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Speaker 1: Did you babysit when you were growing up? No, me neither,

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Speaker 1: thank god.

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Speaker 2: Ah And but I will tell you I've made up.

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Speaker 2: And on the other side, because I got babysitters, I

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Speaker 2: have a rolodex of girls.

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Speaker 1: Well see, I want to get into that because I went, wait,

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Speaker 1: is it just girls? You have no dudes? No dudes?

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Speaker 1: You wouldn't want a dude babysitter. No, really.

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Speaker 2: Not unless like unless it was somebody who I met.

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Speaker 2: I guess that's just not I honestly don't know any

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Speaker 2: of the break nobody doesn't that that are around me

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Speaker 2: or whatever my girls are. It's mainly my dancers. I've

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Speaker 2: got schoolgirls.

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Speaker 1: Access to tons of babysitters essentially, yes.

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Speaker 2: So that's really I don't have to search out. I

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Speaker 2: think if I ever did like a sitter like app

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Speaker 2: or online like I would probably look at the dudes

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Speaker 2: at males as well.

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Speaker 1: But like, yeah, somebody's gonna teach you how to fight

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Speaker 1: and spit and roll joints. And I mean there's well,

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Speaker 1: I think it would be good to me.

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Speaker 2: I think it'd be great for like someone to be

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Speaker 2: able to handle Ledger a little bit better. Oh, he's

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Speaker 2: just shockingly.

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Speaker 1: Is he really with babysitters or with everybody.

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Speaker 2: Let me tell you this. For Cinco de Mayo, I

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Speaker 2: took my kids out. Jordan was at the golf being range,

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Speaker 2: so he was going to meet us there once I.

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Speaker 2: Once Monroe got done with dance, we picked up Ledger

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Speaker 2: and we were going out to you know, a restaurant

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Speaker 2: to go enjoy Cicco Tomyo, and Jordan went to the

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Speaker 2: wrong restaurant and so he was later than even, like,

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Speaker 2: you know, coming and meeting us. And I called him

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Speaker 2: and was like furious. He's like, it's like five minutes, babe,

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Speaker 2: Like why are you so upset. I'm like, well, you

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Speaker 2: need to go and go to the grocery store now,

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Speaker 2: because I just turned my head for five seconds and

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Speaker 2: Ledger took the krans that he was given to play

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Speaker 2: on the little coloring thing and turned to the wall

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Speaker 2: and just covered the entire wall with kran. He just

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Speaker 2: sat there and it was so fast will It wasn't

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Speaker 2: even just like a little bit, it was everything. So

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Speaker 2: I'm like, you have to go to Ralph SIT's across

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Speaker 2: the street now and go get the only thing that

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Speaker 2: will work. Because water you drapk in, you gotta go

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Speaker 2: get the magic rations. They worked so well, and I'm like,

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Speaker 2: this only thing is going to work, so you have

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Speaker 2: to go get one. And he's just like, you're kidding me.

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Speaker 2: He's like, well, what were you doing? And I'm like

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Speaker 2: literally sitting right next to him, playing with Monroe helping

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Speaker 2: her color. She wanted to play TikTok toe. So I'm

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Speaker 2: playing three games of TikTok toe, which takes all of

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Speaker 2: thirty seconds. Right, yes, just what her ass three times

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Speaker 2: real quick.

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Speaker 1: I'm glad you beat herd That's how you are a kid.

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Speaker 2: And I turned over and Ledger had just like given

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Speaker 2: me my karma so quickly.

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Speaker 1: I was gonna say, so, let me understand this. You

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Speaker 1: were watching Ledger as he paid on the wall because

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Speaker 1: you were trying to be your daughter.

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Speaker 2: He doesn't take much, man, She's fine, right every time,

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Speaker 2: you know, you start right here, you hit the corner, okay, Monroe, no,

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Speaker 2: you start we start the middle, but then the corners

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Speaker 2: the next and she does that, she goes right above it.

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Speaker 1: And you haven't taught her that yet because you.

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Speaker 2: Like to trying to teach her. She doesn't remember anyway,

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Speaker 2: and he just goes and like Ledgers just like he

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Speaker 2: had to sit her last night and I literally was like,

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Speaker 2: he's just you can't, you can't. Don't take it like

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Speaker 2: he's already. He just ruined my couch with Monroe's lip

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Speaker 2: gloss like painted all over it. You've got to watch him.

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Speaker 2: And she's like okay, and I'm like no, like you

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Speaker 2: have to watch.

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Speaker 1: You can't.

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Speaker 2: Whatever Monroe's doing, She's fine. She's an angel. She won't

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Speaker 2: do anything bad. She won't do anything to get in

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Speaker 2: trouble because she hates being in trouble. This guy Zero s, oh.

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Speaker 1: My god, Well I have a question because I don't

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Speaker 1: have kids. Don't they just make bigger crates. Can't you

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Speaker 1: just create a kid like you would a dog that

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Speaker 1: not Does that.

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Speaker 2: Not work for his sleep time? He is in one

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Speaker 2: of those little tents.

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Speaker 1: Well there you go, put him in a crate.

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Speaker 2: But you finally do that all day, you.

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Speaker 1: Know, chuck some food there.

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Speaker 2: He doesn't get his energy out. He'll never go to street.

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Speaker 2: He's got so much energy. But when I tell you, though,

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Speaker 2: like watching him, he's so funny. And our producer is Tara,

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Speaker 2: Lisa and Mikayla got to see him firsthand and they're like, Wow, sorry, guys,

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Speaker 2: he won't come to anything again.

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Speaker 1: That's great. He's a handful.

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Speaker 2: Love it funny though, he's hilarious and you love to

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Speaker 2: just let him go and you're like, love them. Yeah,

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Speaker 2: he'll be someone else's he'll be someone's husband one day.

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Speaker 1: Yeah, well you're my hands. As I always say, you're

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Speaker 1: really selling kids on me, and well you.

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Speaker 2: Are not in the market, so it's fine. You anything

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Speaker 2: to do with it, So it's fine. I don't be

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Speaker 2: honest with you. With my friends that are still thinking

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Speaker 2: about it, I'm like, oh, he's so funny.

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Speaker 1: And easy court nice, good.

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Speaker 2: He's cute. Lookodorable he is.

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Speaker 1: Yes, stop, stops, it's all he'sced. Yeah. Susan's actually out

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Speaker 1: at the grocery store right now getting magic racers because

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Speaker 1: I was coloring all over the wall.

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Speaker 2: Oh yeah, see it happened. He loves kids, she does.

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Speaker 1: She's got one. Welcome to problems, she does. Welcome back

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Speaker 1: to Magical. Rewind the show that makes you want to

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Speaker 1: grab your friends, your pjs, and your popcorn and go

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Speaker 1: back to a time when all the houses were smart,

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Speaker 1: The Wave, Tsunamis, and the Crans could just be taken

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Speaker 1: off of soap and water, but not anymore. They've changed,

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Speaker 1: it changed, it's totally different.

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Speaker 2: I'm Wilfredell and I'm Sabrina Brian.

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Speaker 1: Well, last week we time traveled to nineteen eighty nine

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Speaker 1: for the blockbuster that was Honey, I Shrunk the Kids

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Speaker 1: and we loved it. But now we're going back a

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Speaker 1: little further to nineteen eighty seven, but only for inspiration,

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Speaker 1: because on this episode we're looking into the twenty sixteen

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Speaker 1: technically sequel, technically reimagining, technically just using the title Adventures

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Speaker 1: in Babysitting, And I'm gonna tell you going into this movie, Sabrina,

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Speaker 1: I was not happy because this is one of my

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Speaker 1: favorites of all time. Elizabeth Shoe is my forever crush

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Speaker 1: in love with her. This movie was incredible. It was

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Speaker 1: one of the movies that I watched on repeat growing up.

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Speaker 1: So I was like, right, have you seen the original one?

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Speaker 2: Yes, but this is the thing. While I was watching

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Speaker 2: this new one, Adventures of Babysitting. I remember being at

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Speaker 2: the premiere going, maybe I don't remember the first one

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Speaker 2: because I thought it was going to be a remake.

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Speaker 1: Right, I was thinking it really certain things from it

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Speaker 1: they pulled even direct lines from it, but they had

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Speaker 1: to disneyfy it down. They tried to keep some of

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Speaker 1: the tropes the same, with some of the crushes and

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Speaker 1: the stuff going on.

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Speaker 2: I don't know the movie as much as you and I.

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Speaker 1: I jun't so backwards for it.

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Speaker 2: I was worried about this movie for you because I like,

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Speaker 2: this is a big one for a will and this was.

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Speaker 1: Tough, but we'll see. Uh. So yeah, the original film

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Speaker 1: was directed by none other than Chris Columbus and start

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Speaker 1: a young Elizabeth Shoe coming right up for the crowded kid,

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Speaker 1: which is perfection in a character. And I just to

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Speaker 1: this day every time I see her, I'm it's this

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Speaker 1: instant crush. My wife knows too, and it's what's so

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Speaker 1: funny is my older brother Gary is the same way.

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Speaker 1: We'll often fight where I'll be like, I have such

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Speaker 1: a crush on Elizabeth Shot and He's like, no, she's mine,

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Speaker 1: and it's like that. Yeah. So, uh, just hugely important

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Speaker 1: in my child in movies like this or you know,

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Speaker 1: the Original Adventures of Babysitting were one of the reasons.

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Speaker 1: So uh. Some fun facts about the original. It also

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Speaker 1: stars a great guy who I've known for many, many years.

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Speaker 1: I ran into again at a convention not that long ago,

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Speaker 1: and we sat and we talked for hours. Keith Coogan

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Speaker 1: his first of two movies about babysitting. Both are awesome.

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Speaker 1: His second was Don't Tell Mom the Babysitters Day.

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Speaker 2: Which was mine. Thank you, but you're not allowed to

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Speaker 2: have that one. You can't have both fair enough.

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Speaker 1: I will take advenures of babysitting.

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Speaker 2: That movie, the fashion, everything they're shooting out the applegate,

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Speaker 2: the plates, dishes are done. Man.

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Speaker 1: That was Keith. He's the best. He was also the

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Speaker 1: grandson of former child actor Jackie Cougan, for which the

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Speaker 1: Cougan Law is named. So I don't know if anybody

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Speaker 1: out there is aware of what the Cougan Law is,

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Speaker 1: but the Cougan Law essentially says that there were so

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Speaker 1: many child actors that earned so much money that was

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Speaker 1: then stolen by adults and by their parents. Jackie Cougan

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Speaker 1: lost a fortune to his parents. The Cougan Law is

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Speaker 1: at least, and I think it's now twenty five percent

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Speaker 1: of an under eighteen actors' money or entertainer's money has

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Speaker 1: to be put in a bank and invested. I personally

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Speaker 1: think it should be flipped. I think it should be

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Speaker 1: seventy five percent, should be seventy five to the actor

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Speaker 1: themselves and twenty five percent the parents get to use

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Speaker 1: as they want. But they got twenty five percent. But

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Speaker 1: take that to your trivia night. So Keith Cougan is.

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Speaker 2: And so so important, so important, God, yes, and life actor.

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Speaker 2: You don't really necessarily understand. But I wasn't raised in

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Speaker 2: a house where my parents all of my money went

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Speaker 2: into a bank spend. I got to get like one

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Speaker 2: big fun toy, or go on like a shopping spree

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Speaker 2: type thing, get some clothes, whatever, But most of mine did.

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Speaker 2: But that is not the way A good amount of

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Speaker 2: actors when they're younger.

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Speaker 1: And again I get there, there is a flip side

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Speaker 1: to it, which I understand, which is why I think

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Speaker 1: the set it should be flipped and it should be

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Speaker 1: seventy five to twenty five. There are many parents out

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Speaker 1: there that give up careers and give up their lives

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Speaker 1: to manage their kids, to take them to auditions. It

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Speaker 1: becomes their life. They sit on sets all day. Okay,

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Speaker 1: should you then be entitled to some of that money?

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Speaker 1: Maybe some, but seventy five percent not in my opinion,

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Speaker 1: so yes, I get that. There are many, many people.

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Speaker 1: You know, Lynn Strong, writer in Shiloh's mom was a

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Speaker 1: teacher and essentially gave up her career. Now she didn't

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Speaker 1: take Writer In Shiloh's money, but she gave up her

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Speaker 1: entire life and would drive them hours every day to

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Speaker 1: do one Shiloh to go one place, Rider to go

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Speaker 1: into the place. She'd sit on this set at one

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Speaker 1: point they were both on different sitcoms that she'd go

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Speaker 1: to the here and then she'd go to there, So

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Speaker 1: she had every right to and still didn't. But there

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Speaker 1: are some people then you just hear, Hey, I went

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Speaker 1: to the bank and I pressed the ATM button and

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Speaker 1: there was zero in there and I found out my

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Speaker 1: parents stole all my money. That it's awful. So that's

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Speaker 1: one of the reasons why the Cougan law exists. He's

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Speaker 1: also a great guy. He's been. He was one of

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Speaker 1: those eighties Child's actors that was just better than everyone

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Speaker 1: around him. He was just great Keith Coogan and still is.

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Speaker 1: But let's focus on this dcom reboot. It aired on

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Speaker 1: the Disney Channel June seventeenth, twenty sixth day Juno to seventeenth.

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Speaker 1: As I call it smack dab in there, but I

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Speaker 1: just made that up. I don't think June seventeenth is

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Speaker 1: a holiday in any way, shape or form. You just

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Speaker 1: said Sinco to my ow and it got into my head.

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Speaker 1: Smack dab in their big summer programming, And it was

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Speaker 1: a pretty big milestone. And by big milestone, I mean

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Speaker 1: a very big milestone for Disney because this is technically,

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Speaker 1: and we're gonna say technically, the hundredth dcom And the

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Speaker 1: celebration was advertised for weeks now. Some people had thoughts

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Speaker 1: about this, whether it was actually one hundred or it wasn't,

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Speaker 1: because there's there's some fudging in there with this movie

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Speaker 1: came out, but we're not counting it. Was this movie

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Speaker 1: actually a dcom? Was that movie actually a dcom? But

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Speaker 1: if Mickey said it was one hundred, h it's one hundred.

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Speaker 1: So to celebrate this momentous occasion, they had a very

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Speaker 1: big premiere event, which I believe you attended, Sabrina, What

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Speaker 1: was that? Like I did?

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Speaker 2: It was very cool because there were so many dcom

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Speaker 2: stars there. There was like it just the red carpet,

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Speaker 2: the you know, the before the movie, the after, you know,

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Speaker 2: after party. It was very cool to like it felt

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Speaker 2: like a little like family reunion, if we'll say, right,

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Speaker 2: like you had so many people it was in we

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Speaker 2: said it was you know, twenty sixteen, so that had

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Speaker 2: been years. Jordan was with me, I mean like we

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Speaker 2: we had been together. That was kind of his first

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Speaker 2: like Disney premiere thing that we had gone to, and

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Speaker 2: I mean I remember him seeing like he goes just

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Speaker 2: like I don't. I didn't even realize how many Decon

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Speaker 2: celebrities I actually could. Like remember, He's like I didn't.

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Speaker 2: I he doesn't take himself as like a Disney kid

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Speaker 2: growing up on the channel as much as I do,

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Speaker 2: and so he was just like, wow, this is wild,

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Speaker 2: and it was very cool. I got to just run

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Speaker 2: into so many people that I'd worked with for so long,

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Speaker 2: and everyone was really excited. Like I said, it felt

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Speaker 2: very much like a family reunion vibe, which all just

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Speaker 2: excit there.

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Speaker 1: If you're in a dcom, you're part of a very

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Speaker 1: select fraternity, you really are. It's kind of what it's

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Speaker 1: like so privileged.

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Speaker 2: Because my seats were literally right behind Sabrine and Sophia,

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Speaker 2: like it was just like someone here, and they both

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Speaker 2: stared around and were like we loved the Cheetah girls

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Speaker 2: and then I was like, oh wow, wish Like it

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Speaker 2: just was so cool. They were so sweet and it

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Speaker 2: was fun to be behind this. Celebrities that were watching.

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Speaker 2: This was probably the first time they got to watch,

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Speaker 2: and so when they were clapping, when they were thinking,

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Speaker 2: and like you could tell like they were reminiscing of

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Speaker 2: their days on set for the movie, and it was

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Speaker 2: just like a really it was fun to be a

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Speaker 2: part of their energy of the night. It was very cool,

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Speaker 2: a very very cool night.

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Speaker 1: Very very cool. And by the way, they also decided

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Speaker 1: at the time the decom was coming out to marathon

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Speaker 1: and this is a weird number, but fifty three okay

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Speaker 1: of the best dcoms ever back to back on the

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Speaker 1: channel during Memorial Day weekend, then air the rest leading

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Speaker 1: up to the premiere in June. So think about that,

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Speaker 1: over one weekend they did fifty three dcoms. It's a

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Speaker 1: lot of decoms and we've done a lot, but that's

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Speaker 1: I couldn't do them in a row in a week

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Speaker 1: and a weekend couldn't do in a row. I can

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Speaker 1: literally think of nothing I want to do for fifty

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Speaker 1: three straight hours. Not a thing now, this reimagining had

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Speaker 1: been bouncing around Disney for many, many years, with a

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Speaker 1: number of false starts, first with the Channel Legend and

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Speaker 1: a year old cheetahgau Raven Simone attached to Starr when

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Speaker 1: she withdrew because of other projects in scheduling, Miley Cyrus

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Speaker 1: was rumored to be stepping in, but later denied any involvement. Also,

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Speaker 1: it was originally set to be called Further Adventures in Babysitting,

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Speaker 1: which kind of makes sense, but I think they kind

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Speaker 1: of made the right decision by just ripping off the

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Speaker 1: first movie. It continued to get kicked around until twenty

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Speaker 1: fifteen when this incarnation got the green light, starring two

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Speaker 1: of the studio at the time, two of their most

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Speaker 1: promising stars. It filmed in March in Vancouver and rapped

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Speaker 1: just a month later, so we have to assume it

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Speaker 1: was probably very cold to shoot, and the first official

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Speaker 1: teaser air during Invisible Sister, a recent film recap. But

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Speaker 1: what they did is actually showed the trailer. They didn't

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Speaker 1: make it invisible, so that was better. But the debut

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Speaker 1: of Adventures of Babysitting trailer itself aired during an episode

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Speaker 1: of Girl Meets World for obvious reasons, which we will

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Speaker 1: get into. And the premiere did very well for the time,

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Speaker 1: So remember some of the numbers we throw out. Sometimes

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Speaker 1: it's a lower number than we saw during the heyday

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Speaker 1: of dcoms, for sure, But considering it debuted in twenty sixteen,

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Speaker 1: it got three point four five million viewers, which for

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Speaker 1: the time was good. But we're talking about we go

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Speaker 1: back to high school musical number where there's eighteen nineteen

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Speaker 1: twenty million people and you kind of go three three

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Speaker 1: point four, But that's what people were watching at the time.

