WEBVTT - The Fifth Hour: Where is Helmet Man?

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<v Speaker 1>Cut booms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the old Republic, a sol fastion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse. Wow to clearinghouse of

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<v Speaker 2>hot takes, break free for something special. The Fifth Hour

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<v Speaker 2>with Ben Mahller starts right now in.

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<v Speaker 3>The air everywhere The Fifth Hour with Me, Ben Mahler

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<v Speaker 3>and Danny g Radio. A happy Saturday to you as

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<v Speaker 3>we are recording this early in the morning. You listen

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<v Speaker 3>whenever you want. You don't have to listen today. Obviously

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<v Speaker 3>a lot of people listen throughout the week. But we

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<v Speaker 3>are here early on a Saturday, as the NFL will

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<v Speaker 3>continue tomorrow. We had Shade Jogis Alexander mess with the

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<v Speaker 3>basketball gods. I guess that was the story that would

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<v Speaker 3>have been a monologue last night. He talked about the

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<v Speaker 3>thunder trying to set the record for wins and people

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<v Speaker 3>up in arms.

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<v Speaker 1>You're messing with the basketball gods? What are you doing?

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<v Speaker 1>You know, all that nonsense. We will not talk about

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<v Speaker 1>that here.

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<v Speaker 3>Instead, on this podcast, we have the choice love train true,

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<v Speaker 3>and in addition to that, we will have time permitting

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<v Speaker 3>the phrase of the week. But we begin with this,

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<v Speaker 3>there is a truth that does not require sources.

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<v Speaker 1>There's a truth that does not require sources.

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<v Speaker 3>You don't need analytics, you don't need somebody who's verified

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<v Speaker 3>on social media, you don't need one of those big

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<v Speaker 3>daytime people. Listen, there's a difference, and we've talked about

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<v Speaker 3>this a lot over the last couple of years on

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<v Speaker 3>this podcast, and it's not a slight difference between daytime

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<v Speaker 3>sports radio and nighttime sports radio. It's not a moderate upgrade.

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<v Speaker 3>It's not a slightly better ZIP code. It's a totally

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<v Speaker 3>different ecosystem. The operation during the day it's like Planet

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<v Speaker 3>per Dium. You get SUVs with tinted windows that pick

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<v Speaker 3>you up and take you to work. You've got private

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<v Speaker 3>garages and security guards that outnumber producers and just just

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<v Speaker 3>all that.

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<v Speaker 1>All that.

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<v Speaker 3>The daytime guys broadcasts from gated communities with hedge hedges

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<v Speaker 3>that are manicured with precision, and they've got people that

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<v Speaker 3>look out for them and all that stuff. They have

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<v Speaker 3>parking spots that are reserved for them, and all that stuff.

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<v Speaker 3>Now when you do the overnight show. We fend for ourselves.

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<v Speaker 3>We fend for ourselves. It's a badge of honor.

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<v Speaker 1>Right. We travel light.

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<v Speaker 3>We don't have an entourage, we don't have seven producers,

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<v Speaker 3>and all of our travel paid for, and all that

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<v Speaker 3>we live dangerously. For example, the male praying that the

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<v Speaker 3>check engine light is merely decorative. In fact, this weekend,

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<v Speaker 3>the malamobile is sitting in a repair shop as we

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<v Speaker 3>speak right now. More on that later, which brings me

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<v Speaker 3>to earlier in the week. Sofi Stadium, or as it

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<v Speaker 3>is affectionately called by our friend, Sofa stadium, because it

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<v Speaker 3>looks like something you'd recline on while watching a rerun

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<v Speaker 3>of House Hunters, or you just don't know how to

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<v Speaker 3>pronounce so far.

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<v Speaker 1>So just it looks like it might be sofas it's

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<v Speaker 1>called sofa.

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<v Speaker 3>It's proudly in Inglewood, in the hood and up to

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<v Speaker 3>no good, a neighborhood that blends clamor grit like a

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<v Speaker 3>cocktail that shouldn't work but somehow does. And I was there.

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<v Speaker 3>I was there from Monday night football last week. The

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<v Speaker 3>Philadelphia football team was in town to take on the Chargers, and,

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<v Speaker 3>as is the normal case, I have to leave early

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<v Speaker 3>to beat the traffic. So as the fourth quarter began,

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<v Speaker 3>I did what every overnight sports talk radio host who

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<v Speaker 3>attends games has to do.

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<v Speaker 1>I left early.

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<v Speaker 3>Not out of disrespect, not trying to mess with the

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<v Speaker 3>football gods, but out of survival. There is a show

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<v Speaker 3>to do and the commute I must endure. And because

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<v Speaker 3>of the circadian rhythm that I have and being up

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<v Speaker 3>all night and actually having to be on time. One

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<v Speaker 3>of the things about these jobs you can't be late.

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<v Speaker 3>You can't be late. You got to be when the

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<v Speaker 3>show starts at a certain time. You can't push it back,

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<v Speaker 3>be like I'll be there ten minutes later. No, no,

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<v Speaker 3>you got to be there when it starts. So as

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<v Speaker 3>I exited so Fi or Sofa Stadium through the VIP

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<v Speaker 3>media entrance, I was immediately confronted with what we call

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<v Speaker 3>the choice. I was confronted with the choice. Some would say,

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<v Speaker 3>it's a fourk in the road now number one. Option

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<v Speaker 3>Number one was I could turn right now. If you

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<v Speaker 3>turn right, I had a short walk to the malmobile

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<v Speaker 3>safety predictability. Those were all the options on Option one

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<v Speaker 3>to the right now. Option two was to the left.

