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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what you Really miss podcast Season foe.

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Speaker 2: Oh my god, I forgot for a second.

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Speaker 1: I know we're moving our way through season four. We

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Speaker 1: are on episode two. This is special. It's Britney two

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Speaker 1: point zh Kevin.

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Speaker 2: Look, if we can get more Heather than great, that's

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Speaker 2: all good news.

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Speaker 1: I was surprised that we did this episode though. I

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Speaker 1: was surprised we were doing another Britney one like it

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Speaker 1: did so well. But I also was like, why are

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Speaker 1: we trying to fix something that's not broken?

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Speaker 2: But again, the first one was perfect.

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Speaker 1: In a way, and as we've learned a fan favorite.

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Speaker 1: This one is a little different. This one had some

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Speaker 1: mixed reactions from the public. Correct this did air directly

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Speaker 1: after If you remember, we're on a new night on Fox.

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Speaker 1: Now we're following one of Fox's new shows, The X Factor,

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Speaker 1: where Britney's a judge, and then this airs, and it.

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Speaker 2: Is not the glossy.

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Speaker 1: Brittany is perfect queen, which in reality is the truth

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Speaker 1: of what happened.

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Speaker 3: Right.

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Speaker 1: I don't think that we're making fun of her per se,

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Speaker 1: but it's definitely shining a light on the darker times,

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Speaker 1: which is why I think people weren't especially like Brittany

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Speaker 1: Camp wasn't thrilled my.

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Speaker 2: Guest and I think when it was just like we

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Speaker 2: were trying to like get her back on her feet

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Speaker 2: sort of thing. Yes, you know, and so it probably didn't.

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Speaker 2: But I think watching this back now, though, I feel

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Speaker 2: like there is a stronger message in there of the

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Speaker 2: resurgence and like we need to treat people with respect

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Speaker 2: and look behind, you know, the curtain of like what's

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Speaker 2: actually causing all of these issues through Brittany Es Pierce's character.

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Speaker 1: Yeah, agreed. Okay, well let's get into it because there's

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Speaker 1: a lot that happens. Yeah, okay. Well this aired on

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Speaker 1: September twentieth, twenty twelve. Wo wow, Okay.

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Speaker 2: Yeah. In the news, Jenna, the number one song in

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Speaker 2: the country was we Are Never Ever Getting Back Together

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Speaker 2: by t Swift.

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Speaker 1: Okay, and the number one movie was Resident Evil Retribution.

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Speaker 1: How did we not do that song on Glee? I

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Speaker 1: feel like I thought we did and then it was like, oh,

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Speaker 1: we didn't. Maybe I just didn't get approved. But it's

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Speaker 1: Max Martin. I feel like we've done other Max Martin songs,

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Speaker 1: I mean we I don't know. I actually don't know.

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Speaker 2: I don't know either, weird because that would have been.

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Speaker 1: A great one. It's perfectly toned to the show banger

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Speaker 1: Ye the Glee new does This Speak? September seventeenth, Glee

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Speaker 1: The Complete Seasons One to three Yearbook Edition was released

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Speaker 1: on DVD, featuring all sixty six episodes of seasons one, two,

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Speaker 1: and three on twenty discs. Oh my god, twenty discs.

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Speaker 1: What does that even mean? What does that look like?

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Speaker 1: That's crazy? It's a bible? Like what?

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Speaker 2: Oh isn't it also crazy? Though we're only halfway through

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Speaker 2: the show, and at some point in your life like, oh,

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Speaker 2: we've done sixty six episodes of television, right. I remember

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Speaker 2: growing up and just thinking about like, oh my god,

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Speaker 2: it'd be great to do one episode, or you get

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Speaker 2: on a TV show and do a couple episodes. Enabled

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Speaker 2: at this point to be like, we've done sixty six episodes, right,

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Speaker 2: and is really sure?

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Speaker 1: Continue to do yeah? A lot more? That's right.

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Speaker 2: On September eighteenth, Glee The Music Brady two point zero

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Speaker 2: was released. The EP featured eight tracks from this episode

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Speaker 2: and was released for digital download.

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Speaker 1: I got to say the music in this episode was

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Speaker 1: pretty great.

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Speaker 2: It was very great. Numbers, crazy crazy, this is very also,

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Speaker 2: I would just like to already at the end of

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Speaker 2: this episode says like Marley wants to do another Britney song,

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Speaker 2: and Alartie says, haven't we scraped the bottom of the

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Speaker 2: Britney barrel?

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Speaker 1: I haven't even touched it.

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Speaker 2: No, we're just getting started already.

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Speaker 1: Idiot, well, already run in his mouth again, like shut it.

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Speaker 1: Brittany just has like those albums, it's so dead. Yeah,

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Speaker 1: are you kidding me? Stupid? Okay. This was directed by

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Speaker 1: Alfonso Gomez Rajon makes a lot of sense, does make

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Speaker 1: a lot of sense.

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Speaker 2: Look, there's some shots in there. I'm like, this is crazy, clever.

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Speaker 1: Different, and uh, there's a lot of music. As we

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Speaker 1: were talking about hold It Against Me with with Brittany

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Speaker 1: and the Cheerios Boy's Boyfriend by Britney Spears and Justin

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Speaker 1: Bieber performed by Artie and Blene Womanizer.

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Speaker 2: Three Crazy, You Drive Me Crazy, mashup? Oops, I did

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Speaker 2: it again? Give me more every time. I do love

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Speaker 2: that song.

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Speaker 1: I love that song and I love Melissa's voice on

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Speaker 1: that phone. Yeah, there's a lot of fun facts about

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Speaker 1: this episode. So, this is the second Britney Spears tribute episode,

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Speaker 1: with the first being Brittany Brittany obviously and Britney Spears

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Speaker 1: and the Beatles are the only two artists or bands

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Speaker 1: to have two tribute episodes on Glee.

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Speaker 2: I think that's fair.

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Speaker 4: Yeah, she's up there with the Beatles in a lot

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Speaker 4: of ways in my book. Yeah, just like Brittany Brittany.

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Speaker 4: This episode is the second of the season. Both episodes

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Speaker 4: include Brittany the character singing a solo, Rachel singing a solo,

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Speaker 4: a same gender duet the last one was Me Against

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Speaker 4: the Music, which was so good, and a group number

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Speaker 4: with Brittany as the lead OVI.

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Speaker 1: Both episodes also include at least one song not by Spears,

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Speaker 1: so the last one being the only exception, which stuck

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Speaker 1: outlegas or Thom Boyfriend, which is obviously a mashup with

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Speaker 1: us and then crazy. Yeah working them into mashup makes

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Speaker 1: me and I'm fine with that, but yeah, so weird.

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Speaker 1: I don't know why. This is the first episode air

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Speaker 1: exactly a year after an episode from the previous season

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Speaker 1: aired and this episode. This episode aired on September twentieth,

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Speaker 1: twenty twelve and The Purple Piano Project aired on September twentieth.

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Speaker 2: Now that's the type of nerdy fun fact I love.

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Speaker 2: This episode features the first and only Brittany voiceover on

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Speaker 2: the show, like, you know, the inner monologue kind of things,

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Speaker 2: are you shocked?

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Speaker 5: Like?

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Speaker 1: And just in the effort, I believe that Brittany says

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Speaker 1: what she's what she's thinking all the time.

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Speaker 2: I guess you're right. But like, we all had voiceovers.

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Speaker 1: Yeah, I didn't have a time. I had a.

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Speaker 2: Few, but we all did it at some points. I

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Speaker 2: also am a big fan, you know of sort of

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Speaker 2: breaking the fourth wall addressing the audience. And I loved

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Speaker 2: when she gets stopped in the hall like Blaine, like,

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Speaker 2: what are you doing? I thought I was doing my voiceover.

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Speaker 1: At the time.

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Speaker 2: Axis Hollywood reporter Billy Bush allegedly spoke to Brittany's manager

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Speaker 2: and her team was quote livid over this episode and

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Speaker 2: the portrayal.

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Speaker 1: Well now, looking back, though, I think it was just

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Speaker 1: too soon. Was Brittany livid or was her team livid?

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Speaker 1: I don't know. Well, they were ruling her brand at

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Speaker 1: that point. They didn't want any of the bad stuff

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Speaker 1: to be coming out and Brittany's like whatever. Like, if

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Speaker 1: Brittany had an Instagram caption right now on her Instagram

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Speaker 1: about it, she'd probably be like, great, let them talk

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Speaker 1: about all this stuff that I went through right fair,

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Speaker 1: she wasn't running her camp. Yeah, Tina wear's the dress

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Speaker 1: she wore during You Can't Stop the Beat Again. You know,

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Speaker 1: this is around the time where we didn't have time

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Speaker 1: for fittings and so like sometimes they'd be like, pull

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Speaker 1: something from the arc is and every member of New

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Speaker 1: Directions present in the episode sings a solo. What an idea?

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Speaker 1: What a crazy idea that everybody gets a solo? Kevin,

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Speaker 1: how do.

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Speaker 2: You really feel? This is the first Tribute episode in

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Speaker 2: which Santana doesn't sing, and that's a crime.

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Speaker 1: That is a crime. Also, like seeing her.

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Speaker 2: Only via Skype or whatever it was, it's so weird.

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Speaker 2: It's freaking me out not having her or ran exactly properly.

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Speaker 1: Well, just you wait. This is the only episode in

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Speaker 1: which Cassandra appears but doesn't sing.

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Speaker 2: Kurt says that a video which was uploaded to YouTube

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Speaker 2: ended Cassandra July's career ten years ago. However, YouTube was

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Speaker 2: launched in two thousand and five seven years prior to

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Speaker 2: this episode, and also when YouTube was first launched, things

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Speaker 2: weren't going viral.

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Speaker 1: Right, right, right, it was a very different YouTube. Yeah. Interesting.

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Speaker 2: Yeah, so you want to hear the official Fox summary

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Speaker 2: for this.

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Speaker 1: I do.

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Speaker 2: I just love these I love them so much. Brittany

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Speaker 2: and Funk turns to the music at Britney Spears for inspiration.

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Speaker 2: Rachel struggles to adjust to life in New York City.

