1 00:00:07,520 --> 00:00:10,239 Speaker 1: I can't count that much five four three two one? 2 00:00:11,720 --> 00:00:20,119 Speaker 2: You know was that what it's hand and got the 3 00:00:20,160 --> 00:00:20,919 Speaker 2: mother O. 4 00:00:28,720 --> 00:00:32,800 Speaker 3: Sweete hey man, welcome back to the eighty five SAP Show. 5 00:00:35,520 --> 00:00:37,400 Speaker 3: Now look over here at eighty five SAP Show, we 6 00:00:37,440 --> 00:00:40,280 Speaker 3: had made it our business to invite all of the 7 00:00:40,280 --> 00:00:41,040 Speaker 3: ghetto legends. 8 00:00:41,560 --> 00:00:43,280 Speaker 2: We won't speak to all the ghetto. 9 00:00:44,560 --> 00:00:47,680 Speaker 3: This man right here is definitely a certified ghetto legend 10 00:00:48,440 --> 00:00:52,519 Speaker 3: by himself and talking big rap game, part of one 11 00:00:52,560 --> 00:00:54,280 Speaker 3: of the biggest groups in rap history. 12 00:00:54,800 --> 00:00:57,320 Speaker 2: It's the Big three TV show. 13 00:00:59,360 --> 00:01:14,080 Speaker 4: Teenage hol On Educated. What you do it? 14 00:01:14,319 --> 00:01:23,720 Speaker 2: That's he without having a twister f you know we're 15 00:01:23,720 --> 00:01:26,000 Speaker 2: doing like this. You put it on the side. Okay. 16 00:01:26,280 --> 00:01:28,400 Speaker 3: First of all, we got to say thank you, yes sir, 17 00:01:28,560 --> 00:01:30,959 Speaker 3: for all the work you put in, all the game 18 00:01:31,040 --> 00:01:33,760 Speaker 3: you put us up on, all the movies, all the 19 00:01:33,920 --> 00:01:36,040 Speaker 3: everything you contributed to the culture. 20 00:01:36,080 --> 00:01:39,080 Speaker 2: Man, Thank you man. Thanks checking it out. You know 21 00:01:39,080 --> 00:01:42,480 Speaker 2: what I'm saying. Thanks for absorbing it and you know, 22 00:01:43,240 --> 00:01:44,480 Speaker 2: making it part of the culture. 23 00:01:44,880 --> 00:01:45,160 Speaker 1: All right. 24 00:01:45,240 --> 00:01:47,280 Speaker 3: First thing I got to say before we even start 25 00:01:47,360 --> 00:01:50,000 Speaker 3: doing the thing. First ship, because I know you be 26 00:01:50,080 --> 00:01:52,200 Speaker 3: on line. I know you don't seen the fans been 27 00:01:52,200 --> 00:01:54,680 Speaker 3: making posters put in d C and Friday for the 28 00:01:54,760 --> 00:01:55,600 Speaker 3: last ten years. 29 00:01:56,240 --> 00:01:58,120 Speaker 2: What we got to do to get DC in there? 30 00:01:58,120 --> 00:01:58,320 Speaker 1: Man? 31 00:01:59,040 --> 00:02:01,360 Speaker 2: Not too much, not too much, you know what I mean. 32 00:02:01,400 --> 00:02:05,320 Speaker 2: Once it come around, we're gonna gonna make it happen. 33 00:02:04,520 --> 00:02:08,040 Speaker 5: That Yeah, speaking of Friday, Like you always talk about 34 00:02:08,040 --> 00:02:10,520 Speaker 5: the executive side, and I think that's something that is 35 00:02:10,560 --> 00:02:13,720 Speaker 5: important to talk about. Like what made you so understanding 36 00:02:13,760 --> 00:02:16,160 Speaker 5: of that side of the business being an artist so early, 37 00:02:16,200 --> 00:02:17,760 Speaker 5: you know what I mean. You came in and was 38 00:02:17,800 --> 00:02:20,880 Speaker 5: already a superstar, so you could have had people around 39 00:02:20,919 --> 00:02:22,400 Speaker 5: you take care all of that. What made you want 40 00:02:22,440 --> 00:02:23,920 Speaker 5: to be so involved in that side of the game. 41 00:02:24,360 --> 00:02:28,360 Speaker 2: That's the fun part, you know, creating, you know, being 42 00:02:28,400 --> 00:02:35,320 Speaker 2: able to to you know, touch every aspect of the project. 43 00:02:35,480 --> 00:02:37,840 Speaker 2: You know, this is what we get off on, at 44 00:02:37,919 --> 00:02:40,960 Speaker 2: least me, is the creative part. You know. I love 45 00:02:41,000 --> 00:02:45,000 Speaker 2: to finish product, you know, but uh, you know, I'm 46 00:02:45,080 --> 00:02:48,040 Speaker 2: just addicted to the journey, you know what I'm saying. 47 00:02:48,080 --> 00:02:51,840 Speaker 2: Addicted to you know, putting it together, the meetings, uh, 48 00:02:52,120 --> 00:02:55,920 Speaker 2: creative input, you know, people coming in with their talents 49 00:02:55,960 --> 00:03:00,519 Speaker 2: and and and the pressure of getting it the day. 50 00:03:00,639 --> 00:03:03,799 Speaker 2: You know, do all this planning, but you usually only 51 00:03:03,800 --> 00:03:07,640 Speaker 2: got one day to shoot these scenes. So that's the day. 52 00:03:07,680 --> 00:03:10,320 Speaker 2: We need you to be the ship. You know what 53 00:03:10,360 --> 00:03:13,040 Speaker 2: I'm saying. We need you to be, you know, on 54 00:03:13,080 --> 00:03:17,560 Speaker 2: your top level. So to me, all that's fun. And 55 00:03:17,600 --> 00:03:19,600 Speaker 2: then the finished product, you know, we show it to 56 00:03:19,639 --> 00:03:22,080 Speaker 2: the people, they love it, and you know, I'm usually 57 00:03:22,120 --> 00:03:24,040 Speaker 2: off to the next non you've been in that. 58 00:03:24,200 --> 00:03:27,520 Speaker 6: You've been in the game for quite some time, and 59 00:03:27,639 --> 00:03:31,120 Speaker 6: that's not something to say to be like, oh now 60 00:03:31,160 --> 00:03:32,239 Speaker 6: you old school. 61 00:03:32,040 --> 00:03:32,920 Speaker 2: No, young buck. 62 00:03:33,080 --> 00:03:35,880 Speaker 6: You want to be in the game becourse quite a 63 00:03:35,920 --> 00:03:36,920 Speaker 6: long time. 64 00:03:37,080 --> 00:03:40,400 Speaker 3: Which period was the best. 65 00:03:39,920 --> 00:03:44,000 Speaker 6: Because you you are a icon, you are a staple. 66 00:03:44,400 --> 00:03:48,240 Speaker 2: You are president When it was when? When? When yoga? 67 00:03:48,360 --> 00:03:49,160 Speaker 1: The Beginning's day? 68 00:03:49,560 --> 00:03:51,480 Speaker 3: The ship that y'all like, the ship? 69 00:03:51,960 --> 00:03:54,120 Speaker 6: Yeah, it can't be recreated, it can't. 70 00:03:54,240 --> 00:03:55,480 Speaker 3: It can't be duplicated. 71 00:03:55,600 --> 00:03:59,120 Speaker 2: You did, yeah, which time? Oh man? You know, the 72 00:03:59,200 --> 00:04:05,320 Speaker 2: beginning is all always the most vivid. You remember the 73 00:04:05,360 --> 00:04:11,480 Speaker 2: beginning more than you know the whole journey, so, you know, 74 00:04:11,600 --> 00:04:15,920 Speaker 2: just starting off as locals and you know, being underground. 75 00:04:16,080 --> 00:04:19,039 Speaker 2: You know, we didn't we didn't even know, yeah, he said, 76 00:04:19,080 --> 00:04:23,240 Speaker 2: Rodin swat me. We didn't even know the music we 77 00:04:23,279 --> 00:04:26,320 Speaker 2: was doing was gonna make us big. We thought we 78 00:04:26,360 --> 00:04:31,520 Speaker 2: was just gonna be local, underground ghetto stars. That's what 79 00:04:31,640 --> 00:04:33,880 Speaker 2: we was trying to be, you know, get people in 80 00:04:33,960 --> 00:04:36,240 Speaker 2: our own hood to really dig it, because they was 81 00:04:36,320 --> 00:04:40,280 Speaker 2: fans of you know, what we considered the pros. You know, 82 00:04:40,320 --> 00:04:43,400 Speaker 2: they was fans of the run DMCs and the rock 83 00:04:43,480 --> 00:04:46,640 Speaker 2: cams and you know, everybody doing it on a major level. 84 00:04:47,320 --> 00:04:50,800 Speaker 2: And so we figured if we can just you know, 85 00:04:50,920 --> 00:04:54,320 Speaker 2: make noise in our own neighborhood, then you know, we 86 00:04:54,360 --> 00:04:56,479 Speaker 2: can get a little bit of love because y'all ain't 87 00:04:56,720 --> 00:04:59,280 Speaker 2: run dmceing coming around here. You know what I'm saying, Uh, 88 00:04:59,520 --> 00:05:00,720 Speaker 2: Rock Kim ain't coming. 89 00:05:00,520 --> 00:05:03,760 Speaker 3: Through here, but we are. So that was. 90 00:05:03,720 --> 00:05:08,359 Speaker 2: Our plan to you know, conquer Compton Watt South Central 91 00:05:08,480 --> 00:05:11,600 Speaker 2: l A. And and then you know, as soon as 92 00:05:11,640 --> 00:05:15,360 Speaker 2: we like put our mind to that, right, it went 93 00:05:15,400 --> 00:05:17,440 Speaker 2: the other way. It blew up, it went, it went 94 00:05:17,920 --> 00:05:19,800 Speaker 2: instead of going more underground and went up. 95 00:05:20,279 --> 00:05:21,960 Speaker 1: Now, let me ask you this, that's a good nigga. 96 00:05:22,040 --> 00:05:25,159 Speaker 3: Right, last week sucked around and got a triple dope. Yeah, 97 00:05:25,520 --> 00:05:35,440 Speaker 3: just as a as around triple double on these niggas, right, 98 00:05:36,400 --> 00:05:37,880 Speaker 3: Who was keeping the stats? 99 00:05:38,240 --> 00:05:41,680 Speaker 2: Well, you know, I kept my own stats. You know 100 00:05:42,960 --> 00:05:47,839 Speaker 2: they keep I know I got ten points, you know, 101 00:05:48,360 --> 00:05:50,839 Speaker 2: playing he's been missing. I know I got at least 102 00:05:50,920 --> 00:05:56,440 Speaker 2: letting rebound understanding, So uh, I play basketball all the time, 103 00:05:56,480 --> 00:05:58,720 Speaker 2: you know what I mean. It was like we'd be 104 00:05:58,800 --> 00:06:03,480 Speaker 2: at the studio shooting east Wood. No, I ain't never 105 00:06:03,520 --> 00:06:06,560 Speaker 2: played with cat. Im probably retired by the time he 106 00:06:06,600 --> 00:06:07,640 Speaker 2: came gonna call me. 107 00:06:07,880 --> 00:06:13,120 Speaker 3: I can't believe you really asked in the video cube shotow, 108 00:06:14,279 --> 00:06:20,560 Speaker 3: I had a shot, I said. 109 00:06:19,080 --> 00:06:21,080 Speaker 2: Like I used to play with a lot of big 110 00:06:21,200 --> 00:06:24,080 Speaker 2: niggas when I was little. I had to develop a 111 00:06:24,120 --> 00:06:27,120 Speaker 2: shot to get it over there. Ass I developed this, 112 00:06:27,800 --> 00:06:30,520 Speaker 2: you know, kind of like going to the basket, but 113 00:06:30,560 --> 00:06:34,080 Speaker 2: I'm not going for a layup. I'm actually going wider 114 00:06:34,839 --> 00:06:36,080 Speaker 2: thought that hook up. 115 00:06:40,839 --> 00:06:43,240 Speaker 1: Today was a good day for a black man. 116 00:06:43,320 --> 00:06:44,719 Speaker 3: That was a hell of a That was a great 117 00:06:44,800 --> 00:06:47,720 Speaker 3: hell of a That was amazing. 