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<v Speaker 3>That was a much longer walk. That would have taken

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<v Speaker 3>me past the NFL Network studios and past the old

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<v Speaker 3>Great Western Forum where it's called something else now, but

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<v Speaker 3>the Lakers used to play and the Kings played there

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<v Speaker 3>back in the day. So option two left turn longer

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<v Speaker 3>walk past the NFL Network, possibly also the Forum.

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<v Speaker 1>As I said, and if the stars.

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<v Speaker 3>Were to align, there would be a run in with

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<v Speaker 3>a man known as Helmet Man, a character on the show.

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<v Speaker 3>Now for those that are somehow unfamiliar with the legend

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<v Speaker 3>that is Helmet Man, and shame on you if you are,

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<v Speaker 3>it's a bad job by you. He is not merely

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<v Speaker 3>a character in the Malard militia. He is an institution,

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<v Speaker 3>Helmet Man. I have known this man since the nineteen nineties.

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<v Speaker 3>It's been a generation plus that I've known Helmet Man

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<v Speaker 3>back when local radio was loud and unfiltered and gave

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<v Speaker 3>strong opinions, even criticized the local teams right and was

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<v Speaker 3>one bad caller away from FCC intervention. Not now where

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<v Speaker 3>it's grab ass and rah rah and all that. Now,

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<v Speaker 3>Helmet Man is from Baltimore. And if you didn't know

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<v Speaker 3>Helmet Man was from Baltimore, you just have to run

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<v Speaker 3>into him wearing his Oriole stuff or his Raven stuff

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<v Speaker 3>or whatever. And when I say he's from Baltimore, not

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<v Speaker 3>just casually, it's like a religious situation for Helmet Man.

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<v Speaker 3>The man famously once appeared. I ran into him downtown

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<v Speaker 3>Los Angeles, just adjacent to skid Row at the arena

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<v Speaker 3>formerly known as Staples Center, and he was wearing a

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<v Speaker 3>full Baltimore Orioles uniform, not just the jersey, not a hat,

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<v Speaker 3>the uniform, batting gloves, he had the helmet. He was

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<v Speaker 3>doing cal Ripken cosplay, and it was as if Camden

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<v Speaker 3>Yards had sprouted legs and wandered to the West Coast

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<v Speaker 3>and he was waiting to go into the batter's box

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<v Speaker 3>for the Orioles. So Helmet Man, let's just say he's

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<v Speaker 3>semi retired. He does sell memorabilia. He sells what some

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<v Speaker 3>would call crap, other people would say very valuable items.

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<v Speaker 3>At least the items strongly resemble memorabilia.

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<v Speaker 1>I don't know if they actually are or not.

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<v Speaker 3>But outside of NFL network, and he's called into the

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<v Speaker 3>Overnight Show a few times, he always says, well, are

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<v Speaker 3>you going to be at the game, And I'm like, well,

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<v Speaker 3>I don't know, if I'll be at the game. And

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<v Speaker 3>then I said, well I'll be at the game, and

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<v Speaker 3>say okay, I'm gonna be there. And so think of

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<v Speaker 3>helmet Man as a roaming museum gift shop. There is

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<v Speaker 3>no return policy. He only takes cash, and the often,

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<v Speaker 3>you know, he often tis of the items. It's questionable.

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<v Speaker 3>So naturally, again we go back to the choice. I

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<v Speaker 3>had option one, option two I chose. Naturally, I chose

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<v Speaker 3>option number two. And Overnight Radio trains you to embrace

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<v Speaker 3>the absurd, and we love it. We look forward to

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<v Speaker 3>it that the daytime shows take calls from Steven Scott

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<v Speaker 3>style and let's go to Mikensan Francisco the overnight talk show.

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<v Speaker 3>Though we get mouthwash Mike telling us how he's been

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<v Speaker 3>banned from all the MGM properties and all the Caesars properties,

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<v Speaker 3>and yet he wants to go swimming through the fountains

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<v Speaker 3>at the Belagio. That's mouthwash Mike, right, followed by a

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<v Speaker 3>call from Jet who fled Who's calling from a shed

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<v Speaker 3>whispering about some nonsense and then dropping Glenn Beck's name

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<v Speaker 3>in while listening to a police scanner hoping not to

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<v Speaker 3>get caught. You don't avoid the weirdness. You kind of

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<v Speaker 3>lean into it. You got to lean into it when

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<v Speaker 3>you do night show. So I started walking and walking.

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<v Speaker 3>So I walked out of the gate I was supposed

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<v Speaker 3>to be at. I made the left turn. I walked

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<v Speaker 3>down about one hundred yards and then I had to

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<v Speaker 3>make another turn. I had to turn left. So then

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<v Speaker 3>I turned left, and I kept walking and walking and

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<v Speaker 3>walking and walking. It felt less like leaving a stadium

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<v Speaker 3>and more like wandering the Sahara Desert, except instead of

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<v Speaker 3>sand dunes, I was surrounded by hot dog vendors rhythmically

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<v Speaker 3>tapping their grills, chanting hot TC, hot Doc, got Doc,

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<v Speaker 3>Hot Doc. The bacon wrapped hot dog, a staple, that

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<v Speaker 3>sausage that glistened under the fluorescent lights of these little carts,

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<v Speaker 3>just a staple of southern California.

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<v Speaker 1>Go into sport events, and the smell kind of clung.

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<v Speaker 2>In the air.

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<v Speaker 3>It was like a at tax almost. You could smell

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<v Speaker 3>the tacks and you're like trying to tempt you to

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<v Speaker 3>get one of their hot dogs.

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<v Speaker 1>So I passed by those people. I kept going. I walked,

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<v Speaker 1>I walked, I walked.

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<v Speaker 3>I passed a couple of dumpsters, and I did not

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<v Speaker 3>realize this at the time, but I was given a show.

