WEBVTT - #346: Alabama White Sauce On Your Roast Beef

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<v Speaker 1>Start Up, dot Up, start Up, Brooklyn Boys, start Up,

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<v Speaker 1>Brooklyn Boys, start up Up, They making noise Up, start Up,

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<v Speaker 1>dot Up, Episode three forty six of The Brooklyn Boys podcast.

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<v Speaker 2>Hello David Brody.

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<v Speaker 3>Hello, Scary Jones. Very exciting, very exciting day, big day

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<v Speaker 3>on our podcast. I don't know what makes this day

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<v Speaker 3>bigger than the other days, but you know, well you

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<v Speaker 3>have you have exciting contents. I've got exciting content, don't

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<v Speaker 3>we always?

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<v Speaker 2>Isn't that? What we aim to do is please the slices.

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<v Speaker 3>Sometimes before the show, one of us will say, oh,

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<v Speaker 3>I don't have a lot today.

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<v Speaker 2>What do you got today?

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<v Speaker 3>You said you had something huge for me, and I

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<v Speaker 3>know I've got a lot of stuff today.

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<v Speaker 2>I'm very excited.

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<v Speaker 3>Well no, I mean, well, the huge thing is not

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<v Speaker 3>it's I don't know how big this is, but it's

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<v Speaker 3>an apossole what she said.

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<v Speaker 2>Yeah, it's an apology.

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<v Speaker 3>I have to come off right right up top before

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<v Speaker 3>everybody starts leaving their talkbacks.

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<v Speaker 2>I'm sure it's already too late, but on a I

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<v Speaker 2>can leave talkbacks. We haven't said anything yet.

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<v Speaker 4>Well.

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<v Speaker 3>On the previous episode of The Brooklyn Boys Slice Time

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<v Speaker 3>talkback episodes.

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<v Speaker 2>Days ago, yep, okay, I went off.

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<v Speaker 3>We went off. The Brooklyn Boys went off on Juan Valdez,

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<v Speaker 3>you know, Juan Vazquez. Why because you accidentally you accidentally

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<v Speaker 3>played a talkback that he left for Gandhi's podcast, Ghani

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<v Speaker 3>from the Elvis Duran show, right, saw us on the

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<v Speaker 3>side yet, so I accidentally played that and he was

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<v Speaker 3>kind of, you know, sucking up to them and saying

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<v Speaker 3>he wants to and we were upset because he gave

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<v Speaker 3>her a gift and he's never given us any gifts. Correct, Well, okay,

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<v Speaker 3>So basically the gift was he hand painted a picture

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<v Speaker 3>of Gandhi and her face coming out of a flower

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<v Speaker 3>pot with flower flowers, right, And it was very it

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<v Speaker 3>was beautiful and and that's how we described it, and

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<v Speaker 3>it was it was. Yeah, it was a great gift.

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<v Speaker 3>And I'm like, well, wait a second, what about your

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<v Speaker 3>boys over here? You love the Brooklyn Boys, your a

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<v Speaker 3>slice for life? Should we should play the play the

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<v Speaker 3>free ship for us? Jingle, scary, go ahead, the.

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<v Speaker 2>Free ship for us? Oh, just so we should solicit

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<v Speaker 2>for that, right? Yeah?

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<v Speaker 3>I think I brought that one home. Free ship for us.

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<v Speaker 2>Yeah, I'll play that for you. Hold on, a second

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<v Speaker 2>any day now.

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<v Speaker 3>For us' right, we like free ship, especially if it's

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<v Speaker 3>handmade ship. And one is a big fan of ours,

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<v Speaker 3>a very loyal supporter. Yeah, we appreciate his talkbacks. Yeah

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<v Speaker 3>you know and moderate well. I to Gandhi yesterday and

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<v Speaker 3>I said, Gandhi, I just want to say, right off

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<v Speaker 3>the bat, I'm sorry. I apologized, but I played two

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<v Speaker 3>of your talkbacks and accidentally on the Brooken Boys podcast

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<v Speaker 3>like time by the way, Okay, you can accidentally play one,

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<v Speaker 3>but you didn't accidentally. Well, I said, we needed to

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<v Speaker 3>hear the second one, the second part of it, and

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<v Speaker 3>it was because Juan Valdez as we know him, was

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<v Speaker 3>thanking you. It was actually ingratiating himself to you. And

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<v Speaker 3>said Gandhi to Gandhi, yep about your podcast and how

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<v Speaker 3>you know if you like the painting he made? Well,

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<v Speaker 3>I said, I then went off on Wan because Wan

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<v Speaker 3>has never done anything to paint or do something for

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<v Speaker 3>the Brooken Boys. He's been a longtime fan of the

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<v Speaker 3>Brooken Boys. And then Gandhi was like, what are you

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<v Speaker 3>talking about?

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<v Speaker 2>I said, what do you mean? What am I talking about?

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<v Speaker 3>He he goes, she goes scary look back there on

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<v Speaker 3>the windowsill next to your desk.

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<v Speaker 2>What the fuck?

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<v Speaker 3>I said, that's a painting that our friend tattoo Bob

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<v Speaker 3>did for me. And then she goes, really, she goes,

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<v Speaker 3>that's tattoo Bob. She says, it looks awfully like the

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<v Speaker 3>same style of painting that Huan did for me.

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<v Speaker 2>She said, no fucking way, I said.

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<v Speaker 3>This thing has been sitting here as my prize possession,

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<v Speaker 3>on my windowsill where I sit. Wait, does this mean

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<v Speaker 3>tattoo Bob did the thing that he gave Gandhi, a

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<v Speaker 3>hand painted Scary Jones picture, which has been sitting here

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<v Speaker 3>for two years since we moved in. I'm like, this

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<v Speaker 3>is great, this is awesome. We talked about it on

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<v Speaker 3>the radio. Okay, great, all that being said, she was, no, no, no, no,

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<v Speaker 3>let's go over there. I walk over to the picture.

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<v Speaker 3>We pick it up, looking for some kind of artist whatever.

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<v Speaker 3>I turn it around the signature Juan Veasquez. Wow, all

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<v Speaker 3>this time I thought that that picture was painted by

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<v Speaker 3>tattoo Bob.

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<v Speaker 2>Well, let me ask you a question. Does it look

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<v Speaker 2>like you?

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<v Speaker 3>No, it's great, though, I mean, it's it's got these

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<v Speaker 3>big bug eyes.

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<v Speaker 2>It's it's actually it's an.

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<v Speaker 3>It's interpretation, don't they say that artists can interpret anyway

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<v Speaker 3>they want. If it looks nothing like you, there's a

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<v Speaker 3>good chance it could be tattoo bo. It's well anyway.

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<v Speaker 3>So I apologize, sanz Hawan Valdez. I apologize on behalf

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<v Speaker 3>of the Brooklyn Boys. Thank you so much for the

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<v Speaker 3>scary Jones picture that I've had and cherished all this time.

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<v Speaker 2>I take it all back. I take it all back.

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<v Speaker 2>Hold on a second.

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<v Speaker 3>I understand that you're apologizing to him because he drew

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<v Speaker 3>he made a painting for you.

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<v Speaker 2>Yeah, he did. Thank you. We're good. We're good. But

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<v Speaker 2>wait a minute, where's the painting for Brody?

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<v Speaker 3>I mean, I'm I don't necessarily want one, but I

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<v Speaker 3>didn't get one, So I'm going back to pitching.

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<v Speaker 2>So Gandhi got one?

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<v Speaker 3>Did he do one for for the for the Serial

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<v Speaker 3>Killers podcast? They get one?

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<v Speaker 2>No, but he said that he's gonna do them next.

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<v Speaker 2>The fuck.

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<v Speaker 3>What I'm I'm I support him, I defend him, and

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<v Speaker 3>I get bhoop kiss from him? Oh fuck that what?

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<v Speaker 2>I think? We're okay here and there's nothing to see here.

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<v Speaker 2>Me and one were cool.

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<v Speaker 3>Me and one Jan and I Juan and I and

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<v Speaker 3>by the way, He'll always say, and it'll always be

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<v Speaker 3>brody and scary, except when it comes to paintings, and

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<v Speaker 3>it's scary and Gandhi and nobody else. Yeah, yeah, yeah,

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<v Speaker 3>this is your boy.

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<v Speaker 2>And as always I paint for scary and Gandhi.

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<v Speaker 3>That's correct.

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<v Speaker 2>So yeah, so I think I'm cool.

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<v Speaker 3>And I'm so sorry that I ripped ripped you wan,

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<v Speaker 3>I'm not sorry. I'm not sorry. No, no, no, I'm

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<v Speaker 3>not sorry at all. You've set you gotta pay. What

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<v Speaker 3>does the only make paintings for current iHeartMedia employees?

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<v Speaker 2>Is that why I didn't got one?

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<v Speaker 3>I don't know. I mean, I got it. I gotta

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<v Speaker 3>say it's it's it's a great painting. It's it's it's hilarious.

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<v Speaker 3>Everyone comments on it. But my god, I'm sorry. I

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<v Speaker 3>was giving Tattoo Bob all the credit. Tattoo Bob by

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<v Speaker 3>the way, another artist.

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<v Speaker 2>On the Morning show.

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<v Speaker 3>Yeah, you don't even deserve the painting because you didn't

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<v Speaker 3>even give you. You got the painting. You didn't bother

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<v Speaker 3>to look to see a name on the back. You

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<v Speaker 3>put it up on your desk and you never looked.

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<v Speaker 3>And you've never know what. And he never thanked you.

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<v Speaker 3>I bet because you'd never thanked him, is why I

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<v Speaker 3>didn't get a painting.

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<v Speaker 2>No way, that's what I think. No.

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<v Speaker 3>Wow, Why did I think it was tattoo bob all

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<v Speaker 3>this time? Wow? So my gift was I get my

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<v Speaker 3>name first on every talk back and you got a painting?

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<v Speaker 2>Huh? So wait, does he are you a painting?

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<v Speaker 5>No?

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<v Speaker 2>I don't want a painting now now I'm good. You're good.

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<v Speaker 3>I don't want a painting. Now I'm good. I mean

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<v Speaker 3>it's it's actually a great painting. I'm actually gonna post it.

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<v Speaker 3>So we posted. Uh, I did the apology for Instagram.

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<v Speaker 3>I didn't post it yet, and and god he was

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<v Speaker 3>in it with me with her painting and my painting.

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<v Speaker 2>Side by side, so fantastic. So yeah, but I didn't.

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<v Speaker 2>I didn't post it yet.

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<v Speaker 3>But now I didn't post my picture that one did

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<v Speaker 3>for me because he didn't do one for me.

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<v Speaker 2>So we're back to bitching. Wow, no ship for up

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<v Speaker 2>for me, ship for you here. I was just coming

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<v Speaker 2>here trying to apologize.

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<v Speaker 3>Glad you're I'm glad you're excited for you. Yeah, I'm

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<v Speaker 3>glad you're apologizing. I don't have to apologize to Wan.

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<v Speaker 3>Did I miss did I miss it? Did he ship

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<v Speaker 3>it to me and I didn't get it? Did he

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<v Speaker 3>send it to the radio station and because I'm out there,

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<v Speaker 3>I didn't get it. Did he make a painting of

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<v Speaker 3>the Brooklyn Boys? No, No, he didn't. It took him

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<v Speaker 3>a long time to do that. I mean it's it's beautiful,

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<v Speaker 3>it's it's very detailed.

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<v Speaker 2>Uh huh. So I appre I appreciate you one.

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<v Speaker 3>Yeah, on Brody doesn't as always, as always is Brody

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<v Speaker 3>and scary. Yeah, but as Holais, you didn't make a

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<v Speaker 3>painting for me as always with scary. Okay, you see

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<v Speaker 3>the way we just came back from commercial. Yeah, and

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<v Speaker 3>there was there was nothing announcing us coming back from commercial.

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<v Speaker 3>And I said, last episode of the episode before, we

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<v Speaker 3>need to have rejoins. We need to have something that

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<v Speaker 3>says all we're back, the Brooklyn Boys are back, or

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<v Speaker 3>you know, like like radio shows do more with Elvis

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<v Speaker 3>Duran in the morning show.

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<v Speaker 2>Whatever. So I emailed you fifteen or sixteen of them.

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<v Speaker 3>I'd like to play them now, all different genres, and

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<v Speaker 3>I think these are really good. One of them I

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<v Speaker 3>did was a tribute to kiss where the way they

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<v Speaker 3>used to open the show all the time. So uh,

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<v Speaker 3>don't play the one that says you wanted the best

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<v Speaker 3>until I tell you to.

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<v Speaker 2>Dude, you've got them ready. We have eighteen of these?

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<v Speaker 3>Yeah, terrific, Yeah, fantastic. Well, because I want I don't

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<v Speaker 3>want burnout. I don't want them to play every time

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<v Speaker 3>we come back from commercial. We have an auditional eighteen

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<v Speaker 3>of these right now. Yeah, that's that's the segment. Here

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<v Speaker 3>we go or only like ten to twelve seconds each.

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<v Speaker 3>Oh god, this is gonna ge it grow on people.

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<v Speaker 3>Excuse why don't we Why don't we play?

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<v Speaker 2>Like? Why we play eight now and then we'll play

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<v Speaker 2>eight later?

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<v Speaker 3>Yeah?

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<v Speaker 2>The fuck is that? Why did you lower it? I

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<v Speaker 2>didn't lower it, lowered by itself? What the hell was that?

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<v Speaker 2>I play another one? Ladies subs?

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<v Speaker 4>Yes?

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<v Speaker 2>Is that us?

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<v Speaker 1>Yeah?

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<v Speaker 2>Ladies, but it only has to be said once. By

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<v Speaker 2>the way, what do you say? And now you can

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<v Speaker 2>talk over the instrumental? Don't lower ladies and gentlemen. You

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<v Speaker 2>don't have to. You don't have to say ladies and

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<v Speaker 2>gentlemen twice.

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<v Speaker 3>Though you have a rockstar, you do?

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<v Speaker 2>I like that? Come back from commercial?

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<v Speaker 3>Yeah, I don't think we can match that energy. Ever, Well,

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<v Speaker 3>come on this other genres? What else you got? Announce

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<v Speaker 3>which one genre? I have a country I have a

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<v Speaker 3>country female. There's a country female. All right?

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<v Speaker 2>The podcast is bad? What what from the shooting school?

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<v Speaker 3>Were back on?

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<v Speaker 2>Our audience likes country music.

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<v Speaker 3>We're back from a fucking uh driving driving to the

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<v Speaker 3>general store, uh down a dirt dirt road on our

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<v Speaker 3>pickup truck. Really in the generally, that's what we're talking about.

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<v Speaker 3>We have a varied audience.

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<v Speaker 2>My friends.

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<v Speaker 3>Stop insulting people. But that doesn't sound like a great comeback.

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<v Speaker 3>That's not how the Brooklyn Buts are. First of all,

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<v Speaker 3>Brooklyn is Brooklyn, New York. What the hell does that

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<v Speaker 3>have to do with the country rejoin scary? We do

0:11:56.000 --> 0:11:57.960
<v Speaker 3>a national podcast for a national audience.

0:11:58.040 --> 0:11:59.760
<v Speaker 2>I know, but that that is, that's off.

0:12:00.559 --> 0:12:02.760
<v Speaker 3>That's so I got electric, I got an electronic I

0:12:02.760 --> 0:12:03.040
<v Speaker 3>got here.

0:12:03.040 --> 0:12:06.480
<v Speaker 2>Okay, here's here's an electronic mail. Let it play.

0:12:06.720 --> 0:12:11.480
<v Speaker 3>Let it play.

0:12:12.559 --> 0:12:18.720
<v Speaker 6>The Brooklyn Boys podcast.

0:12:24.200 --> 0:12:25.200
<v Speaker 2>What's you yelling for?

0:12:26.679 --> 0:12:27.839
<v Speaker 3>To let people know what's back?

0:12:29.360 --> 0:12:31.440
<v Speaker 2>It's your kind of music? That is not.

0:12:31.520 --> 0:12:34.720
<v Speaker 3>First of all, that's not electronica. The one another one

0:12:34.720 --> 0:12:35.280
<v Speaker 3>I got another one that.

0:12:35.640 --> 0:12:39.160
<v Speaker 2>Another electric here electronic mail one would stop lowering the volume.

0:12:39.240 --> 0:12:41.280
<v Speaker 3>I'm not lowering it. It's doing it on its own.

0:12:43.000 --> 0:12:46.480
<v Speaker 3>This is your crack pot AI team, that AI team

0:12:46.520 --> 0:12:48.240
<v Speaker 3>that did this. You know, I put a fade on

0:12:48.280 --> 0:12:55.120
<v Speaker 3>all of them. She could talk over them.

0:12:55.160 --> 0:13:06.160
<v Speaker 2>Brooklyn Podcast. Really wait, okay, you have to say it twice?

