Speaker 1: Did you babysit when you were growing up? No, me neither,
Speaker 1: thank god.
Speaker 2: Ah And but I will tell you I've made up.
Speaker 2: And on the other side, because I got babysitters, I
Speaker 2: have a rolodex of girls.
Speaker 1: Well see, I want to get into that because I went, wait,
Speaker 1: is it just girls? You have no dudes? No dudes?
Speaker 1: You wouldn't want a dude babysitter. No, really.
Speaker 2: Not unless like unless it was somebody who I met.
Speaker 2: I guess that's just not I honestly don't know any
Speaker 2: of the break nobody doesn't that that are around me
Speaker 2: or whatever my girls are. It's mainly my dancers. I've
Speaker 2: got schoolgirls.
Speaker 1: Access to tons of babysitters essentially, yes.
Speaker 2: So that's really I don't have to search out. I
Speaker 2: think if I ever did like a sitter like app
Speaker 2: or online like I would probably look at the dudes
Speaker 2: at males as well.
Speaker 1: But like, yeah, somebody's gonna teach you how to fight
Speaker 1: and spit and roll joints. And I mean there's well,
Speaker 1: I think it would be good to me.
Speaker 2: I think it'd be great for like someone to be
Speaker 2: able to handle Ledger a little bit better. Oh, he's
Speaker 2: just shockingly.
Speaker 1: Is he really with babysitters or with everybody.
Speaker 2: Let me tell you this. For Cinco de Mayo, I
Speaker 2: took my kids out. Jordan was at the golf being range,
Speaker 2: so he was going to meet us there once I.
Speaker 2: Once Monroe got done with dance, we picked up Ledger
Speaker 2: and we were going out to you know, a restaurant
Speaker 2: to go enjoy Cicco Tomyo, and Jordan went to the
Speaker 2: wrong restaurant and so he was later than even, like,
Speaker 2: you know, coming and meeting us. And I called him
Speaker 2: and was like furious. He's like, it's like five minutes, babe,
Speaker 2: Like why are you so upset. I'm like, well, you
Speaker 2: need to go and go to the grocery store now,
Speaker 2: because I just turned my head for five seconds and
Speaker 2: Ledger took the krans that he was given to play
Speaker 2: on the little coloring thing and turned to the wall
Speaker 2: and just covered the entire wall with kran. He just
Speaker 2: sat there and it was so fast will It wasn't
Speaker 2: even just like a little bit, it was everything. So
Speaker 2: I'm like, you have to go to Ralph SIT's across
Speaker 2: the street now and go get the only thing that
Speaker 2: will work. Because water you drapk in, you gotta go
Speaker 2: get the magic rations. They worked so well, and I'm like,
Speaker 2: this only thing is going to work, so you have
Speaker 2: to go get one. And he's just like, you're kidding me.
Speaker 2: He's like, well, what were you doing? And I'm like
Speaker 2: literally sitting right next to him, playing with Monroe helping
Speaker 2: her color. She wanted to play TikTok toe. So I'm
Speaker 2: playing three games of TikTok toe, which takes all of
Speaker 2: thirty seconds. Right, yes, just what her ass three times
Speaker 2: real quick.
Speaker 1: I'm glad you beat herd That's how you are a kid.
Speaker 2: And I turned over and Ledger had just like given
Speaker 2: me my karma so quickly.
Speaker 1: I was gonna say, so, let me understand this. You
Speaker 1: were watching Ledger as he paid on the wall because
Speaker 1: you were trying to be your daughter.
Speaker 2: He doesn't take much, man, She's fine, right every time,
Speaker 2: you know, you start right here, you hit the corner, okay, Monroe, no,
Speaker 2: you start we start the middle, but then the corners
Speaker 2: the next and she does that, she goes right above it.
Speaker 1: And you haven't taught her that yet because you.
Speaker 2: Like to trying to teach her. She doesn't remember anyway,
Speaker 2: and he just goes and like Ledgers just like he
Speaker 2: had to sit her last night and I literally was like,
Speaker 2: he's just you can't, you can't. Don't take it like
Speaker 2: he's already. He just ruined my couch with Monroe's lip
Speaker 2: gloss like painted all over it. You've got to watch him.
Speaker 2: And she's like okay, and I'm like no, like you
Speaker 2: have to watch.
Speaker 1: You can't.
Speaker 2: Whatever Monroe's doing, She's fine. She's an angel. She won't
Speaker 2: do anything bad. She won't do anything to get in
Speaker 2: trouble because she hates being in trouble. This guy Zero s, oh.
Speaker 1: My god, Well I have a question because I don't
Speaker 1: have kids. Don't they just make bigger crates. Can't you
Speaker 1: just create a kid like you would a dog that
Speaker 1: not Does that.
Speaker 2: Not work for his sleep time? He is in one
Speaker 2: of those little tents.
Speaker 1: Well there you go, put him in a crate.
Speaker 2: But you finally do that all day, you.
Speaker 1: Know, chuck some food there.
Speaker 2: He doesn't get his energy out. He'll never go to street.
Speaker 2: He's got so much energy. But when I tell you, though,
Speaker 2: like watching him, he's so funny. And our producer is Tara,
Speaker 2: Lisa and Mikayla got to see him firsthand and they're like, Wow, sorry, guys,
Speaker 2: he won't come to anything again.
Speaker 1: That's great. He's a handful.
Speaker 2: Love it funny though, he's hilarious and you love to
Speaker 2: just let him go and you're like, love them. Yeah,
Speaker 2: he'll be someone else's he'll be someone's husband one day.
Speaker 1: Yeah, well you're my hands. As I always say, you're
Speaker 1: really selling kids on me, and well you.
Speaker 2: Are not in the market, so it's fine. You anything
Speaker 2: to do with it, So it's fine. I don't be
Speaker 2: honest with you. With my friends that are still thinking
Speaker 2: about it, I'm like, oh, he's so funny.
Speaker 1: And easy court nice, good.
Speaker 2: He's cute. Lookodorable he is.
Speaker 1: Yes, stop, stops, it's all he'sced. Yeah. Susan's actually out
Speaker 1: at the grocery store right now getting magic racers because
Speaker 1: I was coloring all over the wall.
Speaker 2: Oh yeah, see it happened. He loves kids, she does.
Speaker 1: She's got one. Welcome to problems, she does. Welcome back
Speaker 1: to Magical. Rewind the show that makes you want to
Speaker 1: grab your friends, your pjs, and your popcorn and go
Speaker 1: back to a time when all the houses were smart,
Speaker 1: The Wave, Tsunamis, and the Crans could just be taken
Speaker 1: off of soap and water, but not anymore. They've changed,
Speaker 1: it changed, it's totally different.
Speaker 2: I'm Wilfredell and I'm Sabrina Brian.
Speaker 1: Well, last week we time traveled to nineteen eighty nine
Speaker 1: for the blockbuster that was Honey, I Shrunk the Kids
Speaker 1: and we loved it. But now we're going back a
Speaker 1: little further to nineteen eighty seven, but only for inspiration,
Speaker 1: because on this episode we're looking into the twenty sixteen
Speaker 1: technically sequel, technically reimagining, technically just using the title Adventures
Speaker 1: in Babysitting, And I'm gonna tell you going into this movie, Sabrina,
Speaker 1: I was not happy because this is one of my
Speaker 1: favorites of all time. Elizabeth Shoe is my forever crush
Speaker 1: in love with her. This movie was incredible. It was
Speaker 1: one of the movies that I watched on repeat growing up.
Speaker 1: So I was like, right, have you seen the original one?
Speaker 2: Yes, but this is the thing. While I was watching
Speaker 2: this new one, Adventures of Babysitting. I remember being at
Speaker 2: the premiere going, maybe I don't remember the first one
Speaker 2: because I thought it was going to be a remake.
Speaker 1: Right, I was thinking it really certain things from it
Speaker 1: they pulled even direct lines from it, but they had
Speaker 1: to disneyfy it down. They tried to keep some of
Speaker 1: the tropes the same, with some of the crushes and
Speaker 1: the stuff going on.
Speaker 2: I don't know the movie as much as you and I.
Speaker 1: I jun't so backwards for it.
Speaker 2: I was worried about this movie for you because I like,
Speaker 2: this is a big one for a will and this was.
Speaker 1: Tough, but we'll see. Uh. So yeah, the original film
Speaker 1: was directed by none other than Chris Columbus and start
Speaker 1: a young Elizabeth Shoe coming right up for the crowded kid,
Speaker 1: which is perfection in a character. And I just to
Speaker 1: this day every time I see her, I'm it's this
Speaker 1: instant crush. My wife knows too, and it's what's so
Speaker 1: funny is my older brother Gary is the same way.
Speaker 1: We'll often fight where I'll be like, I have such
Speaker 1: a crush on Elizabeth Shot and He's like, no, she's mine,
Speaker 1: and it's like that. Yeah. So, uh, just hugely important
Speaker 1: in my child in movies like this or you know,
Speaker 1: the Original Adventures of Babysitting were one of the reasons.
Speaker 1: So uh. Some fun facts about the original. It also
Speaker 1: stars a great guy who I've known for many, many years.
Speaker 1: I ran into again at a convention not that long ago,
Speaker 1: and we sat and we talked for hours. Keith Coogan
Speaker 1: his first of two movies about babysitting. Both are awesome.
Speaker 1: His second was Don't Tell Mom the Babysitters Day.
Speaker 2: Which was mine. Thank you, but you're not allowed to
Speaker 2: have that one. You can't have both fair enough.
Speaker 1: I will take advenures of babysitting.
Speaker 2: That movie, the fashion, everything they're shooting out the applegate,
Speaker 2: the plates, dishes are done. Man.
Speaker 1: That was Keith. He's the best. He was also the
Speaker 1: grandson of former child actor Jackie Cougan, for which the
Speaker 1: Cougan Law is named. So I don't know if anybody
Speaker 1: out there is aware of what the Cougan Law is,
Speaker 1: but the Cougan Law essentially says that there were so
Speaker 1: many child actors that earned so much money that was
Speaker 1: then stolen by adults and by their parents. Jackie Cougan
Speaker 1: lost a fortune to his parents. The Cougan Law is
Speaker 1: at least, and I think it's now twenty five percent
Speaker 1: of an under eighteen actors' money or entertainer's money has
Speaker 1: to be put in a bank and invested. I personally
Speaker 1: think it should be flipped. I think it should be
Speaker 1: seventy five percent, should be seventy five to the actor
Speaker 1: themselves and twenty five percent the parents get to use
Speaker 1: as they want. But they got twenty five percent. But
Speaker 1: take that to your trivia night. So Keith Cougan is.
Speaker 2: And so so important, so important, God, yes, and life actor.
Speaker 2: You don't really necessarily understand. But I wasn't raised in
Speaker 2: a house where my parents all of my money went
Speaker 2: into a bank spend. I got to get like one
Speaker 2: big fun toy, or go on like a shopping spree
Speaker 2: type thing, get some clothes, whatever, But most of mine did.
Speaker 2: But that is not the way A good amount of
Speaker 2: actors when they're younger.
Speaker 1: And again I get there, there is a flip side
Speaker 1: to it, which I understand, which is why I think
Speaker 1: the set it should be flipped and it should be
Speaker 1: seventy five to twenty five. There are many parents out
Speaker 1: there that give up careers and give up their lives
Speaker 1: to manage their kids, to take them to auditions. It
Speaker 1: becomes their life. They sit on sets all day. Okay,
Speaker 1: should you then be entitled to some of that money?
Speaker 1: Maybe some, but seventy five percent not in my opinion,
Speaker 1: so yes, I get that. There are many, many people.
Speaker 1: You know, Lynn Strong, writer in Shiloh's mom was a
Speaker 1: teacher and essentially gave up her career. Now she didn't
Speaker 1: take Writer In Shiloh's money, but she gave up her
Speaker 1: entire life and would drive them hours every day to
Speaker 1: do one Shiloh to go one place, Rider to go
Speaker 1: into the place. She'd sit on this set at one
Speaker 1: point they were both on different sitcoms that she'd go
Speaker 1: to the here and then she'd go to there, So
Speaker 1: she had every right to and still didn't. But there
Speaker 1: are some people then you just hear, Hey, I went
Speaker 1: to the bank and I pressed the ATM button and
Speaker 1: there was zero in there and I found out my
Speaker 1: parents stole all my money. That it's awful. So that's
Speaker 1: one of the reasons why the Cougan law exists. He's
Speaker 1: also a great guy. He's been. He was one of
Speaker 1: those eighties Child's actors that was just better than everyone
Speaker 1: around him. He was just great Keith Coogan and still is.
Speaker 1: But let's focus on this dcom reboot. It aired on
Speaker 1: the Disney Channel June seventeenth, twenty sixth day Juno to seventeenth.
Speaker 1: As I call it smack dab in there, but I
Speaker 1: just made that up. I don't think June seventeenth is
Speaker 1: a holiday in any way, shape or form. You just
Speaker 1: said Sinco to my ow and it got into my head.
Speaker 1: Smack dab in their big summer programming, And it was
Speaker 1: a pretty big milestone. And by big milestone, I mean
Speaker 1: a very big milestone for Disney because this is technically,
Speaker 1: and we're gonna say technically, the hundredth dcom And the
Speaker 1: celebration was advertised for weeks now. Some people had thoughts
Speaker 1: about this, whether it was actually one hundred or it wasn't,
Speaker 1: because there's there's some fudging in there with this movie
Speaker 1: came out, but we're not counting it. Was this movie
Speaker 1: actually a dcom? Was that movie actually a dcom? But
Speaker 1: if Mickey said it was one hundred, h it's one hundred.
Speaker 1: So to celebrate this momentous occasion, they had a very
Speaker 1: big premiere event, which I believe you attended, Sabrina, What
Speaker 1: was that? Like I did?
Speaker 2: It was very cool because there were so many dcom
Speaker 2: stars there. There was like it just the red carpet,
Speaker 2: the you know, the before the movie, the after, you know,
Speaker 2: after party. It was very cool to like it felt
Speaker 2: like a little like family reunion, if we'll say, right,
Speaker 2: like you had so many people it was in we
Speaker 2: said it was you know, twenty sixteen, so that had
Speaker 2: been years. Jordan was with me, I mean like we
Speaker 2: we had been together. That was kind of his first
Speaker 2: like Disney premiere thing that we had gone to, and
Speaker 2: I mean I remember him seeing like he goes just
Speaker 2: like I don't. I didn't even realize how many Decon
Speaker 2: celebrities I actually could. Like remember, He's like I didn't.
Speaker 2: I he doesn't take himself as like a Disney kid
Speaker 2: growing up on the channel as much as I do,
Speaker 2: and so he was just like, wow, this is wild,
Speaker 2: and it was very cool. I got to just run
Speaker 2: into so many people that I'd worked with for so long,
Speaker 2: and everyone was really excited. Like I said, it felt
Speaker 2: very much like a family reunion vibe, which all just
Speaker 2: excit there.
Speaker 1: If you're in a dcom, you're part of a very
Speaker 1: select fraternity, you really are. It's kind of what it's
Speaker 1: like so privileged.
Speaker 2: Because my seats were literally right behind Sabrine and Sophia,
Speaker 2: like it was just like someone here, and they both
Speaker 2: stared around and were like we loved the Cheetah girls
Speaker 2: and then I was like, oh wow, wish Like it
Speaker 2: just was so cool. They were so sweet and it
Speaker 2: was fun to be behind this. Celebrities that were watching.
Speaker 2: This was probably the first time they got to watch,
Speaker 2: and so when they were clapping, when they were thinking,
Speaker 2: and like you could tell like they were reminiscing of
Speaker 2: their days on set for the movie, and it was
Speaker 2: just like a really it was fun to be a
Speaker 2: part of their energy of the night. It was very cool,
Speaker 2: a very very cool night.