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Speaker 1: I just want to know who was writing these, if

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Speaker 1: it was the same person, if they were like really

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Speaker 1: busy at the time. And that's why we get like

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Speaker 1: these really short ones versus like we get like intricate,

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Speaker 1: longer planned out summaries. The episode, Brittany s peers our

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Speaker 1: Queen is kicked off the Cheerios and she's missing Santana.

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Speaker 1: Obviously we see her only on the screen. We're also

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Speaker 1: missing Santana and she's sent into a spiral. She's wearing

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Speaker 1: a world's great is the Greatest Grandma shirt from the

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Speaker 1: Loss Found The t shirt's great, the hair is great.

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Speaker 1: She looks insane and mister she was worried. He tries

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Speaker 1: to set her up with Emma. That seems crazy.

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Speaker 2: I mean, everyone's trying. This is where I think the

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Speaker 2: storyline helps the Britney Spears case of it all, where

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Speaker 2: we're seeing somebody have some sort of like mental health crisis.

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Speaker 2: She's not even at this point in the episode like

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Speaker 2: acting out. She's sort of done the opposite where she's

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Speaker 2: just resigned. She's given up fully like a depressive state. Yeah,

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Speaker 2: and we're trying to bring Britney back. Everybody's rooting for her.

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Speaker 2: Everybody knows how great she is, how smart and talented

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Speaker 2: she is. And it's sort of that fine line of

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Speaker 2: are we talking about Britney s Peers or we're talking

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Speaker 2: about Britney Spears.

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Speaker 1: Mister Shoe shockingly decides to do a last minute assignment,

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Speaker 1: choosing Britney two point zero week so that we can

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Speaker 1: help inspire Britney s Peers.

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Speaker 2: Right, could we hold it against me? Yeah, let's talk

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Speaker 2: about that. You have several gigantic numbers this episode. Something

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Speaker 2: really comes out with a bang and it is so good.

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Speaker 1: I'm there are a lot of good cheerio numbers, like

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Speaker 1: big numbers, but this is one of my favorites.

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Speaker 2: I think it's like a really refined yes, because if

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Speaker 2: you think of it like it's only.

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Speaker 1: Pro dancers yes, exactly doing pure pop, pure pop.

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Speaker 2: Choreography, people like with props, throwing things in the air.

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Speaker 2: I mean once you get to the auditorium. I feel

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Speaker 2: like every time there's musical member and it gets to

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Speaker 2: not the auditorium, sorry, the gym, you're like, oh, this

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Speaker 2: is about to be crazy. There's either going to be fire,

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Speaker 2: people are going to be on stilts, there's going to

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Speaker 2: be props.

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Speaker 1: And then Kitdti's in there too.

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Speaker 2: Yeah, she is straight off of Broadway and like killing it,

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Speaker 2: keeping up with her. So good, so good, it's so good.

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Speaker 2: I didn't I didn't remember that number.

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Speaker 1: Definitely didn't remember that. I didn't remember.

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Speaker 2: Was it felt like an actual music video, Like if

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Speaker 2: you took that out of context, I could just watch

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Speaker 2: that agreed, because it is very very good. Agreed, And

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Speaker 2: I think it's a good song for Heather to sing,

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Speaker 2: and she sounds great on it.

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Speaker 1: It's perfect.

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Speaker 6: Uh.

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Speaker 1: You guys also do a great number. Blaine and Artie

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Speaker 1: do a number based that is half Britney Spears. But

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Speaker 1: it's a really cool mashup boy's boyfriend.

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Speaker 2: It is a cool mashup.

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Speaker 1: Darren doing cheriography with.

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Speaker 2: You, Darren, And I never got to do. So this

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Speaker 2: is like the only time that was fun. It was fun.

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Speaker 2: It was nice to get to like sing and perform

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Speaker 2: with him. You guys, I had a fun time recording it.

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Speaker 2: Do you do like this mashup? At the time, I

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Speaker 2: was like, this is cool, this is fine. I like

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Speaker 2: it a lot more now. I wasn't the biggest fan

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Speaker 2: of either of those songs.

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Speaker 1: Same same. It's like, not my favorite Brittany song at all.

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Speaker 2: But no, and it was not my favorite just Beaver

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Speaker 2: song right exactly, but I think works better. Well, yeah, together,

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Speaker 2: they're better. Everything's better with a little Brittany.

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Speaker 1: What number is it where she decides she's gonna is

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Speaker 1: it that number where she decides she's going to shave

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Speaker 1: her head?

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Speaker 2: No?

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Speaker 1: No?

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Speaker 2: Yeah, Well this was another case of Tina's song never

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Speaker 2: gets to properly finish.

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Speaker 1: That's okay, This one that got its full moment. It

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Speaker 1: did like I was.

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Speaker 2: Like, don't cut it off, do not cut it off?

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Speaker 2: You like sing the last note and then yeah, yeah,

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Speaker 2: it's not revelation by any means. But three is really

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Speaker 2: fun too. In the choir room. I love that version.

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Speaker 2: It's so love singing it with them. I'd never I

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Speaker 2: hadn't sang with Samuel yet you all sounded so pretty together.

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Speaker 1: Thanks. I really liked that one. I forgot how much

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Speaker 1: I like that one. I know you liked that one,

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Speaker 1: but I was like, yeah, oh, okay, this is fun.

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Speaker 1: It was also different.

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Speaker 2: You can also tell by like how we're acting in

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Speaker 2: the as a viewer, in it as an audience, because

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Speaker 2: like we're all super into it.

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Speaker 1: We were also so good shooting that really late at night.

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Speaker 1: Do you remember that No, it was one of the

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Speaker 1: later numbers of the day. I have like video photos

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Speaker 1: of Heather and I in our out our like dresses,

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Speaker 1: and she's in that little like sweater sweatshirt over her

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Speaker 1: dress and we're like climbing up the walls. She's laying

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Speaker 1: underneath one of the golf carts inside of the stages,

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Speaker 1: and I was like, oh, it was one of the nights,

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Speaker 1: so we were all kind of like trying to keep

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Speaker 1: ourselves awake. It was one of those nights. So I

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Speaker 1: loved shooting three, loved recording that one. I was thrilled

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Speaker 1: to have multiple things to do in this episode. Obviously,

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Speaker 1: I was thrilled to do a Brittany episode. I didn't

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Speaker 1: have as much to do in the last Brittany episode.

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Speaker 1: So Tina's coming out again.

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Speaker 2: There does seem to be an opening, you know, now

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Speaker 2: that New York is happening, Tina is getting more of

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Speaker 2: a moment, making her way right in as she should.

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Speaker 1: We do three and then Brittany ends up like wanting

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Speaker 1: to shave her head and has the umbrella and then

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Speaker 1: reenacting the umbrella. Okay, So this is where I think

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Speaker 1: when I think about the Brittany camp and if they

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Speaker 1: were allegedly not that happy with this, it's re enacting

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Speaker 1: the real outside of her performance is entertainment side of things,

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Speaker 1: her personal life being attacked and then reenacted again and

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Speaker 1: in being glamorized. Right, That's where I think they would

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Speaker 1: be unhappy with. Why we are talking about the downfall

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Speaker 1: to hopefully the rise again. That's why I take on it.

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Speaker 2: I think there's I think this is one of two

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Speaker 2: examples of that in this episode. I think the other

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Speaker 2: one is Gimme More where Yes, it's a performance, but

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Speaker 2: you're yeah, right, it's pretty self explanatory the I do.

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Speaker 2: It's pretty funny though, watching Jbi get.

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Speaker 1: Beat up, Oh my gosh, it's crazy. Should we do

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Speaker 1: something like deserves just like standing around like it's been

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Speaker 1: very rude to us in the past. It's horrible. He

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Speaker 1: is the Pariz Hilton of William McKinley High. Yeah. I mean,

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Speaker 1: not that anybody's right exactly, but you know, I didn't

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Speaker 1: write it. It was nice to see.

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Speaker 2: Him getting his come up. And if you will, you know.

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Speaker 1: Yeah, yeah, yeah, yeah, right, yeah, karma comes back to

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Speaker 1: buy you.

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Speaker 2: And I also feel like, I feel like when these

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Speaker 2: things happen in real life, like celebrities seemingly like cracking, right,

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Speaker 2: all you see is that you only see the spectacle

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Speaker 2: of it. Not to make this more than it is,

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Speaker 2: but for the Brittany Espiers character, you know, the full

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Speaker 2: context of why she's doing this. You know, we've spent

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Speaker 2: three years building this character, and so we're able to

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Speaker 2: see empathize and sympathize with where she is in her journey,

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Speaker 2: right right, which is something we don't ever get to

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Speaker 2: see for the real Britney spears right right. And so

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Speaker 2: when she's beating up on JBI in the hallway, it's

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Speaker 2: not like, oh my god, this is crazy, this is horrible.

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Speaker 2: She's acting insane. Yeah, You're like, well, no, I see

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Speaker 2: why she's acting like this right, sure is this is

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Speaker 2: how she's handling it correct? No, but given the circumstances,

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Speaker 2: who is going to know how to literally react properly?

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Speaker 1: And so you do.

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Speaker 2: I do appreciate that aspect of it because I feel

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Speaker 2: like maybe that's the intention behind the episode.

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Speaker 1: I'm sure it was. I'm sure it was hopefully.

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Speaker 2: I'm just in my head, that's right. The episode.

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Speaker 1: Yeah, So we decide that we think Brittany should perform

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Speaker 1: the solo it the group at the group assembly.

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Speaker 2: She wants to be the star. She needs the attention.

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Speaker 1: Obviously, and it's Brittany. So we're just going to have

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Speaker 1: Brittany do it that number. The performance that Heather Morris

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Speaker 1: gives is unreal, world class, the faces she makes, the

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Speaker 1: cheato only.

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Speaker 2: Doing the backgrounds, the speaking parts while she's chewing. Okay,

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Speaker 2: have you seen there's a video that was going around

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Speaker 2: on social media recently. I believe it was the mom

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Speaker 2: was in the papas and they had to perform on

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Speaker 2: a TV show and they were told they had the

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Speaker 2: lip sync like it might've been Johnny Carson or something

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Speaker 2: like that, and one of the girls like took out

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Speaker 2: food and was they were furious he had the lip

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Speaker 2: sync and so she's eating during performances.

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Speaker 1: To be singing. That's funny.

