WEBVTT - Roman Mars on Jaws

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<v Speaker 1>Hey, friends, Welcome to Movie Crush. This is Charles W.

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<v Speaker 1>Chuck Bryant coming to you from the studio here in Atlanta,

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<v Speaker 1>Georgia at Pont City Market, where during the day I

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<v Speaker 1>am co host of Stuff You Should Know and at

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<v Speaker 1>night dim the lights, turn on the projector and get

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<v Speaker 1>Movie Crush going. This week in the studio, we have

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<v Speaker 1>Well in his studio and me in my studio. This

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<v Speaker 1>is a remote session, but we have Mr Roman. Mars.

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<v Speaker 1>Roman is the host of Invisible, which is one of

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<v Speaker 1>the not only greatest podcasts of all time, but one

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<v Speaker 1>of the greatest pieces of culture that this country has

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<v Speaker 1>to offer. I'm gonna go ahead and say that Roman

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<v Speaker 1>is a great guy. Uh. He is also the um,

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<v Speaker 1>the mastermind and head chief of Radio Topia, which is

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<v Speaker 1>one of the great great podcast networks out there. They

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<v Speaker 1>host some of my favorite shows on the web. And

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<v Speaker 1>I met Roman. Goodness. I met Roman through email probably

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<v Speaker 1>six or seven years ago. I met Roman before Invisible

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<v Speaker 1>was a thing, when Roman was producer and employee of PRX,

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<v Speaker 1>and he was a fan of Stuff you Should Know

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<v Speaker 1>and got in touch with Josh and myself and said, hey, guys,

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<v Speaker 1>how would you like Stuff you Should know to be

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<v Speaker 1>on public radio, and we said, well, we think that's

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<v Speaker 1>kind of a neat idea. Uh, And we took a

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<v Speaker 1>couple of calls with him and UM talked about it

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<v Speaker 1>quite a bit. And in between the time we talked

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<v Speaker 1>about getting the show going on public radio, Roman went

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<v Speaker 1>along and created Invisible and we never heard from him again.

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<v Speaker 1>Actually that's not quite true, but um, that became his

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<v Speaker 1>primary job, and then he created Radiotopia, and we clearly

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<v Speaker 1>knew that if we wanted to get on public radio

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<v Speaker 1>that we had to go a different route because Roman

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<v Speaker 1>was now a superstar of the medium, uh and rightfully so.

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<v Speaker 1>And we've been so happy for his success over the years.

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<v Speaker 1>He's just one of the great dudes in the world.

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<v Speaker 1>Super nice guy. UM, you really won't meet a better

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<v Speaker 1>person in this uh podcasting industry or entertainment industry than

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<v Speaker 1>Mr Roman Mars. So obviously he has his own studio

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<v Speaker 1>out there in California, like we said, and Uh, I

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<v Speaker 1>got in touch with Roman is one of my first

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<v Speaker 1>guests because he's a pal and we have similar sensibilities.

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<v Speaker 1>And Roman did not take long to pick out Jaws

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<v Speaker 1>is his favorite movie, and I got super excited the instant.

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<v Speaker 1>He said that because this is uh. I know we're

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<v Speaker 1>only a few episodes in, but this is the the

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<v Speaker 1>first time that even though I did love Let the

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<v Speaker 1>Right One In and I liked Tron Uh, Jaws I've

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<v Speaker 1>often called my favorite movie of all time. It sort

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<v Speaker 1>of vacillates between several different films. But in my blog

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<v Speaker 1>post that I did a few years ago where I

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<v Speaker 1>listed my top one movies and the stuff you should

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<v Speaker 1>know blog, I did put Jaws that week as my

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<v Speaker 1>favorite movie of all time. Released in nineteen obviously, directed

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<v Speaker 1>by a very young, UH and up and coming Steven Spielberg,

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<v Speaker 1>this is the movie that really put him on the map. Written.

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<v Speaker 1>I think he had a part in writing the screenplay,

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<v Speaker 1>although officially, UM, I don't see him listed as one

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<v Speaker 1>of the writers I see. Peter Benchley obviously wrote the

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<v Speaker 1>book that was released the year before. It was a

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<v Speaker 1>um sort of a smash hit Summer Beach Reader, which

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<v Speaker 1>is kind of ironic and captured the public's attention in

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<v Speaker 1>in book form first, and then Benchley and a man

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<v Speaker 1>and Carl Gottlieb wrote the screenplay. I have heard over

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<v Speaker 1>the years that Spielberg did right on the screenplay as well, So,

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<v Speaker 1>even though he's not officially listened in the credits as such,

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<v Speaker 1>I think he did have something to do with it.

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<v Speaker 1>This is back when Spielberg was writing more but at

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<v Speaker 1>any rate, it starts the great Roy Scheider, the great

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<v Speaker 1>great Richard Dreyfuss, and the great Robert Shaw. It's sort

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<v Speaker 1>of the three headed protagonist of this film, battling the

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<v Speaker 1>killer shark. I remember being a kid and thinking the

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<v Speaker 1>shark's name was Jaws. A very young child. I think

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<v Speaker 1>I was what would have been four or five years

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<v Speaker 1>old when it came out, and um, but it even

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<v Speaker 1>captured my attention as a kid that young. That's how

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<v Speaker 1>big of a pop culture phenomenon this movie was. Um. Obviously,

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<v Speaker 1>spoilers are going to abound, But if you haven't seen

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<v Speaker 1>Jaws by now, then God have mercy on your soul,

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<v Speaker 1>is all I have to say. It has been called

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<v Speaker 1>a horror film in some circles. In fact, on a

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<v Speaker 1>recent stuff you should know ten horror movies changed the genre.

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<v Speaker 1>We even talk about Jaws a little bit, although I

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<v Speaker 1>have always maintained that Jaws is an adventure film more

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<v Speaker 1>than anything else, even though it does have some pretty

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<v Speaker 1>terrifying elements. Um, at the end of the day. For me,

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<v Speaker 1>it's an adventure film and one of the great great

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<v Speaker 1>movies of all time. So UM, it's gonna be interesting

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<v Speaker 1>to talk to Roman because I've seen this movie so

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<v Speaker 1>many times it is weird, to be honest. Um, I've

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<v Speaker 1>seen this movie more times than people should probably see

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<v Speaker 1>a single movie. But I think I think Roman is

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<v Speaker 1>in the same boat. Uh, So it should be pretty

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<v Speaker 1>interesting to see how to die hard Jaws veterans, uh

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<v Speaker 1>think about this movie and kind of what it means,

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<v Speaker 1>because I know Roman watched it last night and I

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<v Speaker 1>watched it today, So what it means after all these

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<v Speaker 1>repeated viewings should be fairly interesting to see where we

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<v Speaker 1>land on that. So uh, I don't want to keep

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<v Speaker 1>you in suspense any longer. We're gonna get that shark

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<v Speaker 1>out of the water and onto the boat and coming

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<v Speaker 1>up in one, two or three seconds Jaws with Roman Mars.

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<v Speaker 1>I did see on on Facebook that you posted that

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<v Speaker 1>you watch Jaws last night for about the thirtieth time.

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<v Speaker 1>I did. Yeah, I was. I just wanted to um

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<v Speaker 1>to bone up, you know, just make sure I remembered

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<v Speaker 1>all the parts. And it's a it's a funny. Well,

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<v Speaker 1>I don't want to start now, but yeah, it's I

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<v Speaker 1>just wanted to. I can't go in. I'm I'm an overpreparer.

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<v Speaker 1>I'm just a producer at at heart. I can't help it.

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<v Speaker 1>So well, it's funny because I watched it. Um, I

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<v Speaker 1>watched about of it two weeks ago, because you know,

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<v Speaker 1>it's one of those things and probably for you too,

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<v Speaker 1>it's one of those movies if you're flipping it around

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<v Speaker 1>at night and catch it, it's hard to turn that channel.

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<v Speaker 1>So I watched about it and then I still watched

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<v Speaker 1>it today before I came in all the way through

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<v Speaker 1>because I realized I hadn't made notes or anything, and

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<v Speaker 1>as much as I know the movie, I was like, yeah,

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<v Speaker 1>I'm kind of like he was like, I should probably

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<v Speaker 1>scribble down some some things, just you know, since I'm

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<v Speaker 1>in the sort of the driver's seat here, I need

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<v Speaker 1>to be a pro. But before we get into Jaws,

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<v Speaker 1>so I kind of wanted to ask you just a

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<v Speaker 1>little bit about the you're kind of general movie fandom

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<v Speaker 1>growing up. Um, where are you from California? No, I

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<v Speaker 1>was born in New Jersey, and early part of my

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<v Speaker 1>life probably the first time I really went to see movies.

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<v Speaker 1>I was living in uh, North Carolina and South Carolina

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<v Speaker 1>in the South, So you moved around then, I did.

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<v Speaker 1>I moved on a lot. I didn't move to California

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<v Speaker 1>until I was in my mid twenties. Okay, and and

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<v Speaker 1>you and I both lived in Athens, Georgia. I think

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<v Speaker 1>we did a little bit at the same time, right,

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<v Speaker 1>I think. So I lived there from ninety four to

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<v Speaker 1>nineties seven. I was in graduate school there, Okay, I

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<v Speaker 1>went eight nine to nine, so we overlapped for about

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<v Speaker 1>a year. Yeah. Yeah, it's a fun place. I haven't

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<v Speaker 1>been back since I left. I miss it, but I

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<v Speaker 1>left under such dire circumstances that yeah, just you know,

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<v Speaker 1>like breakups and weird friendships dissolving and everything and so like,

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<v Speaker 1>I've been scared away for years. But I think enough

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<v Speaker 1>time has passed. Now that's been you know, almost twenty years,

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<v Speaker 1>I think, or over twenty years, I think, um, you know,

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<v Speaker 1>it's uh, I think I'm I'm safe. Yeah, I think.

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<v Speaker 1>I think a lot of people have had that experience

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<v Speaker 1>where they see the town in their rear view mirror

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<v Speaker 1>and you're like never coming back. But I loved it,

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<v Speaker 1>I really did I loved um all these aspects of it.

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<v Speaker 1>I thought, you know, in many ways, I could stay

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<v Speaker 1>there forever um, which is a bit of a syndrome

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<v Speaker 1>of people who live in Athens. Absolutely, and uh, but

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<v Speaker 1>I loved you know, the taco stand in the grid

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<v Speaker 1>and yeah, um going to the forty one. I mean,

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<v Speaker 1>I I loved it so much that it was it

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<v Speaker 1>was kind of a problem when I was in graduate

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<v Speaker 1>school because I was one of the graduate students who

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<v Speaker 1>like always went out and saw shows, and my friends

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<v Speaker 1>were you know, we're residents and not and not graduate students,

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<v Speaker 1>and so it always kind of pulled me in a

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<v Speaker 1>lot of different directions. I feel pretty sure if we

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<v Speaker 1>compared show notes from that we were at a lot

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<v Speaker 1>of the same shows, I would not doubt it. It's

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<v Speaker 1>totally I mean I went to I went to I

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<v Speaker 1>mean at that time, I was, you know, convinced a

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<v Speaker 1>that I was going to start my own record label.

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<v Speaker 1>Um be that I that I could not survive in

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<v Speaker 1>a place that didn't have at least two shows a

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<v Speaker 1>week that I wanted to go to. And I was

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<v Speaker 1>just like I was convinced. And one of the reasons

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<v Speaker 1>why I left graduate school was I had all these

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<v Speaker 1>friends because the you know post Stoc fellowships were so

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<v Speaker 1>competitive that they, you know, if they had to go

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<v Speaker 1>to some place some tiny town and do their post talk,

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<v Speaker 1>they just had to because it's like a h people

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<v Speaker 1>applied for it, and if they're lucky enough to get it,

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<v Speaker 1>they just had to take it. And I just couldn't

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<v Speaker 1>stand to have, you know, my life controlled by that. Yeah,

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<v Speaker 1>and I wanted to be someplace where I could you know,

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<v Speaker 1>like go see punk bands. I mean, it was just

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<v Speaker 1>like it was everything to me. And if you would

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<v Speaker 1>have told me I was just lame, middle aged guy

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<v Speaker 1>now who just like it barely can go out, you know,

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<v Speaker 1>like on like a good night, can barely go out

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<v Speaker 1>to see anybody. Would I would? I would. I would

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<v Speaker 1>be very shocked by it. But it was it was,

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<v Speaker 1>it was it meant everything to me. Yeah. I still

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<v Speaker 1>try to go to shows as much as possible, um,

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<v Speaker 1>and it helps when there are the venues that have

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<v Speaker 1>you know, uh decent starting times, you know, but some

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<v Speaker 1>of them there's a couple of the clubs here in

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<v Speaker 1>Atlanta that's still like the band's gonna go on at midnight,

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<v Speaker 1>and I just you know, you know how it is.

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<v Speaker 1>I can't do that. I can't do that. No. I

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<v Speaker 1>I do think that there's a you know, like a

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<v Speaker 1>designed experience where you would if if a if a

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<v Speaker 1>venue really wanted to be very very good for all

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<v Speaker 1>ranges of people and like really start on time, really

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<v Speaker 1>published when everyone starts, do all that stuff. You I

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<v Speaker 1>feel like you would you would attract a really loyal

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<v Speaker 1>clientele totally if you did that. But um, that's just

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<v Speaker 1>not the way that those places work. Yeah, I mean

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<v Speaker 1>I feel lucky if I can get start times exactly. Yeah,

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<v Speaker 1>you know, so there's like so now I go like

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<v Speaker 1>if I know, if I know someone you know, and

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<v Speaker 1>I feel like it's like, oh yeah, it'll be nice

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<v Speaker 1>to just to see that person and stuff like that.

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<v Speaker 1>But I don't do exploratory. You know. Here's a band

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<v Speaker 1>on a label that I like, Yeah, which was you

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<v Speaker 1>could go to the fort on a blurb from the

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<v Speaker 1>flagpole for five bucks on a Thursday night. I totally

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<v Speaker 1>have your mind blown. Yeah, and that I that I

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<v Speaker 1>miss I missed that a lot, me too. You should

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<v Speaker 1>get rid of these kids and move back to Athens.

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<v Speaker 1>We should just follow around funk fans around the country.