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Speaker 1: The world has just changed. Okay, So considering you were

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Speaker 1: at the big premiere, you obviously knew about Adventures of Babysitting,

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Speaker 1: But were you excited to watch it again? I was.

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Speaker 2: I wish that I had time to have watched and

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Speaker 2: saw the original, because again I had a lot of

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Speaker 2: confusion watching it in the theater. I remember going to

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Speaker 2: Jordan because he's like, did you ever watch the original?

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Speaker 2: I'm like, oh, yeah, I definitely did. And then I

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Speaker 2: went to him and I was like, I don't think

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Speaker 2: I've seen the original. I totally like, I don't think

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Speaker 2: i've seen it then, because this isn't anything like what

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Speaker 2: I remember, so I was interested, but also like I think,

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Speaker 2: I do think, and Tara's on this recording, we've got

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Speaker 2: to go back and watch the original after we've seeing

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Speaker 2: this one.

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Speaker 1: It's there's nothing Disney about the original though, I mean

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Speaker 1: they're swearing, there's talk of sex, there's some there's some

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Speaker 1: sketchy stuff. I mean, is it on ABC NO or

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Speaker 1: the original? It wasn't just in the film, was it

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Speaker 1: in the theaters?

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Speaker 2: It's not Disney related at all.

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Speaker 1: This was might have been distributed by them, but I

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Speaker 1: know that this was also like this was a rougher

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Speaker 1: movie than they're used to.

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Speaker 2: Okay, okay, well even when it was like aired, it

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Speaker 2: was a different time too. But like, yeah, so I

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Speaker 2: would I would love to, I really do, even if

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Speaker 2: we don't review it together, I would love to watch

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Speaker 2: it and then talk about it. So you might as

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Speaker 2: well make an episode of it.

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Speaker 1: So awesome that movie not only had Elizabeth Shoe, it

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Speaker 1: had Keith Coogan, but it also had friend of the

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Speaker 1: podcast George Newbern shows up, shows up at the end,

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Speaker 1: Bradley Whitford's in it. I mean, it is just like

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Speaker 1: one what's his name from? From Full Metal Jacket and

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Speaker 1: now from Daredevil Dnafrio. Vincent Dinofrio plays the tow truck

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Speaker 1: driver who they give a nod to in this film.

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Speaker 1: I mean, but it was well, we'll get into it

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Speaker 1: because there's some parts that were more rough and excited

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Speaker 1: to watch this movie for me, for you, I was

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Speaker 1: worried for you because I get it.

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Speaker 2: I get it it. It is hard to take like

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Speaker 2: such an epic film that like you grew up loving

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Speaker 2: and then see how they how they do it?

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Speaker 1: Are they going to do it right?

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Speaker 2: In your eyes?

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Speaker 1: You know that?

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Speaker 2: That's tough. Oh.

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Speaker 1: Also, it says here from producer Lisa that Wiki says

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Speaker 1: that The Original Adventures of Babysitting was the first Walt

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Speaker 1: Disney movie to be PG thirteen.

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Speaker 2: And that's so that, okay.

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Speaker 1: And I think in PG thirteen's you're allowed either one

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Speaker 1: or two F bombs. It might be one, oh, and

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Speaker 1: then if you have more than one then it becomes

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Speaker 1: a rated R. So I think, and and it was

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Speaker 1: an it was an iconic line where the F bomb

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Speaker 1: drops and they redo it in this episode in this

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Speaker 1: movie obviously verbatim without the F word. So yeah, So

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Speaker 1: you can watch the movie for the first second, third,

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Speaker 1: or maybe one hundredth time. Right now in Disney Plus,

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Speaker 1: where it's available to stream. You can watch it now,

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Speaker 1: watch it later, watch while drinking some espresso like a

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Speaker 1: man child or not. I think those are also carpenter songs,

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Speaker 1: but I don't know. Just please please listen to our

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Speaker 1: recap either way. Again, I love Sabrina. I don't think

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Speaker 1: I've ever heard any of your music. No, I heard

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Speaker 1: that espresso song, which is great. No, how you don't

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Speaker 1: just like because I don't listen to new music.

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Speaker 2: Yeah, but if you heard the song espresso I heard.

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Speaker 1: I think I heard espresso like at a grocery store

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Speaker 1: or something. But when I'm in the car anywhere where

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Speaker 1: music is like that too. Yeah, No, I'm listening.

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Speaker 2: You can't put that song on, and I'm not.

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Speaker 1: Just like again, I don't listen to new music. If

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Speaker 1: it was recorded after nineteen ninety six, there's a chance

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Speaker 1: I've never heard it anything before then, seventies, eighties. I'm

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Speaker 1: in anyway, it is time to sell your purple Ferret

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Speaker 1: Marc A.

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Speaker 2: Tot.

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Speaker 1: This is the synopsis two teen Rival Babysitters, Uptight overachiever

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Speaker 1: Jenny and laid back rebel Lola are forced to team

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Speaker 1: up when a babysitting mix up sends them racing across

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Speaker 1: town to track down a missing kid. So, for those

395
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Speaker 1: of us who have seen the original, this plot does

396
00:19:09,160 --> 00:19:11,600
Speaker 1: really stray from the original. If you need proof, here's

397
00:19:11,640 --> 00:19:15,640
Speaker 1: the synopsis of the original. Responsible teenager Chris Parker's quiet

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Speaker 1: babysitting night spirals into chaos when she and the kids

399
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Speaker 1: venture into downtown Chicago to rescue her friend. So that's

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Speaker 1: the first big difference here is the original is about

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Speaker 1: one babysitter, not two, and she's tracking down her friend,

402
00:19:27,080 --> 00:19:31,200
Speaker 1: not a kid. So yes, there are clearly some differences. Also,

403
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Speaker 1: this movie, like it or not, the new one had way, way, way, way, way,

404
00:19:37,320 --> 00:19:38,400
Speaker 1: not enough Elizabeth Shoe.

405
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Speaker 2: Just for the record, so we're just not gonna be

406
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Speaker 2: able to get over certain things.

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Speaker 1: Guys, just buckle up. It's never gonna happen. So with

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Speaker 1: all this in mind, Sabrina, what are your early thoughts

409
00:19:49,520 --> 00:19:51,440
Speaker 1: of Adventures of Babysitting? What did you think?

410
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Speaker 2: Hands down, love the two of them together. Need more

411
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Speaker 2: of these two girls together working. I loved their chemistry.

412
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Speaker 2: I thought they were great and this movie I quickly

413
00:20:06,320 --> 00:20:10,160
Speaker 2: saw we are just going out of the park. Outlandish,

414
00:20:10,440 --> 00:20:14,520
Speaker 2: just crazy adventure on top of a crazy adventure that

415
00:20:14,600 --> 00:20:18,240
Speaker 2: doesn't necessarily make sense, and Okay, we're just gonna go

416
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Speaker 2: with it. And I literally just got popcorn out and

417
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Speaker 2: just did I loved it. I did like this movie.

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Speaker 1: I did.

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Speaker 2: And I again can't remember the original, so I let

420
00:20:28,160 --> 00:20:30,280
Speaker 2: the original situation just kind of go out of my

421
00:20:30,359 --> 00:20:31,960
Speaker 2: head and I sunk in.

422
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Speaker 1: I liked it.

423
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Speaker 2: No, No, I had that you were going to have.

424
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Speaker 1: No. I had certain problems with this movie. The biggest

425
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Speaker 1: problem I had with this movie is it's way too frenetic.

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00:20:46,760 --> 00:20:50,120
Speaker 1: They had them doing too much, so much so you're

427
00:20:50,720 --> 00:20:53,840
Speaker 1: never stopping. It's one thousand percent. The quiet moments were

428
00:20:54,000 --> 00:20:56,000
Speaker 1: drown out by the constant we have to run and

429
00:20:56,040 --> 00:20:59,360
Speaker 1: we're yelling. That being said, I also liked it. I'll

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Speaker 1: be honest with you, I did. No, I did. You're right.

431
00:21:01,480 --> 00:21:07,840
Speaker 1: The the two leads are great. Uh, they're they're very

432
00:21:08,000 --> 00:21:13,560
Speaker 1: very gay. Sophia and and Sabrina together are just really good.

433
00:21:14,040 --> 00:21:18,280
Speaker 1: They delineated the characters well they seem like two different people.

434
00:21:19,000 --> 00:21:19,119
Speaker 2: Uh.

435
00:21:19,440 --> 00:21:23,480
Speaker 1: They it worked, It did it truly did work. I

436
00:21:23,560 --> 00:21:26,200
Speaker 1: thought the kids were great. They fully carried this movie.

437
00:21:27,080 --> 00:21:30,359
Speaker 1: I the the bumbling. I wish they didn't do the

438
00:21:30,440 --> 00:21:33,280
Speaker 1: bumbling villains following them quite as much because but I

439
00:21:33,359 --> 00:21:34,800
Speaker 1: get they had to disney it up. I would have

440
00:21:34,840 --> 00:21:36,679
Speaker 1: done it a different way with somebody else following them.

441
00:21:36,840 --> 00:21:39,879
Speaker 1: I would have made it more of an actual threat

442
00:21:40,160 --> 00:21:44,040
Speaker 1: than trying to chase a purple ferret with these kind

443
00:21:44,080 --> 00:21:46,399
Speaker 1: of wacky, bumbling guys. But again, it's a D com,

444
00:21:46,600 --> 00:21:49,640
Speaker 1: so I understand that. But D cooms have also had

445
00:21:49,840 --> 00:21:52,960
Speaker 1: real bad guys before, which I would have I would

446
00:21:53,000 --> 00:21:56,080
Speaker 1: have made it more. I know. I never felt like

447
00:21:56,119 --> 00:21:58,400
Speaker 1: they were in any actual danger from these two guys,

448
00:21:59,000 --> 00:22:00,600
Speaker 1: and I would have liked to have seen a little

449
00:22:00,640 --> 00:22:03,800
Speaker 1: more of there being actual danger. Again, I would have

450
00:22:03,880 --> 00:22:05,520
Speaker 1: cut three or four of the set pieces because I

451
00:22:05,560 --> 00:22:07,000
Speaker 1: thought it was just, oh my god, we're running here. Now,

452
00:22:07,000 --> 00:22:08,520
Speaker 1: now we're running here, and now we're running right now,

453
00:22:08,560 --> 00:22:09,200
Speaker 1: we're running here.

454
00:22:09,280 --> 00:22:10,960
Speaker 2: And I think that I thought it was good. The

455
00:22:11,440 --> 00:22:16,000
Speaker 2: villains actually pulled down the age demo in a sense,

456
00:22:16,119 --> 00:22:19,080
Speaker 2: like this movie could have been a little bit catered

457
00:22:19,160 --> 00:22:22,200
Speaker 2: towards an older audience. I agree, had they done a

458
00:22:22,280 --> 00:22:26,000
Speaker 2: different villain situation, I think, and for Sophia and Sabrina

459
00:22:27,240 --> 00:22:29,920
Speaker 2: knowing now where they're at in their careers. I think

460
00:22:30,000 --> 00:22:32,320
Speaker 2: that it would have been better for them to have

461
00:22:33,160 --> 00:22:37,639
Speaker 2: more of a sophisticated kind of way of doing this.

462
00:22:37,840 --> 00:22:42,119
Speaker 2: But again, it was like I instantly, it happens right

463
00:22:42,160 --> 00:22:44,960
Speaker 2: from the start, so it's like it's like, Okay, this

464
00:22:45,119 --> 00:22:47,359
Speaker 2: is the kind of movie we're watching, right And I

465
00:22:47,560 --> 00:22:47,920
Speaker 2: enjoyed it.

466
00:22:48,520 --> 00:22:49,320
Speaker 1: Again I did.

467
00:22:49,440 --> 00:22:50,320
Speaker 2: I did.

468
00:22:50,400 --> 00:22:53,320
Speaker 1: It's not as good as the original, obviously, usually nothing

469
00:22:53,520 --> 00:22:56,800
Speaker 1: is not pretending it's going to be, and so I

470
00:22:56,880 --> 00:22:58,520
Speaker 1: had to watch it on its own, and again it

471
00:22:58,640 --> 00:23:01,600
Speaker 1: was cute. This is a nice kind movie. I again

472
00:23:01,680 --> 00:23:05,240
Speaker 1: had problems with some of the story, but overall good movie.

473
00:23:05,960 --> 00:23:09,080
Speaker 1: It was directed by John Schultz, a drummer turn filmmaker.

474
00:23:09,160 --> 00:23:11,840
Speaker 1: He was in the North Carolina band the Connells I

475
00:23:11,880 --> 00:23:13,879
Speaker 1: think I think it's pronounced the Connells, who have not

476
00:23:14,000 --> 00:23:16,119
Speaker 1: released music since two thousand and one, but did achieve

477
00:23:16,200 --> 00:23:19,040
Speaker 1: moderate success with three top ten hits on the Alternative

478
00:23:19,119 --> 00:23:21,760
Speaker 1: Rock chart and are best known for their song seventy

479
00:23:21,800 --> 00:23:25,520
Speaker 1: four seventy five. He transitioned into film with a documentary

480
00:23:25,560 --> 00:23:27,720
Speaker 1: on the making of Jurassic Park in nineteen ninety five,

481
00:23:28,000 --> 00:23:29,879
Speaker 1: and went on to make a handful of movies including

482
00:23:29,920 --> 00:23:32,720
Speaker 1: them Me Lissa, Joan Hart romcom Drive Me Crazy, The

483
00:23:32,800 --> 00:23:36,080
Speaker 1: Little Bow Wow Basketball Comedy Like Mike Aliens in The Attic,

484
00:23:36,160 --> 00:23:39,120
Speaker 1: and The Honeymooners with Cedric the Entertainer and Gabrielle Union

485
00:23:39,760 --> 00:23:41,879
Speaker 1: and its stars now the second biggest pop star in

486
00:23:41,920 --> 00:23:44,360
Speaker 1: the world only because Taylor Swift is basically impossible to lap.

487
00:23:44,760 --> 00:23:48,120
Speaker 1: Sabrina Carpenter as Jenny Parker. She's an old coworker of mine.

488
00:23:48,160 --> 00:23:51,200
Speaker 1: Sabrina has become one of the Disney's all time success stories,

489
00:23:51,240 --> 00:23:53,639
Speaker 1: though her involvement in the channel is technically shorter than

490
00:23:53,680 --> 00:23:55,879
Speaker 1: most of her contemporaries. At the age of ten, the

491
00:23:55,920 --> 00:23:59,040
Speaker 1: Pennsylvania native began uploading videos to YouTube of her singing

492
00:23:59,080 --> 00:24:01,639
Speaker 1: cover songs, and soon after signing with the Hollywood Manager,

493
00:24:01,760 --> 00:24:03,879
Speaker 1: landing her a small role on Law and Order Special

494
00:24:03,960 --> 00:24:05,959
Speaker 1: Victims Unit. Seen it, I didn't even know it was her.

495
00:24:05,960 --> 00:24:07,720
Speaker 1: I was like, oh my God, that's Sabrina and a

496
00:24:07,800 --> 00:24:10,680
Speaker 1: reoccurring role on the show The Goodwin Games. She'd signed

497
00:24:10,720 --> 00:24:13,080
Speaker 1: to the Disney affiliated Hollywood Records as a pop singer,

498
00:24:13,119 --> 00:24:15,560
Speaker 1: and from there her journey through the system began. She

499
00:24:15,720 --> 00:24:17,920
Speaker 1: was cast as Maya Heart on Girl Meets World, The

500
00:24:17,920 --> 00:24:19,920
Speaker 1: follow up to a little show called Boy Meets World.

501
00:24:20,200 --> 00:24:22,400
Speaker 1: She continued to release music during that time, but never

502
00:24:22,520 --> 00:24:25,119
Speaker 1: really breaking through to mainstream until she left Disney behind.

503
00:24:25,520 --> 00:24:27,840
Speaker 1: She appeared in movies like The Hate You Give, Tall

504
00:24:27,920 --> 00:24:30,320
Speaker 1: Girl and Work It, but then her music career went

505
00:24:30,320 --> 00:24:32,320
Speaker 1: into another orbit. She opened for Taylor Swift on The

506
00:24:32,359 --> 00:24:35,160
Speaker 1: Era's Tour and has since won two Grammys. Headline Coachella,

507
00:24:35,440 --> 00:24:38,960
Speaker 1: clocked numerous songs on the billion stream club on Spotify,

508
00:24:39,200 --> 00:24:41,720
Speaker 1: sold out her own World tour, performed in Fortnite with

509
00:24:41,800 --> 00:24:43,960
Speaker 1: her own skin, had two albums, debut at number one,

510
00:24:44,040 --> 00:24:46,960
Speaker 1: and single handedly shifted culture. And Yes, This Adventures in

511
00:24:47,000 --> 00:24:49,000
Speaker 1: Babysitting was her first movie ever.

