WEBVTT - Whisperings & ASMR

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcot the Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Duglats.

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<v Speaker 1>You sound very measured this morning. Julie. Well, I'm trying

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<v Speaker 1>out the smoothing it so it's a better whispering. And

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<v Speaker 1>I'm very interested in exploring the oral landscape. And Robert

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<v Speaker 1>that I mentioned to you that I'm also interested in

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<v Speaker 1>caring for your hair. Oh yes, yes, I do enjoy

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<v Speaker 1>a good haircut. Really I don't. I thought so. And

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<v Speaker 1>so what I'm going to do is I'm going to

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<v Speaker 1>brush your hair first, and I just want you to

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<v Speaker 1>close your eyes and enjoy the strokes of the brush

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<v Speaker 1>through your hair. Okay, it doesn't feel good. Okay, this

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<v Speaker 1>is getting so creepy. Hey guys, it's us and we're

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<v Speaker 1>exploring something called a s m R. Yeah. And in

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<v Speaker 1>a way, this is an episode appears nicely with our

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<v Speaker 1>our tripophobia episode because in both cases we have something

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<v Speaker 1>that is kind of not really emerging from the Internet age,

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<v Speaker 1>but it's the Internet has allowed individuals who have a

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<v Speaker 1>certain reaction to a certain type of stimuli to allow

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<v Speaker 1>them to come together and start talking about and say, Hey,

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<v Speaker 1>what's what's going on here? Why does why does this

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<v Speaker 1>make me feel this way? Uh? And why doesn't everyone

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<v Speaker 1>else around me seem to be affected in the same way.

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<v Speaker 1>With triple phobia, it was about looking at clusters of

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<v Speaker 1>holes and feeling the sense of repulsion. But with a SMR,

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<v Speaker 1>which we're talking about today, it's about something far more pleasant,

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<v Speaker 1>far more mellow, but but equally perplexing. Yeah. It's called

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<v Speaker 1>autonomous sensory meridian response. And we'll talk a little bit

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<v Speaker 1>more about what triggers it, but essentially what it is

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<v Speaker 1>is a pleasurable tingling that begins in the head and

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<v Speaker 1>scalp and then it shimmies down the spine and and

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<v Speaker 1>it reportedly relaxes the entire body when the person is

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<v Speaker 1>exposed to certain auditory cues. Yeah, in some cases, particularly

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<v Speaker 1>in headlines written by by male editors, I think you'll

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<v Speaker 1>see it compared to an orgasm, like it's an orgasm

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<v Speaker 1>in the brain, it's a brain gasm or whatever. But

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<v Speaker 1>I mean generally the descriptions you you hear, uh, it

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<v Speaker 1>is more of a mellow, comforting, relaxing sensation and less

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<v Speaker 1>um you know, psychedelic sexual mind explosion. Yeah, and a

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<v Speaker 1>lot of people will step in and say, hey, this

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<v Speaker 1>really is not a sexual thing. This is just this

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<v Speaker 1>um more than anything, this pleasurable, relaxing sense that you

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<v Speaker 1>get when you hear these triggers. So I wanted to

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<v Speaker 1>mention that most of these things, these cues are provided

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<v Speaker 1>by videos made by what are called a s m

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<v Speaker 1>AREST on YouTube, and it has a very intimate air

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<v Speaker 1>to them. And we'll talk more about that. And so

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<v Speaker 1>far a s m R isn't a medically or scientifically

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<v Speaker 1>recognized term, though studies are now beginning to be conducted,

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<v Speaker 1>and there's a ton of anecdotal information out there and

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<v Speaker 1>explanations abound. Yeah, it's entirely possible that by the time

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<v Speaker 1>you get around to listen to this episode, maybe one

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<v Speaker 1>of these studies will actually publish. Um. Well, we know

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<v Speaker 1>from from researching it that there's a guy at Dartmouth

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<v Speaker 1>College Bryson Launched, who did an f m R I

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<v Speaker 1>study on a SMR, which is one of the types

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<v Speaker 1>of studies that everyone's been clamoring for. Let's get one

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<v Speaker 1>of these brains inside the tube and actually see what's

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<v Speaker 1>going on in there. Um. But as of right now,

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<v Speaker 1>we don't have this kind of research to turn to. Alright,

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<v Speaker 1>So before we start explaining this really in earnest, let's

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<v Speaker 1>look at some of the terms, because I think these

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<v Speaker 1>terms will kind of tell you to what degree people

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<v Speaker 1>are really bound up in a s m R. Yeah,

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<v Speaker 1>even a s m R. Even autonomous sensory meridian response.

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<v Speaker 1>This is this is not a set in stone a

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<v Speaker 1>bit of terminology. This itself emerges from individuals on the

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<v Speaker 1>Internet coming together and talking about it. You'll see it

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<v Speaker 1>at times. It's been referred to as attention induced euphoria.

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<v Speaker 1>You've seen it. We've seen it called attention induced head

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<v Speaker 1>orgasm uh or, as referred to by Andrew mcmurris on

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<v Speaker 1>his blog that he started back in two thousand and ten,

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<v Speaker 1>the unnamed feeling. Uh let's you give you an idea,

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<v Speaker 1>because at the at the time there was everyone's still

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<v Speaker 1>coming together and saying what is it? What what should

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<v Speaker 1>we call it? And uh So around two thousand and eleven,

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<v Speaker 1>you see autonomous sensory meridian response really coming to the

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<v Speaker 1>forefront as the as the main term and pretty much

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<v Speaker 1>cemented in place by Yeah. In fact, if you look

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<v Speaker 1>at the Google history on this. You'll see in two

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<v Speaker 1>thousand eleven it starts to make a bit of a

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<v Speaker 1>footprint UM, but two two fourteen it rockets as search term,

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<v Speaker 1>which I think gives you an idea of the kind

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<v Speaker 1>of UM following or the kind of communities that are

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<v Speaker 1>gathering around this. I guess you could say phenomenon. You know,

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<v Speaker 1>what's weird is UM. And I'll get into this more

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<v Speaker 1>as as we as we discussed that my wife has

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<v Speaker 1>a SMR and I've known her since the first Saw

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<v Speaker 1>movie came out, whatever year that was, I don't know,

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<v Speaker 1>but I I love that you are always like and

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<v Speaker 1>we got together when Saw came out. Yeah, that's that's

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<v Speaker 1>what brought us together. Yeah, well anyway for a number

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<v Speaker 1>of years. But we've known each other for about ten years,

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<v Speaker 1>and so a s MR was not the predominant term

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<v Speaker 1>until very recently. But I can't, for the life of

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<v Speaker 1>me remember what she called it, or that even had

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<v Speaker 1>a name, uh, you know, back when I first met her.

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<v Speaker 1>And so what is her trigger? Her trigger is definitely, uh,

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<v Speaker 1>the sound of a pencil on paper, but more specifically,

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<v Speaker 1>it's uh, she she's she's sitting in a room with

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<v Speaker 1>someone who is drawing her with with soul and paper,

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<v Speaker 1>and she's so she's hearing the sound of it. She's

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<v Speaker 1>in the it's it's the you know, it's the sensation

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<v Speaker 1>of being drawn. I guess the attention, the intimacy of

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<v Speaker 1>that with the sounds, the soft sounds of the of

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<v Speaker 1>the drawing and you guys listening out there. I think

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<v Speaker 1>about that example in a moment because we're gonna talk

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<v Speaker 1>more about triggers, but that really hits on a lot

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<v Speaker 1>of the different factors that make this pleasurable for people. Um.

