1 00:00:05,720 --> 00:00:08,119 Speaker 1: Hey, welcome to Stuff to blow your mind. My name 2 00:00:08,160 --> 00:00:11,440 Speaker 1: is Robert Lamb and I'm Joe McCormick, and it's Saturday. 3 00:00:11,440 --> 00:00:13,320 Speaker 1: Time to go into the old vault, this time for 4 00:00:13,360 --> 00:00:17,439 Speaker 1: an episode that originally aired on Valentine's Day of nineteen. 5 00:00:18,239 --> 00:00:21,919 Speaker 1: That's right, Cupid's a laden arrow. This one is about. 6 00:00:22,000 --> 00:00:23,800 Speaker 1: It's about a number of things. You get get a 7 00:00:23,840 --> 00:00:27,680 Speaker 1: little bit of cupid mythology in this episode, and also 8 00:00:27,720 --> 00:00:30,479 Speaker 1: a lot of discussions of lead, like what is lead? 9 00:00:30,560 --> 00:00:34,200 Speaker 1: And then how have we used and arguably misused lad 10 00:00:34,640 --> 00:00:36,839 Speaker 1: over the years? You get to learn all about the 11 00:00:36,840 --> 00:00:41,240 Speaker 1: culinary virtues of lead. Don't cook with lead, but you'll 12 00:00:41,240 --> 00:00:43,879 Speaker 1: find out why in the episode. So let's jump right 13 00:00:43,920 --> 00:00:47,320 Speaker 1: in there. From his quiver full of shafts, two arrows? 14 00:00:47,400 --> 00:00:51,240 Speaker 1: Did he take of sundry works to one causes love? 15 00:00:51,440 --> 00:00:55,639 Speaker 1: The other doth hits slake? That causes love is all 16 00:00:55,720 --> 00:00:59,800 Speaker 1: of gold with point, full, sharp and bright. That chase 17 00:00:59,920 --> 00:01:04,240 Speaker 1: is love is blunt? Who steal with leadin? Head is dight? 18 00:01:10,120 --> 00:01:12,960 Speaker 1: Welcome to stuff to blow your mind from how stuff 19 00:01:12,959 --> 00:01:21,600 Speaker 1: weren't dot Com? Hey, you welcome to stuff to blow 20 00:01:21,640 --> 00:01:24,840 Speaker 1: your mind. My name is Robert Lamb and I'm Joe McCormick, 21 00:01:25,160 --> 00:01:28,039 Speaker 1: and so obviously we're talking about Cupid today. That's right, 22 00:01:28,080 --> 00:01:31,839 Speaker 1: it's Valentine's Day, is it? Yes? Is it actually Valentine's Yes, 23 00:01:32,080 --> 00:01:35,040 Speaker 1: actual Valentine's Day. Okay, yeah, so we figured what we 24 00:01:35,040 --> 00:01:36,959 Speaker 1: gotta we gotta do some sort of Valentine's episode. We 25 00:01:36,959 --> 00:01:41,000 Speaker 1: had the the episode where we talked to Tomorrow Heart previously, 26 00:01:41,040 --> 00:01:44,440 Speaker 1: but this is the day itself Towers of Snail Sex. Yeah, 27 00:01:44,560 --> 00:01:48,440 Speaker 1: so it seemed proper to get a little mythological here 28 00:01:48,640 --> 00:01:50,840 Speaker 1: as we kick off this episode and to turn to 29 00:01:50,960 --> 00:01:56,640 Speaker 1: that mythological figure that got of romantic love, Cupid, the creepy, 30 00:01:56,680 --> 00:02:00,560 Speaker 1: smooth baby who shoots arrows with heart tips. Yes, now 31 00:02:00,600 --> 00:02:02,800 Speaker 1: that the reading at the top of the episode was 32 00:02:02,800 --> 00:02:06,760 Speaker 1: was Ovid. That was from the Metamorphosis, the Golden Translation, 33 00:02:07,480 --> 00:02:11,080 Speaker 1: So that was how you get words like dita, which 34 00:02:11,120 --> 00:02:14,720 Speaker 1: means clothed or equipped. I had to look that one up. Yeah, 35 00:02:14,919 --> 00:02:17,800 Speaker 1: it might not be completely clear, but what Ovid is 36 00:02:17,800 --> 00:02:22,240 Speaker 1: basically saying is, hey, Cupid has two different arrows that 37 00:02:22,280 --> 00:02:25,000 Speaker 1: he may pull from his quiver. You often forget this, 38 00:02:25,200 --> 00:02:27,639 Speaker 1: or maybe he never even learned it in the first place. Well, right, 39 00:02:27,639 --> 00:02:30,160 Speaker 1: if you're just going off of cheesy Valentine state cards. 40 00:02:30,240 --> 00:02:32,560 Speaker 1: You just think of that cartoon baby, and like you said, 41 00:02:32,840 --> 00:02:35,400 Speaker 1: the arrows have just kind of a goofy cartoon heart 42 00:02:35,760 --> 00:02:38,560 Speaker 1: at the end, and cupids launch and those at people 43 00:02:38,560 --> 00:02:42,120 Speaker 1: and making them falling cartoon love with people. Yeah, well, 44 00:02:42,160 --> 00:02:44,960 Speaker 1: you tend to not think of Cupid's arrow as literally 45 00:02:45,000 --> 00:02:49,639 Speaker 1: being an arrow that strikes with force and penetrates the flesh. 46 00:02:49,440 --> 00:02:51,960 Speaker 1: I guess we are to understand it that way, at 47 00:02:52,000 --> 00:02:54,840 Speaker 1: least the ancients did. Like there's this poem by Anna 48 00:02:54,880 --> 00:02:56,920 Speaker 1: Creon that Robert and I were talking about before the 49 00:02:56,960 --> 00:02:59,320 Speaker 1: episode where it's not actually that great of a poem. 50 00:02:59,360 --> 00:03:01,240 Speaker 1: I don't know if it's reading, but it makes this 51 00:03:01,320 --> 00:03:03,840 Speaker 1: joke about Cupid gets stung by a bee and he 52 00:03:03,919 --> 00:03:06,239 Speaker 1: starts crying and his mother I guess this would be 53 00:03:06,280 --> 00:03:09,320 Speaker 1: Aphrodite or Venus maybe comes to him and is trying 54 00:03:09,320 --> 00:03:11,960 Speaker 1: to console him and says, uh, you know, you're crying 55 00:03:11,960 --> 00:03:14,120 Speaker 1: about being stung by a bee, but you shoot people 56 00:03:14,120 --> 00:03:17,919 Speaker 1: with arrows all the time. That must hurt more shot 57 00:03:17,960 --> 00:03:21,839 Speaker 1: through the heart. Um. Yeah, so he so he has 58 00:03:21,840 --> 00:03:24,600 Speaker 1: two different arrows that he he chooses from when he 59 00:03:24,720 --> 00:03:28,760 Speaker 1: decides to nail somebody one of these arrows, as the 60 00:03:28,960 --> 00:03:32,359 Speaker 1: as Ovid says, is tipped in gold with a sharp 61 00:03:32,440 --> 00:03:35,120 Speaker 1: point and bright right, and so that's the that's the 62 00:03:35,240 --> 00:03:39,080 Speaker 1: love arrow, that is the romantic love arrow. But then 63 00:03:39,400 --> 00:03:43,720 Speaker 1: he has this leaden arrow, which it sounds like it's 64 00:03:43,800 --> 00:03:47,200 Speaker 1: it's probably not an arrow head composed entirely of lad 65 00:03:47,240 --> 00:03:50,760 Speaker 1: for reasons will explain, but it is at least coded 66 00:03:50,880 --> 00:03:53,320 Speaker 1: or tipped in lead somehow well. And it also says 67 00:03:53,360 --> 00:03:56,040 Speaker 1: that it's blunt, meaning I assume it is not meant 68 00:03:56,120 --> 00:03:58,880 Speaker 1: to penetrate, but maybe strikes more like a like a 69 00:03:58,920 --> 00:04:02,400 Speaker 1: bean bag gun. Yeah, like just to brain you with 70 00:04:02,440 --> 00:04:06,560 Speaker 1: this dense leaden arrowhead. Yeah, just to just smack you hard. 71 00:04:06,640 --> 00:04:10,360 Speaker 1: And then it also it imparts aversion, so like it 72 00:04:10,440 --> 00:04:12,760 Speaker 1: hits you, and now you you want to you want 73 00:04:12,760 --> 00:04:15,240 Speaker 1: to not be around somebody. I guess, right. This seems 74 00:04:15,280 --> 00:04:17,800 Speaker 1: that this seems to be the most popular interpretation of 75 00:04:17,800 --> 00:04:20,840 Speaker 1: the leaden arrows power though I was looking around, uh, 76 00:04:20,920 --> 00:04:23,800 Speaker 1: and I did see at least one description saying that 77 00:04:23,800 --> 00:04:26,960 Speaker 1: the leaden arrow had to do with set with sensual passion. 78 00:04:27,400 --> 00:04:29,920 Speaker 1: But I don't think that's the predominant interpretation. It's certainly 79 00:04:29,920 --> 00:04:31,760 Speaker 1: not the one that we're going to spend much time 80 00:04:31,760 --> 00:04:34,920 Speaker 1: with here today because sensual passion. There are other gods 81 00:04:35,000 --> 00:04:38,640 Speaker 1: for that. Uh, you know, Cupid's domain is more about 82 00:04:39,600 --> 00:04:43,760 Speaker 1: that that that that romantic passion, the arrows or or 83 00:04:43,800 --> 00:04:46,600 Speaker 1: the philos or I lose track of what love is. 84 00:04:46,600 --> 00:04:52,640 Speaker 1: What in Greek philodough your love. Um, yeah, we'll be 85 00:04:52,680 --> 00:04:55,800 Speaker 1: we'll be getting into the Greek and Roman stuff shortly, okay, 86 00:04:55,839 --> 00:04:57,640 Speaker 1: but yes we're gonna be talking about Cupid. And I 87 00:04:57,680 --> 00:05:00,800 Speaker 1: do I do encourage everyone to maybe he put aside 88 00:05:00,880 --> 00:05:06,160 Speaker 1: the more cherubic interpretations of of Cupid as we discuss 89 00:05:06,520 --> 00:05:10,480 Speaker 1: this figure, because we have to remember he is a god. Um. 90 00:05:10,520 --> 00:05:15,080 Speaker 1: He is capable of of of wrecking people's lives with 91 00:05:15,200 --> 00:05:18,560 Speaker 1: his mischief. And he's not always depicted as a as 92 00:05:18,600 --> 00:05:22,200 Speaker 1: a baby. He's he's often he's usually depicted as youthful, certainly, 93 00:05:22,640 --> 00:05:26,039 Speaker 1: and that may be a male youth or a boy. 94 00:05:26,960 --> 00:05:31,039 Speaker 1: He's very often and you know, depicted naked or nearly so. 95 00:05:31,279 --> 00:05:34,560 Speaker 1: And sometimes he's blindfolded as well. I think it's blind right, 96 00:05:34,680 --> 00:05:37,440 Speaker 1: Oh yeah, I didn't think of that. Well. I think 97 00:05:37,480 --> 00:05:39,919 Speaker 1: he's often depicted as a baby just because if he 98 00:05:40,000 --> 00:05:44,920 Speaker 1: were an adult, he would be a horrifying, gross creep right, Well, 99 00:05:44,960 --> 00:05:47,960 Speaker 1: they're still there's STI always room to find Cupid creepy 100 00:05:48,000 --> 00:05:50,039 Speaker 1: for sure. All right, Well who is Cupid? Where did 101 00:05:50,080 --> 00:05:52,960 Speaker 1: he come from? In the pantheon and the mythology? Okay, 102 00:05:52,960 --> 00:05:56,800 Speaker 1: so Cupid is the Roman variant of the Greek god Arrows, 103 00:05:56,839 --> 00:06:00,320 Speaker 1: the prime evil god of love, a son of chao Us, 104 00:06:00,560 --> 00:06:03,680 Speaker 1: though in later traditions he has depicted as a son 105 00:06:03,760 --> 00:06:07,960 Speaker 1: of Aphrodite, who is the Roman Venus, whose goddess of 106 00:06:08,080 --> 00:06:11,880 Speaker 1: sexual love and beauty. And as far as the father goes, 107 00:06:12,320 --> 00:06:15,560 Speaker 1: it's all across the board. They're very different tellings. Sometimes 108 00:06:15,560 --> 00:06:19,520 Speaker 1: it's Zeus, sometimes it's it's Aries. There's at least one 109 00:06:19,640 --> 00:06:22,520 Speaker 1: version where it's it's it seems like it's Vulcan, the 110 00:06:22,560 --> 00:06:26,560 Speaker 1: god of the forge. But in but then a lot 111 00:06:26,560 --> 00:06:29,720 Speaker 1: of stories have it have Hermes as the father, who 112 