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<v Speaker 1>So your your movie going experience though, was largely like

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<v Speaker 1>where when we're your kind of early teen years is

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<v Speaker 1>that North Carolina early teen years would have been Ohio. Actually,

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<v Speaker 1>so I moved to Ohio and in the third grade,

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<v Speaker 1>and so that that would be the time when I, um,

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<v Speaker 1>you know, I could probably go to movies on my

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<v Speaker 1>own with a friend, you know, to be dropped off

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<v Speaker 1>see things. Um. We we had no real policy at

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<v Speaker 1>my house in terms of whether or not I could

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<v Speaker 1>watch all raged movies or whatever. I could watch whatever.

0:12:40.960 --> 0:12:46.240
<v Speaker 1>I worked my my cousin in Memphis, who I spent

0:12:46.320 --> 0:12:49.520
<v Speaker 1>summers with. She owned a video store, and I worked

0:12:49.520 --> 0:12:53.079
<v Speaker 1>in the video store all summer long as a sort

0:12:53.120 --> 0:12:57.280
<v Speaker 1>of unpaid teen you know, like underage employee, And so

0:12:57.400 --> 0:12:59.880
<v Speaker 1>I would watch movies all the time there and take

0:13:00.000 --> 0:13:06.320
<v Speaker 1>movies home and um and so uh but then I would,

0:13:06.440 --> 0:13:08.800
<v Speaker 1>you know, I would go see I mean, I don't

0:13:08.840 --> 0:13:11.040
<v Speaker 1>know if my movie tastes like all that different than

0:13:11.160 --> 0:13:13.560
<v Speaker 1>what it was when I was a teen. I just

0:13:13.600 --> 0:13:15.880
<v Speaker 1>had a lot of access to I really fell in

0:13:15.880 --> 0:13:19.719
<v Speaker 1>love with like kind of older seventies movies. Um. At

0:13:19.720 --> 0:13:21.920
<v Speaker 1>that at the period when I was going to the

0:13:21.960 --> 0:13:25.120
<v Speaker 1>video store a lot or work in the video store

0:13:25.160 --> 0:13:28.480
<v Speaker 1>a lot um and so I think of movies. I

0:13:28.480 --> 0:13:31.440
<v Speaker 1>don't think of movies as things in a theater. I

0:13:31.480 --> 0:13:35.040
<v Speaker 1>think of those um VHS boxes and the box art.

0:13:35.120 --> 0:13:38.240
<v Speaker 1>That's that's my if if you were to say, do

0:13:38.280 --> 0:13:40.720
<v Speaker 1>you like movies? That like, that's the picture I have,

0:13:41.200 --> 0:13:45.000
<v Speaker 1>is that rather than a movie theater. Yeah, that's funny, man,

0:13:45.040 --> 0:13:48.400
<v Speaker 1>because my grandparents and my mom are from Memphis, and

0:13:48.400 --> 0:13:50.880
<v Speaker 1>I would spend a lot of summers, not full summers,

0:13:50.920 --> 0:13:54.240
<v Speaker 1>in Memphis with my grandparents. So uh, I think you

0:13:54.280 --> 0:13:56.880
<v Speaker 1>and I were constantly crossing paths. It seems like over

0:13:56.920 --> 0:14:00.440
<v Speaker 1>the years, what part of Ohio they lived in Memphis Town?

0:14:00.559 --> 0:14:04.120
<v Speaker 1>What part of town Memphis? Um, they had a house

0:14:04.160 --> 0:14:09.920
<v Speaker 1>in Germantown, No Ship, Yeah, Like that's literally where I

0:14:09.960 --> 0:14:14.360
<v Speaker 1>lived in Germantown. That's so funny, what if like, well,

0:14:14.600 --> 0:14:17.040
<v Speaker 1>I didn't like, I didn't get out much, like you know,

0:14:17.080 --> 0:14:18.719
<v Speaker 1>when you go the grandparents house, there's a lot of

0:14:18.920 --> 0:14:20.800
<v Speaker 1>staying in. So that's kind of mainly what we did.

0:14:20.840 --> 0:14:24.840
<v Speaker 1>But we my aunt lived in Germantown and my cousin

0:14:24.880 --> 0:14:27.320
<v Speaker 1>lived with her on and off different times, and the

0:14:27.400 --> 0:14:29.960
<v Speaker 1>video store was in Germantown. They didn't move, and they

0:14:30.000 --> 0:14:32.880
<v Speaker 1>moved to mid Midtown in Memphis later on, so I

0:14:32.880 --> 0:14:35.360
<v Speaker 1>got so I got no Midtown, but yeah, it was.

0:14:35.440 --> 0:14:38.880
<v Speaker 1>It was all Germantown. It was crazy what part of

0:14:38.880 --> 0:14:44.040
<v Speaker 1>Ohio Central Ohio. Um, it was. Newark is kind of

0:14:44.040 --> 0:14:48.040
<v Speaker 1>outside Columbus. So it's a small, you know, industrial town,

0:14:48.400 --> 0:14:50.960
<v Speaker 1>very now very depressed. I don't I don't know what's

0:14:50.960 --> 0:14:54.440
<v Speaker 1>going on there these days. But I would go into

0:14:55.040 --> 0:14:57.200
<v Speaker 1>Columbus to have my sort of culture. But you could

0:14:57.240 --> 0:15:00.440
<v Speaker 1>be dropped off at Indian Mount Mall and uh and

0:15:00.440 --> 0:15:01.960
<v Speaker 1>and watch a movie and that was okay. And there

0:15:02.000 --> 0:15:05.120
<v Speaker 1>was still like a dollar theater kind of nearby my house,

0:15:05.160 --> 0:15:08.600
<v Speaker 1>like a second run theater, which is that's the if

0:15:08.800 --> 0:15:12.240
<v Speaker 1>of all you know, movie things I get nostalgic for.

0:15:12.440 --> 0:15:15.480
<v Speaker 1>It's probably the existence of second run theaters, which don't

0:15:15.560 --> 0:15:18.320
<v Speaker 1>really happen much here in the Bay Area. That's not

0:15:18.400 --> 0:15:21.560
<v Speaker 1>a thing, you know, like cheap theaters. Yeah, I think

0:15:21.640 --> 0:15:24.840
<v Speaker 1>they're probably is still one in Atlanta. When I grew up, though, Um,

0:15:24.880 --> 0:15:27.920
<v Speaker 1>I'm the same as you. There was one cent movie

0:15:28.520 --> 0:15:30.920
<v Speaker 1>near North Lake Mall and I think it had two

0:15:30.960 --> 0:15:36.120
<v Speaker 1>screens and we went there, uh because second run I

0:15:36.120 --> 0:15:38.000
<v Speaker 1>don't know how it's done these days, but it's not

0:15:38.080 --> 0:15:42.040
<v Speaker 1>like the second run was that far behind first run totally.

0:15:42.360 --> 0:15:45.880
<v Speaker 1>At Yeah, we had my um where I lived in Chicago,

0:15:46.240 --> 0:15:50.840
<v Speaker 1>uh um more when I was an adult, um there

0:15:50.920 --> 0:15:52.920
<v Speaker 1>was I lived in Logan Square and there was a

0:15:54.040 --> 0:15:56.040
<v Speaker 1>Logan Theater. It was a second run theater. We used

0:15:56.080 --> 0:15:59.440
<v Speaker 1>to call it Logan second Run and uh and it was.

0:16:00.080 --> 0:16:02.080
<v Speaker 1>It was a great place, like it's when when my

0:16:02.120 --> 0:16:05.000
<v Speaker 1>kids were born, when I lived in that apartment, and

0:16:05.600 --> 0:16:07.440
<v Speaker 1>so I could just I just would walk over and

0:16:07.440 --> 0:16:09.760
<v Speaker 1>I'd watch anything for like a couple of bucks just

0:16:09.800 --> 0:16:11.960
<v Speaker 1>to get out of the house, you know, yeah, because

0:16:11.960 --> 0:16:14.880
<v Speaker 1>they're they're more than a dollar now, right, yeah, I

0:16:14.880 --> 0:16:17.240
<v Speaker 1>think they were. Maybe it might have been three or something.

0:16:17.320 --> 0:16:20.200
<v Speaker 1>But it was like in this great neighborhood and you

0:16:20.440 --> 0:16:23.360
<v Speaker 1>they put out popcorn and or that you could get

0:16:23.400 --> 0:16:25.920
<v Speaker 1>popcorn and they always had hot sauce for your popcorn,

0:16:25.960 --> 0:16:29.520
<v Speaker 1>which a real which is a real great Latino neighborhood

0:16:29.640 --> 0:16:33.240
<v Speaker 1>sort of uh perk. And so I would get a

0:16:33.320 --> 0:16:36.360
<v Speaker 1>bag of popcorn and put a bunch of hot sauce

0:16:36.400 --> 0:16:38.320
<v Speaker 1>on it, and then you get in the theater. That's

0:16:38.360 --> 0:16:41.760
<v Speaker 1>a great place. It's funny because the theater, they remember,

0:16:41.840 --> 0:16:46.280
<v Speaker 1>they had a huge stack of pennies and it was

0:16:46.680 --> 0:16:49.240
<v Speaker 1>you know, they didn't round up. They would slide the

0:16:49.240 --> 0:16:53.240
<v Speaker 1>penny and your ticket stub across. And I always thought

0:16:53.240 --> 0:16:54.840
<v Speaker 1>that was kind of a nice touch that wasn't lost

0:16:54.880 --> 0:16:57.920
<v Speaker 1>on me, even as like a twelve year old. That's hilarious.

0:16:58.080 --> 0:17:01.560
<v Speaker 1>That's hilarious. So you remember your first I mean you

0:17:01.640 --> 0:17:03.440
<v Speaker 1>might as well get into Jaws. Do you remember your

0:17:03.560 --> 0:17:05.240
<v Speaker 1>the first time you saw that? I imagine it was

0:17:05.240 --> 0:17:09.600
<v Speaker 1>on VHS. It was, Um, I definitely saw Jaws on

0:17:09.680 --> 0:17:12.440
<v Speaker 1>VHS because I was born in seventy four, so um,

0:17:12.720 --> 0:17:14.639
<v Speaker 1>you know, it probably lasted and came back in the

0:17:14.640 --> 0:17:17.960
<v Speaker 1>theaters while I was you know, cognizant and going to movies,

0:17:18.040 --> 0:17:21.280
<v Speaker 1>and I was taking to movies that were wholly inappropriate

0:17:21.320 --> 0:17:24.520
<v Speaker 1>when I was a kid. My first movie memory is

0:17:24.560 --> 0:17:27.359
<v Speaker 1>going to see Blue Lagoon maybe as a four or

0:17:27.400 --> 0:17:32.760
<v Speaker 1>five year old. Um. And then I saw Star Trek

0:17:33.600 --> 0:17:36.920
<v Speaker 1>the for the motion picture, which is almost more inappropriate

0:17:36.960 --> 0:17:38.760
<v Speaker 1>for a child of that I was. I was so bored.

0:17:38.800 --> 0:17:41.480
<v Speaker 1>I just remember like being kind of into it visually,

0:17:41.520 --> 0:17:45.480
<v Speaker 1>but just being so bored. It's pretty slow movie. Yeah,

0:17:45.680 --> 0:17:48.639
<v Speaker 1>So I definitely saw Jaws and as a come in

0:17:48.640 --> 0:17:52.520
<v Speaker 1>a combination of like VHS and also UM. By the

0:17:52.560 --> 0:17:57.040
<v Speaker 1>time I was thirteen or so, I had a little

0:17:57.080 --> 0:18:02.560
<v Speaker 1>thirteen inch TV in my bedroom, m and I you know,

0:18:02.640 --> 0:18:06.240
<v Speaker 1>and it was on you know, cable was expanding, and

0:18:06.480 --> 0:18:10.640
<v Speaker 1>it was on TBS probably you know, like every couple

0:18:10.680 --> 0:18:13.560
<v Speaker 1>of weeks or every couple of days or something. And

0:18:14.600 --> 0:18:18.280
<v Speaker 1>it's a it's such a weirdly complex movie. I mean,

0:18:18.680 --> 0:18:21.080
<v Speaker 1>I mean, I don't say complex, it's more like it

0:18:21.119 --> 0:18:23.560
<v Speaker 1>has all these scenes in it that you don't remember.

0:18:23.720 --> 0:18:27.479
<v Speaker 1>Like it has it's just this richness of of scenes

0:18:27.480 --> 0:18:29.679
<v Speaker 1>and moments that when you think about Jaws, you think

0:18:29.720 --> 0:18:32.000
<v Speaker 1>about the whole last section where they're on the ocean.

0:18:32.400 --> 0:18:35.760
<v Speaker 1>There's a whole hour where they're not, you know, and

0:18:35.760 --> 0:18:38.560
<v Speaker 1>and so you would catch at different times and you're like, wow,

0:18:38.560 --> 0:18:41.200
<v Speaker 1>I don't remember this at all, you know, And I

0:18:41.240 --> 0:18:44.400
<v Speaker 1>feel like I saw bits and pieces of it like that,

0:18:45.160 --> 0:18:47.320
<v Speaker 1>and you know, learn to fall in love with every

0:18:47.400 --> 0:18:50.080
<v Speaker 1>aspect of it, not just you know, a dude being

0:18:50.119 --> 0:18:53.000
<v Speaker 1>chomped in half and um. And that's when I really

0:18:53.000 --> 0:18:55.960
<v Speaker 1>fell in love with it, probably more on TV than

0:18:56.000 --> 0:19:00.920
<v Speaker 1>anything else. Yeah, same here, I mean I was, um, um,

0:19:01.400 --> 0:19:04.160
<v Speaker 1>about three years older than you, So I was old

0:19:04.280 --> 0:19:07.480
<v Speaker 1>enough to where I remember, and it ran forever in

0:19:07.520 --> 0:19:10.080
<v Speaker 1>the movie theaters. It was back then when you know,

0:19:10.080 --> 0:19:12.520
<v Speaker 1>they would tellt like you know, four hundred days in

0:19:13.160 --> 0:19:16.119
<v Speaker 1>and stuff like that and adds, which is just crazy

0:19:16.200 --> 0:19:21.120
<v Speaker 1>to think about now. Um, But I remember it being

0:19:21.160 --> 0:19:25.280
<v Speaker 1>a pop culture phenomenon. And I remember obviously I wasn't

0:19:25.280 --> 0:19:27.440
<v Speaker 1>allowed to see it because I had a kind of

0:19:27.520 --> 0:19:30.520
<v Speaker 1>different deal growing up Southern Baptist. I was way sheltered,

0:19:30.800 --> 0:19:33.080
<v Speaker 1>and they my parents tried to keep me from indulging

0:19:33.080 --> 0:19:37.280
<v Speaker 1>in anything that was good and cool. Um. But uh,

0:19:38.160 --> 0:19:41.879
<v Speaker 1>I remember being you know, five years old and knowing

0:19:41.960 --> 0:19:45.840
<v Speaker 1>Jaws was a thing, seeing the book mainly on shelves,

0:19:46.440 --> 0:19:50.480
<v Speaker 1>and that huge, ridiculously huge shark on the book in

0:19:50.560 --> 0:19:55.000
<v Speaker 1>the poster, and uh knowing that music, and and obviously

0:19:55.040 --> 0:19:58.439
<v Speaker 1>being a little Baptist boy being very titillated by that

0:19:58.560 --> 0:20:04.240
<v Speaker 1>opening sequence of uh, the you know, shadowy naked lady. Um.

