapping with Pimp before

979
00:51:17,200 --> 00:51:21,000
Speaker 1: I was. And I had an idea who Pimp was,

980
00:51:21,080 --> 00:51:23,239
Speaker 1: and I ain't really liked him, and Pimp had an

981
00:51:23,280 --> 00:51:26,920
Speaker 1: idea of who I was, and like me, he liked me.

982
00:51:28,320 --> 00:51:31,840
Speaker 1: We met at like a football game, and he fronted

983
00:51:31,880 --> 00:51:34,839
Speaker 1: me about some ship and I actually proved I don't

984
00:51:34,880 --> 00:51:36,160
Speaker 1: want to get too deep in it. I got saved

985
00:51:36,280 --> 00:51:38,279
Speaker 1: some ship for the book, like my wife said, I said,

986
00:51:38,560 --> 00:51:41,440
Speaker 1: for the book. He fronted me on something I proved

987
00:51:41,480 --> 00:51:44,359
Speaker 1: myself right, and from that point on we became real

988
00:51:44,480 --> 00:51:47,480
Speaker 1: tight because I thought he was a certain type of

989
00:51:47,560 --> 00:51:49,000
Speaker 1: dude and he approached me a certain way that I

990
00:51:49,040 --> 00:51:51,520
Speaker 1: ain't expect from him, and then I handled it a

991
00:51:51,560 --> 00:51:53,480
Speaker 1: certain way that he didn't expect from me. And then

992
00:51:53,520 --> 00:51:55,800
Speaker 1: we realized and this is this is literally like my

993
00:51:55,960 --> 00:51:59,960
Speaker 1: junior years, sophomore year. Yeah, nothing that before we were

994
00:52:00,200 --> 00:52:02,080
Speaker 1: making music because he was already man, I wasn't even

995
00:52:02,120 --> 00:52:05,799
Speaker 1: really rap. That was k first album name K's first.

996
00:52:06,040 --> 00:52:09,320
Speaker 1: Our first project was The Southern Way. But he and

997
00:52:09,400 --> 00:52:11,120
Speaker 1: Mitchell Queen to do what I'm talking about with you

998
00:52:11,239 --> 00:52:16,320
Speaker 1: g K. First Wait, wait, it wasn't. No, I'm not

999
00:52:16,520 --> 00:52:19,040
Speaker 1: one of the original members of ug Cat, but that's

1000
00:52:19,080 --> 00:52:22,880
Speaker 1: what the book. But that's what the I can smacked myself,

1001
00:52:23,280 --> 00:52:29,080
Speaker 1: you g K Whitey book coming so, but it's not

1002
00:52:29,200 --> 00:52:31,680
Speaker 1: an actual album that came out. No, no, no, just

1003
00:52:31,800 --> 00:52:33,719
Speaker 1: as a group, and then because what it was when

1004
00:52:33,760 --> 00:52:35,480
Speaker 1: they were two men, they were a group, and then

1005
00:52:35,560 --> 00:52:37,880
Speaker 1: I ended up being in another group. So when we

1006
00:52:38,040 --> 00:52:40,920
Speaker 1: got together we as a four man group, we became

1007
00:52:41,360 --> 00:52:44,080
Speaker 1: a totally different group. And then when the dude hurt

1008
00:52:44,120 --> 00:52:46,319
Speaker 1: because the demo we made was just the four man group.

1009
00:52:46,920 --> 00:52:49,160
Speaker 1: So someone like, I want to sign y'all. But one

1010
00:52:49,200 --> 00:52:51,640
Speaker 1: of the other two dudes had a football scholarship. He

1011
00:52:51,719 --> 00:52:54,960
Speaker 1: was like, I'm going to play football. And then the

1012
00:52:55,080 --> 00:52:58,840
Speaker 1: other dude was like a football like prodigy. He was

1013
00:52:58,920 --> 00:53:02,160
Speaker 1: like a prospect, but he was a junior. So he's like, yo,

1014
00:53:02,239 --> 00:53:04,080
Speaker 1: I'm gonna I want to play ball like him, So

1015
00:53:04,160 --> 00:53:07,160
Speaker 1: I'm to concentrate onitial and get a scholarship. So it

1016
00:53:07,280 --> 00:53:10,560
Speaker 1: ended up just kind of being me and paim let

1017
00:53:10,600 --> 00:53:13,919
Speaker 1: me ask you, Let me ask you a question, being

1018
00:53:14,000 --> 00:53:19,160
Speaker 1: from Houston, being from the Rolling more Weed on how

1019
00:53:20,480 --> 00:53:24,040
Speaker 1: we good? Right now? You're good? Had a scar face

1020
00:53:24,120 --> 00:53:27,520
Speaker 1: player roll. So scar Face was the first time scar

1021
00:53:27,640 --> 00:53:31,080
Speaker 1: Face was this is all right, So I don't want

1022
00:53:31,080 --> 00:53:32,680
Speaker 1: to go I ain't gonna tell that strike like wife,

1023
00:53:32,719 --> 00:53:34,680
Speaker 1: you said, you're gonna tell everything, but I will say

1024
00:53:34,760 --> 00:53:38,680
Speaker 1: scarface one time. I want to say scar face was

1025
00:53:38,719 --> 00:53:40,880
Speaker 1: the first like real rapper with a record out that

1026
00:53:40,960 --> 00:53:43,920
Speaker 1: I've ever seen in my life. He came to he

1027
00:53:44,040 --> 00:53:46,040
Speaker 1: came to a show that I was at and rapped

1028
00:53:46,239 --> 00:53:48,400
Speaker 1: and this was scared Face back when he used to

1029
00:53:48,400 --> 00:53:50,400
Speaker 1: wear the suit in the hat. And he was the

1030
00:53:50,400 --> 00:53:52,200
Speaker 1: first time I've ever been in the in the room

1031
00:53:52,320 --> 00:53:55,480
Speaker 1: with somebody that actually had made a record. And that

1032
00:53:55,640 --> 00:53:58,240
Speaker 1: changed my perspective on who gets to make a record?

1033
00:53:58,360 --> 00:54:01,759
Speaker 1: Why did not that scar Face wasn't special, but that

1034
00:54:01,920 --> 00:54:05,000
Speaker 1: you didn't have to just be from New York l

1035
00:54:05,080 --> 00:54:07,920
Speaker 1: A to actually be able to make a rap record

1036
00:54:08,040 --> 00:54:10,759
Speaker 1: and then go and get shows away from where you from.

1037
00:54:11,160 --> 00:54:13,560
Speaker 1: So you're walking aroom when a win a bathroom and

1038
00:54:13,640 --> 00:54:15,880
Speaker 1: escaping marine, I feel like scarf Face gotta figure out

1039
00:54:15,920 --> 00:54:24,719
Speaker 1: shoot on like a Sioux suit. Yeah, I definitely was off.

1040
00:54:25,200 --> 00:54:28,080
Speaker 1: I was wrong. So I described the scene you guys

1041
00:54:28,160 --> 00:54:30,799
Speaker 1: show he's with Kay Reino. I'm in the bathroom, Hey Reno.

1042
00:54:30,880 --> 00:54:33,919
Speaker 1: I feel like it's cares one cousin. He from that era.

1043
00:54:34,280 --> 00:54:36,800
Speaker 1: Ka Rio was like the first bout. Ka Rio was

1044
00:54:36,880 --> 00:54:39,920
Speaker 1: like the first original battle rapper from Houston, like eighty eight.

1045
00:54:40,560 --> 00:54:43,720
Speaker 1: He still like the dude that will like he guys,

1046
00:54:44,560 --> 00:54:47,440
Speaker 1: he got like that he's to dude right now, right now,

1047
00:54:47,719 --> 00:54:53,719
Speaker 1: like he will too bar you to death. Well he

1048
00:54:53,880 --> 00:55:00,719
Speaker 1: had two part boom boom like death like he's got it.

1049
00:55:00,800 --> 00:55:02,640
Speaker 1: He got what he called the Black Book and it's

1050
00:55:02,880 --> 00:55:07,200
Speaker 1: literally thirty years of wrapping there. But um yeah, and

1051
00:55:07,239 --> 00:55:09,120
Speaker 1: then we were freestyling in the room and me and

1052
00:55:09,239 --> 00:55:12,560
Speaker 1: my man David Forrest, um d a from the Black Monks.

1053
00:55:13,080 --> 00:55:16,560
Speaker 1: We were hurting niggas. We were hurting the Black Monks.

1054
00:55:16,920 --> 00:55:18,680
Speaker 1: That was a rap group, the Black Monks shot out

1055
00:55:18,719 --> 00:55:24,200
Speaker 1: the old school that he really did, I really did,

1056
00:55:24,320 --> 00:55:29,560
Speaker 1: I really did. Look we were in there like me

1057
00:55:29,640 --> 00:55:31,480
Speaker 1: and because we went to the same high school. To guess,

1058
00:55:31,600 --> 00:55:35,359
Speaker 1: we were like bodying niggas. And then facing Krino comes

1059
00:55:35,400 --> 00:55:38,719
Speaker 1: in and face doesn't even wrap Kino the sixteen bars

1060
00:55:38,760 --> 00:55:41,000
Speaker 1: and then they just walk out and they just kind

1061
00:55:41,040 --> 00:55:45,520
Speaker 1: of just go home. But did you know how how

1062
00:55:45,719 --> 00:55:50,239
Speaker 1: classic Like I don't want to say that pemp c

1063
00:55:51,280 --> 00:55:56,800
Speaker 1: was out of lis after he died, because he just

1064
00:55:56,960 --> 00:56:00,760
Speaker 1: wasn't appreciated until he died, That's what you said. Because

1065
00:56:00,840 --> 00:56:03,279
Speaker 1: I people didn't realize how much of the U g

1066
00:56:03,440 --> 00:56:07,920
Speaker 1: K library he produced. They didn't realize how much music

1067
00:56:08,080 --> 00:56:11,200
Speaker 1: outside of U g K. He produced UM and he

1068
00:56:11,320 --> 00:56:14,239
Speaker 1: didn't Yeah, yeah, see see what I'm saying. That's what

1069
00:56:14,280 --> 00:56:16,200
Speaker 1: I'm talking about. And people didn't really know that. And

1070
00:56:16,239 --> 00:56:18,680
Speaker 1: people didn't know that he and he was He didn't

1071
00:56:18,680 --> 00:56:20,919
Speaker 1: make beats, he was a producer. He had a real

1072
00:56:21,120 --> 00:56:25,960
Speaker 1: discipline for music, and people didn't really realize that outside

1073
00:56:26,000 --> 00:56:28,239
Speaker 1: of the South. I think Willie D was the first

1074
00:56:28,280 --> 00:56:31,240
Speaker 1: person to say, people think we just lost a rapper,

1075
00:56:31,400 --> 00:56:34,840
Speaker 1: We lost way mold than a rapper, you know what

1076
00:56:34,880 --> 00:56:38,000
Speaker 1: I'm saying. And that was what really made him great

1077
00:56:38,080 --> 00:56:41,239
Speaker 1: to the people in the South because they knew my bad.

1078
00:56:42,080 --> 00:56:45,000
Speaker 1: I'll tell you something funny. Ice Q wouldn't do a

1079
00:56:45,080 --> 00:56:48,560
Speaker 1: record of me unless he seemed to me in the studio,

1080
00:56:49,880 --> 00:56:53,080
Speaker 1: and PIMC was the same way. PIMC said, I think

1081
00:56:53,520 --> 00:56:55,400
Speaker 1: I think he's a real nigger, but I gotta I

1082
00:56:55,480 --> 00:57:00,760
Speaker 1: gotta be sure, because Nigga is a real good, realigo uniform.

1083
00:57:00,840 --> 00:57:04,400
Speaker 1: And war just think you got to go to this

1084
00:57:04,840 --> 00:57:09,720
Speaker 1: meeting to get your real nigger uniform. Right, you already

1085
00:57:09,760 --> 00:57:12,640
Speaker 1: consigned each other to leave each other along and it

1086
00:57:12,719 --> 00:57:15,320
Speaker 1: was like six seven hours were in the studio. We

1087
00:57:15,480 --> 00:57:18,240
Speaker 1: just keep going and Buttons like, all right, everybody coslines

1088
00:57:18,240 --> 00:57:21,120
Speaker 1: with each other, Let's finish the rector because I've done

1089
00:57:21,160 --> 00:57:23,919
Speaker 1: you already know, if wet, I'm probably the first person

1090
00:57:24,000 --> 00:57:25,600
Speaker 1: down with the rids. I'm just sitting around way for

1091
00:57:25,640 --> 00:57:28,440
Speaker 1: everybody else know. But I appreciated that so much. I

1092
00:57:28,520 --> 00:57:32,760
Speaker 1: appreciate it, though, did you your two brothers together? I

1093
00:57:32,800 --> 00:57:36,200
Speaker 1: appreciate that y'all love for each other because y'all love

1094
00:57:36,240 --> 00:57:38,520
Speaker 1: for each other was the same exact way that me

1095
00:57:38,600 --> 00:57:42,360
Speaker 1: and Capone love each other, meaning that I ain't gotta

1096
00:57:42,440 --> 00:57:45,960
Speaker 1: show Capone love on camera. I ain't gotta fun with him.

1097
00:57:46,000 --> 00:57:48,040
Speaker 1: I'm gonna ask you. I ask you a couple of questions.

1098
00:57:48,200 --> 00:57:50,480
Speaker 1: You should love it, and you should ask answer these

1099
00:57:51,280 --> 00:57:53,800
Speaker 1: in a way that's very predictable. Yes, with you and Pone.

1100
00:57:54,240 --> 00:57:57,440
Speaker 1: Did y'all have the same friends? No? Did y'all like

1101
00:57:57,520 --> 00:58:00,680
Speaker 1: the same kind of woman? No? Did y'all handle money

1102
00:58:00,720 --> 00:58:03,760
Speaker 1: the same way? No? But y'all made amazing music and

1103
00:58:03,840 --> 00:58:09,960
Speaker 1: history they got damn it. That's that's it. That's it.

1104
00:58:10,240 --> 00:58:12,600
Speaker 1: This is y Yang, right, you see what I'm saying.

1105
00:58:12,840 --> 00:58:14,480
Speaker 1: This is Yin and Yang, and that's why that ship

1106
00:58:14,640 --> 00:58:16,960
Speaker 1: hurt work. And when I watched E P m D

1107
00:58:17,360 --> 00:58:20,360
Speaker 1: and groups like that, right, the two man groups. And

1108
00:58:21,200 --> 00:58:23,240
Speaker 1: if you couldn't find too many two different niggas in

1109
00:58:23,320 --> 00:58:28,280
Speaker 1: parishing area. Right, But that's but because separate, right, but

1110
00:58:28,520 --> 00:58:31,800
Speaker 1: but but that means that we encompass everything that all

1111
00:58:31,880 --> 00:58:34,280
Speaker 1: with hoods, because that's the one thing we shared is

1112
00:58:34,280 --> 00:58:36,760
Speaker 1: our hood. You know what I'm saying, Like, that's the

1113
00:58:36,800 --> 00:58:39,200
Speaker 1: one thing you upo y'all left right, Nigga, no, no, no,

1114
00:58:40,040 --> 00:58:51,240
Speaker 1: crazy but Queen but Queens it's a different diss it work.

1115
00:58:51,800 --> 00:58:55,560
Speaker 1: Crypto made it work. Was we're from two different hoods,

1116
00:58:55,600 --> 00:58:58,200
Speaker 1: and that that'sn't even deeper inning. You know, listen, let

1117
00:58:58,240 --> 00:58:59,760
Speaker 1: me just tell you because me and Pimple from the

1118
00:58:59,800 --> 00:59:03,960
Speaker 1: same neighborhood. I can't go to Queensbridge. I went to

1119
00:59:04,080 --> 00:59:06,919
Speaker 1: Queen's Bridge just now. It's not my left rack, guys there,

1120
00:59:07,320 --> 00:59:10,720
Speaker 1: I went to left rack. There's nothing queen there but

1121
00:59:11,000 --> 00:59:14,160
Speaker 1: me and Capone set that up. And we didn't know

1122
00:59:14,280 --> 00:59:17,000
Speaker 1: what we were doing. We just had love for each

1123
00:59:17,000 --> 00:59:19,760
Speaker 1: other and we said, you know what funk that, we're

1124
00:59:19,760 --> 00:59:23,920
Speaker 1: gonna We're gonna mess with each other. And here's there.

1125
00:59:24,040 --> 00:59:27,760
Speaker 1: I'm glad he's alive and glad he's still here. Because

1126
00:59:28,200 --> 00:59:31,160
Speaker 1: we hugged hugged them the other day and I said, damn,

1127
00:59:31,800 --> 00:59:35,760
Speaker 1: and he said, look this, it's left right Queen's ridge.

1128
00:59:36,160 --> 00:59:38,479
Speaker 1: And then he came to left rock. He said, I said,

1129
00:59:38,520 --> 00:59:43,080
Speaker 1: look this queens. He said, if we set that up,

1130
00:59:43,480 --> 00:59:45,880
Speaker 1: and then I gave him a hug, and it's beautiful.

1131
00:59:46,200 --> 00:59:48,880
Speaker 1: It's a beautiful thing. Because haw, did it not meant

1132
00:59:48,960 --> 00:59:54,160
Speaker 1: for us that that we all leave respective legacies? And yes, yes,

1133
00:59:54,360 --> 00:59:56,680
Speaker 1: some of them bigger than others, but we all leave.

1134
00:59:57,040 --> 01:00:00,240
Speaker 1: We said precedents in from one right? Were of us

1135
01:00:00,240 --> 01:00:02,600
Speaker 1: are the first nigger times you use that word A

1136
01:00:02,720 --> 01:00:04,280
Speaker 1: lot of us are the first Niggers from my old

1137
01:00:04,280 --> 01:00:07,840
Speaker 1: hoods that did that or saw that brought that. What

1138
01:00:07,840 --> 01:00:13,960
Speaker 1: I'm saying, pressist, you know what I'm saying, No, no,

1139
01:00:14,360 --> 01:00:16,600
Speaker 1: because I just won't laugh at you. Just try to

1140
01:00:16,640 --> 01:00:21,880
Speaker 1: say it. I'm dyslexic. Just say I'm dyslexic. But no, no.

1141
01:00:22,080 --> 01:00:23,960
Speaker 1: But and because of the fact that we were those

1142
01:00:24,000 --> 01:00:26,920
Speaker 1: people that set those presidents dudes that normally would it

1143
01:00:27,000 --> 01:00:29,960
Speaker 1: be like for example, you g K, we come from

1144
01:00:30,000 --> 01:00:32,640
Speaker 1: put off the Texas. The next time to us is Bonumont, Texas.

1145
01:00:33,640 --> 01:00:39,080
Speaker 1: Beef years like beef physical, physical guns all of that.

1146
01:00:39,480 --> 01:00:41,360
Speaker 1: We were the first put off the niggas to actually

1147
01:00:41,360 --> 01:00:43,360
Speaker 1: be able to go to bonmout like have a concert

1148
01:00:43,600 --> 01:00:47,360
Speaker 1: and let niggas mean muggas. But but like, look, eventually

1149
01:00:47,400 --> 01:00:51,240
Speaker 1: the music one over and they realized that, look, whether

1150
01:00:51,320 --> 01:00:54,560
Speaker 1: we like these dudes or not, nobody even know where

1151
01:00:54,600 --> 01:00:58,680
Speaker 1: we're from. These dudes are actually kind of representing the whole.

1152
01:00:58,720 --> 01:01:00,680
Speaker 1: Because we wouldn't just say put after, we'd be like, yo,

1153
01:01:00,720 --> 01:01:03,320
Speaker 1: we're from the Golden Triangle. The Golden Triangle is put

1154
01:01:03,400 --> 01:01:06,680
Speaker 1: off the whole. And so even though put off the

1155
01:01:06,760 --> 01:01:09,320
Speaker 1: niggas might beef with Bonmone niggas and beef with Orange niggas,

1156
01:01:09,560 --> 01:01:11,840
Speaker 1: if we got to go to use if a Bonmone

1157
01:01:11,880 --> 01:01:14,360
Speaker 1: nigga and put off the niggas in Houston and they

1158
01:01:14,440 --> 01:01:16,760
Speaker 1: get into it with Houston, they're gonna shoulder to show.

1159
01:01:17,360 --> 01:01:19,880
Speaker 1: We gotta get back home and then we'll deal with

1160
01:01:20,040 --> 01:01:22,800
Speaker 1: that later. It's like street beef versus it's like the

1161
01:01:22,840 --> 01:01:25,640
Speaker 1: street versus the penitentiary. In the street, we would beef

1162
01:01:25,760 --> 01:01:28,240
Speaker 1: in the pending. Now we gotta lock up. It's a

1163
01:01:28,280 --> 01:01:30,480
Speaker 1: different it's a different dynamic. I'm not gonna get into it,

1164
01:01:30,560 --> 01:01:35,000
Speaker 1: but you're talking about it, and I'm like, I don't

1165
01:01:35,040 --> 01:01:39,520
Speaker 1: want to know what you had to choose. It's terrible.

1166
01:01:40,000 --> 01:01:42,720
Speaker 1: You don't need to go to jail right now. Ever ever, listen,

1167
01:01:43,080 --> 01:01:47,920
Speaker 1: but now it came on one time with Pam actually

1168
01:01:48,000 --> 01:01:53,000
Speaker 1: got on land the radio and he shoot up everybody.

1169
01:01:53,080 --> 01:01:54,880
Speaker 1: And I wouldn't say he shipping or everybody. He was

1170
01:01:55,040 --> 01:01:56,800
Speaker 1: very honest about how he saw the world, how I

1171
01:01:56,920 --> 01:01:58,400
Speaker 1: saw the world. And you know what I'm saying that

1172
01:01:58,520 --> 01:02:01,400
Speaker 1: people if we was scared to be honest about how

1173
01:02:01,440 --> 01:02:03,640
Speaker 1: they see ship people. You want to say, now we

1174
01:02:03,880 --> 01:02:09,040
Speaker 1: understand that. But back then that was too advance. No, no,

1175
01:02:09,320 --> 01:02:11,960
Speaker 1: And even I was like, what is he doing because

1176
01:02:12,640 --> 01:02:16,160
Speaker 1: and there were people that were like, yo, um, this

1177
01:02:16,400 --> 01:02:19,440
Speaker 1: is crazy, like people are gonna people are about to

1178
01:02:19,520 --> 01:02:21,760
Speaker 1: go off on Pimp. I'm like, na, this will probably

1179
01:02:21,800 --> 01:02:24,600
Speaker 1: be fifty fifty and they were like, you're crazy, like

1180
01:02:24,720 --> 01:02:27,919
Speaker 1: Atlanta ain't the East coast. But I'm like, you don't

1181
01:02:28,000 --> 01:02:30,800
Speaker 1: understand how people love pim C. This will probably be

1182
01:02:31,160 --> 01:02:34,040
Speaker 1: about fifty fifty. And then and it became that kind

1183
01:02:34,080 --> 01:02:36,440
Speaker 1: of a situation. Now, I'll be honest, I think it's

1184
01:02:39,720 --> 01:02:42,760
Speaker 1: like everybody agreed with Pimp, but I did too, and

1185
01:02:43,200 --> 01:02:46,360
Speaker 1: it was because Pimp had been very honest and open

1186
01:02:46,840 --> 01:02:50,960
Speaker 1: and eventually right about a lot of ship before they

1187
01:02:51,480 --> 01:02:55,840
Speaker 1: so when he gave that opinion, even people that lived

1188
01:02:55,880 --> 01:02:59,800
Speaker 1: in Atlanta kind of had to be like, I know what,

1189
01:03:00,680 --> 01:03:02,720
Speaker 1: I know what he's saying, but then I also know

1190
01:03:02,840 --> 01:03:06,560
Speaker 1: what he means, right, And maybe he didn't and maybe

1191
01:03:07,000 --> 01:03:09,760
Speaker 1: maybe he didn't see it in the right way, but

1192
01:03:09,920 --> 01:03:11,640
Speaker 1: I know what he meant because then he was like, Yo,

1193
01:03:11,720 --> 01:03:13,600
Speaker 1: you're saying Atlanta with the gay capital of the world.

1194
01:03:13,880 --> 01:03:18,880
Speaker 1: And he's like, okay, right, And at that time, people like, yo,

1195
01:03:18,960 --> 01:03:22,040
Speaker 1: you were wrong for that, But now in retrospect, if

1196
01:03:22,080 --> 01:03:26,840
Speaker 1: you go Atlantic small, I'm sorry it's and I'm not

1197
01:03:26,960 --> 01:03:29,400
Speaker 1: saying there's nothing wrong with being gay, but I'm sorry.

1198
01:03:29,480 --> 01:03:32,280
Speaker 1: He was running something like a lot of black people

1199
01:03:32,360 --> 01:03:34,920
Speaker 1: that are trying to explore their sexuality or trying to

1200
01:03:35,240 --> 01:03:40,520
Speaker 1: confirm their sexuality or finding themselves in Atlanta, in Atlanta, Georgia,

1201
01:03:40,840 --> 01:03:43,120
Speaker 1: and it's been like that, and that was there was

1202
01:03:43,160 --> 01:03:46,720
Speaker 1: a very ugly undercurrent of people that were on the download,

1203
01:03:46,720 --> 01:03:48,760
Speaker 1: and that was another thing he was trying to expose

1204
01:03:49,240 --> 01:03:53,240
Speaker 1: because we knew it. Because here's the thing, Pimsey was

1205
01:03:53,320 --> 01:03:58,520
Speaker 1: not homophobic, Pimsey had no problem with gay People's problem

1206
01:03:58,760 --> 01:04:04,040
Speaker 1: was quit hiding the fact whatever you are would be that, yes,

1207
01:04:04,440 --> 01:04:07,360
Speaker 1: because you're sucking up, and he would say that the

1208
01:04:08,200 --> 01:04:14,000
Speaker 1: problem when you're down a little, you're up the pussy population, right,

1209
01:04:14,240 --> 01:04:16,240
Speaker 1: And that was his problem. If you gave b gay,

1210
01:04:16,600 --> 01:04:19,280
Speaker 1: let everybody know who you are so we can identify

1211
01:04:19,440 --> 01:04:21,520
Speaker 1: that and separate that and be like, okay, so you

1212
01:04:21,640 --> 01:04:24,480
Speaker 1: leave the women alone. You don't have to program. I'm

1213
01:04:24,480 --> 01:04:28,520
Speaker 1: gonna cut you off for one second month. That's probably

1214
01:04:29,680 --> 01:04:34,760
Speaker 1: the first time I actually actually really want to, actually

1215
01:04:35,440 --> 01:04:40,160
Speaker 1: like really love How didn't just get jez Jeezy Because

1216
01:04:40,280 --> 01:04:43,960
Speaker 1: Jeez the biggest artist he could. He could have just

1217
01:04:44,120 --> 01:04:47,600
Speaker 1: turned around and just sit it on Pimpsie. He could

1218
01:04:47,640 --> 01:04:49,680
Speaker 1: have said something, but but you know what, Jeez did

1219
01:04:50,120 --> 01:04:53,200
Speaker 1: Jez shut the funk up that I'm not I'm not

1220
01:04:53,320 --> 01:04:55,360
Speaker 1: saying and I'll be honest that was out of all

1221
01:04:55,440 --> 01:05:02,360
Speaker 1: respect and didn't know pimp Jesz knew me. You knows

1222
01:05:02,360 --> 01:05:05,080
Speaker 1: what I'm saying. Hold on, describe that, please, we'll break

1223
01:05:05,120 --> 01:05:07,680
Speaker 1: that down. Jeez rode for pamp like free Pampsy and

1224
01:05:07,680 --> 01:05:11,720
Speaker 1: all of that because because he left me. But Jeez

1225
01:05:11,840 --> 01:05:14,760
Speaker 1: didn't have that relationship with Pamp and vice versa, and

1226
01:05:14,960 --> 01:05:17,880
Speaker 1: so Pamp didn't really know who Jeezy was as a person.

