WEBVTT - Carrie with Eva Vives 

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<v Speaker 1>On the Bedel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy zef in best

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<v Speaker 1>start changing it with the Bechdel Cast. Hello and welcome

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<v Speaker 1>to the Bechdel Cast. My name is Jamie Loftus and

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<v Speaker 1>my name is Caitlin. Darante is our podcast about the

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<v Speaker 1>portrayal of women in famous movies. Wow, here we are here,

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<v Speaker 1>we are something that doesn't pass the Bechtel test. Before

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<v Speaker 1>we entroy it. I used task Rabbit for the first

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<v Speaker 1>time today and a hot firefighter came to my friend's

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<v Speaker 1>house and brought her mattress to my house. And then

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<v Speaker 1>like we added each other on Facebook. Oh I think

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<v Speaker 1>I LOVET. So you're Gregnt. No, I'm GREGN. I think Gregnt.

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<v Speaker 1>I don't know I Well, anyways, I met a firefighter today. Okay,

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<v Speaker 1>what's the Betel So that? Yeah, that for sure didn't

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<v Speaker 1>pass the Bechdel test, which is a test that you

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<v Speaker 1>who apply to media for our sake movies. It requires

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<v Speaker 1>that the movie has two named female identifying characters who

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<v Speaker 1>speak to each other about something other than a man. Okay,

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<v Speaker 1>let's try it. Okay, Hey, Caitlin, what Jamie? I guess

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<v Speaker 1>what kind of mattress I have? Now? Wow? Um, what

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<v Speaker 1>kind of I don't know? Is it? Yes, Queen? Yes, queen? Okay, Well,

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<v Speaker 1>it doesn't have to be a compelling conversation. But that

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<v Speaker 1>time that passed. If it was a king's size mattress

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<v Speaker 1>or California king, that would have not pondering our mattresses? Right?

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<v Speaker 1>Why did they do that? Why are kings extra big?

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<v Speaker 1>What did they what did they keeping in there? Well,

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<v Speaker 1>the real question is why are queens smaller than kings? Oh?

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<v Speaker 1>I mean, I mean less than but also like I

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<v Speaker 1>think like better, because if you're getting into the king's

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<v Speaker 1>size bed territory, it's like, who do you think you are?

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<v Speaker 1>Like what? No one needs this much space? I think

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<v Speaker 1>king's eye bed. I don't have one, but it's only

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<v Speaker 1>because I don't sleep with anyone else in my bed.

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<v Speaker 1>If I was sleeping with someone, I would need a

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<v Speaker 1>bed that was at least I would say, twenty ft wide.

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<v Speaker 1>I just don't let people stay at my house. Sure.

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<v Speaker 1>The thing, I'm just like, okay, well this get out

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<v Speaker 1>of here, like you can come for breakfast tomorrow anyways,

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<v Speaker 1>I'm very nurturing and nice. Um. Okay, I'm so excited

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<v Speaker 1>for the movie we're talking about today, particularly excited for

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<v Speaker 1>our guest we have today. Her movie came out last week.

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<v Speaker 1>It's going to be playing across the country. It's called

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<v Speaker 1>All About Nina and it is a movie. Well, we'll

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<v Speaker 1>just let her tell you it's right, or director of

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<v Speaker 1>Vivez Leans for being here, Thank you for having me.

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<v Speaker 1>I'm so excited and listened for so long. It's nice

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<v Speaker 1>to be here. Before we get into the discussion, can

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<v Speaker 1>you tell us a little bit about All About Nina

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<v Speaker 1>for our our listeners. Sure. Um, it's a movie that

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<v Speaker 1>I wrote, and it's my first directorial debut. Well, I

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<v Speaker 1>guess the debut is always a first write. It's my

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<v Speaker 1>directorial problem of sorts. Yeah, feature debut anyway, and it

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<v Speaker 1>stars Mary Elizabeth Winstead soon to be in a huge

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<v Speaker 1>DC comic book as well. But she is the titular

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<v Speaker 1>character and she is a stand up comedian something you

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<v Speaker 1>know something about. And Jamie worked on the movie as well.

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<v Speaker 1>It's how we met, which I'm very grateful for. She

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<v Speaker 1>was our comedy consultant. So you might recognize some of

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<v Speaker 1>her jokes in the film as well. Yeah, there's anytime,

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<v Speaker 1>there's always anytime there's a joke about fingering, it's my joke. Actually,

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<v Speaker 1>that's my contribution. Not to give anything away, but yeah,

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<v Speaker 1>but I also ended up having to cut a bunch

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<v Speaker 1>because I was like, this is getting it's getting to

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<v Speaker 1>be too many fingering jokes. We could see the punchline.

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<v Speaker 1>So everyone should see the movie to begin with. But

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<v Speaker 1>then also, you know, if you if you happen to

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<v Speaker 1>giggle at a thing green joke that that's my little contribution.

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<v Speaker 1>I'm told it's raw and it's dirty, which I'm like, isn't.

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<v Speaker 1>That's just the way my friends and I are. But

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<v Speaker 1>it seems just like if you go outside of the

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<v Speaker 1>comedy scene, I think other people seem to find it

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<v Speaker 1>kind of in your face. Are it's totally rated. Are

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<v Speaker 1>and it also has the wonderful comment in it and

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<v Speaker 1>it Yeah, it definitely passes the big deltas you thought

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<v Speaker 1>about this already, haven't when when you first gave you

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<v Speaker 1>this group to year, goos like, oh let's see where

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<v Speaker 1>it did where? And it passes a billion times? Yeah,

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<v Speaker 1>it's great, So it's back tell cost approved. Um so

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<v Speaker 1>so definitely check it out. We'll talk about it again

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<v Speaker 1>at the end, but today we have a very different

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<v Speaker 1>movie to discuss because it's the Halloween e month. Now.

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<v Speaker 1>The movie we're talking about today is Carrie the Brian

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<v Speaker 1>to pal McCarry nineteen seventy six. Yes, yeah, I'm so

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<v Speaker 1>excited to talk about it. Yeah, it's it's a wild one.

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<v Speaker 1>But what's your your history, your relation ship with this movie?

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<v Speaker 1>When did you first see it? I watched it again

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<v Speaker 1>this morning in preparation of this, but I had seen it.

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<v Speaker 1>I don't know, not a ton of times. First of all,

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<v Speaker 1>I was born in nineteen six. How this is how

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<v Speaker 1>old this movie is, So I definitely didn't see it.

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<v Speaker 1>You know, I don't see it as an infant, although

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<v Speaker 1>I saw a lot of other inappropriate things. But I'll say, um,

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<v Speaker 1>horror is not my forte and movies, although I certainly

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<v Speaker 1>love a good horror movie. So I just didn't come

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<v Speaker 1>to it until probably I was in my mid twenties

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<v Speaker 1>and a friend of mine, Zoe, said, oh, you should

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<v Speaker 1>see it. It's all about periods. I was like, oh,

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<v Speaker 1>I didn't realize that. All right, I'll go see it.

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<v Speaker 1>It's not going to be the sequel to All About Nina.

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<v Speaker 1>I mean, yeah, we talked quite a lot about bleeding

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<v Speaker 1>in that movie. But yeah, and then I and then

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<v Speaker 1>I thought because I had only seen that image of

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<v Speaker 1>her covered in blood and with the fire, which again

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<v Speaker 1>I thought, this could go either way, like it could

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<v Speaker 1>just be one of those silly movies where like women

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<v Speaker 1>get bloodied up or and then she was like, no, no,

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<v Speaker 1>it's about periods. So I thought, oh, okay, that's different.

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<v Speaker 1>So then I watched it, and it's interesting because, I mean,

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<v Speaker 1>Jamie knows this. I was abused as a kid, and

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<v Speaker 1>so I maybe because I was in the midst of

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<v Speaker 1>sort of going to therapy and talking about my recovery.

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<v Speaker 1>I remember the first time I saw it in my

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<v Speaker 1>mid twenties, it really hit me that way. I felt

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<v Speaker 1>it was very much about a kid who I mean,

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<v Speaker 1>clearly she is being abused at home, and you know

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<v Speaker 1>how far that abuse goes in terms of her own mother.

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<v Speaker 1>All of that are the things that when I watched

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<v Speaker 1>it today, probably like fifteen years later, so I had

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<v Speaker 1>a lot more questions about. I think at the time

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<v Speaker 1>it hit me more viscerally because I thought, and you

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<v Speaker 1>guys are probably you know you you've You're younger than me,

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<v Speaker 1>so you've grown up at a time where again, even

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<v Speaker 1>though the movie still leave a lot to be desired

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<v Speaker 1>in terms of for roles for women and anybody who's

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<v Speaker 1>not white, basically because, by the way, not one non

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<v Speaker 1>white person in this movie. Actually I think that I

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<v Speaker 1>saw one black guy in the in the prom Senior,

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<v Speaker 1>but no one certainly with speaking roles. No anyway, I digress.

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<v Speaker 1>But but anyway, so yeah, this time around, um, I

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<v Speaker 1>was a little bit more disappointed in it in the

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<v Speaker 1>sense that I wish I mean, I'm sure we'll get

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<v Speaker 1>into it, but um, the fear of women was very

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<v Speaker 1>palpable in it, and internally the ending of I guess

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<v Speaker 1>to me that the allegory felt like if you're abused,

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<v Speaker 1>you're burning hell, and right there was of gosh, there

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<v Speaker 1>was a few moments where I thought the movie was

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<v Speaker 1>ending and it actually wasn't. Like the last few minutes.

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<v Speaker 1>I mean, we'll get into it, but like the last

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<v Speaker 1>few minutes of this movie were such a roller coaster

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<v Speaker 1>of like, how does this movie feel about Carrie? Where

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<v Speaker 1>like what is the movie? Because I thought it was

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<v Speaker 1>like reaching a place where I was like, oh, this

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<v Speaker 1>seems empathetic, and then at the end it's like, no,

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<v Speaker 1>just kidding, She's in hell. You're like, okay, great, Um, yeah, Caitlin,

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<v Speaker 1>what's your history of this movie? I lived my whole

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<v Speaker 1>adolescent in adult life until two years ago thinking that

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<v Speaker 1>I had seen this movie is like a teenager. And

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<v Speaker 1>I think it was just because I knew the very

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<v Speaker 1>on moments of the movie, which is the shower scene

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<v Speaker 1>where she finds out she gets her period and has

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<v Speaker 1>a bunch of tampons and pads thrown at her, and

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<v Speaker 1>the prom scene, which I think I might have actually

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<v Speaker 1>seen that whole sequence play out, and I just think

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<v Speaker 1>that I had seen the whole movie. But I watched

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<v Speaker 1>it two years ago and realized, oh, I've actually never

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<v Speaker 1>seen this whole movie. So that was a fun revelation

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<v Speaker 1>for me. But I do distinctly remember seeing the Rage

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<v Speaker 1>Carrie too. Who wait, when did that come up? No? No, no,

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<v Speaker 1>the Kimberly Pierce one. I'm not entirely sure it was.

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<v Speaker 1>I think in early two thousand's uh sequel, let me

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<v Speaker 1>let me get direct to video deal because I know,

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<v Speaker 1>because I know Kimpiers remated with Julianne Moore, But I

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<v Speaker 1>haven't seen that yet, so that's actually watching it today.

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<v Speaker 1>I was, I was really curious about how her treatment

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<v Speaker 1>of it would change it. You know, Yeah, I haven't

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<v Speaker 1>seen the make Yeah that was Julyanne Moore as the mother,

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<v Speaker 1>and that Chloe Chloe Grace Merits as Carrie saying that

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<v Speaker 1>blonde girl Chloe really doesn't narrow it down, do you

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<v Speaker 1>think about it? Also, let that reduced women to their

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<v Speaker 1>hair colors, Jamie, but also but also but I know

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<v Speaker 1>I haven't seen that one. But I think the other

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<v Speaker 1>thing is that I read Stephen King's autobiographical like how

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<v Speaker 1>to Write Books called On. He talks at length about

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<v Speaker 1>Carry in that book, which I have not read the

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<v Speaker 1>book Carry, but I did read On Writing, and I

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<v Speaker 1>just thought that just through osmosis, I must have. I

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<v Speaker 1>was like, yeah, I've seen this movie, but it was

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<v Speaker 1>just that I had been exposed to enough Carry related

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<v Speaker 1>imagery and stories that I thought I saw it. I

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<v Speaker 1>think that that I had sort of a similar experience

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<v Speaker 1>where I wasn't if I'd actually seen this movie or not.

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<v Speaker 1>I think that mostly just speaks to like what a

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<v Speaker 1>impact this had on like the culture, to the point

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<v Speaker 1>where by the time I was like twenty minutes and

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<v Speaker 1>I was like, oh, I definitely haven't seen this all

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<v Speaker 1>the way through. But same like you were saying, I'm

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<v Speaker 1>pretty sure that I saw clips of it in like college,

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<v Speaker 1>in like class. It's sort of like that weird saying

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<v Speaker 1>where I think I know more about this movie through

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<v Speaker 1>references made to it through other things than like, but

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<v Speaker 1>I've never actually seen the thing. My experience is this

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<v Speaker 1>movie is I saw it this morning as usual. But

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<v Speaker 1>I have had I don't know, I've had a weird

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<v Speaker 1>lifelong thing with Stephen King because he lives in the

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<v Speaker 1>same time my grandma lived in it, and so I

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<v Speaker 1>would like I have like pictures of him when I

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<v Speaker 1>was a little kid, and I don't know, like he

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<v Speaker 1>just was like a hero growing up. Even though I

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<v Speaker 1>haven't read a ton of his books, he was just

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<v Speaker 1>like the only writer I'd ever met for a very

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<v Speaker 1>long time. I was like, Oh, he's the coolest, and

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<v Speaker 1>like the fact that I knew he wrote about girls,

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<v Speaker 1>even though I wasn't allowed to read the books, Um,

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<v Speaker 1>I thought was really cool. Stephen King has written so

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<v Speaker 1>many books that it's kind of hard to have a

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<v Speaker 1>concise discussion on like how he writes female characters. I

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<v Speaker 1>haven't also haven't read enough of his stuff to have

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<v Speaker 1>that conversation. Yeah, let's do the recap. Just read the

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<v Speaker 1>story and then we'll actually we'll get into more in depth.

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<v Speaker 1>So many discussions. Okay, So the story of Carrie is

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<v Speaker 1>we meet Carrie, who is a teenage girl, Sissy SpaceX

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<v Speaker 1>right love her, What a what a performance. So the

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<v Speaker 1>movie opens they're playing some volleyball and gym class and

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<v Speaker 1>then all the girls are showering in a sequence that

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<v Speaker 1>you know will unpack, and then she gets her period

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<v Speaker 1>for the first time, and she does not know what's happening.

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<v Speaker 1>She dying, Yeah, yeah, she just sees blood and she

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<v Speaker 1>thinks that she's dying. So she starts freaking out and

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<v Speaker 1>screaming and begging for help, and then all the other

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<v Speaker 1>girls and her gym class start bullying her, and they're

0:12:02.200 --> 0:12:05.960
<v Speaker 1>throwing feminine hygiene products at her, which is like what

0:12:06.000 --> 0:12:09.720
<v Speaker 1>a waste, right, We're taxed on those, like, come on,

0:12:10.840 --> 0:12:17.320
<v Speaker 1>just throw And the main perpetrator of this bullying incident

0:12:17.520 --> 0:12:22.320
<v Speaker 1>is this girl, Chris Farra faucet hair. And then the

0:12:22.360 --> 0:12:24.760
<v Speaker 1>gym teacher comes in and tries to console Carrie and

0:12:24.800 --> 0:12:27.320
<v Speaker 1>all this is happening, a light bulb bursts and we're like,

0:12:27.559 --> 0:12:31.360
<v Speaker 1>what's that all about? Then she goes home and we

0:12:31.480 --> 0:12:35.880
<v Speaker 1>realized that she has a religious zealot for a mother,

0:12:36.800 --> 0:12:39.480
<v Speaker 1>and I was reading. I think the book she's reading

0:12:39.480 --> 0:12:41.680
<v Speaker 1>when Carrie walks in is like The Sins of Women,

0:12:42.640 --> 0:12:47.000
<v Speaker 1>Just like, okay, right, So her mom finds out that

0:12:47.120 --> 0:12:50.080
<v Speaker 1>Carry has gotten her period and she punishes her for

0:12:50.240 --> 0:12:53.600
<v Speaker 1>it by locking her in a closet so Harry Potter

0:12:53.720 --> 0:12:59.640
<v Speaker 1>reference and assuming it came out. So Carrie is the

0:12:59.760 --> 0:13:04.360
<v Speaker 1>victum of you know, physical, verbal, emotional abuse from her

0:13:04.400 --> 0:13:08.440
<v Speaker 1>mother and from really everyone around her. Yeah, slapping that

0:13:08.480 --> 0:13:13.600
<v Speaker 1>happens in this movie is quite slop. Sorry, I keeps fine.

0:13:14.000 --> 0:13:17.719
<v Speaker 1>So then she goes Carrie goes upstairs after being let

0:13:17.720 --> 0:13:21.720
<v Speaker 1>out of the closet and her mirror shatters suddenly, and

0:13:21.720 --> 0:13:26.520
<v Speaker 1>we're like, huh, what's that all about? Isn't that the cue? Though? Yeah,

0:13:27.600 --> 0:13:31.920
<v Speaker 1>the cues are so goofy. So then the girls in

0:13:31.920 --> 0:13:35.000
<v Speaker 1>the gym class who were blaming her are being punished

0:13:35.120 --> 0:13:38.760
<v Speaker 1>by Ms. Collins, the gym teacher, and she's like, do

0:13:38.800 --> 0:13:40.720
<v Speaker 1>this detention with me or you don't get to go

0:13:40.760 --> 0:13:45.079
<v Speaker 1>to prom and the anyone cares about, right, So Chris

0:13:45.200 --> 0:13:48.199
<v Speaker 1>is like, I'm not doing this stupid attention, So she

0:13:48.280 --> 0:13:53.600
<v Speaker 1>gets banned from prom. Meanwhile, Carrie starts to investigate. She's like,

0:13:53.840 --> 0:13:57.440
<v Speaker 1>glass keeps shattering around me, Wonder what that's all about?

0:13:57.800 --> 0:14:00.960
<v Speaker 1>Really like this because we just for corded our bonus

0:14:01.000 --> 0:14:06.000
<v Speaker 1>episode on Teeth yesterday. There are so many parallels. Yeah.

0:14:06.040 --> 0:14:10.800
<v Speaker 1>So so Carrie active character takes it upon herself to

0:14:10.800 --> 0:14:13.280
<v Speaker 1>figure out what the fox is going on. Yes, reads

0:14:13.400 --> 0:14:16.440
<v Speaker 1>some books, so she finds a book that tells her

0:14:16.440 --> 0:14:20.400
<v Speaker 1>about telekinesis, So she's like, that sounds like what I have.

0:14:21.240 --> 0:14:24.600
<v Speaker 1>Then one of the girls who was friends with the

0:14:24.640 --> 0:14:29.240
<v Speaker 1>mean bully Chris, but who seems to be nicer, Sue Snell.

0:14:30.120 --> 0:14:33.200
<v Speaker 1>She asks her boyfriend Tommy if he will take Carrie

0:14:33.280 --> 0:14:36.440
<v Speaker 1>to the prom because she genuinely seems to want to

0:14:36.480 --> 0:14:41.320
<v Speaker 1>help carry even though she's complicit in some mistreatment of Carrie.

0:14:42.160 --> 0:14:44.680
<v Speaker 1>That was an interesting, I feel like Sue of everyone

0:14:44.760 --> 0:14:48.920
<v Speaker 1>for most high school girls, was probably the most relatable

0:14:49.160 --> 0:14:52.760
<v Speaker 1>character of Like, you're seeing someone get bullied, but you

0:14:52.800 --> 0:14:54.640
<v Speaker 1>don't want to be on cool, but you also don't

0:14:54.680 --> 0:14:56.840
<v Speaker 1>want to let this happen and like, what can you do?

0:14:57.160 --> 0:15:00.520
<v Speaker 1>End it? And so she like tries but Fox, yeah,

0:15:00.640 --> 0:15:05.560
<v Speaker 1>soue is interested in another male fantasy. Ye, please fuck

0:15:05.640 --> 0:15:13.840
<v Speaker 1>my girlfriend exactly. So Tommy asks Carrie to prom in

0:15:14.120 --> 0:15:17.040
<v Speaker 1>a series of scenes that we will also unpack, but

0:15:17.080 --> 0:15:20.040
<v Speaker 1>eventually Carrie agrees to go to prom with him. Her

0:15:20.080 --> 0:15:22.560
<v Speaker 1>mom isn't happy about it, but Carrie stands up for herself.

0:15:22.600 --> 0:15:25.120
<v Speaker 1>She's like, I'm going, Like she made her own dress.

0:15:25.200 --> 0:15:28.760
<v Speaker 1>She's excited about it, kind of through intimidation too, because

0:15:28.800 --> 0:15:31.680
<v Speaker 1>her mom knows that, like it's recognizing that Carrie has

0:15:31.720 --> 0:15:34.600
<v Speaker 1>these powers, and Carrie's like, yeah, I do, so I'm

0:15:34.680 --> 0:15:38.280
<v Speaker 1>going to prom. Yeah, And we find out some background

0:15:38.280 --> 0:15:41.560
<v Speaker 1>that the father left, right because she says, your father

0:15:42.000 --> 0:15:44.520
<v Speaker 1>left for another woman, is what. Yeah, she said your

0:15:44.560 --> 0:15:46.600
<v Speaker 1>father was evil, to which I didn't know if she

0:15:46.720 --> 0:15:49.200
<v Speaker 1>was interpreted that the father also had the powers or not,

0:15:49.800 --> 0:15:52.960
<v Speaker 1>and she just said, no, he just left for another woman.

0:15:54.000 --> 0:15:56.960
<v Speaker 1>The implication by the end, I don't know, we'll get there,

0:15:56.960 --> 0:16:04.360
<v Speaker 1>but I questions. Yeah, basically, Carrie's mom is unhappy with

0:16:04.360 --> 0:16:08.520
<v Speaker 1>the situation, but you know, Carrie's slaming windows and stuff

0:16:08.560 --> 0:16:11.040
<v Speaker 1>like that with her telekinesis, and she's like, I'm going

0:16:11.080 --> 0:16:14.680
<v Speaker 1>to prom and great, great moment for a young teenage

0:16:14.720 --> 0:16:16.960
<v Speaker 1>girl coming to her own power, whether it's against your

0:16:16.960 --> 0:16:19.640
<v Speaker 1>own parents. I mean, there are some really great moments

0:16:19.640 --> 0:16:23.880
<v Speaker 1>of that for sure. Yeah. But meanwhile, Chris is plotting

0:16:23.960 --> 0:16:27.080
<v Speaker 1>something that involved with John travel though which I didn't

0:16:27.240 --> 0:16:29.600
<v Speaker 1>realize that he was in this movie. It's like, oh,

0:16:29.640 --> 0:16:32.600
<v Speaker 1>he's plotting against so there there, there's they're scheming. There,

0:16:32.640 --> 0:16:35.120
<v Speaker 1>there's a pig involved. They killed a pig, lunge of

0:16:35.160 --> 0:16:40.640
<v Speaker 1>painting each other. There's there's there's a toxic relationship happening there.