Speaker 1: Very very cool. And by the way, they also decided
Speaker 1: at the time the decom was coming out to marathon
Speaker 1: and this is a weird number, but fifty three okay
Speaker 1: of the best dcoms ever back to back on the
Speaker 1: channel during Memorial Day weekend, then air the rest leading
Speaker 1: up to the premiere in June. So think about that,
Speaker 1: over one weekend they did fifty three dcoms. It's a
Speaker 1: lot of decoms and we've done a lot, but that's
Speaker 1: I couldn't do them in a row in a week
Speaker 1: and a weekend couldn't do in a row. I can
Speaker 1: literally think of nothing I want to do for fifty
Speaker 1: three straight hours. Not a thing now, this reimagining had
Speaker 1: been bouncing around Disney for many, many years, with a
Speaker 1: number of false starts, first with the Channel Legend and
Speaker 1: a year old cheetahgau Raven Simone attached to Starr when
Speaker 1: she withdrew because of other projects in scheduling, Miley Cyrus
Speaker 1: was rumored to be stepping in, but later denied any involvement. Also,
Speaker 1: it was originally set to be called Further Adventures in Babysitting,
Speaker 1: which kind of makes sense, but I think they kind
Speaker 1: of made the right decision by just ripping off the
Speaker 1: first movie. It continued to get kicked around until twenty
Speaker 1: fifteen when this incarnation got the green light, starring two
Speaker 1: of the studio at the time, two of their most
Speaker 1: promising stars. It filmed in March in Vancouver and rapped
Speaker 1: just a month later, so we have to assume it
Speaker 1: was probably very cold to shoot, and the first official
Speaker 1: teaser air during Invisible Sister, a recent film recap. But
Speaker 1: what they did is actually showed the trailer. They didn't
Speaker 1: make it invisible, so that was better. But the debut
Speaker 1: of Adventures of Babysitting trailer itself aired during an episode
Speaker 1: of Girl Meets World for obvious reasons, which we will
Speaker 1: get into. And the premiere did very well for the time,
Speaker 1: So remember some of the numbers we throw out. Sometimes
Speaker 1: it's a lower number than we saw during the heyday
Speaker 1: of dcoms, for sure, But considering it debuted in twenty sixteen,
Speaker 1: it got three point four five million viewers, which for
Speaker 1: the time was good. But we're talking about we go
Speaker 1: back to high school musical number where there's eighteen nineteen
Speaker 1: twenty million people and you kind of go three three
Speaker 1: point four, But that's what people were watching at the time.
Speaker 1: The world has just changed. Okay, So considering you were
Speaker 1: at the big premiere, you obviously knew about Adventures of Babysitting,
Speaker 1: But were you excited to watch it again? I was.
Speaker 2: I wish that I had time to have watched and
Speaker 2: saw the original, because again I had a lot of
Speaker 2: confusion watching it in the theater. I remember going to
Speaker 2: Jordan because he's like, did you ever watch the original?
Speaker 2: I'm like, oh, yeah, I definitely did. And then I
Speaker 2: went to him and I was like, I don't think
Speaker 2: I've seen the original. I totally like, I don't think
Speaker 2: i've seen it then, because this isn't anything like what
Speaker 2: I remember, so I was interested, but also like I think,
Speaker 2: I do think, and Tara's on this recording, we've got
Speaker 2: to go back and watch the original after we've seeing
Speaker 2: this one.
Speaker 1: It's there's nothing Disney about the original though, I mean
Speaker 1: they're swearing, there's talk of sex, there's some there's some
Speaker 1: sketchy stuff. I mean, is it on ABC NO or
Speaker 1: the original? It wasn't just in the film, was it
Speaker 1: in the theaters?
Speaker 2: It's not Disney related at all.
Speaker 1: This was might have been distributed by them, but I
Speaker 1: know that this was also like this was a rougher
Speaker 1: movie than they're used to.
Speaker 2: Okay, okay, well even when it was like aired, it
Speaker 2: was a different time too. But like, yeah, so I
Speaker 2: would I would love to, I really do, even if
Speaker 2: we don't review it together, I would love to watch
Speaker 2: it and then talk about it. So you might as
Speaker 2: well make an episode of it.
Speaker 1: So awesome that movie not only had Elizabeth Shoe, it
Speaker 1: had Keith Coogan, but it also had friend of the
Speaker 1: podcast George Newbern shows up, shows up at the end,
Speaker 1: Bradley Whitford's in it. I mean, it is just like
Speaker 1: one what's his name from? From Full Metal Jacket and
Speaker 1: now from Daredevil Dnafrio. Vincent Dinofrio plays the tow truck
Speaker 1: driver who they give a nod to in this film.
Speaker 1: I mean, but it was well, we'll get into it
Speaker 1: because there's some parts that were more rough and excited
Speaker 1: to watch this movie for me, for you, I was
Speaker 1: worried for you because I get it.
Speaker 2: I get it it. It is hard to take like
Speaker 2: such an epic film that like you grew up loving
Speaker 2: and then see how they how they do it?
Speaker 1: Are they going to do it right?
Speaker 2: In your eyes?
Speaker 1: You know that?
Speaker 2: That's tough. Oh.
Speaker 1: Also, it says here from producer Lisa that Wiki says
Speaker 1: that The Original Adventures of Babysitting was the first Walt
Speaker 1: Disney movie to be PG thirteen.
Speaker 2: And that's so that, okay.
Speaker 1: And I think in PG thirteen's you're allowed either one
Speaker 1: or two F bombs. It might be one, oh, and
Speaker 1: then if you have more than one then it becomes
Speaker 1: a rated R. So I think, and and it was
Speaker 1: an it was an iconic line where the F bomb
Speaker 1: drops and they redo it in this episode in this
Speaker 1: movie obviously verbatim without the F word. So yeah, So
Speaker 1: you can watch the movie for the first second, third,
Speaker 1: or maybe one hundredth time. Right now in Disney Plus,
Speaker 1: where it's available to stream. You can watch it now,
Speaker 1: watch it later, watch while drinking some espresso like a
Speaker 1: man child or not. I think those are also carpenter songs,
Speaker 1: but I don't know. Just please please listen to our
Speaker 1: recap either way. Again, I love Sabrina. I don't think
Speaker 1: I've ever heard any of your music. No, I heard
Speaker 1: that espresso song, which is great. No, how you don't
Speaker 1: just like because I don't listen to new music.
Speaker 2: Yeah, but if you heard the song espresso I heard.
Speaker 1: I think I heard espresso like at a grocery store
Speaker 1: or something. But when I'm in the car anywhere where
Speaker 1: music is like that too. Yeah, No, I'm listening.
Speaker 2: You can't put that song on, and I'm not.
Speaker 1: Just like again, I don't listen to new music. If
Speaker 1: it was recorded after nineteen ninety six, there's a chance
Speaker 1: I've never heard it anything before then, seventies, eighties. I'm
Speaker 1: in anyway, it is time to sell your purple Ferret
Speaker 1: Marc A.
Speaker 2: Tot.
Speaker 1: This is the synopsis two teen Rival Babysitters, Uptight overachiever
Speaker 1: Jenny and laid back rebel Lola are forced to team
Speaker 1: up when a babysitting mix up sends them racing across
Speaker 1: town to track down a missing kid. So, for those
Speaker 1: of us who have seen the original, this plot does
Speaker 1: really stray from the original. If you need proof, here's
Speaker 1: the synopsis of the original. Responsible teenager Chris Parker's quiet
Speaker 1: babysitting night spirals into chaos when she and the kids
Speaker 1: venture into downtown Chicago to rescue her friend. So that's
Speaker 1: the first big difference here is the original is about
Speaker 1: one babysitter, not two, and she's tracking down her friend,
Speaker 1: not a kid. So yes, there are clearly some differences. Also,
Speaker 1: this movie, like it or not, the new one had way, way, way, way, way,
Speaker 1: not enough Elizabeth Shoe.
Speaker 2: Just for the record, so we're just not gonna be
Speaker 2: able to get over certain things.
Speaker 1: Guys, just buckle up. It's never gonna happen. So with
Speaker 1: all this in mind, Sabrina, what are your early thoughts
Speaker 1: of Adventures of Babysitting? What did you think?
Speaker 2: Hands down, love the two of them together. Need more
Speaker 2: of these two girls together working. I loved their chemistry.
Speaker 2: I thought they were great and this movie I quickly
Speaker 2: saw we are just going out of the park. Outlandish,
Speaker 2: just crazy adventure on top of a crazy adventure that
Speaker 2: doesn't necessarily make sense, and Okay, we're just gonna go
Speaker 2: with it. And I literally just got popcorn out and
Speaker 2: just did I loved it. I did like this movie.
Speaker 1: I did.
Speaker 2: And I again can't remember the original, so I let
Speaker 2: the original situation just kind of go out of my
Speaker 2: head and I sunk in.
Speaker 1: I liked it.
Speaker 2: No, No, I had that you were going to have.
Speaker 1: No. I had certain problems with this movie. The biggest
Speaker 1: problem I had with this movie is it's way too frenetic.
Speaker 1: They had them doing too much, so much so you're
Speaker 1: never stopping. It's one thousand percent. The quiet moments were
Speaker 1: drown out by the constant we have to run and
Speaker 1: we're yelling. That being said, I also liked it. I'll
Speaker 1: be honest with you, I did. No, I did. You're right.
Speaker 1: The the two leads are great. Uh, they're they're very
Speaker 1: very gay. Sophia and and Sabrina together are just really good.
Speaker 1: They delineated the characters well they seem like two different people.
Speaker 2: Uh.
Speaker 1: They it worked, It did it truly did work. I
Speaker 1: thought the kids were great. They fully carried this movie.
Speaker 1: I the the bumbling. I wish they didn't do the
Speaker 1: bumbling villains following them quite as much because but I
Speaker 1: get they had to disney it up. I would have
Speaker 1: done it a different way with somebody else following them.
Speaker 1: I would have made it more of an actual threat
Speaker 1: than trying to chase a purple ferret with these kind
Speaker 1: of wacky, bumbling guys. But again, it's a D com,
Speaker 1: so I understand that. But D cooms have also had
Speaker 1: real bad guys before, which I would have I would
Speaker 1: have made it more. I know. I never felt like
Speaker 1: they were in any actual danger from these two guys,
Speaker 1: and I would have liked to have seen a little
Speaker 1: more of there being actual danger. Again, I would have
Speaker 1: cut three or four of the set pieces because I
Speaker 1: thought it was just, oh my god, we're running here. Now,
Speaker 1: now we're running here, and now we're running right now,
Speaker 1: we're running here.
Speaker 2: And I think that I thought it was good. The
Speaker 2: villains actually pulled down the age demo in a sense,
Speaker 2: like this movie could have been a little bit catered
Speaker 2: towards an older audience. I agree, had they done a
Speaker 2: different villain situation, I think, and for Sophia and Sabrina
Speaker 2: knowing now where they're at in their careers. I think
Speaker 2: that it would have been better for them to have
Speaker 2: more of a sophisticated kind of way of doing this.
Speaker 2: But again, it was like I instantly, it happens right
Speaker 2: from the start, so it's like it's like, Okay, this
Speaker 2: is the kind of movie we're watching, right And I
Speaker 2: enjoyed it.
Speaker 1: Again I did.
Speaker 2: I did.
Speaker 1: It's not as good as the original, obviously, usually nothing
Speaker 1: is not pretending it's going to be, and so I
Speaker 1: had to watch it on its own, and again it
Speaker 1: was cute. This is a nice kind movie. I again
Speaker 1: had problems with some of the story, but overall good movie.
Speaker 1: It was directed by John Schultz, a drummer turn filmmaker.
Speaker 1: He was in the North Carolina band the Connells I
Speaker 1: think I think it's pronounced the Connells, who have not
Speaker 1: released music since two thousand and one, but did achieve
Speaker 1: moderate success with three top ten hits on the Alternative
Speaker 1: Rock chart and are best known for their song seventy
Speaker 1: four seventy five. He transitioned into film with a documentary
Speaker 1: on the making of Jurassic Park in nineteen ninety five,
Speaker 1: and went on to make a handful of movies including
Speaker 1: them Me Lissa, Joan Hart romcom Drive Me Crazy, The
Speaker 1: Little Bow Wow Basketball Comedy Like Mike Aliens in The Attic,
Speaker 1: and The Honeymooners with Cedric the Entertainer and Gabrielle Union
Speaker 1: and its stars now the second biggest pop star in
Speaker 1: the world only because Taylor Swift is basically impossible to lap.
Speaker 1: Sabrina Carpenter as Jenny Parker. She's an old coworker of mine.
Speaker 1: Sabrina has become one of the Disney's all time success stories,
Speaker 1: though her involvement in the channel is technically shorter than
Speaker 1: most of her contemporaries. At the age of ten, the
Speaker 1: Pennsylvania native began uploading videos to YouTube of her singing
Speaker 1: cover songs, and soon after signing with the Hollywood Manager,
Speaker 1: landing her a small role on Law and Order Special
Speaker 1: Victims Unit. Seen it, I didn't even know it was her.
Speaker 1: I was like, oh my God, that's Sabrina and a
Speaker 1: reoccurring role on the show The Goodwin Games. She'd signed
Speaker 1: to the Disney affiliated Hollywood Records as a pop singer,
Speaker 1: and from there her journey through the system began. She
Speaker 1: was cast as Maya Heart on Girl Meets World, The
Speaker 1: follow up to a little show called Boy Meets World.
Speaker 1: She continued to release music during that time, but never
Speaker 1: really breaking through to mainstream until she left Disney behind.
Speaker 1: She appeared in movies like The Hate You Give, Tall
Speaker 1: Girl and Work It, but then her music career went
Speaker 1: into another orbit. She opened for Taylor Swift on The
Speaker 1: Era's Tour and has since won two Grammys. Headline Coachella,
Speaker 1: clocked numerous songs on the billion stream club on Spotify,
Speaker 1: sold out her own World tour, performed in Fortnite with
Speaker 1: her own skin, had two albums, debut at number one,
Speaker 1: and single handedly shifted culture. And Yes, This Adventures in
Speaker 1: Babysitting was her first movie ever.
Speaker 2: Counngrats, Girl, coun Grats.
Speaker 1: I love Sabrina. She was great. She was always so sweet.
Speaker 2: That is what I hear about her time and time again,
Speaker 2: and that she worked her butt. Uh she did to
Speaker 2: get her music career going. She did. I have never
Speaker 2: met her, Well, I have, I've met her, but I
Speaker 2: didn't mean her as like the pop star that she
Speaker 2: is now. But man, I just nothing but good things
Speaker 2: as what I've heard about her.
Speaker 1: She's absolutely a sweetheart and her co star is no slouch.