512
00:24:49,320 --> 00:24:52,119
Speaker 2: Counngrats, Girl, coun Grats.

513
00:24:52,359 --> 00:24:55,520
Speaker 1: I love Sabrina. She was great. She was always so sweet.

514
00:24:55,640 --> 00:24:58,880
Speaker 2: That is what I hear about her time and time again,

515
00:24:59,040 --> 00:25:01,760
Speaker 2: and that she worked her butt. Uh she did to

516
00:25:01,920 --> 00:25:06,760
Speaker 2: get her music career going. She did. I have never

517
00:25:06,920 --> 00:25:10,320
Speaker 2: met her, Well, I have, I've met her, but I

518
00:25:10,400 --> 00:25:12,399
Speaker 2: didn't mean her as like the pop star that she

519
00:25:12,640 --> 00:25:18,000
Speaker 2: is now. But man, I just nothing but good things

520
00:25:18,080 --> 00:25:19,520
Speaker 2: as what I've heard about her.

521
00:25:19,760 --> 00:25:24,919
Speaker 1: She's absolutely a sweetheart and her co star is no slouch.

522
00:25:25,000 --> 00:25:28,480
Speaker 1: Either Sophia Carson plays Lola Perez. Carson first appeared on

523
00:25:28,520 --> 00:25:31,000
Speaker 1: an episode of Disney's Austin and Alley, then was quickly

524
00:25:31,080 --> 00:25:33,760
Speaker 1: cast as Evie in Disney's The Descendants and has become

525
00:25:33,800 --> 00:25:37,360
Speaker 1: an integral part of that massive franchise. Like Sabrina Carpenter,

526
00:25:37,400 --> 00:25:39,159
Speaker 1: Carson is a pop singer, and in addition to her

527
00:25:39,240 --> 00:25:42,000
Speaker 1: work in Hollywood, she is a UNICEF ambassador and frequently

528
00:25:42,080 --> 00:25:47,560
Speaker 1: working with charities. Selfish and since I mean always thinking

529
00:25:47,600 --> 00:25:49,720
Speaker 1: of yourself, and since we have two pop stars in

530
00:25:49,760 --> 00:25:51,760
Speaker 1: the movie, we got to talk about the soundtrack. We've

531
00:25:51,840 --> 00:25:57,040
Speaker 1: got two duets, so does that make four? By Sabrina

532
00:25:57,119 --> 00:26:00,520
Speaker 1: and Sophia, The rap Battle where the Babysit and the

533
00:26:00,640 --> 00:26:03,800
Speaker 1: song Wildside. We also have some random tracks I'm sure

534
00:26:03,800 --> 00:26:06,439
Speaker 1: Hollywood Records adjacent from I'm going to try to get

535
00:26:06,440 --> 00:26:13,800
Speaker 1: these right phototronic Annabelle Ungland and Brandon elm Candell and

536
00:26:14,040 --> 00:26:17,880
Speaker 1: Cadell Brandon en Cadell. I'll take three people that I'm

537
00:26:17,920 --> 00:26:20,719
Speaker 1: too old to know for a thousand, Alex and then

538
00:26:21,040 --> 00:26:24,600
Speaker 1: Mallory James Mahoney is Katie Cooper. Mahoney played Destiny Baker

539
00:26:24,640 --> 00:26:27,560
Speaker 1: for seasons three through seven. Of Disney's Bunked and joined

540
00:26:27,560 --> 00:26:30,400
Speaker 1: the Descendants movie for the third one as Eve. She's

541
00:26:30,440 --> 00:26:34,199
Speaker 1: also currently attending college at Texas Christian University also known

542
00:26:34,240 --> 00:26:38,639
Speaker 1: as TCU. Another Bunked veteran, Kevin Quinn, plays Zach. He

543
00:26:38,680 --> 00:26:41,320
Speaker 1: also appeared on Shameless Chicago p D and the Netflix

544
00:26:41,400 --> 00:26:44,239
Speaker 1: movie A Week Away. But the cast means nothing if

545
00:26:44,240 --> 00:26:46,320
Speaker 1: the movie's too long. It's important to remind you here

546
00:26:46,320 --> 00:26:48,440
Speaker 1: at Magical Rewind, we only sport films that are ninety

547
00:26:48,440 --> 00:26:50,560
Speaker 1: minutes long. It's the perfect amount of time, and nobody

548
00:26:50,600 --> 00:26:53,480
Speaker 1: can convince us differently. So just how long was this

549
00:26:53,680 --> 00:26:56,399
Speaker 1: Adventures in Babysitting? I don't remember how long the original

550
00:26:56,440 --> 00:26:59,480
Speaker 1: one was, but it was perfect. It is this one

551
00:27:00,920 --> 00:27:04,879
Speaker 1: ninety three minutes? How disappointing? Three off target? That's one

552
00:27:04,960 --> 00:27:06,760
Speaker 1: hundred and eighty minutes of horror? Might as well be

553
00:27:06,840 --> 00:27:09,560
Speaker 1: Can we just move on? Probably because that's the only

554
00:27:09,640 --> 00:27:12,840
Speaker 1: way contractually we can finish the recording of this podcast,

555
00:27:12,840 --> 00:27:14,240
Speaker 1: because it was up to me, I just walk away

556
00:27:14,320 --> 00:27:17,840
Speaker 1: right now? Ninety three minutes? How dare they? And of

557
00:27:17,880 --> 00:27:20,399
Speaker 1: course on script duty, we've got Tiffany Paulson, a buzzy

558
00:27:20,480 --> 00:27:22,560
Speaker 1: name these days in Hollywood. The two thousand and seven

559
00:27:22,680 --> 00:27:25,040
Speaker 1: Nancy Drew movie was her first job, but she's also

560
00:27:25,080 --> 00:27:28,800
Speaker 1: written Turkey Drop with Olivia Holt and Holidate with Emma Roberts,

561
00:27:28,960 --> 00:27:31,000
Speaker 1: who she's also worked with in the twenty twenty two's

562
00:27:31,119 --> 00:27:34,400
Speaker 1: About Fate. She directed the twenty twenty four movie Winter

563
00:27:34,520 --> 00:27:37,240
Speaker 1: Spring Summer Fall with Jenna Ortega, and is currently writing

564
00:27:37,280 --> 00:27:40,440
Speaker 1: and directing in a Holidays starring Matty Ziegler and Rob Low.

565
00:27:47,359 --> 00:27:48,879
Speaker 1: So let's round up the kids. We're going to a

566
00:27:48,960 --> 00:27:52,440
Speaker 1: rave to rap battle. This is Adventures in Babysitting the dcom.

567
00:27:53,080 --> 00:27:55,280
Speaker 1: We get a very abrupt opening with Jenny, played by

568
00:27:55,320 --> 00:27:57,520
Speaker 1: a young sprien of Carpenter, sitting in her room calmly

569
00:27:57,640 --> 00:28:00,879
Speaker 1: stating an affirmation. You are smart, you are talented, just

570
00:28:00,960 --> 00:28:03,359
Speaker 1: do your best and stay calm. Then we got our

571
00:28:03,400 --> 00:28:05,960
Speaker 1: opening credits with the theme song wild Side by Carpenter

572
00:28:06,000 --> 00:28:09,680
Speaker 1: and Sophia Carson. We see Lola for the very first time,

573
00:28:09,800 --> 00:28:11,879
Speaker 1: throwing ripped up paper in the air. She's working on

574
00:28:11,960 --> 00:28:15,560
Speaker 1: a very abstract and very messy photography project. Meanwhile, Jenny's

575
00:28:15,560 --> 00:28:18,240
Speaker 1: in her room carefully placing traditionally shot photos into a

576
00:28:18,320 --> 00:28:22,080
Speaker 1: spotless portfolio. They're clearly both artists with two very different

577
00:28:22,119 --> 00:28:24,920
Speaker 1: styles and approaches. Eventually, Lola runs out the door with

578
00:28:25,040 --> 00:28:27,160
Speaker 1: her giant canvas, bumping into things on her way out

579
00:28:27,600 --> 00:28:30,680
Speaker 1: to a painted jeep with eyelashes on the headlights. I

580
00:28:30,800 --> 00:28:32,760
Speaker 1: just want to say this out loud, other than our

581
00:28:33,080 --> 00:28:36,760
Speaker 1: clear and awesome race, buddy, Erica Enders, I don't want

582
00:28:36,760 --> 00:28:39,760
Speaker 1: to be friends with anybody who has eyelashes on their car.

583
00:28:40,240 --> 00:28:42,280
Speaker 1: Did you ever have eyelashes on your car, Sabrina? No,

584
00:28:42,600 --> 00:28:43,000
Speaker 1: thank god.

585
00:28:43,400 --> 00:28:48,160
Speaker 2: Although every holiday I see the antlers and the key

586
00:28:48,320 --> 00:28:50,880
Speaker 2: holiday is different, we'll do and I'm always like, oh,

587
00:28:51,000 --> 00:28:51,880
Speaker 2: that's so cute.

588
00:28:52,240 --> 00:28:55,680
Speaker 1: That's allowed on holidays. That's the holidays are okay, that's

589
00:28:55,720 --> 00:28:58,200
Speaker 1: cute for you. Please don't put it on my car.

590
00:28:59,160 --> 00:28:59,200
Speaker 2: No.

591
00:28:59,600 --> 00:29:02,520
Speaker 1: Meanwhile, well, Jenny backs up and almost runs over a guy,

592
00:29:03,280 --> 00:29:05,840
Speaker 1: and now we're outside Jenny's house. The music abruptly stops.

593
00:29:05,880 --> 00:29:08,760
Speaker 1: She apologizes to Zach, the boy she almost killed, who

594
00:29:08,760 --> 00:29:12,000
Speaker 1: immediately recognizes her too. He's like, wait, you're a Sabrina Carpenter.

595
00:29:12,760 --> 00:29:14,440
Speaker 1: She's in a hurry to a big interview, but also

596
00:29:14,520 --> 00:29:17,400
Speaker 1: wonders what he's doing in her driveway. Well, he tells

597
00:29:17,440 --> 00:29:19,239
Speaker 1: her that apparently the swim team is having a car

598
00:29:19,480 --> 00:29:21,680
Speaker 1: wash and a girl named Dominique is helping him hand

599
00:29:21,720 --> 00:29:24,400
Speaker 1: out flyers. He tells Jenny to come by later and

600
00:29:24,520 --> 00:29:28,040
Speaker 1: he'll throw in free tire cleaning. They awkwardly say goodbye,

601
00:29:28,080 --> 00:29:30,280
Speaker 1: and when he walks away, Jenny is thrilled. Oh my gosh,

602
00:29:30,560 --> 00:29:33,240
Speaker 1: Zach wants to polish my tires. And yes, that is

603
00:29:33,360 --> 00:29:34,600
Speaker 1: absolutely a euphemism.

604
00:29:37,000 --> 00:29:38,960
Speaker 2: I feel little. I put it on my Sabrina seas

605
00:29:38,960 --> 00:29:40,440
Speaker 2: I felt weird about it, did you?

606
00:29:40,840 --> 00:29:42,880
Speaker 1: Yeah, he wants to polish my tires. It's a little weird.

607
00:29:43,080 --> 00:29:46,160
Speaker 1: It's a little weird. Yeah, we know what you're saying, Sabrina.

608
00:29:46,200 --> 00:29:50,840
Speaker 1: I've heard some of your music. The song wild Side

609
00:29:50,960 --> 00:29:54,160
Speaker 1: continues to play as Lola and Jenny speed somewhere we're

610
00:29:54,200 --> 00:29:57,920
Speaker 1: not sure where. Lola is driving haphazardly fast and Jenny

611
00:29:58,000 --> 00:30:01,360
Speaker 1: is cautiously slow. Eventually, lo screeches into a parking lot,

612
00:30:01,680 --> 00:30:04,120
Speaker 1: bumping into a curb, which Jenny pulls perfectly into a

613
00:30:04,200 --> 00:30:07,680
Speaker 1: parking spot. They both walk towards the large Vasquez office building,

614
00:30:07,720 --> 00:30:10,200
Speaker 1: but Lola stops for a detour to buy some freshly

615
00:30:10,280 --> 00:30:12,960
Speaker 1: squeezed juice and answer a phone call. Jenny on the

616
00:30:13,000 --> 00:30:14,760
Speaker 1: other hand, is already in the waiting room giving herself

617
00:30:14,760 --> 00:30:16,960
Speaker 1: a pep talk about how she is a brilliant artist.

618
00:30:17,520 --> 00:30:19,120
Speaker 1: Lola is now arguing on the phone with her mom

619
00:30:19,160 --> 00:30:21,719
Speaker 1: about not going to college and her unpaid parking tickets

620
00:30:21,880 --> 00:30:25,120
Speaker 1: while sprinting up the stairs. Then she runs into Jenny,

621
00:30:25,360 --> 00:30:28,400
Speaker 1: mistaking her for a receptionist. Lola introduces herself. Hi, I'm

622
00:30:28,480 --> 00:30:30,600
Speaker 1: Lola Prez. Could you let mister Vasquez know that I'm

623
00:30:30,600 --> 00:30:33,040
Speaker 1: here because I'd appreciate it. Jenny explains she is a

624
00:30:33,120 --> 00:30:37,120
Speaker 1: finalist for the photography insterernship and what a coincidence. Lola

625
00:30:37,320 --> 00:30:40,240
Speaker 1: is too. Then the real assistant to mister Vasquez arrives,

626
00:30:40,400 --> 00:30:43,000
Speaker 1: shushing them to be quiet. Mister Vasquez is having a

627
00:30:43,080 --> 00:30:46,320
Speaker 1: creative moment. He asks them for their portfolios and tells

628
00:30:46,360 --> 00:30:48,480
Speaker 1: them to take a seat. It could take ten seconds

629
00:30:48,680 --> 00:30:52,120
Speaker 1: or ten hours. While waiting in silence, Loa recognizes Jenny

630
00:30:52,160 --> 00:30:55,880
Speaker 1: as the nerdy sophomore in her senior geometry class. This

631
00:30:56,040 --> 00:30:57,680
Speaker 1: is where they start. The ages start to get a

632
00:30:57,680 --> 00:30:58,520
Speaker 1: little muddled for me.

633
00:30:58,960 --> 00:31:02,160
Speaker 2: Yes, so, by the way, i think I'm not gonna

634
00:31:02,200 --> 00:31:04,200
Speaker 2: have Sabrina sees, because I think we're gonna.

635
00:31:03,920 --> 00:31:07,000
Speaker 1: Talk, Okay, well, let's talk about it all because so

636
00:31:07,400 --> 00:31:10,400
Speaker 1: that's okay, what they the way they wrote it was weird.

637
00:31:10,800 --> 00:31:14,800
Speaker 1: What she meant was so Sabrina's character Jenny is a

638
00:31:14,960 --> 00:31:18,920
Speaker 1: senior now though, yes, because she's gonna go to college

639
00:31:18,960 --> 00:31:25,960
Speaker 1: and do everything. So Lolo would actually be if a

640
00:31:26,120 --> 00:31:29,000
Speaker 1: sophomore or junior in college if she was there. Okay,

641
00:31:29,360 --> 00:31:31,600
Speaker 1: So she does at one point say she's nineteen because

642
00:31:31,640 --> 00:31:35,000
Speaker 1: some of the that happens with her gets real problematic. Yes,

643
00:31:35,160 --> 00:31:40,680
Speaker 1: if not, if she's even nineteen to me is pushing

644
00:31:40,760 --> 00:31:44,000
Speaker 1: it a bit. But they really went out of their

645
00:31:44,040 --> 00:31:46,440
Speaker 1: way to show that she's of age. I'm of age,

646
00:31:46,480 --> 00:31:48,360
Speaker 1: I'm of age because some of the stuff gets a

647
00:31:48,360 --> 00:31:52,800
Speaker 1: little yes, or can get a little wicky. So anyway, yes,

648
00:31:53,080 --> 00:31:55,720
Speaker 1: she's in the senior So she should have said when

649
00:31:55,920 --> 00:31:58,120
Speaker 1: I was when I was back in high school, you

650
00:31:58,280 --> 00:32:00,560
Speaker 1: were a sophomore when I was a senior, right, something

651
00:32:00,680 --> 00:32:00,880
Speaker 1: like that.

652
00:32:01,040 --> 00:32:03,800
Speaker 2: But anyway, yeah, they blow it by quickly on this part,

653
00:32:03,880 --> 00:32:05,320
Speaker 2: but then hit it on the head.

654
00:32:05,360 --> 00:32:08,120
Speaker 1: I had to hit her. Yeah, yeah, yeap. Jenny says

655
00:32:08,160 --> 00:32:10,440
Speaker 1: she's not nerdy, she's just dedicated. She skipped the eighth

656
00:32:10,480 --> 00:32:12,520
Speaker 1: grade and is on track for early college admissions, so

657
00:32:12,560 --> 00:32:14,720
Speaker 1: she's even younger than she would have been a freshman.

658
00:32:15,640 --> 00:32:18,040
Speaker 1: Jenny is hoping this injured hip looks good on her resume.

659
00:32:18,600 --> 00:32:21,280
Speaker 1: Lola opted out of college and this internship with mister

660
00:32:21,360 --> 00:32:24,160
Speaker 1: Vasquez would fast track her career as a real artist.

661
00:32:24,640 --> 00:32:27,680
Speaker 1: Then Jenny's phone rings. It's Professor Anderson, a teacher that

662
00:32:27,840 --> 00:32:30,280
Speaker 1: is supposed to be writing a recommendation letter for her.