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<v Speaker 1>I wanted to mention that a couple other terms really

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<v Speaker 1>helped to frame this, or something called ascension when an

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<v Speaker 1>experience or levels up, and usually that means that the

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<v Speaker 1>control of a s MR has improved or that experiences

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<v Speaker 1>are much more intense. Again, these are people who are

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<v Speaker 1>seeking this out and really concentrating, even meditating on some

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<v Speaker 1>of these triggers. Now there's asthma or as marian person

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<v Speaker 1>who experiences I'm married you are married to That explains

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<v Speaker 1>a lot. Yep. And of course you already mentioned it brandgasm,

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<v Speaker 1>which is that colloquial term for SMR. So triggers. Yes,

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<v Speaker 1>let's get to this. I was whispering at the beginning

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<v Speaker 1>of this, and I was taking the pages and making

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<v Speaker 1>this kind of noise um. And these are both big triggers.

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<v Speaker 1>But probably whispering is the I would say, like the

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<v Speaker 1>headliner of all the triggers. Yes, indeed, a whispering voice

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<v Speaker 1>and oftentimes, like the subject matter is not necessarily important.

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<v Speaker 1>But in many cases the the the voice will be

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<v Speaker 1>providing instruction of some kind or taking the listener on

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<v Speaker 1>sort of an imaginative journey, kind of a storyteller. You're

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<v Speaker 1>walking through the park, you're passing a dog, next sort

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<v Speaker 1>of thing. Yeah, it's really interesting, and I think about

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<v Speaker 1>it as levels and whispering is sort of like the

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<v Speaker 1>base doc to a s m R. And Bob Ross

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<v Speaker 1>think about him. He's a perfect example of someone and

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<v Speaker 1>someone who's quite fetishized, I would say, although some might

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<v Speaker 1>take issue with that terminology of fetishizing, but people seek

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<v Speaker 1>him out in order to you have a a s

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<v Speaker 1>MR experience. But now think about and I should I

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<v Speaker 1>should jump in if you're not familiar with who that is.

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<v Speaker 1>He's the PBS joy painting guy who talks about painting

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<v Speaker 1>pretty little trees and happy trees, little trees. That was it,

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<v Speaker 1>and so he was that he's perfect because soft suiting voice.

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<v Speaker 1>I'll be at a male voice and some people take

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<v Speaker 1>a shoe and say that a female voice is preferable.

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<v Speaker 1>But but he's also instructing me you, and he's taking

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<v Speaker 1>you on a journey. Yes, it was very meditative in

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<v Speaker 1>nature if you think about it that way. Now, imagine

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<v Speaker 1>if someone had long nails and they would tap them

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<v Speaker 1>on a hard service or um lovingly scraped them against

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<v Speaker 1>plastic or something like that. There's the crinkling of a

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<v Speaker 1>bag of chips um again, the shuffling of pages turning

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<v Speaker 1>in a book. And then the personal care aspect, the

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<v Speaker 1>role playing aspect that you already sort of called out here,

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<v Speaker 1>and that's when someone looks at the camera you're watching

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<v Speaker 1>this video and they're looking at you the you are

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<v Speaker 1>and role playing with you some sort of self care

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<v Speaker 1>or some sort of uh nurturing thing that they're doing.

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<v Speaker 1>You could be pretending like you're at a spot, or

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<v Speaker 1>it could be an exam. And these I think are

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<v Speaker 1>amazing because it's sort of like the motherload of a

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<v Speaker 1>s MR. These these exam videos, especially the cranial exams,

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<v Speaker 1>because the cranial exam. I think it's like a real thing, right,

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<v Speaker 1>We're sensory cues would be introduced to you because you're there,

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<v Speaker 1>a doctor would be looking for neurological damage. But in

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<v Speaker 1>these role playing videos, they're just pretending like they're at

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<v Speaker 1>the doctor and they have different things, like they have

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<v Speaker 1>a feather that they're stroking the camera with and saying

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<v Speaker 1>do you feel this on your cheek? And that is

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<v Speaker 1>the motherload because it has the whispering, it has the crinkling,

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<v Speaker 1>it has the pen going up and down, the clicking

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<v Speaker 1>of the pen, the keyboard, um, all those different things,

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<v Speaker 1>and it has the nurturing aspect to it. Yeah, it's

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<v Speaker 1>interesting to to to look around at some of the

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<v Speaker 1>videos out there because there's been a kind of an

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<v Speaker 1>evolution um of the art form. Because some of the

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<v Speaker 1>earlier stuff is just yeah, let's just watch some Bob

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<v Speaker 1>Ross or here someone's gonna talk to me, or someone's

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<v Speaker 1>gonna provide a fake haircut, fake ear exam kind of

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<v Speaker 1>situation in video form. But as the as the the

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<v Speaker 1>art form evolves, it's all about layering things and providing

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<v Speaker 1>multiple triggers because not everybody is going to be affected

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<v Speaker 1>by these same triggers, the person who who prefers the

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<v Speaker 1>whispering is not gonna go for the tapping or the scratching. Um.

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<v Speaker 1>You know, my wife, for instance, the the the the

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<v Speaker 1>sound of just a soothing voice does not affect her

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<v Speaker 1>in that way. Um, but it's it's it's just that

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<v Speaker 1>that drawing on the paper or someone someone sketching her

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<v Speaker 1>and uh. And I do want to point out that

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<v Speaker 1>when I ask her about it, I said, well, you know,

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<v Speaker 1>what exactly do you feel when this happens? And she said,

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<v Speaker 1>it's a it's a tingling in my scalp uh, a

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<v Speaker 1>strong sense of relaction, and a strong but a short

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<v Speaker 1>lived feeling of just being really stoned. Um. Because I

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<v Speaker 1>asked her it was like a mild high, and she's,

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<v Speaker 1>I know, it's really intense high. It just doesn't last

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<v Speaker 1>very long, just falls off. Yeah. And I think that's

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<v Speaker 1>an important distinction to make, because I think all of

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<v Speaker 1>us can probably list off a bunch of different sounds

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<v Speaker 1>that are pleasurable too, you know, like I love paper

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<v Speaker 1>being kind of sorted around, but I don't get tingles,

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<v Speaker 1>and I don't have a sort of flash stone stoner response. Yeah. Likewise,

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<v Speaker 1>I mean I love I love a good white noise,

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<v Speaker 1>brown noise machine. I love ambient even some drone music,

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<v Speaker 1>you know, but but it doesn't have that kind of

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<v Speaker 1>effect on me. I mean we we both have listened

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<v Speaker 1>to the Headspace app, for instance, and hearing the soothing

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<v Speaker 1>voice of Andy pooticomb on that you know, very soothing voice,

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<v Speaker 1>and very can help get you in a meditative state.

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<v Speaker 1>But I don't feel high while it's taking place. No,

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<v Speaker 1>actually think that would be distracting because Headspace is actually

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<v Speaker 1>a meditation app, so it would be kind of wonderful,

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<v Speaker 1>but perhaps distracting to the point of you're trying to

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<v Speaker 1>calm your brain down, uh not elicit um some sort

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<v Speaker 1>of overreaction. You need an alternate Headspace app where there's

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<v Speaker 1>just a drill sergeant. I guess, yeah, you you definitely

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<v Speaker 1>have to do that. Although Andy does have a really

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<v Speaker 1>nice whispery voice, you know, another voice that came to mind,

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<v Speaker 1>and again this is a from a non Asmirian, but

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<v Speaker 1>Timothy Leary, I feel I feel like his voice is

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<v Speaker 1>always I've always found that super soothing, and I did

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<v Speaker 1>looks like there's some a SMR stuff that does utilize

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<v Speaker 1>some of his spoken word album work in the sixties.

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<v Speaker 1>And I want to mention too that it's not just whispering.

0:12:40.559 --> 0:12:45.320
<v Speaker 1>A lot of these artists are. They're using space. We

0:12:45.320 --> 0:12:48.240
<v Speaker 1>talked about this in music, like if you use space

0:12:48.280 --> 0:12:51.800
<v Speaker 1>in unexpected ways, that your brain pays even more attention.

