WEBVTT - Adventures in Babysitting

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<v Speaker 1>Did you babysit when you were growing up? No, me neither,

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<v Speaker 1>thank god.

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<v Speaker 2>Ah And but I will tell you I've made up.

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<v Speaker 2>And on the other side, because I got babysitters, I

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<v Speaker 2>have a rolodex of girls.

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<v Speaker 1>Well see, I want to get into that because I went, wait,

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<v Speaker 1>is it just girls? You have no dudes? No dudes?

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<v Speaker 1>You wouldn't want a dude babysitter. No, really.

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<v Speaker 2>Not unless like unless it was somebody who I met.

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<v Speaker 2>I guess that's just not I honestly don't know any

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<v Speaker 2>of the break nobody doesn't that that are around me

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<v Speaker 2>or whatever my girls are. It's mainly my dancers. I've

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<v Speaker 2>got schoolgirls.

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<v Speaker 1>Access to tons of babysitters essentially, yes.

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<v Speaker 2>So that's really I don't have to search out. I

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<v Speaker 2>think if I ever did like a sitter like app

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<v Speaker 2>or online like I would probably look at the dudes

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<v Speaker 2>at males as well.

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<v Speaker 1>But like, yeah, somebody's gonna teach you how to fight

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<v Speaker 1>and spit and roll joints. And I mean there's well,

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<v Speaker 1>I think it would be good to me.

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<v Speaker 2>I think it'd be great for like someone to be

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<v Speaker 2>able to handle Ledger a little bit better. Oh, he's

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<v Speaker 2>just shockingly.

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<v Speaker 1>Is he really with babysitters or with everybody.

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<v Speaker 2>Let me tell you this. For Cinco de Mayo, I

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<v Speaker 2>took my kids out. Jordan was at the golf being range,

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<v Speaker 2>so he was going to meet us there once I.

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<v Speaker 2>Once Monroe got done with dance, we picked up Ledger

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<v Speaker 2>and we were going out to you know, a restaurant

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<v Speaker 2>to go enjoy Cicco Tomyo, and Jordan went to the

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<v Speaker 2>wrong restaurant and so he was later than even, like,

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<v Speaker 2>you know, coming and meeting us. And I called him

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<v Speaker 2>and was like furious. He's like, it's like five minutes, babe,

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<v Speaker 2>Like why are you so upset. I'm like, well, you

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<v Speaker 2>need to go and go to the grocery store now,

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<v Speaker 2>because I just turned my head for five seconds and

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<v Speaker 2>Ledger took the krans that he was given to play

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<v Speaker 2>on the little coloring thing and turned to the wall

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<v Speaker 2>and just covered the entire wall with kran. He just

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<v Speaker 2>sat there and it was so fast will It wasn't

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<v Speaker 2>even just like a little bit, it was everything. So

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<v Speaker 2>I'm like, you have to go to Ralph SIT's across

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<v Speaker 2>the street now and go get the only thing that

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<v Speaker 2>will work. Because water you drapk in, you gotta go

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<v Speaker 2>get the magic rations. They worked so well, and I'm like,

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<v Speaker 2>this only thing is going to work, so you have

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<v Speaker 2>to go get one. And he's just like, you're kidding me.

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<v Speaker 2>He's like, well, what were you doing? And I'm like

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<v Speaker 2>literally sitting right next to him, playing with Monroe helping

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<v Speaker 2>her color. She wanted to play TikTok toe. So I'm

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<v Speaker 2>playing three games of TikTok toe, which takes all of

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<v Speaker 2>thirty seconds. Right, yes, just what her ass three times

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<v Speaker 2>real quick.

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<v Speaker 1>I'm glad you beat herd That's how you are a kid.

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<v Speaker 2>And I turned over and Ledger had just like given

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<v Speaker 2>me my karma so quickly.

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<v Speaker 1>I was gonna say, so, let me understand this. You

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<v Speaker 1>were watching Ledger as he paid on the wall because

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<v Speaker 1>you were trying to be your daughter.

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<v Speaker 2>He doesn't take much, man, She's fine, right every time,

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<v Speaker 2>you know, you start right here, you hit the corner, okay, Monroe, no,

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<v Speaker 2>you start we start the middle, but then the corners

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<v Speaker 2>the next and she does that, she goes right above it.

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<v Speaker 1>And you haven't taught her that yet because you.

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<v Speaker 2>Like to trying to teach her. She doesn't remember anyway,

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<v Speaker 2>and he just goes and like Ledgers just like he

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<v Speaker 2>had to sit her last night and I literally was like,

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<v Speaker 2>he's just you can't, you can't. Don't take it like

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<v Speaker 2>he's already. He just ruined my couch with Monroe's lip

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<v Speaker 2>gloss like painted all over it. You've got to watch him.

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<v Speaker 2>And she's like okay, and I'm like no, like you

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<v Speaker 2>have to watch.

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<v Speaker 1>You can't.

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<v Speaker 2>Whatever Monroe's doing, She's fine. She's an angel. She won't

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<v Speaker 2>do anything bad. She won't do anything to get in

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<v Speaker 2>trouble because she hates being in trouble. This guy Zero s, oh.

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<v Speaker 1>My god, Well I have a question because I don't

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<v Speaker 1>have kids. Don't they just make bigger crates. Can't you

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<v Speaker 1>just create a kid like you would a dog that

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<v Speaker 1>not Does that.

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<v Speaker 2>Not work for his sleep time? He is in one

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<v Speaker 2>of those little tents.

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<v Speaker 1>Well there you go, put him in a crate.

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<v Speaker 2>But you finally do that all day, you.

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<v Speaker 1>Know, chuck some food there.

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<v Speaker 2>He doesn't get his energy out. He'll never go to street.

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<v Speaker 2>He's got so much energy. But when I tell you, though,

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<v Speaker 2>like watching him, he's so funny. And our producer is Tara,

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<v Speaker 2>Lisa and Mikayla got to see him firsthand and they're like, Wow, sorry, guys,

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<v Speaker 2>he won't come to anything again.

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<v Speaker 1>That's great. He's a handful.

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<v Speaker 2>Love it funny though, he's hilarious and you love to

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<v Speaker 2>just let him go and you're like, love them. Yeah,

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<v Speaker 2>he'll be someone else's he'll be someone's husband one day.

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<v Speaker 1>Yeah, well you're my hands. As I always say, you're

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<v Speaker 1>really selling kids on me, and well you.

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<v Speaker 2>Are not in the market, so it's fine. You anything

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<v Speaker 2>to do with it, So it's fine. I don't be

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<v Speaker 2>honest with you. With my friends that are still thinking

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<v Speaker 2>about it, I'm like, oh, he's so funny.

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<v Speaker 1>And easy court nice, good.

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<v Speaker 2>He's cute. Lookodorable he is.

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<v Speaker 1>Yes, stop, stops, it's all he'sced. Yeah. Susan's actually out

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<v Speaker 1>at the grocery store right now getting magic racers because

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<v Speaker 1>I was coloring all over the wall.

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<v Speaker 2>Oh yeah, see it happened. He loves kids, she does.

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<v Speaker 1>She's got one. Welcome to problems, she does. Welcome back

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<v Speaker 1>to Magical. Rewind the show that makes you want to

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<v Speaker 1>grab your friends, your pjs, and your popcorn and go

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<v Speaker 1>back to a time when all the houses were smart,

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<v Speaker 1>The Wave, Tsunamis, and the Crans could just be taken

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<v Speaker 1>off of soap and water, but not anymore. They've changed,

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<v Speaker 1>it changed, it's totally different.

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<v Speaker 2>I'm Wilfredell and I'm Sabrina Brian.

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<v Speaker 1>Well, last week we time traveled to nineteen eighty nine

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<v Speaker 1>for the blockbuster that was Honey, I Shrunk the Kids

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<v Speaker 1>and we loved it. But now we're going back a

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<v Speaker 1>little further to nineteen eighty seven, but only for inspiration,

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<v Speaker 1>because on this episode we're looking into the twenty sixteen

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<v Speaker 1>technically sequel, technically reimagining, technically just using the title Adventures

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<v Speaker 1>in Babysitting, And I'm gonna tell you going into this movie, Sabrina,

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<v Speaker 1>I was not happy because this is one of my

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<v Speaker 1>favorites of all time. Elizabeth Shoe is my forever crush

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<v Speaker 1>in love with her. This movie was incredible. It was

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<v Speaker 1>one of the movies that I watched on repeat growing up.

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<v Speaker 1>So I was like, right, have you seen the original one?

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<v Speaker 2>Yes, but this is the thing. While I was watching

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<v Speaker 2>this new one, Adventures of Babysitting. I remember being at

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<v Speaker 2>the premiere going, maybe I don't remember the first one

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<v Speaker 2>because I thought it was going to be a remake.

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<v Speaker 1>Right, I was thinking it really certain things from it

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<v Speaker 1>they pulled even direct lines from it, but they had

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<v Speaker 1>to disneyfy it down. They tried to keep some of

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<v Speaker 1>the tropes the same, with some of the crushes and

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<v Speaker 1>the stuff going on.

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<v Speaker 2>I don't know the movie as much as you and I.

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<v Speaker 1>I jun't so backwards for it.

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<v Speaker 2>I was worried about this movie for you because I like,

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<v Speaker 2>this is a big one for a will and this was.

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<v Speaker 1>Tough, but we'll see. Uh. So yeah, the original film

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<v Speaker 1>was directed by none other than Chris Columbus and start

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<v Speaker 1>a young Elizabeth Shoe coming right up for the crowded kid,

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<v Speaker 1>which is perfection in a character. And I just to

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<v Speaker 1>this day every time I see her, I'm it's this

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<v Speaker 1>instant crush. My wife knows too, and it's what's so

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<v Speaker 1>funny is my older brother Gary is the same way.

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<v Speaker 1>We'll often fight where I'll be like, I have such

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<v Speaker 1>a crush on Elizabeth Shot and He's like, no, she's mine,

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<v Speaker 1>and it's like that. Yeah. So, uh, just hugely important

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<v Speaker 1>in my child in movies like this or you know,

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<v Speaker 1>the Original Adventures of Babysitting were one of the reasons.

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<v Speaker 1>So uh. Some fun facts about the original. It also

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<v Speaker 1>stars a great guy who I've known for many, many years.

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<v Speaker 1>I ran into again at a convention not that long ago,

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<v Speaker 1>and we sat and we talked for hours. Keith Coogan

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<v Speaker 1>his first of two movies about babysitting. Both are awesome.

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<v Speaker 1>His second was Don't Tell Mom the Babysitters Day.

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<v Speaker 2>Which was mine. Thank you, but you're not allowed to

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<v Speaker 2>have that one. You can't have both fair enough.

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<v Speaker 1>I will take advenures of babysitting.

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<v Speaker 2>That movie, the fashion, everything they're shooting out the applegate,

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<v Speaker 2>the plates, dishes are done. Man.

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<v Speaker 1>That was Keith. He's the best. He was also the

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<v Speaker 1>grandson of former child actor Jackie Cougan, for which the

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<v Speaker 1>Cougan Law is named. So I don't know if anybody

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<v Speaker 1>out there is aware of what the Cougan Law is,

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<v Speaker 1>but the Cougan Law essentially says that there were so

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<v Speaker 1>many child actors that earned so much money that was

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<v Speaker 1>then stolen by adults and by their parents. Jackie Cougan

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<v Speaker 1>lost a fortune to his parents. The Cougan Law is

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<v Speaker 1>at least, and I think it's now twenty five percent

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<v Speaker 1>of an under eighteen actors' money or entertainer's money has

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<v Speaker 1>to be put in a bank and invested. I personally

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<v Speaker 1>think it should be flipped. I think it should be

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<v Speaker 1>seventy five percent, should be seventy five to the actor

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<v Speaker 1>themselves and twenty five percent the parents get to use

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<v Speaker 1>as they want. But they got twenty five percent. But

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<v Speaker 1>take that to your trivia night. So Keith Cougan is.

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<v Speaker 2>And so so important, so important, God, yes, and life actor.

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<v Speaker 2>You don't really necessarily understand. But I wasn't raised in

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<v Speaker 2>a house where my parents all of my money went

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<v Speaker 2>into a bank spend. I got to get like one

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<v Speaker 2>big fun toy, or go on like a shopping spree

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<v Speaker 2>type thing, get some clothes, whatever, But most of mine did.

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<v Speaker 2>But that is not the way A good amount of

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<v Speaker 2>actors when they're younger.

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<v Speaker 1>And again I get there, there is a flip side

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<v Speaker 1>to it, which I understand, which is why I think

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<v Speaker 1>the set it should be flipped and it should be

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<v Speaker 1>seventy five to twenty five. There are many parents out

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<v Speaker 1>there that give up careers and give up their lives

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<v Speaker 1>to manage their kids, to take them to auditions. It

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<v Speaker 1>becomes their life. They sit on sets all day. Okay,

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<v Speaker 1>should you then be entitled to some of that money?

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<v Speaker 1>Maybe some, but seventy five percent not in my opinion,

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<v Speaker 1>so yes, I get that. There are many, many people.

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<v Speaker 1>You know, Lynn Strong, writer in Shiloh's mom was a

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<v Speaker 1>teacher and essentially gave up her career. Now she didn't

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<v Speaker 1>take Writer In Shiloh's money, but she gave up her

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<v Speaker 1>entire life and would drive them hours every day to

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<v Speaker 1>do one Shiloh to go one place, Rider to go

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<v Speaker 1>into the place. She'd sit on this set at one

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<v Speaker 1>point they were both on different sitcoms that she'd go

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<v Speaker 1>to the here and then she'd go to there, So

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<v Speaker 1>she had every right to and still didn't. But there

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<v Speaker 1>are some people then you just hear, Hey, I went

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<v Speaker 1>to the bank and I pressed the ATM button and

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<v Speaker 1>there was zero in there and I found out my

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<v Speaker 1>parents stole all my money. That it's awful. So that's

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<v Speaker 1>one of the reasons why the Cougan law exists. He's

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<v Speaker 1>also a great guy. He's been. He was one of

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<v Speaker 1>those eighties Child's actors that was just better than everyone

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<v Speaker 1>around him. He was just great Keith Coogan and still is.

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<v Speaker 1>But let's focus on this dcom reboot. It aired on

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<v Speaker 1>the Disney Channel June seventeenth, twenty sixth day Juno to seventeenth.

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<v Speaker 1>As I call it smack dab in there, but I

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<v Speaker 1>just made that up. I don't think June seventeenth is

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<v Speaker 1>a holiday in any way, shape or form. You just

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<v Speaker 1>said Sinco to my ow and it got into my head.

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<v Speaker 1>Smack dab in their big summer programming, And it was

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<v Speaker 1>a pretty big milestone. And by big milestone, I mean

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<v Speaker 1>a very big milestone for Disney because this is technically,

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<v Speaker 1>and we're gonna say technically, the hundredth dcom And the

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<v Speaker 1>celebration was advertised for weeks now. Some people had thoughts

0:11:06.120 --> 0:11:08.960
<v Speaker 1>about this, whether it was actually one hundred or it wasn't,

0:11:09.040 --> 0:11:12.559
<v Speaker 1>because there's there's some fudging in there with this movie

0:11:12.640 --> 0:11:14.480
<v Speaker 1>came out, but we're not counting it. Was this movie

0:11:14.520 --> 0:11:17.079
<v Speaker 1>actually a dcom? Was that movie actually a dcom? But

0:11:17.360 --> 0:11:19.720
<v Speaker 1>if Mickey said it was one hundred, h it's one hundred.

0:11:20.360 --> 0:11:23.200
<v Speaker 1>So to celebrate this momentous occasion, they had a very

0:11:23.240 --> 0:11:27.760
<v Speaker 1>big premiere event, which I believe you attended, Sabrina, What

0:11:27.840 --> 0:11:28.719
<v Speaker 1>was that? Like I did?

0:11:29.080 --> 0:11:33.600
<v Speaker 2>It was very cool because there were so many dcom

0:11:33.760 --> 0:11:37.079
<v Speaker 2>stars there. There was like it just the red carpet,

0:11:37.400 --> 0:11:41.120
<v Speaker 2>the you know, the before the movie, the after, you know,

0:11:41.320 --> 0:11:44.480
<v Speaker 2>after party. It was very cool to like it felt

0:11:44.520 --> 0:11:47.240
<v Speaker 2>like a little like family reunion, if we'll say, right,

0:11:47.440 --> 0:11:50.199
<v Speaker 2>like you had so many people it was in we

0:11:50.320 --> 0:11:53.520
<v Speaker 2>said it was you know, twenty sixteen, so that had

0:11:53.559 --> 0:11:55.800
<v Speaker 2>been years. Jordan was with me, I mean like we

0:11:56.520 --> 0:11:58.160
<v Speaker 2>we had been together. That was kind of his first

0:11:58.240 --> 0:12:01.439
<v Speaker 2>like Disney premiere thing that we had gone to, and

0:12:01.800 --> 0:12:04.040
<v Speaker 2>I mean I remember him seeing like he goes just

0:12:04.160 --> 0:12:07.040
<v Speaker 2>like I don't. I didn't even realize how many Decon

0:12:07.120 --> 0:12:10.520
<v Speaker 2>celebrities I actually could. Like remember, He's like I didn't.

0:12:10.600 --> 0:12:13.400
<v Speaker 2>I he doesn't take himself as like a Disney kid

0:12:13.800 --> 0:12:16.040
<v Speaker 2>growing up on the channel as much as I do,

0:12:16.600 --> 0:12:19.040
<v Speaker 2>and so he was just like, wow, this is wild,

0:12:19.160 --> 0:12:21.439
<v Speaker 2>and it was very cool. I got to just run

0:12:21.520 --> 0:12:24.080
<v Speaker 2>into so many people that I'd worked with for so long,

0:12:24.320 --> 0:12:26.920
<v Speaker 2>and everyone was really excited. Like I said, it felt

0:12:27.080 --> 0:12:30.079
<v Speaker 2>very much like a family reunion vibe, which all just

0:12:30.480 --> 0:12:31.640
<v Speaker 2>excit there.

0:12:31.760 --> 0:12:33.679
<v Speaker 1>If you're in a dcom, you're part of a very

0:12:33.920 --> 0:12:36.640
<v Speaker 1>select fraternity, you really are. It's kind of what it's

0:12:36.720 --> 0:12:37.960
<v Speaker 1>like so privileged.

0:12:37.960 --> 0:12:41.440
<v Speaker 2>Because my seats were literally right behind Sabrine and Sophia,

0:12:41.559 --> 0:12:49.000
<v Speaker 2>like it was just like someone here, and they both

0:12:49.040 --> 0:12:51.640
<v Speaker 2>stared around and were like we loved the Cheetah girls

0:12:51.679 --> 0:12:55.280
<v Speaker 2>and then I was like, oh wow, wish Like it

0:12:55.480 --> 0:12:57.679
<v Speaker 2>just was so cool. They were so sweet and it

0:12:57.840 --> 0:13:02.040
<v Speaker 2>was fun to be behind this. Celebrities that were watching.

0:13:02.160 --> 0:13:04.319
<v Speaker 2>This was probably the first time they got to watch,

0:13:04.520 --> 0:13:07.079
<v Speaker 2>and so when they were clapping, when they were thinking,

0:13:07.160 --> 0:13:09.240
<v Speaker 2>and like you could tell like they were reminiscing of

0:13:09.880 --> 0:13:12.559
<v Speaker 2>their days on set for the movie, and it was

0:13:12.640 --> 0:13:15.079
<v Speaker 2>just like a really it was fun to be a

0:13:15.160 --> 0:13:18.000
<v Speaker 2>part of their energy of the night. It was very cool,

0:13:18.160 --> 0:13:19.440
<v Speaker 2>a very very cool night.

0:13:19.559 --> 0:13:22.400
<v Speaker 1>Very very cool. And by the way, they also decided

0:13:22.720 --> 0:13:24.680
<v Speaker 1>at the time the decom was coming out to marathon

0:13:24.880 --> 0:13:28.600
<v Speaker 1>and this is a weird number, but fifty three okay

0:13:29.120 --> 0:13:31.400
<v Speaker 1>of the best dcoms ever back to back on the

0:13:31.480 --> 0:13:34.440
<v Speaker 1>channel during Memorial Day weekend, then air the rest leading

0:13:34.520 --> 0:13:36.599
<v Speaker 1>up to the premiere in June. So think about that,

0:13:36.800 --> 0:13:41.679
<v Speaker 1>over one weekend they did fifty three dcoms. It's a

0:13:41.720 --> 0:13:43.760
<v Speaker 1>lot of decoms and we've done a lot, but that's

0:13:43.880 --> 0:13:46.040
<v Speaker 1>I couldn't do them in a row in a week

0:13:46.360 --> 0:13:49.960
<v Speaker 1>and a weekend couldn't do in a row. I can

0:13:50.080 --> 0:13:51.800
<v Speaker 1>literally think of nothing I want to do for fifty

0:13:51.840 --> 0:13:57.080
<v Speaker 1>three straight hours. Not a thing now, this reimagining had

0:13:57.120 --> 0:13:59.599
<v Speaker 1>been bouncing around Disney for many, many years, with a

0:14:00.040 --> 0:14:02.959
<v Speaker 1>number of false starts, first with the Channel Legend and

0:14:03.160 --> 0:14:06.880
<v Speaker 1>a year old cheetahgau Raven Simone attached to Starr when

0:14:06.960 --> 0:14:10.040
<v Speaker 1>she withdrew because of other projects in scheduling, Miley Cyrus

0:14:10.120 --> 0:14:13.400
<v Speaker 1>was rumored to be stepping in, but later denied any involvement. Also,

0:14:13.480 --> 0:14:17.000
<v Speaker 1>it was originally set to be called Further Adventures in Babysitting,

0:14:17.040 --> 0:14:19.720
<v Speaker 1>which kind of makes sense, but I think they kind

0:14:19.720 --> 0:14:21.360
<v Speaker 1>of made the right decision by just ripping off the

0:14:21.400 --> 0:14:24.000
<v Speaker 1>first movie. It continued to get kicked around until twenty

0:14:24.040 --> 0:14:26.920
<v Speaker 1>fifteen when this incarnation got the green light, starring two

0:14:27.040 --> 0:14:29.200
<v Speaker 1>of the studio at the time, two of their most

0:14:29.320 --> 0:14:32.960
<v Speaker 1>promising stars. It filmed in March in Vancouver and rapped

0:14:33.040 --> 0:14:34.520
<v Speaker 1>just a month later, so we have to assume it

0:14:34.680 --> 0:14:38.120
<v Speaker 1>was probably very cold to shoot, and the first official

0:14:38.200 --> 0:14:42.280
<v Speaker 1>teaser air during Invisible Sister, a recent film recap. But

0:14:42.400 --> 0:14:44.720
<v Speaker 1>what they did is actually showed the trailer. They didn't

0:14:44.720 --> 0:14:47.640
<v Speaker 1>make it invisible, so that was better. But the debut

0:14:47.760 --> 0:14:51.920
<v Speaker 1>of Adventures of Babysitting trailer itself aired during an episode

0:14:51.920 --> 0:14:54.720
<v Speaker 1>of Girl Meets World for obvious reasons, which we will

0:14:54.720 --> 0:14:57.600
<v Speaker 1>get into. And the premiere did very well for the time,

0:14:58.320 --> 0:15:00.520
<v Speaker 1>So remember some of the numbers we throw out. Sometimes

0:15:00.600 --> 0:15:02.600
<v Speaker 1>it's a lower number than we saw during the heyday

0:15:02.640 --> 0:15:06.000
<v Speaker 1>of dcoms, for sure, But considering it debuted in twenty sixteen,

0:15:06.120 --> 0:15:08.920
<v Speaker 1>it got three point four five million viewers, which for

0:15:09.000 --> 0:15:11.720
<v Speaker 1>the time was good. But we're talking about we go

0:15:11.800 --> 0:15:14.080
<v Speaker 1>back to high school musical number where there's eighteen nineteen

0:15:14.120 --> 0:15:16.240
<v Speaker 1>twenty million people and you kind of go three three

0:15:16.320 --> 0:15:18.680
<v Speaker 1>point four, But that's what people were watching at the time.

0:15:19.040 --> 0:15:22.160
<v Speaker 1>The world has just changed. Okay, So considering you were

0:15:22.160 --> 0:15:24.560
<v Speaker 1>at the big premiere, you obviously knew about Adventures of Babysitting,

0:15:24.600 --> 0:15:28.480
<v Speaker 1>But were you excited to watch it again? I was.

0:15:28.800 --> 0:15:32.160
<v Speaker 2>I wish that I had time to have watched and

0:15:33.760 --> 0:15:36.640
<v Speaker 2>saw the original, because again I had a lot of

0:15:37.800 --> 0:15:41.760
<v Speaker 2>confusion watching it in the theater. I remember going to

0:15:41.840 --> 0:15:44.560
<v Speaker 2>Jordan because he's like, did you ever watch the original?

0:15:44.640 --> 0:15:46.480
<v Speaker 2>I'm like, oh, yeah, I definitely did. And then I

0:15:46.520 --> 0:15:48.080
<v Speaker 2>went to him and I was like, I don't think

0:15:48.120 --> 0:15:52.880
<v Speaker 2>I've seen the original. I totally like, I don't think

0:15:52.920 --> 0:15:55.520
<v Speaker 2>i've seen it then, because this isn't anything like what

0:15:55.640 --> 0:15:59.840
<v Speaker 2>I remember, so I was interested, but also like I think,

0:16:00.200 --> 0:16:04.120
<v Speaker 2>I do think, and Tara's on this recording, we've got

0:16:04.240 --> 0:16:07.440
<v Speaker 2>to go back and watch the original after we've seeing

0:16:07.480 --> 0:16:07.800
<v Speaker 2>this one.

0:16:07.920 --> 0:16:10.280
<v Speaker 1>It's there's nothing Disney about the original though, I mean

0:16:10.320 --> 0:16:12.920
<v Speaker 1>they're swearing, there's talk of sex, there's some there's some

0:16:13.080 --> 0:16:16.600
<v Speaker 1>sketchy stuff. I mean, is it on ABC NO or

0:16:16.760 --> 0:16:18.800
<v Speaker 1>the original? It wasn't just in the film, was it

0:16:18.800 --> 0:16:19.360
<v Speaker 1>in the theaters?

0:16:19.600 --> 0:16:21.120
<v Speaker 2>It's not Disney related at all.

0:16:21.520 --> 0:16:23.360
<v Speaker 1>This was might have been distributed by them, but I

0:16:23.440 --> 0:16:26.640
<v Speaker 1>know that this was also like this was a rougher

0:16:26.760 --> 0:16:27.760
<v Speaker 1>movie than they're used to.

0:16:28.280 --> 0:16:32.000
<v Speaker 2>Okay, okay, well even when it was like aired, it

0:16:32.120 --> 0:16:35.480
<v Speaker 2>was a different time too. But like, yeah, so I

0:16:35.520 --> 0:16:37.560
<v Speaker 2>would I would love to, I really do, even if

0:16:37.560 --> 0:16:40.400
<v Speaker 2>we don't review it together, I would love to watch

0:16:40.480 --> 0:16:42.680
<v Speaker 2>it and then talk about it. So you might as

0:16:42.680 --> 0:16:43.720
<v Speaker 2>well make an episode of it.

0:16:43.880 --> 0:16:48.680
<v Speaker 1>So awesome that movie not only had Elizabeth Shoe, it

0:16:48.760 --> 0:16:51.280
<v Speaker 1>had Keith Coogan, but it also had friend of the

0:16:51.320 --> 0:16:54.600
<v Speaker 1>podcast George Newbern shows up, shows up at the end,

0:16:55.520 --> 0:16:58.160
<v Speaker 1>Bradley Whitford's in it. I mean, it is just like

0:16:58.360 --> 0:17:02.160
<v Speaker 1>one what's his name from? From Full Metal Jacket and

0:17:02.280 --> 0:17:06.840
<v Speaker 1>now from Daredevil Dnafrio. Vincent Dinofrio plays the tow truck

0:17:06.960 --> 0:17:09.960
<v Speaker 1>driver who they give a nod to in this film.

