WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the week with Morgan number two.

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<v Speaker 1>What's up, y'all? Welcome to the Best Bits. This is

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<v Speaker 1>just the bits. Thank you guys for hanging out with

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<v Speaker 1>me this weekend. Before we get into it, make sure

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<v Speaker 1>y'all check out part one, which is with Scuba Steve

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<v Speaker 1>this weekend. We dive, we dived, we doved, you know

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<v Speaker 1>whatever verb it is, into our lives. Talked about some

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<v Speaker 1>things from our past as well as what's been having

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<v Speaker 1>with us lately in Scuba and his kids. Just lots

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<v Speaker 1>of fun stories over there, so definitely check that out.

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<v Speaker 1>We're going to kick this one off. Coming in at

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<v Speaker 1>number seven. Amy felt that she might have been a

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<v Speaker 1>helicopter parent with her son. He asked to ride his

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<v Speaker 1>bike to jiu jitsu practice and she said yes, but

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<v Speaker 1>she also followed him. So listen to this and let

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<v Speaker 1>us know what you think. Number seven. Okay, so the

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<v Speaker 1>question from Amy is is she a helicopter parent or

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<v Speaker 1>a responsible parent? Why do you ask this? What happened? Well,

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<v Speaker 1>so Stevenson has started to want to ride his bike

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<v Speaker 1>to him his practice, like his classes. You know that

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<v Speaker 1>he takes for martial arts and stuff, and I want

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<v Speaker 1>him to have that freedom. Yes, go ride your bike.

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<v Speaker 1>We live in the area where you could do that.

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<v Speaker 1>But then at the same time, I followed him in

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<v Speaker 1>my car. Liberty, you're free child. Yea strong the lng. Yeah.

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<v Speaker 1>And then there was one point where I was at

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<v Speaker 1>a red light filming him and he caught me. He

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<v Speaker 1>didn't know that you were following him at all. No,

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<v Speaker 1>I said, free as a bird. You got this, dude,

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<v Speaker 1>you got this. Go ahead. And so I followed him,

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<v Speaker 1>especially to this one busy or intersection that I'm worried about,

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<v Speaker 1>and I, you know, wanted to make sure he did good.

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<v Speaker 1>And then I went off and I pulled over and

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<v Speaker 1>kind of hid back behind these bushes to see if

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<v Speaker 1>he would handle everything within the law. And he did.

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<v Speaker 1>I was so proud of him. Okay, I don't think

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<v Speaker 1>this is helicopter parent at all. Okay, I think it's

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<v Speaker 1>fine to do this a couple of times to see

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<v Speaker 1>if he's making good decisions. I think it's fine to

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<v Speaker 1>do it when he knows you're following him. I think

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<v Speaker 1>it's fine to do it when he doesn't know you're

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<v Speaker 1>following him, so you can see what decisions he's making.

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<v Speaker 1>And then eventually, though, if you like what you see,

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<v Speaker 1>you have to fall off and let him do what

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<v Speaker 1>you told him he was getting to do anyway, right.

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<v Speaker 1>My only problem with is not so much that I'm

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<v Speaker 1>fearing his choices now that now that I've seen him

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<v Speaker 1>do it successfully, I'm very proud of him. I just

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<v Speaker 1>worry about other people that might snatch him or something. Well,

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<v Speaker 1>that's always going to be there, right, are you going?

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<v Speaker 1>Are you going to let him just right? Yes, I'm

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<v Speaker 1>gonna make you feel good. Amy, here we go. Ready,

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<v Speaker 1>people are always gonna try to steal him. Okay, okay, okay,

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<v Speaker 1>I feel better about this. No, it's right. So are

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<v Speaker 1>you going to let him do it without you're following him?

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<v Speaker 1>Next time? We'll see, I'll let DVD. I'll keep y'all posted.

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<v Speaker 1>This is this is a big deal. I am proud

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<v Speaker 1>of him, and we'll see what happens. One time I

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<v Speaker 1>couldn't catch him on the way back, and I had

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<v Speaker 1>to call my husband be like, you gotta follow him

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<v Speaker 1>on the way home because I can't be there and

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<v Speaker 1>you gotta fall So my husband was all trying to

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<v Speaker 1>be all incognito following our son home because in full

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<v Speaker 1>camo behind trees, crawling on the ground. But then like

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<v Speaker 1>did this maneuver where he beat him home and so

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<v Speaker 1>he thought we were at home like the whole time, Oh,

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<v Speaker 1>we're clever. You're probably not as clever as you think,

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<v Speaker 1>but I like it. It It means you love him. And

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<v Speaker 1>if you watch him make good decisions many times in

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<v Speaker 1>a row, you have to trust that he's gonna make

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<v Speaker 1>good decisions when you're not watching him as well. Right,

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<v Speaker 1>that's what I would say. But are you a helicopter parent?

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<v Speaker 1>I go no, I'm gonna speak Freddie because he is

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<v Speaker 1>a helicopter parent and go no. Eddie thinks you should

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<v Speaker 1>have him in that little cart beside you and you

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<v Speaker 1>should ride him. You know, you should put the little

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<v Speaker 1>cart like the little bicycle cart, the sidecart. Hey, she

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<v Speaker 1>was telling that story and the whole time I'm not

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<v Speaker 1>in my head. Absolutely, you're a great parent, Amy, Yeah, okay,

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<v Speaker 1>but would you eventually let your son just do it himself? Now?

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<v Speaker 1>Not the next year and he's like eventually twenty one,

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<v Speaker 1>you're we're fourteen year old? Or held her? Yeah he's fourteen.

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<v Speaker 1>Oh my gosh, you're a helicopter parent. Let the kid go.

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<v Speaker 1>I mean guys, you have to let the kids out

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<v Speaker 1>in the world and experience things. I was riding my

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<v Speaker 1>bike to school a mile away when I was in

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<v Speaker 1>second grade. I was six years old, riding my bike

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<v Speaker 1>to school. You guys need to get a grip on reality.

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<v Speaker 1>Let the kid go do his thing and trust that

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<v Speaker 1>you have raised him to make smart decisions. People. The

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<v Speaker 1>Cold War is over. Okay, exactly, Lunchboxes out argue with

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<v Speaker 1>Clouds right now, Mica, when I was a kid, but

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<v Speaker 1>I can't believe you won't let him ride his bike

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<v Speaker 1>and you tailgated him. Well, no one knows that. But

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<v Speaker 1>also it was Lunchbox an advanced second grader six okay,

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<v Speaker 1>seven years old? Sorry, seven years old? Sorry about that, Amy,

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<v Speaker 1>keep doing you. I like it. Give us the up

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<v Speaker 1>date whenever you let him go himself. Okay, all right,

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<v Speaker 1>it's the best bits of the week with We're getting

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<v Speaker 1>number two. You know, whenever our show gets invited to

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<v Speaker 1>an event or to go do something out in public

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<v Speaker 1>or out in the wild, it's almost guaranteed that stories

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<v Speaker 1>are going to come back from it. And that's definitely

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<v Speaker 1>what happened this time. Scuba, Steve and Eddie went to

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<v Speaker 1>Graceland for the Elvis movie, the whole press junket, all

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<v Speaker 1>that good stuff, and while something happened, basically, they did

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<v Speaker 1>something that the show has deemed unprofessional and not a

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<v Speaker 1>good look for us. So you know, you can hear

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<v Speaker 1>the segment for yourself, and then if you check out

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<v Speaker 1>part one, which is with Scuba, he gives a little

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<v Speaker 1>bit more to this story and his thoughts on the

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<v Speaker 1>whole thing. Number six. You know, we are allowed certain

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<v Speaker 1>things because we do a show, a big show, I'll

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<v Speaker 1>say it, the biggest it's ever happened in this format.

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<v Speaker 1>And so with that, like Spider Man, you know, with

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<v Speaker 1>power comes responsibility, and sometimes we aren't as responsible as

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<v Speaker 1>we should be with that power. And mostly I'm talking

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<v Speaker 1>about Scuba, Steven Eddie because they went to Memphis, they

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<v Speaker 1>went to go watch the Elvis movie. And whenever you're

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<v Speaker 1>a producer or you're like Eddie, you get the phone

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<v Speaker 1>number of artists that will come play on the show

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<v Speaker 1>because you got to have these professional contacts. That doesn't

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<v Speaker 1>mean if you see someone covering their song in a

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<v Speaker 1>bar at midnight, you should send them a video of

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<v Speaker 1>somebody playing their song. Would you? When you agree, Amy

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<v Speaker 1>I'm nervous to hear what happened. Yes, okay, so what happened,

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<v Speaker 1>Scooba Steve, Why don't you tell me what happened? Somebody's

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<v Speaker 1>playing Gavin to Gross song somewhere. Yeah, so Eddie and

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<v Speaker 1>Iron Memphis for that Elvis junket, and we're at a

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<v Speaker 1>bar and this guy we were upstairs at a top bar,

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<v Speaker 1>had a good time coming down. This guy he's just

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<v Speaker 1>killing it. He's got nine different pedals, he's playing solos.

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<v Speaker 1>He's really really good at playing the guitar. And he

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<v Speaker 1>starts singing a Gavin the Gross song and I'm like, whoa.

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<v Speaker 1>Eddie and I start singing along, and I was like, Eddie,

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<v Speaker 1>should we send us to Gavin. Eddie's like, yeah, dude,

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<v Speaker 1>totally send it to Gavin. I was like, but it's

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<v Speaker 1>like ten thirty, it's kind of Lais like, no, Gavin

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<v Speaker 1>Hardy's late, don't worry about it, he'll be up. Just

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<v Speaker 1>send it to him. So, under the peer pressure of Eddie,

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<v Speaker 1>I sent a video. We're not blaming it on Eddie,

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<v Speaker 1>You're you're the oh Eddie, You're in fault too. But

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<v Speaker 1>Scooba Steve is the responsible list of the responsible and

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<v Speaker 1>was he playing I don't want to Yeah, yeah, so

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<v Speaker 1>and I in the hindsight, I probably should have done it,

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<v Speaker 1>but I just and I've never done it before, and

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<v Speaker 1>I just felt like that was the time to do it.

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<v Speaker 1>And he responded and said yes. I think he felt

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<v Speaker 1>like he had no other options. He's a nice guy.

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<v Speaker 1>Don't text me. Whose idea was it to do that?

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<v Speaker 1>I don't remember because we both are little tips. I

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<v Speaker 1>don't know. Okay, see alcohol and celebrity. Oh no, oh no,

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<v Speaker 1>Now I'm going to have to text him and say

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<v Speaker 1>I'm very sorry that we use a number that was

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<v Speaker 1>given to us for professional reasons to harass you, even

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<v Speaker 1>in the nicest way on a Friday night. I'm sure

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<v Speaker 1>people cover that song all the time. Can you imagine

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<v Speaker 1>if somebody texted him somebody covering that song every time

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<v Speaker 1>they saw it? Mean anybody else guilty of texting artists

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<v Speaker 1>that have come in before? Anybody? Well Scoopa is the

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<v Speaker 1>only one that's a producer that has the numbers. I mean,

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<v Speaker 1>that is a that's a pretty crazy line to cross,

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<v Speaker 1>but it's a baller mood to be like start that

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<v Speaker 1>friendships and say thing bad. It was just it was

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<v Speaker 1>just a cover. Wasn't like I was like, hey, man,

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<v Speaker 1>what are you doing? I want to hang out. It

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<v Speaker 1>was just like, here's this, have a great day, here's this.

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<v Speaker 1>Have a great day at ten thirty at night as

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<v Speaker 1>you've been drinking. That was basically a professional booty call. Okay,

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<v Speaker 1>you're at a bar, you had a few drinks, yet

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<v Speaker 1>somebody kind of have like a professional crush on Okay, okay,

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<v Speaker 1>so inappropriate or totally appropriate, Amy, inappropriate, lunchbox, inappropriate baller.

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<v Speaker 1>I mean, you're starting a relationship. It's good Eddie. Hey, dude,

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<v Speaker 1>I was there. You're eliminated. No, I knew it. It's

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<v Speaker 1>not awesome. Okay, it's funny. I'm gonna be like, hey, sorry,

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<v Speaker 1>my guys text you while they were drunk on Friday night.

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<v Speaker 1>They're gonna be going down Broadway just looking at people

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<v Speaker 1>singing covers to go through Scuba's phone to oh no, okay,

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<v Speaker 1>So I wanted to start with that. Hey, I'm not mad.

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<v Speaker 1>I'm just disappointed, right, Yeah, I'm not mad. I'm just disappointed.

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<v Speaker 1>It's the best bits of the week with Morgan number two.

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<v Speaker 1>Everyone loves this segment, which kind of makes me sad.

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<v Speaker 1>Because that means y'all like to hear us being rejected.