0:16:41.000 --> 0:16:45.240
<v Speaker 1>Everyone gets to prom. Carrie is really excited. She is,

0:16:45.520 --> 0:16:49.320
<v Speaker 1>you know, dancing with Tommy. He seems to be treating

0:16:49.320 --> 0:16:51.480
<v Speaker 1>her nicely, except for the parts where he tries to

0:16:51.520 --> 0:16:54.480
<v Speaker 1>surprise kiss or, which we'll get to. Uh yeah, but

0:16:54.600 --> 0:16:57.640
<v Speaker 1>at least he seems to he's come or like it's

0:16:57.760 --> 0:17:00.640
<v Speaker 1>it's no longer like he's doing it aver like he's

0:17:00.720 --> 0:17:04.400
<v Speaker 1>enjoying his time. Seems like, yeah, the two of them,

0:17:04.520 --> 0:17:08.760
<v Speaker 1>Tommy and carry when prom king and queen. Because Chris

0:17:08.800 --> 0:17:12.840
<v Speaker 1>had this system rigged, much like the Russian hacker. Yeah,

0:17:13.040 --> 0:17:16.960
<v Speaker 1>much like most of our recent elections Russian What is

0:17:17.000 --> 0:17:21.960
<v Speaker 1>this Gore Bush two thousand basically anyway, maybe that's where

0:17:22.000 --> 0:17:25.719
<v Speaker 1>they got the idea. Yeah, we were like sure, well,

0:17:25.760 --> 0:17:28.080
<v Speaker 1>I mean they did it a Carry's prom How hard

0:17:28.119 --> 0:17:32.560
<v Speaker 1>going to be screened it at the White House? Check

0:17:32.600 --> 0:17:34.560
<v Speaker 1>out the way they throw those ballots under the table.

0:17:35.800 --> 0:17:38.119
<v Speaker 1>What if we put a thing of pigs blood onto

0:17:38.200 --> 0:17:43.040
<v Speaker 1>al Gore? We can blame this on Stephen King. I

0:17:43.080 --> 0:17:45.879
<v Speaker 1>hope it started out exactly like Carry, and then if

0:17:45.960 --> 0:17:48.320
<v Speaker 1>they had to like back peddle it be like, well,

0:17:48.320 --> 0:17:51.160
<v Speaker 1>we can't just like Carry al Gore. It is an

0:17:51.160 --> 0:17:56.240
<v Speaker 1>all white people party. Start of similarities. It is true. Yeah, man,

0:17:56.760 --> 0:17:58.840
<v Speaker 1>I mean I think that that's now American history what

0:17:59.000 --> 0:18:01.639
<v Speaker 1>we just said. Yeah, I can't believe they were going

0:18:01.680 --> 0:18:04.560
<v Speaker 1>to do that. Allegory seems like a nice guy. So

0:18:04.600 --> 0:18:07.119
<v Speaker 1>they went from King and Queen and they go up

0:18:07.119 --> 0:18:10.560
<v Speaker 1>to the stage and that's when the final moments of

0:18:10.640 --> 0:18:15.119
<v Speaker 1>this plan are unleashed, and this big bucket of pigs

0:18:15.119 --> 0:18:19.080
<v Speaker 1>blood gets dumped onto Carry and this invokes her to

0:18:19.359 --> 0:18:24.439
<v Speaker 1>retaliate using her telekinesis. Where there's a hose that's spraying people,

0:18:24.560 --> 0:18:28.280
<v Speaker 1>she locks all the doors. No survivors. It seems like

0:18:28.359 --> 0:18:33.120
<v Speaker 1>it seems like she kills everyone then, but she's outside

0:18:33.119 --> 0:18:35.560
<v Speaker 1>of the doors because I think everyone in the room

0:18:35.680 --> 0:18:43.480
<v Speaker 1>dies but souele. And then she and then Chris and

0:18:43.520 --> 0:18:46.360
<v Speaker 1>John travel to get away, but then carries like nope,

0:18:46.560 --> 0:18:50.359
<v Speaker 1>and she explodes their car right there. There's a there's

0:18:50.359 --> 0:18:52.359
<v Speaker 1>a fire in the gym. There's all kind of and

0:18:52.400 --> 0:18:56.439
<v Speaker 1>then so Carrie walks out. She's covered in blood still

0:18:56.880 --> 0:19:00.600
<v Speaker 1>and then yeah, Chris and what's his name, Billy? I think, yeah,

0:19:01.000 --> 0:19:03.800
<v Speaker 1>they blow up? They blow up in their car. Did

0:19:03.880 --> 0:19:07.400
<v Speaker 1>try to run her over first? And she's like no, they?

0:19:07.560 --> 0:19:11.760
<v Speaker 1>I mean they you know who misses them? Right there? Goodbye?

0:19:12.119 --> 0:19:15.359
<v Speaker 1>Then she goes home and cleans herself off, and then

0:19:15.520 --> 0:19:20.880
<v Speaker 1>her mother is like, oh m, Carrie stab and then

0:19:20.920 --> 0:19:25.879
<v Speaker 1>she stabs her because she's trying. Anne, I should have

0:19:26.000 --> 0:19:29.800
<v Speaker 1>killed myself. When he put it in me, pretty tremendous.

0:19:30.160 --> 0:19:33.240
<v Speaker 1>They I love how and it seems like so consistent

0:19:33.280 --> 0:19:36.199
<v Speaker 1>with this character and just so creepy. How no one

0:19:36.240 --> 0:19:38.480
<v Speaker 1>in that house ever says the words sex. It's like

0:19:38.760 --> 0:19:41.359
<v Speaker 1>it and we didn't do it, and he put it

0:19:41.400 --> 0:19:44.520
<v Speaker 1>When he put it in me is pretty intense, ye, like,

0:19:44.560 --> 0:19:48.040
<v Speaker 1>it's pretty graphic. Without naming like it. But yeah, and

0:19:48.040 --> 0:19:50.400
<v Speaker 1>then well then and also it's unclear at that moment

0:19:50.400 --> 0:19:53.439
<v Speaker 1>if she was raped or not because the mother, because

0:19:53.440 --> 0:19:56.320
<v Speaker 1>she says I made him promise he wouldn't do it again.

0:19:56.840 --> 0:19:58.720
<v Speaker 1>But then she's talking about living in since so I

0:19:58.760 --> 0:20:00.879
<v Speaker 1>couldn't figure out if the problem was that they weren't

0:20:00.920 --> 0:20:04.320
<v Speaker 1>married or that he had forced himself on her. Yeah.

0:20:04.400 --> 0:20:08.480
<v Speaker 1>I think it's open to interpretations in the book, but

0:20:08.560 --> 0:20:10.840
<v Speaker 1>I don't know. Yeah, the movie doesn't really seem to

0:20:10.840 --> 0:20:14.560
<v Speaker 1>fallow any which. Yeah, so then the house caves in,

0:20:14.800 --> 0:20:19.240
<v Speaker 1>Carrie gets stabbed once, uh, and then she starts teleconnising,

0:20:19.560 --> 0:20:25.600
<v Speaker 1>knives into her crucifies her own christ style, and then

0:20:25.600 --> 0:20:27.959
<v Speaker 1>the house caves in on itself and seems to be

0:20:28.000 --> 0:20:31.440
<v Speaker 1>sad about it and brings her down from and then

0:20:31.680 --> 0:20:37.280
<v Speaker 1>and then the house to hell. They get in the closet. Yeah,

0:20:37.600 --> 0:20:41.600
<v Speaker 1>it's so horrible, and then the final shot is the

0:20:41.840 --> 0:20:46.159
<v Speaker 1>flattened house basically, and then Sue Snell walks up and

0:20:46.200 --> 0:20:48.960
<v Speaker 1>she's like, oh no, what a horrible thing that happened

0:20:49.000 --> 0:20:52.600
<v Speaker 1>to bring us flowers. A bloody hand comes up from

0:20:52.800 --> 0:20:56.200
<v Speaker 1>beneath the ground and grabs her and she's like, ah,

0:20:56.240 --> 0:20:58.840
<v Speaker 1>but it was a dream. Right, Oh yeah, it wasn't

0:20:58.840 --> 0:21:00.600
<v Speaker 1>because then they go back to it and she's still

0:21:00.640 --> 0:21:05.159
<v Speaker 1>being dragged down. Oh I don't know. Let's watch Rage

0:21:05.280 --> 0:21:08.640
<v Speaker 1>Carrie too again to find out that doesn't sell out

0:21:08.680 --> 0:21:12.359
<v Speaker 1>the characters in any way. So that's the story. Let's

0:21:12.359 --> 0:21:15.000
<v Speaker 1>take a quick break and then we'll come back. All right,

0:21:20.480 --> 0:21:24.720
<v Speaker 1>and we're back. So I sort of wanted to start

0:21:24.880 --> 0:21:29.040
<v Speaker 1>with how the teenage girls treat each other in this

0:21:29.119 --> 0:21:32.800
<v Speaker 1>world and and sort of just unpack that there's so

0:21:32.840 --> 0:21:35.840
<v Speaker 1>many degrees of separation, like this is a woman's story

0:21:36.440 --> 0:21:40.160
<v Speaker 1>told by no women at all. And I think we've

0:21:40.160 --> 0:21:42.639
<v Speaker 1>had this sort of discussion before where it's like so

0:21:42.680 --> 0:21:46.680
<v Speaker 1>many steps removed from an actual woman, where Stephen King

0:21:46.680 --> 0:21:50.000
<v Speaker 1>wrote it, and then I forget what the name of

0:21:50.000 --> 0:21:56.200
<v Speaker 1>the screenwriter, Lawrence Lawrence Leonard Cohen, Leonard Cohen, rest in Power,

0:21:56.560 --> 0:22:01.560
<v Speaker 1>not amazing if he had written, yeah, Lawrence Decohen. And

0:22:01.560 --> 0:22:03.960
<v Speaker 1>then and then right he adapted it, and then Brian

0:22:04.000 --> 0:22:06.560
<v Speaker 1>de Palma produced and directed it. And that's like, that's

0:22:06.760 --> 0:22:10.919
<v Speaker 1>so many like where is any woman? But it's a

0:22:10.960 --> 0:22:13.520
<v Speaker 1>woman's story. And I think that that is kind of

0:22:13.760 --> 0:22:17.400
<v Speaker 1>why this movie for me and a lot of movies

0:22:17.480 --> 0:22:21.400
<v Speaker 1>of this era and even later like the way. I'm

0:22:21.720 --> 0:22:24.480
<v Speaker 1>happy that there's a lot of women interacting in a movie,

0:22:24.520 --> 0:22:27.879
<v Speaker 1>but the way they interact is kind of uncanny Valley

0:22:28.040 --> 0:22:30.959
<v Speaker 1>and doesn't necessarily make sense to me. And that used

0:22:31.000 --> 0:22:33.239
<v Speaker 1>to bother me when I'd watch movies like this, but

0:22:33.280 --> 0:22:36.120
<v Speaker 1>then it's like, yeah, it's because it's just what we're

0:22:36.119 --> 0:22:41.720
<v Speaker 1>seeing is how three different men interpret teenage girls bullying

0:22:41.760 --> 0:22:44.360
<v Speaker 1>each other. And not only that, I mean I had

0:22:44.359 --> 0:22:46.959
<v Speaker 1>the same thought, and like you, I actually blown up

0:22:46.960 --> 0:22:49.800
<v Speaker 1>to this shamefully that I have never read any Stephen

0:22:49.880 --> 0:22:53.000
<v Speaker 1>King books, which well, I don't know. I am curious

0:22:53.000 --> 0:22:55.080
<v Speaker 1>because I do think he's a really interesting character. I

0:22:55.080 --> 0:22:57.240
<v Speaker 1>have read some of his on writing. I think his

0:22:57.359 --> 0:23:00.960
<v Speaker 1>politics seem cool, like clearly is interested in women. I

0:23:01.000 --> 0:23:03.600
<v Speaker 1>do believe he's been fairly open about his own abuse

0:23:03.640 --> 0:23:06.640
<v Speaker 1>as well, which is also rare for certainly for men

0:23:06.680 --> 0:23:09.320
<v Speaker 1>of that generation. So you know, I have a lot

0:23:09.320 --> 0:23:12.080
<v Speaker 1>of sympathy for him, even though again horror is not

0:23:12.160 --> 0:23:14.680
<v Speaker 1>my genre, but I love a lot of the movies

0:23:14.720 --> 0:23:18.080
<v Speaker 1>that have been based on his books. So, like you guys,

0:23:18.119 --> 0:23:19.760
<v Speaker 1>I also I was like, oh, I wonder what the

0:23:19.800 --> 0:23:22.040
<v Speaker 1>book is like, and I wonder how he feels about

0:23:22.080 --> 0:23:25.359
<v Speaker 1>the movie and the adaptation. But several times in the movie,

0:23:25.359 --> 0:23:28.520
<v Speaker 1>including the famous sequence in the beginning, I today so

0:23:28.600 --> 0:23:31.560
<v Speaker 1>clearly felt that it was actually, you know, I think

0:23:31.600 --> 0:23:35.320
<v Speaker 1>some men and filmmakers directors do this all the time, specifically,

0:23:35.600 --> 0:23:38.040
<v Speaker 1>are unable to talk about their own fears, whether it's

0:23:38.040 --> 0:23:42.560
<v Speaker 1>about masculinity or women, unless they have women portraying them.

0:23:42.640 --> 0:23:44.800
<v Speaker 1>And to me that sequence today, I thought, I don't

0:23:44.800 --> 0:23:46.880
<v Speaker 1>know about you guys, but I never saw a young

0:23:46.920 --> 0:23:49.320
<v Speaker 1>girls and lockers behave like that. And I don't just

0:23:49.400 --> 0:23:51.679
<v Speaker 1>mean and I don't just mean the throwing things. I

0:23:51.680 --> 0:23:54.000
<v Speaker 1>know women can get nasty too, It's not about that,

0:23:54.080 --> 0:23:56.960
<v Speaker 1>but the way it was more. First of all, the

0:23:57.040 --> 0:23:59.800
<v Speaker 1>slow motion movement of tits in your face and all

0:23:59.800 --> 0:24:02.600
<v Speaker 1>of which I know was supposed to be you know,

0:24:03.160 --> 0:24:06.160
<v Speaker 1>romantic and beautiful or whatever, but it was what it was.

0:24:06.280 --> 0:24:09.720
<v Speaker 1>But also that like they were like snapping towels on

0:24:09.800 --> 0:24:12.680
<v Speaker 1>each other. And I remember at the time, the age

0:24:12.720 --> 0:24:15.840
<v Speaker 1>they're supposed to be girls would just cover up like

0:24:15.920 --> 0:24:18.200
<v Speaker 1>I mean, maybe you walked from the shower to something

0:24:18.320 --> 0:24:20.600
<v Speaker 1>or whatever. But to me, at least, and again I'm

0:24:20.640 --> 0:24:23.719
<v Speaker 1>curious about your guys experience, but the being comfortable being

0:24:23.760 --> 0:24:26.199
<v Speaker 1>naked in front of women came later, like when it

0:24:26.280 --> 0:24:28.399
<v Speaker 1>was my friends and you're choosing, Like when you're a

0:24:28.400 --> 0:24:30.320
<v Speaker 1>teenager in high school, the last thing you want to

0:24:30.359 --> 0:24:32.920
<v Speaker 1>do is for anybody to see your tids or you're asked.

0:24:32.960 --> 0:24:36.000
<v Speaker 1>But here they were. It was like a playboy advertisement

0:24:36.040 --> 0:24:38.880
<v Speaker 1>of what they I think what men were seeing as

0:24:38.920 --> 0:24:42.000
<v Speaker 1>oh this is but also probably the way and again

0:24:42.000 --> 0:24:43.919
<v Speaker 1>I wouldn't know this from personal experience, but the way

0:24:44.000 --> 0:24:47.000
<v Speaker 1>dudes are right or or maybe in that generation where

0:24:47.040 --> 0:24:50.000
<v Speaker 1>in locker rooms where they're much more SHOWOFFI and right,

0:24:50.040 --> 0:24:54.080
<v Speaker 1>they're just sort of mapping typical male behavior onto women

0:24:54.160 --> 0:24:57.320
<v Speaker 1>to basically make it a very like male gaze thing

0:24:57.359 --> 0:25:00.600
<v Speaker 1>where we can see like full frontal nudity, like girls

0:25:00.640 --> 0:25:03.320
<v Speaker 1>slapping each other and throwing like their clothes at each

0:25:03.320 --> 0:25:05.480
<v Speaker 1>other and stuff. And by the same token, I felt

0:25:05.480 --> 0:25:07.399
<v Speaker 1>the same way with you know, with the famous shot

0:25:07.400 --> 0:25:09.800
<v Speaker 1>of her period started, I'm like, boy, that is some

0:25:09.880 --> 0:25:14.840
<v Speaker 1>heavy flow for she's just gosh, she's a guyser. It's

0:25:14.880 --> 0:25:19.439
<v Speaker 1>like real man's understanding of what a period is. I

0:25:19.480 --> 0:25:23.040
<v Speaker 1>think that that whole scene plays into, like I don't know,

0:25:23.119 --> 0:25:25.600
<v Speaker 1>from when we're very young. There's always like the joke

0:25:25.720 --> 0:25:28.880
<v Speaker 1>where I don't like creepy uncles would be like, so,

0:25:29.000 --> 0:25:31.199
<v Speaker 1>like what happens in the women's room, is there like

0:25:31.240 --> 0:25:34.120
<v Speaker 1>a couch in there? Is there like a TV? Is there?

0:25:34.200 --> 0:25:37.000
<v Speaker 1>You know, like like that and and and a scene

0:25:37.000 --> 0:25:39.520
<v Speaker 1>like that. It's almost like, yeah, here's what your creepy

0:25:39.600 --> 0:25:41.719
<v Speaker 1>uncle things is happening in your lot there, like when

0:25:41.800 --> 0:25:44.320
<v Speaker 1>we get to reinterpret this like great this is and

0:25:44.320 --> 0:25:47.480
<v Speaker 1>and you can see that it's you know, Brian's fantasy

0:25:47.480 --> 0:25:50.720
<v Speaker 1>of like I get to shoot all these young neubile

0:25:50.880 --> 0:25:55.240
<v Speaker 1>bodies and the same basically all white girls with the

0:25:55.280 --> 0:25:58.680
<v Speaker 1>same body type. The one that's a little bigger whose

0:25:58.760 --> 0:26:02.600
<v Speaker 1>name I forget, but she's great actors. She's the funny

0:26:02.640 --> 0:26:07.200
<v Speaker 1>one because yeah, it's bigger women are funny according to

0:26:07.920 --> 0:26:11.000
<v Speaker 1>But also think and also that the period thing when

0:26:11.000 --> 0:26:13.119
<v Speaker 1>it comes, which again I am glad I saw this

0:26:13.160 --> 0:26:15.520
<v Speaker 1>so long ago, because I do remember I think I

0:26:15.560 --> 0:26:17.520
<v Speaker 1>didn't finish that thought that I think at the time

0:26:17.880 --> 0:26:20.080
<v Speaker 1>I was still so glad to have like any female

0:26:20.119 --> 0:26:23.600
<v Speaker 1>representation that especially if it dealt with something like getting

0:26:23.640 --> 0:26:25.600
<v Speaker 1>a period or anything like that, that I was just

0:26:25.640 --> 0:26:28.720
<v Speaker 1>sort of fascinated by that, whereas this time around I

0:26:28.760 --> 0:26:31.119
<v Speaker 1>was a little bit more out of it, meaning I

0:26:31.200 --> 0:26:33.320
<v Speaker 1>was like, none of these and and to your point

0:26:33.440 --> 0:26:35.800
<v Speaker 1>about how mean everybody is. I know that the Amy

0:26:35.960 --> 0:26:38.480
<v Speaker 1>Urban character eventually tries to help her, but I was like,

0:26:38.680 --> 0:26:40.520
<v Speaker 1>you know, this ship happens all the time that women

0:26:40.560 --> 0:26:43.239
<v Speaker 1>have accidents with their periods or you bleeds or your

0:26:43.240 --> 0:26:46.000
<v Speaker 1>pants or whatever, like, we tend to help each other

0:26:46.000 --> 0:26:49.240
<v Speaker 1>out with that, Like even for young girls, it seems

0:26:49.240 --> 0:26:51.520
<v Speaker 1>really weird for all of them to to like start

0:26:51.600 --> 0:26:55.040
<v Speaker 1>just pats on her, especially when she looks as horrified

0:26:55.040 --> 0:26:57.920
<v Speaker 1>and as terrified as she does. Right, And it's relatively

0:26:58.200 --> 0:27:01.320
<v Speaker 1>something that I was searching for in this movie, was

0:27:01.440 --> 0:27:06.239
<v Speaker 1>more practical reasoning for the bullying, because it was just

0:27:06.359 --> 0:27:09.520
<v Speaker 1>like I was hoping for, like you know, later in

0:27:09.560 --> 0:27:12.680
<v Speaker 1>the story, Chris, we would understand like in a clear

0:27:12.720 --> 0:27:15.560
<v Speaker 1>way she's jealous of Carrie in some way, or there's

0:27:15.680 --> 0:27:20.399
<v Speaker 1>some connection between the two other than just Chris. Yes, yes, yes,

0:27:20.600 --> 0:27:22.960
<v Speaker 1>it's never really girl. I mean, we get a couple

0:27:23.000 --> 0:27:25.880
<v Speaker 1>of mentions of how we are she is and how

0:27:25.920 --> 0:27:28.600
<v Speaker 1>she's not like others, but that's mostly coming from her

0:27:28.640 --> 0:27:31.440
<v Speaker 1>when she talks to her mother later saying, I'm funny, nobody,

0:27:31.760 --> 0:27:34.479
<v Speaker 1>I'm not like the other kids, right, and it's it is,

0:27:34.560 --> 0:27:36.240
<v Speaker 1>it's just a little I don't know. I was just

0:27:36.280 --> 0:27:38.960
<v Speaker 1>like hoping for it would have been very easy to

0:27:39.000 --> 0:27:41.679
<v Speaker 1>ground that storyline a little bit of like maybe they

0:27:41.760 --> 0:27:43.560
<v Speaker 1>used to be friends and now they're not, or just

0:27:43.600 --> 0:27:46.720
<v Speaker 1>like a more a clear reason for women to be

0:27:47.000 --> 0:27:50.159
<v Speaker 1>so aggressively mean to each other, because as it is,

0:27:50.280 --> 0:27:53.560
<v Speaker 1>it just kind of seems like this is how the

0:27:53.640 --> 0:27:56.960
<v Speaker 1>writers feel women treat each other would feel about each other. Yeah,

0:27:57.000 --> 0:28:01.639
<v Speaker 1>I think that men have just historically seen whether or

0:28:01.720 --> 0:28:04.520
<v Speaker 1>not they have actually seen this or if this is

0:28:04.600 --> 0:28:08.919
<v Speaker 1>just their sort of idea of what female friendships and

0:28:09.040 --> 0:28:12.280
<v Speaker 1>relationships must be like, but they just assumed that women

0:28:12.320 --> 0:28:15.119
<v Speaker 1>can't get along and and they're always so cruel to

0:28:15.160 --> 0:28:18.639
<v Speaker 1>each other, And then men preferred it that way to

0:28:18.800 --> 0:28:21.399
<v Speaker 1>write that it's like it's easier for them to handle,

0:28:21.440 --> 0:28:23.920
<v Speaker 1>as if we're just like caddy bitches like at each other.