00:06:29,760 --> 00:06:32,120 Speaker 1: of course is the Roman Mercury. So it's a real 113 00:06:32,200 --> 00:06:35,400 Speaker 1: Mari show. Yes, yeah, you can very much imagine that 114 00:06:35,600 --> 00:06:37,920 Speaker 1: there being a lot of drama around this. But he's 115 00:06:37,920 --> 00:06:42,400 Speaker 1: a god of passion and love but also a fertility 116 00:06:42,440 --> 00:06:45,120 Speaker 1: to a certain extent as well. Now, in Roman traditions, 117 00:06:45,120 --> 00:06:48,520 Speaker 1: Cupid is largely described as a son of Venus and Mercury, 118 00:06:48,560 --> 00:06:52,960 Speaker 1: combining their roles into that of a divine messenger of love. Okay, 119 00:06:53,000 --> 00:06:56,000 Speaker 1: so Mercury is the messenger, Aphrodite is love. So he 120 00:06:56,080 --> 00:06:59,839 Speaker 1: brings you the love signals, the he's he's the radar 121 00:07:00,040 --> 00:07:02,479 Speaker 1: of God. Yeah, don't you? So you can't really hate 122 00:07:02,520 --> 00:07:05,640 Speaker 1: the messenger, right, I guess that's part of the story 123 00:07:05,680 --> 00:07:08,080 Speaker 1: here as well. Now he's often depicted as this kind 124 00:07:08,120 --> 00:07:10,840 Speaker 1: of trubic creature like we describe, but also sometimes is 125 00:07:10,840 --> 00:07:14,480 Speaker 1: more of a you know, in an androgeneous, youthful figure, 126 00:07:14,560 --> 00:07:17,280 Speaker 1: sometimes clad in armor, because I guess love is also 127 00:07:17,320 --> 00:07:23,120 Speaker 1: a battlefield, and he's sometimes a mischief maker other times 128 00:07:23,480 --> 00:07:27,280 Speaker 1: generous patron of love. His targets include both mortals and 129 00:07:27,440 --> 00:07:31,640 Speaker 1: other gods and uh. As always, the versions of the 130 00:07:31,680 --> 00:07:34,560 Speaker 1: myth very with the teller and the time. But we 131 00:07:34,680 --> 00:07:38,560 Speaker 1: certainly want to to tell the major Cupid story. We'll 132 00:07:38,600 --> 00:07:41,600 Speaker 1: tell me the story Robert. Alright. So his mother again 133 00:07:41,680 --> 00:07:45,840 Speaker 1: is Venus, and Venus has is subject to bouts of 134 00:07:45,920 --> 00:07:48,800 Speaker 1: jealousy pretty much like all of them, the major gods 135 00:07:48,840 --> 00:07:52,120 Speaker 1: in the pantheon, right, and so she one day she 136 00:07:52,400 --> 00:07:54,960 Speaker 1: has had enough of this beautiful mortal by the name 137 00:07:55,000 --> 00:07:58,920 Speaker 1: of Psyche. She's just too too lovely. She's so lovely 138 00:07:58,960 --> 00:08:03,080 Speaker 1: that other mortals are afraid to approach her. And in 139 00:08:03,200 --> 00:08:07,520 Speaker 1: Venus isn't having it. She tasks her son Cupid and says, 140 00:08:07,600 --> 00:08:10,480 Speaker 1: go to this woman, shoot her with a golden arrow 141 00:08:10,520 --> 00:08:12,760 Speaker 1: of love, and then make her fall in love with 142 00:08:12,800 --> 00:08:15,200 Speaker 1: the first thing she sees, because that's the power of 143 00:08:15,240 --> 00:08:18,160 Speaker 1: the arrow in this, in this interpretation of it. And 144 00:08:18,320 --> 00:08:20,680 Speaker 1: she adds, make sure that the next thing she sees 145 00:08:20,800 --> 00:08:24,680 Speaker 1: is the most hideous creature imaginable. I don't care what 146 00:08:24,720 --> 00:08:27,160 Speaker 1: it is, usual imagination. She falls in love with the 147 00:08:27,200 --> 00:08:32,440 Speaker 1: font papyrus. That would have been good. Um, so keep it. 148 00:08:33,200 --> 00:08:35,240 Speaker 1: Keep it. Goes down to Earth to do this, but 149 00:08:35,320 --> 00:08:38,839 Speaker 1: he can't quite bring himself to finish the task, though 150 00:08:38,880 --> 00:08:42,079 Speaker 1: he was certainly okay with the plan enough to trick 151 00:08:42,120 --> 00:08:46,000 Speaker 1: her parents into abandoning her on a desolate hilltop so 152 00:08:46,040 --> 00:08:48,440 Speaker 1: that she could wed a monster, but as far as 153 00:08:48,640 --> 00:08:51,839 Speaker 1: actually yeah, because she's taken. The Psyche is taken to 154 00:08:51,920 --> 00:08:54,480 Speaker 1: this hill and here you go. Sorry, the gods want 155 00:08:54,520 --> 00:08:57,160 Speaker 1: you to marry a monster. It's gonna happen. See you later, 156 00:08:57,240 --> 00:08:59,040 Speaker 1: because you know you do what do what the gods 157 00:08:59,200 --> 00:09:02,720 Speaker 1: say or her? But then he can't actually shoot her 158 00:09:02,720 --> 00:09:05,360 Speaker 1: with arrows, so instead he pricks himself with the golden 159 00:09:05,480 --> 00:09:08,800 Speaker 1: arrow and then gazes upon Psyche, falls in love with her, 160 00:09:09,360 --> 00:09:11,520 Speaker 1: and so he takes her away, sets her up in 161 00:09:11,559 --> 00:09:15,400 Speaker 1: a protected place like a palace, somewhere where he can 162 00:09:15,480 --> 00:09:19,000 Speaker 1: visit her safely, but only in darkness. And then but 163 00:09:19,040 --> 00:09:21,679 Speaker 1: then one night she cast light upon him and she 164 00:09:21,800 --> 00:09:24,880 Speaker 1: learns his identity, spilling wax on him in the process, 165 00:09:25,120 --> 00:09:29,480 Speaker 1: and he flees. So Psyche is distraught. She's she's in 166 00:09:29,600 --> 00:09:33,080 Speaker 1: love with this this god, this beautiful young god boy. 167 00:09:33,200 --> 00:09:37,120 Speaker 1: So she searches for him, and finally Venus agrees to 168 00:09:37,200 --> 00:09:39,640 Speaker 1: hand him over, but only if she completes a series 169 00:09:39,679 --> 00:09:42,960 Speaker 1: of trials. Oh yeah, never a good sign in a myth. 170 00:09:43,080 --> 00:09:44,800 Speaker 1: Right now, you get the feeling that a lot of 171 00:09:44,840 --> 00:09:49,079 Speaker 1: these trials might be tricks. Yes, and indeed they are. Uh, 172 00:09:49,400 --> 00:09:52,880 Speaker 1: the the exact trials can vary with the telling, but 173 00:09:53,679 --> 00:09:57,199 Speaker 1: this is the basic roll out here. First of all, 174 00:09:57,240 --> 00:09:59,560 Speaker 1: she has to sort a massive pile of seeds in 175 00:09:59,600 --> 00:10:03,880 Speaker 1: a sing gold night, and uh, fortunately some ants help her. 176 00:10:03,960 --> 00:10:06,240 Speaker 1: Oh that's a great variation on all the tweety birds 177 00:10:06,280 --> 00:10:09,440 Speaker 1: and scugs and the snow white story. Yeah, they'll come 178 00:10:09,480 --> 00:10:12,080 Speaker 1: in and help with the chores. Now it's ants and 179 00:10:12,120 --> 00:10:15,160 Speaker 1: who knows, maybe Spider's pitch in a bit. Well. The 180 00:10:15,200 --> 00:10:17,840 Speaker 1: next task is that she has to fetch the golden 181 00:10:17,840 --> 00:10:20,920 Speaker 1: wool from a like a monstrous sheep, like a kind 182 00:10:20,920 --> 00:10:24,320 Speaker 1: of sheep that disembowels anyone who gets near it, and 183 00:10:24,320 --> 00:10:27,800 Speaker 1: a swarm of cockroaches. A sister, no actually a river 184 00:10:27,880 --> 00:10:30,760 Speaker 1: god helps her out um and helps her acquire the 185 00:10:30,760 --> 00:10:33,040 Speaker 1: woolf So she turns that in. But then she has 186 00:10:33,080 --> 00:10:36,520 Speaker 1: to venture into the underworld and acquire a drop of 187 00:10:36,559 --> 00:10:41,040 Speaker 1: the Queen of the Underworld's beauty. Oh yeah, so uh Cupid, 188 00:10:41,080 --> 00:10:43,120 Speaker 1: it scenes ends up sort of cluing her in, sends 189 00:10:43,120 --> 00:10:46,720 Speaker 1: her some signals and was going to the underworld isn't easy, right, Yeah, 190 00:10:46,760 --> 00:10:50,199 Speaker 1: it's it's a dangerous proposition. So Cupid clues her in, 191 00:10:50,960 --> 00:10:53,520 Speaker 1: you know, secret messages, letting her know, make sure you 192 00:10:53,600 --> 00:10:58,960 Speaker 1: bring coins for torone and treats for a service, important 193 00:10:59,200 --> 00:11:02,000 Speaker 1: things that bring along. Right, So she does this, She 194 00:11:02,040 --> 00:11:04,600 Speaker 1: wins that drop, brings it back in a golden box, 195 00:11:05,080 --> 00:11:07,200 Speaker 1: and brings it to the surface. She's on her way 196 00:11:07,240 --> 00:11:09,840 Speaker 1: to deliver it to Venus, but then she decides, well, 197 00:11:09,840 --> 00:11:11,920 Speaker 1: I'm going to steal a little bit of that beauty 198 00:11:11,960 --> 00:11:15,000 Speaker 1: from the box for myself. And then she discovers the 199 00:11:15,040 --> 00:11:18,520 Speaker 1: boxes full of sleep. Sleep comes over her, Cupid comes 200 00:11:18,559 --> 00:11:20,680 Speaker 1: to her way and wakes her up, gives her the 201 00:11:20,720 --> 00:11:22,640 Speaker 1: nectar of the gods and makes her a god as 202 00:11:22,679 --> 00:11:25,480 Speaker 1: well the embodiment of the soul, and she later gives 203 00:11:25,520 --> 00:11:28,520 Speaker 1: birth to pleasure. That's a heck of a story. Oh yeah, 204 00:11:28,520 --> 00:11:31,679 Speaker 1: there are various treatments of the story. The various you know, 205 00:11:31,720 --> 00:11:34,200 Speaker 1: additional stories such as Beauty and the Beast take this 206 00:11:34,280 --> 00:11:37,600 Speaker 1: basic structure and then uh, you know, employ it in 207 00:11:37,600 --> 00:11:41,800 Speaker 1: a slightly different manner. But yeah, that's the major Cupid narrative. 208 00:11:42,120 --> 00:11:45,680 Speaker 1: But there's also a fun one that employs his arrows 209 00:11:46,280 --> 00:11:48,520 Speaker 1: in an interesting way in which both of them, this 210 00:11:48,559 --> 00:11:51,400 Speaker 1: time both of them as he messes with the god Apollo. 211 00:11:52,280 --> 00:11:56,120 Speaker 1: So Apollo is a powerful god and he's he's he's 212 00:11:56,200 --> 00:12:00,080 Speaker 1: lusting after the nymph Daphne. And while he's in the 213 00:12:00,120 --> 00:12:03,440 Speaker 1: midst of this, he taunts Cupid's archery ability. He says, 214 00:12:03,559 --> 00:12:05,480 Speaker 1: You're not much of an archer, are you? And so 215 00:12:05,679 --> 00:12:09,439 Speaker 1: it's always good to taunt people holding ranged weapons. Well, again, 216 00:12:09,520 --> 00:12:12,719 Speaker 1: the gods are vain and you know, kind of and 217 00:12:12,760 --> 00:12:15,680 Speaker 1: it's in vengeful and but also kind of stupid at times. 