WEBVTT - How Do Con Artists Keep Fooling Us?

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<v Speaker 1>Guess what, mango?

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<v Speaker 2>What's that? Will?

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<v Speaker 3>Did you know that the con and con artist is

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<v Speaker 3>actually short for confidence, so it's confidence artist or confidence

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<v Speaker 3>man as they were first known.

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<v Speaker 2>Yeah, I actually did, but I never understood why.

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<v Speaker 3>Well, the confidence part actually comes from one con man

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<v Speaker 3>in particular. His name was William Thompson, and he was

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<v Speaker 3>the very first person to be called a confidence man.

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<v Speaker 3>So he was this swindler in old New York, and

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<v Speaker 3>one day in eighteen forty eight he hit upon a

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<v Speaker 3>new type of scam that quickly became his go to.

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<v Speaker 3>He would dress in his best clothes and politely approach

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<v Speaker 3>other well to do looking gentlemen on the street. Then

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<v Speaker 3>he would strike up conversations with the strangers and feed

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<v Speaker 3>them some sort of story about desperately needing.

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<v Speaker 1>A pocket watch for the day.

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<v Speaker 2>Pocket.

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<v Speaker 3>Finally, he would ask, have you confidence in me to

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<v Speaker 3>trust me with your watch until tomorrow?

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<v Speaker 2>What a line, and it's all it's hard to believe

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<v Speaker 2>anyone fell for that.

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<v Speaker 3>Yeah, I might try it out, but you know, people

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<v Speaker 3>did fall for it. And Thompson walked off with hundreds

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<v Speaker 3>of fancy watches, so many that newspapers began reporting about

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<v Speaker 3>this confidence man who played.

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<v Speaker 1>The city's streets. It's pretty crazy.

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<v Speaker 3>So with that in mind, we're going to dive into

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<v Speaker 3>the fascinating history of con artists and try to understand

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<v Speaker 3>a little bit about why everyone has a soft spot

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<v Speaker 3>for them. So let's get started. Hey, their podcast listeners,

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<v Speaker 3>welcome to Part Time Genius. I'm Will Pearson and as

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<v Speaker 3>always I'm joined by my good friend Manguesh how Ticketter

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<v Speaker 3>And before we dive in today's big topic, we've got

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<v Speaker 3>something fun to announce. After hearing from so many of

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<v Speaker 3>you in early contests and from each episode, we've realized something.

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<v Speaker 3>You listeners are some smart people, and you have some

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<v Speaker 3>really interesting facts to share, and we need to make

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<v Speaker 3>it even easier for you to share those facts with us.

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<v Speaker 2>That's right. We know how difficult it can be when

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<v Speaker 2>you've got something super interesting to say and you don't

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<v Speaker 2>have anyone to share it with, and it makes us

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<v Speaker 2>sad to even think about. So we're here for you,

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<v Speaker 2>and we're excited to announce the creation of a fact hotline.

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<v Speaker 3>You heard him right, folks, a fact hotline. All you

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<v Speaker 3>have to do is one eight four four pt Genius.

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<v Speaker 3>That's one eight four four seven eight four three six

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<v Speaker 3>four eight, and of course there's a stray seven at

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<v Speaker 3>the end. Two we wanted to say genius instead of geniu.

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<v Speaker 3>But so you can call us anytime if you have

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<v Speaker 3>super interesting fact to share about any topic. Today we'll

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<v Speaker 3>be talking about con artists. So you could tell us

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<v Speaker 3>what we may have forgotten to mention and they can call.

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<v Speaker 3>It's what's twenty four hours a day, right.

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<v Speaker 2>Twenty four hours. It's like four am on a Tuesday morning.

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<v Speaker 3>You can call then, yeah, maybe even six am on

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<v Speaker 3>a Tuesday morning, could you call then?

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<v Speaker 2>Yes, you can.

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<v Speaker 1>All right, So we want to hear from you.

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<v Speaker 3>Let us know what we've forgotten in the episode you're

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<v Speaker 3>about to hear any other episode. And of course when

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<v Speaker 3>generous with our t shirts. Right, this is what we're

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<v Speaker 3>giving away for those that submit facts that we use.

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<v Speaker 2>Yeah, we'll pony express you to teach. So send us some.

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<v Speaker 3>Facts, all right, can't wait to hear those again one

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<v Speaker 3>more time. That is one eight four four pt genius.

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<v Speaker 1>All right, So let's get started. On today's show.

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<v Speaker 3>We're talking about con artists, those enterprising flim flammers of

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<v Speaker 3>the world. We've made lifelong careers out of scamming the public,

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<v Speaker 3>and we're going to try to pinpoint the golden age

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<v Speaker 3>of conmen and see if we can figure out how

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<v Speaker 3>to avoid being duped ourselves. We'll also dig into the

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<v Speaker 3>psychology of con artists to see how they manage to

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<v Speaker 3>win a target's trust and even sometimes their hearts.

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<v Speaker 2>Yeah, and that might sound ridiculous at first, like this

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<v Speaker 2>idea that con men win people's hearts. But the more

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<v Speaker 2>we looked into the topic, the more convinced I became

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<v Speaker 2>that a lot of us have a big soft spot

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<v Speaker 2>for con artists. I mean, first of all, which other

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<v Speaker 2>class of criminals do we regularly describe as artists? Right, Like,

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<v Speaker 2>that's a pretty big compliment for someone who's trying to

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<v Speaker 2>rip you off.

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<v Speaker 3>Yeah, So we'll check out what's going on there, and

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<v Speaker 3>of course we'll also take some time for a couple

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<v Speaker 3>absurd quizzes along the way. Want to give the rundown

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<v Speaker 3>of who's joining us today?

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<v Speaker 1>Mango?

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<v Speaker 2>Yeah, sure. So today we're talking to Maria Konnakova, a

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<v Speaker 2>journalist and psychologist. She's also the best selling author of

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<v Speaker 2>The Confidence Game. Maria spent years exploring the ins and

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<v Speaker 2>outs of famous cons for a book, including why they

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<v Speaker 2>work and why we keep falling for them, And so

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<v Speaker 2>we're gonna have her on the program. We're also gonna

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<v Speaker 2>be talking to Patrick Hoffman, this incredible crime novelist who's

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<v Speaker 2>also a licensed private investigator.

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<v Speaker 3>You know, before doing our research for this episode, I

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<v Speaker 3>actually didn't know that con artist was short for confidence artists,

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<v Speaker 3>and before the public upgraded them to artists status, they

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<v Speaker 3>were simply known as confidence men.

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<v Speaker 2>What I really like about the story of William Thompson

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<v Speaker 2>is how well it sets up everything you really need

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<v Speaker 2>to know about con artists and why we admire them.

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<v Speaker 2>So think about how they can persuade all sorts of

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<v Speaker 2>different people into giving up everything from like a watch

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<v Speaker 2>to their life savings. And that's all just using their

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<v Speaker 2>words in charm like they're almost improv actors with like

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<v Speaker 2>looser morals.

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<v Speaker 3>Yeah, and while the end result is deplorable, of course,

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<v Speaker 3>the process itself, I mean, it takes real talent to.

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<v Speaker 2>Pull this off, definitely. So con men are incredibly perceptive,

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<v Speaker 2>which helps them read people quickly in order to come

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<v Speaker 2>up with just the right story to like hook a

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<v Speaker 2>particular person, which is why in addition to thinking them

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<v Speaker 2>as like skilled artists, many researchers also consider them really

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<v Speaker 2>good psychologists. And so you can think about it, they

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<v Speaker 2>never actually steal something from you directly. Most of the

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<v Speaker 2>time they're manipulating you into like handing over what you.

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<v Speaker 3>Have, right, And that's exactly what we see with Thompson.

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<v Speaker 3>I mean, his question have you confidence in me? Is

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<v Speaker 3>really targeting the stranger sense of pride or their civility.

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<v Speaker 3>I mean he's basically asking, are you truly a proper

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<v Speaker 3>gentleman as your appearance suggests? Are you the type of

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<v Speaker 3>person who assumes the worst of their fellow man?

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<v Speaker 2>And it works. I mean, most people hate disappointing others,

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<v Speaker 2>especially if doing so makes them seem greedy or distrustful,

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<v Speaker 2>So we all feel that urge to save face even

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<v Speaker 2>with a total stranger.

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<v Speaker 3>Well, and the other thing that we really love is

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<v Speaker 3>a bargain, and con artists are very well aware of this.

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<v Speaker 3>I mean, one of my favorite examples of this is

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<v Speaker 3>George C. Parker. This was the guy you may remember

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<v Speaker 3>that sold the Brooklyn Bridge twice a week for decades.

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<v Speaker 2>I love him so much.

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<v Speaker 3>Yes, So here's what Parker did so shortly after the

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<v Speaker 3>bridge was completed in eighteen eighty three, he decided on

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<v Speaker 3>a whim to try and sell the bridge to unsuspecting

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<v Speaker 3>tourists and immigrants. These were folks who were new to

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<v Speaker 3>the city or maybe even the country, but they'd heard

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<v Speaker 3>about what amazing opportunities were available here. So when Parker

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<v Speaker 3>approached them with this deal of a lifetime, the victims

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<v Speaker 3>assumed they just stumbled into one of these lucky breaks

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<v Speaker 3>they'd heard so much about.

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<v Speaker 2>But still, I mean, like buying the Brooklyn Bridge like

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<v Speaker 2>that seems like such a tough thing to sell.

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<v Speaker 1>Yeah, but he managed to do it again and again.

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<v Speaker 3>This is how good he was at this, and sometimes

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<v Speaker 3>for as much as fifty thousand dollars. So his routine

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<v Speaker 3>was to introduce himself to a mark as he called them,

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<v Speaker 3>and as the owner of the bridge, and then offer

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<v Speaker 3>them a job running the toll booth he was about

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<v Speaker 3>to build on it. From there, he would play up

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<v Speaker 3>the fact that he was really more of a builder

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<v Speaker 3>than a businessman, and that he'd be much happier to

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<v Speaker 3>leave the toll taking to somebody else, and then he'd

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<v Speaker 3>just move on to his next construction project. If only

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<v Speaker 3>he could find an investor to take the Brooklyn Bridge

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<v Speaker 3>off his hand.

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<v Speaker 2>This which is so devious, I know.

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<v Speaker 3>And some victims didn't even realize they'd been had until

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<v Speaker 3>months later. Some continued paying the bridge in monthly installments.

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<v Speaker 3>I love that when I read about this, only to

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<v Speaker 3>learn the truth from police after they were trying to

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<v Speaker 3>construct toll booths on the bridge that they supposedly owned.

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<v Speaker 2>So obviously this went on for a long time. But like,

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<v Speaker 2>how many years was he selling the bridge for?

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<v Speaker 1>You're not gonna believe this.

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<v Speaker 3>So Peter ran these landmarks selling scams like this from

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<v Speaker 3>I think it was the eighteen eighties all the way

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<v Speaker 3>until nineteen twenty eight.

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<v Speaker 1>We're talking almost fifty.

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<v Speaker 3>Years when he was finally arrested, and then he was

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<v Speaker 3>sentenced to life and sing sing prison. And although his

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<v Speaker 3>specialty was selling the Brooklyn Bridge, he dabbled a little

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<v Speaker 3>and selling other New York City landmarks like the Metropolitan

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<v Speaker 3>Museum of Art. I think he tried to sell the

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<v Speaker 3>Statue of Liberty a few times, even Grant's Tune, which

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<v Speaker 3>he sold while posing as the General's grandson.

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<v Speaker 1>This guy's crazy, but it was so good at this.

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<v Speaker 2>I love it, but it really makes me wonder, like,

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<v Speaker 2>who is falling for these schemes. It sounds like these

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<v Speaker 2>marks were pretty naive. But also like bumping into the

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<v Speaker 2>owner of like a world famous museum and then buying

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<v Speaker 2>it off him for like a pittance, that that just

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<v Speaker 2>sounds so dumb.

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<v Speaker 3>I do think we have to be a little bit

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<v Speaker 3>careful here, But most experts agree that what makes the

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<v Speaker 3>perfect mark really doesn't have anything to do with how

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<v Speaker 3>intelligent or wealthy or gullible you are. So instead, psychologists

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<v Speaker 3>say that it's where you are at a certain point

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<v Speaker 3>in your life that makes you more emotionally susceptible to

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<v Speaker 3>con So you know someone who's going through a transition

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<v Speaker 3>in life, whether it might be something good, Let's say

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<v Speaker 3>you've gotten a job promotion, or you've just had a

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<v Speaker 3>child born, or on the other end, something negative that's happened,

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<v Speaker 3>if you've experienced the death or maybe a recent divorce.

