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Speaker 1: Hey there, Kevin Pollock here. I wanted to invite you

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Speaker 1: all to become a Patreon supporter of Alchemy This. Go

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Speaker 1: to Patreon dot com slash alchemy this. To become a

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Speaker 1: v i P member. You'll get bonus episodes that will

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Speaker 1: not be available to non v i P s. These

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Speaker 1: include the live shows and also special scenes that will

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Speaker 1: record in our regular weekly in studio recordings uh that

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Speaker 1: will only be released to v i P members. You'll

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Speaker 1: be able to join the live Alchemy This cast hangout sessions.

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Speaker 1: You're gonna get an exclusive hotline phone number. That's right,

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Speaker 1: you can call in, leave a message I have a request,

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Speaker 1: a comment, a question of any of the Alchemists. You're

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Speaker 1: gonna get your scene, suggestions for getting top priority, all

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Speaker 1: kinds of incredible bonuses, and just be creatively involved in

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Speaker 1: the shows. We'd love to have you as a Patreon

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Speaker 1: member again. Go to Patreon dot com slash alchemy this

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Speaker 1: and thank you. Welcome back to another episode of Alchemy

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Speaker 1: This on your host Vivin boy guest that Kevin bod

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Speaker 1: that well. I'll tell you this. When I was four

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Speaker 1: and a half, my mom took me to kindergarten orientation

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Speaker 1: and during it ship my pants and I see but

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Speaker 1: you're not okay? Is that answer your question? No? Huh,

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Speaker 1: but I digress. Let's meet our chemists, shout we in

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Speaker 1: no particular order. Please say hello to James any Hi, Jimmy.

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Speaker 1: Everybody sausage looking penis sounds funny to me. My penis

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Speaker 1: sounds normal to everybody. He's almost no sound. Do you

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Speaker 1: think we actually landed on the Moon back in sixty

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Speaker 1: nine or was it all produced on sound stages as

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Speaker 1: some believe. I believe that we did land there. It's

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Speaker 1: possible that that video was produced because they couldn't get

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Speaker 1: a film crew up there. But I believe we landed.

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Speaker 1: We couldn't get a film up there. I mean, you

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Speaker 1: don't think they set up the camera went back inside

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Speaker 1: for the big reveal. I don't know. It seems like

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Speaker 1: to me a difficult task for astronauts. They're busy with

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Speaker 1: difficult It wasn't. I'm just saying, you know, we needed

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Speaker 1: to the moon. Faith in our astronauts. But whether or

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Speaker 1: not they're philontographers, I don't know. I just don't know.

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Speaker 1: So you're gonna give us an a plus on technology

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Speaker 1: to get to the Moon in land. But it's just

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Speaker 1: completely all trades. They can be astronauts and directors planted

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Speaker 1: a camera. They're hard to work, They're really difficult. They're tricky.

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Speaker 1: I'm gonna back to thank you for God's sakes. I

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Speaker 1: know everyone agrees with me, but they were afraid to Kevin.

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Speaker 1: Next up with Greg Kosko. Do you think the late

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Speaker 1: great President John Fitzgerald Kennedy was shot by a lone

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Speaker 1: gunman or more than one. I think there was a

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Speaker 1: few people with shot by more than one person. There

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Speaker 1: was one bullet hole. Did they all make it through

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Speaker 1: the same hole? Was bullet hole? Yeah? So how many

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Speaker 1: people could have shot him? Sorry, so the one in

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Speaker 1: the neck doesn't Okay, maybe I'm wrong. I don't remember

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Speaker 1: how many bullet holes there are? Was there too? It

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Speaker 1: was several? Okay, Well, let me see the movie. Back

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Speaker 1: into the left, Back into the left. I didn't see

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Speaker 1: the movie mean some Bruder film, the documentary by Oh

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Speaker 1: my god, I watched the A Bruder film first thing

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Speaker 1: every day. Yeah, there's no better ways. Looking for new stuff.

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Speaker 1: Please welcome back rejoining champion Caroline Carter. Oh, Miss Carter,

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Speaker 1: what's your favorite type of ice cream? And please don't

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Speaker 1: be lactose intolerant because I have no tolerance for them. Well,

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Speaker 1: I'll tell you something. I like mint chocolate chip and

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Speaker 1: I'm lactose intolerant, so I just shoot a lot after

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Speaker 1: I eat it. But it doesn't stop me. You know,

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Speaker 1: I'm there with you. Chocolate mint can't be beat. And

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Speaker 1: if you if hot fudge accidentally falls on it, I'm

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Speaker 1: not I'm not upset unless it's a cone you don't

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Speaker 1: want them. What do you mean accidentally falls on it?

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Speaker 1: Like what scenario? I don't know, as James, Well, have

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Speaker 1: you never seen two fast working ice cream people, one

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Speaker 1: person serving hot fudge and other cones of mint chocolate chip? Joey,

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Speaker 1: that's how it happened. Feel better, Jope, Like, um, let's see,

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Speaker 1: I had a question for Caroline. I'm sure of it.

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Speaker 1: That was it was just the ice cream poopy. Yeah,

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Speaker 1: it was just you know I I was going to

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Speaker 1: follow mine with the similarity is I don't necessarily ship myself.

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Speaker 1: But there's a lot of gas, so maybe I'm a

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Speaker 1: little tolerant. But if you don't eat it for two

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Speaker 1: weeks and then you eat it and gets crazy, then

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Speaker 1: you'll know, all right. Last, but Mayer socks always be

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Speaker 1: soaking wet. If you think him least, it's Joey Greer

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Speaker 1: Joseph of the House of Tigrarian. If they could see you, now,

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Speaker 1: what would they say? Uh? Please leave? That's right to you. Okay, okay,

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Speaker 1: all right, let's get to our first scene. I should

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Speaker 1: mention that we would greatly appreciate you, our favorite listener,

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Speaker 1: to please write a review of the show in the

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Speaker 1: next fifty two hours starting now. Apparently this is what's

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Speaker 1: needed to gather more of you and stay in existence,

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Speaker 1: So please help us if you really love us. All right,

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Speaker 1: all today's scene suggestions regather from our listeners emails. If

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Speaker 1: you'd like to submit yours, please write to the podcast

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Speaker 1: at your name here at alchemy this dot com dot

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Speaker 1: that's your name here at alchemy this dot com. Our

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Speaker 1: first scene comes from Kyle, who wrote, Hey, that's it.

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Speaker 1: He just wrote, Hey, Hey, I've been listening since the

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Speaker 1: beginning and I love the show. One day my co

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Speaker 1: workers are going to ask why I chortle at random

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Speaker 1: points throughout the day. Anyway, I have some scenes suggestions.

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Speaker 1: Take one or two or all three and make it

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Speaker 1: a super show just for me. Or take none, and

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Speaker 1: I'll only cry a little Kyle. I chose number three,

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Speaker 1: and here it is. The story of Jacob's marriage in

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Speaker 1: the Bible is an odd one. He worked for seven

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Speaker 1: years to marry Rachel, but woke up in the morning

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Speaker 1: after his wedding to find that he was married to

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Speaker 1: her sister Leah, whose eyes were lovely. I'd like to

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Speaker 1: know how that morning played out. Wake up, what I know?

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Speaker 1: You're making that noise? Wake up? You're making the you're

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Speaker 1: making the rooster noise. Hey, my wife forever? Yes, so,

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Speaker 1: I don't want to look at you. I don't want

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Speaker 1: to look at you yet. I don't want to look

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Speaker 1: at you. Come on, you're my wife forever. I get

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Speaker 1: the rest of my life to look at you. Okay,

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Speaker 1: Well i'm naked. Should I look I don't know. Yes,

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Speaker 1: it's not a trap. I have to tell you something.

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Speaker 1: Go for it. It's easier if you turn around and

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Speaker 1: look at me. Okay, Um, you look different? Yes? Sorry around? Um?

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Speaker 1: What did you sleep on your face or something? I

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Speaker 1: did sleep on my face, but that's not why I

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Speaker 1: look different. Rachel, What the hell's going on? Why do

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Speaker 1: you not I'm not Rachel? Okay, okay, I'm not Rachel. Okay,

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Speaker 1: I'm not Rachel. I know you're not Rachel. I'm not Rachel.

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Speaker 1: You're not Rachel. Dog in the corners, not Rachel, Rachel.

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Speaker 1: What has happened? I'm not Rachel. I'm her sister. Hold on,

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Speaker 1: time out, pump the horse. What are you saying right now?

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Speaker 1: Time back in? Put the saddle on the horse and

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Speaker 1: go to the races, because I'm Leah. Sh look at

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Speaker 1: my eyes they're different. One is gone and the other

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Speaker 1: is a beautiful brown eye. I just hold on a second,

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Speaker 1: So hold on a second. Way, I'm married, Leah. Yeah, okay,

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Speaker 1: so you mean I'm married to Rachel and you know

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Speaker 1: you're not married to Rachel. I don't understand this. Don't

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Speaker 1: say you're married, don't say it hurt to my feelings.

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Speaker 1: Hurt my feelings and you snuck him? Okay? Well what

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Speaker 1: was I supposed to do? I don't not do this?

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Speaker 1: What that? What kind of bet was happening between you

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Speaker 1: and your six sister that made this happen? Huh? We

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Speaker 1: had a big bet. We bet five chickens that I

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Speaker 1: couldn't trick you seem to marrying me, So I while

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Speaker 1: I lost the bet I did gain the marriage to you.

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Speaker 1: So my marriage, my eternity with somebody is worth five chickens. Yes,

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Speaker 1: that's what it's worth. Oh God, where where is Rachel

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Speaker 1: right now? She's at home, She's in the tent next door,

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Speaker 1: She's in the tent, next, in the tent next. Let's

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Speaker 1: all go, uh, Jennifer, let me just say, on behalf

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Speaker 1: of all of Apple, how unbelievably thrilled to have we

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Speaker 1: are to have you with the new network. I'm ben.

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Speaker 1: Let's just go around the room and have you meet everyone.

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Speaker 1: Jennifer Anis didn't say hello to Saul, and of course Rick,

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Speaker 1: he's in VP of programming and we're not sure what

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Speaker 1: he does. Jennifer, we are so excited to have you.

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Speaker 1: We've already made the announcement as you know that you're

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Speaker 1: coming to the Apple Network. I just, um, I'd like

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Speaker 1: to pitch you some different ideas, uh than what you've

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Speaker 1: already sort of came in to us with. You didn't

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Speaker 1: like the two hour pilot. I just showed you, guys,

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Speaker 1: we did. We did its moments. Yeah yeah, and by

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Speaker 1: the way, but she's going to shove Maybe that's it.

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Speaker 1: We're thinking. I'm just gonna throw the title out to

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Speaker 1: you and see what pictures come into your mind. My

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Speaker 1: mind works like a movie theater, that's right, So here

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Speaker 1: we go. Ready, I'm not Rachel? Okay, I like it.

