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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club Morning, Everybody's dj en V just hilarious charlamage,

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Speaker 2: the guy we are the Breakfast Club.

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Speaker 1: Laura l Rossa is holding it downes. It's on maternity

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Speaker 1: leave and we.

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Speaker 3: Got a special guest in the building. Good brother, Tyre Gibbs.

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Speaker 1: Tye is here.

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Speaker 3: Good morning something.

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Speaker 1: What's funny now, man? Other than your great beard, I'm

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Speaker 1: letting it grow were grown? What's funny? Bopa?

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Speaker 3: I bet you won't let your face your head growing.

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Speaker 1: You're fucking right, fucking right, how.

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Speaker 3: Are you, sir?

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Speaker 1: Not only am I not gonna let him grow in,

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Speaker 1: but I definitely tried to get into my implant game

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Speaker 1: and it didn't. You know, it landed, but it didn't

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Speaker 1: landed for the video, didn't land for the Spangled banner.

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Speaker 3: But we talked about with a Wildflower.

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Speaker 1: Yeah, I shot the video. It wasn't even a video.

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Speaker 1: It's it's a short film called Wildflower, dedicated to my

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Speaker 1: mother Rest in Peace, produced by the legend David Foster

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Speaker 1: and uh my producer Brad them Damn Hodge. And even

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Speaker 1: though everyone knows the song Wildflower, it was it was

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Speaker 1: David Foster's group it's called Skylark from fifty years ago

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Speaker 1: and they released Wildflower. These these are Canadians that are

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Speaker 1: from Canada singing R and B and then the the

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Speaker 1: way that we know about the song is when New

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Speaker 1: Birth did it right. So, but David Foster has never

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Speaker 1: gotten back in the studio to do any other remake

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Speaker 1: of Wildflower until now. So I'm very honored that he

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Speaker 1: did this on behalf of my mom and I'm very grateful.

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Speaker 1: And it just it just actually came out today. Man.

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Speaker 1: So I'm like, I'm always emotional. I'm any emotional wreck

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Speaker 1: just knowing that my mama song came out today.

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Speaker 4: So what made you put the outphone on? Because that

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Speaker 4: was my I'm gonna ShW you my favorite video.

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Speaker 5: Marvin Gay.

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Speaker 1: Right, I was, well, I'm talking about the.

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Speaker 5: Yeah, we talked about that moment up here.

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Speaker 1: Of course, Charlemagne. Charlemagne is a control Thank you.

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Speaker 3: I'm like this this is me getting ready for bed.

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Speaker 3: This was fantastic. Look at my caption. How I feel

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Speaker 3: getting ready for bed every night. That's me.

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Speaker 1: See that you know your con fellas, I have to go.

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Speaker 1: I just want to stay away, disrespect conversation. I was

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Speaker 1: about to say he about to throw one at me.

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Speaker 1: Go ahead and conversation before on off, and you know

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Speaker 1: we we spoke like man. But I have to go.

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Speaker 2: But I don't want him to feel disrespectful that I'm leaving.

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Speaker 2: I think he has a conversation.

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Speaker 1: What I think it is too. I told you I

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Speaker 1: got to go before.

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Speaker 3: Can y'all have one interview with y'all don't disrespect each other?

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Speaker 1: Why envy? Yes, sir, I love you. What part of

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Speaker 1: your car show at this point, hongng, how many years

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Speaker 1: you've been doing it? Six years? Six years? What part

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Speaker 1: of your car show requires you to be there physically

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Speaker 1: unloading cars yourself? Well, it's the thing, I tell you

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Speaker 1: because I do car shows too, but Runner, I've neverloaded.

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Speaker 2: They're actually pulling up this weekend. But the thing is

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Speaker 2: is when Cardi B and Offset give me their car,

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Speaker 2: I don't let anybody touch their car but me because

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Speaker 2: if something happens, and that happened before we push your

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Speaker 2: tea push the t game is ferrari.

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Speaker 1: I let somebody pull it off the thing and he crashed,

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Speaker 1: you see him?

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Speaker 2: So now for my situation, when anybody comes and loading

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Speaker 2: it and loading is actually at nine thirty I'm supposed

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Speaker 2: to be there. I personally take their cars off. So

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Speaker 2: next time I come to Atlanta and I take your car,

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Speaker 2: I'm gonna put you know that Envy will personally take

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Speaker 2: care okay. Well if I if, I would be okay.

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Speaker 1: And I feel disrespected about Envy leaving because it said

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Speaker 1: this interview is pretty important. Everybody want to see us,

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Speaker 1: but they definitely tuned in right now for my bage.

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Speaker 1: Fella right, I just want you to say these words,

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Speaker 1: Envy before you leave. Boy, Beautiful Pain is the most

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Speaker 1: important R and B album in twenty twenty four.

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Speaker 3: I haven't heard yet. You got a point.

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Speaker 1: That's cool. I want to believe I sent him at

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Speaker 1: least a couple of pieces, and you did. You got

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Speaker 1: them to.

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Speaker 4: Just be wondering why they're taking so long, like you've

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Speaker 4: been sitting on this album for a while.

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Speaker 1: It's called being independent.

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Speaker 3: Mm hmm.

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Speaker 1: It's called money up, money down, being grown, and dealing

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Speaker 1: with seven lawsuits getting in the way of all kinds

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Speaker 1: of ship that I wanted to do. But we're here

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Speaker 1: now and now Envy is leaving.

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Speaker 2: We just seen Daniel in the hall y'all talking about

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Speaker 2: Teddy Pendergrass. That's going to happen.

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Speaker 1: Bumper mother, that's crazy hurting them for that. He had

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Speaker 1: that motherfucker in the I cloud.

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Speaker 3: Talking last night and he said, he said, man might

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Speaker 3: come on the tail and Lee.

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Speaker 6: Wait, hold on, wight on, hold on, I must, I

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Speaker 6: must say that the first part is bullshit, the second

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Speaker 6: part is true.

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Speaker 3: Wait.

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Speaker 1: I said, this is what I said, and I had

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Speaker 1: I announced. I ain't saying with the compart. This is

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Speaker 1: this nigga put it in on. This is what I

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Speaker 1: did say. I said, hey, man, I might have to

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Speaker 1: pull up on the tail end of the Lee Daniels

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Speaker 1: interview because y'all gonna be interviewing him. Right before I

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Speaker 1: heard what I said, I said, Paul, I said, hold on,

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Speaker 1: he don't give a nigga, let's move on. I thought

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Speaker 1: you didn't have no time do so you want to

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Speaker 1: stay here for the gay conversation. You want to stay here.

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Speaker 1: So so all of a sudden, CARDI B Is loaded.

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Speaker 1: I gotta don't matter because you don't want to hear

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Speaker 1: details off the tail end on. I heard you talking

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Speaker 1: about movie. Nobody else was there.

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Speaker 2: That's true, and you were you were talking about you.

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Speaker 2: You were saying, make sure that you know you you

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Speaker 2: you really want to do that movie, So to break

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Speaker 2: that down, is that gonna happen?

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Speaker 1: So, So what I explained to him was Lee Daniels

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Speaker 1: was born and raised in Philly. All right, he was

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Speaker 1: here with arjor Day, my fellow Capricorn. And Lee has

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Speaker 1: a specific commitment to telling stories from the legends and

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Speaker 1: icons from the ground to Philadelphia. All Right, I'm not

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Speaker 1: gonna be disparaging because we ain't finna get no more

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Speaker 1: calls about Oh he said this about truth be told. Uh,

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Speaker 1: there was a lawsuit filed and I did not win

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Speaker 1: the lawsuit, or not not win. I did not have

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Speaker 1: the lawsuit to work in my favor because I've been

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Speaker 1: on this journey to do Teddy Pendergrass for literally fourteen years,

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Speaker 1: long before Teddy married his current widow. Right, And again,

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Speaker 1: I have still respect for her. But when you're doing

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Speaker 1: a film with someone who does not have any experience,

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Speaker 1: respectfully in Hollywood, they don't know the process of writing

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Speaker 1: and rewriting and trying to figure out like how do

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Speaker 1: you tell the best story? You cannot do a Teddy

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Speaker 1: Pendergrass movie that has him quadriplegic for the whole movie

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Speaker 1: because nobody's gonna watch that movie. The movie was never

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Speaker 1: cradle to the grave, meaning from the moment he was

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Speaker 1: born to the moment he passed. And his wife, who

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Speaker 1: is incredible. I've seen her passion and love for this man,

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Speaker 1: which is why I don't want to be disrespectful.

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Speaker 3: But.

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Speaker 1: She was in his life, you know, the last four

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Speaker 1: years of his life, and the movie that myself and

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Speaker 1: Lee Daniels wanted to tell did not include that piece

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Speaker 1: of life that they had together. It was from this

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Speaker 1: period to that period, and that's the movie and the

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Speaker 1: story that we wanted to tell. And I don't think

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Speaker 1: anybody would would like you know as much as I

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Speaker 1: know and want to do as an actor. When Lee

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Speaker 1: Daniels in the driver's seat, as a genius that he

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Speaker 1: is as a filmmaker, he is, even I knew how

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Speaker 1: to shut the fuck up and get out the way, absolutely,

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Speaker 1: Like I was not involved in the day to day

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Speaker 1: of the script, in the process. Because you don't want

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Speaker 1: to piss Lee off for making him feel like you're

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Speaker 1: micro managing the process. Nigga, am I here to do

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Speaker 1: what I'm here to do? You show up and you

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Speaker 1: ready to do teddy? Okay? So at the end of

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Speaker 1: the day, I didn't think it was fair, and it

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Speaker 1: all fell apart. Warner Brothers, Lee, Daniels, Tyres. This man

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Speaker 1: told me, you're the only person in the world that

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Speaker 1: could ever play me.

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Speaker 3: So what hey told you that person?

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Speaker 1: There's nobody else on this on this earth that I

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Speaker 1: would ever trust that. He said, you know, the reason

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Speaker 1: why you're gonna play me is because you never wanted

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Speaker 1: to be me. I can't stand motherfuckers out here trying

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Speaker 1: to copy me. You've sing your ass off and you've

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Speaker 1: been doing you this whole time, and I want you

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Speaker 1: and I know you the only one that could tell

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Speaker 1: the story, so as you could imagine if something or

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Speaker 1: anybody's getting in the way of that. And we got

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Speaker 1: to lead Daniels from Philly Borne to raise and all

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Speaker 1: that that. So so that's that's what you just heard.

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Speaker 1: I basically just said the Lee, Ah in Jesus' name,

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Speaker 1: we're still gonna make this movie. They said, don't let

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Speaker 1: it go. Don't let it go. And I'm gonna tell

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Speaker 1: you right now that there is no other version of

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Speaker 1: the Teddy Pendergrass package is better than this package. So

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Speaker 1: I may have sued and lost the law suit.

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Speaker 3: Would you think Teddy would have wanted you to sue

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Speaker 3: his widow? Though?