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Speaker 2: I was like, this is exactly what's happening. Also, she

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Speaker 2: really gets the rest of the glee club to lip

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Speaker 2: sync very quickly, Like that doesn't take much convincing to

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Speaker 2: be like we need to lip sync and we're all like, no,

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Speaker 2: we don't do that.

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Speaker 1: Yeah, it's true. I also didn't realize that it was

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Speaker 1: like illegal to do that in the show choir world, Like,

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Speaker 1: obviously it's not a good thing to do, but I

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Speaker 1: didn't realize how much trouble we were going to get in.

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Speaker 1: And I don't think new directions to me that either.

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Speaker 1: But does that apply to like a school assembly if

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Speaker 1: you're doing it an official competition, obviously totally, but like

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Speaker 1: at your home school for performance, like an assembly performance.

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Speaker 2: Yeah, who's who's checking exactly?

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Speaker 1: Mister she is self reporting? That sucks.

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Speaker 2: Oh gosh, that was That was such a fun performance

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Speaker 2: to shoot.

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Speaker 1: It really was. It's well, it's fun when there's a

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Speaker 1: story going on and you don't really know there's a

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Speaker 1: story to tell and not just a performance and all

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Speaker 1: of a sudden acting it literally crazy and her bra like.

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Speaker 1: It's really good. It's a really really good at performance.

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Speaker 1: It's very funny.

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Speaker 2: I get why Britney's camp put of been offended by this,

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00:22:01,560 --> 00:22:03,960
Speaker 2: but it was it was also funny. I think it

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Speaker 2: was really really funny.

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Speaker 1: Yeah, but yes, I mean I think it's just funny

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Speaker 1: because Feather's primes like period okay, and then Sam's gonna

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Speaker 1: help her have a comeback. Just like so cute.

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Speaker 2: They're very like he was just like, I get what

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Speaker 2: you're doing.

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Speaker 4: The math.

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Speaker 2: Oh my god, it's here spelled wrong. All of Britney's

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Speaker 2: tests shout out to the Rainbow had to do all

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Speaker 2: the rainbow cran riding because that takes for it.

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Speaker 1: Does take forever. It's very funny though, very good. I

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Speaker 1: think that's probably Lee. Yeah, exactly, really really good. They're

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Speaker 1: really cute together. I forgot about them.

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Speaker 2: They are really cute.

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Speaker 1: Do they have a dating Do they date? I don't know.

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Speaker 2: I don't know.

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Speaker 1: Actually, all I know is next episode they have a

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Speaker 1: bunch of stuff as well. It's leading.

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Speaker 2: The common thing seems to be here is Chord.

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Speaker 1: What do you mean?

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Speaker 2: Chord just has chemistry with everyone. It's the best, Like

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Speaker 2: you put Cord in a scene with anyone and you're like, oh,

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Speaker 2: this is so enjoyable to watch.

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Speaker 1: He's the best.

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Speaker 2: You're right, he really is. Is like I love watching

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Speaker 2: him with Heather. I loved watching him.

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00:23:19,200 --> 00:23:25,680
Speaker 1: Exactly like he's great. Wow with Diana. Yes, yeah, it

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Speaker 1: was great. You're right, You're right. It is Cord. Chord

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Speaker 1: is the the connecting link, is the common denomination.

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Speaker 2: Is Also shout out to Chord's falsetto on three because

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Speaker 2: it was really pretty good. I'm always checking to say

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Speaker 2: he's playing the right guitar chords, usually making it look like, yeah.

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Speaker 1: It's Cord. He can play his guitar and his sleep. Okay.

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Speaker 1: Marley has a crush on Jake, as we've seen, and

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00:24:03,400 --> 00:24:08,120
Speaker 1: he's a womanizer. I guess Tina's talking to him, which

399
00:24:08,160 --> 00:24:13,040
Speaker 1: is hilarious, very funny, full smitten. And I remember this

400
00:24:13,200 --> 00:24:14,680
Speaker 1: was like the first time I had worked with him

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00:24:16,400 --> 00:24:18,320
Speaker 1: and so and we were just like chatting and he's

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00:24:18,359 --> 00:24:21,040
Speaker 1: like very you know, he's he's Jacob. He's quiet, but

403
00:24:21,119 --> 00:24:23,359
Speaker 1: he's like funny. So you're like, oh, you're funny and

404
00:24:23,560 --> 00:24:24,359
Speaker 1: you're unassuming.

405
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Speaker 2: And I didn't know that.

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Speaker 1: We'll learn that a lot about him later, but I

407
00:24:30,680 --> 00:24:32,720
Speaker 1: had such a fun time doing this because like I

408
00:24:32,800 --> 00:24:35,520
Speaker 1: got to really spend time with some of the new

409
00:24:35,760 --> 00:24:43,200
Speaker 1: crew and doing Womanizer in the stairway. I remember doing

410
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Speaker 1: it like a thousand times, and there was something with

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Speaker 1: the timing and then once we would get the timing right,

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00:24:50,600 --> 00:24:53,280
Speaker 1: somebody's lips and would be off and Loui Anne. This

413
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Speaker 1: was when Leu Anne started to and so she really

414
00:24:56,040 --> 00:24:58,600
Speaker 1: wanted to get things right and so and then you

415
00:24:58,680 --> 00:25:01,000
Speaker 1: have all Fonds on top of it, who likes a

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Speaker 1: lot of takes, and so I just remember doing those

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Speaker 1: stairs like a thousand times. And there's this back behind

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Speaker 1: the scenes photo that I have of all of us

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Speaker 1: standing around the monitor to make sure we did it right.

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Speaker 1: And I don't remember if it was because it was

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Speaker 1: in half speed or full speed, I don't remember, but

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Speaker 1: we did it a lot. We were on those stairs

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Speaker 1: for a while and it was only just like the

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Speaker 1: like five steps.

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Speaker 2: Oh my god, that sounds right. Yes, this number had

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Speaker 2: a lot of creative shots.

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00:25:31,119 --> 00:25:33,040
Speaker 1: Yes, it did a lot of peace and I.

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Speaker 2: Feel like it was like, oh, we're back in the

429
00:25:34,680 --> 00:25:37,520
Speaker 2: gymnasium again exactly, and I think you got to switch

430
00:25:37,600 --> 00:25:39,399
Speaker 2: it up because you're in some of the same location

431
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Speaker 2: to the camera's moving with Marley's head, which was nice.

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Speaker 2: I texted Alex yesterday and I was watching this like,

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Speaker 2: I you're saving me.

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Speaker 1: I love this number. I was like, I was just

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Speaker 1: there none, no, no, earlier were just there. You're all

436
00:25:57,680 --> 00:26:02,600
Speaker 1: of you together. Also, you look so little little, Yes, you're.

437
00:26:02,480 --> 00:26:04,760
Speaker 2: So short compared to Melissa and Alex.

438
00:26:06,560 --> 00:26:09,920
Speaker 1: That's true. We're in like sneakers too, so yes, it

439
00:26:10,080 --> 00:26:10,840
Speaker 1: was so cute.

440
00:26:11,760 --> 00:26:16,560
Speaker 2: I love like walking through like the library sacks. It's like, oh,

441
00:26:16,600 --> 00:26:18,200
Speaker 2: they had to get a little wide on that frame

442
00:26:18,280 --> 00:26:20,359
Speaker 2: to fit everybody. It's right, there's a lot of us

443
00:26:20,600 --> 00:26:21,960
Speaker 2: and we're all different.

444
00:26:22,000 --> 00:26:26,880
Speaker 1: And Alex is in heels always, yes, so I'm even

445
00:26:27,040 --> 00:26:29,240
Speaker 1: unless it was usually in heels too, like a little

446
00:26:29,280 --> 00:26:33,440
Speaker 1: bit of one. Uh yes, the library, that's right. I

447
00:26:33,560 --> 00:26:36,680
Speaker 1: forgot about that. I love this number so much, really

448
00:26:37,600 --> 00:26:41,240
Speaker 1: I do. I like shooting it. I don't know.

449
00:26:41,359 --> 00:26:44,200
Speaker 2: I think I love the song. The song has like

450
00:26:44,400 --> 00:26:49,159
Speaker 2: great opportunity for great harmonies and hearing you all together,

451
00:26:49,320 --> 00:26:52,760
Speaker 2: which is very satisfying. You sound great together. It's a

452
00:26:52,800 --> 00:26:58,640
Speaker 2: fun number. The choreography, Oh my god, I love the part.

453
00:26:58,920 --> 00:27:02,880
Speaker 2: This amazing choreo was unreal love again. It's like tour

454
00:27:03,040 --> 00:27:05,280
Speaker 2: level choreo, Like I need to see it on loop.

455
00:27:05,520 --> 00:27:07,560
Speaker 2: There's this like jumping move and then you guys been

456
00:27:07,640 --> 00:27:10,240
Speaker 2: to the side that is I ran it back a.

457
00:27:10,240 --> 00:27:14,440
Speaker 1: Couple of times. I enjoyed filming that. That was really fun.

458
00:27:14,480 --> 00:27:16,320
Speaker 1: It was also fun to be in like gym glows

459
00:27:16,880 --> 00:27:20,679
Speaker 1: in like different locations. I'm not gonna lie.

460
00:27:21,920 --> 00:27:27,320
Speaker 2: So Jake steps up because Marlee's obviously smitten and they're like, no,

461
00:27:27,440 --> 00:27:29,960
Speaker 2: he's a womanizer, but then asks out Marley. Marley says

462
00:27:30,040 --> 00:27:37,879
Speaker 2: yes they Jake ends up defending Marlee's mom and Marley

463
00:27:38,000 --> 00:27:40,400
Speaker 2: in the school country of lunchline gets in a fight

464
00:27:41,880 --> 00:27:45,119
Speaker 2: and he's doing the right thing. Yeah, he's doing the

465
00:27:45,200 --> 00:27:47,439
Speaker 2: right thing, gets trouble by Shoe, but she doesn't report him.

466
00:27:47,480 --> 00:27:50,440
Speaker 2: She was just like, you're coming with me? I know,

467
00:27:50,520 --> 00:27:54,800
Speaker 2: who do we see, big bro? I have a couple

468
00:27:54,840 --> 00:27:58,720
Speaker 2: of questions here though, Yeah, not a couple. I think

469
00:27:58,840 --> 00:28:05,639
Speaker 2: one is Shoe overstepping again, because always who is Shoe

470
00:28:05,880 --> 00:28:06,840
Speaker 2: to bring in his brother?

