1 00:00:03,800 --> 00:00:05,160 Speaker 1: What's up its way up with Angela. 2 00:00:05,240 --> 00:00:08,320 Speaker 2: Yeah, and look at this consummate professional Connie Diamond is here, 3 00:00:08,760 --> 00:00:11,000 Speaker 2: suffered from her allergies but still showing up. 4 00:00:11,160 --> 00:00:13,920 Speaker 1: Yes, absolutely, Underdog Season two. Is that how you feeling? 5 00:00:14,080 --> 00:00:15,840 Speaker 3: I feel good. I feel really good. 6 00:00:16,200 --> 00:00:18,759 Speaker 2: Yeah, you still feel like an underdog even after the 7 00:00:18,760 --> 00:00:20,560 Speaker 2: first one. You still feel that way? 8 00:00:20,960 --> 00:00:23,160 Speaker 3: I do? I do, m M. 9 00:00:23,400 --> 00:00:26,880 Speaker 2: Yeah, you've had some like really big co signs. I 10 00:00:26,880 --> 00:00:30,160 Speaker 2: feel like underdogs don't necessarily well. 11 00:00:30,040 --> 00:00:31,640 Speaker 1: I guess you know what. I guess you still do. 12 00:00:31,760 --> 00:00:34,199 Speaker 2: Like as an underdog, you know what your potential is 13 00:00:34,240 --> 00:00:36,720 Speaker 2: and some people do, but everybody don't know all the time. 14 00:00:36,640 --> 00:00:39,080 Speaker 3: Right, exactly, m m, exactly that. 15 00:00:39,479 --> 00:00:42,080 Speaker 2: Yeah, you know, I just recently talked to Eric Bellinger 16 00:00:42,080 --> 00:00:43,920 Speaker 2: and he's on the album too, which I love. 17 00:00:44,400 --> 00:00:46,440 Speaker 1: You consider the one a love song. 18 00:00:48,240 --> 00:00:50,159 Speaker 3: It is a love song. It's not like super like 19 00:00:50,240 --> 00:00:53,360 Speaker 3: lovey dovey like Maria Scientists, like oh my god, your skin, 20 00:00:53,479 --> 00:00:56,280 Speaker 3: but it's definitely a love song, like in my own ways, 21 00:00:56,360 --> 00:00:58,680 Speaker 3: that's your type of love song, Like I like a 22 00:00:58,680 --> 00:00:59,760 Speaker 3: little hood love story. 23 00:00:59,800 --> 00:01:02,240 Speaker 1: So yeah, I like that song. 24 00:01:02,360 --> 00:01:03,840 Speaker 2: I was just thinking about it because I was like, 25 00:01:03,920 --> 00:01:07,120 Speaker 2: when I was listening to it, you fab and Eric Bellinger, 26 00:01:07,120 --> 00:01:10,160 Speaker 2: and I was like a kindie diamond love song. This 27 00:01:10,319 --> 00:01:12,560 Speaker 2: is really the vibe of what that would be like. 28 00:01:13,520 --> 00:01:15,560 Speaker 2: Instead of a like you said, it's not a I 29 00:01:15,600 --> 00:01:16,479 Speaker 2: want to be in your skin. 30 00:01:16,760 --> 00:01:18,120 Speaker 3: Yeah, I mean it's that, but it's not it's not 31 00:01:18,640 --> 00:01:21,399 Speaker 3: it's not those exact words. It's more like you're just 32 00:01:21,400 --> 00:01:24,000 Speaker 3: singing it the hood way, the hood princess way. M hm. 33 00:01:24,600 --> 00:01:27,880 Speaker 2: Now being signed, you're still signed a deaf jam right, Yes, Okay, 34 00:01:28,240 --> 00:01:30,760 Speaker 2: So I know I saw previously you did an interview 35 00:01:31,080 --> 00:01:33,480 Speaker 2: it was it was like for the fiftieth anniversary of 36 00:01:33,480 --> 00:01:35,920 Speaker 2: your hip hop and you were just talking about how 37 00:01:35,959 --> 00:01:38,919 Speaker 2: the real work really starts when you signed to a label. 38 00:01:39,360 --> 00:01:42,640 Speaker 2: So where has been the difference from you, you know, 39 00:01:42,720 --> 00:01:45,160 Speaker 2: when you first were putting out your mixtapes and then 40 00:01:45,240 --> 00:01:46,440 Speaker 2: signing to a major label. 41 00:01:48,720 --> 00:01:52,840 Speaker 3: I would say the only difference would be the label 42 00:01:53,000 --> 00:01:55,200 Speaker 3: kind of have a lot of hands in the pot 43 00:01:56,120 --> 00:01:59,400 Speaker 3: where they're kind of like dictating your release dates or 44 00:01:59,440 --> 00:02:02,120 Speaker 3: how you're going to roll something out. They're kind of 45 00:02:02,160 --> 00:02:05,720 Speaker 3: dictating when when you can or can do something, or 46 00:02:08,400 --> 00:02:09,799 Speaker 3: it's just like just a lot of hands in the 47 00:02:09,800 --> 00:02:12,240 Speaker 3: posts when you're when you're not signed you're probably doing 48 00:02:12,280 --> 00:02:16,200 Speaker 3: a lot on your own financially and just independently just 49 00:02:16,200 --> 00:02:17,919 Speaker 3: doing everything on your own. You get to pick when 50 00:02:17,960 --> 00:02:19,079 Speaker 3: you want to release, You get a pick what you 51 00:02:19,080 --> 00:02:20,440 Speaker 3: want to shoot, when you want to shoot, how much 52 00:02:20,440 --> 00:02:22,640 Speaker 3: money you're going to spend. When you're with the label, 53 00:02:22,680 --> 00:02:24,560 Speaker 3: it's like they kind of give you a budget for things, 54 00:02:24,680 --> 00:02:28,720 Speaker 3: and but it's nice. The budget's cool until it's not enough, right, 55 00:02:29,240 --> 00:02:33,920 Speaker 3: you know, but it's a bottom line for real, Like 56 00:02:33,960 --> 00:02:36,680 Speaker 3: that's really what it is. But I mean, you know, 57 00:02:36,720 --> 00:02:38,480 Speaker 3: they give you a budget. You know, you got you 58 00:02:38,600 --> 00:02:42,799 Speaker 3: got some help with different partners like Apple, Spotify, so 59 00:02:42,880 --> 00:02:46,960 Speaker 3: you have like some guarantee placements or just just more 60 00:02:47,000 --> 00:02:49,160 Speaker 3: eyes and ears on you because of the relationships that 61 00:02:49,200 --> 00:02:53,000 Speaker 3: they have opposed to you just genuinely just doing it 62 00:02:53,040 --> 00:02:56,600 Speaker 3: and people organically just like gravitying towards you independently with 63 00:02:56,720 --> 00:02:58,200 Speaker 3: whatever you release, right. 64 00:02:58,520 --> 00:03:00,240 Speaker 2: And I also saw you were talking about how it 65 00:03:00,280 --> 00:03:02,800 Speaker 2: is kind of a it's a good time for women 66 00:03:03,520 --> 00:03:06,920 Speaker 2: rappers and people have been saying that, you know, so 67 00:03:07,080 --> 00:03:10,600 Speaker 2: do you think that when you think about when you 68 00:03:10,639 --> 00:03:13,320 Speaker 2: first started doing music, because I know you started really 69 00:03:13,400 --> 00:03:15,800 Speaker 2: like it's been what ten years, you know, just about 70 00:03:16,080 --> 00:03:19,160 Speaker 2: it's been just about ten years, but it feels like 71 00:03:19,280 --> 00:03:20,400 Speaker 2: the time is right now. 72 00:03:20,440 --> 00:03:21,080 Speaker 1: What do you think? 