663
00:32:30,920 --> 00:32:32,720
Speaker 1: But that's not what the calls about, because the teacher

664
00:32:32,800 --> 00:32:36,320
Speaker 1: is actually looking for a babysitter. Unfortunately, Jenny can't. She's

665
00:32:36,320 --> 00:32:38,160
Speaker 1: already booked with the Coopers at night, but if she

666
00:32:38,240 --> 00:32:41,000
Speaker 1: can think of anyone, she'll let her know. Lola, of course,

667
00:32:41,080 --> 00:32:42,680
Speaker 1: is not impressed, wondering what it's like to be a

668
00:32:42,760 --> 00:32:45,760
Speaker 1: babysitter for just five dollars an hour. Jenny defends the gig,

669
00:32:45,880 --> 00:32:49,120
Speaker 1: saying it's twenty dollars an hour and double on holidays.

670
00:32:49,760 --> 00:32:52,120
Speaker 1: Lola is obviously very impressed by that, but says she's

671
00:32:52,240 --> 00:32:55,440
Speaker 1: never babysat because she has a real life. We already

672
00:32:55,440 --> 00:32:59,240
Speaker 1: talked about whether you babysit now and how you hire people, like, oh, yeah, five.

673
00:32:59,160 --> 00:33:03,320
Speaker 2: Dollars, that'd be wonderful. I have to that that's part

674
00:33:03,360 --> 00:33:05,920
Speaker 2: of like being a mom in the sense of, like

675
00:33:06,680 --> 00:33:10,479
Speaker 2: any type of work, you have to factor in how

676
00:33:10,560 --> 00:33:12,120
Speaker 2: much it's gonna cost you to.

677
00:33:12,480 --> 00:33:14,480
Speaker 1: So let me ask, watch your kids. What does a

678
00:33:14,520 --> 00:33:15,840
Speaker 1: babysitter go for? Nowadays?

679
00:33:16,360 --> 00:33:20,080
Speaker 2: It's anywhere from like fifteen to twenty sometimes twenty five

680
00:33:20,080 --> 00:33:20,680
Speaker 2: dollars an hour.

681
00:33:21,040 --> 00:33:23,720
Speaker 1: Wow, expect that's a great way for a kid to

682
00:33:23,760 --> 00:33:24,280
Speaker 1: make some money.

683
00:33:24,800 --> 00:33:27,080
Speaker 2: Well, And but you do it based on like what

684
00:33:27,280 --> 00:33:29,880
Speaker 2: they are. Like if you're going like nanny style, like

685
00:33:29,960 --> 00:33:32,040
Speaker 2: you're talking to somebody who's like, oh, that can be

686
00:33:32,160 --> 00:33:34,920
Speaker 2: sixty or seventy that kind Yeah, like that goes up

687
00:33:35,040 --> 00:33:37,720
Speaker 2: real real quick. Yeah, But when you're talking about like

688
00:33:37,720 --> 00:33:39,760
Speaker 2: a high school kid and what they're gonna be doing

689
00:33:39,840 --> 00:33:41,719
Speaker 2: with your kids, like they come if they're going if

690
00:33:41,720 --> 00:33:44,160
Speaker 2: you went out for a date night, you're talking they're

691
00:33:44,200 --> 00:33:47,000
Speaker 2: coming over six o'clock, so you've probably Eiy're figured out

692
00:33:47,720 --> 00:33:50,080
Speaker 2: dinner already, you know what I mean. And the kids

693
00:33:50,120 --> 00:33:54,240
Speaker 2: are just playing and watching you know TV, do you

694
00:33:54,320 --> 00:33:56,920
Speaker 2: know all that kind of stuff. You just it's having

695
00:33:56,920 --> 00:33:59,200
Speaker 2: any factor and what they're gonna do versus like a

696
00:33:59,280 --> 00:34:02,640
Speaker 2: nanny is like full time. Yeah, it's a totally different

697
00:34:02,680 --> 00:34:05,840
Speaker 2: they're driving your kids. They're doing lots of stuff that's crazy.

698
00:34:12,800 --> 00:34:15,680
Speaker 1: Well, finally mister Vasquez arrives. He's excited to meet his

699
00:34:16,080 --> 00:34:19,840
Speaker 1: magnifico finalists. When standing to greet the boss, Jenny accidentally

700
00:34:19,880 --> 00:34:23,160
Speaker 1: bumps Lola's freshly squeezed juice, spilling the bright red drink

701
00:34:23,200 --> 00:34:25,520
Speaker 1: out of the white carpet. This is turning into a nightmare.

702
00:34:25,920 --> 00:34:28,560
Speaker 1: And in the chaos, they drop their phones, and when

703
00:34:28,600 --> 00:34:30,680
Speaker 1: they bend down and retrieve them, they accidentally grab each

704
00:34:30,680 --> 00:34:37,520
Speaker 1: other's phones. Hello, stuck in the suburbs, we have a

705
00:34:37,640 --> 00:34:38,840
Speaker 1: repeat decom plot.

706
00:34:38,920 --> 00:34:43,480
Speaker 2: People at least their phones look the same. They're both iPhones.

707
00:34:43,640 --> 00:34:47,400
Speaker 1: That could happen, but still, who doesn't check to make

708
00:34:47,440 --> 00:34:49,040
Speaker 1: sure it's your phone? All youtub is when you pick

709
00:34:49,080 --> 00:34:50,840
Speaker 1: up the phone, you turn it to you and the

710
00:34:50,920 --> 00:34:53,160
Speaker 1: screensaver pops out, and if it's not my wife and I,

711
00:34:53,320 --> 00:34:58,240
Speaker 1: then it's some other person's phone. Seriously. Luckily, mister Vasquez

712
00:34:58,280 --> 00:35:00,640
Speaker 1: does not appear concerned about the carpet. Missed a huge

713
00:35:00,719 --> 00:35:02,719
Speaker 1: joke here. He should have stopped and bent down and

714
00:35:02,760 --> 00:35:06,080
Speaker 1: looked at the carpet and been like this beautiful yeah,

715
00:35:06,080 --> 00:35:08,480
Speaker 1: because he loved you know that to show how eccentric

716
00:35:08,800 --> 00:35:12,000
Speaker 1: eccentric he was. They made him way too stuffy by

717
00:35:12,040 --> 00:35:14,000
Speaker 1: the way, suit and tie never should have had that

718
00:35:14,040 --> 00:35:16,520
Speaker 1: he should come down and painted overalls holding a camera.

719
00:35:16,719 --> 00:35:20,439
Speaker 1: I mean, they like they miss they missed the boat

720
00:35:20,480 --> 00:35:23,560
Speaker 1: on that guy. But anyway, he's decided actually to cancel

721
00:35:23,640 --> 00:35:26,640
Speaker 1: the interviews today because they have such drastically different artistic

722
00:35:26,719 --> 00:35:30,000
Speaker 1: points of view. He thinks he'll need a more unconventional approach.

723
00:35:30,320 --> 00:35:33,520
Speaker 1: He wants the girls to dazzle him, which honestly feels

724
00:35:33,600 --> 00:35:37,320
Speaker 1: a bit like an HR issue. Lola starts speaking Spanish

725
00:35:37,360 --> 00:35:40,680
Speaker 1: about her new radical digital effects, and Jenny followsuit, speaking Spanish,

726
00:35:40,800 --> 00:35:44,520
Speaker 1: albeit poorly, about experimenting in black and white. And with

727
00:35:44,600 --> 00:35:46,640
Speaker 1: this in mind, he gives them until Monday to present

728
00:35:46,719 --> 00:35:50,799
Speaker 1: something new. May the best artist win. And this kind

729
00:35:50,840 --> 00:35:53,560
Speaker 1: of never comes back, at least it does for Lola.

730
00:35:54,160 --> 00:35:57,560
Speaker 2: Yeah, it's a repetitive thing, but no, but she she

731
00:35:57,880 --> 00:36:02,359
Speaker 2: has a moment when they're like talking at the end,

732
00:36:02,480 --> 00:36:05,000
Speaker 2: at the very end, that she brings that back. Right.

733
00:36:05,120 --> 00:36:08,719
Speaker 1: But until then, the entire adventure in the middle, there

734
00:36:08,800 --> 00:36:10,839
Speaker 1: was no competition between the two of them in any way,

735
00:36:10,880 --> 00:36:15,160
Speaker 1: shape or form. Jenny completely forgot about it. And Lola

736
00:36:15,480 --> 00:36:17,600
Speaker 1: completely kept doing it, and I get why they did that,

737
00:36:18,280 --> 00:36:21,239
Speaker 1: but they should have started where both of them are

738
00:36:21,280 --> 00:36:23,120
Speaker 1: trying to do something. And then it tapers off for

739
00:36:23,200 --> 00:36:25,560
Speaker 1: Jenny as she realizes this is actually Lola's life.

740
00:36:26,239 --> 00:36:28,200
Speaker 2: Yes, that's true, but they do. You're right.

741
00:36:28,640 --> 00:36:31,000
Speaker 1: We're now outside the building. Lola notices she's getting a

742
00:36:31,120 --> 00:36:34,239
Speaker 1: parking ticket and runs the officer. Oh, the officer, she

743
00:36:34,400 --> 00:36:36,040
Speaker 1: was in a loading zone and tries to explain how

744
00:36:36,040 --> 00:36:38,000
Speaker 1: important her meeting was. Her phone rings again, and this

745
00:36:38,120 --> 00:36:41,080
Speaker 1: time the ring tone is Beethoven, and she's not really

746
00:36:41,200 --> 00:36:43,759
Speaker 1: weirded out by this. She just kind of answers the phone,

747
00:36:43,800 --> 00:36:45,920
Speaker 1: shouldn't she know? By that point that it's like, oh my,

748
00:36:46,200 --> 00:36:48,960
Speaker 1: oh my god, I don't have this. Where's my pahonte?

749
00:36:49,440 --> 00:36:52,839
Speaker 2: Yes? Nothing, Well, she's mesmerized.

750
00:36:52,960 --> 00:36:56,239
Speaker 1: I guess, well, yeah. Because the officer is impressed though,

751
00:36:56,239 --> 00:36:59,120
Speaker 1: because for Elise is one of his favorites. He wonders

752
00:36:59,120 --> 00:37:02,239
Speaker 1: if it's her boyfriend calling, which again seems weird for

753
00:37:02,320 --> 00:37:04,000
Speaker 1: a cop to be flirting with somebody who looks like

754
00:37:04,080 --> 00:37:06,879
Speaker 1: they could be in high school. And again they keep

755
00:37:07,200 --> 00:37:09,680
Speaker 1: they they're specifically trying to do this stuff because a

756
00:37:09,800 --> 00:37:11,800
Speaker 1: they cast somebody who's very young looking, and b he's like,

757
00:37:11,880 --> 00:37:14,239
Speaker 1: I'm a rookie, this is my first day on the job,

758
00:37:14,320 --> 00:37:16,840
Speaker 1: and I'm actually your age, ma'am. And it's like, okay,

759
00:37:18,239 --> 00:37:21,040
Speaker 1: like it's still was a little weird. Did you find

760
00:37:21,040 --> 00:37:23,200
Speaker 1: it a little weird? Okay?

761
00:37:23,440 --> 00:37:26,200
Speaker 2: I didn't think cast scene made sense in the sense

762
00:37:26,280 --> 00:37:28,040
Speaker 2: of she just still looks so young.

763
00:37:28,280 --> 00:37:31,319
Speaker 1: Yes, and he did.

764
00:37:31,480 --> 00:37:34,680
Speaker 2: He looked like not even in his early twenties. To me,

765
00:37:34,800 --> 00:37:37,640
Speaker 2: he looked like more like twenty seven, right, Like he

766
00:37:37,880 --> 00:37:40,080
Speaker 2: was like, there would look like a big.

767
00:37:40,160 --> 00:37:43,320
Speaker 1: Gap and at best, she's supposed to be nineteen.

768
00:37:43,440 --> 00:37:48,280
Speaker 2: Right, And we're watching a dcom, which at this point

769
00:37:48,560 --> 00:37:52,400
Speaker 2: you can see the chaos and the very Disney Disney

770
00:37:52,440 --> 00:37:53,239
Speaker 2: Disney version of.

771
00:37:53,320 --> 00:37:55,239
Speaker 1: Yes, and I get what they're trying to do, but

772
00:37:55,400 --> 00:37:58,480
Speaker 1: it wasn't It gave me a little bit of the

773
00:37:58,560 --> 00:38:01,400
Speaker 1: ick if if I'm honest, not all, but enough to

774
00:38:01,440 --> 00:38:01,719
Speaker 1: be like.

775
00:38:03,320 --> 00:38:05,200
Speaker 2: Stretch. It didn't give me the ick. It was just

776
00:38:05,320 --> 00:38:05,760
Speaker 2: a stretch.

777
00:38:05,840 --> 00:38:08,120
Speaker 1: But yeah, they just yeah, it was. It was they're

778
00:38:08,160 --> 00:38:10,120
Speaker 1: talking about high school and then she's out there flirting

779
00:38:10,160 --> 00:38:10,600
Speaker 1: with a cop.

780
00:38:10,680 --> 00:38:13,000
Speaker 2: It was like, right, and in my head, I didn't

781
00:38:13,000 --> 00:38:14,919
Speaker 2: see this character coming back into play.

782
00:38:15,080 --> 00:38:17,080
Speaker 1: Ever, Oh you didn't. Oh my god, I knew this

783
00:38:17,280 --> 00:38:21,040
Speaker 1: was instantly play.

784
00:38:21,080 --> 00:38:23,359
Speaker 2: I thought this was just part of her chaos life.

785
00:38:23,440 --> 00:38:25,560
Speaker 1: I knew that something crazy was going to happen, and

786
00:38:25,640 --> 00:38:27,120
Speaker 1: eventually she was going to need a cop and it

787
00:38:27,200 --> 00:38:29,759
Speaker 1: was going to be Officer mcdreams, I knew. Oh, I

788
00:38:29,840 --> 00:38:34,279
Speaker 1: knew that instantly. Yes, so yes. He wonders if it's

789
00:38:34,280 --> 00:38:37,480
Speaker 1: her boyfriend calling, which is weird. Uh. Lola says she's

790
00:38:37,520 --> 00:38:40,640
Speaker 1: single and answers that her phone, which is strange. But

791
00:38:40,719 --> 00:38:43,560
Speaker 1: it's Zach, the boy that Jenny almost killed. He has

792
00:38:43,560 --> 00:38:46,080
Speaker 1: an extra ticket to the Psychic Rockets to the Psychic

793
00:38:46,280 --> 00:38:50,840
Speaker 1: Rockets concert tonight, and was wondering if Lola. Okay, So

794
00:38:50,920 --> 00:38:54,200
Speaker 1: here's the thing. Lola, who seems pretty excited at first

795
00:38:54,200 --> 00:38:56,040
Speaker 1: at this point, cuts him off. Oh I love that band,

796
00:38:56,080 --> 00:38:58,840
Speaker 1: but I hate concerts. Sorry, Zeke not interested. Then she

797
00:38:58,960 --> 00:39:05,800
Speaker 1: hangs up. Okay. She either knows it's not her phone

798
00:39:06,719 --> 00:39:10,640
Speaker 1: and is now destroying somebody's life without caring about it, yes,

799
00:39:10,960 --> 00:39:14,399
Speaker 1: or somehow doesn't know it's her phone and thinks she's

800
00:39:14,480 --> 00:39:16,719
Speaker 1: just blowing off a random guy calling. Either way, she

801
00:39:16,840 --> 00:39:18,320
Speaker 1: comes off looking pretty awful.

802
00:39:18,680 --> 00:39:21,440
Speaker 2: Yeah, she does and she's she definitely looks like.

803
00:39:21,560 --> 00:39:23,160
Speaker 1: Which one do you think it is? Do you think

804
00:39:23,200 --> 00:39:24,880
Speaker 1: she knows it's the other girl's phone?

805
00:39:25,160 --> 00:39:30,600
Speaker 2: Obviously knows it's her. The other girl's phone, obviously knows

806
00:39:30,680 --> 00:39:34,880
Speaker 2: she doesn't know a guy named Zeke. But for some

807
00:39:35,080 --> 00:39:37,239
Speaker 2: reason it's like, oh, I love that band, and then

808
00:39:37,480 --> 00:39:39,600
Speaker 2: I don't know. That part was just kind of like,

809
00:39:40,560 --> 00:39:42,520
Speaker 2: I don't know. She just seemed so rude.

810
00:39:42,719 --> 00:39:47,759
Speaker 1: Yeah, and she should have it should have been so Again,

811
00:39:47,840 --> 00:39:49,000
Speaker 1: there's a lot of what it should have could it.

812
00:39:49,080 --> 00:39:53,360
Speaker 1: But from a writing standpoint, they should have left the

813
00:39:53,520 --> 00:39:55,880
Speaker 1: meeting on very bad terms, the two of them. They

814
00:39:55,880 --> 00:39:59,279
Speaker 1: should have essentially hated each other so that when she

815
00:39:59,440 --> 00:40:03,239
Speaker 1: realizes she has her phone, it's intentional that she's gonna

816
00:40:03,239 --> 00:40:06,719
Speaker 1: screw her over. Yeah, like oh oh no, sorry, Zeke,

817
00:40:06,800 --> 00:40:09,080
Speaker 1: I'm not like, ha, see what you think about that?

818
00:40:09,920 --> 00:40:12,080
Speaker 1: As opposed to they just kind of blew it off.

819
00:40:12,560 --> 00:40:14,960
Speaker 2: Sure I'll see you there and set it.

820
00:40:15,040 --> 00:40:16,839
Speaker 1: Up like she's gonna blow them off. Yes, I mean,

821
00:40:16,880 --> 00:40:19,200
Speaker 1: there's plenty of ways to do it. This was just

822
00:40:19,320 --> 00:40:21,560
Speaker 1: poorly written. It was muddle.