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Speaker 1: So you know the character you played in Friends? Yeah, Rachel.

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Speaker 1: And so we're gonna make it crystal clear to everybody

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Speaker 1: because then we just we did a lot of testing

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Speaker 1: and it seems everyone kind of thinks you're the character

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Speaker 1: you played in Front. Okay, So still having a hard

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Speaker 1: time not thinking that you're Rachel right now? I'm sorry? Sure?

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Speaker 1: Are uk? You sound like you're choking in your own tongue.

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Speaker 1: I'm fine. It's just that I've I grew, I really

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Speaker 1: grew fond of your character. It just sounds like you're

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Speaker 1: speaking from underwater, not true. Is there something? Oh God,

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Speaker 1: Jesus Christ. Sorry, can you put like a towel over

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Speaker 1: your head or something? When it hurts to look at you? Jennifer,

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Speaker 1: I'm a I'm okay. I have a lot of money

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Speaker 1: and I'm helping to fund these Apple products and the

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Speaker 1: TV shows now four ninety nine. If you want to join,

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Speaker 1: and do I have to pay if I sell? I

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Speaker 1: mean contractually, yes, we would just take that out. So

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Speaker 1: wouldn't you wouldn't pay, you just wouldn't get them. That

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Speaker 1: was four You get four dollars nine nine cents less

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Speaker 1: than the thirty two million we've already promised you. Maybe,

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Speaker 1: so we love you, We love you as Rachel. Let's

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Speaker 1: let's just well, I think we all agree, Rachel love

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Speaker 1: you as Rachel was great. Rachel was great. You know,

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Speaker 1: we just that's with the marketing team. And we tested,

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Speaker 1: We tested no one, We tested on animals, we tested

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Speaker 1: on people. I mean, we did a lot of testing.

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Speaker 1: We tested mostly on animals, love monkeys. You only had

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Speaker 1: a thirty percent likability rating. No way, Well that's what

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Speaker 1: the science says. And what did they do to say

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Speaker 1: that at the screen and that was a yes or no?

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Speaker 1: That was yes, that wasn't yes. The ones that didn't

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Speaker 1: fling their pool, we assume they don't like the Well,

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Speaker 1: that seems very reasonable to me, So I can't argue

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Speaker 1: with that. And the people that we attested, they pete

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Speaker 1: on the screen and we unit that as yes. And

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Speaker 1: the people who didn't, Okay, that seems weird. But you

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Speaker 1: guys are Apple, and you invented the iPhone, the iPad,

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Speaker 1: the iMac the I m hm. And that's why we

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Speaker 1: thought we would pitch you out some some ideas today

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Speaker 1: and if you respond to any of them, great, If

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Speaker 1: you don't, also great. Okay, here's another one. Um, maybe

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Speaker 1: maybe I'm not Rachel. Maybe I'm not Rachel. That's another one. Okay.

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Speaker 1: I just here's the thing, guys. It seems like if

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Speaker 1: you have the one, you have the word Rachel in

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Speaker 1: the title. Yeah, that's what people are going to think.

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Speaker 1: That's why we're trying to really promote a negative a

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Speaker 1: connotation with Rachel's gone, she's over, she's dead. What about

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Speaker 1: another name? What about something not even related to Rachel

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Speaker 1: or Jennifer? Okay, I like that because that's actually my

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Speaker 1: real name, Jennifer Aniston. A lot of people call me

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Speaker 1: Rachel Aniston and that's not my name. Correct, incorrect, Yes,

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Speaker 1: please God stop it. Jesus Christ, I lost five chicken Rick,

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Speaker 1: thanks from coming out of the albums. Well, appreciate your Uh,

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Speaker 1: you're sick. You're you're a sick man. You shouldn't be

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Speaker 1: at the officer. You're getting people sick. That's not true. Yes,

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Speaker 1: it is true, So I'm saying it's not true. It's true,

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Speaker 1: and this is just it is poured through your teeth,

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Speaker 1: just like disgusting. Like to drink milk. It's not, it's normal.

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Speaker 1: It's that is normal to a degree, the amount you drink.

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Speaker 1: People bring gallons of water into work. You bring gallons

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Speaker 1: of milk and drink that throughout the day, marking it

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Speaker 1: as you go. Rick, I just if you have a minute,

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Speaker 1: I wanted to go over your results again. Um, they're great,

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Speaker 1: thank god. Yeah, yeah, y'all of your medical test turned

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Speaker 1: out phenomenal. In fact, I just want to make one

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Speaker 1: little adjustment if I could. I would like to put

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Speaker 1: you on an all mucous diet. Us all. What did

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Speaker 1: the doctor say? Just talk to me, Rick, I feel

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Speaker 1: like I'm trying him to a stuck You're not turning

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Speaker 1: into a skexi. Okay, there's a box of Kleenex in

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Speaker 1: front of you. Just blow your nose, Rick, I don't know, Marie,

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Speaker 1: Rick looks so good. What diet is he? Well? I

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Speaker 1: was kind of down on it at first, but he's

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Speaker 1: on an all mucous diet. The whole family is well.

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Speaker 1: Everyone's looking so good and so shiny. Thank you. I

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Speaker 1: went down a dress size. Try try some mucus. I'd

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Speaker 1: love to just in the ball here, just in the ball.

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Speaker 1: That's fantastic, that's so good. You look better already more, babe,

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Speaker 1: I'm not gonna have sex with you when you're like this. Baby,

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Speaker 1: you're fucking crossing me up. Baby, just spat out your

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Speaker 1: tooth on this sexy guy. Huh. I know I'm a

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Speaker 1: sexy guy. Work out my muscles for a living. Does

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Speaker 1: you have a spit on your arms and sweash your arms?

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Speaker 1: I guess so, yeah, do it? Oh god, this is disgusting.

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Speaker 1: My eyes. I can't really open my eyes. I noticed

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Speaker 1: they're pussing up. I'm gonna call nine one one call

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Speaker 1: my wife is mute. It looks like mu because it's

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Speaker 1: taken over where I am in the house. We're in

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Speaker 1: our second floor bathroom, in the closet in the pantry,

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Speaker 1: and the closet in the bathroom the moment. A cute

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Speaker 1: little toilet paper Do you know what my house looks like?

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Speaker 1: It's just a guess. I've done so many of these calls.

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Speaker 1: It's just something I do to pass the time. I'm sorry,

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Speaker 1: all right, well that was exactly right. I have a

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Speaker 1: cute little toilet paper head Yeah, it's a poodle's head.

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Speaker 1: How do you know that there's a poodle's head? It's

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Speaker 1: just again, it's a fun, fun, little hobby of mine.

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Speaker 1: So I'm sorry, What is your emergency? Okay? My wife

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Speaker 1: is covered in mucus and I have a secondary emergency

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Speaker 1: I want to report. I think. Damn guy I'm talking

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Speaker 1: to on the phone now knows everything about my dang house.

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Speaker 1: I don't. I know it's a two bedrooms upstairs stuff. Yeah,

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Speaker 1: there's two bedroom stairs. What the hell, dude, come on? Okay,

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Speaker 1: so much fun for me. It's not fun for me.

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Speaker 1: I'm taking notes. I've got about a correct ratio for

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Speaker 1: super excited about it. What's happened to your wife? My wife,

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Speaker 1: she hangs out with this woman. She's a real bad influence.

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Speaker 1: She told her read her own mucus, all this kind

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Speaker 1: of dank stuff. Right, So I'm not hearing an emergency. Okay,

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Speaker 1: Well she's stroking the bad baby that you produced. But

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Speaker 1: Jennifer Hanniston is on Rachel not right. Oh that sounds good.

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Speaker 1: Don't spoil the ending for me. You said, know what

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Speaker 1: that it's also straight from the Bible, the stories as

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Speaker 1: a Bible, I specifically have not read that part, and

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Speaker 1: I'm waiting to see the ending. How is that playing Jacob?

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Speaker 1: How is playing Jacob? He's good, that's Brad Pitt. You

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Speaker 1: can't tell that's okay. He looks terrible. No, no, he

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Speaker 1: looks good. There, it's all right, Rick, I'm going over

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Speaker 1: the show notes. They don't make any damn sense. I

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Speaker 1: just don't understand from the pilot episode three, you've infused

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Speaker 1: some kind of sci fi element to this. It looks

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Speaker 1: like you've literally taken element from Babylon five. You, I

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Speaker 1: mean you wrote Babylon five just like Babel. I don't know.

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Speaker 1: Let me I should, I should race that there. It's

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Speaker 1: a simple story, is I don't understand some very complex No,

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Speaker 1: not babble on five, the story of Rachel. I mean,

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Speaker 1: all we're doing is we're making Jennifer Anderson Leah and

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Speaker 1: we're just having her like the fun rom come with

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Speaker 1: it all. Like, is she not from Star Wars? What?

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Speaker 1: Who are you? Jennifer Andison le Princess Leah, Princess Leiah.

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Speaker 1: First off, break's on the mirrors. I just read it's

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Speaker 1: a pronunciation joke. No, I know that character is from

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Speaker 1: Star Wars. But but I don't under do you think,

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Speaker 1: Oh God Jesus, I gotta sit down, Rick one one.

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Speaker 1: What's your emergency? I might hear your bleeding? My I

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Speaker 1: think my executive producers a room in the house. Are

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Speaker 1: you in room in the house? Uh? I can see

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Speaker 1: I'm at the the downstairs toilet, downstairs toilet. Yeah, I'm

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Speaker 1: right by the day and there's a small buffet table

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Speaker 1: next to me, right in the bathroom. I'm fine. I

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Speaker 1: think my producers trying to kill me. He's saying the

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Speaker 1: most insane things, and my ears are you might want

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Speaker 1: to replace the hummus? Shut up? Yes, how did you

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Speaker 1: know that? How did you know them? Again? My ears

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Speaker 1: are bleeding. I think my executive producers trying to kill me.

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Speaker 1: I think you may want to replace those shoes. Okay, ah,

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Speaker 1: you're right, yeah, they are a lot of fashion. Just

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Speaker 1: take him off. What is this? You're really good? You

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Speaker 1: know me really well? Well I do, and I don't.

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Speaker 1: Um So, what would you like us to do? What?

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Speaker 1: What I like you to do? What do you help me?

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Speaker 1: What do you mean what would I like you to do?

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Speaker 1: You want someone to be sent over? What do you working?