73 00:03:22,080 --> 00:03:23,560 Speaker 3: What do you mean in general, like for like for 74 00:03:23,600 --> 00:03:26,240 Speaker 3: women before or for me? Oh yeah, for sure. I 75 00:03:26,280 --> 00:03:29,880 Speaker 3: mean I take everything every day when like everything one 76 00:03:29,960 --> 00:03:32,080 Speaker 3: day out of time, I'm over grace. I feel like 77 00:03:33,040 --> 00:03:35,480 Speaker 3: what happens for me is like happening in the way 78 00:03:35,480 --> 00:03:39,480 Speaker 3: it supposed to. Like obviously we all have expectations of 79 00:03:39,520 --> 00:03:40,960 Speaker 3: what we want and how we want things to go. 80 00:03:41,560 --> 00:03:44,520 Speaker 3: But I feel like, little by little things are people 81 00:03:44,560 --> 00:03:47,240 Speaker 3: are acknowledging me more, and my music is moving and 82 00:03:47,240 --> 00:03:49,920 Speaker 3: getting out there, so like, yeah, i feel like I'm 83 00:03:49,920 --> 00:03:50,560 Speaker 3: in a good space. 84 00:03:50,720 --> 00:03:53,480 Speaker 2: Well, jet is a bop? Now, it's jet your word 85 00:03:53,480 --> 00:03:55,280 Speaker 2: because I've never heard it before yet, it's not my 86 00:03:55,400 --> 00:03:58,040 Speaker 2: word because I've said that. I was like, I know 87 00:03:58,080 --> 00:04:00,000 Speaker 2: what it is after hearing the song, but I've never 88 00:04:00,080 --> 00:04:00,960 Speaker 2: heard that word before. 89 00:04:01,160 --> 00:04:03,280 Speaker 3: Yeah, I mean, I feel like it's like a like 90 00:04:03,280 --> 00:04:05,520 Speaker 3: a slang that we use like in New York. I 91 00:04:05,560 --> 00:04:07,280 Speaker 3: don't know everyone else uses it, but because I have 92 00:04:07,280 --> 00:04:08,600 Speaker 3: a lot of people reach out to me and say, 93 00:04:08,760 --> 00:04:09,880 Speaker 3: what does the jat? What does that mean? 94 00:04:10,040 --> 00:04:11,720 Speaker 1: Okay, I'm glad I'm not the only one because. 95 00:04:13,040 --> 00:04:16,080 Speaker 3: Lingo, Yeah, I mean jack is a jatty, like is 96 00:04:16,160 --> 00:04:19,080 Speaker 3: like replacing the F with a j okay instead of saying, 97 00:04:19,200 --> 00:04:20,880 Speaker 3: oh she got a fatty, we said that like how 98 00:04:20,880 --> 00:04:23,080 Speaker 3: many years ago? So so she got the jack? She 99 00:04:23,080 --> 00:04:26,080 Speaker 3: got the jackety yeah New York slang. 100 00:04:27,760 --> 00:04:30,320 Speaker 1: And then your family, right, your is your dad is 101 00:04:30,360 --> 00:04:31,479 Speaker 1: from Trinidad. 102 00:04:31,560 --> 00:04:34,080 Speaker 3: My my biological fall he's from Trinidad. Have you been? 103 00:04:34,480 --> 00:04:35,279 Speaker 3: I have never been. 104 00:04:35,680 --> 00:04:37,200 Speaker 1: Is that something that's on your bucket list? 105 00:04:38,240 --> 00:04:40,120 Speaker 3: Ye know? My going for a little baker, you know, 106 00:04:40,240 --> 00:04:42,119 Speaker 3: seeing what's what it's about, wouldn't mine. 107 00:04:42,200 --> 00:04:43,400 Speaker 1: I could see you at Carnival. 108 00:04:43,640 --> 00:04:45,480 Speaker 3: Really, I'm not a Carnival kind of girl. 109 00:04:45,960 --> 00:04:48,680 Speaker 2: Really, I would not get that because it seemed like 110 00:04:49,000 --> 00:04:50,840 Speaker 2: just from and you know it's so interesting, just from 111 00:04:50,839 --> 00:04:52,719 Speaker 2: your videos, it seemed like you would be a fun 112 00:04:52,839 --> 00:04:55,279 Speaker 2: outside like I'm. 113 00:04:55,120 --> 00:04:58,440 Speaker 3: Definitely funding outside super Turn but not like Carnival is 114 00:04:58,520 --> 00:05:01,120 Speaker 3: like scann out, like you know, how do I know? 115 00:05:01,200 --> 00:05:02,920 Speaker 1: How do I You don't think you'd be a little 116 00:05:02,920 --> 00:05:03,880 Speaker 1: skin out to I don't. 117 00:05:03,920 --> 00:05:06,880 Speaker 3: That's not my vibe, like I'm down, I'm down, or 118 00:05:06,880 --> 00:05:08,800 Speaker 3: go to a party but not in like a not 119 00:05:08,920 --> 00:05:10,279 Speaker 3: in like a bikini and the. 120 00:05:11,200 --> 00:05:13,880 Speaker 2: You know, like again like I don't know this because 121 00:05:13,880 --> 00:05:15,920 Speaker 2: I've been. I haven't been in Trinidad Carnival that's a 122 00:05:15,920 --> 00:05:17,880 Speaker 2: whole other level. But I've been to Carnival like in 123 00:05:17,920 --> 00:05:21,720 Speaker 2: Saint Thomas and the whole point of it though. It's 124 00:05:21,800 --> 00:05:24,120 Speaker 2: kind of like, yes, you're outside and it's you know, 125 00:05:24,160 --> 00:05:26,359 Speaker 2: you have on the costume, but it don't matter what 126 00:05:26,480 --> 00:05:27,680 Speaker 2: you look like, you know what. 127 00:05:27,720 --> 00:05:30,039 Speaker 3: I mean saying Okay, you say like that, I'll get it. 128 00:05:30,080 --> 00:05:30,520 Speaker 3: I get it. 129 00:05:30,600 --> 00:05:32,159 Speaker 1: And it don't even matter how old you are. There 130 00:05:32,200 --> 00:05:33,560 Speaker 1: were literally people out there, like. 131 00:05:33,560 --> 00:05:36,760 Speaker 2: Eighty years old in the street dancing in their outfite 132 00:05:36,839 --> 00:05:38,920 Speaker 2: and just having fun. There was people who was like 133 00:05:38,960 --> 00:05:41,080 Speaker 2: working sweep in the street and they was dancing like 134 00:05:41,120 --> 00:05:42,240 Speaker 2: it's just a fun vibe. 135 00:05:42,240 --> 00:05:43,000 Speaker 1: I can see you. 136 00:05:43,080 --> 00:05:44,680 Speaker 3: Yeah, I know. I mean, I don't know. I just 137 00:05:44,720 --> 00:05:47,160 Speaker 3: never really like it's just like it's like a lot, lot, 138 00:05:47,240 --> 00:05:51,039 Speaker 3: a lot going on. So I would like what I like, Like, 139 00:05:51,120 --> 00:05:53,000 Speaker 3: you know, I thought you were like referencing like what 140 00:05:53,120 --> 00:05:54,800 Speaker 3: I like actually like be in the card you know, 141 00:05:54,800 --> 00:05:56,839 Speaker 3: how to get dressed up, and they got a thing. 142 00:05:56,839 --> 00:05:57,960 Speaker 3: I was, oh, I don't want to do that, but 143 00:05:58,000 --> 00:06:01,400 Speaker 3: I would. I would definitely like attend a carnival, yes, 144 00:06:01,480 --> 00:06:03,240 Speaker 3: but not be in the parade, you know what I mean. 145 00:06:03,279 --> 00:06:06,960 Speaker 2: Like, so you started writing poetry when you were fourteen 146 00:06:07,040 --> 00:06:11,280 Speaker 2: years old? Yeah, and you were actually doing poetry slams 147 00:06:11,600 --> 00:06:12,040 Speaker 2: I was. 148 00:06:13,000 --> 00:06:14,600 Speaker 3: I did a couple with this around the city at 149 00:06:14,600 --> 00:06:15,400 Speaker 3: this Woe's school. 