1 00:00:01,080 --> 00:00:09,480 Speaker 1: Real people. Celebrity joined the Breakfast Morning Everybody. It's DJ Envy, 2 00:00:09,560 --> 00:00:12,479 Speaker 1: Angela Ye, Charlomine the Guy. We are the Breakfast Club 3 00:00:12,560 --> 00:00:16,960 Speaker 1: special guests in the building. His albums out right Now, Wonderful, 4 00:00:17,400 --> 00:00:20,720 Speaker 1: Action Bronson, We're here. Thank you guys, got the Alchemists 5 00:00:20,720 --> 00:00:22,840 Speaker 1: with him. That's right, produced six Jordan There. What's up, 6 00:00:22,880 --> 00:00:26,120 Speaker 1: sir Uth? What's up? And you look like you slimmed 7 00:00:26,160 --> 00:00:29,200 Speaker 1: down a lot? I did? I lost? How did you 8 00:00:29,240 --> 00:00:31,440 Speaker 1: do that so quick? I wasn't that quick. I was 9 00:00:31,640 --> 00:00:34,760 Speaker 1: on the way when we met last time. But I've 10 00:00:34,800 --> 00:00:37,360 Speaker 1: just been, you know, eating right and getting it together. 11 00:00:37,680 --> 00:00:40,640 Speaker 1: What's eating right for you? What's what's eating right? Because 12 00:00:40,680 --> 00:00:43,440 Speaker 1: I go I usually, you know, I eat a terrible times. 13 00:00:43,760 --> 00:00:46,599 Speaker 1: So in the morning I start off with a banana 14 00:00:46,720 --> 00:00:51,159 Speaker 1: shake with peanut butter and some raw coco. And I 15 00:00:51,240 --> 00:00:54,960 Speaker 1: do that twice and twice the day, do you? But 16 00:00:55,000 --> 00:01:00,400 Speaker 1: then I hit the ginger shot wheat grass, about two 17 00:01:00,720 --> 00:01:04,240 Speaker 1: gallons of water a day, just walking around, just going in. Now, 18 00:01:04,280 --> 00:01:07,000 Speaker 1: I saw you with the food truck. If myself I 19 00:01:07,000 --> 00:01:09,480 Speaker 1: didn't look healthy though it was not healthy whatsoever. That 20 00:01:10,120 --> 00:01:11,920 Speaker 1: was the one time, you know, I let it go 21 00:01:11,920 --> 00:01:13,960 Speaker 1: a little bit down there. I'm not gonna lie. I 22 00:01:14,120 --> 00:01:17,240 Speaker 1: ate a lot of beef, a lot of beef ribs. 23 00:01:17,959 --> 00:01:20,679 Speaker 1: The brisket was out of control. The beef ribs was 24 00:01:20,680 --> 00:01:23,279 Speaker 1: out of control. But the food that I was serving, 25 00:01:23,319 --> 00:01:25,520 Speaker 1: the people loved it. Was like it's something that everyone 26 00:01:25,560 --> 00:01:29,160 Speaker 1: could eat down there. So uh, fried potatoes with gravy, 27 00:01:29,480 --> 00:01:32,280 Speaker 1: cheese and brisket. Everyone loved it. Did you cook the 28 00:01:32,280 --> 00:01:35,800 Speaker 1: food yourself? I gave them the recipe and then the 29 00:01:35,800 --> 00:01:39,319 Speaker 1: girls that were directed, Yes, I directed, I produced it. 30 00:01:39,360 --> 00:01:42,520 Speaker 1: I produced a situation. Yeah. But the girls that were 31 00:01:42,520 --> 00:01:44,319 Speaker 1: working on the truck, they killed it for me. They 32 00:01:44,360 --> 00:01:47,480 Speaker 1: really knocked out about two thousand places, and I just 33 00:01:47,480 --> 00:01:49,320 Speaker 1: gave them all away. It was great. Who comes up 34 00:01:49,360 --> 00:01:51,560 Speaker 1: with those marketing plants? Because because as a chef, do 35 00:01:51,600 --> 00:01:53,640 Speaker 1: you feel like that, Okay, that's stereotypical. You just go 36 00:01:53,800 --> 00:01:55,560 Speaker 1: to make me throw out a food truck. No. I 37 00:01:55,600 --> 00:01:57,320 Speaker 1: wanted to do that because I feel like, you know, 38 00:01:57,520 --> 00:02:00,240 Speaker 1: connected with the fans, especially through food. Is It's what 39 00:02:00,280 --> 00:02:02,480 Speaker 1: I'm known for. Yeah, it makes sense, it makes sense. 40 00:02:02,480 --> 00:02:05,840 Speaker 1: And down there it's it's a food truck heaven in Austin. 41 00:02:05,880 --> 00:02:09,359 Speaker 1: It's like it's the biggest boom of food trucks in America. 42 00:02:09,560 --> 00:02:11,240 Speaker 1: The best marketing plans, I think, are the ones that 43 00:02:11,280 --> 00:02:13,560 Speaker 1: make sense for who you are exactly. And you know, 44 00:02:13,800 --> 00:02:15,480 Speaker 1: a lot of the ideas I come up with myself, 45 00:02:15,520 --> 00:02:17,560 Speaker 1: but I can't execute it all the way. So we 46 00:02:17,639 --> 00:02:20,480 Speaker 1: have the good people that are helping execute it, and 47 00:02:20,520 --> 00:02:22,200 Speaker 1: that's just the way it goes. Or Now, I was 48 00:02:22,240 --> 00:02:24,400 Speaker 1: listening to the mister Wonderful and they didn't see the 49 00:02:24,440 --> 00:02:26,440 Speaker 1: production