1227
01:05:18,520 --> 01:05:21,560
Speaker 1: But in the middle of whatever he was doing, he

1228
01:05:21,640 --> 01:05:25,680
Speaker 1: felt a certain way about something and it put me

1229
01:05:26,040 --> 01:05:29,200
Speaker 1: in Jeez in a funny position because Jesus got up.

1230
01:05:29,320 --> 01:05:31,480
Speaker 1: He's got to represent his hood, he's got to do

1231
01:05:31,600 --> 01:05:34,560
Speaker 1: what he has to do. But and I'm telling him, look,

1232
01:05:34,600 --> 01:05:36,640
Speaker 1: whatever you feel you need to do, do what you

1233
01:05:36,720 --> 01:05:42,360
Speaker 1: gotta do. And he he didn't. But at the end

1234
01:05:42,360 --> 01:05:46,640
Speaker 1: of no, it's not that he didn't know. No, Jeez

1235
01:05:46,760 --> 01:05:49,880
Speaker 1: did everything he was supposed to do, like and he

1236
01:05:49,920 --> 01:05:52,360
Speaker 1: don't never say this, and obviously we're drinking that spite,

1237
01:05:52,880 --> 01:05:55,040
Speaker 1: but the reality of was Jesz did everything he was

1238
01:05:55,080 --> 01:05:57,720
Speaker 1: supposed to do. We did everything we were supposed to do,

1239
01:05:58,080 --> 01:06:01,960
Speaker 1: and God kept us away beautiful from each other. Jes

1240
01:06:02,200 --> 01:06:04,360
Speaker 1: was ready to do whatever he had to do to

1241
01:06:04,520 --> 01:06:07,000
Speaker 1: handle his situation, and we were ready to do everything

1242
01:06:07,080 --> 01:06:10,760
Speaker 1: we had to do. Then all our situation and God intervene.

1243
01:06:11,680 --> 01:06:15,120
Speaker 1: That's just. And then now like Jesus, he's never not

1244
01:06:15,320 --> 01:06:18,520
Speaker 1: been my brother, he's pimper, has never not been my brother.

1245
01:06:19,160 --> 01:06:20,720
Speaker 1: And so God was like, look, I don't want you

1246
01:06:20,840 --> 01:06:23,280
Speaker 1: to have to choose between brother and brother. So here's

1247
01:06:23,320 --> 01:06:26,320
Speaker 1: what is what we're gonna do. How difficult is that

1248
01:06:26,520 --> 01:06:29,200
Speaker 1: for you? Like it wasn't. It wasn't difficult at all

1249
01:06:29,280 --> 01:06:31,480
Speaker 1: because Jesz had to do what he had to do

1250
01:06:31,560 --> 01:06:32,600
Speaker 1: and I had to do what I had to do.

1251
01:06:32,920 --> 01:06:35,440
Speaker 1: And I'm just talking about in general, like if you no,

1252
01:06:35,600 --> 01:06:38,920
Speaker 1: it wasn't. It wasn't Like I said, Jeez knew what

1253
01:06:38,960 --> 01:06:41,160
Speaker 1: he had to do. I knew what I had to do,

1254
01:06:42,640 --> 01:06:45,320
Speaker 1: and you maintain that and he did too. And that's why,

1255
01:06:45,400 --> 01:06:48,360
Speaker 1: and that's why we could still stand together as men

1256
01:06:48,560 --> 01:06:51,920
Speaker 1: and speak and whatever, because nobody got compromised in that position.

1257
01:06:52,160 --> 01:06:55,440
Speaker 1: And I don't know if you know, bum B, but

1258
01:06:56,280 --> 01:06:59,720
Speaker 1: this is a podcast, this is a show. We all

1259
01:06:59,760 --> 01:07:02,760
Speaker 1: have old TV, but we're big up our artists. We

1260
01:07:02,880 --> 01:07:05,440
Speaker 1: give our artists they flowers when they could smell them.

1261
01:07:06,760 --> 01:07:09,240
Speaker 1: We give them their drinks when they can wait, hold on,

1262
01:07:09,360 --> 01:07:12,160
Speaker 1: excuse me, I can't with another bottle be gave when

1263
01:07:12,200 --> 01:07:17,080
Speaker 1: they flowers when they can smell them, their trees when

1264
01:07:17,120 --> 01:07:19,240
Speaker 1: they get the hell them. We give them their drinks

1265
01:07:19,280 --> 01:07:22,400
Speaker 1: when they get take them and they when they get

1266
01:07:22,480 --> 01:07:28,439
Speaker 1: drink because I know that the need to get my trees,

1267
01:07:29,720 --> 01:07:33,640
Speaker 1: Bunby and Bumby. I don't know if you know, but

1268
01:07:34,000 --> 01:07:38,720
Speaker 1: if it wasn't for you g K, they might have

1269
01:07:39,000 --> 01:07:42,800
Speaker 1: been a mob D. No, no, relax, come on, let

1270
01:07:42,840 --> 01:07:47,160
Speaker 1: me pick you up and relax. Relax, it wasn't for you,

1271
01:07:49,120 --> 01:07:51,040
Speaker 1: No excuse me. You know what, I'll take it even

1272
01:07:51,120 --> 01:07:54,160
Speaker 1: further than that. And once for eight ball m j G,

1273
01:07:55,200 --> 01:07:57,640
Speaker 1: they might have been a U g K. If it

1274
01:07:57,800 --> 01:07:59,920
Speaker 1: wasn't for you g K, they might have not been

1275
01:08:00,000 --> 01:08:02,600
Speaker 1: a mob Deep. It wasn't for MAB Deep, they might

1276
01:08:02,680 --> 01:08:06,720
Speaker 1: have been not seeing that. I remember when I remember

1277
01:08:06,800 --> 01:08:13,720
Speaker 1: Juvenile Hill, let's go there. I remember that's how long

1278
01:08:13,800 --> 01:08:16,000
Speaker 1: I've been in the hip hop. I've been listening to

1279
01:08:16,080 --> 01:08:22,519
Speaker 1: hip hop since. Um what's that called uptown hustler? This

1280
01:08:22,680 --> 01:08:28,200
Speaker 1: nigga took it back definitely, So I've been here. He's

1281
01:08:28,240 --> 01:08:31,880
Speaker 1: a student. I've been here. Is a tough crew and

1282
01:08:32,000 --> 01:08:35,880
Speaker 1: Justice and all these crew. That's when I felt what happened.

1283
01:08:36,360 --> 01:08:38,840
Speaker 1: So I watched and see where everybody comes up. I

1284
01:08:39,000 --> 01:08:44,120
Speaker 1: remember mob D being teenagers making hip hop. Remember you

1285
01:08:44,200 --> 01:08:47,599
Speaker 1: and Poem being teenagers and making hip hop. I remember

1286
01:08:47,640 --> 01:08:51,080
Speaker 1: people don't realize when our first record came out. I

1287
01:08:51,360 --> 01:08:56,439
Speaker 1: was eighteen, Pemper seventeen. I remember being a teenager making

1288
01:08:56,520 --> 01:08:58,160
Speaker 1: hip hop, and I know what it's like when it's

1289
01:08:58,200 --> 01:09:00,960
Speaker 1: just you and another nig in the room, Like yo,

1290
01:09:01,520 --> 01:09:04,680
Speaker 1: fuck these other niggas. I got you and another nig

1291
01:09:04,720 --> 01:09:06,160
Speaker 1: could be being like, you know and I got you,

1292
01:09:07,120 --> 01:09:09,519
Speaker 1: so like you bring your crew, y'all, bring my cool.

1293
01:09:09,560 --> 01:09:12,720
Speaker 1: Whatever niggas gonna get to, man, nigga is gonna be

1294
01:09:12,760 --> 01:09:15,400
Speaker 1: in the reckless, But when it comes to the rooms

1295
01:09:15,439 --> 01:09:18,439
Speaker 1: that them niggas ain't in. I got you and you

1296
01:09:18,600 --> 01:09:22,320
Speaker 1: got me, and and that's that's the beautiful thing about

1297
01:09:22,439 --> 01:09:25,560
Speaker 1: what we do is hip hop has bunged us to

1298
01:09:25,680 --> 01:09:30,400
Speaker 1: the world. No, I don't know, it's crazy. That's crazy.

1299
01:09:30,520 --> 01:09:33,080
Speaker 1: That's the crazy ship. You You ever look at your

1300
01:09:33,120 --> 01:09:37,080
Speaker 1: photo map on your phone and just be like, like,

1301
01:09:37,240 --> 01:09:39,280
Speaker 1: this is everywhere I've ever been. Like me and my

1302
01:09:39,320 --> 01:09:42,080
Speaker 1: wife would try to sit back and just go into

1303
01:09:42,280 --> 01:09:44,200
Speaker 1: into the map ship and look at every way you

1304
01:09:44,280 --> 01:09:48,040
Speaker 1: ever took a picture nigger, And it's all on hip

1305
01:09:48,800 --> 01:09:58,040
Speaker 1: There's always passport. They're still my passport. But I had

1306
01:09:58,280 --> 01:10:03,240
Speaker 1: every fucking in the world. I was so proud of

1307
01:10:03,320 --> 01:10:07,040
Speaker 1: my passport. Shout out to my nigga Mike from New York.

1308
01:10:07,120 --> 01:10:09,800
Speaker 1: Mike got a North Korea passport. He got a stamp

1309
01:10:09,840 --> 01:10:14,880
Speaker 1: from North Korea. That's the next ship he got. He

1310
01:10:14,920 --> 01:10:18,479
Speaker 1: got a camp from Korea with Kim Johnes. No, no, no,

1311
01:10:18,640 --> 01:10:23,080
Speaker 1: he drove through North Korea. He got out. They were

1312
01:10:23,120 --> 01:10:28,800
Speaker 1: doing gunball and there was on the way to be though,

1313
01:10:28,800 --> 01:10:32,160
Speaker 1: because I'm back on my music ship. That's where you

1314
01:10:32,360 --> 01:10:37,000
Speaker 1: drive across. It's three thousand, three thousand miles in six days.

1315
01:10:39,680 --> 01:10:43,800
Speaker 1: Just manh the cannonball it is, but it's it's way

1316
01:10:43,880 --> 01:10:45,840
Speaker 1: more here than cannonball because it's like a hundred and

1317
01:10:45,920 --> 01:10:49,000
Speaker 1: twenty cars, probably about eighty million illars worth of cars

1318
01:10:49,600 --> 01:10:53,400
Speaker 1: and drink champs. Yeah, we can't let you leave it.

1319
01:10:53,439 --> 01:10:55,880
Speaker 1: I told you got a new album coming out. No,

1320
01:10:56,520 --> 01:10:59,200
Speaker 1: I got an EP coming out. Then I got a

1321
01:10:59,280 --> 01:11:06,160
Speaker 1: new album. That's then I got another album and three book.

1322
01:11:07,040 --> 01:11:08,800
Speaker 1: So you were going to do the album and then

1323
01:11:08,840 --> 01:11:12,240
Speaker 1: white people like, look, take your time on, y'all. You

1324
01:11:12,360 --> 01:11:14,240
Speaker 1: got a bunch of music. Put a little ep a

1325
01:11:14,400 --> 01:11:19,720
Speaker 1: right click, you can still eat. Hey, niked. We don't

1326
01:11:19,880 --> 01:11:23,599
Speaker 1: call it white. We call it a muse. I make art, right,

1327
01:11:24,280 --> 01:11:26,800
Speaker 1: I make I don't make music. I make art. My

1328
01:11:26,920 --> 01:11:31,160
Speaker 1: wife is my muticic. Right, so when the music says

1329
01:11:31,200 --> 01:11:34,280
Speaker 1: you're doing right, we mashed on that. When you said

1330
01:11:34,320 --> 01:11:37,200
Speaker 1: you're doing wrong, we erased that. So the describe a

1331
01:11:37,280 --> 01:11:40,439
Speaker 1: AP what is that five songs? So we're somewhere between

1332
01:11:40,520 --> 01:11:44,599
Speaker 1: seven and eight. Okay, so we have to be careful

1333
01:11:44,680 --> 01:11:49,240
Speaker 1: because anything more than eight is an album. Seven eight

1334
01:11:49,520 --> 01:11:51,640
Speaker 1: just when I'm not doing no intros, out track. So

1335
01:11:51,960 --> 01:11:53,960
Speaker 1: but she was like, look, let's just put some music out.

1336
01:11:54,200 --> 01:11:57,920
Speaker 1: Let niggas know your back, increase the shows, get the

1337
01:11:58,000 --> 01:12:01,519
Speaker 1: money up, so you still can do your album because

1338
01:12:01,560 --> 01:12:03,960
Speaker 1: my album division is separate from what we're doing on this.

1339
01:12:04,280 --> 01:12:07,880
Speaker 1: That's what that's you. You want to answer this, but

1340
01:12:08,680 --> 01:12:14,040
Speaker 1: you gotta relax, so you gotta answer it was all album.

1341
01:12:17,560 --> 01:12:19,920
Speaker 1: I feel like you gotta relax bad. I don't know.

1342
01:12:21,680 --> 01:12:24,000
Speaker 1: I'm sitting it's time to roll a blood, don't Yeah,

1343
01:12:24,000 --> 01:12:28,880
Speaker 1: I'm man, but I gotta actually to relax. I should

1344
01:12:28,880 --> 01:12:35,040
Speaker 1: have put him out speaker. Now, I hear you, I

1345
01:12:35,160 --> 01:12:40,960
Speaker 1: hear you. I'm I'm in the middle of the interview minutes.

1346
01:12:41,160 --> 01:12:44,840
Speaker 1: You gotta relax, movie, But yeah, I remember shout out

1347
01:12:44,920 --> 01:12:49,439
Speaker 1: to branch and you're going there one shout and that

1348
01:12:49,520 --> 01:12:51,920
Speaker 1: way we want to go. Right now, I'm in. I'm

1349
01:12:52,280 --> 01:12:56,639
Speaker 1: one of one of Pimc's best friends. Like we should

1350
01:12:56,640 --> 01:12:58,880
Speaker 1: go to the spot set there for three hours, I

1351
01:12:58,920 --> 01:13:00,640
Speaker 1: would just sit and look at the on warwork on

1352
01:13:00,680 --> 01:13:03,479
Speaker 1: the wall and that the same tree spot I was.

1353
01:13:03,640 --> 01:13:05,240
Speaker 1: Let me tell you something about Pamp. I'm gonna be

1354
01:13:05,280 --> 01:13:10,759
Speaker 1: honest with you. Pamp called niggers. They said, you're Norm's

1355
01:13:10,760 --> 01:13:17,600
Speaker 1: your real niggers. I'm sure they say, yeah, yeah, no, No,

1356
01:13:17,760 --> 01:13:20,040
Speaker 1: He's gonna go all out with you. He said, you sure,

1357
01:13:20,600 --> 01:13:23,759
Speaker 1: and then he still wanted to meet me. He still

1358
01:13:24,000 --> 01:13:26,599
Speaker 1: looked at me. And then he came and looked at

1359
01:13:26,640 --> 01:13:29,840
Speaker 1: me and he was like, I walk with you anywhere.

1360
01:13:30,400 --> 01:13:34,479
Speaker 1: And I said, but that's what I appreciate it, like

1361
01:13:34,720 --> 01:13:38,559
Speaker 1: I actually, because very few people are genuine in this game, right,

1362
01:13:39,080 --> 01:13:42,479
Speaker 1: very few people are genuine. So like he was very excited,

1363
01:13:42,640 --> 01:13:45,160
Speaker 1: like yo to meet y'all, to meet y'all. You into

1364
01:13:45,240 --> 01:13:48,920
Speaker 1: in particular, and you will who you were, right, because

1365
01:13:48,960 --> 01:13:52,080
Speaker 1: a lot of people I'm not gonna put you know,

1366
01:13:52,360 --> 01:13:55,680
Speaker 1: I'm not, but there are a lot of people that

1367
01:13:55,800 --> 01:13:58,600
Speaker 1: are not who they say they are. And when you

1368
01:13:58,760 --> 01:14:00,519
Speaker 1: took me to that that's why I was backside. When

1369
01:14:00,520 --> 01:14:02,160
Speaker 1: you took me to that, I was like, Yo, I

1370
01:14:02,280 --> 01:14:06,320
Speaker 1: took you, got Glupe big Sean, I took everything, picked

1371
01:14:06,360 --> 01:14:09,240
Speaker 1: him up from the airport. Where you want to go.

1372
01:14:09,960 --> 01:14:11,920
Speaker 1: I'm gonna go here and eat fry chicken. I go here,

1373
01:14:11,960 --> 01:14:16,479
Speaker 1: eat barbecue, gone screw shop, getting my call with me,

1374
01:14:16,720 --> 01:14:18,840
Speaker 1: just me and you. I'm gonna take you anyway you

1375
01:14:18,920 --> 01:14:22,160
Speaker 1: want to go, and you and you're good. And that

1376
01:14:22,320 --> 01:14:24,200
Speaker 1: was because Nor took me a left rack and was

1377
01:14:24,280 --> 01:14:26,360
Speaker 1: exactly where he was supposed to be in left rack. Now,

1378
01:14:26,439 --> 01:14:29,600
Speaker 1: I thank you brother so much for describing that. But

1379
01:14:29,880 --> 01:14:32,840
Speaker 1: but it was so beautiful when I met Pimp, because

1380
01:14:32,960 --> 01:14:37,479
Speaker 1: Pimp said, listen, everybody told me your real nigga, but

1381
01:14:37,680 --> 01:14:44,800
Speaker 1: you're not a real nigga to That's so I was like, damn,

1382
01:14:45,160 --> 01:14:49,760
Speaker 1: my brother. My brother was very literal, yo, So I

1383
01:14:49,840 --> 01:14:51,880
Speaker 1: had to go. I went to sound on South. Would

1384
01:14:51,880 --> 01:14:54,400
Speaker 1: never forget this. I still did for three hours, and

1385
01:14:54,439 --> 01:14:56,400
Speaker 1: he kept looking at him, and they did the nigga

1386
01:14:56,479 --> 01:15:02,640
Speaker 1: never lost the studio. No, and I'm looking at this

1387
01:15:03,600 --> 01:15:06,040
Speaker 1: funny because this funny because I knew he's that line

1388
01:15:06,080 --> 01:15:09,120
Speaker 1: and I wasn't there. And that's what's funny because in

1389
01:15:09,200 --> 01:15:11,640
Speaker 1: those moments, like it's very important for pamp to be

1390
01:15:11,760 --> 01:15:14,560
Speaker 1: like because the reality for Pamper is like when I

1391
01:15:14,640 --> 01:15:16,639
Speaker 1: come to New York and you say you that dude,

1392
01:15:16,800 --> 01:15:20,519
Speaker 1: I get my life. You know, I don't go to

1393
01:15:20,640 --> 01:15:24,840
Speaker 1: every hood. The last time after you, the only hood

1394
01:15:24,880 --> 01:15:26,519
Speaker 1: I went to in stood to three in the morning

1395
01:15:26,960 --> 01:15:30,320
Speaker 1: was Chicago. Oh yes, you know, I love Chicago's way.

1396
01:15:30,720 --> 01:15:33,360
Speaker 1: I love Chicago, said in the hood. Shot a video

1397
01:15:33,479 --> 01:15:37,320
Speaker 1: late the morning, and who in the artists? Yeah, it's

1398
01:15:37,360 --> 01:15:39,160
Speaker 1: my man, Jay Artist. I can't think of the names

1399
01:15:39,280 --> 01:15:44,320
Speaker 1: right now, damn, but I'm know I'm fucked up. Dren

1400
01:15:47,320 --> 01:15:54,639
Speaker 1: from Chicago. You know. It's two dudes from the two

1401
01:15:54,760 --> 01:15:57,880
Speaker 1: dudes dif from Chicago. Um, damn, I can't think of

1402
01:15:57,920 --> 01:16:01,360
Speaker 1: the names once one skin with braids, the other dark

1403
01:16:01,400 --> 01:16:10,000
Speaker 1: skin with short hair. And my man, you're gonna but

1404
01:16:10,240 --> 01:16:19,880
Speaker 1: let me just tell you somebody l ep bogus. But

1405
01:16:20,040 --> 01:16:25,280
Speaker 1: but let me tell you something. But you are one

1406
01:16:25,320 --> 01:16:28,360
Speaker 1: of the most respected people, one of the most respected

1407
01:16:28,439 --> 01:16:33,480
Speaker 1: all that sank you are one of the most respected individuals,

1408
01:16:35,080 --> 01:16:40,720
Speaker 1: and we want to continue to respect you. But in

1409
01:16:40,920 --> 01:16:43,080
Speaker 1: order to do that, I gotta still be who I'm

1410
01:16:43,080 --> 01:16:45,880
Speaker 1: supposed to be. You ain't supposed to respect somebody just

1411
01:16:46,000 --> 01:16:48,920
Speaker 1: because of what they did. You gotta maintain and respect

1412
01:16:49,000 --> 01:16:52,639
Speaker 1: people because of what they're doing. Because if people continue

1413
01:16:52,680 --> 01:16:54,800
Speaker 1: to if we continue to give people credit based on

1414
01:16:54,880 --> 01:16:57,000
Speaker 1: what they did, they're gonna keep leaning on that. They

1415
01:16:57,000 --> 01:17:01,000
Speaker 1: ain't gonna proving themselves. I got improved myself. I gotta

1416
01:17:01,120 --> 01:17:03,200
Speaker 1: keep making sure that I'm who I'm supposed to be.

1417
01:17:03,320 --> 01:17:06,560
Speaker 1: For niggas, see, we're locked in on the moment we

1418
01:17:06,720 --> 01:17:09,400
Speaker 1: had ten twelve years ago, and we respect each other

1419
01:17:09,479 --> 01:17:12,479
Speaker 1: in that moment. Other niggas don't have that moment with

1420
01:17:12,640 --> 01:17:14,800
Speaker 1: me or you, so we still have to maintain that.

1421
01:17:14,920 --> 01:17:17,719
Speaker 1: Here's what I gotta stop. Okay, I gotta two different

1422
01:17:17,800 --> 01:17:24,400
Speaker 1: kinds of drunks. I love this, this me and you're

1423
01:17:24,400 --> 01:17:27,680
Speaker 1: at the bar right now, no real ship. This me

1424
01:17:27,760 --> 01:17:30,360
Speaker 1: and you're at to listen. But I got a platform,

1425
01:17:30,840 --> 01:17:33,720
Speaker 1: I got a format, and you know what I'm gonna do.

1426
01:17:34,320 --> 01:17:38,040
Speaker 1: I gotta stop you because you know why. You need

1427
01:17:38,160 --> 01:17:41,439
Speaker 1: to be respected. You need to be saluted. You g

1428
01:17:41,640 --> 01:17:47,000
Speaker 1: k bunby everything you guys did to your ticket, hat off, Goddamn,

1429
01:17:47,439 --> 01:17:50,519
Speaker 1: we're gonna here. Look look this this is my towe.

1430
01:17:50,520 --> 01:17:54,680
Speaker 1: I'm gonna wipe your sweat. Listen, this is what you

1431
01:17:54,800 --> 01:17:57,920
Speaker 1: need to do. You need to sit here, you need

1432
01:17:58,000 --> 01:18:01,679
Speaker 1: to you need to be respected, because know why hip

1433
01:18:01,760 --> 01:18:06,200
Speaker 1: hop shi salute hip hop. And that's the part that

1434
01:18:06,280 --> 01:18:09,720
Speaker 1: we don't have. We don't have. You know what it is.

1435
01:18:09,800 --> 01:18:12,840
Speaker 1: People would sit back and they say, Ah, this guy

1436
01:18:13,000 --> 01:18:15,479
Speaker 1: is this guy, and this guy is this guy, and

1437
01:18:15,640 --> 01:18:18,560
Speaker 1: that's not what youd be happening. You know, we just

1438
01:18:18,680 --> 01:18:22,160
Speaker 1: recently went to Atlanta, hung out with a big boy,

1439
01:18:22,600 --> 01:18:25,080
Speaker 1: hung out with cel I, hung out I'm now we're

1440
01:18:25,120 --> 01:18:29,639
Speaker 1: hanging out with motherfucking button b and bud By can never, ever, ever, ever,

1441
01:18:29,800 --> 01:18:31,920
Speaker 1: ever in his life come to New York. And I

1442
01:18:32,040 --> 01:18:36,680
Speaker 1: feel appreciate it, especially when I'm in New York. And

1443
01:18:36,800 --> 01:18:41,040
Speaker 1: you know why because a lot of motherfucker's might not say,

1444
01:18:41,360 --> 01:18:44,439
Speaker 1: you know what, you GK raised us, But that's them, Nicks,

1445
01:18:44,840 --> 01:18:50,760
Speaker 1: it's not me. You g K fucking raised us, you know,

1446
01:18:50,800 --> 01:18:52,720
Speaker 1: and you know how how important he is to the

1447
01:18:52,800 --> 01:18:58,120
Speaker 1: culture and how much you respect the before you go in,

1448
01:18:58,240 --> 01:19:00,719
Speaker 1: Before you go, I want to get your love because

1449
01:19:02,080 --> 01:19:05,800
Speaker 1: you and RP Prodigy, y'all was young niggas. You know

1450
01:19:05,800 --> 01:19:07,759
Speaker 1: what I'm saying, and we saw it as young niggas,

1451
01:19:08,240 --> 01:19:11,200
Speaker 1: and that was something that we respected from y'all. Y'all

1452
01:19:11,360 --> 01:19:14,240
Speaker 1: was so because Pimp was I was. I was nineteen

1453
01:19:14,280 --> 01:19:18,400
Speaker 1: and Pimp was eighteen when you was seventeen, you know

1454
01:19:18,439 --> 01:19:21,320
Speaker 1: what I'm saying. When Pimp was literally like, Yo, am

1455
01:19:21,320 --> 01:19:23,000
Speaker 1: I gonna go and get Am I gonna graduate from

1456
01:19:23,080 --> 01:19:26,240
Speaker 1: high school and make music? You know what I'm saying?