118 00:06:49,960 --> 00:06:52,640 Speaker 2: I had to be come on then when you woke up, 119 00:06:53,360 --> 00:06:53,880 Speaker 2: get up. 120 00:06:55,200 --> 00:06:58,080 Speaker 3: Went outside and read the life of the good Year blim. 121 00:06:58,400 --> 00:06:58,960 Speaker 2: What is it? 122 00:06:59,560 --> 00:07:07,039 Speaker 3: He was a's like eleven blimps in the world, a 123 00:07:07,040 --> 00:07:07,800 Speaker 3: good Year blimp. 124 00:07:08,640 --> 00:07:10,440 Speaker 2: It was a good day, man. You know, I just 125 00:07:10,480 --> 00:07:13,280 Speaker 2: wanted to It was a trip because when I did 126 00:07:13,320 --> 00:07:15,400 Speaker 2: that song you know, niggas and my. 127 00:07:15,360 --> 00:07:18,080 Speaker 3: Crew was like, what is this man with you? 128 00:07:18,320 --> 00:07:21,280 Speaker 2: Before I before I related, I was just wrapping it 129 00:07:21,320 --> 00:07:25,080 Speaker 2: on the paper. I was like, what you're talking about? Q. 130 00:07:25,280 --> 00:07:33,760 Speaker 2: You a hardcore rapper, Nigga, you can't be having as 131 00:07:33,960 --> 00:07:37,280 Speaker 2: nigga blasting And now I'm like, nah, you know, I'm 132 00:07:37,280 --> 00:07:40,520 Speaker 2: a reality rapper and nig I'm having a good day 133 00:07:40,840 --> 00:07:41,480 Speaker 2: rap about it. 134 00:07:41,520 --> 00:07:42,920 Speaker 1: Nigga's okay to feel. 135 00:07:42,640 --> 00:07:43,440 Speaker 2: Good, It's okay. 136 00:07:44,200 --> 00:07:46,800 Speaker 7: That's crazy though, to go from your basketball line that 137 00:07:46,840 --> 00:07:49,840 Speaker 7: you just said to the Big Three like your Love 138 00:07:49,880 --> 00:07:53,600 Speaker 7: and Stuff show, It's like you saying that you enjoy creating. 139 00:07:53,680 --> 00:07:56,520 Speaker 7: I'm like, okay, that's why you wrote the movie. You 140 00:07:56,560 --> 00:07:59,640 Speaker 7: know what I'm saying. That's why you the basketball day, 141 00:07:59,680 --> 00:08:02,160 Speaker 7: that's why you've got the Big Three. And that ain't 142 00:08:02,160 --> 00:08:04,160 Speaker 7: no easy shit to do, man, any stepping out of 143 00:08:04,160 --> 00:08:07,000 Speaker 7: any sport man, and you facing a lot of opposition 144 00:08:07,080 --> 00:08:08,880 Speaker 7: with that. So I just gotta tip my head to that. 145 00:08:09,240 --> 00:08:09,520 Speaker 2: Thank you. 146 00:08:13,600 --> 00:08:14,640 Speaker 3: Nigga, got help bawling. 147 00:08:15,040 --> 00:08:17,600 Speaker 2: It's the hardest. It's the hardest shit I ever had 148 00:08:17,640 --> 00:08:20,920 Speaker 2: to do. I'm gonna try to do an entertainment because 149 00:08:21,920 --> 00:08:26,239 Speaker 2: you know, hip hop was already here when I started. 150 00:08:26,280 --> 00:08:29,679 Speaker 2: You know, rat was there, movies was going when I started. 151 00:08:30,560 --> 00:08:32,720 Speaker 2: You know, they got basketball, but they don't have three 152 00:08:32,760 --> 00:08:35,640 Speaker 2: on three. And then to try to elevate it to 153 00:08:35,679 --> 00:08:39,280 Speaker 2: the professional level and get you know, first people to 154 00:08:39,360 --> 00:08:42,920 Speaker 2: take it serious and then for people to become fans. 155 00:08:43,000 --> 00:08:44,640 Speaker 2: You know that that's been a. 156 00:08:45,640 --> 00:08:48,360 Speaker 3: You know, that's that's not been. 157 00:08:48,240 --> 00:08:50,480 Speaker 2: The hard part. The hard part is going against this 158 00:08:50,600 --> 00:08:55,080 Speaker 2: opposition from other leagues. They don't want new leagues to 159 00:08:55,120 --> 00:08:59,920 Speaker 2: come in because you start, you know, cutting up that 160 00:09:00,000 --> 00:09:03,240 Speaker 2: that's that sponsored dollars. It's only so many dollars to 161 00:09:03,280 --> 00:09:07,600 Speaker 2: go around in the sponsor world. NFL wanted all NBA wanted, 162 00:09:07,679 --> 00:09:11,640 Speaker 2: all MLB wanted, all NHL, you know, all these other 163 00:09:12,320 --> 00:09:15,200 Speaker 2: established leagues. They want all their money. And they have 164 00:09:15,240 --> 00:09:19,079 Speaker 2: a new league coming in siphoning it those funds into 165 00:09:19,120 --> 00:09:22,040 Speaker 2: our league. It's just a lot of people hating on 166 00:09:22,120 --> 00:09:25,720 Speaker 2: that and trying to stop it. And you know, you 167 00:09:25,840 --> 00:09:28,880 Speaker 2: gotta you gotta be down to fight for what you 168 00:09:29,400 --> 00:09:33,439 Speaker 2: believe in, and UH can't be scared. You gotta be 169 00:09:33,559 --> 00:09:37,640 Speaker 2: down there to go after the big boys. 170 00:09:37,960 --> 00:09:39,679 Speaker 1: You said, fuck the police. 171 00:09:39,360 --> 00:09:39,960 Speaker 2: Yeah, I mean. 172 00:09:42,720 --> 00:09:45,520 Speaker 1: Going to get the system. Since you came in the game, man. 173 00:09:45,520 --> 00:09:47,920 Speaker 2: And that's the only way I know how to do it, because, 174 00:09:48,240 --> 00:09:49,920 Speaker 2: like I said, we thought it was gonna be locals 175 00:09:49,960 --> 00:09:54,000 Speaker 2: and we didn't know, so we was just being real. 176 00:09:54,920 --> 00:09:58,320 Speaker 2: And then when it start to blow up, now you 177 00:09:58,480 --> 00:10:02,360 Speaker 2: have you know, reporters in our face. You got people 178 00:10:03,160 --> 00:10:06,720 Speaker 2: you know coming at us with all kinds of opposition, 179 00:10:06,800 --> 00:10:12,040 Speaker 2: you know, from the FBI to you know, Billboard and 180 00:10:12,080 --> 00:10:20,240 Speaker 2: all these established music you know, publications. Is everybody's coming 181 00:10:20,280 --> 00:10:25,760 Speaker 2: after even music industry, rap industry, the government, you know 182 00:10:25,880 --> 00:10:31,520 Speaker 2: pmr C, which was the parent Music Resources and some 183 00:10:31,720 --> 00:10:39,480 Speaker 2: ship like that and shit to us. You know, we 184 00:10:39,520 --> 00:10:44,320 Speaker 2: was like, yo, better than you know, crips coming after you, 185 00:10:44,400 --> 00:10:47,000 Speaker 2: better than blood's coming after you know what I'm saying, 186 00:10:47,080 --> 00:10:49,320 Speaker 2: this is easy, Like to deal with these people they 187 00:10:49,480 --> 00:10:52,480 Speaker 2: just talking. Ain't nobody gonna pull out no pistols, you know, 188 00:10:52,520 --> 00:10:57,440 Speaker 2: it's just gonna be a bunch of questions. And then 189 00:10:57,520 --> 00:11:00,880 Speaker 2: we went through that storm and realized, you know, and 190 00:11:01,080 --> 00:11:05,280 Speaker 2: we're pretty unscathed. You know what I'm saying, like, keep going, 191 00:11:05,320 --> 00:11:08,160 Speaker 2: you know, don't don't let nothing stop us. And that's 192 00:11:08,160 --> 00:11:10,599 Speaker 2: been my attitude and entertainment. Don't letting them stop. 193 00:11:10,520 --> 00:11:13,200 Speaker 3: So to go from fuck the police now you talking 194 00:11:13,240 --> 00:11:16,160 Speaker 3: to presidents and shit like that. Man, what was that 195 00:11:16,320 --> 00:11:18,880 Speaker 3: transition like to cover that much ground to go from 196 00:11:18,960 --> 00:11:19,800 Speaker 3: fuck the police? 197 00:11:20,120 --> 00:11:21,640 Speaker 1: Like, I got a plan, I need to go holler 198 00:11:21,679 --> 00:11:22,240 Speaker 1: as somebody. 199 00:11:22,920 --> 00:11:29,520 Speaker 2: Yeah, you know what. The plan was really a plan 200 00:11:29,679 --> 00:11:35,320 Speaker 2: for us, like for us to to have a thirty 201 00:11:35,400 --> 00:11:39,400 Speaker 2: thousand foot view of the big problem. You know, after 202 00:11:39,920 --> 00:11:45,040 Speaker 2: twenty twenty George Floyd, everybody was saying this needs to change, 203 00:11:45,080 --> 00:11:47,480 Speaker 2: this needs to change, and they was coming from all angles. 204 00:11:47,880 --> 00:11:53,520 Speaker 2: It was mostly on police brutality, brutalty and law enforcement 205 00:11:53,600 --> 00:11:56,200 Speaker 2: and all that shit. But then I was like, man, 206 00:11:56,240 --> 00:12:01,640 Speaker 2: this problem is bigger than just police brutality. It's an 207 00:12:01,760 --> 00:12:07,679 Speaker 2: economic problem, it's social is it's a wide issue. So 208 00:12:07,720 --> 00:12:11,680 Speaker 2: I got with a bunch of scholars and started to 209 00:12:12,040 --> 00:12:15,560 Speaker 2: research how did we get here? How why did we 210 00:12:15,640 --> 00:12:20,080 Speaker 2: have it so fucked up in this country? And came 211 00:12:20,160 --> 00:12:23,360 Speaker 2: up with a with a plan that I thought, you know, 212 00:12:23,640 --> 00:12:25,600 Speaker 2: could help us get out of it if the country 213 00:12:25,679 --> 00:12:29,160 Speaker 2: was serious by making a turnaround. And I put it 214 00:12:29,200 --> 00:12:34,080 Speaker 2: out there, and just to be clear, these people came 215 00:12:34,120 --> 00:12:36,120 Speaker 2: to talk to me. They was asking, could you come 216 00:12:36,160 --> 00:12:41,360 Speaker 2: in talk to us about your plan? Democrats and Republicans. 217 00:12:41,600 --> 00:12:43,800 Speaker 2: So I was like, man, no problem, shit, what you 218 00:12:43,840 --> 00:12:46,520 Speaker 2: want to know, Here's how here's what we're thinking on this, 219 00:12:46,640 --> 00:12:49,920 Speaker 2: here's what we're thinking on that. And some people ran 220 00:12:50,000 --> 00:12:51,839 Speaker 2: with it, some people didn't, you know what I'm saying. 