WEBVTT - Across the Spider-Verse Mailbag + Spider-Man: India w/ Nikesh Shukla

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<v Speaker 1>Warning, this podcast contained spoilers for Spider Man Across the

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<v Speaker 1>Spider Verse in theaters now go see it, plus some

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<v Speaker 1>MCU Spider spoilers. Hello, my name is Jason can Stepsi

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<v Speaker 1>and I'm Rosy Night and welcome next Revision, the Crooked

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<v Speaker 1>Media podcast where we dive deep into your favorite shows, movies,

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<v Speaker 1>comics of pop culture.

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<v Speaker 2>In this episode, on the Airlock, it's a spider bag,

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<v Speaker 2>a spider male bag bag them and tag I'm the

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<v Speaker 2>Bombastic bag Man.

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<v Speaker 3>We're here.

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<v Speaker 2>We here to answer your spider questions. Omnibus, Jason's doing

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<v Speaker 2>a delightful deep dive discussing Spider Man twenty ninety nine,

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<v Speaker 2>and in the Hive Mind it's an interview with Nick

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<v Speaker 2>ash Shukla, the writer on the New Spider Man India comic.

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<v Speaker 2>So if you're a fan of pav In Across the

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<v Speaker 2>Spider Verse, make sure to listen to that one.

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<v Speaker 4>Coming up.

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<v Speaker 1>Your questions, Rosie, do you feel that it's our spider

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<v Speaker 1>sense is tingling and we're stepping out of the airlock

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<v Speaker 1>to some very very dangerous Spider Man themed mailbag questions

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<v Speaker 1>straight from the nefarious laboratories of Alchemax.

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<v Speaker 4>Question one from Dewan.

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<v Speaker 1>What's your favorite oh shit or well damned Peter Parker

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<v Speaker 1>Spider Man comic moment? One of mine is when May

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<v Speaker 1>was shot in Peter rolled in jail and humiliated the Kingpin.

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<v Speaker 1>Oh wow, that's good. What's yours?

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<v Speaker 2>Mine is probably this is like less of Peter being

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<v Speaker 2>a bad ass, because that's not really how I see him.

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<v Speaker 3>But it did make me say, oh shit.

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<v Speaker 2>Is when Peter is really broke so he tries to

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<v Speaker 2>join the Fantastic Four because he wants to get a paycheck.

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<v Speaker 3>That's like one of the funniest.

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<v Speaker 2>Peter Parker moments in comics in my opinion, and I

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<v Speaker 2>think about.

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<v Speaker 3>It a lot.

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<v Speaker 1>Okay, so my original answer, this is the real answer,

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<v Speaker 1>and it's not that cool, but it's the answer that

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<v Speaker 1>like twelve year old me would give, and that is

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<v Speaker 1>black suit Peter Parker Spider Man crawling out of the

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<v Speaker 1>grave in Craven's Last Hunt. Oh now, Craven's Last Hunt.

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<v Speaker 1>Incredible art by Mike Zeck. Does the story hold up?

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<v Speaker 1>I would say kind of.

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<v Speaker 4>Not really.

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<v Speaker 1>It's not my favorite Spider Man story, but at the

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<v Speaker 1>time everything about it just floored me, including that like

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<v Speaker 1>iconic cover where you know, Craven is like searching throughout

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<v Speaker 1>his hunting lodge, you know for Spider Man, and Spider

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<v Speaker 1>Man's like in the ceiling rafters like looking down at him,

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<v Speaker 1>Like I remember looking at that on the Spinneract and being,

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<v Speaker 1>holy shit, I gotta get that.

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<v Speaker 2>Yeah, that's definitely one of those most influential story ocs.

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<v Speaker 2>I think, even like you said, no matter how it

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<v Speaker 2>holds up, I think a lot of us like that

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<v Speaker 2>was a Spider Man story that we always remember.

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<v Speaker 1>Yeah, and then this is going to be a unoriginal answer,

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<v Speaker 1>but it's you know, this early Steve Ditgo. They've retcon

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<v Speaker 1>this moment so many times, both in shows and in

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<v Speaker 1>other iterations of Spider Man comics, but it's that moment

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<v Speaker 1>where he doesn't really know how strong he is yet

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<v Speaker 1>early in the days of Spider Man. Right, this weight

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<v Speaker 1>of like all this like rubble and stuff has collapsed

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<v Speaker 1>and it's fallen down on him.

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<v Speaker 4>Right.

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<v Speaker 2>Oh, yeah, that's such a great panel.

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<v Speaker 1>You see this moment in the Spider Man movie, you

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<v Speaker 1>see it in other things, and water is filling up

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<v Speaker 1>the space and like the concrete is crushing him and

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<v Speaker 1>it's like pushing him down and he doesn't know if

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<v Speaker 1>he's gonna make it, and he's thinking, oh god, I

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<v Speaker 1>just might give up. I can't do it, and then

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<v Speaker 1>he finds the strength somewhere inside of himself to be like, no, no,

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<v Speaker 1>I'm going to escape.

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<v Speaker 4>I'm going to push all this stuff off me.

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<v Speaker 1>And that is just such an iconic Spider Man moment

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<v Speaker 1>because Peter Parker figured it out on his own.

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<v Speaker 2>Like you know, the X Men all have a school,

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<v Speaker 2>Tony has billions of dollars.

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<v Speaker 1>Tony has billions of dollars. They all do regular training

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<v Speaker 1>at the mansion. Like Daredevil got ninja training and boxing

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<v Speaker 1>training from his dad. Peter Berger had none of that.

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<v Speaker 1>He did like one amateur wrestling match and then was

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<v Speaker 1>a superhero. So this is him really understanding how strong

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<v Speaker 1>he is for the first time and letting loose.

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<v Speaker 3>Yeah.

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<v Speaker 1>And it's just an iconic Spider Man moment that has

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<v Speaker 1>been recreated again and again and again.

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<v Speaker 2>Yeah. And that panel is like still just as powerful

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<v Speaker 2>every time you see it.

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<v Speaker 4>Yeah.

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<v Speaker 2>Just to add to this in case you didn't know

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<v Speaker 2>about this ridiculous after Jason gave that incredibly good, sincere

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<v Speaker 2>coherent answer, here is more of my chaotic facts about

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<v Speaker 2>why this works, sure, so it happened. In the first

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<v Speaker 2>issue of Amazing Spider Man, Peter goes to try and

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<v Speaker 2>join this Fantastic Four because he needs a paycheck, right

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<v Speaker 2>and they say no. But the issue I was actually

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<v Speaker 2>thinking of is number one, what if Spider Man joined

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<v Speaker 2>the Fantastic Four where they say yes? And because of this,

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<v Speaker 2>because they let him into the group because he is broke,

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<v Speaker 2>Sue ends up leaving Reed to go and be with

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<v Speaker 2>the submarner nay More and ends up like dating him

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<v Speaker 2>and finding solace in his arms because she gets left

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<v Speaker 2>behind him favor of Peter. So that is another oh

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<v Speaker 2>shit moment. Peter joining the Fantastic Four because he's broke

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<v Speaker 2>leads to Sue cheating on read just iconic stuff. I

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<v Speaker 2>love that weird shit, And for me Spider Man, I'm

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<v Speaker 2>always just here to laugh about how he's broke. But yeah,

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<v Speaker 2>those two moments are really great. Jason Joshua asks lots

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<v Speaker 2>of discourse on how people are divided, on how they

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<v Speaker 2>feel about how most of the Spider Force in across

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<v Speaker 2>the Spider Verse react to the canon events and accepting

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<v Speaker 2>that they need to happen. We'd love to hear Jason

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<v Speaker 2>and Rosy's thoughts on this. Is it acceptable or out

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<v Speaker 2>of characters for the Spiders or do we just chalk

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<v Speaker 2>it up to the right as poking fun at how

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<v Speaker 2>the comics editor's office won't seem to let Peter grow.

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<v Speaker 1>I think what makes that movie so good is that

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<v Speaker 1>everybody has a point.

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<v Speaker 3>Mm hmm.

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<v Speaker 1>That's why it's a great, great conflict. Like I think

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<v Speaker 1>we all would disagree with Miguel Spiderman twenty.

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<v Speaker 4>Ninety nine's tactics.

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<v Speaker 1>Yeah, but I think it's also fair to say that

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<v Speaker 1>keeping to the cannon in a multiverse sense has kept

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<v Speaker 1>a lot of bad slash chaotic time stream events from

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<v Speaker 1>happening like he's I think also clearly held the universe together.

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<v Speaker 1>And to speak more to that, the Spider Force, the

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<v Speaker 1>Spider Society, all of these Spider people that are helping

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<v Speaker 1>the girl, they are all the heroes of their dimension

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<v Speaker 1>and they look at McGall and go, this guy's right.

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<v Speaker 1>So clearly there is something there that is worth doing.

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<v Speaker 1>And what's so perfect about the conflict is that from

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<v Speaker 1>Miles's perspective, now knowing what the outcome is going to be,

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<v Speaker 1>that's the thing that flips it. If you knew Uncle

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<v Speaker 1>Ben or police captain close to Spider Man was going

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<v Speaker 1>to die, you know, much like Uncle Ben's words. You know,

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<v Speaker 1>then you have the responsibility to do something about it.

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<v Speaker 1>But looking from the you know, multiversal fifty thousand foot

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<v Speaker 1>view where the hero doesn't know and the Spider society

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<v Speaker 1>do know, and you're just letting events take their course.

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<v Speaker 4>Yeah, I think they have a point as well.

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<v Speaker 1>So I think that's why it's a great story is

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<v Speaker 1>because you can see that both sides have an authentic perspective.

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<v Speaker 2>Yeah.

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<v Speaker 3>No, I absolutely agree with you.

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<v Speaker 2>And I think the other thing about it is it

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<v Speaker 2>plays into that ultimate moral ethical question, which is like

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<v Speaker 2>the good of the many versus the good of the few. Yeah,

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<v Speaker 2>Like if you could save the life of your loved one,

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<v Speaker 2>but it would kill an entire universe, what would you do?

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<v Speaker 2>And that is the position that Miguel puts people in,

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<v Speaker 2>with the binary choice he's asking them to make. I

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<v Speaker 2>also think Joshua makes a great point here where he

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<v Speaker 2>says the thing about the writers kind of poking fun

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<v Speaker 2>at how comics editors won't let Peter grow, you know,

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<v Speaker 2>things like Peter can't stay married, but he can't get divorced,

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<v Speaker 2>so he has to make a deal with Mephisto. I

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<v Speaker 2>think that Josh makes a great point. I don't necessarily

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<v Speaker 2>know if it's poking fun at I think it is

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<v Speaker 2>done in a tongue in cheap way, but I do

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<v Speaker 2>think has Kemp Powers said on our show, I do

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<v Speaker 2>think that it is a acknowledgement of how Canon can

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<v Speaker 2>force writers and creatives and characters to be put through

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<v Speaker 2>the same kind of stories again and again and again.

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<v Speaker 2>You know, we did a chat with Nick Kesh, yeah,

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<v Speaker 2>talking about how the original Spider Man India was basically

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<v Speaker 2>them redoing the Uncle Ben origin story, but in India

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<v Speaker 2>with this new character Pav And that's really interesting because

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<v Speaker 2>again somebody else has to die. Somebody else has to die.

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<v Speaker 2>So I think it's a really smart, cool way of

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<v Speaker 2>building in a conversation with your audience as well as

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<v Speaker 2>an interesting conflict that we're going to have conversations about

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<v Speaker 2>this for years, because it does play into these big

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<v Speaker 2>moral and ethical questions about being a hero and what

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<v Speaker 2>that really means. Nobody can say Miles is wrong, but

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<v Speaker 2>you also can't say that the Spider Society doesn't have

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<v Speaker 2>a point when you see what happens in Pav's universe

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<v Speaker 2>where this you know, black hole into the multiverse opens up.

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<v Speaker 1>Nobody can say that. Jack w asks which Disney MCU

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<v Speaker 1>care do you think will next appear in Tom Holan

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<v Speaker 1>live action Spider Man movies and ek Spider Man four

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<v Speaker 1>could be more street based, and since they tease Daredevil's

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<v Speaker 1>run in No Way Home, it seems like the obvious

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<v Speaker 1>choice any dark horses on your mind's rosy any thoughts.

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<v Speaker 1>I think Jack is absolutely right, and I think the

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<v Speaker 1>cash in our conversation is absolute right.

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<v Speaker 4>It's going to be more of a street level og

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<v Speaker 4>experience Spider Man.

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<v Speaker 2>Yeah, I totally agree. My gut says, Look, this isn't

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<v Speaker 2>fully MCU. But I also think we could see Miles.

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<v Speaker 2>That's always been my thought about Spider Man four. You

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<v Speaker 2>set it up so you have Peter as a street

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<v Speaker 2>level hero, Spider Man gains more of that reputation, and

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<v Speaker 2>near the end you meet Miles, and you set it

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<v Speaker 2>up so that rather than Peter being dead, people just

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<v Speaker 2>don't know Peter ever existed, and then you can have

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<v Speaker 2>that mentorship. So I wouldn't be surprised to see a

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<v Speaker 2>little Miles cameo a live action Miles cameo. But I

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<v Speaker 2>think you're right. I think any dead evil characters are

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<v Speaker 2>up for play. I think that we could see someone

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<v Speaker 2>like Kate Bishop Hawkay. I feel like that is a

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<v Speaker 2>very natural space.

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<v Speaker 4>Oh, that would be cool.

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<v Speaker 2>And she didn't know Peter Parker before, so you can

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<v Speaker 2>also establish a world where she does know him. Does

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<v Speaker 2>the spell keep going though? Does any time anyone learns

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<v Speaker 2>that he's Peter Parker they forget? I don't know if

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<v Speaker 2>it's like an ongoing, like Invisible Life of Addie LaRue

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<v Speaker 2>type spell, But I think a Kate Bishop Porkeye, someone

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<v Speaker 2>young and fun could be like that Kamala and Peter.

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<v Speaker 3>That could be really great.

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<v Speaker 4>Oh that's a good one.

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<v Speaker 3>I would like to see it.

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<v Speaker 2>Also, we know that they like to take things from

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<v Speaker 2>Miles's comic and kind of transplant them onto Tom Holland,

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<v Speaker 2>and Miles and Kamala have an ongoing friendship, so those

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<v Speaker 2>would be the ones. I think that street level vibe

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<v Speaker 2>with maybe a few young kids. And let's be real,

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<v Speaker 2>I mean, Kamala is only a like, she's not very

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<v Speaker 2>far from New York City, so that to me really

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<v Speaker 2>seems like the most obvious choice.

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<v Speaker 1>What about you, Gosh, taking a king from you. I

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<v Speaker 1>think it can make a lot of sense to see

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<v Speaker 1>that kingpin.

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<v Speaker 3>Oh god, I'd love to see it.

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<v Speaker 1>Kind of an examination of the underlying organized crime forces

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<v Speaker 1>in New York City. I know that, you know, Born

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<v Speaker 1>Again is probably going to delve into that greatly. We

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<v Speaker 1>haven't really seen anything like that on the big screen.

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<v Speaker 1>It's been kind of, you know, much much larger scale

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<v Speaker 1>threats than that Venom has been teased. So what about

0:11:10.400 --> 0:11:11.880
<v Speaker 1>some sort of symbiote battle.

0:11:12.160 --> 0:11:13.360
<v Speaker 3>Oh, I think you're right.

0:11:13.400 --> 0:11:15.800
<v Speaker 2>I think the Symbia suit could be a big call

0:11:15.880 --> 0:11:16.320
<v Speaker 2>for four.

0:11:16.600 --> 0:11:16.800
<v Speaker 4>Yeah.

0:11:16.840 --> 0:11:20.000
<v Speaker 1>What if the Symbia crawls over some big, muscle bound

0:11:20.080 --> 0:11:23.240
<v Speaker 1>guy who already has a problem with Peter Parker And

0:11:23.280 --> 0:11:25.439
<v Speaker 1>now all of a sudden you've got a built in antagonist.

0:11:25.840 --> 0:11:27.880
<v Speaker 1>And then we've done the Green Goblin. What about the

0:11:27.920 --> 0:11:30.640
<v Speaker 1>hob Goblin? M what about the hob I.