218 00:12:16,280 --> 00:12:19,319 Speaker 1: So what Cupid does is he shoots Apollo with a 219 00:12:19,400 --> 00:12:21,960 Speaker 1: golden arrow that makes him of course, you know, lust 220 00:12:22,040 --> 00:12:25,640 Speaker 1: like crazy after Daphney. But then he shoots Daphne with 221 00:12:25,679 --> 00:12:28,480 Speaker 1: a leaden arrow, ensuring that she wants nothing to do 222 00:12:28,520 --> 00:12:31,400 Speaker 1: with exactly. In fact, she runs away to her father, 223 00:12:31,480 --> 00:12:34,200 Speaker 1: who also happens to be a river god, and has 224 00:12:34,320 --> 00:12:37,320 Speaker 1: him turned her into a tree so that Apollo will 225 00:12:37,400 --> 00:12:40,480 Speaker 1: leave her alone. And then Cupid, you know, goes off 226 00:12:40,520 --> 00:12:43,440 Speaker 1: and laughs about the whole affair. Now, wait, after this, 227 00:12:43,520 --> 00:12:45,880 Speaker 1: is Apollo still in love with the tree or not? 228 00:12:46,760 --> 00:12:51,000 Speaker 1: It really depends on the user agreement with the golden arrow. 229 00:12:51,040 --> 00:12:53,520 Speaker 1: How does the golden earrow magic work? Can you transform 230 00:12:53,559 --> 00:12:56,120 Speaker 1: the essence of the target of the affection? And does 231 00:12:56,160 --> 00:12:58,520 Speaker 1: that cancel the spell? Or do you have to roll 232 00:12:58,559 --> 00:13:00,559 Speaker 1: a D twenty to find out? Don't know? And then 233 00:13:00,880 --> 00:13:03,720 Speaker 1: we are the effects on god's Is that a little 234 00:13:03,720 --> 00:13:07,240 Speaker 1: different than an effect on immortal? Who can say? Now 235 00:13:07,320 --> 00:13:10,720 Speaker 1: you might think, okay, Cupid sounds like he makes some 236 00:13:10,840 --> 00:13:14,000 Speaker 1: enemies here and there. Who's his greatest rival? Is there 237 00:13:14,040 --> 00:13:16,480 Speaker 1: like a safety god who's always trying to take his 238 00:13:16,600 --> 00:13:20,160 Speaker 1: arrows away? No? No, no, it's none other than the 239 00:13:20,240 --> 00:13:24,520 Speaker 1: great god Pan. What one of our favorites. Yeah, in 240 00:13:24,600 --> 00:13:28,199 Speaker 1: one corner we have the flighty arrow shooting cherubic son 241 00:13:28,240 --> 00:13:31,360 Speaker 1: of of this of Venus U, the lord of love. 242 00:13:31,480 --> 00:13:33,720 Speaker 1: And in the other corner we have the wild rutting 243 00:13:33,840 --> 00:13:38,520 Speaker 1: he goat king of fornication, uh, surrounded by nymphs prancing 244 00:13:38,559 --> 00:13:42,680 Speaker 1: through the forest. And so it's divine love versus earthly love, 245 00:13:43,120 --> 00:13:46,400 Speaker 1: and uh spoiler alert, Cupid often comes out on top. 246 00:13:46,440 --> 00:13:49,880 Speaker 1: In fact, there's some there are paintings that depict Cupid 247 00:13:50,240 --> 00:13:53,679 Speaker 1: kind of wrestling Pan to the ground. Could you also 248 00:13:53,720 --> 00:13:56,400 Speaker 1: say that this is like city love versus country love? 249 00:13:56,880 --> 00:13:59,880 Speaker 1: I guess you could. Yeah, like Pan was sort of envisioned. 250 00:14:00,120 --> 00:14:02,880 Speaker 1: Is the representative of the I don't know, the the 251 00:14:02,960 --> 00:14:06,319 Speaker 1: amorous affairs of like shepherds and country people. Yeah, it 252 00:14:06,400 --> 00:14:10,280 Speaker 1: is kind of country love versus you know, the divine 253 00:14:10,320 --> 00:14:12,679 Speaker 1: love of Mount Olympus. Here. On the other hand, when 254 00:14:12,720 --> 00:14:16,520 Speaker 1: you look up artistic interpretations of Pan, he is often 255 00:14:16,600 --> 00:14:20,640 Speaker 1: wrestling or doing something like wrestling. So it's it's hard 256 00:14:20,680 --> 00:14:23,200 Speaker 1: to say. He's definitely on the losing end of the 257 00:14:23,240 --> 00:14:27,680 Speaker 1: scenario here. The pan's a rascal. Yeah. Now, in terms 258 00:14:27,680 --> 00:14:30,680 Speaker 1: of other treatments of of Cupid, you know, we're not 259 00:14:30,680 --> 00:14:34,440 Speaker 1: going to go through, you know, all the the echoes 260 00:14:34,840 --> 00:14:38,240 Speaker 1: in popular culture. I did notice just the most dignified one. Yes, 261 00:14:39,600 --> 00:14:41,920 Speaker 1: I did notice that there is a There is a 262 00:14:42,000 --> 00:14:46,160 Speaker 1: Cupid in what DC comics that's kind of a feisty redhead, 263 00:14:46,640 --> 00:14:49,560 Speaker 1: and it's a it's a female. It's like a cohort 264 00:14:49,600 --> 00:14:52,400 Speaker 1: of the green arrow. Is she a got us or 265 00:14:52,520 --> 00:14:54,560 Speaker 1: just a human named Cupid? I think she's just a 266 00:14:54,640 --> 00:14:57,120 Speaker 1: human who shoots arrows at people. Yeah, it's not a 267 00:14:57,120 --> 00:15:00,000 Speaker 1: thor situation. I don't think so. If any comic book 268 00:15:00,040 --> 00:15:03,760 Speaker 1: fans out there that want to, um, you know, clue 269 00:15:03,800 --> 00:15:05,640 Speaker 1: us in on this, we'd love to hear more. But 270 00:15:05,680 --> 00:15:07,800 Speaker 1: I think she just shoots arrows at people and tries 271 00:15:07,840 --> 00:15:10,640 Speaker 1: to kill them, you know. Independent of you coming up 272 00:15:10,680 --> 00:15:14,040 Speaker 1: with this lead, Robert, I immediately was googling, like Cupid 273 00:15:14,120 --> 00:15:18,160 Speaker 1: horror movie? Is there one? And I I came across 274 00:15:18,200 --> 00:15:20,480 Speaker 1: something only to discover that you'd already given it a 275 00:15:20,480 --> 00:15:24,360 Speaker 1: little right up here. Yes, two thousand and one slasher 276 00:15:24,400 --> 00:15:29,880 Speaker 1: film titled Valentine. Now have you seen this before? No? 277 00:15:30,160 --> 00:15:33,480 Speaker 1: I looked up a couple of scenes on YouTube. One 278 00:15:33,520 --> 00:15:36,000 Speaker 1: actually had kind of a cool set with like somebody's 279 00:15:36,040 --> 00:15:39,080 Speaker 1: like walking through a maze made out of TV screens 280 00:15:39,200 --> 00:15:41,760 Speaker 1: or something that. Yeah, I kind of like that, but 281 00:15:41,880 --> 00:15:45,760 Speaker 1: otherwise it looks so stupid, and it has the ultimate 282 00:15:45,840 --> 00:15:49,280 Speaker 1: like two thousand one smart Face cast where it's got 283 00:15:49,360 --> 00:15:52,920 Speaker 1: David Boreanaz and Denise Richards. It's like the cast of 284 00:15:52,960 --> 00:15:57,280 Speaker 1: Starship Troopers. It also has a has a two thousand 285 00:15:57,360 --> 00:16:00,320 Speaker 1: and one alternative rock album, like the most too thousand 286 00:16:00,360 --> 00:16:05,280 Speaker 1: and one alternative rock album, Imaginable. Yeah, that the soundtrack is, 287 00:16:06,200 --> 00:16:09,040 Speaker 1: does it have what down with the sickness? It doesn't 288 00:16:09,040 --> 00:16:13,600 Speaker 1: have that particular track, but Disturbed is present and and yeah, 289 00:16:13,640 --> 00:16:16,120 Speaker 1: you can pretty much extrapolate from there what else is 290 00:16:16,160 --> 00:16:19,720 Speaker 1: on the soundtrack. But it does have this killer stalking around, 291 00:16:19,720 --> 00:16:22,560 Speaker 1: the slasher character with a cupid mask, and there is 292 00:16:22,640 --> 00:16:25,360 Speaker 1: one scene at least where he kills somebody with arrows, 293 00:16:25,600 --> 00:16:27,760 Speaker 1: and that's the sequence you're you're talking about with all 294 00:16:27,800 --> 00:16:33,040 Speaker 1: the TVs. So yeah, as far as slasher films we're seeing, 295 00:16:33,520 --> 00:16:35,280 Speaker 1: it's been too long since I've seen it to really 296 00:16:35,320 --> 00:16:37,920 Speaker 1: give it a firm recommendation, but as far as slasher 297 00:16:37,960 --> 00:16:40,920 Speaker 1: films worth looking up the kills on YouTube, I give 298 00:16:40,960 --> 00:16:44,680 Speaker 1: it give it a thumbs up. But in this movie, 299 00:16:45,040 --> 00:16:49,280 Speaker 1: unless I'm mistaken, no gold arrows and lead blunt arrows 300 00:16:49,440 --> 00:16:51,920 Speaker 1: right right. I think he just has normal killing arrows 301 00:16:51,960 --> 00:16:54,840 Speaker 1: because he's ultimately not an actual god. That would have 302 00:16:54,840 --> 00:16:57,280 Speaker 1: been a fun twist. Though they don't get deep into 303 00:16:57,360 --> 00:17:00,760 Speaker 1: the resonances of the mythology, no, because if there's a 304 00:17:00,760 --> 00:17:03,080 Speaker 1: lot there you could really go go nuts with. For instance, 305 00:17:03,120 --> 00:17:05,439 Speaker 1: the fact that Cupid is often depicted riding around on 306 00:17:05,520 --> 00:17:09,919 Speaker 1: dolphins or even sometimes just on sea monsters. That's odd. Yeah, 307 00:17:10,760 --> 00:17:13,000 Speaker 1: and uh, you know, you know we mentioned beating the 308 00:17:13,040 --> 00:17:15,560 Speaker 1: Beast already, but I should throw out there even though 309 00:17:15,720 --> 00:17:17,600 Speaker 1: I haven't read it, and I don't know why I 310 00:17:17,640 --> 00:17:19,879 Speaker 1: haven't read it, because I read a whole lot of C. S. 311 00:17:19,960 --> 00:17:22,359 Speaker 1: Lewis at one point in my life. But C. S. 312 00:17:22,440 --> 00:17:26,760 Speaker 1: Lewis retells the story of of Cupid and Psyche in 313 00:17:26,800 --> 00:17:30,680 Speaker 1: the nine novel Till We Have Faces. I've never read 314 00:17:30,720 --> 00:17:33,440 Speaker 1: that either, but that sounds maybe worth check now. So again, 315 00:17:33,480 --> 00:17:35,400 Speaker 1: we could keep going on Cupid. We could keep talking 316 00:17:35,440 --> 00:17:40,159 Speaker 1: about various mythological treatments, different versions of the stories. Um, 317 00:17:40,200 --> 00:17:42,880 Speaker 1: But basically, what we want to drive home here is that, 318 00:17:42,960 --> 00:17:46,240 Speaker 1: first of all, he has these two arrows. He has 319 00:17:46,280 --> 00:17:48,760 Speaker 1: the leaden arrow and the golden arrow, and these are 320 00:17:48,800 --> 00:17:51,360 Speaker 1: the powers associated. And we also just want to drive 321 00:17:51,400 --> 00:17:54,960 Speaker 1: home that he's he is more than just this ridiculous 322 00:17:55,000 --> 00:17:58,640 Speaker 1: cartoon baby. Now he's an epic creep cartoon baby who 323 00:17:58,680 --> 00:18:02,520 Speaker 1: wrestles goat man and rides on sea monsters. Indeed, he 324 00:18:02,680 --> 00:18:04,879 Speaker 1: is so On that note, we're going to take a 325 00:18:04,960 --> 00:18:07,520 Speaker 1: quick break, and when we come back, we are going 326 00:18:07,600 --> 00:18:10,600 Speaker 1: to discuss the leaden arrow of Cupid. We're going to 327 00:18:10,680 --> 00:18:14,240 Speaker 1: get into what ancient people knew of lead, how they 328 00:18:14,359 --> 00:18:16,920 Speaker 1: used lead, what they thought about its properties. And then 329 00:18:16,960 --> 00:18:19,320 Speaker 1: of course we'll well we'll we'll dive a little bit 330 00:18:19,359 --> 00:18:22,119 Speaker 1: into the periodic table and discuss exactly what lad is. 331 00:18:22,960 --> 00:18:28,359 Speaker 1: Thank alright, we're back. So, Robert, we have already told 332 00:18:28,400 --> 00:18:33,200 Speaker 1: the story of Cupid, as especially as described in Ovid's metamorphoses. Uh. 333 00:18:33,240 --> 00:18:35,600 