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<v Speaker 1>It was a walk in a show.

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<v Speaker 3>So I'm going past the dumpsters and I got our

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<v Speaker 3>own Olympic diving. Someone call it dumpster diving. And these

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<v Speaker 3>men dove in there with the grace of a gymnast,

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<v Speaker 3>chasing recyclable glory. It was gritty, it was chaotic, it

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<v Speaker 3>was dirty, it was smelly. It was unmistakably la or

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<v Speaker 3>in this case, in the hood in Inglewood. Now I

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<v Speaker 3>am happy to report that eventually I did reach the

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<v Speaker 3>NFL network building, the Promised Land, and I saw the

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<v Speaker 3>logo right there, the propaganda arm of the NFL, the

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<v Speaker 3>state sponsored media, all that. So I looked at it

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<v Speaker 3>to the left. I then went to the right. I

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<v Speaker 3>went back to the left. I went back to the

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<v Speaker 3>right and pressed DOW. What did I see? A whole

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<v Speaker 3>giant bag of nothing. A whole giant bag of nothing.

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<v Speaker 3>Zippo helmet Man was nowhere to be found. Now I

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<v Speaker 3>carefully planned game. I again had a fork in the road.

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<v Speaker 3>I go right, go left, I went left, and yeah,

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<v Speaker 3>the spin off of Where's Waldo and it's Where's helmet Man?

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<v Speaker 3>Had collapsed. There was no helmet man. There was no

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<v Speaker 3>man wearing orio gear, no rogue memorabilia merchant in the

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<v Speaker 3>night lurking in the shadows. Nope, my plan was foiled

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<v Speaker 3>yet again. So I turned back. I found the malamobile

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<v Speaker 3>and began the nightly pilgrimage to the palatial studios just

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<v Speaker 3>down the hill from bel Air in beautiful Sherman Oaks, California.

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<v Speaker 3>A phrase that sounds luxurious until you're circling the parking

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<v Speaker 3>lot in the middle of the night.

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<v Speaker 1>So inside the studio I made it safely.

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<v Speaker 3>I was continuing my copious amounts of preparation for the

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<v Speaker 3>over show, and I watched the final moments of the

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<v Speaker 3>Monday night football game that did go to overtime, overtime

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<v Speaker 3>before the Chargers pulled it off.

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<v Speaker 1>Very nice of Jane on Hurst to turn the ball

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<v Speaker 1>over five times in that game. So that was that.

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<v Speaker 3>I watched the end of the Monday night game getting

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<v Speaker 3>ready for my show, kind of calm, quiet and the

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<v Speaker 3>just mellowness before the madness, the mellowness before the madness.

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<v Speaker 3>So then I get a call on my phone and

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<v Speaker 3>as I don't know who that is, and I answer

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<v Speaker 3>the phone and say it's Ben. Hey, is this Ben Mahler.

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<v Speaker 3>It's helmet Man on the other month, I said, of

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<v Speaker 3>course it was. Of course it was. Come on, helmet Man,

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<v Speaker 3>you know you called me. What do you think somebody

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<v Speaker 3>else is gonna answer my phone? All right, so you

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<v Speaker 3>realize you're like the only guy left that uses that technology. Yeah,

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<v Speaker 3>what do you think about the oil? That is a

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<v Speaker 3>classic line, helmet man, We just got a new drop,

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<v Speaker 3>so I answered immediately, and then was interrogated. And then

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<v Speaker 3>I interrogated him. That's what seasoned detectives do. He asked

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<v Speaker 3>where I was. I said, what do you mean where

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<v Speaker 3>I was? You told me you were going to be

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<v Speaker 3>outside the NFL Network building. You were not there, and

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<v Speaker 3>he sighed and he said you know because I said

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<v Speaker 3>what happened? And helmet Man says, I didn't make it

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<v Speaker 3>to the game. I said, I know that I was there.

0:13:30.880 --> 0:13:32.720
<v Speaker 3>I didn't see you, So why didn't you make it

0:13:32.800 --> 0:13:37.920
<v Speaker 3>the game? And then came the most helmet man answer imaginable.

0:13:38.840 --> 0:13:45.560
<v Speaker 3>He said, in a straight, dead pan delivery, I was

0:13:45.640 --> 0:13:50.360
<v Speaker 3>in the shower. What he said, I got in the shower,

0:13:51.440 --> 0:13:55.559
<v Speaker 3>and he said he stayed for roughly ninety minutes and

0:13:55.600 --> 0:13:57.760
<v Speaker 3>he missed the bus that he was supposed to. Apparently

0:13:57.800 --> 0:13:59.240
<v Speaker 3>he doesn't live right next I thought he lived right

0:13:59.280 --> 0:14:00.119
<v Speaker 3>next to Sofia.

0:14:00.360 --> 0:14:00.679
<v Speaker 1>He does not.

0:14:01.400 --> 0:14:03.920
<v Speaker 3>He takes a bus there. He missed the bus. So

0:14:04.640 --> 0:14:08.040
<v Speaker 3>ninety minutes. Let me remind it, ninety minutes to do something.

0:14:08.120 --> 0:14:12.760
<v Speaker 3>Most people doing about two minutes ninety minute shower and

0:14:12.760 --> 0:14:17.280
<v Speaker 3>the rest of us are able to navigate this shower

0:14:17.320 --> 0:14:20.440
<v Speaker 3>and a limited amount of time. But Helmet Man, he

0:14:20.520 --> 0:14:24.520
<v Speaker 3>was like marinating like a human tea bag in the shower,

0:14:24.720 --> 0:14:25.760
<v Speaker 3>and that right.

0:14:25.640 --> 0:14:30.280
<v Speaker 1>There is what we do. That is the type that

0:14:30.320 --> 0:14:31.200
<v Speaker 1>we get.