0:12:52.480 --> 0:12:55.600
<v Speaker 1>And so you like the ambient sounds of a room

0:12:55.880 --> 0:12:59.240
<v Speaker 1>or no, I mean like I'm thinking about Dr Dmitri,

0:12:59.440 --> 0:13:06.880
<v Speaker 1>who does one of them? Can you describe? Um? I

0:13:06.960 --> 0:13:16.320
<v Speaker 1>will try to be doctor Dmitri? Now what is your name?

0:13:17.080 --> 0:13:19.439
<v Speaker 1>So it's like, you know, he's not talking in the

0:13:19.600 --> 0:13:22.880
<v Speaker 1>sort of the pattern that we're used to write. And

0:13:22.920 --> 0:13:24.880
<v Speaker 1>so I think that is a part of it is

0:13:24.920 --> 0:13:27.200
<v Speaker 1>because and we've talked about this before, it's like it's

0:13:27.240 --> 0:13:30.120
<v Speaker 1>not like music, but there are some similarities in which

0:13:30.160 --> 0:13:34.839
<v Speaker 1>if your brain is grappling with those unpredicted spaces, and

0:13:35.040 --> 0:13:39.200
<v Speaker 1>those spaces resolve themselves like in a certain note, right,

0:13:40.280 --> 0:13:43.880
<v Speaker 1>um that you you get relief from that, or you

0:13:43.920 --> 0:13:46.640
<v Speaker 1>get a sort of pleasure from that. And now a

0:13:46.720 --> 0:13:48.720
<v Speaker 1>lot of as Marian's will say, this is not like

0:13:48.760 --> 0:13:52.560
<v Speaker 1>the musical chills, yes, that they make generally make a

0:13:52.559 --> 0:13:56.080
<v Speaker 1>strong point of that being significantly different. That is known

0:13:56.160 --> 0:14:02.600
<v Speaker 1>as fregen is it French reim the spine tiggling sensation

0:14:02.640 --> 0:14:04.240
<v Speaker 1>of listening to music that you know a lot a

0:14:04.280 --> 0:14:07.160
<v Speaker 1>lot more people can can relate to. But in Asmara

0:14:07.200 --> 0:14:09.360
<v Speaker 1>will be quick to tell you no, that is separate.

0:14:09.400 --> 0:14:11.000
<v Speaker 1>That is not my thing. That may be your thing,

0:14:11.400 --> 0:14:13.120
<v Speaker 1>but that's not my thing. Yeah, And if you want

0:14:13.160 --> 0:14:15.560
<v Speaker 1>to know more about that, check out our episode on

0:14:15.640 --> 0:14:17.880
<v Speaker 1>does music hijack that brings? So we get a little

0:14:17.880 --> 0:14:21.720
<v Speaker 1>bit deeper into that. Now within as Marian community, there

0:14:21.720 --> 0:14:27.359
<v Speaker 1>are two types of as Marian's as reported by the community,

0:14:27.440 --> 0:14:32.040
<v Speaker 1>that's type A and type B. Type A is through

0:14:32.200 --> 0:14:35.520
<v Speaker 1>just sort of meditation or thinking about the thing, right,

0:14:35.560 --> 0:14:38.280
<v Speaker 1>So if you hear the auditory queue, that may just

0:14:38.360 --> 0:14:42.400
<v Speaker 1>be enough to trigger that sort of sensation, but type

0:14:42.440 --> 0:14:46.600
<v Speaker 1>bees need to actually experience the trigger. So for instance,

0:14:46.920 --> 0:14:48.880
<v Speaker 1>getting a haircut, that's why I was pretending to cut

0:14:48.920 --> 0:14:53.600
<v Speaker 1>your hair earlier, which was again super creepy um or

0:14:53.640 --> 0:14:57.440
<v Speaker 1>any sort of exam or close personal attention. So it's

0:14:57.480 --> 0:15:00.520
<v Speaker 1>the difference again between imagining the haircut and happy the haircut.

0:15:01.000 --> 0:15:02.560
<v Speaker 1>If you're type A, you don't. All you have to

0:15:02.600 --> 0:15:05.360
<v Speaker 1>do is think about the trigger. The type you need

0:15:05.360 --> 0:15:08.000
<v Speaker 1>to trigger. Yeah. One of our producers, Paul, was telling

0:15:08.000 --> 0:15:10.440
<v Speaker 1>me that his trigger is when he is on an

0:15:10.440 --> 0:15:14.640
<v Speaker 1>airplane and they begin to describe all the safety precautions

0:15:14.680 --> 0:15:17.760
<v Speaker 1>that passengers must take in the oxygen coming down and

0:15:17.960 --> 0:15:20.960
<v Speaker 1>the exits and all of this, And he said, it's

0:15:21.000 --> 0:15:23.360
<v Speaker 1>not just the voice, but it's the actual, like taking

0:15:23.400 --> 0:15:27.120
<v Speaker 1>care to tell you how to protect yourself. It's a

0:15:27.200 --> 0:15:29.840
<v Speaker 1>kind of nurturing quality. We see that nurturing theme and

0:15:29.880 --> 0:15:33.240
<v Speaker 1>a lot of these it's like sometimes it's just merely instructional,

0:15:33.320 --> 0:15:35.480
<v Speaker 1>which can be a form of nurturing. Other times it's

0:15:35.520 --> 0:15:40.200
<v Speaker 1>actual physical care, a doctor and patient relationship, or a

0:15:40.520 --> 0:15:44.400
<v Speaker 1>parent and child relationship. I'm gonna groom your hair. I'm

0:15:44.400 --> 0:15:47.840
<v Speaker 1>gonna look after your your hygiene, your well being. And

0:15:47.880 --> 0:15:49.960
<v Speaker 1>that is a good point for us to actually take

0:15:50.000 --> 0:15:52.320
<v Speaker 1>a break, because when we get back, we're gonna delve

0:15:52.360 --> 0:15:55.000
<v Speaker 1>a little bit more into the A s MR artists,

0:15:55.000 --> 0:15:58.920
<v Speaker 1>but also the reasons the possible explanations for white people

0:15:58.960 --> 0:16:10.800
<v Speaker 1>experience this. Alright, we're back. We're still discussing autonomous sensory

0:16:10.960 --> 0:16:15.880
<v Speaker 1>meridian response or a s MR. The the domain of

0:16:15.920 --> 0:16:18.960
<v Speaker 1>the asmirians. I feel like they should it sounds like

0:16:18.960 --> 0:16:21.320
<v Speaker 1>they should have their own planet. They should. Yeah, and

0:16:21.360 --> 0:16:25.160
<v Speaker 1>it's probably a indistinguishable from our own. It's the thing

0:16:25.400 --> 0:16:27.760
<v Speaker 1>because I was looking around at some of the videos. Uh,

0:16:27.800 --> 0:16:31.160
<v Speaker 1>there's a there's a reddit for as Mirian's where people

0:16:31.160 --> 0:16:33.240
<v Speaker 1>are just throwing up, you know, various videos and they

0:16:33.360 --> 0:16:37.320
<v Speaker 1>range from the like highly produced professional a s MR

0:16:37.480 --> 0:16:42.000
<v Speaker 1>video realm to stuff. Literally there's a video where someone

0:16:42.680 --> 0:16:46.280
<v Speaker 1>just has an audio and video recording of chefs at

0:16:46.320 --> 0:16:49.920
<v Speaker 1>five Guys Fries preparing to make French fries. So they

0:16:50.040 --> 0:16:52.600
<v Speaker 1>just send a little bit of ambient clanging and echo

0:16:52.960 --> 0:16:56.280
<v Speaker 1>and the opening of the potato bag and that that clip.

