WEBVTT - Oops! They Did it Again ("Britney 2.0" S4 EP 2)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what you Really miss podcast Season foe.

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<v Speaker 2>Oh my god, I forgot for a second.

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<v Speaker 1>I know we're moving our way through season four. We

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<v Speaker 1>are on episode two. This is special. It's Britney two

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<v Speaker 1>point zh Kevin.

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<v Speaker 2>Look, if we can get more Heather than great, that's

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<v Speaker 2>all good news.

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<v Speaker 1>I was surprised that we did this episode though. I

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<v Speaker 1>was surprised we were doing another Britney one like it

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<v Speaker 1>did so well. But I also was like, why are

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<v Speaker 1>we trying to fix something that's not broken?

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<v Speaker 2>But again, the first one was perfect.

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<v Speaker 1>In a way, and as we've learned a fan favorite.

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<v Speaker 1>This one is a little different. This one had some

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<v Speaker 1>mixed reactions from the public. Correct this did air directly

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<v Speaker 1>after If you remember, we're on a new night on Fox.

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<v Speaker 1>Now we're following one of Fox's new shows, The X Factor,

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<v Speaker 1>where Britney's a judge, and then this airs, and it.

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<v Speaker 2>Is not the glossy.

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<v Speaker 1>Brittany is perfect queen, which in reality is the truth

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<v Speaker 1>of what happened.

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<v Speaker 3>Right.

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<v Speaker 1>I don't think that we're making fun of her per se,

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<v Speaker 1>but it's definitely shining a light on the darker times,

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<v Speaker 1>which is why I think people weren't especially like Brittany

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<v Speaker 1>Camp wasn't thrilled my.

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<v Speaker 2>Guest and I think when it was just like we

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<v Speaker 2>were trying to like get her back on her feet

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<v Speaker 2>sort of thing. Yes, you know, and so it probably didn't.

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<v Speaker 2>But I think watching this back now, though, I feel

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<v Speaker 2>like there is a stronger message in there of the

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<v Speaker 2>resurgence and like we need to treat people with respect

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<v Speaker 2>and look behind, you know, the curtain of like what's

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<v Speaker 2>actually causing all of these issues through Brittany Es Pierce's character.

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<v Speaker 1>Yeah, agreed. Okay, well let's get into it because there's

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<v Speaker 1>a lot that happens. Yeah, okay. Well this aired on

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<v Speaker 1>September twentieth, twenty twelve. Wo wow, Okay.

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<v Speaker 2>Yeah. In the news, Jenna, the number one song in

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<v Speaker 2>the country was we Are Never Ever Getting Back Together

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<v Speaker 2>by t Swift.

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<v Speaker 1>Okay, and the number one movie was Resident Evil Retribution.

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<v Speaker 1>How did we not do that song on Glee? I

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<v Speaker 1>feel like I thought we did and then it was like, oh,

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<v Speaker 1>we didn't. Maybe I just didn't get approved. But it's

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<v Speaker 1>Max Martin. I feel like we've done other Max Martin songs,

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<v Speaker 1>I mean we I don't know. I actually don't know.

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<v Speaker 2>I don't know either, weird because that would have been.

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<v Speaker 1>A great one. It's perfectly toned to the show banger

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<v Speaker 1>Ye the Glee new does This Speak? September seventeenth, Glee

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<v Speaker 1>The Complete Seasons One to three Yearbook Edition was released

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<v Speaker 1>on DVD, featuring all sixty six episodes of seasons one, two,

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<v Speaker 1>and three on twenty discs. Oh my god, twenty discs.

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<v Speaker 1>What does that even mean? What does that look like?

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<v Speaker 1>That's crazy? It's a bible? Like what?

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<v Speaker 2>Oh isn't it also crazy? Though we're only halfway through

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<v Speaker 2>the show, and at some point in your life like, oh,

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<v Speaker 2>we've done sixty six episodes of television, right. I remember

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<v Speaker 2>growing up and just thinking about like, oh my god,

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<v Speaker 2>it'd be great to do one episode, or you get

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<v Speaker 2>on a TV show and do a couple episodes. Enabled

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<v Speaker 2>at this point to be like, we've done sixty six episodes, right,

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<v Speaker 2>and is really sure?

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<v Speaker 1>Continue to do yeah? A lot more? That's right.

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<v Speaker 2>On September eighteenth, Glee The Music Brady two point zero

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<v Speaker 2>was released. The EP featured eight tracks from this episode

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<v Speaker 2>and was released for digital download.

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<v Speaker 1>I got to say the music in this episode was

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<v Speaker 1>pretty great.

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<v Speaker 2>It was very great. Numbers, crazy crazy, this is very also,

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<v Speaker 2>I would just like to already at the end of

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<v Speaker 2>this episode says like Marley wants to do another Britney song,

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<v Speaker 2>and Alartie says, haven't we scraped the bottom of the

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<v Speaker 2>Britney barrel?

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<v Speaker 1>I haven't even touched it.

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<v Speaker 2>No, we're just getting started already.

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<v Speaker 1>Idiot, well, already run in his mouth again, like shut it.

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<v Speaker 1>Brittany just has like those albums, it's so dead. Yeah,

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<v Speaker 1>are you kidding me? Stupid? Okay. This was directed by

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<v Speaker 1>Alfonso Gomez Rajon makes a lot of sense, does make

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<v Speaker 1>a lot of sense.

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<v Speaker 2>Look, there's some shots in there. I'm like, this is crazy, clever.

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<v Speaker 1>Different, and uh, there's a lot of music. As we

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<v Speaker 1>were talking about hold It Against Me with with Brittany

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<v Speaker 1>and the Cheerios Boy's Boyfriend by Britney Spears and Justin

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<v Speaker 1>Bieber performed by Artie and Blene Womanizer.

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<v Speaker 2>Three Crazy, You Drive Me Crazy, mashup? Oops, I did

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<v Speaker 2>it again? Give me more every time. I do love

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<v Speaker 2>that song.

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<v Speaker 1>I love that song and I love Melissa's voice on

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<v Speaker 1>that phone. Yeah, there's a lot of fun facts about

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<v Speaker 1>this episode. So, this is the second Britney Spears tribute episode,

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<v Speaker 1>with the first being Brittany Brittany obviously and Britney Spears

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<v Speaker 1>and the Beatles are the only two artists or bands

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<v Speaker 1>to have two tribute episodes on Glee.

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<v Speaker 2>I think that's fair.

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<v Speaker 4>Yeah, she's up there with the Beatles in a lot

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<v Speaker 4>of ways in my book. Yeah, just like Brittany Brittany.

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<v Speaker 4>This episode is the second of the season. Both episodes

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<v Speaker 4>include Brittany the character singing a solo, Rachel singing a solo,

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<v Speaker 4>a same gender duet the last one was Me Against

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<v Speaker 4>the Music, which was so good, and a group number

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<v Speaker 4>with Brittany as the lead OVI.

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<v Speaker 1>Both episodes also include at least one song not by Spears,

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<v Speaker 1>so the last one being the only exception, which stuck

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<v Speaker 1>outlegas or Thom Boyfriend, which is obviously a mashup with

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<v Speaker 1>us and then crazy. Yeah working them into mashup makes

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<v Speaker 1>me and I'm fine with that, but yeah, so weird.

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<v Speaker 1>I don't know why. This is the first episode air

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<v Speaker 1>exactly a year after an episode from the previous season

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<v Speaker 1>aired and this episode. This episode aired on September twentieth,

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<v Speaker 1>twenty twelve and The Purple Piano Project aired on September twentieth.

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<v Speaker 2>Now that's the type of nerdy fun fact I love.

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<v Speaker 2>This episode features the first and only Brittany voiceover on

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<v Speaker 2>the show, like, you know, the inner monologue kind of things,

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<v Speaker 2>are you shocked?

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<v Speaker 5>Like?

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<v Speaker 1>And just in the effort, I believe that Brittany says

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<v Speaker 1>what she's what she's thinking all the time.

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<v Speaker 2>I guess you're right. But like, we all had voiceovers.

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<v Speaker 1>Yeah, I didn't have a time. I had a.

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<v Speaker 2>Few, but we all did it at some points. I

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<v Speaker 2>also am a big fan, you know of sort of

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<v Speaker 2>breaking the fourth wall addressing the audience. And I loved

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<v Speaker 2>when she gets stopped in the hall like Blaine, like,

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<v Speaker 2>what are you doing? I thought I was doing my voiceover.

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<v Speaker 1>At the time.

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<v Speaker 2>Axis Hollywood reporter Billy Bush allegedly spoke to Brittany's manager

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<v Speaker 2>and her team was quote livid over this episode and

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<v Speaker 2>the portrayal.

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<v Speaker 1>Well now, looking back, though, I think it was just

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<v Speaker 1>too soon. Was Brittany livid or was her team livid?

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<v Speaker 1>I don't know. Well, they were ruling her brand at

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<v Speaker 1>that point. They didn't want any of the bad stuff

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<v Speaker 1>to be coming out and Brittany's like whatever. Like, if

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<v Speaker 1>Brittany had an Instagram caption right now on her Instagram

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<v Speaker 1>about it, she'd probably be like, great, let them talk

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<v Speaker 1>about all this stuff that I went through right fair,

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<v Speaker 1>she wasn't running her camp. Yeah, Tina wear's the dress

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<v Speaker 1>she wore during You Can't Stop the Beat Again. You know,

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<v Speaker 1>this is around the time where we didn't have time

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<v Speaker 1>for fittings and so like sometimes they'd be like, pull

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<v Speaker 1>something from the arc is and every member of New

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<v Speaker 1>Directions present in the episode sings a solo. What an idea?

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<v Speaker 1>What a crazy idea that everybody gets a solo? Kevin,

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<v Speaker 1>how do.

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<v Speaker 2>You really feel? This is the first Tribute episode in

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<v Speaker 2>which Santana doesn't sing, and that's a crime.

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<v Speaker 1>That is a crime. Also, like seeing her.

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<v Speaker 2>Only via Skype or whatever it was, it's so weird.

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<v Speaker 2>It's freaking me out not having her or ran exactly properly.

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<v Speaker 1>Well, just you wait. This is the only episode in

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<v Speaker 1>which Cassandra appears but doesn't sing.

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<v Speaker 2>Kurt says that a video which was uploaded to YouTube

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<v Speaker 2>ended Cassandra July's career ten years ago. However, YouTube was

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<v Speaker 2>launched in two thousand and five seven years prior to

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<v Speaker 2>this episode, and also when YouTube was first launched, things

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<v Speaker 2>weren't going viral.

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<v Speaker 1>Right, right, right, it was a very different YouTube. Yeah. Interesting.

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<v Speaker 2>Yeah, so you want to hear the official Fox summary

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<v Speaker 2>for this.

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<v Speaker 1>I do.

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<v Speaker 2>I just love these I love them so much. Brittany

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<v Speaker 2>and Funk turns to the music at Britney Spears for inspiration.

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<v Speaker 2>Rachel struggles to adjust to life in New York City.

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<v Speaker 1>I just want to know who was writing these, if

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<v Speaker 1>it was the same person, if they were like really

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<v Speaker 1>busy at the time. And that's why we get like

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<v Speaker 1>these really short ones versus like we get like intricate,

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<v Speaker 1>longer planned out summaries. The episode, Brittany s peers our

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<v Speaker 1>Queen is kicked off the Cheerios and she's missing Santana.

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<v Speaker 1>Obviously we see her only on the screen. We're also

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<v Speaker 1>missing Santana and she's sent into a spiral. She's wearing

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<v Speaker 1>a world's great is the Greatest Grandma shirt from the

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<v Speaker 1>Loss Found The t shirt's great, the hair is great.