0:14:31.760 --> 0:14:34.000
<v Speaker 3>Helmet Man in the shower for ninety minutes, even though

0:14:34.040 --> 0:14:36.080
<v Speaker 3>he'd said on the air's like I got to meet you.

0:14:36.080 --> 0:14:39.000
<v Speaker 3>I want to meet you right in from the NFL network. Okay, fine,

0:14:39.240 --> 0:14:39.840
<v Speaker 3>we'll do it.

0:14:40.400 --> 0:14:43.760
<v Speaker 1>I'm actually on the live air. Yes you're on the.

0:14:45.360 --> 0:14:48.280
<v Speaker 3>And there we were, so and listen. I would not

0:14:48.320 --> 0:14:49.160
<v Speaker 3>trade this for anything.

0:14:49.200 --> 0:14:49.680
<v Speaker 1>I love it.

0:14:49.760 --> 0:14:52.160
<v Speaker 3>I have a great time with the people that are

0:14:52.240 --> 0:14:53.520
<v Speaker 3>characters on the show, and.

0:14:53.440 --> 0:14:57.520
<v Speaker 1>The fact that it's just real. It's just different, right,

0:14:57.560 --> 0:14:58.040
<v Speaker 1>It's raw.

0:14:58.120 --> 0:15:02.440
<v Speaker 3>It's the wild wild West of podcasting, populated by night

0:15:02.480 --> 0:15:07.240
<v Speaker 3>shift workers and zombiacs, truck drivers, conspiracy theorists, loyal foot

0:15:07.280 --> 0:15:10.160
<v Speaker 3>soldiers in the malord militia and beyond.

0:15:10.240 --> 0:15:10.840
<v Speaker 1>And it's a.

0:15:10.760 --> 0:15:15.480
<v Speaker 3>Little community, little community bonded not by the ratings, not

0:15:15.600 --> 0:15:19.640
<v Speaker 3>by contract bonuses or even any raises at all, not

0:15:19.760 --> 0:15:23.320
<v Speaker 3>by valet parking, not by being sent on trips on

0:15:23.400 --> 0:15:24.200
<v Speaker 3>the company dime.

0:15:24.760 --> 0:15:27.440
<v Speaker 1>No no, no, by shared chaos.

0:15:27.840 --> 0:15:30.040
<v Speaker 3>The daytime guys they get all the gadgets and the

0:15:30.080 --> 0:15:32.360
<v Speaker 3>gizmos and the dew hickeys, and they get their ass

0:15:32.960 --> 0:15:36.680
<v Speaker 3>kissed and all that stuff. But we have recurring characters

0:15:37.400 --> 0:15:41.400
<v Speaker 3>who disappear for ninety minutes or longer to take a shower.

0:15:42.200 --> 0:15:44.120
<v Speaker 3>You'd think this would be the cleanest person in the world.

0:15:44.200 --> 0:15:44.520
<v Speaker 1>It's not.

0:15:45.080 --> 0:15:49.880
<v Speaker 3>And somewhere in all of this madness, a new holiday

0:15:49.920 --> 0:15:55.720
<v Speaker 3>tradition was born. Forget the hottest gadget, forget the AI toaster,

0:15:55.880 --> 0:15:59.000
<v Speaker 3>forget whatever the tech people in.

0:15:59.000 --> 0:16:01.280
<v Speaker 1>Northern California are selling you this week.

0:16:01.800 --> 0:16:06.640
<v Speaker 3>The hottest gift for kids this Christmas, Sitting proudly atop

0:16:06.680 --> 0:16:09.600
<v Speaker 3>Santa's wish list is Where's Waldo two point zero?

0:16:09.960 --> 0:16:11.680
<v Speaker 1>The helmet Man addition.

0:16:12.320 --> 0:16:15.120
<v Speaker 3>Now it's the same premise, all right, the same premise,

0:16:15.160 --> 0:16:18.760
<v Speaker 3>but it's a much tougher game. Instead of a striped shirt.

0:16:18.960 --> 0:16:22.160
<v Speaker 3>Instead of striped shirt. You're searching for a roaming Baltimore

0:16:22.320 --> 0:16:27.040
<v Speaker 3>sports logo like an oriole hat or a raven ad

0:16:27.440 --> 0:16:31.040
<v Speaker 3>something along night along those lines. Who may or may

0:16:31.080 --> 0:16:34.920
<v Speaker 3>not be wearing a full uniform, you never know, and

0:16:35.120 --> 0:16:38.600
<v Speaker 3>may or may not be selling quote authentic memorabilia, and

0:16:38.760 --> 0:16:42.560
<v Speaker 3>may or may not be stuck in the shower while

0:16:42.600 --> 0:16:44.800
<v Speaker 3>the rest of the world is at the stadium. So

0:16:44.920 --> 0:16:50.240
<v Speaker 3>the difficulty level on the new game here, Where's Waldo?

0:16:50.720 --> 0:16:54.160
<v Speaker 3>The two point zero the Helmet Man Edition? The difficulty

0:16:54.240 --> 0:16:57.640
<v Speaker 3>level is extreme, The odds are long, the payoff pure

0:16:57.840 --> 0:17:03.640
<v Speaker 3>overnight radio bliss underpast the chanting hot dog vendors, hot Dog,

0:17:03.640 --> 0:17:07.120
<v Speaker 3>hot Dog, hot Dog, hot Dog. You dodge dumpster divers,

0:17:07.560 --> 0:17:12.320
<v Speaker 3>You circle NFL Network like a detective under flickering lights,

0:17:12.880 --> 0:17:17.480
<v Speaker 3>and just when you think you've lost the phone rings,

0:17:18.080 --> 0:17:22.080
<v Speaker 3>it's helmet Man. He wasn't there, he was never there,

0:17:22.160 --> 0:17:24.120
<v Speaker 3>but somehow he still wins.