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<v Speaker 1>I mean, these are the people.

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<v Speaker 3>That are more likely to latch onto an opportunity that

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<v Speaker 3>would otherwise seem too good to be.

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<v Speaker 2>True, which is interesting. I mean, in Parker's case, it

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<v Speaker 2>seems like he was targeting immigrants because he sensed their

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<v Speaker 2>emotional vulnerability and starting over in a new country. But

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<v Speaker 2>I always assume con artists pick their marks based on

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<v Speaker 2>like how people were dressed or how they carried themselves,

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<v Speaker 2>the way Thompson always went after these genteel looking strangers

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<v Speaker 2>for his watch scam.

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<v Speaker 3>Yeah yeah, I mean, I think appearance and body language

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<v Speaker 3>definitely play a part, but it doesn't seem like the

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<v Speaker 3>deciding factor. So, for instance, Parker adjusted the amounts he

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<v Speaker 3>would accept for the Brooklyn Bridge based on how wealthy

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<v Speaker 3>a particular mark looked. The most he got from a

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<v Speaker 3>single mark was, of course, that fifty thousand dollars that

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<v Speaker 3>we mentioned earlier, but he also sold the bridge.

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<v Speaker 1>For lower amounts.

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<v Speaker 3>You know, some people got a real discount, like five

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<v Speaker 3>hundred dollars or even fifty bucks.

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<v Speaker 1>They got to buy the entire Brooklyn Bridge for fifty bucks.

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<v Speaker 1>I mean, I might take that chance.

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<v Speaker 3>So he would choose his victims based on, you know,

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<v Speaker 3>what he spotted, if he saw these telltale signs that

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<v Speaker 3>their lives were in upheaval. But other factors still informed

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<v Speaker 3>the specifics of how everything played out.

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<v Speaker 2>So I guess that's the beauty of selling something that

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<v Speaker 2>you don't actually own, right, Because any price can be

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<v Speaker 2>the right one, right, But what strikes me is how

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<v Speaker 2>much effort and adaptability go into these cons Like, is

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<v Speaker 2>it wrong that I find all of this kind of impressive?

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<v Speaker 3>Well, you know, right or wrong, you wouldn't be alone

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<v Speaker 3>in that kind of feeling. So when Parker went to prison,

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<v Speaker 3>he was treated like a celebrity, not only by his

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<v Speaker 3>fellow inmates, but even by the guards.

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<v Speaker 1>They were there.

0:10:07.920 --> 0:10:11.199
<v Speaker 3>I mean, everyone loved hearing about his exploits and how

0:10:11.200 --> 0:10:13.920
<v Speaker 3>he was able to sell such a crazy premise over

0:10:14.080 --> 0:10:14.880
<v Speaker 3>and over.

0:10:14.720 --> 0:10:17.320
<v Speaker 2>Again, which actually backs up a study I came across

0:10:17.320 --> 0:10:20.880
<v Speaker 2>in Scientific American that suggests we view unethical behavior less

0:10:20.880 --> 0:10:24.800
<v Speaker 2>harshly if it also happens to be creative. So, for example,

0:10:24.840 --> 0:10:27.280
<v Speaker 2>you tend to disapprove more strongly of someone who robs

0:10:27.320 --> 0:10:30.040
<v Speaker 2>a man at gunpoint than someone who swindles money from

0:10:30.080 --> 0:10:33.600
<v Speaker 2>them through this sort of like creative method. And it's

0:10:33.600 --> 0:10:35.880
<v Speaker 2>almost like you feel bad for being duped, but you

0:10:35.920 --> 0:10:37.920
<v Speaker 2>also have to imploud the ingenuity.

0:10:38.000 --> 0:10:39.240
<v Speaker 1>Yeah, yeah, I mean it makes sense.

0:10:39.280 --> 0:10:41.520
<v Speaker 3>Even though the guards that Sing Sing believed Parker had

0:10:41.559 --> 0:10:45.600
<v Speaker 3>behaved unethically, they really couldn't help but admire his creativity

0:10:45.679 --> 0:10:48.280
<v Speaker 3>and boldness that he displayed through all of these crimes

0:10:48.280 --> 0:10:49.440
<v Speaker 3>he was committing exactly.

0:10:49.480 --> 0:10:51.959
<v Speaker 2>And while that kind of thinking is apparently pretty common,

0:10:52.000 --> 0:10:53.920
<v Speaker 2>it's also somewhat worrisome for society.

0:10:54.040 --> 0:10:54.959
<v Speaker 1>Well why would you say that?

0:10:55.240 --> 0:10:58.320
<v Speaker 2>Well, so Francisco Gino, one of the researchers who worked

0:10:58.360 --> 0:11:01.640
<v Speaker 2>on the study, put it this way. Quote. It seems

0:11:01.679 --> 0:11:04.679
<v Speaker 2>that people view creativity as a positive, valuable trait that

0:11:04.760 --> 0:11:08.240
<v Speaker 2>provides creative cheaters with a halo that makes their transgressions

0:11:08.240 --> 0:11:12.480
<v Speaker 2>more palatable and more socially contagious. So because the creativity

0:11:12.480 --> 0:11:14.520
<v Speaker 2>of a con is valued and appreciated by the public,

0:11:14.640 --> 0:11:17.280
<v Speaker 2>we're actually more likely to imitate that kind of behavior.

0:11:17.400 --> 0:11:19.200
<v Speaker 3>Yeah, I mean, I can see the danger there, and

0:11:19.240 --> 0:11:22.000
<v Speaker 3>it's certainly worth reminding ourselves that we are talking about

0:11:22.120 --> 0:11:24.720
<v Speaker 3>ruthless people. I mean, these are ones who are knowingly

0:11:24.800 --> 0:11:28.000
<v Speaker 3>wreaking havoc on others' lives for their own financial gain.

0:11:28.559 --> 0:11:30.559
<v Speaker 3>But while we can do our best to avoid outright

0:11:30.720 --> 0:11:33.840
<v Speaker 3>celebrating con artists, I really doubt we'll ever be able

0:11:33.840 --> 0:11:36.640
<v Speaker 3>to avoid admiring them, at least a little totally.

0:11:36.760 --> 0:11:39.680
<v Speaker 2>And that's something our author Maria Kuonikova touches on in

0:11:39.679 --> 0:11:43.000
<v Speaker 2>her work. In an interview with The Guardian. She said, quote,

0:11:43.280 --> 0:11:45.480
<v Speaker 2>of course you have a grudging admiration for them, because

0:11:45.480 --> 0:11:48.120
<v Speaker 2>they're really really good at what they do. The name

0:11:48.200 --> 0:11:51.160
<v Speaker 2>con artist really does capture it. They're artists, and I

0:11:51.200 --> 0:11:52.800
<v Speaker 2>have an admiration for all artists.

0:11:52.880 --> 0:11:53.080
<v Speaker 1>Yeah.

0:11:53.120 --> 0:11:55.439
<v Speaker 3>Yeah, Well, now seems like the perfect time to check

0:11:55.440 --> 0:11:57.400
<v Speaker 3>in with Maria and get the lowdown on the works

0:11:57.400 --> 0:11:59.520
<v Speaker 3>of some of her all time favorite con artists.

0:11:59.559 --> 0:12:01.160
<v Speaker 2>What do you say? I'm all for it.

0:12:06.760 --> 0:12:09.720
<v Speaker 3>So our guest today has been studying con artists for years.

0:12:09.760 --> 0:12:13.320
<v Speaker 3>She's the author of Mastermind and The Confidence Game and

0:12:13.400 --> 0:12:16.400
<v Speaker 3>the host and creator of a terrific podcast from Panopley

0:12:16.440 --> 0:12:17.360
<v Speaker 3>called The Grift.

0:12:17.520 --> 0:12:18.960
<v Speaker 1>And I am addicted to this show.

0:12:18.960 --> 0:12:21.400
<v Speaker 3>I've listened to I think six of the episodes now

0:12:21.440 --> 0:12:24.600
<v Speaker 3>and plan to listen to the others. But Maria Kanakoba,

0:12:24.640 --> 0:12:26.000
<v Speaker 3>welcome to Part Time Genius.

0:12:26.160 --> 0:12:27.280
<v Speaker 4>Thanks so much for having me.

0:12:27.559 --> 0:12:29.679
<v Speaker 3>All Right, Well, you know, as I was saying, I've

0:12:29.679 --> 0:12:32.360
<v Speaker 3>been listening to the show and it's really really interesting

0:12:32.440 --> 0:12:37.040
<v Speaker 3>and it's fun to kind of follow these common characteristics.

0:12:37.320 --> 0:12:39.520
<v Speaker 3>Not that every con artist is the same.

0:12:39.960 --> 0:12:44.440
<v Speaker 5>So I think one thing that people make the mistake

0:12:44.520 --> 0:12:49.000
<v Speaker 5>of thinking is that you know, con artists are basically

0:12:49.080 --> 0:12:54.520
<v Speaker 5>people who take advantage of other people, of other human beings.

0:12:55.040 --> 0:12:58.160
<v Speaker 5>That's the mindset of a non con artist. Con Artists

0:12:58.240 --> 0:13:00.960
<v Speaker 5>don't think if they're victims as humans really So there's

0:13:01.000 --> 0:13:04.800
<v Speaker 5>even a term in con artist parlance. It's called the mark.

0:13:05.400 --> 0:13:09.959
<v Speaker 5>So who is your target? It's a mark because as

0:13:09.960 --> 0:13:12.960
<v Speaker 5>soon as you feel any sort of real human attachments,

0:13:13.040 --> 0:13:17.079
<v Speaker 5>then you start feeling guilty, You start having payings about

0:13:17.240 --> 0:13:19.640
<v Speaker 5>what you're doing to this person, You start thinking about

0:13:19.640 --> 0:13:23.679
<v Speaker 5>emotional consequences, and then you're really crappy con artists because

0:13:23.679 --> 0:13:26.600
<v Speaker 5>you're not able to take advantage of this person, and

0:13:26.679 --> 0:13:28.280
<v Speaker 5>you're not going to be able to keep doing this

0:13:28.360 --> 0:13:30.560
<v Speaker 5>because your conscience is going to catch up with you.

0:13:30.920 --> 0:13:33.120
<v Speaker 5>In fact, there was one hilarious well I thought it

0:13:33.160 --> 0:13:35.199
<v Speaker 5>was a pretty funny story that I came across when

0:13:35.240 --> 0:13:38.040
<v Speaker 5>I was doing research. There's a very common scam, the

0:13:38.080 --> 0:13:41.120
<v Speaker 5>IRS scam, where you get a phone call someone says, hi,

0:13:41.240 --> 0:13:45.320
<v Speaker 5>we're from the IRS. We found that you didn't pay

0:13:45.520 --> 0:13:48.360
<v Speaker 5>enough taxes. You owe you know, two thousand dollars or

0:13:48.400 --> 0:13:50.800
<v Speaker 5>whatever it is, plus this speech. If you don't pay

0:13:50.840 --> 0:13:53.360
<v Speaker 5>it right now, you're going to have to go to

0:13:53.440 --> 0:13:55.160
<v Speaker 5>jail and all these bad things are going to happen,

0:13:55.160 --> 0:13:57.839
<v Speaker 5>and people get really scared because people are scared of

0:13:57.880 --> 0:14:01.640
<v Speaker 5>the irs, they're scared of taxes, and oftentimes de'll panic

0:14:01.920 --> 0:14:05.000
<v Speaker 5>and they'll end up giving money to the con artist.

0:14:05.000 --> 0:14:06.280
<v Speaker 4>This particular time.

0:14:06.880 --> 0:14:09.560
<v Speaker 5>Guy calls and starts with the usual spiel, you know,

0:14:09.679 --> 0:14:12.720
<v Speaker 5>you owe a lot of money on back Texas. The

0:14:12.760 --> 0:14:15.920
<v Speaker 5>woman and hiss calling starts bawling. I mean, this woman

0:14:16.280 --> 0:14:18.920
<v Speaker 5>gets hysterical. I don't know what I'm going to do.

0:14:19.520 --> 0:14:20.479
<v Speaker 4>I'm pregnant.