Speaker 1: And in the story of these two different arrows, he's 334 00:18:35,640 --> 00:18:39,080 Speaker 1: got the gold arrow, which imparts love makes people fancy 335 00:18:39,119 --> 00:18:41,719 Speaker 1: one another, and the lead arrow, which is blunt and 336 00:18:41,760 --> 00:18:44,120 Speaker 1: maybe seems to cause a version, at least in some 337 00:18:44,320 --> 00:18:46,399 Speaker 1: tellings of the story. Right Like if if you were 338 00:18:46,480 --> 00:18:49,520 Speaker 1: hit with the lead arrow and somebody passed you a 339 00:18:49,600 --> 00:18:52,040 Speaker 1: note in in in high school and said will you 340 00:18:52,119 --> 00:18:54,600 Speaker 1: go out with me? Yes and no, you would add 341 00:18:54,640 --> 00:18:57,399 Speaker 1: a third box that said I would rather my father 342 00:18:57,480 --> 00:19:00,000 Speaker 1: turned me into a tree. Yeah, your head would just explode, 343 00:19:00,000 --> 00:19:02,960 Speaker 1: would like in scanners? Yes. Well, other than the general 344 00:19:03,000 --> 00:19:06,520 Speaker 1: association of gold being thought of as good, is there 345 00:19:06,560 --> 00:19:10,120 Speaker 1: anything any reason we can think of why these particular 346 00:19:10,640 --> 00:19:14,080 Speaker 1: metals are picked to have the magical significance they do 347 00:19:14,160 --> 00:19:16,440 Speaker 1: in the arrows in the myth? Well, yeah, exactly what 348 00:19:16,600 --> 00:19:19,919 Speaker 1: we with gold? Obviously, gold is beautiful, and humans have 349 00:19:19,920 --> 00:19:22,760 Speaker 1: thought it's beautiful for ages, and we've been perfectly happy 350 00:19:22,800 --> 00:19:24,840 Speaker 1: to squabble over it and kill each other over it. 351 00:19:24,880 --> 00:19:29,119 Speaker 1: So it seems the perfect substance to sum up the 352 00:19:29,280 --> 00:19:32,960 Speaker 1: appeal and then sometimes the dangers of love. Plus knowing 353 00:19:32,960 --> 00:19:34,840 Speaker 1: what we know now, this was an element that was 354 00:19:35,000 --> 00:19:38,640 Speaker 1: likely produced in the collisions of of neutron stars long 355 00:19:38,720 --> 00:19:42,560 Speaker 1: before the formation of the Earth, which is amazing to consider. 356 00:19:42,640 --> 00:19:44,760 Speaker 1: By the way, I mean, just to contemplate this for 357 00:19:44,800 --> 00:19:47,240 Speaker 1: a moment. Uh. You know, it was once thought that 358 00:19:47,359 --> 00:19:50,240 Speaker 1: most of the universe is heavy elements, like elements heavier 359 00:19:50,240 --> 00:19:53,639 Speaker 1: than iron, were created in supernovas, which is when a 360 00:19:53,680 --> 00:19:56,800 Speaker 1: massive star at the end of its life cycle collapses 361 00:19:56,840 --> 00:20:00,240 Speaker 1: on itself and then explodes, and supernovas can create ate 362 00:20:00,320 --> 00:20:02,879 Speaker 1: some heavy elements. But some scientists have argued for a 363 00:20:02,880 --> 00:20:06,520 Speaker 1: while that there are too many heavy elements. The proportion 364 00:20:06,640 --> 00:20:08,600 Speaker 1: of them that we find in the universe is too 365 00:20:08,680 --> 00:20:13,200 Speaker 1: high to be accounted for by what's possible from supernovas alone. 366 00:20:13,840 --> 00:20:16,400 Speaker 1: So in recent years there have been some cool experiments 367 00:20:16,440 --> 00:20:19,600 Speaker 1: that have shown that the collision of neutron stars, like 368 00:20:19,640 --> 00:20:22,399 Speaker 1: you say, could be the alternative. For example, I was 369 00:20:22,400 --> 00:20:25,080 Speaker 1: looking at there was a study published in in the 370 00:20:25,119 --> 00:20:28,520 Speaker 1: Astrophysical Journal by Code at All that looked at data 371 00:20:28,680 --> 00:20:33,000 Speaker 1: from a neutron star merger, and I love that's the 372 00:20:33,040 --> 00:20:37,359 Speaker 1: technology they use, like two companies like mergers and acquisitions. 373 00:20:37,359 --> 00:20:39,560 Speaker 1: But they should have used the language of love, because 374 00:20:39,720 --> 00:20:42,120 Speaker 1: we are creating a substance that will one day be 375 00:20:42,280 --> 00:20:44,920 Speaker 1: used by the God of love. Right it is it 376 00:20:44,960 --> 00:20:52,320 Speaker 1: should be neutron star copulation, yes, neutron starter course, but anyway, 377 00:20:52,359 --> 00:20:55,000 Speaker 1: that this collision was between eighty five and a hundred 378 00:20:55,040 --> 00:20:58,480 Speaker 1: and sixty million light years away, and the researchers calculated 379 00:20:58,520 --> 00:21:02,160 Speaker 1: that this one event, these two neutron stars colliding, produced 380 00:21:02,240 --> 00:21:06,119 Speaker 1: between one and five earth masses of an element called 381 00:21:06,160 --> 00:21:11,080 Speaker 1: europium and between three and thirteen earth masses of gold 382 00:21:11,359 --> 00:21:15,160 Speaker 1: earth masses of gold. So just think about a solid 383 00:21:15,320 --> 00:21:18,800 Speaker 1: gold Earth and then between three and thirteen of them, 384 00:21:19,119 --> 00:21:21,399 Speaker 1: and then it just like spits a bunch of this 385 00:21:21,600 --> 00:21:24,320 Speaker 1: out into the universe to get bound up with other 386 00:21:24,359 --> 00:21:27,199 Speaker 1: gases and stuff like that and eventually end up in 387 00:21:27,280 --> 00:21:30,440 Speaker 1: maybe say a planetary accretion disk, where it becomes part 388 00:21:30,520 --> 00:21:33,000 Speaker 1: of the crust of an Earth. So if you're wearing 389 00:21:33,040 --> 00:21:35,399 Speaker 1: like a gold ring or any other piece of gold 390 00:21:35,520 --> 00:21:37,879 Speaker 1: right now, or if you're maybe maybe say using an 391 00:21:37,880 --> 00:21:40,000 Speaker 1: electronic device that has a bit of gold in it, 392 00:21:40,359 --> 00:21:43,320 Speaker 1: just think about how that element was forged either in 393 00:21:43,400 --> 00:21:46,960 Speaker 1: the guts of a dying star as it exploded, or 394 00:21:47,200 --> 00:21:50,879 Speaker 1: was probably more likely created in the chaos of rapid 395 00:21:50,920 --> 00:21:54,760 Speaker 1: neutron capture when two of the densest objects in the 396 00:21:54,880 --> 00:21:59,560 Speaker 1: universe to neutron stars smashed together billions of years ago. 397 00:22:00,200 --> 00:22:02,399 Speaker 1: And of course I guess the even crazier thing is 398 00:22:02,440 --> 00:22:05,520 Speaker 1: that that doesn't stop at gold, right, like our amazement 399 00:22:05,520 --> 00:22:08,960 Speaker 1: that the elements shouldn't stop there, because all the heavy 400 00:22:09,000 --> 00:22:11,000 Speaker 1: elements had to be formed at some point. In fact, 401 00:22:11,040 --> 00:22:12,920 Speaker 1: all the elements of any kind had to be formed 402 00:22:12,920 --> 00:22:16,119 Speaker 1: at some point. A few of the lightest ones are primordial, 403 00:22:16,200 --> 00:22:18,760 Speaker 1: you know, you find hydrogen and helium and lithium out 404 00:22:18,800 --> 00:22:21,480 Speaker 1: in the original universe. Uh, and then a few more 405 00:22:21,560 --> 00:22:24,439 Speaker 1: I think are formed by like a cosmic rays and stuff. 406 00:22:24,440 --> 00:22:27,720 Speaker 1: But beyond that, pretty much everything that you could see 407 00:22:27,720 --> 00:22:30,040 Speaker 1: and touch and that your body is made of was 408 00:22:30,080 --> 00:22:34,320 Speaker 1: in some way forged inside a dying star. Uh. You know, 409 00:22:34,359 --> 00:22:37,080 Speaker 1: you got this dying star forge that has slow neutron 410 00:22:37,160 --> 00:22:40,080 Speaker 1: capture going on inside it, or it was a supernova 411 00:22:40,200 --> 00:22:45,040 Speaker 1: explosion or the collision of neutron stars or something like that. Yeah, 412 00:22:45,119 --> 00:22:47,120 Speaker 1: these are the very kind of forges one can imagine 413 00:22:47,200 --> 00:22:50,480 Speaker 1: a god like Vulcan would employ, right exactly. Yeah, that's 414 00:22:50,480 --> 00:22:53,080 Speaker 1: what's happening when he pumps the bellows, he's just pumping 415 00:22:53,080 --> 00:22:56,080 Speaker 1: it to smash neutron stars together. And of course, you 416 00:22:56,080 --> 00:22:58,080 Speaker 1: know you mentioned that, you know, anything heavier than iron 417 00:22:58,960 --> 00:23:01,880 Speaker 1: likely had this this kind cosmic origin and that includes lead. 418 00:23:02,840 --> 00:23:05,000 Speaker 1: So even though it's easy to say, oh, the golden 419 00:23:05,080 --> 00:23:09,920 Speaker 1: arrow forged in in cosmic turmoil in in ages past, well, 420 00:23:09,920 --> 00:23:12,199 Speaker 1: the same story applies to lead, even though it's not 421 00:23:12,280 --> 00:23:16,159 Speaker 1: as shiny, Even though you probably don't have any leaden 422 00:23:16,280 --> 00:23:19,400 Speaker 1: jewelry on your body right now. Uh, though, I mean, 423 00:23:19,520 --> 00:23:22,600 Speaker 1: lead is an amazing element, and to consider the same way, 424 00:23:22,640 --> 00:23:25,879 Speaker 1: I think. I think there are two main explanations for lead, 425 00:23:25,920 --> 00:23:29,360 Speaker 1: as I believe. One is that there's slow neutron capture 426 00:23:29,480 --> 00:23:32,800 Speaker 1: like the s process that takes place within dying stars, 427 00:23:32,840 --> 00:23:36,040 Speaker 1: and the other is the the hot dense starter course, 428 00:23:36,160 --> 00:23:40,760 Speaker 1: the neutron star collision Sunday, Sunday Sunday. Now, to come 429 00:23:40,760 --> 00:23:43,720 Speaker 1: back to Cupid's arrow, I imagine basically the idea of 430 00:23:43,760 --> 00:23:46,920 Speaker 1: the leaden arrow is that lead is not attractive. Lead 431 00:23:47,000 --> 00:23:51,560 Speaker 1: is not beautiful. Lead is something that even in ancient times, 432 00:23:51,960 --> 00:23:55,480 Speaker 1: it was rarely used in jewelry, or at least as 433 00:23:55,480 --> 00:23:58,760 Speaker 1: the primary aspect of the jewelry. Well, no, and and 434 00:23:58,840 --> 00:24:01,800 Speaker 1: even more, Uh, I don't know if you can be 435 00:24:01,880 --> 00:24:04,520 Speaker 1: mean to lead, but if you, if lead has feelings, 436 00:24:04,560 --> 00:24:07,240 Speaker 1: you could hurt its feelings even more by pointing out 437 00:24:07,320 --> 00:24:11,040 Speaker 1: that lead. You know, lead doesn't occur generally free in nature. 