credit yet, so I'm assuming Alchemists did a lot 50 00:02:26,440 --> 00:02:28,480 Speaker 1: of joints. He did three joints on the yep. Okay, 51 00:02:28,720 --> 00:02:34,040 Speaker 1: this is because I had thought. Yeah, it confused me 52 00:02:34,040 --> 00:02:35,560 Speaker 1: a little bit because some of the records weren't even 53 00:02:35,720 --> 00:02:37,320 Speaker 1: wasn't a rap on them. Yeah, I know. I was 54 00:02:37,320 --> 00:02:38,840 Speaker 1: just you know, I'm trying to do more of just 55 00:02:38,880 --> 00:02:41,800 Speaker 1: like different pieces of music, not just only rap, because 56 00:02:42,200 --> 00:02:46,400 Speaker 1: I gave out ten projects of straight ridiculous rapping, you 57 00:02:46,440 --> 00:02:49,400 Speaker 1: know what I mean, just NonStop. So now this time 58 00:02:49,440 --> 00:02:51,240 Speaker 1: I just wanted to take take the time and just 59 00:02:51,360 --> 00:02:53,720 Speaker 1: really like do the music I wanted to do. The 60 00:02:53,800 --> 00:02:56,840 Speaker 1: Alchemists tell you should experiment a little, and he was 61 00:02:56,919 --> 00:02:59,600 Speaker 1: iffy about those joints at first, honestly, but then he 62 00:02:59,639 --> 00:03:01,280 Speaker 1: came back around. You know, it was like, yeah, you 63 00:03:01,320 --> 00:03:03,640 Speaker 1: know he needed I just felt like he's done so 64 00:03:03,720 --> 00:03:06,280 Speaker 1: much already. But it was like, okay, now the major 65 00:03:06,320 --> 00:03:09,400 Speaker 1: album on the label. You gotta take it one step. 66 00:03:09,880 --> 00:03:12,240 Speaker 1: Don't be afraid, because I felt like he built. He 67 00:03:12,400 --> 00:03:14,920 Speaker 1: sometimes gets put in the category that's like keep it 68 00:03:14,960 --> 00:03:17,160 Speaker 1: real rapping, you know what I mean, backpacks, But he's 69 00:03:17,200 --> 00:03:19,400 Speaker 1: not that. Yeah, he listens to saw some music, he 70 00:03:19,440 --> 00:03:25,519 Speaker 1: listens to crazy, so I felt like he needed to 71 00:03:25,560 --> 00:03:28,200 Speaker 1: show that too. He said that on the record Terry, 72 00:03:28,240 --> 00:03:30,080 Speaker 1: he said, you do a remix with pit Bull? And 73 00:03:31,000 --> 00:03:32,799 Speaker 1: like what Bronson do a remix with pit Bull. I'm 74 00:03:32,800 --> 00:03:34,600 Speaker 1: gonna tell you who the remix is gonna be for 75 00:03:34,639 --> 00:03:38,320 Speaker 1: that song, me pit Bull and then Doom. You got 76 00:03:38,360 --> 00:03:47,280 Speaker 1: it done already. I have the Doom verse. Oh, City 77 00:03:47,280 --> 00:03:49,560 Speaker 1: Boy Blue. That sounded like a jam session. Yeah, that 78 00:03:49,720 --> 00:03:51,200 Speaker 1: was just like kind of like a light hook on there. 79 00:03:51,320 --> 00:03:53,680 Speaker 1: That was just a better music man that that song 80 00:03:53,760 --> 00:03:58,720 Speaker 1: right there was specifically, well City Boy Blues, A Light 81 00:03:58,760 --> 00:04:01,440 Speaker 1: in the Attic and Baby Blue. It's supposed to be 82 00:04:01,480 --> 00:04:05,200 Speaker 1: like a little mini musical in between the album, you know, 83 00:04:05,600 --> 00:04:08,440 Speaker 1: so that starts it off. It's all about kind of like, 84 00:04:08,880 --> 00:04:11,800 Speaker 1: you know, relationship things that woes that I've gone through, 85 00:04:12,640 --> 00:04:15,800 Speaker 1: and I just I just caught a bug. Eighty eight 86 00:04:15,840 --> 00:04:18,120 Speaker 1: Keys produced that one right there with Party Supplies, and 87 00:04:18,160 --> 00:04:20,080 Speaker 1: he just played it for me, and I just couldn't 88 00:04:20,080 --> 00:04:22,560 Speaker 1: wrap to it. I couldn't catch a rhythm to wrap 89 00:04:23,160 --> 00:04:25,400 Speaker 1: make it sound good at least. So it's like, you know, 90 00:04:25,480 --> 00:04:27,040 Speaker 1: I'm writing a song. I was listening to a lot 91 00:04:27,040 --> 00:04:34,960 Speaker 1: of Billy Joel that day and I was like, YO, 92 00:04:36,800 --> 00:04:42,520 Speaker 1: explain the light the Attic record. Yeah, exactly. It was 93 00:04:42,520 --> 00:04:45,559 Speaker 1: a play on I'm the shel Silverstein book, A Lightening 94 00:04:45,560 --> 00:04:49,120 Speaker 1: the Addict. A lighting Addict is uh, you know, it's 95 00:04:49,120 --> 00:04:51,880 Speaker 1: just it's kind of heroiny, it's kind of you know, 96 00:04:52,160 --> 00:04:55,560 Speaker 1: it's like dopey. It's like dope music. It's just party 97 00:04:55,600 --> 00:04:58,799 Speaker 1: supplies and uh. And the dude who wrote it, Sean, 98 00:04:58,880 --> 00:05:00,920 Speaker 1: they were sniffing dope at the time and taking a 99 00:05:01,000 --> 00:05:04,400 Speaker 1: lot of you know, hallucinogens as well. And that's just 100 00:05:05,200 --> 00:05:12,680 Speaker 1: you say in the Mountains that one's rap. But you know, 101 00:05:13,080 --> 00:05:17,640 Speaker 1: I mean, you know what I mean that that that 102 00:05:17,720 --> 00:05:19,720 Speaker 1: music made me feel like I was taking answer for 103 00:05:19,800 --> 00:05:22,760 Speaker 1: ten days straight. That's what I meant. It's just like 104 00:05:22,800 --> 00:05:25,559 Speaker 1: that Turkish funkadelic. Man, it's just some next level music. 