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Speaker 1: Just talk you through this. I know I know I

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Speaker 1: need help. I need to talk to her. Some think

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Speaker 1: or something is what I'm thinking. Okay, let's go with

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Speaker 1: or something. I'm gonna sound a dentist. They're a doctor, sure, yeah, okay,

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Speaker 1: very high suicide, right, so keep that in mind. Please

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Speaker 1: when they go up. And how long you've have you

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Speaker 1: been having this problem? Um? Open wine? Um not not

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Speaker 1: not often? This this has to do with my ears

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Speaker 1: are bleeding. Okay, I'm going to give you a shot

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Speaker 1: of mucus. Okay, right in the mouth. Okay, your mouth

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Speaker 1: should be filling up with mucus. It should be harder

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Speaker 1: to understand, just deeper, more guttural. You should fit right

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Speaker 1: in with your producer. I'm gonna go fucking kill myself.

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Speaker 1: Remember right to the podcast. If we put too much

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Speaker 1: mucus in your ears. Your name here Alchemy, this dog

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Speaker 1: coup and now if we're time for see number two.

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Speaker 1: Mr comes from Curran Curran, who wrote Dear Alchemist, all

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Speaker 1: write you from the shadowy depths of Hell. As I

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00:21:00,440 --> 00:21:04,639
Speaker 1: was committing dubious acts of treason, I found myself struggling

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Speaker 1: to breathe while it's listening to this wonderful program, And

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Speaker 1: eventually collapsed where I met my fiery fate. So he

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Speaker 1: laughed so much at the show he fell to hell.

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Speaker 1: I think he was working in hell and fell and

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Speaker 1: it was fiery down there already he already worked in hell.

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Speaker 1: Sounds like I can hear the eyes rolling around in

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Speaker 1: your heads when the same suggestions get too specific. So

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Speaker 1: I'll come right to it with mine and keep it short.

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Speaker 1: And then he just wrote a one word seemed suggestion. Ocean,

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Speaker 1: thanks for nothing, current Michael Ocean, Michael Osan, Yes, your

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Speaker 1: table is ready, Okay, I don't need to. I don't

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Speaker 1: want to sit so far into the corner. I'd like

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Speaker 1: to have a big table. Why do we do this

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Speaker 1: every time? It's not a big deal. It's just that

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Speaker 1: they think, because there's only two of us, that we

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Speaker 1: want to be hidden in a corner where no one

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Speaker 1: can What does it matter what? We're here for the food. No,

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Speaker 1: we're here for a celebration and to eat the food. Yes,

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Speaker 1: of course, citizen the center. The center tables for sixteen

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Speaker 1: people or more. I will gladly pay. No, it's not gladly.

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Speaker 1: Can we get one that's just off center, like maybe

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Speaker 1: something something that's for four people? Well, everything's actually increases

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Speaker 1: outside the center until we get to the very edges

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Speaker 1: where it's just for two people. Just I'm sick and

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Speaker 1: tired of coming into this restaurant and being forced to

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Speaker 1: sit in the shadows of a corner like I'm some

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Speaker 1: sort of I'm upset. I feel like I'm I'm Strider

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Speaker 1: from Lord of the Rings. Like money maybe, okay, yeah,

363
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Speaker 1: paper rubbing your fingers together? Are you suggesting my nipples

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Speaker 1: you're gonna rubb? No? No, not nipples here. Let me

365
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Speaker 1: just show you this, what if I was to give

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Speaker 1: you you just ripped a five dollar bill in half.

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Speaker 1: I don't know you get the other half when you

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Speaker 1: see this at a good tabe. I I appreciate what

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Speaker 1: this is about. For a table of two. I think

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Speaker 1: it's appropriate to have a seed in the corner that

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Speaker 1: for those tables you're done and experience would be anything

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Speaker 1: other than fantastic. Honey, Yeah, clearly five wasn't enough. Five

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Speaker 1: wasn't enough. Here is half of a ten. You're we're

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Speaker 1: talking fifteen dollars at the end of this meal. I

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Speaker 1: appreciate again, I appreciate that. I think that, but I

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Speaker 1: for your experience, I believe the best we can do.

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Speaker 1: Is there a problem? Curtis you a manager? I am

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Speaker 1: a manager? Is he also a manager? Is Curtis a manager?

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Speaker 1: And Curtis are matri D? I am a matri d

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Speaker 1: Mr Ocean welcome back. And I don't want that fucking table.

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Speaker 1: I don't want to be sitting in the back corner anymore.

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Speaker 1: I want to be in the center. I want to

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Speaker 1: be part of the people the center. As I'm sure

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Speaker 1: Curtis has explained, as for parties of sixteen or more,

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Speaker 1: I'll take an off center one. I'll take an off

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Speaker 1: center table, off center tables or all. We have a

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Speaker 1: very strategic design to a restaurant. We have a organic

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Speaker 1: center table that holds sixteen or more people, and then

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Speaker 1: we offset that with four four tops surrounding the four top.

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Speaker 1: I'll take a four time. Okay, do you have a

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Speaker 1: party of four? I will I will pay for at

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Speaker 1: a table in this joint. That would be all right.

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Speaker 1: We've got twenty two of us. Can you come in

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Speaker 1: and just starts center table? Please follow me tables Table

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Speaker 1: twenty two is gonna be alright here? Yes, yes, right,

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Speaker 1: It's just it's just so I sound like I have

397
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Speaker 1: a lot of voices in my head. That'll be fine,

398
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Speaker 1: fantastic as long as there many voices in the head,

399
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Speaker 1: and then we can we will grow to a number

400
00:24:50,760 --> 00:24:53,399
Speaker 1: of I cannot wait, here's menus, and I'll leave some

401
00:24:53,480 --> 00:24:56,840
Speaker 1: more scattered around the table as a personalities to express themselves.

402
00:24:56,880 --> 00:25:04,200
Speaker 1: I'll be able to That was also for me. Oh voice, yeah,

403
00:25:04,359 --> 00:25:09,879
Speaker 1: you know him a part time fantastic. Alright, do I

404
00:25:09,920 --> 00:25:13,880
Speaker 1: have a let yes, serve right here. You're not gonna

405
00:25:13,960 --> 00:25:18,480
Speaker 1: use it. Give him a cigarette. I'm trying to quick. Sorry, okay, sorry,

406
00:25:18,480 --> 00:25:21,720
Speaker 1: forgive me that. I will bring the waiter over and you.

407
00:25:21,840 --> 00:25:25,280
Speaker 1: How about the menus? Yes, they already here and I

408
00:25:25,359 --> 00:25:29,119
Speaker 1: have scared them throughout. Yes they are the specials are

409
00:25:29,119 --> 00:25:32,119
Speaker 1: in the first leape. Can we get some different child men? Yes,

410
00:25:32,160 --> 00:25:33,760
Speaker 1: of course. I'll go back to the main major d

411
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Speaker 1: booth and excuse me, can I have that seven dollars

412
00:25:39,160 --> 00:25:41,200
Speaker 1: and fifty cents back? We're going to leave. I've never

413
00:25:41,280 --> 00:25:43,000
Speaker 1: had it. You let it fall to the floor. No,

414
00:25:43,320 --> 00:25:46,399
Speaker 1: I they were those half bills were handed to you,

415
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Speaker 1: Mr Ocean. Please, there's no need for you to leave.

416
00:25:48,600 --> 00:25:51,000
Speaker 1: We have your usual table. I don't want to have

417
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Speaker 1: a hooded cow for you to wear. I don't want

418
00:25:53,359 --> 00:25:55,960
Speaker 1: a hood and aura of mystery. I don't want to

419
00:25:56,000 --> 00:25:58,280
Speaker 1: be a mystery like Strider and Lord of the Rings.

420
00:25:58,400 --> 00:26:02,320
Speaker 1: That's exactly what I said, Eric, Yeah, that's the same

421
00:26:02,400 --> 00:26:04,360
Speaker 1: character as I'm familiar with the source materario. That's wait

422
00:26:04,440 --> 00:26:07,880
Speaker 1: right here at your usual table. You are you sure?

423
00:26:08,200 --> 00:26:10,639
Speaker 1: I'm am? I sure, yes, of course, because we can

424
00:26:10,680 --> 00:26:14,800
Speaker 1: go somewhere else. Sure, cherry on top end of the night.

425
00:26:14,960 --> 00:26:17,119
Speaker 1: Let's sit here. Okay, Oh my god? Look who it

426
00:26:17,200 --> 00:26:18,639
Speaker 1: is is the guy who played Strider and Lord of

427
00:26:18,640 --> 00:26:25,000
Speaker 1: the Rings. It's oh my god? What's his name? You? Yeah,

428
00:26:26,040 --> 00:26:28,359
Speaker 1: we're so close. What is it? You're still good at

429
00:26:28,359 --> 00:26:31,000
Speaker 1: thinking of things? Still good thinking of things? Remember when

430
00:26:31,040 --> 00:26:35,560
Speaker 1: you remembered, um, that name of that TV show when

431
00:26:35,600 --> 00:26:37,080
Speaker 1: we couldn't think of it last week? That was so

432
00:26:37,200 --> 00:26:43,879
Speaker 1: good Jeopardy? Yes, oh my god, Alex t his name was,

433
00:26:44,600 --> 00:26:49,120
Speaker 1: it's that actor. Should I ask for an autograph, I'll

434
00:26:49,119 --> 00:26:50,640
Speaker 1: go up to go up to me like, I'm sorry.

435
00:26:50,760 --> 00:26:55,320
Speaker 1: Is this bread for the table? Are you? That's good? Environment?

436
00:26:56,040 --> 00:26:59,200
Speaker 1: What else? What else? Is this fork for the table? Right? Yes? Yes?

437
00:26:59,320 --> 00:27:02,120
Speaker 1: What is this guy? Damn name? Folks? You're ready to order?

438
00:27:05,240 --> 00:27:09,000
Speaker 1: At the actor. Yeah, he was. He was Strider in

439
00:27:09,080 --> 00:27:13,440
Speaker 1: Lord of the Rings. Vigo, Vigo, are you that's a

440
00:27:13,440 --> 00:27:17,800
Speaker 1: pretty well known actor. Yeah, oh yeah. Eastern promises familiar

441
00:27:18,040 --> 00:27:26,320
Speaker 1: country for old men. No, I don't think so. No, Vigo,

442
00:27:27,040 --> 00:27:28,960
Speaker 1: v I double g O. That's what we're saying. That's

443
00:27:29,000 --> 00:27:34,040
Speaker 1: exactly that's not what you said. I think, Vigo, you're

444
00:27:34,040 --> 00:27:36,359
Speaker 1: adding an eye to the end of it. Don't know.

445
00:27:36,440 --> 00:27:37,960
Speaker 1: I don't know. We're saying we're in with an No,

446
00:27:38,240 --> 00:27:45,280
Speaker 1: just say say v v and go. No Vigo. I

447
00:27:45,359 --> 00:27:47,680
Speaker 1: can't help but think they forgot that we're sitting back here.

448
00:27:47,800 --> 00:27:51,879
Speaker 1: We haven't gotten a water. Excuse me, excuse me, we

449
00:27:52,000 --> 00:27:54,360
Speaker 1: haven't gotten busy. But wait, can you come back? Wait?