0:17:10.240 --> 0:17:12.399
<v Speaker 1>I mean, but it was well, we'll get into it

0:17:12.440 --> 0:17:16.680
<v Speaker 1>because there's some parts that were more rough and excited

0:17:16.720 --> 0:17:21.399
<v Speaker 1>to watch this movie for me, for you, I was

0:17:21.560 --> 0:17:23.119
<v Speaker 1>worried for you because I get it.

0:17:23.359 --> 0:17:27.320
<v Speaker 2>I get it it. It is hard to take like

0:17:27.440 --> 0:17:30.639
<v Speaker 2>such an epic film that like you grew up loving

0:17:31.359 --> 0:17:33.200
<v Speaker 2>and then see how they how they do it?

0:17:33.320 --> 0:17:34.440
<v Speaker 1>Are they going to do it right?

0:17:34.560 --> 0:17:35.200
<v Speaker 2>In your eyes?

0:17:35.320 --> 0:17:35.560
<v Speaker 1>You know that?

0:17:35.760 --> 0:17:37.080
<v Speaker 2>That's tough. Oh.

0:17:37.119 --> 0:17:40.080
<v Speaker 1>Also, it says here from producer Lisa that Wiki says

0:17:40.119 --> 0:17:42.760
<v Speaker 1>that The Original Adventures of Babysitting was the first Walt

0:17:42.800 --> 0:17:44.520
<v Speaker 1>Disney movie to be PG thirteen.

0:17:44.720 --> 0:17:45.879
<v Speaker 2>And that's so that, okay.

0:17:46.200 --> 0:17:48.720
<v Speaker 1>And I think in PG thirteen's you're allowed either one

0:17:48.880 --> 0:17:51.760
<v Speaker 1>or two F bombs. It might be one, oh, and

0:17:51.840 --> 0:17:53.480
<v Speaker 1>then if you have more than one then it becomes

0:17:53.520 --> 0:17:55.119
<v Speaker 1>a rated R. So I think, and and it was

0:17:55.160 --> 0:17:58.160
<v Speaker 1>an it was an iconic line where the F bomb

0:17:58.240 --> 0:18:00.480
<v Speaker 1>drops and they redo it in this episode in this

0:18:00.600 --> 0:18:05.560
<v Speaker 1>movie obviously verbatim without the F word. So yeah, So

0:18:05.760 --> 0:18:08.240
<v Speaker 1>you can watch the movie for the first second, third,

0:18:08.320 --> 0:18:10.120
<v Speaker 1>or maybe one hundredth time. Right now in Disney Plus,

0:18:10.200 --> 0:18:11.919
<v Speaker 1>where it's available to stream. You can watch it now,

0:18:12.080 --> 0:18:14.119
<v Speaker 1>watch it later, watch while drinking some espresso like a

0:18:14.200 --> 0:18:17.920
<v Speaker 1>man child or not. I think those are also carpenter songs,

0:18:17.920 --> 0:18:20.359
<v Speaker 1>but I don't know. Just please please listen to our

0:18:20.400 --> 0:18:23.720
<v Speaker 1>recap either way. Again, I love Sabrina. I don't think

0:18:23.720 --> 0:18:25.320
<v Speaker 1>I've ever heard any of your music. No, I heard

0:18:25.359 --> 0:18:27.320
<v Speaker 1>that espresso song, which is great. No, how you don't

0:18:27.440 --> 0:18:29.560
<v Speaker 1>just like because I don't listen to new music.

0:18:29.880 --> 0:18:32.720
<v Speaker 2>Yeah, but if you heard the song espresso I heard.

0:18:32.760 --> 0:18:34.840
<v Speaker 1>I think I heard espresso like at a grocery store

0:18:34.880 --> 0:18:36.880
<v Speaker 1>or something. But when I'm in the car anywhere where

0:18:36.960 --> 0:18:39.200
<v Speaker 1>music is like that too. Yeah, No, I'm listening.

0:18:39.200 --> 0:18:40.879
<v Speaker 2>You can't put that song on, and I'm not.

0:18:41.080 --> 0:18:43.920
<v Speaker 1>Just like again, I don't listen to new music. If

0:18:43.960 --> 0:18:46.720
<v Speaker 1>it was recorded after nineteen ninety six, there's a chance

0:18:46.760 --> 0:18:50.320
<v Speaker 1>I've never heard it anything before then, seventies, eighties. I'm

0:18:50.359 --> 0:18:53.320
<v Speaker 1>in anyway, it is time to sell your purple Ferret

0:18:53.560 --> 0:18:53.800
<v Speaker 1>Marc A.

0:18:53.920 --> 0:18:54.120
<v Speaker 2>Tot.

0:18:54.520 --> 0:18:58.920
<v Speaker 1>This is the synopsis two teen Rival Babysitters, Uptight overachiever

0:18:59.080 --> 0:19:01.640
<v Speaker 1>Jenny and laid back rebel Lola are forced to team

0:19:01.720 --> 0:19:04.199
<v Speaker 1>up when a babysitting mix up sends them racing across

0:19:04.280 --> 0:19:07.080
<v Speaker 1>town to track down a missing kid. So, for those

0:19:07.080 --> 0:19:09.080
<v Speaker 1>of us who have seen the original, this plot does

0:19:09.160 --> 0:19:11.600
<v Speaker 1>really stray from the original. If you need proof, here's

0:19:11.640 --> 0:19:15.640
<v Speaker 1>the synopsis of the original. Responsible teenager Chris Parker's quiet

0:19:15.680 --> 0:19:18.040
<v Speaker 1>babysitting night spirals into chaos when she and the kids

0:19:18.119 --> 0:19:21.920
<v Speaker 1>venture into downtown Chicago to rescue her friend. So that's

0:19:21.960 --> 0:19:23.800
<v Speaker 1>the first big difference here is the original is about

0:19:23.840 --> 0:19:27.000
<v Speaker 1>one babysitter, not two, and she's tracking down her friend,

0:19:27.080 --> 0:19:31.200
<v Speaker 1>not a kid. So yes, there are clearly some differences. Also,

0:19:32.000 --> 0:19:37.200
<v Speaker 1>this movie, like it or not, the new one had way, way, way, way, way,

0:19:37.320 --> 0:19:38.400
<v Speaker 1>not enough Elizabeth Shoe.

0:19:39.720 --> 0:19:42.720
<v Speaker 2>Just for the record, so we're just not gonna be

0:19:42.720 --> 0:19:44.080
<v Speaker 2>able to get over certain things.

0:19:44.160 --> 0:19:46.920
<v Speaker 1>Guys, just buckle up. It's never gonna happen. So with

0:19:47.080 --> 0:19:49.440
<v Speaker 1>all this in mind, Sabrina, what are your early thoughts

0:19:49.520 --> 0:19:51.440
<v Speaker 1>of Adventures of Babysitting? What did you think?

0:19:52.960 --> 0:19:57.160
<v Speaker 2>Hands down, love the two of them together. Need more

0:19:57.240 --> 0:20:00.680
<v Speaker 2>of these two girls together working. I loved their chemistry.

0:20:00.800 --> 0:20:06.040
<v Speaker 2>I thought they were great and this movie I quickly

0:20:06.320 --> 0:20:10.160
<v Speaker 2>saw we are just going out of the park. Outlandish,

0:20:10.440 --> 0:20:14.520
<v Speaker 2>just crazy adventure on top of a crazy adventure that

0:20:14.600 --> 0:20:18.240
<v Speaker 2>doesn't necessarily make sense, and Okay, we're just gonna go

0:20:18.359 --> 0:20:20.879
<v Speaker 2>with it. And I literally just got popcorn out and

0:20:21.000 --> 0:20:23.120
<v Speaker 2>just did I loved it. I did like this movie.

0:20:23.320 --> 0:20:23.640
<v Speaker 1>I did.

0:20:23.920 --> 0:20:28.119
<v Speaker 2>And I again can't remember the original, so I let

0:20:28.160 --> 0:20:30.280
<v Speaker 2>the original situation just kind of go out of my

0:20:30.359 --> 0:20:31.960
<v Speaker 2>head and I sunk in.

0:20:32.960 --> 0:20:33.480
<v Speaker 1>I liked it.

0:20:36.840 --> 0:20:39.440
<v Speaker 2>No, No, I had that you were going to have.

0:20:40.720 --> 0:20:43.560
<v Speaker 1>No. I had certain problems with this movie. The biggest

0:20:43.560 --> 0:20:46.120
<v Speaker 1>problem I had with this movie is it's way too frenetic.

0:20:46.760 --> 0:20:50.120
<v Speaker 1>They had them doing too much, so much so you're

0:20:50.720 --> 0:20:53.840
<v Speaker 1>never stopping. It's one thousand percent. The quiet moments were

0:20:54.000 --> 0:20:56.000
<v Speaker 1>drown out by the constant we have to run and

0:20:56.040 --> 0:20:59.360
<v Speaker 1>we're yelling. That being said, I also liked it. I'll

0:20:59.359 --> 0:21:01.359
<v Speaker 1>be honest with you, I did. No, I did. You're right.

0:21:01.480 --> 0:21:07.840
<v Speaker 1>The the two leads are great. Uh, they're they're very

0:21:08.000 --> 0:21:13.560
<v Speaker 1>very gay. Sophia and and Sabrina together are just really good.

0:21:14.040 --> 0:21:18.280
<v Speaker 1>They delineated the characters well they seem like two different people.

0:21:19.000 --> 0:21:19.119
<v Speaker 2>Uh.

0:21:19.440 --> 0:21:23.480
<v Speaker 1>They it worked, It did it truly did work. I

0:21:23.560 --> 0:21:26.200
<v Speaker 1>thought the kids were great. They fully carried this movie.

0:21:27.080 --> 0:21:30.359
<v Speaker 1>I the the bumbling. I wish they didn't do the

0:21:30.440 --> 0:21:33.280
<v Speaker 1>bumbling villains following them quite as much because but I

0:21:33.359 --> 0:21:34.800
<v Speaker 1>get they had to disney it up. I would have

0:21:34.840 --> 0:21:36.679
<v Speaker 1>done it a different way with somebody else following them.

0:21:36.840 --> 0:21:39.879
<v Speaker 1>I would have made it more of an actual threat

0:21:40.160 --> 0:21:44.040
<v Speaker 1>than trying to chase a purple ferret with these kind

0:21:44.080 --> 0:21:46.399
<v Speaker 1>of wacky, bumbling guys. But again, it's a D com,

0:21:46.600 --> 0:21:49.640
<v Speaker 1>so I understand that. But D cooms have also had

0:21:49.840 --> 0:21:52.960
<v Speaker 1>real bad guys before, which I would have I would

0:21:53.000 --> 0:21:56.080
<v Speaker 1>have made it more. I know. I never felt like

0:21:56.119 --> 0:21:58.400
<v Speaker 1>they were in any actual danger from these two guys,

0:21:59.000 --> 0:22:00.600
<v Speaker 1>and I would have liked to have seen a little

0:22:00.640 --> 0:22:03.800
<v Speaker 1>more of there being actual danger. Again, I would have

0:22:03.880 --> 0:22:05.520
<v Speaker 1>cut three or four of the set pieces because I

0:22:05.560 --> 0:22:07.000
<v Speaker 1>thought it was just, oh my god, we're running here. Now,

0:22:07.000 --> 0:22:08.520
<v Speaker 1>now we're running here, and now we're running right now,

0:22:08.560 --> 0:22:09.200
<v Speaker 1>we're running here.

0:22:09.280 --> 0:22:10.960
<v Speaker 2>And I think that I thought it was good. The

0:22:11.440 --> 0:22:16.000
<v Speaker 2>villains actually pulled down the age demo in a sense,

0:22:16.119 --> 0:22:19.080
<v Speaker 2>like this movie could have been a little bit catered

0:22:19.160 --> 0:22:22.200
<v Speaker 2>towards an older audience. I agree, had they done a

0:22:22.280 --> 0:22:26.000
<v Speaker 2>different villain situation, I think, and for Sophia and Sabrina

0:22:27.240 --> 0:22:29.920
<v Speaker 2>knowing now where they're at in their careers. I think

0:22:30.000 --> 0:22:32.320
<v Speaker 2>that it would have been better for them to have

0:22:33.160 --> 0:22:37.639
<v Speaker 2>more of a sophisticated kind of way of doing this.

0:22:37.840 --> 0:22:42.119
<v Speaker 2>But again, it was like I instantly, it happens right

0:22:42.160 --> 0:22:44.960
<v Speaker 2>from the start, so it's like it's like, Okay, this

0:22:45.119 --> 0:22:47.359
<v Speaker 2>is the kind of movie we're watching, right And I

0:22:47.560 --> 0:22:47.920
<v Speaker 2>enjoyed it.

0:22:48.520 --> 0:22:49.320
<v Speaker 1>Again I did.

0:22:49.440 --> 0:22:50.320
<v Speaker 2>I did.

0:22:50.400 --> 0:22:53.320
<v Speaker 1>It's not as good as the original, obviously, usually nothing

0:22:53.520 --> 0:22:56.800
<v Speaker 1>is not pretending it's going to be, and so I

0:22:56.880 --> 0:22:58.520
<v Speaker 1>had to watch it on its own, and again it

0:22:58.640 --> 0:23:01.600
<v Speaker 1>was cute. This is a nice kind movie. I again

0:23:01.680 --> 0:23:05.240
<v Speaker 1>had problems with some of the story, but overall good movie.

0:23:05.960 --> 0:23:09.080
<v Speaker 1>It was directed by John Schultz, a drummer turn filmmaker.

0:23:09.160 --> 0:23:11.840
<v Speaker 1>He was in the North Carolina band the Connells I

0:23:11.880 --> 0:23:13.879
<v Speaker 1>think I think it's pronounced the Connells, who have not

0:23:14.000 --> 0:23:16.119
<v Speaker 1>released music since two thousand and one, but did achieve

0:23:16.200 --> 0:23:19.040
<v Speaker 1>moderate success with three top ten hits on the Alternative

0:23:19.119 --> 0:23:21.760
<v Speaker 1>Rock chart and are best known for their song seventy

0:23:21.800 --> 0:23:25.520
<v Speaker 1>four seventy five. He transitioned into film with a documentary

0:23:25.560 --> 0:23:27.720
<v Speaker 1>on the making of Jurassic Park in nineteen ninety five,

0:23:28.000 --> 0:23:29.879
<v Speaker 1>and went on to make a handful of movies including

0:23:29.920 --> 0:23:32.720
<v Speaker 1>them Me Lissa, Joan Hart romcom Drive Me Crazy, The

0:23:32.800 --> 0:23:36.080
<v Speaker 1>Little Bow Wow Basketball Comedy Like Mike Aliens in The Attic,

0:23:36.160 --> 0:23:39.120
<v Speaker 1>and The Honeymooners with Cedric the Entertainer and Gabrielle Union

0:23:39.760 --> 0:23:41.879
<v Speaker 1>and its stars now the second biggest pop star in

0:23:41.920 --> 0:23:44.360
<v Speaker 1>the world only because Taylor Swift is basically impossible to lap.

0:23:44.760 --> 0:23:48.120
<v Speaker 1>Sabrina Carpenter as Jenny Parker. She's an old coworker of mine.

0:23:48.160 --> 0:23:51.200
<v Speaker 1>Sabrina has become one of the Disney's all time success stories,

0:23:51.240 --> 0:23:53.639
<v Speaker 1>though her involvement in the channel is technically shorter than

0:23:53.680 --> 0:23:55.879
<v Speaker 1>most of her contemporaries. At the age of ten, the

0:23:55.920 --> 0:23:59.040
<v Speaker 1>Pennsylvania native began uploading videos to YouTube of her singing

0:23:59.080 --> 0:24:01.639
<v Speaker 1>cover songs, and soon after signing with the Hollywood Manager,

0:24:01.760 --> 0:24:03.879
<v Speaker 1>landing her a small role on Law and Order Special

0:24:03.960 --> 0:24:05.959
<v Speaker 1>Victims Unit. Seen it, I didn't even know it was her.

0:24:05.960 --> 0:24:07.720
<v Speaker 1>I was like, oh my God, that's Sabrina and a

0:24:07.800 --> 0:24:10.680
<v Speaker 1>reoccurring role on the show The Goodwin Games. She'd signed

0:24:10.720 --> 0:24:13.080
<v Speaker 1>to the Disney affiliated Hollywood Records as a pop singer,

0:24:13.119 --> 0:24:15.560
<v Speaker 1>and from there her journey through the system began. She

0:24:15.720 --> 0:24:17.920
<v Speaker 1>was cast as Maya Heart on Girl Meets World, The

0:24:17.920 --> 0:24:19.920
<v Speaker 1>follow up to a little show called Boy Meets World.

0:24:20.200 --> 0:24:22.400
<v Speaker 1>She continued to release music during that time, but never

0:24:22.520 --> 0:24:25.119
<v Speaker 1>really breaking through to mainstream until she left Disney behind.

0:24:25.520 --> 0:24:27.840
<v Speaker 1>She appeared in movies like The Hate You Give, Tall

0:24:27.920 --> 0:24:30.320
<v Speaker 1>Girl and Work It, but then her music career went

0:24:30.320 --> 0:24:32.320
<v Speaker 1>into another orbit. She opened for Taylor Swift on The

0:24:32.359 --> 0:24:35.160
<v Speaker 1>Era's Tour and has since won two Grammys. Headline Coachella,

0:24:35.440 --> 0:24:38.960
<v Speaker 1>clocked numerous songs on the billion stream club on Spotify,

0:24:39.200 --> 0:24:41.720
<v Speaker 1>sold out her own World tour, performed in Fortnite with

0:24:41.800 --> 0:24:43.960
<v Speaker 1>her own skin, had two albums, debut at number one,

0:24:44.040 --> 0:24:46.960
<v Speaker 1>and single handedly shifted culture. And Yes, This Adventures in

0:24:47.000 --> 0:24:49.000
<v Speaker 1>Babysitting was her first movie ever.

0:24:49.320 --> 0:24:52.119
<v Speaker 2>Counngrats, Girl, coun Grats.

0:24:52.359 --> 0:24:55.520
<v Speaker 1>I love Sabrina. She was great. She was always so sweet.

0:24:55.640 --> 0:24:58.880
<v Speaker 2>That is what I hear about her time and time again,

0:24:59.040 --> 0:25:01.760
<v Speaker 2>and that she worked her butt. Uh she did to

0:25:01.920 --> 0:25:06.760
<v Speaker 2>get her music career going. She did. I have never

0:25:06.920 --> 0:25:10.320
<v Speaker 2>met her, Well, I have, I've met her, but I

0:25:10.400 --> 0:25:12.399
<v Speaker 2>didn't mean her as like the pop star that she

0:25:12.640 --> 0:25:18.000
<v Speaker 2>is now. But man, I just nothing but good things

0:25:18.080 --> 0:25:19.520
<v Speaker 2>as what I've heard about her.

0:25:19.760 --> 0:25:24.919
<v Speaker 1>She's absolutely a sweetheart and her co star is no slouch.

0:25:25.000 --> 0:25:28.480
<v Speaker 1>Either Sophia Carson plays Lola Perez. Carson first appeared on

0:25:28.520 --> 0:25:31.000
<v Speaker 1>an episode of Disney's Austin and Alley, then was quickly

0:25:31.080 --> 0:25:33.760
<v Speaker 1>cast as Evie in Disney's The Descendants and has become

0:25:33.800 --> 0:25:37.360
<v Speaker 1>an integral part of that massive franchise. Like Sabrina Carpenter,

0:25:37.400 --> 0:25:39.159
<v Speaker 1>Carson is a pop singer, and in addition to her

0:25:39.240 --> 0:25:42.000
<v Speaker 1>work in Hollywood, she is a UNICEF ambassador and frequently

0:25:42.080 --> 0:25:47.560
<v Speaker 1>working with charities. Selfish and since I mean always thinking

0:25:47.600 --> 0:25:49.720
<v Speaker 1>of yourself, and since we have two pop stars in

0:25:49.760 --> 0:25:51.760
<v Speaker 1>the movie, we got to talk about the soundtrack. We've

0:25:51.840 --> 0:25:57.040
<v Speaker 1>got two duets, so does that make four? By Sabrina

0:25:57.119 --> 0:26:00.520
<v Speaker 1>and Sophia, The rap Battle where the Babysit and the

0:26:00.640 --> 0:26:03.800
<v Speaker 1>song Wildside. We also have some random tracks I'm sure

0:26:03.800 --> 0:26:06.439
<v Speaker 1>Hollywood Records adjacent from I'm going to try to get

0:26:06.440 --> 0:26:13.800
<v Speaker 1>these right phototronic Annabelle Ungland and Brandon elm Candell and

0:26:14.040 --> 0:26:17.880
<v Speaker 1>Cadell Brandon en Cadell. I'll take three people that I'm

0:26:17.920 --> 0:26:20.719
<v Speaker 1>too old to know for a thousand, Alex and then

0:26:21.040 --> 0:26:24.600
<v Speaker 1>Mallory James Mahoney is Katie Cooper. Mahoney played Destiny Baker

0:26:24.640 --> 0:26:27.560
<v Speaker 1>for seasons three through seven. Of Disney's Bunked and joined

0:26:27.560 --> 0:26:30.400
<v Speaker 1>the Descendants movie for the third one as Eve. She's

0:26:30.440 --> 0:26:34.199
<v Speaker 1>also currently attending college at Texas Christian University also known

0:26:34.240 --> 0:26:38.639
<v Speaker 1>as TCU. Another Bunked veteran, Kevin Quinn, plays Zach. He

0:26:38.680 --> 0:26:41.320
<v Speaker 1>also appeared on Shameless Chicago p D and the Netflix

0:26:41.400 --> 0:26:44.239
<v Speaker 1>movie A Week Away. But the cast means nothing if

0:26:44.240 --> 0:26:46.320
<v Speaker 1>the movie's too long. It's important to remind you here

0:26:46.320 --> 0:26:48.440
<v Speaker 1>at Magical Rewind, we only sport films that are ninety

0:26:48.440 --> 0:26:50.560
<v Speaker 1>minutes long. It's the perfect amount of time, and nobody

0:26:50.600 --> 0:26:53.480
<v Speaker 1>can convince us differently. So just how long was this

0:26:53.680 --> 0:26:56.399
<v Speaker 1>Adventures in Babysitting? I don't remember how long the original

0:26:56.440 --> 0:26:59.480
<v Speaker 1>one was, but it was perfect. It is this one

0:27:00.920 --> 0:27:04.879
<v Speaker 1>ninety three minutes? How disappointing? Three off target? That's one

0:27:04.960 --> 0:27:06.760
<v Speaker 1>hundred and eighty minutes of horror? Might as well be

0:27:06.840 --> 0:27:09.560
<v Speaker 1>Can we just move on? Probably because that's the only

0:27:09.640 --> 0:27:12.840
<v Speaker 1>way contractually we can finish the recording of this podcast,

0:27:12.840 --> 0:27:14.240
<v Speaker 1>because it was up to me, I just walk away

0:27:14.320 --> 0:27:17.840
<v Speaker 1>right now? Ninety three minutes? How dare they? And of

0:27:17.880 --> 0:27:20.399
<v Speaker 1>course on script duty, we've got Tiffany Paulson, a buzzy

0:27:20.480 --> 0:27:22.560
<v Speaker 1>name these days in Hollywood. The two thousand and seven

0:27:22.680 --> 0:27:25.040
<v Speaker 1>Nancy Drew movie was her first job, but she's also

0:27:25.080 --> 0:27:28.800
<v Speaker 1>written Turkey Drop with Olivia Holt and Holidate with Emma Roberts,

0:27:28.960 --> 0:27:31.000
<v Speaker 1>who she's also worked with in the twenty twenty two's

0:27:31.119 --> 0:27:34.400
<v Speaker 1>About Fate. She directed the twenty twenty four movie Winter

0:27:34.520 --> 0:27:37.240
<v Speaker 1>Spring Summer Fall with Jenna Ortega, and is currently writing

0:27:37.280 --> 0:27:40.440
<v Speaker 1>and directing in a Holidays starring Matty Ziegler and Rob Low.

0:27:47.359 --> 0:27:48.879
<v Speaker 1>So let's round up the kids. We're going to a

0:27:48.960 --> 0:27:52.440
<v Speaker 1>rave to rap battle. This is Adventures in Babysitting the dcom.

0:27:53.080 --> 0:27:55.280
<v Speaker 1>We get a very abrupt opening with Jenny, played by

0:27:55.320 --> 0:27:57.520
<v Speaker 1>a young sprien of Carpenter, sitting in her room calmly

0:27:57.640 --> 0:28:00.879
<v Speaker 1>stating an affirmation. You are smart, you are talented, just

0:28:00.960 --> 0:28:03.359
<v Speaker 1>do your best and stay calm. Then we got our

0:28:03.400 --> 0:28:05.960
<v Speaker 1>opening credits with the theme song wild Side by Carpenter

0:28:06.000 --> 0:28:09.680
<v Speaker 1>and Sophia Carson. We see Lola for the very first time,

0:28:09.800 --> 0:28:11.879
<v Speaker 1>throwing ripped up paper in the air. She's working on

0:28:11.960 --> 0:28:15.560
<v Speaker 1>a very abstract and very messy photography project. Meanwhile, Jenny's

0:28:15.560 --> 0:28:18.240
<v Speaker 1>in her room carefully placing traditionally shot photos into a

0:28:18.320 --> 0:28:22.080
<v Speaker 1>spotless portfolio. They're clearly both artists with two very different

0:28:22.119 --> 0:28:24.920
<v Speaker 1>styles and approaches. Eventually, Lola runs out the door with

0:28:25.040 --> 0:28:27.160
<v Speaker 1>her giant canvas, bumping into things on her way out

0:28:27.600 --> 0:28:30.680
<v Speaker 1>to a painted jeep with eyelashes on the headlights. I

0:28:30.800 --> 0:28:32.760
<v Speaker 1>just want to say this out loud, other than our

0:28:33.080 --> 0:28:36.760
<v Speaker 1>clear and awesome race, buddy, Erica Enders, I don't want

0:28:36.760 --> 0:28:39.760
<v Speaker 1>to be friends with anybody who has eyelashes on their car.

0:28:40.240 --> 0:28:42.280
<v Speaker 1>Did you ever have eyelashes on your car, Sabrina? No,

0:28:42.600 --> 0:28:43.000
<v Speaker 1>thank god.

0:28:43.400 --> 0:28:48.160
<v Speaker 2>Although every holiday I see the antlers and the key

0:28:48.320 --> 0:28:50.880
<v Speaker 2>holiday is different, we'll do and I'm always like, oh,

0:28:51.000 --> 0:28:51.880
<v Speaker 2>that's so cute.

0:28:52.240 --> 0:28:55.680
<v Speaker 1>That's allowed on holidays. That's the holidays are okay, that's

0:28:55.720 --> 0:28:58.200
<v Speaker 1>cute for you. Please don't put it on my car.

0:28:59.160 --> 0:28:59.200
<v Speaker 2>No.

0:28:59.600 --> 0:29:02.520
<v Speaker 1>Meanwhile, well, Jenny backs up and almost runs over a guy,

0:29:03.280 --> 0:29:05.840
<v Speaker 1>and now we're outside Jenny's house. The music abruptly stops.