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<v Speaker 1>It is rejected segments. Bobby comes on and he shares

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<v Speaker 1>segments that were pitched to him but never quite made

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<v Speaker 1>the air. And even in this segment, they make the air,

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<v Speaker 1>but it's not a guarantee that you actually get to

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<v Speaker 1>talk about what's going to happen. So, without further ado,

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<v Speaker 1>rejected Segments number five. Listen, you guys come up with

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<v Speaker 1>a lot of ideas for the show, and some of

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<v Speaker 1>them get used, and that one was very appreciative, but

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<v Speaker 1>some of them are so just we'd never do them,

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<v Speaker 1>and I appreciate the effort, but that's how we get

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<v Speaker 1>this segment called rejected segments. Rejected segments. Although some of

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<v Speaker 1>these are so dumb. I don't think you guys even

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<v Speaker 1>really wanted me to air it. I think you're just

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<v Speaker 1>filling out space. I gotta sitting in some ideas. So

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<v Speaker 1>these are rejected segments segments and in a million years

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<v Speaker 1>we would have never done on the air. There have

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<v Speaker 1>been times though, where I've been like, wow, that's actually

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<v Speaker 1>a pretty good segment. Let's do it. So let's see

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<v Speaker 1>if any of those do this. We'll start with Lunchbox

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<v Speaker 1>Lunchbox welcome, thank you, and I don't know why any

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<v Speaker 1>of my segments get rejected. I'm shocked when they don't

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<v Speaker 1>make it. Lunchbox wrote, I am supper annoyed with my

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<v Speaker 1>wife Supper, which I think I'm at super That spelling

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<v Speaker 1>is not my strong point. Care that much, he said,

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<v Speaker 1>I think my wife's faking a back injury so she

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<v Speaker 1>could just lay around all weekend, turn me into a

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<v Speaker 1>single dad. I don't think she was hurt. Listen to

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<v Speaker 1>these grunts and moans I've recorded of her, and tell

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<v Speaker 1>me that she isn't exaggerating it. Okay, guys ready like

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<v Speaker 1>this are getting up off the couch, in the car,

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<v Speaker 1>out of bed. I mean, it is so ridiculous. Here

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<v Speaker 1>we go. Okay, I'm going it. She's not hurt. Come on,

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<v Speaker 1>like that's exaggerated, right, No, did she know you were

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<v Speaker 1>recording her? No, that thing is real. I'd be so

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<v Speaker 1>mad if total my husband brought in. I mean like,

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<v Speaker 1>I mean literally, so for three days I had to

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<v Speaker 1>do everything with all three kids, like she just sat

0:11:18.600 --> 0:11:20.520
<v Speaker 1>there on the couch like I can't get up all

0:11:20.520 --> 0:11:22.480
<v Speaker 1>like the kids crying. Okay, oh, you're gonna have to

0:11:22.520 --> 0:11:27.160
<v Speaker 1>get that like what rejected segment? Rejected segment. That's how

0:11:27.360 --> 0:11:30.079
<v Speaker 1>you guys stop talking about it. I just yelled. Next up,

0:11:30.920 --> 0:11:35.560
<v Speaker 1>Mike Dson. In Paintball Roulette, we get five different paintball guns,

0:11:36.559 --> 0:11:38.880
<v Speaker 1>but only one is loaded. Bobby, Amy, Eddie, Lunchbox, and

0:11:38.920 --> 0:11:40.720
<v Speaker 1>Morgan get a chance to select a gun and we

0:11:40.760 --> 0:11:44.920
<v Speaker 1>take turns shooting each other. The game stops once one

0:11:44.960 --> 0:11:48.400
<v Speaker 1>person quits or goes to the hospital. Oh my gosh,

0:11:48.960 --> 0:11:51.760
<v Speaker 1>brutal bit, I've been hit. It's not that's like some

0:11:51.760 --> 0:11:57.319
<v Speaker 1>squid games stuff right there. Talking about rejected segments. Also

0:11:57.400 --> 0:11:59.839
<v Speaker 1>from Mike d It's a spin off of one of

0:11:59.840 --> 0:12:01.640
<v Speaker 1>our other segments where we do the employee of the Month,

0:12:01.800 --> 0:12:03.680
<v Speaker 1>but instead we recognize the person who is the worst

0:12:03.679 --> 0:12:06.560
<v Speaker 1>employee of the man because person needs to show the

0:12:06.640 --> 0:12:09.079
<v Speaker 1>most improvement, and we list all the things they did

0:12:09.080 --> 0:12:12.560
<v Speaker 1>badly last month. That's hilarious money worst, that just would

0:12:12.559 --> 0:12:19.880
<v Speaker 1>not be good for morale. Rejected segments, Morgan number two,

0:12:19.920 --> 0:12:22.360
<v Speaker 1>And this one actually wasn't so bad. I just I

0:12:22.400 --> 0:12:24.080
<v Speaker 1>guess it didn't get to it. But you've been in

0:12:24.120 --> 0:12:26.360
<v Speaker 1>three different workout classes where the same guy keeps live

0:12:26.400 --> 0:12:29.320
<v Speaker 1>streaming the workouts. Yeah, I'm like in the background of

0:12:29.360 --> 0:12:31.800
<v Speaker 1>all of his live streams and I'm just working out.

0:12:31.840 --> 0:12:34.320
<v Speaker 1>I didn't figure it out until all the way through

0:12:34.400 --> 0:12:36.840
<v Speaker 1>a full workout class and I walk over and there's

0:12:36.840 --> 0:12:39.480
<v Speaker 1>people like commenting on what we're doing. Is he a

0:12:39.600 --> 0:12:41.600
<v Speaker 1>person in the class or teaching the class? No, he's

0:12:41.600 --> 0:12:43.920
<v Speaker 1>a person in the class. Oh, he's just in the class. Yeah,

0:12:43.960 --> 0:12:46.840
<v Speaker 1>that's so weird. He's live streaming himself, yes, so that

0:12:46.880 --> 0:12:48.960
<v Speaker 1>others can work out with him. I don't know. But

0:12:49.000 --> 0:12:50.760
<v Speaker 1>then the rest of us are in the background of it,

0:12:50.800 --> 0:12:52.680
<v Speaker 1>and we don't know that strangers are commenting on what

0:12:52.720 --> 0:12:54.959
<v Speaker 1>we're doing while working out. Yeah, usually just sign it

0:12:55.000 --> 0:12:57.120
<v Speaker 1>consent if we're a if you're a teacher, I get it. Like, hey,

0:12:57.120 --> 0:12:58.960
<v Speaker 1>we're gonna live stream the class to people who can't

0:12:58.960 --> 0:13:02.040
<v Speaker 1>get up here. Yeah, somebody random? Yeah, just setting up

0:13:02.040 --> 0:13:04.720
<v Speaker 1>on the side, like watching him go at it. Oh

0:13:04.760 --> 0:13:08.280
<v Speaker 1>that doesn't sound he listen. Even watched him do ab

0:13:08.320 --> 0:13:12.360
<v Speaker 1>crunches with his body like, you know, his legs towards

0:13:12.360 --> 0:13:14.560
<v Speaker 1>the camera. It was not a pretty go. Is this

0:13:14.679 --> 0:13:21.040
<v Speaker 1>like a thing like a rejected segments lunchbox back in

0:13:21.080 --> 0:13:23.360
<v Speaker 1>the mix? Here? Oh, hello, Lunchbox is mad at Sports

0:13:23.360 --> 0:13:28.120
<v Speaker 1>Illustrated Swimsuit Edition. Oh boy, because they're not putting on models.

0:13:28.160 --> 0:13:32.280
<v Speaker 1>He doesn't know. Yeah, they put Kim Kardashian on the

0:13:32.320 --> 0:13:34.319
<v Speaker 1>cover of the Swimsuit issue, and I'm like, we already

0:13:34.360 --> 0:13:37.520
<v Speaker 1>know Kim Kardashian. Give another model a break. And also,

0:13:37.559 --> 0:13:39.960
<v Speaker 1>that's how we discover new models. That's how we what

0:13:40.000 --> 0:13:41.880
<v Speaker 1>do you what do you need models for? I mean

0:13:42.160 --> 0:13:43.679
<v Speaker 1>that's how they get their big break and we get

0:13:43.720 --> 0:13:45.520
<v Speaker 1>to see a new hotty instead of oh Kim kay,

0:13:45.520 --> 0:13:48.080
<v Speaker 1>we already see Kim kana bikini all the time. They

0:13:48.080 --> 0:13:57.000
<v Speaker 1>should rejected segments frustrating. Okay, Raimundo saw on TikTok how

0:13:57.040 --> 0:13:58.960
<v Speaker 1>he can remove excess skin from his eye for twenty

0:13:58.960 --> 0:14:01.079
<v Speaker 1>dollars and let's know if he should right on the air, Yes,

0:14:01.400 --> 0:14:04.080
<v Speaker 1>tell us how Yeah, I've had these stighs on my eyelids.

0:14:04.120 --> 0:14:06.120
<v Speaker 1>They run in my family. My grandpa had on, my

0:14:06.160 --> 0:14:08.080
<v Speaker 1>father has him and my wife in a noise or

0:14:08.080 --> 0:14:10.400
<v Speaker 1>it's right on my eye. It's been there, Jack segment

0:14:12.040 --> 0:14:15.840
<v Speaker 1>rejected segment twenty dollars. Yes, he's gonna lose an Eye's

0:14:15.840 --> 0:14:17.760
<v Speaker 1>gonna tell us and somebody's gonna do it, but he

0:14:17.760 --> 0:14:20.960
<v Speaker 1>could do it on air. Yeah, rejected segment phone, I

0:14:21.080 --> 0:14:25.160
<v Speaker 1>got one left. This one is from lunchbox. He wanted

0:14:25.160 --> 0:14:29.040
<v Speaker 1>to spill the tea on shady Scuba Steve because he

0:14:29.120 --> 0:14:31.800
<v Speaker 1>saw a shady deal in the parking lot and he

0:14:31.840 --> 0:14:34.560
<v Speaker 1>doesn't think what Scooba is doing is legal. Yes, there

0:14:34.600 --> 0:14:37.480
<v Speaker 1>was a car that pulled into the garage. Scuba went

0:14:37.480 --> 0:14:40.280
<v Speaker 1>out there and looked at his left right, stuck his

0:14:40.320 --> 0:14:42.680
<v Speaker 1>hand in the car person hitting him like a brown

0:14:42.720 --> 0:14:44.920
<v Speaker 1>paper bag wrapped up. Scooba went put it in his

0:14:44.960 --> 0:14:47.960
<v Speaker 1>truck like no one was watching. I was like, that

0:14:47.960 --> 0:14:51.360
<v Speaker 1>doesn't seem very normal question. It wasn't like an Amazon delivery.

0:14:51.960 --> 0:14:55.120
<v Speaker 1>It was a can't cash for something? Like how did

0:14:55.120 --> 0:14:57.080
<v Speaker 1>this go down? Let me just run this by it? Yeah,

0:14:57.120 --> 0:14:59.880
<v Speaker 1>you like Scuba Steve. Yeah, let's say he was doing

0:15:00.000 --> 0:15:01.520
<v Speaker 1>a drug deal, which I don't think it was. I

0:15:01.520 --> 0:15:02.920
<v Speaker 1>don't know what I was doing, all right, but let's

0:15:02.920 --> 0:15:04.120
<v Speaker 1>say it was. Would you really want to come in

0:15:04.120 --> 0:15:05.840
<v Speaker 1>here and tell on him for doing that? I mean,

0:15:06.000 --> 0:15:07.440
<v Speaker 1>if it's going down to work, like do that at

0:15:07.480 --> 0:15:09.520
<v Speaker 1>your house, man, don't bring that business to my work.

0:15:09.960 --> 0:15:13.480
<v Speaker 1>It was me at Jeopardy doesn't but what was it? Really,

0:15:13.680 --> 0:15:15.440
<v Speaker 1>I don't go was Steve, I don't know, I don't

0:15:15.520 --> 0:15:17.080
<v Speaker 1>It wasn't a drug deal, so I don't mind asking

0:15:17.120 --> 0:15:19.080
<v Speaker 1>him this. Yeah, yeah, no problem, was it a drug deal.

0:15:19.200 --> 0:15:21.160
<v Speaker 1>It was not. Actually the thing you're speaking into right now,

0:15:21.200 --> 0:15:23.200
<v Speaker 1>that red microphone that I got you for Christmas. It

0:15:23.240 --> 0:15:26.400
<v Speaker 1>was that. Oh they got brought out that dropped dropped

0:15:26.400 --> 0:15:28.240
<v Speaker 1>it off, and I was trying to be secret about

0:15:28.240 --> 0:15:31.800
<v Speaker 1>it because it was a surprise. Oh that's it. So

0:15:31.840 --> 0:15:34.480
<v Speaker 1>how do you feel, lunchbox? I feel good. I'm glad

0:15:34.520 --> 0:15:36.120
<v Speaker 1>that Scoop was not breaking the law. It just seemed

0:15:36.120 --> 0:15:37.720
<v Speaker 1>weird than you're gonna just tell on him. It was

0:15:37.960 --> 0:15:40.440
<v Speaker 1>the car was in the car was all tinted windows,

0:15:40.480 --> 0:15:43.560
<v Speaker 1>and it was just seeing every car almost just saying

0:15:43.680 --> 0:15:51.000
<v Speaker 1>it had a radio, just seeming really shady. Okay, well

0:15:51.080 --> 0:15:53.760
<v Speaker 1>those are all rejected segments. Amy didn't make the less

0:15:53.800 --> 0:15:55.920
<v Speaker 1>good job. Oh but I don't know, it's kind of

0:15:55.920 --> 0:15:58.760
<v Speaker 1>fun hearing them. Okay, here's battom for you. A woman

0:15:58.760 --> 0:16:02.840
<v Speaker 1>trusted Amy with her purse in the bathroom. Whoa, oh yeah,

0:16:02.840 --> 0:16:05.680
<v Speaker 1>that's a big dude. That's weird. That crazy. So she

0:16:05.800 --> 0:16:08.000
<v Speaker 1>was in the stall next to me, and her like

0:16:08.160 --> 0:16:11.320
<v Speaker 1>toddler son was in there with her, and he kept

0:16:11.400 --> 0:16:13.920
<v Speaker 1>throwing stuff out of her purse into the other stalls.

0:16:14.240 --> 0:16:15.840
<v Speaker 1>And so when I got out and washing my hand,

0:16:15.880 --> 0:16:18.200
<v Speaker 1>she scooted it under and she was like, can you

0:16:18.280 --> 0:16:20.960
<v Speaker 1>watch this for me? And I'm like, this woman does

0:16:21.000 --> 0:16:23.520
<v Speaker 1>not know me. But I gathered everything and put it

0:16:23.600 --> 0:16:25.360
<v Speaker 1>up on the synk and waited for her to come out.

0:16:26.400 --> 0:16:29.880
<v Speaker 1>You look trustworthy. She couldn't see me through the stall.

0:16:31.280 --> 0:16:33.320
<v Speaker 1>But why was that rejected? It could just a lot

0:16:33.320 --> 0:16:35.120
<v Speaker 1>to talk about it. Well, I wasn't going too And

0:16:35.120 --> 0:16:37.760
<v Speaker 1>you're like, whoa, what had that? Well? Okay, but I

0:16:37.800 --> 0:16:41.120
<v Speaker 1>just thought, wow, this woman trusts me because I could

0:16:41.120 --> 0:16:44.040
<v Speaker 1>have just walked out with her purse. No problem. That's

0:16:44.040 --> 0:16:48.920
<v Speaker 1>rejected segments. Thank you everybody. Please rejected segments. Keep them coming.

0:16:50.160 --> 0:16:53.920
<v Speaker 1>It's the Best Bits of the week with Morgan number two.

