1 00:00:00,400 --> 00:00:02,400 Speaker 1: The guys from paying They've kind of showed me how 2 00:00:02,480 --> 00:00:03,880 Speaker 1: much the equipment matters. 3 00:00:04,160 --> 00:00:06,000 Speaker 2: I just love that I can hit any shot I 4 00:00:06,080 --> 00:00:06,600 Speaker 2: kind of want. 5 00:00:06,720 --> 00:00:08,520 Speaker 3: We're gonna be able to tell some fun stories about 6 00:00:08,520 --> 00:00:10,640 Speaker 3: what goes on here to help golfers play better golf. 7 00:00:11,240 --> 00:00:14,000 Speaker 1: Welcome back to the Ping Proving Grounds Podcast. If you're 8 00:00:14,040 --> 00:00:17,000 Speaker 1: not watching this on YouTube, you might need to change that. 9 00:00:17,079 --> 00:00:19,279 Speaker 1: We are in one of the coolest rooms in all 10 00:00:19,320 --> 00:00:21,680 Speaker 1: of golf. Shane Bacon with Marty Jertsen. We were kind 11 00:00:21,680 --> 00:00:25,280 Speaker 1: of going over the coolest rooms in the entire sport. 12 00:00:25,560 --> 00:00:28,720 Speaker 1: You think about champions locker room. There's probably some historical 13 00:00:28,800 --> 00:00:30,680 Speaker 1: room in the RNA that I don't know about. The 14 00:00:30,720 --> 00:00:34,199 Speaker 1: tap room at Pebble Beach, Arnie's office, and then the 15 00:00:34,320 --> 00:00:37,440 Speaker 1: vault room, the Ping Vault putter room that we're in 16 00:00:37,560 --> 00:00:39,440 Speaker 1: right now. And I mean, you want to see gold 17 00:00:39,479 --> 00:00:41,279 Speaker 1: and you want to see success, this is it. 18 00:00:41,400 --> 00:00:44,160 Speaker 3: Yeah, this is an amazing place and it never gets 19 00:00:44,159 --> 00:00:47,160 Speaker 3: old coming in here. And there's the story behind every 20 00:00:47,159 --> 00:00:50,440 Speaker 3: single one of these putters is quite phenomenal. 21 00:00:50,159 --> 00:00:52,840 Speaker 1: Not just the story of how they did to win 22 00:00:53,080 --> 00:00:56,280 Speaker 1: either the golf tournament they did the US Amateur Major, championships. 23 00:00:56,320 --> 00:00:57,080 Speaker 2: There's some clubs in here. 24 00:00:57,080 --> 00:01:00,000 Speaker 1: You see Louz Tazan's four irony hitd at the Masters, 25 00:01:00,240 --> 00:01:02,960 Speaker 1: Watson the fifty two degree famously that he hooked obviously 26 00:01:03,240 --> 00:01:05,240 Speaker 1: in that playoff. But you know, I mean, I mean 27 00:01:05,280 --> 00:01:08,520 Speaker 1: there are stories about the technology that goes into these putters, 28 00:01:08,520 --> 00:01:11,880 Speaker 1: and as we talk about proving Grounds, this is basically 29 00:01:11,880 --> 00:01:14,440 Speaker 1: the success story, right, this is the end all be 30 00:01:14,560 --> 00:01:17,120 Speaker 1: all from when things started to when they ended here. 31 00:01:17,360 --> 00:01:19,560 Speaker 3: Yeah, this is what all the players are out to do. 32 00:01:19,600 --> 00:01:23,680 Speaker 3: They're out to win, and especially the major championships. That's 33 00:01:23,760 --> 00:01:26,000 Speaker 3: quite fun to look at those. And that's what we're 34 00:01:26,040 --> 00:01:29,520 Speaker 3: doing at the proving Grounds. We're working on technology, engineering, 35 00:01:29,560 --> 00:01:32,880 Speaker 3: design fitting to help players get in the vault. 36 00:01:33,040 --> 00:01:35,120 Speaker 2: Yeah. I love the story of the gold putter. If 37 00:01:35,160 --> 00:01:35,600 Speaker 2: you never heard it. 38 00:01:35,680 --> 00:01:38,080 Speaker 1: Carson Solheim was trying to get creative and how to 39 00:01:38,120 --> 00:01:40,800 Speaker 1: send things to players that won golf tournaments that were 40 00:01:40,840 --> 00:01:42,760 Speaker 1: using a ping putter, and back in the day, I mean, 41 00:01:42,760 --> 00:01:44,640 Speaker 1: you get a one hundred dollars two hundred dollar check, 42 00:01:44,680 --> 00:01:46,880 Speaker 1: and he said, why not send something more creative, and 43 00:01:46,920 --> 00:01:48,760 Speaker 1: so he sent a gold putter and kept the gold putter, 44 00:01:48,800 --> 00:01:51,240 Speaker 1: and those cold putters went from his closet to a 45 00:01:51,280 --> 00:01:53,360 Speaker 1: bigger room, to a bigger room and now obviously ended 46 00:01:53,400 --> 00:01:56,520 Speaker 1: this vault in a much celebrated room in golf and 47 00:01:56,560 --> 00:01:57,560 Speaker 1: both in ping history. 48 00:01:57,960 --> 00:01:59,680 Speaker 3: Yeah, I think it's fun to come in here and 49 00:02:00,480 --> 00:02:03,360 Speaker 3: pick out your favorite putter, your favorite experience things made, the. 50 00:02:03,400 --> 00:02:06,960 Speaker 2: Weirdest putter, the weirdest putter that's in looks. Yeah, there's some. 51 00:02:07,040 --> 00:02:09,200 Speaker 3: There's some prototypes in here, for sure. We would just 52 00:02:09,200 --> 00:02:12,080 Speaker 3: take a look at some big aluminum putters and prototypes. 53 00:02:12,080 --> 00:02:14,440 Speaker 3: And you know, Lee Westwood is a fun one because 54 00:02:14,480 --> 00:02:18,520 Speaker 3: he has I think over fifty putters and seventeen different models. 55 00:02:18,919 --> 00:02:20,520 Speaker 3: So you know, it was fun to come in here 56 00:02:20,560 --> 00:02:22,280 Speaker 3: with him. One time he got all his putters out 57 00:02:22,320 --> 00:02:24,119 Speaker 3: and you can see how much he's switch putters over there. 