0:29:05.880 --> 0:29:08.760
<v Speaker 1>She apologizes to Zach, the boy she almost killed, who

0:29:08.760 --> 0:29:12.000
<v Speaker 1>immediately recognizes her too. He's like, wait, you're a Sabrina Carpenter.

0:29:12.760 --> 0:29:14.440
<v Speaker 1>She's in a hurry to a big interview, but also

0:29:14.520 --> 0:29:17.400
<v Speaker 1>wonders what he's doing in her driveway. Well, he tells

0:29:17.440 --> 0:29:19.239
<v Speaker 1>her that apparently the swim team is having a car

0:29:19.480 --> 0:29:21.680
<v Speaker 1>wash and a girl named Dominique is helping him hand

0:29:21.720 --> 0:29:24.400
<v Speaker 1>out flyers. He tells Jenny to come by later and

0:29:24.520 --> 0:29:28.040
<v Speaker 1>he'll throw in free tire cleaning. They awkwardly say goodbye,

0:29:28.080 --> 0:29:30.280
<v Speaker 1>and when he walks away, Jenny is thrilled. Oh my gosh,

0:29:30.560 --> 0:29:33.240
<v Speaker 1>Zach wants to polish my tires. And yes, that is

0:29:33.360 --> 0:29:34.600
<v Speaker 1>absolutely a euphemism.

0:29:37.000 --> 0:29:38.960
<v Speaker 2>I feel little. I put it on my Sabrina seas

0:29:38.960 --> 0:29:40.440
<v Speaker 2>I felt weird about it, did you?

0:29:40.840 --> 0:29:42.880
<v Speaker 1>Yeah, he wants to polish my tires. It's a little weird.

0:29:43.080 --> 0:29:46.160
<v Speaker 1>It's a little weird. Yeah, we know what you're saying, Sabrina.

0:29:46.200 --> 0:29:50.840
<v Speaker 1>I've heard some of your music. The song wild Side

0:29:50.960 --> 0:29:54.160
<v Speaker 1>continues to play as Lola and Jenny speed somewhere we're

0:29:54.200 --> 0:29:57.920
<v Speaker 1>not sure where. Lola is driving haphazardly fast and Jenny

0:29:58.000 --> 0:30:01.360
<v Speaker 1>is cautiously slow. Eventually, lo screeches into a parking lot,

0:30:01.680 --> 0:30:04.120
<v Speaker 1>bumping into a curb, which Jenny pulls perfectly into a

0:30:04.200 --> 0:30:07.680
<v Speaker 1>parking spot. They both walk towards the large Vasquez office building,

0:30:07.720 --> 0:30:10.200
<v Speaker 1>but Lola stops for a detour to buy some freshly

0:30:10.280 --> 0:30:12.960
<v Speaker 1>squeezed juice and answer a phone call. Jenny on the

0:30:13.000 --> 0:30:14.760
<v Speaker 1>other hand, is already in the waiting room giving herself

0:30:14.760 --> 0:30:16.960
<v Speaker 1>a pep talk about how she is a brilliant artist.

0:30:17.520 --> 0:30:19.120
<v Speaker 1>Lola is now arguing on the phone with her mom

0:30:19.160 --> 0:30:21.719
<v Speaker 1>about not going to college and her unpaid parking tickets

0:30:21.880 --> 0:30:25.120
<v Speaker 1>while sprinting up the stairs. Then she runs into Jenny,

0:30:25.360 --> 0:30:28.400
<v Speaker 1>mistaking her for a receptionist. Lola introduces herself. Hi, I'm

0:30:28.480 --> 0:30:30.600
<v Speaker 1>Lola Prez. Could you let mister Vasquez know that I'm

0:30:30.600 --> 0:30:33.040
<v Speaker 1>here because I'd appreciate it. Jenny explains she is a

0:30:33.120 --> 0:30:37.120
<v Speaker 1>finalist for the photography insterernship and what a coincidence. Lola

0:30:37.320 --> 0:30:40.240
<v Speaker 1>is too. Then the real assistant to mister Vasquez arrives,

0:30:40.400 --> 0:30:43.000
<v Speaker 1>shushing them to be quiet. Mister Vasquez is having a

0:30:43.080 --> 0:30:46.320
<v Speaker 1>creative moment. He asks them for their portfolios and tells

0:30:46.360 --> 0:30:48.480
<v Speaker 1>them to take a seat. It could take ten seconds

0:30:48.680 --> 0:30:52.120
<v Speaker 1>or ten hours. While waiting in silence, Loa recognizes Jenny

0:30:52.160 --> 0:30:55.880
<v Speaker 1>as the nerdy sophomore in her senior geometry class. This

0:30:56.040 --> 0:30:57.680
<v Speaker 1>is where they start. The ages start to get a

0:30:57.680 --> 0:30:58.520
<v Speaker 1>little muddled for me.

0:30:58.960 --> 0:31:02.160
<v Speaker 2>Yes, so, by the way, i think I'm not gonna

0:31:02.200 --> 0:31:04.200
<v Speaker 2>have Sabrina sees, because I think we're gonna.

0:31:03.920 --> 0:31:07.000
<v Speaker 1>Talk, Okay, well, let's talk about it all because so

0:31:07.400 --> 0:31:10.400
<v Speaker 1>that's okay, what they the way they wrote it was weird.

0:31:10.800 --> 0:31:14.800
<v Speaker 1>What she meant was so Sabrina's character Jenny is a

0:31:14.960 --> 0:31:18.920
<v Speaker 1>senior now though, yes, because she's gonna go to college

0:31:18.960 --> 0:31:25.960
<v Speaker 1>and do everything. So Lolo would actually be if a

0:31:26.120 --> 0:31:29.000
<v Speaker 1>sophomore or junior in college if she was there. Okay,

0:31:29.360 --> 0:31:31.600
<v Speaker 1>So she does at one point say she's nineteen because

0:31:31.640 --> 0:31:35.000
<v Speaker 1>some of the that happens with her gets real problematic. Yes,

0:31:35.160 --> 0:31:40.680
<v Speaker 1>if not, if she's even nineteen to me is pushing

0:31:40.760 --> 0:31:44.000
<v Speaker 1>it a bit. But they really went out of their

0:31:44.040 --> 0:31:46.440
<v Speaker 1>way to show that she's of age. I'm of age,

0:31:46.480 --> 0:31:48.360
<v Speaker 1>I'm of age because some of the stuff gets a

0:31:48.360 --> 0:31:52.800
<v Speaker 1>little yes, or can get a little wicky. So anyway, yes,

0:31:53.080 --> 0:31:55.720
<v Speaker 1>she's in the senior So she should have said when

0:31:55.920 --> 0:31:58.120
<v Speaker 1>I was when I was back in high school, you

0:31:58.280 --> 0:32:00.560
<v Speaker 1>were a sophomore when I was a senior, right, something

0:32:00.680 --> 0:32:00.880
<v Speaker 1>like that.

0:32:01.040 --> 0:32:03.800
<v Speaker 2>But anyway, yeah, they blow it by quickly on this part,

0:32:03.880 --> 0:32:05.320
<v Speaker 2>but then hit it on the head.

0:32:05.360 --> 0:32:08.120
<v Speaker 1>I had to hit her. Yeah, yeah, yeap. Jenny says

0:32:08.160 --> 0:32:10.440
<v Speaker 1>she's not nerdy, she's just dedicated. She skipped the eighth

0:32:10.480 --> 0:32:12.520
<v Speaker 1>grade and is on track for early college admissions, so

0:32:12.560 --> 0:32:14.720
<v Speaker 1>she's even younger than she would have been a freshman.

0:32:15.640 --> 0:32:18.040
<v Speaker 1>Jenny is hoping this injured hip looks good on her resume.

0:32:18.600 --> 0:32:21.280
<v Speaker 1>Lola opted out of college and this internship with mister

0:32:21.360 --> 0:32:24.160
<v Speaker 1>Vasquez would fast track her career as a real artist.

0:32:24.640 --> 0:32:27.680
<v Speaker 1>Then Jenny's phone rings. It's Professor Anderson, a teacher that

0:32:27.840 --> 0:32:30.280
<v Speaker 1>is supposed to be writing a recommendation letter for her.

0:32:30.920 --> 0:32:32.720
<v Speaker 1>But that's not what the calls about, because the teacher

0:32:32.800 --> 0:32:36.320
<v Speaker 1>is actually looking for a babysitter. Unfortunately, Jenny can't. She's

0:32:36.320 --> 0:32:38.160
<v Speaker 1>already booked with the Coopers at night, but if she

0:32:38.240 --> 0:32:41.000
<v Speaker 1>can think of anyone, she'll let her know. Lola, of course,

0:32:41.080 --> 0:32:42.680
<v Speaker 1>is not impressed, wondering what it's like to be a

0:32:42.760 --> 0:32:45.760
<v Speaker 1>babysitter for just five dollars an hour. Jenny defends the gig,

0:32:45.880 --> 0:32:49.120
<v Speaker 1>saying it's twenty dollars an hour and double on holidays.

0:32:49.760 --> 0:32:52.120
<v Speaker 1>Lola is obviously very impressed by that, but says she's

0:32:52.240 --> 0:32:55.440
<v Speaker 1>never babysat because she has a real life. We already

0:32:55.440 --> 0:32:59.240
<v Speaker 1>talked about whether you babysit now and how you hire people, like, oh, yeah, five.

0:32:59.160 --> 0:33:03.320
<v Speaker 2>Dollars, that'd be wonderful. I have to that that's part

0:33:03.360 --> 0:33:05.920
<v Speaker 2>of like being a mom in the sense of, like

0:33:06.680 --> 0:33:10.479
<v Speaker 2>any type of work, you have to factor in how

0:33:10.560 --> 0:33:12.120
<v Speaker 2>much it's gonna cost you to.

0:33:12.480 --> 0:33:14.480
<v Speaker 1>So let me ask, watch your kids. What does a

0:33:14.520 --> 0:33:15.840
<v Speaker 1>babysitter go for? Nowadays?

0:33:16.360 --> 0:33:20.080
<v Speaker 2>It's anywhere from like fifteen to twenty sometimes twenty five

0:33:20.080 --> 0:33:20.680
<v Speaker 2>dollars an hour.

0:33:21.040 --> 0:33:23.720
<v Speaker 1>Wow, expect that's a great way for a kid to

0:33:23.760 --> 0:33:24.280
<v Speaker 1>make some money.

0:33:24.800 --> 0:33:27.080
<v Speaker 2>Well, And but you do it based on like what

0:33:27.280 --> 0:33:29.880
<v Speaker 2>they are. Like if you're going like nanny style, like

0:33:29.960 --> 0:33:32.040
<v Speaker 2>you're talking to somebody who's like, oh, that can be

0:33:32.160 --> 0:33:34.920
<v Speaker 2>sixty or seventy that kind Yeah, like that goes up

0:33:35.040 --> 0:33:37.720
<v Speaker 2>real real quick. Yeah, But when you're talking about like

0:33:37.720 --> 0:33:39.760
<v Speaker 2>a high school kid and what they're gonna be doing

0:33:39.840 --> 0:33:41.719
<v Speaker 2>with your kids, like they come if they're going if

0:33:41.720 --> 0:33:44.160
<v Speaker 2>you went out for a date night, you're talking they're

0:33:44.200 --> 0:33:47.000
<v Speaker 2>coming over six o'clock, so you've probably Eiy're figured out

0:33:47.720 --> 0:33:50.080
<v Speaker 2>dinner already, you know what I mean. And the kids

0:33:50.120 --> 0:33:54.240
<v Speaker 2>are just playing and watching you know TV, do you

0:33:54.320 --> 0:33:56.920
<v Speaker 2>know all that kind of stuff. You just it's having

0:33:56.920 --> 0:33:59.200
<v Speaker 2>any factor and what they're gonna do versus like a

0:33:59.280 --> 0:34:02.640
<v Speaker 2>nanny is like full time. Yeah, it's a totally different

0:34:02.680 --> 0:34:05.840
<v Speaker 2>they're driving your kids. They're doing lots of stuff that's crazy.

0:34:12.800 --> 0:34:15.680
<v Speaker 1>Well, finally mister Vasquez arrives. He's excited to meet his

0:34:16.080 --> 0:34:19.840
<v Speaker 1>magnifico finalists. When standing to greet the boss, Jenny accidentally

0:34:19.880 --> 0:34:23.160
<v Speaker 1>bumps Lola's freshly squeezed juice, spilling the bright red drink

0:34:23.200 --> 0:34:25.520
<v Speaker 1>out of the white carpet. This is turning into a nightmare.

0:34:25.920 --> 0:34:28.560
<v Speaker 1>And in the chaos, they drop their phones, and when

0:34:28.600 --> 0:34:30.680
<v Speaker 1>they bend down and retrieve them, they accidentally grab each

0:34:30.680 --> 0:34:37.520
<v Speaker 1>other's phones. Hello, stuck in the suburbs, we have a

0:34:37.640 --> 0:34:38.840
<v Speaker 1>repeat decom plot.

0:34:38.920 --> 0:34:43.480
<v Speaker 2>People at least their phones look the same. They're both iPhones.

0:34:43.640 --> 0:34:47.400
<v Speaker 1>That could happen, but still, who doesn't check to make

0:34:47.440 --> 0:34:49.040
<v Speaker 1>sure it's your phone? All youtub is when you pick

0:34:49.080 --> 0:34:50.840
<v Speaker 1>up the phone, you turn it to you and the

0:34:50.920 --> 0:34:53.160
<v Speaker 1>screensaver pops out, and if it's not my wife and I,

0:34:53.320 --> 0:34:58.240
<v Speaker 1>then it's some other person's phone. Seriously. Luckily, mister Vasquez

0:34:58.280 --> 0:35:00.640
<v Speaker 1>does not appear concerned about the carpet. Missed a huge

0:35:00.719 --> 0:35:02.719
<v Speaker 1>joke here. He should have stopped and bent down and

0:35:02.760 --> 0:35:06.080
<v Speaker 1>looked at the carpet and been like this beautiful yeah,

0:35:06.080 --> 0:35:08.480
<v Speaker 1>because he loved you know that to show how eccentric

0:35:08.800 --> 0:35:12.000
<v Speaker 1>eccentric he was. They made him way too stuffy by

0:35:12.040 --> 0:35:14.000
<v Speaker 1>the way, suit and tie never should have had that

0:35:14.040 --> 0:35:16.520
<v Speaker 1>he should come down and painted overalls holding a camera.

0:35:16.719 --> 0:35:20.439
<v Speaker 1>I mean, they like they miss they missed the boat

0:35:20.480 --> 0:35:23.560
<v Speaker 1>on that guy. But anyway, he's decided actually to cancel

0:35:23.640 --> 0:35:26.640
<v Speaker 1>the interviews today because they have such drastically different artistic

0:35:26.719 --> 0:35:30.000
<v Speaker 1>points of view. He thinks he'll need a more unconventional approach.

0:35:30.320 --> 0:35:33.520
<v Speaker 1>He wants the girls to dazzle him, which honestly feels

0:35:33.600 --> 0:35:37.320
<v Speaker 1>a bit like an HR issue. Lola starts speaking Spanish

0:35:37.360 --> 0:35:40.680
<v Speaker 1>about her new radical digital effects, and Jenny followsuit, speaking Spanish,

0:35:40.800 --> 0:35:44.520
<v Speaker 1>albeit poorly, about experimenting in black and white. And with

0:35:44.600 --> 0:35:46.640
<v Speaker 1>this in mind, he gives them until Monday to present

0:35:46.719 --> 0:35:50.799
<v Speaker 1>something new. May the best artist win. And this kind

0:35:50.840 --> 0:35:53.560
<v Speaker 1>of never comes back, at least it does for Lola.

0:35:54.160 --> 0:35:57.560
<v Speaker 2>Yeah, it's a repetitive thing, but no, but she she

0:35:57.880 --> 0:36:02.359
<v Speaker 2>has a moment when they're like talking at the end,

0:36:02.480 --> 0:36:05.000
<v Speaker 2>at the very end, that she brings that back. Right.

0:36:05.120 --> 0:36:08.719
<v Speaker 1>But until then, the entire adventure in the middle, there

0:36:08.800 --> 0:36:10.839
<v Speaker 1>was no competition between the two of them in any way,

0:36:10.880 --> 0:36:15.160
<v Speaker 1>shape or form. Jenny completely forgot about it. And Lola

0:36:15.480 --> 0:36:17.600
<v Speaker 1>completely kept doing it, and I get why they did that,

0:36:18.280 --> 0:36:21.239
<v Speaker 1>but they should have started where both of them are

0:36:21.280 --> 0:36:23.120
<v Speaker 1>trying to do something. And then it tapers off for

0:36:23.200 --> 0:36:25.560
<v Speaker 1>Jenny as she realizes this is actually Lola's life.

0:36:26.239 --> 0:36:28.200
<v Speaker 2>Yes, that's true, but they do. You're right.

0:36:28.640 --> 0:36:31.000
<v Speaker 1>We're now outside the building. Lola notices she's getting a

0:36:31.120 --> 0:36:34.239
<v Speaker 1>parking ticket and runs the officer. Oh, the officer, she

0:36:34.400 --> 0:36:36.040
<v Speaker 1>was in a loading zone and tries to explain how

0:36:36.040 --> 0:36:38.000
<v Speaker 1>important her meeting was. Her phone rings again, and this

0:36:38.120 --> 0:36:41.080
<v Speaker 1>time the ring tone is Beethoven, and she's not really

0:36:41.200 --> 0:36:43.759
<v Speaker 1>weirded out by this. She just kind of answers the phone,

0:36:43.800 --> 0:36:45.920
<v Speaker 1>shouldn't she know? By that point that it's like, oh my,

0:36:46.200 --> 0:36:48.960
<v Speaker 1>oh my god, I don't have this. Where's my pahonte?

0:36:49.440 --> 0:36:52.839
<v Speaker 2>Yes? Nothing, Well, she's mesmerized.

0:36:52.960 --> 0:36:56.239
<v Speaker 1>I guess, well, yeah. Because the officer is impressed though,

0:36:56.239 --> 0:36:59.120
<v Speaker 1>because for Elise is one of his favorites. He wonders

0:36:59.120 --> 0:37:02.239
<v Speaker 1>if it's her boyfriend calling, which again seems weird for

0:37:02.320 --> 0:37:04.000
<v Speaker 1>a cop to be flirting with somebody who looks like

0:37:04.080 --> 0:37:06.879
<v Speaker 1>they could be in high school. And again they keep

0:37:07.200 --> 0:37:09.680
<v Speaker 1>they they're specifically trying to do this stuff because a

0:37:09.800 --> 0:37:11.800
<v Speaker 1>they cast somebody who's very young looking, and b he's like,

0:37:11.880 --> 0:37:14.239
<v Speaker 1>I'm a rookie, this is my first day on the job,

0:37:14.320 --> 0:37:16.840
<v Speaker 1>and I'm actually your age, ma'am. And it's like, okay,

0:37:18.239 --> 0:37:21.040
<v Speaker 1>like it's still was a little weird. Did you find

0:37:21.040 --> 0:37:23.200
<v Speaker 1>it a little weird? Okay?

0:37:23.440 --> 0:37:26.200
<v Speaker 2>I didn't think cast scene made sense in the sense

0:37:26.280 --> 0:37:28.040
<v Speaker 2>of she just still looks so young.

0:37:28.280 --> 0:37:31.319
<v Speaker 1>Yes, and he did.

0:37:31.480 --> 0:37:34.680
<v Speaker 2>He looked like not even in his early twenties. To me,

0:37:34.800 --> 0:37:37.640
<v Speaker 2>he looked like more like twenty seven, right, Like he

0:37:37.880 --> 0:37:40.080
<v Speaker 2>was like, there would look like a big.

0:37:40.160 --> 0:37:43.320
<v Speaker 1>Gap and at best, she's supposed to be nineteen.

0:37:43.440 --> 0:37:48.280
<v Speaker 2>Right, And we're watching a dcom, which at this point

0:37:48.560 --> 0:37:52.400
<v Speaker 2>you can see the chaos and the very Disney Disney

0:37:52.440 --> 0:37:53.239
<v Speaker 2>Disney version of.

0:37:53.320 --> 0:37:55.239
<v Speaker 1>Yes, and I get what they're trying to do, but

0:37:55.400 --> 0:37:58.480
<v Speaker 1>it wasn't It gave me a little bit of the

0:37:58.560 --> 0:38:01.400
<v Speaker 1>ick if if I'm honest, not all, but enough to

0:38:01.440 --> 0:38:01.719
<v Speaker 1>be like.

0:38:03.320 --> 0:38:05.200
<v Speaker 2>Stretch. It didn't give me the ick. It was just

0:38:05.320 --> 0:38:05.760
<v Speaker 2>a stretch.

0:38:05.840 --> 0:38:08.120
<v Speaker 1>But yeah, they just yeah, it was. It was they're

0:38:08.160 --> 0:38:10.120
<v Speaker 1>talking about high school and then she's out there flirting

0:38:10.160 --> 0:38:10.600
<v Speaker 1>with a cop.

0:38:10.680 --> 0:38:13.000
<v Speaker 2>It was like, right, and in my head, I didn't

0:38:13.000 --> 0:38:14.919
<v Speaker 2>see this character coming back into play.

0:38:15.080 --> 0:38:17.080
<v Speaker 1>Ever, Oh you didn't. Oh my god, I knew this

0:38:17.280 --> 0:38:21.040
<v Speaker 1>was instantly play.

0:38:21.080 --> 0:38:23.359
<v Speaker 2>I thought this was just part of her chaos life.

0:38:23.440 --> 0:38:25.560
<v Speaker 1>I knew that something crazy was going to happen, and

0:38:25.640 --> 0:38:27.120
<v Speaker 1>eventually she was going to need a cop and it

0:38:27.200 --> 0:38:29.759
<v Speaker 1>was going to be Officer mcdreams, I knew. Oh, I

0:38:29.840 --> 0:38:34.279
<v Speaker 1>knew that instantly. Yes, so yes. He wonders if it's

0:38:34.280 --> 0:38:37.480
<v Speaker 1>her boyfriend calling, which is weird. Uh. Lola says she's

0:38:37.520 --> 0:38:40.640
<v Speaker 1>single and answers that her phone, which is strange. But

0:38:40.719 --> 0:38:43.560
<v Speaker 1>it's Zach, the boy that Jenny almost killed. He has

0:38:43.560 --> 0:38:46.080
<v Speaker 1>an extra ticket to the Psychic Rockets to the Psychic

0:38:46.280 --> 0:38:50.840
<v Speaker 1>Rockets concert tonight, and was wondering if Lola. Okay, So

0:38:50.920 --> 0:38:54.200
<v Speaker 1>here's the thing. Lola, who seems pretty excited at first

0:38:54.200 --> 0:38:56.040
<v Speaker 1>at this point, cuts him off. Oh I love that band,

0:38:56.080 --> 0:38:58.840
<v Speaker 1>but I hate concerts. Sorry, Zeke not interested. Then she

0:38:58.960 --> 0:39:05.800
<v Speaker 1>hangs up. Okay. She either knows it's not her phone

0:39:06.719 --> 0:39:10.640
<v Speaker 1>and is now destroying somebody's life without caring about it, yes,

0:39:10.960 --> 0:39:14.399
<v Speaker 1>or somehow doesn't know it's her phone and thinks she's

0:39:14.480 --> 0:39:16.719
<v Speaker 1>just blowing off a random guy calling. Either way, she

0:39:16.840 --> 0:39:18.320
<v Speaker 1>comes off looking pretty awful.

0:39:18.680 --> 0:39:21.440
<v Speaker 2>Yeah, she does and she's she definitely looks like.

0:39:21.560 --> 0:39:23.160
<v Speaker 1>Which one do you think it is? Do you think

0:39:23.200 --> 0:39:24.880
<v Speaker 1>she knows it's the other girl's phone?

0:39:25.160 --> 0:39:30.600
<v Speaker 2>Obviously knows it's her. The other girl's phone, obviously knows

0:39:30.680 --> 0:39:34.880
<v Speaker 2>she doesn't know a guy named Zeke. But for some

0:39:35.080 --> 0:39:37.239
<v Speaker 2>reason it's like, oh, I love that band, and then

0:39:37.480 --> 0:39:39.600
<v Speaker 2>I don't know. That part was just kind of like,

0:39:40.560 --> 0:39:42.520
<v Speaker 2>I don't know. She just seemed so rude.

0:39:42.719 --> 0:39:47.759
<v Speaker 1>Yeah, and she should have it should have been so Again,

0:39:47.840 --> 0:39:49.000
<v Speaker 1>there's a lot of what it should have could it.

0:39:49.080 --> 0:39:53.360
<v Speaker 1>But from a writing standpoint, they should have left the

0:39:53.520 --> 0:39:55.880
<v Speaker 1>meeting on very bad terms, the two of them. They

0:39:55.880 --> 0:39:59.279
<v Speaker 1>should have essentially hated each other so that when she

0:39:59.440 --> 0:40:03.239
<v Speaker 1>realizes she has her phone, it's intentional that she's gonna

0:40:03.239 --> 0:40:06.719
<v Speaker 1>screw her over. Yeah, like oh oh no, sorry, Zeke,

0:40:06.800 --> 0:40:09.080
<v Speaker 1>I'm not like, ha, see what you think about that?

0:40:09.920 --> 0:40:12.080
<v Speaker 1>As opposed to they just kind of blew it off.

0:40:12.560 --> 0:40:14.960
<v Speaker 2>Sure I'll see you there and set it.

0:40:15.040 --> 0:40:16.839
<v Speaker 1>Up like she's gonna blow them off. Yes, I mean,

0:40:16.880 --> 0:40:19.200
<v Speaker 1>there's plenty of ways to do it. This was just

0:40:19.320 --> 0:40:21.560
<v Speaker 1>poorly written. It was muddle.

0:40:21.600 --> 0:40:23.400
<v Speaker 2>It was a weird. Yeah, it was muddled, and it

0:40:23.520 --> 0:40:27.120
<v Speaker 2>was just kind of I just felt. The way I

0:40:27.239 --> 0:40:29.680
<v Speaker 2>saw it was it was playing into her very like

0:40:30.560 --> 0:40:36.080
<v Speaker 2>frivolous like character. She doesn't really care much about people

0:40:36.160 --> 0:40:38.680
<v Speaker 2>on the road as she's driving. She doesn't like you

0:40:38.760 --> 0:40:40.960
<v Speaker 2>know what I mean. It's like she just doesn't.

0:40:41.000 --> 0:40:42.839
<v Speaker 1>She lives in her own world, right, But she's doing

0:40:42.880 --> 0:40:45.240
<v Speaker 1>this with somebody else's phone. She doesn't even really register

0:40:45.320 --> 0:40:48.399
<v Speaker 1>the fact. I mean, anybody, especially from the phone era,

0:40:48.560 --> 0:40:52.239
<v Speaker 1>even in twenty sixteen on, you're gonna freak out that

0:40:52.320 --> 0:40:53.200
<v Speaker 1>you don't have your phone.

0:40:53.520 --> 0:40:55.719
<v Speaker 2>Yeah, you're gonna freak out that you don't have your phone.

0:40:55.520 --> 0:40:56.800
<v Speaker 1>That's what I mean. It's like, oh my god, this

0:40:56.920 --> 0:40:59.359
<v Speaker 1>isn't mine. Where's my phone? Oh it's upstairs. I've got

0:40:59.480 --> 0:41:01.040
<v Speaker 1>none of that. Was like, I'm gonna screw you over

0:41:01.080 --> 0:41:02.400
<v Speaker 1>and put it back in my pocket. It was. It

0:41:02.520 --> 0:41:04.080
<v Speaker 1>was very strange the way, but.

0:41:04.160 --> 0:41:05.919
<v Speaker 2>He was there, the cop was there.