471
00:28:08,320 --> 00:28:08,520
Speaker 1: Yeah?

472
00:28:08,720 --> 00:28:11,200
Speaker 2: They don't know about each other. Yeah, well Puck doesn't

473
00:28:11,240 --> 00:28:15,040
Speaker 2: know about Jake, right, and so is that something that

474
00:28:15,520 --> 00:28:19,200
Speaker 2: Jake should be in charge of? Deciding whether or not

475
00:28:19,359 --> 00:28:20,880
Speaker 2: he ever speaks to his brother.

476
00:28:21,240 --> 00:28:24,920
Speaker 1: Meets him. Agreed, agreed, definitely.

477
00:28:25,320 --> 00:28:27,840
Speaker 2: Works out and like Puck, you know, gives a nice

478
00:28:27,880 --> 00:28:31,240
Speaker 2: little speech. It's funny and it was nice to like

479
00:28:31,320 --> 00:28:35,280
Speaker 2: have those characters be together. But at the same time,

480
00:28:35,440 --> 00:28:39,640
Speaker 2: like shoe boundaries, dude, he doesn't know any boundaries. His

481
00:28:39,800 --> 00:28:42,760
Speaker 2: best man was fin Yeah, it never has ever.

482
00:28:43,000 --> 00:28:47,920
Speaker 1: Yeah, But I like seeing Puck back with Jake. It was,

483
00:28:48,240 --> 00:28:53,240
Speaker 1: you know, we're threading the the lines here, you know,

484
00:28:54,320 --> 00:28:57,920
Speaker 1: we have to and Jake decides he's kind to do.

485
00:28:59,440 --> 00:28:59,880
Speaker 5: He does.

486
00:29:00,440 --> 00:29:02,520
Speaker 2: After that little they have their little date on the

487
00:29:03,320 --> 00:29:04,080
Speaker 2: football stands.

488
00:29:04,080 --> 00:29:09,240
Speaker 1: They're very cute. He's very cute. That mashup is pretty

489
00:29:09,280 --> 00:29:15,400
Speaker 1: good too. I love their voices, yes, and the.

490
00:29:15,480 --> 00:29:19,080
Speaker 2: Voices also sound like everybody's voice, all the new people,

491
00:29:19,840 --> 00:29:22,480
Speaker 2: all our voices are very different instinct. Everybody has a

492
00:29:22,600 --> 00:29:25,040
Speaker 2: very distinct tone. Yes, and it's nice to hear the

493
00:29:25,080 --> 00:29:27,360
Speaker 2: different combos and like that mash up a lot. I

494
00:29:27,480 --> 00:29:30,480
Speaker 2: really did did Jacob play guitar or is he face

495
00:29:30,600 --> 00:29:31,080
Speaker 2: light fiddle?

496
00:29:31,360 --> 00:29:31,920
Speaker 1: But I don't know.

497
00:29:33,520 --> 00:29:35,560
Speaker 2: It kind of looked like he was holding the same chord.

498
00:29:35,480 --> 00:29:35,880
Speaker 7: The whole thing.

499
00:29:36,520 --> 00:29:40,360
Speaker 2: Then there's your answer and they were like zoomed in

500
00:29:40,400 --> 00:29:40,800
Speaker 2: a little bit.

501
00:29:40,920 --> 00:29:42,640
Speaker 1: They cut out the guitar a lot, I got it,

502
00:29:43,040 --> 00:29:45,120
Speaker 1: which was nice, and then he gives Marley the jacket

503
00:29:45,440 --> 00:29:48,520
Speaker 1: at the end. It's very cute, but then we find out.

504
00:29:48,440 --> 00:29:52,520
Speaker 2: Howbody's trifling because then at the end he's dating Kitty

505
00:29:55,320 --> 00:29:57,120
Speaker 2: and Kitty comes up and it's like, hey, give me

506
00:29:57,200 --> 00:29:59,840
Speaker 2: my code. Did you know we're dating out of nowhere?

507
00:30:00,000 --> 00:30:01,240
Speaker 1: And yeah?

508
00:30:01,400 --> 00:30:03,719
Speaker 2: And then did you like then he's serenading her by

509
00:30:03,720 --> 00:30:08,600
Speaker 2: the football field while Marley watches very great. Yes, it's

510
00:30:08,720 --> 00:30:12,120
Speaker 2: just foreshadowing. This is where Alphonso show us as like

511
00:30:12,240 --> 00:30:16,200
Speaker 2: cinematic range, because there's all these extra shots at the

512
00:30:16,600 --> 00:30:19,120
Speaker 2: end of the episode of people like looking from afar

513
00:30:19,400 --> 00:30:22,880
Speaker 2: longing that I'm sure not scripted, and he's adding these

514
00:30:22,920 --> 00:30:26,840
Speaker 2: things yes in New York as well, all these extra

515
00:30:26,920 --> 00:30:29,520
Speaker 2: shots that are really make it feel like it's not

516
00:30:29,680 --> 00:30:31,160
Speaker 2: just another episode of TV.

517
00:30:31,280 --> 00:30:35,080
Speaker 1: In goodness, Yeah, no, you're right, it's really nice. It's

518
00:30:35,160 --> 00:30:39,120
Speaker 1: just very detail. Okay, off to New York we go.

519
00:30:41,280 --> 00:30:46,120
Speaker 1: So we start with Cassandra telling Rachel that she can't

520
00:30:46,160 --> 00:30:49,959
Speaker 1: participate in the tango and Rachel saying, if I'm ever

521
00:30:50,040 --> 00:30:52,760
Speaker 1: going to play a vita I've got to learn the

522
00:30:52,800 --> 00:30:58,080
Speaker 1: tongue out and she says she's not sessy enough. So Rachel,

523
00:30:59,080 --> 00:31:02,480
Speaker 1: it is basically I'm gonna ask Brody to help because

524
00:31:02,520 --> 00:31:07,360
Speaker 1: Brody thinks she's sexy. When he's like, you're incorrectly, I

525
00:31:07,440 --> 00:31:11,520
Speaker 1: was like, I don't know where. He's very forward with

526
00:31:11,640 --> 00:31:12,280
Speaker 1: his feelings.

527
00:31:12,800 --> 00:31:15,240
Speaker 2: Oh yeah, he doesn't care now, not at all. Well,

528
00:31:15,440 --> 00:31:18,760
Speaker 2: if I had a body like that, I probably would do.

529
00:31:19,840 --> 00:31:25,000
Speaker 1: Yeah. Probably don't get turned down very often. Rody and

530
00:31:25,120 --> 00:31:29,760
Speaker 1: Rachel are gonna put it together a performance. He's gonna

531
00:31:29,800 --> 00:31:30,080
Speaker 1: help her.

532
00:31:30,160 --> 00:31:33,600
Speaker 2: He's gonna dance with her, because you know, when you

533
00:31:33,680 --> 00:31:37,960
Speaker 2: want to prepare a performance for a dance teacher at

534
00:31:38,000 --> 00:31:41,920
Speaker 2: a musical theater university, the song you want to do

535
00:31:42,120 --> 00:31:43,160
Speaker 2: is Oops, I did it again?

536
00:31:44,280 --> 00:31:45,719
Speaker 1: Right, That's right?

537
00:31:45,800 --> 00:31:47,960
Speaker 2: You know that's the first thing that comes to mind

538
00:31:48,000 --> 00:31:48,320
Speaker 2: for sure.

539
00:31:48,400 --> 00:31:48,560
Speaker 1: Yeah.

540
00:31:49,560 --> 00:31:54,720
Speaker 2: What I will say about this number is that the

541
00:31:54,840 --> 00:32:00,360
Speaker 2: choreo fire adored the choreo, Those dancers are killing it.

542
00:32:02,720 --> 00:32:06,720
Speaker 2: Or the life flash light bulbs the flashlights Yes, which

543
00:32:06,800 --> 00:32:09,560
Speaker 2: is a number that I referenced when we first started

544
00:32:09,600 --> 00:32:13,240
Speaker 2: this podcast, that Zach Woodley had shown us. It's like,

545
00:32:13,560 --> 00:32:15,120
Speaker 2: I would love to do this one day, that's right

546
00:32:15,200 --> 00:32:20,920
Speaker 2: on this Yeah, season four here it is fossy that

547
00:32:21,080 --> 00:32:24,760
Speaker 2: flashlight number. I love like coming with the smoke, you know,

548
00:32:24,840 --> 00:32:26,840
Speaker 2: in the very beginning of it, like all of it

549
00:32:27,000 --> 00:32:29,360
Speaker 2: is very reminiscent of that and love that got to

550
00:32:29,560 --> 00:32:32,560
Speaker 2: pay tribute to that, which is like really really cool totally.

551
00:32:35,680 --> 00:32:37,560
Speaker 1: But at the end of this number, Cassandra says that

552
00:32:37,680 --> 00:32:40,880
Speaker 1: Brody is like fine, but Rachel's really bad still, and

553
00:32:41,120 --> 00:32:44,800
Speaker 1: Rachel goes adder in a very inappropriate way for a

554
00:32:44,880 --> 00:32:50,040
Speaker 1: teacher although the teacher, let's be real, Cassandra is mean. Yeah.

555
00:32:51,280 --> 00:32:55,040
Speaker 1: I I like the dynamic though, Like we talked about

556
00:32:55,080 --> 00:32:58,680
Speaker 1: where this is. This is Rachel's dream and like it's

557
00:32:58,760 --> 00:33:01,200
Speaker 1: not coming easy, Like this is not her being the

558
00:33:01,280 --> 00:33:04,120
Speaker 1: cream of the crop anymore. She is down in the

559
00:33:04,200 --> 00:33:08,080
Speaker 1: trenches trying to figure out how to like find out

560
00:33:08,120 --> 00:33:12,000
Speaker 1: who where she fits in this industry. And I appreciate

561
00:33:13,880 --> 00:33:17,840
Speaker 1: both characters, Like there's I'm sure the teachers like Cassandra,

562
00:33:18,040 --> 00:33:22,440
Speaker 1: maybe not as crude as her or as mean, but

563
00:33:22,720 --> 00:33:25,960
Speaker 1: I do believe that there are teachers like that. I've

564
00:33:26,000 --> 00:33:30,280
Speaker 1: seen them, I've experienced them, and so it's really building

565
00:33:30,440 --> 00:33:33,880
Speaker 1: Rachel's backbone. But Rachel coming back at her not so good.