58 00:02:24,240 --> 00:02:26,480 Speaker 1: Yeah, you're telling me a story about not just him 59 00:02:26,520 --> 00:02:28,400 Speaker 1: pulling the putters out and looking at him, but actually 60 00:02:28,440 --> 00:02:30,720 Speaker 1: asking for a cast of one of the gold putters 61 00:02:30,840 --> 00:02:32,280 Speaker 1: that he could go back and use again. 62 00:02:32,480 --> 00:02:35,520 Speaker 3: Yeah, we we used we used a putter because he 63 00:02:35,600 --> 00:02:37,360 Speaker 3: was in the lab, he was working on his putting 64 00:02:37,360 --> 00:02:39,800 Speaker 3: technique and his hands got kind of low and where 65 00:02:39,800 --> 00:02:42,560 Speaker 3: he was gripping it, it got too much in the fingers. 66 00:02:42,600 --> 00:02:44,120 Speaker 3: He was getting a little too risty. He was like, oh, 67 00:02:44,160 --> 00:02:46,560 Speaker 3: I remember, you know, I want to get more set 68 00:02:46,639 --> 00:02:48,840 Speaker 3: up like I did back in you know, the early 69 00:02:48,880 --> 00:02:51,000 Speaker 3: two thousands. So we went into the vault. We grabbed 70 00:02:51,000 --> 00:02:53,160 Speaker 3: a couple of his putters that he won with and 71 00:02:53,240 --> 00:02:55,680 Speaker 3: they're built to the exact same loft and lie with 72 00:02:55,760 --> 00:02:58,239 Speaker 3: the exact same grip that he used. And sure enough, 73 00:02:58,280 --> 00:03:00,959 Speaker 3: he got more comfortable, stood a little taller change where 74 00:03:00,960 --> 00:03:02,640 Speaker 3: his grip was, and we ended up building a putter 75 00:03:02,720 --> 00:03:05,079 Speaker 3: for him that year that was based off when he 76 00:03:05,120 --> 00:03:07,520 Speaker 3: won with, based on what he won, So we used it. 77 00:03:07,639 --> 00:03:10,320 Speaker 1: Yeah, history, history plays Before we kind of get into 78 00:03:10,320 --> 00:03:12,400 Speaker 1: the crux of the conversation today. I wanted to bring 79 00:03:12,480 --> 00:03:13,799 Speaker 1: up a very golfy thing to you. We were just 80 00:03:13,840 --> 00:03:16,480 Speaker 1: talking about this a moment ago. It's about practice rounds. 81 00:03:16,480 --> 00:03:18,360 Speaker 1: Now you play a lot of tournament golf. Yeah, you 82 00:03:18,400 --> 00:03:20,560 Speaker 1: play a lot of tournament golf in Arizona. Are you 83 00:03:20,639 --> 00:03:22,160 Speaker 1: pro practice around or anti practice? 84 00:03:22,600 --> 00:03:24,560 Speaker 3: If I've played the course, and I know the course 85 00:03:24,639 --> 00:03:27,840 Speaker 3: and Arizona courses, I've played them all, as you've played 86 00:03:27,840 --> 00:03:31,520 Speaker 3: a lot of them. To Shane, I skip, I skip them. 87 00:03:31,560 --> 00:03:34,400 Speaker 3: I'd rather go do some block practice and work in 88 00:03:34,480 --> 00:03:36,680 Speaker 3: my home course as long as I know the course right. 89 00:03:36,720 --> 00:03:39,000 Speaker 3: If it's a new place I don't know it, then 90 00:03:39,000 --> 00:03:40,000 Speaker 3: you need to go do your homework. 91 00:03:40,040 --> 00:03:42,000 Speaker 1: See I'm I'm the opposite of that. I just don't 92 00:03:42,040 --> 00:03:44,040 Speaker 1: do practice rounds anymore at all. It just costs me, 93 00:03:44,280 --> 00:03:46,240 Speaker 1: you know what, I'm two strokes behind the field to start. 94 00:03:46,240 --> 00:03:47,400 Speaker 1: It's like the Tour Championship. 95 00:03:47,480 --> 00:03:49,360 Speaker 3: I tell you what Google Earth can do you a 96 00:03:49,360 --> 00:03:51,040 Speaker 3: lot of good when it comes to a practice round. 97 00:03:51,720 --> 00:03:54,840 Speaker 1: So as we're looking at as I said, the success stories, 98 00:03:54,880 --> 00:03:57,160 Speaker 1: I mean, these are putters that won golf tournaments and 99 00:03:57,200 --> 00:04:02,120 Speaker 1: this is from concept to players to winning to now 100 00:04:02,240 --> 00:04:04,040 Speaker 1: you're forever in the history books in one of the 101 00:04:04,120 --> 00:04:07,040 Speaker 1: more cool rooms in all of golf. How does a 102 00:04:07,120 --> 00:04:11,080 Speaker 1: product go from I have an idea to this room. 103 00:04:11,480 --> 00:04:14,680 Speaker 3: Yeah, it's a great question. I mean that whole product 104 00:04:14,720 --> 00:04:18,400 Speaker 3: development process is pretty fun, Shane. And you know it 105 00:04:18,400 --> 00:04:20,960 Speaker 3: starts with an idea. That idea can come from anywhere. 106 00:04:21,040 --> 00:04:24,800 Speaker 3: It could come from you saw something in another industry, 107 00:04:25,000 --> 00:04:27,840 Speaker 3: it could come from you know, kind of an inspiration 108 00:04:27,920 --> 00:04:30,840 Speaker 3: you have on your own individual level, an idea from 109 00:04:30,880 --> 00:04:35,000 Speaker 3: another sport. I think whenever I think about innovations and 110 00:04:35,000 --> 00:04:37,600 Speaker 3: how product comes to be. I think the turbulators is 111 00:04:37,640 --> 00:04:41,000 Speaker 3: a really fun good example. Right, we saw in another 112 00:04:41,080 --> 00:04:44,559 Speaker 3: sport on a helmet these little ridges on the edge 113 00:04:44,600 --> 00:04:48,160 Speaker 3: that gave a little advantage aerodynamic advantage, and that kind 114 00:04:48,160 --> 00:04:50,760 Speaker 3: of sparked an idea, Hey, maybe we can apply that 115 00:04:50,800 --> 00:04:54,000 Speaker 3: principle to golf clubs. But from that seeing that idea 116 00:04:54,120 --> 00:04:57,400 Speaker 3: to bringing it to market is quite a complex process. 117 00:04:57,480 --> 00:04:57,680 Speaker 2: Right. 