0:41:06.160 --> 0:41:08.880
<v Speaker 1>I don't know, I get it, but I know that's

0:41:08.920 --> 0:41:09.279
<v Speaker 1>what I mean.

0:41:09.600 --> 0:41:11.640
<v Speaker 2>As we see is set up for the remainder of

0:41:11.680 --> 0:41:11.920
<v Speaker 2>the n.

0:41:12.000 --> 0:41:14.839
<v Speaker 1>I was just about to say, there's a lot going on, Yeah,

0:41:16.239 --> 0:41:16.440
<v Speaker 1>a lot.

0:41:16.520 --> 0:41:18.839
<v Speaker 2>You gotta pay attention because it's like they are.

0:41:20.520 --> 0:41:24.160
<v Speaker 1>Happening. It's a very frenetic movie really yeah, yeah. So

0:41:24.280 --> 0:41:26.240
<v Speaker 1>Lola then turns her attention back to the cop, begging

0:41:26.320 --> 0:41:28.000
<v Speaker 1>him to ignore the ticket. Her parents will take her

0:41:28.080 --> 0:41:30.120
<v Speaker 1>keys away. He says he's sorry, but he's a rookie.

0:41:30.120 --> 0:41:32.560
<v Speaker 1>I'm a rookie man and just over your age and

0:41:32.760 --> 0:41:35.359
<v Speaker 1>can't break the rules. But he's sure a smart girl

0:41:35.440 --> 0:41:37.680
<v Speaker 1>like her can find a way to pay for the ticket. Again,

0:41:38.520 --> 0:41:41.200
<v Speaker 1>all this seems like a real isshue. Lola is bummed

0:41:41.239 --> 0:41:43.080
<v Speaker 1>to find out it's eighty dollars. How is she going

0:41:43.160 --> 0:41:45.200
<v Speaker 1>to get that? Then right on time? Her cell phone

0:41:45.320 --> 0:41:49.279
<v Speaker 1>rings still Beethoven and now it's missus Anderson. She still

0:41:49.320 --> 0:41:52.120
<v Speaker 1>can't find find a babysitter. If Lola knows anyone, she'll

0:41:52.160 --> 0:41:55.000
<v Speaker 1>pay double Lolan. Now, as Jenny says, my good friend

0:41:55.080 --> 0:41:58.680
<v Speaker 1>Lola is very responsible and I'll send her over. Still

0:41:58.760 --> 0:42:02.200
<v Speaker 1>weird how she's handling this phone situation. Now Jenny's pulled

0:42:02.239 --> 0:42:03.960
<v Speaker 1>up to the car wash. She's excited to see Zach

0:42:04.040 --> 0:42:07.200
<v Speaker 1>bringing her dirty tires as requested. Again weird euphemism, but

0:42:07.440 --> 0:42:11.279
<v Speaker 1>now hurt she isn't going. But now hurt she isn't

0:42:11.320 --> 0:42:12.840
<v Speaker 1>going to the concert. He just looks at her and

0:42:12.920 --> 0:42:16.080
<v Speaker 1>robotically says, sorry, we're closed, and then he grabs that

0:42:16.200 --> 0:42:17.919
<v Speaker 1>hussy Dominique's hand and walks away.

0:42:18.000 --> 0:42:21.359
<v Speaker 2>Hey, it's not Dominique's fault. Don't you get mad at her.

0:42:21.600 --> 0:42:22.480
<v Speaker 1>I blame Dominique.

0:42:22.600 --> 0:42:25.040
<v Speaker 2>You cannot blame her. Although she is waiting in the

0:42:25.120 --> 0:42:28.560
<v Speaker 2>side wings, just waiting for her chance.

0:42:28.440 --> 0:42:32.759
<v Speaker 1>Drooling over Zach can't tell she is Zeke. No Zach,

0:42:33.160 --> 0:42:36.920
<v Speaker 1>it's Zeke. It's Zach. She calls him Zeke by accident

0:42:37.000 --> 0:42:40.440
<v Speaker 1>as a joke. Is really Zach? See, you didn't even

0:42:40.520 --> 0:42:49.759
<v Speaker 1>know the poor guy's name. Oh God, it's Zack, Zach Zach.

0:42:50.200 --> 0:42:51.040
<v Speaker 1>I can't believe they.

0:42:51.040 --> 0:42:53.560
<v Speaker 2>Use that name again. How dare dcom ever used the

0:42:53.719 --> 0:42:54.239
<v Speaker 2>name Zach?

0:42:54.719 --> 0:42:56.840
<v Speaker 1>Don't you think it's Seriously it should be retired like

0:42:56.920 --> 0:42:59.279
<v Speaker 1>a basketball number. Like you can never use Zach again

0:42:59.320 --> 0:43:00.360
<v Speaker 1>in a dcom? What?

0:43:00.600 --> 0:43:04.720
<v Speaker 2>What sacks actual character? Save shit? I'm gonna get myself

0:43:04.760 --> 0:43:05.320
<v Speaker 2>in trouble.

0:43:06.239 --> 0:43:08.959
<v Speaker 1>Wait? Wait, what are you talking about? From? From? Uh? Troy?

0:43:09.120 --> 0:43:14.280
<v Speaker 1>You mean Troy Boult Troy? Yeah, even I know Troy Bolton.

0:43:14.400 --> 0:43:20.480
<v Speaker 1>He's dreaming. I knew Bolton, she wrote, Troy. I knew

0:43:20.520 --> 0:43:26.719
<v Speaker 1>Bolton my son. Okay, So now we at the Anderson's house,

0:43:26.719 --> 0:43:28.440
<v Speaker 1>and I'm gonna keep saying're at the Anderson's house, We're

0:43:28.440 --> 0:43:30.239
<v Speaker 1>in the kitchen, We're over there, because we're all over

0:43:30.280 --> 0:43:33.120
<v Speaker 1>the place. It's very fast. Her son Trey, is on

0:43:33.160 --> 0:43:34.920
<v Speaker 1>the phone with a friend planning to sneak out when

0:43:34.960 --> 0:43:37.520
<v Speaker 1>his mom leaves. Missus Anderson walks in, angry that he

0:43:37.560 --> 0:43:40.720
<v Speaker 1>spent two hundred dollars on apps without permission. I assume

0:43:40.760 --> 0:43:42.680
<v Speaker 1>she means computer apps, because even I couldn't ee two

0:43:42.719 --> 0:43:46.440
<v Speaker 1>hundred dollars for apps. She takes away his phone and tablets.

0:43:46.480 --> 0:43:49.359
<v Speaker 1>I probably could. Actually, she's leaving for the Galla soon

0:43:49.440 --> 0:43:51.840
<v Speaker 1>and instructs him to be nice to the babysitter. He

0:43:51.920 --> 0:43:54.279
<v Speaker 1>asks if it's Jenny, because obviously he's happy about that,

0:43:54.400 --> 0:43:56.239
<v Speaker 1>then finds out it's one of her friends filling in.

0:43:56.680 --> 0:43:59.160
<v Speaker 1>Missus Anderson tells him to shape up because at this rate,

0:43:59.239 --> 0:44:01.560
<v Speaker 1>he'll never be rebule enough to babysit. And this is

0:44:01.560 --> 0:44:04.239
<v Speaker 1>where they You know, Keith Coogan's character was in love

0:44:04.360 --> 0:44:06.920
<v Speaker 1>with Elizabeth Shoe, as we all were and should be

0:44:07.400 --> 0:44:09.360
<v Speaker 1>in the Original Adventures of Babysitting. So they try to

0:44:09.400 --> 0:44:12.040
<v Speaker 1>keep some of these tropes going. And now we're in

0:44:12.080 --> 0:44:14.600
<v Speaker 1>the kitchen, Missus Anderson's other son Bobby is making a

0:44:14.640 --> 0:44:17.200
<v Speaker 1>mess while baking. Their younger daughter, aj is in head

0:44:17.239 --> 0:44:20.200
<v Speaker 1>to toe protection roller skating in the house. She's upset

0:44:20.239 --> 0:44:22.400
<v Speaker 1>because her dad promised to take her to the roller derby,

0:44:22.680 --> 0:44:24.279
<v Speaker 1>but he's got the dates mixed up. He has to

0:44:24.360 --> 0:44:26.279
<v Speaker 1>go to this very important gala where their mom is

0:44:26.320 --> 0:44:29.680
<v Speaker 1>being celebrated over Now, at the Cooper's house, Little Katie

0:44:29.760 --> 0:44:31.759
<v Speaker 1>is in her mom's bedroom as Missus Cooper's trying on

0:44:31.840 --> 0:44:34.680
<v Speaker 1>a fancy red dress. Missus Cooper notices Katie is wearing

0:44:34.760 --> 0:44:37.799
<v Speaker 1>red lipstick and expensive large earrings. She's instructed to take

0:44:37.840 --> 0:44:40.000
<v Speaker 1>them off, but Katie explains, if my sister's allowed to

0:44:40.040 --> 0:44:42.120
<v Speaker 1>shave her head, then I should also be able to

0:44:42.160 --> 0:44:45.600
<v Speaker 1>wear diamonds. So we instantly cut to the bathroom. Emily

0:44:45.680 --> 0:44:47.040
<v Speaker 1>is about to shave one side of her head when

0:44:47.040 --> 0:44:49.440
<v Speaker 1>Missus Cooper barges in to stop it. Emily is furious

0:44:49.480 --> 0:44:51.880
<v Speaker 1>at her sister for tattling, but Little Katie reveals, you

0:44:51.960 --> 0:44:53.839
<v Speaker 1>don't have the right head shape for a buzz cut.

0:44:55.480 --> 0:44:57.880
<v Speaker 1>Missus Cooper tells the girls to be good for Jenny,

0:44:57.920 --> 0:45:00.880
<v Speaker 1>the babysitter, and that's when Jenny bowls up for a

0:45:00.960 --> 0:45:02.719
<v Speaker 1>night of work. She hears a musical ring tone and

0:45:02.800 --> 0:45:05.320
<v Speaker 1>realizes it's Lola's phone and they swapped. I mean, she

0:45:05.440 --> 0:45:07.520
<v Speaker 1>got it right away and was upset that somebody else

0:45:07.600 --> 0:45:09.880
<v Speaker 1>had her phone. We're also supposed to believe that she

0:45:10.000 --> 0:45:12.960
<v Speaker 1>went a couple hours as a kid without looking at

0:45:12.960 --> 0:45:15.640
<v Speaker 1>her phone, which I don't buy. Jenny answers the unknown

0:45:15.680 --> 0:45:17.719
<v Speaker 1>number and explains the situation. The guy on the phone

0:45:17.880 --> 0:45:20.640
<v Speaker 1>still invites her to a toga party, and it frustrated,

0:45:20.719 --> 0:45:23.080
<v Speaker 1>Jenny hangs up, slamming her head on the car horn,

0:45:23.600 --> 0:45:26.200
<v Speaker 1>and now Lola arrives at the Andersons. Alison answers the

0:45:26.239 --> 0:45:28.040
<v Speaker 1>door and Lola calls her cute, just before the little

0:45:28.080 --> 0:45:30.399
<v Speaker 1>girl slams the door in her face. Missus Anderson can't

0:45:30.400 --> 0:45:32.239
<v Speaker 1>believe she just did that and reopens the door for Lola,

0:45:32.360 --> 0:45:35.040
<v Speaker 1>explaining her niece bailed on her for a concert in

0:45:35.120 --> 0:45:37.760
<v Speaker 1>the city. She asked Lola how long she's known Jenny

0:45:37.760 --> 0:45:39.960
<v Speaker 1>and Lola fibbs, saying forever. They share a love of

0:45:40.000 --> 0:45:44.239
<v Speaker 1>geometry and children. Missus Anderson introduces Lola to Bobby. Tonight

0:45:44.280 --> 0:45:47.640
<v Speaker 1>he'll finish one hundred cupcakes for his Junior Chef competition.

0:45:48.200 --> 0:45:51.160
<v Speaker 1>Bobby asked Lola to try his frosting, and she suggests

0:45:51.200 --> 0:45:53.000
<v Speaker 1>that he needs to kick it up a notch. Bam.

0:45:53.320 --> 0:45:56.480
<v Speaker 1>I added the bam if you know you know. Missus

0:45:56.520 --> 0:45:59.239
<v Speaker 1>Anderson explains that Trey is upstairs grounded and Alison is

0:45:59.280 --> 0:46:01.600
<v Speaker 1>sulky because she he's missing a roller derby. Then we

0:46:01.760 --> 0:46:04.719
<v Speaker 1>meet Lady Marmalade, the fluffy white family dog who I

0:46:04.760 --> 0:46:06.120
<v Speaker 1>thought was gonna have a lot more to do in

0:46:06.200 --> 0:46:09.160
<v Speaker 1>this movie than he actually does. She also tells Lola

0:46:09.239 --> 0:46:11.360
<v Speaker 1>that the stove and hot tub are strictly off limits

0:46:11.360 --> 0:46:13.400
<v Speaker 1>while they're gone, and that Bobby has to return the

0:46:13.520 --> 0:46:17.120
<v Speaker 1>kitchen to its pre cupcake tidiness when he's done with that.

0:46:17.200 --> 0:46:19.319
<v Speaker 1>Missus Anderson leaves her number for Lola and tells her

0:46:19.400 --> 0:46:21.640
<v Speaker 1>husband they are not taking the brand new beautiful suv

0:46:21.719 --> 0:46:24.920
<v Speaker 1>to the city. Instead, they're gonna take the sedan. Before

0:46:24.960 --> 0:46:27.160
<v Speaker 1>the parents leave, Missus Anderson make sure Lola can handle

0:46:27.239 --> 0:46:28.920
<v Speaker 1>three kids on her own, but then she remembers, of

0:46:28.960 --> 0:46:32.359
<v Speaker 1>course you can. She was recommended by Jenny. Lola smirks, Yeah,

0:46:32.520 --> 0:46:34.759
<v Speaker 1>she taught me everything I know. We're now back at

0:46:34.800 --> 0:46:37.360
<v Speaker 1>the Cooper's house, Jenny's already arrived and tells the Cooper's

0:46:37.440 --> 0:46:39.640
<v Speaker 1>not to worry. Missus Cooper left money for ice cream,

0:46:39.680 --> 0:46:41.919
<v Speaker 1>but Emily is banned from doing anything to her hair

0:46:42.320 --> 0:46:45.160
<v Speaker 1>and Katie is banned from the fancy jewelry box. Missus

0:46:45.200 --> 0:46:48.600
<v Speaker 1>Cooper leaves mint, safety pins and emergency cash, telling Jenny

0:46:48.680 --> 0:46:51.320
<v Speaker 1>to take care of her babies. We are now in

0:46:51.440 --> 0:46:53.640
<v Speaker 1>the Anderson house, popping back and forth her people. You

0:46:53.680 --> 0:46:55.200
<v Speaker 1>gotta stick with us. It's gonna be like this for

0:46:55.280 --> 0:46:58.200
<v Speaker 1>the rest of the movie. Lola is attempting to do

0:46:58.239 --> 0:47:01.240
<v Speaker 1>their laundry as instructed, but immediately overflows it with detergent.

0:47:01.440 --> 0:47:03.040
<v Speaker 1>She SUTs the door and hopes for the best. How

0:47:03.080 --> 0:47:05.279
<v Speaker 1>do you just keep dumping detergent into the thing? If

0:47:05.320 --> 0:47:07.400
<v Speaker 1>you've never done detergent in your life? You even though

0:47:07.400 --> 0:47:09.640
<v Speaker 1>you don't dump a whole thing a detergent in there? Yeah,

0:47:09.719 --> 0:47:11.560
<v Speaker 1>but she you're right, she's supposed to be scatterbrained. I

0:47:11.640 --> 0:47:14.400
<v Speaker 1>get it. Then she spots a bathing suit and remembers,

0:47:14.440 --> 0:47:16.320
<v Speaker 1>oh wait, there's a hot tub, and even though she

0:47:16.440 --> 0:47:18.120
<v Speaker 1>was told that it was off limits, she rushes to

0:47:18.160 --> 0:47:21.640
<v Speaker 1>the backyard. In the kitchen roller skating aj slams into Bobby,

0:47:21.719 --> 0:47:24.799
<v Speaker 1>causing a hand towel to erupt into flames. In a panic,

0:47:24.880 --> 0:47:26.719
<v Speaker 1>he throws a towel and it lands near the dog,

0:47:26.880 --> 0:47:29.240
<v Speaker 1>just as Lola runs back inside, concerned about the screaming.

0:47:29.560 --> 0:47:34.239
<v Speaker 1>And then Lola's switched phone rings. Little aj answers and says,

0:47:34.320 --> 0:47:36.960
<v Speaker 1>Lola is busy putting out a fire with an extinguisher. Well,

0:47:37.080 --> 0:47:40.000
<v Speaker 1>it's Jenny, and she can't believe what she's hearing. Lola

0:47:40.120 --> 0:47:42.160
<v Speaker 1>is at the Anderson She is coming over right now

0:47:42.480 --> 0:47:44.799
<v Speaker 1>and bringing the Cooper kids with her. Lola puts out

0:47:44.800 --> 0:47:48.520
<v Speaker 1>the fire and calls it awesome, and now furious, Jenny

0:47:48.600 --> 0:47:50.560
<v Speaker 1>arrives with her crew to find Lola is locked out

0:47:50.600 --> 0:47:53.000
<v Speaker 1>of the house, and though Noah notices, we see Trey

0:47:53.200 --> 0:47:56.200
<v Speaker 1>sneak out of an upstairs window. Now inside the house,

0:47:56.280 --> 0:47:58.279
<v Speaker 1>Jenny can't believe what the kitchen already looks like. It's

0:47:58.320 --> 0:48:00.120
<v Speaker 1>going to take forever to clean this up, and her

0:48:00.200 --> 0:48:03.440
<v Speaker 1>reputation is on the line. Noticing he's missing, Emily rushes

0:48:03.480 --> 0:48:05.759
<v Speaker 1>to Trey's room, sees the open window, and announces he's

0:48:05.800 --> 0:48:09.560
<v Speaker 1>left for the Psychic Rockets concert. Jenny is beside herself.

0:48:09.600 --> 0:48:11.439
<v Speaker 1>How did Lola let a fourteen year old kids sneak

0:48:11.440 --> 0:48:13.600
<v Speaker 1>out into the city. The number one rule of babysitting

0:48:13.680 --> 0:48:15.239
<v Speaker 1>is to never take your eyes off the kids, and

0:48:15.400 --> 0:48:18.000
<v Speaker 1>all Lola is focused on is taking pictures with her camera.

0:48:19.000 --> 0:48:26.879
<v Speaker 1>Now here's the thing. He's only supposed to be two

0:48:27.080 --> 0:48:34.880
<v Speaker 1>years younger than Sabrina. Right, that's crazy to me because

0:48:34.880 --> 0:48:37.840
<v Speaker 1>she's supposed to have skipped a grade, so she's supposed

0:48:37.880 --> 0:48:38.799
<v Speaker 1>to be a senior.

0:48:38.560 --> 0:48:43.560
<v Speaker 2>But at sixteen, So he's a sophomore.

0:48:44.040 --> 0:48:45.960
<v Speaker 1>Yeah, he's fourteen years old and has a crush on

0:48:46.040 --> 0:48:50.440
<v Speaker 1>a sixteen year old. Not weird? Yeah, like, that's not weird.

0:48:50.920 --> 0:48:53.440
<v Speaker 1>In you very Original Adventures of babysitting, she was supposed

0:48:53.480 --> 0:48:56.120
<v Speaker 1>to be. I think maybe she was a senior. She

0:48:56.280 --> 0:48:57.520
<v Speaker 1>might have been a senior and he might have been

0:48:57.520 --> 0:48:59.040
<v Speaker 1>a freshman. That might have been how they did it,

0:48:59.080 --> 0:49:02.200
<v Speaker 1>which again is totally weird. And this they're supposed to

0:49:02.200 --> 0:49:06.479
<v Speaker 1>be like contemporaries basically, Yeah, so I would have Again,

0:49:06.600 --> 0:49:09.200
<v Speaker 1>I'm gonna keep going the I would have route if

0:49:09.280 --> 0:49:11.200
<v Speaker 1>I had to write it, though, he should have put

0:49:11.239 --> 0:49:12.520
<v Speaker 1>up He put up a little bit of a stink,

0:49:12.560 --> 0:49:14.760
<v Speaker 1>but it should have been a much bigger stink about

0:49:14.960 --> 0:49:19.120
<v Speaker 1>I'm fourteen, she's sixteen. What do you think she's gonna

0:49:19.160 --> 0:49:21.920
<v Speaker 1>do that I can't do. Well, she can drive you somewhere,

0:49:22.800 --> 0:49:24.759
<v Speaker 1>other than drive me somewhere, what can she? You know

0:49:24.800 --> 0:49:25.120
<v Speaker 1>what I mean?

0:49:25.200 --> 0:49:26.920
<v Speaker 2>It's like it's supposed to go anywhere, right.

0:49:27.160 --> 0:49:29.600
<v Speaker 1>It should have been a little more about how they're

0:49:29.680 --> 0:49:32.080
<v Speaker 1>really close in age, which they are, because then the

0:49:32.200 --> 0:49:35.200
<v Speaker 1>girl they cast to play, the girl who's gonna shave

0:49:35.239 --> 0:49:39.920
<v Speaker 1>her head, looked way younger than him. Yes, and they

0:49:40.040 --> 0:49:42.800
<v Speaker 1>seem to be Sabrina Jenny seemed to be kind of

0:49:42.880 --> 0:49:45.839
<v Speaker 1>supporting that relationship later, like if he doesn't see your worth,

0:49:45.880 --> 0:49:48.280
<v Speaker 1>he's not worth it. It's like you two are closer

0:49:48.320 --> 0:49:50.400
<v Speaker 1>in age. It looks like than those two are.

0:49:50.800 --> 0:49:54.120
<v Speaker 2>Well, I know, I think she's probably a seventh or

0:49:54.160 --> 0:49:59.120
<v Speaker 2>eighth grader, so she's probably twelve and he's fourteen or thirteen. Yeah, twelve,

0:49:59.360 --> 0:50:01.680
<v Speaker 2>I would say. She seems like thirteen to.

0:50:01.760 --> 0:50:04.680
<v Speaker 1>Me, and he's fourteen eight and she's sixteen. So they

0:50:04.719 --> 0:50:08.120
<v Speaker 1>are all these kids essentially other than Lola, are.

0:50:08.160 --> 0:50:11.280
<v Speaker 2>Like the same age, well except for these except.

0:50:11.080 --> 0:50:13.719
<v Speaker 1>The two little girls. Yeah, but other than that, I mean,

0:50:13.760 --> 0:50:15.560
<v Speaker 1>there's like three kids that are kind of the same age,

0:50:15.560 --> 0:50:18.600
<v Speaker 1>which again is a bit like the so the Original

0:50:18.600 --> 0:50:21.680
<v Speaker 1>Adventures and Babysitting of Memory Serves. It's two friends that

0:50:21.760 --> 0:50:25.360
<v Speaker 1>are in high school, that are freshmen, their little sister,

0:50:26.440 --> 0:50:30.520
<v Speaker 1>and they're being watched by the Lord's mistress, the most

0:50:30.520 --> 0:50:32.160
<v Speaker 1>beautiful woman in the history of the world, next to

0:50:32.200 --> 0:50:40.359
<v Speaker 1>my wife, Elizabeth Shoe, so exactly. So again, only one

0:50:40.480 --> 0:50:43.160
<v Speaker 1>one person prettier my wife other than that pretty spect

0:50:43.160 --> 0:50:45.000
<v Speaker 1>And I say that with all love and respect for Sabrina,

0:50:45.480 --> 0:50:49.440
<v Speaker 1>but it goes my wife, Elizabeth Shoe, and then you

0:50:49.680 --> 0:50:54.920
<v Speaker 1>and the rest of humanity Gay. So yeah, I mean,

0:50:55.120 --> 0:50:59.000
<v Speaker 1>I guess it's kind of maybe the casting looked strange

0:50:59.000 --> 0:51:00.920
<v Speaker 1>to me because a lot of them like they're similar

0:51:00.960 --> 0:51:01.239
<v Speaker 1>in age.

0:51:01.280 --> 0:51:03.439
<v Speaker 2>Elizabeth, she was supposed to be how old though.

0:51:03.600 --> 0:51:06.759
<v Speaker 1>I think she was supposed to be twenty. No, I

0:51:06.800 --> 0:51:08.600
<v Speaker 1>think she's supposed to be I think she's supposed to

0:51:08.600 --> 0:51:09.960
<v Speaker 1>be a senior in high school. I think she'supposed to

0:51:09.960 --> 0:51:10.440
<v Speaker 1>be seventeen.

0:51:10.960 --> 0:51:11.280
<v Speaker 2>Okay.

0:51:12.239 --> 0:51:16.440
<v Speaker 1>Also, invariably people from the seventies and the eighties movies

0:51:17.560 --> 0:51:19.480
<v Speaker 1>look way older for their age.

0:51:19.760 --> 0:51:23.239
<v Speaker 2>The kids they did not cast, they did not cast

0:51:23.360 --> 0:51:24.200
<v Speaker 2>of age or.

0:51:25.280 --> 0:51:26.840
<v Speaker 1>But even when they did, you go back and you

0:51:26.880 --> 0:51:28.680
<v Speaker 1>look at there's these things that I love looking at

0:51:28.680 --> 0:51:32.560
<v Speaker 1>them because they just make me seventeen. Yeah, so that

0:51:32.680 --> 0:51:34.200
<v Speaker 1>make me feel so old. But you go back and

0:51:34.239 --> 0:51:36.400
<v Speaker 1>you look at how old actors were when they played

0:51:36.400 --> 0:51:40.960
<v Speaker 1>certain roles, like Wilford Brimley in Cocun was like forty four,

0:51:41.360 --> 0:51:44.239
<v Speaker 1>forty eight something like that. He's forty nine. He's my

0:51:44.440 --> 0:51:49.719
<v Speaker 1>age in Cocoon. So it's like things like that, they

0:51:49.880 --> 0:51:50.800
<v Speaker 1>just looked older.

0:51:51.120 --> 0:51:54.320
<v Speaker 2>The friends was so much older than what they were playing.

0:51:54.600 --> 0:51:57.640
<v Speaker 1>Yeah, so the ages here were probably accurate, but the

0:51:57.880 --> 0:52:00.480
<v Speaker 1>accurate casting in ages made them all all kind of

0:52:00.560 --> 0:52:03.719
<v Speaker 1>looked like they were all contemporaries, yeah, instead of like,

0:52:03.800 --> 0:52:06.040
<v Speaker 1>I'm babysitting for you. But I guess at the same time,

0:52:07.480 --> 0:52:10.360
<v Speaker 1>if you're twelve, you might have a fifteen year old babysitter.

0:52:10.400 --> 0:52:12.600
<v Speaker 1>I mean I guess right. I don't know, Yeah I could.

0:52:12.719 --> 0:52:15.440
<v Speaker 2>I mean, I don't know. Like I was just my

0:52:15.600 --> 0:52:18.400
<v Speaker 2>nephew's thirteen, okay, and my sister was just telling me

0:52:18.520 --> 0:52:21.920
<v Speaker 2>that she was out with some friends, and then the

0:52:22.000 --> 0:52:24.040
<v Speaker 2>sitter that they were going to have had to leave

0:52:24.040 --> 0:52:25.759
<v Speaker 2>at a certain time, and so then she just let

0:52:25.840 --> 0:52:28.480
<v Speaker 2>her thirteen year old the kids were asleep everyone was done,

0:52:28.960 --> 0:52:30.440
<v Speaker 2>and she's like, but you know he was home with

0:52:30.520 --> 0:52:33.200
<v Speaker 2>them alone for like an hour. Yeah, that's fine, and

0:52:33.320 --> 0:52:35.840
<v Speaker 2>she was going she goes, but I'm like questioning myself,

0:52:35.960 --> 0:52:37.839
<v Speaker 2>like is that okay? And I'm like, well, the only

0:52:38.200 --> 0:52:39.920
<v Speaker 2>time it wouldn't be okay is if there was going

0:52:39.960 --> 0:52:41.600
<v Speaker 2>to be like some kind of emergency, if you got

0:52:41.640 --> 0:52:46.239
<v Speaker 2>they live in Tennessee, if there was like a tornado ruff,

0:52:46.520 --> 0:52:49.000
<v Speaker 2>that would be scary. But other than that, like, I

0:52:49.040 --> 0:52:50.000
<v Speaker 2>think that's an hour.