0:16:57.240 --> 0:17:00.760
<v Speaker 1>Also in the Best Bits this weekend, Amy's son a

0:17:00.840 --> 0:17:05.000
<v Speaker 1>husband sending her photos of his bathroom visits and it

0:17:05.080 --> 0:17:07.919
<v Speaker 1>sounds exactly what you think. So I'm just gonna leave

0:17:08.000 --> 0:17:10.200
<v Speaker 1>this one here because I don't need to get into

0:17:10.240 --> 0:17:12.439
<v Speaker 1>this and share my opinion or talk about it. I

0:17:12.480 --> 0:17:14.440
<v Speaker 1>just want you guys to hear it for yourself. Here

0:17:14.440 --> 0:17:17.520
<v Speaker 1>it is Amy's son what he's been doing lately that

0:17:17.640 --> 0:17:20.600
<v Speaker 1>she does not know what to do with. Number four,

0:17:20.720 --> 0:17:22.680
<v Speaker 1>I feel like you want to show me a picture

0:17:22.720 --> 0:17:24.600
<v Speaker 1>of something I saw Amy grab her phone. Is we're

0:17:24.600 --> 0:17:26.880
<v Speaker 1>going to segment what's on your phone? Well, I don't

0:17:26.880 --> 0:17:29.080
<v Speaker 1>know if you want to see it. But my son

0:17:29.200 --> 0:17:33.639
<v Speaker 1>now thinks it's hilarious to text me pictures from his

0:17:33.880 --> 0:17:36.880
<v Speaker 1>bathroom experience. What do you mean like when he goes

0:17:36.920 --> 0:17:40.000
<v Speaker 1>to the bathroom bathroom number two, he takes a pictures.

0:17:40.640 --> 0:17:42.480
<v Speaker 1>Oh my gosh, I don't want to see that. I

0:17:42.520 --> 0:17:45.240
<v Speaker 1>don't know. Why don't text that? You don't know? No,

0:17:45.520 --> 0:17:48.520
<v Speaker 1>I thought, is this just the little boy humor thing

0:17:48.600 --> 0:17:52.399
<v Speaker 1>and the medical reasons? Yea, like mom, I think he

0:17:52.440 --> 0:17:57.160
<v Speaker 1>should or he's proud of himself. Oh no, I don't know. Yes,

0:17:57.440 --> 0:18:01.080
<v Speaker 1>And now he thinks it's so funny. Oh oh, can't

0:18:01.080 --> 0:18:03.920
<v Speaker 1>stop old stuff. Oh no, I've never opened a text

0:18:03.920 --> 0:18:05.800
<v Speaker 1>from him. It'd be like I haven't eaten in days

0:18:05.800 --> 0:18:07.560
<v Speaker 1>that I wouldn't look at it because I wouldn't want

0:18:07.560 --> 0:18:10.720
<v Speaker 1>to see that. Don't to me? To me you no, no, no,

0:18:10.720 --> 0:18:12.600
<v Speaker 1>I don't want to say, Oh, dude, what are you

0:18:12.600 --> 0:18:16.240
<v Speaker 1>tell him? Please stop? This is not or don't send

0:18:16.240 --> 0:18:20.800
<v Speaker 1>these to anybody else? But mom, no, no, please stop. Well, yeah,

0:18:20.960 --> 0:18:23.840
<v Speaker 1>no pictures. It's like a Jeans jaga born in the seventies.

0:18:23.880 --> 0:18:27.479
<v Speaker 1>No pictures, no pictures. Yeah, I don't know. I just

0:18:27.520 --> 0:18:30.280
<v Speaker 1>hope he's not texting him out to anybody. Have his

0:18:30.320 --> 0:18:33.040
<v Speaker 1>own phone. He has an iPad. He's taking a picture

0:18:33.080 --> 0:18:37.040
<v Speaker 1>of an he's having to get a cinematic. That thing's huge.

0:18:37.680 --> 0:18:40.520
<v Speaker 1>Oh no, he doesn't have a phone. Oh no, he

0:18:41.200 --> 0:18:44.000
<v Speaker 1>can text me through his iPad account. Oh that's what

0:18:44.040 --> 0:18:47.480
<v Speaker 1>he's been up to, like an email, like a week.

0:18:47.520 --> 0:18:50.080
<v Speaker 1>What else he up to? Well, he had a friend

0:18:50.280 --> 0:18:53.359
<v Speaker 1>over and they got locked out, so that was quite

0:18:53.400 --> 0:18:56.400
<v Speaker 1>the experience. I get you at home. I wasn't home.

0:18:56.480 --> 0:18:58.960
<v Speaker 1>The friend has a phone, so text me and was like, hey,

0:18:59.240 --> 0:19:00.720
<v Speaker 1>I was just down the shad at the grocery store

0:19:00.720 --> 0:19:01.800
<v Speaker 1>and I was going to be back. And he's like,

0:19:01.920 --> 0:19:05.080
<v Speaker 1>somehow we've managed to get locked out. And I said, okay,

0:19:05.080 --> 0:19:07.560
<v Speaker 1>well I'll be home soon, so just play basketball or

0:19:07.600 --> 0:19:10.280
<v Speaker 1>do something outside and I'll be there. And I get

0:19:10.320 --> 0:19:14.280
<v Speaker 1>back and Stevenson's very dramatic and is already spelling out

0:19:14.480 --> 0:19:17.600
<v Speaker 1>sos with sticks and rocks in our driveway for people

0:19:17.600 --> 0:19:21.000
<v Speaker 1>flying over instead of knock on the door. And what's

0:19:21.040 --> 0:19:24.639
<v Speaker 1>funny is he just learned what meant a week ago,

0:19:25.000 --> 0:19:27.560
<v Speaker 1>and so I actually thought it was quite clever and cute.

0:19:27.560 --> 0:19:30.560
<v Speaker 1>But he was just very dramatic. When I pulled up.

0:19:30.880 --> 0:19:33.680
<v Speaker 1>We have been locked out for hours. It had been

0:19:33.720 --> 0:19:36.239
<v Speaker 1>no more than thirty minutes, that's for sure, and he

0:19:36.320 --> 0:19:40.280
<v Speaker 1>was spelling out sos, which, by the ways, means nothing.

0:19:40.359 --> 0:19:44.320
<v Speaker 1>Oh it means nothing. Save our ships, It's what people

0:19:44.320 --> 0:19:46.680
<v Speaker 1>have inserted the meeting meaning to him, But it means nothing.

0:19:46.680 --> 0:19:50.000
<v Speaker 1>It's made of just those specific sounds. And the letter's

0:19:50.080 --> 0:19:54.080
<v Speaker 1>looking like a distress signal. Not save our souls, that's

0:19:54.080 --> 0:20:00.640
<v Speaker 1>another one. Save our sushi, We our sisters. Oh come

0:20:00.760 --> 0:20:04.800
<v Speaker 1>any of days. It's the best bits of the week

0:20:05.560 --> 0:20:09.880
<v Speaker 1>with Morgan. Number two talk about an epic weekend at

0:20:09.960 --> 0:20:14.119
<v Speaker 1>CMA Fest for obvious reasons, but more importantly because I

0:20:14.160 --> 0:20:16.960
<v Speaker 1>got to meet Tom Hanks and Rita Wilson and it

0:20:17.080 --> 0:20:21.760
<v Speaker 1>was literally incredible and such a fun, cool experience. I

0:20:21.840 --> 0:20:24.320
<v Speaker 1>met them in the wild. That wasn't like at a

0:20:24.440 --> 0:20:27.760
<v Speaker 1>press moment. They were just out being country music fans

0:20:27.800 --> 0:20:30.520
<v Speaker 1>and it was just so cool. So here's the story

0:20:30.560 --> 0:20:33.159
<v Speaker 1>of how it all happened and how I realized that

0:20:33.280 --> 0:20:36.840
<v Speaker 1>it was Tom Hanks and Rita Wilson. Number three, Morgan,

0:20:36.920 --> 0:20:39.320
<v Speaker 1>how did you meet Tom Hanks? Well, so I was

0:20:39.359 --> 0:20:42.080
<v Speaker 1>at CMA Fest working, but after I got done working,

0:20:42.200 --> 0:20:43.760
<v Speaker 1>I just went out into the crowd and I was

0:20:43.800 --> 0:20:47.040
<v Speaker 1>hanging out with my parents and we're jamming to Jason

0:20:47.040 --> 0:20:49.119
<v Speaker 1>Aldeen he was playing. I was like, you know, I

0:20:49.160 --> 0:20:51.280
<v Speaker 1>really need to go pee. So I left during the

0:20:51.320 --> 0:20:53.520
<v Speaker 1>middle of Jason Aldeen set and I'm walking up the

0:20:53.600 --> 0:20:56.960
<v Speaker 1>stairs in this section where every other fan is at right,

0:20:57.680 --> 0:20:59.320
<v Speaker 1>and I kind of look and I'm like, oh, that

0:20:59.400 --> 0:21:02.400
<v Speaker 1>looks like Rita Wilson. She's on her phone. Didn't think

0:21:02.480 --> 0:21:04.040
<v Speaker 1>much of it. I went to Pete and while I'm

0:21:04.040 --> 0:21:06.960
<v Speaker 1>sitting there, I'm like, if that was Rita Wilson and

0:21:06.960 --> 0:21:09.919
<v Speaker 1>she's only sitting next to somebody else, that has to

0:21:09.960 --> 0:21:12.840
<v Speaker 1>be Tom Hanks. So I come back and I kind

0:21:12.840 --> 0:21:14.800
<v Speaker 1>of scoot in front of him. There's no one around,

0:21:14.960 --> 0:21:18.199
<v Speaker 1>no security guards, know nothing, and the guy sitting there

0:21:18.280 --> 0:21:20.840
<v Speaker 1>jamming to the concert, Rita's on her phone reading something,

0:21:21.280 --> 0:21:23.320
<v Speaker 1>and I just turned around and sure enough, it was

0:21:23.359 --> 0:21:27.120
<v Speaker 1>Tom Hanks and Rita Wilson just sitting there like watching

0:21:27.119 --> 0:21:30.520
<v Speaker 1>the show like any other fan. It's crazy that people

0:21:30.560 --> 0:21:33.600
<v Speaker 1>weren't piling onto them, going hey can I get a picture?

0:21:33.680 --> 0:21:36.080
<v Speaker 1>Like they weren't recognized, I know. And they were sitting

0:21:36.119 --> 0:21:38.520
<v Speaker 1>like right on the aisle there in the rows in

0:21:38.600 --> 0:21:41.040
<v Speaker 1>front and behind them weren't full, like you could easily

0:21:41.080 --> 0:21:43.760
<v Speaker 1>access them if you wanted to. And after I went

0:21:43.840 --> 0:21:45.520
<v Speaker 1>up to him, first of all, I did go up

0:21:45.560 --> 0:21:47.600
<v Speaker 1>and say, hey, I'm Morgan from the Bobby Bones Show

0:21:47.640 --> 0:21:49.520
<v Speaker 1>and we all love you on our show. Both of

0:21:49.520 --> 0:21:52.000
<v Speaker 1>you guys are so awesome, Like do you mind if

0:21:52.040 --> 0:21:53.879
<v Speaker 1>I get a picture. And then after that I blacked

0:21:53.880 --> 0:21:55.639
<v Speaker 1>out because he took my phone and like took a

0:21:55.640 --> 0:21:58.040
<v Speaker 1>selfie with me, and I have no idea what happened afterward.

0:21:58.560 --> 0:22:01.120
<v Speaker 1>See Tom Hanks knows the gay having to grow a technique.

0:22:01.400 --> 0:22:03.639
<v Speaker 1>You take the phone, take the picture, and you can

0:22:03.680 --> 0:22:07.000
<v Speaker 1>scoot people on their way. That's exactly what happened. And

0:22:07.040 --> 0:22:09.879
<v Speaker 1>they still feel loved, right, Yeah, I so did, because

0:22:09.880 --> 0:22:11.760
<v Speaker 1>like I was like, oh, Tom Hanks even touched my

0:22:11.800 --> 0:22:15.159
<v Speaker 1>phone like that even made me feel more special. That's crazy.

0:22:15.200 --> 0:22:17.880
<v Speaker 1>Just saw Tom Hanks hanging out, so you walked off?

0:22:17.880 --> 0:22:19.920
<v Speaker 1>Why didn't they have better seats? Can't we can't we

0:22:19.960 --> 0:22:21.680
<v Speaker 1>get Tom Hanks and better seats than sitting in the

0:22:21.720 --> 0:22:24.199
<v Speaker 1>back of the stadium randomly. Yeah, I mean, I don't know.

0:22:24.240 --> 0:22:26.320
<v Speaker 1>I don't know who they were there for, because they

0:22:26.359 --> 0:22:28.560
<v Speaker 1>did stay through Jason Aldeen. They stayed for a little

0:22:28.560 --> 0:22:30.480
<v Speaker 1>bit of Keith Urban and then they were gone. I

0:22:30.520 --> 0:22:33.040
<v Speaker 1>maybe saw two other people go up to him. But

0:22:33.080 --> 0:22:35.720
<v Speaker 1>besides that, there were people walking past the whole time.

0:22:35.880 --> 0:22:38.119
<v Speaker 1>Oh see, that's what I would be nervous of. Is

0:22:38.119 --> 0:22:41.200
<v Speaker 1>it if they were just chilling and then someone sees

0:22:41.280 --> 0:22:43.600
<v Speaker 1>you asked for a picture, and then it causes this

0:22:43.640 --> 0:22:46.199
<v Speaker 1>flow of people, and then I would feel really, really bad.

0:22:46.320 --> 0:22:48.480
<v Speaker 1>I know that's why I did originally too. I was like,

0:22:48.520 --> 0:22:50.359
<v Speaker 1>I'm sorry, I won't post a picture right now, like

0:22:50.400 --> 0:22:52.919
<v Speaker 1>I'm not gonna make everybody come talk to you guys,

0:22:53.320 --> 0:22:54.959
<v Speaker 1>And they were so cool about it. I don't think

0:22:55.040 --> 0:22:57.000
<v Speaker 1>Tom heard me most of the time, though, because the

0:22:57.000 --> 0:22:58.560
<v Speaker 1>whole set was going on, and he kept kind of

0:22:58.560 --> 0:23:00.399
<v Speaker 1>putting his ear up to me, like I really hear

0:23:00.480 --> 0:23:02.919
<v Speaker 1>what you're saying, But he just kind of smiled and

0:23:03.000 --> 0:23:05.160
<v Speaker 1>took my phone, took a picture and then waved and

0:23:05.359 --> 0:23:09.680
<v Speaker 1>I left. So did he look older younger in person?