450
00:27:56,160 --> 00:27:57,760
Speaker 1: That's why I don't want to sit back here, honey.

451
00:27:58,119 --> 00:28:00,600
Speaker 1: Is it possible that you alienated everything angle person that

452
00:28:00,680 --> 00:28:02,680
Speaker 1: works here when we arrived, But we gave them what

453
00:28:02,800 --> 00:28:07,280
Speaker 1: they wanted. We sat back. Can you own your behavior

454
00:28:07,440 --> 00:28:10,560
Speaker 1: and how it affects other me? Yes? You all right,

455
00:28:10,800 --> 00:28:13,640
Speaker 1: You're perfect in my eyes, but no one else. Well, well,

456
00:28:13,920 --> 00:28:20,280
Speaker 1: it looks like the table that time forgot. Are you

457
00:28:20,440 --> 00:28:24,080
Speaker 1: are a waiter? I was a long time ago. What

458
00:28:24,200 --> 00:28:27,400
Speaker 1: are you now now? I'm just a part of the upholstery,

459
00:28:28,640 --> 00:28:33,800
Speaker 1: folded into the space itself. Wow, tell us imprisoned in

460
00:28:33,920 --> 00:28:37,560
Speaker 1: the restaurant just like you and be what they'll forget you.

461
00:28:38,200 --> 00:28:43,240
Speaker 1: How can we help you? You can't really really? Here's

462
00:28:43,320 --> 00:28:47,120
Speaker 1: forty wait, don't give that, give him half. I'm a

463
00:28:47,200 --> 00:28:51,760
Speaker 1: part of the poulstery. I cannot use this. Okay, Oh

464
00:28:51,840 --> 00:28:55,080
Speaker 1: my gosh, does your family know you're here? No, they

465
00:28:55,200 --> 00:28:59,920
Speaker 1: forgot about me along? What's your name? That name? I forgot?

466
00:29:00,560 --> 00:29:03,080
Speaker 1: But I remember the sounds of it. Can we oh,

467
00:29:03,760 --> 00:29:09,520
Speaker 1: give me two of the four sounds? Greg, that's that's

468
00:29:09,560 --> 00:29:11,760
Speaker 1: an actually if I remember. But I don't know what

469
00:29:11,960 --> 00:29:15,320
Speaker 1: to do, honey, I don't want to startle you. But

470
00:29:15,440 --> 00:29:20,320
Speaker 1: I think that's a chair. You think Greg's a chair?

471
00:29:20,720 --> 00:29:23,720
Speaker 1: I think that that person or I'm a part of

472
00:29:23,800 --> 00:29:28,800
Speaker 1: the upholster. Are you by chance a chair? Uh? Yeah,

473
00:29:29,600 --> 00:29:32,680
Speaker 1: that's what I thought. Are you? You know? What? Do

474
00:29:32,840 --> 00:29:38,240
Speaker 1: you mind getting away from our table? Because I'm sorry

475
00:29:38,280 --> 00:29:42,400
Speaker 1: to keep you waiting, folks. Everything okay here, No, it's

476
00:29:42,440 --> 00:29:45,640
Speaker 1: not this upholstery has just come up to us. A

477
00:29:45,720 --> 00:29:50,200
Speaker 1: little out of sorts today, is lovely? Could I ask

478
00:29:50,280 --> 00:29:52,960
Speaker 1: about the specials place? Yes? Absolutely, we have a grilled

479
00:29:53,000 --> 00:29:59,240
Speaker 1: mocky mocky with a salmon glaze. So you have the

480
00:29:59,280 --> 00:30:02,560
Speaker 1: grilled moy. We have a grilled mockey maheme. We've glazed

481
00:30:02,600 --> 00:30:06,320
Speaker 1: it with salmon. And then there's a side of cod.

482
00:30:07,880 --> 00:30:11,480
Speaker 1: So that's our triple fish special and Tecti fish I

483
00:30:12,040 --> 00:30:16,000
Speaker 1: effective fish. We also have a hangar steak that's hanging

484
00:30:16,160 --> 00:30:19,480
Speaker 1: right over the plate and you've got to eat it soon.

485
00:30:19,560 --> 00:30:22,840
Speaker 1: It's going to fall right off, okay. And that comes

486
00:30:22,880 --> 00:30:26,760
Speaker 1: with and that's seventy okay. Well, and that's just the steak.

487
00:30:27,560 --> 00:30:30,560
Speaker 1: So it's all a card. I'll take. I'll take the

488
00:30:30,640 --> 00:30:34,560
Speaker 1: hangar steak, will you, yes, pakay. My husband will have

489
00:30:34,640 --> 00:30:38,160
Speaker 1: the hangar steak. Okay. It normally comes rare. It's fine, okay.

490
00:30:38,920 --> 00:30:42,320
Speaker 1: And for you, ma'am, you have traffic to get the

491
00:30:42,360 --> 00:30:46,440
Speaker 1: traffic to okay, I'll get the triple fish. It's fantastic,

492
00:30:46,640 --> 00:30:48,160
Speaker 1: is it. It's one of my favorites. Can you just

493
00:30:48,280 --> 00:30:50,120
Speaker 1: make sure then that you still have one available in

494
00:30:50,160 --> 00:30:56,160
Speaker 1: the kitchen. Salmon glaze up, firing salmon glazer, this cod.

495
00:30:56,440 --> 00:30:57,920
Speaker 1: We fire this cod and this is not the way

496
00:30:57,960 --> 00:31:01,120
Speaker 1: we do It's five are the cop you don't want

497
00:31:01,120 --> 00:31:03,800
Speaker 1: it skin on. I want skin on alive. I want

498
00:31:03,840 --> 00:31:06,040
Speaker 1: it dead and cook to go. Okay, Well, this is

499
00:31:06,040 --> 00:31:08,200
Speaker 1: a little different from the last place I were. Okay,

500
00:31:08,240 --> 00:31:10,000
Speaker 1: the last place your cort is not here. Yeah, it

501
00:31:10,080 --> 00:31:12,800
Speaker 1: was an aquarium. Okay, standing, those fishes were supposed to

502
00:31:12,840 --> 00:31:16,360
Speaker 1: be a lie. I don't believe it. I need that

503
00:31:16,360 --> 00:31:20,840
Speaker 1: triple fish, that triple fish working most Okay, I have

504
00:31:21,040 --> 00:31:23,920
Speaker 1: my steak. I need the triple understand that. Okay, we

505
00:31:23,960 --> 00:31:26,560
Speaker 1: got an expedite on time. Okay, it's hard to catch

506
00:31:26,640 --> 00:31:28,720
Speaker 1: the fish. There's a little slippery. Okay, they should be

507
00:31:28,840 --> 00:31:30,680
Speaker 1: dead already. Don't bring these fishes in a lie. I

508
00:31:30,680 --> 00:31:32,680
Speaker 1: don't want to kill the freaking fish you have? Do

509
00:31:32,800 --> 00:31:35,720
Speaker 1: we can't serve live fish? Why not? Because people don't

510
00:31:35,760 --> 00:31:38,200
Speaker 1: eat live fish. They eat live meat. Okay, Well we

511
00:31:38,320 --> 00:31:40,600
Speaker 1: never had to do this in the aquarium because it's

512
00:31:40,640 --> 00:31:43,280
Speaker 1: an aquaria. People go to see the fishes alive. Okay,

513
00:31:43,320 --> 00:31:44,720
Speaker 1: so why can't we do the same thing and that

514
00:31:44,800 --> 00:31:48,520
Speaker 1: I need that triple fish, that triple fish working. Let's

515
00:31:48,560 --> 00:31:51,440
Speaker 1: get the jasmine rice out here, okay, thank you? All right? Great,

516
00:31:51,840 --> 00:31:54,760
Speaker 1: all right? Where is that salmon? GLn don't don't touch

517
00:31:54,840 --> 00:31:57,440
Speaker 1: the plate it's hot. I was hot, you were hot,

518
00:31:57,680 --> 00:32:00,840
Speaker 1: it was I'm hot, and the plates cold up? Please, Okay,

519
00:32:00,920 --> 00:32:03,840
Speaker 1: let's get that salmon glaze. Okay, I'm trying to catch it.

520
00:32:04,160 --> 00:32:07,720
Speaker 1: Give me a second. Some customers complaining that the chairs

521
00:32:07,720 --> 00:32:10,000
Speaker 1: are talking again. Okay, let's make sure we get those

522
00:32:10,080 --> 00:32:12,800
Speaker 1: chairs muffled. Okay, we can't have them talking while they're

523
00:32:12,840 --> 00:32:16,360
Speaker 1: eating six to hanger steak. Eighty six hangar steak. That's

524
00:32:16,400 --> 00:32:19,920
Speaker 1: the last one to give one here. If no one

525
00:32:19,960 --> 00:32:21,600
Speaker 1: can happen, no one can happen. Can I eat it?

526
00:32:21,640 --> 00:32:24,880
Speaker 1: If it's in the trash after your ship? Okay? So

527
00:32:25,120 --> 00:32:28,959
Speaker 1: you see, Jennifer, you work in this restaurant. Okay, right,

528
00:32:29,040 --> 00:32:30,920
Speaker 1: and so you're the waitress used to work at the

529
00:32:31,040 --> 00:32:33,760
Speaker 1: aquarium and we think it's hilarious. Okay, I like it,

530
00:32:33,840 --> 00:32:35,240
Speaker 1: but I don't know why the title has to be

531
00:32:35,400 --> 00:32:39,160
Speaker 1: this is not Rachel from friends working at a restaurant. Okay, Well,

532
00:32:39,240 --> 00:32:45,240
Speaker 1: we're open to ideas. Problem is, I was still confused

533
00:32:45,320 --> 00:32:47,160
Speaker 1: when I see you on the screen. I can't help

534
00:32:47,200 --> 00:32:51,360
Speaker 1: but think that you're Rachel. I'm sorry. Can someone else

535
00:32:51,560 --> 00:32:53,560
Speaker 1: work in your job? You know what I mean? Like?

536
00:32:53,640 --> 00:32:59,720
Speaker 1: Can you fire this? You want to fire me. But

537
00:32:59,840 --> 00:33:03,840
Speaker 1: you're the money guy. You're the money. Are you saying

538
00:33:04,480 --> 00:33:07,960
Speaker 1: what I'm hearing? Anyways? Uh is in order for you

539
00:33:08,040 --> 00:33:12,400
Speaker 1: to feel safe working here at Apple, Richard, take a walk.

