1 00:00:00,200 --> 00:00:02,880 Speaker 1: Just a quick heads up. Today's episode talks about sexual 2 00:00:02,920 --> 00:00:09,360 Speaker 1: violence There Are No Girls on the Internet, as a 3 00:00:09,400 --> 00:00:17,160 Speaker 1: production of iHeartRadio and Unbossed Creative. I'm Bridget Todd, and 4 00:00:17,200 --> 00:00:21,800 Speaker 1: this is there Are No Girls on the Internet. Fifty 5 00:00:21,800 --> 00:00:24,280 Speaker 1: five year old Brian Warner, who you might know better 6 00:00:24,320 --> 00:00:27,480 Speaker 1: rest his stage name Marilyn Manson, is melting a big 7 00:00:27,520 --> 00:00:31,200 Speaker 1: comeback tour. He announced his first tour date since multiple 8 00:00:31,240 --> 00:00:35,159 Speaker 1: women came forward saying he sexually abused them, a now 9 00:00:35,240 --> 00:00:39,120 Speaker 1: familiar page from the Abuser playbook. Warner is actually suing 10 00:00:39,280 --> 00:00:42,600 Speaker 1: one of his survivors, actor Evan rachel Wood, for defamation 11 00:00:42,760 --> 00:00:46,240 Speaker 1: and emotional distress. The suit is ongoing, but back in January, 12 00:00:46,440 --> 00:00:49,279 Speaker 1: a judge ordered Warner to pay her court costs. So 13 00:00:49,479 --> 00:00:51,560 Speaker 1: why am I talking about this on a tech podcast? 14 00:00:51,840 --> 00:00:53,960 Speaker 1: I got into how this is actually a tech and 15 00:00:54,040 --> 00:00:57,480 Speaker 1: platform accountability issue with my friends Samantha and Annie over 16 00:00:57,520 --> 00:00:59,480 Speaker 1: at the podcast Stuff. Mom never told you. 17 00:01:05,120 --> 00:01:07,559 Speaker 2: Hey, this is Annie and Samantha. I don't come to Steph. 18 00:01:07,560 --> 00:01:19,039 Speaker 2: I never told your protection of iHeart Radio and today 19 00:01:19,120 --> 00:01:22,720 Speaker 2: we are thrilled to once again be joined by the amazing, 20 00:01:22,959 --> 00:01:24,560 Speaker 2: fantastic Bridget Todd. 21 00:01:25,200 --> 00:01:27,160 Speaker 3: Hi, Bridget, Thanks for joining us. 22 00:01:27,720 --> 00:01:29,280 Speaker 1: Oh, I'm so glad to be here. Thank you for 23 00:01:29,319 --> 00:01:32,080 Speaker 1: having me. Always such a pleasure to be joining you, ladies. 24 00:01:32,560 --> 00:01:37,960 Speaker 2: Yes, and happy belated birth Yes. 25 00:01:36,840 --> 00:01:40,120 Speaker 1: Thank you. Yeah, I had a birthday. I almost kind 26 00:01:40,120 --> 00:01:42,000 Speaker 1: of forgot because it happened at a weird time, but 27 00:01:42,160 --> 00:01:43,840 Speaker 1: thank you. 28 00:01:43,840 --> 00:01:46,320 Speaker 4: You were in the middle of your travels, right, Yeah. 29 00:01:46,360 --> 00:01:49,640 Speaker 1: I was in Austin, Texas for south By Southwest. It's 30 00:01:49,800 --> 00:01:51,840 Speaker 1: not a bad place to spend your birthday, but it 31 00:01:51,960 --> 00:01:54,280 Speaker 1: kind of happened very quickly and I kind of forgot 32 00:01:54,320 --> 00:01:56,120 Speaker 1: about it. I was getting on the plane to go 33 00:01:56,200 --> 00:01:58,840 Speaker 1: back home and the person who checked my ID was like, oh, 34 00:01:58,840 --> 00:02:01,200 Speaker 1: happy belated birthday, and I said, oh, that's right. I 35 00:02:01,200 --> 00:02:02,360 Speaker 1: did have a person thank you. 36 00:02:04,280 --> 00:02:07,680 Speaker 2: Yeah. I think someone recently asked me how old I was, 37 00:02:07,720 --> 00:02:13,919 Speaker 2: and I like paused to think about it. Get back 38 00:02:13,960 --> 00:02:16,760 Speaker 2: to you on that, But yeah, how was your south 39 00:02:16,760 --> 00:02:18,080 Speaker 2: By Southwest experience? 40 00:02:18,639 --> 00:02:22,680 Speaker 1: It was good and it was interesting. You know, it 41 00:02:22,720 --> 00:02:24,400 Speaker 1: was the first time they had done it since COVID. 42 00:02:24,720 --> 00:02:27,400 Speaker 1: It was cool. I have to shout out the fact 43 00:02:27,440 --> 00:02:32,200 Speaker 1: that probably every other panel or like talk like speech 44 00:02:32,280 --> 00:02:35,600 Speaker 1: or talk that I saw was a trans person or 45 00:02:35,600 --> 00:02:39,040 Speaker 1: a non binary person really speaking out against some of 46 00:02:39,080 --> 00:02:42,520 Speaker 1: the like horrific legislation we've seen in Texas. And there 47 00:02:42,520 --> 00:02:45,120 Speaker 1: were lots of women speaking out about like the horrible 48 00:02:45,120 --> 00:02:48,000 Speaker 1: abortion legislation in Texas. So even though it felt a 49 00:02:48,040 --> 00:02:50,840 Speaker 1: little bit strange to be in Texas, I was, I 50 00:02:50,960 --> 00:02:55,400 Speaker 1: left so empowered and engaged and like leaned into the 51 00:02:55,400 --> 00:03:00,639 Speaker 1: fight to you know, really create change. So I have 52 00:03:00,760 --> 00:03:03,320 Speaker 1: to really shout out a lot of you know, abortion 53 00:03:03,400 --> 00:03:08,200 Speaker 1: advocates and trans advocates that I'm sure being in Texas 54 00:03:08,280 --> 00:03:11,320 Speaker 1: was like tough for them, but I really have to 55 00:03:11,400 --> 00:03:14,760 Speaker 1: shout out how incredible it was for them to make 56 00:03:14,840 --> 00:03:17,960 Speaker 1: space to open up conversations about legislation that is harming 57 00:03:18,040 --> 00:03:19,520 Speaker 1: their community. So it was good. 58 00:03:19,840 --> 00:03:23,040 Speaker 5: Yeah, I love that because I know, like it's kind 59 00:03:23,080 --> 00:03:27,079 Speaker 5: of so difficult to be in an area where it's 60 00:03:27,120 --> 00:03:30,560 Speaker 5: so toxic to you as a person as a human 61 00:03:30,600 --> 00:03:33,840 Speaker 5: being going through your life and then feeling like, yeah, 62 00:03:34,000 --> 00:03:35,600 Speaker 5: you know what, I can't leave because I have to 63 00:03:35,600 --> 00:03:38,000 Speaker 5: fight this. There's just that double whammy. But that is 64 00:03:38,040 --> 00:03:40,920 Speaker 5: amazing to hear that such an event, which is an 65 00:03:40,960 --> 00:03:44,680 Speaker 5: international event, was able to push forward that conversation. 66 00:03:45,080 --> 00:03:48,200 Speaker 1: Absolutely, I really think, like shout out to all of 67 00:03:48,240 --> 00:03:51,360 Speaker 1: those people who I don't even say. I'm like, I 68 00:03:51,360 --> 00:03:53,480 Speaker 1: think they took the space for themselves and I think 69 00:03:53,520 --> 00:03:54,880 Speaker 1: that was the right thing to do. 70 00:03:55,240 --> 00:03:59,800 Speaker 2: Yeah, awesome, that's that's amazing. And we were discussing before 71 00:03:59,840 --> 00:04:03,480 Speaker 2: this one. This is a topic that is so important 72 00:04:03,520 --> 00:04:05,480 Speaker 2: that you brought to us today. It's a bit of 73 00:04:05,480 --> 00:04:09,280 Speaker 2: a downer, but it's incredibly important and I think like 74 00:04:09,600 --> 00:04:11,400 Speaker 2: we're going to have a lot of there's a lot 75 00:04:11,400 --> 00:04:13,520 Speaker 2: of nuance with this that I appreciate that you brought 76 00:04:13,520 --> 00:04:17,240 Speaker 2: to it. So what did you bring for us to 77 00:04:17,279 --> 00:04:18,800 Speaker 2: discuss today, Bridget. 78 00:04:18,839 --> 00:04:21,240 Speaker 1: Yeah, as you said, it's a little bit of a 79 00:04:21,279 --> 00:04:23,159 Speaker 1: rough topic. So you know, we're going to be talking 80 00:04:23,160 --> 00:04:27,120 Speaker 1: about sexual assault and you know, domestic violence and abuse, 81 00:04:27,200 --> 00:04:29,640 Speaker 1: So just know that going forward. So you know, my 82 00:04:29,720 --> 00:04:31,640 Speaker 1: podcast There Are No Girls on the Internet is really 83 00:04:31,680 --> 00:04:34,480 Speaker 1: all about the ways that issues that maybe don't seem 84 00:04:34,600 --> 00:04:37,360 Speaker 1: like tech issues, issues that impact women and other traditionally 85 00:04:37,360 --> 00:04:40,400 Speaker 1: marginalized people. You know, they might not be seen as 86 00:04:40,680 --> 00:04:44,480 Speaker 1: tech issues, but they're very much tech issues. And today's topic, 87 00:04:44,520 --> 00:04:46,240 Speaker 1: I think is a really great example of what I mean. 88 00:04:46,240 --> 00:04:48,839 Speaker 1: So today I want to talk about the platform YouTube 89 00:04:48,920 --> 00:04:51,159 Speaker 1: and their failure to remove a video of actor and 90 00:04:51,200 --> 00:04:55,159 Speaker 1: activist Evan Rachel would being sexually assaulted. So it is 91 00:04:55,200 --> 00:04:57,280 Speaker 1: really important to me, you know, as someone who makes 92 00:04:57,279 --> 00:05:00,000 Speaker 1: a tech podcast and cares about technology and works on technology, 93 00:05:00,200 --> 00:05:03,440 Speaker 1: to talk about this and especially frame it not as 94 00:05:03,560 --> 00:05:06,320 Speaker 1: kind of a quote celebrity story, which I've seen it 95 00:05:06,400 --> 00:05:10,200 Speaker 1: really framed as, or even worse as a quote he said, 96 00:05:10,279 --> 00:05:13,680 Speaker 1: she said, which is obviously not correct because that kind 97 00:05:13,720 --> 00:05:16,520 Speaker 1: of framing, I think really lets tech companies that are 98 00:05:16,560 --> 00:05:19,080 Speaker 1: involved off the hook. I'm sure these tech companies like 99 00:05:19,120 --> 00:05:22,320 Speaker 1: YouTube would love it if this story was not framed 100 00:05:22,320 --> 00:05:24,400 Speaker 1: as a tech accountability story and was just a sort of, 101 00:05:24,560 --> 00:05:29,520 Speaker 1: you know, celebrity story, But unfortunately for them, that's I'm 102 00:05:29,520 --> 00:05:31,480 Speaker 1: not framing it that way. I am framing it as 103 00:05:31,520 --> 00:05:34,400 Speaker 1: a tech accountability story because that's what I believe that 104 00:05:34,480 --> 00:05:34,800 Speaker 1: it is. 105 00:05:35,080 --> 00:05:38,000 Speaker 5: That's amazing because we literally were just talking about an 106 00:05:38,000 --> 00:05:41,080 Speaker 5: episode which came out with which TikTok I talked about 107 00:05:41,080 --> 00:05:41,560 Speaker 5: the fact. 108 00:05:41,400 --> 00:05:43,520 Speaker 4: That are allowing these really bad, like. 109 00:05:44,040 --> 00:05:48,000 Speaker 5: Really misogynistic jokes about killing women on dates essentially and 110 00:05:48,080 --> 00:05:50,880 Speaker 5: allowing it and saying it's not violating anything is just 111 00:05:50,960 --> 00:05:52,880 Speaker 5: a joke, and it's kind of like, wait, where's the 112 00:05:52,920 --> 00:05:57,159 Speaker 5: accountability know you are allowing this rhetoric that people are 113 00:05:57,200 --> 00:06:00,800 Speaker 5: just latching onto, which is so toxic and harmful and 114 00:06:01,080 --> 00:06:04,320 Speaker 5: dangerous for women in general. So we need to have 115 00:06:04,360 --> 00:06:07,760 Speaker 5: a conversation about why you are accountable for these things. 116 00:06:08,240 --> 00:06:12,279 Speaker 5: But I digress. Let's hear about exactly what you're talking about, 117 00:06:12,320 --> 00:06:14,359 Speaker 5: especially with the Evan Rachel Wood. I think I know 118 00:06:14,400 --> 00:06:15,840 Speaker 5: a little bit about it, but if you can just 119 00:06:15,920 --> 00:06:16,920 Speaker 5: kind of go into. 120 00:06:16,720 --> 00:06:19,599 Speaker 1: That absolutely, So here's what's happening with Evan Rachel Wood. 121 00:06:19,839 --> 00:06:24,039 Speaker 1: Basically would have spent a few years now advocating for 122 00:06:24,160 --> 00:06:27,120 Speaker 1: survivors of sexual violence and abuse, and when she's done this, 123 00:06:27,240 --> 00:06:31,200 Speaker 1: she's often referenced her own, you know, heretofore unnamed abuser. 