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Speaker 1: I think I think the Teddy Pendergrass that I that

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Speaker 1: I know and got to know, Teddy Pendergrass is not

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Speaker 1: interested in anything or anybody that would getting the way

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Speaker 1: of progress. And I would he say sue. No, nobody

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Speaker 1: would ever say, hey, man, if she getting away sewer,

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Speaker 1: that's not what that man said me. What I will

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Speaker 1: say is I've been around. I've heard him say things

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Speaker 1: about people that you would never ever think he feels

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Speaker 1: this or feels that about. And I never repeat it

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Speaker 1: because that's who my heart is. But I will say,

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Speaker 1: Teddy don't fuck with who Teddy don't funk with, And

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Speaker 1: I'm aware of who he does and who he don't.

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Speaker 1: They can paint whatever picture they want, but Teddy is

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Speaker 1: not interested in anything or anybody getting the way of

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Speaker 1: his story being told Teddy didn't him. I'm not saying

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Speaker 1: that at all. Those are not my words. That's that

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Speaker 1: Charlemagne trying to do that.

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Speaker 3: People would it like that an envy is.

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Speaker 7: Slipping out of here? All right, we're gonna hug I

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Speaker 7: love you, There you go. That's what I like to

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Speaker 7: see that's what I like to see. That's what I

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Speaker 7: like this, that's what I like to see.

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Speaker 1: You know what, I'm gonna tell you what's funked up.

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Speaker 1: I'm gonna tell you what's funked up. If that was

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Speaker 1: Acon's car, you wouldn't be leaving there. His life scanning

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Speaker 1: Niggas stick.

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Speaker 4: Together headline looked like NVBIT, But listen. She also said

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Speaker 4: she was a poor businessman.

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Speaker 1: Poor businessman. That's fine, that's fine. Everybody's entitled to their opinion.

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Speaker 1: I want to believe that securing a deal with Warner Brothers,

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Speaker 1: securing Lee Daniels developing an actual relationship with her late

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Speaker 1: great husband, that says everything about who I am as

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Speaker 1: a business man, because I produce results. We had the

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Speaker 1: biggest press release ever. At the end of the day,

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Speaker 1: she's gonna see this interview, and I just want her

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Speaker 1: to know that, in my mind, I made a commitment

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Speaker 1: to your husband. I made a commitment to his story,

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Speaker 1: his journey, and Lee Daniels is still ready to go,

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Speaker 1: and Warner Brothers is still ready to go. I'm just

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Speaker 1: gonna hope and pray that somebody can make the phone

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Speaker 1: call to say that there is no better Teddy Pendergrass

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Speaker 1: package than Tyree's Lee Daniels and Warner Brothers. That's it.

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Speaker 8: But so if somebody doesn't make that phone call and

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Speaker 8: it happened right in a perfect world, like, how do

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Speaker 8: y'all move forward?

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Speaker 1: We already got the script done?

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Speaker 8: Not the script, but I mean, like just as people

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Speaker 8: and like now you have all this in the media,

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Speaker 8: the lawsuit or whatever.

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Speaker 1: It's like, did you just see what happened with me

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Speaker 1: and Envy?

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Speaker 5: So y'all gonna sit down to have a conversation.

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Speaker 1: You've seen what just happened with me and Envy. Yeah,

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Speaker 1: we're supposed to be fucking bare knuckle.

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Speaker 5: Right here, cracking all right, m't doing.

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Speaker 1: That, but we we said we wasn't doing and me

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Speaker 1: and Charlemagne said, we're not doing that. Me and Envy said,

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Speaker 1: we're not doing that. So if everybody tuning in there

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Speaker 1: ready for war, where's the war? Right? We've grown ass men,

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Speaker 1: and guess what we all felt and feel and went

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Speaker 1: about all of this shit the way we did. There's actions,

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Speaker 1: there's reactions that went to whatever level. But I'm a

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Speaker 1: grown ass man, and at the end of the day,

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Speaker 1: he is too, and that man is too so I

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Speaker 1: really believe in Jesus' name. First of all. First of all,

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Speaker 1: I'll say this, not despite anybody. We can't make Teddy

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Speaker 1: Pendergrass about any of us. His story his story. It's

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Speaker 1: history and it belongs to the world. And there's nobody

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Speaker 1: else in the world that could do that but me.

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Speaker 1: Y'all seeing the beard.

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Speaker 8: And why hold it onto the why did it go

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Speaker 8: into the star spangled banner situation?

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Speaker 1: I'll tell you because the guy. First of all, shout

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Speaker 1: out to my barber. I literally flew in man from Texas.

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Speaker 1: We found him a year ago online and his process

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Speaker 1: takes about five hours. And I did not want to

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Speaker 1: do anything from Hollywood because first of all, there's a

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Speaker 1: lot of white people are the makeup artists, and they

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Speaker 1: don't even know nothing about this black texture. So that's

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Speaker 1: why you got motherfuckers out here looking real crazy when

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Speaker 1: they put on fake beards and movies or whatever. First

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Speaker 1: of all, I'm an actor, and if anybody can get

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Speaker 1: away with putting on prosthetics and fake this and fake that,

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Speaker 1: it would be me that when you go and do

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Speaker 1: all that fake shit in real life, we got to

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Speaker 1: ask a real idea of question. But I have never

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Speaker 1: had facial hairds like that in my life. I got

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Speaker 1: a hold of what I believe is the best person

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Speaker 1: that could do that shit to make it look real

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Speaker 1: and believable. And I literally went full on for my

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Speaker 1: Wildflower not a video or a short film, and it

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Speaker 1: was casted by Robbie Reid, who did levels of like

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Speaker 1: Malcolm X, like this is a real movie. It would

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Speaker 1: be disrespectful the call of the music video, and so

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Speaker 1: I went all out. Okay, and my whole move, my

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Speaker 1: whole album, Beautiful Pain is like rumor has it the

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Speaker 1: year twenty twenty four is coming, I've been in the

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Speaker 1: year nineteen sixty eight for the last almost four years.

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Speaker 3: You said twenty twenty four is coming.

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Speaker 1: Rumor has it that we're still going to be alive

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Speaker 1: in twenty twenty four. I have been in the year

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Speaker 1: nineteen sixty eight working on this Beautiful Pain album. Because

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Speaker 1: when I was working on my album, there was no

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Speaker 1: such thing as Luther Vanros featuring Curtis Blow. There was

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Speaker 1: no such thing as Marvin Gaye feature and run DMC

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Speaker 1: was never. I want to tell you, baby, the chance

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Speaker 1: is I've been going through I've been working on teams

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Speaker 1: chances I've been going through the team. There was no

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Speaker 1: such thinking. Okay, grown ass man with just R and

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Speaker 1: B records that did not feature hip hop. So that's

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Speaker 1: what I did. I got twenty songs they live and

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Speaker 1: there was nothing about what I did in my Wildflower

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Speaker 1: video that had anything to do with me looking like

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Speaker 1: Jody baby Boy, Roaman Pierce, none of them niggas. I

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Speaker 1: had to become the person that I envisioned myself becoming

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Speaker 1: the motherfucking bail bottom shoe, her pants and them platform shoes.

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Speaker 1: That was this stick worstship I've ever experienced in my life.

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Speaker 1: I got.

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Speaker 4: I got a lover of the Adida suit with the

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Speaker 4: lofers the what worse than your Adida suit?

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Speaker 1: Yes, yes, yes that was Yeah.

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Speaker 5: That was uncomfortable where it was uncomfortable.

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Speaker 1: Listen, man, I ain't never wore no ship like that

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Speaker 1: in my life. Okay, full beard, full head of hair.

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Speaker 1: I wore a bonnet to go to sleep. My girl

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Speaker 1: gave me a bonnet, Okay, I had. I woke up

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Speaker 1: with a headache, damn because of the bonnet. Whatever that

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Speaker 1: ball that you you know, because I don't wear Wayne casts.

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Speaker 1: None of that ship nigga that bought that bonnet the

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Speaker 1: string tight. I woke up. I was like, yo, man,

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Speaker 1: I don't have I have no motherfucking idea. How y'all

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Speaker 1: niggas ain't no, ain't no way in hell anybody should

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Speaker 1: be committing the hair and waking up with I was

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Speaker 1: on fire. Yeah, So anyway, anyway, well, well it was

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Speaker 1: it was promo in my mind because I'm I'm pretty

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Speaker 1: methodical with my ship when when I can, they don't

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Speaker 1: always land, but it lands.

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Speaker 3: Why didn't think it was? It was like extra from

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Speaker 3: Good Time?

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Speaker 8: It was because he was singing that it was the

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Speaker 8: way that that's.

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Speaker 3: What he thought, like one of Rollo's friends or.

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Speaker 8: Something from So you like it didn't land? Like you,

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Speaker 8: you keep saying that, what's up? You keep saying that

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Speaker 8: that it didn't land? What didn't land?

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Speaker 3: Like?

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Speaker 5: What are you referring to? Are you talking about? When

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Speaker 5: you were singing and start.

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Speaker 1: When I was singing the national anthem and landed. But

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Speaker 1: I was saying that not everything that I'm very methodic,

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Speaker 1: I'm a capricorn. So we think and we'd strategize and

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Speaker 1: we calculate, and I was saying that not everything that

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Speaker 1: we calculate will always land. But everything about what I

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Speaker 1: did landed right. So I said, to these white people

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Speaker 1: at the rams, I said, to the to the people

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Speaker 1: at at at even the movie studio, I said, let

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Speaker 1: me tell you something. There is no version of me

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Speaker 1: doing the national anthem looking like Tyree, singing like Tyree's,

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Speaker 1: wearing regular Tyree's clothing that's going to get as much

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Speaker 1: traction and attention as this. And the outfit that I

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Speaker 1: wore is the output that I wore in the entire

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Speaker 1: music video or short film from Wildflow, is it?

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Speaker 5: No, I didn't see I didn't see Wildflower.

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Speaker 1: But I know he tried to come at me about

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Speaker 1: the ship. He's like, you're coming up here in that

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Speaker 1: beard for the interview, right, I said.

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Speaker 5: I was really confused all that stuff.

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Speaker 1: Of course, anybody I was confused. Everybody. Were they thinking

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Speaker 1: that I'm having another mental health breakdown on live television. Okay,

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Speaker 1: this is not a what more do you want from me?

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Speaker 1: Part two? It ain't never coming.

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Speaker 4: And you didn't sound bad. I was like, well, he

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Speaker 4: don't sound bad singing. Now, let's not do that like

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Speaker 4: you know.

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Speaker 1: Let me let me make another connection for the young niggas,

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Speaker 1: who who didn't live before Twitter was born. Uh, The

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Speaker 1: Great Western Forum had a legend by the name of

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Speaker 1: Marvin Gaye who sung one of the most legendary national

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Speaker 1: anthems ever at a Laker game. Okay, and that actual

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Speaker 1: physical property. Okay, let me give it to y'all. Y'all

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Speaker 1: still kind of slow, so let me get y'all to

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Speaker 1: catch up to me. Okay, here we go. The Great

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Speaker 1: Western Forum is in Inglewood.

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Speaker 5: Right here, right, oh, geographical right now?

