WEBVTT - ICE CUBE in the Trap! | 85 South Show Podcast

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<v Speaker 1>I can't count that much five four three two one?

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<v Speaker 2>You know was that what it's hand and got the

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<v Speaker 2>mother O.

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<v Speaker 3>Sweete hey man, welcome back to the eighty five SAP Show.

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<v Speaker 3>Now look over here at eighty five SAP Show, we

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<v Speaker 3>had made it our business to invite all of the

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<v Speaker 3>ghetto legends.

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<v Speaker 2>We won't speak to all the ghetto.

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<v Speaker 3>This man right here is definitely a certified ghetto legend

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<v Speaker 3>by himself and talking big rap game, part of one

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<v Speaker 3>of the biggest groups in rap history.

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<v Speaker 2>It's the Big three TV show.

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<v Speaker 4>Teenage hol On Educated. What you do it?

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<v Speaker 2>That's he without having a twister f you know we're

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<v Speaker 2>doing like this. You put it on the side. Okay.

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<v Speaker 3>First of all, we got to say thank you, yes sir,

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<v Speaker 3>for all the work you put in, all the game

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<v Speaker 3>you put us up on, all the movies, all the

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<v Speaker 3>everything you contributed to the culture.

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<v Speaker 2>Man, Thank you man. Thanks checking it out. You know

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<v Speaker 2>what I'm saying. Thanks for absorbing it and you know,

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<v Speaker 2>making it part of the culture.

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<v Speaker 1>All right.

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<v Speaker 3>First thing I got to say before we even start

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<v Speaker 3>doing the thing. First ship, because I know you be

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<v Speaker 3>on line. I know you don't seen the fans been

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<v Speaker 3>making posters put in d C and Friday for the

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<v Speaker 3>last ten years.

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<v Speaker 2>What we got to do to get DC in there?

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<v Speaker 1>Man?

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<v Speaker 2>Not too much, not too much, you know what I mean.

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<v Speaker 2>Once it come around, we're gonna gonna make it happen.

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<v Speaker 5>That Yeah, speaking of Friday, Like you always talk about

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<v Speaker 5>the executive side, and I think that's something that is

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<v Speaker 5>important to talk about. Like what made you so understanding

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<v Speaker 5>of that side of the business being an artist so early,

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<v Speaker 5>you know what I mean. You came in and was

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<v Speaker 5>already a superstar, so you could have had people around

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<v Speaker 5>you take care all of that. What made you want

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<v Speaker 5>to be so involved in that side of the game.

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<v Speaker 2>That's the fun part, you know, creating, you know, being

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<v Speaker 2>able to to you know, touch every aspect of the project.

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<v Speaker 2>You know, this is what we get off on, at

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<v Speaker 2>least me, is the creative part. You know. I love

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<v Speaker 2>to finish product, you know, but uh, you know, I'm

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<v Speaker 2>just addicted to the journey, you know what I'm saying.

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<v Speaker 2>Addicted to you know, putting it together, the meetings, uh,

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<v Speaker 2>creative input, you know, people coming in with their talents

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<v Speaker 2>and and and the pressure of getting it the day.

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<v Speaker 2>You know, do all this planning, but you usually only

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<v Speaker 2>got one day to shoot these scenes. So that's the day.

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<v Speaker 2>We need you to be the ship. You know what

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<v Speaker 2>I'm saying. We need you to be, you know, on

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<v Speaker 2>your top level. So to me, all that's fun. And

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<v Speaker 2>then the finished product, you know, we show it to

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<v Speaker 2>the people, they love it, and you know, I'm usually

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<v Speaker 2>off to the next non you've been in that.

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<v Speaker 6>You've been in the game for quite some time, and

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<v Speaker 6>that's not something to say to be like, oh now

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<v Speaker 6>you old school.

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<v Speaker 2>No, young buck.

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<v Speaker 6>You want to be in the game becourse quite a

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<v Speaker 6>long time.

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<v Speaker 3>Which period was the best.

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<v Speaker 6>Because you you are a icon, you are a staple.

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<v Speaker 2>You are president When it was when? When? When yoga?

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<v Speaker 1>The Beginning's day?

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<v Speaker 3>The ship that y'all like, the ship?

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<v Speaker 6>Yeah, it can't be recreated, it can't.

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<v Speaker 3>It can't be duplicated.

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<v Speaker 2>You did, yeah, which time? Oh man? You know, the

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<v Speaker 2>beginning is all always the most vivid. You remember the

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<v Speaker 2>beginning more than you know the whole journey, so, you know,

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<v Speaker 2>just starting off as locals and you know, being underground.

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<v Speaker 2>You know, we didn't we didn't even know, yeah, he said,

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<v Speaker 2>Rodin swat me. We didn't even know the music we

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<v Speaker 2>was doing was gonna make us big. We thought we

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<v Speaker 2>was just gonna be local, underground ghetto stars. That's what

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<v Speaker 2>we was trying to be, you know, get people in

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<v Speaker 2>our own hood to really dig it, because they was

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<v Speaker 2>fans of you know, what we considered the pros. You know,

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<v Speaker 2>they was fans of the run DMCs and the rock

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<v Speaker 2>cams and you know, everybody doing it on a major level.

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<v Speaker 2>And so we figured if we can just you know,

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<v Speaker 2>make noise in our own neighborhood, then you know, we

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<v Speaker 2>can get a little bit of love because y'all ain't

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<v Speaker 2>run dmceing coming around here. You know what I'm saying, Uh,

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<v Speaker 2>Rock Kim ain't coming.

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<v Speaker 3>Through here, but we are. So that was.

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<v Speaker 2>Our plan to you know, conquer Compton Watt South Central

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<v Speaker 2>l A. And and then you know, as soon as

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<v Speaker 2>we like put our mind to that, right, it went

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<v Speaker 2>the other way. It blew up, it went, it went

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<v Speaker 2>instead of going more underground and went up.

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<v Speaker 1>Now, let me ask you this, that's a good nigga.

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<v Speaker 3>Right, last week sucked around and got a triple dope. Yeah,

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<v Speaker 3>just as a as around triple double on these niggas, right,

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<v Speaker 3>Who was keeping the stats?

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<v Speaker 2>Well, you know, I kept my own stats. You know

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<v Speaker 2>they keep I know I got ten points, you know,

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<v Speaker 2>playing he's been missing. I know I got at least

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<v Speaker 2>letting rebound understanding, So uh, I play basketball all the time,

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<v Speaker 2>you know what I mean. It was like we'd be

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<v Speaker 2>at the studio shooting east Wood. No, I ain't never

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<v Speaker 2>played with cat. Im probably retired by the time he

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<v Speaker 2>came gonna call me.

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<v Speaker 3>I can't believe you really asked in the video cube shotow,

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<v Speaker 3>I had a shot, I said.

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<v Speaker 2>Like I used to play with a lot of big

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<v Speaker 2>niggas when I was little. I had to develop a

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<v Speaker 2>shot to get it over there. Ass I developed this,

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<v Speaker 2>you know, kind of like going to the basket, but

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<v Speaker 2>I'm not going for a layup. I'm actually going wider

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<v Speaker 2>thought that hook up.

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<v Speaker 1>Today was a good day for a black man.

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<v Speaker 3>That was a hell of a That was a great

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<v Speaker 3>hell of a That was amazing.

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<v Speaker 2>I had to be come on then when you woke up,

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<v Speaker 2>get up.

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<v Speaker 3>Went outside and read the life of the good Year blim.

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<v Speaker 2>What is it?

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<v Speaker 3>He was a's like eleven blimps in the world, a

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<v Speaker 3>good Year blimp.

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<v Speaker 2>It was a good day, man. You know, I just

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<v Speaker 2>wanted to It was a trip because when I did

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<v Speaker 2>that song you know, niggas and my.

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<v Speaker 3>Crew was like, what is this man with you?

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<v Speaker 2>Before I before I related, I was just wrapping it

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<v Speaker 2>on the paper. I was like, what you're talking about? Q.

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<v Speaker 2>You a hardcore rapper, Nigga, you can't be having as

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<v Speaker 2>nigga blasting And now I'm like, nah, you know, I'm

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<v Speaker 2>a reality rapper and nig I'm having a good day

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<v Speaker 2>rap about it.

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<v Speaker 1>Nigga's okay to feel.

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<v Speaker 2>Good, It's okay.

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<v Speaker 7>That's crazy though, to go from your basketball line that

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<v Speaker 7>you just said to the Big Three like your Love

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<v Speaker 7>and Stuff show, It's like you saying that you enjoy creating.

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<v Speaker 7>I'm like, okay, that's why you wrote the movie. You

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<v Speaker 7>know what I'm saying. That's why you the basketball day,

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<v Speaker 7>that's why you've got the Big Three. And that ain't

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<v Speaker 7>no easy shit to do, man, any stepping out of

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<v Speaker 7>any sport man, and you facing a lot of opposition

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<v Speaker 7>with that. So I just gotta tip my head to that.

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<v Speaker 2>Thank you.

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<v Speaker 3>Nigga, got help bawling.

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<v Speaker 2>It's the hardest. It's the hardest shit I ever had

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<v Speaker 2>to do. I'm gonna try to do an entertainment because

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<v Speaker 2>you know, hip hop was already here when I started.

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<v Speaker 2>You know, rat was there, movies was going when I started.

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<v Speaker 2>You know, they got basketball, but they don't have three

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<v Speaker 2>on three. And then to try to elevate it to

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<v Speaker 2>the professional level and get you know, first people to

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<v Speaker 2>take it serious and then for people to become fans.

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<v Speaker 2>You know that that's been a.

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<v Speaker 3>You know, that's that's not been.

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<v Speaker 2>The hard part. The hard part is going against this

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<v Speaker 2>opposition from other leagues. They don't want new leagues to

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<v Speaker 2>come in because you start, you know, cutting up that

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<v Speaker 2>that's that sponsored dollars. It's only so many dollars to

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<v Speaker 2>go around in the sponsor world. NFL wanted all NBA wanted,

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<v Speaker 2>all MLB wanted, all NHL, you know, all these other

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<v Speaker 2>established leagues. They want all their money. And they have

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<v Speaker 2>a new league coming in siphoning it those funds into

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<v Speaker 2>our league. It's just a lot of people hating on

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<v Speaker 2>that and trying to stop it. And you know, you

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<v Speaker 2>gotta you gotta be down to fight for what you

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<v Speaker 2>believe in, and UH can't be scared. You gotta be

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<v Speaker 2>down there to go after the big boys.

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<v Speaker 1>You said, fuck the police.

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<v Speaker 2>Yeah, I mean.

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<v Speaker 1>Going to get the system. Since you came in the game, man.