0:11:30.679 --> 0:11:32.520
<v Speaker 3>Just want to say, I've talked about this a lot.

0:11:32.600 --> 0:11:35.760
<v Speaker 2>Yeah, but you know, there is a version of the

0:11:35.800 --> 0:11:39.480
<v Speaker 2>world where a certain Ned.

0:11:39.280 --> 0:11:41.480
<v Speaker 4>Leads, and so I'm saying.

0:11:41.520 --> 0:11:44.160
<v Speaker 3>Is the Hobgoblin. I would love to see it.

0:11:44.320 --> 0:11:47.080
<v Speaker 2>I've talked to Jacob Alin about that before he plays Ned.

0:11:47.080 --> 0:11:48.720
<v Speaker 2>I've said, like, is that something you would want to do?

0:11:48.880 --> 0:11:52.280
<v Speaker 2>Imagine that friendship at torn apart, you know, Spider Man

0:11:52.360 --> 0:11:55.760
<v Speaker 2>three style, the emotion, that would be extremely cool. Okay,

0:11:55.760 --> 0:11:58.880
<v Speaker 2>what about this? What do you think the reality?

0:11:58.960 --> 0:11:59.760
<v Speaker 3>You know, something I.

0:11:59.800 --> 0:12:03.360
<v Speaker 2>Love about she Yock and that I loved about Hawkeye

0:12:03.679 --> 0:12:06.559
<v Speaker 2>was that they reintroduced the dead evil characters in like

0:12:06.559 --> 0:12:07.680
<v Speaker 2>a slightly new tone.

0:12:07.960 --> 0:12:08.320
<v Speaker 4>Yeah.

0:12:08.360 --> 0:12:11.200
<v Speaker 2>Do you imagine a world where we could see the

0:12:11.360 --> 0:12:18.840
<v Speaker 2>MCU Netflix Punisher join the MCU again but in Spider Man.

0:12:19.440 --> 0:12:23.880
<v Speaker 1>I think we could see it mm hmm. But of course,

0:12:24.000 --> 0:12:27.400
<v Speaker 1>you know, for one, the character has been, through no

0:12:27.520 --> 0:12:31.319
<v Speaker 1>fault of anyone's politicized by the fact that the Thin

0:12:31.400 --> 0:12:35.040
<v Speaker 1>Blue Line movement has co opted the Punisher skull as

0:12:35.080 --> 0:12:39.160
<v Speaker 1>like one of their pieces of iconography. I feel like

0:12:39.320 --> 0:12:42.080
<v Speaker 1>this iteration of Disney, or really any iteration of Disney

0:12:42.080 --> 0:12:43.720
<v Speaker 1>would be like, we don't need it. It's not like

0:12:43.760 --> 0:12:45.600
<v Speaker 1>he's a major well, I mean, the people that like

0:12:45.640 --> 0:12:48.479
<v Speaker 1>the Punisher, it's like a religion. Yeah, it's like licorice,

0:12:48.520 --> 0:12:50.720
<v Speaker 1>you know, like, not a lot of people like the Punisher,

0:12:50.800 --> 0:12:52.880
<v Speaker 1>but those who like it, like really really like it.

0:12:53.160 --> 0:12:55.240
<v Speaker 1>And so I think that there's a way to do

0:12:55.320 --> 0:12:57.240
<v Speaker 1>it you make the more of like a special forces

0:12:57.280 --> 0:12:59.200
<v Speaker 1>guy and it maybe not so much like a vigilante.

0:12:59.200 --> 0:13:01.240
<v Speaker 1>He was just like guns people down. And they've done

0:13:01.240 --> 0:13:03.520
<v Speaker 1>that in the comics A little bit X did that,

0:13:03.760 --> 0:13:06.120
<v Speaker 1>and Civil War did that where it's like the Punisher

0:13:06.240 --> 0:13:08.920
<v Speaker 1>was involved and all the heroes were like, this guy's

0:13:08.960 --> 0:13:11.480
<v Speaker 1>working with this. This guy's like a fucking mass murderer. But

0:13:11.880 --> 0:13:14.400
<v Speaker 1>the stuff that he did was kind of like splinter

0:13:14.520 --> 0:13:18.079
<v Speaker 1>Cell type activities where he's like sneaking into the Baxter

0:13:18.160 --> 0:13:18.520
<v Speaker 1>building and.

0:13:18.520 --> 0:13:19.079
<v Speaker 4>Stuff like that.

0:13:19.200 --> 0:13:19.640
<v Speaker 3>Mm hmmm.

0:13:19.800 --> 0:13:21.240
<v Speaker 1>So I think that there's a world in which they

0:13:21.240 --> 0:13:22.760
<v Speaker 1>could do it, but I think they would have to

0:13:22.840 --> 0:13:25.559
<v Speaker 1>necessarily tone it down. There's a guy in a country

0:13:25.640 --> 0:13:26.800
<v Speaker 1>racked by gun violence.

0:13:26.960 --> 0:13:27.319
<v Speaker 3>Mm hmm.

0:13:27.559 --> 0:13:31.640
<v Speaker 1>Here is a guy who unapologetically just like guns mafia

0:13:31.760 --> 0:13:34.800
<v Speaker 1>dudes down in their hundreds like all the time.

0:13:35.160 --> 0:13:35.520
<v Speaker 3>Yeah.

0:13:35.800 --> 0:13:39.480
<v Speaker 2>I actually just saw so John Burnhallpe is coming back

0:13:39.600 --> 0:13:42.600
<v Speaker 2>in Dead Devil Born Again, So that could be our

0:13:42.760 --> 0:13:46.520
<v Speaker 2>place where they reimagine him, because I feel like, if

0:13:46.559 --> 0:13:49.400
<v Speaker 2>you're gonna put him back into the MCU, the version

0:13:49.480 --> 0:13:51.840
<v Speaker 2>they did in the Marvel Netflix show.

0:13:51.760 --> 0:13:53.000
<v Speaker 3>Was so dark.

0:13:53.520 --> 0:13:54.720
<v Speaker 4>It was incredibly dark.

0:13:54.800 --> 0:13:57.520
<v Speaker 2>You're gonna have to put him in a Spandex costume

0:13:57.920 --> 0:13:59.839
<v Speaker 2>and have him with like a paintball gun, Like you're

0:13:59.840 --> 0:14:02.120
<v Speaker 2>really gonna have to go the other way with it.

0:14:02.040 --> 0:14:04.280
<v Speaker 4>And I will say I kind of liked it.

0:14:04.360 --> 0:14:06.640
<v Speaker 2>I get why they did it, but it doesn't fit

0:14:06.679 --> 0:14:08.400
<v Speaker 2>into the Spider Man of it.

0:14:08.480 --> 0:14:10.760
<v Speaker 1>All that said, I think that there is a way

0:14:11.080 --> 0:14:14.720
<v Speaker 1>because you know, again, like Maral, comics is made up

0:14:14.720 --> 0:14:18.240
<v Speaker 1>of characters with different tones, like oftentimes when Frank Castle

0:14:18.360 --> 0:14:21.360
<v Speaker 1>gets in a room with Spider Man or whoever, they're.

0:14:21.160 --> 0:14:22.040
<v Speaker 4>Just roasting the guy.

0:14:22.120 --> 0:14:24.120
<v Speaker 1>Yeah, yeah, yeah, And so I think that there is

0:14:24.160 --> 0:14:27.880
<v Speaker 1>a world where he becomes, while still a very very

0:14:27.960 --> 0:14:30.480
<v Speaker 1>dangerous individual, the butt of a lot of jokes.

0:14:30.760 --> 0:14:33.000
<v Speaker 2>Oh, that could be fun. I think that that is

0:14:33.040 --> 0:14:36.440
<v Speaker 2>a really fun, interesting way to do it. You make

0:14:36.520 --> 0:14:38.080
<v Speaker 2>him the butt of the jokes and you take away

0:14:38.480 --> 0:14:41.680
<v Speaker 2>the seriousness that he's been afforded by certain groups. I

0:14:41.680 --> 0:14:45.000
<v Speaker 2>think that could be very good. Chauncey asks, it's controversial,

0:14:45.000 --> 0:14:48.200
<v Speaker 2>but I like it. Which was the better series, nineties

0:14:48.320 --> 0:14:52.240
<v Speaker 2>X Men animated series or nineties Spider Man animated series.

0:14:52.640 --> 0:14:55.760
<v Speaker 1>I mean, listen, they're both really really good. But the

0:14:55.880 --> 0:14:58.840
<v Speaker 1>nineties X Men was iconic, and part of it is

0:14:58.880 --> 0:15:02.960
<v Speaker 1>that it had a great theme. It was taking incredible,

0:15:03.520 --> 0:15:08.080
<v Speaker 1>already legendary arcs from the X Men comics and like

0:15:08.440 --> 0:15:13.359
<v Speaker 1>boiling them down into really really punchy, half hour animated episodes.

0:15:13.640 --> 0:15:18.200
<v Speaker 1>And it had so much more interpersonal drama because you

0:15:18.240 --> 0:15:21.240
<v Speaker 1>have this big team of heroes. It was just better.

0:15:22.000 --> 0:15:24.480
<v Speaker 1>And this is no shots to anybody who likes the

0:15:24.560 --> 0:15:26.080
<v Speaker 1>animated Spider Man, because we're.

0:15:25.920 --> 0:15:27.880
<v Speaker 2>Fair and balanced here. I'm going to make the argument

0:15:27.920 --> 0:15:30.000
<v Speaker 2>for the nineties Spider Man. I agree with everything you

0:15:30.080 --> 0:15:33.160
<v Speaker 2>just said. I do believe that the X Men cartoon

0:15:33.240 --> 0:15:35.920
<v Speaker 2>is iconic. I love the way that it takes those

0:15:36.480 --> 0:15:40.200
<v Speaker 2>iconic classic arcs and truncates them and makes them accessible.

0:15:40.440 --> 0:15:44.280
<v Speaker 2>I will say I do rewatch the Spider Man show more,

0:15:44.600 --> 0:15:47.200
<v Speaker 2>and it is because of that same device that they use.

0:15:47.560 --> 0:15:50.600
<v Speaker 2>You can watch that Spider Man show and you can

0:15:50.600 --> 0:15:52.760
<v Speaker 2>find out the origin of any supervillain. You want to

0:15:52.760 --> 0:15:54.280
<v Speaker 2>find out what happened to Venom, you can watch that

0:15:54.320 --> 0:15:56.480
<v Speaker 2>story on there. You want to see this character, you

0:15:56.480 --> 0:16:00.200
<v Speaker 2>can do it in the tradition of Spider Man as well. Wow,

0:16:00.680 --> 0:16:03.800
<v Speaker 2>there are so many good villains in that show, Like

0:16:04.000 --> 0:16:07.120
<v Speaker 2>every out there weird villain is around. So I will

0:16:07.120 --> 0:16:11.640
<v Speaker 2>say that's the underrated gem. But obviously X Men ninety

0:16:11.640 --> 0:16:13.800
<v Speaker 2>two everybody knows it. There's a reason that's getting a sequel.

0:16:13.800 --> 0:16:16.360
<v Speaker 2>That shit's iconic. But Spider Man, I'm glad you brought

0:16:16.400 --> 0:16:18.120
<v Speaker 2>up Chauncey because I don't think it gets the love

0:16:18.120 --> 0:16:18.680
<v Speaker 2>it deserves.

0:16:19.000 --> 0:16:22.440
<v Speaker 1>Should we do a rewatch of the original nineties X

0:16:22.480 --> 0:16:25.640
<v Speaker 1>Men animated series in preparation for the upcoming X Men

0:16:25.720 --> 0:16:27.120
<v Speaker 1>animated series on Disney Plus?

0:16:27.160 --> 0:16:30.640
<v Speaker 2>Oh my god, Yes, And let's do Pride of the

0:16:30.760 --> 0:16:32.480
<v Speaker 2>X Men two, you know, the one they made before.

0:16:32.880 --> 0:16:35.360
<v Speaker 4>Yeah, yeah, because that's like that shit.

0:16:35.480 --> 0:16:37.640
<v Speaker 2>I will tell you the real truth when you watch that.

0:16:37.920 --> 0:16:40.440
<v Speaker 2>You gotta watch it after you watch ninety two, because

0:16:40.680 --> 0:16:43.560
<v Speaker 2>ninety two doesn't hold up to Pride. Oh wow, Pride

0:16:43.600 --> 0:16:46.080
<v Speaker 2>is actually like you want to see that story. You

0:16:46.120 --> 0:16:48.960
<v Speaker 2>want to see that story? Okay, yeah, it's so good.

0:16:49.360 --> 0:16:51.560
<v Speaker 1>Ian asks, is the real hidden theme of our film

0:16:51.560 --> 0:16:54.160
<v Speaker 1>that actual reality sucks ass because there's no Spider person

0:16:54.200 --> 0:16:56.760
<v Speaker 1>in it. I think that might be to make it

0:16:56.800 --> 0:16:58.640
<v Speaker 1>serious for a second, I think that part of the

0:16:58.640 --> 0:17:02.000
<v Speaker 1>theme is that our reality actually success because they're you know,

0:17:02.080 --> 0:17:06.000
<v Speaker 1>what are these stories? Generally speaking? They are like incredible

0:17:06.040 --> 0:17:08.800
<v Speaker 1>wish fulfillment where we want to live in a world

0:17:09.000 --> 0:17:13.600
<v Speaker 1>in which people with tremendous power and tremendous resources, who

0:17:13.640 --> 0:17:19.280
<v Speaker 1>are geniuses and are rich and are incredibly talented and powerful,

0:17:19.680 --> 0:17:24.480
<v Speaker 1>don't just like sit up in their skyscraper penthouses and

0:17:24.600 --> 0:17:29.160
<v Speaker 1>like a crew capital and like build bunkers on islands

0:17:29.160 --> 0:17:31.520
<v Speaker 1>off the coast of New Zealand waiting for the apocalypse.

0:17:31.560 --> 0:17:34.800
<v Speaker 1>They go out and they try and save the world.

0:17:35.200 --> 0:17:37.639
<v Speaker 1>We want that to be the case. It's clearly not

0:17:37.720 --> 0:17:39.560
<v Speaker 1>the case in our world, but we want it to be.

0:17:39.680 --> 0:17:42.440
<v Speaker 1>That's why these stories have so much staying power. That's

0:17:42.440 --> 0:17:44.960
<v Speaker 1>why people still engage with them. That's why kids and

0:17:45.040 --> 0:17:47.639
<v Speaker 1>adults and everybody are in a comic store anytime you

0:17:47.680 --> 0:17:50.080
<v Speaker 1>walk in there. So, yeah, I think that you're right

0:17:50.280 --> 0:17:53.160
<v Speaker 1>Ian in a certain kind of sense. You're correct.

0:17:53.800 --> 0:17:56.520
<v Speaker 3>Nothing well to add that was perfect. I totally agree up.

0:17:56.560 --> 0:17:59.240
<v Speaker 1>Next, return to the Omnibus to discuss Spider Man twenty

0:17:59.320 --> 0:18:00.200
<v Speaker 1>ninety nine.

0:18:03.359 --> 0:18:04.520
<v Speaker 3>We've got exciting news.

0:18:04.680 --> 0:18:07.480
<v Speaker 2>Extra Vision will be recording our fifteenth Anniversary of The

0:18:07.560 --> 0:18:11.440
<v Speaker 2>Dark Knight Retrospective episode live in Los Angeles on June

0:18:11.440 --> 0:18:14.840
<v Speaker 2>twenty six, that's seven PMPT. Join us in person or

0:18:14.960 --> 0:18:17.560
<v Speaker 2>via live stream from the comfort of your home. Tickets

0:18:17.600 --> 0:18:28.560
<v Speaker 2>are More info available at Crooked dot com Slash Events.

0:18:39.160 --> 0:18:42.159
<v Speaker 1>Welcome to another chapter in the Omnibus where lore, analysis

0:18:42.160 --> 0:18:45.480
<v Speaker 1>and understanding come together. This week Miguel O'Hara Spider Man

0:18:45.520 --> 0:18:48.720
<v Speaker 1>twenty ninety nine. Reboots and retcons are, of course a

0:18:48.800 --> 0:18:52.359
<v Speaker 1>necessary part of serialized storytelling. That's particularly true in comics,

0:18:52.760 --> 0:18:56.840
<v Speaker 1>right where you're trying to continuously engage a new audience.

