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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and aid, terminol and gay A.

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Speaker 1: We want to send you off in style. We wanna

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Speaker 1: welcome you back home.

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Speaker 2: Tell us all about it.

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Speaker 1: We scared her? Was it fine?

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Speaker 3: Now?

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Speaker 1: Porn? Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do your need to ride?

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Speaker 3: To ride? Do you need with Karen and Chris welcome

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Speaker 3: to Do you need to ride?

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Speaker 1: This is Chris Fairbanks and this is Karen Kilgarat.

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Speaker 3: The hesitation was not me forgetting my name, No, it

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Speaker 3: was just a simple organically occurring saliva bubble.

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Speaker 1: Oh okay, well great.

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Speaker 3: I'd like to keep everyone. I think sometimes people worry

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Speaker 3: about my brain health and I want them to know

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Speaker 3: I remembered my name.

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Speaker 1: Great.

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Speaker 2: I think that's the kind of confirmation people do want

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Speaker 2: to hear.

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Speaker 3: Why people come, Yeah.

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Speaker 1: Just to constantly medical check in with their podcast.

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Speaker 3: You know, I wish I was a doctor.

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Speaker 1: Well, our guest is already here.

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Speaker 3: Yeah, I can't. I know that most you know on

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Speaker 3: morning radio, like I was said, before it's people talk

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Speaker 3: about the local, the county fair and things that are

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Speaker 3: happening in town, and then you bring in the guests.

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Speaker 3: But I think we should do it right away.

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Speaker 2: We've never really done a morning radio format anyway, so

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Speaker 2: I think we'll be fine doing it this.

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Speaker 3: Why have I been doing the drive time weather report?

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Speaker 1: That's your private time that you do that?

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Speaker 3: Okay, Oh I forgot, Yes, that is it is. That's

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Speaker 3: been my dreams. You you saying them at clubs and

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Speaker 3: colleges across America. Everyone put your ears together for James A. Berniac.

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Speaker 3: Thank you? Did I say it correctly? Banniac or Banniac

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Speaker 3: And I've never played a clubber a college, but I

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Speaker 3: love but that's how you talk on this morning see exactly.

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Speaker 1: Let's get you on the circuit.

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Speaker 3: I was so worried about. Yeah. Oh, and I know

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Speaker 3: who to hook you up with. Yeah, we're going to

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Speaker 3: have you doing cruise shis colleges.

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Speaker 1: You need a solid thirty seven and you'll be fine.

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Speaker 3: I've never done stand up, but you two are experts,

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Speaker 3: so I'm here to learn. I've seen you because in

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Speaker 3: our little list of things about you, it just mentioned

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Speaker 3: and to you it will be so random. Your appearance

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Speaker 3: on Letterman in nineteen eighty three, Oh, my goodness. Yes,

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Speaker 3: and that so technically you did start with stand up

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Speaker 3: that Yes, that I mean. I was a very young person.

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Speaker 3: I was around nineteen, and I loved Letterman like every

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Speaker 3: one of my generation did, yeah at that time, and

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Speaker 3: I went to see it. I lived in New Jersey,

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Speaker 3: so I went. I got tickets through the mail. No

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Speaker 3: home computers back then.

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Speaker 1: What did you call in?

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Speaker 3: I think I forget. I think I think I wrote it. Okay,

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Speaker 3: could write in. And then I got tickets in the mail.

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Speaker 3: Oh that's so hard, copies and very excited to go.

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Speaker 3: Was thrilled. And the day before the show, I remember

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Speaker 3: saying to our friend, Hey, watch Letterman tomorrow. Look for

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Speaker 3: me on it. I had some cocky premonition that I

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Speaker 3: was going to appear on camera funny. And then I

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Speaker 3: went to the show. And the night before when I

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Speaker 3: watched it on TV, he came out and he told

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Speaker 3: a joke and he screwed the joke up. So the

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Speaker 3: day I'm there, he tries the joke again. He screwed it.

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Speaker 3: He just stumbled on the words and he said, oh,

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Speaker 3: damn it. This is the second night in a row.

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Speaker 3: I've screwed up this joke. And he took a beat,

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Speaker 3: and in the spirit of impetuous youth, I wouldn't do

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Speaker 3: this today, but I just yelled out, can I try

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Speaker 3: it then? And I was not a stand I was

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Speaker 3: like a community college actor, right. That was the that

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Speaker 3: was my stage experience at that time. And he laughed

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Speaker 3: and said, yeah, come on down, give it a shot,

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Speaker 3: and then I came down. I can remember the joke,

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Speaker 3: but I'm not going to tell it now because it's

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Speaker 3: not going to land here either. But the point is,

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Speaker 3: I tell there were cute cards, and I'd never been

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Speaker 3: on TV before, and I came downstage. People are cheering,

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Speaker 3: and I see my off on the monitor and I

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Speaker 3: got very nervous. Oh yeah, and he's a tall man,

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Speaker 3: which was slightly intimidating. I remember looking up at him,

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Speaker 3: and then I kind of stumbled through the joke reading

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Speaker 3: the que cards, and then as a sort of a save,

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Speaker 3: I did a little kind of fake laugh, like and

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Speaker 3: I kind of gave him a little pat on the shoulder, right,

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Speaker 3: and then he did a kind of why didn't you

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Speaker 3: just get back up there? Yeah? Yeah, like yeah, and

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Speaker 3: I watched it that night and was thrilled, and now

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Speaker 3: I can't watch it. It's it's it's excruciating for you.

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Speaker 3: Oh yeah, and it only existed on an old VHS tape.

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Speaker 3: And then a think called time went by, a thing

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Speaker 3: called the internet became a thing, a thing called YouTube.

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Speaker 3: This not just thing called YouTube became a thing, and

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Speaker 3: now it's there if anyone wants to see me. Right,

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Speaker 3: someone else had it on VHS. Well, yes, but I was,

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Speaker 3: And I got to say when I left a page

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Speaker 3: came up to me and said, oh, can we have

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Speaker 3: your dress? Because David loves to send thank you notes

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Speaker 3: to people. Oh and I'm still waiting for you. That

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Speaker 3: occurred in like nineteen eighty three. It still hasn't shown it.

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Speaker 2: The idea though, like knowing the drama around that show

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Speaker 2: and like whatever, the usual late night whatever, that must

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Speaker 2: have been so refreshing to him. That must have been

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Speaker 2: so because you were giving him this weird out and

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Speaker 2: almost like changing the subjects.

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Speaker 3: Well, I got to say, that was very much what

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Speaker 3: that show was like back then. R that's stupid. He

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Speaker 3: was always great, But that would never have happened on

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Speaker 3: the CBS. Right, It was just different. There was more

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Speaker 3: of a The opening of Late Night with David Letterman

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Speaker 3: was there was one build you saw a building like

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Speaker 3: in Rockefeller Center, and there was one light in the window,

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Speaker 3: and it was like the kids are in charge, now

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Speaker 3: the adults are away. And there was this kind of wacky,

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Speaker 3: you know, sort of improvisational anything can happen energy to

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Speaker 3: that show. Ye much of its time that he he

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Speaker 3: didn't have to invite someone down, you know, gan to

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Speaker 3: do that eighty three. He didn't be the beginning for him,

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Speaker 3: because I would have very early. It was like the

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Speaker 3: first or second year of the show Amazing.

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Speaker 2: I the first time I saw that show, I pretended

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Speaker 2: to go to sleep with the rest of my family

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Speaker 2: and then got back up and turned the TV on,

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Speaker 2: and it was right when Chris Elliot was coming out

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Speaker 2: of the floor as the guy under the stairs, and

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Speaker 2: I was like, I was addicted, And so I would

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Speaker 2: get up at night after pretending to go to sleep

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Speaker 2: and go down and watch Letterman.

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Speaker 3: I had the pleasure of doing a TV thing with

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Speaker 3: Chris Elliot a few years ago, and I've never met

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Speaker 3: him before, and he was a very nice guy, and

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Speaker 3: I said to him, I just want to tell you

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Speaker 3: how significant you were. Yeah, a Letterman too, but Chris Elliot,

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Speaker 3: because he's like around my age. I think he might

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Speaker 3: be slightly older than me. But I was like to

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Speaker 3: see a young guy just doing this really inventive, crazy

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Speaker 3: comedy on that show who I always suggest very I

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Speaker 3: was like, this is for me. Yes, I know that

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Speaker 3: he had like comedy training and everything, but wasn't he

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Speaker 3: a waiter that waited on Letterman And he's like, you're funny.

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Speaker 3: My memory is that he was working on the staff

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Speaker 3: as assertive intern or something makes more sense. And his

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Speaker 3: dad was a famous comedian. His dad was Bob Elliott.

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Speaker 3: It was a famous radio comic. Yeah, part of Bob

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Speaker 3: and Ray, who were a big sure radio duos like

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Speaker 3: no Way after the war, like in the fifties. And

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Speaker 3: I grew up in New Jersey and my mother always

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Speaker 3: had this talk radio station on called wr very mild

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Speaker 3: talk Radio for Housewives, which my mother was and Bob

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Speaker 3: and Ray had a slot on that show in the seventies.

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Speaker 3: So I used to hear Bob and Ray when I

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Speaker 3: was a kid. This is the thing I've always been into,

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Speaker 3: like old show biz too. But Letterman at the time

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Speaker 3: was very new and very different, and I love that. Yeah,

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Speaker 3: you know, I was such a fan of Chris Elliot

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Speaker 3: show Get a Life. Did you guys ever watch that?

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Speaker 3: Was jam and Brian Doyle Murray and it was so bizarre.

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Speaker 3: At one point there was like an eyeball growing off

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Speaker 3: of his shoulder and it was blinking. It was the

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Speaker 3: and he was an adult paper boy. He's a brilliant

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Speaker 3: good That show made me laugh so hard, and I

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Speaker 3: knew even at the time. I'm like, there's no way

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Speaker 3: my friend's dads, who were watching Home Improvement or whatever,

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Speaker 3: we are enjoying this show as much as me.

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Speaker 2: It was very It had that sense, the Canadian sensibility,

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Speaker 2: like the eyeball on the shoulder kind of thing. Yeah,

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Speaker 2: we don't care that it's primetime sitcom era, We're going

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Speaker 2: to do this thing over here.

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Speaker 3: Now, he is not a Canadian. You're just using that

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Speaker 3: as an adjective.

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Speaker 1: Right, Oh, Chris Elliott's not Canadian.

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Speaker 3: Well, I honestly don't know. I mean, Bob Elliott was

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Speaker 3: was did radio in the States?

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Speaker 1: Oh?

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Speaker 3: Unless understanding together, I thought he grew up in New York.

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Speaker 1: Well he has, Well, then my whole theory is shot.