Speaker 1: Either Sophia Carson plays Lola Perez. Carson first appeared on
Speaker 1: an episode of Disney's Austin and Alley, then was quickly
Speaker 1: cast as Evie in Disney's The Descendants and has become
Speaker 1: an integral part of that massive franchise. Like Sabrina Carpenter,
Speaker 1: Carson is a pop singer, and in addition to her
Speaker 1: work in Hollywood, she is a UNICEF ambassador and frequently
Speaker 1: working with charities. Selfish and since I mean always thinking
Speaker 1: of yourself, and since we have two pop stars in
Speaker 1: the movie, we got to talk about the soundtrack. We've
Speaker 1: got two duets, so does that make four? By Sabrina
Speaker 1: and Sophia, The rap Battle where the Babysit and the
Speaker 1: song Wildside. We also have some random tracks I'm sure
Speaker 1: Hollywood Records adjacent from I'm going to try to get
Speaker 1: these right phototronic Annabelle Ungland and Brandon elm Candell and
Speaker 1: Cadell Brandon en Cadell. I'll take three people that I'm
Speaker 1: too old to know for a thousand, Alex and then
Speaker 1: Mallory James Mahoney is Katie Cooper. Mahoney played Destiny Baker
Speaker 1: for seasons three through seven. Of Disney's Bunked and joined
Speaker 1: the Descendants movie for the third one as Eve. She's
Speaker 1: also currently attending college at Texas Christian University also known
Speaker 1: as TCU. Another Bunked veteran, Kevin Quinn, plays Zach. He
Speaker 1: also appeared on Shameless Chicago p D and the Netflix
Speaker 1: movie A Week Away. But the cast means nothing if
Speaker 1: the movie's too long. It's important to remind you here
Speaker 1: at Magical Rewind, we only sport films that are ninety
Speaker 1: minutes long. It's the perfect amount of time, and nobody
Speaker 1: can convince us differently. So just how long was this
Speaker 1: Adventures in Babysitting? I don't remember how long the original
Speaker 1: one was, but it was perfect. It is this one
Speaker 1: ninety three minutes? How disappointing? Three off target? That's one
Speaker 1: hundred and eighty minutes of horror? Might as well be
Speaker 1: Can we just move on? Probably because that's the only
Speaker 1: way contractually we can finish the recording of this podcast,
Speaker 1: because it was up to me, I just walk away
Speaker 1: right now? Ninety three minutes? How dare they? And of
Speaker 1: course on script duty, we've got Tiffany Paulson, a buzzy
Speaker 1: name these days in Hollywood. The two thousand and seven
Speaker 1: Nancy Drew movie was her first job, but she's also
Speaker 1: written Turkey Drop with Olivia Holt and Holidate with Emma Roberts,
Speaker 1: who she's also worked with in the twenty twenty two's
Speaker 1: About Fate. She directed the twenty twenty four movie Winter
Speaker 1: Spring Summer Fall with Jenna Ortega, and is currently writing
Speaker 1: and directing in a Holidays starring Matty Ziegler and Rob Low.
Speaker 1: So let's round up the kids. We're going to a
Speaker 1: rave to rap battle. This is Adventures in Babysitting the dcom.
Speaker 1: We get a very abrupt opening with Jenny, played by
Speaker 1: a young sprien of Carpenter, sitting in her room calmly
Speaker 1: stating an affirmation. You are smart, you are talented, just
Speaker 1: do your best and stay calm. Then we got our
Speaker 1: opening credits with the theme song wild Side by Carpenter
Speaker 1: and Sophia Carson. We see Lola for the very first time,
Speaker 1: throwing ripped up paper in the air. She's working on
Speaker 1: a very abstract and very messy photography project. Meanwhile, Jenny's
Speaker 1: in her room carefully placing traditionally shot photos into a
Speaker 1: spotless portfolio. They're clearly both artists with two very different
Speaker 1: styles and approaches. Eventually, Lola runs out the door with
Speaker 1: her giant canvas, bumping into things on her way out
Speaker 1: to a painted jeep with eyelashes on the headlights. I
Speaker 1: just want to say this out loud, other than our
Speaker 1: clear and awesome race, buddy, Erica Enders, I don't want
Speaker 1: to be friends with anybody who has eyelashes on their car.
Speaker 1: Did you ever have eyelashes on your car, Sabrina? No,
Speaker 1: thank god.
Speaker 2: Although every holiday I see the antlers and the key
Speaker 2: holiday is different, we'll do and I'm always like, oh,
Speaker 2: that's so cute.
Speaker 1: That's allowed on holidays. That's the holidays are okay, that's
Speaker 1: cute for you. Please don't put it on my car.
Speaker 2: No.
Speaker 1: Meanwhile, well, Jenny backs up and almost runs over a guy,
Speaker 1: and now we're outside Jenny's house. The music abruptly stops.
Speaker 1: She apologizes to Zach, the boy she almost killed, who
Speaker 1: immediately recognizes her too. He's like, wait, you're a Sabrina Carpenter.
Speaker 1: She's in a hurry to a big interview, but also
Speaker 1: wonders what he's doing in her driveway. Well, he tells
Speaker 1: her that apparently the swim team is having a car
Speaker 1: wash and a girl named Dominique is helping him hand
Speaker 1: out flyers. He tells Jenny to come by later and
Speaker 1: he'll throw in free tire cleaning. They awkwardly say goodbye,
Speaker 1: and when he walks away, Jenny is thrilled. Oh my gosh,
Speaker 1: Zach wants to polish my tires. And yes, that is
Speaker 1: absolutely a euphemism.
Speaker 2: I feel little. I put it on my Sabrina seas
Speaker 2: I felt weird about it, did you?
Speaker 1: Yeah, he wants to polish my tires. It's a little weird.
Speaker 1: It's a little weird. Yeah, we know what you're saying, Sabrina.
Speaker 1: I've heard some of your music. The song wild Side
Speaker 1: continues to play as Lola and Jenny speed somewhere we're
Speaker 1: not sure where. Lola is driving haphazardly fast and Jenny
Speaker 1: is cautiously slow. Eventually, lo screeches into a parking lot,
Speaker 1: bumping into a curb, which Jenny pulls perfectly into a
Speaker 1: parking spot. They both walk towards the large Vasquez office building,
Speaker 1: but Lola stops for a detour to buy some freshly
Speaker 1: squeezed juice and answer a phone call. Jenny on the
Speaker 1: other hand, is already in the waiting room giving herself
Speaker 1: a pep talk about how she is a brilliant artist.
Speaker 1: Lola is now arguing on the phone with her mom
Speaker 1: about not going to college and her unpaid parking tickets
Speaker 1: while sprinting up the stairs. Then she runs into Jenny,
Speaker 1: mistaking her for a receptionist. Lola introduces herself. Hi, I'm
Speaker 1: Lola Prez. Could you let mister Vasquez know that I'm
Speaker 1: here because I'd appreciate it. Jenny explains she is a
Speaker 1: finalist for the photography insterernship and what a coincidence. Lola
Speaker 1: is too. Then the real assistant to mister Vasquez arrives,
Speaker 1: shushing them to be quiet. Mister Vasquez is having a
Speaker 1: creative moment. He asks them for their portfolios and tells
Speaker 1: them to take a seat. It could take ten seconds
Speaker 1: or ten hours. While waiting in silence, Loa recognizes Jenny
Speaker 1: as the nerdy sophomore in her senior geometry class. This
Speaker 1: is where they start. The ages start to get a
Speaker 1: little muddled for me.
Speaker 2: Yes, so, by the way, i think I'm not gonna
Speaker 2: have Sabrina sees, because I think we're gonna.
Speaker 1: Talk, Okay, well, let's talk about it all because so
Speaker 1: that's okay, what they the way they wrote it was weird.
Speaker 1: What she meant was so Sabrina's character Jenny is a
Speaker 1: senior now though, yes, because she's gonna go to college
Speaker 1: and do everything. So Lolo would actually be if a
Speaker 1: sophomore or junior in college if she was there. Okay,
Speaker 1: So she does at one point say she's nineteen because
Speaker 1: some of the that happens with her gets real problematic. Yes,
Speaker 1: if not, if she's even nineteen to me is pushing
Speaker 1: it a bit. But they really went out of their
Speaker 1: way to show that she's of age. I'm of age,
Speaker 1: I'm of age because some of the stuff gets a
Speaker 1: little yes, or can get a little wicky. So anyway, yes,
Speaker 1: she's in the senior So she should have said when
Speaker 1: I was when I was back in high school, you
Speaker 1: were a sophomore when I was a senior, right, something
Speaker 1: like that.
Speaker 2: But anyway, yeah, they blow it by quickly on this part,
Speaker 2: but then hit it on the head.
Speaker 1: I had to hit her. Yeah, yeah, yeap. Jenny says
Speaker 1: she's not nerdy, she's just dedicated. She skipped the eighth
Speaker 1: grade and is on track for early college admissions, so
Speaker 1: she's even younger than she would have been a freshman.
Speaker 1: Jenny is hoping this injured hip looks good on her resume.
Speaker 1: Lola opted out of college and this internship with mister
Speaker 1: Vasquez would fast track her career as a real artist.
Speaker 1: Then Jenny's phone rings. It's Professor Anderson, a teacher that
Speaker 1: is supposed to be writing a recommendation letter for her.
Speaker 1: But that's not what the calls about, because the teacher
Speaker 1: is actually looking for a babysitter. Unfortunately, Jenny can't. She's
Speaker 1: already booked with the Coopers at night, but if she
Speaker 1: can think of anyone, she'll let her know. Lola, of course,
Speaker 1: is not impressed, wondering what it's like to be a
Speaker 1: babysitter for just five dollars an hour. Jenny defends the gig,
Speaker 1: saying it's twenty dollars an hour and double on holidays.
Speaker 1: Lola is obviously very impressed by that, but says she's
Speaker 1: never babysat because she has a real life. We already
Speaker 1: talked about whether you babysit now and how you hire people, like, oh, yeah, five.
Speaker 2: Dollars, that'd be wonderful. I have to that that's part
Speaker 2: of like being a mom in the sense of, like
Speaker 2: any type of work, you have to factor in how
Speaker 2: much it's gonna cost you to.
Speaker 1: So let me ask, watch your kids. What does a
Speaker 1: babysitter go for? Nowadays?
Speaker 2: It's anywhere from like fifteen to twenty sometimes twenty five
Speaker 2: dollars an hour.
Speaker 1: Wow, expect that's a great way for a kid to
Speaker 1: make some money.
Speaker 2: Well, And but you do it based on like what
Speaker 2: they are. Like if you're going like nanny style, like
Speaker 2: you're talking to somebody who's like, oh, that can be
Speaker 2: sixty or seventy that kind Yeah, like that goes up
Speaker 2: real real quick. Yeah, But when you're talking about like
Speaker 2: a high school kid and what they're gonna be doing
Speaker 2: with your kids, like they come if they're going if
Speaker 2: you went out for a date night, you're talking they're
Speaker 2: coming over six o'clock, so you've probably Eiy're figured out
Speaker 2: dinner already, you know what I mean. And the kids
Speaker 2: are just playing and watching you know TV, do you
Speaker 2: know all that kind of stuff. You just it's having
Speaker 2: any factor and what they're gonna do versus like a
Speaker 2: nanny is like full time. Yeah, it's a totally different
Speaker 2: they're driving your kids. They're doing lots of stuff that's crazy.
Speaker 1: Well, finally mister Vasquez arrives. He's excited to meet his
Speaker 1: magnifico finalists. When standing to greet the boss, Jenny accidentally
Speaker 1: bumps Lola's freshly squeezed juice, spilling the bright red drink
Speaker 1: out of the white carpet. This is turning into a nightmare.
Speaker 1: And in the chaos, they drop their phones, and when
Speaker 1: they bend down and retrieve them, they accidentally grab each
Speaker 1: other's phones. Hello, stuck in the suburbs, we have a
Speaker 1: repeat decom plot.
Speaker 2: People at least their phones look the same. They're both iPhones.
Speaker 1: That could happen, but still, who doesn't check to make
Speaker 1: sure it's your phone? All youtub is when you pick
Speaker 1: up the phone, you turn it to you and the
Speaker 1: screensaver pops out, and if it's not my wife and I,
Speaker 1: then it's some other person's phone. Seriously. Luckily, mister Vasquez
Speaker 1: does not appear concerned about the carpet. Missed a huge
Speaker 1: joke here. He should have stopped and bent down and
Speaker 1: looked at the carpet and been like this beautiful yeah,
Speaker 1: because he loved you know that to show how eccentric
Speaker 1: eccentric he was. They made him way too stuffy by
Speaker 1: the way, suit and tie never should have had that
Speaker 1: he should come down and painted overalls holding a camera.
Speaker 1: I mean, they like they miss they missed the boat
Speaker 1: on that guy. But anyway, he's decided actually to cancel
Speaker 1: the interviews today because they have such drastically different artistic
Speaker 1: points of view. He thinks he'll need a more unconventional approach.
Speaker 1: He wants the girls to dazzle him, which honestly feels
Speaker 1: a bit like an HR issue. Lola starts speaking Spanish
Speaker 1: about her new radical digital effects, and Jenny followsuit, speaking Spanish,
Speaker 1: albeit poorly, about experimenting in black and white. And with
Speaker 1: this in mind, he gives them until Monday to present
Speaker 1: something new. May the best artist win. And this kind
Speaker 1: of never comes back, at least it does for Lola.
Speaker 2: Yeah, it's a repetitive thing, but no, but she she
Speaker 2: has a moment when they're like talking at the end,
Speaker 2: at the very end, that she brings that back. Right.
Speaker 1: But until then, the entire adventure in the middle, there
Speaker 1: was no competition between the two of them in any way,
Speaker 1: shape or form. Jenny completely forgot about it. And Lola
Speaker 1: completely kept doing it, and I get why they did that,
Speaker 1: but they should have started where both of them are
Speaker 1: trying to do something. And then it tapers off for
Speaker 1: Jenny as she realizes this is actually Lola's life.
Speaker 2: Yes, that's true, but they do. You're right.
Speaker 1: We're now outside the building. Lola notices she's getting a
Speaker 1: parking ticket and runs the officer. Oh, the officer, she
Speaker 1: was in a loading zone and tries to explain how
Speaker 1: important her meeting was. Her phone rings again, and this
Speaker 1: time the ring tone is Beethoven, and she's not really
Speaker 1: weirded out by this. She just kind of answers the phone,
Speaker 1: shouldn't she know? By that point that it's like, oh my,
Speaker 1: oh my god, I don't have this. Where's my pahonte?
Speaker 2: Yes? Nothing, Well, she's mesmerized.
Speaker 1: I guess, well, yeah. Because the officer is impressed though,
Speaker 1: because for Elise is one of his favorites. He wonders
Speaker 1: if it's her boyfriend calling, which again seems weird for
Speaker 1: a cop to be flirting with somebody who looks like
Speaker 1: they could be in high school. And again they keep
Speaker 1: they they're specifically trying to do this stuff because a
Speaker 1: they cast somebody who's very young looking, and b he's like,
Speaker 1: I'm a rookie, this is my first day on the job,
Speaker 1: and I'm actually your age, ma'am. And it's like, okay,
Speaker 1: like it's still was a little weird. Did you find
Speaker 1: it a little weird? Okay?
Speaker 2: I didn't think cast scene made sense in the sense
Speaker 2: of she just still looks so young.
Speaker 1: Yes, and he did.
Speaker 2: He looked like not even in his early twenties. To me,
Speaker 2: he looked like more like twenty seven, right, Like he
Speaker 2: was like, there would look like a big.
Speaker 1: Gap and at best, she's supposed to be nineteen.
Speaker 2: Right, And we're watching a dcom, which at this point
Speaker 2: you can see the chaos and the very Disney Disney
Speaker 2: Disney version of.
Speaker 1: Yes, and I get what they're trying to do, but
Speaker 1: it wasn't It gave me a little bit of the
Speaker 1: ick if if I'm honest, not all, but enough to
Speaker 1: be like.
Speaker 2: Stretch. It didn't give me the ick. It was just
Speaker 2: a stretch.
Speaker 1: But yeah, they just yeah, it was. It was they're
Speaker 1: talking about high school and then she's out there flirting
Speaker 1: with a cop.
Speaker 2: It was like, right, and in my head, I didn't
Speaker 2: see this character coming back into play.
Speaker 1: Ever, Oh you didn't. Oh my god, I knew this
Speaker 1: was instantly play.
Speaker 2: I thought this was just part of her chaos life.