0:18:57.080 --> 0:18:59.560
<v Speaker 1>A new person whose next comics is their first comic.

0:19:00.119 --> 0:19:03.360
<v Speaker 1>Talked a lot about the Marvel's Ultimate Universe, the two

0:19:03.400 --> 0:19:07.480
<v Speaker 1>thousand's era line of books featuring Marvel's most popular heroes

0:19:07.560 --> 0:19:10.480
<v Speaker 1>in a modern setting. Miles Morales, of course, makes his

0:19:10.520 --> 0:19:14.119
<v Speaker 1>first appearance in twenty eleven's Ultimate Universe, number four and

0:19:14.280 --> 0:19:18.040
<v Speaker 1>offshoot of Marvel's Ultimate Spider Man. The Ultimate Universe has

0:19:18.040 --> 0:19:22.119
<v Speaker 1>been incredibly influential to all of the MCU properties. Fallout

0:19:22.240 --> 0:19:28.200
<v Speaker 1>explored the repercussions of the shocking, tragic, and incredibly sorrow

0:19:28.320 --> 0:19:31.040
<v Speaker 1>filled death of Peter Parker in the pages of Ultimate

0:19:31.040 --> 0:19:33.760
<v Speaker 1>Spider Man. I won't spoil how and there's a long,

0:19:33.840 --> 0:19:36.560
<v Speaker 1>long runway to get to that moment, but it's an

0:19:36.600 --> 0:19:40.440
<v Speaker 1>incredible moment in comic storytelling, and it also acts. Fallout

0:19:40.480 --> 0:19:43.600
<v Speaker 1>does as a kind of like soft reboot itself, like

0:19:43.640 --> 0:19:47.920
<v Speaker 1>a reboot of a retcon, essentially of the Ultimate Universe,

0:19:48.119 --> 0:19:50.840
<v Speaker 1>but before Ultimate Marvel, way back in the nineties, there

0:19:50.920 --> 0:19:55.680
<v Speaker 1>was Marvel twenty ninety nine. The twenty ninety nine initiative,

0:19:55.920 --> 0:19:58.680
<v Speaker 1>if we can call it, that launched with four titles

0:19:58.920 --> 0:20:01.600
<v Speaker 1>in the Year of Our Lord nineteen ninety two, Ravage

0:20:01.640 --> 0:20:05.600
<v Speaker 1>twenty ninety nine. Ravage was a new superhero, and really

0:20:05.640 --> 0:20:08.720
<v Speaker 1>the marketing behind Ravage was that, Hey, stan Lee's got

0:20:08.720 --> 0:20:11.760
<v Speaker 1>a new superhero, kids, and it's Ravage. You gotta love it.

0:20:11.760 --> 0:20:15.400
<v Speaker 1>He is twenty ninety nine, his Ravage, stan Lee Excelsia.

0:20:15.840 --> 0:20:18.160
<v Speaker 1>Do you know anything about Ravage? No, because nobody cares

0:20:18.160 --> 0:20:20.680
<v Speaker 1>about Ravage anymore. This is also like they tried this

0:20:20.880 --> 0:20:23.520
<v Speaker 1>in like I want to say, eighty six with Speedball

0:20:23.960 --> 0:20:26.520
<v Speaker 1>and a bunch of new heroes too. Oh, Stanley's back

0:20:26.520 --> 0:20:28.760
<v Speaker 1>with a new hair on. He Speedball. He bounceles around

0:20:28.800 --> 0:20:32.480
<v Speaker 1>like a Speedball. Doom twenty ninety nine, Victor Ron Doom

0:20:32.480 --> 0:20:35.320
<v Speaker 1>in the Year twenty ninety nine. Punish Shirt twenty ninety nine.

0:20:35.359 --> 0:20:37.879
<v Speaker 1>Because if there's one thing that's for sure now, and

0:20:38.040 --> 0:20:40.560
<v Speaker 1>one hundred years in the future, there's gonna be dudes

0:20:40.680 --> 0:20:43.640
<v Speaker 1>killing dudes with guns. And of course Spider Man twenty

0:20:43.720 --> 0:20:46.240
<v Speaker 1>ninety nine. Spider Man twenty ninety nine is the only

0:20:46.320 --> 0:20:50.639
<v Speaker 1>one of those original four offerings that has any kind

0:20:50.680 --> 0:20:52.560
<v Speaker 1>of staying power, has a real fan base of its own.

0:20:52.640 --> 0:20:52.880
<v Speaker 5>Now.

0:20:53.119 --> 0:20:55.440
<v Speaker 1>The tone, as you can kind of guess just by

0:20:55.440 --> 0:20:58.760
<v Speaker 1>the selection here, was very very nineties, kind of proto

0:20:58.880 --> 0:21:01.760
<v Speaker 1>nineties to what it became. This is pre all the

0:21:01.800 --> 0:21:04.800
<v Speaker 1>pockets and all the belts and guns and stuff, but

0:21:05.240 --> 0:21:08.840
<v Speaker 1>the weird hairstyles were there, and the violent grittiness which

0:21:08.880 --> 0:21:11.439
<v Speaker 1>had kind of been developing over the course of the

0:21:11.480 --> 0:21:14.320
<v Speaker 1>mid eighties into the nineties with the offerings of Frank

0:21:14.359 --> 0:21:17.000
<v Speaker 1>Miller and others, was here to see.

0:21:17.119 --> 0:21:17.359
<v Speaker 4>Now.

0:21:17.440 --> 0:21:20.440
<v Speaker 1>The twenty ninety nine line didn't run all that line,

0:21:20.600 --> 0:21:24.119
<v Speaker 1>like six years and change, seven years ish, but it

0:21:24.160 --> 0:21:26.879
<v Speaker 1>acted as a launch pad for Miguel O'Hara aka Spider

0:21:26.880 --> 0:21:28.959
<v Speaker 1>Man twenty ninety nine, who, as we have seen from

0:21:29.000 --> 0:21:33.840
<v Speaker 1>across the Spider Verse and in other comics recent comic offerings,

0:21:33.960 --> 0:21:38.639
<v Speaker 1>continues to be a character who is engaged with the

0:21:38.680 --> 0:21:40.639
<v Speaker 1>stuff that's going on in story today and is a

0:21:40.680 --> 0:21:43.760
<v Speaker 1>really fun character to explore. So how did Miguel O'Hara

0:21:43.840 --> 0:21:47.639
<v Speaker 1>get the Spider powers? Well, created by legends Peter David

0:21:47.640 --> 0:21:51.720
<v Speaker 1>and Rick learn Ardi, Miguel's origin is kind of the

0:21:51.760 --> 0:21:55.879
<v Speaker 1>most original non clone Spider Man origin. The rest of

0:21:55.920 --> 0:21:58.320
<v Speaker 1>them are, you know, Miles got his powers in a

0:21:58.400 --> 0:22:00.840
<v Speaker 1>very similar way to Peter Parker and the rest of

0:22:00.840 --> 0:22:03.000
<v Speaker 1>the Spider Society same thing. They got bit by the

0:22:03.080 --> 0:22:05.800
<v Speaker 1>radioactive Spider. Some of them are just straight off clones

0:22:05.880 --> 0:22:09.439
<v Speaker 1>of Peter Parker. Not so with Miguel. Miguel is a

0:22:09.680 --> 0:22:12.560
<v Speaker 1>in the year twenty ninety nine. Is a brilliant genetic

0:22:12.560 --> 0:22:15.639
<v Speaker 1>research brilliant, brilliant, brilliant, And you know where do you

0:22:15.680 --> 0:22:18.280
<v Speaker 1>work if you're a brilliant genetic researcher, you work for

0:22:18.320 --> 0:22:20.800
<v Speaker 1>the evil corporation alchem X, because I guess there's no

0:22:20.880 --> 0:22:22.720
<v Speaker 1>other places than he could have possibly worked, but he

0:22:22.760 --> 0:22:25.520
<v Speaker 1>decided to work at alcam X, and his work involved,

0:22:26.000 --> 0:22:29.920
<v Speaker 1>you know, working on DNA, altering DNA, splicing different DNAs

0:22:29.960 --> 0:22:34.600
<v Speaker 1>together to create hybrids. One inspiration of Miguel's is a

0:22:34.640 --> 0:22:38.280
<v Speaker 1>mysterious figure from the Heroic Age aka the late twentieth

0:22:38.320 --> 0:22:42.840
<v Speaker 1>century spider Man. Just imagine he's telling his supervisor Aaron,

0:22:43.160 --> 0:22:45.240
<v Speaker 1>think of what we could do with the proportional powers

0:22:45.280 --> 0:22:47.640
<v Speaker 1>of a spider. This guy would be quote an ideal

0:22:47.720 --> 0:22:51.400
<v Speaker 1>corporate raider, meaning like he could like climb into our competitors'

0:22:51.440 --> 0:22:53.119
<v Speaker 1>buildings and steal files and stuff.

0:22:53.119 --> 0:22:54.040
<v Speaker 4>So maybe Miguel is.

0:22:54.040 --> 0:22:56.439
<v Speaker 1>Actually like at the right place, the exact right company

0:22:56.440 --> 0:22:59.080
<v Speaker 1>for him to work out. Miguel is excited about his work,

0:22:59.080 --> 0:23:02.280
<v Speaker 1>but he's getting a lot of pressure from Aaron, his supervisor,

0:23:02.440 --> 0:23:06.600
<v Speaker 1>and from CEO Tyler Stone, who really want him to

0:23:06.720 --> 0:23:09.119
<v Speaker 1>hurry up. We got to start human trials already with

0:23:09.160 --> 0:23:11.480
<v Speaker 1>this research. And me Guy's like, no, it's too early.

0:23:11.480 --> 0:23:14.159
<v Speaker 1>We're not ready to do human research. We can't go

0:23:14.240 --> 0:23:16.760
<v Speaker 1>to human testing yet, and they're like wrong. I'm the

0:23:16.800 --> 0:23:20.080
<v Speaker 1>CEO of this company, Tyler Stone, And guess what, I

0:23:20.119 --> 0:23:22.760
<v Speaker 1>already got a guy. His name is Sims. He is

0:23:23.040 --> 0:23:27.960
<v Speaker 1>a prisoner, and in exchange for commuting his sentence, which

0:23:28.040 --> 0:23:31.520
<v Speaker 1>I have somehow bargained for with I don't know the

0:23:31.680 --> 0:23:34.120
<v Speaker 1>Justice Department or somebody, because I'm a fucking billionaire, I've

0:23:34.200 --> 0:23:37.760
<v Speaker 1>made them agree that they will shorten his sentence if

0:23:38.119 --> 0:23:43.320
<v Speaker 1>he will undergo your gene splicing process. Miguel is like, fuck, okay,

0:23:43.359 --> 0:23:45.199
<v Speaker 1>we'll do it. So they put him, you know, in

0:23:45.240 --> 0:23:49.560
<v Speaker 1>the machinery and they splice him up in real time

0:23:49.720 --> 0:23:55.159
<v Speaker 1>with the genes, and what bursts forth from the mechanized

0:23:55.200 --> 0:24:00.560
<v Speaker 1>sarcophagus thingy is just like this melted horror. The origin

0:24:00.600 --> 0:24:05.080
<v Speaker 1>story is clearly influenced by David Cronenberg's The fly By

0:24:05.440 --> 0:24:09.520
<v Speaker 1>Blade Runner. All these kind of dark and mysterious and

0:24:09.600 --> 0:24:15.120
<v Speaker 1>shadowy and somewhat discomfitting like dystopian futuristic stories. Right, and

0:24:15.720 --> 0:24:20.000
<v Speaker 1>Sims grabs Miguel around the neck after breaking his bonds

0:24:20.000 --> 0:24:23.040
<v Speaker 1>and bursting out of the machinery, and before he can

0:24:23.080 --> 0:24:25.520
<v Speaker 1>do too much damage, he just fucking drops dead because

0:24:25.600 --> 0:24:29.639
<v Speaker 1>the process was extremely destructive to his body on a

0:24:29.680 --> 0:24:34.320
<v Speaker 1>cellular level. And Aaron and CEO stal are like, fuck, yeah,

0:24:34.440 --> 0:24:37.520
<v Speaker 1>that was fucking great. Look at that he broke out

0:24:37.560 --> 0:24:40.080
<v Speaker 1>of all that metal and stone. He was tied down,

0:24:40.160 --> 0:24:41.919
<v Speaker 1>and this is awesome. And he goes like, what are

0:24:41.960 --> 0:24:42.440
<v Speaker 1>you talking about?

0:24:42.440 --> 0:24:43.720
<v Speaker 4>This guy fucking died right away.

0:24:43.760 --> 0:24:45.600
<v Speaker 1>It's like yeah, but like in the five seconds before

0:24:45.600 --> 0:24:47.320
<v Speaker 1>he died, he was super strong.

0:24:47.640 --> 0:24:50.159
<v Speaker 4>This is great. Let's keep going and Miguel is.

0:24:50.160 --> 0:24:52.639
<v Speaker 1>Like, no, I quit. He goes to the CEOs off

0:24:52.760 --> 0:24:54.760
<v Speaker 1>was like, fuck this, I'm out. We just killed the guy.

0:24:54.840 --> 0:24:57.639
<v Speaker 1>Like I can't, this is fucked up. Stone's like, I

0:24:57.680 --> 0:25:00.000
<v Speaker 1>get it. You have a backbone, you have a moral compass.

0:25:00.040 --> 0:25:00.440
<v Speaker 4>That's great.

0:25:00.440 --> 0:25:02.840
<v Speaker 1>Here's a glass of wine. Have this glass of wine.

0:25:03.000 --> 0:25:05.240
<v Speaker 1>It's not weird at all that we just watched a

0:25:05.320 --> 0:25:07.640
<v Speaker 1>guy die. And now I'm offering you a glass which

0:25:07.720 --> 0:25:12.159
<v Speaker 1>just drink the wine because all right. And so Miguel

0:25:12.680 --> 0:25:17.000
<v Speaker 1>drinks the wine and immediately starts tripping balls. And that's

0:25:17.040 --> 0:25:25.720
<v Speaker 1>because CEO Tyler Stone has slipped Rapture, a instantly addictive hallucinogen,

0:25:26.680 --> 0:25:31.400
<v Speaker 1>into Mguel's wine. And why why would CEO Tylers don't

0:25:31.440 --> 0:25:31.639
<v Speaker 1>do this?

0:25:31.800 --> 0:25:32.520
<v Speaker 4>Here's the reason.

0:25:32.760 --> 0:25:36.160
<v Speaker 1>Now you're fucking addicted to drugs and you're gonna need more.

0:25:36.280 --> 0:25:38.879
<v Speaker 4>And guess who makes rapture? Alchem X.

0:25:39.040 --> 0:25:42.120
<v Speaker 1>Why do they make this drug? No one fucking knows.

0:25:42.440 --> 0:25:45.600
<v Speaker 1>It's like the Sacklers only if there was no medical

0:25:45.720 --> 0:25:48.400
<v Speaker 1>use for this fucking drug. So ALCHEMX is the only people,

0:25:48.720 --> 0:25:52.760
<v Speaker 1>the only corporation that makes this incredibly addictive, fucking street hallucinogen.

0:25:53.040 --> 0:25:55.600
<v Speaker 1>And now Miguel is addicted to it, and if you

0:25:55.640 --> 0:25:57.119
<v Speaker 1>want more, what do you have to do? You have

0:25:57.200 --> 0:25:59.359
<v Speaker 1>to clock in and come back to work. Motherfucker. So

0:25:59.440 --> 0:26:03.640
<v Speaker 1>Miguel home tripping, immediately attacks his girlfriend because he's hallucinating.

0:26:03.680 --> 0:26:05.480
<v Speaker 1>Then he kind of wears off a little bit, and

0:26:05.480 --> 0:26:06.160
<v Speaker 1>he's what am.

0:26:06.080 --> 0:26:06.520
<v Speaker 4>I gonna do?