105 00:05:26,040 --> 00:05:28,440 Speaker 1: They just like the music from all over the world. 106 00:05:28,600 --> 00:05:31,560 Speaker 1: Is this There's so much out there that you have 107 00:05:31,680 --> 00:05:34,440 Speaker 1: that you have not heard. You just need to. Like 108 00:05:34,520 --> 00:05:37,480 Speaker 1: al he goes all over these places and just gathers records, 109 00:05:37,480 --> 00:05:39,240 Speaker 1: gathers records. We come back and we listen to him, 110 00:05:39,240 --> 00:05:41,440 Speaker 1: and it's just like we can make beats from them more. 111 00:05:41,440 --> 00:05:42,839 Speaker 1: I could just put them in my eye tunes and 112 00:05:42,880 --> 00:05:44,680 Speaker 1: just listen all day long, bump them in the car. 113 00:05:45,000 --> 00:05:48,279 Speaker 1: The name mister Wonderful, explain that. You know, mister Wonderful 114 00:05:48,400 --> 00:05:49,920 Speaker 1: is just something my mother used to call me. It's 115 00:05:50,040 --> 00:05:51,680 Speaker 1: kind of tongue in cheek, you know. She used to 116 00:05:52,320 --> 00:05:54,760 Speaker 1: if you're like kind of like, you know, a mess up, 117 00:05:54,880 --> 00:05:57,320 Speaker 1: or you do terrible things, or you act up all 118 00:05:57,360 --> 00:06:03,000 Speaker 1: the time, mister wonderful over here. You know exactly what 119 00:06:03,040 --> 00:06:07,320 Speaker 1: it's name as well. But you know he was also 120 00:06:07,400 --> 00:06:10,120 Speaker 1: like a real jerk, so that's why it kind of 121 00:06:10,120 --> 00:06:12,680 Speaker 1: played fun. You know, I'm not really a jerk, but 122 00:06:13,360 --> 00:06:16,880 Speaker 1: sometimes I could be. Met I played one on TV. Yeah, 123 00:06:16,920 --> 00:06:18,880 Speaker 1: now let me ask you this. I was just talking 124 00:06:18,960 --> 00:06:21,640 Speaker 1: about um, you know, just you trying to experiment with 125 00:06:21,640 --> 00:06:24,200 Speaker 1: different things. Didn't make you nervous that your fans would 126 00:06:24,240 --> 00:06:26,320 Speaker 1: be like, what the hell is he doing? Of course 127 00:06:26,320 --> 00:06:29,200 Speaker 1: you don't want to. I mean, if they're real fans, 128 00:06:29,200 --> 00:06:31,560 Speaker 1: they're gonna understand the growth and everything that needs to 129 00:06:31,560 --> 00:06:35,280 Speaker 1: you know. Me, Me musically, I came into the into 130 00:06:35,320 --> 00:06:38,040 Speaker 1: the music thing late, you know, so right now I'm 131 00:06:38,040 --> 00:06:42,200 Speaker 1: really just getting my I'm getting my feet under me. Um. 132 00:06:42,240 --> 00:06:45,280 Speaker 1: It's only been five or six years since I've been rapping, 133 00:06:45,920 --> 00:06:50,120 Speaker 1: so I'm just really getting into music as a whole 134 00:06:50,160 --> 00:06:54,520 Speaker 1: and understanding it more and being able to use different 135 00:06:54,600 --> 00:06:58,200 Speaker 1: vocals and stuff like that. Because I was definitely scared 136 00:06:58,520 --> 00:07:01,840 Speaker 1: or self conscious about singing. But then I was like, 137 00:07:01,839 --> 00:07:05,200 Speaker 1: you know what, all these other dudes can't sing for 138 00:07:05,400 --> 00:07:09,720 Speaker 1: they stink. And I definitely could throw some effects that 139 00:07:09,760 --> 00:07:14,680 Speaker 1: make me sound like Stevie ray Vaughan or something. I 140 00:07:14,720 --> 00:07:16,840 Speaker 1: couldn't figure it out, like good thing, it's like Jim 141 00:07:16,920 --> 00:07:22,280 Speaker 1: Morrison or something. It's like some seventies some vibe chick 142 00:07:22,320 --> 00:07:25,120 Speaker 1: at you and your feelings on that it wasn't true. 143 00:07:25,160 --> 00:07:28,960 Speaker 1: Oh that's true. Yeah, all that heartbreak like you bought 144 00:07:29,000 --> 00:07:32,360 Speaker 1: a crib? Oh yeah, come on, how much the house. 