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<v Speaker 2>And that's the only way I know how to do it, because,

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<v Speaker 2>like I said, we thought it was gonna be locals

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<v Speaker 2>and we didn't know, so we was just being real.

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<v Speaker 2>And then when it start to blow up, now you

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<v Speaker 2>have you know, reporters in our face. You got people

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<v Speaker 2>you know coming at us with all kinds of opposition,

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<v Speaker 2>you know, from the FBI to you know, Billboard and

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<v Speaker 2>all these established music you know, publications. Is everybody's coming

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<v Speaker 2>after even music industry, rap industry, the government, you know

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<v Speaker 2>pmr C, which was the parent Music Resources and some

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<v Speaker 2>ship like that and shit to us. You know, we

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<v Speaker 2>was like, yo, better than you know, crips coming after you,

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<v Speaker 2>better than blood's coming after you know what I'm saying,

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<v Speaker 2>this is easy, Like to deal with these people they

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<v Speaker 2>just talking. Ain't nobody gonna pull out no pistols, you know,

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<v Speaker 2>it's just gonna be a bunch of questions. And then

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<v Speaker 2>we went through that storm and realized, you know, and

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<v Speaker 2>we're pretty unscathed. You know what I'm saying, like, keep going,

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<v Speaker 2>you know, don't don't let nothing stop us. And that's

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<v Speaker 2>been my attitude and entertainment. Don't letting them stop.

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<v Speaker 3>So to go from fuck the police now you talking

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<v Speaker 3>to presidents and shit like that. Man, what was that

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<v Speaker 3>transition like to cover that much ground to go from

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<v Speaker 3>fuck the police?

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<v Speaker 1>Like, I got a plan, I need to go holler

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<v Speaker 1>as somebody.

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<v Speaker 2>Yeah, you know what. The plan was really a plan

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<v Speaker 2>for us, like for us to to have a thirty

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<v Speaker 2>thousand foot view of the big problem. You know, after

0:11:39.920 --> 0:11:45.040
<v Speaker 2>twenty twenty George Floyd, everybody was saying this needs to change,

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<v Speaker 2>this needs to change, and they was coming from all angles.

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<v Speaker 2>It was mostly on police brutality, brutalty and law enforcement

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<v Speaker 2>and all that shit. But then I was like, man,

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<v Speaker 2>this problem is bigger than just police brutality. It's an

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<v Speaker 2>economic problem, it's social is it's a wide issue. So

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<v Speaker 2>I got with a bunch of scholars and started to

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<v Speaker 2>research how did we get here? How why did we

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<v Speaker 2>have it so fucked up in this country? And came

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<v Speaker 2>up with a with a plan that I thought, you know,

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<v Speaker 2>could help us get out of it if the country

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<v Speaker 2>was serious by making a turnaround. And I put it

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<v Speaker 2>out there, and just to be clear, these people came

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<v Speaker 2>to talk to me. They was asking, could you come

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<v Speaker 2>in talk to us about your plan? Democrats and Republicans.

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<v Speaker 2>So I was like, man, no problem, shit, what you

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<v Speaker 2>want to know, Here's how here's what we're thinking on this,

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<v Speaker 2>here's what we're thinking on that. And some people ran

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<v Speaker 2>with it, some people didn't, you know what I'm saying.

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<v Speaker 2>But to me, I felt like I had the resources

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<v Speaker 2>and you know, I had the just the energy and

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<v Speaker 2>the passion to take a long look at it because

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<v Speaker 2>nobody was doing that. You know. It's like, man, all

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<v Speaker 2>these people that been through office, ain't nobody came up

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<v Speaker 2>with a plan for us, you know what I'm saying. Nobody,

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<v Speaker 2>you know, from you know, going back to Jesse Jackson

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<v Speaker 2>and third grade Marshall and all these like, nobody came

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<v Speaker 2>up with a plan and went to the government and said,

0:13:27.480 --> 0:13:31.560
<v Speaker 2>this is what we need to do for black people

0:13:32.120 --> 0:13:35.320
<v Speaker 2>to start, you know, gaining the rewards out of this

0:13:35.400 --> 0:13:37.840
<v Speaker 2>country that we're putting in, putting in a lot of

0:13:37.880 --> 0:13:41.000
<v Speaker 2>tax money and shit, but I ain't getting no benefits

0:13:41.040 --> 0:13:45.080
<v Speaker 2>of it, or just bullshit benefits. And then you know,

0:13:45.120 --> 0:13:49.400
<v Speaker 2>it became controversial because one side looked at it, one

0:13:49.480 --> 0:13:52.360
<v Speaker 2>side didn't. And now they were trying to use me

0:13:52.400 --> 0:13:55.680
<v Speaker 2>as a political football, like you with him you with them,

0:13:55.720 --> 0:13:57.240
<v Speaker 2>you with that, you with this, and I'm like, I

0:13:57.240 --> 0:14:00.440
<v Speaker 2>ain't with shit. These motherfuckers called me. You know, I

0:14:00.480 --> 0:14:02.720
<v Speaker 2>was minding my own business. I did this plan for

0:14:02.880 --> 0:14:08.480
<v Speaker 2>us to look at and now everybody thinking, I'm you

0:14:08.520 --> 0:14:11.720
<v Speaker 2>know this or that or the other, and it wasn't true.

0:14:12.720 --> 0:14:16.920
<v Speaker 2>So to be honest, it's just you know, giving a fuck,

0:14:17.080 --> 0:14:21.000
<v Speaker 2>you know, seeing the issue and trying to address it

0:14:21.560 --> 0:14:26.480
<v Speaker 2>and you know the best way we can to get

0:14:26.600 --> 0:14:30.200
<v Speaker 2>the government to look at it and fix it. And

0:14:30.280 --> 0:14:34.480
<v Speaker 2>so that's how you go from you know, doing movies, music,

0:14:34.840 --> 0:14:38.960
<v Speaker 2>you getting in a position with people they take your opinion.

0:14:39.160 --> 0:14:41.000
<v Speaker 3>Did they say some shit you could use? Did they

0:14:41.040 --> 0:14:43.800
<v Speaker 3>give you some insight who the people you was talking

0:14:43.840 --> 0:14:44.520
<v Speaker 3>to with the plan?

0:14:44.640 --> 0:14:45.720
<v Speaker 1>Did they say any good shit?

0:14:46.560 --> 0:14:46.800
<v Speaker 8>Man?

0:14:46.880 --> 0:14:49.240
<v Speaker 2>You know, it's it's all a it's all a game.

0:14:49.400 --> 0:14:52.520
<v Speaker 2>At the end of the day. Everything in that plan,

0:14:52.600 --> 0:14:56.640
<v Speaker 2>them niggas knew. It wasn't like I was bringing up

0:14:56.680 --> 0:14:58.800
<v Speaker 2>something they didn't know. They know what's going on. They

0:14:58.840 --> 0:15:01.440
<v Speaker 2>know they're not giving and that's what we need. You

0:15:01.480 --> 0:15:05.000
<v Speaker 2>know what I'm saying, that's part of the plan. And

0:15:05.080 --> 0:15:07.000
<v Speaker 2>you know, that's what you realize when you get to

0:15:07.040 --> 0:15:11.000
<v Speaker 2>them levels that you know, the people just capping to

0:15:11.040 --> 0:15:13.480
<v Speaker 2>get a vote, and then when they get to vote,

0:15:13.480 --> 0:15:15.120
<v Speaker 2>they're gonna go do what the fuck they want to do.

0:15:15.840 --> 0:15:19.280
<v Speaker 7>Yea you seeing that it happens.

0:15:19.080 --> 0:15:20.560
<v Speaker 1>That's the gang you know.

0:15:20.640 --> 0:15:23.320
<v Speaker 5>You see hip hop now with all the you know,

0:15:23.920 --> 0:15:26.680
<v Speaker 5>the the way that people are affiliated with, all this

0:15:26.760 --> 0:15:27.920
<v Speaker 5>different type of stuff.

0:15:27.680 --> 0:15:29.280
<v Speaker 1>And niggas is going to jail and all that.

0:15:29.360 --> 0:15:32.440
<v Speaker 5>You come from the city of gang banging, but you

0:15:32.560 --> 0:15:36.840
<v Speaker 5>never was affiliated with anything. How did you manage to

0:15:36.920 --> 0:15:39.080
<v Speaker 5>navigate that? And what advice could you give the new

0:15:39.200 --> 0:15:41.720
<v Speaker 5>artists or how they can navigate it and being able

0:15:41.760 --> 0:15:44.480
<v Speaker 5>to become as successful as you are without associating yourself

0:15:44.520 --> 0:15:46.840
<v Speaker 5>with something that you know you might come from.

0:15:47.080 --> 0:15:48.120
<v Speaker 1>You don't have to be a part of.

0:15:48.880 --> 0:15:51.640
<v Speaker 2>Just make up your mind. You know, everybody in La

0:15:51.720 --> 0:15:56.280
<v Speaker 2>affiliated affiliated with something. You can't be from LA and

0:15:56.320 --> 0:16:00.680
<v Speaker 2>not be from somewhere because every neighborhood is somewhere. You

0:16:00.760 --> 0:16:04.560
<v Speaker 2>know what I'm saying, Every neighborhood, it's somebodyhood that you're

0:16:04.600 --> 0:16:08.960
<v Speaker 2>part of. And it was no different from me. It's just, uh,

0:16:09.720 --> 0:16:12.320
<v Speaker 2>you know, making up your mind like I saw, I

0:16:12.360 --> 0:16:16.880
<v Speaker 2>saw something in music and being creative that took a

0:16:16.880 --> 0:16:18.840
<v Speaker 2>lot of my time, took a lot of my attention,

0:16:19.680 --> 0:16:21.800
<v Speaker 2>took me off the street, and I was in the studio.

0:16:22.560 --> 0:16:26.520
<v Speaker 2>So in them years fourteen fifteen, when you're making a

0:16:26.560 --> 0:16:28.720
<v Speaker 2>decision on what you want to do and you know

0:16:28.720 --> 0:16:31.000
<v Speaker 2>you're gonna be a writer, you're gonna be a regular guy,

0:16:31.080 --> 0:16:33.000
<v Speaker 2>you know what I mean, that age just when you

0:16:33.040 --> 0:16:37.160
<v Speaker 2>start making those decisions. And thank god I was hanging

0:16:37.200 --> 0:16:40.920
<v Speaker 2>with Doctor Dre and making music and you know, in

0:16:40.960 --> 0:16:44.880
<v Speaker 2>them years, I'm thinking about something creative and positive and

0:16:44.880 --> 0:16:47.800
<v Speaker 2>it's bringing in money. And you know, it was just.