118 00:04:58,160 --> 00:05:00,120 Speaker 3: You kind of have this what we call a phase one, 119 00:05:00,160 --> 00:05:04,000 Speaker 3: which is making one prototype test the concept. So the 120 00:05:04,120 --> 00:05:07,560 Speaker 3: very first version of turbulators was just welding on little 121 00:05:07,640 --> 00:05:11,160 Speaker 3: ridges to the end, taking it out on track man 122 00:05:11,240 --> 00:05:13,200 Speaker 3: and in a launchmar did it speed up the driver? 123 00:05:13,320 --> 00:05:15,799 Speaker 3: Not yes or no. It didn't look good. It was ugly. 124 00:05:15,880 --> 00:05:19,360 Speaker 3: It was a crude prototype. But from there it's like, hey, yeah, 125 00:05:19,360 --> 00:05:21,280 Speaker 3: it looks like there's something to it. Let's go a 126 00:05:21,320 --> 00:05:24,440 Speaker 3: little deeper, let's do some wind tunnel testing. And then 127 00:05:24,520 --> 00:05:26,560 Speaker 3: once you get there, that's not the end of it, 128 00:05:26,600 --> 00:05:28,480 Speaker 3: because then you have to figure out how to ramp 129 00:05:28,480 --> 00:05:30,479 Speaker 3: it up into production. You have to figure out how 130 00:05:31,000 --> 00:05:35,320 Speaker 3: do you manufacture it? So that's its own level of 131 00:05:35,400 --> 00:05:37,080 Speaker 3: R and D. Right, A lot of times you can 132 00:05:37,160 --> 00:05:40,839 Speaker 3: have an idea a technology. It's kind of quote unquote 133 00:05:40,839 --> 00:05:44,280 Speaker 3: easy to design, but the manufacturing is the hardest part. 134 00:05:44,440 --> 00:05:46,560 Speaker 3: So each one of those steps along the way is 135 00:05:46,640 --> 00:05:47,320 Speaker 3: quite rigorous. 136 00:05:47,400 --> 00:05:49,760 Speaker 1: I mean, are you you see a helmet? Because I 137 00:05:49,760 --> 00:05:52,480 Speaker 1: think the turbulators is a great starting point here, because 138 00:05:52,520 --> 00:05:54,599 Speaker 1: you know, you're thinking about a driver that had always 139 00:05:54,640 --> 00:05:57,000 Speaker 1: been flat on top, the crown had been flat, and 140 00:05:57,040 --> 00:05:58,599 Speaker 1: all of a sudden, you've got these bumps on top. 141 00:05:58,640 --> 00:06:00,680 Speaker 1: You know, you have to explain that story to people 142 00:06:00,680 --> 00:06:02,440 Speaker 1: for them to kind of buy in. I mean, you know, 143 00:06:02,440 --> 00:06:04,080 Speaker 1: people don't like change, and they don't like anything that 144 00:06:04,120 --> 00:06:07,360 Speaker 1: looks a little bit different. So are you drawing this out? 145 00:06:07,680 --> 00:06:10,240 Speaker 1: I mean, how are you putting a prototype together that 146 00:06:10,279 --> 00:06:11,800 Speaker 1: has these little ridges on top of a driver? 147 00:06:11,960 --> 00:06:13,719 Speaker 3: Yeah, there's a couple ways. I think we're doing more 148 00:06:13,760 --> 00:06:15,760 Speaker 3: and more virtually now. But at that point in time, 149 00:06:15,800 --> 00:06:18,840 Speaker 3: we literally just welded little titanium strips on there, right, 150 00:06:18,880 --> 00:06:21,400 Speaker 3: So we want to make a physical prototype. But now 151 00:06:21,440 --> 00:06:24,279 Speaker 3: we're fortunately we're doing a lot more virtually. So we 152 00:06:24,320 --> 00:06:26,320 Speaker 3: can go to the computer. We go into our CAD system, 153 00:06:26,320 --> 00:06:29,360 Speaker 3: which is computer and a design three D system, and 154 00:06:29,400 --> 00:06:31,320 Speaker 3: we can just draw little ridges on there and we 155 00:06:31,520 --> 00:06:34,799 Speaker 3: actually can now are so advanced. We have a software 156 00:06:34,839 --> 00:06:37,279 Speaker 3: called computational fluid dynamics. 157 00:06:37,400 --> 00:06:41,359 Speaker 4: It doesn't come like computer when I see CFD software, 158 00:06:41,400 --> 00:06:43,479 Speaker 4: but this is like a virtual wind tunnel, right, so, 159 00:06:43,480 --> 00:06:46,080 Speaker 4: and then we can throw air at it and see 160 00:06:46,080 --> 00:06:47,719 Speaker 4: what's going on words it's separating. 161 00:06:48,040 --> 00:06:50,480 Speaker 3: We can do a lot of virtual experiments. What that does. 162 00:06:50,760 --> 00:06:53,960 Speaker 3: It allows us to make turbulators of different heights, different angles, 163 00:06:54,000 --> 00:06:56,240 Speaker 3: different numbers of them, and we can run a lot 164 00:06:56,240 --> 00:06:59,440 Speaker 3: of virtual experiments quickly. Then we validate it with a 165 00:06:59,440 --> 00:07:00,440 Speaker 3: physical time. 166 00:07:00,600 --> 00:07:02,800 Speaker 1: How long is that process? I mean you're starting from 167 00:07:02,880 --> 00:07:05,560 Speaker 1: I saw a helmet with bumps on top too. I 168 00:07:05,680 --> 00:07:07,200 Speaker 1: now have what was the first one? 169 00:07:07,240 --> 00:07:08,640 Speaker 2: The G thirty G thirty driver? 170 00:07:08,760 --> 00:07:11,280 Speaker 3: I mean there was. It was a good three years, okay, right, 171 00:07:11,320 --> 00:07:14,520 Speaker 3: if each each step along the way is pretty rigorous. 