0:20:04.400 --> 0:20:06.159
<v Speaker 1>That's why when you said Blue Lagoon, I still had

0:20:06.160 --> 0:20:08.680
<v Speaker 1>a little like shiver that went up my spine because

0:20:08.680 --> 0:20:10.600
<v Speaker 1>that movie as a as a young boy, was like,

0:20:10.600 --> 0:20:15.440
<v Speaker 1>oh my goodness, It's like the dirtiest thing ever. Uh,

0:20:15.720 --> 0:20:18.760
<v Speaker 1>it's probably very tame looking back. I haven't seen I've

0:20:18.840 --> 0:20:30.680
<v Speaker 1>never revisited it, but my my guess is it's totally tame. Yeah,

0:20:31.280 --> 0:20:33.719
<v Speaker 1>so Jaws. I remember it being a thing. I remember

0:20:33.720 --> 0:20:37.520
<v Speaker 1>it being out in the news, and I remember I

0:20:37.560 --> 0:20:40.080
<v Speaker 1>remember it's scaring me to go on the ocean, even

0:20:40.119 --> 0:20:44.520
<v Speaker 1>though I hadn't even seen the movie. Yeah, I feel

0:20:44.560 --> 0:20:49.159
<v Speaker 1>like I um, I think my fear of it predated

0:20:49.440 --> 0:20:53.480
<v Speaker 1>my real exposure to it as well. I think my

0:20:54.280 --> 0:20:57.359
<v Speaker 1>and it was so pervasive that I was this the

0:20:57.440 --> 0:21:01.400
<v Speaker 1>same you know, when I would my one family member

0:21:01.400 --> 0:21:04.359
<v Speaker 1>who lived in Germantown had a pool, and I'd be

0:21:04.440 --> 0:21:10.760
<v Speaker 1>scared of the pool, which is insane. I had the

0:21:10.800 --> 0:21:18.840
<v Speaker 1>same experience and so just scared of water exactly, which

0:21:18.880 --> 0:21:22.120
<v Speaker 1>is just absurd. And so it was. It was real visceral.

0:21:22.240 --> 0:21:25.200
<v Speaker 1>I mean that that fear of nature in that way

0:21:25.359 --> 0:21:28.800
<v Speaker 1>just is is crazy and you just can't outrun it.

0:21:28.800 --> 0:21:32.120
<v Speaker 1>It's just nuts. And when we were I was talking

0:21:32.119 --> 0:21:34.280
<v Speaker 1>to my boys about watching it and how it's my

0:21:34.320 --> 0:21:37.000
<v Speaker 1>favorite movie and they know it's my favorite movie, and

0:21:37.040 --> 0:21:38.480
<v Speaker 1>they're like, when can we watch it? And I'm like,

0:21:38.520 --> 0:21:42.359
<v Speaker 1>I don't know. Never Why don't you just like, you know,

0:21:42.440 --> 0:21:45.040
<v Speaker 1>like I know, it's great, and maybe when you decide

0:21:45.080 --> 0:21:46.960
<v Speaker 1>that you can do it yourself and you can buy

0:21:47.000 --> 0:21:51.679
<v Speaker 1>your own when you have your own Amazon accounts, that

0:21:51.800 --> 0:21:53.960
<v Speaker 1>you can watch it. But I feel like I would

0:21:54.000 --> 0:21:56.920
<v Speaker 1>just be paying for it forever. You know, while they're

0:21:57.000 --> 0:21:59.800
<v Speaker 1>in my house. How old are they let them watch DAWs?

0:22:00.440 --> 0:22:04.000
<v Speaker 1>They're ten, twin boys or ten, that's about the age

0:22:04.119 --> 0:22:09.000
<v Speaker 1>Roman he might know into Jaws. I know it's is

0:22:09.000 --> 0:22:11.439
<v Speaker 1>definitely time and they're into it. But I and I

0:22:11.520 --> 0:22:13.760
<v Speaker 1>love everything about it. I mean the thing about the

0:22:13.800 --> 0:22:16.439
<v Speaker 1>movie and I figured out later on, you know, in

0:22:16.480 --> 0:22:19.000
<v Speaker 1>addition to like it, you know, like it having like

0:22:19.040 --> 0:22:23.159
<v Speaker 1>a real like, it has a real primal response in me.

0:22:23.800 --> 0:22:25.399
<v Speaker 1>I think if it is, I think if it is

0:22:25.440 --> 0:22:28.600
<v Speaker 1>the best horror movie almost ever made. I think it's

0:22:28.600 --> 0:22:30.480
<v Speaker 1>the best adventure movie. I think it is the best

0:22:30.520 --> 0:22:33.440
<v Speaker 1>body comedy. And it's all put together in this way

0:22:34.200 --> 0:22:37.520
<v Speaker 1>that you never get whiplash as to what moment you're

0:22:37.560 --> 0:22:40.600
<v Speaker 1>in at that moment. It's just is so it is

0:22:40.680 --> 0:22:45.400
<v Speaker 1>so well done. It makes you realize why it is fueled,

0:22:46.240 --> 0:22:50.840
<v Speaker 1>you know, forty years of horrible blockbusters that followed you know,

0:22:51.359 --> 0:22:53.320
<v Speaker 1>it's like I think of it as being that good

0:22:53.880 --> 0:22:57.919
<v Speaker 1>that um, your memory of of the of it is

0:22:58.240 --> 0:23:01.679
<v Speaker 1>setting the table for what a big summer movie was,

0:23:02.440 --> 0:23:06.199
<v Speaker 1>is um it really it just I find it just

0:23:06.240 --> 0:23:09.160
<v Speaker 1>transcendent and how how good it is? Well, yeah, there's

0:23:09.160 --> 0:23:13.720
<v Speaker 1>no and in in watching it again today and last week. UM,

0:23:13.760 --> 0:23:16.360
<v Speaker 1>as an adult, the sense of it being an adventure

0:23:16.359 --> 0:23:19.560
<v Speaker 1>movie really comes through a lot more uh than you know,

0:23:19.600 --> 0:23:20.960
<v Speaker 1>when I was a kid, it was way more just

0:23:21.080 --> 0:23:25.639
<v Speaker 1>like terrifying. Um. But even like the soundtrack in the

0:23:25.680 --> 0:23:28.520
<v Speaker 1>score from John Williams, it does have the scary bit

0:23:28.600 --> 0:23:31.560
<v Speaker 1>that everyone remembers, that iconic you know, but dump but dump,

0:23:31.640 --> 0:23:34.439
<v Speaker 1>But most of the score of that movie is this

0:23:34.640 --> 0:23:40.399
<v Speaker 1>very exuberant, uplifting adventure music. It totally you know, it

0:23:40.480 --> 0:23:42.119
<v Speaker 1>happens in these great moments and you just like you

0:23:42.160 --> 0:23:44.640
<v Speaker 1>have a You'll be it'll be really scary and then

0:23:45.119 --> 0:23:47.160
<v Speaker 1>it'll be like di do did do do? Do? Did

0:23:47.160 --> 0:23:48.800
<v Speaker 1>you do? You know, like and they're chasing it and

0:23:48.840 --> 0:23:51.520
<v Speaker 1>it's just like it's amazing. It's like it's like it

0:23:51.560 --> 0:23:55.080
<v Speaker 1>says it does, it's it turns on a time and

0:23:55.320 --> 0:23:58.920
<v Speaker 1>it's really effective. It's I I it is Um, it's

0:23:59.040 --> 0:24:01.760
<v Speaker 1>one of my favorite scores. I would never like listen

0:24:01.800 --> 0:24:04.000
<v Speaker 1>to it on its own or anything, but just as

0:24:04.000 --> 0:24:08.919
<v Speaker 1>a compliment to a movie, it does amazing things. Yeah,

0:24:08.960 --> 0:24:10.639
<v Speaker 1>and the other thing that kind of hit home to

0:24:10.720 --> 0:24:14.440
<v Speaker 1>me was how how little little I will I will say,

0:24:14.440 --> 0:24:18.119
<v Speaker 1>almost zero fat there is in the movie. It's just

0:24:18.200 --> 0:24:21.359
<v Speaker 1>so tight and uh and I think it still has

0:24:21.359 --> 0:24:23.720
<v Speaker 1>a running time of a couple of hours, but it

0:24:23.840 --> 0:24:26.879
<v Speaker 1>never drags. There's not a single scene And this is

0:24:26.880 --> 0:24:28.920
<v Speaker 1>why I end up watching it so much if I

0:24:28.960 --> 0:24:30.520
<v Speaker 1>if I happen to turn it on, there's not a

0:24:30.520 --> 0:24:33.120
<v Speaker 1>single scene or sequence in that movie that doesn't draw

0:24:33.160 --> 0:24:37.080
<v Speaker 1>me in totally. I think that if you want to, like,

0:24:38.400 --> 0:24:42.359
<v Speaker 1>if you want to study how to, you know, put

0:24:42.800 --> 0:24:47.240
<v Speaker 1>set a scene and present the densest amount of information

0:24:47.320 --> 0:24:51.159
<v Speaker 1>in the most pleasant way of beginning, where Brody is

0:24:51.640 --> 0:24:55.920
<v Speaker 1>going around the island without him really saying anything explicit,

0:24:56.000 --> 0:24:58.800
<v Speaker 1>without it seeming like exposition. There's like these snatches of

0:24:58.840 --> 0:25:02.280
<v Speaker 1>dialogue where everyone's kind of complaining about, you know, the

0:25:02.320 --> 0:25:06.920
<v Speaker 1>the karate class um, you know, chopping through his picket fences.

0:25:07.000 --> 0:25:09.560
<v Speaker 1>And then there's the guy who's trying to, you know,

0:25:09.600 --> 0:25:11.400
<v Speaker 1>get him to do him a favor because of real

0:25:11.520 --> 0:25:14.040
<v Speaker 1>estate or something. And then and there's all this stuff

0:25:14.440 --> 0:25:17.200
<v Speaker 1>that's happening, and they're like, you don't know the whole story.

0:25:17.240 --> 0:25:19.840
<v Speaker 1>It's like little little sections of a story, but you

0:25:19.920 --> 0:25:22.439
<v Speaker 1>get you get a real sense of what's going on,

0:25:22.960 --> 0:25:28.919
<v Speaker 1>and it's it's just brilliant. I I I can't, um,

0:25:28.960 --> 0:25:31.040
<v Speaker 1>I don't know how they did it all. And you

0:25:31.080 --> 0:25:35.560
<v Speaker 1>don't really see that in movies this this way, you

0:25:35.560 --> 0:25:38.879
<v Speaker 1>know that way anymore. I'm I'm I'm pretty I was

0:25:38.920 --> 0:25:41.040
<v Speaker 1>pretty amazed at it when I was looking at it

0:25:41.080 --> 0:25:45.359
<v Speaker 1>the most recent time. It's it's like stunning amount of exposition.

0:25:45.760 --> 0:25:49.560
<v Speaker 1>That's always interesting and uh and it really does the

0:25:49.640 --> 0:25:52.840
<v Speaker 1>job of making you understand what an amity is. I

0:25:52.920 --> 0:25:56.000
<v Speaker 1>kind of I got the same exact feeling watching it today,

0:25:56.040 --> 0:26:00.000
<v Speaker 1>is that it's um, like you said, setting up that world,

0:26:00.240 --> 0:26:02.639
<v Speaker 1>it was done in such a subtle and efficient way.

0:26:03.440 --> 0:26:05.720
<v Speaker 1>I feel like movies these days everything is just so

0:26:05.800 --> 0:26:10.560
<v Speaker 1>ham fisted with the setups and so obvious. Um, even

0:26:10.600 --> 0:26:15.359
<v Speaker 1>just the little part about establishing that Brody and Ellen

0:26:15.600 --> 0:26:20.119
<v Speaker 1>are have moved there from New York to uh, I mean,

0:26:20.119 --> 0:26:23.000
<v Speaker 1>it's Amity Island, but ostensibly, you know, the New England area,

0:26:23.680 --> 0:26:26.399
<v Speaker 1>and these days there would be some stupid long scene

0:26:27.240 --> 0:26:29.560
<v Speaker 1>where they talked about or maybe even god forbid, like

0:26:29.600 --> 0:26:32.160
<v Speaker 1>a flashback that actually shows them in New York or something,

0:26:32.880 --> 0:26:36.080
<v Speaker 1>and they and they did it all with just that

0:26:36.160 --> 0:26:39.840
<v Speaker 1>one little exchange where she talks about the accent and

0:26:39.920 --> 0:26:43.560
<v Speaker 1>you know, poking the car from the yard and that's

0:26:43.560 --> 0:26:45.280
<v Speaker 1>how we have to talk. And she said something about

0:26:45.480 --> 0:26:47.560
<v Speaker 1>you know, you being from New York, and that was it.