0:16:48.480 --> 0:16:52.960
<v Speaker 3>Fun talking about this for a long time, like sellouts

0:16:52.960 --> 0:16:56.480
<v Speaker 3>in the black people who just black on the outside,

0:16:56.480 --> 0:16:57.120
<v Speaker 3>who don't.

0:16:56.880 --> 0:16:58.800
<v Speaker 1>Really give a fuck about the black community.

0:16:58.880 --> 0:17:01.280
<v Speaker 3>And yeah, even in the music with the like Who's

0:17:01.360 --> 0:17:04.679
<v Speaker 3>Themacan Ship like that where you always made fun to

0:17:04.720 --> 0:17:05.840
<v Speaker 3>sell out black people.

0:17:06.240 --> 0:17:10.560
<v Speaker 2>Yeah, I mean, you know, it's it's a thing where

0:17:12.400 --> 0:17:15.520
<v Speaker 2>you can't forget where you come from, of course, and

0:17:16.200 --> 0:17:19.960
<v Speaker 2>you got to look to help people that's ready. Everybody

0:17:20.000 --> 0:17:23.879
<v Speaker 2>ain't ready to ride. Everybody ain't ready for you know,

0:17:25.040 --> 0:17:28.120
<v Speaker 2>they're not ready for prime time. So everybody can't go.

0:17:28.840 --> 0:17:32.240
<v Speaker 2>But you know, always reach back. You know, I've always

0:17:32.280 --> 0:17:38.919
<v Speaker 2>reached back talent or or people or just you know,

0:17:39.040 --> 0:17:42.439
<v Speaker 2>people from from a neighborhood that can help, you know,

0:17:42.640 --> 0:17:46.639
<v Speaker 2>help me, you know, on my journey. And you know,

0:17:46.720 --> 0:17:50.240
<v Speaker 2>the people that's serious, that's down, that's willing to change

0:17:50.280 --> 0:17:52.919
<v Speaker 2>their life, they get to go. The people that are

0:17:52.920 --> 0:17:56.359
<v Speaker 2>still on that bullshit, they got to stay.

0:17:57.960 --> 0:18:00.679
<v Speaker 6>A giving back like you're always going to get it.

0:18:00.680 --> 0:18:01.200
<v Speaker 2>Don't matter.

0:18:02.080 --> 0:18:03.200
<v Speaker 3>I don't hear the bullshit.

0:18:03.280 --> 0:18:05.320
<v Speaker 6>They coming from a lane who don't who don't know

0:18:05.359 --> 0:18:06.119
<v Speaker 6>nothing about nothing.

0:18:06.520 --> 0:18:08.919
<v Speaker 3>I can tell off the projects that you bring.

0:18:09.040 --> 0:18:11.280
<v Speaker 6>You don't have to put niggas in the movie if

0:18:11.320 --> 0:18:12.159
<v Speaker 6>you don't want them in.

0:18:12.720 --> 0:18:14.240
<v Speaker 2>Yeah, yeah, it's true.

0:18:14.960 --> 0:18:18.639
<v Speaker 1>Yeah, straight up. You have made so many movies with

0:18:18.880 --> 0:18:20.120
<v Speaker 1>other niggas.

0:18:19.720 --> 0:18:22.439
<v Speaker 3>In it that it put them on.

0:18:23.240 --> 0:18:26.000
<v Speaker 2>Yeah, you know it's a look somebody put me on.

0:18:28.240 --> 0:18:31.639
<v Speaker 2>They ain't discovering me, you know. You know. He just

0:18:31.880 --> 0:18:34.720
<v Speaker 2>was like, man, I want to put you in a movie. Man,

0:18:34.720 --> 0:18:38.359
<v Speaker 2>I know you could do it. And and when I

0:18:38.400 --> 0:18:41.159
<v Speaker 2>see people and I know they can do it, be like,

0:18:41.680 --> 0:18:44.639
<v Speaker 2>you can't wait till I got something this person or

0:18:44.640 --> 0:18:48.280
<v Speaker 2>that person or that some point in the key.

0:18:48.600 --> 0:18:55.440
<v Speaker 9>The key, the key is to set them up for success,

0:18:56.119 --> 0:18:58.240
<v Speaker 9>you know, not to just put them in anything with

0:18:58.359 --> 0:19:03.320
<v Speaker 9>any role or but to give them that perfect role

0:19:03.359 --> 0:19:06.679
<v Speaker 9>where they can get busy, they can like you know,

0:19:06.880 --> 0:19:08.240
<v Speaker 9>steal a scene or two.

0:19:08.560 --> 0:19:13.320
<v Speaker 2>And then from there continue to you know, to show

0:19:13.320 --> 0:19:16.959
<v Speaker 2>the world what they got. I was like, I was

0:19:17.000 --> 0:19:21.800
<v Speaker 2>happy that I had a way to show uh, the

0:19:21.840 --> 0:19:24.639
<v Speaker 2>guys that I thought was funny and and good that

0:19:24.800 --> 0:19:28.440
<v Speaker 2>wasn't getting you know, the shine, that I had a

0:19:28.480 --> 0:19:31.159
<v Speaker 2>project or something that they was right for and they,

0:19:31.680 --> 0:19:33.560
<v Speaker 2>you know, it was down to do it, trusted me

0:19:33.680 --> 0:19:36.360
<v Speaker 2>in and you know, busy.

0:19:36.720 --> 0:19:39.440
<v Speaker 5>You have a defining role like for yourself and one

0:19:39.480 --> 0:19:42.399
<v Speaker 5>that you wrote. Do you feel like you have not

0:19:42.520 --> 0:19:43.880
<v Speaker 5>really really you know what I mean.

0:19:43.920 --> 0:19:48.280
<v Speaker 2>I'm not like looking to play any thing. You know.

0:19:48.320 --> 0:19:51.080
<v Speaker 2>It's just like, you know, whatever's dope, you know, and

0:19:51.320 --> 0:19:52.680
<v Speaker 2>I don't have to be the one to think of

0:19:52.760 --> 0:19:57.720
<v Speaker 2>the idea. You know. Sometime like Barbershop that was somebody

0:19:57.720 --> 0:20:02.520
<v Speaker 2>brought that to to uh, you know, ten Story and

0:20:02.520 --> 0:20:04.840
<v Speaker 2>them dudes brought that to the Q Vision and we

0:20:04.880 --> 0:20:08.719
<v Speaker 2>did it, and so you know, I'm all, I'm up

0:20:08.720 --> 0:20:11.040
<v Speaker 2>for that too. You know. Ride Along was another movie

0:20:11.080 --> 0:20:15.399
<v Speaker 2>that that was was Doug brought it to us. We

0:20:15.520 --> 0:20:18.320
<v Speaker 2>put the polish on it. And ended up doing it.

0:20:22.600 --> 0:20:25.080
<v Speaker 2>What about What We Do? Yeah, that was another movie

0:20:25.080 --> 0:20:29.399
<v Speaker 2>that was Adam Sandler was supposed to do that they.

0:20:29.280 --> 0:20:32.879
<v Speaker 3>Had during that time. I watched that movie three thousand times.

0:20:40.359 --> 0:20:42.600
<v Speaker 2>So yeah, he was supposed to do the movie. He

0:20:42.640 --> 0:20:46.639
<v Speaker 2>couldn't do it. And then they was like, Yo, would

0:20:46.640 --> 0:20:50.879
<v Speaker 2>you consider doing a movie for kids like that? And

0:20:50.920 --> 0:20:54.880
<v Speaker 2>I'm like you said yeah, I said, yeah, I want

0:20:54.960 --> 0:20:58.880
<v Speaker 2>to do it because for one, black kids don't get

0:20:58.920 --> 0:21:04.199
<v Speaker 2>movies done, you know in that way special effects and

0:21:04.280 --> 0:21:08.560
<v Speaker 2>the stunts and just a big movie for for black kids,

0:21:08.640 --> 0:21:11.880
<v Speaker 2>you know. And so because I had little five year

0:21:11.880 --> 0:21:16.480
<v Speaker 2>olds coming to me saying, you, Craig, you.

0:21:16.520 --> 0:21:19.560
<v Speaker 3>Gotta knock the funk out and all this like.

0:21:21.280 --> 0:21:24.240
<v Speaker 2>Watching that movie, so said, I need to do something

0:21:25.000 --> 0:21:31.359
<v Speaker 2>for the little bitties. Knocked the kids. And I know

0:21:31.359 --> 0:21:34.120
<v Speaker 2>they watching Friday when I should be watching some ship

0:21:34.200 --> 0:21:36.919
<v Speaker 2>like they get to a certain.

0:21:36.720 --> 0:21:42.280
<v Speaker 5>Name Friday every day.

0:21:42.480 --> 0:21:42.879
<v Speaker 1>I love it.

0:21:43.119 --> 0:21:45.639
<v Speaker 3>Mean here you always got a dope ass call bro

0:21:45.800 --> 0:21:47.560
<v Speaker 3>that did in the contract somewhere. You gotta have a

0:21:47.640 --> 0:21:49.920
<v Speaker 3>nice ass, right, I mean I next fold the dope

0:21:49.920 --> 0:21:52.760
<v Speaker 3>boy head. That ship was so the gold on gold Yeah,

0:21:52.880 --> 0:21:53.720
<v Speaker 3>yeah that was hard.

0:21:54.000 --> 0:22:02.240
<v Speaker 2>Uh naturally, Yeah, yeah, I definitely requested that, right, you know,

0:22:02.280 --> 0:22:04.840
<v Speaker 2>I had one for real. So I was like, man,

0:22:05.040 --> 0:22:07.920
<v Speaker 2>this ain't this ain't been in a movie yet. Put

0:22:07.960 --> 0:22:11.080
<v Speaker 2>this one in a movie. Yeah, you know, I try

0:22:11.119 --> 0:22:13.600
<v Speaker 2>to make sure my ship is right in the movies.

0:22:13.640 --> 0:22:16.360
<v Speaker 2>I know a lot of people got fly ass cars.

0:22:17.040 --> 0:22:19.000
<v Speaker 2>Call them up, man, you want your shit in the movie,

0:22:19.240 --> 0:22:21.200
<v Speaker 2>and yep, who.

0:22:21.000 --> 0:22:23.159
<v Speaker 3>I need to give my number to that.

0:22:24.760 --> 0:22:26.600
<v Speaker 6>And we did Friday and they wanted to come the

0:22:26.640 --> 0:22:29.600
<v Speaker 6>secret right, And when Og wanted to go do his thing,

0:22:30.720 --> 0:22:33.800
<v Speaker 6>how did you manage to transition and say, you know what,

0:22:33.960 --> 0:22:36.119
<v Speaker 6>I ain't eed tripping. I can respect both sides, but

0:22:36.200 --> 0:22:38.600
<v Speaker 6>I still got to be me. I got to go

0:22:38.680 --> 0:22:41.480
<v Speaker 6>find new talent and we got to keep this franchise

0:22:41.560 --> 0:22:42.720
<v Speaker 6>going well.