Speaker 1: I knew that something crazy was going to happen, and
Speaker 1: eventually she was going to need a cop and it
Speaker 1: was going to be Officer mcdreams, I knew. Oh, I
Speaker 1: knew that instantly. Yes, so yes. He wonders if it's
Speaker 1: her boyfriend calling, which is weird. Uh. Lola says she's
Speaker 1: single and answers that her phone, which is strange. But
Speaker 1: it's Zach, the boy that Jenny almost killed. He has
Speaker 1: an extra ticket to the Psychic Rockets to the Psychic
Speaker 1: Rockets concert tonight, and was wondering if Lola. Okay, So
Speaker 1: here's the thing. Lola, who seems pretty excited at first
Speaker 1: at this point, cuts him off. Oh I love that band,
Speaker 1: but I hate concerts. Sorry, Zeke not interested. Then she
Speaker 1: hangs up. Okay. She either knows it's not her phone
Speaker 1: and is now destroying somebody's life without caring about it, yes,
Speaker 1: or somehow doesn't know it's her phone and thinks she's
Speaker 1: just blowing off a random guy calling. Either way, she
Speaker 1: comes off looking pretty awful.
Speaker 2: Yeah, she does and she's she definitely looks like.
Speaker 1: Which one do you think it is? Do you think
Speaker 1: she knows it's the other girl's phone?
Speaker 2: Obviously knows it's her. The other girl's phone, obviously knows
Speaker 2: she doesn't know a guy named Zeke. But for some
Speaker 2: reason it's like, oh, I love that band, and then
Speaker 2: I don't know. That part was just kind of like,
Speaker 2: I don't know. She just seemed so rude.
Speaker 1: Yeah, and she should have it should have been so Again,
Speaker 1: there's a lot of what it should have could it.
Speaker 1: But from a writing standpoint, they should have left the
Speaker 1: meeting on very bad terms, the two of them. They
Speaker 1: should have essentially hated each other so that when she
Speaker 1: realizes she has her phone, it's intentional that she's gonna
Speaker 1: screw her over. Yeah, like oh oh no, sorry, Zeke,
Speaker 1: I'm not like, ha, see what you think about that?
Speaker 1: As opposed to they just kind of blew it off.
Speaker 2: Sure I'll see you there and set it.
Speaker 1: Up like she's gonna blow them off. Yes, I mean,
Speaker 1: there's plenty of ways to do it. This was just
Speaker 1: poorly written. It was muddle.
Speaker 2: It was a weird. Yeah, it was muddled, and it
Speaker 2: was just kind of I just felt. The way I
Speaker 2: saw it was it was playing into her very like
Speaker 2: frivolous like character. She doesn't really care much about people
Speaker 2: on the road as she's driving. She doesn't like you
Speaker 2: know what I mean. It's like she just doesn't.
Speaker 1: She lives in her own world, right, But she's doing
Speaker 1: this with somebody else's phone. She doesn't even really register
Speaker 1: the fact. I mean, anybody, especially from the phone era,
Speaker 1: even in twenty sixteen on, you're gonna freak out that
Speaker 1: you don't have your phone.
Speaker 2: Yeah, you're gonna freak out that you don't have your phone.
Speaker 1: That's what I mean. It's like, oh my god, this
Speaker 1: isn't mine. Where's my phone? Oh it's upstairs. I've got
Speaker 1: none of that. Was like, I'm gonna screw you over
Speaker 1: and put it back in my pocket. It was. It
Speaker 1: was very strange the way, but.
Speaker 2: He was there, the cop was there.
Speaker 1: I don't know, I get it, but I know that's
Speaker 1: what I mean.
Speaker 2: As we see is set up for the remainder of
Speaker 2: the n.
Speaker 1: I was just about to say, there's a lot going on, Yeah,
Speaker 1: a lot.
Speaker 2: You gotta pay attention because it's like they are.
Speaker 1: Happening. It's a very frenetic movie really yeah, yeah. So
Speaker 1: Lola then turns her attention back to the cop, begging
Speaker 1: him to ignore the ticket. Her parents will take her
Speaker 1: keys away. He says he's sorry, but he's a rookie.
Speaker 1: I'm a rookie man and just over your age and
Speaker 1: can't break the rules. But he's sure a smart girl
Speaker 1: like her can find a way to pay for the ticket. Again,
Speaker 1: all this seems like a real isshue. Lola is bummed
Speaker 1: to find out it's eighty dollars. How is she going
Speaker 1: to get that? Then right on time? Her cell phone
Speaker 1: rings still Beethoven and now it's missus Anderson. She still
Speaker 1: can't find find a babysitter. If Lola knows anyone, she'll
Speaker 1: pay double Lolan. Now, as Jenny says, my good friend
Speaker 1: Lola is very responsible and I'll send her over. Still
Speaker 1: weird how she's handling this phone situation. Now Jenny's pulled
Speaker 1: up to the car wash. She's excited to see Zach
Speaker 1: bringing her dirty tires as requested. Again weird euphemism, but
Speaker 1: now hurt she isn't going. But now hurt she isn't
Speaker 1: going to the concert. He just looks at her and
Speaker 1: robotically says, sorry, we're closed, and then he grabs that
Speaker 1: hussy Dominique's hand and walks away.
Speaker 2: Hey, it's not Dominique's fault. Don't you get mad at her.
Speaker 1: I blame Dominique.
Speaker 2: You cannot blame her. Although she is waiting in the
Speaker 2: side wings, just waiting for her chance.
Speaker 1: Drooling over Zach can't tell she is Zeke. No Zach,
Speaker 1: it's Zeke. It's Zach. She calls him Zeke by accident
Speaker 1: as a joke. Is really Zach? See, you didn't even
Speaker 1: know the poor guy's name. Oh God, it's Zack, Zach Zach.
Speaker 1: I can't believe they.
Speaker 2: Use that name again. How dare dcom ever used the
Speaker 2: name Zach?
Speaker 1: Don't you think it's Seriously it should be retired like
Speaker 1: a basketball number. Like you can never use Zach again
Speaker 1: in a dcom? What?
Speaker 2: What sacks actual character? Save shit? I'm gonna get myself
Speaker 2: in trouble.
Speaker 1: Wait? Wait, what are you talking about? From? From? Uh? Troy?
Speaker 1: You mean Troy Boult Troy? Yeah, even I know Troy Bolton.
Speaker 1: He's dreaming. I knew Bolton, she wrote, Troy. I knew
Speaker 1: Bolton my son. Okay, So now we at the Anderson's house,
Speaker 1: and I'm gonna keep saying're at the Anderson's house, We're
Speaker 1: in the kitchen, We're over there, because we're all over
Speaker 1: the place. It's very fast. Her son Trey, is on
Speaker 1: the phone with a friend planning to sneak out when
Speaker 1: his mom leaves. Missus Anderson walks in, angry that he
Speaker 1: spent two hundred dollars on apps without permission. I assume
Speaker 1: she means computer apps, because even I couldn't ee two
Speaker 1: hundred dollars for apps. She takes away his phone and tablets.
Speaker 1: I probably could. Actually, she's leaving for the Galla soon
Speaker 1: and instructs him to be nice to the babysitter. He
Speaker 1: asks if it's Jenny, because obviously he's happy about that,
Speaker 1: then finds out it's one of her friends filling in.
Speaker 1: Missus Anderson tells him to shape up because at this rate,
Speaker 1: he'll never be rebule enough to babysit. And this is
Speaker 1: where they You know, Keith Coogan's character was in love
Speaker 1: with Elizabeth Shoe, as we all were and should be
Speaker 1: in the Original Adventures of Babysitting. So they try to
Speaker 1: keep some of these tropes going. And now we're in
Speaker 1: the kitchen, Missus Anderson's other son Bobby is making a
Speaker 1: mess while baking. Their younger daughter, aj is in head
Speaker 1: to toe protection roller skating in the house. She's upset
Speaker 1: because her dad promised to take her to the roller derby,
Speaker 1: but he's got the dates mixed up. He has to
Speaker 1: go to this very important gala where their mom is
Speaker 1: being celebrated over Now, at the Cooper's house, Little Katie
Speaker 1: is in her mom's bedroom as Missus Cooper's trying on
Speaker 1: a fancy red dress. Missus Cooper notices Katie is wearing
Speaker 1: red lipstick and expensive large earrings. She's instructed to take
Speaker 1: them off, but Katie explains, if my sister's allowed to
Speaker 1: shave her head, then I should also be able to
Speaker 1: wear diamonds. So we instantly cut to the bathroom. Emily
Speaker 1: is about to shave one side of her head when
Speaker 1: Missus Cooper barges in to stop it. Emily is furious
Speaker 1: at her sister for tattling, but Little Katie reveals, you
Speaker 1: don't have the right head shape for a buzz cut.
Speaker 1: Missus Cooper tells the girls to be good for Jenny,
Speaker 1: the babysitter, and that's when Jenny bowls up for a
Speaker 1: night of work. She hears a musical ring tone and
Speaker 1: realizes it's Lola's phone and they swapped. I mean, she
Speaker 1: got it right away and was upset that somebody else
Speaker 1: had her phone. We're also supposed to believe that she
Speaker 1: went a couple hours as a kid without looking at
Speaker 1: her phone, which I don't buy. Jenny answers the unknown
Speaker 1: number and explains the situation. The guy on the phone
Speaker 1: still invites her to a toga party, and it frustrated,
Speaker 1: Jenny hangs up, slamming her head on the car horn,
Speaker 1: and now Lola arrives at the Andersons. Alison answers the
Speaker 1: door and Lola calls her cute, just before the little
Speaker 1: girl slams the door in her face. Missus Anderson can't
Speaker 1: believe she just did that and reopens the door for Lola,
Speaker 1: explaining her niece bailed on her for a concert in
Speaker 1: the city. She asked Lola how long she's known Jenny
Speaker 1: and Lola fibbs, saying forever. They share a love of
Speaker 1: geometry and children. Missus Anderson introduces Lola to Bobby. Tonight
Speaker 1: he'll finish one hundred cupcakes for his Junior Chef competition.
Speaker 1: Bobby asked Lola to try his frosting, and she suggests
Speaker 1: that he needs to kick it up a notch. Bam.
Speaker 1: I added the bam if you know you know. Missus
Speaker 1: Anderson explains that Trey is upstairs grounded and Alison is
Speaker 1: sulky because she he's missing a roller derby. Then we
Speaker 1: meet Lady Marmalade, the fluffy white family dog who I
Speaker 1: thought was gonna have a lot more to do in
Speaker 1: this movie than he actually does. She also tells Lola
Speaker 1: that the stove and hot tub are strictly off limits
Speaker 1: while they're gone, and that Bobby has to return the
Speaker 1: kitchen to its pre cupcake tidiness when he's done with that.
Speaker 1: Missus Anderson leaves her number for Lola and tells her
Speaker 1: husband they are not taking the brand new beautiful suv
Speaker 1: to the city. Instead, they're gonna take the sedan. Before
Speaker 1: the parents leave, Missus Anderson make sure Lola can handle
Speaker 1: three kids on her own, but then she remembers, of
Speaker 1: course you can. She was recommended by Jenny. Lola smirks, Yeah,
Speaker 1: she taught me everything I know. We're now back at
Speaker 1: the Cooper's house, Jenny's already arrived and tells the Cooper's
Speaker 1: not to worry. Missus Cooper left money for ice cream,
Speaker 1: but Emily is banned from doing anything to her hair
Speaker 1: and Katie is banned from the fancy jewelry box. Missus
Speaker 1: Cooper leaves mint, safety pins and emergency cash, telling Jenny
Speaker 1: to take care of her babies. We are now in
Speaker 1: the Anderson house, popping back and forth her people. You
Speaker 1: gotta stick with us. It's gonna be like this for
Speaker 1: the rest of the movie. Lola is attempting to do
Speaker 1: their laundry as instructed, but immediately overflows it with detergent.
Speaker 1: She SUTs the door and hopes for the best. How
Speaker 1: do you just keep dumping detergent into the thing? If
Speaker 1: you've never done detergent in your life? You even though
Speaker 1: you don't dump a whole thing a detergent in there? Yeah,
Speaker 1: but she you're right, she's supposed to be scatterbrained. I
Speaker 1: get it. Then she spots a bathing suit and remembers,
Speaker 1: oh wait, there's a hot tub, and even though she
Speaker 1: was told that it was off limits, she rushes to
Speaker 1: the backyard. In the kitchen roller skating aj slams into Bobby,
Speaker 1: causing a hand towel to erupt into flames. In a panic,
Speaker 1: he throws a towel and it lands near the dog,
Speaker 1: just as Lola runs back inside, concerned about the screaming.
Speaker 1: And then Lola's switched phone rings. Little aj answers and says,
Speaker 1: Lola is busy putting out a fire with an extinguisher. Well,
Speaker 1: it's Jenny, and she can't believe what she's hearing. Lola
Speaker 1: is at the Anderson She is coming over right now
Speaker 1: and bringing the Cooper kids with her. Lola puts out
Speaker 1: the fire and calls it awesome, and now furious, Jenny
Speaker 1: arrives with her crew to find Lola is locked out
Speaker 1: of the house, and though Noah notices, we see Trey
Speaker 1: sneak out of an upstairs window. Now inside the house,
Speaker 1: Jenny can't believe what the kitchen already looks like. It's
Speaker 1: going to take forever to clean this up, and her
Speaker 1: reputation is on the line. Noticing he's missing, Emily rushes
Speaker 1: to Trey's room, sees the open window, and announces he's
Speaker 1: left for the Psychic Rockets concert. Jenny is beside herself.
Speaker 1: How did Lola let a fourteen year old kids sneak
Speaker 1: out into the city. The number one rule of babysitting
Speaker 1: is to never take your eyes off the kids, and
Speaker 1: all Lola is focused on is taking pictures with her camera.
Speaker 1: Now here's the thing. He's only supposed to be two
Speaker 1: years younger than Sabrina. Right, that's crazy to me because
Speaker 1: she's supposed to have skipped a grade, so she's supposed
Speaker 1: to be a senior.
Speaker 2: But at sixteen, So he's a sophomore.
Speaker 1: Yeah, he's fourteen years old and has a crush on
Speaker 1: a sixteen year old. Not weird? Yeah, like, that's not weird.
Speaker 1: In you very Original Adventures of babysitting, she was supposed
Speaker 1: to be. I think maybe she was a senior. She
Speaker 1: might have been a senior and he might have been
Speaker 1: a freshman. That might have been how they did it,
Speaker 1: which again is totally weird. And this they're supposed to
Speaker 1: be like contemporaries basically, Yeah, so I would have Again,
Speaker 1: I'm gonna keep going the I would have route if
Speaker 1: I had to write it, though, he should have put
Speaker 1: up He put up a little bit of a stink,
Speaker 1: but it should have been a much bigger stink about
Speaker 1: I'm fourteen, she's sixteen. What do you think she's gonna
Speaker 1: do that I can't do. Well, she can drive you somewhere,
Speaker 1: other than drive me somewhere, what can she? You know
Speaker 1: what I mean?
Speaker 2: It's like it's supposed to go anywhere, right.
Speaker 1: It should have been a little more about how they're
Speaker 1: really close in age, which they are, because then the
Speaker 1: girl they cast to play, the girl who's gonna shave
Speaker 1: her head, looked way younger than him. Yes, and they
Speaker 1: seem to be Sabrina Jenny seemed to be kind of
Speaker 1: supporting that relationship later, like if he doesn't see your worth,
Speaker 1: he's not worth it. It's like you two are closer
Speaker 1: in age. It looks like than those two are.
Speaker 2: Well, I know, I think she's probably a seventh or
Speaker 2: eighth grader, so she's probably twelve and he's fourteen or thirteen. Yeah, twelve,
Speaker 2: I would say. She seems like thirteen to.
Speaker 1: Me, and he's fourteen eight and she's sixteen. So they
Speaker 1: are all these kids essentially other than Lola, are.
Speaker 2: Like the same age, well except for these except.