145 00:07:33,040 --> 00:07:38,680 Speaker 1: That's not that much nineteen hundred a month. Well, yeah, 146 00:07:38,720 --> 00:07:40,280 Speaker 1: it has a lot to do with that. But it's 147 00:07:40,320 --> 00:07:42,360 Speaker 1: you know, it's like a lot of relationships that go 148 00:07:42,400 --> 00:07:45,160 Speaker 1: wrong in general. You know, it's usually that's how it goes. 149 00:07:45,400 --> 00:07:46,880 Speaker 1: That's actually the first time I've ever heard a chance 150 00:07:46,920 --> 00:07:49,240 Speaker 1: to wrap a rap. He rapped and I told him. 151 00:07:49,320 --> 00:07:51,160 Speaker 1: I told that last my mind, Like I never heard 152 00:07:51,160 --> 00:07:57,960 Speaker 1: a verse from you, and but I liked. But I 153 00:07:58,000 --> 00:08:01,680 Speaker 1: saw you guys came my Southwest together. Yeah, we did that. Well, 154 00:08:01,720 --> 00:08:03,640 Speaker 1: I've seen Charlotta Magne over there. He was hosting U. 155 00:08:04,400 --> 00:08:06,640 Speaker 1: The Woodis did a good job over there with Nessa. 156 00:08:07,200 --> 00:08:11,560 Speaker 1: And now I have some questions for you. If you 157 00:08:11,560 --> 00:08:14,240 Speaker 1: had to pick between two different things, some of these 158 00:08:14,320 --> 00:08:17,160 Speaker 1: might be hard because Alchemist is right here, Okay, all right, 159 00:08:17,160 --> 00:08:19,960 Speaker 1: Alchemists or Mark Ranson. I mean you know I have 160 00:08:20,000 --> 00:08:25,600 Speaker 1: to go without Okay, after Queen's bya grew up on mob. 161 00:08:26,560 --> 00:08:37,560 Speaker 1: That's that's just what it is. Bay, who Bay for? 162 00:08:37,640 --> 00:08:40,040 Speaker 1: What are we referring to? What? Don't you worry about it? 163 00:08:40,040 --> 00:08:48,599 Speaker 1: This is your first instinct? Nah? Nah, I guess Bay 164 00:08:49,600 --> 00:08:55,800 Speaker 1: all right? Coachella or south By Southwest Coachella or South 165 00:08:55,800 --> 00:09:03,200 Speaker 1: by Southwest, Um, south By coach Coachell is amazing as well. 166 00:09:03,240 --> 00:09:05,839 Speaker 1: I'm doing Coachella this year, by the way, UM, it's 167 00:09:05,880 --> 00:09:09,239 Speaker 1: amazing as well. But south By you get this concentration 168 00:09:09,280 --> 00:09:11,559 Speaker 1: of everybody down there. It's just I feel's a good 169 00:09:11,559 --> 00:09:15,000 Speaker 1: feeling down there, moving from place to place. Everyone's running 170 00:09:15,000 --> 00:09:17,280 Speaker 1: to go see this person. Oh, I gotta leave it 171 00:09:17,360 --> 00:09:19,040 Speaker 1: the last song. I gotta go run here and catch 172 00:09:19,120 --> 00:09:22,559 Speaker 1: this person. It's just a cool feeling. It's like like 173 00:09:22,559 --> 00:09:24,840 Speaker 1: a it's a conference. I don't know what I mean. 174 00:09:24,880 --> 00:09:28,520 Speaker 1: In the food. The food, you gotta keep it there. 175 00:09:28,920 --> 00:09:31,800 Speaker 1: It's just it's a good time. It was snowing up 176 00:09:31,800 --> 00:09:33,360 Speaker 1: here and it was cold, so we were down there 177 00:09:33,480 --> 00:09:38,559 Speaker 1: was sweating, all right, shrooms are Molly's shrooms. I've never 178 00:09:38,600 --> 00:09:41,120 Speaker 1: done a Molly My. I don't know, all right, ja 179 00:09:41,240 --> 00:09:47,760 Speaker 1: cold Kendrick Kendrick like you're honesty, keep on my headitate 180 00:09:47,840 --> 00:09:50,199 Speaker 1: the only one you hesitated on with Hubby or Bay Well, yeah, 181 00:09:50,240 --> 00:09:54,920 Speaker 1: I don't know. You wrapped a lot about drugs on 182 00:09:54,960 --> 00:09:56,920 Speaker 1: the album. I didn't know if you're really in the drugs. 183 00:09:56,920 --> 00:09:59,240 Speaker 1: There was just rap. I don't know, No, I'm I'm 184 00:09:59,320 --> 00:10:03,040 Speaker 1: I've definitely later on in my life. I started, I've 185 00:10:03,120 --> 00:10:05,679 Speaker 1: used shrooms, you know, like I actually the first one 186 00:10:05,679 --> 00:10:08,319 Speaker 1: of the first times I took shrooms is in Africa 187 00:10:08,559 --> 00:10:10,680 Speaker 1: and we went in South Africa and I took these. 188 00:10:10,720 --> 00:10:16,240 Speaker 1: This dude had these, um, these concentrated psilocybin drops, which 189 00:10:16,320 --> 00:10:19,520 Speaker 1: is just pure extract. So I took one. We all 190 00:10:19,679 --> 00:10:22,280 Speaker 1: wild out, went to Noble. I don't think for eight hours, 191 00:10:22,280 --> 00:10:25,600 Speaker 1: just just the precursors of it. No bugging out, just laughing, 192 00:10:25,880 --> 00:10:31,640 Speaker 1: uncontrolled eight hours. Yeah, so at least five in South 193 00:10:31,679 --> 00:10:36,400 Speaker 1: Africa and Noble. It was crazy. Wow, the faces in there, 194 00:10:36,600 --> 00:10:41,080 Speaker 1: it was just That's all I remember is these crazy