0:14:20.560 --> 0:14:22.920
<v Speaker 5>You know, we own a store that we can't really

0:14:23.000 --> 0:14:24.760
<v Speaker 5>keep our payments up on. You know, I'm about to

0:14:24.800 --> 0:14:26.240
<v Speaker 5>have this baby. What am I going to And she

0:14:26.320 --> 0:14:29.720
<v Speaker 5>just keeps going, I'm going and the corn artist just says, lady, lady, stop,

0:14:29.760 --> 0:14:40.280
<v Speaker 5>it's a cone nicely done. So that particular guy probably

0:14:40.440 --> 0:14:42.200
<v Speaker 5>not a very successful con artist.

0:14:42.440 --> 0:14:44.960
<v Speaker 3>You know, when I think about psychics or fortune tellers,

0:14:45.480 --> 0:14:47.280
<v Speaker 3>you know, I really had more of this image that

0:14:47.320 --> 0:14:49.880
<v Speaker 3>people go and they throw down twenty dollars or thirty

0:14:49.920 --> 0:14:52.640
<v Speaker 3>dollars to have their fortune told and then that's kind

0:14:52.640 --> 0:14:54.560
<v Speaker 3>of the end of it. And yes, maybe they're ripped off,

0:14:54.600 --> 0:14:59.360
<v Speaker 3>But I didn't really realize how deep some of these

0:14:59.400 --> 0:15:02.120
<v Speaker 3>scams go oh, and you tell the story of this

0:15:02.160 --> 0:15:04.920
<v Speaker 3>one poor college student who ended up getting scammed for

0:15:05.720 --> 0:15:07.120
<v Speaker 3>you know, I think it was like one hundred and

0:15:07.120 --> 0:15:10.880
<v Speaker 3>eighty thousand dollars or something, just extraordinary like that. But

0:15:11.280 --> 0:15:13.680
<v Speaker 3>in that episode you talk about the ability of a

0:15:13.680 --> 0:15:17.040
<v Speaker 3>con artist to get what you describe as a cold

0:15:17.120 --> 0:15:18.600
<v Speaker 3>read on someone.

0:15:18.840 --> 0:15:20.120
<v Speaker 1>Can you talk a little bit about that.

0:15:20.520 --> 0:15:25.800
<v Speaker 5>Absolutely, it's a skill that I think psychics specifically really

0:15:25.880 --> 0:15:30.800
<v Speaker 5>have down to just this science almost and con artists

0:15:30.560 --> 0:15:33.520
<v Speaker 5>have had it too. More broadly, and actually a lot

0:15:33.560 --> 0:15:36.920
<v Speaker 5>of professions rely on it, you know, sales marketing. The

0:15:36.920 --> 0:15:38.560
<v Speaker 5>better you are and is, the better you are able

0:15:38.600 --> 0:15:43.760
<v Speaker 5>to sell. And the essence of it is being able

0:15:43.880 --> 0:15:48.120
<v Speaker 5>to not only profile someone by looking at them, but

0:15:48.280 --> 0:15:52.920
<v Speaker 5>get a lot of information from how they're dressed, what

0:15:52.960 --> 0:15:56.840
<v Speaker 5>they sound like, what words they use, what they're saying,

0:15:57.200 --> 0:15:59.760
<v Speaker 5>what their face is like, what their emotional bearing is.

0:16:00.280 --> 0:16:04.560
<v Speaker 5>So every single moment, every single day, we are just

0:16:05.000 --> 0:16:07.000
<v Speaker 5>throwing off ques to people.

0:16:07.360 --> 0:16:08.440
<v Speaker 4>So you walk into a.

0:16:08.400 --> 0:16:12.920
<v Speaker 5>Psychic realm right away, that's one huge clue. You are

0:16:13.280 --> 0:16:16.360
<v Speaker 5>at a psychic's place. What kind of person goes to

0:16:16.400 --> 0:16:17.200
<v Speaker 5>see a psychic?

0:16:17.640 --> 0:16:18.520
<v Speaker 4>Why are you there?

0:16:18.880 --> 0:16:20.600
<v Speaker 5>Maybe you're there on a lark and you think this

0:16:20.720 --> 0:16:23.480
<v Speaker 5>is very funny, and yet you did it anyway, so

0:16:23.920 --> 0:16:27.440
<v Speaker 5>that already says something. Maybe you look really upset. A

0:16:27.480 --> 0:16:29.320
<v Speaker 5>lot of people go to psychics and they're upset. So

0:16:29.400 --> 0:16:31.520
<v Speaker 5>right away we know that something happened in your life.

0:16:31.800 --> 0:16:33.520
<v Speaker 5>What kind of a watch are you wearing? What kind

0:16:33.560 --> 0:16:36.160
<v Speaker 5>of clothes are you wearing? What kind of bag are

0:16:36.160 --> 0:16:39.720
<v Speaker 5>you carrying with you? If you're a female, are what

0:16:39.840 --> 0:16:42.920
<v Speaker 5>question did you ask the psychic. The psychic is also

0:16:42.960 --> 0:16:46.400
<v Speaker 5>able to ask you some preliminary questions right away and

0:16:46.520 --> 0:16:49.120
<v Speaker 5>phrase them in a way that makes you not realize

0:16:49.120 --> 0:16:53.680
<v Speaker 5>you're giving off information. For instance, if I sit down

0:16:53.800 --> 0:16:59.280
<v Speaker 5>at a psychic, if like you can say, oh, you're

0:16:59.320 --> 0:17:02.560
<v Speaker 5>not from around and here are you, which seems like

0:17:02.640 --> 0:17:05.439
<v Speaker 5>she is leading into my soul and knows that I

0:17:05.560 --> 0:17:09.159
<v Speaker 5>somehow find so far away. But think about how ambiguous

0:17:09.160 --> 0:17:10.960
<v Speaker 5>that question is, and I'm going to give her a

0:17:11.000 --> 0:17:13.920
<v Speaker 5>lot of information right away. And by the way, one

0:17:13.920 --> 0:17:17.040
<v Speaker 5>thing that really helps psychics out is that we are

0:17:17.440 --> 0:17:18.280
<v Speaker 5>a lot less.

0:17:18.160 --> 0:17:19.440
<v Speaker 4>Unique than we like to think.

0:17:19.600 --> 0:17:22.040
<v Speaker 5>Every single person likes to think that there's no one

0:17:22.119 --> 0:17:24.800
<v Speaker 5>going through what I'm going through. No one knows what

0:17:24.840 --> 0:17:25.560
<v Speaker 5>it's like to be me.

0:17:25.640 --> 0:17:26.600
<v Speaker 4>And that's true as.

0:17:26.440 --> 0:17:30.639
<v Speaker 5>Far as it goes. However, we all all fit into

0:17:30.680 --> 0:17:34.320
<v Speaker 5>these overarching themes. You know, a lot of people who

0:17:34.320 --> 0:17:39.480
<v Speaker 5>are going through similar emotional problems are actually more alike

0:17:39.600 --> 0:17:42.400
<v Speaker 5>in a lot of surface ways, surface ways that make

0:17:42.480 --> 0:17:46.320
<v Speaker 5>people then open up on those idiosyncrasies. And so as

0:17:46.320 --> 0:17:49.200
<v Speaker 5>long as you can get those surface patterns down, people

0:17:49.240 --> 0:17:51.800
<v Speaker 5>think that you understand them, people think that you know

0:17:51.840 --> 0:17:54.359
<v Speaker 5>what it is like to be them, and people become

0:17:54.480 --> 0:17:56.800
<v Speaker 5>much more willing to give you a lot of information

0:17:56.920 --> 0:17:58.840
<v Speaker 5>that they wouldn't normally give out to a stranger.

0:18:00.040 --> 0:18:00.480
<v Speaker 1>Interesting.

0:18:00.880 --> 0:18:02.800
<v Speaker 2>So one of the things you mentioned on your show

0:18:03.040 --> 0:18:06.560
<v Speaker 2>is that carnivals are our first interaction with con artists,

0:18:06.560 --> 0:18:08.880
<v Speaker 2>and I kind of love that idea. I'd never really

0:18:08.920 --> 0:18:11.119
<v Speaker 2>thought about it that way, and could you talk a

0:18:11.160 --> 0:18:11.919
<v Speaker 2>little more about that.

0:18:12.600 --> 0:18:15.159
<v Speaker 5>Yeah, it was actually really I was really upset to

0:18:15.200 --> 0:18:18.760
<v Speaker 5>find it out because I have such vivid, wonderful memories

0:18:18.760 --> 0:18:21.280
<v Speaker 5>of going to my first carnival as a kid and

0:18:21.480 --> 0:18:23.919
<v Speaker 5>really really wanting to, you know, win those games and

0:18:23.960 --> 0:18:27.640
<v Speaker 5>win those stuff animals. And it turns out that there

0:18:27.640 --> 0:18:32.080
<v Speaker 5>are quite literally con artists in carnivals because a lot

0:18:32.119 --> 0:18:34.200
<v Speaker 5>of carnival games are crooked, and a lot of carnivals

0:18:34.200 --> 0:18:38.560
<v Speaker 5>are completely crooked. So basically all of those games where

0:18:38.600 --> 0:18:42.680
<v Speaker 5>there it's you know, trying to pass a circle over

0:18:43.000 --> 0:18:46.959
<v Speaker 5>some metal thing without touching the metal, or trying to

0:18:47.080 --> 0:18:50.040
<v Speaker 5>get you know, a ball into the jug into the

0:18:50.119 --> 0:18:51.600
<v Speaker 5>milk jug or whatever it is.

0:18:51.640 --> 0:18:53.120
<v Speaker 4>You know, there there are tons.

0:18:52.800 --> 0:18:57.080
<v Speaker 5>Of these that they're rigged, and so you can't win

0:18:57.359 --> 0:19:01.000
<v Speaker 5>unless the person operating the game wants you to win,

0:19:01.960 --> 0:19:03.639
<v Speaker 5>and they do that to kind of rope people in

0:19:03.680 --> 0:19:06.320
<v Speaker 5>and get more money. And the more expensive the game,

0:19:06.359 --> 0:19:09.000
<v Speaker 5>the more likely it is to be rigged. And it's

0:19:09.080 --> 0:19:13.320
<v Speaker 5>really they do it in this really sophisticated way where

0:19:13.359 --> 0:19:16.439
<v Speaker 5>they can unrig the game very quickly, so if they

0:19:16.480 --> 0:19:18.960
<v Speaker 5>see that there's law enforcement, if they see that, if

0:19:18.960 --> 0:19:22.840
<v Speaker 5>anything seems suspicious, they'll press the love press a button,

0:19:23.200 --> 0:19:25.040
<v Speaker 5>you know, turn something over, and all of a sudden,

0:19:25.119 --> 0:19:27.520
<v Speaker 5>the game is totally on the up and up and

0:19:27.560 --> 0:19:30.200
<v Speaker 5>no one can see that it's once upon a time rigged,

0:19:30.600 --> 0:19:33.440
<v Speaker 5>which is very sneaky and prevents them from being caught.

0:19:34.080 --> 0:19:37.800
<v Speaker 5>And on a broader basis, I think that even if

0:19:37.840 --> 0:19:43.639
<v Speaker 5>a carnival isn't rigged, carnivals magic shows when they're all

0:19:43.680 --> 0:19:47.720
<v Speaker 5>based on deception. The good news is that when you're

0:19:47.720 --> 0:19:50.040
<v Speaker 5>going into a magic show, you want to be deceived.

0:19:50.400 --> 0:19:52.960
<v Speaker 5>They're going for entertainment, and then a carnivals they're also

0:19:52.960 --> 0:19:56.080
<v Speaker 5>going to entertainment. And if you go into Unity side shows,

0:19:56.320 --> 0:19:59.159
<v Speaker 5>House of Words, how Mirrors, all of those things, you

0:19:59.320 --> 0:20:01.360
<v Speaker 5>know that there's going to be a loosen and distortion

0:20:01.560 --> 0:20:05.320
<v Speaker 5>involved and you willingly take part in that. And I

0:20:05.359 --> 0:20:08.159
<v Speaker 5>think that we kind of love that as human beings.

0:20:08.200 --> 0:20:12.520
<v Speaker 5>It's really fascinating to suspend belief. I think it's white

0:20:12.520 --> 0:20:15.159
<v Speaker 5>with a Hollywood and movies and all these things, and

0:20:15.200 --> 0:20:18.040
<v Speaker 5>it's that instinct which then allows con artists to take

0:20:18.080 --> 0:20:18.920
<v Speaker 5>advantage of us.