566
00:33:34,520 --> 00:33:38,640
Speaker 2: No, And I do have to say Cassandra's point afterwards,

567
00:33:38,680 --> 00:33:42,640
Speaker 2: and Rachel comes back to apologize is super valid, Like

568
00:33:42,840 --> 00:33:46,440
Speaker 2: if you try if someone was recording that, right, and

569
00:33:46,560 --> 00:33:48,200
Speaker 2: that would be out there in the world, like it

570
00:33:48,240 --> 00:33:53,840
Speaker 2: happened to her, right, Yes, because you didn't get your way. Yeah,

571
00:33:53,840 --> 00:33:55,760
Speaker 2: because I don't think you're sex seeing that, like get

572
00:33:55,800 --> 00:33:59,640
Speaker 2: over exactly. You're a freshman, that's right. And then Rachel saying,

573
00:33:59,680 --> 00:34:02,800
Speaker 2: like you're jealous of me though that's not good. No,

574
00:34:02,960 --> 00:34:07,640
Speaker 2: it's not a responsible way to respond or react. No,

575
00:34:08,360 --> 00:34:11,040
Speaker 2: but Rachel has always lived in the delusion of like

576
00:34:11,560 --> 00:34:14,960
Speaker 2: the drag delusion. Yes, oh, yes, she thinks she is

577
00:34:15,080 --> 00:34:16,640
Speaker 2: something that she is not yet.

578
00:34:16,760 --> 00:34:19,160
Speaker 1: No, you're right, you're right.

579
00:34:20,160 --> 00:34:23,040
Speaker 2: There's a beautiful it's probably my favorite to be nerdy

580
00:34:23,080 --> 00:34:26,800
Speaker 2: here for a second. It's like my favorite like frame

581
00:34:27,000 --> 00:34:29,680
Speaker 2: of the episode. When Rachel goes to set up to

582
00:34:29,719 --> 00:34:32,640
Speaker 2: do oops, I did it again. There's a shot of

583
00:34:33,880 --> 00:34:38,080
Speaker 2: Kate Hudson sitting down to watch and it's like from

584
00:34:38,160 --> 00:34:41,120
Speaker 2: below her looking up at her and she's just like

585
00:34:41,200 --> 00:34:44,920
Speaker 2: watching everybody get ready. It's like two seconds long, but

586
00:34:45,200 --> 00:34:48,520
Speaker 2: it is so beautiful. I don't know why I frozen

587
00:34:48,760 --> 00:34:50,799
Speaker 2: and like went back again to look at it because

588
00:34:50,840 --> 00:34:54,720
Speaker 2: it looks it looks like a film. Yeah, like everything's

589
00:34:54,800 --> 00:34:55,480
Speaker 2: lip beautifully.

590
00:34:56,320 --> 00:35:01,239
Speaker 1: Can we talk about the loft, well, yeah, okay, it's

591
00:35:03,200 --> 00:35:06,880
Speaker 1: it's it's like friends where there has to be some

592
00:35:07,000 --> 00:35:10,880
Speaker 1: mysterious story where they inherited the apartment from their grandma

593
00:35:11,080 --> 00:35:16,920
Speaker 1: and it's rend controlled because this giant loft, I don't know.

594
00:35:17,600 --> 00:35:19,880
Speaker 1: And then they build in it, like they build like

595
00:35:20,040 --> 00:35:23,719
Speaker 1: the wall, like the bookshelves reconstructions in it, and it's

596
00:35:24,640 --> 00:35:28,520
Speaker 1: I mean their parents but like Burt must be helping, date,

597
00:35:28,600 --> 00:35:31,800
Speaker 1: Rachel's dads must be helping. There's no way, it's like

598
00:35:32,440 --> 00:35:35,719
Speaker 1: and it's that far from the university, yeah, I mean,

599
00:35:35,760 --> 00:35:40,120
Speaker 1: I guess you could take a quick forty five minutes. Yeah,

600
00:35:40,160 --> 00:35:43,239
Speaker 1: I don't. I don't know why they chose that it's

601
00:35:43,360 --> 00:35:45,520
Speaker 1: cheaper in Bushwick, I guess, but not it's like cheaper

602
00:35:45,560 --> 00:35:50,560
Speaker 1: than the city. But it's not that cheap, no, And

603
00:35:50,640 --> 00:35:51,560
Speaker 1: then they're painting it.

604
00:35:53,120 --> 00:35:54,239
Speaker 2: Very slowly, the brick.

605
00:35:54,840 --> 00:36:02,719
Speaker 1: They're painting the brick. It's so funny, uh, I I

606
00:36:02,800 --> 00:36:06,200
Speaker 1: mean I like that loft and they're riding bikes in.

607
00:36:06,200 --> 00:36:11,360
Speaker 2: It, right, that was funny it's just so gigantic. And

608
00:36:11,440 --> 00:36:13,440
Speaker 2: also it's like, how dare you paint over this beautiful?

609
00:36:15,320 --> 00:36:18,520
Speaker 1: Why would you do that? Well, they have to because

610
00:36:18,520 --> 00:36:18,799
Speaker 1: they have to.

611
00:36:18,800 --> 00:36:24,400
Speaker 2: Paint over fin, right. I love how Brody comes in

612
00:36:25,280 --> 00:36:28,560
Speaker 2: with these flowers, like they're talking about is it dangerous?

613
00:36:29,280 --> 00:36:30,680
Speaker 2: And then Kurt is like, I'm gonna go out and

614
00:36:30,719 --> 00:36:34,799
Speaker 2: get caked by myself anyway. Then and Brody spends forty

615
00:36:34,840 --> 00:36:36,920
Speaker 2: five minutes getting there and is there for the solid

616
00:36:37,000 --> 00:36:39,160
Speaker 2: ninety seconds and.

617
00:36:39,239 --> 00:36:41,279
Speaker 1: Then they paint over the fin.

618
00:36:42,719 --> 00:36:46,600
Speaker 2: Yeah, Brody is confident. He doesn't even care that Fin's

619
00:36:46,600 --> 00:36:52,320
Speaker 2: painted on the wall. Clearly he knows, he knows. Speaking

620
00:36:52,360 --> 00:36:57,839
Speaker 2: of delusion, he also is just like unbridled confidence came

621
00:36:57,880 --> 00:36:58,440
Speaker 2: out of nowhere.

622
00:36:59,120 --> 00:37:01,279
Speaker 1: I don't know what to do with Brodie yet, Like

623
00:37:01,400 --> 00:37:03,759
Speaker 1: I as a viewer, I don't. I don't know how

624
00:37:03,840 --> 00:37:09,160
Speaker 1: I feel about Brody. I liked Rachel turning him down, right,

625
00:37:09,320 --> 00:37:12,560
Speaker 1: which is a signal that we don't we're not fully

626
00:37:12,640 --> 00:37:13,640
Speaker 1: convinced on Brody.

627
00:37:15,120 --> 00:37:18,640
Speaker 2: Yeah, and like she's Rachel even though she's in New York,

628
00:37:18,880 --> 00:37:22,200
Speaker 2: she's still Rachel right, Like she hasn't abandoned all of

629
00:37:22,320 --> 00:37:27,560
Speaker 2: her Rachel miss yes, which is nice because you hate

630
00:37:27,560 --> 00:37:30,520
Speaker 2: to see like such a big pet peeve for all

631
00:37:30,560 --> 00:37:32,960
Speaker 2: of a sudden, this character that you know and I

632
00:37:33,440 --> 00:37:37,200
Speaker 2: love over all these years, and you see a character

633
00:37:37,280 --> 00:37:40,759
Speaker 2: abandon all their principles really quickly and easily, Like, wait,

634
00:37:40,880 --> 00:37:42,680
Speaker 2: why would that person do that? I've just watched them

635
00:37:42,719 --> 00:37:46,359
Speaker 2: for three seasons. We can't that does not happen.

636
00:37:47,040 --> 00:37:51,879
Speaker 1: Yeah, I enjoyed the Cassandra Rachel makeup scene. You talked

637
00:37:51,920 --> 00:37:54,520
Speaker 1: to Kate Hanson recently. I did. I went on Kate's podcast,

638
00:37:54,800 --> 00:37:59,320
Speaker 1: Sibling RELRII and she does it with her brother and

639
00:38:00,280 --> 00:38:02,279
Speaker 1: at the very top we talked about Glee. I think

640
00:38:02,320 --> 00:38:05,120
Speaker 1: we should share some of these clips because she she

641
00:38:05,320 --> 00:38:08,160
Speaker 1: does spill the tea. Yeah, I want to know.

642
00:38:08,320 --> 00:38:10,680
Speaker 2: It was a really great interview. Everyone should go listen

643
00:38:10,719 --> 00:38:13,319
Speaker 2: to it. But she got to talk about Cassandra July

644
00:38:13,400 --> 00:38:13,719
Speaker 2: a bunch.

645
00:38:13,920 --> 00:38:15,480
Speaker 1: I am.

646
00:38:16,840 --> 00:38:21,720
Speaker 2: A Glee alum, and I'm a Glee a lump.

647
00:38:22,400 --> 00:38:26,120
Speaker 3: I played Cassandra July actually, honestly one of the most

648
00:38:26,200 --> 00:38:27,879
Speaker 3: fun characters I've.

649
00:38:27,800 --> 00:38:32,160
Speaker 6: Played because she was so mean and she's like a

650
00:38:32,280 --> 00:38:35,719
Speaker 6: dance teacher. Yeah, I was a dance dance teacher and

651
00:38:35,840 --> 00:38:39,400
Speaker 6: I taught Liam Michelle. She was my student and I

652
00:38:39,600 --> 00:38:43,160
Speaker 6: just it was really nasty. It was fun and we

653
00:38:43,280 --> 00:38:44,520
Speaker 6: had fun. Lee and I had switched fun.

654
00:38:45,800 --> 00:38:48,759
Speaker 2: Everybody loves playing a villain. There has to be so

655
00:38:48,880 --> 00:38:51,400
Speaker 2: much when you come into the show and you just

656
00:38:51,520 --> 00:38:54,319
Speaker 2: get to like roast someone and like be sexy while

657
00:38:54,400 --> 00:38:55,920
Speaker 2: doing it, Like she always looked.