438 00:24:11,480 --> 00:24:14,920 Speaker 1: Lead occur is bound up in ores. Uh. And so 439 00:24:15,000 --> 00:24:18,080 Speaker 1: primarily the way lead was created in the ancient world 440 00:24:18,160 --> 00:24:21,560 Speaker 1: was as a byproduct of the creation of silver. And 441 00:24:21,680 --> 00:24:24,399 Speaker 1: so people are trying to extract silver for something from something, 442 00:24:24,400 --> 00:24:26,760 Speaker 1: and you melt out some lead as a sort of 443 00:24:26,760 --> 00:24:29,040 Speaker 1: waste product of that. And and it did have uses 444 00:24:29,080 --> 00:24:31,680 Speaker 1: because it's got a high specific weight, so you could 445 00:24:31,760 --> 00:24:34,240 Speaker 1: use it as like a weight for you know, if 446 00:24:34,240 --> 00:24:37,119 Speaker 1: you have like fishing line, fishing nets or something you 447 00:24:37,119 --> 00:24:39,760 Speaker 1: want to hold down that it's useful for that. It's 448 00:24:39,800 --> 00:24:43,720 Speaker 1: not very good for making like solid like weapons or anything, right, 449 00:24:43,800 --> 00:24:47,080 Speaker 1: because it's very soft. Yeah, it's it's not gonna be 450 00:24:47,200 --> 00:24:49,400 Speaker 1: it's not gonna be a good metal if you want 451 00:24:49,440 --> 00:24:53,640 Speaker 1: to actually forage arrows for combat or forge any kind 452 00:24:53,640 --> 00:24:56,840 Speaker 1: of say armor. Um. But but there are a lot 453 00:24:56,840 --> 00:24:58,800 Speaker 1: of uses for it if you want to create say, 454 00:24:58,840 --> 00:25:02,120 Speaker 1: drinking vessels or so certainly if you want to create pipes. 455 00:25:02,520 --> 00:25:05,000 Speaker 1: We're not advocating that, by the way, no, no, but 456 00:25:05,040 --> 00:25:07,720 Speaker 1: certainly from a very early point humans were figuring this out. 457 00:25:07,800 --> 00:25:11,520 Speaker 1: Lead is one of the seven Medals of antiquity. Humans 458 00:25:11,520 --> 00:25:15,720 Speaker 1: were handling lead a long time ago. Cast. Lead beads 459 00:25:15,800 --> 00:25:21,040 Speaker 1: found in modern day Turkey date from roughly BC. The 460 00:25:21,040 --> 00:25:24,000 Speaker 1: ancient Egyptians used lead as early as five thousand BC 461 00:25:24,160 --> 00:25:27,840 Speaker 1: for pottery glazes, solder, and casting. Yeah, and so I 462 00:25:27,880 --> 00:25:31,800 Speaker 1: was looking at early examples of lead artifacts. One example 463 00:25:31,800 --> 00:25:36,200 Speaker 1: I found was a sort of maybe aesthetic artifact or 464 00:25:36,240 --> 00:25:39,280 Speaker 1: maybe something that was used in like a whirld for 465 00:25:39,280 --> 00:25:43,240 Speaker 1: for you know, working with textiles. Um. But this was 466 00:25:43,320 --> 00:25:46,760 Speaker 1: in a cave in the Negev Desert in Israel, and 467 00:25:46,840 --> 00:25:51,000 Speaker 1: it's supposedly dates to the late fifth millennium BC, and 468 00:25:51,119 --> 00:25:55,440 Speaker 1: it's just basically this wooden wand that's got leaden beads 469 00:25:55,520 --> 00:25:57,439 Speaker 1: at the end of it. And they don't know what 470 00:25:57,480 --> 00:26:00,240 Speaker 1: it's for, though I wonder if maybe it's for some 471 00:26:00,320 --> 00:26:03,560 Speaker 1: kind of heavy metal lead magic. Yeah, an anti love 472 00:26:03,600 --> 00:26:10,160 Speaker 1: repulsion ray. Uh, so we can hope. So the Babylonians 473 00:26:10,200 --> 00:26:14,000 Speaker 1: made inscriptions on lead plates soft you can inscribe things 474 00:26:14,080 --> 00:26:16,320 Speaker 1: on it. And just to refer everyone back to our 475 00:26:16,440 --> 00:26:19,960 Speaker 1: October episode on Curses, we spend a fair amount of 476 00:26:19,960 --> 00:26:23,840 Speaker 1: time discussing Roman curse tablets. Oh yeah, we did. And 477 00:26:23,840 --> 00:26:26,480 Speaker 1: what were those made out of? Well, like the ones 478 00:26:26,520 --> 00:26:29,720 Speaker 1: found in Um in like second or third century Roman 479 00:26:29,760 --> 00:26:32,280 Speaker 1: Britain were often they're made in lead. So there are 480 00:26:32,280 --> 00:26:34,680 Speaker 1: these places where you can go around like modern day 481 00:26:34,760 --> 00:26:37,560 Speaker 1: Lester and dig up these ancient sites where there would 482 00:26:37,600 --> 00:26:41,280 Speaker 1: be maybe a shrine or a temple to an ancient god, 483 00:26:41,359 --> 00:26:44,360 Speaker 1: maybe in the syncretic religions of Roman Britain, where you'd 484 00:26:44,359 --> 00:26:48,479 Speaker 1: sort of combined maybe Roman gods with with native Celtic 485 00:26:48,560 --> 00:26:51,440 Speaker 1: gods or or or the gods of Britain there, and 486 00:26:51,760 --> 00:26:54,560 Speaker 1: people would be going there to say, curse somebody who 487 00:26:54,600 --> 00:26:58,320 Speaker 1: stole something from them, like you know, Servandas shows up 488 00:26:58,320 --> 00:27:01,520 Speaker 1: and says, somebody stole my oake. Whoever stole my cloak, 489 00:27:01,560 --> 00:27:03,520 Speaker 1: I want him to not be able to pee for 490 00:27:03,600 --> 00:27:06,560 Speaker 1: three months unless he gives me my cloak back. And 491 00:27:06,600 --> 00:27:09,160 Speaker 1: this would be inscribed on a lead tablet and hung 492 00:27:09,240 --> 00:27:11,960 Speaker 1: up somewhere. And part of the idea there is that 493 00:27:12,280 --> 00:27:15,240 Speaker 1: it was partially to invoke this power, but also maybe 494 00:27:15,280 --> 00:27:17,160 Speaker 1: just to have it hung up in a public place 495 00:27:17,240 --> 00:27:19,920 Speaker 1: so people could like know what was going on. Now. 496 00:27:19,920 --> 00:27:22,760 Speaker 1: One other important aspect of lead that that I wonder, 497 00:27:23,080 --> 00:27:24,720 Speaker 1: and I wonder if it played into the use of 498 00:27:25,040 --> 00:27:27,840 Speaker 1: into the creation of these cursed tablets, is that. Uh, 499 00:27:28,119 --> 00:27:32,040 Speaker 1: lead does not corrode like other metals. So if you, 500 00:27:32,240 --> 00:27:34,800 Speaker 1: if you, if you inscribe your curse and a piece 501 00:27:34,840 --> 00:27:37,040 Speaker 1: of lead, like, that's a curse that could speak across 502 00:27:37,040 --> 00:27:40,480 Speaker 1: the ages. Right, lead doesn't rust, I mean, well lead 503 00:27:40,480 --> 00:27:43,680 Speaker 1: the lead oxides do form, but they're not they're they're 504 00:27:43,720 --> 00:27:46,919 Speaker 1: not like like iron rust, you know, the red rusty stuff. 505 00:27:47,400 --> 00:27:50,399 Speaker 1: Lead oxide tends to be great, but generally exposed lead 506 00:27:50,440 --> 00:27:54,400 Speaker 1: doesn't corrode. And uh and yeah, this does make it attractive, 507 00:27:54,520 --> 00:27:57,280 Speaker 1: especially for some purposes, say like if you want to 508 00:27:57,320 --> 00:28:00,800 Speaker 1: make something that holds liquids in it, something that is 509 00:28:00,840 --> 00:28:03,720 Speaker 1: not gonna receive a lot of punishment, you don't have 510 00:28:03,720 --> 00:28:06,560 Speaker 1: to worry about that. Uh, that the weakness of it. 511 00:28:07,080 --> 00:28:09,919 Speaker 1: But yeah, you can use it for drinking vessels or 512 00:28:10,000 --> 00:28:14,040 Speaker 1: certainly for plumbing pipes. Here's a gross piece of trivia. 513 00:28:14,400 --> 00:28:16,719 Speaker 1: Next time you have to call a plumber because who 514 00:28:16,760 --> 00:28:18,440 Speaker 1: knows what you tried to flush a whole roll of 515 00:28:18,480 --> 00:28:22,520 Speaker 1: paper towels down the toilet. Consider that the English words 516 00:28:22,680 --> 00:28:27,560 Speaker 1: plumber and plumbing are derived from the Latin word plumb them, 517 00:28:27,800 --> 00:28:31,080 Speaker 1: which means lead. And it's right there in the chemical 518 00:28:31,200 --> 00:28:33,760 Speaker 1: elements symbol for lead on the periodic table. You ever 519 00:28:33,800 --> 00:28:36,000 Speaker 1: noticed that it's one of those weird ones, like iron 520 00:28:36,119 --> 00:28:38,480 Speaker 1: is f E. Why is that? Well, you know it 521 00:28:38,520 --> 00:28:42,440 Speaker 1: comes from an archaic word of like the ferrest metal. Uh, 522 00:28:42,600 --> 00:28:45,720 Speaker 1: lead on the periodic table is PB. Why is it pb? 523 00:28:45,960 --> 00:28:49,640 Speaker 1: That comes from plumb them because ancient Romans loved some 524 00:28:49,760 --> 00:28:55,280 Speaker 1: lead pipes and lead aqueducts, and lead reservoirs, and lead cisterns, 525 00:28:55,360 --> 00:28:59,600 Speaker 1: lead cooking vessels, and lead based even lead based food additives. 526 00:28:59,680 --> 00:29:03,160 Speaker 1: And we'll come back to the food additives point now. 527 00:29:03,200 --> 00:29:05,760 Speaker 1: I was looking at at one text from Cassis and 528 00:29:06,160 --> 00:29:11,120 Speaker 1: and sort of titled Lead Chemistry Analytical Aspects, Environmental Impact 529 00:29:11,160 --> 00:29:14,200 Speaker 1: and Health Effects, and they pointed out that ancient text 530 00:29:14,560 --> 00:29:17,960 Speaker 1: showed a bit of confusion over lead and other elements, 531 00:29:18,040 --> 00:29:22,040 Speaker 1: using plum bum to describe quote any silvery white, low 532 00:29:22,120 --> 00:29:26,640 Speaker 1: melting and easily oxidized metal, including lead, tin, zinc, et cetera. 533 00:29:27,720 --> 00:29:30,320 Speaker 1: They pointed out though that yeah, lead pipes have been 534 00:29:30,400 --> 00:29:32,640 Speaker 1: used for a very long time. I see them in 535 00:29:33,320 --> 00:29:37,920 Speaker 1: ancient Mesopotamia, Cypress, Persia, Egypt, Greece, Rome, of course, and 536 00:29:38,040 --> 00:29:41,560 Speaker 1: various Roman provinces. So you know the technology and the 537 00:29:41,600 --> 00:29:44,200 Speaker 1: materials would have spread with the Romans as well, and 538 00:29:44,240 --> 00:29:47,400 Speaker 1: the Romans likely learned it from the Greeks. And it 539 00:29:47,440 --> 00:29:50,800 Speaker 1: wasn't just the pipes. It was used in cases where 540 00:29:50,840 --> 00:29:54,240 Speaker 1: iron wire or wooden hoops are currently used today you 541 00:29:54,240 --> 00:29:59,960 Speaker 1: know as reinforcing brands for bands, for tanks, vats, um, amphora, etcetera. 542 00:30:00,480 --> 00:30:04,800 Speaker 1: So you see it also used in masonry, cesspool coverings, roofing, 543 00:30:05,280 --> 00:30:10,680 Speaker 1: damp proofing, foundations, uh, parapet walls, etcetera. Lead vessels were 544 00:30:10,720 --> 00:30:14,000 Speaker 1: widely used and uh, this is interesting. Lead was also 545 00:30:14,120 --> 00:30:17,800 Speaker 1: long associated with funeral rites, so Roman era caskets and 546 00:30:17,920 --> 00:30:21,360 Speaker 1: urns are often made at least in part from lead, 547 00:30:21,800 --> 00:30:25,080 Speaker 1: especially apparently in England. Lead was also used in ancient 548 00:30:25,160 --> 00:30:29,520 Speaker 1: China in a variety of uses, from glassmaking to cosmetics. 