0:13:06.200 --> 0:13:06.400
<v Speaker 3>Wait?

0:13:07.440 --> 0:13:11.200
<v Speaker 2>Yes, the dude ready for the beat drop? Yep?

0:13:14.760 --> 0:13:17.439
<v Speaker 3>Yeah, I mean I like them instrumentation at the end,

0:13:17.440 --> 0:13:20.840
<v Speaker 3>but I do not like the way that the crescendo happened.

0:13:20.840 --> 0:13:22.880
<v Speaker 2>And keep calling and these.

0:13:22.440 --> 0:13:25.080
<v Speaker 3>Are two drawn out It should be it should be

0:13:25.080 --> 0:13:28.040
<v Speaker 3>four seconds like boom. It shouldn't be like.

0:13:28.160 --> 0:13:30.960
<v Speaker 2>Drawn out for like thirty seconds. All right, No, it's

0:13:31.000 --> 0:13:33.240
<v Speaker 2>like a big intro, like, hey we're back. It's big news.

0:13:33.320 --> 0:13:35.160
<v Speaker 2>You want to do some rap ones.

0:13:35.880 --> 0:13:38.720
<v Speaker 3>Yeah, don't forget. People skip thirty on the commercials. Sometimes

0:13:38.720 --> 0:13:40.080
<v Speaker 3>you don't want them to miss these. Here we go,

0:13:40.360 --> 0:13:49.160
<v Speaker 3>oh god, yeah, the Brooklyn Boys podcast is back.

0:13:51.640 --> 0:13:59.559
<v Speaker 1>The Brooklyn Boys Podcast, The Boys Podcast.

0:14:00.200 --> 0:14:04.760
<v Speaker 2>It's a lot, it's long back and there we go.

0:14:06.200 --> 0:14:08.480
<v Speaker 3>I don't know, man, it takes a lot. That's a

0:14:08.760 --> 0:14:11.680
<v Speaker 3>big wind up, a big wind up. Well, you don't

0:14:11.679 --> 0:14:13.680
<v Speaker 3>have to hold your breath for ten seconds. Big deal.

0:14:14.880 --> 0:14:19.000
<v Speaker 3>It's content for the listeners. We're not on a radio

0:14:19.000 --> 0:14:21.160
<v Speaker 3>station with a clock and a time schedule. I know,

0:14:21.240 --> 0:14:23.960
<v Speaker 3>but I wanted to sound professional. Oh what don't you

0:14:23.960 --> 0:14:26.680
<v Speaker 3>got these do our professional? These are very professional. The

0:14:26.800 --> 0:14:42.120
<v Speaker 3>Brooklyn podcast is bad and now we come back. That

0:14:42.240 --> 0:14:45.400
<v Speaker 3>wasn't that one wasn't as bad as all the rest.

0:14:45.920 --> 0:14:49.160
<v Speaker 2>I love them. Keep going. I think we're far from perfect. No, no,

0:14:49.200 --> 0:14:51.240
<v Speaker 2>this is terrific. Love it. Oh, now we have a

0:14:51.360 --> 0:14:54.320
<v Speaker 2>rock one. Do we have rock in the beginning? No,

0:14:54.440 --> 0:14:59.280
<v Speaker 2>that was the anthem. Here we go. Come on, man,

0:15:03.480 --> 0:15:07.440
<v Speaker 2>that's a rip off of something the Brooklyn Boys podcast.

0:15:16.160 --> 0:15:17.640
<v Speaker 2>Sounds like machine Joe Kelly.

0:15:18.280 --> 0:15:22.440
<v Speaker 3>And then we start talking. See that's great short, that's

0:15:22.440 --> 0:15:23.040
<v Speaker 3>what you wanted.

0:15:23.440 --> 0:15:23.800
<v Speaker 2>Boom.

0:15:24.160 --> 0:15:24.600
<v Speaker 3>Yeah.

0:15:24.720 --> 0:15:27.160
<v Speaker 2>I don't know about that one. All right, the second

0:15:27.200 --> 0:15:29.200
<v Speaker 2>version of a rock of rock. Here we go.

0:15:33.000 --> 0:15:44.160
<v Speaker 3>The Brooklyn Boys podcast. Yes, yes, this is a brody

0:15:44.240 --> 0:15:46.520
<v Speaker 3>kind of rejo This is my this is me baby?

0:15:46.800 --> 0:15:47.680
<v Speaker 2>Is that your genre?

0:15:48.280 --> 0:15:51.680
<v Speaker 3>That's me rock? There we go? Oh you got you

0:15:51.720 --> 0:15:56.240
<v Speaker 3>did sca yellow Scott. This is a rejoin to the

0:15:56.280 --> 0:15:59.960
<v Speaker 3>show as done by a SKA female. Right, we just

0:16:00.080 --> 0:16:11.520
<v Speaker 3>the commercial the Hello Fresh Order yours now Boom.

0:16:07.400 --> 0:16:18.000
<v Speaker 7>Brooklyn Boys Podcast, Mighty Mighty Boss Tones.

0:16:18.560 --> 0:16:20.080
<v Speaker 3>Yeah, and then we're back.

0:16:20.760 --> 0:16:21.320
<v Speaker 2>Yeah.

0:16:22.440 --> 0:16:24.760
<v Speaker 3>For some reason, it's not clicking with me. It's just

0:16:25.120 --> 0:16:25.960
<v Speaker 3>something is off.

0:16:26.800 --> 0:16:29.280
<v Speaker 2>You're off. Something is off. Here is another one, Nah,

0:16:29.880 --> 0:16:31.000
<v Speaker 2>another scuff.

0:16:32.960 --> 0:16:44.240
<v Speaker 3>The yeah. Yeah you really think and that's supposed to

0:16:44.280 --> 0:16:45.120
<v Speaker 3>drive the energy.

0:16:45.520 --> 0:16:47.400
<v Speaker 2>Yeah to the next break. Yes.

0:16:47.480 --> 0:16:50.080
<v Speaker 3>Otherwise it's like commercial commercial. Hey, we're back now, it's

0:16:50.080 --> 0:16:53.800
<v Speaker 3>like commercial commercial boom, all right, unless you got another

0:16:53.840 --> 0:17:04.760
<v Speaker 3>couple of more for women. He's a gentleman, ladies and gentlemen.

0:17:04.760 --> 0:17:10.359
<v Speaker 2>You cut it off. Oh boy, I don't like him.

0:17:10.560 --> 0:17:14.720
<v Speaker 3>You got you wanted the best gentlemen the Brooklyn.

0:17:20.000 --> 0:17:22.440
<v Speaker 2>Yeah, listen to that. That sounds like Van Halen Padamo.

0:17:22.680 --> 0:17:24.520
<v Speaker 3>That's yes, that's driving music.

0:17:24.640 --> 0:17:25.399
<v Speaker 2>Man, that's great.

0:17:28.560 --> 0:17:28.760
<v Speaker 6>Man.

0:17:29.119 --> 0:17:31.520
<v Speaker 3>Come on man, we can do better than this. We

0:17:31.560 --> 0:17:34.440
<v Speaker 3>are better than this. No, I'm better than you. You're

0:17:34.480 --> 0:17:36.840
<v Speaker 3>not better than this. No, this is and one of

0:17:36.880 --> 0:17:38.920
<v Speaker 3>these on the ones that say you you wanted.

0:17:38.880 --> 0:17:40.639
<v Speaker 2>One of the best. Yeah, this is my tribute to

0:17:40.680 --> 0:17:41.760
<v Speaker 2>Kisses to open this show.

0:17:42.000 --> 0:17:44.480
<v Speaker 3>You wanted the best, you got the best, the hottest

0:17:44.480 --> 0:17:48.240
<v Speaker 3>man in the world, Kisses, Gene Simmons, I did this

0:17:50.400 --> 0:17:56.159
<v Speaker 3>and you got the best, the hottest protest in the world,

0:17:56.720 --> 0:18:01.440
<v Speaker 3>the Brooklyn Boys, once again losing his voice because he's

0:18:01.440 --> 0:18:04.240
<v Speaker 3>screaming so loud, straining his volage boards. What are you

0:18:04.320 --> 0:18:05.280
<v Speaker 3>talking about? It's Ai.

0:18:05.359 --> 0:18:11.160
<v Speaker 2>He's not losing his voice. That's it. And you got

0:18:11.160 --> 0:18:14.840
<v Speaker 2>the best THET podcast.

0:18:15.920 --> 0:18:25.360
<v Speaker 3>I don't know, man, from Commercial. I like the way

0:18:25.359 --> 0:18:27.080
<v Speaker 3>he fades out there. I like that. It's like a

0:18:27.160 --> 0:18:29.199
<v Speaker 3>cold fade where it ends on a note and the

0:18:29.240 --> 0:18:34.200
<v Speaker 3>note note fades out. But man, I love it. Slices

0:18:34.320 --> 0:18:37.520
<v Speaker 3>tell scary, he's crazy. Leave us at talkbacks, you love those.

0:18:38.800 --> 0:18:40.959
<v Speaker 3>That's the way to come back. Come from Commercial.

0:18:41.119 --> 0:18:44.159
<v Speaker 2>I hate every single one of them. I hate you

0:18:44.200 --> 0:18:47.000
<v Speaker 2>for hating them.

0:18:47.040 --> 0:18:50.520
<v Speaker 3>I mean, we're supposed to be going in a more

0:18:50.520 --> 0:18:54.119
<v Speaker 3>professional direction. That's just such and all. That's a professional

0:18:54.280 --> 0:18:57.760
<v Speaker 3>What are you talking about? Those are professionally done, Ai rejoins.

0:18:57.920 --> 0:19:00.359
<v Speaker 3>We need to make it sound polished and professional. We

0:19:00.400 --> 0:19:02.639
<v Speaker 3>need to We need to dig into our own piggy

0:19:02.640 --> 0:19:07.560
<v Speaker 3>banks here and and pay someone to do professionals don't

0:19:07.560 --> 0:19:10.560
<v Speaker 3>have a piggy bank, then it's gonna be incumbent upon

0:19:10.680 --> 0:19:14.040
<v Speaker 3>me because I I'm gonna have to do something here.

0:19:14.359 --> 0:19:19.639
<v Speaker 3>I cannot live with free AI versions of what that

0:19:20.320 --> 0:19:23.680
<v Speaker 3>It just terrific. I can hear the slices leaving talkbacks

0:19:23.680 --> 0:19:25.880
<v Speaker 3>now how much they love them and how scary's crazy.

0:19:27.160 --> 0:19:30.160
<v Speaker 3>It's just so rude, some of them, and they're so crude,

0:19:30.359 --> 0:19:34.000
<v Speaker 3>crude and rude. It's just the job is to get

0:19:34.000 --> 0:19:38.080
<v Speaker 3>people's attention from listening to the commercials. Then it's like, uh,

0:19:38.240 --> 0:19:40.200
<v Speaker 3>this was All State. You're a good and hands with

0:19:40.280 --> 0:19:42.720
<v Speaker 3>All State. The Brooklyn Boys are back and it's like, yeah,

0:19:42.720 --> 0:19:43.360
<v Speaker 3>I musing.

0:19:44.520 --> 0:19:47.440
<v Speaker 2>Yeah, what do you want? The Brooklyn Boys are back?

0:19:48.840 --> 0:19:51.800
<v Speaker 3>You all no, no, no, I want something, something bouncy,

0:19:52.000 --> 0:19:56.120
<v Speaker 3>something something melodic. I don't mind some drum and bass,

0:19:56.240 --> 0:19:59.119
<v Speaker 3>but I want it. But I also wanted and did electronic,

0:19:59.200 --> 0:20:04.520
<v Speaker 3>I did e DM you You're never happy. Yeah, it

0:20:04.680 --> 0:20:08.520
<v Speaker 3>just doesn't even match the production values of our other

0:20:08.600 --> 0:20:09.879
<v Speaker 3>jingles and our other intros.

0:20:09.920 --> 0:20:12.679
<v Speaker 2>Does that make any sense? It's like a whole different style.

0:20:14.240 --> 0:20:17.960
<v Speaker 3>Uh you know what, It's like, I think you're for

0:20:18.000 --> 0:20:22.520
<v Speaker 3>a meal and you're offering me an international buffet and

0:20:23.000 --> 0:20:25.800
<v Speaker 3>I don't like it. I don't like cloth. That's like,

0:20:26.040 --> 0:20:28.439
<v Speaker 3>you know, Oh, I'm gonna test some sushi. Oh I'm

0:20:28.440 --> 0:20:30.959
<v Speaker 3>gonna have some spaghetti. I'm gonna mix that with pizza

0:20:31.240 --> 0:20:33.639
<v Speaker 3>and a hot dog. That that's what that was. That

0:20:33.800 --> 0:20:36.360
<v Speaker 3>was mission. I'm not gonna play all of them coming

0:20:36.359 --> 0:20:39.480
<v Speaker 3>out of commercial. We're gonna play one one, no, no,

0:20:39.600 --> 0:20:43.680
<v Speaker 3>But that does not that every one of those, None

0:20:43.720 --> 0:20:46.160
<v Speaker 3>of those go with the rest of what we do

0:20:46.200 --> 0:20:49.000
<v Speaker 3>and our imaging that we use for Brooklyn boys, What.

0:20:48.960 --> 0:20:50.520
<v Speaker 2>Are you talking about? I did hip hop.

0:20:51.000 --> 0:20:53.240
<v Speaker 3>We have we have Beastie Boys as part of our imaging.

0:20:53.359 --> 0:20:55.359
<v Speaker 3>We have startup, startup that's hip hop.

0:20:55.600 --> 0:20:57.080
<v Speaker 2>Yeah, no, that's great.

0:20:57.320 --> 0:20:59.760
<v Speaker 3>I did hip hop ones the boys are back in town.

0:20:59.800 --> 0:21:02.840
<v Speaker 3>But those are real people, real production rooms, real music,

0:21:02.880 --> 0:21:03.600
<v Speaker 3>real voices.

0:21:04.160 --> 0:21:07.600
<v Speaker 2>This is all. This is all slock.

0:21:07.720 --> 0:21:09.680
<v Speaker 3>This coming from a guy who's one of his closest

0:21:09.680 --> 0:21:13.800
<v Speaker 3>friends follows AI women. Well, I can't be held accountable

0:21:13.800 --> 0:21:14.719
<v Speaker 3>for my friend's actions.

0:21:14.760 --> 0:21:18.320
<v Speaker 2>I'm sorry. I mean, just let's talk about each other.

0:21:18.760 --> 0:21:18.920
<v Speaker 1>Done.

0:21:18.960 --> 0:21:19.600
<v Speaker 2>I've done great.

0:21:19.720 --> 0:21:20.160
<v Speaker 3>I can't wait.

0:21:20.200 --> 0:21:21.439
<v Speaker 2>I wish we were doing I don't want to.

0:21:22.480 --> 0:21:24.600
<v Speaker 3>I can't wait for Slice time for three forty six

0:21:24.760 --> 0:21:26.640
<v Speaker 3>so I can hear all the slices calling up saying

0:21:26.760 --> 0:21:29.520
<v Speaker 3>Brody is right, Scary's a big complainer. Don't we love them?

0:21:29.600 --> 0:21:32.399
<v Speaker 3>I mean to take a ship in your cocoa puffs.

0:21:33.480 --> 0:21:33.920
<v Speaker 2>Terrific.

0:21:34.840 --> 0:21:38.119
<v Speaker 3>I don't mean they were refreshing, they were modern. They

0:21:38.119 --> 0:21:41.520
<v Speaker 3>were today's sound. AI is today. I'm given. I'm giving

0:21:41.520 --> 0:21:42.160
<v Speaker 3>them again.

0:21:42.160 --> 0:21:43.000
<v Speaker 2>I'm a man of the people.

0:21:44.280 --> 0:21:47.240
<v Speaker 3>I am a man of the people. I am a

0:21:47.280 --> 0:21:49.520
<v Speaker 3>man of the AI people. I am a man of

0:21:49.560 --> 0:21:52.040
<v Speaker 3>all people. You better watch where you step because it

0:21:52.080 --> 0:21:55.040
<v Speaker 3>may replace you. One day. We may be replaced by AI.

0:21:55.800 --> 0:21:57.560
<v Speaker 3>I'm gonna find an AI co host that likes the

0:21:57.560 --> 0:21:59.480
<v Speaker 3>work I do. That's what I'm gonna do. You know

0:21:59.520 --> 0:22:02.119
<v Speaker 3>what that's to do it? And then one one Van

0:22:02.160 --> 0:22:05.760
<v Speaker 3>de Valdez can make a painting about my AI co host,

0:22:06.560 --> 0:22:08.479
<v Speaker 3>or he could just tell AI to make a painting

0:22:08.520 --> 0:22:11.199
<v Speaker 3>for you, right and not make one for me, just

0:22:11.240 --> 0:22:15.200
<v Speaker 3>for the co host. That's AI already. And after the break,

0:22:15.200 --> 0:22:16.879
<v Speaker 3>by the way, I'm gonna tell you about my new

0:22:17.080 --> 0:22:19.960
<v Speaker 3>my favorite AI Instagram account. I am addicted. I can't

0:22:19.960 --> 0:22:22.159
<v Speaker 3>stop watching him. Did you watch the guy sent you?