0:22:42.760 --> 0:22:47.320
<v Speaker 2>I knew, like, okay, everybody got a crazy friend, but

0:22:47.359 --> 0:22:50.360
<v Speaker 2>everybody got a crazy cousin too. So I'm like, well,

0:22:51.000 --> 0:22:54.200
<v Speaker 2>since Smokey not gonna be in the movie, I gotta

0:22:54.400 --> 0:22:57.280
<v Speaker 2>I gotta take it off the block because everybody's gonna

0:22:57.280 --> 0:23:03.080
<v Speaker 2>be like we're smoky at if we're still I said, okay,

0:23:03.080 --> 0:23:06.119
<v Speaker 2>I'm gonna take Craig off the block. He worried about

0:23:06.160 --> 0:23:10.679
<v Speaker 2>Debo fucking him up and he's gonna go live with

0:23:10.720 --> 0:23:15.280
<v Speaker 2>his cousin. And you know, finding Mike Aapps was like

0:23:15.960 --> 0:23:20.159
<v Speaker 2>a jewel. Like when I first seen him, I knew

0:23:20.200 --> 0:23:24.000
<v Speaker 2>he was day day first seen him on stage and

0:23:25.119 --> 0:23:26.800
<v Speaker 2>just was checking him out, and I was like, this

0:23:26.880 --> 0:23:31.280
<v Speaker 2>nigga is hilarious. Like his comedy was all over the place,

0:23:31.520 --> 0:23:34.840
<v Speaker 2>was here, there, everywhere, and uh, it was just hood

0:23:34.880 --> 0:23:39.960
<v Speaker 2>and funny. He was funny, and I said he could

0:23:39.960 --> 0:23:44.639
<v Speaker 2>play my cousin. And you know, to me, you know,

0:23:44.680 --> 0:23:46.520
<v Speaker 2>I wanted Chris to be in every movie. But I'm

0:23:46.560 --> 0:23:49.399
<v Speaker 2>glad Mike Gavis Me and Mike gaps Wen did some

0:23:49.440 --> 0:23:56.440
<v Speaker 2>great movies to mind.

0:24:00.119 --> 0:24:11.120
<v Speaker 10>That happened without probably you know what I'm saying, getting

0:24:11.160 --> 0:24:14.240
<v Speaker 10>the opportunity man.

0:24:14.359 --> 0:24:16.880
<v Speaker 3>But you work well with comedians though, you do right

0:24:16.920 --> 0:24:21.159
<v Speaker 3>along Kevin Hard Yeah, yeah, you know some of my

0:24:22.080 --> 0:24:25.520
<v Speaker 3>all my buddies are funny, like everybody that's we look

0:24:25.600 --> 0:24:29.159
<v Speaker 3>serious everybody you know malay and do our ship, but

0:24:29.560 --> 0:24:31.000
<v Speaker 3>you just be laughing our ass.

0:24:32.240 --> 0:24:34.360
<v Speaker 6>Could that be the thing like all your characters you

0:24:34.359 --> 0:24:36.919
<v Speaker 6>want to play the series role, but they end up

0:24:36.960 --> 0:24:39.560
<v Speaker 6>saying some funny ship where you like you make them like,

0:24:39.600 --> 0:24:41.359
<v Speaker 6>they make you like like them at the end of

0:24:41.400 --> 0:24:42.000
<v Speaker 6>the movie, like you.

0:24:42.040 --> 0:24:44.880
<v Speaker 1>All right, yeah, you get your.

0:24:47.880 --> 0:24:53.879
<v Speaker 2>Definitely, you know. The key to me is, you know,

0:24:54.040 --> 0:24:57.720
<v Speaker 2>not not trying to be funny, you know what I mean,

0:24:57.960 --> 0:25:02.440
<v Speaker 2>just you know, let the situ ride that. The comedians

0:25:02.600 --> 0:25:06.960
<v Speaker 2>or whoever I got, that's their job. But my job

0:25:07.119 --> 0:25:10.640
<v Speaker 2>is to support and throw them jabs in the right

0:25:10.680 --> 0:25:15.160
<v Speaker 2>in the middle of you know, you know, the the

0:25:15.200 --> 0:25:17.919
<v Speaker 2>you know comedian I'm working with getting busy. You know

0:25:17.960 --> 0:25:22.719
<v Speaker 2>it's a comedy, and you know it's really the cast

0:25:23.400 --> 0:25:26.600
<v Speaker 2>and the people around that's really making the movie super funny.

0:25:26.600 --> 0:25:30.119
<v Speaker 2>I don't have to be you know, I'm not a comedian,

0:25:30.280 --> 0:25:36.200
<v Speaker 2>so you straight that's straight man, and let him get busy.

0:25:36.520 --> 0:25:39.119
<v Speaker 3>But one of my favorite ice Cube characters from How

0:25:39.160 --> 0:25:44.159
<v Speaker 3>I Learned It, Yeah, played the woke serious nigga, but

0:25:44.200 --> 0:25:46.480
<v Speaker 3>you still had you know what I mean, still kept

0:25:46.480 --> 0:25:51.760
<v Speaker 3>it real streeting hood, but with throwing the education ship

0:25:51.880 --> 0:25:52.720
<v Speaker 3>in there too.

0:25:53.160 --> 0:25:56.560
<v Speaker 2>You know, you know it's uh, it's one of those

0:25:57.160 --> 0:26:00.720
<v Speaker 2>probably on every campus you know, oh dude who have

0:26:00.760 --> 0:26:05.399
<v Speaker 2>been there five years no campus inside now, but also

0:26:05.680 --> 0:26:08.879
<v Speaker 2>all the games and you know, trying to spread that

0:26:09.080 --> 0:26:11.680
<v Speaker 2>knowledge which we all need.

0:26:12.800 --> 0:26:17.120
<v Speaker 5>Players Club is another one man like just club Man,

0:26:17.200 --> 0:26:21.040
<v Speaker 5>you know with Bernie Mack like, was that Did you

0:26:21.119 --> 0:26:21.760
<v Speaker 5>have a hand in that?

0:26:22.080 --> 0:26:24.560
<v Speaker 2>Hell, yeah, I wrote that movie.

0:26:24.640 --> 0:26:27.880
<v Speaker 5>I mean I'm saying, I mean as far as casting specifically,

0:26:28.200 --> 0:26:29.440
<v Speaker 5>specifically wrote.

0:26:29.240 --> 0:26:33.200
<v Speaker 2>Dollar Bill for Bernie.

0:26:30.800 --> 0:26:36.160
<v Speaker 3>That's one of the greatest all time.

0:26:36.600 --> 0:26:41.919
<v Speaker 2>Yeah, Bernie, you know, yeah, he don't been in a

0:26:41.920 --> 0:26:45.520
<v Speaker 2>lot of movies. But it's hard to me for anybody

0:26:45.600 --> 0:26:50.959
<v Speaker 2>to mess with that. We just I just let him

0:26:51.080 --> 0:26:51.679
<v Speaker 2>get busy.

0:26:51.760 --> 0:26:53.040
<v Speaker 5>I was about to say, how much of it did

0:26:53.080 --> 0:26:54.600
<v Speaker 5>you write it? How much of it did you just say?

0:26:55.359 --> 0:26:55.639
<v Speaker 2>Action?

0:26:55.760 --> 0:26:57.800
<v Speaker 1>And then let Bernie do what you.

0:26:57.760 --> 0:27:00.400
<v Speaker 3>Know I wrote, No, I don't, I don't. I don't

0:27:00.400 --> 0:27:01.600
<v Speaker 3>start with a wax script.

0:27:02.440 --> 0:27:06.800
<v Speaker 2>The script gotta be funny out loud while you're reading it.

0:27:07.600 --> 0:27:08.520
<v Speaker 3>Why you're gonna start.

0:27:09.480 --> 0:27:11.840
<v Speaker 2>So if I if I have a script that's funny

0:27:11.880 --> 0:27:15.359
<v Speaker 2>out loud while you're reading it, I know when I

0:27:15.440 --> 0:27:21.600
<v Speaker 2>give it to you know, somebody like, y'all, you're gonna go.

0:27:22.000 --> 0:27:25.399
<v Speaker 2>You know, it's it's solid, it's funny. If you just

0:27:25.440 --> 0:27:28.000
<v Speaker 2>said it how it is, it'll be funny. But I

0:27:28.040 --> 0:27:30.520
<v Speaker 2>know when I you know, let dudes add their little

0:27:30.520 --> 0:27:34.040
<v Speaker 2>flavor to it and stick with the script, but also

0:27:34.280 --> 0:27:37.879
<v Speaker 2>add those you know curveballs in there that it just

0:27:37.920 --> 0:27:39.080
<v Speaker 2>take it to another level.

0:27:39.359 --> 0:27:40.960
<v Speaker 3>And when you took it to a little level like

0:27:41.000 --> 0:27:41.639
<v Speaker 3>and a conda.

0:27:42.119 --> 0:27:43.520
<v Speaker 1>Yeah, playing some ship.

0:27:43.600 --> 0:27:44.760
<v Speaker 3>I know, y'all was in the swamp.

0:27:45.320 --> 0:27:56.080
<v Speaker 2>Yeah, I can get in here. Yeah. The reason I

0:27:56.080 --> 0:27:59.639
<v Speaker 2>did in the conduct was because, like the nigga didn't die.

0:27:59.680 --> 0:28:07.560
<v Speaker 2>I was like, y'all, I started I saw Jurassic Niggas

0:28:08.320 --> 0:28:10.800
<v Speaker 2>died in the first five minutes of the movie.

0:28:11.400 --> 0:28:13.720
<v Speaker 3>So I'm like, if y'all want to be in this movie,

0:28:15.160 --> 0:28:15.920
<v Speaker 3>I can't die.

0:28:17.960 --> 0:28:20.679
<v Speaker 2>And I wanted to help kill the snake. And it

0:28:20.840 --> 0:28:24.000
<v Speaker 2>was like all right, and they rewrote it, and I.

0:28:24.000 --> 0:28:27.920
<v Speaker 3>Was like, okay, crazy.

0:28:28.400 --> 0:28:32.840
<v Speaker 2>You know, we shot that ship in Brazil. Now not real.

0:28:32.960 --> 0:28:40.120
<v Speaker 2>Nigga announced Brazil in the middle of the Amazon. Yeah,

0:28:40.160 --> 0:28:41.920
<v Speaker 2>in the middle of Amazon.

0:28:41.480 --> 0:28:44.920
<v Speaker 1>And was scared.