0:23:10.280 --> 0:23:12.400
<v Speaker 1>I don't know. I've just never seen Tom Hanks in person,

0:23:12.400 --> 0:23:14.200
<v Speaker 1>and he's about as famous as you can get. Yeah,

0:23:14.240 --> 0:23:16.880
<v Speaker 1>I mean, honestly, he looked so good. I don't even

0:23:16.880 --> 0:23:19.239
<v Speaker 1>know how old they are, but like his smile. He

0:23:19.400 --> 0:23:21.080
<v Speaker 1>I don't know if he's had work done or anything,

0:23:21.080 --> 0:23:24.879
<v Speaker 1>but he looks amazing. And Rita looked great. But they

0:23:24.920 --> 0:23:27.160
<v Speaker 1>don't look like Tom doesn't look like how he would

0:23:27.160 --> 0:23:29.000
<v Speaker 1>look in the movies. He looks like how he would

0:23:29.000 --> 0:23:31.480
<v Speaker 1>look out in public, and all those stories we hear

0:23:31.480 --> 0:23:33.320
<v Speaker 1>about him, it's all. He has his hair died, like

0:23:33.359 --> 0:23:35.359
<v Speaker 1>he's got like, you know, white hair, He's got his

0:23:35.400 --> 0:23:38.680
<v Speaker 1>glasses on. He's just like a regular guy. Well, I'm intrigued.

0:23:38.720 --> 0:23:40.480
<v Speaker 1>I wish I could see somebody famous in the wild.

0:23:41.520 --> 0:23:44.359
<v Speaker 1>You know, I don't know if they would have known who. Hey,

0:23:44.400 --> 0:23:46.240
<v Speaker 1>I'm Morgan from the Bobby Bones Show. I think they're

0:23:46.240 --> 0:23:48.160
<v Speaker 1>just here. What's just white noise to them, don't you think?

0:23:48.359 --> 0:23:50.480
<v Speaker 1>I don't know. I feel like Rita knew who it

0:23:50.560 --> 0:23:52.520
<v Speaker 1>was because she looked at me and she's like, oh yeah, totally.

0:23:52.560 --> 0:23:55.359
<v Speaker 1>Tom had no idea. But Rita, I think new I

0:23:55.359 --> 0:23:57.480
<v Speaker 1>don't know. Some say Forrest Gump was based on me.

0:24:00.080 --> 0:24:02.600
<v Speaker 1>All right, let's do Morgan wall and waste it on you.

0:24:02.640 --> 0:24:04.399
<v Speaker 1>That's a good story, Morgan, that's pretty cool. I can

0:24:04.440 --> 0:24:06.879
<v Speaker 1>hear Eddie's jealousy. You heard that. I can just hear

0:24:07.000 --> 0:24:09.760
<v Speaker 1>driven out at I can't believe it. You never met him, Eddie.

0:24:09.840 --> 0:24:12.280
<v Speaker 1>I've never met him. And that night I was supposed

0:24:12.280 --> 0:24:16.080
<v Speaker 1>to be there with Morgan, but schedules got shifted around

0:24:16.080 --> 0:24:17.560
<v Speaker 1>and I wasn't able to be there, So that was

0:24:17.600 --> 0:24:22.240
<v Speaker 1>my one chance. That's your punishment there. It's the Best

0:24:22.320 --> 0:24:27.000
<v Speaker 1>Bits of the Week with Morgan. Number two. A super

0:24:27.000 --> 0:24:31.120
<v Speaker 1>cool accomplishment for Bobby this week. His children's book Stanley

0:24:31.160 --> 0:24:33.600
<v Speaker 1>the Dog The First Day of School is out. Now.

0:24:33.960 --> 0:24:36.680
<v Speaker 1>He couldn't do the whole press stuff that he planned

0:24:36.760 --> 0:24:39.800
<v Speaker 1>for it because he's not been feeling well, and so

0:24:39.960 --> 0:24:41.679
<v Speaker 1>he did talk about it a little bit on this

0:24:41.680 --> 0:24:43.639
<v Speaker 1>show this week. But I'm definitely wanted it to be

0:24:44.040 --> 0:24:46.119
<v Speaker 1>here on the Best Bits so you guys could purchase

0:24:46.200 --> 0:24:47.760
<v Speaker 1>it and get it if you haven't already. If you

0:24:47.880 --> 0:24:50.760
<v Speaker 1>pre ordered and did all that good stuff, awesome, But

0:24:50.800 --> 0:24:52.280
<v Speaker 1>if you haven't ordered it. You can go to Bobby

0:24:52.320 --> 0:24:55.200
<v Speaker 1>Bones dot com and get you a copy. He signed

0:24:55.320 --> 0:24:58.640
<v Speaker 1>a book for my niece and nephew and it went

0:24:58.680 --> 0:25:01.800
<v Speaker 1>to Kansas to them, So I'm super excited to hear

0:25:01.960 --> 0:25:04.160
<v Speaker 1>and see pictures of them reading it and make sure

0:25:04.160 --> 0:25:06.280
<v Speaker 1>if you're reading it to your kids or you got

0:25:06.280 --> 0:25:08.760
<v Speaker 1>the book, share it on socials with us. He's loved

0:25:08.760 --> 0:25:11.679
<v Speaker 1>getting to see all of that. Number two, I had

0:25:11.720 --> 0:25:14.320
<v Speaker 1>a book come out on Tuesday, Stanley the Dog first

0:25:14.359 --> 0:25:16.240
<v Speaker 1>day at school. I had all this press lined up

0:25:16.320 --> 0:25:18.159
<v Speaker 1>to do and missed every bit of it, so I

0:25:18.200 --> 0:25:20.960
<v Speaker 1>got to do no sort of press for the book.

0:25:21.520 --> 0:25:24.840
<v Speaker 1>So well, what's crazy is how many people pre ordered.

0:25:24.840 --> 0:25:27.879
<v Speaker 1>And honestly I was shocked. I forgot I pre ordered

0:25:27.920 --> 0:25:31.439
<v Speaker 1>it and it arrived in the mail and I was like, oh, hey,

0:25:32.560 --> 0:25:35.160
<v Speaker 1>look at me, okay back in the day. But also

0:25:35.200 --> 0:25:37.119
<v Speaker 1>I saw so many people that got it day of

0:25:37.320 --> 0:25:39.840
<v Speaker 1>which means so many people pre ordered. Yes, and I'm

0:25:39.920 --> 0:25:43.720
<v Speaker 1>very appreciative. And if you weren't pre ordering, because I

0:25:43.920 --> 0:25:47.000
<v Speaker 1>would never pre order anything really, and I appreciate those

0:25:47.040 --> 0:25:48.520
<v Speaker 1>who did. You can go to Amazon and order it

0:25:48.520 --> 0:25:49.800
<v Speaker 1>now and it'll be there in a day or two.

0:25:50.080 --> 0:25:53.960
<v Speaker 1>But it's yes. Two things to say. Yes, it's called

0:25:53.960 --> 0:25:57.000
<v Speaker 1>Stanley the Dog First Day of School. But I haven't

0:25:57.040 --> 0:26:02.280
<v Speaker 1>received my signature yet. Oh you just kidding. I didn't

0:26:02.359 --> 0:26:04.520
<v Speaker 1>email the thing, but I saw some people are getting

0:26:04.520 --> 0:26:06.440
<v Speaker 1>mad and they're leaving that as a review and they

0:26:06.440 --> 0:26:08.160
<v Speaker 1>need to not do that because you're mailing it out

0:26:08.320 --> 0:26:10.760
<v Speaker 1>and they need to give you five stars. Well, here's

0:26:10.800 --> 0:26:13.600
<v Speaker 1>what happened. The book company says you need to do

0:26:13.960 --> 0:26:15.480
<v Speaker 1>a pre sale. I said, I don't want to do

0:26:15.520 --> 0:26:17.840
<v Speaker 1>a pre sale. I think presales are dumb. They said, well,

0:26:17.880 --> 0:26:19.920
<v Speaker 1>it's in your contract to do a presale. I said,

0:26:19.960 --> 0:26:22.159
<v Speaker 1>I will only do a pre sale if I can

0:26:22.240 --> 0:26:24.200
<v Speaker 1>promise the people they are going to buy it early

0:26:24.280 --> 0:26:26.119
<v Speaker 1>that I can send them something extra. I'm not going

0:26:26.160 --> 0:26:29.400
<v Speaker 1>to charge them anymore. But they say, okay, great, So

0:26:29.760 --> 0:26:32.280
<v Speaker 1>we sell like thirteen thousand in presale. I've been signing.

0:26:32.520 --> 0:26:35.040
<v Speaker 1>I've been signing these little art cards every day for

0:26:35.080 --> 0:26:37.840
<v Speaker 1>at least an hour for the past two months. And

0:26:37.920 --> 0:26:40.040
<v Speaker 1>so we never said they were going to come out

0:26:40.200 --> 0:26:41.960
<v Speaker 1>right when the book came, you're gonna get the book.

0:26:42.040 --> 0:26:43.680
<v Speaker 1>Some of them got it before, so we'll get it after.

0:26:43.880 --> 0:26:45.119
<v Speaker 1>But you'll get it in the mail and it's a

0:26:45.200 --> 0:26:47.080
<v Speaker 1>signed piece of art that goes with the book, and

0:26:47.119 --> 0:26:48.760
<v Speaker 1>people are all upset that didn't get there is when

0:26:48.760 --> 0:26:50.760
<v Speaker 1>other people are getting it on the app. We're mailing

0:26:50.760 --> 0:26:54.600
<v Speaker 1>them out individually. I'm going crazy over here and I

0:26:54.680 --> 0:26:57.399
<v Speaker 1>got sick. And so then they're leaving one star reviews

0:26:57.440 --> 0:26:59.720
<v Speaker 1>on Amazon. They're like, love the book didn't get them

0:26:59.720 --> 0:27:02.959
<v Speaker 1>out to graft one star. Yeah, I was bothered by that,

0:27:03.000 --> 0:27:04.760
<v Speaker 1>but I was just saying too, they had to have

0:27:04.920 --> 0:27:07.840
<v Speaker 1>also sent the email to get the signature. Yes, it

0:27:07.920 --> 0:27:12.760
<v Speaker 1>is a matter anyway. Okay, It's the best Bits of

0:27:12.800 --> 0:27:18.320
<v Speaker 1>the week with Morgan. Number two in Super Hot At

0:27:18.359 --> 0:27:20.639
<v Speaker 1>the number one spot is Gavin DeGraw. He came on

0:27:20.640 --> 0:27:22.680
<v Speaker 1>the show this week for an interview and he also

0:27:22.720 --> 0:27:26.480
<v Speaker 1>performed some of his hit songs, including Yes, I Don't

0:27:26.520 --> 0:27:28.600
<v Speaker 1>Want to Be, which, as a One Tree Hill fan,

0:27:29.240 --> 0:27:31.399
<v Speaker 1>such a fun moment. I've seen him in concert, but

0:27:31.560 --> 0:27:34.399
<v Speaker 1>nothing was like this interview in this performance. Gavin is

0:27:34.440 --> 0:27:36.480
<v Speaker 1>just such a good dude. And to have him in

0:27:36.520 --> 0:27:39.080
<v Speaker 1>here talking about all of his hit songs in his

0:27:39.160 --> 0:27:41.480
<v Speaker 1>new project and what he has had to go through

0:27:42.000 --> 0:27:44.680
<v Speaker 1>in his life recently to put out this new project

0:27:44.800 --> 0:27:48.800
<v Speaker 1>just an all around. Incredible interview and probably one of

0:27:48.840 --> 0:27:52.560
<v Speaker 1>my favorites in recent years. So, without further ado, why

0:27:52.600 --> 0:27:54.320
<v Speaker 1>have I been saying that a lot lately? I have

0:27:54.400 --> 0:27:57.840
<v Speaker 1>no idea, but it's Gavin DeGraw Number one. Gavin. I

0:27:57.880 --> 0:28:01.040
<v Speaker 1>was watching some of this this this docuseries where you're

0:28:01.119 --> 0:28:03.280
<v Speaker 1>road tripping, and I know that you also like to

0:28:03.320 --> 0:28:06.080
<v Speaker 1>be in your bus. Do you hate flying? I just

0:28:06.240 --> 0:28:07.679
<v Speaker 1>is like, would you hate flying or you just like

0:28:07.720 --> 0:28:10.840
<v Speaker 1>being on the ground. Uh? Man, I don't really like

0:28:10.960 --> 0:28:14.720
<v Speaker 1>airports because I hate flying. I'm scared of flying. Yeah,

0:28:14.720 --> 0:28:16.879
<v Speaker 1>you're scared of people. It sounds like, you know, I

0:28:17.520 --> 0:28:21.440
<v Speaker 1>don't like bad interactions and airports is like it's like

0:28:21.720 --> 0:28:24.600
<v Speaker 1>a recipe for bad interactions with people. You know, you

0:28:24.680 --> 0:28:27.000
<v Speaker 1>taught me a lesson in an airport once. It was

0:28:27.320 --> 0:28:30.080
<v Speaker 1>a couple of years ago. That's pretty pandemic. And I

0:28:30.119 --> 0:28:32.520
<v Speaker 1>think we were sitting next to each other or near

0:28:32.560 --> 0:28:36.560
<v Speaker 1>each other on a flight and we had both been

0:28:36.640 --> 0:28:38.680
<v Speaker 1>stopped going through the airport. But you were you were

0:28:38.760 --> 0:28:41.440
<v Speaker 1>very efficient and very nice to people, and I'd be like, yeah,

0:28:41.520 --> 0:28:42.920
<v Speaker 1>let's take it. I would take like ten minutes and

0:28:42.920 --> 0:28:44.480
<v Speaker 1>you're like, no, here's what you do. You go, Yeah,

0:28:44.520 --> 0:28:46.120
<v Speaker 1>give me your phone, and you take the self before them,

0:28:46.160 --> 0:28:47.880
<v Speaker 1>and you give them their phone back, and everybody wins.

0:28:48.360 --> 0:28:52.600
<v Speaker 1>And so that's the move because yeah, your lesson was

0:28:53.040 --> 0:28:54.800
<v Speaker 1>they're gonna be like, well, I can't give my camera ride.

0:28:54.800 --> 0:28:57.560
<v Speaker 1>I can't. He say, you just take the phone from them.

0:28:57.640 --> 0:28:59.400
<v Speaker 1>You do that, you take the selfie because you know

0:28:59.560 --> 0:29:01.400
<v Speaker 1>exactly how to do it. Then you hand their phone back.