0:22:23.400 --> 0:22:23.600
<v Speaker 2>Yes?

0:22:24.400 --> 0:22:26.320
<v Speaker 3>Ah? How good is he? Phenomena?

0:22:26.760 --> 0:22:27.280
<v Speaker 2>It's great?

0:22:27.800 --> 0:22:28.320
<v Speaker 3>All right?

0:22:28.359 --> 0:22:30.879
<v Speaker 2>Now here is some great production values.

0:22:31.000 --> 0:22:33.560
<v Speaker 3>Listeners. Hold on, hold on, hold on, Here's what I

0:22:33.560 --> 0:22:35.480
<v Speaker 3>want you to do. Scary, Oh boy, I'm gonna let

0:22:35.480 --> 0:22:37.520
<v Speaker 3>I'm gonna let you do it scary. When we come

0:22:37.560 --> 0:22:40.560
<v Speaker 3>back from commercial, I want you to play any one

0:22:40.600 --> 0:22:43.560
<v Speaker 3>of those jingles so the slices can hear what it

0:22:43.680 --> 0:22:47.840
<v Speaker 3>sounds like coming out of the slow commercials. Okay, you

0:22:47.960 --> 0:22:50.440
<v Speaker 3>got it, Hey, get one ready, we're gonna go to commercial,

0:22:50.760 --> 0:22:52.600
<v Speaker 3>and when we come back, we're gonna play one. The

0:22:52.600 --> 0:22:55.000
<v Speaker 3>slices can hear how it sounds. Can we come back

0:22:55.240 --> 0:22:59.080
<v Speaker 3>to excitement, Yes, but just know that this that's scary

0:22:59.240 --> 0:23:03.360
<v Speaker 3>is quality a A one Blue Ribbon material, this.

0:23:05.160 --> 0:23:05.720
<v Speaker 2>Podcast.

0:23:06.000 --> 0:23:15.040
<v Speaker 6>We will be right back, yeah.

0:23:12.840 --> 0:23:23.080
<v Speaker 3>The Brooklyn Boys podcasts back the Boys podcast. Yes, all right,

0:23:23.080 --> 0:23:26.760
<v Speaker 3>we're back, Yeah, we're back. All right, Thank you so much.

0:23:27.200 --> 0:23:31.439
<v Speaker 3>It sounds great. That sounds I understand the concept, and

0:23:31.480 --> 0:23:33.440
<v Speaker 3>I like the idea of a regional we call those,

0:23:33.560 --> 0:23:35.520
<v Speaker 3>by the way, in the business slices, we call that

0:23:35.520 --> 0:23:40.920
<v Speaker 3>the rejoin, we call that the stager the But I

0:23:41.480 --> 0:23:43.480
<v Speaker 3>think we can do better. I think that is just

0:23:43.480 --> 0:23:46.040
<v Speaker 3>a draft. That is a rough draft of what we

0:23:46.080 --> 0:23:49.439
<v Speaker 3>are capable of on the Brooklyn Boys Podcast. I just

0:23:49.480 --> 0:23:51.159
<v Speaker 3>think we go back to the drawing board and we

0:23:51.200 --> 0:23:55.080
<v Speaker 3>get new ones. Maybe you say you mean me, Well,

0:23:55.119 --> 0:23:56.000
<v Speaker 3>I think we should pay.

0:23:56.080 --> 0:23:59.200
<v Speaker 2>I think we should. We'll look into it and pay

0:23:59.520 --> 0:24:02.040
<v Speaker 2>someone to do real ones. Yeah, real ones.

0:24:02.200 --> 0:24:04.000
<v Speaker 3>We have to pay for the music to be created,

0:24:04.400 --> 0:24:05.840
<v Speaker 3>and we have to pay for the singers and the

0:24:05.840 --> 0:24:08.679
<v Speaker 3>studio time. You're talking about hundreds and hundreds of dollars.

0:24:08.840 --> 0:24:12.680
<v Speaker 3>I just gave you sixteen for free, and it sounded

0:24:12.720 --> 0:24:15.399
<v Speaker 3>that way too. It sounded for free. That's that's the

0:24:15.440 --> 0:24:16.040
<v Speaker 3>budget we're on.

0:24:16.119 --> 0:24:16.520
<v Speaker 2>All right.

0:24:16.680 --> 0:24:18.919
<v Speaker 3>Let me tell you speaking to AI, I want to

0:24:18.920 --> 0:24:21.480
<v Speaker 3>play my new favorite AI guy. Hold on, let me

0:24:21.480 --> 0:24:22.000
<v Speaker 3>pull them up.

0:24:22.080 --> 0:24:22.439
<v Speaker 2>Hold on.

0:24:24.320 --> 0:24:29.520
<v Speaker 3>So you've all seen small town usually Southern, with small

0:24:29.560 --> 0:24:32.640
<v Speaker 3>town sheriffs. Usually they're fat, and that they don't take

0:24:32.640 --> 0:24:36.040
<v Speaker 3>any shit. Yep, right, Like, let me tell you something.

0:24:36.040 --> 0:24:39.040
<v Speaker 3>Here's what's going on. So here's an account. It's called

0:24:39.720 --> 0:24:46.000
<v Speaker 3>Exclusively Organic Media on Instagram. Kay, it's a fat sheriff.

0:24:46.520 --> 0:24:49.359
<v Speaker 3>It's AI. He's got a buzz cut and he didn't

0:24:49.400 --> 0:24:53.119
<v Speaker 3>take any shit and everything is like every complaint he

0:24:53.200 --> 0:24:55.240
<v Speaker 3>starts with, I'm gonna just break it down for you.

0:24:56.160 --> 0:24:58.760
<v Speaker 3>He gives you, like something we've all complained about, and

0:24:58.800 --> 0:25:01.240
<v Speaker 3>he says, in this cant money, you go to jail

0:25:01.280 --> 0:25:02.639
<v Speaker 3>for that ship. I love it.

0:25:02.680 --> 0:25:04.080
<v Speaker 8>So let me let me play this guy here, let

0:25:04.119 --> 0:25:05.840
<v Speaker 8>me hold on. Here we go for you, Here we go,

0:25:05.840 --> 0:25:07.600
<v Speaker 8>Here we go. We're gonna break it down for you.

0:25:08.240 --> 0:25:10.480
<v Speaker 8>When ordering ice cream, go ahead and ask for a sample.

0:25:10.800 --> 0:25:13.199
<v Speaker 8>You ask for several more. In this county, you are

0:25:13.240 --> 0:25:15.320
<v Speaker 8>going to jail. I'm gonna break it down for you.

0:25:15.880 --> 0:25:18.680
<v Speaker 8>An ordering ice cream, I'm gonna break in love. Hold on,

0:25:18.720 --> 0:25:21.160
<v Speaker 8>hold on, I'm gonna break it down for you. Pickleball

0:25:21.200 --> 0:25:23.320
<v Speaker 8>is most likely the new four square for adults. But

0:25:23.400 --> 0:25:25.679
<v Speaker 8>don't you dare say we are not athletes. If so,

0:25:25.760 --> 0:25:27.240
<v Speaker 8>in this county, you are going to jail.

0:25:27.800 --> 0:25:29.359
<v Speaker 2>Okay, I'm gonna break it down for you.

0:25:29.400 --> 0:25:30.959
<v Speaker 4>If we allow you to merge in front of us

0:25:30.960 --> 0:25:32.919
<v Speaker 4>in traffic and you don't give a simple hand gesture

0:25:32.960 --> 0:25:35.520
<v Speaker 4>to acknowledge us bold in this county, you are going

0:25:35.560 --> 0:25:39.240
<v Speaker 4>to jail. I'm gonna break it down for you. If

0:25:39.240 --> 0:25:42.840
<v Speaker 4>you are constantly mixing up there, there, and there. In

0:25:42.840 --> 0:25:45.160
<v Speaker 4>this county, we have standards, and you are going to jail.

0:25:47.200 --> 0:25:48.679
<v Speaker 4>I'm gonna break it down for you. When you hear

0:25:48.680 --> 0:25:50.560
<v Speaker 4>a banger of a song, come on, start clapping on

0:25:50.560 --> 0:25:53.080
<v Speaker 4>one and three. Nope, in this county, we roll two

0:25:53.080 --> 0:25:54.560
<v Speaker 4>and four and you are going to jail.

0:25:57.240 --> 0:25:58.720
<v Speaker 2>Why do you like that one so much?

0:26:00.840 --> 0:26:04.080
<v Speaker 3>It's the ludicrousness of a county sheriff complaining about people

0:26:04.080 --> 0:26:05.080
<v Speaker 3>being off rhythm.

0:26:05.280 --> 0:26:08.120
<v Speaker 2>Yeah, that's right. There's one hundred of those. I can't

0:26:08.119 --> 0:26:11.920
<v Speaker 2>stop watching them. Right up, Brody, it's great, he says.

0:26:11.960 --> 0:26:14.160
<v Speaker 3>Just a big old fat guy, you know, like probably

0:26:14.200 --> 0:26:16.160
<v Speaker 3>named Bubba, And he's like, let me tell you something.

0:26:16.680 --> 0:26:18.520
<v Speaker 3>If you do the ship but the Brooklyn boys don't

0:26:18.520 --> 0:26:21.200
<v Speaker 3>approve of in this county, you're going to jail.

0:26:21.280 --> 0:26:23.440
<v Speaker 2>Like that's basically what it is in this county.

0:26:24.080 --> 0:26:26.040
<v Speaker 3>All right, that's gonna have to i'might have to take

0:26:26.119 --> 0:26:29.719
<v Speaker 3>him and do one for the Brooklyn boys.

0:26:29.800 --> 0:26:31.040
<v Speaker 2>Let me break it down for he's scary.

0:26:31.280 --> 0:26:33.720
<v Speaker 3>If Brody does Ai jingles and you don't like him

0:26:33.840 --> 0:26:34.960
<v Speaker 3>in this county, you're.

0:26:34.800 --> 0:26:36.520
<v Speaker 2>Going to jail, right to jail.

0:26:36.640 --> 0:26:39.920
<v Speaker 3>Now, he's got merch, he's got merch. You can buy

0:26:39.920 --> 0:26:41.960
<v Speaker 3>merch from him, that says, let me break it down

0:26:41.960 --> 0:26:44.600
<v Speaker 3>for you. Well's speaking of merch. We didn't make. We

0:26:44.600 --> 0:26:47.119
<v Speaker 3>didn't sell one piece of merch in July of twenty

0:26:47.119 --> 0:26:50.320
<v Speaker 3>twenty because all we have is odd sizes left and stock.

0:26:50.440 --> 0:26:50.960
<v Speaker 2>Gary.

0:26:51.119 --> 0:26:53.240
<v Speaker 3>Yeah, no, Orry, that's not true.

0:26:53.440 --> 0:26:57.480
<v Speaker 2>Really okay, also not helpful? All right? Well okay, well

0:26:57.520 --> 0:26:59.760
<v Speaker 2>go true go there. Brooklyn Boy is true.

0:26:59.760 --> 0:27:02.560
<v Speaker 3>I merch Matt, and I confirmed that most of the

0:27:02.600 --> 0:27:05.600
<v Speaker 3>items there have all the sizes. Oh perfect. So if

0:27:05.640 --> 0:27:08.600
<v Speaker 3>that's the case, bag No, I didn't know that. So

0:27:08.760 --> 0:27:11.040
<v Speaker 3>if they're back in stock and you wanted to buy

0:27:11.080 --> 0:27:15.359
<v Speaker 3>something previously, go back to the merch store. The Brooklyn

0:27:15.440 --> 0:27:18.200
<v Speaker 3>Boys merchan store stuff was back in stock. But there's

0:27:18.240 --> 0:27:20.600
<v Speaker 3>plenty of stuff in stock in all the sizes.

0:27:20.760 --> 0:27:21.119
<v Speaker 2>Okay.

0:27:21.160 --> 0:27:23.520
<v Speaker 3>So if that's the case, go to Brooklyn Boys dot

0:27:23.560 --> 0:27:27.600
<v Speaker 3>Bigcartel dot com. That's Brooklyn Boys dot Bigcartel dot com.

0:27:27.640 --> 0:27:29.760
<v Speaker 3>And if you're new to the podcast, why not show

0:27:29.760 --> 0:27:32.840
<v Speaker 3>your support right away? Yeah, before you fall in love

0:27:32.840 --> 0:27:35.080
<v Speaker 3>with us, which you will. You're probably thinking, this is

0:27:35.080 --> 0:27:37.080
<v Speaker 3>the first I saw an ad for the Brooklyn Boys, which,

0:27:37.119 --> 0:27:39.760
<v Speaker 3>by the way, we have sponsored ads. Now, hey, you

0:27:39.760 --> 0:27:41.200
<v Speaker 3>know what, I don't know who these guys are.

0:27:41.240 --> 0:27:41.840
<v Speaker 2>I love them.

0:27:41.960 --> 0:27:45.040
<v Speaker 3>Those jingles Brody did fantastic. I'm gonna buy his shirt.

0:27:45.119 --> 0:27:46.840
<v Speaker 3>Maybe I'll get a shirt that says I love Brody's

0:27:46.880 --> 0:27:48.760
<v Speaker 3>new AI jingles. We don't have one of those yet.

0:27:48.960 --> 0:27:50.160
<v Speaker 3>Maybe I'll have AI create one.

0:27:50.240 --> 0:27:51.919
<v Speaker 2>Maybe I will create one.

0:27:52.280 --> 0:27:54.639
<v Speaker 3>You know what, if you don't buy our merchandise in

0:27:54.680 --> 0:27:57.280
<v Speaker 3>this county, you're going to go to jail. Now, I'd

0:27:57.320 --> 0:28:00.480
<v Speaker 3>like to know why you were so pissed off when

0:28:00.480 --> 0:28:04.400
<v Speaker 3>you called me yesterday. You were heated, you were so angry.

0:28:05.119 --> 0:28:09.280
<v Speaker 3>Something happened to you, Brodie at the doctor's office. Yeah,

0:28:09.320 --> 0:28:10.000
<v Speaker 3>what's going on?

0:28:10.080 --> 0:28:10.399
<v Speaker 2>Happened?

0:28:11.560 --> 0:28:16.080
<v Speaker 3>Because I haven't heard you to that at that level

0:28:16.280 --> 0:28:17.919
<v Speaker 3>of anger in a long time.

0:28:18.800 --> 0:28:21.520
<v Speaker 2>You said, you know what, save it for the podcast.

0:28:21.680 --> 0:28:23.080
<v Speaker 2>I have to tell the story.

0:28:23.280 --> 0:28:24.360
<v Speaker 3>So here you are.

0:28:25.280 --> 0:28:27.240
<v Speaker 2>I'm gonna tell you right now. It ended. It ended.

0:28:27.440 --> 0:28:31.679
<v Speaker 3>I cursed in a doctor's office. So here's what happened.

0:28:32.640 --> 0:28:35.840
<v Speaker 3>I have I twined something in my knee, in my

0:28:35.920 --> 0:28:39.480
<v Speaker 3>left knee playing pickleball. I may have strained my hamstring.

0:28:39.720 --> 0:28:41.520
<v Speaker 3>I did something that's causing me a little knee pain.

0:28:41.560 --> 0:28:43.480
<v Speaker 3>I've talked about it. I had my knee drained a

0:28:43.520 --> 0:28:46.240
<v Speaker 3>couple of times, right, so I went back to the

0:28:46.360 --> 0:28:48.240
<v Speaker 3>orthopedist and I felt like I needed to get my

0:28:48.320 --> 0:28:51.160
<v Speaker 3>knee drained again. He says, you know what, you have

0:28:51.240 --> 0:28:53.400
<v Speaker 3>a little pressure build up, but it's not from fluid.

0:28:54.920 --> 0:28:58.080
<v Speaker 3>You might have damaged something, nothing serious, but you should

0:28:58.080 --> 0:29:02.200
<v Speaker 3>get an MRI. Now, I've met my deductible for the year,

0:29:02.800 --> 0:29:05.320
<v Speaker 3>so anything I do between now and December thirty first

0:29:05.440 --> 0:29:07.200
<v Speaker 3>is freeol scary.

0:29:07.200 --> 0:29:08.680
<v Speaker 2>If you'd like an MRI, I'll get you one, all

0:29:08.760 --> 0:29:11.200
<v Speaker 2>side free. Brody loves that word.