540
00:33:15,800 --> 00:33:18,440
Speaker 1: I mean, I don't want to put anyone out of

541
00:33:18,480 --> 00:33:21,360
Speaker 1: a job, but we'll find a place for him. Okay,

542
00:33:23,320 --> 00:33:26,440
Speaker 1: welcome to the milk department. We do. We move gallons

543
00:33:26,480 --> 00:33:28,960
Speaker 1: of milk left and right all day, and at the

544
00:33:29,040 --> 00:33:30,280
Speaker 1: end of the day we put the gallons of the

545
00:33:30,360 --> 00:33:32,320
Speaker 1: giant vat and we started up until we go home.

546
00:33:32,360 --> 00:33:36,920
Speaker 1: You understand, Oh, it's not like my other job. This

547
00:33:37,080 --> 00:33:40,640
Speaker 1: is I'm not I never practiced this. I didn't study this.

548
00:33:41,320 --> 00:33:43,920
Speaker 1: I'm a CEO kind of guy. You don't got to

549
00:33:43,960 --> 00:33:47,120
Speaker 1: study this. We move gallons of milk left to right.

550
00:33:47,520 --> 00:33:49,320
Speaker 1: At the end of the day, we dump all the

551
00:33:49,400 --> 00:33:51,560
Speaker 1: gallons in the vat and we start them until we

552
00:33:51,640 --> 00:33:56,800
Speaker 1: go home. I'm creative. I'm a creative. Do you mean

553
00:33:56,880 --> 00:33:59,880
Speaker 1: you're gonna transferred there another section of Apple. I'm a

554
00:34:00,080 --> 00:34:09,640
Speaker 1: milky high milk. Maria heard about his d Marshal, Yeah,

555
00:34:09,760 --> 00:34:14,680
Speaker 1: I have more time to work out his body. Give

556
00:34:14,719 --> 00:34:24,120
Speaker 1: me how would we have ended scene too? I asked you,

557
00:34:25,400 --> 00:34:32,320
Speaker 1: Oh man, it's beautiful. Our final scene comes from Steve,

558
00:34:32,360 --> 00:34:34,640
Speaker 1: who wrote, I hope all of you are doing well.

559
00:34:35,960 --> 00:34:39,120
Speaker 1: Super sweet. I'm having a day, but thanks. I fell

560
00:34:39,160 --> 00:34:42,480
Speaker 1: in love with the show after taking Christopher walkins advice

561
00:34:42,600 --> 00:34:47,160
Speaker 1: to take a listen interesting. I've been hooked ever since.

562
00:34:47,400 --> 00:34:50,239
Speaker 1: I have told everyone I know to listen and write

563
00:34:50,239 --> 00:34:53,279
Speaker 1: a review for the show. I hope they all do.

564
00:34:53,480 --> 00:34:57,840
Speaker 1: My scene, a pet care product company that is ethically

565
00:34:57,960 --> 00:35:02,120
Speaker 1: against testing their products on animal is getting complaints about

566
00:35:02,200 --> 00:35:05,600
Speaker 1: the effects people's pets are having while using the products

567
00:35:05,840 --> 00:35:11,800
Speaker 1: because you see, they didn't test them. Forever yours except

568
00:35:11,960 --> 00:35:19,960
Speaker 1: James Stave the Sorcerer. Oh no, I think you're really

569
00:35:20,000 --> 00:35:22,040
Speaker 1: going to enjoy this. I think your dog is gonna

570
00:35:22,040 --> 00:35:25,480
Speaker 1: have a great time with this little plushka. I'm just

571
00:35:25,719 --> 00:35:29,600
Speaker 1: read there's a lot of metal on the outside of it, like, uh,

572
00:35:30,520 --> 00:35:33,480
Speaker 1: spiky kind of metal. It's cute. But if I talk,

573
00:35:33,560 --> 00:35:36,640
Speaker 1: choose and it's gonna hurt no. No, now, this is

574
00:35:36,920 --> 00:35:39,800
Speaker 1: this is from the Animal Love and they all the

575
00:35:40,520 --> 00:35:45,640
Speaker 1: Animal Love, Animal Love Dianimal Okay, and they hurt my

576
00:35:45,680 --> 00:35:47,840
Speaker 1: finger though, So if it hurts my finger, why wouldn't

577
00:35:47,880 --> 00:35:49,800
Speaker 1: it hurt a dog's mouth? Well, the dog's mouth is

578
00:35:49,840 --> 00:35:52,399
Speaker 1: cleaner than the humans. Okay, so you know I can try.

579
00:35:52,520 --> 00:35:55,680
Speaker 1: I can just put it in my mouth. Oh I can.

580
00:35:56,120 --> 00:35:59,040
Speaker 1: Dogs can have it in his mouth. I'm saying if

581
00:35:59,080 --> 00:36:01,920
Speaker 1: I put in my mouth first, you don't want the

582
00:36:02,000 --> 00:36:03,719
Speaker 1: dog to have it after it's been in my mouth. Well,

583
00:36:03,719 --> 00:36:07,239
Speaker 1: I mean, please pay for the toy. Don't don't just

584
00:36:07,280 --> 00:36:10,400
Speaker 1: put in your mouth. Okay, fine, honey, can you are

585
00:36:11,680 --> 00:36:13,319
Speaker 1: I think that you should put this in your mouth?

586
00:36:13,400 --> 00:36:17,759
Speaker 1: Before said I shouldn't do it. Now I'm realized if

587
00:36:17,800 --> 00:36:19,799
Speaker 1: you have to pass this money off and then we're

588
00:36:19,840 --> 00:36:21,520
Speaker 1: going to have a sharp object if you do that,

589
00:36:21,520 --> 00:36:22,800
Speaker 1: if you put in your mouth out paying for it,

590
00:36:22,960 --> 00:36:26,879
Speaker 1: you'll you'll be arrested. Arrested. Are you serious? I'm serious, dude.

591
00:36:26,920 --> 00:36:32,600
Speaker 1: That was that would be stealing. So okay, my card,

592
00:36:33,000 --> 00:36:35,480
Speaker 1: car this is half of your card? Well yeah, he

593
00:36:35,560 --> 00:36:38,040
Speaker 1: only gives half at a time. Any of the rest

594
00:36:38,120 --> 00:36:39,719
Speaker 1: of your card, sir? Oh my god, what kind of

595
00:36:39,840 --> 00:36:42,399
Speaker 1: customer service does this place have? You've threatened the call

596
00:36:42,480 --> 00:36:44,359
Speaker 1: the cops. You won't take half of a credit card.

597
00:36:44,440 --> 00:36:46,320
Speaker 1: But this is how we do business. Okay, this is

598
00:36:46,400 --> 00:36:49,440
Speaker 1: nothing into personally, this is just just please just if

599
00:36:49,480 --> 00:36:51,560
Speaker 1: you would like to test the product purchase at first?

600
00:36:52,000 --> 00:36:55,160
Speaker 1: Ki folks, how the thing's going at him? Is everything? Okay?

601
00:36:55,280 --> 00:36:58,920
Speaker 1: Everything is actually not okay. I'm actually getting piste off.

602
00:36:59,080 --> 00:37:01,879
Speaker 1: He has terrible customer service. He wouldn't let me take

603
00:37:01,920 --> 00:37:06,800
Speaker 1: a dump in the kitty litter box. You wouldn't know, okay,

604
00:37:07,840 --> 00:37:09,320
Speaker 1: she wanted to do it on top of the kiddies.

605
00:37:09,360 --> 00:37:11,759
Speaker 1: There were such the kitty litter boxes flooded with little

606
00:37:11,800 --> 00:37:14,359
Speaker 1: kitty cats, and she had the poop poo, she said,

607
00:37:14,480 --> 00:37:16,400
Speaker 1: And I got this first off, not appropriate to do it,

608
00:37:16,480 --> 00:37:21,359
Speaker 1: and you you want to? Just the customer is always right,

609
00:37:23,840 --> 00:37:26,840
Speaker 1: that's what it says. Yes, that's it. I'm putting this

610
00:37:26,920 --> 00:37:34,719
Speaker 1: in my mouth? How is it, mabe? My mom? Oh babe,

611
00:37:34,760 --> 00:37:36,759
Speaker 1: how is it? You like? Now? To show you some

612
00:37:36,880 --> 00:37:40,839
Speaker 1: neurotoxins that are ejected once the uh the spikes ever

613
00:37:40,920 --> 00:37:49,120
Speaker 1: touched flash? Okay, when babe, do you like it? I

614
00:37:49,200 --> 00:37:58,360
Speaker 1: can't understand any of it in your mouth? Shall we

615
00:37:58,440 --> 00:38:03,120
Speaker 1: read that up for you? I guess show honey, act

616
00:38:03,200 --> 00:38:08,640
Speaker 1: like a man, act like a fucking many Did you

617
00:38:08,760 --> 00:38:11,320
Speaker 1: like it? I guess we still have to take it

618
00:38:12,080 --> 00:38:16,040
Speaker 1: when since we sampled it, you'll be arrested, Curtis, why

619
00:38:16,080 --> 00:38:18,960
Speaker 1: would they be arrested because they would be stealing, So

620
00:38:19,400 --> 00:38:21,920
Speaker 1: they don't leave with the store the store with the item,

621
00:38:21,960 --> 00:38:25,560
Speaker 1: then that's not stealing. He's just sampling it and he

622
00:38:25,760 --> 00:38:28,040
Speaker 1: loves it. You know, if you can get my back

623
00:38:28,120 --> 00:38:30,239
Speaker 1: sometime to be great, okay, because you're literally me in

624
00:38:30,280 --> 00:38:31,440
Speaker 1: front of customers, and it makes me feel like I

625
00:38:31,440 --> 00:38:33,080
Speaker 1: have no authority here, and it's like why work? Why

626
00:38:33,120 --> 00:38:36,000
Speaker 1: work here? You know what is the other side behind you? Say?

627
00:38:36,160 --> 00:38:38,759
Speaker 1: The individuals who are the managers respect the anonymy of

628
00:38:38,920 --> 00:38:43,799
Speaker 1: the workers themselves and will back them in a judicial fashion. Yeah,

629
00:38:44,120 --> 00:38:46,759
Speaker 1: it says, uh, never called the bullee. Okay, Well, then

630
00:38:46,800 --> 00:38:49,200
Speaker 1: what's up with that sign? Because I'm wearing two different signs?

631
00:38:49,239 --> 00:38:52,160
Speaker 1: Excuse me? Excuse me? Can you help me? Yes, my

632
00:38:52,280 --> 00:38:55,279
Speaker 1: monkey nearly choked on one of your collars. I bought

633
00:38:55,280 --> 00:38:57,480
Speaker 1: a collar here last week for my monkey, Yes, and

634
00:38:57,560 --> 00:39:00,799
Speaker 1: it nearly choked. Okay, I had to give it cpr Okay, good,

635
00:39:01,640 --> 00:39:04,040
Speaker 1: Well he's fine now, but I'd like to return the

636
00:39:04,160 --> 00:39:06,640
Speaker 1: caller it's used, sir. We can't. We can't accept the

637
00:39:06,760 --> 00:39:10,920
Speaker 1: used caller. No, he only wore it for like five minutes.