0:28:24.200 --> 0:28:26.840
<v Speaker 1>And I was also taken by the fact that with

0:28:26.880 --> 0:28:29.280
<v Speaker 1>the exception of her mom and the coach, which is

0:28:29.280 --> 0:28:32.199
<v Speaker 1>a whole other conversation I'm sure we'll get into, I

0:28:32.240 --> 0:28:35.240
<v Speaker 1>felt like all of the other girls were consistently defined

0:28:35.280 --> 0:28:37.879
<v Speaker 1>certainly by their looks, whether they were naked or not,

0:28:38.000 --> 0:28:40.640
<v Speaker 1>they all kind of looked the same. And then they

0:28:40.680 --> 0:28:44.160
<v Speaker 1>were competing for men and or for a beauty queen title, right,

0:28:44.240 --> 0:28:46.040
<v Speaker 1>like that was the only thing that seemed to be

0:28:46.360 --> 0:28:49.040
<v Speaker 1>of interest to them. And it was like, which also

0:28:49.120 --> 0:28:53.360
<v Speaker 1>seems unrealistic because it's their senior year of high school

0:28:53.440 --> 0:28:56.440
<v Speaker 1>and no one talks about what they're doing after high school, Like,

0:28:56.800 --> 0:28:59.080
<v Speaker 1>as far as they're concerned, their life ends on prem

0:28:59.160 --> 0:29:03.000
<v Speaker 1>Night and then to be it does. The most interesting

0:29:03.520 --> 0:29:08.160
<v Speaker 1>character to me who wasn't Carrie was Sue, where I

0:29:08.200 --> 0:29:10.480
<v Speaker 1>don't know, it's like, you see what she's doing from

0:29:10.480 --> 0:29:16.040
<v Speaker 1>a teenager's perspective, but it's so misguided, right because she

0:29:16.120 --> 0:29:19.360
<v Speaker 1>seems to be wanting to help break carry out of

0:29:19.360 --> 0:29:22.880
<v Speaker 1>her show, but in order to do that, that means

0:29:22.960 --> 0:29:26.720
<v Speaker 1>she has to just start dating, Like surely there's she's

0:29:26.760 --> 0:29:29.240
<v Speaker 1>just like introducing like a romantic component into it. And

0:29:29.240 --> 0:29:30.920
<v Speaker 1>it's like, well, they're like, why don't you just try

0:29:30.960 --> 0:29:32.840
<v Speaker 1>to talk to her? Like, why don't you just try

0:29:32.840 --> 0:29:35.240
<v Speaker 1>to befriend her? Well, that's the thing about Sue that

0:29:35.240 --> 0:29:37.400
<v Speaker 1>that I thought was so interesting was like that she

0:29:37.640 --> 0:29:41.280
<v Speaker 1>wanted Carrie to have a better quality of life at

0:29:41.320 --> 0:29:44.560
<v Speaker 1>this high school, but she didn't want credit for it.

0:29:44.640 --> 0:29:46.200
<v Speaker 1>She didn't want it to seem like she had had

0:29:46.240 --> 0:29:49.520
<v Speaker 1>anything to do with it. So in Sue's mind, the

0:29:49.520 --> 0:29:54.040
<v Speaker 1>way I interpreted it was like, Sue feels for this girl,

0:29:54.840 --> 0:29:59.840
<v Speaker 1>but doesn't want to become less cool in the eyes

0:29:59.880 --> 0:30:04.160
<v Speaker 1>of her peers by becoming friend. Yes, also, it wouldn't

0:30:04.160 --> 0:30:06.760
<v Speaker 1>fit the pattern of how these guys seem to be

0:30:06.800 --> 0:30:10.280
<v Speaker 1>seeing these girls because instead, like the quote unquote nice

0:30:10.320 --> 0:30:12.600
<v Speaker 1>thing for her to do is to say, you know what,

0:30:12.640 --> 0:30:16.080
<v Speaker 1>this girl would need to get late or you know

0:30:16.320 --> 0:30:18.280
<v Speaker 1>or I mean, when I was watching it from her

0:30:18.320 --> 0:30:21.520
<v Speaker 1>point of view, like I was thinking about actors and motivation,

0:30:21.640 --> 0:30:24.200
<v Speaker 1>and she you know, probably she's saying, well, I think

0:30:24.240 --> 0:30:26.960
<v Speaker 1>her boyfriend is nice. So she's like, maybe I can,

0:30:27.120 --> 0:30:30.240
<v Speaker 1>you know, sacrifice myself by allowing Carrie to go to

0:30:30.600 --> 0:30:33.280
<v Speaker 1>prom with him, because in another nutty way, you can't

0:30:33.320 --> 0:30:35.240
<v Speaker 1>go to prom without a date, they say in the

0:30:35.280 --> 0:30:41.240
<v Speaker 1>movie too like so so it's a sacrifice for Sue

0:30:41.320 --> 0:30:44.000
<v Speaker 1>to say I won't go, you go, which again is

0:30:44.000 --> 0:30:47.000
<v Speaker 1>sort of another like thing that's expected from nice women,

0:30:47.120 --> 0:30:50.480
<v Speaker 1>right that they make sacrifices like that, why the dude

0:30:50.560 --> 0:30:53.920
<v Speaker 1>also doesn't it's such a weird thing to do, to

0:30:54.000 --> 0:30:57.000
<v Speaker 1>be like, because then he also seems to interpret it

0:30:57.040 --> 0:30:59.959
<v Speaker 1>as like now we're boyfriend and girlfriend because he kisses her.

0:31:00.080 --> 0:31:02.440
<v Speaker 1>Think okay, so and it becomes a romance between the

0:31:02.440 --> 0:31:03.760
<v Speaker 1>two of them. So I was like, so, well, what

0:31:03.880 --> 0:31:07.520
<v Speaker 1>happened to the other girl? Like was the agreement that

0:31:07.560 --> 0:31:13.360
<v Speaker 1>Sue is literally giving your boyfriend because they're they're introducing

0:31:13.360 --> 0:31:16.680
<v Speaker 1>a throubled component to their relationship. Well, and then the

0:31:16.760 --> 0:31:18.840
<v Speaker 1>conversation that they have with the coach about it. The

0:31:18.880 --> 0:31:21.320
<v Speaker 1>coach questions and like why are you doing this? What's

0:31:21.320 --> 0:31:24.320
<v Speaker 1>your motivation? And he seems really confused, which was the

0:31:24.360 --> 0:31:27.040
<v Speaker 1>only thing that seemed really realistic to me, Like they

0:31:27.120 --> 0:31:30.040
<v Speaker 1>asked him something and he's like, I don't know what

0:31:30.080 --> 0:31:32.560
<v Speaker 1>the fun is going on. It's that scene And then

0:31:32.640 --> 0:31:36.400
<v Speaker 1>it's what you're talking about Jamie with like her wanting

0:31:36.400 --> 0:31:38.840
<v Speaker 1>to kind of like be behind the scenes and this

0:31:38.920 --> 0:31:41.880
<v Speaker 1>whole thing that made me think the first time I

0:31:41.920 --> 0:31:46.840
<v Speaker 1>saw this movie was that Sue was in on Chris's

0:31:46.840 --> 0:31:51.080
<v Speaker 1>scheme and that she they were trying to find a

0:31:51.120 --> 0:31:52.840
<v Speaker 1>way to get her to prom so that they could

0:31:52.840 --> 0:31:56.440
<v Speaker 1>sabotage her, which I thought story wise, yeah, And so

0:31:56.600 --> 0:31:59.320
<v Speaker 1>I wrote this whole set of notes that it's like, oh,

0:31:59.400 --> 0:32:03.680
<v Speaker 1>another teen movie about boys tricking girls to get them

0:32:03.680 --> 0:32:05.760
<v Speaker 1>to proms so that they can play an awful prank

0:32:05.840 --> 0:32:07.880
<v Speaker 1>on them. And then so I wrote all these notes

0:32:07.920 --> 0:32:09.400
<v Speaker 1>about it, and then I was like, oh, yeah, but

0:32:09.480 --> 0:32:12.600
<v Speaker 1>this time, like the schemers get their come up and

0:32:13.080 --> 0:32:16.520
<v Speaker 1>unlike most movies that we've talked about where they end

0:32:16.600 --> 0:32:18.800
<v Speaker 1>up kissing each other at the end. But then I

0:32:18.840 --> 0:32:21.240
<v Speaker 1>was like, oh no, that doesn't even have they do

0:32:21.320 --> 0:32:24.800
<v Speaker 1>seem to be innocent. Those two Sue and her boyfriend

0:32:25.160 --> 0:32:28.120
<v Speaker 1>right the only ones who and the male students in

0:32:28.120 --> 0:32:32.120
<v Speaker 1>this movie. I think it's kind of almost an not

0:32:32.200 --> 0:32:35.280
<v Speaker 1>not responsible, but like an unusual portrayal of teen boys

0:32:35.680 --> 0:32:40.200
<v Speaker 1>where they are relatively clueless and basically are And I

0:32:40.240 --> 0:32:44.360
<v Speaker 1>think that this goes into writer's intent and reflects on

0:32:44.560 --> 0:32:48.160
<v Speaker 1>the writer's view of women, whether that be you know, DiPalma,

0:32:48.360 --> 0:32:51.960
<v Speaker 1>the screenwriter, Stephen King, I don't even know, but that

0:32:52.320 --> 0:32:56.360
<v Speaker 1>these two teen boys, whether they're doing something relatively good

0:32:56.520 --> 0:32:59.720
<v Speaker 1>like bringing carry to prom or bad, punishing carry it

0:32:59.800 --> 0:33:02.960
<v Speaker 1>prom for no reason, it's never their idea. They're doing

0:33:03.000 --> 0:33:05.040
<v Speaker 1>what a woman is telling them to do, there being

0:33:05.040 --> 0:33:10.600
<v Speaker 1>two for the purposes of this story, manipulated by a woman.

0:33:10.680 --> 0:33:13.760
<v Speaker 1>And I think that that reflects on how the authors

0:33:13.840 --> 0:33:16.520
<v Speaker 1>view women well, and also the rage that the Travolta

0:33:16.640 --> 0:33:19.320
<v Speaker 1>character has over being called stupid, because it happens like

0:33:19.400 --> 0:33:23.600
<v Speaker 1>three times that that Chris calls keeps stupid, I think,

0:33:23.640 --> 0:33:26.120
<v Speaker 1>And then he slaps her, and then she's she slaps

0:33:26.160 --> 0:33:29.280
<v Speaker 1>him once. I don't know, it's just and there's a

0:33:29.280 --> 0:33:32.440
<v Speaker 1>lot of shots of her tits too, and among those fights,

0:33:32.880 --> 0:33:35.560
<v Speaker 1>so there is I think again, I felt so much

0:33:35.560 --> 0:33:38.680
<v Speaker 1>more like this is not only a male interpretation of women,

0:33:38.680 --> 0:33:41.920
<v Speaker 1>but a male interpretation of themselves by using women as

0:33:41.920 --> 0:33:44.800
<v Speaker 1>the conduits of it. You know that so much rage

0:33:44.880 --> 0:33:48.280
<v Speaker 1>comes to men if they feel belittled by women or

0:33:48.520 --> 0:33:51.600
<v Speaker 1>not considered fuckable by women or whatever, But it's easier

0:33:51.640 --> 0:33:53.920
<v Speaker 1>to put it on a bunch of girls, right, and

0:33:53.960 --> 0:33:58.000
<v Speaker 1>then like piggybacking on that almost like in the context

0:33:58.040 --> 0:34:02.840
<v Speaker 1>of this story, like blaming their female counterparts for whatever

0:34:02.880 --> 0:34:06.120
<v Speaker 1>it is they end up doing, where like it's you know,

0:34:06.280 --> 0:34:10.640
<v Speaker 1>Travolta's character is being told what to do and there's

0:34:10.760 --> 0:34:13.439
<v Speaker 1>that scene with Chris that I mean the scene where

0:34:13.440 --> 0:34:15.319
<v Speaker 1>they're in the car and they're fighting, but then it's

0:34:15.360 --> 0:34:19.200
<v Speaker 1>like she in a very classically teen movie way manipulates

0:34:19.280 --> 0:34:21.919
<v Speaker 1>him through sex to get him to do what she wants,

0:34:21.920 --> 0:34:23.680
<v Speaker 1>where she gives him a blowjob and then all of

0:34:23.719 --> 0:34:26.880
<v Speaker 1>a sudden he's willing to kill a pig like stuff

0:34:26.920 --> 0:34:29.840
<v Speaker 1>like that where he's supposed to be blown him. But

0:34:29.880 --> 0:34:35.759
<v Speaker 1>she was like, I hate Carrie White, right, I'm like,

0:34:36.080 --> 0:34:38.759
<v Speaker 1>can anyone else speak full sentences with a dick in

0:34:38.800 --> 0:34:41.879
<v Speaker 1>their mouth? Because and also like the thing, and then

0:34:41.880 --> 0:34:44.120
<v Speaker 1>why does she hate her? Is it because they because

0:34:44.160 --> 0:34:48.640
<v Speaker 1>the period thing? They got punished? And then she well here, yeah,

0:34:48.719 --> 0:34:51.879
<v Speaker 1>here's my interpretation of that, which is that we're meant

0:34:51.920 --> 0:34:55.160
<v Speaker 1>to believe that there is a young woman in this

0:34:55.200 --> 0:34:58.840
<v Speaker 1>movie who is so hell bent on going to prom

0:34:58.840 --> 0:35:02.280
<v Speaker 1>and who was so obsessed with prom that she will

0:35:02.520 --> 0:35:06.960
<v Speaker 1>go to great and crazy and violent and horrible lengths

0:35:07.000 --> 0:35:11.240
<v Speaker 1>to ruin another girl's prom experience just because she blames

0:35:11.320 --> 0:35:15.600
<v Speaker 1>Carrie for not being able to go herself. But which

0:35:15.840 --> 0:35:21.000
<v Speaker 1>which is wild, Like, no one is that about prom?

0:35:21.040 --> 0:35:26.000
<v Speaker 1>I don't think I'm sure plenty were No, Yeah, but

0:35:26.200 --> 0:35:28.439
<v Speaker 1>are they going to kill a pig and then dump

0:35:28.480 --> 0:35:33.680
<v Speaker 1>its blood on a poor suspecting the killing the pig scene?

0:35:33.840 --> 0:35:37.320
<v Speaker 1>That just seems really really intense. I guess the darkness

0:35:37.320 --> 0:35:39.160
<v Speaker 1>of that stuff I think would have I think would

0:35:39.160 --> 0:35:41.520
<v Speaker 1>have made for a better movie. And again, such character

0:35:41.560 --> 0:35:44.520
<v Speaker 1>study if we understood, for example, where the Travolta and

0:35:44.600 --> 0:35:47.360
<v Speaker 1>that Chris character we're coming from. Like I'm not saying,

0:35:47.800 --> 0:35:49.960
<v Speaker 1>I mean, if you start thinking about it, sounds like

0:35:50.040 --> 0:35:51.840
<v Speaker 1>some kind of psychosis or something. If you're going to

0:35:51.920 --> 0:35:54.000
<v Speaker 1>go out at night and murder a pig with your

0:35:54.000 --> 0:35:56.799
<v Speaker 1>own hands, Philip bucket of blood, like because if it's

0:35:56.840 --> 0:35:58.879
<v Speaker 1>the joke, then just throw fucking paint on her, right,

0:35:59.000 --> 0:36:02.720
<v Speaker 1>Like why does it have to right? But blood anyway?

0:36:02.800 --> 0:36:07.399
<v Speaker 1>And I guess that's what they're trying to Um Well,

0:36:07.440 --> 0:36:09.600
<v Speaker 1>I mean it's you know, it's a horror movie. You

0:36:09.640 --> 0:36:12.480
<v Speaker 1>have to suspend your disbelief for quite a few things.

0:36:12.520 --> 0:36:15.880
<v Speaker 1>But it does sort of it reinforces this idea. So

0:36:16.000 --> 0:36:18.279
<v Speaker 1>I've talked about this a lot on and we've done

0:36:18.320 --> 0:36:21.560
<v Speaker 1>a lot of teen movies recently. There's a trope that

0:36:21.600 --> 0:36:25.359
<v Speaker 1>really bugs me that teen movies always seem to have

0:36:25.480 --> 0:36:28.279
<v Speaker 1>to end in prom or a spring formal or some

0:36:28.400 --> 0:36:31.520
<v Speaker 1>sort of big affair like that. And I think I've

0:36:31.520 --> 0:36:34.560
<v Speaker 1>pinpointed why it bugs me so much, which is that

0:36:35.160 --> 0:36:38.600
<v Speaker 1>when I was a girl and a young woman, and

0:36:38.880 --> 0:36:41.879
<v Speaker 1>this is specific to my experience, but it I think

0:36:41.920 --> 0:36:44.600
<v Speaker 1>it rings true for probably quite a few people that

0:36:44.800 --> 0:36:47.400
<v Speaker 1>the big milestones that I was taught to look forward

0:36:47.440 --> 0:36:50.080
<v Speaker 1>to and was taught to think are super important moments

0:36:50.200 --> 0:36:55.640
<v Speaker 1>of my life were prom and my inevitable wedding, which

0:36:55.880 --> 0:36:58.799
<v Speaker 1>has not and likely will not happen. But that's a

0:36:58.840 --> 0:37:02.040
<v Speaker 1>story for another time. But um, like social wise or

0:37:02.080 --> 0:37:05.240
<v Speaker 1>your family specifically, it was not so much my family,

0:37:05.280 --> 0:37:12.160
<v Speaker 1>but certainly my peers, my teachers, movies certainly enforced this.

0:37:12.360 --> 0:37:14.439
<v Speaker 1>So it was like, you know, prom is the short

0:37:14.560 --> 0:37:17.319
<v Speaker 1>term goal, your wedding is your long term goal. And

0:37:17.400 --> 0:37:19.640
<v Speaker 1>like both occasions are like something where you get dressed

0:37:19.719 --> 0:37:22.640
<v Speaker 1>up for there's an elaborate gown, there's a big emphasis

0:37:22.640 --> 0:37:29.320
<v Speaker 1>on Yeah, the focus is on romance with a man. Traditionally,

0:37:29.800 --> 0:37:33.879
<v Speaker 1>both our occasions where a woman you know, traditionally may

0:37:34.000 --> 0:37:36.160
<v Speaker 1>lose her virginity at the end of the night kind

0:37:36.160 --> 0:37:38.480
<v Speaker 1>of thing. So these were like the things that you're like, oh,

0:37:38.560 --> 0:37:41.160
<v Speaker 1>as a young woman, like these are the most exciting,

0:37:41.200 --> 0:37:44.759
<v Speaker 1>the most fun great, best days of your life. I

0:37:45.520 --> 0:37:48.239
<v Speaker 1>so you're resent at that, Yeah, I just I guess

0:37:48.280 --> 0:37:50.880
<v Speaker 1>it just bothers me that like not enough emphasis is

0:37:50.960 --> 0:37:56.040
<v Speaker 1>placed on education or career or like creative pursuits. Is

0:37:56.040 --> 0:37:58.160
<v Speaker 1>that for you to growing up? I'm because I didn't

0:37:58.200 --> 0:38:00.320
<v Speaker 1>grow up here, so that was we didn't half problems,

0:38:00.360 --> 0:38:03.960
<v Speaker 1>so I took care of one thing, one last thing

0:38:04.000 --> 0:38:07.279
<v Speaker 1>to dread. Um. I have a slightly different perspective on it,

0:38:07.560 --> 0:38:10.800
<v Speaker 1>where I don't know. I mean, I've been a person

0:38:10.840 --> 0:38:14.560
<v Speaker 1>who always takes a lot of comfort in rituals, and

0:38:14.880 --> 0:38:16.800
<v Speaker 1>I went to a big enough high school where I

0:38:16.800 --> 0:38:19.080
<v Speaker 1>went to like this gigantic inner city high school where

0:38:19.360 --> 0:38:23.640
<v Speaker 1>prom like it was a deal and like almost everyone went.

0:38:24.160 --> 0:38:29.040
<v Speaker 1>But I don't mind that proms and weddings exist. I

0:38:29.080 --> 0:38:32.000
<v Speaker 1>think that there is definitely value in them as an

0:38:32.000 --> 0:38:34.319
<v Speaker 1>idea and just a value in like coming of age.

