1 00:00:00,400 --> 00:00:03,640 Speaker 1: Welcome to Truth Hounds, a production of I Heart Radio. 2 00:00:06,960 --> 00:00:10,280 Speaker 1: I'm Anna and I've been unemployed for about a year now, 3 00:00:10,600 --> 00:00:14,080 Speaker 1: so I really have nothing going on. And I'm Kyle. 4 00:00:15,040 --> 00:00:18,920 Speaker 1: In middle school, I received the award most Enthusiastic to Learn, 5 00:00:19,520 --> 00:00:22,840 Speaker 1: So that makes me pretty special. And that is what 6 00:00:22,960 --> 00:00:26,480 Speaker 1: makes us the perfect investigative duo. We are two friends 7 00:00:26,520 --> 00:00:28,880 Speaker 1: who love each other very much, but what we love 8 00:00:28,920 --> 00:00:32,960 Speaker 1: even more is getting to the bottom of mysteries, all mysteries. 9 00:00:32,960 --> 00:00:38,879 Speaker 1: Sure that small mysteries, specifically, trust me, No mystery is 10 00:00:38,920 --> 00:00:42,040 Speaker 1: too small? No, no, no, Why don't you trust me 11 00:00:42,400 --> 00:00:44,960 Speaker 1: when I tell you we are ready to sniff around? 12 00:00:45,840 --> 00:00:58,200 Speaker 1: We are the truth Hound O. M. Hello, Hey Kyle, 13 00:00:59,400 --> 00:01:05,319 Speaker 1: yere Hey it's it's Anna. Oh hey hey, Um, are 14 00:01:05,360 --> 00:01:09,559 Speaker 1: you busy right now? Oh? Well, I just put something 15 00:01:09,600 --> 00:01:15,720 Speaker 1: in the oven? But what's up? Um? We need to talk. 16 00:01:17,280 --> 00:01:27,200 Speaker 1: I'll be right there. Thank you so much for meeting 17 00:01:27,200 --> 00:01:31,600 Speaker 1: me here. Yeah, I got my oil change, so I 18 00:01:31,880 --> 00:01:35,280 Speaker 1: made the drive. It's nice and look, it's just it's 19 00:01:35,319 --> 00:01:40,840 Speaker 1: so beautiful. It really was beautiful. Uh So is this 20 00:01:41,000 --> 00:01:45,440 Speaker 1: the same investigation or a different one? No, it's the 21 00:01:45,480 --> 00:01:50,840 Speaker 1: same one. It's we're still asking why people are mean. Anyway, 22 00:01:51,800 --> 00:01:53,720 Speaker 1: I brought you here because I wanted to recap what 23 00:01:53,800 --> 00:02:00,480 Speaker 1: happened last week. So if you remember, last week, we 24 00:02:00,680 --> 00:02:04,920 Speaker 1: interviewed a celebrity, Karen kill Gareth about why she's mean. 25 00:02:07,640 --> 00:02:11,680 Speaker 1: It's a truth that I um feel they need to 26 00:02:11,680 --> 00:02:17,080 Speaker 1: be accountable for. Then we put out a call to action. 27 00:02:17,360 --> 00:02:20,320 Speaker 1: We asked people to name the meanest person that they 28 00:02:20,360 --> 00:02:27,079 Speaker 1: know in their life. I have never been more. I 29 00:02:27,360 --> 00:02:28,920 Speaker 1: don't I don't know how to say that they like 30 00:02:29,040 --> 00:02:36,160 Speaker 1: insult you personally. It's coming back to me now, right, 31 00:02:36,200 --> 00:02:38,440 Speaker 1: and then don't forget that. We also did a kind 32 00:02:38,440 --> 00:02:41,960 Speaker 1: of right along with the meanest person I know, megan 33 00:02:42,200 --> 00:02:46,320 Speaker 1: to kind of teach you how to be mean. But 34 00:02:46,440 --> 00:02:48,639 Speaker 1: that doesn't affect me. All I care about his mind 35 00:02:48,680 --> 00:02:53,160 Speaker 1: get in my nuts. Oh and let's not forget you 36 00:02:53,320 --> 00:02:58,519 Speaker 1: revealed that you used to be me. I used, why 37 00:03:01,040 --> 00:03:06,480 Speaker 1: how are you processing that? With time? Well? Should we 38 00:03:06,520 --> 00:03:15,440 Speaker 1: get back into it? I think? So Episode three, Why 39 00:03:15,440 --> 00:03:23,919 Speaker 1: are Some People Mean? Part two? The investigation was back on. 40 00:03:24,760 --> 00:03:26,960 Speaker 1: We were going to go to the yogurt shop where 41 00:03:27,040 --> 00:03:32,400 Speaker 1: Kyle would finally face this alleged mean person. But then 42 00:03:33,040 --> 00:03:36,160 Speaker 1: something occurred to me. Would she know what to say? 43 00:03:36,960 --> 00:03:39,920 Speaker 1: What if I got there and it was scary. What 44 00:03:40,000 --> 00:03:46,360 Speaker 1: if I stuttered? Anna? You know me, I clam up, Kyle, 45 00:03:46,520 --> 00:03:51,760 Speaker 1: It's okay, you just get a little nervous. I wish 46 00:03:51,880 --> 00:03:54,320 Speaker 1: that I had some words written out for me, so 47 00:03:54,440 --> 00:03:58,880 Speaker 1: I knew what to say, Like a script the new plan, 48 00:04:00,040 --> 00:04:03,120 Speaker 1: Hi are successful Hollywood screenwriters to write a full proof 49 00:04:03,200 --> 00:04:06,800 Speaker 1: script for Kyle to follow at the yogurt shop. We 50 00:04:06,880 --> 00:04:10,560 Speaker 1: started to think about the kind of dialogue we liked. Me, Kyle, 51 00:04:10,880 --> 00:04:13,080 Speaker 1: I like broad comedy, you know, the type of movie 52 00:04:13,080 --> 00:04:15,360 Speaker 1: where someone farts so loud that someone on the other 53 00:04:15,400 --> 00:04:19,680 Speaker 1: side of the world falls down, And me, Anna, I 54 00:04:19,839 --> 00:04:23,640 Speaker 1: like kind of more cerebral TV shows, you know, the 55 00:04:23,680 --> 00:04:26,479 Speaker 1: ones that two weeks later you're just in the shower 56 00:04:26,800 --> 00:04:30,640 Speaker 1: and it occurs to you. Huh, that's what that woman's 57 00:04:30,720 --> 00:04:34,359 Speaker 1: letter meant. These are shows that are smaller budgets, but 58 00:04:34,560 --> 00:04:37,839 Speaker 1: they have less creative input from the network exacts, you know, 59 00:04:38,200 --> 00:04:43,320 Speaker 1: your shows with your bush Emis or Giovanni Ribisi's. There 60 00:04:43,320 --> 00:04:45,880 Speaker 1: were no two ways about that. We knew who we 61 00:04:45,920 --> 00:04:59,960 Speaker 1: had to call. Hello, Hi, Chloe, Hey, and and John? 62 00:05:00,279 --> 00:05:03,279 Speaker 1: Is this a this is a conference call? Or well 63 00:05:03,320 --> 00:05:05,440 Speaker 1: we're in the same place. Actually, we lived together, so 64 00:05:05,520 --> 00:05:08,920 Speaker 1: we're in the We're on the same song. They were 65 00:05:09,000 --> 00:05:12,359 Speaker 1: Chloe and Josh and they were an unstoppable writing duo 66 00:05:12,920 --> 00:05:18,120 Speaker 1: who were in love with each other and scriptwriting. Just 67 00:05:18,200 --> 00:05:22,559 Speaker 1: for the record, Um, Chloe, you worked on Sneaky Pete 68 00:05:22,640 --> 00:05:28,160 Speaker 1: as a as a writer, right? I was the writer's assistant. Yeah, 69 00:05:28,240 --> 00:05:31,080 Speaker 1: but I started as the writer's p A and worked 70 00:05:31,120 --> 00:05:34,000 Speaker 1: my way up to writer's assistant. So she's great in 71 00:05:34,000 --> 00:05:37,600 Speaker 1: a room. She she really. I think they just saw 72 00:05:37,600 --> 00:05:43,800 Speaker 1: her and Azzle talk have muzzle and then wait and 73 00:05:43,800 --> 00:05:50,000 Speaker 1: then Josh, you wrote a Jerry O'Connell vehicle. Is that correct? Oh? Yeah, 74 00:05:50,000 --> 00:05:52,760 Speaker 1: I co wrote a Jerry O'Connell vehicle. Actually, I was 75 00:05:52,760 --> 00:05:54,800 Speaker 1: one of the writers, one of a one of a 76 00:05:54,800 --> 00:06:02,120 Speaker 1: few writers, but I was. I was one of the writers. Yes, yeah, awesome, Yeah, 77 00:06:02,240 --> 00:06:04,880 Speaker 1: that's really cool. Kyle had sent them an email the 78 00:06:05,000 --> 00:06:08,599 Speaker 1: day before asking them to write a script dialogue for 79 00:06:08,640 --> 00:06:11,599 Speaker 1: her to use while interacting with this mean yogurt person. 80 00:06:13,160 --> 00:06:16,360 Speaker 1: We told them this isn't your usual Hollywood writing gig, 81 00:06:16,560 --> 00:06:22,160 Speaker 1: but take it seriously, no messing around. So, um, would 82 00:06:22,200 --> 00:06:28,000 Speaker 1: you guys be willing to do do that for us? Yeah? Yeah, 83 00:06:28,040 --> 00:06:31,000 Speaker 1: I think we could write for you guys be thinking 84 00:06:31,040 --> 00:06:36,920 Speaker 1: I'm not sure? Sure, thank you. Now, this next part 85 00:06:36,960 --> 00:06:40,080 Speaker 1: is a bit unprofessional. I mean we're not the type 86 00:06:40,120 --> 00:06:43,480 Speaker 1: to lose our cool around famous people. Remember last week 87 00:06:43,520 --> 00:06:48,000 Speaker 1: when we interviewed known celebrity Karen kill Gareth. We were 88 00:06:48,120 --> 00:06:51,520 Speaker 1: super cool about that. But it's like, Okay, if you 89 00:06:51,560 --> 00:06:54,279 Speaker 1: saw Kevin Costner at the grocery store, are you not 90 00:06:54,360 --> 00:06:56,240 Speaker 1: going to say I loved you in the movie Tim Cup? 91 00:06:58,120 --> 00:07:01,320 Speaker 1: That's what I thought. We asked them what it was 92 00:07:01,360 --> 00:07:03,920 Speaker 1: like to work with Sneaky and Jerry O'Connell. They were 93 00:07:03,960 --> 00:07:06,520 Speaker 1: They were super cool, really easy to work with, great day, 94 00:07:07,080 --> 00:07:10,080 Speaker 1: really professional. Um. You know, it's a surprised they both 95 00:07:10,120 --> 00:07:12,000 Speaker 1: have worked for many years because I think they bring 96 00:07:12,040 --> 00:07:15,800 Speaker 1: that to sort of everything they do. Wow, celebrities are 97 00:07:15,880 --> 00:07:20,520 Speaker 1: just like us. Thanks so thanks much for doing this. 98 00:07:20,680 --> 00:07:25,040 Speaker 1: We'll talculator, we'll get into this script and we can 99 00:07:25,080 --> 00:07:27,920 Speaker 1: be in touch about that. Yeah, oh yeah, yeah, we'll definitely. 100 00:07:30,840 --> 00:07:34,280 Speaker 1: They work around the clock, these guys. We got the 101 00:07:34,280 --> 00:07:40,040 Speaker 1: script the next morning. Now we were properly armed and 102 00:07:40,160 --> 00:07:45,760 Speaker 1: ready to go to the yogurt shop to face the meno, well, 103 00:07:46,320 --> 00:07:51,840 Speaker 1: the alleged mino. We printed it out, unlocked Kyle's prius, 104 00:07:52,360 --> 00:07:55,239 Speaker 1: got in, put the key in the ignition, and started 105 00:07:55,280 --> 00:08:04,400 Speaker 1: the engine room room. But then we realized something in 106 00:08:04,440 --> 00:08:07,640 Speaker 1: the original tip about the mean yogurt person. Our helpful 107 00:08:07,680 --> 00:08:10,800 Speaker 1: tipster said all the details we needed except the time 108 00:08:10,800 --> 00:08:13,760 Speaker 1: he usually goes to get froo. I mean, if we 109 00:08:13,880 --> 00:08:16,280 Speaker 1: just went there at a random time, that would not 110 00:08:16,360 --> 00:08:19,720 Speaker 1: be scientific. The mean person might not even be there. 111 00:08:20,840 --> 00:08:23,120 Speaker 1: So we said, let's forget about the room room for 112 00:08:23,160 --> 00:08:25,680 Speaker 1: a second. We took the keys out of the ignition, 113 00:08:26,320 --> 00:08:29,920 Speaker 1: grabbed our script, locked the prius, and walked back to 114 00:08:30,000 --> 00:08:33,920 Speaker 1: my house to regroup. We sat down on Kyle's newly 115 00:08:34,000 --> 00:08:39,880 Speaker 1: purchased adult couch and we listened to our lead. Because amazing, 116 00:08:39,920 --> 00:08:42,880 Speaker 1: it's a it's a great yogurt. That's the problem is 117 00:08:42,880 --> 00:08:46,439 Speaker 1: that it's such good yogurt. It's right down the street 118 00:08:46,440 --> 00:08:52,240 Speaker 1: for my favorite sushi place. So bingo, the tipster said 119 00:08:52,280 --> 00:08:54,800 Speaker 1: it was down the street from his favorite sushi place. 