150 00:06:16,160 --> 00:06:17,760 Speaker 1: What was your poetry about? 151 00:06:17,960 --> 00:06:20,520 Speaker 3: Oh? My god. I have an aunt n even Sondra, 152 00:06:21,400 --> 00:06:23,760 Speaker 3: and she had at one point she had me a 153 00:06:23,800 --> 00:06:27,080 Speaker 3: little like sucked into like like black history. 154 00:06:26,800 --> 00:06:27,440 Speaker 1: And that's great. 155 00:06:28,120 --> 00:06:30,919 Speaker 3: Yeah, Like, and I was my poems is like based 156 00:06:30,960 --> 00:06:32,760 Speaker 3: on based on that, and she wrote a lot of 157 00:06:32,760 --> 00:06:35,080 Speaker 3: poetry based on it as well. So that's what I 158 00:06:35,200 --> 00:06:36,360 Speaker 3: kind of started at. 159 00:06:36,600 --> 00:06:38,520 Speaker 2: Do you feel like now as you're watching like things 160 00:06:38,560 --> 00:06:41,640 Speaker 2: that are happening and being that you do have, like 161 00:06:41,920 --> 00:06:44,640 Speaker 2: knowing your black history and knowing all of that, do 162 00:06:44,720 --> 00:06:48,880 Speaker 2: you feel like sometimes this country is a little while 163 00:06:49,040 --> 00:06:52,320 Speaker 2: right now? Are you paying attention to everything that's going 164 00:06:52,400 --> 00:06:54,279 Speaker 2: on with politics? Is that something that you're. 165 00:06:54,480 --> 00:06:56,320 Speaker 3: I'm not gonna lie, I'm not too deep in it, 166 00:06:56,360 --> 00:06:58,599 Speaker 3: but I see things here and there, hear things, and 167 00:06:58,640 --> 00:07:02,080 Speaker 3: I'm not a fan of what's going on, especially with 168 00:07:02,120 --> 00:07:04,480 Speaker 3: the just popping up at people graduations and just snatching 169 00:07:04,480 --> 00:07:05,440 Speaker 3: them off the streets. 170 00:07:05,160 --> 00:07:06,640 Speaker 1: It's so sad that is. 171 00:07:06,640 --> 00:07:08,960 Speaker 3: Like that that hurts my heart for real to see. 172 00:07:09,520 --> 00:07:11,800 Speaker 3: But you know, I try to, like, I don't get 173 00:07:11,880 --> 00:07:12,080 Speaker 3: to it. 174 00:07:12,440 --> 00:07:15,760 Speaker 2: It's just I was watching this video where an ice 175 00:07:15,840 --> 00:07:19,240 Speaker 2: agent like slammed a woman onto the ground. She wasn't 176 00:07:19,280 --> 00:07:21,440 Speaker 2: It was when I tell you, sometimes I watch the news. 177 00:07:21,440 --> 00:07:23,200 Speaker 2: That's the saddest thing in the world to me, Like 178 00:07:23,600 --> 00:07:26,280 Speaker 2: real things that's happening, and seeing how people are acting 179 00:07:26,320 --> 00:07:28,480 Speaker 2: like this is New York when you know, I just 180 00:07:28,480 --> 00:07:30,480 Speaker 2: feel like it's a crazy time for all of us. 181 00:07:30,520 --> 00:07:33,160 Speaker 2: I agreed, you know, and for you being from the Bronx. 182 00:07:33,160 --> 00:07:35,440 Speaker 2: You know, Bronx has that reputation of being the wildest. 183 00:07:35,720 --> 00:07:38,520 Speaker 3: Yeah, I mean I've seen some things. I've seen a 184 00:07:38,560 --> 00:07:39,240 Speaker 3: couple of things. 185 00:07:39,280 --> 00:07:41,600 Speaker 1: So yeah, how was growing up in the Bronx for you? 186 00:07:41,840 --> 00:07:43,480 Speaker 2: How would you describe it if you had to talk 187 00:07:43,520 --> 00:07:45,160 Speaker 2: about like a kindie diamond childhood. 188 00:07:46,360 --> 00:07:50,120 Speaker 3: I actually bounced back and forth between the Bronx and Queens, 189 00:07:50,760 --> 00:07:55,040 Speaker 3: so the Queens. Queens was Queens was cool. Most of 190 00:07:55,080 --> 00:07:57,080 Speaker 3: my family lives in the Bronx, though, like it's from 191 00:07:57,080 --> 00:07:59,480 Speaker 3: the Bronx. I was born in the Bronx. But so 192 00:07:59,520 --> 00:08:01,360 Speaker 3: I was kind of back and forth, like the Bronx 193 00:08:01,480 --> 00:08:03,080 Speaker 3: is like you know how you know how it is. 194 00:08:03,080 --> 00:08:06,640 Speaker 3: The Bronx is the Bronx. It's messy, it's it's it's ghetto, 195 00:08:06,880 --> 00:08:08,120 Speaker 3: but it's I love it. 196 00:08:09,760 --> 00:08:10,880 Speaker 1: Where do you think now? 197 00:08:10,920 --> 00:08:12,880 Speaker 2: I know people always ask these questions about when it 198 00:08:12,920 --> 00:08:13,800 Speaker 2: comes to Burrows. 199 00:08:14,200 --> 00:08:17,080 Speaker 1: If you have to say which Borrow has the best guys. 200 00:08:20,760 --> 00:08:24,200 Speaker 3: I would say, hmmm, I would say Queens. 201 00:08:25,000 --> 00:08:29,920 Speaker 2: Oh that's interesting, like Queens controversy. 202 00:08:30,080 --> 00:08:33,840 Speaker 3: Well I don't why would its controversy? I mean, like 203 00:08:33,880 --> 00:08:36,360 Speaker 3: I'm sorry, but like I've dated I've dated guys in 204 00:08:36,559 --> 00:08:39,719 Speaker 3: from the Bronx obviously, I've did guys in Brooklyn all over. 205 00:08:39,840 --> 00:08:41,480 Speaker 1: What is it about guys from Queens though? 206 00:08:41,559 --> 00:08:45,520 Speaker 3: Because guys guys from Queis are more cool, calm and collective, 207 00:08:45,720 --> 00:08:47,120 Speaker 3: you know the I don't feel like they want to 208 00:08:47,160 --> 00:08:50,280 Speaker 3: like kind of like snatch snatch you up off the 209 00:08:50,280 --> 00:08:52,199 Speaker 3: street and just you know, like I don't know, like 210 00:08:52,240 --> 00:08:53,200 Speaker 3: a cool, calm, collective. 211 00:08:53,440 --> 00:08:57,320 Speaker 2: You're right, there's been places I feel like certain, what 212 00:08:57,520 --> 00:08:59,000 Speaker 2: is the Queen's common in Brooklyn? 213 00:08:59,480 --> 00:09:01,880 Speaker 1: I feel like the Bronx and Holland they more aggressive. 214 00:09:02,040 --> 00:09:03,800 Speaker 3: I mean, I don't get it wrong, like Queen's got 215 00:09:03,880 --> 00:09:07,240 Speaker 3: Queen's got the members, they got, they got every borough 216 00:09:07,280 --> 00:09:10,040 Speaker 3: has they they side where they got you know the members? 217 00:09:10,080 --> 00:09:12,439 Speaker 3: I mean right, yeah, But the. 218 00:09:12,400 --> 00:09:13,880 Speaker 2: Only time I feel like a guy who try to 219 00:09:13,880 --> 00:09:15,719 Speaker 2: hog let you and then if you ignore him and 220 00:09:15,760 --> 00:09:18,360 Speaker 2: he says, fuck you bitch, that would be like that's like, 221 00:09:18,480 --> 00:09:24,280 Speaker 2: that's like Brooklyn, Brooklyn Bronx. Yes, I was gonna say, 222 00:09:24,280 --> 00:09:26,520 Speaker 2: but maybe because I'm from Brooklyn, I don't experience that. 223 00:09:26,640 --> 00:09:29,800 Speaker 2: But when I sometimes it's weird to me, like moving 224 00:09:29,840 --> 00:09:32,400 Speaker 2: out of my comfort zone. You know what I'm saying, 225 00:09:32,400 --> 00:09:34,320 Speaker 2: When you grow up someplace and then going from Borrow 226 00:09:34,400 --> 00:09:37,200 Speaker 2: to Burrow. Now you also have done music with Dame Dalla. 