124 00:06:31,560 --> 00:06:34,960 Speaker 1: But on February first, twenty twenty one, Wood publicly named 125 00:06:34,960 --> 00:06:37,839 Speaker 1: her abuser in a message on Instagram. She wrote, the 126 00:06:37,920 --> 00:06:40,320 Speaker 1: name of my abuser is Brian Warner, also known to 127 00:06:40,360 --> 00:06:42,760 Speaker 1: the role as Marilyn Manson. He started grooming me as 128 00:06:42,800 --> 00:06:45,400 Speaker 1: a teenager and horrifically abused me for years. I am 129 00:06:45,400 --> 00:06:47,839 Speaker 1: here to expose this dangerous man and call out the 130 00:06:47,960 --> 00:06:51,080 Speaker 1: many industries that have enabled him before he ruins any 131 00:06:51,120 --> 00:06:53,000 Speaker 1: more lives. And so a quick note for people who 132 00:06:53,040 --> 00:06:56,279 Speaker 1: are listening, you will probably be more familiar with Brian 133 00:06:56,279 --> 00:06:59,680 Speaker 1: Warner as his stage name as a musician Marilyn Manson. 134 00:07:00,080 --> 00:07:02,680 Speaker 1: But I am not going to call him Marilyn Manson 135 00:07:02,680 --> 00:07:05,040 Speaker 1: in this episode, and I have basically stopped calling him 136 00:07:05,160 --> 00:07:08,039 Speaker 1: Marilyn Manson in general, because I think it adds to 137 00:07:08,040 --> 00:07:11,520 Speaker 1: this mythology that Brian Warner has created around himself, and 138 00:07:11,560 --> 00:07:14,280 Speaker 1: I believe that he has exploited that mythology to continue 139 00:07:14,280 --> 00:07:16,520 Speaker 1: to abuse women. I'll talk a little bit more about 140 00:07:16,560 --> 00:07:19,560 Speaker 1: what I mean later in the episode, but when I 141 00:07:19,600 --> 00:07:23,360 Speaker 1: say Warner Brian Warner, I'm referring to the musician whose 142 00:07:23,360 --> 00:07:27,040 Speaker 1: stage name is Marilyn Manson, whose actual name is Brian Warner. 143 00:07:27,480 --> 00:07:30,400 Speaker 1: And Evan rachel Wood is not alone. Several women, including 144 00:07:30,400 --> 00:07:32,320 Speaker 1: women who are not famous and don't have a public 145 00:07:32,320 --> 00:07:35,440 Speaker 1: profile like she does, have made similar claims against Warner. 146 00:07:35,800 --> 00:07:39,280 Speaker 1: So far, sixteen women have accused Warner of sexual abuse, 147 00:07:39,320 --> 00:07:41,880 Speaker 1: and four have sued him for sexual assault. So, you know, 148 00:07:41,920 --> 00:07:44,800 Speaker 1: I said earlier that people were mistakenly framing it as 149 00:07:44,800 --> 00:07:46,920 Speaker 1: that he said she said, so even though that framing 150 00:07:47,360 --> 00:07:49,880 Speaker 1: is not correct, Even if that is how you were 151 00:07:49,920 --> 00:07:51,840 Speaker 1: framing it, it wouldn't really be a he said. She said, 152 00:07:51,880 --> 00:07:54,400 Speaker 1: it would be more like a he said, she said, 153 00:07:54,600 --> 00:07:58,640 Speaker 1: she said, she said, she said, you know, sixteen times 154 00:08:00,160 --> 00:08:03,640 Speaker 1: up at the very least exactly. I mean, like who 155 00:08:03,720 --> 00:08:05,720 Speaker 1: even knows, you know, this is what we know about. 156 00:08:05,880 --> 00:08:06,800 Speaker 1: That's a really good point. 157 00:08:07,640 --> 00:08:11,480 Speaker 2: Yeah, yeah, And I remember when this came out and 158 00:08:12,640 --> 00:08:15,040 Speaker 2: when it first came out this kind of news, but 159 00:08:15,160 --> 00:08:18,920 Speaker 2: it's recently I saw it come up again that Warner 160 00:08:19,680 --> 00:08:23,600 Speaker 2: is kind of pursuing a legal a legal battle of 161 00:08:23,640 --> 00:08:27,200 Speaker 2: his own against her. So can you go into more 162 00:08:27,280 --> 00:08:29,160 Speaker 2: like what is going on right now? 163 00:08:29,360 --> 00:08:31,440 Speaker 1: Right so this you know, we were talking about this 164 00:08:31,560 --> 00:08:34,440 Speaker 1: when Evan Rachel would first named Warner as her abuser 165 00:08:34,600 --> 00:08:36,920 Speaker 1: back in twenty twenty one. But the reason why we're 166 00:08:36,960 --> 00:08:39,360 Speaker 1: talking about it right now is because Evan Rachel would 167 00:08:39,559 --> 00:08:41,800 Speaker 1: just released a new documentary. But you can watch on 168 00:08:41,960 --> 00:08:45,080 Speaker 1: HBO Max the two part documentary called Phoenix Rising that 169 00:08:45,200 --> 00:08:48,360 Speaker 1: really chronicles her story. As you might imagine, it is 170 00:08:48,400 --> 00:08:51,719 Speaker 1: a difficult watch. I watched the first part of it 171 00:08:51,920 --> 00:08:53,280 Speaker 1: and I had to take a break from the second part, 172 00:08:53,280 --> 00:08:54,920 Speaker 1: which I was watching last night, because it's a little 173 00:08:54,920 --> 00:08:57,679 Speaker 1: I mean, as you might imagine, it's not the easiest watch, 174 00:08:57,720 --> 00:08:59,320 Speaker 1: So just if you're planning on a watching it, just 175 00:08:59,360 --> 00:09:01,920 Speaker 1: know that. So the movie, it's it's interesting in that 176 00:09:02,040 --> 00:09:05,520 Speaker 1: it starts ostensibly as a kind of Aaron Brockovich style 177 00:09:05,640 --> 00:09:09,800 Speaker 1: story chronicling Wood's successful campaign to pass the Phoenix Act, 178 00:09:09,960 --> 00:09:12,720 Speaker 1: which is an legislation that extends the statue of limitations 179 00:09:12,760 --> 00:09:16,440 Speaker 1: on domestic bias in California. But during filming, when Wood 180 00:09:16,600 --> 00:09:19,920 Speaker 1: publicly names Warner as her own abuser, the film begins 181 00:09:19,960 --> 00:09:24,360 Speaker 1: to follow that aftermath, and so the documentary really chronicles 182 00:09:24,400 --> 00:09:28,120 Speaker 1: her upbringing her her work to become a you know, 183 00:09:28,280 --> 00:09:31,400 Speaker 1: survivor advocate and a domestic domestic abuse advocate, you know, 184 00:09:31,400 --> 00:09:34,360 Speaker 1: trying to pass this legislation, and then kind of pivots 185 00:09:34,640 --> 00:09:38,320 Speaker 1: when we see her publicly name Warner as this person 186 00:09:38,440 --> 00:09:41,000 Speaker 1: who had abused her that she had been referencing as 187 00:09:41,040 --> 00:09:43,280 Speaker 1: her abuser for so long in that work. 188 00:09:56,640 --> 00:09:59,520 Speaker 5: And I know when we were originally seeing all of 189 00:09:59,520 --> 00:10:02,040 Speaker 5: this come out, because I remember seeing her testify before 190 00:10:02,080 --> 00:10:03,600 Speaker 5: the name was coming out in front of the Senate, 191 00:10:03,600 --> 00:10:06,080 Speaker 5: trying to talk about the statute of limitations and going 192 00:10:06,120 --> 00:10:10,680 Speaker 5: into this whole conversation, and how quickly after the fact 193 00:10:10,880 --> 00:10:14,600 Speaker 5: she shown herself as the survivor advocate, and she named him. 194 00:10:14,720 --> 00:10:16,720 Speaker 5: How many people came behind her like, oh my god, 195 00:10:17,280 --> 00:10:18,920 Speaker 5: this is why this is familiar as well as the 196 00:10:18,920 --> 00:10:21,560 Speaker 5: fact when she described some of the events that happened 197 00:10:21,559 --> 00:10:23,760 Speaker 5: to her, many women already came out because they had 198 00:10:23,760 --> 00:10:28,360 Speaker 5: gone through some similar things, including how they met. So 199 00:10:28,400 --> 00:10:31,160 Speaker 5: can you kind of talk about their relationship specifically Warner 200 00:10:31,200 --> 00:10:31,720 Speaker 5: and Woods. 201 00:10:31,800 --> 00:10:35,320 Speaker 1: I really like how you have framed that, because I 202 00:10:35,360 --> 00:10:40,080 Speaker 1: think that in her situation, so many other women spoke 203 00:10:40,160 --> 00:10:42,200 Speaker 1: up and said, this was exactly what happened with me. 204 00:10:42,360 --> 00:10:45,360 Speaker 1: He did this to me, you know her, And I 205 00:10:45,400 --> 00:10:49,000 Speaker 1: also think just her situation is really familiar to me. 206 00:10:49,040 --> 00:10:52,160 Speaker 1: And I think anybody who has dealt with domestic violence 207 00:10:52,240 --> 00:10:54,840 Speaker 1: or sexual abuse by an intimate partner, the way that 208 00:10:54,880 --> 00:10:57,560 Speaker 1: he operated in the beginning might be kind of familiar. 209 00:10:57,600 --> 00:10:59,800 Speaker 1: So Wood and Warner met at a party at Chatau 210 00:11:00,679 --> 00:11:03,320 Speaker 1: when she was eighteen and he was thirty seven. They 211 00:11:03,360 --> 00:11:06,400 Speaker 1: maintained a platonic friendship where Warner would talk to her 212 00:11:06,480 --> 00:11:09,120 Speaker 1: about things like her favorite books and her favorite artists. 213 00:11:09,320 --> 00:11:11,640 Speaker 1: Then the two started to date. Now, she describes this 214 00:11:11,720 --> 00:11:15,120 Speaker 1: as a kind of grooming and love bombing situation where 215 00:11:15,400 --> 00:11:17,800 Speaker 1: you know early on, he was referring to her as 216 00:11:17,840 --> 00:11:22,959 Speaker 1: his soulmate and really was making her feel like he 217 00:11:23,040 --> 00:11:26,080 Speaker 1: was the only one who really got her, really loved her. 218 00:11:26,520 --> 00:11:29,520 Speaker 1: Early on, she describes him kind of starting to isolate 219 00:11:29,600 --> 00:11:32,360 Speaker 1: her from her friends and family, and that was the 220 00:11:32,400 --> 00:11:36,319 Speaker 1: beginning stages of their early romantic relationship. And so at 221 00:11:36,320 --> 00:11:39,480 Speaker 1: this point, you know, you might be thinking, you know, 222 00:11:39,600 --> 00:11:44,480 Speaker 1: why would someone like Evan Rachel would get involved romantically 223 00:11:44,520 --> 00:11:47,640 Speaker 1: with someone like Warner who was known for these shocking, 224 00:11:47,760 --> 00:11:50,600 Speaker 1: kind of gross antics on stage. And that kind of 225 00:11:50,600 --> 00:11:52,880 Speaker 1: really goes back to why I'm not going to call 226 00:11:52,960 --> 00:11:55,760 Speaker 1: him quote Marilyn Manson, And I think that big part 227 00:11:55,760 --> 00:11:59,480 Speaker 1: of that is because Warner's public persona, as Marilyn Manson, 228 00:12:00,000 --> 00:12:03,360 Speaker 1: it really helped him get away with gross abusive behavior 229 00:12:03,440 --> 00:12:05,680 Speaker 1: in public. So if you were a young person like 230 00:12:05,720 --> 00:12:08,160 Speaker 1: me in the nineties, you might remember that after the 231 00:12:08,160 --> 00:12:11,960 Speaker 1: Columbine school shooting in nineteen ninety nine, Warner was legitimately 232 00:12:12,160 --> 00:12:15,400 Speaker 1: unfairly blamed for the deaths of fifteen young people after 233 00:12:15,480 --> 00:12:19,120 Speaker 1: it was misreported that the Columbine shooters were big fans 234 00:12:19,120 --> 00:12:21,480 Speaker 1: of his music and that his music motivated them in 235 00:12:21,559 --> 00:12:25,320 Speaker 1: the shooting. At this time, politicians were lobbying to have 236 00:12:25,360 --> 00:12:30,600 Speaker 1: his performance as banned, citing these really over the top, exaggerated, outlandish, 237 00:12:30,679 --> 00:12:33,560 Speaker 1: untrue claims things like at his shows, that he would 238 00:12:33,600 --> 00:12:36,720 Speaker 1: have the security guards spike the drinking water at the 239 00:12:36,760 --> 00:12:39,120 Speaker 1: shows and give it to young kids in the audience, 240 00:12:39,440 --> 00:12:42,200 Speaker 1: or that he was engaging in bestiality on stage, or 241 00:12:42,240 --> 00:12:45,600 Speaker 1: like ripping apart animals. Warner's legal team actually sent the 242 00:12:45,640 --> 00:12:48,920 Speaker 1: American Family Association a cease and desist for saying that 243 00:12:48,960 --> 00:12:52,240 Speaker 1: he encouraged kids to engage in violent sexual acts from 244 00:12:52,280 --> 00:12:54,360 Speaker 1: the stage in the audience. And so none of that 245 00:12:54,559 --> 00:12:59,240 Speaker 1: was true, and Warner countered these legit unearned, unfair responses 246 00:12:59,559 --> 00:13:02,440 Speaker 1: to the that his music postes to kids by doing 247 00:13:02,480 --> 00:13:07,000 Speaker 1: these sort of very thoughtful, measured interviews where he was 248 00:13:07,040 --> 00:13:12,040 Speaker 1: able to portray himself indirect opposition to this outlandish onstage 249 00:13:12,080 --> 00:13:17,080 Speaker 1: persona that these politicians and conservative figures were sort of demonizing. 