0:52:50.080 --> 0:52:52.160
<v Speaker 1>Yeah, I think so too. I do too. It was.

0:52:52.280 --> 0:52:54.319
<v Speaker 1>I think it's because they all look so young, which

0:52:54.480 --> 0:52:59.200
<v Speaker 1>just kids nowadays just look young. I mean again, adults

0:52:59.239 --> 0:53:01.719
<v Speaker 1>look younger than they did. You look at people now,

0:53:01.880 --> 0:53:05.520
<v Speaker 1>like if you cast friends now, you're your early twenties trying.

0:53:05.360 --> 0:53:05.960
<v Speaker 2>To look my age.

0:53:06.040 --> 0:53:08.080
<v Speaker 1>You look magical. You look magical.

0:53:08.160 --> 0:53:09.319
<v Speaker 2>You gotta try to look young.

0:53:09.480 --> 0:53:12.320
<v Speaker 1>So they if they were casting you in an eighties movie, No,

0:53:12.440 --> 0:53:14.040
<v Speaker 1>this is not a joke. You would be cast in

0:53:14.080 --> 0:53:17.520
<v Speaker 1>an eighties movie as early twenties. No way, Yes you would, Yes,

0:53:17.600 --> 0:53:19.800
<v Speaker 1>you would, Oh my gosh, early to mid twenties. You

0:53:19.920 --> 0:53:22.400
<v Speaker 1>absolutely would, one hundred percent. If I shave my beard,

0:53:22.440 --> 0:53:25.120
<v Speaker 1>they cast me mid to late thirties and I'm fifty.

0:53:26.040 --> 0:53:28.440
<v Speaker 1>I mean that's the back in the day. Sure, that's

0:53:28.520 --> 0:53:30.080
<v Speaker 1>what they look like. Go back and look at them.

0:53:30.080 --> 0:53:33.279
<v Speaker 1>It's they look so much different the kids. Look at

0:53:33.320 --> 0:53:36.279
<v Speaker 1>the kids that are supposed to be in Breakfast Club. Oh,

0:53:36.480 --> 0:53:39.160
<v Speaker 1>they're all high school kids. They all look like they're

0:53:39.200 --> 0:53:41.799
<v Speaker 1>in their thirties, compared to this group of kids who

0:53:41.840 --> 0:53:46.359
<v Speaker 1>are supposed to be the same age. Anthony Michael Hall

0:53:46.440 --> 0:53:49.479
<v Speaker 1>is supposed to be fifteen years old in Breakfast Club.

0:53:50.000 --> 0:53:53.040
<v Speaker 1>He's the same age as the Zach kid or whatever.

0:53:53.760 --> 0:53:54.000
<v Speaker 2>Yeah.

0:53:54.440 --> 0:53:57.560
<v Speaker 1>Wow, no, it is so different now. It is so

0:53:57.680 --> 0:54:00.680
<v Speaker 1>different now. Anyway, well, were you talking about We're talking

0:54:00.719 --> 0:54:03.440
<v Speaker 1>about adventures at babysitting, and we're going to get back

0:54:03.480 --> 0:54:05.920
<v Speaker 1>to it. We were talking about the Lord's Mistress, so

0:54:06.080 --> 0:54:09.960
<v Speaker 1>we're talking about yes, so yes. Jenny is now beside herself.

0:54:10.080 --> 0:54:12.239
<v Speaker 1>How did Lola let a fourteen year old kids sneak

0:54:12.239 --> 0:54:14.320
<v Speaker 1>out in the city. The number one rule of babysitting

0:54:14.400 --> 0:54:16.000
<v Speaker 1>is to never take your eyes off the kids, and

0:54:16.120 --> 0:54:18.480
<v Speaker 1>all Lola is focused on is taking pictures with their camera.

0:54:18.920 --> 0:54:21.040
<v Speaker 1>They see Andre's tablet that he was getting the tickets

0:54:21.040 --> 0:54:23.879
<v Speaker 1>from a place called Tiny's Pawn Shop. Because of course,

0:54:23.920 --> 0:54:25.439
<v Speaker 1>when you need tickets, you go to a pawn shop.

0:54:25.640 --> 0:54:27.439
<v Speaker 1>So Jenny decides they'll drive to the city.

0:54:27.520 --> 0:54:28.840
<v Speaker 2>And fourteen year old knows this.

0:54:29.080 --> 0:54:30.719
<v Speaker 1>This is the thing, just to see.

0:54:30.760 --> 0:54:33.040
<v Speaker 2>It's like a fourteen year old knows to go to

0:54:33.120 --> 0:54:34.000
<v Speaker 2>a pawn shop.

0:54:34.160 --> 0:54:36.719
<v Speaker 1>I don't know, it's weird. You also, you buy him

0:54:36.760 --> 0:54:38.920
<v Speaker 1>outside the concert. It's more expensive, but you buy him

0:54:38.920 --> 0:54:41.520
<v Speaker 1>outside the concert. Everybody knows that, right. Lola says she

0:54:41.600 --> 0:54:43.520
<v Speaker 1>knows the city well, but Jenny is not interested in

0:54:43.600 --> 0:54:46.200
<v Speaker 1>having a sidekick. Emily suggests they all go together. They're

0:54:46.200 --> 0:54:48.920
<v Speaker 1>already in trouble since a total stranger is watching them anyway,

0:54:49.280 --> 0:54:51.280
<v Speaker 1>and if not, they're willing to snitch to their parents

0:54:51.280 --> 0:54:54.040
<v Speaker 1>about what's going on. So then the garage door opens,

0:54:54.080 --> 0:54:57.399
<v Speaker 1>revealing that new suv. Missus Anderson didn't want anybody to drive.

0:54:57.800 --> 0:54:59.400
<v Speaker 1>Jenny knows this is a bad idea, but it's the

0:54:59.480 --> 0:55:02.040
<v Speaker 1>only car that will fit all of them. We're inside

0:55:02.040 --> 0:55:04.200
<v Speaker 1>the Anderson's house now, now alone. The dog is jumped

0:55:04.280 --> 0:55:05.960
<v Speaker 1>up on the stove to heat the meatballs, tipping over

0:55:06.000 --> 0:55:08.560
<v Speaker 1>the pan and spilling pasta sauce everywhere, just as the

0:55:08.760 --> 0:55:11.600
<v Speaker 1>washer explodes, shooting water and clothes all over the house.

0:55:11.680 --> 0:55:14.160
<v Speaker 1>This is getting very bad. But back in the car,

0:55:14.200 --> 0:55:16.239
<v Speaker 1>they eventually arrive at the pawnshop smack dab in a

0:55:16.280 --> 0:55:19.080
<v Speaker 1>sketchy neighborhood and park across the street. Lola tells everyone

0:55:19.120 --> 0:55:20.719
<v Speaker 1>to stay in the car and show grab Trey, but

0:55:20.840 --> 0:55:22.839
<v Speaker 1>Katie has to go to the bathroom, so Jenny says

0:55:22.880 --> 0:55:25.200
<v Speaker 1>they all have to go because again no child left behind.

0:55:25.640 --> 0:55:28.080
<v Speaker 1>And that's when we and only we see that they

0:55:28.120 --> 0:55:30.759
<v Speaker 1>are parked in a toezone just like the original movie.

0:55:31.400 --> 0:55:33.439
<v Speaker 1>Inside the pawn shop, they enter just as the owner,

0:55:33.600 --> 0:55:36.320
<v Speaker 1>Tiny is negotiating a deal to trade in a varmint

0:55:36.400 --> 0:55:39.000
<v Speaker 1>for one hundred thousand dollars cash. Jenny tells him she's

0:55:39.040 --> 0:55:41.480
<v Speaker 1>looking for a teenage boy who stopped buy for concert tickets.

0:55:41.800 --> 0:55:44.799
<v Speaker 1>Tiny refers them to the quote unquote scalper, a man

0:55:44.880 --> 0:55:47.960
<v Speaker 1>dressed as a ninja swinging around a sword, and when

0:55:48.040 --> 0:55:51.280
<v Speaker 1>Lola tries asking the scalper about selling tickets, he responds

0:55:51.320 --> 0:55:53.600
<v Speaker 1>by just saying, maybe I did, maybe I didn't. Also,

0:55:53.719 --> 0:55:56.280
<v Speaker 1>I don't know if scalper is an appropriate term anymore.

0:55:56.400 --> 0:56:00.120
<v Speaker 1>Let's just say that somebody who's selling the tickets. When

0:56:00.160 --> 0:56:01.799
<v Speaker 1>they threatened to call the cops. He admits the kid

0:56:01.880 --> 0:56:03.960
<v Speaker 1>paid in ones, like he was going to a strip

0:56:04.000 --> 0:56:06.560
<v Speaker 1>club and he hates ones. But the boy did mention

0:56:06.760 --> 0:56:09.600
<v Speaker 1>pizza before he left. Emily knows Trey loves a pizza

0:56:09.640 --> 0:56:12.280
<v Speaker 1>place called Mario's, revealing she may have a little crush

0:56:12.320 --> 0:56:15.960
<v Speaker 1>on the boy. Katie even calls it stalking. Meanwhile, Bobby

0:56:16.000 --> 0:56:18.800
<v Speaker 1>tried to feed the cage prized ferret, and now it

0:56:18.880 --> 0:56:21.160
<v Speaker 1>got loose and is knocking everything over. Tiny's freaking out,

0:56:21.200 --> 0:56:23.520
<v Speaker 1>but Lola is just taking pictures of all the chaos.

0:56:24.040 --> 0:56:27.040
<v Speaker 1>Tiny eventually recaptures his little cash cow, and when Jenny

0:56:27.080 --> 0:56:29.799
<v Speaker 1>looks outside, she sees the cars getting towed, and then

0:56:29.880 --> 0:56:32.440
<v Speaker 1>the ferret gets loose again. When Lola takes a picture

0:56:32.560 --> 0:56:35.560
<v Speaker 1>of Tiny and the scared pet, they all now run

0:56:35.560 --> 0:56:37.400
<v Speaker 1>outside the pawn chop them. Yes, it's official. We have

0:56:37.520 --> 0:56:41.760
<v Speaker 1>another crazy, wacky story about trying to sell an illegal,

0:56:41.960 --> 0:56:45.600
<v Speaker 1>expensive ferret. How many of those have we seen? Kidding

0:56:45.680 --> 0:56:48.279
<v Speaker 1>that's never happened. I don't think there's anything in the

0:56:48.320 --> 0:56:50.719
<v Speaker 1>world like one hundred thousand dollars ferret is there, but

0:56:50.760 --> 0:56:52.960
<v Speaker 1>who knows? There's million dollar coy fish? Who knows?

0:56:53.320 --> 0:56:57.040
<v Speaker 2>I know, but I kept thinking of a kindergarten cop

0:56:57.600 --> 0:56:59.120
<v Speaker 2>that ferret that saves the day.

0:56:59.480 --> 0:57:01.600
<v Speaker 1>Oh yeah, I keep thinking of the ferrets that are

0:57:01.880 --> 0:57:03.359
<v Speaker 1>one of them that dies in Beast Master.

0:57:03.600 --> 0:57:04.399
<v Speaker 2>Oh so sad.

0:57:05.160 --> 0:57:08.560
<v Speaker 1>God, beast Master was a good movie. Oh God, you

0:57:08.680 --> 0:57:11.800
<v Speaker 1>know when when Rip Torn plays the bad guy, you're

0:57:11.840 --> 0:57:16.080
<v Speaker 1>in for something. Okay, Now, the toe lady has locked

0:57:16.120 --> 0:57:18.920
<v Speaker 1>up the car and is uh hauling it away, but

0:57:19.040 --> 0:57:21.240
<v Speaker 1>she says she'll give them back their suv for one

0:57:21.320 --> 0:57:23.880
<v Speaker 1>hundred dollars. Jenny realizes that she doesn't have her purse

0:57:24.000 --> 0:57:26.160
<v Speaker 1>and no one has any money on them. The truck

0:57:26.240 --> 0:57:29.720
<v Speaker 1>lady says she's opened until midnight and carelessly drives off

0:57:29.760 --> 0:57:32.959
<v Speaker 1>with missus Anderson's suv. Jenny remembers she has ten dollars

0:57:32.960 --> 0:57:35.240
<v Speaker 1>for ice cream and remember seeing a bus stop close by.

0:57:35.520 --> 0:57:38.360
<v Speaker 1>They'll take the bus to Mario's Pizza. Bobby is snacking

0:57:38.400 --> 0:57:40.240
<v Speaker 1>on candy he took from the pawn shop when Tiny

0:57:40.320 --> 0:57:42.640
<v Speaker 1>and the Ninja threaten them from across the street. The

0:57:42.720 --> 0:57:44.840
<v Speaker 1>kids take off and the guys start chasing after them,

0:57:45.120 --> 0:57:47.920
<v Speaker 1>but a truck blocks the path and splashes the adults

0:57:48.000 --> 0:57:50.680
<v Speaker 1>with that same giant puddle. Tiny tells a ninja they

0:57:50.680 --> 0:57:52.720
<v Speaker 1>can't lose the kids because Lola has a picture of

0:57:52.800 --> 0:57:58.680
<v Speaker 1>him with the stolen sapphire ferret. Okay, I'm just letting

0:57:58.720 --> 0:58:00.680
<v Speaker 1>it slide. Again. I wish I would it was something

0:58:00.760 --> 0:58:04.160
<v Speaker 1>other than a ferret, something other than something ridiculous, and

0:58:04.320 --> 0:58:06.880
<v Speaker 1>that the bad guys were actually more bad guys, and

0:58:07.200 --> 0:58:09.840
<v Speaker 1>they could have still disnified it up without making it

0:58:10.000 --> 0:58:14.080
<v Speaker 1>so wacky and crazy, which kind of it just it

0:58:14.240 --> 0:58:16.720
<v Speaker 1>diminished the danger as opposed to escalating the danger. And

0:58:16.760 --> 0:58:18.560
<v Speaker 1>I think they could have could have made it a

0:58:18.600 --> 0:58:20.720
<v Speaker 1>little more. But hey, again, it's a d com. I

0:58:20.800 --> 0:58:23.560
<v Speaker 1>get it. They're trying to attract younger a younger audience too,

0:58:23.720 --> 0:58:27.760
<v Speaker 1>so the bumbling kind of people coming after it totally. Yeah.

0:58:27.760 --> 0:58:30.080
<v Speaker 2>But I feel like the fact that there was nothing

0:58:30.160 --> 0:58:33.000
<v Speaker 2>really on the line with these guys just kind of

0:58:33.080 --> 0:58:37.160
<v Speaker 2>made them not necessary characters. I agree, Like they had

0:58:37.320 --> 0:58:40.600
<v Speaker 2>they had so much going trying to find this kid,

0:58:40.800 --> 0:58:44.360
<v Speaker 2>trying to get like, as we keep continuing, like they

0:58:44.760 --> 0:58:48.920
<v Speaker 2>have been chased, really didn't no need to happen? I agree,

0:58:49.160 --> 0:58:51.760
<v Speaker 2>because there wasn't really anything on the line. No, and

0:58:51.880 --> 0:58:53.919
<v Speaker 2>again they didn't even know why they were being chased

0:58:53.920 --> 0:58:54.479
<v Speaker 2>by these guys.

0:58:54.800 --> 0:58:58.280
<v Speaker 1>No, And it's one of those things where the now

0:58:58.400 --> 0:59:03.800
<v Speaker 1>see in the original Adventures in Babysitting pg. Thirteen compared

0:59:03.800 --> 0:59:06.800
<v Speaker 1>to dcom what happens is and this is where it

0:59:06.800 --> 0:59:10.560
<v Speaker 1>shows it's way more adult. Is the Keith Coogan's friend.

0:59:11.960 --> 0:59:15.000
<v Speaker 1>So one of the on running storylines of Adventure in

0:59:15.040 --> 0:59:18.880
<v Speaker 1>Babysitting Adventures in Babysitting is that there is a naked

0:59:19.000 --> 0:59:23.080
<v Speaker 1>pictorial of a woman in Playboy that looks exactly like

0:59:23.160 --> 0:59:27.040
<v Speaker 1>Elizabeth Shoe. So she's in a Playboy.

0:59:27.120 --> 0:59:29.160
<v Speaker 2>I've seen this movie, I don't.

0:59:29.320 --> 0:59:32.400
<v Speaker 1>It's great. And the kids, the kids are looking at

0:59:32.480 --> 0:59:36.040
<v Speaker 1>So these two freshmen are looking at Playboy and he

0:59:36.240 --> 0:59:39.600
<v Speaker 1>puts a copy of it in his backpack. It drops

0:59:39.640 --> 0:59:41.840
<v Speaker 1>out later and he picks thinks he picks it up.

0:59:41.960 --> 0:59:45.160
<v Speaker 1>So their car gets stolen while they're in it. A

0:59:45.200 --> 0:59:47.200
<v Speaker 1>guy comes in literally car jackson while they're in it

0:59:47.280 --> 0:59:50.560
<v Speaker 1>and brings it to a chop shop where they're held

0:59:50.640 --> 0:59:51.760
<v Speaker 1>by actual criminals.

0:59:52.400 --> 0:59:53.120
<v Speaker 2>Oh my god.

0:59:53.280 --> 0:59:56.520
<v Speaker 1>He sees a Playboy to replace his and grabs it

0:59:56.680 --> 0:59:58.960
<v Speaker 1>and puts it in his backpack. Well, what you come

0:59:59.040 --> 1:00:01.640
<v Speaker 1>to find out is the actual list of the cars

1:00:01.720 --> 1:00:04.040
<v Speaker 1>that were stolen and where they're gonna go were written

1:00:04.200 --> 1:00:08.400
<v Speaker 1>into that Playboy. So that's why the real bad guys

1:00:08.440 --> 1:00:11.840
<v Speaker 1>with guns who want them dead are chasing these kids

1:00:11.920 --> 1:00:14.920
<v Speaker 1>in adventures and babysitting because they have the Playboy with

1:00:15.000 --> 1:00:17.200
<v Speaker 1>all the other so obviously they can't do that in

1:00:17.280 --> 1:00:20.360
<v Speaker 1>this one. They can't have nakedness, they can't have Playboy.

1:00:20.480 --> 1:00:24.200
<v Speaker 2>You are talking too different level movies.

1:00:24.840 --> 1:00:26.400
<v Speaker 1>But that was PG thirteen.

1:00:26.600 --> 1:00:30.160
<v Speaker 2>Back in the day Playboy was PG thirteen.

1:00:30.320 --> 1:00:33.240
<v Speaker 1>Well you never saw she obviously posed for the real

1:00:33.280 --> 1:00:35.800
<v Speaker 1>Playboy that she posed for the cover Elizabeth Shu. But

1:00:35.920 --> 1:00:38.480
<v Speaker 1>she's covering everything on the cover, but you can tell

1:00:38.560 --> 1:00:40.200
<v Speaker 1>it's clearly her and it's supposed to be a porn

1:00:40.240 --> 1:00:43.560
<v Speaker 1>star who looks like her, and so the whole movie,

1:00:43.600 --> 1:00:45.920
<v Speaker 1>people are like recognizing her and she's like, it's not me,

1:00:46.920 --> 1:00:50.560
<v Speaker 1>but it's there being chased because they actually have something

1:00:50.640 --> 1:00:53.600
<v Speaker 1>that real criminals are after, and so they could have

1:00:53.800 --> 1:00:56.040
<v Speaker 1>ratcheted up a bit. Obviously they can't do that, but

1:00:56.240 --> 1:00:59.320
<v Speaker 1>something could have been a little easier. Right.

1:00:59.680 --> 1:01:02.960
<v Speaker 2>The kids don't know about this list of cars either.

1:01:03.040 --> 1:01:05.920
<v Speaker 1>No, they have no idea. They know that they are

1:01:06.040 --> 1:01:10.480
<v Speaker 1>chasing them and literally want them dead. Yeah, so yeah,

1:01:10.480 --> 1:01:14.600
<v Speaker 1>it's crazy. But now all our kids because they have

1:01:14.720 --> 1:01:17.320
<v Speaker 1>a picture of this guy with the ferret not quite

1:01:17.360 --> 1:01:20.680
<v Speaker 1>the same. They board a bus, but they find out

1:01:20.680 --> 1:01:22.560
<v Speaker 1>the ten dollars is not enough. The driver says it's

1:01:22.560 --> 1:01:25.680
<v Speaker 1>actually twelve dollars. Lola and Jenny argue over not having

1:01:25.720 --> 1:01:27.320
<v Speaker 1>the money, and the bus driver eventually doesn't want to

1:01:27.320 --> 1:01:29.120
<v Speaker 1>hear margure anymore, so he just tells him to take

1:01:29.200 --> 1:01:32.720
<v Speaker 1>a seat. They eventually make it Tomorrow's pizza shop. They

1:01:32.840 --> 1:01:35.280
<v Speaker 1>find Trey at a table with his braddy friends. Emily

1:01:35.360 --> 1:01:37.919
<v Speaker 1>says hi, but Trey ignores her. He instead asks Jenny

1:01:38.000 --> 1:01:40.000
<v Speaker 1>not to rat him out because he'll be grounded for life.

1:01:40.360 --> 1:01:42.680
<v Speaker 1>Lola reveals herself as the babysitter, and Jenny says it's

1:01:42.720 --> 1:01:44.560
<v Speaker 1>time to come with them. They have a bigger problem

1:01:44.640 --> 1:01:47.160
<v Speaker 1>than this concert. They need to scalp Trey's ticket for

1:01:47.280 --> 1:01:50.200
<v Speaker 1>the money. Jenny finally takes Katie to the bathroom and

1:01:50.440 --> 1:01:53.760
<v Speaker 1>Trey continues to ignore Emily. Disgusted, Emily rolls her eyes

1:01:53.760 --> 1:01:56.240
<v Speaker 1>and tells Lola she's going to the tattoo shop. Lola

1:01:56.360 --> 1:01:58.480
<v Speaker 1>barely cares and tells her to have fun. Go express

1:01:58.520 --> 1:02:01.840
<v Speaker 1>yourself as Emily then just walks the tattoo shop next

1:02:01.880 --> 1:02:04.720
<v Speaker 1>door now we're in the bathroom. Jenny overhears girls talking

1:02:04.720 --> 1:02:07.600
<v Speaker 1>about how Zach Chase is taking that Fluozy Dominique to

1:02:07.640 --> 1:02:11.280
<v Speaker 1>the concert. With this news, Jenny screams no tipping off

1:02:11.320 --> 1:02:13.720
<v Speaker 1>the gossipers to her eavesdropping. The girls admit they never

1:02:13.720 --> 1:02:15.280
<v Speaker 1>thought they'd se Jenny out in the city on a

1:02:15.320 --> 1:02:19.160
<v Speaker 1>Friday night. She pretends she's obviously with the mature city friends.

1:02:19.400 --> 1:02:21.200
<v Speaker 1>Just then, little Katie comes out of the stall. She

1:02:21.280 --> 1:02:23.880
<v Speaker 1>needs help pulling up her stockings. Jenny pretends she doesn't

1:02:23.920 --> 1:02:25.800
<v Speaker 1>know the girl, but we're help her and walk her

1:02:25.800 --> 1:02:27.280
<v Speaker 1>out to find her mom. And then the thing that

1:02:27.360 --> 1:02:29.600
<v Speaker 1>was interesting about these girls in this storyline is nothing

1:02:29.680 --> 1:02:32.480
<v Speaker 1>happens again, and you never ever anything to do with

1:02:32.560 --> 1:02:32.920
<v Speaker 1>this at all.

1:02:33.360 --> 1:02:36.720
<v Speaker 2>You think you're supposed to hate these girls, but don't worry.

1:02:37.160 --> 1:02:37.880
<v Speaker 2>They don't come back.

1:02:38.400 --> 1:02:40.560
<v Speaker 1>Yeah, no, they don't come back. She don't see them

1:02:40.600 --> 1:02:42.520
<v Speaker 1>at the concert. Later, she doesn't see them in school. Nothing,

1:02:42.560 --> 1:02:43.600
<v Speaker 1>they don't come They don't.

1:02:43.480 --> 1:02:44.040
<v Speaker 2>Ruin her life.

1:02:44.680 --> 1:02:47.840
<v Speaker 1>These were scenes, yea, these were scenes who didn't need

1:02:48.280 --> 1:02:50.240
<v Speaker 1>and I get what there was other ways to find

1:02:50.280 --> 1:02:54.320
<v Speaker 1>out that this guy went to the concert without him

1:02:54.560 --> 1:02:57.120
<v Speaker 1>the whole adding this scene, I mean twenty sixteen.

1:02:57.160 --> 1:02:59.080
<v Speaker 2>She could have just been on her phone's going on

1:02:59.520 --> 1:03:01.840
<v Speaker 2>Facebook social media, yeah, and she's like, oh my god,

1:03:01.880 --> 1:03:04.040
<v Speaker 2>I found he's going anyway. He just posted a pitcher.

1:03:04.600 --> 1:03:06.720
<v Speaker 1>Yeah. The two guys from the pawn shop arrive at

1:03:06.760 --> 1:03:09.000
<v Speaker 1>Mario's just as Emily returns now excited to show them

1:03:09.040 --> 1:03:11.160
<v Speaker 1>her new henna tattoo. The guy did it for free

1:03:11.200 --> 1:03:13.919
<v Speaker 1>because he liked her Aura. Lola loves it, but Jenny

1:03:13.960 --> 1:03:15.520
<v Speaker 1>hopes it comes off with soap and water. Then the

1:03:15.600 --> 1:03:18.800
<v Speaker 1>pawnshop guys push their way inside the restaurant. Once spotted,

1:03:18.800 --> 1:03:20.479
<v Speaker 1>the kids all scream and run into the back alley.

1:03:20.720 --> 1:03:22.840
<v Speaker 1>Katie tells Trey that the guys are after them because

1:03:22.880 --> 1:03:24.960
<v Speaker 1>Bobby stole a candy bar and can't give it back

1:03:24.960 --> 1:03:27.400
<v Speaker 1>because he's licked it. Just as they open a side

1:03:27.440 --> 1:03:29.880
<v Speaker 1>door and run inside to the next building. That's when

1:03:29.880 --> 1:03:32.040
<v Speaker 1>we find ourselves in a big clothing factory, like a

1:03:32.120 --> 1:03:35.120
<v Speaker 1>cleaning factory. As the kids hide, the pawnshop guys follow

1:03:35.160 --> 1:03:37.680
<v Speaker 1>close behind and promise they just want a reasonable conversation

1:03:37.840 --> 1:03:40.000
<v Speaker 1>and the camera, so they do yell, we need the camera.