638
00:39:11,640 --> 00:39:14,200
Speaker 1: And then I left the room for like ten seconds

639
00:39:14,640 --> 00:39:17,440
Speaker 1: to get to get some monkey chowel, And then I

640
00:39:17,520 --> 00:39:19,279
Speaker 1: came back and he was on the floor showcase or

641
00:39:19,360 --> 00:39:21,360
Speaker 1: those metal balls that are coded and ban introduced. We

642
00:39:21,520 --> 00:39:24,360
Speaker 1: we cannot return that. That's like, that's it's already been used. Well,

643
00:39:24,360 --> 00:39:26,320
Speaker 1: then i'd like my money back. I can't give you

644
00:39:26,360 --> 00:39:29,160
Speaker 1: your money. What does that sign sign? If the customer

645
00:39:29,239 --> 00:39:31,879
Speaker 1: comes back with a complaint and issues an apology from

646
00:39:31,960 --> 00:39:34,960
Speaker 1: the company itself, then we will offer money back only

647
00:39:35,080 --> 00:39:36,960
Speaker 1: if and then, Why that's not the sign I was

648
00:39:37,040 --> 00:39:42,360
Speaker 1: pointing to? Which sign? Are you talking about? That word? Anonymy?

649
00:39:42,440 --> 00:39:47,080
Speaker 1: What is that? It's a legal term? Okay, well I'm

650
00:39:47,120 --> 00:39:50,799
Speaker 1: thoroughly confused by that sign. Okay, which sign were you point?

651
00:39:51,000 --> 00:39:53,920
Speaker 1: So many signs here? Which signs? Sir? What signed? The

652
00:39:53,920 --> 00:39:57,600
Speaker 1: customer is always right? Okay? So the middle one? Yes? Okay,

653
00:39:58,440 --> 00:40:01,439
Speaker 1: al right, here's your money back here it is that's

654
00:40:01,480 --> 00:40:03,120
Speaker 1: more than I paid. I want what I paid. I

655
00:40:03,160 --> 00:40:05,080
Speaker 1: don't know how much it paid. I wasn't working that day.

656
00:40:05,120 --> 00:40:07,840
Speaker 1: Here you go, excuse me, excuse me. I bought this

657
00:40:08,040 --> 00:40:11,480
Speaker 1: training pistol from you and it went off in my kid.

658
00:40:11,560 --> 00:40:14,480
Speaker 1: It's dead Okay, so I'd like my money back, and

659
00:40:14,560 --> 00:40:16,880
Speaker 1: I don't want this training pistol anymore. I don't know.

660
00:40:17,120 --> 00:40:19,120
Speaker 1: The training pistol just makes a noise. It doesn't shoot anything.

661
00:40:19,600 --> 00:40:21,719
Speaker 1: Got something. I don't know if you tested it, but

662
00:40:21,800 --> 00:40:24,280
Speaker 1: it's got something. Well, then you bought a regular pistols.

663
00:40:24,360 --> 00:40:25,879
Speaker 1: Well I pull out it here and it was under

664
00:40:25,920 --> 00:40:28,400
Speaker 1: the training pistol area. Okay, well that that is an

665
00:40:28,400 --> 00:40:31,719
Speaker 1: actual revolver. You bought a revolver. I got it from here. Okay, Well,

666
00:40:31,760 --> 00:40:32,840
Speaker 1: what do you want me to do? I want my

667
00:40:32,920 --> 00:40:35,320
Speaker 1: money back for the training pist I can't offer you

668
00:40:35,360 --> 00:40:37,319
Speaker 1: money back because the pistol did exactly what it's got

669
00:40:37,360 --> 00:40:42,920
Speaker 1: to do. I want my money back for this training pistol. Oh, sir,

670
00:40:43,000 --> 00:40:46,080
Speaker 1: we we I cannot open the register for you that time.

671
00:40:47,200 --> 00:40:50,640
Speaker 1: That time thing if somebody enters the premises with the weapon,

672
00:40:50,920 --> 00:40:53,640
Speaker 1: the weapon used to harm the individual behind the counter

673
00:40:53,800 --> 00:40:56,200
Speaker 1: at the cash register is not allowed to open until

674
00:40:56,239 --> 00:40:58,480
Speaker 1: that person puts down the gun and offers a cellifically

675
00:40:58,640 --> 00:41:03,880
Speaker 1: or a song. Okay, I really really think that you

676
00:41:04,160 --> 00:41:09,040
Speaker 1: own me my money back fat this training pistol. How

677
00:41:09,200 --> 00:41:12,800
Speaker 1: is that? Okay? My money back? Yeah, so you go

678
00:41:13,120 --> 00:41:19,160
Speaker 1: thank you bye, Oh my god, Brodney. Yeah, I need

679
00:41:19,239 --> 00:41:20,920
Speaker 1: a break. Yeah, I just need to I need to

680
00:41:20,920 --> 00:41:25,600
Speaker 1: go on a fiber. Okay, I'll fill in for Can

681
00:41:25,640 --> 00:41:30,520
Speaker 1: you get some more juice? Please on my brake? You

682
00:41:30,600 --> 00:41:35,359
Speaker 1: want me to get orange, That's why I asked, sure,

683
00:41:36,120 --> 00:41:38,200
Speaker 1: do you want a gallon or what your paper straw?

684
00:41:39,000 --> 00:41:41,200
Speaker 1: You want the company paper Straw Orange Juice. That's the

685
00:41:41,239 --> 00:41:45,920
Speaker 1: brand you want. Okay, I'll get you a gallon of

686
00:41:46,000 --> 00:41:48,440
Speaker 1: paper straw. I also want a paper straw in the

687
00:41:48,520 --> 00:41:51,600
Speaker 1: orange gain Okay, So you want a count of paper

688
00:41:51,640 --> 00:41:54,040
Speaker 1: straw and you want me to sink a paper straw

689
00:41:54,239 --> 00:41:55,680
Speaker 1: in there? You know I have three and a half

690
00:41:55,680 --> 00:41:57,800
Speaker 1: a minute. No, this doesn't count for my break. Okay,

691
00:41:57,920 --> 00:42:01,080
Speaker 1: this can't count for my break. Whenever you want to

692
00:42:01,120 --> 00:42:07,400
Speaker 1: get on that? Yes, thank you, thank you. Hi. Welcome

693
00:42:07,440 --> 00:42:11,560
Speaker 1: to paper straw where oranges are made of paper and

694
00:42:11,640 --> 00:42:14,239
Speaker 1: our straws are made of oranges. Yeah, I'd like to

695
00:42:14,280 --> 00:42:16,360
Speaker 1: get a gallon. Uh and could you drop a straw on?

696
00:42:17,080 --> 00:42:19,040
Speaker 1: I want to get a gallon of O j And

697
00:42:19,080 --> 00:42:21,560
Speaker 1: then could you drop a straw on? Okay, orange juice

698
00:42:21,880 --> 00:42:25,960
Speaker 1: or um paper straws or a gallon of orange juice?

699
00:42:26,000 --> 00:42:28,439
Speaker 1: And then one straw. Are you sure? Most people order

700
00:42:28,480 --> 00:42:35,000
Speaker 1: a gallon of straws and one orange juice. I want

701
00:42:35,000 --> 00:42:39,480
Speaker 1: a gallon of juice and then one straw in the gallon. Okay?

702
00:42:40,120 --> 00:42:42,360
Speaker 1: Are you sure? I'm just saying we don't do returns

703
00:42:42,400 --> 00:42:43,759
Speaker 1: if you look at the sign behind me and says

704
00:42:43,800 --> 00:42:47,759
Speaker 1: no returns, um, and then the other sign behind me

705
00:42:47,880 --> 00:42:52,000
Speaker 1: that says the order you're ordering is strange. So just

706
00:42:52,160 --> 00:42:54,680
Speaker 1: confirming that, and that has kind of a drawing of

707
00:42:54,760 --> 00:42:58,080
Speaker 1: your face. What is it that's perfectly drawn? If you're

708
00:42:58,080 --> 00:42:59,920
Speaker 1: still deciding I'm just picking up a gallon of straws.

709
00:43:00,400 --> 00:43:05,120
Speaker 1: Uh No, I'm not decide I'm getting a gallont Okay,

710
00:43:05,239 --> 00:43:08,919
Speaker 1: can you believe this guy? What's weird about that? Every

711
00:43:09,320 --> 00:43:11,440
Speaker 1: gallon of straws? It's straight getting the gallon of O J.

712
00:43:11,800 --> 00:43:13,480
Speaker 1: That's a normal thing to do, all right, whatever you

713
00:43:13,560 --> 00:43:16,200
Speaker 1: have to tell yourself, it's a liquid fluid measurement. It's

714
00:43:16,239 --> 00:43:19,560
Speaker 1: not it's not for for straws. Okay, Um, sure, okay,

715
00:43:19,600 --> 00:43:22,359
Speaker 1: So it's since it's such a freaking weird order, it's

716
00:43:22,360 --> 00:43:25,920
Speaker 1: going to take us about five minutes, two minutes. I

717
00:43:26,000 --> 00:43:28,400
Speaker 1: got three minutes on my break. I can't prep that.

718
00:43:28,920 --> 00:43:30,600
Speaker 1: Oh sorry, I already punched it in, so you do

719
00:43:30,760 --> 00:43:33,480
Speaker 1: have to wait, You don't have I can't go to

720
00:43:33,520 --> 00:43:35,480
Speaker 1: the cooler and des grab a gallon to the cooler.

721
00:43:35,480 --> 00:43:36,719
Speaker 1: If you go to the cooler, you're going to find

722
00:43:36,719 --> 00:43:39,520
Speaker 1: a bunch of straws. There's just all cold straws in here. Yes,

723
00:43:39,800 --> 00:43:41,920
Speaker 1: what the hell is up with these colds? There's no

724
00:43:42,160 --> 00:43:44,360
Speaker 1: liquid of any kind. Why would there be liquid in

725
00:43:44,400 --> 00:43:46,840
Speaker 1: the straw? This is paper straw and just getting my

726
00:43:46,880 --> 00:43:49,959
Speaker 1: standard order of a gallon of straw. Okay, Rick, okay,

727
00:43:51,480 --> 00:43:53,920
Speaker 1: thank you, Let's see tomorrow. Sorry, we went on a

728
00:43:54,000 --> 00:43:55,879
Speaker 1: date yesterday. How do you think it went? I don't

729
00:43:55,880 --> 00:43:57,920
Speaker 1: know what based on that report? How do you think

730
00:43:57,920 --> 00:43:59,399
Speaker 1: it when? Do you think he likes me? I think

731
00:43:59,440 --> 00:44:01,120
Speaker 1: he does. You think he likes me? I think you

732
00:44:01,200 --> 00:44:02,799
Speaker 1: seeing other people? If I can be honest, I mean,

733
00:44:02,880 --> 00:44:04,600
Speaker 1: that's just a vibe I'm getting. Are you serious? I mean,

734
00:44:04,680 --> 00:44:06,560
Speaker 1: I don't know him, but I'm just throwing that out there.