0:16:56.400 --> 0:16:59.080
<v Speaker 1>I looked at, the clip had the like ten thousand,

0:16:59.320 --> 0:17:04.000
<v Speaker 1>five hundred views. Well, okay, all right, so let me

0:17:04.040 --> 0:17:07.760
<v Speaker 1>tell you that Maria, who is known as Gentle Whispering

0:17:07.760 --> 0:17:09.879
<v Speaker 1>if you want to look at her on her YouTube channel,

0:17:10.119 --> 0:17:14.640
<v Speaker 1>she has something like forty plus million views of her videos.

0:17:14.680 --> 0:17:18.000
<v Speaker 1>Now granted she's up in the hundreds in her videos,

0:17:18.040 --> 0:17:20.640
<v Speaker 1>but still some of them will fetch up to eight

0:17:20.680 --> 0:17:22.920
<v Speaker 1>hundred thousand to a million views. I think there was

0:17:23.000 --> 0:17:26.000
<v Speaker 1>one that was two million views. And she is she's

0:17:26.040 --> 0:17:31.119
<v Speaker 1>really sort of the czar of a s MR and

0:17:31.840 --> 0:17:34.280
<v Speaker 1>she's a Russian woman who moved to the US in

0:17:34.320 --> 0:17:37.760
<v Speaker 1>two thousand and six, and she had a lot of

0:17:37.800 --> 0:17:39.840
<v Speaker 1>she says, a lot of depression, a lot of anxiety,

0:17:40.640 --> 0:17:45.080
<v Speaker 1>and she began to actually seek out videos, not realizing

0:17:45.760 --> 0:17:49.159
<v Speaker 1>that the whispering stuff was actually helping her anxiety. And

0:17:49.160 --> 0:17:50.800
<v Speaker 1>she found herself doing it more and more and more.

0:17:50.880 --> 0:17:53.760
<v Speaker 1>And I believe in two thousand and nine she started

0:17:53.800 --> 0:17:58.600
<v Speaker 1>doing this in earnest making her own videos. Um. So

0:17:58.760 --> 0:18:03.159
<v Speaker 1>obviously people like her who have a genuine interest in

0:18:03.200 --> 0:18:06.080
<v Speaker 1>the a s MR community, or even not a genuine interest,

0:18:06.359 --> 0:18:09.439
<v Speaker 1>can make a small income doing this. Yeah, and not

0:18:09.520 --> 0:18:12.120
<v Speaker 1>to at least put back into your your product and

0:18:12.240 --> 0:18:16.080
<v Speaker 1>uh and pump out more videos. Um. It's it's interesting

0:18:16.119 --> 0:18:19.000
<v Speaker 1>too that she's she's Russian and has a Russian accent,

0:18:19.280 --> 0:18:21.320
<v Speaker 1>because I saw that mentioned a lot in them shows.

0:18:21.400 --> 0:18:23.880
<v Speaker 1>We're looking at that. Uh, you know, everyone has their

0:18:23.920 --> 0:18:27.600
<v Speaker 1>their different taste as far as a SMR material, but

0:18:27.680 --> 0:18:30.160
<v Speaker 1>a lot of people do prefer an accent of some kind.

0:18:30.400 --> 0:18:31.639
<v Speaker 1>And it kind of goes back to what you were

0:18:31.640 --> 0:18:34.439
<v Speaker 1>saying earlier about Uh, you know, a different mode of speech,

0:18:34.520 --> 0:18:40.000
<v Speaker 1>being less predictable. Reminds me of of of Bella Leegostia's Dracula.

0:18:40.080 --> 0:18:43.520
<v Speaker 1>One of the reasons Dracula resonated so much with Bella's

0:18:43.520 --> 0:18:45.879
<v Speaker 1>performance because bell didn't speak English at the time, so

0:18:45.920 --> 0:18:48.440
<v Speaker 1>he was he was saying these words but not actually

0:18:48.480 --> 0:18:51.639
<v Speaker 1>speaking them, so his his mode of his delivery was

0:18:52.359 --> 0:18:55.040
<v Speaker 1>what it was a little unpredictable and a little little haunting,

0:18:55.400 --> 0:18:58.720
<v Speaker 1>which is interesting because that the unpredictability factor I think

0:18:58.800 --> 0:19:01.280
<v Speaker 1>is present. And whispering anyway, I mean, the best way

0:19:01.320 --> 0:19:03.720
<v Speaker 1>to get my kids attention is to actually whisper to

0:19:03.800 --> 0:19:07.399
<v Speaker 1>her because it's unusual, right, and you're like, you have

0:19:07.440 --> 0:19:09.480
<v Speaker 1>to lean in and really pay attention. So you have

0:19:09.640 --> 0:19:14.040
<v Speaker 1>that going for you, and then you have those spaces

0:19:14.080 --> 0:19:17.400
<v Speaker 1>in the actual speech pattern making it a little bit

0:19:17.480 --> 0:19:21.399
<v Speaker 1>even more skewed, right. And in addition to this, a

0:19:21.520 --> 0:19:25.880
<v Speaker 1>lot of a s MR artists like Maria use three

0:19:26.000 --> 0:19:30.440
<v Speaker 1>D or binural microphones, which create a stereo recording that

0:19:30.520 --> 0:19:33.320
<v Speaker 1>makes the listener feel like they're in the same room

0:19:33.359 --> 0:19:36.720
<v Speaker 1>as the speaker. Oh yeah, a lot of people uh

0:19:36.720 --> 0:19:38.879
<v Speaker 1>in the SR community. So you do have to have

0:19:38.920 --> 0:19:43.320
<v Speaker 1>the headphones. You need that that surround feeling you're just

0:19:43.359 --> 0:19:46.119
<v Speaker 1>not going to get from your laptop. Speaker. Yeah, this

0:19:46.200 --> 0:19:48.840
<v Speaker 1>is from the Atlantic article how to have a Brain orgasm.

0:19:48.920 --> 0:19:51.720
<v Speaker 1>There it is again. Uh. Maria is interviewed and she says,

0:19:51.720 --> 0:19:54.080
<v Speaker 1>of the experience, I definitely think it has something to

0:19:54.119 --> 0:19:57.200
<v Speaker 1>do with proximity. When you watch a SMR videos, you're

0:19:57.240 --> 0:20:01.080
<v Speaker 1>completely vulnerable the viewer is. It's all most uncomfortable for

0:20:01.160 --> 0:20:03.720
<v Speaker 1>you to be that close to another person. But if

0:20:03.760 --> 0:20:06.160
<v Speaker 1>you feel how much they care about you at that moment,

0:20:06.200 --> 0:20:08.080
<v Speaker 1>it just puts you in that shape of euphor you

0:20:08.640 --> 0:20:11.080
<v Speaker 1>So imagine you've got your headphones on and you have

0:20:11.240 --> 0:20:16.600
<v Speaker 1>the three D microphones making it feel that much more intimate. Huh.

0:20:17.080 --> 0:20:18.920
<v Speaker 1>You know. I I also did a quick chip check

0:20:18.960 --> 0:20:22.359
<v Speaker 1>and there are videos of individuals who are pretending to

0:20:22.480 --> 0:20:25.880
<v Speaker 1>draw you with a pencil. Ah. So your wife would

0:20:25.880 --> 0:20:28.480
<v Speaker 1>be like, Hey, that's the incisers with the sound and

0:20:28.520 --> 0:20:32.200
<v Speaker 1>there's the kind of attention, right, and that's sort of like, Hey,

0:20:32.280 --> 0:20:34.440
<v Speaker 1>I care for you, I care for you, I care

0:20:34.480 --> 0:20:36.880
<v Speaker 1>for you enough to set here and draw you. Yeah.

0:20:38.160 --> 0:20:42.879
<v Speaker 1>So you have pointed out before why mostly women. Yeah,

0:20:42.920 --> 0:20:46.879
<v Speaker 1>that's kind of a lingering question about this, isn't it again?