250 00:13:17,160 --> 00:13:19,720 Speaker 1: And so as he was being demonized by these people 251 00:13:19,760 --> 00:13:22,120 Speaker 1: and sort of you know, them making up these outlandish 252 00:13:22,280 --> 00:13:25,240 Speaker 1: exaggerations and claims about him, he was able to really 253 00:13:25,320 --> 00:13:30,880 Speaker 1: present himself as this measured, thoughtful, reasonable person And one 254 00:13:30,880 --> 00:13:32,600 Speaker 1: interview that really sticks out to me If anyone has 255 00:13:32,600 --> 00:13:36,560 Speaker 1: seen the documentary Michael Morris Bowling for Columbine, there's a 256 00:13:36,640 --> 00:13:39,839 Speaker 1: ZiT down segment with Marilyn Manson where he says things like, oh, 257 00:13:40,200 --> 00:13:43,360 Speaker 1: the young people who perpetrated at the Columbine shooting would 258 00:13:43,360 --> 00:13:47,520 Speaker 1: have been safer had they purchased my CDs, you know, 259 00:13:47,679 --> 00:13:50,559 Speaker 1: rather than buying guns. And so he came I remember specifically, 260 00:13:50,559 --> 00:13:56,120 Speaker 1: he comes off as this very thoughtful, measured, nuanced guy, 261 00:13:56,520 --> 00:14:00,280 Speaker 1: and it really created this, I don't know, this sort 262 00:14:00,320 --> 00:14:07,000 Speaker 1: of portrayal of him as someone who was being unfairly maligned, 263 00:14:07,040 --> 00:14:09,280 Speaker 1: and thus some of his other behavior was really able 264 00:14:09,320 --> 00:14:13,080 Speaker 1: to go unscrutinized because it was so clear he was 265 00:14:13,120 --> 00:14:16,960 Speaker 1: being unfairly demonized for this behavior that he never actually 266 00:14:16,960 --> 00:14:19,520 Speaker 1: engaged in, Like he wasn't actually spiking the drinking water 267 00:14:19,600 --> 00:14:23,600 Speaker 1: at his shows and having sex with animals on stage right. 268 00:14:23,960 --> 00:14:25,520 Speaker 2: And I know we're gonna get into this more later 269 00:14:25,560 --> 00:14:27,240 Speaker 2: because I have a lot of thoughts about all of this, 270 00:14:27,400 --> 00:14:29,120 Speaker 2: and as I said, you do such a great job 271 00:14:29,120 --> 00:14:31,280 Speaker 2: of like there are a lot of nuances to this conversation. 272 00:14:31,880 --> 00:14:36,120 Speaker 2: But I remember I listened to Marilyn Manson when I 273 00:14:36,160 --> 00:14:38,640 Speaker 2: was really young, and I had a friend who was 274 00:14:39,120 --> 00:14:42,280 Speaker 2: her parents were really conservative, and they know joke, showed 275 00:14:42,360 --> 00:14:45,480 Speaker 2: up at my mom's house and yelled at my mom 276 00:14:45,920 --> 00:14:50,120 Speaker 2: for letting their daughter listen to it, and it became 277 00:14:50,240 --> 00:14:53,320 Speaker 2: such a point of it, Like it didn't have to 278 00:14:53,360 --> 00:14:56,720 Speaker 2: become this point, but it became such a point of like, oh, 279 00:14:56,800 --> 00:14:58,680 Speaker 2: you you conservatives don't get it. 280 00:14:58,800 --> 00:15:00,840 Speaker 3: You're trying to like hold me town and you. 281 00:15:00,760 --> 00:15:04,240 Speaker 2: Don't understand, and like, I feel so outcast and. 282 00:15:04,200 --> 00:15:05,120 Speaker 3: You'll never get it. 283 00:15:05,160 --> 00:15:09,440 Speaker 2: And their kind of outrage made it into a bigger 284 00:15:09,480 --> 00:15:10,320 Speaker 2: thing than it would have. 285 00:15:10,360 --> 00:15:14,200 Speaker 3: Been if they had never said anything. 286 00:15:14,360 --> 00:15:16,840 Speaker 1: Oh my gosh, I had the same exact experience, right, 287 00:15:16,920 --> 00:15:19,000 Speaker 1: So I was a kid, I was in junior high. 288 00:15:19,080 --> 00:15:22,000 Speaker 1: I'd a heydamn, I'll say, and you know, I was 289 00:15:22,040 --> 00:15:23,800 Speaker 1: like an alte I wouldn't say I was like a 290 00:15:23,800 --> 00:15:25,600 Speaker 1: goth kid, but I was, say, say, very alty. And 291 00:15:26,200 --> 00:15:30,440 Speaker 1: I totally had the same experience. I ate up this 292 00:15:30,640 --> 00:15:34,640 Speaker 1: idea that he was being unfairly persecuted, and I, you know, 293 00:15:35,200 --> 00:15:37,960 Speaker 1: felt like I was being unfairly persecuted as this like 294 00:15:38,000 --> 00:15:41,200 Speaker 1: weirdo alty kid as a junior high student. Never mind 295 00:15:41,240 --> 00:15:43,960 Speaker 1: the fact that like that wasn't actually necessarily happening. That's 296 00:15:43,960 --> 00:15:45,840 Speaker 1: just like how I felt because I was a teenager, 297 00:15:46,200 --> 00:15:51,440 Speaker 1: and I think he really really used that exact thing 298 00:15:51,920 --> 00:15:55,320 Speaker 1: as a way to avoid accountability for his other behavior. 299 00:15:55,400 --> 00:15:57,520 Speaker 1: And I honestly I agree with you. You know, I 300 00:15:57,600 --> 00:16:00,120 Speaker 1: listened to Warner's music a lot as a youth, and 301 00:16:00,160 --> 00:16:02,600 Speaker 1: I really really liked him. Like at a poster, a 302 00:16:02,600 --> 00:16:05,280 Speaker 1: Marilyn Manson poster in my locker next to a Prodigy 303 00:16:05,280 --> 00:16:10,840 Speaker 1: poster to give me a whole Prodigy. Oh, I think that, Like, 304 00:16:11,360 --> 00:16:15,160 Speaker 1: I listened to all different kinds of music, but the 305 00:16:15,200 --> 00:16:20,840 Speaker 1: only music that had this kind of over the top, exaggerated, 306 00:16:21,000 --> 00:16:25,440 Speaker 1: like uh climate around it was Marilyn Manson, And so 307 00:16:25,520 --> 00:16:28,520 Speaker 1: that fed into the idea that he was being unfairly 308 00:16:28,560 --> 00:16:31,400 Speaker 1: persecuted at the time. You know, I don't know if 309 00:16:31,400 --> 00:16:33,080 Speaker 1: people remember what it was like to be a young 310 00:16:33,120 --> 00:16:35,600 Speaker 1: person after Columbine, if you were like a little all 311 00:16:35,680 --> 00:16:37,960 Speaker 1: te or if you were all black, it did kind 312 00:16:37,960 --> 00:16:40,240 Speaker 1: of feel like, you know, the powers that be were 313 00:16:40,280 --> 00:16:43,280 Speaker 1: cracking down on who you were in the aftermath of 314 00:16:43,280 --> 00:16:46,520 Speaker 1: that shooting. And so I think that had there not 315 00:16:46,680 --> 00:16:50,720 Speaker 1: have been such a backlash to the music Warner's music, 316 00:16:50,760 --> 00:16:53,360 Speaker 1: would it has been another in a mixed bag of 317 00:16:53,360 --> 00:16:55,160 Speaker 1: stuff that I liked. You know, I liked Prodigy, I 318 00:16:55,160 --> 00:16:57,120 Speaker 1: liked some Spice girls. I like so many different things. 319 00:16:57,160 --> 00:17:00,680 Speaker 1: But because of this over the top response to his music, 320 00:17:01,040 --> 00:17:04,280 Speaker 1: it pushed me that much further into this kind of 321 00:17:05,720 --> 00:17:08,439 Speaker 1: I don't know, dangerous vibe where he gets to position 322 00:17:08,520 --> 00:17:11,520 Speaker 1: himself as unfairly persecuted and anybody who doesn't like him 323 00:17:11,600 --> 00:17:14,320 Speaker 1: or his behavior is just you know, doesn't get it 324 00:17:14,359 --> 00:17:16,520 Speaker 1: and doesn't get you eduten. 325 00:17:17,800 --> 00:17:19,879 Speaker 4: Edreating. I'll like it. Well, I will say I was 326 00:17:19,880 --> 00:17:22,000 Speaker 4: older than y'alls. I'm like, yeah, I wasn't. 327 00:17:22,040 --> 00:17:22,840 Speaker 1: Okay, we're not. 328 00:17:22,840 --> 00:17:25,720 Speaker 5: Going to at the time frame on this, but I 329 00:17:25,760 --> 00:17:29,159 Speaker 5: do find that interesting that we have this conversation because 330 00:17:29,320 --> 00:17:33,639 Speaker 5: absolutely remembering all of the politicians coming in and saying 331 00:17:33,640 --> 00:17:35,959 Speaker 5: this is this kind of that whole time frame around 332 00:17:36,119 --> 00:17:39,400 Speaker 5: the matrix as well as video games and blaming all 333 00:17:39,440 --> 00:17:43,440 Speaker 5: of these things, but also how they like to overdemonize 334 00:17:43,680 --> 00:17:45,840 Speaker 5: kind of like how it's happening with QAnon and when 335 00:17:45,880 --> 00:17:48,320 Speaker 5: we talked about sex trafficking and that they are doing 336 00:17:48,480 --> 00:17:52,359 Speaker 5: so much theatrical things that make no sense that it's 337 00:17:52,440 --> 00:17:57,960 Speaker 5: overshadowing the actual problems that are happening, and therefore exactly 338 00:17:58,000 --> 00:18:01,560 Speaker 5: like taking attention away from the true through crimes or 339 00:18:01,600 --> 00:18:04,119 Speaker 5: the things that are so horribly wrong, because it is 340 00:18:04,160 --> 00:18:09,680 Speaker 5: being overshadowed by the caricature of accusations merely for a platform, 341 00:18:09,720 --> 00:18:13,440 Speaker 5: merely for politics, and it's so obnoxious because yeah, because 342 00:18:13,520 --> 00:18:18,880 Speaker 5: of that, Marilyn Manson got this credibility for being misunderstood 343 00:18:19,400 --> 00:18:22,440 Speaker 5: a as you had already said. And then also he's 344 00:18:22,520 --> 00:18:24,840 Speaker 5: able to use that now as a part of his 345 00:18:24,960 --> 00:18:27,440 Speaker 5: defense today. But I know we're gonna be able to 346 00:18:27,480 --> 00:18:28,040 Speaker 5: talk about that in a. 347 00:18:28,080 --> 00:18:30,480 Speaker 1: Minute, absolutely, I mean. And then also, I mean, like 348 00:18:30,480 --> 00:18:33,000 Speaker 1: what you just said, isn't it interesting how the American 349 00:18:33,040 --> 00:18:35,520 Speaker 1: Family Association and all these politicians were trying to banish 350 00:18:35,560 --> 00:18:37,960 Speaker 1: shows We never did much about guns though. That was 351 00:18:38,040 --> 00:18:41,720 Speaker 1: just like we had the conversation about violent video games, 352 00:18:41,720 --> 00:18:45,280 Speaker 1: the Matrix, black clothing, trench coats, Brian Warner, but not 353 00:18:45,400 --> 00:18:47,800 Speaker 1: the guns. So it's exactly what you just said of 354 00:18:49,160 --> 00:18:53,600 Speaker 1: kind of an intense overreach that reaches to the wrong cause, 355 00:18:53,720 --> 00:18:57,040 Speaker 1: I guess. And then let's the real cause just go unanalyzed. 356 00:18:57,160 --> 00:19:02,360 Speaker 2: Yeah, And I think that's something that's been on our 357 00:19:02,440 --> 00:19:06,960 Speaker 2: minds a lot lately. Is this idea of consent and 358 00:19:07,000 --> 00:19:11,399 Speaker 2: how our environment is really set up where true consent 359 00:19:11,480 --> 00:19:15,960 Speaker 2: for women is almost impossible, and this situation being such 360 00:19:15,960 --> 00:19:18,960 Speaker 2: a grooming situation where you have this person coming in 361 00:19:19,680 --> 00:19:22,640 Speaker 2: who's much older and who is showing you with attention. 362 00:19:23,200 --> 00:19:26,360 Speaker 2: And I was saying recently on an episode, like I'm 363 00:19:26,359 --> 00:19:28,479 Speaker 2: ashamed to admit it, but I shouldn't be because I 364 00:19:28,520 --> 00:19:30,520 Speaker 2: was raised to be this way. But like when I 365 00:19:30,560 --> 00:19:32,240 Speaker 2: was eighteen and people can't call me, I'd. 366 00:19:32,080 --> 00:19:34,600 Speaker 3: Be like flattered. It's be good. Oh my gosh, I 367 00:19:34,640 --> 00:19:35,640 Speaker 3: have desirability. 368 00:19:36,280 --> 00:19:39,400 Speaker 2: That means I have value, and that put me in 369 00:19:39,440 --> 00:19:41,000 Speaker 2: some unsafe situations. 