227 00:09:37,280 --> 00:09:38,440 Speaker 2: How did y'all even connect? 228 00:09:38,640 --> 00:09:41,280 Speaker 3: Oh my god, everybody was. It's because it's like a 229 00:09:41,480 --> 00:09:45,200 Speaker 3: like a random ass random link up right, shout out 230 00:09:45,240 --> 00:09:45,560 Speaker 3: to Dame. 231 00:09:45,760 --> 00:09:47,000 Speaker 1: And he's serious about his music. 232 00:09:47,080 --> 00:09:48,920 Speaker 3: Oh yeah, he's really good at what he does. Like 233 00:09:48,920 --> 00:09:52,600 Speaker 3: he's really good. We actually have a mutual friend and 234 00:09:53,160 --> 00:09:55,240 Speaker 3: one day we were out, we were having drinks. We 235 00:09:55,320 --> 00:09:58,200 Speaker 3: started freestyling and then we have them back to the 236 00:09:59,120 --> 00:10:03,480 Speaker 3: to the hotel chilling, freestyling again, and then I was 237 00:10:03,520 --> 00:10:05,000 Speaker 3: telling him like, yeah, I got the song. You're like, 238 00:10:05,000 --> 00:10:06,440 Speaker 3: you know if you want to hop on in He 239 00:10:06,520 --> 00:10:08,120 Speaker 3: was like yeah yeah, and I sent it to him, 240 00:10:08,120 --> 00:10:09,400 Speaker 3: but I didn't think he was going to really do it. 241 00:10:09,600 --> 00:10:11,319 Speaker 3: He literally sent me the song back from probably like 242 00:10:11,360 --> 00:10:13,360 Speaker 3: two days or something like that, and that's great. He 243 00:10:13,440 --> 00:10:15,680 Speaker 3: like he like smoked it. So shout out to Dame. 244 00:10:15,760 --> 00:10:17,679 Speaker 3: He's really dope at what he do on the court 245 00:10:17,720 --> 00:10:20,000 Speaker 3: and in a booth like like I fox with him. 246 00:10:20,000 --> 00:10:23,080 Speaker 2: He's so you know, in addition to that, Joe Button 247 00:10:23,200 --> 00:10:24,920 Speaker 2: was really giving you a prop heavy and you know 248 00:10:24,960 --> 00:10:25,880 Speaker 2: he's very critical. 249 00:10:26,040 --> 00:10:29,240 Speaker 1: He is, so you had to throw him on here. 250 00:10:29,480 --> 00:10:32,480 Speaker 3: I love Joe. I love Joe man. He's so like, 251 00:10:32,640 --> 00:10:34,880 Speaker 3: you know, we we're from the city. Is like Joe 252 00:10:34,960 --> 00:10:37,840 Speaker 3: is like Joe is Joe, Like he's so cool and 253 00:10:39,160 --> 00:10:42,800 Speaker 3: I it's funny because like it's funny because I was 254 00:10:42,840 --> 00:10:45,640 Speaker 3: like at SOBS like a couple of years ago, like 255 00:10:45,640 --> 00:10:47,679 Speaker 3: wait way before I was signed, and I was in 256 00:10:47,760 --> 00:10:49,319 Speaker 3: my Homegirl and we see him. We was trying to 257 00:10:49,320 --> 00:10:50,920 Speaker 3: get a picture with him and he was just like, no, 258 00:10:51,000 --> 00:10:53,440 Speaker 3: I'm not taking a pictures and I was like, I 259 00:10:53,520 --> 00:10:54,800 Speaker 3: was like I can't wait to see him because I 260 00:10:54,880 --> 00:10:56,199 Speaker 3: kept go ahead show and tell him like you ain't 261 00:10:56,200 --> 00:10:57,760 Speaker 3: want to take a picture with me and you love 262 00:10:57,840 --> 00:11:01,000 Speaker 3: me now? Like, but yeah, it was dope getting I 263 00:11:01,000 --> 00:11:02,960 Speaker 3: thought that was like super dope to intro him on 264 00:11:03,000 --> 00:11:06,160 Speaker 3: the record because he already shouted out the song. He 265 00:11:06,280 --> 00:11:08,280 Speaker 3: likes the song, And I just want to do something creative, 266 00:11:08,320 --> 00:11:11,040 Speaker 3: like I'm really in love with the nineties two thousands, 267 00:11:11,040 --> 00:11:12,839 Speaker 3: and I think that we're in the right now where 268 00:11:12,840 --> 00:11:15,360 Speaker 3: people don't go they don't use skits anymore, they're not 269 00:11:15,760 --> 00:11:17,800 Speaker 3: doing the fun cursing out skits and the beginning of 270 00:11:17,800 --> 00:11:19,200 Speaker 3: the records, And I thought that would be cool to 271 00:11:19,240 --> 00:11:21,480 Speaker 3: just bring a little nostalgic feel back to like how 272 00:11:22,000 --> 00:11:23,800 Speaker 3: projects used to sound back in the days with skits 273 00:11:23,800 --> 00:11:24,160 Speaker 3: and stuff. 274 00:11:24,200 --> 00:11:26,640 Speaker 1: So what do you think is different now? 275 00:11:26,679 --> 00:11:29,880 Speaker 2: Like as far as being signed to death Jam right 276 00:11:30,000 --> 00:11:33,480 Speaker 2: and having their input, What are some things that they told. 277 00:11:33,360 --> 00:11:35,679 Speaker 1: You that they felt like you should do? 278 00:11:35,760 --> 00:11:38,640 Speaker 2: Because sometimes we have our own idea of the type 279 00:11:38,640 --> 00:11:40,600 Speaker 2: of artists that we are and then the label comes 280 00:11:40,640 --> 00:11:42,079 Speaker 2: in and they're like, you should try this, you should 281 00:11:42,080 --> 00:11:42,360 Speaker 2: try that. 282 00:11:42,360 --> 00:11:44,840 Speaker 1: What are some things? And I want to know what 283 00:11:44,920 --> 00:11:46,679 Speaker 1: did you agree with and what did you disagree with? 284 00:11:49,000 --> 00:11:51,520 Speaker 3: Well, to be transparent, Like they don't really tell me 285 00:11:51,600 --> 00:11:53,400 Speaker 3: what to do. I kind of tell them what I 286 00:11:53,440 --> 00:11:56,520 Speaker 3: want to do. And I'm kind of a hard person 287 00:11:56,760 --> 00:11:59,920 Speaker 3: to tell what to do, only cause like I usually tip, 288 00:12:00,480 --> 00:12:03,640 Speaker 3: like always know what I want to do already, So 289 00:12:06,800 --> 00:12:09,280 Speaker 3: maybe excuse me. Maybe one time there was a time 290 00:12:09,280 --> 00:12:12,480 Speaker 3: where like they saw I don't want to say who 291 00:12:12,520 --> 00:12:15,040 Speaker 3: it was specifically, but like, excuse me, Like I think 292 00:12:15,200 --> 00:12:17,400 Speaker 3: I had to do press press shoot at one point, 293 00:12:17,600 --> 00:12:20,720 Speaker 3: and they sent me like references of like Lotto and 294 00:12:20,800 --> 00:12:24,160 Speaker 3: like Mono Leo, who are too dope artists that I 295 00:12:24,200 --> 00:12:27,679 Speaker 3: love and I love their