172 00:07:14,560 --> 00:07:16,960 Speaker 3: And if we made a mistake on the turbulators and 173 00:07:17,120 --> 00:07:20,640 Speaker 3: designed them, you know, fifty thousands of an inch too 174 00:07:20,680 --> 00:07:23,760 Speaker 3: short or too big, you can go from helping the 175 00:07:23,800 --> 00:07:27,000 Speaker 3: aerodynamics to hurting it. That's how precise you need it. 176 00:07:27,120 --> 00:07:29,200 Speaker 3: You need to be with you know, with a design 177 00:07:29,400 --> 00:07:29,840 Speaker 3: like that. 178 00:07:29,960 --> 00:07:33,800 Speaker 1: So over three years, are you talking one hundred two 179 00:07:33,920 --> 00:07:37,240 Speaker 1: hundred three hundred different prototypes that you maybe have messed with, 180 00:07:37,280 --> 00:07:39,520 Speaker 1: even if it's on the computer, to get to the 181 00:07:39,560 --> 00:07:40,960 Speaker 1: one that you know will work. 182 00:07:40,720 --> 00:07:41,880 Speaker 2: For what you're trying to accomplish. 183 00:07:41,960 --> 00:07:44,360 Speaker 3: Yeah, the computer simulations you can do a very high 184 00:07:44,440 --> 00:07:46,280 Speaker 3: number of iterations. You want to be a little more 185 00:07:46,440 --> 00:07:48,720 Speaker 3: cautious on that making physical protepes because it takes all 186 00:07:48,840 --> 00:07:50,360 Speaker 3: you know, there's a lot of time and expense going 187 00:07:50,360 --> 00:07:52,880 Speaker 3: into it, so we try to narrow it down in simulations. 188 00:07:53,480 --> 00:07:56,440 Speaker 3: Then we went, for example, we made we toured our 189 00:07:56,480 --> 00:07:58,840 Speaker 3: machine shop right where we can we have a lot 190 00:07:58,880 --> 00:08:01,040 Speaker 3: of C and C milling machines. We made a solid 191 00:08:01,040 --> 00:08:04,000 Speaker 3: aluminum driver that had a bunch of inserts in it 192 00:08:04,080 --> 00:08:06,720 Speaker 3: with turbulators of all different shapes and sizes. We took 193 00:08:06,760 --> 00:08:10,320 Speaker 3: it to the wind tunnel and in a very controlled 194 00:08:10,360 --> 00:08:13,400 Speaker 3: experiment and we popped in all these different variations of 195 00:08:13,440 --> 00:08:15,720 Speaker 3: turbulators and we got and then we took data on it, 196 00:08:16,120 --> 00:08:18,200 Speaker 3: and that that gave us the rules that we can 197 00:08:18,240 --> 00:08:20,440 Speaker 3: play by, right, and then we need to make them 198 00:08:20,480 --> 00:08:21,120 Speaker 3: look good too. 199 00:08:21,520 --> 00:08:24,040 Speaker 1: That was my next question is just aesthetically because again, 200 00:08:24,120 --> 00:08:26,720 Speaker 1: I mean, as we joked a moment ago, there are 201 00:08:26,720 --> 00:08:28,520 Speaker 1: some different looking putters in here. I mean there's some 202 00:08:28,560 --> 00:08:31,160 Speaker 1: putters that you would never in theory think would be 203 00:08:31,160 --> 00:08:33,320 Speaker 1: efficient or would work well. And then there's obviously plenty 204 00:08:33,360 --> 00:08:36,200 Speaker 1: of traditional looking putters in the vault as well. When 205 00:08:36,240 --> 00:08:39,640 Speaker 1: you go, you know, kind of on the extreme, how 206 00:08:39,760 --> 00:08:41,559 Speaker 1: much does the aesthetics play in into it? Because you 207 00:08:41,600 --> 00:08:43,280 Speaker 1: still got to you guys all got people interested in 208 00:08:43,360 --> 00:08:44,000 Speaker 1: buying the product. 209 00:08:44,040 --> 00:08:46,640 Speaker 3: Yeah, absolutely, you want to make it inspirational. So a 210 00:08:46,640 --> 00:08:49,000 Speaker 3: lot of times that is our challenge is is uh, 211 00:08:49,200 --> 00:08:52,240 Speaker 3: it's it's that marriage of art and science, right, And 212 00:08:52,280 --> 00:08:55,400 Speaker 3: that's what beautiful golf clubs that work good are right 213 00:08:55,520 --> 00:08:57,600 Speaker 3: is you don't have to sacrifice one for the other. 214 00:08:57,760 --> 00:08:59,960 Speaker 3: You could stand at the intersection of both of those things. 215 00:09:00,320 --> 00:09:03,400 Speaker 1: What concept that is now a product? Was the hardest 216 00:09:03,440 --> 00:09:05,800 Speaker 1: to get pushed through that you were working on or 217 00:09:05,800 --> 00:09:07,079 Speaker 1: that you worked in and around? 218 00:09:08,559 --> 00:09:11,600 Speaker 3: Oh, that's a good question. I think each of the 219 00:09:11,640 --> 00:09:14,960 Speaker 3: technologies has had different levels of challenges. Some of them 220 00:09:15,080 --> 00:09:18,720 Speaker 3: have you know, kind of USG conformance challenges that you're 221 00:09:19,320 --> 00:09:22,679 Speaker 3: you're kind of working on. Some of them have manufacturing challenge, 222 00:09:23,040 --> 00:09:26,640 Speaker 3: some of them have durability challenges. I mean even I 223 00:09:26,679 --> 00:09:30,200 Speaker 3: think back to even just putting a matte the matte 224 00:09:30,200 --> 00:09:32,480 Speaker 3: black finish on our driver, right, we kind of that's 225 00:09:32,480 --> 00:09:34,840 Speaker 3: when you saw cars on the road. That is cool. 226 00:09:34,880 --> 00:09:36,520 Speaker 3: Matt finished, Hey, I want to do that on a driver. 227 00:09:37,520 --> 00:09:38,080 Speaker 2: Wh that came from? 228 00:09:38,240 --> 00:09:38,360 Speaker 3: It? 229 00:09:38,520 --> 00:09:39,520 Speaker 2: Is it driving my vehicle? 