221 00:12:52,200 --> 00:12:56,800 Speaker 2: But to me, I felt like I had the resources 222 00:12:58,760 --> 00:13:03,959 Speaker 2: and you know, I had the just the energy and 223 00:13:04,320 --> 00:13:07,880 Speaker 2: the passion to take a long look at it because 224 00:13:07,880 --> 00:13:11,080 Speaker 2: nobody was doing that. You know. It's like, man, all 225 00:13:11,120 --> 00:13:13,679 Speaker 2: these people that been through office, ain't nobody came up 226 00:13:13,720 --> 00:13:17,360 Speaker 2: with a plan for us, you know what I'm saying. Nobody, 227 00:13:17,480 --> 00:13:21,120 Speaker 2: you know, from you know, going back to Jesse Jackson 228 00:13:21,200 --> 00:13:24,640 Speaker 2: and third grade Marshall and all these like, nobody came 229 00:13:24,720 --> 00:13:27,000 Speaker 2: up with a plan and went to the government and said, 230 00:13:27,480 --> 00:13:31,560 Speaker 2: this is what we need to do for black people 231 00:13:32,120 --> 00:13:35,320 Speaker 2: to start, you know, gaining the rewards out of this 232 00:13:35,400 --> 00:13:37,840 Speaker 2: country that we're putting in, putting in a lot of 233 00:13:37,880 --> 00:13:41,000 Speaker 2: tax money and shit, but I ain't getting no benefits 234 00:13:41,040 --> 00:13:45,080 Speaker 2: of it, or just bullshit benefits. And then you know, 235 00:13:45,120 --> 00:13:49,400 Speaker 2: it became controversial because one side looked at it, one 236 00:13:49,480 --> 00:13:52,360 Speaker 2: side didn't. And now they were trying to use me 237 00:13:52,400 --> 00:13:55,680 Speaker 2: as a political football, like you with him you with them, 238 00:13:55,720 --> 00:13:57,240 Speaker 2: you with that, you with this, and I'm like, I 239 00:13:57,240 --> 00:14:00,440 Speaker 2: ain't with shit. These motherfuckers called me. You know, I 240 00:14:00,480 --> 00:14:02,720 Speaker 2: was minding my own business. I did this plan for 241 00:14:02,880 --> 00:14:08,480 Speaker 2: us to look at and now everybody thinking, I'm you 242 00:14:08,520 --> 00:14:11,720 Speaker 2: know this or that or the other, and it wasn't true. 243 00:14:12,720 --> 00:14:16,920 Speaker 2: So to be honest, it's just you know, giving a fuck, 244 00:14:17,080 --> 00:14:21,000 Speaker 2: you know, seeing the issue and trying to address it 245 00:14:21,560 --> 00:14:26,480 Speaker 2: and you know the best way we can to get 246 00:14:26,600 --> 00:14:30,200 Speaker 2: the government to look at it and fix it. And 247 00:14:30,280 --> 00:14:34,480 Speaker 2: so that's how you go from you know, doing movies, music, 248 00:14:34,840 --> 00:14:38,960 Speaker 2: you getting in a position with people they take your opinion. 249 00:14:39,160 --> 00:14:41,000 Speaker 3: Did they say some shit you could use? Did they 250 00:14:41,040 --> 00:14:43,800 Speaker 3: give you some insight who the people you was talking 251 00:14:43,840 --> 00:14:44,520 Speaker 3: to with the plan? 252 00:14:44,640 --> 00:14:45,720 Speaker 1: Did they say any good shit? 253 00:14:46,560 --> 00:14:46,800 Speaker 8: Man? 254 00:14:46,880 --> 00:14:49,240 Speaker 2: You know, it's it's all a it's all a game. 255 00:14:49,400 --> 00:14:52,520 Speaker 2: At the end of the day. Everything in that plan, 256 00:14:52,600 --> 00:14:56,640 Speaker 2: them niggas knew. It wasn't like I was bringing up 257 00:14:56,680 --> 00:14:58,800 Speaker 2: something they didn't know. They know what's going on. They 258 00:14:58,840 --> 00:15:01,440 Speaker 2: know they're not giving and that's what we need. You 259 00:15:01,480 --> 00:15:05,000 Speaker 2: know what I'm saying, that's part of the plan. And 260 00:15:05,080 --> 00:15:07,000 Speaker 2: you know, that's what you realize when you get to 261 00:15:07,040 --> 00:15:11,000 Speaker 2: them levels that you know, the people just capping to 262 00:15:11,040 --> 00:15:13,480 Speaker 2: get a vote, and then when they get to vote, 263 00:15:13,480 --> 00:15:15,120 Speaker 2: they're gonna go do what the fuck they want to do. 264 00:15:15,840 --> 00:15:19,280 Speaker 7: Yea you seeing that it happens. 265 00:15:19,080 --> 00:15:20,560 Speaker 1: That's the gang you know. 266 00:15:20,640 --> 00:15:23,320 Speaker 5: You see hip hop now with all the you know, 267 00:15:23,920 --> 00:15:26,680 Speaker 5: the the way that people are affiliated with, all this 268 00:15:26,760 --> 00:15:27,920 Speaker 5: different type of stuff. 269 00:15:27,680 --> 00:15:29,280 Speaker 1: And niggas is going to jail and all that. 270 00:15:29,360 --> 00:15:32,440 Speaker 5: You come from the city of gang banging, but you 271 00:15:32,560 --> 00:15:36,840 Speaker 5: never was affiliated with anything. How did you manage to 272 00:15:36,920 --> 00:15:39,080 Speaker 5: navigate that? And what advice could you give the new 273 00:15:39,200 --> 00:15:41,720 Speaker 5: artists or how they can navigate it and being able 274 00:15:41,760 --> 00:15:44,480 Speaker 5: to become as successful as you are without associating yourself 275 00:15:44,520 --> 00:15:46,840 Speaker 5: with something that you know you might come from. 276 00:15:47,080 --> 00:15:48,120 Speaker 1: You don't have to be a part of. 277 00:15:48,880 --> 00:15:51,640 Speaker 2: Just make up your mind. You know, everybody in La 278 00:15:51,720 --> 00:15:56,280 Speaker 2: affiliated affiliated with something. You can't be from LA and 279 00:15:56,320 --> 00:16:00,680 Speaker 2: not be from somewhere because every neighborhood is somewhere. You 280 00:16:00,760 --> 00:16:04,560 Speaker 2: know what I'm saying, Every neighborhood, it's somebodyhood that you're 281 00:16:04,600 --> 00:16:08,960 Speaker 2: part of. And it was no different from me. It's just, uh, 282 00:16:09,720 --> 00:16:12,320 Speaker 2: you know, making up your mind like I saw, I 283 00:16:12,360 --> 00:16:16,880 Speaker 2: saw something in music and being creative that took a 284 00:16:16,880 --> 00:16:18,840 Speaker 2: lot of my time, took a lot of my attention, 285 00:16:19,680 --> 00:16:21,800 Speaker 2: took me off the street, and I was in the studio. 286 00:16:22,560 --> 00:16:26,520 Speaker 2: So in them years fourteen fifteen, when you're making a 287 00:16:26,560 --> 00:16:28,720 Speaker 2: decision on what you want to do and you know 288 00:16:28,720 --> 00:16:31,000 Speaker 2: you're gonna be a writer, you're gonna be a regular guy, 289 00:16:31,080 --> 00:16:33,000 Speaker 2: you know what I mean, that age just when you 290 00:16:33,040 --> 00:16:37,160 Speaker 2: start making those decisions. And thank god I was hanging 291 00:16:37,200 --> 00:16:40,920 Speaker 2: with Doctor Dre and making music and you know, in 292 00:16:40,960 --> 00:16:44,880 Speaker 2: them years, I'm thinking about something creative and positive and 293 00:16:44,880 --> 00:16:47,800 Speaker 2: it's bringing in money. And you know, it was just. 294 00:16:48,480 --> 00:16:52,960 Speaker 3: Fun talking about this for a long time, like sellouts 295 00:16:52,960 --> 00:16:56,480 Speaker 3: in the black people who just black on the outside, 296 00:16:56,480 --> 00:16:57,120 Speaker 3: who don't. 297 00:16:56,880 --> 00:16:58,800 Speaker 1: Really give a fuck about the black community. 298 00:16:58,880 --> 00:17:01,280 Speaker 3: And yeah, even in the music with the like Who's 299 00:17:01,360 --> 00:17:04,679 Speaker 3: Themacan Ship like that where you always made fun to 300 00:17:04,720 --> 00:17:05,840 Speaker 3: sell out black people. 301 00:17:06,240 --> 00:17:10,560 Speaker 2: Yeah, I mean, you know, it's it's a thing where 302 00:17:12,400 --> 00:17:15,520 Speaker 2: you can't forget where you come from, of course, and 303 00:17:16,200 --> 00:17:19,960 Speaker 2: you got to look to help people that's ready. Everybody 304 00:17:20,000 --> 00:17:23,879 Speaker 2: ain't ready to ride. Everybody ain't ready for you know, 305 00:17:25,040 --> 00:17:28,120 Speaker 2: they're not ready for prime time. So everybody can't go. 306 00:17:28,840 --> 00:17:32,240 Speaker 2: But you know, always reach back. You know, I've always 307 00:17:32,280 --> 00:17:38,919 Speaker 2: reached back talent or or people or just you know, 308 00:17:39,040 --> 00:17:42,439 Speaker 2: people from from a neighborhood that can help, you know, 309 00:17:42,640 --> 00:17:46,639 Speaker 2: help me, you know, on my journey. And you know, 310 00:17:46,720 --> 00:17:50,240 Speaker 2: the people that's serious, that's down, that's willing to change 311 00:17:50,280 --> 00:17:52,919 Speaker 2: their life, they get to go. The people that are 312 00:17:52,920 --> 00:17:56,359 Speaker 2: still on that bullshit, they got to stay. 313 00:17:57,960 --> 00:18:00,679 Speaker 6: A giving back like you're always going to get it. 314 00:18:00,680 --> 00:18:01,200 Speaker 2: Don't matter. 315 00:18:02,080 --> 00:18:03,200 Speaker 3: I don't hear the bullshit. 316 00:18:03,280 --> 00:18:05,320 Speaker 6: They coming from a lane who don't who don't know 317 00:18:05,359 --> 00:18:06,119 Speaker 6: nothing about nothing. 318 00:18:06,520 --> 00:18:08,919 Speaker 3: I can tell off the projects that you bring. 319 00:18:09,040 --> 00:18:11,280 Speaker 6: You don't have to put niggas in the movie if 320 00:18:11,320 --> 00:18:12,159 Speaker 6: you don't want them in. 321 00:18:12,720 --> 00:18:14,240 Speaker 2: Yeah, yeah, it's true. 322 00:18:14,960 --> 00:18:18,639 Speaker 1: Yeah, straight up. You have made so many movies with 323 00:18:18,880 --> 00:18:20,120 Speaker 1: other niggas. 