1
00:00:11,920 --> 00:00:14,920
Speaker 1: That is Drink Chans, motherfucking podcast.

2
00:00:15,040 --> 00:00:17,840
Speaker 2: He's a legends every Queens rapper. Hey, he's a great

3
00:00:17,840 --> 00:00:19,959
Speaker 2: as your boy in O r he. He's a Miami

4
00:00:20,120 --> 00:00:22,560
Speaker 2: hip hop pioneer. What up is d J E F

5
00:00:22,680 --> 00:00:24,799
Speaker 2: N Together? They drink it up with some of the

6
00:00:24,880 --> 00:00:26,320
Speaker 2: biggest players, you know what I mean?

7
00:00:26,440 --> 00:00:30,720
Speaker 3: And the most professional, unprofessional podcast and your number one

8
00:00:30,800 --> 00:00:31,840
Speaker 3: source for drunk.

9
00:00:32,000 --> 00:00:36,040
Speaker 2: Drink Chans mother das New Year's that's it's time for

10
00:00:36,240 --> 00:00:45,239
Speaker 2: drink Champs. Drink up, motherfuck motherfucker? Would it good?

11
00:00:45,280 --> 00:00:45,360
Speaker 4: Be?

12
00:00:45,400 --> 00:00:45,720
Speaker 2: Hopes?

13
00:00:45,880 --> 00:00:46,240
Speaker 1: It should be?

14
00:00:46,280 --> 00:00:47,920
Speaker 2: This is your boy in O r E. What up

15
00:00:48,000 --> 00:00:51,640
Speaker 2: is d J E f N f O double X?

16
00:00:52,159 --> 00:01:01,480
Speaker 1: This is midertatement, motherfucker crazy. I'm gonna start with you.

17
00:01:01,480 --> 00:01:02,800
Speaker 1: You're originally from New York.

18
00:01:02,720 --> 00:01:04,039
Speaker 2: Right, health kitchen? Okay?

19
00:01:04,160 --> 00:01:06,520
Speaker 1: And so you moved to Miami, yes, and then you

20
00:01:06,600 --> 00:01:07,639
Speaker 1: moved back to New York.

21
00:01:07,480 --> 00:01:11,720
Speaker 2: And then moved back to This is y'allucking me up?

22
00:01:12,959 --> 00:01:16,479
Speaker 2: Y'all fucking me up. I feel like she's claiming Miami though, right, No?

23
00:01:16,640 --> 00:01:19,839
Speaker 5: I mean yeah, definitely Miami embraced me, know what I'm saying.

24
00:01:19,880 --> 00:01:21,920
Speaker 5: So I got a lot of my career was made

25
00:01:22,040 --> 00:01:24,559
Speaker 5: in Miami. You know me and that Me and DJ Calla.

26
00:01:24,680 --> 00:01:26,399
Speaker 5: We held down the radio ninety nine James for a

27
00:01:26,440 --> 00:01:29,440
Speaker 5: long time. Here book a lot of records here. So

28
00:01:29,760 --> 00:01:31,000
Speaker 5: Miami embraced me for real.

29
00:01:31,200 --> 00:01:33,440
Speaker 1: So what is the most disrespectful city in the world,

30
00:01:33,480 --> 00:01:34,280
Speaker 1: Miami or New York.

31
00:01:34,520 --> 00:01:35,119
Speaker 6: It's a tie.

32
00:01:35,319 --> 00:01:36,039
Speaker 2: It's a tie, right.

33
00:01:37,360 --> 00:01:39,360
Speaker 1: Did you see the study where they said Miami is

34
00:01:39,400 --> 00:01:41,880
Speaker 1: the most disrespectful city in the world.

35
00:01:41,920 --> 00:01:42,680
Speaker 3: I was like, New York.

36
00:01:43,680 --> 00:01:45,840
Speaker 1: Yes, yes, this is the reason why. You know New

37
00:01:45,880 --> 00:01:51,880
Speaker 1: York is some rude people. They were not making it

38
00:01:51,720 --> 00:01:55,840
Speaker 1: and it was just like, na, man, you know your

39
00:01:55,880 --> 00:01:56,400
Speaker 1: city foul.

40
00:01:57,160 --> 00:02:00,640
Speaker 2: All the New Yorkers moved here. That's that's why what

41
00:02:00,680 --> 00:02:01,920
Speaker 2: I said, That's what I said.

42
00:02:01,920 --> 00:02:05,040
Speaker 5: But we calmed down once we came to Miami. Patients

43
00:02:05,080 --> 00:02:07,000
Speaker 5: right now, traffic, that's true.

44
00:02:07,040 --> 00:02:09,400
Speaker 2: That traffic. That's where New York can come out like

45
00:02:09,440 --> 00:02:13,720
Speaker 2: the fuck they doing. But yeah, and it beat traffic

46
00:02:13,720 --> 00:02:15,680
Speaker 2: in Miami. I remember to come out. Here's no traffic,

47
00:02:16,760 --> 00:02:18,880
Speaker 2: the streets too small. Everybody got exotics.

48
00:02:18,919 --> 00:02:23,040
Speaker 3: Man, a schooter's back yeah, yeah, Schools dangerous, Yeah, the

49
00:02:23,120 --> 00:02:23,839
Speaker 3: school's back.

50
00:02:23,880 --> 00:02:25,800
Speaker 2: That leads me too drunk out here for schools and

51
00:02:26,320 --> 00:02:27,799
Speaker 2: push keep it going.

52
00:02:28,160 --> 00:02:30,359
Speaker 1: Yeah, you know, Miami is like the only place that

53
00:02:30,440 --> 00:02:32,200
Speaker 1: got twenty three hour liquor store.

54
00:02:32,680 --> 00:02:34,239
Speaker 2: Now we got twenty four hour liquors toore.

55
00:02:34,440 --> 00:02:36,240
Speaker 1: I know what twenty three hour liquor store I used

56
00:02:36,240 --> 00:02:37,880
Speaker 1: to always know about, Homie.

57
00:02:38,360 --> 00:02:41,679
Speaker 2: Just stay, let's break shift. J Yeah.

58
00:02:42,080 --> 00:02:44,680
Speaker 1: So look, so we're gonna talk about current events. It's

59
00:02:44,680 --> 00:02:47,959
Speaker 1: called a family episode. We're gonna bounce around. It's time

60
00:02:47,960 --> 00:02:51,400
Speaker 1: to drink though, right, yeah, mister Lee, can we tell

61
00:02:51,440 --> 00:02:52,560
Speaker 1: her Spanish? Want some?

62
00:02:57,840 --> 00:03:00,040
Speaker 2: I would like to like the way.

63
00:03:00,200 --> 00:03:02,680
Speaker 3: She definitely don't speak English, and I went over there

64
00:03:02,720 --> 00:03:04,079
Speaker 3: said something the ash tray.

65
00:03:04,200 --> 00:03:09,680
Speaker 2: She looked at me like, yeah, right, I.

66
00:03:09,639 --> 00:03:11,320
Speaker 1: Want like some sad some some sangree.

67
00:03:11,400 --> 00:03:15,480
Speaker 2: Can you translate you better? I think? Said come on

68
00:03:15,680 --> 00:03:21,440
Speaker 2: already saying this right, come on you like I gonna

69
00:03:21,440 --> 00:03:22,040
Speaker 2: tell her what to do.

70
00:03:24,880 --> 00:03:30,640
Speaker 1: P oh ship, come on, bro, you gotta get take

71
00:03:30,680 --> 00:03:32,560
Speaker 1: everybody drink or the Okay.

72
00:03:33,639 --> 00:03:34,280
Speaker 4: My work.

73
00:03:35,640 --> 00:03:37,680
Speaker 2: Won't taking that drink over this. I want to take

74
00:03:37,960 --> 00:03:39,160
Speaker 2: which one?

75
00:03:39,840 --> 00:03:47,800
Speaker 5: Okay, okay, okay, yeah, okay, today okay, Sunny.

76
00:03:47,560 --> 00:03:48,280
Speaker 2: Hooked me up with a cup.

77
00:03:48,360 --> 00:03:55,560
Speaker 5: Man, whiskey, you gotta open up the DoD you.

78
00:03:55,520 --> 00:03:59,680
Speaker 1: Got this hey, man't know, just get me a cut

79
00:03:59,720 --> 00:04:07,200
Speaker 1: home criteria. Come over, I got, I got shot, I

80
00:04:07,200 --> 00:04:09,720
Speaker 1: got I got shout out Davis while we was talking

81
00:04:09,720 --> 00:04:17,520
Speaker 1: about whiskey. Yeah take ship, yo got the case.

82
00:04:17,520 --> 00:04:20,919
Speaker 2: I got the case of the crick. They send us a.

83
00:04:20,920 --> 00:04:23,960
Speaker 1: Little okay, you heard beyond saying and I'm sending us

84
00:04:24,279 --> 00:04:25,120
Speaker 1: send us.

85
00:04:25,160 --> 00:04:26,080
Speaker 2: I heard he was on it.

86
00:04:26,240 --> 00:04:29,159
Speaker 3: Yeah, I'm a little jail because I didn't.

87
00:04:28,960 --> 00:04:33,280
Speaker 2: Get one, the first one in the star. First off,

88
00:04:33,279 --> 00:04:34,520
Speaker 2: I went to Zz's. I walked in.

89
00:04:34,640 --> 00:04:36,760
Speaker 1: It was Alice taur birthday and they just had the

90
00:04:36,839 --> 00:04:39,919
Speaker 1: beautiful display and I was like, holy ship. So I

91
00:04:39,960 --> 00:04:42,160
Speaker 1: was like, let me get a shot. So me and

92
00:04:42,279 --> 00:04:44,960
Speaker 1: my wife and what's my man name from the Yankees?

93
00:04:46,600 --> 00:04:49,440
Speaker 1: Wand and you know you.

94
00:04:49,480 --> 00:04:51,760
Speaker 2: Get too much money, you forget other rich.

95
00:04:51,720 --> 00:04:56,400
Speaker 1: Niggas crazy and his wife, his wife.

96
00:04:57,600 --> 00:04:59,160
Speaker 2: And girls didn't drink it.

97
00:04:59,680 --> 00:05:02,400
Speaker 1: So we both looked at our wives glasses and we

98
00:05:02,320 --> 00:05:04,840
Speaker 1: were like, we're not gonna let it go the race, right,

99
00:05:05,160 --> 00:05:06,200
Speaker 1: So we took another shot.

100
00:05:06,200 --> 00:05:06,520
Speaker 2: Boom.

101
00:05:06,520 --> 00:05:07,919
Speaker 1: Then we took a third shot, and I was like,

102
00:05:07,920 --> 00:05:09,640
Speaker 1: this is offish you So we went and board it.

103
00:05:09,839 --> 00:05:10,560
Speaker 2: Have you take to be on?

104
00:05:11,600 --> 00:05:16,760
Speaker 1: Okay? Okay, well you know what you got?

105
00:05:18,720 --> 00:05:24,800
Speaker 2: I told you some peppers what you drinking. He's straight

106
00:05:25,040 --> 00:05:28,200
Speaker 2: to kill us th straight this.

107
00:05:28,640 --> 00:05:36,360
Speaker 3: Okay, okay, okay, hell yeah, that's way.

108
00:05:36,240 --> 00:05:37,839
Speaker 2: From right there.

109
00:05:37,960 --> 00:05:38,159
Speaker 1: Man.

110
00:05:39,600 --> 00:05:42,960
Speaker 3: Though he was in Miami too long, got that in

111
00:05:43,040 --> 00:05:49,520
Speaker 3: my boy, got.

112
00:05:53,240 --> 00:05:59,839
Speaker 7: Introduced everybody that's out the favorite sees.

113
00:05:57,720 --> 00:06:04,960
Speaker 2: Name and sees today. He t those she don't see.

114
00:06:05,839 --> 00:06:08,920
Speaker 2: He was the life to the dog, saying he gonna

115
00:06:08,920 --> 00:06:19,240
Speaker 2: be I'm with faith. Oh man came back. She will

116
00:06:19,320 --> 00:06:28,720
Speaker 2: not go away. You can't say.

117
00:06:28,360 --> 00:06:32,760
Speaker 3: Yo, that's gets us the troller wives.

118
00:06:32,800 --> 00:06:34,600
Speaker 2: It's not even our right.

119
00:06:34,720 --> 00:06:35,039
Speaker 8: He was.

120
00:06:35,080 --> 00:06:37,920
Speaker 9: He was grilling me like, yo, like yo, is it cool?

121
00:06:38,240 --> 00:06:40,160
Speaker 9: I like, I got to watch what I got to ask.

122
00:06:40,279 --> 00:06:42,360
Speaker 9: I was like, nah, nigga, you know.

123
00:06:42,360 --> 00:06:45,200
Speaker 2: When she she was one that episode to get back

124
00:06:45,680 --> 00:06:49,200
Speaker 2: on and off camera. Yeah, she's genuine, but she can't.

125
00:06:49,200 --> 00:06:50,000
Speaker 2: She sucked it up.

126
00:06:50,040 --> 00:06:54,640
Speaker 3: All niggas fear that. She said every nigga feel when

127
00:06:54,640 --> 00:06:56,919
Speaker 3: the niggas get right. That's the one thing he wanted

128
00:06:56,920 --> 00:06:57,640
Speaker 3: to know.

129
00:06:58,080 --> 00:07:01,040
Speaker 2: What's that face expression? So you're talking about how I

130
00:07:01,240 --> 00:07:04,440
Speaker 2: feeling what I got?

131
00:07:06,560 --> 00:07:07,000
Speaker 4: It's like you.

132
00:07:12,800 --> 00:07:15,960
Speaker 2: Drinking them too down?

133
00:07:16,320 --> 00:07:18,080
Speaker 3: Yes, all right, now take.

134
00:07:17,960 --> 00:07:25,920
Speaker 2: What you drink? What you drinking? Grabs you said, because

135
00:07:25,960 --> 00:07:27,680
Speaker 2: last time I said, I think you had one drink

136
00:07:27,720 --> 00:07:32,200
Speaker 2: the whole episode. Okay, okay, okay, okay, okay, go around

137
00:07:32,200 --> 00:07:35,760
Speaker 2: the tables. Who's here, let's do that. Let's introduce it.

138
00:07:37,080 --> 00:07:38,480
Speaker 2: The birthday Lord.

139
00:07:40,120 --> 00:07:44,280
Speaker 3: Saying nothing because Kate Fox my sister, and I love

140
00:07:44,320 --> 00:07:46,400
Speaker 3: her just like I love y'all. But your niggas on

141
00:07:46,480 --> 00:07:49,200
Speaker 3: some ship. You know, I can't introduce myself. That's the

142
00:07:49,320 --> 00:07:50,160
Speaker 3: fourth host.

143
00:07:55,080 --> 00:07:59,880
Speaker 2: Take you you know what?

144
00:08:00,160 --> 00:08:09,120
Speaker 1: Money podcast dropping soon?

145
00:08:10,160 --> 00:08:14,480
Speaker 2: Yes, yes, the hell got hostage definitely.

146
00:08:18,200 --> 00:08:18,560
Speaker 4: To come.

147
00:08:18,600 --> 00:08:21,320
Speaker 2: I mean the drink chimps, we come with the niggas. Sidney,

148
00:08:21,760 --> 00:08:26,960
Speaker 2: did you get to this? Yeah? Uh to be that

149
00:08:27,160 --> 00:08:29,600
Speaker 2: for this? Oh they didn't get it?

150
00:08:29,640 --> 00:08:32,800
Speaker 1: Okay, yeah, that's that's the problem. Then, okay, yeah, that's

151
00:08:32,800 --> 00:08:34,480
Speaker 1: a good one. That's a good one.

152
00:08:34,559 --> 00:08:36,760
Speaker 3: Yeah, I know you would be dot be arguing, yeah,

153
00:08:37,720 --> 00:08:42,520
Speaker 3: arguing me on camera. He didn't put the phone compensation cameras.

154
00:08:42,520 --> 00:08:45,480
Speaker 3: Come on, niggas, get too cool. You gotta keep it swagger,

155
00:08:46,080 --> 00:08:48,079
Speaker 3: get fund out. I know, I know, I just found

156
00:08:48,120 --> 00:08:52,160
Speaker 3: out that is rap and radar. So you got to

157
00:08:52,200 --> 00:08:53,400
Speaker 3: get an interview with radar.

158
00:08:53,480 --> 00:08:58,080
Speaker 2: Okay, okay, yeah, signe Okay, Now now you went viral.

159
00:08:58,559 --> 00:08:59,000
Speaker 2: I'm bleak.

160
00:08:59,080 --> 00:09:01,880
Speaker 1: We were all vacation in Turkey, k goes at Prince House.

161
00:09:01,920 --> 00:09:05,000
Speaker 1: I told Kate about it.

162
00:09:07,440 --> 00:09:10,839
Speaker 2: Before you go. I call on my Brooklyn brother. I said, no,

163
00:09:11,000 --> 00:09:14,559
Speaker 2: my g you be in church all the time of

164
00:09:14,600 --> 00:09:16,760
Speaker 2: these with the smoke. And he said, oh nah, you're good.

165
00:09:16,800 --> 00:09:17,200
Speaker 1: Don't work.

166
00:09:17,280 --> 00:09:18,120
Speaker 2: But it's nothing.

167
00:09:18,320 --> 00:09:20,320
Speaker 3: I said, so I could bring up he said, trust me,

168
00:09:20,360 --> 00:09:21,920
Speaker 3: you Goodause I touched down.

169
00:09:21,960 --> 00:09:26,120
Speaker 2: He hit me, Yo, you're good, said have yeah, yeah, yeah, yeah.

170
00:09:26,240 --> 00:09:28,360
Speaker 2: You don't know anything. Just holler at me. Don't worry

171
00:09:28,400 --> 00:09:30,160
Speaker 2: about it. You normally got Prince Houses.

172
00:09:34,160 --> 00:09:37,440
Speaker 1: Turk's baby jam make up on the richer side, ready

173
00:09:37,480 --> 00:09:38,440
Speaker 1: to make love jamake up.

174
00:09:38,480 --> 00:09:40,960
Speaker 2: But you see a lot of wealth.

175
00:09:41,120 --> 00:09:42,760
Speaker 1: You see, like you know a lot of black wealth

176
00:09:42,760 --> 00:09:43,920
Speaker 1: that I've never really seen.

177
00:09:44,240 --> 00:09:44,720
Speaker 3: Hell yeah.

178
00:09:44,920 --> 00:09:46,720
Speaker 2: But as soon as we came home from.

179
00:09:46,600 --> 00:09:51,640
Speaker 1: Turks, they announced the jay Z who he picked for

180
00:09:51,880 --> 00:09:55,560
Speaker 1: the super Bowl, and I felt like you was attacked.

181
00:09:55,840 --> 00:09:58,360
Speaker 1: You you got attacked, but you went right back like

182
00:09:58,480 --> 00:09:59,679
Speaker 1: why is what swam with y'all?

183
00:09:59,720 --> 00:10:01,040
Speaker 2: Nigga? She was hilarious.

184
00:10:01,360 --> 00:10:04,000
Speaker 3: Way you're hilarious on Twitter because it's like you got

185
00:10:04,040 --> 00:10:06,640
Speaker 3: to It's like, come on, man, you can't pick people

186
00:10:06,840 --> 00:10:09,840
Speaker 3: based on the city spy, then don't get me wrong.

187
00:10:09,880 --> 00:10:14,120
Speaker 3: Wayne is a phenomenal artist. Kendrick is a phenomenal artist.

188
00:10:14,120 --> 00:10:16,880
Speaker 3: But just because it's in your city don't mean you

189
00:10:17,040 --> 00:10:18,359
Speaker 3: belong to perform.

190
00:10:18,360 --> 00:10:23,160
Speaker 2: But he didn't perform in Houston, right, Wow? Was in Vegas? Wow?

191
00:10:23,400 --> 00:10:24,319
Speaker 2: He wasn't in the A.

192
00:10:24,520 --> 00:10:27,200
Speaker 1: Like I think everybody thinks that because the dre and

193
00:10:27,240 --> 00:10:30,480
Speaker 1: Snoop thing worked out perfect for l A.

194
00:10:29,720 --> 00:10:30,560
Speaker 2: Always go like that.

195
00:10:30,640 --> 00:10:34,960
Speaker 3: I think that was Eminem got booked for the show. Eminem.

196
00:10:35,040 --> 00:10:37,520
Speaker 2: People some of these niggas ship become peoples.

197
00:10:37,520 --> 00:10:47,359
Speaker 3: With niggas all that ship.

198
00:10:47,640 --> 00:10:50,800
Speaker 2: You can't get caught up in the city ship. You

199
00:10:50,920 --> 00:10:54,320
Speaker 2: bet you'll be having to please whoever the city the first.

200
00:10:55,760 --> 00:10:58,680
Speaker 1: Because I don't know anybody from the Sacramento, Like, so

201
00:10:58,760 --> 00:11:00,480
Speaker 1: I know this party artists, but if you've got in

202
00:11:00,480 --> 00:11:03,600
Speaker 1: the city next to the Sacramento and there's no artists, like, yeah,

203
00:11:04,080 --> 00:11:05,080
Speaker 1: forty from the bait that you got.

204
00:11:05,200 --> 00:11:08,840
Speaker 2: I mean though, that Wayne is ready for the super Bowl.

205
00:11:09,240 --> 00:11:12,360
Speaker 10: So get caught up in the station because you don't

206
00:11:12,360 --> 00:11:14,120
Speaker 10: have to please everybody every.

207
00:11:13,880 --> 00:11:19,439
Speaker 5: Single like being a performer like I like.

208
00:11:20,440 --> 00:11:24,079
Speaker 3: For any stadium, I believe it's a phenomenal performance.

209
00:11:24,640 --> 00:11:27,280
Speaker 2: It's a difference there. Yeah, and it's crazy, it's not

210
00:11:27,400 --> 00:11:29,360
Speaker 2: he's hot. Now, what do you think if they can

211
00:11:29,400 --> 00:11:30,120
Speaker 2: bomb both of them?

212
00:11:30,240 --> 00:11:33,120
Speaker 1: What you mean like together they if like I don't

213
00:11:33,160 --> 00:11:36,040
Speaker 1: think some of becourse of the dracause Drake don't.

214
00:11:36,080 --> 00:11:39,520
Speaker 2: I don't think that's necessary. I don't think that Drake

215
00:11:39,840 --> 00:11:42,400
Speaker 2: and then a lot of legend is some.

216
00:11:42,400 --> 00:11:45,079
Speaker 1: Real squashing beef ship at the super Bowl and he

217
00:11:45,200 --> 00:11:48,439
Speaker 1: brings up her Drake and when her rumor that, I'm

218
00:11:48,480 --> 00:11:55,160
Speaker 1: just throwing it out there, who is the who is.

219
00:11:55,120 --> 00:11:57,080
Speaker 2: Really the bigger artist out of Little Wayne and Kendrick.

220
00:11:57,120 --> 00:11:58,800
Speaker 1: I don't think that's the thing I said just I

221
00:11:58,800 --> 00:12:00,720
Speaker 1: think the argument is that the saying that you should

222
00:12:00,720 --> 00:12:02,800
Speaker 1: get it's so many artists coming from New Orleans.

223
00:12:02,840 --> 00:12:03,640
Speaker 2: They have an argument.

224
00:12:03,679 --> 00:12:06,400
Speaker 1: But the thing is right now, Kendrick is the hottest

225
00:12:06,480 --> 00:12:08,760
Speaker 1: artist on the planet. Like we can't take that away,

226
00:12:08,800 --> 00:12:11,720
Speaker 1: like no matter what. And I think that's what the

227
00:12:11,840 --> 00:12:14,120
Speaker 1: NFL and the whole association was going with.

228
00:12:14,200 --> 00:12:15,280
Speaker 2: I want to go with the hot hand.

229
00:12:15,280 --> 00:12:17,439
Speaker 1: I would listening to your show earlier, and I believe

230
00:12:17,480 --> 00:12:19,600
Speaker 1: Cam Newton like he co signed that.

231
00:12:19,600 --> 00:12:28,160
Speaker 5: To Cam knew it said that Lil Wayne should be

232
00:12:28,160 --> 00:12:29,400
Speaker 5: performing for the super Bowl.

233
00:12:29,480 --> 00:12:30,800
Speaker 6: He didn't agree with kenj before.

234
00:12:31,320 --> 00:12:33,840
Speaker 1: But what happens if the Super Bowl next year is

235
00:12:33,880 --> 00:12:37,000
Speaker 1: in Texas and then they picked Lil Wayne, right, and

236
00:12:37,040 --> 00:12:39,560
Speaker 1: then now everybody from Texas it's mad at that. You're

237
00:12:39,559 --> 00:12:41,680
Speaker 1: gonna We're going to see a bump bee blog and

238
00:12:41,960 --> 00:12:45,400
Speaker 1: you know what I'm saying, you can't get you can't

239
00:12:45,400 --> 00:12:46,880
Speaker 1: get cooking, you can't.

240
00:12:47,240 --> 00:12:49,680
Speaker 3: Everybody's crazy because you know you got to pay the

241
00:12:49,720 --> 00:12:53,520
Speaker 3: befall at the Super So niggas saying, yo, you just

242
00:12:53,679 --> 00:12:58,200
Speaker 3: you I hope y'all got that three four and going

243
00:12:58,280 --> 00:12:59,080
Speaker 3: to touch that thing.

244
00:13:00,640 --> 00:13:03,480
Speaker 2: I don't think you gotta pay. You don't get paid. Yeah,

245
00:13:03,520 --> 00:13:06,240
Speaker 2: I don't think you're gonna pay pay for your production.

246
00:13:06,600 --> 00:13:07,680
Speaker 4: You are pirates?

247
00:13:08,160 --> 00:13:14,319
Speaker 2: No, no, no, I don't think that. This is what

248
00:13:14,440 --> 00:13:16,040
Speaker 2: This is what I heard. This is what I heard.

249
00:13:16,120 --> 00:13:17,920
Speaker 1: You don't you don't pay. They pay for your production,

250
00:13:18,040 --> 00:13:20,240
Speaker 1: but basically they don't pay for nothing else, so you

251
00:13:20,360 --> 00:13:23,000
Speaker 1: like get like, I think they pay for your travel too.

252
00:13:23,160 --> 00:13:25,760
Speaker 1: But I think that's the thing is. Yeah, you just

253
00:13:25,760 --> 00:13:27,360
Speaker 1: don't get paid. You just don't get paid. But you

254
00:13:27,440 --> 00:13:27,840
Speaker 1: get that.

255
00:13:27,760 --> 00:13:30,400
Speaker 11: Look, Yeah that looks so crazy. Don't matter that's gonna

256
00:13:30,400 --> 00:13:32,840
Speaker 11: bring you money versually, that's life. Money you about to

257
00:13:32,840 --> 00:13:34,320
Speaker 11: make after that, regardless of fact.

258
00:13:34,679 --> 00:13:36,640
Speaker 1: Because Teler Swift is sucking up sports right now. I

259
00:13:36,640 --> 00:13:38,640
Speaker 1: hope she don't go to the super Bowl. She went

260
00:13:38,679 --> 00:13:41,680
Speaker 1: to the Yankees game. I was mad, niggas loss, No, no, no,

261
00:13:41,840 --> 00:13:44,559
Speaker 1: Yankees game we won. Well, we're on fire right now.

262
00:13:44,640 --> 00:13:46,559
Speaker 2: Yankees on fire, mass we.

263
00:13:48,200 --> 00:13:48,360
Speaker 12: Want.

264
00:13:49,040 --> 00:13:50,200
Speaker 1: Yeah, we might have a.

265
00:13:50,480 --> 00:13:52,920
Speaker 2: Message, we might have a subway serious.

266
00:13:54,920 --> 00:13:56,479
Speaker 1: That'll be in the city on fire.

267
00:13:57,400 --> 00:13:59,800
Speaker 2: To be crazy, but yeah, I will get on the trade.

268
00:14:00,440 --> 00:14:01,760
Speaker 2: That's the way to commute.

269
00:14:01,920 --> 00:14:04,760
Speaker 1: Is that why they when they called the subah, Yeah,

270
00:14:05,360 --> 00:14:06,760
Speaker 1: because you did drive you.

271
00:14:06,720 --> 00:14:08,880
Speaker 2: Want and they're being the world serlios. So that's when

272
00:14:08,920 --> 00:14:09,720
Speaker 2: we pushed on the game.

273
00:14:09,840 --> 00:14:13,120
Speaker 1: Yes, yes, and the next bis looking good to looking

274
00:14:13,320 --> 00:14:18,240
Speaker 1: what's homeboy Towns Caps Towns? Yeah yeah yeah some month.

275
00:14:18,360 --> 00:14:21,360
Speaker 1: But you know I didn't. I didn't see that till

276
00:14:21,400 --> 00:14:23,280
Speaker 1: later in the game. He dunked it and he.

277
00:14:23,400 --> 00:14:23,720
Speaker 2: Was like this.

278
00:14:23,800 --> 00:14:23,960
Speaker 11: Oh.

279
00:14:24,080 --> 00:14:26,240
Speaker 1: I was like, okay, he could funk with New York City,

280
00:14:26,280 --> 00:14:29,360
Speaker 1: because New York City you could be lit. It's still

281
00:14:29,400 --> 00:14:32,880
Speaker 1: not like like if you you gotta you gotta, you

282
00:14:32,880 --> 00:14:35,520
Speaker 1: gotta go every night, like every night. We ain't gonna

283
00:14:35,520 --> 00:14:37,480
Speaker 1: accept that one game, have you been in the garden

284
00:14:37,520 --> 00:14:41,040
Speaker 1: since the Knicks been lit again. Yeah, oh my god,

285
00:14:42,160 --> 00:14:43,880
Speaker 1: it is a different electricity.

286
00:14:44,080 --> 00:14:48,520
Speaker 2: I flew up just for the game, I know, my man.

287
00:14:49,400 --> 00:15:08,280
Speaker 2: Yeah yeah, make us think straw definitely not strong back then.

288
00:15:08,960 --> 00:15:12,280
Speaker 1: Yeah, but hold on season. I'm looking at your chain.

289
00:15:12,400 --> 00:15:15,320
Speaker 1: Is that the original? Jacob Jesus peace?

290
00:15:15,880 --> 00:15:18,000
Speaker 9: No, No, they did it over the Okay, okay, it

291
00:15:18,120 --> 00:15:21,440
Speaker 9: is like the originally. Okay, we had to go identical

292
00:15:21,520 --> 00:15:22,160
Speaker 9: to keep it the same.

293
00:15:22,240 --> 00:15:25,040
Speaker 2: Okay, okay, it looks it looks original. That was that

294
00:15:25,120 --> 00:15:27,200
Speaker 2: even got rocks and the big mustache.

295
00:15:27,400 --> 00:15:34,840
Speaker 1: Yeah, that is it though, like his eyes close, you know,

296
00:15:38,040 --> 00:15:42,760
Speaker 1: somebody passing the lego. Keep somebody passing the lego, you know.

297
00:15:45,160 --> 00:15:46,560
Speaker 2: I hope I may here. You can make me as

298
00:15:46,600 --> 00:15:54,800
Speaker 2: a lego too, I think right here and that thing. No,

299
00:15:54,960 --> 00:16:00,760
Speaker 2: that's whole one of the right how they can again?

300
00:16:02,200 --> 00:16:02,360
Speaker 1: Yeah?

301
00:16:02,400 --> 00:16:02,920
Speaker 2: Some movie?

302
00:16:02,960 --> 00:16:05,320
Speaker 1: So card you got to see the movie, right, yes, sir? Okay,

303
00:16:05,360 --> 00:16:06,480
Speaker 1: how did you How did you feel?

304
00:16:06,640 --> 00:16:06,960
Speaker 13: She was?

305
00:16:07,040 --> 00:16:11,320
Speaker 2: Genius? Man, very creative. It's like a documentary lego movie.

306
00:16:11,400 --> 00:16:17,920
Speaker 2: It's so like you got for best Documentary. I think, yeah,

307
00:16:18,400 --> 00:16:19,320
Speaker 2: you're gonna freak out, you know.

308
00:16:19,640 --> 00:16:22,800
Speaker 1: Wait if they want to ask her I want to.

309
00:16:38,320 --> 00:16:43,760
Speaker 2: Time I see this. Something told me that.

310
00:16:47,400 --> 00:16:52,320
Speaker 3: He getting a learned up on the sett.

311
00:16:50,960 --> 00:16:52,240
Speaker 2: Need with Greek.

312
00:16:53,440 --> 00:16:53,920
Speaker 4: For that ship.

313
00:16:54,040 --> 00:16:59,920
Speaker 1: Come on, take your hands over again.

314
00:17:00,160 --> 00:17:02,480
Speaker 2: I got ship, my ship clean being.

315
00:17:04,920 --> 00:17:06,760
Speaker 4: Big yo.

316
00:17:06,880 --> 00:17:08,879
Speaker 2: That's why I gotta give kiss up here because I

317
00:17:08,920 --> 00:17:11,760
Speaker 2: heard we got hair drying. Let him kiss.

318
00:17:12,200 --> 00:17:14,160
Speaker 3: I don't got no bea went back and I can't

319
00:17:14,160 --> 00:17:14,640
Speaker 3: even fight.

320
00:17:15,200 --> 00:17:18,080
Speaker 2: I have no head. I can't fight back, grow back.

321
00:17:18,480 --> 00:17:20,040
Speaker 2: They're gonna clear oh roast.

322
00:17:20,240 --> 00:17:22,679
Speaker 1: I'm so sly that he went at you because you

323
00:17:22,720 --> 00:17:25,159
Speaker 1: went mostly at him, and I was going, that was you,

324
00:17:25,840 --> 00:17:26,639
Speaker 1: that was you.

325
00:17:27,560 --> 00:17:30,040
Speaker 2: Yeah, ain't gonna come on here and my ship that

326
00:17:30,240 --> 00:17:38,160
Speaker 2: you no conservative my ship all being that I should

327
00:17:38,160 --> 00:17:42,320
Speaker 2: have wanted in the puzzle given do some ship. Maybe

328
00:17:42,320 --> 00:17:43,480
Speaker 2: I just want to be creative.

329
00:17:43,680 --> 00:17:46,120
Speaker 1: I just wanted to buy my my figure. I want

330
00:17:46,119 --> 00:17:49,160
Speaker 1: to buy my figure Lego. I don't they're gonna make

331
00:17:49,240 --> 00:17:52,880
Speaker 1: minds that I'm gonna need me. I'll buy it, like like.

332
00:17:53,119 --> 00:17:58,440
Speaker 2: We remade a sapple that was hard to get you.

333
00:17:58,680 --> 00:18:00,640
Speaker 2: Did you see hoovers a lego looking like them?

334
00:18:00,840 --> 00:18:04,360
Speaker 5: I know they didn't kind of dirney with that though the.

335
00:18:04,400 --> 00:18:06,240
Speaker 1: Hair was not they had.

336
00:18:07,880 --> 00:18:09,000
Speaker 4: I was with them.

337
00:18:09,119 --> 00:18:15,680
Speaker 1: Yeah, yeah, how did you feel about the movie?

338
00:18:16,000 --> 00:18:16,200
Speaker 14: Man?

339
00:18:16,480 --> 00:18:19,320
Speaker 5: I cried, I literally cried because it was like it

340
00:18:19,320 --> 00:18:21,280
Speaker 5: made me fall in love with music again, because it

341
00:18:21,359 --> 00:18:23,919
Speaker 5: reminded you of why you're doing it. There is no

342
00:18:24,160 --> 00:18:28,040
Speaker 5: microwaveable solution to becoming a global icon.

343
00:18:28,200 --> 00:18:29,560
Speaker 6: You got to put in the work. You got to

344
00:18:29,600 --> 00:18:31,040
Speaker 6: have passion, you gotta have you.

345
00:18:30,960 --> 00:18:32,880
Speaker 5: Got to be willing to lose it all and then

346
00:18:33,080 --> 00:18:35,760
Speaker 5: gain it all just on your talent. And that's what

347
00:18:35,840 --> 00:18:39,520
Speaker 5: this documentary really showed. And then Norwy's part was.

348
00:18:39,480 --> 00:18:43,399
Speaker 6: Just hilarious, like he was in the pool, chill it did.

349
00:18:43,280 --> 00:18:50,800
Speaker 5: That really happen when you were in the pool?

350
00:18:51,320 --> 00:18:53,200
Speaker 2: Was yeah?

351
00:18:57,320 --> 00:18:59,159
Speaker 3: About to tell the truth for the I need a

352
00:18:59,200 --> 00:19:00,600
Speaker 3: free beat for this information.

353
00:19:01,200 --> 00:19:03,359
Speaker 2: Nor he wasn't feeling that he was in the movie.

354
00:19:03,400 --> 00:19:10,359
Speaker 2: Now Hey, he going to the He said, you didn't

355
00:19:10,400 --> 00:19:12,000
Speaker 2: understand you. Let me ask you, how did you do

356
00:19:12,080 --> 00:19:16,399
Speaker 2: your voice over? That's what I'm saying. I got what

357
00:19:16,480 --> 00:19:22,639
Speaker 2: it was? Was it was was he was he was

358
00:19:22,680 --> 00:19:23,400
Speaker 2: calling mister Lee.

359
00:19:23,560 --> 00:19:23,720
Speaker 15: Uh.

360
00:19:23,800 --> 00:19:25,840
Speaker 1: Were supposed to do it for a while, but I

361
00:19:25,880 --> 00:19:27,639
Speaker 1: was on the road and we was working, so I

362
00:19:27,640 --> 00:19:28,439
Speaker 1: didn't have a chance to.

363
00:19:28,480 --> 00:19:30,560
Speaker 2: So I think I made him wait like six months

364
00:19:30,800 --> 00:19:31,320
Speaker 2: how long ago?

365
00:19:31,480 --> 00:19:34,800
Speaker 7: We say, because that's like two years ago he was

366
00:19:34,800 --> 00:19:38,000
Speaker 7: working on and he didn't tell anybody I saw interviewing

367
00:19:38,000 --> 00:19:38,200
Speaker 7: he did.

368
00:19:38,200 --> 00:19:40,680
Speaker 2: He didn't tell anybody that they were doing. Yeah, so

369
00:19:40,800 --> 00:19:41,280
Speaker 2: what's funny.

370
00:19:42,800 --> 00:19:44,840
Speaker 1: Me finish that and then I'll tell you what Teddy

371
00:19:44,840 --> 00:19:45,400
Speaker 1: Wroley said.

372
00:19:45,600 --> 00:19:47,960
Speaker 2: But so they did it over the phone.

373
00:19:48,400 --> 00:19:51,399
Speaker 1: I knew everything we do like together, somewhat specially, so

374
00:19:51,440 --> 00:19:55,119
Speaker 1: I had Roz come over. Roz came and we filmed it.

375
00:19:55,119 --> 00:19:57,119
Speaker 1: We did it at Hazard the sound studio, and we

376
00:19:57,200 --> 00:19:59,399
Speaker 1: filmed it. So everything I did in the movie I

377
00:19:59,440 --> 00:20:02,199
Speaker 1: actually have on film and we sent to Pharrell and

378
00:20:02,280 --> 00:20:03,480
Speaker 1: I don't know if they use it or not, so

379
00:20:03,520 --> 00:20:05,280
Speaker 1: that if they have a behind the scenes but I

380
00:20:05,320 --> 00:20:07,879
Speaker 1: didn't know. He did say something about animation. But if

381
00:20:07,920 --> 00:20:09,359
Speaker 1: you would have said lego, I would have been like

382
00:20:09,800 --> 00:20:10,679
Speaker 1: trying to overdo it.

383
00:20:10,720 --> 00:20:12,200
Speaker 2: So I'm glad he didn't. Like at the end of

384
00:20:12,240 --> 00:20:13,960
Speaker 2: the day, you you went on him. He was in

385
00:20:14,000 --> 00:20:18,479
Speaker 2: the studio. It was a studio on the phone. How

386
00:20:18,520 --> 00:20:20,399
Speaker 2: did you know what they're saying because they was asking me.

387
00:20:20,440 --> 00:20:25,520
Speaker 1: They was asking, so they every everything I'm saying in

388
00:20:25,520 --> 00:20:27,240
Speaker 1: the movie is me answering the question.

389
00:20:27,280 --> 00:20:32,760
Speaker 2: They're just taking the questionnaire out. He was very I

390
00:20:32,840 --> 00:20:40,879
Speaker 2: was tapped in with the whole ship that was how

391
00:20:40,960 --> 00:20:42,600
Speaker 2: much did they use you use everything that you did?

392
00:20:42,720 --> 00:20:46,000
Speaker 1: How much did you I'm on like three small scenes,

393
00:20:46,000 --> 00:20:47,720
Speaker 1: but like the one he was like.

394
00:20:47,560 --> 00:20:49,640
Speaker 2: Like, no, no, no, how much of you recording? I saw

395
00:20:49,720 --> 00:20:52,040
Speaker 2: it like they probably.

396
00:20:51,720 --> 00:20:54,879
Speaker 1: Used, like it's like five minutes of me.

397
00:20:54,960 --> 00:20:57,520
Speaker 2: I believe we recorded out.

398
00:20:57,560 --> 00:20:59,359
Speaker 1: Yeah, but they yeah, like it was like five questions

399
00:20:59,359 --> 00:21:01,600
Speaker 1: that I answered and then you know them showing me

400
00:21:01,640 --> 00:21:03,960
Speaker 1: in the pool, like and then meet them showing me

401
00:21:03,960 --> 00:21:04,640
Speaker 1: on a private jet.

402
00:21:04,680 --> 00:21:05,560
Speaker 2: I was like, I like.

403
00:21:09,000 --> 00:21:09,439
Speaker 3: He got me?

404
00:21:09,600 --> 00:21:10,040
Speaker 2: Was the story?

405
00:21:10,040 --> 00:21:13,480
Speaker 5: Would push your team that part when he was back

406
00:21:13,520 --> 00:21:16,480
Speaker 5: in the streets still playing a dope, right, But then.

407
00:21:16,359 --> 00:21:17,560
Speaker 2: I don't want to tell at.

408
00:21:19,760 --> 00:21:23,120
Speaker 5: Brought him back to life?

409
00:21:23,800 --> 00:21:27,320
Speaker 2: Okay, okay, you know that's the only thing. I was like,

410
00:21:27,320 --> 00:21:29,480
Speaker 2: why am I going to messing with nothing? That's what

411
00:21:29,520 --> 00:21:30,240
Speaker 2: I imagine.

412
00:21:30,640 --> 00:21:33,800
Speaker 1: I believe Madison is in that story, but I see

413
00:21:33,880 --> 00:21:36,480
Speaker 1: him as a lego, yeah, because I think I think

414
00:21:36,520 --> 00:21:38,800
Speaker 1: the actual movie at the time, you know, remember he

415
00:21:38,840 --> 00:21:39,960
Speaker 1: became mad religious.

416
00:21:40,240 --> 00:21:41,560
Speaker 2: He really wasn't touching nothing.

417
00:21:41,760 --> 00:21:44,359
Speaker 1: But ironically at that time he did offer to drink cans,

418
00:21:44,359 --> 00:21:46,520
Speaker 1: which I was like, and I was like, how are

419
00:21:46,560 --> 00:21:47,960
Speaker 1: we going to do this? He's like, you have to

420
00:21:47,960 --> 00:21:50,560
Speaker 1: still smoke and still drink. And I was like okay.