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Speaker 1: To help.

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Speaker 3: Well, you're remembering the an era where a lot of

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Speaker 3: New York parents would send their children off to Canada. Also,

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Speaker 3: TV was a great Canadian show of that era.

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Speaker 1: You know what I'm doing.

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Speaker 2: I'm just I'm combining Chris Elliot's career and then him

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Speaker 2: working on Shit's Creek, and I'm like, well, then he's

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Speaker 2: also a Canadian. With Eugene Levian, I like.

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Speaker 3: That you can just Canadian as an adjective, not meaning literal. Yeah,

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Speaker 3: I mean he's got a Canadian quality.

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Speaker 1: It's a vibe.

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Speaker 2: It's like it's a gentle kookiness. Yeah, you know, it's

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Speaker 2: not football based.

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Speaker 3: Yes, and Bob and Ray were very gently kooky. That's

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Speaker 3: a very good way to describe them. Chris was less gentle,

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Speaker 3: but he was definitely kookie, very loud.

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Speaker 1: When the man under the floor would pop up and

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Speaker 1: start screaming.

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Speaker 3: That's also from Get a Life.

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Speaker 2: That's from Letterman, just the guy that lived under the stairs.

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Speaker 3: What if this whole episode, I keep asking if things

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Speaker 3: are from Get a Life? You know, one you could

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Speaker 3: here on the Morning Zoo Chris Elliot Hour Drive Terrace

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Speaker 3: isn't here. We're just talking about.

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Speaker 1: Christ talking about Chris, it's none of It's.

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Speaker 3: True Chris shit dot com. By the way, I just

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Speaker 3: want a sidebar. I want to say that, Karen, I

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Speaker 3: am very impressed that you were driving and hosting a

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Speaker 3: podcast co hosting. I do not think i'd be capable

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Speaker 3: of this.

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Speaker 1: Thank you.

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Speaker 3: You wouldn't be. And now, Chris, have you driven? Yes?

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Speaker 3: And I it's established now I've heard it enough mentioned

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Speaker 3: that men are a bad at multitasking, and I just

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Speaker 3: thought it was something between Karen and I. I think

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Speaker 3: that women in general are able to Oh, I don't

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Speaker 3: get pulled over where where I think they're behind us?

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Speaker 3: I'm got fire somewhere. It's right when I mentioned that

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Speaker 3: a siren makes you slam on the brakes. Yeah, but

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Speaker 3: Karen is very good at driving and having a conversation.

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Speaker 3: That's interesting.

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Speaker 1: I haven't pull over for a fire truck. Oh, let

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Speaker 1: me just do.

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Speaker 3: Yeah. Yeah, we're just gonna let it's exciting, though it's

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Speaker 3: giving us a little action sequence. I don't like them.

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Speaker 3: Usually we follow the fire trucks. Now, I got it.

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Speaker 3: I'm sure other people have asked this, but have you

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Speaker 3: And I don't want to jinx anything, but have you

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Speaker 3: ever gotten to offended mentor or a spe and I

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Speaker 3: don't think we ever will. Had I always been the driver,

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Speaker 3: it was inevitable. I don't know that i'd heard the

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Speaker 3: men do multitask well thing, but I will accept that

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Speaker 3: because now that I think about it, my wife was

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Speaker 3: not a performer. But if someone put a gun at

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Speaker 3: her and said you have to host a podcast and drive,

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Speaker 3: she'd be like, no sweat, Yeah, no problem. I don't

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Speaker 3: know that she'd say no sweat because that's like a

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Speaker 3: seventies it'd be cool, but yeah, sweat how to sight?

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Speaker 1: Hey man, she added, no sweat for me, dude.

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Speaker 3: Of course I can do that, daddy. I just I

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Speaker 3: think that sometimes to make a point, I would have to.

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Speaker 3: I'll add to that after this right turn, like I

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Speaker 3: couldn't do both simultaneously. Now. One thing, do people ever

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Speaker 3: go like Remax real estate? You know, just reading that's

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Speaker 3: kind of apparent thing, that's kind of a mom thing.

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Speaker 3: It is a big brand, big brand tire, sirch, I

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Speaker 3: do you.

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Speaker 1: Know they had a tire service at big brand.

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Speaker 3: Antiques antiques, So that's nice. There is writing there. One

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Speaker 3: of the times, Patton Oswald was on everything we drove

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Speaker 3: by except he had a story about it. Yeah, because

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Speaker 3: we're going down venturable. He was being flooded with memories

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Speaker 3: of each much like Wallace Sean. At the end of

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Speaker 3: the film My Dinner with Andre, he takes a cab

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Speaker 3: downtown in Manhattan after his dinner with Andrea, and he says,

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Speaker 3: and everywhere I passed, I had a memory of it.

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Speaker 3: It's funny. I only know My Dinner with Andre from

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Speaker 3: the lunch box and waiting for guf.

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Speaker 2: Oh.

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Speaker 3: You you can always get a reservation. Incredible. It's a

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Speaker 3: great movie.

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Speaker 1: Yeah, really good.

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Speaker 3: I recommend it. I should see it. We all know.

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Speaker 3: That's one of the most parody titles of all time.

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Speaker 3: Everyone makes My Dinner with Andre jokes, Yeah, which is

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Speaker 3: funny for a sort of already independent movie from the

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Speaker 3: early eighties, a.

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Speaker 2: Movie where two guys talk to each other almost the

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Speaker 2: entire time.

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Speaker 3: Yeah, two guys talking. Yeah. The other one that I

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Speaker 3: imagine a lot of people haven't seen, because I was

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Speaker 3: shocked to find out it was a literal title, The

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Speaker 3: Breakfast at Tiffany's. I had never seen. I did not

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Speaker 3: know she was actually having Christmas in front of a

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Speaker 3: Tiffany song. This is interesting. Yes, you when you discovered

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Speaker 3: there was a film from the early sixties called Breakfast

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Speaker 3: at Tiffany's. Right, you you thought, oh, that's that's a title.

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Speaker 3: That is a time. You just think, did you only

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Speaker 3: know the nineties? Mine in a nice nineties. I've been

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Speaker 3: around since seventy five and I've I've heard that movie

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Speaker 3: reference so many times. But I imagine it's not by

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Speaker 3: people who actually sat through it. But you had heard

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Speaker 3: the title, but you said that was just a phrase

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Speaker 3: or something, right, I did not know that she has

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Speaker 3: like a regular breakfast at tiffany pret Tiffany's. Yeh, she

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Speaker 3: gets a croissan from like a deli and then she

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Speaker 3: stands in front of Tiffany's in the first shot. That's right,

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Speaker 3: But they it was important enough that they named the

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Speaker 3: movie that. Maybe I got thrown off by the terrible

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Speaker 3: nineties song by whoever it.

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Speaker 1: Was, Yes, the brother was it?

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Speaker 3: It might have been the Rembrands. My wife could also

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Speaker 3: tell you that because she's a nineties music expert. Too bad.

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Speaker 3: We should have invited her. But she wouldn't fit in

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Speaker 3: the car.

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Speaker 1: I think the reasons no room, there's no room for her.

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Speaker 3: I think the reason it didn't oh saying yes, wow, nice. Wait,

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Speaker 3: the band's name is Deep Blue Something. That wasn't you

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Speaker 3: trying to remember right right? But you were reading it,

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Speaker 3: they were like deep Blue Marble or deep.

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Speaker 1: Blue something, the Big Blue Marble.

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Speaker 3: And of course it's based on a novel by mister

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Speaker 3: Truman Capodi. The title okay, oh, it's got a whole.

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Speaker 3: There are a lot of different versions. There's a books

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Speaker 3: the movie. Did there's a song? Did it have Mickey

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Speaker 3: Rooney doing the most offensive? Well? Yeah, the book has

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Speaker 3: a Japanese character who lives in the building. Uh it

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Speaker 3: doesn't get along with her. You can, but hopefully one

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Speaker 3: doesn't read that and picture a white man and that

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Speaker 3: is voice. Yeah. I'm now realizing that's why no one

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Speaker 3: watch or why parents weren't like, hey, you should watch this.

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Speaker 3: I loved it as a kid. Yeah, yes, that's that's

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Speaker 3: that's a major problem. Right. Yeah. It's like my dad

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Speaker 3: who is now offended by his by blazing saddles when

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Speaker 3: you're a kid. Really yeah, he's like, I can't believe

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Speaker 3: how many times they're saying the worst word in the

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Speaker 3: world in this movie. I don't think I like it anymore.

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Speaker 3: My dad grew that's fair, but blazing saddles is argue

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Speaker 3: with who you want. It's intended satirical. Mickey Rooney is

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Speaker 3: not being satirical. He is just doing an offensive stereotype,

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Speaker 3: right right, But there is the N words, and it's

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Speaker 3: so much that it's like it's almost I guess Tarantino

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Speaker 3: does it. I don't know, I get it.

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Speaker 1: Yeah, what was that just a man running in the street?

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Speaker 3: Dark? Yeah, it's so dark?

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Speaker 2: Now?

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Speaker 3: Is that a promo for the film The Running Man?

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Speaker 1: Yes, coming up, it's that was an integration. Yea naturalist

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Speaker 1: can be.

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Speaker 2: It's just so funny that like now that it's uh

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Speaker 2: daylight Savings is over, this is this is.

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Speaker 3: Like this is fun because we're not really going anywhere.

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00:18:15,560 --> 00:18:18,040
Speaker 3: This is like a Sunday drive, right to say, except

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Speaker 3: it's it's a Wednesday night at rush hour in Burbank.

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Speaker 2: We knew that you love the Disney traffic and all

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Speaker 2: people come and go from the Disney building.

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Speaker 1: You say, I want to be there too.

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Speaker 3: I'm not a Disney adult. I'm a Disney traffic adult.

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Speaker 3: That's the distinction.

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Speaker 1: I'm a corporate Disney adult.

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Speaker 3: And we keep it aimless much like the content. We

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Speaker 3: have no destination now can I ask another question? Please?

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Speaker 3: I love it. I don't think to lead the discussion.

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Speaker 3: I love doing it. I want to get back to

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Speaker 3: this because I'm so fascinating. Now, Karen, do you enjoy driving?

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Speaker 1: I do?

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Speaker 3: Are you like a car person? Are you into cars?

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Speaker 3: I think you kind of are, well more than you know.

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Speaker 2: I have to say my ex husband was a big

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Speaker 2: gear head and super into cars, so spending so much

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Speaker 2: time with him, I think I did. I do have

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Speaker 2: an appreciation. And I also and my dad was a

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Speaker 2: little bit into cars, like we grew up with a

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Speaker 2: Volkswagen bug that he fixed nice.

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Speaker 1: So yes, I guess in a way.