style. But it wasn't that. 296 00:12:27,880 --> 00:12:29,760 Speaker 3: It wasn't that I didn't like they wanted me to 297 00:12:29,880 --> 00:12:33,400 Speaker 3: like look like them for the shoot, and I'm really 298 00:12:33,440 --> 00:12:36,120 Speaker 3: a tom girl, so like i could get on my 299 00:12:36,160 --> 00:12:38,840 Speaker 3: girly shit, but like I'm not gonna like do certain 300 00:12:38,840 --> 00:12:40,000 Speaker 3: I want going to wear a certain shot. I'm not 301 00:12:40,000 --> 00:12:41,719 Speaker 3: gonna do certain sho. I'm not gonna dress a stain way. 302 00:12:41,760 --> 00:12:42,920 Speaker 3: And they were like, yeah, we need you to look 303 00:12:42,960 --> 00:12:44,360 Speaker 3: like this, and I'm just like I'm not doing that. 304 00:12:44,400 --> 00:12:46,000 Speaker 3: I didn't know they but still do that they do. 305 00:12:46,080 --> 00:12:47,520 Speaker 3: They were like, oh, we will, we want we need 306 00:12:47,520 --> 00:12:48,920 Speaker 3: to shoot because we you know, they want it. They 307 00:12:48,920 --> 00:12:51,679 Speaker 3: want to send it out to like you know when 308 00:12:51,720 --> 00:12:53,760 Speaker 3: they're like seeding records. They want stuff that are like 309 00:12:53,800 --> 00:12:56,360 Speaker 3: super clean and shit like that. And but I was 310 00:12:56,360 --> 00:12:58,000 Speaker 3: just just like I can, I can, I can get 311 00:12:58,040 --> 00:13:00,400 Speaker 3: you something soft, glad, but I want to do it 312 00:13:00,440 --> 00:13:02,960 Speaker 3: my way. So like they that was only one time though. 313 00:13:02,960 --> 00:13:05,120 Speaker 2: So and you know, I will say right now, like 314 00:13:05,240 --> 00:13:10,240 Speaker 2: hearing you and Cash Cobain, hearing you, it's done and Sandy, 315 00:13:10,400 --> 00:13:12,840 Speaker 2: I like that vibe. It's funny because people thought that 316 00:13:12,960 --> 00:13:16,000 Speaker 2: New York drill wasn't gonna last, right, that was always 317 00:13:16,040 --> 00:13:18,480 Speaker 2: a thing. Like when it first started, it was like, oh, 318 00:13:18,520 --> 00:13:20,360 Speaker 2: this is just a phase. But it seems like it's 319 00:13:20,400 --> 00:13:21,199 Speaker 2: not going nowhere. 320 00:13:21,720 --> 00:13:24,920 Speaker 3: Yeah, I mean it. I wouldn't say that it's I 321 00:13:24,920 --> 00:13:27,480 Speaker 3: would say it just is just elevated, like it keeps 322 00:13:27,559 --> 00:13:30,000 Speaker 3: like elevating. The sound is not what it used to be. 323 00:13:30,040 --> 00:13:32,160 Speaker 3: Like the sound used to be really dark and really 324 00:13:32,280 --> 00:13:35,199 Speaker 3: just in my opinion, and he was really was based 325 00:13:35,240 --> 00:13:38,320 Speaker 3: on like just like a lot of like drama and violence, 326 00:13:38,600 --> 00:13:41,880 Speaker 3: you know, but now it's it's more sexy, like it's 327 00:13:41,880 --> 00:13:43,839 Speaker 3: more calm, it's cute. We're making it cute now you 328 00:13:43,920 --> 00:13:45,920 Speaker 3: know so and then the shout out to everybody and 329 00:13:45,960 --> 00:13:48,199 Speaker 3: everybody that like contribute to that sound, like no, it's 330 00:13:48,240 --> 00:13:49,600 Speaker 3: no shade, but it's like you know what I mean, 331 00:13:49,640 --> 00:13:51,800 Speaker 3: Like it's just the sound is transforming. 332 00:13:51,920 --> 00:13:54,640 Speaker 2: So yeah, things evolve, because I feel like every time 333 00:13:54,679 --> 00:13:57,840 Speaker 2: something new happens, people act like, oh, this is just 334 00:13:57,880 --> 00:14:01,079 Speaker 2: a phase. It's not and you know, and sometimes it is, 335 00:14:01,480 --> 00:14:04,760 Speaker 2: like there are some phases that were absolutely How do 336 00:14:04,840 --> 00:14:09,040 Speaker 2: you think that moving around has influenced your sound? You know, 337 00:14:09,240 --> 00:14:12,560 Speaker 2: just even going on tour, traveling being other places, Like 338 00:14:12,600 --> 00:14:15,600 Speaker 2: what's someplace that you went to? I remember I told 339 00:14:15,640 --> 00:14:17,199 Speaker 2: you I just talked to Eric Bellinger and I know 340 00:14:17,240 --> 00:14:19,600 Speaker 2: he's on the album, but he did his last project 341 00:14:19,680 --> 00:14:22,280 Speaker 2: in South Africa. So it has like an afrobeasts feel 342 00:14:22,320 --> 00:14:25,000 Speaker 2: to it. It just came out, Yeah, it's happening. 343 00:14:25,040 --> 00:14:25,720 Speaker 3: I'm going to tap in. 344 00:14:25,840 --> 00:14:28,480 Speaker 2: It's smooth, it's a vibe. But for you, what has 345 00:14:28,520 --> 00:14:30,960 Speaker 2: influenced you? Like, what are the sounds from outside of here? 346 00:14:31,440 --> 00:14:34,480 Speaker 3: That's funny you mentioned that because I was recently talking 347 00:14:34,520 --> 00:14:37,000 Speaker 3: with a few producers about tapping into like an afrobeat 348 00:14:37,040 --> 00:14:39,960 Speaker 3: kind of record or like a Brazilian funk kind of vibe. 349 00:14:40,760 --> 00:14:46,120 Speaker 3: But I feel like, really my influences is from being 350 00:14:46,120 --> 00:14:49,000 Speaker 3: in the city, Like just that's just that's my vibe 351 00:14:49,000 --> 00:14:50,880 Speaker 3: when I go all the places I do tap into 352 00:14:50,920 --> 00:14:52,920 Speaker 3: other listen to other people music, but I don't like 353 00:14:53,000 --> 00:14:55,480 Speaker 3: drown myself listening to new stuff because I feel like 354 00:14:55,520 --> 00:14:58,640 Speaker 3: that's what keeps my sound unique. If I'm listening too 355 00:14:58,680 --> 00:15:01,480 Speaker 3: much to to other artists, I feel like I start 356 00:15:01,520 --> 00:15:04,800 Speaker 3: to like sound or do certain things and mimix serns shit. 357 00:15:04,840 --> 00:15:07,520 Speaker 3: So I kind of like I don't really listen to too 358 00:15:07,400 --> 00:15:08,040 Speaker 3: much new stuff. 359 00:15:08,080 --> 00:15:11,119 Speaker 2: But like, and you are like the queen of remixes, 360 00:15:11,200 --> 00:15:13,120 Speaker 2: So tell me what's coming because I already know the 361 00:15:13,160 --> 00:15:16,080 Speaker 2: album has been out for like a couple of weeks now, right, 362 00:15:16,200 --> 00:15:17,480 Speaker 2: So what does some remixes? 