230 00:09:39,600 --> 00:09:41,240 Speaker 3: That's where it came from. And I got kind of 231 00:09:41,240 --> 00:09:43,360 Speaker 3: a fun story on that. I was playing in the 232 00:09:43,400 --> 00:09:46,080 Speaker 3: PGA Championship. I was playing in a practice round and 233 00:09:46,120 --> 00:09:49,960 Speaker 3: we hadn't launched it yet. This was Atlanta Athletic Club, 234 00:09:50,000 --> 00:09:53,520 Speaker 3: I think twenty eleven PGA Championship, and I was playing 235 00:09:53,559 --> 00:09:56,680 Speaker 3: a practice round with Miguel Jmenez and we had shown 236 00:09:56,760 --> 00:09:59,800 Speaker 3: him I think our I twenty driver or some is 237 00:09:59,800 --> 00:10:02,320 Speaker 3: a prototype at that time, and he was like, Hey, 238 00:10:02,360 --> 00:10:04,520 Speaker 3: that's going to be good. When you're about to tee off. 239 00:10:04,559 --> 00:10:07,240 Speaker 3: One of the problems you're faced with is is the 240 00:10:07,280 --> 00:10:09,839 Speaker 3: crowd starts to get quiet, and the marshals raise the 241 00:10:09,920 --> 00:10:12,200 Speaker 3: quiet sign, and sometimes you can see it in the 242 00:10:12,240 --> 00:10:15,440 Speaker 3: reflection of your driver. So I'm literally playing with him 243 00:10:15,520 --> 00:10:17,880 Speaker 3: a month later and I'm in a practice round with 244 00:10:18,000 --> 00:10:19,880 Speaker 3: him and we're about to tee off, and I remember 245 00:10:19,880 --> 00:10:22,120 Speaker 3: it got really quiet. There's a handful of people around, 246 00:10:22,360 --> 00:10:24,600 Speaker 3: and then the Marshall goes like this and write them 247 00:10:24,600 --> 00:10:28,680 Speaker 3: my glossy g G G twenty driver. At the time, 248 00:10:28,720 --> 00:10:28,960 Speaker 3: I was. 249 00:10:28,960 --> 00:10:30,079 Speaker 2: Like, that's it. 250 00:10:30,160 --> 00:10:32,760 Speaker 3: That's the pain point we're solving with the map. Finish here, 251 00:10:32,800 --> 00:10:34,160 Speaker 3: like he told me it was gonna happen. 252 00:10:34,679 --> 00:10:37,160 Speaker 1: You know, it doesn't feel like to me that peeing 253 00:10:37,200 --> 00:10:40,520 Speaker 1: is necessarily on a timeline in terms of new clubs. 254 00:10:40,880 --> 00:10:43,560 Speaker 1: So what does a new club have to show to 255 00:10:43,679 --> 00:10:46,760 Speaker 1: you guys and to players and to your professionals to 256 00:10:46,800 --> 00:10:49,160 Speaker 1: get pushed through and then to be introduced to the public. 257 00:10:49,440 --> 00:10:52,560 Speaker 3: Yeah, it's a great question. So yeah, we, as you know, Shane, 258 00:10:52,559 --> 00:10:55,920 Speaker 3: we set pretty aggressive goals for ourselves that every time 259 00:10:55,960 --> 00:10:57,840 Speaker 3: we come out with the product, it has to be 260 00:10:58,120 --> 00:11:00,679 Speaker 3: meaningfully better than its predecess And. 261 00:11:00,760 --> 00:11:03,280 Speaker 1: Is that quantified in terms of numbers being meaningful because 262 00:11:03,280 --> 00:11:05,280 Speaker 1: you know, I mean meaningful. I guess to any golfer 263 00:11:05,280 --> 00:11:06,520 Speaker 1: could be picking up two or three yards. 264 00:11:06,559 --> 00:11:08,600 Speaker 3: Yeah, right, what's the definition of that? So we'll set 265 00:11:08,600 --> 00:11:10,839 Speaker 3: design goals. Hey, you know, G four to thirty driver. 266 00:11:10,880 --> 00:11:13,800 Speaker 3: We want to have x percent x you know, miles 267 00:11:13,800 --> 00:11:16,160 Speaker 3: an hour higher ball speed. We want to improve the 268 00:11:16,160 --> 00:11:18,480 Speaker 3: spin consistency a certain amount, or it could be an 269 00:11:18,520 --> 00:11:22,319 Speaker 3: acoustics thing. You know, we need to get a perception 270 00:11:22,520 --> 00:11:25,320 Speaker 3: rating that our players love the sound of our driver 271 00:11:26,280 --> 00:11:28,720 Speaker 3: substantially better than it's processor, right, and that could be 272 00:11:28,760 --> 00:11:31,480 Speaker 3: a goal for us from an acoustics standpoint. 273 00:11:31,559 --> 00:11:33,199 Speaker 1: Yeah, make it sound better, make it look better, and 274 00:11:33,200 --> 00:11:36,080 Speaker 1: obviously make it perform better. I've always been interested in testing, 275 00:11:36,120 --> 00:11:38,360 Speaker 1: and by testing, I mean using the players that you 276 00:11:38,440 --> 00:11:41,319 Speaker 1: might have on staff. How much in terms of testing 277 00:11:41,360 --> 00:11:44,080 Speaker 1: something new, especially something big that you know is are 278 00:11:44,080 --> 00:11:46,080 Speaker 1: going to really blow up the industry, how much do 279 00:11:46,120 --> 00:11:49,440 Speaker 1: you lean on professional golfers and people on your staff 280 00:11:49,640 --> 00:11:51,360 Speaker 1: to test it out, try it out and get feedback 281 00:11:51,360 --> 00:11:51,679 Speaker 1: from them. 282 00:11:51,800 --> 00:11:53,840 Speaker 3: Yeah, quite a bit, especially as we're getting right down 283 00:11:53,840 --> 00:11:55,680 Speaker 3: to the finish line of the product, right, and we 284 00:11:55,720 --> 00:11:57,400 Speaker 3: want to make sure it is going to be meaningfully 285 00:11:57,400 --> 00:12:00,559 Speaker 3: better for them, right, So we bring them in before 286 00:12:00,559 --> 00:12:02,959 Speaker 3: we launch the product. You know, quite often we're doing 287 00:12:02,960 --> 00:12:06,080 Speaker 3: it literally here at the proving grounds. It's kind of 288 00:12:06,080 --> 00:12:07,920 Speaker 3: living up to its name there to stress tests that 289 00:12:08,040 --> 00:12:10,360 Speaker 3: make sure it's solving the right problems for them. We've 290 00:12:10,360 --> 00:12:12,640 Speaker 3: done our due diligence in the design process. We have 291 00:12:12,679 --> 00:12:15,840 Speaker 3: a lot of good, good player employees here. But ultimately, 292 00:12:15,920 --> 00:12:18,360 Speaker 3: I mean especially if it's a you know, blade iron 293 00:12:18,520 --> 00:12:21,600 Speaker 3: or blueprint iron, something like that. We get the tour 294 00:12:21,679 --> 00:12:25,920 Speaker 3: players directly involved in the in the final development of it. 295 00:12:25,960 --> 00:12:28,720 Speaker 3: I mean, something like the blueprint iron. We partnered right 296 00:12:28,800 --> 00:12:31,480 Speaker 3: up with the tour players doing during the entire design 297 00:12:31,520 --> 00:12:35,120 Speaker 3: process to make sure we're optimizing the size, the blade length, 298 00:12:35,120 --> 00:12:39,199 Speaker 3: the look every you know, the turf interaction, the acoustics, 299 00:12:39,200 --> 00:12:40,040 Speaker 3: everything of that nature. 