0:29:01.400 --> 0:29:04.680
<v Speaker 1>At true, everybody wins a lot faster, and it looks

0:29:04.720 --> 0:29:06.680
<v Speaker 1>good because you control it because you've been doing it

0:29:06.720 --> 0:29:09.480
<v Speaker 1>a million times. Yeah right. You know who did it

0:29:09.520 --> 0:29:11.360
<v Speaker 1>the best? Who I saw do it? And I was like,

0:29:12.200 --> 0:29:16.080
<v Speaker 1>he's knocking this out of the park Ed Sheering. I

0:29:16.200 --> 0:29:18.239
<v Speaker 1>was with Ed one night and things were blowing up

0:29:18.280 --> 0:29:21.120
<v Speaker 1>for him and I was like, man, this guy's really

0:29:21.160 --> 0:29:24.240
<v Speaker 1>good at this. Look at that angle way to hold

0:29:24.280 --> 0:29:26.680
<v Speaker 1>that phone steady. He's got it down. I got it,

0:29:28.160 --> 0:29:31.040
<v Speaker 1>got out the mole skin. I was like chopping it

0:29:31.080 --> 0:29:34.040
<v Speaker 1>down on pen and paper. You know, I remember this

0:29:34.200 --> 0:29:38.880
<v Speaker 1>thirty degrees. I've passed your knowledge to multiple people. Yeah,

0:29:38.960 --> 0:29:41.440
<v Speaker 1>the same way I taught you, you taught me. Gavin's

0:29:41.480 --> 0:29:43.800
<v Speaker 1>going generationally at this point, let's do this. It's like

0:29:43.840 --> 0:29:46.040
<v Speaker 1>you'll save time you'll have a better picture. Just say, hey, yah,

0:29:46.080 --> 0:29:47.600
<v Speaker 1>let's take a picture. Give me your phone boom, take

0:29:47.640 --> 0:29:49.360
<v Speaker 1>it all right, there we go and I love it.

0:29:49.480 --> 0:29:52.000
<v Speaker 1>And if you're not too heavily caffeinated, the pictures pretty good.

0:29:52.160 --> 0:29:55.560
<v Speaker 1>Otherwise the little shaky Yeah, let's forget about the caffeine

0:29:55.640 --> 0:29:57.840
<v Speaker 1>hits me hard. Man, I'll drink and eight ball's worth

0:29:57.880 --> 0:29:59.560
<v Speaker 1>of it and I'll be I'll take the selfie for

0:29:59.600 --> 0:30:02.640
<v Speaker 1>it looks like an earthquake gappen. Congrats on the new record, man,

0:30:03.040 --> 0:30:04.800
<v Speaker 1>so good you don't it was lucky enough that you

0:30:04.880 --> 0:30:06.080
<v Speaker 1>send it over to me, because you know, I'm just

0:30:06.120 --> 0:30:09.800
<v Speaker 1>a fan of you musically anyway. And I mean it's

0:30:09.800 --> 0:30:11.320
<v Speaker 1>it's and we're gonna play something from it just a

0:30:11.360 --> 0:30:14.720
<v Speaker 1>little bit. But also, and I'm not sure if you

0:30:14.800 --> 0:30:16.840
<v Speaker 1>know all who's been bragging about the record, but I

0:30:16.880 --> 0:30:19.520
<v Speaker 1>would be considered like a half toaster. There's a there's

0:30:19.520 --> 0:30:22.040
<v Speaker 1>a podcast called The Morning Toast and they were player

0:30:22.280 --> 0:30:24.200
<v Speaker 1>bragging on it and playing it to a pretty podcast

0:30:24.200 --> 0:30:26.120
<v Speaker 1>and I was like, I know that guy. Thanks. Yeah,

0:30:26.200 --> 0:30:28.280
<v Speaker 1>So I didn't do it. Mind's right now, but there's

0:30:28.320 --> 0:30:31.640
<v Speaker 1>already happened, I think, yeah too, man, So the record

0:30:31.760 --> 0:30:35.600
<v Speaker 1>is really great. So when this thing comes out, well,

0:30:35.640 --> 0:30:37.120
<v Speaker 1>I guess before it comes out, like, how long do

0:30:37.160 --> 0:30:39.600
<v Speaker 1>you work on an album like this? And do you

0:30:39.640 --> 0:30:44.080
<v Speaker 1>feel like musically sonically this is I don't want to

0:30:44.080 --> 0:30:47.360
<v Speaker 1>see a change. It definitely feels a little more in

0:30:47.400 --> 0:30:51.200
<v Speaker 1>the loveliest way, like mature, Like did this album did

0:30:51.200 --> 0:30:52.719
<v Speaker 1>do you feel? Did you feel like that appropriate way

0:30:52.720 --> 0:30:55.920
<v Speaker 1>to describe it? I think that's spot on. Um. You know,

0:30:56.040 --> 0:31:01.800
<v Speaker 1>record came out on the twentieth of May, and and uh,

0:31:01.800 --> 0:31:05.440
<v Speaker 1>you know, I've been holding it back, um because I

0:31:05.440 --> 0:31:06.880
<v Speaker 1>didn't know if it was the right time to put

0:31:06.920 --> 0:31:09.560
<v Speaker 1>it out for a long time. It's been done for

0:31:09.600 --> 0:31:11.720
<v Speaker 1>a long time, but you know, the world was all

0:31:11.800 --> 0:31:13.959
<v Speaker 1>upside down and my life, my personal life was all

0:31:14.040 --> 0:31:18.080
<v Speaker 1>upside down. Um, and I wasn't I wasn't sure when

0:31:18.200 --> 0:31:21.480
<v Speaker 1>when's the right time to put out new music and um,

0:31:21.680 --> 0:31:24.320
<v Speaker 1>when does it feel like the right time? And also

0:31:24.360 --> 0:31:26.600
<v Speaker 1>at the same time, how how am I going to

0:31:26.640 --> 0:31:30.360
<v Speaker 1>serve the songs to my fans? I didn't. I didn't

0:31:30.360 --> 0:31:32.800
<v Speaker 1>want to just launch this thing out, you know, out

0:31:32.800 --> 0:31:35.600
<v Speaker 1>of a cannon and hope people heard it. And I

0:31:35.640 --> 0:31:38.560
<v Speaker 1>wanted to kind of deliver it to them personally and

0:31:38.680 --> 0:31:41.280
<v Speaker 1>go out and play little rooms. Um the tour I

0:31:41.320 --> 0:31:44.640
<v Speaker 1>just did. UM. I went out and I played rooms

0:31:44.680 --> 0:31:46.480
<v Speaker 1>that were the size of the rooms I played before

0:31:46.520 --> 0:31:51.280
<v Speaker 1>I ever had a record deal. UM like the Even

0:31:51.360 --> 0:31:53.440
<v Speaker 1>on launch, the actual release day of the record, we

0:31:53.480 --> 0:31:55.360
<v Speaker 1>played the Bitter End, which is the first place they

0:31:55.360 --> 0:31:57.080
<v Speaker 1>ever gave me a gig in New York City. You know,

0:31:57.120 --> 0:31:59.960
<v Speaker 1>it holds one hundred and fifty people, two hundred people.

0:32:00.360 --> 0:32:02.560
<v Speaker 1>I just felt like being in those environments was the

0:32:02.640 --> 0:32:05.640
<v Speaker 1>right way to serve the songs to people who've been

0:32:05.680 --> 0:32:08.400
<v Speaker 1>with me for a long time. The audience is basically

0:32:08.400 --> 0:32:11.280
<v Speaker 1>what changed my life. So I wanted to serve them

0:32:11.320 --> 0:32:13.080
<v Speaker 1>the songs the way that I used to serve songs

0:32:13.120 --> 0:32:15.360
<v Speaker 1>before I haven't had a record deal. Get up on stage,

0:32:15.400 --> 0:32:18.680
<v Speaker 1>talk about the music, talk about my life and you know,

0:32:18.760 --> 0:32:21.400
<v Speaker 1>here's a song about it and all these things happen,

0:32:21.480 --> 0:32:26.160
<v Speaker 1>and then just make it rhyme right, make it ry yeah, yeah,

0:32:26.240 --> 0:32:30.440
<v Speaker 1>and uh, you know, making this record it was heavily personal.

0:32:30.560 --> 0:32:32.200
<v Speaker 1>You know, there's a lot of loss in the family.

0:32:32.240 --> 0:32:34.120
<v Speaker 1>And I lost my mom, and then two weeks later

0:32:34.240 --> 0:32:37.000
<v Speaker 1>my grandma died, and then six months later my granddad died.

0:32:37.040 --> 0:32:39.640
<v Speaker 1>And then COVID happened, and then my dad got diagnosed

0:32:39.640 --> 0:32:41.959
<v Speaker 1>and he died, and you know, I'm watching all that

0:32:42.000 --> 0:32:45.360
<v Speaker 1>stuff happened around me. But I wanted to finish the

0:32:45.440 --> 0:32:47.200
<v Speaker 1>record while he was alive. I wanted him to hear

0:32:47.240 --> 0:32:50.760
<v Speaker 1>the record. It was that was my timeline. My timeline

0:32:50.800 --> 0:32:53.480
<v Speaker 1>was finish it for dad right whenever, you know, hopefully

0:32:53.520 --> 0:32:58.200
<v Speaker 1>before I lose him. So it wasn't going to be

0:32:58.200 --> 0:33:01.240
<v Speaker 1>a business as usual album. That wasn't going to be Hey,

0:33:01.320 --> 0:33:03.240
<v Speaker 1>let me write some songs and I hope I get

0:33:03.280 --> 0:33:05.680
<v Speaker 1>some hit songs. And it just had nothing to do

0:33:05.720 --> 0:33:09.479
<v Speaker 1>with that. It was just different. The world was different.

0:33:09.760 --> 0:33:12.480
<v Speaker 1>I'm different, and for me to go on and just

0:33:12.560 --> 0:33:17.040
<v Speaker 1>do business as usual, cutting records just in hopes of man,

0:33:17.080 --> 0:33:20.320
<v Speaker 1>I hope it catches on, it just wasn't gonna It

0:33:20.400 --> 0:33:23.360
<v Speaker 1>would be disingenuous. And I can't ignore the things that

0:33:23.440 --> 0:33:26.560
<v Speaker 1>happened to me, or to them, or to every the

0:33:26.600 --> 0:33:29.080
<v Speaker 1>world as a whole, you know, and just launch a

0:33:29.160 --> 0:33:32.760
<v Speaker 1>record and and hey, this is so people dance. That's

0:33:32.800 --> 0:33:35.920
<v Speaker 1>just not how I feel. You know, the world changed

0:33:35.960 --> 0:33:39.520
<v Speaker 1>and I changed with it. I'm forty five years old,

0:33:39.520 --> 0:33:41.560
<v Speaker 1>I'm a grown man. For me to go out and

0:33:41.640 --> 0:33:44.480
<v Speaker 1>just trying to, you know, do my happy dance would

0:33:44.480 --> 0:33:47.560
<v Speaker 1>just be silly. You know. I was listening to it again.

0:33:47.600 --> 0:33:48.920
<v Speaker 1>I'd spent some time with it when you sent it

0:33:48.960 --> 0:33:50.080
<v Speaker 1>to me, and then I was listen to it again.

0:33:50.120 --> 0:33:53.240
<v Speaker 1>And this the track that hit me always every time,

0:33:53.440 --> 0:33:56.960
<v Speaker 1>was Chasing Win. I'm gonna ray if you'll play some

0:33:57.000 --> 0:34:11.600
<v Speaker 1>of this. Here's some of Gavin song Chasing Win. You

0:34:11.640 --> 0:34:13.520
<v Speaker 1>know what's interesting too, as Dave co produced this right

0:34:13.520 --> 0:34:15.120
<v Speaker 1>and Dave Calls worked with a lot of our favorite

0:34:15.160 --> 0:34:19.320
<v Speaker 1>artists here intown. He's he's genius. I took a meeting U.

0:34:19.760 --> 0:34:21.920
<v Speaker 1>He took a meeting with me, which I didn't expect

0:34:21.960 --> 0:34:24.879
<v Speaker 1>because you know who am I? And Um? I met

0:34:24.960 --> 0:34:28.200
<v Speaker 1>him in midtown here and U. We did lunch, was

0:34:28.239 --> 0:34:30.480
<v Speaker 1>he and I And I was expecting some old geezer

0:34:30.480 --> 0:34:31.960
<v Speaker 1>to walk through the door because I heard his name

0:34:32.040 --> 0:34:33.560
<v Speaker 1>so many times, you know, and he had so many

0:34:33.600 --> 0:34:36.160
<v Speaker 1>hit records. But he walked in. He had cooler hair

0:34:36.239 --> 0:34:38.640
<v Speaker 1>than me, and he was cooler than me, and and

0:34:38.840 --> 0:34:42.680
<v Speaker 1>uh probably younger than me. Um. He said, what do

0:34:42.680 --> 0:34:45.880
<v Speaker 1>you want to do? And I said, I need to

0:34:45.920 --> 0:34:47.880
<v Speaker 1>get all this stuff out of my body. And I

0:34:47.920 --> 0:34:50.080
<v Speaker 1>don't want to co write with anybody. I want to

0:34:50.200 --> 0:34:51.880
<v Speaker 1>go back to writing alone like it did with the

0:34:51.920 --> 0:34:55.200
<v Speaker 1>first few records. UM. But I think you're the best

0:34:55.200 --> 0:34:57.239
<v Speaker 1>producer in the world for kind of record I want

0:34:57.239 --> 0:35:01.560
<v Speaker 1>to make U And he said, with some explet is,

0:35:01.800 --> 0:35:04.520
<v Speaker 1>let's do it, you know. And a couple weeks later

0:35:04.560 --> 0:35:08.040
<v Speaker 1>we were in the room and UM, you know, he

0:35:08.360 --> 0:35:11.520
<v Speaker 1>brought in some ace players and I brought in the

0:35:11.520 --> 0:35:13.960
<v Speaker 1>best guitar player. I know this guy right here, Billy

0:35:14.040 --> 0:35:17.680
<v Speaker 1>Norris and uh and uh, and we just started recording

0:35:17.880 --> 0:35:20.960
<v Speaker 1>and um. And I think that Dave's influence over the

0:35:21.000 --> 0:35:23.920
<v Speaker 1>record as a whole was something that took took it

0:35:24.040 --> 0:35:26.479
<v Speaker 1>to to heights I couldn't have I couldn't have seen.

0:35:26.520 --> 0:35:29.600
<v Speaker 1>And um My my vision for it was more linear

0:35:29.640 --> 0:35:33.880
<v Speaker 1>than his. Um. His vision was much bigger than mine. UM.