0:28:50.320 --> 0:28:52.560
<v Speaker 2>In Amazon. Don't care, We're doing the movie, right, you

0:28:52.600 --> 0:28:54.800
<v Speaker 2>know what I mean? They man, it.

0:28:54.840 --> 0:28:57.560
<v Speaker 3>Was like it was a part where you had to

0:28:57.600 --> 0:28:58.120
<v Speaker 3>go to the water.

0:28:58.560 --> 0:29:03.959
<v Speaker 2>They told me you got getting water the Amazon War.

0:29:04.480 --> 0:29:07.440
<v Speaker 2>This point, It's like back then, I don't really know

0:29:08.120 --> 0:29:11.360
<v Speaker 2>all the special effects. I'm like, man, just do some

0:29:11.440 --> 0:29:13.920
<v Speaker 2>special effects and shit, when I'm.

0:29:13.720 --> 0:29:14.600
<v Speaker 3>Walking through the water.

0:29:15.080 --> 0:29:19.040
<v Speaker 2>It was like, nah, man, you gotta get in. Everybody

0:29:19.040 --> 0:29:22.479
<v Speaker 2>getting in. Man. You know, it's a part where I'm like, well,

0:29:22.480 --> 0:29:27.920
<v Speaker 2>where the fuck I gotta go right now? The Amazon

0:29:28.160 --> 0:29:32.920
<v Speaker 2>when it rained, it rises thirty feet, so you at

0:29:32.960 --> 0:29:36.760
<v Speaker 2>the top of trees. You're on the boat, but you're

0:29:36.760 --> 0:29:40.720
<v Speaker 2>seeing the tops of trees, and so I'm like, wait

0:29:40.760 --> 0:29:42.120
<v Speaker 2>a minute, how are we gonna get in this water?

0:29:42.200 --> 0:29:42.320
<v Speaker 5>Man?

0:29:42.760 --> 0:29:44.360
<v Speaker 3>So the water's supposed to be waist high.

0:29:45.880 --> 0:29:48.880
<v Speaker 2>So they said, we made a plank where you can

0:29:48.960 --> 0:29:52.400
<v Speaker 2>walk on this plank and it'll keep you waist high.

0:29:52.400 --> 0:29:57.440
<v Speaker 2>But if you step off the plank, you can. I'm like,

0:29:58.200 --> 0:30:00.040
<v Speaker 2>it took him two hours to talk to me. In

0:30:00.080 --> 0:30:03.920
<v Speaker 2>to that same two hours, Man, I ain't going. I

0:30:03.920 --> 0:30:05.360
<v Speaker 2>ain't doing it. Man, I don't give a fuck.

0:30:05.440 --> 0:30:06.960
<v Speaker 3>Shoot it without.

0:30:09.680 --> 0:30:12.440
<v Speaker 2>The AI in that part, you know what I'm I'm

0:30:12.480 --> 0:30:15.120
<v Speaker 2>looking at where I can cut. If I cut this out,

0:30:15.360 --> 0:30:17.000
<v Speaker 2>I ain't got to go. I don't go in the water.

0:30:17.320 --> 0:30:19.480
<v Speaker 2>But it was like, man, we need you, need you,

0:30:19.640 --> 0:30:23.120
<v Speaker 2>need you. So after a while, man, I put on

0:30:23.400 --> 0:30:27.000
<v Speaker 2>school of gear and all kind of ship. My god, damn, man,

0:30:27.360 --> 0:30:29.760
<v Speaker 2>it's some real ship. It's some real sh I'm ready

0:30:29.760 --> 0:30:31.280
<v Speaker 2>to get out this water. Man, you know what I

0:30:31.280 --> 0:30:39.080
<v Speaker 2>mean this movie ships, man, it's it's real Anakina out

0:30:39.080 --> 0:30:42.880
<v Speaker 2>there's you know, Piranha, It's all kind of ship in

0:30:42.880 --> 0:30:46.560
<v Speaker 2>that water man, And so it was it was that

0:30:46.680 --> 0:30:48.880
<v Speaker 2>was I was like, man, what the fuck am I

0:30:48.920 --> 0:30:51.160
<v Speaker 2>doing my life? You know what I'm saying. I'm in

0:30:51.160 --> 0:30:55.200
<v Speaker 2>the middle of the Amazon doing the goddamn movie and

0:30:56.720 --> 0:30:59.040
<v Speaker 2>in this bullshit water you know what I'm saying. So

0:31:00.440 --> 0:31:03.040
<v Speaker 2>it all turned out cool. You know. We was actually

0:31:03.080 --> 0:31:08.120
<v Speaker 2>really scared of the electric the mechanical snake. They had

0:31:08.120 --> 0:31:14.680
<v Speaker 2>a mechanical snake that these fucking college kids built, and

0:31:14.720 --> 0:31:19.120
<v Speaker 2>that motherfucker went haywire one time, almost fucked up Jennifer Lopez.

0:31:20.240 --> 0:31:23.240
<v Speaker 2>It malfunctioned and that ship just started to tear up.

0:31:23.280 --> 0:31:27.360
<v Speaker 2>The set almost swung, swung, it almost hit her in

0:31:27.360 --> 0:31:29.480
<v Speaker 2>the face and ship and they had to grab her

0:31:29.560 --> 0:31:35.640
<v Speaker 2>out of there. So so we after that, everybody looking

0:31:35.680 --> 0:31:37.000
<v Speaker 2>at this fucking snake.

0:31:36.840 --> 0:31:41.040
<v Speaker 8>Like we scared of this motherfucking thing for real, because

0:31:41.040 --> 0:31:46.360
<v Speaker 8>it was like this metal skeleton, the black one, but

0:31:46.440 --> 0:31:48.680
<v Speaker 8>it was wrapped in this like attire.

0:31:48.800 --> 0:31:49.080
<v Speaker 2>Damn.

0:31:49.120 --> 0:31:53.719
<v Speaker 3>The So this ship was hitching face up and we

0:31:54.560 --> 0:31:56.800
<v Speaker 3>acting with this ship and we're like, man, it's fuck

0:31:56.840 --> 0:32:00.000
<v Speaker 3>the malfunction. Just pop a nigga right in the mouth.

0:32:00.840 --> 0:32:05.800
<v Speaker 3>So we're scared of this thing for real. Yeah yeah, yeah, yeah,

0:32:06.800 --> 0:32:11.160
<v Speaker 3>nigga k QB had against and they ain't never did that.

0:32:11.320 --> 0:32:14.360
<v Speaker 5>No matter how many drive, you ain't never been in

0:32:14.440 --> 0:32:15.920
<v Speaker 5>an Amazon fighting the snake.

0:32:17.160 --> 0:32:22.120
<v Speaker 2>Yeah yeah, yeah, all of which one was the best

0:32:22.120 --> 0:32:26.840
<v Speaker 2>one when you like, damn all about the Benjamins.

0:32:31.920 --> 0:32:32.240
<v Speaker 3>Smile.

0:32:34.080 --> 0:32:36.200
<v Speaker 2>Yeah, that was that was fun. You know. We shot

0:32:36.200 --> 0:32:41.200
<v Speaker 2>that in Miami, and you know it was like, you know,

0:32:41.600 --> 0:32:47.600
<v Speaker 2>try to make you know, this action comedy. It was

0:32:47.600 --> 0:32:52.360
<v Speaker 2>my first time going after the action comedy title.

0:32:53.680 --> 0:32:54.240
<v Speaker 3>It was cool.

0:32:54.280 --> 0:32:56.120
<v Speaker 2>You know. We didn't have a lot of big budget

0:32:56.160 --> 0:32:58.680
<v Speaker 2>but made it work.

0:32:58.760 --> 0:33:01.520
<v Speaker 6>All your great movies with the no budget shit, I

0:33:01.520 --> 0:33:03.800
<v Speaker 6>wouldn't consider low.

0:33:04.240 --> 0:33:07.920
<v Speaker 2>But yeah, yeah, yeah, you know in Hollywood it is

0:33:08.960 --> 0:33:14.920
<v Speaker 2>that ain't no much. Actually, twenty five is low in Hollywood.

0:33:16.000 --> 0:33:17.080
<v Speaker 1>Give us a low budget.

0:33:17.160 --> 0:33:17.800
<v Speaker 2>It will take me.

0:33:17.880 --> 0:33:21.360
<v Speaker 1>Come up, up, we're building those snakes. We'll build something.

0:33:22.520 --> 0:33:27.280
<v Speaker 5>We will use you show back to the music man,

0:33:27.400 --> 0:33:29.720
<v Speaker 5>like you are literally one of the greatest to ever

0:33:29.840 --> 0:33:34.240
<v Speaker 5>touch a microphone. Man, what what after all these years

0:33:34.240 --> 0:33:37.120
<v Speaker 5>of being at this high level, what makes you still

0:33:37.160 --> 0:33:38.880
<v Speaker 5>want to do that part to wrap.

0:33:38.560 --> 0:33:41.840
<v Speaker 2>It, and I love it, you know, like like when

0:33:41.880 --> 0:33:43.680
<v Speaker 2>we first came out, we didn't think we was gonna

0:33:43.680 --> 0:33:46.600
<v Speaker 2>make no money. We just was having fun being able

0:33:46.600 --> 0:33:49.680
<v Speaker 2>to do something different. A lot of people wasn't wrapping

0:33:49.720 --> 0:33:53.480
<v Speaker 2>when we started, so it was unique, you know what

0:33:53.480 --> 0:33:56.320
<v Speaker 2>I mean. You come in, you bust everybody you know

0:33:56.600 --> 0:33:59.400
<v Speaker 2>into it, and it's always been fun.

0:33:59.440 --> 0:33:59.640
<v Speaker 7>You know.

0:34:00.080 --> 0:34:03.360
<v Speaker 2>Of course it got serious when I start getting deals

0:34:03.440 --> 0:34:06.400
<v Speaker 2>and having to pay back budgets and all this kind

0:34:06.400 --> 0:34:09.359
<v Speaker 2>of stuff. But now I do my own records. I've

0:34:09.360 --> 0:34:14.600
<v Speaker 2>been doing my own records since six and that shit

0:34:14.719 --> 0:34:16.239
<v Speaker 2>is fun because I ain't got to worry about paying

0:34:16.239 --> 0:34:18.440
<v Speaker 2>nobody back. You know, do.

0:34:20.080 --> 0:34:22.960
<v Speaker 3>You know the game to change? Everybody that heard about

0:34:23.000 --> 0:34:26.120
<v Speaker 3>some of the terrible record deals and you know the

0:34:26.160 --> 0:34:28.759
<v Speaker 3>snakes in the game. So when when young artists come

0:34:28.840 --> 0:34:30.880
<v Speaker 3>up to you and ask you for advice on the

0:34:30.960 --> 0:34:33.320
<v Speaker 3>music game or contracts, what you're telling.