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<v Speaker 1>She looks insane and mister she was worried. He tries

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<v Speaker 1>to set her up with Emma. That seems crazy.

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<v Speaker 2>I mean, everyone's trying. This is where I think the

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<v Speaker 2>storyline helps the Britney Spears case of it all, where

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<v Speaker 2>we're seeing somebody have some sort of like mental health crisis.

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<v Speaker 2>She's not even at this point in the episode like

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<v Speaker 2>acting out. She's sort of done the opposite where she's

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<v Speaker 2>just resigned. She's given up fully like a depressive state. Yeah,

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<v Speaker 2>and we're trying to bring Britney back. Everybody's rooting for her.

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<v Speaker 2>Everybody knows how great she is, how smart and talented

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<v Speaker 2>she is. And it's sort of that fine line of

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<v Speaker 2>are we talking about Britney s Peers or we're talking

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<v Speaker 2>about Britney Spears.

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<v Speaker 1>Mister Shoe shockingly decides to do a last minute assignment,

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<v Speaker 1>choosing Britney two point zero week so that we can

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<v Speaker 1>help inspire Britney s Peers.

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<v Speaker 2>Right, could we hold it against me? Yeah, let's talk

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<v Speaker 2>about that. You have several gigantic numbers this episode. Something

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<v Speaker 2>really comes out with a bang and it is so good.

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<v Speaker 1>I'm there are a lot of good cheerio numbers, like

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<v Speaker 1>big numbers, but this is one of my favorites.

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<v Speaker 2>I think it's like a really refined yes, because if

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<v Speaker 2>you think of it like it's only.

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<v Speaker 1>Pro dancers yes, exactly doing pure pop, pure pop.

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<v Speaker 2>Choreography, people like with props, throwing things in the air.

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<v Speaker 2>I mean once you get to the auditorium. I feel

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<v Speaker 2>like every time there's musical member and it gets to

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<v Speaker 2>not the auditorium, sorry, the gym, you're like, oh, this

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<v Speaker 2>is about to be crazy. There's either going to be fire,

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<v Speaker 2>people are going to be on stilts, there's going to

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<v Speaker 2>be props.

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<v Speaker 1>And then Kitdti's in there too.

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<v Speaker 2>Yeah, she is straight off of Broadway and like killing it,

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<v Speaker 2>keeping up with her. So good, so good, it's so good.

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<v Speaker 2>I didn't I didn't remember that number.

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<v Speaker 1>Definitely didn't remember that. I didn't remember.

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<v Speaker 2>Was it felt like an actual music video, Like if

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<v Speaker 2>you took that out of context, I could just watch

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<v Speaker 2>that agreed, because it is very very good. Agreed, And

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<v Speaker 2>I think it's a good song for Heather to sing,

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<v Speaker 2>and she sounds great on it.

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<v Speaker 1>It's perfect.

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<v Speaker 6>Uh.

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<v Speaker 1>You guys also do a great number. Blaine and Artie

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<v Speaker 1>do a number based that is half Britney Spears. But

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<v Speaker 1>it's a really cool mashup boy's boyfriend.

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<v Speaker 2>It is a cool mashup.

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<v Speaker 1>Darren doing cheriography with.

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<v Speaker 2>You, Darren, And I never got to do. So this

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<v Speaker 2>is like the only time that was fun. It was fun.

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<v Speaker 2>It was nice to get to like sing and perform

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<v Speaker 2>with him. You guys, I had a fun time recording it.

0:13:58.320 --> 0:14:03.839
<v Speaker 2>Do you do like this mashup? At the time, I

0:14:03.880 --> 0:14:06.200
<v Speaker 2>was like, this is cool, this is fine. I like

0:14:06.240 --> 0:14:09.000
<v Speaker 2>it a lot more now. I wasn't the biggest fan

0:14:09.320 --> 0:14:12.079
<v Speaker 2>of either of those songs.

0:14:12.679 --> 0:14:17.600
<v Speaker 1>Same same. It's like, not my favorite Brittany song at all.

0:14:17.520 --> 0:14:20.680
<v Speaker 2>But no, and it was not my favorite just Beaver

0:14:20.800 --> 0:14:27.080
<v Speaker 2>song right exactly, but I think works better. Well, yeah, together,

0:14:27.160 --> 0:14:29.640
<v Speaker 2>they're better. Everything's better with a little Brittany.

0:14:29.960 --> 0:14:32.920
<v Speaker 1>What number is it where she decides she's gonna is

0:14:32.920 --> 0:14:34.840
<v Speaker 1>it that number where she decides she's going to shave

0:14:34.840 --> 0:14:35.160
<v Speaker 1>her head?

0:14:36.120 --> 0:14:36.440
<v Speaker 2>No?

0:14:36.440 --> 0:14:36.800
<v Speaker 1>No?

0:14:38.520 --> 0:14:43.240
<v Speaker 2>Yeah, Well this was another case of Tina's song never

0:14:43.280 --> 0:14:44.800
<v Speaker 2>gets to properly finish.

0:14:45.000 --> 0:14:48.280
<v Speaker 1>That's okay, This one that got its full moment. It

0:14:48.320 --> 0:14:51.080
<v Speaker 1>did like I was.

0:14:51.080 --> 0:14:52.640
<v Speaker 2>Like, don't cut it off, do not cut it off?

0:14:52.680 --> 0:14:54.840
<v Speaker 2>You like sing the last note and then yeah, yeah,

0:14:54.840 --> 0:15:00.160
<v Speaker 2>it's not revelation by any means. But three is really

0:15:00.200 --> 0:15:05.360
<v Speaker 2>fun too. In the choir room. I love that version.

0:15:06.640 --> 0:15:08.640
<v Speaker 2>It's so love singing it with them. I'd never I

0:15:08.640 --> 0:15:13.200
<v Speaker 2>hadn't sang with Samuel yet you all sounded so pretty together.

0:15:13.400 --> 0:15:15.600
<v Speaker 1>Thanks. I really liked that one. I forgot how much

0:15:15.640 --> 0:15:17.240
<v Speaker 1>I like that one. I know you liked that one,

0:15:17.320 --> 0:15:21.640
<v Speaker 1>but I was like, yeah, oh, okay, this is fun.

0:15:21.680 --> 0:15:22.520
<v Speaker 1>It was also different.

0:15:23.400 --> 0:15:25.480
<v Speaker 2>You can also tell by like how we're acting in

0:15:25.560 --> 0:15:30.000
<v Speaker 2>the as a viewer, in it as an audience, because

0:15:30.040 --> 0:15:31.200
<v Speaker 2>like we're all super into it.

0:15:31.360 --> 0:15:34.200
<v Speaker 1>We were also so good shooting that really late at night.

0:15:35.000 --> 0:15:38.040
<v Speaker 1>Do you remember that No, it was one of the

0:15:38.160 --> 0:15:42.360
<v Speaker 1>later numbers of the day. I have like video photos

0:15:42.400 --> 0:15:45.440
<v Speaker 1>of Heather and I in our out our like dresses,

0:15:46.160 --> 0:15:49.120
<v Speaker 1>and she's in that little like sweater sweatshirt over her

0:15:49.240 --> 0:15:53.640
<v Speaker 1>dress and we're like climbing up the walls. She's laying

0:15:53.840 --> 0:15:57.640
<v Speaker 1>underneath one of the golf carts inside of the stages,

0:15:58.520 --> 0:16:00.640
<v Speaker 1>and I was like, oh, it was one of the nights,

0:16:00.720 --> 0:16:02.600
<v Speaker 1>so we were all kind of like trying to keep

0:16:02.600 --> 0:16:07.920
<v Speaker 1>ourselves awake. It was one of those nights. So I

0:16:08.000 --> 0:16:11.680
<v Speaker 1>loved shooting three, loved recording that one. I was thrilled

0:16:11.680 --> 0:16:15.800
<v Speaker 1>to have multiple things to do in this episode. Obviously,

0:16:18.280 --> 0:16:20.320
<v Speaker 1>I was thrilled to do a Brittany episode. I didn't

0:16:20.360 --> 0:16:22.280
<v Speaker 1>have as much to do in the last Brittany episode.

0:16:22.320 --> 0:16:24.800
<v Speaker 1>So Tina's coming out again.

0:16:25.680 --> 0:16:27.840
<v Speaker 2>There does seem to be an opening, you know, now

0:16:27.880 --> 0:16:30.520
<v Speaker 2>that New York is happening, Tina is getting more of

0:16:30.520 --> 0:16:33.440
<v Speaker 2>a moment, making her way right in as she should.

0:16:33.480 --> 0:16:37.280
<v Speaker 1>We do three and then Brittany ends up like wanting

0:16:37.320 --> 0:16:40.600
<v Speaker 1>to shave her head and has the umbrella and then

0:16:40.920 --> 0:16:43.160
<v Speaker 1>reenacting the umbrella. Okay, So this is where I think

0:16:44.120 --> 0:16:47.440
<v Speaker 1>when I think about the Brittany camp and if they

0:16:47.440 --> 0:16:51.360
<v Speaker 1>were allegedly not that happy with this, it's re enacting

0:16:51.600 --> 0:16:56.880
<v Speaker 1>the real outside of her performance is entertainment side of things,

0:16:57.160 --> 0:17:00.760
<v Speaker 1>her personal life being attacked and then reenacted again and

0:17:00.840 --> 0:17:04.960
<v Speaker 1>in being glamorized. Right, That's where I think they would

0:17:05.000 --> 0:17:09.760
<v Speaker 1>be unhappy with. Why we are talking about the downfall

0:17:10.080 --> 0:17:13.320
<v Speaker 1>to hopefully the rise again. That's why I take on it.

0:17:13.640 --> 0:17:15.199
<v Speaker 2>I think there's I think this is one of two

0:17:15.280 --> 0:17:17.720
<v Speaker 2>examples of that in this episode. I think the other

0:17:17.720 --> 0:17:21.399
<v Speaker 2>one is Gimme More where Yes, it's a performance, but

0:17:23.200 --> 0:17:29.080
<v Speaker 2>you're yeah, right, it's pretty self explanatory the I do.

0:17:29.720 --> 0:17:35.960
<v Speaker 2>It's pretty funny though, watching Jbi get.

0:17:35.800 --> 0:17:39.119
<v Speaker 1>Beat up, Oh my gosh, it's crazy. Should we do

0:17:39.200 --> 0:17:46.400
<v Speaker 1>something like deserves just like standing around like it's been

0:17:46.640 --> 0:17:50.720
<v Speaker 1>very rude to us in the past. It's horrible. He

0:17:51.080 --> 0:17:55.800
<v Speaker 1>is the Pariz Hilton of William McKinley High. Yeah. I mean,

0:17:56.800 --> 0:18:02.680
<v Speaker 1>not that anybody's right exactly, but you know, I didn't

0:18:02.680 --> 0:18:04.880
<v Speaker 1>write it. It was nice to see.

0:18:04.760 --> 0:18:10.880
<v Speaker 2>Him getting his come up. And if you will, you know.

0:18:10.960 --> 0:18:14.679
<v Speaker 1>Yeah, yeah, yeah, yeah, right, yeah, karma comes back to

0:18:14.680 --> 0:18:14.960
<v Speaker 1>buy you.