421
00:21:51,240 --> 00:21:55,040
Speaker 2: I was like, okay, you know maybe, but it's a

422
00:21:55,040 --> 00:21:56,600
Speaker 2: dope moving It was at.

423
00:21:56,480 --> 00:21:59,680
Speaker 1: The premiere in New York. Teddy Riley was in front

424
00:21:59,720 --> 00:22:02,400
Speaker 1: of me, Man, I tell you to do drink cans.

425
00:22:02,440 --> 00:22:04,040
Speaker 1: He was like, I don't drink. I was like, hey man,

426
00:22:05,440 --> 00:22:07,119
Speaker 1: you don't got to drink. To do drink cans. Man,

427
00:22:07,440 --> 00:22:09,000
Speaker 1: although all these things is drinking.

428
00:22:08,880 --> 00:22:11,240
Speaker 2: You know, but you don't have to.

429
00:22:11,359 --> 00:22:14,119
Speaker 1: But yeah, you know, to connect with him and like

430
00:22:14,240 --> 00:22:18,440
Speaker 1: to see the whole Forrell's movie coming to Fruition and

431
00:22:18,440 --> 00:22:20,960
Speaker 1: his vision that ship was dope. Man. I really like,

432
00:22:21,080 --> 00:22:22,840
Speaker 1: you know, respect and want to say thank you for real.

433
00:22:22,880 --> 00:22:26,920
Speaker 1: You know what I'm saying, because you know, he could

434
00:22:26,920 --> 00:22:29,119
Speaker 1: have told his story without me. It would have been

435
00:22:29,119 --> 00:22:31,200
Speaker 1: sucked up. But he could have told it without you

436
00:22:31,240 --> 00:22:34,920
Speaker 1: know what I'm saying.

437
00:22:32,320 --> 00:22:50,640
Speaker 2: Really, you know, we don't what I did.

438
00:22:51,480 --> 00:22:55,200
Speaker 7: That's why even though Jane's saying she had it, Jan.

439
00:22:56,920 --> 00:23:00,040
Speaker 1: Said, I started to He told me I stole.

440
00:22:59,840 --> 00:23:08,040
Speaker 2: From found you stole from stole for me?

441
00:23:08,600 --> 00:23:12,080
Speaker 1: You know the song again, I think it's tough love.

442
00:23:12,119 --> 00:23:15,120
Speaker 2: I believe. I like it. Yeah, it's called tough girl

443
00:23:15,240 --> 00:23:15,399
Speaker 2: like it.

444
00:23:16,440 --> 00:23:20,160
Speaker 1: Like, I'm not sure the timeline lines up with that,

445
00:23:20,480 --> 00:23:25,399
Speaker 1: because like me personally, if that was true, like if

446
00:23:25,440 --> 00:23:27,720
Speaker 1: Janet had it first, I would have never gave me

447
00:23:27,840 --> 00:23:31,479
Speaker 1: the beat maybe down, I think, yeah, I think she

448
00:23:31,560 --> 00:23:34,320
Speaker 1: must have think you what I think? I think that

449
00:23:34,440 --> 00:23:37,720
Speaker 1: was a freestyle. And because s b K pulled up

450
00:23:38,160 --> 00:23:40,880
Speaker 1: where she she he plays super Dug in her show,

451
00:23:41,200 --> 00:23:42,359
Speaker 1: but she plays my version.

452
00:23:43,200 --> 00:23:45,120
Speaker 2: Kate pulled it up. Yeah, yeah, so.

453
00:23:45,119 --> 00:23:49,920
Speaker 1: I don't she might to freeze out and tell I

454
00:23:50,040 --> 00:23:50,720
Speaker 1: like this rumor.

455
00:23:51,119 --> 00:23:52,680
Speaker 2: I don't want to straighten this out. You know what

456
00:23:52,720 --> 00:23:54,199
Speaker 2: I'm saying.

457
00:23:54,720 --> 00:23:58,760
Speaker 1: This is a dope rumor like Jackson jack Ye.

458
00:24:08,480 --> 00:24:11,640
Speaker 2: Crazy. That's a good situation. That's a good room. That's

459
00:24:11,640 --> 00:24:15,160
Speaker 2: a good room, good problem.

460
00:24:15,000 --> 00:24:18,159
Speaker 1: And imagine me and Penny work right now. Imagine he

461
00:24:18,280 --> 00:24:20,320
Speaker 1: come on drink champs to straight.

462
00:24:21,440 --> 00:24:23,840
Speaker 2: We gotta let's go.

463
00:24:24,000 --> 00:24:25,639
Speaker 1: I can't lie to you. One time we was in

464
00:24:25,760 --> 00:24:28,399
Speaker 1: he was making grimy. He's making grimy and we was

465
00:24:28,520 --> 00:24:32,159
Speaker 1: in I forget the studio in l A and Janet

466
00:24:32,280 --> 00:24:34,880
Speaker 1: was so big that she her security walked into each

467
00:24:34,920 --> 00:24:37,760
Speaker 1: studio and told everybody you got to get out while

468
00:24:37,800 --> 00:24:39,600
Speaker 1: the queen walks through.

469
00:24:40,200 --> 00:24:43,080
Speaker 2: So we were like, yeah, I thought it was due

470
00:24:43,200 --> 00:24:47,120
Speaker 2: Chris Light. He was like that. I was like, Chris,

471
00:24:47,280 --> 00:24:50,160
Speaker 2: this is Screenny from Good Times, man, like we gotta

472
00:24:50,280 --> 00:24:51,199
Speaker 2: go out, and I.

473
00:24:51,520 --> 00:24:54,080
Speaker 1: For sure we're out. And then it was crazy because

474
00:24:54,080 --> 00:24:56,320
Speaker 1: I don't know why they was there, but ray J

475
00:24:56,400 --> 00:24:58,960
Speaker 1: and Brandy was in my session. So ray J and

476
00:24:59,000 --> 00:25:01,040
Speaker 1: Brandy walked out with me and and it made Chris lady,

477
00:25:01,240 --> 00:25:02,879
Speaker 1: I'll go out, but we all had to go out

478
00:25:03,280 --> 00:25:04,600
Speaker 1: until jan and Jackson walked in.

479
00:25:06,640 --> 00:25:06,879
Speaker 2: Each other.

480
00:25:07,119 --> 00:25:16,440
Speaker 1: That he was on.

481
00:25:16,600 --> 00:25:18,879
Speaker 2: He was like a Seventh Day Tour with with Kelly

482
00:25:19,400 --> 00:25:23,880
Speaker 2: and uh. After you can't get used to me spending.

483
00:25:24,280 --> 00:25:29,600
Speaker 9: After he was coming through, security came and said, Yo,

484
00:25:29,640 --> 00:25:31,359
Speaker 9: when Robert come through here, nobody could look at it.

485
00:25:31,560 --> 00:25:34,480
Speaker 9: He says, government there, every Brooklyn nigga that was.

486
00:25:34,480 --> 00:25:41,080
Speaker 2: There was just grilling, like you mean, we can't look

487
00:25:41,119 --> 00:25:43,840
Speaker 2: at you you we don't do respect. But what you

488
00:25:43,960 --> 00:25:47,560
Speaker 2: mean we can't look at you like that?

489
00:25:47,960 --> 00:25:50,040
Speaker 9: When Robert comes here, we don't need nobody looking at

490
00:25:50,119 --> 00:25:50,800
Speaker 9: him anybody.

491
00:25:50,640 --> 00:25:51,080
Speaker 2: To go away.

492
00:25:52,160 --> 00:25:52,720
Speaker 3: That's different.

493
00:25:52,800 --> 00:25:55,879
Speaker 1: I sat there on purpose now like here right now,

494
00:25:57,240 --> 00:26:00,040
Speaker 1: whip like that, like certain people will tell you you

495
00:26:00,080 --> 00:26:03,160
Speaker 1: can't look at them directing their eyes only.

496
00:26:06,040 --> 00:26:11,800
Speaker 2: Say did that car on that list? Wow?

497
00:26:12,680 --> 00:26:13,880
Speaker 6: Did it happen to you personally?

498
00:26:14,160 --> 00:26:17,760
Speaker 2: No, that's the room on that's the room ran carried

499
00:26:17,840 --> 00:26:21,159
Speaker 2: on walk, Yo, Like she she floats and she got

500
00:26:21,240 --> 00:26:22,359
Speaker 2: people that carry her.

501
00:26:22,800 --> 00:26:23,800
Speaker 3: I went to a show and.

502
00:26:33,320 --> 00:26:36,440
Speaker 2: Walk my g I'm telling you me and my wife

503
00:26:36,560 --> 00:26:43,000
Speaker 2: was in Hawaii just you know, you know we do

504
00:26:43,160 --> 00:26:43,719
Speaker 2: this travel.

505
00:26:44,359 --> 00:26:47,280
Speaker 3: We see Mariah before me. I'm like, let's go to

506
00:26:47,400 --> 00:26:50,440
Speaker 3: Mariah carry show, yo, bro on life. She didn't take

507
00:26:50,560 --> 00:26:53,480
Speaker 3: one step on the stage. Every time she wanted to move,

508
00:26:53,600 --> 00:26:55,560
Speaker 3: she had people come pick up and move her to

509
00:26:55,640 --> 00:26:56,320
Speaker 3: this side.

510
00:26:57,040 --> 00:27:01,360
Speaker 2: That side at that time. You know, maybe.

511
00:27:03,800 --> 00:27:06,320
Speaker 6: Like you men know, wear shoes, shoes, your feet. I

512
00:27:06,359 --> 00:27:07,040
Speaker 6: don't blame her.

513
00:27:07,520 --> 00:27:09,960
Speaker 2: She's stand there. They'll come carry a couch, she will

514
00:27:10,040 --> 00:27:11,679
Speaker 2: sit on it there, lift the old couch with her

515
00:27:11,720 --> 00:27:12,800
Speaker 2: and moving to the other side.

516
00:27:12,920 --> 00:27:20,040
Speaker 3: And I'm like, yo, that's that bread Nor on his

517
00:27:20,119 --> 00:27:21,480
Speaker 3: way and cuts her set.

518
00:27:29,040 --> 00:27:30,280
Speaker 2: Gonna hold the blood in his mouth.

519
00:27:39,960 --> 00:27:42,680
Speaker 1: So Cardan being that you wrote they were code writer

520
00:27:43,200 --> 00:27:46,840
Speaker 1: on hot in here If that what never you joint?

521
00:27:47,080 --> 00:27:57,160
Speaker 4: Yeah, ship, I love your come song.

522
00:28:00,320 --> 00:28:02,040
Speaker 1: Everything we didn't talk about we're gonna talk about that.

523
00:28:02,359 --> 00:28:05,560
Speaker 1: But let me ask you if that's not we didn't

524
00:28:05,560 --> 00:28:07,240
Speaker 1: talk about it, do you want to ask you to

525
00:28:07,440 --> 00:28:08,359
Speaker 1: or how that were? Okay?

526
00:28:08,440 --> 00:28:12,200
Speaker 2: Wow? You bro the engineer ones one, man, you're a

527
00:28:12,240 --> 00:28:15,560
Speaker 2: part of that. That ship is monumental. Those those awards Gray,

528
00:28:15,680 --> 00:28:21,080
Speaker 2: you said Oscar Grammy. No, I'm saying they're held in

529
00:28:21,280 --> 00:28:25,240
Speaker 2: very high and for part of that ship you apart.

530
00:28:27,240 --> 00:28:30,840
Speaker 1: When you got the Grammy, even the engineer, Yeah, that's dope.

531
00:28:31,720 --> 00:28:33,680
Speaker 1: That's how about the interns?

532
00:28:34,080 --> 00:28:38,800
Speaker 2: No, I'm able to a nigga. Man, you ain't give

533
00:28:38,800 --> 00:28:40,280
Speaker 2: me the Grammy. Nigga, I don't want to got.

534
00:28:44,640 --> 00:28:46,960
Speaker 10: Everybody might not get the physical one, but you definitely

535
00:28:47,000 --> 00:28:48,000
Speaker 10: get certificate you get.

536
00:28:48,120 --> 00:28:51,719
Speaker 2: That's you know what I'm saying. That's you don't get

537
00:28:51,720 --> 00:28:55,200
Speaker 2: a physical. Don't get the physical. I still count. But

538
00:28:55,280 --> 00:28:58,280
Speaker 2: you're a part of you ext history. Nobody could take

539
00:28:58,280 --> 00:28:58,640
Speaker 2: that from you.

540
00:28:59,760 --> 00:29:01,240
Speaker 1: That's man, w.

541
00:29:08,040 --> 00:29:09,320
Speaker 2: Grammy, that's that's very I want.

542
00:29:10,480 --> 00:29:15,000
Speaker 5: Yeah, you know what, why do artists want the Grammys.

543
00:29:15,040 --> 00:29:17,320
Speaker 5: It's like a love hate relationship with the Grammys.

544
00:29:17,800 --> 00:29:20,560
Speaker 2: With artist the Grammy should on me. You love him war,

545
00:29:20,640 --> 00:29:22,240
Speaker 2: but then they should it on me and I hate

546
00:29:22,280 --> 00:29:22,840
Speaker 2: them now you know.

547
00:29:24,080 --> 00:29:27,440
Speaker 3: It's a status. It's a status. Yeah, the status, the

548
00:29:27,560 --> 00:29:29,960
Speaker 3: statement of just having one give me.

549
00:29:30,040 --> 00:29:31,040
Speaker 2: A b a T award.

550
00:29:33,160 --> 00:29:33,720
Speaker 4: I don't know.

551
00:29:34,000 --> 00:29:37,120
Speaker 2: I was all awards. I said, all the war nothing

552
00:29:37,560 --> 00:29:40,120
Speaker 2: you got choice of war. I gotta I gotta know.

553
00:29:40,320 --> 00:29:40,640
Speaker 16: I don't know.

554
00:29:41,800 --> 00:29:52,560
Speaker 17: It's not Bene's a greater woman.

555
00:29:52,640 --> 00:29:55,080
Speaker 2: Money on his ship. And we got one more.

556
00:29:55,160 --> 00:29:59,920
Speaker 1: We got the one of the Tito broke Yo drink

557
00:30:00,080 --> 00:30:02,600
Speaker 1: Chance my boy that went to the war guy it

558
00:30:02,600 --> 00:30:04,880
Speaker 1: and broke it and true drink Chance fashion we got

559
00:30:04,960 --> 00:30:08,120
Speaker 1: nominated for. We was against what what this is crazy?

560
00:30:08,200 --> 00:30:13,840
Speaker 1: Actors Ellen DeGeneres Saturday, We're like, we're not going to

561
00:30:13,960 --> 00:30:18,360
Speaker 1: this ship. Were picking us over them, and then we won.

562
00:30:18,760 --> 00:30:20,600
Speaker 1: So we sent on board to the to the thing

563
00:30:21,080 --> 00:30:24,560
Speaker 1: just because. And he's Mexican and he lived like a

564
00:30:24,680 --> 00:30:28,320
Speaker 1: Mexican and he drank the whole night and then he's

565
00:30:29,680 --> 00:30:30,680
Speaker 1: they gave us the water.

566
00:30:30,800 --> 00:30:31,600
Speaker 2: He went up there.

567
00:30:33,360 --> 00:30:37,840
Speaker 1: And then like all that year, okay, it was like

568
00:30:37,920 --> 00:30:39,600
Speaker 1: that second year doing drinks and he went to the

569
00:30:39,760 --> 00:30:41,600
Speaker 1: he went to a club. I think he had this

570
00:30:41,760 --> 00:30:44,360
Speaker 1: joint and then in the morning he was like, sorry, guys,

571
00:30:44,920 --> 00:30:48,520
Speaker 1: make sure two pieces and then he mailed.

572
00:30:53,240 --> 00:30:55,680
Speaker 2: You know, we could have probably ordered another war. We

573
00:30:55,760 --> 00:30:57,200
Speaker 2: should do that, bro I.

574
00:30:57,160 --> 00:31:00,160
Speaker 1: Don't even know you're gonna figure it out.

575
00:31:00,200 --> 00:31:03,400
Speaker 3: Many never won a ward, but I talked ship on

576
00:31:03,560 --> 00:31:08,040
Speaker 3: a ward who.

577
00:31:06,960 --> 00:31:10,200
Speaker 2: Talk Ship Watching Team.

578
00:31:12,040 --> 00:31:16,400
Speaker 3: The TV Awards in Japan, BT Awards, MTV and Miami

579
00:31:16,720 --> 00:31:19,680
Speaker 3: JA talk Ship. The only one that went virul is

580
00:31:19,720 --> 00:31:21,560
Speaker 3: the one where they say, this is why we got clipped.

581
00:31:21,680 --> 00:31:22,400
Speaker 1: Ain't gonna lie to you.

582
00:31:24,280 --> 00:31:24,440
Speaker 8: Here.

583
00:31:24,800 --> 00:31:26,840
Speaker 2: That's the only one that went viral, not.

584
00:31:29,280 --> 00:31:31,560
Speaker 1: Clip every two weeks that come up and this is

585
00:31:31,600 --> 00:31:43,120
Speaker 1: the reason why the rock broke. When you see that ship,

586
00:31:43,280 --> 00:31:44,000
Speaker 1: are you proud of it?

587
00:31:44,160 --> 00:31:44,440
Speaker 2: Or yeah?

588
00:31:45,640 --> 00:31:46,360
Speaker 18: I did not laugh?

589
00:31:46,520 --> 00:31:48,000
Speaker 2: Man. I like reading the comments.

590
00:31:48,280 --> 00:31:50,080
Speaker 3: That's what bummed me out because you know, people we

591
00:31:50,520 --> 00:31:53,280
Speaker 3: talked about it twenty times already and still make their

592
00:31:53,320 --> 00:31:55,480
Speaker 3: own assumption about So I love it, you know what

593
00:31:55,480 --> 00:31:56,680
Speaker 3: I mean to see what niggas say.

594
00:31:56,760 --> 00:31:58,920
Speaker 2: Yeah, Bleek was talking the most. That's why you don't

595
00:31:58,960 --> 00:32:05,640
Speaker 2: funk with Bleak. That's cool. Something.

596
00:32:05,840 --> 00:32:08,600
Speaker 1: What did he say to y'all after the cameras cut off?

597
00:32:08,920 --> 00:32:09,880
Speaker 2: He didn't say nothing.

598
00:32:10,280 --> 00:32:14,280
Speaker 3: It was camera, but it was before the camera cut

599
00:32:14,320 --> 00:32:16,240
Speaker 3: because remember he just got those stage.

600
00:32:16,000 --> 00:32:18,640
Speaker 2: With Michael Jackson. So he's saying like when he was.

601
00:32:18,640 --> 00:32:20,760
Speaker 3: Looking at us, when Ralph McDaniels standing there with the

602
00:32:20,840 --> 00:32:24,200
Speaker 3: camera and he asked whole mad questions and whole they

603
00:32:24,280 --> 00:32:25,000
Speaker 3: said nothing.

604
00:32:25,400 --> 00:32:26,720
Speaker 2: He just staring at stair face.

605
00:32:26,840 --> 00:32:29,360
Speaker 3: So I was just like, okay, it's my turn to

606
00:32:29,400 --> 00:32:30,920
Speaker 3: be like, yo, fuck, Dad were here.

607
00:32:33,000 --> 00:32:37,360
Speaker 2: He didn't finally, you know, so it just went after that.

608
00:32:37,800 --> 00:32:41,440
Speaker 2: You think it's only me and Dame talking and they said, yeah,

609
00:32:41,520 --> 00:32:42,560
Speaker 2: the rock broke up.

610
00:32:45,000 --> 00:32:47,640
Speaker 1: Back there. No, who's back that, yo? Bro?

611
00:32:47,840 --> 00:32:51,720
Speaker 3: It was everybody think Clue Skang, Bobby Dash, fucking we

612
00:32:51,880 --> 00:32:56,400
Speaker 3: had the right John Rule, thieves, fucking X all in

613
00:32:56,440 --> 00:32:58,960
Speaker 3: the rest in peace to X, the rough Riders, d

614
00:32:59,080 --> 00:33:01,760
Speaker 3: n y, all of them Swiss. We was bro.

615
00:33:02,120 --> 00:33:04,400
Speaker 2: But we got a I got a picture of all

616
00:33:04,480 --> 00:33:05,600
Speaker 2: of us, like bro.

617
00:33:06,200 --> 00:33:08,240
Speaker 3: We was deep that.

618
00:33:12,040 --> 00:33:15,840
Speaker 2: He was over there there right. No, I was waiting

619
00:33:15,920 --> 00:33:17,920
Speaker 2: for that movie. I was on my own summer jam

620
00:33:17,960 --> 00:33:18,440
Speaker 2: at that time.

621
00:33:21,920 --> 00:33:27,920
Speaker 1: Look at he's going into the ta Okay, yeah, I'm

622
00:33:27,960 --> 00:33:29,280
Speaker 1: doing that's that's my.

623
00:33:29,400 --> 00:33:31,040
Speaker 2: Drink when I'm gonna die. I ain't been on the

624
00:33:31,080 --> 00:33:37,080
Speaker 2: die a minute. I'm like, that's why. Birthday, birthday, birthday.

625
00:33:36,760 --> 00:33:39,120
Speaker 1: Oh that's why. So we got another person in the building.

626
00:33:39,800 --> 00:33:42,040
Speaker 1: It's his motherfucking birthday. We wanted him to come over

627
00:33:42,040 --> 00:33:44,480
Speaker 1: here and have motherfucker scoop the.

628
00:33:52,720 --> 00:34:03,479
Speaker 2: So that's what brother me birthday, birthday, birthday, man, what's up?

629
00:34:03,480 --> 00:34:07,840
Speaker 2: What's up? Jake said, telling people someone of the joints

630
00:34:07,880 --> 00:34:11,719
Speaker 2: you produced? All right? So I produced records for Snoop Dogg.

631
00:34:11,760 --> 00:34:12,080
Speaker 2: I did that.

632
00:34:12,160 --> 00:34:15,319
Speaker 18: I want to rock that, Jay Jhondon, I did uh

633
00:34:15,520 --> 00:34:17,320
Speaker 18: you know, some stuff for Kendrick Lamar. I did that

634
00:34:17,400 --> 00:34:20,200
Speaker 18: Poetic Justice. I did the recipe on the Good Kid

635
00:34:20,680 --> 00:34:23,440
Speaker 18: Mass City album. And man, I've worked with a lot

636
00:34:23,480 --> 00:34:25,680
Speaker 18: of great people. I worked with fifty, I worked with Busta,

637
00:34:25,880 --> 00:34:31,040
Speaker 18: Eminem Dre you know quick, you know right now? Yeah,

638
00:34:31,080 --> 00:34:33,840
Speaker 18: we're celebrating the release that I just did with Damian Marley.

639
00:34:33,920 --> 00:34:36,719
Speaker 18: I got his new single called Banner, which, man, is

640
00:34:37,160 --> 00:34:39,759
Speaker 18: so special and meaningful to me because you know, to

641
00:34:39,920 --> 00:34:42,800
Speaker 18: align with an artist like that and really, you know,

642
00:34:43,000 --> 00:34:45,480
Speaker 18: put something together that that has a message and is

643
00:34:45,840 --> 00:34:48,440
Speaker 18: powerful like that, It's is why I do this, you

644
00:34:48,520 --> 00:34:50,440
Speaker 18: know what I mean? So it was great to collaborate

645
00:34:50,520 --> 00:34:54,120
Speaker 18: with him. Yeah, you can't forget your legendary pop. Hey, yeah,

646
00:34:54,160 --> 00:34:56,200
Speaker 18: my bots is a hip hop pioneer too. Man, shout

647
00:34:56,239 --> 00:34:57,000
Speaker 18: out to Kid Frost.

648
00:35:00,560 --> 00:35:03,600
Speaker 2: That's what I mean. I've floated in some incredible spaces,

649
00:35:03,640 --> 00:35:04,600
Speaker 2: but a lot of great people.

650
00:35:04,880 --> 00:35:07,520
Speaker 18: I've been around the culture and seeing a lot of

651
00:35:07,600 --> 00:35:11,600
Speaker 18: amazing records get made and and moments happen in time.

652
00:35:11,680 --> 00:35:13,759
Speaker 18: So you know, I'm very blessed to be here doing

653
00:35:13,800 --> 00:35:17,480
Speaker 18: this and continuing to stay afloat and do it so authentically.

654
00:35:17,760 --> 00:35:19,040
Speaker 2: So let me ask you a question. Let me get

655
00:35:19,120 --> 00:35:21,120
Speaker 2: us just get straight into it. Let's go. How do

656
00:35:21,160 --> 00:35:23,080
Speaker 2: you feel about who you perform at the Super Bowl?

657
00:35:23,360 --> 00:35:25,279
Speaker 18: Oh? Man, I mean, you know, I haven't really thought

658
00:35:25,280 --> 00:35:27,520
Speaker 18: about it, but I know there's room for many people

659
00:35:27,560 --> 00:35:30,239
Speaker 18: to come out and and perform. I feel like, because

660
00:35:30,280 --> 00:35:31,759
Speaker 18: you know, it's a big show, so you got to

661
00:35:32,000 --> 00:35:33,520
Speaker 18: you got to bring in a lot of viewers and

662
00:35:33,560 --> 00:35:36,600
Speaker 18: different people. So I imagine they're they're trying to link

663
00:35:36,680 --> 00:35:38,600
Speaker 18: with youth and and get more viewers to watch the

664
00:35:38,680 --> 00:35:40,840
Speaker 18: show and be engaged with that overall.

665
00:35:41,600 --> 00:35:42,960
Speaker 6: That was a great political answer.

666
00:35:47,640 --> 00:35:49,600
Speaker 2: Drake definitely still wants some beats.

667
00:35:54,000 --> 00:35:55,560
Speaker 18: You know what, man, It's cool man, if people want

668
00:35:55,560 --> 00:35:57,399
Speaker 18: to come rock with me, I'll be more than happy

669
00:35:57,480 --> 00:35:59,680
Speaker 18: to collaborate and build with them. Just from an artist

670
00:35:59,800 --> 00:36:02,000
Speaker 18: level for them to tell this story, give them the

671
00:36:02,120 --> 00:36:05,440
Speaker 18: foundation to really do something that that has meaning and message.

672
00:36:05,480 --> 00:36:08,640
Speaker 18: And you know, I've been around people that been making

673
00:36:08,719 --> 00:36:12,000
Speaker 18: music that last a lifetime, so for me to carry

674
00:36:12,080 --> 00:36:14,120
Speaker 18: that torch and that's that's what I'm here to do.

675
00:36:14,520 --> 00:36:16,200
Speaker 18: You know, I want to make everlasting music.

676
00:36:16,280 --> 00:36:17,759
Speaker 1: First off, you've got a drink, right, Yeah?

677
00:36:18,120 --> 00:36:21,200
Speaker 2: Did you do what they handed me? I did?

678
00:36:21,320 --> 00:36:21,600
Speaker 15: I did.

679
00:36:21,640 --> 00:36:23,560
Speaker 18: I actually did a joint with you too, man. We

680
00:36:23,680 --> 00:36:27,520
Speaker 18: got a record yeah, yeah, yeah, with the flavor flave

681
00:36:27,680 --> 00:36:32,320
Speaker 18: yeah man, but yeah it's called slow Down Sun the

682
00:36:32,640 --> 00:36:34,600
Speaker 18: ha ha joint with the sort of soul sample.

683
00:36:38,719 --> 00:36:42,080
Speaker 2: Yes, yes, yow York all the time.

684
00:36:43,320 --> 00:36:45,040
Speaker 18: Everybody in New York really gave me a lot of

685
00:36:45,080 --> 00:36:48,839
Speaker 18: support and record. Everybody was believing in me at that time.

686
00:36:48,920 --> 00:36:51,200
Speaker 18: So I was pushing three four times harder with the

687
00:36:51,280 --> 00:36:55,120
Speaker 18: sample ideas and really getting creative and flipping things differently

688
00:36:55,640 --> 00:36:57,760
Speaker 18: or going right to the source and really just opening

689
00:36:57,840 --> 00:37:00,520
Speaker 18: it up like to to to do something and special.

690
00:37:00,600 --> 00:37:01,759
Speaker 2: You know, I didn't know I.

691
00:37:01,800 --> 00:37:03,359
Speaker 18: Want to Rock was going to do that. But after

692
00:37:03,440 --> 00:37:05,719
Speaker 18: I Want to Rock happen. That was your first like

693
00:37:05,840 --> 00:37:09,200
Speaker 18: major major major. I did some records previously with Snoop.

694
00:37:09,239 --> 00:37:11,520
Speaker 18: And this was like when I was about eighteen seventeen

695
00:37:11,560 --> 00:37:14,120
Speaker 18: when I first connected with Snoop and my father had

696
00:37:15,360 --> 00:37:16,920
Speaker 18: introduced me to him because they go back.

697
00:37:16,960 --> 00:37:20,680
Speaker 2: They have a history together with Snoop Dre Easy, you

698
00:37:20,719 --> 00:37:22,440
Speaker 2: know what I mean. It was on Ruth's records, your brother,

699
00:37:22,560 --> 00:37:28,279
Speaker 2: I mean my father, Yes, yeah, yeah, he was no

700
00:37:29,640 --> 00:37:30,800
Speaker 2: but just a part of the culture.

701
00:37:30,880 --> 00:37:31,000
Speaker 5: You know.

702
00:37:31,080 --> 00:37:33,879
Speaker 18: Snoop was also younger than my pops at that time,

703
00:37:34,000 --> 00:37:35,840
Speaker 18: so you know, they were around my father when he

704
00:37:35,960 --> 00:37:39,080
Speaker 18: was doing shows or in sessions. They were songwriting together,

705
00:37:39,280 --> 00:37:41,480
Speaker 18: you know, working on Murder was the case. I heard

706
00:37:41,520 --> 00:37:44,040
Speaker 18: my father wrote lyrics for that with for Snap. You know,

707
00:37:44,080 --> 00:37:45,800
Speaker 18: they because they would all, you know, work in a

708
00:37:45,880 --> 00:37:49,800
Speaker 18: room together and collaborate and everybody will be throwing ideas

709
00:37:49,880 --> 00:37:52,000
Speaker 18: off of each other. So that's how some of the

710
00:37:52,040 --> 00:37:54,200
Speaker 18: greatest things were made. It was a collaboration.

711
00:37:54,480 --> 00:37:54,640
Speaker 13: You know.

712
00:37:55,600 --> 00:37:57,680
Speaker 2: Everybody has something to contribute, you know what I mean.

713
00:37:58,080 --> 00:37:59,680
Speaker 1: I'm want to go around the room and ask everybody

714
00:37:59,840 --> 00:38:02,480
Speaker 1: how they feel who should be performing at the Super Bowl.

715
00:38:02,640 --> 00:38:04,239
Speaker 10: I just know I'm not getting caught up in the

716
00:38:04,280 --> 00:38:07,000
Speaker 10: state stuff. I don't know how I have to think

717
00:38:07,000 --> 00:38:08,960
Speaker 10: a little more about Yeah, I would I wouldn't get

718
00:38:08,960 --> 00:38:11,480
Speaker 10: caught up in that. But out of those two, out

719
00:38:11,520 --> 00:38:12,120
Speaker 10: of Wayne.

720
00:38:11,880 --> 00:38:16,520
Speaker 2: And Kendrick general in general, Yeah, a lot of people

721
00:38:16,560 --> 00:38:17,640
Speaker 2: I would like to see before.

722
00:38:18,360 --> 00:38:21,480
Speaker 1: But you think I personally think Kendrick does deserve this.

723
00:38:21,600 --> 00:38:23,279
Speaker 2: I think he deserves I think we all deserve it.

724
00:38:23,320 --> 00:38:37,640
Speaker 2: We all agree. Yeah, you mean they got it.

725
00:38:39,280 --> 00:38:44,360
Speaker 10: Well book the roots. What I'm saying, even big knowledge

726
00:38:44,400 --> 00:38:46,680
Speaker 10: and considered for it is dope.

727
00:38:46,719 --> 00:38:50,160
Speaker 2: You know what. I'm at the super Bowl, but I

728
00:38:50,200 --> 00:38:52,319
Speaker 2: got a list of people I could I would not see.

729
00:38:52,400 --> 00:38:56,600
Speaker 2: But but but it to you, it's Kendrick deserving of this. Yeah,

730
00:38:56,760 --> 00:38:57,680
Speaker 2: definitely Kendrick.

731
00:38:57,680 --> 00:38:58,600
Speaker 3: Guys, slaps man.

732
00:38:58,560 --> 00:38:59,319
Speaker 2: Kendrick is dope.

733
00:38:59,560 --> 00:39:02,640
Speaker 9: Yeah, I'm just happy to see hip hop and R

734
00:39:02,680 --> 00:39:04,400
Speaker 9: and B no matter how you That's how I feel that.

735
00:39:04,880 --> 00:39:09,439
Speaker 2: That's right. Yeah, that's just represented. That's good that because

736
00:39:10,239 --> 00:39:12,799
Speaker 2: the super Bowl is real tragic. When we was being

737
00:39:12,880 --> 00:39:15,920
Speaker 2: nine in now would have said, yeah, you know what

738
00:39:15,960 --> 00:39:18,759
Speaker 2: I'm saying, people put the halftime show until Titty came

739
00:39:18,800 --> 00:39:26,080
Speaker 2: out smoking go do ship. Yeah half time when he's

740
00:39:26,080 --> 00:39:31,520
Speaker 2: sticking down for that. Yeah, we got to give hold

741
00:39:31,640 --> 00:39:35,319
Speaker 2: some of the props for that. Because definitely we're all just.

742
00:39:35,360 --> 00:39:37,000
Speaker 1: Saying, like, you know, all of us, even if you're

743
00:39:37,000 --> 00:39:38,680
Speaker 1: not football fans, we watched the Super Bowl.

744
00:39:38,719 --> 00:39:40,440
Speaker 6: I only watched the game for the half.

745
00:39:40,320 --> 00:39:44,719
Speaker 2: Times and the commercials. To the commercials, so we got

746
00:39:44,840 --> 00:39:47,040
Speaker 2: to give hold of his props were stepping up the football.

747
00:39:50,560 --> 00:39:53,120
Speaker 2: That's what we start came. We start to see it.

748
00:39:53,680 --> 00:39:54,920
Speaker 2: So no matter how you look at it.

749
00:39:54,960 --> 00:39:57,279
Speaker 11: You know, I mean, how about you, I'm gonna keep

750
00:39:57,280 --> 00:39:59,239
Speaker 11: it the ball. I think I think Kendrick deserved the

751
00:39:59,280 --> 00:40:00,399
Speaker 11: shot because he had to big ass.

752
00:40:00,480 --> 00:40:01,000
Speaker 1: Yeah, nobody.

753
00:40:01,160 --> 00:40:03,520
Speaker 2: He had the biggest year off the year, right, So

754
00:40:03,600 --> 00:40:05,400
Speaker 2: if you if you're basing it on the most relevant

755
00:40:05,480 --> 00:40:07,719
Speaker 2: and the most impact, can't deny him.

756
00:40:08,239 --> 00:40:10,360
Speaker 11: I'm back all but I would say, if there was

757
00:40:10,360 --> 00:40:12,480
Speaker 11: a way incorporate Wayne, do that, because Rain never got

758
00:40:12,520 --> 00:40:14,839
Speaker 11: a chance to do that. It is if it's it's

759
00:40:14,880 --> 00:40:16,680
Speaker 11: not just not based on just the city alone, but

760
00:40:16,840 --> 00:40:18,879
Speaker 11: the fact that it is the city and he's little

761
00:40:18,920 --> 00:40:20,239
Speaker 11: Wayne and he never had a chance to do that,

762
00:40:20,480 --> 00:40:23,160
Speaker 11: and it's probably his only chance that's gonna be in

763
00:40:23,400 --> 00:40:24,120
Speaker 11: his city to do that.

764
00:40:24,200 --> 00:40:26,320
Speaker 2: It's never gonna it's not gonna happen again in his lifetime.

765
00:40:26,360 --> 00:40:32,600
Speaker 2: Really takes him next year, he might he might not

766
00:40:33,760 --> 00:40:35,719
Speaker 2: wise right now, he's still He's still Wayne right now.

767
00:40:35,920 --> 00:40:38,080
Speaker 2: Five years from now, he might not be where he had.

768
00:40:38,200 --> 00:40:40,359
Speaker 2: I think it would be amazing if you brought him

769
00:40:40,360 --> 00:40:40,960
Speaker 2: out on stage.

770
00:40:41,000 --> 00:40:44,239
Speaker 1: But yeah, but I think that Ken, can we deal

771
00:40:44,320 --> 00:40:47,960
Speaker 1: with the actual fact that the smoke there's smoke, like

772
00:40:48,320 --> 00:40:51,920
Speaker 1: like by the way, is bigger than they smoke. I

773
00:40:52,080 --> 00:40:54,640
Speaker 1: agree with you if that was something that took place

774
00:40:54,719 --> 00:40:57,399
Speaker 1: behind the scenes, sees where he could bring out.

775
00:40:57,320 --> 00:40:57,840
Speaker 2: Drake and.

776
00:41:00,239 --> 00:41:05,200
Speaker 10: Know, yeah, that's not that's like smoke.

777
00:41:05,360 --> 00:41:10,520
Speaker 19: NDS can't bring me out to the super Bowl. Come on,

778
00:41:11,440 --> 00:41:19,040
Speaker 19: come on, they squashed that. He's still hot, but that

779
00:41:19,560 --> 00:41:21,360
Speaker 19: is still playing and that.

780
00:41:24,200 --> 00:41:26,359
Speaker 1: Like God bless, God bless because I know it could

781
00:41:26,400 --> 00:41:28,720
Speaker 1: have got there, but no one's really feeling like Kendrick

782
00:41:28,960 --> 00:41:31,920
Speaker 1: and Drake is gonna go to the streets with them.

783
00:41:33,320 --> 00:41:35,400
Speaker 3: Somebody in some.

784
00:41:35,520 --> 00:41:38,200
Speaker 2: Ways that at the end of the day, Jake got shots.

785
00:41:38,200 --> 00:41:40,399
Speaker 2: Know what I'm saying, what we're talking about, they talk

786
00:41:40,440 --> 00:41:47,640
Speaker 2: about the gut, but that's like saying, even get into

787
00:41:47,640 --> 00:41:54,000
Speaker 2: Canada right now so you can't get his hair. They

788
00:41:54,080 --> 00:41:56,600
Speaker 2: got to keep it. Abut, come on, man, when a

789
00:41:56,680 --> 00:41:59,480
Speaker 2: nigga shipped on you in the public, saying they shipped on,

790
00:41:59,600 --> 00:42:01,160
Speaker 2: you ship her kid.

791
00:42:02,280 --> 00:42:07,200
Speaker 3: She already know Nigga getting that seventeen bleak dis is

792
00:42:07,280 --> 00:42:10,080
Speaker 3: now about him everywhere with every week.

793
00:42:10,320 --> 00:42:20,160
Speaker 2: How do you come with it? You turned off? Right,

794
00:42:22,160 --> 00:42:25,080
Speaker 2: that's not but that she ain't come on bro, like

795
00:42:25,480 --> 00:42:28,360
Speaker 2: they don't got to go to the streets. You still

796
00:42:28,440 --> 00:42:34,800
Speaker 2: took you You didn't that bulletproof right then? Unfortunately, unfortunately

797
00:42:34,880 --> 00:42:39,759
Speaker 2: that's what that's that's not happening. That's not happening. That's

798
00:42:39,800 --> 00:42:42,160
Speaker 2: not happening. I think as the time passes and they

799
00:42:42,200 --> 00:42:44,680
Speaker 2: get older in life, maybe, but right now.

800
00:42:45,440 --> 00:42:47,680
Speaker 11: Here's a question of what if you get that offer,

801
00:42:48,080 --> 00:42:49,879
Speaker 11: because at the time, right now, what if you get

802
00:42:49,960 --> 00:42:51,600
Speaker 11: off who getting to bring the niggas out.

803
00:42:53,320 --> 00:43:00,799
Speaker 2: Of whatever he did?

804
00:43:01,200 --> 00:43:04,160
Speaker 11: What if Kendrick made the offer and first of all,

805
00:43:04,200 --> 00:43:07,680
Speaker 11: I can bring you niggas out, Joseph ju.

806
00:43:07,920 --> 00:43:11,799
Speaker 2: Drake, you can't offer me nothing, sir. I'm checking out.

807
00:43:13,560 --> 00:43:16,759
Speaker 2: I'm straight on all levels. You're gonna work it. So

808
00:43:17,040 --> 00:43:19,399
Speaker 2: you know that's why I say later on in life,

809
00:43:19,440 --> 00:43:21,440
Speaker 2: right now, let's get let's get that theory out of

810
00:43:21,480 --> 00:43:24,440
Speaker 2: the day. You can't throw the bad like yo, come

811
00:43:24,480 --> 00:43:28,680
Speaker 2: on my side. We're gonna take a moment about back

812
00:43:28,719 --> 00:43:31,439
Speaker 2: from that, what if what if you're.

813
00:43:31,400 --> 00:43:33,800
Speaker 11: Kendrick and you will bite Wayne through the ship and

814
00:43:33,800 --> 00:43:35,520
Speaker 11: Wayne say yes, like if you Drake, are you are?

815
00:43:35,600 --> 00:43:37,840
Speaker 2: You See here's the thing. I don't even think Wayne

816
00:43:37,880 --> 00:43:40,439
Speaker 2: would even do it on the strip strength of Drake

817
00:43:40,560 --> 00:43:43,520
Speaker 2: at this point, because that's his boy. Like you know

818
00:43:43,560 --> 00:43:45,320
Speaker 2: what I'm saying. That's why it seems like that. I

819
00:43:45,360 --> 00:43:47,320
Speaker 2: don't even think that will happen just out of respect.

820
00:43:47,360 --> 00:43:48,360
Speaker 4: We don't know.

821
00:43:51,680 --> 00:43:53,520
Speaker 2: Wayne don't have nothing to do with that either. So

822
00:43:53,760 --> 00:43:59,839
Speaker 2: at the same time, he could be but just that moment,

823
00:44:00,080 --> 00:44:03,880
Speaker 2: even on the East because you ain't got love doctor

824
00:44:04,400 --> 00:44:11,600
Speaker 2: Snoop Dog would never know what if? What ifs?

825
00:44:11,719 --> 00:44:16,680
Speaker 16: And if not, Cab already made his decision, already made

826
00:44:16,760 --> 00:44:23,319
Speaker 16: his decision, already made that decision like that, I.

827
00:44:23,280 --> 00:44:26,600
Speaker 3: Don't fucking know if Wayne touched that stage with Ken Drake,

828
00:44:26,680 --> 00:44:28,439
Speaker 3: him and Drake will never be friends again.

829
00:44:28,560 --> 00:44:31,360
Speaker 2: So what I'm saying I gotta be heard. It is like, like,

830
00:44:31,440 --> 00:44:32,200
Speaker 2: all right, so you're.

831
00:44:32,040 --> 00:44:35,080
Speaker 3: Gonna choose the super Bowl over your dog. I don't

832
00:44:35,080 --> 00:44:38,040
Speaker 3: give a funk who was on that stage. I'm with

833
00:44:38,160 --> 00:44:38,560
Speaker 3: the dogs.