0:34:34.640 --> 0:34:37.360
<v Speaker 2>When it comes to contracts and stuff like that, Like,

0:34:38.480 --> 0:34:42.040
<v Speaker 2>you know, everybody has a different situation. You know, some

0:34:42.080 --> 0:34:45.960
<v Speaker 2>people can make their own music and you know before

0:34:46.000 --> 0:34:49.520
<v Speaker 2>they even try to shop a deal, and then some people,

0:34:50.239 --> 0:34:53.240
<v Speaker 2>you know, need that budget to even make a record,

0:34:53.520 --> 0:34:56.959
<v Speaker 2>So it depends on where they're coming from. You got

0:34:56.960 --> 0:35:00.399
<v Speaker 2>to know this. You got your own music, you got

0:35:00.440 --> 0:35:05.200
<v Speaker 2>your own record, You can do content visuals. You own

0:35:05.280 --> 0:35:10.000
<v Speaker 2>one hundred percent of that. So you basically signing to

0:35:10.080 --> 0:35:15.319
<v Speaker 2>go give somebody a piece of yo, what you on

0:35:15.320 --> 0:35:19.440
<v Speaker 2>one hundred percent of You're signing to give somebody a

0:35:19.520 --> 0:35:25.839
<v Speaker 2>piece of that, and so you know it. You got

0:35:25.840 --> 0:35:30.160
<v Speaker 2>to look at it on that level. Like I could

0:35:30.200 --> 0:35:32.600
<v Speaker 2>see if you're just discovered, somebody say, y'all, I want

0:35:32.600 --> 0:35:34.960
<v Speaker 2>to do a record on you. You sound good. Okay,

0:35:35.000 --> 0:35:36.640
<v Speaker 2>it's cool for them to get a piece of that.

0:35:37.239 --> 0:35:40.160
<v Speaker 2>If you create and do everything, you should be trying

0:35:40.200 --> 0:35:42.839
<v Speaker 2>to look for ways to put it out and keep

0:35:42.880 --> 0:35:47.640
<v Speaker 2>everything if you can. If you can't, then make a deal.

0:35:47.719 --> 0:35:51.160
<v Speaker 2>But don't go give up your whole project for a

0:35:51.480 --> 0:35:57.600
<v Speaker 2>little ten twelve points or whatever when you own one

0:35:57.680 --> 0:36:01.080
<v Speaker 2>hundred percent of it. Off the jump, you know, we

0:36:01.239 --> 0:36:04.160
<v Speaker 2>just gotta look at it in them terms. You know,

0:36:05.040 --> 0:36:09.480
<v Speaker 2>do your own content. You're on that until you go

0:36:10.480 --> 0:36:11.360
<v Speaker 2>give it away.

0:36:11.360 --> 0:36:12.240
<v Speaker 1>Straight out of company.

0:36:12.280 --> 0:36:13.920
<v Speaker 3>How much of that is true?

0:36:15.040 --> 0:36:19.520
<v Speaker 6>All of it's true, all of us.

0:36:19.680 --> 0:36:20.919
<v Speaker 2>Yeah, I went in there with a bat.

0:36:23.080 --> 0:36:31.000
<v Speaker 5>That's why they wanted to get that water.

0:36:29.800 --> 0:36:32.040
<v Speaker 2>With a movie like that. When you're making a movie

0:36:32.080 --> 0:36:35.680
<v Speaker 2>about real life and you're trying to squeeze ten years

0:36:35.719 --> 0:36:39.719
<v Speaker 2>into two hours or three hours or whatever, what what

0:36:39.760 --> 0:36:44.840
<v Speaker 2>you end up doing is a summary of what happened.

0:36:45.640 --> 0:36:50.600
<v Speaker 2>So certain things might have happened in a month, you know,

0:36:50.719 --> 0:36:54.960
<v Speaker 2>certain situations, but you gotta get it out on two scenes.

0:36:55.040 --> 0:36:58.520
<v Speaker 2>So you try to figure out how to create a

0:36:58.560 --> 0:37:02.040
<v Speaker 2>scene where all these all this information can get out

0:37:02.560 --> 0:37:08.880
<v Speaker 2>it makes sense. So you know, everything is true, but

0:37:09.320 --> 0:37:12.880
<v Speaker 2>everything might not have happened in that one scene. Like

0:37:13.120 --> 0:37:16.520
<v Speaker 2>you see us in the studio one time and I'm like, yo, Jerry,

0:37:16.560 --> 0:37:19.839
<v Speaker 2>what about the contracts? You know that probably happened over

0:37:20.880 --> 0:37:23.400
<v Speaker 2>two or three weeks, so yo, what the fuck? You know?

0:37:23.440 --> 0:37:26.520
<v Speaker 2>Boom boom working, you know, talking shit working. But in

0:37:26.600 --> 0:37:30.759
<v Speaker 2>the movie everything is like just crunched and summarized. So

0:37:32.160 --> 0:37:37.520
<v Speaker 2>it's all true. It's just you know, timeline is squosing

0:37:37.960 --> 0:37:41.680
<v Speaker 2>into two hours when things should actually be stretched, be

0:37:41.719 --> 0:37:42.520
<v Speaker 2>stretched a little bit.

0:37:42.600 --> 0:37:45.960
<v Speaker 5>Somebody never heard ice Cube before. Somebody never heard your music.

0:37:46.120 --> 0:37:48.560
<v Speaker 5>This is what song is ice Cube playing for a

0:37:48.600 --> 0:37:50.040
<v Speaker 5>person that never heard ice cube?

0:37:50.320 --> 0:37:55.120
<v Speaker 2>Oh man, never heard an ice Cube song? I definitely

0:37:55.280 --> 0:37:56.319
<v Speaker 2>play it was a good day.

0:37:56.600 --> 0:37:57.200
<v Speaker 1>That's the one.

0:37:57.680 --> 0:37:58.960
<v Speaker 2>Definitely play. I Gotta.

0:38:00.360 --> 0:38:01.279
<v Speaker 1>No Vaciline.

0:38:01.480 --> 0:38:04.160
<v Speaker 3>Yeah, and that's one of the hardest motherfuckers.

0:38:04.440 --> 0:38:05.440
<v Speaker 2>It's the hardest.

0:38:09.719 --> 0:38:14.000
<v Speaker 1>Y'all sit it all, man, like, what was that day like?

0:38:14.080 --> 0:38:14.680
<v Speaker 1>Recording that.

0:38:19.080 --> 0:38:19.520
<v Speaker 3>I had?

0:38:19.800 --> 0:38:23.880
<v Speaker 2>I had to rap. I didn't tell nobody the lyrics,

0:38:24.880 --> 0:38:27.040
<v Speaker 2>and I didn't want nobody to even hear what I

0:38:27.120 --> 0:38:29.200
<v Speaker 2>was saying because I didn't wanted to get back to

0:38:29.239 --> 0:38:33.200
<v Speaker 2>them what the record was, so just kept it in

0:38:33.280 --> 0:38:36.080
<v Speaker 2>my book. I knew what I wanted to rap over,

0:38:36.440 --> 0:38:42.240
<v Speaker 2>which was Danny Dane had a record called Cinder Feller

0:38:42.880 --> 0:38:45.359
<v Speaker 2>and the Other Day and they used that. They used

0:38:45.360 --> 0:38:47.720
<v Speaker 2>that dazz beat to get.

0:38:49.239 --> 0:38:49.759
<v Speaker 3>Don't Boom.

0:38:52.440 --> 0:38:55.560
<v Speaker 2>I'm like, man, he used that a long time ago.

0:38:56.160 --> 0:38:59.120
<v Speaker 2>I'm about to flip this ship. So I had uh

0:39:00.719 --> 0:39:04.080
<v Speaker 2>dj pool. A couple of the producers I was working

0:39:04.080 --> 0:39:06.360
<v Speaker 2>with was just flipped the beat and it was just rolling.

0:39:07.200 --> 0:39:14.000
<v Speaker 2>I was like, all right, I'm ready and put the

0:39:14.040 --> 0:39:16.000
<v Speaker 2>beat on. I went in there and wrapped that shit

0:39:18.280 --> 0:39:20.720
<v Speaker 2>and they was just quiet. When I came out to booth,

0:39:20.800 --> 0:39:25.080
<v Speaker 2>they was like, God, damn cute, you're putting that out.

0:39:25.480 --> 0:39:29.520
<v Speaker 2>Like yep, I'm for going on the end of the record,

0:39:29.719 --> 0:39:34.480
<v Speaker 2>it was like gotten it. Everybody just was like eyebrows up, like, man, hold,

0:39:35.800 --> 0:39:38.640
<v Speaker 2>we better get ready, it's coming, you know what I mean,

0:39:38.719 --> 0:39:42.839
<v Speaker 2>This shit about to get crazy around here. So yeah,

0:39:42.960 --> 0:39:45.840
<v Speaker 2>just blew their mind. Everybody was just tripping that that

0:39:45.920 --> 0:39:51.520
<v Speaker 2>I was going that hard and you know, yeah, somebody

0:39:51.560 --> 0:39:53.759
<v Speaker 2>asked me, man, you're gonna put that out, like yeah,

0:39:54.000 --> 0:39:54.920
<v Speaker 2>that's going out.

0:39:54.960 --> 0:39:55.640
<v Speaker 1>That's going out.

0:40:00.320 --> 0:40:06.799
<v Speaker 3>Another one, the other one, Jack Beats Jack. Yeah, that

0:40:06.960 --> 0:40:09.200
<v Speaker 3>year Once upon a Time in the press.

0:40:09.400 --> 0:40:16.760
<v Speaker 5>Was over one like when the girls break nothing, that's.

0:40:16.600 --> 0:40:19.960
<v Speaker 11>My What about the one you were MACI It was

0:40:20.000 --> 0:40:23.960
<v Speaker 11>the number head Paul put that one with you macin

0:40:24.160 --> 0:40:28.080
<v Speaker 11>and the other one yeah, it was.

0:40:28.040 --> 0:40:35.359
<v Speaker 2>Come on man, gags make the world god Man dope song, Yeah,

0:40:35.400 --> 0:40:42.279
<v Speaker 2>Summer vacation man with uh what was the first one

0:40:42.280 --> 0:40:44.839
<v Speaker 2>you said before? From Once from Time the project Jack

0:40:45.239 --> 0:40:50.799
<v Speaker 2>Beat in eighty nine, so many Dope Beats came out,

0:40:51.080 --> 0:40:53.440
<v Speaker 2>like all these records came out with all these beats,

0:40:53.440 --> 0:40:55.120
<v Speaker 2>and I was just going crazy.