0:35:33.920 --> 0:35:36.560
<v Speaker 1>And he really challenged me in the studio, which I

0:35:36.840 --> 0:35:40.040
<v Speaker 1>really appreciated. I think we all worked better under pressure anyway,

0:35:40.080 --> 0:35:42.040
<v Speaker 1>you know. I think everybody needs to have somebody kind

0:35:42.040 --> 0:35:44.759
<v Speaker 1>of putting a thumb on him and uh and challenging him.

0:35:44.760 --> 0:35:46.840
<v Speaker 1>And I think what he did, uh and what he

0:35:46.920 --> 0:35:50.439
<v Speaker 1>demanded made the album a whole lot better. Than than

0:35:50.480 --> 0:35:53.480
<v Speaker 1>I ever could. Gavin Nagrass here got a new album,

0:35:53.480 --> 0:35:55.200
<v Speaker 1>Faced the River. We're gonna play for it in just

0:35:55.239 --> 0:35:57.799
<v Speaker 1>a few minutes. But when I think about, you know,

0:35:58.080 --> 0:36:01.560
<v Speaker 1>somebody just says your name and that that chair that

0:36:01.719 --> 0:36:05.000
<v Speaker 1>melody of Chariot, Yeah, just sits in like the on

0:36:05.040 --> 0:36:06.800
<v Speaker 1>the back when it's like, hey, you know, listening to

0:36:06.880 --> 0:36:11.319
<v Speaker 1>having a girl and immediately chair that that just that melody.

0:36:11.480 --> 0:36:14.000
<v Speaker 1>I'm assuming when you when you play, you play, do

0:36:14.000 --> 0:36:17.400
<v Speaker 1>you play all the hits like your shows? Yeah? Pretty much? Absolutely.

0:36:17.480 --> 0:36:18.840
<v Speaker 1>You know I'm walking you play a little bit of

0:36:18.880 --> 0:36:21.360
<v Speaker 1>Chariot just to get that that bug out of my ear? Oh? Absolutely,

0:36:21.360 --> 0:36:23.439
<v Speaker 1>won't play just play the hook. Sure that's a part,

0:36:23.440 --> 0:36:25.439
<v Speaker 1>you know, Yeah, it's part I think I know more.

0:36:25.520 --> 0:36:27.680
<v Speaker 1>That's a part that Yeah, all right, here to good

0:36:27.920 --> 0:36:45.600
<v Speaker 1>three four chairing you go walking down, so check I'm

0:36:45.640 --> 0:36:54.800
<v Speaker 1>singing out to God me give me you sho rang nice?

0:36:55.280 --> 0:36:57.160
<v Speaker 1>All right, I'm good. That worm is gone. You know,

0:36:57.200 --> 0:36:59.360
<v Speaker 1>you just gotta sometimes you gotta feed the worm and

0:36:59.480 --> 0:37:02.800
<v Speaker 1>the worms and the worm goes away. I like it.

0:37:03.200 --> 0:37:06.080
<v Speaker 1>I know you're gonna read tune now right? Do you

0:37:06.080 --> 0:37:10.080
<v Speaker 1>need a second? Just a second? Cool? Can we keep talking. Yeah, okay, cool.

0:37:10.400 --> 0:37:13.919
<v Speaker 1>So Chariot was one of your first singles. I played

0:37:13.920 --> 0:37:15.440
<v Speaker 1>it on radio as wow. It was one of the

0:37:15.440 --> 0:37:18.600
<v Speaker 1>early ones, right very early. Yeah, two thousand and five,

0:37:20.320 --> 0:37:23.080
<v Speaker 1>somewhere and there. It was a funny little group of song.

0:37:23.719 --> 0:37:26.520
<v Speaker 1>The timeline is really weird because the first song I

0:37:26.560 --> 0:37:29.479
<v Speaker 1>ever released, um, I don't want to say it didn't

0:37:29.520 --> 0:37:32.120
<v Speaker 1>do anything, but it didn't do anything. It was called

0:37:32.200 --> 0:37:35.279
<v Speaker 1>follow Through. And then I got lucky with a song

0:37:35.320 --> 0:37:38.400
<v Speaker 1>called I Don't Want to Be And then Clive Davis

0:37:38.560 --> 0:37:40.640
<v Speaker 1>loved the song follow Through so much he goes no

0:37:40.920 --> 0:37:44.120
<v Speaker 1>rereleasing follow Through, so he wanted to launch it again,

0:37:44.360 --> 0:37:46.799
<v Speaker 1>and that time, for whatever reason, it was a hit.

0:37:47.360 --> 0:37:50.440
<v Speaker 1>And then the next one was Chariot. And so it

0:37:50.480 --> 0:37:52.719
<v Speaker 1>was in that first little little group. Yeah, but I'll

0:37:52.719 --> 0:37:54.800
<v Speaker 1>be around. It was till five or six. Everything's just

0:37:54.840 --> 0:37:57.279
<v Speaker 1>flying so fast. Then, I'm assuming at that stage of

0:37:57.320 --> 0:38:01.520
<v Speaker 1>your career, you know. It's funny. I was always um

0:38:01.560 --> 0:38:06.080
<v Speaker 1>afraid to acknowledge any successes that were happening. Um, I

0:38:06.200 --> 0:38:09.279
<v Speaker 1>was almost too busy to notice them. But as they

0:38:09.320 --> 0:38:12.080
<v Speaker 1>were occurring, I was so afraid that they were going

0:38:12.120 --> 0:38:14.759
<v Speaker 1>to disappear if I picked my head up to look

0:38:14.800 --> 0:38:17.160
<v Speaker 1>in the rearview mirror and go, well, cool, look, look

0:38:17.200 --> 0:38:20.480
<v Speaker 1>what just happened. You know, um, and I and I

0:38:20.560 --> 0:38:23.640
<v Speaker 1>was you know, I don't know. It's a personality type thing. Man.

0:38:23.680 --> 0:38:27.200
<v Speaker 1>I'm always waiting for the other shooter drop. Yeah. Yeah,

0:38:27.239 --> 0:38:31.400
<v Speaker 1>so so you know, even when big things were happening,

0:38:31.440 --> 0:38:33.719
<v Speaker 1>I just thought it was, oh, we have to do this.

0:38:33.960 --> 0:38:36.319
<v Speaker 1>We're doing this. It's great, we're doing this. But we're

0:38:36.320 --> 0:38:38.239
<v Speaker 1>doing this. I guess we're doing this because we have

0:38:38.320 --> 0:38:40.799
<v Speaker 1>to do this because nothing's working yet, you know what

0:38:40.840 --> 0:38:43.440
<v Speaker 1>I mean. And I don't know why. It's a personality

0:38:43.480 --> 0:38:46.160
<v Speaker 1>type thing. But you know, you get on, you're lucky

0:38:46.200 --> 0:38:48.200
<v Speaker 1>enough to come on, it will show like this me

0:38:48.800 --> 0:38:52.320
<v Speaker 1>and go, this is great, this is awesome. We definitely

0:38:52.360 --> 0:38:56.640
<v Speaker 1>have to do this. Nothing must be working right. It's

0:38:56.680 --> 0:39:00.799
<v Speaker 1>a little happening by a little lot of nerosis because

0:39:00.800 --> 0:39:03.439
<v Speaker 1>I live no databauck, no dabt about it. It's it's

0:39:03.520 --> 0:39:07.120
<v Speaker 1>fear and uh and it's you know, it's fear of failure,

0:39:07.160 --> 0:39:09.080
<v Speaker 1>and it's fear of hey man, did I make all

0:39:09.080 --> 0:39:12.000
<v Speaker 1>the wrong decisions? And you know I joke about it

0:39:12.040 --> 0:39:14.680
<v Speaker 1>with with with friends of mine that you always feel

0:39:14.719 --> 0:39:19.040
<v Speaker 1>like I'm I'm one one more bad decision away from

0:39:19.080 --> 0:39:21.720
<v Speaker 1>just playing the lobbyist some hotel in the middle of somewhere,

0:39:22.280 --> 0:39:25.400
<v Speaker 1>you know, and uh, you know that guy you know,

0:39:25.560 --> 0:39:29.640
<v Speaker 1>and uh, you're just you just you don't have complete

0:39:29.640 --> 0:39:32.320
<v Speaker 1>control of things. You know. You mentioned you got lucky

0:39:32.360 --> 0:39:35.080
<v Speaker 1>with I don't want to be yeah again. I was

0:39:35.120 --> 0:39:37.839
<v Speaker 1>in pop radio at that point. I don't know it

0:39:37.960 --> 0:39:41.320
<v Speaker 1>from One Tree Hill that the show. It's one that

0:39:42.000 --> 0:39:44.520
<v Speaker 1>I don't know it from that. I'll just know it

0:39:44.600 --> 0:39:48.440
<v Speaker 1>from being played on the radio. So which this chicken

0:39:48.560 --> 0:39:51.960
<v Speaker 1>or Egg? Here? Was it a single? And then it

0:39:52.040 --> 0:39:53.960
<v Speaker 1>got big and the TV show put it on, or

0:39:53.960 --> 0:39:56.479
<v Speaker 1>did the TV show, and then it went from there. Man,

0:39:56.840 --> 0:39:58.959
<v Speaker 1>you know, it's funny with that song because I thought

0:39:58.960 --> 0:40:02.520
<v Speaker 1>that was the obvious first single. My brother was screaming

0:40:02.600 --> 0:40:04.319
<v Speaker 1>up all the time at me, you know, in our

0:40:04.360 --> 0:40:06.399
<v Speaker 1>apartment in New York. He's like, that's a single. What's

0:40:06.480 --> 0:40:08.200
<v Speaker 1>wrong with people? You know, like they need to put

0:40:08.200 --> 0:40:12.439
<v Speaker 1>that out first? But follow Through is the one. And

0:40:14.160 --> 0:40:16.520
<v Speaker 1>I got a phone call from a guy. The song

0:40:16.600 --> 0:40:18.480
<v Speaker 1>hadn't been selected to be a single yet, and I

0:40:18.480 --> 0:40:20.719
<v Speaker 1>got a phone call from a guy named Joe de

0:40:20.840 --> 0:40:25.680
<v Speaker 1>Vola and Joe de Vola said, hey, I want to

0:40:25.760 --> 0:40:28.560
<v Speaker 1>use your song for a TV show, and I said, nah,

0:40:28.560 --> 0:40:32.040
<v Speaker 1>absolutely not. I don't even watch TV. TV stupid, you know,

0:40:32.680 --> 0:40:37.840
<v Speaker 1>and that's just you know New York, you know East

0:40:37.920 --> 0:40:41.400
<v Speaker 1>Village Art, you know snob at the time, you know,

0:40:41.440 --> 0:40:44.680
<v Speaker 1>I was kicking around Alphabet City and you know, twenty

0:40:44.760 --> 0:40:48.080
<v Speaker 1>years ago, right. So I said, nah, I don't even

0:40:48.080 --> 0:40:50.520
<v Speaker 1>watch TV. Who watches TV? And I don't want to

0:40:50.520 --> 0:40:53.719
<v Speaker 1>be associated with it. He goes, listen, you gotta help me,

0:40:53.760 --> 0:40:57.360
<v Speaker 1>help you the song I think would be a big song,

0:40:57.640 --> 0:41:00.160
<v Speaker 1>and I want to put in a show. I said, nah, no,

0:41:00.719 --> 0:41:02.959
<v Speaker 1>I really appreciate it. You sound like a nice guy,

0:41:03.120 --> 0:41:05.560
<v Speaker 1>but no thanks. He goes, okay, let me ask you

0:41:05.560 --> 0:41:08.040
<v Speaker 1>another question. How much money you got in your bank

0:41:08.080 --> 0:41:15.440
<v Speaker 1>account right now? And I was like, he starts laughing,

0:41:16.200 --> 0:41:18.719
<v Speaker 1>and he goes, listen, think about it. We're not going

0:41:18.760 --> 0:41:20.759
<v Speaker 1>to touch the song. We're just gonna put it in

0:41:20.840 --> 0:41:23.319
<v Speaker 1>a place where people are gonna hear it, you know.

0:41:23.880 --> 0:41:25.799
<v Speaker 1>And that show wasn't on yet, right, I wasn't even

0:41:25.840 --> 0:41:30.400
<v Speaker 1>on yet, right, yeah? And I followed through. Apparently had

0:41:30.440 --> 0:41:32.719
<v Speaker 1>been picked up and put in another show that was

0:41:32.760 --> 0:41:36.560
<v Speaker 1>in pilot in pilot mode that never got actually never

0:41:36.640 --> 0:41:38.680
<v Speaker 1>became bigger. But I think val Kilmerson was about the

0:41:38.680 --> 0:41:44.759
<v Speaker 1>porn industry followed through. I don't know, but anyway, but yeah,

0:41:45.000 --> 0:41:46.960
<v Speaker 1>I said, you' know what, all right, this guy's right.

0:41:47.160 --> 0:41:49.440
<v Speaker 1>Guys like me aren't going to be watching this stuff

0:41:49.480 --> 0:41:52.040
<v Speaker 1>anyway and associated with certain things. I'm not going to

0:41:52.080 --> 0:41:54.480
<v Speaker 1>associate it with a teen show. I'm not a teenager,

0:41:54.560 --> 0:41:57.840
<v Speaker 1>you know. I was twenty seven at the time, and

0:41:57.880 --> 0:42:02.160
<v Speaker 1>I was an adult. But I said, all right, do it,

0:42:02.400 --> 0:42:04.040
<v Speaker 1>do you know, man, just do whatever you want with it.

0:42:04.040 --> 0:42:06.160
<v Speaker 1>I appreciate it, and you know what, just do it,

0:42:06.200 --> 0:42:08.680
<v Speaker 1>Just do it. And sure enough that the song took off.

0:42:08.719 --> 0:42:11.839
<v Speaker 1>And then I walked into the label and I had

0:42:11.880 --> 0:42:17.120
<v Speaker 1>a meeting with Clive Davis, and he said, with everything

0:42:17.239 --> 0:42:21.839
<v Speaker 1>happening around this show, the show with the song you've

0:42:21.840 --> 0:42:26.480
<v Speaker 1>heard clap Talk, the obvious next single would be I

0:42:26.520 --> 0:42:28.400
<v Speaker 1>Don't Want to Be And I was like, all right, great,

0:42:28.440 --> 0:42:31.360
<v Speaker 1>this is awesome. You know, so the song I originally wanted,

0:42:31.360 --> 0:42:34.759
<v Speaker 1>it's finally going to be the single, and it did it.

