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Speaker 1: It's the Best Bits of the week with Morgan number two.

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Speaker 1: What's up, y'all? Welcome to the Best Bits. This is

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Speaker 1: just the bits. Thank you guys for hanging out with

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Speaker 1: me this weekend. Before we get into it, make sure

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Speaker 1: y'all check out part one, which is with Scuba Steve

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Speaker 1: this weekend. We dive, we dived, we doved, you know

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Speaker 1: whatever verb it is, into our lives. Talked about some

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Speaker 1: things from our past as well as what's been having

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Speaker 1: with us lately in Scuba and his kids. Just lots

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Speaker 1: of fun stories over there, so definitely check that out.

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Speaker 1: We're going to kick this one off. Coming in at

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Speaker 1: number seven. Amy felt that she might have been a

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Speaker 1: helicopter parent with her son. He asked to ride his

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Speaker 1: bike to jiu jitsu practice and she said yes, but

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Speaker 1: she also followed him. So listen to this and let

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Speaker 1: us know what you think. Number seven. Okay, so the

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Speaker 1: question from Amy is is she a helicopter parent or

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Speaker 1: a responsible parent? Why do you ask this? What happened? Well,

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Speaker 1: so Stevenson has started to want to ride his bike

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Speaker 1: to him his practice, like his classes. You know that

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Speaker 1: he takes for martial arts and stuff, and I want

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Speaker 1: him to have that freedom. Yes, go ride your bike.

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Speaker 1: We live in the area where you could do that.

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Speaker 1: But then at the same time, I followed him in

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Speaker 1: my car. Liberty, you're free child. Yea strong the lng. Yeah.

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Speaker 1: And then there was one point where I was at

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Speaker 1: a red light filming him and he caught me. He

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Speaker 1: didn't know that you were following him at all. No,

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Speaker 1: I said, free as a bird. You got this, dude,

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Speaker 1: you got this. Go ahead. And so I followed him,

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Speaker 1: especially to this one busy or intersection that I'm worried about,

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Speaker 1: and I, you know, wanted to make sure he did good.

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Speaker 1: And then I went off and I pulled over and

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Speaker 1: kind of hid back behind these bushes to see if

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Speaker 1: he would handle everything within the law. And he did.

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Speaker 1: I was so proud of him. Okay, I don't think

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Speaker 1: this is helicopter parent at all. Okay, I think it's

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Speaker 1: fine to do this a couple of times to see

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Speaker 1: if he's making good decisions. I think it's fine to

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Speaker 1: do it when he knows you're following him. I think

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Speaker 1: it's fine to do it when he doesn't know you're

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Speaker 1: following him, so you can see what decisions he's making.

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Speaker 1: And then eventually, though, if you like what you see,

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Speaker 1: you have to fall off and let him do what

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Speaker 1: you told him he was getting to do anyway, right.

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Speaker 1: My only problem with is not so much that I'm

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Speaker 1: fearing his choices now that now that I've seen him

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Speaker 1: do it successfully, I'm very proud of him. I just

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Speaker 1: worry about other people that might snatch him or something. Well,

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Speaker 1: that's always going to be there, right, are you going?

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Speaker 1: Are you going to let him just right? Yes, I'm

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Speaker 1: gonna make you feel good. Amy, here we go. Ready,

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Speaker 1: people are always gonna try to steal him. Okay, okay, okay,

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Speaker 1: I feel better about this. No, it's right. So are

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Speaker 1: you going to let him do it without you're following him?

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Speaker 1: Next time? We'll see, I'll let DVD. I'll keep y'all posted.

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Speaker 1: This is this is a big deal. I am proud

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Speaker 1: of him, and we'll see what happens. One time I

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Speaker 1: couldn't catch him on the way back, and I had

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Speaker 1: to call my husband be like, you gotta follow him

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Speaker 1: on the way home because I can't be there and

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Speaker 1: you gotta fall So my husband was all trying to

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Speaker 1: be all incognito following our son home because in full

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Speaker 1: camo behind trees, crawling on the ground. But then like

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Speaker 1: did this maneuver where he beat him home and so

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Speaker 1: he thought we were at home like the whole time, Oh,

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Speaker 1: we're clever. You're probably not as clever as you think,

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Speaker 1: but I like it. It It means you love him. And

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Speaker 1: if you watch him make good decisions many times in

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Speaker 1: a row, you have to trust that he's gonna make

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Speaker 1: good decisions when you're not watching him as well. Right,

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Speaker 1: that's what I would say. But are you a helicopter parent?

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Speaker 1: I go no, I'm gonna speak Freddie because he is

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Speaker 1: a helicopter parent and go no. Eddie thinks you should

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Speaker 1: have him in that little cart beside you and you

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Speaker 1: should ride him. You know, you should put the little

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Speaker 1: cart like the little bicycle cart, the sidecart. Hey, she

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Speaker 1: was telling that story and the whole time I'm not

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Speaker 1: in my head. Absolutely, you're a great parent, Amy, Yeah, okay,

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Speaker 1: but would you eventually let your son just do it himself? Now?

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Speaker 1: Not the next year and he's like eventually twenty one,

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Speaker 1: you're we're fourteen year old? Or held her? Yeah he's fourteen.

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Speaker 1: Oh my gosh, you're a helicopter parent. Let the kid go.

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Speaker 1: I mean guys, you have to let the kids out

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Speaker 1: in the world and experience things. I was riding my

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Speaker 1: bike to school a mile away when I was in

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Speaker 1: second grade. I was six years old, riding my bike

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Speaker 1: to school. You guys need to get a grip on reality.

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Speaker 1: Let the kid go do his thing and trust that

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Speaker 1: you have raised him to make smart decisions. People. The

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Speaker 1: Cold War is over. Okay, exactly, Lunchboxes out argue with

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Speaker 1: Clouds right now, Mica, when I was a kid, but

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Speaker 1: I can't believe you won't let him ride his bike

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Speaker 1: and you tailgated him. Well, no one knows that. But

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Speaker 1: also it was Lunchbox an advanced second grader six okay,

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Speaker 1: seven years old? Sorry, seven years old? Sorry about that, Amy,

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Speaker 1: keep doing you. I like it. Give us the up

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Speaker 1: date whenever you let him go himself. Okay, all right,

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Speaker 1: it's the best bits of the week with We're getting

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Speaker 1: number two. You know, whenever our show gets invited to

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Speaker 1: an event or to go do something out in public

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Speaker 1: or out in the wild, it's almost guaranteed that stories

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Speaker 1: are going to come back from it. And that's definitely

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Speaker 1: what happened this time. Scuba, Steve and Eddie went to

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Speaker 1: Graceland for the Elvis movie, the whole press junket, all

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Speaker 1: that good stuff, and while something happened, basically, they did

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Speaker 1: something that the show has deemed unprofessional and not a

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Speaker 1: good look for us. So you know, you can hear

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Speaker 1: the segment for yourself, and then if you check out

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Speaker 1: part one, which is with Scuba, he gives a little

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Speaker 1: bit more to this story and his thoughts on the

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Speaker 1: whole thing. Number six. You know, we are allowed certain

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Speaker 1: things because we do a show, a big show, I'll

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Speaker 1: say it, the biggest it's ever happened in this format.

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Speaker 1: And so with that, like Spider Man, you know, with

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Speaker 1: power comes responsibility, and sometimes we aren't as responsible as

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Speaker 1: we should be with that power. And mostly I'm talking

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Speaker 1: about Scuba, Steven Eddie because they went to Memphis, they

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Speaker 1: went to go watch the Elvis movie. And whenever you're

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Speaker 1: a producer or you're like Eddie, you get the phone

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Speaker 1: number of artists that will come play on the show

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Speaker 1: because you got to have these professional contacts. That doesn't

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Speaker 1: mean if you see someone covering their song in a

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Speaker 1: bar at midnight, you should send them a video of

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Speaker 1: somebody playing their song. Would you? When you agree, Amy

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Speaker 1: I'm nervous to hear what happened. Yes, okay, so what happened,

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Speaker 1: Scooba Steve, Why don't you tell me what happened? Somebody's

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Speaker 1: playing Gavin to Gross song somewhere. Yeah, so Eddie and

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Speaker 1: Iron Memphis for that Elvis junket, and we're at a

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Speaker 1: bar and this guy we were upstairs at a top bar,

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Speaker 1: had a good time coming down. This guy he's just

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Speaker 1: killing it. He's got nine different pedals, he's playing solos.

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Speaker 1: He's really really good at playing the guitar. And he

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Speaker 1: starts singing a Gavin the Gross song and I'm like, whoa.

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Speaker 1: Eddie and I start singing along, and I was like, Eddie,

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Speaker 1: should we send us to Gavin. Eddie's like, yeah, dude,

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Speaker 1: totally send it to Gavin. I was like, but it's

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Speaker 1: like ten thirty, it's kind of Lais like, no, Gavin

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Speaker 1: Hardy's late, don't worry about it, he'll be up. Just

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Speaker 1: send it to him. So, under the peer pressure of Eddie,

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Speaker 1: I sent a video. We're not blaming it on Eddie,

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Speaker 1: You're you're the oh Eddie, You're in fault too. But

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Speaker 1: Scooba Steve is the responsible list of the responsible and

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Speaker 1: was he playing I don't want to Yeah, yeah, so

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Speaker 1: and I in the hindsight, I probably should have done it,

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Speaker 1: but I just and I've never done it before, and

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Speaker 1: I just felt like that was the time to do it.

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Speaker 1: And he responded and said yes. I think he felt

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Speaker 1: like he had no other options. He's a nice guy.

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Speaker 1: Don't text me. Whose idea was it to do that?

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Speaker 1: I don't remember because we both are little tips. I

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Speaker 1: don't know. Okay, see alcohol and celebrity. Oh no, oh no,

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Speaker 1: Now I'm going to have to text him and say

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Speaker 1: I'm very sorry that we use a number that was

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Speaker 1: given to us for professional reasons to harass you, even

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Speaker 1: in the nicest way on a Friday night. I'm sure

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Speaker 1: people cover that song all the time. Can you imagine

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Speaker 1: if somebody texted him somebody covering that song every time

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Speaker 1: they saw it? Mean anybody else guilty of texting artists

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Speaker 1: that have come in before? Anybody? Well Scoopa is the

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Speaker 1: only one that's a producer that has the numbers. I mean,

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Speaker 1: that is a that's a pretty crazy line to cross,

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Speaker 1: but it's a baller mood to be like start that

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Speaker 1: friendships and say thing bad. It was just it was

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Speaker 1: just a cover. Wasn't like I was like, hey, man,

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Speaker 1: what are you doing? I want to hang out. It

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Speaker 1: was just like, here's this, have a great day, here's this.

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Speaker 1: Have a great day at ten thirty at night as

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Speaker 1: you've been drinking. That was basically a professional booty call. Okay,

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Speaker 1: you're at a bar, you had a few drinks, yet

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Speaker 1: somebody kind of have like a professional crush on Okay, okay,

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Speaker 1: so inappropriate or totally appropriate, Amy, inappropriate, lunchbox, inappropriate baller.

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Speaker 1: I mean, you're starting a relationship. It's good Eddie. Hey, dude,

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Speaker 1: I was there. You're eliminated. No, I knew it. It's

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Speaker 1: not awesome. Okay, it's funny. I'm gonna be like, hey, sorry,

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Speaker 1: my guys text you while they were drunk on Friday night.

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Speaker 1: They're gonna be going down Broadway just looking at people

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Speaker 1: singing covers to go through Scuba's phone to oh no, okay,

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Speaker 1: So I wanted to start with that. Hey, I'm not mad.

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Speaker 1: I'm just disappointed, right, Yeah, I'm not mad. I'm just disappointed.

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Speaker 1: It's the best bits of the week with Morgan number two.

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Speaker 1: Everyone loves this segment, which kind of makes me sad.

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Speaker 1: Because that means y'all like to hear us being rejected.