Speaker 1: The two little girls. Yeah, but other than that, I mean,
Speaker 1: there's like three kids that are kind of the same age,
Speaker 1: which again is a bit like the so the Original
Speaker 1: Adventures and Babysitting of Memory Serves. It's two friends that
Speaker 1: are in high school, that are freshmen, their little sister,
Speaker 1: and they're being watched by the Lord's mistress, the most
Speaker 1: beautiful woman in the history of the world, next to
Speaker 1: my wife, Elizabeth Shoe, so exactly. So again, only one
Speaker 1: one person prettier my wife other than that pretty spect
Speaker 1: And I say that with all love and respect for Sabrina,
Speaker 1: but it goes my wife, Elizabeth Shoe, and then you
Speaker 1: and the rest of humanity Gay. So yeah, I mean,
Speaker 1: I guess it's kind of maybe the casting looked strange
Speaker 1: to me because a lot of them like they're similar
Speaker 1: in age.
Speaker 2: Elizabeth, she was supposed to be how old though.
Speaker 1: I think she was supposed to be twenty. No, I
Speaker 1: think she's supposed to be I think she's supposed to
Speaker 1: be a senior in high school. I think she'supposed to
Speaker 1: be seventeen.
Speaker 2: Okay.
Speaker 1: Also, invariably people from the seventies and the eighties movies
Speaker 1: look way older for their age.
Speaker 2: The kids they did not cast, they did not cast
Speaker 2: of age or.
Speaker 1: But even when they did, you go back and you
Speaker 1: look at there's these things that I love looking at
Speaker 1: them because they just make me seventeen. Yeah, so that
Speaker 1: make me feel so old. But you go back and
Speaker 1: you look at how old actors were when they played
Speaker 1: certain roles, like Wilford Brimley in Cocun was like forty four,
Speaker 1: forty eight something like that. He's forty nine. He's my
Speaker 1: age in Cocoon. So it's like things like that, they
Speaker 1: just looked older.
Speaker 2: The friends was so much older than what they were playing.
Speaker 1: Yeah, so the ages here were probably accurate, but the
Speaker 1: accurate casting in ages made them all all kind of
Speaker 1: looked like they were all contemporaries, yeah, instead of like,
Speaker 1: I'm babysitting for you. But I guess at the same time,
Speaker 1: if you're twelve, you might have a fifteen year old babysitter.
Speaker 1: I mean I guess right. I don't know, Yeah I could.
Speaker 2: I mean, I don't know. Like I was just my
Speaker 2: nephew's thirteen, okay, and my sister was just telling me
Speaker 2: that she was out with some friends, and then the
Speaker 2: sitter that they were going to have had to leave
Speaker 2: at a certain time, and so then she just let
Speaker 2: her thirteen year old the kids were asleep everyone was done,
Speaker 2: and she's like, but you know he was home with
Speaker 2: them alone for like an hour. Yeah, that's fine, and
Speaker 2: she was going she goes, but I'm like questioning myself,
Speaker 2: like is that okay? And I'm like, well, the only
Speaker 2: time it wouldn't be okay is if there was going
Speaker 2: to be like some kind of emergency, if you got
Speaker 2: they live in Tennessee, if there was like a tornado ruff,
Speaker 2: that would be scary. But other than that, like, I
Speaker 2: think that's an hour.
Speaker 1: Yeah, I think so too. I do too. It was.
Speaker 1: I think it's because they all look so young, which
Speaker 1: just kids nowadays just look young. I mean again, adults
Speaker 1: look younger than they did. You look at people now,
Speaker 1: like if you cast friends now, you're your early twenties trying.
Speaker 2: To look my age.
Speaker 1: You look magical. You look magical.
Speaker 2: You gotta try to look young.
Speaker 1: So they if they were casting you in an eighties movie, No,
Speaker 1: this is not a joke. You would be cast in
Speaker 1: an eighties movie as early twenties. No way, Yes you would, Yes,
Speaker 1: you would, Oh my gosh, early to mid twenties. You
Speaker 1: absolutely would, one hundred percent. If I shave my beard,
Speaker 1: they cast me mid to late thirties and I'm fifty.
Speaker 1: I mean that's the back in the day. Sure, that's
Speaker 1: what they look like. Go back and look at them.
Speaker 1: It's they look so much different the kids. Look at
Speaker 1: the kids that are supposed to be in Breakfast Club. Oh,
Speaker 1: they're all high school kids. They all look like they're
Speaker 1: in their thirties, compared to this group of kids who
Speaker 1: are supposed to be the same age. Anthony Michael Hall
Speaker 1: is supposed to be fifteen years old in Breakfast Club.
Speaker 1: He's the same age as the Zach kid or whatever.
Speaker 2: Yeah.
Speaker 1: Wow, no, it is so different now. It is so
Speaker 1: different now. Anyway, well, were you talking about We're talking
Speaker 1: about adventures at babysitting, and we're going to get back
Speaker 1: to it. We were talking about the Lord's Mistress, so
Speaker 1: we're talking about yes, so yes. Jenny is now beside herself.
Speaker 1: How did Lola let a fourteen year old kids sneak
Speaker 1: out in the city. The number one rule of babysitting
Speaker 1: is to never take your eyes off the kids, and
Speaker 1: all Lola is focused on is taking pictures with their camera.
Speaker 1: They see Andre's tablet that he was getting the tickets
Speaker 1: from a place called Tiny's Pawn Shop. Because of course,
Speaker 1: when you need tickets, you go to a pawn shop.
Speaker 1: So Jenny decides they'll drive to the city.
Speaker 2: And fourteen year old knows this.
Speaker 1: This is the thing, just to see.
Speaker 2: It's like a fourteen year old knows to go to
Speaker 2: a pawn shop.
Speaker 1: I don't know, it's weird. You also, you buy him
Speaker 1: outside the concert. It's more expensive, but you buy him
Speaker 1: outside the concert. Everybody knows that, right. Lola says she
Speaker 1: knows the city well, but Jenny is not interested in
Speaker 1: having a sidekick. Emily suggests they all go together. They're
Speaker 1: already in trouble since a total stranger is watching them anyway,
Speaker 1: and if not, they're willing to snitch to their parents
Speaker 1: about what's going on. So then the garage door opens,
Speaker 1: revealing that new suv. Missus Anderson didn't want anybody to drive.
Speaker 1: Jenny knows this is a bad idea, but it's the
Speaker 1: only car that will fit all of them. We're inside
Speaker 1: the Anderson's house now, now alone. The dog is jumped
Speaker 1: up on the stove to heat the meatballs, tipping over
Speaker 1: the pan and spilling pasta sauce everywhere, just as the
Speaker 1: washer explodes, shooting water and clothes all over the house.
Speaker 1: This is getting very bad. But back in the car,
Speaker 1: they eventually arrive at the pawnshop smack dab in a
Speaker 1: sketchy neighborhood and park across the street. Lola tells everyone
Speaker 1: to stay in the car and show grab Trey, but
Speaker 1: Katie has to go to the bathroom, so Jenny says
Speaker 1: they all have to go because again no child left behind.
Speaker 1: And that's when we and only we see that they
Speaker 1: are parked in a toezone just like the original movie.
Speaker 1: Inside the pawn shop, they enter just as the owner,
Speaker 1: Tiny is negotiating a deal to trade in a varmint
Speaker 1: for one hundred thousand dollars cash. Jenny tells him she's
Speaker 1: looking for a teenage boy who stopped buy for concert tickets.
Speaker 1: Tiny refers them to the quote unquote scalper, a man
Speaker 1: dressed as a ninja swinging around a sword, and when
Speaker 1: Lola tries asking the scalper about selling tickets, he responds
Speaker 1: by just saying, maybe I did, maybe I didn't. Also,
Speaker 1: I don't know if scalper is an appropriate term anymore.
Speaker 1: Let's just say that somebody who's selling the tickets. When
Speaker 1: they threatened to call the cops. He admits the kid
Speaker 1: paid in ones, like he was going to a strip
Speaker 1: club and he hates ones. But the boy did mention
Speaker 1: pizza before he left. Emily knows Trey loves a pizza
Speaker 1: place called Mario's, revealing she may have a little crush
Speaker 1: on the boy. Katie even calls it stalking. Meanwhile, Bobby
Speaker 1: tried to feed the cage prized ferret, and now it
Speaker 1: got loose and is knocking everything over. Tiny's freaking out,
Speaker 1: but Lola is just taking pictures of all the chaos.
Speaker 1: Tiny eventually recaptures his little cash cow, and when Jenny
Speaker 1: looks outside, she sees the cars getting towed, and then
Speaker 1: the ferret gets loose again. When Lola takes a picture
Speaker 1: of Tiny and the scared pet, they all now run
Speaker 1: outside the pawn chop them. Yes, it's official. We have
Speaker 1: another crazy, wacky story about trying to sell an illegal,
Speaker 1: expensive ferret. How many of those have we seen? Kidding
Speaker 1: that's never happened. I don't think there's anything in the
Speaker 1: world like one hundred thousand dollars ferret is there, but
Speaker 1: who knows? There's million dollar coy fish? Who knows?
Speaker 2: I know, but I kept thinking of a kindergarten cop
Speaker 2: that ferret that saves the day.
Speaker 1: Oh yeah, I keep thinking of the ferrets that are
Speaker 1: one of them that dies in Beast Master.
Speaker 2: Oh so sad.
Speaker 1: God, beast Master was a good movie. Oh God, you
Speaker 1: know when when Rip Torn plays the bad guy, you're
Speaker 1: in for something. Okay, Now, the toe lady has locked
Speaker 1: up the car and is uh hauling it away, but
Speaker 1: she says she'll give them back their suv for one
Speaker 1: hundred dollars. Jenny realizes that she doesn't have her purse
Speaker 1: and no one has any money on them. The truck
Speaker 1: lady says she's opened until midnight and carelessly drives off
Speaker 1: with missus Anderson's suv. Jenny remembers she has ten dollars
Speaker 1: for ice cream and remember seeing a bus stop close by.
Speaker 1: They'll take the bus to Mario's Pizza. Bobby is snacking
Speaker 1: on candy he took from the pawn shop when Tiny
Speaker 1: and the Ninja threaten them from across the street. The
Speaker 1: kids take off and the guys start chasing after them,
Speaker 1: but a truck blocks the path and splashes the adults
Speaker 1: with that same giant puddle. Tiny tells a ninja they
Speaker 1: can't lose the kids because Lola has a picture of
Speaker 1: him with the stolen sapphire ferret. Okay, I'm just letting
Speaker 1: it slide. Again. I wish I would it was something
Speaker 1: other than a ferret, something other than something ridiculous, and
Speaker 1: that the bad guys were actually more bad guys, and
Speaker 1: they could have still disnified it up without making it
Speaker 1: so wacky and crazy, which kind of it just it
Speaker 1: diminished the danger as opposed to escalating the danger. And
Speaker 1: I think they could have could have made it a
Speaker 1: little more. But hey, again, it's a d com. I
Speaker 1: get it. They're trying to attract younger a younger audience too,
Speaker 1: so the bumbling kind of people coming after it totally. Yeah.
Speaker 2: But I feel like the fact that there was nothing
Speaker 2: really on the line with these guys just kind of
Speaker 2: made them not necessary characters. I agree, Like they had
Speaker 2: they had so much going trying to find this kid,
Speaker 2: trying to get like, as we keep continuing, like they
Speaker 2: have been chased, really didn't no need to happen? I agree,
Speaker 2: because there wasn't really anything on the line. No, and
Speaker 2: again they didn't even know why they were being chased
Speaker 2: by these guys.
Speaker 1: No, And it's one of those things where the now
Speaker 1: see in the original Adventures in Babysitting pg. Thirteen compared
Speaker 1: to dcom what happens is and this is where it
Speaker 1: shows it's way more adult. Is the Keith Coogan's friend.
Speaker 1: So one of the on running storylines of Adventure in
Speaker 1: Babysitting Adventures in Babysitting is that there is a naked
Speaker 1: pictorial of a woman in Playboy that looks exactly like
Speaker 1: Elizabeth Shoe. So she's in a Playboy.
Speaker 2: I've seen this movie, I don't.
Speaker 1: It's great. And the kids, the kids are looking at
Speaker 1: So these two freshmen are looking at Playboy and he
Speaker 1: puts a copy of it in his backpack. It drops
Speaker 1: out later and he picks thinks he picks it up.
Speaker 1: So their car gets stolen while they're in it. A
Speaker 1: guy comes in literally car jackson while they're in it
Speaker 1: and brings it to a chop shop where they're held
Speaker 1: by actual criminals.
Speaker 2: Oh my god.
Speaker 1: He sees a Playboy to replace his and grabs it
Speaker 1: and puts it in his backpack. Well, what you come
Speaker 1: to find out is the actual list of the cars
Speaker 1: that were stolen and where they're gonna go were written
Speaker 1: into that Playboy. So that's why the real bad guys
Speaker 1: with guns who want them dead are chasing these kids
Speaker 1: in adventures and babysitting because they have the Playboy with
Speaker 1: all the other so obviously they can't do that in
Speaker 1: this one. They can't have nakedness, they can't have Playboy.
Speaker 2: You are talking too different level movies.
Speaker 1: But that was PG thirteen.
Speaker 2: Back in the day Playboy was PG thirteen.
Speaker 1: Well you never saw she obviously posed for the real
Speaker 1: Playboy that she posed for the cover Elizabeth Shu. But
Speaker 1: she's covering everything on the cover, but you can tell
Speaker 1: it's clearly her and it's supposed to be a porn
Speaker 1: star who looks like her, and so the whole movie,
Speaker 1: people are like recognizing her and she's like, it's not me,
Speaker 1: but it's there being chased because they actually have something
Speaker 1: that real criminals are after, and so they could have
Speaker 1: ratcheted up a bit. Obviously they can't do that, but
Speaker 1: something could have been a little easier. Right.
Speaker 2: The kids don't know about this list of cars either.
Speaker 1: No, they have no idea. They know that they are
Speaker 1: chasing them and literally want them dead. Yeah, so yeah,
Speaker 1: it's crazy. But now all our kids because they have
Speaker 1: a picture of this guy with the ferret not quite
Speaker 1: the same. They board a bus, but they find out
Speaker 1: the ten dollars is not enough. The driver says it's
Speaker 1: actually twelve dollars. Lola and Jenny argue over not having
Speaker 1: the money, and the bus driver eventually doesn't want to
Speaker 1: hear margure anymore, so he just tells him to take
Speaker 1: a seat. They eventually make it Tomorrow's pizza shop. They
Speaker 1: find Trey at a table with his braddy friends. Emily
Speaker 1: says hi, but Trey ignores her. He instead asks Jenny
Speaker 1: not to rat him out because he'll be grounded for life.
Speaker 1: Lola reveals herself as the babysitter, and Jenny says it's
Speaker 1: time to come with them. They have a bigger problem
Speaker 1: than this concert. They need to scalp Trey's ticket for
Speaker 1: the money. Jenny finally takes Katie to the bathroom and
Speaker 1: Trey continues to ignore Emily. Disgusted, Emily rolls her eyes
Speaker 1: and tells Lola she's going to the tattoo shop. Lola
Speaker 1: barely cares and tells her to have fun. Go express
Speaker 1: yourself as Emily then just walks the tattoo shop next
Speaker 1: door now we're in the bathroom. Jenny overhears girls talking
Speaker 1: about how Zach Chase is taking that Fluozy Dominique to
Speaker 1: the concert. With this news, Jenny screams no tipping off
Speaker 1: the gossipers to her eavesdropping. The girls admit they never
Speaker 1: thought they'd se Jenny out in the city on a
Speaker 1: Friday night. She pretends she's obviously with the mature city friends.
Speaker 1: Just then, little Katie comes out of the stall. She
Speaker 1: needs help pulling up her stockings. Jenny pretends she doesn't
Speaker 1: know the girl, but we're help her and walk her
Speaker 1: out to find her mom. And then the thing that
Speaker 1: was interesting about these girls in this storyline is nothing
Speaker 1: happens again, and you never ever anything to do with
Speaker 1: this at all.