363 00:15:17,480 --> 00:15:18,840 Speaker 1: Because I feel like that's your. 364 00:15:18,720 --> 00:15:21,640 Speaker 3: Thing too, I honestly, So, I have the song cool Breathe, right, 365 00:15:21,680 --> 00:15:23,600 Speaker 3: and I'm like, I want to, I want to. I 366 00:15:23,640 --> 00:15:26,880 Speaker 3: want to get a remix with like with like Missy 367 00:15:26,920 --> 00:15:30,760 Speaker 3: Elliott and like Doci or like the like something like that, 368 00:15:30,760 --> 00:15:32,560 Speaker 3: because I feel like Breathe is like it feels like 369 00:15:32,640 --> 00:15:35,440 Speaker 3: it makes you feel like that type of vibe, that 370 00:15:35,480 --> 00:15:37,040 Speaker 3: type of error where you could like dance, and I 371 00:15:37,040 --> 00:15:39,320 Speaker 3: feel like a lot of like outside of like what 372 00:15:39,440 --> 00:15:41,880 Speaker 3: we have now with the TikTok stuff, I feel like 373 00:15:42,360 --> 00:15:43,760 Speaker 3: the error where you can go to the club and 374 00:15:43,760 --> 00:15:45,360 Speaker 3: like the music that just makes you wants to dance, 375 00:15:45,400 --> 00:15:46,600 Speaker 3: And I feel like that's the kind of record it 376 00:15:46,640 --> 00:15:48,840 Speaker 3: is so like I want to get like a remix 377 00:15:48,880 --> 00:15:49,480 Speaker 3: like that going. 378 00:15:49,640 --> 00:15:52,080 Speaker 1: And just like you know, so do you and Missy 379 00:15:52,120 --> 00:15:53,120 Speaker 1: Elliott have a rapport? 380 00:15:53,280 --> 00:15:57,120 Speaker 3: Have you been? We've we've exchanged here or there, like 381 00:15:57,440 --> 00:15:59,040 Speaker 3: social media, you have. 382 00:15:59,120 --> 00:16:03,120 Speaker 2: To appreciate your yes, yes, yes, definitely. 383 00:16:03,120 --> 00:16:05,560 Speaker 3: It's funny because one time I did a shoot for 384 00:16:05,800 --> 00:16:09,520 Speaker 3: like Women's History Months with Vibe and they must they 385 00:16:10,160 --> 00:16:14,440 Speaker 3: they was reposting another site was reposting like photos of 386 00:16:14,480 --> 00:16:17,160 Speaker 3: Missy Elliott, but it was me. It was me, And 387 00:16:17,200 --> 00:16:19,280 Speaker 3: then people in the comments like that's Connie. That's funny, 388 00:16:19,800 --> 00:16:21,280 Speaker 3: and then they Harry was snatched it down. But it 389 00:16:21,320 --> 00:16:23,040 Speaker 3: was because, like you know, it was like a tribute 390 00:16:23,040 --> 00:16:24,920 Speaker 3: to her, so I made it look like her to 391 00:16:24,960 --> 00:16:28,320 Speaker 3: the team. It was mad funny, but yeah, shout out 392 00:16:28,320 --> 00:16:28,960 Speaker 3: to her. I love her. 393 00:16:29,080 --> 00:16:31,400 Speaker 2: But what is it about Missy Elliott? Like is that 394 00:16:31,480 --> 00:16:33,520 Speaker 2: somebody you would say when you was coming up. That's 395 00:16:33,520 --> 00:16:34,640 Speaker 2: somebody that you really was. 396 00:16:35,520 --> 00:16:38,800 Speaker 3: Yeah, I mean, I love coming up. Really it was 397 00:16:38,840 --> 00:16:40,880 Speaker 3: like Missy, it was Busta, it was Fat, it was 398 00:16:40,960 --> 00:16:45,520 Speaker 3: Jada Remy. I really really love Missy because I feel 399 00:16:45,560 --> 00:16:49,840 Speaker 3: like she's very unique, very unique, very talented. Just like 400 00:16:49,880 --> 00:16:52,360 Speaker 3: anytime I saw her music videos, it was just like wow, 401 00:16:52,800 --> 00:16:55,800 Speaker 3: and it's just like stuff that you don't see today. 402 00:16:55,880 --> 00:16:57,280 Speaker 3: And then like even in that era, all of these 403 00:16:57,320 --> 00:16:59,920 Speaker 3: artists that I'm mentioning, they always had videos that made 404 00:16:59,960 --> 00:17:02,040 Speaker 3: you really like just had you see it and it 405 00:17:02,080 --> 00:17:04,160 Speaker 3: made you pay attention and just made you like appreciate 406 00:17:04,640 --> 00:17:06,879 Speaker 3: their creativity. So I love that about her because I 407 00:17:06,880 --> 00:17:09,320 Speaker 3: feel like this like really was no limits to her creativity. 408 00:17:09,480 --> 00:17:11,800 Speaker 1: It feels like it's gonna happen though you get im. 409 00:17:11,840 --> 00:17:15,679 Speaker 3: I'm I'm very optimistic and I've always feel like, you know, 410 00:17:15,720 --> 00:17:17,560 Speaker 3: as long as I'm like keeping my head on the 411 00:17:17,560 --> 00:17:20,120 Speaker 3: swim fool and just I feel like anything I can, 412 00:17:20,119 --> 00:17:21,520 Speaker 3: I could get anything I want. 413 00:17:21,720 --> 00:17:23,399 Speaker 2: You feel good that a lot of the people that 414 00:17:23,440 --> 00:17:26,399 Speaker 2: you mentioned that you kind of grew up like listening 415 00:17:26,440 --> 00:17:27,959 Speaker 2: and watching you've been able to work with. 416 00:17:28,760 --> 00:17:31,040 Speaker 3: Uh. Yeah, that's what it turned that's what it looked 417 00:17:31,080 --> 00:17:34,720 Speaker 3: like into, yeah, you think that's really good? It feels 418 00:17:34,760 --> 00:17:36,680 Speaker 3: really good. I remember when I met five, I told 419 00:17:36,760 --> 00:17:42,080 Speaker 3: him that. I remember his first was his first mixing, 420 00:17:42,160 --> 00:17:43,479 Speaker 3: but the album I forgot which one was and when 421 00:17:43,480 --> 00:17:45,360 Speaker 3: I holler back youngin on it, I remember my dad 422 00:17:45,400 --> 00:17:47,080 Speaker 3: bought me that CD and I would love this song. 423 00:17:47,119 --> 00:17:48,840 Speaker 3: He surprised me with the CD one day. You know 424 00:17:49,080 --> 00:17:50,600 Speaker 3: best you got to go like, I was like, oh 425 00:17:50,600 --> 00:17:52,720 Speaker 3: my god, I was so happy. So yeah, I was 426 00:17:52,760 --> 00:17:53,479 Speaker 3: telling him about that. 427 00:17:53,640 --> 00:17:55,639 Speaker 2: It's crazy how times have changed. When we used to 428 00:17:55,720 --> 00:17:57,720 Speaker 2: go buy a CD. Yeah, and we used to go 429 00:17:57,760 --> 00:17:59,560 Speaker 2: buy the CD. Today it came out. Now we don't 430 00:17:59,560 --> 00:18:00,760 Speaker 2: even got to get out the bed. 431 00:18:00,840 --> 00:18:05,280 Speaker 1: It's on the phone. We can stream its. I love that. 432 00:18:05,320 --> 00:18:07,679 Speaker 1: And then you and Remy obviously the two of you. 433 00:18:07,840 --> 00:18:09,120 Speaker 1: I like Elm and Louise. 434 00:18:10,840 --> 00:18:15,760 Speaker 3: That's like, yeah, Agnes says, she's so, she's a total sweetheart. 435 00:18:15,800 --> 00:18:20,360 Speaker 3: And outside of Fab and Jim and everyone in Busta 436 00:18:20,680 --> 00:18:23,639 Speaker 3: that has like giving me like advice and the shoulder 437 00:18:23,640 --> 00:18:25,400 Speaker 3: to lean on, and she has been very very very 438 00:18:25,480 --> 00:18:29,080 Speaker 3: very very supportive and everything. You know, some some people 439 00:18:29,080 --> 00:18:31,640 Speaker 3: collab and then they collab and they do the work 440 00:18:31,680 --> 00:18:34,439 Speaker 3: and they kind of like they just disappear. But she 441 00:18:34,520 --> 00:18:37,080 Speaker 3: and I have a really dope relationship. We go out 442 00:18:37,080 --> 00:18:41,480 Speaker 3: from time time, we speak very often. She's she's very supportive. 