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Speaker 1: It is rejected segments. Bobby comes on and he shares

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Speaker 1: segments that were pitched to him but never quite made

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Speaker 1: the air. And even in this segment, they make the air,

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Speaker 1: but it's not a guarantee that you actually get to

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Speaker 1: talk about what's going to happen. So, without further ado,

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Speaker 1: rejected Segments number five. Listen, you guys come up with

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Speaker 1: a lot of ideas for the show, and some of

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Speaker 1: them get used, and that one was very appreciative, but

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Speaker 1: some of them are so just we'd never do them,

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Speaker 1: and I appreciate the effort, but that's how we get

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Speaker 1: this segment called rejected segments. Rejected segments. Although some of

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Speaker 1: these are so dumb. I don't think you guys even

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Speaker 1: really wanted me to air it. I think you're just

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Speaker 1: filling out space. I gotta sitting in some ideas. So

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Speaker 1: these are rejected segments segments and in a million years

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Speaker 1: we would have never done on the air. There have

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Speaker 1: been times though, where I've been like, wow, that's actually

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Speaker 1: a pretty good segment. Let's do it. So let's see

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Speaker 1: if any of those do this. We'll start with Lunchbox

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Speaker 1: Lunchbox welcome, thank you, and I don't know why any

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Speaker 1: of my segments get rejected. I'm shocked when they don't

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Speaker 1: make it. Lunchbox wrote, I am supper annoyed with my

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Speaker 1: wife Supper, which I think I'm at super That spelling

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Speaker 1: is not my strong point. Care that much, he said,

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Speaker 1: I think my wife's faking a back injury so she

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Speaker 1: could just lay around all weekend, turn me into a

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Speaker 1: single dad. I don't think she was hurt. Listen to

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Speaker 1: these grunts and moans I've recorded of her, and tell

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Speaker 1: me that she isn't exaggerating it. Okay, guys ready like

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Speaker 1: this are getting up off the couch, in the car,

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Speaker 1: out of bed. I mean, it is so ridiculous. Here

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Speaker 1: we go. Okay, I'm going it. She's not hurt. Come on,

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Speaker 1: like that's exaggerated, right, No, did she know you were

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Speaker 1: recording her? No, that thing is real. I'd be so

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Speaker 1: mad if total my husband brought in. I mean like,

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Speaker 1: I mean literally, so for three days I had to

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Speaker 1: do everything with all three kids, like she just sat

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Speaker 1: there on the couch like I can't get up all

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Speaker 1: like the kids crying. Okay, oh, you're gonna have to

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Speaker 1: get that like what rejected segment? Rejected segment. That's how

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Speaker 1: you guys stop talking about it. I just yelled. Next up,

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Speaker 1: Mike Dson. In Paintball Roulette, we get five different paintball guns,

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Speaker 1: but only one is loaded. Bobby, Amy, Eddie, Lunchbox, and

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Speaker 1: Morgan get a chance to select a gun and we

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Speaker 1: take turns shooting each other. The game stops once one

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Speaker 1: person quits or goes to the hospital. Oh my gosh,

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Speaker 1: brutal bit, I've been hit. It's not that's like some

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Speaker 1: squid games stuff right there. Talking about rejected segments. Also

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Speaker 1: from Mike d It's a spin off of one of

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Speaker 1: our other segments where we do the employee of the Month,

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Speaker 1: but instead we recognize the person who is the worst

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Speaker 1: employee of the man because person needs to show the

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Speaker 1: most improvement, and we list all the things they did

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Speaker 1: badly last month. That's hilarious money worst, that just would

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Speaker 1: not be good for morale. Rejected segments, Morgan number two,

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Speaker 1: And this one actually wasn't so bad. I just I

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Speaker 1: guess it didn't get to it. But you've been in

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Speaker 1: three different workout classes where the same guy keeps live

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Speaker 1: streaming the workouts. Yeah, I'm like in the background of

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Speaker 1: all of his live streams and I'm just working out.

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Speaker 1: I didn't figure it out until all the way through

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Speaker 1: a full workout class and I walk over and there's

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Speaker 1: people like commenting on what we're doing. Is he a

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Speaker 1: person in the class or teaching the class? No, he's

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Speaker 1: a person in the class. Oh, he's just in the class. Yeah,

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Speaker 1: that's so weird. He's live streaming himself, yes, so that

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Speaker 1: others can work out with him. I don't know. But

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Speaker 1: then the rest of us are in the background of it,

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Speaker 1: and we don't know that strangers are commenting on what

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Speaker 1: we're doing while working out. Yeah, usually just sign it

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Speaker 1: consent if we're a if you're a teacher, I get it. Like, hey,

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Speaker 1: we're gonna live stream the class to people who can't

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Speaker 1: get up here. Yeah, somebody random? Yeah, just setting up

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Speaker 1: on the side, like watching him go at it. Oh

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Speaker 1: that doesn't sound he listen. Even watched him do ab

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Speaker 1: crunches with his body like, you know, his legs towards

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Speaker 1: the camera. It was not a pretty go. Is this

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Speaker 1: like a thing like a rejected segments lunchbox back in

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Speaker 1: the mix? Here? Oh, hello, Lunchbox is mad at Sports

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Speaker 1: Illustrated Swimsuit Edition. Oh boy, because they're not putting on models.

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Speaker 1: He doesn't know. Yeah, they put Kim Kardashian on the

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Speaker 1: cover of the Swimsuit issue, and I'm like, we already

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Speaker 1: know Kim Kardashian. Give another model a break. And also,

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Speaker 1: that's how we discover new models. That's how we what

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Speaker 1: do you what do you need models for? I mean

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Speaker 1: that's how they get their big break and we get

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Speaker 1: to see a new hotty instead of oh Kim kay,

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Speaker 1: we already see Kim kana bikini all the time. They

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Speaker 1: should rejected segments frustrating. Okay, Raimundo saw on TikTok how

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Speaker 1: he can remove excess skin from his eye for twenty

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Speaker 1: dollars and let's know if he should right on the air, Yes,

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Speaker 1: tell us how Yeah, I've had these stighs on my eyelids.

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Speaker 1: They run in my family. My grandpa had on, my

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Speaker 1: father has him and my wife in a noise or

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Speaker 1: it's right on my eye. It's been there, Jack segment

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Speaker 1: rejected segment twenty dollars. Yes, he's gonna lose an Eye's

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Speaker 1: gonna tell us and somebody's gonna do it, but he

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Speaker 1: could do it on air. Yeah, rejected segment phone, I

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Speaker 1: got one left. This one is from lunchbox. He wanted

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Speaker 1: to spill the tea on shady Scuba Steve because he

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Speaker 1: saw a shady deal in the parking lot and he

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Speaker 1: doesn't think what Scooba is doing is legal. Yes, there

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Speaker 1: was a car that pulled into the garage. Scuba went

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Speaker 1: out there and looked at his left right, stuck his

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Speaker 1: hand in the car person hitting him like a brown

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Speaker 1: paper bag wrapped up. Scooba went put it in his

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Speaker 1: truck like no one was watching. I was like, that

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Speaker 1: doesn't seem very normal question. It wasn't like an Amazon delivery.

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Speaker 1: It was a can't cash for something? Like how did

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Speaker 1: this go down? Let me just run this by it? Yeah,

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Speaker 1: you like Scuba Steve. Yeah, let's say he was doing

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Speaker 1: a drug deal, which I don't think it was. I

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Speaker 1: don't know what I was doing, all right, but let's

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Speaker 1: say it was. Would you really want to come in

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Speaker 1: here and tell on him for doing that? I mean,

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Speaker 1: if it's going down to work, like do that at

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Speaker 1: your house, man, don't bring that business to my work.

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Speaker 1: It was me at Jeopardy doesn't but what was it? Really,

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Speaker 1: I don't go was Steve, I don't know, I don't

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Speaker 1: It wasn't a drug deal, so I don't mind asking

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Speaker 1: him this. Yeah, yeah, no problem, was it a drug deal.

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Speaker 1: It was not. Actually the thing you're speaking into right now,

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Speaker 1: that red microphone that I got you for Christmas. It

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Speaker 1: was that. Oh they got brought out that dropped dropped

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Speaker 1: it off, and I was trying to be secret about

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Speaker 1: it because it was a surprise. Oh that's it. So

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Speaker 1: how do you feel, lunchbox? I feel good. I'm glad

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Speaker 1: that Scoop was not breaking the law. It just seemed

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Speaker 1: weird than you're gonna just tell on him. It was

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Speaker 1: the car was in the car was all tinted windows,

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Speaker 1: and it was just seeing every car almost just saying

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Speaker 1: it had a radio, just seeming really shady. Okay, well

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Speaker 1: those are all rejected segments. Amy didn't make the less

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Speaker 1: good job. Oh but I don't know, it's kind of

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Speaker 1: fun hearing them. Okay, here's battom for you. A woman

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Speaker 1: trusted Amy with her purse in the bathroom. Whoa, oh yeah,

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Speaker 1: that's a big dude. That's weird. That crazy. So she

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Speaker 1: was in the stall next to me, and her like

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Speaker 1: toddler son was in there with her, and he kept

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Speaker 1: throwing stuff out of her purse into the other stalls.

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Speaker 1: And so when I got out and washing my hand,

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Speaker 1: she scooted it under and she was like, can you

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Speaker 1: watch this for me? And I'm like, this woman does

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Speaker 1: not know me. But I gathered everything and put it

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Speaker 1: up on the synk and waited for her to come out.

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Speaker 1: You look trustworthy. She couldn't see me through the stall.

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Speaker 1: But why was that rejected? It could just a lot

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Speaker 1: to talk about it. Well, I wasn't going too And

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Speaker 1: you're like, whoa, what had that? Well? Okay, but I

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Speaker 1: just thought, wow, this woman trusts me because I could

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Speaker 1: have just walked out with her purse. No problem. That's

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Speaker 1: rejected segments. Thank you everybody. Please rejected segments. Keep them coming.

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Speaker 1: It's the Best Bits of the week with Morgan number two.

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Speaker 1: Also in the Best Bits this weekend, Amy's son a

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Speaker 1: husband sending her photos of his bathroom visits and it

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Speaker 1: sounds exactly what you think. So I'm just gonna leave

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Speaker 1: this one here because I don't need to get into

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Speaker 1: this and share my opinion or talk about it. I

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Speaker 1: just want you guys to hear it for yourself. Here

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Speaker 1: it is Amy's son what he's been doing lately that

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Speaker 1: she does not know what to do with. Number four,

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Speaker 1: I feel like you want to show me a picture

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Speaker 1: of something I saw Amy grab her phone. Is we're

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Speaker 1: going to segment what's on your phone? Well, I don't

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Speaker 1: know if you want to see it. But my son

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Speaker 1: now thinks it's hilarious to text me pictures from his

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Speaker 1: bathroom experience. What do you mean like when he goes

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Speaker 1: to the bathroom bathroom number two, he takes a pictures.

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Speaker 1: Oh my gosh, I don't want to see that. I

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Speaker 1: don't know. Why don't text that? You don't know? No,

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Speaker 1: I thought, is this just the little boy humor thing

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Speaker 1: and the medical reasons? Yea, like mom, I think he

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Speaker 1: should or he's proud of himself. Oh no, I don't know. Yes,

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Speaker 1: And now he thinks it's so funny. Oh oh, can't

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Speaker 1: stop old stuff. Oh no, I've never opened a text

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Speaker 1: from him. It'd be like I haven't eaten in days

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Speaker 1: that I wouldn't look at it because I wouldn't want

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Speaker 1: to see that. Don't to me? To me you no, no, no,

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Speaker 1: I don't want to say, Oh, dude, what are you

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Speaker 1: tell him? Please stop? This is not or don't send

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Speaker 1: these to anybody else? But mom, no, no, please stop. Well, yeah,

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Speaker 1: no pictures. It's like a Jeans jaga born in the seventies.

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Speaker 1: No pictures, no pictures. Yeah, I don't know. I just

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Speaker 1: hope he's not texting him out to anybody. Have his

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Speaker 1: own phone. He has an iPad. He's taking a picture

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Speaker 1: of an he's having to get a cinematic. That thing's huge.

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Speaker 1: Oh no, he doesn't have a phone. Oh no, he

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Speaker 1: can text me through his iPad account. Oh that's what

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Speaker 1: he's been up to, like an email, like a week.

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Speaker 1: What else he up to? Well, he had a friend

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Speaker 1: over and they got locked out, so that was quite

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Speaker 1: the experience. I get you at home. I wasn't home.

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Speaker 1: The friend has a phone, so text me and was like, hey,

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Speaker 1: I was just down the shad at the grocery store

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Speaker 1: and I was going to be back. And he's like,

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Speaker 1: somehow we've managed to get locked out. And I said, okay,

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Speaker 1: well I'll be home soon, so just play basketball or

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Speaker 1: do something outside and I'll be there. And I get

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Speaker 1: back and Stevenson's very dramatic and is already spelling out

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Speaker 1: sos with sticks and rocks in our driveway for people

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Speaker 1: flying over instead of knock on the door. And what's

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Speaker 1: funny is he just learned what meant a week ago,

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Speaker 1: and so I actually thought it was quite clever and cute.

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Speaker 1: But he was just very dramatic. When I pulled up.

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Speaker 1: We have been locked out for hours. It had been

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Speaker 1: no more than thirty minutes, that's for sure, and he

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Speaker 1: was spelling out sos, which, by the ways, means nothing.

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Speaker 1: Oh it means nothing. Save our ships, It's what people

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Speaker 1: have inserted the meeting meaning to him, But it means nothing.