1:03:40.400 --> 1:03:42.120
<v Speaker 1>The kids decided to ride on one of those conveyor

1:03:42.160 --> 1:03:44.200
<v Speaker 1>clothing belts that you'd find in a dry cleaners while

1:03:44.240 --> 1:03:47.040
<v Speaker 1>hanging in jumpsuits, which if you go back and watch again,

1:03:47.040 --> 1:03:49.480
<v Speaker 1>they're all just regular hangers, so there's no way in

1:03:49.560 --> 1:03:52.880
<v Speaker 1>hell that would actually hold up. Tiny turns around just

1:03:52.920 --> 1:03:54.600
<v Speaker 1>in time to catch them, but he can't reach His

1:03:54.760 --> 1:03:57.960
<v Speaker 1>name is Tiny. After all, the kids successfully escape, riding

1:03:58.000 --> 1:03:59.840
<v Speaker 1>into another room, then running away, they hit a dead

1:03:59.920 --> 1:04:01.920
<v Speaker 1>end and there's only one way out. It's down through

1:04:01.960 --> 1:04:04.440
<v Speaker 1>a close shoot, so one by one they grab the

1:04:04.520 --> 1:04:06.720
<v Speaker 1>chain and jump down, and each actor they had doing

1:04:06.720 --> 1:04:08.440
<v Speaker 1>it was obviously a stunt person is like hitting the

1:04:08.520 --> 1:04:11.640
<v Speaker 1>wall on the way down, which was crazy. The pawn

1:04:11.720 --> 1:04:13.800
<v Speaker 1>Chop guys hear some commotion and continue the chase, but

1:04:13.840 --> 1:04:15.640
<v Speaker 1>when Lola throws a bag of clothes at them, they

1:04:15.720 --> 1:04:18.840
<v Speaker 1>fall onto a metal slide, leaving them bagged with dirty laundry,

1:04:18.880 --> 1:04:21.800
<v Speaker 1>then sent into a spin cycle. Very home alone kind

1:04:21.800 --> 1:04:23.560
<v Speaker 1>of vibes here and just was getting very.

1:04:23.560 --> 1:04:26.520
<v Speaker 2>Young, yes, very young, yeah, very Lola then.

1:04:26.480 --> 1:04:28.480
<v Speaker 1>Jumps down, joining her friends. They all head out while

1:04:28.480 --> 1:04:30.880
<v Speaker 1>the bad dudes are occupied. It is time to sell

1:04:30.920 --> 1:04:34.120
<v Speaker 1>that ticket. Lola then jumps down, joining our friends. They

1:04:34.200 --> 1:04:36.440
<v Speaker 1>all head out while the bad dudes are occupied it's

1:04:36.520 --> 1:04:38.400
<v Speaker 1>time to sell that ticket. We're now it's side of

1:04:38.400 --> 1:04:40.840
<v Speaker 1>the concert venue or the local fare, you can't really

1:04:40.880 --> 1:04:43.280
<v Speaker 1>tell which one. Lola gives aj or Cameron tells her

1:04:43.280 --> 1:04:44.600
<v Speaker 1>to guard it with her life. While she tries to

1:04:44.600 --> 1:04:47.080
<v Speaker 1>sell the ticket, Bobby is still thinking about his cupcakes.

1:04:47.120 --> 1:04:49.600
<v Speaker 1>Maybe they need some spice. Trey places his jacket on

1:04:49.640 --> 1:04:51.120
<v Speaker 1>the bench and tells Jenny to use it like a

1:04:51.160 --> 1:04:54.560
<v Speaker 1>real gentleman, but instead, Katie pops down and thanks Troy. Nearby,

1:04:54.680 --> 1:04:57.840
<v Speaker 1>aj is practicing some advanced derby moves and Lola is

1:04:57.880 --> 1:05:02.200
<v Speaker 1>soliciting possible ticket buyers behind some merch. Nearby are Tiny

1:05:02.280 --> 1:05:03.840
<v Speaker 1>in the Ninja. They caught up with the kids and

1:05:03.920 --> 1:05:06.760
<v Speaker 1>are ready to strike, but just then a police officer

1:05:06.800 --> 1:05:09.400
<v Speaker 1>confronts Lola. It's illegal to sell tickets outside the venue.

1:05:09.440 --> 1:05:11.600
<v Speaker 1>But good news, the presence of the cops at least

1:05:11.640 --> 1:05:14.200
<v Speaker 1>does scare away Tiny and the other guy. I can't

1:05:14.280 --> 1:05:17.439
<v Speaker 1>keep saying the ninja. The officer then takes Lola away.

1:05:17.560 --> 1:05:20.360
<v Speaker 1>Jenny sees it all unfold and of course panics because,

1:05:20.400 --> 1:05:22.800
<v Speaker 1>oh god, now one of them has been arrested. We're

1:05:22.800 --> 1:05:25.280
<v Speaker 1>now at the police station, Jenny. The kids arrive only

1:05:25.320 --> 1:05:27.160
<v Speaker 1>to find out. Lola is getting booked and telling a

1:05:27.200 --> 1:05:29.600
<v Speaker 1>skeptical cop all about Tiny and the Ninja and the

1:05:29.680 --> 1:05:32.200
<v Speaker 1>ferret in the interrogation room, which of course sounds like

1:05:32.200 --> 1:05:35.040
<v Speaker 1>a ridiculous story. He reminds her that lying to an

1:05:35.040 --> 1:05:37.920
<v Speaker 1>officer is also a crime. Bobby is worried that he

1:05:37.920 --> 1:05:40.000
<v Speaker 1>won't find the perfect reading in time for the contest,

1:05:40.080 --> 1:05:42.640
<v Speaker 1>while aj is pining for her roller derby team, and

1:05:42.800 --> 1:05:45.520
<v Speaker 1>Trey realizes he's missing the biggest concert of the year.

1:05:46.040 --> 1:05:48.120
<v Speaker 1>Jenny tells everyone to stop whining so she can focus

1:05:48.160 --> 1:05:50.480
<v Speaker 1>on what to do next, and that's when she notices

1:05:50.520 --> 1:05:53.560
<v Speaker 1>that Emily has dyed her hair green, which I thought

1:05:53.640 --> 1:05:55.439
<v Speaker 1>it was going to be shaved, so that's not nearly

1:05:55.480 --> 1:05:59.040
<v Speaker 1>as bad. Jenny's not happy and spirals because everything's getting worse.

1:05:59.280 --> 1:06:01.080
<v Speaker 1>She kind of takes set out on Emily, who then

1:06:01.120 --> 1:06:03.760
<v Speaker 1>gets upset and pounts in her seat and is clearly

1:06:03.800 --> 1:06:06.080
<v Speaker 1>feeling very much alone. But now we're back in the

1:06:06.120 --> 1:06:10.200
<v Speaker 1>interrogation room. The police officer mentions Lola has an extensive record,

1:06:10.440 --> 1:06:13.160
<v Speaker 1>which really she doesn't. She's just parking tickets, which is

1:06:13.200 --> 1:06:15.480
<v Speaker 1>what she points out. They're parking tickets, not bank robberies,

1:06:15.880 --> 1:06:19.480
<v Speaker 1>and then rookie McDreamy officer James, the flirty officer that

1:06:19.560 --> 1:06:22.560
<v Speaker 1>gave Rod of the ticket earlier, arrives to help. He

1:06:22.680 --> 1:06:24.520
<v Speaker 1>walks in and looks right at the camera and says,

1:06:24.600 --> 1:06:29.240
<v Speaker 1>I'm only twenty. He doesn't but shit. Back in the lobby,

1:06:29.280 --> 1:06:31.120
<v Speaker 1>the police have taken a bunch of roller Derby players

1:06:31.120 --> 1:06:33.919
<v Speaker 1>into custody because of disorderly conduct, and AJ can't believe

1:06:33.960 --> 1:06:39.600
<v Speaker 1>her eyes. It's her favorite player, Jailer swift Quick Sabrina,

1:06:40.360 --> 1:06:41.800
<v Speaker 1>what would your roller Derby name be?

1:06:42.520 --> 1:06:50.800
<v Speaker 2>Ooh, slick slider? I think wow, I think kind of

1:06:50.960 --> 1:06:53.600
<v Speaker 2>just I've seen roller Derby as they're wild.

1:06:54.320 --> 1:06:56.560
<v Speaker 1>That's awesome. Slider's great.

1:06:56.840 --> 1:07:00.320
<v Speaker 2>I don't think i'd be able to Yeah, slick Sliders, Sabrina.

1:07:00.360 --> 1:07:02.120
<v Speaker 1>That's great. I'd be Willpower.

1:07:04.880 --> 1:07:07.400
<v Speaker 2>I feel like you've used that before because it's awesome.

1:07:07.760 --> 1:07:09.760
<v Speaker 1>Okay, Well you want me to do that'd be my

1:07:09.840 --> 1:07:13.520
<v Speaker 1>awesome name all the way around. Well. AJ approaches her

1:07:13.600 --> 1:07:15.400
<v Speaker 1>hero and shows her a move she's been practicing for

1:07:15.440 --> 1:07:18.000
<v Speaker 1>six months. Jayler is impressed and tells Aj to work

1:07:18.000 --> 1:07:21.200
<v Speaker 1>on her technique. Then, just like that, Aj successfully performs

1:07:21.240 --> 1:07:23.840
<v Speaker 1>the corrected move and pressing jailer and her teammates even more.

1:07:24.240 --> 1:07:26.520
<v Speaker 1>Emily is still sulking when she notices a sleeping man

1:07:26.560 --> 1:07:29.080
<v Speaker 1>with a phone in his hand while he's catching some z's.

1:07:29.240 --> 1:07:32.680
<v Speaker 1>She creeps up and takes it. At the gala, Missus

1:07:32.720 --> 1:07:34.680
<v Speaker 1>Cooper's phone is ringing, but she doesn't notice. She's too

1:07:34.680 --> 1:07:37.280
<v Speaker 1>focused on being social. Back at the police station again, again,

1:07:37.360 --> 1:07:39.720
<v Speaker 1>a lot of cuts. It was Emily calling missus Cooper.

1:07:39.840 --> 1:07:42.360
<v Speaker 1>She leaves a voicemail begging for help, detailing the situation

1:07:42.520 --> 1:07:45.480
<v Speaker 1>and that they're all in city jail. Yikes. But before

1:07:45.520 --> 1:07:47.520
<v Speaker 1>she can finish, the sleeping man is woken up and

1:07:47.680 --> 1:07:51.600
<v Speaker 1>takes his phone back In the interrogation room, flirty Officer mcjames,

1:07:52.240 --> 1:07:54.200
<v Speaker 1>that's what I'm calling from now on. Now alone with

1:07:54.320 --> 1:07:57.000
<v Speaker 1>Lola agrees, other than the parking tickets, she's clean, but

1:07:57.120 --> 1:07:59.160
<v Speaker 1>he wonders what kind of an example she's setting for

1:07:59.200 --> 1:08:02.240
<v Speaker 1>those kids. She confesses that she lied. She isn't even

1:08:02.280 --> 1:08:05.160
<v Speaker 1>the real babysitter, and she knows nothing about Beethoven. Her

1:08:05.200 --> 1:08:06.960
<v Speaker 1>grades weren't good enough to get into art school, but

1:08:07.000 --> 1:08:09.000
<v Speaker 1>now she has a chance to get a photography internship

1:08:09.040 --> 1:08:12.120
<v Speaker 1>with her IDOL that could change her life. She apologizes

1:08:12.160 --> 1:08:15.480
<v Speaker 1>for lying and tells him he's cute. He lets her go,

1:08:15.720 --> 1:08:18.479
<v Speaker 1>of course, because why not. Pretty girl can't arrest her,

1:08:18.880 --> 1:08:20.880
<v Speaker 1>and walks her back to her friends, who are excited

1:08:20.920 --> 1:08:23.479
<v Speaker 1>to see her. AJ takes a picture with the roller

1:08:23.520 --> 1:08:26.160
<v Speaker 1>derby team, leading to another fight amongst the teams at

1:08:26.240 --> 1:08:29.280
<v Speaker 1>the police station, which then turns into chaos. The kids

1:08:29.360 --> 1:08:31.680
<v Speaker 1>decide to leave the station. The cops actually rush them

1:08:31.680 --> 1:08:34.879
<v Speaker 1>out because it is a big brawl. We're now outside

1:08:34.920 --> 1:08:37.000
<v Speaker 1>the station. The pod shop guys are across the street,

1:08:37.240 --> 1:08:40.360
<v Speaker 1>still here, and notice AJ still has the camera. Jenny

1:08:40.400 --> 1:08:42.120
<v Speaker 1>has had enough. This has gotten well out of hand.

1:08:42.200 --> 1:08:43.840
<v Speaker 1>She thinks they should just call the parents, but the

1:08:43.920 --> 1:08:47.200
<v Speaker 1>kids all scream no, and as the group argues, Tiny

1:08:47.360 --> 1:08:49.519
<v Speaker 1>now creeps up and quietly tries to take the camera

1:08:49.560 --> 1:08:51.240
<v Speaker 1>from AJ, but instead of rolling over, she does the

1:08:51.280 --> 1:08:53.920
<v Speaker 1>roller derby trick she's been practicing and knocks Tiny down.

1:08:54.280 --> 1:08:56.800
<v Speaker 1>All this happens within a foot of all the other people,

1:08:56.880 --> 1:09:00.479
<v Speaker 1>and no one notices anything. AJ screams any and Lolo

1:09:00.560 --> 1:09:02.560
<v Speaker 1>too busy fighting to notice, so she skates off with

1:09:02.640 --> 1:09:05.000
<v Speaker 1>Tiny and now Ninja close behind. We also see that

1:09:05.080 --> 1:09:07.640
<v Speaker 1>Tiny has dropped his keys. Bobby has noticed AJ has

1:09:07.680 --> 1:09:09.680
<v Speaker 1>gone and finally alerts the babysitter. They pick up the

1:09:09.720 --> 1:09:13.800
<v Speaker 1>car keys and let's just say borrow tinye car. Now

1:09:13.880 --> 1:09:16.040
<v Speaker 1>we're outside the met gala again or whatever kind of

1:09:16.080 --> 1:09:18.120
<v Speaker 1>gal it is. Missus Cooper can't believe her husband is

1:09:18.160 --> 1:09:21.360
<v Speaker 1>making her leave the gala because of some prank. Again,

1:09:21.880 --> 1:09:26.160
<v Speaker 1>a message from their kids saying we're in jail. Everything's awful,

1:09:26.240 --> 1:09:28.320
<v Speaker 1>and the mom is like, I can't believe you'd believe that.

1:09:29.120 --> 1:09:31.519
<v Speaker 1>I mean, mister Cooper says Emily sounded terrified, but Missus

1:09:31.560 --> 1:09:34.759
<v Speaker 1>Cooper promises nothing has happened. What kind of kid pranks

1:09:34.800 --> 1:09:36.680
<v Speaker 1>their parents by saying we're having a horrible night, we're

1:09:36.680 --> 1:09:39.240
<v Speaker 1>stuck in jail, And what kind of mom is like,

1:09:39.320 --> 1:09:41.200
<v Speaker 1>I can't believe you'd make me leave for that. She

1:09:41.560 --> 1:09:45.080
<v Speaker 1>was the worst mom in this whole movie, bar none

1:09:45.800 --> 1:09:46.280
<v Speaker 1>terrible care.

1:09:46.439 --> 1:09:50.640
<v Speaker 2>We haven't had a bad mom on the list in

1:09:50.760 --> 1:09:51.200
<v Speaker 2>a while.

1:09:51.680 --> 1:09:53.800
<v Speaker 1>She's a bad mom, but an even worse wife. She

1:09:54.479 --> 1:09:58.599
<v Speaker 1>just bashed this husband the whole movie like you're an Oh,

1:09:58.640 --> 1:10:00.680
<v Speaker 1>I had to babysit all night because my husband's an

1:10:00.760 --> 1:10:04.479
<v Speaker 1>idiot like that kind of it was like, oh, yeah,

1:10:04.560 --> 1:10:07.599
<v Speaker 1>it was terrible, So yeah, I'm putting her. I'm officially

1:10:07.680 --> 1:10:10.599
<v Speaker 1>nominating her on the list, all right, And now inside

1:10:10.640 --> 1:10:13.560
<v Speaker 1>the car, something's definitely happening. They drive after Aj on

1:10:13.600 --> 1:10:15.720
<v Speaker 1>her skates and they're spotted by an out of breath

1:10:15.760 --> 1:10:17.400
<v Speaker 1>tiny who's trying to run on the streets, but he

1:10:17.479 --> 1:10:20.000
<v Speaker 1>sees that they've taken his car. They also spot AJ,

1:10:20.120 --> 1:10:22.160
<v Speaker 1>who's weaving in and out of people and almost hit

1:10:22.280 --> 1:10:25.400
<v Speaker 1>the ninja on his bike, but in the process, Lola

1:10:25.520 --> 1:10:28.400
<v Speaker 1>drops her cell phone in the car. We're now back again.

1:10:28.479 --> 1:10:31.000
<v Speaker 1>Lots going on. Back outside the gala, Missus Anderson is

1:10:31.040 --> 1:10:32.880
<v Speaker 1>about to give a big speech when her cell phone rings.

1:10:32.960 --> 1:10:35.360
<v Speaker 1>Loa has accidentally called her. In the middle of the chase,

1:10:35.680 --> 1:10:38.519
<v Speaker 1>Missus Anderson tells the audiences to babysitter and answers, which

1:10:38.600 --> 1:10:40.880
<v Speaker 1>is what a mom should do. Lola thinks quick on

1:10:40.960 --> 1:10:43.200
<v Speaker 1>her toes and says she's just checking in. Everything's fine.

1:10:43.320 --> 1:10:45.760
<v Speaker 1>Missus Anderson tells the audience everything's fine and goes back

1:10:45.760 --> 1:10:48.760
<v Speaker 1>to her speech. But back in the car, nothing is

1:10:48.840 --> 1:10:51.840
<v Speaker 1>in fact fine. Just as Missus Cooper complains about missing

1:10:51.840 --> 1:10:54.080
<v Speaker 1>their best friend's speech, she sees a kid roller skating

1:10:54.120 --> 1:10:56.519
<v Speaker 1>down the street. It's Aj. They don't notice it though.

1:10:56.720 --> 1:10:59.360
<v Speaker 1>They just believe that it's some little girl roller skating

1:10:59.400 --> 1:11:01.439
<v Speaker 1>on their own and who would let their kids roller

1:11:01.520 --> 1:11:04.880
<v Speaker 1>skate in the city alone. Back inside Tiny's car, still

1:11:04.880 --> 1:11:06.439
<v Speaker 1>filled with all the kids, they have their eyes on

1:11:06.520 --> 1:11:09.040
<v Speaker 1>AJ and she's headed for some picnic tables. She quickly

1:11:09.120 --> 1:11:12.559
<v Speaker 1>jumps on them, knocking everybody's food off while screaming sorry. Finally,

1:11:12.680 --> 1:11:15.320
<v Speaker 1>the bad guy wipes out and the kids stop the

1:11:15.400 --> 1:11:17.760
<v Speaker 1>car to grab AJ. They run away and leave the

1:11:17.840 --> 1:11:21.240
<v Speaker 1>car behind to sneak in a side door, closing it

1:11:21.320 --> 1:11:23.439
<v Speaker 1>on Tiny and the Ninja at the very last second.

1:11:24.360 --> 1:11:28.599
<v Speaker 1>The kids have now found themselves backstage in a pack nightclub. Sorry,

1:11:28.600 --> 1:11:30.200
<v Speaker 1>I just need to breathe. There's a lot going on,

1:11:30.960 --> 1:11:36.120
<v Speaker 1>but this is so fast. Again straight from the original movie,

1:11:36.160 --> 1:11:38.479
<v Speaker 1>where Elizabeth Shoe and the kids find themselves on stage

1:11:38.479 --> 1:11:41.599
<v Speaker 1>at a blues club. Jenny pushes through the curtain, shocked

1:11:41.640 --> 1:11:44.160
<v Speaker 1>at what she sees, then accidentally unplugs a wire. Everything

1:11:44.240 --> 1:11:48.200
<v Speaker 1>including the DJ, shuts down. Now in total silence, Jenny, Lola,

1:11:48.280 --> 1:11:50.120
<v Speaker 1>and all the kids are standing on stage. The crowd

1:11:50.200 --> 1:11:52.479
<v Speaker 1>is staring right back at them. Jenny says sorry and

1:11:52.560 --> 1:11:54.519
<v Speaker 1>tries to walk off, but the DJ tells her to stop.

1:11:54.640 --> 1:11:56.840
<v Speaker 1>She can't go anywhere. She's got a quote, spill her

1:11:56.960 --> 1:12:00.680
<v Speaker 1>rage and start rapping. She pushes back, no way she's

1:12:00.720 --> 1:12:03.320
<v Speaker 1>gonna rap, but eventually she gives into pressure. It gets

1:12:03.479 --> 1:12:06.920
<v Speaker 1>very eight mile quickly. She's nervous, but eventually gets into it,

1:12:07.800 --> 1:12:10.000
<v Speaker 1>and the kids all chime in breaking down everything that's

1:12:10.040 --> 1:12:13.240
<v Speaker 1>happening during the night, which again is exactly what happens

1:12:13.360 --> 1:12:16.120
<v Speaker 1>during the Original Adventures of Babysitting. She has to sing

1:12:16.200 --> 1:12:18.840
<v Speaker 1>the blues, and she's singing the babysitter Blues. It was

1:12:18.920 --> 1:12:22.479
<v Speaker 1>cute in that movie. Then Lola jumps in and we

1:12:22.520 --> 1:12:24.679
<v Speaker 1>have a real rap battle, but they're really just talking.

1:12:24.800 --> 1:12:26.720
<v Speaker 1>Not sure i'd call it rap. What did you think

1:12:26.760 --> 1:12:28.840
<v Speaker 1>of the rap battle and the electric slide in this

1:12:29.040 --> 1:12:31.640
<v Speaker 1>kind of entire scene. Did you find this cringe at all?

1:12:32.880 --> 1:12:35.240
<v Speaker 2>I don't want to say cringey, It just was kind

1:12:35.280 --> 1:12:37.919
<v Speaker 2>of I mean, at this point, like you said, we're bouncing,

1:12:38.040 --> 1:12:41.320
<v Speaker 2>we're moving, we're going. There's a million sets. I kept thinking, like,

1:12:41.720 --> 1:12:44.160
<v Speaker 2>how many days did they have for shooting this dcom?

1:12:44.280 --> 1:12:47.920
<v Speaker 2>Because yeah, usually it's like what like six weeks, seven weeks.

1:12:47.960 --> 1:12:50.439
<v Speaker 2>It doesn't seem like they usually have to do that. Yeah,

1:12:50.720 --> 1:12:54.839
<v Speaker 2>like this movie just there's so many different sets. We're bouncing,

1:12:54.920 --> 1:12:57.400
<v Speaker 2>we're moving. At this point, I'm just kind of like

1:12:59.160 --> 1:13:02.960
<v Speaker 2>it makes sense. I think the audience obviously there's a

1:13:03.080 --> 1:13:06.320
<v Speaker 2>built in fan base audience that loves both of these

1:13:06.360 --> 1:13:09.479
<v Speaker 2>girls who both sing like so there's like a this

1:13:09.680 --> 1:13:12.600
<v Speaker 2>is the moment that makes sense for them. But the

1:13:12.680 --> 1:13:15.840
<v Speaker 2>fact that it started rapping, I was like, what, Like

1:13:16.000 --> 1:13:18.560
<v Speaker 2>that was so strange to me that that's what the

1:13:18.840 --> 1:13:21.960
<v Speaker 2>turn we took I expected. Once we get into the club,

1:13:22.000 --> 1:13:22.800
<v Speaker 2>I'm like, oh, here we go.

1:13:23.439 --> 1:13:24.200
<v Speaker 1>I thought the same thing.

1:13:24.400 --> 1:13:28.920
<v Speaker 2>Yes, I'm okay with it, because both of them looking

1:13:28.960 --> 1:13:33.679
<v Speaker 2>forward to Yes, we we got a little pre preview

1:13:34.080 --> 1:13:38.120
<v Speaker 2>of when Jenny or Sabrina's in the car and she's

1:13:38.360 --> 1:13:41.280
<v Speaker 2>singing to the song, get a little preview of that.

1:13:41.640 --> 1:13:43.160
<v Speaker 2>Hear them already singing.

1:13:43.400 --> 1:13:45.639
<v Speaker 1>You know. I was ready for it me too.

1:13:45.880 --> 1:13:48.760
<v Speaker 2>Then we hit the curveball with the rap, and I'm like,

1:13:49.600 --> 1:13:52.479
<v Speaker 2>this isn't showcase the talent that I was thinking we

1:13:52.640 --> 1:13:53.040
<v Speaker 2>were getting.

1:13:53.160 --> 1:13:55.240
<v Speaker 1>I thought the same thing, But it.

1:13:55.320 --> 1:13:58.120
<v Speaker 2>Was also like kind of like already where we're going.

1:13:58.320 --> 1:14:03.120
<v Speaker 2>I felt like I was just like ryetic of Dr Machine.

1:14:03.240 --> 1:14:07.120
<v Speaker 2>Just Yep, this is Okay, I agree, we keep going.

1:14:09.040 --> 1:14:10.680
<v Speaker 1>I thought this was a waste of talent. But you

1:14:10.720 --> 1:14:12.280
<v Speaker 1>know who didn't the crowd who loves it.

1:14:13.080 --> 1:14:14.000
<v Speaker 2>The crowd loved it.

1:14:14.360 --> 1:14:17.759
<v Speaker 1>They do and bet uh oh who arrives Now Tiny

1:14:17.840 --> 1:14:21.000
<v Speaker 1>and Ninja again. These guys are so annoying. They went

1:14:21.080 --> 1:14:26.040
<v Speaker 1>through the front door, Jenny spots, and it's needed get them, yes,

1:14:26.280 --> 1:14:29.200
<v Speaker 1>have them or have real danger or something. But the

1:14:29.280 --> 1:14:31.280
<v Speaker 1>two pawn shop guys jump on stage and now it's

1:14:31.400 --> 1:14:35.120
<v Speaker 1>their turn to drop the quote unquote facts outside the club.

1:14:35.200 --> 1:14:36.800
<v Speaker 1>Now the kids file out the back door, and Cheney

1:14:36.840 --> 1:14:39.240
<v Speaker 1>can't believe she just wrapped AJ calls are cool, and

1:14:39.320 --> 1:14:42.800
<v Speaker 1>Trey agrees. Emily is not impressed. She didn't end world

1:14:42.920 --> 1:14:46.200
<v Speaker 1>hunger people, that's what she says. At the police station.

1:14:46.280 --> 1:14:48.360
<v Speaker 1>Now the coopers have arrived, checking to see if anyone's

1:14:48.360 --> 1:14:50.400
<v Speaker 1>seen their kids, but all they get are laughs from

1:14:50.400 --> 1:14:54.040
<v Speaker 1>the cops, which seem rude because there were kids in there.

1:14:54.520 --> 1:14:56.320
<v Speaker 1>They're like, kids, we never have kids in here. You

1:14:56.400 --> 1:14:59.040
<v Speaker 1>literally just had nine kids in your thing. Yet we're

1:14:59.080 --> 1:15:01.639
<v Speaker 1>back on the sidewalking again. Jenny apologize to Emily about

1:15:01.680 --> 1:15:03.200
<v Speaker 1>what she said at the police station, even though it's

1:15:03.200 --> 1:15:04.800
<v Speaker 1>been an awful night. There's no reason to take it

1:15:04.840 --> 1:15:06.760
<v Speaker 1>out on her and hurt her feelings, which is very nice.