0:17:24.840 --> 0:17:27.040
<v Speaker 1>See that is overnight.

0:17:26.600 --> 0:17:30.120
<v Speaker 3>Radio in a nutshell, a world that again, the daytime

0:17:30.200 --> 0:17:33.560
<v Speaker 3>guys will just never understand. They don't get it. And

0:17:33.760 --> 0:17:38.800
<v Speaker 3>where's helmet Man exactly? That's the point. Where is Helmet Man?

0:17:40.160 --> 0:17:43.560
<v Speaker 1>All right? Now turning the page on that I was.

0:17:43.920 --> 0:17:45.520
<v Speaker 3>I didn't want to mention this story because we talk

0:17:45.560 --> 0:17:47.440
<v Speaker 3>about the life of Mather, a life of.

0:17:47.440 --> 0:17:49.520
<v Speaker 1>Danny g when Danny joins us every once in a while.

0:17:49.720 --> 0:17:54.120
<v Speaker 3>But I was summoned. I was summoned to the Inland Empire.

0:17:54.520 --> 0:17:57.920
<v Speaker 3>If you're not familiar with the geography of southern California,

0:17:58.200 --> 0:18:01.120
<v Speaker 3>it's called the Inland Empire for a reason. You spend

0:18:01.160 --> 0:18:04.040
<v Speaker 3>about five hours in traffic to get there. So this

0:18:04.200 --> 0:18:08.240
<v Speaker 3>was last weekend, and I was not subpoened. Normally people

0:18:08.280 --> 0:18:11.000
<v Speaker 3>go to that part of town because you're subpoened. I

0:18:11.080 --> 0:18:15.919
<v Speaker 3>wasn't extradited. I was requested. And there's a difference between

0:18:15.960 --> 0:18:20.520
<v Speaker 3>being subpoened, extradited, and requested. When your presence is requested

0:18:21.080 --> 0:18:28.280
<v Speaker 3>for a concert featuring the OJS, the Commodores and Sister Sledge,

0:18:28.400 --> 0:18:32.000
<v Speaker 3>you don't ask any follow up questions, You don't check

0:18:32.040 --> 0:18:32.480
<v Speaker 3>the weather.

0:18:33.200 --> 0:18:35.240
<v Speaker 1>You just hop in the malamobile.

0:18:35.280 --> 0:18:38.480
<v Speaker 3>You load up the wife and your caravan, and you

0:18:38.520 --> 0:18:40.800
<v Speaker 3>get out there and meet a bunch of her coworkers,

0:18:41.359 --> 0:18:46.040
<v Speaker 3>and you point yourself towards Ontario like you're chasing the

0:18:46.080 --> 0:18:48.720
<v Speaker 3>final clue in a late night scavenger hunt. So the

0:18:50.000 --> 0:18:54.200
<v Speaker 3>marketing copy that I was given for this shindig promised

0:18:54.600 --> 0:18:59.919
<v Speaker 3>timeless hits, unforgettable music, which is always interesting phrasing.

0:19:00.480 --> 0:19:01.760
<v Speaker 1>I always interesting.

0:19:01.400 --> 0:19:06.480
<v Speaker 3>Phrasing because if something is truly timeless, if I have

0:19:06.560 --> 0:19:11.119
<v Speaker 3>somebody's timeless, it technically shouldn't need to be remembered. It

0:19:11.359 --> 0:19:18.360
<v Speaker 3>should just exist, like gravity, for example, or Costco's rotisserie chickens.

0:19:18.400 --> 0:19:22.080
<v Speaker 3>They just exist. There's no rhyme or reason. They just

0:19:22.160 --> 0:19:24.880
<v Speaker 3>happen to exist. And if you're new to the mal

0:19:24.960 --> 0:19:28.760
<v Speaker 3>Ard militia or relatively new, here's the thing about me

0:19:29.160 --> 0:19:34.320
<v Speaker 3>and music. I was not born with the music gene.

0:19:34.320 --> 0:19:37.560
<v Speaker 3>I am deficient in the music gene. I like music.

0:19:38.520 --> 0:19:43.679
<v Speaker 3>I listen to music, however, it's mostly like wallpaper. It

0:19:43.760 --> 0:19:48.560
<v Speaker 3>kind of fills up space. I respond to rhythm, to

0:19:48.640 --> 0:19:51.760
<v Speaker 3>the beat, to the vibe. I respond to that. Lyrics

0:19:51.760 --> 0:19:57.399
<v Speaker 3>are often just syllables writing shotgun and a lot of

0:19:57.440 --> 0:19:59.960
<v Speaker 3>people in my life love the lyrics and they love

0:20:00.200 --> 0:20:03.639
<v Speaker 3>to remember the lyrics. With rare exceptions, I don't. Johnny Cash,

0:20:03.680 --> 0:20:07.879
<v Speaker 3>for example, would be one the man in Black. I

0:20:07.960 --> 0:20:11.400
<v Speaker 3>hear words that he says and I just know the lyrics.

0:20:11.560 --> 0:20:15.320
<v Speaker 3>I feel like I'm being told the story, not just

0:20:15.359 --> 0:20:20.399
<v Speaker 3>a nudge into the mood. So again, walking into this

0:20:20.520 --> 0:20:26.359
<v Speaker 3>concert hall, it felt like an odd juxtaposition. It did,

0:20:26.400 --> 0:20:30.200
<v Speaker 3>because there are groups whose songs I have referenced.

0:20:31.240 --> 0:20:32.400
<v Speaker 1>These groups, are you know?