0:18:16.480 --> 0:18:21.280
<v Speaker 2>And I also feel like, I feel like when these

0:18:21.280 --> 0:18:26.479
<v Speaker 2>things happen in real life, like celebrities seemingly like cracking, right,

0:18:28.040 --> 0:18:30.639
<v Speaker 2>all you see is that you only see the spectacle

0:18:30.680 --> 0:18:34.719
<v Speaker 2>of it. Not to make this more than it is,

0:18:35.359 --> 0:18:40.760
<v Speaker 2>but for the Brittany Espiers character, you know, the full

0:18:40.840 --> 0:18:43.760
<v Speaker 2>context of why she's doing this. You know, we've spent

0:18:44.200 --> 0:18:48.520
<v Speaker 2>three years building this character, and so we're able to

0:18:48.560 --> 0:18:52.639
<v Speaker 2>see empathize and sympathize with where she is in her journey,

0:18:52.760 --> 0:18:55.760
<v Speaker 2>right right, which is something we don't ever get to

0:18:55.800 --> 0:18:58.600
<v Speaker 2>see for the real Britney spears right right. And so

0:18:59.359 --> 0:19:02.720
<v Speaker 2>when she's beating up on JBI in the hallway, it's

0:19:02.720 --> 0:19:04.959
<v Speaker 2>not like, oh my god, this is crazy, this is horrible.

0:19:05.000 --> 0:19:07.600
<v Speaker 2>She's acting insane. Yeah, You're like, well, no, I see

0:19:07.600 --> 0:19:10.479
<v Speaker 2>why she's acting like this right, sure is this is

0:19:10.680 --> 0:19:14.960
<v Speaker 2>how she's handling it correct? No, but given the circumstances,

0:19:14.960 --> 0:19:18.680
<v Speaker 2>who is going to know how to literally react properly?

0:19:19.400 --> 0:19:20.040
<v Speaker 1>And so you do.

0:19:20.240 --> 0:19:24.080
<v Speaker 2>I do appreciate that aspect of it because I feel

0:19:24.080 --> 0:19:26.479
<v Speaker 2>like maybe that's the intention behind the episode.

0:19:26.480 --> 0:19:32.680
<v Speaker 1>I'm sure it was. I'm sure it was hopefully.

0:19:30.960 --> 0:19:33.800
<v Speaker 2>I'm just in my head, that's right. The episode.

0:19:34.680 --> 0:19:39.600
<v Speaker 1>Yeah, So we decide that we think Brittany should perform

0:19:39.720 --> 0:19:44.440
<v Speaker 1>the solo it the group at the group assembly.

0:19:44.680 --> 0:19:47.399
<v Speaker 2>She wants to be the star. She needs the attention.

0:19:47.440 --> 0:19:49.080
<v Speaker 1>Obviously, and it's Brittany. So we're just going to have

0:19:49.119 --> 0:19:58.399
<v Speaker 1>Brittany do it that number. The performance that Heather Morris

0:19:58.440 --> 0:20:05.520
<v Speaker 1>gives is unreal, world class, the faces she makes, the

0:20:05.640 --> 0:20:06.640
<v Speaker 1>cheato only.

0:20:06.480 --> 0:20:11.160
<v Speaker 2>Doing the backgrounds, the speaking parts while she's chewing. Okay,

0:20:11.160 --> 0:20:12.840
<v Speaker 2>have you seen there's a video that was going around

0:20:12.840 --> 0:20:15.720
<v Speaker 2>on social media recently. I believe it was the mom

0:20:15.760 --> 0:20:18.800
<v Speaker 2>was in the papas and they had to perform on

0:20:20.040 --> 0:20:22.000
<v Speaker 2>a TV show and they were told they had the

0:20:22.040 --> 0:20:24.520
<v Speaker 2>lip sync like it might've been Johnny Carson or something

0:20:24.560 --> 0:20:28.400
<v Speaker 2>like that, and one of the girls like took out

0:20:28.480 --> 0:20:31.080
<v Speaker 2>food and was they were furious he had the lip

0:20:31.080 --> 0:20:34.400
<v Speaker 2>sync and so she's eating during performances.

0:20:33.640 --> 0:20:35.320
<v Speaker 1>To be singing. That's funny.

0:20:35.440 --> 0:20:41.400
<v Speaker 2>I was like, this is exactly what's happening. Also, she

0:20:41.480 --> 0:20:43.400
<v Speaker 2>really gets the rest of the glee club to lip

0:20:43.400 --> 0:20:46.480
<v Speaker 2>sync very quickly, Like that doesn't take much convincing to

0:20:46.480 --> 0:20:48.360
<v Speaker 2>be like we need to lip sync and we're all like, no,

0:20:48.520 --> 0:20:49.199
<v Speaker 2>we don't do that.

0:20:50.560 --> 0:20:53.359
<v Speaker 1>Yeah, it's true. I also didn't realize that it was

0:20:53.400 --> 0:20:57.399
<v Speaker 1>like illegal to do that in the show choir world, Like,

0:20:57.480 --> 0:20:59.320
<v Speaker 1>obviously it's not a good thing to do, but I

0:20:59.320 --> 0:21:01.879
<v Speaker 1>didn't realize how much trouble we were going to get in.

0:21:02.000 --> 0:21:04.000
<v Speaker 1>And I don't think new directions to me that either.

0:21:05.040 --> 0:21:09.560
<v Speaker 1>But does that apply to like a school assembly if

0:21:09.600 --> 0:21:13.040
<v Speaker 1>you're doing it an official competition, obviously totally, but like

0:21:13.320 --> 0:21:17.680
<v Speaker 1>at your home school for performance, like an assembly performance.

0:21:17.800 --> 0:21:22.360
<v Speaker 2>Yeah, who's who's checking exactly?

0:21:22.480 --> 0:21:25.119
<v Speaker 1>Mister she is self reporting? That sucks.

0:21:29.640 --> 0:21:34.440
<v Speaker 2>Oh gosh, that was That was such a fun performance

0:21:34.520 --> 0:21:34.919
<v Speaker 2>to shoot.

0:21:35.119 --> 0:21:37.879
<v Speaker 1>It really was. It's well, it's fun when there's a

0:21:37.880 --> 0:21:42.119
<v Speaker 1>story going on and you don't really know there's a

0:21:42.160 --> 0:21:44.960
<v Speaker 1>story to tell and not just a performance and all

0:21:45.000 --> 0:21:51.080
<v Speaker 1>of a sudden acting it literally crazy and her bra like.

0:21:54.320 --> 0:21:56.760
<v Speaker 1>It's really good. It's a really really good at performance.

0:21:56.800 --> 0:21:57.600
<v Speaker 1>It's very funny.

0:21:58.920 --> 0:22:00.800
<v Speaker 2>I get why Britney's camp put of been offended by this,

0:22:01.560 --> 0:22:03.960
<v Speaker 2>but it was it was also funny. I think it

0:22:04.040 --> 0:22:05.119
<v Speaker 2>was really really funny.

0:22:07.400 --> 0:22:09.879
<v Speaker 1>Yeah, but yes, I mean I think it's just funny

0:22:09.880 --> 0:22:13.840
<v Speaker 1>because Feather's primes like period okay, and then Sam's gonna

0:22:13.840 --> 0:22:17.320
<v Speaker 1>help her have a comeback. Just like so cute.

0:22:17.600 --> 0:22:19.600
<v Speaker 2>They're very like he was just like, I get what

0:22:19.640 --> 0:22:20.000
<v Speaker 2>you're doing.

0:22:20.200 --> 0:22:21.120
<v Speaker 4>The math.

0:22:22.560 --> 0:22:28.880
<v Speaker 2>Oh my god, it's here spelled wrong. All of Britney's

0:22:28.920 --> 0:22:33.239
<v Speaker 2>tests shout out to the Rainbow had to do all

0:22:33.320 --> 0:22:35.320
<v Speaker 2>the rainbow cran riding because that takes for it.

0:22:35.560 --> 0:22:38.200
<v Speaker 1>Does take forever. It's very funny though, very good. I

0:22:38.280 --> 0:22:43.320
<v Speaker 1>think that's probably Lee. Yeah, exactly, really really good. They're

0:22:43.359 --> 0:22:45.200
<v Speaker 1>really cute together. I forgot about them.

0:22:46.040 --> 0:22:46.760
<v Speaker 2>They are really cute.

0:22:46.760 --> 0:22:49.560
<v Speaker 1>Do they have a dating Do they date? I don't know.

0:22:51.320 --> 0:22:51.720
<v Speaker 2>I don't know.

0:22:51.840 --> 0:22:55.000
<v Speaker 1>Actually, all I know is next episode they have a

0:22:55.080 --> 0:22:57.960
<v Speaker 1>bunch of stuff as well. It's leading.

0:22:58.000 --> 0:23:01.879
<v Speaker 2>The common thing seems to be here is Chord.

0:23:02.800 --> 0:23:03.240
<v Speaker 1>What do you mean?

0:23:03.400 --> 0:23:07.080
<v Speaker 2>Chord just has chemistry with everyone. It's the best, Like

0:23:07.240 --> 0:23:10.000
<v Speaker 2>you put Cord in a scene with anyone and you're like, oh,

0:23:10.119 --> 0:23:11.440
<v Speaker 2>this is so enjoyable to watch.

0:23:11.560 --> 0:23:12.080
<v Speaker 1>He's the best.

0:23:12.920 --> 0:23:16.800
<v Speaker 2>You're right, he really is. Is like I love watching

0:23:16.880 --> 0:23:18.840
<v Speaker 2>him with Heather. I loved watching him.

0:23:19.200 --> 0:23:25.680
<v Speaker 1>Exactly like he's great. Wow with Diana. Yes, yeah, it

0:23:25.800 --> 0:23:29.840
<v Speaker 1>was great. You're right, You're right. It is Cord. Chord

0:23:30.000 --> 0:23:34.520
<v Speaker 1>is the the connecting link, is the common denomination.

0:23:34.720 --> 0:23:38.000
<v Speaker 2>Is Also shout out to Chord's falsetto on three because

0:23:38.040 --> 0:23:41.200
<v Speaker 2>it was really pretty good. I'm always checking to say

0:23:41.280 --> 0:23:44.960
<v Speaker 2>he's playing the right guitar chords, usually making it look like, yeah.

0:23:45.800 --> 0:23:56.879
<v Speaker 1>It's Cord. He can play his guitar and his sleep. Okay.

0:23:57.720 --> 0:24:03.040
<v Speaker 1>Marley has a crush on Jake, as we've seen, and

0:24:03.400 --> 0:24:08.120
<v Speaker 1>he's a womanizer. I guess Tina's talking to him, which

0:24:08.160 --> 0:24:13.040
<v Speaker 1>is hilarious, very funny, full smitten. And I remember this

0:24:13.200 --> 0:24:14.680
<v Speaker 1>was like the first time I had worked with him

0:24:16.400 --> 0:24:18.320
<v Speaker 1>and so and we were just like chatting and he's

0:24:18.359 --> 0:24:21.040
<v Speaker 1>like very you know, he's he's Jacob. He's quiet, but

0:24:21.119 --> 0:24:23.359
<v Speaker 1>he's like funny. So you're like, oh, you're funny and

0:24:23.560 --> 0:24:24.359
<v Speaker 1>you're unassuming.

0:24:24.400 --> 0:24:25.119
<v Speaker 2>And I didn't know that.

