1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to coast AM on 2 00:00:03,600 --> 00:00:07,120 Speaker 1: iHeart Radio. So at various times in nineteen sixty six 3 00:00:07,200 --> 00:00:13,800 Speaker 1: and nineteen sixty seven, UM, the sightings continued of a 4 00:00:13,880 --> 00:00:19,880 Speaker 1: of a mothman like creature, a humanoid like alien visitor 5 00:00:20,520 --> 00:00:24,600 Speaker 1: um um to what is commonly described as Point Pleasant, 6 00:00:24,640 --> 00:00:27,760 Speaker 1: West Virginia. But as Susan Shepherd was saying, it was 7 00:00:27,800 --> 00:00:31,680 Speaker 1: really a much wider area than that, including Parkersburg. But 8 00:00:32,440 --> 00:00:35,839 Speaker 1: let me so you were as you were telling the story, UM, 9 00:00:36,120 --> 00:00:39,440 Speaker 1: the guy who you had, you had a chance to 10 00:00:39,440 --> 00:00:42,680 Speaker 1: interview the tapes you had, um, I mean he he 11 00:00:42,840 --> 00:00:46,360 Speaker 1: recounts something which I remember I thought pretty vividly, um 12 00:00:46,600 --> 00:00:49,479 Speaker 1: in the movie Mothman Prophecies, which I really enjoyed as 13 00:00:49,520 --> 00:00:52,479 Speaker 1: a movie. UM. Not caring whether or not it was 14 00:00:52,479 --> 00:00:54,520 Speaker 1: that close to the actual story, just I thought it 15 00:00:54,560 --> 00:00:57,040 Speaker 1: was well told. But that whole thing about the about 16 00:00:57,080 --> 00:01:00,400 Speaker 1: the interference and the white noise on television, and the 17 00:01:00,440 --> 00:01:03,000 Speaker 1: fact that that guy became sort of so paranoid he 18 00:01:03,000 --> 00:01:05,640 Speaker 1: started walking around with a shotgun. That part turns out 19 00:01:05,680 --> 00:01:09,080 Speaker 1: to be true, then, yes, But that is not Merl Partridge. 20 00:01:09,200 --> 00:01:12,200 Speaker 1: That would be Woodrow Dernburger and that has to do 21 00:01:12,360 --> 00:01:16,120 Speaker 1: with the appearance of Indrid Cold, and the appearance of 22 00:01:16,160 --> 00:01:19,520 Speaker 1: Intercold happened on November second, nineteen sixty six, one mile 23 00:01:19,640 --> 00:01:25,320 Speaker 1: south of Parkersburg. Intercold really, in his description, Woodrow Durnburger's 24 00:01:25,319 --> 00:01:29,040 Speaker 1: description actually sounded pretty much to me like a man 25 00:01:29,160 --> 00:01:32,679 Speaker 1: in black. And there were sightings of men in black, 26 00:01:33,160 --> 00:01:36,000 Speaker 1: you know, all over West Virginia that time. And I 27 00:01:36,080 --> 00:01:39,120 Speaker 1: even have a sighting as a child in nineteen sixty 28 00:01:39,120 --> 00:01:42,920 Speaker 1: seven above the hillside where I grew up, which was 29 00:01:42,959 --> 00:01:47,680 Speaker 1: about two hills away from the Partridge family. So you know, 30 00:01:48,160 --> 00:01:50,400 Speaker 1: but explain that to me when you say the men 31 00:01:50,440 --> 00:01:53,520 Speaker 1: in black, are you referring to the government investigators men 32 00:01:53,560 --> 00:01:56,280 Speaker 1: in black? Right? See? This is right, this is the 33 00:01:56,480 --> 00:01:58,760 Speaker 1: this is so. I just for people who commonly, you know, 34 00:01:58,760 --> 00:02:01,080 Speaker 1: they associate that Will Smith movie and men in black 35 00:02:01,120 --> 00:02:04,600 Speaker 1: from the comic book, as you know, disinformation specialists sent 36 00:02:04,680 --> 00:02:08,840 Speaker 1: in by the government, there's this whole other understanding of 37 00:02:08,880 --> 00:02:10,840 Speaker 1: what the men in black were. So you'll have to 38 00:02:10,840 --> 00:02:13,280 Speaker 1: explain that for people who don't know well. Men in 39 00:02:13,360 --> 00:02:17,720 Speaker 1: black um tend to turn up or they turned up 40 00:02:18,800 --> 00:02:23,720 Speaker 1: witnesses to witnesses who had either encounters with the Mothman 41 00:02:24,400 --> 00:02:29,840 Speaker 1: or who had encounters with UFOs so and they seemed 42 00:02:29,880 --> 00:02:33,799 Speaker 1: to be to me they were alien types of creatures. 