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Speaker 2: And also just he was very insistent of being a

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Speaker 2: good driver and.

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Speaker 1: Be like he would.

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Speaker 2: He would get really mad if you slammed the car

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Speaker 2: door because he would explain to you how you're shaking

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Speaker 2: the window.

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Speaker 3: Loose from its interesting, yes.

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Speaker 1: Mounting or whatever.

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Speaker 2: There was always stuff like that, where of being careful

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Speaker 2: with the car and like treating the car a certain way.

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Speaker 3: And now I assume you got your license as a teenager. Yeah,

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Speaker 3: where was it? Where did you grow up?

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Speaker 2: He's like, no, I've never gotten my license. I grew

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Speaker 2: up in northern California in Pedalomia, right from the Bay Area,

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Speaker 2: but kind of out in the country.

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Speaker 3: And so, what was the first car you drove Uncle Steve's.

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Speaker 1: Uh, we called it old Pete. It was a Peterson truck.

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Speaker 3: Oh wow, real, I just think.

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Speaker 1: It was like thirty two.

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Speaker 3: And he would wait, I'm sorry, did you say it

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Speaker 3: was a nineteen thirty two truck? I believe so it

381
00:20:16,400 --> 00:20:18,399
Speaker 3: was from a thirty It was an old timey truck.

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Speaker 2: Yeah, big rounded, you know, hubcap type of things, A

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Speaker 2: big rounded kind of.

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Speaker 3: Like that at the time. Or didn't think it was

385
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Speaker 3: old timey and lame. No, it was just the truck,

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Speaker 3: like I didn't really think I forgive, speaking of racial stereotypes,

387
00:20:32,000 --> 00:20:35,640
Speaker 3: but did Oakie's travel in this to California? The truck

388
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Speaker 3: ended up there.

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Speaker 1: It had a flatowed family.

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Speaker 2: Yeah, you could completely see people piling up their rocking

391
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Speaker 2: chairs and their grandmas.

392
00:20:41,920 --> 00:20:44,240
Speaker 3: Zachar to California, that was.

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Speaker 2: And he would my uncle would put it into second

394
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Speaker 2: gear and just let it drive around the field and

395
00:20:51,000 --> 00:20:53,000
Speaker 2: then you could go steer it if you wanted to,

396
00:20:53,080 --> 00:20:54,600
Speaker 2: and get out and get in because it'd only go

397
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Speaker 2: like three miles an hour.

398
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Speaker 3: This is very impressive and explains a lot. It's very

399
00:20:58,560 --> 00:21:02,200
Speaker 3: were very calm. You know, farm a podcast Behind the

400
00:21:02,200 --> 00:21:03,680
Speaker 3: Wheel of Cars.

401
00:21:03,600 --> 00:21:05,080
Speaker 1: The children of farm people.

402
00:21:05,359 --> 00:21:07,919
Speaker 2: You have to drive when you're ten and you have

403
00:21:08,000 --> 00:21:11,960
Speaker 2: to do chores all the time, and it's all incredible, right,

404
00:21:12,040 --> 00:21:14,200
Speaker 2: so you kind of get the benefits of like adult

405
00:21:14,280 --> 00:21:15,720
Speaker 2: life in that way.

406
00:21:16,359 --> 00:21:19,240
Speaker 3: I drive an old Prius. I moved here in two

407
00:21:19,240 --> 00:21:21,480
Speaker 3: thousand and seven. I drive the Prius I bought then,

408
00:21:22,119 --> 00:21:24,520
Speaker 3: so I'm not a big car. I haven't upgraded. It

409
00:21:24,600 --> 00:21:27,720
Speaker 3: still runs, doesn't look great, it's a pink job. I

410
00:21:27,760 --> 00:21:30,359
Speaker 3: don't care. I'm married. I know to impress anybody, And

411
00:21:30,400 --> 00:21:32,520
Speaker 3: there wasn't some looming What do you do with the

412
00:21:32,560 --> 00:21:36,040
Speaker 3: battery thing that people still talk about like it's I

413
00:21:37,119 --> 00:21:40,280
Speaker 3: catalytic converter stolen? Right, Yeah, of course I've had a

414
00:21:40,320 --> 00:21:42,679
Speaker 3: lot of work down in this thing, but it still works.

415
00:21:42,760 --> 00:21:45,320
Speaker 3: And now and then, like the last time this past year,

416
00:21:45,320 --> 00:21:47,320
Speaker 3: I had to have some work done on it, and

417
00:21:47,359 --> 00:21:49,400
Speaker 3: I was like, you know what, should I just get

418
00:21:49,440 --> 00:21:53,080
Speaker 3: a new call? And then I and then I start thinking, well,

419
00:21:53,119 --> 00:21:55,320
Speaker 3: I don't want to get a big one. Don't want

420
00:21:55,320 --> 00:21:59,200
Speaker 3: anything too big hard to parallel park. I want to

421
00:21:59,320 --> 00:22:01,520
Speaker 3: keep my compact, so that that you started with the

422
00:22:01,560 --> 00:22:02,919
Speaker 3: truck is very impressive to me.

423
00:22:03,400 --> 00:22:06,199
Speaker 2: Yeah, truck out kind of out in fields. But I

424
00:22:06,240 --> 00:22:08,679
Speaker 2: mean that I used to have a Honda fit that

425
00:22:08,760 --> 00:22:09,960
Speaker 2: was kind of the same size as.

426
00:22:09,840 --> 00:22:11,960
Speaker 1: A Prius and the convenience in.

427
00:22:11,920 --> 00:22:16,320
Speaker 2: Los Angeles of a car that like, I barely ever

428
00:22:16,400 --> 00:22:18,640
Speaker 2: had to fill the gas tank because it had got

429
00:22:18,640 --> 00:22:23,320
Speaker 2: such good mileage and it just went everywhere kind of zippy,

430
00:22:23,480 --> 00:22:26,680
Speaker 2: and you could fit it in any parking space. I

431
00:22:26,720 --> 00:22:29,080
Speaker 2: totally get that idea of, like, if you if you've

432
00:22:29,080 --> 00:22:31,320
Speaker 2: got a good thing going, why I'm just yeah, I don't.

433
00:22:31,480 --> 00:22:33,960
Speaker 3: It just gets me where I need to go, and

434
00:22:34,760 --> 00:22:37,719
Speaker 3: it doesn't look great. I mean, Priuses look fine, but

435
00:22:37,760 --> 00:22:39,760
Speaker 3: mine is twenty years old and it's just got some

436
00:22:39,840 --> 00:22:41,800
Speaker 3: gangs and it's pain is coming off.

437
00:22:41,840 --> 00:22:43,560
Speaker 1: I love that you had the realization of, like, oh,

438
00:22:43,600 --> 00:22:44,440
Speaker 1: I could buy.

439
00:22:44,280 --> 00:22:48,320
Speaker 3: A cold am I does it not make sense that

440
00:22:48,359 --> 00:22:51,080
Speaker 3: I'm throwing money to fix it now? And then yeah,

441
00:22:51,280 --> 00:22:54,160
Speaker 3: I got a good mechanic, A good Russian guy. Yeah,

442
00:22:54,240 --> 00:22:57,639
Speaker 3: loves fails the best. I like, it's like, oh the

443
00:22:57,760 --> 00:23:00,280
Speaker 3: good cars, the good cars, Yeah, why I get it thing,

444
00:23:00,760 --> 00:23:03,719
Speaker 3: someone already loves me. Why do I need a statiste.

445
00:23:03,840 --> 00:23:06,360
Speaker 3: Why do I need to start over? Yeah? Perfect. It's

446
00:23:06,400 --> 00:23:08,320
Speaker 3: like I used to live on the West Side and

447
00:23:08,359 --> 00:23:10,160
Speaker 3: now I live on the East side. But I kept

448
00:23:10,200 --> 00:23:12,719
Speaker 3: my dentists because like they have all the information. I

449
00:23:12,760 --> 00:23:15,119
Speaker 3: know them right right. So every now and then I

450
00:23:15,160 --> 00:23:16,280
Speaker 3: have to drive over there.

451
00:23:16,880 --> 00:23:17,640
Speaker 1: Make a day of it.

452
00:23:18,200 --> 00:23:19,960
Speaker 3: You make a day of it, Yeah, the day I'm

453
00:23:20,000 --> 00:23:23,520
Speaker 3: having my teeth clean. Yeah. Every time a new dentist,

454
00:23:23,640 --> 00:23:26,680
Speaker 3: you have to catch them up on your dental history.

455
00:23:27,200 --> 00:23:29,360
Speaker 3: And then they all complain about the other dentists who

456
00:23:29,359 --> 00:23:29,639
Speaker 3: did this.

457
00:23:32,160 --> 00:23:32,960
Speaker 1: Who's been in here?

458
00:23:33,040 --> 00:23:35,320
Speaker 3: Yeah, who's been in here? Good thing. He came to me.

459
00:23:39,160 --> 00:23:43,440
Speaker 2: For a while, I didn't go to the dentist because well,

460
00:23:43,480 --> 00:23:46,720
Speaker 2: I guess I had been going to my childhood dentist

461
00:23:46,800 --> 00:23:49,200
Speaker 2: at home. And then he retired and then I was

462
00:23:49,240 --> 00:23:51,879
Speaker 2: down here, but I didn't find a new person. So

463
00:23:52,040 --> 00:23:54,119
Speaker 2: I was embarrassed because I'm like, well, now I'll have

464
00:23:54,160 --> 00:23:55,680
Speaker 2: like a year of plaque, and now I'll have two

465
00:23:55,760 --> 00:23:56,359
Speaker 2: years of plaque.

466
00:23:56,359 --> 00:23:58,280
Speaker 1: And it was like I just kept putting it off.

467
00:23:58,640 --> 00:24:00,960
Speaker 2: And when I finally went to see this guy, he

468
00:24:01,160 --> 00:24:03,560
Speaker 2: was like looking in my mouth and then he looked

469
00:24:03,600 --> 00:24:05,159
Speaker 2: down at me and he goes are you okay? And

470
00:24:05,200 --> 00:24:07,640
Speaker 2: I was like yeah, and he goes, because you're not breathing.

471
00:24:07,840 --> 00:24:09,080
Speaker 2: You've been holding your breath.

472
00:24:08,920 --> 00:24:09,440
Speaker 1: This whole time.

473
00:24:10,400 --> 00:24:12,479
Speaker 2: And it was just like I was just positive that

474
00:24:12,560 --> 00:24:14,399
Speaker 2: it was he was in there, and it was so

475
00:24:14,520 --> 00:24:15,720
Speaker 2: disgusting that he was like.

476
00:24:16,040 --> 00:24:17,119
Speaker 3: Oh, I know the feeling.