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Speaker 1: Okay, I got it because because these kids don't know

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Speaker 1: what the fuck is going on Great Western Form. It's

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Speaker 1: right here. The same exact parking lot is where the

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Speaker 1: Sofi arena is located. I showed up in a red

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Speaker 1: Beanie and everything about my approach to the anthem and

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Speaker 1: the year that I've been living in Donnie Hathaway, Marvin Gaye,

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Speaker 1: Teddy Pendergrass, Stevie wonder Motown. This red Beanie was holding

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Speaker 1: hands with this red Beanie at the Gray Western Form

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Speaker 1: as I sung the national anthem on top of live

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Speaker 1: congos in an arena that just got built a couple

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Speaker 1: of years ago called the Sofi and the same exact

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Speaker 1: property holding hands. So Marvin did it? I did a

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Speaker 1: music video. This man said, it's gonna take four hours

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Speaker 1: to take all that nappy shit off your face. I said,

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Speaker 1: I don't have time. We left the set of Wildflower

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Speaker 1: and went straight to the Anthem because these white people

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Speaker 1: want to be there by ten thirty to rehearse. Like fuck,

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Speaker 1: I don't rehearse. I need sleep. But if y'all want

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Speaker 1: me to rehearse, i gotta show up in full costume

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00:20:03,520 --> 00:20:07,520
Speaker 1: because I'm just leaving the set. So when Wildflower drops,

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Speaker 1: I think for all the people that's laughing, joking or

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Speaker 1: just asking questions, they're gonna understand.

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00:20:12,800 --> 00:20:15,520
Speaker 4: It wasn't given. It was given like Lamar Standford got

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Speaker 4: a date. You know what I'm saying.

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Speaker 8: You know, but people picked up the Marvin because of

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Speaker 8: the I think it was like the just the way

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Speaker 8: you sung it, people.

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Speaker 5: Picked it up.

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00:20:23,560 --> 00:20:26,040
Speaker 1: Look at this go ahead, you did it.

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Speaker 5: But I really I didn't know what yo.

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Speaker 1: Listen, you did it, You did it, You did that.

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Speaker 1: This nigga here he gonna.

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Speaker 5: I'm trying to move on, keep going back.

401
00:20:36,680 --> 00:20:41,880
Speaker 4: I was Raised'll know that doing comedy.

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Speaker 1: Man.

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Speaker 5: Now that I'm saying here, I'm like, you kind of

404
00:20:44,640 --> 00:20:45,680
Speaker 5: you knew what you was doing, like.

405
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Speaker 8: Can you look a little not trod in a bad way,

406
00:20:50,520 --> 00:20:51,760
Speaker 8: but like you knew that it was gonna get the

407
00:20:51,760 --> 00:20:53,639
Speaker 8: people going, and you didn't have a choice, so you

408
00:20:53,720 --> 00:20:55,280
Speaker 8: just made to do what you had to make.

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Speaker 5: Do at the time.

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Speaker 8: It's like, hene, it's a different feeling now because before

411
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Speaker 8: I'm like, this.

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Speaker 5: Is not going on.

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00:21:01,960 --> 00:21:07,359
Speaker 1: Well, listen, y'all, all jokes aside. Wildflower is available worldwide.

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00:21:07,440 --> 00:21:11,160
Speaker 1: It just went live on all the streaming platforms. And

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Speaker 1: you already know this song. You love this song. We

416
00:21:14,760 --> 00:21:16,920
Speaker 1: grew up on this song. I would have never heard

417
00:21:16,920 --> 00:21:18,880
Speaker 1: this song a day of my life. Let me tell

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Speaker 1: y'all something. Imagine me, little boy. Long before I ever

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00:21:23,040 --> 00:21:26,840
Speaker 1: knew I could sing, my mama was an alcoholic twenty

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Speaker 1: seven years May God rest her soul. She died two

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Speaker 1: years ago, twenty twenty two. Of all days, she give

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Speaker 1: birth to an R and B singer, and she dies

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00:21:35,840 --> 00:21:40,159
Speaker 1: on Valentine's Day. Okay, two girls, two boys, I'm the

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00:21:40,280 --> 00:21:46,119
Speaker 1: last one. I'm the baby boy officially, So imagine, long

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Speaker 1: before I ever knew I could hold a note, As

426
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Speaker 1: my mama is drinking talking about she ain't just like sipping.

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00:21:52,760 --> 00:21:58,879
Speaker 1: My mama was full on right. The soundtrack that helped

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00:21:58,920 --> 00:22:02,399
Speaker 1: her to drink even more was R and B soul music.

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Speaker 1: I don't really know no other version of R and B,

430
00:22:07,160 --> 00:22:09,640
Speaker 1: like I don't know nothing about Little Taytay, Little Rayleay, look,

431
00:22:09,720 --> 00:22:14,320
Speaker 1: Little Say Say Listen, they will never be David Foster

432
00:22:14,480 --> 00:22:18,280
Speaker 1: and Little Tate in the same sentence, you understand me.

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Speaker 1: So y'all might be winning the popularity contest because you

434
00:22:22,320 --> 00:22:26,000
Speaker 1: know record labels these days, y'all niggas is corny, okay, corny?

435
00:22:27,160 --> 00:22:31,639
Speaker 1: Hey man, you know what's the data? What's the streaming numbers?

436
00:22:31,440 --> 00:22:35,200
Speaker 1: What's the YouTube view? Goofy from radio the same way

437
00:22:35,600 --> 00:22:40,400
Speaker 1: with goofy. If y'all motherfuckers think I'm at any point,

438
00:22:40,440 --> 00:22:42,639
Speaker 1: I'm forty five years old. Let me tell yall something.

439
00:22:42,760 --> 00:22:45,280
Speaker 1: Hear me, cameras is rolling right. What's your name?

440
00:22:45,320 --> 00:22:45,439
Speaker 3: Bro?

441
00:22:46,359 --> 00:22:48,920
Speaker 1: You look like envy nigga, don't like I'm just letting.

442
00:22:50,560 --> 00:22:53,120
Speaker 1: I'm I'm triggered.

443
00:22:54,800 --> 00:22:55,160
Speaker 3: Looking at.

444
00:22:57,800 --> 00:23:01,639
Speaker 1: Hold on, hold up, listen, listen, So listen, I'm forty

445
00:23:01,640 --> 00:23:04,160
Speaker 1: five years old. What's your name? Says again? And how

446
00:23:04,160 --> 00:23:06,600
Speaker 1: old are you? If you're mind you're thirty two? Let

447
00:23:06,640 --> 00:23:09,199
Speaker 1: me tell you something. I'm forty five years old. My

448
00:23:09,280 --> 00:23:11,639
Speaker 1: voice is deep. This nigga got gray facial hair as

449
00:23:11,680 --> 00:23:14,920
Speaker 1: a wife at home family. If I ever look out

450
00:23:14,960 --> 00:23:17,199
Speaker 1: in the audience and see a sixteen year old with

451
00:23:17,280 --> 00:23:21,320
Speaker 1: purple hair and black fingernails uploading a TikTok video on

452
00:23:21,400 --> 00:23:24,040
Speaker 1: my motherfucking audience, I would literally get him removed.

453
00:23:24,280 --> 00:23:25,920
Speaker 5: Why all that?

454
00:23:26,119 --> 00:23:30,880
Speaker 1: Why what if you appreciate I'm grown, but just I'm

455
00:23:30,920 --> 00:23:33,640
Speaker 1: trying to I'm trying to make go ahead. I'm trying

456
00:23:33,640 --> 00:23:37,840
Speaker 1: to make y'all understand that us, as grown men and

457
00:23:37,920 --> 00:23:43,320
Speaker 1: grown women, we are losing sight of the reality of

458
00:23:43,400 --> 00:23:46,600
Speaker 1: what this se is because we are here, thirsty and

459
00:23:46,720 --> 00:23:49,040
Speaker 1: desperate trying to appeal to kids.

460
00:23:50,119 --> 00:23:52,520
Speaker 3: I'm not against that.

461
00:23:51,720 --> 00:23:55,520
Speaker 1: So so I don't mean that literally. That's stupid. I

462
00:23:55,640 --> 00:23:56,639
Speaker 1: speak in antics.

463
00:23:57,400 --> 00:23:59,840
Speaker 5: I'm starting to learn you, okay.

464
00:23:59,400 --> 00:24:02,560
Speaker 1: I'm just letting and you know there is nothing about

465
00:24:02,680 --> 00:24:06,760
Speaker 1: that that any record label will ever be able to

466
00:24:06,800 --> 00:24:09,680
Speaker 1: convince me that if you don't check off these boxes

467
00:24:09,720 --> 00:24:12,920
Speaker 1: and do this and do that, then we don't really

468
00:24:13,000 --> 00:24:16,359
Speaker 1: know if we need to sign or do or listen.

469
00:24:17,119 --> 00:24:22,520
Speaker 1: Goofy ass record label executives, especially you executives that are

470
00:24:22,600 --> 00:24:25,480
Speaker 1: lucky to still have a job after you done worked

471
00:24:25,480 --> 00:24:29,920
Speaker 1: for fifteen goddamn record labels and don't even understand how

472
00:24:29,960 --> 00:24:33,280
Speaker 1: you still own. Go ahead and sign Little Ta Tay

473
00:24:33,359 --> 00:24:38,080
Speaker 1: Little jj litt Saysei, I'm a grown ass man. I

474
00:24:38,160 --> 00:24:41,200
Speaker 1: sell out arenas. I know what the other side of

475
00:24:41,240 --> 00:24:44,520
Speaker 1: two hundred thousand dollars a night look like. And I'm

476
00:24:44,560 --> 00:24:48,679
Speaker 1: not going nowhere. So do your data, do your research,

477
00:24:49,119 --> 00:24:52,040
Speaker 1: and go ahead and sign the niggas that went into

478
00:24:52,119 --> 00:24:55,960
Speaker 1: YouTube war. I'm a grown ass man. I don't want

479
00:24:56,000 --> 00:24:58,040
Speaker 1: none of you young niggas in my audience anyway. As

480
00:24:58,080 --> 00:25:01,880
Speaker 1: a matter of fact, my album is so grown. I'm

481
00:25:01,920 --> 00:25:04,000
Speaker 1: about to put out an album that's gonna help make

482
00:25:04,040 --> 00:25:09,240
Speaker 1: your baby sister, your baby brother's coming nigga because of me.

483
00:25:10,000 --> 00:25:16,440
Speaker 1: I'm post pandemic in a big jacket. Hmm. Grown Okay,

484
00:25:17,040 --> 00:25:19,680
Speaker 1: I'm selling out, and your mama gonna be in the

485
00:25:19,800 --> 00:25:23,920
Speaker 1: audience when she puts your ass asleep. Ain't gonna leave

486
00:25:23,920 --> 00:25:25,040
Speaker 1: you at home with a nanny.

487
00:25:26,640 --> 00:25:28,359
Speaker 4: Now, I don't disagree with then you said, but what

488
00:25:28,440 --> 00:25:30,840
Speaker 4: if because you are an international movie star.

489
00:25:30,680 --> 00:25:32,520
Speaker 1: As well, I got it. Wh ain't talking about that.

490
00:25:32,520 --> 00:25:35,120
Speaker 3: About these youngins who might see faster ferience.

491
00:25:34,840 --> 00:25:37,159
Speaker 1: And they see the fast and then they.

492
00:25:37,040 --> 00:25:39,240
Speaker 4: Say, oh, he does music too, So then they go

493
00:25:39,280 --> 00:25:40,520
Speaker 4: in there and listen to the music and they're like,

494
00:25:40,600 --> 00:25:41,080
Speaker 4: I like this.