0:26:06.560 --> 0:26:09.480
<v Speaker 1>He tells his girlfriend everything and desperation, he figures, Okay,

0:26:09.560 --> 0:26:11.680
<v Speaker 1>I'm gonna sneak back into my lab. I'm gonna put

0:26:11.720 --> 0:26:15.320
<v Speaker 1>myself in the machinery, the other machinery that's not destroyed, right,

0:26:15.640 --> 0:26:19.359
<v Speaker 1>I'm gonna splice my own clean DNA that I have,

0:26:19.520 --> 0:26:23.160
<v Speaker 1>like in a computer bank somewhere into my currently addicted

0:26:23.200 --> 0:26:26.960
<v Speaker 1>to rapture DNA, and I'm gonna cleanse myself. I'm gonna

0:26:26.960 --> 0:26:31.879
<v Speaker 1>replace all my DNA and sells with original, clean Miguel cells.

0:26:32.160 --> 0:26:35.000
<v Speaker 1>It's fucking brilliant. He goes in there. He's doing it. Well,

0:26:35.040 --> 0:26:38.440
<v Speaker 1>guess who's working late tonight, Aaron, the supervisor. Aaron walks

0:26:38.440 --> 0:26:42.240
<v Speaker 1>in and sees mcguel in the machine AND's like, ohh,

0:26:42.359 --> 0:26:45.159
<v Speaker 1>you don't wanna fucking push the human trials try to

0:26:45.240 --> 0:26:48.760
<v Speaker 1>quit and all this stuff. I'm gonna kill you now

0:26:48.960 --> 0:26:51.920
<v Speaker 1>would Aaron do this. If he understood that the CEO

0:26:52.080 --> 0:26:54.760
<v Speaker 1>himself had just addicted Miguel to drugs in order to

0:26:54.880 --> 0:26:57.040
<v Speaker 1>keep him working, he probably would not have done this,

0:26:57.119 --> 0:27:00.600
<v Speaker 1>but he decided. He sabotages the machinery and just like

0:27:00.680 --> 0:27:03.600
<v Speaker 1>because Miguel had earlier said, Hey, wouldn't it be great

0:27:03.640 --> 0:27:06.760
<v Speaker 1>if we like spliced someone with a spider. Wouldn't that

0:27:06.800 --> 0:27:09.240
<v Speaker 1>be cool? He is like, watch this, I'm gonna spice

0:27:09.280 --> 0:27:11.160
<v Speaker 1>you with a spider and he pulls up spider file

0:27:11.320 --> 0:27:14.600
<v Speaker 1>on the computer. The machinery goes haywire and fucking explodes,

0:27:14.880 --> 0:27:18.120
<v Speaker 1>but Miguel is like emerges like shaken, but he comes

0:27:18.160 --> 0:27:19.760
<v Speaker 1>out of it, and Aaron's like, holy shit, you stroubed.

0:27:20.320 --> 0:27:21.000
<v Speaker 4>Not only did he.

0:27:21.040 --> 0:27:25.320
<v Speaker 1>Survive, he's got like white eyes, he's super strong. He's

0:27:25.320 --> 0:27:28.760
<v Speaker 1>got like fucking claws in his hands and his feet,

0:27:29.000 --> 0:27:32.120
<v Speaker 1>and he looks like a vampire with fangs and stuff.

0:27:32.480 --> 0:27:35.040
<v Speaker 1>He tries to save Aaron's life, who almost like falls

0:27:35.160 --> 0:27:38.320
<v Speaker 1>out of the building that goes sideways. An alchemic swat

0:27:38.320 --> 0:27:41.320
<v Speaker 1>team arrives. Miguel is like, coh, this is too crazy.

0:27:41.400 --> 0:27:43.080
<v Speaker 1>I'm gonna end it all. He jumps out of the

0:27:43.080 --> 0:27:45.640
<v Speaker 1>building as he's falling to his death. He's like, wait, wait,

0:27:45.680 --> 0:27:48.640
<v Speaker 1>I don't want to die actually, and he reaches out

0:27:48.680 --> 0:27:50.639
<v Speaker 1>and he grabs onto the side of the building and

0:27:50.960 --> 0:27:53.440
<v Speaker 1>with his claws. This is how Spider Man twenty ninety

0:27:53.520 --> 0:27:57.399
<v Speaker 1>nine climbs walls, his talents in his hands and feet,

0:27:57.520 --> 0:28:00.040
<v Speaker 1>just goes sink right into the concrete and steal and

0:28:00.119 --> 0:28:01.840
<v Speaker 1>he's able to scale the side of the building.

0:28:02.240 --> 0:28:04.480
<v Speaker 4>Now, superheroes from the heroic age in.

0:28:04.440 --> 0:28:06.439
<v Speaker 1>The twenty ninety nine universe had taken on kind of

0:28:06.480 --> 0:28:08.639
<v Speaker 1>like a cult like mythology. There are people who are

0:28:08.680 --> 0:28:11.439
<v Speaker 1>followers of all the Avengers and the Es Guardians. A

0:28:11.520 --> 0:28:15.119
<v Speaker 1>Thorite who's basically a worships thor As like a cult figure,

0:28:15.200 --> 0:28:18.560
<v Speaker 1>is flying random shit they have as in comics, is

0:28:18.920 --> 0:28:23.120
<v Speaker 1>flying a hang glider across New York City dressed as

0:28:23.200 --> 0:28:27.320
<v Speaker 1>thor doing thor stuff. When Miguel comes flying off the

0:28:27.320 --> 0:28:30.240
<v Speaker 1>side of the building and jumps onto the paraglider and

0:28:30.280 --> 0:28:33.880
<v Speaker 1>they crash. But the Thorite actually gives Miguel a good

0:28:33.920 --> 0:28:36.560
<v Speaker 1>bit of advice where he says, listen, Spider Man, you

0:28:36.640 --> 0:28:38.760
<v Speaker 1>have to put on a mask. Spider Man is back.

0:28:38.880 --> 0:28:41.440
<v Speaker 1>Spider Man was an ally of thor who I worship

0:28:41.520 --> 0:28:43.680
<v Speaker 1>as a cult like figure. And you have to put

0:28:43.720 --> 0:28:46.400
<v Speaker 1>on a mask now, because that's what Spider Man did.

0:28:46.960 --> 0:28:49.280
<v Speaker 1>You have to hide your identity. And Miguel's like, that's actually,

0:28:49.320 --> 0:28:52.640
<v Speaker 1>that's a good idea. So Stone then gets wind of

0:28:52.680 --> 0:28:56.400
<v Speaker 1>Miguel's transformation, he hires like this cyborg to hunt him down.

0:28:56.680 --> 0:28:59.160
<v Speaker 1>By that time, Miguel has obtained a costume, the costume

0:28:59.200 --> 0:29:01.560
<v Speaker 1>that we see in the movie that kind of very

0:29:01.720 --> 0:29:06.360
<v Speaker 1>very nineties, slightly techno, kind of grungy, webbed under the

0:29:06.520 --> 0:29:09.680
<v Speaker 1>arms costume. And this you would think, did Miguel make

0:29:09.760 --> 0:29:12.320
<v Speaker 1>this out of unstable molecules? He does talk about, oh,

0:29:12.320 --> 0:29:15.120
<v Speaker 1>I need unstable molecules now with my claws and stuff. No,

0:29:15.560 --> 0:29:18.120
<v Speaker 1>this is a Day of the Dead costume that he

0:29:18.240 --> 0:29:21.240
<v Speaker 1>had just like in his closet somewhere. I guess they

0:29:21.280 --> 0:29:23.920
<v Speaker 1>do Day of the Dead differently in twenty ninety nine

0:29:24.360 --> 0:29:27.600
<v Speaker 1>and from there, Miguel of course defeats the cyborg with

0:29:27.640 --> 0:29:31.080
<v Speaker 1>the help of the Asgardian cult followers, including the original

0:29:31.080 --> 0:29:34.760
<v Speaker 1>Thorite and the legend of Miguel O'Hara. Spider Man twenty

0:29:34.840 --> 0:29:37.400
<v Speaker 1>ninety nine is born. He is a spider but a

0:29:37.440 --> 0:29:40.840
<v Speaker 1>lot of the weird parts of his power set, the fangs,

0:29:40.880 --> 0:29:44.760
<v Speaker 1>the clause, et cetera, probably come from the interaction of

0:29:44.960 --> 0:29:49.680
<v Speaker 1>the spider DNA plus the crazy crazy rapture drug that

0:29:49.880 --> 0:29:52.880
<v Speaker 1>was like circling around in his bloodstream. That, folks, is

0:29:52.920 --> 0:29:56.320
<v Speaker 1>Miguel O'Hara Spider Man twenty ninety nine. Up next, Hive

0:29:56.320 --> 0:29:58.680
<v Speaker 1>Mind with Spider Man India writer Nikesh Shukla.

0:30:11.840 --> 0:30:14.040
<v Speaker 2>Welcome to Hive Mind, where we explore a topic in

0:30:14.080 --> 0:30:17.320
<v Speaker 2>more detail with an expert guest. This episode, we're thrilled

0:30:17.320 --> 0:30:19.479
<v Speaker 2>to welcome Nikkesh Shukla, the writer of the brand new

0:30:19.520 --> 0:30:22.920
<v Speaker 2>Spider Man India series for Marvel Comic and my friend Nikesh.

0:30:22.960 --> 0:30:25.600
<v Speaker 4>Thank you for joining us revision. Thank you, Nikesh, Thanks

0:30:25.600 --> 0:30:26.360
<v Speaker 4>so much for having me.

0:30:26.440 --> 0:30:29.080
<v Speaker 5>Jason Hi, Rosie Hi.

0:30:29.400 --> 0:30:31.520
<v Speaker 3>So happy that you're here. My friend.

0:30:31.760 --> 0:30:33.680
<v Speaker 4>Before we get into the Spider Man of it all,

0:30:33.680 --> 0:30:34.760
<v Speaker 4>how do you all know each other?

0:30:35.240 --> 0:30:38.640
<v Speaker 5>Well, there was like a moment in the London poetry

0:30:38.680 --> 0:30:42.760
<v Speaker 5>scene where you'd go to gigs and you'd have me

0:30:42.840 --> 0:30:46.400
<v Speaker 5>and Rosie and amazing people like Musa Rock Gwango and

0:30:46.520 --> 0:30:51.560
<v Speaker 5>Chimensu Leiman. Oh Wow, Beadles have Ed Sheeran and Sabrina, Mattheus,

0:30:51.880 --> 0:30:57.800
<v Speaker 5>and Ahmed. Yeah, there are other people who ended up

0:30:57.800 --> 0:31:00.280
<v Speaker 5>being massive as well. Wills and I think was around

0:31:00.320 --> 0:31:01.160
<v Speaker 5>at the time as well.

0:31:01.360 --> 0:31:01.760
<v Speaker 3>Yeah.

0:31:01.880 --> 0:31:05.680
<v Speaker 5>Yeah, so we just became firm friends being the only

0:31:05.720 --> 0:31:07.000
<v Speaker 5>two people who liked.

0:31:06.840 --> 0:31:09.680
<v Speaker 3>Comic books basically yeah.

0:31:10.240 --> 0:31:12.720
<v Speaker 5>And meant it. Yeah, because we actually went to the

0:31:12.720 --> 0:31:15.360
<v Speaker 5>comic bookshop and bought comic books and now we're here.

0:31:15.560 --> 0:31:17.160
<v Speaker 2>What a journey and now we're here.

0:31:17.360 --> 0:31:18.040
<v Speaker 5>Yeah.

0:31:18.080 --> 0:31:21.880
<v Speaker 1>Have you seen Spider Verse? I have your thoughts on

0:31:22.200 --> 0:31:23.360
<v Speaker 1>Spider Man India.

0:31:23.480 --> 0:31:27.120
<v Speaker 5>My global thoughts on Spider Verse is going into it.

0:31:27.480 --> 0:31:29.560
<v Speaker 5>Into the Spider Verse is a top ten movie for

0:31:29.640 --> 0:31:30.120
<v Speaker 5>me of.

0:31:30.040 --> 0:31:32.560
<v Speaker 4>All time, absolutely no question.

0:31:32.800 --> 0:31:35.400
<v Speaker 5>So you're already going in going the bar is very

0:31:35.520 --> 0:31:40.120
<v Speaker 5>very high. Yes, And I fucking loved it. I absolutely

0:31:40.200 --> 0:31:41.200
<v Speaker 5>loved it.

0:31:41.200 --> 0:31:42.200
<v Speaker 3>It's unbelievable.

0:31:42.440 --> 0:31:45.880
<v Speaker 5>Two hours twenty minutes went by very quickly. I even

0:31:46.160 --> 0:31:49.200
<v Speaker 5>sat through the credits when they flipped from the good

0:31:49.200 --> 0:31:52.520
<v Speaker 5>credits to the weird the screen has slightly broken and

0:31:52.560 --> 0:31:57.280
<v Speaker 5>you've got that purple hue credits. I just thought it

0:31:57.320 --> 0:31:59.800
<v Speaker 5>was brilliant. Spider Man India was a lot of fun.

0:32:00.120 --> 0:32:05.400
<v Speaker 5>Spider Punk was awesome. When Daniel Khala shouted man like Miles.

0:32:05.480 --> 0:32:08.080
<v Speaker 5>I wanted to jump up in my seat and go.

0:32:08.160 --> 0:32:11.360
<v Speaker 4>Yeah, yes, bruh, yeah, I screamed.

0:32:11.760 --> 0:32:12.920
<v Speaker 3>It was so perfect.

0:32:13.280 --> 0:32:15.800
<v Speaker 2>Okay, let's talk more about before we get to you

0:32:15.840 --> 0:32:18.920
<v Speaker 2>writing Spider Man India and stuff. What's your origin story

0:32:18.960 --> 0:32:21.600
<v Speaker 2>with comics, like with Spider Man in particular and comics,

0:32:21.640 --> 0:32:24.080
<v Speaker 2>which I know for you is like really intertwined.

0:32:24.480 --> 0:32:27.440
<v Speaker 5>Yeah. So, when I was six years old, I went

0:32:27.520 --> 0:32:31.880
<v Speaker 5>to India for an extended period of time, and my cousins,

0:32:32.240 --> 0:32:34.640
<v Speaker 5>who are all a lot older than me, they were

0:32:34.640 --> 0:32:37.640
<v Speaker 5>all reading Archie comics and they all felt that a

0:32:37.680 --> 0:32:40.560
<v Speaker 5>six year old probably didn't need to learn about jeloppies

0:32:40.600 --> 0:32:43.160
<v Speaker 5>and double dates and and all the rest of it,

0:32:45.440 --> 0:32:49.560
<v Speaker 5>probably too young to understand, you know, weird innuendos about

0:32:49.560 --> 0:32:51.640
<v Speaker 5>making out and stuff. So they bought me a Spider

0:32:51.680 --> 0:32:53.920
<v Speaker 5>Man comic and a Batman comic, and that Spider Man

0:32:53.960 --> 0:32:56.560
<v Speaker 5>comic was just the one that I re read and

0:32:56.560 --> 0:32:59.160
<v Speaker 5>reread and reread for the entire time I was there.

0:32:59.240 --> 0:33:01.880
<v Speaker 5>I just absolutely fell in love with that comic. So weirdly,

0:33:02.000 --> 0:33:05.320
<v Speaker 5>my comics journey started in India. And then in the

0:33:05.360 --> 0:33:08.000
<v Speaker 5>mid nineties, me and my best friend Janade, we used

0:33:08.000 --> 0:33:09.640
<v Speaker 5>to go to the comic shop every week and we

0:33:09.680 --> 0:33:11.240
<v Speaker 5>would sit at the back of the comic shop and

0:33:11.320 --> 0:33:14.040
<v Speaker 5>read all of the comics for free, and then whatever

0:33:14.080 --> 0:33:17.320
<v Speaker 5>little money we had we would buy all those number ones,

0:33:17.360 --> 0:33:19.480
<v Speaker 5>all those Yeah it was a mid nineties, so all

0:33:19.480 --> 0:33:23.640
<v Speaker 5>those foil variant covers, and we were like, this is it.

0:33:23.720 --> 0:33:25.200
<v Speaker 5>This is how we're going to make our fortune.