0:26:47.680 --> 0:26:51.040
<v Speaker 1>And to to a novice I or someone who's not

0:26:51.080 --> 0:26:53.000
<v Speaker 1>a big Jaws fan, it just may seem like a

0:26:53.000 --> 0:26:55.959
<v Speaker 1>little throw a line, but guys like us, we're just like,

0:26:56.000 --> 0:26:58.360
<v Speaker 1>oh man, it's just so subtle and efficient the way

0:26:58.640 --> 0:27:02.440
<v Speaker 1>that world set up everything. It's like really subtle, really

0:27:02.480 --> 0:27:06.120
<v Speaker 1>efficient everything. It's like nothing is wasted, but it never

0:27:06.200 --> 0:27:10.920
<v Speaker 1>feels rushed. And they're real quiet, beautiful moments that are

0:27:11.640 --> 0:27:14.720
<v Speaker 1>just stunning, Like him at the dinner table with his son.

0:27:15.600 --> 0:27:17.240
<v Speaker 1>That feels like that would be that feels like that

0:27:17.280 --> 0:27:22.560
<v Speaker 1>would be cut from a movie today. Um it there's

0:27:22.600 --> 0:27:28.360
<v Speaker 1>these um the way that the dialogue feels very real, like, um,

0:27:28.400 --> 0:27:32.280
<v Speaker 1>you know there's a you know, after they have a

0:27:32.280 --> 0:27:36.760
<v Speaker 1>horrible day and um and Mrs Kittner slaps Brody on

0:27:36.800 --> 0:27:40.680
<v Speaker 1>the face and he's drinking and and uh and Hooper

0:27:40.760 --> 0:27:43.719
<v Speaker 1>comes in and says, so how is your day? And

0:27:43.720 --> 0:27:47.679
<v Speaker 1>it's the funniest line, Like it's just like it's so great,

0:27:47.920 --> 0:27:51.359
<v Speaker 1>and I, um, I just I feel like there's just

0:27:51.520 --> 0:27:56.080
<v Speaker 1>the subtlety and real understanding of how humans are in

0:27:56.119 --> 0:27:59.200
<v Speaker 1>that movie that I just don't see and it and

0:27:59.440 --> 0:28:03.840
<v Speaker 1>I don't I don't get it. Like sometimes you could

0:28:03.840 --> 0:28:05.919
<v Speaker 1>be doing these things and not do them well and

0:28:05.960 --> 0:28:09.360
<v Speaker 1>I would be annoyed and board in a movie. Yeah,

0:28:09.400 --> 0:28:11.320
<v Speaker 1>So it's it's not like you can just put them

0:28:11.320 --> 0:28:14.560
<v Speaker 1>in willy nilly, these moments, but I just think every

0:28:14.600 --> 0:28:19.119
<v Speaker 1>one of them is pitched perfect. Yeah, man, I have

0:28:19.119 --> 0:28:21.560
<v Speaker 1>to address both of those things because those are that

0:28:21.680 --> 0:28:27.240
<v Speaker 1>that sequence from uh, well, the sequence from Kittner's mom

0:28:27.840 --> 0:28:32.000
<v Speaker 1>which is so upsetting because I have a big justice

0:28:32.040 --> 0:28:35.440
<v Speaker 1>thing and the injustice of Brodie being blamed for that,

0:28:36.160 --> 0:28:39.719
<v Speaker 1>standing right next to the mayor whose fault it really was,

0:28:40.040 --> 0:28:42.000
<v Speaker 1>and the mayor just like a coward standing there, and

0:28:42.000 --> 0:28:43.640
<v Speaker 1>of course after what he says, you know, it's not

0:28:43.680 --> 0:28:47.640
<v Speaker 1>your fault, Brodie, but uh and Brodie, Brodie says it's

0:28:47.640 --> 0:28:50.160
<v Speaker 1>his fault. And I actually think he's right, you know,

0:28:50.200 --> 0:28:52.280
<v Speaker 1>like he he owns it. You know, he could have

0:28:52.280 --> 0:28:55.680
<v Speaker 1>stood up and and he knows it, and it sort

0:28:55.680 --> 0:28:58.840
<v Speaker 1>of gives him motivation for the rest of the movie

0:28:58.400 --> 0:29:01.160
<v Speaker 1>about what you know, like I'm the chief of police,

0:29:01.280 --> 0:29:03.600
<v Speaker 1>you know, Like he's like, let's go cut up that shotgun.

0:29:03.680 --> 0:29:05.800
<v Speaker 1>It's like, can you do that? I'm the chief of police,

0:29:05.880 --> 0:29:08.000
<v Speaker 1>you know. You know, like that's a great line. It's

0:29:08.040 --> 0:29:12.600
<v Speaker 1>like he's finding his like he's finding his authority in

0:29:12.640 --> 0:29:15.600
<v Speaker 1>this scenario. And and I feel like, you know, like

0:29:16.400 --> 0:29:19.520
<v Speaker 1>you know, never so dramatically, but I feel like that

0:29:19.760 --> 0:29:23.560
<v Speaker 1>sense of his his responsibility um stayed with me. You know.

0:29:23.640 --> 0:29:25.600
<v Speaker 1>I think that's a you know, that's a great lesson

0:29:25.960 --> 0:29:28.640
<v Speaker 1>and and just life is that it doesn't matter. You

0:29:28.680 --> 0:29:31.120
<v Speaker 1>can play him all sorts of other people, but ultimately

0:29:31.240 --> 0:29:34.160
<v Speaker 1>you just take it sometimes well, because that was Brodie's

0:29:34.240 --> 0:29:38.320
<v Speaker 1>chance to be a whiny baby. It wasn't my fault,

0:29:38.520 --> 0:29:41.600
<v Speaker 1>but he owns uh. And then that scene, of course

0:29:41.680 --> 0:29:45.200
<v Speaker 1>leads right into the the pre dinner scene with the

0:29:45.240 --> 0:29:48.160
<v Speaker 1>son that you were talking about, and like you said,

0:29:48.240 --> 0:29:50.320
<v Speaker 1>it's I mean I timed it today too. It's a

0:29:50.400 --> 0:29:55.200
<v Speaker 1>ninety second scene um that by all accounts of these days,

0:29:55.200 --> 0:29:57.080
<v Speaker 1>like you said, would be on the editing room floor,

0:29:57.520 --> 0:30:01.080
<v Speaker 1>But it is one of my That little ninety seconds

0:30:01.160 --> 0:30:05.720
<v Speaker 1>is one of my favorite scenes in movie history. For real. Yeah,

0:30:06.880 --> 0:30:10.080
<v Speaker 1>I was just so sweet. It is really sweet. It

0:30:10.120 --> 0:30:13.680
<v Speaker 1>gives you a sense of who he is and his family,

0:30:13.720 --> 0:30:15.360
<v Speaker 1>and it also gives you a sense of like, now

0:30:15.440 --> 0:30:18.640
<v Speaker 1>I'm a parent, and it has one of the I

0:30:18.640 --> 0:30:21.880
<v Speaker 1>mean even before I was a parent, Like it's really

0:30:21.920 --> 0:30:25.400
<v Speaker 1>hard to understand what kids do to you when you

0:30:25.520 --> 0:30:29.360
<v Speaker 1>have them, and how much they mean to you and

0:30:29.880 --> 0:30:32.480
<v Speaker 1>in these weird ways like where you you you need

0:30:32.520 --> 0:30:35.880
<v Speaker 1>them to booy you up, um really really often in

0:30:35.920 --> 0:30:38.040
<v Speaker 1>the days as hard as they are and you know,

0:30:38.080 --> 0:30:42.120
<v Speaker 1>as difficult as it all is, and like I rely

0:30:42.240 --> 0:30:46.040
<v Speaker 1>on my kids in much the same way that Brody

0:30:46.120 --> 0:30:49.920
<v Speaker 1>does in that scene. And uh and then like give

0:30:49.920 --> 0:30:52.680
<v Speaker 1>me a kissence that's why, because I need it and

0:30:52.720 --> 0:30:56.000
<v Speaker 1>I feel like that almost every day. I know, man,

0:30:57.720 --> 0:30:59.520
<v Speaker 1>I'm right there with you. And it's funny I lift

0:30:59.560 --> 0:31:02.880
<v Speaker 1>so many lines. I'm you know, one of those obnoxious

0:31:02.880 --> 0:31:04.960
<v Speaker 1>people that goes around quoting movie lines for like half

0:31:05.000 --> 0:31:08.520
<v Speaker 1>their like half the things I say are probably from movies. Uh,

0:31:08.560 --> 0:31:11.800
<v Speaker 1>And I realized that I say so many things from Jaws,

0:31:12.320 --> 0:31:15.520
<v Speaker 1>and one of them is give us a kiss. I

0:31:15.560 --> 0:31:19.400
<v Speaker 1>say that to my daughter all the time. And um,

0:31:19.440 --> 0:31:21.880
<v Speaker 1>you know the scene with with Dreyfuss when he comes

0:31:21.880 --> 0:31:25.600
<v Speaker 1>in every time without fail. And my wife Emily gets

0:31:25.600 --> 0:31:27.760
<v Speaker 1>so bored with all this stuff. But every time I

0:31:27.800 --> 0:31:30.400
<v Speaker 1>go somewhere and someone opens up a bottle of wine

0:31:30.400 --> 0:31:32.200
<v Speaker 1>and pours a glass, always say, oh, you might want

0:31:32.200 --> 0:31:35.600
<v Speaker 1>to let that brief for a minute. It's just so dumb,

0:31:35.600 --> 0:31:38.200
<v Speaker 1>and like two percent of the people I ever say

0:31:38.240 --> 0:31:40.440
<v Speaker 1>in front of no what that's from, and the other

0:31:41.240 --> 0:31:44.680
<v Speaker 1>just think of being obnoxious. I guess. But that scene,

0:31:44.680 --> 0:31:48.360
<v Speaker 1>there's so many great lines, and that dinner scene, everything

0:31:48.440 --> 0:31:52.880
<v Speaker 1>from my husband tells me you're in Sharks to the

0:31:52.960 --> 0:31:54.680
<v Speaker 1>end of the scene, I can do anything. I'm chief

0:31:54.720 --> 0:31:59.480
<v Speaker 1>of police. Like those are just iconic movie lines. Yeah, yeah,

0:31:59.520 --> 0:32:03.440
<v Speaker 1>it's it's definitely full of those. So good and it

0:32:03.480 --> 0:32:06.520
<v Speaker 1>also feels real, like it doesn't feel um. They're not

0:32:06.640 --> 0:32:09.960
<v Speaker 1>overly clever, they're not delivered in a clever way. It's

0:32:09.960 --> 0:32:14.120
<v Speaker 1>totally um. It just feels natural and as funny as

0:32:14.160 --> 0:32:16.840
<v Speaker 1>it would be in that those moments and as heavy

0:32:16.880 --> 0:32:19.640
<v Speaker 1>as they would be in those moments. Well, and the

0:32:19.680 --> 0:32:21.720
<v Speaker 1>scene that kind of follows that is also one of

0:32:21.720 --> 0:32:26.840
<v Speaker 1>my favorites, um, which is when and and I have

0:32:26.920 --> 0:32:29.240
<v Speaker 1>to point out to by the way, the Mayor Uh

0:32:29.600 --> 0:32:32.560
<v Speaker 1>was played by Murray Hamilton's the Great Murray Hamilton's Mayor

0:32:32.640 --> 0:32:35.880
<v Speaker 1>Van who was Mr Robinson and the graduate was his

0:32:35.960 --> 0:32:40.960
<v Speaker 1>other kind of a huge film role. But um, we're

0:32:40.960 --> 0:32:44.360
<v Speaker 1>talking about how suddly Spielberg set up the world. Uh.

0:32:44.360 --> 0:32:46.880
<v Speaker 1>In the first time we see the Mayor, He's wearing

0:32:46.880 --> 0:32:50.120
<v Speaker 1>that sport coat with the anchors on it, and just

0:32:50.160 --> 0:32:52.840
<v Speaker 1>that little wardrobe choice was just such a nice way,

0:32:52.840 --> 0:32:55.000
<v Speaker 1>like he didn't have to say anything. You just see

0:32:55.040 --> 0:32:56.840
<v Speaker 1>that guy show up in that outfit and you know

0:32:56.840 --> 0:33:03.600
<v Speaker 1>who he is, yeahly but smile and everything. But the

0:33:03.680 --> 0:33:08.720
<v Speaker 1>after the wreckage scene, after Dreyfus, after Hooper does the

0:33:08.760 --> 0:33:11.840
<v Speaker 1>dive and finds the shark tooth and the head Bob's out,

0:33:12.400 --> 0:33:15.240
<v Speaker 1>they have that great scene with in front of the

0:33:15.280 --> 0:33:19.000
<v Speaker 1>billboard with the Mayor and Brody and I knew you

0:33:19.040 --> 0:33:22.320
<v Speaker 1>would appreciate this. I've always thought that Sick Vandalism would

0:33:22.360 --> 0:33:29.240
<v Speaker 1>be a great name for a punk band sick vandalism. Yeah,

0:33:29.520 --> 0:33:31.880
<v Speaker 1>like that's what he's upset about. Still, that's what he's

0:33:31.960 --> 0:33:36.280
<v Speaker 1>upset about. Yeah, that would be a good name. I

0:33:36.320 --> 0:33:39.160
<v Speaker 1>wonder if that has ever been taken. I don't know,

0:33:39.760 --> 0:33:44.760
<v Speaker 1>google it junk. It's it's it's time. Uh So from there,

0:33:44.760 --> 0:33:47.680
<v Speaker 1>obviously in the movie, it moves on to like everyone

0:33:47.760 --> 0:33:51.840
<v Speaker 1>has their turning point, and I think with Brody it

0:33:51.920 --> 0:33:57.720
<v Speaker 1>was definitely like you said, when um Kentner's mom who

0:33:58.080 --> 0:34:00.000
<v Speaker 1>slaps him in the face, that was where he turned.