0:29:12.120 --> 0:29:15.640
<v Speaker 3>Now, I don't like MRIs. I can't go in the tube.

0:29:16.080 --> 0:29:18.600
<v Speaker 3>I get claustrophobic in the tube. And now they have

0:29:18.640 --> 0:29:22.120
<v Speaker 3>ones there called open MRI where it's like being in

0:29:22.120 --> 0:29:24.480
<v Speaker 3>the middle of an ice cream sandwich. It's a round

0:29:24.600 --> 0:29:28.280
<v Speaker 3>disc on top of you and on a round platform,

0:29:28.520 --> 0:29:31.280
<v Speaker 3>and you get in and although it comes pretty close

0:29:31.320 --> 0:29:34.160
<v Speaker 3>to your head and your body, you can still look

0:29:34.200 --> 0:29:36.960
<v Speaker 3>out to the sides, so you're not as claustrophobic. But

0:29:37.000 --> 0:29:39.320
<v Speaker 3>I gotta be honest with you, I don't love that either,

0:29:39.840 --> 0:29:41.920
<v Speaker 3>because I feel like I can't sit up and I'm trapped.

0:29:42.360 --> 0:29:44.920
<v Speaker 3>That's just me. I don't like it. If I have

0:29:45.000 --> 0:29:48.400
<v Speaker 3>to do it, I don't like it. So about two

0:29:48.480 --> 0:29:52.600
<v Speaker 3>years ago I found a place that is new technology.

0:29:52.680 --> 0:29:54.280
<v Speaker 3>There are two things now that I don't know if

0:29:54.320 --> 0:29:56.239
<v Speaker 3>a lot of people know about. There's something called an

0:29:56.320 --> 0:30:00.360
<v Speaker 3>upright MRI, where you sit in a chair and you

0:30:00.400 --> 0:30:04.800
<v Speaker 3>watch television, and the MRI goes around you whatever area

0:30:04.840 --> 0:30:07.920
<v Speaker 3>it needs to go around you. So I was having

0:30:07.920 --> 0:30:10.480
<v Speaker 3>severe headaches a couple of years ago, and they put

0:30:10.480 --> 0:30:13.440
<v Speaker 3>a like a helmet on your head with a cage

0:30:13.480 --> 0:30:16.720
<v Speaker 3>in front of your face, and the MRI the machine

0:30:17.360 --> 0:30:20.800
<v Speaker 3>goes around your head, but it doesn't like go near

0:30:20.840 --> 0:30:24.280
<v Speaker 3>your face. Okay, you can watch television, you're sitting in

0:30:24.320 --> 0:30:25.280
<v Speaker 3>a chair, you're not in anything.

0:30:25.280 --> 0:30:25.880
<v Speaker 2>It's terrific.

0:30:26.840 --> 0:30:28.920
<v Speaker 3>And they have a new thing now called an extremity

0:30:29.040 --> 0:30:32.400
<v Speaker 3>MRI where you can stick your leg or your arm

0:30:32.840 --> 0:30:34.920
<v Speaker 3>into the machine and you don't have to put your

0:30:34.960 --> 0:30:36.360
<v Speaker 3>whole or or your penis.

0:30:36.360 --> 0:30:39.400
<v Speaker 2>Scary, I know what you're saying. My mind went there

0:30:39.480 --> 0:30:39.920
<v Speaker 2>right away.

0:30:40.280 --> 0:30:45.440
<v Speaker 3>Yes, yeah, right, so I'm like fantastic. So the place

0:30:45.480 --> 0:30:48.000
<v Speaker 3>I went to last time that has the open MRI

0:30:48.880 --> 0:30:50.960
<v Speaker 3>is maybe thirty five minutes south to where I live.

0:30:52.080 --> 0:30:56.320
<v Speaker 3>So I called the company that has twenty locations around

0:30:56.360 --> 0:31:01.560
<v Speaker 3>New Jersey and I said, listen, I need it upright MRI. Uh, well,

0:31:01.600 --> 0:31:04.720
<v Speaker 3>you have a prescription. Yes, great, I had it faxed over.

0:31:05.280 --> 0:31:06.640
<v Speaker 3>They said, where do you want to go? I said,

0:31:06.640 --> 0:31:09.960
<v Speaker 3>I got to have an upright MRI. I know it's extra,

0:31:10.040 --> 0:31:12.480
<v Speaker 3>but I'm already paid up so it's free. I want

0:31:12.480 --> 0:31:17.280
<v Speaker 3>the best, I want the upright MRI. I said, well,

0:31:17.320 --> 0:31:19.360
<v Speaker 3>we have a location in the one south of you,

0:31:19.800 --> 0:31:23.360
<v Speaker 3>and we also have one in UH one fifteen to twenty.

0:31:23.080 --> 0:31:23.840
<v Speaker 2>Minutes west of you.

0:31:24.480 --> 0:31:27.040
<v Speaker 3>I said, oh, I'll go to the one that's fifteen

0:31:27.040 --> 0:31:29.320
<v Speaker 3>minutes twelve. We'll call that Location two from the rest

0:31:29.360 --> 0:31:31.040
<v Speaker 3>of the story. So I said, okay, so I don't

0:31:31.040 --> 0:31:33.800
<v Speaker 3>have to go to Location one. Nope, Location two has

0:31:34.400 --> 0:31:36.200
<v Speaker 3>an upright and an extremity MRI.

0:31:36.560 --> 0:31:39.600
<v Speaker 2>You're great, bye, You're in luck. So she's side.

0:31:40.280 --> 0:31:43.360
<v Speaker 3>So I says, have them fax over the prescription. I'll

0:31:43.360 --> 0:31:45.480
<v Speaker 3>call you back when it's going. We're still by the

0:31:45.520 --> 0:31:48.600
<v Speaker 3>way in twenty twenty five, so medical companies have to

0:31:48.640 --> 0:31:52.440
<v Speaker 3>fax because because of hippo laws and emails being hacked,

0:31:52.480 --> 0:31:58.120
<v Speaker 3>they can't email prescriptions or medical records for that well,

0:31:58.160 --> 0:32:01.120
<v Speaker 3>that's why they leave voicemails sometimes with your permission, and

0:32:01.200 --> 0:32:02.800
<v Speaker 3>they can't leave it where anyone else that can have

0:32:02.840 --> 0:32:05.960
<v Speaker 3>access to your medical records anyway. So they called me

0:32:06.000 --> 0:32:07.960
<v Speaker 3>back and she says, I, we have you booked in

0:32:08.000 --> 0:32:11.200
<v Speaker 3>Location two for an open MRI. I said, no, no,

0:32:12.040 --> 0:32:17.920
<v Speaker 3>not an open MRI. I want an upright MRI. Oh right, okay, yeah, upright, MRI.

0:32:18.080 --> 0:32:25.200
<v Speaker 2>Okay. She said, so you're all booked for last night.

0:32:25.560 --> 0:32:28.000
<v Speaker 3>Yeah, at eight thirty at night. They close at nine thirty.

0:32:28.160 --> 0:32:31.600
<v Speaker 3>You're there at eight thirty. Great, okay. So I get

0:32:31.600 --> 0:32:33.560
<v Speaker 3>there at eight thirty and I go to the counter

0:32:33.840 --> 0:32:37.120
<v Speaker 3>and she says, I checks me in. She says, I

0:32:37.120 --> 0:32:39.080
<v Speaker 3>need you to fill out this form, these forms on

0:32:39.120 --> 0:32:42.600
<v Speaker 3>a tablet. She gives me the tablet with a pen

0:32:42.640 --> 0:32:44.520
<v Speaker 3>with a like a rubber thing on the end to

0:32:44.560 --> 0:32:47.360
<v Speaker 3>fill out this form. Now, when you handwrite a form,

0:32:47.400 --> 0:32:49.120
<v Speaker 3>it's fairly easy, but this is on a tablet and

0:32:49.120 --> 0:32:51.520
<v Speaker 3>it's fine, and you have to like hit the dots,

0:32:52.320 --> 0:32:55.720
<v Speaker 3>hit fill in the circles whatever. Sure, And there's like

0:32:55.760 --> 0:32:59.280
<v Speaker 3>a hundred questions and some of the questions repeat themselves

0:32:59.360 --> 0:32:59.760
<v Speaker 3>later on.

0:33:00.040 --> 0:33:01.800
<v Speaker 2>So it's like, what surgeries have you had?

0:33:02.240 --> 0:33:04.120
<v Speaker 3>So I list the five or six surgeries I've had

0:33:04.160 --> 0:33:06.400
<v Speaker 3>in my life, which I have to type on the tablet,

0:33:06.680 --> 0:33:09.400
<v Speaker 3>and then later on it says, what serious surgeries have

0:33:09.440 --> 0:33:15.480
<v Speaker 3>you had? Okay, I already listed those, so it doesn't

0:33:15.560 --> 0:33:17.560
<v Speaker 3>let me copy and paste. I gotta I gotta put

0:33:17.560 --> 0:33:20.480
<v Speaker 3>them all out again. And then it says, uh, what

0:33:20.520 --> 0:33:24.520
<v Speaker 3>are the symptoms that bring you here? So I fill

0:33:24.520 --> 0:33:26.400
<v Speaker 3>out all the symptoms, and then and then later on

0:33:26.440 --> 0:33:29.360
<v Speaker 3>in the survey, it says what symptoms will you be

0:33:29.440 --> 0:33:33.120
<v Speaker 3>having checked for in your MRI, Like same as the

0:33:33.120 --> 0:33:35.600
<v Speaker 3>ones I said I had symptoms of what else would

0:33:35.600 --> 0:33:36.360
<v Speaker 3>I be coming here for?

0:33:36.720 --> 0:33:37.840
<v Speaker 2>So I fill out the whole thing.

0:33:37.960 --> 0:33:41.840
<v Speaker 3>It's really annoying, and as I'm doing this, it's not

0:33:41.960 --> 0:33:45.080
<v Speaker 3>letting me hit submit. Every time I hit submit, it

0:33:45.080 --> 0:33:47.880
<v Speaker 3>says you must answer all the questions, but it doesn't

0:33:47.920 --> 0:33:51.560
<v Speaker 3>show me which ones I didn't answer. So okay, I'm scrolling. Okay,

0:33:51.680 --> 0:33:53.520
<v Speaker 3>So while I'm doing this, the woman next to me

0:33:53.600 --> 0:33:55.640
<v Speaker 3>comes up to the counter. Just hi, I'm here. I'm

0:33:55.680 --> 0:33:58.480
<v Speaker 3>checking in just oh, would you like a tablet or pay?

0:33:58.480 --> 0:34:02.640
<v Speaker 3>Per forms like I didn't get that choice. Oh sorry,

0:34:03.200 --> 0:34:05.400
<v Speaker 3>By the way, how does this result in you screaming

0:34:05.440 --> 0:34:08.319
<v Speaker 3>and yelling? I don't understand what's going on here. I'm

0:34:08.360 --> 0:34:12.360
<v Speaker 3>getting there, We'll get there faster, Yes, sir, sir, please

0:34:12.960 --> 0:34:14.200
<v Speaker 3>cranky bastard.

0:34:13.920 --> 0:34:14.760
<v Speaker 2>I'm not cranky.

0:34:14.800 --> 0:34:16.600
<v Speaker 3>I'm just like I want to hear a guy. Well,

0:34:16.760 --> 0:34:18.160
<v Speaker 3>let's move me through the day. You don't have to

0:34:18.160 --> 0:34:20.839
<v Speaker 3>go second by second, minute by minute talk to.

0:34:20.760 --> 0:34:21.760
<v Speaker 2>Me right, okay.

0:34:21.800 --> 0:34:24.080
<v Speaker 3>So the guy comes out. He says, uh, David Brodie.

0:34:24.080 --> 0:34:26.440
<v Speaker 3>I said, yep, so I walked him. He says, my

0:34:26.840 --> 0:34:29.600
<v Speaker 3>name is John, I'll be taking I'll be your MRI tech.

0:34:29.600 --> 0:34:32.240
<v Speaker 3>I said, fantastic, John, I'm very excited. And he walks

0:34:32.239 --> 0:34:34.120
<v Speaker 3>me in and I go into the into the room

0:34:34.400 --> 0:34:37.520
<v Speaker 3>and there is uh an open MRI machine.

0:34:37.560 --> 0:34:39.680
<v Speaker 2>And I said, hey, John, I'm sorry, we must.

0:34:39.520 --> 0:34:41.200
<v Speaker 3>Be in the wrong room. I'm here for the upright

0:34:41.360 --> 0:34:43.640
<v Speaker 3>MRI machine. He says, we don't have one of those.

0:34:47.280 --> 0:34:50.359
<v Speaker 3>I'm sorry, I'm sorry. What he says, Yeah, we only

0:34:50.360 --> 0:34:53.400
<v Speaker 3>have those in location one in the South South Jersey.

0:34:53.760 --> 0:34:56.799
<v Speaker 3>I said no, No, I made an appointment. I said,

0:34:56.800 --> 0:34:58.400
<v Speaker 3>well we don't. We don't have that here. I'm sorry,

0:34:59.000 --> 0:35:02.680
<v Speaker 3>So I said, mother, what a fucker? I don't know not,

0:35:03.400 --> 0:35:05.839
<v Speaker 3>I said, not you, So I will I walk out

0:35:05.840 --> 0:35:08.000
<v Speaker 3>of go excuse me? To the receptionist, I said, excuse me,

0:35:09.040 --> 0:35:11.680
<v Speaker 3>I just filled out a hundred question questionnaire on your

0:35:11.680 --> 0:35:15.160
<v Speaker 3>tablet and I find out now you don't have an

0:35:15.320 --> 0:35:16.799
<v Speaker 3>an upright MRI machine here.

0:35:17.200 --> 0:35:19.680
<v Speaker 2>Oh, no, we don't. You don't.

0:35:19.960 --> 0:35:22.759
<v Speaker 3>No, I made an appointment for an upright emmer. Well

0:35:22.760 --> 0:35:25.680
<v Speaker 3>you must have made it through Central Booking. She says, well,

0:35:26.719 --> 0:35:30.319
<v Speaker 3>we do have an extremity's MRI machine. Oh great, yeah,

0:35:30.320 --> 0:35:32.399
<v Speaker 3>but they don't work at night and it hasn't. Our

0:35:32.440 --> 0:35:34.480
<v Speaker 3>machine's been broken for three months, so we can't use

0:35:34.480 --> 0:35:41.359
<v Speaker 3>that anywhere. Oh wait, wait, wait, so I go, what

0:35:41.360 --> 0:35:44.239
<v Speaker 3>do you mean it's been broken for three months? I

0:35:44.480 --> 0:35:45.760
<v Speaker 3>did you tell the main office?

0:35:47.200 --> 0:35:47.359
<v Speaker 6>Oh?

0:35:47.400 --> 0:35:50.560
<v Speaker 3>I don't know. Well, if the machine's broken, did you

0:35:50.600 --> 0:35:53.960
<v Speaker 3>tell yet? You have twenty locations, does anyone? I don't understand,

0:35:55.680 --> 0:35:58.319
<v Speaker 3>I said. I came straight from I played pickleball last

0:35:58.400 --> 0:36:00.600
<v Speaker 3>night and I went right there eight at night. I

0:36:00.640 --> 0:36:03.960
<v Speaker 3>went to the mrire like, yeah, we can't help you.

0:36:05.120 --> 0:36:08.919
<v Speaker 3>So I'm like, great, just here, here's the main number. Again,

0:36:09.000 --> 0:36:12.480
<v Speaker 3>call them and reschedule immediately. Because there's a big weight

0:36:12.520 --> 0:36:15.040
<v Speaker 3>for the upright MRI machines. I had to wait two

0:36:15.040 --> 0:36:16.840
<v Speaker 3>weeks for an appointment and there was no there was

0:36:16.840 --> 0:36:17.440
<v Speaker 3>no machine.

0:36:19.239 --> 0:36:21.000
<v Speaker 2>So well you got to cut the line now, right.

0:36:21.840 --> 0:36:24.319
<v Speaker 3>No, So I call, I call up the main number

0:36:24.320 --> 0:36:28.439
<v Speaker 3>and I get I get Sylvia. Sylvia sounds like she's

0:36:28.440 --> 0:36:32.800
<v Speaker 3>a hundred. So I tell her what happened. I'm terribly sorry.

0:36:33.080 --> 0:36:35.640
<v Speaker 3>I'm gonna have to reschedule you. I said, okay, great,

0:36:35.960 --> 0:36:38.640
<v Speaker 3>but first I have to open up a new account

0:36:38.640 --> 0:36:41.280
<v Speaker 3>for you because all of our locations are separate.

0:36:41.920 --> 0:36:42.839
<v Speaker 2>I said, what does that mean?