120 00:08:55,200 --> 00:08:58,080 Speaker 1: From that, we intuited that he probably went after he 121 00:08:58,160 --> 00:09:02,760 Speaker 1: got sushi. We would just wait until it was a 122 00:09:02,800 --> 00:09:06,680 Speaker 1: reasonable time to get sushi and go after that. But 123 00:09:06,800 --> 00:09:11,240 Speaker 1: then something happened. Kyle picked up her copy of the 124 00:09:11,280 --> 00:09:14,760 Speaker 1: script started walking towards the front door and started unlocking 125 00:09:14,760 --> 00:09:18,080 Speaker 1: her prius before even putting her shoes on. I asked 126 00:09:18,080 --> 00:09:20,880 Speaker 1: her what the hell she was doing. I said to Anna, 127 00:09:21,960 --> 00:09:25,040 Speaker 1: don't you dare talk to me that way? We are 128 00:09:25,080 --> 00:09:30,240 Speaker 1: getting sushi. I countered to Kyle for eating sushi at 129 00:09:30,280 --> 00:09:34,360 Speaker 1: one pm? What are you on psychedelics? I explained to 130 00:09:34,400 --> 00:09:36,960 Speaker 1: Anna that this was the perfect time to get sushi. 131 00:09:38,200 --> 00:09:43,120 Speaker 1: One pm. The lunch rashes over. The fish just got 132 00:09:43,200 --> 00:09:46,480 Speaker 1: dropped off by the fish guy. What else would you want? 133 00:09:47,280 --> 00:09:51,240 Speaker 1: I didn't want to argue with Kyle, but between us girls, 134 00:09:52,480 --> 00:09:55,760 Speaker 1: I thought she was out of her Damn Gord. Everyone 135 00:09:55,840 --> 00:09:58,120 Speaker 1: knows that the perfect time to get sushi is at 136 00:09:58,240 --> 00:10:03,400 Speaker 1: nine pm. Now I'm p m. The conversations are flowing, Plus, 137 00:10:03,559 --> 00:10:08,040 Speaker 1: you feel like you're in Europe. Show Bill. If you 138 00:10:08,120 --> 00:10:12,480 Speaker 1: remember in the last episode Kyle was teaching me Italian, Well, 139 00:10:12,520 --> 00:10:18,880 Speaker 1: guess what it's been going? Really well? Our opinions were 140 00:10:18,880 --> 00:10:21,960 Speaker 1: as different as night and day, and we were just 141 00:10:22,120 --> 00:10:26,120 Speaker 1: two people. This made it complicated. If our opinions were 142 00:10:26,160 --> 00:10:29,400 Speaker 1: so different, then who knew what our helpful tipster was 143 00:10:29,440 --> 00:10:33,600 Speaker 1: talking about? For all we knew he could be getting 144 00:10:33,640 --> 00:10:39,160 Speaker 1: sushi at six am. It was anyone's guess. We knew 145 00:10:39,280 --> 00:10:42,160 Speaker 1: there was only one way to handle this problem. We 146 00:10:42,280 --> 00:10:45,040 Speaker 1: put out an immediate call to action on our beloved 147 00:10:45,080 --> 00:10:51,960 Speaker 1: social media platform Instagram. Kyle made another really cool graphic. 148 00:10:54,800 --> 00:10:57,880 Speaker 1: It was a picture of two really attractive people sharing 149 00:10:57,920 --> 00:11:01,400 Speaker 1: a quoi smile over a bound of tray of sushi. 150 00:11:02,400 --> 00:11:05,560 Speaker 1: Underneath it said what time do you and your loved 151 00:11:05,559 --> 00:11:09,560 Speaker 1: ones typically get sushi? To clarify, we added is it 152 00:11:09,600 --> 00:11:13,080 Speaker 1: around two p m? Or is it more like seven pm? 153 00:11:13,120 --> 00:11:16,200 Speaker 1: We told people it was important we heard from them. 154 00:11:16,240 --> 00:11:20,800 Speaker 1: The calls came flooding in. Kyle put her script back 155 00:11:20,840 --> 00:11:24,640 Speaker 1: down and we started crunching the numbers. But we didn't 156 00:11:24,679 --> 00:11:28,520 Speaker 1: only crunch numbers, Anna, We also learned a lot. All 157 00:11:28,679 --> 00:11:31,120 Speaker 1: sorts of different people got sushi at all sorts of 158 00:11:31,160 --> 00:11:36,520 Speaker 1: different hours for different reasons. Even Anna's mom responded, and 159 00:11:36,600 --> 00:11:43,360 Speaker 1: she's from Russia, no offense. What's crazy to me is, 160 00:11:43,360 --> 00:11:44,800 Speaker 1: first of all, I didn't even know that my mom 161 00:11:44,880 --> 00:11:50,200 Speaker 1: eats sushi, Like that's news me. And then I'm just like, 162 00:11:51,000 --> 00:11:55,439 Speaker 1: I find it kind of heartwarming that she grip of communism. 163 00:11:55,480 --> 00:11:58,840 Speaker 1: It was actually really cool. It seemed like everyone was 164 00:11:58,840 --> 00:12:02,400 Speaker 1: eating sushi. Have you ever seen like an old movie 165 00:12:02,440 --> 00:12:05,160 Speaker 1: in the nineties and they're like, let's go get sushi, 166 00:12:05,240 --> 00:12:09,320 Speaker 1: and then the guy's like, that's weird. Oh that fish thing. Yes, 167 00:12:09,600 --> 00:12:11,800 Speaker 1: that's right, and we look where we are. It kind 168 00:12:11,800 --> 00:12:14,760 Speaker 1: of shows you anything in petty we can progress. Absolutely, 169 00:12:14,760 --> 00:12:18,600 Speaker 1: we can beat anything. Okay, you're right. We did learn 170 00:12:18,600 --> 00:12:21,880 Speaker 1: a lot, but then we got back to crunching numbers 171 00:12:21,880 --> 00:12:29,520 Speaker 1: in analyzing data. Plus nineteen, Oh god, what's nineteen? Another nineteen? 