0:33:25.200 --> 0:33:26.360
<v Speaker 3>We're going to buy a house.

0:33:27.480 --> 0:33:30.240
<v Speaker 5>Yeah, yeah, exactly, this is how we make our fortune.

0:33:30.480 --> 0:33:34.880
<v Speaker 5>And we never did. And then years later, when I

0:33:34.920 --> 0:33:37.080
<v Speaker 5>thought I was the only person left in my friendship

0:33:36.880 --> 0:33:39.720
<v Speaker 5>with reading comic books, I started going to Orbital Comics

0:33:39.840 --> 0:33:42.560
<v Speaker 5>in London, which Rosie was later worked out when they

0:33:42.600 --> 0:33:43.320
<v Speaker 5>moved locations.

0:33:43.360 --> 0:33:43.680
<v Speaker 3>I did.

0:33:43.760 --> 0:33:45.960
<v Speaker 5>But when it was in the original top of Totta

0:33:46.040 --> 0:33:48.840
<v Speaker 5>Cook Road location basement, Yeah, in the basement it was

0:33:48.880 --> 0:33:51.040
<v Speaker 5>me and in Ellam's the poet. We used to sit

0:33:51.080 --> 0:33:53.360
<v Speaker 5>in there and read comics at the back. Turns out,

0:33:53.560 --> 0:33:55.720
<v Speaker 5>twenty years after the fact, I was still a cheap.

0:33:55.560 --> 0:34:02.480
<v Speaker 1>Skape thinking of those foil variant years and the collectible

0:34:02.520 --> 0:34:05.400
<v Speaker 1>comic and the bag. Did you ever come up with

0:34:05.720 --> 0:34:07.320
<v Speaker 1>this is my problem? Did you ever come up with

0:34:07.320 --> 0:34:10.800
<v Speaker 1>a solution to getting the comic home without bending the pages.

0:34:10.960 --> 0:34:14.240
<v Speaker 1>This was the issue I had coming from the shop

0:34:14.360 --> 0:34:17.040
<v Speaker 1>with the super collectible comic. I thought that I had

0:34:17.120 --> 0:34:18.040
<v Speaker 1>saved all my money for.

0:34:18.160 --> 0:34:18.759
<v Speaker 4>It's in the bag.

0:34:18.800 --> 0:34:21.200
<v Speaker 1>It's got the little extra sheet, it's got the little

0:34:21.200 --> 0:34:22.080
<v Speaker 1>sticker pack, it's got.

0:34:22.040 --> 0:34:22.560
<v Speaker 4>The foil thing.

0:34:22.680 --> 0:34:25.560
<v Speaker 1>But how do you get it home on a bicycle

0:34:25.719 --> 0:34:28.840
<v Speaker 1>in a backpack without bending the corners?

0:34:28.960 --> 0:34:30.640
<v Speaker 4>How do you do it? How did you do it?

0:34:31.040 --> 0:34:33.040
<v Speaker 5>Jason? Please don't let me tell the story because I'm

0:34:33.040 --> 0:34:35.279
<v Speaker 5>going to lose so many cool creds.

0:34:35.400 --> 0:34:38.080
<v Speaker 3>Oh my gosh, Please tell us now, you have to tell.

0:34:37.960 --> 0:34:39.759
<v Speaker 5>Us we had a briefcase.

0:34:40.040 --> 0:34:42.440
<v Speaker 4>That's cool, that's a good idea.

0:34:42.600 --> 0:34:45.000
<v Speaker 2>That's like you're in pulp fiction, like the goal is

0:34:45.080 --> 0:34:47.560
<v Speaker 2>yellowing when you put the hologram covers in there.

0:34:47.960 --> 0:34:51.880
<v Speaker 5>No, you're putting twenty twenty three nostalgia onto the eighties

0:34:51.960 --> 0:34:54.360
<v Speaker 5>briefcase that I was still using in the early nineties

0:34:54.719 --> 0:34:59.319
<v Speaker 5>and the early nineties. That made me a preg and

0:34:59.360 --> 0:35:01.959
<v Speaker 5>in the midnight when all this was happening, it made

0:35:01.960 --> 0:35:07.280
<v Speaker 5>me somewhat of an odd ball Mede. We'd have the briefcase.

0:35:07.320 --> 0:35:10.360
<v Speaker 5>It had all of the comics in the main cabin. Yeah,

0:35:10.440 --> 0:35:11.120
<v Speaker 5>I don't know what.

0:35:11.040 --> 0:35:15.719
<v Speaker 2>The compartment the first class comic book cabin in the suitcase.

0:35:15.840 --> 0:35:20.480
<v Speaker 5>Yeah, and because we were teenage boys, you lifted up

0:35:20.560 --> 0:35:23.120
<v Speaker 5>the compartment for the secret compartment and there was some

0:35:23.200 --> 0:35:24.120
<v Speaker 5>naughty magazines.

0:35:26.080 --> 0:35:28.399
<v Speaker 3>That was the most important briefcase in the world.

0:35:28.600 --> 0:35:31.279
<v Speaker 5>I know exactly. Like I don't think my dad is

0:35:31.280 --> 0:35:33.319
<v Speaker 5>going to listen to this podcast. Sorry, guys, I don't

0:35:33.360 --> 0:35:34.840
<v Speaker 5>think he listens. Story vision.

0:35:35.000 --> 0:35:36.400
<v Speaker 3>It's all right, heartbroken.

0:35:36.600 --> 0:35:38.960
<v Speaker 5>So I feel like I can get away with confessing.

0:35:38.600 --> 0:35:41.200
<v Speaker 2>That, Wow, who could have ever known there would have

0:35:41.200 --> 0:35:44.759
<v Speaker 2>been such a good, unique story. Yeah, So sticking to

0:35:44.800 --> 0:35:47.000
<v Speaker 2>that nineties kind of like because we don't really get

0:35:47.000 --> 0:35:49.799
<v Speaker 2>to talk about these crazy speculation boom times. Do you

0:35:49.840 --> 0:35:52.440
<v Speaker 2>remember like this single comic that you bought, you were like,

0:35:52.520 --> 0:35:55.680
<v Speaker 2>this is the one, Like I remember getting Sporn number one.

0:35:55.760 --> 0:35:57.319
<v Speaker 2>Like when I got a copy of that, I was like,

0:35:57.480 --> 0:36:00.480
<v Speaker 2>I'm gonna be rich. I didn't know they printed like

0:36:00.520 --> 0:36:02.759
<v Speaker 2>five million copies of it.

0:36:02.760 --> 0:36:06.160
<v Speaker 5>It was a comic called Legionnaires. Oh yeah, I don't

0:36:06.160 --> 0:36:10.000
<v Speaker 5>think it lasted more than ten issues. And then we

0:36:10.200 --> 0:36:13.759
<v Speaker 5>upsold that so we could buy profit issue for which

0:36:13.800 --> 0:36:17.359
<v Speaker 5>had the misprint in it. And that was the one

0:36:17.400 --> 0:36:20.399
<v Speaker 5>where we were like this is the one, guys, this

0:36:20.440 --> 0:36:23.520
<v Speaker 5>is the one we lived in a pre eBay world.

0:36:23.520 --> 0:36:26.560
<v Speaker 5>What we were going to do just I was going

0:36:26.600 --> 0:36:28.359
<v Speaker 5>to say the end of that story, and then I

0:36:28.440 --> 0:36:30.960
<v Speaker 5>was like, dude, you already tell them about the briefcase.

0:36:31.520 --> 0:36:34.600
<v Speaker 2>You're like, the briefcase has already come up, Guys.

0:36:34.640 --> 0:36:37.920
<v Speaker 5>Don't tell them that you kept meaning to go to

0:36:38.040 --> 0:36:41.680
<v Speaker 5>the various cons and sell profit issue for but you

0:36:41.719 --> 0:36:42.959
<v Speaker 5>couldn't afford the drain fare.

0:36:44.400 --> 0:36:45.160
<v Speaker 3>That's relatable.

0:36:45.280 --> 0:36:47.040
<v Speaker 5>Much like Spider Man, he was always broke.

0:36:48.000 --> 0:36:50.480
<v Speaker 2>I never even went to a proper comic book convention

0:36:50.640 --> 0:36:53.120
<v Speaker 2>till I moved to America. They have an English comic

0:36:53.120 --> 0:36:55.840
<v Speaker 2>convention MCM, but I went there like once or twice,

0:36:55.920 --> 0:36:58.040
<v Speaker 2>and it was mostly just like because I could get

0:36:58.040 --> 0:36:58.800
<v Speaker 2>there on the tube.

0:36:59.160 --> 0:37:02.440
<v Speaker 5>The ones we went to, it was basically a bunch

0:37:02.480 --> 0:37:04.759
<v Speaker 5>of people like us trying to sell things, trying to

0:37:04.760 --> 0:37:09.239
<v Speaker 5>buy their house, and no one to buy because we

0:37:09.320 --> 0:37:11.400
<v Speaker 5>just didn't realize that all of those comics were in

0:37:11.440 --> 0:37:12.600
<v Speaker 5>abundance at the time.

0:37:13.000 --> 0:37:15.279
<v Speaker 4>So how did you find yourself writing Spider Man?

0:37:15.520 --> 0:37:20.760
<v Speaker 5>Because of the wonderful Jamie McKelvey basically icon on Twitter

0:37:20.800 --> 0:37:23.600
<v Speaker 5>for years, I would just try and manifest that I

0:37:23.640 --> 0:37:26.400
<v Speaker 5>wanted to write a Spider Man because like, I've had

0:37:26.440 --> 0:37:29.439
<v Speaker 5>a long and varied career writing novels, working on TV

0:37:29.520 --> 0:37:32.360
<v Speaker 5>shows and stuff, and I feel like I've done everything

0:37:32.600 --> 0:37:34.719
<v Speaker 5>that I wanted to do. And then a couple of

0:37:34.760 --> 0:37:37.560
<v Speaker 5>years ago, I turned down a major award in the

0:37:37.680 --> 0:37:40.160
<v Speaker 5>UK called an MBE because it stands for Member of

0:37:40.160 --> 0:37:42.799
<v Speaker 5>the British Empire, and I was like, I don't really

0:37:42.840 --> 0:37:45.080
<v Speaker 5>want those letters after my name, and so when I

0:37:45.080 --> 0:37:47.080
<v Speaker 5>did that, I kind of felt like maybe I should

0:37:47.080 --> 0:37:49.200
<v Speaker 5>try and do something for myself. So one day I

0:37:49.239 --> 0:37:51.040
<v Speaker 5>just wrote on Twitter one day, I want to write

0:37:51.040 --> 0:37:53.400
<v Speaker 5>a Spider Man comic. I still filed it as you

0:37:53.440 --> 0:37:55.000
<v Speaker 5>know when you're a kid and you're like, I want

0:37:55.000 --> 0:37:57.839
<v Speaker 5>to be a fireman, I want to be a traffic warden,

0:37:57.920 --> 0:37:59.960
<v Speaker 5>I want to be an astronaut. I want to write

0:38:00.040 --> 0:38:02.520
<v Speaker 5>comic books. It still felt like one of those careers.

0:38:03.520 --> 0:38:06.319
<v Speaker 5>And Jamie McKelvey, I think he still follows me. Yeah,

0:38:06.360 --> 0:38:11.279
<v Speaker 5>he follows me on what a way to find out? Yeah,

0:38:11.400 --> 0:38:13.680
<v Speaker 5>Jamie just DMed me and said, do you want me

0:38:13.760 --> 0:38:16.120
<v Speaker 5>to introduce you to some people in Marvel if you're serious?

0:38:16.160 --> 0:38:19.120
<v Speaker 5>And I was like, yeah, I'm serious. Sure In that

0:38:19.160 --> 0:38:21.200
<v Speaker 5>way that like someone has just gone, oh, you know

0:38:21.280 --> 0:38:23.960
<v Speaker 5>that pipe dream you have, I can definitely make it

0:38:24.080 --> 0:38:27.480
<v Speaker 5>a reality if you want, And then you suddenly freak

0:38:27.560 --> 0:38:29.680
<v Speaker 5>out because you're like, oh God, I've actually got to

0:38:29.719 --> 0:38:31.880
<v Speaker 5>try and do this properly. So Jamie put me in

0:38:31.880 --> 0:38:34.880
<v Speaker 5>touch with the people at Marvel. It was the pandemic times,

0:38:35.160 --> 0:38:37.520
<v Speaker 5>so you know, they were busy trying to get comic

0:38:37.520 --> 0:38:39.920
<v Speaker 5>books out and they had I was one of probably

0:38:40.000 --> 0:38:42.680
<v Speaker 5>many people going hey, can I write a Spider Man comic?

0:38:42.960 --> 0:38:44.960
<v Speaker 5>And I was starting to feel like maybe I should

0:38:45.000 --> 0:38:48.160
<v Speaker 5>just pitch them something properly rather than just going, hey,

0:38:48.200 --> 0:38:50.040
<v Speaker 5>can we have a chat and we can fling some

0:38:50.080 --> 0:38:51.640
<v Speaker 5>ideas around. Let me just go in with a pitch.

0:38:51.719 --> 0:38:54.320
<v Speaker 5>And around the time I had that realization, that first

0:38:54.360 --> 0:38:57.319
<v Speaker 5>teaser trailer for Across the Spider Verse came out and

0:38:57.400 --> 0:39:00.160
<v Speaker 5>I was talking to Rosie about it. I think you

0:39:00.160 --> 0:39:02.560
<v Speaker 5>guys even discussed it on the podcast at the time,

0:39:02.719 --> 0:39:04.839
<v Speaker 5>but there's a moment where it kind of you hear

0:39:04.880 --> 0:39:07.640
<v Speaker 5>a tablet on it and I thought, oh, I wonder

0:39:07.640 --> 0:39:09.719
<v Speaker 5>if Puvito Probacco is going to be in this, that

0:39:09.760 --> 0:39:12.520
<v Speaker 5>would be pretty cool. And then I thought, why has

0:39:12.560 --> 0:39:15.040
<v Speaker 5>there not been another mini series since the original one

0:39:15.080 --> 0:39:16.960
<v Speaker 5>that came out in two thousand and five. He's such

0:39:16.960 --> 0:39:21.000
<v Speaker 5>a fun character and actually, whenever he's cropped up in

0:39:21.120 --> 0:39:24.600
<v Speaker 5>all the Spider Versal adventures, he's always sort of in

0:39:24.640 --> 0:39:26.920
<v Speaker 5>the background. He gets a call action shot, maybe a

0:39:26.960 --> 0:39:28.839
<v Speaker 5>couple of quips, but we don't really actually know much

0:39:28.840 --> 0:39:31.719
<v Speaker 5>about him. They haven't explored enough about him. Fuck it,

0:39:31.960 --> 0:39:34.520
<v Speaker 5>I'm going to pitch Spider Man India. So I wrote

0:39:34.520 --> 0:39:37.960
<v Speaker 5>them an idea, send it through, and they came back

0:39:38.000 --> 0:39:39.879
<v Speaker 5>and said, you know what. Funnily enough, we were thinking

0:39:39.920 --> 0:39:42.480
<v Speaker 5>about doing another mini series and I don't know if

0:39:42.520 --> 0:39:44.040
<v Speaker 5>you know this, but he's going to be in the

0:39:44.080 --> 0:39:46.440
<v Speaker 5>next across the Spider Verse, and so that's yeah, that's

0:39:46.440 --> 0:39:48.640
<v Speaker 5>pretty much how it happened. Yeah, I got to write

0:39:48.680 --> 0:39:50.359
<v Speaker 5>a new Spider Man and I got to like put

0:39:50.360 --> 0:39:52.239
<v Speaker 5>my own stamp on it, which was the fun thing

0:39:52.440 --> 0:39:56.080
<v Speaker 5>because there wasn't much about Bubvito that was sort of

0:39:56.160 --> 0:39:59.680
<v Speaker 5>cannon and I hadn't seen the movie and read the

0:39:59.719 --> 0:40:01.520
<v Speaker 5>script or anything, so I've got to just do what

0:40:01.560 --> 0:40:03.080
<v Speaker 5>I wanted to do, which was great.