834
00:44:38,719 --> 00:44:41,040
Speaker 1: That's a big So you're saying because we're still going

835
00:44:41,080 --> 00:44:42,320
Speaker 1: around you saying Kendrick.

836
00:44:42,120 --> 00:44:43,399
Speaker 2: Does deserve this hands down.

837
00:44:43,640 --> 00:44:46,080
Speaker 3: Yeah, it's his moment, you know what I mean, it's

838
00:44:46,160 --> 00:44:48,680
Speaker 3: his moment. But everybody told about he should bring Wayne.

839
00:44:48,760 --> 00:44:53,600
Speaker 3: Now know he's shouldn't I say that it would be nice,

840
00:44:54,800 --> 00:44:55,479
Speaker 3: It would be nice.

841
00:44:58,480 --> 00:44:59,000
Speaker 1: You can't.

842
00:45:00,120 --> 00:45:00,480
Speaker 8: It's not a.

843
00:45:02,400 --> 00:45:06,000
Speaker 3: It's possible, bro the times man, you gotta think about it. Man,

844
00:45:06,080 --> 00:45:09,040
Speaker 3: think of all the smoke in the city. Yo, it's

845
00:45:09,239 --> 00:45:20,319
Speaker 3: no way. So you're trying to tell me, I bleeve lea.

846
00:45:20,680 --> 00:45:23,480
Speaker 3: You think John Rubo go to a fucking Tony Ao show.

847
00:45:24,080 --> 00:45:28,520
Speaker 12: No, but it's it's not even if it's wimboos opening

848
00:45:28,640 --> 00:45:33,239
Speaker 12: in Queens be like, I don't give a fluff hell no,

849
00:45:34,719 --> 00:45:35,200
Speaker 12: reverse to.

850
00:45:35,320 --> 00:45:36,000
Speaker 1: The other way around.

851
00:45:37,440 --> 00:45:37,759
Speaker 2: It's not.

852
00:45:38,000 --> 00:45:41,480
Speaker 3: I think the timing of this up and that's means

853
00:45:41,560 --> 00:45:43,879
Speaker 3: well and so they deep is real. Let's not even

854
00:45:43,920 --> 00:45:47,320
Speaker 3: get into that. I knew with you and listen, Karman,

855
00:45:47,440 --> 00:45:49,880
Speaker 3: since it ice Cube beef, it's been dead it on.

856
00:45:50,239 --> 00:45:51,560
Speaker 3: But I took fair come to dead that.

857
00:45:51,800 --> 00:45:52,399
Speaker 2: I don't care.

858
00:45:52,600 --> 00:45:54,600
Speaker 3: You ever seen them niggas at each other show? You

859
00:45:54,680 --> 00:45:56,720
Speaker 3: ever seen common in the ice Cube movie?

860
00:45:57,040 --> 00:46:19,279
Speaker 2: And he got asked coming movie shut you down? Like that, Yeah,

861
00:46:21,000 --> 00:46:24,880
Speaker 2: over that ship. I'm not I know that. That's what

862
00:46:26,120 --> 00:46:28,879
Speaker 2: I'm talking about. On strip of Lloyd in the paper.

863
00:46:28,960 --> 00:46:32,000
Speaker 3: Wayne is never done to that man. He's loyal to

864
00:46:32,160 --> 00:46:34,160
Speaker 3: his team. Why am C m B.

865
00:46:34,400 --> 00:46:37,600
Speaker 2: You can't go against that. You can't just for the look.

866
00:46:38,080 --> 00:46:40,000
Speaker 2: I think I agree with Blake. I think you're saying,

867
00:46:43,120 --> 00:46:43,800
Speaker 2: but listen.

868
00:46:43,680 --> 00:46:45,600
Speaker 3: Listen, you gotta debt it across the board.

869
00:46:45,680 --> 00:46:47,160
Speaker 2: Then, man, it's not going to lose.

870
00:46:47,239 --> 00:46:49,560
Speaker 10: They found it's a lot of unpower and it's a

871
00:46:49,640 --> 00:46:50,320
Speaker 10: lot of unpack.

872
00:46:50,440 --> 00:46:50,920
Speaker 2: I'm saying a.

873
00:46:50,960 --> 00:46:54,040
Speaker 3: Lot the unpacks jeopard the foundation of the family.

874
00:46:55,080 --> 00:46:58,120
Speaker 2: Look, because what if the powers that be No, no, no,

875
00:46:58,200 --> 00:47:01,080
Speaker 2: you too hypothetical. Now you's to even no no hell

876
00:47:01,400 --> 00:47:03,360
Speaker 2: that the booking nigga, listen your book. I think we

877
00:47:03,520 --> 00:47:07,600
Speaker 2: underestimated the level small too much. Listen, and this is

878
00:47:07,640 --> 00:47:08,840
Speaker 2: the underestimating.

879
00:47:09,200 --> 00:47:09,600
Speaker 4: I think.

880
00:47:11,280 --> 00:47:14,720
Speaker 2: The level before that, the biggest boy was was Nods

881
00:47:14,920 --> 00:47:16,920
Speaker 2: to Jay. But they got cool. But you can't even

882
00:47:17,000 --> 00:47:18,520
Speaker 2: compare them to to each other.

883
00:47:19,160 --> 00:47:21,000
Speaker 3: Why I was thinking about that we were they got

884
00:47:21,040 --> 00:47:25,080
Speaker 3: cool because listen right way, listen, but this is not

885
00:47:25,960 --> 00:47:28,839
Speaker 3: people is fifty fifty with the Jay and Nods. It's

886
00:47:28,920 --> 00:47:31,960
Speaker 3: people that say, Jay One, it's people that say nods.

887
00:47:33,600 --> 00:47:45,120
Speaker 2: That sorry please.

888
00:47:43,040 --> 00:47:43,279
Speaker 12: With that.

889
00:47:44,160 --> 00:47:58,880
Speaker 2: You know, it's niggas out like a fifty fifty. It

890
00:47:59,080 --> 00:48:05,320
Speaker 2: was like, okay, remember what you want to say for

891
00:48:05,400 --> 00:48:05,719
Speaker 2: this game?

892
00:48:06,040 --> 00:48:08,640
Speaker 1: So how about you? How do you feel about Kendrick

893
00:48:08,680 --> 00:48:09,440
Speaker 1: having that position?

894
00:48:09,600 --> 00:48:11,600
Speaker 5: You know, I think because of the time and the

895
00:48:11,719 --> 00:48:16,520
Speaker 5: way that he diabotically made Drake bow down and think's.

896
00:48:16,239 --> 00:48:18,000
Speaker 2: Been winning full long time, I'm.

897
00:48:17,880 --> 00:48:20,759
Speaker 5: Feel sorry for I'm just talking about strategically, how he

898
00:48:20,880 --> 00:48:24,000
Speaker 5: came back back to back. He tore his manhood apart

899
00:48:24,360 --> 00:48:27,560
Speaker 5: and then it was just like a crazy lyrical beef

900
00:48:27,640 --> 00:48:29,560
Speaker 5: that happened, and then they're not like us was the

901
00:48:29,760 --> 00:48:33,359
Speaker 5: icing on top estimating that. You know what I'm saying,

902
00:48:34,120 --> 00:48:35,719
Speaker 5: I think it's Kendrick's time.

903
00:48:36,920 --> 00:48:40,399
Speaker 3: If he tell them it's a week on Kendrick's side,

904
00:48:40,400 --> 00:48:41,440
Speaker 3: they even invite them.

905
00:48:41,880 --> 00:48:45,959
Speaker 2: You just came, hoped anybody at the gangster party.

906
00:48:46,040 --> 00:48:48,239
Speaker 3: You came and made the gangsters a corny and you're

907
00:48:48,239 --> 00:48:49,920
Speaker 3: going to invite them to the party.

908
00:48:50,640 --> 00:48:54,959
Speaker 2: You promo the super Bowl that he did was also

909
00:48:55,080 --> 00:48:56,240
Speaker 2: kind of like shot.

910
00:48:58,200 --> 00:49:00,680
Speaker 7: It was this is because you don't Kenny be thinking

911
00:49:00,840 --> 00:49:06,319
Speaker 7: on Tondra's detailed detail. He recreated General Patton from World

912
00:49:06,360 --> 00:49:09,600
Speaker 7: War Two doing the speech to the soldiers talking about

913
00:49:09,640 --> 00:49:11,040
Speaker 7: invading and all this stuff.

914
00:49:11,320 --> 00:49:14,080
Speaker 2: You know, he created that, but he was like he

915
00:49:14,160 --> 00:49:17,279
Speaker 2: had the football machine. She said it because you hold against.

916
00:49:18,520 --> 00:49:21,880
Speaker 3: Trying to What I was saying is that, dude, Yo,

917
00:49:22,000 --> 00:49:25,360
Speaker 3: bro the beef when is one sided. It's not nobody

918
00:49:25,560 --> 00:49:32,320
Speaker 3: talking about yo, Drake wanting to be everybody's.

919
00:49:30,160 --> 00:49:34,000
Speaker 2: With the hoving nods. It was fifty fifty people going back.

920
00:49:33,920 --> 00:49:34,440
Speaker 15: And forth with.

921
00:49:39,280 --> 00:49:59,800
Speaker 2: They't like just take over hot Takeover came out first before.

922
00:50:03,320 --> 00:50:07,000
Speaker 2: That was hard. This is what this is what ya yo.

923
00:50:07,160 --> 00:50:15,719
Speaker 2: Let me tell you what I'm shocking. Yo. Listen, not tall.

924
00:50:15,920 --> 00:50:26,200
Speaker 2: He didn't invite me now, but now you nigga's not

925
00:50:26,239 --> 00:50:27,840
Speaker 2: gonna do it. This is what when I asked you

926
00:50:28,040 --> 00:50:30,280
Speaker 2: was fine. When I asked you see how the times.

927
00:50:30,640 --> 00:50:32,839
Speaker 2: My question, y'all is the time and at the time

928
00:50:32,880 --> 00:50:35,160
Speaker 2: of this fight. So you see how one song could

929
00:50:35,200 --> 00:50:37,200
Speaker 2: come out then the other song. That's why if Takeover

930
00:50:37,280 --> 00:50:39,799
Speaker 2: came out before, So I want to ask y'all, at

931
00:50:39,840 --> 00:50:42,600
Speaker 2: what point because for me, Drake was kind of winning

932
00:50:42,880 --> 00:50:45,759
Speaker 2: the battle. They're not like us. Just they're not like us.

933
00:50:45,920 --> 00:50:48,160
Speaker 2: Just just took a life to his own.

934
00:50:50,000 --> 00:50:50,440
Speaker 1: And and.

935
00:50:53,080 --> 00:50:57,840
Speaker 2: That's what I'm saying. Crazy d was snapping to.

936
00:50:59,719 --> 00:50:59,919
Speaker 18: Snap.

937
00:51:02,120 --> 00:51:04,200
Speaker 11: I said, when Meet the Grahams came out, I didn't

938
00:51:04,200 --> 00:51:05,719
Speaker 11: have about a Lancelot landslide.

939
00:51:05,719 --> 00:51:08,120
Speaker 2: I still thought it was a battle like okay, when

940
00:51:08,160 --> 00:51:11,439
Speaker 2: I like, I was not like that was the last

941
00:51:11,480 --> 00:51:15,600
Speaker 2: one like us. The first time I heard, I said,

942
00:51:15,680 --> 00:51:16,600
Speaker 2: this is gonna shake something.

943
00:51:16,600 --> 00:51:19,279
Speaker 3: I don't know, man, but Drake got some of the

944
00:51:19,560 --> 00:51:23,640
Speaker 3: hardest what I'm saying, like the records in battles, and

945
00:51:23,760 --> 00:51:25,200
Speaker 3: they say he lost both.

946
00:51:26,480 --> 00:51:32,239
Speaker 2: Freestylish crazy too a fact, who is that against pushing? Yeah, yeah,

947
00:51:32,239 --> 00:51:34,000
Speaker 2: well we got to give it up for jusye for going.

948
00:51:34,680 --> 00:51:37,759
Speaker 2: It's really like going out here. Listen, it's really like

949
00:51:38,400 --> 00:51:41,440
Speaker 2: he won out here. We really got it, We really

950
00:51:41,480 --> 00:51:41,719
Speaker 2: got to.

951
00:51:43,280 --> 00:51:45,520
Speaker 3: He takes off the.

952
00:51:46,560 --> 00:51:49,680
Speaker 2: Hendrick win draw. He's with the ships. Couldn't be too.

953
00:51:49,920 --> 00:51:51,719
Speaker 2: Kendrick got that respect because.

954
00:51:51,440 --> 00:51:51,600
Speaker 12: Of that.

955
00:51:54,080 --> 00:51:54,759
Speaker 2: Focus on them.

956
00:51:54,840 --> 00:51:58,040
Speaker 1: J Cole just released a freestyle. He released a freestyle

957
00:51:58,160 --> 00:52:04,080
Speaker 1: addressing the situation about that situation, situation him stepping in

958
00:52:04,160 --> 00:52:05,800
Speaker 1: that Beau.

959
00:52:05,920 --> 00:52:08,560
Speaker 3: I love my brother rock for life, but now you

960
00:52:08,680 --> 00:52:11,920
Speaker 3: can't do that. But you can't Yeah, you can't say

961
00:52:12,040 --> 00:52:21,960
Speaker 3: double dutch he is bad about the situation because the

962
00:52:22,040 --> 00:52:24,520
Speaker 3: nigga is fucking phenomen.

963
00:52:25,680 --> 00:52:25,719
Speaker 1: Like.

964
00:52:26,560 --> 00:52:30,640
Speaker 2: Niggas really cannot funk with that. Boyn't get busy.

965
00:52:30,480 --> 00:52:33,319
Speaker 3: So you cannot and you can't say yo, I don't

966
00:52:33,360 --> 00:52:35,960
Speaker 3: want to fight, but how to funk the niggas up

967
00:52:36,040 --> 00:52:38,600
Speaker 3: the tomorrow like the next day, be like, yeah, if

968
00:52:38,640 --> 00:52:40,160
Speaker 3: I fought them, know how to funk them up?

969
00:52:40,800 --> 00:52:44,200
Speaker 2: He dropped something, He dropped the record, but no, no

970
00:52:44,360 --> 00:52:51,480
Speaker 2: before that before but he apologized. But he did drop.

971
00:52:51,600 --> 00:53:01,759
Speaker 2: He did, he stepped up, he did something. Sometimes you swing,

972
00:53:01,920 --> 00:53:05,600
Speaker 2: sometime you could think ship through. Sometimes you got leship register.

973
00:53:07,880 --> 00:53:09,400
Speaker 2: Maybe you can talk about.

974
00:53:12,640 --> 00:53:15,319
Speaker 3: You talk about him to swinging. But on some ship

975
00:53:15,400 --> 00:53:17,320
Speaker 3: that could even able to apologize.

976
00:53:17,640 --> 00:53:20,200
Speaker 2: Right on some m C ship, we know it's not

977
00:53:20,360 --> 00:53:22,560
Speaker 2: duck in the face like that. Let me know something.

978
00:53:22,600 --> 00:53:23,920
Speaker 2: He capable of getting crazy.

979
00:53:23,960 --> 00:53:25,799
Speaker 1: But let me ask you something. Let me ask everyone something.

980
00:53:25,840 --> 00:53:28,359
Speaker 1: Why didn't Kidred go back? Why did why did kid

981
00:53:28,640 --> 00:53:31,879
Speaker 1: respect his apology? Because an apologies go back.

982
00:53:31,800 --> 00:53:33,400
Speaker 2: For what you like bullying?

983
00:53:33,440 --> 00:53:33,719
Speaker 1: After that.

984
00:53:36,040 --> 00:53:39,120
Speaker 2: Said you swung at me, but he said, you ain't connect. Yeah,

985
00:53:40,120 --> 00:53:42,480
Speaker 2: it's all right for me to swing, man, I ain't

986
00:53:42,480 --> 00:53:44,120
Speaker 2: gonna anybody.

987
00:53:45,360 --> 00:53:50,960
Speaker 20: Jason you consider him running not in that sense, but

988
00:53:51,080 --> 00:53:55,920
Speaker 20: it's like your relation. It could have win.

989
00:53:56,000 --> 00:53:57,360
Speaker 3: I'm glad.

990
00:53:58,680 --> 00:54:01,799
Speaker 2: Day like I said, my brother, that's the family. Those

991
00:54:01,800 --> 00:54:03,000
Speaker 2: guys both both.

992
00:54:04,600 --> 00:54:06,719
Speaker 3: Load that way because it could have went.

993
00:54:07,040 --> 00:54:09,920
Speaker 2: It could have went, so who you did would win.

994
00:54:10,040 --> 00:54:12,799
Speaker 2: When in the k they call battle.

995
00:54:12,840 --> 00:54:14,560
Speaker 3: It's like Kanye said, we would never know.

996
00:54:15,239 --> 00:54:23,520
Speaker 2: Yes, we'll never know this that night. You need to

997
00:54:23,560 --> 00:54:26,640
Speaker 2: be a stablished You can't battle now like you.

998
00:54:27,480 --> 00:54:29,480
Speaker 6: I'm glad he bout out though I.

999
00:54:31,160 --> 00:54:32,640
Speaker 15: Respect it, don't.

1000
00:54:32,760 --> 00:54:34,520
Speaker 6: It's just he's in a different space period.

1001
00:54:34,560 --> 00:54:38,360
Speaker 2: I respect it. I respected, I respected it, but you

1002
00:54:38,440 --> 00:54:40,040
Speaker 2: wanted to define.

1003
00:54:51,760 --> 00:54:54,200
Speaker 1: The group man in me that's married with children. It's like,

1004
00:54:54,480 --> 00:54:56,520
Speaker 1: I respect that, respect that if you don't touch right

1005
00:54:56,600 --> 00:54:57,120
Speaker 1: with your soul.

1006
00:54:57,520 --> 00:55:00,319
Speaker 2: But then in the battle rap with me, you.

1007
00:55:00,440 --> 00:55:00,840
Speaker 15: Know what I mean?

1008
00:55:01,760 --> 00:55:04,160
Speaker 2: Bro anywhere?

1009
00:55:05,640 --> 00:55:08,200
Speaker 10: Then the space of his life, Yeah, ultimately he's like

1010
00:55:08,400 --> 00:55:11,360
Speaker 10: great space. But it's like my life, you're entertainment.

1011
00:55:11,400 --> 00:55:12,920
Speaker 2: This is in the way happened.

1012
00:55:13,719 --> 00:55:17,760
Speaker 7: Ultimately is my life, you're entertainment. This is what other exempts?

1013
00:55:18,160 --> 00:55:21,000
Speaker 7: What other example do we have in great hip hop battles?

1014
00:55:21,239 --> 00:55:22,360
Speaker 7: That was going three ways?

1015
00:55:23,160 --> 00:55:31,480
Speaker 2: That'd have been crazy, Eminem Dre it was a whole person. Shannon,

1016
00:55:31,640 --> 00:55:35,799
Speaker 2: Chris j and in the first instrut share their care rest.

1017
00:55:35,840 --> 00:55:40,719
Speaker 1: A lot of people forget about her, poet and just Ice.

1018
00:55:42,200 --> 00:55:43,879
Speaker 1: So it did trickle down to the other day.

1019
00:55:43,880 --> 00:55:48,000
Speaker 2: I mean that's it was a few that was like that.

1020
00:55:48,239 --> 00:55:55,520
Speaker 2: Talk about Freddy Fox chasing niggas. Yeah, Chase having done

1021
00:56:03,360 --> 00:56:05,680
Speaker 2: he was outside. He made a lot of my old

1022
00:56:05,760 --> 00:56:06,920
Speaker 2: g I used to.

1023
00:56:06,920 --> 00:56:08,880
Speaker 3: Look up to be like, Damn Son, get busy and

1024
00:56:09,000 --> 00:56:10,120
Speaker 3: nigga come outside the club.

1025
00:56:10,200 --> 00:56:11,879
Speaker 2: Niggas put on them skatee.

1026
00:56:13,400 --> 00:56:13,440
Speaker 21: En.

1027
00:56:16,920 --> 00:56:24,600
Speaker 2: I like it. Shippias ain't wanting where him.

1028
00:56:25,480 --> 00:56:27,200
Speaker 11: Let me at this though, I think of hip hop.

1029
00:56:28,200 --> 00:56:30,880
Speaker 11: You can't du no faith even if you want to.

1030
00:56:31,280 --> 00:56:32,359
Speaker 11: I understand what beef does.

1031
00:56:32,400 --> 00:56:35,880
Speaker 2: Its stressful. Nobody signs if you want to be for everybody.

1032
00:56:36,920 --> 00:56:55,520
Speaker 2: Was about everybody about a minute. Got everybody want to

1033
00:56:56,160 --> 00:57:02,080
Speaker 2: smoke ship given o smoot stressful and it disrupts your piece.

1034
00:57:02,200 --> 00:57:04,479
Speaker 2: I know what they Cole was ducking from. But you can't.

1035
00:57:05,239 --> 00:57:07,080
Speaker 2: And it's not just J Cole, anybody.

1036
00:57:07,239 --> 00:57:10,000
Speaker 11: If you a top ten nigga or your nigga shooting

1037
00:57:10,040 --> 00:57:13,120
Speaker 11: at you, you're saying I'm the best. Brendan smoke Brenan

1038
00:57:13,160 --> 00:57:14,880
Speaker 11: smoke and a Nigga Brennans moke. You can't say I

1039
00:57:14,920 --> 00:57:19,040
Speaker 11: don't want to smoke. You almost willing to yourself. You

1040
00:57:19,080 --> 00:57:20,360
Speaker 11: can't put yourself in the straw.

1041
00:57:20,600 --> 00:57:25,280
Speaker 2: We got to ask ourselves. I've seen a picture with

1042
00:57:25,360 --> 00:57:26,640
Speaker 2: you and Lloyd Banks together.

1043
00:57:27,160 --> 00:57:29,560
Speaker 1: Yeah, well that was since after you came on Drink

1044
00:57:29,680 --> 00:57:32,439
Speaker 1: Champ right now reason Okay, So, so what happened? Because

1045
00:57:32,480 --> 00:57:34,120
Speaker 1: you do a lot of shots at Lloyd Banks. At

1046
00:57:34,160 --> 00:57:36,320
Speaker 1: one point, you do shots and people. You talked about

1047
00:57:36,360 --> 00:57:37,560
Speaker 1: the g and the story when we went up to

1048
00:57:37,600 --> 00:57:40,600
Speaker 1: the office. How was this encounter with you and Lloyd Banks? Now?

1049
00:57:41,040 --> 00:57:43,560
Speaker 2: It was mad piece Banks, heavy heavy you.

1050
00:57:45,560 --> 00:57:45,760
Speaker 17: Yeah.

1051
00:57:46,840 --> 00:57:54,120
Speaker 2: Yeah, As a matter of fact, you said that on

1052
00:57:54,160 --> 00:57:54,439
Speaker 2: the show.

1053
00:57:54,560 --> 00:57:57,000
Speaker 11: You're trying to create a record that's perfect for me

1054
00:57:57,040 --> 00:57:58,720
Speaker 11: and him. Right now, okay, I think I was shake.

1055
00:57:58,760 --> 00:58:02,200
Speaker 2: Queens don't talk. You're gonna about your yeah problems. I'm

1056
00:58:02,200 --> 00:58:05,320
Speaker 2: gona approach yet I'm battle on the record. I don't

1057
00:58:05,320 --> 00:58:07,680
Speaker 2: want to battle. You don't want to.

1058
00:58:09,440 --> 00:58:13,400
Speaker 13: Go with him.

1059
00:58:13,520 --> 00:58:15,439
Speaker 2: I wanted I wanted to be some queen ship. Okay,

1060
00:58:15,520 --> 00:58:17,919
Speaker 2: I want to I want to ride the queen ship.

1061
00:58:17,960 --> 00:58:19,640
Speaker 2: So y'all both knew y'all was at the same place.

1062
00:58:19,800 --> 00:58:21,480
Speaker 2: So how did this We're gonna have a thirty eight

1063
00:58:21,520 --> 00:58:24,160
Speaker 2: spents video show. Oh okay. I was happy to see

1064
00:58:24,160 --> 00:58:24,560
Speaker 2: the neigba be.

1065
00:58:24,560 --> 00:58:26,520
Speaker 11: Shop energy was great, Like, I don't want to battle

1066
00:58:26,560 --> 00:58:27,880
Speaker 11: with that man, No, I want to do some queen

1067
00:58:27,920 --> 00:58:28,760
Speaker 11: ships from my body.

1068
00:58:29,000 --> 00:58:32,160
Speaker 2: I got the queen's had on. Now got Devin. Yeah

1069
00:58:39,200 --> 00:58:43,240
Speaker 2: you don't have no ship though. Yeah, you gotta talk.

1070
00:58:49,040 --> 00:58:49,080
Speaker 13: That.

1071
00:58:49,280 --> 00:58:49,760
Speaker 2: That's one of the.

1072
00:58:51,840 --> 00:58:54,360
Speaker 1: That's one of my favorite that's one of my favorite

1073
00:58:54,400 --> 00:58:57,280
Speaker 1: eras in hip hop was and you know it's it's

1074
00:58:57,320 --> 00:59:00,000
Speaker 1: not it's not really how they how they went about it.

1075
00:59:00,400 --> 00:59:01,960
Speaker 1: First off, they was at the top. It was it

1076
00:59:02,040 --> 00:59:05,000
Speaker 1: was inevitable for them to crash heads at some point.

1077
00:59:05,280 --> 00:59:07,160
Speaker 1: It wasn't about how they went about the battle. It's

1078
00:59:07,160 --> 00:59:09,360
Speaker 1: about how they fixed the battle. That makes it dope,

1079
00:59:09,440 --> 00:59:10,760
Speaker 1: you know what I'm saying. Like the fact that they

1080
00:59:10,840 --> 00:59:13,160
Speaker 1: both are fucking businessmen and neither one of them have

1081
00:59:13,240 --> 00:59:15,800
Speaker 1: to fucking rhyme right now, it's like that shit is dope,

1082
00:59:15,800 --> 00:59:16,440
Speaker 1: you know what I mean to me?

1083
00:59:16,600 --> 00:59:18,800
Speaker 2: So like like I love that. That's the reason why

1084
00:59:18,880 --> 00:59:19,880
Speaker 2: I know I saund naive.

1085
00:59:20,200 --> 00:59:22,480
Speaker 1: I mean, one of the first times I had somebody

1086
00:59:22,600 --> 00:59:24,920
Speaker 1: laugh at me so so hard on the show was

1087
00:59:25,360 --> 00:59:27,080
Speaker 1: I told Remy Ma, I was like, yo, I wish

1088
00:59:27,240 --> 00:59:29,080
Speaker 1: and it is ironic they got a terror squad chain

1089
00:59:29,120 --> 00:59:30,920
Speaker 1: on today. I got the Lewest Terrat squad's chain and

1090
00:59:32,520 --> 00:59:35,720
Speaker 1: I got a terror squad cha right, So I asked

1091
00:59:35,760 --> 00:59:37,400
Speaker 1: with me Ma, I told her, not asked her.

1092
00:59:37,480 --> 00:59:37,840
Speaker 2: I told her.

1093
00:59:37,840 --> 00:59:41,320
Speaker 1: I said I still missed the original Terror squad and

1094
00:59:41,400 --> 00:59:43,760
Speaker 1: she was like the original members and she was looking

1095
00:59:43,800 --> 00:59:45,120
Speaker 1: at me and I was like, yeah, because you know,

1096
00:59:45,200 --> 00:59:47,880
Speaker 1: we didn't want to say a certain names or certain names.

1097
00:59:48,120 --> 00:59:49,640
Speaker 1: And I was like, yes, I remember it. And I

1098
00:59:49,760 --> 00:59:52,560
Speaker 1: was like, I actually wish that they can squash it

1099
00:59:52,640 --> 00:59:54,400
Speaker 1: and get it together. When I tell you this woman

1100
00:59:54,520 --> 00:59:57,560
Speaker 1: laughed at me so hard. I think I edited it

1101
00:59:57,600 --> 01:00:02,680
Speaker 1: out the episode. He was just like, I gotta tell

1102
01:00:02,960 --> 01:00:03,760
Speaker 1: in her mind, she was.

1103
01:00:03,760 --> 01:00:04,600
Speaker 2: Like, what are you dumb?

1104
01:00:05,600 --> 01:00:07,760
Speaker 1: I can tell she was saying that to me. But

1105
01:00:08,160 --> 01:00:10,040
Speaker 1: I'm a naive thinker, you know what I'm saying, Like, I.

1106
01:00:10,200 --> 01:00:12,480
Speaker 2: Think eventually you think culture ship, I get it.

1107
01:00:12,760 --> 01:00:16,640
Speaker 1: I think eventually Kendrick Lamar and Drake will squash it

1108
01:00:16,880 --> 01:00:17,480
Speaker 1: and make one of.

1109
01:00:17,480 --> 01:00:19,240
Speaker 2: The biggest records of all time.

1110
01:00:19,720 --> 01:00:22,560
Speaker 1: And they may not though you know why, because they

1111
01:00:23,480 --> 01:00:25,600
Speaker 1: this is I just told you my night. You think.

1112
01:00:34,720 --> 01:00:37,760
Speaker 2: I'm saying around in that type of ship I feel,

1113
01:00:39,440 --> 01:00:42,520
Speaker 2: I see, I know you know. But let me ask

1114
01:00:42,560 --> 01:00:44,479
Speaker 2: you this. Ro hold, hold hold, let me ask you something.

1115
01:00:44,760 --> 01:00:46,800
Speaker 2: You got to ask you something history too, And what

1116
01:00:46,880 --> 01:00:49,240
Speaker 2: do you think who do you think goes crazy? Big

1117
01:00:49,440 --> 01:00:52,680
Speaker 2: and Pop? It never went the violence? Do you think

1118
01:00:52,720 --> 01:00:56,560
Speaker 2: Big and Pot would eventually had squashed their beef? Yeah,

1119
01:00:56,560 --> 01:00:58,720
Speaker 2: I think they were already.

1120
01:00:58,960 --> 01:01:02,440
Speaker 7: Any of these rumors that they talked like shortly before

1121
01:01:02,520 --> 01:01:04,160
Speaker 7: park past, No, No, that's not true.

1122
01:01:04,160 --> 01:01:05,880
Speaker 2: I don't know about that because.

1123
01:01:05,600 --> 01:01:07,960
Speaker 7: There's all these crazy things say, Oh, they actually spoke

1124
01:01:08,280 --> 01:01:09,720
Speaker 7: and they were trying to squash it.

1125
01:01:10,280 --> 01:01:13,760
Speaker 9: I don't know about nothing but talking to each other. No,

1126
01:01:14,600 --> 01:01:17,560
Speaker 9: it was other people around situations. This is before phones and.

1127
01:01:19,080 --> 01:01:19,360
Speaker 4: All that.

1128
01:01:19,560 --> 01:01:20,960
Speaker 2: But people need to understand that.

1129
01:01:21,240 --> 01:01:23,600
Speaker 9: You knew that had foul in certain places that could

1130
01:01:23,640 --> 01:01:27,240
Speaker 9: actually put certain people together, and it could have been

1131
01:01:27,320 --> 01:01:29,400
Speaker 9: possible in the strength of one person.

1132
01:01:29,880 --> 01:01:31,160
Speaker 2: That's how it was in them times.

1133
01:01:31,600 --> 01:01:33,680
Speaker 9: If it was a live motherfucker back in them days,

1134
01:01:33,960 --> 01:01:36,400
Speaker 9: you have some power when people respected you, would you

1135
01:01:36,520 --> 01:01:37,600
Speaker 9: win where you from?

1136
01:01:37,760 --> 01:01:39,040
Speaker 2: You mean like a O G stepping in?

1137
01:01:39,400 --> 01:01:40,920
Speaker 1: You think that one person could have been who you

1138
01:01:40,960 --> 01:01:43,360
Speaker 1: think that one person could have been that could have

1139
01:01:43,360 --> 01:01:43,840
Speaker 1: squashed it.

1140
01:01:44,000 --> 01:01:45,760
Speaker 9: I mean, it could have been it could have been

1141
01:01:45,800 --> 01:01:47,360
Speaker 9: a few. It could have it could have been a few.

1142
01:01:47,520 --> 01:01:49,000
Speaker 9: It could have been people from there that we might

1143
01:01:49,040 --> 01:01:51,160
Speaker 9: have not knew about that had that type of power

1144
01:01:51,200 --> 01:01:52,640
Speaker 9: in LA. But there's a lot of people in New

1145
01:01:52,720 --> 01:01:55,439
Speaker 9: York that could have say that could have made that happen.

1146
01:01:55,520 --> 01:01:57,160
Speaker 1: You know, Jazz.

1147
01:01:58,560 --> 01:02:01,760
Speaker 11: Late Great Chat, of course, Jazz and some of the

1148
01:02:01,800 --> 01:02:05,520
Speaker 11: other gangs at that time, and Tupac, they were starting

1149
01:02:05,560 --> 01:02:07,520
Speaker 11: like almost like their own street coalition where they were

1150
01:02:07,640 --> 01:02:10,640
Speaker 11: unifying all the gangster in the communities around the country.

1151
01:02:10,520 --> 01:02:14,800
Speaker 2: Because that's a black hands right in jail should call

1152
01:02:14,840 --> 01:02:16,360
Speaker 2: all through the princess them in the streets.

1153
01:02:16,360 --> 01:02:19,520
Speaker 11: But they were gonna unify all the street guys to

1154
01:02:19,600 --> 01:02:23,440
Speaker 11: police themselves and in so many words, around the country.

1155
01:02:24,000 --> 01:02:25,760
Speaker 2: If that kind of order was brought to the streets,

1156
01:02:26,120 --> 01:02:27,200
Speaker 2: nigga would have been unified.

1157
01:02:27,280 --> 01:02:29,480
Speaker 11: And I don't think that police and affairs going a

1158
01:02:29,520 --> 01:02:31,200
Speaker 11: lout that kind of power amongst blacks at all. They

1159
01:02:31,280 --> 01:02:32,760
Speaker 11: let me get this nigga up out of here, you

1160
01:02:32,800 --> 01:02:35,240
Speaker 11: know what I'm saying. So some unification was gonna come

1161
01:02:35,240 --> 01:02:36,200
Speaker 11: about with that type of ship.

1162
01:02:36,320 --> 01:02:39,080
Speaker 2: They both expected artists in them times like.

1163
01:02:43,040 --> 01:02:43,320
Speaker 21: It was.

1164
01:02:43,960 --> 01:02:47,240
Speaker 2: It was shipped like y'all was coming like Nigga all

1165
01:02:47,280 --> 01:02:47,560
Speaker 2: that ship.

1166
01:02:47,600 --> 01:02:52,160
Speaker 9: We other people coming in starting to make you pick

1167
01:02:52,240 --> 01:02:53,680
Speaker 9: situation as anybody ride.

1168
01:02:54,120 --> 01:02:58,080
Speaker 2: It was hard for Knock when other people starting to

1169
01:02:58,160 --> 01:02:58,480
Speaker 2: add on.

1170
01:02:59,320 --> 01:03:01,760
Speaker 9: You start to make it's something small people to talk to,

1171
01:03:01,840 --> 01:03:03,280
Speaker 9: a small politics for it, but you.

1172
01:03:03,760 --> 01:03:07,040
Speaker 2: You really other people took it on and it's spreading right.

1173
01:03:07,400 --> 01:03:07,560
Speaker 8: Yeah.

1174
01:03:07,600 --> 01:03:09,640
Speaker 9: But that ship was real though, So it's cool that

1175
01:03:09,720 --> 01:03:11,880
Speaker 9: we could talk about hip hop beef in this kind

1176
01:03:11,920 --> 01:03:13,520
Speaker 9: of manut the way we talk about and say we

1177
01:03:13,600 --> 01:03:16,680
Speaker 9: won and won back in the days, but actually.

1178
01:03:19,560 --> 01:03:22,480
Speaker 7: We got this and at the table the person that

1179
01:03:22,600 --> 01:03:25,720
Speaker 7: lost the most in a hip hop beef was right, right,

1180
01:03:26,120 --> 01:03:27,440
Speaker 7: So we got to be understanding that.

1181
01:03:27,560 --> 01:03:29,360
Speaker 10: You know what I'm saying, I want what's part of

1182
01:03:29,440 --> 01:03:32,520
Speaker 10: the movie like, so you know, towards the end, it

1183
01:03:32,600 --> 01:03:34,320
Speaker 10: was like, yeah, I was getting threats and ship was that?

1184
01:03:34,480 --> 01:03:37,040
Speaker 2: Is that real? At the same time that he passed.

1185
01:03:38,400 --> 01:03:42,439
Speaker 9: In real time, you being clubs, you be walking around

1186
01:03:42,520 --> 01:03:46,040
Speaker 9: Nigga ro Rode passing the car, yeah, west side in

1187
01:03:46,120 --> 01:03:46,439
Speaker 9: the mall.

1188
01:03:48,560 --> 01:03:49,880
Speaker 1: So it was like it was like the whole gang

1189
01:03:49,960 --> 01:03:53,640
Speaker 1: coature was against I remember, I remember, God bless me.

1190
01:03:53,680 --> 01:03:57,920
Speaker 1: I remember after Biggie died, whether you wanted to or not,

1191
01:03:58,400 --> 01:04:00,440
Speaker 1: if you went to l A, your record will high

1192
01:04:00,520 --> 01:04:03,720
Speaker 1: security for you no matter what. And it was like

1193
01:04:03,920 --> 01:04:06,320
Speaker 1: it was like smoke at that time, like like all

1194
01:04:06,400 --> 01:04:08,440
Speaker 1: of us was like, for lack of a better term,

1195
01:04:08,480 --> 01:04:09,560
Speaker 1: I don't want to stay scared, but.

1196
01:04:09,720 --> 01:04:11,400
Speaker 2: Definitely nervous, you know what I mean.

1197
01:04:11,560 --> 01:04:14,080
Speaker 1: Definitely nervous because we just felt like it was a

1198
01:04:14,240 --> 01:04:17,480
Speaker 1: war against all of us. And me actually made a record,

1199
01:04:21,600 --> 01:04:24,320
Speaker 1: so I'm like a red alert armist alert bro. Like

1200
01:04:24,440 --> 01:04:26,960
Speaker 1: I was like, you know what I'm saying, Like you chose.

1201
01:04:29,680 --> 01:04:34,040
Speaker 1: I remember Going Ahead was so smarter than all of us.

1202
01:04:34,960 --> 01:04:39,200
Speaker 1: I remember, I remember Going Sees was right next to

1203
01:04:39,280 --> 01:04:43,200
Speaker 1: Big and because I ain't gonna lie for Big being

1204
01:04:43,240 --> 01:04:45,480
Speaker 1: the king of New York and the Tunnel being the

1205
01:04:45,560 --> 01:04:49,640
Speaker 1: roughest club in America, not New York, the roughers club

1206
01:04:49,680 --> 01:04:52,440
Speaker 1: in America, and it would just be Big and Seas

1207
01:04:52,760 --> 01:04:54,960
Speaker 1: and I'm like this, they didn't even need security. That's

1208
01:04:54,960 --> 01:04:57,840
Speaker 1: how much New York loved him. And I came to him,

1209
01:04:57,840 --> 01:05:00,640
Speaker 1: I was like, yo, we went backing back at him.

1210
01:05:00,960 --> 01:05:03,360
Speaker 1: And he was like huh and he was like, and

1211
01:05:03,560 --> 01:05:05,120
Speaker 1: you know l A l A didn't come out yet

1212
01:05:05,160 --> 01:05:07,160
Speaker 1: because it was for a bad boy mixtape with Stretched

1213
01:05:07,200 --> 01:05:10,160
Speaker 1: Armstrong was was hosting, and Big was like, nah, a

1214
01:05:10,200 --> 01:05:10,760
Speaker 1: little homie.

1215
01:05:10,800 --> 01:05:13,200
Speaker 2: He was like, yo, because you know what they accusing

1216
01:05:13,240 --> 01:05:15,440
Speaker 2: me of. I didn't do and I didn't understand.

1217
01:05:15,760 --> 01:05:18,600
Speaker 1: Like how intelligent he was at the time, like like

1218
01:05:18,720 --> 01:05:21,600
Speaker 1: he knew this was sponsor him co signing that will

1219
01:05:21,760 --> 01:05:24,040
Speaker 1: will help engage into into the war.

1220
01:05:24,200 --> 01:05:26,240
Speaker 2: But let me switch it up, escalated, let me switch

1221
01:05:26,280 --> 01:05:26,520
Speaker 2: it up.

1222
01:05:27,000 --> 01:05:31,800
Speaker 1: At one point, Tupac switched his energy and he was

1223
01:05:32,200 --> 01:05:33,040
Speaker 1: somewhat coming.

1224
01:05:32,840 --> 01:05:35,360
Speaker 2: At jay Z for some time. How did how did?

1225
01:05:35,520 --> 01:05:36,600
Speaker 4: How was that he was.

1226
01:05:39,120 --> 01:05:43,680
Speaker 3: Come to After he was he said, I'm gonna tell

1227
01:05:43,680 --> 01:05:46,200
Speaker 3: you all about it, right and he said in the

1228
01:05:46,240 --> 01:05:54,320
Speaker 3: same like around that same he was like fu jay

1229
01:05:54,440 --> 01:05:56,160
Speaker 3: Z from the Hawaiian Sophie fame.

1230
01:05:56,520 --> 01:05:58,640
Speaker 2: This was all on the Macafelly album when the smoke

1231
01:05:58,720 --> 01:05:59,200
Speaker 2: with them was.

1232
01:05:59,200 --> 01:06:02,920
Speaker 3: Going on, Yo bro on on guard leaving the strip

1233
01:06:03,000 --> 01:06:04,800
Speaker 3: club Coco's in miam Oh.

1234
01:06:05,320 --> 01:06:07,240
Speaker 2: They used to sell a bootleg tape out there.

1235
01:06:07,640 --> 01:06:11,680
Speaker 3: He chances before maca the Magavelli album, even dropping Nigga

1236
01:06:11,800 --> 01:06:14,240
Speaker 3: had it, So I'm like, oh, get it because I

1237
01:06:14,360 --> 01:06:16,000
Speaker 3: want to hear it, you know what I mean?

1238
01:06:16,040 --> 01:06:18,240
Speaker 2: Getting the vans. Remember this is when Jay was riding

1239
01:06:18,280 --> 01:06:19,880
Speaker 2: in the turtle Top, So you don't know, you don't

1240
01:06:19,920 --> 01:06:22,240
Speaker 2: know what you want to hear. No, never heard the

1241
01:06:22,320 --> 01:06:35,439
Speaker 2: story right by the way you blet, I wasn't. I wasn't.

1242
01:06:36,960 --> 01:06:40,400
Speaker 3: I wasn't on you getting it wasn't even out yet.

1243
01:06:40,640 --> 01:06:43,160
Speaker 3: We're still trying to get on. So I get in

1244
01:06:43,200 --> 01:06:45,000
Speaker 3: the turtle Top, you know what I mean, I put

1245
01:06:45,040 --> 01:06:47,720
Speaker 3: the tape in and that ship getting to the part.