172 00:12:29,960 --> 00:12:32,800 Speaker 1: I'm just getting scared as a number because I don't 173 00:12:32,800 --> 00:12:37,280 Speaker 1: want to find you know. Okay, it's okay plus nineteen 174 00:12:37,400 --> 00:12:43,880 Speaker 1: again again, okay, plus nineteen again. Sixty seven that average time. 175 00:12:44,040 --> 00:12:46,600 Speaker 1: I would say that that means that's the truth. That's 176 00:12:46,640 --> 00:12:49,959 Speaker 1: the truth. It's six thirty seven is the time to 177 00:12:50,000 --> 00:12:56,680 Speaker 1: go get sushi. Bingo. We had our time. We waited 178 00:12:56,720 --> 00:13:01,320 Speaker 1: around for five hours. We got hungry, which was good 179 00:13:01,480 --> 00:13:04,560 Speaker 1: because that meant we would actually go get sushi before 180 00:13:04,600 --> 00:13:13,120 Speaker 1: getting fro yo. I know, things are getting really good, 181 00:13:13,280 --> 00:13:15,400 Speaker 1: but we have to take a break for some ads. 182 00:13:16,800 --> 00:13:26,160 Speaker 1: And the ad break is over. We would walk a 183 00:13:26,240 --> 00:13:30,480 Speaker 1: mile in our tipsters shoes, because that's what good investigators do. 184 00:13:32,040 --> 00:13:34,640 Speaker 1: We picked up both of our scripts, put our shoes on. 185 00:13:34,880 --> 00:13:38,480 Speaker 1: Lock the door behind us unlocked, Kyle's prius got in, 186 00:13:38,880 --> 00:13:42,000 Speaker 1: put the keys in the ignition room room, and off 187 00:13:42,040 --> 00:13:47,200 Speaker 1: we went to get sushi. Then our bellies bursting with unagi. 188 00:13:47,600 --> 00:13:51,719 Speaker 1: We would confront the mean yoguru person. If you're sensitive 189 00:13:51,760 --> 00:13:54,280 Speaker 1: to sounds, you might want to turn this next part 190 00:13:54,320 --> 00:13:57,920 Speaker 1: down a little bit, you see, I'm meaning sushi and 191 00:13:58,040 --> 00:14:02,079 Speaker 1: my mouth is full, or if you're into this kind 192 00:14:02,080 --> 00:14:07,840 Speaker 1: of thing, blasted sister. But most places I think have 193 00:14:07,960 --> 00:14:13,080 Speaker 1: had a trouble transitioning. Yeah, just take out and is 194 00:14:13,120 --> 00:14:15,640 Speaker 1: really you should usually eat it. But honestly, this is 195 00:14:15,679 --> 00:14:17,880 Speaker 1: not that bad in the car. It's not about in 196 00:14:17,920 --> 00:14:20,800 Speaker 1: the car. Also, we right after we ordered, we we 197 00:14:20,920 --> 00:14:23,160 Speaker 1: drove up to a spot and then we sat down 198 00:14:23,200 --> 00:14:25,160 Speaker 1: to eat sushi. So it was kind of I mean, 199 00:14:25,160 --> 00:14:28,800 Speaker 1: it's a little bit like being served, you know, anyway 200 00:14:28,960 --> 00:14:32,400 Speaker 1: you get it. Because the big confrontation was right around 201 00:14:32,400 --> 00:14:35,640 Speaker 1: the corner, we tried to predict just what kind of 202 00:14:35,640 --> 00:14:40,720 Speaker 1: mean this yogurt person was going to be. Kyle went, first, 203 00:14:42,720 --> 00:14:46,480 Speaker 1: it's gonna be like kind of coded mean where it's 204 00:14:46,520 --> 00:14:51,840 Speaker 1: like it's like a spicy something of spicy food that like, 205 00:14:52,200 --> 00:14:58,160 Speaker 1: doesn't taste hot at first, but then as you as 206 00:14:58,200 --> 00:15:00,480 Speaker 1: you go it's not. It sneaks up by and you're like, 207 00:15:00,480 --> 00:15:02,760 Speaker 1: well there's and you go, there's the heat. There's the 208 00:15:02,760 --> 00:15:06,440 Speaker 1: heat exactly, there's the heat. Yeah, yeah, I mean I'm 209 00:15:06,440 --> 00:15:11,120 Speaker 1: really curious. Obviously everybody you think could soon to be like, okay, 210 00:15:11,120 --> 00:15:13,200 Speaker 1: you come in to my story, right, And then I'm 211 00:15:13,200 --> 00:15:17,680 Speaker 1: on the phone and I'm like, yeah, I would be, um, 212 00:15:17,720 --> 00:15:19,760 Speaker 1: i'd be willing to close the shop a little earlier 213 00:15:19,800 --> 00:15:24,360 Speaker 1: today since no one important is here. I know she 214 00:15:24,480 --> 00:15:28,320 Speaker 1: was just speaking in hypotheticals, but her acting was amazing. 215 00:15:29,320 --> 00:15:37,080 Speaker 1: That really hurt. Oh yeah, I would have to say something, yeah, 216 00:15:37,240 --> 00:15:41,800 Speaker 1: like I'm a person exactly, I don't think you should 217 00:15:41,840 --> 00:15:47,160 Speaker 1: actually close your shop. Because I'm standing right here. There's 218 00:15:47,160 --> 00:15:49,040 Speaker 1: still a little bit of food, so I save it, 219 00:15:50,040 --> 00:15:53,040 Speaker 1: save it, I save it and just put in the 220 00:15:53,080 --> 00:15:55,680 Speaker 1: bat and just like that, we were on our way. 221 00:15:56,760 --> 00:16:05,280 Speaker 1: Well not so quick, Kyle, did you memorize the script? Yeah, 222 00:16:05,480 --> 00:16:09,480 Speaker 1: that's what I thought. On the way to the froyo shop, 223 00:16:09,880 --> 00:16:13,720 Speaker 1: I helped Kyle run her lines. Do you make it 224 00:16:13,760 --> 00:16:15,800 Speaker 1: or do I make it? I'm just checking it. Do 225 00:16:15,880 --> 00:16:19,120 Speaker 1: you make it? Or do I make it exactly. That's 226 00:16:19,120 --> 00:16:21,760 Speaker 1: really good. I think you go. What you did just 227 00:16:21,840 --> 00:16:23,880 Speaker 1: now was perfect. Do you make your do? Do you 228 00:16:23,880 --> 00:16:25,800 Speaker 1: make it? Or do? I mean like you're almost like 229 00:16:25,840 --> 00:16:28,000 Speaker 1: I know the answer, but I forgot. Yeah. What helps 230 00:16:28,040 --> 00:16:30,120 Speaker 1: me is to save that line and kind of squint like, 231 00:16:30,720 --> 00:16:32,840 Speaker 1: do you make it or do I make it? Yeah? Exactly. 