370 00:19:41,040 --> 00:19:41,560 Speaker 3: So this. 371 00:19:42,920 --> 00:19:43,560 Speaker 1: I hate this. 372 00:19:43,840 --> 00:19:46,399 Speaker 2: I hate that she was young and there was this 373 00:19:46,480 --> 00:19:48,439 Speaker 2: older person that she respected and she was getting this 374 00:19:48,520 --> 00:19:53,880 Speaker 2: attention and it's just absolutely predatory, absolutely praying on her. 375 00:19:54,680 --> 00:19:58,520 Speaker 1: Yeah, I mean I I can really identify. I'll just 376 00:19:58,520 --> 00:20:01,359 Speaker 1: say that. And it's one of those things where you 377 00:20:01,400 --> 00:20:05,920 Speaker 1: don't necessarily realize it until you're older. And I mean 378 00:20:06,040 --> 00:20:09,080 Speaker 1: it applies in this situation too. I want to be 379 00:20:09,119 --> 00:20:11,639 Speaker 1: careful about how I speak about this because it is 380 00:20:11,680 --> 00:20:15,280 Speaker 1: part of the conversation. But when Evan rachel Wood was 381 00:20:15,320 --> 00:20:18,360 Speaker 1: in a relationship with Marilyn Manson early on, and keep 382 00:20:18,359 --> 00:20:21,040 Speaker 1: in mind, she's eighteen, she's very young. I remember very 383 00:20:21,080 --> 00:20:24,320 Speaker 1: clearly her in interview saying like, oh, people need to 384 00:20:24,359 --> 00:20:27,680 Speaker 1: stop saying that I'm being taken advantage of or groomed. 385 00:20:27,920 --> 00:20:30,960 Speaker 1: And I think it's easy for people to say, like, oh, well, 386 00:20:31,320 --> 00:20:34,080 Speaker 1: now we're supposed to believe her when she says that 387 00:20:34,119 --> 00:20:36,680 Speaker 1: she's being that she was being groomed or coerse. Well, 388 00:20:36,680 --> 00:20:38,880 Speaker 1: she was eighteen when that happened. She was eighteen when 389 00:20:38,880 --> 00:20:43,280 Speaker 1: they met, Like, you're so young, and so it's completely 390 00:20:43,320 --> 00:20:46,399 Speaker 1: tracks with my own personal experiences that you might not 391 00:20:46,680 --> 00:20:50,119 Speaker 1: have the world experience or just the life experience, or 392 00:20:50,440 --> 00:20:53,840 Speaker 1: you know, your own understanding of your place in the 393 00:20:53,880 --> 00:20:56,439 Speaker 1: world at eighteen. It might take a few years for 394 00:20:56,480 --> 00:20:58,320 Speaker 1: you to look back on that and say, hey, I 395 00:20:58,440 --> 00:21:00,880 Speaker 1: was being coerced, or hey, you know I is being groomed, 396 00:21:00,920 --> 00:21:04,080 Speaker 1: or hey, some things happened that shouldn't have happened, and 397 00:21:04,200 --> 00:21:06,639 Speaker 1: I didn't have the language or the voice yet to 398 00:21:06,720 --> 00:21:09,240 Speaker 1: say I don't want this to happen. And I think 399 00:21:09,280 --> 00:21:11,800 Speaker 1: that's one of the reasons why this story is one 400 00:21:11,840 --> 00:21:14,520 Speaker 1: that needs to be told, because I think that's all 401 00:21:14,560 --> 00:21:16,280 Speaker 1: of ours I think that's so many of our stories. 402 00:21:16,320 --> 00:21:20,040 Speaker 1: It's so common. I think it's completely unfair to use 403 00:21:20,080 --> 00:21:23,359 Speaker 1: that as a reason to not support survivors, not listen 404 00:21:23,400 --> 00:21:25,720 Speaker 1: to survivors, because it is so common. 405 00:21:25,600 --> 00:21:40,679 Speaker 5: Right, And I think that big portion of this conversation 406 00:21:40,880 --> 00:21:45,119 Speaker 5: is that the early sexualization of young girls point blank 407 00:21:45,520 --> 00:21:47,360 Speaker 5: is part of this problem because I know a lot 408 00:21:47,359 --> 00:21:50,520 Speaker 5: of this conversation. When Evan Rachel Woods came out in 409 00:21:50,560 --> 00:21:52,920 Speaker 5: her acting career, she was thirteen fourteen and came out 410 00:21:52,960 --> 00:21:55,679 Speaker 5: with this big indie film that pretty much talked about 411 00:21:55,880 --> 00:21:59,480 Speaker 5: young women growing older real quick, trying to survive and 412 00:21:59,520 --> 00:22:02,119 Speaker 5: think the way to survive is to be sexual and 413 00:22:02,280 --> 00:22:05,520 Speaker 5: grown like that was the whole basis of the movie, 414 00:22:05,520 --> 00:22:09,520 Speaker 5: which that's the whole conversation in itself. But because of that, 415 00:22:09,680 --> 00:22:11,880 Speaker 5: because of things like that, that's where she came into 416 00:22:11,880 --> 00:22:14,679 Speaker 5: the eighteen year old and no one listening to the 417 00:22:14,680 --> 00:22:17,560 Speaker 5: fact that this is grooming like I don't care if 418 00:22:17,560 --> 00:22:20,200 Speaker 5: she's legal now, which is which is a bullshit term. 419 00:22:20,280 --> 00:22:22,000 Speaker 5: The whole barely legal bulls that I really want to 420 00:22:22,000 --> 00:22:24,040 Speaker 5: punch everybody in the face every time they say it. 421 00:22:24,600 --> 00:22:28,040 Speaker 5: That's that conversation is really sexualizing these young girls and 422 00:22:28,080 --> 00:22:31,760 Speaker 5: telling them they are of more worth because they're acting grown, 423 00:22:31,880 --> 00:22:34,520 Speaker 5: because they are finally in their way of being a 424 00:22:34,600 --> 00:22:37,639 Speaker 5: woman and finding out and not having the support and 425 00:22:37,720 --> 00:22:41,000 Speaker 5: understanding or people even letting her know the whole concept 426 00:22:41,000 --> 00:22:44,080 Speaker 5: of consent and why that is a big conversation that 427 00:22:44,119 --> 00:22:46,439 Speaker 5: needed to be had way back when, and because of 428 00:22:46,440 --> 00:22:48,800 Speaker 5: that feeling trapped because she is being told this is 429 00:22:48,800 --> 00:22:50,479 Speaker 5: what you put yourself in. You knew what you were 430 00:22:50,480 --> 00:22:54,760 Speaker 5: getting into, which is the formula of all of the 431 00:22:54,840 --> 00:22:57,560 Speaker 5: victim blaming which we see today that has not gone away. 432 00:22:57,720 --> 00:23:01,200 Speaker 5: That's for some reason is used by everyone, not just men, 433 00:23:01,520 --> 00:23:04,240 Speaker 5: women all between you, because it's so hard to let 434 00:23:04,280 --> 00:23:08,200 Speaker 5: go of that internalized misogyny of saying, but you knew. 435 00:23:08,119 --> 00:23:12,000 Speaker 1: Absolutely, And she explicitly says that in some of the 436 00:23:12,000 --> 00:23:14,000 Speaker 1: things that experiences that happened to her that we'll talk 437 00:23:14,040 --> 00:23:16,639 Speaker 1: about in a moment, like she explicitly says exactly what 438 00:23:16,680 --> 00:23:20,479 Speaker 1: you're referencing that you know, she had internalized that she 439 00:23:20,600 --> 00:23:22,600 Speaker 1: was meant to just go along with whatever, and that 440 00:23:22,800 --> 00:23:24,560 Speaker 1: was that was like what she was supposed to do. 441 00:23:24,640 --> 00:23:27,160 Speaker 1: And that is something that I think that we all 442 00:23:27,240 --> 00:23:29,399 Speaker 1: internalize and we have to sort of like I know 443 00:23:29,440 --> 00:23:31,120 Speaker 1: that I have a lot of unlearning to do around, 444 00:23:31,760 --> 00:23:34,280 Speaker 1: you know, at like saying no when something doesn't feel 445 00:23:34,320 --> 00:23:36,240 Speaker 1: right or when you know. And for me it has 446 00:23:36,280 --> 00:23:38,600 Speaker 1: been a lifelong process, and so it sounds like for 447 00:23:38,720 --> 00:23:41,320 Speaker 1: her she had to learn that as well. And as 448 00:23:41,359 --> 00:23:44,120 Speaker 1: you said, I mean, it starts so early, and eighteen 449 00:23:44,840 --> 00:23:46,640 Speaker 1: really is so young. 450 00:23:46,720 --> 00:23:46,879 Speaker 2: You know. 451 00:23:47,240 --> 00:23:50,119 Speaker 1: She talks about how when she first met Brian Warner, 452 00:23:50,760 --> 00:23:52,399 Speaker 1: she said that she really liked him and what he 453 00:23:52,400 --> 00:23:54,479 Speaker 1: stood for, and she wrote in his in her journal 454 00:23:54,920 --> 00:23:56,919 Speaker 1: that she thought that he was the hero and the 455 00:23:56,920 --> 00:24:01,720 Speaker 1: spokesperson of misfits, and I it just really does sound 456 00:24:01,920 --> 00:24:06,080 Speaker 1: like he did a very good job of making her 457 00:24:06,160 --> 00:24:08,679 Speaker 1: feel like that was true, that she maybe felt like 458 00:24:08,720 --> 00:24:11,560 Speaker 1: a misfit, and that he was an advocate for people 459 00:24:11,560 --> 00:24:14,520 Speaker 1: who felt like they didn't belong, and that he really 460 00:24:14,680 --> 00:24:19,920 Speaker 1: used that persona to continue to abuse women and girls 461 00:24:20,080 --> 00:24:22,600 Speaker 1: pretty much in public. There's this great piece in the 462 00:24:22,600 --> 00:24:25,560 Speaker 1: Atlantic that sums it up nicely called Marilyn Manson told 463 00:24:25,640 --> 00:24:27,800 Speaker 1: us what he was. It sums it up very nicely, 464 00:24:28,040 --> 00:24:30,679 Speaker 1: they write, if we believe would and more than a 465 00:24:30,720 --> 00:24:33,240 Speaker 1: dozen women who have accused Manson of abuse. Then a 466 00:24:33,240 --> 00:24:36,199 Speaker 1: strange twist is that the aftermath of Columbine seems to 467 00:24:36,200 --> 00:24:39,199 Speaker 1: have enabled Manson to become what Wood's brother describes in 468 00:24:39,240 --> 00:24:42,359 Speaker 1: the documentary as quote a wolf and wolf's clothing. The 469 00:24:42,440 --> 00:24:46,520 Speaker 1: hysterical invented accusations leveled at Manson then that he molested 470 00:24:46,600 --> 00:24:50,200 Speaker 1: children on stage, killed animals, had a security guard's drug underage, 471 00:24:50,280 --> 00:24:53,600 Speaker 1: fans with liquid ecstasy minimized other things that might have 472 00:24:53,640 --> 00:24:57,120 Speaker 1: been happening in plain sight. But they also allowed Manson 473 00:24:57,160 --> 00:25:01,000 Speaker 1: to detach his artistic persona from himself and allowed others 474 00:25:01,000 --> 00:25:04,680 Speaker 1: to infer that anything offensive he did was just performance art, 475 00:25:05,040 --> 00:25:09,160 Speaker 1: winking commentary on America's hypocritical and a moral core. And 476 00:25:09,320 --> 00:25:11,920 Speaker 1: that to me really sums up why I'm not comfortable 477 00:25:11,960 --> 00:25:17,240 Speaker 1: calling him quote Marilyn Manson, because you know, inventing this 478 00:25:17,440 --> 00:25:21,320 Speaker 1: persona and saying that it's performance art should not be 479 00:25:22,080 --> 00:25:25,440 Speaker 1: a way to avoid and excuse accountability for your own 480 00:25:25,480 --> 00:25:29,520 Speaker 1: abusive behavior. And I believe that's what the Maryland Manson 481 00:25:29,560 --> 00:25:30,920 Speaker 1: persona has allowed him to do. 482 00:25:31,160 --> 00:25:33,200 Speaker 4: Right, Hello, Kanye West. 483 00:25:33,040 --> 00:25:36,720 Speaker 1: Exactly exactly, thank you. I mean, it's all part of 484 00:25:36,760 --> 00:25:41,399 Speaker 1: the same, like abusive ball of yarn, right right, genius 485 00:25:41,600 --> 00:25:44,639 Speaker 1: artistic like it's I could talk all day about this, 486 00:25:44,720 --> 00:25:47,200 Speaker 1: but it's all like two sides of the same messed 487 00:25:47,280 --> 00:25:47,680 Speaker 1: up coin. 488 00:25:47,800 --> 00:25:51,119 Speaker 5: Well, that's what I'm referencing that Kanye literally is hiding 489 00:25:51,200 --> 00:25:54,159 Speaker 5: a little bit behind Brian Warner about bringing him on 490 00:25:54,200 --> 00:25:56,600 Speaker 5: stage and putting him as like he's an ally because 491 00:25:56,600 --> 00:25:58,720 Speaker 5: we're the same, and you're like, yeah, you are. 492 00:25:58,960 --> 00:26:00,280 Speaker 4: That should tell you something. 493 00:26:00,880 --> 00:26:04,040 Speaker 1: Yeah, I like, I remember, I had forgotten until you 494 00:26:04,119 --> 00:26:06,520 Speaker 1: just mentioned that he brought him up on stage during 495 00:26:06,520 --> 00:26:09,240 Speaker 1: his visas tour, and you know, I think it was 496 00:26:09,280 --> 00:26:12,119 Speaker 1: meant to be like all of these malign people who 497 00:26:12,119 --> 00:26:14,320 Speaker 1: don't understand our genius, and it's like, you're right, I 498 00:26:14,359 --> 00:26:15,680 Speaker 1: don't understand your genius. 