495
00:25:41,200 --> 00:25:43,600
Speaker 1: They are welcome. What I'm saying to you is.

496
00:25:44,440 --> 00:25:46,520
Speaker 5: You're not catered to the.

497
00:25:46,920 --> 00:25:48,359
Speaker 1: Forty five years old.

498
00:25:48,920 --> 00:25:49,280
Speaker 5: Get you.

499
00:25:49,480 --> 00:25:51,840
Speaker 1: I go to clubs that say twenty one and over.

500
00:25:52,040 --> 00:25:52,600
Speaker 3: What the fuck?

501
00:25:52,880 --> 00:26:05,080
Speaker 1: Who is you go to? Slave nigga? Check your motherfucker ass.

502
00:26:05,320 --> 00:26:08,280
Speaker 1: Hey nigga, listen, hey, listen. Let me tell you something.

503
00:26:09,440 --> 00:26:11,800
Speaker 1: When you wake up in the morning, little young nigga,

504
00:26:12,680 --> 00:26:16,080
Speaker 1: you gonna have your homework, pend on your goddamn back

505
00:26:16,440 --> 00:26:19,840
Speaker 1: and a bus is pulling up. I'm grown, cuz fuck

506
00:26:19,880 --> 00:26:24,760
Speaker 1: out here, Okay, So I just want to make it plain. Yes,

507
00:26:25,400 --> 00:26:29,440
Speaker 1: I think I did. Listen, R and B, all of

508
00:26:29,480 --> 00:26:32,119
Speaker 1: the R and B singers out here, we know what

509
00:26:32,280 --> 00:26:37,040
Speaker 1: versus did for all of our careers. Hear me. All

510
00:26:37,040 --> 00:26:40,239
Speaker 1: your record labels can't stand you, motherfuckers. I love you

511
00:26:40,560 --> 00:26:42,879
Speaker 1: because you're doing what you gotta do. You gotta pivot

512
00:26:43,000 --> 00:26:45,800
Speaker 1: right when things change, things chang. I'm not bitter and

513
00:26:45,840 --> 00:26:49,760
Speaker 1: I'm not mad. Y'all losing sight. I've been I've been

514
00:26:49,760 --> 00:26:52,919
Speaker 1: out of a deal over two years, and I just

515
00:26:53,040 --> 00:26:55,919
Speaker 1: signed my deal, and the deal was for three million.

516
00:26:56,880 --> 00:26:58,639
Speaker 1: Oh so you are signed to a media It just

517
00:26:58,720 --> 00:27:08,320
Speaker 1: happened last week, CMG. And don't start calling them what No, No,

518
00:27:08,480 --> 00:27:11,600
Speaker 1: I'm not even gonna tell you. Don't start calling them either,

519
00:27:11,840 --> 00:27:15,000
Speaker 1: because they're not gonna give you my number, motherfucker. They're

520
00:27:15,000 --> 00:27:19,840
Speaker 1: gonna give you two hundred and look at your data.

521
00:27:20,600 --> 00:27:23,080
Speaker 1: Get out my goddamn beniness. Anyway, I want to make

522
00:27:23,119 --> 00:27:28,000
Speaker 1: it plain. It's distribution, it's everything. It's it's a full

523
00:27:28,080 --> 00:27:33,320
Speaker 1: on joint venture partnership. I'm signing artists, I'm doing publishing deals.

524
00:27:33,480 --> 00:27:36,639
Speaker 1: It's a whole thing. They didn't say here it's Votron

525
00:27:36,800 --> 00:27:41,800
Speaker 1: Records that has been homeless until now because these niggas

526
00:27:41,840 --> 00:27:44,920
Speaker 1: is pulling out the YouTube views. And they said litrd

527
00:27:45,000 --> 00:27:49,600
Speaker 1: Tata mattered in a fucking legend named Tyresee goofy ass niggas.

528
00:27:49,840 --> 00:27:54,000
Speaker 1: I'm right here. Wildflower will be number one for forty

529
00:27:54,040 --> 00:27:58,240
Speaker 1: weeks and Little Tate and David Foster will never be

530
00:27:58,280 --> 00:28:00,760
Speaker 1: in the same sentence. How does that make you feel?

531
00:28:02,600 --> 00:28:06,399
Speaker 1: We are exhausted with auto tune. We are exhausted with

532
00:28:06,480 --> 00:28:09,760
Speaker 1: motherfuckers out here who are not singing, who's not coming

533
00:28:09,760 --> 00:28:12,800
Speaker 1: from the soul. If y'all want us to think and

534
00:28:12,880 --> 00:28:18,280
Speaker 1: believe that Charlemagne the God is not going home to

535
00:28:18,359 --> 00:28:21,640
Speaker 1: his beautiful wife and his family. If y'all want us

536
00:28:21,640 --> 00:28:23,959
Speaker 1: to believe that all these women out here selling out

537
00:28:24,000 --> 00:28:29,359
Speaker 1: arenas talking about fuck you, I don't need you, I'm independent,

538
00:28:29,440 --> 00:28:32,040
Speaker 1: I could do bad by myself. If you think they're

539
00:28:32,080 --> 00:28:35,000
Speaker 1: not going home to a husband, you are the most

540
00:28:35,040 --> 00:28:40,720
Speaker 1: confused generation period. Y'all sing what happened with Siarra when

541
00:28:40,760 --> 00:28:44,920
Speaker 1: she released that song, and they like, I'm so confused,

542
00:28:45,240 --> 00:28:48,360
Speaker 1: and that's no disrespect to her. We all understand that

543
00:28:48,440 --> 00:28:51,480
Speaker 1: the record labels. It's like, if you, as a female artist,

544
00:28:51,560 --> 00:28:55,040
Speaker 1: want to be Scissa, Somma Walker, Iiko or this or

545
00:28:55,080 --> 00:28:57,560
Speaker 1: that and all these different women out here who keep

546
00:28:57,640 --> 00:29:03,360
Speaker 1: going and bashing men in the songs Jazmine Sullivan, Mary J. Blige,

547
00:29:03,440 --> 00:29:07,360
Speaker 1: If you want to sell out arenas, they not buying

548
00:29:07,480 --> 00:29:09,600
Speaker 1: love right now. They don't want to hear about how

549
00:29:09,680 --> 00:29:12,520
Speaker 1: much you love your husband that you're actually going home to.

550
00:29:13,560 --> 00:29:17,800
Speaker 1: These women ain't going home by theirself. Okay, I bust

551
00:29:17,800 --> 00:29:21,000
Speaker 1: the windows out your car, and after I bust the

552
00:29:21,000 --> 00:29:24,479
Speaker 1: windows out his car, I'm going home because I love you,

553
00:29:24,560 --> 00:29:26,800
Speaker 1: and I hate that we even took shit to that level.

554
00:29:26,920 --> 00:29:29,160
Speaker 1: That's what my eye missed. Now listen, I would love

555
00:29:29,200 --> 00:29:32,360
Speaker 1: to take up the rest of his interview time and

556
00:29:32,480 --> 00:29:35,920
Speaker 1: talk about my ex, but I'm not gonna do that.

557
00:29:35,360 --> 00:29:41,640
Speaker 1: Don't just listen to know what I'm saying. I love you.

558
00:29:42,080 --> 00:29:43,760
Speaker 1: I would love to take up the rest of his

559
00:29:43,880 --> 00:29:46,240
Speaker 1: interview time from going at my ex so that y'all

560
00:29:46,240 --> 00:29:49,240
Speaker 1: can understand what motivated Beautiful Pain, but I'm not going

561
00:29:49,320 --> 00:29:52,520
Speaker 1: to do that. I got plenty of interviews out there

562
00:29:53,400 --> 00:29:55,520
Speaker 1: with the whole world here in the details of my

563
00:29:55,600 --> 00:29:58,760
Speaker 1: heart about how I am still trying to figure out who,

564
00:29:58,800 --> 00:30:02,520
Speaker 1: what and how this all happened. But I'm also gonna

565
00:30:02,560 --> 00:30:07,400
Speaker 1: say to y'all that this album, including my new relationship,

566
00:30:07,680 --> 00:30:10,960
Speaker 1: has helped me to discover the beauty in my pain.

567
00:30:12,360 --> 00:30:16,200
Speaker 1: That's why the album is called Beautiful Pain. Twenty songs total,

568
00:30:16,320 --> 00:30:23,520
Speaker 1: It's all live Lenny Kravitz, Kenny g El, DeBarge, Kim Barell,

569
00:30:24,480 --> 00:30:27,920
Speaker 1: October London. We got a song on this album called

570
00:30:27,960 --> 00:30:36,600
Speaker 1: Bedroom Bully. Let me tell you something. I'm pregnant right now.

571
00:30:38,960 --> 00:30:44,600
Speaker 1: I knew it. I tell you boy, Charlamagne first Lady

572
00:30:44,600 --> 00:30:47,760
Speaker 1: at the House ask yourself some real questions about the

573
00:30:47,800 --> 00:30:51,200
Speaker 1: things your husband is into. I mean, we can't let

574
00:30:51,240 --> 00:30:53,960
Speaker 1: five minutes go by without some type of gays flying.

575
00:30:54,240 --> 00:31:01,600
Speaker 1: I just goddamn pause. That was my full jus. Gay

576
00:31:01,680 --> 00:31:03,800
Speaker 1: juice is the topic of whatever the fuck he keep

577
00:31:03,880 --> 00:31:07,600
Speaker 1: hurling out. A you either straight at your gay, ain't nobody,

578
00:31:07,600 --> 00:31:09,960
Speaker 1: don't be in my comments, mother, but you could be

579
00:31:10,040 --> 00:31:11,840
Speaker 1: whatever version of the gay you want. If you either

580
00:31:11,880 --> 00:31:13,480
Speaker 1: straight at your gay, that's it. I'm grown.

581
00:31:14,280 --> 00:31:15,160
Speaker 3: I didn't want to ask.

582
00:31:15,000 --> 00:31:17,480
Speaker 4: You one question though, Yes, beautiful thing. We know what

583
00:31:17,480 --> 00:31:22,400
Speaker 4: the album is about. When you see things, and I

584
00:31:22,440 --> 00:31:23,880
Speaker 4: don't want you to talk about your Acause'm just this

585
00:31:23,920 --> 00:31:26,240
Speaker 4: is a music question. Yes, when your ex does go

586
00:31:26,280 --> 00:31:29,239
Speaker 4: out there and continue to say things, does it make

587
00:31:29,320 --> 00:31:30,720
Speaker 4: you go to the studio.

588
00:31:30,360 --> 00:31:34,320
Speaker 3: And rewrite, write more? What does it do? Because I

589
00:31:34,400 --> 00:31:35,960
Speaker 3: know that's what I know, that's how you've been channeling

590
00:31:35,960 --> 00:31:36,400
Speaker 3: all that.