0:38:34.360 --> 0:38:37.800
<v Speaker 1>Social rituals, if you choose to participate in them, can

0:38:37.880 --> 0:38:41.720
<v Speaker 1>be very valuable for some people. However, I do feel

0:38:42.440 --> 0:38:46.839
<v Speaker 1>that the fact that yeah, like in media, especially that

0:38:46.840 --> 0:38:50.960
<v Speaker 1>that is like the forced narrative of in a way

0:38:51.000 --> 0:38:53.920
<v Speaker 1>that doesn't even really feel that realistic in terms of

0:38:54.239 --> 0:38:57.239
<v Speaker 1>my life, where I would say I was thinking just

0:38:57.280 --> 0:38:59.719
<v Speaker 1>as much about graduation as I was about prom like

0:38:59.760 --> 0:39:02.279
<v Speaker 1>those to be two things that happened close together that

0:39:02.360 --> 0:39:05.719
<v Speaker 1>we're probably at the time equally important to me. And

0:39:05.760 --> 0:39:07.840
<v Speaker 1>that was like, that's fine. I don't want anyone to

0:39:07.840 --> 0:39:10.560
<v Speaker 1>feel bad about wanting to go to a prom or

0:39:10.560 --> 0:39:12.640
<v Speaker 1>wanting to, you know, go to I mean, I went

0:39:12.680 --> 0:39:15.520
<v Speaker 1>to four proms, so it's not that I was excusing

0:39:15.640 --> 0:39:17.680
<v Speaker 1>to go to them, but I just it bugged me that,

0:39:17.760 --> 0:39:19.880
<v Speaker 1>like there was just so much emphasis placed on that

0:39:19.960 --> 0:39:22.239
<v Speaker 1>and so little emphasis placed on things that I deemed

0:39:22.280 --> 0:39:24.080
<v Speaker 1>to be more important, because like I think of how

0:39:24.200 --> 0:39:29.440
<v Speaker 1>many movies teen movies end and how few movies end

0:39:29.520 --> 0:39:33.440
<v Speaker 1>in a graduation ceremony with a young woman giving the

0:39:33.520 --> 0:39:37.880
<v Speaker 1>valedictorian speech. Like even in this movie, even in that sequences,

0:39:38.000 --> 0:39:41.680
<v Speaker 1>so much time spent on her looking very beautiful, very angelic,

0:39:41.880 --> 0:39:44.080
<v Speaker 1>the crown is being placed on her. I noticed that

0:39:44.160 --> 0:39:47.759
<v Speaker 1>Tommy is sort of to the side, Um, so even

0:39:47.880 --> 0:39:50.279
<v Speaker 1>he seems to like not matter in that moment. It's

0:39:50.320 --> 0:39:53.279
<v Speaker 1>all about but really her looks and or that is

0:39:53.280 --> 0:39:56.920
<v Speaker 1>a symbol of acceptance of herself. That's suddenly because whoever

0:39:56.960 --> 0:39:59.760
<v Speaker 1>has given her this moment, everything's going to be okay,

0:39:59.840 --> 0:40:02.000
<v Speaker 1>right as if like the fact that she lives with

0:40:02.040 --> 0:40:05.239
<v Speaker 1>a fucking insane mother and doesn't know she was going

0:40:05.280 --> 0:40:07.080
<v Speaker 1>to get her period or any of the other stuff

0:40:07.360 --> 0:40:09.880
<v Speaker 1>and it doesn't matter, and like the movie will like

0:40:09.960 --> 0:40:12.359
<v Speaker 1>you can tell just by that, Like you're saying how

0:40:12.400 --> 0:40:15.400
<v Speaker 1>that moment is presented, like this is the everybody moments

0:40:15.880 --> 0:40:18.040
<v Speaker 1>like yeah something, which I was like, I thought you

0:40:18.080 --> 0:40:20.359
<v Speaker 1>all hated her. Why are you so excited for her?

0:40:20.360 --> 0:40:24.359
<v Speaker 1>Except for the coach, the mob mentality and this room

0:40:24.520 --> 0:40:27.600
<v Speaker 1>is very weird. They're all down for whatever. The bucket

0:40:27.680 --> 0:40:30.120
<v Speaker 1>fallen on his head and knocking him out. I laughed

0:40:30.160 --> 0:40:34.839
<v Speaker 1>so much. It's like an empty two pound bucket. It's like,

0:40:34.920 --> 0:40:38.240
<v Speaker 1>why why is that there is that a backup bucket? Grill?

0:40:38.600 --> 0:40:40.680
<v Speaker 1>I guess it was because they wanted to figure out

0:40:40.840 --> 0:40:44.480
<v Speaker 1>if he's not knocked out, can't he try to stop

0:40:44.480 --> 0:40:47.640
<v Speaker 1>her or help her somehow, So they needed to get

0:40:47.719 --> 0:40:50.320
<v Speaker 1>him out of the way. Decoy bucket with the slow

0:40:50.360 --> 0:40:54.719
<v Speaker 1>motion bucket. I do. I totally agree with that you're saying, Kitler,

0:40:54.719 --> 0:40:58.719
<v Speaker 1>where it's like the way that prom and weddings are

0:40:58.719 --> 0:41:03.799
<v Speaker 1>portrayed in media are so aspirational and so clearly I

0:41:03.840 --> 0:41:08.399
<v Speaker 1>mean to sell stuff. Uh, not just to sell you

0:41:08.520 --> 0:41:11.240
<v Speaker 1>on the idea of like her events, but to literally

0:41:11.280 --> 0:41:15.120
<v Speaker 1>sell you items. Yeah, I mean I think that this

0:41:15.200 --> 0:41:18.080
<v Speaker 1>movie that's keeping with its view of women in general.

0:41:18.239 --> 0:41:21.000
<v Speaker 1>I think that it's like it's also saying, like, well,

0:41:21.800 --> 0:41:24.600
<v Speaker 1>what would be the most important thing to ever happen

0:41:24.680 --> 0:41:28.160
<v Speaker 1>to this girl winning prom queen? Because in you know,

0:41:28.160 --> 0:41:30.840
<v Speaker 1>Stephen King Brian to Palma's eyes, Well, yeah, that's what

0:41:30.920 --> 0:41:34.319
<v Speaker 1>all teenage girls want, right, So it's just again, it's

0:41:34.360 --> 0:41:38.719
<v Speaker 1>just like reinforcing this vague idea that no one has

0:41:38.719 --> 0:41:42.080
<v Speaker 1>asked a woman about at all. And earlier in the movie,

0:41:42.239 --> 0:41:45.880
<v Speaker 1>Carrie explains to her mother like people think I'm funny,

0:41:46.000 --> 0:41:48.200
<v Speaker 1>but not in a hey, I'm a hilarious stand up

0:41:48.200 --> 0:41:51.680
<v Speaker 1>comic kind of way and a people think I'm unusual

0:41:51.800 --> 0:41:55.160
<v Speaker 1>and weird and alienating kind of way. And she expresses

0:41:55.840 --> 0:41:58.520
<v Speaker 1>a desire to fit in which I think is is

0:41:58.640 --> 0:42:02.719
<v Speaker 1>very normal for that age. Yeah, but then they like

0:42:02.760 --> 0:42:05.440
<v Speaker 1>extend that too. Oh but so she's gonna want to

0:42:05.480 --> 0:42:09.719
<v Speaker 1>be the prom queen obviously, and and yeah, it is

0:42:09.719 --> 0:42:15.520
<v Speaker 1>a very male understanding of what a teen girl must want.

0:42:15.840 --> 0:42:18.680
<v Speaker 1>It literally is. I mean, I think Stephen King was,

0:42:18.760 --> 0:42:20.880
<v Speaker 1>like I think he's in his mid twenties when he

0:42:20.880 --> 0:42:22.959
<v Speaker 1>wrote this or something. It was his first published book,

0:42:23.440 --> 0:42:27.720
<v Speaker 1>but like he's writing how he thinks teenage girls would act,

0:42:27.840 --> 0:42:30.400
<v Speaker 1>and as a guy ten years older than a teenage

0:42:30.400 --> 0:42:32.920
<v Speaker 1>girl who has never been a teenage girl. So and

0:42:33.160 --> 0:42:35.400
<v Speaker 1>I think that that just informs so much about what

0:42:35.520 --> 0:42:38.880
<v Speaker 1>this did. You guys, as teenagers either partake or witness

0:42:38.960 --> 0:42:40.920
<v Speaker 1>in that kind of like that kind of like group

0:42:41.040 --> 0:42:43.640
<v Speaker 1>female bullying. Not that I'm saying that that means it

0:42:43.680 --> 0:42:46.400
<v Speaker 1>doesn't happen or does, but I'm just curious, because I

0:42:46.600 --> 0:42:49.399
<v Speaker 1>was really trying. I've had girls and women being mean

0:42:49.480 --> 0:42:52.680
<v Speaker 1>to me, like one on one, and you know, some

0:42:52.880 --> 0:42:55.200
<v Speaker 1>like look stuff and ship like that on the street

0:42:55.360 --> 0:42:58.439
<v Speaker 1>or whatever. But I've never the intense bullion that either

0:42:58.520 --> 0:43:01.879
<v Speaker 1>I suffered or saw was almost always dudes. Which I'm

0:43:01.880 --> 0:43:04.760
<v Speaker 1>not saying women didn't do it, but I'm just curious

0:43:05.000 --> 0:43:07.560
<v Speaker 1>if you guys have witnessed that. I've never seen it

0:43:07.600 --> 0:43:09.799
<v Speaker 1>in the way it's portrayed in this movie, because it's

0:43:09.840 --> 0:43:13.760
<v Speaker 1>just in this movie is just violent and baseless, and

0:43:13.760 --> 0:43:15.880
<v Speaker 1>and and it doesn't stopped. It like goes on and

0:43:15.920 --> 0:43:18.480
<v Speaker 1>on and on the and then I mean not just

0:43:18.520 --> 0:43:20.680
<v Speaker 1>in that scene, but then obviously in a long term

0:43:20.760 --> 0:43:25.600
<v Speaker 1>planning kind of way. Yeah, I've never seen a universal

0:43:25.760 --> 0:43:28.799
<v Speaker 1>hatred of a single person the way that people hate Carrie.

0:43:29.040 --> 0:43:30.440
<v Speaker 1>I don't know. I think when I was picked on

0:43:30.560 --> 0:43:32.600
<v Speaker 1>in like middle school in high school would be like

0:43:32.680 --> 0:43:36.880
<v Speaker 1>small groups uh same, yeah, like maybe just a small

0:43:37.120 --> 0:43:39.800
<v Speaker 1>small group of you know, four or five people would

0:43:39.800 --> 0:43:42.440
<v Speaker 1>be like, hey, she sucks, right, let's go funk with

0:43:42.440 --> 0:43:45.400
<v Speaker 1>this one. Right. Yeah. I I've never seen it or

0:43:45.480 --> 0:43:49.080
<v Speaker 1>experienced it anywhere close to how it's represented in this movie.

0:43:49.680 --> 0:43:52.080
<v Speaker 1>Do you guys think it's it's a fear of periods

0:43:52.080 --> 0:43:54.239
<v Speaker 1>as well? Like I thought about that a lot because

0:43:54.239 --> 0:43:57.120
<v Speaker 1>her mother fears it hasn't told her about it. But

0:43:57.160 --> 0:44:00.360
<v Speaker 1>then there's also again if the girls are actually the guys,

0:44:00.440 --> 0:44:02.480
<v Speaker 1>Like I kept thinking, why are you scared of that?

0:44:02.560 --> 0:44:05.200
<v Speaker 1>It's well, you know, women come not just into their

0:44:05.280 --> 0:44:09.080
<v Speaker 1>so called womanhood, but really it's your ability to bear children, right,

0:44:09.160 --> 0:44:12.239
<v Speaker 1>And maybe that's what is also scary to two men

0:44:12.280 --> 0:44:14.279
<v Speaker 1>about it that like now you can't just like fuck

0:44:14.320 --> 0:44:18.239
<v Speaker 1>them in discriminately. There might be a child involved in it, Like,

0:44:18.280 --> 0:44:20.879
<v Speaker 1>I don't know if that's says I see that. I mean,

0:44:20.960 --> 0:44:24.040
<v Speaker 1>it's like the fact that in this movie, the cause

0:44:24.120 --> 0:44:27.279
<v Speaker 1>and effect is like she gets her period, now she

0:44:27.360 --> 0:44:31.040
<v Speaker 1>can do evil things. And then just like I guess

0:44:31.040 --> 0:44:33.080
<v Speaker 1>that's what brought that on, because it's never hinted that

0:44:33.120 --> 0:44:35.560
<v Speaker 1>she she didn't have this power before. It doesn't seem

0:44:35.560 --> 0:44:37.439
<v Speaker 1>that way because it starts with the light bulb and

0:44:37.480 --> 0:44:39.279
<v Speaker 1>even she doesn't really seem to know what's going on.

0:44:39.480 --> 0:44:42.279
<v Speaker 1>It's the power of life and death. I guess like

0:44:42.560 --> 0:44:45.000
<v Speaker 1>comes with her period, right, Yeah, like she has. I

0:44:45.040 --> 0:44:46.400
<v Speaker 1>would have liked that if I had gone to my

0:44:46.440 --> 0:44:51.719
<v Speaker 1>period and come canny whatever it's called you kinetic. Well,

0:44:51.719 --> 0:44:54.880
<v Speaker 1>this is and and just because we just watched Teeth yesterday,

0:44:55.120 --> 0:44:59.040
<v Speaker 1>this is where the girlfriend Teeth succeeds. Where Carrie does

0:44:59.080 --> 0:45:00.680
<v Speaker 1>not succeed is she learn it is to harness and

0:45:00.680 --> 0:45:05.040
<v Speaker 1>control her power. And then where Carrie it seems like

0:45:05.200 --> 0:45:08.160
<v Speaker 1>and this is probably a more realistic read of a

0:45:08.200 --> 0:45:10.600
<v Speaker 1>teenage girl one way that I found. It's like she

0:45:10.719 --> 0:45:13.480
<v Speaker 1>suddenly has this new thing happened to her, and she

0:45:13.560 --> 0:45:15.640
<v Speaker 1>doesn't quite understand it yet. And she doesn't quite know

0:45:15.640 --> 0:45:19.080
<v Speaker 1>how to control it. That I think is realistic. What

0:45:19.160 --> 0:45:21.080
<v Speaker 1>I don't think is realistic is that it means you

0:45:21.120 --> 0:45:25.600
<v Speaker 1>are going to hell and everyone dies. But you know, right, yeah,

0:45:25.600 --> 0:45:29.439
<v Speaker 1>the ending of this movie. Sometimes periods feel like that

0:45:29.440 --> 0:45:32.000
<v Speaker 1>that I have felt that way, like locking myself in

0:45:32.000 --> 0:45:35.600
<v Speaker 1>a closet as my house just sends to hell. But

0:45:35.680 --> 0:45:38.279
<v Speaker 1>I don't know that Stephen King or Brian Opauma knew that.

0:45:38.400 --> 0:45:41.319
<v Speaker 1>But I mean there's I thought you bleed with you.

0:45:41.600 --> 0:45:44.160
<v Speaker 1>And there's also that hilarious scene after in the in

0:45:44.239 --> 0:45:47.040
<v Speaker 1>the Whoever he is the headmaster's office with the coach

0:45:47.440 --> 0:45:50.040
<v Speaker 1>where also she's smoking, which I love and more in

0:45:50.080 --> 0:45:53.759
<v Speaker 1>short shorts, and and they talked quite openly about periods

0:45:53.920 --> 0:45:56.760
<v Speaker 1>in a way that I also, well, the headmaster cannot

0:45:56.760 --> 0:45:59.560
<v Speaker 1>say the word, he cannot even he like really skirts

0:45:59.600 --> 0:46:02.120
<v Speaker 1>around the issue. But then he's like, who would have

0:46:02.160 --> 0:46:04.640
<v Speaker 1>thought that this term? And age like a young girl

0:46:04.680 --> 0:46:07.400
<v Speaker 1>wouldn't know about anything, which again is like a veiled

0:46:07.480 --> 0:46:12.520
<v Speaker 1>like slut shaming. Uh. And then her her mother, whenever

0:46:12.560 --> 0:46:15.080
<v Speaker 1>she finds out that carry has gotten her period says

0:46:15.160 --> 0:46:19.000
<v Speaker 1>something like, if you hadn't sinned, the curse of blood

0:46:19.000 --> 0:46:21.600
<v Speaker 1>would never come upon you. And right, I'm like, like,

0:46:21.719 --> 0:46:24.520
<v Speaker 1>you don't have it? Like, right, are we meant to

0:46:24.560 --> 0:46:27.799
<v Speaker 1>believe that her mother is not menstruating? But that's I mean,

0:46:27.840 --> 0:46:30.080
<v Speaker 1>but the mother is insane. But I actually I remembered

0:46:30.080 --> 0:46:33.560
<v Speaker 1>my mother telling me years ago, I'm from Spain, I

0:46:33.600 --> 0:46:35.040
<v Speaker 1>was born and grew up there, and I know this

0:46:35.080 --> 0:46:37.040
<v Speaker 1>isn't the only country where that happens, but that when

0:46:37.200 --> 0:46:39.879
<v Speaker 1>she first got her period, my mom and told her

0:46:39.880 --> 0:46:42.560
<v Speaker 1>mother that her mother slapped her. And that was a

0:46:42.760 --> 0:46:45.239
<v Speaker 1>very common thing to do because it was it was

0:46:45.360 --> 0:46:48.200
<v Speaker 1>equated with original sin, which they do in this movie too,

0:46:48.560 --> 0:46:51.279
<v Speaker 1>which again is so fucked up. So like original sin,

0:46:51.360 --> 0:46:54.520
<v Speaker 1>being knowledge means that we were cursed by having periods.

0:46:55.560 --> 0:46:59.360
<v Speaker 1>So therefore, like the welcoming into womanhood was a slap

0:46:59.360 --> 0:47:02.319
<v Speaker 1>in the face, which is pretty tremendous. My mom had

0:47:02.360 --> 0:47:06.920
<v Speaker 1>a similar experience where she wasn't hit, but she was

0:47:07.000 --> 0:47:09.480
<v Speaker 1>made to feel very bad when she first got her

0:47:09.520 --> 0:47:13.840
<v Speaker 1>period by her mom. Yeah, it's like a generational code switch,

0:47:13.880 --> 0:47:16.720
<v Speaker 1>which and I think that there's like probably something between

0:47:16.800 --> 0:47:19.640
<v Speaker 1>carry and and most of us, you know, grew up

0:47:19.760 --> 0:47:23.959
<v Speaker 1>generations after this and weren't quite steeped in this carry verse,

0:47:24.520 --> 0:47:27.799
<v Speaker 1>where so much emphasis is put on this stuff. But yeah,

0:47:27.880 --> 0:47:31.239
<v Speaker 1>I just thought I should myself. I just thought I

0:47:31.239 --> 0:47:33.719
<v Speaker 1>should myself. When I got my period the first time

0:47:33.880 --> 0:47:37.480
<v Speaker 1>and I didn't say anything for days, I'm like, I

0:47:37.480 --> 0:47:40.960
<v Speaker 1>can't stop shooting. Yeah, And then like two days later

0:47:41.080 --> 0:47:43.440
<v Speaker 1>my mom was like, is everything okay? I was just

0:47:43.480 --> 0:47:46.239
<v Speaker 1>acting weird? She told you about it prior to this

0:47:46.360 --> 0:47:49.680
<v Speaker 1>or no, no, she thought that, well she I don't know.

0:47:49.800 --> 0:47:52.360
<v Speaker 1>I think I must have known it existed, but I

0:47:52.440 --> 0:47:57.719
<v Speaker 1>never got sex said in school and it happened to me. Yeah, Well,

0:47:57.960 --> 0:48:00.880
<v Speaker 1>here you think are the implicated ations of this or

0:48:01.000 --> 0:48:04.040
<v Speaker 1>like people's like subconscious reaction to this, which is like,

0:48:04.440 --> 0:48:07.560
<v Speaker 1>oh my daughter or this you know, this young girl

0:48:08.080 --> 0:48:11.279
<v Speaker 1>is becoming a woman. That means she's probably going to

0:48:11.360 --> 0:48:14.640
<v Speaker 1>start having sex soon and that's bad and that's impure

0:48:14.680 --> 0:48:17.160
<v Speaker 1>and that's evil and that you know, very like I

0:48:17.200 --> 0:48:20.960
<v Speaker 1>think there's very slot shamy implications to this reaction. And

0:48:20.960 --> 0:48:25.919
<v Speaker 1>that's another maybe generation thing where for Carrie's generation at least,

0:48:25.920 --> 0:48:29.600
<v Speaker 1>it's implied in the context of this story that the

0:48:29.680 --> 0:48:32.839
<v Speaker 1>symbolism of it is like that she is now a

0:48:32.880 --> 0:48:37.200
<v Speaker 1>woman who is you know, like somehow more dangerous. She's

0:48:37.239 --> 0:48:39.640
<v Speaker 1>able to carry a child now, where by the time

0:48:39.680 --> 0:48:42.120
<v Speaker 1>I was getting a talk about when I finally was like, hey,

0:48:42.520 --> 0:48:46.200
<v Speaker 1>maybe this isn't ship my my, my mom, and all

0:48:46.239 --> 0:48:50.760
<v Speaker 1>my friends sort of more closely associated getting your period

0:48:50.800 --> 0:48:54.440
<v Speaker 1>with the beginning of puberty as opposed to like childbearing

0:48:54.480 --> 0:48:56.359
<v Speaker 1>or anything like that. Like we were just like, oh

0:48:56.400 --> 0:48:58.160
<v Speaker 1>my god, I got my period. That means maybe I'll

0:48:58.200 --> 0:49:01.320
<v Speaker 1>get boobs soon. For of us, that just never happened.

0:49:02.320 --> 0:49:05.279
<v Speaker 1>But like, but yeah, like you should have massaged them

0:49:05.320 --> 0:49:08.160
<v Speaker 1>with soap like carry does in a movie, Like just

0:49:08.360 --> 0:49:10.839
<v Speaker 1>broke to myself in a public shower. Maybe that would

0:49:10.880 --> 0:49:13.719
<v Speaker 1>just eggamon. I don't know. Yeah, so much to to

0:49:13.880 --> 0:49:16.200
<v Speaker 1>unpack with this movie. We just we just did a

0:49:16.280 --> 0:49:20.600
<v Speaker 1>tight twenty minutes on period blood alone, and it's various

0:49:20.640 --> 0:49:24.400
<v Speaker 1>interpretations in this movie. Let's take a quick break and

0:49:24.440 --> 0:49:33.080
<v Speaker 1>then we'll be back for more cool and we're back. Um,

0:49:33.160 --> 0:49:35.880
<v Speaker 1>there's still a few key characters we haven't really gotten

0:49:35.960 --> 0:49:39.719
<v Speaker 1>to discuss at length yet, which are Carrie's mom and

0:49:39.960 --> 0:49:44.600
<v Speaker 1>Carrie's coach at school. The coach character, it was really

0:49:44.640 --> 0:49:47.200
<v Speaker 1>interesting to me. This was not a character I was

0:49:47.400 --> 0:49:51.200
<v Speaker 1>familiar with going into I knew the Mom. I knew

0:49:51.200 --> 0:49:55.279
<v Speaker 1>that there was like a villainous girl who pours pig

0:49:55.280 --> 0:49:57.640
<v Speaker 1>blood on carry. I didn't know about Sue. I didn't

0:49:57.680 --> 0:49:59.239
<v Speaker 1>know about the Coach, And they would ended up being

0:49:59.239 --> 0:50:02.400
<v Speaker 1>to the for me, like the most thought provoking characters

0:50:03.000 --> 0:50:07.560
<v Speaker 1>because they exist in this in between space where I

0:50:07.600 --> 0:50:11.120
<v Speaker 1>don't know, like, I saw more of myself in characters

0:50:11.160 --> 0:50:13.400
<v Speaker 1>like that than any of the you know, anyone on

0:50:13.440 --> 0:50:15.880
<v Speaker 1>the cartoonish end of the more of yourself on the

0:50:16.120 --> 0:50:19.080
<v Speaker 1>in the Coach, not in the Coach, mostly in in Sue.