43 00:02:34,040 --> 00:02:37,040 Speaker 1: They were not really human, even though they look human. 44 00:02:37,919 --> 00:02:42,760 Speaker 1: But they also would say they seem to be awkward 45 00:02:43,480 --> 00:02:47,600 Speaker 1: with you know, they drove late model black cars that 46 00:02:47,639 --> 00:02:50,160 Speaker 1: looked brand new, and they looked like cars in the 47 00:02:50,240 --> 00:02:53,400 Speaker 1: nineteen forties and fifties. And then they would begin to 48 00:02:53,480 --> 00:02:55,960 Speaker 1: kind of in a subtle way, they would begin to 49 00:02:55,960 --> 00:02:58,520 Speaker 1: threaten some of these witnesses not to tell their story. 50 00:02:59,040 --> 00:03:00,919 Speaker 1: We don't really know for sure what the Men in 51 00:03:01,000 --> 00:03:06,400 Speaker 1: Black were. We do know they you know, they're associated 52 00:03:06,440 --> 00:03:09,720 Speaker 1: with the UFO sightings and also sightings of the Mothman 53 00:03:09,800 --> 00:03:13,360 Speaker 1: at the time. I know that Woodrow Durnberger was visited 54 00:03:13,400 --> 00:03:16,360 Speaker 1: by the Men in Black. Now Merle Partridge, she never 55 00:03:16,440 --> 00:03:20,640 Speaker 1: told me if he was, so. I'm not sure whether 56 00:03:20,639 --> 00:03:23,960 Speaker 1: he had visits from the Men in Black either, But 57 00:03:24,000 --> 00:03:26,960 Speaker 1: it was about an hour later after the Partridge sighting 58 00:03:27,320 --> 00:03:30,040 Speaker 1: in Center Point. This is about ninety six miles away 59 00:03:30,280 --> 00:03:33,160 Speaker 1: if you drive it. In Point Pleasant was when the 60 00:03:33,200 --> 00:03:36,640 Speaker 1: Scarberries had their sighting of the Mothman at the T 61 00:03:36,800 --> 00:03:39,440 Speaker 1: and T plant and as they were coming down route 62 00:03:39,440 --> 00:03:43,200 Speaker 1: too they saw that the mothman was trying to outrace 63 00:03:43,320 --> 00:03:46,560 Speaker 1: their car, and of course this was extremely frightful, and 64 00:03:47,560 --> 00:03:49,760 Speaker 1: it was very frightening to them, and the wings were 65 00:03:49,800 --> 00:03:53,400 Speaker 1: so big they hit the side doors of the car. 66 00:03:54,080 --> 00:03:57,320 Speaker 1: And Linda Scarberry and one of the witnesses, glanced over 67 00:03:57,360 --> 00:04:00,320 Speaker 1: into a field at one of the billboards at the time, 68 00:04:01,000 --> 00:04:05,080 Speaker 1: and she described the eyes very similar to what merl Partridge. 69 00:04:05,360 --> 00:04:09,680 Speaker 1: She thought they were red electrical lights. When the billboard 70 00:04:09,760 --> 00:04:12,640 Speaker 1: was caught in the beams of the car, she saw 71 00:04:12,680 --> 00:04:16,360 Speaker 1: the mothman perched on the billboard and the red electrical 72 00:04:16,440 --> 00:04:20,200 Speaker 1: lights were in fact his eyes. He flew off the billboard. 