549 00:30:30,240 --> 00:30:31,959 Speaker 1: Of course, and now in the modern world we know 550 00:30:32,120 --> 00:30:36,280 Speaker 1: that lead can have extremely serious health consequences can and 551 00:30:36,560 --> 00:30:39,640 Speaker 1: very often does. Like there there are tons of ways 552 00:30:39,680 --> 00:30:41,920 Speaker 1: to get lead in your body, and lead exposure can 553 00:30:41,960 --> 00:30:45,240 Speaker 1: happen through through ingestion when when you eat, it can 554 00:30:45,240 --> 00:30:49,040 Speaker 1: happen through breathing in lead particles can happen through absorption 555 00:30:49,120 --> 00:30:52,360 Speaker 1: through the skin, and lead gets incorporated into the body 556 00:30:52,400 --> 00:30:55,680 Speaker 1: and leads to both short term and long term negative consequences. 557 00:30:55,720 --> 00:30:59,280 Speaker 1: The short term negative consequences are there are a lot 558 00:30:59,320 --> 00:31:01,440 Speaker 1: of different one and so it can be sometimes it's 559 00:31:01,480 --> 00:31:04,080 Speaker 1: hard to identify lead exposure in people, but it might 560 00:31:04,120 --> 00:31:07,440 Speaker 1: be like you've got stomach distress, like your stomach hurts 561 00:31:07,480 --> 00:31:11,000 Speaker 1: and you're constipated. But it also can lead to weakness 562 00:31:11,120 --> 00:31:13,920 Speaker 1: and fatigue, and like your arms and legs are weak, 563 00:31:14,400 --> 00:31:18,000 Speaker 1: and it can lead to psychological and neurological consequences. People 564 00:31:18,080 --> 00:31:22,280 Speaker 1: can be like like tired and depressed and irritable, have 565 00:31:22,360 --> 00:31:26,600 Speaker 1: loss of appetite, have trouble remembering things. Yeah, I mean, 566 00:31:26,600 --> 00:31:28,920 Speaker 1: it's enough to make you think it's my smartphone made 567 00:31:28,920 --> 00:31:33,320 Speaker 1: out of lead, but uh, it is. It's We were 568 00:31:33,320 --> 00:31:36,080 Speaker 1: actually talking about this before we recorded the episode, like 569 00:31:36,120 --> 00:31:39,560 Speaker 1: there's so much to the story of of of our 570 00:31:39,880 --> 00:31:43,160 Speaker 1: realization regarding the harmful effects of lead, that we really 571 00:31:43,160 --> 00:31:47,640 Speaker 1: need to come back to it and devote an entire episode. Absolutely, yes, yes, absolutely, 572 00:31:47,680 --> 00:31:50,040 Speaker 1: We're gonna do a whole episode on leads someday soon, 573 00:31:50,080 --> 00:31:52,200 Speaker 1: I think, maybe with a special focus on the Lord 574 00:31:52,240 --> 00:31:55,560 Speaker 1: of Lead, Clacy Patterson. But yeah, we we now know 575 00:31:55,680 --> 00:31:57,600 Speaker 1: lead to have all these problems and they're also the 576 00:31:57,640 --> 00:32:00,200 Speaker 1: long term consequences, right, those are just like short term 577 00:32:00,320 --> 00:32:02,840 Speaker 1: consequences I was mentioning, you know, it can there could 578 00:32:02,880 --> 00:32:05,920 Speaker 1: be neurological damage from long term exposure to lead. Enough 579 00:32:06,040 --> 00:32:09,040 Speaker 1: lead in a concentrated dose can kill you. They're definitely 580 00:32:09,840 --> 00:32:13,440 Speaker 1: like developmental problems that children who have lead exposure experience. 581 00:32:13,480 --> 00:32:16,320 Speaker 1: So it's uh, yeah, it's no joke. And the fact 582 00:32:16,320 --> 00:32:19,200 Speaker 1: that humans have constantly surrounded ourselves for centuries or even 583 00:32:19,240 --> 00:32:23,960 Speaker 1: millennia with just constant routes of exposure to environmental lead 584 00:32:24,240 --> 00:32:27,920 Speaker 1: is something that is really horrifying and ridiculous. But I 585 00:32:27,960 --> 00:32:30,000 Speaker 1: guess that's just what we do. All Right, We're gonna 586 00:32:30,040 --> 00:32:32,160 Speaker 1: take a quick break, and when we come back, we're 587 00:32:32,160 --> 00:32:35,080 Speaker 1: going to get back to this idea of lead as 588 00:32:35,120 --> 00:32:39,480 Speaker 1: a food headed song hanging there. Soon it'll be time 589 00:32:39,640 --> 00:32:45,280 Speaker 1: to eat some lead than Alright, we're back. Okay, it's 590 00:32:45,400 --> 00:32:48,720 Speaker 1: Valentine's Day. What do you get your sweetheart on Valentine's Day? 591 00:32:48,760 --> 00:32:52,040 Speaker 1: Sometimes they're flowers, but oh, I guess it's already there 592 00:32:52,040 --> 00:32:56,040 Speaker 1: in the name, right, you get your sweethearts some sweets. Now, 593 00:32:56,080 --> 00:32:58,320 Speaker 1: here's the question I've wondered about before, but I've never 594 00:32:58,320 --> 00:33:00,320 Speaker 1: found a good answer to why is it that we 595 00:33:00,400 --> 00:33:04,760 Speaker 1: associate sweet foods with like eroticism but not so much 596 00:33:04,800 --> 00:33:08,440 Speaker 1: like other flavors, Like why isn't it that you get 597 00:33:08,480 --> 00:33:12,080 Speaker 1: your sweethearts some salty foods on Valentine's Day or you 598 00:33:12,120 --> 00:33:15,479 Speaker 1: get them some bitter foods or sour foods? Why sweet? 599 00:33:16,280 --> 00:33:19,240 Speaker 1: I mean sweets are a decadent treat, right, I mean, 600 00:33:19,480 --> 00:33:22,320 Speaker 1: I guess that's part of it. Um, A sweet is 601 00:33:22,360 --> 00:33:26,160 Speaker 1: something sweets or something we've always were always craving and uh, 602 00:33:26,240 --> 00:33:29,040 Speaker 1: and we're just hardwired to want as much of it 603 00:33:29,080 --> 00:33:31,040 Speaker 1: as possible, given that it would be a rarity in 604 00:33:31,080 --> 00:33:33,600 Speaker 1: the natural world. But we also crave fat and salt. 605 00:33:33,720 --> 00:33:36,240 Speaker 1: Why not, like for Valentine's Day, instead of a box 606 00:33:36,240 --> 00:33:38,440 Speaker 1: of chocolates, it's like a bag of poor crimes and 607 00:33:38,440 --> 00:33:43,120 Speaker 1: the stick of butter. Well, Um, I guess it would 608 00:33:43,360 --> 00:33:46,040 Speaker 1: be harder to keep that secreted away in the back 609 00:33:46,080 --> 00:33:48,640 Speaker 1: of the closet for a week or so. Um. But 610 00:33:48,720 --> 00:33:52,760 Speaker 1: I don't know. I feel like they're people. Cel rate 611 00:33:52,840 --> 00:33:56,160 Speaker 1: cheese is on Valentine's you know, certainly there are other 612 00:33:56,240 --> 00:34:00,320 Speaker 1: foods that have a like a romantic or afrodisiac you know, 613 00:34:00,480 --> 00:34:02,880 Speaker 1: vibe to them. Yeah, I guess so. Uh, you know, 614 00:34:03,000 --> 00:34:05,160 Speaker 1: I guess part of what I'm wondering is is that 615 00:34:05,320 --> 00:34:08,880 Speaker 1: link between like love and eroticism and sweet foods? Is 616 00:34:08,920 --> 00:34:13,480 Speaker 1: that cultural or is there some biological element to it? Oh? Man, 617 00:34:13,520 --> 00:34:15,239 Speaker 1: We'll have to come back and explore that. That would 618 00:34:15,239 --> 00:34:17,279 Speaker 1: be that would be interesting to look at, like when 619 00:34:17,320 --> 00:34:19,400 Speaker 1: you look at other cultures. Is there something else that 620 00:34:19,520 --> 00:34:24,440 Speaker 1: is considered the romantic flavor profile? Um? I don't know. 621 00:34:24,680 --> 00:34:28,000 Speaker 1: You know, considering how many like Scandinavian people have written 622 00:34:28,000 --> 00:34:29,960 Speaker 1: into the show to to talk about the wonders of 623 00:34:29,960 --> 00:34:33,120 Speaker 1: salty licorice, I bet that's what they use over there. Yeah. 624 00:34:33,200 --> 00:34:36,440 Speaker 1: And plus it makes me wonder about, say, Chinese traditions, 625 00:34:36,480 --> 00:34:39,839 Speaker 1: where there's so much emphasis placed on the balance of 626 00:34:40,040 --> 00:34:44,759 Speaker 1: different flavors. Uh, you know, how does that impact uh 627 00:34:44,840 --> 00:34:48,479 Speaker 1: sort of ritualized sweets? All right, well, let's talk about 628 00:34:48,480 --> 00:34:52,120 Speaker 1: the sweetest of all sweets, sweet lead. So I have 629 00:34:52,200 --> 00:34:54,839 Speaker 1: found what has got to be the best entry ever 630 00:34:55,360 --> 00:35:00,400 Speaker 1: in any Oxford companions, that is reading the Oxford Handyon 631 00:35:00,520 --> 00:35:04,560 Speaker 1: to Sugar and Sweets. Yeah. So it's Oxford University Press, 632 00:35:04,560 --> 00:35:07,440 Speaker 1: and there's an entry in it by the American chemist 633 00:35:07,560 --> 00:35:10,279 Speaker 1: Michelle M. Francil and this has just got to be 634 00:35:10,320 --> 00:35:13,520 Speaker 1: one of the best like Encyclopedia type entries I've ever read. 635 00:35:13,600 --> 00:35:18,080 Speaker 1: So Francial writes about this substance called sugar of lead, 636 00:35:18,600 --> 00:35:22,360 Speaker 1: also known as lead lead acetate or lead to acetate. 637 00:35:22,920 --> 00:35:25,640 Speaker 1: It looks kind of like large salt crystals if you 638 00:35:25,680 --> 00:35:28,960 Speaker 1: look it up, or it looks maybe like translucent rock candy, 639 00:35:29,440 --> 00:35:31,680 Speaker 1: that kind of stuff you get on a little stick, right, yeah, 640 00:35:31,760 --> 00:35:34,799 Speaker 1: but like sort of like white, translucent in color. And 641 00:35:34,840 --> 00:35:38,000 Speaker 1: Francial writes, quote, it is sweet, roughly as sweet per 642 00:35:38,040 --> 00:35:41,839 Speaker 1: teaspoon as sugar, and only slightly more lethal than strychnine. 643 00:35:43,320 --> 00:35:45,960 Speaker 1: So sugar of lead was used as like a medical 644 00:35:46,000 --> 00:35:49,760 Speaker 1: treatment in nineteenth century Europe. And even though it is sweet, 645 00:35:50,040 --> 00:35:53,360 Speaker 1: it is technically a salt, which is an electrically neutral 646 00:35:53,440 --> 00:35:56,840 Speaker 1: collection of positive ions and negative ions. And actually we 647 00:35:56,880 --> 00:36:00,680 Speaker 1: only think of salts as salty in flavor because the 648 00:36:00,680 --> 00:36:03,640 Speaker 1: most common salt that we refer to is sodium chloride 649 00:36:03,680 --> 00:36:06,560 Speaker 1: table salt. But salts don't have to be salty. Salts 650 00:36:06,600 --> 00:36:08,680 Speaker 1: can be bitter, and salts can be sweet, and in 651 00:36:08,719 --> 00:36:11,880 Speaker 1: this case it is sweet. So in lead acetate, this 652 00:36:11,960 --> 00:36:16,160 Speaker 1: collection of oppositely charged ions is made from depositive lead 653 00:36:16,200 --> 00:36:20,799 Speaker 1: ions and negatively charged acetate ions. And it turns out 654 00:36:20,840 --> 00:36:24,240 Speaker 1: sugar of lead is not the only sweet metallic salt. 655 00:36:24,520 --> 00:36:27,560 Speaker 1: French Will points out that lots of barrillium salts are 656 00:36:27,680 --> 00:36:30,440 Speaker 1: very sweet, so sweet in fact, that the Greek word 657 00:36:30,560 --> 00:36:35,520 Speaker 1: for the element beryllium is glucinium, from like glucose or glycos, 658 00:36:35,600 --> 00:36:39,360 Speaker 1: the Greek word for sweet. But as good as these 659 00:36:39,360 --> 00:36:42,239 Speaker 1: metal