0:36:43.200 --> 0:36:45.640
<v Speaker 3>That means I need to take your Location two account

0:36:46.040 --> 0:36:49.200
<v Speaker 3>and copy and paste each line into the form for

0:36:49.360 --> 0:36:51.839
<v Speaker 3>location one. So I have to go to location one

0:36:51.840 --> 0:36:53.200
<v Speaker 3>that they want to go to. It's just I saw

0:36:53.280 --> 0:36:55.799
<v Speaker 3>hold on one second. I said, okay, just let me

0:36:55.840 --> 0:37:01.040
<v Speaker 3>copy your name. Ok I gotta open up the other window. Okay, now,

0:37:01.080 --> 0:37:02.800
<v Speaker 3>let me go to this other window. I have to copy.

0:37:03.120 --> 0:37:05.880
<v Speaker 2>You're talking out loud every every step of.

0:37:05.880 --> 0:37:07.960
<v Speaker 3>The way, so I said, I said, I said, Sylvia,

0:37:08.000 --> 0:37:09.400
<v Speaker 3>I got it. I don't you go. I don't need

0:37:09.440 --> 0:37:11.000
<v Speaker 3>to know what you're doing. Well, I want you to

0:37:11.000 --> 0:37:12.160
<v Speaker 3>know that I'm taking care of it. No, I know

0:37:12.200 --> 0:37:14.399
<v Speaker 3>you're taking care of it. Okay, just all right. Let

0:37:14.400 --> 0:37:15.799
<v Speaker 3>me let me just close this tap.

0:37:15.840 --> 0:37:16.040
<v Speaker 2>I go.

0:37:16.320 --> 0:37:18.640
<v Speaker 3>Let you. I'm not stopping you. I mean, let you

0:37:18.680 --> 0:37:21.080
<v Speaker 3>just just do it, okay, And I have to. I

0:37:21.120 --> 0:37:23.440
<v Speaker 3>have to, okay, copy and paste your insurance.

0:37:24.719 --> 0:37:26.279
<v Speaker 2>And I gotta go. And I hear her.

0:37:26.320 --> 0:37:28.239
<v Speaker 3>She's doing the drop downs. She's not even doing like

0:37:28.320 --> 0:37:32.080
<v Speaker 3>control see control V. She's doing the drop down. By

0:37:32.120 --> 0:37:34.719
<v Speaker 3>the way, she doesn't want to foul this up. She

0:37:34.760 --> 0:37:37.080
<v Speaker 3>wants to make sure that she does it and she

0:37:37.160 --> 0:37:39.520
<v Speaker 3>gets you the right stuff, and you don't have to

0:37:40.000 --> 0:37:41.719
<v Speaker 3>do it because then you'll fill out the forms all

0:37:41.719 --> 0:37:42.240
<v Speaker 3>over again.

0:37:42.360 --> 0:37:43.080
<v Speaker 2>Right, So.

0:37:44.880 --> 0:37:48.440
<v Speaker 3>Just open open MRI copy I go No, no, not

0:37:48.560 --> 0:37:52.560
<v Speaker 3>an open m R. I an upright MRI. Oh that's right, yep.

0:37:52.719 --> 0:37:57.400
<v Speaker 3>Let me okay, let me there. Yeah, but she keeps saying,

0:37:57.480 --> 0:37:59.839
<v Speaker 3>let me like someone's stuck. Okay, let me just put

0:37:59.840 --> 0:38:02.480
<v Speaker 3>this here and let me just now let me here, admit,

0:38:02.880 --> 0:38:05.360
<v Speaker 3>I go. I'm not who's stopping you. I would submit.

0:38:05.560 --> 0:38:06.000
<v Speaker 2>I wouldn't.

0:38:06.120 --> 0:38:08.560
<v Speaker 3>I wouldn't interrupt her a train of thought. She might

0:38:08.600 --> 0:38:10.880
<v Speaker 3>fuck it up. I'm telling you, I said, let me

0:38:11.160 --> 0:38:13.440
<v Speaker 3>go through her process. If this is the way that

0:38:13.520 --> 0:38:17.720
<v Speaker 3>she does her work and her job, let be, I said, Sylvia,

0:38:17.920 --> 0:38:19.439
<v Speaker 3>do you want to put me on hold and come

0:38:19.440 --> 0:38:22.160
<v Speaker 3>back when you need me? No, I may have questions,

0:38:22.440 --> 0:38:25.520
<v Speaker 3>I said, Oh, okay, all right, now, let me continue.

0:38:25.680 --> 0:38:28.319
<v Speaker 3>I'm not stopping you, Sylvia. Now let me just let

0:38:28.360 --> 0:38:30.399
<v Speaker 3>me just do this, and let me let me do that,

0:38:30.600 --> 0:38:32.360
<v Speaker 3>and let me just okay, now I have to just

0:38:32.400 --> 0:38:34.440
<v Speaker 3>I have to now register it now. So I got

0:38:34.480 --> 0:38:37.240
<v Speaker 3>a I got an MRI appointment scary in two weeks,

0:38:37.520 --> 0:38:41.240
<v Speaker 3>all right, on a on a Monday night. So congratulations,

0:38:41.840 --> 0:38:44.479
<v Speaker 3>And we can't do slice time on that Monday, okay,

0:38:44.520 --> 0:38:48.200
<v Speaker 3>and so so help them. God if there's no upright

0:38:48.360 --> 0:38:51.319
<v Speaker 3>MRI machine there. I mean, guys, slic does this happen

0:38:51.360 --> 0:38:53.040
<v Speaker 3>to you where you're like you go to the doctor's

0:38:53.040 --> 0:38:55.000
<v Speaker 3>office and they're like, oh, the doctor, they don't have

0:38:55.040 --> 0:38:57.120
<v Speaker 3>the prescription, they don't have the they don't have the

0:38:57.120 --> 0:38:59.960
<v Speaker 3>thing for you. Like I couldn't have been more specific,

0:39:00.520 --> 0:39:04.000
<v Speaker 3>upright MRI? Yep, got it? How do you not know

0:39:04.040 --> 0:39:07.239
<v Speaker 3>your company only has them in one location? Yeah, oh yeah,

0:39:07.239 --> 0:39:09.160
<v Speaker 3>we'll send you to We'll send you to the one

0:39:09.200 --> 0:39:10.320
<v Speaker 3>in western New Jersey.

0:39:10.360 --> 0:39:13.239
<v Speaker 2>No problem, Oh we don't have one of those. It

0:39:13.280 --> 0:39:13.920
<v Speaker 2>was like it was.

0:39:13.920 --> 0:39:16.400
<v Speaker 3>Like, you know, okay, well, what you have the extreminity machine?

0:39:16.440 --> 0:39:16.680
<v Speaker 2>Yeah?

0:39:17.040 --> 0:39:19.640
<v Speaker 3>Has it worked in like three months? What am I in,

0:39:19.640 --> 0:39:22.920
<v Speaker 3>like small town Hickville. I can't get that from here now,

0:39:22.960 --> 0:39:25.919
<v Speaker 3>we don't have that. Come on, man, come on man.

0:39:25.960 --> 0:39:27.520
<v Speaker 2>So yeah, I cursed.

0:39:27.600 --> 0:39:30.160
<v Speaker 3>I cursed in front of john I feel Johnny apologize,

0:39:30.200 --> 0:39:33.840
<v Speaker 3>but I was like, no, fucking way, No fucking way, scary.

0:39:33.880 --> 0:39:35.959
<v Speaker 3>Something in my life has to work, has to happen,

0:39:36.080 --> 0:39:39.279
<v Speaker 3>happen and do like I sign up for.

0:39:39.760 --> 0:39:41.279
<v Speaker 2>It's got a I'll tell you what.

0:39:41.360 --> 0:39:44.120
<v Speaker 3>I'll tell you what though, when we come back from commercial,

0:39:44.360 --> 0:39:45.800
<v Speaker 3>when we play one of my rejoints.

0:39:45.800 --> 0:39:47.560
<v Speaker 2>Coming back from commercial, Oh, we're gonna do another one

0:39:47.560 --> 0:39:49.160
<v Speaker 2>of those, another one of those.

0:39:49.200 --> 0:39:50.760
<v Speaker 3>I'll tell you what happened to me in a restaurant

0:39:50.760 --> 0:39:52.360
<v Speaker 3>that went wrong but then went.

0:39:52.360 --> 0:39:53.160
<v Speaker 2>Very very right.

0:39:53.600 --> 0:39:55.279
<v Speaker 3>Ooh, the tease.

0:39:57.040 --> 0:40:00.560
<v Speaker 2>With Scary and Brodie not Scary.

0:40:00.600 --> 0:40:03.600
<v Speaker 3>Before I tell you what happened at that restaurant, I

0:40:03.680 --> 0:40:05.799
<v Speaker 3>want to tell you. Oh, isn't it great how we

0:40:05.840 --> 0:40:08.440
<v Speaker 3>came back without the rejoint. I guess we didn't need it. Uh,

0:40:09.400 --> 0:40:10.160
<v Speaker 3>let's start again.

0:40:10.320 --> 0:40:12.520
<v Speaker 2>No, we don't have to start again. We're good. We'll

0:40:12.560 --> 0:40:13.160
<v Speaker 2>do it next time.

0:40:13.400 --> 0:40:13.759
<v Speaker 5>I know what.

0:40:13.880 --> 0:40:15.879
<v Speaker 3>No, the next break, we'll come back with a rejo

0:40:17.320 --> 0:40:18.680
<v Speaker 3>I'm you're not playing it?

0:40:19.080 --> 0:40:19.960
<v Speaker 2>So I was.

0:40:20.239 --> 0:40:20.560
<v Speaker 1>I was that.

0:40:20.800 --> 0:40:22.560
<v Speaker 3>You know, I love you know, I love you know.

0:40:22.600 --> 0:40:24.640
<v Speaker 3>I love Tommy's Tavern and Tap. You know I love

0:40:24.680 --> 0:40:27.400
<v Speaker 3>that place. I know you're a big fan and I

0:40:27.480 --> 0:40:29.000
<v Speaker 3>go there all the time. Well, they have they have

0:40:29.360 --> 0:40:33.440
<v Speaker 3>summer not summer. They have seasonal specialty menus and I

0:40:33.880 --> 0:40:37.239
<v Speaker 3>really really liked the one for the spring, and I

0:40:37.280 --> 0:40:40.680
<v Speaker 3>love the fall one with the turkey gobbler with the

0:40:40.680 --> 0:40:42.800
<v Speaker 3>stuffing and the marshmallow sauce.

0:40:42.840 --> 0:40:46.360
<v Speaker 2>I can't wait. Are you getting? Is this a David

0:40:46.360 --> 0:40:50.000
<v Speaker 2>Brody commercial here? What's going on here?

0:40:50.040 --> 0:40:52.000
<v Speaker 3>What's the paying right?

0:40:52.200 --> 0:40:53.600
<v Speaker 2>They're not paying me? No, they're not paying me?

0:40:53.680 --> 0:40:57.399
<v Speaker 3>Is that a commercial? An appropriate endorsement? No, I've been

0:40:57.440 --> 0:41:00.560
<v Speaker 3>not excited. No, I I trust you. I'm not making

0:41:00.600 --> 0:41:03.560
<v Speaker 3>any money in life. Okay, okay, so they have they

0:41:03.560 --> 0:41:05.800
<v Speaker 3>have a new item, scary. It's a it's a roast

0:41:05.800 --> 0:41:10.160
<v Speaker 3>beef sandwich on it's a roast beef panini. But it

0:41:10.280 --> 0:41:14.080
<v Speaker 3>says whatever the ingredients saw like roast beef and cheese

0:41:14.200 --> 0:41:18.600
<v Speaker 3>and panini. And it says covered in Alabama white sauce.

0:41:20.120 --> 0:41:21.720
<v Speaker 2>That sounds slang for jizz.

0:41:22.560 --> 0:41:27.319
<v Speaker 3>Yeah yeah, how awful? Is that sound like she got

0:41:27.320 --> 0:41:29.279
<v Speaker 3>a whole load of Alabama white sauce? If you know

0:41:29.280 --> 0:41:30.920
<v Speaker 3>what I'm saying, it's terrible?

0:41:33.160 --> 0:41:34.319
<v Speaker 2>Is that a thing?

0:41:34.400 --> 0:41:37.520
<v Speaker 3>Hold on a second, now, now you got me, Now,

0:41:37.520 --> 0:41:39.680
<v Speaker 3>hold on, I'm gonna I'm gonna I'm gonna read to

0:41:39.680 --> 0:41:41.480
<v Speaker 3>you what it is, but we haven't written down in

0:41:41.520 --> 0:41:45.680
<v Speaker 3>front of me there, No, don't ask A. I thought

0:41:45.719 --> 0:41:48.719
<v Speaker 3>you don't like A. I'm gonna tell you so.

0:41:48.800 --> 0:41:51.360
<v Speaker 2>But I mean, think about how nasty that sounds. You know,

0:41:51.440 --> 0:41:52.000
<v Speaker 2>it's filthy.

0:41:52.040 --> 0:41:54.680
<v Speaker 3>It sounds filthy, but I think it was also named

0:41:54.719 --> 0:41:58.359
<v Speaker 3>that way on purpose to sound that way. You think,

0:41:58.480 --> 0:42:00.520
<v Speaker 3>like like if a girl goes to dinner like like, ugh,

0:42:00.680 --> 0:42:02.719
<v Speaker 3>I was out to dinner with this guy and I

0:42:02.719 --> 0:42:06.440
<v Speaker 3>got my dress covered in Alabama white sauce exactly. Alabama

0:42:06.440 --> 0:42:10.480
<v Speaker 3>white sauce is a mayonnaise based barbecue sauce originating from

0:42:11.000 --> 0:42:14.879
<v Speaker 3>North Alabama, known for its tangy and creamy flavor. It's

0:42:14.920 --> 0:42:18.600
<v Speaker 3>a distinctive condiment often used on smoke chicken, but versatile

0:42:18.719 --> 0:42:21.960
<v Speaker 3>enough for other meats, vegetables, and even as a salad dressing.

0:42:22.320 --> 0:42:27.080
<v Speaker 3>The core ingredients are mayonnaise, vinegar, typically apple sided vinegar, horseradish,

0:42:27.200 --> 0:42:30.880
<v Speaker 3>lemon juice, black pepper often added for extra flavor, and

0:42:30.920 --> 0:42:37.520
<v Speaker 3>a touch of heat. That sounds awful, awful, awful. I

0:42:37.640 --> 0:42:41.839
<v Speaker 3>actually would try it. See, I'm I'm more adventurous than you. Well,

0:42:41.880 --> 0:42:43.879
<v Speaker 3>you're a guy who's put Zeman on his face, aren't

0:42:43.880 --> 0:42:52.680
<v Speaker 3>you come on exactly. Hi. Oh no, that's what I'm saying.

0:42:52.680 --> 0:42:55.200
<v Speaker 3>So okay, So I want to tell you about the

0:42:55.239 --> 0:43:00.359
<v Speaker 3>dinner I went to. So my friend and I we

0:43:00.400 --> 0:43:03.160
<v Speaker 3>went to this restaurant we hadn't been to before, and

0:43:03.160 --> 0:43:05.600
<v Speaker 3>they had a lot of a lot of food we

0:43:05.719 --> 0:43:09.760
<v Speaker 3>liked a lot of food we liked. So the appetizers

0:43:09.880 --> 0:43:12.640
<v Speaker 3>were really good. So they're like, oh, you want to

0:43:12.640 --> 0:43:15.960
<v Speaker 3>get the meatballs or the rice balls? Like, well, he

0:43:16.000 --> 0:43:18.960
<v Speaker 3>wants the meatballs. So I said, well, all right, I

0:43:19.000 --> 0:43:21.560
<v Speaker 3>really wanted the rice balls, but all right, we'll get

0:43:21.560 --> 0:43:23.919
<v Speaker 3>the meatballs. And you know what this place is known

0:43:23.920 --> 0:43:28.480
<v Speaker 3>for their their their coal fired pizza. Why don't we

0:43:28.520 --> 0:43:31.359
<v Speaker 3>split a sausage pizza. He said, oh yeah, let's get

0:43:31.360 --> 0:43:34.240
<v Speaker 3>the meatball appetizer and we'll split the sausage pizza.

0:43:34.320 --> 0:43:34.880
<v Speaker 2>Fantastic.

0:43:36.160 --> 0:43:39.239
<v Speaker 3>The waiter comes over, very friendly guy, and he says, hey,

0:43:39.239 --> 0:43:42.279
<v Speaker 3>how you doing. I'll take your order in a few minutes.

0:43:42.280 --> 0:43:43.920
<v Speaker 3>I'll give you some time. I just want to let

0:43:43.960 --> 0:43:47.680
<v Speaker 3>you know that the pizza oven's not working tonight. Yeah,

0:43:48.160 --> 0:43:51.080
<v Speaker 3>but we came here for the pizza. Yeah we can't.