1:15:07.120 --> 1:15:09.960
<v Speaker 1>Emily calls herself an invisible dork, but Jenny argues she's

1:15:10.000 --> 1:15:12.360
<v Speaker 1>not invisible. She's beautiful and she doesn't need green hair

1:15:12.479 --> 1:15:15.160
<v Speaker 1>tattoos to get noticed. Being herself is enough and if

1:15:15.200 --> 1:15:18.080
<v Speaker 1>Trey doesn't see that, that's his loss. Besides, and the

1:15:18.200 --> 1:15:20.639
<v Speaker 1>lookover and the guys are dancing, boys are dorks, which

1:15:20.680 --> 1:15:23.400
<v Speaker 1>is very funny. Emily agrees and hugs Jenny, but there

1:15:23.479 --> 1:15:26.439
<v Speaker 1>is something she should probably tell her. We're now in

1:15:26.479 --> 1:15:28.639
<v Speaker 1>another New York City block. The Cooper's wonder if Emily

1:15:28.720 --> 1:15:31.439
<v Speaker 1>meant the North Park Police station. Missus Cooper's just tired

1:15:31.640 --> 1:15:35.680
<v Speaker 1>and her feet hurt because again she sucks. We're now

1:15:35.800 --> 1:15:38.439
<v Speaker 1>back with the kids. Aj reveals to Jenny that she

1:15:38.560 --> 1:15:40.840
<v Speaker 1>left a message saying they were in trouble, and just

1:15:41.000 --> 1:15:43.320
<v Speaker 1>like that, they all know they're screwed. And then just

1:15:43.400 --> 1:15:45.880
<v Speaker 1>a staircase away, missus Cooper spots a girl who looks

1:15:45.920 --> 1:15:48.120
<v Speaker 1>like Emily, but mister Cooper points out that the girl

1:15:48.160 --> 1:15:50.320
<v Speaker 1>has green hair, so that can't be Emily, so they

1:15:50.360 --> 1:15:52.040
<v Speaker 1>get in the cabin. They head back to the gala,

1:15:52.120 --> 1:15:55.160
<v Speaker 1>I think, because why actually find your kids? And now

1:15:55.240 --> 1:15:57.320
<v Speaker 1>a few feet away from that, Jenny has emily called

1:15:57.320 --> 1:15:58.840
<v Speaker 1>the parents back to tell them it was a prank.

1:15:59.120 --> 1:16:01.160
<v Speaker 1>But when she does this, as Cooper notices, the phone

1:16:01.200 --> 1:16:03.560
<v Speaker 1>says Elle Perez, and since she doesn't know who it is,

1:16:03.640 --> 1:16:08.479
<v Speaker 1>she doesn't answer. If your kids are missing and you

1:16:08.600 --> 1:16:11.120
<v Speaker 1>were just at the police station trying to find them

1:16:11.600 --> 1:16:14.439
<v Speaker 1>and something's going on, how would you not pick up

1:16:14.520 --> 1:16:15.599
<v Speaker 1>that phone call?

1:16:16.200 --> 1:16:19.400
<v Speaker 2>This is a so britest seas. Why aren't you calling

1:16:20.479 --> 1:16:24.240
<v Speaker 2>the babysitter. Why have you not called the babysitter. Why

1:16:24.280 --> 1:16:27.160
<v Speaker 2>have you not called Jenny who knows the babysitter. Why

1:16:27.200 --> 1:16:29.559
<v Speaker 2>have you not called anyone that's at the actual house.

1:16:29.760 --> 1:16:35.320
<v Speaker 1>Nope, that doesn't mean sense. Eventually it was ridiculous.

1:16:35.560 --> 1:16:39.080
<v Speaker 2>Yes, eventually they do. But that would be my first thing. Yeah,

1:16:39.800 --> 1:16:41.080
<v Speaker 2>let me call my babysitter.

1:16:41.479 --> 1:16:42.639
<v Speaker 1>This is one of the big problems.

1:16:42.720 --> 1:16:46.320
<v Speaker 2>Let me call my neighbor who lives across the street. Yes, A,

1:16:46.800 --> 1:16:48.840
<v Speaker 2>can you walk over to the house because I just

1:16:48.920 --> 1:16:50.920
<v Speaker 2>got a really weird phone call. I'm trying to get home,

1:16:51.000 --> 1:16:52.360
<v Speaker 2>but I'm still thirty minutes away.

1:16:53.760 --> 1:16:54.960
<v Speaker 1>Is that agree?

1:16:55.080 --> 1:16:57.280
<v Speaker 2>I wouldn't be calling my dad who lives thirty minutes

1:16:57.280 --> 1:16:58.920
<v Speaker 2>away from me, being like, I don't know if you

1:16:59.000 --> 1:17:01.320
<v Speaker 2>could get there quicker, Yeah, get all ready, it'll be

1:17:01.439 --> 1:17:02.080
<v Speaker 2>peace of mind.

1:17:02.360 --> 1:17:07.280
<v Speaker 1>Yes, there's something there was. One of the main problems

1:17:07.320 --> 1:17:11.880
<v Speaker 1>with this movie was making it two families and two babysitters.

1:17:11.920 --> 1:17:14.240
<v Speaker 1>Means you have to track two sets of parents on

1:17:14.360 --> 1:17:18.840
<v Speaker 1>the adventure right again, original adventure babysitting one family. You

1:17:19.000 --> 1:17:21.160
<v Speaker 1>just set to stick with those parents and find out

1:17:21.240 --> 1:17:23.439
<v Speaker 1>how do we keep them away? This way you've got

1:17:23.520 --> 1:17:24.640
<v Speaker 1>to keep too and one of the ways they did

1:17:24.840 --> 1:17:27.920
<v Speaker 1>is they're both at the gala. Yeah, it's a little

1:17:28.000 --> 1:17:31.439
<v Speaker 1>I mean again, I get why they did it because

1:17:31.479 --> 1:17:34.679
<v Speaker 1>you wanted the two dueling babysitters. Good idea, great idea,

1:17:34.720 --> 1:17:37.599
<v Speaker 1>especially when you can cast Sabrina Carpenter and Sophia Carson.

1:17:37.760 --> 1:17:40.840
<v Speaker 2>Absolutely one of the families probably should have been out

1:17:40.880 --> 1:17:43.640
<v Speaker 2>of town so they weren't able to come back, so

1:17:43.760 --> 1:17:44.280
<v Speaker 2>be something.

1:17:44.720 --> 1:17:47.880
<v Speaker 1>But this was just very Yeah, you're just you're trying

1:17:47.920 --> 1:17:50.120
<v Speaker 1>to do too much, and so that's why we keep

1:17:50.160 --> 1:17:51.640
<v Speaker 1>having to cut back to this to that, to this

1:17:51.800 --> 1:17:54.840
<v Speaker 1>to that, and you're cutting fifty times and a ninety

1:17:54.840 --> 1:17:57.240
<v Speaker 1>three minute movie, you're exhausted by the time this movie,

1:17:57.320 --> 1:18:01.760
<v Speaker 1>So you are exhausted, and again, it's not bad. That's

1:18:01.840 --> 1:18:05.120
<v Speaker 1>not a bad thing. There's a lot going on.

1:18:05.280 --> 1:18:07.320
<v Speaker 2>There's a lot going and things are starting to slip

1:18:07.360 --> 1:18:08.160
<v Speaker 2>through the holes.

1:18:08.439 --> 1:18:11.080
<v Speaker 1>Right, And this is where it gets a little even

1:18:11.640 --> 1:18:15.200
<v Speaker 1>more absurd. Emily suggests going to the gala to erase

1:18:15.320 --> 1:18:18.400
<v Speaker 1>the voicemail before their family hears it, but Jenny doesn't

1:18:18.400 --> 1:18:20.400
<v Speaker 1>think they even have the money to get there. Katie

1:18:20.439 --> 1:18:22.880
<v Speaker 1>reveals there's one hundred dollars bill in her mom's fancy

1:18:22.960 --> 1:18:25.040
<v Speaker 1>coat jacket, so now they have to go to the

1:18:25.080 --> 1:18:27.680
<v Speaker 1>galla to get it, but again they don't have the

1:18:27.720 --> 1:18:31.240
<v Speaker 1>money to get there. Okay. As they arrive inside the Galla,

1:18:31.360 --> 1:18:33.519
<v Speaker 1>Jenny realizes both the Andersons and the Coopers are there,

1:18:33.600 --> 1:18:35.920
<v Speaker 1>so if she's caught, she'll never get that recommendation letter.

1:18:36.360 --> 1:18:39.200
<v Speaker 1>And then, finally, in another weird twist, the pawnshop guys

1:18:39.240 --> 1:18:41.240
<v Speaker 1>find the invite for the gala, so they head over

1:18:41.320 --> 1:18:44.080
<v Speaker 1>there too. This is where the movie started to go

1:18:44.200 --> 1:18:45.200
<v Speaker 1>completely off the rail show.

1:18:45.240 --> 1:18:47.439
<v Speaker 2>Yes, this is where I sort of got like you

1:18:47.600 --> 1:18:48.600
<v Speaker 2>sort of lost me for it.

1:18:48.680 --> 1:18:51.880
<v Speaker 1>Y I agree. Bobby smells impressive food and tray spots

1:18:51.920 --> 1:18:53.960
<v Speaker 1>the coat room. They sneak over through the kitchen, where

1:18:53.960 --> 1:18:56.320
<v Speaker 1>they see the chefs arguing. One spray's chocolate in the

1:18:56.360 --> 1:18:58.280
<v Speaker 1>other's face and quits, throwing his hat in the air,

1:18:58.320 --> 1:19:02.240
<v Speaker 1>which Bobby catches. The event planner is freaking out what's

1:19:02.280 --> 1:19:04.639
<v Speaker 1>taking so long for dessert, and just like that, Bobby

1:19:04.760 --> 1:19:09.439
<v Speaker 1>steps in and essentially becomes the head chef of this

1:19:09.720 --> 1:19:13.519
<v Speaker 1>met Galla thing. And this is where I was like, really,

1:19:14.280 --> 1:19:16.080
<v Speaker 1>he couldn't have walked over to a regular chef and

1:19:16.160 --> 1:19:18.160
<v Speaker 1>been like you should have tried this ingredient or something

1:19:18.439 --> 1:19:20.600
<v Speaker 1>where it's not This little kid is then surrounded by

1:19:20.640 --> 1:19:22.519
<v Speaker 1>everyone in the kitchen and they're like, he's the head

1:19:22.600 --> 1:19:25.479
<v Speaker 1>chef now. It was so it's getting so ridiculous.

1:19:25.000 --> 1:19:28.840
<v Speaker 2>That parfetched too much for me too. And yes, I

1:19:29.000 --> 1:19:33.200
<v Speaker 2>think especially kids, like the kids do, some kids really

1:19:33.280 --> 1:19:35.160
<v Speaker 2>do fall in love with like poking and things like that.

1:19:35.439 --> 1:19:40.960
<v Speaker 2>So there is this like amazing, like you to actually

1:19:41.040 --> 1:19:44.040
<v Speaker 2>have a kid running in a kitchen is very cool idea.

1:19:45.160 --> 1:19:47.800
<v Speaker 2>It's its own weird that they yes, make it its

1:19:47.800 --> 1:19:50.360
<v Speaker 2>own movie, but it's just weird that like it just

1:19:50.520 --> 1:19:55.599
<v Speaker 2>happened so easily. Yeah, No, they just basically were like, oh,

1:19:56.280 --> 1:19:59.320
<v Speaker 2>there's a kid here, you're in charge.

1:19:59.560 --> 1:20:02.040
<v Speaker 1>Yeah, and now, and they're they're going to the gallery

1:20:02.200 --> 1:20:04.880
<v Speaker 1>adults around. Yeah, they're going to the galla to try

1:20:04.960 --> 1:20:07.000
<v Speaker 1>to erase the phone call.

1:20:07.600 --> 1:20:09.920
<v Speaker 2>And get money out of there and get money. Yeah,

1:20:09.960 --> 1:20:14.439
<v Speaker 2>we're starting to Yeah. But hey, listen, I sung a

1:20:14.520 --> 1:20:17.040
<v Speaker 2>dog out of all exactly.

1:20:17.560 --> 1:20:20.200
<v Speaker 1>I get it. I get it. I didn't know what

1:20:20.280 --> 1:20:21.920
<v Speaker 1>the press, I didn't know what the White House was.

1:20:22.880 --> 1:20:25.839
<v Speaker 1>I get it. It happens. I was the devil's minion

1:20:25.920 --> 1:20:28.000
<v Speaker 1>who had to buy the soul of a hockey player.

1:20:28.120 --> 1:20:28.519
<v Speaker 1>I get it.

1:20:28.680 --> 1:20:29.960
<v Speaker 2>Here, we're here, this is.

1:20:30.000 --> 1:20:31.800
<v Speaker 1>What we're doing. This is what we're doing. This is

1:20:31.880 --> 1:20:34.200
<v Speaker 1>what this is what we're doing. We're in, We're in.

1:20:35.040 --> 1:20:38.400
<v Speaker 1>It's so true. Meanwhile, Katie and Jenny head to the

1:20:38.439 --> 1:20:40.280
<v Speaker 1>coat room for one hundred dollars? Do you keep hitting

1:20:40.360 --> 1:20:44.080
<v Speaker 1>cash with you when you try? I never have cash ever, ever. Ever.

1:20:44.400 --> 1:20:46.719
<v Speaker 2>I hate when Jordan when we like Vala and Jordan

1:20:46.800 --> 1:20:49.639
<v Speaker 2>looks at me and goes, hey, I don't have cash.

1:20:49.680 --> 1:20:52.760
<v Speaker 2>He always does cash on him all the time, Hey

1:20:52.840 --> 1:20:54.600
<v Speaker 2>do you have five dollars? And I always look him like,

1:20:55.320 --> 1:20:56.320
<v Speaker 2>why do you even ask me?

1:20:56.439 --> 1:20:58.400
<v Speaker 1>Yes, it's just the opposite in our family.

1:20:58.479 --> 1:21:01.759
<v Speaker 2>We go to valet somewhere, wall it into place, Apple

1:21:01.880 --> 1:21:04.439
<v Speaker 2>pay everything, like, I don't even take my wallet in

1:21:04.800 --> 1:21:05.680
<v Speaker 2>most of the time now you.

1:21:05.720 --> 1:21:14.800
<v Speaker 1>Never have cash. Mister and Missus Cooper return to the

1:21:14.840 --> 1:21:16.840
<v Speaker 1>galla to grab their coats and go home. Jenny and

1:21:16.920 --> 1:21:18.400
<v Speaker 1>Katie see them and know they need to hurry up.

1:21:18.439 --> 1:21:20.320
<v Speaker 1>They find the jacket, but before they can get the money,

1:21:20.360 --> 1:21:23.920
<v Speaker 1>the coat lady grabs it away. Missus Cooper herself trives

1:21:23.960 --> 1:21:26.639
<v Speaker 1>are a fancy one hundred dollars bill jacket and decides

1:21:26.680 --> 1:21:29.200
<v Speaker 1>she's getting dessert. Since the Coopers know what Jenny looks like,

1:21:29.280 --> 1:21:31.000
<v Speaker 1>they have to dress Lola up and heels in a

1:21:31.080 --> 1:21:33.880
<v Speaker 1>faux fur to go inside and steal the money right

1:21:33.920 --> 1:21:36.880
<v Speaker 1>from missus Cooper. Meanwhile, in the kitchen, Bobby is now

1:21:37.800 --> 1:21:41.679
<v Speaker 1>Gordon Ramsey and he's taste testing everything. Nothing's working. Someone

1:21:41.720 --> 1:21:44.200
<v Speaker 1>brings him seaweed and he agrees that's the secret ingredient

1:21:44.240 --> 1:21:46.599
<v Speaker 1>he's been looking for, because yeah, when you need something, it's.

1:21:46.760 --> 1:21:50.479
<v Speaker 2>Sed final straw. That was my final straw.

1:21:50.880 --> 1:21:53.720
<v Speaker 1>Yeah, seaweed on the seaweed on a chocolate moved and

1:21:53.800 --> 1:21:57.280
<v Speaker 1>everyone's like, yes, this is it awful? Now, Well, now

1:21:57.320 --> 1:21:59.760
<v Speaker 1>he thinks it's perfect, and just then Tiny in the

1:21:59.800 --> 1:22:02.840
<v Speaker 1>nin arrive bad. These guys arrive back at the gala

1:22:03.160 --> 1:22:06.639
<v Speaker 1>and tells security they are the kids. Yeah, but everyone

1:22:06.760 --> 1:22:09.360
<v Speaker 1>is suspicious. We're now in the Gallo ballroom. Lola is

1:22:09.400 --> 1:22:11.599
<v Speaker 1>trying to be inconspicuous but is fumbling in the heels.

1:22:11.840 --> 1:22:13.639
<v Speaker 1>She ends up sitting next to Missus Cooper and faking

1:22:13.680 --> 1:22:16.240
<v Speaker 1>a British accent, just as Tiny and then Ninjas bought

1:22:16.240 --> 1:22:18.800
<v Speaker 1>the kids. Lola examines the fancy coat and drops to

1:22:18.840 --> 1:22:20.680
<v Speaker 1>the ground. While picking it up, she ravishes through the

1:22:20.720 --> 1:22:23.080
<v Speaker 1>coat pocket, first finding a twenty, which I'm pretty sure

1:22:23.120 --> 1:22:25.960
<v Speaker 1>she pockets, and then finding the hundred, which she pockets.

1:22:26.000 --> 1:22:28.320
<v Speaker 1>So she needed the hundred but also took the twenty

1:22:28.720 --> 1:22:31.559
<v Speaker 1>With that. Lola says goodbye and leaves. Tiny and Ninja

1:22:31.600 --> 1:22:33.800
<v Speaker 1>have finally found Jenny and try grabbing the camera from her,

1:22:33.840 --> 1:22:36.400
<v Speaker 1>but Jenny fights back. Katie stops on his toes and

1:22:36.520 --> 1:22:39.320
<v Speaker 1>during the melee they successfully get away. Then the ferret

1:22:39.360 --> 1:22:42.200
<v Speaker 1>pops out of Ninja's jacket. Remember the ferret. He apparently

1:22:42.240 --> 1:22:44.760
<v Speaker 1>takes him everywhere. The little rodent fully jumps out of

1:22:44.800 --> 1:22:46.760
<v Speaker 1>the coat and runs into the party, causing everyone to

1:22:46.840 --> 1:22:50.040
<v Speaker 1>run and scream. Tiny in the Ninja recapture the purple ferret,

1:22:50.040 --> 1:22:52.120
<v Speaker 1>but security ends up arresting the guys before they can

1:22:52.160 --> 1:22:54.640
<v Speaker 1>reunite with the animal, and I think that's pretty much

1:22:54.680 --> 1:22:57.960
<v Speaker 1>the end of that storyline. We're now back in the kitchen.

1:22:58.040 --> 1:23:00.320
<v Speaker 1>AJ is fast asleep and roller skates, and again, at

1:23:00.320 --> 1:23:02.479
<v Speaker 1>this point, I feel like an I'm four hours into

1:23:02.520 --> 1:23:04.920
<v Speaker 1>this movie. There's just so much going on. It is

1:23:06.120 --> 1:23:09.679
<v Speaker 1>a is and again, it's not bad. It's just there's

1:23:09.720 --> 1:23:10.479
<v Speaker 1>a lot going on.

1:23:10.920 --> 1:23:13.200
<v Speaker 2>It's just taxing. It's just like it is my go

1:23:13.280 --> 1:23:14.080
<v Speaker 2>its okay.

1:23:14.040 --> 1:23:16.640
<v Speaker 1>Yeah, AJ's fastest, sleeping roller skates, laying on a rack

1:23:16.680 --> 1:23:18.679
<v Speaker 1>of food. Trey hopes they aren't missing anything and wonders

1:23:18.720 --> 1:23:21.840
<v Speaker 1>why Emily colored her hair. Emily says because she's boring,

1:23:21.920 --> 1:23:23.960
<v Speaker 1>but Trey doesn't agree. He thinks she's pretty cool. And

1:23:24.040 --> 1:23:25.840
<v Speaker 1>then Jenny and Lola run in. It's time to go

1:23:26.080 --> 1:23:30.680
<v Speaker 1>nice cockblock Jenny. At the police station, flirty Officer mcjames

1:23:30.800 --> 1:23:32.800
<v Speaker 1>gets a call about a big fat guy named Tiny,

1:23:32.920 --> 1:23:35.280
<v Speaker 1>a tall, skinny guy in a hood and a sapphire ferret,

1:23:35.720 --> 1:23:38.400
<v Speaker 1>and yes, he believes it because he wants to hook

1:23:38.439 --> 1:23:40.160
<v Speaker 1>up with that nineteen year old girl that he pulled

1:23:40.200 --> 1:23:42.840
<v Speaker 1>over twice today. But I'm a rookie. I'm a rookie.

1:23:43.760 --> 1:23:46.240
<v Speaker 1>Outside the gallia, Lola can't believe everything that's happened. They

1:23:46.240 --> 1:23:48.280
<v Speaker 1>all agree they made a pretty good team. Lola admits,

1:23:48.280 --> 1:23:50.439
<v Speaker 1>I totally see why that guy asked you to the concert.

1:23:51.080 --> 1:23:53.800
<v Speaker 1>Jenny's confused. What guy? Lola thinks his name was Zeke.

1:23:54.320 --> 1:23:56.840
<v Speaker 1>Jenny can't believe Zach Chase asked her to the concert

1:23:56.920 --> 1:23:58.600
<v Speaker 1>that would have only been the single most important night

1:23:58.640 --> 1:24:00.760
<v Speaker 1>of her life. She asked Lola what she says. Lola

1:24:00.800 --> 1:24:03.439
<v Speaker 1>says she may have implied that Jenny wasn't interested. Jenny

1:24:03.560 --> 1:24:06.080
<v Speaker 1>is beside herself. Why would she do that? Lola said

1:24:06.080 --> 1:24:08.680
<v Speaker 1>she was distracted by Officer McDreamy and tells Jenny it's

1:24:08.720 --> 1:24:10.479
<v Speaker 1>not too late. She calls for a taxi now with

1:24:10.520 --> 1:24:12.720
<v Speaker 1>one hundred dollars in her hand. Maybe that's what the

1:24:12.760 --> 1:24:15.160
<v Speaker 1>twenties four, I don't know. At the gala, Tiny and

1:24:15.240 --> 1:24:18.599
<v Speaker 1>Ninja are arrested by Officer Mcjames McDreamy, mcguy who probably

1:24:18.640 --> 1:24:21.559
<v Speaker 1>has washboard abs, who says they won't be kidnapping any

1:24:21.600 --> 1:24:24.960
<v Speaker 1>more exotic animals on his watch. Another guard is caressing

1:24:25.040 --> 1:24:29.120
<v Speaker 1>the ferret not a euphemism. Missus Anderson tells her husband

1:24:29.120 --> 1:24:31.280
<v Speaker 1>about a new voicemail from their alarm company, and now

1:24:31.320 --> 1:24:34.880
<v Speaker 1>the babysitter isn't answering, Hey, that could mean something. He

1:24:34.960 --> 1:24:36.720
<v Speaker 1>tells her to try the home phone, but we cut

1:24:36.760 --> 1:24:38.599
<v Speaker 1>to a messy, empty house. No one picks up the phone,

1:24:38.640 --> 1:24:40.120
<v Speaker 1>and the dog is still licking up the food. At

1:24:40.200 --> 1:24:43.400
<v Speaker 1>least they tried to call their family. The other lady

1:24:43.520 --> 1:24:46.280
<v Speaker 1>did not. We're now back outside the concert. The kids

1:24:46.360 --> 1:24:48.960
<v Speaker 1>arrive but don't have a ticket. Lola says she'll handle

1:24:49.000 --> 1:24:50.640
<v Speaker 1>this and asks the security guard what's it going to

1:24:50.680 --> 1:24:52.240
<v Speaker 1>take for all of them to get into the concert?

1:24:52.720 --> 1:24:54.880
<v Speaker 1>And again, this came off as creepy and weird to me.

1:24:54.960 --> 1:24:56.400
<v Speaker 1>I'm sorry it just did. I don't know if my

1:24:56.479 --> 1:24:59.240
<v Speaker 1>mind went to a creepy place, but that sounded creepy

1:24:59.280 --> 1:25:02.760
<v Speaker 1>to me, he says. Her camera. Lola takes out the

1:25:02.800 --> 1:25:04.800
<v Speaker 1>memory card and gives up her beloved camera to make

1:25:04.840 --> 1:25:07.280
<v Speaker 1>things right, and then they all walk into the concert.

1:25:07.880 --> 1:25:09.320
<v Speaker 1>Jenny thinks she looks like a mess, so with the

1:25:09.320 --> 1:25:11.439
<v Speaker 1>help of Katie in the bathroom, she transforms into a

1:25:11.560 --> 1:25:14.240
<v Speaker 1>concert ready, cool looking chick, but she still doesn't think

1:25:14.280 --> 1:25:16.479
<v Speaker 1>she can do it. Lola tells her to look at

1:25:16.560 --> 1:25:18.920
<v Speaker 1>everything she did tonight. Went to jail, stole a car,

1:25:19.080 --> 1:25:21.080
<v Speaker 1>crashed a galup, and fought off criminals. Talking to a

1:25:21.120 --> 1:25:23.760
<v Speaker 1>boy should be easy. But just as she finds the guts,

1:25:23.800 --> 1:25:26.479
<v Speaker 1>the concert's over. Everyone's rushing out. Jenny's trying to find

1:25:26.560 --> 1:25:28.479
<v Speaker 1>Zach in the crowd, calling on his name, and magically

1:25:28.560 --> 1:25:30.719
<v Speaker 1>she ends up on stage and spots him. He's shocked

1:25:30.760 --> 1:25:33.280
<v Speaker 1>to see her. She admits someone else had her phone

1:25:33.400 --> 1:25:34.960
<v Speaker 1>or she would have went to the concert with him.

1:25:35.200 --> 1:25:37.400
<v Speaker 1>He joins her on stage and tells her she looks beautiful,

1:25:37.439 --> 1:25:40.720
<v Speaker 1>but she has to go, He insists, so go with her. Dominique,

1:25:40.800 --> 1:25:44.120
<v Speaker 1>that don't get me started. Already left with her boyfriend.

1:25:44.160 --> 1:25:47.320
<v Speaker 1>What a tramp? This girl is just hoppin' from one

1:25:47.400 --> 1:25:50.400
<v Speaker 1>guy in many Dominique was probably fine, she didn't even

1:25:50.400 --> 1:25:50.760
<v Speaker 1>have a lot.

1:25:50.640 --> 1:25:54.960
<v Speaker 2>Of I'm sure she's a nice girl. Uh huh ah huh.

1:25:55.120 --> 1:25:57.760
<v Speaker 1>Don't try that with me, Sabrina. The kids run in

1:25:57.840 --> 1:26:00.599
<v Speaker 1>to find Jenny and she introduces everybody to Zach. Lolo

1:26:00.640 --> 1:26:02.720
<v Speaker 1>reveal she got a missed call from missus Anderson, and

1:26:02.760 --> 1:26:05.559
<v Speaker 1>they listen to her concerned voicemail. Together, Jenny thinks all

1:26:05.560 --> 1:26:07.280
<v Speaker 1>the parents are probably on their way home by now,

1:26:07.320 --> 1:26:09.599
<v Speaker 1>and she's bummed she ignored the most important rule of all.

1:26:09.840 --> 1:26:11.880
<v Speaker 1>You never put a boy before you put the kids.

1:26:12.360 --> 1:26:14.360
<v Speaker 1>Lola says it's her fault. She should never have taken

1:26:14.400 --> 1:26:16.439
<v Speaker 1>the job because she thought babysitting was easy, but it's not.