0:24:26.840 --> 0:24:28.879
<v Speaker 1>We'll learn that a lot about him later, but I

0:24:30.680 --> 0:24:32.720
<v Speaker 1>had such a fun time doing this because like I

0:24:32.800 --> 0:24:35.520
<v Speaker 1>got to really spend time with some of the new

0:24:35.760 --> 0:24:43.200
<v Speaker 1>crew and doing Womanizer in the stairway. I remember doing

0:24:43.280 --> 0:24:46.240
<v Speaker 1>it like a thousand times, and there was something with

0:24:47.720 --> 0:24:50.320
<v Speaker 1>the timing and then once we would get the timing right,

0:24:50.600 --> 0:24:53.280
<v Speaker 1>somebody's lips and would be off and Loui Anne. This

0:24:53.520 --> 0:24:56.000
<v Speaker 1>was when Leu Anne started to and so she really

0:24:56.040 --> 0:24:58.600
<v Speaker 1>wanted to get things right and so and then you

0:24:58.680 --> 0:25:01.000
<v Speaker 1>have all Fonds on top of it, who likes a

0:25:01.080 --> 0:25:03.600
<v Speaker 1>lot of takes, and so I just remember doing those

0:25:03.640 --> 0:25:05.760
<v Speaker 1>stairs like a thousand times. And there's this back behind

0:25:05.760 --> 0:25:08.240
<v Speaker 1>the scenes photo that I have of all of us

0:25:08.280 --> 0:25:10.800
<v Speaker 1>standing around the monitor to make sure we did it right.

0:25:10.840 --> 0:25:12.200
<v Speaker 1>And I don't remember if it was because it was

0:25:12.240 --> 0:25:15.560
<v Speaker 1>in half speed or full speed, I don't remember, but

0:25:17.280 --> 0:25:19.080
<v Speaker 1>we did it a lot. We were on those stairs

0:25:19.160 --> 0:25:21.879
<v Speaker 1>for a while and it was only just like the

0:25:22.640 --> 0:25:23.800
<v Speaker 1>like five steps.

0:25:24.680 --> 0:25:28.240
<v Speaker 2>Oh my god, that sounds right. Yes, this number had

0:25:28.600 --> 0:25:30.640
<v Speaker 2>a lot of creative shots.

0:25:31.119 --> 0:25:33.040
<v Speaker 1>Yes, it did a lot of peace and I.

0:25:33.119 --> 0:25:34.600
<v Speaker 2>Feel like it was like, oh, we're back in the

0:25:34.680 --> 0:25:37.520
<v Speaker 2>gymnasium again exactly, and I think you got to switch

0:25:37.600 --> 0:25:39.399
<v Speaker 2>it up because you're in some of the same location

0:25:39.680 --> 0:25:43.399
<v Speaker 2>to the camera's moving with Marley's head, which was nice.

0:25:44.560 --> 0:25:47.720
<v Speaker 2>I texted Alex yesterday and I was watching this like,

0:25:48.080 --> 0:25:49.440
<v Speaker 2>I you're saving me.

0:25:50.600 --> 0:25:53.200
<v Speaker 1>I love this number. I was like, I was just

0:25:53.320 --> 0:25:57.600
<v Speaker 1>there none, no, no, earlier were just there. You're all

0:25:57.680 --> 0:26:02.600
<v Speaker 1>of you together. Also, you look so little little, Yes, you're.

0:26:02.480 --> 0:26:04.760
<v Speaker 2>So short compared to Melissa and Alex.

0:26:06.560 --> 0:26:09.920
<v Speaker 1>That's true. We're in like sneakers too, so yes, it

0:26:10.080 --> 0:26:10.840
<v Speaker 1>was so cute.

0:26:11.760 --> 0:26:16.560
<v Speaker 2>I love like walking through like the library sacks. It's like, oh,

0:26:16.600 --> 0:26:18.200
<v Speaker 2>they had to get a little wide on that frame

0:26:18.280 --> 0:26:20.359
<v Speaker 2>to fit everybody. It's right, there's a lot of us

0:26:20.600 --> 0:26:21.960
<v Speaker 2>and we're all different.

0:26:22.000 --> 0:26:26.880
<v Speaker 1>And Alex is in heels always, yes, so I'm even

0:26:27.040 --> 0:26:29.240
<v Speaker 1>unless it was usually in heels too, like a little

0:26:29.280 --> 0:26:33.440
<v Speaker 1>bit of one. Uh yes, the library, that's right. I

0:26:33.560 --> 0:26:36.680
<v Speaker 1>forgot about that. I love this number so much, really

0:26:37.600 --> 0:26:41.240
<v Speaker 1>I do. I like shooting it. I don't know.

0:26:41.359 --> 0:26:44.200
<v Speaker 2>I think I love the song. The song has like

0:26:44.400 --> 0:26:49.159
<v Speaker 2>great opportunity for great harmonies and hearing you all together,

0:26:49.320 --> 0:26:52.760
<v Speaker 2>which is very satisfying. You sound great together. It's a

0:26:52.800 --> 0:26:58.640
<v Speaker 2>fun number. The choreography, Oh my god, I love the part.

0:26:58.920 --> 0:27:02.880
<v Speaker 2>This amazing choreo was unreal love again. It's like tour

0:27:03.040 --> 0:27:05.280
<v Speaker 2>level choreo, Like I need to see it on loop.

0:27:05.520 --> 0:27:07.560
<v Speaker 2>There's this like jumping move and then you guys been

0:27:07.640 --> 0:27:10.240
<v Speaker 2>to the side that is I ran it back a.

0:27:10.240 --> 0:27:14.440
<v Speaker 1>Couple of times. I enjoyed filming that. That was really fun.

0:27:14.480 --> 0:27:16.320
<v Speaker 1>It was also fun to be in like gym glows

0:27:16.880 --> 0:27:20.679
<v Speaker 1>in like different locations. I'm not gonna lie.

0:27:21.920 --> 0:27:27.320
<v Speaker 2>So Jake steps up because Marlee's obviously smitten and they're like, no,

0:27:27.440 --> 0:27:29.960
<v Speaker 2>he's a womanizer, but then asks out Marley. Marley says

0:27:30.040 --> 0:27:37.879
<v Speaker 2>yes they Jake ends up defending Marlee's mom and Marley

0:27:38.000 --> 0:27:40.400
<v Speaker 2>in the school country of lunchline gets in a fight

0:27:41.880 --> 0:27:45.119
<v Speaker 2>and he's doing the right thing. Yeah, he's doing the

0:27:45.200 --> 0:27:47.439
<v Speaker 2>right thing, gets trouble by Shoe, but she doesn't report him.

0:27:47.480 --> 0:27:50.440
<v Speaker 2>She was just like, you're coming with me? I know,

0:27:50.520 --> 0:27:54.800
<v Speaker 2>who do we see, big bro? I have a couple

0:27:54.840 --> 0:27:58.720
<v Speaker 2>of questions here though, Yeah, not a couple. I think

0:27:58.840 --> 0:28:05.639
<v Speaker 2>one is Shoe overstepping again, because always who is Shoe

0:28:05.880 --> 0:28:06.840
<v Speaker 2>to bring in his brother?

0:28:08.320 --> 0:28:08.520
<v Speaker 1>Yeah?

0:28:08.720 --> 0:28:11.200
<v Speaker 2>They don't know about each other. Yeah, well Puck doesn't

0:28:11.240 --> 0:28:15.040
<v Speaker 2>know about Jake, right, and so is that something that

0:28:15.520 --> 0:28:19.200
<v Speaker 2>Jake should be in charge of? Deciding whether or not

0:28:19.359 --> 0:28:20.880
<v Speaker 2>he ever speaks to his brother.

0:28:21.240 --> 0:28:24.920
<v Speaker 1>Meets him. Agreed, agreed, definitely.

0:28:25.320 --> 0:28:27.840
<v Speaker 2>Works out and like Puck, you know, gives a nice

0:28:27.880 --> 0:28:31.240
<v Speaker 2>little speech. It's funny and it was nice to like

0:28:31.320 --> 0:28:35.280
<v Speaker 2>have those characters be together. But at the same time,

0:28:35.440 --> 0:28:39.640
<v Speaker 2>like shoe boundaries, dude, he doesn't know any boundaries. His

0:28:39.800 --> 0:28:42.760
<v Speaker 2>best man was fin Yeah, it never has ever.

0:28:43.000 --> 0:28:47.920
<v Speaker 1>Yeah, But I like seeing Puck back with Jake. It was,

0:28:48.240 --> 0:28:53.240
<v Speaker 1>you know, we're threading the the lines here, you know,

0:28:54.320 --> 0:28:57.920
<v Speaker 1>we have to and Jake decides he's kind to do.

0:28:59.440 --> 0:28:59.880
<v Speaker 5>He does.

0:29:00.440 --> 0:29:02.520
<v Speaker 2>After that little they have their little date on the

0:29:03.320 --> 0:29:04.080
<v Speaker 2>football stands.

0:29:04.080 --> 0:29:09.240
<v Speaker 1>They're very cute. He's very cute. That mashup is pretty

0:29:09.280 --> 0:29:15.400
<v Speaker 1>good too. I love their voices, yes, and the.

0:29:15.480 --> 0:29:19.080
<v Speaker 2>Voices also sound like everybody's voice, all the new people,

0:29:19.840 --> 0:29:22.480
<v Speaker 2>all our voices are very different instinct. Everybody has a

0:29:22.600 --> 0:29:25.040
<v Speaker 2>very distinct tone. Yes, and it's nice to hear the

0:29:25.080 --> 0:29:27.360
<v Speaker 2>different combos and like that mash up a lot. I

0:29:27.480 --> 0:29:30.480
<v Speaker 2>really did did Jacob play guitar or is he face

0:29:30.600 --> 0:29:31.080
<v Speaker 2>light fiddle?

0:29:31.360 --> 0:29:31.920
<v Speaker 1>But I don't know.

0:29:33.520 --> 0:29:35.560
<v Speaker 2>It kind of looked like he was holding the same chord.

0:29:35.480 --> 0:29:35.880
<v Speaker 7>The whole thing.

0:29:36.520 --> 0:29:40.360
<v Speaker 2>Then there's your answer and they were like zoomed in

0:29:40.400 --> 0:29:40.800
<v Speaker 2>a little bit.

0:29:40.920 --> 0:29:42.640
<v Speaker 1>They cut out the guitar a lot, I got it,

0:29:43.040 --> 0:29:45.120
<v Speaker 1>which was nice, and then he gives Marley the jacket

0:29:45.440 --> 0:29:48.520
<v Speaker 1>at the end. It's very cute, but then we find out.

0:29:48.440 --> 0:29:52.520
<v Speaker 2>Howbody's trifling because then at the end he's dating Kitty

0:29:55.320 --> 0:29:57.120
<v Speaker 2>and Kitty comes up and it's like, hey, give me

0:29:57.200 --> 0:29:59.840
<v Speaker 2>my code. Did you know we're dating out of nowhere?

0:30:00.000 --> 0:30:01.240
<v Speaker 1>And yeah?

0:30:01.400 --> 0:30:03.719
<v Speaker 2>And then did you like then he's serenading her by

0:30:03.720 --> 0:30:08.600
<v Speaker 2>the football field while Marley watches very great. Yes, it's

0:30:08.720 --> 0:30:12.120
<v Speaker 2>just foreshadowing. This is where Alphonso show us as like

0:30:12.240 --> 0:30:16.200
<v Speaker 2>cinematic range, because there's all these extra shots at the

0:30:16.600 --> 0:30:19.120
<v Speaker 2>end of the episode of people like looking from afar

0:30:19.400 --> 0:30:22.880
<v Speaker 2>longing that I'm sure not scripted, and he's adding these

0:30:22.920 --> 0:30:26.840
<v Speaker 2>things yes in New York as well, all these extra

0:30:26.920 --> 0:30:29.520
<v Speaker 2>shots that are really make it feel like it's not

0:30:29.680 --> 0:30:31.160
<v Speaker 2>just another episode of TV.