0:43:51.080 --> 0:43:54.719
<v Speaker 3>You're famous for the coal fired pizza ovens. Like, yeah,

0:43:54.840 --> 0:43:59.360
<v Speaker 3>the pizza ovens down. I'm really sorry, so I said,

0:43:59.880 --> 0:44:01.200
<v Speaker 3>I said, we just had a whole thing. We were

0:44:01.239 --> 0:44:02.920
<v Speaker 3>going to order the rice balls of the meat balls.

0:44:03.320 --> 0:44:05.960
<v Speaker 3>So we're ordering the meat balls and now we wanted

0:44:05.960 --> 0:44:09.279
<v Speaker 3>the pizza. I said, Oh man, I'm just you know,

0:44:09.320 --> 0:44:11.799
<v Speaker 3>it's just one of a typical. It's just typical me.

0:44:12.600 --> 0:44:15.320
<v Speaker 3>He says, Hey, you know what I said. I feel terrible.

0:44:15.360 --> 0:44:17.200
<v Speaker 3>Here's what I'm gonna do. I'm going to give you

0:44:17.239 --> 0:44:19.000
<v Speaker 3>a few extra minutes to think about what you want,

0:44:19.360 --> 0:44:20.920
<v Speaker 3>and I'm going to bring you in order rice balls

0:44:20.960 --> 0:44:21.440
<v Speaker 3>on the house.

0:44:21.880 --> 0:44:24.640
<v Speaker 2>Oh isn't that great?

0:44:25.160 --> 0:44:28.240
<v Speaker 3>So while you wait, here's some free rice balls because

0:44:28.239 --> 0:44:29.439
<v Speaker 3>the pizza oven was down.

0:44:29.920 --> 0:44:30.200
<v Speaker 2>Yep.

0:44:30.400 --> 0:44:32.319
<v Speaker 3>Brought them out in like five minutes. Now that that

0:44:32.520 --> 0:44:35.799
<v Speaker 3>right there? Okay that I like rice balls. They were

0:44:35.840 --> 0:44:39.240
<v Speaker 3>crispy on the outside, miniature ones like maybe the size

0:44:39.239 --> 0:44:42.080
<v Speaker 3>of a tennis ball a golf ball, and uh you know,

0:44:42.160 --> 0:44:44.160
<v Speaker 3>rice in them, and a beautiful, a really good red

0:44:44.160 --> 0:44:45.000
<v Speaker 3>sauce over the top.

0:44:45.560 --> 0:44:49.160
<v Speaker 2>Very very excited over they should do that.

0:44:50.600 --> 0:44:53.160
<v Speaker 3>Didn't even wait for free dessert. He's like free appetizer.

0:44:54.280 --> 0:44:58.200
<v Speaker 3>So shout out to Box Car Grill in Short Hills,

0:44:58.239 --> 0:45:01.720
<v Speaker 3>New Jersey. All right, box car, Well you not Tommy's

0:45:01.719 --> 0:45:04.560
<v Speaker 3>tavern and tap huh, No, I needed a night off

0:45:04.600 --> 0:45:07.040
<v Speaker 3>for her. I loved tom okay, but a box car

0:45:07.160 --> 0:45:10.640
<v Speaker 3>wasn't expensive and more importantly, my friend would put it

0:45:10.640 --> 0:45:12.239
<v Speaker 3>on his expense accounts. I don't have to pay for that.

0:45:12.239 --> 0:45:14.600
<v Speaker 3>The whole night was free, but there was still for me.

0:45:14.640 --> 0:45:16.799
<v Speaker 3>It was free, but you know, free rice balls. That's

0:45:16.840 --> 0:45:19.319
<v Speaker 3>a great waiter. So we did very We tipped them, very,

0:45:19.400 --> 0:45:19.960
<v Speaker 3>very nicely.

0:45:20.200 --> 0:45:22.719
<v Speaker 2>So I wanted to bring this up.

0:45:23.239 --> 0:45:25.680
<v Speaker 3>I can't mention names on this one because it's just

0:45:25.800 --> 0:45:28.160
<v Speaker 3>way too close to the vest. So we have a

0:45:28.200 --> 0:45:35.560
<v Speaker 3>friend who is dating someone now for a long time,

0:45:36.280 --> 0:45:40.960
<v Speaker 3>I mean months and months, okay, but yet we have

0:45:41.080 --> 0:45:42.960
<v Speaker 3>never seen her.

0:45:43.680 --> 0:45:48.920
<v Speaker 2>We only have heard of her. We know her name, We.

0:45:48.840 --> 0:45:53.720
<v Speaker 3>Know that that they've been on vacation together, my friend

0:45:53.960 --> 0:46:03.200
<v Speaker 3>and this girl that he's with, and uh, we have

0:46:04.120 --> 0:46:09.240
<v Speaker 3>now all conspired, we've all talked behind his back and said,

0:46:09.960 --> 0:46:13.160
<v Speaker 3>we've come to the conclusion and maybe it's maybe it's

0:46:13.200 --> 0:46:13.800
<v Speaker 3>the wrong.

0:46:13.600 --> 0:46:17.840
<v Speaker 2>Conclusion, but we've we've come to the conclusion that she

0:46:18.080 --> 0:46:21.840
<v Speaker 2>ugly because or she doesn't exist.

0:46:22.280 --> 0:46:25.799
<v Speaker 3>She doesn't We're assuming she does exist because there's no

0:46:25.880 --> 0:46:29.920
<v Speaker 3>way that he's gone on vacations with her without.

0:46:29.640 --> 0:46:31.920
<v Speaker 2>Wait a minute, he doesn't post any pictures. Never they

0:46:32.080 --> 0:46:33.520
<v Speaker 2>that he doesn't post her at all.

0:46:34.560 --> 0:46:39.640
<v Speaker 3>And now unless it's unless he's dating a man, which

0:46:39.719 --> 0:46:43.279
<v Speaker 3>which is a whole, a whole other level. But we

0:46:43.320 --> 0:46:44.440
<v Speaker 3>don't think that's the case.

0:46:45.520 --> 0:46:46.319
<v Speaker 2>Anything wrong with that.

0:46:46.480 --> 0:46:48.400
<v Speaker 3>No, not there that there is anything wrong with it,

0:46:48.400 --> 0:46:50.520
<v Speaker 3>and not that there's anything wrong with him dating an

0:46:50.600 --> 0:46:51.200
<v Speaker 3>ugly girl.

0:46:51.239 --> 0:46:52.640
<v Speaker 2>But is it wrong for.

0:46:52.680 --> 0:46:56.960
<v Speaker 3>Us to assume that because because he a has not

0:46:57.080 --> 0:47:00.720
<v Speaker 3>brought her around to any of the friend group stuff. Yeah,

0:47:01.239 --> 0:47:03.200
<v Speaker 3>he'd be showing off the eye candy, I would imagine,

0:47:03.200 --> 0:47:06.080
<v Speaker 3>like we would never like, he's never brought her to

0:47:06.120 --> 0:47:10.879
<v Speaker 3>a party, a function, and he's had plenty of opportunity

0:47:10.920 --> 0:47:12.840
<v Speaker 3>to do that where there's going to be mixed company,

0:47:12.840 --> 0:47:15.960
<v Speaker 3>where there's gonna be other women in the room. You know, like, oh,

0:47:16.000 --> 0:47:18.640
<v Speaker 3>it's a perfect opportunity. You know a lot of times

0:47:18.680 --> 0:47:19.920
<v Speaker 3>you just you don't want to be with your boys.

0:47:19.920 --> 0:47:23.439
<v Speaker 3>But there's been some situations clearly where it's like bring

0:47:23.440 --> 0:47:27.080
<v Speaker 3>au plus one and he chose not to. So we're

0:47:27.560 --> 0:47:30.319
<v Speaker 3>trying to figure out what's going on here under the hood.

0:47:30.360 --> 0:47:36.040
<v Speaker 3>We we suspect that he's not proud of her, in fact,

0:47:36.040 --> 0:47:39.520
<v Speaker 3>maybe bored and wine embarrassed by her, so much so

0:47:40.239 --> 0:47:45.080
<v Speaker 3>that he doesn't know he refuses to bring her around

0:47:45.160 --> 0:47:48.719
<v Speaker 3>into the fold. We've never seen pictures anytime. I've now,

0:47:48.719 --> 0:47:50.200
<v Speaker 3>wait a minute, I've been with him, and I've asked

0:47:50.200 --> 0:47:53.200
<v Speaker 3>for a picture of her. He doesn't. He's like, no,

0:47:53.360 --> 0:47:54.800
<v Speaker 3>I don't have anything. We don't we don't, ye know,

0:47:54.840 --> 0:47:56.080
<v Speaker 3>we haven't been taken any pictures.

0:47:56.160 --> 0:47:56.720
<v Speaker 2>It's weird.

0:47:56.760 --> 0:47:58.640
<v Speaker 3>It's weird, bro, how would you ask for him? By

0:47:58.640 --> 0:48:00.320
<v Speaker 3>the way, asking for a picture of his girl friend's

0:48:00.360 --> 0:48:00.759
<v Speaker 3>kind of weird.

0:48:00.920 --> 0:48:00.960
<v Speaker 4>No.

0:48:01.160 --> 0:48:03.080
<v Speaker 3>She's like, hey, show me the girl you're dating. Like

0:48:03.160 --> 0:48:05.120
<v Speaker 3>in the beginning, when they were dating. I'm like, oh,

0:48:05.160 --> 0:48:08.160
<v Speaker 3>that's so cool. Okay, the picture. But not since you've

0:48:08.200 --> 0:48:09.040
<v Speaker 3>realized he's hiding.

0:48:09.239 --> 0:48:11.000
<v Speaker 2>What's her Instagram? Nothing?

0:48:11.120 --> 0:48:16.080
<v Speaker 3>Yeah, well she's not on Instagram if you're her. Aren't

0:48:16.080 --> 0:48:19.000
<v Speaker 3>you curious as to why you're not meeting your boy's

0:48:19.040 --> 0:48:23.879
<v Speaker 3>friends that too, yes, or why you don't post pictures together.

0:48:24.800 --> 0:48:27.520
<v Speaker 2>Wondering the same picture. Is your boy attractive?

0:48:28.520 --> 0:48:32.000
<v Speaker 3>Yeah, he's a good looking guy. Do you think she's

0:48:32.040 --> 0:48:35.400
<v Speaker 3>posting pictures with him because he's a step up, but

0:48:35.480 --> 0:48:37.520
<v Speaker 3>he's not posting like wouldn't you be like, well, honey,

0:48:37.560 --> 0:48:40.360
<v Speaker 3>why aren't you posting pictures of us? Or do you

0:48:40.360 --> 0:48:42.719
<v Speaker 3>think she knows she's not attractive? So she's like, I

0:48:42.760 --> 0:48:46.640
<v Speaker 3>get it. It's it's just we've never we've never seen

0:48:46.680 --> 0:48:49.600
<v Speaker 3>her in pictures. We've never and she doesn't live in

0:48:49.640 --> 0:48:51.760
<v Speaker 3>the Niagara Falls area. She's not like living the far.

0:48:51.600 --> 0:48:53.480
<v Speaker 2>Away where we're like, oh, we.

0:48:53.520 --> 0:48:55.279
<v Speaker 3>Never and we never, we never met her and we

0:48:55.320 --> 0:48:58.279
<v Speaker 3>don't know if we ever will. But you know her name,

0:48:58.480 --> 0:48:59.200
<v Speaker 3>her first name?

0:48:59.560 --> 0:49:00.000
<v Speaker 1>Ah?

0:49:00.080 --> 0:49:03.600
<v Speaker 2>Uh no, no, oh wait, yes, we do know the name.

0:49:03.680 --> 0:49:06.160
<v Speaker 2>We do know that. I can't give all that stuff.

0:49:05.880 --> 0:49:08.400
<v Speaker 3>Out, but any okay, any and I don't know the person,

0:49:08.440 --> 0:49:10.440
<v Speaker 3>but is there a chance the woman is older and

0:49:10.480 --> 0:49:13.120
<v Speaker 3>her name is Sylvia and she likes to copy and paste?

0:49:14.280 --> 0:49:16.880
<v Speaker 2>What do you mean? Did you not listen to the

0:49:16.880 --> 0:49:19.359
<v Speaker 2>podcast earlier on Oh gotcha? Gotcha? Yeah?

0:49:19.400 --> 0:49:23.040
<v Speaker 3>No, no, earlier from earlier in this podcast that was

0:49:23.040 --> 0:49:25.520
<v Speaker 3>a recall ladies and gentlemen. That's the call back. That's

0:49:25.560 --> 0:49:27.800
<v Speaker 3>that's the doctor's office Central booking.

0:49:28.560 --> 0:49:29.160
<v Speaker 2>Yeah joke.

0:49:29.360 --> 0:49:33.440
<v Speaker 3>Anyway, Uh so, yeah, I don't know, man, Is it

0:49:33.520 --> 0:49:34.920
<v Speaker 3>another one of your friends who's in love with an

0:49:34.960 --> 0:49:39.799
<v Speaker 3>AI girl. No, no, no, he definitely spends quality time

0:49:39.840 --> 0:49:41.879
<v Speaker 3>because there's definitely times where we're trying to hang out

0:49:41.880 --> 0:49:44.600
<v Speaker 3>and he's not around. If that's what, if that's his scam, Well,

0:49:44.600 --> 0:49:45.719
<v Speaker 3>he doesn't want to hang out with you. He's like,

0:49:45.920 --> 0:49:51.440
<v Speaker 3>I'm with with my girl. So either I'm having this,

0:49:51.880 --> 0:49:56.239
<v Speaker 3>we're having the sex. Unless she doesn't want to meet

0:49:56.320 --> 0:49:58.359
<v Speaker 3>us and she's like she wants Maybe she wants him,

0:49:58.520 --> 0:50:01.600
<v Speaker 3>Maybe she's super possessive and wants him all to herself.

0:50:02.200 --> 0:50:02.959
<v Speaker 2>Let me ask you a question.

0:50:03.040 --> 0:50:05.319
<v Speaker 3>It could be that how long ago did he date

0:50:05.560 --> 0:50:07.319
<v Speaker 3>the girl before the one he's dating now?

0:50:08.520 --> 0:50:13.320
<v Speaker 2>About six months? Okay? And did you meet her? Yes?

0:50:14.320 --> 0:50:15.160
<v Speaker 2>And did you guys?

0:50:15.280 --> 0:50:17.640
<v Speaker 3>Yes, in fact, in fact she was Yeah, she was

0:50:17.680 --> 0:50:21.839
<v Speaker 3>paraded around, uh prominently. Okay, But did you guys say

0:50:21.840 --> 0:50:24.520
<v Speaker 3>inappropriate things in front of her? Did you make that

0:50:24.600 --> 0:50:28.799
<v Speaker 3>last girlfriend uncomfortable? Did any of your friend group have

0:50:28.960 --> 0:50:30.120
<v Speaker 3>try to hit on her or have sex?

0:50:30.560 --> 0:50:30.920
<v Speaker 2>Did sex?

0:50:31.200 --> 0:50:33.399
<v Speaker 3>Did sex on the way Dave try to like make

0:50:33.480 --> 0:50:34.480
<v Speaker 3>with this guy's last girl?

0:50:34.520 --> 0:50:34.560
<v Speaker 1>No?

0:50:34.680 --> 0:50:36.920
<v Speaker 2>No, no, no, no no, no, we did. None of us.

0:50:37.040 --> 0:50:40.799
<v Speaker 3>Everyone was everyone was buttoned up, everyone was everyone was

0:50:41.400 --> 0:50:43.759
<v Speaker 3>on their best behavior. We we tend to be that

0:50:43.840 --> 0:50:47.279
<v Speaker 3>way around each other's. Well, you're always buy them. Now,

0:50:47.320 --> 0:50:49.239
<v Speaker 3>did you buy his last girlfriend dinner once she went

0:50:49.239 --> 0:50:54.360
<v Speaker 3>out with you guys? Actually no, no, we all we

0:50:54.400 --> 0:50:56.680
<v Speaker 3>all chip in couples. You know how couples are.

0:50:57.480 --> 0:51:00.319
<v Speaker 2>We just pay. Each guy pays and the ladies don't.

0:51:00.400 --> 0:51:06.880
<v Speaker 3>But anyway, that said, it's it's in previous girlfriends he's had.

0:51:08.600 --> 0:51:13.640
<v Speaker 3>It's been very quick to like, hey, yeah, so something's wrong,

0:51:13.800 --> 0:51:17.680
<v Speaker 3>something's wrong, something is just not But I'm he's I'm

0:51:17.680 --> 0:51:20.480
<v Speaker 3>beginning to think he's he's hiding her from us at

0:51:20.480 --> 0:51:23.000
<v Speaker 3>this point, he's like he's actively hiding her.