73 00:04:20,279 --> 00:04:23,520 Speaker 1: He began to chase them down the road. They drove 74 00:04:23,760 --> 00:04:27,839 Speaker 1: immediately to the point Pleasant police department. I believe it 75 00:04:27,880 --> 00:04:31,080 Speaker 1: was Roger Scarberry who made the famous drawing of the 76 00:04:31,120 --> 00:04:35,480 Speaker 1: Mothman and made report that drawing. If it's the same 77 00:04:35,560 --> 00:04:39,680 Speaker 1: what I'm thinking of, it's it's creepy in its um, 78 00:04:40,960 --> 00:04:43,320 Speaker 1: it's all I mean, It's tell me, it's sort of 79 00:04:43,400 --> 00:04:46,000 Speaker 1: childlike in a way. I mean, it was really fundamental 80 00:04:46,040 --> 00:04:47,960 Speaker 1: and sort of rudimentary. But that's what made it even 81 00:04:47,960 --> 00:04:51,240 Speaker 1: creepier than he was. It seemed like like somebody who 82 00:04:52,200 --> 00:04:54,279 Speaker 1: it didn't seem professional in the way in which we 83 00:04:54,400 --> 00:04:58,400 Speaker 1: might look at a drawing from a police sketch artist 84 00:04:58,520 --> 00:05:01,120 Speaker 1: or something like that. And so the fuzziness of it 85 00:05:01,200 --> 00:05:03,640 Speaker 1: is kind of what got to me. Yeah, there's really 86 00:05:03,640 --> 00:05:05,880 Speaker 1: no head on the mosses, and the red eyes were 87 00:05:05,920 --> 00:05:09,720 Speaker 1: kind of in the shoulders. But when the police went 88 00:05:09,760 --> 00:05:13,520 Speaker 1: outside to inspect their car, they saw these huge scratches. 89 00:05:14,000 --> 00:05:17,200 Speaker 1: But while they were driving down route to Linda Scarberry 90 00:05:17,279 --> 00:05:21,159 Speaker 1: also looked beside the road at the city limits of 91 00:05:21,320 --> 00:05:24,320 Speaker 1: Point Pleasant and she saw the dead body of a 92 00:05:24,400 --> 00:05:31,479 Speaker 1: German shepherd dog. So the next day, mister Partridge bandit 93 00:05:31,560 --> 00:05:35,240 Speaker 1: did not come to the back porch for his breakfast 94 00:05:35,360 --> 00:05:37,800 Speaker 1: like he always did. This is the German shepherd dog. 95 00:05:38,560 --> 00:05:41,240 Speaker 1: And they remembered they had seen the dog for the 96 00:05:41,320 --> 00:05:44,880 Speaker 1: last time running into the barn after these red eyes, 97 00:05:45,000 --> 00:05:50,440 Speaker 1: this lumbering like form. So Merle Partridge, his son's Roger, 98 00:05:50,680 --> 00:05:55,440 Speaker 1: and Gary Partridge and his daughter Mary went into the barn. 99 00:05:55,839 --> 00:05:59,520 Speaker 1: The barn had a mud floor, and they found the 100 00:05:59,600 --> 00:06:04,719 Speaker 1: dog's paul prints going around and around in a circle. 101 00:06:05,400 --> 00:06:09,120 Speaker 1: And those pawprints did not lead away, as if that 102 00:06:09,200 --> 00:06:13,000 Speaker 1: dog had been picked up and carried away by something 103 00:06:13,080 --> 00:06:18,080 Speaker 1: much larger and much stronger. Mary Partridge told me they 104 00:06:18,160 --> 00:06:21,720 Speaker 1: also found these footprints or these prints in the mud 105 00:06:21,760 --> 00:06:26,040 Speaker 1: floor of the barn, and they looked like enormous turkey tracks. 106 00:06:26,640 --> 00:06:30,080 Speaker 1: And of course Bandit never came home. And it was 107 00:06:30,200 --> 00:06:34,599 Speaker 1: later when Merle Partridge was reading an article about the Mothman. 108 00:06:34,720 --> 00:06:37,000 Speaker 1: At that time, he did not have a name. In 109 00:06:37,120 --> 00:06:40,960 Speaker 1: newspaper reports, they were calling him the birdman, and he 110 00:06:41,000 --> 00:06:45,040 Speaker 1: read the part about the Scarberries having seen this dead 111 00:06:45,120 --> 00:06:48,680 Speaker 1: body of a German shepherd dog, and he thought the 112 00:06:48,760 --> 00:06:53,480 Speaker 1: story was somehow related to his experience an hour before, 113 00:06:53,640 --> 00:06:57,200 Speaker 1: on the same night. So that's just a little bit. Yeah, 114 00:06:57,839 --> 00:07:03,320 Speaker 1: how do we make the jump between birdman and mothman? Well, 115 