0:20:47.119 --> 0:20:49.560
<v Speaker 1>We're still waiting on studies, so we don't have anything

0:20:49.600 --> 0:20:52.880
<v Speaker 1>really hardcore, but but as best as we can tell,

0:20:53.600 --> 0:20:56.560
<v Speaker 1>if it comes down to that nurturing energy. Yeah, and

0:20:56.600 --> 0:20:59.720
<v Speaker 1>I had mentioned Dr dmitriv but he is uh, he's

0:20:59.760 --> 0:21:02.480
<v Speaker 1>in a nominally among all the A S MR artists,

0:21:03.080 --> 0:21:06.560
<v Speaker 1>And yeah, there's that that sort of nurturing role playing

0:21:07.000 --> 0:21:10.600
<v Speaker 1>going on, And it would make sense that this kind

0:21:10.600 --> 0:21:13.240
<v Speaker 1>of stereotype would play down the lines of gender. Yeah,

0:21:13.280 --> 0:21:15.480
<v Speaker 1>Like I almost felt weird saying it because it sounds

0:21:15.480 --> 0:21:18.359
<v Speaker 1>a little sexist for me to say, Oh, well, you know,

0:21:18.560 --> 0:21:22.159
<v Speaker 1>nurturing energy. Of course females are into it. But you know,

0:21:22.560 --> 0:21:25.560
<v Speaker 1>I mean if that's the predominant stereotype, then I mean

0:21:25.560 --> 0:21:28.520
<v Speaker 1>we see that carried out through all types of media,

0:21:28.560 --> 0:21:30.600
<v Speaker 1>So it would makes sense that this is something that

0:21:30.920 --> 0:21:34.679
<v Speaker 1>is acceptable. Now. I was fine with Dr Dmitriev, but

0:21:34.720 --> 0:21:37.800
<v Speaker 1>my husband was like, oh, that was totally creeping me out.

0:21:38.000 --> 0:21:41.119
<v Speaker 1>What did your husband think about Bob Ross? Uh? You know,

0:21:41.200 --> 0:21:44.320
<v Speaker 1>we didn't talk about Bob Ross, but I'm yeah, who

0:21:44.359 --> 0:21:47.399
<v Speaker 1>doesn't like Bob Ross? Some artists don't like Bob. I

0:21:47.400 --> 0:21:49.680
<v Speaker 1>have a friend who's an artist and she hates him. Well,

0:21:49.760 --> 0:21:51.919
<v Speaker 1>is that because the content of his work? I think so?

0:21:52.080 --> 0:21:54.320
<v Speaker 1>I think she's just kind of like blah. I think also,

0:21:54.440 --> 0:21:57.399
<v Speaker 1>maybe maybe it's because her mom was an art teacher

0:21:57.440 --> 0:22:00.520
<v Speaker 1>or something. I'm not sure that she does not like

0:22:00.560 --> 0:22:03.760
<v Speaker 1>the happy little trees. Yeah, she wants dangerous trees. She's

0:22:03.800 --> 0:22:06.760
<v Speaker 1>a weird dug that one. But but yeah, for the

0:22:06.760 --> 0:22:08.840
<v Speaker 1>most part of most people would like Bob Ross. What

0:22:08.880 --> 0:22:12.480
<v Speaker 1>can you be offended by? Indeed, uh real, real quick,

0:22:12.600 --> 0:22:15.119
<v Speaker 1>we're talking about the nurturing power of it. And I

0:22:15.119 --> 0:22:17.720
<v Speaker 1>do want to mention as well that my wife said

0:22:17.840 --> 0:22:20.320
<v Speaker 1>that when she was a little girl, Um, she and

0:22:20.680 --> 0:22:23.159
<v Speaker 1>a friend would take turns combing each other's hair and

0:22:23.240 --> 0:22:27.760
<v Speaker 1>she would also experience a SMR in those situations. Huh.

0:22:28.160 --> 0:22:30.560
<v Speaker 1>So I mean she's kind of a type and type

0:22:30.600 --> 0:22:32.439
<v Speaker 1>bee or maybe actually she would probably would be a

0:22:32.440 --> 0:22:36.679
<v Speaker 1>type be just I think surely experiential. Yeah, I think so,

0:22:36.920 --> 0:22:39.520
<v Speaker 1>because especially since as far as I know, the videos

0:22:39.520 --> 0:22:42.000
<v Speaker 1>don't even work that well that well on her, Like,

0:22:42.080 --> 0:22:44.160
<v Speaker 1>it has really got to be someone in the room

0:22:44.240 --> 0:22:46.520
<v Speaker 1>drawing her. Yeah, And then I did it once and

0:22:47.000 --> 0:22:48.800
<v Speaker 1>I think it kind of worked for but then she

0:22:48.840 --> 0:22:50.920
<v Speaker 1>saw that my drawing was stupid because I can only

0:22:51.000 --> 0:22:54.399
<v Speaker 1>draw the monsters. She's like a stick figure. Yeah, because

0:22:54.480 --> 0:22:57.000
<v Speaker 1>you know, I'm just not good at drawing actual things,

0:22:57.960 --> 0:23:02.160
<v Speaker 1>all right, So what I wonder is, does she maybe

0:23:02.200 --> 0:23:07.560
<v Speaker 1>have any other synesthesia, you know, because that is something

0:23:07.600 --> 0:23:10.400
<v Speaker 1>that has come up before that possibly a s MR

0:23:10.680 --> 0:23:16.400
<v Speaker 1>is a subcategory of this phenomenon where a person experiences

0:23:16.520 --> 0:23:20.120
<v Speaker 1>one sense or you could say a cognitive pathway which

0:23:20.119 --> 0:23:23.000
<v Speaker 1>results in the experience of another one. So for instance,

0:23:23.000 --> 0:23:26.720
<v Speaker 1>you might see the letter B as red or hear

0:23:26.760 --> 0:23:29.960
<v Speaker 1>a word that makes you taste a certain flavor. Yeah,

0:23:29.960 --> 0:23:32.040
<v Speaker 1>as far as I know, she does not experienced this,

0:23:32.160 --> 0:23:35.440
<v Speaker 1>but indeed you do see this possible connection between synesthesia

0:23:35.560 --> 0:23:39.880
<v Speaker 1>come up a lot, especially among Asmirians trying to make

0:23:39.960 --> 0:23:42.879
<v Speaker 1>sense of their I don't want to say condition, but

0:23:43.000 --> 0:23:48.399
<v Speaker 1>there response response, Yeah, the response. And indeed synesthesia is

0:23:48.400 --> 0:23:50.040
<v Speaker 1>a is a great place to turn to because at

0:23:50.080 --> 0:23:53.280
<v Speaker 1>least with synesthesia we have actual science behind it. Because

0:23:53.720 --> 0:23:56.760
<v Speaker 1>some of the other explanations floating around out there among

0:23:56.800 --> 0:23:59.359
<v Speaker 1>the Asmrians dip a little, perhaps a little bit too

0:23:59.440 --> 0:24:02.320
<v Speaker 1>much into the pseudoscience realm or into the just the

0:24:02.359 --> 0:24:04.600
<v Speaker 1>spiritual realm. And I'm you know, I'm not saying don't

0:24:04.600 --> 0:24:06.760
<v Speaker 1>turn to those things to explain something for your own

0:24:06.760 --> 0:24:11.160
<v Speaker 1>personal worldview. But if you're looking for a scientific explanation,

0:24:11.280 --> 0:24:15.320
<v Speaker 1>then you know, the third eye, uh and the peneal

0:24:15.359 --> 0:24:19.479
<v Speaker 1>gland might not be a strong answer the normal you know,

0:24:19.920 --> 0:24:22.720
<v Speaker 1>certain theories about it being the next stage and the

0:24:22.760 --> 0:24:27.160
<v Speaker 1>evolution of consciousness, um, synaesthesia is a little more set

0:24:27.200 --> 0:24:29.399
<v Speaker 1>in stone. Yeah, you came across the same stuff that

0:24:29.480 --> 0:24:31.240
<v Speaker 1>I did, where I was like, yeah, I don't know

0:24:31.280 --> 0:24:34.600
<v Speaker 1>if you could say that this is uh an increased

0:24:34.720 --> 0:24:39.080
<v Speaker 1>level of awareness. Um. Are you meditating on something? Are

0:24:39.160 --> 0:24:43.400
<v Speaker 1>you engaging with it? Yes? Um, just as you might

0:24:43.840 --> 0:24:48.000
<v Speaker 1>during about of synaesthesia. So yeah, we need some rigorous

0:24:48.000 --> 0:24:51.760
<v Speaker 1>studies here. We need a boatload of them because all

0:24:51.800 --> 0:24:53.639
<v Speaker 1>we can do is sort of kind of scratch at

0:24:53.680 --> 0:24:57.040
<v Speaker 1>these possibilities. And another possibility, which is going to be

0:24:57.080 --> 0:25:03.080
<v Speaker 1>really obvious by now, is the early mother child bonds.