499 00:26:15,720 --> 00:26:18,680 Speaker 5: I think it's abusive, yes, yes, And I think you're 500 00:26:18,720 --> 00:26:20,719 Speaker 5: hiding behind that to get away with it. 501 00:26:20,760 --> 00:26:22,080 Speaker 4: And that's problem. 502 00:26:22,200 --> 00:26:27,359 Speaker 1: Exactly, exactly exactly, this is his thing. In interviews, Warner 503 00:26:27,680 --> 00:26:30,800 Speaker 1: pretty much is open and in public about some of 504 00:26:30,840 --> 00:26:33,919 Speaker 1: the abusive behavior that he has put Wood through. You know, 505 00:26:33,960 --> 00:26:38,280 Speaker 1: he's in a pretty notorious Spin interview. He talks about 506 00:26:38,320 --> 00:26:41,640 Speaker 1: how he fantasized about smashing her head with a sledgehammer, 507 00:26:41,760 --> 00:26:44,680 Speaker 1: or how after they broke up and she stopped taking 508 00:26:44,680 --> 00:26:47,880 Speaker 1: his calls that every time I called her that day, 509 00:26:47,880 --> 00:26:49,960 Speaker 1: and I called her one hundred and fifty eight times. 510 00:26:50,160 --> 00:26:52,199 Speaker 1: I took a razor blade and cut myself on my 511 00:26:52,280 --> 00:26:54,760 Speaker 1: face and on my hands. But then later he is 512 00:26:54,800 --> 00:26:57,840 Speaker 1: able to say, oh, well, I didn't really mean those things, 513 00:26:57,880 --> 00:26:59,600 Speaker 1: or I didn't really feel those things. I didn't actually 514 00:26:59,640 --> 00:27:02,160 Speaker 1: do those I was just playing a character. And I 515 00:27:02,200 --> 00:27:06,840 Speaker 1: believe that that excuse allows him to skirt accountability for 516 00:27:07,480 --> 00:27:11,400 Speaker 1: his actual behavior. As Brian Warner. You can't say that, oh, 517 00:27:11,440 --> 00:27:13,320 Speaker 1: that was just me playing a rock and roll character 518 00:27:13,359 --> 00:27:15,959 Speaker 1: who was Marilon Manson when you have an actual partner 519 00:27:15,960 --> 00:27:18,280 Speaker 1: who is accusing you of abusing her. 520 00:27:18,680 --> 00:27:23,439 Speaker 2: Yeah, And it's really terrifying because we're also seeing this 521 00:27:23,520 --> 00:27:26,679 Speaker 2: in politics, where I'm seeing politicians being like, oh, that 522 00:27:26,760 --> 00:27:28,480 Speaker 2: was just a joke and you didn't get it right, 523 00:27:28,680 --> 00:27:32,159 Speaker 2: like doing that same sort of thing, and that's been 524 00:27:32,880 --> 00:27:36,120 Speaker 2: that's been really damaging. And also I again, I grew 525 00:27:36,160 --> 00:27:38,720 Speaker 2: up listening to a lot of like punk rock and 526 00:27:38,840 --> 00:27:41,880 Speaker 2: emo of the like two thousands, early two thousands, and 527 00:27:41,920 --> 00:27:43,480 Speaker 2: we were just talking about this, like the a lot 528 00:27:43,520 --> 00:27:45,719 Speaker 2: of the lyrics in that which is a lot of 529 00:27:45,760 --> 00:27:50,320 Speaker 2: men singing about like pretty much hating women and blaming 530 00:27:50,359 --> 00:27:52,560 Speaker 2: them for their sort of violent actions. 531 00:27:53,160 --> 00:27:55,680 Speaker 3: And then and also the TikTok thing you were talking 532 00:27:55,680 --> 00:27:56,639 Speaker 3: about to man, this is the same thing. 533 00:27:56,680 --> 00:27:58,840 Speaker 2: We're seeing it again like being like, no, I mean, 534 00:27:58,840 --> 00:28:00,919 Speaker 2: that's just that's just who I am. 535 00:28:00,960 --> 00:28:02,679 Speaker 3: That's my art, that's how expressed myself. You took it 536 00:28:02,680 --> 00:28:03,400 Speaker 3: too seriously. 537 00:28:03,760 --> 00:28:06,600 Speaker 1: Yeah, I mean I completely agree. And maybe it's just 538 00:28:06,600 --> 00:28:09,720 Speaker 1: because I'm older now I'm going back and thinking, like, wow, 539 00:28:09,760 --> 00:28:12,239 Speaker 1: I was listening to music that was like there's this 540 00:28:12,359 --> 00:28:15,440 Speaker 1: brand new song where he's like, have another drink and 541 00:28:15,520 --> 00:28:17,920 Speaker 1: drive yourself home. I hope there's ice on all the rooms. 542 00:28:17,920 --> 00:28:21,399 Speaker 1: And it's like that's pretty like like I would say, 543 00:28:21,480 --> 00:28:25,960 Speaker 1: a very young person screaming along to lyrics that were 544 00:28:26,160 --> 00:28:29,679 Speaker 1: pretty dark, and I you know, I'm someone who like 545 00:28:30,880 --> 00:28:33,440 Speaker 1: I love I love music, and I think people should 546 00:28:33,440 --> 00:28:36,119 Speaker 1: listen to what moves them, but we should also be 547 00:28:36,160 --> 00:28:40,080 Speaker 1: a little critical about whether, like that what that was, 548 00:28:40,160 --> 00:28:43,400 Speaker 1: and if that was okay. There's actually a TikToker. I 549 00:28:43,400 --> 00:28:45,480 Speaker 1: can't remember her name off off the top of my head, 550 00:28:45,480 --> 00:28:50,200 Speaker 1: but she goes back and replays kind of like scream 551 00:28:50,240 --> 00:28:53,720 Speaker 1: o punk bands from or you know, from that era, 552 00:28:54,240 --> 00:28:57,920 Speaker 1: and unpacks the ways that they are really unfair to women. 553 00:28:58,040 --> 00:29:00,200 Speaker 1: And it's like, oh wow, I had no idea that 554 00:29:00,240 --> 00:29:05,120 Speaker 1: I was basically singing along happily for an anthem that's 555 00:29:05,160 --> 00:29:07,560 Speaker 1: like about disrespecting women. And I'm a woman, you know. 556 00:29:07,960 --> 00:29:11,520 Speaker 5: Right, I mean any and I have been talking about 557 00:29:11,560 --> 00:29:14,760 Speaker 5: this for a lot while, about the romanticizing of abuse, 558 00:29:15,120 --> 00:29:18,040 Speaker 5: as if it's something like that that should be a 559 00:29:18,040 --> 00:29:21,400 Speaker 5: part of your relationship and not understanding this is really 560 00:29:21,440 --> 00:29:25,080 Speaker 5: not good. These like the constant phone calls not great, 561 00:29:25,200 --> 00:29:28,400 Speaker 5: the I'm gonna kill myself if you don't love me back, 562 00:29:28,480 --> 00:29:30,920 Speaker 5: like this whole level of like, oh my god, what 563 00:29:31,040 --> 00:29:33,480 Speaker 5: is happening? And we've allowed that to be because somehow 564 00:29:33,520 --> 00:29:35,760 Speaker 5: we've allowed that to be romanticized in our head? 565 00:29:35,840 --> 00:29:37,360 Speaker 4: Is this is true love? 566 00:29:37,640 --> 00:29:37,920 Speaker 2: Right? 567 00:29:38,000 --> 00:29:39,640 Speaker 5: Like, this is what it means to be in love, 568 00:29:39,720 --> 00:29:42,560 Speaker 5: to want to die if we're not together. And then 569 00:29:42,920 --> 00:29:45,160 Speaker 5: going beyond that for men, be like, if I really 570 00:29:45,160 --> 00:29:46,640 Speaker 5: want you, I have to show you my power, and 571 00:29:46,640 --> 00:29:49,800 Speaker 5: my power maids me hurting you maybe or someone else 572 00:29:49,840 --> 00:29:51,640 Speaker 5: for sure, in order to show you that I am 573 00:29:51,640 --> 00:29:55,560 Speaker 5: the man who can protect you quote unquote in so 574 00:29:55,640 --> 00:29:58,520 Speaker 5: many different ways, and like its kind of this whole 575 00:29:58,560 --> 00:30:02,000 Speaker 5: other trope that we've allowed to be Yeah, that's just 576 00:30:02,120 --> 00:30:06,000 Speaker 5: men being men. This is this is normal, this is good, right, 577 00:30:06,040 --> 00:30:09,360 Speaker 5: and no one really questioning until after the fact of realizing, 578 00:30:09,400 --> 00:30:11,760 Speaker 5: oh my god, there's so much trauma here. 579 00:30:12,600 --> 00:30:14,000 Speaker 4: Why did we think this was okay? 580 00:30:14,200 --> 00:30:19,480 Speaker 1: Yeah? I completely agree, and we should really be asking 581 00:30:19,520 --> 00:30:23,280 Speaker 1: the question about what we depict as romantic. And I 582 00:30:23,280 --> 00:30:25,320 Speaker 1: think something that you said I can't stop thinking about 583 00:30:25,360 --> 00:30:28,240 Speaker 1: is that it starts so young, Like how many of 584 00:30:28,280 --> 00:30:31,560 Speaker 1: you all remember when if you're a girl and then 585 00:30:31,880 --> 00:30:34,520 Speaker 1: maybe a guy when you were a kid pushes you 586 00:30:34,560 --> 00:30:37,120 Speaker 1: on the playground, and some adult somewhere is like, well, 587 00:30:37,120 --> 00:30:41,120 Speaker 1: it's probably because he likes you that right, you know, 588 00:30:41,360 --> 00:30:45,640 Speaker 1: Like we should not be it happened so early that 589 00:30:45,720 --> 00:30:51,240 Speaker 1: we make it okay when quote unquote affection or love 590 00:30:51,760 --> 00:30:54,720 Speaker 1: is actually abuse and I should really be asking questions 591 00:30:54,760 --> 00:30:55,120 Speaker 1: about it. 592 00:30:55,560 --> 00:30:59,480 Speaker 5: But honestly, I just one of my go to comfort 593 00:30:59,520 --> 00:31:02,200 Speaker 5: movies that I kind of tease about all the times 594 00:31:02,200 --> 00:31:05,200 Speaker 5: of Rabituy, and recently, I like, there's a scene in 595 00:31:05,240 --> 00:31:06,880 Speaker 5: it and I was like, oh my god, why did 596 00:31:06,880 --> 00:31:10,000 Speaker 5: we allow this? In which the rat comes through the 597 00:31:10,120 --> 00:31:14,320 Speaker 5: roof and do you see a couple fighting with a gun? 598 00:31:14,640 --> 00:31:16,760 Speaker 5: It goes off and he's like, oh my god, it 599 00:31:16,840 --> 00:31:18,840 Speaker 5: goes back and they're kissing and making out and he 600 00:31:19,000 --> 00:31:21,000 Speaker 5: just he just laughs and shrugs and walks off, And 601 00:31:21,040 --> 00:31:21,400 Speaker 5: I'm like. 602 00:31:22,320 --> 00:31:25,560 Speaker 1: Is that okay? This is wait. 603 00:31:26,000 --> 00:31:27,680 Speaker 5: Like we're not even gonna talk about how people are 604 00:31:27,720 --> 00:31:30,160 Speaker 5: really upset about periods, but this is okay. 605 00:31:30,280 --> 00:31:31,560 Speaker 4: This scene has made it. 606 00:31:32,440 --> 00:31:34,120 Speaker 5: But you know, like this is that level of like 607 00:31:34,160 --> 00:31:37,480 Speaker 5: it literally with just a blip in the screen of 608 00:31:37,560 --> 00:31:41,720 Speaker 5: a very g rated movie and it's romanticized, like ah, 609 00:31:42,040 --> 00:31:43,280 Speaker 5: but there they just love each other. 610 00:31:43,320 --> 00:31:45,200 Speaker 4: Oh, that's just one of those one one more couple 611 00:31:45,320 --> 00:31:45,680 Speaker 4: like that. 612 00:31:46,000 --> 00:31:50,120 Speaker 1: Yeah, you know how you know how marriage is the 613 00:31:50,240 --> 00:31:55,080 Speaker 1: gun kissing, you know, the gun goes off and that 614 00:31:55,680 --> 00:31:56,520 Speaker 1: you forget about it. 615 00:31:56,560 --> 00:31:57,440 Speaker 4: Everything is fine. 616 00:31:57,640 --> 00:31:59,560 Speaker 5: But that's the thing is, like what are we teaching? 617 00:31:59,600 --> 00:32:01,360 Speaker 5: I mean, I don't want to be one of those 618 00:32:01,400 --> 00:32:04,000 Speaker 5: people like that water is this movie teaching? But like 619 00:32:04,040 --> 00:32:07,360 Speaker 5: that is it's become so normalized in these conversations that 620 00:32:07,520 --> 00:32:10,400 Speaker 5: women really truly a girl, young girls really truly think 621 00:32:10,760 --> 00:32:12,840 Speaker 5: this is the epitome of being a woman. This is 622 00:32:12,840 --> 00:32:16,000 Speaker 5: the epitome of being in a relationship. Tough times means 623 00:32:16,160 --> 00:32:18,400 Speaker 5: he hits me, but I forgive him, Like that's that 624 00:32:18,520 --> 00:32:23,200 Speaker 5: conversation until you realize, oh my god, I couldn't see 625 00:32:23,200 --> 00:32:26,160 Speaker 5: it until I left, and until I figured out talking 626 00:32:26,160 --> 00:32:29,040 Speaker 5: to other women how it was not just him loving me, 627 00:32:29,080 --> 00:32:33,240 Speaker 5: that this is him controlling women in general, exactly exactly that. 628 00:32:33,680 --> 00:32:36,640 Speaker 2: Yeah, gosh, I feel like we could go. I we 629 00:32:36,720 --> 00:32:39,440 Speaker 2: need inventing session. We need a podcast for this event 630 00:32:39,480 --> 00:32:41,720 Speaker 2: because I'm like, yeah, let's talk about how we're not. 631 00:32:41,680 --> 00:32:43,719 Speaker 3: Allowing for consent and all this stuff. 