0:20:19.400 --> 0:20:21.879
<v Speaker 3>Maria, I'm so glad that we conned you into to

0:20:21.960 --> 0:20:23.199
<v Speaker 3>being on our show today.

0:20:23.280 --> 0:20:25.320
<v Speaker 1>I hope all of our listeners.

0:20:24.920 --> 0:20:27.639
<v Speaker 3>Will check out The Confidence Game as well as the

0:20:27.840 --> 0:20:29.240
<v Speaker 3>terrific podcast The Grift.

0:20:29.280 --> 0:20:31.480
<v Speaker 1>But Maria, thanks so much for being on Part Time Genius.

0:20:31.960 --> 0:20:33.480
<v Speaker 4>Thank you guys so much for having me. It was

0:20:33.480 --> 0:20:45.040
<v Speaker 4>a lot of fun.

0:20:48.920 --> 0:20:51.040
<v Speaker 3>You're listening to Part Time Genius and we're talking about

0:20:51.080 --> 0:20:53.919
<v Speaker 3>some of the most outlandish con jobs in history and

0:20:53.960 --> 0:20:56.320
<v Speaker 3>the no account scoundrels who managed to pull them off

0:20:56.359 --> 0:20:59.040
<v Speaker 3>with style. So Mango, we've already covered a couple of

0:20:59.080 --> 0:21:02.120
<v Speaker 3>notable con men for the nineteenth and early twentieth centuries.

0:21:02.640 --> 0:21:04.040
<v Speaker 3>You Know, there was one thing I noticed while doing

0:21:04.119 --> 0:21:06.400
<v Speaker 3>the research for this show is just how many famous

0:21:06.400 --> 0:21:09.280
<v Speaker 3>scams took place during that time period. And it kind

0:21:09.280 --> 0:21:11.840
<v Speaker 3>of got me wondering when was the golden age of

0:21:11.880 --> 0:21:14.399
<v Speaker 3>conmen and what were the conditions of that time that

0:21:14.440 --> 0:21:15.399
<v Speaker 3>allowed them to thrive.

0:21:15.640 --> 0:21:18.000
<v Speaker 2>Yeah, I'd said, late eighteen hundreds are probably the best

0:21:18.000 --> 0:21:20.360
<v Speaker 2>contender for a golden age of conmen, at least here

0:21:20.359 --> 0:21:23.480
<v Speaker 2>in the States. I read this interview on MPR with

0:21:24.000 --> 0:21:26.600
<v Speaker 2>Amy Redding, the author of a book on the history

0:21:26.640 --> 0:21:29.280
<v Speaker 2>of con jobs. It's called The Mark Inside, and she

0:21:29.359 --> 0:21:31.720
<v Speaker 2>says the nineteenth century was the perfect time for con

0:21:31.760 --> 0:21:34.679
<v Speaker 2>artists because the world was both smaller and bigger at

0:21:34.680 --> 0:21:35.160
<v Speaker 2>the same time.

0:21:35.200 --> 0:21:36.240
<v Speaker 1>Wait, how does that work?

0:21:36.640 --> 0:21:37.080
<v Speaker 6>And bigger?

0:21:37.560 --> 0:21:39.720
<v Speaker 2>Well, the US was expanding west, so there was this

0:21:39.800 --> 0:21:42.000
<v Speaker 2>age of exploration going on that had all kinds of

0:21:42.000 --> 0:21:44.400
<v Speaker 2>people striking out for places where the rules of society

0:21:44.440 --> 0:21:47.080
<v Speaker 2>weren't firmly established yet, and they also didn't have a

0:21:47.080 --> 0:21:49.159
<v Speaker 2>real way to get in touch with the rest of civilization.

0:21:49.200 --> 0:21:52.000
<v Speaker 2>If they ran into trouble. In fact, Denver was kind

0:21:52.000 --> 0:21:54.919
<v Speaker 2>of the perfect city for this, and why Denver Well

0:21:55.000 --> 0:21:57.560
<v Speaker 2>to sharper's and conmen. The city was actually called the

0:21:57.560 --> 0:22:00.000
<v Speaker 2>Big Store just because it was such an easy place

0:22:00.200 --> 0:22:02.560
<v Speaker 2>to run cons. And in fact, there was a fixer

0:22:02.600 --> 0:22:05.359
<v Speaker 2>in town, this guy named Lou Blonger, who owned a

0:22:05.400 --> 0:22:08.359
<v Speaker 2>local saloon. Like he paid off the Denver sheriff, and

0:22:08.400 --> 0:22:11.120
<v Speaker 2>he had five hundred con men on his payroll. Basically,

0:22:11.119 --> 0:22:13.200
<v Speaker 2>if you ran a con in town, you had to

0:22:13.200 --> 0:22:15.680
<v Speaker 2>give him fifty percent, but in return, if you ever

0:22:15.720 --> 0:22:17.440
<v Speaker 2>had a problem with the law, he'd make a phone

0:22:17.480 --> 0:22:19.960
<v Speaker 2>call and settle it for you. He ran the town

0:22:20.040 --> 0:22:22.600
<v Speaker 2>for like forty years up until the nineteen twenties, and

0:22:22.680 --> 0:22:26.000
<v Speaker 2>as a result, all these amazing cons were invented in Denver.

0:22:26.160 --> 0:22:27.960
<v Speaker 1>Wow, Lou really had to go there.

0:22:28.320 --> 0:22:30.840
<v Speaker 3>But it wasn't just Denver, of course, sure.

0:22:30.920 --> 0:22:33.240
<v Speaker 2>I mean, the con business was bustling everywhere, and as

0:22:33.240 --> 0:22:37.200
<v Speaker 2>Amy puts a quote, it was easier for itinerant swindlers

0:22:37.240 --> 0:22:39.639
<v Speaker 2>to move from town to town, practicing the same small

0:22:39.680 --> 0:22:42.800
<v Speaker 2>cons within a given region without getting caught. So pretty

0:22:42.840 --> 0:22:44.120
<v Speaker 2>much is the plot of the Music Man.

0:22:44.160 --> 0:22:45.920
<v Speaker 3>That's what I actually what I was gonna say, and

0:22:46.280 --> 0:22:49.000
<v Speaker 3>I was reading about this one eighteen hundreds con artists

0:22:49.000 --> 0:22:51.879
<v Speaker 3>who followed the exact plan to a t. It was

0:22:51.920 --> 0:22:54.560
<v Speaker 3>this guy named Lamartine who traveled through Ohio in the

0:22:54.600 --> 0:22:57.719
<v Speaker 3>spring of eighteen fifty nine, and he would pretend to

0:22:57.760 --> 0:23:01.520
<v Speaker 3>attempt suicide in every town he stopped in. He worked

0:23:01.520 --> 0:23:03.520
<v Speaker 3>out this whole routine where he would show up and

0:23:03.520 --> 0:23:06.280
<v Speaker 3>book a hotel. He would look all depressed, and then

0:23:06.280 --> 0:23:08.720
<v Speaker 3>he would call for a clergyman and point to an

0:23:08.760 --> 0:23:11.480
<v Speaker 3>empty bottle of loudness.

0:23:10.720 --> 0:23:13.760
<v Speaker 1>While lying next to a suicide note. How terrible is that?

0:23:14.200 --> 0:23:16.680
<v Speaker 2>Which sounds like guess convincing enough, but how did any

0:23:16.680 --> 0:23:17.760
<v Speaker 2>of that line in his pockets?

0:23:17.840 --> 0:23:20.240
<v Speaker 3>Well, he figured that his sad plight would evoke pity

0:23:20.359 --> 0:23:22.720
<v Speaker 3>from you know, good Samaritans in town who happened to

0:23:22.760 --> 0:23:24.800
<v Speaker 3>hear about him, and they would turn up at his

0:23:24.840 --> 0:23:27.240
<v Speaker 3>bedside with gifts of cash to help raise his.

0:23:27.200 --> 0:23:29.320
<v Speaker 1>Spirits and get him back on his feet.

0:23:29.680 --> 0:23:32.280
<v Speaker 3>So Lamartine, you know, he made his way all across

0:23:32.280 --> 0:23:35.080
<v Speaker 3>Ohio like this. He might raise thirty or forty dollars

0:23:35.160 --> 0:23:38.040
<v Speaker 3>per town, and then he'd disappear again with a free

0:23:38.040 --> 0:23:41.520
<v Speaker 3>pass on the railroad. To commit suicide at some other place.

0:23:41.600 --> 0:23:44.679
<v Speaker 2>Which is unbelievable. So, speaking of trains, one of my

0:23:44.760 --> 0:23:48.480
<v Speaker 2>favorite convent is Elmer Mead. He's this legend and he

0:23:48.560 --> 0:23:51.199
<v Speaker 2>ran this amazing con called the Magic Wallet, which we

0:23:51.200 --> 0:23:53.680
<v Speaker 2>should talk about some other episode. But my favorite con

0:23:53.760 --> 0:23:56.560
<v Speaker 2>that he came up with is the fixed foot race.

0:23:57.080 --> 0:23:59.840
<v Speaker 2>And basically, people used to bet on races at the time.

0:23:59.840 --> 0:24:02.720
<v Speaker 2>So he'd searched like a nearby town for an upstanding

0:24:02.800 --> 0:24:05.240
<v Speaker 2>rich man who also happened to be a gambler, and

0:24:05.280 --> 0:24:07.280
<v Speaker 2>he'd lure them to another town on the promise that

0:24:07.320 --> 0:24:09.840
<v Speaker 2>he had a sure bet on a foot race. So

0:24:10.080 --> 0:24:12.440
<v Speaker 2>he'd give the gambler this tip and then find someone

0:24:12.480 --> 0:24:14.920
<v Speaker 2>to bet against him. And we're talking massive amounts of

0:24:14.960 --> 0:24:17.000
<v Speaker 2>money here, right, So he'd get a friend to put

0:24:17.040 --> 0:24:19.800
<v Speaker 2>up like fifty thousand dollars betting against the rich guy's

0:24:19.840 --> 0:24:22.959
<v Speaker 2>ten thousand dollars, and then the race would start, and

0:24:23.160 --> 0:24:26.240
<v Speaker 2>inevitably the rich guy would be winning by a long shot,

0:24:26.320 --> 0:24:28.520
<v Speaker 2>and he'd be delighted, right, I mean, his racer would

0:24:28.520 --> 0:24:30.280
<v Speaker 2>be way out ahead, and he'd just be thinking about

0:24:30.320 --> 0:24:32.200
<v Speaker 2>all the money he was going to collect, and then

0:24:32.280 --> 0:24:35.880
<v Speaker 2>suddenly the cops would bust in, Oh wow, and Mead

0:24:35.880 --> 0:24:38.720
<v Speaker 2>would yell to all the gamblers to scramble. He'd run

0:24:38.760 --> 0:24:40.800
<v Speaker 2>his rich friend to a train station, put him on

0:24:40.840 --> 0:24:43.640
<v Speaker 2>a train, and then make all these promises. And sometimes

0:24:43.640 --> 0:24:45.879
<v Speaker 2>he'd even telegraph him at the next station saying the

0:24:45.880 --> 0:24:49.120
<v Speaker 2>cops were on the hunt and to keep going. Then Mead,

0:24:49.200 --> 0:24:51.960
<v Speaker 2>who had contracted with the racers, the gamblers and the

0:24:52.000 --> 0:24:54.560
<v Speaker 2>local cops to raid the place, he'd split that ten

0:24:54.600 --> 0:24:56.840
<v Speaker 2>thousand dollars amongst them, and he'd go from town to

0:24:56.880 --> 0:24:57.480
<v Speaker 2>town doing this.

0:24:57.800 --> 0:25:00.680
<v Speaker 3>Oh what's amazing to me is how how much work

0:25:00.800 --> 0:25:01.920
<v Speaker 3>some of these scams take.

0:25:01.960 --> 0:25:02.159
<v Speaker 1>You know.

0:25:02.240 --> 0:25:05.200
<v Speaker 3>But I think we found another characteristic of con men

0:25:05.200 --> 0:25:08.040
<v Speaker 3>that probably helps endear us to them, and that's that

0:25:08.040 --> 0:25:11.280
<v Speaker 3>they're entrepreneurs. I mean, we appreciate that can do spirit

0:25:11.320 --> 0:25:14.879
<v Speaker 3>in America, even apparently in situations like this, when bending

0:25:14.880 --> 0:25:16.520
<v Speaker 3>the rules to get the job done.