0:42:34.760 --> 0:42:37.239
<v Speaker 1>It took off, and you know, fortunately that was a

0:42:37.239 --> 0:42:40.080
<v Speaker 1>foot in the door. In the door moment you know,

0:42:40.400 --> 0:42:44.160
<v Speaker 1>does that I don't know. Obviously it got you to

0:42:44.239 --> 0:42:46.279
<v Speaker 1>the place that you originally wanted, meaning it's kind of

0:42:46.280 --> 0:42:48.279
<v Speaker 1>a weird way that happened. For sure, you wanted it.

0:42:48.320 --> 0:42:50.480
<v Speaker 1>They said no, you didn't want it to be on

0:42:50.520 --> 0:42:52.879
<v Speaker 1>the TV show, then you finally said yes, which got

0:42:52.880 --> 0:42:55.920
<v Speaker 1>it back around where you wanted it. Yeah. So but

0:42:56.000 --> 0:42:57.759
<v Speaker 1>do you look back at it being on the TV

0:42:57.840 --> 0:43:00.120
<v Speaker 1>show and go, I wish I wouldn't have done it,

0:43:00.200 --> 0:43:01.520
<v Speaker 1>or I wish I would have, or are you just

0:43:01.560 --> 0:43:04.240
<v Speaker 1>like you know what nailed it? It had to happen.

0:43:06.040 --> 0:43:09.799
<v Speaker 1>The looking back things always tough because I think if

0:43:09.840 --> 0:43:12.080
<v Speaker 1>I would have made a different decision, I'd be looking

0:43:12.120 --> 0:43:14.600
<v Speaker 1>back right now thinking I should have changed something else that,

0:43:14.920 --> 0:43:17.440
<v Speaker 1>you know, based on wherever I was at that at

0:43:17.480 --> 0:43:22.000
<v Speaker 1>that point, right as they say noah, they say, no

0:43:22.040 --> 0:43:26.360
<v Speaker 1>battle plan ever survives combat. Right, So so you know,

0:43:26.400 --> 0:43:28.479
<v Speaker 1>of course, no matter what changes I would have made

0:43:28.480 --> 0:43:31.960
<v Speaker 1>back then, there'd be some other something else I'd have

0:43:31.960 --> 0:43:33.840
<v Speaker 1>to look back on now it say I should alter this,

0:43:33.920 --> 0:43:37.640
<v Speaker 1>I should alter that. But I think the association, certainly

0:43:37.680 --> 0:43:41.360
<v Speaker 1>at first, was a great idea. It opened doors that

0:43:41.480 --> 0:43:47.399
<v Speaker 1>were absolutely well did shut to me because there were

0:43:47.400 --> 0:43:50.200
<v Speaker 1>other artists who are always going to have priority at

0:43:50.200 --> 0:43:55.160
<v Speaker 1>other labels. You know, I wasn't I wasn't. I wasn't

0:43:55.160 --> 0:43:57.400
<v Speaker 1>Alicia Keys. You know, she was out, you know, a

0:43:57.400 --> 0:44:00.480
<v Speaker 1>little bit before me, but under the same same company.

0:44:01.080 --> 0:44:04.440
<v Speaker 1>I wasn't Maroon five. They were out just before me,

0:44:05.239 --> 0:44:07.560
<v Speaker 1>with the same group of people doing the same marketing.

0:44:07.600 --> 0:44:10.719
<v Speaker 1>So there were already a couple of acts here that

0:44:10.760 --> 0:44:14.400
<v Speaker 1>we're going to get the most attention. And I needed

0:44:14.480 --> 0:44:17.799
<v Speaker 1>to find I had to find a window to crawl through.

0:44:18.400 --> 0:44:22.120
<v Speaker 1>Um and that's that was the window. So then let

0:44:22.160 --> 0:44:23.960
<v Speaker 1>me ask you to you this way. When people go, hey,

0:44:23.960 --> 0:44:27.439
<v Speaker 1>I know you from one Tree Hill, that's right, right, sure,

0:44:27.800 --> 0:44:29.279
<v Speaker 1>Well people go I know you from one Tree Hill,

0:44:29.320 --> 0:44:34.319
<v Speaker 1>You're like, oh no, I say, that's awesome because you

0:44:34.360 --> 0:44:37.400
<v Speaker 1>know that's cool. Yeah, because how you found me, How

0:44:37.560 --> 0:44:39.719
<v Speaker 1>you found me, however you found me. You know the

0:44:39.760 --> 0:44:42.319
<v Speaker 1>fact that you know, twenty years later someone's coming up

0:44:42.320 --> 0:44:44.200
<v Speaker 1>to me saying they know me from a team show,

0:44:44.719 --> 0:44:48.000
<v Speaker 1>but they're still coming to my shows. That means somehow

0:44:48.040 --> 0:44:52.120
<v Speaker 1>the music is making them feel good still, right, And

0:44:52.239 --> 0:44:55.160
<v Speaker 1>if they're only coming for that one song, hey, god

0:44:55.160 --> 0:44:57.000
<v Speaker 1>bless them. If they want to sit through two hours

0:44:57.000 --> 0:45:00.640
<v Speaker 1>in music, you know, for me to get song at

0:45:00.640 --> 0:45:03.640
<v Speaker 1>the end of the night. You know, then cool. You know,

0:45:04.280 --> 0:45:08.040
<v Speaker 1>there was a speaking of which because I think every

0:45:08.120 --> 0:45:12.160
<v Speaker 1>artist probably goes through this the first probably on their

0:45:12.200 --> 0:45:17.960
<v Speaker 1>first their first successful song. Oh you're gonna love this, okay.

0:45:18.040 --> 0:45:22.399
<v Speaker 1>So because I was having little success with that song

0:45:22.520 --> 0:45:25.480
<v Speaker 1>early on, and the song took off. Here it's a

0:45:25.520 --> 0:45:27.960
<v Speaker 1>big hit, blah blah blah whatever, people start coming to

0:45:28.000 --> 0:45:32.319
<v Speaker 1>your gigs. So then you know, for about you know,

0:45:32.400 --> 0:45:35.200
<v Speaker 1>for about six months, you start feeling pretty good. You're like,

0:45:35.239 --> 0:45:37.920
<v Speaker 1>this is pretty cool. This is I'm having some success.

0:45:38.000 --> 0:45:40.520
<v Speaker 1>You know, sadly, you feel like you're a little bigger, stronger,

0:45:40.560 --> 0:45:44.200
<v Speaker 1>you know, everything's bigger on your body right, so to speak.

0:45:44.520 --> 0:45:48.760
<v Speaker 1>And so I thought, let's play the hit early tonight.

0:45:49.560 --> 0:45:55.120
<v Speaker 1>You know, let's do it like third. Everybody's gone by

0:45:55.120 --> 0:46:00.200
<v Speaker 1>the fourth song. You can't do that. You know, everybody's

0:46:00.280 --> 0:46:03.360
<v Speaker 1>left there is watching you just bored to death because

0:46:03.400 --> 0:46:07.480
<v Speaker 1>they already heard what they came again. There was there

0:46:07.600 --> 0:46:10.400
<v Speaker 1>was like two or three gigs. I was like, I

0:46:10.480 --> 0:46:12.760
<v Speaker 1>know what I gotta do. I gotta play this one again.

0:46:12.920 --> 0:46:16.280
<v Speaker 1>That's fun to play it again, you know, And Uh,

0:46:16.680 --> 0:46:19.640
<v Speaker 1>so those are growing pains, those are those are real

0:46:19.760 --> 0:46:23.600
<v Speaker 1>learning experiences, I think, and uh, just the stuff you

0:46:23.640 --> 0:46:26.600
<v Speaker 1>gotta be able to laugh at afterward. Because every act,

0:46:27.200 --> 0:46:30.239
<v Speaker 1>every act that's had a big hit, I know they

0:46:30.320 --> 0:46:34.000
<v Speaker 1>know what I'm talking about. Whether whether they decided I'm

0:46:34.000 --> 0:46:35.840
<v Speaker 1>going to try it out play the hit earlier or not,

0:46:35.920 --> 0:46:37.759
<v Speaker 1>I don't know if they've all done that, but I

0:46:37.840 --> 0:46:41.040
<v Speaker 1>know that they know the crowd is really coming for

0:46:41.120 --> 0:46:44.040
<v Speaker 1>the hits? Do you you gotta play them, but you gotta,

0:46:44.200 --> 0:46:46.600
<v Speaker 1>you gotta pick, pick and choose your moment. So you

0:46:47.560 --> 0:46:49.480
<v Speaker 1>did you ever have a stage where you disliked playing it?

0:46:50.320 --> 0:46:52.719
<v Speaker 1>You played it so much? No, I've never, not ever,

0:46:54.000 --> 0:46:59.520
<v Speaker 1>Thank god. Well it's about to get real awkward. No, no, no, literally,

0:46:59.640 --> 0:47:02.440
<v Speaker 1>But you know it's funny because I do know acts

0:47:02.840 --> 0:47:05.040
<v Speaker 1>who talk about, oh, I don't want to play my hits,

0:47:05.680 --> 0:47:08.319
<v Speaker 1>I don't want to do those anymore. And I think,

0:47:08.320 --> 0:47:12.759
<v Speaker 1>to myself, does it how lucky they are right now

0:47:13.200 --> 0:47:16.080
<v Speaker 1>that they get to do this. You know you got

0:47:16.080 --> 0:47:18.960
<v Speaker 1>to pull them aside. But hey, listen, I know you

0:47:19.000 --> 0:47:22.160
<v Speaker 1>know you've been doing this song every day since you

0:47:22.239 --> 0:47:26.279
<v Speaker 1>wrote this song. But must I remind you you have

0:47:26.320 --> 0:47:29.000
<v Speaker 1>one of the only jobs in the world that when

0:47:29.040 --> 0:47:31.960
<v Speaker 1>you get the clock out, people clap for you and

0:47:32.040 --> 0:47:33.719
<v Speaker 1>tell you what a good job you did. You know,

0:47:34.160 --> 0:47:37.600
<v Speaker 1>name another one, you know, name another job you could

0:47:37.600 --> 0:47:39.360
<v Speaker 1>think of that at the end of your workday, people go,

0:47:40.200 --> 0:47:44.480
<v Speaker 1>great job, that was amazing tonight. You know, you don't

0:47:44.520 --> 0:47:47.440
<v Speaker 1>get that. Nobody gets that. You know, get up there

0:47:47.600 --> 0:47:50.480
<v Speaker 1>and give them what they came for. You're so blessed

0:47:50.520 --> 0:47:53.719
<v Speaker 1>to be able to do that, or you you're you

0:47:53.840 --> 0:47:59.799
<v Speaker 1>have forgotten how how tough real life really is. If

0:47:59.800 --> 0:48:01.719
<v Speaker 1>you don't want to do a song for three and

0:48:01.760 --> 0:48:04.960
<v Speaker 1>a half minutes for people who saved up three and

0:48:05.000 --> 0:48:08.000
<v Speaker 1>a half months to drive three and a half hours

0:48:08.040 --> 0:48:16.239
<v Speaker 1>to watch you sing that song, well, okay, Gavin, the

0:48:16.320 --> 0:48:19.000
<v Speaker 1>girls here and he's looking at me when he said that. Sorry, man,

0:48:20.400 --> 0:48:23.160
<v Speaker 1>so crazy that you would you want that, So listen

0:48:23.239 --> 0:48:25.160
<v Speaker 1>as a fan, I'm glad that you feel that way,

0:48:25.280 --> 0:48:27.359
<v Speaker 1>right And and with that being said, yeah, don't play

0:48:27.360 --> 0:48:29.080
<v Speaker 1>the whole thing, just give me that doesn't give me

0:48:29.080 --> 0:48:30.520
<v Speaker 1>the hook of that. I don't want to have him

0:48:30.600 --> 0:48:34.400
<v Speaker 1>yell at me. I don't just give me the hook.

0:48:34.440 --> 0:48:36.400
<v Speaker 1>And we'll call out to day on that one, all right,

0:48:36.400 --> 0:48:38.759
<v Speaker 1>here's Gavin the girl hit me with that hook of

0:48:38.880 --> 0:48:44.359
<v Speaker 1>I don't want to be Yeah, there we go. I

0:48:44.400 --> 0:48:47.919
<v Speaker 1>don't want to be anything other than what I've been

0:48:48.120 --> 0:48:53.120
<v Speaker 1>trying to be. Laid leg have to dude singing me

0:48:53.440 --> 0:48:59.480
<v Speaker 1>and a piece of mind. I'm tired of it get around,

0:49:00.040 --> 0:49:04.960
<v Speaker 1>but I gotta do I'm supposed to be. I don't

0:49:05.040 --> 0:49:10.600
<v Speaker 1>want to be anything other than me. That's awesome. Let's

0:49:10.600 --> 0:49:12.480
<v Speaker 1>get to the new stuff now, that's what we all

0:49:12.520 --> 0:49:14.600
<v Speaker 1>came for. We drove three and a half hours. I

0:49:14.600 --> 0:49:16.440
<v Speaker 1>don't want to yell at me again. I was thinking

0:49:16.440 --> 0:49:29.120
<v Speaker 1>about leaving. Yeah, you leave after that. It'll so the

0:49:29.160 --> 0:49:31.160
<v Speaker 1>song that I'd like for you to play, if that's

0:49:31.200 --> 0:49:33.360
<v Speaker 1>cool as forward. It's from the new record. Would you

0:49:33.400 --> 0:49:35.200
<v Speaker 1>give me a little set up on this? And you

0:49:35.200 --> 0:49:37.920
<v Speaker 1>wrote it and forarded it, so what led you to

0:49:37.960 --> 0:49:44.080
<v Speaker 1>actually do both? Uh? Well, this song is about sort

0:49:44.120 --> 0:49:49.920
<v Speaker 1>of recognizing that you've been uh caught up on the

0:49:50.000 --> 0:49:52.799
<v Speaker 1>hamster wheel of life, and you know, you have that

0:49:52.880 --> 0:49:58.399
<v Speaker 1>revelation one day of you know, my stuff owns me.

0:49:58.719 --> 0:50:01.439
<v Speaker 1>I don't own my stuff. Why why am I doing

0:50:01.440 --> 0:50:04.040
<v Speaker 1>all this other work? Or am I why am I

0:50:04.080 --> 0:50:07.120
<v Speaker 1>picking up this these o'ts Why am I doing these

0:50:07.120 --> 0:50:09.879
<v Speaker 1>other things to pay for things that I'm not even

0:50:10.840 --> 0:50:13.319
<v Speaker 1>getting to enjoy because I'm spending all my time just

0:50:13.640 --> 0:50:18.920
<v Speaker 1>paying for him, you know. Um, And you're seeking advice,

0:50:19.719 --> 0:50:22.080
<v Speaker 1>so you know, I think if you're gonna get advice,

0:50:22.080 --> 0:50:25.360
<v Speaker 1>hopefully you get it from somebody that you love, somebody

0:50:25.600 --> 0:50:31.600
<v Speaker 1>uh uh who's smarter than you and and who's older

0:50:31.640 --> 0:50:34.920
<v Speaker 1>than you, um, because they're gonna give you better advice.