1457
01:19:26,320 --> 01:19:27,880
Speaker 1: And I had just graduated, I was like, am I

1458
01:19:27,880 --> 01:19:30,720
Speaker 1: gonna go to college? I'm gonna make music? And both

1459
01:19:30,800 --> 01:19:32,599
Speaker 1: of us like, yo, we're gonna get this ship a year.

1460
01:19:33,240 --> 01:19:35,679
Speaker 1: If not, we're gonna do whatever. And the day before

1461
01:19:36,360 --> 01:19:40,120
Speaker 1: we made this decision after I graduated on May on

1462
01:19:40,320 --> 01:19:44,800
Speaker 1: April thirtieth, and on on my mean it was me no,

1463
01:19:44,920 --> 01:19:47,320
Speaker 1: it was Aple thirties and literally went to New York

1464
01:19:47,640 --> 01:19:49,719
Speaker 1: a year later on April thirties and signed a record

1465
01:19:49,800 --> 01:19:53,880
Speaker 1: deal on May first with Yoah. And from that point on,

1466
01:19:54,240 --> 01:19:59,439
Speaker 1: we made a decision either way that we were going

1467
01:19:59,479 --> 01:20:02,000
Speaker 1: to ride that it out together. And I've been running

1468
01:20:02,040 --> 01:20:06,120
Speaker 1: for my nigger hard for me when he was here

1469
01:20:06,160 --> 01:20:10,000
Speaker 1: because we're not in the interview. But what I want

1470
01:20:10,000 --> 01:20:12,599
Speaker 1: to say is because you cut me off. He cut

1471
01:20:12,680 --> 01:20:22,840
Speaker 1: me off, He cut me off and the first But

1472
01:20:23,080 --> 01:20:27,080
Speaker 1: but I'm gonna tell you something. Buy me and this

1473
01:20:27,240 --> 01:20:30,920
Speaker 1: brother right here, we started this podcast because we wanted

1474
01:20:30,920 --> 01:20:36,320
Speaker 1: to respect legends. And we could have been dead because

1475
01:20:36,520 --> 01:20:41,880
Speaker 1: you know why these guys want the new guys, but

1476
01:20:42,040 --> 01:20:45,240
Speaker 1: me and him stuck to our guns. And when we

1477
01:20:45,360 --> 01:20:48,400
Speaker 1: started this, we want to pick up brothers like you,

1478
01:20:49,360 --> 01:20:53,680
Speaker 1: brothers like PAM, brothers like m g K. I'm excuse me,

1479
01:20:54,000 --> 01:21:02,680
Speaker 1: M just me, but listen. And the thing about it is,

1480
01:21:04,800 --> 01:21:08,400
Speaker 1: this is exactly what hip hop has to do. They

1481
01:21:08,600 --> 01:21:10,800
Speaker 1: keep telling me. They say, you know what drink champs work.

1482
01:21:11,120 --> 01:21:13,000
Speaker 1: I've met with Leo Cohns and you know what leg

1483
01:21:13,080 --> 01:21:16,479
Speaker 1: cons told me. He said, because you're a legend, big

1484
01:21:16,600 --> 01:21:20,200
Speaker 1: enough legends And I said, Leo, I wanted to tell

1485
01:21:20,280 --> 01:21:22,200
Speaker 1: him to shut up, but then I said, I think

1486
01:21:22,240 --> 01:21:30,040
Speaker 1: he's right. That's what we gotta keep doing. But go bun,

1487
01:21:30,680 --> 01:21:39,640
Speaker 1: we're going tonight. We are celebrating bund motherfucking bel No,

1488
01:21:39,760 --> 01:21:42,519
Speaker 1: let me get let me getne off. Please let me

1489
01:21:42,560 --> 01:21:46,240
Speaker 1: get mine off, because you mean we met and left

1490
01:21:46,280 --> 01:21:50,560
Speaker 1: Frank that time and from that point on, you know,

1491
01:21:50,760 --> 01:21:53,320
Speaker 1: like the DJs with the background you know what I'm saying.

1492
01:21:53,920 --> 01:21:56,720
Speaker 1: Sometimes we get overlooked over here, like as a fan,

1493
01:21:56,760 --> 01:21:58,519
Speaker 1: I'm sitting here looking at you already to talk about it.

1494
01:21:58,560 --> 01:22:01,280
Speaker 1: I'm I'm a fan, so I'm gonna say I'm gonna

1495
01:22:01,280 --> 01:22:03,800
Speaker 1: listen to this. Take it all in. You know what

1496
01:22:03,800 --> 01:22:05,920
Speaker 1: I'm saying. And you guys have all these stories, but

1497
01:22:06,720 --> 01:22:09,479
Speaker 1: little do people know the work y'all doing behind the

1498
01:22:09,560 --> 01:22:13,479
Speaker 1: scenes and helping other people out. But no problem. When

1499
01:22:13,520 --> 01:22:16,040
Speaker 1: I called bon up back in those days, I don't

1500
01:22:16,040 --> 01:22:20,439
Speaker 1: know how we email or text or two. And I'm like,

1501
01:22:20,600 --> 01:22:23,519
Speaker 1: I need I need a freestyle for the mixtape bomb,

1502
01:22:23,800 --> 01:22:26,880
Speaker 1: I need another one for the mixtape bo He says me.

1503
01:22:26,960 --> 01:22:29,200
Speaker 1: Pro tool sessions. I said, I got an artist. Can

1504
01:22:29,240 --> 01:22:31,679
Speaker 1: I use one of these sessions and make a track

1505
01:22:32,000 --> 01:22:34,439
Speaker 1: and keeping it? And this is a legend. You know

1506
01:22:34,479 --> 01:22:36,920
Speaker 1: what I'm saying already, But I'm go ahead and do it.

1507
01:22:36,960 --> 01:22:38,840
Speaker 1: You know what I'm saying. And then on the recent

1508
01:22:38,880 --> 01:22:40,960
Speaker 1: album I did in two thousand fifteen, hit him up,

1509
01:22:41,120 --> 01:22:45,880
Speaker 1: same things never changed. Thank you. And you know, I

1510
01:22:45,920 --> 01:22:47,320
Speaker 1: just want to say than because I know I'm probably

1511
01:22:47,320 --> 01:22:50,360
Speaker 1: not the only DJ that you were supporting and and

1512
01:22:50,560 --> 01:22:52,639
Speaker 1: and from from all the DJs. I want to thank

1513
01:22:52,680 --> 01:22:55,040
Speaker 1: you as well, but it was very genuine because there's

1514
01:22:55,040 --> 01:22:57,200
Speaker 1: a million motherfucker's they wrap you know when you were

1515
01:22:57,320 --> 01:22:59,560
Speaker 1: very adamant on your projects that you wanted me, and

1516
01:23:00,479 --> 01:23:02,519
Speaker 1: it is a very unique place. And it wasn't a

1517
01:23:02,600 --> 01:23:05,960
Speaker 1: thing of you wanted me because I was hot or

1518
01:23:06,000 --> 01:23:08,200
Speaker 1: any of that. It's like, Yo, I got something. I

1519
01:23:08,280 --> 01:23:11,400
Speaker 1: want people to know it's a good project, but can

1520
01:23:11,479 --> 01:23:13,120
Speaker 1: you give me something? I just want to support you.

1521
01:23:13,760 --> 01:23:19,960
Speaker 1: I always always talk about I always talk about but

1522
01:23:20,040 --> 01:23:23,400
Speaker 1: I always talk about in the way that people probably

1523
01:23:23,479 --> 01:23:26,280
Speaker 1: now talk about Callett because of the genuine spirit and

1524
01:23:26,360 --> 01:23:28,760
Speaker 1: everybody has ever given anything that ef and is never

1525
01:23:28,800 --> 01:23:31,200
Speaker 1: asked for. Really, I don't know, but I feel like

1526
01:23:31,240 --> 01:23:33,919
Speaker 1: everybody's giving it to you because they don't they genuinely

1527
01:23:34,040 --> 01:23:36,360
Speaker 1: like you as a person, you know what I'm saying.

1528
01:23:37,640 --> 01:23:39,360
Speaker 1: And that's when when I saw him, I was like, Yo,

1529
01:23:39,479 --> 01:23:41,320
Speaker 1: look what life is taking us. You know what I'm saying,

1530
01:23:41,600 --> 01:23:45,959
Speaker 1: Look how the ship came all the way around because everybody,

1531
01:23:46,040 --> 01:23:50,960
Speaker 1: and I told you this earlier, everybody wants to win

1532
01:23:51,080 --> 01:23:54,280
Speaker 1: a certain way, and you might be set up to win,

1533
01:23:54,520 --> 01:23:56,280
Speaker 1: but not in the way that you want to win.

1534
01:23:56,840 --> 01:24:00,360
Speaker 1: But if you leave yourself open to things. You know

1535
01:24:00,360 --> 01:24:03,040
Speaker 1: what I'm saying, because I know I can guarantee neither

1536
01:24:03,080 --> 01:24:04,439
Speaker 1: one of you need to touch all what's gonna win

1537
01:24:04,520 --> 01:24:06,960
Speaker 1: on this podcast? You know what I'm saying. But but

1538
01:24:07,360 --> 01:24:09,400
Speaker 1: but y'all did it because like you know what, with

1539
01:24:09,520 --> 01:24:12,040
Speaker 1: you with me, we're gonna get on this mic and

1540
01:24:12,040 --> 01:24:14,800
Speaker 1: we're gonna hold each other down. And it's taking and

1541
01:24:14,920 --> 01:24:17,680
Speaker 1: it's very it's it's very nice to see when when

1542
01:24:17,680 --> 01:24:19,479
Speaker 1: people be like, Yo, we're just gonna ride this obviou

1543
01:24:19,479 --> 01:24:21,760
Speaker 1: see what happens, you know what I'm saying, And then

1544
01:24:21,920 --> 01:24:24,479
Speaker 1: and then it ends up getting a chat just being real.

1545
01:24:24,920 --> 01:24:33,280
Speaker 1: Shout out to revolt y. I don't know the shout

1546
01:24:33,280 --> 01:24:35,120
Speaker 1: out to a rock because I'm like, funked up on

1547
01:24:35,920 --> 01:24:38,080
Speaker 1: you got you gotta big for that. You can't. You

1548
01:24:38,120 --> 01:24:41,120
Speaker 1: can'tnot shout them out for that. Picked them up. I

1549
01:24:41,200 --> 01:24:42,800
Speaker 1: got to pick him a bigger shout out to wife

1550
01:24:42,840 --> 01:24:47,040
Speaker 1: you because she's here, look it up. She's like, ain't

1551
01:24:47,040 --> 01:24:50,519
Speaker 1: been drunk with somebody. I'm just throwing it out there.

1552
01:24:50,880 --> 01:24:54,040
Speaker 1: She's like, he had been a drunks and he when

1553
01:24:54,120 --> 01:24:59,759
Speaker 1: the drunk his birthday. But it's good because I'm sweating

1554
01:24:59,800 --> 01:25:01,479
Speaker 1: to so I'm not as drunk as I should. Are

1555
01:25:01,520 --> 01:25:04,000
Speaker 1: you doing you know you don't you want to be doing?

1556
01:25:04,280 --> 01:25:08,040
Speaker 1: God the premium feed in the bag because I want

1557
01:25:08,040 --> 01:25:10,720
Speaker 1: to say that that he inspired teach to teach to

1558
01:25:10,800 --> 01:25:13,200
Speaker 1: get involved with the food drug and all that. Like you,

1559
01:25:13,320 --> 01:25:15,360
Speaker 1: I know, I've seen it in some way that you

1560
01:25:15,600 --> 01:25:19,040
Speaker 1: helped inspire. That's my brother. Teacher. Teachers is a good dude,

1561
01:25:19,120 --> 01:25:22,240
Speaker 1: and teachers in the place where he had made money.

1562
01:25:22,280 --> 01:25:25,599
Speaker 1: He was successful managing pit boll He had made money

1563
01:25:25,640 --> 01:25:28,920
Speaker 1: or whatever, but there wasn't any personal fulfillment for him.

1564
01:25:29,040 --> 01:25:30,640
Speaker 1: And I was like, well, what do you What do

1565
01:25:30,720 --> 01:25:34,040
Speaker 1: you like like to do, like to cook, to cook

1566
01:25:34,080 --> 01:25:35,960
Speaker 1: for names, like when I come to Miami cook for

1567
01:25:36,040 --> 01:25:38,639
Speaker 1: me and he cooked out like you can actually really

1568
01:25:38,720 --> 01:25:41,120
Speaker 1: cook like And I was like, if this is what

1569
01:25:41,280 --> 01:25:43,479
Speaker 1: you want to do, you should follow this because if

1570
01:25:43,520 --> 01:25:46,679
Speaker 1: you don't do this, you're gonna spend money doing something

1571
01:25:46,800 --> 01:25:49,719
Speaker 1: else and you're gonna regret not doing it doing something

1572
01:25:49,800 --> 01:25:52,160
Speaker 1: that you really love to do. If you're gonna take

1573
01:25:52,280 --> 01:25:55,400
Speaker 1: the money that you've worked hard for yourself and your family,

1574
01:25:56,000 --> 01:25:57,760
Speaker 1: if you're gonna put that on the line, it should

1575
01:25:57,800 --> 01:26:00,360
Speaker 1: be for something and that you believe in and heart

1576
01:26:01,200 --> 01:26:04,320
Speaker 1: and above everything else, he loved to cook and he's

1577
01:26:04,360 --> 01:26:07,840
Speaker 1: got fulfillment now. And it's not just about money. I

1578
01:26:08,000 --> 01:26:09,640
Speaker 1: used to think it was about money. And there was

1579
01:26:09,680 --> 01:26:13,000
Speaker 1: a lot of things that I missed. Moments with my wife,

1580
01:26:13,080 --> 01:26:18,559
Speaker 1: moments with my kids, you know, just being really your wife.

1581
01:26:18,600 --> 01:26:25,320
Speaker 1: I love that, that's how But it's just there were

1582
01:26:25,439 --> 01:26:27,519
Speaker 1: things that that I felt like, I'm like, yo, I

1583
01:26:27,600 --> 01:26:30,000
Speaker 1: need I need to make sure they can live in

1584
01:26:30,040 --> 01:26:32,040
Speaker 1: a certain house. I need to make sure they can

1585
01:26:32,120 --> 01:26:35,320
Speaker 1: wear certain clothes, they can go to certain places. But

1586
01:26:35,560 --> 01:26:37,760
Speaker 1: it wasn't really about that, you know what I'm saying.

1587
01:26:37,800 --> 01:26:42,160
Speaker 1: It was about living life for personal fulfillment, Like what

1588
01:26:42,320 --> 01:26:45,120
Speaker 1: do we enjoy as a family, What do we enjoy

1589
01:26:45,160 --> 01:26:47,160
Speaker 1: as a couple, What do we enjoy it from the

1590
01:26:47,280 --> 01:26:50,479
Speaker 1: parents the child dynamic? And if you don't really stick

1591
01:26:50,560 --> 01:26:53,160
Speaker 1: to that, you're gonna lose it. Because the ship that

1592
01:26:53,280 --> 01:26:57,599
Speaker 1: we do is designed to prop you up. I designed

1593
01:26:57,680 --> 01:27:01,040
Speaker 1: to prop the couple of us, the parent up. It's

1594
01:27:01,040 --> 01:27:03,880
Speaker 1: trying to prop you up. You gotta find it in

1595
01:27:04,000 --> 01:27:06,080
Speaker 1: yourself to be like yo, I gotta make sure that

1596
01:27:06,439 --> 01:27:08,320
Speaker 1: I'm still a husband to my wife. I'm still a

1597
01:27:08,400 --> 01:27:11,360
Speaker 1: father to my kids. I'm still a brother to my friends.

1598
01:27:11,680 --> 01:27:14,040
Speaker 1: Because this game is like you know what. I know,

1599
01:27:14,160 --> 01:27:16,320
Speaker 1: you got your crew with you, but you're the ship.

1600
01:27:17,200 --> 01:27:20,479
Speaker 1: This ship is about you. They need you. I wouldn't

1601
01:27:20,520 --> 01:27:23,560
Speaker 1: be here if it wasn't food. Damn, that's exactly what

1602
01:27:23,680 --> 01:27:25,800
Speaker 1: I'm doing my food show. They told me on my

1603
01:27:25,920 --> 01:27:30,479
Speaker 1: food show, I could listen on my food show. I

1604
01:27:30,560 --> 01:27:34,479
Speaker 1: could have did anything, but I hired. I had about

1605
01:27:34,560 --> 01:27:37,920
Speaker 1: list six six different people. You know what I could

1606
01:27:37,960 --> 01:27:40,720
Speaker 1: have did loving hip hop. But if I did love

1607
01:27:40,840 --> 01:27:44,800
Speaker 1: hip hop, don't even get would I would bring my

1608
01:27:44,880 --> 01:27:47,400
Speaker 1: wife up here right out. Let me feel like they started.

1609
01:27:47,720 --> 01:27:50,280
Speaker 1: If I would have did loveing hip hop, you wouldn't

1610
01:27:50,280 --> 01:27:52,280
Speaker 1: have seen him. You want to see him. And guess

1611
01:27:52,360 --> 01:27:54,639
Speaker 1: what if I was the love of hip hop, they

1612
01:27:54,720 --> 01:27:58,599
Speaker 1: didn't want me to do drink champs and shout out.

1613
01:27:59,000 --> 01:28:01,439
Speaker 1: I got nothing against them right now what they do.

1614
01:28:02,320 --> 01:28:05,519
Speaker 1: But I know that every time they wanted to, like

1615
01:28:05,800 --> 01:28:07,880
Speaker 1: after loving hip hop New York before they went to

1616
01:28:08,000 --> 01:28:12,840
Speaker 1: Atlanta and Hollywood. The first at the first people, they

1617
01:28:12,960 --> 01:28:15,080
Speaker 1: was like, yo, me and I'm being want you and

1618
01:28:15,160 --> 01:28:17,920
Speaker 1: your wife. We looked at everything and we made a

1619
01:28:17,960 --> 01:28:22,680
Speaker 1: conscious decision as the family. We don't need that. It's

1620
01:28:22,720 --> 01:28:24,679
Speaker 1: not worth it. I don't want your wife fighting nobody

1621
01:28:24,720 --> 01:28:27,599
Speaker 1: because I'm gonna shoot whoever. No, no, don't miss let

1622
01:28:27,600 --> 01:28:33,280
Speaker 1: me say that. But but we're a real family, right,

1623
01:28:33,439 --> 01:28:36,120
Speaker 1: We're a real family. And I'm not saying anybody else

1624
01:28:36,160 --> 01:28:38,000
Speaker 1: any real family, but we're a real family. And we

1625
01:28:38,080 --> 01:28:42,080
Speaker 1: didn't need that. We didn't need that. No disrespect to that,

1626
01:28:42,320 --> 01:28:45,600
Speaker 1: we just didn't need that, you know. You know, and

1627
01:28:45,680 --> 01:28:47,760
Speaker 1: I'm not saying that people that did it like, we're

1628
01:28:47,800 --> 01:28:50,000
Speaker 1: not saying it like that, you know, but that was

1629
01:28:50,120 --> 01:28:53,080
Speaker 1: something that was like, you know what, we have our family.

1630
01:28:54,160 --> 01:28:56,960
Speaker 1: Nobody knows the dynamic and our family and just say,

1631
01:28:57,040 --> 01:28:59,120
Speaker 1: you know, I'm sorry, I gotta cut you off. Food,

1632
01:28:59,560 --> 01:29:07,040
Speaker 1: don't come I listen, I'll say vault TV. Yeah, what

1633
01:29:07,160 --> 01:29:09,880
Speaker 1: we're trying to do, we're trying to change black media

1634
01:29:10,200 --> 01:29:13,880
Speaker 1: because black media. Did we controlled by black media? Did

1635
01:29:13,960 --> 01:29:15,840
Speaker 1: that make Did that make sense? Did you want to

1636
01:29:15,840 --> 01:29:18,000
Speaker 1: say that, say we want to change media and the

1637
01:29:18,200 --> 01:29:23,439
Speaker 1: media black change media? Change? You know why us ask

1638
01:29:24,920 --> 01:29:27,920
Speaker 1: us as the creative people in the world. We don't

1639
01:29:27,920 --> 01:29:30,120
Speaker 1: have to change anything. All we gotta do is continue

1640
01:29:30,160 --> 01:29:31,880
Speaker 1: to be who we need to own. What we do

1641
01:29:32,120 --> 01:29:34,439
Speaker 1: is we just need the owner. We do but because

1642
01:29:34,479 --> 01:29:37,160
Speaker 1: they can't sell nothing without us. We would love to

1643
01:29:37,360 --> 01:29:41,840
Speaker 1: get you on your wife's podcast Together TV. We would

1644
01:29:41,880 --> 01:29:44,800
Speaker 1: love to do that on film because she loved that.

1645
01:29:45,439 --> 01:29:50,080
Speaker 1: I want to think that would be EP credit. She's

1646
01:29:50,120 --> 01:29:52,519
Speaker 1: fine film because that's the only reason why we haven't

1647
01:29:52,560 --> 01:29:54,639
Speaker 1: do it done it because at the end of the day,

1648
01:29:55,080 --> 01:29:57,719
Speaker 1: we never had EP credit. We would never get EP credit,

1649
01:29:57,800 --> 01:30:00,559
Speaker 1: so we wouldn't do it. If we're gonna put our

1650
01:30:00,640 --> 01:30:02,720
Speaker 1: family out to the world, then we need to be

1651
01:30:03,000 --> 01:30:06,479
Speaker 1: in control of the vision. I'm not because I'm not

1652
01:30:06,640 --> 01:30:08,960
Speaker 1: here for Nick to go to dinner with my wife

1653
01:30:09,520 --> 01:30:12,240
Speaker 1: and have a nice dinner and then somebody coming and

1654
01:30:12,360 --> 01:30:14,679
Speaker 1: have a fucking fight. We're talking about the table three?

1655
01:30:15,360 --> 01:30:19,560
Speaker 1: Are we talking about the buns? The camera? No, no, no,

1656
01:30:20,439 --> 01:30:23,439
Speaker 1: shout out. I want to buy that. And there's a name,

1657
01:30:23,479 --> 01:30:25,400
Speaker 1: but I'm not gonna say it right now because somebody's

1658
01:30:25,400 --> 01:30:28,200
Speaker 1: gonna try to go there. If I say the name

1659
01:30:28,320 --> 01:30:30,720
Speaker 1: right now on this on this thing, they'll go there.

1660
01:30:30,880 --> 01:30:34,639
Speaker 1: I'm gonna tell you, I'll tell you tell a lot

1661
01:30:35,240 --> 01:30:46,439
Speaker 1: I got. I'm telling it like the blood called puff

1662
01:30:46,960 --> 01:30:51,400
Speaker 1: Tell puffing his ear We're gonna drink summer cold because

1663
01:30:51,439 --> 01:30:54,920
Speaker 1: it's my wife drinking. And listen, this is how we

1664
01:30:55,000 --> 01:30:57,200
Speaker 1: do it. We only do know that's my wife controls

1665
01:30:57,240 --> 01:31:01,000
Speaker 1: it because my wife has my family's best love. I

1666
01:31:01,000 --> 01:31:03,280
Speaker 1: don't know a lot of this. My wife is the business. Yes,

1667
01:31:03,920 --> 01:31:06,599
Speaker 1: let me tell yo before no, I want to tell

1668
01:31:06,640 --> 01:31:09,439
Speaker 1: the story before we go. Him's locked up in jail.

1669
01:31:09,680 --> 01:31:11,519
Speaker 1: I was getting ready to a bad boys out. Puff

1670
01:31:11,560 --> 01:31:14,880
Speaker 1: comes to Houston. That's a big part. That's why she's laughing.

1671
01:31:15,240 --> 01:31:17,680
Speaker 1: This real ship buff comes. Pump said, But I'm not

1672
01:31:17,760 --> 01:31:19,559
Speaker 1: talking to you, talking to the wife because the wife

1673
01:31:19,560 --> 01:31:23,120
Speaker 1: friends the white friends of ship Puff office. Uh this

1674
01:31:24,439 --> 01:31:26,800
Speaker 1: Southern figures. He's like, Yo, I'm gonna give bun this.

1675
01:31:26,960 --> 01:31:28,800
Speaker 1: I wanna get pimp this. I want this, this and

1676
01:31:28,880 --> 01:31:31,479
Speaker 1: that and that. That we go home. My wife was like, yo,

1677
01:31:32,439 --> 01:31:34,360
Speaker 1: we should do this. We need what you Why you're

1678
01:31:34,400 --> 01:31:36,519
Speaker 1: not doing that? I whisper. Then my wife's there like

1679
01:31:36,520 --> 01:31:41,160
Speaker 1: I whisper in your ear. Wife's like, I'm with you,

1680
01:31:41,920 --> 01:31:44,040
Speaker 1: and that's why I'm here right now doing drink. Tramps

1681
01:31:44,560 --> 01:31:48,400
Speaker 1: in that moment like real ship, real niggah. In that moment,

1682
01:31:48,479 --> 01:31:50,840
Speaker 1: we went home after the club for in the moment

1683
01:31:50,880 --> 01:31:53,200
Speaker 1: and very why are we not? Why are we're not

1684
01:31:53,360 --> 01:31:56,080
Speaker 1: doing it? Let's go, let's move. I whisper. Then my

1685
01:31:56,160 --> 01:31:58,519
Speaker 1: wife's ill like I whisper in your ear. And that's

1686
01:31:58,560 --> 01:32:02,080
Speaker 1: why I'm here today, no no hold on. And at

1687
01:32:02,200 --> 01:32:05,439
Speaker 1: some point in my life between that and today's nobody's business.

1688
01:32:05,800 --> 01:32:08,439
Speaker 1: Between that point and today, my wife whispered in miad,

1689
01:32:08,840 --> 01:32:19,720
Speaker 1: And that's why we did. Especially listen right now, right now,

1690
01:32:19,960 --> 01:32:21,960
Speaker 1: I don't know my wife. When I leave here, my

1691
01:32:22,000 --> 01:32:24,120
Speaker 1: wife would be like if I lied, my wife would

1692
01:32:24,120 --> 01:32:27,360
Speaker 1: be like, I respect that. You know what I'm saying.