faces. Man. 195 00:10:41,360 --> 00:10:43,079 Speaker 1: That with most New York rappers. If if you look 196 00:10:43,120 --> 00:10:44,760 Speaker 1: like you say mob Deep, they're known as a New 197 00:10:44,840 --> 00:10:47,600 Speaker 1: York rapper, but you're not. You're just action bronzes. Does 198 00:10:47,640 --> 00:10:49,800 Speaker 1: that bother you at all that people don't associate you 199 00:10:49,840 --> 00:10:54,960 Speaker 1: necessarily from New York. Um? No, I mean nah, I 200 00:10:55,040 --> 00:10:58,520 Speaker 1: just think they're uneducated, you know. Honestly, Um, you probably 201 00:10:58,559 --> 00:11:01,480 Speaker 1: got more them on your passport than I mean. I 202 00:11:01,480 --> 00:11:03,240 Speaker 1: had to get a new passport. I had to add 203 00:11:03,280 --> 00:11:09,000 Speaker 1: thirty extra pages. Also, straight up, Um, you know, I'm 204 00:11:09,040 --> 00:11:13,479 Speaker 1: a Queen's native thirty. There's no other place I'm from, 205 00:11:13,520 --> 00:11:16,560 Speaker 1: you know, there's no other place that explains me. It's 206 00:11:16,559 --> 00:11:19,480 Speaker 1: just straight queens. If you don't understand, where where could 207 00:11:19,480 --> 00:11:21,560 Speaker 1: I be from? If you hear me talk, you know, 208 00:11:21,679 --> 00:11:26,040 Speaker 1: I'm not from Indiana, you know what. I might look it, 209 00:11:26,080 --> 00:11:28,600 Speaker 1: but I'm not who It's some other artist that hit 210 00:11:28,640 --> 00:11:30,319 Speaker 1: you up, like on the regular on your phone asking 211 00:11:30,320 --> 00:11:34,040 Speaker 1: you to you know, just just say whatever. Vince Staples 212 00:11:34,080 --> 00:11:36,520 Speaker 1: hits me up constantly. We always talk to each other. 213 00:11:37,400 --> 00:11:43,559 Speaker 1: Um yeah, Ray, I mean raised the man he's He's 214 00:11:43,559 --> 00:11:46,640 Speaker 1: always showed love since the beginning. Um yeah, I talked 215 00:11:46,679 --> 00:11:50,800 Speaker 1: to Ray a lot. I talked to Prodigy. Um that's 216 00:11:50,800 --> 00:11:52,720 Speaker 1: really it. You know, like a lot of younger dudes 217 00:11:52,760 --> 00:11:54,320 Speaker 1: that are not really like that. Popp and I just 218 00:11:54,400 --> 00:11:57,400 Speaker 1: I keep in contact with it. What a select few, 219 00:11:57,559 --> 00:11:59,880 Speaker 1: not too many. I don't like to be fake with people, 220 00:12:00,000 --> 00:12:01,880 Speaker 1: know what I mean? But what do we have to 221 00:12:01,920 --> 00:12:04,880 Speaker 1: talk about other than you know, rap music or something 222 00:12:04,920 --> 00:12:07,200 Speaker 1: like that. You know right now, Alchemist, you was one 223 00:12:07,240 --> 00:12:09,320 Speaker 1: of the architects of that ninety sound. What makes you 224 00:12:09,559 --> 00:12:12,960 Speaker 1: gravitate towards Bronson? I mean, you know, first when we 225 00:12:13,000 --> 00:12:16,120 Speaker 1: met it was like, first just music. I dug his stuff, 226 00:12:16,120 --> 00:12:18,120 Speaker 1: and then we kind of clicked because you know, when 227 00:12:18,120 --> 00:12:20,520 Speaker 1: you make music, you end up in my travels, just 228 00:12:20,640 --> 00:12:22,640 Speaker 1: like you make the best music with the people you're cool. 229 00:12:23,320 --> 00:12:25,559 Speaker 1: So we just kind of clipped, like I liked. I 230 00:12:25,559 --> 00:12:27,000 Speaker 1: don't remember what it was when we first met. I 231 00:12:27,040 --> 00:12:29,240 Speaker 1: think he let me like, I've chasting him, hooked me 232 00:12:29,280 --> 00:12:30,520 Speaker 1: up with some weed, and he just gave me an 233 00:12:30,520 --> 00:12:32,800 Speaker 1: ounce and was like take that. I think it was 234 00:12:32,920 --> 00:12:37,040 Speaker 1: that it was something like that. I mean, you know, 235 00:12:37,120 --> 00:12:41,520 Speaker 1: because he's like one of the people I grew up. 236 00:12:41,559 --> 00:12:43,200 Speaker 1: You know, not to say he's an old man, but 237 00:12:43,280 --> 00:12:46,679 Speaker 1: you know he's not now, but you know that that 238 00:12:46,760 --> 00:12:48,320 Speaker 1: was first, you know, it was the music. Then we 239 00:12:48,360 --> 00:12:49,800 Speaker 1: linked and I was like this kids, you know what 240 00:12:49,880 --> 00:12:51,680 Speaker 1: I mean, this is somebody I could be, you know, 241 00:12:51,800 --> 00:12:53,520 Speaker 1: friends with him. We kind of linked like that, and 242 00:12:53,600 --> 00:12:56,320 Speaker 1: through time him coming out to LA, were working and 243 00:12:56,360 --> 00:12:58,520 Speaker 1: we just built a relationship where it was like that's 244 