632 00:32:56,600 --> 00:32:58,920 Speaker 2: So I know we're not going to go too deep 633 00:32:59,320 --> 00:33:03,080 Speaker 2: into the but could you go kind of briefly into 634 00:33:03,120 --> 00:33:06,720 Speaker 2: what Wood says about what Warner put her through. 635 00:33:07,040 --> 00:33:09,200 Speaker 1: Yeah, the list of abuses that he put her through 636 00:33:09,200 --> 00:33:11,920 Speaker 1: are truly horrifying. I honestly don't want to Like. This 637 00:33:11,960 --> 00:33:15,240 Speaker 1: is why I couldn't finish the documentary because it's a lot, 638 00:33:15,320 --> 00:33:16,600 Speaker 1: so I don't want to spend too much time on 639 00:33:16,640 --> 00:33:19,400 Speaker 1: it because they really are sickening. But among them are 640 00:33:19,480 --> 00:33:23,440 Speaker 1: the allegations that Warner, who Wood says, collected Nazi memorabilia, 641 00:33:23,520 --> 00:33:26,800 Speaker 1: so just a really great guy would whip her with 642 00:33:26,880 --> 00:33:30,160 Speaker 1: a Nazi whip and would her mother is Jewish and 643 00:33:30,200 --> 00:33:33,160 Speaker 1: she was raised Jewish herself, and so this is obviously 644 00:33:33,200 --> 00:33:35,400 Speaker 1: really messed up. She says that he also deprived her 645 00:33:35,400 --> 00:33:38,320 Speaker 1: of sleep, forced her to drink his blood in a 646 00:33:38,400 --> 00:33:41,200 Speaker 1: blood pack where he also drank hers, raped her while 647 00:33:41,240 --> 00:33:43,640 Speaker 1: she was sleeping, forced her to take drugs, and a 648 00:33:43,680 --> 00:33:46,600 Speaker 1: lot more of the abuse. She says, I felt my 649 00:33:46,680 --> 00:33:50,400 Speaker 1: brain change. I felt it almost calcify. And the world 650 00:33:50,520 --> 00:33:53,600 Speaker 1: is never the same, and it's just the list of 651 00:33:53,680 --> 00:33:56,240 Speaker 1: And I should also say that the kinds of things 652 00:33:56,280 --> 00:33:59,400 Speaker 1: that she says that he put her through, other women 653 00:33:59,480 --> 00:34:02,000 Speaker 1: who also so dated him say the same thing. And 654 00:34:02,040 --> 00:34:04,320 Speaker 1: so it's a lot of the same kind of stuff, 655 00:34:04,360 --> 00:34:07,240 Speaker 1: Like other women that she talks to have said that 656 00:34:07,320 --> 00:34:10,560 Speaker 1: he branded her or like carved things into their body 657 00:34:10,600 --> 00:34:14,640 Speaker 1: like it's horrifying allegations, and so I should mention that 658 00:34:14,680 --> 00:34:17,840 Speaker 1: Warner he denies these allegations, and he says that Wood 659 00:34:17,840 --> 00:34:20,600 Speaker 1: has been contacting and coercing women into saying they were 660 00:34:20,640 --> 00:34:24,759 Speaker 1: abused by him. He is currently suing Wood and her 661 00:34:24,760 --> 00:34:28,239 Speaker 1: Phoenix Rising contributor Il mcgore. According to Time, he is 662 00:34:28,280 --> 00:34:31,440 Speaker 1: accusing the women of a quote conspiracy in service of 663 00:34:31,480 --> 00:34:35,680 Speaker 1: which they supposedly quote secretly recruited, coordinated, and pressured perspective 664 00:34:35,680 --> 00:34:39,440 Speaker 1: accusers to emerge simultaneously with allegations of rape and abuse 665 00:34:39,480 --> 00:34:40,200 Speaker 1: against Warner. 666 00:34:40,800 --> 00:34:44,359 Speaker 2: Yeah, I find it interesting that we have like sixteen 667 00:34:45,200 --> 00:34:49,959 Speaker 2: women at least coming out around the same time, and 668 00:34:50,280 --> 00:34:53,080 Speaker 2: we're as a society it seems so much more ready 669 00:34:53,080 --> 00:34:55,839 Speaker 2: to be Like, but there's this video of her at 670 00:34:55,840 --> 00:34:59,080 Speaker 2: eighteen saying she was into it, right, So that's all lies. 671 00:34:59,120 --> 00:35:04,560 Speaker 2: She manufactured this whole thing, and he is downtrouding and 672 00:35:04,600 --> 00:35:08,520 Speaker 2: once again the one that is getting unwarranted. 673 00:35:08,520 --> 00:35:13,080 Speaker 1: Exactly, women don't make this kind of stuff up. This 674 00:35:13,200 --> 00:35:17,920 Speaker 1: idea that they would be simultaneously trying to come together 675 00:35:18,040 --> 00:35:21,200 Speaker 1: to come up with these lies about him. Why, Like, 676 00:35:21,960 --> 00:35:24,000 Speaker 1: who would do that? Who would want the kind of 677 00:35:24,000 --> 00:35:27,120 Speaker 1: scrutiny that comes with being a public survivor of this 678 00:35:27,239 --> 00:35:30,080 Speaker 1: kind of abuse? Who would welcome that into their lives? 679 00:35:30,320 --> 00:35:33,560 Speaker 1: Some of these women are also, you know, not public figures. 680 00:35:33,680 --> 00:35:36,120 Speaker 1: People don't make this kind of thing up, Like it 681 00:35:36,200 --> 00:35:40,960 Speaker 1: is so rare for people to make up allegations of 682 00:35:41,000 --> 00:35:44,520 Speaker 1: this kind of abuse that it just let alone sixteen 683 00:35:44,560 --> 00:35:47,600 Speaker 1: different people just like it just doesn't cold water. It 684 00:35:47,719 --> 00:35:49,160 Speaker 1: just isn't the way it works. 685 00:35:49,440 --> 00:35:52,880 Speaker 5: And again, probably more than sixteen that's coming out but 686 00:35:53,239 --> 00:35:57,040 Speaker 5: the conversation is too that the actual events and abuse 687 00:35:57,239 --> 00:35:59,480 Speaker 5: were so similar to each other. Even the Game of 688 00:35:59,520 --> 00:36:02,359 Speaker 5: Thrones act or somethink as may Bianca, I think it's 689 00:36:02,400 --> 00:36:05,919 Speaker 5: her name, she had similar stories to Woods, like being 690 00:36:05,960 --> 00:36:09,719 Speaker 5: deprived of food, being electrocuted, like there are so many things. 691 00:36:09,760 --> 00:36:13,040 Speaker 4: It's like, this is beyond just Maybes. 692 00:36:13,160 --> 00:36:15,279 Speaker 5: And I do remember that he had one partner who 693 00:36:15,320 --> 00:36:17,840 Speaker 5: actually was like that didn't happen to me, and people 694 00:36:18,160 --> 00:36:20,759 Speaker 5: latched onto that story. It's so hard and it was 695 00:36:20,800 --> 00:36:23,120 Speaker 5: kind of like, but that doesn't mean anything. It doesn't 696 00:36:23,200 --> 00:36:26,200 Speaker 5: mean It just negates the entirety of the story of 697 00:36:26,239 --> 00:36:28,520 Speaker 5: who he is at this point in time. And I 698 00:36:29,040 --> 00:36:31,520 Speaker 5: can't stand this because it also comes back to the 699 00:36:31,560 --> 00:36:35,120 Speaker 5: point of demonizing these women and shaming them in every 700 00:36:35,160 --> 00:36:37,480 Speaker 5: way possible, taking any work of art that they did 701 00:36:37,520 --> 00:36:40,919 Speaker 5: so as actors who may have portrayed a nude scene 702 00:36:40,920 --> 00:36:43,200 Speaker 5: at any point in time, See, she's a slut, how 703 00:36:43,480 --> 00:36:44,920 Speaker 5: she obviously. 704 00:36:44,440 --> 00:36:45,600 Speaker 4: She knew what she was getting into. 705 00:36:45,680 --> 00:36:49,160 Speaker 5: This whole level of conversations where they just completely try 706 00:36:49,200 --> 00:36:52,400 Speaker 5: to discredit someone based on this and really feeling like, 707 00:36:52,960 --> 00:36:55,040 Speaker 5: obviously these women are doing it for attention, when it 708 00:36:55,080 --> 00:36:57,520 Speaker 5: actually hurt a lot of their careers. Evan Rachel was 709 00:36:57,560 --> 00:36:59,960 Speaker 5: for a long time, was out of so many things, 710 00:37:00,200 --> 00:37:02,280 Speaker 5: out of projects because of the trauma alone. 711 00:37:02,480 --> 00:37:06,160 Speaker 1: Yeah, so he did have a ex partner say he 712 00:37:06,239 --> 00:37:08,040 Speaker 1: was always nice to me. And I'm not going to 713 00:37:08,160 --> 00:37:11,239 Speaker 1: discount what she's saying. But as we know, you know, 714 00:37:11,760 --> 00:37:14,560 Speaker 1: someone being nice to you doesn't mean that they are 715 00:37:14,800 --> 00:37:18,800 Speaker 1: never abusive to other people. And so people absolutely latched 716 00:37:18,840 --> 00:37:21,359 Speaker 1: onto that. And you're absolutely right that it certainly has 717 00:37:21,360 --> 00:37:24,399 Speaker 1: not helped the careers or the trajectories of the people 718 00:37:24,400 --> 00:37:27,480 Speaker 1: who are speaking out. And it's just like that's not 719 00:37:27,600 --> 00:37:30,239 Speaker 1: how it works, Like people don't lie about this kind 720 00:37:30,280 --> 00:37:32,560 Speaker 1: of thing. It does not help. It hurt Evan Rachel 721 00:37:32,600 --> 00:37:35,480 Speaker 1: would to come out, She risked a lot to come out, 722 00:37:35,840 --> 00:37:38,200 Speaker 1: and this idea that, oh, they're doing it for attention. 723 00:37:38,360 --> 00:37:39,760 Speaker 1: Who would want this kind of attention? 724 00:37:40,080 --> 00:37:40,279 Speaker 2: Right? 725 00:37:40,320 --> 00:37:40,440 Speaker 1: Who? 726 00:37:41,239 --> 00:37:41,479 Speaker 2: Right? 727 00:37:41,560 --> 00:37:42,920 Speaker 4: And also let's talk about the side that. 728 00:37:42,920 --> 00:37:46,600 Speaker 5: Warner is not in jail exactly right if he was 729 00:37:46,680 --> 00:37:48,560 Speaker 5: on a damn Kanye West show. 730 00:37:48,880 --> 00:37:53,879 Speaker 1: Ugh, I hate it, I need it. So you might 731 00:37:53,920 --> 00:37:57,200 Speaker 1: be wondering, well, okay, in what way is this a 732 00:37:57,239 --> 00:38:00,440 Speaker 1: tech issue? And so there is one specific incident in 733 00:38:00,520 --> 00:38:02,680 Speaker 1: the abuse that Wood talks about that I want to 734 00:38:02,719 --> 00:38:05,040 Speaker 1: focus on right now, and that is the music video 735 00:38:05,160 --> 00:38:09,360 Speaker 1: for Warner's song heart Shaped Glasses. That music video features 736 00:38:09,400 --> 00:38:11,920 Speaker 1: Evan Rachel Wood. She was in that video when she 737 00:38:12,040 --> 00:38:14,560 Speaker 1: was nineteen years old, and he kind of casts her 738 00:38:14,560 --> 00:38:17,920 Speaker 1: as a modern day Lolita because apparently the story goes 739 00:38:17,960 --> 00:38:19,960 Speaker 1: that she was wearing these heart shaped sunglasses at the 740 00:38:19,960 --> 00:38:23,200 Speaker 1: party where they met, and in you know, Lolita wears 741 00:38:23,200 --> 00:38:26,279 Speaker 1: heart shaped sunglasses in the book, and so in the documentary, 742 00:38:26,600 --> 00:38:29,360 Speaker 1: Wood says, to the music video, we were doing things 743 00:38:29,400 --> 00:38:31,680 Speaker 1: that were not what was pitched to me. We had 744 00:38:31,680 --> 00:38:34,880 Speaker 1: discussed a simulated sex scene, but once the cameras were rolling, 745 00:38:34,960 --> 00:38:37,440 Speaker 1: he started penetrating me for real, and she goes on 746 00:38:37,480 --> 00:38:41,359 Speaker 1: to say it was a really traumatizing experience filming the video. 747 00:38:41,719 --> 00:38:44,400 Speaker 1: I didn't know how to advocate for myself or how 748 00:38:44,440 --> 00:38:46,840 Speaker 1: to say no because I had been conditioned and trained 749 00:38:46,880 --> 00:38:50,520 Speaker 1: to never talk back to just soldier through I felt disgusting, 750 00:38:50,560 --> 00:38:52,799 Speaker 1: like I had done something shameful, and I could tell 751 00:38:52,840 --> 00:38:55,600 Speaker 1: the crew was very uncomfortable and nobody knew what to do. 752 00:38:56,040 --> 00:38:59,320 Speaker 1: I was coerced into a commercial sex act under false pretenses. 