1693
01:32:27,439 --> 01:32:31,400
Speaker 1: I respect that. And listen. If you from hip hop,

1694
01:32:33,280 --> 01:32:38,280
Speaker 1: if you from Houston, left from the South, if you're

1695
01:32:38,320 --> 01:32:42,599
Speaker 1: from anywhere else in the world, and you understand who

1696
01:32:42,680 --> 01:32:47,519
Speaker 1: this man is, we support him, We salute him, we

1697
01:32:47,720 --> 01:32:52,280
Speaker 1: respect him. He had one of the most controversy to

1698
01:32:53,040 --> 01:32:58,439
Speaker 1: artists in the world. He stood there and he stood

1699
01:32:58,520 --> 01:33:02,400
Speaker 1: by him. The same is to me still do no. No,

1700
01:33:02,600 --> 01:33:06,599
Speaker 1: I think he won like he wont. He won't way

1701
01:33:06,680 --> 01:33:11,720
Speaker 1: more than me. But the fact that is, Bumby, we

1702
01:33:11,840 --> 01:33:15,680
Speaker 1: can't thank you enough. We want to stand up. We're

1703
01:33:15,720 --> 01:33:18,880
Speaker 1: gonna salute you. Because back I came to Dream Camp

1704
01:33:18,960 --> 01:33:21,800
Speaker 1: they got drunk and you know what, you know what

1705
01:33:21,880 --> 01:33:25,080
Speaker 1: the crazy ship is. We didn't even talk about your

1706
01:33:25,160 --> 01:33:30,760
Speaker 1: new album. You have a new album, ABU DP is

1707
01:33:30,800 --> 01:33:34,519
Speaker 1: called Extended Play Extended Pay. When does it come out?

1708
01:33:35,080 --> 01:33:39,040
Speaker 1: August twenty nine? Feature on it? Because um yeah, but

1709
01:33:39,160 --> 01:33:44,120
Speaker 1: you'll see that August twenty nine. Because Bumby Days, because

1710
01:33:44,200 --> 01:33:51,839
Speaker 1: Bumby Day, Houston. When ready for Bumby Day in Houston,

1711
01:33:52,080 --> 01:33:54,400
Speaker 1: like the mayor Houston, get me bumby Damn August thirties.

1712
01:33:55,880 --> 01:33:57,519
Speaker 1: That's the deeper story to that. But I got saved

1713
01:33:57,520 --> 01:34:02,920
Speaker 1: it to the book I'm Coming. I'm coming so but

1714
01:34:03,120 --> 01:34:05,640
Speaker 1: the but Bumby Day this year is a Wednesday. So

1715
01:34:05,680 --> 01:34:11,680
Speaker 1: we're gonna drop the album that you no no, but

1716
01:34:12,200 --> 01:34:14,200
Speaker 1: we're gonna drop the EP before and then we're gonna

1717
01:34:14,240 --> 01:34:15,840
Speaker 1: go out and do the food bank and ship like

1718
01:34:15,960 --> 01:34:18,360
Speaker 1: that and things that we do because Bumpy Day is

1719
01:34:18,360 --> 01:34:20,639
Speaker 1: not about me. It's about giving back to the community.

1720
01:34:20,720 --> 01:34:23,680
Speaker 1: By example, He's got my wife is like, Yo, we

1721
01:34:24,080 --> 01:34:26,760
Speaker 1: did good once or twice. We need to step it

1722
01:34:26,880 --> 01:34:29,960
Speaker 1: up and kick it up. This is what you need,

1723
01:34:30,280 --> 01:34:34,840
Speaker 1: you need, you need right give me. It comes to

1724
01:34:34,880 --> 01:34:38,080
Speaker 1: me problem. But every time you what you asked for,

1725
01:34:38,439 --> 01:34:41,120
Speaker 1: every time you have a high moment. That's what I need.

1726
01:34:41,280 --> 01:34:43,600
Speaker 1: I need you to hit me because I don't want to.

1727
01:34:43,760 --> 01:34:46,360
Speaker 1: I want to be the opposite of your humble moment,

1728
01:34:46,920 --> 01:34:49,519
Speaker 1: right and things will be like it was bumpy, bumpy,

1729
01:34:50,080 --> 01:34:52,439
Speaker 1: and then you'd be like, Yo, I'm good huh. And

1730
01:34:52,479 --> 01:34:53,960
Speaker 1: now I just want to stand by you and be

1731
01:34:54,040 --> 01:34:57,439
Speaker 1: like fu, Yeah, nigger, you know what you have to

1732
01:34:57,479 --> 01:35:02,240
Speaker 1: get behind her? No, no, you're that's me to do it.

1733
01:35:02,400 --> 01:35:07,720
Speaker 1: I'm telling you what I'm telling you. I'm telling you

1734
01:35:09,040 --> 01:35:14,400
Speaker 1: to sign to listen to you g K Bumby. You

1735
01:35:14,439 --> 01:35:18,160
Speaker 1: should be celebrated everything in hip hop and shouting out

1736
01:35:18,200 --> 01:35:21,400
Speaker 1: to you for being an entrepreneur. I know that I

1737
01:35:21,479 --> 01:35:24,720
Speaker 1: know your show. No, I know to designed for you

1738
01:35:24,800 --> 01:35:28,200
Speaker 1: to celebrate niggas. But I've known you, like dude, and

1739
01:35:28,320 --> 01:35:29,840
Speaker 1: even when I didn't know you, I knew you so

1740
01:35:29,920 --> 01:35:32,600
Speaker 1: I so when I met you, it was ship was

1741
01:35:32,640 --> 01:35:34,639
Speaker 1: obvious because I already knew what type of nigga y'all.

1742
01:35:35,200 --> 01:35:37,960
Speaker 1: But but but I gotta but no, but Joe, Joe,

1743
01:35:38,080 --> 01:35:40,120
Speaker 1: you get you know, you get paid to celebrateing niggas.

1744
01:35:40,360 --> 01:35:45,040
Speaker 1: This was on me. You can't. I'm not saying you

1745
01:35:45,080 --> 01:35:48,080
Speaker 1: can't pick me up, but it's important. It's important because

1746
01:35:48,600 --> 01:35:50,800
Speaker 1: I was telling my wife earlier. I said, Yo, I said,

1747
01:35:51,560 --> 01:35:54,600
Speaker 1: I said, no one's ever understood how smart Alway is.

1748
01:35:55,600 --> 01:35:58,639
Speaker 1: I said, and that's why he's always got richer than

1749
01:35:58,720 --> 01:36:01,760
Speaker 1: anybody ever thought he was gonna get. I said, I know,

1750
01:36:01,800 --> 01:36:09,280
Speaker 1: I mean to put him on blast, but you know,

1751
01:36:09,439 --> 01:36:12,680
Speaker 1: but he's so Yeah, but no, but no, Re is

1752
01:36:12,720 --> 01:36:16,600
Speaker 1: a genius. He's always going further than anybody thought he

1753
01:36:16,720 --> 01:36:23,200
Speaker 1: was gonna go, which was surprising to me because I'm like, why, no, No,

1754
01:36:23,400 --> 01:36:25,600
Speaker 1: she already knows. And I was like, yeah, I was like,

1755
01:36:25,680 --> 01:36:27,519
Speaker 1: look at him. Now he's got a food choice of

1756
01:36:27,640 --> 01:36:30,320
Speaker 1: the pocket, all this other stuff that i' not this

1757
01:36:30,680 --> 01:36:33,360
Speaker 1: was going. I was like this, like, I don't even

1758
01:36:33,400 --> 01:36:35,760
Speaker 1: know what I can say, what I can't say. I

1759
01:36:35,760 --> 01:36:37,559
Speaker 1: don't even know what I can't say, what I can't say.

1760
01:36:37,960 --> 01:36:42,280
Speaker 1: But the reality is that people look at us being

1761
01:36:42,360 --> 01:36:46,040
Speaker 1: from certain in finance, being from certain neighborhoods, and putting

1762
01:36:46,080 --> 01:36:51,240
Speaker 1: limitations on us, and so many times we accept those limitations. Damn.

1763
01:36:51,320 --> 01:36:53,640
Speaker 1: But you know what I'm saying, And it's beautiful to

1764
01:36:53,680 --> 01:36:57,200
Speaker 1: see somebody like Nori Dad has never accepted what people

1765
01:36:57,280 --> 01:37:00,320
Speaker 1: said he was supposed to be you and you look.

1766
01:37:00,400 --> 01:37:03,240
Speaker 1: I know it's no, it's not a person that ships

1767
01:37:03,280 --> 01:37:05,240
Speaker 1: on people. But it's got to be very interesting to

1768
01:37:05,360 --> 01:37:10,519
Speaker 1: look back everybody that that not only shipped on me,

1769
01:37:10,640 --> 01:37:13,880
Speaker 1: but like was like, but this was luck, this was

1770
01:37:14,280 --> 01:37:16,639
Speaker 1: this was timing or whatever. You know what I'm saying

1771
01:37:16,760 --> 01:37:24,200
Speaker 1: light he knew. I say that Christ just being real. Christnew.

1772
01:37:25,760 --> 01:37:28,439
Speaker 1: I just want to say that Chris knew. But I'm

1773
01:37:28,479 --> 01:37:31,120
Speaker 1: just saying nobody ever knew that they didn't want to

1774
01:37:31,520 --> 01:37:33,560
Speaker 1: if they knew, they didn't want to give credit. And

1775
01:37:33,680 --> 01:37:36,439
Speaker 1: I dealt with that in my career. Niggas had an

1776
01:37:36,520 --> 01:37:38,400
Speaker 1: idea of what we would do, but niggas would never

1777
01:37:38,439 --> 01:37:41,560
Speaker 1: give us credit. And it's it's amazing to see what

1778
01:37:41,720 --> 01:37:45,840
Speaker 1: Nori has done because Nori has been Nori. This is

1779
01:37:45,880 --> 01:37:48,120
Speaker 1: the same dude I said in lovet Reckord, the same

1780
01:37:48,240 --> 01:37:50,160
Speaker 1: dude I was at the studio with. You know, this

1781
01:37:50,320 --> 01:37:52,840
Speaker 1: was who I anticipated on meeting and that's who we

1782
01:37:52,960 --> 01:37:55,400
Speaker 1: ended up being and that's who he still is. And

1783
01:37:55,960 --> 01:37:59,080
Speaker 1: people don't realize everybody is fighting. I just want to

1784
01:37:59,120 --> 01:38:01,759
Speaker 1: say this, and I'm sorry I could be out of pocket. Niggas.

1785
01:38:02,360 --> 01:38:05,120
Speaker 1: Niggas are fighting to get on Drink Champs, and I

1786
01:38:05,200 --> 01:38:07,240
Speaker 1: can show you and I can show you my phone,

1787
01:38:07,360 --> 01:38:10,680
Speaker 1: and literally every seven to ten days, I'm begging him

1788
01:38:10,720 --> 01:38:14,920
Speaker 1: to come whenever you're ready to come on Drink. How

1789
01:38:14,960 --> 01:38:17,120
Speaker 1: many people get called by the top one of the

1790
01:38:17,240 --> 01:38:22,680
Speaker 1: top podcasts in the country, Yo, what are you doing? Yo?

1791
01:38:22,760 --> 01:38:24,800
Speaker 1: Where you I'm in New York. That's the only reason

1792
01:38:24,840 --> 01:38:27,760
Speaker 1: I'm here because we were talking this week and he

1793
01:38:27,920 --> 01:38:31,639
Speaker 1: was like, we're making him up to you, but it's

1794
01:38:31,680 --> 01:38:35,080
Speaker 1: been real. You're like, You're like, I'm going to Miami.

1795
01:38:35,160 --> 01:38:36,920
Speaker 1: I'm in New York right now. Can you get to Miami.

1796
01:38:36,960 --> 01:38:39,439
Speaker 1: I'm like, I don't know. And then literally the next

1797
01:38:39,560 --> 01:38:41,360
Speaker 1: day I got called to come and do a show

1798
01:38:41,400 --> 01:38:43,719
Speaker 1: in New York. And then the day after I got booked,

1799
01:38:43,760 --> 01:38:45,640
Speaker 1: I called North's like, Yo, you're in New York to

1800
01:38:46,040 --> 01:38:48,439
Speaker 1: twelfth right, Like, I'm gonna be in New York this week.

1801
01:38:48,560 --> 01:38:51,280
Speaker 1: And that's why I'm on the microphone right now because

1802
01:38:51,400 --> 01:38:53,880
Speaker 1: my man left this door open, and as soon as

1803
01:38:53,920 --> 01:38:57,240
Speaker 1: I had opportunity and called him, I walked right through. Yeah.

1804
01:38:57,320 --> 01:39:02,000
Speaker 1: But in all due respect, Bun, I really appreciate the

1805
01:39:02,080 --> 01:39:05,639
Speaker 1: love that you just gave me. But I just want

1806
01:39:05,680 --> 01:39:13,240
Speaker 1: you to never ever, ever, ever not remember who you are.

1807
01:39:14,000 --> 01:39:16,519
Speaker 1: That's why my wife is here. And you know why,

1808
01:39:17,360 --> 01:39:24,680
Speaker 1: because the design a totally different aspect of life. What

1809
01:39:24,840 --> 01:39:29,080
Speaker 1: you g K did to us, but you guys gave

1810
01:39:29,280 --> 01:39:33,320
Speaker 1: to the music community, I could never thank you know.

1811
01:39:33,520 --> 01:39:35,760
Speaker 1: But we looked as a true man group. We looked

1812
01:39:35,800 --> 01:39:40,800
Speaker 1: at everybody, looked at you and you know what I'm saying.

1813
01:39:40,840 --> 01:39:45,760
Speaker 1: But I'm saying as through longevity and there was always

1814
01:39:46,280 --> 01:39:49,240
Speaker 1: a dynamic that we could look at. When we started

1815
01:39:50,360 --> 01:39:54,800
Speaker 1: My fucking hat bumby PIMPC run D m C, there's

1816
01:39:54,880 --> 01:39:58,320
Speaker 1: always been something that we could look at. Run DMC

1817
01:39:58,600 --> 01:40:01,639
Speaker 1: was the first pm D. You know what I'm saying.

1818
01:40:02,200 --> 01:40:04,439
Speaker 1: You know, even Houdini in different groups like that, we

1819
01:40:04,479 --> 01:40:07,040
Speaker 1: would look at like the two man group and need

1820
01:40:07,200 --> 01:40:09,040
Speaker 1: not just because there were two men, because you can

1821
01:40:09,120 --> 01:40:11,519
Speaker 1: put those two people in the room and leave with

1822
01:40:11,600 --> 01:40:14,360
Speaker 1: an album. And that's where the dynamic with Game Star

1823
01:40:14,560 --> 01:40:17,519
Speaker 1: comes in, the dynamic with Mob Deep comes in with

1824
01:40:17,720 --> 01:40:19,720
Speaker 1: E P m D comes in because you got the

1825
01:40:19,800 --> 01:40:22,920
Speaker 1: producing an m C. Put them dudes in the room,

1826
01:40:23,000 --> 01:40:25,360
Speaker 1: they come out with an album. You know what I'm saying.

1827
01:40:26,640 --> 01:40:28,640
Speaker 1: But even deeper than that, put these two dudes in

1828
01:40:28,640 --> 01:40:31,280
Speaker 1: the room, you come out with a movement component noriega

1829
01:40:35,040 --> 01:40:38,720
Speaker 1: killed it killed. That's why I keep my room and

1830
01:40:39,040 --> 01:40:41,479
Speaker 1: my wife in the room with me because I can't.

1831
01:40:43,200 --> 01:40:45,320
Speaker 1: I can't lie. She won't because she gonna sit right

1832
01:40:45,400 --> 01:40:47,479
Speaker 1: there and if I try to lie, she don't look

1833
01:40:47,640 --> 01:40:54,240
Speaker 1: up and be like, no, sir, God bless her. Okay,

1834
01:40:54,640 --> 01:40:57,400
Speaker 1: So here, here's a deal. You know, I'm so drunk

1835
01:40:57,560 --> 01:41:00,719
Speaker 1: right now, I'm almost certain that kid can't be anything.

1836
01:41:01,080 --> 01:41:03,640
Speaker 1: Is that Barcelo open downstairs? Let's killing right now. We

1837
01:41:03,680 --> 01:41:06,680
Speaker 1: could go downstairs, but but I ain't gonna lie to you. Man.

1838
01:41:09,840 --> 01:41:13,840
Speaker 1: I can't thank you enough, because the thing about it is,

1839
01:41:14,160 --> 01:41:19,360
Speaker 1: people think that your soul like because because how front

1840
01:41:19,560 --> 01:41:24,840
Speaker 1: Pet was, people think that you're like like you. You

1841
01:41:24,920 --> 01:41:28,240
Speaker 1: won't even answer a question because I don't. I don't talk.

1842
01:41:28,720 --> 01:41:31,920
Speaker 1: I don't know. But I'm your brother. Know what I'm saying.

1843
01:41:31,920 --> 01:41:34,960
Speaker 1: I'm talking to you. I'm talking to you, but in

1844
01:41:35,040 --> 01:41:37,719
Speaker 1: the in the in the physics, in the physical world,

1845
01:41:38,920 --> 01:41:42,599
Speaker 1: in the physical world, like me and me and out

1846
01:41:43,520 --> 01:41:45,880
Speaker 1: in my better half. Yes, I walk in any room

1847
01:41:45,920 --> 01:41:50,040
Speaker 1: to walk out. Yes, yes, h God, we're walking to

1848
01:41:50,040 --> 01:41:52,559
Speaker 1: any wom to walk out. I never let me tell

1849
01:41:52,600 --> 01:41:54,680
Speaker 1: you all the iller ship, my brother ever said, all

1850
01:41:54,760 --> 01:41:58,160
Speaker 1: that fly ship and minkoes on the ellership. Pimp Ever

1851
01:41:58,240 --> 01:42:00,880
Speaker 1: said was I don't need body guds, I just need

1852
01:42:01,000 --> 01:42:09,479
Speaker 1: mighty God, Mighty God. I said, that's said, and I've

1853
01:42:09,840 --> 01:42:11,760
Speaker 1: ever since he said that. I never told him I

1854
01:42:11,960 --> 01:42:15,960
Speaker 1: moved like that. I knew then't I didn't need nobody

1855
01:42:16,080 --> 01:42:18,479
Speaker 1: with me. I didn't need know nobody if you wasn't

1856
01:42:18,520 --> 01:42:21,799
Speaker 1: moving with me within God, I just moved by myself,

1857
01:42:22,880 --> 01:42:25,760
Speaker 1: you know. And it's and and and and this is

1858
01:42:25,880 --> 01:42:29,400
Speaker 1: that the way hip hop should be. That's the way,

1859
01:42:30,040 --> 01:42:32,880
Speaker 1: because that's the way life should be. You know, that's

1860
01:42:32,880 --> 01:42:36,240
Speaker 1: the way life should be. Like you don't need people

1861
01:42:36,320 --> 01:42:40,280
Speaker 1: to show who you are, prove who you are. If

1862
01:42:40,320 --> 01:42:42,360
Speaker 1: you are how you say you are, and you're on

1863
01:42:42,520 --> 01:42:44,800
Speaker 1: in that in a real way, you can move anywhere

1864
01:42:44,880 --> 01:42:47,920
Speaker 1: in this world and people. And I prove of that.

1865
01:42:48,880 --> 01:42:52,680
Speaker 1: I was telling the story earlier to Jeffanary about we

1866
01:42:52,800 --> 01:42:54,439
Speaker 1: came to New York, we got signed, people like, you're

1867
01:42:54,479 --> 01:42:57,280
Speaker 1: gonna go to Hollow. I was like, what's going to holler?

1868
01:42:58,160 --> 01:43:00,920
Speaker 1: So we took a cab from the hotel and he

1869
01:43:01,000 --> 01:43:02,000
Speaker 1: was like, he was like, where you want to go?

1870
01:43:02,120 --> 01:43:03,320
Speaker 1: Were like, we want to go to Hall and cab

1871
01:43:03,400 --> 01:43:08,320
Speaker 1: drop himself on Amsterdam and just me and pimp get

1872
01:43:08,360 --> 01:43:11,080
Speaker 1: out of cab and that's where we are. There's a barbershop.

1873
01:43:11,439 --> 01:43:16,400
Speaker 1: This is nine. It's a barbershop on Amster that we're

1874
01:43:16,439 --> 01:43:23,000
Speaker 1: going into the barbershop. We get a hack. I love you, brother,

1875
01:43:23,479 --> 01:43:26,880
Speaker 1: you know how much you've been through. We're trying to

1876
01:43:26,960 --> 01:43:29,080
Speaker 1: talk and it's funny because we're trying to talk about

1877
01:43:29,080 --> 01:43:31,680
Speaker 1: it on here. I know we can't talk about the

1878
01:43:31,760 --> 01:43:35,080
Speaker 1: studio session and be talking about how crazy got in

1879
01:43:35,120 --> 01:43:37,240
Speaker 1: the hood, your shot a little man, that slap dude

1880
01:43:37,240 --> 01:43:46,519
Speaker 1: behind that tongue ring. I can't. I can't thank you enough.

1881
01:43:48,120 --> 01:43:51,720
Speaker 1: We'll we're just talking about understand and all this other ship. No,

1882
01:43:51,920 --> 01:43:54,240
Speaker 1: but it's important for people to see me cry, because

1883
01:43:55,200 --> 01:43:57,240
Speaker 1: this is what they don't get to see, right. Hip

1884
01:43:57,280 --> 01:44:04,120
Speaker 1: hop is designed for ego like that. But when you

1885
01:44:04,240 --> 01:44:06,040
Speaker 1: love people and you think about them and they're not

1886
01:44:06,200 --> 01:44:07,599
Speaker 1: next you and you can't be next to you them,

1887
01:44:07,640 --> 01:44:10,160
Speaker 1: you're supposed to be like And so that's why I

1888
01:44:10,280 --> 01:44:12,479
Speaker 1: love talking through it. I love crime while I'm talking

1889
01:44:12,479 --> 01:44:15,280
Speaker 1: about something because that lets people know about us, we are,

1890
01:44:15,320 --> 01:44:17,560
Speaker 1: about what we're talking about you know, you know. You

1891
01:44:17,600 --> 01:44:20,320
Speaker 1: know what I think about it is it's like we

1892
01:44:20,479 --> 01:44:26,000
Speaker 1: just lost prodigy, so we can't ask have it right

1893
01:44:26,080 --> 01:44:30,120
Speaker 1: now the same way we couldn't ask you when yeah

1894
01:44:30,320 --> 01:44:32,880
Speaker 1: you can't. I can talk down. I can talk a

1895
01:44:33,000 --> 01:44:35,960
Speaker 1: lot easier. And it's not like and see people think

1896
01:44:36,000 --> 01:44:38,280
Speaker 1: you get choked up when it's like, Yo, how you

1897
01:44:38,400 --> 01:44:40,759
Speaker 1: felt about you know? I think about the little moments

1898
01:44:41,320 --> 01:44:44,479
Speaker 1: that's what choke you up, not about you know. It's

1899
01:44:44,680 --> 01:44:47,479
Speaker 1: for me when I think about him, I think about

1900
01:44:48,520 --> 01:44:52,920
Speaker 1: there's new cause and he went that he would have bought.

1901
01:44:53,439 --> 01:44:56,040
Speaker 1: You know what I'm saying when I look at the racing,

1902
01:44:56,280 --> 01:45:00,479
Speaker 1: When I look at the race like for real, like

1903
01:45:00,760 --> 01:45:03,560
Speaker 1: like people don't realize when Pimp pulled up in the

1904
01:45:03,640 --> 01:45:06,040
Speaker 1: binds that he's in big crimping. He was the first

1905
01:45:06,120 --> 01:45:09,360
Speaker 1: person on the street with that car. He was in

1906
01:45:09,479 --> 01:45:12,200
Speaker 1: Miami with that car. I remember Ray Kwen coming up

1907
01:45:12,240 --> 01:45:14,439
Speaker 1: to him. I remember Fat Joe coming up to him.

1908
01:45:14,680 --> 01:45:17,400
Speaker 1: Because people don't realize that I forgot what this because

1909
01:45:17,479 --> 01:45:21,120
Speaker 1: Carl spring bling that. But it was loud weekend back

1910
01:45:21,160 --> 01:45:23,920
Speaker 1: then the first time they did that in Miami, it

1911
01:45:24,080 --> 01:45:27,160
Speaker 1: was like it was a loud all this thing. So

1912
01:45:28,040 --> 01:45:30,719
Speaker 1: the Cheffer was in town, Joe was in telling everybody,

1913
01:45:30,800 --> 01:45:33,280
Speaker 1: and we're on Colin and Pimper just got that joint

1914
01:45:33,280 --> 01:45:35,639
Speaker 1: and nobody had that joint, you know what I'm saying.

1915
01:45:35,720 --> 01:45:40,640
Speaker 1: So it was a very very fantastic they and they

1916
01:45:40,720 --> 01:45:43,200
Speaker 1: put Pimp and people did. This was before Big Pepper,

1917
01:45:43,400 --> 01:45:45,680
Speaker 1: so let people know exactly what type of duty he was,

1918
01:45:46,040 --> 01:45:47,360
Speaker 1: you know what I'm saying. And it wasn't like I

1919
01:45:47,439 --> 01:45:49,559
Speaker 1: got it before. He was like, I got what y'all got.

1920
01:45:50,360 --> 01:45:52,439
Speaker 1: Were from the South, We we do. We can do

1921
01:45:52,560 --> 01:45:54,960
Speaker 1: anything anybody else could do, you know what I'm saying.

1922
01:45:55,000 --> 01:45:59,080
Speaker 1: But it was the honesty about Pimp that I think

1923
01:45:59,160 --> 01:46:04,040
Speaker 1: it's gets missed about the uk K legacy, no fault.

1924
01:46:04,600 --> 01:46:08,200
Speaker 1: That's the beautiful thing about you guys. It's like when

1925
01:46:08,240 --> 01:46:09,920
Speaker 1: I met you, I asked you, I swear to God,

1926
01:46:09,960 --> 01:46:12,880
Speaker 1: this is the best beautiful thing. Pampa was like, tell them, Nori,

1927
01:46:13,080 --> 01:46:20,480
Speaker 1: come on the studio, listen. This nigger analyzed every aspect

1928
01:46:20,640 --> 01:46:23,559
Speaker 1: of me. But that's exactly what I would have. Did

1929
01:46:24,439 --> 01:46:27,719
Speaker 1: you understand, like I would have this same exactive Pample

1930
01:46:27,800 --> 01:46:37,120
Speaker 1: looked at me, he was like it and I was like, damn.

1931
01:46:37,520 --> 01:46:41,320
Speaker 1: And then we funked through each other the whole like this,

1932
01:46:42,160 --> 01:46:45,400
Speaker 1: and you people would never know how how close this

1933
01:46:45,600 --> 01:46:49,840
Speaker 1: group was, like U Kane and Campona Noriega, because when

1934
01:46:49,880 --> 01:46:52,120
Speaker 1: people look at people, they think people are close because

1935
01:46:52,160 --> 01:46:53,799
Speaker 1: they do a bunch of songs, a bunch of songs,

1936
01:46:53,920 --> 01:46:56,280
Speaker 1: you know what I'm saying. But the real people that

1937
01:46:56,479 --> 01:46:58,640
Speaker 1: really have friendships in music, they don't even really do

1938
01:46:58,800 --> 01:47:03,160
Speaker 1: music together. We talk about family, we talk about children,

1939
01:47:03,760 --> 01:47:07,720
Speaker 1: we talk about contracts and legacy and ship, like real

1940
01:47:07,880 --> 01:47:10,560
Speaker 1: life ship. You don't be like, yo, let's do this

1941
01:47:10,840 --> 01:47:13,240
Speaker 1: and let's start this. That's not what real people do.