232 00:16:32,880 --> 00:16:34,680 Speaker 1: It gives you something, you grounds you a little bit. 233 00:16:34,680 --> 00:16:35,920 Speaker 1: You know, you make it? Or do I make it? 234 00:16:35,920 --> 00:16:39,840 Speaker 1: I almost forgot. It's like, wait, I was doing my 235 00:16:39,880 --> 00:16:43,320 Speaker 1: best to direct Kyle, acting as a kind of Cassavettes 236 00:16:43,360 --> 00:16:47,120 Speaker 1: of the duo. But I needed to do more. I 237 00:16:47,200 --> 00:16:50,800 Speaker 1: needed to get mean. I needed to become the Maurice 238 00:16:50,800 --> 00:16:55,000 Speaker 1: pilav of the duo. What you're about to hear, it's 239 00:16:55,040 --> 00:16:58,600 Speaker 1: my putting Kyle through the ringer. You're going to horror? 240 00:16:58,640 --> 00:17:02,640 Speaker 1: Do you think to me, I'm preparing you for the word. Hey, Hey, okay, 241 00:17:02,640 --> 00:17:04,800 Speaker 1: I'm gonna block you out. Okay, just block me out. 242 00:17:04,880 --> 00:17:08,200 Speaker 1: I'm not even here. Hello, Hi, I'm so excited to 243 00:17:08,240 --> 00:17:13,639 Speaker 1: get some yogurt. I've never cared what do you recommend? 244 00:17:13,640 --> 00:17:17,800 Speaker 1: What's popular? I don't care about my job. Can you 245 00:17:17,840 --> 00:17:20,679 Speaker 1: swirl any too flavors together? Or didn't have to be 246 00:17:20,760 --> 00:17:23,360 Speaker 1: side by side. You can swirl what I can say, 247 00:17:23,440 --> 00:17:27,800 Speaker 1: you can. These are all the topics you have. Can 248 00:17:27,880 --> 00:17:31,440 Speaker 1: you make any of them? You can make whatever you want. 249 00:17:31,480 --> 00:17:35,080 Speaker 1: I truly don't care about you. Do you do it? 250 00:17:35,240 --> 00:17:37,400 Speaker 1: Or do do you make it? Or do I make it? 251 00:17:37,880 --> 00:17:42,119 Speaker 1: I make it because that's my job. Cool. Does Jerry 252 00:17:42,119 --> 00:17:46,399 Speaker 1: O'Connell come here? No he doesn't. Actually, well, not to 253 00:17:46,440 --> 00:17:49,600 Speaker 1: be a sneaky pee. But do you guys have tasts? Foods? No? 254 00:17:50,760 --> 00:17:57,200 Speaker 1: Helps me eat? So we did it? So good? Whoa 255 00:17:58,880 --> 00:18:02,480 Speaker 1: Chloe and Josh would be in an excellent script? Amazing. 256 00:18:03,240 --> 00:18:06,119 Speaker 1: Now that my lines were memorized and I had endured 257 00:18:06,160 --> 00:18:09,840 Speaker 1: Anna's brutal acting boot camp, I was prepared for anything 258 00:18:10,000 --> 00:18:14,960 Speaker 1: that was about to come my way. Okay, so it's 259 00:18:15,000 --> 00:18:19,480 Speaker 1: in half a mile on the right hand side. Okay, Wow, 260 00:18:21,440 --> 00:18:25,640 Speaker 1: just like that we were at the Foyo shop. Well 261 00:18:26,240 --> 00:18:30,800 Speaker 1: not just like that again, I mean, think about what 262 00:18:30,880 --> 00:18:34,879 Speaker 1: it took to get here. We interviewed Karen. We asked 263 00:18:34,880 --> 00:18:37,719 Speaker 1: people to recommend the meanest person they could think of. 264 00:18:38,280 --> 00:18:42,520 Speaker 1: We did a ride along with Megan. We learned about capitalism, 265 00:18:42,560 --> 00:18:47,280 Speaker 1: We hired Hollywood writers, We learned what time people get sushi. 266 00:18:47,800 --> 00:18:51,159 Speaker 1: It was a long journey to get here, and now 267 00:18:52,440 --> 00:18:56,240 Speaker 1: we were finally on our way to confront the very 268 00:18:56,400 --> 00:19:00,720 Speaker 1: essence of what it meant to be mean. Nothing could 269 00:19:00,720 --> 00:19:07,320 Speaker 1: stop us. Well, actually that's not exactly true. The law 270 00:19:07,400 --> 00:19:11,320 Speaker 1: could stop us. And if you remember, there's one thing 271 00:19:11,440 --> 00:19:15,760 Speaker 1: I love more than my dog, it's the law. You see, 272 00:19:16,200 --> 00:19:19,120 Speaker 1: we really did go to the froyo shop, we promise, 273 00:19:19,760 --> 00:19:23,160 Speaker 1: but for legal reasons, we can't really play the audio 274 00:19:23,240 --> 00:19:27,400 Speaker 1: for you. Well, in a way we can, but you're 275 00:19:27,440 --> 00:19:32,040 Speaker 1: not gonna like it. Have a listen and do you 276 00:19:32,200 --> 00:19:42,000 Speaker 1: make it or okay, okay, See, we didn't want to 277 00:19:42,040 --> 00:19:46,520 Speaker 1: put you through that. It's unlistenable. We tried to work 278 00:19:46,560 --> 00:19:49,720 Speaker 1: around it, and we do have another version for you 279 00:19:49,840 --> 00:19:55,680 Speaker 1: to hear. But there's something funky about it too. See 280 00:19:55,680 --> 00:19:59,320 Speaker 1: if you can spot it. What do you recommend? What's popular? 