0:40:03.360 --> 0:40:06.080
<v Speaker 2>So, like for people who haven't read that two thousand

0:40:06.120 --> 0:40:08.280
<v Speaker 2>and five mini series, which I'm sure has been reprinted

0:40:08.280 --> 0:40:10.399
<v Speaker 2>and is probably available to buy seeing as the movie

0:40:10.520 --> 0:40:13.600
<v Speaker 2>is out. Who is pav Like, what's the story of

0:40:13.600 --> 0:40:14.799
<v Speaker 2>Spider Man India?

0:40:14.880 --> 0:40:17.240
<v Speaker 5>Correct me if I'm wrong, Rosie, I'm sure you will.

0:40:19.280 --> 0:40:23.160
<v Speaker 5>He was one of the first sort of multiversal spiders

0:40:23.200 --> 0:40:25.839
<v Speaker 5>to exist. I mean, it wasn't sort of clarified until

0:40:25.880 --> 0:40:28.520
<v Speaker 5>later on that he was what earth he was in. Yeah,

0:40:28.560 --> 0:40:31.400
<v Speaker 5>but that first forest you ark is very much like

0:40:31.480 --> 0:40:34.880
<v Speaker 5>a retelling of the Spider Man origin story, with the

0:40:34.880 --> 0:40:37.880
<v Speaker 5>death of Uncle Ben uncle be him in this case,

0:40:38.000 --> 0:40:41.520
<v Speaker 5>and the introduction of like an Indian demon who is

0:40:41.560 --> 0:40:45.680
<v Speaker 5>the Green Goblin and a doctor Octopus type villain. Yeah,

0:40:45.680 --> 0:40:48.040
<v Speaker 5>it's pretty much an origin story. That's pretty much it,

0:40:48.080 --> 0:40:52.480
<v Speaker 5>and it's fun and it's interesting, like recontextualizing Spider Man

0:40:52.560 --> 0:40:56.520
<v Speaker 5>and that iconic sort of New York skyline to somewhere

0:40:56.600 --> 0:40:59.640
<v Speaker 5>like Bombay, which is you know, the skyline is very

0:41:00.120 --> 0:41:02.000
<v Speaker 5>was very different in twenty and five, and in twenty

0:41:02.000 --> 0:41:04.239
<v Speaker 5>twenty three is even more different because you know, there

0:41:04.239 --> 0:41:06.640
<v Speaker 5>are so many more high rises now they were springing

0:41:06.719 --> 0:41:08.799
<v Speaker 5>up then. So yeah, that was pretty much it. It

0:41:08.880 --> 0:41:11.480
<v Speaker 5>was very much like a retelling of the origin story

0:41:11.680 --> 0:41:14.839
<v Speaker 5>and sort of remixing it with sort of Indian mysticism

0:41:14.920 --> 0:41:18.319
<v Speaker 5>and bits of Hinduism and just imbuing it with like

0:41:19.040 --> 0:41:21.759
<v Speaker 5>Spider Man isn't bitten by radioactive Spider He's sort of

0:41:21.840 --> 0:41:24.320
<v Speaker 5>chosen and given this sort of mystical power.

0:41:25.400 --> 0:41:28.440
<v Speaker 1>I was reading through a bunch of your interviews and

0:41:28.840 --> 0:41:30.560
<v Speaker 1>there's a quote in one of them that jumped out

0:41:30.600 --> 0:41:32.920
<v Speaker 1>at me. You said, you know, telling I think the

0:41:32.960 --> 0:41:35.240
<v Speaker 1>story that you told us about your comics origin story

0:41:35.400 --> 0:41:38.160
<v Speaker 1>that reading Spider Man made you feel less alone. Could

0:41:38.200 --> 0:41:39.040
<v Speaker 1>you explain that?

0:41:39.719 --> 0:41:42.759
<v Speaker 5>Yeah, like the character of Peter Parker and to an

0:41:42.760 --> 0:41:46.279
<v Speaker 5>exten Miles Morales, they're both such brilliant teenagers. They've got

0:41:46.360 --> 0:41:48.560
<v Speaker 5>the weight of the world on their shoulders, They've got

0:41:48.640 --> 0:41:52.080
<v Speaker 5>everything against them. They are so racked with guilt and shame,

0:41:52.280 --> 0:41:55.319
<v Speaker 5>which as the child of immigrant parents, I grew up

0:41:55.440 --> 0:41:57.920
<v Speaker 5>racked with guilt and shame all the time. And so

0:41:58.040 --> 0:42:01.440
<v Speaker 5>whenever I read those comics, I just like, this superhero

0:42:01.520 --> 0:42:03.600
<v Speaker 5>kid got me because he put on a mask to

0:42:03.600 --> 0:42:06.560
<v Speaker 5>become his cocky, most powerful best. And so there was

0:42:06.640 --> 0:42:08.719
<v Speaker 5>always this interesting thing of like, who is the real

0:42:08.760 --> 0:42:11.319
<v Speaker 5>person Spider Man or Peter Parker? You know, that whole

0:42:11.360 --> 0:42:14.040
<v Speaker 5>thing that's exploreding Issue thirty one, the sort of the

0:42:14.120 --> 0:42:17.759
<v Speaker 5>duality of the selves, and it just really resonated with me.

0:42:17.880 --> 0:42:20.920
<v Speaker 5>I think it's really hard to nail writing teenagers, and

0:42:20.960 --> 0:42:23.839
<v Speaker 5>writing teenagers who feel like the world is against them,

0:42:24.040 --> 0:42:27.359
<v Speaker 5>but also make them fun. That's the thing about Spider Man.

0:42:27.440 --> 0:42:30.919
<v Speaker 5>He's a fun character. Theirs, even when they get dark,

0:42:30.960 --> 0:42:33.160
<v Speaker 5>even when they get heavy, they're still fun. There's still

0:42:33.200 --> 0:42:36.600
<v Speaker 5>a lightness to them that you don't often get all

0:42:36.719 --> 0:42:38.720
<v Speaker 5>that the balance is always off in other books.

0:42:38.719 --> 0:42:41.400
<v Speaker 2>I think, what's it like for you then, to come

0:42:41.640 --> 0:42:44.560
<v Speaker 2>from loving Spider Man Peter Parker and that being such

0:42:44.560 --> 0:42:48.040
<v Speaker 2>an influential kind of story in your life, to then

0:42:48.320 --> 0:42:53.200
<v Speaker 2>getting to reintroduce readers to pav and to this, like

0:42:53.239 --> 0:42:55.400
<v Speaker 2>you said, a story that hasn't been seen for almost

0:42:55.400 --> 0:42:57.400
<v Speaker 2>twenty years, and to just get to kind of go

0:42:57.440 --> 0:42:58.759
<v Speaker 2>wild and put your own stamp on it.

0:42:59.200 --> 0:43:04.360
<v Speaker 5>I'm not gonna lie. The expectation of it was terrifying.

0:43:04.520 --> 0:43:06.719
<v Speaker 3>Yeah, I feel you.

0:43:06.760 --> 0:43:10.160
<v Speaker 5>I feel you, not just of like anyone else reading it,

0:43:10.239 --> 0:43:12.080
<v Speaker 5>but like I'm still a reader, I'm still a comic

0:43:12.120 --> 0:43:14.440
<v Speaker 5>book reader, so like it had to be something that

0:43:14.520 --> 0:43:17.440
<v Speaker 5>I would read first and foremost and One of the

0:43:17.440 --> 0:43:20.839
<v Speaker 5>things that I really loved about the end Beats of

0:43:20.880 --> 0:43:23.759
<v Speaker 5>No Way Home was we get a street level Spidery back,

0:43:23.760 --> 0:43:27.120
<v Speaker 5>and the first half of Homecoming when he is street

0:43:27.160 --> 0:43:29.879
<v Speaker 5>level Spidy. That is my favorite Spider Man. I love

0:43:29.920 --> 0:43:33.080
<v Speaker 5>writing that Spider Man, and that's what I decided to

0:43:33.120 --> 0:43:35.880
<v Speaker 5>do with Pav. I just wanted to root him in

0:43:35.960 --> 0:43:38.719
<v Speaker 5>his city and sort of make that background, that new

0:43:38.800 --> 0:43:41.839
<v Speaker 5>setting just really feel like it's a character as much

0:43:41.840 --> 0:43:44.160
<v Speaker 5>as he is. What was really fun was I got

0:43:44.200 --> 0:43:47.759
<v Speaker 5>to write a small introductory like cold open adventure with

0:43:47.800 --> 0:43:51.560
<v Speaker 5>Peter Parker and Mars Rylis Wow, which sets up the book,

0:43:51.600 --> 0:43:54.160
<v Speaker 5>which is like absolute dream come true. And then you

0:43:54.239 --> 0:43:56.719
<v Speaker 5>just roote him back in five oh one oh one

0:43:56.960 --> 0:43:59.440
<v Speaker 5>in that Bombay where he is the only Spider Man.

0:43:59.600 --> 0:44:01.760
<v Speaker 5>So Spider Man India. It's kind of a weird title,

0:44:03.160 --> 0:44:06.960
<v Speaker 5>just saying I did a short backup story in Edge

0:44:07.000 --> 0:44:10.400
<v Speaker 5>of Spider Verse last year called average reluctant teenage Superhero

0:44:10.520 --> 0:44:13.160
<v Speaker 5>where he basically sort of questions the concept of him

0:44:13.160 --> 0:44:15.320
<v Speaker 5>being called Spider Man India.

0:44:15.400 --> 0:44:16.839
<v Speaker 3>It's very good, Go and read it.

0:44:17.239 --> 0:44:19.480
<v Speaker 5>This comic book does well. Hopefully I'll get to bring

0:44:19.560 --> 0:44:21.120
<v Speaker 5>him back or someone else will get to bring him

0:44:21.120 --> 0:44:23.240
<v Speaker 5>back and we can kind of have that conversation about

0:44:23.360 --> 0:44:25.880
<v Speaker 5>you know, him being not an Indian Spider Man, but

0:44:25.960 --> 0:44:28.279
<v Speaker 5>being the Spider Man of verse five h one oh one.

0:44:28.400 --> 0:44:31.080
<v Speaker 5>But yeah, writing a street level Spidery, I'm going to

0:44:31.120 --> 0:44:34.879
<v Speaker 5>confess something here. When I was workshopping the idea of

0:44:35.000 --> 0:44:38.520
<v Speaker 5>what my Spider Man story was gonna be, I workshopped

0:44:38.520 --> 0:44:40.040
<v Speaker 5>it with a certain Rosie Night.

0:44:40.160 --> 0:44:40.680
<v Speaker 3>I was me.

0:44:42.760 --> 0:44:44.840
<v Speaker 5>Who was very very helpful. I had loads of thoughts.

0:44:45.280 --> 0:44:47.880
<v Speaker 5>Nick Burno really helped me out with some thoughts and

0:44:47.920 --> 0:44:49.359
<v Speaker 5>just to help me frame what I wanted to do,

0:44:49.400 --> 0:44:51.359
<v Speaker 5>because my thing was I want him to be on

0:44:51.400 --> 0:44:54.040
<v Speaker 5>the ground. I want him to be doing community based stuff.

0:44:54.080 --> 0:44:56.560
<v Speaker 5>And that whole thing of like, with great power comes

0:44:56.600 --> 0:44:59.160
<v Speaker 5>great responsibility is wonderful. It's like it's obviously set the

0:44:59.200 --> 0:45:01.960
<v Speaker 5>tone for you know, all of Spider Man Cannon, but

0:45:02.080 --> 0:45:04.680
<v Speaker 5>the thing that it has the potential to be is

0:45:04.719 --> 0:45:09.000
<v Speaker 5>feel quite individualistic. And so when you have a street

0:45:09.040 --> 0:45:10.880
<v Speaker 5>level hero who stands up for community, you kind of

0:45:10.920 --> 0:45:13.239
<v Speaker 5>have to talk about what that community means to him

0:45:13.239 --> 0:45:15.759
<v Speaker 5>and what he means to that community. And so I

0:45:15.800 --> 0:45:18.239
<v Speaker 5>thought about the idea of this thing called Seva which

0:45:18.280 --> 0:45:21.840
<v Speaker 5>is like this Hindu thing of like selfless community service,

0:45:22.200 --> 0:45:24.880
<v Speaker 5>which to me like when one has great power and

0:45:24.880 --> 0:45:28.120
<v Speaker 5>great responsibility and one decides to be a mass superhero,

0:45:28.160 --> 0:45:31.760
<v Speaker 5>they might do selfless community service. And so the book's

0:45:31.800 --> 0:45:34.200
<v Speaker 5>called Seva and it's basically about you know, it's that

0:45:34.280 --> 0:45:37.319
<v Speaker 5>classic Why am I doing this storyline? But with some

0:45:37.360 --> 0:45:38.320
<v Speaker 5>core fights and stuff.

0:45:40.280 --> 0:45:42.239
<v Speaker 1>I wanted to go back to something you were talking about.

0:45:42.280 --> 0:45:44.880
<v Speaker 1>You've written in a lot of different kinds of mediums.

0:45:44.880 --> 0:45:49.040
<v Speaker 1>You've done journalism, you've written novels, you've written criticisms, you've

0:45:49.120 --> 0:45:52.279
<v Speaker 1>written comic books. How do you because I'm sure there's

0:45:52.280 --> 0:45:55.120
<v Speaker 1>a lot of people that listen to this that either

0:45:55.280 --> 0:45:58.919
<v Speaker 1>want to create something or want to write something, want

0:45:59.280 --> 0:46:02.040
<v Speaker 1>in some fashion put something in the world that is

0:46:02.080 --> 0:46:05.200
<v Speaker 1>going to require them asking someone to let them do it.

0:46:05.440 --> 0:46:08.640
<v Speaker 1>What is your process for pitching something like you got

0:46:08.640 --> 0:46:09.840
<v Speaker 1>to pitch Marvel Comics.

0:46:09.840 --> 0:46:11.160
<v Speaker 4>How do you go about it? What do you do?

0:46:11.520 --> 0:46:14.880
<v Speaker 5>It just kind of has some famous friends, Jason, right.

0:46:16.920 --> 0:46:19.760
<v Speaker 2>The terrible, the terrible truth comes out.

0:46:20.000 --> 0:46:22.760
<v Speaker 4>That really does help. Let's admit it, Yeah.

0:46:22.440 --> 0:46:26.400
<v Speaker 5>It does help. I do honestly think that when people pitch,

0:46:26.560 --> 0:46:29.319
<v Speaker 5>they often pitch the wrong way round. They pitch what

0:46:29.360 --> 0:46:33.080
<v Speaker 5>they think the magazine or the publisher or the comic

0:46:33.160 --> 0:46:36.280
<v Speaker 5>book editor wants, or what they think that the audience wants,

0:46:36.400 --> 0:46:38.480
<v Speaker 5>rather than the story that they want to tell. The

0:46:38.600 --> 0:46:41.720
<v Speaker 5>very earnest way to say this is you could write anything.

0:46:41.960 --> 0:46:44.239
<v Speaker 5>You know, we're all in the imagination business. Like, we

0:46:44.239 --> 0:46:47.200
<v Speaker 5>can make anything happen. We can make a meteorite crash

0:46:47.239 --> 0:46:49.320
<v Speaker 5>towards Earth and the only people who can save humanity

0:46:49.320 --> 0:46:51.640
<v Speaker 5>a ragtag group of industrial drillers. Or we can have

0:46:51.800 --> 0:46:53.640
<v Speaker 5>a boy and a girl falling in out of love

0:46:53.760 --> 0:46:56.000
<v Speaker 5>over three years at a prestigious Dublin college. Or we

0:46:56.040 --> 0:46:58.440
<v Speaker 5>can have humanity try and put itself back together by

0:46:58.440 --> 0:47:01.480
<v Speaker 5>watching a Shakespeare play following a global pandemic. I don't know,

0:47:01.640 --> 0:47:04.319
<v Speaker 5>Like you know, we can do absolutely anything. So the

0:47:04.360 --> 0:47:06.120
<v Speaker 5>thing that you kind of have to do when you're

0:47:06.120 --> 0:47:08.760
<v Speaker 5>pitching is go, what is my unique take on this world?

0:47:08.760 --> 0:47:11.080
<v Speaker 5>What is the one thing that I want to say?