477
00:24:17,240 --> 00:24:20,720
Speaker 2: Yeah right, yeah, you're just like realized you're disgusted by this.

478
00:24:20,960 --> 00:24:25,200
Speaker 3: I saw my pediatrician, which is a doctor for children.

479
00:24:25,240 --> 00:24:27,399
Speaker 3: Of course, I saw him til I was twenty five.

480
00:24:27,640 --> 00:24:29,800
Speaker 3: Is that normal? Interesting? Yeah?

481
00:24:30,000 --> 00:24:31,520
Speaker 1: Well, it was like the family doctor.

482
00:24:32,200 --> 00:24:35,919
Speaker 3: I mean, I think specifically it was a kid doctor.

483
00:24:36,760 --> 00:24:40,240
Speaker 3: You just kept going again, Now were you were you?

484
00:24:40,240 --> 00:24:44,000
Speaker 3: You were still living in that area, right, Who knows

485
00:24:44,080 --> 00:24:46,680
Speaker 3: if I hadn't left, would I still be saying, because

486
00:24:46,720 --> 00:24:50,520
Speaker 3: you're not gain your height until a later age, did

487
00:24:50,560 --> 00:24:52,720
Speaker 3: you think you were still a kid. It's rare, but

488
00:24:52,840 --> 00:24:55,840
Speaker 3: I went through puberty in my late thirties. It was weird.

489
00:24:56,000 --> 00:24:59,199
Speaker 3: My voice dropped in mid career. He was like change.

490
00:24:59,359 --> 00:25:01,520
Speaker 1: He was like, I'm going to stay with you through this. Yeah.

491
00:25:02,560 --> 00:25:05,359
Speaker 3: When I was a kid in a New Jersey, r

492
00:25:05,359 --> 00:25:09,040
Speaker 3: a pediatrician. She was an Asian lady with an accent.

493
00:25:09,040 --> 00:25:10,159
Speaker 3: I'm not going to do it. I'm not going to

494
00:25:10,200 --> 00:25:15,080
Speaker 3: make you rue here. But she had a little term

495
00:25:15,200 --> 00:25:17,720
Speaker 3: she would use for us, like instead of calling a

496
00:25:17,760 --> 00:25:20,800
Speaker 3: sweetheart or honey, she would talk to the kids, me

497
00:25:20,880 --> 00:25:25,800
Speaker 3: and my sister, Okay, lover, lover, okay, lover, get on

498
00:25:25,880 --> 00:25:29,400
Speaker 3: the get on the thing and set on the paper. Lover.

499
00:25:30,119 --> 00:25:31,960
Speaker 3: Like years later, I thought, that's odd.

500
00:25:32,080 --> 00:25:34,639
Speaker 1: That's not someone child.

501
00:25:35,240 --> 00:25:39,560
Speaker 3: Yeah, OK, there's When I moved to Echo Park, it's

502
00:25:39,119 --> 00:25:42,760
Speaker 3: a mostly Latino area and a lot of guys that

503
00:25:42,800 --> 00:25:45,400
Speaker 3: I've come across, and I don't know, well, they call

504
00:25:45,480 --> 00:25:50,119
Speaker 3: me poppy, yeah or pop up, but Poppy I immediately

505
00:25:50,200 --> 00:25:52,359
Speaker 3: think not that. I watch a lot of adult film.

506
00:25:52,600 --> 00:25:55,960
Speaker 3: Sometimes it just springs up. But there is a theme

507
00:25:56,240 --> 00:25:58,399
Speaker 3: cultural literacy. You just want to know what's out there.

508
00:25:58,880 --> 00:26:02,040
Speaker 3: This is a Sometimes I dig a hole and then

509
00:26:02,080 --> 00:26:02,760
Speaker 3: I keep.

510
00:26:02,560 --> 00:26:04,080
Speaker 1: Going, yeah, you gotta keep digging.

511
00:26:04,119 --> 00:26:09,679
Speaker 3: But Poppy, there's a theme. Let me explain something. But

512
00:26:09,840 --> 00:26:12,159
Speaker 3: when a man says that to me, for some reason,

513
00:26:12,400 --> 00:26:15,040
Speaker 3: it makes me feel good. I don't know why, because

514
00:26:15,040 --> 00:26:16,400
Speaker 3: that's an endearing name.

515
00:26:16,520 --> 00:26:20,720
Speaker 2: It feels like when a guy would call you maybe

516
00:26:20,800 --> 00:26:22,560
Speaker 2: champ or bucco or.

517
00:26:22,680 --> 00:26:25,719
Speaker 3: That I don't like yeah, and you wouldn't and if

518
00:26:25,760 --> 00:26:27,960
Speaker 3: they called you daddy, that would be a different caniform.

519
00:26:28,119 --> 00:26:31,879
Speaker 2: That would be another vibe. Exactly, Poppy is one Daddy

520
00:26:31,960 --> 00:26:32,560
Speaker 2: is a different way.

521
00:26:32,600 --> 00:26:35,919
Speaker 3: And at first I did get some daddy vibes. But uh,

522
00:26:36,000 --> 00:26:37,960
Speaker 3: you know when son, when it's a tough guy with

523
00:26:38,040 --> 00:26:41,600
Speaker 3: face tabs sons good son. Yeah, you know, I like

524
00:26:41,640 --> 00:26:43,880
Speaker 3: in old movies guys call each other Mac. I want

525
00:26:43,920 --> 00:26:46,840
Speaker 3: to bring that pack. That's a good dude. But hey

526
00:26:46,880 --> 00:26:51,920
Speaker 3: mac hey, yeah that's not negative, it's just like dude. Yeah,

527
00:26:53,119 --> 00:26:53,920
Speaker 3: can you help me with this.

528
00:26:54,119 --> 00:26:56,239
Speaker 2: My dad and all of his brothers, who all had

529
00:26:56,280 --> 00:26:57,680
Speaker 2: red hair, called each other red.

530
00:26:58,080 --> 00:26:58,760
Speaker 3: Yeah. I love that.

531
00:26:58,960 --> 00:27:00,600
Speaker 1: Yeah, I do like Mac.

532
00:27:00,800 --> 00:27:03,880
Speaker 3: You know what I want to bring back and a Mac.

533
00:27:04,080 --> 00:27:07,639
Speaker 3: I'm going to bring back Ace. I just wanted if

534
00:27:07,680 --> 00:27:10,000
Speaker 3: I had a kid, a little boy, like suddenly one

535
00:27:10,040 --> 00:27:13,040
Speaker 3: day I realized I had one, or I did all

536
00:27:13,080 --> 00:27:14,840
Speaker 3: the things you need to do to have a baby.

537
00:27:15,000 --> 00:27:18,359
Speaker 3: I think Ace, I think what Ace would probably sound

538
00:27:18,520 --> 00:27:20,840
Speaker 3: okay if you called a kid that, But if you

539
00:27:20,880 --> 00:27:23,520
Speaker 3: called a grown man that, it might sound like you're

540
00:27:23,520 --> 00:27:24,480
Speaker 3: giving an attitude.

541
00:27:24,840 --> 00:27:26,680
Speaker 1: Yeah, right, confrontational.

542
00:27:27,000 --> 00:27:28,720
Speaker 3: It just sounds a little confrontation.

543
00:27:28,840 --> 00:27:30,280
Speaker 1: It sounds it sounds sarcastic.

544
00:27:30,680 --> 00:27:33,040
Speaker 3: All right, fans, Oh well you got a problem with me.

545
00:27:33,240 --> 00:27:35,560
Speaker 3: What do you mean what happened? I think you can

546
00:27:35,680 --> 00:27:39,680
Speaker 3: name a kid whatever you want. Now it sounds all sarcastic.

547
00:27:39,920 --> 00:27:40,480
Speaker 1: Yeah.

548
00:27:40,640 --> 00:27:44,479
Speaker 3: When I was born that year in seventy five, fifty

549
00:27:44,520 --> 00:27:47,080
Speaker 3: percent of all people just name their kid Chris.

550
00:27:47,320 --> 00:27:51,680
Speaker 1: All my friends there was it makes sense, christ and Jennifer.

551
00:27:51,920 --> 00:27:54,679
Speaker 3: There was Chris one through seven in my friend with

552
00:27:56,119 --> 00:27:59,119
Speaker 3: it was the most common name. Yeah, but now people

553
00:27:59,160 --> 00:28:01,920
Speaker 3: are like really just coming up with anything.

554
00:28:01,920 --> 00:28:03,840
Speaker 1: Well, probably because of that, the trending.

555
00:28:04,080 --> 00:28:05,840
Speaker 3: You know what, I'm bringing Ace back. It's all the

556
00:28:05,880 --> 00:28:07,080
Speaker 3: more reason be careful.

557
00:28:07,200 --> 00:28:08,480
Speaker 1: We're just saying be careful.

558
00:28:08,880 --> 00:28:13,159
Speaker 3: You think he'll immediately become an airline pilot. By the way,

559
00:28:13,160 --> 00:28:15,880
Speaker 3: he didn't. Ace Freely just die.

560
00:28:14,840 --> 00:28:18,240
Speaker 1: Oh what a time.

561
00:28:18,440 --> 00:28:20,879
Speaker 3: One of the kiss One of the kisses, Dad, that's

562
00:28:22,080 --> 00:28:27,080
Speaker 3: that's the himself at or a cat. I forget all

563
00:28:27,119 --> 00:28:31,040
Speaker 3: the face. I got to admit, I think that close.

564
00:28:31,160 --> 00:28:33,560
Speaker 2: I think he was the shape of a of a

565
00:28:33,600 --> 00:28:36,160
Speaker 2: spade like Ace Freely.

566
00:28:36,440 --> 00:28:39,840
Speaker 1: Okay, right over over one.

567
00:28:39,920 --> 00:28:45,240
Speaker 2: I that my friend Laurie Tamler's brother Carl had that

568
00:28:45,920 --> 00:28:48,600
Speaker 2: Detroit Rock City album, right, and it was all of

569
00:28:48,600 --> 00:28:51,640
Speaker 2: them standing on rubble and we would stare at the

570
00:28:51,680 --> 00:28:54,200
Speaker 2: album cover and I'd be like, this is terrible, Like

571
00:28:54,280 --> 00:28:56,760
Speaker 2: this is bad, this is so frightening.

572
00:28:57,600 --> 00:29:00,000
Speaker 1: I was scared to death of Kiss.

573
00:29:00,080 --> 00:29:04,040
Speaker 3: I got such satanic expectations when I first get and

574
00:29:04,040 --> 00:29:07,120
Speaker 3: then it's just them going yeah, baby baby.

575
00:29:06,960 --> 00:29:09,720
Speaker 1: Yeah, run party.