281 00:20:01,960 --> 00:20:05,840 Speaker 1: And can you we are any flavors together or Gray 282 00:20:05,880 --> 00:20:19,840 Speaker 1: fid by fide you hear that you guessed it. That's 283 00:20:19,880 --> 00:20:25,159 Speaker 1: not the yogurt person, that's actually Kyle. She re recorded 284 00:20:25,200 --> 00:20:28,040 Speaker 1: the part in our audio where the person talks, and 285 00:20:28,119 --> 00:20:31,119 Speaker 1: then she insisted on using that monster voice from the 286 00:20:31,119 --> 00:20:41,160 Speaker 1: tip line message that I rejected by the way, grow up. Okay, sorry, 287 00:20:42,040 --> 00:20:44,600 Speaker 1: you know I love costumes and this was a little 288 00:20:44,640 --> 00:20:48,000 Speaker 1: costume from my voice. Okay, well when you put it 289 00:20:48,040 --> 00:20:53,320 Speaker 1: that way, I love it. You go girl. We knew 290 00:20:53,320 --> 00:20:55,280 Speaker 1: that these versions weren't going to work for you guys, 291 00:20:55,800 --> 00:20:59,919 Speaker 1: so we decided to transcribe what actually happened word for 292 00:21:00,119 --> 00:21:04,760 Speaker 1: word and hired professional actors and had them reenact the 293 00:21:04,840 --> 00:21:15,920 Speaker 1: audio and now an ad break, the ad break is over. 294 00:21:23,160 --> 00:21:26,120 Speaker 1: We asked a really promising actor named Craig to play 295 00:21:26,119 --> 00:21:29,680 Speaker 1: the yogurt person, and in an effort to not be biased, 296 00:21:29,960 --> 00:21:33,040 Speaker 1: we hired another great actor named Annie to portray Kyle. 297 00:21:33,800 --> 00:21:36,919 Speaker 1: The cold read was nothing short of awesome. Don't go 298 00:21:37,000 --> 00:21:39,639 Speaker 1: by the way, and do you make it? Or do 299 00:21:39,680 --> 00:21:41,920 Speaker 1: I make it? You can go ahead and self serve. 300 00:21:43,480 --> 00:21:46,920 Speaker 1: That was great, But we decided to make some slight 301 00:21:46,960 --> 00:21:50,439 Speaker 1: adjustments because we wanted to convey how it actually felt 302 00:21:50,800 --> 00:21:55,480 Speaker 1: on that fateful night. Plus we loved good acting, remember 303 00:21:55,560 --> 00:21:59,960 Speaker 1: Kevin Costner. We gave a couple of small notes. We try. 304 00:22:00,000 --> 00:22:03,640 Speaker 1: I had to remain unbiased. Yeah, I think Craig, this 305 00:22:03,760 --> 00:22:09,680 Speaker 1: character is Okay, I think Annie, your character Kyle, she's 306 00:22:09,760 --> 00:22:13,080 Speaker 1: really cool. She's really hot. People should be thankful she's 307 00:22:13,080 --> 00:22:17,000 Speaker 1: even in the store in the first place. Then something 308 00:22:17,200 --> 00:22:21,560 Speaker 1: really interesting happened. Annie, who until this point had been 309 00:22:21,560 --> 00:22:27,480 Speaker 1: wearing glasses, started to slowly remove her glasses. It was 310 00:22:27,520 --> 00:22:32,240 Speaker 1: a bit confusing, so Kyle asked for clarification. I did 311 00:22:32,400 --> 00:22:34,760 Speaker 1: notice you just took off your glasses. Is that sort 312 00:22:34,760 --> 00:22:37,239 Speaker 1: of to represent this character in a new light? I 313 00:22:37,280 --> 00:22:39,960 Speaker 1: just didn't feel like Megan Fox would wear glasses and 314 00:22:40,080 --> 00:22:44,560 Speaker 1: Michael Bay films, so I also chose not to. It's 315 00:22:44,680 --> 00:22:51,960 Speaker 1: the perfect answer, and now we present in its entirety 316 00:22:52,119 --> 00:22:56,359 Speaker 1: what actually happened when we confronted the really mean person 317 00:22:56,480 --> 00:23:04,000 Speaker 1: who worked at an undisclosed yogurt shop. What can I 318 00:23:04,040 --> 00:23:09,480 Speaker 1: do for you? Um? Hi, hi, I'm excited to get 319 00:23:09,520 --> 00:23:14,800 Speaker 1: some yokurt. This is really good stuff. But wait, that's 320 00:23:14,840 --> 00:23:20,439 Speaker 1: not how it was. I mean, there were sounds. It 321 00:23:20,560 --> 00:23:24,160 Speaker 1: was very much alive, you know, there was a door, 322 00:23:24,160 --> 00:23:28,880 Speaker 1: a bell, techno music was in the background. We decided 323 00:23:28,920 --> 00:23:31,199 Speaker 1: to work with a fully artist that was recommended by 324 00:23:31,200 --> 00:23:35,560 Speaker 1: our editor well to be fully transparent. He was our editor. 325 00:23:36,160 --> 00:23:38,040 Speaker 1: He really wanted to try his hand at being a 326 00:23:38,040 --> 00:23:42,440 Speaker 1: fully artist, so we agreed under the condition that he 327 00:23:42,480 --> 00:23:45,600 Speaker 1: would go by an alias for this specific project. Can 328 00:23:45,640 --> 00:23:49,919 Speaker 1: you introduce yourself? Yeah, Hi, I'm Adam. Wait a minute, 329 00:23:50,480 --> 00:23:54,359 Speaker 1: that was the editor's real name. Remember we talked about 330 00:23:54,400 --> 00:23:57,800 Speaker 1: you going by the name Bernard. We chose the name 331 00:23:57,800 --> 00:24:01,119 Speaker 1: Bernard because that's my favorite elf and Tim Allen's the 332 00:24:01,119 --> 00:24:06,919 Speaker 1: Santa Claus Hi and Bernard. To really drive in the 333 00:24:06,920 --> 00:24:10,320 Speaker 1: authenticity of this fully artist persona. I even gave our 334 00:24:10,480 --> 00:24:13,879 Speaker 1: editor Adam nickname, and then, if it's okay, my nickname 335 00:24:13,920 --> 00:24:17,760 Speaker 1: for you is going to be Saint Bernard. Okay. We 336 00:24:17,800 --> 00:24:21,399 Speaker 1: sat with Bernard perusing our sound effect options. We were 337 00:24:21,440 --> 00:24:24,399 Speaker 1: a little disappointed. We thought the whole point of fully 338 00:24:24,480 --> 00:24:28,919 Speaker 1: artists was that they make the sounds themselves. Bernard was 339 00:24:29,000 --> 00:24:34,040 Speaker 1: just finding sound effects on YouTube. It wasn't the perfect situation, 340 00:24:34,560 --> 00:24:39,960 Speaker 1: but we made it work. What about this? What about that's? 341 00:24:51,320 --> 00:24:54,080 Speaker 1: I thought that sounded really good? I mean, what's not 342 00:24:54,160 --> 00:24:58,800 Speaker 1: to like? When I think of door, I think old, creepy, 343 00:24:59,520 --> 00:25:03,439 Speaker 1: you know, it's seen somethings. I guess the thing that 344 00:25:03,520 --> 00:25:09,080 Speaker 1: doesn't quite work is that when I hear that, I 345 00:25:09,119 --> 00:25:11,800 Speaker 1: think of the door almost like they it's coming off 346 00:25:12,000 --> 00:25:16,480 Speaker 1: hinge and it's like swinging. And I thought that the 347 00:25:16,520 --> 00:25:19,399 Speaker 1: door that they had was actually pretty. It looked like 348 00:25:19,440 --> 00:25:24,600 Speaker 1: pretty like a pretty new door. Ouch. Okay, interesting point, 349 00:25:25,480 --> 00:25:28,280 Speaker 1: but I wondered if Kyle could do better. Let's hear 350 00:25:28,280 --> 00:25:30,240 Speaker 1: the clean hear that one just I just want to 351 00:25:30,240 --> 00:25:36,240 Speaker 1: know what that's It's good to hear them all. Huh 352 00:25:42,400 --> 00:25:46,600 Speaker 1: oh yeah, I mean that sounded like a garage door. 353 00:25:47,920 --> 00:25:51,120 Speaker 1: If I'm being honest, it sounded like a great garage door, 354 00:25:51,600 --> 00:25:55,040 Speaker 1: one that was probably guarding something really good, like a 355 00:25:55,160 --> 00:25:59,240 Speaker 1: huge car or a boat, or help even a really 356 00:25:59,240 --> 00:26:03,160 Speaker 1: cool man case. Hell yeah, brother. In the end, Bernard 357 00:26:03,200 --> 00:26:06,360 Speaker 1: really came through. He found us the perfect yogurt chop 358 00:26:06,400 --> 00:26:10,800 Speaker 1: door sound. It really brought the event to life. What 359 00:26:10,880 --> 00:26:20,600 Speaker 1: about this one? Yeah, yeah, that's it. Yeah, I think 360 00:26:20,600 --> 00:26:23,560 Speaker 1: that's good. I think we'll go with awesome. And then 361 00:26:23,600 --> 00:26:26,399 Speaker 1: I guess there was music playing, So maybe if you 362 00:26:26,400 --> 00:26:33,040 Speaker 1: could find something that's like, um like techno music, Yeah, 363 00:26:33,320 --> 00:26:35,960 Speaker 1: that's yeah, that's a good idea, sort of like upbeat 364 00:26:36,119 --> 00:26:40,600 Speaker 1: music in the background. Can we use um just an idea? 365 00:26:40,800 --> 00:26:43,280 Speaker 1: Feel free to you know, shoot it down, But can 366 00:26:43,280 --> 00:26:54,399 Speaker 1: we use UMU my friend's song? Ah? Yeah, sure? Do 367 00:26:54,400 --> 00:26:58,840 Speaker 1: you not like that? No? I just okay, let's let's 368 00:26:58,840 --> 00:27:15,000 Speaker 1: just hear it. Okay, it's good, It's like, it's very 369 00:27:15,040 --> 00:27:17,719 Speaker 1: it's good, But I just to be honest, it kind 370 00:27:17,760 --> 00:27:20,320 Speaker 1: of brings me back to a dark place. And I 371 00:27:20,359 --> 00:27:23,760 Speaker 1: also feel like it's not the kind of music that 372 00:27:23,880 --> 00:27:28,960 Speaker 1: was playing in the shop. It was techno. So maybe 373 00:27:29,000 --> 00:27:31,880 Speaker 1: if this could be more of a techno version, it 374 00:27:31,920 --> 00:27:36,200 Speaker 1: could work. But okay, what about this? What if it 375 00:27:36,320 --> 00:27:41,440 Speaker 1: was reworked as a kind of techno song, would that be? Okay? Yeah, 376 00:27:41,520 --> 00:27:43,320 Speaker 1: I think so. You'd just be willing to give it 377 00:27:43,359 --> 00:27:45,199 Speaker 1: a try. Yeah. I think that if it had more 378 00:27:45,240 --> 00:27:49,560 Speaker 1: of a techno tune to it, I think it could work. Okay, Okay. 379 00:27:50,840 --> 00:27:53,040 Speaker 1: I wrote my friend with and asked him to write 380 00:27:53,040 --> 00:27:57,480 Speaker 1: a techno version of his great song contemplating suicide, and 381 00:27:57,480 --> 00:27:59,800 Speaker 1: I told him to step on it fully waits for 382 00:27:59,840 --> 00:28:02,560 Speaker 1: no one. He sent me a virgin within an hour. 383 00:28:03,200 --> 00:28:07,320 Speaker 1: It was so nice to work with you, Bernard. Thank you, 384 00:28:07,960 --> 00:28:13,160 Speaker 1: thank you so much for everything. St Bernard. You Okay, 385 00:28:13,440 --> 00:28:19,240 Speaker 1: now we were really ready, and now we present in 386 00:28:19,359 --> 00:28:24,200 Speaker 1: its entirety what actually happened when we confronted the really 387 00:28:24,280 --> 00:28:38,760 Speaker 1: mean person who worked at an undisclosed yogurt shop. Uh, 388 00:28:43,240 --> 00:28:48,360 Speaker 1: what can I do for you. Um, hi llo, I'm 389 00:28:48,360 --> 00:28:51,320 Speaker 1: excited to get some Kurt. You can go ahead and 390 00:28:51,360 --> 00:28:56,440 Speaker 1: self serve. Um, okay, what do you recommend? What's popular 391 00:28:57,360 --> 00:29:02,240 Speaker 1: for the throw? Definitely the cake bowder or the mango 392 00:29:02,400 --> 00:29:07,800 Speaker 1: swore bay? Okay? Can you swirl any flavors together? Does 393 00:29:07,800 --> 00:29:12,360 Speaker 1: it have or is there or does it have to 394 00:29:12,400 --> 00:29:16,120 Speaker 1: be side by side? Machines are right there, so you 395 00:29:16,120 --> 00:29:19,520 Speaker 1: can actually build your own. So you can only swirl 396 00:29:19,560 --> 00:29:22,080 Speaker 1: some flavors, but you can get as many flavors as 397 00:29:22,120 --> 00:29:29,360 Speaker 1: you want. Are all these the toppings? Yeah? Wow? Can 398 00:29:29,400 --> 00:29:32,400 Speaker 1: you mix the toppings? So the way it works is 399 00:29:32,400 --> 00:29:35,840 Speaker 1: that anything that is loose still goes by weight. Anything 400 00:29:35,840 --> 00:29:38,520 Speaker 1: in the container is two fifty, you can pick them out, 401 00:29:38,640 --> 00:29:42,560 Speaker 1: but the containers don't go by weight. And do you 402 00:29:42,640 --> 00:29:44,959 Speaker 1: make it or do I make it? You can go 403 00:29:45,000 --> 00:29:50,400 Speaker 1: ahead and self serve. Oh okay, and when