658
00:38:55,880 --> 00:38:56,719
Speaker 1: So good.

659
00:38:58,160 --> 00:38:58,720
Speaker 2: In Furious.

660
00:38:58,800 --> 00:39:02,080
Speaker 1: She said that this was a very dramatic set, which

661
00:39:02,160 --> 00:39:05,160
Speaker 1: I then was like, my jaw was a gape because

662
00:39:05,200 --> 00:39:08,520
Speaker 1: I was like, what do you mean, Like just for

663
00:39:08,640 --> 00:39:11,479
Speaker 1: somebody to like outright say like it was a dramatic set,

664
00:39:11,520 --> 00:39:16,720
Speaker 1: I was like, is that real? Okay, we had some drama,

665
00:39:16,880 --> 00:39:19,440
Speaker 1: We were dramatic. But I don't think she meant in

666
00:39:19,520 --> 00:39:21,320
Speaker 1: like a bad way. I think she just meant like,

667
00:39:22,360 --> 00:39:25,399
Speaker 1: there's a lot of personality, and it's there's a lot

668
00:39:25,520 --> 00:39:31,360
Speaker 1: happening all the time. It was a very dramatic set.

669
00:39:33,600 --> 00:39:36,960
Speaker 3: Well, you know, when you've got all of those personalities

670
00:39:37,120 --> 00:39:40,160
Speaker 3: and all those all of those all that talent.

671
00:39:40,280 --> 00:39:44,719
Speaker 1: And all that youth, you know, a lot of hormones, Yes,

672
00:39:45,080 --> 00:39:49,680
Speaker 1: a lot of hormones. Definitely, it's useful young.

673
00:39:51,640 --> 00:39:55,160
Speaker 5: Yes, do you have to do you have to watch

674
00:39:55,239 --> 00:39:58,759
Speaker 5: what you say, you know, because obviously you can't expose

675
00:39:58,840 --> 00:40:02,359
Speaker 5: and reveal every So how do you manage? Yes?

676
00:40:02,600 --> 00:40:03,879
Speaker 6: Can you can?

677
00:40:04,520 --> 00:40:08,600
Speaker 1: Don't be like me? We don't we really, you know,

678
00:40:08,680 --> 00:40:10,560
Speaker 1: I say to Kevin a lot. Look, that's not our

679
00:40:10,600 --> 00:40:14,080
Speaker 1: story to tell. I tell it from my perspective, his perspective.

680
00:40:15,200 --> 00:40:20,040
Speaker 1: We try to be kind about it because I will

681
00:40:20,080 --> 00:40:22,799
Speaker 1: be honest, like, we were all very close, and yes,

682
00:40:22,880 --> 00:40:24,600
Speaker 1: we all have our squabbles and there's all things, but

683
00:40:24,719 --> 00:40:27,440
Speaker 1: we really were a family and it was easier to

684
00:40:27,520 --> 00:40:30,560
Speaker 1: get along than it wasn't so as dramatic as it

685
00:40:31,239 --> 00:40:34,000
Speaker 1: as it was. And I'm so that's so interesting thing

686
00:40:34,120 --> 00:40:37,719
Speaker 1: you say that, Kate, there was just there's so many

687
00:40:37,760 --> 00:40:40,120
Speaker 1: moving parts of our show and so many cast members

688
00:40:40,200 --> 00:40:41,640
Speaker 1: and so many personalities.

689
00:40:42,080 --> 00:40:45,400
Speaker 3: I think it's because you guys were so close, you know,

690
00:40:45,600 --> 00:40:48,480
Speaker 3: and the show was so huge, so you're all this

691
00:40:48,680 --> 00:40:53,320
Speaker 3: like young little family. And then of course inside of it,

692
00:40:53,680 --> 00:40:58,719
Speaker 3: it's like, yes, you know you're gonna have like all

693
00:40:58,840 --> 00:41:01,160
Speaker 3: the stuff that comes with the Other thing is you

694
00:41:01,280 --> 00:41:04,200
Speaker 3: had extraordinary talent on that show.

695
00:41:04,520 --> 00:41:04,959
Speaker 1: It's true.

696
00:41:05,360 --> 00:41:07,799
Speaker 3: And let me tell you something. There's a reason why

697
00:41:07,960 --> 00:41:12,440
Speaker 3: very talented people are can be sometimes challenging people to

698
00:41:12,560 --> 00:41:16,480
Speaker 3: work with, because they can be uncompromising, They really believe

699
00:41:16,520 --> 00:41:19,400
Speaker 3: in themselves, they know what they have to offer, and

700
00:41:19,600 --> 00:41:23,120
Speaker 3: so you know, you get that all of that in

701
00:41:23,280 --> 00:41:26,360
Speaker 3: one room, and it's there's gonna be some you know,

702
00:41:26,600 --> 00:41:27,720
Speaker 3: fun drama.

703
00:41:28,200 --> 00:41:30,680
Speaker 1: That's right. We were working hard too, and you got

704
00:41:30,719 --> 00:41:32,200
Speaker 1: to see a little bit of the machine and the

705
00:41:32,280 --> 00:41:35,360
Speaker 1: way it worked and how much how much time we

706
00:41:35,480 --> 00:41:38,799
Speaker 1: really did spend together. I mean, we saw each other

707
00:41:38,920 --> 00:41:40,680
Speaker 1: more than we saw our own families.

708
00:41:41,400 --> 00:41:45,200
Speaker 2: She brings up a very good point, very good point,

709
00:41:45,239 --> 00:41:48,040
Speaker 2: and as somebody who has been working like her entire life, yes,

710
00:41:48,120 --> 00:41:52,400
Speaker 2: but everybody is young. There wasn't necessarily a lot of ego,

711
00:41:52,600 --> 00:41:56,320
Speaker 2: but it was like talent people. Yes, there was a

712
00:41:56,400 --> 00:41:58,200
Speaker 2: lot of talent. And by season four it was like

713
00:41:58,280 --> 00:42:01,359
Speaker 2: everybody knew what the show was, where we all fit

714
00:42:01,840 --> 00:42:04,719
Speaker 2: within the show, what we were bringing to the show

715
00:42:04,880 --> 00:42:08,360
Speaker 2: and to those characters, and felt protective over it. And

716
00:42:08,480 --> 00:42:10,960
Speaker 2: I feel like when you walk into if you go

717
00:42:11,080 --> 00:42:15,560
Speaker 2: to a new boyfriend or girlfriend's house for Thanksgiving and

718
00:42:15,680 --> 00:42:19,239
Speaker 2: you see the family, hm, maybe from the outside looks

719
00:42:19,320 --> 00:42:22,400
Speaker 2: like fighting or squabbling or picking on each other. Sometimes

720
00:42:22,440 --> 00:42:24,800
Speaker 2: that's just how a family is and it's completely healthy

721
00:42:24,920 --> 00:42:25,880
Speaker 2: and normal and fine.

722
00:42:26,040 --> 00:42:26,840
Speaker 1: And I feel like.

723
00:42:28,400 --> 00:42:30,120
Speaker 2: Or I wonder if that's what it sort of looked

724
00:42:30,200 --> 00:42:33,560
Speaker 2: like sometimes with people coming in looking at us because

725
00:42:33,600 --> 00:42:35,560
Speaker 2: we were so close that we weren't getting mad at

726
00:42:35,560 --> 00:42:37,360
Speaker 2: each other, that we not talk at the end of

727
00:42:37,400 --> 00:42:40,200
Speaker 2: the day, if we had big personalities, Like yeah, but

728
00:42:40,280 --> 00:42:42,160
Speaker 2: we all love each other and we know that, and

729
00:42:42,280 --> 00:42:47,440
Speaker 2: so nobody's actually like being super dramatic or like exactly

730
00:42:47,600 --> 00:42:48,720
Speaker 2: fighting or any.

731
00:42:48,560 --> 00:42:51,320
Speaker 1: Of that, just like really people really advocating and holding

732
00:42:51,360 --> 00:42:52,080
Speaker 1: their ground.

733
00:42:52,520 --> 00:42:54,520
Speaker 2: And we were learning that probably by season four two

734
00:42:54,600 --> 00:42:57,560
Speaker 2: we felt sure much more confident in our own voice

735
00:42:57,760 --> 00:42:58,840
Speaker 2: on and off set.

736
00:42:58,719 --> 00:43:02,560
Speaker 1: For sure. And then there's another clip that key she

737
00:43:02,680 --> 00:43:06,080
Speaker 1: talks about like being a seeing the machine and like

738
00:43:06,200 --> 00:43:09,240
Speaker 1: being a part of it on our show where you worked,

739
00:43:09,719 --> 00:43:12,320
Speaker 1: like was it a were there really long days for

740
00:43:12,440 --> 00:43:14,919
Speaker 1: you or was it a little bit? Yeah, yeah, yeah

741
00:43:15,680 --> 00:43:16,319
Speaker 1: it was pretty cool.

742
00:43:16,400 --> 00:43:19,239
Speaker 3: Yes, they were very long days, but you know, I

743
00:43:19,760 --> 00:43:22,800
Speaker 3: was you know, I was just a guest star, so

744
00:43:23,960 --> 00:43:25,880
Speaker 3: you know, but I did get a good sense of

745
00:43:26,000 --> 00:43:32,360
Speaker 3: the energy and everything on that's on the set. And

746
00:43:34,040 --> 00:43:36,560
Speaker 3: I worked with two different directors, three different directors, I think,

747
00:43:37,400 --> 00:43:43,200
Speaker 3: and one who worked really fast, one who was more

748
00:43:43,360 --> 00:43:49,160
Speaker 3: thoughtful in his approach that I really appreciated the one

749
00:43:49,200 --> 00:43:52,120
Speaker 3: who took a little bit longer because he was so cinematic.

750
00:43:54,160 --> 00:43:56,360
Speaker 3: But I could also tell that people who were working

751
00:43:56,560 --> 00:43:58,760
Speaker 3: all the time were just like, oh my god, please

752
00:43:58,840 --> 00:44:00,960
Speaker 3: move please, can we just go home?