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Speaker 1: It's made of just those specific sounds. And the letter's

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Speaker 1: looking like a distress signal. Not save our souls, that's

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Speaker 1: another one. Save our sushi, We our sisters. Oh come

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Speaker 1: any of days. It's the best bits of the week

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Speaker 1: with Morgan. Number two talk about an epic weekend at

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Speaker 1: CMA Fest for obvious reasons, but more importantly because I

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Speaker 1: got to meet Tom Hanks and Rita Wilson and it

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Speaker 1: was literally incredible and such a fun, cool experience. I

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Speaker 1: met them in the wild. That wasn't like at a

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Speaker 1: press moment. They were just out being country music fans

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Speaker 1: and it was just so cool. So here's the story

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Speaker 1: of how it all happened and how I realized that

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Speaker 1: it was Tom Hanks and Rita Wilson. Number three, Morgan,

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Speaker 1: how did you meet Tom Hanks? Well, so I was

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Speaker 1: at CMA Fest working, but after I got done working,

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Speaker 1: I just went out into the crowd and I was

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Speaker 1: hanging out with my parents and we're jamming to Jason

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Speaker 1: Aldeen he was playing. I was like, you know, I

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Speaker 1: really need to go pee. So I left during the

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Speaker 1: middle of Jason Aldeen set and I'm walking up the

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Speaker 1: stairs in this section where every other fan is at right,

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Speaker 1: and I kind of look and I'm like, oh, that

415
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Speaker 1: looks like Rita Wilson. She's on her phone. Didn't think

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Speaker 1: much of it. I went to Pete and while I'm

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Speaker 1: sitting there, I'm like, if that was Rita Wilson and

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Speaker 1: she's only sitting next to somebody else, that has to

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Speaker 1: be Tom Hanks. So I come back and I kind

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Speaker 1: of scoot in front of him. There's no one around,

421
00:21:14,960 --> 00:21:18,199
Speaker 1: no security guards, know nothing, and the guy sitting there

422
00:21:18,280 --> 00:21:20,840
Speaker 1: jamming to the concert, Rita's on her phone reading something,

423
00:21:21,280 --> 00:21:23,320
Speaker 1: and I just turned around and sure enough, it was

424
00:21:23,359 --> 00:21:27,120
Speaker 1: Tom Hanks and Rita Wilson just sitting there like watching

425
00:21:27,119 --> 00:21:30,520
Speaker 1: the show like any other fan. It's crazy that people

426
00:21:30,560 --> 00:21:33,600
Speaker 1: weren't piling onto them, going hey can I get a picture?

427
00:21:33,680 --> 00:21:36,080
Speaker 1: Like they weren't recognized, I know. And they were sitting

428
00:21:36,119 --> 00:21:38,520
Speaker 1: like right on the aisle there in the rows in

429
00:21:38,600 --> 00:21:41,040
Speaker 1: front and behind them weren't full, like you could easily

430
00:21:41,080 --> 00:21:43,760
Speaker 1: access them if you wanted to. And after I went

431
00:21:43,840 --> 00:21:45,520
Speaker 1: up to him, first of all, I did go up

432
00:21:45,560 --> 00:21:47,600
Speaker 1: and say, hey, I'm Morgan from the Bobby Bones Show

433
00:21:47,640 --> 00:21:49,520
Speaker 1: and we all love you on our show. Both of

434
00:21:49,520 --> 00:21:52,000
Speaker 1: you guys are so awesome, Like do you mind if

435
00:21:52,040 --> 00:21:53,879
Speaker 1: I get a picture. And then after that I blacked

436
00:21:53,880 --> 00:21:55,639
Speaker 1: out because he took my phone and like took a

437
00:21:55,640 --> 00:21:58,040
Speaker 1: selfie with me, and I have no idea what happened afterward.

438
00:21:58,560 --> 00:22:01,120
Speaker 1: See Tom Hanks knows the gay having to grow a technique.

439
00:22:01,400 --> 00:22:03,639
Speaker 1: You take the phone, take the picture, and you can

440
00:22:03,680 --> 00:22:07,000
Speaker 1: scoot people on their way. That's exactly what happened. And

441
00:22:07,040 --> 00:22:09,879
Speaker 1: they still feel loved, right, Yeah, I so did, because

442
00:22:09,880 --> 00:22:11,760
Speaker 1: like I was like, oh, Tom Hanks even touched my

443
00:22:11,800 --> 00:22:15,159
Speaker 1: phone like that even made me feel more special. That's crazy.

444
00:22:15,200 --> 00:22:17,880
Speaker 1: Just saw Tom Hanks hanging out, so you walked off?

445
00:22:17,880 --> 00:22:19,920
Speaker 1: Why didn't they have better seats? Can't we can't we

446
00:22:19,960 --> 00:22:21,680
Speaker 1: get Tom Hanks and better seats than sitting in the

447
00:22:21,720 --> 00:22:24,199
Speaker 1: back of the stadium randomly. Yeah, I mean, I don't know.

448
00:22:24,240 --> 00:22:26,320
Speaker 1: I don't know who they were there for, because they

449
00:22:26,359 --> 00:22:28,560
Speaker 1: did stay through Jason Aldeen. They stayed for a little

450
00:22:28,560 --> 00:22:30,480
Speaker 1: bit of Keith Urban and then they were gone. I

451
00:22:30,520 --> 00:22:33,040
Speaker 1: maybe saw two other people go up to him. But

452
00:22:33,080 --> 00:22:35,720
Speaker 1: besides that, there were people walking past the whole time.

453
00:22:35,880 --> 00:22:38,119
Speaker 1: Oh see, that's what I would be nervous of. Is

454
00:22:38,119 --> 00:22:41,200
Speaker 1: it if they were just chilling and then someone sees

455
00:22:41,280 --> 00:22:43,600
Speaker 1: you asked for a picture, and then it causes this

456
00:22:43,640 --> 00:22:46,199
Speaker 1: flow of people, and then I would feel really, really bad.

457
00:22:46,320 --> 00:22:48,480
Speaker 1: I know that's why I did originally too. I was like,

458
00:22:48,520 --> 00:22:50,359
Speaker 1: I'm sorry, I won't post a picture right now, like

459
00:22:50,400 --> 00:22:52,919
Speaker 1: I'm not gonna make everybody come talk to you guys,

460
00:22:53,320 --> 00:22:54,959
Speaker 1: And they were so cool about it. I don't think

461
00:22:55,040 --> 00:22:57,000
Speaker 1: Tom heard me most of the time, though, because the

462
00:22:57,000 --> 00:22:58,560
Speaker 1: whole set was going on, and he kept kind of

463
00:22:58,560 --> 00:23:00,399
Speaker 1: putting his ear up to me, like I really hear

464
00:23:00,480 --> 00:23:02,919
Speaker 1: what you're saying, But he just kind of smiled and

465
00:23:03,000 --> 00:23:05,160
Speaker 1: took my phone, took a picture and then waved and

466
00:23:05,359 --> 00:23:09,680
Speaker 1: I left. So did he look older younger in person?

467
00:23:10,280 --> 00:23:12,400
Speaker 1: I don't know. I've just never seen Tom Hanks in person,

468
00:23:12,400 --> 00:23:14,200
Speaker 1: and he's about as famous as you can get. Yeah,

469
00:23:14,240 --> 00:23:16,880
Speaker 1: I mean, honestly, he looked so good. I don't even

470
00:23:16,880 --> 00:23:19,239
Speaker 1: know how old they are, but like his smile. He

471
00:23:19,400 --> 00:23:21,080
Speaker 1: I don't know if he's had work done or anything,

472
00:23:21,080 --> 00:23:24,879
Speaker 1: but he looks amazing. And Rita looked great. But they

473
00:23:24,920 --> 00:23:27,160
Speaker 1: don't look like Tom doesn't look like how he would

474
00:23:27,160 --> 00:23:29,000
Speaker 1: look in the movies. He looks like how he would

475
00:23:29,000 --> 00:23:31,480
Speaker 1: look out in public, and all those stories we hear

476
00:23:31,480 --> 00:23:33,320
Speaker 1: about him, it's all. He has his hair died, like

477
00:23:33,359 --> 00:23:35,359
Speaker 1: he's got like, you know, white hair, He's got his

478
00:23:35,400 --> 00:23:38,680
Speaker 1: glasses on. He's just like a regular guy. Well, I'm intrigued.

479
00:23:38,720 --> 00:23:40,480
Speaker 1: I wish I could see somebody famous in the wild.

480
00:23:41,520 --> 00:23:44,359
Speaker 1: You know, I don't know if they would have known who. Hey,

481
00:23:44,400 --> 00:23:46,240
Speaker 1: I'm Morgan from the Bobby Bones Show. I think they're

482
00:23:46,240 --> 00:23:48,160
Speaker 1: just here. What's just white noise to them, don't you think?

483
00:23:48,359 --> 00:23:50,480
Speaker 1: I don't know. I feel like Rita knew who it

484
00:23:50,560 --> 00:23:52,520
Speaker 1: was because she looked at me and she's like, oh yeah, totally.

485
00:23:52,560 --> 00:23:55,359
Speaker 1: Tom had no idea. But Rita, I think new I

486
00:23:55,359 --> 00:23:57,480
Speaker 1: don't know. Some say Forrest Gump was based on me.

487
00:24:00,080 --> 00:24:02,600
Speaker 1: All right, let's do Morgan wall and waste it on you.

488
00:24:02,640 --> 00:24:04,399
Speaker 1: That's a good story, Morgan, that's pretty cool. I can

489
00:24:04,440 --> 00:24:06,879
Speaker 1: hear Eddie's jealousy. You heard that. I can just hear

490
00:24:07,000 --> 00:24:09,760
Speaker 1: driven out at I can't believe it. You never met him, Eddie.

491
00:24:09,840 --> 00:24:12,280
Speaker 1: I've never met him. And that night I was supposed

492
00:24:12,280 --> 00:24:16,080
Speaker 1: to be there with Morgan, but schedules got shifted around

493
00:24:16,080 --> 00:24:17,560
Speaker 1: and I wasn't able to be there, So that was

494
00:24:17,600 --> 00:24:22,240
Speaker 1: my one chance. That's your punishment there. It's the Best

495
00:24:22,320 --> 00:24:27,000
Speaker 1: Bits of the Week with Morgan. Number two. A super

496
00:24:27,000 --> 00:24:31,120
Speaker 1: cool accomplishment for Bobby this week. His children's book Stanley

497
00:24:31,160 --> 00:24:33,600
Speaker 1: the Dog The First Day of School is out. Now.

498
00:24:33,960 --> 00:24:36,680
Speaker 1: He couldn't do the whole press stuff that he planned

499
00:24:36,760 --> 00:24:39,800
Speaker 1: for it because he's not been feeling well, and so

500
00:24:39,960 --> 00:24:41,679
Speaker 1: he did talk about it a little bit on this

501
00:24:41,680 --> 00:24:43,639
Speaker 1: show this week. But I'm definitely wanted it to be

502
00:24:44,040 --> 00:24:46,119
Speaker 1: here on the Best Bits so you guys could purchase

503
00:24:46,200 --> 00:24:47,760
Speaker 1: it and get it if you haven't already. If you

504
00:24:47,880 --> 00:24:50,760
Speaker 1: pre ordered and did all that good stuff, awesome, But

505
00:24:50,800 --> 00:24:52,280
Speaker 1: if you haven't ordered it. You can go to Bobby

506
00:24:52,320 --> 00:24:55,200
Speaker 1: Bones dot com and get you a copy. He signed

507
00:24:55,320 --> 00:24:58,640
Speaker 1: a book for my niece and nephew and it went

508
00:24:58,680 --> 00:25:01,800
Speaker 1: to Kansas to them, So I'm super excited to hear

509
00:25:01,960 --> 00:25:04,160
Speaker 1: and see pictures of them reading it and make sure

510
00:25:04,160 --> 00:25:06,280
Speaker 1: if you're reading it to your kids or you got

511
00:25:06,280 --> 00:25:08,760
Speaker 1: the book, share it on socials with us. He's loved

512
00:25:08,760 --> 00:25:11,679
Speaker 1: getting to see all of that. Number two, I had

513
00:25:11,720 --> 00:25:14,320
Speaker 1: a book come out on Tuesday, Stanley the Dog first

514
00:25:14,359 --> 00:25:16,240
Speaker 1: day at school. I had all this press lined up

515
00:25:16,320 --> 00:25:18,159
Speaker 1: to do and missed every bit of it, so I

516
00:25:18,200 --> 00:25:20,960
Speaker 1: got to do no sort of press for the book.

517
00:25:21,520 --> 00:25:24,840
Speaker 1: So well, what's crazy is how many people pre ordered.

518
00:25:24,840 --> 00:25:27,879
Speaker 1: And honestly I was shocked. I forgot I pre ordered

519
00:25:27,920 --> 00:25:31,439
Speaker 1: it and it arrived in the mail and I was like, oh, hey,

520
00:25:32,560 --> 00:25:35,160
Speaker 1: look at me, okay back in the day. But also

521
00:25:35,200 --> 00:25:37,119
Speaker 1: I saw so many people that got it day of

522
00:25:37,320 --> 00:25:39,840
Speaker 1: which means so many people pre ordered. Yes, and I'm

523
00:25:39,920 --> 00:25:43,720
Speaker 1: very appreciative. And if you weren't pre ordering, because I

524
00:25:43,920 --> 00:25:47,000
Speaker 1: would never pre order anything really, and I appreciate those

525
00:25:47,040 --> 00:25:48,520
Speaker 1: who did. You can go to Amazon and order it

526
00:25:48,520 --> 00:25:49,800
Speaker 1: now and it'll be there in a day or two.