1942
01:47:13,400 --> 01:47:17,880
Speaker 1: Real people, like a company's flaking on me right in

1943
01:47:18,000 --> 01:47:20,640
Speaker 1: my ain't all you only live like ten minutes? How

1944
01:47:20,680 --> 01:47:23,479
Speaker 1: should I move on this? But like, yo, I want

1945
01:47:23,520 --> 01:47:25,840
Speaker 1: to go to the label and let like fifty rats loops,

1946
01:47:25,960 --> 01:47:29,080
Speaker 1: like it's not gonna do this. They got rats in

1947
01:47:29,160 --> 01:47:32,280
Speaker 1: New York up there they got and but let me

1948
01:47:32,360 --> 01:47:36,280
Speaker 1: tell you something. But I can't thank you so much

1949
01:47:36,360 --> 01:47:39,200
Speaker 1: too drunk, No, no, no, but listen, I am not you.

1950
01:47:39,400 --> 01:47:42,920
Speaker 1: I can't thank you so much because no, we all

1951
01:47:43,080 --> 01:47:48,960
Speaker 1: drink chaps to drink Champs, drink Champs finishes, drink Champs

1952
01:47:49,560 --> 01:47:53,559
Speaker 1: drink Jam. The thing is this. We ain't these other

1953
01:47:53,680 --> 01:47:57,160
Speaker 1: shows where we want to, like, you know, pull up

1954
01:47:57,240 --> 01:47:59,680
Speaker 1: gossip and all this ship. All we want to do

1955
01:47:59,840 --> 01:48:04,600
Speaker 1: is represent our hip hop legends. And today we're not

1956
01:48:04,720 --> 01:48:07,040
Speaker 1: only big en up you, but we're also bigging up

1957
01:48:07,080 --> 01:48:11,400
Speaker 1: your brother who's not here, PIMPSI. And we're also big

1958
01:48:11,520 --> 01:48:15,000
Speaker 1: enough Prodigy because Prodigy is not here, and we understand

1959
01:48:15,160 --> 01:48:18,120
Speaker 1: exactly what you guys are going through right now for

1960
01:48:18,320 --> 01:48:22,320
Speaker 1: real with you. And this is Drink Champs, and Drink

1961
01:48:22,400 --> 01:48:27,280
Speaker 1: Champs is only to big up hip hop, fuck everything

1962
01:48:27,439 --> 01:48:33,920
Speaker 1: else about life. Hip Hop should be saluted every fucking day.

1963
01:48:34,920 --> 01:48:44,800
Speaker 1: There's a war going on that my bud. I thank

1964
01:48:44,840 --> 01:48:49,479
Speaker 1: you so much, yo, Bunny, I thank you so much

1965
01:48:49,960 --> 01:48:56,280
Speaker 1: for me because I feel like my son is coming

1966
01:48:56,320 --> 01:49:01,439
Speaker 1: up with and I'm listen, buddy, There's no way I

1967
01:49:01,520 --> 01:49:05,040
Speaker 1: can thank you so much. Men together, the fact that

1968
01:49:05,160 --> 01:49:09,080
Speaker 1: you came to left right with me, you hang off,

1969
01:49:09,400 --> 01:49:11,600
Speaker 1: and that wasn't left right yesterday here. This is a

1970
01:49:11,760 --> 01:49:14,360
Speaker 1: very ill like. That's why I laughed so much when

1971
01:49:14,400 --> 01:49:17,880
Speaker 1: we were all standing in front of Sweet, because I

1972
01:49:17,920 --> 01:49:19,640
Speaker 1: don't think anybody thought you would have been who you

1973
01:49:19,720 --> 01:49:22,200
Speaker 1: were going to be. I don't think nobody really thought

1974
01:49:22,520 --> 01:49:26,080
Speaker 1: like you. People thought and me like and and who

1975
01:49:26,160 --> 01:49:28,599
Speaker 1: we are not because of what we were? Then that's

1976
01:49:28,640 --> 01:49:30,960
Speaker 1: the ill ship. That's the like, that's the ill ship.

1977
01:49:31,080 --> 01:49:33,120
Speaker 1: Like we're not even who we are now because of

1978
01:49:33,120 --> 01:49:35,920
Speaker 1: who we wasn't because we weren't scared to beat more

1979
01:49:36,000 --> 01:49:37,920
Speaker 1: than we are now. You know what I'm saying, That's

1980
01:49:37,960 --> 01:49:40,880
Speaker 1: why we are now. That's what I man so like

1981
01:49:42,840 --> 01:49:46,240
Speaker 1: I feel like questions. I feel like I'm just like

1982
01:49:46,479 --> 01:49:49,800
Speaker 1: I'm telling you I'm so good because I'm a fan

1983
01:49:49,840 --> 01:49:53,200
Speaker 1: of and just Bun. Just to know that when we

1984
01:49:53,320 --> 01:49:55,599
Speaker 1: all when I'm met Bunn and left right, that's such

1985
01:49:55,600 --> 01:49:57,760
Speaker 1: a memorable. I feel like I'm back in that and

1986
01:49:58,160 --> 01:50:00,519
Speaker 1: and I see it like it was yesterday. And is this,

1987
01:50:00,680 --> 01:50:03,280
Speaker 1: Like I said, there's intricac either of that day that

1988
01:50:03,439 --> 01:50:07,040
Speaker 1: we could never as deep as this. And I tell

1989
01:50:07,120 --> 01:50:10,080
Speaker 1: people all the time about that story. So it's so

1990
01:50:10,320 --> 01:50:13,920
Speaker 1: funny to talk about it here in this space because

1991
01:50:13,960 --> 01:50:15,960
Speaker 1: I talked about that story all the time, Like, Yo,

1992
01:50:16,000 --> 01:50:17,760
Speaker 1: you want to know when I really was in New York.

1993
01:50:18,200 --> 01:50:20,080
Speaker 1: You don't know when I really do in New York.

1994
01:50:20,160 --> 01:50:24,800
Speaker 1: Please tell us, like like drinking story, my mom number

1995
01:50:24,880 --> 01:50:27,760
Speaker 1: one moment and there's a lot but just literally like

1996
01:50:28,080 --> 01:50:31,200
Speaker 1: turning up the belver their bottle. And then like I

1997
01:50:31,320 --> 01:50:33,600
Speaker 1: felt like I was in Clocus because the nig the

1998
01:50:33,760 --> 01:50:38,160
Speaker 1: d T shirt, the quarter and I'm like it's one time,

1999
01:50:38,320 --> 01:50:42,720
Speaker 1: right on time. Same but so like we're sitting there

2000
01:50:42,800 --> 01:50:45,960
Speaker 1: with the corner and this is when Armadale Vodka it's

2001
01:50:46,040 --> 01:50:50,360
Speaker 1: popping right like we're supporting I'm sorry, but we're supporting

2002
01:50:50,720 --> 01:50:53,840
Speaker 1: support business like we are that but that was a

2003
01:50:53,920 --> 01:50:56,960
Speaker 1: move Armadale. Right, So I'm in New York. I'm with

2004
01:50:57,200 --> 01:51:01,840
Speaker 1: no read. I'm drinking Armadale like Nord's like yo, it

2005
01:51:01,920 --> 01:51:04,320
Speaker 1: goes over the so and not like not this side,

2006
01:51:04,439 --> 01:51:06,720
Speaker 1: like shout out the puff. But you know we had

2007
01:51:06,760 --> 01:51:11,320
Speaker 1: to magnim had just being real where the hood. So

2008
01:51:11,439 --> 01:51:15,559
Speaker 1: I got this huge bottom a vodka. You know, it's

2009
01:51:15,600 --> 01:51:18,280
Speaker 1: just crazy. I'm in the Queens. I'm in left right.

2010
01:51:19,160 --> 01:51:21,680
Speaker 1: And then like just like clocks and literally like the

2011
01:51:22,280 --> 01:51:26,240
Speaker 1: old school, like it's literally what my man was driving

2012
01:51:26,600 --> 01:51:30,360
Speaker 1: past your boy Clockers. He's in the same detective like

2013
01:51:30,560 --> 01:51:33,360
Speaker 1: Lincoln Call and I'm like, really, word, that's what you

2014
01:51:33,439 --> 01:51:36,080
Speaker 1: came to New York foot And he's like now you're good,

2015
01:51:37,000 --> 01:51:41,040
Speaker 1: and apparently I was good. Yeah, but I watched a

2016
01:51:41,120 --> 01:51:43,839
Speaker 1: couple of dudes can slap. Somebody got shot the five

2017
01:51:44,960 --> 01:51:46,920
Speaker 1: a couple of dudes. I shot to five yard. It

2018
01:51:47,080 --> 01:51:52,519
Speaker 1: was it really. I was like, damn not because it happened.

2019
01:51:52,520 --> 01:51:54,840
Speaker 1: I'm like, Yo, this is the same ship. Though. If

2020
01:51:54,880 --> 01:51:59,280
Speaker 1: I was on this corner and you right, and this

2021
01:51:59,360 --> 01:52:02,360
Speaker 1: should happened, the same ship would have happened, and the

2022
01:52:02,479 --> 01:52:05,679
Speaker 1: whole night. As the night progress, I'm like, the world together.

2023
01:52:05,960 --> 01:52:10,880
Speaker 1: That's all can say. You know, that's exactly what we

2024
01:52:10,920 --> 01:52:14,800
Speaker 1: should do. Nothing scared me. Nothing surprised me, exactly. You

2025
01:52:14,840 --> 01:52:17,080
Speaker 1: know what I'm saying. You not just standing mean, nothing

2026
01:52:17,120 --> 01:52:20,280
Speaker 1: surprised me. I'm like, I'm gonna tell this funny story.

2027
01:52:20,840 --> 01:52:23,680
Speaker 1: Just one of the first things that happened. Little man

2028
01:52:23,800 --> 01:52:25,920
Speaker 1: comes up. North's like, yo, but just so you know,

2029
01:52:26,280 --> 01:52:28,680
Speaker 1: little man, what we don't do when we eat bananas,

2030
01:52:28,840 --> 01:52:31,880
Speaker 1: we don't eat h hot dogs. That I was like,

2031
01:52:32,400 --> 01:52:36,240
Speaker 1: this is crazy because you asked a little dude from

2032
01:52:36,240 --> 01:52:37,760
Speaker 1: where I grew up if you want to pops, and

2033
01:52:37,760 --> 01:52:42,040
Speaker 1: they will look at you crazy, right, And it's it's

2034
01:52:42,120 --> 01:52:45,360
Speaker 1: it's not that there's anything wrong with eating pops, right,

2035
01:52:45,640 --> 01:52:51,799
Speaker 1: in general. It's just that's against my rules. Rules continued,

2036
01:52:52,439 --> 01:52:54,559
Speaker 1: but it was very funny, like and he's looking at

2037
01:52:54,600 --> 01:52:57,120
Speaker 1: north the whole top, he said, and kid was less

2038
01:52:57,120 --> 01:53:00,320
Speaker 1: than twelve. And then the kids something that any kid

2039
01:53:00,400 --> 01:53:03,599
Speaker 1: less than they teat this, something like to get finished.

2040
01:53:03,920 --> 01:53:06,360
Speaker 1: But listen, you know what I ate downstairs? And ate

2041
01:53:06,400 --> 01:53:08,280
Speaker 1: a hot dog or everything on it? No hot dog?

2042
01:53:10,080 --> 01:53:14,439
Speaker 1: A fact, what did I eat downstairs? Everything on it?

2043
01:53:14,640 --> 01:53:18,080
Speaker 1: No dog? I get a hot dog? Okay, continue, but no,

2044
01:53:18,479 --> 01:53:22,280
Speaker 1: there's nothing saying to that. The same noise, the same

2045
01:53:26,479 --> 01:53:31,560
Speaker 1: black Let me tell you something. This is not the

2046
01:53:31,640 --> 01:53:37,200
Speaker 1: back in the days, or this is not nowadays. When

2047
01:53:37,240 --> 01:53:41,519
Speaker 1: I asked bumby to come to my hood. This wasn't

2048
01:53:41,600 --> 01:53:46,760
Speaker 1: the nice hood. This was the hot That was when

2049
01:53:46,840 --> 01:53:49,200
Speaker 1: niggas was like, yo, you know these buildings got underground,

2050
01:53:50,240 --> 01:53:53,560
Speaker 1: like shooting things like if they come, just run with

2051
01:53:53,680 --> 01:53:55,680
Speaker 1: following me. All we gotta do is make it to

2052
01:53:55,720 --> 01:53:58,760
Speaker 1: the building. He's like, all we want to do, the

2053
01:53:58,960 --> 01:54:01,479
Speaker 1: say all we have to They said, all we gotta

2054
01:54:01,479 --> 01:54:03,800
Speaker 1: just make it to the building. And they don't know

2055
01:54:03,840 --> 01:54:06,000
Speaker 1: if we go up or go down, so we're good.

2056
01:54:06,160 --> 01:54:10,640
Speaker 1: Left right out underground ship. So it's like, yo, that

2057
01:54:10,880 --> 01:54:13,680
Speaker 1: was that time, and it was literally it was like,

2058
01:54:13,800 --> 01:54:15,680
Speaker 1: you know, if anything happened, just run with us. It

2059
01:54:15,840 --> 01:54:17,680
Speaker 1: was a time and now all we gotta do is

2060
01:54:17,760 --> 01:54:20,560
Speaker 1: make it to the building. All you gotta do is

2061
01:54:20,640 --> 01:54:24,920
Speaker 1: make it to the building. And the words. I was like, okay,

2062
01:54:25,320 --> 01:54:27,000
Speaker 1: and I ain't got the bump me now like I

2063
01:54:27,080 --> 01:54:29,200
Speaker 1: got now I gotta tore menis because so I ain't

2064
01:54:29,200 --> 01:54:31,439
Speaker 1: got to bump you. But they was like, all we

2065
01:54:31,479 --> 01:54:33,560
Speaker 1: gotta do because we're on the corner. We had the

2066
01:54:33,640 --> 01:54:36,000
Speaker 1: light and so it's a building right here. There's a

2067
01:54:36,040 --> 01:54:38,480
Speaker 1: building right there, and it's it's like yo, be we're good. Ah,

2068
01:54:38,520 --> 01:54:40,000
Speaker 1: we gotta just make it to the building. They don't

2069
01:54:40,000 --> 01:54:42,000
Speaker 1: know where we're going. The DT's got to catch us

2070
01:54:42,040 --> 01:54:44,240
Speaker 1: before we getting the building. Once we're getting the building,

2071
01:54:44,320 --> 01:54:48,600
Speaker 1: they don't be going up or we're going down. Intellects,

2072
01:54:53,320 --> 01:54:57,640
Speaker 1: it's beautiful because that's sorry, no, no, but that was

2073
01:54:57,680 --> 01:55:00,360
Speaker 1: the New York I wanted to see. That's what I

2074
01:55:00,480 --> 01:55:03,200
Speaker 1: wanted New York. I'm all enough to remember the warriors

2075
01:55:03,280 --> 01:55:05,320
Speaker 1: and ship, so New York had to be a certain

2076
01:55:05,360 --> 01:55:06,720
Speaker 1: way where I got here. I didn't want to go

2077
01:55:06,760 --> 01:55:10,000
Speaker 1: to Junior's with jee shout out the puff. But that's

2078
01:55:10,000 --> 01:55:12,920
Speaker 1: not what I wanted. I know, I'm taking the piss.

2079
01:55:12,960 --> 01:55:16,360
Speaker 1: I'll come right back. I'm so sorry I did not,

2080
01:55:16,880 --> 01:55:18,680
Speaker 1: But we were very We were close to the buildings,

2081
01:55:18,680 --> 01:55:21,200
Speaker 1: but I wasn't tripping it. I wasn't tripping. But that's

2082
01:55:21,360 --> 01:55:25,080
Speaker 1: the one thing I remember distinctly. Yes, yo, so, But

2083
01:55:25,600 --> 01:55:27,880
Speaker 1: it's not like we WoT to selling crap. We were

2084
01:55:27,960 --> 01:55:32,160
Speaker 1: drinking big If it was, who did I be allowed

2085
01:55:32,200 --> 01:55:39,040
Speaker 1: that I met? There? Can you talking about talking about that?

2086
01:55:39,920 --> 01:55:45,360
Speaker 1: That's why that's where I'm very for the first time. Literally,

2087
01:55:45,920 --> 01:55:52,280
Speaker 1: it's crazy. Showed me too, but she got real, you know, so,

2088
01:55:52,520 --> 01:55:56,920
Speaker 1: bun Man, So what would you think, um, before we

2089
01:55:56,960 --> 01:55:59,880
Speaker 1: get up out of here, what would pimps think? This

2090
01:56:00,080 --> 01:56:03,160
Speaker 1: whole generation right now? I think you think. I think

2091
01:56:03,240 --> 01:56:07,480
Speaker 1: he would love the fact that young people are getting

2092
01:56:07,760 --> 01:56:11,560
Speaker 1: paid for the music, because we used to have to

2093
01:56:11,600 --> 01:56:13,400
Speaker 1: try to figure out just how to get paid for

2094
01:56:13,480 --> 01:56:16,280
Speaker 1: putting the record out. Nowadays you get paid for from

2095
01:56:16,400 --> 01:56:20,320
Speaker 1: the record out, from downloads, from streaming, all these other things,

2096
01:56:20,400 --> 01:56:22,360
Speaker 1: So you get paid off of one song ten different

2097
01:56:22,360 --> 01:56:24,280
Speaker 1: ways if you know how to work the game. We

2098
01:56:24,360 --> 01:56:25,880
Speaker 1: were just trying to figure out how to get paid

2099
01:56:26,160 --> 01:56:28,640
Speaker 1: from putting a record out, So I think you know,

2100
01:56:28,840 --> 01:56:31,640
Speaker 1: from that aspect, he would be happy of the freedom

2101
01:56:31,720 --> 01:56:35,320
Speaker 1: that autists have. But on the other right, but on

2102
01:56:35,440 --> 01:56:38,000
Speaker 1: the other side, he would be I think he would

2103
01:56:38,000 --> 01:56:42,720
Speaker 1: be disappointed and a lack of honesty, you know. Lat yeah,

2104
01:56:42,880 --> 01:56:46,000
Speaker 1: like because we're here to like right now, expose everything

2105
01:56:46,080 --> 01:56:49,520
Speaker 1: that's fake. But if you're a fake, you can't expose

2106
01:56:49,680 --> 01:56:52,840
Speaker 1: anything because it would expose you. And that's what he

2107
01:56:52,880 --> 01:56:55,480
Speaker 1: would be disappointed about. Pamper never had a problem with

2108
01:56:55,520 --> 01:56:58,320
Speaker 1: who people were. It was about people pretending about who

2109
01:56:58,360 --> 01:57:00,720
Speaker 1: they were. That was his problem. You know what I'm saying.

2110
01:57:01,080 --> 01:57:03,760
Speaker 1: If you're gamester, you're game say. If you're hipster, your hipster,

2111
01:57:04,200 --> 01:57:06,560
Speaker 1: if you straight, get whatever, just be who you tell

2112
01:57:06,640 --> 01:57:09,080
Speaker 1: me when I meet you. Just be that every time

2113
01:57:09,120 --> 01:57:11,160
Speaker 1: I see you, and I can live and if I

2114
01:57:11,320 --> 01:57:13,880
Speaker 1: like that, if I can accept that, I'm good with that.

2115
01:57:14,280 --> 01:57:17,600
Speaker 1: But don't visit seen thousand niggas told pimp Nor was

2116
01:57:17,640 --> 01:57:21,720
Speaker 1: a real nigga. He still wanted to me, I gotta

2117
01:57:21,840 --> 01:57:25,160
Speaker 1: meet you. He looked at me, sir, and then he

2118
01:57:25,280 --> 01:57:28,600
Speaker 1: hugged me the whole night. Tell him and it was

2119
01:57:28,760 --> 01:57:32,600
Speaker 1: It was funny because pimps like yo, man, I'm so

2120
01:57:32,800 --> 01:57:35,960
Speaker 1: happy that this nigs who he said that the people

2121
01:57:36,080 --> 01:57:38,800
Speaker 1: said he was. I'm so happy that he was who

2122
01:57:38,920 --> 01:57:43,000
Speaker 1: you said he was. If you and Keith Murder, you

2123
01:57:43,160 --> 01:57:47,920
Speaker 1: and Keith Murray, um, like what exactly? Who we where?

2124
01:57:48,000 --> 01:57:50,560
Speaker 1: He thought that we're going to be. You are everything

2125
01:57:50,680 --> 01:57:56,520
Speaker 1: we thought there was gonna be before walking the ball shop.

2126
01:57:56,600 --> 01:57:58,440
Speaker 1: What happened? We went in there, We was like we

2127
01:57:58,520 --> 01:58:01,240
Speaker 1: were from Texas and he's like, you gotta be you

2128
01:58:01,320 --> 01:58:03,800
Speaker 1: know what I'm saying, like what you're doing in the homes,

2129
01:58:03,840 --> 01:58:05,320
Speaker 1: Like we want to get a hair cut, we want

2130
01:58:05,360 --> 01:58:07,200
Speaker 1: to get weed, and we want to get some food,

2131
01:58:07,840 --> 01:58:10,680
Speaker 1: and Niggs like we just want thet You say something

2132
01:58:10,720 --> 01:58:16,720
Speaker 1: before you can ren this. Listen, pimp. See, didn't he

2133
01:58:16,760 --> 01:58:22,520
Speaker 1: give a fuck? We took the way that and he

2134
01:58:22,760 --> 01:58:26,240
Speaker 1: checked me in New York. It's not like I was

2135
01:58:26,360 --> 01:58:30,520
Speaker 1: the sexist on Houston said these nigga told me your

2136
01:58:30,560 --> 01:58:33,840
Speaker 1: real nigga. Pimp. He shaw to rump in his head

2137
01:58:33,920 --> 01:58:38,520
Speaker 1: like just I said, oh ship, I've never been checking

2138
01:58:38,600 --> 01:58:41,920
Speaker 1: this way, so I just had to ride with it.

2139
01:58:42,000 --> 01:58:45,520
Speaker 1: I was just like, oh yeah, yeah, definitely, that's what

2140
01:58:45,640 --> 01:58:47,880
Speaker 1: they told you. He said, yeah, yeah, he said you good,

2141
01:58:48,320 --> 01:58:54,560
Speaker 1: your real nigger. I said, yeah. He said, I'm gonna

2142
01:58:54,640 --> 01:58:58,560
Speaker 1: make sure you're real nigga. All right, oh ship, yeah,

2143
01:59:00,800 --> 01:59:02,760
Speaker 1: and then he's like, I'm gonna watch you the whole

2144
01:59:02,840 --> 01:59:09,760
Speaker 1: name okay, and didn't his best friends, but he definitely

2145
01:59:09,840 --> 01:59:14,120
Speaker 1: watched me. He made sure every room look that came

2146
01:59:14,200 --> 01:59:17,600
Speaker 1: around saluted me, and if they didn't, he looked at

2147
01:59:17,640 --> 01:59:23,400
Speaker 1: me and said, make sure that's fun and that's real

2148
01:59:23,560 --> 01:59:25,440
Speaker 1: ship because it was important for us. We were so

2149
01:59:25,560 --> 01:59:27,680
Speaker 1: far removed from a lot of this ship. We moved

2150
01:59:27,720 --> 01:59:30,640
Speaker 1: it straight away. So it was like, man, we gotta

2151
01:59:30,680 --> 01:59:34,000
Speaker 1: make sure then we that niggas were around moved like

2152
01:59:34,120 --> 01:59:38,400
Speaker 1: we moved right like. It was never about worrying about drama,

2153
01:59:38,760 --> 01:59:41,000
Speaker 1: be for none of that. You like, Yo, we're gonna

2154
01:59:41,000 --> 01:59:44,120
Speaker 1: be around certain people. We gotta make sure we're around

2155
01:59:44,160 --> 01:59:47,000
Speaker 1: you like that we moved. It's just that simple. And

2156
01:59:47,080 --> 01:59:49,280
Speaker 1: if you're a real nigked, then you don't you don't

2157
01:59:49,280 --> 01:59:50,760
Speaker 1: even get infitted with you, like, yeah, we need to

2158
01:59:50,800 --> 01:59:56,440
Speaker 1: make sure you really you need to call you. Take

2159
01:59:56,520 --> 02:00:00,160
Speaker 1: my phone to him and he said, he says, I'm

2160
02:00:00,160 --> 02:00:04,080
Speaker 1: still gonna you can tell me everything. He said, I'm

2161
02:00:04,080 --> 02:00:07,960
Speaker 1: not what you And that was a beautiful everything should

2162
02:00:08,000 --> 02:00:10,600
Speaker 1: come back, right, that's the beautiful thing because I're thinking

2163
02:00:11,080 --> 02:00:14,040
Speaker 1: right and you know, and button, let me just let

2164
02:00:14,080 --> 02:00:20,080
Speaker 1: me just tell you something. Mine and hip hop people

2165
02:00:20,120 --> 02:00:23,360
Speaker 1: don't bag each other up. People don't sit there and

2166
02:00:23,480 --> 02:00:27,200
Speaker 1: say to you, but we love you and we love

2167
02:00:27,320 --> 02:00:30,040
Speaker 1: what you can contribute it to hip hop. We love

2168
02:00:30,080 --> 02:00:32,160
Speaker 1: what you gave to hip hop. We love you just

2169
02:00:32,280 --> 02:00:34,520
Speaker 1: your booted to hip hop. And this is not the

2170
02:00:34,640 --> 02:00:38,120
Speaker 1: shows that you're on. This show that you're on right

2171
02:00:38,160 --> 02:00:42,440
Speaker 1: now is We're gonna fucking salute that. That's beautiful. Really,

2172
02:00:43,000 --> 02:00:47,560
Speaker 1: we really can't thank you enough. We're gonna continue to

2173
02:00:47,600 --> 02:00:50,760
Speaker 1: support your ship. We're gonna blow up your fucking album

2174
02:00:50,840 --> 02:00:53,400
Speaker 1: that just came out. It's coming out. The singles out now,

2175
02:00:53,560 --> 02:00:55,520
Speaker 1: Game I guess when this comes out, Game times out

2176
02:00:55,640 --> 02:01:00,040
Speaker 1: right now. That's not even a single. I just know

2177
02:01:00,400 --> 02:01:08,360
Speaker 1: still take over the show, take over and everything because

2178
02:01:08,400 --> 02:01:18,720
Speaker 1: I okay let him to single pits DJ, so like

2179
02:01:19,320 --> 02:01:21,520
Speaker 1: you know, you worked with them, and you said that

2180
02:01:21,720 --> 02:01:25,560
Speaker 1: every time. Every time, you're like you're still about Vinyl,

2181
02:01:25,760 --> 02:01:28,560
Speaker 1: Like a lot of think he don't like, we don't

2182
02:01:28,560 --> 02:01:33,560
Speaker 1: know Vinyl was like that was what a DJ's dream

2183
02:01:33,880 --> 02:01:38,040
Speaker 1: was not this laptop ship, you know, freestyle cutting this,

2184
02:01:38,160 --> 02:01:40,160
Speaker 1: so I know it's deep. Ye know. If you go

2185
02:01:40,320 --> 02:01:43,200
Speaker 1: and look on the Ryan Dirty album on the on

2186
02:01:43,320 --> 02:01:45,760
Speaker 1: the pictures on the insert, there's a picture of me,

2187
02:01:45,920 --> 02:01:48,240
Speaker 1: Pimp C and DJ Screw and there's a piece of

2188
02:01:48,360 --> 02:01:51,200
Speaker 1: vinyl behind him, and that's the test press from the

2189
02:01:51,280 --> 02:01:54,280
Speaker 1: first record we ever did. Because Screw was like he

2190
02:01:54,400 --> 02:01:56,760
Speaker 1: was the after Hour DJ. So when I got the

2191
02:01:56,840 --> 02:01:59,280
Speaker 1: test press, I brought it to him because he was

2192
02:01:59,280 --> 02:02:02,120
Speaker 1: the only DJ I knew like mixing. So I used

2193
02:02:02,120 --> 02:02:03,880
Speaker 1: to go to the spot to shoot dice. So I

2194
02:02:04,000 --> 02:02:06,280
Speaker 1: brought it straight to him and was like, yo, and

2195
02:02:06,400 --> 02:02:10,080
Speaker 1: this was old, this is ninety it's ninety two, like

2196
02:02:10,160 --> 02:02:13,160
Speaker 1: February ninety two. And I'm like, yo, play this, let

2197
02:02:13,200 --> 02:02:14,560
Speaker 1: me know what you think. And I'm on the pool

2198
02:02:14,600 --> 02:02:16,720
Speaker 1: table shooting dice because that's where we had to shoot dice.