753
00:44:02,040 --> 00:44:04,400
Speaker 1: Because I came in like I came in like this

754
00:44:04,560 --> 00:44:05,359
Speaker 1: is fantastic.

755
00:44:05,480 --> 00:44:07,400
Speaker 3: This guy's amazing. He was like, oh my god, I know,

756
00:44:07,520 --> 00:44:10,960
Speaker 3: but we just want to get it right right, the

757
00:44:11,000 --> 00:44:13,480
Speaker 3: grumbling from the crew, the hair make yeah, there was

758
00:44:14,280 --> 00:44:19,160
Speaker 3: got our fourteen. What I was surprised by was I

759
00:44:19,239 --> 00:44:22,760
Speaker 3: thought I would have way more time to rehearse the dancing,

760
00:44:23,560 --> 00:44:25,680
Speaker 3: and like I went in it was like okay, and

761
00:44:25,800 --> 00:44:27,960
Speaker 3: I learned the routine and then we were like shooting

762
00:44:28,040 --> 00:44:30,160
Speaker 3: it the next day and I was like that I

763
00:44:30,239 --> 00:44:33,800
Speaker 3: haven't danced. I know, I hadn't like danced in a

764
00:44:33,920 --> 00:44:37,360
Speaker 3: long time. So I was like, fuck, I'm I'm really

765
00:44:37,920 --> 00:44:40,920
Speaker 3: it was. It was it was like being thrown into

766
00:44:40,960 --> 00:44:43,279
Speaker 3: the fire bit but you know, I don't know, I

767
00:44:43,400 --> 00:44:45,279
Speaker 3: love it. I love being thrown into the fire. And

768
00:44:45,960 --> 00:44:49,239
Speaker 3: and we had such good numbers and it was so great,

769
00:44:49,600 --> 00:44:51,400
Speaker 3: and and Brett and and Brad was there.

770
00:44:51,440 --> 00:44:52,480
Speaker 1: I love Brad so much.

771
00:44:52,960 --> 00:44:58,000
Speaker 3: Fu yeah, yeah, always looking at always looking out just

772
00:44:58,200 --> 00:45:00,319
Speaker 3: so cares for everybody so much.

773
00:45:00,440 --> 00:45:04,800
Speaker 1: And yeah, that's Brad Felcherk, one of the one of

774
00:45:04,840 --> 00:45:08,040
Speaker 1: the creators of We And yeah, answer exerience.

775
00:45:08,480 --> 00:45:10,759
Speaker 5: Just someone knows. I'm an actor too. When I get

776
00:45:10,800 --> 00:45:14,560
Speaker 5: a show called Screen Queens with Murphy and feltcha. There

777
00:45:14,680 --> 00:45:16,920
Speaker 5: was a day she came up to me. Sorry for

778
00:45:16,920 --> 00:45:21,600
Speaker 5: I'm repeating myself, but she clearly thrived in that type

779
00:45:21,640 --> 00:45:24,279
Speaker 5: of environment because she came up to me super calm,

780
00:45:24,320 --> 00:45:28,839
Speaker 5: and she was just like, Hey, so, like, I learned

781
00:45:28,880 --> 00:45:31,600
Speaker 5: this number yesterday, shooting it today.

782
00:45:32,600 --> 00:45:34,160
Speaker 1: It's very fast. Is this normal?

783
00:45:36,120 --> 00:45:36,319
Speaker 2: Really?

784
00:45:36,480 --> 00:45:36,680
Speaker 5: Yeah?

785
00:45:36,760 --> 00:45:39,719
Speaker 2: Yeah, yeah, sometimes you learn it the same day and

786
00:45:39,800 --> 00:45:41,600
Speaker 2: you probably recorded it the day before that. She's like

787
00:45:41,680 --> 00:45:44,520
Speaker 2: yeah exactly. She's like, okay, so this is normal. It's like, yeah,

788
00:45:44,600 --> 00:45:46,000
Speaker 2: there's just so much to get through and do.

789
00:45:46,160 --> 00:45:48,920
Speaker 1: And it's probably her being like either like are we

790
00:45:49,000 --> 00:45:52,360
Speaker 1: all just behind or and does everybody get this treatment?

791
00:45:52,520 --> 00:45:54,160
Speaker 1: Or do I have to like stand out for myself

792
00:45:54,200 --> 00:45:55,000
Speaker 1: and ask for more time?

793
00:45:56,160 --> 00:45:56,279
Speaker 5: Right?

794
00:45:56,320 --> 00:45:58,000
Speaker 1: Do you know what I mean? Yes?

795
00:45:58,680 --> 00:46:01,799
Speaker 2: And she wasn't panicked about it. She was so cool,

796
00:46:02,000 --> 00:46:05,520
Speaker 2: great and calm about it. And I remember exactly where

797
00:46:05,560 --> 00:46:08,080
Speaker 2: we were standing, like right on the you know, the

798
00:46:08,160 --> 00:46:13,040
Speaker 2: steps of the first stage, and she was like, okay, okay, great.

799
00:46:13,400 --> 00:46:13,600
Speaker 1: Yeah.

800
00:46:13,719 --> 00:46:15,560
Speaker 2: I think it was exactly that I wanted to make

801
00:46:15,600 --> 00:46:18,080
Speaker 2: sure she was getting the same Ye was on the

802
00:46:18,080 --> 00:46:22,200
Speaker 2: same everybody's yeah there. Well it was fun to talk

803
00:46:22,280 --> 00:46:24,200
Speaker 2: about I wasn't expecting to talk to her about the

804
00:46:24,239 --> 00:46:25,920
Speaker 2: show at all, and like right off the gate we

805
00:46:26,000 --> 00:46:27,320
Speaker 2: were just talking about Glee. So I thought that was

806
00:46:27,320 --> 00:46:29,040
Speaker 2: really fun. I'm glad she liked it. I'm glad she

807
00:46:29,040 --> 00:46:30,799
Speaker 2: had a good experience. Yeah, I mean she was great.

808
00:46:30,960 --> 00:46:31,839
Speaker 1: She was really really great.

809
00:46:32,000 --> 00:46:33,759
Speaker 2: I wish we got to work with her more or

810
00:46:33,800 --> 00:46:37,359
Speaker 2: at all, but also like what a great energy on set. Yes,

811
00:46:37,840 --> 00:46:40,400
Speaker 2: like she we only got to hang out with her

812
00:46:41,920 --> 00:46:44,360
Speaker 2: at base camp really because we didn't obviously work with her,

813
00:46:44,480 --> 00:46:48,480
Speaker 2: you and I, but just so cool and like wanted

814
00:46:48,520 --> 00:46:53,520
Speaker 2: to hang out, wanted to talk to people, yeah, which

815
00:46:53,520 --> 00:46:56,480
Speaker 2: is just really appreciated, you know, and like asking those questions,

816
00:46:56,560 --> 00:47:00,080
Speaker 2: trying to figure out the lay of the land, and

817
00:47:00,560 --> 00:47:02,480
Speaker 2: came in with like an enormous amount of respect for it,

818
00:47:02,600 --> 00:47:03,719
Speaker 2: which was really nice.

819
00:47:04,000 --> 00:47:16,960
Speaker 1: She's a pro. Do you want to grade the performances? Absolutely, Okay,

820
00:47:17,280 --> 00:47:21,279
Speaker 1: let's do hold it against me. A plus plus yeah,

821
00:47:22,520 --> 00:47:23,680
Speaker 1: boy's boyfriend.

822
00:47:26,120 --> 00:47:32,560
Speaker 7: B plus A same yeah, B plus okay, womanizer A

823
00:47:34,000 --> 00:47:39,719
Speaker 7: A minus yeah okay A no, no, I love it though, three.

824
00:47:41,280 --> 00:47:44,960
Speaker 1: Plus oh wow, okay, I hold it against me is

825
00:47:44,960 --> 00:47:49,000
Speaker 1: A plus exactly high standard to hold up to. Okay, crazy,

826
00:47:49,200 --> 00:47:56,720
Speaker 1: drive me crazy solid A I give it yeah or okay, oops,

827
00:47:58,280 --> 00:48:02,359
Speaker 1: B plus I think plus us okay, yes, overall, it's

828
00:48:02,440 --> 00:48:06,080
Speaker 1: really cool. What are we basing this off of? Though?

829
00:48:06,600 --> 00:48:08,440
Speaker 2: Yeah, I mean, give me more is about the comedy

830
00:48:08,840 --> 00:48:13,760
Speaker 2: more A plus if you're judging everything.

831
00:48:14,960 --> 00:48:20,919
Speaker 1: Yeah, yeah, every time, because totally okay, great, she sounded great.

832
00:48:21,160 --> 00:48:30,400
Speaker 1: Let's get to TARTI takes okay, cringe moments okay, yeah, okay,

833
00:48:31,920 --> 00:48:36,800
Speaker 1: well let's just another cringe of since a running cringe

834
00:48:37,000 --> 00:48:40,359
Speaker 1: is making fun of Marley's mom. Still, we like we've

835
00:48:40,400 --> 00:48:44,800
Speaker 1: had enough to her face mind you, and and and

836
00:48:44,880 --> 00:48:47,040
Speaker 1: then and then I think the other one is the

837
00:48:49,800 --> 00:48:52,560
Speaker 1: the re enactment of the Britney moments, like I don't

838
00:48:52,560 --> 00:48:55,480
Speaker 1: know that. I guess we kind of need them, but

839
00:48:55,600 --> 00:48:58,080
Speaker 1: like you don't really I don't know, I actually don't know.

840
00:48:59,200 --> 00:49:01,440
Speaker 1: It just makes you comfortable a little bit, well, it

841
00:49:01,560 --> 00:49:08,879
Speaker 1: makes it makes me uncomfortable. Okay, yeah, I agree dance

842
00:49:08,960 --> 00:49:10,920
Speaker 1: move hold it against me?

843
00:49:12,040 --> 00:49:12,759
Speaker 2: Hold it against me?

844
00:49:12,880 --> 00:49:13,720
Speaker 1: I will say.