0:25:16.680 --> 0:25:19.040
<v Speaker 2>Yeah. So, Amy Reading actually has a great quote about

0:25:19.040 --> 0:25:21.320
<v Speaker 2>common Let let me find it. She says, a con

0:25:21.440 --> 0:25:24.720
<v Speaker 2>artist is, like quote, the bad boy cousin of the

0:25:24.760 --> 0:25:27.560
<v Speaker 2>self made men, and a direct descendant of mythic anti

0:25:27.560 --> 0:25:31.000
<v Speaker 2>heroes like cowboys or noir detectives who exploit the ragged

0:25:31.080 --> 0:25:33.520
<v Speaker 2>edges of the modern world. So, I mean, just like

0:25:33.600 --> 0:25:36.520
<v Speaker 2>cowboys or with detectives, we admire con artists because they

0:25:36.560 --> 0:25:39.800
<v Speaker 2>represent this sort of lawless way of living that doesn't

0:25:39.840 --> 0:25:42.560
<v Speaker 2>answer to any of the traditional authorities that sometimes, you know,

0:25:42.720 --> 0:25:44.800
<v Speaker 2>make people feel small or powerless.

0:25:44.920 --> 0:25:48.120
<v Speaker 3>Yeah, that's pretty interesting, and I guess con artists makes

0:25:48.160 --> 0:25:51.080
<v Speaker 3>sense as another kind of American archetype of the Old West.

0:25:51.160 --> 0:25:55.760
<v Speaker 3>You had cowboys or frontiersmen, you know, rail riding hobos,

0:25:55.880 --> 0:25:58.639
<v Speaker 3>and especially when you look how far back they go

0:25:58.720 --> 0:26:01.440
<v Speaker 3>in our nation's history and how prevalent they still are today.

0:26:01.680 --> 0:26:03.360
<v Speaker 2>So I think one of the best examples of how

0:26:03.400 --> 0:26:06.280
<v Speaker 2>intertwined con artistry is with the US past and present

0:26:06.440 --> 0:26:10.160
<v Speaker 2>is actually the Nigerian email scam. And I know, if

0:26:10.160 --> 0:26:12.320
<v Speaker 2>it's an email scam from Nigeria, how does it say

0:26:12.359 --> 0:26:15.760
<v Speaker 2>anything about US history? But that's the thing. Those emails

0:26:15.760 --> 0:26:18.280
<v Speaker 2>are actually a modern version of a classic con that

0:26:18.359 --> 0:26:20.440
<v Speaker 2>dates all the way back to the French Revolution.

0:26:20.640 --> 0:26:22.840
<v Speaker 3>Well, and to be clear, you're talking about those spam

0:26:22.880 --> 0:26:25.520
<v Speaker 3>emails we see all the time about a Nigerian prince

0:26:25.680 --> 0:26:29.760
<v Speaker 3>or something who supposedly has a huge fortune and willing

0:26:29.760 --> 0:26:31.880
<v Speaker 3>to share it if you just provide a small upfront

0:26:31.880 --> 0:26:34.840
<v Speaker 3>fee so he can then safely move the funds out

0:26:34.880 --> 0:26:35.439
<v Speaker 3>of his country.

0:26:35.440 --> 0:26:36.280
<v Speaker 1>That's what you're talking.

0:26:36.119 --> 0:26:39.080
<v Speaker 2>About, right exactly. So they're sometimes called the four one

0:26:39.119 --> 0:26:42.080
<v Speaker 2>to nine scams because that's the legal designation for fraud

0:26:42.160 --> 0:26:45.560
<v Speaker 2>in Nigeria. But the truth is that advanced fee scams

0:26:45.600 --> 0:26:48.600
<v Speaker 2>like this are way older than email and weren't originally

0:26:48.600 --> 0:26:50.640
<v Speaker 2>connected to Nigeria or it's princes.

0:26:50.720 --> 0:26:53.360
<v Speaker 3>Well, you said they started with the French Revolution.

0:26:53.520 --> 0:26:55.879
<v Speaker 2>And so that's when we see the first recognizable version

0:26:55.920 --> 0:26:59.080
<v Speaker 2>of this con The Boston Globe did this great report

0:26:59.080 --> 0:27:00.720
<v Speaker 2>on the scam a few years by, and they broke

0:27:00.760 --> 0:27:03.800
<v Speaker 2>it down like this quote. A letter arrived describing and

0:27:03.840 --> 0:27:07.240
<v Speaker 2>an aristocrat and exile, say the Marquis de whomever, who,

0:27:07.240 --> 0:27:10.360
<v Speaker 2>in escaping from revolutionary violence, had thrown a chest full

0:27:10.400 --> 0:27:13.479
<v Speaker 2>of jewels into a lake. His faithful servant, now writing

0:27:13.520 --> 0:27:15.879
<v Speaker 2>this heartfelt letter, had come back to retrieve it and

0:27:15.960 --> 0:27:18.720
<v Speaker 2>unfortunately ended up in prison. With just a little help

0:27:18.760 --> 0:27:21.000
<v Speaker 2>from you, a fellow Frenchman, to aid in the servant's

0:27:21.000 --> 0:27:23.359
<v Speaker 2>bail or escape, you'd earn a portion of the loot.

0:27:23.800 --> 0:27:26.280
<v Speaker 3>Yeah, that is pretty much exactly the same as the

0:27:26.320 --> 0:27:29.120
<v Speaker 3>Nigerian prints email so when did the scam make its

0:27:29.119 --> 0:27:29.800
<v Speaker 3>way straightside?

0:27:30.280 --> 0:27:32.760
<v Speaker 2>So it caught on like wildfire. About a century later,

0:27:32.840 --> 0:27:35.800
<v Speaker 2>during the Spanish American War, the scam became known as

0:27:35.840 --> 0:27:38.640
<v Speaker 2>the Spanish Prisoner letter and was later modified for use

0:27:38.640 --> 0:27:41.000
<v Speaker 2>all over the world. It only popped up in Nigeria

0:27:41.040 --> 0:27:43.960
<v Speaker 2>in the nineteen eighties when paper letters began circulating there

0:27:44.359 --> 0:27:46.840
<v Speaker 2>promising easy money from the nation's oil boom.

0:27:46.960 --> 0:27:47.200
<v Speaker 5>Nah.

0:27:47.240 --> 0:27:49.760
<v Speaker 3>And then came the Internet, of course, which really just

0:27:49.840 --> 0:27:52.600
<v Speaker 3>seems perfectly suited for a scam like this. I mean,

0:27:52.880 --> 0:27:55.080
<v Speaker 3>not only do you save a bundle on postage, but

0:27:55.080 --> 0:27:57.640
<v Speaker 3>then you're suddenly able to reach millions of people all

0:27:57.640 --> 0:27:58.400
<v Speaker 3>over the globe.

0:27:58.520 --> 0:28:00.959
<v Speaker 2>Yeah, there's no doubt technology is in the scamma Boost,

0:28:00.960 --> 0:28:02.840
<v Speaker 2>But I think there's a deeper reason it's managed to

0:28:02.880 --> 0:28:05.200
<v Speaker 2>survive in different forms for so many hundreds of years,

0:28:05.560 --> 0:28:08.520
<v Speaker 2>and it's that at its core, the scheme relies on

0:28:08.560 --> 0:28:12.399
<v Speaker 2>people's willingness to become small scale war profiteers, which is

0:28:12.400 --> 0:28:15.240
<v Speaker 2>a pretty ugly side of humanity to prey on. Though

0:28:15.280 --> 0:28:17.560
<v Speaker 2>it's probably the fact that it works so well that's

0:28:17.920 --> 0:28:18.920
<v Speaker 2>even more upsetting.

0:28:19.680 --> 0:28:21.720
<v Speaker 3>It's a really good point, and it actually kind of

0:28:21.720 --> 0:28:23.840
<v Speaker 3>gets me thinking, you know, maybe there's a little bit

0:28:23.840 --> 0:28:24.919
<v Speaker 3>of con artist.

0:28:24.680 --> 0:28:27.240
<v Speaker 2>In all of us, which is definitely something worth pondering.

0:28:27.280 --> 0:28:29.240
<v Speaker 2>But before we get into that, how about we break

0:28:29.280 --> 0:28:30.240
<v Speaker 2>for a quiz.

0:28:32.359 --> 0:28:32.760
<v Speaker 5>And then.

0:28:41.160 --> 0:28:43.760
<v Speaker 3>So, our next guest is a private investigator. He's been

0:28:43.760 --> 0:28:46.200
<v Speaker 3>a private investigator for over a decade now, but he's

0:28:46.240 --> 0:28:49.360
<v Speaker 3>also a critically acclaimed author of The White Fan and

0:28:49.480 --> 0:28:51.320
<v Speaker 3>every Man in Menace, and he's here to talk to

0:28:51.360 --> 0:28:54.240
<v Speaker 3>us a little bit about being a PI and many

0:28:54.280 --> 0:28:55.920
<v Speaker 3>of the other things that we have to ask him.

0:28:55.920 --> 0:28:58.040
<v Speaker 3>But Patrick Kaufman, welcome to Part Time Genius.

0:28:58.480 --> 0:28:59.560
<v Speaker 6>Thanks for having me.

0:29:00.280 --> 0:29:03.760
<v Speaker 3>So, Patrick, I understand that you started out as a

0:29:03.800 --> 0:29:06.640
<v Speaker 3>cab driver in San Francisco. I mean, how do you

0:29:06.680 --> 0:29:09.760
<v Speaker 3>go from being a cab driver making this leap to

0:29:09.800 --> 0:29:11.440
<v Speaker 3>becoming a private investigator.

0:29:12.440 --> 0:29:15.400
<v Speaker 6>It's funny. I think cab driving is the perfect background

0:29:15.480 --> 0:29:19.280
<v Speaker 6>to become a private investigator actually, because you're learning a city.

0:29:19.560 --> 0:29:22.600
<v Speaker 6>You know, you go everywhere in the city, you meet

0:29:22.720 --> 0:29:25.280
<v Speaker 6>every type of person in the cab. You learn how

0:29:25.320 --> 0:29:28.320
<v Speaker 6>to talk to every type of society, and that helps

0:29:28.320 --> 0:29:30.360
<v Speaker 6>a lot. When I first moved to San Francisco, I

0:29:30.400 --> 0:29:35.160
<v Speaker 6>was very green coming out of college and you know,

0:29:35.320 --> 0:29:38.400
<v Speaker 6>not really used to dealing with some of the criminal elements,

0:29:38.440 --> 0:29:40.800
<v Speaker 6>and then you drive a taxi for four four years

0:29:40.800 --> 0:29:42.640
<v Speaker 6>in the night in San Francisco, and you get a

0:29:42.680 --> 0:29:44.720
<v Speaker 6>little more street smart and ready to go talk to

0:29:44.720 --> 0:29:46.840
<v Speaker 6>people about some of these criminal cases that I was

0:29:46.880 --> 0:29:47.360
<v Speaker 6>working on.

0:29:48.320 --> 0:29:48.960
<v Speaker 1>That makes sense.

0:29:49.720 --> 0:29:51.920
<v Speaker 2>So you did this amazing interview in GQ where you

0:29:51.920 --> 0:29:55.080
<v Speaker 2>talked about sort of this relatively mundane thing where you

0:29:55.200 --> 0:29:57.560
<v Speaker 2>go to find and ask someone a question, but then

0:29:57.560 --> 0:30:00.160
<v Speaker 2>there are all these menacing things happening around you. A

0:30:00.200 --> 0:30:03.080
<v Speaker 2>guy wielding a wrench, and like people pulling up and

0:30:03.120 --> 0:30:05.760
<v Speaker 2>watching you from a car. And so I was curious,

0:30:05.880 --> 0:30:07.600
<v Speaker 2>when do you know when to be scared?

0:30:08.120 --> 0:30:10.720
<v Speaker 6>Well, I mean I'm scared all the time. Every time

0:30:10.720 --> 0:30:12.840
<v Speaker 6>I go to knock on someone's door. Was a little

0:30:12.880 --> 0:30:16.680
<v Speaker 6>bit nervous. I'm just I'm kind of shy to begin with.