00:07:03,360 --> 00:07:07,000 Speaker 1: the mothman was named by a newspaper reporter after a 116 00:07:07,080 --> 00:07:12,520 Speaker 1: comic book character, because other than that, he didn't have 117 00:07:12,560 --> 00:07:16,080 Speaker 1: anything in common with a moth. They described the wings 118 00:07:16,120 --> 00:07:20,160 Speaker 1: as being flesh, almost like bat wings, and he was 119 00:07:20,280 --> 00:07:24,040 Speaker 1: They were described as either brown or a gray, and 120 00:07:24,160 --> 00:07:29,120 Speaker 1: some even reported the mothman was flesh colored. But then 121 00:07:29,240 --> 00:07:33,760 Speaker 1: later Linda Scarberry said when they went home that evening, 122 00:07:34,320 --> 00:07:37,840 Speaker 1: the mothman actually followed them, and she said that he 123 00:07:38,000 --> 00:07:41,480 Speaker 1: peered in the window at her all night long, and 124 00:07:41,600 --> 00:07:45,040 Speaker 1: in one interview she said, even to this day, I 125 00:07:45,080 --> 00:07:48,240 Speaker 1: will not look outside the window after dark. Now she 126 00:07:48,320 --> 00:07:52,080 Speaker 1: has since passed away, as Merle Partridge has passed away. 127 00:07:52,120 --> 00:07:55,280 Speaker 1: So most of these witnesses have died. So you have 128 00:07:55,480 --> 00:07:58,560 Speaker 1: me to remember these stories. Yeah, really, thank and you 129 00:07:58,880 --> 00:08:05,840 Speaker 1: are a great archive. So the Mothman prophecy, as the 130 00:08:05,920 --> 00:08:10,360 Speaker 1: story is frequently told, comes with an added component of 131 00:08:10,400 --> 00:08:14,280 Speaker 1: a kind of used this word loosely, but a kind 132 00:08:14,280 --> 00:08:17,320 Speaker 1: of schizophrenia in the part of the victims who can't 133 00:08:17,360 --> 00:08:20,080 Speaker 1: get voices out of their heads. Well, at that point 134 00:08:20,280 --> 00:08:25,120 Speaker 1: the base if you remember the character Gordon Smallwood, then 135 00:08:25,280 --> 00:08:28,560 Speaker 1: I can't remember the actor's name. It was Will something. Yeah, 136 00:08:28,600 --> 00:08:32,120 Speaker 1: he's the guy who's yeah, look he's a great actor. Okay. 137 00:08:32,120 --> 00:08:34,880 Speaker 1: That was Woodrow Durhamburger, who was not a farmer. He 138 00:08:34,960 --> 00:08:38,160 Speaker 1: lived at a farmhouse. He lived on a farm, but 139 00:08:38,280 --> 00:08:41,880 Speaker 1: he was actually a sewing machine salesman. And he was 140 00:08:41,960 --> 00:08:46,560 Speaker 1: actually stopped by Andrew Cold on November second, nineteen sixty six, 141 00:08:46,600 --> 00:08:50,400 Speaker 1: which was twelve days before the first sighting of the Mothman, 142 00:08:51,440 --> 00:08:55,040 Speaker 1: and when John Keel was in Point Pleasant, he heard 143 00:08:55,040 --> 00:08:58,559 Speaker 1: this story about this man in Parkersburg having been stopped 144 00:08:58,559 --> 00:09:02,720 Speaker 1: by this alien and a charcoal gray craft. It was 145 00:09:02,720 --> 00:09:06,560 Speaker 1: at the crossroads of I seventy seven and Route forty 146 00:09:06,600 --> 00:09:11,040 Speaker 1: seven about six o'clock in the evening on November second, 147 00:09:11,160 --> 00:09:14,920 Speaker 1: nineteen sixty six. So no mothman had actually happened yet. 148 00:09:15,960 --> 00:09:21,160 Speaker 1: So John Kiel saw some relationship between mister Durnberger's account 149 00:09:22,000 --> 00:09:27,400 Speaker 1: with other accounts of UFOs alongside sightings of the mothman. Now, 150 00:09:27,440 --> 00:09:31,160 Speaker 1: most of these UFOs were described as lights in the sky. 151 00:09:31,920 --> 00:09:35,640 Speaker 1: But then and then later, of course merl Partridge had 152 00:09:35,640 --> 00:09:38,320 Speaker 1: a very similar thing happened to him which has never 153 00:09:38,360 --> 00:09:43,400 Speaker 1: been published. He also saw a craft two you told me. Yes, 154 00:09:43,480 --> 00:09:47,920 Speaker 1: he said. He was in the spring of nineteen sixty seven. 