324 00:18:19,720 --> 00:18:22,439 Speaker 3: In it that it put them on. 325 00:18:23,240 --> 00:18:26,000 Speaker 2: Yeah, you know it's a look somebody put me on. 326 00:18:28,240 --> 00:18:31,639 Speaker 2: They ain't discovering me, you know. You know. He just 327 00:18:31,880 --> 00:18:34,720 Speaker 2: was like, man, I want to put you in a movie. Man, 328 00:18:34,720 --> 00:18:38,359 Speaker 2: I know you could do it. And and when I 329 00:18:38,400 --> 00:18:41,159 Speaker 2: see people and I know they can do it, be like, 330 00:18:41,680 --> 00:18:44,639 Speaker 2: you can't wait till I got something this person or 331 00:18:44,640 --> 00:18:48,280 Speaker 2: that person or that some point in the key. 332 00:18:48,600 --> 00:18:55,440 Speaker 9: The key, the key is to set them up for success, 333 00:18:56,119 --> 00:18:58,240 Speaker 9: you know, not to just put them in anything with 334 00:18:58,359 --> 00:19:03,320 Speaker 9: any role or but to give them that perfect role 335 00:19:03,359 --> 00:19:06,679 Speaker 9: where they can get busy, they can like you know, 336 00:19:06,880 --> 00:19:08,240 Speaker 9: steal a scene or two. 337 00:19:08,560 --> 00:19:13,320 Speaker 2: And then from there continue to you know, to show 338 00:19:13,320 --> 00:19:16,959 Speaker 2: the world what they got. I was like, I was 339 00:19:17,000 --> 00:19:21,800 Speaker 2: happy that I had a way to show uh, the 340 00:19:21,840 --> 00:19:24,639 Speaker 2: guys that I thought was funny and and good that 341 00:19:24,800 --> 00:19:28,440 Speaker 2: wasn't getting you know, the shine, that I had a 342 00:19:28,480 --> 00:19:31,159 Speaker 2: project or something that they was right for and they, 343 00:19:31,680 --> 00:19:33,560 Speaker 2: you know, it was down to do it, trusted me 344 00:19:33,680 --> 00:19:36,360 Speaker 2: in and you know, busy. 345 00:19:36,720 --> 00:19:39,440 Speaker 5: You have a defining role like for yourself and one 346 00:19:39,480 --> 00:19:42,399 Speaker 5: that you wrote. Do you feel like you have not 347 00:19:42,520 --> 00:19:43,880 Speaker 5: really really you know what I mean. 348 00:19:43,920 --> 00:19:48,280 Speaker 2: I'm not like looking to play any thing. You know. 349 00:19:48,320 --> 00:19:51,080 Speaker 2: It's just like, you know, whatever's dope, you know, and 350 00:19:51,320 --> 00:19:52,680 Speaker 2: I don't have to be the one to think of 351 00:19:52,760 --> 00:19:57,720 Speaker 2: the idea. You know. Sometime like Barbershop that was somebody 352 00:19:57,720 --> 00:20:02,520 Speaker 2: brought that to to uh, you know, ten Story and 353 00:20:02,520 --> 00:20:04,840 Speaker 2: them dudes brought that to the Q Vision and we 354 00:20:04,880 --> 00:20:08,719 Speaker 2: did it, and so you know, I'm all, I'm up 355 00:20:08,720 --> 00:20:11,040 Speaker 2: for that too. You know. Ride Along was another movie 356 00:20:11,080 --> 00:20:15,399 Speaker 2: that that was was Doug brought it to us. We 357 00:20:15,520 --> 00:20:18,320 Speaker 2: put the polish on it. And ended up doing it. 358 00:20:22,600 --> 00:20:25,080 Speaker 2: What about What We Do? Yeah, that was another movie 359 00:20:25,080 --> 00:20:29,399 Speaker 2: that was Adam Sandler was supposed to do that they. 360 00:20:29,280 --> 00:20:32,879 Speaker 3: Had during that time. I watched that movie three thousand times. 361 00:20:40,359 --> 00:20:42,600 Speaker 2: So yeah, he was supposed to do the movie. He 362 00:20:42,640 --> 00:20:46,639 Speaker 2: couldn't do it. And then they was like, Yo, would 363 00:20:46,640 --> 00:20:50,879 Speaker 2: you consider doing a movie for kids like that? And 364 00:20:50,920 --> 00:20:54,880 Speaker 2: I'm like you said yeah, I said, yeah, I want 365 00:20:54,960 --> 00:20:58,880 Speaker 2: to do it because for one, black kids don't get 366 00:20:58,920 --> 00:21:04,199 Speaker 2: movies done, you know in that way special effects and 367 00:21:04,280 --> 00:21:08,560 Speaker 2: the stunts and just a big movie for for black kids, 368 00:21:08,640 --> 00:21:11,880 Speaker 2: you know. And so because I had little five year 369 00:21:11,880 --> 00:21:16,480 Speaker 2: olds coming to me saying, you, Craig, you. 370 00:21:16,520 --> 00:21:19,560 Speaker 3: Gotta knock the funk out and all this like. 371 00:21:21,280 --> 00:21:24,240 Speaker 2: Watching that movie, so said, I need to do something 372 00:21:25,000 --> 00:21:31,359 Speaker 2: for the little bitties. Knocked the kids. And I know 373 00:21:31,359 --> 00:21:34,120 Speaker 2: they watching Friday when I should be watching some ship 374 00:21:34,200 --> 00:21:36,919 Speaker 2: like they get to a certain. 375 00:21:36,720 --> 00:21:42,280 Speaker 5: Name Friday every day. 376 00:21:42,480 --> 00:21:42,879 Speaker 1: I love it. 377 00:21:43,119 --> 00:21:45,639 Speaker 3: Mean here you always got a dope ass call bro 378 00:21:45,800 --> 00:21:47,560 Speaker 3: that did in the contract somewhere. You gotta have a 379 00:21:47,640 --> 00:21:49,920 Speaker 3: nice ass, right, I mean I next fold the dope 380 00:21:49,920 --> 00:21:52,760 Speaker 3: boy head. That ship was so the gold on gold Yeah, 381 00:21:52,880 --> 00:21:53,720 Speaker 3: yeah that was hard. 382 00:21:54,000 --> 00:22:02,240 Speaker 2: Uh naturally, Yeah, yeah, I definitely requested that, right, you know, 383 00:22:02,280 --> 00:22:04,840 Speaker 2: I had one for real. So I was like, man, 384 00:22:05,040 --> 00:22:07,920 Speaker 2: this ain't this ain't been in a movie yet. Put 385 00:22:07,960 --> 00:22:11,080 Speaker 2: this one in a movie. Yeah, you know, I try 386 00:22:11,119 --> 00:22:13,600 Speaker 2: to make sure my ship is right in the movies. 387 00:22:13,640 --> 00:22:16,360 Speaker 2: I know a lot of people got fly ass cars. 388 00:22:17,040 --> 00:22:19,000 Speaker 2: Call them up, man, you want your shit in the movie, 389 00:22:19,240 --> 00:22:21,200 Speaker 2: and yep, who. 390 00:22:21,000 --> 00:22:23,159 Speaker 3: I need to give my number to that. 391 00:22:24,760 --> 00:22:26,600 Speaker 6: And we did Friday and they wanted to come the 392 00:22:26,640 --> 00:22:29,600 Speaker 6: secret right, And when Og wanted to go do his thing, 393 00:22:30,720 --> 00:22:33,800 Speaker 6: how did you manage to transition and say, you know what, 394 00:22:33,960 --> 00:22:36,119 Speaker 6: I ain't eed tripping. I can respect both sides, but 395 00:22:36,200 --> 00:22:38,600 Speaker 6: I still got to be me. I got to go 396 00:22:38,680 --> 00:22:41,480 Speaker 6: find new talent and we got to keep this franchise 397 00:22:41,560 --> 00:22:42,720 Speaker 6: going well. 398 00:22:42,760 --> 00:22:47,320 Speaker 2: I knew, like, okay, everybody got a crazy friend, but 399 00:22:47,359 --> 00:22:50,360 Speaker 2: everybody got a crazy cousin too. So I'm like, well, 400 00:22:51,000 --> 00:22:54,200 Speaker 2: since Smokey not gonna be in the movie, I gotta 401 00:22:54,400 --> 00:22:57,280 Speaker 2: I gotta take it off the block because everybody's gonna 402 00:22:57,280 --> 00:23:03,080 Speaker 2: be like we're smoky at if we're still I said, okay, 403 00:23:03,080 --> 00:23:06,119 Speaker 2: I'm gonna take Craig off the block. He worried about 404 00:23:06,160 --> 00:23:10,679 Speaker 2: Debo fucking him up and he's gonna go live with 405 00:23:10,720 --> 00:23:15,280 Speaker 2: his cousin. And you know, finding Mike Aapps was like 406 00:23:15,960 --> 00:23:20,159 Speaker 2: a jewel. Like when I first seen him, I knew 407 00:23:20,200 --> 00:23:24,000 Speaker 2: he was day day first seen him on stage and 408 00:23:25,119 --> 00:23:26,800 Speaker 2: just was checking him out, and I was like, this 409 00:23:26,880 --> 00:23:31,280 Speaker 2: nigga is hilarious. Like his comedy was all over the place, 410 00:23:31,520 --> 00:23:34,840 Speaker 2: was here, there, everywhere, and uh, it was just hood 411 00:23:34,880 --> 00:23:39,960 Speaker 2: and funny. He was funny, and I said he could 412 00:23:39,960 --> 00:23:44,639 Speaker 2: play my cousin. And you know, to me, you know, 413 00:23:44,680 --> 00:23:46,520 Speaker 2: I wanted Chris to be in every movie. But I'm 414 00:23:46,560 --> 00:23:49,399 Speaker 2: glad Mike Gavis Me and Mike gaps Wen did some 415 00:23:49,440 --> 00:23:56,440 Speaker 2: great movies to mind. 416 00:24:00,119 --> 00:24:11,120 Speaker 10: That happened without probably you know what I'm saying, getting 417 00:24:11,160 --> 00:24:14,240 Speaker 10: the opportunity man. 418 00:24:14,359 --> 00:24:16,880 Speaker 3: But you work well with comedians though, you do right 419 00:24:16,920 --> 00:24:21,159 Speaker 3: along Kevin Hard Yeah, yeah, you know some of my 420 00:24:22,080 --> 00:24:25,520 Speaker 3: all my buddies are funny, like everybody that's we look 421 00:24:25,600 --> 00:24:29,159 Speaker 3: serious everybody you know malay and do our ship, but 422 00:24:29,560 --> 00:24:31,000 Speaker 3: you just be laughing our ass. 423 00:24:32,240 --> 00:24:34,360 Speaker 6: Could that be the thing like all your characters you 424 00:24:34,359 --> 00:24:36,919 Speaker 6: want to play the series role, but they end up 425 00:24:36,960 --> 00:24:39,560 Speaker 6: saying some funny ship where you like you make them like, 426 00:24:39,600 --> 00:24:41,359 Speaker 6: they make you like like them at the end of 427 00:24:41,400 --> 00:24:42,000 Speaker 6: the movie, like you. 428 00:24:42,040 --> 00:24:44,880 Speaker 1: All right, yeah, you get your. 429 00:24:47,880 --> 00:24:53,879 Speaker 2: Definitely, you know. The key to me is, you know, 430 00:24:54,040 --> 00:24:57,720 Speaker 2: not not trying to be funny, you know what I mean, 431 00:24:57,960 --> 00:25:02,440 Speaker 2: just you know, let the situ ride that. The comedians 432 00:25:02,600 --> 00:25:06,960 Speaker 2: or whoever I got, that's their job. But my job 433 00:25:07,119 --> 00:25:10,640 Speaker 2: is to support and throw them jabs in the right 434 00:25:10,680 --> 00:25:15,160 Speaker 2: in the middle of you know, you know, the the 435 00:25:15,200 --> 00:25:17,919 Speaker 2: you know comedian I'm working with getting busy. You know 436 00:25:17,960 --> 00:25:22,719 Speaker 2: it's a comedy, and you know it's really the cast 437 00:25:23,400 --> 00:25:26,600 Speaker 2: and the people around that's really making the movie super funny. 