1246
01:06:48,160 --> 01:07:00,280
Speaker 2: Yeah funk jay z too, no Ja said what he said? Yeah,

1247
01:07:00,720 --> 01:07:02,720
Speaker 2: So I'm like, y'all, I just got the two album

1248
01:07:03,800 --> 01:07:09,160
Speaker 2: way how hard they was going because at this time

1249
01:07:09,240 --> 01:07:14,280
Speaker 2: he did not go at the mcavelly. But then and

1250
01:07:14,400 --> 01:07:17,520
Speaker 2: that the whole was back there steaming like ship.

1251
01:07:19,960 --> 01:07:20,919
Speaker 6: Did y'all like feel the tape?

1252
01:07:22,480 --> 01:07:26,959
Speaker 2: Can you listen to listen? Was doped?

1253
01:07:28,600 --> 01:07:32,280
Speaker 3: J did a free style on the hell Mary joint? No,

1254
01:07:32,560 --> 01:07:35,440
Speaker 3: not on hell Mary, It's on the Tracy Lee joint.

1255
01:07:37,080 --> 01:07:40,960
Speaker 3: He was on the Tracy beat and he performed it

1256
01:07:41,120 --> 01:07:44,080
Speaker 3: one time at the Apollo, but God blessed Pop died

1257
01:07:44,160 --> 01:07:48,560
Speaker 3: and Jay never put the regular. I wanted or I

1258
01:07:48,680 --> 01:07:49,640
Speaker 3: wanted this to come.

1259
01:07:49,520 --> 01:07:50,840
Speaker 2: Out and I ain't gonna front.

1260
01:07:50,880 --> 01:07:52,880
Speaker 3: I was so sick when it was when the when

1261
01:07:52,920 --> 01:07:55,840
Speaker 3: the beef was going on season, my niggas and and

1262
01:07:55,920 --> 01:07:57,160
Speaker 3: they had the Outlaws, and.

1263
01:07:57,200 --> 01:07:59,480
Speaker 2: It was like, I can't get in this.

1264
01:07:59,800 --> 01:08:02,960
Speaker 9: I'm I wanted the record because want big, don't want

1265
01:08:03,040 --> 01:08:05,720
Speaker 9: nobody to say nothing that was.

1266
01:08:05,920 --> 01:08:08,760
Speaker 2: Big strategy, Like Big Strategy was chilly.

1267
01:08:09,160 --> 01:08:09,440
Speaker 1: That's it.

1268
01:08:09,760 --> 01:08:14,480
Speaker 2: You couldn't they was something broke.

1269
01:08:14,920 --> 01:08:18,120
Speaker 9: Just I'm bro I'm chilling. But Big light chap every

1270
01:08:18,160 --> 01:08:20,800
Speaker 9: now and then even Okay, I hear you, because that

1271
01:08:20,920 --> 01:08:22,800
Speaker 9: was the competitive spirit and big ship. But Big new

1272
01:08:22,840 --> 01:08:24,800
Speaker 9: that ship could have gotten out of hand. We were

1273
01:08:24,840 --> 01:08:27,200
Speaker 9: just very connected with a lot of There was just

1274
01:08:27,240 --> 01:08:29,840
Speaker 9: a lot of people around that was really solid people

1275
01:08:30,240 --> 01:08:31,400
Speaker 9: that was in the streets.

1276
01:08:32,000 --> 01:08:40,120
Speaker 22: This is not we're not talking about this. You had

1277
01:08:40,160 --> 01:08:43,599
Speaker 22: to really like you was riding around with your real yelling.

1278
01:08:43,760 --> 01:08:44,360
Speaker 2: That's a fact.

1279
01:08:45,479 --> 01:08:50,200
Speaker 23: He was skating out of it scores none of that

1280
01:08:50,520 --> 01:08:51,200
Speaker 23: young days.

1281
01:08:51,320 --> 01:08:53,240
Speaker 2: That's a fast Saturday kid.

1282
01:08:53,439 --> 01:08:54,040
Speaker 3: That's a fact.

1283
01:08:54,200 --> 01:08:57,559
Speaker 2: Kid for the record, don't fail me out. Who shot

1284
01:08:58,120 --> 01:08:58,439
Speaker 2: the record?

1285
01:08:58,520 --> 01:08:58,680
Speaker 12: Yeah?

1286
01:08:58,680 --> 01:09:03,559
Speaker 2: Who shots? It's not about shot that's probably been done.

1287
01:09:03,600 --> 01:09:05,879
Speaker 2: People know that record was done before, and the DJs

1288
01:09:05,880 --> 01:09:08,479
Speaker 2: all that we had that record months before, you.

1289
01:09:08,560 --> 01:09:09,080
Speaker 15: Know what it is.

1290
01:09:09,280 --> 01:09:11,880
Speaker 1: It just still sounds like it. It's like even though

1291
01:09:11,960 --> 01:09:17,719
Speaker 1: you can tell you you could tell I mean people

1292
01:09:17,720 --> 01:09:19,840
Speaker 1: who asked of their No, I'm talking about people who

1293
01:09:20,240 --> 01:09:23,200
Speaker 1: listen to it now, who's just like when they hear it, it's.

1294
01:09:23,080 --> 01:09:26,160
Speaker 2: Just you can't be by nobody else. I can't convince

1295
01:09:26,200 --> 01:09:26,439
Speaker 2: them that.

1296
01:09:28,560 --> 01:09:33,479
Speaker 14: I can't convins the subject of the record psychologically, and Big.

1297
01:09:33,439 --> 01:09:35,320
Speaker 1: Never addressed it except for one time.

1298
01:09:35,760 --> 01:09:38,679
Speaker 9: That verse he's already done that one time thing line

1299
01:09:38,720 --> 01:09:40,920
Speaker 9: he said at the beginning, who shot you?

1300
01:09:41,400 --> 01:09:43,680
Speaker 2: Boor pop got shot? That ship was already recorded from

1301
01:09:43,760 --> 01:09:47,439
Speaker 2: every J album? What them lies? That first vers.

1302
01:09:49,040 --> 01:09:52,800
Speaker 1: We had that the one time addressed a little bit

1303
01:09:53,080 --> 01:09:55,559
Speaker 1: he said that Faith had twitters, she probably had tupac.

1304
01:09:55,760 --> 01:10:02,799
Speaker 2: Yes, that was that record, that was promis That was record.

1305
01:10:03,360 --> 01:10:05,320
Speaker 2: What time is the beef cooking at this point? Where

1306
01:10:05,360 --> 01:10:05,880
Speaker 2: where is that.

1307
01:10:09,479 --> 01:10:11,559
Speaker 6: Digging in the crate right now? So for those people

1308
01:10:11,640 --> 01:10:14,840
Speaker 6: that don't know what was the wrecking about?

1309
01:10:15,400 --> 01:10:19,200
Speaker 2: What it's about nobody?

1310
01:10:20,720 --> 01:10:22,240
Speaker 5: That's why we want to believe that it's not about pop.

1311
01:10:23,640 --> 01:10:27,320
Speaker 5: That was a very passionate It sounds perfect.

1312
01:10:29,320 --> 01:10:35,879
Speaker 2: Get the time the number one that you know seriously

1313
01:10:37,680 --> 01:10:43,200
Speaker 2: like they was that no about everything comes from somewhere. Yeah,

1314
01:10:43,479 --> 01:10:45,120
Speaker 2: it was for somebody. It might not have been for

1315
01:10:45,200 --> 01:10:46,240
Speaker 2: popped the people on it.

1316
01:10:46,360 --> 01:10:50,720
Speaker 1: Okay, times is crazy, bro, that.

1317
01:10:51,000 --> 01:10:53,120
Speaker 10: You got to tell them that Michael Jackson's story before

1318
01:10:53,360 --> 01:10:53,960
Speaker 10: before it's over.

1319
01:10:54,040 --> 01:10:57,120
Speaker 2: Okay, you keep going. But we got to be Michael B.

1320
01:10:57,360 --> 01:11:00,439
Speaker 2: G And Michael Jackson. We was on what was this

1321
01:11:00,560 --> 01:11:01,320
Speaker 2: clubhouse somewhere.

1322
01:11:01,320 --> 01:11:03,040
Speaker 3: I always tell us a nigga to tell his story,

1323
01:11:05,200 --> 01:11:05,880
Speaker 3: tell the story.

1324
01:11:10,760 --> 01:11:16,559
Speaker 2: Gotta tell you gotta tell them. I got because I wasn't.

1325
01:11:16,640 --> 01:11:18,640
Speaker 2: I think it's that serious. You gotta tell it. You

1326
01:11:18,680 --> 01:11:19,200
Speaker 2: gotta tell it.

1327
01:11:20,080 --> 01:11:22,200
Speaker 9: When Big at the song with Mike, he was let

1328
01:11:22,240 --> 01:11:25,559
Speaker 9: me before I say anything. They was joking about this situation, right.

1329
01:11:26,120 --> 01:11:27,920
Speaker 9: He was going to record his verse for the Michael

1330
01:11:28,000 --> 01:11:31,160
Speaker 9: Jackson song, and it was a it was a bunch

1331
01:11:31,200 --> 01:11:33,120
Speaker 9: of us, a few of us, you know me probably

1332
01:11:33,120 --> 01:11:33,919
Speaker 9: a few heads.

1333
01:11:33,680 --> 01:11:36,680
Speaker 2: You know, like the goons, and Big was going to

1334
01:11:36,720 --> 01:11:38,040
Speaker 2: do business. He got a good check.

1335
01:11:38,520 --> 01:11:41,680
Speaker 9: He was like, yo, listen, I'm going ahead lay my

1336
01:11:41,720 --> 01:11:43,880
Speaker 9: first down real quick with Mike. Everybody can sit in

1337
01:11:43,960 --> 01:11:44,599
Speaker 9: here and just chill.

1338
01:11:44,640 --> 01:11:45,639
Speaker 2: I ain't bringing a bunch.

1339
01:11:45,439 --> 01:11:47,960
Speaker 9: Of niggas in there, and Big said, yeah, you definitely

1340
01:11:48,040 --> 01:11:50,040
Speaker 9: can't come trust him with the kids.

1341
01:11:50,280 --> 01:12:03,360
Speaker 2: Yo, this to you did to me yo, nig when

1342
01:12:03,360 --> 01:12:11,560
Speaker 2: I was younger. You don't know this, but apation, I

1343
01:12:11,560 --> 01:12:16,920
Speaker 2: don't you think that serious. I wanted. I'm a little kid.

1344
01:12:17,520 --> 01:12:18,519
Speaker 2: I wanted to meet Mike.

1345
01:12:18,680 --> 01:12:20,320
Speaker 3: That's yeah, that's right.

1346
01:12:20,920 --> 01:12:24,360
Speaker 2: He's like, yo, yo, wow, come on, you're come in yo, chill.

1347
01:12:25,000 --> 01:12:33,120
Speaker 9: Yeah, but he was joking. Yeah, I ain't going. I

1348
01:12:33,160 --> 01:12:37,400
Speaker 9: didn't get to go meet like this big window right

1349
01:12:37,439 --> 01:12:40,040
Speaker 9: there back then when you can.

1350
01:12:39,960 --> 01:12:41,559
Speaker 18: See like the room.

1351
01:12:43,840 --> 01:12:48,920
Speaker 2: That back and I'm in the joint like no, Mike, like, bro,

1352
01:12:49,080 --> 01:12:54,800
Speaker 2: you didn't let me like yeah, yo.

1353
01:12:56,240 --> 01:12:57,960
Speaker 3: That I can tell you on some g ship. I

1354
01:12:58,080 --> 01:13:00,920
Speaker 3: used to tell who your don't show me out like

1355
01:13:01,040 --> 01:13:02,120
Speaker 3: Big shall seas out.

1356
01:13:02,200 --> 01:13:07,360
Speaker 2: Man, don't do that. You know he's got the most

1357
01:13:07,560 --> 01:13:10,360
Speaker 2: fires should out for me.

1358
01:13:10,520 --> 01:13:11,439
Speaker 4: I s what.

1359
01:13:15,240 --> 01:13:20,439
Speaker 3: You made me look at whole like you better not.

1360
01:13:21,080 --> 01:13:25,120
Speaker 3: Don't don't move like that. Know if he is that bleak. No, No,

1361
01:13:25,280 --> 01:13:42,120
Speaker 3: he was my dog that no, don't mind. I was like, yeah, sees,

1362
01:13:42,200 --> 01:13:43,080
Speaker 3: that's some boo ship.

1363
01:13:43,120 --> 01:13:49,479
Speaker 2: I'm meaning like man, a little broch. It's hard like

1364
01:13:49,600 --> 01:13:50,840
Speaker 2: that ain't happening to me.

1365
01:13:53,400 --> 01:13:54,200
Speaker 13: Like I was.

1366
01:13:54,320 --> 01:13:56,400
Speaker 2: I used to be a strongest ripple beats a little

1367
01:13:57,720 --> 01:14:04,560
Speaker 2: like I ain't driving. I mean, Jesus real, I know

1368
01:14:05,120 --> 01:14:11,000
Speaker 2: that was how I couldn't even come back if I

1369
01:14:11,120 --> 01:14:14,360
Speaker 2: wanted to a writer. Your mama.

1370
01:14:17,680 --> 01:14:25,439
Speaker 4: Help me help me this next week.

1371
01:14:25,560 --> 01:14:29,639
Speaker 3: So without her, I'm like, damn man, that nigga big

1372
01:14:29,720 --> 01:14:31,240
Speaker 3: doing my dog man.

1373
01:14:32,840 --> 01:14:38,439
Speaker 2: But that's bro ship that has real li ship. I

1374
01:14:38,600 --> 01:14:40,679
Speaker 2: was the only young in around that could really control

1375
01:14:40,760 --> 01:14:41,240
Speaker 2: the situation.

1376
01:14:41,360 --> 01:14:42,000
Speaker 3: I was thirteen.

1377
01:14:42,120 --> 01:14:45,400
Speaker 9: I had this crazy I got to come town like

1378
01:14:45,479 --> 01:14:48,080
Speaker 9: he literally would wait for me to do something. Now

1379
01:14:48,120 --> 01:14:51,080
Speaker 9: I'm not performing too, my little brother here, I don't

1380
01:14:51,120 --> 01:14:53,559
Speaker 9: give who yo you ready boy, playboy?

1381
01:14:53,600 --> 01:14:55,960
Speaker 2: You ready be like nah nigga to my little nigga,

1382
01:14:56,000 --> 01:15:03,960
Speaker 2: get here. I'm not stepping on that stage to he here. Yeah. Yeah,

1383
01:15:04,720 --> 01:15:08,840
Speaker 2: it was like that apollow these niggas, that's apollow. I

1384
01:15:09,000 --> 01:15:09,519
Speaker 2: remember that.

1385
01:15:12,520 --> 01:15:12,720
Speaker 15: Going.

1386
01:15:14,439 --> 01:15:16,960
Speaker 2: That's the other spot where they got the big out

1387
01:15:17,000 --> 01:15:18,880
Speaker 2: on the pink. He was thirteen. I b at home.

1388
01:15:19,040 --> 01:15:21,280
Speaker 2: It was nobody my age around. I'm with a bunch

1389
01:15:21,320 --> 01:15:23,080
Speaker 2: of grown ups, so it's not it's going to make

1390
01:15:23,160 --> 01:15:27,560
Speaker 2: shows around. So yeah, eighteen.

1391
01:15:27,320 --> 01:15:30,559
Speaker 9: Nineteen, I'm longing how to adapting the environment of nineteen

1392
01:15:30,600 --> 01:15:31,000
Speaker 9: and eighteen.

1393
01:15:31,200 --> 01:15:38,200
Speaker 2: Right, he was figure popping earl. Oh my god, yah,

1394
01:15:38,280 --> 01:15:38,920
Speaker 2: two niggas.

1395
01:15:39,479 --> 01:15:42,280
Speaker 3: I used to sit on the sideline and be like, oh,

1396
01:15:42,520 --> 01:15:45,600
Speaker 3: we try to get off because y'all niggas was outside.

1397
01:15:46,680 --> 01:15:50,920
Speaker 2: That was outside means left right to see you you

1398
01:15:51,040 --> 01:15:56,439
Speaker 2: go to Brooklyn and Marcy though he don't know the side, right,

1399
01:15:56,840 --> 01:15:57,200
Speaker 2: he ain't.

1400
01:15:57,240 --> 01:16:00,320
Speaker 3: The niggas got a bunch of benzes cruises. I'm doing

1401
01:16:00,360 --> 01:16:03,000
Speaker 3: the other side, Like, hold on, what are they doing

1402
01:16:03,160 --> 01:16:04,320
Speaker 3: in my practice?

1403
01:16:04,400 --> 01:16:07,800
Speaker 2: Hold let me let me ask you something. How about like,

1404
01:16:08,920 --> 01:16:10,800
Speaker 2: but let me ask you something. How about how about

1405
01:16:10,840 --> 01:16:14,479
Speaker 2: the best aquarium the bad style quarry. Yeah, you see

1406
01:16:14,520 --> 01:16:20,600
Speaker 2: the best star quarium with the little fishes. Yeah, you

1407
01:16:20,880 --> 01:16:21,080
Speaker 2: see that.

1408
01:16:21,200 --> 01:16:21,720
Speaker 1: You ain't see that.

1409
01:16:22,560 --> 01:16:24,920
Speaker 2: You ain't been in Brooklyn a long time, Blake. Yeah,

1410
01:16:26,640 --> 01:16:29,639
Speaker 2: they got a little and you know, you know, niggas

1411
01:16:29,720 --> 01:16:33,920
Speaker 2: violated it. And when when they redid they.

1412
01:16:35,520 --> 01:16:39,639
Speaker 1: They got a little squares and in the fire hydrant

1413
01:16:39,960 --> 01:16:44,240
Speaker 1: and the fire hydra. Yeah, but it's how you know,

1414
01:16:44,280 --> 01:16:48,960
Speaker 1: Brooklyn niggas is still fouled. Somebody violated it, drove a

1415
01:16:49,080 --> 01:16:51,760
Speaker 1: car thraight through it. Yeah, But this is how you know,

1416
01:16:52,360 --> 01:16:54,639
Speaker 1: but there's also Brooklyn. Niggas were hard things. Was out

1417
01:16:54,680 --> 01:17:06,519
Speaker 1: there catching the little btle fishes. Catch Yeah, it's kind

1418
01:17:06,560 --> 01:17:08,080
Speaker 1: of Kiss went to go see it.

1419
01:17:08,479 --> 01:17:09,240
Speaker 2: Kiss went to see it.

1420
01:17:11,600 --> 01:17:12,080
Speaker 1: It was crazy.

1421
01:17:12,120 --> 01:17:14,920
Speaker 11: I was like thinking about you. You you Jay's protege base,

1422
01:17:15,400 --> 01:17:16,960
Speaker 11: I know, seeing it between his energy.

1423
01:17:17,000 --> 01:17:18,760
Speaker 2: That's dope. You my port nigga.

1424
01:17:18,840 --> 01:17:30,760
Speaker 1: Let's look about let's talk. Somebody told me the other day.

1425
01:17:30,800 --> 01:17:33,400
Speaker 1: They was like, you know, bleak is the first five

1426
01:17:33,479 --> 01:17:38,680
Speaker 1: hundred thousand or take the whole dinner on coming of

1427
01:17:38,800 --> 01:17:40,400
Speaker 1: age because he opened.

1428
01:17:40,120 --> 01:17:42,840
Speaker 2: You a g and you get a thousand back for free.

1429
01:17:43,080 --> 01:17:45,080
Speaker 3: Yeah, I'm glad. I take that bad.

1430
01:17:48,680 --> 01:17:52,080
Speaker 2: Like, yeah, take that band. This is a true story.

1431
01:17:52,520 --> 01:18:00,960
Speaker 3: No, okay, it's just a metaphor in life. Bore the money.

1432
01:18:01,840 --> 01:18:07,080
Speaker 2: Faster and faster. Nobody take the money. I'm giving you

1433
01:18:07,160 --> 01:18:07,799
Speaker 2: the game.

1434
01:18:07,720 --> 01:18:09,040
Speaker 3: In the album A thousand.

1435
01:18:09,160 --> 01:18:13,240
Speaker 2: This is later this Yeah, that's that's the whole Okay,

1436
01:18:13,640 --> 01:18:28,840
Speaker 2: this reasonably hold a becoming a wow, reasonable doubt. Niggas

1437
01:18:28,840 --> 01:18:31,599
Speaker 2: slept on reasonably reasonable downs. I was broke. I think

1438
01:18:31,840 --> 01:18:39,200
Speaker 2: it was really I want to, I mean, his skill

1439
01:18:39,320 --> 01:18:42,880
Speaker 2: level match, but but I think I think I think

1440
01:18:42,920 --> 01:18:45,680
Speaker 2: it was really I think it's b I used to

1441
01:18:45,720 --> 01:18:46,000
Speaker 2: be out.

1442
01:18:46,080 --> 01:18:47,040
Speaker 16: Yeah, I love that.

1443
01:18:47,080 --> 01:18:53,880
Speaker 2: Ship with niggas. Don't know how much Big Biggie, how

1444
01:18:53,960 --> 01:18:58,559
Speaker 2: much inspired Hole Big. We used to study these niggas.

1445
01:18:58,680 --> 01:19:01,439
Speaker 2: Man Big with the would listen and be like, no,

1446
01:19:01,960 --> 01:19:07,280
Speaker 2: how he doing no killing. It's the same way, the

1447
01:19:07,400 --> 01:19:09,000
Speaker 2: same way, Yeah, the same thing.

1448
01:19:09,160 --> 01:19:11,200
Speaker 3: Yeah, Like.

1449
01:19:12,840 --> 01:19:15,000
Speaker 10: People don't know that though Man Big Big would say, no,

1450
01:19:15,080 --> 01:19:17,160
Speaker 10: this nigga better than me sometimes like I'm.

1451
01:19:17,080 --> 01:19:20,880
Speaker 7: Saying, he got me on this, Like yeah, that's we

1452
01:19:21,000 --> 01:19:23,200
Speaker 7: were supposed to have the commission, the commission.

1453
01:19:23,240 --> 01:19:26,920
Speaker 2: I was thinking about if that would have trans for real?

1454
01:19:27,040 --> 01:19:27,879
Speaker 2: But what was the commission?

1455
01:19:27,920 --> 01:19:28,920
Speaker 1: That was just Big and Jay?

1456
01:19:30,360 --> 01:19:33,600
Speaker 9: It was it was it was me, Charlie, Big and

1457
01:19:33,760 --> 01:19:36,320
Speaker 9: Jay and and and like I was like the person

1458
01:19:36,400 --> 01:19:39,400
Speaker 9: that was Uncle Paulie, that was gonna bout the bill together.

1459
01:19:41,520 --> 01:19:44,080
Speaker 2: So on what's beef? He say, the whole commission man,

1460
01:19:44,840 --> 01:19:46,920
Speaker 2: and that was gonna be a project. Slim was whole.

1461
01:19:47,080 --> 01:19:47,320
Speaker 1: Damn.

1462
01:19:47,600 --> 01:19:50,760
Speaker 2: He was gonna be crazy man victory he said in

1463
01:19:50,880 --> 01:20:00,200
Speaker 2: the commission. Yeah, let me recently, I said, recently, Yeah,

1464
01:20:00,200 --> 01:20:01,080
Speaker 2: I seen it recently that.

1465
01:20:01,160 --> 01:20:04,679
Speaker 1: They said in the commission that Jay was going under

1466
01:20:04,960 --> 01:20:08,320
Speaker 1: iceberg Slim because he was trying to leave Rock and

1467
01:20:08,360 --> 01:20:09,000
Speaker 1: Feller back.

1468
01:20:08,880 --> 01:20:14,280
Speaker 3: Thenis that is that they said was trying to leave

1469
01:20:14,439 --> 01:20:20,640
Speaker 3: James Tia. He didn't even want to wrap retire. He

1470
01:20:20,800 --> 01:20:23,160
Speaker 3: only wanted to drop one album and leave the game.

1471
01:20:23,320 --> 01:20:25,759
Speaker 3: That was his whole vision was I'm dropping one album

1472
01:20:25,840 --> 01:20:28,719
Speaker 3: and I'm done. But then the success went so crazy

1473
01:20:28,800 --> 01:20:31,080
Speaker 3: that it turned into a whole career. But that was

1474
01:20:31,120 --> 01:20:33,840
Speaker 3: his vision was I'm done. So he was done before

1475
01:20:34,800 --> 01:20:36,680
Speaker 3: reasonable doubt was was gonna be it.

1476
01:20:36,960 --> 01:20:40,880
Speaker 2: We're so glad that didn't happen. But that was his

1477
01:20:41,040 --> 01:20:42,320
Speaker 2: hustler mentality though.

1478
01:20:43,200 --> 01:20:45,439
Speaker 11: Jay Z was the blueprint to a lot of ship

1479
01:20:46,000 --> 01:20:49,360
Speaker 11: like like as a creator, right, if I got not

1480
01:20:49,439 --> 01:20:51,679
Speaker 11: there to do an accent or some type of difference

1481
01:20:51,760 --> 01:20:52,720
Speaker 11: on the record, I'd be like, I don't know if

1482
01:20:52,760 --> 01:20:54,439
Speaker 11: I could do this and do it, I'm like, okay,

1483
01:20:54,479 --> 01:20:57,160
Speaker 11: it's okay. Hold the blueprint is so much ship for

1484
01:20:57,320 --> 01:20:59,120
Speaker 11: a nigga like me coming up learning how to rap.

1485
01:20:59,479 --> 01:21:01,280
Speaker 2: He did it. Then it's like, oh, it's okay to

1486
01:21:01,360 --> 01:21:03,200
Speaker 2: do this. I mean you learn how to push this together.

1487
01:21:03,680 --> 01:21:05,640
Speaker 2: Hold was the blueprint for a lot of niggas. Bro

1488
01:21:06,200 --> 01:21:10,439
Speaker 2: his power, his power on Coach's Crazy.

1489
01:21:10,960 --> 01:21:13,439
Speaker 10: But since before he was even whold right now, just

1490
01:21:13,520 --> 01:21:17,360
Speaker 10: the fourth like this had like niggas made you put

1491
01:21:17,400 --> 01:21:19,400
Speaker 10: on a jersey, take off the jersey, put on the

1492
01:21:19,439 --> 01:21:20,280
Speaker 10: button up, take off.

1493
01:21:22,200 --> 01:21:24,519
Speaker 2: Niggas didn't know what the four point four points his

1494
01:21:24,600 --> 01:21:27,160
Speaker 2: court think. Give a fuck to be walking? You want

1495
01:21:27,200 --> 01:21:29,040
Speaker 2: a four point oh nigga beat it, but you wanted

1496
01:21:29,080 --> 01:21:29,439
Speaker 2: a bus.

1497
01:21:32,640 --> 01:21:34,120
Speaker 6: I mean even just the way of thinking.

1498
01:21:34,160 --> 01:21:37,840
Speaker 5: I didn't know what reasonable doubt meant. The phrase mets right.

1499
01:21:37,960 --> 01:21:39,280
Speaker 5: He was a kid when I was a kid. I

1500
01:21:39,320 --> 01:21:40,920
Speaker 5: didn't know that met in the court of law. If

1501
01:21:40,920 --> 01:21:43,120
Speaker 5: there's a reasonable doubt you've beating that case, you gotta

1502
01:21:43,360 --> 01:21:46,040
Speaker 5: the way that you gotta imply something. I don't understand

1503
01:21:46,080 --> 01:21:48,000
Speaker 5: what that mess. So even reasonable doubt being the name

1504
01:21:48,040 --> 01:21:48,200
Speaker 5: of his.

1505
01:21:48,320 --> 01:21:50,960
Speaker 2: Album, you got to think about how they how they function.

1506
01:21:51,280 --> 01:21:59,519
Speaker 24: Yes, and they was young, Yeah, everybody, you look at

1507
01:21:59,520 --> 01:22:02,000
Speaker 24: everything like thirty years old.

1508
01:22:02,040 --> 01:22:04,120
Speaker 3: You know it was a different error, man, it was

1509
01:22:04,160 --> 01:22:05,280
Speaker 3: a different affent time.

1510
01:22:05,600 --> 01:22:05,920
Speaker 2: Nobody.

1511
01:22:06,040 --> 01:22:09,040
Speaker 3: I can't get to be kids longer now. My son

1512
01:22:09,120 --> 01:22:10,960
Speaker 3: twenty two, and I still look at him like you're

1513
01:22:10,960 --> 01:22:14,320
Speaker 3: a kid. Twenty two already bought my third house.

1514
01:22:15,920 --> 01:22:17,320
Speaker 2: It's kind of the way it's supposed to be, Like

1515
01:22:17,400 --> 01:22:18,720
Speaker 2: it's the lux Like.

1516
01:22:19,760 --> 01:22:20,600
Speaker 3: Sixteen I was.

1517
01:22:20,800 --> 01:22:25,120
Speaker 2: I was driving around and sp already like come on,

1518
01:22:25,280 --> 01:22:31,559
Speaker 2: you know, like turn them up, turned them up. Turn

1519
01:22:33,640 --> 01:22:36,599
Speaker 2: You had no choice. Season world up. Ain't no I pads.

1520
01:22:37,560 --> 01:22:41,200
Speaker 2: You had to be out the big world. There was

1521
01:22:41,880 --> 01:22:45,920
Speaker 2: rolling much going on. You have to be the hustler.

1522
01:22:46,240 --> 01:22:48,040
Speaker 11: Was niggas ro Moda's like, we grew up with dad

1523
01:22:48,080 --> 01:22:49,040
Speaker 11: and I don't know if you go with your dad

1524
01:22:49,120 --> 01:22:51,320
Speaker 11: in the house, but hustler, know what the fuck my

1525
01:22:51,400 --> 01:22:51,840
Speaker 11: pops is?

1526
01:22:51,920 --> 01:22:52,760
Speaker 2: Fuck you might.

1527
01:22:55,200 --> 01:22:57,000
Speaker 5: There's a lot of hip hop hay at this table,

1528
01:22:57,040 --> 01:23:05,760
Speaker 5: so thank you for having me. I need to know

1529
01:23:06,000 --> 01:23:08,040
Speaker 5: when did you guys fall in love with hip hop?

1530
01:23:08,080 --> 01:23:08,439
Speaker 15: When you know?

1531
01:23:08,800 --> 01:23:11,040
Speaker 6: When you knew that it was either Sinker swim, like

1532
01:23:11,120 --> 01:23:11,880
Speaker 6: you had to do this?

1533
01:23:12,200 --> 01:23:15,240
Speaker 2: Can I go first? I just I don't know if

1534
01:23:15,280 --> 01:23:16,120
Speaker 2: it was Secer Swim.

1535
01:23:16,520 --> 01:23:21,120
Speaker 1: But I wish, I mean, I always said this, but

1536
01:23:21,400 --> 01:23:23,519
Speaker 1: you know, I wish I gave this guy his flowers

1537
01:23:23,560 --> 01:23:24,120
Speaker 1: on this show.

1538
01:23:24,760 --> 01:23:26,320
Speaker 2: But it was Granddaddy.

1539
01:23:26,360 --> 01:23:29,880
Speaker 1: I you And when I first heard he said, I

1540
01:23:29,960 --> 01:23:33,120
Speaker 1: knew a girl named Kenya from West Virginia, and boy,

1541
01:23:33,200 --> 01:23:36,000
Speaker 1: would I like to stick something in it? And I said,

1542
01:23:39,040 --> 01:23:40,960
Speaker 1: I don't know what the fuck, he just did.

1543
01:23:41,800 --> 01:23:42,840
Speaker 2: But I want to do that.

1544
01:23:44,040 --> 01:23:46,639
Speaker 1: I want to put silver boods together and words together

1545
01:23:46,880 --> 01:23:49,519
Speaker 1: like that. And although I've never rhymed like Granddaddy you

1546
01:23:49,600 --> 01:23:51,560
Speaker 1: because back then, to rhyme like a person that you

1547
01:23:51,640 --> 01:23:54,560
Speaker 1: look up to is so corny. So I had I

1548
01:23:54,640 --> 01:23:57,240
Speaker 1: developed my own style. But boy, that was the first

1549
01:23:57,280 --> 01:23:58,680
Speaker 1: time I fell in love with hip hop and I

1550
01:23:58,720 --> 01:24:01,160
Speaker 1: wanted to be like him so bad he was and

1551
01:24:01,320 --> 01:24:03,680
Speaker 1: he was the first person with a smooth operator like

1552
01:24:04,000 --> 01:24:06,120
Speaker 1: and yeah, I wasn't smooth at all.

1553
01:24:07,560 --> 01:24:11,240
Speaker 2: Okay, everybody, Well, I'll say.

1554
01:24:11,080 --> 01:24:15,160
Speaker 11: That my first uh love hip hop was when I

1555
01:24:15,200 --> 01:24:17,560
Speaker 11: heard Allmatic and I was too young to understand that.

1556
01:24:17,600 --> 01:24:18,040
Speaker 2: Keep it honey.

1557
01:24:18,080 --> 01:24:19,640
Speaker 11: When I first person her hath Matic, I didn't get it.

1558
01:24:19,680 --> 01:24:21,040
Speaker 11: I thought it was whack because I was too young

1559
01:24:21,120 --> 01:24:22,840
Speaker 11: to get it. And when I kept playing i was

1560
01:24:22,840 --> 01:24:25,240
Speaker 11: little old, I was like, this ship is amazing, and

1561
01:24:25,360 --> 01:24:27,439
Speaker 11: I really got into it. That's why I really felt

1562
01:24:27,479 --> 01:24:28,920
Speaker 11: love it. But I want to throw this little jel

1563
01:24:28,920 --> 01:24:31,280
Speaker 11: out too. When I made the joint with us in

1564
01:24:31,320 --> 01:24:33,040
Speaker 11: the beginning, when I say I'm the King of New York,

1565
01:24:33,200 --> 01:24:34,400
Speaker 11: I'm channeling whole nigga.

1566
01:24:34,400 --> 01:24:36,559
Speaker 2: I'm rapping like hold on that record. He don't really

1567
01:24:36,640 --> 01:24:37,960
Speaker 2: know that I'm talking my ship.

1568
01:24:38,920 --> 01:24:40,920
Speaker 11: I'm thinking like jay Z when I'm making this record,

1569
01:24:41,240 --> 01:24:43,559
Speaker 11: I'm rapping like ho over my brain, nigga, dass.

1570
01:24:43,960 --> 01:24:46,240
Speaker 2: I gotta say that real quick. I got my ship

1571
01:24:46,360 --> 01:24:48,760
Speaker 2: is different when you first fell in love with hip hop? Yeah,

1572
01:24:48,920 --> 01:24:50,439
Speaker 2: it's that's the question.

1573
01:24:50,520 --> 01:24:52,560
Speaker 5: R K fark Yes, yes, so just you knew that

1574
01:24:52,640 --> 01:24:54,479
Speaker 5: you had to do it like you breathe it, you

1575
01:24:54,600 --> 01:24:57,360
Speaker 5: live it, you eat it, like listen, just.

1576
01:24:57,640 --> 01:24:59,960
Speaker 3: Just watching my brother play all the music he played

1577
01:25:00,800 --> 01:25:03,479
Speaker 3: and then you know your brother mean the whole or

1578
01:25:03,560 --> 01:25:06,640
Speaker 3: your other brother dre my blood Okay, okay, like you

1579
01:25:06,760 --> 01:25:10,760
Speaker 3: know he listened to everybody older brother. Yeah no, no,

1580
01:25:10,800 --> 01:25:12,800
Speaker 3: no no, you just used to play raps in the

1581
01:25:12,880 --> 01:25:16,439
Speaker 3: crib public end to me like African bad body all that.

1582
01:25:16,600 --> 01:25:18,360
Speaker 3: I remember being young, being like who the fuck is

1583
01:25:18,360 --> 01:25:24,760
Speaker 3: these niggas talk about Bill Brad Bill black Kid like.

1584
01:25:26,960 --> 01:25:30,320
Speaker 2: I don't know, trying to recruit.

1585
01:25:30,040 --> 01:25:30,360
Speaker 8: Me, like.

1586
01:25:32,160 --> 01:25:37,280
Speaker 2: But it wasn't in toil. It wasn't look like me,

1587
01:25:37,720 --> 01:25:39,160
Speaker 2: like nah A B C.

1588
01:25:39,600 --> 01:25:42,280
Speaker 3: Chris crossed And then I'm like, wait a minute, he's young.

1589
01:25:42,600 --> 01:25:45,400
Speaker 6: They ain't outside like me though I'm pushing packs.

1590
01:25:46,120 --> 01:25:47,320
Speaker 2: You had your clothing backwards.

1591
01:25:47,439 --> 01:25:49,760
Speaker 3: Never that was.

1592
01:25:52,160 --> 01:25:55,200
Speaker 2: You got cloud him out. Never.

1593
01:25:59,640 --> 01:26:02,040
Speaker 3: But yeah, those winning two I seen people look like me.

1594
01:26:02,240 --> 01:26:04,160
Speaker 3: That's what made me say, oh ship, I could do that,

1595
01:26:04,600 --> 01:26:07,360
Speaker 3: you know what I mean? Like definitely, I gotta give

1596
01:26:07,400 --> 01:26:09,519
Speaker 3: it up to Jamaine Dupree because if it wasn't for him,

1597
01:26:09,640 --> 01:26:12,559
Speaker 3: you know, pushing Chris Cross the brag, you know, that's

1598
01:26:12,600 --> 01:26:14,920
Speaker 3: what made everybody else sign all the other groups Like.

1599
01:26:15,000 --> 01:26:18,760
Speaker 2: Now you know what I mean, I'm gonna go. I'm

1600
01:26:19,040 --> 01:26:21,680
Speaker 2: here thinking while you're talking, I gotta go with LL

1601
01:26:21,920 --> 01:26:25,000
Speaker 2: cool Jay. That's what you fell in love, fell in

1602
01:26:25,080 --> 01:26:27,320
Speaker 2: love you remember the song was that it could have

1603
01:26:27,400 --> 01:26:28,200
Speaker 2: been on bad.

1604
01:26:29,560 --> 01:26:32,920
Speaker 10: White like this way when I saw when I saw LL,

1605
01:26:33,320 --> 01:26:35,760
Speaker 10: I said, holy ship.

1606
01:26:38,760 --> 01:26:46,040
Speaker 2: Right, No I love them looking from queens, but I

1607
01:26:46,080 --> 01:26:54,200
Speaker 2: gotta status. He's yeah, this whole ghost when you first

1608
01:26:54,240 --> 01:26:56,760
Speaker 2: fell in love with him though he was already.

1609
01:26:56,479 --> 01:26:58,639
Speaker 1: Got no, no, this whole that's just I'm just want

1610
01:26:58,680 --> 01:27:01,240
Speaker 1: toller the whole ship ship, this whole go go go.

1611
01:27:01,479 --> 01:27:02,800
Speaker 2: Everybody throws around go go go.

1612
01:27:03,640 --> 01:27:06,640
Speaker 10: That comes from LLL so spend the block right So

1613
01:27:06,760 --> 01:27:12,280
Speaker 10: for me, ll cool Ja whatever whatever, what at whatever

1614
01:27:12,400 --> 01:27:14,840
Speaker 10: point could have been any love could have been my

1615
01:27:15,040 --> 01:27:17,840
Speaker 10: radio and I'm not I'm I'm still young radio here,

1616
01:27:18,080 --> 01:27:20,320
Speaker 10: but that's that impact. Let me know, how around I

1617
01:27:20,439 --> 01:27:25,160
Speaker 10: was like, damn this nigga like yo, I don't see

1618
01:27:25,200 --> 01:27:26,840
Speaker 10: that no life skins ship, But yeah.

1619
01:27:28,600 --> 01:27:30,040
Speaker 2: L L is one of the goats.

1620
01:27:30,080 --> 01:27:32,599
Speaker 18: Bro's probably like you know my top five for sure

1621
01:27:33,560 --> 01:27:36,479
Speaker 18: run DMC k R S one. You know, I mean

1622
01:27:36,520 --> 01:27:38,599
Speaker 18: I grew up listening to a lot of great mcs

1623
01:27:38,680 --> 01:27:41,640
Speaker 18: and people that stood from movements. So you know, for me,

1624
01:27:42,320 --> 01:27:45,519
Speaker 18: I mean I really appreciate that and and seeing those

1625
01:27:45,680 --> 01:27:48,320
Speaker 18: those cultures happen with fashion and all of that. Like, man,

1626
01:27:48,800 --> 01:27:51,080
Speaker 18: there's a lot of special things that happened in our culture. Man,

1627
01:27:51,120 --> 01:27:53,040
Speaker 18: I are still here today, and if it wasn't for that,

1628
01:27:53,200 --> 01:27:54,840
Speaker 18: we wouldn't have a lot of things that are popping

1629
01:27:54,920 --> 01:27:55,160
Speaker 18: right now.

1630
01:27:56,200 --> 01:27:56,720
Speaker 4: You know what I mean.

1631
01:27:58,360 --> 01:28:01,600
Speaker 2: You walked around with the African piece, Yeah, had an

1632
01:28:01,600 --> 01:28:05,280
Speaker 2: African piece, the Jamaican bells, with the Jamaican bell they

1633
01:28:05,320 --> 01:28:06,960
Speaker 2: you have, I don't think they had.

1634
01:28:08,400 --> 01:28:10,960
Speaker 1: I don't think they had. It wasn't like that.

1635
01:28:13,720 --> 01:28:17,280
Speaker 2: Those pieces still against me for the culture pieces.

1636
01:28:19,680 --> 01:28:22,400
Speaker 9: Yeah that was a movie man talking about being a

1637
01:28:22,479 --> 01:28:30,560
Speaker 9: kid like yeah, like music ship that app stepping and

1638
01:28:31,360 --> 01:28:32,240
Speaker 9: thirty one, start.

1639
01:28:32,040 --> 01:28:34,680
Speaker 1: Coming when you first love that's what you said just

1640
01:28:34,960 --> 01:28:38,160
Speaker 1: about kid media money went when when when when.

1641
01:28:38,520 --> 01:28:43,200
Speaker 2: Being an empire road hip hop hip? He said, first

1642
01:28:43,400 --> 01:28:45,280
Speaker 2: from the love of hip hop? Yeah, just here was

1643
01:28:45,439 --> 01:28:49,280
Speaker 2: just even it young nine years old. Your brother coming

1644
01:28:49,320 --> 01:28:50,479
Speaker 2: home from school, coming home.

1645
01:28:50,360 --> 01:28:52,960
Speaker 9: From work, he said, he get his back wounded over

1646
01:28:53,040 --> 01:28:54,680
Speaker 9: the box sixteen batteries.

1647
01:28:55,760 --> 01:28:58,240
Speaker 2: Yeah, he's playing ship, he's You're just hearing a little

1648
01:28:58,240 --> 01:29:01,360
Speaker 2: bit of everything. You just even though even like the

1649
01:29:01,479 --> 01:29:04,560
Speaker 2: old the same President of the records to ship, you

1650
01:29:04,720 --> 01:29:08,080
Speaker 2: really just listen to the radio record from the radio.

1651
01:29:08,720 --> 01:29:13,519
Speaker 3: But like you know a lot of people, you know everybody, everybody, okay,

1652
01:29:14,000 --> 01:29:18,240
Speaker 3: a lot of Yeah, that's right, you need to say.