753 00:38:59,640 --> 00:39:01,960 Speaker 1: That was first crime committed against me and I was 754 00:39:02,040 --> 00:39:06,440 Speaker 1: essentially raped on camera. And so, according to Wood, the 755 00:39:06,520 --> 00:39:10,040 Speaker 1: music video for Heart Shaped Glasses is actually a video 756 00:39:10,160 --> 00:39:13,399 Speaker 1: of her rape, and that video is available, not to mention, 757 00:39:13,719 --> 00:39:17,640 Speaker 1: monetized on the platform YouTube as we speak. Anybody who 758 00:39:17,719 --> 00:39:19,799 Speaker 1: wants to go see it can look it up. And 759 00:39:19,840 --> 00:39:23,120 Speaker 1: so Warner's campus they deny these allegations, and they say 760 00:39:23,160 --> 00:39:25,160 Speaker 1: that Wood was coherent and involved in the planning of 761 00:39:25,200 --> 00:39:27,880 Speaker 1: the video. They say, of all the false claims that 762 00:39:27,960 --> 00:39:31,360 Speaker 1: Rachel Evan Woods made about Brian Warner, her imaginative retelling 763 00:39:31,440 --> 00:39:33,200 Speaker 1: of the making of the Heart Shaped class As music 764 00:39:33,239 --> 00:39:35,880 Speaker 1: video fifteen years ago is the most brazen and easy 765 00:39:35,880 --> 00:39:39,360 Speaker 1: to disprove because there were multiple witnesses. So they maintain 766 00:39:39,440 --> 00:39:42,600 Speaker 1: that the scenes in that video were actually simulated. However, 767 00:39:43,160 --> 00:39:46,080 Speaker 1: Rolling Stone spoke to a crew member from the video 768 00:39:46,200 --> 00:39:49,680 Speaker 1: shoot under the condition of anonymity, who corroborated Wood's claim saying, 769 00:39:49,840 --> 00:39:52,440 Speaker 1: I do believe that there were some moments of actual 770 00:39:52,560 --> 00:39:56,040 Speaker 1: intercourse and so that for me is really how this 771 00:39:56,120 --> 00:39:59,359 Speaker 1: becomes a tech issue and a tech accountability issue, is that, 772 00:40:00,160 --> 00:40:06,200 Speaker 1: according to Wood, YouTube is promoting housing and monetizing a 773 00:40:06,280 --> 00:40:08,960 Speaker 1: video of where she says she was being sexually assaulted, 774 00:40:09,160 --> 00:40:11,720 Speaker 1: and frankly, I'm inclined to believer. And so the question 775 00:40:11,840 --> 00:40:14,520 Speaker 1: is what is YouTube going to do about this? Are 776 00:40:14,520 --> 00:40:18,720 Speaker 1: they going to just allow a video of a sexual 777 00:40:18,719 --> 00:40:21,800 Speaker 1: assault to be on their platform and continue to profit 778 00:40:21,840 --> 00:40:23,640 Speaker 1: off of it? I would say if that's the choice 779 00:40:23,640 --> 00:40:25,600 Speaker 1: they're making, it's pretty questionable. 780 00:40:26,040 --> 00:40:29,239 Speaker 2: Yeah, I'm afraid to ask. I'm going to said the 781 00:40:29,400 --> 00:40:30,560 Speaker 2: choice they're making. 782 00:40:32,719 --> 00:40:36,200 Speaker 1: I you know, YouTube, they quickly took the video down 783 00:40:36,239 --> 00:40:39,440 Speaker 1: and then they made a donation to anti rape organizations. 784 00:40:39,480 --> 00:40:43,040 Speaker 1: Oh wait, just kidding, they do any of that. They 785 00:40:44,040 --> 00:40:46,600 Speaker 1: basically so there's a change dot or petition with over 786 00:40:46,640 --> 00:40:50,280 Speaker 1: fifty thousand signatures calling for YouTube to remove the video, 787 00:40:50,400 --> 00:40:53,160 Speaker 1: and Evan Rachel would share this petition and they pretty 788 00:40:53,200 --> 00:40:55,000 Speaker 1: much have signaled that they're not going to take it down. 789 00:40:55,239 --> 00:40:59,200 Speaker 1: Their spokesperson, Jack Malone says, we're monitoring the situation closely 790 00:40:59,400 --> 00:41:01,839 Speaker 1: and will take a appropriate action if we determine there 791 00:41:01,880 --> 00:41:04,920 Speaker 1: is a breach of our creator responsibility guidelines. And so 792 00:41:05,080 --> 00:41:07,239 Speaker 1: this is really why I see this as a tech 793 00:41:07,239 --> 00:41:11,360 Speaker 1: accountability issue. You know, YouTube, like most online platforms, have 794 00:41:11,600 --> 00:41:14,680 Speaker 1: community guidelines that users have to follow, and according to 795 00:41:14,719 --> 00:41:18,919 Speaker 1: those community guidelines. Content that includes quote non consensual sex 796 00:41:19,000 --> 00:41:22,959 Speaker 1: acts and unwanted sexualization is very much against their own 797 00:41:23,000 --> 00:41:26,040 Speaker 1: stated community guidelines. The community guidelines in terms of service 798 00:41:26,080 --> 00:41:29,440 Speaker 1: says that a user can have monetization suspended or have 799 00:41:29,520 --> 00:41:32,799 Speaker 1: their entire channel terminated if their behavior away from the 800 00:41:32,840 --> 00:41:36,680 Speaker 1: platform harms YouTube users, and so to me, it seems 801 00:41:36,719 --> 00:41:40,080 Speaker 1: pretty clear they have publicly stated that their community guidelines 802 00:41:40,400 --> 00:41:45,120 Speaker 1: prevent non consensual sex acts or unwanted sexualization in their content. 803 00:41:45,280 --> 00:41:47,480 Speaker 1: And here we have a video where Evan Rachel Woods 804 00:41:47,480 --> 00:41:50,480 Speaker 1: says this is exactly that, and yet they're continuing to 805 00:41:50,719 --> 00:41:53,400 Speaker 1: host this video and profit off of it because we 806 00:41:53,440 --> 00:41:56,720 Speaker 1: know that's how YouTube makes their money. It's from advertisements 807 00:41:56,760 --> 00:41:59,239 Speaker 1: that are on the content hosted on their platform. And 808 00:41:59,280 --> 00:42:03,960 Speaker 1: so yeah, I think that YouTube is really expecting people 809 00:42:04,160 --> 00:42:07,720 Speaker 1: to only grapple with this as a quote celebrity story, 810 00:42:08,239 --> 00:42:11,400 Speaker 1: not an issue of YouTube and their own adherence to 811 00:42:11,440 --> 00:42:14,560 Speaker 1: what they say their community guidelines are. And you know, 812 00:42:14,719 --> 00:42:17,600 Speaker 1: I really take issue with that. I really have not 813 00:42:17,920 --> 00:42:21,200 Speaker 1: seen a lot of folks in the tech community talking 814 00:42:21,200 --> 00:42:25,239 Speaker 1: about this story as an example a really clear example 815 00:42:25,680 --> 00:42:29,200 Speaker 1: of YouTube, I think failing to create a reasonably safe 816 00:42:29,320 --> 00:42:31,920 Speaker 1: environment for its users, and just for the. 817 00:42:31,880 --> 00:42:35,120 Speaker 5: World right and out of curiosity, because I don't know 818 00:42:35,239 --> 00:42:39,440 Speaker 5: much about how YouTube works, not tech savvy. Is Warner 819 00:42:39,480 --> 00:42:41,560 Speaker 5: making money from this as well when he gets all 820 00:42:41,600 --> 00:42:42,080 Speaker 5: these views? 821 00:42:42,480 --> 00:42:44,959 Speaker 1: Oh, that is a good question. I actually wouldn't really, 822 00:42:45,000 --> 00:42:47,959 Speaker 1: I'm actually not totally sure if he specifically is making 823 00:42:48,000 --> 00:42:51,160 Speaker 1: money from these videos being hosted, but I do know 824 00:42:51,200 --> 00:42:53,919 Speaker 1: that he has a YouTube account, and so just how 825 00:42:54,040 --> 00:42:56,719 Speaker 1: monetization works, I wouldn't be surprised. I'm not able to 826 00:42:56,719 --> 00:42:58,600 Speaker 1: say one way or another, but I wouldn't be surprised. 827 00:42:58,640 --> 00:43:00,319 Speaker 1: I check to see if the video was on the 828 00:43:00,320 --> 00:43:04,640 Speaker 1: platform before we started this talk, and you know, right 829 00:43:04,640 --> 00:43:07,480 Speaker 1: before the video played there's ads, and so I can 830 00:43:07,520 --> 00:43:10,439 Speaker 1: imagine I wouldn't be surprised if he is making money 831 00:43:10,480 --> 00:43:14,080 Speaker 1: from that as another income stream. And yeah, I guess 832 00:43:14,120 --> 00:43:18,000 Speaker 1: that's That's really the crux of why I wanted to 833 00:43:18,000 --> 00:43:21,799 Speaker 1: talk about this is that this is what happens when 834 00:43:22,320 --> 00:43:27,319 Speaker 1: women and other traditionally marginalized people are not really meaningfully 835 00:43:27,480 --> 00:43:31,400 Speaker 1: centered and reflected in tech. It allows one platforms to 836 00:43:31,520 --> 00:43:34,080 Speaker 1: harm us and make money from our harm, and be 837 00:43:34,120 --> 00:43:36,799 Speaker 1: able to do so without any kind of real accountability. 838 00:43:37,040 --> 00:43:40,919 Speaker 1: And two, it allows for there are so many tech 839 00:43:40,960 --> 00:43:45,319 Speaker 1: publications that are that are missing an opportunity to spotlight 840 00:43:45,440 --> 00:43:47,960 Speaker 1: this as a tech issue in terms of the harm 841 00:43:48,000 --> 00:43:51,440 Speaker 1: that YouTube is allowing to be spread on their platform. 842 00:43:51,960 --> 00:43:54,600 Speaker 5: Right, I mean, that's the cole big conversation is that 843 00:43:54,680 --> 00:43:56,839 Speaker 5: who is making money off of someb's trauma? And this 844 00:43:56,920 --> 00:44:00,000 Speaker 5: is absolutely what is happening, is that they're making money 845 00:44:00,120 --> 00:44:02,680 Speaker 5: off of it and giving views and giving credibility to 846 00:44:02,760 --> 00:44:06,279 Speaker 5: the abuser once again as a musician. And this is 847 00:44:06,320 --> 00:44:09,160 Speaker 5: such a whole other conversation of like, you have a 848 00:44:09,200 --> 00:44:13,800 Speaker 5: responsibility in making sure that people are not continually re 849 00:44:13,880 --> 00:44:17,640 Speaker 5: traumatized and or being harmed by your content. And yes, 850 00:44:18,000 --> 00:44:22,200 Speaker 5: if it is your platform, you are responsible, point blank exactly. 851 00:44:22,280 --> 00:44:25,040 Speaker 1: And I also think you know YouTube in their community 852 00:44:25,080 --> 00:44:27,040 Speaker 1: guidelines to say, oh, we can take things down if 853 00:44:27,040 --> 00:44:30,640 Speaker 1: there is a confession or a conviction. YouTube is owned 854 00:44:30,640 --> 00:44:33,240 Speaker 1: by Google, right, Google is one of the biggest companies 855 00:44:33,239 --> 00:44:35,520 Speaker 1: in the world. And how things work in the platform 856 00:44:35,520 --> 00:44:40,320 Speaker 1: accountability space, when a huge player in the space does something, 857 00:44:40,680 --> 00:44:43,000 Speaker 1: it creates pressure for other people to do things. And 858 00:44:43,040 --> 00:44:45,919 Speaker 1: so if Google was to do something that would create 859 00:44:45,920 --> 00:44:48,439 Speaker 1: the conditions for other smaller platforms to follow a suit 860 00:44:48,480 --> 00:44:51,719 Speaker 1: because big platforms really do set the tone, and so 861 00:44:52,480 --> 00:44:55,920 Speaker 1: I believe that a company like Google, who owns YouTube, 862 00:44:56,320 --> 00:44:58,879 Speaker 1: should be able to say, we don't need to wait 863 00:44:59,000 --> 00:45:03,439 Speaker 1: for Brian w to confess that he sexually assaulted Evan 864 00:45:03,560 --> 00:45:05,879 Speaker 1: rachel Wood on the side of this video. We don't 865 00:45:05,920 --> 00:45:08,720 Speaker 1: have to wait for a legal conviction. We are Google, 866 00:45:08,760 --> 00:45:10,680 Speaker 1: and we can set the standard for what is it 867 00:45:10,719 --> 00:45:13,960 Speaker 1: is not appropriate on our platform, and a video of 868 00:45:14,000 --> 00:45:17,239 Speaker 1: someone being sexually assaulted is not appropriate. I believe that 869 00:45:17,440 --> 00:45:21,040 Speaker 1: they're really just throwing up their hands and saying, not 870 00:45:21,160 --> 00:45:23,880 Speaker 1: our problem. Call us when he confesses. Call us. If 871 00:45:23,880 --> 00:45:27,040 Speaker 1: there's a conviction. We're gonna just ignore this and hope 872 00:45:27,040 --> 00:45:31,040 Speaker 1: that you do too. I think they are absolutely just 873 00:45:31,200 --> 00:45:34,440 Speaker 1: abdicating responsibility. And guess what, you don't get to do 874 00:45:34,520 --> 00:45:37,880 Speaker 1: that when you're Google. When you're a huge company like Google, 875 00:45:38,080 --> 00:45:41,319 Speaker 1: you have a responsibility that is very, very powerful, and 876 00:45:41,400 --> 00:45:43,920 Speaker 1: you don't get to just say it's not our issue, 877 00:45:44,000 --> 00:45:45,600 Speaker 1: We're gonna wait for the course to figure it out. 878 00:45:45,680 --> 00:45:48,200 Speaker 1: We're gonna wait for him to confess. When you're Google. 