salts that are sweet taste, they are very bad 660 00:36:42,320 --> 00:36:45,240 Speaker 1: for you. Lead acetate can be fatal to a seventy 661 00:36:45,880 --> 00:36:47,880 Speaker 1: or a hundred and fifty pound adult at a dose 662 00:36:47,920 --> 00:36:51,680 Speaker 1: of three teaspoons. So basically what you're saying is that 663 00:36:51,719 --> 00:36:56,480 Speaker 1: if anybody has any fancy dining plants this evening and 664 00:36:56,520 --> 00:37:00,279 Speaker 1: they see any lead based sweeteners on the menu, I 665 00:37:00,280 --> 00:37:04,520 Speaker 1: would advise against it. Nevertheless, there is some evidence that 666 00:37:04,600 --> 00:37:09,120 Speaker 1: the ancient Romans used indirectly, I would say indirectly, used 667 00:37:09,120 --> 00:37:12,200 Speaker 1: this lead salt as a kind of sweetener, or at 668 00:37:12,280 --> 00:37:15,280 Speaker 1: least as a way of avoiding other types of taste 669 00:37:15,320 --> 00:37:18,920 Speaker 1: imparted into their foods. So here's how this goes. The 670 00:37:19,040 --> 00:37:23,000 Speaker 1: Romans created a syrup that they called sapa, which was 671 00:37:23,040 --> 00:37:27,120 Speaker 1: produced by boiling down a liquid called must. Must is 672 00:37:27,160 --> 00:37:31,960 Speaker 1: basically weak wine. Frontal describes it as quote mildly fermented 673 00:37:32,000 --> 00:37:34,680 Speaker 1: grape juice, so there'll be a little bit of alcohol content, 674 00:37:34,719 --> 00:37:37,720 Speaker 1: maybe kind of like grape beer. Almost. Of course, must, 675 00:37:37,880 --> 00:37:41,240 Speaker 1: like wine, has some acid in it. It has acetic acid, 676 00:37:41,320 --> 00:37:44,640 Speaker 1: and acetic acid is the acid basis of vinegar. Vinegar 677 00:37:44,719 --> 00:37:47,920 Speaker 1: is usually just acetic acid diluted with water or some 678 00:37:48,040 --> 00:37:53,040 Speaker 1: other aqueous substance. And acetic acid provides acetate ions, which 679 00:37:53,040 --> 00:37:56,320 Speaker 1: can react with metals in the pots where they are boiled, 680 00:37:56,880 --> 00:38:00,160 Speaker 1: and uh, and this can result in some salts. So 681 00:38:00,200 --> 00:38:03,360 Speaker 1: if you boil your must in a copper pot, the 682 00:38:03,440 --> 00:38:07,160 Speaker 1: resulting sappa will have some copper acetate salts in it, 683 00:38:07,440 --> 00:38:11,040 Speaker 1: and these taste really bad, like they're bitter. Even ancient 684 00:38:11,120 --> 00:38:14,480 Speaker 1: Roman writers would would comment on this. In the Natural History, 685 00:38:14,560 --> 00:38:18,040 Speaker 1: Plenty discusses the production of sappa and he writes, quote 686 00:38:18,200 --> 00:38:21,800 Speaker 1: leaden vessels should be used for this purpose, not copper ones. 687 00:38:21,960 --> 00:38:24,200 Speaker 1: So it's like, get that copper out of there, makes 688 00:38:24,200 --> 00:38:27,720 Speaker 1: the sappa taste bad? You want lead except no less? 689 00:38:28,960 --> 00:38:32,200 Speaker 1: So why use lead? Because remember lead salts are sweets. 690 00:38:32,239 --> 00:38:35,320 Speaker 1: So not only does cooking in lead pots not foul 691 00:38:35,400 --> 00:38:39,160 Speaker 1: your sappa, it might make it even a little bit sweeter. Uh. 692 00:38:39,320 --> 00:38:41,680 Speaker 1: And this is a quote from This is a quote 693 00:38:41,680 --> 00:38:45,800 Speaker 1: from Franciles century quote. Chemical analysis of sappa, produced according 694 00:38:45,840 --> 00:38:49,800 Speaker 1: to recipes dating from the classical Roman period using kettles 695 00:38:49,840 --> 00:38:53,239 Speaker 1: of similar metallic composition as those found at Pompeii and 696 00:38:53,280 --> 00:38:57,360 Speaker 1: other sites, suggests that the lead content of sappa was 697 00:38:57,440 --> 00:39:01,760 Speaker 1: eight and fifty milligrams per leader, any thousand times higher 698 00:39:01,800 --> 00:39:05,520 Speaker 1: than what is generally allowable in drinking water, even diluted 699 00:39:05,600 --> 00:39:09,000 Speaker 1: and used sparingly. Sweetening with sappa was a serious risk. 700 00:39:09,960 --> 00:39:13,000 Speaker 1: Now I have seen some people phrase this is like 701 00:39:13,200 --> 00:39:17,560 Speaker 1: that the lead pots were used specifically to make the 702 00:39:17,640 --> 00:39:20,840 Speaker 1: sappa sweeter, and Francill sort of disagrees with that, because 703 00:39:20,840 --> 00:39:24,560 Speaker 1: she says the lead was probably not really intended to 704 00:39:24,600 --> 00:39:28,040 Speaker 1: add much sweetness to the wine because it wouldn't put 705 00:39:28,400 --> 00:39:30,520 Speaker 1: It wouldn't add that much. Really, you you'd already have 706 00:39:30,680 --> 00:39:33,400 Speaker 1: a pretty sweet substance and would be the equivalent of 707 00:39:33,440 --> 00:39:35,440 Speaker 1: adding like a pinch of sugar to it, So it 708 00:39:35,440 --> 00:39:37,799 Speaker 1: wouldn't make a huge difference. It was more that the 709 00:39:37,920 --> 00:39:40,839 Speaker 1: lead vessels, if they when they did add flavor, would 710 00:39:40,920 --> 00:39:45,000 Speaker 1: sort of complement the existing sweetness rather than adding a foul, 711 00:39:45,080 --> 00:39:48,560 Speaker 1: bitter flavor like copper vessels would. Okay, so in a 712 00:39:48,600 --> 00:39:52,759 Speaker 1: blind taste test of the in which both vessels have 713 00:39:53,000 --> 00:39:57,400 Speaker 1: the same already sweet or semi sweet wine, you're going 714 00:39:57,480 --> 00:40:00,239 Speaker 1: to find that the leaden vessel is going going to 715 00:40:00,360 --> 00:40:03,920 Speaker 1: impart a like a slightly sweeter, less foul experience, will 716 00:40:03,960 --> 00:40:07,560 Speaker 1: probably significantly less foul. But yeah, I don't know if 717 00:40:07,560 --> 00:40:10,600 Speaker 1: there's evidence that they thought of it. As the lead 718 00:40:10,680 --> 00:40:13,319 Speaker 1: comes out and makes it a lot sweeter, they just thought, oh, 719 00:40:13,360 --> 00:40:16,320 Speaker 1: you use lead pots it tastes way better. In the end. However, 720 00:40:16,440 --> 00:40:18,680 Speaker 1: this is one of those cases where we also can't 721 00:40:18,840 --> 00:40:22,160 Speaker 1: just make fun of the ancients, because this this kind 722 00:40:22,200 --> 00:40:25,319 Speaker 1: of thing carried on into a ridiculously recent time. She 723 00:40:25,400 --> 00:40:27,840 Speaker 1: points out that the use of lead as a food 724 00:40:27,840 --> 00:40:31,080 Speaker 1: additive and treatment did not stop in ancient Rome, and 725 00:40:31,120 --> 00:40:34,279 Speaker 1: that lead equipment and additives were used to prevent spoilage 726 00:40:34,280 --> 00:40:36,960 Speaker 1: in wine in some cases up until the nineteenth century. 727 00:40:37,280 --> 00:40:39,719 Speaker 1: Oh wow, now we do have to just drive home 728 00:40:39,800 --> 00:40:41,920 Speaker 1: for everybody, even though again we're not getting deep into 729 00:40:42,000 --> 00:40:46,960 Speaker 1: the the the the the dangers of lead in this episode. Please, 730 00:40:47,360 --> 00:40:49,839 Speaker 1: if you were if you were tempted, all tempted it all. 731 00:40:50,000 --> 00:40:53,040 Speaker 1: Do not go out and drink a bunch of wine 732 00:40:53,040 --> 00:40:57,360 Speaker 1: out of lead vessels just to to to test the 733 00:40:57,640 --> 00:41:00,560 Speaker 1: sweetening ability of the of the vessel. The amount of 734 00:41:00,640 --> 00:41:04,319 Speaker 1: lead you should be absorbing on purposes zero, whatever you're 735 00:41:04,360 --> 00:41:07,359 Speaker 1: accidentally getting from the environment is still probably more than 736 00:41:07,400 --> 00:41:09,960 Speaker 1: you want. And there's actually a lot more stuff that 737 00:41:10,160 --> 00:41:13,920 Speaker 1: There's been an ongoing argument over the years about the 738 00:41:14,080 --> 00:41:17,719 Speaker 1: role of lead ingestion and lead exposure in ancient Rome, 739 00:41:17,760 --> 00:41:21,480 Speaker 1: because before Ancient Rome there was lead. People did use 740 00:41:21,560 --> 00:41:23,920 Speaker 1: lead to make some objects, but it wasn't used in 741 00:41:23,960 --> 00:41:27,960 Speaker 1: wide like widespread construction and infrastructure and all that. The 742 00:41:28,080 --> 00:41:30,560 Speaker 1: Romans were the ones that really started using lead for 743 00:41:30,600 --> 00:41:33,799 Speaker 1: a lot of stuff. And in nineteen three, a Canadian 744 00:41:33,840 --> 00:41:39,080 Speaker 1: researcher named Jerome Riyagu argued that lead poisoning actually lead 745 00:41:39,160 --> 00:41:41,520 Speaker 1: to the downfall of the Roman Empire. You've probably heard 746 00:41:41,600 --> 00:41:44,000 Speaker 1: this before, Yeah, the idea that they just they built 747 00:41:44,040 --> 00:41:47,719 Speaker 1: up all this lead essentially lead infrastructure and then poisoned 748 00:41:47,719 --> 00:41:50,920 Speaker 1: themselves with yeah, and cooked with this, especially the cooking 749 00:41:50,960 --> 00:41:54,440 Speaker 1: with lead vessels, I think um. And so this has 750 00:41:54,520 --> 00:41:56,960 Speaker 1: later been called into doubt by others who said, you know, 751 00:41:57,320 --> 00:42:00,200 Speaker 1: it doesn't necessarily seem like we can claim that, but 752 00:42:00,239 --> 00:42:04,080 Speaker 1: there's no doubt that many robins were exposed to unsafe 753 00:42:04,200 --> 00:42:06,440 Speaker 1: levels of lead. I was just looking at a study 754 00:42:06,440 --> 00:42:09,920 Speaker 1: from P. And A. S. By the by Delisle at 755 00:42:09,920 --> 00:42:13,319 Speaker 1: All called lead in Ancient Rome city waters, and they 756 00:42:13,400 --> 00:42:16,880 Speaker 1: found that the tap water, you know, basically the aqueduct 757 00:42:16,880 --> 00:42:21,000 Speaker 1: delivered water or delivered through some kind of lead infrastructure, 758 00:42:21,040 --> 00:42:23,600 Speaker 1: that water in ancient Rome would have roughly a hundred 759 00:42:23,640 --> 00:42:28,040 Speaker 1: times the lead content of local spring water. It's a 760 00:42:28,040 --> 00:42:30,799 Speaker 1: lot of lead, all right, was we we wind down here, 761 00:42:31,000 --> 00:42:33,120 Speaker 1: Let's just let's just talk once more about just the 762 00:42:33,160 --> 00:42:35,840 Speaker 1: properties of lead, right, And I wonder if in looking 763 00:42:35,840 --> 00:42:38,680 Speaker 1: at these properties we can figure out what makes it 764 00:42:38,719 --> 00:42:41,920 Speaker 1: so special as as the opposite of the love inducing 765 00:42:41,960 --> 00:42:45,399 Speaker 1: golden arrow. Yeah. Yeah, And and indeed, why Cupid would 766 00:42:45,400 --> 00:42:49,959 Speaker 1: have walked up to his possible father Vulcan and said, hey, 767 00:42:50,840 --> 00:42:53,160 Speaker 1: what medal should you use to make my repulsion arrows? 