0:25:03.119 --> 0:25:06.400
<v Speaker 1>That could be this sort of re enactment of that, right,

0:25:06.480 --> 0:25:10.040
<v Speaker 1>And this seems like a pretty strong theory just you know,

0:25:10.080 --> 0:25:12.960
<v Speaker 1>again just from especially from the outside looking in at

0:25:13.040 --> 0:25:15.800
<v Speaker 1>something that does not have a lot of rudreus um

0:25:16.000 --> 0:25:19.240
<v Speaker 1>uh study behind it. But but it does seem to

0:25:19.280 --> 0:25:21.399
<v Speaker 1>line up fairly well with that and it's something we

0:25:21.440 --> 0:25:23.320
<v Speaker 1>can all really I mean we all there are things

0:25:23.320 --> 0:25:24.960
<v Speaker 1>in are in all of our lives that we can

0:25:25.000 --> 0:25:28.080
<v Speaker 1>point to and say, you know, there's there's something about

0:25:28.119 --> 0:25:31.880
<v Speaker 1>this is tied up in the nurturing energy of my childhood. Yeah,

0:25:31.920 --> 0:25:34.200
<v Speaker 1>and especially if you look at the A. S. M

0:25:34.240 --> 0:25:38.040
<v Speaker 1>Are artist as occupying the mother role in in the

0:25:38.119 --> 0:25:42.040
<v Speaker 1>viewer as the child role and um. Mark O'Connell, writing

0:25:42.080 --> 0:25:45.800
<v Speaker 1>for Slate Magazine in the article The Soft Bulletins, says,

0:25:45.840 --> 0:25:49.119
<v Speaker 1>there's something about the typical s MR video that seems

0:25:49.160 --> 0:25:52.920
<v Speaker 1>to address itself to a desire to regain some prelapsarian

0:25:53.160 --> 0:25:57.320
<v Speaker 1>state of mother child unity. And that is that that

0:25:57.520 --> 0:26:00.760
<v Speaker 1>mother child state in which you're being cared for to

0:26:01.680 --> 0:26:05.440
<v Speaker 1>um a pretty huge degree. Right. Your hair is being brushed,

0:26:05.480 --> 0:26:09.600
<v Speaker 1>your teeth are being brushed, you're being washed. Um, there's

0:26:09.680 --> 0:26:16.520
<v Speaker 1>something that's just very comforting about that. Yeah, despite how

0:26:16.600 --> 0:26:19.359
<v Speaker 1>much a two year old fights against every one of

0:26:19.400 --> 0:26:22.040
<v Speaker 1>those things. Sometimes I'm trying to brush your teeth. You're

0:26:22.040 --> 0:26:24.679
<v Speaker 1>gonna you're gonna look back on this and feel this

0:26:24.760 --> 0:26:27.120
<v Speaker 1>weird sense of nostalgia and comfort in the fact, well,

0:26:27.119 --> 0:26:28.919
<v Speaker 1>you just open your mouth long enough for me to

0:26:29.160 --> 0:26:31.520
<v Speaker 1>get in there. You know, I'm going to share this

0:26:31.640 --> 0:26:34.200
<v Speaker 1>and you guys judge as much as you want, oh care.

0:26:34.440 --> 0:26:37.159
<v Speaker 1>But recently I went to Ju, which is a Korean spot,

0:26:38.800 --> 0:26:41.960
<v Speaker 1>and they offer a full body scrub. And so the

0:26:42.000 --> 0:26:46.720
<v Speaker 1>setup is this, You're in the female locker room and um,

0:26:46.840 --> 0:26:49.640
<v Speaker 1>you're naked. And you should describe the female locker room

0:26:49.720 --> 0:26:52.119
<v Speaker 1>because when when someone says, you know you're getting some

0:26:52.160 --> 0:26:54.280
<v Speaker 1>sort of a bobby body rubber massage, some people may

0:26:54.280 --> 0:26:58.879
<v Speaker 1>think of gentle candles, soothing music. No, I mean, this

0:26:59.000 --> 0:27:03.480
<v Speaker 1>is just like it's kind of a a locker room

0:27:03.520 --> 0:27:05.919
<v Speaker 1>that's had a lot of money put into it. So

0:27:06.000 --> 0:27:08.160
<v Speaker 1>you have marble floor, so it's kind of like a spa,

0:27:08.320 --> 0:27:10.560
<v Speaker 1>but it's also like a locker room and there's a

0:27:10.600 --> 0:27:13.320
<v Speaker 1>lot of there's a huge Korean community and Russian community

0:27:13.320 --> 0:27:15.639
<v Speaker 1>and people who just don't care about being naked among

0:27:15.720 --> 0:27:18.480
<v Speaker 1>one another within the same gender. Yeah, I mean it's

0:27:18.520 --> 0:27:20.800
<v Speaker 1>really comforting. I love going there as well because you

0:27:20.880 --> 0:27:24.800
<v Speaker 1>just go in body types of all all kinds, all sizes.

0:27:24.840 --> 0:27:26.840
<v Speaker 1>You just feel good. Oh yeah, I mean that's the

0:27:26.880 --> 0:27:32.280
<v Speaker 1>whole other lesson and um in body image. But it's

0:27:32.320 --> 0:27:33.960
<v Speaker 1>interesting to me about this is that you go for

0:27:34.000 --> 0:27:36.920
<v Speaker 1>the body scrub, there're a bunch of massage tables. There

0:27:37.000 --> 0:27:40.320
<v Speaker 1>are older women in their sixties and seventies who work

0:27:40.400 --> 0:27:44.119
<v Speaker 1>there in in their lace underwear because you know, if

0:27:44.119 --> 0:27:46.320
<v Speaker 1>you're gonna if that's your uniform, you want it to

0:27:46.320 --> 0:27:48.280
<v Speaker 1>be nice right on them inside. It's kind of a

0:27:48.440 --> 0:27:53.400
<v Speaker 1>like a diaper speed o thing. That's different. Um, But anyway,

0:27:53.600 --> 0:27:57.359
<v Speaker 1>it's basically like a grandmother scrubbing you down, that's my point.

0:27:57.480 --> 0:28:01.959
<v Speaker 1>And it's so it's such a nice experience because no

0:28:02.000 --> 0:28:04.199
<v Speaker 1>one is going to scrubby down like that except for

0:28:04.240 --> 0:28:06.680
<v Speaker 1>like your mother when you were a child. But here

0:28:06.760 --> 0:28:10.520
<v Speaker 1>is this grandmother type really getting your ears clean like

0:28:10.640 --> 0:28:15.119
<v Speaker 1>head to toe. It's a little thought. Yeah. Now another

0:28:15.119 --> 0:28:20.320
<v Speaker 1>possible explanation here is that it's all a matter of suggestibility, right, Yeah,

0:28:20.400 --> 0:28:23.520
<v Speaker 1>because you mentioned fear poles, right, this idea that if

0:28:23.520 --> 0:28:27.200
<v Speaker 1>you have to prophobia it maybe because it actually came

0:28:27.280 --> 0:28:30.760
<v Speaker 1>into your awareness, right and you assumed it for yourself.