735
00:44:06,960 --> 00:44:10,400
Speaker 1: Protect yourself, Are you sure? No? I don't know the

736
00:44:10,480 --> 00:44:13,600
Speaker 1: details of this. We had unprotected sex? What that? Why

737
00:44:13,640 --> 00:44:15,360
Speaker 1: would you do that? You don't know this man, I

738
00:44:15,440 --> 00:44:18,920
Speaker 1: do not know. It's our third date. Okay, well, look,

739
00:44:19,000 --> 00:44:20,800
Speaker 1: well then whatever, I'm not going to judge you. I

740
00:44:20,920 --> 00:44:23,400
Speaker 1: just think that was a poor choice on your end. Why, Bro,

741
00:44:23,920 --> 00:44:27,839
Speaker 1: this dog food has human fingers. This dog food has

742
00:44:27,960 --> 00:44:32,640
Speaker 1: human fingers in it. Is that so the dog seems happy? Yeah?

743
00:44:32,680 --> 00:44:34,439
Speaker 1: I don't care how happy my dog is. I don't

744
00:44:34,480 --> 00:44:38,720
Speaker 1: want dog food with human fingers. I want my money back. Okay, well, listen,

745
00:44:39,239 --> 00:44:42,720
Speaker 1: did you read the side of the bag of the ingredients? Now,

746
00:44:42,840 --> 00:44:50,880
Speaker 1: let's do that together. Okay, okay, help me, Okay, Barley,

747
00:44:51,160 --> 00:44:57,320
Speaker 1: what is Barley serious? What's okay? Cool? I'm fine with grants.

748
00:44:57,360 --> 00:45:02,879
Speaker 1: So there's grain? Does that help be grain fingers? Oh?

749
00:45:04,520 --> 00:45:07,880
Speaker 1: Say a pretty clear, bro, I don't want human fingers.

750
00:45:08,719 --> 00:45:10,600
Speaker 1: I don't care if it says that, Bro, I don't

751
00:45:10,600 --> 00:45:14,200
Speaker 1: want that. I want to kill. My dog has been

752
00:45:14,239 --> 00:45:17,040
Speaker 1: freaking out. It's got the human flesh flavor. Dog just

753
00:45:17,160 --> 00:45:20,600
Speaker 1: spoke a little bit. Yeah. Sure, what's gonna get you

754
00:45:20,680 --> 00:45:23,080
Speaker 1: two bags for free? I don't want any more of

755
00:45:23,160 --> 00:45:26,280
Speaker 1: these hufu finger fucking bags. Okay, I want some regular

756
00:45:26,320 --> 00:45:29,279
Speaker 1: dog food chicken chickens. Fine, what's your name? Want to kill?

757
00:45:30,160 --> 00:45:33,000
Speaker 1: My name is Boof? Boof? Did you train your dog

758
00:45:33,080 --> 00:45:35,399
Speaker 1: to speak no, I didn't trained my dog to speak

759
00:45:35,440 --> 00:45:38,239
Speaker 1: to running a contest, and if we could videotape your

760
00:45:38,280 --> 00:45:42,319
Speaker 1: dog speaking, yeah, you could win five thousand dollars. Real

761
00:45:42,480 --> 00:45:47,239
Speaker 1: bro Okay, yeah, let's do it. Okay, great, all right,

762
00:45:47,480 --> 00:45:50,879
Speaker 1: Now let's go to our video entries to see which

763
00:45:50,960 --> 00:45:56,960
Speaker 1: dog has the funniest, cutest, silliest phrase. This is Boof

764
00:45:57,120 --> 00:46:02,120
Speaker 1: all the way from Spilping, Connecticut, and here is his video. Kyle,

765
00:46:02,160 --> 00:46:04,440
Speaker 1: I'm sorry, this is Dan from the booth. Can you

766
00:46:04,560 --> 00:46:08,239
Speaker 1: read that again with less enthusiasm? Just like if that's

767
00:46:08,239 --> 00:46:19,719
Speaker 1: a nine, give me a six? Yeah? Sure, all right,

768
00:46:20,440 --> 00:46:23,520
Speaker 1: let's uh go to all the videos we have sent

769
00:46:23,640 --> 00:46:27,239
Speaker 1: in for the dogs to give us the Okay, I

770
00:46:27,280 --> 00:46:31,239
Speaker 1: appreciate the sarcasm, but silly is Yeah, I get it,

771
00:46:31,360 --> 00:46:33,680
Speaker 1: I get it. You don't clearly give it him a four?

772
00:46:35,200 --> 00:46:39,919
Speaker 1: Stand Stan, I got I'm sorry. I understand you're you're

773
00:46:40,000 --> 00:46:42,640
Speaker 1: not someone who likes notes on their performance. I was

774
00:46:42,680 --> 00:46:44,920
Speaker 1: a dentist before this, so this is really hard for

775
00:46:45,000 --> 00:46:46,360
Speaker 1: me to hear, because you know, I did a lot

776
00:46:46,400 --> 00:46:47,719
Speaker 1: of work on myself to get to a point where

777
00:46:47,719 --> 00:46:49,560
Speaker 1: I could I was able to work with people. Again,

778
00:46:49,680 --> 00:46:51,440
Speaker 1: I respect your choices. Let's go back to how you

779
00:46:51,480 --> 00:46:54,560
Speaker 1: were doing it. Ready when you are? I'm not ready.

780
00:46:55,120 --> 00:46:58,279
Speaker 1: I'm not ready again. All right, let's just play the

781
00:46:58,320 --> 00:47:01,279
Speaker 1: fucking videos and then i'll do it after Okay, let's

782
00:47:01,320 --> 00:47:04,520
Speaker 1: just play the videos. Okay, well a right, but we're

783
00:47:04,560 --> 00:47:08,239
Speaker 1: just recording the sound wrap around. Just just just just

784
00:47:08,400 --> 00:47:10,719
Speaker 1: play the fucking videos. They need to get some of

785
00:47:10,760 --> 00:47:15,399
Speaker 1: those ad reads from Dianimo love Jesus Christ. Okay, I'll

786
00:47:15,440 --> 00:47:17,920
Speaker 1: just do one of the first studios. So we're not

787
00:47:17,960 --> 00:47:20,920
Speaker 1: gonna play video is I mean, do you need something

788
00:47:21,000 --> 00:47:23,440
Speaker 1: to get in the mood. We can play. I'd love

789
00:47:23,520 --> 00:47:25,040
Speaker 1: for something to get in the mood, for a little

790
00:47:25,120 --> 00:47:27,759
Speaker 1: hot damn music to come on. I'll get them. I'll

791
00:47:27,760 --> 00:47:29,160
Speaker 1: get him in the mood, and I'll get him in

792
00:47:29,200 --> 00:47:32,279
Speaker 1: the mood. Stay in the booth. Open this booth door now,

793
00:47:32,360 --> 00:47:35,759
Speaker 1: lock him, don't let him in here. I'm gonna get

794
00:47:35,760 --> 00:47:38,200
Speaker 1: you in the mood. Come on back up, open the door.

795
00:47:39,800 --> 00:47:42,520
Speaker 1: Take off your p take off your pains. What's the

796
00:47:43,160 --> 00:47:46,319
Speaker 1: take off your pain? You got it all right? Now

797
00:47:46,480 --> 00:47:50,400
Speaker 1: do some lines at the six? Was it six? We wanted? Alright?

798
00:47:50,440 --> 00:47:56,600
Speaker 1: Do it at a six? Okay, I am in the mood, alright, alright,

799
00:47:56,719 --> 00:47:59,640
Speaker 1: so we have right here. Okay, that's on the smell

800
00:47:59,680 --> 00:48:04,000
Speaker 1: of my Okay, alright, so uh we got some videos

801
00:48:04,000 --> 00:48:07,359
Speaker 1: sent in right now of these fantastic animals. These dogs

802
00:48:07,400 --> 00:48:09,080
Speaker 1: are gonna be speaking right now. We're gonna pick the

803
00:48:09,239 --> 00:48:12,439
Speaker 1: funniest one, the silliest one, and the first video intry

804
00:48:12,480 --> 00:48:18,920
Speaker 1: we have is from Booth from Connecticut. Let's go for it. Thanks,

805
00:48:19,080 --> 00:48:22,520
Speaker 1: thanks very much, great Larry. I think that's it for today.

806
00:48:22,600 --> 00:48:24,839
Speaker 1: Oh I don't go do the ad read Nope? Oh cool,

807
00:48:24,920 --> 00:48:27,600
Speaker 1: So we're not doing that. Yeah we do. We do

808
00:48:27,719 --> 00:48:30,759
Speaker 1: have seven spots for din Animal Love. So you don't

809
00:48:30,800 --> 00:48:32,440
Speaker 1: want me to do it? I just did I just

810
00:48:32,520 --> 00:48:35,680
Speaker 1: get fired? My mistake? No, did I just get fired?

811
00:48:36,160 --> 00:48:38,879
Speaker 1: Just do the second one? In the fifth one, take

812
00:48:38,880 --> 00:48:41,600
Speaker 1: your shirt off, take a shirt off. It's gonna put

813
00:48:41,600 --> 00:48:44,759
Speaker 1: you in the bo Okay, okay, it just ruins the acoustics.

814
00:48:44,840 --> 00:48:47,479
Speaker 1: Let's throw this outside of the booth. Can we start

815
00:48:47,560 --> 00:48:49,279
Speaker 1: this one in an eight and kind of segue to

816
00:48:49,360 --> 00:48:54,960
Speaker 1: with four by the end. The Animal Lover the only

817
00:48:56,000 --> 00:48:59,719
Speaker 1: group company that offers Think you're at a two? Right,

818
00:49:00,080 --> 00:49:04,520
Speaker 1: I'm started at that started at it started, it started.

819
00:49:04,840 --> 00:49:07,400
Speaker 1: I'm sorry. I just have this booth in five minutes.

820
00:49:07,560 --> 00:49:09,319
Speaker 1: So I just wanted to make sure you guys are

821
00:49:09,400 --> 00:49:14,120
Speaker 1: hurrying the funk up. We're hurrying every day we have

822
00:49:14,239 --> 00:49:20,440
Speaker 1: this conversation. You get the booth at one Okay, that's

823
00:49:20,480 --> 00:49:25,200
Speaker 1: twelve minutes. I can how to read a clock. Okay,

824
00:49:25,640 --> 00:49:29,759
Speaker 1: so it's hard. I was leaving at this morning and

825
00:49:29,880 --> 00:49:32,080
Speaker 1: you embarrassed me in front of all my best friends.