0:30:16.840 --> 0:30:18.760
<v Speaker 6>But I don't know how. You know, you just you know,

0:30:18.800 --> 0:30:21.880
<v Speaker 6>you get a feeling. It's kind of like, uh, pornography,

0:30:21.920 --> 0:30:23.280
<v Speaker 6>you know what when you see it, you know you

0:30:23.280 --> 0:30:26.760
<v Speaker 6>know when you're scared, when you're scared. But always in

0:30:26.800 --> 0:30:31.160
<v Speaker 6>that particular instance, we had a pit bull barking at me,

0:30:31.400 --> 0:30:35.920
<v Speaker 6>and it was a known huge drug selling family in

0:30:35.960 --> 0:30:38.000
<v Speaker 6>Oakland that I was talking to, So it's kind of

0:30:38.000 --> 0:30:39.560
<v Speaker 6>in the back of my mind already off to it.

0:30:39.840 --> 0:30:42.080
<v Speaker 6>Earlier in the day, I had been threatened to be killed.

0:30:42.840 --> 0:30:46.560
<v Speaker 1>I don't want so that's that's that's really wild.

0:30:46.640 --> 0:30:49.960
<v Speaker 3>Yeah, I actually you always imagine that private investigators just

0:30:50.080 --> 0:30:51.440
<v Speaker 3>have no fear at all.

0:30:51.680 --> 0:30:52.880
<v Speaker 1>It's really interesting to hear this.

0:30:52.920 --> 0:30:54.680
<v Speaker 3>I mean, has there ever been a time or a

0:30:54.720 --> 0:30:56.920
<v Speaker 3>case that you were working on where you really just

0:30:57.560 --> 0:30:59.400
<v Speaker 3>almost said, you know what, I'm not cut out to

0:30:59.440 --> 0:30:59.640
<v Speaker 3>do this.

0:30:59.680 --> 0:31:01.040
<v Speaker 1>I can't do this work anymore.

0:31:01.480 --> 0:31:04.040
<v Speaker 6>I mean I often feel that way. Actually, you know,

0:31:04.080 --> 0:31:07.360
<v Speaker 6>it's a tough job. But that case that you were

0:31:07.360 --> 0:31:10.520
<v Speaker 6>talking about earlier was one case where I was feeling

0:31:10.520 --> 0:31:12.560
<v Speaker 6>that way a little bit because it was a murder

0:31:12.600 --> 0:31:17.240
<v Speaker 6>case and it was a gang that had done they

0:31:17.280 --> 0:31:20.120
<v Speaker 6>had killed four people and one night just for fun.

0:31:20.160 --> 0:31:22.920
<v Speaker 6>It wasn't even a gang saying it was. They were

0:31:22.960 --> 0:31:28.120
<v Speaker 6>literally just driving around killing people for fun. And I

0:31:28.200 --> 0:31:30.480
<v Speaker 6>was looking for one of the guys in that case

0:31:30.760 --> 0:31:32.640
<v Speaker 6>who hadn't been charged in the case, who was going

0:31:32.680 --> 0:31:35.520
<v Speaker 6>around all of his old family members and knocking on

0:31:35.560 --> 0:31:37.520
<v Speaker 6>the door and asking for him and just by implications

0:31:37.600 --> 0:31:40.560
<v Speaker 6>doing that and kind of suggesting that he's could be

0:31:40.600 --> 0:31:43.560
<v Speaker 6>a snitch or something. So I remember driving across the

0:31:43.560 --> 0:31:46.160
<v Speaker 6>Bay Bridge and thinking, man, this is this guy going

0:31:46.240 --> 0:31:49.480
<v Speaker 6>to get tired of me looking for him. So that

0:31:49.640 --> 0:31:53.200
<v Speaker 6>was definitely one And what keeps you doing it?

0:31:54.280 --> 0:31:54.520
<v Speaker 5>Well?

0:31:54.640 --> 0:31:56.640
<v Speaker 6>I find the work really meaningful, you know. I think

0:31:56.720 --> 0:32:00.280
<v Speaker 6>st ended up to helping someone who charged in a

0:32:00.440 --> 0:32:05.400
<v Speaker 6>case is a great thing to do. The whole government

0:32:05.440 --> 0:32:08.240
<v Speaker 6>coming down on someone and they can only rely on

0:32:08.360 --> 0:32:10.880
<v Speaker 6>the lawyers and the investigators and the paralagels and the

0:32:10.880 --> 0:32:14.360
<v Speaker 6>people trying to work for them against the power of

0:32:14.520 --> 0:32:17.440
<v Speaker 6>the of the US government or the state government. I

0:32:17.440 --> 0:32:20.600
<v Speaker 6>think it's just a really noble thing to do.

0:32:20.960 --> 0:32:24.120
<v Speaker 2>Which is awesome. And speaking of meaningful, we're gonna give

0:32:24.160 --> 0:32:25.960
<v Speaker 2>you a really meaningful quiz right now.

0:32:27.160 --> 0:32:29.200
<v Speaker 1>What quiz are we playing with Patrick today?

0:32:29.200 --> 0:32:33.160
<v Speaker 2>Mango's. It's called spot the Con because our show is

0:32:33.160 --> 0:32:36.080
<v Speaker 2>all about common and every answer has the word con

0:32:36.160 --> 0:32:36.360
<v Speaker 2>in it.

0:32:36.600 --> 0:32:38.240
<v Speaker 1>All right, Patrick, are you ready to play?

0:32:39.360 --> 0:32:39.880
<v Speaker 6>I think so?

0:32:40.080 --> 0:32:41.120
<v Speaker 1>Okay, we got.

0:32:40.920 --> 0:32:44.280
<v Speaker 3>Four questions for you, all right. Question number one, This

0:32:44.400 --> 0:32:47.240
<v Speaker 3>state has a law that, to be officially called a pickle,

0:32:47.680 --> 0:32:52.080
<v Speaker 3>a brind cucumber must bounce. Also, its capital is Hartford,

0:32:52.360 --> 0:33:01.240
<v Speaker 3>name that conque.

0:32:57.120 --> 0:32:59.720
<v Speaker 1>An nenunciate there we go, all right? Number two.

0:33:00.240 --> 0:33:03.000
<v Speaker 3>Since twenty ten, this breakfast meat has had a legal

0:33:03.120 --> 0:33:06.160
<v Speaker 3>church established in its name in Vegas with over thirteen

0:33:06.280 --> 0:33:09.760
<v Speaker 3>thousand congregants. Also strips of its star and a sandwich

0:33:09.800 --> 0:33:11.160
<v Speaker 3>between lettuce and tomato.

0:33:11.240 --> 0:33:13.840
<v Speaker 1>Can you name that con bacon?

0:33:14.440 --> 0:33:15.960
<v Speaker 2>Yeah, you got it, all right.

0:33:16.040 --> 0:33:18.400
<v Speaker 1>See no need to be afraid of this quiz, all right?

0:33:18.520 --> 0:33:19.560
<v Speaker 1>Question number three.

0:33:20.360 --> 0:33:23.080
<v Speaker 3>When Wilt Chamberlain scored his one hundred point game, he

0:33:23.200 --> 0:33:26.640
<v Speaker 3>was wearing this classic sneaker brand, but you might recognize

0:33:26.680 --> 0:33:28.680
<v Speaker 3>them by the Chuck Taylor patch on them.

0:33:28.880 --> 0:33:32.720
<v Speaker 1>Can you name that con convert? You got it? Three

0:33:32.760 --> 0:33:34.000
<v Speaker 1>for three. Let's see if you can go for the

0:33:34.000 --> 0:33:35.480
<v Speaker 1>perfect score. Number four.

0:33:36.120 --> 0:33:38.960
<v Speaker 3>When JFK was stranded on the Solomon Islands, he wrote

0:33:39.000 --> 0:33:40.840
<v Speaker 3>a message on the husk of one of these hairy,

0:33:40.920 --> 0:33:42.400
<v Speaker 3>hard shelled fruits.

0:33:42.280 --> 0:33:43.280
<v Speaker 1>And was rescued.

0:33:43.800 --> 0:33:46.760
<v Speaker 3>Name that con This is a hard one. By the way,

0:33:47.440 --> 0:33:49.120
<v Speaker 3>it's hard to find the con in this one.

0:33:49.680 --> 0:33:52.080
<v Speaker 6>Is that coconut?

0:33:52.720 --> 0:33:56.960
<v Speaker 2>Yeah? Absolutely so. In fact, JFK actually kept his inscribed

0:33:56.960 --> 0:33:58.800
<v Speaker 2>coconut on his desk as the paperweight.

0:33:58.960 --> 0:34:01.360
<v Speaker 1>Wow, all right, well, how has Patrick done today? Mango?

0:34:01.560 --> 0:34:04.240
<v Speaker 2>Well, Patrick went an incredible four for four, which means

0:34:04.240 --> 0:34:06.560
<v Speaker 2>we'll be sending him home with a Hardy Boys tote bag,

0:34:06.640 --> 0:34:08.160
<v Speaker 2>the best way to show the world you know who

0:34:08.200 --> 0:34:09.799
<v Speaker 2>the Hardy Boys are terrific.

0:34:09.840 --> 0:34:11.640
<v Speaker 3>Well, I hope all of our listeners will check out

0:34:12.520 --> 0:34:14.680
<v Speaker 3>Every Man a Menace as well as The White Van.

0:34:14.760 --> 0:34:16.680
<v Speaker 1>But Patrick, thanks so much for joining us on Part

0:34:16.680 --> 0:34:17.360
<v Speaker 1>Time Genius.

0:34:17.760 --> 0:34:19.680
<v Speaker 6>Thanks for having me, guys, I really appreciate it.

0:34:32.600 --> 0:34:34.920
<v Speaker 3>Welcome back to Part Time Genius, where today we're talking

0:34:34.920 --> 0:34:37.840
<v Speaker 3>about some of the most notorious bunko artists in the business.

0:34:38.520 --> 0:34:40.880
<v Speaker 2>So you're really having fun with all these colorful nicknames

0:34:40.920 --> 0:34:43.640
<v Speaker 2>from common like bunko artists. I think you called him

0:34:43.640 --> 0:34:46.560
<v Speaker 2>no account scoundrels, flim flammers.

0:34:45.960 --> 0:34:47.239
<v Speaker 1>Flym flammers. I like that one.

0:34:47.280 --> 0:34:49.120
<v Speaker 3>I mean, not only are con artists the most well

0:34:49.160 --> 0:34:53.000
<v Speaker 3>regarded of criminals, they're also the ones with the best nicknames. Actually,

0:34:53.000 --> 0:34:54.640
<v Speaker 3>I looked into a few of my favorites to see

0:34:54.640 --> 0:34:55.800
<v Speaker 3>where they came from.

0:34:55.960 --> 0:34:56.520
<v Speaker 1>So let's see.

0:34:56.520 --> 0:34:59.280
<v Speaker 3>There was a bamboozler, which started out as a slang

0:34:59.320 --> 0:35:02.239
<v Speaker 3>word for chie in the seventeen hundreds, might have been

0:35:02.239 --> 0:35:05.399
<v Speaker 3>derived from the Scottish word for bambay or Bombay's, which

0:35:05.440 --> 0:35:08.919
<v Speaker 3>means to perplex. Another good one is bilker, which first

0:35:09.000 --> 0:35:11.239
<v Speaker 3>used in the sixteen hundreds as a cribbage term for

0:35:11.320 --> 0:35:13.600
<v Speaker 3>someone who spoiled another person's.

0:35:13.120 --> 0:35:16.120
<v Speaker 2>Score you love, you love my cribbage.

0:35:15.719 --> 0:35:18.960
<v Speaker 3>References, and later came to be, you know, to mean defrauder.

0:35:19.360 --> 0:35:24.040
<v Speaker 3>But the Hussarus is full of them, swindler, fleecer, sharpie, shyster, smoothie,

0:35:24.120 --> 0:35:25.000
<v Speaker 3>sly boots.

0:35:25.600 --> 0:35:27.560
<v Speaker 2>So there's actually one where I wouldn't mind talking about.

0:35:27.560 --> 0:35:28.799
<v Speaker 1>Oh yeah, what, what's that one?

0:35:29.040 --> 0:35:30.160
<v Speaker 2>Snake oil salesman?

0:35:30.360 --> 0:35:32.319
<v Speaker 1>Oh yeah, good. I don't know how I didn't think

0:35:32.320 --> 0:35:34.440
<v Speaker 1>about that one. That should have come up already.