0:47:11.200 --> 0:47:14.239
<v Speaker 5>Because your idea is your unique perspective, the perspective that

0:47:14.280 --> 0:47:18.800
<v Speaker 5>you have, that's your currency. Ultimately, those editors and Marvel

0:47:18.840 --> 0:47:21.960
<v Speaker 5>have seen every single person try and imitate stan Lee.

0:47:22.120 --> 0:47:24.879
<v Speaker 5>They've seen everyone try and imitate Tom McFarland. They've seen

0:47:24.920 --> 0:47:27.439
<v Speaker 5>everyone trying to imitate all of the great They've seen

0:47:27.480 --> 0:47:29.040
<v Speaker 5>all of that. So what do you want to say?

0:47:29.280 --> 0:47:32.239
<v Speaker 5>When I was workshopping what I wanted to do with

0:47:32.440 --> 0:47:34.560
<v Speaker 5>Rosie and a bunch of other friends, Like, the thing

0:47:34.600 --> 0:47:36.920
<v Speaker 5>that I kept coming back to is what's the story

0:47:36.960 --> 0:47:38.640
<v Speaker 5>I want to tell. I want to tell a street

0:47:38.680 --> 0:47:40.799
<v Speaker 5>level spidery story. I want to tell a story that's

0:47:40.840 --> 0:47:44.920
<v Speaker 5>about the pull between hustler culture, individualism, and standing up

0:47:44.920 --> 0:47:46.759
<v Speaker 5>for your community. I want to tell a story that's

0:47:46.800 --> 0:47:49.800
<v Speaker 5>about gentrification. I want to tell a story about Andrew

0:47:49.840 --> 0:47:53.120
<v Speaker 5>Tate that got softened a little in the editorial process

0:47:53.120 --> 0:47:54.719
<v Speaker 5>because it turns out I was trying to say a

0:47:54.719 --> 0:47:57.719
<v Speaker 5>lot in five issues, so you know, we can come

0:47:57.760 --> 0:48:00.840
<v Speaker 5>back to that. So I guess that's my best advice.

0:48:00.880 --> 0:48:02.880
<v Speaker 5>Before you go out and get yourself a famous friend,

0:48:02.920 --> 0:48:04.960
<v Speaker 5>work out what you want to say first.

0:48:07.080 --> 0:48:10.600
<v Speaker 2>And when it came to writing this comic, like, was

0:48:10.719 --> 0:48:11.960
<v Speaker 2>there something.

0:48:11.800 --> 0:48:13.960
<v Speaker 3>Process wise that surprised you?

0:48:14.000 --> 0:48:16.200
<v Speaker 2>Because you read comics your whole life, But when you

0:48:16.239 --> 0:48:18.279
<v Speaker 2>read a book and when you write a book, the

0:48:18.320 --> 0:48:21.440
<v Speaker 2>thing that you write, your manuscript looks a lot like

0:48:21.480 --> 0:48:24.520
<v Speaker 2>the published book. When you write a TV show that

0:48:24.680 --> 0:48:26.880
<v Speaker 2>is different, but you hear the words that you write

0:48:26.880 --> 0:48:28.560
<v Speaker 2>on the page and you see the people doing the

0:48:28.560 --> 0:48:30.719
<v Speaker 2>things you describe. When you write a script for a

0:48:30.760 --> 0:48:35.279
<v Speaker 2>comic book, it essentially transforms completely when the artist gets

0:48:35.320 --> 0:48:37.360
<v Speaker 2>their hands on it. So what was the process like

0:48:37.400 --> 0:48:41.040
<v Speaker 2>of kind of getting comfortable with writing comics.

0:48:41.760 --> 0:48:45.239
<v Speaker 5>Writing comics and working on TV shows are so collaborative,

0:48:45.920 --> 0:48:49.120
<v Speaker 5>and when you've spent so long being the sole oteur writer,

0:48:49.880 --> 0:48:53.480
<v Speaker 5>writing the literary great all by yourself, it becomes quite

0:48:53.520 --> 0:48:56.719
<v Speaker 5>hard to work out the pie chart of collaboration. So

0:48:57.280 --> 0:49:01.120
<v Speaker 5>working with Abishek Munsoni on this the artist, and working

0:49:01.160 --> 0:49:05.799
<v Speaker 5>with the letters and the inkers and the colorizers, you

0:49:05.800 --> 0:49:07.560
<v Speaker 5>can tell I've got the technical terms.

0:49:07.320 --> 0:49:10.640
<v Speaker 3>Down, everyone's favorite colorizers.

0:49:10.440 --> 0:49:13.439
<v Speaker 5>Color colorizers. It was really interesting because you know, there's

0:49:13.480 --> 0:49:16.319
<v Speaker 5>a lot of collaboration going on, you know, between me

0:49:16.560 --> 0:49:20.200
<v Speaker 5>and Ubbushek and the editors, and the way that the

0:49:20.280 --> 0:49:24.200
<v Speaker 5>letterer might put everything in might make you review, like

0:49:24.360 --> 0:49:27.200
<v Speaker 5>whether the panel just says it, or whether you need

0:49:27.200 --> 0:49:30.239
<v Speaker 5>the dialogue, whether there's dialogue missing, whether dialogue just sort

0:49:30.239 --> 0:49:32.400
<v Speaker 5>of is saying what's already happening in the panel. The

0:49:32.440 --> 0:49:34.799
<v Speaker 5>whole thing is very iterative, and it's very flexible, and

0:49:34.800 --> 0:49:37.840
<v Speaker 5>it's very emergent, and I really love that. Like today,

0:49:37.880 --> 0:49:39.960
<v Speaker 5>I've been working on the script for issue three, which

0:49:39.960 --> 0:49:42.480
<v Speaker 5>I turned in like back in se Tember. But now

0:49:42.480 --> 0:49:45.040
<v Speaker 5>that all the artwork's done and it's been inked, there's

0:49:45.160 --> 0:49:49.160
<v Speaker 5>new stuff that I'm finding, and there's new stuff that

0:49:49.239 --> 0:49:51.320
<v Speaker 5>I'm able to kind of push on. And actually having

0:49:51.400 --> 0:49:53.840
<v Speaker 5>written the script for issue five, like a couple of

0:49:53.840 --> 0:49:55.840
<v Speaker 5>weeks ago, I now know where this is heading, so

0:49:55.920 --> 0:49:58.480
<v Speaker 5>I can you know, this is the midpoint issue. So

0:49:58.920 --> 0:50:01.960
<v Speaker 5>it is very iterative. But one hoping to do when

0:50:01.960 --> 0:50:05.399
<v Speaker 5>that first issue dropped is go back to the first

0:50:05.440 --> 0:50:08.040
<v Speaker 5>script that I wrote, the first draft of it, because

0:50:08.040 --> 0:50:10.680
<v Speaker 5>I started writing the script not realizing that it would

0:50:10.680 --> 0:50:12.799
<v Speaker 5>be helpful for me to draw out some pages with

0:50:12.880 --> 0:50:15.600
<v Speaker 5>some stick figures and all the rest of it, and

0:50:15.640 --> 0:50:17.960
<v Speaker 5>then write the script to that and then hand that

0:50:18.000 --> 0:50:21.120
<v Speaker 5>script into the artist, and then talk with the artist

0:50:21.120 --> 0:50:23.439
<v Speaker 5>about what I was hoping for and then give them

0:50:23.600 --> 0:50:26.000
<v Speaker 5>like a visual palette from which to pull from and

0:50:26.040 --> 0:50:28.399
<v Speaker 5>all the rest of it. I hope I can show

0:50:28.480 --> 0:50:30.880
<v Speaker 5>that journey, because that journey was really fun for me,

0:50:31.200 --> 0:50:32.600
<v Speaker 5>Like I've never worked like that.

0:50:32.560 --> 0:50:36.680
<v Speaker 1>Before What did you think of Spiderman's costume in Across

0:50:36.680 --> 0:50:37.399
<v Speaker 1>the Spider Verse.

0:50:38.080 --> 0:50:40.640
<v Speaker 5>I thought it was great when it first came out.

0:50:41.040 --> 0:50:45.399
<v Speaker 5>It looked very specifically like there's a Bollywood actor called

0:50:45.400 --> 0:50:49.640
<v Speaker 5>Mithun Chukra Buddy who in the eighties or nineties, there

0:50:49.680 --> 0:50:52.120
<v Speaker 5>was a very famous film called Disco Dancer.

0:50:52.239 --> 0:50:53.680
<v Speaker 3>Oh, I love that movie.

0:50:54.040 --> 0:50:57.040
<v Speaker 5>I am a Discord Dancers.

0:50:56.239 --> 0:50:58.239
<v Speaker 3>Add you on Netflix. That's how I discovered it.

0:50:58.239 --> 0:51:02.480
<v Speaker 5>It's great Jimmy samples one of the songs in that.

0:51:02.600 --> 0:51:05.160
<v Speaker 5>I thought the look was very sort of inspired by

0:51:05.200 --> 0:51:08.479
<v Speaker 5>that era of Bollywood, and it's obviously so different from

0:51:08.560 --> 0:51:11.200
<v Speaker 5>what I was working with. Yeah, and so it's interesting

0:51:11.280 --> 0:51:15.080
<v Speaker 5>now sort of seeing what they've done with pav and

0:51:15.120 --> 0:51:18.000
<v Speaker 5>also listening to Kemp on the pod last week talk

0:51:18.040 --> 0:51:21.680
<v Speaker 5>about how the film is basically a warning shot across

0:51:21.719 --> 0:51:24.200
<v Speaker 5>the bowels of Cannon. Yeah, I was watching it going,

0:51:24.239 --> 0:51:25.560
<v Speaker 5>oh God, do I have to go back to the

0:51:25.600 --> 0:51:27.919
<v Speaker 5>drawing board. But actually, like my path and the path

0:51:27.960 --> 0:51:30.600
<v Speaker 5>that's in the film, they come from the same essence,

0:51:30.719 --> 0:51:33.200
<v Speaker 5>but you know, they are different characters. I don't want

0:51:33.239 --> 0:51:36.359
<v Speaker 5>to ruin it too much, but there might be a

0:51:36.400 --> 0:51:39.000
<v Speaker 5>meeting of minds when it comes to that outfit at

0:51:39.000 --> 0:51:39.480
<v Speaker 5>some point.

0:51:39.600 --> 0:51:40.400
<v Speaker 4>Oh wonderful.

0:51:40.560 --> 0:51:42.680
<v Speaker 5>I haven't spoiled it too much. I hope my editors

0:51:42.680 --> 0:51:44.120
<v Speaker 5>of Marvel don't mind me saying that.

0:51:44.320 --> 0:51:46.360
<v Speaker 2>I think that's a wonderful tease that a lot of

0:51:46.360 --> 0:51:49.120
<v Speaker 2>people have been wondering about since the film.

0:51:48.960 --> 0:51:50.239
<v Speaker 4>And absolutely great teas.

0:51:50.520 --> 0:51:50.840
<v Speaker 3>Yeah.

0:51:50.880 --> 0:51:54.640
<v Speaker 1>And you know, for me, PEVs costume in the film

0:51:55.480 --> 0:51:59.640
<v Speaker 1>is a revelation because my personal theory up until that

0:51:59.680 --> 0:52:03.640
<v Speaker 1>point was that open top masks don't work. I don't

0:52:03.680 --> 0:52:06.439
<v Speaker 1>like when the hair comes out the top, whether it's

0:52:06.800 --> 0:52:08.799
<v Speaker 1>Hank Pim as Goliath. You can go on and on

0:52:08.880 --> 0:52:11.640
<v Speaker 1>the number of times people have tried a hawkeye. I've

0:52:11.680 --> 0:52:14.799
<v Speaker 1>never seen it work until pav Across the Spider Verse

0:52:15.040 --> 0:52:17.120
<v Speaker 1>is the first time I was like, that works, that

0:52:17.200 --> 0:52:17.680
<v Speaker 1>looks good.

0:52:17.960 --> 0:52:19.839
<v Speaker 5>It's because it's Bollywood hair.

0:52:20.280 --> 0:52:22.399
<v Speaker 3>Yeah, dream hair.

0:52:23.160 --> 0:52:26.520
<v Speaker 5>It's almost like, you know, Bollywood is famed for loads

0:52:26.520 --> 0:52:29.680
<v Speaker 5>of slow motion shots of like people whipping their hair

0:52:29.760 --> 0:52:33.759
<v Speaker 5>across their across their perfectly chiseled faces, and it just

0:52:33.840 --> 0:52:35.480
<v Speaker 5>it just made me think when I was watching it,

0:52:35.760 --> 0:52:39.120
<v Speaker 5>I wonder if they like slowed the frame rate of

0:52:39.239 --> 0:52:41.360
<v Speaker 5>like the way his hair moves, and then put it

0:52:41.400 --> 0:52:44.319
<v Speaker 5>back up to normal speed. Almost like time stretching his

0:52:44.440 --> 0:52:45.960
<v Speaker 5>hair because it looks amazing.

0:52:46.080 --> 0:52:49.080
<v Speaker 2>I would believe it because I did learn this week

0:52:49.160 --> 0:52:51.759
<v Speaker 2>thanks to all the other Hoby Brown fans out there,

0:52:52.120 --> 0:52:57.880
<v Speaker 2>that they animated Hobie on that his body was animated

0:52:57.880 --> 0:53:00.720
<v Speaker 2>on his on the threes, but his outline were always

0:53:00.719 --> 0:53:03.520
<v Speaker 2>animated on the twos, and they had to create an

0:53:03.760 --> 0:53:07.399
<v Speaker 2>entirely new animation device to do that. So I think

0:53:07.440 --> 0:53:08.879
<v Speaker 2>that you're right about the hair.

0:53:08.920 --> 0:53:09.920
<v Speaker 3>I could absolutely see that.

0:53:10.200 --> 0:53:13.360
<v Speaker 2>Also, what I loved the way that Pav got to

0:53:13.400 --> 0:53:18.680
<v Speaker 2>be He is like the carefree, non depressed, charming, everything

0:53:18.719 --> 0:53:23.320
<v Speaker 2>goes right Spider Man. That feels very different than anything

0:53:23.320 --> 0:53:25.880
<v Speaker 2>we've seen of any Spider Man. So did you like

0:53:25.960 --> 0:53:27.320
<v Speaker 2>that kind of reinterpretation?

0:53:27.920 --> 0:53:30.080
<v Speaker 5>Yeah, I loved it. I'm really glad that he got

0:53:30.080 --> 0:53:32.480
<v Speaker 5>to be happy, go lucky and just seemed like he

0:53:32.560 --> 0:53:35.120
<v Speaker 5>was having a whale of the time because obviously a

0:53:35.120 --> 0:53:38.920
<v Speaker 5>lot of the Spider society is having a miserable I've

0:53:38.960 --> 0:53:41.319
<v Speaker 5>had loads of messages from people in recent weeks. They

0:53:41.360 --> 0:53:44.000
<v Speaker 5>know I'm writing a Spider Man Indian comic book, but

0:53:44.120 --> 0:53:46.799
<v Speaker 5>I think they sometimes don't know the difference between a

0:53:46.800 --> 0:53:50.760
<v Speaker 5>comic book and an animated film because this isn't a spoiler,

0:53:50.760 --> 0:53:52.200
<v Speaker 5>but there's a couple of lines in it where he

0:53:52.239 --> 0:53:55.960
<v Speaker 5>talks about chi t means te te and non bread

0:53:56.000 --> 0:53:59.799
<v Speaker 5>means bread, bread and stuff. And I wrote an essay

0:54:00.160 --> 0:54:02.239
<v Speaker 5>in a in a book that sort of blew up

0:54:02.680 --> 0:54:04.680
<v Speaker 5>in a big way called The Good Immigrant, which sort

0:54:04.680 --> 0:54:06.920
<v Speaker 5>of pokes fun at all of that sort of stuff.

0:54:07.400 --> 0:54:09.439
<v Speaker 5>And you know, it's not like it's an original thought,

0:54:09.520 --> 0:54:11.799
<v Speaker 5>like people have said it. Those of people have said

0:54:11.800 --> 0:54:13.959
<v Speaker 5>it over the years, but it's such a well worn

0:54:14.040 --> 0:54:19.920
<v Speaker 5>diaspora complaint that obviously it would shut up in a

0:54:19.920 --> 0:54:22.040
<v Speaker 5>Spider Man. But like, I've had lots of people go,

0:54:22.560 --> 0:54:24.640
<v Speaker 5>I love those lines you wrote for that Spider Man.