300 00:12:40,080 --> 00:12:43,360 Speaker 1: And you're taking the information so like a Tony Finow says, 301 00:12:43,679 --> 00:12:46,160 Speaker 1: you know, the top line could be adjusted here or there. 302 00:12:46,440 --> 00:12:48,760 Speaker 1: How much of that feedback are you actually taking in 303 00:12:49,000 --> 00:12:50,160 Speaker 1: and changing the equipment. 304 00:12:50,240 --> 00:12:53,000 Speaker 3: Yeah, for an eye, for an iron that's specifically designed 305 00:12:53,080 --> 00:12:55,200 Speaker 3: for the best players in the world. A ton. I 306 00:12:55,200 --> 00:12:58,559 Speaker 3: mean we're we're driving the designs directly off of them. 307 00:12:58,640 --> 00:13:02,280 Speaker 3: I mean, I even remember we did the Eye I 308 00:13:02,480 --> 00:13:04,719 Speaker 3: ten iron. We work with christ de Marco a lot 309 00:13:04,760 --> 00:13:07,280 Speaker 3: on that iron, right, We shape things and shape the 310 00:13:07,320 --> 00:13:10,120 Speaker 3: top rail, and he was one of the main main 311 00:13:10,200 --> 00:13:12,800 Speaker 3: drivers on everything that came to be so our better 312 00:13:12,800 --> 00:13:14,160 Speaker 3: player irons we use them. A ton. 313 00:13:14,559 --> 00:13:19,199 Speaker 1: What's the biggest misconception that the general public has about 314 00:13:19,200 --> 00:13:21,400 Speaker 1: golf equipment? You know, maybe maybe they think one thing 315 00:13:21,440 --> 00:13:23,040 Speaker 1: and you guys know the opposite. 316 00:13:23,559 --> 00:13:25,480 Speaker 3: Yeah, I think I think it kind of goes back 317 00:13:25,520 --> 00:13:28,600 Speaker 3: to I think that the general public things that we're 318 00:13:28,600 --> 00:13:31,440 Speaker 3: making trade offs that are kind of zero sum, like, oh, 319 00:13:31,800 --> 00:13:34,679 Speaker 3: you know, I'm gonna play a more workable iron, therefore 320 00:13:34,679 --> 00:13:36,720 Speaker 3: it's gonna be less forgiving. I'm gonna play a lower 321 00:13:36,760 --> 00:13:39,120 Speaker 3: spinning driver, therefore it's not gonna go straight. 322 00:13:39,600 --> 00:13:39,800 Speaker 2: Right. 323 00:13:39,840 --> 00:13:41,680 Speaker 3: I think that's the biggest thing is that you can 324 00:13:41,760 --> 00:13:44,720 Speaker 3: get two positive things at the same time. We've proved that, right, 325 00:13:44,760 --> 00:13:47,400 Speaker 3: we have an LST driver. It's low spin and it 326 00:13:47,480 --> 00:13:50,959 Speaker 3: goes straight and it has high forgiveness, so we can 327 00:13:51,160 --> 00:13:53,560 Speaker 3: you can you can have two good things happen at 328 00:13:53,559 --> 00:13:54,080 Speaker 3: the same time. 329 00:13:54,679 --> 00:13:56,920 Speaker 1: I know everybody's different and every player is different, but 330 00:13:57,040 --> 00:14:00,440 Speaker 1: when you introduce new equipment to your professional golfers, how 331 00:14:00,480 --> 00:14:02,600 Speaker 1: many questions are they asking about it? Are there some 332 00:14:02,640 --> 00:14:04,880 Speaker 1: players that ask nothing? And is there some players that 333 00:14:04,920 --> 00:14:05,520 Speaker 1: ask everything? 334 00:14:05,600 --> 00:14:05,760 Speaker 2: Oh? 335 00:14:05,920 --> 00:14:08,000 Speaker 3: Man, that's a great one, Shane, because they're all over 336 00:14:08,040 --> 00:14:10,559 Speaker 3: the place. Okay, you have field players that don't want 337 00:14:10,600 --> 00:14:12,480 Speaker 3: to know the physics. They're all about the field. 338 00:14:12,720 --> 00:14:14,599 Speaker 1: So I mean they're professional golfers now that if you 339 00:14:14,640 --> 00:14:16,160 Speaker 1: send them a new driver, they're like cool. 340 00:14:16,160 --> 00:14:18,120 Speaker 2: Sweet, thanks, We know you guys rocked it. 341 00:14:18,200 --> 00:14:21,080 Speaker 3: Yeah, I mean nowadays almost everyone's using a launch monitor. 342 00:14:21,120 --> 00:14:23,040 Speaker 3: But even then, I mean some people are still going 343 00:14:23,040 --> 00:14:25,000 Speaker 3: by the feel and the flight a little bit, you know, 344 00:14:25,360 --> 00:14:28,200 Speaker 3: and then you'll have others they get they want to 345 00:14:28,240 --> 00:14:30,440 Speaker 3: know exactly what you change, why you change it, the 346 00:14:30,480 --> 00:14:33,600 Speaker 3: details of the specs, and they get very mechanical. So 347 00:14:33,720 --> 00:14:36,680 Speaker 3: there is a broad spectrum. I'm actually surprised that there's 348 00:14:36,720 --> 00:14:38,800 Speaker 3: that big of a spectrum out there on tour. 349 00:14:38,880 --> 00:14:40,760 Speaker 1: Which player have you worked with you mentioned Krista Marco. 350 00:14:40,800 --> 00:14:42,840 Speaker 1: Which player have you worked with over your years of 351 00:14:42,880 --> 00:14:46,760 Speaker 1: doing this that kind of understood the most about the 352 00:14:46,800 --> 00:14:47,960 Speaker 1: equipment they were playing? 