155 00:09:48,679 --> 00:09:51,680 Speaker 1: He was lying out on his deck, and like you said, 156 00:09:51,720 --> 00:09:54,640 Speaker 1: the hills are very high here in West Virginia, and 157 00:09:54,760 --> 00:09:58,520 Speaker 1: a charcoal gray it was silent, a charcoal gray craft, 158 00:09:59,600 --> 00:10:02,160 Speaker 1: you know, just floated over top of him. He said 159 00:10:02,160 --> 00:10:05,880 Speaker 1: it made no sound whatsoever. But he said it was 160 00:10:05,920 --> 00:10:09,559 Speaker 1: so large that it kind of blackened out the entire sky. 161 00:10:10,160 --> 00:10:13,880 Speaker 1: And the description of a charcoal gray craft is almost 162 00:10:13,920 --> 00:10:20,839 Speaker 1: exactly that Woodrow Durnberger described injured cold's ufo. Um that 163 00:10:20,880 --> 00:10:24,560 Speaker 1: had stopped him well November second, nineteen sixty six. And 164 00:10:24,640 --> 00:10:29,400 Speaker 1: that's that's a story that's never been covered very much. Uh. 165 00:10:29,480 --> 00:10:34,040 Speaker 1: And it almost it almost seems nonsensical rum you know. 166 00:10:34,280 --> 00:10:38,240 Speaker 1: But uh, but they whoever said who you know, those 167 00:10:38,400 --> 00:10:40,920 Speaker 1: those who tell that story mean it. So he can't 168 00:10:41,000 --> 00:10:43,560 Speaker 1: quite just throw it out just even though it doesn't 169 00:10:43,640 --> 00:10:47,679 Speaker 1: quite fit. Well. Uh, yes, go ahead, No, I was 170 00:10:47,720 --> 00:10:50,720 Speaker 1: gonna say. Will Patton was the name of the the 171 00:10:50,760 --> 00:10:54,320 Speaker 1: actor who was great and um uh he's currently in 172 00:10:54,320 --> 00:10:58,240 Speaker 1: a show called Swamp Thing. He's in the new version 173 00:10:58,280 --> 00:11:01,200 Speaker 1: of Swamp Things. I love that actor. Oh, he's so good. 174 00:11:01,240 --> 00:11:04,560 Speaker 1: And he was great in uh like uh no way 175 00:11:04,559 --> 00:11:08,480 Speaker 1: out in other movies too, so um. But then, but 176 00:11:08,640 --> 00:11:10,559 Speaker 1: that's the thing about these stories too, And I think 177 00:11:10,559 --> 00:11:14,080 Speaker 1: it's only fair that it's part of what makes a 178 00:11:14,120 --> 00:11:17,080 Speaker 1: story more believable. To me. If all the parts don't 179 00:11:17,120 --> 00:11:20,920 Speaker 1: fit together, if everything fits together too nicely, then I 180 00:11:20,920 --> 00:11:24,800 Speaker 1: think they've been grooved, they've been sanded until they fit. 181 00:11:24,960 --> 00:11:27,840 Speaker 1: And I think it's more interesting and more believable when 182 00:11:27,920 --> 00:11:30,920 Speaker 1: pieces don't fit. And I find it interesting too that 183 00:11:31,040 --> 00:11:33,880 Speaker 1: John Keel and his book describe the mofman's eyes as 184 00:11:33,960 --> 00:11:38,080 Speaker 1: bicycle reflectors looking like bicycle reflectors, but all the witnesses 185 00:11:38,080 --> 00:11:41,000 Speaker 1: said they look like red electrical lights. Now, how would 186 00:11:41,000 --> 00:11:44,400 Speaker 1: a humanoid. It's very mysterious, you know, I don't know, 187 00:11:44,440 --> 00:11:46,920 Speaker 1: but that's an interesting I don't know that that like, 188 00:11:47,200 --> 00:11:51,520 Speaker 1: So I get why you're different the point of differentiation there. 