Speaker 2: You think you're supposed to hate these girls, but don't worry.
Speaker 2: They don't come back.
Speaker 1: Yeah, no, they don't come back. She don't see them
Speaker 1: at the concert. Later, she doesn't see them in school. Nothing,
Speaker 1: they don't come They don't.
Speaker 2: Ruin her life.
Speaker 1: These were scenes, yea, these were scenes who didn't need
Speaker 1: and I get what there was other ways to find
Speaker 1: out that this guy went to the concert without him
Speaker 1: the whole adding this scene, I mean twenty sixteen.
Speaker 2: She could have just been on her phone's going on
Speaker 2: Facebook social media, yeah, and she's like, oh my god,
Speaker 2: I found he's going anyway. He just posted a pitcher.
Speaker 1: Yeah. The two guys from the pawn shop arrive at
Speaker 1: Mario's just as Emily returns now excited to show them
Speaker 1: her new henna tattoo. The guy did it for free
Speaker 1: because he liked her Aura. Lola loves it, but Jenny
Speaker 1: hopes it comes off with soap and water. Then the
Speaker 1: pawnshop guys push their way inside the restaurant. Once spotted,
Speaker 1: the kids all scream and run into the back alley.
Speaker 1: Katie tells Trey that the guys are after them because
Speaker 1: Bobby stole a candy bar and can't give it back
Speaker 1: because he's licked it. Just as they open a side
Speaker 1: door and run inside to the next building. That's when
Speaker 1: we find ourselves in a big clothing factory, like a
Speaker 1: cleaning factory. As the kids hide, the pawnshop guys follow
Speaker 1: close behind and promise they just want a reasonable conversation
Speaker 1: and the camera, so they do yell, we need the camera.
Speaker 1: The kids decided to ride on one of those conveyor
Speaker 1: clothing belts that you'd find in a dry cleaners while
Speaker 1: hanging in jumpsuits, which if you go back and watch again,
Speaker 1: they're all just regular hangers, so there's no way in
Speaker 1: hell that would actually hold up. Tiny turns around just
Speaker 1: in time to catch them, but he can't reach His
Speaker 1: name is Tiny. After all, the kids successfully escape, riding
Speaker 1: into another room, then running away, they hit a dead
Speaker 1: end and there's only one way out. It's down through
Speaker 1: a close shoot, so one by one they grab the
Speaker 1: chain and jump down, and each actor they had doing
Speaker 1: it was obviously a stunt person is like hitting the
Speaker 1: wall on the way down, which was crazy. The pawn
Speaker 1: Chop guys hear some commotion and continue the chase, but
Speaker 1: when Lola throws a bag of clothes at them, they
Speaker 1: fall onto a metal slide, leaving them bagged with dirty laundry,
Speaker 1: then sent into a spin cycle. Very home alone kind
Speaker 1: of vibes here and just was getting very.
Speaker 2: Young, yes, very young, yeah, very Lola then.
Speaker 1: Jumps down, joining her friends. They all head out while
Speaker 1: the bad dudes are occupied. It is time to sell
Speaker 1: that ticket. Lola then jumps down, joining our friends. They
Speaker 1: all head out while the bad dudes are occupied it's
Speaker 1: time to sell that ticket. We're now it's side of
Speaker 1: the concert venue or the local fare, you can't really
Speaker 1: tell which one. Lola gives aj or Cameron tells her
Speaker 1: to guard it with her life. While she tries to
Speaker 1: sell the ticket, Bobby is still thinking about his cupcakes.
Speaker 1: Maybe they need some spice. Trey places his jacket on
Speaker 1: the bench and tells Jenny to use it like a
Speaker 1: real gentleman, but instead, Katie pops down and thanks Troy. Nearby,
Speaker 1: aj is practicing some advanced derby moves and Lola is
Speaker 1: soliciting possible ticket buyers behind some merch. Nearby are Tiny
Speaker 1: in the Ninja. They caught up with the kids and
Speaker 1: are ready to strike, but just then a police officer
Speaker 1: confronts Lola. It's illegal to sell tickets outside the venue.
Speaker 1: But good news, the presence of the cops at least
Speaker 1: does scare away Tiny and the other guy. I can't
Speaker 1: keep saying the ninja. The officer then takes Lola away.
Speaker 1: Jenny sees it all unfold and of course panics because,
Speaker 1: oh god, now one of them has been arrested. We're
Speaker 1: now at the police station, Jenny. The kids arrive only
Speaker 1: to find out. Lola is getting booked and telling a
Speaker 1: skeptical cop all about Tiny and the Ninja and the
Speaker 1: ferret in the interrogation room, which of course sounds like
Speaker 1: a ridiculous story. He reminds her that lying to an
Speaker 1: officer is also a crime. Bobby is worried that he
Speaker 1: won't find the perfect reading in time for the contest,
Speaker 1: while aj is pining for her roller derby team, and
Speaker 1: Trey realizes he's missing the biggest concert of the year.
Speaker 1: Jenny tells everyone to stop whining so she can focus
Speaker 1: on what to do next, and that's when she notices
Speaker 1: that Emily has dyed her hair green, which I thought
Speaker 1: it was going to be shaved, so that's not nearly
Speaker 1: as bad. Jenny's not happy and spirals because everything's getting worse.
Speaker 1: She kind of takes set out on Emily, who then
Speaker 1: gets upset and pounts in her seat and is clearly
Speaker 1: feeling very much alone. But now we're back in the
Speaker 1: interrogation room. The police officer mentions Lola has an extensive record,
Speaker 1: which really she doesn't. She's just parking tickets, which is
Speaker 1: what she points out. They're parking tickets, not bank robberies,
Speaker 1: and then rookie McDreamy officer James, the flirty officer that
Speaker 1: gave Rod of the ticket earlier, arrives to help. He
Speaker 1: walks in and looks right at the camera and says,
Speaker 1: I'm only twenty. He doesn't but shit. Back in the lobby,
Speaker 1: the police have taken a bunch of roller Derby players
Speaker 1: into custody because of disorderly conduct, and AJ can't believe
Speaker 1: her eyes. It's her favorite player, Jailer swift Quick Sabrina,
Speaker 1: what would your roller Derby name be?
Speaker 2: Ooh, slick slider? I think wow, I think kind of
Speaker 2: just I've seen roller Derby as they're wild.
Speaker 1: That's awesome. Slider's great.
Speaker 2: I don't think i'd be able to Yeah, slick Sliders, Sabrina.
Speaker 1: That's great. I'd be Willpower.
Speaker 2: I feel like you've used that before because it's awesome.
Speaker 1: Okay, Well you want me to do that'd be my
Speaker 1: awesome name all the way around. Well. AJ approaches her
Speaker 1: hero and shows her a move she's been practicing for
Speaker 1: six months. Jayler is impressed and tells Aj to work
Speaker 1: on her technique. Then, just like that, Aj successfully performs
Speaker 1: the corrected move and pressing jailer and her teammates even more.
Speaker 1: Emily is still sulking when she notices a sleeping man
Speaker 1: with a phone in his hand while he's catching some z's.
Speaker 1: She creeps up and takes it. At the gala, Missus
Speaker 1: Cooper's phone is ringing, but she doesn't notice. She's too
Speaker 1: focused on being social. Back at the police station again, again,
Speaker 1: a lot of cuts. It was Emily calling missus Cooper.
Speaker 1: She leaves a voicemail begging for help, detailing the situation
Speaker 1: and that they're all in city jail. Yikes. But before
Speaker 1: she can finish, the sleeping man is woken up and
Speaker 1: takes his phone back In the interrogation room, flirty Officer mcjames,
Speaker 1: that's what I'm calling from now on. Now alone with
Speaker 1: Lola agrees, other than the parking tickets, she's clean, but
Speaker 1: he wonders what kind of an example she's setting for
Speaker 1: those kids. She confesses that she lied. She isn't even
Speaker 1: the real babysitter, and she knows nothing about Beethoven. Her
Speaker 1: grades weren't good enough to get into art school, but
Speaker 1: now she has a chance to get a photography internship
Speaker 1: with her IDOL that could change her life. She apologizes
Speaker 1: for lying and tells him he's cute. He lets her go,
Speaker 1: of course, because why not. Pretty girl can't arrest her,
Speaker 1: and walks her back to her friends, who are excited
Speaker 1: to see her. AJ takes a picture with the roller
Speaker 1: derby team, leading to another fight amongst the teams at
Speaker 1: the police station, which then turns into chaos. The kids
Speaker 1: decide to leave the station. The cops actually rush them
Speaker 1: out because it is a big brawl. We're now outside
Speaker 1: the station. The pod shop guys are across the street,
Speaker 1: still here, and notice AJ still has the camera. Jenny
Speaker 1: has had enough. This has gotten well out of hand.
Speaker 1: She thinks they should just call the parents, but the
Speaker 1: kids all scream no, and as the group argues, Tiny
Speaker 1: now creeps up and quietly tries to take the camera
Speaker 1: from AJ, but instead of rolling over, she does the
Speaker 1: roller derby trick she's been practicing and knocks Tiny down.
Speaker 1: All this happens within a foot of all the other people,
Speaker 1: and no one notices anything. AJ screams any and Lolo
Speaker 1: too busy fighting to notice, so she skates off with
Speaker 1: Tiny and now Ninja close behind. We also see that
Speaker 1: Tiny has dropped his keys. Bobby has noticed AJ has
Speaker 1: gone and finally alerts the babysitter. They pick up the
Speaker 1: car keys and let's just say borrow tinye car. Now
Speaker 1: we're outside the met gala again or whatever kind of
Speaker 1: gal it is. Missus Cooper can't believe her husband is
Speaker 1: making her leave the gala because of some prank. Again,
Speaker 1: a message from their kids saying we're in jail. Everything's awful,
Speaker 1: and the mom is like, I can't believe you'd believe that.
Speaker 1: I mean, mister Cooper says Emily sounded terrified, but Missus
Speaker 1: Cooper promises nothing has happened. What kind of kid pranks
Speaker 1: their parents by saying we're having a horrible night, we're
Speaker 1: stuck in jail, And what kind of mom is like,
Speaker 1: I can't believe you'd make me leave for that. She
Speaker 1: was the worst mom in this whole movie, bar none
Speaker 1: terrible care.
Speaker 2: We haven't had a bad mom on the list in
Speaker 2: a while.
Speaker 1: She's a bad mom, but an even worse wife. She
Speaker 1: just bashed this husband the whole movie like you're an Oh,
Speaker 1: I had to babysit all night because my husband's an
Speaker 1: idiot like that kind of it was like, oh, yeah,
Speaker 1: it was terrible, So yeah, I'm putting her. I'm officially
Speaker 1: nominating her on the list, all right, And now inside
Speaker 1: the car, something's definitely happening. They drive after Aj on
Speaker 1: her skates and they're spotted by an out of breath
Speaker 1: tiny who's trying to run on the streets, but he
Speaker 1: sees that they've taken his car. They also spot AJ,
Speaker 1: who's weaving in and out of people and almost hit
Speaker 1: the ninja on his bike, but in the process, Lola
Speaker 1: drops her cell phone in the car. We're now back again.
Speaker 1: Lots going on. Back outside the gala, Missus Anderson is
Speaker 1: about to give a big speech when her cell phone rings.
Speaker 1: Loa has accidentally called her. In the middle of the chase,
Speaker 1: Missus Anderson tells the audiences to babysitter and answers, which
Speaker 1: is what a mom should do. Lola thinks quick on
Speaker 1: her toes and says she's just checking in. Everything's fine.
Speaker 1: Missus Anderson tells the audience everything's fine and goes back
Speaker 1: to her speech. But back in the car, nothing is
Speaker 1: in fact fine. Just as Missus Cooper complains about missing
Speaker 1: their best friend's speech, she sees a kid roller skating
Speaker 1: down the street. It's Aj. They don't notice it though.
Speaker 1: They just believe that it's some little girl roller skating
Speaker 1: on their own and who would let their kids roller
Speaker 1: skate in the city alone. Back inside Tiny's car, still
Speaker 1: filled with all the kids, they have their eyes on
Speaker 1: AJ and she's headed for some picnic tables. She quickly
Speaker 1: jumps on them, knocking everybody's food off while screaming sorry. Finally,
Speaker 1: the bad guy wipes out and the kids stop the
Speaker 1: car to grab AJ. They run away and leave the
Speaker 1: car behind to sneak in a side door, closing it
Speaker 1: on Tiny and the Ninja at the very last second.
Speaker 1: The kids have now found themselves backstage in a pack nightclub. Sorry,
Speaker 1: I just need to breathe. There's a lot going on,
Speaker 1: but this is so fast. Again straight from the original movie,
Speaker 1: where Elizabeth Shoe and the kids find themselves on stage
Speaker 1: at a blues club. Jenny pushes through the curtain, shocked
Speaker 1: at what she sees, then accidentally unplugs a wire. Everything
Speaker 1: including the DJ, shuts down. Now in total silence, Jenny, Lola,
Speaker 1: and all the kids are standing on stage. The crowd
Speaker 1: is staring right back at them. Jenny says sorry and
Speaker 1: tries to walk off, but the DJ tells her to stop.
Speaker 1: She can't go anywhere. She's got a quote, spill her
Speaker 1: rage and start rapping. She pushes back, no way she's
Speaker 1: gonna rap, but eventually she gives into pressure. It gets
Speaker 1: very eight mile quickly. She's nervous, but eventually gets into it,
Speaker 1: and the kids all chime in breaking down everything that's
Speaker 1: happening during the night, which again is exactly what happens
Speaker 1: during the Original Adventures of Babysitting. She has to sing
Speaker 1: the blues, and she's singing the babysitter Blues. It was
Speaker 1: cute in that movie. Then Lola jumps in and we
Speaker 1: have a real rap battle, but they're really just talking.
Speaker 1: Not sure i'd call it rap. What did you think
Speaker 1: of the rap battle and the electric slide in this
Speaker 1: kind of entire scene. Did you find this cringe at all?
Speaker 2: I don't want to say cringey, It just was kind
Speaker 2: of I mean, at this point, like you said, we're bouncing,
Speaker 2: we're moving, we're going. There's a million sets. I kept thinking, like,
Speaker 2: how many days did they have for shooting this dcom?
Speaker 2: Because yeah, usually it's like what like six weeks, seven weeks.
Speaker 2: It doesn't seem like they usually have to do that. Yeah,
Speaker 2: like this movie just there's so many different sets. We're bouncing,
Speaker 2: we're moving. At this point, I'm just kind of like
Speaker 2: it makes sense. I think the audience obviously there's a
Speaker 2: built in fan base audience that loves both of these
Speaker 2: girls who both sing like so there's like a this
Speaker 2: is the moment that makes sense for them. But the
Speaker 2: fact that it started rapping, I was like, what, Like
Speaker 2: that was so strange to me that that's what the
Speaker 2: turn we took I expected. Once we get into the club,
Speaker 2: I'm like, oh, here we go.
Speaker 1: I thought the same thing.
Speaker 2: Yes, I'm okay with it, because both of them looking
Speaker 2: forward to Yes, we we got a little pre preview
Speaker 2: of when Jenny or Sabrina's in the car and she's
Speaker 2: singing to the song, get a little preview of that.
Speaker 2: Hear them already singing.
Speaker 1: You know. I was ready for it me too.
Speaker 2: Then we hit the curveball with the rap, and I'm like,
Speaker 2: this isn't showcase the talent that I was thinking we
Speaker 2: were getting.
Speaker 1: I thought the same thing, But it.
Speaker 2: Was also like kind of like already where we're going.
Speaker 2: I felt like I was just like ryetic of Dr Machine.
Speaker 2: Just Yep, this is Okay, I agree, we keep going.
Speaker 1: I thought this was a waste of talent. But you
Speaker 1: know who didn't the crowd who loves it.
Speaker 2: The crowd loved it.