0:20:32.840 --> 0:20:36.080
<v Speaker 3>I've referenced these songs regularly over the years on the

0:20:36.200 --> 0:20:41.080
<v Speaker 3>radio show, but mostly as linguistic tools. If you haven't

0:20:41.080 --> 0:20:43.840
<v Speaker 3>figured out by now, and I'm putting together a monologue,

0:20:43.880 --> 0:20:45.960
<v Speaker 3>I put bullet points together. But one of the things

0:20:46.040 --> 0:20:47.640
<v Speaker 3>I like to do is spice it up a little

0:20:47.720 --> 0:20:52.800
<v Speaker 3>Kayenne Pepper and their little Hallapano. And so something strange happened.

0:20:52.880 --> 0:20:56.240
<v Speaker 3>As I was settling into my seat to watch all

0:20:56.280 --> 0:20:58.679
<v Speaker 3>of these old school groups get together.

0:20:58.800 --> 0:20:59.400
<v Speaker 1>It hit me.

0:21:00.920 --> 0:21:04.800
<v Speaker 3>That not emotionally like a Pixar moment. It wasn't one

0:21:04.840 --> 0:21:10.280
<v Speaker 3>of those things, not intellectually like realizing you've been unknowingly

0:21:10.400 --> 0:21:15.600
<v Speaker 3>speaking these tunes your entire life. I was there for nostalgia.

0:21:15.680 --> 0:21:19.399
<v Speaker 3>I was there for I guess recognition. I don't know

0:21:19.400 --> 0:21:22.680
<v Speaker 3>if that's the right word. But for example, take the Commodores,

0:21:23.640 --> 0:21:26.400
<v Speaker 3>and that is a group it was very popular million

0:21:26.480 --> 0:21:32.600
<v Speaker 3>years ago. I have used brick House forever. A team

0:21:32.720 --> 0:21:34.880
<v Speaker 3>does not shoot the ball well on a given night

0:21:34.960 --> 0:21:35.639
<v Speaker 3>in the NBA.

0:21:35.880 --> 0:21:37.920
<v Speaker 1>They are a break house.

0:21:38.720 --> 0:21:42.160
<v Speaker 3>I've done that, a team clanking jumpers like they've been

0:21:42.520 --> 0:21:47.600
<v Speaker 3>sponsored by a home depot, brick house. And they have

0:21:47.640 --> 0:21:51.159
<v Speaker 3>another song, the Commodore's Night Shift. Now that's not just

0:21:51.200 --> 0:21:55.000
<v Speaker 3>a song, that is a that's kind of the soundtrack

0:21:55.040 --> 0:21:57.960
<v Speaker 3>of my life. That that's me driving through the north

0:21:58.000 --> 0:22:00.480
<v Speaker 3>Woods at three forty in the morning, whatever it might be,

0:22:00.840 --> 0:22:05.359
<v Speaker 3>living life on vampire hours, doing radio while the rest

0:22:05.480 --> 0:22:09.480
<v Speaker 3>of the world snores. Some even call up to snore,

0:22:09.560 --> 0:22:16.560
<v Speaker 3>like hollering James. So I didn't learn those things. I

0:22:16.640 --> 0:22:20.920
<v Speaker 3>absorbed them and they became part of my language. Same

0:22:20.960 --> 0:22:24.760
<v Speaker 3>for the Ojs. Not that oj he's dead, but the Ojays,

0:22:24.840 --> 0:22:27.840
<v Speaker 3>another old school group. They came up with the tune

0:22:27.920 --> 0:22:31.800
<v Speaker 3>love Train True True, and that is a recurring bit.

0:22:31.840 --> 0:22:34.320
<v Speaker 3>We talk about Travis Kelcey and Taylor Swift. They're on

0:22:34.359 --> 0:22:38.760
<v Speaker 3>the love train. True Yeah, I love train pulling into

0:22:38.800 --> 0:22:40.919
<v Speaker 3>the station, a locker room romance.

0:22:41.240 --> 0:22:43.480
<v Speaker 1>All of the above and sunshine.

0:22:44.000 --> 0:22:49.800
<v Speaker 3>That's the sonic equivalent of saying a team had good vibes,

0:22:50.280 --> 0:22:56.639
<v Speaker 3>good juju, solar powered optimism, and you don't analyze it,

0:22:56.680 --> 0:23:00.760
<v Speaker 3>you just kind of deployed. Then there is cis Sledge

0:23:01.000 --> 0:23:03.600
<v Speaker 3>now Price, I don't care about Sisters Sledge. I don't

0:23:03.600 --> 0:23:05.960
<v Speaker 3>even know what that is. Well, one of their songs

0:23:06.440 --> 0:23:09.840
<v Speaker 3>was amazing back in the day. It was that we

0:23:10.080 --> 0:23:14.000
<v Speaker 3>are familyite, we are family Now. I have used that

0:23:14.040 --> 0:23:16.440
<v Speaker 3>phrase so many times it might as well be stamped

0:23:16.440 --> 0:23:20.600
<v Speaker 3>on my forehead. And teams who are really clicking, like

0:23:20.680 --> 0:23:24.760
<v Speaker 3>Oklahoma City, Oklahoma State really clicking for the most part.

0:23:24.840 --> 0:23:25.040
<v Speaker 1>Right.

0:23:26.359 --> 0:23:28.240
<v Speaker 3>The word that people love to use because there's no

0:23:28.280 --> 0:23:33.439
<v Speaker 3>way to debunk it is chemistry and that and so

0:23:33.600 --> 0:23:39.040
<v Speaker 3>we are family not just a song. It's a shorthanded cohesion.

0:23:39.440 --> 0:23:42.480
<v Speaker 1>It's for harmony, for vibes, all that.