591
00:31:36,480 --> 00:31:39,200
Speaker 1: None of the things that she has been saying. If

592
00:31:39,240 --> 00:31:44,480
Speaker 1: I'm being honest, it's irritating, Okay, it's annoying. I don't

593
00:31:44,480 --> 00:31:47,760
Speaker 1: know who this person is. I wish I did. None

594
00:31:47,760 --> 00:31:49,640
Speaker 1: of her friends know who she is. I don't know

595
00:31:49,680 --> 00:31:52,240
Speaker 1: who she is, and I think we've already addressed that

596
00:31:52,280 --> 00:31:55,840
Speaker 1: and unpacked that. What I will say is I didn't

597
00:31:55,840 --> 00:32:00,600
Speaker 1: really need any other motivator because if you were to

598
00:32:00,600 --> 00:32:02,800
Speaker 1: put on some three D glasses, I'm sitting here in

599
00:32:02,840 --> 00:32:07,000
Speaker 1: the bay's jacket and I'm still on fire about the

600
00:32:07,040 --> 00:32:11,800
Speaker 1: confusion in and around my entire thing, crashing and burning. Now,

601
00:32:12,200 --> 00:32:14,440
Speaker 1: pride and ego is supposed to say, you look good,

602
00:32:14,480 --> 00:32:16,360
Speaker 1: you got money, you dry this, you live in that,

603
00:32:16,480 --> 00:32:19,880
Speaker 1: your square footage is that you got a new love.

604
00:32:20,040 --> 00:32:24,240
Speaker 1: So you know, here's the other narrative that that women

605
00:32:24,560 --> 00:32:28,680
Speaker 1: I love, y'all, but it's it's amazing to me. Does

606
00:32:28,720 --> 00:32:31,440
Speaker 1: that mean Jasmine Sullivan still want to be with her

607
00:32:31,480 --> 00:32:34,360
Speaker 1: ex because she released the song talk about Busts and

608
00:32:34,360 --> 00:32:38,360
Speaker 1: Windows out of Car? Does Mary J. Blige want to

609
00:32:38,360 --> 00:32:42,160
Speaker 1: get back with Ken Do because she has done a

610
00:32:42,160 --> 00:32:46,800
Speaker 1: bunch of interviews and released a bunch of songs venting

611
00:32:46,840 --> 00:32:50,480
Speaker 1: and talking and expressing her thoughts, feelings and sentiment about

612
00:32:50,480 --> 00:32:55,360
Speaker 1: a marriage that ultimately didn't work. Because it is fucked

613
00:32:55,440 --> 00:32:59,880
Speaker 1: up for y'all to keep telling me that I want,

614
00:33:00,080 --> 00:33:02,960
Speaker 1: I lust, I desire, I want. I have not talked

615
00:33:03,000 --> 00:33:05,560
Speaker 1: to this woman. I have not secretly done a lunch

616
00:33:05,600 --> 00:33:08,800
Speaker 1: at dinner. If she were to post screenshots right now

617
00:33:09,120 --> 00:33:11,640
Speaker 1: of her phone since she left me, there is not

618
00:33:11,880 --> 00:33:15,560
Speaker 1: one fucking text message that says I'll do it now.

619
00:33:15,640 --> 00:33:18,720
Speaker 1: There was some begging and pleading and trying to understand

620
00:33:18,760 --> 00:33:21,200
Speaker 1: when we first broke up, but the moment that that

621
00:33:21,280 --> 00:33:24,800
Speaker 1: divorce paperwork came in with twenty thousand dollars a month

622
00:33:24,840 --> 00:33:28,240
Speaker 1: for eight month old attached, I said, Okay, I got

623
00:33:28,240 --> 00:33:31,080
Speaker 1: what's going on now. I don't like it, but I

624
00:33:31,120 --> 00:33:33,600
Speaker 1: can't unsee what I saw and I can't unfeel what

625
00:33:33,680 --> 00:33:36,640
Speaker 1: I feel. So at the end of the day, I'm

626
00:33:36,640 --> 00:33:39,320
Speaker 1: now in a studio working on an album that shit

627
00:33:39,440 --> 00:33:42,120
Speaker 1: belonged to everybody else but me. You think I want

628
00:33:42,120 --> 00:33:48,520
Speaker 1: to sing these goddamn songs? Okay? You think Marvin Gaye

629
00:33:48,960 --> 00:33:52,560
Speaker 1: wanted to go to court after being married to Barry

630
00:33:52,600 --> 00:33:56,800
Speaker 1: Gordy's wife, I mean Barry Gordy's sister that was seventeen

631
00:33:56,880 --> 00:34:02,760
Speaker 1: years older than him named Anne Gordy, broke, depressed, addicted

632
00:34:02,800 --> 00:34:08,080
Speaker 1: to cocaine, going through everything imaginable in his life and

633
00:34:08,200 --> 00:34:10,440
Speaker 1: ended up going to court and didn't have anything that

634
00:34:10,480 --> 00:34:13,600
Speaker 1: he can give Barry Gordy's sister, and he ended up

635
00:34:13,600 --> 00:34:16,920
Speaker 1: having a judgment to say, you're gonna go to the studio.

636
00:34:17,080 --> 00:34:20,560
Speaker 1: You're gonna record a full album. All of the money

637
00:34:20,560 --> 00:34:24,000
Speaker 1: from yourselves, your publishing, everything that has to do with

638
00:34:24,040 --> 00:34:26,080
Speaker 1: this album. You gotta give it to this woman that

639
00:34:26,120 --> 00:34:28,239
Speaker 1: you were married to, because you ain't got a pot

640
00:34:28,280 --> 00:34:30,520
Speaker 1: to piss in and a hole in the wall. And

641
00:34:30,560 --> 00:34:33,479
Speaker 1: you know what he named the album? Here, my dear,

642
00:34:36,000 --> 00:34:38,280
Speaker 1: you think Marvin gave want to record that goddamn album.

643
00:34:39,040 --> 00:34:42,000
Speaker 1: You think Marvin Gay wanted his life to end up

644
00:34:42,040 --> 00:34:44,399
Speaker 1: the way it ended up before he released And it's

645
00:34:44,440 --> 00:34:47,960
Speaker 1: classics on the like just to keep you satisfied. You

646
00:34:48,040 --> 00:34:50,399
Speaker 1: know what that is, Charlotte Mane, you probably got three

647
00:34:50,520 --> 00:34:53,040
Speaker 1: kids off of that. That song would have never been

648
00:34:53,080 --> 00:34:57,560
Speaker 1: created if you didn't go through that tumultuous time. See

649
00:34:57,600 --> 00:35:00,360
Speaker 1: some of y'all out here, y'all niggas break up with

650
00:35:00,440 --> 00:35:03,960
Speaker 1: somebody in three weeks and y'all selling out arenas and

651
00:35:04,040 --> 00:35:08,839
Speaker 1: y'all are confusing popularity. What matters you? Mike wave ass

652
00:35:08,960 --> 00:35:10,800
Speaker 1: motherfucker ain't gonna be here five years.

653
00:35:11,040 --> 00:35:12,360
Speaker 8: So it sounds like you, I mean, you're in a

654
00:35:12,360 --> 00:35:16,279
Speaker 8: good space about a lot of stuff, right, So where

655
00:35:16,280 --> 00:35:18,280
Speaker 8: are you because people you brought up mental health earlier,

656
00:35:18,280 --> 00:35:20,719
Speaker 8: and people always you said, people question your mental health,

657
00:35:20,760 --> 00:35:22,920
Speaker 8: Like where are you right now with everything?

658
00:35:23,040 --> 00:35:23,800
Speaker 5: Mental health wise?

659
00:35:24,719 --> 00:35:27,719
Speaker 1: I have never been in a better place in my life,

660
00:35:29,719 --> 00:35:35,640
Speaker 1: did it? I take anxiety medicine that's one milligram, it's

661
00:35:35,680 --> 00:35:40,279
Speaker 1: called Adavan, changed my life. I've never taken any other

662
00:35:40,400 --> 00:35:42,960
Speaker 1: version of anxiety medicine. Most of y'all niggas out here

663
00:35:43,040 --> 00:35:46,759
Speaker 1: taken anxiety medicine. Don't really actually have anxiety. You just

664
00:35:46,800 --> 00:35:49,440
Speaker 1: want to be high. Because your favorite rapper mentioned in

665
00:35:49,520 --> 00:35:56,879
Speaker 1: every three bars, I've learned to get massages. I love

666
00:35:57,000 --> 00:35:58,959
Speaker 1: that I live in a cul de sac where there's

667
00:35:58,960 --> 00:36:01,840
Speaker 1: no cars, no people, to no movement, because my version

668
00:36:02,640 --> 00:36:05,640
Speaker 1: of hitting the reset button is when I get away

669
00:36:05,640 --> 00:36:09,080
Speaker 1: from everything and everybody. That may make some people sad

670
00:36:09,120 --> 00:36:13,440
Speaker 1: and depressed, but when I get to be alone is

671
00:36:13,480 --> 00:36:18,759
Speaker 1: when I am at my best. We don't really have

672
00:36:18,840 --> 00:36:22,000
Speaker 1: to talk about the crying video, because as I was

673
00:36:22,080 --> 00:36:24,360
Speaker 1: asking what more do you want from me? I realized

674
00:36:24,400 --> 00:36:27,640
Speaker 1: I was really talking to God because I felt like

675
00:36:27,840 --> 00:36:31,080
Speaker 1: if my life went from a thirty second commercial to

676
00:36:31,200 --> 00:36:34,120
Speaker 1: almost thirty years of some some type of a career,

677
00:36:34,400 --> 00:36:36,160
Speaker 1: I'm trying to figure out, like, what else do you

678
00:36:36,200 --> 00:36:38,080
Speaker 1: have in mind for me? What? What else are we going?

679
00:36:38,120 --> 00:36:38,160
Speaker 9: What?

680
00:36:38,560 --> 00:36:43,920
Speaker 1: What? What? What else happens from here at seriously, because

681
00:36:44,000 --> 00:36:46,480
Speaker 1: because because those were words that came out of my

682
00:36:46,560 --> 00:36:48,520
Speaker 1: mouth that I never knew that that video was out

683
00:36:48,520 --> 00:36:50,719
Speaker 1: there for four months before the psych meds was out

684
00:36:50,719 --> 00:36:54,799
Speaker 1: of my system. So it's it's still painful to think

685
00:36:54,800 --> 00:36:57,759
Speaker 1: about the shame and embarrassment that came with something that

686
00:36:57,800 --> 00:37:00,120
Speaker 1: I didn't even know happened. But at the end of

687
00:37:00,200 --> 00:37:02,759
Speaker 1: the day, I'm not here to make a mockery of

688
00:37:02,800 --> 00:37:06,480
Speaker 1: mental health. I'm just here to address what happens when

689
00:37:06,560 --> 00:37:10,040
Speaker 1: somebody says you're stressed out, you're going through something, and

690
00:37:10,080 --> 00:37:12,280
Speaker 1: they give you something to help you with your mental

691
00:37:12,320 --> 00:37:14,920
Speaker 1: health and it ended up having fucked up side effects

692
00:37:15,280 --> 00:37:18,000
Speaker 1: for the whole world to see. So with that being said,

693
00:37:18,719 --> 00:37:23,360
Speaker 1: understand and I gotta, I gotta, I gotta close this

694
00:37:23,440 --> 00:37:27,680
Speaker 1: out by talking about the movie because I have to.