Speaker 1: They do and bet uh oh who arrives Now Tiny
Speaker 1: and Ninja again. These guys are so annoying. They went
Speaker 1: through the front door, Jenny spots, and it's needed get them, yes,
Speaker 1: have them or have real danger or something. But the
Speaker 1: two pawn shop guys jump on stage and now it's
Speaker 1: their turn to drop the quote unquote facts outside the club.
Speaker 1: Now the kids file out the back door, and Cheney
Speaker 1: can't believe she just wrapped AJ calls are cool, and
Speaker 1: Trey agrees. Emily is not impressed. She didn't end world
Speaker 1: hunger people, that's what she says. At the police station.
Speaker 1: Now the coopers have arrived, checking to see if anyone's
Speaker 1: seen their kids, but all they get are laughs from
Speaker 1: the cops, which seem rude because there were kids in there.
Speaker 1: They're like, kids, we never have kids in here. You
Speaker 1: literally just had nine kids in your thing. Yet we're
Speaker 1: back on the sidewalking again. Jenny apologize to Emily about
Speaker 1: what she said at the police station, even though it's
Speaker 1: been an awful night. There's no reason to take it
Speaker 1: out on her and hurt her feelings, which is very nice.
Speaker 1: Emily calls herself an invisible dork, but Jenny argues she's
Speaker 1: not invisible. She's beautiful and she doesn't need green hair
Speaker 1: tattoos to get noticed. Being herself is enough and if
Speaker 1: Trey doesn't see that, that's his loss. Besides, and the
Speaker 1: lookover and the guys are dancing, boys are dorks, which
Speaker 1: is very funny. Emily agrees and hugs Jenny, but there
Speaker 1: is something she should probably tell her. We're now in
Speaker 1: another New York City block. The Cooper's wonder if Emily
Speaker 1: meant the North Park Police station. Missus Cooper's just tired
Speaker 1: and her feet hurt because again she sucks. We're now
Speaker 1: back with the kids. Aj reveals to Jenny that she
Speaker 1: left a message saying they were in trouble, and just
Speaker 1: like that, they all know they're screwed. And then just
Speaker 1: a staircase away, missus Cooper spots a girl who looks
Speaker 1: like Emily, but mister Cooper points out that the girl
Speaker 1: has green hair, so that can't be Emily, so they
Speaker 1: get in the cabin. They head back to the gala,
Speaker 1: I think, because why actually find your kids? And now
Speaker 1: a few feet away from that, Jenny has emily called
Speaker 1: the parents back to tell them it was a prank.
Speaker 1: But when she does this, as Cooper notices, the phone
Speaker 1: says Elle Perez, and since she doesn't know who it is,
Speaker 1: she doesn't answer. If your kids are missing and you
Speaker 1: were just at the police station trying to find them
Speaker 1: and something's going on, how would you not pick up
Speaker 1: that phone call?
Speaker 2: This is a so britest seas. Why aren't you calling
Speaker 2: the babysitter. Why have you not called the babysitter. Why
Speaker 2: have you not called Jenny who knows the babysitter. Why
Speaker 2: have you not called anyone that's at the actual house.
Speaker 1: Nope, that doesn't mean sense. Eventually it was ridiculous.
Speaker 2: Yes, eventually they do. But that would be my first thing. Yeah,
Speaker 2: let me call my babysitter.
Speaker 1: This is one of the big problems.
Speaker 2: Let me call my neighbor who lives across the street. Yes, A,
Speaker 2: can you walk over to the house because I just
Speaker 2: got a really weird phone call. I'm trying to get home,
Speaker 2: but I'm still thirty minutes away.
Speaker 1: Is that agree?
Speaker 2: I wouldn't be calling my dad who lives thirty minutes
Speaker 2: away from me, being like, I don't know if you
Speaker 2: could get there quicker, Yeah, get all ready, it'll be
Speaker 2: peace of mind.
Speaker 1: Yes, there's something there was. One of the main problems
Speaker 1: with this movie was making it two families and two babysitters.
Speaker 1: Means you have to track two sets of parents on
Speaker 1: the adventure right again, original adventure babysitting one family. You
Speaker 1: just set to stick with those parents and find out
Speaker 1: how do we keep them away? This way you've got
Speaker 1: to keep too and one of the ways they did
Speaker 1: is they're both at the gala. Yeah, it's a little
Speaker 1: I mean again, I get why they did it because
Speaker 1: you wanted the two dueling babysitters. Good idea, great idea,
Speaker 1: especially when you can cast Sabrina Carpenter and Sophia Carson.
Speaker 2: Absolutely one of the families probably should have been out
Speaker 2: of town so they weren't able to come back, so
Speaker 2: be something.
Speaker 1: But this was just very Yeah, you're just you're trying
Speaker 1: to do too much, and so that's why we keep
Speaker 1: having to cut back to this to that, to this
Speaker 1: to that, and you're cutting fifty times and a ninety
Speaker 1: three minute movie, you're exhausted by the time this movie,
Speaker 1: So you are exhausted, and again, it's not bad. That's
Speaker 1: not a bad thing. There's a lot going on.
Speaker 2: There's a lot going and things are starting to slip
Speaker 2: through the holes.
Speaker 1: Right, And this is where it gets a little even
Speaker 1: more absurd. Emily suggests going to the gala to erase
Speaker 1: the voicemail before their family hears it, but Jenny doesn't
Speaker 1: think they even have the money to get there. Katie
Speaker 1: reveals there's one hundred dollars bill in her mom's fancy
Speaker 1: coat jacket, so now they have to go to the
Speaker 1: galla to get it, but again they don't have the
Speaker 1: money to get there. Okay. As they arrive inside the Galla,
Speaker 1: Jenny realizes both the Andersons and the Coopers are there,
Speaker 1: so if she's caught, she'll never get that recommendation letter.
Speaker 1: And then, finally, in another weird twist, the pawnshop guys
Speaker 1: find the invite for the gala, so they head over
Speaker 1: there too. This is where the movie started to go
Speaker 1: completely off the rail show.
Speaker 2: Yes, this is where I sort of got like you
Speaker 2: sort of lost me for it.
Speaker 1: Y I agree. Bobby smells impressive food and tray spots
Speaker 1: the coat room. They sneak over through the kitchen, where
Speaker 1: they see the chefs arguing. One spray's chocolate in the
Speaker 1: other's face and quits, throwing his hat in the air,
Speaker 1: which Bobby catches. The event planner is freaking out what's
Speaker 1: taking so long for dessert, and just like that, Bobby
Speaker 1: steps in and essentially becomes the head chef of this
Speaker 1: met Galla thing. And this is where I was like, really,
Speaker 1: he couldn't have walked over to a regular chef and
Speaker 1: been like you should have tried this ingredient or something
Speaker 1: where it's not This little kid is then surrounded by
Speaker 1: everyone in the kitchen and they're like, he's the head
Speaker 1: chef now. It was so it's getting so ridiculous.
Speaker 2: That parfetched too much for me too. And yes, I
Speaker 2: think especially kids, like the kids do, some kids really
Speaker 2: do fall in love with like poking and things like that.
Speaker 2: So there is this like amazing, like you to actually
Speaker 2: have a kid running in a kitchen is very cool idea.
Speaker 2: It's its own weird that they yes, make it its
Speaker 2: own movie, but it's just weird that like it just
Speaker 2: happened so easily. Yeah, No, they just basically were like, oh,
Speaker 2: there's a kid here, you're in charge.
Speaker 1: Yeah, and now, and they're they're going to the gallery
Speaker 1: adults around. Yeah, they're going to the galla to try
Speaker 1: to erase the phone call.
Speaker 2: And get money out of there and get money. Yeah,
Speaker 2: we're starting to Yeah. But hey, listen, I sung a
Speaker 2: dog out of all exactly.
Speaker 1: I get it. I get it. I didn't know what
Speaker 1: the press, I didn't know what the White House was.
Speaker 1: I get it. It happens. I was the devil's minion
Speaker 1: who had to buy the soul of a hockey player.
Speaker 1: I get it.
Speaker 2: Here, we're here, this is.
Speaker 1: What we're doing. This is what we're doing. This is
Speaker 1: what this is what we're doing. We're in, We're in.
Speaker 1: It's so true. Meanwhile, Katie and Jenny head to the
Speaker 1: coat room for one hundred dollars? Do you keep hitting
Speaker 1: cash with you when you try? I never have cash ever, ever. Ever.
Speaker 2: I hate when Jordan when we like Vala and Jordan
Speaker 2: looks at me and goes, hey, I don't have cash.
Speaker 2: He always does cash on him all the time, Hey
Speaker 2: do you have five dollars? And I always look him like,
Speaker 2: why do you even ask me?
Speaker 1: Yes, it's just the opposite in our family.
Speaker 2: We go to valet somewhere, wall it into place, Apple
Speaker 2: pay everything, like, I don't even take my wallet in
Speaker 2: most of the time now you.
Speaker 1: Never have cash. Mister and Missus Cooper return to the
Speaker 1: galla to grab their coats and go home. Jenny and
Speaker 1: Katie see them and know they need to hurry up.
Speaker 1: They find the jacket, but before they can get the money,
Speaker 1: the coat lady grabs it away. Missus Cooper herself trives
Speaker 1: are a fancy one hundred dollars bill jacket and decides
Speaker 1: she's getting dessert. Since the Coopers know what Jenny looks like,
Speaker 1: they have to dress Lola up and heels in a
Speaker 1: faux fur to go inside and steal the money right
Speaker 1: from missus Cooper. Meanwhile, in the kitchen, Bobby is now
Speaker 1: Gordon Ramsey and he's taste testing everything. Nothing's working. Someone
Speaker 1: brings him seaweed and he agrees that's the secret ingredient
Speaker 1: he's been looking for, because yeah, when you need something, it's.
Speaker 2: Sed final straw. That was my final straw.
Speaker 1: Yeah, seaweed on the seaweed on a chocolate moved and
Speaker 1: everyone's like, yes, this is it awful? Now, Well, now
Speaker 1: he thinks it's perfect, and just then Tiny in the
Speaker 1: nin arrive bad. These guys arrive back at the gala
Speaker 1: and tells security they are the kids. Yeah, but everyone
Speaker 1: is suspicious. We're now in the Gallo ballroom. Lola is
Speaker 1: trying to be inconspicuous but is fumbling in the heels.
Speaker 1: She ends up sitting next to Missus Cooper and faking
Speaker 1: a British accent, just as Tiny and then Ninjas bought
Speaker 1: the kids. Lola examines the fancy coat and drops to
Speaker 1: the ground. While picking it up, she ravishes through the
Speaker 1: coat pocket, first finding a twenty, which I'm pretty sure
Speaker 1: she pockets, and then finding the hundred, which she pockets.
Speaker 1: So she needed the hundred but also took the twenty
Speaker 1: With that. Lola says goodbye and leaves. Tiny and Ninja
Speaker 1: have finally found Jenny and try grabbing the camera from her,
Speaker 1: but Jenny fights back. Katie stops on his toes and
Speaker 1: during the melee they successfully get away. Then the ferret
Speaker 1: pops out of Ninja's jacket. Remember the ferret. He apparently
Speaker 1: takes him everywhere. The little rodent fully jumps out of
Speaker 1: the coat and runs into the party, causing everyone to
Speaker 1: run and scream. Tiny in the Ninja recapture the purple ferret,
Speaker 1: but security ends up arresting the guys before they can
Speaker 1: reunite with the animal, and I think that's pretty much
Speaker 1: the end of that storyline. We're now back in the kitchen.
Speaker 1: AJ is fast asleep and roller skates, and again, at
Speaker 1: this point, I feel like an I'm four hours into
Speaker 1: this movie. There's just so much going on. It is
Speaker 1: a is and again, it's not bad. It's just there's
Speaker 1: a lot going on.
Speaker 2: It's just taxing. It's just like it is my go
Speaker 2: its okay.
Speaker 1: Yeah, AJ's fastest, sleeping roller skates, laying on a rack
Speaker 1: of food. Trey hopes they aren't missing anything and wonders
Speaker 1: why Emily colored her hair. Emily says because she's boring,
Speaker 1: but Trey doesn't agree. He thinks she's pretty cool. And
Speaker 1: then Jenny and Lola run in. It's time to go
Speaker 1: nice cockblock Jenny. At the police station, flirty Officer mcjames
Speaker 1: gets a call about a big fat guy named Tiny,
Speaker 1: a tall, skinny guy in a hood and a sapphire ferret,
Speaker 1: and yes, he believes it because he wants to hook
Speaker 1: up with that nineteen year old girl that he pulled
Speaker 1: over twice today. But I'm a rookie. I'm a rookie.
Speaker 1: Outside the gallia, Lola can't believe everything that's happened. They
Speaker 1: all agree they made a pretty good team. Lola admits,
Speaker 1: I totally see why that guy asked you to the concert.
Speaker 1: Jenny's confused. What guy? Lola thinks his name was Zeke.
Speaker 1: Jenny can't believe Zach Chase asked her to the concert
Speaker 1: that would have only been the single most important night
Speaker 1: of her life. She asked Lola what she says. Lola
Speaker 1: says she may have implied that Jenny wasn't interested. Jenny
Speaker 1: is beside herself. Why would she do that? Lola said
Speaker 1: she was distracted by Officer McDreamy and tells Jenny it's
Speaker 1: not too late. She calls for a taxi now with
Speaker 1: one hundred dollars in her hand. Maybe that's what the
Speaker 1: twenties four, I don't know. At the gala, Tiny and
Speaker 1: Ninja are arrested by Officer Mcjames McDreamy, mcguy who probably
Speaker 1: has washboard abs, who says they won't be kidnapping any
Speaker 1: more exotic animals on his watch. Another guard is caressing
Speaker 1: the ferret not a euphemism. Missus Anderson tells her husband
Speaker 1: about a new voicemail from their alarm company, and now
Speaker 1: the babysitter isn't answering, Hey, that could mean something. He
Speaker 1: tells her to try the home phone, but we cut
Speaker 1: to a messy, empty house. No one picks up the phone,
Speaker 1: and the dog is still licking up the food. At
Speaker 1: least they tried to call their family. The other lady
Speaker 1: did not. We're now back outside the concert. The kids
Speaker 1: arrive but don't have a ticket. Lola says she'll handle
Speaker 1: this and asks the security guard what's it going to
Speaker 1: take for all of them to get into the concert?
Speaker 1: And again, this came off as creepy and weird to me.
Speaker 1: I'm sorry it just did. I don't know if my
Speaker 1: mind went to a creepy place, but that sounded creepy
Speaker 1: to me, he says. Her camera. Lola takes out the
Speaker 1: memory card and gives up her beloved camera to make
Speaker 1: things right, and then they all walk into the concert.
Speaker 1: Jenny thinks she looks like a mess, so with the
Speaker 1: help of Katie in the bathroom, she transforms into a
Speaker 1: concert ready, cool looking chick, but she still doesn't think
Speaker 1: she can do it. Lola tells her to look at
Speaker 1: everything she did tonight. Went to jail, stole a car,
Speaker 1: crashed a galup, and fought off criminals. Talking to a
Speaker 1: boy should be easy. But just as she finds the guts,
Speaker 1: the concert's over. Everyone's rushing out. Jenny's trying to find
Speaker 1: Zach in the crowd, calling on his name, and magically
Speaker 1: she ends up on stage and spots him. He's shocked
Speaker 1: to see her. She admits someone else had her phone
Speaker 1: or she would have went to the concert with him.
Speaker 1: He joins her on stage and tells her she looks beautiful,
Speaker 1: but she has to go, He insists, so go with her. Dominique,
Speaker 1: that don't get me started. Already left with her boyfriend.
Speaker 1: What a tramp? This girl is just hoppin' from one
Speaker 1: guy in many Dominique was probably fine, she didn't even
Speaker 1: have a lot.