438 00:25:26,600 --> 00:25:30,119 Speaker 2: I don't have to be you know, I'm not a comedian, 439 00:25:30,280 --> 00:25:36,200 Speaker 2: so you straight that's straight man, and let him get busy. 440 00:25:36,520 --> 00:25:39,119 Speaker 3: But one of my favorite ice Cube characters from How 441 00:25:39,160 --> 00:25:44,159 Speaker 3: I Learned It, Yeah, played the woke serious nigga, but 442 00:25:44,200 --> 00:25:46,480 Speaker 3: you still had you know what I mean, still kept 443 00:25:46,480 --> 00:25:51,760 Speaker 3: it real streeting hood, but with throwing the education ship 444 00:25:51,880 --> 00:25:52,720 Speaker 3: in there too. 445 00:25:53,160 --> 00:25:56,560 Speaker 2: You know, you know it's uh, it's one of those 446 00:25:57,160 --> 00:26:00,720 Speaker 2: probably on every campus you know, oh dude who have 447 00:26:00,760 --> 00:26:05,399 Speaker 2: been there five years no campus inside now, but also 448 00:26:05,680 --> 00:26:08,879 Speaker 2: all the games and you know, trying to spread that 449 00:26:09,080 --> 00:26:11,680 Speaker 2: knowledge which we all need. 450 00:26:12,800 --> 00:26:17,120 Speaker 5: Players Club is another one man like just club Man, 451 00:26:17,200 --> 00:26:21,040 Speaker 5: you know with Bernie Mack like, was that Did you 452 00:26:21,119 --> 00:26:21,760 Speaker 5: have a hand in that? 453 00:26:22,080 --> 00:26:24,560 Speaker 2: Hell, yeah, I wrote that movie. 454 00:26:24,640 --> 00:26:27,880 Speaker 5: I mean I'm saying, I mean as far as casting specifically, 455 00:26:28,200 --> 00:26:29,440 Speaker 5: specifically wrote. 456 00:26:29,240 --> 00:26:33,200 Speaker 2: Dollar Bill for Bernie. 457 00:26:30,800 --> 00:26:36,160 Speaker 3: That's one of the greatest all time. 458 00:26:36,600 --> 00:26:41,919 Speaker 2: Yeah, Bernie, you know, yeah, he don't been in a 459 00:26:41,920 --> 00:26:45,520 Speaker 2: lot of movies. But it's hard to me for anybody 460 00:26:45,600 --> 00:26:50,959 Speaker 2: to mess with that. We just I just let him 461 00:26:51,080 --> 00:26:51,679 Speaker 2: get busy. 462 00:26:51,760 --> 00:26:53,040 Speaker 5: I was about to say, how much of it did 463 00:26:53,080 --> 00:26:54,600 Speaker 5: you write it? How much of it did you just say? 464 00:26:55,359 --> 00:26:55,639 Speaker 2: Action? 465 00:26:55,760 --> 00:26:57,800 Speaker 1: And then let Bernie do what you. 466 00:26:57,760 --> 00:27:00,400 Speaker 3: Know I wrote, No, I don't, I don't. I don't 467 00:27:00,400 --> 00:27:01,600 Speaker 3: start with a wax script. 468 00:27:02,440 --> 00:27:06,800 Speaker 2: The script gotta be funny out loud while you're reading it. 469 00:27:07,600 --> 00:27:08,520 Speaker 3: Why you're gonna start. 470 00:27:09,480 --> 00:27:11,840 Speaker 2: So if I if I have a script that's funny 471 00:27:11,880 --> 00:27:15,359 Speaker 2: out loud while you're reading it, I know when I 472 00:27:15,440 --> 00:27:21,600 Speaker 2: give it to you know, somebody like, y'all, you're gonna go. 473 00:27:22,000 --> 00:27:25,399 Speaker 2: You know, it's it's solid, it's funny. If you just 474 00:27:25,440 --> 00:27:28,000 Speaker 2: said it how it is, it'll be funny. But I 475 00:27:28,040 --> 00:27:30,520 Speaker 2: know when I you know, let dudes add their little 476 00:27:30,520 --> 00:27:34,040 Speaker 2: flavor to it and stick with the script, but also 477 00:27:34,280 --> 00:27:37,879 Speaker 2: add those you know curveballs in there that it just 478 00:27:37,920 --> 00:27:39,080 Speaker 2: take it to another level. 479 00:27:39,359 --> 00:27:40,960 Speaker 3: And when you took it to a little level like 480 00:27:41,000 --> 00:27:41,639 Speaker 3: and a conda. 481 00:27:42,119 --> 00:27:43,520 Speaker 1: Yeah, playing some ship. 482 00:27:43,600 --> 00:27:44,760 Speaker 3: I know, y'all was in the swamp. 483 00:27:45,320 --> 00:27:56,080 Speaker 2: Yeah, I can get in here. Yeah. The reason I 484 00:27:56,080 --> 00:27:59,639 Speaker 2: did in the conduct was because, like the nigga didn't die. 485 00:27:59,680 --> 00:28:07,560 Speaker 2: I was like, y'all, I started I saw Jurassic Niggas 486 00:28:08,320 --> 00:28:10,800 Speaker 2: died in the first five minutes of the movie. 487 00:28:11,400 --> 00:28:13,720 Speaker 3: So I'm like, if y'all want to be in this movie, 488 00:28:15,160 --> 00:28:15,920 Speaker 3: I can't die. 489 00:28:17,960 --> 00:28:20,679 Speaker 2: And I wanted to help kill the snake. And it 490 00:28:20,840 --> 00:28:24,000 Speaker 2: was like all right, and they rewrote it, and I. 491 00:28:24,000 --> 00:28:27,920 Speaker 3: Was like, okay, crazy. 492 00:28:28,400 --> 00:28:32,840 Speaker 2: You know, we shot that ship in Brazil. Now not real. 493 00:28:32,960 --> 00:28:40,120 Speaker 2: Nigga announced Brazil in the middle of the Amazon. Yeah, 494 00:28:40,160 --> 00:28:41,920 Speaker 2: in the middle of Amazon. 495 00:28:41,480 --> 00:28:44,920 Speaker 1: And was scared. 496 00:28:50,320 --> 00:28:52,560 Speaker 2: In Amazon. Don't care, We're doing the movie, right, you 497 00:28:52,600 --> 00:28:54,800 Speaker 2: know what I mean? They man, it. 498 00:28:54,840 --> 00:28:57,560 Speaker 3: Was like it was a part where you had to 499 00:28:57,600 --> 00:28:58,120 Speaker 3: go to the water. 500 00:28:58,560 --> 00:29:03,959 Speaker 2: They told me you got getting water the Amazon War. 501 00:29:04,480 --> 00:29:07,440 Speaker 2: This point, It's like back then, I don't really know 502 00:29:08,120 --> 00:29:11,360 Speaker 2: all the special effects. I'm like, man, just do some 503 00:29:11,440 --> 00:29:13,920 Speaker 2: special effects and shit, when I'm. 504 00:29:13,720 --> 00:29:14,600 Speaker 3: Walking through the water. 505 00:29:15,080 --> 00:29:19,040 Speaker 2: It was like, nah, man, you gotta get in. Everybody 506 00:29:19,040 --> 00:29:22,479 Speaker 2: getting in. Man. You know, it's a part where I'm like, well, 507 00:29:22,480 --> 00:29:27,920 Speaker 2: where the fuck I gotta go right now? The Amazon 508 00:29:28,160 --> 00:29:32,920 Speaker 2: when it rained, it rises thirty feet, so you at 509 00:29:32,960 --> 00:29:36,760 Speaker 2: the top of trees. You're on the boat, but you're 510 00:29:36,760 --> 00:29:40,720 Speaker 2: seeing the tops of trees, and so I'm like, wait 511 00:29:40,760 --> 00:29:42,120 Speaker 2: a minute, how are we gonna get in this water? 512 00:29:42,200 --> 00:29:42,320 Speaker 5: Man? 513 00:29:42,760 --> 00:29:44,360 Speaker 3: So the water's supposed to be waist high. 514 00:29:45,880 --> 00:29:48,880 Speaker 2: So they said, we made a plank where you can 515 00:29:48,960 --> 00:29:52,400 Speaker 2: walk on this plank and it'll keep you waist high. 516 00:29:52,400 --> 00:29:57,440 Speaker 2: But if you step off the plank, you can. I'm like, 517 00:29:58,200 --> 00:30:00,040 Speaker 2: it took him two hours to talk to me. In 518 00:30:00,080 --> 00:30:03,920 Speaker 2: to that same two hours, Man, I ain't going. I 519 00:30:03,920 --> 00:30:05,360 Speaker 2: ain't doing it. Man, I don't give a fuck. 520 00:30:05,440 --> 00:30:06,960 Speaker 3: Shoot it without. 521 00:30:09,680 --> 00:30:12,440 Speaker 2: The AI in that part, you know what I'm I'm 522 00:30:12,480 --> 00:30:15,120 Speaker 2: looking at where I can cut. If I cut this out, 523 00:30:15,360 --> 00:30:17,000 Speaker 2: I ain't got to go. I don't go in the water. 524 00:30:17,320 --> 00:30:19,480 Speaker 2: But it was like, man, we need you, need you, 525 00:30:19,640 --> 00:30:23,120 Speaker 2: need you. So after a while, man, I put on 526 00:30:23,400 --> 00:30:27,000 Speaker 2: school of gear and all kind of ship. My god, damn, man, 527 00:30:27,360 --> 00:30:29,760 Speaker 2: it's some real ship. It's some real sh I'm ready 528 00:30:29,760 --> 00:30:31,280 Speaker 2: to get out this water. Man, you know what I 529 00:30:31,280 --> 00:30:39,080 Speaker 2: mean this movie ships, man, it's it's real Anakina out 530 00:30:39,080 --> 00:30:42,880 Speaker 2: there's you know, Piranha, It's all kind of ship in 531 00:30:42,880 --> 00:30:46,560 Speaker 2: that water man, And so it was it was that 532 00:30:46,680 --> 00:30:48,880 Speaker 2: was I was like, man, what the fuck am I 533 00:30:48,920 --> 00:30:51,160 Speaker 2: doing my life? You know what I'm saying. I'm in 534 00:30:51,160 --> 00:30:55,200 Speaker 2: the middle of the Amazon doing the goddamn movie and 535 00:30:56,720 --> 00:30:59,040 Speaker 2: in this bullshit water you know what I'm saying. So 536 00:31:00,440 --> 00:31:03,040 Speaker 2: it all turned out cool. You know. We was actually 537 00:31:03,080 --> 00:31:08,120 Speaker 2: really scared of the electric the mechanical snake. They had 538 00:31:08,120 --> 00:31:14,680 Speaker 2: a mechanical snake that these fucking college kids built, and 539 00:31:14,720 --> 00:31:19,120 Speaker 2: that motherfucker went haywire one time, almost fucked up Jennifer Lopez. 540 00:31:20,240 --> 00:31:23,240 Speaker 2: It malfunctioned and that ship just started to tear up. 541 00:31:23,280 --> 00:31:27,360 Speaker 2: The set almost swung, swung, it almost hit her in 542 00:31:27,360 --> 00:31:29,480 Speaker 2: the face and ship and they had to grab her 543 00:31:29,560 --> 00:31:35,640 Speaker 2: out of there. So so we after that, everybody looking 544 00:31:35,680 --> 00:31:37,000 Speaker 2: at this fucking snake. 545 00:31:36,840 --> 00:31:41,040 Speaker 8: Like we scared of this motherfucking thing for real, because 546 00:31:41,040 --> 00:31:46,360 Speaker 8: it was like this metal skeleton, the black one, but 547 00:31:46,440 --> 00:31:48,680 Speaker 8: it was wrapped in this like attire. 548 00:31:48,800 --> 00:31:49,080 Speaker 2: Damn. 549 00:31:49,120 --> 00:31:53,719 Speaker 3: The So this ship was hitching face up and we 550 00:31:54,560 --> 00:31:56,800 Speaker 3: acting with this ship and we're like, man, it's fuck 551 00:31:56,840 --> 00:32:00,000 Speaker 3: the malfunction. Just pop a nigga right in the mouth. 552 00:32:00,840 --> 00:32:05,800 Speaker 3: So we're scared of this thing for real. Yeah yeah, yeah, yeah, 553 00:32:06,800 --> 00:32:11,160 Speaker 3: nigga k QB had against and they ain't never did that. 554 00:32:11,320 --> 00:32:14,360 Speaker 5: No matter how many drive, you ain't never been in 555 00:32:14,440 --> 00:32:15,920 Speaker 5: an Amazon fighting the snake. 