00:12:58,559 --> 00:13:00,920 Speaker 1: how we broke the ice to make more than just 245 00:13:00,960 --> 00:13:03,400 Speaker 1: a joint here there. And I know I know what 246 00:13:03,480 --> 00:13:05,400 Speaker 1: he's about now, and I know how to fit the 247 00:13:05,520 --> 00:13:07,040 Speaker 1: right beats. So when we get up it's like a 248 00:13:07,080 --> 00:13:09,920 Speaker 1: guarantee we're gonna make something anytime. Well, I take rap 249 00:13:10,000 --> 00:13:11,920 Speaker 1: literally mass it's a few things off the album. I 250 00:13:11,960 --> 00:13:13,839 Speaker 1: need to know. Can you really speak six languages and 251 00:13:13,920 --> 00:13:17,720 Speaker 1: three voices? I can speak two languages and two and 252 00:13:17,720 --> 00:13:21,240 Speaker 1: a half voices, but I just speak English and Spanish 253 00:13:21,280 --> 00:13:23,199 Speaker 1: and I understand a little bit of Albanian, but I 254 00:13:23,240 --> 00:13:26,199 Speaker 1: don't speak it fluently, which I'm embarrassed about not. I'm 255 00:13:26,240 --> 00:13:28,880 Speaker 1: gonna be honest, be honest. Have you ever really been 256 00:13:28,920 --> 00:13:30,640 Speaker 1: in first class with a heart because I thought one 257 00:13:32,200 --> 00:13:34,720 Speaker 1: million percent, like coming back from Texas, I had a 258 00:13:34,760 --> 00:13:38,360 Speaker 1: heart on and I was sitting random Or are you 259 00:13:38,440 --> 00:13:40,320 Speaker 1: thinking a lot of times when you fly? I don't 260 00:13:40,320 --> 00:13:46,679 Speaker 1: know something about had on coming back from Austin. Yeah, 261 00:13:47,920 --> 00:13:50,679 Speaker 1: it's a separation, fam You don't need to know that 262 00:13:51,160 --> 00:13:54,920 Speaker 1: because you know daydreaming or is it just a random 263 00:13:55,080 --> 00:13:59,000 Speaker 1: it's it's the pressure of something that only morning wards 264 00:13:59,040 --> 00:14:01,840 Speaker 1: on first class exactly? Just you know, damn, I'm up here, 265 00:14:01,880 --> 00:14:03,840 Speaker 1: I got all this room, might as well get comfortable. 266 00:14:03,880 --> 00:14:07,319 Speaker 1: But if you guys both we wouldn't know, we wouldn't 267 00:14:07,320 --> 00:14:15,760 Speaker 1: be convers You wouldn't know about that. And you also 268 00:14:15,800 --> 00:14:18,520 Speaker 1: said overseas you probably got mad kids you don't even 269 00:14:18,559 --> 00:14:20,840 Speaker 1: know about. That could be a possibility. You gotta start 270 00:14:20,880 --> 00:14:28,560 Speaker 1: winning condoms overseas. Listen. I never rappers think when they're 271 00:14:28,560 --> 00:14:35,480 Speaker 1: overseas it doesn't count. They wear different outfits straight up. 272 00:14:35,520 --> 00:14:38,080 Speaker 1: I know. I know dudes that only wear certain tight 273 00:14:38,160 --> 00:14:40,360 Speaker 1: shirts and they will not wear that. In New York 274 00:14:41,680 --> 00:14:44,120 Speaker 1: they paid homage to Lost Boys too. You said you'd 275 00:14:44,160 --> 00:14:46,560 Speaker 1: resurrect Freaky Tie to do. I have to man that 276 00:14:46,840 --> 00:14:50,880 Speaker 1: I grew up on that the LB family. You know, Um, 277 00:14:51,280 --> 00:14:53,160 Speaker 1: he's just one of the best. You know, he's like, 278 00:14:53,240 --> 00:14:55,840 Speaker 1: he's kind of like Megos are now he was he 279 00:14:55,960 --> 00:14:58,720 Speaker 1: started that crazy ad stuff in the back. You know, 280 00:15:00,120 --> 00:15:01,880 Speaker 1: do you feel like this is your debut album? Though 281 00:15:02,400 --> 00:15:05,200 Speaker 1: it is my debut album because I put a lot 282 00:15:05,240 --> 00:15:07,040 Speaker 1: more work into this than I did a lot of 283 00:15:07,040 --> 00:15:11,960 Speaker 1: other projects, like the Blue Chips stuff. That's really like 284 00:15:12,200 --> 00:15:14,280 Speaker 1: just having fun and going in. It's not really like 285 00:15:14,360 --> 00:15:17,720 Speaker 1: taking time to listen to the EQ of the drum 286 00:15:18,000 --> 00:15:20,720 Speaker 1: or the EQ of the base. On this project, I 287 00:15:20,920 --> 00:15:23,800 Speaker 1: really really dug in and like was in the studio 288 00:15:23,840 --> 00:15:32,400 Speaker 1: for of everything being done. Yes and no, yes, because 289 00:15:32,440 --> 00:15:34,760 Speaker 1: you know you want to make you want to show 290 00:15:34,800 --> 00:15:38,160 Speaker 1: that you know, you're on that level of artists where 291 00:15:38,200 --> 00:15:41,880 Speaker 1: people dying to just buy your music. I've given a 292 00:15:41,880 --> 00:15:43,880 Speaker 1: lot of stuff out for free, and I've made