0:51:24.200 --> 0:51:25.960
<v Speaker 2>I don't know, and I don't know what to say.

0:51:26.000 --> 0:51:26.400
<v Speaker 3>I don't know.

0:51:26.680 --> 0:51:28.160
<v Speaker 2>I don't want to blow the lid off of it.

0:51:28.200 --> 0:51:28.719
<v Speaker 2>I don't wanna.

0:51:28.920 --> 0:51:31.480
<v Speaker 3>I don't want to confront him point blank. So why

0:51:31.480 --> 0:51:34.360
<v Speaker 3>haven't we met your girlfriend? Like it's I mean, it's rude,

0:51:34.400 --> 0:51:36.799
<v Speaker 3>but no, but you can say, so, when do we

0:51:36.840 --> 0:51:39.319
<v Speaker 3>get to meet Sarah whatever her name is? Like, so

0:51:39.800 --> 0:51:41.560
<v Speaker 3>when did we get to meet to Sarah? Who's making

0:51:41.600 --> 0:51:42.280
<v Speaker 3>you so happy?

0:51:42.560 --> 0:51:42.719
<v Speaker 4>Like this?

0:51:42.880 --> 0:51:44.720
<v Speaker 3>Ways you could say it, there's gonna be we should

0:51:44.719 --> 0:51:47.360
<v Speaker 3>hang out? Yeah, all right, Well you know what, you know,

0:51:47.360 --> 0:51:50.600
<v Speaker 3>what you do? You say something like, oh, you know

0:51:50.640 --> 0:51:53.359
<v Speaker 3>what does your girlfriend like Italian food? Oh? She does. Hey,

0:51:53.360 --> 0:51:56.120
<v Speaker 3>we're all going couples to this new Italian restaurant. Let's

0:51:56.160 --> 0:51:59.640
<v Speaker 3>all go, like find out something that she's into. And

0:51:59.680 --> 0:52:02.080
<v Speaker 3>then jest that you guys do that. And then if

0:52:02.080 --> 0:52:08.879
<v Speaker 3>he says she's she's a dog, at least at least

0:52:08.880 --> 0:52:11.400
<v Speaker 3>in his eyes, Like, I don't, I don't care what

0:52:11.440 --> 0:52:14.000
<v Speaker 3>she looks like, but obviously he might, so I don't know.

0:52:14.000 --> 0:52:16.040
<v Speaker 3>I'm trying to tell all my friends you we're being

0:52:16.080 --> 0:52:20.200
<v Speaker 3>fucking obnoxious for just assuming that she's a fugly and

0:52:20.239 --> 0:52:24.600
<v Speaker 3>then and then let me know what my friends are like, Nope, nope.

0:52:24.600 --> 0:52:29.880
<v Speaker 3>They are convinced that he's hiding her because he's ashamed

0:52:29.920 --> 0:52:32.200
<v Speaker 3>of her. And I'm trying to give him the benefit

0:52:32.200 --> 0:52:35.479
<v Speaker 3>of the doubt, but it's they're losing me. He's losing

0:52:35.480 --> 0:52:37.520
<v Speaker 3>me really quick. Let me ask you a question. You

0:52:37.560 --> 0:52:40.000
<v Speaker 3>guys are all that he says, I'm bringing my girl

0:52:40.040 --> 0:52:43.440
<v Speaker 3>to dinner. Yeah, the other four couples already at the table.

0:52:44.000 --> 0:52:47.080
<v Speaker 3>Scary Jones gets a round table, but you're all pretty

0:52:47.120 --> 0:52:51.160
<v Speaker 3>much facing the door, and he walks in with his girlfriend.

0:52:51.800 --> 0:52:54.560
<v Speaker 3>Is your face more shocked on? Look on your face?

0:52:54.920 --> 0:53:00.080
<v Speaker 3>If she's ugly or if she's hot at this point

0:53:00.080 --> 0:53:03.919
<v Speaker 3>this point, yes, if she's ugly, but she's ugly, would

0:53:03.960 --> 0:53:07.360
<v Speaker 3>you subconsciously make the face of new enough because you're

0:53:07.560 --> 0:53:10.680
<v Speaker 3>if you're with a dime piece, you're parading that around

0:53:10.719 --> 0:53:12.920
<v Speaker 3>any chance you get, just.

0:53:12.880 --> 0:53:23.279
<v Speaker 6>Say it's the Boys podcast, the Brooklyn Boys Podcast.

0:53:29.719 --> 0:53:30.439
<v Speaker 3>Yeah we're back.

0:53:31.080 --> 0:53:32.600
<v Speaker 2>It's the brook Boys Podcast.

0:53:32.960 --> 0:53:34.280
<v Speaker 3>Yeah that sounded awesome.

0:53:34.640 --> 0:53:35.359
<v Speaker 7>You at that one.

0:53:35.840 --> 0:53:36.600
<v Speaker 2>I love that one.

0:53:36.800 --> 0:53:39.439
<v Speaker 3>All right, all right, some of these pro baby there

0:53:39.440 --> 0:53:41.759
<v Speaker 3>may be a couple that are usable, a couple out

0:53:41.760 --> 0:53:44.279
<v Speaker 3>of the like all of them. Yeah, no, no, that

0:53:44.400 --> 0:53:47.680
<v Speaker 3>sky one has to go. All right, Okay, Hey, I

0:53:47.719 --> 0:53:51.000
<v Speaker 3>told you about the Alabama White Sauce. Uh huh. I

0:53:51.040 --> 0:53:54.359
<v Speaker 3>hope all the slices hear this episode before you all

0:53:54.400 --> 0:53:56.799
<v Speaker 3>send this to me, because I know you guys will

0:53:56.800 --> 0:54:00.239
<v Speaker 3>send it to me. This just came out yesterday or

0:54:00.239 --> 0:54:03.799
<v Speaker 3>the day before in Chicago as of I think it

0:54:03.880 --> 0:54:05.000
<v Speaker 3>was yesterday, So.

0:54:04.960 --> 0:54:06.520
<v Speaker 2>I'm telling you you don't need to send it to me.

0:54:06.640 --> 0:54:09.920
<v Speaker 3>I got it. I'm gonna tell you. The ingredient's scary. Ready,

0:54:10.160 --> 0:54:13.279
<v Speaker 3>it's a noose. It's a new smoothie offered for a

0:54:13.320 --> 0:54:18.120
<v Speaker 3>limited time only in Chicago at Smoothie King. Okay, the

0:54:18.360 --> 0:54:24.400
<v Speaker 3>ingredients are asai sorbet or as people who don't know

0:54:24.400 --> 0:54:30.160
<v Speaker 3>how to pronounce it, a kai apple juice, strawberries, raspberries,

0:54:31.880 --> 0:54:33.160
<v Speaker 3>and heinz ketchup.

0:54:33.600 --> 0:54:34.920
<v Speaker 2>It's a ketchup smoothie.

0:54:39.120 --> 0:54:44.680
<v Speaker 3>No thank you, no fucking way, bro, that's cross lines

0:54:45.120 --> 0:54:48.680
<v Speaker 3>ketchup smoothie. You know what, I gotta call our boy,

0:54:48.680 --> 0:54:50.799
<v Speaker 3>Brian Phillips. He's in Chicago right now. I'm gonna tell

0:54:50.840 --> 0:54:53.600
<v Speaker 3>them go over to Smoothie King. Okay, tell me do that,

0:54:54.040 --> 0:54:56.279
<v Speaker 3>and then I have and I have, I have a

0:54:56.320 --> 0:55:00.600
<v Speaker 3>fun little dessert that that they were he saying that

0:55:00.640 --> 0:55:02.239
<v Speaker 3>I want to see if you would, if you would

0:55:02.320 --> 0:55:03.000
<v Speaker 3>drink it or eating?

0:55:03.120 --> 0:55:04.920
<v Speaker 2>Hold on, is it? Is it by a company with

0:55:04.920 --> 0:55:05.319
<v Speaker 2>an F?

0:55:06.120 --> 0:55:06.839
<v Speaker 3>Is it this?

0:55:07.200 --> 0:55:07.399
<v Speaker 2>Yeah?

0:55:07.400 --> 0:55:07.680
<v Speaker 3>It is?

0:55:08.160 --> 0:55:08.319
<v Speaker 6>Yeah?

0:55:08.360 --> 0:55:09.919
<v Speaker 2>Yeah, Yeah, that's what I'll do next.

0:55:09.920 --> 0:55:11.360
<v Speaker 3>That's what I'm gonna do that. I was gonna do

0:55:11.440 --> 0:55:16.040
<v Speaker 3>that one, but okay, well hold on, let's let's let's

0:55:16.040 --> 0:55:17.920
<v Speaker 3>call Brian Philips really quickly. Let me see if he's

0:55:17.960 --> 0:55:21.920
<v Speaker 3>had this boy came out yesterday is toilet Brian.

0:55:21.719 --> 0:55:24.560
<v Speaker 2>I'm gonna I'm gonna'm gonna give him the assignment. I'm

0:55:24.560 --> 0:55:27.520
<v Speaker 2>gonna give him yesterday, I'll give him assignment. Okay, Yeah,

0:55:27.520 --> 0:55:28.600
<v Speaker 2>we're gonna give him assignment.

0:55:28.880 --> 0:55:29.040
<v Speaker 6>Brough.

0:55:29.160 --> 0:55:31.520
<v Speaker 2>This is toilet Brian who falls asleep on the toilet. Yeah,

0:55:31.560 --> 0:55:34.960
<v Speaker 2>let's let's see. Is he on the radio on maybe

0:55:34.960 --> 0:55:37.280
<v Speaker 2>on the air, I don't know. We're gonna see.

0:55:39.080 --> 0:55:39.320
<v Speaker 3>Hear me.

0:55:39.680 --> 0:55:42.279
<v Speaker 2>Hey, Brian, what's up, dude?

0:55:42.360 --> 0:55:46.680
<v Speaker 3>I'm off today, but my brother, I'm actually on the

0:55:46.800 --> 0:55:47.920
<v Speaker 3>architecture tour right now.

0:55:48.600 --> 0:55:50.040
<v Speaker 2>Okay, is that why it's so loud?

0:55:50.880 --> 0:55:55.440
<v Speaker 3>Yeah, I'm actually literally on the right now. Turn that

0:55:55.520 --> 0:55:57.640
<v Speaker 3>down whatever that is. Or they're speaking and they're giving

0:55:57.680 --> 0:55:59.680
<v Speaker 3>you a tour. Now, that's you know, that's that's the

0:55:59.760 --> 0:56:02.640
<v Speaker 3>short guy. Tell them that that we're doing a live

0:56:02.719 --> 0:56:09.160
<v Speaker 3>podcast hearing the shot Chicago. We're gonna make this very quick.

0:56:12.920 --> 0:56:16.680
<v Speaker 3>I need you to say, Brian, I need you. I

0:56:16.719 --> 0:56:19.160
<v Speaker 3>need you to go to a Smoothie King and get

0:56:19.200 --> 0:56:21.880
<v Speaker 3>the new Heines catch up Smoothie and tell us who

0:56:21.960 --> 0:56:22.239
<v Speaker 3>it is.

0:56:22.520 --> 0:56:24.080
<v Speaker 2>It's only available in Chicago.

0:56:24.400 --> 0:56:29.160
<v Speaker 3>That Smoothy King that sounds awful window, Yes, it sounds awful,

0:56:29.440 --> 0:56:33.239
<v Speaker 3>just got released yesterday. It's it's a new smooth from

0:56:33.280 --> 0:56:38.920
<v Speaker 3>Smoothie King. It's the Hines. Catch up Smoothie right now. Okay,

0:56:39.840 --> 0:56:43.840
<v Speaker 3>look all right, very good, look for video of me

0:56:44.040 --> 0:56:44.560
<v Speaker 3>growing up.

0:56:46.400 --> 0:56:46.919
<v Speaker 6>That's great.

0:56:47.200 --> 0:56:49.920
<v Speaker 3>Yeah, that'd be great. I'm I'm vomiting thinking about it.

0:56:50.640 --> 0:56:51.759
<v Speaker 2>Okay, perfectly.

0:56:52.080 --> 0:56:55.239
<v Speaker 3>It has berries in it too, so's we'll catch it

0:56:55.480 --> 0:56:59.160
<v Speaker 3>catch later when you're not on alluding tour. Okay, I

0:56:59.200 --> 0:57:01.000
<v Speaker 3>want a tour right now. Timing is everything.

0:57:01.040 --> 0:57:02.279
<v Speaker 2>I love you. Take care?

0:57:04.080 --> 0:57:06.320
<v Speaker 3>Oh shit, he he lives in Chicago.

0:57:06.360 --> 0:57:08.319
<v Speaker 2>What is he going on a tour from Chicago for?

0:57:08.719 --> 0:57:09.799
<v Speaker 2>In the river less?

0:57:10.440 --> 0:57:13.280
<v Speaker 5>Over here, there's a building built in nineteen twenty five.

0:57:13.640 --> 0:57:17.000
<v Speaker 5>It was inspired by the great French building, La Fa Laflor.

0:57:17.600 --> 0:57:20.520
<v Speaker 5>And there over there you'll see that building is from

0:57:20.560 --> 0:57:24.800
<v Speaker 5>eighteen oh five, inspired by the great Spanish building, a.

0:57:25.120 --> 0:57:28.800
<v Speaker 2>Capac la Claw. That's great.

0:57:30.360 --> 0:57:36.200
<v Speaker 3>So architecture tour all right now, Listen, Chicago's a beautiful city.

0:57:36.880 --> 0:57:39.560
<v Speaker 3>But it benefited from the fact that burned down and

0:57:39.600 --> 0:57:42.439
<v Speaker 3>they rebuilt it, so it's it's actually a newer city

0:57:42.440 --> 0:57:46.240
<v Speaker 3>than it could have been. Yes, all right, now the

0:57:46.320 --> 0:57:49.840
<v Speaker 3>other thing, yeah, all right, let's talk about it. All right,

0:57:49.880 --> 0:57:51.960
<v Speaker 3>We're just gonna go We're we're gonna go right for

0:57:52.000 --> 0:57:56.720
<v Speaker 3>the jugular. They're coming out with breast milk flavored ice cream.

0:57:56.720 --> 0:57:59.919
<v Speaker 3>It's out already, company called Freda fri Id.

0:58:00.440 --> 0:58:01.200
<v Speaker 2>That is correct.

0:58:01.640 --> 0:58:08.640
<v Speaker 3>Here is how the company describes describes their product. Yeah, sweet,

0:58:09.280 --> 0:58:13.720
<v Speaker 3>a little salty, smooth, with hints of honey and sprinkles

0:58:14.040 --> 0:58:20.000
<v Speaker 3>of colostrum and features a distinct colostrum yellow tinge. Right now,

0:58:20.080 --> 0:58:23.760
<v Speaker 3>Colostrum is one of the things that you find in

0:58:23.880 --> 0:58:27.760
<v Speaker 3>breast milk. So the cow milk, in cow's breast milk,

0:58:28.000 --> 0:58:29.479
<v Speaker 3>in the breast milk of a cow.

0:58:29.880 --> 0:58:30.040
<v Speaker 6>Yes.

0:58:30.440 --> 0:58:32.840
<v Speaker 3>So there are companies that I had the audio for

0:58:33.000 --> 0:58:33.880
<v Speaker 3>on the phone that died.

0:58:34.160 --> 0:58:35.320
<v Speaker 2>I don't have that audio anymore.

0:58:35.960 --> 0:58:37.840
<v Speaker 3>There's a company I'm not gonna get, not gonna credit

0:58:37.840 --> 0:58:40.680
<v Speaker 3>the company, but they sell collect you buy that Lion's

0:58:40.680 --> 0:58:41.480
<v Speaker 3>main mushroom shit.

0:58:41.760 --> 0:58:42.040
<v Speaker 2>Yep.

0:58:42.160 --> 0:58:46.760
<v Speaker 3>There's a company that sells colostrum pills or whatever, and

0:58:46.800 --> 0:58:50.560
<v Speaker 3>it's high in colostrum. It's the stuff they take off

0:58:50.600 --> 0:58:53.160
<v Speaker 3>the top of the it's the stuff they filter out

0:58:53.200 --> 0:58:57.000
<v Speaker 3>of the milk that you shouldn't drink from that's designed

0:58:57.040 --> 0:59:00.720
<v Speaker 3>for baby cows. They take that off the top and

0:59:00.760 --> 0:59:03.040
<v Speaker 3>they sell it to humans and they tell you it's

0:59:03.040 --> 0:59:05.840
<v Speaker 3>good for you slices. Don't leave me talkbacks. I don't

0:59:05.840 --> 0:59:08.440
<v Speaker 3>want to medical. Sorry, I'm just telling you what it

0:59:08.480 --> 0:59:08.920
<v Speaker 3>is now.

0:59:09.120 --> 0:59:10.000
<v Speaker 2>So this freedom.