189 00:11:51,720 --> 00:11:55,040 Speaker 1: But when I see bicycle reflectors and I see, you know, 190 00:11:55,080 --> 00:11:57,360 Speaker 1: I live in a college towns of as bicycles everywhere 191 00:11:57,800 --> 00:12:02,000 Speaker 1: because they reflect off of a trick light, they do 192 00:12:02,200 --> 00:12:05,520 Speaker 1: have a kind of component where they could for a 193 00:12:05,559 --> 00:12:08,920 Speaker 1: moment or two, they can look battery powered because all 194 00:12:08,920 --> 00:12:12,840 Speaker 1: they're doing is reflecting other light out because of the design. 195 00:12:12,920 --> 00:12:14,920 Speaker 1: So I kind of get that a little bit. I don't. 196 00:12:15,200 --> 00:12:18,000 Speaker 1: I don't seem like that doesn't seem too discontinuous to me. 197 00:12:18,440 --> 00:12:20,640 Speaker 1: But now at the very beginning when I asked you 198 00:12:20,679 --> 00:12:23,040 Speaker 1: about that, I said, you know, there was this other 199 00:12:23,080 --> 00:12:27,160 Speaker 1: piece about them being that this being a prophetic vision, 200 00:12:27,440 --> 00:12:30,280 Speaker 1: that there was a message that was being sent about 201 00:12:30,480 --> 00:12:35,200 Speaker 1: the Silver Bridge collapse had to do with Chief Cornstalk's curse, 202 00:12:35,440 --> 00:12:38,640 Speaker 1: the shot the Indian Chief, and the late seventeen hundreds 203 00:12:38,679 --> 00:12:41,640 Speaker 1: where he'd been put in jail in Point Pleasant, and 204 00:12:41,840 --> 00:12:46,920 Speaker 1: some kind of fight ensued and Chief Cornstock was shot 205 00:12:47,000 --> 00:12:49,520 Speaker 1: and killed, in which it was said that he cursed 206 00:12:49,960 --> 00:12:53,360 Speaker 1: the Ohio Valley and they talk about it as Chief 207 00:12:53,400 --> 00:13:00,079 Speaker 1: Cornstock's curse. Now that's that's probably, you know, John on 208 00:13:00,280 --> 00:13:03,560 Speaker 1: kiel Pine that into the story. I don't know for 209 00:13:03,600 --> 00:13:07,480 Speaker 1: sure if it really was Chief Cornstalk's curse. Maybe, I 210 00:13:07,480 --> 00:13:11,240 Speaker 1: mean it's possible. I do know this. I'm part of 211 00:13:11,480 --> 00:13:14,400 Speaker 1: Delaware and Shawnee, ind In. It seems like every time 212 00:13:14,400 --> 00:13:18,000 Speaker 1: I go to Point Pleasant, I get a terrible headache. 213 00:13:18,160 --> 00:13:23,360 Speaker 1: I always get a migraine. I mean it's a fun time, yeah, 214 00:13:23,400 --> 00:13:26,559 Speaker 1: at any rate. Yeah, And what's too is really interesting 215 00:13:26,720 --> 00:13:30,760 Speaker 1: is many of these witnesses have Native American ancestry. The 216 00:13:30,840 --> 00:13:35,960 Speaker 1: Partridge family were blackfoots a pony, and Woodrow Durhamberger was 217 00:13:36,000 --> 00:13:38,840 Speaker 1: something called black Dutch and that usually in this area 218 00:13:38,880 --> 00:13:42,720 Speaker 1: of the world means Shawnee, ind In. It's so mysterious 219 00:13:42,840 --> 00:13:48,280 Speaker 1: all these things. But yeah, yeah, but then the Silver 220 00:13:48,360 --> 00:13:51,040 Speaker 1: Bridge was a real tragedy, and so it's interesting that 221 00:13:51,080 --> 00:13:54,120 Speaker 1: they tied that in because like almost fifty people were 222 00:13:54,200 --> 00:13:57,200 Speaker 1: killed one it was it was in December of nineteen 223 00:13:57,679 --> 00:14:01,319 Speaker 1: sixty seven. Yes, it was a great tragedy, and they 224 00:14:01,360 --> 00:14:05,680 Speaker 1: almost look at the Mothman as a harbinger of doom, right, 225 00:14:06,320 --> 00:14:09,240 Speaker 1: but I really can't have I don't have anything to 226 00:14:09,280 --> 00:14:12,800 Speaker 1: add to that right now. I'm