2199
02:02:17,000 --> 02:02:18,560
Speaker 1: And after I was on the pool table in the

2200
02:02:18,640 --> 02:02:21,920
Speaker 1: back and he plays the ship and he was like it.

2201
02:02:22,000 --> 02:02:24,960
Speaker 1: He played again, like you'll keep that to and keep

2202
02:02:24,960 --> 02:02:27,720
Speaker 1: it popping, and and I'm like, I'm I'm a hundred

2203
02:02:27,760 --> 02:02:29,360
Speaker 1: miles away from where I grew up and I'm in

2204
02:02:29,400 --> 02:02:31,040
Speaker 1: the after I was at three and one shooting dice

2205
02:02:31,520 --> 02:02:33,600
Speaker 1: just to make sure my see what my record due

2206
02:02:33,680 --> 02:02:36,280
Speaker 1: to connect with people. And so Screw took that record

2207
02:02:36,480 --> 02:02:39,080
Speaker 1: and put it on the wall in the room where

2208
02:02:39,080 --> 02:02:41,160
Speaker 1: he mixed that. And when we went in that room,

2209
02:02:41,320 --> 02:02:44,400
Speaker 1: which is literally about eight years later, and we go

2210
02:02:44,600 --> 02:02:46,320
Speaker 1: in that room, you know, he pulled it out because

2211
02:02:46,320 --> 02:02:48,800
Speaker 1: it's on the walls, and so we literally posed in

2212
02:02:48,960 --> 02:02:52,440
Speaker 1: front of the picture. And at this time he wasn't

2213
02:02:52,440 --> 02:02:54,320
Speaker 1: in DJ Screw when I gave him this record, He's

2214
02:02:54,320 --> 02:02:57,080
Speaker 1: just the after our DJ. We're in the after hour

2215
02:02:57,240 --> 02:03:01,640
Speaker 1: the club this is stupens are on like the dance floor.

2216
02:03:02,120 --> 02:03:05,080
Speaker 1: We're shooting dice on the pool table in the back

2217
02:03:05,120 --> 02:03:07,520
Speaker 1: of that bitch, right next to Gallagher, my nigga. We're

2218
02:03:07,560 --> 02:03:09,320
Speaker 1: shooting dice in that bitch or three in the morning,

2219
02:03:09,680 --> 02:03:13,160
Speaker 1: and he played my record and niggas, it's probably forty

2220
02:03:13,200 --> 02:03:15,920
Speaker 1: niggas in the after hours, and he's like, like that ship,

2221
02:03:16,040 --> 02:03:18,640
Speaker 1: that ship tight, I ain't play that ship again, you know.

2222
02:03:19,160 --> 02:03:22,440
Speaker 1: And then I'm like, you might have something. And then

2223
02:03:22,600 --> 02:03:24,680
Speaker 1: three months later we're in New York and callumb A

2224
02:03:24,760 --> 02:03:27,760
Speaker 1: Circle getting ready to go to Job Records. Forty second,

2225
02:03:29,320 --> 02:03:33,160
Speaker 1: just tell me something good. I got the test press vinyl,

2226
02:03:33,320 --> 02:03:35,440
Speaker 1: and I brought it to the after hours, like my

2227
02:03:35,560 --> 02:03:39,840
Speaker 1: nigga run that. Let me know what you think. You

2228
02:03:39,960 --> 02:03:43,920
Speaker 1: know what I'm saying, Like it's amazing, It's probably gonna

2229
02:03:43,920 --> 02:03:47,360
Speaker 1: be a little weird. No, no, nothing is with because

2230
02:03:47,440 --> 02:03:50,760
Speaker 1: because I came to New York in ninety two before Giuliani,

2231
02:03:51,160 --> 02:03:56,520
Speaker 1: so I remember the weird New York so after Pimp

2232
02:03:56,920 --> 02:04:02,160
Speaker 1: like because he went off right he said, zones is different. Now,

2233
02:04:02,280 --> 02:04:05,480
Speaker 1: how was your life after that? Because and then he

2234
02:04:05,880 --> 02:04:09,000
Speaker 1: made it clear he said this is not this was

2235
02:04:09,200 --> 02:04:12,360
Speaker 1: this was not the first time that this is not

2236
02:04:12,480 --> 02:04:14,920
Speaker 1: the first time that Pippa said nothing that I didn't

2237
02:04:14,920 --> 02:04:17,200
Speaker 1: know that, but that I didn't know Pemper was gonna

2238
02:04:17,240 --> 02:04:21,000
Speaker 1: say what he said. If you look at the wire,

2239
02:04:22,080 --> 02:04:25,680
Speaker 1: there's a moment where Big G says, um, well, I

2240
02:04:26,000 --> 02:04:28,880
Speaker 1: can't remember Slim Charles and on the white, but it's

2241
02:04:28,960 --> 02:04:32,080
Speaker 1: it's Big G for d C. And he's like, even

2242
02:04:32,120 --> 02:04:35,000
Speaker 1: if it's a lie, we gotta ride on that lie.

2243
02:04:35,240 --> 02:04:37,480
Speaker 1: And I'm not saying my brother lie, but no matter

2244
02:04:37,600 --> 02:04:41,760
Speaker 1: what my brother says in the moment, we gotta move

2245
02:04:41,880 --> 02:04:43,800
Speaker 1: on that even if it's a lie, we're gonna have

2246
02:04:43,880 --> 02:04:47,080
Speaker 1: to go to war on that lot. Now, when me

2247
02:04:47,200 --> 02:04:50,440
Speaker 1: and him get in the back room while the shots

2248
02:04:50,480 --> 02:04:54,040
Speaker 1: in the front, me and him gotta have words in

2249
02:04:54,120 --> 02:04:56,560
Speaker 1: the back about why we're in this situation. That's what

2250
02:04:56,640 --> 02:05:00,480
Speaker 1: I love you. But the reality is, and there was

2251
02:05:00,560 --> 02:05:02,800
Speaker 1: a lot of moments what would be like he would

2252
02:05:02,880 --> 02:05:04,520
Speaker 1: get out there and be like, yo, you know what

2253
02:05:05,200 --> 02:05:08,480
Speaker 1: fox on and so my wife is right there, my

2254
02:05:08,560 --> 02:05:10,560
Speaker 1: wife know him the line. My wife was probably on

2255
02:05:10,600 --> 02:05:14,720
Speaker 1: the side and be like, that's what we had to day,

2256
02:05:15,040 --> 02:05:18,640
Speaker 1: you know, and we go home and again, even if

2257
02:05:18,680 --> 02:05:22,280
Speaker 1: it ain't right or even IF's a misunderstanding in that moment,

2258
02:05:22,400 --> 02:05:25,040
Speaker 1: we gotta move on that we got. We gotta move

2259
02:05:25,120 --> 02:05:27,720
Speaker 1: on that, you know. And it was it was very

2260
02:05:27,880 --> 02:05:29,880
Speaker 1: rough for us as a family and ship like that

2261
02:05:29,880 --> 02:05:32,000
Speaker 1: because I don't I don't talk about a lot of

2262
02:05:32,200 --> 02:05:34,480
Speaker 1: because that ship was real ship, you know what I'm saying.

2263
02:05:34,480 --> 02:05:35,720
Speaker 1: So I don't talk about a lot of that ship.

2264
02:05:35,880 --> 02:05:38,320
Speaker 1: I'll protect the integrity of my family. But just the

2265
02:05:38,400 --> 02:05:40,840
Speaker 1: reality is that even if I didn't agree with him,

2266
02:05:41,760 --> 02:05:45,640
Speaker 1: I was riding with him. That was that wasn't even understood.

2267
02:05:45,840 --> 02:05:48,120
Speaker 1: I mean, that wasn't even something that had to be understood.

2268
02:05:48,920 --> 02:05:51,520
Speaker 1: Whatever happens in that moment, people's like, this is what

2269
02:05:51,720 --> 02:05:55,680
Speaker 1: we're saying. Even if I didn't agree in that movement,

2270
02:05:55,880 --> 02:06:00,040
Speaker 1: if we're in front of niggers. He also beginning that

2271
02:06:00,600 --> 02:06:03,240
Speaker 1: Bunny ain't got nothing to do much. But I always

2272
02:06:03,280 --> 02:06:09,440
Speaker 1: had something to do with you knew, because the Pimple

2273
02:06:09,480 --> 02:06:12,680
Speaker 1: was my little brother. Damn that you know what I'm saying.

2274
02:06:13,720 --> 02:06:17,840
Speaker 1: People come with my older brother. Comp was younger than me.

2275
02:06:18,560 --> 02:06:21,120
Speaker 1: Component is older than me. So my whole thing with

2276
02:06:21,280 --> 02:06:24,720
Speaker 1: pimp was, like I understand that I understood that were

2277
02:06:24,760 --> 02:06:27,200
Speaker 1: things he didn't really understand about certain things about how

2278
02:06:27,240 --> 02:06:30,000
Speaker 1: to handle ship. People had what they he didn't have

2279
02:06:30,200 --> 02:06:34,640
Speaker 1: what they call inner dialogue, right like, I feel this

2280
02:06:34,760 --> 02:06:37,560
Speaker 1: way about this person. Should I say this? Should I

2281
02:06:37,680 --> 02:06:40,520
Speaker 1: not say? That didn't even exist? That didn't even exist.

2282
02:06:41,640 --> 02:06:44,480
Speaker 1: I got addressed this right here, right now. So that

2283
02:06:44,640 --> 02:06:47,080
Speaker 1: was whether that was a rapper, a nigger on the street,

2284
02:06:47,680 --> 02:06:52,160
Speaker 1: whether it was the CEO did yeah, yeah. But even

2285
02:06:52,240 --> 02:06:54,400
Speaker 1: if that was like Verry White to see you all

2286
02:06:54,440 --> 02:06:56,880
Speaker 1: the record company, it would be I remember be in

2287
02:06:56,920 --> 02:07:00,320
Speaker 1: a room with like the person that the term in

2288
02:07:00,440 --> 02:07:05,360
Speaker 1: my future a bit nigger, and then get up and

2289
02:07:05,480 --> 02:07:08,320
Speaker 1: walk out, and I'm like, well, I guess we understand

2290
02:07:08,320 --> 02:07:10,720
Speaker 1: where were all that. You know what I'm saying, So

2291
02:07:11,240 --> 02:07:15,480
Speaker 1: because I talked to you about a year so but

2292
02:07:15,600 --> 02:07:17,240
Speaker 1: I wasn't gonna be like, yo, I don't know what

2293
02:07:17,320 --> 02:07:19,640
Speaker 1: he said, but that's not what we If that's how

2294
02:07:19,720 --> 02:07:22,920
Speaker 1: he felt, then we'll talk about that on the plane

2295
02:07:22,960 --> 02:07:25,200
Speaker 1: on the way home, like maybe that wasn't the best

2296
02:07:25,240 --> 02:07:27,560
Speaker 1: way to do this, but at the end of the day,

2297
02:07:27,760 --> 02:07:31,480
Speaker 1: Pemple loved this ship. Say, and this is what people

2298
02:07:31,520 --> 02:07:35,080
Speaker 1: don't understand. I'll say this giving away a lot about

2299
02:07:35,480 --> 02:07:37,160
Speaker 1: because my wife looks up every now and then just

2300
02:07:37,280 --> 02:07:42,360
Speaker 1: get But I will say, like this was Pimp's life.

2301
02:07:42,520 --> 02:07:45,040
Speaker 1: There was no plan B for Pimp, for this ship,

2302
02:07:45,960 --> 02:07:47,720
Speaker 1: and if there were certain moments where he felt a

2303
02:07:47,760 --> 02:07:52,240
Speaker 1: certain way, even if I didn't really understand it, all right,

2304
02:07:53,200 --> 02:07:55,720
Speaker 1: all right, well, I guess this meeting is over. But

2305
02:07:56,200 --> 02:07:59,680
Speaker 1: you're a bitch, you know what I'm saying. You who

2306
02:08:00,040 --> 02:08:03,040
Speaker 1: sneakers don't understand what we're trying to do fun this ship. Mommy,

2307
02:08:03,160 --> 02:08:06,160
Speaker 1: we out of here. Well, guys, I guess you can't

2308
02:08:06,160 --> 02:08:13,480
Speaker 1: see we have each other's numbers. But what he said,

2309
02:08:14,080 --> 02:08:16,920
Speaker 1: you know what I'm saying. And on the home like, yeah,

2310
02:08:16,920 --> 02:08:21,640
Speaker 1: we shouldn't have done it like that. Yeah, but in

2311
02:08:21,760 --> 02:08:25,280
Speaker 1: the moment, but right a wrong, we gotta ride on that.

2312
02:08:25,440 --> 02:08:28,080
Speaker 1: Shout out to big G your But I don't know

2313
02:08:29,200 --> 02:08:32,720
Speaker 1: if you ever you got a new album coming out? Yes, well,

2314
02:08:32,760 --> 02:08:35,960
Speaker 1: I don't know if you ever because this is a

2315
02:08:36,040 --> 02:08:39,200
Speaker 1: different type of hip hop show. There's a different type

2316
02:08:39,240 --> 02:08:44,520
Speaker 1: of place where you at and at our place, we

2317
02:08:44,800 --> 02:08:48,760
Speaker 1: big up our artists and Bundy be nice. You are

2318
02:08:48,920 --> 02:08:53,560
Speaker 1: so fucking appreciated or I don't know, no, no, for real,

2319
02:08:53,840 --> 02:08:57,000
Speaker 1: I don't know way you ever. There's a real reason

2320
02:08:57,080 --> 02:09:01,080
Speaker 1: why God gave drink champs to the world. Talk about that,

2321
02:09:01,200 --> 02:09:03,880
Speaker 1: because you've been a drink champion for I think the

2322
02:09:03,960 --> 02:09:06,480
Speaker 1: only person is even giving you a battle is forty

2323
02:09:06,560 --> 02:09:10,160
Speaker 1: and be Legiti destroy me, you know what I'm saying.

2324
02:09:10,960 --> 02:09:13,280
Speaker 1: But that's a powderful pound. That's the best powerful powder.

2325
02:09:15,760 --> 02:09:17,880
Speaker 1: I mean, you're like the Floyd Medal Mayweather. When I

2326
02:09:17,960 --> 02:09:21,440
Speaker 1: say poundful pound, please please keep your pound for pound,

2327
02:09:21,760 --> 02:09:24,080
Speaker 1: keeping the drink champ. I'm just saying that. I'm just

2328
02:09:24,200 --> 02:09:26,520
Speaker 1: that's all I mean. You go to get six ft

2329
02:09:26,560 --> 02:09:29,120
Speaker 1: six niggers and three hund of pounds, Yes, I got

2330
02:09:29,200 --> 02:09:32,720
Speaker 1: a little then you gonna But but like you, you know,

2331
02:09:32,840 --> 02:09:34,680
Speaker 1: you went to every state, you went to every region,

2332
02:09:35,440 --> 02:09:39,640
Speaker 1: every hood, and you drink recklessly, not just regularly, you

2333
02:09:39,720 --> 02:09:42,400
Speaker 1: drink recklessly to the point where if it's going down,

2334
02:09:42,440 --> 02:09:44,240
Speaker 1: it's going down in a very real way. Right now

2335
02:09:45,400 --> 02:09:47,720
Speaker 1: you made it home safe. That's a beautiful thing. That's

2336
02:09:47,760 --> 02:09:51,960
Speaker 1: the thing. There's there's no person we were other big

2337
02:09:52,080 --> 02:09:56,280
Speaker 1: up right now and drink champs and revote history. Then

2338
02:09:56,400 --> 02:10:00,280
Speaker 1: bumb absolutely right here loves you so much, you know

2339
02:10:00,320 --> 02:10:03,640
Speaker 1: because if if it's called me a few times in

2340
02:10:03,720 --> 02:10:06,160
Speaker 1: his life, and I'd be surprised if I didn't give

2341
02:10:06,160 --> 02:10:15,880
Speaker 1: you what you know, but if drama smalls, these were

2342
02:10:15,960 --> 02:10:19,000
Speaker 1: people that were very genuine in their love and support.

2343
02:10:19,600 --> 02:10:21,400
Speaker 1: I like, you know what I'm saying. They were like, Yo,

2344
02:10:22,000 --> 02:10:23,840
Speaker 1: I ain't got no money, I ain't got this, I

2345
02:10:23,840 --> 02:10:26,320
Speaker 1: ain't got that. I just I really funk with you,

2346
02:10:26,840 --> 02:10:28,840
Speaker 1: and I'm doing this and if you want to be

2347
02:10:28,880 --> 02:10:30,400
Speaker 1: a part of it, I love that you be a

2348
02:10:30,440 --> 02:10:32,920
Speaker 1: part of it. And I remember my wife being like

2349
02:10:33,200 --> 02:10:34,960
Speaker 1: my wife was like, YO, why are you doing this stuff?

2350
02:10:34,960 --> 02:10:38,560
Speaker 1: And I'm like, yo, please trust me because of you,

2351
02:10:38,760 --> 02:10:41,720
Speaker 1: because of drama, because of small but there wasn't a music.

2352
02:10:41,880 --> 02:10:46,560
Speaker 1: Woun't being real because I didn't get because it's very

2353
02:10:46,600 --> 02:10:48,480
Speaker 1: easy for me to sit here and let you give

2354
02:10:48,560 --> 02:10:52,360
Speaker 1: me accolades. But if it is a real, dude, and

2355
02:10:52,520 --> 02:10:55,839
Speaker 1: if it knows that there's never been any money exchange,

2356
02:10:56,440 --> 02:11:00,560
Speaker 1: just been real, It's never been any and I just

2357
02:11:00,680 --> 02:11:05,280
Speaker 1: wanted to see him win and he and he always

2358
02:11:05,320 --> 02:11:08,400
Speaker 1: wanted to see me. When there's been times where people

2359
02:11:08,400 --> 02:11:10,840
Speaker 1: would check up the efit more than it's been. Really,

2360
02:11:11,160 --> 02:11:14,120
Speaker 1: they're being really a lot of times, a couple of buns.

2361
02:11:14,320 --> 02:11:17,320
Speaker 1: There's a couple of months if but no, if it

2362
02:11:17,440 --> 02:11:19,200
Speaker 1: had up end and he was like, yo, but this

2363
02:11:19,320 --> 02:11:23,040
Speaker 1: is drink with me. You gotta stop taking over even

2364
02:11:23,120 --> 02:11:25,560
Speaker 1: with the group. I'm gonna be that. But there's a

2365
02:11:25,640 --> 02:11:28,680
Speaker 1: lot and let us make you up. This is not

2366
02:11:29,800 --> 02:11:35,960
Speaker 1: my wife is over, it's not the show. Let's talk

2367
02:11:36,000 --> 02:11:39,360
Speaker 1: about him now. That's begging him up. Yeah, that's what

2368
02:11:39,480 --> 02:11:47,000
Speaker 1: you're edited. We'll put this on the end. No, I'm

2369
02:11:47,160 --> 02:11:49,760
Speaker 1: very uncomfortable to sit around and just kind of like

2370
02:11:50,720 --> 02:11:52,480
Speaker 1: I'm in a new place now where I don't want

2371
02:11:52,480 --> 02:11:54,560
Speaker 1: to celebrate me. I want to celebrate God and people

2372
02:11:54,640 --> 02:11:57,080
Speaker 1: that have been good. We're celebrating God, what's what I'm saying?

2373
02:11:57,200 --> 02:12:00,400
Speaker 1: And so like when people start leading on me, gotta

2374
02:12:00,640 --> 02:12:03,640
Speaker 1: but my wife is like, Yo, shut the funk up,

2375
02:12:05,360 --> 02:12:19,880
Speaker 1: it's time to go twelve minutes, goddamn bub Let me

2376
02:12:19,920 --> 02:12:25,720
Speaker 1: tell you something. Us in New York City were recognized.

2377
02:12:26,480 --> 02:12:30,280
Speaker 1: We knew what y'all was doing in the Houston and

2378
02:12:30,360 --> 02:12:36,280
Speaker 1: the authors, we understood what y'all was doing. But you

2379
02:12:36,360 --> 02:12:38,560
Speaker 1: know what happened. It's like a drinking game when you

2380
02:12:38,560 --> 02:12:44,040
Speaker 1: say you want more, No, because my wife, but let

2381
02:12:44,080 --> 02:12:47,600
Speaker 1: me just tell it. But listen, let me tell you something, bunny,

2382
02:12:48,720 --> 02:12:55,080
Speaker 1: But you should be saluted every day on Monday, do Sunday.

2383
02:12:56,320 --> 02:12:59,240
Speaker 1: And that's what we're gonna continue to do. And drink champs.

2384
02:13:00,520 --> 02:13:03,560
Speaker 1: Drink chips. First of all, Dree Champs is everything I

2385
02:13:03,640 --> 02:13:09,400
Speaker 1: thought it was gonna be. It was, yes, everything I

2386
02:13:09,480 --> 02:13:11,360
Speaker 1: thought it was gonna be because I thought I was

2387
02:13:11,400 --> 02:13:13,080
Speaker 1: gonna be the dude they came in and talked that

2388
02:13:13,160 --> 02:13:20,080
Speaker 1: didn't get drunk. Yom listen because you know why we

2389
02:13:20,160 --> 02:13:23,360
Speaker 1: select we celebrate hip hop. And the thing about it

2390
02:13:23,600 --> 02:13:26,320
Speaker 1: is in the hip hop. Hip hop don't set up

2391
02:13:26,440 --> 02:13:30,000
Speaker 1: a hip hop what the fund is our problem? This

2392
02:13:30,320 --> 02:13:33,200
Speaker 1: is hip hop right here. Nah, it's not hip hop.

2393
02:13:33,320 --> 02:13:42,760
Speaker 1: It's hip hop and bun Pam and pimp check me.

2394
02:13:42,920 --> 02:13:47,400
Speaker 1: I've never been checked before hip hop. So when checked me,

2395
02:13:47,480 --> 02:13:51,080
Speaker 1: I said, there, I gotta check myself too. Let we

2396
02:13:51,200 --> 02:13:54,200
Speaker 1: checked the end. The thing about it is we want

2397
02:13:54,200 --> 02:13:57,800
Speaker 1: to continue to support people like you, boy. That's why

2398
02:13:57,880 --> 02:14:02,560
Speaker 1: this works the because this wasn't about money and sponsorship

2399
02:14:02,600 --> 02:14:05,880
Speaker 1: and none of that ship You've been out even at

2400
02:14:05,920 --> 02:14:09,200
Speaker 1: the like I said, it's funny because like what, you

2401
02:14:09,240 --> 02:14:11,200
Speaker 1: ain't gonna pat yourself on the back. That's that's for

2402
02:14:11,320 --> 02:14:14,120
Speaker 1: other things to do. But dream Chaps is Dream Chaps

2403
02:14:14,160 --> 02:14:16,240
Speaker 1: is killing it right now. But even in the midst

2404
02:14:16,240 --> 02:14:21,040
Speaker 1: of that, you kept the format and the platform opening.

2405
02:14:21,080 --> 02:14:22,720
Speaker 1: He's like, yo, bot, what's up? And I can show

2406
02:14:22,760 --> 02:14:27,200
Speaker 1: you my phone. It's literally I've been hitting month. Come

2407
02:14:27,240 --> 02:14:29,440
Speaker 1: funk with me because we tell because we tell the

2408
02:14:29,520 --> 02:14:32,000
Speaker 1: left Frac story to everybody. You know what I'm saying,

2409
02:14:32,280 --> 02:14:33,560
Speaker 1: and we got to get it out there. And I

2410
02:14:33,600 --> 02:14:35,720
Speaker 1: woun't have to tell it no more that we can

2411
02:14:35,800 --> 02:14:38,000
Speaker 1: just talk about this story and how many hours we

2412
02:14:38,080 --> 02:14:44,240
Speaker 1: sat and sweet this story. But this is this is

2413
02:14:44,280 --> 02:14:46,200
Speaker 1: a beautiful thing. Shout and shout out to revote for

2414
02:14:46,240 --> 02:14:52,800
Speaker 1: supporting you because you know, listen, Charlemagne, you gotta relax.

2415
02:14:52,880 --> 02:14:55,400
Speaker 1: I got a little problem with you. Wait now, Charlotte Magne,

2416
02:14:55,920 --> 02:14:59,440
Speaker 1: you gotta stop this specum of vault because of the

2417
02:14:59,640 --> 02:15:03,680
Speaker 1: vault is what's holding us down. That is a different

2418
02:15:03,840 --> 02:15:08,800
Speaker 1: episode for a different day. But I can't thank you

2419
02:15:08,960 --> 02:15:10,720
Speaker 1: so much because you know why I want to thank you.

2420
02:15:14,680 --> 02:15:16,839
Speaker 1: I'm not only want to thank you because you're deserved

2421
02:15:16,880 --> 02:15:19,280
Speaker 1: to be thanked, but I want to thank you for

2422
02:15:19,520 --> 02:15:24,040
Speaker 1: staying here and understanding that hip hop has to be respected.