443 00:18:41,440 --> 00:18:44,000 Speaker 2: Total sweetheart, like fuck with me, and can't you can't 444 00:18:44,000 --> 00:18:46,200 Speaker 2: tell me nothing that you can't say nothing bad about Remy. 445 00:18:46,760 --> 00:18:48,040 Speaker 1: They're super talented. 446 00:18:48,359 --> 00:18:50,840 Speaker 2: And I saw all the controversy over the song head 447 00:18:50,880 --> 00:18:54,159 Speaker 2: tapping people, But I saw that you said she was 448 00:18:54,200 --> 00:18:56,240 Speaker 2: not referencing Clariciiciell's on that song. 449 00:18:56,280 --> 00:18:58,040 Speaker 1: That was a verse. It wasn't about it. 450 00:18:58,160 --> 00:19:00,440 Speaker 3: I mean people we rap, you know, we shipped boers. 451 00:19:00,640 --> 00:19:04,359 Speaker 3: You know, if you go back into our archives, her archive, 452 00:19:04,440 --> 00:19:07,040 Speaker 3: my archov. I'm we're heavy shit talk because we talk about, oh, 453 00:19:07,119 --> 00:19:09,119 Speaker 3: y'all can't they just can't do this, can't do that. 454 00:19:09,160 --> 00:19:11,480 Speaker 3: I'm the nice that that's how we That's the New York. 455 00:19:11,520 --> 00:19:13,560 Speaker 3: That's New York in US anyway, Like that's how we are. 456 00:19:13,600 --> 00:19:16,120 Speaker 3: So it's like, you know, like, you know, I don't 457 00:19:16,160 --> 00:19:17,720 Speaker 3: have anything really else to say about that. 458 00:19:17,800 --> 00:19:19,640 Speaker 2: What are you think of when you're watching everything that's 459 00:19:19,680 --> 00:19:21,360 Speaker 2: going on right now? It's a crazy time. Like I'm 460 00:19:21,400 --> 00:19:25,480 Speaker 2: looking at everybody beefing with each other and and so 461 00:19:25,560 --> 00:19:27,640 Speaker 2: I want to get your thoughts on it, because one 462 00:19:27,640 --> 00:19:29,119 Speaker 2: thing I will say is this, right, we looked at 463 00:19:29,160 --> 00:19:31,240 Speaker 2: Kendrick and Drake and everybody was like that was great 464 00:19:31,240 --> 00:19:33,920 Speaker 2: for music. They ran up the streams. You know, everybody 465 00:19:33,920 --> 00:19:36,080 Speaker 2: made money off of that. And now we're watching like 466 00:19:36,160 --> 00:19:38,960 Speaker 2: Cardi B's album came out, and you know, I see 467 00:19:38,960 --> 00:19:42,679 Speaker 2: BEA's in the studio working, and I see JT's in 468 00:19:42,680 --> 00:19:45,680 Speaker 2: the studio working. For some reason, people think that when 469 00:19:45,720 --> 00:19:47,879 Speaker 2: women are beefing with each other, it's like, no, they 470 00:19:47,920 --> 00:19:50,240 Speaker 2: shouldn't do that. But I've heard women say no, I 471 00:19:50,280 --> 00:19:52,200 Speaker 2: could like, just like the guys are doing it. Why 472 00:19:52,280 --> 00:19:54,879 Speaker 2: is it different when women are doing records for you know, 473 00:19:54,920 --> 00:19:55,600 Speaker 2: about each other. 474 00:19:56,000 --> 00:19:58,040 Speaker 1: What are your thoughts on it? Being a rapper in this. 475 00:19:59,040 --> 00:20:01,040 Speaker 3: I feel like it's it's it's just it's the sport 476 00:20:01,080 --> 00:20:04,159 Speaker 3: for real. It's a competitive sport. And you know, you 477 00:20:04,240 --> 00:20:06,760 Speaker 3: got the girlies that want to stay. You got the 478 00:20:06,800 --> 00:20:09,000 Speaker 3: girlies that I want to stay in the and and 479 00:20:09,080 --> 00:20:11,360 Speaker 3: you know, on the side and just be cute and 480 00:20:11,440 --> 00:20:13,200 Speaker 3: be calm and collective, and you got the ones that 481 00:20:13,240 --> 00:20:15,000 Speaker 3: want to get the feel. So I don't feel like 482 00:20:15,000 --> 00:20:18,119 Speaker 3: there's anything wrong with that, Like it's just it's it's entertainment, 483 00:20:19,080 --> 00:20:20,840 Speaker 3: I feel like, because everybody's keeping it cute. 484 00:20:20,920 --> 00:20:24,520 Speaker 2: And then it's like it's like everybody, that's all it 485 00:20:24,560 --> 00:20:28,760 Speaker 2: really does for real and be clever like say clever things. 486 00:20:28,800 --> 00:20:31,359 Speaker 3: Absolutely Like I don't have an issue with it. I 487 00:20:31,400 --> 00:20:34,920 Speaker 3: think it's cool. I think it's fun, it's interesting, it's entertaining, 488 00:20:35,720 --> 00:20:37,679 Speaker 3: and it makes people push their pens and make people like, 489 00:20:37,760 --> 00:20:38,880 Speaker 3: you know, getting their bag. 490 00:20:38,760 --> 00:20:40,879 Speaker 1: So right, it gets competitive. 491 00:20:41,119 --> 00:20:44,000 Speaker 2: What happens if it's like do you ever feel like 492 00:20:44,040 --> 00:20:46,440 Speaker 2: in certain situations people have to pick a side? 493 00:20:47,800 --> 00:20:51,680 Speaker 3: I mean, I feel like you you it gets there. 494 00:20:51,800 --> 00:20:53,840 Speaker 2: It's hard, right because sometimes you could be cool with 495 00:20:54,800 --> 00:20:57,359 Speaker 2: you know, with everybody involved, but now like if I 496 00:20:57,359 --> 00:20:59,160 Speaker 2: do a song with this person, this person not gonna 497 00:20:59,200 --> 00:21:01,080 Speaker 2: like me because I they think I'm rocking, you know 498 00:21:01,119 --> 00:21:01,520 Speaker 2: what I mean? 499 00:21:02,800 --> 00:21:06,399 Speaker 3: I think it depends on the relationship you have with 500 00:21:06,480 --> 00:21:08,520 Speaker 3: the person. Right. A lot of the times in the 501 00:21:08,520 --> 00:21:11,920 Speaker 3: industry it really is just business, right, But some people 502 00:21:12,680 --> 00:21:16,399 Speaker 3: develop actual relationships. And then I feel like, depending on 503 00:21:16,480 --> 00:21:18,560 Speaker 3: what you believe and what you stand on as far 504 00:21:18,560 --> 00:21:21,120 Speaker 3: as loyalty and how much you fuck with someone, then 505 00:21:21,320 --> 00:21:24,240 Speaker 3: that's a conversation to be had when a bag is 506 00:21:24,240 --> 00:21:26,119 Speaker 3: in the place, like all right, like how do you feel? 507 00:21:26,160 --> 00:21:27,600 Speaker 3: You know? And then I feel like it's if you're 508 00:21:27,960 --> 00:21:29,919 Speaker 3: if this full transparency, like hey, like you know, it 509 00:21:29,960 --> 00:21:32,240 Speaker 3: really just depends on like if you if it was 510 00:21:32,280 --> 00:21:34,520 Speaker 3: a situation where you're like talking about somebody kid or somebody, 511 00:21:35,280 --> 00:21:37,080 Speaker 3: and it's like make it a little different. But for me, 512 00:21:37,119 --> 00:21:38,680 Speaker 3: I feel like it really depends on like. 513 00:21:38,640 --> 00:21:41,320 Speaker 2: The situation, and sometimes it doesn't matter of like people 514 00:21:41,359 --> 00:21:43,239 Speaker 2: do hype stuff up online they have nothing to do 515 00:21:43,240 --> 00:21:45,560 Speaker 2: with anything and make it seem like, oh, she's talking 516 00:21:45,560 --> 00:21:48,400 Speaker 2: about this, she's talking about this person, and you really 517 00:21:48,520 --> 00:21:51,800 Speaker 2: just like you said, coming hard, just doing your versus 518 00:21:51,840 --> 00:21:54,119 Speaker 2: and not even that it's music. 