1653
01:29:18,800 --> 01:29:19,519
Speaker 3: I asked the question.

1654
01:29:19,600 --> 01:29:21,880
Speaker 6: I know four older brothers and they're all DJs, but

1655
01:29:23,320 --> 01:29:23,559
Speaker 6: I know.

1656
01:29:27,680 --> 01:29:31,559
Speaker 5: Sure President. I think it was when she when resident

1657
01:29:31,800 --> 01:29:33,559
Speaker 5: I thought it was a donut she tried to clean.

1658
01:29:33,800 --> 01:29:36,840
Speaker 5: I was like, what just that beat when it came on,

1659
01:29:37,200 --> 01:29:39,720
Speaker 5: just like yeah, it was hypnotizing.

1660
01:29:39,840 --> 01:29:42,080
Speaker 6: Since then I was I was, I was stuck, so

1661
01:29:42,560 --> 01:29:43,479
Speaker 6: I couldn't get out of it.

1662
01:29:43,960 --> 01:29:46,080
Speaker 2: That's artist hit me like that, like rand Pool, but

1663
01:29:46,160 --> 01:29:47,479
Speaker 2: I used to I was like.

1664
01:29:51,160 --> 01:30:00,120
Speaker 23: The chance for Tommy Hill Fingers, the Punchline artists The

1665
01:30:00,200 --> 01:30:01,799
Speaker 23: Girl a song called The Problem.

1666
01:30:04,520 --> 01:30:19,120
Speaker 2: Yes that ship first, remember y'all Remember ship, y'all.

1667
01:30:21,880 --> 01:30:22,080
Speaker 3: Like that.

1668
01:30:31,800 --> 01:30:35,320
Speaker 2: I just don't get exactly that's my song.

1669
01:30:35,560 --> 01:30:36,040
Speaker 1: Absolutely.

1670
01:30:36,240 --> 01:30:38,400
Speaker 5: He had kids come in from the fifty second project

1671
01:30:38,439 --> 01:30:39,719
Speaker 5: and we're saying a hook anyway.

1672
01:30:40,200 --> 01:30:42,519
Speaker 2: Yes, I'm the oldest one to tell you about. Think

1673
01:30:42,600 --> 01:30:44,920
Speaker 2: so by a couple of years from you. Okay, damn

1674
01:30:45,400 --> 01:30:45,840
Speaker 2: so bro.

1675
01:30:47,360 --> 01:30:49,800
Speaker 15: Me like we we caught.

1676
01:30:50,040 --> 01:30:52,880
Speaker 7: So when you're growing up in the eighties, you you

1677
01:30:53,280 --> 01:30:55,000
Speaker 7: hip hop before even knowing you hip hop.

1678
01:30:55,640 --> 01:31:03,000
Speaker 2: We break that. That's what it says a hip hop.

1679
01:31:04,280 --> 01:31:06,320
Speaker 2: So you're just living it right before.

1680
01:31:06,520 --> 01:31:08,360
Speaker 7: I'm a skater, but I got a boom box, I'm

1681
01:31:08,400 --> 01:31:11,280
Speaker 7: doing graffiti, I'm frank dance under all that. But the

1682
01:31:11,439 --> 01:31:13,519
Speaker 7: music that when it went it, because before that it's

1683
01:31:13,560 --> 01:31:16,080
Speaker 7: just rap music and you're doing all this other ship.

1684
01:31:16,160 --> 01:31:19,920
Speaker 2: When they hit you to groups that hit me that,

1685
01:31:20,040 --> 01:31:22,880
Speaker 2: I was like, Joe, this is incredible. And it was

1686
01:31:23,040 --> 01:31:26,280
Speaker 2: n w A and Public Enemy, so it was not

1687
01:31:26,479 --> 01:31:26,840
Speaker 2: it was just.

1688
01:31:26,840 --> 01:31:29,760
Speaker 7: The groups because that was to me, the first time

1689
01:31:29,840 --> 01:31:32,000
Speaker 7: that I heard an emotion in the music of rap

1690
01:31:32,120 --> 01:31:34,600
Speaker 7: music that was like transcending.

1691
01:31:34,680 --> 01:31:39,360
Speaker 2: I was like, yo, this is crazy. They making me mad, scared, worried,

1692
01:31:39,520 --> 01:31:44,200
Speaker 2: like everything they always say public Enemy got some of

1693
01:31:44,280 --> 01:31:49,200
Speaker 2: the hardest, the hardest content. They got some of the

1694
01:31:49,240 --> 01:31:58,839
Speaker 2: hardest content. They got something conful Enemy in the videos

1695
01:31:58,880 --> 01:32:02,719
Speaker 2: they was content. Yeah, and flavor Flavors a fucking legend.

1696
01:32:02,800 --> 01:32:19,160
Speaker 2: Yeah yeah the Olympics for Flavors in the Olympics. Question

1697
01:32:19,360 --> 01:32:21,200
Speaker 2: I wanted that, fut I'm gonna ask a couple of

1698
01:32:21,280 --> 01:32:23,400
Speaker 2: all the other questions you can. You can answer whichever

1699
01:32:23,479 --> 01:32:26,280
Speaker 2: way you want. The greatest h hype man the hip

1700
01:32:26,320 --> 01:32:44,880
Speaker 2: hop that's a good question. I don't know about Rock.

1701
01:32:45,360 --> 01:32:46,400
Speaker 2: I can't say it was the greatest.

1702
01:32:46,439 --> 01:32:48,559
Speaker 11: I know that me and my me and my hype man,

1703
01:32:48,600 --> 01:32:51,439
Speaker 11: we my my nigga Max Wayne were miles up after

1704
01:32:51,520 --> 01:32:52,280
Speaker 11: Boston slips.

1705
01:32:52,280 --> 01:33:00,640
Speaker 2: So I'm gonna get okay watching that said, everybody up

1706
01:33:00,720 --> 01:33:03,880
Speaker 2: yet bring this is one person. He was really part

1707
01:33:03,920 --> 01:33:05,560
Speaker 2: of the group. He wasn't really a hype man, but

1708
01:33:05,640 --> 01:33:20,080
Speaker 2: he didn't wrap a lot r P freaky time. He's

1709
01:33:20,080 --> 01:33:24,120
Speaker 2: the hype man. We could count one, he can count account.

1710
01:33:24,120 --> 01:33:29,000
Speaker 2: I'm just holding you down. And then he clipped me

1711
01:33:31,600 --> 01:33:33,960
Speaker 2: one boy, because you fad me holding the damn didn't

1712
01:33:34,080 --> 01:33:35,120
Speaker 2: he saw Kanye Blue.

1713
01:33:35,280 --> 01:33:37,960
Speaker 3: I guess Kanye get anybody himself and nobody or just

1714
01:33:38,040 --> 01:33:39,000
Speaker 3: smoke him and smoke.

1715
01:33:40,000 --> 01:33:53,599
Speaker 2: Yeah, he killed every time. Different energy. The hype Man.

1716
01:33:53,640 --> 01:33:56,200
Speaker 25: I feel like he was one of the eoys, the boys,

1717
01:33:56,680 --> 01:33:58,400
Speaker 25: the boy no no, no, no, that he had a

1718
01:33:58,439 --> 01:34:01,160
Speaker 25: specific guy that was his high like his brother, right,

1719
01:34:01,280 --> 01:34:05,360
Speaker 25: wasn't his brother man, but this one I always six

1720
01:34:05,439 --> 01:34:07,400
Speaker 25: times it was hype Man, but I don't remember.

1721
01:34:07,479 --> 01:34:09,320
Speaker 10: The dude's going for a heavy d is an honorable

1722
01:34:09,360 --> 01:34:14,120
Speaker 10: mention for her, for that hippy thing, for that hip

1723
01:34:14,120 --> 01:34:14,519
Speaker 10: hop thing.

1724
01:34:14,640 --> 01:34:16,040
Speaker 2: Heavy his belt that.

1725
01:34:16,160 --> 01:34:20,599
Speaker 1: Flowed and he made he made the fat man fly.

1726
01:34:22,400 --> 01:34:27,080
Speaker 2: To say that they was.

1727
01:34:27,080 --> 01:34:31,040
Speaker 26: The first ROUNDE movie, was the first rapping movie. And

1728
01:34:31,479 --> 01:34:34,680
Speaker 26: what I'm saying going that they went to a n S.

1729
01:34:35,560 --> 01:34:38,719
Speaker 26: The fab was actually no, they don't not say anything.

1730
01:34:39,400 --> 01:34:46,320
Speaker 26: They actually fly and they actually did go to that

1731
01:34:46,600 --> 01:34:48,560
Speaker 26: day they were but they was on.

1732
01:34:48,760 --> 01:34:50,519
Speaker 2: They was on commercial time.

1733
01:34:50,760 --> 01:34:51,080
Speaker 10: Was the.

1734
01:34:52,880 --> 01:34:59,400
Speaker 2: Was an early time I saw this. It was the

1735
01:34:59,479 --> 01:35:00,839
Speaker 2: first round with movies.

1736
01:35:03,040 --> 01:35:03,240
Speaker 12: You know.

1737
01:35:09,800 --> 01:35:18,160
Speaker 2: That's freaky tar like really like freaky tar Man. I

1738
01:35:18,200 --> 01:35:21,320
Speaker 2: don't think there's nobody like like. And I'm saying that

1739
01:35:21,560 --> 01:35:24,000
Speaker 2: and I started time would be the first negative record.

1740
01:35:24,080 --> 01:35:24,479
Speaker 1: The alam.

1741
01:35:24,560 --> 01:35:28,760
Speaker 2: There wasn't just lost in my head, but when when

1742
01:35:28,760 --> 01:35:32,200
Speaker 2: they we can't forget that was amazing setting Dog from

1743
01:35:34,880 --> 01:35:38,759
Speaker 2: hype man because it was quite but because he became

1744
01:35:38,800 --> 01:35:42,080
Speaker 2: an m C. He was always an m C. Really okay, okay,

1745
01:35:42,280 --> 01:35:44,519
Speaker 2: dope man, I was thinking Dog crowd too. You know

1746
01:35:44,760 --> 01:35:47,040
Speaker 2: they did a lot of great hype ship for snoop.

1747
01:35:47,280 --> 01:35:51,320
Speaker 2: Oh that's right. Love them boys is the reason the

1748
01:35:51,439 --> 01:35:58,120
Speaker 2: Little Boys that Don't Food album what.

1749
01:36:00,040 --> 01:36:03,519
Speaker 3: Stranded on death roll Money and her Corrupt dazz and

1750
01:36:03,640 --> 01:36:07,120
Speaker 3: now ras listen changed the whole game, went home, tore

1751
01:36:07,200 --> 01:36:08,120
Speaker 3: my whole rap book up.

1752
01:36:08,160 --> 01:36:15,480
Speaker 22: What the fucking round about the broke Ships verse on which.

1753
01:36:15,800 --> 01:36:19,479
Speaker 2: The chronicle is that thousand and one doctor dre the

1754
01:36:19,560 --> 01:36:23,240
Speaker 2: d R e yes still okay, but I'm talking about

1755
01:36:23,320 --> 01:36:31,640
Speaker 2: dads and Corrupt that before the yeah from and that

1756
01:36:31,680 --> 01:36:32,280
Speaker 2: ain't gonna lie.

1757
01:36:32,360 --> 01:36:34,800
Speaker 3: Corrupt went on the West and became like the first

1758
01:36:34,880 --> 01:36:38,760
Speaker 3: west lyrical nigga, but really was from the East, right,

1759
01:36:39,360 --> 01:36:41,000
Speaker 3: some bullsh I didn't even know.

1760
01:36:41,080 --> 01:36:53,200
Speaker 2: That she did some bullshit too. You know, somebody can

1761
01:36:53,240 --> 01:36:56,240
Speaker 2: google this ship, right, somebody n know.

1762
01:37:00,520 --> 01:37:02,280
Speaker 1: He works for feed.

1763
01:37:05,080 --> 01:37:05,200
Speaker 3: Yo.

1764
01:37:05,240 --> 01:37:06,679
Speaker 2: Who's the first rapper chop?

1765
01:37:09,240 --> 01:37:11,880
Speaker 10: You know, I'm the first rapping to drop a double

1766
01:37:11,960 --> 01:37:14,800
Speaker 10: city because I'm trying to figure out it was think

1767
01:37:14,840 --> 01:37:15,599
Speaker 10: about that, right.

1768
01:37:17,479 --> 01:37:19,360
Speaker 2: That wasn't really think.

1769
01:37:19,280 --> 01:37:21,120
Speaker 10: About it because because because because Life.

1770
01:37:21,040 --> 01:37:26,000
Speaker 2: After came out with ninety seven ninety seven Big the

1771
01:37:26,040 --> 01:37:29,400
Speaker 2: first but as on Me came out with ninety six.

1772
01:37:29,840 --> 01:37:33,920
Speaker 2: The doubles. It was the double Who's the first job

1773
01:37:34,160 --> 01:37:35,280
Speaker 2: double cassette?

1774
01:37:35,560 --> 01:37:36,680
Speaker 14: Yeah, it was, it was.

1775
01:37:38,760 --> 01:37:40,320
Speaker 3: It was the first one to do a doubles.

1776
01:37:40,439 --> 01:37:43,800
Speaker 2: A doublecast came later. Somebody had to come up some

1777
01:37:44,080 --> 01:37:47,479
Speaker 2: second album, right, the second Who album come out before too.

1778
01:37:47,560 --> 01:37:50,400
Speaker 2: But you can't but you can't compare to what it was.

1779
01:37:50,560 --> 01:37:54,080
Speaker 2: Sixteen artists in the group. No, you know, come on,

1780
01:37:55,520 --> 01:38:02,000
Speaker 2: you can't make a rules right now, there's one all

1781
01:38:02,120 --> 01:38:03,880
Speaker 2: this man. But you know what I'm saying, it's one.

1782
01:38:04,160 --> 01:38:06,880
Speaker 2: That's one group. It's one. Google made the first wrap

1783
01:38:07,000 --> 01:38:11,679
Speaker 2: double album, Google Ban We got the first album mats

1784
01:38:11,720 --> 01:38:16,240
Speaker 2: that win super millions, and that it came out. Favorite

1785
01:38:16,280 --> 01:38:17,559
Speaker 2: Nigga is a genius, man.

1786
01:38:17,600 --> 01:38:20,559
Speaker 10: That's why I said we're all great, like we're comparing

1787
01:38:20,640 --> 01:38:21,760
Speaker 10: ourselves to ourselves.

1788
01:38:22,640 --> 01:38:24,320
Speaker 2: Give it up for everybody, give it.

1789
01:38:26,360 --> 01:38:30,120
Speaker 3: Everybody is everybody, man, Because I never forget seeing the

1790
01:38:30,200 --> 01:38:32,880
Speaker 3: woo the first time man. Bunch of niggas and hoodies in.

1791
01:38:32,920 --> 01:38:35,639
Speaker 2: The lobby of the Project building looking like I said,

1792
01:38:35,720 --> 01:38:36,520
Speaker 2: the project.

1793
01:38:36,360 --> 01:38:39,400
Speaker 3: Like, hold on, whoa we caund they're letting us in

1794
01:38:40,400 --> 01:38:43,640
Speaker 3: like no inspired, all the hood niggas man like.

1795
01:38:43,800 --> 01:38:48,000
Speaker 2: We all inspired. That's why man. Yeah, that's Jeff Fresh Prince,

1796
01:38:48,680 --> 01:38:49,280
Speaker 2: that's Jesse.

1797
01:38:49,439 --> 01:38:57,200
Speaker 1: Jeff wasn't a hype man. The DJI the Person album,

1798
01:39:00,080 --> 01:39:00,960
Speaker 1: double album.

1799
01:39:05,040 --> 01:39:08,519
Speaker 10: Exactly, but they the first to win the grab Grammy.

1800
01:39:08,680 --> 01:39:10,759
Speaker 10: Yeah for the double album.

1801
01:39:10,920 --> 01:39:11,120
Speaker 26: Short.

1802
01:39:11,600 --> 01:39:15,200
Speaker 2: No, that's fat, that's that's false, that's f crazy. The

1803
01:39:15,360 --> 01:39:19,519
Speaker 2: eighty eight album in eighty eight, that's make sure they're

1804
01:39:19,520 --> 01:39:29,400
Speaker 2: saying double floud double, that's dominicure fact cham different. It

1805
01:39:29,479 --> 01:39:33,479
Speaker 2: does seem real. You're right, Yeah, that's real. Great playing.

1806
01:39:34,400 --> 01:39:36,599
Speaker 2: You look like you're having a hard time in your googles. Brother,

1807
01:39:37,040 --> 01:39:37,360
Speaker 2: believe it.

1808
01:39:37,760 --> 01:39:38,160
Speaker 15: Let me do it.

1809
01:39:38,479 --> 01:39:38,840
Speaker 1: Let's do it.

1810
01:39:39,479 --> 01:39:41,360
Speaker 2: Listen to record. That's hip hop rap.

1811
01:39:41,600 --> 01:39:42,680
Speaker 3: Eight minutes.

1812
01:39:43,920 --> 01:39:44,160
Speaker 1: Album.

1813
01:39:44,240 --> 01:39:47,800
Speaker 2: It is long man, five verses. You not the big,

1814
01:39:48,360 --> 01:39:50,680
Speaker 2: not the big? What's that thing?

1815
01:39:51,880 --> 01:39:51,920
Speaker 18: No?

1816
01:39:52,280 --> 01:39:52,599
Speaker 1: False?

1817
01:39:53,400 --> 01:39:57,000
Speaker 2: Gaph, I got it. Master P. Master P was the

1818
01:39:57,080 --> 01:39:59,639
Speaker 2: first rapper to release the double CD with his nineteen

1819
01:39:59,720 --> 01:40:02,360
Speaker 2: ninety five compilation Down South Hustlers.

1820
01:40:03,280 --> 01:40:04,360
Speaker 4: Yeah, you.

1821
01:40:06,240 --> 01:40:07,439
Speaker 27: Know, you.

1822
01:40:12,120 --> 01:40:13,280
Speaker 4: To be massive.

1823
01:40:13,320 --> 01:40:20,200
Speaker 2: He had every hord playing ghetto. Your master can't change it.

1824
01:40:20,280 --> 01:40:22,920
Speaker 2: He pushed out, Yeah, pushed out, yeashed out culture for.

1825
01:40:23,080 --> 01:40:26,880
Speaker 3: Big nigga, nigga some what's the sergeant weed and liquor

1826
01:40:27,080 --> 01:40:29,599
Speaker 3: master money and bitches yether the weed and liquor.

1827
01:40:31,000 --> 01:40:32,439
Speaker 2: That was ship money.

1828
01:40:33,160 --> 01:40:35,479
Speaker 3: He had.

1829
01:40:37,400 --> 01:40:38,639
Speaker 2: It was massive mass.

1830
01:40:41,400 --> 01:40:41,680
Speaker 14: Hip hop.

1831
01:40:47,400 --> 01:40:50,360
Speaker 2: They can't not because remember that they mister Lea said,

1832
01:40:50,400 --> 01:40:55,200
Speaker 2: Press Prince. Yeah, okay, your.

1833
01:40:55,120 --> 01:40:56,800
Speaker 1: Mister google.

1834
01:40:58,040 --> 01:41:03,880
Speaker 2: Art the Minigan Republic. What the record is down south hustles?

1835
01:41:05,080 --> 01:41:08,519
Speaker 2: I mean, I mean well, I mean that's very specifical,

1836
01:41:08,680 --> 01:41:20,200
Speaker 2: you know, like yeah immediately yeah, like belly, Yeah, yeah, sure,

1837
01:41:21,280 --> 01:41:27,240
Speaker 2: we've been doing that. It was a single hour means

1838
01:41:28,000 --> 01:41:31,240
Speaker 2: all on me. Okay, yeah, all lots of means double

1839
01:41:31,760 --> 01:41:33,720
Speaker 2: We called it just everybody knows. When we sunk up

1840
01:41:33,760 --> 01:41:36,360
Speaker 2: like this, we called drunk fact drunk facts. Yeah. We

1841
01:41:36,880 --> 01:41:40,000
Speaker 2: mean well, but we we have we have a good

1842
01:41:40,040 --> 01:41:43,520
Speaker 2: at We mean well, we have good intentions.

1843
01:41:43,840 --> 01:41:47,599
Speaker 1: We usually google that half of the sounds that work

1844
01:41:47,640 --> 01:41:49,439
Speaker 1: for FEMA, and we have good intentions.

1845
01:41:54,080 --> 01:41:58,960
Speaker 2: Disaster out there with right now, he really our producer,

1846
01:41:59,360 --> 01:42:05,040
Speaker 2: our respect. I ain't gonna mister Lee got question damn

1847
01:42:05,040 --> 01:42:06,280
Speaker 2: all right, So is that your chick?

1848
01:42:06,400 --> 01:42:06,519
Speaker 5: Right?

1849
01:42:06,640 --> 01:42:09,000
Speaker 2: So is the subliminal so because you know it's.

1850
01:42:09,040 --> 01:42:11,320
Speaker 3: Not and I know Shorty said we wrote that about her.

1851
01:42:11,520 --> 01:42:14,840
Speaker 3: Some somebody said, no, no, I'm not, at least not

1852
01:42:15,000 --> 01:42:15,439
Speaker 3: my verse.

1853
01:42:15,640 --> 01:42:20,120
Speaker 2: No, big, I don't know what you're talking about. Come on,

1854
01:42:20,360 --> 01:42:24,439
Speaker 2: clear about the song. Somebody said, is that your Chick

1855
01:42:24,560 --> 01:42:25,240
Speaker 2: was written about?

1856
01:42:25,320 --> 01:42:28,800
Speaker 11: Though we thought it was back then we thought it

1857
01:42:28,880 --> 01:42:32,320
Speaker 11: was about like a rappers girl, like, because that's not being.

1858
01:42:32,280 --> 01:42:34,160
Speaker 13: So I don't know.

1859
01:42:36,600 --> 01:42:36,880
Speaker 3: The girl.

1860
01:42:37,840 --> 01:42:42,360
Speaker 2: We ain't doing that. People lived, they the record, Yeah

1861
01:42:43,320 --> 01:42:46,600
Speaker 2: it was about somebody, but we can't was that was me?

1862
01:42:46,680 --> 01:42:48,439
Speaker 2: I really wanted to know that it was, because you

1863
01:42:48,479 --> 01:42:49,800
Speaker 2: know it's speculations.

1864
01:42:49,880 --> 01:42:53,479
Speaker 3: But my verse, my verse when I got the song

1865
01:42:53,640 --> 01:42:56,439
Speaker 3: is that your chick? Remember Jay released, is that your chick?

1866
01:42:56,520 --> 01:42:57,679
Speaker 3: That was a layup record?

1867
01:42:57,720 --> 01:42:57,920
Speaker 1: For me?

1868
01:42:58,160 --> 01:43:01,000
Speaker 3: Was like, yo, you lie right because it came out

1869
01:43:01,080 --> 01:43:04,560
Speaker 3: on his album only released overseas on volume one, so

1870
01:43:04,720 --> 01:43:07,320
Speaker 3: it only was on the album with overseas.

1871
01:43:06,840 --> 01:43:08,720
Speaker 2: So many I wouldn't know that it was overseas, so

1872
01:43:08,880 --> 01:43:10,960
Speaker 2: come on, so listen.

1873
01:43:11,080 --> 01:43:14,280
Speaker 3: When he when he wanted to release here, he couldn't

1874
01:43:14,360 --> 01:43:16,960
Speaker 3: re release it. So he gave me the beat, Yo, bleak,

1875
01:43:17,000 --> 01:43:18,840
Speaker 3: I got the hook in the beat. Just write two

1876
01:43:19,000 --> 01:43:20,960
Speaker 3: verses for this and I'm gonna put I'm gonna use

1877
01:43:21,000 --> 01:43:22,880
Speaker 3: the verses already got on it and we're gonna shoot

1878
01:43:22,880 --> 01:43:27,720
Speaker 3: the video. So I'm like, great, thank you. So when

1879
01:43:27,760 --> 01:43:29,439
Speaker 3: I went to the crib and I'm listening to it,

1880
01:43:29,520 --> 01:43:31,960
Speaker 3: it's that your chick number one thing come up is

1881
01:43:32,000 --> 01:43:34,639
Speaker 3: come on, man, these niggas out here handcuffing, you gotta

1882
01:43:34,720 --> 01:43:35,760
Speaker 3: be shipting.

1883
01:43:35,479 --> 01:43:37,600
Speaker 2: Me, you know what I mean. So it was it

1884
01:43:37,720 --> 01:43:40,479
Speaker 2: was just about ship like that. It's like, how could

1885
01:43:40,560 --> 01:43:43,040
Speaker 2: you dig? Missy was on that. That was a good song.

1886
01:43:43,160 --> 01:43:45,760
Speaker 3: And back to his point, Nigga said he was in

1887
01:43:45,800 --> 01:43:47,880
Speaker 3: the studio with Mike and never met Mike. I shot

1888
01:43:47,920 --> 01:43:49,599
Speaker 3: a video with Missy and never met.

1889
01:43:49,520 --> 01:43:59,479
Speaker 2: Up to this day. Didn't work. But she shot her

1890
01:43:59,520 --> 01:44:03,680
Speaker 2: ship something something. She was in LA, but I was

1891
01:44:03,760 --> 01:44:06,240
Speaker 2: too late at this time. See, so she was late.

1892
01:44:06,479 --> 01:44:08,320
Speaker 3: So when by the time she came, I was already

1893
01:44:08,360 --> 01:44:10,320
Speaker 3: back in the club in l a chilling. So when

1894
01:44:10,360 --> 01:44:12,519
Speaker 3: she shout while I was going. And then when we

1895
01:44:12,600 --> 01:44:14,760
Speaker 3: did the shows, you know, you come on stage, you

1896
01:44:14,880 --> 01:44:18,760
Speaker 3: stay high whatever, but we never had a four more introduction.

1897
01:44:19,960 --> 01:44:25,280
Speaker 2: That's crazy. Wow, I drink. Yeah, that's the first. That's crazy.

1898
01:44:26,000 --> 01:44:27,680
Speaker 2: Have I ever worked with somebody that I haven't met?

1899
01:44:27,880 --> 01:44:30,640
Speaker 2: That's the same ship, as you know.

1900
01:44:30,720 --> 01:44:33,840
Speaker 1: It was nothing when we went to uh the after

1901
01:44:33,960 --> 01:44:37,160
Speaker 1: party and you never met Pharrell, Yeah, I never met

1902
01:44:37,200 --> 01:44:37,479
Speaker 1: for real.

1903
01:44:38,160 --> 01:44:39,439
Speaker 2: At the very beginning of my career.

1904
01:44:39,439 --> 01:44:41,120
Speaker 11: I thinking, like in Puerto Rico when that Mike show

1905
01:44:41,160 --> 01:44:43,720
Speaker 11: Power Summing in the beginning, but we came through like

1906
01:44:43,800 --> 01:44:46,160
Speaker 11: thirty deep and scared everybody account.

1907
01:44:46,240 --> 01:44:48,439
Speaker 2: Black hair somebody, Yeah, nobody wanted to be out front there.

1908
01:44:48,479 --> 01:44:48,960
Speaker 2: We was thirty.

1909
01:44:49,200 --> 01:44:51,120
Speaker 6: They were like, yo, I was got that makes power Summing.

1910
01:44:51,160 --> 01:44:53,559
Speaker 11: I remember that sh it was like thirty. They were

1911
01:44:53,560 --> 01:44:55,519
Speaker 11: like they came to an armedy. It's like fifty of them,

1912
01:44:55,920 --> 01:44:57,799
Speaker 11: like twenty eight niggas, but it felt like sixty.

1913
01:44:57,840 --> 01:45:00,160
Speaker 6: But that's twenty Still a while we were was.

1914
01:45:00,160 --> 01:45:04,800
Speaker 11: The bullshite may like he was, yeah, we can't we

1915
01:45:05,120 --> 01:45:06,920
Speaker 11: go some bullshit. When I met for all that, he

1916
01:45:07,200 --> 01:45:09,160
Speaker 11: was like, away from me, please fast as fast as possible.

1917
01:45:09,400 --> 01:45:10,880
Speaker 2: Then, just so you know, I did that. First I

1918
01:45:11,000 --> 01:45:13,240
Speaker 2: came to Miami. I posted the ship the Thug Down.

1919
01:45:13,880 --> 01:45:17,320
Speaker 2: Yeah yo, back there yo, with three bus loads full

1920
01:45:17,320 --> 01:45:18,640
Speaker 2: of niggas. Was in the game is.

1921
01:45:18,640 --> 01:45:20,040
Speaker 11: Watching the ship and I was a fan of of

1922
01:45:20,160 --> 01:45:22,400
Speaker 11: ceing n and know when he went over, guy was

1923
01:45:22,800 --> 01:45:23,960
Speaker 11: super tugging it way worth.

1924
01:45:24,080 --> 01:45:26,400
Speaker 2: We was doing it. Yeah yeah, nigga was busting. Were

1925
01:45:26,400 --> 01:45:30,000
Speaker 2: looking like what do you want me to do? It

1926
01:45:30,200 --> 01:45:31,920
Speaker 2: worse than they was like black who black?

1927
01:45:33,160 --> 01:45:37,360
Speaker 3: I remember that tang Man but Woo Chang and rough

1928
01:45:37,439 --> 01:45:39,679
Speaker 3: Riders niggas, nigga.

1929
01:45:41,720 --> 01:45:48,400
Speaker 2: Niggas know where they got on the right they was.

1930
01:45:48,720 --> 01:45:52,800
Speaker 2: They had a right to be. They got because they

1931
01:45:52,840 --> 01:46:01,840
Speaker 2: got niggas thinking about it. Everywhere people say they start

1932
01:46:03,880 --> 01:46:09,759
Speaker 2: people to assistant in the manager and then security.

1933
01:46:09,840 --> 01:46:14,320
Speaker 1: So what's not three? Every Brooklyn Niggas Three was twenty

1934
01:46:14,400 --> 01:46:16,800
Speaker 1: seven whole? That thing that's twenty seven people.

1935
01:46:17,000 --> 01:46:21,800
Speaker 2: Was the most worst ever forward show ever Nigga. It's crazy.

1936
01:46:22,920 --> 01:46:24,519
Speaker 2: I feel like n ob could be itches.

1937
01:46:24,600 --> 01:46:28,080
Speaker 1: Sometimes you'd be like yo, like niggas don't know nah,

1938
01:46:29,760 --> 01:46:33,559
Speaker 1: niggas they're thinking me about podcast.

1939
01:46:34,320 --> 01:46:36,160
Speaker 2: I want to get too young to be in the tunnel.

1940
01:46:36,280 --> 01:46:40,000
Speaker 2: I snuck in. I was like probably sixteen, remember, yeah,

1941
01:46:40,040 --> 01:46:43,200
Speaker 2: what what what damn you niggas and niggas.

1942
01:46:42,960 --> 01:46:43,880
Speaker 3: Mad came on.

1943
01:46:43,960 --> 01:46:47,120
Speaker 2: I see niggas changed. Yeah what to that song? Ye

1944
01:46:47,360 --> 01:46:48,680
Speaker 2: nigga trying to play at.

1945
01:46:50,160 --> 01:46:50,400
Speaker 28: That one.

1946
01:46:50,479 --> 01:46:53,000
Speaker 2: Yeah, something that I was like, I'm in I'm a

1947
01:46:53,080 --> 01:46:55,719
Speaker 2: young nigga, Like, ah, he's gnawing these niggas is nuts.

1948
01:46:56,080 --> 01:46:57,960
Speaker 2: They had that ship super li it. I'm not gonna

1949
01:46:58,000 --> 01:47:00,400
Speaker 2: lie murders a nigga.

1950
01:47:00,479 --> 01:47:03,720
Speaker 1: We really, yeah, my niggas really when the nigga said

1951
01:47:03,720 --> 01:47:06,280
Speaker 1: Brooklyn wanted to tell you like really.

1952
01:47:06,160 --> 01:47:07,679
Speaker 2: Like certainly did after.

1953
01:47:12,320 --> 01:47:18,679
Speaker 15: Yeah, I hear the cont I get the question. Hold

1954
01:47:20,640 --> 01:47:27,799
Speaker 15: gospel I was, we got, we got.

1955
01:47:28,800 --> 01:47:34,759
Speaker 2: We were not all We're not going out.

1956
01:47:35,240 --> 01:47:38,280
Speaker 24: Shoulders, Yeah, coming through the ship on the shoulders the train.

1957
01:47:38,840 --> 01:47:43,720
Speaker 2: Let me tell you, like documentary about the time, was

1958
01:47:43,760 --> 01:47:49,560
Speaker 2: the reference broke, you know the way it was like this,

1959
01:47:49,720 --> 01:47:51,760
Speaker 2: I kind of never went on the Brooklyn night. I

1960
01:47:51,800 --> 01:47:54,120
Speaker 2: think I went. I mean maybe you know.

1961
01:47:54,320 --> 01:47:57,679
Speaker 1: Younger that, but I like him nigga artist before okay,

1962
01:47:57,880 --> 01:48:00,120
Speaker 1: stay out of there. That's a Brooklyn night can Hey,

1963
01:48:00,160 --> 01:48:06,679
Speaker 1: have you ever met Brooklyn Night Books? That Shorty performs

1964
01:48:07,000 --> 01:48:13,840
Speaker 1: the book the night Book, the Nights more that's you know,

1965
01:48:14,000 --> 01:48:14,519
Speaker 1: like that's.

1966
01:48:18,200 --> 01:48:22,720
Speaker 2: So it's queen young.

1967
01:48:24,640 --> 01:48:27,000
Speaker 1: Let me finish this first though, Okay, leave them both.

1968
01:48:27,080 --> 01:48:32,360
Speaker 2: It's okay. Nobody got on the Queen's Nights. But I

1969
01:48:33,200 --> 01:48:33,960
Speaker 2: I was too young at you.

1970
01:48:36,600 --> 01:48:39,880
Speaker 26: I was in the bill, but I don't get more

1971
01:48:39,920 --> 01:48:44,280
Speaker 26: in the times.

1972
01:48:49,360 --> 01:48:51,560
Speaker 2: Maybe you know what, you know what it was like

1973
01:48:52,120 --> 01:48:53,120
Speaker 2: this this crazy.

1974
01:48:56,000 --> 01:48:56,639
Speaker 4: You was talking back.

1975
01:48:59,840 --> 01:49:09,280
Speaker 1: Just there's so many New York artists popping that we're

1976
01:49:09,360 --> 01:49:11,880
Speaker 1: not competing with no one outside of New York at

1977
01:49:11,920 --> 01:49:16,960
Speaker 1: this time. We're trying to have a better show the

1978
01:49:17,040 --> 01:49:19,080
Speaker 1: next New York dude. Like I remember one time me

1979
01:49:19,160 --> 01:49:24,200
Speaker 1: and camera. He had horse and carriage and I had

1980
01:49:24,280 --> 01:49:28,200
Speaker 1: Super Dug. And we had a bunch of B sides

1981
01:49:28,600 --> 01:49:32,040
Speaker 1: that were working and that were dope, But the whole

1982
01:49:32,200 --> 01:49:33,760
Speaker 1: night all they wanted to hear was.

1983
01:49:38,439 --> 01:49:40,599
Speaker 2: Super Dug. And we I'm talking about.

1984
01:49:40,600 --> 01:49:42,640
Speaker 1: We went so on for so it was almost a

1985
01:49:42,800 --> 01:49:44,280
Speaker 1: versus without being versus because we.

1986
01:49:45,760 --> 01:49:51,840
Speaker 2: We were for song in the tunnel. Yeah we were.

1987
01:49:51,960 --> 01:49:58,160
Speaker 2: We weren't bound on cameras, but yeah, that's that's why

1988
01:49:58,560 --> 01:50:00,240
Speaker 2: I said it. So we were going so what so.

1989
01:50:00,520 --> 01:50:02,560
Speaker 1: And I remember one night I was drinking honey so

1990
01:50:02,720 --> 01:50:07,439
Speaker 1: much that somebody passed me a water that was a

1991
01:50:07,479 --> 01:50:08,000
Speaker 1: bad idea.

1992
01:50:09,000 --> 01:50:12,479
Speaker 2: The water. The Hennessy ain't agree with the water. So

1993
01:50:12,600 --> 01:50:14,600
Speaker 2: I earled out that.

1994
01:50:17,560 --> 01:50:18,400
Speaker 4: You know, you know what.

1995
01:50:21,360 --> 01:50:24,840
Speaker 2: You keep going. You know, he's kind of like rot

1996
01:50:25,360 --> 01:50:27,840
Speaker 2: you know what, even me drinking more honey.

1997
01:50:29,240 --> 01:50:36,920
Speaker 1: And realized once you on, once you're on, you gotta

1998
01:50:37,040 --> 01:50:40,040
Speaker 1: keep it going, you gotta keep it going. But the

1999
01:50:40,160 --> 01:50:44,200
Speaker 1: tunnel was legendary. Like I said, if you if you

2000
01:50:44,360 --> 01:50:47,639
Speaker 1: ever performed in the tunnel, ever had your record played

2001
01:50:47,640 --> 01:50:48,200
Speaker 1: in the tunnel?

2002
01:50:54,240 --> 01:50:56,240
Speaker 2: Need to make a documentary on it?

2003
01:50:57,360 --> 01:50:57,960
Speaker 6: Like in the tunnel?

2004
01:51:00,640 --> 01:51:03,840
Speaker 1: Answer that question. Every documentary has been captured from people

2005
01:51:03,880 --> 01:51:06,040
Speaker 1: that was behind the scenes, on people that was like

2006
01:51:06,240 --> 01:51:08,000
Speaker 1: DJs or things like that.

2007
01:51:08,720 --> 01:51:10,880
Speaker 2: I want to, I want to. I need an artist

2008
01:51:11,280 --> 01:51:13,160
Speaker 2: documentary out of the tunnel.

2009
01:51:12,920 --> 01:51:14,400
Speaker 1: Like you know what I'm saying, Like like me and

2010
01:51:14,479 --> 01:51:16,599
Speaker 1: Seeds could do like some ship like that and then

2011
01:51:17,000 --> 01:51:19,400
Speaker 1: go without and you know Roy Davis hasn't. I don't

2012
01:51:19,400 --> 01:51:34,160
Speaker 1: know it was that, but yeah, like time, you gotta tunnel. Yeah,

2013
01:51:34,960 --> 01:51:39,479
Speaker 1: if they want to go to the Scared to go down, they.

2014
01:51:39,400 --> 01:51:42,320
Speaker 2: Had and they had the unisex and they had the unisex.

2015
01:51:43,320 --> 01:51:46,120
Speaker 2: They had the unisex. Let me tell you the effect.

2016
01:51:46,280 --> 01:51:48,599
Speaker 2: What about the unisex bad from the UNI.

2017
01:51:54,040 --> 01:51:56,000
Speaker 1: That was not right with the bar in it.

2018
01:52:01,439 --> 01:52:05,800
Speaker 2: Very you know we shot where was that put your

2019
01:52:05,840 --> 01:52:09,479
Speaker 2: hands where I could put you right. Yeah, I'm talking.

2020
01:52:09,520 --> 01:52:11,160
Speaker 2: You can see the whole block.

2021
01:52:11,520 --> 01:52:17,360
Speaker 10: Coot, you see the whole block, yo, legendary t That's

2022
01:52:17,400 --> 01:52:19,280
Speaker 10: what I'm saying. This is this golden era needs to

2023
01:52:19,320 --> 01:52:22,080
Speaker 10: be represented. We gotta, we gotta because we gotta.

2024
01:52:21,920 --> 01:52:26,000
Speaker 2: Let we got because you know, the key ship you

2025
01:52:26,040 --> 01:52:28,720
Speaker 2: said tonight was yo damn, y'all was all young, all young.

2026
01:52:28,840 --> 01:52:30,840
Speaker 2: I'm sure you hear this a lot. I was all young.

2027
01:52:30,840 --> 01:52:31,639
Speaker 2: Everybody was so young.

2028
01:52:32,840 --> 01:52:35,960
Speaker 7: And the thing is, as we get older, technology is changing.

2029
01:52:36,960 --> 01:52:40,360
Speaker 7: The generations that come. They even fathom, brazy the way

2030
01:52:40,439 --> 01:52:43,560
Speaker 7: that we were doing things back then. You can't understand it.

2031
01:52:44,880 --> 01:52:46,799
Speaker 7: Documented to make it understand.

2032
01:52:46,840 --> 01:52:52,040
Speaker 2: That's why you got to talk about it like that's

2033
01:52:52,080 --> 01:52:55,439
Speaker 2: the information you let me tell you about. He was

2034
01:52:55,520 --> 01:52:59,360
Speaker 2: living now like we was living in now.

2035
01:52:59,600 --> 01:52:59,760
Speaker 12: Y'all.

2036
01:53:01,200 --> 01:53:03,000
Speaker 2: You can make sure you can do this. You can

2037
01:53:03,040 --> 01:53:08,200
Speaker 2: do you have to be actually high in the free

2038
01:53:08,240 --> 01:53:11,920
Speaker 2: great documentary don't come.

2039
01:53:18,760 --> 01:53:19,160
Speaker 3: I get it.

2040
01:53:19,760 --> 01:53:21,680
Speaker 2: These young others don't even do interviews no more.

2041
01:53:21,760 --> 01:53:25,040
Speaker 6: Some of them don't have to, Like why don't you

2042
01:53:25,160 --> 01:53:26,120
Speaker 6: tell your story more?

2043
01:53:27,160 --> 01:53:29,000
Speaker 2: I'll tell me. I'll tell them when I can, and

2044
01:53:29,080 --> 01:53:31,840
Speaker 2: I'm gonna tell like he's humble man, I get it.

2045
01:53:32,400 --> 01:53:36,960
Speaker 6: You got so much hip hop history, so let me

2046
01:53:37,040 --> 01:53:38,200
Speaker 6: tell you one time.

2047
01:53:38,600 --> 01:53:43,240
Speaker 15: Yeah, you.

2048
01:53:44,960 --> 01:53:47,760
Speaker 2: Get that, get it?

2049
01:53:48,000 --> 01:53:48,280
Speaker 15: Okay.

2050
01:53:48,560 --> 01:53:51,680
Speaker 2: I tried to side see man, you know in the

2051
01:53:51,760 --> 01:53:52,200
Speaker 2: get Up.

2052
01:53:56,400 --> 01:53:59,960
Speaker 14: Remember this, Yeah, the.

2053
01:54:00,080 --> 01:54:05,080
Speaker 2: Side met me.

2054
01:54:05,800 --> 01:54:06,000
Speaker 8: Yeah.

2055
01:54:06,320 --> 01:54:09,640
Speaker 3: I was trying to sign the words whole like you

2056
01:54:09,760 --> 01:54:15,120
Speaker 3: know that. Yeah, holes his influence. I'm digging influence.

2057
01:54:17,360 --> 01:54:18,160
Speaker 2: What's the whole picture?

2058
01:54:19,600 --> 01:54:21,720
Speaker 3: We got like three feelures because we I did the

2059
01:54:22,080 --> 01:54:26,759
Speaker 3: remix to this song over the one to y'all feeling,

2060
01:54:27,160 --> 01:54:27,840
Speaker 3: and then we went to.