556 00:32:17,160 --> 00:32:22,120 Speaker 2: Yeah yeah, yeah, all of which one was the best 557 00:32:22,120 --> 00:32:26,840 Speaker 2: one when you like, damn all about the Benjamins. 558 00:32:31,920 --> 00:32:32,240 Speaker 3: Smile. 559 00:32:34,080 --> 00:32:36,200 Speaker 2: Yeah, that was that was fun. You know. We shot 560 00:32:36,200 --> 00:32:41,200 Speaker 2: that in Miami, and you know it was like, you know, 561 00:32:41,600 --> 00:32:47,600 Speaker 2: try to make you know, this action comedy. It was 562 00:32:47,600 --> 00:32:52,360 Speaker 2: my first time going after the action comedy title. 563 00:32:53,680 --> 00:32:54,240 Speaker 3: It was cool. 564 00:32:54,280 --> 00:32:56,120 Speaker 2: You know. We didn't have a lot of big budget 565 00:32:56,160 --> 00:32:58,680 Speaker 2: but made it work. 566 00:32:58,760 --> 00:33:01,520 Speaker 6: All your great movies with the no budget shit, I 567 00:33:01,520 --> 00:33:03,800 Speaker 6: wouldn't consider low. 568 00:33:04,240 --> 00:33:07,920 Speaker 2: But yeah, yeah, yeah, you know in Hollywood it is 569 00:33:08,960 --> 00:33:14,920 Speaker 2: that ain't no much. Actually, twenty five is low in Hollywood. 570 00:33:16,000 --> 00:33:17,080 Speaker 1: Give us a low budget. 571 00:33:17,160 --> 00:33:17,800 Speaker 2: It will take me. 572 00:33:17,880 --> 00:33:21,360 Speaker 1: Come up, up, we're building those snakes. We'll build something. 573 00:33:22,520 --> 00:33:27,280 Speaker 5: We will use you show back to the music man, 574 00:33:27,400 --> 00:33:29,720 Speaker 5: like you are literally one of the greatest to ever 575 00:33:29,840 --> 00:33:34,240 Speaker 5: touch a microphone. Man, what what after all these years 576 00:33:34,240 --> 00:33:37,120 Speaker 5: of being at this high level, what makes you still 577 00:33:37,160 --> 00:33:38,880 Speaker 5: want to do that part to wrap. 578 00:33:38,560 --> 00:33:41,840 Speaker 2: It, and I love it, you know, like like when 579 00:33:41,880 --> 00:33:43,680 Speaker 2: we first came out, we didn't think we was gonna 580 00:33:43,680 --> 00:33:46,600 Speaker 2: make no money. We just was having fun being able 581 00:33:46,600 --> 00:33:49,680 Speaker 2: to do something different. A lot of people wasn't wrapping 582 00:33:49,720 --> 00:33:53,480 Speaker 2: when we started, so it was unique, you know what 583 00:33:53,480 --> 00:33:56,320 Speaker 2: I mean. You come in, you bust everybody you know 584 00:33:56,600 --> 00:33:59,400 Speaker 2: into it, and it's always been fun. 585 00:33:59,440 --> 00:33:59,640 Speaker 7: You know. 586 00:34:00,080 --> 00:34:03,360 Speaker 2: Of course it got serious when I start getting deals 587 00:34:03,440 --> 00:34:06,400 Speaker 2: and having to pay back budgets and all this kind 588 00:34:06,400 --> 00:34:09,359 Speaker 2: of stuff. But now I do my own records. I've 589 00:34:09,360 --> 00:34:14,600 Speaker 2: been doing my own records since six and that shit 590 00:34:14,719 --> 00:34:16,239 Speaker 2: is fun because I ain't got to worry about paying 591 00:34:16,239 --> 00:34:18,440 Speaker 2: nobody back. You know, do. 592 00:34:20,080 --> 00:34:22,960 Speaker 3: You know the game to change? Everybody that heard about 593 00:34:23,000 --> 00:34:26,120 Speaker 3: some of the terrible record deals and you know the 594 00:34:26,160 --> 00:34:28,759 Speaker 3: snakes in the game. So when when young artists come 595 00:34:28,840 --> 00:34:30,880 Speaker 3: up to you and ask you for advice on the 596 00:34:30,960 --> 00:34:33,320 Speaker 3: music game or contracts, what you're telling. 597 00:34:34,640 --> 00:34:37,360 Speaker 2: When it comes to contracts and stuff like that, Like, 598 00:34:38,480 --> 00:34:42,040 Speaker 2: you know, everybody has a different situation. You know, some 599 00:34:42,080 --> 00:34:45,960 Speaker 2: people can make their own music and you know before 600 00:34:46,000 --> 00:34:49,520 Speaker 2: they even try to shop a deal, and then some people, 601 00:34:50,239 --> 00:34:53,240 Speaker 2: you know, need that budget to even make a record, 602 00:34:53,520 --> 00:34:56,959 Speaker 2: So it depends on where they're coming from. You got 603 00:34:56,960 --> 00:35:00,399 Speaker 2: to know this. You got your own music, you got 604 00:35:00,440 --> 00:35:05,200 Speaker 2: your own record, You can do content visuals. You own 605 00:35:05,280 --> 00:35:10,000 Speaker 2: one hundred percent of that. So you basically signing to 606 00:35:10,080 --> 00:35:15,319 Speaker 2: go give somebody a piece of yo, what you on 607 00:35:15,320 --> 00:35:19,440 Speaker 2: one hundred percent of You're signing to give somebody a 608 00:35:19,520 --> 00:35:25,839 Speaker 2: piece of that, and so you know it. You got 609 00:35:25,840 --> 00:35:30,160 Speaker 2: to look at it on that level. Like I could 610 00:35:30,200 --> 00:35:32,600 Speaker 2: see if you're just discovered, somebody say, y'all, I want 611 00:35:32,600 --> 00:35:34,960 Speaker 2: to do a record on you. You sound good. Okay, 612 00:35:35,000 --> 00:35:36,640 Speaker 2: it's cool for them to get a piece of that. 613 00:35:37,239 --> 00:35:40,160 Speaker 2: If you create and do everything, you should be trying 614 00:35:40,200 --> 00:35:42,839 Speaker 2: to look for ways to put it out and keep 615 00:35:42,880 --> 00:35:47,640 Speaker 2: everything if you can. If you can't, then make a deal. 616 00:35:47,719 --> 00:35:51,160 Speaker 2: But don't go give up your whole project for a 617 00:35:51,480 --> 00:35:57,600 Speaker 2: little ten twelve points or whatever when you own one 618 00:35:57,680 --> 00:36:01,080 Speaker 2: hundred percent of it. Off the jump, you know, we 619 00:36:01,239 --> 00:36:04,160 Speaker 2: just gotta look at it in them terms. You know, 620 00:36:05,040 --> 00:36:09,480 Speaker 2: do your own content. You're on that until you go 621 00:36:10,480 --> 00:36:11,360 Speaker 2: give it away. 622 00:36:11,360 --> 00:36:12,240 Speaker 1: Straight out of company. 623 00:36:12,280 --> 00:36:13,920 Speaker 3: How much of that is true? 624 00:36:15,040 --> 00:36:19,520 Speaker 6: All of it's true, all of us. 625 00:36:19,680 --> 00:36:20,919 Speaker 2: Yeah, I went in there with a bat. 626 00:36:23,080 --> 00:36:31,000 Speaker 5: That's why they wanted to get that water. 627 00:36:29,800 --> 00:36:32,040 Speaker 2: With a movie like that. When you're making a movie 628 00:36:32,080 --> 00:36:35,680 Speaker 2: about real life and you're trying to squeeze ten years 629 00:36:35,719 --> 00:36:39,719 Speaker 2: into two hours or three hours or whatever, what what 630 00:36:39,760 --> 00:36:44,840 Speaker 2: you end up doing is a summary of what happened. 631 00:36:45,640 --> 00:36:50,600 Speaker 2: So certain things might have happened in a month, you know, 632 00:36:50,719 --> 00:36:54,960 Speaker 2: certain situations, but you gotta get it out on two scenes. 633 00:36:55,040 --> 00:36:58,520 Speaker 2: So you try to figure out how to create a 634 00:36:58,560 --> 00:37:02,040 Speaker 2: scene where all these all this information can get out 635 00:37:02,560 --> 00:37:08,880 Speaker 2: it makes sense. So you know, everything is true, but 636 00:37:09,320 --> 00:37:12,880 Speaker 2: everything might not have happened in that one scene. Like 637 00:37:13,120 --> 00:37:16,520 Speaker 2: you see us in the studio one time and I'm like, yo, Jerry, 638 00:37:16,560 --> 00:37:19,839 Speaker 2: what about the contracts? You know that probably happened over 639 00:37:20,880 --> 00:37:23,400 Speaker 2: two or three weeks, so yo, what the fuck? You know? 640 00:37:23,440 --> 00:37:26,520 Speaker 2: Boom boom working, you know, talking shit working. But in 641 00:37:26,600 --> 00:37:30,759 Speaker 2: the movie everything is like just crunched and summarized. So 642 00:37:32,160 --> 00:37:37,520 Speaker 2: it's all true. It's just you know, timeline is squosing 643 00:37:37,960 --> 00:37:41,680 Speaker 2: into two hours when things should actually be stretched, be 644 00:37:41,719 --> 00:37:42,520 Speaker 2: stretched a little bit. 645 00:37:42,600 --> 00:37:45,960 Speaker 5: Somebody never heard ice Cube before. Somebody never heard your music. 646 00:37:46,120 --> 00:37:48,560 Speaker 5: This is what song is ice Cube playing for a 647 00:37:48,600 --> 00:37:50,040 Speaker 5: person that never heard ice cube? 648 00:37:50,320 --> 00:37:55,120 Speaker 2: Oh man, never heard an ice Cube song? I definitely 649 00:37:55,280 --> 00:37:56,319 Speaker 2: play it was a good day. 650 00:37:56,600 --> 00:37:57,200 Speaker 1: That's the one. 651 00:37:57,680 --> 00:37:58,960 Speaker 2: Definitely play. I Gotta. 652 00:38:00,360 --> 00:38:01,279 Speaker 1: No Vaciline. 653 00:38:01,480 --> 00:38:04,160 Speaker 3: Yeah, and that's one of the hardest motherfuckers. 654 00:38:04,440 --> 00:38:05,440 Speaker 2: It's the hardest. 655 00:38:09,719 --> 00:38:14,000 Speaker 1: Y'all sit it all, man, like, what was that day like? 656 00:38:14,080 --> 00:38:14,680 Speaker 1: Recording that. 657 00:38:19,080 --> 00:38:19,520 Speaker 3: I had? 658 00:38:19,800 --> 00:38:23,880 Speaker 2: I had to rap. I didn't tell nobody the lyrics, 659 00:38:24,880 --> 00:38:27,040 Speaker 2: and I didn't want nobody to even hear what I 660 00:38:27,120 --> 00:38:29,200 Speaker 2: was saying because I didn't wanted to get back to 661 00:38:29,239 --> 00:38:33,200 Speaker 2: them what the record was, so just kept it in 662 00:38:33,280 --> 00:38:36,080 Speaker 2: my book. I knew what I wanted to rap over, 663 00:38:36,440 --> 00:38:42,240 Speaker 2: which was Danny Dane had a record called Cinder Feller 664 00:38:42,880 --> 00:38:45,359 Speaker 2: and the Other Day and they used that. They used 665 00:38:45,360 --> 00:38:47,720 Speaker 2: that dazz beat to get. 666 00:38:49,239 --> 00:38:49,759 Speaker 3: Don't Boom. 667 00:38:52,440 --> 00:38:55,560 Speaker 2: I'm like, man, he used that a long time ago. 668 00:38:56,160 --> 00:38:59,120 Speaker 2: I'm about to flip this ship. So I had uh 669 00:39:00,719 --> 00:39:04,080 Speaker 2: dj pool. A couple of the producers I was working 670 00:39:04,080 --> 00:39:06,360 Speaker 2: with was just flipped the beat and it was just rolling. 