527
00:25:50,080 --> 00:25:53,960
Speaker 1: But it's yes. Two things to say. Yes, it's called

528
00:25:53,960 --> 00:25:57,000
Speaker 1: Stanley the Dog First Day of School. But I haven't

529
00:25:57,040 --> 00:26:02,280
Speaker 1: received my signature yet. Oh you just kidding. I didn't

530
00:26:02,359 --> 00:26:04,520
Speaker 1: email the thing, but I saw some people are getting

531
00:26:04,520 --> 00:26:06,440
Speaker 1: mad and they're leaving that as a review and they

532
00:26:06,440 --> 00:26:08,160
Speaker 1: need to not do that because you're mailing it out

533
00:26:08,320 --> 00:26:10,760
Speaker 1: and they need to give you five stars. Well, here's

534
00:26:10,800 --> 00:26:13,600
Speaker 1: what happened. The book company says you need to do

535
00:26:13,960 --> 00:26:15,480
Speaker 1: a pre sale. I said, I don't want to do

536
00:26:15,520 --> 00:26:17,840
Speaker 1: a pre sale. I think presales are dumb. They said, well,

537
00:26:17,880 --> 00:26:19,920
Speaker 1: it's in your contract to do a presale. I said,

538
00:26:19,960 --> 00:26:22,159
Speaker 1: I will only do a pre sale if I can

539
00:26:22,240 --> 00:26:24,200
Speaker 1: promise the people they are going to buy it early

540
00:26:24,280 --> 00:26:26,119
Speaker 1: that I can send them something extra. I'm not going

541
00:26:26,160 --> 00:26:29,400
Speaker 1: to charge them anymore. But they say, okay, great, So

542
00:26:29,760 --> 00:26:32,280
Speaker 1: we sell like thirteen thousand in presale. I've been signing.

543
00:26:32,520 --> 00:26:35,040
Speaker 1: I've been signing these little art cards every day for

544
00:26:35,080 --> 00:26:37,840
Speaker 1: at least an hour for the past two months. And

545
00:26:37,920 --> 00:26:40,040
Speaker 1: so we never said they were going to come out

546
00:26:40,200 --> 00:26:41,960
Speaker 1: right when the book came, you're gonna get the book.

547
00:26:42,040 --> 00:26:43,680
Speaker 1: Some of them got it before, so we'll get it after.

548
00:26:43,880 --> 00:26:45,119
Speaker 1: But you'll get it in the mail and it's a

549
00:26:45,200 --> 00:26:47,080
Speaker 1: signed piece of art that goes with the book, and

550
00:26:47,119 --> 00:26:48,760
Speaker 1: people are all upset that didn't get there is when

551
00:26:48,760 --> 00:26:50,760
Speaker 1: other people are getting it on the app. We're mailing

552
00:26:50,760 --> 00:26:54,600
Speaker 1: them out individually. I'm going crazy over here and I

553
00:26:54,680 --> 00:26:57,399
Speaker 1: got sick. And so then they're leaving one star reviews

554
00:26:57,440 --> 00:26:59,720
Speaker 1: on Amazon. They're like, love the book didn't get them

555
00:26:59,720 --> 00:27:02,959
Speaker 1: out to graft one star. Yeah, I was bothered by that,

556
00:27:03,000 --> 00:27:04,760
Speaker 1: but I was just saying too, they had to have

557
00:27:04,920 --> 00:27:07,840
Speaker 1: also sent the email to get the signature. Yes, it

558
00:27:07,920 --> 00:27:12,760
Speaker 1: is a matter anyway. Okay, It's the best Bits of

559
00:27:12,800 --> 00:27:18,320
Speaker 1: the week with Morgan. Number two in Super Hot At

560
00:27:18,359 --> 00:27:20,639
Speaker 1: the number one spot is Gavin DeGraw. He came on

561
00:27:20,640 --> 00:27:22,680
Speaker 1: the show this week for an interview and he also

562
00:27:22,720 --> 00:27:26,480
Speaker 1: performed some of his hit songs, including Yes, I Don't

563
00:27:26,520 --> 00:27:28,600
Speaker 1: Want to Be, which, as a One Tree Hill fan,

564
00:27:29,240 --> 00:27:31,399
Speaker 1: such a fun moment. I've seen him in concert, but

565
00:27:31,560 --> 00:27:34,399
Speaker 1: nothing was like this interview in this performance. Gavin is

566
00:27:34,440 --> 00:27:36,480
Speaker 1: just such a good dude. And to have him in

567
00:27:36,520 --> 00:27:39,080
Speaker 1: here talking about all of his hit songs in his

568
00:27:39,160 --> 00:27:41,480
Speaker 1: new project and what he has had to go through

569
00:27:42,000 --> 00:27:44,680
Speaker 1: in his life recently to put out this new project

570
00:27:44,800 --> 00:27:48,800
Speaker 1: just an all around. Incredible interview and probably one of

571
00:27:48,840 --> 00:27:52,560
Speaker 1: my favorites in recent years. So, without further ado, why

572
00:27:52,600 --> 00:27:54,320
Speaker 1: have I been saying that a lot lately? I have

573
00:27:54,400 --> 00:27:57,840
Speaker 1: no idea, but it's Gavin DeGraw Number one. Gavin. I

574
00:27:57,880 --> 00:28:01,040
Speaker 1: was watching some of this this this docuseries where you're

575
00:28:01,119 --> 00:28:03,280
Speaker 1: road tripping, and I know that you also like to

576
00:28:03,320 --> 00:28:06,080
Speaker 1: be in your bus. Do you hate flying? I just

577
00:28:06,240 --> 00:28:07,679
Speaker 1: is like, would you hate flying or you just like

578
00:28:07,720 --> 00:28:10,840
Speaker 1: being on the ground. Uh? Man, I don't really like

579
00:28:10,960 --> 00:28:14,720
Speaker 1: airports because I hate flying. I'm scared of flying. Yeah,

580
00:28:14,720 --> 00:28:16,879
Speaker 1: you're scared of people. It sounds like, you know, I

581
00:28:17,520 --> 00:28:21,440
Speaker 1: don't like bad interactions and airports is like it's like

582
00:28:21,720 --> 00:28:24,600
Speaker 1: a recipe for bad interactions with people. You know, you

583
00:28:24,680 --> 00:28:27,000
Speaker 1: taught me a lesson in an airport once. It was

584
00:28:27,320 --> 00:28:30,080
Speaker 1: a couple of years ago. That's pretty pandemic. And I

585
00:28:30,119 --> 00:28:32,520
Speaker 1: think we were sitting next to each other or near

586
00:28:32,560 --> 00:28:36,560
Speaker 1: each other on a flight and we had both been

587
00:28:36,640 --> 00:28:38,680
Speaker 1: stopped going through the airport. But you were you were

588
00:28:38,760 --> 00:28:41,440
Speaker 1: very efficient and very nice to people, and I'd be like, yeah,

589
00:28:41,520 --> 00:28:42,920
Speaker 1: let's take it. I would take like ten minutes and

590
00:28:42,920 --> 00:28:44,480
Speaker 1: you're like, no, here's what you do. You go, Yeah,

591
00:28:44,520 --> 00:28:46,120
Speaker 1: give me your phone, and you take the self before them,

592
00:28:46,160 --> 00:28:47,880
Speaker 1: and you give them their phone back, and everybody wins.

593
00:28:48,360 --> 00:28:52,600
Speaker 1: And so that's the move because yeah, your lesson was

594
00:28:53,040 --> 00:28:54,800
Speaker 1: they're gonna be like, well, I can't give my camera ride.

595
00:28:54,800 --> 00:28:57,560
Speaker 1: I can't. He say, you just take the phone from them.

596
00:28:57,640 --> 00:28:59,400
Speaker 1: You do that, you take the selfie because you know

597
00:28:59,560 --> 00:29:01,400
Speaker 1: exactly how to do it. Then you hand their phone back.

598
00:29:01,400 --> 00:29:04,680
Speaker 1: At true, everybody wins a lot faster, and it looks

599
00:29:04,720 --> 00:29:06,680
Speaker 1: good because you control it because you've been doing it

600
00:29:06,720 --> 00:29:09,480
Speaker 1: a million times. Yeah right. You know who did it

601
00:29:09,520 --> 00:29:11,360
Speaker 1: the best? Who I saw do it? And I was like,

602
00:29:12,200 --> 00:29:16,080
Speaker 1: he's knocking this out of the park Ed Sheering. I

603
00:29:16,200 --> 00:29:18,239
Speaker 1: was with Ed one night and things were blowing up

604
00:29:18,280 --> 00:29:21,120
Speaker 1: for him and I was like, man, this guy's really

605
00:29:21,160 --> 00:29:24,240
Speaker 1: good at this. Look at that angle way to hold

606
00:29:24,280 --> 00:29:26,680
Speaker 1: that phone steady. He's got it down. I got it,

607
00:29:28,160 --> 00:29:31,040
Speaker 1: got out the mole skin. I was like chopping it

608
00:29:31,080 --> 00:29:34,040
Speaker 1: down on pen and paper. You know, I remember this

609
00:29:34,200 --> 00:29:38,880
Speaker 1: thirty degrees. I've passed your knowledge to multiple people. Yeah,

610
00:29:38,960 --> 00:29:41,440
Speaker 1: the same way I taught you, you taught me. Gavin's

611
00:29:41,480 --> 00:29:43,800
Speaker 1: going generationally at this point, let's do this. It's like

612
00:29:43,840 --> 00:29:46,040
Speaker 1: you'll save time you'll have a better picture. Just say, hey, yah,

613
00:29:46,080 --> 00:29:47,600
Speaker 1: let's take a picture. Give me your phone boom, take

614
00:29:47,640 --> 00:29:49,360
Speaker 1: it all right, there we go and I love it.

615
00:29:49,480 --> 00:29:52,000
Speaker 1: And if you're not too heavily caffeinated, the pictures pretty good.

616
00:29:52,160 --> 00:29:55,560
Speaker 1: Otherwise the little shaky Yeah, let's forget about the caffeine

617
00:29:55,640 --> 00:29:57,840
Speaker 1: hits me hard. Man, I'll drink and eight ball's worth

618
00:29:57,880 --> 00:29:59,560
Speaker 1: of it and I'll be I'll take the selfie for

619
00:29:59,600 --> 00:30:02,640
Speaker 1: it looks like an earthquake gappen. Congrats on the new record, man,

620
00:30:03,040 --> 00:30:04,800
Speaker 1: so good you don't it was lucky enough that you

621
00:30:04,880 --> 00:30:06,080
Speaker 1: send it over to me, because you know, I'm just

622
00:30:06,120 --> 00:30:09,800
Speaker 1: a fan of you musically anyway. And I mean it's

623
00:30:09,800 --> 00:30:11,320
Speaker 1: it's and we're gonna play something from it just a

624
00:30:11,360 --> 00:30:14,720
Speaker 1: little bit. But also, and I'm not sure if you

625
00:30:14,800 --> 00:30:16,840
Speaker 1: know all who's been bragging about the record, but I

626
00:30:16,880 --> 00:30:19,520
Speaker 1: would be considered like a half toaster. There's a there's

627
00:30:19,520 --> 00:30:22,040
Speaker 1: a podcast called The Morning Toast and they were player

628
00:30:22,280 --> 00:30:24,200
Speaker 1: bragging on it and playing it to a pretty podcast

629
00:30:24,200 --> 00:30:26,120
Speaker 1: and I was like, I know that guy. Thanks. Yeah,

630
00:30:26,200 --> 00:30:28,280
Speaker 1: So I didn't do it. Mind's right now, but there's

631
00:30:28,320 --> 00:30:31,640
Speaker 1: already happened, I think, yeah too, man, So the record

632
00:30:31,760 --> 00:30:35,600
Speaker 1: is really great. So when this thing comes out, well,

633
00:30:35,640 --> 00:30:37,120
Speaker 1: I guess before it comes out, like, how long do

634
00:30:37,160 --> 00:30:39,600
Speaker 1: you work on an album like this? And do you

635
00:30:39,640 --> 00:30:44,080
Speaker 1: feel like musically sonically this is I don't want to

636
00:30:44,080 --> 00:30:47,360
Speaker 1: see a change. It definitely feels a little more in

637
00:30:47,400 --> 00:30:51,200
Speaker 1: the loveliest way, like mature, Like did this album did

638
00:30:51,200 --> 00:30:52,719
Speaker 1: do you feel? Did you feel like that appropriate way

639
00:30:52,720 --> 00:30:55,920
Speaker 1: to describe it? I think that's spot on. Um. You know,

640
00:30:56,040 --> 00:31:01,800
Speaker 1: record came out on the twentieth of May, and and uh,

641
00:31:01,800 --> 00:31:05,440
Speaker 1: you know, I've been holding it back, um because I

642
00:31:05,440 --> 00:31:06,880
Speaker 1: didn't know if it was the right time to put

643
00:31:06,920 --> 00:31:09,560
Speaker 1: it out for a long time. It's been done for

644
00:31:09,600 --> 00:31:11,720
Speaker 1: a long time, but you know, the world was all

645
00:31:11,800 --> 00:31:13,959
Speaker 1: upside down and my life, my personal life was all

646
00:31:14,040 --> 00:31:18,080
Speaker 1: upside down. Um, and I wasn't I wasn't sure when

647
00:31:18,200 --> 00:31:21,480
Speaker 1: when's the right time to put out new music and um,

648
00:31:21,680 --> 00:31:24,320
Speaker 1: when does it feel like the right time? And also

649
00:31:24,360 --> 00:31:26,600
Speaker 1: at the same time, how how am I going to

650
00:31:26,640 --> 00:31:30,360
Speaker 1: serve the songs to my fans? I didn't. I didn't

651
00:31:30,360 --> 00:31:32,800
Speaker 1: want to just launch this thing out, you know, out

652
00:31:32,800 --> 00:31:35,600
Speaker 1: of a cannon and hope people heard it. And I

653
00:31:35,640 --> 00:31:38,560
Speaker 1: wanted to kind of deliver it to them personally and

654
00:31:38,680 --> 00:31:41,280
Speaker 1: go out and play little rooms. Um the tour I

655
00:31:41,320 --> 00:31:44,640
Speaker 1: just did. UM. I went out and I played rooms

656
00:31:44,680 --> 00:31:46,480
Speaker 1: that were the size of the rooms I played before

657
00:31:46,520 --> 00:31:51,280
Speaker 1: I ever had a record deal. UM like the Even

658
00:31:51,360 --> 00:31:53,440
Speaker 1: on launch, the actual release day of the record, we

659
00:31:53,480 --> 00:31:55,360
Speaker 1: played the Bitter End, which is the first place they

660
00:31:55,360 --> 00:31:57,080
Speaker 1: ever gave me a gig in New York City. You know,

661
00:31:57,120 --> 00:31:59,960
Speaker 1: it holds one hundred and fifty people, two hundred people.