0:50:20.200 --> 0:50:24.080
<v Speaker 1>But let's talk about the Coach with its coach ms Collins.

0:50:24.160 --> 0:50:28.880
<v Speaker 1>Ms Collins, She's, yeah, the fizz ed teacher. And because

0:50:28.920 --> 0:50:33.600
<v Speaker 1>there are I would say four main relationships that Carrie

0:50:33.960 --> 0:50:36.360
<v Speaker 1>has with other women, and I would say two of

0:50:36.400 --> 0:50:38.960
<v Speaker 1>them are fall on the positive end of the spectrum.

0:50:38.960 --> 0:50:41.640
<v Speaker 1>I wouldn't necessarily call them positive relationships, but they're more

0:50:41.760 --> 0:50:43.960
<v Speaker 1>on that end of the spectrum. And then the two

0:50:44.080 --> 0:50:47.040
<v Speaker 1>very negative relationships on that end of the spectrum is

0:50:47.360 --> 0:50:50.880
<v Speaker 1>her mother and Chris are the negative ones, and Coach

0:50:51.280 --> 0:50:54.239
<v Speaker 1>are the positive ones. Yeah, And it's interesting because it's

0:50:54.360 --> 0:50:57.239
<v Speaker 1>for the most part, her relationship with Sue kind of

0:50:57.239 --> 0:51:00.400
<v Speaker 1>plays out unbeknownst to her. Yeah, they never relate to

0:51:00.440 --> 0:51:04.799
<v Speaker 1>one another. No, it's like everything that's happening between them,

0:51:04.960 --> 0:51:07.239
<v Speaker 1>Carrie doesn't even I don't think she ever finds out

0:51:07.280 --> 0:51:10.120
<v Speaker 1>about really, which isn't because she even says, I know,

0:51:10.239 --> 0:51:12.600
<v Speaker 1>you know Tommy asked me, but they're just making fun

0:51:12.600 --> 0:51:14.719
<v Speaker 1>of me because I know she goes with like he

0:51:14.800 --> 0:51:17.759
<v Speaker 1>doesn't even say her name, because Sue does run with

0:51:18.000 --> 0:51:20.520
<v Speaker 1>the mean girls, and we see there's like one point

0:51:20.560 --> 0:51:24.000
<v Speaker 1>when they're at like Jim detention. I know, is that

0:51:24.320 --> 0:51:27.480
<v Speaker 1>needlessly long male gazey scene of all their bodies doing

0:51:27.560 --> 0:51:31.080
<v Speaker 1>jumping jacks and really crazy like electronic music that is

0:51:31.120 --> 0:51:34.399
<v Speaker 1>so totally that whole scene a minute and a half long.

0:51:34.880 --> 0:51:41.000
<v Speaker 1>Why the total inconsistencies of that scene are wild six comes.

0:51:41.360 --> 0:51:43.920
<v Speaker 1>It's true there is like one moment more slapping in

0:51:43.960 --> 0:51:46.640
<v Speaker 1>that scene too. There is more slapping in that scene

0:51:46.640 --> 0:51:50.640
<v Speaker 1>because female and female violence coins be slapping in this scene.

0:51:50.680 --> 0:51:53.560
<v Speaker 1>I just I'm baffled by ms Collins. I mean, I

0:51:53.600 --> 0:51:56.440
<v Speaker 1>don't have. By the way, also to give context to

0:51:56.560 --> 0:51:58.920
<v Speaker 1>the young ones as the as the resident old person

0:51:58.960 --> 0:52:02.520
<v Speaker 1>in the house, this character, until I'm sure very recently

0:52:02.600 --> 0:52:05.640
<v Speaker 1>was almost always referred to as the lesbian like. The

0:52:05.680 --> 0:52:09.560
<v Speaker 1>assumption was always that she was in love and wanted

0:52:09.680 --> 0:52:12.200
<v Speaker 1>Carrie and that that's why. I mean, I know I've

0:52:12.239 --> 0:52:14.640
<v Speaker 1>heard that so many times, which I remembered watching it.

0:52:14.640 --> 0:52:17.680
<v Speaker 1>I was like, do you hence why she's so unhappy?

0:52:17.840 --> 0:52:19.759
<v Speaker 1>Do you think that that is what the story is

0:52:19.800 --> 0:52:21.960
<v Speaker 1>implying or is that just what people thought? I didn't that,

0:52:22.080 --> 0:52:24.320
<v Speaker 1>I mean, certainly what people thought. I don't know. Again,

0:52:24.680 --> 0:52:27.400
<v Speaker 1>it was also before my time, although I saw it

0:52:27.440 --> 0:52:29.160
<v Speaker 1>earlier than you guys, So I don't know if that

0:52:29.200 --> 0:52:32.400
<v Speaker 1>would have been immediately assumed at the time in a

0:52:32.440 --> 0:52:35.480
<v Speaker 1>way that it is. And now, yeah, there is like

0:52:35.520 --> 0:52:40.000
<v Speaker 1>a trope of women gym teachers and coaches in media

0:52:40.160 --> 0:52:43.319
<v Speaker 1>that they seem to present us being fairly but all

0:52:43.320 --> 0:52:45.919
<v Speaker 1>the way up to Glee, that's why she's always Yeah,

0:52:45.960 --> 0:52:49.360
<v Speaker 1>she's always exercising, she's smoking and wearing short shorts and

0:52:49.840 --> 0:52:52.359
<v Speaker 1>making the girls do it and slapping them around. And

0:52:52.400 --> 0:52:56.360
<v Speaker 1>also in another baffling scene, she seems to be upset

0:52:56.600 --> 0:52:58.799
<v Speaker 1>at who they're going to the prom with. Remember when

0:52:58.800 --> 0:53:01.560
<v Speaker 1>she asked them, boy, who's taking you to prom? And

0:53:01.600 --> 0:53:04.360
<v Speaker 1>she's like tell me, and she gets like teary eyed

0:53:04.480 --> 0:53:07.360
<v Speaker 1>to invested, which I don't understand. I was like, is

0:53:07.400 --> 0:53:09.760
<v Speaker 1>she into the guys or did she not get taken

0:53:09.800 --> 0:53:12.360
<v Speaker 1>to prom? But then I don't. I mean, I found

0:53:12.360 --> 0:53:15.279
<v Speaker 1>her as a character very baffling. I didn't understand. Like

0:53:15.840 --> 0:53:19.400
<v Speaker 1>hearing that does help me a little if that is

0:53:19.440 --> 0:53:21.839
<v Speaker 1>what the story is supposed to be implying, even like

0:53:22.480 --> 0:53:27.160
<v Speaker 1>sub textually, yeah, because she is like a character who

0:53:27.239 --> 0:53:29.200
<v Speaker 1>at some points or like I know what she's doing,

0:53:29.239 --> 0:53:32.840
<v Speaker 1>and other points you're like, where is she going with this? Really?

0:53:32.880 --> 0:53:36.400
<v Speaker 1>Not sure? Right? Because the first scene we see her

0:53:36.440 --> 0:53:39.720
<v Speaker 1>in is when she's coming to console Carrie after she's

0:53:39.760 --> 0:53:43.319
<v Speaker 1>been violently bullied, but she slaps her first, but she

0:53:43.360 --> 0:53:47.239
<v Speaker 1>slaps her and then she tells that slapping that lady. Yeah,

0:53:47.280 --> 0:53:48.759
<v Speaker 1>She's like, get a calm down and get a hold

0:53:48.800 --> 0:53:51.720
<v Speaker 1>of yourself, and then she apologizes and she says sorry,

0:53:51.719 --> 0:53:54.360
<v Speaker 1>I didn't know Carrie, and then she comforts her. And

0:53:54.400 --> 0:53:56.840
<v Speaker 1>then there's that scene where she talked where Ms. Collins

0:53:56.920 --> 0:53:59.960
<v Speaker 1>talks to the principle and she's like, I really identified

0:54:00.040 --> 0:54:01.799
<v Speaker 1>with the girls because I just wanted to shake her

0:54:01.840 --> 0:54:03.560
<v Speaker 1>and be like, don't you know what a period is?

0:54:03.600 --> 0:54:07.560
<v Speaker 1>So she's like, but then later on she punishes all

0:54:07.800 --> 0:54:12.120
<v Speaker 1>the women who were bullying her and wants to ban

0:54:12.239 --> 0:54:14.040
<v Speaker 1>them all from prom, and you know, she gives them

0:54:14.040 --> 0:54:16.080
<v Speaker 1>all detention to everything like that. You know, she's like,

0:54:16.120 --> 0:54:18.239
<v Speaker 1>didn't you stop to think of carry had feelings? So

0:54:18.360 --> 0:54:22.080
<v Speaker 1>she's advocating for Carrie. Then she finds out that she's

0:54:22.080 --> 0:54:24.279
<v Speaker 1>been asked to prom. She's like, oh, you know, you

0:54:24.280 --> 0:54:27.840
<v Speaker 1>need to change her attitude about yourself. Just put on

0:54:27.960 --> 0:54:31.120
<v Speaker 1>some mess scare and some lipstick. The part in the

0:54:31.160 --> 0:54:35.080
<v Speaker 1>Coach that I recognized again, it's like there's a few

0:54:35.160 --> 0:54:37.759
<v Speaker 1>the few characters who are the closest things we have

0:54:37.800 --> 0:54:41.600
<v Speaker 1>two allies to carry are people who have at least

0:54:41.600 --> 0:54:45.239
<v Speaker 1>good intentions, but that doesn't mean they really do her

0:54:45.280 --> 0:54:48.520
<v Speaker 1>any good. And certainly the only one who shows her

0:54:48.560 --> 0:54:51.480
<v Speaker 1>real kindness absolutely to her face. Yeah, and it's but

0:54:51.600 --> 0:54:54.040
<v Speaker 1>the thing with the teacher is like, and this is

0:54:54.080 --> 0:54:57.799
<v Speaker 1>something like I remember from being younger of a teacher

0:54:57.880 --> 0:55:02.920
<v Speaker 1>who is like, yeah, you're weird, and like a teacher

0:55:02.960 --> 0:55:05.880
<v Speaker 1>who genuinely wants your life to be better, but the

0:55:05.920 --> 0:55:09.240
<v Speaker 1>only way they know of to make your life better

0:55:09.440 --> 0:55:12.200
<v Speaker 1>is to be like, so just be normal, Like why

0:55:12.280 --> 0:55:15.359
<v Speaker 1>can't like do normal stuff and then people will like you,

0:55:15.600 --> 0:55:18.040
<v Speaker 1>which is I don't think a good message to send

0:55:18.040 --> 0:55:22.080
<v Speaker 1>a young girl at all, but I understand why she's

0:55:22.120 --> 0:55:24.600
<v Speaker 1>saying it, and I and it seems clear that she's

0:55:24.640 --> 0:55:27.239
<v Speaker 1>trying to do a good thing. She wants Carrie's life

0:55:27.320 --> 0:55:30.280
<v Speaker 1>to be easier, but doesn't really care if that comes

0:55:30.280 --> 0:55:33.800
<v Speaker 1>at the sacrifice of like Carrie being herself. Also, I

0:55:33.840 --> 0:55:36.000
<v Speaker 1>guess no one. I also found it really interesting that

0:55:36.040 --> 0:55:37.840
<v Speaker 1>no one ever brings up I mean, even in that

0:55:37.880 --> 0:55:40.280
<v Speaker 1>conversation where they're like, it's so weird that she doesn't

0:55:40.320 --> 0:55:43.719
<v Speaker 1>know about periods that they just blame Carrie that. And

0:55:43.760 --> 0:55:45.560
<v Speaker 1>I know there's a phone call to the house that

0:55:45.600 --> 0:55:48.839
<v Speaker 1>we don't hear informing the mother that Carrie has gotten

0:55:48.920 --> 0:55:52.919
<v Speaker 1>her period, but like why nobody thinks to investigate or

0:55:53.520 --> 0:55:56.120
<v Speaker 1>or well, it does kind of get explained away by

0:55:56.160 --> 0:55:58.240
<v Speaker 1>the principle when he's just like, oh, well, I guess

0:55:58.239 --> 0:56:00.560
<v Speaker 1>we shouldn't be surprised knowing that mother or of hers,

0:56:00.680 --> 0:56:04.520
<v Speaker 1>But yeah, nothing further than that gets lord to me.

0:56:04.640 --> 0:56:06.640
<v Speaker 1>Was also something that was really sad in this one

0:56:06.680 --> 0:56:09.600
<v Speaker 1>and that I definitely identified with in the first viewing,

0:56:09.640 --> 0:56:12.920
<v Speaker 1>and even now that so often kids who are abused

0:56:13.200 --> 0:56:16.280
<v Speaker 1>end up being blamed themselves for their behavior, and nobody

0:56:16.360 --> 0:56:20.080
<v Speaker 1>questions why it's there, you know, and nothing is really

0:56:20.160 --> 0:56:23.040
<v Speaker 1>done right, Like you have a sixteen year l seventeen

0:56:23.120 --> 0:56:25.440
<v Speaker 1>year old who's getting her period and it's horrified and

0:56:25.480 --> 0:56:28.960
<v Speaker 1>doesn't know like something's up. You know. Well, I think

0:56:29.000 --> 0:56:30.799
<v Speaker 1>that the and the way that that's like kind of

0:56:30.880 --> 0:56:35.960
<v Speaker 1>cast off is like by introducing another kind of malleable,

0:56:36.160 --> 0:56:40.600
<v Speaker 1>incompetent male character, the principle who can't even remember carry's name,

0:56:40.920 --> 0:56:45.400
<v Speaker 1>much less actually do anything to be helpful. Um, every

0:56:45.440 --> 0:56:47.520
<v Speaker 1>time something like that happened, and she showed in this

0:56:47.560 --> 0:56:50.959
<v Speaker 1>case she flips his ashtray and breaks it. I really

0:56:50.960 --> 0:56:53.080
<v Speaker 1>wish I could do that in those instances where like

0:56:53.520 --> 0:56:57.080
<v Speaker 1>men don't listen or say my name wrong or anything

0:56:57.160 --> 0:56:59.279
<v Speaker 1>like that. Like I wish I could just flip an

0:56:59.280 --> 0:57:04.280
<v Speaker 1>ashtray or close a window or like throw a bucket

0:57:04.320 --> 0:57:06.279
<v Speaker 1>on their face or something, and then like, I don't

0:57:06.320 --> 0:57:08.359
<v Speaker 1>need to do anything else. I'm not going to kill

0:57:08.400 --> 0:57:12.040
<v Speaker 1>you and jostle your step of that aspect of it. Again,

0:57:12.080 --> 0:57:14.800
<v Speaker 1>I thought, did you guys feel her power at all? Eventually?

0:57:14.840 --> 0:57:17.480
<v Speaker 1>Even if she's killing everybody, Like, did you feel like yeah,

0:57:17.560 --> 0:57:22.480
<v Speaker 1>girl or no, well yeah, but I have some complicated

0:57:22.480 --> 0:57:24.320
<v Speaker 1>feelings about this. I wanted to read a quote from

0:57:24.320 --> 0:57:28.760
<v Speaker 1>what Stephen King said about his book Carrie. He says,

0:57:29.160 --> 0:57:32.360
<v Speaker 1>Carrie is largely about how women find their own channels

0:57:32.360 --> 0:57:35.280
<v Speaker 1>of power, but also what men fear about women and

0:57:35.320 --> 0:57:38.520
<v Speaker 1>women's sexuality. Writing the book in nineteen seventy three and

0:57:38.600 --> 0:57:41.480
<v Speaker 1>only three years out of college, I was fully aware

0:57:41.600 --> 0:57:44.560
<v Speaker 1>of what women's liberation implied for me and others of

0:57:44.560 --> 0:57:48.040
<v Speaker 1>my sex. Carry is woman feeling her powers for the

0:57:48.080 --> 0:57:52.160
<v Speaker 1>first time, and like Sampson, pulling down the temple on

0:57:52.320 --> 0:57:54.640
<v Speaker 1>everyone in sight at the end of the book. So

0:57:54.680 --> 0:57:58.920
<v Speaker 1>he sees this character as a very empowered woman who's

0:57:59.000 --> 0:58:04.160
<v Speaker 1>coming into her own and die. That's the thing. So

0:58:04.440 --> 0:58:08.360
<v Speaker 1>there are a lot of female empowerment stories. Well they're

0:58:08.360 --> 0:58:10.120
<v Speaker 1>not a lot of those stories, but of the female

0:58:10.160 --> 0:58:14.200
<v Speaker 1>empowerment stories that are available to us, a lot of

0:58:14.200 --> 0:58:19.160
<v Speaker 1>them are about a woman being wronged then they enact revenge,

0:58:19.520 --> 0:58:23.160
<v Speaker 1>often violently. Um, we see this in this movie. We

0:58:23.200 --> 0:58:26.840
<v Speaker 1>see it and kill Bill Selman, Louise mad Max Fury Road,

0:58:27.120 --> 0:58:30.080
<v Speaker 1>Legend of Billy Jean, the Teeth episode that we have

0:58:30.120 --> 0:58:32.760
<v Speaker 1>coming out, We talked about that, and I would say

0:58:32.760 --> 0:58:36.800
<v Speaker 1>there's a huge shortage of women empowerment stories where we

0:58:36.880 --> 0:58:39.640
<v Speaker 1>just get to see women being awesome without either having

0:58:39.680 --> 0:58:41.840
<v Speaker 1>to be the victims of of a bad thing that

0:58:41.920 --> 0:58:45.520
<v Speaker 1>happened to them and or like just not having to

0:58:45.640 --> 0:58:48.600
<v Speaker 1>seek revenge on someone. They're just cool and good at

0:58:48.640 --> 0:58:53.360
<v Speaker 1>something and they're empowered that way. And then with Carrie

0:58:53.480 --> 0:58:57.600
<v Speaker 1>at the end, she's essentially punished for being empowered and

0:58:57.600 --> 0:59:02.600
<v Speaker 1>coming into her own because then she dies. So it's

0:59:03.280 --> 0:59:06.280
<v Speaker 1>you can see this as a female empowerment story, but

0:59:06.640 --> 0:59:09.760
<v Speaker 1>how empowered really is she at the end when her

0:59:09.800 --> 0:59:12.920
<v Speaker 1>house collapses on her? Right? I mean, I think I

0:59:13.040 --> 0:59:18.720
<v Speaker 1>definitely ladge onto the catharsis of let it fucking burn sometimes,

0:59:18.760 --> 0:59:23.200
<v Speaker 1>where obviously what Kerry does is not a real world solution,

0:59:23.720 --> 0:59:28.600
<v Speaker 1>but I think it is representative of you know, I mean,

0:59:29.080 --> 0:59:32.200
<v Speaker 1>it certainly sounds like Stephen King is basically copying to,

0:59:32.600 --> 0:59:35.240
<v Speaker 1>like kind of openly coping to Like, Yeah, woman who's

0:59:35.320 --> 0:59:40.280
<v Speaker 1>fully in control of her powers and abilities is scary

0:59:40.360 --> 0:59:43.440
<v Speaker 1>to people, especially at this point in history. I don't know.

0:59:43.560 --> 0:59:48.040
<v Speaker 1>I mean, again, it's like there is a part of

0:59:48.120 --> 0:59:52.880
<v Speaker 1>any abused woman or person I'd imagine that has this

0:59:53.200 --> 0:59:56.680
<v Speaker 1>fantasy of like let it burn, and it's almost like

0:59:56.920 --> 1:00:02.280
<v Speaker 1>cleansing by fire, of like I've been wronged, I'm angry

1:00:02.680 --> 1:00:06.640
<v Speaker 1>and fuck you guys, and and you know, so I

1:00:06.680 --> 1:00:09.480
<v Speaker 1>see I think it's yeah, And to your point earlier,

1:00:09.520 --> 1:00:11.880
<v Speaker 1>I think I hear you because sometimes I'm like, you know,

1:00:11.920 --> 1:00:14.120
<v Speaker 1>and I have this issue in my own movie too

1:00:14.120 --> 1:00:16.920
<v Speaker 1>that some women have criticized of like because she's a

1:00:16.960 --> 1:00:19.360
<v Speaker 1>survivor as well in the film, and there's an element

1:00:19.440 --> 1:00:21.760
<v Speaker 1>of you know, she burns down an entire jam with

1:00:21.840 --> 1:00:28.000
<v Speaker 1>her telekinetic powers, right, I mean, you know, but but

1:00:28.280 --> 1:00:30.760
<v Speaker 1>um so I get it. But I think sadly where

1:00:30.760 --> 1:00:33.520
<v Speaker 1>we are right now so much of our narrative because

1:00:33.560 --> 1:00:37.080
<v Speaker 1>you know that empowerment means you're overcoming some horrible thing

1:00:37.160 --> 1:00:39.520
<v Speaker 1>that happened to you. I know that that's not true

1:00:39.560 --> 1:00:42.040
<v Speaker 1>for every woman. And I'm also thinking, as a filmmaker,

1:00:42.520 --> 1:00:44.320
<v Speaker 1>I don't know how you make that dramatic. I think

1:00:44.360 --> 1:00:47.480
<v Speaker 1>the then the other stories become movies where like women

1:00:47.520 --> 1:00:51.960
<v Speaker 1>are interesting, flawed, powerful, week all of the above, just

1:00:52.040 --> 1:00:54.240
<v Speaker 1>like men are often treated that have nothing to do

1:00:54.320 --> 1:00:56.760
<v Speaker 1>with whether they're righting or wrong or not right. So

1:00:56.880 --> 1:00:59.520
<v Speaker 1>like I love terms of endearment or those kinds of

1:00:59.520 --> 1:01:02.480
<v Speaker 1>films where it's like, well, nothing horrendous happened to anybody

1:01:02.480 --> 1:01:05.640
<v Speaker 1>in there. They're just interesting and funked up characters and

1:01:05.640 --> 1:01:09.520
<v Speaker 1>and equally so men and women, which I think is

1:01:09.520 --> 1:01:12.000
<v Speaker 1>a really positive thing. But I don't know what I

1:01:12.040 --> 1:01:14.720
<v Speaker 1>was thinking, Like, what's the empowerment, Like is it Beyonce

1:01:14.880 --> 1:01:17.280
<v Speaker 1>at the super Bowl or a Coachella like, And you know,

1:01:17.360 --> 1:01:20.800
<v Speaker 1>I don't know what's happened in her without corporate sponsorships.