671 00:39:07,200 --> 00:39:14,000 Speaker 2: I was like, all right, I'm ready and put the 672 00:39:14,040 --> 00:39:16,000 Speaker 2: beat on. I went in there and wrapped that shit 673 00:39:18,280 --> 00:39:20,720 Speaker 2: and they was just quiet. When I came out to booth, 674 00:39:20,800 --> 00:39:25,080 Speaker 2: they was like, God, damn cute, you're putting that out. 675 00:39:25,480 --> 00:39:29,520 Speaker 2: Like yep, I'm for going on the end of the record, 676 00:39:29,719 --> 00:39:34,480 Speaker 2: it was like gotten it. Everybody just was like eyebrows up, like, man, hold, 677 00:39:35,800 --> 00:39:38,640 Speaker 2: we better get ready, it's coming, you know what I mean, 678 00:39:38,719 --> 00:39:42,839 Speaker 2: This shit about to get crazy around here. So yeah, 679 00:39:42,960 --> 00:39:45,840 Speaker 2: just blew their mind. Everybody was just tripping that that 680 00:39:45,920 --> 00:39:51,520 Speaker 2: I was going that hard and you know, yeah, somebody 681 00:39:51,560 --> 00:39:53,759 Speaker 2: asked me, man, you're gonna put that out, like yeah, 682 00:39:54,000 --> 00:39:54,920 Speaker 2: that's going out. 683 00:39:54,960 --> 00:39:55,640 Speaker 1: That's going out. 684 00:40:00,320 --> 00:40:06,799 Speaker 3: Another one, the other one, Jack Beats Jack. Yeah, that 685 00:40:06,960 --> 00:40:09,200 Speaker 3: year Once upon a Time in the press. 686 00:40:09,400 --> 00:40:16,760 Speaker 5: Was over one like when the girls break nothing, that's. 687 00:40:16,600 --> 00:40:19,960 Speaker 11: My What about the one you were MACI It was 688 00:40:20,000 --> 00:40:23,960 Speaker 11: the number head Paul put that one with you macin 689 00:40:24,160 --> 00:40:28,080 Speaker 11: and the other one yeah, it was. 690 00:40:28,040 --> 00:40:35,359 Speaker 2: Come on man, gags make the world god Man dope song, Yeah, 691 00:40:35,400 --> 00:40:42,279 Speaker 2: Summer vacation man with uh what was the first one 692 00:40:42,280 --> 00:40:44,839 Speaker 2: you said before? From Once from Time the project Jack 693 00:40:45,239 --> 00:40:50,799 Speaker 2: Beat in eighty nine, so many Dope Beats came out, 694 00:40:51,080 --> 00:40:53,440 Speaker 2: like all these records came out with all these beats, 695 00:40:53,440 --> 00:40:55,120 Speaker 2: and I was just going crazy. 696 00:40:54,880 --> 00:40:58,640 Speaker 3: Like, damn, I wish that was my ship. Damn I 697 00:40:58,680 --> 00:40:59,840 Speaker 3: wish that one was mine. 698 00:41:00,719 --> 00:41:03,839 Speaker 2: And one day I was like, you know what, I'm 699 00:41:03,840 --> 00:41:07,120 Speaker 2: gonna do a song with all these niggas beats, cut 700 00:41:07,160 --> 00:41:09,879 Speaker 2: them up every beat, I like, I'm gonna rap over 701 00:41:09,960 --> 00:41:10,400 Speaker 2: that ship? 702 00:41:11,000 --> 00:41:12,759 Speaker 12: Was you the first one that time? 703 00:41:14,520 --> 00:41:17,239 Speaker 2: I mean I'm the first one. I know that to 704 00:41:18,080 --> 00:41:18,920 Speaker 2: put it on the record. 705 00:41:19,000 --> 00:41:21,200 Speaker 5: Niggas might have been rapping on other people beats in 706 00:41:21,280 --> 00:41:23,520 Speaker 5: the projects, but to put it out like you put 707 00:41:23,560 --> 00:41:23,959 Speaker 5: that out? 708 00:41:24,719 --> 00:41:26,640 Speaker 3: How you get that CLI project? 709 00:41:26,880 --> 00:41:27,720 Speaker 2: Manad? 710 00:41:28,120 --> 00:41:29,440 Speaker 1: I was about to see how you get that? 711 00:41:29,480 --> 00:41:29,719 Speaker 2: Clear? 712 00:41:29,800 --> 00:41:33,399 Speaker 5: You around rapping on my beat better than me? Fuck 713 00:41:33,520 --> 00:41:36,120 Speaker 5: that nigga, he can't put this out many. 714 00:41:36,400 --> 00:41:39,160 Speaker 2: They cleared it? But what what? What was hard? 715 00:41:40,440 --> 00:41:40,520 Speaker 7: Like? 716 00:41:40,600 --> 00:41:44,920 Speaker 2: I would sample like D Nice is the first record 717 00:41:45,239 --> 00:41:48,120 Speaker 2: to call me? D Nice is the first record on 718 00:41:48,200 --> 00:41:52,279 Speaker 2: Jack and for Beats, But that nigga has sampled it 719 00:41:52,320 --> 00:41:57,040 Speaker 2: from another record, so I had to pay him. 720 00:41:58,120 --> 00:41:59,160 Speaker 12: It ain't even your check. 721 00:41:59,280 --> 00:42:00,359 Speaker 3: Let's go to him, man. 722 00:42:00,440 --> 00:42:03,759 Speaker 2: It was on a few different beats. They had used 723 00:42:03,760 --> 00:42:06,440 Speaker 2: other people ship, so I had to double pay. 724 00:42:08,480 --> 00:42:10,400 Speaker 1: Sample like that? 725 00:42:10,560 --> 00:42:13,600 Speaker 2: Yeah, it was. You know that that's a fucking song. 726 00:42:14,520 --> 00:42:16,440 Speaker 2: You know it's only one hundred percent of publishing. I 727 00:42:16,440 --> 00:42:18,400 Speaker 2: think that was like a thousand percent. 728 00:42:24,480 --> 00:42:28,279 Speaker 3: Goodness gracious man, But you've always been known for being 729 00:42:28,320 --> 00:42:30,560 Speaker 3: the writer too, Like you rolled a lot of raps 730 00:42:30,560 --> 00:42:31,280 Speaker 3: for other people. 731 00:42:31,400 --> 00:42:31,560 Speaker 8: Man. 732 00:42:31,640 --> 00:42:33,680 Speaker 3: Yeah, you ever be in that bag where you just 733 00:42:33,760 --> 00:42:35,719 Speaker 3: you're knocking the motherfuckers down and you're like, no, I 734 00:42:35,719 --> 00:42:36,280 Speaker 3: don't even. 735 00:42:36,120 --> 00:42:37,759 Speaker 1: Know if I want to get this, nigga this one. 736 00:42:38,000 --> 00:42:42,800 Speaker 2: Uh. I had a song called a Gangsterous fairy Tale 737 00:42:43,640 --> 00:42:47,640 Speaker 2: that was supposed to be an easy song. I'm so hard. 738 00:42:47,840 --> 00:42:51,040 Speaker 2: They was tripping talking ship. I'm like, nig you ain't 739 00:42:51,080 --> 00:42:55,319 Speaker 2: yet too. We resolved this ship staying in my note, 740 00:42:55,360 --> 00:42:58,600 Speaker 2: but I ain't gonna talk about this and uh, and 741 00:42:58,680 --> 00:43:01,480 Speaker 2: then we broke up and I was like, this mother fucker, Mommy, 742 00:43:02,280 --> 00:43:06,440 Speaker 2: I changed little boys and girls. They all love me. 743 00:43:07,040 --> 00:43:09,719 Speaker 2: Come sitting on the lap of easy and let me 744 00:43:09,800 --> 00:43:11,759 Speaker 2: tell you a story or two. I just changed it. 745 00:43:12,040 --> 00:43:14,839 Speaker 2: Come sitting on the lap of ice, let me tell 746 00:43:14,840 --> 00:43:16,279 Speaker 2: your story or two and just kept on. 747 00:43:16,480 --> 00:43:19,200 Speaker 1: Rolling nice with it. 748 00:43:19,680 --> 00:43:22,759 Speaker 3: Now you've been writing rap songs thirty five forty years, 749 00:43:22,880 --> 00:43:25,360 Speaker 3: then then how long did it take you to creation? 750 00:43:25,520 --> 00:43:25,719 Speaker 1: Shit? 751 00:43:25,880 --> 00:43:26,040 Speaker 2: There? 752 00:43:26,360 --> 00:43:27,280 Speaker 1: What's your process? 753 00:43:27,480 --> 00:43:31,880 Speaker 2: It depends you know, if I love to beat, if 754 00:43:31,960 --> 00:43:34,239 Speaker 2: I got the concept, if it's been if I've been 755 00:43:34,280 --> 00:43:37,600 Speaker 2: sitting on this concept for a minute, then you know 756 00:43:37,880 --> 00:43:41,920 Speaker 2: I could I can write I usually write two verses, 757 00:43:43,640 --> 00:43:47,920 Speaker 2: you know, off the rip, just I don't leave to 758 00:43:48,280 --> 00:43:52,000 Speaker 2: I got two verses and two hooks, and then I'll 759 00:43:52,080 --> 00:43:54,320 Speaker 2: go think about that third verse, like how do I 760 00:43:54,920 --> 00:43:57,439 Speaker 2: sum this song up? How do I put the bow 761 00:43:57,560 --> 00:44:00,239 Speaker 2: on it and wrap it up? So that third verse, my, 762 00:44:01,360 --> 00:44:04,480 Speaker 2: you know, just take me another time to go back 763 00:44:04,520 --> 00:44:06,960 Speaker 2: in there and just work on the beat. 764 00:44:07,239 --> 00:44:09,600 Speaker 6: Were you always nice with words like did you read 765 00:44:09,640 --> 00:44:11,080 Speaker 6: you know, back then muffles than you reading? 766 00:44:11,520 --> 00:44:13,319 Speaker 2: I was when I was young. 767 00:44:20,880 --> 00:44:24,320 Speaker 3: When I was young, I used to, you know, my 768 00:44:24,440 --> 00:44:29,120 Speaker 3: teacher tell us, you know, just got off Christmas vacation. 769 00:44:29,280 --> 00:44:32,640 Speaker 2: What did y'all do. I'll be able to write, you know, 770 00:44:33,560 --> 00:44:38,359 Speaker 2: vividly what we did. And uh. One day it got 771 00:44:38,400 --> 00:44:40,880 Speaker 2: into she read it and it was so cool. She 772 00:44:41,000 --> 00:44:45,759 Speaker 2: put it in the school paper, like the little elementary newsletter. 773 00:44:46,800 --> 00:44:49,080 Speaker 3: So I'm like, damn, that's my name, that's my ship. 774 00:44:49,120 --> 00:44:51,520 Speaker 3: I wrote that. So it got me where I was like, 775 00:44:52,040 --> 00:44:55,560 Speaker 3: oh ship, like people did what I write? 