353 00:14:48,640 --> 00:14:51,000 Speaker 3: Yeah, I think, I mean it comes to my mind 354 00:14:51,040 --> 00:14:54,200 Speaker 3: like Jeff Maggert, he got really into the details there. 355 00:14:54,880 --> 00:14:57,160 Speaker 3: I think Mark Wilson one that was one that got 356 00:14:57,200 --> 00:15:02,280 Speaker 3: really into the details of it. Let's see Daniel Summer Hayes. 357 00:15:02,440 --> 00:15:04,920 Speaker 3: I mean that guy got really into the nitty gritty 358 00:15:05,120 --> 00:15:07,280 Speaker 3: and then uh, you know, non staff player for us, 359 00:15:07,280 --> 00:15:09,760 Speaker 3: but Charles Howell he got he got into the physics 360 00:15:09,840 --> 00:15:10,800 Speaker 3: and and down to. 361 00:15:10,840 --> 00:15:13,760 Speaker 1: Just asking questions after question after question, just really wanted 362 00:15:13,800 --> 00:15:16,760 Speaker 1: to know every like micro inch of everything that was going. 363 00:15:16,640 --> 00:15:19,520 Speaker 3: On exactly crazy. Dan Daniel summer Hayes was a fun 364 00:15:19,520 --> 00:15:22,320 Speaker 3: one because we've we've done some real fun micro tweaking 365 00:15:22,400 --> 00:15:24,200 Speaker 3: with his equipment. He spent a lot of time in 366 00:15:24,240 --> 00:15:27,400 Speaker 3: our three D motion capture system really trying to when 367 00:15:27,440 --> 00:15:29,120 Speaker 3: you don't hit it far. I mean, one of the 368 00:15:29,120 --> 00:15:31,840 Speaker 3: biggest challenges you have to really squeeze out maximum performance 369 00:15:31,880 --> 00:15:32,720 Speaker 3: out of the rest of your game. 370 00:15:32,840 --> 00:15:35,440 Speaker 1: Have you ever not tweaked something until the player you 371 00:15:35,440 --> 00:15:35,800 Speaker 1: tweaked it? 372 00:15:35,840 --> 00:15:37,080 Speaker 2: Because I used to do this. I was Caddy and 373 00:15:37,120 --> 00:15:37,960 Speaker 2: you just lie about the numbers. 374 00:15:38,080 --> 00:15:40,480 Speaker 3: Oh yeah, I mean I think are our tour reps. 375 00:15:40,520 --> 00:15:42,160 Speaker 3: I mean they would have some stories about that we 376 00:15:42,240 --> 00:15:42,640 Speaker 3: can ask. 377 00:15:42,960 --> 00:15:45,440 Speaker 2: Yeah, it's it's a degree close. 378 00:15:45,720 --> 00:15:51,000 Speaker 1: Are fine? Which club driver? Fairway Woods, Irons, wedges, putters? 379 00:15:51,320 --> 00:15:53,160 Speaker 1: Which one takes the most time to create? 380 00:15:54,000 --> 00:15:56,800 Speaker 3: I mean, the driver's the most complex because you're pushing 381 00:15:56,800 --> 00:15:59,640 Speaker 3: the envelope. You're pushing the manufacturing envelope. You're pushing the 382 00:15:59,720 --> 00:16:03,840 Speaker 3: envelope on you know, performance and volume and ct and 383 00:16:04,200 --> 00:16:06,760 Speaker 3: and there's it's going to be the most measured as 384 00:16:06,840 --> 00:16:10,280 Speaker 3: everyone measures ball speed and forgiveness is straightness. So I 385 00:16:10,280 --> 00:16:13,440 Speaker 3: think the driver, you know, and you're pushing durability limits 386 00:16:13,520 --> 00:16:15,280 Speaker 3: has a last for all these young college kids that 387 00:16:15,280 --> 00:16:17,440 Speaker 3: are swinging one hundred and thirty miles an hour, you know, 388 00:16:17,520 --> 00:16:20,360 Speaker 3: So you're pushing on all these limits at the same time. 389 00:16:20,760 --> 00:16:23,400 Speaker 3: So the drivers is by far the most complex. 390 00:16:23,120 --> 00:16:25,360 Speaker 1: Marty, as we look around. You mentioned one of the 391 00:16:25,400 --> 00:16:28,440 Speaker 1: putters that you've designed goes on to win. What is 392 00:16:28,480 --> 00:16:31,240 Speaker 1: it like internally when you see a club find this 393 00:16:31,360 --> 00:16:32,160 Speaker 1: level of success. 394 00:16:32,760 --> 00:16:34,320 Speaker 3: Yeah, there's a lot of pride to it. And I 395 00:16:34,360 --> 00:16:37,280 Speaker 3: know all of us in engineering who've worked on product 396 00:16:37,280 --> 00:16:42,360 Speaker 3: designs or touched the process in any way, it take 397 00:16:42,440 --> 00:16:44,600 Speaker 3: tons of pride in it because we know the players 398 00:16:44,600 --> 00:16:46,680 Speaker 3: are this are livelihoods. I mean, this is what they're 399 00:16:46,720 --> 00:16:49,400 Speaker 3: working towards. And then we get they get out there 400 00:16:50,480 --> 00:16:52,840 Speaker 3: and get a victory with a product that we've either 401 00:16:52,880 --> 00:16:54,720 Speaker 3: personally worked on with a lot of blood, sweat and 402 00:16:54,720 --> 00:16:59,240 Speaker 3: tears ourselves, or touched in any fashion through that process, 403 00:16:59,800 --> 00:17:02,960 Speaker 3: we're always tuning into the tournaments and it's we celebrate 404 00:17:03,080 --> 00:17:06,080 Speaker 3: where there's always a celebration after one of our tour 405 00:17:06,119 --> 00:17:08,239 Speaker 3: players wins with the product that we've worked on. 406 00:17:08,359 --> 00:17:10,439 Speaker 1: Is there like a tally board somewhere where you can 407 00:17:10,480 --> 00:17:12,879 Speaker 1: go all right, that's five. That's five victories with my 408 00:17:13,000 --> 00:17:14,120 Speaker 1: driver with Irid. 409 00:17:14,880 --> 00:17:18,439 Speaker 3: There's some official and unofficial talent. It's taking place amongst 410 00:17:18,560 --> 00:17:19,399 Speaker 3: us in engineering. 