2061
01:54:27,920 --> 01:54:32,120
Speaker 2: The all classic choice. Then we did a song called

2062
01:54:32,160 --> 01:54:34,880
Speaker 2: doing Again with my man Jeter King. You know what

2063
01:54:34,920 --> 01:54:37,480
Speaker 2: I mean? He said on the song, signing with bleaking,

2064
01:54:37,560 --> 01:54:38,080
Speaker 2: I'm right with.

2065
01:54:39,640 --> 01:54:40,000
Speaker 11: What what what?

2066
01:54:40,120 --> 01:54:40,160
Speaker 13: What?

2067
01:54:40,200 --> 01:54:40,240
Speaker 2: What?

2068
01:54:40,400 --> 01:54:40,440
Speaker 23: What?

2069
01:54:41,280 --> 01:54:41,560
Speaker 14: Wrong?

2070
01:54:42,640 --> 01:54:48,240
Speaker 2: Us were just there was a lot going on and

2071
01:54:48,400 --> 01:54:53,360
Speaker 2: then the rock broke up at that time. Yeah, yeah,

2072
01:54:53,800 --> 01:54:57,600
Speaker 2: I'm trying to just drop something, so I posted something today.

2073
01:54:57,640 --> 01:54:59,520
Speaker 5: I said, think about all the people you would have

2074
01:54:59,600 --> 01:55:03,240
Speaker 5: never met if it wasn't for music, right. So DJ

2075
01:55:03,400 --> 01:55:05,800
Speaker 5: Killer Touch it was like I don't know, six in

2076
01:55:05,800 --> 01:55:08,200
Speaker 5: the morning and I was just coming back on some festival.

2077
01:55:08,320 --> 01:55:10,560
Speaker 5: He was like, Yo, See's and Jada Kiss, we have

2078
01:55:10,600 --> 01:55:12,040
Speaker 5: booby Trap right now, come through.

2079
01:55:12,520 --> 01:55:14,520
Speaker 2: Of course I'm coming through we.

2080
01:55:14,720 --> 01:55:16,920
Speaker 6: Popping at six o'clock in the morning, and my I'm like, what.

2081
01:55:16,960 --> 01:55:17,760
Speaker 2: Am I doing right now?

2082
01:55:18,080 --> 01:55:19,080
Speaker 6: But you know what I'm saying.

2083
01:55:19,080 --> 01:55:21,160
Speaker 2: But that was the beautiful thing about having that.

2084
01:55:21,200 --> 01:55:23,320
Speaker 5: Hip hop history and coming to some place like Miami

2085
01:55:23,680 --> 01:55:26,040
Speaker 5: partying at a strip club Booby Track that's open till

2086
01:55:26,080 --> 01:55:26,920
Speaker 5: six o'clock in the morning.

2087
01:55:26,960 --> 01:55:27,760
Speaker 2: Where's limitless?

2088
01:55:29,960 --> 01:55:30,120
Speaker 4: Yo?

2089
01:55:30,480 --> 01:55:30,840
Speaker 3: I was like.

2090
01:55:33,880 --> 01:55:39,840
Speaker 1: Mike from Booby Traps got.

2091
01:55:39,720 --> 01:55:48,680
Speaker 6: Booby Trap on the river. That would have never happened,

2092
01:55:48,760 --> 01:55:49,360
Speaker 6: you know what I'm saying.

2093
01:55:49,680 --> 01:55:50,880
Speaker 2: So all of this, I'm just.

2094
01:55:50,880 --> 01:55:52,240
Speaker 6: Happy to be a part of it, thanks to Marry.

2095
01:55:52,440 --> 01:55:54,760
Speaker 1: But let me ask you because we ya Yo said

2096
01:55:55,040 --> 01:55:58,800
Speaker 1: on Drink Champs it's a famous story that he went

2097
01:55:58,880 --> 01:56:00,320
Speaker 1: to see Collin of.

2098
01:56:00,320 --> 01:56:01,640
Speaker 2: To the what.

2099
01:56:05,480 --> 01:56:05,680
Speaker 16: Yes.

2100
01:56:05,920 --> 01:56:07,720
Speaker 6: I mean this was at the height of the t

2101
01:56:08,040 --> 01:56:09,240
Speaker 6: s and fifty beef.

2102
01:56:09,840 --> 01:56:13,360
Speaker 5: So here goes ya Yo ton Yao promoting his album.

2103
01:56:13,560 --> 01:56:13,680
Speaker 23: Right.

2104
01:56:14,280 --> 01:56:15,280
Speaker 6: I was like, why are they doing this?

2105
01:56:15,360 --> 01:56:17,360
Speaker 5: They know they got beef, So I'm in the middle

2106
01:56:17,400 --> 01:56:19,680
Speaker 5: of it, so I'm going to do my job. I'm

2107
01:56:19,720 --> 01:56:22,160
Speaker 5: going to interview. But ya Yo was a willing participant.

2108
01:56:22,560 --> 01:56:25,200
Speaker 5: He knew what the beef was, so he was walking

2109
01:56:26,280 --> 01:56:29,040
Speaker 5: into right. So he went to go shake CALO's hand.

2110
01:56:29,160 --> 01:56:31,560
Speaker 5: Cal was like, now I'm good. You know, loyalty ts

2111
01:56:31,640 --> 01:56:33,880
Speaker 5: for life. I'm like, oh my god, I.

2112
01:56:33,920 --> 01:56:43,560
Speaker 2: Can respect that. It was exaggerated, you said, I said.

2113
01:56:43,400 --> 01:56:45,280
Speaker 5: This is going to be your problem, and I just

2114
01:56:45,320 --> 01:56:47,640
Speaker 5: started yelling through the hallways. It's two bucks birthday.

2115
01:56:48,280 --> 01:56:55,680
Speaker 2: It was, but it seemed that work. Yes, let me

2116
01:56:55,720 --> 01:56:55,920
Speaker 2: tell you.

2117
01:56:56,120 --> 01:56:58,000
Speaker 6: There were some people that rolled up. We're gonna.

2118
01:56:59,280 --> 01:56:59,440
Speaker 23: There.

2119
01:57:00,280 --> 01:57:01,200
Speaker 2: No, this is after the fact.

2120
01:57:01,280 --> 01:57:04,320
Speaker 21: I saw the class name was thrown out there. Yes,

2121
01:57:06,240 --> 01:57:09,920
Speaker 21: that's brother, that's brother, that's our brother. Yes, yes, tell

2122
01:57:09,960 --> 01:57:12,600
Speaker 21: me the other day. Yes, the soldiers lined up.

2123
01:57:12,720 --> 01:57:15,880
Speaker 5: It was going to go down, and I saved them.

2124
01:57:15,920 --> 01:57:18,120
Speaker 5: I saved everybody in the name of Tupacs.

2125
01:57:18,280 --> 01:57:18,640
Speaker 2: Give it up.

2126
01:57:18,680 --> 01:57:27,040
Speaker 5: Okay, I wouldn't have themed that passionately because I knew

2127
01:57:27,040 --> 01:57:28,040
Speaker 5: what TUPAC represented.

2128
01:57:28,280 --> 01:57:30,200
Speaker 6: This is not it. We already been there, done that.

2129
01:57:30,360 --> 01:57:31,400
Speaker 6: Let's not repeat that.

2130
01:57:38,160 --> 01:57:39,600
Speaker 1: Spiracy textile.

2131
01:57:39,960 --> 01:57:48,520
Speaker 2: Yes, was giving up. That's real, all things being real,

2132
01:57:48,600 --> 01:57:49,360
Speaker 2: that's real ship though.

2133
01:57:49,520 --> 01:57:52,000
Speaker 6: Yeah, but shot ye yo for for beating that story.

2134
01:57:52,400 --> 01:57:53,200
Speaker 4: That rock.

2135
01:57:56,600 --> 01:58:01,240
Speaker 2: To come. But that's why so holarizing right like.

2136
01:58:01,320 --> 01:58:03,440
Speaker 6: That's where yeah, we could get there.

2137
01:58:03,360 --> 01:58:04,600
Speaker 2: But right now we're elevated.

2138
01:58:04,760 --> 01:58:07,640
Speaker 3: Yeah, I'm glad we grow, because I have the upper

2139
01:58:07,680 --> 01:58:09,600
Speaker 3: head like that against any of my is.

2140
01:58:09,640 --> 01:58:20,640
Speaker 2: Going what is petty rally a little now I'm growing

2141
01:58:21,280 --> 01:58:23,760
Speaker 2: in the day and I had the upper head like that,

2142
01:58:24,280 --> 01:58:25,200
Speaker 2: you're getting spanked.

2143
01:58:25,520 --> 01:58:30,280
Speaker 3: You're getting a Metsic staple to your head and show

2144
01:58:30,360 --> 01:58:31,680
Speaker 3: all yours who did it.

2145
01:58:31,760 --> 01:58:33,120
Speaker 4: And what what we get.

2146
01:58:35,440 --> 01:58:38,520
Speaker 2: It was body that I don't like smoke.

2147
01:58:39,920 --> 01:58:43,040
Speaker 1: Hold on, so grafted Dame dash d m U. Yet

2148
01:58:48,520 --> 01:58:52,600
Speaker 1: after I'm asking about the rock Chane did he he

2149
01:58:52,720 --> 01:58:53,400
Speaker 1: called right away.

2150
01:58:53,560 --> 01:58:56,240
Speaker 11: He was like, Uh, I was just gonna make it sure, Okay,

2151
01:58:56,560 --> 01:59:00,680
Speaker 11: let me make it sure, yea, to make sure I

2152
01:59:00,720 --> 01:59:01,440
Speaker 11: got this blessing.

2153
01:59:02,000 --> 01:59:03,800
Speaker 2: I got it on and I'm happy as a motherfucker.

2154
01:59:04,320 --> 01:59:05,520
Speaker 2: I'm very happy flipping.

2155
01:59:08,600 --> 01:59:11,840
Speaker 11: When I signed at the end when Rockefeller was breaking

2156
01:59:11,920 --> 01:59:13,680
Speaker 11: up between Jay and Dames, so I didn't get the

2157
01:59:13,760 --> 01:59:16,240
Speaker 11: chance to experience making the album, going on tour, doing

2158
01:59:16,280 --> 01:59:17,200
Speaker 11: all the big ship with them.

2159
01:59:17,240 --> 01:59:21,000
Speaker 1: Or to change my change my dream.

2160
01:59:21,080 --> 01:59:23,280
Speaker 2: Now this is Remember I'm I'm watching your niggas. I

2161
01:59:23,320 --> 01:59:24,200
Speaker 2: met your niggas in London.

2162
01:59:24,480 --> 01:59:26,480
Speaker 11: I'm still I'm in there, but I'm still like a

2163
01:59:26,880 --> 01:59:29,440
Speaker 11: spectacle like I'm fancy on niggas. I never got a

2164
01:59:29,480 --> 01:59:32,120
Speaker 11: chance to experience the business. The tour album, I made

2165
01:59:32,120 --> 01:59:34,920
Speaker 11: like five songs niggas and it was like clip damn.

2166
01:59:37,800 --> 01:59:51,640
Speaker 2: The album Birthday. Don't over there, you ain't ship. I'll

2167
01:59:51,680 --> 01:59:56,400
Speaker 2: be like, see what you're doing over there? It was

2168
01:59:57,600 --> 01:59:57,960
Speaker 2: give you the.

2169
01:59:59,840 --> 02:00:00,440
Speaker 1: All together?

2170
02:00:00,480 --> 02:00:02,320
Speaker 2: But I got Dame blessed. It's all good man.

2171
02:00:02,360 --> 02:00:05,600
Speaker 11: I shot all your niggas man, Bleek Jane, the whole rock.

2172
02:00:05,680 --> 02:00:07,400
Speaker 11: I love your niggas death man. I'm just happy to

2173
02:00:07,440 --> 02:00:07,680
Speaker 11: be there.

2174
02:00:08,240 --> 02:00:28,120
Speaker 13: Yeah, your money, look all right, let me Steppes comes up.

2175
02:00:29,680 --> 02:00:31,920
Speaker 2: Okay, you're right, this show comes out next week.

2176
02:00:34,080 --> 02:00:36,760
Speaker 1: Dame, I have nothing but respect for dam I want

2177
02:00:36,760 --> 02:00:39,520
Speaker 1: to show you I have no respect for Dave. Been

2178
02:00:39,560 --> 02:00:40,080
Speaker 1: coming at me.

2179
02:00:47,640 --> 02:00:49,320
Speaker 2: I just wanted to say, all right, you tell me

2180
02:00:49,400 --> 02:00:50,960
Speaker 2: the FaceTime. Are you on the show. But I'm a

2181
02:00:51,000 --> 02:00:51,400
Speaker 2: good chill.

2182
02:00:54,320 --> 02:00:57,000
Speaker 1: You want to smoke he wants Okay. I would say

2183
02:00:57,040 --> 02:00:59,880
Speaker 1: to his face personally too, But you know that's my man.

2184
02:01:00,360 --> 02:01:02,240
Speaker 1: I got nothing but love of them. I got nothing

2185
02:01:02,280 --> 02:01:05,920
Speaker 1: for love on But you know I gotta respond. I

2186
02:01:05,960 --> 02:01:09,000
Speaker 1: don't I don't want to respond with disrespect, but I

2187
02:01:09,040 --> 02:01:11,640
Speaker 1: gotta let you know that I'm not gonna be disrespected.

2188
02:01:13,040 --> 02:01:16,440
Speaker 1: And the fact that you keep taking like these little

2189
02:01:16,520 --> 02:01:20,200
Speaker 1: fake shots. It's corny bro like, I have nothing to

2190
02:01:20,280 --> 02:01:23,840
Speaker 1: do with that ship. But at the end of the day,

2191
02:01:24,000 --> 02:01:26,240
Speaker 1: I will respond because if we're supposed to be black

2192
02:01:26,280 --> 02:01:29,040
Speaker 1: and excellent. I've never got paid for not one of

2193
02:01:29,120 --> 02:01:31,760
Speaker 1: these movies that I've done. I've never got paid for

2194
02:01:31,840 --> 02:01:35,840
Speaker 1: one of these soundtracks that I've done. So where is

2195
02:01:35,960 --> 02:01:39,960
Speaker 1: this real CEO shit that you know has been brewing?

2196
02:01:40,120 --> 02:01:40,160
Speaker 2: Like?

2197
02:01:40,360 --> 02:01:43,760
Speaker 1: And and I respect you like I do not want

2198
02:01:43,800 --> 02:01:47,400
Speaker 1: to start this off by by, you know, disrespecting the

2199
02:01:47,480 --> 02:01:52,400
Speaker 1: person that I actually respect. But I gotta address you

2200
02:01:52,600 --> 02:01:57,520
Speaker 1: if you're addressing me multiple times, big homie ain't the

2201
02:01:57,600 --> 02:01:59,080
Speaker 1: only one you keep bringing up.

2202
02:02:00,160 --> 02:02:02,240
Speaker 2: You're bringing up anybody. And I know it's these gold

2203
02:02:02,320 --> 02:02:16,440
Speaker 2: bottles yspectfully commercial. It's not Spike, not Spike commercial.

2204
02:02:21,040 --> 02:02:25,400
Speaker 10: Stop the party saying Spike, And I know you know

2205
02:02:25,760 --> 02:02:27,920
Speaker 10: what it was the state property. I'm in one of

2206
02:02:27,960 --> 02:02:31,280
Speaker 10: the state property movies with him. You got paid, No, sir, Okay,

2207
02:02:32,920 --> 02:02:35,760
Speaker 10: we go back to all of this. I'm just saying,

2208
02:02:35,760 --> 02:02:37,840
Speaker 10: I'm asking, like I'm not trying to start now.

2209
02:02:37,880 --> 02:02:39,560
Speaker 2: You came home like now you tell you know, you

2210
02:02:39,640 --> 02:02:47,160
Speaker 2: told me you gotta speak you me to what I

2211
02:02:47,240 --> 02:02:50,320
Speaker 2: want to do? What you do be doing?

2212
02:02:53,800 --> 02:02:54,200
Speaker 4: Clint me.

2213
02:02:57,120 --> 02:02:58,240
Speaker 1: They didn't want to pay you all.

2214
02:02:58,800 --> 02:03:01,360
Speaker 2: I ain't because because I because that was his part

2215
02:03:01,400 --> 02:03:01,760
Speaker 2: of up.

2216
02:03:03,320 --> 02:03:08,120
Speaker 1: No no no, we all participated, but was supposed to

2217
02:03:08,160 --> 02:03:08,800
Speaker 1: be a part of him.

2218
02:03:09,160 --> 02:03:10,800
Speaker 2: But you know I was with the Rock, so I

2219
02:03:10,880 --> 02:03:12,240
Speaker 2: got paid in different ways.

2220
02:03:13,080 --> 02:03:17,160
Speaker 3: You know, advances was boost up, checks was clear, quicker.

2221
02:03:17,480 --> 02:03:17,640
Speaker 13: You know.

2222
02:03:18,440 --> 02:03:19,280
Speaker 2: Ship just happened.

2223
02:03:19,320 --> 02:03:19,440
Speaker 16: Though.

2224
02:03:19,480 --> 02:03:21,040
Speaker 2: They get moved around.

2225
02:03:21,440 --> 02:03:22,400
Speaker 3: Yeah, they broke me.

2226
02:03:22,480 --> 02:03:29,240
Speaker 2: It's good, but yo, I dump dang like a motherfucker

2227
02:03:29,360 --> 02:03:31,080
Speaker 2: for the one with the movie.

2228
02:03:30,840 --> 02:03:31,600
Speaker 3: With Kevin Hart.

2229
02:03:33,360 --> 02:03:34,000
Speaker 1: No paper sold.

2230
02:03:34,280 --> 02:03:35,920
Speaker 3: Yeah, that's why they ain't no fun with me.

2231
02:03:36,040 --> 02:03:39,680
Speaker 2: That's what started. But want to be in it?

2232
02:03:39,800 --> 02:03:42,440
Speaker 3: You didn't want didn't want to be in it. Like

2233
02:03:42,520 --> 02:03:44,720
Speaker 3: I said, I didn't get paid from the first one,

2234
02:03:45,080 --> 02:03:47,600
Speaker 3: just like I'm like it. And then it was like

2235
02:03:47,720 --> 02:03:49,640
Speaker 3: tension at that time. So I'm like funk that, no,

2236
02:03:49,760 --> 02:03:50,560
Speaker 3: I ain't doing this movie.

2237
02:03:50,600 --> 02:03:52,600
Speaker 2: He kept calling me. I'll be like, yeah, I'm gonna

2238
02:03:52,600 --> 02:03:55,960
Speaker 2: pull up and never pull up. So then but you.

2239
02:03:58,040 --> 02:04:01,360
Speaker 3: So this is what happened, right, So he Jay he

2240
02:04:01,480 --> 02:04:04,480
Speaker 3: pulled the big joke out on me, Ja like yo, bleek,

2241
02:04:04,520 --> 02:04:04,800
Speaker 3: what's up?

2242
02:04:04,840 --> 02:04:06,240
Speaker 2: Why ain't we doing the movie. Make go do that

2243
02:04:06,320 --> 02:04:07,840
Speaker 2: go ahead through that ship real quick. Man, you only

2244
02:04:07,880 --> 02:04:09,400
Speaker 2: got one line, I may go knock that ship out

2245
02:04:09,400 --> 02:04:09,800
Speaker 2: real quick.

2246
02:04:10,320 --> 02:04:12,280
Speaker 3: So I'm like, all right, I go to the set.

2247
02:04:12,800 --> 02:04:15,440
Speaker 2: Nigga Dan was like, oh, so you want to show

2248
02:04:15,520 --> 02:04:19,800
Speaker 2: up because j called you? But how did he even know?

2249
02:04:20,040 --> 02:04:20,520
Speaker 2: How did he know?

2250
02:04:20,840 --> 02:04:22,360
Speaker 4: He knew?

2251
02:04:22,440 --> 02:04:24,720
Speaker 3: He go home and then I came. He like for

2252
02:04:24,920 --> 02:04:25,960
Speaker 3: this bitch ass they.

2253
02:04:28,960 --> 02:04:31,120
Speaker 2: That movie. But then I thank god I did, because

2254
02:04:31,160 --> 02:04:36,720
Speaker 2: you know, I kept by the way. I appreciate you, Jame,

2255
02:04:36,840 --> 02:04:40,400
Speaker 2: like I really do opportunity man, just to put your

2256
02:04:40,480 --> 02:04:41,600
Speaker 2: boys in the movie. See me.

2257
02:04:42,480 --> 02:04:45,120
Speaker 3: We was a family, so I didn't care about money.

2258
02:04:45,160 --> 02:04:46,880
Speaker 3: I want to see my boys do their thing.

2259
02:04:47,000 --> 02:04:47,720
Speaker 2: You got a movie.

2260
02:04:47,800 --> 02:04:48,600
Speaker 3: I'm riding with you.

2261
02:04:48,760 --> 02:04:51,200
Speaker 2: That was the loyalty you have for my team, for y'all.

2262
02:04:51,320 --> 02:04:53,240
Speaker 2: Not getting paid to.

2263
02:04:57,840 --> 02:04:58,160
Speaker 28: That was.

2264
02:04:59,800 --> 02:05:05,480
Speaker 2: Not know I got paid paid for? Yeah, I keep going.

2265
02:05:05,520 --> 02:05:08,040
Speaker 2: Did you get paid for? Paid for the movie? Absolutely not?

2266
02:05:12,000 --> 02:05:14,560
Speaker 2: Keep going streets watching them on that. Why did you?

2267
02:05:15,120 --> 02:05:16,120
Speaker 2: Why did you participate?

2268
02:05:16,200 --> 02:05:16,240
Speaker 1: What?

2269
02:05:16,320 --> 02:05:16,360
Speaker 12: What?

2270
02:05:16,440 --> 02:05:16,880
Speaker 23: What was it?

2271
02:05:17,120 --> 02:05:21,840
Speaker 2: It was just your loyalty to the situations was like

2272
02:05:22,320 --> 02:05:25,280
Speaker 2: my you know what I'm say. I was seeing him.

2273
02:05:25,600 --> 02:05:31,120
Speaker 2: I would see them, but.

2274
02:05:37,200 --> 02:05:39,280
Speaker 1: I would never think that we were sitting here talking

2275
02:05:39,320 --> 02:05:41,240
Speaker 1: about separation between any of this.

2276
02:05:42,960 --> 02:05:48,120
Speaker 2: I saw the beginning. I saw that, and you know,

2277
02:05:48,400 --> 02:05:49,720
Speaker 2: I was I was.

2278
02:05:49,800 --> 02:05:52,680
Speaker 1: Cool to was probably the only Queen's person that did

2279
02:05:53,400 --> 02:05:55,560
Speaker 1: at that time, you know what I'm saying. Like I mean,

2280
02:05:55,760 --> 02:05:57,360
Speaker 1: if you look at it, you know what I mean, Like,

2281
02:05:57,440 --> 02:05:58,640
Speaker 1: think about the streets watching.

2282
02:05:59,320 --> 02:06:02,720
Speaker 2: I would say, old people, Nelly was the streets just watching. Yeah,

2283
02:06:03,400 --> 02:06:10,320
Speaker 2: it was like, it's right about that's right, tell them

2284
02:06:10,320 --> 02:06:14,200
Speaker 2: just getting my dame to just talk then because I love.

2285
02:06:15,560 --> 02:06:16,240
Speaker 3: Yeah, I won't fin.

2286
02:06:18,720 --> 02:06:20,800
Speaker 1: Yeah, bleek to you.

2287
02:06:20,880 --> 02:06:39,920
Speaker 2: Sure, let me tell you my story about Okay, just

2288
02:06:40,000 --> 02:06:40,560
Speaker 2: say this is my name.

2289
02:06:40,600 --> 02:06:40,760
Speaker 1: I know.

2290
02:06:40,880 --> 02:06:43,640
Speaker 11: Right when I first signed in the Rock, we did

2291
02:06:43,680 --> 02:06:45,920
Speaker 11: a deal like this, he was like this, you signed

2292
02:06:45,960 --> 02:06:47,720
Speaker 11: for the person Tom. Before the paper was done, he

2293
02:06:47,800 --> 02:06:50,240
Speaker 11: was like, you signed president out how They was like,

2294
02:06:50,520 --> 02:06:51,000
Speaker 11: that's gangster.

2295
02:06:51,200 --> 02:06:53,480
Speaker 2: So he signed to the Rock. But we do the PaperWorks.

2296
02:06:53,480 --> 02:06:55,320
Speaker 11: But we're still doing the paperwork and I'm still in

2297
02:06:55,360 --> 02:06:57,920
Speaker 11: the street a million percent. So I'm like, I'm on

2298
02:06:58,040 --> 02:06:59,720
Speaker 11: the Rock now. I don't want to get jammed up

2299
02:06:59,760 --> 02:07:02,160
Speaker 11: on the police's activity or played myself and blow this

2300
02:07:02,200 --> 02:07:05,480
Speaker 11: opportunity because I'm outside doing X y Z so I

2301
02:07:05,560 --> 02:07:09,200
Speaker 11: come to dam and I'm like, yo, I don't want

2302
02:07:09,240 --> 02:07:11,640
Speaker 11: to fuck my opportunity. I know the deal's not done,

2303
02:07:12,080 --> 02:07:14,280
Speaker 11: but I'm outside still doing you know, I'm still hustling.

2304
02:07:14,640 --> 02:07:16,760
Speaker 2: He said, you know, come up, so what you need

2305
02:07:16,840 --> 02:07:18,440
Speaker 2: some money? I was like, that's what I'm trying to say.

2306
02:07:18,800 --> 02:07:20,960
Speaker 11: He was like, I bet he took me to this

2307
02:07:21,040 --> 02:07:23,640
Speaker 11: financial advisor and they gave me ten bands, so you

2308
02:07:23,640 --> 02:07:24,560
Speaker 11: can say, take this money and.

2309
02:07:24,560 --> 02:07:25,160
Speaker 2: Get out the street.

2310
02:07:26,120 --> 02:07:27,840
Speaker 11: Me being a Jamaica queens nigga that I am, I

2311
02:07:27,960 --> 02:07:30,520
Speaker 11: put that money back in the street. Street back, but

2312
02:07:31,000 --> 02:07:33,240
Speaker 11: I bought some bad work and then come back play yourself.

2313
02:07:33,840 --> 02:07:36,240
Speaker 11: I lost the ten played yourself, so I was like.

2314
02:07:36,400 --> 02:07:39,960
Speaker 3: I was like, yeah, New York state of mind.

2315
02:07:40,000 --> 02:07:41,880
Speaker 2: Then they again to submit this.

2316
02:07:41,960 --> 02:07:43,640
Speaker 11: I said, damn, I know you gave me the ten

2317
02:07:43,720 --> 02:07:45,480
Speaker 11: to get out the street up. But me being a

2318
02:07:45,560 --> 02:07:47,320
Speaker 11: Jamaica Queens nigga, I went back to the street with

2319
02:07:47,440 --> 02:07:49,560
Speaker 11: it and I lost it. He come up and I said,

2320
02:07:49,600 --> 02:07:51,920
Speaker 11: what we need some more money? I said, yes, I'm.

2321
02:07:51,760 --> 02:07:53,440
Speaker 2: Trying to say, I got to be problem to say it.

2322
02:07:54,480 --> 02:07:57,000
Speaker 2: He went back in me another ten, nigga, you better

2323
02:07:57,120 --> 02:07:58,720
Speaker 2: not put it back in the street. Nigga. I owe

2324
02:07:58,800 --> 02:08:00,600
Speaker 2: him twenty mans. I shouldn't to say them out on

2325
02:08:00,640 --> 02:08:02,160
Speaker 2: the show right now. I wouldn't be.

2326
02:08:03,720 --> 02:08:05,880
Speaker 6: No nigger.

2327
02:08:06,000 --> 02:08:06,520
Speaker 4: He's coming.

2328
02:08:10,840 --> 02:08:11,480
Speaker 2: That's my point.

2329
02:08:11,520 --> 02:08:11,960
Speaker 6: You look.

2330
02:08:13,960 --> 02:08:18,600
Speaker 2: Money right now that outside the deal. The next show

2331
02:08:23,120 --> 02:08:24,120
Speaker 2: that's outside of.

2332
02:08:24,120 --> 02:08:34,320
Speaker 3: The Tell Dame is part of the rock. We all

2333
02:08:34,720 --> 02:08:39,160
Speaker 3: dirty ground bottom niggas. We look out with the you

2334
02:08:39,280 --> 02:08:41,120
Speaker 3: know how you got to scratch off. You gotta scratch

2335
02:08:41,120 --> 02:08:43,080
Speaker 3: theles to see. He ain't scratch off from all the

2336
02:08:43,160 --> 02:08:45,920
Speaker 3: numbers he said he and he didn't give a number

2337
02:08:47,120 --> 02:08:49,920
Speaker 3: come back. I need that back, but I would.

2338
02:08:49,720 --> 02:08:50,160
Speaker 14: Give it back.

2339
02:08:50,440 --> 02:08:55,680
Speaker 2: I'm with you. I'm talking about his character. What I know.

2340
02:08:55,800 --> 02:08:56,760
Speaker 2: You know what I'm saying, that's what I know.

2341
02:08:56,920 --> 02:08:59,760
Speaker 3: Damn about he going hold it down with the dang

2342
02:09:00,080 --> 02:09:04,280
Speaker 3: that we see today. It breaks my heart because put

2343
02:09:04,360 --> 02:09:08,880
Speaker 3: it like this, we all hustler, Every hustler in the game.

2344
02:09:09,120 --> 02:09:11,360
Speaker 3: I know, you can't name one hustler that just had

2345
02:09:11,400 --> 02:09:14,160
Speaker 3: it scot free. And any type of hustle would only

2346
02:09:14,240 --> 02:09:15,920
Speaker 3: have to be the streets. It could be in business

2347
02:09:16,040 --> 02:09:18,440
Speaker 3: or anything. You're gonna have a hiccup. The name of

2348
02:09:18,520 --> 02:09:21,000
Speaker 3: the game is to bounce back, and the second time

2349
02:09:21,160 --> 02:09:24,720
Speaker 3: is always more enjoyable than the first time. That's my opinion.

2350
02:09:25,040 --> 02:09:28,040
Speaker 3: So to watch a hustler just do what he doing

2351
02:09:28,160 --> 02:09:31,960
Speaker 3: now instead of really locking in and getting back at it,

2352
02:09:32,760 --> 02:09:33,680
Speaker 3: it just hurts my heart.

2353
02:09:38,680 --> 02:09:42,480
Speaker 10: That's why we gotta support each other directly and directly

2354
02:09:42,760 --> 02:09:45,720
Speaker 10: is whatever we it's really just comes down to us.

2355
02:09:45,840 --> 02:09:52,680
Speaker 1: Man, Seriously, for years, it's been like the bad guy

2356
02:09:52,840 --> 02:09:59,160
Speaker 1: good guy, like rumor we're who like with Rockefeller, Like

2357
02:09:59,280 --> 02:10:01,400
Speaker 1: you know, like one play the role or the bad

2358
02:10:01,480 --> 02:10:04,000
Speaker 1: guy good guys. You think that that played the role

2359
02:10:04,120 --> 02:10:05,120
Speaker 1: or what's happening right now?

2360
02:10:06,960 --> 02:10:09,400
Speaker 2: You are who you are for you guy here man right,

2361
02:10:09,880 --> 02:10:11,360
Speaker 2: Jay said that it's just truth.

2362
02:10:11,440 --> 02:10:13,120
Speaker 3: Man, you was who you was for you. Guy, A

2363
02:10:13,240 --> 02:10:16,160
Speaker 3: dame is who he is man like, you can't not

2364
02:10:16,320 --> 02:10:19,200
Speaker 3: the nigga for who he is. He could be arrogant,

2365
02:10:19,280 --> 02:10:21,880
Speaker 3: could be obnoxious, but he's a smart businessman and know

2366
02:10:21,960 --> 02:10:24,160
Speaker 3: how to build something, and he helped build one of

2367
02:10:24,240 --> 02:10:27,080
Speaker 3: the greatest empires in the world. So I know it

2368
02:10:27,160 --> 02:10:29,360
Speaker 3: could be done again, even if it's not in music,

2369
02:10:29,520 --> 02:10:31,760
Speaker 3: even if it's in something else. Just that lock in

2370
02:10:31,840 --> 02:10:34,720
Speaker 3: and take your focus. I feel like his focus is

2371
02:10:34,760 --> 02:10:36,800
Speaker 3: all over and not locked in on what it needs.

2372
02:10:37,120 --> 02:10:39,920
Speaker 3: You know, what I'm saying, it's like you gotta adjust

2373
02:10:40,000 --> 02:10:40,480
Speaker 3: the target.

2374
02:10:40,600 --> 02:10:40,720
Speaker 28: Man.

2375
02:10:40,800 --> 02:10:41,480
Speaker 2: You know what I'm saying.

2376
02:10:41,600 --> 02:10:46,560
Speaker 10: I agree, Yeah, because his genius is with how he

2377
02:10:46,720 --> 02:10:49,320
Speaker 10: perceived whole who hold is today and he has an

2378
02:10:49,400 --> 02:10:50,360
Speaker 10: intricate part in that.

2379
02:10:50,880 --> 02:10:53,120
Speaker 2: Let's not take that away from there. That's what I'm saying.

2380
02:10:53,280 --> 02:10:55,320
Speaker 10: I don't like, let's let's give let's give that to

2381
02:10:55,480 --> 02:10:58,200
Speaker 10: it to each other. Let's give that to each other,

2382
02:10:58,280 --> 02:10:59,840
Speaker 10: regardless of what right, wrong different.

2383
02:11:00,160 --> 02:11:02,360
Speaker 3: I never kicked a man when they down, so you know,

2384
02:11:02,480 --> 02:11:05,080
Speaker 3: and like especially one of my pros, it's like especially

2385
02:11:05,120 --> 02:11:06,920
Speaker 3: a O. G. I looked up to that gave me

2386
02:11:07,040 --> 02:11:09,640
Speaker 3: the game. I believe looked I carry some of the

2387
02:11:09,720 --> 02:11:12,880
Speaker 3: game they taught me him, Biggs and Jay like you

2388
02:11:13,000 --> 02:11:14,640
Speaker 3: know what I mean, just to even be in the

2389
02:11:15,200 --> 02:11:17,880
Speaker 3: presence at that time, they were the top grass of

2390
02:11:18,400 --> 02:11:22,040
Speaker 3: their class man. There was nobody in any field that

2391
02:11:22,240 --> 02:11:23,880
Speaker 3: was hustling harder than them three names.

2392
02:11:23,880 --> 02:11:27,240
Speaker 10: And even if Biggs gets Biggs gets under estimation for

2393
02:11:27,360 --> 02:11:31,680
Speaker 10: his role in Rockefeller startup money exactly like we want

2394
02:11:31,720 --> 02:11:35,080
Speaker 10: to talk about Rockefellers startup money. So Biggs, No, I'm

2395
02:11:35,120 --> 02:11:38,280
Speaker 10: just saying, Biggs is we're talking about Damon hole Biggs

2396
02:11:38,720 --> 02:11:42,640
Speaker 10: talking about hawfa you her whole shout out half.

2397
02:11:42,480 --> 02:11:49,120
Speaker 2: And God did when book that load? I got to

2398
02:11:49,160 --> 02:11:52,800
Speaker 2: go back to the verse. But Yo, it's it's levels,

2399
02:11:52,840 --> 02:11:53,440
Speaker 2: it's layers.

2400
02:11:53,680 --> 02:11:57,440
Speaker 3: Definitely, I think it was special man. So like I said,

2401
02:11:57,520 --> 02:12:00,840
Speaker 3: I don't I don't enjoy it. Man one who take

2402
02:12:00,960 --> 02:12:03,720
Speaker 3: laughter and this ship and like, yeah, let's let's do this,

2403
02:12:03,960 --> 02:12:05,760
Speaker 3: Like you're talking about this and I ain't with that.

2404
02:12:06,480 --> 02:12:08,560
Speaker 3: I want to see my g bounce back and get

2405
02:12:08,640 --> 02:12:09,920
Speaker 3: back the way he deserves to be.

2406
02:12:10,960 --> 02:12:11,400
Speaker 5: I like that.

2407
02:12:13,040 --> 02:12:15,200
Speaker 2: Saying something about it, it means you accept it.

2408
02:12:15,720 --> 02:12:17,520
Speaker 9: It's just like, nah, you're just playing your part of

2409
02:12:17,640 --> 02:12:22,240
Speaker 9: just inspects fall back. But something's gonna have to be said.

2410
02:12:22,400 --> 02:12:22,760
Speaker 5: You know that.

2411
02:12:23,920 --> 02:12:26,840
Speaker 9: I know what that man did, but it's not my job.

2412
02:12:26,960 --> 02:12:30,360
Speaker 9: Even sometimes it's just cool just to if you know

2413
02:12:30,440 --> 02:12:34,240
Speaker 9: what it is at stake quiets everybody. Everybody just feel

2414
02:12:34,280 --> 02:12:36,640
Speaker 9: like their opinion. Some they just want to be in

2415
02:12:36,720 --> 02:12:40,040
Speaker 9: tired to their ship. Sometimes certain things are for certain

2416
02:12:40,120 --> 02:12:41,760
Speaker 9: people and them as long as you know you're good

2417
02:12:41,800 --> 02:12:42,240
Speaker 9: with them.

2418
02:12:42,160 --> 02:12:42,360
Speaker 1: On that.

2419
02:12:44,520 --> 02:12:49,160
Speaker 2: Everything for the internet to be seen.

2420
02:12:49,280 --> 02:12:53,240
Speaker 9: Opinions some things just lets just stay within you me

2421
02:12:53,320 --> 02:12:55,720
Speaker 9: and you know what it is. And like he just said,

2422
02:12:55,920 --> 02:12:58,800
Speaker 9: it's nothing. We all seen that, we watched it, we

2423
02:12:58,920 --> 02:13:01,680
Speaker 9: all seen it. Did you really like you really have

2424
02:13:01,840 --> 02:13:05,360
Speaker 9: to like do that to break it down? Do this like, nah,

2425
02:13:05,680 --> 02:13:07,760
Speaker 9: he meant that, and he meant that, and he's here

2426
02:13:07,840 --> 02:13:12,440
Speaker 9: and he's dead. There's nothing to discredit that type of thing.

2427
02:13:13,880 --> 02:13:24,120
Speaker 2: Squad. I love the square table, but I'm trying on

2428
02:13:24,240 --> 02:13:27,400
Speaker 2: and on, who's your favorite rapp up all time? O, man,

2429
02:13:27,440 --> 02:13:28,320
Speaker 2: you can't do that to me.

2430
02:13:28,600 --> 02:13:30,680
Speaker 10: You've got to give them all time because we all

2431
02:13:30,720 --> 02:13:33,240
Speaker 10: got to answer this one on top five.

2432
02:13:33,640 --> 02:13:37,280
Speaker 2: I'm asking one one one of your top five.

2433
02:13:37,640 --> 02:13:43,520
Speaker 8: That's that's problem personal. Let's say buster rhymes wow, the

2434
02:13:43,680 --> 02:13:46,440
Speaker 8: top number one of all times, one of the top Yeah,

2435
02:13:46,480 --> 02:13:50,440
Speaker 8: definitely the style pattern and yeah he's created.

2436
02:13:53,280 --> 02:13:58,440
Speaker 2: To bust Roy busted your bro, I say your bust

2437
02:13:59,080 --> 02:14:01,640
Speaker 2: mount rushmar no one of this. I said, you.

2438
02:14:03,440 --> 02:14:07,000
Speaker 18: Agree, there's not too many people like that and answer

2439
02:14:07,320 --> 02:14:08,760
Speaker 18: so you know what I mean, Like he's one of

2440
02:14:08,840 --> 02:14:11,640
Speaker 18: those creative cats that really brought something unique to the table.

2441
02:14:11,720 --> 02:14:15,600
Speaker 2: It comes from all kinds of cloths. The way this way,

2442
02:14:15,640 --> 02:14:16,320
Speaker 2: you're just saying.

2443
02:14:16,200 --> 02:14:22,680
Speaker 3: One one, just one, not to finish spin the block.

2444
02:14:23,240 --> 02:14:28,400
Speaker 2: That because you said you just said, you just said

2445
02:14:30,160 --> 02:14:30,760
Speaker 2: you're fying.

2446
02:14:30,800 --> 02:14:31,080
Speaker 5: I mean.

2447
02:14:32,720 --> 02:14:37,800
Speaker 2: It's your turn, thoughts, your turn. Everything always gives yeah, no, no, no,

2448
02:14:37,960 --> 02:14:40,920
Speaker 2: he ends it ship.

2449
02:14:42,920 --> 02:14:50,960
Speaker 10: All times of all times. I'm gonna go with for

2450
02:14:51,160 --> 02:14:53,880
Speaker 10: me because I know it's criteria for me.

2451
02:14:53,920 --> 02:14:56,240
Speaker 2: Because so when you asked me, so, I'm gonna go with,

2452
02:14:57,840 --> 02:15:02,240
Speaker 2: I'm gonna go with pos your care do you have

2453
02:15:02,320 --> 02:15:07,720
Speaker 2: to get? You want to give relation, We know we

2454
02:15:07,800 --> 02:15:11,320
Speaker 2: don't have to give. You don't have to give. You

2455
02:15:11,840 --> 02:15:16,960
Speaker 2: can elaborate, elaborate, so so for me, right, Biggie Smalls, right,

2456
02:15:17,080 --> 02:15:20,400
Speaker 2: is the best rapper. Biggie Smalls was born to be

2457
02:15:20,840 --> 02:15:21,400
Speaker 2: a rapper.

2458
02:15:21,880 --> 02:15:22,000
Speaker 3: Right.

2459
02:15:22,120 --> 02:15:24,000
Speaker 10: I feel like Tupac was born to just be who

2460
02:15:24,080 --> 02:15:27,560
Speaker 10: he was, just the soul that that that trends like

2461
02:15:27,760 --> 02:15:30,760
Speaker 10: pocket is pot right. I can watch Pox Docs movies

2462
02:15:30,920 --> 02:15:33,800
Speaker 10: forever and ever, just it's gonna always inspire me and

2463
02:15:34,000 --> 02:15:37,120
Speaker 10: give me some give me some energy. Right, But I

2464
02:15:37,200 --> 02:15:40,280
Speaker 10: feel like nobody is, nobody can, Nobody's ever rapped better

2465
02:15:40,320 --> 02:15:41,000
Speaker 10: than Biggie Smalls.

2466
02:15:41,040 --> 02:15:45,160
Speaker 2: Biggie Smalls was born to be a rapper. Bro, this

2467
02:15:45,320 --> 02:15:49,280
Speaker 2: guy is so so great. But I'm no, I'm saying no, no,

2468
02:15:49,600 --> 02:15:57,040
Speaker 2: let me get let me quick, real quick, check it out.

2469
02:15:58,160 --> 02:16:04,360
Speaker 2: I'm telling you, I'm telling y'all why why this? Check

2470
02:16:04,400 --> 02:16:06,960
Speaker 2: it out? But they wasn't there, So check it out, right,

2471
02:16:07,120 --> 02:16:09,800
Speaker 2: check it out. Check it out, check it out. It's quick.

2472
02:16:10,120 --> 02:16:11,800
Speaker 2: I'm gonna tie it up.