776 00:44:56,360 --> 00:44:56,719 Speaker 1: And uh. 777 00:44:57,360 --> 00:45:03,120 Speaker 2: And then when I graduated from the sixth grade, they 778 00:45:03,200 --> 00:45:07,120 Speaker 2: asked me to write a speech to you know, speak 779 00:45:07,160 --> 00:45:10,680 Speaker 2: to my graduating class, and shit, so I was did that. 780 00:45:11,040 --> 00:45:13,880 Speaker 2: I got up there and out and I delivered the 781 00:45:13,960 --> 00:45:16,239 Speaker 2: speech and everybody was feeling it. 782 00:45:16,320 --> 00:45:17,359 Speaker 3: They was clapping the shit. 783 00:45:17,440 --> 00:45:19,960 Speaker 2: So I'm like, damn, I can I can write it 784 00:45:20,920 --> 00:45:23,200 Speaker 2: and I can deliver it, you know what I mean, 785 00:45:23,320 --> 00:45:28,040 Speaker 2: I can articulate it. And so that's where I knew, Okay, 786 00:45:28,200 --> 00:45:31,960 Speaker 2: I got I got something here. And then rap came 787 00:45:32,040 --> 00:45:36,080 Speaker 2: into my life about two years later when I was fourteen, 788 00:45:37,080 --> 00:45:41,880 Speaker 2: and it was it was a trip because me and 789 00:45:42,000 --> 00:45:45,640 Speaker 2: my homie kiddo, we was in a typing class. That's 790 00:45:45,680 --> 00:45:51,520 Speaker 2: when they had typing type in class young and we 791 00:45:52,360 --> 00:45:56,040 Speaker 2: didn't want to be in there. Yeah, we we don't 792 00:45:56,080 --> 00:45:57,120 Speaker 2: belong in this class. 793 00:45:57,239 --> 00:45:57,400 Speaker 7: You know. 794 00:45:57,560 --> 00:46:00,600 Speaker 2: It's just we didn't get our electives. We was late. 795 00:46:01,239 --> 00:46:03,799 Speaker 2: So this that's all they had left. 796 00:46:03,880 --> 00:46:07,399 Speaker 3: So look at this nigga liked he I don't want 797 00:46:07,400 --> 00:46:09,560 Speaker 3: to be no secretary here. 798 00:46:10,200 --> 00:46:12,680 Speaker 2: So he looked at me one day he was like, man, 799 00:46:12,760 --> 00:46:16,600 Speaker 2: you ever write a rap? Before? I was like, nah, 800 00:46:18,560 --> 00:46:20,319 Speaker 2: you write one, I write one. We see which one 801 00:46:20,400 --> 00:46:20,799 Speaker 2: is the best. 802 00:46:21,960 --> 00:46:25,759 Speaker 3: And ship. So I was typing out a rap, you 803 00:46:25,840 --> 00:46:29,560 Speaker 3: know what I mean, thinking this ship typing and my 804 00:46:29,680 --> 00:46:30,520 Speaker 3: ship was better than. 805 00:46:33,520 --> 00:46:35,759 Speaker 2: He was biting people. Ship. I'm like, I heard the 806 00:46:35,800 --> 00:46:42,600 Speaker 2: fat boys say that, like mine was original and I 807 00:46:42,760 --> 00:46:46,480 Speaker 2: just never stopped after that day trying to tell my 808 00:46:46,600 --> 00:46:50,160 Speaker 2: raps to people. Motherfuckers, Like come on, man, I was 809 00:46:50,200 --> 00:46:54,160 Speaker 2: all off beating ship. I didn't know how to to 810 00:46:54,440 --> 00:46:57,560 Speaker 2: like flow it. I could write it, but I had 811 00:46:57,600 --> 00:47:01,720 Speaker 2: to learn how to flow. And fucking with the homie 812 00:47:01,800 --> 00:47:04,200 Speaker 2: Jinks from down the street, the only nigga that had 813 00:47:04,280 --> 00:47:08,000 Speaker 2: DJ equipment and instrumentals and shit. He was like, man, 814 00:47:08,360 --> 00:47:10,840 Speaker 2: come to my house because you gotta wrap that to 815 00:47:10,920 --> 00:47:14,200 Speaker 2: a beat. We gotta you gotta find a flow on 816 00:47:14,320 --> 00:47:18,800 Speaker 2: this shit. So dowing the instrumental there and I started 817 00:47:18,880 --> 00:47:23,160 Speaker 2: to figure out, okay, the cadence, and I'm like, oh, 818 00:47:23,239 --> 00:47:26,880 Speaker 2: this shit is fun, bouncing on his beat. And I 819 00:47:27,040 --> 00:47:30,040 Speaker 2: was just down there every day. Niggas was clowning me. 820 00:47:30,160 --> 00:47:33,120 Speaker 2: Niggas in my neighborhood. Are you going down here, man, 821 00:47:33,160 --> 00:47:36,719 Speaker 2: hanging out with this dude? Manu nigga? You run there 822 00:47:36,760 --> 00:47:41,279 Speaker 2: and see now nigga Curtis blow nigga And I would 823 00:47:41,320 --> 00:47:43,920 Speaker 2: be like, man, fuck y'all went out here. We'd be 824 00:47:44,000 --> 00:47:48,200 Speaker 2: in there hours, man e j scratching and watching him, 825 00:47:48,280 --> 00:47:50,439 Speaker 2: you know, try to you know, we was all trying 826 00:47:50,480 --> 00:47:54,359 Speaker 2: to get good, and he just kept on it. Then 827 00:47:54,440 --> 00:47:57,680 Speaker 2: one day he was like, you know what my cousin is. 828 00:47:57,760 --> 00:48:01,640 Speaker 2: I said, no, he said doctor Tre Nigga. I was 829 00:48:01,719 --> 00:48:06,960 Speaker 2: like doctor T and I'm like, uh, he said, yeah, 830 00:48:06,960 --> 00:48:09,520 Speaker 2: he made a record. I said, nigga, you got a 831 00:48:09,600 --> 00:48:11,960 Speaker 2: cousin made a record, so they gat. He pull out 832 00:48:11,960 --> 00:48:16,880 Speaker 2: a record Doctor Drane's Surgery. He put that on my 833 00:48:16,920 --> 00:48:20,239 Speaker 2: phone and said, Nigga, that's your cousin. I don't meet 834 00:48:20,320 --> 00:48:23,239 Speaker 2: this nigga. Man, this niggas actually, you know, I'm a 835 00:48:23,360 --> 00:48:26,160 Speaker 2: fan of rap music. This niggas is actually doing music 836 00:48:26,400 --> 00:48:32,920 Speaker 2: like he's doing record off record. So that was just addicted. 837 00:48:32,960 --> 00:48:34,640 Speaker 2: It was like when he coming off. Man, when he 838 00:48:34,719 --> 00:48:41,479 Speaker 2: come off, that nigga would never come over. I'm like going. 839 00:48:41,840 --> 00:48:45,279 Speaker 2: And then one day the nigga called me. They was 840 00:48:45,320 --> 00:48:48,960 Speaker 2: having a barbecue or some ship. Nigga called me here, Nigga, 841 00:48:49,080 --> 00:48:51,400 Speaker 2: come on down. Yeah, I'm grabbing no books. 842 00:48:51,480 --> 00:48:57,400 Speaker 3: Nigga running down there, and uh, the last thing this 843 00:48:57,520 --> 00:48:59,120 Speaker 3: nigga wanted to do is hear us rap. 844 00:48:59,600 --> 00:49:02,960 Speaker 2: You know what I mean. He enjoined the barbecue. 845 00:49:02,520 --> 00:49:08,040 Speaker 3: There with you know, Amy and cousins and everybody, and 846 00:49:08,200 --> 00:49:11,640 Speaker 3: we just in the garage with the equipment like man 847 00:49:11,680 --> 00:49:12,520 Speaker 3: when is this nigga? 848 00:49:12,719 --> 00:49:18,120 Speaker 2: Come back here? See tright you coming back? He said, 849 00:49:18,120 --> 00:49:20,719 Speaker 2: he coming right back in there. Another hour. I'm like, man, 850 00:49:20,840 --> 00:49:24,839 Speaker 2: come on, nigga. Finally came back there. All right, let 851 00:49:24,840 --> 00:49:28,759 Speaker 2: me see what y'all got. So we started busting. He 852 00:49:28,960 --> 00:49:32,600 Speaker 2: was like laughing at the ship. I'm saying, I'm like, okay, 853 00:49:33,440 --> 00:49:38,000 Speaker 2: got this, dude, And I started uh. He ended up 854 00:49:38,040 --> 00:49:41,040 Speaker 2: coming over a lot after that, and then we just 855 00:49:41,280 --> 00:49:43,560 Speaker 2: was hanging out and then he was like, man, you 856 00:49:43,600 --> 00:49:46,160 Speaker 2: want to go to the studio. I said, hell yeah. 857 00:49:46,760 --> 00:49:49,200 Speaker 2: Took us all to the studio, and then that was 858 00:49:49,320 --> 00:49:54,520 Speaker 2: Lonzo Williams Spoting Compton. He ran the wrecking crew and man, 859 00:49:54,600 --> 00:49:58,239 Speaker 2: these niggas had equipment. They was doing beats and and 860 00:49:58,320 --> 00:50:01,080 Speaker 2: I'm like, damn, this is a dream truth. I don't 861 00:50:01,120 --> 00:50:08,040 Speaker 2: want to go home, right yeah, right here. We could 862 00:50:08,040 --> 00:50:10,760 Speaker 2: do this ship out there. I still got a thousand questions. 863 00:50:10,800 --> 00:50:14,680 Speaker 5: Man, we got we got another project, new album album 864 00:50:14,760 --> 00:50:15,120 Speaker 5: coming out. 865 00:50:15,400 --> 00:50:18,640 Speaker 2: Man down November twenty second. 866 00:50:19,120 --> 00:50:20,600 Speaker 12: Let's go down. 867 00:50:23,800 --> 00:50:27,840 Speaker 2: I got that song out right now called It's My Ego? Video? 868 00:50:28,080 --> 00:50:28,399 Speaker 1: Is real? 869 00:50:28,560 --> 00:50:30,480 Speaker 2: Is my video? Is looking real? Movie? 870 00:50:30,600 --> 00:50:30,640 Speaker 4: Like? 871 00:50:30,880 --> 00:50:32,960 Speaker 3: Yeah, yeah, getting back in the movie bag. You know, 872 00:50:33,080 --> 00:50:35,880 Speaker 3: we wanted to do a big video and not just 873 00:50:36,760 --> 00:50:40,680 Speaker 3: a visual. Yeah, just a thank you doing just visuals. 874 00:50:40,719 --> 00:50:43,000 Speaker 2: You know, I wanted to do a real video and 875 00:50:43,200 --> 00:50:45,520 Speaker 2: uh it's got a lot of traction and ship and 876 00:50:45,560 --> 00:50:49,080 Speaker 2: we got we got a remix called Ego maniacsd us 877 00:50:49,080 --> 00:50:55,719 Speaker 2: out Killer Mica is on the Mendoe got the whole time. Yeah, 878 00:50:56,480 --> 00:50:59,239 Speaker 2: and so that I'm gonna be out, uh, you know 879 00:50:59,280 --> 00:51:02,560 Speaker 2: on the twenty seve I can't quintessential ice Cube. You know, 880 00:51:02,600 --> 00:51:04,279 Speaker 2: if you've been an ice Cue fan, you're gonna love 881 00:51:04,360 --> 00:51:09,120 Speaker 2: this record. I ain't trying to be nothing. I'm not, 882 00:51:09,320 --> 00:51:11,759 Speaker 2: you know, I'm just trying to, you know, keep your 883 00:51:11,880 --> 00:51:15,280 Speaker 2: fastball right down the middle about your pastor. 884 00:51:16,520 --> 00:51:26,600 Speaker 12: That's Stanley, nigga from I've been looking at that. 885 00:51:26,840 --> 00:51:27,359 Speaker 3: The whole time. 886 00:51:27,440 --> 00:51:29,719 Speaker 1: I'm like, Bro, I think that Stanley. I want to 887 00:51:29,760 --> 00:51:31,239 Speaker 1: walk on this nigga grand. 888 00:51:37,080 --> 00:51:41,719 Speaker 2: Yeah, yeah, he was you a real nigga, Bro, He's 889 00:51:41,760 --> 00:51:43,120 Speaker 2: from Stanley. 890 00:51:55,600 --> 00:51:56,239 Speaker 3: Love Man. 891 00:52:02,280 --> 00:52:04,799 Speaker 2: I got c W here two Pikky Driver right there, 892 00:52:04,880 --> 00:52:06,080 Speaker 2: the nigga in the do right there. 893 00:52:10,760 --> 00:52:11,480 Speaker 12: I got your. 894 00:52:20,239 --> 00:52:22,640 Speaker 3: Saying in the trap, don't let it be your last man, 895 00:52:23,719 --> 00:52:24,600 Speaker 3: let it fin out. 896 00:52:24,680 --> 00:52:31,879 Speaker 2: So y'all doing, y'all very entertaining man