695
00:37:28,080 --> 00:37:30,480
Speaker 1: But I want to say this in closing. I want

696
00:37:30,520 --> 00:37:32,280
Speaker 1: to show this. I want to say this in closing

697
00:37:32,320 --> 00:37:38,120
Speaker 1: about beautiful pain. We could find ourselves as R and

698
00:37:38,160 --> 00:37:42,280
Speaker 1: B singers continuing to make reference to things and events

699
00:37:42,280 --> 00:37:46,600
Speaker 1: and moments that happened fifty years ago while disowning our gifts,

700
00:37:47,480 --> 00:37:54,880
Speaker 1: disowning our songs, disowning our talents. Because we keep throwing

701
00:37:55,000 --> 00:38:00,120
Speaker 1: back to Donnie, to Marvin, to Stevie to all of

702
00:38:00,160 --> 00:38:03,879
Speaker 1: the greats. They are great, and they're still great. Rather

703
00:38:03,920 --> 00:38:06,600
Speaker 1: they're still with us or not. But it's time for

704
00:38:06,760 --> 00:38:09,200
Speaker 1: us as R and B singers to step into our

705
00:38:09,239 --> 00:38:15,080
Speaker 1: greatness and have the audacity to say, I believe I

706
00:38:15,280 --> 00:38:20,480
Speaker 1: just made the most important album of my life. And

707
00:38:20,520 --> 00:38:23,520
Speaker 1: when I take my last breath fifty sixty years from now,

708
00:38:23,560 --> 00:38:26,560
Speaker 1: God willing, I don't pass no time soon, they will

709
00:38:26,600 --> 00:38:29,120
Speaker 1: look at this interview. They will look at all my documentaries.

710
00:38:29,160 --> 00:38:31,480
Speaker 1: They will look at me and the process of me

711
00:38:31,600 --> 00:38:34,399
Speaker 1: making my album, which I've documented every step of the way,

712
00:38:34,760 --> 00:38:38,520
Speaker 1: and say, how can you not put that that there?

713
00:38:39,080 --> 00:38:46,960
Speaker 1: David Foster produced, executive produced Beautiful Pain. Brandon bam Hodge

714
00:38:47,160 --> 00:38:53,240
Speaker 1: produced Beautiful Pain. This is the only album that belongs

715
00:38:53,280 --> 00:38:56,759
Speaker 1: on vinyl. You go to tyres dot TV, the pre

716
00:38:56,960 --> 00:39:05,200
Speaker 1: ordered kids go to sleep. I know hear me to

717
00:39:05,320 --> 00:39:16,840
Speaker 1: my ex, you fucked me up? He did. But God,

718
00:39:18,040 --> 00:39:21,719
Speaker 1: God had this to happen for a reason, because what

719
00:39:21,800 --> 00:39:25,520
Speaker 1: I gave birth to and this album and this music

720
00:39:27,239 --> 00:39:32,880
Speaker 1: never existed before that. What I just gave birth to

721
00:39:34,120 --> 00:39:38,760
Speaker 1: never existed before. Zelly. I got a song called Rescue

722
00:39:38,960 --> 00:39:42,600
Speaker 1: because she was my rescue. God sent this woman in

723
00:39:42,680 --> 00:39:45,520
Speaker 1: my life in the midst of all of my message.

724
00:39:45,560 --> 00:39:48,759
Speaker 1: Not in everybody's cars to be alone while you're going

725
00:39:48,800 --> 00:39:52,839
Speaker 1: through a broken heart. That's how people kill themselves. It's

726
00:39:52,840 --> 00:39:55,040
Speaker 1: not about let me wait until I heal and I

727
00:39:55,120 --> 00:39:57,240
Speaker 1: take my heel and join them. About one hundred percent,

728
00:39:58,000 --> 00:40:02,719
Speaker 1: get off the internet when you've grown and you understand

729
00:40:02,760 --> 00:40:07,160
Speaker 1: the beauty of companionship, friends, family, loved ones and somebody

730
00:40:07,160 --> 00:40:09,520
Speaker 1: that you share in time with can put a smile

731
00:40:09,560 --> 00:40:11,279
Speaker 1: on your face when you can't put a smile on

732
00:40:11,320 --> 00:40:15,760
Speaker 1: your own face. Zelly, I love you, and I'm sorry

733
00:40:15,800 --> 00:40:18,040
Speaker 1: I had to do so many interviews talking about my

734
00:40:18,120 --> 00:40:21,799
Speaker 1: ex but I love you. It's spent four years and

735
00:40:21,880 --> 00:40:25,360
Speaker 1: you have changed my life. You are my rescue. God

736
00:40:25,440 --> 00:40:28,319
Speaker 1: sent you in my life to be something that never

737
00:40:28,400 --> 00:40:31,640
Speaker 1: existed before you got there. You never asked to be there.

738
00:40:32,000 --> 00:40:34,319
Speaker 1: I was supposed to be married and do this with her.

739
00:40:34,880 --> 00:40:39,480
Speaker 1: She made her choice. Beautiful pain. It drops on the

740
00:40:39,520 --> 00:40:44,920
Speaker 1: same day as nineteen ninety two Friday August thirtieth, Rest

741
00:40:44,960 --> 00:40:49,319
Speaker 1: in peace to Ray Liota. I appreciate Scott Eastwood. I

742
00:40:49,360 --> 00:40:55,040
Speaker 1: appreciate the director named Ariel Roman. Okay, this man is

743
00:40:55,040 --> 00:40:59,600
Speaker 1: Israeli from Israel, directing a film about one of the

744
00:40:59,640 --> 00:41:03,560
Speaker 1: most dramatic this nineteen ninety two. April twenty ninth, the

745
00:41:03,680 --> 00:41:09,400
Speaker 1: Rodney King Verdict. Not comparing tragedies. This was our September eleventh.

746
00:41:11,600 --> 00:41:12,719
Speaker 3: September eleventh.

747
00:41:13,520 --> 00:41:16,320
Speaker 1: Hear me out. We're not talking about comparing the tragedies.

748
00:41:17,239 --> 00:41:19,520
Speaker 3: It was a terrorist. I would like in Rodney King

749
00:41:20,000 --> 00:41:21,480
Speaker 3: more sort of like a George Floyd.

750
00:41:22,000 --> 00:41:26,680
Speaker 1: Police officers are terrorists. When you got seventeen white men

751
00:41:26,719 --> 00:41:29,080
Speaker 1: pulling out they batons and beating the shit out. They

752
00:41:29,239 --> 00:41:31,399
Speaker 1: killed this man, brought them back to life. They killed

753
00:41:31,400 --> 00:41:35,319
Speaker 1: this man. We've seen terrorism. Okay, Okay, so we got it.

754
00:41:35,480 --> 00:41:39,000
Speaker 1: We're not talking about airplanes and God bless all of

755
00:41:39,000 --> 00:41:43,680
Speaker 1: the loss. I'm not comparing tragedies. This was our September

756
00:41:43,719 --> 00:41:46,360
Speaker 1: eleventh on the West Coast. Prior to that, it was

757
00:41:46,400 --> 00:41:50,759
Speaker 1: the nineteen sixty five riots. Okay, that the President of

758
00:41:50,800 --> 00:41:53,560
Speaker 1: the United States sent doctor Martin Luther King to Watts

759
00:41:53,960 --> 00:41:57,839
Speaker 1: before I was born in Watts and raised and became successful.

760
00:41:58,200 --> 00:42:01,320
Speaker 1: My City Watts was only known for the nineteen sixty

761
00:42:01,320 --> 00:42:05,640
Speaker 1: five Watts riots. The movie nineteen ninety two is not

762
00:42:05,719 --> 00:42:09,640
Speaker 1: about the documentary of rioting looting. If y'all want to

763
00:42:09,640 --> 00:42:12,840
Speaker 1: watch a movie about rioting looting, go watch the shit online.

764
00:42:12,880 --> 00:42:15,040
Speaker 1: There's a documentary out there about It's plenty of them.

765
00:42:15,600 --> 00:42:20,520
Speaker 1: This is about a heist Radiota Scott Eastwood. They decided,

766
00:42:20,640 --> 00:42:25,760
Speaker 1: while the whole world is distracted, everything is burning, everybody's looting,

767
00:42:25,880 --> 00:42:29,640
Speaker 1: rioting and burning La the fuck down. Let's go break

768
00:42:29,640 --> 00:42:32,920
Speaker 1: in this warehouse and steal fifty platinum bars out of

769
00:42:32,920 --> 00:42:37,120
Speaker 1: this motherfucker's safe and do a heist. And you have

770
00:42:37,320 --> 00:42:39,680
Speaker 1: never in your life seen as many white people in

771
00:42:39,680 --> 00:42:42,959
Speaker 1: the South Central LA. Movie. I'll give you the list. Colors,

772
00:42:43,920 --> 00:42:49,320
Speaker 1: Minister Society, boys in the Hood, baby Boy, Poetic Justice,

773
00:42:49,360 --> 00:42:52,160
Speaker 1: set it off straight out of Compton and the New

774
00:42:52,200 --> 00:42:56,399
Speaker 1: show Snowfall. Whenever you see white people, whenever you see

775
00:42:56,440 --> 00:42:59,280
Speaker 1: white people in these South Central LA movies, they're normally

776
00:42:59,320 --> 00:43:02,000
Speaker 1: police officer. This is fucking up black and brown people.

777
00:43:03,000 --> 00:43:07,600
Speaker 1: This movie is the This is nineteen ninety two is

778
00:43:07,680 --> 00:43:10,640
Speaker 1: my South Central Fast and the Furious.

779
00:43:10,640 --> 00:43:11,200
Speaker 3: Interesting.

780
00:43:12,120 --> 00:43:18,680
Speaker 1: Imagine that so and Ray passed, Ray passed away, and

781
00:43:18,719 --> 00:43:20,880
Speaker 1: this is the last piece of already left the world

782
00:43:20,920 --> 00:43:23,879
Speaker 1: with And it is the most uncomfortable performance you'll ever

783
00:43:23,920 --> 00:43:29,600
Speaker 1: see from Rayleoto. I mean, I'm talking about on the set, Ray,

784
00:43:29,600 --> 00:43:34,040
Speaker 1: what's going on? Yeah, all right, Ray wasn't fucking with nobody.

785
00:43:34,719 --> 00:43:35,440
Speaker 1: Ray was in it.

786
00:43:36,040 --> 00:43:38,680
Speaker 4: You deal with a lot of grief, like I think

787
00:43:38,680 --> 00:43:41,600
Speaker 4: about you know, brother Paul Walker, and I think about

788
00:43:41,800 --> 00:43:48,319
Speaker 4: John Ray, John Singleton, your mother, divorce, your sisters. People

789
00:43:48,320 --> 00:43:50,680
Speaker 4: don't look at divorces grief, but you did. You lose things.

790
00:43:50,719 --> 00:43:52,600
Speaker 4: You know, you probably lost a lot of friends when

791
00:43:52,640 --> 00:43:56,440
Speaker 4: you went through your mental health breakdown. Are you really

792
00:43:56,440 --> 00:43:59,160
Speaker 4: really really have you really taken the time to deal

793
00:43:59,200 --> 00:44:01,440
Speaker 4: with all of that grief or do you just try

794
00:44:01,480 --> 00:44:02,120
Speaker 4: to stay busy?