0:23:42.640 --> 0:23:47.040
<v Speaker 3>And yes, it was in the late nineteen seventies the

0:23:47.480 --> 0:23:53.679
<v Speaker 3>soundtrack for the Pittsburg Pirates the Buckos, which means it lives.

0:23:53.720 --> 0:23:57.280
<v Speaker 3>It does live at the intersection of sports, music and mythology.

0:23:57.880 --> 0:23:59.760
<v Speaker 1>The late great Dave Parker.

0:24:00.520 --> 0:24:03.359
<v Speaker 3>Parker was part of this podcast and was part of

0:24:03.400 --> 0:24:06.120
<v Speaker 3>the Pirates in the late nineteen seventies and all that stuff.

0:24:07.240 --> 0:24:11.240
<v Speaker 3>So listen, that matters. Context matters as well. And here's

0:24:11.280 --> 0:24:15.600
<v Speaker 3>the fun fact that grounded the whole week. And I

0:24:16.160 --> 0:24:18.119
<v Speaker 3>love I love this because I was like, I was

0:24:18.160 --> 0:24:19.480
<v Speaker 3>like well, these guys are all.

0:24:19.320 --> 0:24:21.280
<v Speaker 1>New members of the Commodorees and the ojs.

0:24:21.520 --> 0:24:23.760
<v Speaker 3>Well not so fast, my friend, This guy, William King,

0:24:24.520 --> 0:24:28.720
<v Speaker 3>the trumpet player and co founder of the Commodores, happened

0:24:28.720 --> 0:24:32.080
<v Speaker 3>to be there and happened to be performing the only

0:24:32.280 --> 0:24:37.359
<v Speaker 3>original founding members still performing since the nineteen sixties. That

0:24:37.440 --> 0:24:40.920
<v Speaker 3>is not nostalgia. That is con continuity or whatever the

0:24:40.960 --> 0:24:44.120
<v Speaker 3>word is. And he's like, guy's like a living artifact,

0:24:44.160 --> 0:24:46.520
<v Speaker 3>is what I'm trying to say. It's like seeing a

0:24:46.560 --> 0:24:53.320
<v Speaker 3>handwritten copy of the Constitution. And my goodness, and suddenly

0:24:53.359 --> 0:24:58.040
<v Speaker 3>I realized something somewhat upset, upsettling or unsettling, I should

0:24:58.040 --> 0:24:59.200
<v Speaker 3>say unsettling.

0:24:59.200 --> 0:25:02.879
<v Speaker 1>That these songs phones were not just background music.

0:25:03.720 --> 0:25:05.680
<v Speaker 3>It was really again I go back to the point

0:25:05.720 --> 0:25:10.439
<v Speaker 3>I made, It was infrastructure that they have shaped so

0:25:10.640 --> 0:25:11.160
<v Speaker 3>much of.

0:25:11.119 --> 0:25:11.920
<v Speaker 1>How I have talked.

0:25:11.960 --> 0:25:13.919
<v Speaker 3>And again I'm not the biggest music guy and all

0:25:13.920 --> 0:25:17.320
<v Speaker 3>that stuff, but how I frame monologues, how I explain

0:25:17.520 --> 0:25:21.240
<v Speaker 3>sports to people who don't really like sports, and I

0:25:21.600 --> 0:25:25.600
<v Speaker 3>try to mix in different references to keep people engaged

0:25:25.640 --> 0:25:29.640
<v Speaker 3>that aren't sports people. And I've been using those tracks

0:25:29.760 --> 0:25:34.080
<v Speaker 3>the way a philosopher uses a metaphor, a comedian used

0:25:34.080 --> 0:25:35.919
<v Speaker 3>callbacks and all that stuff. It's just part of the

0:25:35.960 --> 0:25:39.479
<v Speaker 3>operating system. So I didn't go out to the ie

0:25:39.880 --> 0:25:40.679
<v Speaker 3>as they call it.

0:25:40.960 --> 0:25:41.600
<v Speaker 1>I went there.

0:25:42.200 --> 0:25:45.760
<v Speaker 3>I didn't go there to rediscover music. I just went

0:25:45.800 --> 0:25:49.000
<v Speaker 3>out there and realized that I have been unknowingly carrying

0:25:50.240 --> 0:25:53.399
<v Speaker 3>these tunes in my head for some time. And the

0:25:53.680 --> 0:25:56.840
<v Speaker 3>groups were all great. It was a lot of fun. So, yeah,

0:25:56.880 --> 0:26:00.400
<v Speaker 3>I still don't have the music gene. I don't want

0:26:00.400 --> 0:26:02.280
<v Speaker 3>you well know you're a music guy, but no I'm not.

0:26:02.359 --> 0:26:04.919
<v Speaker 3>I still don't have the music gene. I probably never

0:26:05.040 --> 0:26:09.680
<v Speaker 3>will at this point. But standing there in Ontario, surrounded

0:26:09.720 --> 0:26:12.560
<v Speaker 3>by songs and groups that I'd kind of heard of

0:26:12.600 --> 0:26:15.120
<v Speaker 3>in the past, I was like, oh, that's pretty cool.

0:26:16.280 --> 0:26:19.879
<v Speaker 3>That's pretty And so sometimes the soundtrack isn't there to

0:26:20.080 --> 0:26:24.920
<v Speaker 3>move you, it's there to explain you. And that's not nostalgia.

0:26:24.960 --> 0:26:28.920
<v Speaker 3>That's the love train you're always having, you know, always

0:26:29.160 --> 0:26:31.560
<v Speaker 3>always having that available to you.

0:26:32.119 --> 0:26:34.320
<v Speaker 1>And I guess it's left the station and all that stuff,

0:26:34.359 --> 0:26:36.640
<v Speaker 1>and there you go.