0:28:30.880 --> 0:28:35.679
<v Speaker 1>This sort of internet awareness and support that has sprung

0:28:35.760 --> 0:28:38.320
<v Speaker 1>up around this idea of fear of poles. Yeah, because

0:28:38.360 --> 0:28:41.440
<v Speaker 1>it's kind of like joining a community, right, Who doesn't

0:28:41.440 --> 0:28:43.600
<v Speaker 1>want to be a part of community that has its

0:28:43.640 --> 0:28:45.280
<v Speaker 1>You know that not everyone can be a part of

0:28:45.320 --> 0:28:48.280
<v Speaker 1>this group. We have our own terminology. We may even

0:28:48.360 --> 0:28:52.120
<v Speaker 1>call ourselves something like as Marian's. I mean it sounds

0:28:52.240 --> 0:28:55.040
<v Speaker 1>nice and everyone can released relate to. Well, I like

0:28:55.080 --> 0:28:57.800
<v Speaker 1>white noise machines. Maybe I have this And if you

0:28:57.840 --> 0:28:59.520
<v Speaker 1>think about it and maybe you want it long enough,

0:28:59.680 --> 0:29:02.000
<v Speaker 1>then if you can, you can convince yourself that you

0:29:02.080 --> 0:29:07.080
<v Speaker 1>have it. Yeah, and so it's the question becomes are

0:29:07.160 --> 0:29:11.000
<v Speaker 1>people being primed for this and that in fact don't

0:29:11.040 --> 0:29:14.040
<v Speaker 1>normally have this response, but now that they're aware of it,

0:29:14.120 --> 0:29:17.480
<v Speaker 1>will they then become primed to experience it for themselves.

0:29:18.080 --> 0:29:20.760
<v Speaker 1>I feel like I would be more inclined to buy

0:29:20.800 --> 0:29:24.040
<v Speaker 1>into that of my wife didn't have it, you know.

0:29:24.080 --> 0:29:25.760
<v Speaker 1>And I'm and I'm not just being like, you know,

0:29:26.040 --> 0:29:28.280
<v Speaker 1>I support my wife in her craziness, no matter what

0:29:28.520 --> 0:29:31.480
<v Speaker 1>I'm saying that. You know, it's like it seems too

0:29:31.480 --> 0:29:34.280
<v Speaker 1>real on her part, and she's and she's been talking

0:29:34.280 --> 0:29:36.840
<v Speaker 1>about it for years before it was blowing up in

0:29:36.880 --> 0:29:39.960
<v Speaker 1>the internet. Yeah, to your point. There's an article by

0:29:40.000 --> 0:29:42.840
<v Speaker 1>Harry Cheetle writing for Vice magazine, and he says that

0:29:42.880 --> 0:29:45.080
<v Speaker 1>back in two thousand and a Yahoo group called the

0:29:45.160 --> 0:29:47.760
<v Speaker 1>Society of Sensationalists, I think you might have mentioned that

0:29:47.800 --> 0:29:52.840
<v Speaker 1>already formed with a somewhat vague manifesto quote. All we

0:29:52.960 --> 0:29:55.200
<v Speaker 1>have right now are questions, and we need answers. We

0:29:55.240 --> 0:29:56.960
<v Speaker 1>need help, not in the sense that we want to

0:29:57.000 --> 0:30:00.240
<v Speaker 1>solve or cure this sensation, but rather instead to learn

0:30:00.560 --> 0:30:05.800
<v Speaker 1>what causes this. And so that's I think to your point.

0:30:05.840 --> 0:30:08.800
<v Speaker 1>It's kind of like people are experiencing this and the

0:30:09.000 --> 0:30:12.719
<v Speaker 1>reporting on it, and maybe some people would pick up

0:30:12.760 --> 0:30:15.240
<v Speaker 1>from that and feel primed and then have that sensation

0:30:15.280 --> 0:30:18.000
<v Speaker 1>to Yeah, I imagine it's a mix, you know. I mean,

0:30:18.040 --> 0:30:21.120
<v Speaker 1>you're probably you have people who actually experienced this, and

0:30:21.200 --> 0:30:24.040
<v Speaker 1>you probably have some outliers and people who think, well,

0:30:24.040 --> 0:30:25.560
<v Speaker 1>maybe I have it or I just really want to

0:30:25.600 --> 0:30:28.760
<v Speaker 1>have it, and they're playing into the suggestion. But but

0:30:28.840 --> 0:30:30.920
<v Speaker 1>we won't know, and we won't know if it's just

0:30:31.000 --> 0:30:33.440
<v Speaker 1>always existed and just hasn't been named, or if the

0:30:33.440 --> 0:30:36.040
<v Speaker 1>Internet birthed it into being. And that reminds me. I

0:30:36.040 --> 0:30:39.160
<v Speaker 1>was looking around at the the a s mr Reddit

0:30:39.720 --> 0:30:42.840
<v Speaker 1>and I saw people talking about why about how they've

0:30:42.880 --> 0:30:46.160
<v Speaker 1>developed the ability to do something like they're they're transitioning

0:30:46.320 --> 0:30:51.440
<v Speaker 1>perhaps from type B to type A. So that makes

0:30:51.440 --> 0:30:53.640
<v Speaker 1>me wonder, like is that how much is suggestion playing

0:30:53.680 --> 0:30:56.360
<v Speaker 1>into that? And if it's possible to go from type

0:30:56.400 --> 0:30:58.400
<v Speaker 1>B to type A, then is it possible to go

0:30:58.520 --> 0:31:03.280
<v Speaker 1>from type nothing of type or is it that in

0:31:03.520 --> 0:31:07.400
<v Speaker 1>engaging in all these videos or these experiences, are you

0:31:07.520 --> 0:31:11.680
<v Speaker 1>ramping up the reward pathways in your brain and therefore

0:31:12.760 --> 0:31:15.600
<v Speaker 1>it makes it a lot easier to seek out, not

0:31:15.680 --> 0:31:19.280
<v Speaker 1>just seek out, but to experience that. And that was

0:31:19.320 --> 0:31:23.160
<v Speaker 1>a question that Stephen Novella, a neurologist at Yale University

0:31:23.560 --> 0:31:26.640
<v Speaker 1>School of Medicine, put out there because he tried to say, hey,

0:31:26.720 --> 0:31:29.080
<v Speaker 1>let's try to figure this out. Is this actually real?