0:34:00.080 --> 0:34:03.920
<v Speaker 1>But then um Mayor Vaughan had his turning point to

0:34:04.080 --> 0:34:07.000
<v Speaker 1>after that that final you know, Fourth of July when

0:34:07.000 --> 0:34:09.640
<v Speaker 1>he forced Fourth of July to happen. Well, not for

0:34:09.920 --> 0:34:12.279
<v Speaker 1>Fourth of July, but he kept the beaches open. Well,

0:34:12.360 --> 0:34:15.840
<v Speaker 1>let's talk a little bit about these characters. You probably

0:34:15.880 --> 0:34:19.360
<v Speaker 1>know your your Jaws trivia, but um, did you know

0:34:19.400 --> 0:34:22.200
<v Speaker 1>all the various people who originally we're supposed to play

0:34:22.320 --> 0:34:25.319
<v Speaker 1>these dudes? No, I don't. I see, I don't know

0:34:25.360 --> 0:34:26.920
<v Speaker 1>a lot of Jaws trivia. It's not something that I've

0:34:26.920 --> 0:34:29.920
<v Speaker 1>really looked up or anything like that. So yeah, it

0:34:30.000 --> 0:34:32.760
<v Speaker 1>hit me. We'll get a load of this then, Uh,

0:34:32.920 --> 0:34:36.400
<v Speaker 1>Chief Brody originally was supposed to be played by Robert Duval,

0:34:38.160 --> 0:34:42.759
<v Speaker 1>but he only wanted to play Glint. Oh interesting, Yeah,

0:34:43.400 --> 0:34:45.400
<v Speaker 1>I mean I think Robert Daval could probably pulled off

0:34:45.440 --> 0:34:47.799
<v Speaker 1>both those. Like I'm glad he didn't, but yeah, but

0:34:47.880 --> 0:34:50.080
<v Speaker 1>definitely he could. He could have done Brodie at that

0:34:50.239 --> 0:34:52.520
<v Speaker 1>at that age, he could have done Brodie. Well, Charlton,

0:34:52.560 --> 0:34:54.960
<v Speaker 1>he was, uh, he was the other pick for Brodie,

0:34:54.960 --> 0:34:57.520
<v Speaker 1>which um Spielberg apparently didn't go with him just because

0:34:57.520 --> 0:35:00.919
<v Speaker 1>he was too big for that role. With him too

0:35:00.920 --> 0:35:03.720
<v Speaker 1>big and like you could you know, it's like Cowstine

0:35:03.760 --> 0:35:06.760
<v Speaker 1>Schwardznaker and something. It's like, Okay, I know you're gonna

0:35:07.440 --> 0:35:09.560
<v Speaker 1>I know you're gonna holk out any minute. So it's

0:35:09.640 --> 0:35:12.520
<v Speaker 1>just you know, so you need someone who's who's like

0:35:13.200 --> 0:35:16.440
<v Speaker 1>who you can see his strength, but it's hidden, you know.

0:35:16.880 --> 0:35:20.399
<v Speaker 1>So well Schider brought such a humanity to that role

0:35:21.880 --> 0:35:24.879
<v Speaker 1>he did and you yeah. And and one of my other,

0:35:25.280 --> 0:35:26.920
<v Speaker 1>um you know, kind of favorite seven of these movies

0:35:27.080 --> 0:35:31.520
<v Speaker 1>is Marathon Man and he plays a real tough guy

0:35:31.560 --> 0:35:34.040
<v Speaker 1>in that one. And you realize that he doesn't look

0:35:34.080 --> 0:35:37.880
<v Speaker 1>all that different, but it's just how he carries himself

0:35:37.880 --> 0:35:41.239
<v Speaker 1>and you realize, oh yeah, he's really he's doing this perfectly,

0:35:41.400 --> 0:35:44.680
<v Speaker 1>playing in every man in Jaws, who is capable of

0:35:44.680 --> 0:35:48.600
<v Speaker 1>stuff when he when he needs to. Well, yeah, and

0:35:48.640 --> 0:35:52.480
<v Speaker 1>it was just so clever how they set up his flaws. Um,

0:35:52.520 --> 0:35:55.560
<v Speaker 1>he wasn't some tough cop like he he was scared

0:35:55.560 --> 0:35:58.200
<v Speaker 1>of he I guess couldn't swim or was it the

0:35:58.280 --> 0:36:01.480
<v Speaker 1>very least scared of the water. Uh, totally, which is

0:36:01.520 --> 0:36:04.840
<v Speaker 1>a great little achilles heel to throw in there. Totally.

0:36:04.920 --> 0:36:08.520
<v Speaker 1>That's so good. So Robert Shaw of course played quintuh.

0:36:09.160 --> 0:36:10.520
<v Speaker 1>And it kind of occurred to me today that we

0:36:10.560 --> 0:36:13.280
<v Speaker 1>never know what Quint's first name was, So I've always

0:36:13.280 --> 0:36:16.520
<v Speaker 1>sort of thought that was interesting. Want to wonder what

0:36:16.600 --> 0:36:21.439
<v Speaker 1>I would puts his first name? Yeah, huh, I don't

0:36:21.440 --> 0:36:24.040
<v Speaker 1>know what. I've never really never really considered it. He's

0:36:24.040 --> 0:36:28.920
<v Speaker 1>just Quinn. Yeah, he's a Quint. But Lee Marvin was

0:36:29.560 --> 0:36:33.080
<v Speaker 1>originally going to play Quint, and Sterling Hayden was the

0:36:33.080 --> 0:36:37.440
<v Speaker 1>other choice. Who is Sterling Hayden? Did you you saw

0:36:37.560 --> 0:36:41.120
<v Speaker 1>Dr Strangelove? Oh yeah, yeah, yeah he was General Ripper

0:36:41.360 --> 0:36:44.799
<v Speaker 1>and Dr Strange Okay, yeah yeah uh and then dry

0:36:44.920 --> 0:36:50.160
<v Speaker 1>Us and apparently dry Fuss and Shaw were cast like

0:36:50.239 --> 0:36:55.279
<v Speaker 1>a week before they started filming, which is crazy, but

0:36:55.400 --> 0:37:00.239
<v Speaker 1>Dryfus came in. John Boyight was Spielberg's first choice, and

0:37:00.280 --> 0:37:03.120
<v Speaker 1>then he didn't work out. And then he thought about

0:37:03.120 --> 0:37:07.799
<v Speaker 1>Timothy Bottoms or Jeff Bridges. And you know, now it's

0:37:07.840 --> 0:37:10.600
<v Speaker 1>like with any film once you these people have these

0:37:10.719 --> 0:37:13.120
<v Speaker 1>iconic characters, you can't imagine anyone else. But I think

0:37:13.120 --> 0:37:15.720
<v Speaker 1>a young Jeff Bridges I could see. As Matt Hooper

0:37:16.960 --> 0:37:19.560
<v Speaker 1>I could too, except for you know, Jeff Bridges is

0:37:19.719 --> 0:37:21.879
<v Speaker 1>you know, is big, and he can carry himself kind

0:37:21.880 --> 0:37:24.400
<v Speaker 1>of big, and you know, like he's and he's handsome

0:37:24.440 --> 0:37:27.440
<v Speaker 1>in a different way. And and like there's something about

0:37:27.440 --> 0:37:32.600
<v Speaker 1>the dynamic of Hooper and Quint that where there's like

0:37:32.680 --> 0:37:36.440
<v Speaker 1>alpha male band male sort of dynamic that is really

0:37:36.480 --> 0:37:39.799
<v Speaker 1>important to that movie to me. Um and where they

0:37:39.920 --> 0:37:44.120
<v Speaker 1>where they begin to where they trade you know, expertise

0:37:44.160 --> 0:37:46.640
<v Speaker 1>and in different ways and um and try to win

0:37:46.719 --> 0:37:48.520
<v Speaker 1>up each other. And then they come together in the

0:37:49.040 --> 0:37:52.480
<v Speaker 1>you know, in the scene with their comparing scars, and yeah,

0:37:52.520 --> 0:37:54.880
<v Speaker 1>that they you know, it's so so I totally I

0:37:54.880 --> 0:37:57.759
<v Speaker 1>could see I mean each of those actors. I mean

0:37:57.800 --> 0:38:00.960
<v Speaker 1>totally it could have worked, but it just it's so perfect.

0:38:01.000 --> 0:38:04.239
<v Speaker 1>The way it is, you know. Um, but maybe it's

0:38:04.239 --> 0:38:06.600
<v Speaker 1>because it's my first exposure. Like I didn't really know

0:38:06.680 --> 0:38:09.520
<v Speaker 1>any of these actors, you know, because of my age,

0:38:09.600 --> 0:38:12.799
<v Speaker 1>you know, through I mean I knew them through um

0:38:12.840 --> 0:38:17.400
<v Speaker 1>through this movie, and so um, they're completely blank to me.

0:38:17.520 --> 0:38:19.520
<v Speaker 1>Like maybe if I had seen Taken a Poem one

0:38:19.560 --> 0:38:23.080
<v Speaker 1>to three or um or I mean, I guess i'd

0:38:23.120 --> 0:38:25.359
<v Speaker 1>probably seen close encounters, but you know, like I didn't,

0:38:25.360 --> 0:38:30.000
<v Speaker 1>I didn't have another version of dry Fist or you know,

0:38:30.120 --> 0:38:33.960
<v Speaker 1>Robert Shaw. Yeah, so that this was the version that

0:38:34.040 --> 0:38:37.439
<v Speaker 1>I had. Well, and Hooper, as played by dry Fust

0:38:37.520 --> 0:38:41.360
<v Speaker 1>was just such a goof. Um. He wasn't afraid to

0:38:41.400 --> 0:38:44.399
<v Speaker 1>make dumb jokes or to be silly, and like you said,

0:38:44.440 --> 0:38:48.000
<v Speaker 1>definitely not the alpha male like his like in the

0:38:48.040 --> 0:38:51.400
<v Speaker 1>introduction of those two characters, like Quince has is probably

0:38:51.440 --> 0:38:55.520
<v Speaker 1>the most obnoxious character introduction of all time, scratching his

0:38:55.560 --> 0:38:59.799
<v Speaker 1>fingers across the chalko boyd. And then you compare that

0:38:59.840 --> 0:39:01.960
<v Speaker 1>to Hooper, who I don't know if you remember, but

0:39:02.080 --> 0:39:04.839
<v Speaker 1>he he steps up from the boat and he's like

0:39:04.960 --> 0:39:07.280
<v Speaker 1>looking that other guy in the chest. He's so small

0:39:07.760 --> 0:39:12.600
<v Speaker 1>it just goes hello and then goes hello yourself. And

0:39:12.640 --> 0:39:14.279
<v Speaker 1>he's just kind of goofy right off the bat. You know,

0:39:14.320 --> 0:39:15.880
<v Speaker 1>he's not trying to be cool. He's not trying to

0:39:16.200 --> 0:39:20.239
<v Speaker 1>one up anybody. He's you know, he's a shark nerd. Yeah.

0:39:20.280 --> 0:39:21.920
<v Speaker 1>And you can tell he knows stuff because the way

0:39:21.960 --> 0:39:26.040
<v Speaker 1>he uses vocabulary in the when he tells people, um,

0:39:26.120 --> 0:39:27.880
<v Speaker 1>you know, to do different things, because Brodie sort of

0:39:27.920 --> 0:39:31.759
<v Speaker 1>instructs him to, like, um, you know, so he knows

0:39:31.840 --> 0:39:34.200
<v Speaker 1>like when he when he says, you know, those guys

0:39:34.239 --> 0:39:36.520
<v Speaker 1>in the fantail blah blah blah, like he knows the

0:39:36.600 --> 0:39:39.000
<v Speaker 1>name of the boat like exactly, you know, like they're

0:39:39.000 --> 0:39:40.719
<v Speaker 1>never gonna get out of harbor alive. And he's like,

0:39:40.760 --> 0:39:42.239
<v Speaker 1>this is what I'm talking about. Go out there, talk

0:39:42.320 --> 0:39:44.920
<v Speaker 1>to these people. You know. Like it's so, you know,

0:39:45.040 --> 0:39:47.080
<v Speaker 1>he knows a lot, but he's not like lording it

0:39:47.120 --> 0:39:49.480
<v Speaker 1>over people in any certain way. He just like the

0:39:49.520 --> 0:39:51.520
<v Speaker 1>way that they use vocabulary. It is like so precise

0:39:52.040 --> 0:39:55.160
<v Speaker 1>that he's just you know, he's smart, but he doesn't

0:39:55.280 --> 0:39:58.120
<v Speaker 1>you know, but he isn't like the most dominant person

0:39:58.680 --> 0:40:00.400
<v Speaker 1>in the in the room until he it's to that

0:40:00.480 --> 0:40:03.399
<v Speaker 1>autopsy or you know, he's looking at it and he says,

0:40:03.560 --> 0:40:06.200
<v Speaker 1>don't smoke in here, thank you very much, and it's like,

0:40:06.520 --> 0:40:08.719
<v Speaker 1>this is this moment. It's like, oh man, this guy's

0:40:08.760 --> 0:40:11.719
<v Speaker 1>this guy's could be in charge. You know. Yeah, that

0:40:11.800 --> 0:40:15.759
<v Speaker 1>was a great scene and another great example of restraint

0:40:15.880 --> 0:40:18.120
<v Speaker 1>on the part of Spielberg to not, you know, these

0:40:18.200 --> 0:40:20.279
<v Speaker 1>days he would the first thing you would see in

0:40:20.320 --> 0:40:22.319
<v Speaker 1>that scene would be a close up shot of a

0:40:22.360 --> 0:40:27.000
<v Speaker 1>mangled body of a of a woman. And uh, I

0:40:27.080 --> 0:40:29.120
<v Speaker 1>thought that you didn't see anything at all. But there

0:40:29.160 --> 0:40:32.680
<v Speaker 1>is one kind of quick shot of the severed arm.