576
00:29:09,960 --> 00:29:13,520
Speaker 3: And I like girls. I always remind you guys, I

577
00:29:13,720 --> 00:29:14,440
Speaker 3: like girls.

578
00:29:15,000 --> 00:29:16,920
Speaker 1: It's like, all right, I'm a cat.

579
00:29:18,880 --> 00:29:21,200
Speaker 3: But then you look at the album and it's like, oh,

580
00:29:21,280 --> 00:29:23,720
Speaker 3: this is like going to be like. It's also like

581
00:29:23,760 --> 00:29:26,560
Speaker 3: when you're a kid and you about The Grateful Dead.

582
00:29:26,640 --> 00:29:30,200
Speaker 3: It's a very metal, right yes, and it's the most

583
00:29:30,240 --> 00:29:34,600
Speaker 3: non metal band. It's still bothering. I still get I

584
00:29:34,640 --> 00:29:36,600
Speaker 3: see that skull on a shirt.

585
00:29:37,480 --> 00:29:44,520
Speaker 4: Yeah, with a skull looking down towards and they're like,

586
00:29:46,720 --> 00:29:47,320
Speaker 4: I mean I like that.

587
00:29:47,360 --> 00:29:48,680
Speaker 3: I'm not. I don't mean to make fun of the

588
00:29:48,680 --> 00:29:51,720
Speaker 3: great Oh yeah, that's device of our half our audience.

589
00:29:51,720 --> 00:29:54,320
Speaker 3: It's furious they're going to go. It's a hot button

590
00:29:54,360 --> 00:30:00,560
Speaker 3: issue here on the Zoo. Are getting more scarlet two

591
00:30:00,600 --> 00:30:05,280
Speaker 3: for Tuesday, Grateful Bed Double Shot, two of their songs

592
00:30:05,280 --> 00:30:10,959
Speaker 3: would take up a half hour. Yeah, if someone made me,

593
00:30:11,120 --> 00:30:15,800
Speaker 3: I think I only know two songs of the Dead,

594
00:30:15,880 --> 00:30:21,160
Speaker 3: I Will Get By and the Scarlet Pagonias, because yeah,

595
00:30:21,240 --> 00:30:21,880
Speaker 3: that's all I know.

596
00:30:21,960 --> 00:30:24,440
Speaker 2: Do you remember the I Will Get By video where

597
00:30:24,440 --> 00:30:26,800
Speaker 2: there was just kind of like a skeleton being moved

598
00:30:26,840 --> 00:30:28,760
Speaker 2: around and it was on.

599
00:30:29,320 --> 00:30:30,800
Speaker 1: MTV and v H one a lot.

600
00:30:31,320 --> 00:30:31,720
Speaker 3: I don't.

601
00:30:31,960 --> 00:30:34,400
Speaker 2: It was like the band as Skeletons, so there was

602
00:30:34,480 --> 00:30:36,880
Speaker 2: like wires and they're like, I'm playing the drums and

603
00:30:36,920 --> 00:30:38,240
Speaker 2: I'm playing the guitar.

604
00:30:38,920 --> 00:30:42,960
Speaker 3: They had some director hear me out, Yeah, you're Skeletons,

605
00:30:43,040 --> 00:30:46,560
Speaker 3: You're the Grateful Dead. But your puppet's gonna move around.

606
00:30:46,920 --> 00:30:48,920
Speaker 1: It's gonna be real clunky and.

607
00:30:48,880 --> 00:30:51,440
Speaker 3: Weird, clunky and weird and charming.

608
00:30:52,880 --> 00:30:55,560
Speaker 1: And your fans will love it because they're all on drugs.

609
00:30:55,880 --> 00:30:59,680
Speaker 3: Yeah, and they're old too, so yeah. And other than

610
00:30:59,760 --> 00:31:02,720
Speaker 3: an an objects, well, it's the same guy that did

611
00:31:02,760 --> 00:31:05,560
Speaker 3: the Got My Mind Set on You George Harrison video.

612
00:31:06,080 --> 00:31:09,200
Speaker 3: It's just a guy that bought some fishing line. I

613
00:31:09,200 --> 00:31:13,400
Speaker 3: can make a Grandfather clock dance. If you don't remember

614
00:31:13,400 --> 00:31:15,360
Speaker 3: that video, what I'm saying makes.

615
00:31:15,240 --> 00:31:20,560
Speaker 1: Zero sense, but if you could just think back, it is.

616
00:31:20,600 --> 00:31:24,120
Speaker 3: More practical filmmaking. I like to be the grunge era

617
00:31:24,720 --> 00:31:27,800
Speaker 3: when you know, there were a lot of bands, you know,

618
00:31:28,000 --> 00:31:34,120
Speaker 3: the these col vocals and uh and uh you know

619
00:31:34,280 --> 00:31:37,720
Speaker 3: dark imagery that's what was selling popular, you know. So

620
00:31:37,920 --> 00:31:41,000
Speaker 3: all those all those bands had videos and everyone there's

621
00:31:41,040 --> 00:31:43,880
Speaker 3: a shot of a wizened old man. It was an

622
00:31:44,000 --> 00:31:46,200
Speaker 3: old guy for some reason. I think there are may

623
00:31:46,200 --> 00:31:49,080
Speaker 3: be five old guys who were in all these videos. Yeah,

624
00:31:49,240 --> 00:31:52,760
Speaker 3: everyone is cut to the old guy. Yeah, disturbing, just

625
00:31:52,920 --> 00:31:57,000
Speaker 3: looking disturbed. Maybe he's doing something in the yard, he looks.

626
00:31:57,160 --> 00:32:00,000
Speaker 3: There's an old guy in Nirvana's The Janitor and yeah,

627
00:32:00,080 --> 00:32:04,960
Speaker 3: teen Spirit is an early version of that. Yeah, that's

628
00:32:05,480 --> 00:32:09,320
Speaker 3: there as any videos for the era of that genre. Yep,

629
00:32:09,800 --> 00:32:10,680
Speaker 3: here's the old guy.

630
00:32:10,880 --> 00:32:13,280
Speaker 2: It was also especially scary if the old guy had

631
00:32:13,320 --> 00:32:15,600
Speaker 2: no shirt on him, was like in a hole. That

632
00:32:15,800 --> 00:32:18,120
Speaker 2: was supposed to disturb your.

633
00:32:18,160 --> 00:32:20,880
Speaker 1: Mind forever, you know what I mean.

634
00:32:21,040 --> 00:32:24,040
Speaker 2: There's like a Metallica video like that where it was like, yeah,

635
00:32:24,200 --> 00:32:26,000
Speaker 2: this someone helped this old man.

636
00:32:26,320 --> 00:32:28,680
Speaker 1: No society won't help him exactly.

637
00:32:28,800 --> 00:32:33,240
Speaker 3: Yeah. Gren Jarrow was very anti aging, very and yet

638
00:32:33,320 --> 00:32:38,760
Speaker 3: they elictened great sympathy for older male citizens videos. Yeah

639
00:32:38,840 --> 00:32:42,200
Speaker 3: it made us think, Yeah, gave them work, gave them

640
00:32:42,240 --> 00:32:43,160
Speaker 3: a union.

641
00:32:42,880 --> 00:32:45,920
Speaker 2: Card, give them a ladder, get them out of that

642
00:32:46,560 --> 00:32:48,560
Speaker 2: eighties you had the wrapping granny.

643
00:32:50,080 --> 00:32:52,960
Speaker 3: Nineties you have old guy in a ditch, Yeah, in

644
00:32:53,000 --> 00:32:53,800
Speaker 3: a grunge video.

645
00:32:54,160 --> 00:32:55,560
Speaker 1: That's how you knew things had changed.

646
00:32:55,600 --> 00:32:57,959
Speaker 3: That was a corner for our senior performers. That's what

647
00:32:58,000 --> 00:33:03,640
Speaker 3: I'm hoping for. Just put me in some videos whole. Yeah.

648
00:33:03,680 --> 00:33:07,120
Speaker 3: Every time there's a documentary about Motley Crue or a

649
00:33:07,160 --> 00:33:10,360
Speaker 3: hair metal band and then the end of their era,

650
00:33:10,480 --> 00:33:14,040
Speaker 3: it just starts with grunge music. And then I'm like, well,

651
00:33:14,080 --> 00:33:19,680
Speaker 3: that's actually when I first started liking mainstream music was grunge, yeah,

652
00:33:19,720 --> 00:33:23,240
Speaker 3: because prior to that, it was like Warrants, cherry Pie

653
00:33:23,600 --> 00:33:27,280
Speaker 3: and maybe it's just my high school. You go to

654
00:33:27,320 --> 00:33:30,920
Speaker 3: a dance, it's all Warrant and Garth Brooks goodness And

655
00:33:30,960 --> 00:33:36,400
Speaker 3: that's where was this in Montana, but very near of

656
00:33:36,600 --> 00:33:40,040
Speaker 3: six hours from Seattle, so we felt like a lot

657
00:33:40,040 --> 00:33:45,360
Speaker 3: of bands from Missoula, like Silkworm, moved to Seattle or Reportland,

658
00:33:45,800 --> 00:33:47,960
Speaker 3: so you you weren't exposed to a lot of the

659
00:33:48,120 --> 00:33:54,120
Speaker 3: ault music. Well, I was fortunate enough to have an

660
00:33:54,160 --> 00:33:57,600
Speaker 3: older sister, six years older that worked at music Land

661
00:33:57,640 --> 00:34:01,720
Speaker 3: in the mall Oh my god, yes, that immediately. You know,

662
00:34:01,840 --> 00:34:05,520
Speaker 3: my friends, she would help you to step. Yeah, everyone

663
00:34:05,520 --> 00:34:08,279
Speaker 3: else had bon Jovi. She was given me, you know,

664
00:34:08,360 --> 00:34:13,040
Speaker 3: the cure. And I yeah, I think when I was

665
00:34:14,920 --> 00:34:17,040
Speaker 3: I remember being in junior high. I don't think I

666
00:34:17,080 --> 00:34:19,320
Speaker 3: was particularly into music. I just listened to what was

667
00:34:19,360 --> 00:34:22,160
Speaker 3: on the radio. The first album I ever bought. I

668
00:34:22,200 --> 00:34:24,960
Speaker 3: was born in sixty three, so the first album I

669
00:34:24,960 --> 00:34:27,920
Speaker 3: ever bought was These I'm Proud and not proud of.