795
00:44:02,160 --> 00:44:09,920
Speaker 9: To a boy, I'm doing the best I can. What

796
00:44:09,960 --> 00:44:18,360
Speaker 9: every twenty four hours, I get, that's its tissue.

797
00:44:18,760 --> 00:44:24,319
Speaker 1: No, I don't need no tissue, black men cry you

798
00:44:24,320 --> 00:44:30,439
Speaker 1: no fucking tissue. Every twenty four hours I get. I'm

799
00:44:30,480 --> 00:44:37,160
Speaker 1: doing the best I can. Beautiful Pain, nineteen ninety two.

800
00:44:39,040 --> 00:44:41,359
Speaker 1: There is no square footage I could ever live in.

801
00:44:41,600 --> 00:44:46,719
Speaker 1: There was no rims, no jury at, no car, There

802
00:44:46,800 --> 00:44:51,120
Speaker 1: is no net worth. There was no press release, there

803
00:44:51,160 --> 00:44:54,400
Speaker 1: was no co star. There is no collaboration in the

804
00:44:54,440 --> 00:45:00,440
Speaker 1: world that could ever replace my mama, that could feel

805
00:45:00,480 --> 00:45:04,440
Speaker 1: the void of what it's like to wake up and

806
00:45:04,480 --> 00:45:06,400
Speaker 1: get married and want to be in something for the

807
00:45:06,440 --> 00:45:11,839
Speaker 1: rest of your life and it goes away. I don't

808
00:45:11,880 --> 00:45:17,440
Speaker 1: need no tissue. Man, understand how much power it is

809
00:45:17,480 --> 00:45:18,120
Speaker 1: and letting it go.

810
00:45:18,280 --> 00:45:19,800
Speaker 5: Yeah, because you've been holding the whole interview.

811
00:45:20,320 --> 00:45:23,960
Speaker 1: You asked me the question, But I mean you should

812
00:45:23,960 --> 00:45:26,400
Speaker 1: have never asked the question if you didn't want to

813
00:45:26,440 --> 00:45:31,759
Speaker 1: see how hard it's being to get through. Okay, do

814
00:45:31,880 --> 00:45:32,600
Speaker 1: you not cry?

815
00:45:32,800 --> 00:45:33,440
Speaker 3: Absolutely?

816
00:45:33,600 --> 00:45:37,200
Speaker 1: You might not bring it to the radio, But this

817
00:45:37,239 --> 00:45:41,080
Speaker 1: is what being grown is. I'm not doing this.

818
00:45:43,200 --> 00:45:45,799
Speaker 5: I mean, my makeup going to mess up. Hear me,

819
00:45:46,480 --> 00:45:48,719
Speaker 5: I can hear hear me.

820
00:45:50,040 --> 00:45:57,040
Speaker 1: Black men cry when divorces happen. Women aren't the only

821
00:45:57,120 --> 00:46:03,239
Speaker 1: ones that have devastated when a miscarriage happens. Women are

822
00:46:03,280 --> 00:46:05,239
Speaker 1: not the only one that you should be checking on

823
00:46:07,080 --> 00:46:10,520
Speaker 1: when you can't put food on the table because your

824
00:46:10,560 --> 00:46:14,640
Speaker 1: career goes up and then it goes down. Stop calling,

825
00:46:14,920 --> 00:46:18,560
Speaker 1: skipping over the man and just checking on the woman.

826
00:46:23,480 --> 00:46:26,560
Speaker 1: This is real shit out here. I'm gonna wipe my

827
00:46:26,600 --> 00:46:31,759
Speaker 1: own tears. I love you, sis. When you do things

828
00:46:31,800 --> 00:46:34,640
Speaker 1: from the heart of the facts hearts, that's what beautiful

829
00:46:34,680 --> 00:46:41,200
Speaker 1: pain is. Y'all might outsell me the first week I

830
00:46:41,280 --> 00:46:49,640
Speaker 1: made a fucking classic. Some of the most legendary movies

831
00:46:49,640 --> 00:46:51,640
Speaker 1: in the world didn't do well in the box office.

832
00:46:52,320 --> 00:46:58,600
Speaker 1: Baby Boy bombed. Do your research? Is it a classic?

833
00:47:00,040 --> 00:47:03,160
Speaker 1: Baby Boy? People to even know who the fuck I

834
00:47:03,400 --> 00:47:05,040
Speaker 1: was as actor when that movie came out.

835
00:47:05,080 --> 00:47:07,720
Speaker 3: Maybe BT still got a network.

836
00:47:08,160 --> 00:47:12,160
Speaker 1: Praise God. If the movie bombed in the box office,

837
00:47:12,920 --> 00:47:15,000
Speaker 1: why is it the only movie that they still playing

838
00:47:15,360 --> 00:47:20,760
Speaker 1: on b ET every day. Don't confuse data and numbers

839
00:47:21,719 --> 00:47:26,200
Speaker 1: and popularity with the reality of what affects hearts. I'm

840
00:47:26,200 --> 00:47:29,040
Speaker 1: a grown ass man, and I'm gonna tell y'all something

841
00:47:29,080 --> 00:47:33,520
Speaker 1: about nineteen ninety two as well as the mass singer

842
00:47:33,840 --> 00:47:36,560
Speaker 1: when I did that show, praise God for Nick Cannon,

843
00:47:36,600 --> 00:47:39,880
Speaker 1: shout out to him. I was really a mass singer.

844
00:47:43,920 --> 00:47:47,560
Speaker 1: I needed that mask so fucking bad. I needed that

845
00:47:47,719 --> 00:47:51,799
Speaker 1: money from that show so bad. I didn't have it

846
00:47:51,840 --> 00:47:53,759
Speaker 1: in me to go stand on that fucking stage and

847
00:47:53,840 --> 00:47:56,800
Speaker 1: sing and praise God. I had a mask on because

848
00:47:56,800 --> 00:47:59,719
Speaker 1: while I was on stage singing if they had seen

849
00:47:59,840 --> 00:48:07,959
Speaker 1: my face under that mask. Listen, if it all ends

850
00:48:07,960 --> 00:48:13,120
Speaker 1: for me tomorrow, I never sold you on fake. None

851
00:48:13,160 --> 00:48:17,080
Speaker 1: of this jury on my mom is real. Don't love

852
00:48:17,160 --> 00:48:20,280
Speaker 1: me because of no fucking diamonds. Take all this shit.

853
00:48:21,160 --> 00:48:23,680
Speaker 1: This bracelet right here, look realism. Motherfuck. This shit was

854
00:48:23,680 --> 00:48:31,000
Speaker 1: twenty three dollars on Amazon. You said nothing. Hear me

855
00:48:31,040 --> 00:48:35,640
Speaker 1: out it don't look fake right If you out here

856
00:48:35,680 --> 00:48:44,560
Speaker 1: getting fake vagina over your fake jury, reality is reality.

857
00:48:44,719 --> 00:48:48,680
Speaker 1: This shit is corny. It's all fake. It's all superficial.

858
00:48:48,920 --> 00:48:51,720
Speaker 1: It doesn't mean anything. Can I ask you a question?

859
00:48:51,880 --> 00:48:55,200
Speaker 1: My brother and clothing. Everybody go see nineteen ninety two

860
00:48:55,960 --> 00:48:59,799
Speaker 1: and Beautiful Pain. They both drop Friday, August thirtieth. It's

861
00:48:59,800 --> 00:49:03,840
Speaker 1: a labor day weekend. Shout out to Snoop Dogg, who's

862
00:49:03,880 --> 00:49:07,320
Speaker 1: an executive producer on board. I want you to understand something.

863
00:49:08,480 --> 00:49:13,880
Speaker 1: R and B just changed the live instruments. Gotta come out,

864
00:49:14,160 --> 00:49:16,520
Speaker 1: go pulling my chick garage. Just time to dust them out.

865
00:49:16,800 --> 00:49:18,879
Speaker 1: All of y'all out here making these beats on these

866
00:49:18,880 --> 00:49:21,839
Speaker 1: goddamn iPhones, and y'all end up number one. Y'all gonna

867
00:49:21,880 --> 00:49:22,640
Speaker 1: have to have a seat.

868
00:49:23,719 --> 00:49:25,399
Speaker 5: That's why you did everything live. You're trying to bring

869
00:49:25,400 --> 00:49:25,800
Speaker 5: it back to that.

870
00:49:26,040 --> 00:49:28,680
Speaker 1: I didn't do it live on purpose. That just ended

871
00:49:28,760 --> 00:49:31,879
Speaker 1: up happening because I got into the biggest argument ever

872
00:49:31,920 --> 00:49:34,040
Speaker 1: with my producer named Brandon. He was like, bro, I'm

873
00:49:34,080 --> 00:49:36,880
Speaker 1: not doing that no more. We're not pulling out logic,

874
00:49:36,920 --> 00:49:40,160
Speaker 1: we're not pulling out beat machines. We're doing this shit live.

875
00:49:40,440 --> 00:49:41,839
Speaker 1: And I said, I don't even know what the fuck

876
00:49:41,880 --> 00:49:44,000
Speaker 1: that is, but I tell you what. The number one song,

877
00:49:44,280 --> 00:49:47,360
Speaker 1: biggest song of my life, produced by Warren Campbell, was

878
00:49:47,480 --> 00:49:50,239
Speaker 1: number one on Billboard for sixteen weeks, and that was live.

879
00:49:51,800 --> 00:49:58,080
Speaker 1: It's called Shame Shame. Wildflower. Shame was not a remake.

880
00:49:59,440 --> 00:50:03,360
Speaker 1: Wildflo is a remake that everybody already loved, and the

881
00:50:03,440 --> 00:50:06,040
Speaker 1: person who co wrote produce it has something to do

882
00:50:06,120 --> 00:50:08,800
Speaker 1: with it fifty years ago is involved with the current

883
00:50:08,880 --> 00:50:12,319
Speaker 1: version of the song. I just want you to know

884
00:50:12,400 --> 00:50:15,280
Speaker 1: that everything just changed. If you ain't never Bret a

885
00:50:15,320 --> 00:50:17,799
Speaker 1: real person in your life, I'm sitting right here, like me,

886
00:50:18,280 --> 00:50:22,040
Speaker 1: dislike me, agree with me, disagree with me. Whoever your

887
00:50:22,120 --> 00:50:25,480
Speaker 1: favorite is, I hope they stay your favorite. I've never

888
00:50:25,520 --> 00:50:27,879
Speaker 1: tried to win the popularity contest, and if I did.

889
00:50:28,200 --> 00:50:32,279
Speaker 1: I got every celebrity, director, actor, rapper, porn star, you

890
00:50:32,360 --> 00:50:34,400
Speaker 1: name it. They're all on my phone. I know all

891
00:50:34,440 --> 00:50:36,560
Speaker 1: these motherfuckers. I could be as hot as I want

892
00:50:36,560 --> 00:50:38,919
Speaker 1: to be. You don't think I got TMZ on the phone.

893
00:50:38,960 --> 00:50:41,160
Speaker 1: You don't think I know Harvey Levin. You don't think

894
00:50:41,200 --> 00:50:42,759
Speaker 1: I can make a phone call and say this is

895
00:50:42,760 --> 00:50:45,360
Speaker 1: what restaurant I'm eating at. Paparazzi show up.