0:30:31.280 --> 0:30:35.080
<v Speaker 1>In goodness, Yeah, no, you're right, it's really nice. It's

0:30:35.160 --> 0:30:39.120
<v Speaker 1>just very detail. Okay, off to New York we go.

0:30:41.280 --> 0:30:46.120
<v Speaker 1>So we start with Cassandra telling Rachel that she can't

0:30:46.160 --> 0:30:49.959
<v Speaker 1>participate in the tango and Rachel saying, if I'm ever

0:30:50.040 --> 0:30:52.760
<v Speaker 1>going to play a vita I've got to learn the

0:30:52.800 --> 0:30:58.080
<v Speaker 1>tongue out and she says she's not sessy enough. So Rachel,

0:30:59.080 --> 0:31:02.480
<v Speaker 1>it is basically I'm gonna ask Brody to help because

0:31:02.520 --> 0:31:07.360
<v Speaker 1>Brody thinks she's sexy. When he's like, you're incorrectly, I

0:31:07.440 --> 0:31:11.520
<v Speaker 1>was like, I don't know where. He's very forward with

0:31:11.640 --> 0:31:12.280
<v Speaker 1>his feelings.

0:31:12.800 --> 0:31:15.240
<v Speaker 2>Oh yeah, he doesn't care now, not at all. Well,

0:31:15.440 --> 0:31:18.760
<v Speaker 2>if I had a body like that, I probably would do.

0:31:19.840 --> 0:31:25.000
<v Speaker 1>Yeah. Probably don't get turned down very often. Rody and

0:31:25.120 --> 0:31:29.760
<v Speaker 1>Rachel are gonna put it together a performance. He's gonna

0:31:29.800 --> 0:31:30.080
<v Speaker 1>help her.

0:31:30.160 --> 0:31:33.600
<v Speaker 2>He's gonna dance with her, because you know, when you

0:31:33.680 --> 0:31:37.960
<v Speaker 2>want to prepare a performance for a dance teacher at

0:31:38.000 --> 0:31:41.920
<v Speaker 2>a musical theater university, the song you want to do

0:31:42.120 --> 0:31:43.160
<v Speaker 2>is Oops, I did it again?

0:31:44.280 --> 0:31:45.719
<v Speaker 1>Right, That's right?

0:31:45.800 --> 0:31:47.960
<v Speaker 2>You know that's the first thing that comes to mind

0:31:48.000 --> 0:31:48.320
<v Speaker 2>for sure.

0:31:48.400 --> 0:31:48.560
<v Speaker 1>Yeah.

0:31:49.560 --> 0:31:54.720
<v Speaker 2>What I will say about this number is that the

0:31:54.840 --> 0:32:00.360
<v Speaker 2>choreo fire adored the choreo, Those dancers are killing it.

0:32:02.720 --> 0:32:06.720
<v Speaker 2>Or the life flash light bulbs the flashlights Yes, which

0:32:06.800 --> 0:32:09.560
<v Speaker 2>is a number that I referenced when we first started

0:32:09.600 --> 0:32:13.240
<v Speaker 2>this podcast, that Zach Woodley had shown us. It's like,

0:32:13.560 --> 0:32:15.120
<v Speaker 2>I would love to do this one day, that's right

0:32:15.200 --> 0:32:20.920
<v Speaker 2>on this Yeah, season four here it is fossy that

0:32:21.080 --> 0:32:24.760
<v Speaker 2>flashlight number. I love like coming with the smoke, you know,

0:32:24.840 --> 0:32:26.840
<v Speaker 2>in the very beginning of it, like all of it

0:32:27.000 --> 0:32:29.360
<v Speaker 2>is very reminiscent of that and love that got to

0:32:29.560 --> 0:32:32.560
<v Speaker 2>pay tribute to that, which is like really really cool totally.

0:32:35.680 --> 0:32:37.560
<v Speaker 1>But at the end of this number, Cassandra says that

0:32:37.680 --> 0:32:40.880
<v Speaker 1>Brody is like fine, but Rachel's really bad still, and

0:32:41.120 --> 0:32:44.800
<v Speaker 1>Rachel goes adder in a very inappropriate way for a

0:32:44.880 --> 0:32:50.040
<v Speaker 1>teacher although the teacher, let's be real, Cassandra is mean. Yeah.

0:32:51.280 --> 0:32:55.040
<v Speaker 1>I I like the dynamic though, Like we talked about

0:32:55.080 --> 0:32:58.680
<v Speaker 1>where this is. This is Rachel's dream and like it's

0:32:58.760 --> 0:33:01.200
<v Speaker 1>not coming easy, Like this is not her being the

0:33:01.280 --> 0:33:04.120
<v Speaker 1>cream of the crop anymore. She is down in the

0:33:04.200 --> 0:33:08.080
<v Speaker 1>trenches trying to figure out how to like find out

0:33:08.120 --> 0:33:12.000
<v Speaker 1>who where she fits in this industry. And I appreciate

0:33:13.880 --> 0:33:17.840
<v Speaker 1>both characters, Like there's I'm sure the teachers like Cassandra,

0:33:18.040 --> 0:33:22.440
<v Speaker 1>maybe not as crude as her or as mean, but

0:33:22.720 --> 0:33:25.960
<v Speaker 1>I do believe that there are teachers like that. I've

0:33:26.000 --> 0:33:30.280
<v Speaker 1>seen them, I've experienced them, and so it's really building

0:33:30.440 --> 0:33:33.880
<v Speaker 1>Rachel's backbone. But Rachel coming back at her not so good.

0:33:34.520 --> 0:33:38.640
<v Speaker 2>No, And I do have to say Cassandra's point afterwards,

0:33:38.680 --> 0:33:42.640
<v Speaker 2>and Rachel comes back to apologize is super valid, Like

0:33:42.840 --> 0:33:46.440
<v Speaker 2>if you try if someone was recording that, right, and

0:33:46.560 --> 0:33:48.200
<v Speaker 2>that would be out there in the world, like it

0:33:48.240 --> 0:33:53.840
<v Speaker 2>happened to her, right, Yes, because you didn't get your way. Yeah,

0:33:53.840 --> 0:33:55.760
<v Speaker 2>because I don't think you're sex seeing that, like get

0:33:55.800 --> 0:33:59.640
<v Speaker 2>over exactly. You're a freshman, that's right. And then Rachel saying,

0:33:59.680 --> 0:34:02.800
<v Speaker 2>like you're jealous of me though that's not good. No,

0:34:02.960 --> 0:34:07.640
<v Speaker 2>it's not a responsible way to respond or react. No,

0:34:08.360 --> 0:34:11.040
<v Speaker 2>but Rachel has always lived in the delusion of like

0:34:11.560 --> 0:34:14.960
<v Speaker 2>the drag delusion. Yes, oh, yes, she thinks she is

0:34:15.080 --> 0:34:16.640
<v Speaker 2>something that she is not yet.

0:34:16.760 --> 0:34:19.160
<v Speaker 1>No, you're right, you're right.

0:34:20.160 --> 0:34:23.040
<v Speaker 2>There's a beautiful it's probably my favorite to be nerdy

0:34:23.080 --> 0:34:26.800
<v Speaker 2>here for a second. It's like my favorite like frame

0:34:27.000 --> 0:34:29.680
<v Speaker 2>of the episode. When Rachel goes to set up to

0:34:29.719 --> 0:34:32.640
<v Speaker 2>do oops, I did it again. There's a shot of

0:34:33.880 --> 0:34:38.080
<v Speaker 2>Kate Hudson sitting down to watch and it's like from

0:34:38.160 --> 0:34:41.120
<v Speaker 2>below her looking up at her and she's just like

0:34:41.200 --> 0:34:44.920
<v Speaker 2>watching everybody get ready. It's like two seconds long, but

0:34:45.200 --> 0:34:48.520
<v Speaker 2>it is so beautiful. I don't know why I frozen

0:34:48.760 --> 0:34:50.799
<v Speaker 2>and like went back again to look at it because

0:34:50.840 --> 0:34:54.720
<v Speaker 2>it looks it looks like a film. Yeah, like everything's

0:34:54.800 --> 0:34:55.480
<v Speaker 2>lip beautifully.

0:34:56.320 --> 0:35:01.239
<v Speaker 1>Can we talk about the loft, well, yeah, okay, it's

0:35:03.200 --> 0:35:06.880
<v Speaker 1>it's it's like friends where there has to be some

0:35:07.000 --> 0:35:10.880
<v Speaker 1>mysterious story where they inherited the apartment from their grandma

0:35:11.080 --> 0:35:16.920
<v Speaker 1>and it's rend controlled because this giant loft, I don't know.

0:35:17.600 --> 0:35:19.880
<v Speaker 1>And then they build in it, like they build like

0:35:20.040 --> 0:35:23.719
<v Speaker 1>the wall, like the bookshelves reconstructions in it, and it's

0:35:24.640 --> 0:35:28.520
<v Speaker 1>I mean their parents but like Burt must be helping, date,

0:35:28.600 --> 0:35:31.800
<v Speaker 1>Rachel's dads must be helping. There's no way, it's like

0:35:32.440 --> 0:35:35.719
<v Speaker 1>and it's that far from the university, yeah, I mean,

0:35:35.760 --> 0:35:40.120
<v Speaker 1>I guess you could take a quick forty five minutes. Yeah,

0:35:40.160 --> 0:35:43.239
<v Speaker 1>I don't. I don't know why they chose that it's

0:35:43.360 --> 0:35:45.520
<v Speaker 1>cheaper in Bushwick, I guess, but not it's like cheaper

0:35:45.560 --> 0:35:50.560
<v Speaker 1>than the city. But it's not that cheap, no, And

0:35:50.640 --> 0:35:51.560
<v Speaker 1>then they're painting it.

0:35:53.120 --> 0:35:54.239
<v Speaker 2>Very slowly, the brick.

0:35:54.840 --> 0:36:02.719
<v Speaker 1>They're painting the brick. It's so funny, uh, I I

0:36:02.800 --> 0:36:06.200
<v Speaker 1>mean I like that loft and they're riding bikes in.

0:36:06.200 --> 0:36:11.360
<v Speaker 2>It, right, that was funny it's just so gigantic. And

0:36:11.440 --> 0:36:13.440
<v Speaker 2>also it's like, how dare you paint over this beautiful?

0:36:15.320 --> 0:36:18.520
<v Speaker 1>Why would you do that? Well, they have to because

0:36:18.520 --> 0:36:18.799
<v Speaker 1>they have to.

0:36:18.800 --> 0:36:24.400
<v Speaker 2>Paint over fin, right. I love how Brody comes in

0:36:25.280 --> 0:36:28.560
<v Speaker 2>with these flowers, like they're talking about is it dangerous?

0:36:29.280 --> 0:36:30.680
<v Speaker 2>And then Kurt is like, I'm gonna go out and

0:36:30.719 --> 0:36:34.799
<v Speaker 2>get caked by myself anyway. Then and Brody spends forty

0:36:34.840 --> 0:36:36.920
<v Speaker 2>five minutes getting there and is there for the solid

0:36:37.000 --> 0:36:39.160
<v Speaker 2>ninety seconds and.

0:36:39.239 --> 0:36:41.279
<v Speaker 1>Then they paint over the fin.

0:36:42.719 --> 0:36:46.600
<v Speaker 2>Yeah, Brody is confident. He doesn't even care that Fin's

0:36:46.600 --> 0:36:52.320
<v Speaker 2>painted on the wall. Clearly he knows, he knows. Speaking

0:36:52.360 --> 0:36:57.839
<v Speaker 2>of delusion, he also is just like unbridled confidence came

0:36:57.880 --> 0:36:58.440
<v Speaker 2>out of nowhere.