0:40:32.719 --> 0:40:35.680
<v Speaker 1>But aside from that, the terror is listening to Dryfus

0:40:36.000 --> 0:40:40.040
<v Speaker 1>very clinically describe the wounds on the body. Yeah. I

0:40:40.080 --> 0:40:42.280
<v Speaker 1>think the scariest part of the remains of the body

0:40:43.000 --> 0:40:45.600
<v Speaker 1>or when it was found and it's covered in crabs

0:40:45.800 --> 0:40:49.360
<v Speaker 1>and that that part really freaked me out. Yeah, like

0:40:49.480 --> 0:40:52.920
<v Speaker 1>crabs going through and needing it. Oh god, that is

0:40:53.200 --> 0:41:03.600
<v Speaker 1>that is grim. That is grim. Souh. A minute ago,

0:41:03.640 --> 0:41:08.360
<v Speaker 1>you talked about the scene, the very famous galley scene. Um,

0:41:08.440 --> 0:41:11.600
<v Speaker 1>and this is after they've had their first encounter with

0:41:11.719 --> 0:41:15.319
<v Speaker 1>the shark um and then they're they're drinking together and

0:41:15.320 --> 0:41:19.400
<v Speaker 1>this is when they really bond and kind of come together. Uh,

0:41:19.640 --> 0:41:23.120
<v Speaker 1>and you have the the scar comparing scene, which is

0:41:23.160 --> 0:41:27.560
<v Speaker 1>one of the great great exchanges in movies. Um, and Quinn,

0:41:27.600 --> 0:41:31.040
<v Speaker 1>you get a real sense here, like he really takes

0:41:31.040 --> 0:41:34.120
<v Speaker 1>in Hooper as his little ass, as his Gilligan to

0:41:34.239 --> 0:41:38.439
<v Speaker 1>his skipper at that point. You know, it's really good,

0:41:38.560 --> 0:41:42.200
<v Speaker 1>it's kind of sweet. It is, it's it is, and

0:41:42.280 --> 0:41:45.359
<v Speaker 1>it reminds me of people who I knew like that,

0:41:45.400 --> 0:41:49.440
<v Speaker 1>Like my relatives are very quaint, like in nature, you know,

0:41:50.320 --> 0:41:56.319
<v Speaker 1>they're very skeptical of people. They're very prone to stereotyping people. Um,

0:41:56.360 --> 0:41:58.959
<v Speaker 1>they're horrible in many many respects. The most women aren't

0:41:58.960 --> 0:42:03.960
<v Speaker 1>that now. But like there's a way that um, like

0:42:04.040 --> 0:42:07.319
<v Speaker 1>any type of personal interaction that was meaningful, you could

0:42:07.360 --> 0:42:09.680
<v Speaker 1>tell that it meant something to them and they could

0:42:09.680 --> 0:42:13.680
<v Speaker 1>put aside all the other stuff if as long as

0:42:13.680 --> 0:42:16.120
<v Speaker 1>they could, you know, pick guitars with you and it

0:42:16.160 --> 0:42:17.440
<v Speaker 1>would be you know what I mean. Like there was

0:42:17.480 --> 0:42:22.280
<v Speaker 1>something about the and and so that felt really nice

0:42:22.280 --> 0:42:25.839
<v Speaker 1>and real. And his story of the Indianapolis is like

0:42:26.719 --> 0:42:31.640
<v Speaker 1>I have a hard time like I love radio so much,

0:42:32.480 --> 0:42:37.160
<v Speaker 1>and um, I love the storytelling and radio it is

0:42:37.200 --> 0:42:40.200
<v Speaker 1>still like my ideal form. And I think of Quinn's

0:42:40.200 --> 0:42:44.240
<v Speaker 1>story as the first radio story I ever really loved.

0:42:44.760 --> 0:42:50.239
<v Speaker 1>It's like it is told just perfectly, like really, like

0:42:50.280 --> 0:42:54.960
<v Speaker 1>you could almost see it, like the story Corps music

0:42:55.000 --> 0:42:59.279
<v Speaker 1>starts and then you know, like on morning edition, and

0:42:59.320 --> 0:43:01.400
<v Speaker 1>then Quent just starts and you can remember some teenager

0:43:01.440 --> 0:43:03.840
<v Speaker 1>and going, oh my god, I can't believe you know,

0:43:03.840 --> 0:43:07.280
<v Speaker 1>on the other side, and it's just like it is. Um,

0:43:07.280 --> 0:43:10.440
<v Speaker 1>it is a perfectly told natural I think. I just

0:43:10.440 --> 0:43:11.960
<v Speaker 1>think it's the radio story. I would cut it out

0:43:11.960 --> 0:43:14.520
<v Speaker 1>and put on the radio and heartbeat. It's like perfect.

0:43:15.120 --> 0:43:17.040
<v Speaker 1>And it's funny because there's all this stuff, all this

0:43:17.920 --> 0:43:21.680
<v Speaker 1>great activity. You've already had the adventure music playing, you know,

0:43:21.880 --> 0:43:24.600
<v Speaker 1>in the barrels and shooting it and everything. But that

0:43:24.640 --> 0:43:28.440
<v Speaker 1>moment is so riveting. I love it. That's my favorite

0:43:28.480 --> 0:43:31.000
<v Speaker 1>moment in the movie, I mean one of mine for sure.

0:43:31.160 --> 0:43:33.839
<v Speaker 1>And um, the back story there for that scene was

0:43:33.880 --> 0:43:37.600
<v Speaker 1>that that was not in the book, and uh Spielberg

0:43:37.640 --> 0:43:42.200
<v Speaker 1>brought in the great screenwriter and filmmaker John Millius to

0:43:42.280 --> 0:43:46.920
<v Speaker 1>write that monologue, and then apparently Robert Shaw himself too,

0:43:46.920 --> 0:43:49.759
<v Speaker 1>who was a playwright, went in and and did some

0:43:49.800 --> 0:43:51.960
<v Speaker 1>rewriting on it and kind of worked with Millius on it,

0:43:52.560 --> 0:43:55.560
<v Speaker 1>and you know, just in up being like one of

0:43:55.560 --> 0:43:59.880
<v Speaker 1>the most iconic monologues in movie history for sure. All Right,

0:44:00.080 --> 0:44:02.600
<v Speaker 1>it is so good and it's so naturally moves into

0:44:03.560 --> 0:44:07.520
<v Speaker 1>you know, uh, you know, from one scene to the

0:44:07.560 --> 0:44:11.560
<v Speaker 1>scar comparing scene to the other, and um, and the

0:44:11.600 --> 0:44:13.959
<v Speaker 1>fact that I've I've thought about this a lot. It's

0:44:14.000 --> 0:44:16.960
<v Speaker 1>like because it gets called out because they're comparing scars

0:44:17.000 --> 0:44:20.319
<v Speaker 1>and Brody says, what's that on your arm? And it's

0:44:20.320 --> 0:44:24.080
<v Speaker 1>a it's the removal of the tattoo of the Indianapolis.

0:44:24.719 --> 0:44:27.680
<v Speaker 1>And and I think about that all the time, like

0:44:28.520 --> 0:44:31.359
<v Speaker 1>why would he remove it, you know, and like what

0:44:31.440 --> 0:44:34.720
<v Speaker 1>was going on in his head that he would remove it, um,

0:44:34.800 --> 0:44:38.279
<v Speaker 1>instead of keep it there. And with every part of

0:44:38.360 --> 0:44:41.560
<v Speaker 1>his character that you get in other ways, um, that

0:44:41.640 --> 0:44:44.600
<v Speaker 1>seems like this extreme moment in his life that you

0:44:44.760 --> 0:44:46.920
<v Speaker 1>have no knowledge of, but you just have this little

0:44:46.960 --> 0:44:51.520
<v Speaker 1>tiny peek into And I love that part of it too. Yeah,

0:44:51.560 --> 0:44:54.360
<v Speaker 1>for sure, I never really thought about that. That is

0:44:54.400 --> 0:44:57.279
<v Speaker 1>super interesting that he would and that and that's like

0:44:57.320 --> 0:45:01.000
<v Speaker 1>old sailors don't have tattoos removed, you know, Yeah, exactly,

0:45:01.160 --> 0:45:04.920
<v Speaker 1>So like the level of trauma or whatever he was

0:45:04.920 --> 0:45:07.279
<v Speaker 1>trying to get away from or whatever it was, like

0:45:07.520 --> 0:45:10.640
<v Speaker 1>it was clearly something that haunted him in a way,

0:45:10.680 --> 0:45:13.239
<v Speaker 1>like it was not an adventure story to him, what

0:45:13.440 --> 0:45:17.000
<v Speaker 1>happened and or maybe, you know, maybe it's just something else,

0:45:17.080 --> 0:45:19.759
<v Speaker 1>Like you don't really know. It's an incomplete narrative. But

0:45:19.840 --> 0:45:22.960
<v Speaker 1>I've tried to fill that in my head lots of times,

0:45:22.960 --> 0:45:24.640
<v Speaker 1>and I'd never come up with like what I think

0:45:24.680 --> 0:45:28.000
<v Speaker 1>is the answer. But it mainly has to do with

0:45:28.560 --> 0:45:31.280
<v Speaker 1>him trying to get away from it and him willingness.

0:45:31.360 --> 0:45:34.239
<v Speaker 1>His willingness to talk about it at that moment um,

0:45:34.280 --> 0:45:37.319
<v Speaker 1>I think points to how close he's gotten in this

0:45:37.360 --> 0:45:39.960
<v Speaker 1>short amount of time, but also that he senses the

0:45:40.320 --> 0:45:43.319
<v Speaker 1>peril that they're in and wants them to be really

0:45:43.320 --> 0:45:45.360
<v Speaker 1>aware of what's you know, what's about to happen, and

0:45:45.400 --> 0:45:48.600
<v Speaker 1>what's about to happen, Like happens almost immediately afterwards, like

0:45:48.640 --> 0:45:50.920
<v Speaker 1>they start, you know, the shark starts knocking into the boat.

0:45:51.880 --> 0:45:54.920
<v Speaker 1>Um in the next scene. So yeah, it's funny and

0:45:54.960 --> 0:45:56.920
<v Speaker 1>I never really thought about it, but it's almost like

0:45:57.120 --> 0:45:59.000
<v Speaker 1>Quint knows, this is the last time I'm going to

0:45:59.040 --> 0:46:04.399
<v Speaker 1>tell this story, you know. Um. That scene also has

0:46:05.160 --> 0:46:08.120
<v Speaker 1>another line that I obnoxiously quote that no one ever

0:46:08.320 --> 0:46:12.000
<v Speaker 1>ever gets. But a lot of times when someone will

0:46:12.040 --> 0:46:15.120
<v Speaker 1>toast a drink, I'll say, let's drink to our legs,

0:46:15.360 --> 0:46:17.520
<v Speaker 1>and everyone's always like, what what the hell are you

0:46:17.560 --> 0:46:21.920
<v Speaker 1>talking about? I would get to I would get it,

0:46:22.440 --> 0:46:26.319
<v Speaker 1>all right, Well, I'll toast you that wise you Um,

0:46:26.360 --> 0:46:27.880
<v Speaker 1>all right, well, I guess let's move on to the

0:46:27.960 --> 0:46:32.680
<v Speaker 1>ending of the movie. Um, you know, I didn't want

0:46:32.680 --> 0:46:34.080
<v Speaker 1>to go through this all piece by piece, but I

0:46:34.080 --> 0:46:35.600
<v Speaker 1>think we've done a good job of kind of covering

0:46:35.640 --> 0:46:39.600
<v Speaker 1>the main sections. But you have to talk about the

0:46:39.680 --> 0:46:44.480
<v Speaker 1>end because um, there's plenty of foreshadowing that that tank

0:46:44.560 --> 0:46:47.560
<v Speaker 1>is gonna play a part. But again, it is so

0:46:48.719 --> 0:46:53.080
<v Speaker 1>well crafted and subtly done. It never ever feels like

0:46:53.080 --> 0:46:55.960
<v Speaker 1>you're being hit over the head like you feel these days,

0:46:56.040 --> 0:46:57.839
<v Speaker 1>Like when you see the gun and act one it's

0:46:57.840 --> 0:47:00.200
<v Speaker 1>gonna go off in act three. You see that bank

0:47:00.280 --> 0:47:02.840
<v Speaker 1>in Act one. In the little picture, remember when hes

0:47:02.840 --> 0:47:05.719
<v Speaker 1>flipping through the book, there's a photograph of a shark

0:47:05.760 --> 0:47:09.719
<v Speaker 1>with a tank in his mouth. And then midway, uh

0:47:10.000 --> 0:47:13.080
<v Speaker 1>you here, dry Us has a line about when the

0:47:13.120 --> 0:47:15.399
<v Speaker 1>tanks get loose, like you know those things can blow up,

0:47:16.120 --> 0:47:18.600
<v Speaker 1>but you still don't feel like I never put the

0:47:18.640 --> 0:47:20.560
<v Speaker 1>two together. When I was first seeing that movie for

0:47:20.600 --> 0:47:23.200
<v Speaker 1>the first time, you know not at all that that's

0:47:23.200 --> 0:47:27.200
<v Speaker 1>really well done. I I mean, it's just perfect for

0:47:27.320 --> 0:47:32.319
<v Speaker 1>shattering and and and you don't exactly know well, I mean,

0:47:32.400 --> 0:47:34.680
<v Speaker 1>you think it's probably One of the things I'd like

0:47:34.840 --> 0:47:37.839
<v Speaker 1>is the moment when Quint realizes that they're in real

0:47:37.880 --> 0:47:39.680
<v Speaker 1>trouble and he's like, Okay, so Hooper, what is this

0:47:39.680 --> 0:47:42.640
<v Speaker 1>stuff you're gonna do? And you know, lets him try it.

0:47:43.120 --> 0:47:46.560
<v Speaker 1>And it doesn't you know, work obviously, but but um

0:47:46.600 --> 0:47:49.200
<v Speaker 1>and you think that maybe that's the payoff of it all.

0:47:49.280 --> 0:47:51.080
<v Speaker 1>You know, that's why they're reminding you of the high

0:47:51.120 --> 0:47:56.120
<v Speaker 1>tech gear. Um right, yeah, totally. It totally is used

0:47:56.640 --> 0:47:59.680
<v Speaker 1>somewhat differently. I think I have also, in addition to

0:48:00.080 --> 0:48:04.560
<v Speaker 1>um sharks inside of pools, I have my I have

0:48:04.600 --> 0:48:08.719
<v Speaker 1>a huge fear of compressed air. I am terrified of

0:48:08.760 --> 0:48:12.040
<v Speaker 1>compressed air. I used to when I lived in Athens

0:48:12.040 --> 0:48:14.400
<v Speaker 1>and in grad school, when I was I was leaving,

0:48:14.400 --> 0:48:17.600
<v Speaker 1>I used I used to work in the warehouses sears

0:48:17.880 --> 0:48:20.480
<v Speaker 1>at the mall, and uh, I'd have to move around

0:48:20.480 --> 0:48:24.320
<v Speaker 1>these big red compressed air containers for you know, people

0:48:24.360 --> 0:48:26.920
<v Speaker 1>buy them to you know, put there, you'll put air

0:48:26.920 --> 0:48:31.360
<v Speaker 1>in their John De attractors or something. And I hated

0:48:31.400 --> 0:48:33.279
<v Speaker 1>it because I just feel like they're gonna blow up

0:48:33.320 --> 0:48:37.239
<v Speaker 1>any minute, you know, which are totally not true. They're

0:48:37.239 --> 0:48:41.000
<v Speaker 1>totally fine. But I, um, I think I might be

0:48:41.000 --> 0:48:43.600
<v Speaker 1>because of Jawns that I have a fear compressed air too.