0:31:29.160 --> 0:31:32.000
<v Speaker 1>And of course this can't be answered, um, but he

0:31:32.080 --> 0:31:34.960
<v Speaker 1>did say that he's inclined to believe that it is. Quote,

0:31:34.960 --> 0:31:38.320
<v Speaker 1>it's similar to migraine headaches. We know they exist as

0:31:38.360 --> 0:31:41.440
<v Speaker 1>a syndrome primarily because many different people report the same

0:31:41.480 --> 0:31:46.880
<v Speaker 1>constellation of symptoms in natural history, including hallucinations. We've ended

0:31:46.880 --> 0:31:49.120
<v Speaker 1>that a bit with our Lepricron episode if you're interested

0:31:49.160 --> 0:31:52.120
<v Speaker 1>in checking that out. Yeah, so he's thinking a s MR. Hey,

0:31:52.160 --> 0:31:54.160
<v Speaker 1>it could be a small seizure or it could just

0:31:54.320 --> 0:31:59.160
<v Speaker 1>be activating the pleasure centers of the brain. And again,

0:31:59.200 --> 0:32:01.480
<v Speaker 1>I don't think it's too far of a stretch to

0:32:01.680 --> 0:32:04.200
<v Speaker 1>think that might be happening, just because we've talked about

0:32:04.320 --> 0:32:08.880
<v Speaker 1>pro pre receptive drift before, this idea that it's really

0:32:09.040 --> 0:32:13.640
<v Speaker 1>easy to sort of gain your brain to reconsider the

0:32:13.680 --> 0:32:17.040
<v Speaker 1>boundaries of your body. And there are plenty of studies

0:32:17.080 --> 0:32:21.200
<v Speaker 1>to support that, um, and there's mere neurons and then

0:32:21.200 --> 0:32:26.320
<v Speaker 1>of course suggestibility, and who doesn't need a little nurturing. Yeah,

0:32:26.360 --> 0:32:29.320
<v Speaker 1>I mean again, as a non as marian, I I

0:32:29.760 --> 0:32:34.000
<v Speaker 1>love like musical tracks and incorporate soothing spoken word into them.

0:32:34.160 --> 0:32:37.520
<v Speaker 1>Uh the books, for instance, they have an album that

0:32:37.880 --> 0:32:39.800
<v Speaker 1>that uses a lot of that, and it's they're using

0:32:39.800 --> 0:32:43.880
<v Speaker 1>like some new ag self help samples in the background.

0:32:44.200 --> 0:32:46.240
<v Speaker 1>And there's one track on that album that is listening

0:32:46.240 --> 0:32:48.600
<v Speaker 1>to over and over again in large part because it's

0:32:48.640 --> 0:32:51.760
<v Speaker 1>just such a nice, soothing, uplifting voice. And they're you're

0:32:51.800 --> 0:32:55.320
<v Speaker 1>talking about like they even use uh, you know that

0:32:55.440 --> 0:32:57.840
<v Speaker 1>that false bit of science about you are only using

0:32:57.840 --> 0:32:59.760
<v Speaker 1>tempers in your brain. So it's like I'm not even

0:32:59.760 --> 0:33:02.680
<v Speaker 1>buying into the message at all, but just I appreciate

0:33:02.760 --> 0:33:06.280
<v Speaker 1>that somebody is telling me these nice things all set

0:33:06.320 --> 0:33:09.000
<v Speaker 1>to some really interesting music. You know, That's funny because

0:33:09.040 --> 0:33:13.360
<v Speaker 1>we've talked about this before in the context of some

0:33:13.520 --> 0:33:16.640
<v Speaker 1>electronic music having the criticism Levey Data that it was

0:33:16.800 --> 0:33:20.680
<v Speaker 1>infantilizing and that you know, we were returning more to

0:33:20.800 --> 0:33:23.840
<v Speaker 1>like this womb state and trying to recreate that oral

0:33:24.000 --> 0:33:26.920
<v Speaker 1>state of a heartbeat or you know, the sound of

0:33:27.080 --> 0:33:30.880
<v Speaker 1>liquid rushing past us. Yeah, why not, there's nothing wrong

0:33:30.920 --> 0:33:33.160
<v Speaker 1>with that. Yeah, yeah, returned to the womb if you

0:33:33.240 --> 0:33:35.400
<v Speaker 1>can go for it. Oh, while I'm at it, since

0:33:35.440 --> 0:33:37.920
<v Speaker 1>we're drifting off topic and here at the end of

0:33:37.920 --> 0:33:40.000
<v Speaker 1>the podcast, I do want to mention as well that

0:33:40.120 --> 0:33:43.640
<v Speaker 1>I recently ran across an artist who all all he

0:33:43.760 --> 0:33:48.560
<v Speaker 1>does is create ambient tracks based on the the ambient

0:33:48.720 --> 0:33:53.120
<v Speaker 1>sound from spaceships in various science fiction properties and also

0:33:53.240 --> 0:33:56.080
<v Speaker 1>some other places, but mostly it's starships. So it's like

0:33:56.160 --> 0:33:59.880
<v Speaker 1>the Enterprise, it's the Nostromo from Alien and it's really

0:34:00.120 --> 0:34:02.840
<v Speaker 1>interesting stuff. So you can find a link to that

0:34:03.680 --> 0:34:06.800
<v Speaker 1>particular blog post on the landing page for this episode.

0:34:07.080 --> 0:34:08.880
<v Speaker 1>I have to say that it's a fine line for

0:34:08.960 --> 0:34:11.719
<v Speaker 1>me those sort of ambient sounds, like sometimes it can

0:34:11.800 --> 0:34:16.239
<v Speaker 1>be a bit too um, sort of removed from the

0:34:16.320 --> 0:34:20.359
<v Speaker 1>human experience, where it feels like existential angst, and then

0:34:20.400 --> 0:34:22.440
<v Speaker 1>sometimes it's a little bit more intimate and it feels

0:34:22.480 --> 0:34:25.800
<v Speaker 1>more womb like. But well, I kind of like sometimes

0:34:25.920 --> 0:34:30.560
<v Speaker 1>existential angst is nice in a track. I mean, well,

0:34:30.600 --> 0:34:32.480
<v Speaker 1>there's a there's a lot of electronic music, all of

0:34:32.560 --> 0:34:35.279
<v Speaker 1>music in general. It's not necessarily about it's not about

0:34:35.320 --> 0:34:39.759
<v Speaker 1>feeling comforting. It's about maybe maybe connecting with with something

0:34:39.880 --> 0:34:44.000
<v Speaker 1>alien and something weird and isolating. You know what that

0:34:44.200 --> 0:34:48.120
<v Speaker 1>is going to be money year's resolution for this year. Yeah,

0:34:48.280 --> 0:34:54.280
<v Speaker 1>to get comfortable with the uncomfortable. Okay, Yeah, you've inspired me. Okay, alright,

0:34:54.320 --> 0:34:57.560
<v Speaker 1>Well I hope that doesn't end in disaster me too.

0:34:58.840 --> 0:35:00.640
<v Speaker 1>So there you have it. A m R in a

0:35:00.760 --> 0:35:04.720
<v Speaker 1>nutshell Again. We're still waiting for some of these studies

0:35:04.760 --> 0:35:06.399
<v Speaker 1>to come out and get a little more information about

0:35:06.400 --> 0:35:08.720
<v Speaker 1>what's going on, and as soon as that happens, hopefully

0:35:08.760 --> 0:35:12.000
<v Speaker 1>we'll revisit this topic. In the time being, be sure

0:35:12.040 --> 0:35:13.879
<v Speaker 1>to check out stuff to Blow your Mind dot com.

0:35:13.960 --> 0:35:15.440
<v Speaker 1>That is our mother ship. That is where you will

0:35:15.440 --> 0:35:19.000
<v Speaker 1>find all the blog post, all the videos, all the

0:35:19.080 --> 0:35:21.080
<v Speaker 1>podcast episodes way back to the area at the beginning

0:35:21.200 --> 0:35:23.600
<v Speaker 1>and uh and the landing pages for those podcasts will

0:35:23.600 --> 0:35:25.920
<v Speaker 1>include you know, art and some some links to related

0:35:26.000 --> 0:35:28.960
<v Speaker 1>materials and some outside materials as well. Be sure to

0:35:29.040 --> 0:35:32.640
<v Speaker 1>check that and if you have some thoughts that you

0:35:32.719 --> 0:35:37.319
<v Speaker 1>would like for eyeballs too lovingly caress, you can send

0:35:37.360 --> 0:35:41.480
<v Speaker 1>those thoughts to us at blew the Mind how stuff

0:35:41.520 --> 0:35:49.560
<v Speaker 1>works dot com. For more on this and thousands of

0:35:49.640 --> 0:35:51.879
<v Speaker 1>other topics, visit how stuff works dot com