662
00:32:00,360 --> 00:32:02,560
Speaker 1: I just felt like being in those environments was the

663
00:32:02,640 --> 00:32:05,640
Speaker 1: right way to serve the songs to people who've been

664
00:32:05,680 --> 00:32:08,400
Speaker 1: with me for a long time. The audience is basically

665
00:32:08,400 --> 00:32:11,280
Speaker 1: what changed my life. So I wanted to serve them

666
00:32:11,320 --> 00:32:13,080
Speaker 1: the songs the way that I used to serve songs

667
00:32:13,120 --> 00:32:15,360
Speaker 1: before I haven't had a record deal. Get up on stage,

668
00:32:15,400 --> 00:32:18,680
Speaker 1: talk about the music, talk about my life and you know,

669
00:32:18,760 --> 00:32:21,400
Speaker 1: here's a song about it and all these things happen,

670
00:32:21,480 --> 00:32:26,160
Speaker 1: and then just make it rhyme right, make it ry yeah, yeah,

671
00:32:26,240 --> 00:32:30,440
Speaker 1: and uh, you know, making this record it was heavily personal.

672
00:32:30,560 --> 00:32:32,200
Speaker 1: You know, there's a lot of loss in the family.

673
00:32:32,240 --> 00:32:34,120
Speaker 1: And I lost my mom, and then two weeks later

674
00:32:34,240 --> 00:32:37,000
Speaker 1: my grandma died, and then six months later my granddad died.

675
00:32:37,040 --> 00:32:39,640
Speaker 1: And then COVID happened, and then my dad got diagnosed

676
00:32:39,640 --> 00:32:41,959
Speaker 1: and he died, and you know, I'm watching all that

677
00:32:42,000 --> 00:32:45,360
Speaker 1: stuff happened around me. But I wanted to finish the

678
00:32:45,440 --> 00:32:47,200
Speaker 1: record while he was alive. I wanted him to hear

679
00:32:47,240 --> 00:32:50,760
Speaker 1: the record. It was that was my timeline. My timeline

680
00:32:50,800 --> 00:32:53,480
Speaker 1: was finish it for dad right whenever, you know, hopefully

681
00:32:53,520 --> 00:32:58,200
Speaker 1: before I lose him. So it wasn't going to be

682
00:32:58,200 --> 00:33:01,240
Speaker 1: a business as usual album. That wasn't going to be Hey,

683
00:33:01,320 --> 00:33:03,240
Speaker 1: let me write some songs and I hope I get

684
00:33:03,280 --> 00:33:05,680
Speaker 1: some hit songs. And it just had nothing to do

685
00:33:05,720 --> 00:33:09,479
Speaker 1: with that. It was just different. The world was different.

686
00:33:09,760 --> 00:33:12,480
Speaker 1: I'm different, and for me to go on and just

687
00:33:12,560 --> 00:33:17,040
Speaker 1: do business as usual, cutting records just in hopes of man,

688
00:33:17,080 --> 00:33:20,320
Speaker 1: I hope it catches on, it just wasn't gonna It

689
00:33:20,400 --> 00:33:23,360
Speaker 1: would be disingenuous. And I can't ignore the things that

690
00:33:23,440 --> 00:33:26,560
Speaker 1: happened to me, or to them, or to every the

691
00:33:26,600 --> 00:33:29,080
Speaker 1: world as a whole, you know, and just launch a

692
00:33:29,160 --> 00:33:32,760
Speaker 1: record and and hey, this is so people dance. That's

693
00:33:32,800 --> 00:33:35,920
Speaker 1: just not how I feel. You know, the world changed

694
00:33:35,960 --> 00:33:39,520
Speaker 1: and I changed with it. I'm forty five years old,

695
00:33:39,520 --> 00:33:41,560
Speaker 1: I'm a grown man. For me to go out and

696
00:33:41,640 --> 00:33:44,480
Speaker 1: just trying to, you know, do my happy dance would

697
00:33:44,480 --> 00:33:47,560
Speaker 1: just be silly. You know. I was listening to it again.

698
00:33:47,600 --> 00:33:48,920
Speaker 1: I'd spent some time with it when you sent it

699
00:33:48,960 --> 00:33:50,080
Speaker 1: to me, and then I was listen to it again.

700
00:33:50,120 --> 00:33:53,240
Speaker 1: And this the track that hit me always every time,

701
00:33:53,440 --> 00:33:56,960
Speaker 1: was Chasing Win. I'm gonna ray if you'll play some

702
00:33:57,000 --> 00:34:11,600
Speaker 1: of this. Here's some of Gavin song Chasing Win. You

703
00:34:11,640 --> 00:34:13,520
Speaker 1: know what's interesting too, as Dave co produced this right

704
00:34:13,520 --> 00:34:15,120
Speaker 1: and Dave Calls worked with a lot of our favorite

705
00:34:15,160 --> 00:34:19,320
Speaker 1: artists here intown. He's he's genius. I took a meeting U.

706
00:34:19,760 --> 00:34:21,920
Speaker 1: He took a meeting with me, which I didn't expect

707
00:34:21,960 --> 00:34:24,879
Speaker 1: because you know who am I? And Um? I met

708
00:34:24,960 --> 00:34:28,200
Speaker 1: him in midtown here and U. We did lunch, was

709
00:34:28,239 --> 00:34:30,480
Speaker 1: he and I And I was expecting some old geezer

710
00:34:30,480 --> 00:34:31,960
Speaker 1: to walk through the door because I heard his name

711
00:34:32,040 --> 00:34:33,560
Speaker 1: so many times, you know, and he had so many

712
00:34:33,600 --> 00:34:36,160
Speaker 1: hit records. But he walked in. He had cooler hair

713
00:34:36,239 --> 00:34:38,640
Speaker 1: than me, and he was cooler than me, and and

714
00:34:38,840 --> 00:34:42,680
Speaker 1: uh probably younger than me. Um. He said, what do

715
00:34:42,680 --> 00:34:45,880
Speaker 1: you want to do? And I said, I need to

716
00:34:45,920 --> 00:34:47,880
Speaker 1: get all this stuff out of my body. And I

717
00:34:47,920 --> 00:34:50,080
Speaker 1: don't want to co write with anybody. I want to

718
00:34:50,200 --> 00:34:51,880
Speaker 1: go back to writing alone like it did with the

719
00:34:51,920 --> 00:34:55,200
Speaker 1: first few records. UM. But I think you're the best

720
00:34:55,200 --> 00:34:57,239
Speaker 1: producer in the world for kind of record I want

721
00:34:57,239 --> 00:35:01,560
Speaker 1: to make U And he said, with some explet is,

722
00:35:01,800 --> 00:35:04,520
Speaker 1: let's do it, you know. And a couple weeks later

723
00:35:04,560 --> 00:35:08,040
Speaker 1: we were in the room and UM, you know, he

724
00:35:08,360 --> 00:35:11,520
Speaker 1: brought in some ace players and I brought in the

725
00:35:11,520 --> 00:35:13,960
Speaker 1: best guitar player. I know this guy right here, Billy

726
00:35:14,040 --> 00:35:17,680
Speaker 1: Norris and uh and uh, and we just started recording

727
00:35:17,880 --> 00:35:20,960
Speaker 1: and um. And I think that Dave's influence over the

728
00:35:21,000 --> 00:35:23,920
Speaker 1: record as a whole was something that took took it

729
00:35:24,040 --> 00:35:26,479
Speaker 1: to to heights I couldn't have I couldn't have seen.

730
00:35:26,520 --> 00:35:29,600
Speaker 1: And um My my vision for it was more linear

731
00:35:29,640 --> 00:35:33,880
Speaker 1: than his. Um. His vision was much bigger than mine. UM.

732
00:35:33,920 --> 00:35:36,560
Speaker 1: And he really challenged me in the studio, which I

733
00:35:36,840 --> 00:35:40,040
Speaker 1: really appreciated. I think we all worked better under pressure anyway,

734
00:35:40,080 --> 00:35:42,040
Speaker 1: you know. I think everybody needs to have somebody kind

735
00:35:42,040 --> 00:35:44,759
Speaker 1: of putting a thumb on him and uh and challenging him.

736
00:35:44,760 --> 00:35:46,840
Speaker 1: And I think what he did, uh and what he

737
00:35:46,920 --> 00:35:50,439
Speaker 1: demanded made the album a whole lot better. Than than

738
00:35:50,480 --> 00:35:53,480
Speaker 1: I ever could. Gavin Nagrass here got a new album,

739
00:35:53,480 --> 00:35:55,200
Speaker 1: Faced the River. We're gonna play for it in just

740
00:35:55,239 --> 00:35:57,799
Speaker 1: a few minutes. But when I think about, you know,

741
00:35:58,080 --> 00:36:01,560
Speaker 1: somebody just says your name and that that chair that

742
00:36:01,719 --> 00:36:05,000
Speaker 1: melody of Chariot, Yeah, just sits in like the on

743
00:36:05,040 --> 00:36:06,800
Speaker 1: the back when it's like, hey, you know, listening to

744
00:36:06,880 --> 00:36:11,319
Speaker 1: having a girl and immediately chair that that just that melody.

745
00:36:11,480 --> 00:36:14,000
Speaker 1: I'm assuming when you when you play, you play, do

746
00:36:14,000 --> 00:36:17,400
Speaker 1: you play all the hits like your shows? Yeah? Pretty much? Absolutely.

747
00:36:17,480 --> 00:36:18,840
Speaker 1: You know I'm walking you play a little bit of

748
00:36:18,880 --> 00:36:21,360
Speaker 1: Chariot just to get that that bug out of my ear? Oh? Absolutely,

749
00:36:21,360 --> 00:36:23,439
Speaker 1: won't play just play the hook. Sure that's a part,

750
00:36:23,440 --> 00:36:25,439
Speaker 1: you know, Yeah, it's part I think I know more.

751
00:36:25,520 --> 00:36:27,680
Speaker 1: That's a part that Yeah, all right, here to good

752
00:36:27,920 --> 00:36:45,600
Speaker 1: three four chairing you go walking down, so check I'm

753
00:36:45,640 --> 00:36:54,800
Speaker 1: singing out to God me give me you sho rang nice?

754
00:36:55,280 --> 00:36:57,160
Speaker 1: All right, I'm good. That worm is gone. You know,

755
00:36:57,200 --> 00:36:59,360
Speaker 1: you just gotta sometimes you gotta feed the worm and

756
00:36:59,480 --> 00:37:02,800
Speaker 1: the worms and the worm goes away. I like it.

757
00:37:03,200 --> 00:37:06,080
Speaker 1: I know you're gonna read tune now right? Do you

758
00:37:06,080 --> 00:37:10,080
Speaker 1: need a second? Just a second? Cool? Can we keep talking. Yeah, okay, cool.

759
00:37:10,400 --> 00:37:13,919
Speaker 1: So Chariot was one of your first singles. I played

760
00:37:13,920 --> 00:37:15,440
Speaker 1: it on radio as wow. It was one of the

761
00:37:15,440 --> 00:37:18,600
Speaker 1: early ones, right very early. Yeah, two thousand and five,

762
00:37:20,320 --> 00:37:23,080
Speaker 1: somewhere and there. It was a funny little group of song.

763
00:37:23,719 --> 00:37:26,520
Speaker 1: The timeline is really weird because the first song I

764
00:37:26,560 --> 00:37:29,479
Speaker 1: ever released, um, I don't want to say it didn't

765
00:37:29,520 --> 00:37:32,120
Speaker 1: do anything, but it didn't do anything. It was called

766
00:37:32,200 --> 00:37:35,279
Speaker 1: follow Through. And then I got lucky with a song

767
00:37:35,320 --> 00:37:38,400
Speaker 1: called I Don't Want to Be And then Clive Davis

768
00:37:38,560 --> 00:37:40,640
Speaker 1: loved the song follow Through so much he goes no

769
00:37:40,920 --> 00:37:44,120
Speaker 1: rereleasing follow Through, so he wanted to launch it again,

770
00:37:44,360 --> 00:37:46,799
Speaker 1: and that time, for whatever reason, it was a hit.