823
00:40:21,600 --> 00:40:23,400
Speaker 2: It was a weird. Yeah, it was muddled, and it

824
00:40:23,520 --> 00:40:27,120
Speaker 2: was just kind of I just felt. The way I

825
00:40:27,239 --> 00:40:29,680
Speaker 2: saw it was it was playing into her very like

826
00:40:30,560 --> 00:40:36,080
Speaker 2: frivolous like character. She doesn't really care much about people

827
00:40:36,160 --> 00:40:38,680
Speaker 2: on the road as she's driving. She doesn't like you

828
00:40:38,760 --> 00:40:40,960
Speaker 2: know what I mean. It's like she just doesn't.

829
00:40:41,000 --> 00:40:42,839
Speaker 1: She lives in her own world, right, But she's doing

830
00:40:42,880 --> 00:40:45,240
Speaker 1: this with somebody else's phone. She doesn't even really register

831
00:40:45,320 --> 00:40:48,399
Speaker 1: the fact. I mean, anybody, especially from the phone era,

832
00:40:48,560 --> 00:40:52,239
Speaker 1: even in twenty sixteen on, you're gonna freak out that

833
00:40:52,320 --> 00:40:53,200
Speaker 1: you don't have your phone.

834
00:40:53,520 --> 00:40:55,719
Speaker 2: Yeah, you're gonna freak out that you don't have your phone.

835
00:40:55,520 --> 00:40:56,800
Speaker 1: That's what I mean. It's like, oh my god, this

836
00:40:56,920 --> 00:40:59,359
Speaker 1: isn't mine. Where's my phone? Oh it's upstairs. I've got

837
00:40:59,480 --> 00:41:01,040
Speaker 1: none of that. Was like, I'm gonna screw you over

838
00:41:01,080 --> 00:41:02,400
Speaker 1: and put it back in my pocket. It was. It

839
00:41:02,520 --> 00:41:04,080
Speaker 1: was very strange the way, but.

840
00:41:04,160 --> 00:41:05,919
Speaker 2: He was there, the cop was there.

841
00:41:06,160 --> 00:41:08,880
Speaker 1: I don't know, I get it, but I know that's

842
00:41:08,920 --> 00:41:09,279
Speaker 1: what I mean.

843
00:41:09,600 --> 00:41:11,640
Speaker 2: As we see is set up for the remainder of

844
00:41:11,680 --> 00:41:11,920
Speaker 2: the n.

845
00:41:12,000 --> 00:41:14,839
Speaker 1: I was just about to say, there's a lot going on, Yeah,

846
00:41:16,239 --> 00:41:16,440
Speaker 1: a lot.

847
00:41:16,520 --> 00:41:18,839
Speaker 2: You gotta pay attention because it's like they are.

848
00:41:20,520 --> 00:41:24,160
Speaker 1: Happening. It's a very frenetic movie really yeah, yeah. So

849
00:41:24,280 --> 00:41:26,240
Speaker 1: Lola then turns her attention back to the cop, begging

850
00:41:26,320 --> 00:41:28,000
Speaker 1: him to ignore the ticket. Her parents will take her

851
00:41:28,080 --> 00:41:30,120
Speaker 1: keys away. He says he's sorry, but he's a rookie.

852
00:41:30,120 --> 00:41:32,560
Speaker 1: I'm a rookie man and just over your age and

853
00:41:32,760 --> 00:41:35,359
Speaker 1: can't break the rules. But he's sure a smart girl

854
00:41:35,440 --> 00:41:37,680
Speaker 1: like her can find a way to pay for the ticket. Again,

855
00:41:38,520 --> 00:41:41,200
Speaker 1: all this seems like a real isshue. Lola is bummed

856
00:41:41,239 --> 00:41:43,080
Speaker 1: to find out it's eighty dollars. How is she going

857
00:41:43,160 --> 00:41:45,200
Speaker 1: to get that? Then right on time? Her cell phone

858
00:41:45,320 --> 00:41:49,279
Speaker 1: rings still Beethoven and now it's missus Anderson. She still

859
00:41:49,320 --> 00:41:52,120
Speaker 1: can't find find a babysitter. If Lola knows anyone, she'll

860
00:41:52,160 --> 00:41:55,000
Speaker 1: pay double Lolan. Now, as Jenny says, my good friend

861
00:41:55,080 --> 00:41:58,680
Speaker 1: Lola is very responsible and I'll send her over. Still

862
00:41:58,760 --> 00:42:02,200
Speaker 1: weird how she's handling this phone situation. Now Jenny's pulled

863
00:42:02,239 --> 00:42:03,960
Speaker 1: up to the car wash. She's excited to see Zach

864
00:42:04,040 --> 00:42:07,200
Speaker 1: bringing her dirty tires as requested. Again weird euphemism, but

865
00:42:07,440 --> 00:42:11,279
Speaker 1: now hurt she isn't going. But now hurt she isn't

866
00:42:11,320 --> 00:42:12,840
Speaker 1: going to the concert. He just looks at her and

867
00:42:12,920 --> 00:42:16,080
Speaker 1: robotically says, sorry, we're closed, and then he grabs that

868
00:42:16,200 --> 00:42:17,919
Speaker 1: hussy Dominique's hand and walks away.

869
00:42:18,000 --> 00:42:21,359
Speaker 2: Hey, it's not Dominique's fault. Don't you get mad at her.

870
00:42:21,600 --> 00:42:22,480
Speaker 1: I blame Dominique.

871
00:42:22,600 --> 00:42:25,040
Speaker 2: You cannot blame her. Although she is waiting in the

872
00:42:25,120 --> 00:42:28,560
Speaker 2: side wings, just waiting for her chance.

873
00:42:28,440 --> 00:42:32,759
Speaker 1: Drooling over Zach can't tell she is Zeke. No Zach,

874
00:42:33,160 --> 00:42:36,920
Speaker 1: it's Zeke. It's Zach. She calls him Zeke by accident

875
00:42:37,000 --> 00:42:40,440
Speaker 1: as a joke. Is really Zach? See, you didn't even

876
00:42:40,520 --> 00:42:49,759
Speaker 1: know the poor guy's name. Oh God, it's Zack, Zach Zach.

877
00:42:50,200 --> 00:42:51,040
Speaker 1: I can't believe they.

878
00:42:51,040 --> 00:42:53,560
Speaker 2: Use that name again. How dare dcom ever used the

879
00:42:53,719 --> 00:42:54,239
Speaker 2: name Zach?

880
00:42:54,719 --> 00:42:56,840
Speaker 1: Don't you think it's Seriously it should be retired like

881
00:42:56,920 --> 00:42:59,279
Speaker 1: a basketball number. Like you can never use Zach again

882
00:42:59,320 --> 00:43:00,360
Speaker 1: in a dcom? What?

883
00:43:00,600 --> 00:43:04,720
Speaker 2: What sacks actual character? Save shit? I'm gonna get myself

884
00:43:04,760 --> 00:43:05,320
Speaker 2: in trouble.

885
00:43:06,239 --> 00:43:08,959
Speaker 1: Wait? Wait, what are you talking about? From? From? Uh? Troy?

886
00:43:09,120 --> 00:43:14,280
Speaker 1: You mean Troy Boult Troy? Yeah, even I know Troy Bolton.

887
00:43:14,400 --> 00:43:20,480
Speaker 1: He's dreaming. I knew Bolton, she wrote, Troy. I knew

888
00:43:20,520 --> 00:43:26,719
Speaker 1: Bolton my son. Okay, So now we at the Anderson's house,

889
00:43:26,719 --> 00:43:28,440
Speaker 1: and I'm gonna keep saying're at the Anderson's house, We're

890
00:43:28,440 --> 00:43:30,239
Speaker 1: in the kitchen, We're over there, because we're all over

891
00:43:30,280 --> 00:43:33,120
Speaker 1: the place. It's very fast. Her son Trey, is on

892
00:43:33,160 --> 00:43:34,920
Speaker 1: the phone with a friend planning to sneak out when

893
00:43:34,960 --> 00:43:37,520
Speaker 1: his mom leaves. Missus Anderson walks in, angry that he

894
00:43:37,560 --> 00:43:40,720
Speaker 1: spent two hundred dollars on apps without permission. I assume

895
00:43:40,760 --> 00:43:42,680
Speaker 1: she means computer apps, because even I couldn't ee two

896
00:43:42,719 --> 00:43:46,440
Speaker 1: hundred dollars for apps. She takes away his phone and tablets.

897
00:43:46,480 --> 00:43:49,359
Speaker 1: I probably could. Actually, she's leaving for the Galla soon

898
00:43:49,440 --> 00:43:51,840
Speaker 1: and instructs him to be nice to the babysitter. He

899
00:43:51,920 --> 00:43:54,279
Speaker 1: asks if it's Jenny, because obviously he's happy about that,

900
00:43:54,400 --> 00:43:56,239
Speaker 1: then finds out it's one of her friends filling in.

901
00:43:56,680 --> 00:43:59,160
Speaker 1: Missus Anderson tells him to shape up because at this rate,

902
00:43:59,239 --> 00:44:01,560
Speaker 1: he'll never be rebule enough to babysit. And this is

903
00:44:01,560 --> 00:44:04,239
Speaker 1: where they You know, Keith Coogan's character was in love

904
00:44:04,360 --> 00:44:06,920
Speaker 1: with Elizabeth Shoe, as we all were and should be

905
00:44:07,400 --> 00:44:09,360
Speaker 1: in the Original Adventures of Babysitting. So they try to

906
00:44:09,400 --> 00:44:12,040
Speaker 1: keep some of these tropes going. And now we're in

907
00:44:12,080 --> 00:44:14,600
Speaker 1: the kitchen, Missus Anderson's other son Bobby is making a

908
00:44:14,640 --> 00:44:17,200
Speaker 1: mess while baking. Their younger daughter, aj is in head

909
00:44:17,239 --> 00:44:20,200
Speaker 1: to toe protection roller skating in the house. She's upset

910
00:44:20,239 --> 00:44:22,400
Speaker 1: because her dad promised to take her to the roller derby,

911
00:44:22,680 --> 00:44:24,279
Speaker 1: but he's got the dates mixed up. He has to

912
00:44:24,360 --> 00:44:26,279
Speaker 1: go to this very important gala where their mom is

913
00:44:26,320 --> 00:44:29,680
Speaker 1: being celebrated over Now, at the Cooper's house, Little Katie

914
00:44:29,760 --> 00:44:31,759
Speaker 1: is in her mom's bedroom as Missus Cooper's trying on

915
00:44:31,840 --> 00:44:34,680
Speaker 1: a fancy red dress. Missus Cooper notices Katie is wearing

916
00:44:34,760 --> 00:44:37,799
Speaker 1: red lipstick and expensive large earrings. She's instructed to take

917
00:44:37,840 --> 00:44:40,000
Speaker 1: them off, but Katie explains, if my sister's allowed to

918
00:44:40,040 --> 00:44:42,120
Speaker 1: shave her head, then I should also be able to

919
00:44:42,160 --> 00:44:45,600
Speaker 1: wear diamonds. So we instantly cut to the bathroom. Emily

920
00:44:45,680 --> 00:44:47,040
Speaker 1: is about to shave one side of her head when

921
00:44:47,040 --> 00:44:49,440
Speaker 1: Missus Cooper barges in to stop it. Emily is furious

922
00:44:49,480 --> 00:44:51,880
Speaker 1: at her sister for tattling, but Little Katie reveals, you

923
00:44:51,960 --> 00:44:53,839
Speaker 1: don't have the right head shape for a buzz cut.

924
00:44:55,480 --> 00:44:57,880
Speaker 1: Missus Cooper tells the girls to be good for Jenny,

925
00:44:57,920 --> 00:45:00,880
Speaker 1: the babysitter, and that's when Jenny bowls up for a

926
00:45:00,960 --> 00:45:02,719
Speaker 1: night of work. She hears a musical ring tone and

927
00:45:02,800 --> 00:45:05,320
Speaker 1: realizes it's Lola's phone and they swapped. I mean, she

928
00:45:05,440 --> 00:45:07,520
Speaker 1: got it right away and was upset that somebody else

929
00:45:07,600 --> 00:45:09,880
Speaker 1: had her phone. We're also supposed to believe that she

930
00:45:10,000 --> 00:45:12,960
Speaker 1: went a couple hours as a kid without looking at

931
00:45:12,960 --> 00:45:15,640
Speaker 1: her phone, which I don't buy. Jenny answers the unknown

932
00:45:15,680 --> 00:45:17,719
Speaker 1: number and explains the situation. The guy on the phone

933
00:45:17,880 --> 00:45:20,640
Speaker 1: still invites her to a toga party, and it frustrated,

934
00:45:20,719 --> 00:45:23,080
Speaker 1: Jenny hangs up, slamming her head on the car horn,

935
00:45:23,600 --> 00:45:26,200
Speaker 1: and now Lola arrives at the Andersons. Alison answers the

936
00:45:26,239 --> 00:45:28,040
Speaker 1: door and Lola calls her cute, just before the little

937
00:45:28,080 --> 00:45:30,399
Speaker 1: girl slams the door in her face. Missus Anderson can't

938
00:45:30,400 --> 00:45:32,239
Speaker 1: believe she just did that and reopens the door for Lola,

939
00:45:32,360 --> 00:45:35,040
Speaker 1: explaining her niece bailed on her for a concert in

940
00:45:35,120 --> 00:45:37,760
Speaker 1: the city. She asked Lola how long she's known Jenny

941
00:45:37,760 --> 00:45:39,960
Speaker 1: and Lola fibbs, saying forever. They share a love of

942
00:45:40,000 --> 00:45:44,239
Speaker 1: geometry and children. Missus Anderson introduces Lola to Bobby. Tonight

943
00:45:44,280 --> 00:45:47,640
Speaker 1: he'll finish one hundred cupcakes for his Junior Chef competition.

944
00:45:48,200 --> 00:45:51,160
Speaker 1: Bobby asked Lola to try his frosting, and she suggests

945
00:45:51,200 --> 00:45:53,000
Speaker 1: that he needs to kick it up a notch. Bam.

946
00:45:53,320 --> 00:45:56,480
Speaker 1: I added the bam if you know you know. Missus

947
00:45:56,520 --> 00:45:59,239
Speaker 1: Anderson explains that Trey is upstairs grounded and Alison is

948
00:45:59,280 --> 00:46:01,600
Speaker 1: sulky because she he's missing a roller derby. Then we

949
00:46:01,760 --> 00:46:04,719
Speaker 1: meet Lady Marmalade, the fluffy white family dog who I

950
00:46:04,760 --> 00:46:06,120
Speaker 1: thought was gonna have a lot more to do in

951
00:46:06,200 --> 00:46:09,160
Speaker 1: this movie than he actually does. She also tells Lola

952
00:46:09,239 --> 00:46:11,360
Speaker 1: that the stove and hot tub are strictly off limits

953
00:46:11,360 --> 00:46:13,400
Speaker 1: while they're gone, and that Bobby has to return the

954
00:46:13,520 --> 00:46:17,120
Speaker 1: kitchen to its pre cupcake tidiness when he's done with that.

955
00:46:17,200 --> 00:46:19,319
Speaker 1: Missus Anderson leaves her number for Lola and tells her

956
00:46:19,400 --> 00:46:21,640
Speaker 1: husband they are not taking the brand new beautiful suv

957
00:46:21,719 --> 00:46:24,920
Speaker 1: to the city. Instead, they're gonna take the sedan. Before

958
00:46:24,960 --> 00:46:27,160
Speaker 1: the parents leave, Missus Anderson make sure Lola can handle

959
00:46:27,239 --> 00:46:28,920
Speaker 1: three kids on her own, but then she remembers, of

960
00:46:28,960 --> 00:46:32,359
Speaker 1: course you can. She was recommended by Jenny. Lola smirks, Yeah,

961
00:46:32,520 --> 00:46:34,759
Speaker 1: she taught me everything I know. We're now back at

962
00:46:34,800 --> 00:46:37,360
Speaker 1: the Cooper's house, Jenny's already arrived and tells the Cooper's

963
00:46:37,440 --> 00:46:39,640
Speaker 1: not to worry. Missus Cooper left money for ice cream,

964
00:46:39,680 --> 00:46:41,919
Speaker 1: but Emily is banned from doing anything to her hair

965
00:46:42,320 --> 00:46:45,160
Speaker 1: and Katie is banned from the fancy jewelry box. Missus

966
00:46:45,200 --> 00:46:48,600
Speaker 1: Cooper leaves mint, safety pins and emergency cash, telling Jenny

967
00:46:48,680 --> 00:46:51,320
Speaker 1: to take care of her babies. We are now in

968
00:46:51,440 --> 00:46:53,640
Speaker 1: the Anderson house, popping back and forth her people. You

969
00:46:53,680 --> 00:46:55,200
Speaker 1: gotta stick with us. It's gonna be like this for

970
00:46:55,280 --> 00:46:58,200
Speaker 1: the rest of the movie. Lola is attempting to do

971
00:46:58,239 --> 00:47:01,240
Speaker 1: their laundry as instructed, but immediately overflows it with detergent.