2473
02:16:12,320 --> 02:16:15,200
Speaker 10: Listen how I listened to be, how I listened to Tupac.

2474
02:16:15,480 --> 02:16:19,720
Speaker 10: For me, personally, I feel like Tupac was. He felt

2475
02:16:19,800 --> 02:16:20,240
Speaker 10: my soul.

2476
02:16:20,440 --> 02:16:22,040
Speaker 2: He gave me like a different, a different.

2477
02:16:22,240 --> 02:16:24,000
Speaker 10: But when it comes to music and hip hop and

2478
02:16:24,080 --> 02:16:27,800
Speaker 10: songs and sonics and beats and flows, nobody's nobody can.

2479
02:16:28,040 --> 02:16:31,800
Speaker 10: Nobody can rap better than Biggie Smalls. So it just

2480
02:16:31,880 --> 02:16:33,080
Speaker 10: depends on the criteria.

2481
02:16:33,160 --> 02:16:33,280
Speaker 3: Bro.

2482
02:16:33,680 --> 02:16:36,120
Speaker 10: So if I had to say one, I'm gonna say

2483
02:16:36,160 --> 02:16:37,879
Speaker 10: pop because if he's.

2484
02:16:37,800 --> 02:16:41,760
Speaker 2: My personal so my decision for pop is personal.

2485
02:16:41,800 --> 02:16:44,240
Speaker 10: It's not based off of sonics of music and beats

2486
02:16:44,280 --> 02:16:45,560
Speaker 10: and rhymes all right.

2487
02:16:47,160 --> 02:16:52,640
Speaker 2: Out of control, know what it is. Of course you

2488
02:16:52,720 --> 02:16:54,120
Speaker 2: gotta get both of these why.

2489
02:16:54,200 --> 02:16:57,640
Speaker 9: I mean, just on just as a fan of music.

2490
02:16:57,720 --> 02:17:02,280
Speaker 9: I mean, I just felt like nobody was. I felt

2491
02:17:02,320 --> 02:17:04,560
Speaker 9: like nobody was more complete than him. As far as

2492
02:17:04,600 --> 02:17:11,320
Speaker 9: if you want to took about rapping and lyrics like cadence, flows, bars, metaphors, relieve.

2493
02:17:11,080 --> 02:17:14,240
Speaker 2: That like, it's just just a certain few people that

2494
02:17:14,360 --> 02:17:15,760
Speaker 2: can really do that.

2495
02:17:15,840 --> 02:17:17,160
Speaker 9: And him and the Hope, it was like, wait, them

2496
02:17:17,200 --> 02:17:20,120
Speaker 9: top ones that could actually just match your just a

2497
02:17:20,240 --> 02:17:21,560
Speaker 9: sound of how you want to go you want to

2498
02:17:21,600 --> 02:17:23,760
Speaker 9: go slow, you want to go fast, metaphors, you want

2499
02:17:23,760 --> 02:17:26,960
Speaker 9: to go storytelling, you want to go content. He he

2500
02:17:27,200 --> 02:17:30,280
Speaker 9: was just like that well rounded rapper. And that's and

2501
02:17:30,400 --> 02:17:32,440
Speaker 9: that's how I always judge somebody I thought that was dope.

2502
02:17:32,560 --> 02:17:35,680
Speaker 9: Just how many ways you can just go you know

2503
02:17:35,720 --> 02:17:38,240
Speaker 9: what I mean? Like, and that's why Big is my fit,

2504
02:17:38,320 --> 02:17:39,880
Speaker 9: not just because he's from my hood. If I wanted

2505
02:17:39,879 --> 02:17:42,320
Speaker 9: to be biased too, I'm still on that type of round.

2506
02:17:43,120 --> 02:17:49,400
Speaker 2: That's who I am outside of outside of the outside

2507
02:17:49,400 --> 02:17:49,560
Speaker 2: of the.

2508
02:17:52,120 --> 02:17:55,760
Speaker 1: Only one, only one who listened to for the rest

2509
02:17:55,760 --> 02:17:56,080
Speaker 1: of your.

2510
02:17:56,000 --> 02:17:58,560
Speaker 2: Life, outside and outside of Big.

2511
02:18:00,480 --> 02:18:00,680
Speaker 1: Man.

2512
02:18:01,040 --> 02:18:04,560
Speaker 2: Uh, it's quick. You can let him come back to

2513
02:18:04,600 --> 02:18:08,119
Speaker 2: think about it from my lead. Think about it, man,

2514
02:18:09,360 --> 02:18:11,400
Speaker 2: that's hard because when you're talking about somebody.

2515
02:18:11,160 --> 02:18:13,280
Speaker 15: Else want more.

2516
02:18:13,640 --> 02:18:15,640
Speaker 2: I think everyone here knew he was gonna pick Big

2517
02:18:16,040 --> 02:18:17,840
Speaker 2: right exactly, so, so.

2518
02:18:19,440 --> 02:18:22,840
Speaker 9: Somebody that could really like, I don't know, because I'm

2519
02:18:22,840 --> 02:18:24,680
Speaker 9: a little I grew up a little I grew up

2520
02:18:24,680 --> 02:18:26,720
Speaker 9: a little different, So that could be that could be

2521
02:18:27,080 --> 02:18:30,200
Speaker 9: rock him for me, you know it could. It's not

2522
02:18:30,360 --> 02:18:33,280
Speaker 9: going towards this, you know, because that's what Big States

2523
02:18:33,280 --> 02:18:35,600
Speaker 9: set for me. But I'm talking about before Big as

2524
02:18:35,680 --> 02:18:37,440
Speaker 9: being just a kid and the fan who you listen

2525
02:18:37,520 --> 02:18:38,600
Speaker 9: to and who you probably with.

2526
02:18:39,600 --> 02:18:42,400
Speaker 2: Grandpool boy, you know what I'm saying, Like that Bally

2527
02:18:42,520 --> 02:18:43,000
Speaker 2: means something.

2528
02:18:43,040 --> 02:18:46,200
Speaker 9: It's not about the dopest, but somebody ever inspired me

2529
02:18:46,320 --> 02:18:49,679
Speaker 9: in that type of waything?

2530
02:18:52,560 --> 02:18:53,200
Speaker 7: You guy?

2531
02:18:53,320 --> 02:18:53,440
Speaker 11: Right?

2532
02:18:54,280 --> 02:18:54,480
Speaker 12: Yeah?

2533
02:18:54,600 --> 02:18:54,800
Speaker 3: Yeah?

2534
02:18:55,760 --> 02:18:56,120
Speaker 2: Records?

2535
02:18:56,200 --> 02:18:59,840
Speaker 9: Right, five or six records from him, like what was

2536
02:18:59,879 --> 02:19:06,960
Speaker 9: like the god for me before before like the nineties.

2537
02:19:10,720 --> 02:19:12,879
Speaker 2: The trick to this is there's no wrong answer.

2538
02:19:15,520 --> 02:19:18,840
Speaker 11: Let's go you, let's go grab see I'm a base

2539
02:19:18,920 --> 02:19:21,040
Speaker 11: it off my influence, right, You're one to one.

2540
02:19:21,720 --> 02:19:24,520
Speaker 2: Yeah, it's weird to say one because it's like I'm

2541
02:19:24,640 --> 02:19:27,320
Speaker 2: cheating my how I developed as an artist. That's why

2542
02:19:27,400 --> 02:19:27,880
Speaker 2: we're doing this.

2543
02:19:28,160 --> 02:19:28,320
Speaker 1: Yeah.

2544
02:19:28,440 --> 02:19:31,280
Speaker 2: So it's like I want to merge two niggas in

2545
02:19:31,320 --> 02:19:33,160
Speaker 2: the one. But it's like, let's see it, let's hear it.

2546
02:19:33,959 --> 02:19:36,400
Speaker 11: He did, but he bigger fil shout out the Mexican

2547
02:19:36,680 --> 02:19:40,160
Speaker 11: facts indeed, So like I started rapping because of nods,

2548
02:19:41,000 --> 02:19:42,840
Speaker 11: so you hear my music and it's worthy and intricate.

2549
02:19:42,920 --> 02:19:45,400
Speaker 2: That's all the nads influence. But then when you get

2550
02:19:45,400 --> 02:19:47,680
Speaker 2: to the wit, the cadence and me just talking on

2551
02:19:47,720 --> 02:19:50,680
Speaker 2: the beat, that's all whole. So it's really both of

2552
02:19:50,680 --> 02:19:52,440
Speaker 2: them niggas that got me sound sound right now.

2553
02:19:52,480 --> 02:19:55,600
Speaker 11: Otherwise, when I first started rapping like noads, I found

2554
02:19:55,640 --> 02:19:58,640
Speaker 11: some of them old raps. The words is so complex,

2555
02:19:58,680 --> 02:19:59,960
Speaker 11: I don't know what the fuck I was talking about.

2556
02:20:00,400 --> 02:20:01,600
Speaker 11: I was like, I need a dictionary to.

2557
02:20:01,640 --> 02:20:01,800
Speaker 4: To to.

2558
02:20:03,680 --> 02:20:06,000
Speaker 11: Define what I mean in his verse because I was

2559
02:20:06,040 --> 02:20:08,480
Speaker 11: trying to be so smart on that level.

2560
02:20:08,760 --> 02:20:11,920
Speaker 2: No Google back then, No Google, yeah, Google or place.

2561
02:20:11,840 --> 02:20:14,080
Speaker 11: Dictionary facts, but I had the dictionary right down and

2562
02:20:14,120 --> 02:20:16,800
Speaker 11: write the rats, so they were too complex to even

2563
02:20:16,879 --> 02:20:20,440
Speaker 11: digest or to enjoy. When I heard whole, Hope gave

2564
02:20:20,520 --> 02:20:22,880
Speaker 11: me the permission as an artist to do so much

2565
02:20:22,959 --> 02:20:26,240
Speaker 11: new ship and play with the inflection and imitate accents

2566
02:20:26,280 --> 02:20:28,120
Speaker 11: and all of this ship holding everything first to me,

2567
02:20:28,200 --> 02:20:31,040
Speaker 11: I'm like, this niggas is if you take hold away

2568
02:20:31,120 --> 02:20:33,039
Speaker 11: from being whole and you just put them as an

2569
02:20:33,120 --> 02:20:35,200
Speaker 11: artist to compare, like how we all on the same

2570
02:20:35,320 --> 02:20:37,360
Speaker 11: level of here, you understand how amazing this nigga is

2571
02:20:38,200 --> 02:20:41,160
Speaker 11: nigga's really impressive, Like he did so much at first,

2572
02:20:41,200 --> 02:20:42,680
Speaker 11: and I'm allowed me to be like, oh I could

2573
02:20:42,680 --> 02:20:42,880
Speaker 11: do that.

2574
02:20:43,080 --> 02:20:44,760
Speaker 2: He gave me the freedom to be way more creative

2575
02:20:44,800 --> 02:20:46,880
Speaker 2: and be free with gave you the courage to even

2576
02:20:46,959 --> 02:20:47,200
Speaker 2: try it.

2577
02:20:47,520 --> 02:20:49,360
Speaker 11: I got to call it the freedom. Before that, you

2578
02:20:49,400 --> 02:20:51,120
Speaker 11: might be questioning, like can I do this that he

2579
02:20:51,120 --> 02:20:52,400
Speaker 11: would do it? But oh I could do that, you

2580
02:20:52,440 --> 02:20:54,640
Speaker 11: know what I'm saying. So it's a combination of both

2581
02:20:54,640 --> 02:20:56,280
Speaker 11: of them, niggas. I gotta be sound about sound now

2582
02:20:56,760 --> 02:20:58,360
Speaker 11: and then I gotta throw mnem in there too, bes

2583
02:20:58,400 --> 02:21:00,560
Speaker 11: and that no person bro.

2584
02:21:03,760 --> 02:21:11,560
Speaker 29: Keep I ain't never follow rules ever while starting now.

2585
02:21:12,920 --> 02:21:16,600
Speaker 29: But there's no answer. There's no answer today today.

2586
02:21:16,080 --> 02:21:22,440
Speaker 2: Might be no one about the time. It's hard to

2587
02:21:22,480 --> 02:21:25,800
Speaker 2: do that. I mean, I'm gonna going they got us

2588
02:21:25,800 --> 02:21:26,000
Speaker 2: on the.

2589
02:21:27,720 --> 02:21:30,160
Speaker 11: Shot, but but it's not even hard to be accurate.

2590
02:21:30,440 --> 02:21:31,840
Speaker 11: It's like it's both of them niggas to keep it

2591
02:21:31,879 --> 02:21:32,080
Speaker 11: on it.

2592
02:21:32,400 --> 02:21:35,760
Speaker 2: I wouldn't sound like this, but I both almost make

2593
02:21:35,800 --> 02:21:39,240
Speaker 2: a shot. Luckily, I gotta I got a couple of

2594
02:21:39,440 --> 02:21:43,800
Speaker 2: shots who we shouldn't even ask. You man, you know

2595
02:21:44,800 --> 02:21:47,800
Speaker 2: we love the Lord to change the life of everything.

2596
02:21:47,959 --> 02:21:49,640
Speaker 2: You give the one if you want.

2597
02:21:49,800 --> 02:21:52,600
Speaker 3: Yeah, no, just you know, the Big homie is is nothing.

2598
02:21:52,760 --> 02:21:55,960
Speaker 3: I watched at first before hope it was big, But

2599
02:21:56,080 --> 02:21:59,920
Speaker 3: then I watched Big create what became by what Big,

2600
02:22:00,160 --> 02:22:05,120
Speaker 3: what was hoved the be better, So that created the

2601
02:22:05,280 --> 02:22:08,160
Speaker 3: mots that he became. I never got the chance to

2602
02:22:08,200 --> 02:22:12,320
Speaker 3: see Big finish to compete, you know what I mean.

2603
02:22:15,160 --> 02:22:18,440
Speaker 3: I've seen how they win the studio and sparked each

2604
02:22:18,480 --> 02:22:22,960
Speaker 3: other like yo, Like hold on, I remember Big coming in,

2605
02:22:23,080 --> 02:22:25,440
Speaker 3: you know, doing doing when they did Brooklyn Finance and

2606
02:22:25,480 --> 02:22:28,920
Speaker 3: he heard Jay versus it was like, we're writing this together,

2607
02:22:29,040 --> 02:22:33,520
Speaker 3: play Boy. You think you're doing this together?

2608
02:22:33,680 --> 02:22:40,520
Speaker 2: Sprinkled? Do you see what that sound like?

2609
02:22:40,600 --> 02:22:48,240
Speaker 1: That final wasn't.

2610
02:22:45,840 --> 02:22:47,360
Speaker 2: Supposed to be line for line.

2611
02:22:47,840 --> 02:22:51,320
Speaker 3: Jay did a verse together with Yes they Jay had

2612
02:22:51,360 --> 02:22:53,960
Speaker 3: a verse already on the beat, and when Big came

2613
02:22:54,040 --> 02:23:00,080
Speaker 3: and fourth hello, play Boy were writing this together, you

2614
02:23:00,160 --> 02:23:01,080
Speaker 3: ain't know behind that.

2615
02:23:03,040 --> 02:23:06,920
Speaker 2: That whole verse. So he scrapped the verse. That's amazing,

2616
02:23:07,000 --> 02:23:10,920
Speaker 2: this whole by himself. Yeah, that's amazing. I had a

2617
02:23:10,959 --> 02:23:13,280
Speaker 2: lot of respect for each other man, That's what I'm saying.

2618
02:23:14,320 --> 02:23:19,200
Speaker 3: Who you can tell we came, man, It's just it's inevitable.

2619
02:23:19,280 --> 02:23:23,680
Speaker 3: But they got history from like before they was rapping.

2620
02:23:23,800 --> 02:23:30,480
Speaker 3: They remember this high school. I remember Big and Kim

2621
02:23:30,680 --> 02:23:34,240
Speaker 3: went to the same school, West House, fucking a.

2622
02:23:36,080 --> 02:23:38,400
Speaker 2: Jay went to call the same school.

2623
02:23:41,200 --> 02:23:41,520
Speaker 1: Crazy.

2624
02:23:43,320 --> 02:23:46,480
Speaker 2: Wasn't the Big j high school?

2625
02:23:46,520 --> 02:23:48,800
Speaker 3: I think I think it was a z. I thinks

2626
02:23:48,840 --> 02:23:56,920
Speaker 3: big with the Western House right from high school and

2627
02:23:57,000 --> 02:23:59,200
Speaker 3: they've been going at it like their whole life. Bro

2628
02:23:59,440 --> 02:24:02,439
Speaker 3: like under spend that on a battle.

2629
02:24:02,240 --> 02:24:04,400
Speaker 2: Tip on the battles, just knowing that the.

2630
02:24:06,040 --> 02:24:08,840
Speaker 11: Battle in high school, Yeah, grapt was you have a

2631
02:24:08,879 --> 02:24:10,800
Speaker 11: battle rap hell y'all come from that.

2632
02:24:10,959 --> 02:24:12,880
Speaker 2: Yeah, that's I don't know if you want a battle

2633
02:24:12,920 --> 02:24:15,960
Speaker 2: murder looks No, no, no, no, I didn't. I didn't

2634
02:24:16,000 --> 02:24:34,880
Speaker 2: just throw so big your stupids. Fab said he would battle.

2635
02:24:34,959 --> 02:24:37,240
Speaker 2: Fab say yo, say he will take a battle. He

2636
02:24:37,360 --> 02:24:40,600
Speaker 2: just got to get a conditioning. It is conditioning I did.

2637
02:24:40,760 --> 02:24:43,520
Speaker 11: I did loaded Locks podcast last week with Move and Love,

2638
02:24:43,600 --> 02:24:45,600
Speaker 11: and I was talking about the same time. I was like,

2639
02:24:45,640 --> 02:24:48,080
Speaker 11: if it came out, I saw I saw it on Okay,

2640
02:24:48,280 --> 02:24:50,440
Speaker 11: I see it. But now I was saying, if I'm

2641
02:24:50,480 --> 02:24:52,600
Speaker 11: a battle I got to battle a rapper, that's a rapper.

2642
02:24:52,680 --> 02:24:54,400
Speaker 11: Because I looked at the way the what they turned

2643
02:24:54,440 --> 02:24:56,800
Speaker 11: battle rap into to me is hip hop theater. That's

2644
02:24:56,840 --> 02:24:58,600
Speaker 11: it is a sport and an art that should be

2645
02:24:58,640 --> 02:25:01,119
Speaker 11: respected as if that that to me is jeans.

2646
02:25:00,959 --> 02:25:03,360
Speaker 2: Level wrap that nigga can't just walk into. You gotta

2647
02:25:03,400 --> 02:25:04,120
Speaker 2: really train for that.

2648
02:25:04,600 --> 02:25:06,520
Speaker 11: If a nigga, like when I got certain bags to

2649
02:25:06,760 --> 02:25:08,040
Speaker 11: step in the ring with them niggas, I'm like, I

2650
02:25:08,080 --> 02:25:09,680
Speaker 11: need at least seven months here for these kind of.

2651
02:25:09,680 --> 02:25:12,800
Speaker 2: Niggas, thinking what does that mean when you say it's serious,

2652
02:25:12,800 --> 02:25:14,160
Speaker 2: it's such performance art.

2653
02:25:14,360 --> 02:25:20,080
Speaker 11: It's like art hip hop art, that's like hip hop

2654
02:25:20,160 --> 02:25:22,040
Speaker 11: because you know what I'm saying, Like, because you don't

2655
02:25:22,040 --> 02:25:23,440
Speaker 11: got to be the most lyrical, you gotta be the

2656
02:25:23,720 --> 02:25:26,440
Speaker 11: illness performer as well as libical.

2657
02:25:26,640 --> 02:25:30,560
Speaker 30: Yeah, yeah, you know you have to be that if

2658
02:25:30,560 --> 02:25:33,640
Speaker 30: you want to be the yeah the way like the

2659
02:25:33,760 --> 02:25:38,280
Speaker 30: angle you why you got if he's stepping Yeah, Like

2660
02:25:38,440 --> 02:25:41,119
Speaker 30: that's a talent. That's the genus level tuning by itself.

2661
02:25:41,160 --> 02:25:42,880
Speaker 30: And I'm not I'm not gonna put myself in there

2662
02:25:42,920 --> 02:25:43,720
Speaker 30: like I'm that you know what I'm saying.

2663
02:25:44,800 --> 02:25:45,200
Speaker 2: Let's say a.

2664
02:25:47,520 --> 02:25:48,800
Speaker 1: Real quick you watch me too.

2665
02:25:48,920 --> 02:25:52,039
Speaker 11: But like but like I said, like a nigga, let's

2666
02:25:52,040 --> 02:25:53,800
Speaker 11: say a fab or bank someone in the ring or

2667
02:25:53,840 --> 02:25:56,200
Speaker 11: I battle anyone them niggas in a battle with somebody

2668
02:25:56,240 --> 02:25:58,480
Speaker 11: on my level, that's fig But the battle of.

2669
02:25:58,440 --> 02:26:00,880
Speaker 2: Them niggas, that's not fair. Rap too good at that,

2670
02:26:00,879 --> 02:26:02,040
Speaker 2: and that's too good at that.

2671
02:26:02,120 --> 02:26:02,760
Speaker 3: I ain't gonna lie.

2672
02:26:02,840 --> 02:26:08,680
Speaker 2: We fight you you have because because the niggas is

2673
02:26:08,720 --> 02:26:13,160
Speaker 2: disrespectful and talking about.

2674
02:26:15,360 --> 02:26:20,160
Speaker 10: Like if you see it, you playing feeling even hold on,

2675
02:26:20,360 --> 02:26:22,840
Speaker 10: hold on, I'm sorry, that's that's what.

2676
02:26:23,200 --> 02:26:23,400
Speaker 12: That's what.

2677
02:26:23,600 --> 02:26:33,480
Speaker 1: Thank you, thank you number one. We ain't doing top five.

2678
02:26:34,440 --> 02:26:37,080
Speaker 2: God, it's very I'm sorry now I'm not ready. You

2679
02:26:37,080 --> 02:26:46,880
Speaker 2: should have been. She stopped there and it was like

2680
02:26:46,920 --> 02:26:47,240
Speaker 2: hold on.

2681
02:26:50,120 --> 02:26:52,800
Speaker 5: Love Warren Hill right. That album was everything. But I'm

2682
02:26:52,840 --> 02:26:54,800
Speaker 5: gonna have to give it to Andre Sacks.

2683
02:26:55,040 --> 02:27:01,600
Speaker 2: For me that the head is amazing university.

2684
02:27:01,360 --> 02:27:03,520
Speaker 5: Not only because he was one of the first artists

2685
02:27:03,560 --> 02:27:11,360
Speaker 5: he has really three thousands. Is his lyrical flow, the

2686
02:27:11,440 --> 02:27:14,039
Speaker 5: way he's everything. When everybody thought when out they're.

2687
02:27:13,840 --> 02:27:16,000
Speaker 2: Coming out with an album he dropped up below.

2688
02:27:17,480 --> 02:27:22,880
Speaker 5: Curiously, but even below he was so he was the lyrical,

2689
02:27:23,040 --> 02:27:25,240
Speaker 5: he was so melodic, he was so hip hop he

2690
02:27:25,280 --> 02:27:26,160
Speaker 5: can still dance to it.

2691
02:27:26,360 --> 02:27:28,560
Speaker 6: And it was all about the women and love and elevation.

2692
02:27:28,920 --> 02:27:30,879
Speaker 6: So Andre three sad one of.

2693
02:27:30,879 --> 02:27:31,400
Speaker 1: My time.

2694
02:27:43,360 --> 02:27:48,800
Speaker 2: Somewhere, I'm not marrying the street with the flu.

2695
02:27:49,320 --> 02:28:00,160
Speaker 1: Actually yeah, but you gotta lose it all to go

2696
02:28:00,200 --> 02:28:01,440
Speaker 1: to forty second three you and play the.

2697
02:28:01,400 --> 02:28:05,360
Speaker 2: Flute like he still doesn't know he's rich ship, But

2698
02:28:05,480 --> 02:28:08,959
Speaker 2: that's three, hey, yo, records like.

2699
02:28:09,040 --> 02:28:14,160
Speaker 6: It's visually it's visually lady at that can't be man,

2700
02:28:14,560 --> 02:28:21,800
Speaker 6: think that bro that could get away way boy and

2701
02:28:22,200 --> 02:28:24,879
Speaker 6: and and show the pack like and I said.

2702
02:28:25,040 --> 02:28:29,680
Speaker 2: I'm kind of taking out the three. Okay, okay, last

2703
02:28:29,760 --> 02:28:30,440
Speaker 2: but not least.

2704
02:28:30,520 --> 02:28:31,360
Speaker 6: Okay, what is it?

2705
02:28:32,879 --> 02:28:37,320
Speaker 2: What is your number one art? Already know what? He said,

2706
02:28:37,360 --> 02:28:39,640
Speaker 2: ice Cuban some ship. I already said it. You said

2707
02:28:39,680 --> 02:28:43,879
Speaker 2: ice Cuba, Yeah, because anticipated I knew it already.

2708
02:28:44,160 --> 02:28:44,560
Speaker 4: You knew that.

2709
02:28:51,120 --> 02:28:53,360
Speaker 2: I got a question, what is your favorite era of

2710
02:28:53,959 --> 02:28:59,800
Speaker 2: your favorite error? Going errors? People are confused? What what

2711
02:28:59,879 --> 02:29:02,040
Speaker 2: you we need want gold? No, we need a window.

2712
02:29:02,120 --> 02:29:11,120
Speaker 2: We need it's a mile because I got paid, don't

2713
02:29:11,200 --> 02:29:20,080
Speaker 2: check saying your block that is way yeah, I would

2714
02:29:20,080 --> 02:29:30,200
Speaker 2: say eighty nine night, I would say, right now, ninety nine.

2715
02:29:30,360 --> 02:29:32,680
Speaker 2: He said, no, what what's what's your what's your original?

2716
02:29:34,000 --> 02:29:36,360
Speaker 2: And the safe safe version of it is eighty five

2717
02:29:36,440 --> 02:29:39,520
Speaker 2: to ninety five. That's the golden era for me. Hip hop. Okay,

2718
02:29:39,760 --> 02:29:44,879
Speaker 2: what's your sorry, I've never had I'm going, I'm going

2719
02:29:44,920 --> 02:29:49,119
Speaker 2: eighty nine ninety nine. Yeah, I'm eighty nine ninety nine.

2720
02:29:49,120 --> 02:29:49,840
Speaker 2: It's a wild eer.

2721
02:29:50,080 --> 02:29:51,959
Speaker 6: God damn it, pass me go ahead.

2722
02:29:52,040 --> 02:29:53,480
Speaker 2: What's my era?

2723
02:29:53,720 --> 02:29:53,840
Speaker 5: Man?

2724
02:29:56,480 --> 02:29:59,320
Speaker 4: N I say, I say eighty ninety nine.

2725
02:30:01,160 --> 02:30:03,200
Speaker 2: To go to never hip hop?

2726
02:30:03,480 --> 02:30:03,920
Speaker 4: Eighty nine.

2727
02:30:04,280 --> 02:30:07,160
Speaker 2: It could be eighty five. I don't have a could

2728
02:30:07,200 --> 02:30:08,920
Speaker 2: be eighty one. It could be that said the hip

2729
02:30:09,240 --> 02:30:12,400
Speaker 2: hop Hi Hien. I wasn't even selling drugs.

2730
02:30:12,600 --> 02:30:16,600
Speaker 11: What I'm saying my favorite era hip hop was the

2731
02:30:16,760 --> 02:30:19,600
Speaker 11: d v D mixtape era that time span whenever.

2732
02:30:19,400 --> 02:30:21,960
Speaker 2: The out eighty nine ninety nine, No, that's more like

2733
02:30:22,040 --> 02:30:26,080
Speaker 2: two thousands. Oh yeah, that's the Smack DVD. The mixtape

2734
02:30:26,120 --> 02:30:26,600
Speaker 2: to the DVD.

2735
02:30:26,680 --> 02:30:27,760
Speaker 11: Earrow is my favorite time.

2736
02:30:28,600 --> 02:30:31,200
Speaker 2: That's your name. We used to be on Smack d

2737
02:30:31,320 --> 02:30:44,960
Speaker 2: v D. That nigga you're gonna go for shotter my

2738
02:30:45,040 --> 02:30:45,640
Speaker 2: nigga say.

2739
02:30:47,360 --> 02:30:51,039
Speaker 3: Nigga yo every small yeah, And he had.

2740
02:30:50,920 --> 02:30:53,360
Speaker 2: A few joints to what's your favorite era of hip hop?

2741
02:30:54,040 --> 02:30:58,600
Speaker 10: Like ever, so I had to give That's what made

2742
02:30:58,640 --> 02:31:01,840
Speaker 10: me want to do five ninety five, eighty nine ninety nine.

2743
02:31:01,879 --> 02:31:04,480
Speaker 2: We give that ninety ship that said you want to

2744
02:31:04,480 --> 02:31:07,840
Speaker 2: do this eighty nine to ninety nine. Can't tell you

2745
02:31:07,959 --> 02:31:11,160
Speaker 2: what that's eighty ninety nine. Make sure what you met.

2746
02:31:11,640 --> 02:31:16,119
Speaker 2: You mentioned some ship and I'm sure you said each

2747
02:31:16,120 --> 02:31:19,440
Speaker 2: other and I oh never Hi. Yeah, I'm both. I'm

2748
02:31:19,840 --> 02:31:22,039
Speaker 2: the era that came before, and then I'm my era,

2749
02:31:22,320 --> 02:31:26,240
Speaker 2: not eighty five though. No I'm not eighty nine ninety nine.

2750
02:31:26,879 --> 02:31:28,920
Speaker 2: I'm not eighty I'm getting years.

2751
02:31:30,040 --> 02:31:34,080
Speaker 1: Eighty nine eighty was just start from eighty five, fun

2752
02:31:34,800 --> 02:31:38,160
Speaker 1: ninety five, Imber ninety seven?

2753
02:31:38,440 --> 02:31:40,800
Speaker 2: What was going on to two thousand and seven. Yes,

2754
02:31:40,959 --> 02:31:44,800
Speaker 2: it's just my two moments, Yes, yes, I mean my

2755
02:31:44,959 --> 02:31:46,959
Speaker 2: second part of it is because I was involved.

2756
02:31:47,200 --> 02:31:50,120
Speaker 31: I remember that was just you know what I mean

2757
02:31:50,200 --> 02:31:52,480
Speaker 31: that she was a baby. We went to the garden.

2758
02:31:53,360 --> 02:31:54,160
Speaker 3: I went to the garden.

2759
02:31:54,360 --> 02:31:57,879
Speaker 1: Yeah, having scaly conversations of the side.

2760
02:32:00,080 --> 02:32:00,240
Speaker 15: All.

2761
02:32:00,280 --> 02:32:02,160
Speaker 2: Remember when they went on toll I told him I

2762
02:32:02,400 --> 02:32:05,240
Speaker 2: got clipped off that tour. I remember watching that shit

2763
02:32:05,320 --> 02:32:07,600
Speaker 2: in the crowd, like.

2764
02:32:09,360 --> 02:32:12,040
Speaker 3: The big the Bad Boys for Life tour, Bad Boys

2765
02:32:12,080 --> 02:32:13,720
Speaker 3: for You clipped over the clip.

2766
02:32:13,840 --> 02:32:21,119
Speaker 2: What happened I clipped to I don't know what happened.

2767
02:32:22,560 --> 02:32:25,960
Speaker 10: Then, if it was what was ever the smoke with

2768
02:32:26,120 --> 02:32:30,000
Speaker 10: what with Mace with us it just if it was,

2769
02:32:30,080 --> 02:32:30,840
Speaker 10: it could have been none.

2770
02:32:30,959 --> 02:32:33,040
Speaker 3: If I don't you know that was some Harlem ship. B.

2771
02:32:33,200 --> 02:32:35,200
Speaker 3: I was just deep in Brooklyn nigga back then.

2772
02:32:35,440 --> 02:32:37,280
Speaker 2: If you if you don't know if any smell, I

2773
02:32:37,280 --> 02:32:39,760
Speaker 2: don't know what, cause I just know we was we was,

2774
02:32:39,959 --> 02:32:42,800
Speaker 2: we was active, We was ready for all. Was he

2775
02:32:42,879 --> 02:32:48,280
Speaker 2: a target? Yeah, he said something, so yeah, we hold

2776
02:32:48,480 --> 02:32:49,640
Speaker 2: a record and this them.

2777
02:32:49,640 --> 02:32:52,080
Speaker 1: Like it was anyway, So May said something first about

2778
02:32:52,480 --> 02:32:55,240
Speaker 1: asking him because I don't know sut it on the

2779
02:32:55,440 --> 02:32:58,439
Speaker 1: R and B records, he was talking you hear whole saying, niggas.

2780
02:32:58,200 --> 02:33:00,160
Speaker 3: Talking real breasy on them R and B ight, it's

2781
02:33:00,200 --> 02:33:03,000
Speaker 3: but I'm playing a million times. Check the credits.

2782
02:33:03,440 --> 02:33:06,320
Speaker 2: Yes, Ja, that's James stuff.

2783
02:33:06,440 --> 02:33:11,560
Speaker 31: Yeah, saying yeah, he was just talking on them.

2784
02:33:12,600 --> 02:33:15,480
Speaker 2: Agree, What do you think was saying what he said?

2785
02:33:16,120 --> 02:33:18,120
Speaker 2: Trying to seek because I'm asking because I'm on the

2786
02:33:18,200 --> 02:33:19,039
Speaker 2: Mason right.

2787
02:33:19,879 --> 02:33:23,080
Speaker 3: Steve, and and it definitely hit home when he said,

2788
02:33:23,480 --> 02:33:26,280
Speaker 3: I don't really fuck with Dang, but still with cop Jigger.

2789
02:33:26,640 --> 02:33:29,400
Speaker 2: Yes, I remember Dang. Was this is on the fire.

2790
02:33:29,680 --> 02:33:30,039
Speaker 3: This is not.

2791
02:33:32,320 --> 02:33:36,840
Speaker 2: Said that? Yeah, yeah, so this so on Mason's first album,

2792
02:33:36,920 --> 02:33:39,840
Speaker 2: his debut album is the name of it is Hallow World. Yeah,

2793
02:33:40,520 --> 02:33:43,120
Speaker 2: not the Hollow World, the group his name his album.

2794
02:33:43,200 --> 02:33:44,520
Speaker 2: His album name was Hollow World.

2795
02:33:44,760 --> 02:33:46,560
Speaker 10: So he said that, Yo, don't really fun with Dan,

2796
02:33:46,680 --> 02:33:49,040
Speaker 10: but still like cop niggas want to act.

2797
02:33:49,120 --> 02:33:49,680
Speaker 2: We can act.

2798
02:33:49,800 --> 02:33:51,480
Speaker 3: That was from.

2799
02:33:52,879 --> 02:33:55,440
Speaker 2: A shot at home. How does Hole take that person?

2800
02:33:58,720 --> 02:33:58,760
Speaker 3: Know?

2801
02:33:58,879 --> 02:33:59,200
Speaker 4: He right?

2802
02:34:00,160 --> 02:34:04,960
Speaker 2: Know, my man? What I got to snap?

2803
02:34:07,080 --> 02:34:09,200
Speaker 15: Oh, my man with me.

2804
02:34:11,160 --> 02:34:11,400
Speaker 3: At that?

2805
02:34:16,400 --> 02:34:22,080
Speaker 2: That's how we go to Yeah, what made May set

2806
02:34:22,120 --> 02:34:25,080
Speaker 2: it all? Because I have no idea great, great questioning graph.

2807
02:34:25,840 --> 02:34:26,840
Speaker 27: So Mace Cam.

2808
02:34:27,840 --> 02:34:30,200
Speaker 2: They grew up with Dame Dash eleven nine on.

2809
02:34:30,240 --> 02:34:33,040
Speaker 10: The east side of Harlem, right, So I feel like,

2810
02:34:33,240 --> 02:34:35,600
Speaker 10: so that was super young and May fall off first

2811
02:34:35,720 --> 02:34:36,200
Speaker 10: something trying.

2812
02:34:36,240 --> 02:34:38,480
Speaker 2: Let me just give it you how I remember? Let

2813
02:34:38,520 --> 02:34:40,760
Speaker 2: give it you have to remember it. So I feel like.

2814
02:34:43,400 --> 02:34:46,080
Speaker 10: They grew up eleven nine. This is when Bloodshair was alive.

2815
02:34:46,240 --> 02:34:50,119
Speaker 10: So this children in the corn days right recipece of bloodshed.

2816
02:34:51,200 --> 02:34:54,320
Speaker 10: So I feel like somewhere along the line the trajectory

2817
02:34:54,440 --> 02:34:59,800
Speaker 10: changed where Cam took you know, throw it along the

2818
02:34:59,879 --> 02:35:02,520
Speaker 10: more along the lines of Dame and Mason was like, Nigga,

2819
02:35:02,520 --> 02:35:06,359
Speaker 10: I'm Mace because Mace turned out to be Mace, right right,

2820
02:35:06,480 --> 02:35:08,960
Speaker 10: So I feel like somewhere along on they split, just

2821
02:35:09,120 --> 02:35:10,920
Speaker 10: they just split thinking the same.

2822
02:35:10,800 --> 02:35:14,640
Speaker 2: Way and be cool around the time Dame and Mace

2823
02:35:15,879 --> 02:35:16,440
Speaker 2: Dame in Mace.

2824
02:35:16,520 --> 02:35:16,920
Speaker 4: I don't think.

2825
02:35:17,000 --> 02:35:17,800
Speaker 2: I don't think. I don't.

2826
02:35:18,280 --> 02:35:22,279
Speaker 10: I really genuinely don't think Dame was Mace's type of guys.

2827
02:35:22,360 --> 02:35:23,520
Speaker 2: You know what I'm saying. You know, we have a

2828
02:35:24,040 --> 02:35:25,640
Speaker 2: we have our type of guys that we get along

2829
02:35:25,720 --> 02:35:27,880
Speaker 2: with more than others. I just don't think Dame was

2830
02:35:28,080 --> 02:35:28,840
Speaker 2: his type of guy.

2831
02:35:30,040 --> 02:35:30,400
Speaker 3: So that.

2832
02:35:32,920 --> 02:35:34,879
Speaker 2: You live in a crazy world.

2833
02:35:36,640 --> 02:35:40,920
Speaker 1: And Dane got more air likes they Okay, that's what

2834
02:35:41,000 --> 02:35:42,160
Speaker 1: I was trying to stablish.

2835
02:35:41,800 --> 02:35:42,360
Speaker 2: You know what I'm saying.

2836
02:35:42,440 --> 02:35:45,600
Speaker 10: Because Masons, like Yo, you know, they still went on

2837
02:35:45,720 --> 02:35:48,039
Speaker 10: to be successful, you know what I'm saying, went out,

2838
02:35:48,360 --> 02:35:50,400
Speaker 10: you know what I mean, just just going against the odds.

2839
02:35:52,520 --> 02:35:55,680
Speaker 10: So I think that's where that trajectory changed, just along

2840
02:35:55,840 --> 02:35:58,879
Speaker 10: Mason Cameron's line, along the line, you know what I'm saying.

2841
02:35:59,200 --> 02:36:02,240
Speaker 2: Yeah, but he said I don't. I don't really fuck

2842
02:36:02,280 --> 02:36:02,560
Speaker 2: with Dave.

2843
02:36:02,640 --> 02:36:05,200
Speaker 10: But still I got Jagers now is saying, yo, oh

2844
02:36:05,240 --> 02:36:05,720
Speaker 10: we ain't.

2845
02:36:05,560 --> 02:36:06,240
Speaker 2: Fucking none of that.

2846
02:36:06,480 --> 02:36:08,360
Speaker 10: You were this and that man at the time, it

2847
02:36:08,520 --> 02:36:10,200
Speaker 10: was it was all because I'm trying to get to

2848
02:36:10,240 --> 02:36:12,720
Speaker 10: the Mason, the Mason Jayson, But it was a.

2849
02:36:12,760 --> 02:36:17,880
Speaker 2: Lot of you gotta remember to remember this is the

2850
02:36:18,040 --> 02:36:22,080
Speaker 2: era of who the big dog in the city.

2851
02:36:22,800 --> 02:36:25,400
Speaker 3: Remember Mace was the big dog in the city at

2852
02:36:25,440 --> 02:36:28,520
Speaker 3: that time because he was selling records. The whole still

2853
02:36:28,640 --> 02:36:31,600
Speaker 3: was pulling up in the bigger calls better watches bigg

2854
02:36:31,760 --> 02:36:34,920
Speaker 3: like like, I'm that nigga outside. So it was always

2855
02:36:35,040 --> 02:36:37,440
Speaker 3: that competitiveness. And then you know the Harlem ship, y'all

2856
02:36:37,520 --> 02:36:41,360
Speaker 3: niggas dagosing it up. It goes even further now. But

2857
02:36:41,440 --> 02:36:43,560
Speaker 3: then when they got into the music, I guess niggas

2858
02:36:43,640 --> 02:36:44,879
Speaker 3: just went lyrics at each other.

2859
02:36:44,920 --> 02:36:46,720
Speaker 10: And you know what I like about whole to his

2860
02:36:46,920 --> 02:36:50,480
Speaker 10: humility because on every Day of Stars Born, he said, yo.

2861
02:36:50,800 --> 02:36:54,240
Speaker 2: His first line, right, I seen Mace do it? Seen

2862
02:36:54,760 --> 02:36:55,000
Speaker 2: do it?

2863
02:36:55,280 --> 02:36:58,120
Speaker 10: Seen when he do it X came through caught light

2864
02:36:58,200 --> 02:37:02,120
Speaker 10: of fluid every day Stars boring on you?

2865
02:37:02,240 --> 02:37:04,400
Speaker 2: He said, yo, his first line was yo, seen May's

2866
02:37:04,480 --> 02:37:07,680
Speaker 2: do it do it? So he gave that up, and

2867
02:37:07,800 --> 02:37:10,440
Speaker 2: like I said on the episode before before this, you know,

2868
02:37:10,480 --> 02:37:12,480
Speaker 2: I'm like, yo, who was just you know, this is

2869
02:37:12,520 --> 02:37:18,000
Speaker 2: a spartan man, this is gladiator man, And like he said,

2870
02:37:18,000 --> 02:37:20,800
Speaker 2: it was New York versus New York, it was just

2871
02:37:20,879 --> 02:37:23,400
Speaker 2: for that New York a real boxing. This is real,

2872
02:37:23,800 --> 02:37:24,840
Speaker 2: this is real ship.

2873
02:37:25,000 --> 02:37:25,760
Speaker 3: And it's just.

2874
02:37:27,480 --> 02:37:30,360
Speaker 1: And it's my brother, Like I really love hef and

2875
02:37:31,000 --> 02:37:33,840
Speaker 1: to the core. But he always reminds me like we

2876
02:37:34,200 --> 02:37:36,760
Speaker 1: kind of like like the world didn't realize that it

2877
02:37:36,920 --> 02:37:40,000
Speaker 1: was y'all against y'all and it was other people that

2878
02:37:40,120 --> 02:37:44,360
Speaker 1: existed in this world. Man, do you think that New

2879
02:37:44,440 --> 02:37:45,800
Speaker 1: York was too cocky at that time?