670
00:34:27,920 --> 00:34:31,240
Speaker 3: This was the Star Wars soundtrack. Oh yeah, right, original

671
00:34:31,239 --> 00:34:34,080
Speaker 3: motion picture soundtrack was double album and it had a

672
00:34:34,160 --> 00:34:37,920
Speaker 3: very cool it had pages in it, It had photos

673
00:34:37,920 --> 00:34:42,480
Speaker 3: from the movie. And this is before you could rent

674
00:34:42,520 --> 00:34:45,520
Speaker 3: the movie at home, so you could relive it just

675
00:34:45,560 --> 00:34:54,880
Speaker 3: by listening to you know, Fight was my favorite. We

676
00:34:54,920 --> 00:34:57,600
Speaker 3: all know Star Wars, but that was it was almost

677
00:34:57,640 --> 00:35:02,800
Speaker 3: like I was seeing it. Yeah, you're living in your bedroom. Yeah, quick,

678
00:35:02,920 --> 00:35:07,160
Speaker 3: do something from the CANTEENA at that. And then I

679
00:35:07,200 --> 00:35:09,840
Speaker 3: remember I started to get kind of eclectic. Well, I

680
00:35:09,880 --> 00:35:13,920
Speaker 3: had a friend, it's like middle school. My friend Jeff

681
00:35:14,120 --> 00:35:16,360
Speaker 3: got into the Beatles, and of course we're like the

682
00:35:16,360 --> 00:35:19,960
Speaker 3: first post Beatles generation, right, you know, we didn't, I mean,

683
00:35:20,200 --> 00:35:24,080
Speaker 3: they were just they always existed, but it was just like, yeah,

684
00:35:24,080 --> 00:35:27,200
Speaker 3: the Beatles, that band that just exists, right, it wasn't.

685
00:35:27,280 --> 00:35:28,960
Speaker 3: And then but then I started listening to the Beatles

686
00:35:28,960 --> 00:35:32,400
Speaker 3: and enjoying that. But then I would take weird turns,

687
00:35:32,440 --> 00:35:36,600
Speaker 3: like I remember watching Saturday Night Live and Leon Redbone

688
00:35:36,719 --> 00:35:40,120
Speaker 3: was on. Do you guys remember Leon Redbone? Christy you

689
00:35:40,160 --> 00:35:43,480
Speaker 3: know Leon Redbone. Leon Redbone was a guy who in

690
00:35:43,520 --> 00:35:49,759
Speaker 3: the seventies did sort of old timey jazz standards and

691
00:35:49,880 --> 00:35:52,840
Speaker 3: later he did like beer commercials, like in the nineties

692
00:35:52,960 --> 00:35:59,080
Speaker 3: Marty k this You're no Body sweet, oh No, and

693
00:35:59,200 --> 00:36:02,720
Speaker 3: you do these oh like twenty songs. Yeah, this gravelly voice.

694
00:36:03,320 --> 00:36:05,759
Speaker 3: He looked cool, but he had this retro thing. He

695
00:36:05,800 --> 00:36:09,319
Speaker 3: wore sunglasses, he had like a panama hat on. And

696
00:36:09,440 --> 00:36:12,440
Speaker 3: I saw him NSNL and I thought, this is interesting.

697
00:36:12,480 --> 00:36:15,560
Speaker 3: I like this. I was just drawn to it. And

698
00:36:15,640 --> 00:36:20,319
Speaker 3: I went to the record store on the mall and

699
00:36:20,560 --> 00:36:24,400
Speaker 3: I got a Leon Redbone album and I went up

700
00:36:24,440 --> 00:36:26,960
Speaker 3: to this is like maybe nineteen seventy eight or something.

701
00:36:27,120 --> 00:36:30,520
Speaker 3: I'm like a young teenager, and the young guy working

702
00:36:30,560 --> 00:36:32,560
Speaker 3: in the mall looks at the album and he said

703
00:36:32,560 --> 00:36:36,279
Speaker 3: to me, oh, you like frog music. And I thought

704
00:36:36,320 --> 00:36:38,759
Speaker 3: what did he say? Frog music? And then the guy

705
00:36:38,800 --> 00:36:42,680
Speaker 3: went Leon Redbone sings like a frog. Oh, and I felt, oh,

706
00:36:42,760 --> 00:36:45,040
Speaker 3: it seems like a bit of a dig. Yeah, thought

707
00:36:45,239 --> 00:36:49,880
Speaker 3: it sounds like a slight against friend sing like a frog.

708
00:36:54,320 --> 00:36:58,200
Speaker 3: He sounds like yeah. But and I thought, yeah, just

709
00:36:58,239 --> 00:37:03,320
Speaker 3: give me the record, And I went writing constantly album

710
00:37:03,360 --> 00:37:06,239
Speaker 3: called Double Time, if I remember correct, I mean that was.

711
00:37:06,239 --> 00:37:10,040
Speaker 2: A time where people were so identified by the music

712
00:37:10,080 --> 00:37:13,799
Speaker 2: they liked that. That was the you know, like, how

713
00:37:13,840 --> 00:37:16,319
Speaker 2: many albums do you know of their's.

714
00:37:16,480 --> 00:37:17,200
Speaker 1: Type of era?

715
00:37:17,480 --> 00:37:20,600
Speaker 3: Yes, and also not I'm all for the present day

716
00:37:20,640 --> 00:37:24,880
Speaker 3: in progress old fogy here, But that was a time

717
00:37:24,920 --> 00:37:29,880
Speaker 3: where you had a actual copy of something and you

718
00:37:29,960 --> 00:37:32,719
Speaker 3: found out about it by maybe catching it on TV

719
00:37:32,800 --> 00:37:35,840
Speaker 3: or the radio at one moment or word of mouth,

720
00:37:36,480 --> 00:37:38,200
Speaker 3: and you could go and then own this thing. And

721
00:37:38,239 --> 00:37:41,759
Speaker 3: there was something romantic and exciting about that time, as

722
00:37:41,840 --> 00:37:44,680
Speaker 3: opposed to I saw this on YouTube and I can

723
00:37:44,719 --> 00:37:47,759
Speaker 3: see it whenever I want, or even before MTV was

724
00:37:48,080 --> 00:37:52,080
Speaker 3: like my first tapes were like, oh the Lebamba stand

725
00:37:52,120 --> 00:37:56,960
Speaker 3: by Me soundtracks and STEVIEE Wonder because of my parents,

726
00:37:57,000 --> 00:37:59,440
Speaker 3: But then oh, the parents records are a whole other

727
00:37:59,560 --> 00:38:02,400
Speaker 3: area which I'm glad that they you know, that was

728
00:38:02,440 --> 00:38:04,520
Speaker 3: a lot of Beatles too, But on my own, for

729
00:38:04,560 --> 00:38:07,840
Speaker 3: some reason, I got into Dire Straits in like sixth grade.

730
00:38:08,640 --> 00:38:15,839
Speaker 3: I don't know why, because it was one of the moss.

731
00:38:15,120 --> 00:38:18,480
Speaker 2: And it's such a funny looking at it, how like

732
00:38:18,640 --> 00:38:21,279
Speaker 2: music works now where it's like so clearly was not

733
00:38:23,080 --> 00:38:26,680
Speaker 2: whatever you call it, like advertised toward children. Like there

734
00:38:26,719 --> 00:38:29,839
Speaker 2: was that era where it was like Tina Turner Dire Straits,

735
00:38:30,680 --> 00:38:33,600
Speaker 2: there was like Cream remember the Cry video and be

736
00:38:33,680 --> 00:38:35,920
Speaker 2: on It was just a bunch of faces crying like

737
00:38:36,040 --> 00:38:39,279
Speaker 2: weird old people shit before they really got into like

738
00:38:39,360 --> 00:38:40,480
Speaker 2: what are kids listening to?

739
00:38:40,920 --> 00:38:41,120
Speaker 3: Right?

740
00:38:41,880 --> 00:38:43,839
Speaker 1: Yeah, so that's probably part of it.

741
00:38:44,000 --> 00:38:47,200
Speaker 3: But I was into I was into that Dire Straits

742
00:38:47,239 --> 00:38:49,960
Speaker 3: album Is It Good? I listened to it every day

743
00:38:50,120 --> 00:38:52,960
Speaker 3: because it was my one cassette.

744
00:38:53,280 --> 00:38:54,200
Speaker 1: You had no choice?

745
00:38:54,280 --> 00:38:58,719
Speaker 3: Yeah, and the cassette Yeah, I loved cassettes. Yeah, it

746
00:38:58,840 --> 00:39:03,440
Speaker 3: was the best. I had the first Ramones ELK, the

747
00:39:03,480 --> 00:39:05,920
Speaker 3: eponymous the Ramones, which I used to play in. And

748
00:39:06,040 --> 00:39:10,279
Speaker 3: my first car was my dad's old seventy seven Buick Skylark,

749
00:39:10,440 --> 00:39:13,719
Speaker 3: which all inherited. It's a red car with a white roof.

750
00:39:13,840 --> 00:39:14,640
Speaker 3: It's fantastic.

751
00:39:14,800 --> 00:39:15,600
Speaker 1: Was it very long?

752
00:39:16,080 --> 00:39:21,520
Speaker 3: It was something long. Yes, it was not a compact five.

753
00:39:21,560 --> 00:39:23,799
Speaker 3: James Vanik would not want to drive that car. I

754
00:39:23,920 --> 00:39:30,200
Speaker 3: drove the more compact but more sporty Skyhawk. Oh it

755
00:39:30,239 --> 00:39:32,600
Speaker 3: was so sporty it got flames put on the hood.

756
00:39:32,960 --> 00:39:36,360
Speaker 3: But that car had a cassette player in its played

757
00:39:36,360 --> 00:39:38,880
Speaker 3: a lot, and I drove the car into the eighties

758
00:39:40,040 --> 00:39:43,400
Speaker 3: and there were a lot of great cassettes that I

759
00:39:43,440 --> 00:39:47,440
Speaker 3: played on that there. Sometimes I'll hear a song like

760
00:39:47,680 --> 00:39:50,279
Speaker 3: I don't know early Arim or something like Don't Go

761
00:39:50,480 --> 00:39:52,320
Speaker 3: Back to rock Hill, Yes, and I'll be like, I

762
00:39:52,400 --> 00:39:54,880
Speaker 3: remember listening to this on cassette in the car in

763
00:39:54,920 --> 00:39:55,560
Speaker 3: the Skylark.

764
00:39:55,719 --> 00:39:59,600
Speaker 2: Yeah, yeah, that's what I was listening on cassette in

765
00:39:59,600 --> 00:40:03,320
Speaker 2: my It's a bug when he let me drive it.

766
00:40:03,320 --> 00:40:07,080
Speaker 2: It was Arim ari Em and kind of that thing

767
00:40:07,080 --> 00:40:09,120
Speaker 2: of like I'm not going to listen to radio music

768
00:40:09,160 --> 00:40:11,680
Speaker 2: and I'm not going to listen to what my sister likes.

769
00:40:11,760 --> 00:40:13,880
Speaker 3: No, No, this is cool, this is cool stuff.