771
00:37:47,360 --> 00:37:50,440
Speaker 1: And then the next one was Chariot. And so it

772
00:37:50,480 --> 00:37:52,719
Speaker 1: was in that first little little group. Yeah, but I'll

773
00:37:52,719 --> 00:37:54,800
Speaker 1: be around. It was till five or six. Everything's just

774
00:37:54,840 --> 00:37:57,279
Speaker 1: flying so fast. Then, I'm assuming at that stage of

775
00:37:57,320 --> 00:38:01,520
Speaker 1: your career, you know. It's funny. I was always um

776
00:38:01,560 --> 00:38:06,080
Speaker 1: afraid to acknowledge any successes that were happening. Um, I

777
00:38:06,200 --> 00:38:09,279
Speaker 1: was almost too busy to notice them. But as they

778
00:38:09,320 --> 00:38:12,080
Speaker 1: were occurring, I was so afraid that they were going

779
00:38:12,120 --> 00:38:14,759
Speaker 1: to disappear if I picked my head up to look

780
00:38:14,800 --> 00:38:17,160
Speaker 1: in the rearview mirror and go, well, cool, look, look

781
00:38:17,200 --> 00:38:20,480
Speaker 1: what just happened. You know, um, and I and I

782
00:38:20,560 --> 00:38:23,640
Speaker 1: was you know, I don't know. It's a personality type thing. Man.

783
00:38:23,680 --> 00:38:27,200
Speaker 1: I'm always waiting for the other shooter drop. Yeah. Yeah,

784
00:38:27,239 --> 00:38:31,400
Speaker 1: so so you know, even when big things were happening,

785
00:38:31,440 --> 00:38:33,719
Speaker 1: I just thought it was, oh, we have to do this.

786
00:38:33,960 --> 00:38:36,319
Speaker 1: We're doing this. It's great, we're doing this. But we're

787
00:38:36,320 --> 00:38:38,239
Speaker 1: doing this. I guess we're doing this because we have

788
00:38:38,320 --> 00:38:40,799
Speaker 1: to do this because nothing's working yet, you know what

789
00:38:40,840 --> 00:38:43,440
Speaker 1: I mean. And I don't know why. It's a personality

790
00:38:43,480 --> 00:38:46,160
Speaker 1: type thing. But you know, you get on, you're lucky

791
00:38:46,200 --> 00:38:48,200
Speaker 1: enough to come on, it will show like this me

792
00:38:48,800 --> 00:38:52,320
Speaker 1: and go, this is great, this is awesome. We definitely

793
00:38:52,360 --> 00:38:56,640
Speaker 1: have to do this. Nothing must be working right. It's

794
00:38:56,680 --> 00:39:00,799
Speaker 1: a little happening by a little lot of nerosis because

795
00:39:00,800 --> 00:39:03,439
Speaker 1: I live no databauck, no dabt about it. It's it's

796
00:39:03,520 --> 00:39:07,120
Speaker 1: fear and uh and it's you know, it's fear of failure,

797
00:39:07,160 --> 00:39:09,080
Speaker 1: and it's fear of hey man, did I make all

798
00:39:09,080 --> 00:39:12,000
Speaker 1: the wrong decisions? And you know I joke about it

799
00:39:12,040 --> 00:39:14,680
Speaker 1: with with with friends of mine that you always feel

800
00:39:14,719 --> 00:39:19,040
Speaker 1: like I'm I'm one one more bad decision away from

801
00:39:19,080 --> 00:39:21,720
Speaker 1: just playing the lobbyist some hotel in the middle of somewhere,

802
00:39:22,280 --> 00:39:25,400
Speaker 1: you know, and uh, you know that guy you know,

803
00:39:25,560 --> 00:39:29,640
Speaker 1: and uh, you're just you just you don't have complete

804
00:39:29,640 --> 00:39:32,320
Speaker 1: control of things. You know. You mentioned you got lucky

805
00:39:32,360 --> 00:39:35,080
Speaker 1: with I don't want to be yeah again. I was

806
00:39:35,120 --> 00:39:37,839
Speaker 1: in pop radio at that point. I don't know it

807
00:39:37,960 --> 00:39:41,320
Speaker 1: from One Tree Hill that the show. It's one that

808
00:39:42,000 --> 00:39:44,520
Speaker 1: I don't know it from that. I'll just know it

809
00:39:44,600 --> 00:39:48,440
Speaker 1: from being played on the radio. So which this chicken

810
00:39:48,560 --> 00:39:51,960
Speaker 1: or Egg? Here? Was it a single? And then it

811
00:39:52,040 --> 00:39:53,960
Speaker 1: got big and the TV show put it on, or

812
00:39:53,960 --> 00:39:56,479
Speaker 1: did the TV show, and then it went from there. Man,

813
00:39:56,840 --> 00:39:58,959
Speaker 1: you know, it's funny with that song because I thought

814
00:39:58,960 --> 00:40:02,520
Speaker 1: that was the obvious first single. My brother was screaming

815
00:40:02,600 --> 00:40:04,319
Speaker 1: up all the time at me, you know, in our

816
00:40:04,360 --> 00:40:06,399
Speaker 1: apartment in New York. He's like, that's a single. What's

817
00:40:06,480 --> 00:40:08,200
Speaker 1: wrong with people? You know, like they need to put

818
00:40:08,200 --> 00:40:12,439
Speaker 1: that out first? But follow Through is the one. And

819
00:40:14,160 --> 00:40:16,520
Speaker 1: I got a phone call from a guy. The song

820
00:40:16,600 --> 00:40:18,480
Speaker 1: hadn't been selected to be a single yet, and I

821
00:40:18,480 --> 00:40:20,719
Speaker 1: got a phone call from a guy named Joe de

822
00:40:20,840 --> 00:40:25,680
Speaker 1: Vola and Joe de Vola said, hey, I want to

823
00:40:25,760 --> 00:40:28,560
Speaker 1: use your song for a TV show, and I said, nah,

824
00:40:28,560 --> 00:40:32,040
Speaker 1: absolutely not. I don't even watch TV. TV stupid, you know,

825
00:40:32,680 --> 00:40:37,840
Speaker 1: and that's just you know New York, you know East

826
00:40:37,920 --> 00:40:41,400
Speaker 1: Village Art, you know snob at the time, you know,

827
00:40:41,440 --> 00:40:44,680
Speaker 1: I was kicking around Alphabet City and you know, twenty

828
00:40:44,760 --> 00:40:48,080
Speaker 1: years ago, right. So I said, nah, I don't even

829
00:40:48,080 --> 00:40:50,520
Speaker 1: watch TV. Who watches TV? And I don't want to

830
00:40:50,520 --> 00:40:53,719
Speaker 1: be associated with it. He goes, listen, you gotta help me,

831
00:40:53,760 --> 00:40:57,360
Speaker 1: help you the song I think would be a big song,

832
00:40:57,640 --> 00:41:00,160
Speaker 1: and I want to put in a show. I said, nah, no,

833
00:41:00,719 --> 00:41:02,959
Speaker 1: I really appreciate it. You sound like a nice guy,

834
00:41:03,120 --> 00:41:05,560
Speaker 1: but no thanks. He goes, okay, let me ask you

835
00:41:05,560 --> 00:41:08,040
Speaker 1: another question. How much money you got in your bank

836
00:41:08,080 --> 00:41:15,440
Speaker 1: account right now? And I was like, he starts laughing,

837
00:41:16,200 --> 00:41:18,719
Speaker 1: and he goes, listen, think about it. We're not going

838
00:41:18,760 --> 00:41:20,759
Speaker 1: to touch the song. We're just gonna put it in

839
00:41:20,840 --> 00:41:23,319
Speaker 1: a place where people are gonna hear it, you know.

840
00:41:23,880 --> 00:41:25,799
Speaker 1: And that show wasn't on yet, right, I wasn't even

841
00:41:25,840 --> 00:41:30,400
Speaker 1: on yet, right, yeah? And I followed through. Apparently had

842
00:41:30,440 --> 00:41:32,719
Speaker 1: been picked up and put in another show that was

843
00:41:32,760 --> 00:41:36,560
Speaker 1: in pilot in pilot mode that never got actually never

844
00:41:36,640 --> 00:41:38,680
Speaker 1: became bigger. But I think val Kilmerson was about the

845
00:41:38,680 --> 00:41:44,759
Speaker 1: porn industry followed through. I don't know, but anyway, but yeah,

846
00:41:45,000 --> 00:41:46,960
Speaker 1: I said, you' know what, all right, this guy's right.

847
00:41:47,160 --> 00:41:49,440
Speaker 1: Guys like me aren't going to be watching this stuff

848
00:41:49,480 --> 00:41:52,040
Speaker 1: anyway and associated with certain things. I'm not going to

849
00:41:52,080 --> 00:41:54,480
Speaker 1: associate it with a teen show. I'm not a teenager,

850
00:41:54,560 --> 00:41:57,840
Speaker 1: you know. I was twenty seven at the time, and

851
00:41:57,880 --> 00:42:02,160
Speaker 1: I was an adult. But I said, all right, do it,

852
00:42:02,400 --> 00:42:04,040
Speaker 1: do you know, man, just do whatever you want with it.

853
00:42:04,040 --> 00:42:06,160
Speaker 1: I appreciate it, and you know what, just do it,

854
00:42:06,200 --> 00:42:08,680
Speaker 1: Just do it. And sure enough that the song took off.

855
00:42:08,719 --> 00:42:11,839
Speaker 1: And then I walked into the label and I had

856
00:42:11,880 --> 00:42:17,120
Speaker 1: a meeting with Clive Davis, and he said, with everything

857
00:42:17,239 --> 00:42:21,839
Speaker 1: happening around this show, the show with the song you've

858
00:42:21,840 --> 00:42:26,480
Speaker 1: heard clap Talk, the obvious next single would be I

859
00:42:26,520 --> 00:42:28,400
Speaker 1: Don't Want to Be And I was like, all right, great,

860
00:42:28,440 --> 00:42:31,360
Speaker 1: this is awesome. You know, so the song I originally wanted,

861
00:42:31,360 --> 00:42:34,759
Speaker 1: it's finally going to be the single, and it did it.

862
00:42:34,760 --> 00:42:37,239
Speaker 1: It took off, and you know, fortunately that was a

863
00:42:37,239 --> 00:42:40,080
Speaker 1: foot in the door. In the door moment you know,

864
00:42:40,400 --> 00:42:44,160
Speaker 1: does that I don't know. Obviously it got you to

865
00:42:44,239 --> 00:42:46,279
Speaker 1: the place that you originally wanted, meaning it's kind of

866
00:42:46,280 --> 00:42:48,279
Speaker 1: a weird way that happened. For sure, you wanted it.

867
00:42:48,320 --> 00:42:50,480
Speaker 1: They said no, you didn't want it to be on

868
00:42:50,520 --> 00:42:52,879
Speaker 1: the TV show, then you finally said yes, which got

869
00:42:52,880 --> 00:42:55,920
Speaker 1: it back around where you wanted it. Yeah. So but

870
00:42:56,000 --> 00:42:57,759
Speaker 1: do you look back at it being on the TV

871
00:42:57,840 --> 00:43:00,120
Speaker 1: show and go, I wish I wouldn't have done it,

872
00:43:00,200 --> 00:43:01,520
Speaker 1: or I wish I would have, or are you just

873
00:43:01,560 --> 00:43:04,240
Speaker 1: like you know what nailed it? It had to happen.

874
00:43:06,040 --> 00:43:09,799
Speaker 1: The looking back things always tough because I think if

875
00:43:09,840 --> 00:43:12,080
Speaker 1: I would have made a different decision, I'd be looking

876
00:43:12,120 --> 00:43:14,600
Speaker 1: back right now thinking I should have changed something else that,

877
00:43:14,920 --> 00:43:17,440
Speaker 1: you know, based on wherever I was at that at

878
00:43:17,480 --> 00:43:22,000
Speaker 1: that point, right as they say noah, they say, no

879
00:43:22,040 --> 00:43:26,360
Speaker 1: battle plan ever survives combat. Right, So so you know,

880
00:43:26,400 --> 00:43:28,479
Speaker 1: of course, no matter what changes I would have made

881
00:43:28,480 --> 00:43:31,960
Speaker 1: back then, there'd be some other something else I'd have

882
00:43:31,960 --> 00:43:33,840
Speaker 1: to look back on now it say I should alter this,

883
00:43:33,920 --> 00:43:37,640
Speaker 1: I should alter that. But I think the association, certainly

884
00:43:37,680 --> 00:43:41,360
Speaker 1: at first, was a great idea. It opened doors that

885
00:43:41,480 --> 00:43:47,399
Speaker 1: were absolutely well did shut to me because there were

886
00:43:47,400 --> 00:43:50,200
Speaker 1: other artists who are always going to have priority at

887
00:43:50,200 --> 00:43:55,160
Speaker 1: other labels. You know, I wasn't I wasn't. I wasn't

888
00:43:55,160 --> 00:43:57,400
Speaker 1: Alicia Keys. You know, she was out, you know, a

889
00:43:57,400 --> 00:44:00,480
Speaker 1: little bit before me, but under the same same company.