glad you're not trying 227 00:14:12,800 --> 00:14:15,400 Speaker 1: to create one either, because I think that's that was 228 00:14:15,480 --> 00:14:17,960 Speaker 1: kind of that Actually sort of the weaker part of 229 00:14:18,000 --> 00:14:20,760 Speaker 1: the movie to me is that they do, yeah, that 230 00:14:20,960 --> 00:14:23,320 Speaker 1: the Mothman was trying to say stay off the bridge 231 00:14:23,760 --> 00:14:26,560 Speaker 1: or go to the bridge, whichever way you look at it. 232 00:14:26,560 --> 00:14:29,000 Speaker 1: It was like they either wanted a higher body counter 233 00:14:29,120 --> 00:14:30,960 Speaker 1: or a lower I couldn't quite figure it out, but 234 00:14:31,080 --> 00:14:34,160 Speaker 1: I mean, I think that's where I think that that 235 00:14:34,240 --> 00:14:37,640 Speaker 1: wasn't almost necessary. The other stuff was just so creepy 236 00:14:38,200 --> 00:14:40,360 Speaker 1: and yet at the same time I was a little worried. 237 00:14:40,400 --> 00:14:44,520 Speaker 1: So did did Gordon's the character of Gordon Smallwood commits 238 00:14:44,600 --> 00:14:49,440 Speaker 1: suicide in the movie. No, No, he did not. Woodro Durnberger. 239 00:14:50,280 --> 00:14:55,920 Speaker 1: He continued to have visitations from injured cold. I can 240 00:14:55,960 --> 00:14:58,440 Speaker 1: tell you about that story if you want me. Yeah, 241 00:14:58,640 --> 00:15:00,800 Speaker 1: we've got two good minutes, A great way to end 242 00:15:00,840 --> 00:15:03,400 Speaker 1: this hour. Go ahead. Hey, Well, he was driving south 243 00:15:03,960 --> 00:15:06,400 Speaker 1: toward his farmhouse in Mineral Wells. He was a sewing 244 00:15:06,480 --> 00:15:10,720 Speaker 1: machine salesman. He got about a mile south of Parkersburg 245 00:15:10,760 --> 00:15:14,120 Speaker 1: at the intersection of I seventy seven Route forty seven 246 00:15:14,800 --> 00:15:17,560 Speaker 1: when he thought a tractor trailer was coming up on 247 00:15:17,680 --> 00:15:20,320 Speaker 1: him without its lights on, so he swerved to the 248 00:15:20,360 --> 00:15:23,840 Speaker 1: side of the road. Much to his surprise, this truck 249 00:15:25,120 --> 00:15:29,640 Speaker 1: rolled across mister Durnburger's panel truck and he realized it 250 00:15:29,720 --> 00:15:34,080 Speaker 1: was a spacecraft, a dark charcoal gray spacecraft. It sped 251 00:15:34,160 --> 00:15:37,680 Speaker 1: down and had hovered about twelve inches off the road. 252 00:15:38,480 --> 00:15:42,359 Speaker 1: A hatch opened, a man stepped out, whom mister Durnburger 253 00:15:42,440 --> 00:15:46,040 Speaker 1: described looked like any ordinary man you will see on 254 00:15:46,040 --> 00:15:50,600 Speaker 1: the street. There was nothing unusual about his appearance, except 255 00:15:50,640 --> 00:15:54,760 Speaker 1: he was addressed all in black. He proceeds to walk 256 00:15:54,800 --> 00:15:58,960 Speaker 1: toward mister Durnaburger's truck. Mister Durnburger begins to hear these words, 257 00:15:59,000 --> 00:16:02,760 Speaker 1: do not be a friend. I mean you no harm. 258 00:16:02,960 --> 00:16:05,600 Speaker 1: I only want to ask you a few questions. And 259 00:16:05,720 --> 00:16:09,360 Speaker 1: that is when mister Durhaburger became afraid because, as injured 260 00:16:09,440 --> 00:16:15,720 Speaker 1: cold talked to him, his lips did not move. In 261 00:16:15,760 --> 00:16:20,240 Speaker 1: the movie, no, that would have been better listen to 262 00:16:20,320 --> 00:16:24,120 Speaker 1: more Coast to Coast AM every weeknight at one am Eastern, 263 00:16:24,360 --> 00:16:26,800 Speaker 1: and go to Coast to Coast am dot com for 264 00:16:26,920 --> 00:16:27,120 Speaker 1: more