1:01:21.080 --> 1:01:24.600
<v Speaker 1>I suppose it doesn't even have to be especially empowering.

1:01:24.640 --> 1:01:28.760
<v Speaker 1>But the thing about us seeing women's stories is because

1:01:28.800 --> 1:01:32.040
<v Speaker 1>there are not nearly enough of them. Just seeing a

1:01:32.080 --> 1:01:35.439
<v Speaker 1>woman doing cool things instead of having a specific goal

1:01:35.520 --> 1:01:37.960
<v Speaker 1>and setting out to accomplish it and then succeeding in

1:01:38.000 --> 1:01:41.720
<v Speaker 1>that would just be empowering because we see so little

1:01:41.840 --> 1:01:45.600
<v Speaker 1>of that in media currently. I think that there's room

1:01:45.640 --> 1:01:48.479
<v Speaker 1>for both, though, oh sure, sure, I think that there

1:01:49.040 --> 1:01:52.360
<v Speaker 1>there's an except I don't even know if an excess,

1:01:52.400 --> 1:01:56.360
<v Speaker 1>but there's a shortage of women being able to like

1:01:56.960 --> 1:02:00.800
<v Speaker 1>live their lives and have goals and accomplish them in

1:02:00.960 --> 1:02:05.200
<v Speaker 1>stories in a fun way that doesn't involve her having

1:02:05.240 --> 1:02:07.480
<v Speaker 1>to die at the end. I don't know, but yeah,

1:02:07.880 --> 1:02:09.720
<v Speaker 1>well that's something I wanted to talk about, was like,

1:02:09.760 --> 1:02:14.440
<v Speaker 1>where where does the movie fall on Carrie, because we're

1:02:14.520 --> 1:02:17.520
<v Speaker 1>and again I'm sure I can I can see it already.

1:02:17.560 --> 1:02:19.960
<v Speaker 1>I can see our Twitter feed with people being like

1:02:20.280 --> 1:02:23.400
<v Speaker 1>in the book, We're being straight with you, we have

1:02:23.560 --> 1:02:25.600
<v Speaker 1>not read the book. This is not podcast about books.

1:02:25.920 --> 1:02:30.160
<v Speaker 1>So what we're talking about right now Bookheads is how

1:02:30.200 --> 1:02:32.120
<v Speaker 1>it appears in the movie and what the adaptation is

1:02:32.160 --> 1:02:35.000
<v Speaker 1>in the movie. For what I could tell, the movie,

1:02:35.200 --> 1:02:39.520
<v Speaker 1>it has a very inconsistent stance on Carrie, where there

1:02:39.520 --> 1:02:41.919
<v Speaker 1>are some moments where it's so clear it's like, yes,

1:02:42.000 --> 1:02:45.280
<v Speaker 1>she is suffering, she's being abused, and you know, it's

1:02:45.280 --> 1:02:48.320
<v Speaker 1>like you want to help her and you want people

1:02:48.360 --> 1:02:50.080
<v Speaker 1>there to be doing more to help her. But then

1:02:50.080 --> 1:02:53.760
<v Speaker 1>in the end sequence, you know, she kills everyone, and

1:02:53.760 --> 1:02:56.840
<v Speaker 1>then we're like, this isn't good, including her own mother,

1:02:56.920 --> 1:02:59.840
<v Speaker 1>who who is the source of as far as we know,

1:03:00.120 --> 1:03:02.880
<v Speaker 1>or you know where her pain is coming from, which

1:03:03.000 --> 1:03:05.640
<v Speaker 1>you know it's horrendous as that is, I kind of

1:03:05.880 --> 1:03:08.960
<v Speaker 1>justify in the in the idea of the movie, you're like, Okay,

1:03:09.120 --> 1:03:12.160
<v Speaker 1>this horrendous thing happened though she's killed everybody. Now she's

1:03:12.160 --> 1:03:15.200
<v Speaker 1>gonna you know, she washes herself and then you know,

1:03:15.280 --> 1:03:18.640
<v Speaker 1>her mother tries to kill her, and then she kills her.

1:03:18.840 --> 1:03:21.400
<v Speaker 1>But then even in that there seems to be like

1:03:21.440 --> 1:03:26.200
<v Speaker 1>an what's it called the macino or where that? Like?

1:03:26.280 --> 1:03:28.760
<v Speaker 1>Where is this house going to? And where what does

1:03:28.760 --> 1:03:32.320
<v Speaker 1>that have to do with killing tenetic powers? And what

1:03:32.440 --> 1:03:35.240
<v Speaker 1>does that mean about how like the story feels about her?

1:03:35.400 --> 1:03:37.960
<v Speaker 1>And then she also once again seems to be feel

1:03:38.000 --> 1:03:40.000
<v Speaker 1>bad that she killed her mother, but it's punished for

1:03:40.040 --> 1:03:42.400
<v Speaker 1>it anyway, which again I also think brings up a

1:03:42.480 --> 1:03:45.040
<v Speaker 1>question of justification. It's like, should you, you know, be

1:03:45.120 --> 1:03:47.680
<v Speaker 1>allowed to defend yourself against your abuse or like this

1:03:47.720 --> 1:03:50.680
<v Speaker 1>woman was about to kill her right, so yeah, I

1:03:50.720 --> 1:03:55.400
<v Speaker 1>mean I think you've had that gone to court Carrie has. Yeah,

1:03:55.440 --> 1:03:58.320
<v Speaker 1>well the thing that makes it but it makes it

1:03:58.440 --> 1:04:01.640
<v Speaker 1>so sad that you know, again, as someone who who's

1:04:01.960 --> 1:04:03.720
<v Speaker 1>been through a lot of that, I felt, you know,

1:04:03.760 --> 1:04:07.760
<v Speaker 1>I recognized that so many abused kids often want to

1:04:07.760 --> 1:04:10.760
<v Speaker 1>defend themselves but then fall prey to the same behavior.

1:04:10.840 --> 1:04:12.680
<v Speaker 1>So like when she hugs the mother and hides in

1:04:12.720 --> 1:04:15.560
<v Speaker 1>the closet with her I found that extremely sad and

1:04:16.000 --> 1:04:18.520
<v Speaker 1>in a weird way realistic, you know, even if we're

1:04:18.520 --> 1:04:22.360
<v Speaker 1>suspending belief about everything else that's happening in the in

1:04:22.400 --> 1:04:24.520
<v Speaker 1>the movie, and so it may mean incredibly sad to

1:04:24.600 --> 1:04:26.840
<v Speaker 1>then be like these are one and the same, like

1:04:26.920 --> 1:04:29.000
<v Speaker 1>let's just take them down. And then the sign that

1:04:29.040 --> 1:04:33.600
<v Speaker 1>says she lives in hell, I'm like, why, you know, yeah,

1:04:33.680 --> 1:04:37.520
<v Speaker 1>And maybe it's supposed to be open ended in ambiguous

1:04:37.560 --> 1:04:39.400
<v Speaker 1>and we're all supposed to decide how we feel about

1:04:39.440 --> 1:04:42.640
<v Speaker 1>this character. But it's like, we see her kill all

1:04:42.680 --> 1:04:46.280
<v Speaker 1>her students, You're like, but then we understand why to

1:04:46.360 --> 1:04:50.080
<v Speaker 1>an extent, and then she doesn't kill anyone without some

1:04:50.280 --> 1:04:54.320
<v Speaker 1>cause her mother is literally trying to kill her. So yeah,

1:04:54.520 --> 1:04:58.000
<v Speaker 1>she gets killed, but but Carrie feels immediate remorse for this.

1:04:58.360 --> 1:05:00.840
<v Speaker 1>She clearly had love for her mother because you know,

1:05:00.960 --> 1:05:03.200
<v Speaker 1>in the scene before, she's like begging her mother to

1:05:03.280 --> 1:05:05.680
<v Speaker 1>just hold her and be there for her, and her

1:05:05.720 --> 1:05:07.760
<v Speaker 1>mom can't do that for her. So it's it is

1:05:07.840 --> 1:05:10.720
<v Speaker 1>also never never approached why the mother is the way

1:05:10.760 --> 1:05:13.880
<v Speaker 1>that she is, you know. Yeah, And and then the

1:05:13.920 --> 1:05:16.320
<v Speaker 1>house goes to these things don't come out of nowhere,

1:05:16.600 --> 1:05:19.440
<v Speaker 1>you know, And then the movie ends on what I

1:05:19.480 --> 1:05:22.680
<v Speaker 1>thought was like a note of empathy for Carrie, of

1:05:22.880 --> 1:05:26.520
<v Speaker 1>like she never did anything wrong, and you know, look

1:05:26.560 --> 1:05:29.800
<v Speaker 1>what happened to her, and now everyone is dead and

1:05:29.840 --> 1:05:31.920
<v Speaker 1>Sue comes up with the flowers and it's like, okay,

1:05:31.960 --> 1:05:36.120
<v Speaker 1>so this is where the virginal she's dressed in white flowers.

1:05:36.240 --> 1:05:38.520
<v Speaker 1>And then it's like, yeah, the angel comes to bring

1:05:38.560 --> 1:05:42.440
<v Speaker 1>the flowers to Carrie, who's whatever, and and you were like, okay,

1:05:42.480 --> 1:05:44.640
<v Speaker 1>so this that made sense to me as an ending.

1:05:44.680 --> 1:05:46.760
<v Speaker 1>But then it's like no, she's at hell and the

1:05:47.600 --> 1:05:53.280
<v Speaker 1>hand reaches out and you're just like where what it was? Confused?

1:05:53.320 --> 1:05:55.400
<v Speaker 1>The ending almost felt to me like it might have

1:05:55.440 --> 1:05:57.440
<v Speaker 1>been I don't remember how he made this movie, but

1:05:57.720 --> 1:06:00.640
<v Speaker 1>it could have been like studio notes, like yeah, you know,

1:06:00.920 --> 1:06:03.600
<v Speaker 1>one last jump scared I did. I did jump at

1:06:03.600 --> 1:06:07.320
<v Speaker 1>the thought it was ending. I want to talk about

1:06:07.320 --> 1:06:10.080
<v Speaker 1>a few scenes that are I would say less open

1:06:10.120 --> 1:06:15.600
<v Speaker 1>to interpretation because they're pretty clearly bad. Uh way. And

1:06:15.680 --> 1:06:20.080
<v Speaker 1>that is the scene where Tommy Ross asks Carrie to

1:06:20.440 --> 1:06:24.240
<v Speaker 1>prom It happens twice the first time there in the library.

1:06:24.320 --> 1:06:26.640
<v Speaker 1>He's like, hey, do I want to go to prom?

1:06:26.720 --> 1:06:31.120
<v Speaker 1>And she runs away. She books it out of there,

1:06:31.440 --> 1:06:34.000
<v Speaker 1>no pun intended because they're in a library, So we

1:06:34.080 --> 1:06:37.240
<v Speaker 1>interpret that to be a hard now. Yeah, that's I

1:06:37.240 --> 1:06:40.080
<v Speaker 1>would say, that's a hard now. And then the aftermath

1:06:40.120 --> 1:06:43.600
<v Speaker 1>of that is, you know, Carrie is processing this information.

1:06:43.800 --> 1:06:48.160
<v Speaker 1>She seems upset because she thinks, as she explains to

1:06:48.280 --> 1:06:51.160
<v Speaker 1>Ms Collins, that he and his pals are playing a

1:06:51.200 --> 1:06:54.720
<v Speaker 1>trick on her, and Ms Collins like, no, you know,

1:06:54.840 --> 1:06:56.840
<v Speaker 1>I think it's just that you're not confident enough, so

1:06:56.920 --> 1:06:59.480
<v Speaker 1>put on some makeup and you'll be fine. So then

1:07:00.000 --> 1:07:04.720
<v Speaker 1>second time is when Tommy goes to Carrie's house uninvited,

1:07:04.800 --> 1:07:08.080
<v Speaker 1>shows up at her front door. He mentions prom again.

1:07:08.200 --> 1:07:10.560
<v Speaker 1>She's like, I already told you. He's know nothing I

1:07:10.600 --> 1:07:12.520
<v Speaker 1>can say to change your mind. Girls do it all

1:07:12.520 --> 1:07:16.120
<v Speaker 1>the time because you know, girls be fickle. Um, she says,

1:07:16.120 --> 1:07:18.840
<v Speaker 1>why are you doing this? So she's not as naive

1:07:18.960 --> 1:07:22.400
<v Speaker 1>as I think most audiences interpretation of Carrie usually is,

1:07:22.480 --> 1:07:25.560
<v Speaker 1>it's like, you know, she's rightfully paradided. Everyone's with her

1:07:25.600 --> 1:07:28.200
<v Speaker 1>because everyone coach says that earlier. She's like, we're not

1:07:28.280 --> 1:07:30.280
<v Speaker 1>as stupid as you think we are. And now there's

1:07:30.280 --> 1:07:33.080
<v Speaker 1>a renovation behind you, right, So she says why are

1:07:33.120 --> 1:07:34.640
<v Speaker 1>you doing this? And he says because I want to.

1:07:34.760 --> 1:07:38.040
<v Speaker 1>She says I can't. He says, yes you can. She

1:07:38.120 --> 1:07:41.920
<v Speaker 1>says you better go, not till you say yes. He says,

1:07:42.240 --> 1:07:46.640
<v Speaker 1>She says no, I can't. Yes you can. She says again,

1:07:47.080 --> 1:07:50.160
<v Speaker 1>I said I can't. He says again, yes you can't.

1:07:50.840 --> 1:07:53.320
<v Speaker 1>Will you please? And as she says will you please go,

1:07:53.560 --> 1:07:56.160
<v Speaker 1>she's telling him to leave, he says not till you

1:07:56.280 --> 1:08:00.600
<v Speaker 1>say yes. He repeats that line. She's says why is

1:08:00.640 --> 1:08:03.040
<v Speaker 1>this so important to you? And he's like, oh, because

1:08:03.080 --> 1:08:06.160
<v Speaker 1>you liked my poem? And then finally he has worn

1:08:06.240 --> 1:08:08.640
<v Speaker 1>her down. This is like the scene in the Notebook

1:08:08.680 --> 1:08:11.560
<v Speaker 1>where he's like, I read the dune to kill myself

1:08:11.640 --> 1:08:17.000
<v Speaker 1>unless you go down, yeah, and then like oh, jomp

1:08:17.080 --> 1:08:19.519
<v Speaker 1>if you don't got a prom with me, like ye,

1:08:19.880 --> 1:08:23.879
<v Speaker 1>So um, it's not quite that, but it's him asking

1:08:23.920 --> 1:08:26.360
<v Speaker 1>her over and over saying I'm not going to leave

1:08:26.439 --> 1:08:30.280
<v Speaker 1>until you say yes, and finally she says yes, but

1:08:30.360 --> 1:08:36.759
<v Speaker 1>only it's after he's worn her down five So yeah.

1:08:37.040 --> 1:08:40.760
<v Speaker 1>The the implications of this are upsetting and then uh

1:08:41.160 --> 1:08:43.640
<v Speaker 1>and also because as the audience, we know she I

1:08:43.680 --> 1:08:45.760
<v Speaker 1>actually think she probably does want to say yes. And

1:08:45.800 --> 1:08:49.200
<v Speaker 1>would like to go, but has a very clear reason

1:08:49.200 --> 1:08:53.040
<v Speaker 1>why she can't because her fucking psychotic mother will try

1:08:53.080 --> 1:08:58.000
<v Speaker 1>to stab her. So had Tommy just stopped forcing the

1:08:58.120 --> 1:09:02.080
<v Speaker 1>issue and not like, you know, done this whole like

1:09:02.439 --> 1:09:05.719
<v Speaker 1>very typical movie. I'm not going to leave you alone

1:09:05.760 --> 1:09:07.840
<v Speaker 1>until you do what I want. You know, we could

1:09:07.840 --> 1:09:09.519
<v Speaker 1>have a lot of lives. Could have been saying, can

1:09:09.720 --> 1:09:13.439
<v Speaker 1>you blame it on on on her loving poetry or

1:09:13.479 --> 1:09:16.439
<v Speaker 1>on him writing poetry? I think, yeah, Like maybe the

1:09:16.880 --> 1:09:19.280
<v Speaker 1>moral of the story is that boy shouldn't write. Don't

1:09:19.560 --> 1:09:22.840
<v Speaker 1>you didn't even stop promoting male? Oh I still I

1:09:22.880 --> 1:09:25.720
<v Speaker 1>played yourrized, So he does because I thought the whole

1:09:25.760 --> 1:09:27.320
<v Speaker 1>thing was that it was his and she says it's

1:09:27.360 --> 1:09:29.880
<v Speaker 1>so beautiful, and then the fucking male teacher also makes

1:09:29.880 --> 1:09:32.479
<v Speaker 1>fun of her. I know that was that was over.

1:09:32.640 --> 1:09:35.559
<v Speaker 1>I was like, would someone truly that sound beautiful? I think?

1:09:35.920 --> 1:09:38.640
<v Speaker 1>And he keeps looking at the coach to remember and

1:09:38.720 --> 1:09:42.080
<v Speaker 1>the yeah, yeah, I read that. I was like a

1:09:42.160 --> 1:09:46.000
<v Speaker 1>lot of really strange characters in this. Well. Another troubling

1:09:46.080 --> 1:09:49.040
<v Speaker 1>moment happens a little bit later, when Tommy and Carrie

1:09:49.040 --> 1:09:52.200
<v Speaker 1>are at prom and he's like, come on, dance and

1:09:52.240 --> 1:09:54.080
<v Speaker 1>She's like, I can't I know what, I don't know how.

1:09:54.280 --> 1:09:58.320
<v Speaker 1>He's like, don't do it. So she reluctantly agrees, and

1:09:58.400 --> 1:10:00.719
<v Speaker 1>I start dancing, and then he tries to a surprise kiss,

1:10:00.760 --> 1:10:03.040
<v Speaker 1>or he goes in for a surprise kiss. She pulls

1:10:03.040 --> 1:10:06.880
<v Speaker 1>away and then immediately starts apologizing, and he's like, no,

1:10:07.040 --> 1:10:09.320
<v Speaker 1>it's okay, and she's like, no, I don't know how

1:10:09.360 --> 1:10:11.040
<v Speaker 1>to do anything. I can't do anything. I don't know

1:10:11.040 --> 1:10:13.320
<v Speaker 1>how to dance, and I don't know how to kiss

1:10:13.400 --> 1:10:17.640
<v Speaker 1>is what she is implying, and then he kisses her. Basically,

1:10:18.240 --> 1:10:21.160
<v Speaker 1>what is dangerous about this is that it sends the

1:10:21.240 --> 1:10:24.280
<v Speaker 1>message that if at first a woman says no or

1:10:24.479 --> 1:10:26.840
<v Speaker 1>rebuffs a man's advance. I mean, we talked about this

1:10:26.880 --> 1:10:29.719
<v Speaker 1>all the time. It's yeah, it's like, it's not because

1:10:29.720 --> 1:10:32.439
<v Speaker 1>she doesn't want to. It's because she's shy, or she's

1:10:32.479 --> 1:10:34.960
<v Speaker 1>unsure of herself, or she's not confident enough, and you

1:10:35.080 --> 1:10:39.320
<v Speaker 1>just got to go for build her confidence. And people

1:10:39.360 --> 1:10:41.559
<v Speaker 1>now ask if it's okay to kiss all the time?

1:10:41.880 --> 1:10:45.840
<v Speaker 1>Is this the norm? I do it. I the rare

1:10:45.920 --> 1:10:49.080
<v Speaker 1>times that I've kissed anyone, I'll be like, hey, should

1:10:49.080 --> 1:10:51.960
<v Speaker 1>we make out? And then I've found it's weird in

1:10:52.000 --> 1:10:54.840
<v Speaker 1>the past couple of years. That is sort of now

1:10:55.400 --> 1:10:59.880
<v Speaker 1>at this point as as a sometimes kisser people, Yeah,

1:11:00.120 --> 1:11:03.879
<v Speaker 1>usually people be like is this cool, and then wow,

1:11:04.080 --> 1:11:06.400
<v Speaker 1>that's really different. Yeah. I think that that is like

1:11:06.439 --> 1:11:09.000
<v Speaker 1>a change. I mean even in like my own romantic experience,

1:11:09.040 --> 1:11:11.000
<v Speaker 1>that that is a shift that's taken place in the

1:11:11.040 --> 1:11:13.519
<v Speaker 1>past couple of years. I'm personally for it. I think

1:11:13.520 --> 1:11:16.080
<v Speaker 1>it's fun. There's for fun banter before kissing. You're just

1:11:16.120 --> 1:11:19.320
<v Speaker 1>like you're just like, nope, just get it. And even

1:11:19.320 --> 1:11:22.080
<v Speaker 1>if there's not a fun treating, well no, I mean

1:11:22.080 --> 1:11:24.240
<v Speaker 1>that was the thing that I always remember when I

1:11:24.280 --> 1:11:26.240
<v Speaker 1>was very young, so we were kids, but this kid

1:11:26.280 --> 1:11:29.120
<v Speaker 1>that I kind of liked was like, can I kiss you?