972
00:47:01,440 --> 00:47:03,040
Speaker 1: She SUTs the door and hopes for the best. How

973
00:47:03,080 --> 00:47:05,279
Speaker 1: do you just keep dumping detergent into the thing? If

974
00:47:05,320 --> 00:47:07,400
Speaker 1: you've never done detergent in your life? You even though

975
00:47:07,400 --> 00:47:09,640
Speaker 1: you don't dump a whole thing a detergent in there? Yeah,

976
00:47:09,719 --> 00:47:11,560
Speaker 1: but she you're right, she's supposed to be scatterbrained. I

977
00:47:11,640 --> 00:47:14,400
Speaker 1: get it. Then she spots a bathing suit and remembers,

978
00:47:14,440 --> 00:47:16,320
Speaker 1: oh wait, there's a hot tub, and even though she

979
00:47:16,440 --> 00:47:18,120
Speaker 1: was told that it was off limits, she rushes to

980
00:47:18,160 --> 00:47:21,640
Speaker 1: the backyard. In the kitchen roller skating aj slams into Bobby,

981
00:47:21,719 --> 00:47:24,799
Speaker 1: causing a hand towel to erupt into flames. In a panic,

982
00:47:24,880 --> 00:47:26,719
Speaker 1: he throws a towel and it lands near the dog,

983
00:47:26,880 --> 00:47:29,240
Speaker 1: just as Lola runs back inside, concerned about the screaming.

984
00:47:29,560 --> 00:47:34,239
Speaker 1: And then Lola's switched phone rings. Little aj answers and says,

985
00:47:34,320 --> 00:47:36,960
Speaker 1: Lola is busy putting out a fire with an extinguisher. Well,

986
00:47:37,080 --> 00:47:40,000
Speaker 1: it's Jenny, and she can't believe what she's hearing. Lola

987
00:47:40,120 --> 00:47:42,160
Speaker 1: is at the Anderson She is coming over right now

988
00:47:42,480 --> 00:47:44,799
Speaker 1: and bringing the Cooper kids with her. Lola puts out

989
00:47:44,800 --> 00:47:48,520
Speaker 1: the fire and calls it awesome, and now furious, Jenny

990
00:47:48,600 --> 00:47:50,560
Speaker 1: arrives with her crew to find Lola is locked out

991
00:47:50,600 --> 00:47:53,000
Speaker 1: of the house, and though Noah notices, we see Trey

992
00:47:53,200 --> 00:47:56,200
Speaker 1: sneak out of an upstairs window. Now inside the house,

993
00:47:56,280 --> 00:47:58,279
Speaker 1: Jenny can't believe what the kitchen already looks like. It's

994
00:47:58,320 --> 00:48:00,120
Speaker 1: going to take forever to clean this up, and her

995
00:48:00,200 --> 00:48:03,440
Speaker 1: reputation is on the line. Noticing he's missing, Emily rushes

996
00:48:03,480 --> 00:48:05,759
Speaker 1: to Trey's room, sees the open window, and announces he's

997
00:48:05,800 --> 00:48:09,560
Speaker 1: left for the Psychic Rockets concert. Jenny is beside herself.

998
00:48:09,600 --> 00:48:11,439
Speaker 1: How did Lola let a fourteen year old kids sneak

999
00:48:11,440 --> 00:48:13,600
Speaker 1: out into the city. The number one rule of babysitting

1000
00:48:13,680 --> 00:48:15,239
Speaker 1: is to never take your eyes off the kids, and

1001
00:48:15,400 --> 00:48:18,000
Speaker 1: all Lola is focused on is taking pictures with her camera.

1002
00:48:19,000 --> 00:48:26,879
Speaker 1: Now here's the thing. He's only supposed to be two

1003
00:48:27,080 --> 00:48:34,880
Speaker 1: years younger than Sabrina. Right, that's crazy to me because

1004
00:48:34,880 --> 00:48:37,840
Speaker 1: she's supposed to have skipped a grade, so she's supposed

1005
00:48:37,880 --> 00:48:38,799
Speaker 1: to be a senior.

1006
00:48:38,560 --> 00:48:43,560
Speaker 2: But at sixteen, So he's a sophomore.

1007
00:48:44,040 --> 00:48:45,960
Speaker 1: Yeah, he's fourteen years old and has a crush on

1008
00:48:46,040 --> 00:48:50,440
Speaker 1: a sixteen year old. Not weird? Yeah, like, that's not weird.

1009
00:48:50,920 --> 00:48:53,440
Speaker 1: In you very Original Adventures of babysitting, she was supposed

1010
00:48:53,480 --> 00:48:56,120
Speaker 1: to be. I think maybe she was a senior. She

1011
00:48:56,280 --> 00:48:57,520
Speaker 1: might have been a senior and he might have been

1012
00:48:57,520 --> 00:48:59,040
Speaker 1: a freshman. That might have been how they did it,

1013
00:48:59,080 --> 00:49:02,200
Speaker 1: which again is totally weird. And this they're supposed to

1014
00:49:02,200 --> 00:49:06,479
Speaker 1: be like contemporaries basically, Yeah, so I would have Again,

1015
00:49:06,600 --> 00:49:09,200
Speaker 1: I'm gonna keep going the I would have route if

1016
00:49:09,280 --> 00:49:11,200
Speaker 1: I had to write it, though, he should have put

1017
00:49:11,239 --> 00:49:12,520
Speaker 1: up He put up a little bit of a stink,

1018
00:49:12,560 --> 00:49:14,760
Speaker 1: but it should have been a much bigger stink about

1019
00:49:14,960 --> 00:49:19,120
Speaker 1: I'm fourteen, she's sixteen. What do you think she's gonna

1020
00:49:19,160 --> 00:49:21,920
Speaker 1: do that I can't do. Well, she can drive you somewhere,

1021
00:49:22,800 --> 00:49:24,759
Speaker 1: other than drive me somewhere, what can she? You know

1022
00:49:24,800 --> 00:49:25,120
Speaker 1: what I mean?

1023
00:49:25,200 --> 00:49:26,920
Speaker 2: It's like it's supposed to go anywhere, right.

1024
00:49:27,160 --> 00:49:29,600
Speaker 1: It should have been a little more about how they're

1025
00:49:29,680 --> 00:49:32,080
Speaker 1: really close in age, which they are, because then the

1026
00:49:32,200 --> 00:49:35,200
Speaker 1: girl they cast to play, the girl who's gonna shave

1027
00:49:35,239 --> 00:49:39,920
Speaker 1: her head, looked way younger than him. Yes, and they

1028
00:49:40,040 --> 00:49:42,800
Speaker 1: seem to be Sabrina Jenny seemed to be kind of

1029
00:49:42,880 --> 00:49:45,839
Speaker 1: supporting that relationship later, like if he doesn't see your worth,

1030
00:49:45,880 --> 00:49:48,280
Speaker 1: he's not worth it. It's like you two are closer

1031
00:49:48,320 --> 00:49:50,400
Speaker 1: in age. It looks like than those two are.

1032
00:49:50,800 --> 00:49:54,120
Speaker 2: Well, I know, I think she's probably a seventh or

1033
00:49:54,160 --> 00:49:59,120
Speaker 2: eighth grader, so she's probably twelve and he's fourteen or thirteen. Yeah, twelve,

1034
00:49:59,360 --> 00:50:01,680
Speaker 2: I would say. She seems like thirteen to.

1035
00:50:01,760 --> 00:50:04,680
Speaker 1: Me, and he's fourteen eight and she's sixteen. So they

1036
00:50:04,719 --> 00:50:08,120
Speaker 1: are all these kids essentially other than Lola, are.

1037
00:50:08,160 --> 00:50:11,280
Speaker 2: Like the same age, well except for these except.

1038
00:50:11,080 --> 00:50:13,719
Speaker 1: The two little girls. Yeah, but other than that, I mean,

1039
00:50:13,760 --> 00:50:15,560
Speaker 1: there's like three kids that are kind of the same age,

1040
00:50:15,560 --> 00:50:18,600
Speaker 1: which again is a bit like the so the Original

1041
00:50:18,600 --> 00:50:21,680
Speaker 1: Adventures and Babysitting of Memory Serves. It's two friends that

1042
00:50:21,760 --> 00:50:25,360
Speaker 1: are in high school, that are freshmen, their little sister,

1043
00:50:26,440 --> 00:50:30,520
Speaker 1: and they're being watched by the Lord's mistress, the most

1044
00:50:30,520 --> 00:50:32,160
Speaker 1: beautiful woman in the history of the world, next to

1045
00:50:32,200 --> 00:50:40,359
Speaker 1: my wife, Elizabeth Shoe, so exactly. So again, only one

1046
00:50:40,480 --> 00:50:43,160
Speaker 1: one person prettier my wife other than that pretty spect

1047
00:50:43,160 --> 00:50:45,000
Speaker 1: And I say that with all love and respect for Sabrina,

1048
00:50:45,480 --> 00:50:49,440
Speaker 1: but it goes my wife, Elizabeth Shoe, and then you

1049
00:50:49,680 --> 00:50:54,920
Speaker 1: and the rest of humanity Gay. So yeah, I mean,

1050
00:50:55,120 --> 00:50:59,000
Speaker 1: I guess it's kind of maybe the casting looked strange

1051
00:50:59,000 --> 00:51:00,920
Speaker 1: to me because a lot of them like they're similar

1052
00:51:00,960 --> 00:51:01,239
Speaker 1: in age.

1053
00:51:01,280 --> 00:51:03,439
Speaker 2: Elizabeth, she was supposed to be how old though.

1054
00:51:03,600 --> 00:51:06,759
Speaker 1: I think she was supposed to be twenty. No, I

1055
00:51:06,800 --> 00:51:08,600
Speaker 1: think she's supposed to be I think she's supposed to

1056
00:51:08,600 --> 00:51:09,960
Speaker 1: be a senior in high school. I think she'supposed to

1057
00:51:09,960 --> 00:51:10,440
Speaker 1: be seventeen.

1058
00:51:10,960 --> 00:51:11,280
Speaker 2: Okay.

1059
00:51:12,239 --> 00:51:16,440
Speaker 1: Also, invariably people from the seventies and the eighties movies

1060
00:51:17,560 --> 00:51:19,480
Speaker 1: look way older for their age.

1061
00:51:19,760 --> 00:51:23,239
Speaker 2: The kids they did not cast, they did not cast

1062
00:51:23,360 --> 00:51:24,200
Speaker 2: of age or.

1063
00:51:25,280 --> 00:51:26,840
Speaker 1: But even when they did, you go back and you

1064
00:51:26,880 --> 00:51:28,680
Speaker 1: look at there's these things that I love looking at

1065
00:51:28,680 --> 00:51:32,560
Speaker 1: them because they just make me seventeen. Yeah, so that

1066
00:51:32,680 --> 00:51:34,200
Speaker 1: make me feel so old. But you go back and

1067
00:51:34,239 --> 00:51:36,400
Speaker 1: you look at how old actors were when they played

1068
00:51:36,400 --> 00:51:40,960
Speaker 1: certain roles, like Wilford Brimley in Cocun was like forty four,

1069
00:51:41,360 --> 00:51:44,239
Speaker 1: forty eight something like that. He's forty nine. He's my

1070
00:51:44,440 --> 00:51:49,719
Speaker 1: age in Cocoon. So it's like things like that, they

1071
00:51:49,880 --> 00:51:50,800
Speaker 1: just looked older.

1072
00:51:51,120 --> 00:51:54,320
Speaker 2: The friends was so much older than what they were playing.

1073
00:51:54,600 --> 00:51:57,640
Speaker 1: Yeah, so the ages here were probably accurate, but the

1074
00:51:57,880 --> 00:52:00,480
Speaker 1: accurate casting in ages made them all all kind of

1075
00:52:00,560 --> 00:52:03,719
Speaker 1: looked like they were all contemporaries, yeah, instead of like,

1076
00:52:03,800 --> 00:52:06,040
Speaker 1: I'm babysitting for you. But I guess at the same time,

1077
00:52:07,480 --> 00:52:10,360
Speaker 1: if you're twelve, you might have a fifteen year old babysitter.

1078
00:52:10,400 --> 00:52:12,600
Speaker 1: I mean I guess right. I don't know, Yeah I could.

1079
00:52:12,719 --> 00:52:15,440
Speaker 2: I mean, I don't know. Like I was just my

1080
00:52:15,600 --> 00:52:18,400
Speaker 2: nephew's thirteen, okay, and my sister was just telling me

1081
00:52:18,520 --> 00:52:21,920
Speaker 2: that she was out with some friends, and then the

1082
00:52:22,000 --> 00:52:24,040
Speaker 2: sitter that they were going to have had to leave

1083
00:52:24,040 --> 00:52:25,759
Speaker 2: at a certain time, and so then she just let

1084
00:52:25,840 --> 00:52:28,480
Speaker 2: her thirteen year old the kids were asleep everyone was done,

1085
00:52:28,960 --> 00:52:30,440
Speaker 2: and she's like, but you know he was home with

1086
00:52:30,520 --> 00:52:33,200
Speaker 2: them alone for like an hour. Yeah, that's fine, and

1087
00:52:33,320 --> 00:52:35,840
Speaker 2: she was going she goes, but I'm like questioning myself,

1088
00:52:35,960 --> 00:52:37,839
Speaker 2: like is that okay? And I'm like, well, the only

1089
00:52:38,200 --> 00:52:39,920
Speaker 2: time it wouldn't be okay is if there was going

1090
00:52:39,960 --> 00:52:41,600
Speaker 2: to be like some kind of emergency, if you got

1091
00:52:41,640 --> 00:52:46,239
Speaker 2: they live in Tennessee, if there was like a tornado ruff,

1092
00:52:46,520 --> 00:52:49,000
Speaker 2: that would be scary. But other than that, like, I

1093
00:52:49,040 --> 00:52:50,000
Speaker 2: think that's an hour.

1094
00:52:50,080 --> 00:52:52,160
Speaker 1: Yeah, I think so too. I do too. It was.

1095
00:52:52,280 --> 00:52:54,319
Speaker 1: I think it's because they all look so young, which

1096
00:52:54,480 --> 00:52:59,200
Speaker 1: just kids nowadays just look young. I mean again, adults

1097
00:52:59,239 --> 00:53:01,719
Speaker 1: look younger than they did. You look at people now,

1098
00:53:01,880 --> 00:53:05,520
Speaker 1: like if you cast friends now, you're your early twenties trying.

1099
00:53:05,360 --> 00:53:05,960
Speaker 2: To look my age.

1100
00:53:06,040 --> 00:53:08,080
Speaker 1: You look magical. You look magical.

1101
00:53:08,160 --> 00:53:09,319
Speaker 2: You gotta try to look young.

1102
00:53:09,480 --> 00:53:12,320
Speaker 1: So they if they were casting you in an eighties movie, No,

1103
00:53:12,440 --> 00:53:14,040
Speaker 1: this is not a joke. You would be cast in

1104
00:53:14,080 --> 00:53:17,520
Speaker 1: an eighties movie as early twenties. No way, Yes you would, Yes,

1105
00:53:17,600 --> 00:53:19,800
Speaker 1: you would, Oh my gosh, early to mid twenties. You

1106
00:53:19,920 --> 00:53:22,400
Speaker 1: absolutely would, one hundred percent. If I shave my beard,

1107
00:53:22,440 --> 00:53:25,120
Speaker 1: they cast me mid to late thirties and I'm fifty.

1108
00:53:26,040 --> 00:53:28,440
Speaker 1: I mean that's the back in the day. Sure, that's

1109
00:53:28,520 --> 00:53:30,080
Speaker 1: what they look like. Go back and look at them.

1110
00:53:30,080 --> 00:53:33,279
Speaker 1: It's they look so much different the kids. Look at

1111
00:53:33,320 --> 00:53:36,279
Speaker 1: the kids that are supposed to be in Breakfast Club. Oh,

1112
00:53:36,480 --> 00:53:39,160
Speaker 1: they're all high school kids. They all look like they're

1113
00:53:39,200 --> 00:53:41,799
Speaker 1: in their thirties, compared to this group of kids who

1114
00:53:41,840 --> 00:53:46,359
Speaker 1: are supposed to be the same age. Anthony Michael Hall

1115
00:53:46,440 --> 00:53:49,479
Speaker 1: is supposed to be fifteen years old in Breakfast Club.

1116
00:53:50,000 --> 00:53:53,040
Speaker 1: He's the same age as the Zach kid or whatever.

1117
00:53:53,760 --> 00:53:54,000
Speaker 2: Yeah.

1118
00:53:54,440 --> 00:53:57,560
Speaker 1: Wow, no, it is so different now. It is so

1119
00:53:57,680 --> 00:54:00,680
Speaker 1: different now. Anyway, well, were you talking about We're talking

1120
00:54:00,719 --> 00:54:03,440
Speaker 1: about adventures at babysitting, and we're going to get back

1121
00:54:03,480 --> 00:54:05,920
Speaker 1: to it. We were talking about the Lord's Mistress, so

1122
00:54:06,080 --> 00:54:09,960
Speaker 1: we're talking about yes, so yes. Jenny is now beside herself.

1123
00:54:10,080 --> 00:54:12,239
Speaker 1: How did Lola let a fourteen year old kids sneak

1124
00:54:12,239 --> 00:54:14,320
Speaker 1: out in the city. The number one rule of babysitting

1125
00:54:14,400 --> 00:54:16,000
Speaker 1: is to never take your eyes off the kids, and

1126
00:54:16,120 --> 00:54:18,480
Speaker 1: all Lola is focused on is taking pictures with their camera.

1127
00:54:18,920 --> 00:54:21,040
Speaker 1: They see Andre's tablet that he was getting the tickets

1128
00:54:21,040 --> 00:54:23,879
Speaker 1: from a place called Tiny's Pawn Shop. Because of course,

1129
00:54:23,920 --> 00:54:25,439
Speaker 1: when you need tickets, you go to a pawn shop.

1130
00:54:25,640 --> 00:54:27,439
Speaker 1: So Jenny decides they'll drive to the city.

1131
00:54:27,520 --> 00:54:28,840
Speaker 2: And fourteen year old knows this.

1132
00:54:29,080 --> 00:54:30,719
Speaker 1: This is the thing, just to see.