0:35:34.239 --> 0:35:37.200
<v Speaker 2>I know. So the term's kind of become synonymous with convent,

0:35:37.320 --> 0:35:39.640
<v Speaker 2>and it brings to mind ideas of like these old

0:35:39.640 --> 0:35:43.440
<v Speaker 2>timey traveling salesmen hawking fake curles from a covered wagon

0:35:43.560 --> 0:35:45.839
<v Speaker 2>or whatever. But in fact, if you look up snake

0:35:45.880 --> 0:35:48.560
<v Speaker 2>oil in the OED, it's actually defined as a quack

0:35:48.680 --> 0:35:49.799
<v Speaker 2>remedy or panacea.

0:35:50.239 --> 0:35:51.760
<v Speaker 1>I don't get it. Why is that surprising?

0:35:52.000 --> 0:35:54.920
<v Speaker 2>Right? So it's because snake oil in itself can actually

0:35:54.920 --> 0:35:56.920
<v Speaker 2>be a legitimate treatment for some conditions.

0:35:57.400 --> 0:36:00.120
<v Speaker 3>Okay, well, forgive me if i'm a little skeptical about

0:36:00.160 --> 0:36:02.920
<v Speaker 3>this mango, But this is an episode about cons after.

0:36:02.760 --> 0:36:06.480
<v Speaker 2>That, so fair enough. But this is actually the real deal.

0:36:06.600 --> 0:36:09.400
<v Speaker 2>Like thousands of the Chinese railroad workers who immigrated to

0:36:09.400 --> 0:36:12.200
<v Speaker 2>the US during the late eighteen hundreds, they actually relied

0:36:12.239 --> 0:36:14.799
<v Speaker 2>on snake oil to reduce inflammation in their joints after

0:36:14.840 --> 0:36:17.600
<v Speaker 2>a long day on the job. It was this medical

0:36:17.640 --> 0:36:20.400
<v Speaker 2>tradition that they brought over from their homeland, a bomb

0:36:20.440 --> 0:36:23.840
<v Speaker 2>made from like the Chinese water snakes omega three rich oils,

0:36:24.080 --> 0:36:27.200
<v Speaker 2>and it was super effective for treating conditions like arthritis

0:36:27.280 --> 0:36:28.239
<v Speaker 2>or bersitis.

0:36:28.320 --> 0:36:29.160
<v Speaker 1>Yeah that's pretty cool.

0:36:29.200 --> 0:36:31.839
<v Speaker 3>So but wait, you're telling me that snakel salesmen are

0:36:31.880 --> 0:36:35.160
<v Speaker 3>somehow victims of some long running smear campaign.

0:36:36.320 --> 0:36:40.200
<v Speaker 2>Absolutely not. They were total crooks. But once words started

0:36:40.200 --> 0:36:44.160
<v Speaker 2>getting out about this Chinese snake oil, these enterprising American

0:36:44.280 --> 0:36:46.759
<v Speaker 2>entrepreneurs or con men as you and I call them,

0:36:47.000 --> 0:36:50.000
<v Speaker 2>started developing their own homegrown versions of the miracle drug.

0:36:50.360 --> 0:36:52.919
<v Speaker 2>And the most famous of these was the salesman called

0:36:52.960 --> 0:36:54.600
<v Speaker 2>Clark Stanley. Have you heard of him?

0:36:54.680 --> 0:36:55.160
<v Speaker 1>No, I haven't.

0:36:55.560 --> 0:36:58.280
<v Speaker 2>He was also called the Rattlesnake King, and he claimed

0:36:58.320 --> 0:36:59.799
<v Speaker 2>to have found a way to put the oil from

0:37:00.239 --> 0:37:02.440
<v Speaker 2>snakes to the same use as the water snakes. But

0:37:02.960 --> 0:37:05.520
<v Speaker 2>Stanley snake oil had two problems, right, So the first

0:37:05.640 --> 0:37:08.920
<v Speaker 2>was that rattlesnake oil is way less effective for treating inflammation.

0:37:09.120 --> 0:37:11.640
<v Speaker 2>It only has a third of the active compound of

0:37:11.680 --> 0:37:12.759
<v Speaker 2>a water snake oil.

0:37:12.880 --> 0:37:14.640
<v Speaker 1>Oh okay, all right, and you said there was a

0:37:14.680 --> 0:37:15.320
<v Speaker 1>second problem.

0:37:15.400 --> 0:37:18.000
<v Speaker 2>Yeah, So the second was that Stanley snake oil didn't

0:37:18.040 --> 0:37:19.680
<v Speaker 2>have any snake oil in all that.

0:37:19.680 --> 0:37:20.600
<v Speaker 1>That's a big problem.

0:37:20.760 --> 0:37:24.760
<v Speaker 2>That's a bigger problem. But this federal investigation in nineteen

0:37:24.840 --> 0:37:27.440
<v Speaker 2>seventeen found out that his product was mostly made from

0:37:27.480 --> 0:37:31.279
<v Speaker 2>mineral oil and some mix of beef fat and red

0:37:31.280 --> 0:37:35.160
<v Speaker 2>pepper and turpentine. But once the secret was out, Stanley

0:37:35.200 --> 0:37:37.200
<v Speaker 2>was out of the business, and snake oil salesmen have

0:37:37.320 --> 0:37:38.440
<v Speaker 2>ever been linked to that fraud.

0:37:38.600 --> 0:37:40.919
<v Speaker 3>Okay, all right, And as you know, we've talked about

0:37:40.920 --> 0:37:45.359
<v Speaker 3>con men as artists, actors, psychologists, storytellers, of course, not

0:37:45.400 --> 0:37:48.040
<v Speaker 3>to mention criminals. But you know, that last story reminds

0:37:48.080 --> 0:37:51.279
<v Speaker 3>me that a con man is fundamentally a salesman. I mean,

0:37:51.320 --> 0:37:55.400
<v Speaker 3>their product is lousier, altogether non existent even But because

0:37:55.400 --> 0:37:57.480
<v Speaker 3>that's the case, con artists are actually some of the

0:37:57.520 --> 0:37:59.160
<v Speaker 3>best sales people ever.

0:37:59.239 --> 0:38:01.160
<v Speaker 2>Yeah, and I think it's that's that tenacity and that

0:38:01.239 --> 0:38:02.920
<v Speaker 2>idea of making it on the strength of your own

0:38:02.960 --> 0:38:06.120
<v Speaker 2>wits that people find so appealing. Like we all love

0:38:06.160 --> 0:38:08.560
<v Speaker 2>an underdog, someone who's figured out this way to work

0:38:08.600 --> 0:38:10.879
<v Speaker 2>the system to their own advantage. So in a way,

0:38:10.960 --> 0:38:13.600
<v Speaker 2>we like hearing about con artists because we get to

0:38:13.640 --> 0:38:16.560
<v Speaker 2>live vicariously through them in these like larger than life

0:38:16.560 --> 0:38:18.880
<v Speaker 2>stories of people who've gotten there is one way or another.

0:38:19.080 --> 0:38:19.279
<v Speaker 6>Yeah.

0:38:19.320 --> 0:38:21.359
<v Speaker 3>Yeah, which brings me back again to something we touched

0:38:21.360 --> 0:38:24.640
<v Speaker 3>on earlier. You know, at some level, are we all

0:38:24.800 --> 0:38:27.920
<v Speaker 3>con artists, Because if we're responding to certain characteristics that

0:38:27.960 --> 0:38:32.080
<v Speaker 3>typify con artists, maybe the same kind of duplicitous tendencies

0:38:32.520 --> 0:38:34.279
<v Speaker 3>crop up in all of us, but you know, just

0:38:34.320 --> 0:38:35.719
<v Speaker 3>in a less concentrated form.

0:38:36.000 --> 0:38:36.239
<v Speaker 5>Yeah.

0:38:36.280 --> 0:38:38.480
<v Speaker 2>So that actually sounds a lot like something I read

0:38:38.480 --> 0:38:42.200
<v Speaker 2>about in my research called microcons And these are the

0:38:42.239 --> 0:38:44.600
<v Speaker 2>little white lives we all tell on a daily basis,

0:38:44.760 --> 0:38:47.759
<v Speaker 2>Like it might be an insincere compliment you give to

0:38:47.880 --> 0:38:51.080
<v Speaker 2>loved one, or like an ignored text we make it

0:38:51.160 --> 0:38:54.080
<v Speaker 2>up an excuse for missing. We often stand to gain

0:38:54.160 --> 0:38:56.960
<v Speaker 2>something from these FIBs, whether it's avoiding on wanted confrontation

0:38:57.239 --> 0:38:59.640
<v Speaker 2>or getting like a small reward of some kind. But

0:38:59.680 --> 0:39:01.680
<v Speaker 2>does that mean we should all be lumped in with

0:39:01.760 --> 0:39:04.800
<v Speaker 2>conmen in that same shady category, Like it feels like

0:39:04.840 --> 0:39:06.040
<v Speaker 2>a big leap. Yeah.

0:39:06.120 --> 0:39:08.640
<v Speaker 3>Yeah, And I might be a little bit biased here,

0:39:08.680 --> 0:39:10.640
<v Speaker 3>but I'm gonna go ahead and say no to that.

0:39:11.160 --> 0:39:13.200
<v Speaker 3>But I do think you're right that micro cons are

0:39:13.239 --> 0:39:15.719
<v Speaker 3>a thing we all do. But con artists really seem

0:39:15.760 --> 0:39:18.600
<v Speaker 3>to be operating on a whole different level. I mean,

0:39:18.640 --> 0:39:21.520
<v Speaker 3>there's a crazy amount of energy and thought that goes

0:39:21.560 --> 0:39:22.880
<v Speaker 3>into being a con artist.

0:39:23.160 --> 0:39:26.360
<v Speaker 2>I read this Economist article by Alison Schrieger, and she

0:39:26.520 --> 0:39:30.000
<v Speaker 2>really nails that difference between con artists and the average person.

0:39:30.400 --> 0:39:34.000
<v Speaker 2>She writes, it's an amazing paradox. A conmen has incredible

0:39:34.080 --> 0:39:37.680
<v Speaker 2>emotional insight, but without the burden of compassion, he must

0:39:37.719 --> 0:39:41.000
<v Speaker 2>take an intense interest in other people, complete strangers, and

0:39:41.040 --> 0:39:44.920
<v Speaker 2>work to understand them, yet remain detached and uninvested. That

0:39:44.920 --> 0:39:47.800
<v Speaker 2>the plan is to cheat these people and ultimately confirm

0:39:47.880 --> 0:39:49.880
<v Speaker 2>many of their fears cannot be of concern.

0:39:50.160 --> 0:39:53.040
<v Speaker 3>Yeah, without the burden of compassion. That that's an interesting

0:39:53.080 --> 0:39:55.760
<v Speaker 3>way to put it, And it's that kind of effort

0:39:55.800 --> 0:39:58.000
<v Speaker 3>and cold focus that I'm talking about. I mean, we

0:39:58.040 --> 0:40:00.480
<v Speaker 3>aren't detached from the people. We carry out our own

0:40:00.520 --> 0:40:03.520
<v Speaker 3>micro cons on it's usually just the opposite of that.

0:40:03.680 --> 0:40:06.440
<v Speaker 3>And you know, we aren't knowingly hurting folks either, which

0:40:06.520 --> 0:40:08.839
<v Speaker 3>is probably the biggest thing that separates us from con

0:40:08.920 --> 0:40:11.640
<v Speaker 3>artists and also a reason maybe to rethink our love

0:40:11.680 --> 0:40:14.200
<v Speaker 3>affair with the idea of them. You know, con artists

0:40:14.320 --> 0:40:17.680
<v Speaker 3>actively seek to do harm to people and they know it.

0:40:17.680 --> 0:40:20.359
<v Speaker 2>Which is true. But I think you should keep your

0:40:20.360 --> 0:40:22.440
<v Speaker 2>wits about you for this next part because it's about

0:40:22.440 --> 0:40:24.799
<v Speaker 2>time to jump into the part time genius fact off.