0:50:34.960 --> 0:50:38.480
<v Speaker 1>So this is this is uh. The song's a conversation,

0:50:38.880 --> 0:50:44.120
<v Speaker 1>uh about somebody looking for advice asking some old dude,

0:50:44.160 --> 0:50:46.799
<v Speaker 1>you know what what do I do? All right? Here's

0:50:46.840 --> 0:50:49.359
<v Speaker 1>Gavin DeGraw. This is from the new record Face the River,

0:50:49.440 --> 0:51:00.440
<v Speaker 1>and here is for it. Try a tired but try

0:51:00.600 --> 0:51:05.920
<v Speaker 1>and still I've been climbed the Oh why can't he

0:51:06.120 --> 0:51:14.839
<v Speaker 1>the top? Old man? Can't you help me understand why

0:51:14.840 --> 0:51:19.280
<v Speaker 1>I'm on this planet? Do you know when to stop

0:51:21.719 --> 0:51:26.480
<v Speaker 1>working for a dollar? Oh? That tire making man feel broke?

0:51:27.880 --> 0:51:33.799
<v Speaker 1>Working for a dollar, that's the only thing nine old

0:51:34.800 --> 0:51:40.719
<v Speaker 1>just striving old Ford, count blessings and pray the Lord have.

0:51:41.040 --> 0:51:45.640
<v Speaker 1>Let's make it feel like more. Leave work the front door,

0:51:46.880 --> 0:51:51.520
<v Speaker 1>work hard and you get paid. Don't giving your best

0:51:51.760 --> 0:51:56.480
<v Speaker 1>days only so meant me left saved some of them

0:51:56.600 --> 0:52:04.440
<v Speaker 1>up for the ones worth saving them for. Lata la

0:52:04.600 --> 0:52:10.480
<v Speaker 1>da da da da la da da da la da

0:52:10.719 --> 0:52:17.920
<v Speaker 1>da da da Yeah, Lata la da da da da

0:52:19.560 --> 0:52:22.239
<v Speaker 1>La da da da da da da da da da

0:52:22.400 --> 0:52:29.120
<v Speaker 1>da da da. Yeah, it's so good yet kill him.

0:52:29.760 --> 0:52:32.399
<v Speaker 1>That's awesome. Song's good, the message is good, You're good.

0:52:32.440 --> 0:52:35.760
<v Speaker 1>Everything that's great. Don't yell at me anymore. It's awesome.

0:52:36.280 --> 0:52:39.239
<v Speaker 1>I was amazing. That's really great. The records it's great too.

0:52:39.320 --> 0:52:42.040
<v Speaker 1>The record is an album that I would listen to

0:52:42.880 --> 0:52:45.839
<v Speaker 1>if I wasn't working in music and had to listen

0:52:45.880 --> 0:52:48.279
<v Speaker 1>to music for a living, right, I mean that that's

0:52:48.360 --> 0:52:50.360
<v Speaker 1>the music. I like this. This whole record is that

0:52:50.480 --> 0:52:52.279
<v Speaker 1>and wow. I encourage people to check it out. It's

0:52:52.280 --> 0:52:54.759
<v Speaker 1>not a few weeks called Face the River. So many

0:52:54.800 --> 0:52:57.560
<v Speaker 1>good songs, and listen the feeling that you guys probably

0:52:57.600 --> 0:53:00.760
<v Speaker 1>got by hearing that song and that message. Those feelings

0:53:00.840 --> 0:53:04.680
<v Speaker 1>are sprinkled all throughout the record for different reasons. Yes, sir,

0:53:04.880 --> 0:53:06.560
<v Speaker 1>because I mean, you sing that song there and it's

0:53:06.560 --> 0:53:08.160
<v Speaker 1>like ring I should re evaluate my life and quit

0:53:08.200 --> 0:53:09.320
<v Speaker 1>this job and walk off the air right now, and

0:53:09.400 --> 0:53:10.800
<v Speaker 1>so and go and spend time with my wife and

0:53:11.000 --> 0:53:14.000
<v Speaker 1>wabbly through this place. Yeah, but you know that's the

0:53:14.080 --> 0:53:15.640
<v Speaker 1>kind of thing. It is, like I'm spending too much

0:53:15.680 --> 0:53:20.279
<v Speaker 1>time doing dumb crap and that same kind of oh,

0:53:20.520 --> 0:53:22.239
<v Speaker 1>like punching the gut in a good way is all

0:53:22.280 --> 0:53:24.400
<v Speaker 1>through the record. So great, great jobs, a heck of

0:53:24.440 --> 0:53:26.799
<v Speaker 1>a project. I appreciate it. I hate that so much

0:53:27.440 --> 0:53:30.880
<v Speaker 1>crap had to happen for you to create this project,

0:53:30.960 --> 0:53:32.880
<v Speaker 1>but I'm glad that you did it because I feel like,

0:53:32.960 --> 0:53:37.160
<v Speaker 1>hopefully it was therapeutic for you, very very I appreciate that. Man. Yeah,

0:53:37.239 --> 0:53:41.600
<v Speaker 1>I appreciate that it's been. Um, it was therapeutic writing it,

0:53:41.800 --> 0:53:45.920
<v Speaker 1>and it's it's therapeutic recording it and therapeutic playing it

0:53:46.080 --> 0:53:49.759
<v Speaker 1>every night. And it's been it's been emotional playing it

0:53:49.880 --> 0:53:53.399
<v Speaker 1>every night. Um. Some nights are harder than others, you know. UM.

0:53:53.960 --> 0:53:57.719
<v Speaker 1>But but I feel like it's a message that I

0:53:57.880 --> 0:54:01.520
<v Speaker 1>need to get out. UM, and I think it's something

0:54:02.480 --> 0:54:05.839
<v Speaker 1>really other people are relating to. And you know, when

0:54:05.880 --> 0:54:09.400
<v Speaker 1>you lose people, you become part of this fraternity or

0:54:09.840 --> 0:54:12.880
<v Speaker 1>this club that you never really wanted to be a

0:54:12.960 --> 0:54:18.279
<v Speaker 1>member of. UM. But we're all members of it um

0:54:18.719 --> 0:54:21.960
<v Speaker 1>or gonna be and and I just think you have to,

0:54:22.200 --> 0:54:24.360
<v Speaker 1>uh take it head on. You know. My father always

0:54:24.400 --> 0:54:27.000
<v Speaker 1>told me run to the lion, and I think you

0:54:27.120 --> 0:54:29.240
<v Speaker 1>just have to take you just have to take everything

0:54:29.320 --> 0:54:32.400
<v Speaker 1>head on. Everything you're worried about, everything that's scaring you,

0:54:32.480 --> 0:54:35.920
<v Speaker 1>everything you're that's you, that you were putting off. There

0:54:36.000 --> 0:54:38.200
<v Speaker 1>has to be a moment where you turn and you

0:54:38.400 --> 0:54:41.840
<v Speaker 1>go to it um and I just needed to go

0:54:41.960 --> 0:54:47.520
<v Speaker 1>to it. You did. It's it's again beautiful art, tragic circumstances,

0:54:47.560 --> 0:54:51.960
<v Speaker 1>beautiful art. And just don't stop doing it, you know, man,

0:54:52.040 --> 0:54:55.560
<v Speaker 1>don't stop doing it. Gavin Degrass here, you guys check

0:54:55.640 --> 0:54:58.440
<v Speaker 1>out the record. It's Face the River the there's a

0:54:58.480 --> 0:55:01.080
<v Speaker 1>six part documentaries on face book. Yeah, you guys did

0:55:01.120 --> 0:55:04.600
<v Speaker 1>about road trip and as you're making like the creative

0:55:04.640 --> 0:55:08.080
<v Speaker 1>Fish process, well it was after the uh, after the

0:55:09.280 --> 0:55:11.320
<v Speaker 1>record was made, I got to go out and do

0:55:11.640 --> 0:55:13.640
<v Speaker 1>do another road trip because I like road trip. And

0:55:13.680 --> 0:55:16.680
<v Speaker 1>you know what I said, I if I don't like

0:55:16.840 --> 0:55:18.880
<v Speaker 1>being in the air, I wish I could fly on

0:55:18.920 --> 0:55:21.080
<v Speaker 1>the ground. That makes sense. That's the move, That's what

0:55:22.400 --> 0:55:24.520
<v Speaker 1>that's that, that's the move. Can I fly on the ground?

0:55:24.560 --> 0:55:27.440
<v Speaker 1>We're supposed to see the world from about five to

0:55:27.680 --> 0:55:30.080
<v Speaker 1>six feet above the ground. Yeah, right where our head is,

0:55:30.239 --> 0:55:33.759
<v Speaker 1>right where our feet. That's that's yes, you guys check

0:55:33.800 --> 0:55:36.640
<v Speaker 1>that out in and that's gonna be it for now. Um.

0:55:37.440 --> 0:55:41.239
<v Speaker 1>My absolute favorite song of yours is not over You.

0:55:41.440 --> 0:55:43.799
<v Speaker 1>Wow you still like that one? Or no? Of course? Yeah,

0:55:43.840 --> 0:55:45.920
<v Speaker 1>I love it. I wrote that with Ryan Teter. I

0:55:46.000 --> 0:55:47.880
<v Speaker 1>did not know that. Yeah, I wrote with Ryan Teter

0:55:48.000 --> 0:55:51.239
<v Speaker 1>and the spark of it. One Republic guy, One Republic Yeah,

0:55:51.400 --> 0:55:56.080
<v Speaker 1>super just a wonderful uh pop songwriter specifically, just a

0:55:56.200 --> 0:56:00.120
<v Speaker 1>genius at pop and we um. He first played me

0:56:00.239 --> 0:56:07.040
<v Speaker 1>that riff, the piano riff up top that um come

0:56:07.120 --> 0:56:13.600
<v Speaker 1>on right that think we were in um Blackbird Studios

0:56:13.640 --> 0:56:15.840
<v Speaker 1>in her Nashville. He goes, you know, man, when we

0:56:15.880 --> 0:56:20.719
<v Speaker 1>think of this piano doing this, and I was like, us,

0:56:22.040 --> 0:56:27.000
<v Speaker 1>it's okay. I guess he was like, yeah, I need

0:56:27.040 --> 0:56:31.400
<v Speaker 1>to be great for your dreams. That's where I have

0:56:31.600 --> 0:56:38.280
<v Speaker 1>to go to see your beautiful fit sending more stared

0:56:38.400 --> 0:56:41.760
<v Speaker 1>ride a picture, rub you and listen to the radio

0:56:42.719 --> 0:56:48.680
<v Speaker 1>boop music conversation. We booting bit we had it good.

0:56:50.480 --> 0:56:55.360
<v Speaker 1>Then It's Daily Nation NINEO that and munch is understood

0:56:56.680 --> 0:57:00.359
<v Speaker 1>and not read a lot. If you ask me how

0:57:00.480 --> 0:57:05.320
<v Speaker 1>I'm doing, I would say I'm doing just fine. I

0:57:05.480 --> 0:57:12.320
<v Speaker 1>will light say that you not all mine. But I

0:57:12.480 --> 0:57:16.920
<v Speaker 1>go out and I sit down at a table set

0:57:18.920 --> 0:57:26.840
<v Speaker 1>and finally I'm force to face no matter what I see,

0:57:26.960 --> 0:57:36.920
<v Speaker 1>I'm not over you. Not over you. That's awesome, man,

0:57:36.960 --> 0:57:40.600
<v Speaker 1>I appreciate that. Thanks for walking us through that. That's it,

0:57:40.800 --> 0:57:43.360
<v Speaker 1>Gavin DeGraw. You guys follow him. Listen to the record

0:57:43.400 --> 0:57:45.040
<v Speaker 1>over and over again. Face the river. You will find

0:57:45.080 --> 0:57:47.600
<v Speaker 1>your own story inside of it. He created music. It

0:57:47.600 --> 0:57:49.840
<v Speaker 1>doesn't have to be the exact same story that you're living.

0:57:50.320 --> 0:57:52.080
<v Speaker 1>I find song a lot of times that speak to

0:57:52.120 --> 0:57:53.800
<v Speaker 1>me in different ways, and it was originally written and

0:57:53.840 --> 0:57:55.600
<v Speaker 1>it speaks to me the same way that they was

0:57:55.600 --> 0:57:57.960
<v Speaker 1>supposed to speak to me. So great, great body of work,

0:57:58.040 --> 0:58:00.720
<v Speaker 1>Gavin degral Thanks appreciate you, guys. It man there he

0:58:02.320 --> 0:58:05.920
<v Speaker 1>thanks a lot, guys. It's the best Bits of the

0:58:06.040 --> 0:58:10.560
<v Speaker 1>week with Morgan number two. Y'all, thanks so much for

0:58:10.680 --> 0:58:14.120
<v Speaker 1>joining me this weekend. I hope you loved the best bits,

0:58:14.200 --> 0:58:17.200
<v Speaker 1>the interview with Scuba Steve and the best bits, just

0:58:17.440 --> 0:58:20.600
<v Speaker 1>the bits. I always appreciate y'all hanging out and listening

0:58:20.640 --> 0:58:23.240
<v Speaker 1>to this podcast with your weekend time, because I know

0:58:23.440 --> 0:58:26.840
<v Speaker 1>that it's very precious and you can be doing a

0:58:26.920 --> 0:58:28.800
<v Speaker 1>lot of things and not listening to this podcast. So

0:58:28.960 --> 0:58:32.040
<v Speaker 1>I appreciate you downloading and listening and also tagging me

0:58:32.120 --> 0:58:34.040
<v Speaker 1>and letting me know you're listening to it if you

0:58:34.120 --> 0:58:37.680
<v Speaker 1>relate to something. I love sharing whatever you guys tag

0:58:37.880 --> 0:58:40.120
<v Speaker 1>me in on socials, so keep doing that too. I

0:58:40.240 --> 0:58:43.000
<v Speaker 1>love to see it. Y'all have a fabulous weekend. I

0:58:43.120 --> 0:58:45.640
<v Speaker 1>love you. Goodbye, Bobby Bone.