a 293 00:15:43,880 --> 00:15:46,760 Speaker 1: lot of money on the road, So in that sense, 294 00:15:47,360 --> 00:15:49,720 Speaker 1: I don't care. But now I'm not dealing with an 295 00:15:49,720 --> 00:15:52,880 Speaker 1: independent situation. I'm dealing with people that are looking at 296 00:15:52,920 --> 00:15:55,560 Speaker 1: me like, oh, they're only gonna, you know, do better 297 00:15:55,600 --> 00:15:58,200 Speaker 1: for you when you're showing that you're moving for them. 298 00:15:59,080 --> 00:16:05,680 Speaker 1: So me making numbers happen, It's gonna be a lot 299 00:16:05,760 --> 00:16:08,440 Speaker 1: more helpful for myself in my situation with the label, 300 00:16:08,440 --> 00:16:10,520 Speaker 1: and they're gonna want to push me more and do 301 00:16:10,640 --> 00:16:14,080 Speaker 1: more things possibly, you know what I mean. Did you 302 00:16:14,160 --> 00:16:16,320 Speaker 1: think about things like what is my first single gonna be? 303 00:16:16,440 --> 00:16:18,800 Speaker 1: Is it's a radio friendly song? Things that you never 304 00:16:18,840 --> 00:16:22,040 Speaker 1: thought about before the rappers. Rappers think that every new 305 00:16:22,080 --> 00:16:24,760 Speaker 1: song is their single. You know, the newest song that 306 00:16:24,800 --> 00:16:27,320 Speaker 1: they just made is the single I thought mad songs 307 00:16:27,320 --> 00:16:29,760 Speaker 1: on my single. I don't know what a single is, 308 00:16:30,040 --> 00:16:34,880 Speaker 1: but baby Blue, the new one, is definitely my best shot. Right. 309 00:16:35,200 --> 00:16:37,360 Speaker 1: I like that, and I think crazy. I hear that 310 00:16:37,400 --> 00:16:39,280 Speaker 1: on the radio. It's on the radio a lot, but 311 00:16:39,320 --> 00:16:42,440 Speaker 1: I would you know it? I don't know, I can't 312 00:16:42,480 --> 00:16:46,920 Speaker 1: call it baby Blue is more of a musical Yeah, 313 00:16:46,920 --> 00:16:48,680 Speaker 1: it's more of a musical piece. The other one is 314 00:16:48,720 --> 00:16:51,480 Speaker 1: more of a it's like a street single. But that's 315 00:16:51,520 --> 00:16:53,440 Speaker 1: good because then that keeps you, you know, it keeps 316 00:16:53,440 --> 00:16:58,160 Speaker 1: me on both sides your core fan base without the 317 00:16:58,160 --> 00:17:03,600 Speaker 1: one that's a little different for you. Listen. Yeah, I 318 00:17:04,040 --> 00:17:06,640 Speaker 1: don't know how these people think. Honestly, I just don't 319 00:17:06,640 --> 00:17:08,720 Speaker 1: get it sometimes. But um, what are there like for 320 00:17:08,760 --> 00:17:10,320 Speaker 1: you in a meeting when you have to sit down 321 00:17:10,359 --> 00:17:13,680 Speaker 1: and like go over? I can't. Yeah, it's so crazy, 322 00:17:13,760 --> 00:17:16,720 Speaker 1: It's it's ridiculous the breakdowns. I'm just sitting there like 323 00:17:16,760 --> 00:17:21,200 Speaker 1: this because you know, I don't really like I don't 324 00:17:21,320 --> 00:17:25,639 Speaker 1: like doing those types of things. But you have to. 325 00:17:26,080 --> 00:17:27,639 Speaker 1: You have to be on top of your business and 326 00:17:27,720 --> 00:17:29,960 Speaker 1: know exactly. You gotta know who your marketing persons. You 327 00:17:29,960 --> 00:17:31,600 Speaker 1: gotta know who's doing this. You gotta know who's doing that. 328 00:17:31,640 --> 00:17:34,720 Speaker 1: You gotta know who's doing this. You gotta have everybody 329 00:17:34,840 --> 00:17:37,240 Speaker 1: under control, and you gotta show face and be like, listen, 330 00:17:37,280 --> 00:17:39,520 Speaker 1: you know you guys are ready to work this and 331 00:17:39,560 --> 00:17:43,600 Speaker 1: just talk to people and build relationships with people. And 332 00:17:43,720 --> 00:17:45,240 Speaker 1: I feel like I've done that I feel like I 333 00:17:45,320 --> 00:17:46,720 Speaker 1: know a lot of the people that are working on 334 00:17:46,760 --> 00:17:50,480 Speaker 1: this project down from the lowest to the highest. And 335 00:17:51,680 --> 00:17:54,600 Speaker 1: that's pretty much the way it is. Oh, I have 336 00:17:54,640 --> 00:17:57,720 Speaker 1: a TV show for sure. We have the web series 337 00:17:57,760 --> 00:18:03,679 Speaker 1: called That's Delicious right now out on Vice Munchie's and 338 00:18:03,880 --> 00:18:07,000 Speaker 1: it will be coming to a cable network near you 339 00:18:07,480 --> 00:18:11,399 Speaker 1: in the full can just close which network it is, 340 00:18:12,240 --> 00:18:14,480 Speaker 1: it will be, it will it's it's a major move. 341 00:18:14,600 --> 00:18:16,880 Speaker 1: It's better be MTV because