1133
00:54:30,760 --> 00:54:33,040
Speaker 2: It's like a fourteen year old knows to go to

1134
00:54:33,120 --> 00:54:34,000
Speaker 2: a pawn shop.

1135
00:54:34,160 --> 00:54:36,719
Speaker 1: I don't know, it's weird. You also, you buy him

1136
00:54:36,760 --> 00:54:38,920
Speaker 1: outside the concert. It's more expensive, but you buy him

1137
00:54:38,920 --> 00:54:41,520
Speaker 1: outside the concert. Everybody knows that, right. Lola says she

1138
00:54:41,600 --> 00:54:43,520
Speaker 1: knows the city well, but Jenny is not interested in

1139
00:54:43,600 --> 00:54:46,200
Speaker 1: having a sidekick. Emily suggests they all go together. They're

1140
00:54:46,200 --> 00:54:48,920
Speaker 1: already in trouble since a total stranger is watching them anyway,

1141
00:54:49,280 --> 00:54:51,280
Speaker 1: and if not, they're willing to snitch to their parents

1142
00:54:51,280 --> 00:54:54,040
Speaker 1: about what's going on. So then the garage door opens,

1143
00:54:54,080 --> 00:54:57,399
Speaker 1: revealing that new suv. Missus Anderson didn't want anybody to drive.

1144
00:54:57,800 --> 00:54:59,400
Speaker 1: Jenny knows this is a bad idea, but it's the

1145
00:54:59,480 --> 00:55:02,040
Speaker 1: only car that will fit all of them. We're inside

1146
00:55:02,040 --> 00:55:04,200
Speaker 1: the Anderson's house now, now alone. The dog is jumped

1147
00:55:04,280 --> 00:55:05,960
Speaker 1: up on the stove to heat the meatballs, tipping over

1148
00:55:06,000 --> 00:55:08,560
Speaker 1: the pan and spilling pasta sauce everywhere, just as the

1149
00:55:08,760 --> 00:55:11,600
Speaker 1: washer explodes, shooting water and clothes all over the house.

1150
00:55:11,680 --> 00:55:14,160
Speaker 1: This is getting very bad. But back in the car,

1151
00:55:14,200 --> 00:55:16,239
Speaker 1: they eventually arrive at the pawnshop smack dab in a

1152
00:55:16,280 --> 00:55:19,080
Speaker 1: sketchy neighborhood and park across the street. Lola tells everyone

1153
00:55:19,120 --> 00:55:20,719
Speaker 1: to stay in the car and show grab Trey, but

1154
00:55:20,840 --> 00:55:22,839
Speaker 1: Katie has to go to the bathroom, so Jenny says

1155
00:55:22,880 --> 00:55:25,200
Speaker 1: they all have to go because again no child left behind.

1156
00:55:25,640 --> 00:55:28,080
Speaker 1: And that's when we and only we see that they

1157
00:55:28,120 --> 00:55:30,759
Speaker 1: are parked in a toezone just like the original movie.

1158
00:55:31,400 --> 00:55:33,439
Speaker 1: Inside the pawn shop, they enter just as the owner,

1159
00:55:33,600 --> 00:55:36,320
Speaker 1: Tiny is negotiating a deal to trade in a varmint

1160
00:55:36,400 --> 00:55:39,000
Speaker 1: for one hundred thousand dollars cash. Jenny tells him she's

1161
00:55:39,040 --> 00:55:41,480
Speaker 1: looking for a teenage boy who stopped buy for concert tickets.

1162
00:55:41,800 --> 00:55:44,799
Speaker 1: Tiny refers them to the quote unquote scalper, a man

1163
00:55:44,880 --> 00:55:47,960
Speaker 1: dressed as a ninja swinging around a sword, and when

1164
00:55:48,040 --> 00:55:51,280
Speaker 1: Lola tries asking the scalper about selling tickets, he responds

1165
00:55:51,320 --> 00:55:53,600
Speaker 1: by just saying, maybe I did, maybe I didn't. Also,

1166
00:55:53,719 --> 00:55:56,280
Speaker 1: I don't know if scalper is an appropriate term anymore.

1167
00:55:56,400 --> 00:56:00,120
Speaker 1: Let's just say that somebody who's selling the tickets. When

1168
00:56:00,160 --> 00:56:01,799
Speaker 1: they threatened to call the cops. He admits the kid

1169
00:56:01,880 --> 00:56:03,960
Speaker 1: paid in ones, like he was going to a strip

1170
00:56:04,000 --> 00:56:06,560
Speaker 1: club and he hates ones. But the boy did mention

1171
00:56:06,760 --> 00:56:09,600
Speaker 1: pizza before he left. Emily knows Trey loves a pizza

1172
00:56:09,640 --> 00:56:12,280
Speaker 1: place called Mario's, revealing she may have a little crush

1173
00:56:12,320 --> 00:56:15,960
Speaker 1: on the boy. Katie even calls it stalking. Meanwhile, Bobby

1174
00:56:16,000 --> 00:56:18,800
Speaker 1: tried to feed the cage prized ferret, and now it

1175
00:56:18,880 --> 00:56:21,160
Speaker 1: got loose and is knocking everything over. Tiny's freaking out,

1176
00:56:21,200 --> 00:56:23,520
Speaker 1: but Lola is just taking pictures of all the chaos.

1177
00:56:24,040 --> 00:56:27,040
Speaker 1: Tiny eventually recaptures his little cash cow, and when Jenny

1178
00:56:27,080 --> 00:56:29,799
Speaker 1: looks outside, she sees the cars getting towed, and then

1179
00:56:29,880 --> 00:56:32,440
Speaker 1: the ferret gets loose again. When Lola takes a picture

1180
00:56:32,560 --> 00:56:35,560
Speaker 1: of Tiny and the scared pet, they all now run

1181
00:56:35,560 --> 00:56:37,400
Speaker 1: outside the pawn chop them. Yes, it's official. We have

1182
00:56:37,520 --> 00:56:41,760
Speaker 1: another crazy, wacky story about trying to sell an illegal,

1183
00:56:41,960 --> 00:56:45,600
Speaker 1: expensive ferret. How many of those have we seen? Kidding

1184
00:56:45,680 --> 00:56:48,279
Speaker 1: that's never happened. I don't think there's anything in the

1185
00:56:48,320 --> 00:56:50,719
Speaker 1: world like one hundred thousand dollars ferret is there, but

1186
00:56:50,760 --> 00:56:52,960
Speaker 1: who knows? There's million dollar coy fish? Who knows?

1187
00:56:53,320 --> 00:56:57,040
Speaker 2: I know, but I kept thinking of a kindergarten cop

1188
00:56:57,600 --> 00:56:59,120
Speaker 2: that ferret that saves the day.

1189
00:56:59,480 --> 00:57:01,600
Speaker 1: Oh yeah, I keep thinking of the ferrets that are

1190
00:57:01,880 --> 00:57:03,359
Speaker 1: one of them that dies in Beast Master.

1191
00:57:03,600 --> 00:57:04,399
Speaker 2: Oh so sad.

1192
00:57:05,160 --> 00:57:08,560
Speaker 1: God, beast Master was a good movie. Oh God, you

1193
00:57:08,680 --> 00:57:11,800
Speaker 1: know when when Rip Torn plays the bad guy, you're

1194
00:57:11,840 --> 00:57:16,080
Speaker 1: in for something. Okay, Now, the toe lady has locked

1195
00:57:16,120 --> 00:57:18,920
Speaker 1: up the car and is uh hauling it away, but

1196
00:57:19,040 --> 00:57:21,240
Speaker 1: she says she'll give them back their suv for one

1197
00:57:21,320 --> 00:57:23,880
Speaker 1: hundred dollars. Jenny realizes that she doesn't have her purse

1198
00:57:24,000 --> 00:57:26,160
Speaker 1: and no one has any money on them. The truck

1199
00:57:26,240 --> 00:57:29,720
Speaker 1: lady says she's opened until midnight and carelessly drives off

1200
00:57:29,760 --> 00:57:32,959
Speaker 1: with missus Anderson's suv. Jenny remembers she has ten dollars

1201
00:57:32,960 --> 00:57:35,240
Speaker 1: for ice cream and remember seeing a bus stop close by.

1202
00:57:35,520 --> 00:57:38,360
Speaker 1: They'll take the bus to Mario's Pizza. Bobby is snacking

1203
00:57:38,400 --> 00:57:40,240
Speaker 1: on candy he took from the pawn shop when Tiny

1204
00:57:40,320 --> 00:57:42,640
Speaker 1: and the Ninja threaten them from across the street. The

1205
00:57:42,720 --> 00:57:44,840
Speaker 1: kids take off and the guys start chasing after them,

1206
00:57:45,120 --> 00:57:47,920
Speaker 1: but a truck blocks the path and splashes the adults

1207
00:57:48,000 --> 00:57:50,680
Speaker 1: with that same giant puddle. Tiny tells a ninja they

1208
00:57:50,680 --> 00:57:52,720
Speaker 1: can't lose the kids because Lola has a picture of

1209
00:57:52,800 --> 00:57:58,680
Speaker 1: him with the stolen sapphire ferret. Okay, I'm just letting

1210
00:57:58,720 --> 00:58:00,680
Speaker 1: it slide. Again. I wish I would it was something

1211
00:58:00,760 --> 00:58:04,160
Speaker 1: other than a ferret, something other than something ridiculous, and

1212
00:58:04,320 --> 00:58:06,880
Speaker 1: that the bad guys were actually more bad guys, and

1213
00:58:07,200 --> 00:58:09,840
Speaker 1: they could have still disnified it up without making it

1214
00:58:10,000 --> 00:58:14,080
Speaker 1: so wacky and crazy, which kind of it just it

1215
00:58:14,240 --> 00:58:16,720
Speaker 1: diminished the danger as opposed to escalating the danger. And

1216
00:58:16,760 --> 00:58:18,560
Speaker 1: I think they could have could have made it a

1217
00:58:18,600 --> 00:58:20,720
Speaker 1: little more. But hey, again, it's a d com. I

1218
00:58:20,800 --> 00:58:23,560
Speaker 1: get it. They're trying to attract younger a younger audience too,

1219
00:58:23,720 --> 00:58:27,760
Speaker 1: so the bumbling kind of people coming after it totally. Yeah.

1220
00:58:27,760 --> 00:58:30,080
Speaker 2: But I feel like the fact that there was nothing

1221
00:58:30,160 --> 00:58:33,000
Speaker 2: really on the line with these guys just kind of

1222
00:58:33,080 --> 00:58:37,160
Speaker 2: made them not necessary characters. I agree, Like they had

1223
00:58:37,320 --> 00:58:40,600
Speaker 2: they had so much going trying to find this kid,

1224
00:58:40,800 --> 00:58:44,360
Speaker 2: trying to get like, as we keep continuing, like they

1225
00:58:44,760 --> 00:58:48,920
Speaker 2: have been chased, really didn't no need to happen? I agree,

1226
00:58:49,160 --> 00:58:51,760
Speaker 2: because there wasn't really anything on the line. No, and

1227
00:58:51,880 --> 00:58:53,919
Speaker 2: again they didn't even know why they were being chased

1228
00:58:53,920 --> 00:58:54,479
Speaker 2: by these guys.

1229
00:58:54,800 --> 00:58:58,280
Speaker 1: No, And it's one of those things where the now

1230
00:58:58,400 --> 00:59:03,800
Speaker 1: see in the original Adventures in Babysitting pg. Thirteen compared

1231
00:59:03,800 --> 00:59:06,800
Speaker 1: to dcom what happens is and this is where it

1232
00:59:06,800 --> 00:59:10,560
Speaker 1: shows it's way more adult. Is the Keith Coogan's friend.

1233
00:59:11,960 --> 00:59:15,000
Speaker 1: So one of the on running storylines of Adventure in

1234
00:59:15,040 --> 00:59:18,880
Speaker 1: Babysitting Adventures in Babysitting is that there is a naked

1235
00:59:19,000 --> 00:59:23,080
Speaker 1: pictorial of a woman in Playboy that looks exactly like

1236
00:59:23,160 --> 00:59:27,040
Speaker 1: Elizabeth Shoe. So she's in a Playboy.

1237
00:59:27,120 --> 00:59:29,160
Speaker 2: I've seen this movie, I don't.

1238
00:59:29,320 --> 00:59:32,400
Speaker 1: It's great. And the kids, the kids are looking at

1239
00:59:32,480 --> 00:59:36,040
Speaker 1: So these two freshmen are looking at Playboy and he

1240
00:59:36,240 --> 00:59:39,600
Speaker 1: puts a copy of it in his backpack. It drops

1241
00:59:39,640 --> 00:59:41,840
Speaker 1: out later and he picks thinks he picks it up.

1242
00:59:41,960 --> 00:59:45,160
Speaker 1: So their car gets stolen while they're in it. A

1243
00:59:45,200 --> 00:59:47,200
Speaker 1: guy comes in literally car jackson while they're in it

1244
00:59:47,280 --> 00:59:50,560
Speaker 1: and brings it to a chop shop where they're held

1245
00:59:50,640 --> 00:59:51,760
Speaker 1: by actual criminals.

1246
00:59:52,400 --> 00:59:53,120
Speaker 2: Oh my god.

1247
00:59:53,280 --> 00:59:56,520
Speaker 1: He sees a Playboy to replace his and grabs it

1248
00:59:56,680 --> 00:59:58,960
Speaker 1: and puts it in his backpack. Well, what you come

1249
00:59:59,040 --> 01:00:01,640
Speaker 1: to find out is the actual list of the cars

1250
01:00:01,720 --> 01:00:04,040
Speaker 1: that were stolen and where they're gonna go were written

1251
01:00:04,200 --> 01:00:08,400
Speaker 1: into that Playboy. So that's why the real bad guys

1252
01:00:08,440 --> 01:00:11,840
Speaker 1: with guns who want them dead are chasing these kids

1253
01:00:11,920 --> 01:00:14,920
Speaker 1: in adventures and babysitting because they have the Playboy with

1254
01:00:15,000 --> 01:00:17,200
Speaker 1: all the other so obviously they can't do that in

1255
01:00:17,280 --> 01:00:20,360
Speaker 1: this one. They can't have nakedness, they can't have Playboy.

1256
01:00:20,480 --> 01:00:24,200
Speaker 2: You are talking too different level movies.

1257
01:00:24,840 --> 01:00:26,400
Speaker 1: But that was PG thirteen.

1258
01:00:26,600 --> 01:00:30,160
Speaker 2: Back in the day Playboy was PG thirteen.

1259
01:00:30,320 --> 01:00:33,240
Speaker 1: Well you never saw she obviously posed for the real

1260
01:00:33,280 --> 01:00:35,800
Speaker 1: Playboy that she posed for the cover Elizabeth Shu. But

1261
01:00:35,920 --> 01:00:38,480
Speaker 1: she's covering everything on the cover, but you can tell

1262
01:00:38,560 --> 01:00:40,200
Speaker 1: it's clearly her and it's supposed to be a porn

1263
01:00:40,240 --> 01:00:43,560
Speaker 1: star who looks like her, and so the whole movie,

1264
01:00:43,600 --> 01:00:45,920
Speaker 1: people are like recognizing her and she's like, it's not me,

1265
01:00:46,920 --> 01:00:50,560
Speaker 1: but it's there being chased because they actually have something

1266
01:00:50,640 --> 01:00:53,600
Speaker 1: that real criminals are after, and so they could have

1267
01:00:53,800 --> 01:00:56,040
Speaker 1: ratcheted up a bit. Obviously they can't do that, but

1268
01:00:56,240 --> 01:00:59,320
Speaker 1: something could have been a little easier. Right.

1269
01:00:59,680 --> 01:01:02,960
Speaker 2: The kids don't know about this list of cars either.

1270
01:01:03,040 --> 01:01:05,920
Speaker 1: No, they have no idea. They know that they are

1271
01:01:06,040 --> 01:01:10,480
Speaker 1: chasing them and literally want them dead. Yeah, so yeah,

1272
01:01:10,480 --> 01:01:14,600
Speaker 1: it's crazy. But now all our kids because they have

1273
01:01:14,720 --> 01:01:17,320
Speaker 1: a picture of this guy with the ferret not quite

1274
01:01:17,360 --> 01:01:20,680
Speaker 1: the same. They board a bus, but they find out

1275
01:01:20,680 --> 01:01:22,560
Speaker 1: the ten dollars is not enough. The driver says it's

1276
01:01:22,560 --> 01:01:25,680
Speaker 1: actually twelve dollars. Lola and Jenny argue over not having

1277
01:01:25,720 --> 01:01:27,320
Speaker 1: the money, and the bus driver eventually doesn't want to

1278
01:01:27,320 --> 01:01:29,120
Speaker 1: hear margure anymore, so he just tells him to take

1279
01:01:29,200 --> 01:01:32,720
Speaker 1: a seat. They eventually make it Tomorrow's pizza shop. They

1280
01:01:32,840 --> 01:01:35,280
Speaker 1: find Trey at a table with his braddy friends. Emily

1281
01:01:35,360 --> 01:01:37,919
Speaker 1: says hi, but Trey ignores her. He instead asks Jenny

1282
01:01:38,000 --> 01:01:40,000
Speaker 1: not to rat him out because he'll be grounded for life.