0:36:59.120 --> 0:37:01.279
<v Speaker 1>I don't know what to do with Brodie yet, Like

0:37:01.400 --> 0:37:03.759
<v Speaker 1>I as a viewer, I don't. I don't know how

0:37:03.840 --> 0:37:09.160
<v Speaker 1>I feel about Brody. I liked Rachel turning him down, right,

0:37:09.320 --> 0:37:12.560
<v Speaker 1>which is a signal that we don't we're not fully

0:37:12.640 --> 0:37:13.640
<v Speaker 1>convinced on Brody.

0:37:15.120 --> 0:37:18.640
<v Speaker 2>Yeah, and like she's Rachel even though she's in New York,

0:37:18.880 --> 0:37:22.200
<v Speaker 2>she's still Rachel right, Like she hasn't abandoned all of

0:37:22.320 --> 0:37:27.560
<v Speaker 2>her Rachel miss yes, which is nice because you hate

0:37:27.560 --> 0:37:30.520
<v Speaker 2>to see like such a big pet peeve for all

0:37:30.560 --> 0:37:32.960
<v Speaker 2>of a sudden, this character that you know and I

0:37:33.440 --> 0:37:37.200
<v Speaker 2>love over all these years, and you see a character

0:37:37.280 --> 0:37:40.759
<v Speaker 2>abandon all their principles really quickly and easily, Like, wait,

0:37:40.880 --> 0:37:42.680
<v Speaker 2>why would that person do that? I've just watched them

0:37:42.719 --> 0:37:46.359
<v Speaker 2>for three seasons. We can't that does not happen.

0:37:47.040 --> 0:37:51.879
<v Speaker 1>Yeah, I enjoyed the Cassandra Rachel makeup scene. You talked

0:37:51.920 --> 0:37:54.520
<v Speaker 1>to Kate Hanson recently. I did. I went on Kate's podcast,

0:37:54.800 --> 0:37:59.320
<v Speaker 1>Sibling RELRII and she does it with her brother and

0:38:00.280 --> 0:38:02.279
<v Speaker 1>at the very top we talked about Glee. I think

0:38:02.320 --> 0:38:05.120
<v Speaker 1>we should share some of these clips because she she

0:38:05.320 --> 0:38:08.160
<v Speaker 1>does spill the tea. Yeah, I want to know.

0:38:08.320 --> 0:38:10.680
<v Speaker 2>It was a really great interview. Everyone should go listen

0:38:10.719 --> 0:38:13.319
<v Speaker 2>to it. But she got to talk about Cassandra July

0:38:13.400 --> 0:38:13.719
<v Speaker 2>a bunch.

0:38:13.920 --> 0:38:15.480
<v Speaker 1>I am.

0:38:16.840 --> 0:38:21.720
<v Speaker 2>A Glee alum, and I'm a Glee a lump.

0:38:22.400 --> 0:38:26.120
<v Speaker 3>I played Cassandra July actually, honestly one of the most

0:38:26.200 --> 0:38:27.879
<v Speaker 3>fun characters I've.

0:38:27.800 --> 0:38:32.160
<v Speaker 6>Played because she was so mean and she's like a

0:38:32.280 --> 0:38:35.719
<v Speaker 6>dance teacher. Yeah, I was a dance dance teacher and

0:38:35.840 --> 0:38:39.400
<v Speaker 6>I taught Liam Michelle. She was my student and I

0:38:39.600 --> 0:38:43.160
<v Speaker 6>just it was really nasty. It was fun and we

0:38:43.280 --> 0:38:44.520
<v Speaker 6>had fun. Lee and I had switched fun.

0:38:45.800 --> 0:38:48.759
<v Speaker 2>Everybody loves playing a villain. There has to be so

0:38:48.880 --> 0:38:51.400
<v Speaker 2>much when you come into the show and you just

0:38:51.520 --> 0:38:54.319
<v Speaker 2>get to like roast someone and like be sexy while

0:38:54.400 --> 0:38:55.920
<v Speaker 2>doing it, Like she always looked.

0:38:55.880 --> 0:38:56.719
<v Speaker 1>So good.

0:38:58.160 --> 0:38:58.720
<v Speaker 2>In Furious.

0:38:58.800 --> 0:39:02.080
<v Speaker 1>She said that this was a very dramatic set, which

0:39:02.160 --> 0:39:05.160
<v Speaker 1>I then was like, my jaw was a gape because

0:39:05.200 --> 0:39:08.520
<v Speaker 1>I was like, what do you mean, Like just for

0:39:08.640 --> 0:39:11.479
<v Speaker 1>somebody to like outright say like it was a dramatic set,

0:39:11.520 --> 0:39:16.720
<v Speaker 1>I was like, is that real? Okay, we had some drama,

0:39:16.880 --> 0:39:19.440
<v Speaker 1>We were dramatic. But I don't think she meant in

0:39:19.520 --> 0:39:21.320
<v Speaker 1>like a bad way. I think she just meant like,

0:39:22.360 --> 0:39:25.399
<v Speaker 1>there's a lot of personality, and it's there's a lot

0:39:25.520 --> 0:39:31.360
<v Speaker 1>happening all the time. It was a very dramatic set.

0:39:33.600 --> 0:39:36.960
<v Speaker 3>Well, you know, when you've got all of those personalities

0:39:37.120 --> 0:39:40.160
<v Speaker 3>and all those all of those all that talent.

0:39:40.280 --> 0:39:44.719
<v Speaker 1>And all that youth, you know, a lot of hormones, Yes,

0:39:45.080 --> 0:39:49.680
<v Speaker 1>a lot of hormones. Definitely, it's useful young.

0:39:51.640 --> 0:39:55.160
<v Speaker 5>Yes, do you have to do you have to watch

0:39:55.239 --> 0:39:58.759
<v Speaker 5>what you say, you know, because obviously you can't expose

0:39:58.840 --> 0:40:02.359
<v Speaker 5>and reveal every So how do you manage? Yes?

0:40:02.600 --> 0:40:03.879
<v Speaker 6>Can you can?

0:40:04.520 --> 0:40:08.600
<v Speaker 1>Don't be like me? We don't we really, you know,

0:40:08.680 --> 0:40:10.560
<v Speaker 1>I say to Kevin a lot. Look, that's not our

0:40:10.600 --> 0:40:14.080
<v Speaker 1>story to tell. I tell it from my perspective, his perspective.

0:40:15.200 --> 0:40:20.040
<v Speaker 1>We try to be kind about it because I will

0:40:20.080 --> 0:40:22.799
<v Speaker 1>be honest, like, we were all very close, and yes,

0:40:22.880 --> 0:40:24.600
<v Speaker 1>we all have our squabbles and there's all things, but

0:40:24.719 --> 0:40:27.440
<v Speaker 1>we really were a family and it was easier to

0:40:27.520 --> 0:40:30.560
<v Speaker 1>get along than it wasn't so as dramatic as it

0:40:31.239 --> 0:40:34.000
<v Speaker 1>as it was. And I'm so that's so interesting thing

0:40:34.120 --> 0:40:37.719
<v Speaker 1>you say that, Kate, there was just there's so many

0:40:37.760 --> 0:40:40.120
<v Speaker 1>moving parts of our show and so many cast members

0:40:40.200 --> 0:40:41.640
<v Speaker 1>and so many personalities.

0:40:42.080 --> 0:40:45.400
<v Speaker 3>I think it's because you guys were so close, you know,

0:40:45.600 --> 0:40:48.480
<v Speaker 3>and the show was so huge, so you're all this

0:40:48.680 --> 0:40:53.320
<v Speaker 3>like young little family. And then of course inside of it,

0:40:53.680 --> 0:40:58.719
<v Speaker 3>it's like, yes, you know you're gonna have like all

0:40:58.840 --> 0:41:01.160
<v Speaker 3>the stuff that comes with the Other thing is you

0:41:01.280 --> 0:41:04.200
<v Speaker 3>had extraordinary talent on that show.

0:41:04.520 --> 0:41:04.959
<v Speaker 1>It's true.

0:41:05.360 --> 0:41:07.799
<v Speaker 3>And let me tell you something. There's a reason why

0:41:07.960 --> 0:41:12.440
<v Speaker 3>very talented people are can be sometimes challenging people to

0:41:12.560 --> 0:41:16.480
<v Speaker 3>work with, because they can be uncompromising, They really believe

0:41:16.520 --> 0:41:19.400
<v Speaker 3>in themselves, they know what they have to offer, and

0:41:19.600 --> 0:41:23.120
<v Speaker 3>so you know, you get that all of that in

0:41:23.280 --> 0:41:26.360
<v Speaker 3>one room, and it's there's gonna be some you know,

0:41:26.600 --> 0:41:27.720
<v Speaker 3>fun drama.

0:41:28.200 --> 0:41:30.680
<v Speaker 1>That's right. We were working hard too, and you got

0:41:30.719 --> 0:41:32.200
<v Speaker 1>to see a little bit of the machine and the

0:41:32.280 --> 0:41:35.360
<v Speaker 1>way it worked and how much how much time we

0:41:35.480 --> 0:41:38.799
<v Speaker 1>really did spend together. I mean, we saw each other

0:41:38.920 --> 0:41:40.680
<v Speaker 1>more than we saw our own families.

0:41:41.400 --> 0:41:45.200
<v Speaker 2>She brings up a very good point, very good point,

0:41:45.239 --> 0:41:48.040
<v Speaker 2>and as somebody who has been working like her entire life, yes,

0:41:48.120 --> 0:41:52.400
<v Speaker 2>but everybody is young. There wasn't necessarily a lot of ego,

0:41:52.600 --> 0:41:56.320
<v Speaker 2>but it was like talent people. Yes, there was a

0:41:56.400 --> 0:41:58.200
<v Speaker 2>lot of talent. And by season four it was like

0:41:58.280 --> 0:42:01.359
<v Speaker 2>everybody knew what the show was, where we all fit

0:42:01.840 --> 0:42:04.719
<v Speaker 2>within the show, what we were bringing to the show

0:42:04.880 --> 0:42:08.360
<v Speaker 2>and to those characters, and felt protective over it. And

0:42:08.480 --> 0:42:10.960
<v Speaker 2>I feel like when you walk into if you go

0:42:11.080 --> 0:42:15.560
<v Speaker 2>to a new boyfriend or girlfriend's house for Thanksgiving and

0:42:15.680 --> 0:42:19.239
<v Speaker 2>you see the family, hm, maybe from the outside looks

0:42:19.320 --> 0:42:22.400
<v Speaker 2>like fighting or squabbling or picking on each other. Sometimes

0:42:22.440 --> 0:42:24.800
<v Speaker 2>that's just how a family is and it's completely healthy

0:42:24.920 --> 0:42:25.880
<v Speaker 2>and normal and fine.

0:42:26.040 --> 0:42:26.840
<v Speaker 1>And I feel like.

0:42:28.400 --> 0:42:30.120
<v Speaker 2>Or I wonder if that's what it sort of looked

0:42:30.200 --> 0:42:33.560
<v Speaker 2>like sometimes with people coming in looking at us because

0:42:33.600 --> 0:42:35.560
<v Speaker 2>we were so close that we weren't getting mad at

0:42:35.560 --> 0:42:37.360
<v Speaker 2>each other, that we not talk at the end of

0:42:37.400 --> 0:42:40.200
<v Speaker 2>the day, if we had big personalities, Like yeah, but

0:42:40.280 --> 0:42:42.160
<v Speaker 2>we all love each other and we know that, and

0:42:42.280 --> 0:42:47.440
<v Speaker 2>so nobody's actually like being super dramatic or like exactly

0:42:47.600 --> 0:42:48.720
<v Speaker 2>fighting or any.