0:59:10.280 --> 0:59:13.400
<v Speaker 3>These pints of ice cream that have gone viral there,

0:59:13.880 --> 0:59:16.840
<v Speaker 3>you can buy them online. You just google fr I

0:59:16.960 --> 0:59:21.720
<v Speaker 3>d A and they say that it's it tastes great,

0:59:21.880 --> 0:59:25.520
<v Speaker 3>but but it's not really breast milk because it's they

0:59:25.640 --> 0:59:28.880
<v Speaker 3>have the colostrum in there, but it's nust milk. It's

0:59:28.920 --> 0:59:31.800
<v Speaker 3>not human breast milk that they squirt into the fucking

0:59:31.880 --> 0:59:34.120
<v Speaker 3>thing and freeze and mix and make ice cream out of.

0:59:34.480 --> 0:59:37.600
<v Speaker 3>So my question to you, David Brody, is would you

0:59:37.760 --> 0:59:44.680
<v Speaker 3>try freeda breast milk flavored ice cream. I think it's

0:59:44.720 --> 0:59:48.400
<v Speaker 3>a gimmick. My answer is straight ahead, yes, bring it on.

0:59:48.520 --> 0:59:51.760
<v Speaker 3>In fact, make me a shake, if you know what

0:59:51.800 --> 0:59:54.520
<v Speaker 3>I'm saying, Make me a milkshake. Make make me a

0:59:54.520 --> 0:59:58.200
<v Speaker 3>motor boat. So I'll say, I like the name of

0:59:58.240 --> 1:00:01.400
<v Speaker 3>the company because Freda. It sounds like it's free to try,

1:00:01.480 --> 1:00:02.800
<v Speaker 3>free to sample, free to eat.

1:00:03.240 --> 1:00:05.200
<v Speaker 2>So I like that point. There's nothing free about it.

1:00:05.200 --> 1:00:06.600
<v Speaker 3>In fact, I'm proble. I'm sure you're gonna pay a

1:00:06.640 --> 1:00:08.640
<v Speaker 3>premium because it's breast milk.

1:00:09.200 --> 1:00:10.120
<v Speaker 2>I am not eating it.

1:00:10.560 --> 1:00:13.640
<v Speaker 3>I don't want to taste it. I don't want the coloring.

1:00:14.160 --> 1:00:14.720
<v Speaker 3>I don't want it.

1:00:14.760 --> 1:00:15.760
<v Speaker 2>But it's not real.

1:00:16.200 --> 1:00:19.240
<v Speaker 3>It mimics listen, it mimics breast milk, but it's not

1:00:19.400 --> 1:00:22.200
<v Speaker 3>breast milk. Look, I know in the grand scheme of

1:00:22.240 --> 1:00:26.720
<v Speaker 3>things that human beings drinking from anything that comes out

1:00:26.720 --> 1:00:29.640
<v Speaker 3>of cow's tits and being grossed out by human tits,

1:00:30.080 --> 1:00:34.160
<v Speaker 3>you know, breasts. Excuse me, teats is weird. It's weird

1:00:34.160 --> 1:00:36.160
<v Speaker 3>to begin with that we drink another animal's milk.

1:00:36.160 --> 1:00:36.640
<v Speaker 2>I get it.

1:00:36.920 --> 1:00:38.560
<v Speaker 3>But when I pour a glass of milk, or I

1:00:38.640 --> 1:00:41.320
<v Speaker 3>use milk in a recipe, I like to imagine it's

1:00:41.360 --> 1:00:44.000
<v Speaker 3>just milk. I don't think about where it comes from.

1:00:44.480 --> 1:00:47.040
<v Speaker 3>It comes from the carton. I put chocolate in it.

1:00:47.240 --> 1:00:49.240
<v Speaker 3>I eat ice cream, and by the way, I went

1:00:49.280 --> 1:00:52.040
<v Speaker 3>to a new ice cream place called Van Lewin's ice Cream.

1:00:52.120 --> 1:00:54.080
<v Speaker 3>There's nothing more about it. By the way, it's been

1:00:54.120 --> 1:00:57.440
<v Speaker 3>around for several years. No, no, no, no, a new location.

1:00:57.600 --> 1:00:59.640
<v Speaker 3>Oh I'm sorry, I meant a new location. I know

1:00:59.680 --> 1:01:01.320
<v Speaker 3>it's been around a while, but I never tried it

1:01:01.400 --> 1:01:03.480
<v Speaker 3>because it just opened up in an area I was at.

1:01:03.680 --> 1:01:05.800
<v Speaker 2>It's fantastic Okay, my god, the blueberry pie.

1:01:05.840 --> 1:01:08.960
<v Speaker 3>All right, okay, okay, now back to that, I said,

1:01:09.120 --> 1:01:12.520
<v Speaker 3>back to here is t milk here? Hey, hey, hey, hey,

1:01:12.680 --> 1:01:15.160
<v Speaker 3>listen up, I said, tea diet ice cream.

1:01:15.400 --> 1:01:15.720
<v Speaker 2>Listen.

1:01:16.040 --> 1:01:22.360
<v Speaker 3>Here's the ingredient list. Milk, heavy cream, skim milk powder, oh,

1:01:22.400 --> 1:01:26.800
<v Speaker 3>skim milk powder, sorry, sugar, dextros, egg yolks, invert sugar,

1:01:26.920 --> 1:01:33.600
<v Speaker 3>guar gum, salted caramel, flavoring, honey syrup, LiPo, samal, bovine colostrum,

1:01:33.720 --> 1:01:38.360
<v Speaker 3>and yellow food color number one one okay, and red forty.

1:01:38.640 --> 1:01:41.160
<v Speaker 2>So you know why I would. I'll tell you what.

1:01:41.160 --> 1:01:44.440
<v Speaker 3>What sucks in here is the food coloring and dextrose

1:01:44.600 --> 1:01:47.360
<v Speaker 3>and guar gum. That's the reason that I wouldn't drink

1:01:47.440 --> 1:01:53.160
<v Speaker 3>that wouldn't eat it for those reasons. But the bovine colostrum. Listen,

1:01:53.760 --> 1:01:57.000
<v Speaker 3>it's mind over matter. You're not drinking breast milk. You're

1:01:57.080 --> 1:02:00.560
<v Speaker 3>drinking from a cow, just like you always like all

1:02:00.600 --> 1:02:03.680
<v Speaker 3>of your milk, most of your milk, so you have

1:02:03.720 --> 1:02:08.160
<v Speaker 3>nothing to worry about. So you're you're avoiding it for

1:02:08.160 --> 1:02:11.160
<v Speaker 3>no reason. You don't, you're not You're not with me

1:02:11.240 --> 1:02:15.040
<v Speaker 3>on this. You I can't. I can't slices. You can't

1:02:15.320 --> 1:02:17.800
<v Speaker 3>get an old dog to try new tricks.

1:02:17.920 --> 1:02:18.280
<v Speaker 2>You can't.

1:02:18.400 --> 1:02:20.840
<v Speaker 3>David Brodie, I'm not. I'm not an old dog. But

1:02:20.880 --> 1:02:23.000
<v Speaker 3>I'll tell you why. There are people who object to this,

1:02:23.040 --> 1:02:24.560
<v Speaker 3>and I'll tell you why they object to why.

1:02:24.840 --> 1:02:27.920
<v Speaker 2>Let me let me tell you what. Nope.

1:02:28.120 --> 1:02:31.720
<v Speaker 3>Colostrum is a nutrient dense fluid that is released from

1:02:31.760 --> 1:02:34.520
<v Speaker 3>the breast of mammals after they give birth for the

1:02:34.560 --> 1:02:38.280
<v Speaker 3>purpose of providing nourishment and certain nutrients to the young.

1:02:38.720 --> 1:02:40.600
<v Speaker 2>Okay, it is very specific.

1:02:40.680 --> 1:02:43.720
<v Speaker 3>It's like it's like it's like pre ejaculate is very

1:02:43.800 --> 1:02:46.960
<v Speaker 3>high in the you know, the DNA. Yeah, this is

1:02:47.000 --> 1:02:48.840
<v Speaker 3>the good stuff. This is the stuff that comes out

1:02:48.880 --> 1:02:52.919
<v Speaker 3>first that the baby needs. So they're taking it from

1:02:52.960 --> 1:02:56.520
<v Speaker 3>pregnant cows that just gave birth and instead of giving

1:02:56.520 --> 1:02:58.280
<v Speaker 3>it to the babies that need it. That make an

1:02:58.280 --> 1:03:01.720
<v Speaker 3>ice cream face you there, You don't know what they're

1:03:01.760 --> 1:03:04.280
<v Speaker 3>using for. Scary, scary. I just told you what they're

1:03:04.320 --> 1:03:06.720
<v Speaker 3>using it for. They're putting it in the ice cream.

1:03:06.880 --> 1:03:08.600
<v Speaker 3>But who's to say that they're not producing it for

1:03:08.640 --> 1:03:11.360
<v Speaker 3>the baby cows as well? So what is this controversial

1:03:11.400 --> 1:03:13.959
<v Speaker 3>all of a sudden? Yeah, Well, I'm telling you why

1:03:14.000 --> 1:03:15.920
<v Speaker 3>some people have I'm telling you why some people have objected.

1:03:15.960 --> 1:03:17.600
<v Speaker 3>I'm not saying why I object. Oh you know what,

1:03:18.080 --> 1:03:22.280
<v Speaker 3>Fuck that crowd. There's snowflakes. There's snowflakes. You're saying is

1:03:22.440 --> 1:03:24.840
<v Speaker 3>not fuck that crowd. Fuck that calf, is what you're saying.

1:03:25.920 --> 1:03:27.000
<v Speaker 2>I'm telling you, I got the.

1:03:26.960 --> 1:03:33.400
<v Speaker 3>Snowflake jingle forum. To those who would object, it's snowing

1:03:33.480 --> 1:03:44.240
<v Speaker 3>in the control room again, snowflakes. Only a snowflake would

1:03:44.280 --> 1:03:47.240
<v Speaker 3>complain about that. There's nothing to complain about. There's nothing

1:03:47.240 --> 1:03:50.360
<v Speaker 3>to be angry about. And and I'm just trying to

1:03:50.400 --> 1:03:54.479
<v Speaker 3>get you on board to potentially try it because it's

1:03:54.520 --> 1:03:58.920
<v Speaker 3>not real. It mimics breast milk. There's nothing human about it.

1:03:58.920 --> 1:04:02.720
<v Speaker 3>It's all from a calf and colosstrum is nothing that

1:04:03.440 --> 1:04:06.400
<v Speaker 3>you should ask your question, voice your question. If they

1:04:06.440 --> 1:04:08.720
<v Speaker 3>made it out of human breast milk, would you try it?

1:04:10.360 --> 1:04:13.760
<v Speaker 2>I might be a little bit more recalcitrant.

1:04:14.000 --> 1:04:17.880
<v Speaker 3>Oh, racalcitrant. That's that they take that from the giraffe.

1:04:18.240 --> 1:04:21.560
<v Speaker 3>Calcitrin comes from giraffe milk. I might think twice. Would

1:04:21.600 --> 1:04:25.920
<v Speaker 3>you would you eat it if it came from horse milk? Well,

1:04:25.960 --> 1:04:30.920
<v Speaker 3>horses don't produce milk for ice cream, so probably not. Okay,

1:04:31.560 --> 1:04:35.200
<v Speaker 3>all the usual suspects, I'm there, okay, goat, goats milk,

1:04:35.200 --> 1:04:38.760
<v Speaker 3>goats milk, yeah, I'm there, yea, yeah, sheep.

1:04:38.560 --> 1:04:41.280
<v Speaker 2>Milk, sheep milk, I'm there, okay, cow's milk.

1:04:41.320 --> 1:04:41.760
<v Speaker 3>What about?

1:04:41.800 --> 1:04:43.880
<v Speaker 2>What about ox milk? You'll be found with ox milk

1:04:43.880 --> 1:04:46.040
<v Speaker 2>and buffalo milk, ox milk and buffalo milk.

1:04:46.120 --> 1:04:48.760
<v Speaker 3>I don't know. Buffalo do we do Buffalo milk?

1:04:48.840 --> 1:04:49.680
<v Speaker 2>I think we we do?

1:04:49.720 --> 1:04:56.080
<v Speaker 3>Buffalo burgers, no, give milk they do do? Yes, Buffalo

1:04:56.480 --> 1:04:59.440
<v Speaker 3>specifically water Buffalo, I guess, yeah, yeah, yeah, Buffalo, the

1:05:00.000 --> 1:05:03.720
<v Speaker 3>flo Mucenella, Buffalo, Ufelo Soldiers, Buffalo motz.

1:05:03.760 --> 1:05:05.240
<v Speaker 2>Yeah, I'd be okay.

1:05:05.680 --> 1:05:09.000
<v Speaker 3>Any of these, listen, anything that normally produces milk that

1:05:09.040 --> 1:05:12.840
<v Speaker 3>we consume, I would. I would definitely try a frozen

1:05:12.880 --> 1:05:16.720
<v Speaker 3>product from that. Would you do kangaroo milk? Probably not,

1:05:17.080 --> 1:05:20.040
<v Speaker 3>I don't know. But human breast milk, I don't know,

1:05:20.200 --> 1:05:23.440
<v Speaker 3>probably not, I don't think so. But this, in this case,

1:05:23.960 --> 1:05:28.440
<v Speaker 3>it's all about the tidle breast milk ice cream. So

1:05:28.480 --> 1:05:32.640
<v Speaker 3>people get excited because you know, it's it's a name thing.

1:05:32.760 --> 1:05:37.680
<v Speaker 3>It you know, it's triggering. All right, all right, I

1:05:37.680 --> 1:05:41.520
<v Speaker 3>think we've seen enough here. Here's my last one. Would

1:05:41.600 --> 1:05:45.720
<v Speaker 3>you eat breast milk ice cream from a monkey?

1:05:45.960 --> 1:05:46.120
<v Speaker 2>No?

1:05:47.280 --> 1:05:51.040
<v Speaker 3>Why they're the closest thing to humans. No, because you're

1:05:51.080 --> 1:05:53.439
<v Speaker 3>not used to drinking their milk. It could have other

1:05:53.520 --> 1:05:55.800
<v Speaker 3>crap and what of it had no crap in it. Whatever,

1:05:55.800 --> 1:05:57.000
<v Speaker 3>It was totally healthy.

1:05:57.640 --> 1:06:00.000
<v Speaker 2>Probably not. No, it doesn't sound appetizing.

1:06:00.040 --> 1:06:01.880
<v Speaker 3>You can have a banana shake right from the with

1:06:01.880 --> 1:06:04.520
<v Speaker 3>the monkey taking the banana, the monkey and then anyway

1:06:04.520 --> 1:06:05.160
<v Speaker 3>banana banana.

1:06:05.200 --> 1:06:06.160
<v Speaker 2>You wouldn't do monkey milk?

1:06:06.200 --> 1:06:09.000
<v Speaker 3>No, monkey great? What a great chain of restaurants like

1:06:09.000 --> 1:06:12.520
<v Speaker 3>monkey milk Monkey milk. No, I'm out somebody let me

1:06:12.520 --> 1:06:15.040
<v Speaker 3>say something. Somebody on TikTok is gonna drink monkey milk

1:06:15.040 --> 1:06:16.280
<v Speaker 3>and make it a monkey milk challenge.

1:06:16.360 --> 1:06:18.680
<v Speaker 2>It's gonna become a big thing. Dude. Even the name

1:06:18.720 --> 1:06:20.280
<v Speaker 2>is like monkey milk. It sounds terrific.

1:06:20.800 --> 1:06:22.800
<v Speaker 3>I think I think we should buy some free to

1:06:22.880 --> 1:06:26.080
<v Speaker 3>ice cream breast milk ice cream and try it. It's

1:06:26.120 --> 1:06:29.400
<v Speaker 3>no biggie, a little lape juice e juice, and just

1:06:29.520 --> 1:06:32.200
<v Speaker 3>know that that yellow tinge is coming from yellow number

1:06:32.280 --> 1:06:34.120
<v Speaker 3>five and fucking red forty.

1:06:34.400 --> 1:06:34.880
<v Speaker 2>How about this.

1:06:34.920 --> 1:06:37.520
<v Speaker 3>For marketing, you need to rush down to your supermarket

1:06:37.560 --> 1:06:40.400
<v Speaker 3>and get the new drink, The Thriller from the Gorilla.

1:06:40.760 --> 1:06:41.840
<v Speaker 2>What an old reference.

1:06:43.800 --> 1:06:49.760
<v Speaker 3>That's the Thriller from Manila. Oh my god, Gorilla the

1:06:49.800 --> 1:06:50.880
<v Speaker 3>Monkey Milk for Everybody

1:06:52.960 --> 1:07:01.360
<v Speaker 2>Byeye four