0:54:24.680 --> 0:54:28.960
<v Speaker 5>I was like, that's not sadly, that's that's not me.

0:54:29.480 --> 0:54:31.800
<v Speaker 3>Maybe the next movie maybe maybe and beyond.

0:54:32.920 --> 0:54:35.759
<v Speaker 4>Yeah, oh well, where can people find you? Where?

0:54:35.760 --> 0:54:39.440
<v Speaker 1>Can where can people find your stuff? Are you posting

0:54:39.440 --> 0:54:42.320
<v Speaker 1>out there? Where on the internet? Can people find your material?

0:54:42.800 --> 0:54:43.000
<v Speaker 2>Yeah?

0:54:43.480 --> 0:54:45.120
<v Speaker 5>I'm so glad you said on the internet, because I

0:54:45.120 --> 0:54:46.600
<v Speaker 5>was going to say, if you want to find me

0:54:46.600 --> 0:54:52.960
<v Speaker 5>at my house, please don't. I'm a very private person, guys. Yeah,

0:54:53.040 --> 0:54:56.319
<v Speaker 5>I'm at Nick Schukler writer on Instagram. I'm at Nick

0:54:56.520 --> 0:55:00.520
<v Speaker 5>Schukla on Twitter. If that's still a thing by the time.

0:55:00.520 --> 0:55:03.640
<v Speaker 1>This appears to be still a thing today, who knows

0:55:03.760 --> 0:55:05.200
<v Speaker 1>the tomorrow or in the future.

0:55:05.600 --> 0:55:09.680
<v Speaker 5>Yeah and yeah. Spider Man India Issue one is out

0:55:09.760 --> 0:55:14.239
<v Speaker 5>fourteenth of June, and I've just hope you know, mind

0:55:14.280 --> 0:55:16.560
<v Speaker 5>me plug And I've just had a new YA book

0:55:16.560 --> 0:55:18.960
<v Speaker 5>come out called stand Up, which is a fun, fun, little,

0:55:19.360 --> 0:55:22.440
<v Speaker 5>fun little story about about a young kid who wants

0:55:22.440 --> 0:55:23.840
<v Speaker 5>to be a stand up comedian. And also how you

0:55:23.840 --> 0:55:26.680
<v Speaker 5>should never meet heroes because they are always disappointing.

0:55:27.480 --> 0:55:29.640
<v Speaker 3>Important lessons, important life lesson.

0:55:29.680 --> 0:55:33.640
<v Speaker 5>Important life lessons to bum out. All of the teenagers

0:55:33.840 --> 0:55:35.480
<v Speaker 5>who now are going to listen to this and go

0:55:35.600 --> 0:55:37.839
<v Speaker 5>I need a famous friend. And I've read a book

0:55:37.920 --> 0:55:41.600
<v Speaker 5>basically mitigating that, going don't find a thing. It will

0:55:41.640 --> 0:55:46.840
<v Speaker 5>be terrible, exactly.

0:55:46.360 --> 0:55:48.759
<v Speaker 3>The ad Spider Man India through your pull list.

0:55:48.760 --> 0:55:50.560
<v Speaker 2>Who knows, maybe one day we'll just get a main

0:55:50.640 --> 0:55:54.200
<v Speaker 2>title Spider Man and it will be about pav We

0:55:54.239 --> 0:55:54.920
<v Speaker 2>can dream.

0:55:55.080 --> 0:55:57.399
<v Speaker 5>Yeah, buve do Probacus Spider Man. That's what I want

0:55:57.440 --> 0:55:57.799
<v Speaker 5>to go for.

0:55:57.880 --> 0:56:00.000
<v Speaker 3>I think that's really cool.

0:56:00.800 --> 0:56:03.600
<v Speaker 5>Yeah, yeah, thanks so much for having me guys. I'm

0:56:03.640 --> 0:56:06.200
<v Speaker 5>a big fan of the podcast. I love I've always

0:56:06.239 --> 0:56:08.719
<v Speaker 5>loved your work, Jason and Rosie. You are one of

0:56:08.760 --> 0:56:10.040
<v Speaker 5>my favorite people in the whole world.

0:56:10.120 --> 0:56:13.080
<v Speaker 2>Ah, thank you so much, so happy you can be here,

0:56:13.680 --> 0:56:15.960
<v Speaker 2>and so excited for everyone to read this book. Also,

0:56:16.160 --> 0:56:19.920
<v Speaker 2>the Edge of the Spider Verse story is like illustrated by.

0:56:19.800 --> 0:56:20.640
<v Speaker 3>Non Stop Bangers.

0:56:20.640 --> 0:56:22.960
<v Speaker 2>It was Nickash's first ever comic, so go out and

0:56:22.960 --> 0:56:25.799
<v Speaker 2>finding a copy, Niggas's first ever comic, and it was

0:56:26.080 --> 0:56:27.960
<v Speaker 2>like some of the artists who worked on his stories,

0:56:28.000 --> 0:56:32.000
<v Speaker 2>like Mark Bagley, Adam Cuber like only the most famous

0:56:32.040 --> 0:56:35.440
<v Speaker 2>Spider Man artists of all time on his first ever comic.

0:56:35.520 --> 0:56:38.400
<v Speaker 5>I mean, Adam Cuber has done all of my covers.

0:56:38.200 --> 0:56:44.800
<v Speaker 5>It's absolutely crazy, so I cannot believe it. So please

0:56:44.920 --> 0:56:47.520
<v Speaker 5>please buy the book. This has been so much fun.

0:56:47.600 --> 0:56:50.560
<v Speaker 5>I want to do more. And also I'm just putting

0:56:50.640 --> 0:56:52.520
<v Speaker 5>I'm just going to manifest this now. I really want

0:56:52.520 --> 0:56:53.400
<v Speaker 5>to write a Dared Devil.

0:56:53.760 --> 0:56:55.359
<v Speaker 3>Love it. That's the next.

0:56:56.000 --> 0:56:58.800
<v Speaker 5>Yeah, I love Dared Devil. I feel like Dared Devil

0:56:59.160 --> 0:57:01.000
<v Speaker 5>is consistently.

0:57:00.560 --> 0:57:03.640
<v Speaker 4>Yes, that is the correct opinion.

0:57:03.760 --> 0:57:09.560
<v Speaker 1>It has for forty ish years been mostly very very

0:57:09.800 --> 0:57:10.279
<v Speaker 1>very good.

0:57:10.440 --> 0:57:12.759
<v Speaker 2>Maybe this okay, this is going to be outrageous Okay,

0:57:12.840 --> 0:57:16.840
<v Speaker 2>let's take X Men out of the equation. But maybe

0:57:17.040 --> 0:57:21.400
<v Speaker 2>the book without X Men, maybe the single superhero who

0:57:21.440 --> 0:57:24.480
<v Speaker 2>has the most like iconic runs that you can just

0:57:24.520 --> 0:57:27.080
<v Speaker 2>bring up because you have like Born Again, you have

0:57:27.120 --> 0:57:30.400
<v Speaker 2>the Charles Sewell run. Zadarski just did a run that's

0:57:30.440 --> 0:57:32.440
<v Speaker 2>already been seen as in the modern classic.

0:57:32.480 --> 0:57:33.600
<v Speaker 3>You've got the Bend this run.

0:57:34.480 --> 0:57:37.400
<v Speaker 2>You've got so many different people who've taken on that character,

0:57:38.160 --> 0:57:40.800
<v Speaker 2>and each of those trades people will be buying them

0:57:40.840 --> 0:57:42.160
<v Speaker 2>for like a really long I've.

0:57:42.000 --> 0:57:43.280
<v Speaker 4>Got them all. I've got here.

0:57:43.320 --> 0:57:48.720
<v Speaker 1>I've got like six omnibuses Bending the shelf online, my bookshelf.

0:57:48.960 --> 0:57:51.040
<v Speaker 1>I think it's for this reason, now that we've been derailed,

0:57:51.080 --> 0:57:53.040
<v Speaker 1>I'll say this is my theory, and you tell me

0:57:53.600 --> 0:57:56.200
<v Speaker 1>whether you agree or disagree. It's one Daredevil has been

0:57:56.240 --> 0:57:59.760
<v Speaker 1>mostly held aside from big events. He's in his own

0:57:59.760 --> 0:58:02.680
<v Speaker 1>little world, running street level. He doesn't have to punch

0:58:02.720 --> 0:58:05.880
<v Speaker 1>Thanos or anything. You know, it's not fucking around with

0:58:05.880 --> 0:58:12.840
<v Speaker 1>the beyonder when you know world dimensional interactions happen. He's

0:58:13.000 --> 0:58:15.720
<v Speaker 1>really not involved in that. He's just like, hey, I'm

0:58:15.800 --> 0:58:17.560
<v Speaker 1>keeping the streets of Hell's Kitchen clean.

0:58:17.600 --> 0:58:17.920
<v Speaker 4>That's it.

0:58:18.360 --> 0:58:21.720
<v Speaker 1>And then two that's the place where they put like

0:58:21.840 --> 0:58:26.080
<v Speaker 1>the up and coming, really really good comics writer. Often

0:58:26.120 --> 0:58:28.200
<v Speaker 1>it will put them there and say okay, let's see

0:58:28.200 --> 0:58:29.400
<v Speaker 1>what you got, and then they.

0:58:29.280 --> 0:58:30.480
<v Speaker 4>Just turn out to always deliver.

0:58:30.600 --> 0:58:32.280
<v Speaker 3>Oh it sounds sound like that would be a good

0:58:32.280 --> 0:58:32.720
<v Speaker 3>place for you.

0:58:32.760 --> 0:58:35.160
<v Speaker 2>I think you're right, Jason, up and coming new comic

0:58:35.200 --> 0:58:37.200
<v Speaker 2>writer who needs to show that he can deliver.

0:58:37.320 --> 0:58:39.240
<v Speaker 3>It's time. I'm ready and he do.

0:58:40.920 --> 0:58:48.480
<v Speaker 1>He's written, he's written several several well regarded novels. He's

0:58:48.760 --> 0:58:51.600
<v Speaker 1>already writing comics. But can he do it this time?

0:58:51.640 --> 0:58:52.360
<v Speaker 1>Can he do it again?

0:58:52.440 --> 0:58:52.840
<v Speaker 3>Can he.

0:58:54.880 --> 0:58:56.520
<v Speaker 4>Turn He's turned out an m b E.

0:58:57.720 --> 0:58:58.600
<v Speaker 3>Who is this guy?

0:58:58.760 --> 0:58:59.800
<v Speaker 4>To be continued?

0:59:00.800 --> 0:59:03.120
<v Speaker 5>Just because you said you could write there, devil nick

0:59:03.160 --> 0:59:09.480
<v Speaker 5>case doesn't mean you should look call me Marvel. You

0:59:09.480 --> 0:59:11.800
<v Speaker 5>know where I live. Actually, Marvel, you can come over.

0:59:12.080 --> 0:59:14.840
<v Speaker 2>Marvel's the only people who turn up.

0:59:17.360 --> 0:59:18.720
<v Speaker 4>Well, thanks so much for joining.

0:59:18.560 --> 0:59:20.480
<v Speaker 5>Us, Thank you so much for having me.

0:59:23.600 --> 0:59:25.440
<v Speaker 4>Big thank you to Nikesha. And that's it for us.

0:59:25.480 --> 0:59:26.960
<v Speaker 4>Rosie any plugs, Yes, you.

0:59:27.000 --> 0:59:30.680
<v Speaker 2>Can find me as always Rosie marks on Instagram and letterbox.

0:59:31.160 --> 0:59:33.840
<v Speaker 2>I'm here twice a week and on Saturday, tenth of

0:59:33.920 --> 0:59:37.080
<v Speaker 2>June I will be at Universal City Walk doing a

0:59:37.120 --> 0:59:40.520
<v Speaker 2>signing for my Godzilla comic with Nick Marino, and we

0:59:40.600 --> 0:59:44.840
<v Speaker 2>will be at T four, which is Things from Another World,

0:59:44.960 --> 0:59:47.240
<v Speaker 2>a really fun comic shop owned by dark Horse Comics.

0:59:47.520 --> 0:59:49.040
<v Speaker 2>So if you're in the Valley, if you've never come

0:59:49.080 --> 0:59:50.600
<v Speaker 2>down to the South Bay for any of our signings,

0:59:50.640 --> 0:59:52.680
<v Speaker 2>you can find us there. Also, if you're in the SGV,

0:59:53.160 --> 0:59:55.440
<v Speaker 2>you can go to Nostalgia Comics. We did a really

0:59:55.440 --> 0:59:58.400
<v Speaker 2>fun Spider Verse inspired our exhibition, and I did a

0:59:58.400 --> 1:00:03.680
<v Speaker 2>big piece of Hobie Brown. So spider Punk Forever.

1:00:04.600 --> 1:00:06.840
<v Speaker 1>X ray Vision is taking a week off for many

1:00:06.880 --> 1:00:09.240
<v Speaker 1>similar vacations. There'll be no episodes next week on either

1:00:09.320 --> 1:00:12.440
<v Speaker 1>June fourteenth or sixteenth. We'll be back rested and ready

1:00:12.480 --> 1:00:14.200
<v Speaker 1>with more deep dives and theories on June twenty.

1:00:14.200 --> 1:00:16.320
<v Speaker 2>First subscribe on YouTube so you can keep up with

1:00:16.400 --> 1:00:18.240
<v Speaker 2>us while you miss us. While we're on vacation. You

1:00:18.240 --> 1:00:20.000
<v Speaker 2>can watch full episodes of the show.

1:00:19.800 --> 1:00:22.160
<v Speaker 3>There, and if you check out our discord, you.

1:00:22.080 --> 1:00:23.720
<v Speaker 2>Can hang out with loads of cool fans who love

1:00:23.760 --> 1:00:25.800
<v Speaker 2>all the same stuff as you, same stuff as us.

1:00:25.880 --> 1:00:27.040
<v Speaker 3>I'm with us sometimes too.

1:00:27.360 --> 1:00:30.080
<v Speaker 1>Five star ratings, five star reviews, We need them.

1:00:30.240 --> 1:00:31.000
<v Speaker 3>You gotta give it to us.

1:00:31.120 --> 1:00:34.880
<v Speaker 1>Here's one from Naroho forty four, best pot out there.

1:00:34.960 --> 1:00:37.200
<v Speaker 1>This pod, which has allowed me to fully embrace my Internet,

1:00:37.200 --> 1:00:40.720
<v Speaker 1>has become my favorite to listen to by far. Jason

1:00:40.760 --> 1:00:43.600
<v Speaker 1>and Rosie seem like genuinely great people. Well, thank you,

1:00:43.680 --> 1:00:45.920
<v Speaker 1>thank you, and they cover all the movies and shows

1:00:45.920 --> 1:00:48.439
<v Speaker 1>I watch, providing great fan level deep dives. They've also

1:00:48.480 --> 1:00:50.800
<v Speaker 1>helped me rediscover my lovel comics and graphic novels. I

1:00:50.800 --> 1:00:54.919
<v Speaker 1>appreciate their suggestions for additional reading, viewing, and listening. Thank

1:00:54.960 --> 1:00:58.440
<v Speaker 1>you so much, Narojo forty four, See you next time.

1:01:05.520 --> 1:01:07.120
<v Speaker 4>X ray Vision is a Crooked Media production.

1:01:07.200 --> 1:01:09.120
<v Speaker 1>The show is produced by Chris Lord and Saul Rumin

1:01:09.160 --> 1:01:12.240
<v Speaker 1>and executive produced by me Jason Concepcion. Our editing at

1:01:12.280 --> 1:01:15.800
<v Speaker 1>sound design is by Facillis Fatopoulos. Video production by Delon

1:01:15.920 --> 1:01:20.160
<v Speaker 1>Villanueva and Rachel Gaieski. Social media by Awa Oklatti and

1:01:20.280 --> 1:01:23.520
<v Speaker 1>Caroline Dunfe. Thank you to Brian Basquez for our theme music.