2880
02:37:47,680 --> 02:37:53,720
Speaker 2: We yorktude.

2881
02:37:57,000 --> 02:38:00,680
Speaker 10: That that that's what up for the record, what us

2882
02:38:00,879 --> 02:38:03,320
Speaker 10: us New York is being too cocky? What bird lay

2883
02:38:03,400 --> 02:38:04,640
Speaker 10: themselves I'm from Harlem?

2884
02:38:04,720 --> 02:38:05,440
Speaker 2: Ha what part?

2885
02:38:05,520 --> 02:38:10,240
Speaker 6: Like what's the street like santish them? Okay, okay, see

2886
02:38:10,280 --> 02:38:10,840
Speaker 6: that's the New York.

2887
02:38:10,920 --> 02:38:12,160
Speaker 2: That's the New York ship like part?

2888
02:38:12,200 --> 02:38:13,520
Speaker 6: What what's that Eastide?

2889
02:38:13,520 --> 02:38:16,160
Speaker 2: Western? Yeah, we can't even act in New York.

2890
02:38:16,400 --> 02:38:17,360
Speaker 3: Yo. What where you're from?

2891
02:38:17,440 --> 02:38:19,680
Speaker 2: They're gonna say I'm from Harlem. You're not gonna say

2892
02:38:19,680 --> 02:38:25,439
Speaker 2: I'm from say from New York the Queen Brooklyn.

2893
02:38:26,879 --> 02:38:27,039
Speaker 1: Never.

2894
02:38:28,200 --> 02:38:29,720
Speaker 2: You never say I'm from.

2895
02:38:31,280 --> 02:38:33,360
Speaker 3: Right there? What am like if you.

2896
02:38:33,400 --> 02:38:39,640
Speaker 2: Actually from Miami? I'm from Day County. Yeah, they can't

2897
02:38:39,640 --> 02:38:43,039
Speaker 2: wait the name of shood Jamaica. Queen's goddamn. No, I'm

2898
02:38:43,080 --> 02:38:51,400
Speaker 2: not from New York for Jamaica. R ask me where

2899
02:38:51,400 --> 02:38:53,200
Speaker 2: I'm from and I tell them Brooklyn. They be like,

2900
02:38:53,280 --> 02:38:53,920
Speaker 2: where that's that.

2901
02:38:55,520 --> 02:38:55,680
Speaker 4: Big?

2902
02:38:56,160 --> 02:39:01,360
Speaker 2: But it's a brook Actually, I have never heard that

2903
02:39:01,520 --> 02:39:03,160
Speaker 2: browns brown brown.

2904
02:39:03,879 --> 02:39:06,400
Speaker 6: Yeah, never, we don't recognize the browns.

2905
02:39:06,600 --> 02:39:12,840
Speaker 2: Browns in Miami. Answer that question.

2906
02:39:13,040 --> 02:39:13,959
Speaker 6: There's a poking bean.

2907
02:39:16,840 --> 02:39:17,560
Speaker 15: Was the last question?

2908
02:39:18,280 --> 02:39:19,000
Speaker 2: Was the last question?

2909
02:39:19,320 --> 02:39:19,720
Speaker 1: I don't know.

2910
02:39:21,280 --> 02:39:21,640
Speaker 3: Was it was?

2911
02:39:21,680 --> 02:39:22,000
Speaker 5: It was?

2912
02:39:22,040 --> 02:39:26,080
Speaker 2: It was I love I love drink jam.

2913
02:39:35,480 --> 02:39:37,360
Speaker 3: You man.

2914
02:39:41,360 --> 02:39:45,400
Speaker 18: But I got a question and it's banner listen to that.

2915
02:39:45,520 --> 02:39:47,200
Speaker 18: I got this a video and all that for it.

2916
02:39:47,320 --> 02:39:52,080
Speaker 2: Yeah, trying to get a beat man. It's a part

2917
02:39:52,120 --> 02:39:54,000
Speaker 2: of his camp. I can't think of the game right now.

2918
02:39:54,400 --> 02:39:55,320
Speaker 6: Were usually directs.

2919
02:39:57,280 --> 02:39:59,959
Speaker 3: I got a question for the whole goddamn Drake Champs

2920
02:40:00,080 --> 02:40:06,199
Speaker 3: staff lea roster only winch is rock solid dropping.

2921
02:40:06,840 --> 02:40:07,840
Speaker 2: Wait we dropping.

2922
02:40:10,720 --> 02:40:14,640
Speaker 1: As soon as we get the foot back, We're gonna

2923
02:40:14,640 --> 02:40:17,360
Speaker 1: make a super trailer. I'm gonna shure you are bleak

2924
02:40:17,440 --> 02:40:22,879
Speaker 1: block got listen to me. Bleak Ship is no Joe.

2925
02:40:25,040 --> 02:40:28,480
Speaker 2: The premise of your podcast that Okay, can you take over?

2926
02:40:28,640 --> 02:40:33,080
Speaker 3: Yes, I'm remis of my My ship is just telling

2927
02:40:33,200 --> 02:40:35,800
Speaker 3: funny ship like I let the journalists be the journalist.

2928
02:40:35,840 --> 02:40:38,160
Speaker 3: I'm not a journalist. You already gast me up to

2929
02:40:38,280 --> 02:40:39,080
Speaker 3: do this ship.

2930
02:40:39,760 --> 02:40:42,120
Speaker 2: Because he's a because he's a fucking real he's a

2931
02:40:42,520 --> 02:40:45,640
Speaker 2: he's a officially a journalist. So now I felt my

2932
02:40:45,840 --> 02:40:47,840
Speaker 2: pocket and I don't want to be a journalist. I

2933
02:40:47,879 --> 02:40:50,119
Speaker 2: don't want to be I don't want to be personal.

2934
02:40:50,280 --> 02:40:52,360
Speaker 3: I want to be the guy that you tell the

2935
02:40:52,520 --> 02:40:55,200
Speaker 3: fun start the fun side of this life. If you

2936
02:40:55,320 --> 02:40:58,040
Speaker 3: want to get into your personal issues, that's on you.

2937
02:40:58,280 --> 02:41:00,160
Speaker 3: But I will never be the one to bring it up.

2938
02:41:00,240 --> 02:41:02,000
Speaker 3: Like I'm not the click big guys like.

2939
02:41:02,040 --> 02:41:03,920
Speaker 6: So when you first that's your first big check. What

2940
02:41:04,040 --> 02:41:04,360
Speaker 6: you buy?

2941
02:41:05,000 --> 02:41:05,520
Speaker 3: What you mean?

2942
02:41:05,560 --> 02:41:07,640
Speaker 2: In music? Yes, okay, you want.

2943
02:41:07,560 --> 02:41:08,880
Speaker 6: To go to the hospital, you want to what you

2944
02:41:09,360 --> 02:41:10,400
Speaker 6: want to do? Which way you want to go?

2945
02:41:10,680 --> 02:41:12,720
Speaker 3: Ship? In music? When I got to see it's it's

2946
02:41:12,720 --> 02:41:15,320
Speaker 3: a that's a double edged question because I got to

2947
02:41:15,360 --> 02:41:17,840
Speaker 3: bring up Jay Brown in this one man, Jay Brown,

2948
02:41:17,920 --> 02:41:18,840
Speaker 3: the old jill.

2949
02:41:20,120 --> 02:41:25,160
Speaker 2: That's by with the business.

2950
02:41:25,400 --> 02:41:28,960
Speaker 3: I only been asked that question twice, okay, once by

2951
02:41:29,080 --> 02:41:30,000
Speaker 3: him and now by you.

2952
02:41:30,600 --> 02:41:31,359
Speaker 6: I feel honored.

2953
02:41:32,000 --> 02:41:34,360
Speaker 3: Yes, Jay Brown asked me when I first met him,

2954
02:41:34,440 --> 02:41:36,560
Speaker 3: you know, I was about fifteen, sixteen years old in

2955
02:41:36,879 --> 02:41:39,080
Speaker 3: LA and he was like, Yo, bleak man.

2956
02:41:39,200 --> 02:41:41,199
Speaker 2: Jay talked highly of you, like, you know what I mean.

2957
02:41:41,120 --> 02:41:42,640
Speaker 3: You're about to be on You're about to be the

2958
02:41:42,680 --> 02:41:45,600
Speaker 3: first artist signed the Rockefeller. What's gonna be the first

2959
02:41:45,680 --> 02:41:46,280
Speaker 3: thing you buy?

2960
02:41:46,400 --> 02:41:51,720
Speaker 2: J Brown was down back then that okay, okay, So.

2961
02:41:52,200 --> 02:41:54,280
Speaker 3: Breezy was like, Yo, what's the first thing you go

2962
02:41:54,360 --> 02:41:56,720
Speaker 3: and buy when you get your first check? And I

2963
02:41:56,920 --> 02:42:00,840
Speaker 3: was like, Yo, think I'm buy big ass chain coming

2964
02:42:00,879 --> 02:42:02,600
Speaker 3: through with the hurt you know what I'm saying. This

2965
02:42:02,920 --> 02:42:05,320
Speaker 3: used to be called her hurcules, like I'm coming through.

2966
02:42:05,400 --> 02:42:07,560
Speaker 3: And he was like, you're gonna buy a chain? On

2967
02:42:07,800 --> 02:42:10,360
Speaker 3: God Nigga took the chain off his neck, gave it

2968
02:42:10,440 --> 02:42:12,160
Speaker 3: to me and said, Hony, you got a chang. Now

2969
02:42:12,240 --> 02:42:12,720
Speaker 3: what you're going?

2970
02:42:13,120 --> 02:42:13,560
Speaker 2: Who did that?

2971
02:42:14,240 --> 02:42:14,440
Speaker 8: Down?

2972
02:42:15,400 --> 02:42:15,960
Speaker 6: What happened?

2973
02:42:16,560 --> 02:42:19,200
Speaker 3: What you mean what happened? I bought a house. I

2974
02:42:19,320 --> 02:42:19,879
Speaker 3: bought a house.

2975
02:42:20,160 --> 02:42:20,600
Speaker 15: There you go.

2976
02:42:25,080 --> 02:42:35,800
Speaker 14: Definitely it's a leisure man as I love that, and

2977
02:42:35,879 --> 02:42:36,280
Speaker 14: you blieve.

2978
02:42:36,320 --> 02:42:38,760
Speaker 2: I got a quick question, So and what time, what

2979
02:42:38,959 --> 02:42:40,640
Speaker 2: time in life was this? What you was like, Yo,

2980
02:42:41,120 --> 02:42:42,560
Speaker 2: holy shit, I'm Memphis.

2981
02:42:42,600 --> 02:42:43,320
Speaker 14: Bleak is up.

2982
02:42:43,600 --> 02:42:48,240
Speaker 2: It's no going back, It's only this way. It's what

2983
02:42:48,520 --> 02:42:50,400
Speaker 2: year and what time would you still in school?

2984
02:42:50,959 --> 02:42:53,040
Speaker 10: How did this work out for you when it hits you,

2985
02:42:53,200 --> 02:42:55,200
Speaker 10: like yo, yo, I'm not going back to where I

2986
02:42:55,200 --> 02:42:56,680
Speaker 10: would usually go home at night.

2987
02:42:57,280 --> 02:43:00,440
Speaker 3: When I bought my got a man nineteen ninety seven, Wow,

2988
02:43:00,480 --> 02:43:02,840
Speaker 3: nineteen ninety seven, when I bought my first house was

2989
02:43:02,879 --> 02:43:06,120
Speaker 3: a Jersey Jersey. Yeah, ninety seven, going into ninety eight,

2990
02:43:06,160 --> 02:43:08,440
Speaker 3: I bought my first house, and I remember saying, damn,

2991
02:43:08,440 --> 02:43:11,240
Speaker 3: it's crazy. I know I never have to look back

2992
02:43:11,400 --> 02:43:14,640
Speaker 3: like and looking at the success we had, like I

2993
02:43:14,800 --> 02:43:17,600
Speaker 3: never thought the rock would ever end, like you know

2994
02:43:17,640 --> 02:43:19,960
Speaker 3: what I mean. Mostly at that time, I was the

2995
02:43:20,080 --> 02:43:22,520
Speaker 3: youngest nigga in the crew, so I wasn't prepared to

2996
02:43:22,600 --> 02:43:24,959
Speaker 3: see that in like let me, let me get ready,

2997
02:43:25,080 --> 02:43:28,200
Speaker 3: let me talk away just in case. It was like yeah, right,

2998
02:43:28,320 --> 02:43:31,400
Speaker 3: we living. I'm gonna get another advance tomorrow. Yeah, and

2999
02:43:31,520 --> 02:43:33,000
Speaker 3: tomorrow never came one day.

3000
02:43:33,840 --> 02:43:35,760
Speaker 2: But that took it. That took a while. That took

3001
02:43:35,840 --> 02:43:38,920
Speaker 2: a while to happen. That was like, yeah, that don't happen.

3002
02:43:39,120 --> 02:43:41,440
Speaker 3: Yeah, well that took a while. That wasn't a two

3003
02:43:41,560 --> 02:43:43,440
Speaker 3: year No no, no, no, it was it was. It

3004
02:43:43,600 --> 02:43:46,960
Speaker 3: was a fifteen It was a fifteen year run. Like

3005
02:43:47,080 --> 02:43:49,760
Speaker 3: we fifteen to twenty years. We had a We had

3006
02:43:49,800 --> 02:43:52,480
Speaker 3: a hell of a run, man, And I can honestly say, man,

3007
02:43:52,600 --> 02:43:54,920
Speaker 3: like a lot of people you see around that you

3008
02:43:55,040 --> 02:43:58,800
Speaker 3: might think they just came around, Like Romero. Romero was

3009
02:43:58,840 --> 02:44:00,960
Speaker 3: big that he came driver when I first met him,

3010
02:44:02,200 --> 02:44:04,800
Speaker 3: you know what I'm saying. I remember doing shows with

3011
02:44:05,000 --> 02:44:08,600
Speaker 3: Hove and remember would drive the limo back then, and

3012
02:44:08,680 --> 02:44:12,400
Speaker 3: he would drop everybody off. We would be in white planes,

3013
02:44:12,600 --> 02:44:15,200
Speaker 3: being long gallons, some people in queens, but everybody was

3014
02:44:15,240 --> 02:44:17,640
Speaker 3: in nice houses. This when Jay had the crib downtown

3015
02:44:18,040 --> 02:44:20,160
Speaker 3: with the Barclays and that now the Duke they used

3016
02:44:20,200 --> 02:44:22,840
Speaker 3: to call it. And that was the sixties Fake Street, yep,

3017
02:44:22,920 --> 02:44:29,160
Speaker 3: five sixty State Street. And I was the last nigga

3018
02:44:29,240 --> 02:44:31,879
Speaker 3: getting dropped off because you know, I'm the little homie.

3019
02:44:32,080 --> 02:44:34,959
Speaker 3: And that limo used to pull up in massy projects.

3020
02:44:35,040 --> 02:44:35,520
Speaker 2: My nigga.

3021
02:44:35,879 --> 02:44:38,200
Speaker 3: I used to feel like a Yeah, I used to

3022
02:44:38,280 --> 02:44:41,360
Speaker 3: feel like a limit because I used to be like,

3023
02:44:41,520 --> 02:44:43,360
Speaker 3: how am I pulling up to the hood and a

3024
02:44:43,520 --> 02:44:48,760
Speaker 3: limo my nigga, Like that's like like it used to be, like, nah,

3025
02:44:48,920 --> 02:44:51,720
Speaker 3: you just came from hotels, man, member, we used to

3026
02:44:51,760 --> 02:44:54,480
Speaker 3: stay at the wheel show, Beverly Hills ship like that.

3027
02:44:55,000 --> 02:44:57,520
Speaker 3: You coming back to the to the projects. It's like

3028
02:44:58,200 --> 02:45:00,080
Speaker 3: what you mean with the Dutch chat nigga? You oh,

3029
02:45:00,240 --> 02:45:01,240
Speaker 3: I just came from.

3030
02:45:03,160 --> 02:45:07,200
Speaker 2: I don't know, man. You know how lich you was?

3031
02:45:07,280 --> 02:45:09,920
Speaker 2: You had all the queens bitches on your body bad don't.

3032
02:45:10,000 --> 02:45:13,480
Speaker 3: Yeah, yeah, I used to be in queens. I used

3033
02:45:13,520 --> 02:45:15,600
Speaker 3: to be queens, my nigga queens like.

3034
02:45:15,720 --> 02:45:17,279
Speaker 2: I be easy.

3035
02:45:17,440 --> 02:45:20,480
Speaker 10: Look I'm not so now it's imagine check it out.

3036
02:45:20,560 --> 02:45:25,800
Speaker 10: Let's every day look look yeah, help so now imagine

3037
02:45:25,800 --> 02:45:29,400
Speaker 10: all actually talking about ninety six seven eight. Now now

3038
02:45:29,400 --> 02:45:32,040
Speaker 10: that you're being with mace Humber, you want to come more.

3039
02:45:32,080 --> 02:45:34,160
Speaker 10: You want to get money out the front you go.

3040
02:45:34,959 --> 02:45:37,480
Speaker 10: That's why I say your hold hold up, yo, bro.

3041
02:45:38,200 --> 02:45:42,680
Speaker 10: So Maceon was a phenomenon. I remember, I remember Hole

3042
02:45:42,840 --> 02:45:43,200
Speaker 10: going on.

3043
02:45:43,440 --> 02:45:44,199
Speaker 2: What was that song?

3044
02:45:44,879 --> 02:45:47,680
Speaker 10: That was Sunshine Face right, yeah, and that was that

3045
02:45:47,840 --> 02:45:52,400
Speaker 10: was kind of a reach for whole. Yeah, my favorite

3046
02:45:52,440 --> 02:45:54,640
Speaker 10: rappid change every fucking day. Let's just just put that

3047
02:45:54,720 --> 02:45:56,640
Speaker 10: out there. How of those goats?

3048
02:45:56,920 --> 02:45:57,040
Speaker 23: Right?

3049
02:45:58,040 --> 02:46:00,400
Speaker 2: All right? So look, Sunshine came out, but it was

3050
02:46:00,440 --> 02:46:05,200
Speaker 2: shiny suit era, right, Yo, bro imagine now, imagine Mace

3051
02:46:05,360 --> 02:46:09,160
Speaker 2: was on Brandy, Mace was on Mariah. You like to

3052
02:46:09,240 --> 02:46:13,160
Speaker 2: talk about Mariah? Right, Yo? Mace was Mace was? Yo.

3053
02:46:13,760 --> 02:46:15,920
Speaker 2: Are we gonna sit there and act like Mace wasn't Mace?

3054
02:46:16,280 --> 02:46:17,280
Speaker 3: No, he was that guy.

3055
02:46:17,400 --> 02:46:19,240
Speaker 2: Yeah, I'm trying to see where you're going with the story.

3056
02:46:19,400 --> 02:46:23,600
Speaker 2: I'm just saying, no, good questions, good question, great question.

3057
02:46:24,280 --> 02:46:26,600
Speaker 2: So we talked. I want to I want to boomerang

3058
02:46:26,760 --> 02:46:31,120
Speaker 2: us back into the into real time. Mason still existing

3059
02:46:31,200 --> 02:46:34,400
Speaker 2: this time. Yeah, yeah, we're talking about you know, look

3060
02:46:38,280 --> 02:46:43,080
Speaker 2: you standing here. I guess we we douce that you

3061
02:46:43,240 --> 02:46:46,760
Speaker 2: over there looking. This is golden ever time for me.

3062
02:46:49,920 --> 02:46:52,920
Speaker 2: We all got our own golden ever respectfully, respectfully all right,

3063
02:46:53,320 --> 02:46:55,800
Speaker 2: but yo, ma yo, Look, we're gonna act like Mace.

3064
02:46:55,879 --> 02:46:56,000
Speaker 4: Yo.

3065
02:46:56,120 --> 02:46:58,360
Speaker 2: That's why, that's why I keep going back every day

3066
02:46:58,400 --> 02:46:59,160
Speaker 2: of Stars Born.

3067
02:46:59,240 --> 02:47:02,960
Speaker 10: Right on Jay Jay's last trip, Joe, he said, I've

3068
02:47:02,959 --> 02:47:05,560
Speaker 10: seen May's doing fine.

3069
02:47:08,240 --> 02:47:10,920
Speaker 2: First the first the first person he names. I'm not listening.

3070
02:47:10,959 --> 02:47:11,360
Speaker 2: Me and Mason.

3071
02:47:11,400 --> 02:47:13,640
Speaker 10: We have a good relationship, but I'm not champion anything.

3072
02:47:14,040 --> 02:47:17,080
Speaker 10: I'm for hip hop. We're gonna leave here tonight. Yes,

3073
02:47:17,160 --> 02:47:18,320
Speaker 10: say he was on whose side?

3074
02:47:18,440 --> 02:47:22,280
Speaker 2: I'm on hip hop side for everybody, for everybody individually

3075
02:47:23,840 --> 02:47:28,039
Speaker 2: everything I represented. So I'm gonna give it up what he's.

3076
02:47:28,000 --> 02:47:28,520
Speaker 15: Doing it you know.

3077
02:47:30,400 --> 02:47:34,920
Speaker 2: Thing, bro, Yeah, no, one did not make it switch

3078
02:47:35,000 --> 02:47:37,840
Speaker 2: that nigga. He did his name influence that.

3079
02:47:37,920 --> 02:47:40,120
Speaker 6: You just got to come here on your birth a

3080
02:47:40,160 --> 02:47:40,959
Speaker 6: spe seation.

3081
02:47:44,120 --> 02:47:47,640
Speaker 18: Here and yeah, me and Norrie got a great history together.

3082
02:47:47,720 --> 02:47:49,680
Speaker 18: We've done some records and vibes with each other. So

3083
02:47:49,840 --> 02:47:52,400
Speaker 18: you know, I'm curious to know if any of you

3084
02:47:52,440 --> 02:47:54,240
Speaker 18: guys got any new music that you're working on.

3085
02:47:56,360 --> 02:48:01,160
Speaker 2: Yeah, okay, okay, man, Yeah, I'm and he finally send

3086
02:48:01,200 --> 02:48:03,880
Speaker 2: me my records, he said he mixed them. Hopefully I

3087
02:48:03,959 --> 02:48:08,320
Speaker 2: get Yeah, shout out the guru. I did a song

3088
02:48:08,400 --> 02:48:12,840
Speaker 2: for Rocker Coller change Wait bleak, gu I'm gonna tell

3089
02:48:12,840 --> 02:48:15,360
Speaker 2: you know he spelled it wrong. I'm gonna tell you

3090
02:48:15,360 --> 02:48:17,959
Speaker 2: how to spell it. That's not hoes and Jo stopped

3091
02:48:18,000 --> 02:48:25,520
Speaker 2: that away.

3092
02:48:26,400 --> 02:48:26,880
Speaker 1: He stole.

3093
02:48:27,040 --> 02:48:29,959
Speaker 2: He stole from me. He took my man. We actually

3094
02:48:30,320 --> 02:48:34,560
Speaker 2: and now I gotta borrow him back. Speaking to though cool,

3095
02:48:34,600 --> 02:48:36,360
Speaker 2: what's your games that.

3096
02:48:38,879 --> 02:48:42,840
Speaker 11: Bleak freeway pd crack, He asked about the ship that's crazy,

3097
02:48:42,920 --> 02:48:44,320
Speaker 11: but it might be clazy.

3098
02:48:45,000 --> 02:48:47,680
Speaker 2: Just just who's working on music? You know what I mean?

3099
02:48:47,720 --> 02:48:50,880
Speaker 18: Are you guys doing anything musically aside from everything else?

3100
02:48:51,240 --> 02:48:51,520
Speaker 2: Okay?

3101
02:48:51,600 --> 02:48:59,000
Speaker 18: See dope, Oh fresh man, Yeah, I can't wait to peep.

3102
02:49:00,480 --> 02:49:02,440
Speaker 18: Oh yeah yeah, come on, holler at me, man, let

3103
02:49:02,480 --> 02:49:03,039
Speaker 18: me know what's up.

3104
02:49:03,160 --> 02:49:03,240
Speaker 5: Bro.

3105
02:49:03,720 --> 02:49:06,480
Speaker 2: We'd love to contribute. Man, Absolutely, I'm out here.

3106
02:49:06,560 --> 02:49:06,720
Speaker 13: Man.

3107
02:49:06,800 --> 02:49:07,520
Speaker 2: No, I'm out here.

3108
02:49:07,600 --> 02:49:07,680
Speaker 4: Bro.

3109
02:49:07,840 --> 02:49:14,800
Speaker 2: You already know a lot too. Yeah, thank you, fam.

3110
02:49:15,440 --> 02:49:17,560
Speaker 11: Me mean something important I forgot to mention last of all, said,

3111
02:49:17,560 --> 02:49:19,280
Speaker 11: I got a program that I put into these schools

3112
02:49:19,320 --> 02:49:22,800
Speaker 11: in New York City, music therapy. I'm coming to the

3113
02:49:22,840 --> 02:49:25,600
Speaker 11: schools with the laptop, the microphone, is speakers and teaching.

3114
02:49:25,440 --> 02:49:28,760
Speaker 2: Kids how to make music. Had an amazing song structure.

3115
02:49:28,879 --> 02:49:31,840
Speaker 11: Financial literacy, yeah really, but the course is really based

3116
02:49:31,879 --> 02:49:34,360
Speaker 11: on social emotional learning by teach somebody expressed themselves become

3117
02:49:34,440 --> 02:49:35,160
Speaker 11: better communicated.

3118
02:49:35,280 --> 02:49:35,400
Speaker 2: Right.

3119
02:49:35,720 --> 02:49:38,160
Speaker 11: That's from the hood black experience. We ain't learned no love,

3120
02:49:38,240 --> 02:49:40,119
Speaker 11: We didn't learn vulnerability to be learned.

3121
02:49:40,720 --> 02:49:41,720
Speaker 2: Quite strang, I hear you, bro.

3122
02:49:41,959 --> 02:49:44,240
Speaker 11: Absolutely really coming to these schools and help these kids

3123
02:49:44,560 --> 02:49:45,400
Speaker 11: express themselves on.

3124
02:49:45,440 --> 02:49:47,640
Speaker 2: Some real ship and that's incredible, man, I would love

3125
02:49:47,720 --> 02:49:48,600
Speaker 2: you with it. I would love that.

3126
02:49:49,000 --> 02:49:52,600
Speaker 18: So yeah, I love absolutely giving back to the kids

3127
02:49:53,240 --> 02:49:54,359
Speaker 18: and giving them a platform.

3128
02:49:54,840 --> 02:49:56,600
Speaker 6: You should bring that here to Miami as well.

3129
02:49:57,040 --> 02:49:59,200
Speaker 2: I would love to. Let's in like ten schools in

3130
02:49:59,200 --> 02:50:00,920
Speaker 2: New York. One of the schools for that.

3131
02:50:01,080 --> 02:50:03,240
Speaker 11: We can do that, Okay, that'd be amazing. One of

3132
02:50:03,280 --> 02:50:05,520
Speaker 11: the schools I mean is is in the prison, so

3133
02:50:05,600 --> 02:50:06,959
Speaker 11: I'll be really in there if I want to.

3134
02:50:06,959 --> 02:50:07,680
Speaker 6: Go to all my brothers.

3135
02:50:07,840 --> 02:50:09,320
Speaker 2: No, you don't got to go there. I'm just saying.

3136
02:50:09,440 --> 02:50:11,960
Speaker 2: I'm just saying, no, I don't know about what I

3137
02:50:12,000 --> 02:50:12,840
Speaker 2: want to bring Sugar.

3138
02:50:13,120 --> 02:50:14,520
Speaker 11: I'll pick what school to bring you to. I'm just

3139
02:50:14,600 --> 02:50:16,600
Speaker 11: saying one of the schools I mean is in the prison.

3140
02:50:16,680 --> 02:50:18,480
Speaker 11: So I'm here for the kids with some real ship.

3141
02:50:18,640 --> 02:50:20,240
Speaker 11: I get on my phone and they call me whenever.

3142
02:50:20,320 --> 02:50:21,920
Speaker 2: All that I want to be a part. So No,

3143
02:50:22,000 --> 02:50:23,880
Speaker 2: I would love that. I would love they would like

3144
02:50:23,959 --> 02:50:24,840
Speaker 2: us to support each other.

3145
02:50:25,000 --> 02:50:33,080
Speaker 27: I got to say one thing, mhm, when I got

3146
02:50:33,120 --> 02:50:37,000
Speaker 27: my ship together, what your hair.

3147
02:50:37,040 --> 02:50:39,760
Speaker 2: Or what show? What I should have? Never ready? You

3148
02:50:40,120 --> 02:50:43,320
Speaker 2: want to have, Kate Fox feel much to make your friends.

3149
02:50:50,760 --> 02:50:51,920
Speaker 2: It's wa even.

3150
02:50:54,600 --> 02:50:56,960
Speaker 1: Jogging ship. Get back my ship.

3151
02:50:56,959 --> 02:50:59,400
Speaker 2: I'm getting back on it. I fell off it.

3152
02:50:59,760 --> 02:51:04,880
Speaker 1: We because maybe months, but my people that when I

3153
02:51:04,959 --> 02:51:09,040
Speaker 1: get myself together is right here and he just finished

3154
02:51:10,000 --> 02:51:12,280
Speaker 1: fucking marathon in Chicago.

3155
02:51:12,920 --> 02:51:15,760
Speaker 2: Wow, that's doing this is why when I when I'm

3156
02:51:15,800 --> 02:51:16,200
Speaker 2: on my.

3157
02:51:17,760 --> 02:51:18,240
Speaker 4: You did that.

3158
02:51:22,280 --> 02:51:29,360
Speaker 1: Broup you ever faces because yes, yes, yes, right.

3159
02:51:33,080 --> 02:51:35,240
Speaker 2: Man, keep it up man and always had the way

3160
02:51:35,280 --> 02:51:37,280
Speaker 2: you're doing it for the bill. I'm on that same

3161
02:51:37,360 --> 02:51:37,800
Speaker 2: way with you.

3162
02:51:37,879 --> 02:51:39,359
Speaker 1: Give scoop the bill about.

3163
02:51:39,720 --> 02:51:43,760
Speaker 20: Oh damn, damn, you ain't gonna take it.

3164
02:51:44,480 --> 02:51:44,879
Speaker 15: Amazing.

3165
02:51:45,920 --> 02:51:46,160
Speaker 1: Thank you.

3166
02:51:47,680 --> 02:51:50,880
Speaker 2: Family. I appreciate you, man, Thank you for having me.

3167
02:51:54,120 --> 02:51:58,800
Speaker 3: And I got to degree y.

3168
02:52:00,600 --> 02:52:06,600
Speaker 2: Man over a couple of months. You know, like a

3169
02:52:06,680 --> 02:52:11,880
Speaker 2: drink champanel. Are gonna be?

3170
02:52:11,920 --> 02:52:15,440
Speaker 10: Are we gonna be annual fucking family day?

3171
02:52:16,040 --> 02:52:19,520
Speaker 2: Yo. I know I'm not signing no goddamn paperwork next time.

3172
02:52:19,680 --> 02:52:22,279
Speaker 3: I'm damn, I'm not at.

3173
02:52:23,640 --> 02:52:24,440
Speaker 1: We were family.

3174
02:52:25,120 --> 02:52:29,560
Speaker 2: Yeah, I'm not a gut paperwork release falls.

3175
02:52:30,040 --> 02:52:31,000
Speaker 6: I'm making a candle.

3176
02:52:40,840 --> 02:52:47,119
Speaker 2: I'm taking it. That's firing artists out there, no right.

3177
02:52:47,280 --> 02:52:52,000
Speaker 2: So look, it's my artists, inspired writing, people, inspired writers,

3178
02:52:52,120 --> 02:52:55,880
Speaker 2: people's everybody because it's all one thing. If blee can

3179
02:52:55,959 --> 02:52:57,680
Speaker 2: make it, if we could be here watching each other

3180
02:52:57,720 --> 02:52:59,200
Speaker 2: on drink chance, if you can make it if a

3181
02:52:59,200 --> 02:53:02,040
Speaker 2: little seas can make it, the graph like we're making it.

3182
02:53:02,200 --> 02:53:04,440
Speaker 2: We are, we're making it, and we're doing right.

3183
02:53:06,600 --> 02:53:09,440
Speaker 5: Just for the just for the permise of the culture.

3184
02:53:09,480 --> 02:53:11,880
Speaker 5: I'm a media coach as well. Big up to my

3185
02:53:11,959 --> 02:53:14,160
Speaker 5: mentor Deanna Williams. She is one of the co founders

3186
02:53:14,200 --> 02:53:17,200
Speaker 5: of Black Music Months, which preserves black music in June.

3187
02:53:17,800 --> 02:53:20,800
Speaker 5: She's the wife of Kenny Gamble, who produced you know who.

3188
02:53:20,879 --> 02:53:23,600
Speaker 5: Kenny Gamble is like, Hello, So what I'm saying to

3189
02:53:23,640 --> 02:53:25,320
Speaker 5: you is that we have to be the preservers of

3190
02:53:25,440 --> 02:53:28,360
Speaker 5: hip hop and gatekeepers. I don't care, but teaching these

3191
02:53:28,440 --> 02:53:30,880
Speaker 5: artists how to express themselves, how to speak, how to

3192
02:53:31,000 --> 02:53:33,760
Speaker 5: form relate a sentence. This is what I do for

3193
02:53:34,440 --> 02:53:36,560
Speaker 5: a living as well. So if any of you guys

3194
02:53:36,720 --> 02:53:41,440
Speaker 5: need anybody to do that or any artists that you know, Yes,

3195
02:53:43,800 --> 02:53:45,440
Speaker 5: and that's a part of artist developments.

3196
02:53:47,480 --> 02:53:48,279
Speaker 15: No, but I hear.

3197
02:53:50,240 --> 02:53:52,680
Speaker 1: Yement music.

3198
02:53:54,959 --> 02:54:08,760
Speaker 2: And we elevate and motivating the crazy. Artist development was needed.

3199
02:54:08,840 --> 02:54:11,520
Speaker 2: It was needed because that's some of.

3200
02:54:11,520 --> 02:54:13,560
Speaker 5: These artists are drowning right now because they don't know.

3201
02:54:13,640 --> 02:54:15,160
Speaker 5: But you said a lot of these artists like they're

3202
02:54:15,240 --> 02:54:18,160
Speaker 5: going through mental issues. But in artist development, there was

3203
02:54:18,400 --> 02:54:21,920
Speaker 5: a department and music labels that had artist development, that

3204
02:54:22,080 --> 02:54:24,119
Speaker 5: cared about these artists. You taught them how to dress,

3205
02:54:24,320 --> 02:54:26,280
Speaker 5: how to where to move, how to move. You don't

3206
02:54:26,320 --> 02:54:29,080
Speaker 5: show somebody your location and show up and get popped off.

3207
02:54:29,280 --> 02:54:32,800
Speaker 2: That's not g cole. You got to go like chill.

3208
02:54:33,000 --> 02:54:42,960
Speaker 2: You know what I'm saying. Yeah, I just got I

3209
02:54:43,000 --> 02:54:44,760
Speaker 2: don't want to tell you for a second.

3210
02:54:45,959 --> 02:54:46,320
Speaker 1: That way.

3211
02:54:46,680 --> 02:54:58,240
Speaker 2: I love the way drink champs big them up.

3212
02:55:00,000 --> 02:55:03,320
Speaker 1: You know this motherfucker ran marathon.

3213
02:55:05,120 --> 02:55:05,560
Speaker 2: That's dope.

3214
02:55:05,600 --> 02:55:09,920
Speaker 1: And then it came outside that his name is what

3215
02:55:10,160 --> 02:55:15,400
Speaker 1: is it? No sleeping in club, trophy room? What no

3216
02:55:15,520 --> 02:55:16,640
Speaker 1: sleeping in the trophy room?

3217
02:55:16,720 --> 02:55:27,920
Speaker 2: No sleeping in the trophy room? Talk about it, brother,

3218
02:55:28,280 --> 02:55:29,000
Speaker 2: go ahead, go ahead.

3219
02:55:29,040 --> 02:55:31,600
Speaker 32: No, Yeah, my name is low so represent the no

3220
02:55:31,720 --> 02:55:35,240
Speaker 32: sleeping running club. Sleeping in the trophy room, and no

3221
02:55:35,360 --> 02:55:37,760
Speaker 32: sleeping is all about not sleeping on your potential, not

3222
02:55:37,840 --> 02:55:41,840
Speaker 32: sleeping on what's possible, not sleeping on community. And it's

3223
02:55:41,879 --> 02:55:45,240
Speaker 32: a mindset. So yeah, my run club is here in Miami.

3224
02:55:45,600 --> 02:55:48,200
Speaker 32: I'm from New York. I got a show. It's called

3225
02:55:48,240 --> 02:55:52,080
Speaker 32: No Sleeping in the Trophy Room. It's active conversation man.

3226
02:55:52,440 --> 02:55:55,400
Speaker 32: But and yeah, we just finish running the Chicago Marathon.

3227
02:55:55,560 --> 02:56:01,120
Speaker 2: It's amazing and uh yeah, yeah yeah, And that's that.

3228
02:56:01,280 --> 02:56:04,280
Speaker 32: That's just a testament to what's possible. You know, if

3229
02:56:04,320 --> 02:56:05,600
Speaker 32: you don't sleep on what's possible.

3230
02:56:05,680 --> 02:56:14,039
Speaker 2: So respect, thank you in my mind to you. Respect,

3231
02:56:14,200 --> 02:56:14,680
Speaker 2: not the truth.

3232
02:56:16,000 --> 02:56:20,879
Speaker 3: Just yo.

3233
02:56:21,120 --> 02:56:30,600
Speaker 2: Know I'm and with this bro, respect because we've been passing.

3234
02:56:32,400 --> 02:56:33,240
Speaker 1: Let's let's go.

3235
02:56:36,800 --> 02:56:37,320
Speaker 15: Shut it out.

3236
02:56:37,520 --> 02:56:41,240
Speaker 2: Listen, I'm gonna end it like this man. The end

3237
02:56:41,240 --> 02:56:43,240
Speaker 2: of result is Yo. We gotta support itself. This is

3238
02:56:43,280 --> 02:56:49,280
Speaker 2: my We got to support because this is everybody's human

3239
02:56:49,320 --> 02:56:50,440
Speaker 2: We gotta come on out here.

3240
02:56:50,760 --> 02:56:54,080
Speaker 10: It's just humanity, broy, we gotta got you know what

3241
02:56:54,200 --> 02:56:56,720
Speaker 10: you know, I'm stopping right there right and and and

3242
02:56:56,800 --> 02:56:58,000
Speaker 10: the notorious b I G movie.

3243
02:56:58,080 --> 02:56:58,160
Speaker 6: Yo.

3244
02:56:58,360 --> 02:57:01,520
Speaker 2: You can't change the world unless we change ourselves.

3245
02:57:01,840 --> 02:57:10,360
Speaker 1: That's my god. Damn it all right, this is called

3246
02:57:11,440 --> 02:57:14,160
Speaker 1: drink Chance panel slash family episode.

3247
02:57:14,640 --> 02:57:19,520
Speaker 2: We think we're sorry. Ladies come first. Ladies come first.

3248
02:57:20,240 --> 02:57:22,200
Speaker 6: Who's crazy on the family episode?

3249
02:57:24,080 --> 02:57:24,360
Speaker 2: I don't know.

3250
02:57:24,400 --> 02:57:27,840
Speaker 1: You gotta copect that because you're the lady. Well, our sister,

3251
02:57:28,120 --> 02:57:29,119
Speaker 1: we're just the family.

3252
02:57:30,080 --> 02:57:30,440
Speaker 2: Family.

3253
02:57:31,080 --> 02:57:35,280
Speaker 1: And and by the way, whenever we have a woman,

3254
02:57:35,920 --> 02:57:40,440
Speaker 1: we need you to feel in because we need more women, yes, yes,

3255
02:57:40,520 --> 02:57:41,720
Speaker 1: and we need we need.

3256
02:57:41,680 --> 02:57:48,920
Speaker 2: You to help us. Yeah, okay, we want to officially

3257
02:57:49,520 --> 02:57:50,039
Speaker 2: send up.

3258
02:57:50,360 --> 02:57:52,280
Speaker 1: I don't want to say olive brass because the olive

3259
02:57:52,320 --> 02:57:58,640
Speaker 1: brass like means like we like have Beefer's for no. No, yes, yes,

3260
02:57:58,879 --> 02:58:03,360
Speaker 1: But we were officially initially that we need more females,

3261
02:58:03,720 --> 02:58:06,120
Speaker 1: and then when females come, we need a person like

3262
02:58:06,240 --> 02:58:09,080
Speaker 1: you to help them feel comfortable, because we were talking

3263
02:58:09,080 --> 02:58:09,400
Speaker 1: about it.

3264
02:58:12,720 --> 02:58:15,959
Speaker 2: But but if we have a female like you to.

3265
02:58:16,000 --> 02:58:20,520
Speaker 1: Help us out, we would We're fully endorsing that, correct.

3266
02:58:21,480 --> 02:58:29,920
Speaker 2: Thank you, and then Bill kill Man, thank you.

3267
02:58:33,920 --> 02:58:34,640
Speaker 15: You have a shot?

3268
02:58:35,040 --> 02:58:37,080
Speaker 1: Do you want to do a shot in the.

3269
02:58:38,879 --> 02:58:40,280
Speaker 2: Show over here on Tequita?

3270
02:58:40,480 --> 02:58:45,000
Speaker 1: Okay, no, we could.

3271
02:58:48,680 --> 02:58:52,480
Speaker 2: Said that's not.

3272
02:58:59,080 --> 02:58:59,320
Speaker 3: Thank you.

3273
02:59:06,000 --> 02:59:09,440
Speaker 28: Drink Champs is a drink Champs LLC production hosts and

3274
02:59:09,560 --> 02:59:12,960
Speaker 28: executive producers n O r E and dj E f N.

3275
02:59:14,160 --> 02:59:18,280
Speaker 28: Listen to Drink Champs on Apple Podcasts, Amazon Music, Spotify,

3276
02:59:18,560 --> 02:59:22,200
Speaker 28: or wherever you get your podcasts. Thanks for joining us

3277
02:59:22,240 --> 02:59:24,840
Speaker 28: for another episode of Drink Champs hosted by Yours truly,

3278
02:59:25,000 --> 02:59:27,520
Speaker 28: dj E f N and n O r E. Please

3279
02:59:27,600 --> 02:59:29,760
Speaker 28: make sure to follow us on all our socials that's

3280
02:59:29,840 --> 02:59:33,560
Speaker 28: at drink Champs across all platforms at the Real norriagon I,

3281
02:59:33,720 --> 02:59:37,400
Speaker 28: g at Noriaga on Twitter, Mine is at Who's Crazy

3282
02:59:37,560 --> 02:59:39,760
Speaker 28: on ig at dj e f

3283
02:59:39,879 --> 02:59:42,280
Speaker 7: N on Twitter, and most importantly, stay up to date

3284
02:59:42,360 --> 02:59:45,520
Speaker 7: with the latest releases, news and merch by going to

3285
02:59:45,640 --> 02:59:46,959
Speaker 7: drink Champs dot com