890
00:44:01,080 --> 00:44:04,440
Speaker 1: I wasn't Maroon five. They were out just before me,

891
00:44:05,239 --> 00:44:07,560
Speaker 1: with the same group of people doing the same marketing.

892
00:44:07,600 --> 00:44:10,719
Speaker 1: So there were already a couple of acts here that

893
00:44:10,760 --> 00:44:14,400
Speaker 1: we're going to get the most attention. And I needed

894
00:44:14,480 --> 00:44:17,799
Speaker 1: to find I had to find a window to crawl through.

895
00:44:18,400 --> 00:44:22,120
Speaker 1: Um and that's that was the window. So then let

896
00:44:22,160 --> 00:44:23,960
Speaker 1: me ask you to you this way. When people go, hey,

897
00:44:23,960 --> 00:44:27,439
Speaker 1: I know you from one Tree Hill, that's right, right, sure,

898
00:44:27,800 --> 00:44:29,279
Speaker 1: Well people go I know you from one Tree Hill,

899
00:44:29,320 --> 00:44:34,319
Speaker 1: You're like, oh no, I say, that's awesome because you

900
00:44:34,360 --> 00:44:37,400
Speaker 1: know that's cool. Yeah, because how you found me, How

901
00:44:37,560 --> 00:44:39,719
Speaker 1: you found me, however you found me. You know the

902
00:44:39,760 --> 00:44:42,319
Speaker 1: fact that you know, twenty years later someone's coming up

903
00:44:42,320 --> 00:44:44,200
Speaker 1: to me saying they know me from a team show,

904
00:44:44,719 --> 00:44:48,000
Speaker 1: but they're still coming to my shows. That means somehow

905
00:44:48,040 --> 00:44:52,120
Speaker 1: the music is making them feel good still, right, And

906
00:44:52,239 --> 00:44:55,160
Speaker 1: if they're only coming for that one song, hey, god

907
00:44:55,160 --> 00:44:57,000
Speaker 1: bless them. If they want to sit through two hours

908
00:44:57,000 --> 00:45:00,640
Speaker 1: in music, you know, for me to get song at

909
00:45:00,640 --> 00:45:03,640
Speaker 1: the end of the night. You know, then cool. You know,

910
00:45:04,280 --> 00:45:08,040
Speaker 1: there was a speaking of which because I think every

911
00:45:08,120 --> 00:45:12,160
Speaker 1: artist probably goes through this the first probably on their

912
00:45:12,200 --> 00:45:17,960
Speaker 1: first their first successful song. Oh you're gonna love this, okay.

913
00:45:18,040 --> 00:45:22,399
Speaker 1: So because I was having little success with that song

914
00:45:22,520 --> 00:45:25,480
Speaker 1: early on, and the song took off. Here it's a

915
00:45:25,520 --> 00:45:27,960
Speaker 1: big hit, blah blah blah whatever, people start coming to

916
00:45:28,000 --> 00:45:32,319
Speaker 1: your gigs. So then you know, for about you know,

917
00:45:32,400 --> 00:45:35,200
Speaker 1: for about six months, you start feeling pretty good. You're like,

918
00:45:35,239 --> 00:45:37,920
Speaker 1: this is pretty cool. This is I'm having some success.

919
00:45:38,000 --> 00:45:40,520
Speaker 1: You know, sadly, you feel like you're a little bigger, stronger,

920
00:45:40,560 --> 00:45:44,200
Speaker 1: you know, everything's bigger on your body right, so to speak.

921
00:45:44,520 --> 00:45:48,760
Speaker 1: And so I thought, let's play the hit early tonight.

922
00:45:49,560 --> 00:45:55,120
Speaker 1: You know, let's do it like third. Everybody's gone by

923
00:45:55,120 --> 00:46:00,200
Speaker 1: the fourth song. You can't do that. You know, everybody's

924
00:46:00,280 --> 00:46:03,360
Speaker 1: left there is watching you just bored to death because

925
00:46:03,400 --> 00:46:07,480
Speaker 1: they already heard what they came again. There was there

926
00:46:07,600 --> 00:46:10,400
Speaker 1: was like two or three gigs. I was like, I

927
00:46:10,480 --> 00:46:12,760
Speaker 1: know what I gotta do. I gotta play this one again.

928
00:46:12,920 --> 00:46:16,280
Speaker 1: That's fun to play it again, you know, And Uh,

929
00:46:16,680 --> 00:46:19,640
Speaker 1: so those are growing pains, those are those are real

930
00:46:19,760 --> 00:46:23,600
Speaker 1: learning experiences, I think, and uh, just the stuff you

931
00:46:23,640 --> 00:46:26,600
Speaker 1: gotta be able to laugh at afterward. Because every act,

932
00:46:27,200 --> 00:46:30,239
Speaker 1: every act that's had a big hit, I know they

933
00:46:30,320 --> 00:46:34,000
Speaker 1: know what I'm talking about. Whether whether they decided I'm

934
00:46:34,000 --> 00:46:35,840
Speaker 1: going to try it out play the hit earlier or not,

935
00:46:35,920 --> 00:46:37,759
Speaker 1: I don't know if they've all done that, but I

936
00:46:37,840 --> 00:46:41,040
Speaker 1: know that they know the crowd is really coming for

937
00:46:41,120 --> 00:46:44,040
Speaker 1: the hits? Do you you gotta play them, but you gotta,

938
00:46:44,200 --> 00:46:46,600
Speaker 1: you gotta pick, pick and choose your moment. So you

939
00:46:47,560 --> 00:46:49,480
Speaker 1: did you ever have a stage where you disliked playing it?

940
00:46:50,320 --> 00:46:52,719
Speaker 1: You played it so much? No, I've never, not ever,

941
00:46:54,000 --> 00:46:59,520
Speaker 1: Thank god. Well it's about to get real awkward. No, no, no, literally,

942
00:46:59,640 --> 00:47:02,440
Speaker 1: But you know it's funny because I do know acts

943
00:47:02,840 --> 00:47:05,040
Speaker 1: who talk about, oh, I don't want to play my hits,

944
00:47:05,680 --> 00:47:08,319
Speaker 1: I don't want to do those anymore. And I think,

945
00:47:08,320 --> 00:47:12,759
Speaker 1: to myself, does it how lucky they are right now

946
00:47:13,200 --> 00:47:16,080
Speaker 1: that they get to do this. You know you got

947
00:47:16,080 --> 00:47:18,960
Speaker 1: to pull them aside. But hey, listen, I know you

948
00:47:19,000 --> 00:47:22,160
Speaker 1: know you've been doing this song every day since you

949
00:47:22,239 --> 00:47:26,279
Speaker 1: wrote this song. But must I remind you you have

950
00:47:26,320 --> 00:47:29,000
Speaker 1: one of the only jobs in the world that when

951
00:47:29,040 --> 00:47:31,960
Speaker 1: you get the clock out, people clap for you and

952
00:47:32,040 --> 00:47:33,719
Speaker 1: tell you what a good job you did. You know,

953
00:47:34,160 --> 00:47:37,600
Speaker 1: name another one, you know, name another job you could

954
00:47:37,600 --> 00:47:39,360
Speaker 1: think of that at the end of your workday, people go,

955
00:47:40,200 --> 00:47:44,480
Speaker 1: great job, that was amazing tonight. You know, you don't

956
00:47:44,520 --> 00:47:47,440
Speaker 1: get that. Nobody gets that. You know, get up there

957
00:47:47,600 --> 00:47:50,480
Speaker 1: and give them what they came for. You're so blessed

958
00:47:50,520 --> 00:47:53,719
Speaker 1: to be able to do that, or you you're you

959
00:47:53,840 --> 00:47:59,799
Speaker 1: have forgotten how how tough real life really is. If

960
00:47:59,800 --> 00:48:01,719
Speaker 1: you don't want to do a song for three and

961
00:48:01,760 --> 00:48:04,960
Speaker 1: a half minutes for people who saved up three and

962
00:48:05,000 --> 00:48:08,000
Speaker 1: a half months to drive three and a half hours

963
00:48:08,040 --> 00:48:16,239
Speaker 1: to watch you sing that song, well, okay, Gavin, the

964
00:48:16,320 --> 00:48:19,000
Speaker 1: girls here and he's looking at me when he said that. Sorry, man,

965
00:48:20,400 --> 00:48:23,160
Speaker 1: so crazy that you would you want that, So listen

966
00:48:23,239 --> 00:48:25,160
Speaker 1: as a fan, I'm glad that you feel that way,

967
00:48:25,280 --> 00:48:27,359
Speaker 1: right And and with that being said, yeah, don't play

968
00:48:27,360 --> 00:48:29,080
Speaker 1: the whole thing, just give me that doesn't give me

969
00:48:29,080 --> 00:48:30,520
Speaker 1: the hook of that. I don't want to have him

970
00:48:30,600 --> 00:48:34,400
Speaker 1: yell at me. I don't just give me the hook.

971
00:48:34,440 --> 00:48:36,400
Speaker 1: And we'll call out to day on that one, all right,

972
00:48:36,400 --> 00:48:38,759
Speaker 1: here's Gavin the girl hit me with that hook of

973
00:48:38,880 --> 00:48:44,359
Speaker 1: I don't want to be Yeah, there we go. I

974
00:48:44,400 --> 00:48:47,919
Speaker 1: don't want to be anything other than what I've been

975
00:48:48,120 --> 00:48:53,120
Speaker 1: trying to be. Laid leg have to dude singing me

976
00:48:53,440 --> 00:48:59,480
Speaker 1: and a piece of mind. I'm tired of it get around,

977
00:49:00,040 --> 00:49:04,960
Speaker 1: but I gotta do I'm supposed to be. I don't

978
00:49:05,040 --> 00:49:10,600
Speaker 1: want to be anything other than me. That's awesome. Let's

979
00:49:10,600 --> 00:49:12,480
Speaker 1: get to the new stuff now, that's what we all

980
00:49:12,520 --> 00:49:14,600
Speaker 1: came for. We drove three and a half hours. I

981
00:49:14,600 --> 00:49:16,440
Speaker 1: don't want to yell at me again. I was thinking

982
00:49:16,440 --> 00:49:29,120
Speaker 1: about leaving. Yeah, you leave after that. It'll so the

983
00:49:29,160 --> 00:49:31,160
Speaker 1: song that I'd like for you to play, if that's

984
00:49:31,200 --> 00:49:33,360
Speaker 1: cool as forward. It's from the new record. Would you

985
00:49:33,400 --> 00:49:35,200
Speaker 1: give me a little set up on this? And you

986
00:49:35,200 --> 00:49:37,920
Speaker 1: wrote it and forarded it, so what led you to

987
00:49:37,960 --> 00:49:44,080
Speaker 1: actually do both? Uh? Well, this song is about sort

988
00:49:44,120 --> 00:49:49,920
Speaker 1: of recognizing that you've been uh caught up on the

989
00:49:50,000 --> 00:49:52,799
Speaker 1: hamster wheel of life, and you know, you have that

990
00:49:52,880 --> 00:49:58,399
Speaker 1: revelation one day of you know, my stuff owns me.

991
00:49:58,719 --> 00:50:01,439
Speaker 1: I don't own my stuff. Why why am I doing

992
00:50:01,440 --> 00:50:04,040
Speaker 1: all this other work? Or am I why am I

993
00:50:04,080 --> 00:50:07,120
Speaker 1: picking up this these o'ts Why am I doing these

994
00:50:07,120 --> 00:50:09,879
Speaker 1: other things to pay for things that I'm not even

995
00:50:10,840 --> 00:50:13,319
Speaker 1: getting to enjoy because I'm spending all my time just

996
00:50:13,640 --> 00:50:18,920
Speaker 1: paying for him, you know. Um, And you're seeking advice,

997
00:50:19,719 --> 00:50:22,080
Speaker 1: so you know, I think if you're gonna get advice,

998
00:50:22,080 --> 00:50:25,360
Speaker 1: hopefully you get it from somebody that you love, somebody

999
00:50:25,600 --> 00:50:31,600
Speaker 1: uh uh who's smarter than you and and who's older

1000
00:50:31,640 --> 00:50:34,920
Speaker 1: than you, um, because they're gonna give you better advice.

1001
00:50:34,960 --> 00:50:38,480
Speaker 1: So this is this is uh. The song's a conversation,

1002
00:50:38,880 --> 00:50:44,120
Speaker 1: uh about somebody looking for advice asking some old dude,

1003
00:50:44,160 --> 00:50:46,799
Speaker 1: you know what what do I do? All right? Here's

1004
00:50:46,840 --> 00:50:49,359
Speaker 1: Gavin DeGraw. This is from the new record Face the River,

1005
00:50:49,440 --> 00:51:00,440
Speaker 1: and here is for it. Try a tired but try

1006
00:51:00,600 --> 00:51:05,920
Speaker 1: and still I've been climbed the Oh why can't he

1007
00:51:06,120 --> 00:51:14,839
Speaker 1: the top? Old man? Can't you help me understand why

1008
00:51:14,840 --> 00:51:19,280
Speaker 1: I'm on this planet? Do you know when to stop

1009
00:51:21,719 --> 00:51:26,480
Speaker 1: working for a dollar? Oh? That tire making man feel broke?