0:48:43.640 --> 0:48:48.360
<v Speaker 1>I hate filling my air on my tires because you

0:48:48.400 --> 0:48:56.640
<v Speaker 1>think I totally think that hate it, hate it, hate it.

0:48:56.840 --> 0:49:02.440
<v Speaker 1>That's very funny. That's very brave of you to admit this. Roman. Yeah,

0:49:02.520 --> 0:49:06.040
<v Speaker 1>it's a it's a it's a real problem. But I mean,

0:49:06.080 --> 0:49:10.080
<v Speaker 1>I don't love I don't love love the ending, you know, like, um,

0:49:10.520 --> 0:49:12.719
<v Speaker 1>it's so over the top as compared to the rest

0:49:12.760 --> 0:49:16.200
<v Speaker 1>of it, but it's so like it earns it, it

0:49:16.280 --> 0:49:18.560
<v Speaker 1>earned anything, like if a spaceship came down, it would

0:49:18.560 --> 0:49:22.480
<v Speaker 1>earn it to me. It's so so um, So I'm

0:49:22.520 --> 0:49:25.520
<v Speaker 1>okay with it. Um it's funny, like this time I

0:49:25.560 --> 0:49:30.400
<v Speaker 1>really paid attention to um. The fact that a brody

0:49:30.600 --> 0:49:33.919
<v Speaker 1>is muttering to himself his plan, you know, when when

0:49:33.960 --> 0:49:36.560
<v Speaker 1>he's about to the shot or put the thing, like

0:49:36.600 --> 0:49:39.160
<v Speaker 1>he knows what he's doing, even though it looks it's

0:49:39.200 --> 0:49:41.359
<v Speaker 1>it's like filmed, like it could have been a little

0:49:41.360 --> 0:49:46.840
<v Speaker 1>bit more accidental or just um, you know, just improvisational,

0:49:47.480 --> 0:49:50.279
<v Speaker 1>but he's you know, he's really you know, he he

0:49:50.360 --> 0:49:54.400
<v Speaker 1>has an idea and it's it's interesting. It's interesting to

0:49:54.440 --> 0:49:59.319
<v Speaker 1>watch it, um pay off and have it work. Yeah. Yeah, well,

0:49:59.360 --> 0:50:03.360
<v Speaker 1>I mean the true who uh terror of that movie

0:50:03.600 --> 0:50:08.520
<v Speaker 1>is like the last eight minutes, you know, and and

0:50:08.560 --> 0:50:10.920
<v Speaker 1>it is over the top and very famously, you know,

0:50:11.000 --> 0:50:14.600
<v Speaker 1>the shark didn't work well. The mechanical shark Bruce didn't

0:50:14.600 --> 0:50:17.600
<v Speaker 1>work well, so Spielberg had to kind of redo the story.

0:50:17.760 --> 0:50:19.600
<v Speaker 1>But initially, you know, it was it was going to

0:50:19.680 --> 0:50:22.640
<v Speaker 1>be way more of a horror movie, like a Saturday

0:50:22.680 --> 0:50:26.920
<v Speaker 1>afternoon kind of be movie style horror movie. And um,

0:50:27.040 --> 0:50:30.520
<v Speaker 1>and Spielberg admits, and everyone you know is sort of

0:50:30.560 --> 0:50:33.640
<v Speaker 1>agreed over the years that it was a godsend, uh

0:50:33.680 --> 0:50:35.520
<v Speaker 1>that he was forced to be a little more creative

0:50:35.560 --> 0:50:38.279
<v Speaker 1>and teasing the shark out. But I think deep down,

0:50:38.360 --> 0:50:39.960
<v Speaker 1>like he was like, all right, but I've got to

0:50:40.080 --> 0:50:44.400
<v Speaker 1>like that the quint death has to be the money shot,

0:50:44.840 --> 0:50:48.000
<v Speaker 1>and it's just so over the top and terrifying and

0:50:48.040 --> 0:50:51.800
<v Speaker 1>gory and awful. Um, it's just kind of perfect almost,

0:50:52.960 --> 0:50:56.120
<v Speaker 1>it is. I totally that one. That part is he's

0:50:56.760 --> 0:50:58.959
<v Speaker 1>is kind of fine to me, Like it just gives

0:50:58.960 --> 0:51:02.520
<v Speaker 1>you the idea of this is a monster, um in

0:51:02.520 --> 0:51:05.040
<v Speaker 1>in in a new way rather than just like a

0:51:05.480 --> 0:51:07.480
<v Speaker 1>it's not it's not a thing of nature at this

0:51:07.600 --> 0:51:11.799
<v Speaker 1>point anymore. It's it's a real monster. And uh. And

0:51:11.840 --> 0:51:14.440
<v Speaker 1>so that that part I like because the the you know,

0:51:14.480 --> 0:51:16.839
<v Speaker 1>things going down, it's kind of happens a little bit

0:51:16.840 --> 0:51:20.160
<v Speaker 1>in slow motion and um and quinns fighting to the end.

0:51:20.160 --> 0:51:23.480
<v Speaker 1>He has a machette like white below the shark's eyeball

0:51:25.280 --> 0:51:28.879
<v Speaker 1>um and uh. And it is really really great. I mean,

0:51:28.920 --> 0:51:32.080
<v Speaker 1>I think my favorite part of the ending is the

0:51:32.080 --> 0:51:36.479
<v Speaker 1>there's like a wide shot of the of the boat

0:51:36.520 --> 0:51:41.239
<v Speaker 1>tipped over and Brody is in the crow's nest and

0:51:41.400 --> 0:51:44.520
<v Speaker 1>at this angle, and it's just beautiful. It's just like

0:51:44.680 --> 0:51:49.680
<v Speaker 1>it is a gorgeous shot and um and and you

0:51:49.680 --> 0:51:51.640
<v Speaker 1>know he has just a little bit of time before

0:51:51.680 --> 0:51:54.080
<v Speaker 1>he's just submerged, like that is not a good place

0:51:54.080 --> 0:51:59.960
<v Speaker 1>to be terrifying shot. I just think it's um that there.

0:52:00.040 --> 0:52:02.800
<v Speaker 1>I think the shots in the ocean are are just gorgeous.

0:52:02.800 --> 0:52:05.040
<v Speaker 1>But that's that's my favorite, is that side. It's like

0:52:05.080 --> 0:52:08.160
<v Speaker 1>with the it's a a I don't know, maybe like

0:52:08.200 --> 0:52:12.120
<v Speaker 1>a thirty degree angle off of off of being completely submerged.

0:52:13.040 --> 0:52:16.400
<v Speaker 1>This is gorgeous. And then of course they shark dies explodes,

0:52:16.480 --> 0:52:19.680
<v Speaker 1>and then um, from underwater you see the shark coming

0:52:19.719 --> 0:52:23.800
<v Speaker 1>apart and falling away, and that that beautiful like tinkling

0:52:24.520 --> 0:52:27.640
<v Speaker 1>score from John Williams comes in and all of a sudden,

0:52:28.280 --> 0:52:30.680
<v Speaker 1>like this little bit of a pang for the shark

0:52:30.880 --> 0:52:34.040
<v Speaker 1>comes up somehow for me at least, where you kind

0:52:34.040 --> 0:52:36.400
<v Speaker 1>of feel bad for this thing. I just feel like, I,

0:52:36.800 --> 0:52:42.360
<v Speaker 1>you know, his his reaction is so again exuberant, you know, like,

0:52:42.440 --> 0:52:46.640
<v Speaker 1>and he's in this real struggle with this creature and

0:52:46.800 --> 0:52:51.480
<v Speaker 1>uh and it was very unlikely to work and so um,

0:52:51.520 --> 0:52:55.319
<v Speaker 1>so yeah, I I I guess I I do get

0:52:55.320 --> 0:52:57.319
<v Speaker 1>it a little bit, but I think I'm more I'm

0:52:57.440 --> 0:53:00.200
<v Speaker 1>very much more on brody side, and so yeah with

0:53:00.280 --> 0:53:02.680
<v Speaker 1>it that The one thing I do think all the

0:53:02.719 --> 0:53:04.560
<v Speaker 1>time is like, well, there's gonna be a bunch of

0:53:04.560 --> 0:53:06.520
<v Speaker 1>more sharks that are gonna show up because this thing

0:53:08.120 --> 0:53:10.200
<v Speaker 1>bleeding in the water and they need to get out

0:53:10.200 --> 0:53:12.319
<v Speaker 1>of there really fast. And always that part always makes

0:53:12.320 --> 0:53:15.279
<v Speaker 1>me nervous. It's never um, it's not hinted at at all,

0:53:15.400 --> 0:53:18.280
<v Speaker 1>or you know, or or you don't expect it to happen.

0:53:18.280 --> 0:53:21.080
<v Speaker 1>But yeah, that that I always think about that. Well,

0:53:21.080 --> 0:53:23.320
<v Speaker 1>and when they're kicking back to shore with the seagulls

0:53:23.400 --> 0:53:26.160
<v Speaker 1>is like hundreds and hundreds of seagulls. I always remember

0:53:26.280 --> 0:53:29.480
<v Speaker 1>the first time as I watched it being like kick faster, boys,

0:53:29.600 --> 0:53:35.080
<v Speaker 1>kick faster. Yeah, and Hooper shows up and you kind

0:53:35.080 --> 0:53:37.560
<v Speaker 1>of you it's so harrowing up to that point that

0:53:37.640 --> 0:53:41.600
<v Speaker 1>you do kind of forget about him, Yeah, legitimately, so

0:53:41.680 --> 0:53:44.960
<v Speaker 1>it doesn't feel like a weird you know, just like

0:53:45.000 --> 0:53:47.960
<v Speaker 1>a trick at the end that he comes back. Yeah,

0:53:48.080 --> 0:53:50.920
<v Speaker 1>And you know, the only problem I have with this

0:53:51.160 --> 0:53:54.319
<v Speaker 1>entire movie is if it were me, I would not

0:53:54.400 --> 0:53:58.320
<v Speaker 1>have shown Hooper getting away and hiding behind the rocks

0:53:58.520 --> 0:54:00.359
<v Speaker 1>when he got out of the shark gage. I would

0:54:00.360 --> 0:54:02.360
<v Speaker 1>have left it a little more like he thought he

0:54:02.440 --> 0:54:05.640
<v Speaker 1>was dead and then surprise he's not. But that maybe

0:54:05.719 --> 0:54:08.680
<v Speaker 1>have been too hokey, you know. Yeah, I don't know.

0:54:08.800 --> 0:54:10.960
<v Speaker 1>I don't know if you played either way. I do.

0:54:11.080 --> 0:54:13.360
<v Speaker 1>I think I think I needed it. I think I

0:54:13.400 --> 0:54:16.719
<v Speaker 1>needed it so that it didn't it didn't feel like

0:54:16.760 --> 0:54:19.400
<v Speaker 1>a weird you know, carry it, you know, right the

0:54:19.440 --> 0:54:21.080
<v Speaker 1>grave at the end of Carrey type of thing like

0:54:21.120 --> 0:54:25.799
<v Speaker 1>I do. I think I appreciate that the that the

0:54:25.840 --> 0:54:30.640
<v Speaker 1>guidance there, Yes, personally alright. So these last two segments.

0:54:30.840 --> 0:54:35.480
<v Speaker 1>One is called what Ebert said, this movie is a

0:54:35.480 --> 0:54:40.799
<v Speaker 1>complete disappointment. Roger Ebert my favorite film critic of all time.

0:54:40.840 --> 0:54:42.759
<v Speaker 1>I like to go back and just read a quick

0:54:42.800 --> 0:54:45.560
<v Speaker 1>little piece from his reviews. Uh. You'll be pleased to

0:54:45.600 --> 0:54:50.799
<v Speaker 1>know that Ebert gave Jaws four stars Max ratings and

0:54:50.840 --> 0:54:55.600
<v Speaker 1>ostensibly it bumbs up right. Uh, And here's this quote.

0:54:55.880 --> 0:54:59.920
<v Speaker 1>The screenplay by Spielberg, Benchley, and Carl Gottlieb, with contribution

0:55:00.120 --> 0:55:03.879
<v Speaker 1>by Howard Sackler and a crucial speech by Shaw, does

0:55:03.880 --> 0:55:08.920
<v Speaker 1>not twist itself into parables. The characters all have straightforward motivations,

0:55:08.960 --> 0:55:12.200
<v Speaker 1>A little dialogue goes a long way. Individual lines stand

0:55:12.200 --> 0:55:16.560
<v Speaker 1>out for hard edged terseness. The cinematography by Bill Butler

0:55:17.080 --> 0:55:19.080
<v Speaker 1>is it pains to tell the story in the midst

0:55:19.320 --> 0:55:23.040
<v Speaker 1>of middle class America. If Spielberg's favorite location would become

0:55:23.080 --> 0:55:28.840
<v Speaker 1>the suburbs, Jaws with suburbanites on vacation. M hm, wow,

0:55:29.000 --> 0:55:37.080
<v Speaker 1>that's good. Yeah, that's good. Uh. And then if you

0:55:37.080 --> 0:55:39.200
<v Speaker 1>have a couple more minutes, we like to finish out

0:55:39.280 --> 0:55:44.359
<v Speaker 1>movie Crush with five questions for Roman. Uh. And these

0:55:44.400 --> 0:55:46.719
<v Speaker 1>can just be quick answers. Uh. And this is just

0:55:46.760 --> 0:55:50.400
<v Speaker 1>a little bit about your film going history. Uh. First

0:55:50.440 --> 0:55:53.800
<v Speaker 1>movie you remember seeing in the theater? Yeah, Blue Lagoon,

0:55:54.960 --> 0:55:59.200
<v Speaker 1>that's a great one. That's I'm gonna forget that. Uh.