1:11:29.160 --> 1:11:31.160
<v Speaker 1>And I thought, oh, I was he asking, Like I

1:11:31.560 --> 1:11:34.160
<v Speaker 1>felt like I was giving like every signal in the

1:11:34.200 --> 1:11:36.800
<v Speaker 1>book to be kiss But again, then I've had it

1:11:36.880 --> 1:11:38.679
<v Speaker 1>both ways, you know, so it's like if it's something

1:11:38.760 --> 1:11:40.920
<v Speaker 1>you want, which I feel like, oh, I'm putting out

1:11:40.920 --> 1:11:43.760
<v Speaker 1>those vibes and and I feel like I'm reading them

1:11:43.920 --> 1:11:46.360
<v Speaker 1>the same way, then it's great when it happens and

1:11:46.439 --> 1:11:48.719
<v Speaker 1>like nothing gets said because it feels like you're finally

1:11:48.760 --> 1:11:50.519
<v Speaker 1>both agreeing to it. But then I've also had a

1:11:50.520 --> 1:11:52.639
<v Speaker 1>lot of dudes kissed me when I want them, not

1:11:52.680 --> 1:11:55.120
<v Speaker 1>want to be kissing. So I think that that is,

1:11:55.160 --> 1:11:58.280
<v Speaker 1>you know, a cultural moment thing where everyone is just

1:11:58.400 --> 1:12:03.280
<v Speaker 1>reevaluating that like anything, because it's it's not to say

1:12:03.320 --> 1:12:06.800
<v Speaker 1>that every kiss that's taken place without you know, a

1:12:06.800 --> 1:12:10.760
<v Speaker 1>brief conversation before it takes place is not consensual. But

1:12:10.840 --> 1:12:12.080
<v Speaker 1>I don't know. I mean, I think it's just like

1:12:12.160 --> 1:12:15.920
<v Speaker 1>right now, we're in a place culturally where it's just

1:12:16.080 --> 1:12:20.160
<v Speaker 1>become clear that everyone, depending on who they are, with

1:12:20.200 --> 1:12:24.280
<v Speaker 1>their background is what privilege or lack of privilege they've

1:12:24.320 --> 1:12:27.719
<v Speaker 1>come to be with, has a different idea of what

1:12:28.400 --> 1:12:31.479
<v Speaker 1>being on the same page is. And so that's why

1:12:31.479 --> 1:12:35.240
<v Speaker 1>these conversations are happening. And yeah, I mean, what's his face?

1:12:35.320 --> 1:12:38.960
<v Speaker 1>Who plays Superman? Came out recently with all those remarks

1:12:39.040 --> 1:12:42.559
<v Speaker 1>where it's clear that he does not understand what consent is. Still,

1:12:43.120 --> 1:12:46.760
<v Speaker 1>so Henry Cavill, Henry Cavill is like, I can't even

1:12:46.760 --> 1:12:48.720
<v Speaker 1>ask a woman out anymore or else I'm going to

1:12:48.800 --> 1:12:51.720
<v Speaker 1>go to jail. And it's like, dude, you need to

1:12:51.800 --> 1:12:59.519
<v Speaker 1>learn because there right where it's just like I think

1:12:59.520 --> 1:13:01.040
<v Speaker 1>it's it's to those things where I feel like it's

1:13:01.040 --> 1:13:04.960
<v Speaker 1>almost going to take a generation or two to sort

1:13:04.960 --> 1:13:08.599
<v Speaker 1>of reset cleansing by fire if you're just waiting for

1:13:08.720 --> 1:13:13.720
<v Speaker 1>us all to die. Uh of like everyone's grown up

1:13:13.720 --> 1:13:16.160
<v Speaker 1>with such a warped idea of what consent is that

1:13:16.439 --> 1:13:18.400
<v Speaker 1>right now, it just seems like the smartest thing to

1:13:18.520 --> 1:13:21.840
<v Speaker 1>do to verbally make sure, Okay, this is how I'm

1:13:21.840 --> 1:13:25.720
<v Speaker 1>interpreted the issue with that, there's also an assumption that

1:13:26.400 --> 1:13:28.760
<v Speaker 1>a they're going to listen, So if you say no,

1:13:29.280 --> 1:13:32.600
<v Speaker 1>that doesn't mean that it stops there? Right, and we

1:13:32.640 --> 1:13:36.240
<v Speaker 1>see that, right, he's a lot right and be that

1:13:36.439 --> 1:13:38.840
<v Speaker 1>um that sometimes. And I do think this is still

1:13:38.920 --> 1:13:41.200
<v Speaker 1>like an issue for a lot of women, And I

1:13:41.240 --> 1:13:42.920
<v Speaker 1>hope that that's one of the things that I would

1:13:42.960 --> 1:13:44.840
<v Speaker 1>like to change and certainly talk about in my movie

1:13:44.840 --> 1:13:47.600
<v Speaker 1>of of how do we get in the confidence to

1:13:47.760 --> 1:13:50.760
<v Speaker 1>say no when we want to say no? Because for

1:13:51.120 --> 1:13:54.320
<v Speaker 1>plenty of reasons that I can imagine, especially young girl

1:13:54.360 --> 1:13:56.519
<v Speaker 1>has been in a situation where they feel like, oh,

1:13:56.560 --> 1:13:58.519
<v Speaker 1>I don't really want a kiss, but maybe I should

1:13:58.520 --> 1:14:00.080
<v Speaker 1>say yes. But if I say no, am I? But

1:14:00.120 --> 1:14:02.320
<v Speaker 1>then it gives right and then but then guys are like,

1:14:02.360 --> 1:14:04.600
<v Speaker 1>as long as I'm getting that verbal you know what

1:14:04.640 --> 1:14:07.680
<v Speaker 1>I mean, Like it's more complicated than just like a

1:14:07.800 --> 1:14:12.120
<v Speaker 1>legal thing, where like well she said, yes, I totally agree.

1:14:12.160 --> 1:14:14.960
<v Speaker 1>I just think that it's and I'm not even saying

1:14:15.000 --> 1:14:19.479
<v Speaker 1>that that approach is the full proof way of consent,

1:14:20.240 --> 1:14:22.600
<v Speaker 1>but it seems like it used to step in the

1:14:22.680 --> 1:14:27.160
<v Speaker 1>right direction that hasn't existed as sort of like a

1:14:27.280 --> 1:14:31.320
<v Speaker 1>rule of sorts in culture up to this point. It's

1:14:31.320 --> 1:14:34.920
<v Speaker 1>definitely and yeah, unfortunately it won't prevent everything. I well,

1:14:34.960 --> 1:14:36.880
<v Speaker 1>I also feel like some of these things really are

1:14:37.000 --> 1:14:39.559
<v Speaker 1>masking the fact that, like, you know, I think the

1:14:39.640 --> 1:14:41.760
<v Speaker 1>guys who are going to take advantage of women and

1:14:41.880 --> 1:14:44.479
<v Speaker 1>don't want to read the signs or don't give a

1:14:44.520 --> 1:14:46.960
<v Speaker 1>fuck have been there for a while and we'll probably

1:14:47.080 --> 1:14:49.439
<v Speaker 1>continue to be there. Like I've also, you know, I'm

1:14:49.520 --> 1:14:51.479
<v Speaker 1>kind of okay, Like I remember the guys who like,

1:14:51.600 --> 1:14:55.400
<v Speaker 1>clearly we're reading the wrong signs Slash probably liked me

1:14:55.479 --> 1:14:57.799
<v Speaker 1>more than I like them kiss me. I was like, whoa,

1:14:58.120 --> 1:15:00.840
<v Speaker 1>what's happening? Not into it? And they were like sorry

1:15:00.840 --> 1:15:04.240
<v Speaker 1>by to me. That sort of feels like okay, Like

1:15:04.720 --> 1:15:07.800
<v Speaker 1>you know, I mean, it's awkward, but it's not I

1:15:07.800 --> 1:15:12.559
<v Speaker 1>don't think criminal. It's like, you know, I think I think, yeah,

1:15:12.640 --> 1:15:16.720
<v Speaker 1>that's the yeah. I mean, I wouldn't feel violated if

1:15:16.760 --> 1:15:19.000
<v Speaker 1>someone just like, you know, went in for a kiss,

1:15:19.720 --> 1:15:21.600
<v Speaker 1>even if our lips met, you know, and I just

1:15:21.720 --> 1:15:24.639
<v Speaker 1>wasn't feeling it and you know, back away saying no thanks,

1:15:25.200 --> 1:15:31.240
<v Speaker 1>that's not for me. Uh. And then as long as

1:15:31.280 --> 1:15:36.320
<v Speaker 1>he says oops, sorry and then doesn't keep trying to persist, that's,

1:15:36.560 --> 1:15:40.840
<v Speaker 1>you know, a mistake. That's what I mean. Like to me,

1:15:40.920 --> 1:15:43.960
<v Speaker 1>that's very different, like, Okay, clearly I was reading it

1:15:44.000 --> 1:15:45.400
<v Speaker 1>the wrong way, and then I'm out of here. I'm

1:15:45.400 --> 1:15:47.680
<v Speaker 1>not going to be an asshole. I'm like keep you know.

1:15:48.400 --> 1:15:52.760
<v Speaker 1>But honestly, my preference if some guy is like misreading

1:15:52.760 --> 1:15:55.760
<v Speaker 1>my signals would be for him to have it kind

1:15:55.760 --> 1:15:58.479
<v Speaker 1>of in his head to be like, so, like do

1:15:58.520 --> 1:16:02.439
<v Speaker 1>you want to make out and maybe like as opposed

1:16:02.439 --> 1:16:05.520
<v Speaker 1>to him as its opposed to having that awkward interaction,

1:16:05.960 --> 1:16:08.240
<v Speaker 1>and it's a simple like it's you know, that's it's

1:16:08.240 --> 1:16:09.800
<v Speaker 1>like you're saying, it's not the end of the world.

1:16:09.800 --> 1:16:11.240
<v Speaker 1>But I think it is a step in the right

1:16:11.240 --> 1:16:16.480
<v Speaker 1>direction to eliminate that and and the same with the cleansing.

1:16:16.600 --> 1:16:21.000
<v Speaker 1>Uh with as as generations go on, just teaching kids

1:16:21.040 --> 1:16:24.320
<v Speaker 1>basic consent seems important. And and at the point, I'll

1:16:24.360 --> 1:16:27.120
<v Speaker 1>just be like, follow your heart, because some people's hearts

1:16:27.200 --> 1:16:30.280
<v Speaker 1>are evil. And and the point I'm trying to make,

1:16:30.320 --> 1:16:32.960
<v Speaker 1>which we've made on the podcast many times before, is

1:16:33.000 --> 1:16:39.120
<v Speaker 1>that many many movies like equip boys with these tools

1:16:39.240 --> 1:16:42.200
<v Speaker 1>to you know, there were scenes play out where it's

1:16:42.240 --> 1:16:45.559
<v Speaker 1>a boy being rejected over and over again, but then

1:16:45.640 --> 1:16:49.080
<v Speaker 1>wearing the woman down and that working and the girl

1:16:49.240 --> 1:16:53.000
<v Speaker 1>then falling in love with this boy. So the general

1:16:53.760 --> 1:16:57.880
<v Speaker 1>wrong and that if a guy, if you keep saying

1:16:57.880 --> 1:16:59.559
<v Speaker 1>no to a guy, as long as he keeps coming

1:16:59.560 --> 1:17:02.759
<v Speaker 1>back and hammering you with the same question, that that's

1:17:03.120 --> 1:17:06.040
<v Speaker 1>that's romantic. That's that's what the movie will have you believe,

1:17:06.120 --> 1:17:09.800
<v Speaker 1>which brings me back to my everyone's grandparents love story

1:17:09.880 --> 1:17:14.519
<v Speaker 1>is disturbing, right and wherever when my grandparents would describe

1:17:14.560 --> 1:17:17.400
<v Speaker 1>how they met, now, I'm just like, what, he just

1:17:17.560 --> 1:17:21.000
<v Speaker 1>followed you around in his car and yelled at you,

1:17:21.280 --> 1:17:23.200
<v Speaker 1>and then you were his wife and you loved him. Uh,

1:17:24.560 --> 1:17:29.400
<v Speaker 1>you know, it's there's definitely a weird sort of cultural

1:17:29.920 --> 1:17:34.080
<v Speaker 1>dissonance with that. I have one last quick thing. I

1:17:34.160 --> 1:17:36.880
<v Speaker 1>wanted to talk about that last scene between Carrie and

1:17:36.920 --> 1:17:40.439
<v Speaker 1>her mom before the scary knife and then the mini

1:17:40.520 --> 1:17:42.600
<v Speaker 1>scary knives and then they died, because there is that

1:17:42.680 --> 1:17:45.240
<v Speaker 1>conversation that takes place between the two of them. Carrie

1:17:45.280 --> 1:17:48.360
<v Speaker 1>has just taken her bath, she's cleansed herself of the

1:17:48.360 --> 1:17:52.160
<v Speaker 1>blood of her peers. Great uh. She finds her mom.

1:17:52.439 --> 1:17:55.000
<v Speaker 1>Her mom says, I should have killed myself when he

1:17:55.080 --> 1:17:58.160
<v Speaker 1>put it in me. And then they have this conversation

1:17:58.360 --> 1:18:01.719
<v Speaker 1>where it's weird because you you was sort of start

1:18:01.840 --> 1:18:06.560
<v Speaker 1>to feel empathy for Carrie's mom and then she immediately

1:18:06.600 --> 1:18:09.880
<v Speaker 1>sells it up like stabbing carry. But for like a

1:18:09.960 --> 1:18:12.280
<v Speaker 1>minute there, you're like, oh my gosh, you know, she

1:18:12.439 --> 1:18:16.960
<v Speaker 1>is also someone who is in incredible pain, where like

1:18:17.040 --> 1:18:19.840
<v Speaker 1>you were saying about like we don't know what the

1:18:19.920 --> 1:18:23.160
<v Speaker 1>relationship between the mother and the father was, like it

1:18:23.200 --> 1:18:25.160
<v Speaker 1>seems like it could have been. You know, when she

1:18:25.200 --> 1:18:27.320
<v Speaker 1>says I smell alcohol and his breath like that, we

1:18:27.400 --> 1:18:29.600
<v Speaker 1>get a hint in there, but again it's done in

1:18:29.640 --> 1:18:33.320
<v Speaker 1>this like she's insane as opposed to you know, like

1:18:33.840 --> 1:18:38.000
<v Speaker 1>she's such an unreliable narrator that we can't really well.

1:18:38.040 --> 1:18:39.680
<v Speaker 1>And I think that the like they take away from

1:18:39.680 --> 1:18:42.800
<v Speaker 1>me with that character was like she was describing like

1:18:42.920 --> 1:18:47.639
<v Speaker 1>sexual desire in a way that sounded so like she

1:18:47.800 --> 1:18:50.839
<v Speaker 1>thought she had to reject sexual desire. So when it happened,

1:18:50.920 --> 1:18:53.360
<v Speaker 1>it was painful to her and it was like full

1:18:53.400 --> 1:18:56.280
<v Speaker 1>of shame, to the point where a few minutes later

1:18:56.280 --> 1:19:00.639
<v Speaker 1>when she's like, you know, Jesus Christ, Superstars stabbed to death,

1:19:01.240 --> 1:19:04.599
<v Speaker 1>the way she dies as kind of like yeah, like

1:19:04.680 --> 1:19:07.360
<v Speaker 1>and it's almost like, I don't know, it's it seemed

1:19:07.400 --> 1:19:09.920
<v Speaker 1>like it was referencing the conversation they just had where

1:19:10.240 --> 1:19:13.599
<v Speaker 1>she seems to be at peace. Yeah, like her the

1:19:13.640 --> 1:19:16.280
<v Speaker 1>idea of sexual pleasure caused her pain, and then when

1:19:16.320 --> 1:19:19.680
<v Speaker 1>she has pain, there's some expression of pleasure. I don't know,

1:19:19.800 --> 1:19:21.880
<v Speaker 1>And so what does that mean to Stephen King? Like

1:19:21.880 --> 1:19:24.320
<v Speaker 1>I keep thinking about the quote you just read, and

1:19:24.600 --> 1:19:27.040
<v Speaker 1>especially because he says women's lip, which again I think

1:19:27.479 --> 1:19:30.639
<v Speaker 1>the period having babies thing is relevant to that because

1:19:30.760 --> 1:19:34.240
<v Speaker 1>the pill had such a huge consequence that way, you know,

1:19:34.840 --> 1:19:37.439
<v Speaker 1>And I know that men are often terrified, even if

1:19:37.439 --> 1:19:40.000
<v Speaker 1>it's in this Like I remember when I was pregnant

1:19:40.040 --> 1:19:42.320
<v Speaker 1>and I wasn't big enough to show that something like

1:19:42.400 --> 1:19:44.400
<v Speaker 1>I would tell men I was working with or something

1:19:44.479 --> 1:19:47.240
<v Speaker 1>like oh, by the way, I'm pregnant, and almost always

1:19:47.280 --> 1:19:49.800
<v Speaker 1>there was this like moment of fear in their face

1:19:49.920 --> 1:19:53.240
<v Speaker 1>like it wasn't me, you know, like not my baby.

1:19:53.800 --> 1:19:56.439
<v Speaker 1>And I thought, it's so interesting. It's like it's like

1:19:56.600 --> 1:19:59.519
<v Speaker 1>it's like centuries of of I don't know if something

1:19:59.560 --> 1:20:01.160
<v Speaker 1>that I I I don't know if this is true,

1:20:01.200 --> 1:20:03.559
<v Speaker 1>but it felt to me like even from you know,

1:20:03.640 --> 1:20:05.240
<v Speaker 1>I mean, and I know a lot of men want

1:20:05.240 --> 1:20:07.599
<v Speaker 1>to become parents and happily so and all that, but

1:20:07.640 --> 1:20:10.160
<v Speaker 1>that there's still this weird, like an animal thing of

1:20:10.200 --> 1:20:15.000
<v Speaker 1>like oh shit, like I'm out of here, you know. Anyway,

1:20:15.200 --> 1:20:17.799
<v Speaker 1>I wonder if that was because again I think period

1:20:17.960 --> 1:20:21.639
<v Speaker 1>stands for fertility here, right, And and it's so interesting

1:20:21.680 --> 1:20:23.920
<v Speaker 1>that of course her mother is unable to love her

1:20:23.960 --> 1:20:26.559
<v Speaker 1>in any way, like she seems happier when she locks

1:20:26.600 --> 1:20:29.439
<v Speaker 1>Carrie and a cosset and then she's like sewing happily

1:20:29.479 --> 1:20:32.080
<v Speaker 1>by herself, which is also you know, and I mean

1:20:32.320 --> 1:20:34.719
<v Speaker 1>from what I know, and clearly I'm not a therapist,

1:20:34.840 --> 1:20:37.120
<v Speaker 1>but you know, women who are unable to love their

1:20:37.200 --> 1:20:39.840
<v Speaker 1>children in that way, it's like a pathological issue. So

1:20:39.880 --> 1:20:43.439
<v Speaker 1>again it's never said if Carrie's mother is like this,

1:20:43.560 --> 1:20:48.360
<v Speaker 1>because is she just pathologically insane or did something happened

1:20:48.400 --> 1:20:50.920
<v Speaker 1>to her got her this way? And I for sure

1:20:50.960 --> 1:20:53.439
<v Speaker 1>would have liked to know something, because again I think

1:20:53.479 --> 1:20:55.400
<v Speaker 1>it clear stuff out. My one of my issues with

1:20:55.439 --> 1:20:57.400
<v Speaker 1>this kind of abuse in movies is that like it,

1:20:57.600 --> 1:21:00.120
<v Speaker 1>by it never being explained it it just continues to

1:21:00.160 --> 1:21:02.000
<v Speaker 1>be a taboo that like, well, I don't I should

1:21:02.040 --> 1:21:04.479
<v Speaker 1>I don't know. It's like, actually, we don't know how

1:21:04.520 --> 1:21:07.479
<v Speaker 1>this stuff happens. And and just like that, the concept

1:21:07.560 --> 1:21:12.599
<v Speaker 1>that depicting abuse is enough, you know, but it's like

1:21:12.960 --> 1:21:16.280
<v Speaker 1>not examining it just means you're kind of perpetrating like

1:21:16.680 --> 1:21:19.360
<v Speaker 1>abuse because you're just showing it happening, and it's like okay,

1:21:19.400 --> 1:21:22.479
<v Speaker 1>acknowledging that this happens in the world and not common

1:21:22.560 --> 1:21:25.799
<v Speaker 1>to go on. It's almost worse than not doing anything

1:21:25.840 --> 1:21:29.559
<v Speaker 1>at all. It's just oh, well, I can I can

1:21:29.640 --> 1:21:35.679
<v Speaker 1>keep going, but it's weird. Lawrence Brian and Stephen the Boys.

1:21:35.760 --> 1:21:37.840
<v Speaker 1>The Boys had something to say about the fifteen year

1:21:37.880 --> 1:21:41.400
<v Speaker 1>old girls and that they missed a little Shall we

1:21:41.640 --> 1:21:44.160
<v Speaker 1>determine whether or not the movie passes the Bechtel test.

1:21:44.840 --> 1:21:48.639
<v Speaker 1>It sure does. It does quite a bit. Yeah, all

1:21:48.680 --> 1:21:50.680
<v Speaker 1>the damn time, all the damn time. I just want

1:21:50.720 --> 1:21:53.960
<v Speaker 1>to read a few of my favorite passes. U. MS

1:21:54.000 --> 1:21:58.000
<v Speaker 1>Collins says to Chris, spit out that gum. Chris says,

1:21:58.160 --> 1:22:00.640
<v Speaker 1>where will I put it? MS Collins, she says, you

1:22:00.680 --> 1:22:04.520
<v Speaker 1>can choke on it for all I care. Another great line. Yeah,

1:22:04.720 --> 1:22:06.840
<v Speaker 1>there's a lot of ones where like MS Collins is like,

1:22:06.880 --> 1:22:10.759
<v Speaker 1>I'm going to knock you down, vaguely threatening their students. Yeah,

1:22:10.840 --> 1:22:16.120
<v Speaker 1>but it's vaguely. I mean, she's all over. But it

1:22:16.360 --> 1:22:22.559
<v Speaker 1>passes between Carrie's mom and Sue's mom. Um, it passes

1:22:22.680 --> 1:22:26.960
<v Speaker 1>between Carrie and her mom, it passes between ms Collins

1:22:26.960 --> 1:22:29.280
<v Speaker 1>and carry There's a lot of different combinations. And I

1:22:29.320 --> 1:22:31.280
<v Speaker 1>would say, and they do talk a lot about men

1:22:31.400 --> 1:22:34.679
<v Speaker 1>though they do. Yeah, but there are an awful way

1:22:34.720 --> 1:22:37.720
<v Speaker 1>more conversations than I was expecting to pass. I think

1:22:37.760 --> 1:22:40.040
<v Speaker 1>that one of the things that stuck out to me too,

1:22:40.080 --> 1:22:42.960
<v Speaker 1>as I forget what alternative test it is, But a

1:22:43.000 --> 1:22:46.040
<v Speaker 1>lot of the time that they're talking very frequently, it

1:22:46.160 --> 1:22:49.920
<v Speaker 1>is about it's about religion, it's about shame, it's about

1:22:50.400 --> 1:22:52.920
<v Speaker 1>just stuff that's happening in the scene, but it is

1:22:52.960 --> 1:22:57.679
<v Speaker 1>also very often about something domestic or something beauty related.