896
00:50:45,400 --> 00:50:46,879
Speaker 5: I used to work there. I would be there when

897
00:50:46,920 --> 00:50:48,719
Speaker 5: you Okay, are.

898
00:50:48,640 --> 00:50:49,399
Speaker 3: Those areas real?

899
00:50:50,040 --> 00:50:55,880
Speaker 1: No? You can't. You know why it's not real because

900
00:50:55,880 --> 00:50:59,040
Speaker 1: I've lost so much of this shit. They spent a

901
00:50:59,080 --> 00:51:00,839
Speaker 1: half a million dollar long on the fuck what called

902
00:51:00,920 --> 00:51:04,440
Speaker 1: Jacob to jeweler, nigga, call all of them all your

903
00:51:04,520 --> 00:51:09,920
Speaker 1: most favorite popular jeweler's online and all got my black Centurion.

904
00:51:10,200 --> 00:51:11,520
Speaker 1: You don't know what centurion is.

905
00:51:11,640 --> 00:51:14,399
Speaker 3: They're platinum called that centurion called a black heart.

906
00:51:16,719 --> 00:51:19,000
Speaker 1: They know what that centurion is. That thing goes through.

907
00:51:19,719 --> 00:51:22,520
Speaker 1: I'm good. I don't lose no sleep over trying to

908
00:51:22,680 --> 00:51:25,600
Speaker 1: win the popularity contest from showing up with all this

909
00:51:25,719 --> 00:51:27,560
Speaker 1: jury that I'm gonna leave on a night stand and

910
00:51:27,600 --> 00:51:30,520
Speaker 1: have a housekeeper to say, I don't know I'm sure

911
00:51:30,520 --> 00:51:34,560
Speaker 1: you don't know. I'm sure you don't know. For them

912
00:51:34,600 --> 00:51:37,920
Speaker 1: two hundred and fifty thousand dollars, fucking two hundred and

913
00:51:38,239 --> 00:51:40,759
Speaker 1: thousand dollars, it raises that I don't know.

914
00:51:40,960 --> 00:51:41,960
Speaker 3: We looked at anywhere.

915
00:51:42,280 --> 00:51:46,200
Speaker 1: I'm sure you looked everywhere. That motherfucker retired two weeks later,

916
00:51:48,040 --> 00:51:51,239
Speaker 1: and sure hotels ain't paying me back to this day.

917
00:51:51,320 --> 00:51:57,880
Speaker 10: You know's new album beautiful pig Star TV everywhere you

918
00:51:57,920 --> 00:52:03,560
Speaker 10: scream music on a piece of history, double y August

919
00:52:03,640 --> 00:52:04,759
Speaker 10: Beautiful Pain.

920
00:52:07,080 --> 00:52:09,680
Speaker 1: On my on my website. Thank you for asking that

921
00:52:09,719 --> 00:52:12,560
Speaker 1: there's a limited edition version of the album. And every

922
00:52:13,200 --> 00:52:16,560
Speaker 1: limited edition version of my Beautiful Pain album that is purchased,

923
00:52:17,200 --> 00:52:20,080
Speaker 1: it comes signed. I'm not putting your name on it, motherfucker.

924
00:52:20,239 --> 00:52:24,000
Speaker 1: There's too many of them, but I'm signing every individual album.

925
00:52:24,040 --> 00:52:27,040
Speaker 1: Go to tyres dot tv pre order. I want you

926
00:52:27,080 --> 00:52:28,200
Speaker 1: to own a piece of history.

927
00:52:28,320 --> 00:52:31,160
Speaker 3: August thirtieth, Beautiful Pain will be out.

928
00:52:31,560 --> 00:52:34,640
Speaker 1: And thank you for everybody who's shawing up for my dreams,

929
00:52:34,840 --> 00:52:38,799
Speaker 1: my engineers, my writers, my producers. I wish I had

930
00:52:38,840 --> 00:52:41,560
Speaker 1: the time to go into every individual name, but I

931
00:52:41,640 --> 00:52:45,360
Speaker 1: just want you all to know, man, y'all showed up

932
00:52:45,400 --> 00:52:48,760
Speaker 1: for my dreams. Y'all been my therapist, you've been my friend,

933
00:52:48,800 --> 00:52:52,600
Speaker 1: You've encouraged me. And I have to close this out

934
00:52:52,680 --> 00:52:58,000
Speaker 1: by giving the one and only name that matters. If

935
00:52:58,040 --> 00:53:05,880
Speaker 1: you don't know, Jesus, the Lord Jesus Christ is my

936
00:53:05,960 --> 00:53:11,520
Speaker 1: Lord and savior. Every therapist has ever helped me, every friend,

937
00:53:11,560 --> 00:53:16,799
Speaker 1: every brother, girlfriend laughed at jokes. I would not be

938
00:53:16,880 --> 00:53:20,200
Speaker 1: here if it wasn't for the power and the presence

939
00:53:20,239 --> 00:53:24,000
Speaker 1: of the Lord Jesus Christ, who has been by my side.

940
00:53:24,480 --> 00:53:27,160
Speaker 1: When I thought it was over, when I thought it

941
00:53:27,239 --> 00:53:30,600
Speaker 1: was a rap, When I thought, what you thought? What

942
00:53:30,840 --> 00:53:35,040
Speaker 1: more do you congradual life? When I thought it was over,

943
00:53:36,200 --> 00:53:42,040
Speaker 1: God said no, I'm God. Amen, I got my hands

944
00:53:42,080 --> 00:53:44,480
Speaker 1: on you. Son. All you got to do is wake

945
00:53:44,600 --> 00:53:50,600
Speaker 1: up and decide to not do nothing. Stupid. Divorce is divorce.

946
00:53:52,160 --> 00:53:54,560
Speaker 1: People out here get sad and messed up and broken

947
00:53:54,840 --> 00:53:56,640
Speaker 1: and they decide they don't want to live no more.

948
00:53:57,000 --> 00:53:59,200
Speaker 1: I praise God every single day that that's never been

949
00:53:59,200 --> 00:54:03,239
Speaker 1: a choice. It's not because narcissism. Ego, oh, he would

950
00:54:03,280 --> 00:54:06,080
Speaker 1: never hurt himself. Because some of the biggest egos in

951
00:54:06,120 --> 00:54:08,360
Speaker 1: the world, with money and all the success in the world,

952
00:54:08,600 --> 00:54:10,880
Speaker 1: have made that choice, and if you're struggling with that,

953
00:54:11,200 --> 00:54:13,480
Speaker 1: I just want you to invite the Lord Jesus Christ

954
00:54:13,480 --> 00:54:18,200
Speaker 1: into your most vulnerable spaces and places and watch and

955
00:54:18,239 --> 00:54:23,600
Speaker 1: see what only God can do. Beautiful Pain at nineteen

956
00:54:23,719 --> 00:54:28,120
Speaker 1: ninety two are both dropping August thirty, Labor Day weekend Friday,

957
00:54:28,160 --> 00:54:30,920
Speaker 1: August thirty. If the only place you can get Beautiful

958
00:54:30,920 --> 00:54:35,640
Speaker 1: Pain right now is on Tyres TV, I can't sell

959
00:54:35,680 --> 00:54:37,440
Speaker 1: you on anything you don't want to be sold on

960
00:54:37,520 --> 00:54:40,680
Speaker 1: because the data, the pop little Taytay livery All I

961
00:54:40,680 --> 00:54:43,440
Speaker 1: can say is if you've grown and sexy and you

962
00:54:43,520 --> 00:54:47,359
Speaker 1: appreciate real song, real vulnerabilities, real music, and I'm gonna

963
00:54:47,360 --> 00:54:49,759
Speaker 1: tell you something else Charlemagne and I'm gonna shut up.

964
00:54:50,760 --> 00:54:54,200
Speaker 1: I praise God for this. I've actually played this album

965
00:54:54,320 --> 00:54:59,760
Speaker 1: for more married couples. They've danced, they've cried, they've wiped

966
00:54:59,760 --> 00:55:02,919
Speaker 1: each other others tears, they've literally said including Snoop Dog

967
00:55:02,960 --> 00:55:05,080
Speaker 1: with his wife that he's been with since high school.

968
00:55:05,600 --> 00:55:11,480
Speaker 1: He said, Babe, I'm sorry, and she like what, babs,

969
00:55:11,480 --> 00:55:18,960
Speaker 1: you know whatever? This album has brought married couples closer.

970
00:55:19,600 --> 00:55:23,920
Speaker 1: They're having sex the bedroom, they taking bubble baths, they

971
00:55:23,960 --> 00:55:27,160
Speaker 1: apologize and they're like, what are we arguing about? Like

972
00:55:27,200 --> 00:55:30,920
Speaker 1: what this is not I went through a divorce. This

973
00:55:30,960 --> 00:55:33,520
Speaker 1: ain't no bitter shit. You are not about to pick

974
00:55:33,600 --> 00:55:35,840
Speaker 1: up my I'm not about to be the Lord Jesus

975
00:55:35,960 --> 00:55:39,640
Speaker 1: Christ Jesus, and I'm about to release an album to

976
00:55:39,800 --> 00:55:45,120
Speaker 1: contribute to the divorce rate. M if y'all think y'all

977
00:55:45,160 --> 00:55:47,080
Speaker 1: about to go pick up an album where I'm going

978
00:55:47,120 --> 00:55:49,960
Speaker 1: at my ex the whole time. No, no, no, I got songs,

979
00:55:50,520 --> 00:55:54,640
Speaker 1: I got feelings, I got vulnerabilities and sentiments. I am

980
00:55:54,680 --> 00:55:58,440
Speaker 1: not misogynistic, I am not condescending. I'm not ripping her

981
00:55:58,480 --> 00:56:01,480
Speaker 1: down too. I am telling my truth. Point out the

982
00:56:01,520 --> 00:56:05,000
Speaker 1: difference in me and all of your female singers who

983
00:56:05,000 --> 00:56:09,160
Speaker 1: have ever released songs and singles about problems, cheated on,

984
00:56:09,440 --> 00:56:12,239
Speaker 1: lies and divorces and things that they've been through. And

985
00:56:12,280 --> 00:56:15,560
Speaker 1: it's fucked up for y'all to continue coming at me

986
00:56:15,920 --> 00:56:19,359
Speaker 1: like I can't express my sentiments and feelings the way

987
00:56:19,440 --> 00:56:21,719
Speaker 1: women have been able to do since the beginning of time.

988
00:56:22,120 --> 00:56:26,880
Speaker 1: Go get this work, beautiful, pain Tyrens TV nineteen ninety

989
00:56:26,880 --> 00:56:30,000
Speaker 1: two were making history and everybody to try and block it.

990
00:56:30,719 --> 00:56:33,120
Speaker 1: Move out the way God's got his hands on this.

991
00:56:34,120 --> 00:56:36,439
Speaker 3: Gives I love you, brother. Don't run from your grief. Brother.

992
00:56:36,560 --> 00:56:37,439
Speaker 3: It's the Breakfast Club.

993
00:56:38,560 --> 00:56:41,760
Speaker 1: Wake that ass up in the morning. The Breakfast Club