0:26:37.359 --> 0:26:40.800
<v Speaker 3>So that was my weekend a week ago, as we

0:26:40.880 --> 0:26:46.240
<v Speaker 3>had a grand old time with a couple of old groups,

0:26:46.240 --> 0:26:49.359
<v Speaker 3>the OJ's and the Commodorees and sister Sledge.

0:26:49.000 --> 0:26:53.040
<v Speaker 1>And and all that time. Now though for the phrase

0:26:53.520 --> 0:26:54.920
<v Speaker 1>of the week.

0:26:55.119 --> 0:26:58.960
<v Speaker 3>That's right, the phrase of the week, and this from

0:26:59.000 --> 0:27:03.160
<v Speaker 3>Scott in Florida. He says, what about the phrase rules

0:27:03.280 --> 0:27:08.200
<v Speaker 3>are made to be broken? Okay, well that's a magical moment. Now,

0:27:09.400 --> 0:27:15.119
<v Speaker 3>this phrase is very old, very old. It was popularized

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<v Speaker 3>by war hero General Douglas MacArthur. General Douglas MacArthur famously

0:27:22.400 --> 0:27:26.560
<v Speaker 3>said rules are mostly made to be broken and are

0:27:26.680 --> 0:27:30.959
<v Speaker 3>too often for the lazy to hide behind. And so

0:27:31.400 --> 0:27:35.840
<v Speaker 3>that was that that quote, which is not even one

0:27:35.880 --> 0:27:37.960
<v Speaker 3>hundred years old, that goes back to like the nineteen

0:27:38.080 --> 0:27:42.600
<v Speaker 3>fifties MacArthur, General MacArthur popularized the phrase. However, it was

0:27:42.640 --> 0:27:47.639
<v Speaker 3>already present in the proverbs of the time.

0:27:47.840 --> 0:27:48.800
<v Speaker 1>It wasn't new.

0:27:48.920 --> 0:27:53.600
<v Speaker 3>The sentiment is older than any single source, and so

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<v Speaker 3>I tried to find exactly who did they credit General

0:27:57.200 --> 0:28:00.840
<v Speaker 3>MacArthur for the modern use of the phrase.

0:28:01.400 --> 0:28:04.719
<v Speaker 1>For the modern usage, and it's.

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<v Speaker 3>Seen as a rebellious like a justification for bending the

0:28:10.960 --> 0:28:14.560
<v Speaker 3>rules and going full cheating astro.

0:28:15.600 --> 0:28:17.160
<v Speaker 1>Now it's not just General MacArthur.

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<v Speaker 3>Sam Walton, the founder of the Walmart chain, which has

0:28:23.720 --> 0:28:27.000
<v Speaker 3>become the largest for like twenty years. It's the largest

0:28:27.000 --> 0:28:33.000
<v Speaker 3>corporation in the world, just massive, and so. Sam Walton,

0:28:33.200 --> 0:28:37.199
<v Speaker 3>in his autobiography wrote that the most important rule in

0:28:37.280 --> 0:28:40.600
<v Speaker 3>business is to break all of the rules. He also

0:28:41.320 --> 0:28:45.920
<v Speaker 3>gave a preference to rule breakers when hiring employees, as

0:28:45.920 --> 0:28:51.920
<v Speaker 3>he considered them a superior worker for not just following

0:28:52.160 --> 0:28:55.680
<v Speaker 3>and doing the bare minimum, going above and beyond the

0:28:55.720 --> 0:29:01.320
<v Speaker 3>bare minimum. And many of the greatest scientists, many of

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<v Speaker 3>the greatest inventors engineers of American history also known as

0:29:07.720 --> 0:29:13.880
<v Speaker 3>rule breakers. Yeah, I know Henry Ford with his moving

0:29:14.080 --> 0:29:19.560
<v Speaker 3>assembly line and the welfare capitalism. The Wright brothers with

0:29:19.720 --> 0:29:23.440
<v Speaker 3>their fixed wing aircraft are a couple of examples of that,

0:29:23.560 --> 0:29:26.520
<v Speaker 3>where you know, sometimes you need to bend rules. Now

0:29:27.560 --> 0:29:33.840
<v Speaker 3>there are gray areas, what the astros.

0:29:32.120 --> 0:29:35.160
<v Speaker 1>Did is not a gray area. They're dirty dolls, dirty

0:29:35.200 --> 0:29:36.640
<v Speaker 1>dirty dort dorty dolls.

0:29:36.760 --> 0:29:39.640
<v Speaker 3>So the phrase of the week again, rules are made

0:29:39.680 --> 0:29:42.920
<v Speaker 3>to be broken, which the modern usage is credited to

0:29:43.000 --> 0:29:47.040
<v Speaker 3>General Douglas MacArthur. However, it goes way back before that,

0:29:47.680 --> 0:29:53.880
<v Speaker 3>way back. There's no one person that is being credited

0:29:53.920 --> 0:29:56.720
<v Speaker 3>because it goes a million.

0:29:56.440 --> 0:29:58.240
<v Speaker 1>Years back in time. All right, we'll get out on that.

0:29:58.640 --> 0:30:03.040
<v Speaker 3>Have a wonderful st enjoy whatever you're up to today

0:30:03.280 --> 0:30:06.800
<v Speaker 3>and Daniel joined me for the Mailbag on Sunday on

0:30:06.960 --> 0:30:10.800
<v Speaker 3>that edition of the podcast, Have a Wonderful Saturday to

0:30:10.840 --> 0:30:11.600
<v Speaker 3>be part of God.

0:30:11.600 --> 0:30:16.800
<v Speaker 1>What's it been about the Wizard about Folation