0:42:48.560 --> 0:42:51.320
<v Speaker 1>Of that, just like really people really advocating and holding

0:42:51.360 --> 0:42:52.080
<v Speaker 1>their ground.

0:42:52.520 --> 0:42:54.520
<v Speaker 2>And we were learning that probably by season four two

0:42:54.600 --> 0:42:57.560
<v Speaker 2>we felt sure much more confident in our own voice

0:42:57.760 --> 0:42:58.840
<v Speaker 2>on and off set.

0:42:58.719 --> 0:43:02.560
<v Speaker 1>For sure. And then there's another clip that key she

0:43:02.680 --> 0:43:06.080
<v Speaker 1>talks about like being a seeing the machine and like

0:43:06.200 --> 0:43:09.240
<v Speaker 1>being a part of it on our show where you worked,

0:43:09.719 --> 0:43:12.320
<v Speaker 1>like was it a were there really long days for

0:43:12.440 --> 0:43:14.919
<v Speaker 1>you or was it a little bit? Yeah, yeah, yeah

0:43:15.680 --> 0:43:16.319
<v Speaker 1>it was pretty cool.

0:43:16.400 --> 0:43:19.239
<v Speaker 3>Yes, they were very long days, but you know, I

0:43:19.760 --> 0:43:22.800
<v Speaker 3>was you know, I was just a guest star, so

0:43:23.960 --> 0:43:25.880
<v Speaker 3>you know, but I did get a good sense of

0:43:26.000 --> 0:43:32.360
<v Speaker 3>the energy and everything on that's on the set. And

0:43:34.040 --> 0:43:36.560
<v Speaker 3>I worked with two different directors, three different directors, I think,

0:43:37.400 --> 0:43:43.200
<v Speaker 3>and one who worked really fast, one who was more

0:43:43.360 --> 0:43:49.160
<v Speaker 3>thoughtful in his approach that I really appreciated the one

0:43:49.200 --> 0:43:52.120
<v Speaker 3>who took a little bit longer because he was so cinematic.

0:43:54.160 --> 0:43:56.360
<v Speaker 3>But I could also tell that people who were working

0:43:56.560 --> 0:43:58.760
<v Speaker 3>all the time were just like, oh my god, please

0:43:58.840 --> 0:44:00.960
<v Speaker 3>move please, can we just go home?

0:44:02.040 --> 0:44:04.400
<v Speaker 1>Because I came in like I came in like this

0:44:04.560 --> 0:44:05.359
<v Speaker 1>is fantastic.

0:44:05.480 --> 0:44:07.400
<v Speaker 3>This guy's amazing. He was like, oh my god, I know,

0:44:07.520 --> 0:44:10.960
<v Speaker 3>but we just want to get it right right, the

0:44:11.000 --> 0:44:13.480
<v Speaker 3>grumbling from the crew, the hair make yeah, there was

0:44:14.280 --> 0:44:19.160
<v Speaker 3>got our fourteen. What I was surprised by was I

0:44:19.239 --> 0:44:22.760
<v Speaker 3>thought I would have way more time to rehearse the dancing,

0:44:23.560 --> 0:44:25.680
<v Speaker 3>and like I went in it was like okay, and

0:44:25.800 --> 0:44:27.960
<v Speaker 3>I learned the routine and then we were like shooting

0:44:28.040 --> 0:44:30.160
<v Speaker 3>it the next day and I was like that I

0:44:30.239 --> 0:44:33.800
<v Speaker 3>haven't danced. I know, I hadn't like danced in a

0:44:33.920 --> 0:44:37.360
<v Speaker 3>long time. So I was like, fuck, I'm I'm really

0:44:37.920 --> 0:44:40.920
<v Speaker 3>it was. It was it was like being thrown into

0:44:40.960 --> 0:44:43.279
<v Speaker 3>the fire bit but you know, I don't know, I

0:44:43.400 --> 0:44:45.279
<v Speaker 3>love it. I love being thrown into the fire. And

0:44:45.960 --> 0:44:49.239
<v Speaker 3>and we had such good numbers and it was so great,

0:44:49.600 --> 0:44:51.400
<v Speaker 3>and and Brett and and Brad was there.

0:44:51.440 --> 0:44:52.480
<v Speaker 1>I love Brad so much.

0:44:52.960 --> 0:44:58.000
<v Speaker 3>Fu yeah, yeah, always looking at always looking out just

0:44:58.200 --> 0:45:00.319
<v Speaker 3>so cares for everybody so much.

0:45:00.440 --> 0:45:04.800
<v Speaker 1>And yeah, that's Brad Felcherk, one of the one of

0:45:04.840 --> 0:45:08.040
<v Speaker 1>the creators of We And yeah, answer exerience.

0:45:08.480 --> 0:45:10.759
<v Speaker 5>Just someone knows. I'm an actor too. When I get

0:45:10.800 --> 0:45:14.560
<v Speaker 5>a show called Screen Queens with Murphy and feltcha. There

0:45:14.680 --> 0:45:16.920
<v Speaker 5>was a day she came up to me. Sorry for

0:45:16.920 --> 0:45:21.600
<v Speaker 5>I'm repeating myself, but she clearly thrived in that type

0:45:21.640 --> 0:45:24.279
<v Speaker 5>of environment because she came up to me super calm,

0:45:24.320 --> 0:45:28.839
<v Speaker 5>and she was just like, Hey, so, like, I learned

0:45:28.880 --> 0:45:31.600
<v Speaker 5>this number yesterday, shooting it today.

0:45:32.600 --> 0:45:34.160
<v Speaker 1>It's very fast. Is this normal?

0:45:36.120 --> 0:45:36.319
<v Speaker 2>Really?

0:45:36.480 --> 0:45:36.680
<v Speaker 5>Yeah?

0:45:36.760 --> 0:45:39.719
<v Speaker 2>Yeah, yeah, sometimes you learn it the same day and

0:45:39.800 --> 0:45:41.600
<v Speaker 2>you probably recorded it the day before that. She's like

0:45:41.680 --> 0:45:44.520
<v Speaker 2>yeah exactly. She's like, okay, so this is normal. It's like, yeah,

0:45:44.600 --> 0:45:46.000
<v Speaker 2>there's just so much to get through and do.

0:45:46.160 --> 0:45:48.920
<v Speaker 1>And it's probably her being like either like are we

0:45:49.000 --> 0:45:52.360
<v Speaker 1>all just behind or and does everybody get this treatment?

0:45:52.520 --> 0:45:54.160
<v Speaker 1>Or do I have to like stand out for myself

0:45:54.200 --> 0:45:55.000
<v Speaker 1>and ask for more time?

0:45:56.160 --> 0:45:56.279
<v Speaker 5>Right?

0:45:56.320 --> 0:45:58.000
<v Speaker 1>Do you know what I mean? Yes?

0:45:58.680 --> 0:46:01.799
<v Speaker 2>And she wasn't panicked about it. She was so cool,

0:46:02.000 --> 0:46:05.520
<v Speaker 2>great and calm about it. And I remember exactly where

0:46:05.560 --> 0:46:08.080
<v Speaker 2>we were standing, like right on the you know, the

0:46:08.160 --> 0:46:13.040
<v Speaker 2>steps of the first stage, and she was like, okay, okay, great.

0:46:13.400 --> 0:46:13.600
<v Speaker 1>Yeah.

0:46:13.719 --> 0:46:15.560
<v Speaker 2>I think it was exactly that I wanted to make

0:46:15.600 --> 0:46:18.080
<v Speaker 2>sure she was getting the same Ye was on the

0:46:18.080 --> 0:46:22.200
<v Speaker 2>same everybody's yeah there. Well it was fun to talk

0:46:22.280 --> 0:46:24.200
<v Speaker 2>about I wasn't expecting to talk to her about the

0:46:24.239 --> 0:46:25.920
<v Speaker 2>show at all, and like right off the gate we

0:46:26.000 --> 0:46:27.320
<v Speaker 2>were just talking about Glee. So I thought that was

0:46:27.320 --> 0:46:29.040
<v Speaker 2>really fun. I'm glad she liked it. I'm glad she

0:46:29.040 --> 0:46:30.799
<v Speaker 2>had a good experience. Yeah, I mean she was great.

0:46:30.960 --> 0:46:31.839
<v Speaker 1>She was really really great.

0:46:32.000 --> 0:46:33.759
<v Speaker 2>I wish we got to work with her more or

0:46:33.800 --> 0:46:37.359
<v Speaker 2>at all, but also like what a great energy on set. Yes,

0:46:37.840 --> 0:46:40.400
<v Speaker 2>like she we only got to hang out with her

0:46:41.920 --> 0:46:44.360
<v Speaker 2>at base camp really because we didn't obviously work with her,

0:46:44.480 --> 0:46:48.480
<v Speaker 2>you and I, but just so cool and like wanted

0:46:48.520 --> 0:46:53.520
<v Speaker 2>to hang out, wanted to talk to people, yeah, which

0:46:53.520 --> 0:46:56.480
<v Speaker 2>is just really appreciated, you know, and like asking those questions,

0:46:56.560 --> 0:47:00.080
<v Speaker 2>trying to figure out the lay of the land, and

0:47:00.560 --> 0:47:02.480
<v Speaker 2>came in with like an enormous amount of respect for it,

0:47:02.600 --> 0:47:03.719
<v Speaker 2>which was really nice.

0:47:04.000 --> 0:47:16.960
<v Speaker 1>She's a pro. Do you want to grade the performances? Absolutely, Okay,

0:47:17.280 --> 0:47:21.279
<v Speaker 1>let's do hold it against me. A plus plus yeah,

0:47:22.520 --> 0:47:23.680
<v Speaker 1>boy's boyfriend.

0:47:26.120 --> 0:47:32.560
<v Speaker 7>B plus A same yeah, B plus okay, womanizer A

0:47:34.000 --> 0:47:39.719
<v Speaker 7>A minus yeah okay A no, no, I love it though, three.

0:47:41.280 --> 0:47:44.960
<v Speaker 1>Plus oh wow, okay, I hold it against me is

0:47:44.960 --> 0:47:49.000
<v Speaker 1>A plus exactly high standard to hold up to. Okay, crazy,

0:47:49.200 --> 0:47:56.720
<v Speaker 1>drive me crazy solid A I give it yeah or okay, oops,

0:47:58.280 --> 0:48:02.359
<v Speaker 1>B plus I think plus us okay, yes, overall, it's

0:48:02.440 --> 0:48:06.080
<v Speaker 1>really cool. What are we basing this off of? Though?

0:48:06.600 --> 0:48:08.440
<v Speaker 2>Yeah, I mean, give me more is about the comedy

0:48:08.840 --> 0:48:13.760
<v Speaker 2>more A plus if you're judging everything.

0:48:14.960 --> 0:48:20.919
<v Speaker 1>Yeah, yeah, every time, because totally okay, great, she sounded great.