411 00:17:19,560 --> 00:17:23,000 Speaker 2: All Right, I finished the exact I'm gonna win the cup. Yeah. 412 00:17:23,040 --> 00:17:25,240 Speaker 1: I mean it's gotta be such a cool feeling. Especially, 413 00:17:25,280 --> 00:17:27,399 Speaker 1: I mean you said your first club you design. I 414 00:17:27,400 --> 00:17:29,760 Speaker 1: mean you go into a golf shop and you're seeing 415 00:17:29,760 --> 00:17:31,679 Speaker 1: people take notice of it or pick it up or 416 00:17:31,720 --> 00:17:33,480 Speaker 1: hold it in your hands. This has got to be 417 00:17:33,520 --> 00:17:36,440 Speaker 1: such an elevated experience to actually see a driver with 418 00:17:36,520 --> 00:17:39,640 Speaker 1: third pladers on it. Yep, you know, on the PGA Tour, 419 00:17:39,680 --> 00:17:42,639 Speaker 1: on the LPGA Tour, winning golf tournaments and really hitting 420 00:17:42,640 --> 00:17:44,240 Speaker 1: your drive on the seventy second hold it finds the 421 00:17:44,240 --> 00:17:45,680 Speaker 1: fairway and goes three twenty five. 422 00:17:45,760 --> 00:17:46,400 Speaker 3: Yeah, exactly. 423 00:17:46,560 --> 00:17:46,800 Speaker 2: I mean. 424 00:17:46,840 --> 00:17:48,399 Speaker 3: One of the funnest ones I think I saw it 425 00:17:48,440 --> 00:17:51,600 Speaker 3: back here was Lee Westwood with the fetch putter. Now, 426 00:17:51,680 --> 00:17:53,680 Speaker 3: some people are kind of like laugh at the fetch putter, 427 00:17:53,760 --> 00:17:56,240 Speaker 3: but we designed it because there's a lot of folks 428 00:17:56,240 --> 00:17:57,919 Speaker 3: out there that have a hard time picking up their 429 00:17:57,960 --> 00:17:59,920 Speaker 3: ball out of the hole. There's a real friction points. 430 00:18:00,040 --> 00:18:01,040 Speaker 3: We designed that fetch putter. 431 00:18:01,119 --> 00:18:01,679 Speaker 2: He loved it. 432 00:18:01,920 --> 00:18:05,120 Speaker 3: Small face helped him concentrate, and he was leading the tournament. 433 00:18:05,119 --> 00:18:07,560 Speaker 3: I think it was in Dubai or Abu Dhabi, and 434 00:18:07,640 --> 00:18:09,320 Speaker 3: I actually sent him a message the night before, Hey, 435 00:18:09,359 --> 00:18:11,520 Speaker 3: if things go well, don't forget about that feature of 436 00:18:11,560 --> 00:18:14,000 Speaker 3: the fetch putter. He tapped in his putt on the 437 00:18:14,040 --> 00:18:17,120 Speaker 3: eighteenth pole, put the fetch putter right down the hole, 438 00:18:17,160 --> 00:18:19,800 Speaker 3: lifted up, raised it, and that was one of the 439 00:18:19,800 --> 00:18:20,720 Speaker 3: funnest moments. 440 00:18:20,920 --> 00:18:22,920 Speaker 1: I would say that if there's been a putter designed 441 00:18:22,960 --> 00:18:25,280 Speaker 1: by anybody at ping Lee, Westwood has used it and 442 00:18:25,280 --> 00:18:29,680 Speaker 1: potentially won with his walls mostly over herelier you see 443 00:18:29,720 --> 00:18:31,040 Speaker 1: just about ever design possible. 444 00:18:31,480 --> 00:18:35,520 Speaker 2: Marty, we're in the vault. Do you have a putter in. 445 00:18:35,440 --> 00:18:40,080 Speaker 3: The vault, Shane, Yes, I do. I have a putter 446 00:18:40,200 --> 00:18:44,359 Speaker 3: that I designed. God, that's crazy one. The jas Is 447 00:18:44,400 --> 00:18:47,000 Speaker 3: that the only one that's in here? Of the crazy one, yeah, 448 00:18:47,040 --> 00:18:48,840 Speaker 3: I think there's two. I think I saw another one. 449 00:18:48,880 --> 00:18:50,200 Speaker 3: We'll talk about a crazy putter. 450 00:18:50,359 --> 00:18:52,440 Speaker 1: I mean looking around this thing, and you talk about 451 00:18:52,480 --> 00:18:53,919 Speaker 1: total different designs. 452 00:18:55,160 --> 00:18:57,359 Speaker 3: That's actually the sister of one of our employees, so 453 00:18:57,840 --> 00:19:01,280 Speaker 3: Louise Freeberg. So yeah, her sister works here and and 454 00:19:01,359 --> 00:19:02,840 Speaker 3: so yeah, I don't have one yet. 455 00:19:03,040 --> 00:19:04,880 Speaker 1: I know we're gonna put it that, we're gonna get there. 456 00:19:05,119 --> 00:19:07,720 Speaker 1: I mean, this is, as I said, one of the coolest, 457 00:19:07,760 --> 00:19:10,600 Speaker 1: craziest rooms in golf. And as someone that's been here 458 00:19:10,640 --> 00:19:13,199 Speaker 1: for so long, I mean, you've got to feel you know, 459 00:19:13,320 --> 00:19:14,800 Speaker 1: you've got to feel honored to just be in here 460 00:19:14,840 --> 00:19:16,520 Speaker 1: and be able to see all the success that the 461 00:19:16,600 --> 00:19:19,159 Speaker 1: equipment that Ping has designed over the years, says has created. 462 00:19:19,280 --> 00:19:21,080 Speaker 3: Yeah, it is quite fun to kind of look around 463 00:19:21,119 --> 00:19:23,120 Speaker 3: and see the diversity of all the models and then 464 00:19:23,119 --> 00:19:25,520 Speaker 3: you have you know, I have some some players like 465 00:19:25,560 --> 00:19:27,760 Speaker 3: Sevy and Tom Watson, they have the same model in here, 466 00:19:27,800 --> 00:19:31,320 Speaker 3: but literally, yes, exactly, and that is. 467 00:19:31,240 --> 00:19:33,600 Speaker 1: Something you see same futterer, Saint Putter's same putter. It 468 00:19:33,640 --> 00:19:35,680 Speaker 1: is quite crazy. Well, I'm Shane Bacon. That is Marty 469 00:19:35,760 --> 00:19:38,240 Speaker 1: Jerts and this is the Ping Proving Grounds Podcast