879 00:45:48,280 --> 00:45:52,120 Speaker 1: That is so irresponsible, and it sets up a dynamic 880 00:45:52,360 --> 00:45:57,080 Speaker 1: where other platforms can follow suit. So it really is irresponsible, 881 00:45:57,800 --> 00:46:02,680 Speaker 1: cowardly and also just harmful. And again, they're making money 882 00:46:02,800 --> 00:46:06,080 Speaker 1: from this inaction. They're continuing to just let this video 883 00:46:06,520 --> 00:46:08,920 Speaker 1: wrap up millions and millions and millions of views that 884 00:46:09,040 --> 00:46:12,120 Speaker 1: are being made from a video of someone being sexually assaulted. 885 00:46:12,400 --> 00:46:14,719 Speaker 5: And let's also point out that it's a video, not 886 00:46:14,840 --> 00:46:18,960 Speaker 5: the entire artist, not his whole genre of music. 887 00:46:19,680 --> 00:46:23,160 Speaker 4: One video. That was the request. It shouldn't be that. 888 00:46:23,200 --> 00:46:26,759 Speaker 1: Hard, exactly, and I guess I just I mean, yeah, 889 00:46:26,840 --> 00:46:30,640 Speaker 1: it shouldn't be this hard. And I want so desperately 890 00:46:30,680 --> 00:46:34,320 Speaker 1: to believe that a different world for survivors is possible 891 00:46:34,640 --> 00:46:37,600 Speaker 1: in the scheme of things. So small asking for one 892 00:46:37,880 --> 00:46:41,520 Speaker 1: music video to be removed in the scheme of things, 893 00:46:42,520 --> 00:46:45,040 Speaker 1: what is that, you know? I feel like that is 894 00:46:45,080 --> 00:46:49,319 Speaker 1: such a small ask that a survivor has clearly made, 895 00:46:49,960 --> 00:46:53,759 Speaker 1: and they're just able to say no. I want to 896 00:46:53,800 --> 00:46:56,840 Speaker 1: believe in a world where survivors can expect more, survivors 897 00:46:56,840 --> 00:46:59,960 Speaker 1: can expect dignity and respect and to be listened to 898 00:47:00,200 --> 00:47:05,000 Speaker 1: and meaningfully centered. And I believe Google has a chance 899 00:47:05,040 --> 00:47:07,799 Speaker 1: to do that that they're just giving away. 900 00:47:08,000 --> 00:47:12,080 Speaker 5: Right, And it's exactly what you were saying, that this 901 00:47:12,160 --> 00:47:17,080 Speaker 5: is a question of believing women respecting women. Let's say 902 00:47:17,120 --> 00:47:20,239 Speaker 5: it was considual, just for the sake of argument, And 903 00:47:20,280 --> 00:47:23,560 Speaker 5: she's like, I don't like this, because whatever happened beforehand 904 00:47:23,560 --> 00:47:25,600 Speaker 5: in this relationship, it was traumatic. 905 00:47:25,640 --> 00:47:27,880 Speaker 4: Please take it off. That should be enough. 906 00:47:28,280 --> 00:47:32,120 Speaker 5: That should be enough without having to regurgitate the same 907 00:47:32,120 --> 00:47:34,600 Speaker 5: experiences and tell them exactly how it hurt you, which 908 00:47:34,640 --> 00:47:37,239 Speaker 5: is also traumatizing. It shouldn't have to be that we 909 00:47:37,320 --> 00:47:39,720 Speaker 5: have to put on a fanfare for someone to believe 910 00:47:39,760 --> 00:47:41,919 Speaker 5: that we are in pain point blank. 911 00:47:42,000 --> 00:47:42,239 Speaker 2: Yeah. 912 00:47:42,320 --> 00:47:45,680 Speaker 1: I mean, we shouldn't have to scream just to be heard. 913 00:47:46,120 --> 00:47:49,040 Speaker 1: You know. Today this week's episode of my podcast There 914 00:47:49,040 --> 00:47:52,000 Speaker 1: Are No Girls with the Internet, we talked to a 915 00:47:52,040 --> 00:47:55,240 Speaker 1: survivor and an advocate, Alison Turcos, who was sexually assaulted 916 00:47:55,280 --> 00:47:59,080 Speaker 1: in a lift, and she talks so eloquently about how 917 00:47:59,440 --> 00:48:04,120 Speaker 1: she is to regurgitate the most traumatic, painful thing that 918 00:48:04,200 --> 00:48:07,000 Speaker 1: happened to her over and over and over again, and 919 00:48:07,040 --> 00:48:09,600 Speaker 1: that we create a world where that is supposed to 920 00:48:09,640 --> 00:48:12,680 Speaker 1: be the pathway for survivors to get justice. And I 921 00:48:12,719 --> 00:48:15,719 Speaker 1: don't think that survivors A owe you their stories or 922 00:48:15,840 --> 00:48:19,879 Speaker 1: B should have to relive this pain just to get 923 00:48:19,920 --> 00:48:23,160 Speaker 1: anyone to do something. YouTube has the power. They could 924 00:48:23,160 --> 00:48:26,520 Speaker 1: decide to take this one video down tomorrow. They take 925 00:48:26,560 --> 00:48:29,680 Speaker 1: things down all the time for all different kinds of reasons. 926 00:48:29,880 --> 00:48:33,760 Speaker 1: And I believe that making a survivor retell her pain 927 00:48:33,920 --> 00:48:37,640 Speaker 1: in this way to then do nothing is just Survivors 928 00:48:37,640 --> 00:48:40,040 Speaker 1: des are better, Survivors should be able to expect better. 929 00:48:40,320 --> 00:48:43,160 Speaker 2: Yes, yeah, I mean that's an excellent point because as 930 00:48:43,200 --> 00:48:45,440 Speaker 2: someone who used to like upload YouTube videos a lot, 931 00:48:45,480 --> 00:48:47,400 Speaker 2: and they'd get taken down all the time because the 932 00:48:47,480 --> 00:48:51,400 Speaker 2: music was too close to other music. So it's like 933 00:48:51,520 --> 00:48:54,600 Speaker 2: we're clearly I've been thinking this whole time as we've 934 00:48:54,640 --> 00:48:57,319 Speaker 2: been talking about this, the messages that young girls are 935 00:48:57,320 --> 00:48:59,879 Speaker 2: picking up from witnessing this from a celebrity that they 936 00:49:00,280 --> 00:49:03,839 Speaker 2: and this is the response that she gets. And you know, 937 00:49:04,200 --> 00:49:08,520 Speaker 2: we care more about copyright infringement than survivors and how 938 00:49:08,520 --> 00:49:11,400 Speaker 2: that influences you and what you think is normal and 939 00:49:11,440 --> 00:49:14,839 Speaker 2: what if you're going to report, which again that is 940 00:49:15,120 --> 00:49:19,279 Speaker 2: very personal and complicated and does have a lot of 941 00:49:19,320 --> 00:49:26,000 Speaker 2: fallout often, but also just this idea of men getting 942 00:49:26,040 --> 00:49:30,120 Speaker 2: this kind of genius artistic card and the like women 943 00:49:30,200 --> 00:49:32,680 Speaker 2: that they've left behind, this path of trauma that they 944 00:49:32,800 --> 00:49:36,439 Speaker 2: left behind that we've determined is okay because we've got 945 00:49:36,440 --> 00:49:38,800 Speaker 2: this art out of it. And that's what it takes. 946 00:49:38,800 --> 00:49:41,680 Speaker 2: And I've done I've done some work in acting before, 947 00:49:41,760 --> 00:49:44,560 Speaker 2: and it is very you will get that messaging hardcore 948 00:49:45,200 --> 00:49:47,000 Speaker 2: where it's like, but this is going to be great, 949 00:49:47,000 --> 00:49:49,360 Speaker 2: and this is going to launch your career, and this 950 00:49:49,480 --> 00:49:51,080 Speaker 2: is what it takes. This is what you have to 951 00:49:51,120 --> 00:49:54,680 Speaker 2: do because it's so competitive and oftentimes it's just like 952 00:49:55,160 --> 00:49:57,279 Speaker 2: an excuse to take advantage of you and then you'll 953 00:49:57,320 --> 00:49:58,280 Speaker 2: never hear from them again. 954 00:49:59,280 --> 00:50:01,440 Speaker 1: God, like if you were in a So that's how 955 00:50:01,440 --> 00:50:03,839 Speaker 1: it is in a lot of entertainment industries. Let's say 956 00:50:03,840 --> 00:50:06,040 Speaker 1: that you were an accountant and someone was like, well, 957 00:50:06,640 --> 00:50:09,359 Speaker 1: Joe is a really gifted accountant, so you're just gonna 958 00:50:09,360 --> 00:50:12,200 Speaker 1: have to put up with him sexually assaulting you and 959 00:50:12,239 --> 00:50:15,080 Speaker 1: physically abusing you and treating you horribly because he's just 960 00:50:15,120 --> 00:50:18,640 Speaker 1: a really talented accountant. Uh No. And it should be 961 00:50:18,719 --> 00:50:22,280 Speaker 1: the same way across industries. There shouldn't be these huge 962 00:50:22,360 --> 00:50:25,800 Speaker 1: card outs for men to get away with abusive behavior 963 00:50:25,840 --> 00:50:29,879 Speaker 1: and have that abusive behavior be repackaged and sold back 964 00:50:29,960 --> 00:50:31,120 Speaker 1: to us as genius. 965 00:50:31,400 --> 00:50:31,600 Speaker 2: No. 966 00:50:32,400 --> 00:50:36,520 Speaker 1: I completely agree that whether you are a musician, an actor, 967 00:50:36,719 --> 00:50:39,840 Speaker 1: or an accountant, there should be some clear standards for 968 00:50:39,960 --> 00:50:43,319 Speaker 1: how you are expected to behave. And you know, a 969 00:50:43,440 --> 00:50:46,440 Speaker 1: music video is a workplace. You know that's that has 970 00:50:46,480 --> 00:50:49,160 Speaker 1: a crew, It has people who are paid to be there, 971 00:50:49,200 --> 00:50:52,080 Speaker 1: and you know, there's just no excuse for that. And 972 00:50:52,200 --> 00:50:55,840 Speaker 1: I'm unwilling to accept that that's, you know, the marker 973 00:50:55,880 --> 00:50:58,160 Speaker 1: of genius, or that we have to put up with 974 00:50:58,320 --> 00:51:03,640 Speaker 1: men's powerful men, bad or abusive behavior to get great art. No, 975 00:51:03,760 --> 00:51:05,560 Speaker 1: I'm just unwilling. That's unacceptable to me. 976 00:51:06,000 --> 00:51:10,440 Speaker 3: Greed, Agreed, I can't wait. We gotta have a venting 977 00:51:10,480 --> 00:51:12,440 Speaker 3: session on what I need it. 978 00:51:12,880 --> 00:51:15,400 Speaker 1: Obviously I need it. I feel like we all do. 979 00:51:15,480 --> 00:51:19,120 Speaker 3: I can feel it in me. Well. 980 00:51:19,239 --> 00:51:22,040 Speaker 2: In the meantime, thanks so much for bringing this topic 981 00:51:22,080 --> 00:51:25,719 Speaker 2: to us, Bridget and giving it the nuance that it deserves. 982 00:51:25,800 --> 00:51:28,520 Speaker 3: Always appreciated. Where can the good listeners find you? 983 00:51:28,680 --> 00:51:30,600 Speaker 1: Well? I would love it if you listen to my podcast. 984 00:51:30,719 --> 00:51:33,040 Speaker 1: There are no girls on the internet. Not all of 985 00:51:33,080 --> 00:51:36,919 Speaker 1: our conversations are about heavy, sad issues, but we would 986 00:51:37,000 --> 00:51:38,680 Speaker 1: love to have you listen. You can check it out 987 00:51:38,719 --> 00:51:41,760 Speaker 1: on this very network. iHeartRadio. Can follow me on Instagram 988 00:51:41,840 --> 00:51:44,360 Speaker 1: at Bridget Marie and DC or on Twitter at Bridget Marie. 989 00:51:44,480 --> 00:51:47,440 Speaker 2: Yes, and definitely do that and we can't wait to 990 00:51:48,000 --> 00:51:48,960 Speaker 2: talk some more Bridget. 991 00:51:49,040 --> 00:51:50,640 Speaker 3: Maybe we got some other things in. 992 00:51:50,600 --> 00:51:54,759 Speaker 2: The works coming up, very exciting, so look out for that. 993 00:51:54,880 --> 00:51:55,360 Speaker 3: Listeners. 994 00:51:56,080 --> 00:51:58,120 Speaker 2: If you would like to email us, you can. Our 995 00:51:58,120 --> 00:51:59,960 Speaker 2: email is Seputia mob Stuff at hurt me dot com. 996 00:52:00,160 --> 00:52:02,120 Speaker 2: You can find us on Twitter at most podcasts, or 997 00:52:02,120 --> 00:52:03,839 Speaker 2: on Instagram a stuff owner I have told you. Thanks 998 00:52:03,880 --> 00:52:07,240 Speaker 2: is always to our super producer, Christina. We love you, Christina, Yes, 999 00:52:07,760 --> 00:52:09,880 Speaker 2: and thanks to you for listening. Stuff Underver totally production 1000 00:52:09,920 --> 00:52:12,479 Speaker 2: of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeart 1001 00:52:12,520 --> 00:52:14,520 Speaker 2: Radio app, Apple podcast, or wherever you listen to your 1002 00:52:14,520 --> 00:52:15,400 Speaker 2: favorite shows.