0:40:38.200 --> 0:40:40.279
<v Speaker 3>All right, I'll start us off, and we talked about

0:40:40.320 --> 0:40:43.600
<v Speaker 3>George Parker and his selling the Brooklyn Bridge multiple times,

0:40:43.920 --> 0:40:45.719
<v Speaker 3>but it turns out there was a con artist pulling

0:40:45.760 --> 0:40:48.439
<v Speaker 3>a similar stunt in Paris. This was a guy named

0:40:48.520 --> 0:40:51.880
<v Speaker 3>Victor Luswig in the early nineteen twenties, and he decided

0:40:51.880 --> 0:40:55.000
<v Speaker 3>to appoint himself the deputy director of the Ministry of

0:40:55.080 --> 0:40:56.480
<v Speaker 3>Posts and Telegraphs.

0:40:56.880 --> 0:40:58.640
<v Speaker 1>What a title. It sounds official to me.

0:40:59.080 --> 0:41:01.560
<v Speaker 3>So he went around us scrap metal dealers telling them

0:41:01.560 --> 0:41:03.840
<v Speaker 3>that the Eiffel Tower was going to be dismantled, and

0:41:03.880 --> 0:41:06.200
<v Speaker 3>then he took bids on who was going to get

0:41:06.239 --> 0:41:09.279
<v Speaker 3>the medal, and lots of people fell for this. In fact,

0:41:09.280 --> 0:41:11.719
<v Speaker 3>the guy who ultimately won the bid he was too

0:41:11.719 --> 0:41:14.200
<v Speaker 3>embarrassed by the whole thing to report, of.

0:41:14.120 --> 0:41:16.799
<v Speaker 2>Course he was. So I want to do a full

0:41:16.840 --> 0:41:19.839
<v Speaker 2>episode on female con artists online because there are some

0:41:20.040 --> 0:41:23.680
<v Speaker 2>amazing stories. But one of my favorite characters is Sophie Lyons,

0:41:23.920 --> 0:41:27.440
<v Speaker 2>who this writer Jay Robert Nash calls America's first important

0:41:27.480 --> 0:41:30.240
<v Speaker 2>con woman. She started as a prostitute and she married

0:41:30.239 --> 0:41:32.319
<v Speaker 2>her way up, like she married a bank robber. But

0:41:33.360 --> 0:41:35.760
<v Speaker 2>over the years she managed to builk over a million

0:41:35.840 --> 0:41:39.120
<v Speaker 2>dollars out of people while outsmarting the police at every turn,

0:41:39.320 --> 0:41:42.000
<v Speaker 2>like she never got caught. But the thing I find

0:41:42.040 --> 0:41:45.160
<v Speaker 2>most fascinating about her story when she retired in eighteen

0:41:45.200 --> 0:41:47.520
<v Speaker 2>ninety seven, she started writing for the New York World

0:41:47.600 --> 0:41:49.720
<v Speaker 2>and became the country's first society commist.

0:41:49.800 --> 0:41:52.560
<v Speaker 3>Oh wow, all right, Well, one of my favorite con

0:41:52.640 --> 0:41:56.640
<v Speaker 3>artists is Princess Cariboo from the island of Javasu. Back

0:41:56.640 --> 0:41:59.080
<v Speaker 3>in the early eighteen hundreds, this woman began wandering the

0:41:59.120 --> 0:42:02.319
<v Speaker 3>streets of all men Bury, England. She'd be wearing all

0:42:02.360 --> 0:42:05.719
<v Speaker 3>black and was clearly hungry and exhausted, and she was

0:42:05.760 --> 0:42:09.200
<v Speaker 3>speaking a language no one could understand. So a wealthy

0:42:09.239 --> 0:42:11.560
<v Speaker 3>couple takes her in and they try to find somebody

0:42:11.640 --> 0:42:14.680
<v Speaker 3>who can understand what she's saying. Well, in comes a

0:42:14.680 --> 0:42:18.000
<v Speaker 3>Portuguese sailor who claimed to understand her and said she

0:42:18.280 --> 0:42:20.799
<v Speaker 3>was in fact a princess. Now, the story goes that

0:42:20.840 --> 0:42:24.360
<v Speaker 3>she was at sea abducted by pirates, but managed to

0:42:24.480 --> 0:42:27.640
<v Speaker 3>escape and found her way ashore. So Princess Cariboo was

0:42:27.680 --> 0:42:31.040
<v Speaker 3>treated like royalty, or at least like a celebrity, that is,

0:42:31.120 --> 0:42:32.640
<v Speaker 3>until she was eventually found out.

0:42:33.120 --> 0:42:35.360
<v Speaker 2>So I've got one for you. Are you familiar with

0:42:35.400 --> 0:42:36.920
<v Speaker 2>the Nation of Celestial Space.

0:42:37.520 --> 0:42:38.520
<v Speaker 1>I can't say that I am.

0:42:38.880 --> 0:42:40.799
<v Speaker 2>Well, it's a real thing, or at least it was

0:42:40.840 --> 0:42:43.360
<v Speaker 2>in the mind of this Chicago resident, Charles D. Mangan

0:42:43.840 --> 0:42:46.880
<v Speaker 2>So one night, after pondering the ownership of outer space,

0:42:47.000 --> 0:42:49.040
<v Speaker 2>he decided he'd claim all of out of space as

0:42:49.120 --> 0:42:51.840
<v Speaker 2>part of the Nation of Celestial Space, which he founded

0:42:51.840 --> 0:42:55.400
<v Speaker 2>in nineteen forty nine. But here's the weird part, right. Somehow,

0:42:55.440 --> 0:42:58.080
<v Speaker 2>after a lot of phone calls and a lot of harassing,

0:42:58.120 --> 0:43:01.160
<v Speaker 2>he submitted his charter of Celestia to the County Recorder

0:43:01.200 --> 0:43:04.439
<v Speaker 2>of Deeds, and it was actually accepted by the state

0:43:04.440 --> 0:43:07.120
<v Speaker 2>of Illinois. And of course it never got any further

0:43:07.160 --> 0:43:09.520
<v Speaker 2>than that because, like, despite his petitions to the un

0:43:09.560 --> 0:43:11.840
<v Speaker 2>and his appeal to secretaries of state, like.

0:43:11.760 --> 0:43:15.120
<v Speaker 1>No one answered his phone qull it seems impossible. That's

0:43:15.160 --> 0:43:15.840
<v Speaker 1>so crazy.

0:43:16.080 --> 0:43:17.880
<v Speaker 3>All right, You're gonna be shocked when I tell you this.

0:43:18.000 --> 0:43:20.400
<v Speaker 3>But you know those signs you see all over the place.

0:43:20.400 --> 0:43:24.200
<v Speaker 3>They're on telephone polls, highway medians that say you can

0:43:24.239 --> 0:43:27.920
<v Speaker 3>work from home and make tons of money. It turns

0:43:27.920 --> 0:43:29.080
<v Speaker 3>out those are a scam. Ango.

0:43:29.120 --> 0:43:30.680
<v Speaker 1>I hate to tell you that. I know it's hard

0:43:30.680 --> 0:43:31.120
<v Speaker 1>to believe.

0:43:31.400 --> 0:43:33.640
<v Speaker 3>So usually what those scammers do is get you to

0:43:33.640 --> 0:43:36.080
<v Speaker 3>pay some sort of a fee for a starter kit

0:43:36.120 --> 0:43:38.640
<v Speaker 3>of some kind, and then the only way you can

0:43:38.680 --> 0:43:41.440
<v Speaker 3>really make money is to convince your friends or other

0:43:41.480 --> 0:43:43.080
<v Speaker 3>people you know to do the same thing.

0:43:44.520 --> 0:43:47.239
<v Speaker 2>So perhaps the greatest impostor of them all would be

0:43:47.360 --> 0:43:51.680
<v Speaker 2>Ferdinand Demara, who's often known as the great impostor. In

0:43:51.719 --> 0:43:53.719
<v Speaker 2>his nineteen eighty two obituary in the New York Times

0:43:53.719 --> 0:43:55.799
<v Speaker 2>and You're gonna love this, they gave a rundown of

0:43:55.840 --> 0:43:58.160
<v Speaker 2>many of the identities he'd taken on the oh bit

0:43:58.280 --> 0:44:01.919
<v Speaker 2>read quote. At times in his life, mister Damara lived

0:44:01.920 --> 0:44:05.200
<v Speaker 2>as a Trappist monk, a doctor of psychology, a dean

0:44:05.239 --> 0:44:08.840
<v Speaker 2>of philosophy at a small college in Pennsylvania, a law student,

0:44:09.080 --> 0:44:12.840
<v Speaker 2>a zoology graduate, a career researcher, a teacher at a

0:44:12.880 --> 0:44:16.080
<v Speaker 2>junior college in Maine, a surgeon in the Royal Canadian Navy,

0:44:16.280 --> 0:44:19.520
<v Speaker 2>an assistant warden at a Texas prison, and a teacher

0:44:19.520 --> 0:44:20.440
<v Speaker 2>in a Maine village.

0:44:20.520 --> 0:44:22.399
<v Speaker 1>That is impressive, I know, But.

0:44:22.280 --> 0:44:24.000
<v Speaker 2>This is the best part, right, Like the identity that

0:44:24.040 --> 0:44:27.080
<v Speaker 2>actually got inbusted was the most impressive one. It was

0:44:27.120 --> 0:44:29.440
<v Speaker 2>when he was a surgeon on the Royal Canadian Navy

0:44:29.480 --> 0:44:33.759
<v Speaker 2>destroyer during the Korean War. He was a surgeon and

0:44:33.880 --> 0:44:36.680
<v Speaker 2>after several wounded men were brought in from combat, it

0:44:36.760 --> 0:44:38.840
<v Speaker 2>was on him to save them, right, And so the

0:44:38.880 --> 0:44:41.400
<v Speaker 2>story goes he had this photographic memory and he'd go

0:44:41.440 --> 0:44:44.120
<v Speaker 2>into a back room, look at a medical book, come

0:44:44.160 --> 0:44:47.719
<v Speaker 2>back and then actually performed the life saving surgery. Yeah,

0:44:47.760 --> 0:44:50.319
<v Speaker 2>he was appairly so successful that he was recognized as

0:44:50.320 --> 0:44:54.120
<v Speaker 2>a hero, which actually blew his cover. So still it's

0:44:54.160 --> 0:44:55.399
<v Speaker 2>an impressive run.

0:44:55.520 --> 0:44:58.040
<v Speaker 3>Yeah, and that is crazy. But back to what we

0:44:58.040 --> 0:44:58.840
<v Speaker 3>were talking about.

0:44:58.600 --> 0:44:59.920
<v Speaker 1>At the beginning of the episode.

0:45:00.320 --> 0:45:03.160
<v Speaker 3>It's so impressive that you almost find yourself cheering the

0:45:03.200 --> 0:45:06.320
<v Speaker 3>guy on total So I have to give it to you, Mango.

0:45:06.160 --> 0:45:07.319
<v Speaker 1>You win the trophy this time.

0:45:07.640 --> 0:45:09.840
<v Speaker 2>Thank you and thank you listeners for tuning in.

0:45:24.640 --> 0:45:25.720
<v Speaker 1>Thanks again for listening.

0:45:25.840 --> 0:45:28.000
<v Speaker 3>Part Time Genius is a production of how stuff works

0:45:28.000 --> 0:45:30.560
<v Speaker 3>and wouldn't be possible without several brilliant people who do

0:45:30.640 --> 0:45:33.200
<v Speaker 3>the important things we couldn't even begin to understand.

0:45:33.360 --> 0:45:34.960
<v Speaker 2>Christa McNeil does the editing thing.

0:45:35.280 --> 0:45:37.280
<v Speaker 3>Noel Brown made the theme song and does the mixy

0:45:37.320 --> 0:45:38.120
<v Speaker 3>mixy sound thing.

0:45:38.520 --> 0:45:40.640
<v Speaker 2>Jerry Rowland does the exact producer thing.

0:45:41.000 --> 0:45:43.760
<v Speaker 3>Gabeluesier is our lead researcher, with support from the Research

0:45:43.880 --> 0:45:46.920
<v Speaker 3>Army including Austin Thompson, Nolan Brown and Lucas Adams and.

0:45:46.880 --> 0:45:49.520
<v Speaker 2>Eves Jeffcok gets the show to your ears. Good job, Eves.

0:45:49.760 --> 0:45:51.680
<v Speaker 3>If you like what you heard, we hope you'll subscribe,

0:45:51.680 --> 0:45:53.560
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0:45:53.560 --> 0:45:54.200
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0:45:54.160 --> 0:45:55.040
<v Speaker 1>Good review for us.

0:45:55.120 --> 0:46:02.920
<v Speaker 3>Do we forget Jason Jason, who the