2423
02:15:24,920 --> 02:15:28,280
Speaker 1: And the thing about it is so many people they say,

2424
02:15:28,440 --> 02:15:32,160
Speaker 1: they sit back and they say ah, and then you

2425
02:15:32,240 --> 02:15:36,560
Speaker 1: know what they don't do. They don't the actual bars,

2426
02:15:37,320 --> 02:15:40,720
Speaker 1: don't delude the actual culture. It's a difference between being

2427
02:15:41,080 --> 02:15:45,800
Speaker 1: a creative something me and they inherit or something I

2428
02:15:45,920 --> 02:15:49,160
Speaker 1: need you describe that hip hop is something that we

2429
02:15:49,280 --> 02:15:52,160
Speaker 1: were part of the creation. The new generation hip hop

2430
02:15:52,240 --> 02:15:55,320
Speaker 1: is something they inherited. So there's a different dynamic as

2431
02:15:55,360 --> 02:15:57,280
Speaker 1: the how hip hop We were there to create it.

2432
02:15:57,440 --> 02:16:00,920
Speaker 1: They it was something they got on their birthday. You

2433
02:16:00,960 --> 02:16:03,440
Speaker 1: know what I'm saying. You know that's something they got

2434
02:16:03,480 --> 02:16:06,040
Speaker 1: for Christmas? Hip hop or something they got for Christmas,

2435
02:16:06,280 --> 02:16:07,880
Speaker 1: and it's not a bad thing, but they have a

2436
02:16:07,920 --> 02:16:10,800
Speaker 1: different discipline and a different dynamic that we have. And

2437
02:16:10,920 --> 02:16:12,520
Speaker 1: if we and if we look at it like that,

2438
02:16:12,800 --> 02:16:16,200
Speaker 1: right that hip hop was a right for us, right

2439
02:16:16,400 --> 02:16:18,600
Speaker 1: a writer passage, but for them it was a gift.

2440
02:16:19,600 --> 02:16:21,800
Speaker 1: And if we look at it like that, then we'll

2441
02:16:21,920 --> 02:16:25,560
Speaker 1: understand the dynamic between us and the next generation. And

2442
02:16:25,680 --> 02:16:29,680
Speaker 1: you won't fault people for not being of the culture

2443
02:16:30,000 --> 02:16:32,720
Speaker 1: or understanding like being real health hop and none of

2444
02:16:32,800 --> 02:16:35,600
Speaker 1: that ship it was. We earned it and we gave

2445
02:16:35,680 --> 02:16:38,120
Speaker 1: it to them, and some of them don't do what

2446
02:16:39,240 --> 02:16:41,400
Speaker 1: we thought they would do with it. But to judge

2447
02:16:41,400 --> 02:16:43,720
Speaker 1: them is to judge our children, because we all got

2448
02:16:43,840 --> 02:16:46,360
Speaker 1: kids and they don't all do what we thought they

2449
02:16:46,400 --> 02:16:48,880
Speaker 1: were supposed to do. So and we're the children that

2450
02:16:49,160 --> 02:16:51,520
Speaker 1: they're the children of hip hop. They're not the children

2451
02:16:51,560 --> 02:16:53,960
Speaker 1: of us, but we are. We are also children in

2452
02:16:54,080 --> 02:16:57,200
Speaker 1: hip hop. So we have to remember what we did

2453
02:16:57,760 --> 02:16:59,840
Speaker 1: when Cool, when Cool HERC and all of them gave

2454
02:16:59,879 --> 02:17:03,400
Speaker 1: it to us. We didn't really do what all of

2455
02:17:03,440 --> 02:17:05,440
Speaker 1: them expected us to do with it, you know what

2456
02:17:05,480 --> 02:17:08,200
Speaker 1: I'm saying. But it's still hip hop still exists, So

2457
02:17:08,320 --> 02:17:10,480
Speaker 1: we can't be mad because some of them are still

2458
02:17:10,879 --> 02:17:13,000
Speaker 1: keeping hip hop alive. It may not be what we

2459
02:17:13,120 --> 02:17:16,080
Speaker 1: wanted them to do with it. But if you're a parent,

2460
02:17:16,280 --> 02:17:20,000
Speaker 1: you're just happy your kids alive, right, You're not even

2461
02:17:20,560 --> 02:17:23,760
Speaker 1: You're not even if your kids you just if you

2462
02:17:23,840 --> 02:17:26,000
Speaker 1: wake up in the morning, your kids alive. We got

2463
02:17:26,120 --> 02:17:30,120
Speaker 1: a chance and that's how I feel wake up the

2464
02:17:30,240 --> 02:17:33,320
Speaker 1: whole We Got a Chance album. But he said, it's

2465
02:17:33,360 --> 02:17:39,199
Speaker 1: that old niggas stop acting like you knew because Tupac

2466
02:17:39,280 --> 02:17:42,880
Speaker 1: had a nose ring too, because losy Verd who I

2467
02:17:42,959 --> 02:17:46,240
Speaker 1: feel like he's speaking specifically because he has a nose

2468
02:17:46,360 --> 02:17:49,120
Speaker 1: ring and he clothes And it's very easy for us

2469
02:17:49,560 --> 02:17:52,959
Speaker 1: to judge young niggas based on what young niggas do right,

2470
02:17:53,040 --> 02:17:54,959
Speaker 1: and it's and it's easy for us to judge old

2471
02:17:55,040 --> 02:17:57,760
Speaker 1: people right because we look at the dynamic of how

2472
02:17:57,879 --> 02:17:59,840
Speaker 1: we got it right. So we look at the people

2473
02:18:00,120 --> 02:18:02,280
Speaker 1: for us, who got hip hop from disco, and we're

2474
02:18:02,280 --> 02:18:04,360
Speaker 1: looking at people aftercls. We got hip hop from pop

2475
02:18:04,440 --> 02:18:08,240
Speaker 1: records and it being a part of the mainstream, and

2476
02:18:08,520 --> 02:18:10,760
Speaker 1: we you know, for us, if people don't go through

2477
02:18:10,800 --> 02:18:13,680
Speaker 1: the struggle to get to where we got, then we

2478
02:18:13,800 --> 02:18:18,240
Speaker 1: feel different. But You don't live your life for your

2479
02:18:18,320 --> 02:18:20,600
Speaker 1: children to have a struggle. You live your life for

2480
02:18:20,680 --> 02:18:24,240
Speaker 1: your children have it easier. And now we're sitting here

2481
02:18:24,440 --> 02:18:27,119
Speaker 1: judging our children because they had it easier than we had.

2482
02:18:27,600 --> 02:18:29,800
Speaker 1: We shouldn't be doing that. We should be raising them.

2483
02:18:30,440 --> 02:18:33,320
Speaker 1: We're just not our job to judge them. So you

2484
02:18:33,480 --> 02:18:36,400
Speaker 1: have to love them and raise him. And you know

2485
02:18:36,440 --> 02:18:39,320
Speaker 1: what I'm saying, because when your children do, you don't

2486
02:18:39,320 --> 02:18:43,280
Speaker 1: cut your children off. Okay, how fucked up your children get.

2487
02:18:43,280 --> 02:18:45,440
Speaker 1: You don't cut your children off. You bring them back

2488
02:18:45,480 --> 02:18:47,440
Speaker 1: in and you try again. You bring them back to

2489
02:18:47,520 --> 02:18:50,240
Speaker 1: the principles and made you who you were. And you

2490
02:18:50,360 --> 02:18:52,600
Speaker 1: just keep praying that one day they'll wake up like

2491
02:18:52,760 --> 02:19:02,320
Speaker 1: you woke up. Because they're eighteen and we like your

2492
02:19:02,440 --> 02:19:12,600
Speaker 1: but drink Champs, drink cha down, drink Champs. Yeah, but

2493
02:19:12,920 --> 02:19:15,440
Speaker 1: I can't think you're enough. And then you know the

2494
02:19:15,520 --> 02:19:19,680
Speaker 1: crazy thing is I never ever, ever, like kind of

2495
02:19:19,840 --> 02:19:24,960
Speaker 1: claimed that I met no And that's what's that's what's crazy.

2496
02:19:25,040 --> 02:19:27,560
Speaker 1: And like I said, hip hop artists that really funk

2497
02:19:27,600 --> 02:19:31,880
Speaker 1: with each other don't do music right. Like some some

2498
02:19:32,120 --> 02:19:34,800
Speaker 1: of this very exponsive, But the people in hip out

2499
02:19:34,840 --> 02:19:38,320
Speaker 1: that really bond bond over real life ship. We meet

2500
02:19:38,400 --> 02:19:41,840
Speaker 1: people in real life scenarios. We realize, Joe, if I

2501
02:19:41,920 --> 02:19:44,320
Speaker 1: need to talk to somebody, I'm gonna call that dude.

2502
02:19:44,760 --> 02:19:46,920
Speaker 1: The rest of these niggas is just on TV and

2503
02:19:47,080 --> 02:19:50,320
Speaker 1: just a different type of nigga. But when she get real, Like,

2504
02:19:50,400 --> 02:19:52,080
Speaker 1: if me and my girl ever get into it, I'm

2505
02:19:52,080 --> 02:19:54,840
Speaker 1: gonna call that nick. Right, if me and my partner

2506
02:19:55,000 --> 02:19:57,520
Speaker 1: ever get into it, I'm gonna call that Nick. And

2507
02:19:57,600 --> 02:20:00,680
Speaker 1: you're blessed if you can find these people in the culture.

2508
02:20:00,920 --> 02:20:03,120
Speaker 1: You know what I'm saying, because the numbers is way

2509
02:20:03,200 --> 02:20:06,080
Speaker 1: different from when we started. It was like dirty niggas

2510
02:20:08,280 --> 02:20:10,800
Speaker 1: and hip hop, and it's like I meet thirty niggas

2511
02:20:10,959 --> 02:20:13,440
Speaker 1: while I'm in New York before I get back to

2512
02:20:13,520 --> 02:20:16,480
Speaker 1: the airport that want to wrap. But it's a beautiful

2513
02:20:16,520 --> 02:20:19,039
Speaker 1: thing when when people who are in the same struggle

2514
02:20:19,080 --> 02:20:22,000
Speaker 1: find each other, and when we do, we don't exploit it,

2515
02:20:23,040 --> 02:20:25,640
Speaker 1: you know, because you're probably mad about your deal. I'm

2516
02:20:25,640 --> 02:20:27,600
Speaker 1: mad about my deal, and we don't want to let

2517
02:20:27,680 --> 02:20:30,879
Speaker 1: these know. We gotta little Like the only time I've

2518
02:20:30,920 --> 02:20:33,320
Speaker 1: ever actually done a song where everybody on the song

2519
02:20:33,480 --> 02:20:36,680
Speaker 1: was like really friends was um, we did a song

2520
02:20:36,840 --> 02:20:40,080
Speaker 1: for um, what is it to be in medicine in

2521
02:20:40,280 --> 02:20:43,960
Speaker 1: South central whatever, And it's it's you g K PIMC.

2522
02:20:44,280 --> 02:20:47,760
Speaker 1: It's you G k um Lord Jama and Keith Murray

2523
02:20:47,920 --> 02:20:50,640
Speaker 1: and those are like some of the closest friends that

2524
02:20:50,760 --> 02:20:53,880
Speaker 1: I've ever had in hip hop nor including and that's

2525
02:20:53,920 --> 02:20:57,600
Speaker 1: like the only song Niggas ever did. But those are

2526
02:20:57,640 --> 02:21:01,400
Speaker 1: people that like when I see them, I hugged them, like, Yo, nigger, Yo,

2527
02:21:01,480 --> 02:21:04,320
Speaker 1: you remember when you remember you beat We smashed on

2528
02:21:04,400 --> 02:21:06,160
Speaker 1: dude in front of the club and body have the party.

2529
02:21:06,640 --> 02:21:09,600
Speaker 1: I remember, like Yo took Washington and they haven't bought

2530
02:21:09,640 --> 02:21:11,280
Speaker 1: weed and told me he was the diggie's hood and

2531
02:21:11,959 --> 02:21:14,760
Speaker 1: like that, Like it's very very genuine moments when they

2532
02:21:14,959 --> 02:21:18,080
Speaker 1: have a very genuine moment with you that you tell

2533
02:21:18,200 --> 02:21:20,360
Speaker 1: your people about. I tell my people about now we

2534
02:21:20,440 --> 02:21:22,520
Speaker 1: tell the world about. And that's the thing before we

2535
02:21:22,600 --> 02:21:27,119
Speaker 1: get about it. Yeah, I don't know how much love

2536
02:21:27,400 --> 02:21:30,480
Speaker 1: you really realize that New York love you do you

2537
02:21:30,640 --> 02:21:35,760
Speaker 1: realize that I knew that when I came in into Amsterdam, Okay,

2538
02:21:36,080 --> 02:21:42,560
Speaker 1: and no, no, I knew that when I came in

2539
02:21:42,640 --> 02:21:45,760
Speaker 1: the left rot right, I didn't have to be anything

2540
02:21:45,840 --> 02:21:48,280
Speaker 1: other than who I was. I was just a regular

2541
02:21:48,360 --> 02:21:50,920
Speaker 1: nigger from the hood, and niggas received it and I

2542
02:21:51,000 --> 02:21:53,800
Speaker 1: saw it happened. I didn't even I didn't know. No

2543
02:21:53,959 --> 02:21:58,320
Speaker 1: nobody gave me. I didn't. I didn't under Yo. He

2544
02:21:58,440 --> 02:22:03,520
Speaker 1: just slapped dude. Okay, but it was a reason why,

2545
02:22:04,440 --> 02:22:07,000
Speaker 1: my Yo, those dudes. You've been sitting there talking too

2546
02:22:07,080 --> 02:22:09,960
Speaker 1: far with him and him and they go fight. Okay,

2547
02:22:10,560 --> 02:22:13,320
Speaker 1: now that I know why they need to fight. That

2548
02:22:13,480 --> 02:22:15,360
Speaker 1: was That was fine. I'm not gonna go into it.

2549
02:22:15,680 --> 02:22:19,920
Speaker 1: But everything that happened happened under the same scenarios where

2550
02:22:19,920 --> 02:22:22,160
Speaker 1: it would have happened where I grew up. And that

2551
02:22:22,360 --> 02:22:25,800
Speaker 1: for me was so eye opening, like yo, and for

2552
02:22:25,879 --> 02:22:28,440
Speaker 1: me it confirmed everything like that. Only is the world

2553
02:22:28,480 --> 02:22:31,600
Speaker 1: to get that nigg is from together, you know. And

2554
02:22:31,720 --> 02:22:33,760
Speaker 1: I talked about the ghetto, the hood, and the trap.

2555
02:22:33,840 --> 02:22:36,480
Speaker 1: Those are three different places. They can all exist on

2556
02:22:36,560 --> 02:22:38,600
Speaker 1: one corner. But the ghetto, the hood and the trap

2557
02:22:38,680 --> 02:22:40,800
Speaker 1: with three different things and different people come for different things.

2558
02:22:41,000 --> 02:22:46,160
Speaker 1: But here's the thing, but is people, you have the

2559
02:22:46,560 --> 02:22:53,000
Speaker 1: worldwide ghetto past everywhere you the same way I'm talking

2560
02:22:53,080 --> 02:22:55,760
Speaker 1: to you. You can go to Atlanta and do this.

2561
02:22:56,640 --> 02:23:03,280
Speaker 1: You can go to Pittsburgh and do this, and I'm

2562
02:23:03,320 --> 02:23:05,440
Speaker 1: gonna say this, and we're gonna shut it down with this,

2563
02:23:05,760 --> 02:23:07,840
Speaker 1: shut it down. My wife makes sure that I won't

2564
02:23:07,879 --> 02:23:16,960
Speaker 1: just use it for chicken wings we got just because

2565
02:23:17,000 --> 02:23:18,920
Speaker 1: you're going to the hood. It's always a good chicken wings.

2566
02:23:18,959 --> 02:23:20,280
Speaker 1: And if you got a hood pass, you can go

2567
02:23:20,440 --> 02:23:23,280
Speaker 1: to the real hood spot. But if you got if

2568
02:23:23,280 --> 02:23:24,960
Speaker 1: you got another of a hood pass to going to

2569
02:23:25,080 --> 02:23:27,400
Speaker 1: any hood and get chicken wings, you should be doing

2570
02:23:27,480 --> 02:23:31,400
Speaker 1: other ship, yo. But that's just that you're focusing on

2571
02:23:31,560 --> 02:23:36,960
Speaker 1: me where we're all cameras you I'm focusing Listen. I

2572
02:23:37,080 --> 02:23:39,920
Speaker 1: couldn't now. Thank you so much for coming out, hanging

2573
02:23:39,920 --> 02:23:42,200
Speaker 1: out with drink Champs and doing what we gotta do

2574
02:23:42,280 --> 02:23:47,160
Speaker 1: what we gotta do. Do this open. I'm drinking you

2575
02:23:48,720 --> 02:23:53,039
Speaker 1: every type of liquor your butt. Thank you for coming

2576
02:23:53,120 --> 02:23:58,240
Speaker 1: hanging out with us, and that and that and that

2577
02:23:59,000 --> 02:24:06,800
Speaker 1: thing so extended play August twenty night, Monday. Let's talk

2578
02:24:06,840 --> 02:24:10,480
Speaker 1: about that before we get up out of here. I've

2579
02:24:10,480 --> 02:24:12,160
Speaker 1: been trying to do an album, end up doing that

2580
02:24:12,240 --> 02:24:14,800
Speaker 1: for the two songs white People like look still do

2581
02:24:14,879 --> 02:24:19,560
Speaker 1: an album White People the movie you said White People,

2582
02:24:19,720 --> 02:24:23,240
Speaker 1: No White People owe me money, white white white people

2583
02:24:24,080 --> 02:24:27,360
Speaker 1: always wife does your money? Why you said, Look, I

2584
02:24:27,480 --> 02:24:30,000
Speaker 1: know you want to do your album. You might not

2585
02:24:30,120 --> 02:24:32,280
Speaker 1: get it out before the years over. Put some music out.

2586
02:24:33,280 --> 02:24:35,280
Speaker 1: You can still let people know where you're coming from.

2587
02:24:36,000 --> 02:24:37,560
Speaker 1: You still can do your album like you want to.

2588
02:24:38,120 --> 02:24:42,600
Speaker 1: You still get them checks. I'm like, I'm like, we

2589
02:24:42,680 --> 02:24:44,600
Speaker 1: got forty two songs. We ain't putting a twelve on

2590
02:24:44,640 --> 02:24:47,200
Speaker 1: the album anyway. Shout out to the solo album. Ain't

2591
02:24:47,200 --> 02:24:49,320
Speaker 1: tell you not about that, but that's coming two later.

2592
02:24:49,879 --> 02:24:52,080
Speaker 1: But she was like, just put something on, like she said,

2593
02:24:52,080 --> 02:24:55,040
Speaker 1: because everybody's out there doing things and they're trying to

2594
02:24:55,120 --> 02:24:57,280
Speaker 1: do things. She's like, Yo, you got this music, you've

2595
02:24:57,280 --> 02:25:00,200
Speaker 1: been sitting on it. Let the world no throw it

2596
02:25:00,280 --> 02:25:02,520
Speaker 1: out there because we got a different worldview. I'm trying

2597
02:25:02,560 --> 02:25:06,360
Speaker 1: to spend my whole life trying to save the game

2598
02:25:06,440 --> 02:25:08,720
Speaker 1: in the streets or whatever. And I realized by saving myself,

2599
02:25:08,800 --> 02:25:11,520
Speaker 1: that's how I saved my brother. You know what I'm saying,

2600
02:25:12,080 --> 02:25:13,520
Speaker 1: Like I've been trying to save my brother, but I

2601
02:25:13,600 --> 02:25:16,360
Speaker 1: can't save my brother until I saved myself. I found

2602
02:25:16,400 --> 02:25:20,720
Speaker 1: myself in a just being real, just so I can't

2603
02:25:20,760 --> 02:25:22,720
Speaker 1: do nothing for other people. And I do for myself.

2604
02:25:23,440 --> 02:25:25,720
Speaker 1: And so my wife is like, look, this is what

2605
02:25:25,840 --> 02:25:27,880
Speaker 1: you want to do, then we're gonna stick to it.

2606
02:25:28,120 --> 02:25:30,920
Speaker 1: It's like going the studio. I did forty songs and

2607
02:25:31,280 --> 02:25:33,920
Speaker 1: forty two and she was like, this is what this

2608
02:25:34,120 --> 02:25:37,200
Speaker 1: is exactly what you wanted to do, So keep that. Now,

2609
02:25:37,280 --> 02:25:39,160
Speaker 1: what do we do with what's what else we got?

2610
02:25:39,800 --> 02:25:41,520
Speaker 1: And I was like, well, we'll put that out later.

2611
02:25:41,560 --> 02:25:43,680
Speaker 1: She's like, na fu later. People need to hear what

2612
02:25:43,720 --> 02:25:46,640
Speaker 1: you're talking about now because we're trying to do the

2613
02:25:46,800 --> 02:25:50,600
Speaker 1: right thing. Wife is my sister. I don't know, and

2614
02:25:50,720 --> 02:25:52,880
Speaker 1: just being really closer together. You know. I didn't say

2615
02:25:52,920 --> 02:25:54,640
Speaker 1: when you're drunk, you don't lie. I'm just being honest.

2616
02:25:54,800 --> 02:25:56,480
Speaker 1: And she was like, look, she was like, look we

2617
02:25:56,560 --> 02:25:59,000
Speaker 1: can do this. We can because my whole thing is

2618
02:25:59,080 --> 02:26:01,200
Speaker 1: like I want to bite the allet. I mean, people

2619
02:26:01,280 --> 02:26:03,040
Speaker 1: call me to O G. I never called myself o G.

2620
02:26:03,240 --> 02:26:06,160
Speaker 1: Niggas called me o G. There's a connotation that comes

2621
02:26:06,240 --> 02:26:09,040
Speaker 1: with that when you accept being called as an o G,

2622
02:26:09,360 --> 02:26:11,240
Speaker 1: that at some point you gotta bite the bullet for

2623
02:26:11,320 --> 02:26:14,920
Speaker 1: the next generation. So my album was the Biting was

2624
02:26:15,120 --> 02:26:17,360
Speaker 1: a concept of biting the bullet for the next generation.

2625
02:26:17,360 --> 02:26:20,320
Speaker 1: She's like, look, you have that, but you still need

2626
02:26:20,360 --> 02:26:24,080
Speaker 1: to let people know. Look the leadership coming, you know

2627
02:26:24,080 --> 02:26:27,000
Speaker 1: what I'm saying before that, like like let people know

2628
02:26:27,080 --> 02:26:29,480
Speaker 1: you're a leader and then be a humble leader. So

2629
02:26:29,560 --> 02:26:31,720
Speaker 1: I'm like, all right, so cool, so we'll come out,

2630
02:26:32,040 --> 02:26:34,400
Speaker 1: letting me go the South still here, just like Hove

2631
02:26:34,520 --> 02:26:38,120
Speaker 1: just came out. And my thing was, this is so funny.

2632
02:26:38,440 --> 02:26:41,000
Speaker 1: I thought Hope was coming in December, so I was like,

2633
02:26:41,360 --> 02:26:46,200
Speaker 1: I need to get out before Hope whole drop. Like yo,

2634
02:26:46,440 --> 02:26:52,640
Speaker 1: so now we're good. We're good. So it was like

2635
02:26:52,879 --> 02:26:56,680
Speaker 1: and and and I love where Hove came from. Um,

2636
02:26:57,240 --> 02:27:00,640
Speaker 1: a person like jay doesn't have to be vulnerable, but

2637
02:27:00,800 --> 02:27:04,080
Speaker 1: that that that's so. That's so it's honorable for you

2638
02:27:04,240 --> 02:27:08,480
Speaker 1: to say that because you have one of the most

2639
02:27:08,600 --> 02:27:11,720
Speaker 1: honorable records that jay Z has ever made. Is like,

2640
02:27:12,200 --> 02:27:16,040
Speaker 1: jay Z doesn't ever have to be anything but jay Z. Right,

2641
02:27:16,840 --> 02:27:19,280
Speaker 1: this is I think the closest we've seen is Sean

2642
02:27:20,760 --> 02:27:25,880
Speaker 1: right on Music talk about it. Well, I mean, I'm bumby.

2643
02:27:26,040 --> 02:27:28,840
Speaker 1: My wife doesn't call me bumby. Myife doesn't even call me.

2644
02:27:29,680 --> 02:27:32,119
Speaker 1: My mom does, didn't call me bunt me, Your wife

2645
02:27:32,160 --> 02:27:36,240
Speaker 1: don't even Yeah, I'm not even my wife's favorite rapper.

2646
02:27:36,480 --> 02:27:39,160
Speaker 1: So the dynamic is good wife and I have to

2647
02:27:39,240 --> 02:27:43,560
Speaker 1: assume that there's a there's a similar maybe your wife favor.

2648
02:27:44,240 --> 02:27:46,640
Speaker 1: I know my wife's Savy rapp. Who is j Z.

2649
02:27:48,040 --> 02:27:52,680
Speaker 1: We gotta sucking up, you know, because I'm not gonna

2650
02:27:52,760 --> 02:27:59,480
Speaker 1: my masculinity. My mascul my masculinity is not built on

2651
02:27:59,640 --> 02:28:02,600
Speaker 1: my wife fantasy. If you don't go on my wife's reality,

2652
02:28:02,640 --> 02:28:04,200
Speaker 1: you know who that is. You know what I'm saying

2653
02:28:04,280 --> 02:28:06,720
Speaker 1: that is. I don't worry about black, but you know

2654
02:28:06,800 --> 02:28:09,240
Speaker 1: what that is. That's a real man. I'm just saying,

2655
02:28:09,280 --> 02:28:13,480
Speaker 1: real man can less. I don't care less. But that's now.

2656
02:28:14,480 --> 02:28:16,120
Speaker 1: That's now. When she first told me that, I felt

2657
02:28:16,120 --> 02:28:17,800
Speaker 1: a certain way, you know, and my wife did a

2658
02:28:17,920 --> 02:28:20,720
Speaker 1: very good job made me feel secure about the fact

2659
02:28:20,800 --> 02:28:23,240
Speaker 1: that what I was doing the radio or what I

2660
02:28:23,360 --> 02:28:25,760
Speaker 1: love it. But it's a different thing. You know. If

2661
02:28:25,879 --> 02:28:30,200
Speaker 1: and he um his girl was in Throng song that

2662
02:28:30,280 --> 02:28:33,160
Speaker 1: was in Big Pimpinson and he was in she was

2663
02:28:33,400 --> 02:28:39,320
Speaker 1: not he she was girl girl. She was to bring

2664
02:28:39,400 --> 02:28:42,600
Speaker 1: this up. She was in a budget videos. She was

2665
02:28:42,720 --> 02:28:47,320
Speaker 1: one girl at the time and she no not no,

2666
02:28:49,480 --> 02:28:51,360
Speaker 1: you know what, let me can I say something about this.