1:22:58.280 --> 1:23:00.200
<v Speaker 1>A lot of the time it passes it's because they're

1:23:00.240 --> 1:23:04.280
<v Speaker 1>talking about prompt um. But for I mean, for a

1:23:04.320 --> 1:23:07.280
<v Speaker 1>movie of this time, it is a female centric story.

1:23:07.640 --> 1:23:10.000
<v Speaker 1>Most of the men in this story are kind of

1:23:10.080 --> 1:23:14.679
<v Speaker 1>complicit goof ases who are never really central. And it's

1:23:14.720 --> 1:23:16.880
<v Speaker 1>periods at the forefront of it, which I'm sure in

1:23:17.680 --> 1:23:20.439
<v Speaker 1>was standing right, sure, and the fact that this movie

1:23:20.479 --> 1:23:22.599
<v Speaker 1>was like a hit on top of that is right.

1:23:23.200 --> 1:23:26.760
<v Speaker 1>But I think the period is only featured so prominently

1:23:26.960 --> 1:23:31.200
<v Speaker 1>because that's such a scary and disgusting thing to men

1:23:31.439 --> 1:23:33.880
<v Speaker 1>that because this is a horror movie, they're like, what

1:23:34.040 --> 1:23:37.439
<v Speaker 1>can we put in here to make this more horrific? Oh,

1:23:37.479 --> 1:23:41.760
<v Speaker 1>how about menstruation? So well, let's write the movie on

1:23:41.880 --> 1:23:45.000
<v Speaker 1>our nipple scale, where we have a scale of zero

1:23:45.080 --> 1:23:47.799
<v Speaker 1>to five nipples. We rate it based on its portrayal

1:23:47.920 --> 1:23:51.559
<v Speaker 1>and representation of women. I'm going to give it. I

1:23:51.600 --> 1:23:57.400
<v Speaker 1>think a two and a half or three were saint.

1:23:58.320 --> 1:24:06.160
<v Speaker 1>It's like we're menstrual letting our um because women entirely

1:24:06.240 --> 1:24:09.360
<v Speaker 1>drive this narrative. If there are men it's they're only

1:24:09.439 --> 1:24:12.840
<v Speaker 1>doing things because women asked or told them to do things.

1:24:12.840 --> 1:24:16.120
<v Speaker 1>So women have all the agency in this story, they're

1:24:16.160 --> 1:24:20.080
<v Speaker 1>making all the active decisions. It can be interpreted as

1:24:20.320 --> 1:24:24.760
<v Speaker 1>a story of female empowerment. That's certainly how Stephen King

1:24:25.320 --> 1:24:27.840
<v Speaker 1>intended to write it based on that quote I read.

1:24:28.439 --> 1:24:33.960
<v Speaker 1>But it's also a very male understanding of what femininity is,

1:24:34.280 --> 1:24:40.439
<v Speaker 1>of what female relationships are, of how you know, women

1:24:40.800 --> 1:24:45.040
<v Speaker 1>operate in the world. So had this same or similar

1:24:45.040 --> 1:24:47.559
<v Speaker 1>story been written or directed by a woman, I think

1:24:47.560 --> 1:24:50.519
<v Speaker 1>we would have seen something very different. Um, I'm interested

1:24:50.800 --> 1:24:53.799
<v Speaker 1>what the situation is with the various you know, remakes

1:24:53.800 --> 1:24:56.200
<v Speaker 1>and sequels and stuff like that are not familiar enough

1:24:56.240 --> 1:25:00.280
<v Speaker 1>to comment on it. But yeah, it's it's a story her.

1:25:00.680 --> 1:25:06.679
<v Speaker 1>A woman's period also means she's telekinetic and and she

1:25:06.840 --> 1:25:13.080
<v Speaker 1>gets her inact revenge on hers. But also, wouldn't that

1:25:13.120 --> 1:25:16.920
<v Speaker 1>be cool if your period just didn't mean like, oh,

1:25:17.280 --> 1:25:19.280
<v Speaker 1>so I'm gonna go with I think two and a

1:25:19.360 --> 1:25:24.639
<v Speaker 1>half nipples and giving nipples to my nipples too. I'll

1:25:24.640 --> 1:25:30.000
<v Speaker 1>give we see both spacetics nipples, So I'll give you

1:25:30.200 --> 1:25:35.080
<v Speaker 1>to her, and I'll give my last half nipple to ms. Collins,

1:25:35.200 --> 1:25:42.160
<v Speaker 1>the fizz ed teacher who her intentions and motivations are inconsistent,

1:25:42.240 --> 1:25:45.120
<v Speaker 1>but it seemed to overall be on the positive end

1:25:45.200 --> 1:25:49.920
<v Speaker 1>of the spectrum. I'll go too and a half as well.

1:25:49.960 --> 1:25:53.400
<v Speaker 1>I think that this is just like again there. I

1:25:53.520 --> 1:25:56.080
<v Speaker 1>would think that this story would be portrayed a little

1:25:56.200 --> 1:25:59.759
<v Speaker 1>clearer and a little differently if women had been involved

1:25:59.840 --> 1:26:04.280
<v Speaker 1>in production at literally any point. Um And I wish

1:26:04.320 --> 1:26:06.800
<v Speaker 1>that we had that product to be like, Okay, here's

1:26:06.800 --> 1:26:09.360
<v Speaker 1>a woman's story as interpreted by all straight white men,

1:26:09.600 --> 1:26:12.479
<v Speaker 1>and here's a woman's story interpreted by a group of women.

1:26:12.960 --> 1:26:16.960
<v Speaker 1>Um And what what things are different that that? Should

1:26:17.200 --> 1:26:20.360
<v Speaker 1>they honestly should give a piece of source material to

1:26:20.520 --> 1:26:22.400
<v Speaker 1>a group of men and in a group of female

1:26:22.439 --> 1:26:26.479
<v Speaker 1>few makers and see what happened. Hair. In contrast, a

1:26:26.520 --> 1:26:28.719
<v Speaker 1>lot of the stuff that bothers me about this movie,

1:26:28.840 --> 1:26:32.439
<v Speaker 1>I don't like that Carrie, for having control of her

1:26:32.479 --> 1:26:35.880
<v Speaker 1>powers or some sort of control, is sent to Hell,

1:26:36.320 --> 1:26:39.360
<v Speaker 1>and that goes relatively unchallenged to like. The last frame

1:26:39.360 --> 1:26:43.920
<v Speaker 1>of the movie is like, she's sure in hell, all right? Uh,

1:26:43.960 --> 1:26:46.200
<v Speaker 1>But a lot of the things about period in a

1:26:46.200 --> 1:26:49.360
<v Speaker 1>week later, she's she's in Hell. I was like, man,

1:26:49.479 --> 1:26:51.880
<v Speaker 1>is her period even over at this point? Like she's

1:26:52.920 --> 1:26:55.040
<v Speaker 1>does she have a fucking tampone? Because I don't think

1:26:56.760 --> 1:26:58.559
<v Speaker 1>can we have the scene where she goes shopping for

1:26:58.640 --> 1:27:02.000
<v Speaker 1>them she has the ones that got soaked in the shower.

1:27:02.120 --> 1:27:06.000
<v Speaker 1>I guess already. I believe it's all the way home.

1:27:06.280 --> 1:27:08.360
<v Speaker 1>I can't tell if this movie all takes place in

1:27:08.400 --> 1:27:13.760
<v Speaker 1>the space of carrious period. But also I've burned it down.

1:27:14.000 --> 1:27:15.960
<v Speaker 1>I also kind of like that little kid she throws

1:27:16.000 --> 1:27:19.559
<v Speaker 1>off his bike. Yeah, kid's last name is di Palma.

1:27:19.680 --> 1:27:23.679
<v Speaker 1>I'm guessing it's Brian and his kids. It's like, toss

1:27:23.720 --> 1:27:26.280
<v Speaker 1>you off a bike today, son. The more I think

1:27:26.320 --> 1:27:29.240
<v Speaker 1>about Stephen King's books, the more I think this is

1:27:29.280 --> 1:27:32.439
<v Speaker 1>his issue, because the one with James con where his

1:27:32.560 --> 1:27:35.920
<v Speaker 1>fucking ankles are broken, which is a great movie, but

1:27:35.960 --> 1:27:39.439
<v Speaker 1>I mean it's a woman imprisoning him in a fucking bed,

1:27:39.479 --> 1:27:42.760
<v Speaker 1>Like this guy is terrified of women. Yeah, A lot

1:27:42.760 --> 1:27:47.120
<v Speaker 1>of things that bothered me about this movie specifically were subtextual,

1:27:47.520 --> 1:27:50.200
<v Speaker 1>like every time we see a group of women, specifically

1:27:50.200 --> 1:27:55.280
<v Speaker 1>the opening scene is very bizarre. We I think, between

1:27:55.320 --> 1:27:56.880
<v Speaker 1>the three of us have reached a conclusion that this

1:27:56.960 --> 1:27:59.880
<v Speaker 1>is not something that happens in the real world. And

1:28:00.240 --> 1:28:03.080
<v Speaker 1>and just the way women are filmed in this movie.

1:28:03.120 --> 1:28:05.519
<v Speaker 1>I don't know who's doing this cinematography. I have a

1:28:05.560 --> 1:28:09.799
<v Speaker 1>guess at their gender, uh is like it's so many

1:28:09.880 --> 1:28:14.680
<v Speaker 1>women's nude torsos or like there's a nip peeking through it.

1:28:14.800 --> 1:28:19.120
<v Speaker 1>And it's very exploits towards the panding up and down

1:28:19.400 --> 1:28:22.200
<v Speaker 1>a lot of times, like with the fact that Carries

1:28:22.240 --> 1:28:25.439
<v Speaker 1>groping herself in the shower, and just all the scenes

1:28:25.640 --> 1:28:30.280
<v Speaker 1>the nudity for the most part is gratuitous completely And

1:28:30.320 --> 1:28:32.519
<v Speaker 1>again who showers like that in the lockers room? Like

1:28:32.680 --> 1:28:36.400
<v Speaker 1>she's like, especially after having been bullied out in the field,

1:28:36.400 --> 1:28:39.960
<v Speaker 1>She's like, time to soap out my breast, especially as

1:28:39.960 --> 1:28:43.960
<v Speaker 1>someone as like conservative is Carrie, And it makes no sense,

1:28:44.080 --> 1:28:47.760
<v Speaker 1>like so that's not how a modest person showers, and

1:28:47.760 --> 1:28:50.160
<v Speaker 1>and and the same for the gym scene where it's

1:28:50.200 --> 1:28:53.679
<v Speaker 1>just you know, we're following a butt walk past breasts

1:28:53.840 --> 1:28:56.759
<v Speaker 1>and it's that for two minutes, and so it for

1:28:57.200 --> 1:29:01.240
<v Speaker 1>a story that features mainly women, the women are constantly

1:29:01.280 --> 1:29:04.200
<v Speaker 1>objectified by the movie they're in, even if they're not

1:29:04.240 --> 1:29:06.599
<v Speaker 1>really objectified been the men around them, because there's not

1:29:06.720 --> 1:29:09.920
<v Speaker 1>really enough men around them to be doing that. Uh So,

1:29:10.280 --> 1:29:13.439
<v Speaker 1>as well crafted a movie as it is, the way

1:29:13.560 --> 1:29:17.519
<v Speaker 1>women are framed in this movie really bothered me. And

1:29:17.600 --> 1:29:20.519
<v Speaker 1>the fact that it's, you know, all white women with

1:29:20.600 --> 1:29:23.120
<v Speaker 1>the same body type basically, with the exception of one

1:29:23.160 --> 1:29:25.240
<v Speaker 1>girl who is played I would argue as a joke.

1:29:26.000 --> 1:29:28.639
<v Speaker 1>I mean that is really only there to pull funny faces,

1:29:28.680 --> 1:29:31.080
<v Speaker 1>like we don't know anything about her nothing. Yeah, and

1:29:31.240 --> 1:29:34.400
<v Speaker 1>that Jim scene made it extremely obvious to me. Where

1:29:34.400 --> 1:29:37.840
<v Speaker 1>you're panning on that long line of girls doing the things,

1:29:37.880 --> 1:29:42.000
<v Speaker 1>I'm like, they all have the exact same thing. It's

1:29:42.200 --> 1:29:45.240
<v Speaker 1>you know, in terms of any sort of variety of

1:29:45.280 --> 1:29:47.759
<v Speaker 1>types of women we see, we see a lot of women,

1:29:47.800 --> 1:29:51.840
<v Speaker 1>but it's the same type of women we're seeing multiple times.

1:29:52.640 --> 1:29:57.840
<v Speaker 1>So that sucks and I don't like it. But there

1:29:57.880 --> 1:30:00.160
<v Speaker 1>there are a lot of good things that we have

1:30:00.320 --> 1:30:03.160
<v Speaker 1>discussed within There's there's a lot of like on the

1:30:03.240 --> 1:30:07.120
<v Speaker 1>right track nous to this story. But unfortunately, I think

1:30:07.160 --> 1:30:10.479
<v Speaker 1>because there are no women involved in the making of

1:30:10.479 --> 1:30:13.400
<v Speaker 1>this story, a lot of it kind of misses or

1:30:13.479 --> 1:30:16.320
<v Speaker 1>it kind of gets uncanny value. So I'm going two

1:30:16.360 --> 1:30:20.040
<v Speaker 1>point five. I'll give one to carry, give one to Sue,

1:30:20.840 --> 1:30:25.680
<v Speaker 1>and I'll give one to the car that blows up.

1:30:28.160 --> 1:30:30.639
<v Speaker 1>Am I doing this as well? Okay, well, clearly I'm

1:30:30.680 --> 1:30:33.200
<v Speaker 1>not not as a dept as you guys had given

1:30:33.200 --> 1:30:37.639
<v Speaker 1>out nipples, but I'm probably gonna go with two. Okay,

1:30:37.960 --> 1:30:41.240
<v Speaker 1>it's surprising considering, like, I think it works as a movie.

1:30:41.720 --> 1:30:44.880
<v Speaker 1>But I think my conclusion today is that to your point, like,

1:30:44.920 --> 1:30:47.360
<v Speaker 1>I don't think it's a movie that's concerned with understanding

1:30:47.360 --> 1:30:50.240
<v Speaker 1>women at all. I think it's about the male fear

1:30:50.280 --> 1:30:54.360
<v Speaker 1>and psychosis of women, and in particular their power as

1:30:54.760 --> 1:30:57.639
<v Speaker 1>understood by the coming on of the period. And in

1:30:57.640 --> 1:31:01.160
<v Speaker 1>that way, I find it really disappointing. Meaning, you know,

1:31:01.400 --> 1:31:03.720
<v Speaker 1>take it a little further. So I'm supposed to give

1:31:03.800 --> 1:31:07.439
<v Speaker 1>nipples to the people anything you want. I mean, obviously

1:31:07.439 --> 1:31:10.960
<v Speaker 1>I feel for Carrie a lot, so I mean I

1:31:11.080 --> 1:31:14.479
<v Speaker 1>wish that more background or or character could have. I mean,

1:31:14.520 --> 1:31:17.559
<v Speaker 1>we essentially also don't know her beyond you know the

1:31:17.600 --> 1:31:19.639
<v Speaker 1>fact that she gets her period and then these powers.

1:31:19.880 --> 1:31:22.080
<v Speaker 1>That's true, Like what is Carrie interested in? I don't

1:31:22.080 --> 1:31:25.760
<v Speaker 1>know what. The motivations of almost every main character are

1:31:25.880 --> 1:31:28.960
<v Speaker 1>not very clearly defined, and they all but they're all

1:31:29.000 --> 1:31:33.360
<v Speaker 1>doing things that should be motivated and yet they are not.

1:31:33.640 --> 1:31:35.639
<v Speaker 1>And I'll probably give my other one to mom actually

1:31:35.640 --> 1:31:37.920
<v Speaker 1>because I feel for her as well, although you know

1:31:37.960 --> 1:31:41.040
<v Speaker 1>she's a horrendous mother to her. But I feel like

1:31:41.240 --> 1:31:44.080
<v Speaker 1>I'm going to believe that there's not that to justify it,

1:31:44.120 --> 1:31:45.880
<v Speaker 1>but that there's somewhere. But I don't know. I just

1:31:45.880 --> 1:31:51.120
<v Speaker 1>feel like again completely misunderstood character who nobody wanted to

1:31:51.160 --> 1:31:55.000
<v Speaker 1>take the care to figure out. Yeah, most female movie

1:31:55.120 --> 1:31:57.760
<v Speaker 1>character and also mom's mom's get a really rotten deal

1:31:57.800 --> 1:31:59.880
<v Speaker 1>in a lot of movies, especially the ones written or

1:32:00.000 --> 1:32:02.519
<v Speaker 1>erected by men. I mean, who I think are working

1:32:02.520 --> 1:32:04.640
<v Speaker 1>out their issues with moms. So like the moms and

1:32:04.640 --> 1:32:07.400
<v Speaker 1>the characters are either angelical and kiss you and put

1:32:07.439 --> 1:32:12.800
<v Speaker 1>you to bed or stab you to death or yeah,

1:32:13.880 --> 1:32:17.080
<v Speaker 1>thank you so much, thank you. I can keep doing

1:32:17.120 --> 1:32:19.559
<v Speaker 1>this for hours. I love it. I know. Yeah, there's

1:32:19.560 --> 1:32:23.519
<v Speaker 1>it's as always, there's truly never enough time. UM so

1:32:23.880 --> 1:32:27.639
<v Speaker 1>tell us about All About Nina. It came out last week,

1:32:27.920 --> 1:32:31.240
<v Speaker 1>and is there any where can we follow you? And

1:32:31.520 --> 1:32:35.200
<v Speaker 1>that project on social media? All About Nina film is

1:32:35.240 --> 1:32:37.880
<v Speaker 1>the website and and that should it tells you where

1:32:37.880 --> 1:32:39.920
<v Speaker 1>where it's playing and where you can buy tickets. It's

1:32:40.080 --> 1:32:42.400
<v Speaker 1>playing in New York in l A and then other

1:32:42.680 --> 1:32:44.720
<v Speaker 1>markets are going to open as we go along. And

1:32:45.040 --> 1:32:47.960
<v Speaker 1>because it is a sort of smaller independent movie, you know,

1:32:48.040 --> 1:32:50.840
<v Speaker 1>we could use the support where not a Marvel film

1:32:50.840 --> 1:32:53.120
<v Speaker 1>that's opening and like five tho screens at once and

1:32:53.200 --> 1:32:56.280
<v Speaker 1>that everybody's heard about or anything like that. But it

1:32:56.320 --> 1:32:58.320
<v Speaker 1>does seem to be hitting the spot with a lot

1:32:58.320 --> 1:33:01.920
<v Speaker 1>of survivors. And actually not just that, but I think

1:33:02.000 --> 1:33:04.760
<v Speaker 1>women who are feeling rage these days, which seems to

1:33:04.760 --> 1:33:08.240
<v Speaker 1>be a lot of us, say, for example, carry too.

1:33:08.320 --> 1:33:13.760
<v Speaker 1>We yeah, yeah, Kavanaugh hearings all of that stuff. So okay, great,

1:33:13.800 --> 1:33:20.280
<v Speaker 1>everyone go see the damn movie. It's really and it's fun.

1:33:20.479 --> 1:33:25.519
<v Speaker 1>There's fingering jokes and there's period diarrhea jokes. Yeah, there's

1:33:25.880 --> 1:33:31.400
<v Speaker 1>written by women. So it's an interesting mother character, yes,

1:33:31.520 --> 1:33:35.840
<v Speaker 1>a nuanced mother character. It's yeah, it's it's and good

1:33:35.880 --> 1:33:38.960
<v Speaker 1>guys too. Yeah, there's I think as well as some

1:33:39.000 --> 1:33:42.000
<v Speaker 1>shitty guys. We have everything. Really, it's like whole spectrum

1:33:42.040 --> 1:33:45.000
<v Speaker 1>on this convert the spectrum of humanity. No, it's it's

1:33:45.000 --> 1:33:47.680
<v Speaker 1>really great, and um, thank you for thank you for

1:33:47.720 --> 1:33:50.720
<v Speaker 1>having me. You can follow the Bechtel Cast in all

1:33:50.760 --> 1:33:54.639
<v Speaker 1>the usual places were on Instagram and Twitter at bechtel Cast,

1:33:54.720 --> 1:33:57.840
<v Speaker 1>where on Facebook you can go to our website. Bytel

1:33:57.880 --> 1:33:59.840
<v Speaker 1>cast dot com, you can go to our t pup

1:34:00.000 --> 1:34:03.639
<v Speaker 1>look Psychet all the cool merch at t public dot com,

1:34:03.680 --> 1:34:07.839
<v Speaker 1>slash v back dol cast, and if you're feeling crazy,

1:34:07.880 --> 1:34:10.800
<v Speaker 1>we've actually referenced a bonus episode coming out on our

1:34:10.840 --> 1:34:14.960
<v Speaker 1>patreon ak Matreon several times in this episode. We have

1:34:15.080 --> 1:34:19.240
<v Speaker 1>a few October e episodes coming out, including Teeth, So

1:34:19.320 --> 1:34:21.800
<v Speaker 1>go over to patreon dot com slash backtel Cast to

1:34:21.840 --> 1:34:24.240
<v Speaker 1>sign up for that five bucks a month to extra episodes.

1:34:24.360 --> 1:34:26.280
<v Speaker 1>You bet you. Also, we have a few live shows

1:34:26.280 --> 1:34:30.479
<v Speaker 1>coming up. Details at the time of this recording are

1:34:30.680 --> 1:34:33.120
<v Speaker 1>yet to be confirmed, but we know that we will

1:34:33.160 --> 1:34:36.760
<v Speaker 1>be in New York and Philly at the beginning of November,

1:34:37.280 --> 1:34:40.000
<v Speaker 1>and we have we'll be back in l A as well.

1:34:40.000 --> 1:34:41.920
<v Speaker 1>We'll be back in l A for a live show

1:34:42.360 --> 1:34:45.680
<v Speaker 1>here at the Ruby also in November, so we'll be

1:34:45.760 --> 1:34:48.120
<v Speaker 1>tweeting about it. We'll be posting about it on our

1:34:48.400 --> 1:34:51.880
<v Speaker 1>website backtelcast dot com under the live appearances tab. Will

1:34:51.920 --> 1:34:55.439
<v Speaker 1>have more details as they come in, so check us

1:34:55.439 --> 1:34:59.600
<v Speaker 1>out live, baby, We love you, we'll talk to you soon. Goddamnit,

1:35:00.120 --> 1:35:02.000
<v Speaker 1>damn it. Let's go burn a Jim down, all right,

1:35:02.120 --> 1:35:04.000
<v Speaker 1>let's do it. Okay, Bye bye,