826
00:49:32,200 --> 00:49:35,800
Speaker 1: Let's let's hug best friends. Okay, let's let's hug. I

827
00:49:35,840 --> 00:49:40,239
Speaker 1: want to take my pants up first. Okay, this feels better.

828
00:49:40,320 --> 00:49:42,520
Speaker 1: Are you in now? I'm in the mood to wait

829
00:49:42,719 --> 00:49:44,839
Speaker 1: and to learn how to read. Also, I couldn't hurt

830
00:49:44,840 --> 00:49:46,920
Speaker 1: to bring a gown of straws for the room. Thank you.

831
00:49:48,280 --> 00:49:50,239
Speaker 1: It's just a nice chest, a room temperature straw. I

832
00:49:50,280 --> 00:49:52,839
Speaker 1: don't want to cool strow. Sure, Okay, I'm gonna wait

833
00:49:52,840 --> 00:49:55,520
Speaker 1: outside the door, and I'm just gonna look. I'm gonna

834
00:49:55,600 --> 00:49:58,480
Speaker 1: stare in. I'm not gonna blink. Okay, it's don't be weird,

835
00:49:58,600 --> 00:50:03,319
Speaker 1: don't be weirded out. So you for the booth, huh yeah, yeah,

836
00:50:03,360 --> 00:50:07,040
Speaker 1: I'm waiting for you. Are we're in the same recording session.

837
00:50:07,120 --> 00:50:08,879
Speaker 1: I'm going in the three clock I just getting really

838
00:50:09,640 --> 00:50:13,000
Speaker 1: do that too? Cool? I got it early because I

839
00:50:13,400 --> 00:50:19,040
Speaker 1: can't read the clocks with the lines an analog. Yeah,

840
00:50:20,840 --> 00:50:23,719
Speaker 1: I always forget. That's how we can't read. Why would

841
00:50:23,719 --> 00:50:29,080
Speaker 1: you know what it's rants? Oh yeah, Oh my god,

842
00:50:29,080 --> 00:50:31,799
Speaker 1: I'm so sorry. Sorry, Why are you talking to that chair?

843
00:50:32,880 --> 00:50:37,080
Speaker 1: Talking to that chair? Oh my god? This is a chair? Yeah,

844
00:50:37,719 --> 00:50:39,560
Speaker 1: Oh my god, I feel so embarrassed. I was just

845
00:50:39,600 --> 00:50:43,680
Speaker 1: about to ask you out that. I'm on. I shouldn't

846
00:50:43,680 --> 00:50:47,319
Speaker 1: do that, right, you can't you know that chair stays here.

847
00:50:47,640 --> 00:50:49,320
Speaker 1: I don't know what that chair is telling you, but

848
00:50:49,440 --> 00:50:51,640
Speaker 1: that chair has been here at the studio for years.

849
00:50:51,760 --> 00:50:53,239
Speaker 1: What if I had, like, what if I did a

850
00:50:53,360 --> 00:50:55,400
Speaker 1: date here? I didn't. We didn't. I didn't take the

851
00:50:55,480 --> 00:50:59,200
Speaker 1: chair anywhere. I'm sorry. I just haven't felt this with anything. Yeah, no,

852
00:50:59,320 --> 00:51:01,719
Speaker 1: I'm really happy. I would love this. Can we get

853
00:51:01,800 --> 00:51:06,200
Speaker 1: a hang a steak and then a cod. I'm an engineer,

854
00:51:06,800 --> 00:51:09,480
Speaker 1: all right, Okay, Well engineers kind of do the thing

855
00:51:09,520 --> 00:51:12,359
Speaker 1: where they can make it all happen. Right, Yeah, I'll

856
00:51:12,360 --> 00:51:14,520
Speaker 1: be right back with your fish and your steak. Great,

857
00:51:14,760 --> 00:51:21,359
Speaker 1: just any fish anyway, anyway, So your chair A long time,

858
00:51:21,760 --> 00:51:24,480
Speaker 1: I forgot my name even Oh my god, that's so funny.

859
00:51:24,520 --> 00:51:26,640
Speaker 1: I just remember the sound of it. What does this

860
00:51:26,719 --> 00:51:31,759
Speaker 1: sound like Laurence? Well, Lawrence is a name, so that's

861
00:51:31,800 --> 00:51:37,200
Speaker 1: probably what it is. Okay, we're doing radio a long

862
00:51:37,520 --> 00:51:42,879
Speaker 1: long time. Okay, um o, this state turned, the state

863
00:51:42,920 --> 00:51:47,319
Speaker 1: seemed to turn. Yeah, I'm gonna ask for the track. Okay,

864
00:51:47,360 --> 00:51:49,200
Speaker 1: we'll split. Do you want to do you mind getting

865
00:51:49,200 --> 00:51:51,160
Speaker 1: the whole thing? I don't really have arms, so cash

866
00:51:51,239 --> 00:51:54,319
Speaker 1: or anything like that. Um I guess so it'd be great. Yeah.

867
00:51:55,239 --> 00:51:56,799
Speaker 1: Do you mind putting me on top of your car

868
00:51:56,880 --> 00:51:59,960
Speaker 1: and just gonna taking me downtown? If you don't mind

869
00:52:00,719 --> 00:52:03,919
Speaker 1: downtown you don't want to Downtown burned down ten years ago.

870
00:52:04,719 --> 00:52:08,560
Speaker 1: All of downtown burned down ten years ago. God, oh

871
00:52:08,920 --> 00:52:12,120
Speaker 1: my god, no one tells me anything. Ha oh no,

872
00:52:12,280 --> 00:52:14,640
Speaker 1: there was something to jazz there. Okay, here's your fish.

873
00:52:14,719 --> 00:52:17,160
Speaker 1: Watch it, watch it. It's it's still flapping around a lot.

874
00:52:17,400 --> 00:52:21,040
Speaker 1: Why didn't you kill this thing straight out of the aquarium?

875
00:52:21,640 --> 00:52:25,040
Speaker 1: People don't eat rough fish? What are you doing? Can

876
00:52:25,080 --> 00:52:27,319
Speaker 1: I have a check please? Okay, right, I'll be right

877
00:52:27,360 --> 00:52:30,760
Speaker 1: back to your checks. My steak, he didn't bring my steak?

878
00:52:31,760 --> 00:52:39,719
Speaker 1: I love that stick. Oh yeah, that is the way

879
00:52:39,840 --> 00:52:45,600
Speaker 1: most scenes end around here. Where's my steak? That's our

880
00:52:45,600 --> 00:52:48,920
Speaker 1: show for today. Let's meet and thank our alchemists. Please,

881
00:52:49,000 --> 00:52:52,359
Speaker 1: well you met them, let's thank them. Uh, Joey Greer.

882
00:52:52,560 --> 00:52:56,160
Speaker 1: Always a pleasure to have you near. Thank you, right,

883
00:52:56,239 --> 00:52:57,640
Speaker 1: it's good to be near you. I mean, you've heard

884
00:52:57,680 --> 00:53:01,439
Speaker 1: that before. It's nice to hear it again. It really

885
00:53:01,480 --> 00:53:04,200
Speaker 1: really is. It's it's just a comfort. It's it's a

886
00:53:04,360 --> 00:53:07,040
Speaker 1: relationship blanket that has thrown over me. Can I try

887
00:53:07,040 --> 00:53:11,479
Speaker 1: it again with sincerity? Okay? Sure? Where can folks find

888
00:53:11,560 --> 00:53:15,080
Speaker 1: you on the interwebs. They can find me on Reddit.

889
00:53:15,760 --> 00:53:18,759
Speaker 1: I'm just on there. Just no, just I'm they're just

890
00:53:18,840 --> 00:53:23,120
Speaker 1: hanging out there to Reddit. You find me at Jeffy

891
00:53:23,160 --> 00:53:26,040
Speaker 1: Greeber on Instagram. And right, it's about it, all right,

892
00:53:26,080 --> 00:53:29,719
Speaker 1: cool James Heeney, I mean it's so simple. It's the

893
00:53:29,760 --> 00:53:32,600
Speaker 1: real James Heney dot com. Check it out home and

894
00:53:32,760 --> 00:53:34,919
Speaker 1: with James Heeney taken. That's why you wrote the real

895
00:53:35,080 --> 00:53:39,920
Speaker 1: James Heeney. Actually they're believe it or not, there is

896
00:53:40,040 --> 00:53:43,920
Speaker 1: another James Heney. But I tell you now sincerity, I'm

897
00:53:44,000 --> 00:53:47,320
Speaker 1: the real James Hei. So go to the real James Heney.

898
00:53:47,360 --> 00:53:49,920
Speaker 1: Dot com. I don't think there's any reason to harass

899
00:53:50,040 --> 00:53:53,399
Speaker 1: the other James Heney, but he's not real. Okay, that's

900
00:53:53,440 --> 00:54:01,160
Speaker 1: fair enough, Greig Katkowski lurking in trolling on Reddit, on Instagram,

901
00:54:01,560 --> 00:54:04,279
Speaker 1: and watch the back half of season six with drunk

902
00:54:04,360 --> 00:54:07,160
Speaker 1: History and now on. When you say the back half,

903
00:54:07,200 --> 00:54:11,440
Speaker 1: of course, you mean well, we shot sixteen episodes and

904
00:54:11,960 --> 00:54:14,880
Speaker 1: they chopped him into two half seasons. So yeah, the

905
00:54:14,960 --> 00:54:19,560
Speaker 1: final half of the season six part by all right

906
00:54:20,200 --> 00:54:29,640
Speaker 1: Caroline Cotter yeah four chan and on Instagram at cotter

907
00:54:29,960 --> 00:54:36,160
Speaker 1: poop Cotter Pop. I'm an adult. Yeah, yeah, Thank you

908
00:54:36,200 --> 00:54:38,160
Speaker 1: so much for joining us today. Thanks for having me.

909
00:54:38,560 --> 00:54:42,560
Speaker 1: Uh it was Let's thank our our engineer to the stars,

910
00:54:42,840 --> 00:54:53,800
Speaker 1: Doug our sound design producer Raphael our real time producer

911
00:54:54,280 --> 00:55:01,359
Speaker 1: Sophie Lichterman, Sophie and her radio. I encourage you all

912
00:55:01,400 --> 00:55:02,960
Speaker 1: to write a review of the show till everyone you've

913
00:55:03,000 --> 00:55:06,160
Speaker 1: ever met and right to us with your scene suggestion

914
00:55:06,200 --> 00:55:08,319
Speaker 1: at your name here at alchemy this dot com. Your

915
00:55:08,480 --> 00:55:13,160
Speaker 1: name here at alchemy this dot com. I'm Kevin Pollock.

916
00:55:13,200 --> 00:55:16,879
Speaker 1: Thanks for joining us. Until next time, It's yes