0:40:54.880 --> 0:40:58.640
<v Speaker 3>Like, damn, I wish that was my ship. Damn I

0:40:58.680 --> 0:40:59.840
<v Speaker 3>wish that one was mine.

0:41:00.719 --> 0:41:03.839
<v Speaker 2>And one day I was like, you know what, I'm

0:41:03.840 --> 0:41:07.120
<v Speaker 2>gonna do a song with all these niggas beats, cut

0:41:07.160 --> 0:41:09.879
<v Speaker 2>them up every beat, I like, I'm gonna rap over

0:41:09.960 --> 0:41:10.400
<v Speaker 2>that ship?

0:41:11.000 --> 0:41:12.759
<v Speaker 12>Was you the first one that time?

0:41:14.520 --> 0:41:17.239
<v Speaker 2>I mean I'm the first one. I know that to

0:41:18.080 --> 0:41:18.920
<v Speaker 2>put it on the record.

0:41:19.000 --> 0:41:21.200
<v Speaker 5>Niggas might have been rapping on other people beats in

0:41:21.280 --> 0:41:23.520
<v Speaker 5>the projects, but to put it out like you put

0:41:23.560 --> 0:41:23.959
<v Speaker 5>that out?

0:41:24.719 --> 0:41:26.640
<v Speaker 3>How you get that CLI project?

0:41:26.880 --> 0:41:27.720
<v Speaker 2>Manad?

0:41:28.120 --> 0:41:29.440
<v Speaker 1>I was about to see how you get that?

0:41:29.480 --> 0:41:29.719
<v Speaker 2>Clear?

0:41:29.800 --> 0:41:33.399
<v Speaker 5>You around rapping on my beat better than me? Fuck

0:41:33.520 --> 0:41:36.120
<v Speaker 5>that nigga, he can't put this out many.

0:41:36.400 --> 0:41:39.160
<v Speaker 2>They cleared it? But what what? What was hard?

0:41:40.440 --> 0:41:40.520
<v Speaker 7>Like?

0:41:40.600 --> 0:41:44.920
<v Speaker 2>I would sample like D Nice is the first record

0:41:45.239 --> 0:41:48.120
<v Speaker 2>to call me? D Nice is the first record on

0:41:48.200 --> 0:41:52.279
<v Speaker 2>Jack and for Beats, But that nigga has sampled it

0:41:52.320 --> 0:41:57.040
<v Speaker 2>from another record, so I had to pay him.

0:41:58.120 --> 0:41:59.160
<v Speaker 12>It ain't even your check.

0:41:59.280 --> 0:42:00.359
<v Speaker 3>Let's go to him, man.

0:42:00.440 --> 0:42:03.759
<v Speaker 2>It was on a few different beats. They had used

0:42:03.760 --> 0:42:06.440
<v Speaker 2>other people ship, so I had to double pay.

0:42:08.480 --> 0:42:10.400
<v Speaker 1>Sample like that?

0:42:10.560 --> 0:42:13.600
<v Speaker 2>Yeah, it was. You know that that's a fucking song.

0:42:14.520 --> 0:42:16.440
<v Speaker 2>You know it's only one hundred percent of publishing. I

0:42:16.440 --> 0:42:18.400
<v Speaker 2>think that was like a thousand percent.

0:42:24.480 --> 0:42:28.279
<v Speaker 3>Goodness gracious man, But you've always been known for being

0:42:28.320 --> 0:42:30.560
<v Speaker 3>the writer too, Like you rolled a lot of raps

0:42:30.560 --> 0:42:31.280
<v Speaker 3>for other people.

0:42:31.400 --> 0:42:31.560
<v Speaker 8>Man.

0:42:31.640 --> 0:42:33.680
<v Speaker 3>Yeah, you ever be in that bag where you just

0:42:33.760 --> 0:42:35.719
<v Speaker 3>you're knocking the motherfuckers down and you're like, no, I

0:42:35.719 --> 0:42:36.280
<v Speaker 3>don't even.

0:42:36.120 --> 0:42:37.759
<v Speaker 1>Know if I want to get this, nigga this one.

0:42:38.000 --> 0:42:42.800
<v Speaker 2>Uh. I had a song called a Gangsterous fairy Tale

0:42:43.640 --> 0:42:47.640
<v Speaker 2>that was supposed to be an easy song. I'm so hard.

0:42:47.840 --> 0:42:51.040
<v Speaker 2>They was tripping talking ship. I'm like, nig you ain't

0:42:51.080 --> 0:42:55.319
<v Speaker 2>yet too. We resolved this ship staying in my note,

0:42:55.360 --> 0:42:58.600
<v Speaker 2>but I ain't gonna talk about this and uh, and

0:42:58.680 --> 0:43:01.480
<v Speaker 2>then we broke up and I was like, this mother fucker, Mommy,

0:43:02.280 --> 0:43:06.440
<v Speaker 2>I changed little boys and girls. They all love me.

0:43:07.040 --> 0:43:09.719
<v Speaker 2>Come sitting on the lap of easy and let me

0:43:09.800 --> 0:43:11.759
<v Speaker 2>tell you a story or two. I just changed it.

0:43:12.040 --> 0:43:14.839
<v Speaker 2>Come sitting on the lap of ice, let me tell

0:43:14.840 --> 0:43:16.279
<v Speaker 2>your story or two and just kept on.

0:43:16.480 --> 0:43:19.200
<v Speaker 1>Rolling nice with it.

0:43:19.680 --> 0:43:22.759
<v Speaker 3>Now you've been writing rap songs thirty five forty years,

0:43:22.880 --> 0:43:25.360
<v Speaker 3>then then how long did it take you to creation?

0:43:25.520 --> 0:43:25.719
<v Speaker 1>Shit?

0:43:25.880 --> 0:43:26.040
<v Speaker 2>There?

0:43:26.360 --> 0:43:27.280
<v Speaker 1>What's your process?

0:43:27.480 --> 0:43:31.880
<v Speaker 2>It depends you know, if I love to beat, if

0:43:31.960 --> 0:43:34.239
<v Speaker 2>I got the concept, if it's been if I've been

0:43:34.280 --> 0:43:37.600
<v Speaker 2>sitting on this concept for a minute, then you know

0:43:37.880 --> 0:43:41.920
<v Speaker 2>I could I can write I usually write two verses,

0:43:43.640 --> 0:43:47.920
<v Speaker 2>you know, off the rip, just I don't leave to

0:43:48.280 --> 0:43:52.000
<v Speaker 2>I got two verses and two hooks, and then I'll

0:43:52.080 --> 0:43:54.320
<v Speaker 2>go think about that third verse, like how do I

0:43:54.920 --> 0:43:57.439
<v Speaker 2>sum this song up? How do I put the bow

0:43:57.560 --> 0:44:00.239
<v Speaker 2>on it and wrap it up? So that third verse, my,

0:44:01.360 --> 0:44:04.480
<v Speaker 2>you know, just take me another time to go back

0:44:04.520 --> 0:44:06.960
<v Speaker 2>in there and just work on the beat.

0:44:07.239 --> 0:44:09.600
<v Speaker 6>Were you always nice with words like did you read

0:44:09.640 --> 0:44:11.080
<v Speaker 6>you know, back then muffles than you reading?

0:44:11.520 --> 0:44:13.319
<v Speaker 2>I was when I was young.

0:44:20.880 --> 0:44:24.320
<v Speaker 3>When I was young, I used to, you know, my

0:44:24.440 --> 0:44:29.120
<v Speaker 3>teacher tell us, you know, just got off Christmas vacation.

0:44:29.280 --> 0:44:32.640
<v Speaker 2>What did y'all do. I'll be able to write, you know,

0:44:33.560 --> 0:44:38.359
<v Speaker 2>vividly what we did. And uh. One day it got

0:44:38.400 --> 0:44:40.880
<v Speaker 2>into she read it and it was so cool. She

0:44:41.000 --> 0:44:45.759
<v Speaker 2>put it in the school paper, like the little elementary newsletter.

0:44:46.800 --> 0:44:49.080
<v Speaker 3>So I'm like, damn, that's my name, that's my ship.

0:44:49.120 --> 0:44:51.520
<v Speaker 3>I wrote that. So it got me where I was like,

0:44:52.040 --> 0:44:55.560
<v Speaker 3>oh ship, like people did what I write?

0:44:56.360 --> 0:44:56.719
<v Speaker 1>And uh.

0:44:57.360 --> 0:45:03.120
<v Speaker 2>And then when I graduated from the sixth grade, they

0:45:03.200 --> 0:45:07.120
<v Speaker 2>asked me to write a speech to you know, speak

0:45:07.160 --> 0:45:10.680
<v Speaker 2>to my graduating class, and shit, so I was did that.

0:45:11.040 --> 0:45:13.880
<v Speaker 2>I got up there and out and I delivered the

0:45:13.960 --> 0:45:16.239
<v Speaker 2>speech and everybody was feeling it.

0:45:16.320 --> 0:45:17.359
<v Speaker 3>They was clapping the shit.

0:45:17.440 --> 0:45:19.960
<v Speaker 2>So I'm like, damn, I can I can write it

0:45:20.920 --> 0:45:23.200
<v Speaker 2>and I can deliver it, you know what I mean,

0:45:23.320 --> 0:45:28.040
<v Speaker 2>I can articulate it. And so that's where I knew, Okay,

0:45:28.200 --> 0:45:31.960
<v Speaker 2>I got I got something here. And then rap came

0:45:32.040 --> 0:45:36.080
<v Speaker 2>into my life about two years later when I was fourteen,

0:45:37.080 --> 0:45:41.880
<v Speaker 2>and it was it was a trip because me and

0:45:42.000 --> 0:45:45.640
<v Speaker 2>my homie kiddo, we was in a typing class. That's

0:45:45.680 --> 0:45:51.520
<v Speaker 2>when they had typing type in class young and we

0:45:52.360 --> 0:45:56.040
<v Speaker 2>didn't want to be in there. Yeah, we we don't

0:45:56.080 --> 0:45:57.120
<v Speaker 2>belong in this class.

0:45:57.239 --> 0:45:57.400
<v Speaker 7>You know.

0:45:57.560 --> 0:46:00.600
<v Speaker 2>It's just we didn't get our electives. We was late.

0:46:01.239 --> 0:46:03.799
<v Speaker 2>So this that's all they had left.

0:46:03.880 --> 0:46:07.399
<v Speaker 3>So look at this nigga liked he I don't want

0:46:07.400 --> 0:46:09.560
<v Speaker 3>to be no secretary here.