0:48:21.160 --> 0:48:30.400
<v Speaker 1>Let's get to TARTI takes okay, cringe moments okay, yeah, okay,

0:48:31.920 --> 0:48:36.800
<v Speaker 1>well let's just another cringe of since a running cringe

0:48:37.000 --> 0:48:40.359
<v Speaker 1>is making fun of Marley's mom. Still, we like we've

0:48:40.400 --> 0:48:44.800
<v Speaker 1>had enough to her face mind you, and and and

0:48:44.880 --> 0:48:47.040
<v Speaker 1>then and then I think the other one is the

0:48:49.800 --> 0:48:52.560
<v Speaker 1>the re enactment of the Britney moments, like I don't

0:48:52.560 --> 0:48:55.480
<v Speaker 1>know that. I guess we kind of need them, but

0:48:55.600 --> 0:48:58.080
<v Speaker 1>like you don't really I don't know, I actually don't know.

0:48:59.200 --> 0:49:01.440
<v Speaker 1>It just makes you comfortable a little bit, well, it

0:49:01.560 --> 0:49:08.879
<v Speaker 1>makes it makes me uncomfortable. Okay, yeah, I agree dance

0:49:08.960 --> 0:49:10.920
<v Speaker 1>move hold it against me?

0:49:12.040 --> 0:49:12.759
<v Speaker 2>Hold it against me?

0:49:12.880 --> 0:49:13.720
<v Speaker 1>I will say.

0:49:15.640 --> 0:49:18.520
<v Speaker 2>Honorable mention to the dancer and oopstate it again, who's

0:49:18.560 --> 0:49:21.880
<v Speaker 2>doing the splits as the tables are moving apart? Because

0:49:21.920 --> 0:49:29.000
<v Speaker 2>that was unbelievable, And I will say that womanizer moment

0:49:29.040 --> 0:49:31.719
<v Speaker 2>where like the camera tilts and like you guys are

0:49:31.760 --> 0:49:33.480
<v Speaker 2>like leaning. I don't know what the move is, but

0:49:33.600 --> 0:49:35.919
<v Speaker 2>it's great. It's I know which one you're talking about.

0:49:35.960 --> 0:49:39.080
<v Speaker 2>It's right in the top of the gym. Okay, yes,

0:49:39.480 --> 0:49:50.400
<v Speaker 2>uh the song three wow? Yeah, I don't know.

0:49:51.719 --> 0:49:56.560
<v Speaker 1>Come on, this is tough, all right. I guess I'll

0:49:56.560 --> 0:49:59.879
<v Speaker 1>go with three Hold it against me again? Pretty good?

0:50:00.800 --> 0:50:01.440
<v Speaker 1>Pretty up there.

0:50:03.960 --> 0:50:07.040
<v Speaker 2>Prop Oh, there's a lot of props in this episode,

0:50:07.080 --> 0:50:13.839
<v Speaker 2>all of Britney's tests, the cheetos in the song oh yeah.

0:50:14.320 --> 0:50:17.320
<v Speaker 2>Do you think Brittany has to like touch the Kiki

0:50:17.440 --> 0:50:20.239
<v Speaker 2>satana the whole thing, that whole thing. Oh my god,

0:50:20.320 --> 0:50:24.520
<v Speaker 2>Kiki Kiki. I completely forgot about Kiki.

0:50:24.840 --> 0:50:25.000
<v Speaker 5>Wait?

0:50:25.040 --> 0:50:25.719
<v Speaker 1>Did you catch that?

0:50:25.840 --> 0:50:27.759
<v Speaker 2>This is where I was wearing my glasses that want

0:50:27.840 --> 0:50:30.360
<v Speaker 2>prescriptions in my eyes like big oh, I didn't see it.

0:50:30.840 --> 0:50:32.600
<v Speaker 2>Some days I'd show up in my contacts and I'd

0:50:32.640 --> 0:50:36.399
<v Speaker 2>have to wear these other they were huge. Jenna would

0:50:36.520 --> 0:50:37.880
<v Speaker 2>lose it. She would be able to look at me

0:50:37.920 --> 0:50:41.760
<v Speaker 2>in the would be like literally google eyed. They were crazy.

0:50:41.840 --> 0:50:45.080
<v Speaker 2>So there's clearly a day I showed up here and

0:50:45.160 --> 0:50:47.080
<v Speaker 2>for some reason I was wearing my contacts and my

0:50:47.160 --> 0:50:50.120
<v Speaker 2>eyes looked so much. I love that, but it's sort

0:50:50.120 --> 0:50:51.759
<v Speaker 2>of worked during the Kiki thing because it's already a

0:50:51.800 --> 0:50:54.080
<v Speaker 2>weird scene. It is a very strange scene. But I

0:50:54.239 --> 0:50:54.920
<v Speaker 2>love that scene.

0:50:55.840 --> 0:50:56.319
<v Speaker 5>I do too.

0:50:57.160 --> 0:51:00.239
<v Speaker 2>And also it's like some of the show it feels like, okay,

0:51:00.360 --> 0:51:02.880
<v Speaker 2>this is based in reality ish, and then you have

0:51:03.000 --> 0:51:04.240
<v Speaker 2>like how does she have a Kiki?

0:51:04.920 --> 0:51:05.080
<v Speaker 3>Right?

0:51:05.320 --> 0:51:06.799
<v Speaker 1>Like? Where is Kiki coming from?

0:51:06.840 --> 0:51:07.360
<v Speaker 4>What is this?

0:51:07.760 --> 0:51:11.800
<v Speaker 1>This feels dystopian. There's a couple of really great quotes,

0:51:12.120 --> 0:51:14.080
<v Speaker 1>a lot of Brittany. I would like to give an

0:51:14.080 --> 0:51:18.280
<v Speaker 1>honorable mention quote to Figgins when he says, first and foremost,

0:51:18.360 --> 0:51:19.920
<v Speaker 1>I wish to address the rumor that I like to

0:51:19.960 --> 0:51:21.839
<v Speaker 1>be milked like a cow, because my breasts are filled

0:51:21.840 --> 0:51:27.640
<v Speaker 1>with delicious wholes of milk. That rumor is untrue. I

0:51:27.680 --> 0:51:32.320
<v Speaker 1>don't know where they came from, but I cackled, and

0:51:32.400 --> 0:51:34.600
<v Speaker 1>his delivery is just so good.

0:51:35.080 --> 0:51:40.640
<v Speaker 2>Always my name is Brittany is peers, and I finally

0:51:40.719 --> 0:51:44.160
<v Speaker 2>know how Jesus feels in his houseway of because I'm

0:51:44.200 --> 0:51:49.759
<v Speaker 2>at the top of the world. God has a lot.

0:51:50.000 --> 0:51:56.560
<v Speaker 1>She really does. I gosh, one of the other ones.

0:51:57.360 --> 0:52:02.600
<v Speaker 1>She says, what are you about to say for yourself? Brittany,

0:52:03.280 --> 0:52:05.160
<v Speaker 1>to quote the legends yourself? If I met me, I

0:52:05.200 --> 0:52:06.759
<v Speaker 1>would say quick clow and then I would think I

0:52:06.840 --> 0:52:09.200
<v Speaker 1>was a really nice girl. Sweet.

0:52:10.480 --> 0:52:12.840
<v Speaker 2>Yeah, that's me, and that's Santana, and that's Kurt and Rachel.

0:52:12.880 --> 0:52:18.319
<v Speaker 1>In Heaven, Oh, Brittany, just it's like a field day

0:52:18.360 --> 0:52:20.440
<v Speaker 1>for the writers to like have an episode where Brittany

0:52:20.520 --> 0:52:22.919
<v Speaker 1>is like losing her mind. I think we're good. Heaven

0:52:23.000 --> 0:52:26.000
<v Speaker 1>had so much fun performance. MVP goes to Heathern Morris.

0:52:27.040 --> 0:52:31.160
<v Speaker 2>I mean, obviously there's no other option. Okay, Jenna, shit,

0:52:31.200 --> 0:52:32.000
<v Speaker 2>we found on TikTok.

0:52:32.120 --> 0:52:32.360
<v Speaker 1>Let's go.

0:52:33.080 --> 0:52:37.319
<v Speaker 2>It's Taylor Swift but daddy, I love him. And it's

0:52:37.719 --> 0:52:43.239
<v Speaker 2>Glee clips. It's Glee. This has been Brittany in me

0:52:44.200 --> 0:52:48.719
<v Speaker 2>yes and then and everybody reacting to Oh, it's really good.

0:52:49.000 --> 0:52:52.680
<v Speaker 2>It feels like a really great TV trailer from the nineties.

0:52:53.000 --> 0:52:58.040
<v Speaker 2>Love Love Lesbian Gleek posted it. Thank you for posting

0:52:58.120 --> 0:53:04.759
<v Speaker 2>that it's so good. People are complaining that Rachel wasn't

0:53:04.800 --> 0:53:06.520
<v Speaker 2>included in it. I feel like we should just get

0:53:06.560 --> 0:53:09.800
<v Speaker 2>another version, obviously, because it's so good. So when I

0:53:09.880 --> 0:53:14.440
<v Speaker 2>make an extended version with Rachel's face, yes, when Brittany

0:53:14.480 --> 0:53:18.480
<v Speaker 2>says that she's having my baby, absolutely not, Oh my gosh,

0:53:19.280 --> 0:53:20.480
<v Speaker 2>that is Britney two point oh?

0:53:20.960 --> 0:53:24.160
<v Speaker 1>Well where and here we go? Off to the races

0:53:24.239 --> 0:53:26.560
<v Speaker 1>we go. It's season four. I hope you're enjoyed it.

0:53:27.440 --> 0:53:32.680
<v Speaker 1>I did. I did too, Yeah for sure, wacky kokie crazy,

0:53:32.840 --> 0:53:35.919
<v Speaker 1>but gotta love it pretty good. Just hold on because

0:53:36.320 --> 0:53:39.080
<v Speaker 1>it gets crazier. I'm not mad at season for you.

0:53:39.480 --> 0:53:43.719
<v Speaker 1>Me neither. All right, Well, thanks for joining us, and

0:53:43.880 --> 0:53:44.279
<v Speaker 1>before we.

0:53:44.320 --> 0:53:47.839
<v Speaker 2>Go, I have been traveling a bit lately, and I've

0:53:47.840 --> 0:53:49.640
<v Speaker 2>been meeting a lot of you out in the real world.

0:53:49.960 --> 0:53:52.640
<v Speaker 2>I r l who listened to the podcast, and so

0:53:52.800 --> 0:53:56.640
<v Speaker 2>many people are rewatching the show. I've met so many

0:53:56.719 --> 0:53:58.279
<v Speaker 2>people the past couple of weeks, and I just want

0:53:58.280 --> 0:54:00.000
<v Speaker 2>to say thank you to all of you who listen,

0:54:00.080 --> 0:54:03.080
<v Speaker 2>and thanks for telling your friends and your family or

0:54:03.120 --> 0:54:04.600
<v Speaker 2>your friends who don't even listen to this but are

0:54:04.640 --> 0:54:07.560
<v Speaker 2>rewatching it. It's great to meet these people. And talk

0:54:07.600 --> 0:54:10.480
<v Speaker 2>about it because now I have something to talk I

0:54:10.560 --> 0:54:14.000
<v Speaker 2>feel more knowledgeable now about the thing I was on at.

0:54:13.920 --> 0:54:16.880
<v Speaker 1>Some point, So come back next week. Thank you everybody,

0:54:17.040 --> 0:54:17.959
<v Speaker 1>that's what you really missed.

0:54:18.560 --> 0:54:21.640
<v Speaker 2>Thanks for listening, and follow us on Instagram at and

0:54:21.800 --> 0:54:24.040
<v Speaker 2>that's what you really miss pod. Make sure to write

0:54:24.080 --> 0:54:26.320
<v Speaker 2>us a review and leave us five stars. See you

0:54:26.360 --> 0:54:26.759
<v Speaker 2>next time.