770
00:40:13,920 --> 00:40:17,640
Speaker 2: That's like when when when the video came on MTV

771
00:40:18,200 --> 00:40:21,719
Speaker 2: for Don't Go Back to Rockville and Michael Stipe with

772
00:40:21,760 --> 00:40:24,799
Speaker 2: his big ring lit hair, and it was like, was

773
00:40:25,160 --> 00:40:27,400
Speaker 2: don't go which one was I'm sorry? When he was

774
00:40:27,440 --> 00:40:29,560
Speaker 2: like I'm sorry over and over.

775
00:40:31,280 --> 00:40:33,920
Speaker 3: Was that deconstruction? I don't quite recall.

776
00:40:34,040 --> 00:40:36,960
Speaker 2: I think that might be the murmur the chorus of

777
00:40:37,640 --> 00:40:39,640
Speaker 2: Don't Go back to rock Anonymous.

778
00:40:40,040 --> 00:40:41,719
Speaker 3: It was hard to tell because he was known for

779
00:40:41,840 --> 00:40:44,520
Speaker 3: being someone hard to decipher, right right, But it.

780
00:40:44,480 --> 00:40:45,960
Speaker 1: Was that kind of thing where we were laughing.

781
00:40:45,960 --> 00:40:48,160
Speaker 2: But I'm like, but I like, I want to make

782
00:40:48,160 --> 00:40:50,000
Speaker 2: fun of him, but the music's too good.

783
00:40:50,080 --> 00:40:50,680
Speaker 1: I love it.

784
00:40:51,160 --> 00:40:54,640
Speaker 3: Yeah, yeah, they read the past. What was what was

785
00:40:54,760 --> 00:40:55,760
Speaker 3: Atlanta doing.

786
00:40:57,080 --> 00:40:57,560
Speaker 1: Fifty two?

787
00:40:57,840 --> 00:41:02,520
Speaker 3: Yeah? Weird? Oh forget about it being honest, that whole scene.

788
00:41:02,680 --> 00:41:06,800
Speaker 2: Yeah, Oh, I just saw a video, a B fifty

789
00:41:06,800 --> 00:41:10,960
Speaker 2: two video, a B fifty two's video of them.

790
00:41:11,160 --> 00:41:13,400
Speaker 1: Was it on Saturday Night Live or something? I was

791
00:41:13,440 --> 00:41:16,399
Speaker 1: just like, what they're doing? Like it was a rock

792
00:41:16,440 --> 00:41:17,920
Speaker 1: lobster performance?

793
00:41:18,000 --> 00:41:20,560
Speaker 2: Yeah right, I'm like, I remember the first time I

794
00:41:20,560 --> 00:41:22,359
Speaker 2: heard this song and I lost my mind.

795
00:41:22,400 --> 00:41:25,560
Speaker 1: It was like art rock.

796
00:41:25,920 --> 00:41:27,480
Speaker 2: I mean, I didn't know what I was listening to

797
00:41:27,640 --> 00:41:30,320
Speaker 2: or think of this this way, but like that experience

798
00:41:30,360 --> 00:41:35,200
Speaker 2: of like they're joking around but really good and really original.

799
00:41:35,640 --> 00:41:39,120
Speaker 2: You've never heard anything like this but it also sounds old. Yeah,

800
00:41:39,120 --> 00:41:42,080
Speaker 2: and everyone already knows the words, and everyone already knows

801
00:41:42,120 --> 00:41:43,880
Speaker 2: the dance, and here.

802
00:41:43,680 --> 00:41:46,360
Speaker 1: We go, like it was just the coolest experience.

803
00:41:46,440 --> 00:41:48,960
Speaker 3: I remember that appearance. I think I saw it when

804
00:41:48,960 --> 00:41:53,280
Speaker 3: it first aired, and they also memory searchs. They performed

805
00:41:53,360 --> 00:41:55,719
Speaker 3: danced this mess around and he hailed a little toy

806
00:41:55,880 --> 00:41:59,160
Speaker 3: child's piano, you know, because there's like a child's piano

807
00:41:59,200 --> 00:42:05,000
Speaker 3: thing in there. Boom boom. Remember when you held my

808
00:42:06,360 --> 00:42:07,680
Speaker 3: great French Schneider imitation.

809
00:42:07,920 --> 00:42:08,680
Speaker 1: That amazing.

810
00:42:09,120 --> 00:42:10,840
Speaker 3: I'm going to do that at all the colleges and

811
00:42:10,920 --> 00:42:14,800
Speaker 3: clubs play that's her opened with French Schneider. You gotta

812
00:42:15,360 --> 00:42:24,560
Speaker 3: French was in a car, said oldbody. I know a

813
00:42:24,640 --> 00:42:25,920
Speaker 3: closer when I hear it.

814
00:42:26,080 --> 00:42:30,000
Speaker 2: Yeah, we can easily get a college setgether night.

815
00:42:30,360 --> 00:42:32,759
Speaker 3: And he's from I believe he's from Otion County, which

816
00:42:32,760 --> 00:42:37,279
Speaker 3: is county next to mine. And uh, his brother was

817
00:42:37,320 --> 00:42:39,640
Speaker 3: a friend of a friend of mine. True story.

818
00:42:39,840 --> 00:42:40,319
Speaker 1: Very cool.

819
00:42:41,320 --> 00:42:44,319
Speaker 2: I'm also very brave of him at that time to

820
00:42:44,400 --> 00:42:48,120
Speaker 2: be just out and out and so such an overtly

821
00:42:48,160 --> 00:42:51,360
Speaker 2: gay man singing being the lead singer where it's.

822
00:42:51,200 --> 00:42:54,920
Speaker 3: Like that was that's also that was unusual usual the

823
00:42:54,960 --> 00:42:57,799
Speaker 3: great Bob Mold was closeted as the lead singer of

824
00:43:00,680 --> 00:43:04,399
Speaker 3: There You Go. Yeah, I got it. He came out later,

825
00:43:04,440 --> 00:43:07,560
Speaker 3: but yes, Fred was that. Fred was talking about it,

826
00:43:07,560 --> 00:43:11,960
Speaker 3: but it was clear that that was his sensibility.

827
00:43:11,360 --> 00:43:12,800
Speaker 1: By his pencil thin mustache.

828
00:43:12,840 --> 00:43:15,759
Speaker 3: Yeah and yeah, his John Waters esque mustache and his

829
00:43:16,400 --> 00:43:20,319
Speaker 3: camp sensibility of it and one of the all time

830
00:43:20,400 --> 00:43:27,960
Speaker 3: great singers, like not officially a singer at all. Right,

831
00:43:28,360 --> 00:43:30,680
Speaker 3: you would want no one else leading that band? Yeah,

832
00:43:30,880 --> 00:43:33,160
Speaker 3: it can, it can take back fire. I always think

833
00:43:33,160 --> 00:43:36,840
Speaker 3: of the forgotten member of Sugar Cubes. We all know

834
00:43:36,920 --> 00:43:40,279
Speaker 3: what Jork became, but there was a goofy guy that

835
00:43:40,320 --> 00:43:44,839
Speaker 3: would kind of wrap periodically. Oh my yeah, an Estlandic

836
00:43:44,920 --> 00:43:49,080
Speaker 3: Caucasian man. Yes, yes, yes, yeah, And I wonder what

837
00:43:49,200 --> 00:43:52,319
Speaker 3: he's doing right now. I'm fascinated. I'm sorry going Oh, I.

838
00:43:52,280 --> 00:43:52,799
Speaker 1: Was just gonna say.

839
00:43:52,800 --> 00:43:56,040
Speaker 2: I always remember watching that Sugar Cubes video and feeling

840
00:43:56,120 --> 00:43:59,600
Speaker 2: like there was a real power dynamic issue between York

841
00:43:59,640 --> 00:44:02,120
Speaker 2: and that where it's like, no one's here for you,

842
00:44:02,280 --> 00:44:02,879
Speaker 2: rapping guy.

843
00:44:03,120 --> 00:44:04,560
Speaker 1: Yeah, everybody's here for her.

844
00:44:04,840 --> 00:44:08,000
Speaker 3: Yeah. During the this wasn't supposed to happen part, she

845
00:44:08,120 --> 00:44:11,160
Speaker 3: was pointing at him I always thought that was over

846
00:44:11,160 --> 00:44:16,720
Speaker 3: at the top. There's that thing where, yes, certain white

847
00:44:16,800 --> 00:44:20,120
Speaker 3: bands of a certain age in the late eighties and

848
00:44:20,160 --> 00:44:22,520
Speaker 3: early nineties, Oh, we need to do some rapping here,

849
00:44:22,800 --> 00:44:25,960
Speaker 3: yeah yeah yeah. And then sometimes like Sonic Cut just

850
00:44:25,960 --> 00:44:30,320
Speaker 3: brought in a guy, yeah right right, kairas One. I think, yeah,

851
00:44:30,480 --> 00:44:33,960
Speaker 3: oh yeah, just do a little sound, just do some rapping,

852
00:44:34,120 --> 00:44:38,680
Speaker 3: yeah verse here. But sometimes they do it themselves, yeah,

853
00:44:38,800 --> 00:44:41,000
Speaker 3: Debbie Harry. Of course with Christmas.

854
00:44:40,640 --> 00:44:43,200
Speaker 1: Rapping, I had that memorized.

855
00:44:43,560 --> 00:44:48,000
Speaker 3: Yes, there's also a James Taylor song where he legitimately,

856
00:44:48,400 --> 00:44:53,720
Speaker 3: not legitimately, but very purposefully raps. It's about traffic, really,

857
00:44:54,000 --> 00:44:57,680
Speaker 3: is that true? YEAHM from that era, M how I

858
00:44:57,800 --> 00:45:00,640
Speaker 3: hate to be late, hurts my motor to go so slow?

859
00:45:00,840 --> 00:45:04,200
Speaker 3: Time to get home my supper be called damn this traffic,

860
00:45:04,320 --> 00:45:06,960
Speaker 3: Damn that all has to be cut out again, Yes,

861
00:45:07,000 --> 00:45:09,320
Speaker 3: it does, well. I just that was for the purpose.

862
00:45:10,320 --> 00:45:13,200
Speaker 3: The full version of that get Yourself a Gun song

863
00:45:13,320 --> 00:45:15,760
Speaker 3: from the Sopranos, which was a song by a band

864
00:45:15,880 --> 00:45:18,319
Speaker 3: I forget what they were called. You don't hear it

865
00:45:18,320 --> 00:45:21,320
Speaker 3: in their Sopranos credits because it's abbreviated, but there's actually

866
00:45:21,320 --> 00:45:25,080
Speaker 3: a rap Bridge in that Oh amazing. Yes, Wow, I'm

867
00:45:25,160 --> 00:45:27,319
Speaker 3: gonna get a gun and that's not so fun when

868
00:45:27,360 --> 00:45:30,080
Speaker 3: you have to I think they're broken. Well, it was

869
00:45:30,160 --> 00:45:33,799
Speaker 3: like there's a very dated rat Bridge and they get

870
00:45:33,840 --> 00:45:37,920
Speaker 3: yourself a gun. Well, I'm making it up. It's close

871
00:45:37,960 --> 00:45:38,239
Speaker 3: to that.