0:46:10.200 --> 0:46:12.680
<v Speaker 2>So he looked at me one day he was like, man,

0:46:12.760 --> 0:46:16.600
<v Speaker 2>you ever write a rap? Before? I was like, nah,

0:46:18.560 --> 0:46:20.319
<v Speaker 2>you write one, I write one. We see which one

0:46:20.400 --> 0:46:20.799
<v Speaker 2>is the best.

0:46:21.960 --> 0:46:25.759
<v Speaker 3>And ship. So I was typing out a rap, you

0:46:25.840 --> 0:46:29.560
<v Speaker 3>know what I mean, thinking this ship typing and my

0:46:29.680 --> 0:46:30.520
<v Speaker 3>ship was better than.

0:46:33.520 --> 0:46:35.759
<v Speaker 2>He was biting people. Ship. I'm like, I heard the

0:46:35.800 --> 0:46:42.600
<v Speaker 2>fat boys say that, like mine was original and I

0:46:42.760 --> 0:46:46.480
<v Speaker 2>just never stopped after that day trying to tell my

0:46:46.600 --> 0:46:50.160
<v Speaker 2>raps to people. Motherfuckers, Like come on, man, I was

0:46:50.200 --> 0:46:54.160
<v Speaker 2>all off beating ship. I didn't know how to to

0:46:54.440 --> 0:46:57.560
<v Speaker 2>like flow it. I could write it, but I had

0:46:57.600 --> 0:47:01.720
<v Speaker 2>to learn how to flow. And fucking with the homie

0:47:01.800 --> 0:47:04.200
<v Speaker 2>Jinks from down the street, the only nigga that had

0:47:04.280 --> 0:47:08.000
<v Speaker 2>DJ equipment and instrumentals and shit. He was like, man,

0:47:08.360 --> 0:47:10.840
<v Speaker 2>come to my house because you gotta wrap that to

0:47:10.920 --> 0:47:14.200
<v Speaker 2>a beat. We gotta you gotta find a flow on

0:47:14.320 --> 0:47:18.800
<v Speaker 2>this shit. So dowing the instrumental there and I started

0:47:18.880 --> 0:47:23.160
<v Speaker 2>to figure out, okay, the cadence, and I'm like, oh,

0:47:23.239 --> 0:47:26.880
<v Speaker 2>this shit is fun, bouncing on his beat. And I

0:47:27.040 --> 0:47:30.040
<v Speaker 2>was just down there every day. Niggas was clowning me.

0:47:30.160 --> 0:47:33.120
<v Speaker 2>Niggas in my neighborhood. Are you going down here, man,

0:47:33.160 --> 0:47:36.719
<v Speaker 2>hanging out with this dude? Manu nigga? You run there

0:47:36.760 --> 0:47:41.279
<v Speaker 2>and see now nigga Curtis blow nigga And I would

0:47:41.320 --> 0:47:43.920
<v Speaker 2>be like, man, fuck y'all went out here. We'd be

0:47:44.000 --> 0:47:48.200
<v Speaker 2>in there hours, man e j scratching and watching him,

0:47:48.280 --> 0:47:50.439
<v Speaker 2>you know, try to you know, we was all trying

0:47:50.480 --> 0:47:54.359
<v Speaker 2>to get good, and he just kept on it. Then

0:47:54.440 --> 0:47:57.680
<v Speaker 2>one day he was like, you know what my cousin is.

0:47:57.760 --> 0:48:01.640
<v Speaker 2>I said, no, he said doctor Tre Nigga. I was

0:48:01.719 --> 0:48:06.960
<v Speaker 2>like doctor T and I'm like, uh, he said, yeah,

0:48:06.960 --> 0:48:09.520
<v Speaker 2>he made a record. I said, nigga, you got a

0:48:09.600 --> 0:48:11.960
<v Speaker 2>cousin made a record, so they gat. He pull out

0:48:11.960 --> 0:48:16.880
<v Speaker 2>a record Doctor Drane's Surgery. He put that on my

0:48:16.920 --> 0:48:20.239
<v Speaker 2>phone and said, Nigga, that's your cousin. I don't meet

0:48:20.320 --> 0:48:23.239
<v Speaker 2>this nigga. Man, this niggas actually, you know, I'm a

0:48:23.360 --> 0:48:26.160
<v Speaker 2>fan of rap music. This niggas is actually doing music

0:48:26.400 --> 0:48:32.920
<v Speaker 2>like he's doing record off record. So that was just addicted.

0:48:32.960 --> 0:48:34.640
<v Speaker 2>It was like when he coming off. Man, when he

0:48:34.719 --> 0:48:41.479
<v Speaker 2>come off, that nigga would never come over. I'm like going.

0:48:41.840 --> 0:48:45.279
<v Speaker 2>And then one day the nigga called me. They was

0:48:45.320 --> 0:48:48.960
<v Speaker 2>having a barbecue or some ship. Nigga called me here, Nigga,

0:48:49.080 --> 0:48:51.400
<v Speaker 2>come on down. Yeah, I'm grabbing no books.

0:48:51.480 --> 0:48:57.400
<v Speaker 3>Nigga running down there, and uh, the last thing this

0:48:57.520 --> 0:48:59.120
<v Speaker 3>nigga wanted to do is hear us rap.

0:48:59.600 --> 0:49:02.960
<v Speaker 2>You know what I mean. He enjoined the barbecue.

0:49:02.520 --> 0:49:08.040
<v Speaker 3>There with you know, Amy and cousins and everybody, and

0:49:08.200 --> 0:49:11.640
<v Speaker 3>we just in the garage with the equipment like man

0:49:11.680 --> 0:49:12.520
<v Speaker 3>when is this nigga?

0:49:12.719 --> 0:49:18.120
<v Speaker 2>Come back here? See tright you coming back? He said,

0:49:18.120 --> 0:49:20.719
<v Speaker 2>he coming right back in there. Another hour. I'm like, man,

0:49:20.840 --> 0:49:24.839
<v Speaker 2>come on, nigga. Finally came back there. All right, let

0:49:24.840 --> 0:49:28.759
<v Speaker 2>me see what y'all got. So we started busting. He

0:49:28.960 --> 0:49:32.600
<v Speaker 2>was like laughing at the ship. I'm saying, I'm like, okay,

0:49:33.440 --> 0:49:38.000
<v Speaker 2>got this, dude, And I started uh. He ended up

0:49:38.040 --> 0:49:41.040
<v Speaker 2>coming over a lot after that, and then we just

0:49:41.280 --> 0:49:43.560
<v Speaker 2>was hanging out and then he was like, man, you

0:49:43.600 --> 0:49:46.160
<v Speaker 2>want to go to the studio. I said, hell yeah.

0:49:46.760 --> 0:49:49.200
<v Speaker 2>Took us all to the studio, and then that was

0:49:49.320 --> 0:49:54.520
<v Speaker 2>Lonzo Williams Spoting Compton. He ran the wrecking crew and man,

0:49:54.600 --> 0:49:58.239
<v Speaker 2>these niggas had equipment. They was doing beats and and

0:49:58.320 --> 0:50:01.080
<v Speaker 2>I'm like, damn, this is a dream truth. I don't

0:50:01.120 --> 0:50:08.040
<v Speaker 2>want to go home, right yeah, right here. We could

0:50:08.040 --> 0:50:10.760
<v Speaker 2>do this ship out there. I still got a thousand questions.

0:50:10.800 --> 0:50:14.680
<v Speaker 5>Man, we got we got another project, new album album

0:50:14.760 --> 0:50:15.120
<v Speaker 5>coming out.

0:50:15.400 --> 0:50:18.640
<v Speaker 2>Man down November twenty second.

0:50:19.120 --> 0:50:20.600
<v Speaker 12>Let's go down.

0:50:23.800 --> 0:50:27.840
<v Speaker 2>I got that song out right now called It's My Ego? Video?

0:50:28.080 --> 0:50:28.399
<v Speaker 1>Is real?

0:50:28.560 --> 0:50:30.480
<v Speaker 2>Is my video? Is looking real? Movie?

0:50:30.600 --> 0:50:30.640
<v Speaker 4>Like?

0:50:30.880 --> 0:50:32.960
<v Speaker 3>Yeah, yeah, getting back in the movie bag. You know,

0:50:33.080 --> 0:50:35.880
<v Speaker 3>we wanted to do a big video and not just

0:50:36.760 --> 0:50:40.680
<v Speaker 3>a visual. Yeah, just a thank you doing just visuals.

0:50:40.719 --> 0:50:43.000
<v Speaker 2>You know, I wanted to do a real video and

0:50:43.200 --> 0:50:45.520
<v Speaker 2>uh it's got a lot of traction and ship and

0:50:45.560 --> 0:50:49.080
<v Speaker 2>we got we got a remix called Ego maniacsd us

0:50:49.080 --> 0:50:55.719
<v Speaker 2>out Killer Mica is on the Mendoe got the whole time. Yeah,

0:50:56.480 --> 0:50:59.239
<v Speaker 2>and so that I'm gonna be out, uh, you know

0:50:59.280 --> 0:51:02.560
<v Speaker 2>on the twenty seve I can't quintessential ice Cube. You know,

0:51:02.600 --> 0:51:04.279
<v Speaker 2>if you've been an ice Cue fan, you're gonna love

0:51:04.360 --> 0:51:09.120
<v Speaker 2>this record. I ain't trying to be nothing. I'm not,

0:51:09.320 --> 0:51:11.759
<v Speaker 2>you know, I'm just trying to, you know, keep your

0:51:11.880 --> 0:51:15.280
<v Speaker 2>fastball right down the middle about your pastor.

0:51:16.520 --> 0:51:26.600
<v Speaker 12>That's Stanley, nigga from I've been looking at that.

0:51:26.840 --> 0:51:27.359
<v Speaker 3>The whole time.

0:51:27.440 --> 0:51:29.719
<v Speaker 1>I'm like, Bro, I think that Stanley. I want to

0:51:29.760 --> 0:51:31.239
<v Speaker 1>walk on this nigga grand.

0:51:37.080 --> 0:51:41.719
<v Speaker 2>Yeah, yeah, he was you a real nigga, Bro, He's

0:51:41.760 --> 0:51:43.120
<v Speaker 2>from Stanley.

0:51:55.600 --> 0:51:56.239
<v Speaker 3>Love Man.

0:52:02.280 --> 0:52:04.799
<v Speaker 2>I got c W here two Pikky Driver right there,

0:52:04.880 --> 0:52:06.080
<v Speaker 2>the nigga in the do right there.

0:52:10.760 --> 0:52:11.480
<v Speaker 12>I got your.

0:52:20.239 --> 0:52:22.640
<v Speaker 3>Saying in the trap, don't let it be your last man,

0:52:23.719 --> 0:52:24.600
<v Speaker 3>let it fin out.

0:52:24.680 --> 0:52:31.879
<v Speaker 2>So y'all doing, y'all very entertaining man