they love you in that building. Well, 342 00:18:16,880 --> 00:18:19,480 Speaker 1: I've helped me out. Man, let's go. I could do that. 343 00:18:19,560 --> 00:18:24,120 Speaker 1: I'm not exclusive. This is a non exclusive thing. How 344 00:18:24,119 --> 00:18:25,960 Speaker 1: hard is it to not wrap on records? Because I 345 00:18:26,000 --> 00:18:27,480 Speaker 1: had to roll the new idea and I'm like, that's 346 00:18:27,480 --> 00:18:29,200 Speaker 1: a tough track with you don't wrap, Like, how hard 347 00:18:29,119 --> 00:18:30,359 Speaker 1: is it to say, you know what, I'm just gonna 348 00:18:30,440 --> 00:18:32,159 Speaker 1: let that one rude up? You gotta I mean, I 349 00:18:32,240 --> 00:18:34,840 Speaker 1: just I was like, you know, I gotta think out 350 00:18:34,840 --> 00:18:36,359 Speaker 1: of the box on this and just let it go. 351 00:18:37,160 --> 00:18:39,320 Speaker 1: I just I just let it go. Man. Honestly, I 352 00:18:39,920 --> 00:18:44,639 Speaker 1: did less thinking and more from the gutch feeling just 353 00:18:44,720 --> 00:18:47,400 Speaker 1: you know what, boom, let's do this. This feels good 354 00:18:47,480 --> 00:18:50,160 Speaker 1: right here, This feels like a movie. I'm more trying 355 00:18:50,200 --> 00:18:53,000 Speaker 1: to paint the scene and create a whole spectrum of 356 00:18:53,119 --> 00:18:56,560 Speaker 1: sound other than hit people with your single songs. So 357 00:18:56,760 --> 00:18:58,640 Speaker 1: with this album, I'd love it to be listening through 358 00:18:58,640 --> 00:19:00,560 Speaker 1: the whole, the whole way, you know, so you could 359 00:19:00,600 --> 00:19:03,320 Speaker 1: hear the transitions and the inter lose and for it 360 00:19:03,359 --> 00:19:06,639 Speaker 1: to make sense. Having lost forty pounds recently, has that 361 00:19:06,760 --> 00:19:09,360 Speaker 1: changed your sex life? No, my sex life was incredible 362 00:19:09,400 --> 00:19:21,840 Speaker 1: before just New Moves, New Moves. I was just talking crazy. 363 00:19:22,760 --> 00:19:24,320 Speaker 1: I was out of control. I didn't know what I 364 00:19:24,359 --> 00:19:26,879 Speaker 1: was saying. Honestly, I looked at that and I was 365 00:19:28,760 --> 00:19:36,240 Speaker 1: I was like what I was an It was like that. Yeah, 366 00:19:36,400 --> 00:19:38,640 Speaker 1: it was like the seagull, the whole seagull I routed. 367 00:19:39,359 --> 00:19:41,920 Speaker 1: You feel like this album tells your story? I think 368 00:19:41,960 --> 00:19:44,600 Speaker 1: it does. I feel like this album tells you exactly 369 00:19:44,640 --> 00:19:47,280 Speaker 1: who I am and what my influencers are, and where 370 00:19:47,320 --> 00:19:49,200 Speaker 1: I am musically in my life and where I am 371 00:19:49,200 --> 00:19:53,000 Speaker 1: in my life period. You know, I feel great. Um, 372 00:19:53,280 --> 00:19:56,720 Speaker 1: my mind is clear, and I'm just you know, I'm 373 00:19:56,760 --> 00:19:59,640 Speaker 1: ready to tackle everything that's put in my path. And 374 00:20:00,119 --> 00:20:02,520 Speaker 1: not only that, I'm at my most creative at this point. 375 00:20:02,560 --> 00:20:06,760 Speaker 1: I feel just you know, from just everything that's going on. 376 00:20:07,520 --> 00:20:09,720 Speaker 1: Just ideas just pop up all the time, and it's 377 00:20:09,760 --> 00:20:12,080 Speaker 1: not like anybody else's who would you love to work 378 00:20:12,080 --> 00:20:17,199 Speaker 1: with that you have it with yet Carlos Santana, straight up, 379 00:20:18,400 --> 00:20:20,240 Speaker 1: straight up, I love him. Like we were in South 380 00:20:20,280 --> 00:20:22,680 Speaker 1: Africa and I saw him at breakfast. I couldn't even 381 00:20:22,840 --> 00:20:25,160 Speaker 1: say a word to him. I was like, you didn't 382 00:20:25,160 --> 00:20:27,680 Speaker 1: even speak. I couldn't. I couldn't because my eye go. 383 00:20:27,760 --> 00:20:30,120 Speaker 1: I fanned out one of the first albums I've ever 384 00:20:30,160 --> 00:20:32,000 Speaker 1: heard in my life. And my father's car back in 385 00:20:32,040 --> 00:20:35,760 Speaker 1: the day driving a barren mountain and yeah, straight up 386 00:20:36,280 --> 00:20:39,560 Speaker 1: we used to take those tips too, damn mountain man. 387 00:20:39,640 --> 00:20:42,600 Speaker 1: Carlos Santana is just one person for sure. But we 388 00:20:42,640 --> 00:20:44,800 Speaker 1: appreciate you joining us this morning. Thank you guys for 389 00:20:44,840 --> 00:20:51,120 Speaker 1: having me again. Any stores right now, thank Yeah, it's 390 00:20:51,119 --> 00:20:53,800 Speaker 1: the Breakfast Club Action Bronson. Yes,