872
00:45:38,440 --> 00:45:39,759
Speaker 1: I mean, what if it was this.

873
00:45:40,280 --> 00:45:43,359
Speaker 2: It's this idea of how the Mafia isn't as fun

874
00:45:43,360 --> 00:45:44,400
Speaker 2: as everybody thinks it is.

875
00:45:44,480 --> 00:45:51,200
Speaker 3: Yeah, my name is Tony, but I'm not a phone. Yeah,

876
00:45:51,400 --> 00:45:53,920
Speaker 3: it's like the Mozzarella and the blow need.

877
00:45:54,840 --> 00:45:58,759
Speaker 2: I just had a memory of when Rapture was the

878
00:45:58,840 --> 00:46:00,840
Speaker 2: song that was always on the I was in the

879
00:46:00,840 --> 00:46:04,480
Speaker 2: backseat of the car, yes, and I busted out that

880
00:46:04,719 --> 00:46:05,359
Speaker 2: song came on.

881
00:46:05,520 --> 00:46:07,360
Speaker 1: My sister and my mom were in the front seat.

882
00:46:07,840 --> 00:46:11,720
Speaker 2: I busted out during the wrap section, and they could

883
00:46:11,719 --> 00:46:14,160
Speaker 2: not believe that I knew every word to that song

884
00:46:14,800 --> 00:46:16,719
Speaker 2: and it was the most satisfying.

885
00:46:16,719 --> 00:46:17,840
Speaker 1: They couldn't stop laughing.

886
00:46:17,840 --> 00:46:20,600
Speaker 2: And I was just like, just like verse after verse

887
00:46:20,640 --> 00:46:22,680
Speaker 2: because it's like you just were forced to.

888
00:46:22,640 --> 00:46:23,239
Speaker 1: Listen to it.

889
00:46:23,360 --> 00:46:25,839
Speaker 3: By the way, I just realized a couple of minutes ago,

890
00:46:25,880 --> 00:46:28,160
Speaker 3: when I brought it up, I misidentified the title. I

891
00:46:28,200 --> 00:46:31,880
Speaker 3: called it Christmas Rapping which was the Waitresses. Oh the

892
00:46:31,960 --> 00:46:36,560
Speaker 3: Waitresses another occasion band. Yes, yeah, where that's a very

893
00:46:36,600 --> 00:46:39,479
Speaker 3: charming song, it is. That's one of the better white

894
00:46:39,480 --> 00:46:42,400
Speaker 3: people rapping songs of that era. Agree, Yeah, because it

895
00:46:42,520 --> 00:46:47,000
Speaker 3: had like a drive through diner quality to it.

896
00:46:47,120 --> 00:46:50,080
Speaker 2: I just like how Debbie Harry rapped because she wasn't

897
00:46:50,080 --> 00:46:52,400
Speaker 2: trying to do a voice like she basically was like,

898
00:46:53,120 --> 00:46:55,400
Speaker 2: this is what I think rapping sounds like.

899
00:46:55,560 --> 00:46:55,879
Speaker 3: Oh yeah.

900
00:46:56,239 --> 00:46:58,319
Speaker 2: Like it was very much like, I don't know, let's

901
00:46:58,320 --> 00:47:00,719
Speaker 2: just do this part because we're into what's cool.

902
00:47:00,840 --> 00:47:04,120
Speaker 3: Men from Mars they have guitars. Yeah, it was all

903
00:47:04,360 --> 00:47:08,160
Speaker 3: ours rhyme Like I as a kid, for whatever reason,

904
00:47:08,200 --> 00:47:10,600
Speaker 3: I had to come up with a slogan for drunk driving.

905
00:47:11,719 --> 00:47:17,560
Speaker 3: It was a really art poster contest drinking a bar,

906
00:47:17,680 --> 00:47:20,480
Speaker 3: driving a car, you won't get far and I won.

907
00:47:20,840 --> 00:47:23,600
Speaker 3: That's good. But I'm mainly for the illustration. But I'm

908
00:47:23,640 --> 00:47:28,160
Speaker 3: realizing just now I was ripping off w Hairy because yeah,

909
00:47:28,239 --> 00:47:31,120
Speaker 3: we're the lyrics basically a bit of that cadence. Now,

910
00:47:31,160 --> 00:47:33,880
Speaker 3: what was the illustration? If I may ask, I think

911
00:47:33,920 --> 00:47:39,200
Speaker 3: it was a decimated vehicle. Yeah, but when you write

912
00:47:39,280 --> 00:47:42,600
Speaker 3: Chris age nine in the corner you can get away

913
00:47:42,600 --> 00:47:44,200
Speaker 3: with a lot. I still do it.

914
00:47:45,760 --> 00:47:47,040
Speaker 1: To this moment, to.

915
00:47:46,960 --> 00:47:50,800
Speaker 3: The contracts, anything, tax forms change.

916
00:47:51,480 --> 00:47:52,960
Speaker 1: This has been such a delight.

917
00:47:53,200 --> 00:47:56,480
Speaker 3: Wow, we're done already. Also buy you want to do?

918
00:47:56,480 --> 00:47:58,759
Speaker 2: You want to promote anything? Do you want to as

919
00:47:58,840 --> 00:48:00,640
Speaker 2: I'll drive down here and you can just.

920
00:48:00,880 --> 00:48:06,480
Speaker 3: Give this doing my French Ninder tribute University of Madison.

921
00:48:09,440 --> 00:48:11,080
Speaker 3: The only thing to plug right now is I'm on

922
00:48:11,120 --> 00:48:13,440
Speaker 3: this show on Apple Plus called Palm Royale.

923
00:48:13,600 --> 00:48:15,640
Speaker 1: It's so good thank you as.

924
00:48:15,480 --> 00:48:18,600
Speaker 3: A comedy with Kristin Wig and the great Allison Janny

925
00:48:18,640 --> 00:48:24,000
Speaker 3: and many other great actors Martin mart But I have

926
00:48:24,040 --> 00:48:26,399
Speaker 3: a fun little part in that. So there's a new

927
00:48:26,440 --> 00:48:29,319
Speaker 3: season then, yeah, there was a season last year. I

928
00:48:29,320 --> 00:48:33,400
Speaker 3: think the second season is airing now. And it's a

929
00:48:33,440 --> 00:48:36,359
Speaker 3: fun show and I enjoyed it so and it's set

930
00:48:36,400 --> 00:48:40,080
Speaker 3: in the sixties. There's what fun coustoms before we go?

931
00:48:40,239 --> 00:48:45,719
Speaker 3: What I remember? There's a not a jealousy. But you've

932
00:48:45,719 --> 00:48:48,520
Speaker 3: got a voiceover gig that Well, I'm not going to go.

933
00:48:48,640 --> 00:48:50,439
Speaker 3: You've done a lot of cards. Wait, I got something

934
00:48:50,480 --> 00:48:53,000
Speaker 3: that you didn't get. Is that what you're saying? That's

935
00:48:53,040 --> 00:48:56,160
Speaker 3: how I'm like, oh that because you do very well

936
00:48:56,200 --> 00:48:58,600
Speaker 3: with well, these tables have been turned on me many times.

937
00:48:58,640 --> 00:49:01,840
Speaker 3: So thank you. So I got that you're saying I

938
00:49:01,880 --> 00:49:07,040
Speaker 3: have a whole Nickelodeon voiceover career coming my way. I'm

939
00:49:07,080 --> 00:49:10,880
Speaker 3: just saying I recently was something I didn't get, and

940
00:49:10,960 --> 00:49:13,000
Speaker 3: I'm wa got it.

941
00:49:13,480 --> 00:49:16,000
Speaker 1: Got this, You got damn it and I didn't.

942
00:49:16,120 --> 00:49:20,719
Speaker 3: I misused the word jealousy and you meant enraged. There

943
00:49:20,800 --> 00:49:28,600
Speaker 3: we go in Gorge saw Boner. But yeah, thank you.

944
00:49:28,680 --> 00:49:32,000
Speaker 3: This was wonderful again, very impressive, glad. I wasn't the

945
00:49:32,040 --> 00:49:34,320
Speaker 3: episode where you got into an accident. You were a

946
00:49:34,360 --> 00:49:36,800
Speaker 3: great guest and I love what you did and asked

947
00:49:36,920 --> 00:49:40,200
Speaker 3: us questions. You've obviously you're a good podcast.

948
00:49:40,400 --> 00:49:41,040
Speaker 1: You're real pro.

949
00:49:41,800 --> 00:49:44,760
Speaker 3: Well it's my pleasure, James.

950
00:49:44,800 --> 00:49:46,440
Speaker 1: Please come back anytime.

951
00:49:46,640 --> 00:49:49,400
Speaker 3: Absolutely, yes, anytime. Maybe next time I'll come up with

952
00:49:49,440 --> 00:49:50,120
Speaker 3: the destination.

953
00:49:50,640 --> 00:49:55,440
Speaker 1: Yes, yes, driving aimlessly all around Burbank.

954
00:49:55,320 --> 00:49:59,200
Speaker 3: Or to the piano store in Burbank. You've been listening

955
00:49:59,280 --> 00:50:02,560
Speaker 3: to Do You Need a D D Y N AAR.

956
00:50:09,960 --> 00:50:12,400
Speaker 5: This has been an exactly right production.

957
00:50:12,880 --> 00:50:15,120
Speaker 1: Our senior producer is Annalise.

958
00:50:14,680 --> 00:50:16,919
Speaker 5: Nelson, mixed by Edson Choy.

959
00:50:17,360 --> 00:50:19,200
Speaker 1: Our talent booker is Patrick Cootner.

960
00:50:19,520 --> 00:50:22,040
Speaker 5: Theme song by Karen Kilgarret.

961
00:50:21,880 --> 00:50:23,319
Speaker 1: Artwork by Chris Fairbanks.

962
00:50:23,560 --> 00:50:26,600
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

963
00:50:26,760 --> 00:50:29,839
Speaker 2: podcast That's d ynar Podcast.

964
00:50:30,239 --> 00:50:33,800
Speaker 3: For more information, go to exactly rightmedia dot com.

965
00:50:33,840 --> 00:50:36,080
Speaker 1: Thank you, Oh, You're welcome.