you grab 404 00:29:50,480 --> 00:29:55,360 Speaker 1: these you just hold onto them. Cool. I have a question, 405 00:29:56,480 --> 00:30:03,600 Speaker 1: does Jerry O'Connell come here? Who? Jerry O'Connell, I don't 406 00:30:03,600 --> 00:30:07,000 Speaker 1: know who. That is. Probably a lot of famous people 407 00:30:07,040 --> 00:30:13,000 Speaker 1: pull up, Little t J. Logan, Paul Mario, Guetta, Kirbye Red. Yeah, 408 00:30:13,200 --> 00:30:16,960 Speaker 1: a bunch of people not to be a snaky pee, 409 00:30:17,000 --> 00:30:21,200 Speaker 1: But do you have a taster scrum? Do we have one? 410 00:30:22,160 --> 00:30:25,920 Speaker 1: Not to be a snaky pee, but do you have 411 00:30:26,040 --> 00:30:31,360 Speaker 1: a taster spoone taste spoon. Oh you actually can't eat 412 00:30:31,400 --> 00:30:36,160 Speaker 1: inside the store right now? Yeah, yeah, it just helps 413 00:30:36,200 --> 00:30:47,400 Speaker 1: me eat slow. Yeah, and the Academy award goes to 414 00:30:48,880 --> 00:30:56,080 Speaker 1: Annie and Cray. Wow, Hey, did you like how Chloe 415 00:30:56,160 --> 00:30:59,720 Speaker 1: and Josh's award winning script mentioned Jerry O'Connell and the 416 00:30:59,760 --> 00:31:03,240 Speaker 1: TV show Sneaky Pete. We didn't want to tell them 417 00:31:03,240 --> 00:31:06,360 Speaker 1: how to do their job, but let's just say we 418 00:31:06,400 --> 00:31:11,120 Speaker 1: gave them a few notes, and hey, it worked. Hearing 419 00:31:11,160 --> 00:31:15,719 Speaker 1: this script and watching those actors act, it really felt 420 00:31:15,920 --> 00:31:19,360 Speaker 1: like it did that night at the yogurt shop. It 421 00:31:19,480 --> 00:31:27,480 Speaker 1: was amazing. Well, now you know what we know back 422 00:31:27,480 --> 00:31:31,280 Speaker 1: to that night, as we sat in my car eating froyo, 423 00:31:31,560 --> 00:31:42,719 Speaker 1: we reflected, it's really good. It's really the yogurt. Definitely. Honestly, 424 00:31:42,720 --> 00:31:44,320 Speaker 1: this is some of the best friends and yogurt I've 425 00:31:44,320 --> 00:31:47,760 Speaker 1: ever had. Yeah, and then you know what's really messed up. 426 00:31:48,200 --> 00:31:51,640 Speaker 1: That person that we dealt with was one of the 427 00:31:51,760 --> 00:31:58,760 Speaker 1: nicest customer service people people I've ever encountered. Yeah, I mean, 428 00:31:58,920 --> 00:32:02,440 Speaker 1: like I had an answer for everything. He was patient 429 00:32:02,560 --> 00:32:07,000 Speaker 1: who was super patient. Once we were done asking questions, 430 00:32:07,000 --> 00:32:10,959 Speaker 1: he even said, I can help you with anything? Can 431 00:32:10,960 --> 00:32:13,960 Speaker 1: I help you with anything else? He made us feel 432 00:32:14,000 --> 00:32:16,360 Speaker 1: seen and heard, But he was also really quick with 433 00:32:16,400 --> 00:32:19,040 Speaker 1: dealing with other people, but very quick while making them 434 00:32:19,040 --> 00:32:24,800 Speaker 1: feel comfortable and like they're coming back to a neighborhood place. Man, 435 00:32:25,000 --> 00:32:28,080 Speaker 1: he gave he gave me free he did. He gave 436 00:32:28,120 --> 00:32:34,160 Speaker 1: me free toppings. Wow, and I got too toppings. Two, 437 00:32:35,720 --> 00:32:40,240 Speaker 1: the case was closed. This really mean yogurt person doesn't 438 00:32:40,240 --> 00:32:46,280 Speaker 1: mean at all, and Megan wasn't mean. Come to think 439 00:32:46,280 --> 00:32:51,960 Speaker 1: of it, Karen wasn't mean either, So what did this 440 00:32:52,160 --> 00:32:56,000 Speaker 1: tell us about meanness? We headed back to the beach 441 00:32:56,360 --> 00:33:08,280 Speaker 1: to reflect on this investigation. Okay, thank you so much 442 00:33:08,320 --> 00:33:12,480 Speaker 1: for meeting me here. Against it was a long drive, 443 00:33:13,080 --> 00:33:17,120 Speaker 1: but I'm happy to be here. Yeah, but you got 444 00:33:17,200 --> 00:33:19,600 Speaker 1: your oil changed. And then look at how beautiful it is. 445 00:33:19,640 --> 00:33:23,440 Speaker 1: I mean, the clouds today, honestly, are so bouncy and fluffy. 446 00:33:23,560 --> 00:33:26,320 Speaker 1: They're like, I don't know, they're like the pillows of 447 00:33:26,360 --> 00:33:33,280 Speaker 1: the sky. Yeah, you're right, Okay, I mean, I guess 448 00:33:33,280 --> 00:33:36,280 Speaker 1: we should think about what we learned. Right. We set 449 00:33:36,280 --> 00:33:40,360 Speaker 1: out to question what is meanness and why people are mean? 450 00:33:41,040 --> 00:33:43,840 Speaker 1: And I guess, I guess we learned that it's not 451 00:33:43,880 --> 00:33:48,840 Speaker 1: that people are inherently mean, it's more that people can 452 00:33:48,880 --> 00:33:54,360 Speaker 1: just kind of have a bad day. And I guess 453 00:33:54,400 --> 00:33:58,840 Speaker 1: I learned that sometimes the best armor against mean people 454 00:33:59,640 --> 00:34:05,240 Speaker 1: is to not take it personally. But let's be honest, 455 00:34:05,560 --> 00:34:09,960 Speaker 1: they were a bunch of dumasses. Sorry, it's just one 456 00:34:10,000 --> 00:34:24,400 Speaker 1: of those days. I love the sight of you. Truth 457 00:34:24,400 --> 00:34:26,759 Speaker 1: Hounds is a production of I heart Radio. For more 458 00:34:26,800 --> 00:34:29,799 Speaker 1: podcasts from I heart Radio, visit the i heart Radio app, 459 00:34:29,840 --> 00:34:32,600 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 460 00:34:33,000 --> 00:34:36,640 Speaker 1: If you like this podcast, please subscribe, rate, and review.