519 00:21:54,320 --> 00:21:57,080 Speaker 3: Everybody's rapping and everyone's just you know, like I don't know, 520 00:21:57,320 --> 00:21:58,240 Speaker 3: I don't look at it like that. 521 00:21:59,840 --> 00:22:03,120 Speaker 2: So for you, what do you think has been as 522 00:22:03,160 --> 00:22:04,840 Speaker 2: far as long as you've been in the game, what 523 00:22:04,840 --> 00:22:07,800 Speaker 2: would you say has been like one of your best 524 00:22:07,800 --> 00:22:10,560 Speaker 2: moments to date? If you had to say, this is 525 00:22:10,600 --> 00:22:14,000 Speaker 2: when I knew it was lit, This is what I 526 00:22:14,040 --> 00:22:14,600 Speaker 2: knew was lit. 527 00:22:14,640 --> 00:22:17,639 Speaker 3: Fuck, I think it would have to be ghetto ratchet. 528 00:22:17,280 --> 00:22:20,760 Speaker 2: Oh yes, because it was it was. 529 00:22:20,800 --> 00:22:22,600 Speaker 3: I never had never had a record where like, I've 530 00:22:22,600 --> 00:22:26,320 Speaker 3: went viral multiple times just off like freestyles and just shit. 531 00:22:26,600 --> 00:22:29,679 Speaker 3: So for that was the moment where I went a 532 00:22:29,800 --> 00:22:33,520 Speaker 3: viral for an actual song. Like it wasn't a freestyle, 533 00:22:33,600 --> 00:22:36,160 Speaker 3: so I was able to capitalize off it to the 534 00:22:36,200 --> 00:22:38,600 Speaker 3: like maximum that I could. Usually, I go with a 535 00:22:38,600 --> 00:22:40,879 Speaker 3: freestyle and I can't do anything. I can't get you 536 00:22:40,880 --> 00:22:44,040 Speaker 3: can't really monetize and monetize anything. So that for me 537 00:22:44,200 --> 00:22:46,320 Speaker 3: was funny because when I was writing that song, I 538 00:22:46,400 --> 00:22:48,040 Speaker 3: remember I was in my room in the Bronx and 539 00:22:48,080 --> 00:22:50,280 Speaker 3: writing a song and I remember saying Baddie the Baddest. 540 00:22:50,280 --> 00:22:52,720 Speaker 3: The feeling like that the line was corny because I 541 00:22:52,760 --> 00:22:54,399 Speaker 3: felt like it was something I wouldn't say, but I 542 00:22:54,400 --> 00:22:56,640 Speaker 3: felt like we were in the era where everybody wanted 543 00:22:56,640 --> 00:22:58,840 Speaker 3: to be a baddie. Everybody's bay Baddy Baddy Daddy, So 544 00:22:58,880 --> 00:23:00,600 Speaker 3: I'm like I have to say something also to make 545 00:23:00,640 --> 00:23:03,960 Speaker 3: the girls feel included, you know. So I'm like Batty 546 00:23:04,040 --> 00:23:05,760 Speaker 3: the bad is and I'm like it sounds so corny 547 00:23:05,800 --> 00:23:08,520 Speaker 3: when I was writing there, but everybody ate it up 548 00:23:08,600 --> 00:23:12,320 Speaker 3: song like okay, yeah, clocket yeah. And another moment was 549 00:23:12,400 --> 00:23:16,960 Speaker 3: like when like usually like you know, people reach out 550 00:23:17,040 --> 00:23:20,680 Speaker 3: for features or for remixes. But people were reaching out 551 00:23:20,680 --> 00:23:22,080 Speaker 3: to me to hop on a song. And I have 552 00:23:22,560 --> 00:23:25,439 Speaker 3: so many remixes that didn't even put out yet because 553 00:23:25,720 --> 00:23:27,439 Speaker 3: because I had so many, it was like a lot 554 00:23:27,440 --> 00:23:29,600 Speaker 3: of peopleways wanted to hop on the record. So that 555 00:23:29,720 --> 00:23:31,240 Speaker 3: was like a like a dope moment for me. 556 00:23:31,680 --> 00:23:33,280 Speaker 1: And what about tour? Are you gonna do that on 557 00:23:33,600 --> 00:23:34,120 Speaker 1: coming up? 558 00:23:34,440 --> 00:23:36,399 Speaker 3: I would love to, I really would love to. I 559 00:23:36,400 --> 00:23:38,520 Speaker 3: don't know like what the universe has and sore for 560 00:23:38,600 --> 00:23:40,359 Speaker 3: me in the future, but I would love to do it, 561 00:23:40,480 --> 00:23:41,280 Speaker 3: like like a tour. 562 00:23:41,720 --> 00:23:43,680 Speaker 2: I think you need to be outside, like I'm just 563 00:23:43,760 --> 00:23:46,680 Speaker 2: keeping because the music is fun. That's gonna be dope, 564 00:23:46,760 --> 00:23:49,480 Speaker 2: like to be doing even like club days on tour, 565 00:23:49,760 --> 00:23:51,760 Speaker 2: even after the show and then go to club I 566 00:23:51,760 --> 00:23:55,199 Speaker 2: think that'll be I'm just envisioning, like you know, Kindie 567 00:23:55,200 --> 00:23:57,600 Speaker 2: Diamonds next move because people like your personality, they love 568 00:23:57,640 --> 00:24:01,600 Speaker 2: your music. Thank you and yeah, all right, well I 569 00:24:01,640 --> 00:24:04,200 Speaker 2: appreciate you for coming up here today. Under Dog Season 570 00:24:04,240 --> 00:24:06,520 Speaker 2: two is out right now, so make sure y'all run 571 00:24:06,600 --> 00:24:07,560 Speaker 2: that up please. 572 00:24:09,080 --> 00:24:10,959 Speaker 1: I mean, obviously we know the song jet that's a hit. 573 00:24:11,080 --> 00:24:12,920 Speaker 2: Right now, I'm gonna tell you what other songs that 574 00:24:13,000 --> 00:24:14,680 Speaker 2: I'm gonna tell you what one of my favorite songs 575 00:24:14,680 --> 00:24:16,320 Speaker 2: on here was Well, I already told you that when 576 00:24:16,320 --> 00:24:20,359 Speaker 2: we first started this, you know you and fab and 577 00:24:20,480 --> 00:24:22,800 Speaker 2: Eric Bellinger because I'm a little romantic girl at heart, 578 00:24:23,119 --> 00:24:25,040 Speaker 2: but I like a little ratchet romance. 579 00:24:25,040 --> 00:24:26,680 Speaker 3: Too, So absolutely thank you. 580 00:24:26,760 --> 00:24:29,400 Speaker 1: So you guys running there having all right, it's way 581 00:24:29,480 --> 00:24:29,600 Speaker 1: up