2667
02:28:52,160 --> 02:28:55,200
Speaker 1: If you're very concerned about the person that you want

2668
02:28:55,200 --> 02:28:58,080
Speaker 1: to be with, pass you can throw away the future

2669
02:28:59,440 --> 02:29:03,560
Speaker 1: this na. Can we just say that because I can

2670
02:29:03,640 --> 02:29:06,240
Speaker 1: guarantee you if you're a man worried about how many

2671
02:29:06,920 --> 02:29:10,800
Speaker 1: dudes your girl fuck you probably three four times before

2672
02:29:10,879 --> 02:29:14,000
Speaker 1: y'all came together, is that especially if you got money?

2673
02:29:14,840 --> 02:29:17,560
Speaker 1: But and that can I can I go? There? Could

2674
02:29:17,560 --> 02:29:21,120
Speaker 1: I just go? My pastor told me that there's no

2675
02:29:21,400 --> 02:29:24,480
Speaker 1: man built in this world that can handle what a

2676
02:29:24,560 --> 02:29:28,160
Speaker 1: woman can handle. A woman can handle her man dealing

2677
02:29:28,200 --> 02:29:31,560
Speaker 1: with more than one man. But if a man finds

2678
02:29:31,600 --> 02:29:34,520
Speaker 1: out his woman step with more than one dude, that's

2679
02:29:34,560 --> 02:29:37,760
Speaker 1: how women get killed. Like that's murder, suicide all day.

2680
02:29:38,400 --> 02:29:41,680
Speaker 1: God built women to handle things that man could never handle,

2681
02:29:43,760 --> 02:29:48,240
Speaker 1: you know what I'm saying. And we're built to handle

2682
02:29:48,360 --> 02:29:51,640
Speaker 1: things physically like hit. I'm gonna tell you some real

2683
02:29:51,720 --> 02:29:55,360
Speaker 1: ship God built man to handle. I'm gonna keep it real.

2684
02:29:55,600 --> 02:29:58,920
Speaker 1: God built man to handle ship on his shoulder. God

2685
02:29:59,000 --> 02:30:02,840
Speaker 1: build one and handle things in their heart right, so

2686
02:30:03,240 --> 02:30:07,320
Speaker 1: we can handle the weight of the physical weight of

2687
02:30:07,360 --> 02:30:11,520
Speaker 1: the world, but not the emotional. And you got a

2688
02:30:11,600 --> 02:30:14,920
Speaker 1: good woman is a good woman that can hold you

2689
02:30:15,680 --> 02:30:19,520
Speaker 1: woman that can hold you down when the emotional weight

2690
02:30:19,640 --> 02:30:28,080
Speaker 1: of the world down. My wife and my room, going

2691
02:30:28,160 --> 02:30:34,080
Speaker 1: the room with your wife, and I'm very love and

2692
02:30:34,480 --> 02:30:39,879
Speaker 1: take and we will close it out with this. Nor

2693
02:30:39,959 --> 02:30:42,640
Speaker 1: You're not very lucky that as we go into these

2694
02:30:42,720 --> 02:30:48,480
Speaker 1: latest stags with our wife, um, as we transition from

2695
02:30:48,560 --> 02:30:51,440
Speaker 1: music to the next level, that we have the same

2696
02:30:51,520 --> 02:30:56,840
Speaker 1: support system because who it was very easy to be

2697
02:30:57,080 --> 02:31:01,200
Speaker 1: uplifted as an m C. Outside of that, it's very rough.

2698
02:31:02,040 --> 02:31:04,680
Speaker 1: There's a lot of anxiety, there's a lot of depression.

2699
02:31:05,240 --> 02:31:07,360
Speaker 1: There's a lot of stress. And if you don't have

2700
02:31:07,440 --> 02:31:09,720
Speaker 1: a woman, you gotta go to drugs. You gotta go

2701
02:31:09,800 --> 02:31:12,160
Speaker 1: to alcohol, you gotta go to pills, you gotta go

2702
02:31:12,280 --> 02:31:15,240
Speaker 1: to sex, you gotta go to everything except that. And

2703
02:31:16,200 --> 02:31:18,280
Speaker 1: in my weakest moments where I felt like I need

2704
02:31:18,360 --> 02:31:20,720
Speaker 1: to smoke more weeks, I need to drink more liquor.

2705
02:31:21,360 --> 02:31:23,720
Speaker 1: God bless my wife, Like you know, you need more God,

2706
02:31:23,920 --> 02:31:27,400
Speaker 1: you need more family, you need more you. You know

2707
02:31:27,440 --> 02:31:30,560
Speaker 1: what I'm saying, You need more you and so and

2708
02:31:30,720 --> 02:31:33,080
Speaker 1: that's what this new music is about. And even me

2709
02:31:33,200 --> 02:31:35,840
Speaker 1: being here and being in position to do this podcast

2710
02:31:36,480 --> 02:31:40,800
Speaker 1: was about being honest about I have anxiety as an artist.

2711
02:31:41,120 --> 02:31:44,360
Speaker 1: I get depressed about maybe I'm not in two thousand

2712
02:31:44,400 --> 02:31:47,800
Speaker 1: and seventeen, who I was a seven or ninety seven

2713
02:31:47,879 --> 02:31:49,920
Speaker 1: or whatever. But that doesn't mean I'm not a good man.

2714
02:31:50,040 --> 02:31:54,880
Speaker 1: That doesn't mean I can't provide. Right, here's a reality

2715
02:31:54,959 --> 02:31:56,720
Speaker 1: that a lot of artists have to deal with, and

2716
02:31:56,760 --> 02:31:59,760
Speaker 1: I'm glad we get to talk about this East all

2717
02:31:59,800 --> 02:32:02,120
Speaker 1: that come into the game. You have a record, you

2718
02:32:02,200 --> 02:32:04,400
Speaker 1: get paid for that record, and you assume that your

2719
02:32:04,440 --> 02:32:06,600
Speaker 1: life is based on that record. So what you're getting

2720
02:32:06,600 --> 02:32:09,280
Speaker 1: paid for that record, you assume that's what you're gonna

2721
02:32:09,280 --> 02:32:11,200
Speaker 1: get paid for the rest of your life. And even

2722
02:32:11,280 --> 02:32:14,000
Speaker 1: if you find a rang a range of way, Okay,

2723
02:32:14,440 --> 02:32:17,560
Speaker 1: this is what the show is like from here on out.

2724
02:32:18,240 --> 02:32:20,600
Speaker 1: Maybe five thousand more or five thous and less, but

2725
02:32:20,680 --> 02:32:22,920
Speaker 1: this is what the show is. So you said, Okay,

2726
02:32:22,920 --> 02:32:25,880
Speaker 1: I can live my life around that, right. I got

2727
02:32:25,959 --> 02:32:27,520
Speaker 1: a wife, I got two kids. I can live my

2728
02:32:27,600 --> 02:32:29,560
Speaker 1: life based on what I'm getting paid. And you have

2729
02:32:29,640 --> 02:32:33,480
Speaker 1: a third kid, and you have a fourth kid. Then

2730
02:32:33,560 --> 02:32:38,160
Speaker 1: your kids graduate and you got a kid going to college,

2731
02:32:38,560 --> 02:32:41,200
Speaker 1: you got a second kid. God, for a bit, you know,

2732
02:32:41,400 --> 02:32:43,600
Speaker 1: you're ino a situation like I said, God for a bit,

2733
02:32:43,680 --> 02:32:46,119
Speaker 1: but it's a beautiful thing because every child is a blessing.

2734
02:32:46,480 --> 02:32:49,119
Speaker 1: Then when your kids have a kid, so you're still

2735
02:32:49,160 --> 02:32:52,360
Speaker 1: getting paid in two thousand seventeen, which you got paid

2736
02:32:52,360 --> 02:32:54,959
Speaker 1: for two thousand seven for a show when you only

2737
02:32:55,040 --> 02:32:59,640
Speaker 1: had two responsibilities. But now you've got five responsibilities. You

2738
02:32:59,720 --> 02:33:01,880
Speaker 1: still getting that show money, maybe even a little less.

2739
02:33:02,240 --> 02:33:05,200
Speaker 1: So you're still getting what you normally got, but your

2740
02:33:05,240 --> 02:33:09,040
Speaker 1: responsibilities increase. Your money don't increase, but your responsibilities increase.

2741
02:33:09,840 --> 02:33:12,040
Speaker 1: And then but at the same time, you look at

2742
02:33:12,040 --> 02:33:14,160
Speaker 1: your wife. You love your wife. You want your wife

2743
02:33:14,240 --> 02:33:16,520
Speaker 1: to be comfortable. You look at your kids, want your

2744
02:33:16,600 --> 02:33:19,760
Speaker 1: kids to be comfortable. God forbid, you've got grandkids because

2745
02:33:19,800 --> 02:33:22,840
Speaker 1: they're all bets off. We're gonna do whatever we got

2746
02:33:22,959 --> 02:33:28,360
Speaker 1: to do it for them. But right, but you don't

2747
02:33:28,400 --> 02:33:31,480
Speaker 1: want them to work. So you take the worry that

2748
02:33:31,560 --> 02:33:34,240
Speaker 1: you would normally your wife would have about finance. You

2749
02:33:34,400 --> 02:33:37,800
Speaker 1: take that, the worry that your kids would have you

2750
02:33:37,920 --> 02:33:40,640
Speaker 1: have grandkids, you take that. You're dealing with all of that,

2751
02:33:41,600 --> 02:33:43,680
Speaker 1: and then you go around other dudes. I come around,

2752
02:33:43,720 --> 02:33:45,960
Speaker 1: nord Nor how you doing. I'm good? Be what's up

2753
02:33:45,959 --> 02:33:50,320
Speaker 1: with you? I'm good? That's a lot. I'm not good stress,

2754
02:33:51,600 --> 02:33:54,640
Speaker 1: stress like a mother. Just be honest. It's just funked up,

2755
02:33:55,640 --> 02:33:57,800
Speaker 1: just funked up. But I don't be that. I'm not

2756
02:33:57,920 --> 02:34:00,920
Speaker 1: going up. I don't want to tell you that because

2757
02:34:01,320 --> 02:34:06,280
Speaker 1: from my perspective, I think you're eating right, and I

2758
02:34:06,360 --> 02:34:08,760
Speaker 1: don't want it to seem like you're eating and I'm not.

2759
02:34:10,000 --> 02:34:15,000
Speaker 1: So you're You said you're good and I'm good, but

2760
02:34:15,120 --> 02:34:17,840
Speaker 1: the reality is I'm not good. And if I talk

2761
02:34:17,920 --> 02:34:22,959
Speaker 1: to him, regardless of what he's eating, he's not good. Right.

2762
02:34:23,480 --> 02:34:25,520
Speaker 1: It's not about the money all the time. You can

2763
02:34:25,600 --> 02:34:27,320
Speaker 1: make the money that you need to pay the bills,

2764
02:34:27,720 --> 02:34:29,760
Speaker 1: but it doesn't help the stress that you deal with,

2765
02:34:30,360 --> 02:34:35,440
Speaker 1: and that pursuit of those bills it doesn't alleviate. You

2766
02:34:35,520 --> 02:34:38,840
Speaker 1: can make the bills for July, right, and then you

2767
02:34:38,920 --> 02:34:42,640
Speaker 1: go to be everybody's happy, wife's happy, kids happy. Everybody

2768
02:34:42,680 --> 02:34:44,840
Speaker 1: goes to sleep at ten o'clock. You up at two

2769
02:34:44,879 --> 02:34:54,920
Speaker 1: in the morning. August September. You know what I'm saying. Birthdays, Christmas,

2770
02:34:56,160 --> 02:34:59,360
Speaker 1: And that's what's wrong with us. We've put up these

2771
02:35:00,360 --> 02:35:02,960
Speaker 1: images of who we are, we want us ups to be,

2772
02:35:04,600 --> 02:35:06,240
Speaker 1: and we tell the people that we love that this

2773
02:35:06,360 --> 02:35:08,480
Speaker 1: is who we're gonna be, and they can rely on

2774
02:35:08,640 --> 02:35:11,960
Speaker 1: that person, and you can always count on that person.

2775
02:35:13,080 --> 02:35:17,400
Speaker 1: And this person comes, right, you can count on this person.

2776
02:35:17,760 --> 02:35:21,720
Speaker 1: It's five people, two other people come, mother in law,

2777
02:35:22,120 --> 02:35:25,959
Speaker 1: father in law, cousin, just in law, ten people, twelve people,

2778
02:35:26,040 --> 02:35:30,320
Speaker 1: fifteen people. You can count on this person. And nobody

2779
02:35:30,440 --> 02:35:34,560
Speaker 1: understands that I'm not getting no extra shows. I'm getting

2780
02:35:34,600 --> 02:35:38,880
Speaker 1: no extra money, but I'm still taking on this ship.

2781
02:35:39,840 --> 02:35:43,080
Speaker 1: And you you don't end up telling anybody until Yo,

2782
02:35:43,160 --> 02:35:45,680
Speaker 1: I thought I was supposed to get this, it's coming.

2783
02:35:45,680 --> 02:35:47,720
Speaker 1: Don't worry about don't worry about that. You know you

2784
02:35:47,840 --> 02:35:49,960
Speaker 1: got that. Don't worry about that. I got that. And

2785
02:35:50,040 --> 02:35:51,880
Speaker 1: then this comes. Don't worry about that. I got that.

2786
02:35:51,959 --> 02:35:55,040
Speaker 1: I got that and you and then I talked about

2787
02:35:55,080 --> 02:35:58,160
Speaker 1: them on New music in this in this world, and

2788
02:35:58,879 --> 02:36:01,360
Speaker 1: it's very easy to say in the entertainment industry, but

2789
02:36:01,440 --> 02:36:04,280
Speaker 1: this is a real world. We all end up at

2790
02:36:04,360 --> 02:36:08,480
Speaker 1: some point Robert Peter to paper and the only time

2791
02:36:08,560 --> 02:36:14,200
Speaker 1: it becomes a problem is what Peter gets mad. You

2792
02:36:14,240 --> 02:36:17,320
Speaker 1: know what I'm saying now here, Pop, Now, I'm gonna

2793
02:36:17,360 --> 02:36:19,680
Speaker 1: keep it. I'm gonna keep it. One hunted and hip hop.

2794
02:36:19,800 --> 02:36:21,920
Speaker 1: You can find a Peter with a bunch of money.

2795
02:36:22,000 --> 02:36:25,600
Speaker 1: They just want to be alone for the rock, right,

2796
02:36:26,560 --> 02:36:30,119
Speaker 1: So just keep it real. And Peter's got X amount

2797
02:36:30,160 --> 02:36:34,000
Speaker 1: of money. So it's like you, if Peter funk with me,

2798
02:36:34,120 --> 02:36:36,640
Speaker 1: were gonna get from February to November, we're good money.

2799
02:36:37,520 --> 02:36:39,920
Speaker 1: We could Peter funk with us and then Peter SHEI

2800
02:36:40,040 --> 02:36:44,520
Speaker 1: get bad, Oh should get bad the same m and

2801
02:36:44,640 --> 02:36:46,560
Speaker 1: your family don't know that Peter is a part of it.

2802
02:36:47,040 --> 02:36:50,200
Speaker 1: It's crazy and you gotta trying to figure out how

2803
02:36:50,240 --> 02:36:52,880
Speaker 1: to make all this ship makes sense. This is not

2804
02:36:53,160 --> 02:36:57,640
Speaker 1: my issue, and any rapper that's watching this at least

2805
02:36:59,200 --> 02:37:06,000
Speaker 1: me to the fun. Peter and Paul real talk. My bottom,

2806
02:37:06,080 --> 02:37:07,960
Speaker 1: My class is empty. It's not about looking. This is

2807
02:37:07,959 --> 02:37:13,440
Speaker 1: about real life. We gotta stop going to Peter to

2808
02:37:13,600 --> 02:37:20,960
Speaker 1: pay Paul. The record industry is built around you because

2809
02:37:21,000 --> 02:37:24,720
Speaker 1: they're Peter. That's who. That's who. Peter is, the record

2810
02:37:24,800 --> 02:37:30,000
Speaker 1: is that's the industry. That's the advance. Peter is the advance.

2811
02:37:31,360 --> 02:37:35,000
Speaker 1: Paul's the family. So you gotta go and get another

2812
02:37:35,040 --> 02:37:39,240
Speaker 1: advance into another album. I eat rob Peter to pay Paul.

2813
02:37:40,200 --> 02:37:44,120
Speaker 1: But the reality is Peter is mad because you're not

2814
02:37:44,240 --> 02:37:47,920
Speaker 1: robbing Peter. Peter is just front you. That's where she

2815
02:37:48,120 --> 02:37:53,320
Speaker 1: gets bad. And then families fall apart because they thought

2816
02:37:53,400 --> 02:38:03,520
Speaker 1: you were Peter. You just being real, and that's where

2817
02:38:03,560 --> 02:38:09,680
Speaker 1: families fall apart. Keep going. And if you I used

2818
02:38:09,680 --> 02:38:11,360
Speaker 1: to say if your luck, I almost said it your luck,

2819
02:38:11,440 --> 02:38:17,600
Speaker 1: if you're blessed, you realize that God is Peter, and

2820
02:38:17,720 --> 02:38:21,879
Speaker 1: you've been leaning on him too long, for too long,

2821
02:38:22,240 --> 02:38:26,960
Speaker 1: and Paul is man, and you've been robbing God, taking

2822
02:38:27,040 --> 02:38:30,200
Speaker 1: every all the blessings and opportunities from God to make

2823
02:38:30,360 --> 02:38:36,840
Speaker 1: man happy. And then God gets mad at you because

2824
02:38:36,840 --> 02:38:41,160
Speaker 1: you've never given him anything because you know what the

2825
02:38:41,200 --> 02:38:43,160
Speaker 1: reality is. You don't get mad at Paul. You get

2826
02:38:43,240 --> 02:38:46,320
Speaker 1: mad at Peter because the reality is Peter's and beholding

2827
02:38:46,360 --> 02:38:51,800
Speaker 1: you down. Paul is You've been front from Paul is

2828
02:38:51,840 --> 02:38:56,360
Speaker 1: the fan base, Paul is social media, that's who Paul is.

2829
02:38:57,320 --> 02:39:01,040
Speaker 1: And he's shouting too, and Paul don't care. Paul yo

2830
02:39:01,240 --> 02:39:03,600
Speaker 1: the illusion I heard and this is literally from four

2831
02:39:03,640 --> 02:39:05,320
Speaker 1: weeks ago with the Bible studdy, and it was like

2832
02:39:06,760 --> 02:39:09,959
Speaker 1: most of us are going broke to prove to people

2833
02:39:10,040 --> 02:39:13,120
Speaker 1: we don't even like that we got money. That's not

2834
02:39:13,240 --> 02:39:16,400
Speaker 1: even my word word to John Gray, that's not even

2835
02:39:16,520 --> 02:39:20,200
Speaker 1: my word. And I didn't even really and I'm not

2836
02:39:20,360 --> 02:39:24,480
Speaker 1: living like that now, right, But I'm like, yo, I

2837
02:39:24,640 --> 02:39:28,920
Speaker 1: did that at some point. So when you realize this ship,

2838
02:39:29,760 --> 02:39:32,240
Speaker 1: are you gonna keep lying to yourself on lying to

2839
02:39:32,360 --> 02:39:35,720
Speaker 1: the people because that's how we keep the shows up.

2840
02:39:35,800 --> 02:39:38,760
Speaker 1: I'm just I'm gonna with that right now. That's how

2841
02:39:38,800 --> 02:39:41,320
Speaker 1: we keep the shows up and the money and all

2842
02:39:41,360 --> 02:39:44,240
Speaker 1: of that is because people want to lie about where

2843
02:39:44,280 --> 02:39:49,200
Speaker 1: they are, and we co sign that lot. People want

2844
02:39:49,240 --> 02:39:51,520
Speaker 1: to be like, yo, it's all right, We're good, and

2845
02:39:51,680 --> 02:39:55,160
Speaker 1: we'd be like, yeah, that's all good. But the sooner

2846
02:39:55,280 --> 02:39:57,680
Speaker 1: we admit the truth about where we're at, the sooner

2847
02:39:57,760 --> 02:40:02,280
Speaker 1: they can. Because I went to hip hop watching Chuck

2848
02:40:02,360 --> 02:40:04,800
Speaker 1: d and X claiming trying to be real about where

2849
02:40:04,800 --> 02:40:08,360
Speaker 1: I was as a black man, and they weren't getting

2850
02:40:08,400 --> 02:40:10,760
Speaker 1: paid for it like I get paid for it. And

2851
02:40:10,840 --> 02:40:14,160
Speaker 1: it's very easy for these the industry. I'm sorry, Rock,

2852
02:40:14,280 --> 02:40:16,959
Speaker 1: this doesn't go against what you guys are trying to promote,

2853
02:40:17,360 --> 02:40:22,760
Speaker 1: but it's very easy to go against that too. Maintain

2854
02:40:22,840 --> 02:40:27,360
Speaker 1: a lifestyle that you pray for, right because when you

2855
02:40:27,440 --> 02:40:29,840
Speaker 1: think about your family and your children, you don't think

2856
02:40:29,879 --> 02:40:34,320
Speaker 1: about God. I'm just being real when we think about

2857
02:40:34,480 --> 02:40:37,720
Speaker 1: what you didn't have. We had God when were coming up,

2858
02:40:38,120 --> 02:40:41,080
Speaker 1: but we didn't have money, we didn't have opportunity, we

2859
02:40:41,200 --> 02:40:44,600
Speaker 1: didn't have privilege. So when we that's what we wanted

2860
02:40:44,640 --> 02:40:48,800
Speaker 1: for our kids. And then when you get old, at

2861
02:40:48,800 --> 02:40:50,480
Speaker 1: the point where I got grandkids, and I can look

2862
02:40:50,520 --> 02:40:53,040
Speaker 1: at my kids, it's growing people and that's what they

2863
02:40:53,520 --> 02:40:56,039
Speaker 1: I can see that that's what they wanted and needed.

2864
02:40:57,200 --> 02:41:00,520
Speaker 1: Was everything that made us who we were, but we

2865
02:41:00,879 --> 02:41:04,160
Speaker 1: didn't make them what they were. Based on that, we

2866
02:41:04,320 --> 02:41:08,200
Speaker 1: thought about everything we didn't get or like I didn't

2867
02:41:08,240 --> 02:41:13,279
Speaker 1: get a tar reason coll Echo's, so when Xboxing and Playtation,

2868
02:41:13,360 --> 02:41:15,720
Speaker 1: I wanted to give them that. I was like to

2869
02:41:15,840 --> 02:41:18,800
Speaker 1: babysit and do other ship for Jordan's. So I wanted

2870
02:41:18,840 --> 02:41:24,119
Speaker 1: my kids to have Jordan's. But I was also raised

2871
02:41:24,800 --> 02:41:28,440
Speaker 1: to appreciate and respect and acknowledge God, and I didn't

2872
02:41:29,080 --> 02:41:32,120
Speaker 1: do that every moment. I'm not saying I didn't acknowledge

2873
02:41:32,160 --> 02:41:34,560
Speaker 1: God in my life, but there was some ship that

2874
02:41:34,640 --> 02:41:37,000
Speaker 1: I didn't do when I should have done. And you know,

2875
02:41:37,040 --> 02:41:39,520
Speaker 1: I don't know if it's again, Rob, I don't know

2876
02:41:39,560 --> 02:41:46,200
Speaker 1: if this is against but but just to say, you

2877
02:41:46,280 --> 02:41:50,480
Speaker 1: know I saw God in you. You saw God and me,

2878
02:41:50,760 --> 02:41:54,879
Speaker 1: we didn't know it was God right and we're there

2879
02:41:54,959 --> 02:41:58,880
Speaker 1: now and taking God out of everything. I didn't know

2880
02:41:58,920 --> 02:42:01,840
Speaker 1: who I was when I started it. I had more

2881
02:42:01,920 --> 02:42:05,400
Speaker 1: faith in who you guys were, looking at Copon Noriega,

2882
02:42:05,440 --> 02:42:07,040
Speaker 1: looking at my deep, looking at E. P. M D.

2883
02:42:07,680 --> 02:42:11,920
Speaker 1: Wanted to be emulative of that, and then realizing that

2884
02:42:12,120 --> 02:42:15,640
Speaker 1: I was already that when I met him, like this,

2885
02:42:15,760 --> 02:42:18,240
Speaker 1: nigg is me. I don't need to do like this.

2886
02:42:18,400 --> 02:42:23,480
Speaker 1: Nig is me. Killed that I was in Atlanta, people

2887
02:42:24,120 --> 02:42:28,840
Speaker 1: k killed that ed. You know, I gotta drink more

2888
02:42:30,800 --> 02:42:42,360
Speaker 1: and yo, God bless. I don't know what makes the

2889
02:42:42,480 --> 02:42:44,520
Speaker 1: room to make the podcast, but I know it made

2890
02:42:44,560 --> 02:42:53,600
Speaker 1: the room. But I can't think usually enough but the drop.

2891
02:42:58,480 --> 02:43:00,440
Speaker 1: Before we get out of here, we just want remind

2892
02:43:00,520 --> 02:43:02,680
Speaker 1: you that you can buy drink Champs gear at your

2893
02:43:02,760 --> 02:43:05,800
Speaker 1: local DTLR store, so look up the store nearest to you.

2894
02:43:06,160 --> 02:43:08,840
Speaker 1: You can also buy drink Champs gear and other merch

2895
02:43:09,120 --> 02:43:11,840
Speaker 1: at drink Champs dot com or eight and nine dot com.

2896
02:43:12,240 --> 02:43:15,279
Speaker 1: Check us on Revolt TV every Thursday night at MPM.

2897
02:43:15,560 --> 02:43:19,760
Speaker 1: Then unedited audio drops Monday nights going into Tuesday at midnight.

2898
02:43:20,160 --> 02:43:23,160
Speaker 1: Then check for the United video Wednesdays on Revolt dot Tv,

2899
02:43:23,720 --> 02:43:26,520
Speaker 1: Drink Champs dot Com, or you can go directly to YouTube.

2900
02:43:26,920 --> 02:43:29,800
Speaker 1: Look out for Nori's new food show coming soon, as

2901
02:43:29,840 --> 02:43:32,640
Speaker 1: well as new project featuring the upcoming single Uno mass

2902
02:43:32,920 --> 02:43:36,800
Speaker 1: Produced and featuring Farrell check from My Coming Home documentaries

2903
02:43:36,959 --> 02:43:40,240
Speaker 1: Coming Home Vietnam documentary right now currently airing on Revolt

2904
02:43:40,320 --> 02:43:44,560
Speaker 1: TV and coming soon Coming Home Columbia. Follow us at

2905
02:43:44,640 --> 02:43:48,160
Speaker 1: Drink Champs on i G, Twitter and Facebook, and Nori

2906
02:43:48,360 --> 02:43:51,640
Speaker 1: at the Real Noriega on Instagram, at Noriega on Twitter,

2907
02:43:51,920 --> 02:43:54,720
Speaker 1: and me e fn at Who's Crazy on i G

2908
02:43:55,080 --> 02:43:57,000
Speaker 1: and at d j e f n on Twitter. And

2909
02:43:57,120 --> 02:43:58,960
Speaker 1: until next week, we had to hear peace