Speaker 2: Of I'm sure she's a nice girl. Uh huh ah huh.
Speaker 1: Don't try that with me, Sabrina. The kids run in
Speaker 1: to find Jenny and she introduces everybody to Zach. Lolo
Speaker 1: reveal she got a missed call from missus Anderson, and
Speaker 1: they listen to her concerned voicemail. Together, Jenny thinks all
Speaker 1: the parents are probably on their way home by now,
Speaker 1: and she's bummed she ignored the most important rule of all.
Speaker 1: You never put a boy before you put the kids.
Speaker 1: Lola says it's her fault. She should never have taken
Speaker 1: the job because she thought babysitting was easy, but it's not.
Speaker 1: The kids list off everything they've done tonight too. They
Speaker 1: also have something to lose, and so in this together
Speaker 1: they run off for the towyard, but as they arrive,
Speaker 1: the toe ladies locking up the gate. They try to
Speaker 1: stop her, but she insists they're clothes. Jenny hasn't taken
Speaker 1: no for an answer, And this is the line that
Speaker 1: they took from the original one. In the original one,
Speaker 1: the kids are on a subway and a gang comes
Speaker 1: up to her and they take a knife out and
Speaker 1: they throw the knife into the kid's foot in front
Speaker 1: of her. The kid Keith Coogan's foot and say don't
Speaker 1: with the lords from Hell. And she picks up the knife,
Speaker 1: pulls it from his foot and puts it in his
Speaker 1: face and goes don't with the babysitter. And that's where
Speaker 1: the f so much it must have been two must
Speaker 1: be must be allowed to f words for the for pg. Thirteen,
Speaker 1: So that was their nod was don't mess with the
Speaker 1: babysitter because seeing a Sabrina Carpenter and DCM saying don't
Speaker 1: put the babysitter probably wasn't going to work. So they
Speaker 1: grab her keys and hauler to the gate. And now
Speaker 1: they got the car, it's time to race home. The
Speaker 1: dirty suv pulls up at the Anderson's house, Jenny tells
Speaker 1: Trey to get the hose and rints off the car.
Speaker 1: Everyone else goes inside to change into their pajamas quickly,
Speaker 1: but they're greeted by a huge mess once inside. Uh oh.
Speaker 1: Lola gives everyone a task to clean up as quickly
Speaker 1: as possible because we cut to the parents and literally
Speaker 1: the parents say, hey, how long is it going to
Speaker 1: take us to get home? Fifteen minutes because they wanted
Speaker 1: to put a clock on it, which was a scene
Speaker 1: we didn't need. Should have just been somebody going we
Speaker 1: don't know when the parents are getting home. Clean up
Speaker 1: as fast as possible, but the Anderson's are going to
Speaker 1: be home in fifteen minutes. The kids finally finish cleaning
Speaker 1: and Bobby makes a ton of cupcakes with time to spare.
Speaker 1: Knowing it's time to leave, Trey and Emily tell Lola
Speaker 1: and Jenny that they're both awesome babysitters. It's been the
Speaker 1: coolest night of their lives. Everyone agrees, and the babysitters leave,
Speaker 1: and just as Jenny pulls away, the Andersons pull up.
Speaker 1: Missus Anderson is happy to see the house isn't on fire,
Speaker 1: and Lola jumps on the couch to casually read a
Speaker 1: magazine is and walk in almost a shot for shot
Speaker 1: remake of the original Ventures in Baby City. Lola says
Speaker 1: things couldn't have gone better. The kids were angels and
Speaker 1: at the Cooper's house, Missus Cooper thanks Jenny for everything.
Speaker 1: Jenny swears it was no trouble at all, and with
Speaker 1: that out of the way, we're still on a nearby
Speaker 1: neighborhood street. Lola gets pulled over by the cops again
Speaker 1: and it's Officer mcflirty guy who asked the high schooler
Speaker 1: out this Saturday night or somebody who looks like she's
Speaker 1: in high school. Hopefully she's just a college dropout. This
Speaker 1: is hey, so am I. This all seems very morally
Speaker 1: ambiguous to me, but that's just me. I'm getting old,
Speaker 1: and so I judge. At the Cooper's house, Jenny is
Speaker 1: getting into her car when Zach pulls up to return
Speaker 1: Emily's headphones. He admits he kept them just so he
Speaker 1: can return them and see Jenny. Emily and Katie scream
Speaker 1: out the window ask her out, ask him out, which
Speaker 1: again take off from the original movie, and the guy
Speaker 1: they were asking out was again our good friend George
Speaker 1: Newbern in the original movie. They both ask each other
Speaker 1: out and say yes, and we end up at the
Speaker 1: Internship building, still not done. Jenny arrives and Lola's there too.
Speaker 1: Jenny and Mitchi's late because she needed sleep out her
Speaker 1: date with Zach last night. What the does that mean?
Speaker 1: Lola says, whoever is picked up for the internship She's okay,
Speaker 1: I mean, just weird to say that I needed a
Speaker 1: lot of sleep after my date with Zach last night.
Speaker 1: That's a weird line to throw out.
Speaker 2: Yep, it is in a DCM, in a d com.
Speaker 1: Yeah, and it's a weird lie. You just don't need it.
Speaker 2: Like that deserves a follow up question?
Speaker 1: Thank you?
Speaker 2: Oh really?
Speaker 1: Really? What happened there? I know. Sorry, yeah, no, I
Speaker 1: hear you. It is absolutely crazy, but Jenny admits his
Speaker 1: internship isn't her passion. She called earlier and withdrew her application.
Speaker 1: She's taking the summer off to have some free time,
Speaker 1: which brings up the question why why was she there anyway?
Speaker 1: Lola asked Jenny if she can get some help with
Speaker 1: school applications, and Jenny says, sure, friends help friends. Lola
Speaker 1: admits she's retiring from babysitting and they both laugh. Jenny
Speaker 1: asked Lola for the pictures from the other night, and
Speaker 1: Lola promises to send them to everyone. With that, Jenny
Speaker 1: hands Lola her portfolio and they'll see each other soon.
Speaker 1: Lola opens the folder and it's pictures of the two
Speaker 1: of them. The portfolio close and it reads the end.
Speaker 1: That's when wild Side plays as little uploads all the
Speaker 1: videos we see remembering the crazy night, just like the Hangover,
Speaker 1: and that's our movie. I'm exhausted. Can we do some
Speaker 1: real reviews?
Speaker 2: Yes we can. We will get through these. This is
Speaker 2: a one star from thunder King six.
Speaker 1: Hell yeah, I'm kind of scared of this one, are you?
Speaker 1: The first five thunder Kings were awesome?
Speaker 2: How dare they tarnish the legend. This was disrespectful, bad actors,
Speaker 2: horrible camera quality, cheap environments, cliche, annoying characters, crappy soundtrack.
Speaker 2: This was a Grade A hash. No other show or
Speaker 2: movie has been called a Grade A hash before thunder
Speaker 2: King six. So harsh, take a seat, harsh, and just
Speaker 2: you are disrespectful.
Speaker 1: That's a little harsh. I have the five star review.
Speaker 1: This is from Nijuko. This movie is a really good movie.
Speaker 1: I've watched a few times, and each time I enjoyed
Speaker 1: watching it. I plan on watching this movie again very
Speaker 1: soon because I just love to watch it. I like
Speaker 1: every movie I've seen that is either Sophia or Sabrina
Speaker 1: in it. But I'll still come back to this movie.
Speaker 1: I really look forward to watching this movie again very soon.
Speaker 1: I just can't wait for that moment. Five stars. And
Speaker 1: now we come to our favorite portion of the program,
Speaker 1: and we're gonna get through this fast, people, because we
Speaker 1: know this has been a long episode talking about babysitting,
Speaker 1: but we need to make us feel a little worse
Speaker 1: about ourselves. So this feature is called sit that Baby.
Speaker 1: In conjunction with Jenny's Rules for babysitting, we'll be given
Speaker 1: a rule for babysitting. According to kidsit dot com, not
Speaker 1: googling that, and we have to decide if it's true
Speaker 1: or not. These are babysitter rules that all parents should
Speaker 1: have forced. Okay, three out of five wins. Who are
Speaker 1: we playing with today?
Speaker 2: You get Lisa?
Speaker 1: Hey, Lisa, all right? So the number one rule true
Speaker 1: or false? Number one, instruct your babysitter to keep all
Speaker 1: family matters private unless you think it can affect your
Speaker 1: pay for the night. From kidsit dot com, I say
Speaker 1: that's false.
Speaker 2: That's gotta be false. It is false. Never gossip about
Speaker 2: the family.
Speaker 1: A mob it does. It does talk about the family,
Speaker 1: all right, So hey, we're one for one. Number two
Speaker 1: established guidelines for all appliances to prevent accidents. They'd say
Speaker 1: that's true. That seems pretty normal. True, true, all right.
Speaker 1: Two for two. Number three avoid talking about sexuality, death, Santa,
Speaker 1: or politics. I'd say that's probably true.
Speaker 2: I have it as false. They did not say politics.
Speaker 1: Oh that I'm giving that to us. That's three. We're
Speaker 1: in there. You can't do that. Uh. Number four in
Speaker 1: an emergency called the parent cell phone.
Speaker 2: First true true false? You call damn.
Speaker 1: I guess an emergency that it makes sense. Okay, okay,
Speaker 1: number five, Let them fall asleep at least five to
Speaker 1: ten minutes later than normal to make them feel like
Speaker 1: it's a special night. Oh I can see that, because
Speaker 1: then they'll be happy the babysitters coming. I say, yes, true, true,
Speaker 1: I have it as false.
Speaker 2: Oh stick? Were these worlds written? Though?
Speaker 1: I don't know, I'm still gonna say we won. So there?
Speaker 1: Did we get all the Sabrina seas?
Speaker 2: We got most of them? Except I did have one
Speaker 2: question that I wanted to clear up with you. Is
Speaker 2: it breaking? So in the very very early on when
Speaker 2: they're both in their cars and Jenny lip sinks the
Speaker 2: song that's obviously Sabrina and Sophia's song, right when she
Speaker 2: lip sinks it, is that because it's her singing her
Speaker 2: own song? Is that breaking the fourth wall?
Speaker 1: It's like breaking the sixth wall when you're singing your
Speaker 1: own song. I don't even know how that works. I
Speaker 1: was like, what is that?
Speaker 2: I just kind of it wasn't like she didn't look
Speaker 2: in the camera, but that's what I was like. What
Speaker 2: would that be considered anyway? That's something to think about, right, Yeah.
Speaker 2: The Sapphire Ferret was spray painted or.
Speaker 1: What like it must have been. They just died the
Speaker 1: first I don't think it's a real thing.
Speaker 2: Yeah yeah, And then I had the Hangars was the
Speaker 2: but you did speak about that, but everything else we
Speaker 2: talked about, but the Hangars really killed me.
Speaker 1: That was like, that's they're not holding yet.
Speaker 2: Come on, we had to. We couldn't have think of
Speaker 2: anything else other than that.
Speaker 1: But those aren't holding up. Those aren't killed me. And
Speaker 1: that was it. All right? Now the team the short
Speaker 1: and sweet because we hit it all because this is
Speaker 1: a nine hour episode. This episode is longer than the
Speaker 1: movie by far. I love how ironically I'm the one
Speaker 1: who's like ninety minutes. And then I'll be like, here's
Speaker 1: our forty eight thousand hour podcast. All right, So this
Speaker 1: week we're gonna score this movie one to ten. We're
Speaker 1: gonna make ten the best this week because were hurrying
Speaker 1: through it. Our options are one to ten Keith Coogan, babysitter, movies,
Speaker 1: car eyelashes, polished tires, repeat, decom plot points one to ten,
Speaker 1: problematic cops, henna, tattoo, auras, fluzy dominiques. One to ten rage,
Speaker 1: spilled talk, battle raps, seaweed, ingredients one to ten purple
Speaker 1: rare ferrets or one to ten psychic rockets, And I
Speaker 1: think I get to pick this time, don't I am
Speaker 1: absolutely going with fluozy dominiques, dare she? I also think,
Speaker 1: do I go first? This time?
Speaker 2: You can go first?
Speaker 1: I can? I don't remember.
Speaker 2: No.
Speaker 1: Yeah, because the honeyt s runk the kids, I went
Speaker 1: second and gave it a ten.
Speaker 2: Oh that's right.
Speaker 1: Yeah. Okay, So this movie is not as good as
Speaker 1: the original. No movies are or very few, so I'm
Speaker 1: not trying to hold it to the same standard as
Speaker 1: a PG thirteen that stars the one of the women
Speaker 1: that made me just fall in love with the world.
Speaker 1: So clearly not, you know, I can't do that. That
Speaker 1: being said, the movie's incredibly frenetic. There's a lot going on,
Speaker 1: there's too much going on, the storylines get muddled. The
Speaker 1: cast is great, it's still fun. So this is not
Speaker 1: overall not a bad movie. Am I gonna score this
Speaker 1: a ten? No, of course not. But I'm also not
Speaker 1: gonna score this a four. This was not this just
Speaker 1: the cast alone is worth several points in this movie,
Speaker 1: So I think I'm I'm fair in saying this is
Speaker 1: a solid six point five to a soft seven. Okay
Speaker 1: for a dcom this movie, And I think that's I
Speaker 1: don't think that's being generous, and I don't think that's
Speaker 1: being harsh. I think with the storyline and with the writing,
Speaker 1: with some of the stuff that needed to be changed,
Speaker 1: with the bumbling guys after them, which again it's a dcom,
Speaker 1: I get it, they have to bring it down, but
Speaker 1: they could have ratcheted up a little bit more than
Speaker 1: they did. They didn't have to go straight wacky. I
Speaker 1: think I'm fair with six point five to seven.
Speaker 2: Yes, I agree.
Speaker 1: Oh, by the way, Dominiques, I agree.
Speaker 2: I think same. The issues I had, the chaotic like
Speaker 2: going back and forth, I kind of just sank into
Speaker 2: because that was the demo that they were apparently wanting
Speaker 2: to go forward.
Speaker 1: It was what it is.
Speaker 2: And I'm watching a lot of obviously movies with my
Speaker 2: kids like more like that have that like like just
Speaker 2: constant go sure, so I sank into that level. I
Speaker 2: thought the two girls were so great. I would love
Speaker 2: to see them and I would one hundred percent watch
Speaker 2: anything that the two of them were in. I love
Speaker 2: them that much. That being said, if I see another
Speaker 2: freaking movie with them and they're not singing together, I'm
Speaker 2: gonna lose me, right, So that needs to be that
Speaker 2: needs to be said was documented. I would have given
Speaker 2: it an eight had that happen, but instead I'm going
Speaker 2: to do a seven because I didn't need a wrap
Speaker 2: battle for them. I needed a sing off or something.
Speaker 2: They performed. Both of them are phenomenal and I needed
Speaker 2: that a little bit. I thought you would get it
Speaker 2: in a movie with the two yeah seven seven floozy
Speaker 2: dominics in her favor. She did nothing wrong, she'd seem
Speaker 2: like a sweet girl. She didn't do anything they always
Speaker 2: do as just a good friend. Okay, so thank you
Speaker 2: everybody first of all for sticking with with us.
Speaker 1: But anyway, for our next movie, we don't have to
Speaker 1: go very deep for our deep dive because we're tackling
Speaker 1: a twenty twenty three coming of age comedy, The Slumber Party.
Speaker 1: This was produced by Ron Howard and Brian Grazer, which
Speaker 1: is very exciting. It is available to stream on Disney Plus.
Speaker 1: So impress us with a little prep on your end.
Speaker 1: So thank you so much for joining us on this
Speaker 1: adventure in podcasting. See what I just did there, Serena,
Speaker 1: thank you very much. We really appreciate it and we
Speaker 1: will see you next time. Bye, everybody, k