0:55:59.400 --> 0:56:02.200
<v Speaker 1>First are rated movie you saw, whether in the theater

0:56:02.320 --> 0:56:06.960
<v Speaker 1>or at home? That would be looking to right, I

0:56:06.960 --> 0:56:10.479
<v Speaker 1>guess it probably was. I mean the only one that

0:56:10.480 --> 0:56:12.719
<v Speaker 1>that I The other one I remember really early on

0:56:12.800 --> 0:56:16.320
<v Speaker 1>VHS was The Shining I saw really young and it

0:56:16.320 --> 0:56:23.439
<v Speaker 1>it really threw me off. Yeah, lord Roman, Um, who

0:56:23.440 --> 0:56:26.759
<v Speaker 1>are your parents? For God's sakes, they you know they

0:56:26.760 --> 0:56:29.560
<v Speaker 1>were They were working hard, had a single mom, so

0:56:29.680 --> 0:56:31.640
<v Speaker 1>she worked with little other ways and all right, So

0:56:31.719 --> 0:56:33.319
<v Speaker 1>it was it was just that was on my to

0:56:33.360 --> 0:56:37.399
<v Speaker 1>my own devices. Uh, that has this goodness bad sides.

0:56:37.440 --> 0:56:41.359
<v Speaker 1>I guess, um, will you question three? Will you walk

0:56:41.400 --> 0:56:43.680
<v Speaker 1>out of a bad movie? Uh? And if so, what

0:56:43.719 --> 0:56:47.799
<v Speaker 1>was the last one. I've only walked out once? I

0:56:47.840 --> 0:56:52.279
<v Speaker 1>walked out a movie called Malice, which is, um, it's

0:56:52.280 --> 0:56:56.680
<v Speaker 1>Alec Baldwin, Like, yeah, Alec Baldwin. And I just found it.

0:56:56.719 --> 0:57:00.399
<v Speaker 1>I was like it was I was in college at

0:57:00.400 --> 0:57:02.719
<v Speaker 1>Oberlin and I just I just like, I was like

0:57:02.840 --> 0:57:06.320
<v Speaker 1>every I hate everything, I hate every moment of these people,

0:57:06.440 --> 0:57:07.920
<v Speaker 1>and I just I had to get out of there.

0:57:07.920 --> 0:57:11.279
<v Speaker 1>I just felt gross. So I left. H O Berlin. Man,

0:57:11.320 --> 0:57:13.160
<v Speaker 1>I I know, like you're like the fourth person I

0:57:13.160 --> 0:57:18.360
<v Speaker 1>know from Oberlin. It's a good place, all right. So

0:57:19.360 --> 0:57:22.360
<v Speaker 1>number four, do you have a movie you can think

0:57:22.360 --> 0:57:26.480
<v Speaker 1>of that is a guilty pleasure movie for you? Yeah?

0:57:26.760 --> 0:57:29.520
<v Speaker 1>I don't know. I don't. I feel like I work

0:57:29.600 --> 0:57:32.440
<v Speaker 1>so much. I have so few pleasures that that I

0:57:32.440 --> 0:57:35.760
<v Speaker 1>can't about them. Yeah. Yeah, I mean I think if

0:57:35.760 --> 0:57:38.120
<v Speaker 1>you were to say, like, is there a movie I like,

0:57:38.200 --> 0:57:42.160
<v Speaker 1>that's probably uncharacteristic. Uncharacteristic for a person who's like a

0:57:42.160 --> 0:57:46.080
<v Speaker 1>forty two year old man to like, um, like, I

0:57:46.120 --> 0:57:49.480
<v Speaker 1>really appreciate the movie Bring It On. It's really well made.

0:57:49.880 --> 0:57:52.160
<v Speaker 1>I mean I think that I saw that a couple

0:57:52.200 --> 0:57:54.040
<v Speaker 1>of times and I was like, that's a well made movie.

0:57:54.080 --> 0:57:58.280
<v Speaker 1>And then Pitch Perfect, which is exactly the same movie,

0:57:58.440 --> 0:58:00.600
<v Speaker 1>and you could you could watch them so by side,

0:58:00.640 --> 0:58:03.479
<v Speaker 1>and I think the story beats happen exactly the same.

0:58:03.800 --> 0:58:06.680
<v Speaker 1>Um there, I mean they're they're exactly the same, just

0:58:06.720 --> 0:58:09.920
<v Speaker 1>like the details are changed and um. And so I

0:58:10.320 --> 0:58:15.240
<v Speaker 1>appreciate those two movies. Yeah, you know, Like my weird

0:58:15.400 --> 0:58:18.200
<v Speaker 1>thing with movies is sometimes I don't watch my favorite

0:58:18.200 --> 0:58:21.200
<v Speaker 1>movies very often. I tend to watch movies I kind

0:58:21.240 --> 0:58:24.960
<v Speaker 1>of like, um more often like they're unchallenging that I

0:58:25.000 --> 0:58:27.080
<v Speaker 1>put on. So like my one for this for a

0:58:27.080 --> 0:58:30.120
<v Speaker 1>long time was Gross point blank, which is not a movie.

0:58:30.400 --> 0:58:32.440
<v Speaker 1>It's not a movie I think is all that good.

0:58:32.960 --> 0:58:35.720
<v Speaker 1>And I think that part of my mind is trying

0:58:35.720 --> 0:58:39.000
<v Speaker 1>to resolve the things I like about it and how

0:58:39.040 --> 0:58:41.720
<v Speaker 1>I would improve it or something like there's something about

0:58:41.760 --> 0:58:44.720
<v Speaker 1>there's a puzzle to it. So I sometimes watch movies

0:58:44.760 --> 0:58:48.120
<v Speaker 1>that are not my favorite movies over and over again,

0:58:48.120 --> 0:58:52.920
<v Speaker 1>which it seems like a ridiculous waste of time. I

0:58:53.040 --> 0:58:55.919
<v Speaker 1>like that. That's interesting. Uh. And the final question here,

0:58:56.120 --> 0:58:58.120
<v Speaker 1>um sort of a movie going one oh one with

0:58:58.240 --> 0:59:01.480
<v Speaker 1>Roman Marsh do you what's your what's your movie ritual?

0:59:01.520 --> 0:59:03.040
<v Speaker 1>I know you don't get out much, but when you

0:59:03.080 --> 0:59:04.960
<v Speaker 1>do go out to a movie, is there do you

0:59:05.000 --> 0:59:07.680
<v Speaker 1>have a preferred seat. Do you get the same thing

0:59:07.720 --> 0:59:09.360
<v Speaker 1>at the concession stand every time? Do you have any

0:59:09.400 --> 0:59:14.360
<v Speaker 1>rituals I do. I tend to go early. Um, when

0:59:14.400 --> 0:59:17.720
<v Speaker 1>I'm by myself, I'll i'll I'll go early, and I'll

0:59:17.720 --> 0:59:21.680
<v Speaker 1>bring something to read. And I like to go to

0:59:21.720 --> 0:59:25.560
<v Speaker 1>movies by myself or with my my two kids. And

0:59:25.640 --> 0:59:28.120
<v Speaker 1>so I am not like I like, I love, I

0:59:28.120 --> 0:59:29.800
<v Speaker 1>do things by myself all the time. I like, I

0:59:29.840 --> 0:59:32.160
<v Speaker 1>liked being you know, some movies are one of those

0:59:32.160 --> 0:59:34.680
<v Speaker 1>things I actually kind of like to do alone because

0:59:34.680 --> 0:59:36.680
<v Speaker 1>I'm not one of those people that likes to like

0:59:36.760 --> 0:59:38.560
<v Speaker 1>during the credits, like turn to someone and say, so,

0:59:38.560 --> 0:59:40.479
<v Speaker 1>what do you think? You know, I'm not that guy,

0:59:40.800 --> 0:59:43.760
<v Speaker 1>That's what I think. So I like to just kind

0:59:43.760 --> 0:59:45.840
<v Speaker 1>of live in it. So that would be my ritual.

0:59:45.880 --> 0:59:48.480
<v Speaker 1>And I'm kind of like a center. I'm a center,

0:59:48.520 --> 0:59:51.160
<v Speaker 1>a little more forward than you know, to the front.

0:59:51.160 --> 0:59:53.280
<v Speaker 1>And most people tend to like like i'd like the

0:59:53.320 --> 0:59:56.400
<v Speaker 1>first row of the second you know, you know, tear

0:59:56.840 --> 1:00:00.720
<v Speaker 1>of um. And because I also like to get you know,

1:00:01.000 --> 1:00:04.960
<v Speaker 1>be able to get out like I don't know and um,

1:00:05.000 --> 1:00:06.720
<v Speaker 1>and you know, i'd like to go early and I

1:00:06.760 --> 1:00:08.720
<v Speaker 1>can't be late and all that sort of stuff, like

1:00:08.720 --> 1:00:11.000
<v Speaker 1>I don't like to rush, So those would be my

1:00:11.120 --> 1:00:14.240
<v Speaker 1>general rituals. And and then the tendency to go alone

1:00:14.280 --> 1:00:16.200
<v Speaker 1>like a movie is like not something to me that

1:00:16.480 --> 1:00:19.560
<v Speaker 1>I'd like the collective energy of of a room for

1:00:19.760 --> 1:00:24.360
<v Speaker 1>something like horror movie like get Out or or a comedy.

1:00:24.880 --> 1:00:27.280
<v Speaker 1>But I don't need like personal friends to be with me.

1:00:27.680 --> 1:00:30.520
<v Speaker 1>You love to be surrounded by strangers and share and

1:00:30.640 --> 1:00:35.640
<v Speaker 1>experience with people you don't know exactly. I love it. Yeah,

1:00:36.040 --> 1:00:39.680
<v Speaker 1>all right, well thanks man, my pleasure. I appreciate it.

1:00:39.640 --> 1:00:42.959
<v Speaker 1>It's been a good one. Oh. Thanks, that's so so nice.

1:00:43.200 --> 1:00:45.200
<v Speaker 1>I like talking to you about this stuff. So yeah,

1:00:45.200 --> 1:00:48.840
<v Speaker 1>and you're thinking, of course everyone check out Ncent Invisible

1:00:49.080 --> 1:00:52.160
<v Speaker 1>and um, what's it called what Trump can teach us

1:00:52.160 --> 1:00:56.640
<v Speaker 1>about con law? Yep, that's too, and just the whole

1:00:56.720 --> 1:00:59.720
<v Speaker 1>Radio Topia network. You're pick a show and that's going

1:00:59.760 --> 1:01:02.760
<v Speaker 1>to be great. I guarantee it. Yeah, me too, I

1:01:02.800 --> 1:01:14.400
<v Speaker 1>guarantee you. All right, Thanks Roman, thank you, chalk I appreciation. Wow,

1:01:14.520 --> 1:01:17.240
<v Speaker 1>So that was just wonderful. Uh, what a great chat

1:01:17.280 --> 1:01:20.720
<v Speaker 1>with Roman Mars about Jaws. Um, I think it was

1:01:20.760 --> 1:01:22.800
<v Speaker 1>pretty clear that both of us are just super fans

1:01:22.840 --> 1:01:24.880
<v Speaker 1>of that movie. Um, so that was a lot of

1:01:24.880 --> 1:01:28.400
<v Speaker 1>fun for me. Um. I felt like, jeez, we probably

1:01:28.400 --> 1:01:31.240
<v Speaker 1>could have We probably could have sit down for three

1:01:31.280 --> 1:01:35.560
<v Speaker 1>hours and broken that movie apart piece by piece and

1:01:35.560 --> 1:01:38.000
<v Speaker 1>and really walked out on it. So, UM, I hope

1:01:38.000 --> 1:01:41.600
<v Speaker 1>we didn't do that too much? Are you non Jaws fanatics?

1:01:41.960 --> 1:01:43.360
<v Speaker 1>But um, that was a lot of fun for me.

1:01:43.400 --> 1:01:45.760
<v Speaker 1>And it seemed like Roman had a good time. Uh.

1:01:45.800 --> 1:01:50.040
<v Speaker 1>And in his case, it seemed like, UM, we'll chalk

1:01:50.080 --> 1:01:52.280
<v Speaker 1>this one up to general artistry. It seems like his

1:01:52.360 --> 1:01:57.400
<v Speaker 1>appreciation for Jaws very much was about just how well

1:01:57.440 --> 1:02:00.880
<v Speaker 1>crafted the movie was, in the direct and editing and

1:02:00.880 --> 1:02:05.240
<v Speaker 1>the music and the pacing acting. Uh. He seemed to

1:02:05.320 --> 1:02:09.800
<v Speaker 1>really really be interested in just what a what a

1:02:09.800 --> 1:02:12.600
<v Speaker 1>fine example of filmmaking that Jaws was. So it wasn't

1:02:12.760 --> 1:02:16.880
<v Speaker 1>really nostalgia or um have anything personal for him. He's

1:02:16.880 --> 1:02:20.320
<v Speaker 1>not an ichthyologist as far as I know. Um, it

1:02:20.520 --> 1:02:22.800
<v Speaker 1>was interesting to hear about his fear of compressed air.

1:02:23.120 --> 1:02:24.920
<v Speaker 1>Never heard that one. I don't know if there's a

1:02:24.920 --> 1:02:30.479
<v Speaker 1>real phobia. Maybe we could call it roma phobia or something.

1:02:30.480 --> 1:02:34.320
<v Speaker 1>We could make it up. But um, good dude, great talk.

1:02:35.080 --> 1:02:37.880
<v Speaker 1>And I hope we illuminated a little bit for you

1:02:37.960 --> 1:02:40.040
<v Speaker 1>Jaws fans out there, a little bit more about the movie.

1:02:40.720 --> 1:02:41.960
<v Speaker 1>I just had a lot of fun with that one.

1:02:42.040 --> 1:02:45.600
<v Speaker 1>So we'll see you next time, and until then, would

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<v Speaker 1>kill you to share some eminem's. You guys, have a

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<v Speaker 1>good week. Movie Crushes, produced, edited, engineered, and scored by

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<v Speaker 1>Noel Brown from our podcast studio at Pond City Market, Atlanta, Georgia.