1:26:16.840 --> 1:26:19.120
<v Speaker 1>The kids list off everything they've done tonight too. They

1:26:19.160 --> 1:26:22.200
<v Speaker 1>also have something to lose, and so in this together

1:26:22.320 --> 1:26:24.880
<v Speaker 1>they run off for the towyard, but as they arrive,

1:26:24.960 --> 1:26:26.600
<v Speaker 1>the toe ladies locking up the gate. They try to

1:26:26.600 --> 1:26:29.000
<v Speaker 1>stop her, but she insists they're clothes. Jenny hasn't taken

1:26:29.080 --> 1:26:30.840
<v Speaker 1>no for an answer, And this is the line that

1:26:30.920 --> 1:26:33.559
<v Speaker 1>they took from the original one. In the original one,

1:26:33.680 --> 1:26:36.080
<v Speaker 1>the kids are on a subway and a gang comes

1:26:36.160 --> 1:26:38.600
<v Speaker 1>up to her and they take a knife out and

1:26:38.800 --> 1:26:42.080
<v Speaker 1>they throw the knife into the kid's foot in front

1:26:42.120 --> 1:26:45.040
<v Speaker 1>of her. The kid Keith Coogan's foot and say don't

1:26:45.720 --> 1:26:48.920
<v Speaker 1>with the lords from Hell. And she picks up the knife,

1:26:48.960 --> 1:26:50.200
<v Speaker 1>pulls it from his foot and puts it in his

1:26:50.280 --> 1:26:54.559
<v Speaker 1>face and goes don't with the babysitter. And that's where

1:26:54.600 --> 1:26:56.280
<v Speaker 1>the f so much it must have been two must

1:26:56.360 --> 1:26:59.839
<v Speaker 1>be must be allowed to f words for the for pg. Thirteen,

1:27:00.120 --> 1:27:02.519
<v Speaker 1>So that was their nod was don't mess with the

1:27:02.560 --> 1:27:05.559
<v Speaker 1>babysitter because seeing a Sabrina Carpenter and DCM saying don't

1:27:05.600 --> 1:27:08.800
<v Speaker 1>put the babysitter probably wasn't going to work. So they

1:27:08.880 --> 1:27:10.880
<v Speaker 1>grab her keys and hauler to the gate. And now

1:27:10.920 --> 1:27:12.680
<v Speaker 1>they got the car, it's time to race home. The

1:27:12.760 --> 1:27:15.200
<v Speaker 1>dirty suv pulls up at the Anderson's house, Jenny tells

1:27:15.200 --> 1:27:16.559
<v Speaker 1>Trey to get the hose and rints off the car.

1:27:16.880 --> 1:27:19.280
<v Speaker 1>Everyone else goes inside to change into their pajamas quickly,

1:27:19.320 --> 1:27:21.840
<v Speaker 1>but they're greeted by a huge mess once inside. Uh oh.

1:27:22.320 --> 1:27:24.200
<v Speaker 1>Lola gives everyone a task to clean up as quickly

1:27:24.200 --> 1:27:26.599
<v Speaker 1>as possible because we cut to the parents and literally

1:27:26.720 --> 1:27:28.360
<v Speaker 1>the parents say, hey, how long is it going to

1:27:28.400 --> 1:27:30.679
<v Speaker 1>take us to get home? Fifteen minutes because they wanted

1:27:30.720 --> 1:27:32.000
<v Speaker 1>to put a clock on it, which was a scene

1:27:32.040 --> 1:27:33.880
<v Speaker 1>we didn't need. Should have just been somebody going we

1:27:33.920 --> 1:27:35.320
<v Speaker 1>don't know when the parents are getting home. Clean up

1:27:35.320 --> 1:27:37.680
<v Speaker 1>as fast as possible, but the Anderson's are going to

1:27:37.720 --> 1:27:39.960
<v Speaker 1>be home in fifteen minutes. The kids finally finish cleaning

1:27:40.000 --> 1:27:42.960
<v Speaker 1>and Bobby makes a ton of cupcakes with time to spare.

1:27:43.280 --> 1:27:45.360
<v Speaker 1>Knowing it's time to leave, Trey and Emily tell Lola

1:27:45.439 --> 1:27:47.560
<v Speaker 1>and Jenny that they're both awesome babysitters. It's been the

1:27:47.640 --> 1:27:51.080
<v Speaker 1>coolest night of their lives. Everyone agrees, and the babysitters leave,

1:27:51.479 --> 1:27:53.960
<v Speaker 1>and just as Jenny pulls away, the Andersons pull up.

1:27:54.520 --> 1:27:56.639
<v Speaker 1>Missus Anderson is happy to see the house isn't on fire,

1:27:56.680 --> 1:27:58.680
<v Speaker 1>and Lola jumps on the couch to casually read a

1:27:58.720 --> 1:28:00.679
<v Speaker 1>magazine is and walk in almost a shot for shot

1:28:00.720 --> 1:28:03.760
<v Speaker 1>remake of the original Ventures in Baby City. Lola says

1:28:03.840 --> 1:28:06.640
<v Speaker 1>things couldn't have gone better. The kids were angels and

1:28:06.720 --> 1:28:08.920
<v Speaker 1>at the Cooper's house, Missus Cooper thanks Jenny for everything.

1:28:09.000 --> 1:28:11.920
<v Speaker 1>Jenny swears it was no trouble at all, and with

1:28:12.040 --> 1:28:14.240
<v Speaker 1>that out of the way, we're still on a nearby

1:28:14.280 --> 1:28:16.960
<v Speaker 1>neighborhood street. Lola gets pulled over by the cops again

1:28:17.680 --> 1:28:20.759
<v Speaker 1>and it's Officer mcflirty guy who asked the high schooler

1:28:20.880 --> 1:28:22.800
<v Speaker 1>out this Saturday night or somebody who looks like she's

1:28:22.800 --> 1:28:26.200
<v Speaker 1>in high school. Hopefully she's just a college dropout. This

1:28:26.320 --> 1:28:29.200
<v Speaker 1>is hey, so am I. This all seems very morally

1:28:29.240 --> 1:28:31.599
<v Speaker 1>ambiguous to me, but that's just me. I'm getting old,

1:28:31.680 --> 1:28:34.360
<v Speaker 1>and so I judge. At the Cooper's house, Jenny is

1:28:34.360 --> 1:28:36.360
<v Speaker 1>getting into her car when Zach pulls up to return

1:28:36.439 --> 1:28:39.000
<v Speaker 1>Emily's headphones. He admits he kept them just so he

1:28:39.040 --> 1:28:41.719
<v Speaker 1>can return them and see Jenny. Emily and Katie scream

1:28:41.760 --> 1:28:43.920
<v Speaker 1>out the window ask her out, ask him out, which

1:28:43.960 --> 1:28:45.920
<v Speaker 1>again take off from the original movie, and the guy

1:28:45.960 --> 1:28:48.200
<v Speaker 1>they were asking out was again our good friend George

1:28:48.280 --> 1:28:51.519
<v Speaker 1>Newbern in the original movie. They both ask each other

1:28:51.600 --> 1:28:54.160
<v Speaker 1>out and say yes, and we end up at the

1:28:54.240 --> 1:28:57.800
<v Speaker 1>Internship building, still not done. Jenny arrives and Lola's there too.

1:28:58.000 --> 1:29:00.240
<v Speaker 1>Jenny and Mitchi's late because she needed sleep out her

1:29:00.320 --> 1:29:04.160
<v Speaker 1>date with Zach last night. What the does that mean?

1:29:05.439 --> 1:29:08.519
<v Speaker 1>Lola says, whoever is picked up for the internship She's okay,

1:29:08.600 --> 1:29:10.880
<v Speaker 1>I mean, just weird to say that I needed a

1:29:10.920 --> 1:29:13.000
<v Speaker 1>lot of sleep after my date with Zach last night.

1:29:13.120 --> 1:29:14.720
<v Speaker 1>That's a weird line to throw out.

1:29:15.080 --> 1:29:18.400
<v Speaker 2>Yep, it is in a DCM, in a d com.

1:29:18.520 --> 1:29:20.960
<v Speaker 1>Yeah, and it's a weird lie. You just don't need it.

1:29:21.320 --> 1:29:23.080
<v Speaker 2>Like that deserves a follow up question?

1:29:23.280 --> 1:29:23.560
<v Speaker 1>Thank you?

1:29:23.880 --> 1:29:24.519
<v Speaker 2>Oh really?

1:29:24.880 --> 1:29:28.760
<v Speaker 1>Really? What happened there? I know. Sorry, yeah, no, I

1:29:28.920 --> 1:29:32.400
<v Speaker 1>hear you. It is absolutely crazy, but Jenny admits his

1:29:32.479 --> 1:29:35.719
<v Speaker 1>internship isn't her passion. She called earlier and withdrew her application.

1:29:35.880 --> 1:29:37.760
<v Speaker 1>She's taking the summer off to have some free time,

1:29:37.800 --> 1:29:41.040
<v Speaker 1>which brings up the question why why was she there anyway?

1:29:41.120 --> 1:29:42.680
<v Speaker 1>Lola asked Jenny if she can get some help with

1:29:42.720 --> 1:29:46.280
<v Speaker 1>school applications, and Jenny says, sure, friends help friends. Lola

1:29:46.280 --> 1:29:49.200
<v Speaker 1>admits she's retiring from babysitting and they both laugh. Jenny

1:29:49.200 --> 1:29:51.000
<v Speaker 1>asked Lola for the pictures from the other night, and

1:29:51.080 --> 1:29:54.080
<v Speaker 1>Lola promises to send them to everyone. With that, Jenny

1:29:54.120 --> 1:29:56.800
<v Speaker 1>hands Lola her portfolio and they'll see each other soon.

1:29:57.000 --> 1:29:58.800
<v Speaker 1>Lola opens the folder and it's pictures of the two

1:29:58.840 --> 1:30:01.320
<v Speaker 1>of them. The portfolio close and it reads the end.

1:30:01.560 --> 1:30:03.720
<v Speaker 1>That's when wild Side plays as little uploads all the

1:30:03.800 --> 1:30:07.280
<v Speaker 1>videos we see remembering the crazy night, just like the Hangover,

1:30:07.760 --> 1:30:17.400
<v Speaker 1>and that's our movie. I'm exhausted. Can we do some

1:30:17.479 --> 1:30:18.080
<v Speaker 1>real reviews?

1:30:18.560 --> 1:30:22.400
<v Speaker 2>Yes we can. We will get through these. This is

1:30:22.760 --> 1:30:26.880
<v Speaker 2>a one star from thunder King six.

1:30:27.120 --> 1:30:29.720
<v Speaker 1>Hell yeah, I'm kind of scared of this one, are you?

1:30:29.880 --> 1:30:31.559
<v Speaker 1>The first five thunder Kings were awesome?

1:30:33.040 --> 1:30:38.680
<v Speaker 2>How dare they tarnish the legend. This was disrespectful, bad actors,

1:30:39.000 --> 1:30:46.760
<v Speaker 2>horrible camera quality, cheap environments, cliche, annoying characters, crappy soundtrack.

1:30:47.280 --> 1:30:51.360
<v Speaker 2>This was a Grade A hash. No other show or

1:30:51.520 --> 1:30:55.759
<v Speaker 2>movie has been called a Grade A hash before thunder

1:30:55.880 --> 1:31:00.560
<v Speaker 2>King six. So harsh, take a seat, harsh, and just

1:31:01.000 --> 1:31:02.240
<v Speaker 2>you are disrespectful.

1:31:02.360 --> 1:31:04.920
<v Speaker 1>That's a little harsh. I have the five star review.

1:31:05.040 --> 1:31:09.120
<v Speaker 1>This is from Nijuko. This movie is a really good movie.

1:31:09.400 --> 1:31:11.719
<v Speaker 1>I've watched a few times, and each time I enjoyed

1:31:11.760 --> 1:31:14.160
<v Speaker 1>watching it. I plan on watching this movie again very

1:31:14.240 --> 1:31:16.439
<v Speaker 1>soon because I just love to watch it. I like

1:31:16.520 --> 1:31:19.000
<v Speaker 1>every movie I've seen that is either Sophia or Sabrina

1:31:19.080 --> 1:31:20.639
<v Speaker 1>in it. But I'll still come back to this movie.

1:31:20.960 --> 1:31:23.280
<v Speaker 1>I really look forward to watching this movie again very soon.

1:31:23.520 --> 1:31:26.920
<v Speaker 1>I just can't wait for that moment. Five stars. And

1:31:27.000 --> 1:31:28.799
<v Speaker 1>now we come to our favorite portion of the program,

1:31:28.880 --> 1:31:30.360
<v Speaker 1>and we're gonna get through this fast, people, because we

1:31:30.400 --> 1:31:32.720
<v Speaker 1>know this has been a long episode talking about babysitting,

1:31:33.160 --> 1:31:34.960
<v Speaker 1>but we need to make us feel a little worse

1:31:34.960 --> 1:31:38.120
<v Speaker 1>about ourselves. So this feature is called sit that Baby.

1:31:38.760 --> 1:31:41.400
<v Speaker 1>In conjunction with Jenny's Rules for babysitting, we'll be given

1:31:41.439 --> 1:31:45.960
<v Speaker 1>a rule for babysitting. According to kidsit dot com, not

1:31:46.080 --> 1:31:48.559
<v Speaker 1>googling that, and we have to decide if it's true

1:31:48.720 --> 1:31:52.040
<v Speaker 1>or not. These are babysitter rules that all parents should

1:31:52.040 --> 1:31:54.160
<v Speaker 1>have forced. Okay, three out of five wins. Who are

1:31:54.160 --> 1:31:54.920
<v Speaker 1>we playing with today?

1:31:55.400 --> 1:31:56.120
<v Speaker 2>You get Lisa?

1:31:56.400 --> 1:32:00.680
<v Speaker 1>Hey, Lisa, all right? So the number one rule true

1:32:00.760 --> 1:32:04.720
<v Speaker 1>or false? Number one, instruct your babysitter to keep all

1:32:04.880 --> 1:32:07.599
<v Speaker 1>family matters private unless you think it can affect your

1:32:07.680 --> 1:32:16.000
<v Speaker 1>pay for the night. From kidsit dot com, I say

1:32:16.040 --> 1:32:16.479
<v Speaker 1>that's false.

1:32:17.000 --> 1:32:22.160
<v Speaker 2>That's gotta be false. It is false. Never gossip about

1:32:22.200 --> 1:32:22.679
<v Speaker 2>the family.

1:32:23.640 --> 1:32:27.559
<v Speaker 1>A mob it does. It does talk about the family,

1:32:29.120 --> 1:32:31.080
<v Speaker 1>all right, So hey, we're one for one. Number two

1:32:31.840 --> 1:32:35.880
<v Speaker 1>established guidelines for all appliances to prevent accidents. They'd say

1:32:35.880 --> 1:32:40.280
<v Speaker 1>that's true. That seems pretty normal. True, true, all right.

1:32:40.439 --> 1:32:44.519
<v Speaker 1>Two for two. Number three avoid talking about sexuality, death, Santa,

1:32:44.720 --> 1:32:47.200
<v Speaker 1>or politics. I'd say that's probably true.

1:32:48.920 --> 1:32:51.400
<v Speaker 2>I have it as false. They did not say politics.

1:32:52.200 --> 1:32:58.000
<v Speaker 1>Oh that I'm giving that to us. That's three. We're

1:32:58.040 --> 1:33:02.439
<v Speaker 1>in there. You can't do that. Uh. Number four in

1:33:02.520 --> 1:33:04.599
<v Speaker 1>an emergency called the parent cell phone.

1:33:04.439 --> 1:33:09.920
<v Speaker 2>First true true false? You call damn.

1:33:10.240 --> 1:33:13.040
<v Speaker 1>I guess an emergency that it makes sense. Okay, okay,

1:33:13.640 --> 1:33:15.640
<v Speaker 1>number five, Let them fall asleep at least five to

1:33:15.720 --> 1:33:18.640
<v Speaker 1>ten minutes later than normal to make them feel like

1:33:18.720 --> 1:33:20.479
<v Speaker 1>it's a special night. Oh I can see that, because

1:33:20.479 --> 1:33:24.240
<v Speaker 1>then they'll be happy the babysitters coming. I say, yes, true, true,

1:33:25.120 --> 1:33:26.000
<v Speaker 1>I have it as false.

1:33:26.560 --> 1:33:29.680
<v Speaker 2>Oh stick? Were these worlds written? Though?

1:33:29.840 --> 1:33:32.160
<v Speaker 1>I don't know, I'm still gonna say we won. So there?

1:33:33.800 --> 1:33:35.200
<v Speaker 1>Did we get all the Sabrina seas?

1:33:39.400 --> 1:33:42.400
<v Speaker 2>We got most of them? Except I did have one

1:33:42.560 --> 1:33:44.800
<v Speaker 2>question that I wanted to clear up with you. Is

1:33:44.880 --> 1:33:48.880
<v Speaker 2>it breaking? So in the very very early on when

1:33:48.920 --> 1:33:53.160
<v Speaker 2>they're both in their cars and Jenny lip sinks the

1:33:53.320 --> 1:33:56.960
<v Speaker 2>song that's obviously Sabrina and Sophia's song, right when she

1:33:57.160 --> 1:34:01.080
<v Speaker 2>lip sinks it, is that because it's her singing her

1:34:01.200 --> 1:34:04.160
<v Speaker 2>own song? Is that breaking the fourth wall?

1:34:04.360 --> 1:34:06.559
<v Speaker 1>It's like breaking the sixth wall when you're singing your

1:34:06.600 --> 1:34:07.960
<v Speaker 1>own song. I don't even know how that works. I

1:34:08.080 --> 1:34:08.960
<v Speaker 1>was like, what is that?

1:34:09.200 --> 1:34:11.040
<v Speaker 2>I just kind of it wasn't like she didn't look

1:34:11.080 --> 1:34:12.920
<v Speaker 2>in the camera, but that's what I was like. What

1:34:13.040 --> 1:34:16.679
<v Speaker 2>would that be considered anyway? That's something to think about, right, Yeah.

1:34:17.479 --> 1:34:21.320
<v Speaker 2>The Sapphire Ferret was spray painted or.

1:34:21.360 --> 1:34:23.680
<v Speaker 1>What like it must have been. They just died the

1:34:23.760 --> 1:34:25.120
<v Speaker 1>first I don't think it's a real thing.

1:34:25.439 --> 1:34:28.840
<v Speaker 2>Yeah yeah, And then I had the Hangars was the

1:34:29.280 --> 1:34:31.280
<v Speaker 2>but you did speak about that, but everything else we

1:34:31.360 --> 1:34:32.920
<v Speaker 2>talked about, but the Hangars really killed me.

1:34:33.320 --> 1:34:34.960
<v Speaker 1>That was like, that's they're not holding yet.

1:34:35.000 --> 1:34:37.080
<v Speaker 2>Come on, we had to. We couldn't have think of

1:34:37.400 --> 1:34:38.800
<v Speaker 2>anything else other than that.

1:34:39.000 --> 1:34:41.080
<v Speaker 1>But those aren't holding up. Those aren't killed me. And

1:34:41.120 --> 1:34:43.880
<v Speaker 1>that was it. All right? Now the team the short

1:34:43.920 --> 1:34:45.640
<v Speaker 1>and sweet because we hit it all because this is

1:34:45.720 --> 1:34:47.840
<v Speaker 1>a nine hour episode. This episode is longer than the

1:34:47.880 --> 1:34:50.840
<v Speaker 1>movie by far. I love how ironically I'm the one

1:34:50.840 --> 1:34:52.639
<v Speaker 1>who's like ninety minutes. And then I'll be like, here's

1:34:52.640 --> 1:34:56.680
<v Speaker 1>our forty eight thousand hour podcast. All right, So this

1:34:56.800 --> 1:34:58.720
<v Speaker 1>week we're gonna score this movie one to ten. We're

1:34:58.720 --> 1:35:00.439
<v Speaker 1>gonna make ten the best this week because were hurrying

1:35:00.439 --> 1:35:05.479
<v Speaker 1>through it. Our options are one to ten Keith Coogan, babysitter, movies,

1:35:06.240 --> 1:35:13.840
<v Speaker 1>car eyelashes, polished tires, repeat, decom plot points one to ten,

1:35:13.960 --> 1:35:21.759
<v Speaker 1>problematic cops, henna, tattoo, auras, fluzy dominiques. One to ten rage,

1:35:21.840 --> 1:35:27.120
<v Speaker 1>spilled talk, battle raps, seaweed, ingredients one to ten purple

1:35:27.200 --> 1:35:29.880
<v Speaker 1>rare ferrets or one to ten psychic rockets, And I

1:35:29.960 --> 1:35:32.320
<v Speaker 1>think I get to pick this time, don't I am

1:35:32.640 --> 1:35:40.080
<v Speaker 1>absolutely going with fluozy dominiques, dare she? I also think,

1:35:40.280 --> 1:35:41.280
<v Speaker 1>do I go first? This time?

1:35:41.960 --> 1:35:42.679
<v Speaker 2>You can go first?

1:35:42.720 --> 1:35:43.679
<v Speaker 1>I can? I don't remember.

1:35:43.960 --> 1:35:44.000
<v Speaker 2>No.

1:35:44.160 --> 1:35:45.960
<v Speaker 1>Yeah, because the honeyt s runk the kids, I went

1:35:46.000 --> 1:35:46.880
<v Speaker 1>second and gave it a ten.

1:35:47.760 --> 1:35:48.320
<v Speaker 2>Oh that's right.

1:35:48.520 --> 1:35:50.920
<v Speaker 1>Yeah. Okay, So this movie is not as good as

1:35:50.960 --> 1:35:54.240
<v Speaker 1>the original. No movies are or very few, so I'm

1:35:54.280 --> 1:35:56.320
<v Speaker 1>not trying to hold it to the same standard as

1:35:56.360 --> 1:35:59.439
<v Speaker 1>a PG thirteen that stars the one of the women

1:35:59.520 --> 1:36:01.840
<v Speaker 1>that made me just fall in love with the world.

1:36:02.439 --> 1:36:05.840
<v Speaker 1>So clearly not, you know, I can't do that. That

1:36:06.000 --> 1:36:10.320
<v Speaker 1>being said, the movie's incredibly frenetic. There's a lot going on,

1:36:10.600 --> 1:36:15.519
<v Speaker 1>there's too much going on, the storylines get muddled. The

1:36:15.680 --> 1:36:20.280
<v Speaker 1>cast is great, it's still fun. So this is not

1:36:20.439 --> 1:36:22.160
<v Speaker 1>overall not a bad movie. Am I gonna score this

1:36:22.240 --> 1:36:23.720
<v Speaker 1>a ten? No, of course not. But I'm also not

1:36:23.720 --> 1:36:26.479
<v Speaker 1>gonna score this a four. This was not this just

1:36:26.600 --> 1:36:30.479
<v Speaker 1>the cast alone is worth several points in this movie,

1:36:30.880 --> 1:36:33.960
<v Speaker 1>So I think I'm I'm fair in saying this is

1:36:34.000 --> 1:36:37.360
<v Speaker 1>a solid six point five to a soft seven. Okay

1:36:37.400 --> 1:36:41.640
<v Speaker 1>for a dcom this movie, And I think that's I

1:36:41.760 --> 1:36:43.479
<v Speaker 1>don't think that's being generous, and I don't think that's

1:36:43.520 --> 1:36:46.080
<v Speaker 1>being harsh. I think with the storyline and with the writing,

1:36:46.240 --> 1:36:47.800
<v Speaker 1>with some of the stuff that needed to be changed,

1:36:47.800 --> 1:36:52.200
<v Speaker 1>with the bumbling guys after them, which again it's a dcom,

1:36:52.280 --> 1:36:53.960
<v Speaker 1>I get it, they have to bring it down, but

1:36:54.000 --> 1:36:55.920
<v Speaker 1>they could have ratcheted up a little bit more than

1:36:55.920 --> 1:36:59.320
<v Speaker 1>they did. They didn't have to go straight wacky. I

1:36:59.400 --> 1:37:01.160
<v Speaker 1>think I'm fair with six point five to seven.

1:37:01.640 --> 1:37:02.679
<v Speaker 2>Yes, I agree.

1:37:02.840 --> 1:37:08.599
<v Speaker 1>Oh, by the way, Dominiques, I agree.

1:37:08.680 --> 1:37:12.640
<v Speaker 2>I think same. The issues I had, the chaotic like

1:37:12.840 --> 1:37:15.639
<v Speaker 2>going back and forth, I kind of just sank into

1:37:15.880 --> 1:37:19.920
<v Speaker 2>because that was the demo that they were apparently wanting

1:37:20.000 --> 1:37:20.599
<v Speaker 2>to go forward.

1:37:20.680 --> 1:37:21.400
<v Speaker 1>It was what it is.

1:37:21.479 --> 1:37:23.800
<v Speaker 2>And I'm watching a lot of obviously movies with my

1:37:23.920 --> 1:37:27.200
<v Speaker 2>kids like more like that have that like like just

1:37:27.360 --> 1:37:31.800
<v Speaker 2>constant go sure, so I sank into that level. I

1:37:31.920 --> 1:37:33.880
<v Speaker 2>thought the two girls were so great. I would love

1:37:33.960 --> 1:37:36.479
<v Speaker 2>to see them and I would one hundred percent watch

1:37:36.560 --> 1:37:38.639
<v Speaker 2>anything that the two of them were in. I love

1:37:38.720 --> 1:37:42.400
<v Speaker 2>them that much. That being said, if I see another

1:37:42.439 --> 1:37:45.120
<v Speaker 2>freaking movie with them and they're not singing together, I'm

1:37:45.160 --> 1:37:48.040
<v Speaker 2>gonna lose me, right, So that needs to be that

1:37:48.200 --> 1:37:51.840
<v Speaker 2>needs to be said was documented. I would have given

1:37:51.880 --> 1:37:55.160
<v Speaker 2>it an eight had that happen, but instead I'm going

1:37:55.240 --> 1:37:56.960
<v Speaker 2>to do a seven because I didn't need a wrap

1:37:57.000 --> 1:37:59.639
<v Speaker 2>battle for them. I needed a sing off or something.

1:38:00.040 --> 1:38:03.920
<v Speaker 2>They performed. Both of them are phenomenal and I needed

1:38:03.960 --> 1:38:05.600
<v Speaker 2>that a little bit. I thought you would get it

1:38:05.760 --> 1:38:09.960
<v Speaker 2>in a movie with the two yeah seven seven floozy

1:38:10.479 --> 1:38:15.040
<v Speaker 2>dominics in her favor. She did nothing wrong, she'd seem

1:38:15.040 --> 1:38:17.320
<v Speaker 2>like a sweet girl. She didn't do anything they always

1:38:17.360 --> 1:38:22.640
<v Speaker 2>do as just a good friend. Okay, so thank you

1:38:22.680 --> 1:38:25.400
<v Speaker 2>everybody first of all for sticking with with us.

1:38:25.800 --> 1:38:28.600
<v Speaker 1>But anyway, for our next movie, we don't have to

1:38:28.640 --> 1:38:31.599
<v Speaker 1>go very deep for our deep dive because we're tackling

1:38:31.680 --> 1:38:35.400
<v Speaker 1>a twenty twenty three coming of age comedy, The Slumber Party.

1:38:35.840 --> 1:38:38.120
<v Speaker 1>This was produced by Ron Howard and Brian Grazer, which

1:38:38.120 --> 1:38:40.920
<v Speaker 1>is very exciting. It is available to stream on Disney Plus.

1:38:41.000 --> 1:38:42.760
<v Speaker 1>So impress us with a little prep on your end.

1:38:43.040 --> 1:38:45.200
<v Speaker 1>So thank you so much for joining us on this

1:38:45.439 --> 1:38:48.920
<v Speaker 1>adventure in podcasting. See what I just did there, Serena,

1:38:48.960 --> 1:38:52.040
<v Speaker 1>thank you very much. We really appreciate it and we

1:38:52.200 --> 1:38:55.040
<v Speaker 1>will see you next time. Bye, everybody, k