845
00:49:15,640 --> 00:49:18,520
Speaker 2: Honorable mention to the dancer and oopstate it again, who's

846
00:49:18,560 --> 00:49:21,880
Speaker 2: doing the splits as the tables are moving apart? Because

847
00:49:21,920 --> 00:49:29,000
Speaker 2: that was unbelievable, And I will say that womanizer moment

848
00:49:29,040 --> 00:49:31,719
Speaker 2: where like the camera tilts and like you guys are

849
00:49:31,760 --> 00:49:33,480
Speaker 2: like leaning. I don't know what the move is, but

850
00:49:33,600 --> 00:49:35,919
Speaker 2: it's great. It's I know which one you're talking about.

851
00:49:35,960 --> 00:49:39,080
Speaker 2: It's right in the top of the gym. Okay, yes,

852
00:49:39,480 --> 00:49:50,400
Speaker 2: uh the song three wow? Yeah, I don't know.

853
00:49:51,719 --> 00:49:56,560
Speaker 1: Come on, this is tough, all right. I guess I'll

854
00:49:56,560 --> 00:49:59,879
Speaker 1: go with three Hold it against me again? Pretty good?

855
00:50:00,800 --> 00:50:01,440
Speaker 1: Pretty up there.

856
00:50:03,960 --> 00:50:07,040
Speaker 2: Prop Oh, there's a lot of props in this episode,

857
00:50:07,080 --> 00:50:13,839
Speaker 2: all of Britney's tests, the cheetos in the song oh yeah.

858
00:50:14,320 --> 00:50:17,320
Speaker 2: Do you think Brittany has to like touch the Kiki

859
00:50:17,440 --> 00:50:20,239
Speaker 2: satana the whole thing, that whole thing. Oh my god,

860
00:50:20,320 --> 00:50:24,520
Speaker 2: Kiki Kiki. I completely forgot about Kiki.

861
00:50:24,840 --> 00:50:25,000
Speaker 5: Wait?

862
00:50:25,040 --> 00:50:25,719
Speaker 1: Did you catch that?

863
00:50:25,840 --> 00:50:27,759
Speaker 2: This is where I was wearing my glasses that want

864
00:50:27,840 --> 00:50:30,360
Speaker 2: prescriptions in my eyes like big oh, I didn't see it.

865
00:50:30,840 --> 00:50:32,600
Speaker 2: Some days I'd show up in my contacts and I'd

866
00:50:32,640 --> 00:50:36,399
Speaker 2: have to wear these other they were huge. Jenna would

867
00:50:36,520 --> 00:50:37,880
Speaker 2: lose it. She would be able to look at me

868
00:50:37,920 --> 00:50:41,760
Speaker 2: in the would be like literally google eyed. They were crazy.

869
00:50:41,840 --> 00:50:45,080
Speaker 2: So there's clearly a day I showed up here and

870
00:50:45,160 --> 00:50:47,080
Speaker 2: for some reason I was wearing my contacts and my

871
00:50:47,160 --> 00:50:50,120
Speaker 2: eyes looked so much. I love that, but it's sort

872
00:50:50,120 --> 00:50:51,759
Speaker 2: of worked during the Kiki thing because it's already a

873
00:50:51,800 --> 00:50:54,080
Speaker 2: weird scene. It is a very strange scene. But I

874
00:50:54,239 --> 00:50:54,920
Speaker 2: love that scene.

875
00:50:55,840 --> 00:50:56,319
Speaker 5: I do too.

876
00:50:57,160 --> 00:51:00,239
Speaker 2: And also it's like some of the show it feels like, okay,

877
00:51:00,360 --> 00:51:02,880
Speaker 2: this is based in reality ish, and then you have

878
00:51:03,000 --> 00:51:04,240
Speaker 2: like how does she have a Kiki?

879
00:51:04,920 --> 00:51:05,080
Speaker 3: Right?

880
00:51:05,320 --> 00:51:06,799
Speaker 1: Like? Where is Kiki coming from?

881
00:51:06,840 --> 00:51:07,360
Speaker 4: What is this?

882
00:51:07,760 --> 00:51:11,800
Speaker 1: This feels dystopian. There's a couple of really great quotes,

883
00:51:12,120 --> 00:51:14,080
Speaker 1: a lot of Brittany. I would like to give an

884
00:51:14,080 --> 00:51:18,280
Speaker 1: honorable mention quote to Figgins when he says, first and foremost,

885
00:51:18,360 --> 00:51:19,920
Speaker 1: I wish to address the rumor that I like to

886
00:51:19,960 --> 00:51:21,839
Speaker 1: be milked like a cow, because my breasts are filled

887
00:51:21,840 --> 00:51:27,640
Speaker 1: with delicious wholes of milk. That rumor is untrue. I

888
00:51:27,680 --> 00:51:32,320
Speaker 1: don't know where they came from, but I cackled, and

889
00:51:32,400 --> 00:51:34,600
Speaker 1: his delivery is just so good.

890
00:51:35,080 --> 00:51:40,640
Speaker 2: Always my name is Brittany is peers, and I finally

891
00:51:40,719 --> 00:51:44,160
Speaker 2: know how Jesus feels in his houseway of because I'm

892
00:51:44,200 --> 00:51:49,759
Speaker 2: at the top of the world. God has a lot.

893
00:51:50,000 --> 00:51:56,560
Speaker 1: She really does. I gosh, one of the other ones.

894
00:51:57,360 --> 00:52:02,600
Speaker 1: She says, what are you about to say for yourself? Brittany,

895
00:52:03,280 --> 00:52:05,160
Speaker 1: to quote the legends yourself? If I met me, I

896
00:52:05,200 --> 00:52:06,759
Speaker 1: would say quick clow and then I would think I

897
00:52:06,840 --> 00:52:09,200
Speaker 1: was a really nice girl. Sweet.

898
00:52:10,480 --> 00:52:12,840
Speaker 2: Yeah, that's me, and that's Santana, and that's Kurt and Rachel.

899
00:52:12,880 --> 00:52:18,319
Speaker 1: In Heaven, Oh, Brittany, just it's like a field day

900
00:52:18,360 --> 00:52:20,440
Speaker 1: for the writers to like have an episode where Brittany

901
00:52:20,520 --> 00:52:22,919
Speaker 1: is like losing her mind. I think we're good. Heaven

902
00:52:23,000 --> 00:52:26,000
Speaker 1: had so much fun performance. MVP goes to Heathern Morris.

903
00:52:27,040 --> 00:52:31,160
Speaker 2: I mean, obviously there's no other option. Okay, Jenna, shit,

904
00:52:31,200 --> 00:52:32,000
Speaker 2: we found on TikTok.

905
00:52:32,120 --> 00:52:32,360
Speaker 1: Let's go.

906
00:52:33,080 --> 00:52:37,319
Speaker 2: It's Taylor Swift but daddy, I love him. And it's

907
00:52:37,719 --> 00:52:43,239
Speaker 2: Glee clips. It's Glee. This has been Brittany in me

908
00:52:44,200 --> 00:52:48,719
Speaker 2: yes and then and everybody reacting to Oh, it's really good.

909
00:52:49,000 --> 00:52:52,680
Speaker 2: It feels like a really great TV trailer from the nineties.

910
00:52:53,000 --> 00:52:58,040
Speaker 2: Love Love Lesbian Gleek posted it. Thank you for posting

911
00:52:58,120 --> 00:53:04,759
Speaker 2: that it's so good. People are complaining that Rachel wasn't

912
00:53:04,800 --> 00:53:06,520
Speaker 2: included in it. I feel like we should just get

913
00:53:06,560 --> 00:53:09,800
Speaker 2: another version, obviously, because it's so good. So when I

914
00:53:09,880 --> 00:53:14,440
Speaker 2: make an extended version with Rachel's face, yes, when Brittany

915
00:53:14,480 --> 00:53:18,480
Speaker 2: says that she's having my baby, absolutely not, Oh my gosh,

916
00:53:19,280 --> 00:53:20,480
Speaker 2: that is Britney two point oh?

917
00:53:20,960 --> 00:53:24,160
Speaker 1: Well where and here we go? Off to the races

918
00:53:24,239 --> 00:53:26,560
Speaker 1: we go. It's season four. I hope you're enjoyed it.

919
00:53:27,440 --> 00:53:32,680
Speaker 1: I did. I did too, Yeah for sure, wacky kokie crazy,

920
00:53:32,840 --> 00:53:35,919
Speaker 1: but gotta love it pretty good. Just hold on because

921
00:53:36,320 --> 00:53:39,080
Speaker 1: it gets crazier. I'm not mad at season for you.

922
00:53:39,480 --> 00:53:43,719
Speaker 1: Me neither. All right, Well, thanks for joining us, and

923
00:53:43,880 --> 00:53:44,279
Speaker 1: before we.

924
00:53:44,320 --> 00:53:47,839
Speaker 2: Go, I have been traveling a bit lately, and I've

925
00:53:47,840 --> 00:53:49,640
Speaker 2: been meeting a lot of you out in the real world.

926
00:53:49,960 --> 00:53:52,640
Speaker 2: I r l who listened to the podcast, and so

927
00:53:52,800 --> 00:53:56,640
Speaker 2: many people are rewatching the show. I've met so many

928
00:53:56,719 --> 00:53:58,279
Speaker 2: people the past couple of weeks, and I just want

929
00:53:58,280 --> 00:54:00,000
Speaker 2: to say thank you to all of you who listen,

930
00:54:00,080 --> 00:54:03,080
Speaker 2: and thanks for telling your friends and your family or

931
00:54:03,120 --> 00:54:04,600
Speaker 2: your friends who don't even listen to this but are

932
00:54:04,640 --> 00:54:07,560
Speaker 2: rewatching it. It's great to meet these people. And talk

933
00:54:07,600 --> 00:54:10,480
Speaker 2: about it because now I have something to talk I

934
00:54:10,560 --> 00:54:14,000
Speaker 2: feel more knowledgeable now about the thing I was on at.

935
00:54:13,920 --> 00:54:16,880
Speaker 1: Some point, So come back next week. Thank you everybody,

936
00:54:17,040 --> 00:54:17,959
Speaker 1: that's what you really missed.

937
00:54:18,560 --> 00:54:21,640
Speaker 2: Thanks for listening, and follow us on Instagram at and

938
00:54:21,800 --> 00:54:24,040
Speaker 2: that's what you really miss pod. Make sure to write

939
00:54:24,080 --> 00:54:26,320
Speaker 2: us a review and leave us five stars. See you

940
00:54:26,360 --> 00:54:26,759
Speaker 2: next time.