768 00:42:53,400 --> 00:42:55,759 Speaker 1: What would make Vulcans say, oh, yeah, lead, lead is 769 00:42:55,760 --> 00:42:58,040 Speaker 1: what you want? Okay, Well, one thing we know about 770 00:42:58,120 --> 00:42:59,759 Speaker 1: lead is that, for a metal has a pretty low 771 00:42:59,800 --> 00:43:02,480 Speaker 1: mel thing point right right, And this means it's a 772 00:43:02,480 --> 00:43:05,160 Speaker 1: lot easier to cast with, requires less equipment, and it 773 00:43:05,239 --> 00:43:08,200 Speaker 1: made an ideal solder component. Yeah, so if you want 774 00:43:08,200 --> 00:43:11,640 Speaker 1: to melt something easily to like seal things together, I 775 00:43:11,680 --> 00:43:13,680 Speaker 1: think yeah, and I've read this also makes it like 776 00:43:13,840 --> 00:43:18,359 Speaker 1: an attractive additive if you're like casting something in a mold, right. 777 00:43:18,400 --> 00:43:20,520 Speaker 1: And then to your point earlier, like it was there 778 00:43:20,560 --> 00:43:24,160 Speaker 1: as a byproduct of going after other metals, so it 779 00:43:24,280 --> 00:43:28,120 Speaker 1: was available um onto onto. An addition, we've talked about 780 00:43:28,120 --> 00:43:31,040 Speaker 1: this a little bit. Lead is DNSE. It is. It's 781 00:43:31,080 --> 00:43:33,319 Speaker 1: a heavy metal, and leads density is due to its 782 00:43:33,360 --> 00:43:38,319 Speaker 1: high atomic mass, short bond lengths, and a small atomic radius. 783 00:43:38,360 --> 00:43:41,160 Speaker 1: And this, along with its high number of electrons needed 784 00:43:41,200 --> 00:43:44,360 Speaker 1: to maintain a neutral charge, makes it a useful radiation 785 00:43:44,400 --> 00:43:48,080 Speaker 1: shield in our modern world, a scattering X rays and 786 00:43:48,160 --> 00:43:50,520 Speaker 1: gamma rays. Yeah, and so you'll actually see it in 787 00:43:50,719 --> 00:43:53,560 Speaker 1: use in places where there's a radiation risk. There are 788 00:43:53,600 --> 00:43:56,880 Speaker 1: sometimes lead blocks deployed as a as basically a like 789 00:43:56,920 --> 00:44:00,600 Speaker 1: the sand bags of the radiation world. Yeah. I mean, 790 00:44:01,040 --> 00:44:04,279 Speaker 1: my my father was a dentist, and and so I 791 00:44:04,280 --> 00:44:07,279 Speaker 1: was often hanging out in dental offices, and part of 792 00:44:07,320 --> 00:44:10,040 Speaker 1: that is being being near an X ray machine. And 793 00:44:10,080 --> 00:44:14,920 Speaker 1: of course that big, big heavy lead line smock that 794 00:44:15,000 --> 00:44:18,120 Speaker 1: lead one where yeah so so yeah, you see you 795 00:44:18,160 --> 00:44:21,120 Speaker 1: see this kind of radiation shielding all over kind of 796 00:44:21,120 --> 00:44:23,360 Speaker 1: makes me think back to our our our episode on 797 00:44:23,400 --> 00:44:25,880 Speaker 1: the X ray machine that we did for Invention. So 798 00:44:25,960 --> 00:44:28,960 Speaker 1: certainly if you want more on on the use of 799 00:44:29,120 --> 00:44:31,759 Speaker 1: X rays and the dangers of radiation associated with that 800 00:44:31,800 --> 00:44:34,600 Speaker 1: with X rays, I highly recommend that episode of our 801 00:44:34,640 --> 00:44:38,520 Speaker 1: other show, Invention. And then the third major attribute of 802 00:44:38,600 --> 00:44:41,359 Speaker 1: lead is that it is soft and it's malleable. Uh, 803 00:44:41,440 --> 00:44:44,640 Speaker 1: it's limited usage somewhat. You know, while a god might 804 00:44:44,640 --> 00:44:46,279 Speaker 1: be able to craft an arrow out of it or 805 00:44:46,320 --> 00:44:48,640 Speaker 1: coat an arrow with lead anyway, you're not gonna be 806 00:44:48,680 --> 00:44:51,479 Speaker 1: able to fashion anything with it that can sustain any 807 00:44:51,560 --> 00:44:54,960 Speaker 1: real stress. But when you're talking about something like water 808 00:44:55,000 --> 00:44:58,480 Speaker 1: and sewage pipes or cooking vessels, uh yeah, that that 809 00:44:58,640 --> 00:45:01,960 Speaker 1: is an area where lead can can excel as long 810 00:45:02,000 --> 00:45:04,160 Speaker 1: as you're not getting into questions of whether it will 811 00:45:04,200 --> 00:45:06,480 Speaker 1: poison you or not. Just from a physical and a 812 00:45:06,480 --> 00:45:09,240 Speaker 1: physical basis, it can get the job done. You wouldn't 813 00:45:09,239 --> 00:45:11,480 Speaker 1: want like a lead hammer, though, I think you can 814 00:45:11,480 --> 00:45:13,880 Speaker 1: have like lead alloy hammers and stuff like you can 815 00:45:13,960 --> 00:45:17,560 Speaker 1: use alloys to strengthen metals that are inherently soft. So 816 00:45:17,640 --> 00:45:20,600 Speaker 1: coming back to Cupid, I mean, maybe the idea is 817 00:45:20,719 --> 00:45:25,920 Speaker 1: that the lead in arrows or somehow combating the radiation 818 00:45:26,160 --> 00:45:30,360 Speaker 1: of intense, passionate love. The power of love is actually 819 00:45:30,600 --> 00:45:32,799 Speaker 1: a it's a it's a type of ray. It's what's 820 00:45:32,800 --> 00:45:35,520 Speaker 1: beyond gamma rays. Yeah, and you've got to scatter those 821 00:45:35,560 --> 00:45:37,360 Speaker 1: love rays. And the only way to do it is 822 00:45:37,400 --> 00:45:43,520 Speaker 1: with with some high end um god forged lead in ammunition. 823 00:45:44,040 --> 00:45:46,760 Speaker 1: I'm seeing another residence here because one of the sources 824 00:45:46,840 --> 00:45:48,920 Speaker 1: we didn't mention, So we talked about how lead can 825 00:45:48,960 --> 00:45:52,560 Speaker 1: be created in like events in space inside like a 826 00:45:52,640 --> 00:45:55,600 Speaker 1: dying star and the collision of neutron stars. We also 827 00:45:55,600 --> 00:45:58,040 Speaker 1: didn't talk about another. I think it probably accounts for 828 00:45:58,080 --> 00:46:00,920 Speaker 1: a much much smaller percentage of it. But lead can 829 00:46:00,960 --> 00:46:05,080 Speaker 1: be created as the byproduct of radioactive decay sometimes, like 830 00:46:05,239 --> 00:46:09,080 Speaker 1: uranium can decay into some isotopes of lead. So maybe 831 00:46:09,120 --> 00:46:13,120 Speaker 1: if we're considering that love is a type of radioactivity 832 00:46:13,200 --> 00:46:17,880 Speaker 1: or type of ray, they're actually lead represents what happens 833 00:46:17,920 --> 00:46:21,200 Speaker 1: when love dies and decays, you know, like so like 834 00:46:21,320 --> 00:46:24,920 Speaker 1: love fades and eventually it becomes lead. What starts as 835 00:46:25,000 --> 00:46:31,080 Speaker 1: this golden, splendid, sharp arrow becomes this blunt, dull, lusterless instrument. 836 00:46:32,040 --> 00:46:34,759 Speaker 1: We have crucified this myth and taken out all of 837 00:46:34,800 --> 00:46:38,799 Speaker 1: the beauty and turned it into a chemical Frankenstein. I'm 838 00:46:38,840 --> 00:46:41,640 Speaker 1: so proud of us. Yeah, I I feel like we have. 839 00:46:42,000 --> 00:46:45,640 Speaker 1: We've done a good job here today, taking the candy 840 00:46:45,680 --> 00:46:49,480 Speaker 1: coated and kind of lame holiday of Valentine's Day, and 841 00:46:49,520 --> 00:46:51,960 Speaker 1: I think we've injected some fresh life into it. We've 842 00:46:52,000 --> 00:46:56,200 Speaker 1: fed it a lot of lead and uh and and 843 00:46:56,200 --> 00:46:58,719 Speaker 1: and uh and in doing so, we've we've killed off 844 00:46:58,760 --> 00:47:02,600 Speaker 1: a lot of the uh, the more irritable aspects of 845 00:47:02,640 --> 00:47:07,440 Speaker 1: the holiday. Sweet sweet lead. Yes, So big takeaways from 846 00:47:07,440 --> 00:47:11,279 Speaker 1: from today. Don't eat lead sugar, right, don't do not 847 00:47:11,360 --> 00:47:14,399 Speaker 1: do it. Don't cook in lead pots right, don't drink 848 00:47:14,400 --> 00:47:16,799 Speaker 1: from lead leading vessels if you have a choice in 849 00:47:16,800 --> 00:47:21,960 Speaker 1: the matter. Be wary of gods with bows and arrows, right, 850 00:47:22,560 --> 00:47:25,400 Speaker 1: And and keep in mind that, yeah, cupid has two arrows, 851 00:47:25,800 --> 00:47:28,200 Speaker 1: so if he's aiming at you, it's kind of a 852 00:47:28,239 --> 00:47:30,399 Speaker 1: toss up which one he's trying to hit you with. 853 00:47:30,640 --> 00:47:33,200 Speaker 1: And sometimes even the great god Pan gets out wrestled 854 00:47:33,520 --> 00:47:37,000 Speaker 1: exactly all right, so we're gonna close out the special 855 00:47:37,080 --> 00:47:39,239 Speaker 1: Valentine's Day episode of Stuff to Blow Your Mind. But 856 00:47:39,320 --> 00:47:41,880 Speaker 1: as always, if you want to check out more episodes 857 00:47:41,880 --> 00:47:43,680 Speaker 1: of the show, you can always head on over to 858 00:47:43,680 --> 00:47:46,399 Speaker 1: stuff to Blow your Mind dot com. That's the mother ship. 859 00:47:46,440 --> 00:47:49,000 Speaker 1: That's where you will find all the episodes of the show. 860 00:47:49,080 --> 00:47:51,880 Speaker 1: You'll find links out to various social media accounts. You 861 00:47:51,920 --> 00:47:55,719 Speaker 1: can of course find us anywhere you get podcasts. That's 862 00:47:55,719 --> 00:47:58,839 Speaker 1: that's true across the board, so just search for us there. 863 00:47:59,120 --> 00:48:02,000 Speaker 1: So wherever you find subscribe and if you have the 864 00:48:02,080 --> 00:48:05,080 Speaker 1: power to do so on these platforms, give us a rating, 865 00:48:05,200 --> 00:48:07,640 Speaker 1: throw as many stars as possible at us the golden 866 00:48:07,680 --> 00:48:10,440 Speaker 1: kind not the lead ones, uh, and then leave a 867 00:48:10,520 --> 00:48:13,160 Speaker 1: nice message about how how awesome the show is, because 868 00:48:13,320 --> 00:48:15,600 Speaker 1: you know, these these may seem like small things, but 869 00:48:15,640 --> 00:48:18,120 Speaker 1: they really help us out in the long run. Huge 870 00:48:18,120 --> 00:48:21,800 Speaker 1: thanks as always to our excellent audio producers Alex Williams 871 00:48:21,800 --> 00:48:24,200 Speaker 1: and Tory Harrison. If you would like to get in 872 00:48:24,239 --> 00:48:26,880 Speaker 1: touch with us directly with feedback about this episode or 873 00:48:26,880 --> 00:48:29,560 Speaker 1: any other to suggest topic for the future, we're just 874 00:48:29,640 --> 00:48:31,880 Speaker 1: to say hi. You can email us at blow the 875 00:48:31,920 --> 00:48:44,520 Speaker 1: Mind at how stuff works dot com. For more on 876 00:48:44,600 --> 00:48:47,080 Speaker 1: this and thousands of other topics. Does it, How stuff 877 00:48:47,080 --> 00:49:03,800 Speaker 1: works dot Com. They're able to set onto join the 878 00:49:03,880 --> 00:49:04,160 Speaker 1: part