1010
00:51:27,880 --> 00:51:33,799
Speaker 1: Working for a dollar, that's the only thing nine old

1011
00:51:34,800 --> 00:51:40,719
Speaker 1: just striving old Ford, count blessings and pray the Lord have.

1012
00:51:41,040 --> 00:51:45,640
Speaker 1: Let's make it feel like more. Leave work the front door,

1013
00:51:46,880 --> 00:51:51,520
Speaker 1: work hard and you get paid. Don't giving your best

1014
00:51:51,760 --> 00:51:56,480
Speaker 1: days only so meant me left saved some of them

1015
00:51:56,600 --> 00:52:04,440
Speaker 1: up for the ones worth saving them for. Lata la

1016
00:52:04,600 --> 00:52:10,480
Speaker 1: da da da da la da da da la da

1017
00:52:10,719 --> 00:52:17,920
Speaker 1: da da da Yeah, Lata la da da da da

1018
00:52:19,560 --> 00:52:22,239
Speaker 1: La da da da da da da da da da

1019
00:52:22,400 --> 00:52:29,120
Speaker 1: da da da. Yeah, it's so good yet kill him.

1020
00:52:29,760 --> 00:52:32,399
Speaker 1: That's awesome. Song's good, the message is good, You're good.

1021
00:52:32,440 --> 00:52:35,760
Speaker 1: Everything that's great. Don't yell at me anymore. It's awesome.

1022
00:52:36,280 --> 00:52:39,239
Speaker 1: I was amazing. That's really great. The records it's great too.

1023
00:52:39,320 --> 00:52:42,040
Speaker 1: The record is an album that I would listen to

1024
00:52:42,880 --> 00:52:45,839
Speaker 1: if I wasn't working in music and had to listen

1025
00:52:45,880 --> 00:52:48,279
Speaker 1: to music for a living, right, I mean that that's

1026
00:52:48,360 --> 00:52:50,360
Speaker 1: the music. I like this. This whole record is that

1027
00:52:50,480 --> 00:52:52,279
Speaker 1: and wow. I encourage people to check it out. It's

1028
00:52:52,280 --> 00:52:54,759
Speaker 1: not a few weeks called Face the River. So many

1029
00:52:54,800 --> 00:52:57,560
Speaker 1: good songs, and listen the feeling that you guys probably

1030
00:52:57,600 --> 00:53:00,760
Speaker 1: got by hearing that song and that message. Those feelings

1031
00:53:00,840 --> 00:53:04,680
Speaker 1: are sprinkled all throughout the record for different reasons. Yes, sir,

1032
00:53:04,880 --> 00:53:06,560
Speaker 1: because I mean, you sing that song there and it's

1033
00:53:06,560 --> 00:53:08,160
Speaker 1: like ring I should re evaluate my life and quit

1034
00:53:08,200 --> 00:53:09,320
Speaker 1: this job and walk off the air right now, and

1035
00:53:09,400 --> 00:53:10,800
Speaker 1: so and go and spend time with my wife and

1036
00:53:11,000 --> 00:53:14,000
Speaker 1: wabbly through this place. Yeah, but you know that's the

1037
00:53:14,080 --> 00:53:15,640
Speaker 1: kind of thing. It is, like I'm spending too much

1038
00:53:15,680 --> 00:53:20,279
Speaker 1: time doing dumb crap and that same kind of oh,

1039
00:53:20,520 --> 00:53:22,239
Speaker 1: like punching the gut in a good way is all

1040
00:53:22,280 --> 00:53:24,400
Speaker 1: through the record. So great, great jobs, a heck of

1041
00:53:24,440 --> 00:53:26,799
Speaker 1: a project. I appreciate it. I hate that so much

1042
00:53:27,440 --> 00:53:30,880
Speaker 1: crap had to happen for you to create this project,

1043
00:53:30,960 --> 00:53:32,880
Speaker 1: but I'm glad that you did it because I feel like,

1044
00:53:32,960 --> 00:53:37,160
Speaker 1: hopefully it was therapeutic for you, very very I appreciate that. Man. Yeah,

1045
00:53:37,239 --> 00:53:41,600
Speaker 1: I appreciate that it's been. Um, it was therapeutic writing it,

1046
00:53:41,800 --> 00:53:45,920
Speaker 1: and it's it's therapeutic recording it and therapeutic playing it

1047
00:53:46,080 --> 00:53:49,759
Speaker 1: every night. And it's been it's been emotional playing it

1048
00:53:49,880 --> 00:53:53,399
Speaker 1: every night. Um. Some nights are harder than others, you know. UM.

1049
00:53:53,960 --> 00:53:57,719
Speaker 1: But but I feel like it's a message that I

1050
00:53:57,880 --> 00:54:01,520
Speaker 1: need to get out. UM, and I think it's something

1051
00:54:02,480 --> 00:54:05,839
Speaker 1: really other people are relating to. And you know, when

1052
00:54:05,880 --> 00:54:09,400
Speaker 1: you lose people, you become part of this fraternity or

1053
00:54:09,840 --> 00:54:12,880
Speaker 1: this club that you never really wanted to be a

1054
00:54:12,960 --> 00:54:18,279
Speaker 1: member of. UM. But we're all members of it um

1055
00:54:18,719 --> 00:54:21,960
Speaker 1: or gonna be and and I just think you have to,

1056
00:54:22,200 --> 00:54:24,360
Speaker 1: uh take it head on. You know. My father always

1057
00:54:24,400 --> 00:54:27,000
Speaker 1: told me run to the lion, and I think you

1058
00:54:27,120 --> 00:54:29,240
Speaker 1: just have to take you just have to take everything

1059
00:54:29,320 --> 00:54:32,400
Speaker 1: head on. Everything you're worried about, everything that's scaring you,

1060
00:54:32,480 --> 00:54:35,920
Speaker 1: everything you're that's you, that you were putting off. There

1061
00:54:36,000 --> 00:54:38,200
Speaker 1: has to be a moment where you turn and you

1062
00:54:38,400 --> 00:54:41,840
Speaker 1: go to it um and I just needed to go

1063
00:54:41,960 --> 00:54:47,520
Speaker 1: to it. You did. It's it's again beautiful art, tragic circumstances,

1064
00:54:47,560 --> 00:54:51,960
Speaker 1: beautiful art. And just don't stop doing it, you know, man,

1065
00:54:52,040 --> 00:54:55,560
Speaker 1: don't stop doing it. Gavin Degrass here, you guys check

1066
00:54:55,640 --> 00:54:58,440
Speaker 1: out the record. It's Face the River the there's a

1067
00:54:58,480 --> 00:55:01,080
Speaker 1: six part documentaries on face book. Yeah, you guys did

1068
00:55:01,120 --> 00:55:04,600
Speaker 1: about road trip and as you're making like the creative

1069
00:55:04,640 --> 00:55:08,080
Speaker 1: Fish process, well it was after the uh, after the

1070
00:55:09,280 --> 00:55:11,320
Speaker 1: record was made, I got to go out and do

1071
00:55:11,640 --> 00:55:13,640
Speaker 1: do another road trip because I like road trip. And

1072
00:55:13,680 --> 00:55:16,680
Speaker 1: you know what I said, I if I don't like

1073
00:55:16,840 --> 00:55:18,880
Speaker 1: being in the air, I wish I could fly on

1074
00:55:18,920 --> 00:55:21,080
Speaker 1: the ground. That makes sense. That's the move, That's what

1075
00:55:22,400 --> 00:55:24,520
Speaker 1: that's that, that's the move. Can I fly on the ground?

1076
00:55:24,560 --> 00:55:27,440
Speaker 1: We're supposed to see the world from about five to

1077
00:55:27,680 --> 00:55:30,080
Speaker 1: six feet above the ground. Yeah, right where our head is,

1078
00:55:30,239 --> 00:55:33,759
Speaker 1: right where our feet. That's that's yes, you guys check

1079
00:55:33,800 --> 00:55:36,640
Speaker 1: that out in and that's gonna be it for now. Um.

1080
00:55:37,440 --> 00:55:41,239
Speaker 1: My absolute favorite song of yours is not over You.

1081
00:55:41,440 --> 00:55:43,799
Speaker 1: Wow you still like that one? Or no? Of course? Yeah,

1082
00:55:43,840 --> 00:55:45,920
Speaker 1: I love it. I wrote that with Ryan Teter. I

1083
00:55:46,000 --> 00:55:47,880
Speaker 1: did not know that. Yeah, I wrote with Ryan Teter

1084
00:55:48,000 --> 00:55:51,239
Speaker 1: and the spark of it. One Republic guy, One Republic Yeah,

1085
00:55:51,400 --> 00:55:56,080
Speaker 1: super just a wonderful uh pop songwriter specifically, just a

1086
00:55:56,200 --> 00:56:00,120
Speaker 1: genius at pop and we um. He first played me

1087
00:56:00,239 --> 00:56:07,040
Speaker 1: that riff, the piano riff up top that um come

1088
00:56:07,120 --> 00:56:13,600
Speaker 1: on right that think we were in um Blackbird Studios

1089
00:56:13,640 --> 00:56:15,840
Speaker 1: in her Nashville. He goes, you know, man, when we

1090
00:56:15,880 --> 00:56:20,719
Speaker 1: think of this piano doing this, and I was like, us,

1091
00:56:22,040 --> 00:56:27,000
Speaker 1: it's okay. I guess he was like, yeah, I need

1092
00:56:27,040 --> 00:56:31,400
Speaker 1: to be great for your dreams. That's where I have

1093
00:56:31,600 --> 00:56:38,280
Speaker 1: to go to see your beautiful fit sending more stared

1094
00:56:38,400 --> 00:56:41,760
Speaker 1: ride a picture, rub you and listen to the radio

1095
00:56:42,719 --> 00:56:48,680
Speaker 1: boop music conversation. We booting bit we had it good.

1096
00:56:50,480 --> 00:56:55,360
Speaker 1: Then It's Daily Nation NINEO that and munch is understood

1097
00:56:56,680 --> 00:57:00,359
Speaker 1: and not read a lot. If you ask me how

1098
00:57:00,480 --> 00:57:05,320
Speaker 1: I'm doing, I would say I'm doing just fine. I

1099
00:57:05,480 --> 00:57:12,320
Speaker 1: will light say that you not all mine. But I

1100
00:57:12,480 --> 00:57:16,920
Speaker 1: go out and I sit down at a table set

1101
00:57:18,920 --> 00:57:26,840
Speaker 1: and finally I'm force to face no matter what I see,

1102
00:57:26,960 --> 00:57:36,920
Speaker 1: I'm not over you. Not over you. That's awesome, man,

1103
00:57:36,960 --> 00:57:40,600
Speaker 1: I appreciate that. Thanks for walking us through that. That's it,

1104
00:57:40,800 --> 00:57:43,360
Speaker 1: Gavin DeGraw. You guys follow him. Listen to the record

1105
00:57:43,400 --> 00:57:45,040
Speaker 1: over and over again. Face the river. You will find

1106
00:57:45,080 --> 00:57:47,600
Speaker 1: your own story inside of it. He created music. It

1107
00:57:47,600 --> 00:57:49,840
Speaker 1: doesn't have to be the exact same story that you're living.

1108
00:57:50,320 --> 00:57:52,080
Speaker 1: I find song a lot of times that speak to

1109
00:57:52,120 --> 00:57:53,800
Speaker 1: me in different ways, and it was originally written and

1110
00:57:53,840 --> 00:57:55,600
Speaker 1: it speaks to me the same way that they was

1111
00:57:55,600 --> 00:57:57,960
Speaker 1: supposed to speak to me. So great, great body of work,

1112
00:57:58,040 --> 00:58:00,720
Speaker 1: Gavin degral Thanks appreciate you, guys. It man there he

1113
00:58:02,320 --> 00:58:05,920
Speaker 1: thanks a lot, guys. It's the best Bits of the

1114
00:58:06,040 --> 00:58:10,560
Speaker 1: week with Morgan number two. Y'all, thanks so much for

1115
00:58:10,680 --> 00:58:14,120
Speaker 1: joining me this weekend. I hope you loved the best bits,

1116
00:58:14,200 --> 00:58:17,200
Speaker 1: the interview with Scuba Steve and the best bits, just

1117
00:58:17,440 --> 00:58:20,600
Speaker 1: the bits. I always appreciate y'all hanging out and listening

1118
00:58:20,640 --> 00:58:23,240
Speaker 1: to this podcast with your weekend time, because I know

1119
00:58:23,440 --> 00:58:26,840
Speaker 1: that it's very precious and you can be doing a

1120
00:58:26,920 --> 00:58:28,800
Speaker 1: lot of things and not listening to this podcast. So

1121
00:58:28,960 --> 00:58:32,040
Speaker 1: I appreciate you downloading and listening and also tagging me

1122
00:58:32,120 --> 00:58:34,040
Speaker 1: and letting me know you're listening to it if you

1123
00:58:34,120 --> 00:58:37,680
Speaker 1: relate to something. I love sharing whatever you guys tag

1124
00:58:37,880 --> 00:58:40,120
Speaker 1: me in on socials, so keep doing that too. I

1125
00:58:40,240 --> 00:58:43,000
Speaker 1: love to see it. Y'all have a fabulous weekend. I

1126
00:58:43,120 --> 00:58:45,640
Speaker 1: love you. Goodbye, Bobby Bone.