1283
01:01:40,360 --> 01:01:42,680
Speaker 1: Lola reveals herself as the babysitter, and Jenny says it's

1284
01:01:42,720 --> 01:01:44,560
Speaker 1: time to come with them. They have a bigger problem

1285
01:01:44,640 --> 01:01:47,160
Speaker 1: than this concert. They need to scalp Trey's ticket for

1286
01:01:47,280 --> 01:01:50,200
Speaker 1: the money. Jenny finally takes Katie to the bathroom and

1287
01:01:50,440 --> 01:01:53,760
Speaker 1: Trey continues to ignore Emily. Disgusted, Emily rolls her eyes

1288
01:01:53,760 --> 01:01:56,240
Speaker 1: and tells Lola she's going to the tattoo shop. Lola

1289
01:01:56,360 --> 01:01:58,480
Speaker 1: barely cares and tells her to have fun. Go express

1290
01:01:58,520 --> 01:02:01,840
Speaker 1: yourself as Emily then just walks the tattoo shop next

1291
01:02:01,880 --> 01:02:04,720
Speaker 1: door now we're in the bathroom. Jenny overhears girls talking

1292
01:02:04,720 --> 01:02:07,600
Speaker 1: about how Zach Chase is taking that Fluozy Dominique to

1293
01:02:07,640 --> 01:02:11,280
Speaker 1: the concert. With this news, Jenny screams no tipping off

1294
01:02:11,320 --> 01:02:13,720
Speaker 1: the gossipers to her eavesdropping. The girls admit they never

1295
01:02:13,720 --> 01:02:15,280
Speaker 1: thought they'd se Jenny out in the city on a

1296
01:02:15,320 --> 01:02:19,160
Speaker 1: Friday night. She pretends she's obviously with the mature city friends.

1297
01:02:19,400 --> 01:02:21,200
Speaker 1: Just then, little Katie comes out of the stall. She

1298
01:02:21,280 --> 01:02:23,880
Speaker 1: needs help pulling up her stockings. Jenny pretends she doesn't

1299
01:02:23,920 --> 01:02:25,800
Speaker 1: know the girl, but we're help her and walk her

1300
01:02:25,800 --> 01:02:27,280
Speaker 1: out to find her mom. And then the thing that

1301
01:02:27,360 --> 01:02:29,600
Speaker 1: was interesting about these girls in this storyline is nothing

1302
01:02:29,680 --> 01:02:32,480
Speaker 1: happens again, and you never ever anything to do with

1303
01:02:32,560 --> 01:02:32,920
Speaker 1: this at all.

1304
01:02:33,360 --> 01:02:36,720
Speaker 2: You think you're supposed to hate these girls, but don't worry.

1305
01:02:37,160 --> 01:02:37,880
Speaker 2: They don't come back.

1306
01:02:38,400 --> 01:02:40,560
Speaker 1: Yeah, no, they don't come back. She don't see them

1307
01:02:40,600 --> 01:02:42,520
Speaker 1: at the concert. Later, she doesn't see them in school. Nothing,

1308
01:02:42,560 --> 01:02:43,600
Speaker 1: they don't come They don't.

1309
01:02:43,480 --> 01:02:44,040
Speaker 2: Ruin her life.

1310
01:02:44,680 --> 01:02:47,840
Speaker 1: These were scenes, yea, these were scenes who didn't need

1311
01:02:48,280 --> 01:02:50,240
Speaker 1: and I get what there was other ways to find

1312
01:02:50,280 --> 01:02:54,320
Speaker 1: out that this guy went to the concert without him

1313
01:02:54,560 --> 01:02:57,120
Speaker 1: the whole adding this scene, I mean twenty sixteen.

1314
01:02:57,160 --> 01:02:59,080
Speaker 2: She could have just been on her phone's going on

1315
01:02:59,520 --> 01:03:01,840
Speaker 2: Facebook social media, yeah, and she's like, oh my god,

1316
01:03:01,880 --> 01:03:04,040
Speaker 2: I found he's going anyway. He just posted a pitcher.

1317
01:03:04,600 --> 01:03:06,720
Speaker 1: Yeah. The two guys from the pawn shop arrive at

1318
01:03:06,760 --> 01:03:09,000
Speaker 1: Mario's just as Emily returns now excited to show them

1319
01:03:09,040 --> 01:03:11,160
Speaker 1: her new henna tattoo. The guy did it for free

1320
01:03:11,200 --> 01:03:13,919
Speaker 1: because he liked her Aura. Lola loves it, but Jenny

1321
01:03:13,960 --> 01:03:15,520
Speaker 1: hopes it comes off with soap and water. Then the

1322
01:03:15,600 --> 01:03:18,800
Speaker 1: pawnshop guys push their way inside the restaurant. Once spotted,

1323
01:03:18,800 --> 01:03:20,479
Speaker 1: the kids all scream and run into the back alley.

1324
01:03:20,720 --> 01:03:22,840
Speaker 1: Katie tells Trey that the guys are after them because

1325
01:03:22,880 --> 01:03:24,960
Speaker 1: Bobby stole a candy bar and can't give it back

1326
01:03:24,960 --> 01:03:27,400
Speaker 1: because he's licked it. Just as they open a side

1327
01:03:27,440 --> 01:03:29,880
Speaker 1: door and run inside to the next building. That's when

1328
01:03:29,880 --> 01:03:32,040
Speaker 1: we find ourselves in a big clothing factory, like a

1329
01:03:32,120 --> 01:03:35,120
Speaker 1: cleaning factory. As the kids hide, the pawnshop guys follow

1330
01:03:35,160 --> 01:03:37,680
Speaker 1: close behind and promise they just want a reasonable conversation

1331
01:03:37,840 --> 01:03:40,000
Speaker 1: and the camera, so they do yell, we need the camera.

1332
01:03:40,400 --> 01:03:42,120
Speaker 1: The kids decided to ride on one of those conveyor

1333
01:03:42,160 --> 01:03:44,200
Speaker 1: clothing belts that you'd find in a dry cleaners while

1334
01:03:44,240 --> 01:03:47,040
Speaker 1: hanging in jumpsuits, which if you go back and watch again,

1335
01:03:47,040 --> 01:03:49,480
Speaker 1: they're all just regular hangers, so there's no way in

1336
01:03:49,560 --> 01:03:52,880
Speaker 1: hell that would actually hold up. Tiny turns around just

1337
01:03:52,920 --> 01:03:54,600
Speaker 1: in time to catch them, but he can't reach His

1338
01:03:54,760 --> 01:03:57,960
Speaker 1: name is Tiny. After all, the kids successfully escape, riding

1339
01:03:58,000 --> 01:03:59,840
Speaker 1: into another room, then running away, they hit a dead

1340
01:03:59,920 --> 01:04:01,920
Speaker 1: end and there's only one way out. It's down through

1341
01:04:01,960 --> 01:04:04,440
Speaker 1: a close shoot, so one by one they grab the

1342
01:04:04,520 --> 01:04:06,720
Speaker 1: chain and jump down, and each actor they had doing

1343
01:04:06,720 --> 01:04:08,440
Speaker 1: it was obviously a stunt person is like hitting the

1344
01:04:08,520 --> 01:04:11,640
Speaker 1: wall on the way down, which was crazy. The pawn

1345
01:04:11,720 --> 01:04:13,800
Speaker 1: Chop guys hear some commotion and continue the chase, but

1346
01:04:13,840 --> 01:04:15,640
Speaker 1: when Lola throws a bag of clothes at them, they

1347
01:04:15,720 --> 01:04:18,840
Speaker 1: fall onto a metal slide, leaving them bagged with dirty laundry,

1348
01:04:18,880 --> 01:04:21,800
Speaker 1: then sent into a spin cycle. Very home alone kind

1349
01:04:21,800 --> 01:04:23,560
Speaker 1: of vibes here and just was getting very.

1350
01:04:23,560 --> 01:04:26,520
Speaker 2: Young, yes, very young, yeah, very Lola then.

1351
01:04:26,480 --> 01:04:28,480
Speaker 1: Jumps down, joining her friends. They all head out while

1352
01:04:28,480 --> 01:04:30,880
Speaker 1: the bad dudes are occupied. It is time to sell

1353
01:04:30,920 --> 01:04:34,120
Speaker 1: that ticket. Lola then jumps down, joining our friends. They

1354
01:04:34,200 --> 01:04:36,440
Speaker 1: all head out while the bad dudes are occupied it's

1355
01:04:36,520 --> 01:04:38,400
Speaker 1: time to sell that ticket. We're now it's side of

1356
01:04:38,400 --> 01:04:40,840
Speaker 1: the concert venue or the local fare, you can't really

1357
01:04:40,880 --> 01:04:43,280
Speaker 1: tell which one. Lola gives aj or Cameron tells her

1358
01:04:43,280 --> 01:04:44,600
Speaker 1: to guard it with her life. While she tries to

1359
01:04:44,600 --> 01:04:47,080
Speaker 1: sell the ticket, Bobby is still thinking about his cupcakes.

1360
01:04:47,120 --> 01:04:49,600
Speaker 1: Maybe they need some spice. Trey places his jacket on

1361
01:04:49,640 --> 01:04:51,120
Speaker 1: the bench and tells Jenny to use it like a

1362
01:04:51,160 --> 01:04:54,560
Speaker 1: real gentleman, but instead, Katie pops down and thanks Troy. Nearby,

1363
01:04:54,680 --> 01:04:57,840
Speaker 1: aj is practicing some advanced derby moves and Lola is

1364
01:04:57,880 --> 01:05:02,200
Speaker 1: soliciting possible ticket buyers behind some merch. Nearby are Tiny

1365
01:05:02,280 --> 01:05:03,840
Speaker 1: in the Ninja. They caught up with the kids and

1366
01:05:03,920 --> 01:05:06,760
Speaker 1: are ready to strike, but just then a police officer

1367
01:05:06,800 --> 01:05:09,400
Speaker 1: confronts Lola. It's illegal to sell tickets outside the venue.

1368
01:05:09,440 --> 01:05:11,600
Speaker 1: But good news, the presence of the cops at least

1369
01:05:11,640 --> 01:05:14,200
Speaker 1: does scare away Tiny and the other guy. I can't

1370
01:05:14,280 --> 01:05:17,439
Speaker 1: keep saying the ninja. The officer then takes Lola away.

1371
01:05:17,560 --> 01:05:20,360
Speaker 1: Jenny sees it all unfold and of course panics because,

1372
01:05:20,400 --> 01:05:22,800
Speaker 1: oh god, now one of them has been arrested. We're

1373
01:05:22,800 --> 01:05:25,280
Speaker 1: now at the police station, Jenny. The kids arrive only

1374
01:05:25,320 --> 01:05:27,160
Speaker 1: to find out. Lola is getting booked and telling a

1375
01:05:27,200 --> 01:05:29,600
Speaker 1: skeptical cop all about Tiny and the Ninja and the

1376
01:05:29,680 --> 01:05:32,200
Speaker 1: ferret in the interrogation room, which of course sounds like

1377
01:05:32,200 --> 01:05:35,040
Speaker 1: a ridiculous story. He reminds her that lying to an

1378
01:05:35,040 --> 01:05:37,920
Speaker 1: officer is also a crime. Bobby is worried that he

1379
01:05:37,920 --> 01:05:40,000
Speaker 1: won't find the perfect reading in time for the contest,

1380
01:05:40,080 --> 01:05:42,640
Speaker 1: while aj is pining for her roller derby team, and

1381
01:05:42,800 --> 01:05:45,520
Speaker 1: Trey realizes he's missing the biggest concert of the year.

1382
01:05:46,040 --> 01:05:48,120
Speaker 1: Jenny tells everyone to stop whining so she can focus

1383
01:05:48,160 --> 01:05:50,480
Speaker 1: on what to do next, and that's when she notices

1384
01:05:50,520 --> 01:05:53,560
Speaker 1: that Emily has dyed her hair green, which I thought

1385
01:05:53,640 --> 01:05:55,439
Speaker 1: it was going to be shaved, so that's not nearly

1386
01:05:55,480 --> 01:05:59,040
Speaker 1: as bad. Jenny's not happy and spirals because everything's getting worse.

1387
01:05:59,280 --> 01:06:01,080
Speaker 1: She kind of takes set out on Emily, who then

1388
01:06:01,120 --> 01:06:03,760
Speaker 1: gets upset and pounts in her seat and is clearly

1389
01:06:03,800 --> 01:06:06,080
Speaker 1: feeling very much alone. But now we're back in the

1390
01:06:06,120 --> 01:06:10,200
Speaker 1: interrogation room. The police officer mentions Lola has an extensive record,

1391
01:06:10,440 --> 01:06:13,160
Speaker 1: which really she doesn't. She's just parking tickets, which is

1392
01:06:13,200 --> 01:06:15,480
Speaker 1: what she points out. They're parking tickets, not bank robberies,

1393
01:06:15,880 --> 01:06:19,480
Speaker 1: and then rookie McDreamy officer James, the flirty officer that

1394
01:06:19,560 --> 01:06:22,560
Speaker 1: gave Rod of the ticket earlier, arrives to help. He

1395
01:06:22,680 --> 01:06:24,520
Speaker 1: walks in and looks right at the camera and says,

1396
01:06:24,600 --> 01:06:29,240
Speaker 1: I'm only twenty. He doesn't but shit. Back in the lobby,

1397
01:06:29,280 --> 01:06:31,120
Speaker 1: the police have taken a bunch of roller Derby players

1398
01:06:31,120 --> 01:06:33,919
Speaker 1: into custody because of disorderly conduct, and AJ can't believe

1399
01:06:33,960 --> 01:06:39,600
Speaker 1: her eyes. It's her favorite player, Jailer swift Quick Sabrina,

1400
01:06:40,360 --> 01:06:41,800
Speaker 1: what would your roller Derby name be?

1401
01:06:42,520 --> 01:06:50,800
Speaker 2: Ooh, slick slider? I think wow, I think kind of

1402
01:06:50,960 --> 01:06:53,600
Speaker 2: just I've seen roller Derby as they're wild.

1403
01:06:54,320 --> 01:06:56,560
Speaker 1: That's awesome. Slider's great.

1404
01:06:56,840 --> 01:07:00,320
Speaker 2: I don't think i'd be able to Yeah, slick Sliders, Sabrina.

1405
01:07:00,360 --> 01:07:02,120
Speaker 1: That's great. I'd be Willpower.

1406
01:07:04,880 --> 01:07:07,400
Speaker 2: I feel like you've used that before because it's awesome.

1407
01:07:07,760 --> 01:07:09,760
Speaker 1: Okay, Well you want me to do that'd be my

1408
01:07:09,840 --> 01:07:13,520
Speaker 1: awesome name all the way around. Well. AJ approaches her

1409
01:07:13,600 --> 01:07:15,400
Speaker 1: hero and shows her a move she's been practicing for

1410
01:07:15,440 --> 01:07:18,000
Speaker 1: six months. Jayler is impressed and tells Aj to work

1411
01:07:18,000 --> 01:07:21,200
Speaker 1: on her technique. Then, just like that, Aj successfully performs

1412
01:07:21,240 --> 01:07:23,840
Speaker 1: the corrected move and pressing jailer and her teammates even more.

1413
01:07:24,240 --> 01:07:26,520
Speaker 1: Emily is still sulking when she notices a sleeping man

1414
01:07:26,560 --> 01:07:29,080
Speaker 1: with a phone in his hand while he's catching some z's.

1415
01:07:29,240 --> 01:07:32,680
Speaker 1: She creeps up and takes it. At the gala, Missus

1416
01:07:32,720 --> 01:07:34,680
Speaker 1: Cooper's phone is ringing, but she doesn't notice. She's too

1417
01:07:34,680 --> 01:07:37,280
Speaker 1: focused on being social. Back at the police station again, again,

1418
01:07:37,360 --> 01:07:39,720
Speaker 1: a lot of cuts. It was Emily calling missus Cooper.

1419
01:07:39,840 --> 01:07:42,360
Speaker 1: She leaves a voicemail begging for help, detailing the situation

1420
01:07:42,520 --> 01:07:45,480
Speaker 1: and that they're all in city jail. Yikes. But before

1421
01:07:45,520 --> 01:07:47,520
Speaker 1: she can finish, the sleeping man is woken up and

1422
01:07:47,680 --> 01:07:51,600
Speaker 1: takes his phone back In the interrogation room, flirty Officer mcjames,

1423
01:07:52,240 --> 01:07:54,200
Speaker 1: that's what I'm calling from now on. Now alone with

1424
01:07:54,320 --> 01:07:57,000
Speaker 1: Lola agrees, other than the parking tickets, she's clean, but

1425
01:07:57,120 --> 01:07:59,160
Speaker 1: he wonders what kind of an example she's setting for

1426
01:07:59,200 --> 01:08:02,240
Speaker 1: those kids. She confesses that she lied. She isn't even

1427
01:08:02,280 --> 01:08:05,160
Speaker 1: the real babysitter, and she knows nothing about Beethoven. Her

1428
01:08:05,200 --> 01:08:06,960
Speaker 1: grades weren't good enough to get into art school, but

1429
01:08:07,000 --> 01:08:09,000
Speaker 1: now she has a chance to get a photography internship

1430
01:08:09,040 --> 01:08:12,120
Speaker 1: with her IDOL that could change her life. She apologizes

1431
01:08:12,160 --> 01:08:15,480
Speaker 1: for lying and tells him he's cute. He lets her go,

1432
01:08:15,720 --> 01:08:18,479
Speaker 1: of course, because why not. Pretty girl can't arrest her,

1433
01:08:18,880 --> 01:08:20,880
Speaker 1: and walks her back to her friends, who are excited

1434
01:08:20,920 --> 01:08:23,479
Speaker 1: to see her. AJ takes a picture with the roller

1435
01:08:23,520 --> 01:08:26,160
Speaker 1: derby team, leading to another fight amongst the teams at

1436
01:08:26,240 --> 01:08:29,280
Speaker 1: the police station, which then turns into chaos. The kids

1437
01:08:29,360 --> 01:08:31,680
Speaker 1: decide to leave the station. The cops actually rush them

1438
01:08:31,680 --> 01:08:34,879
Speaker 1: out because it is a big brawl. We're now outside

1439
01:08:34,920 --> 01:08:37,000
Speaker 1: the station. The pod shop guys are across the street,

1440
01:08:37,240 --> 01:08:40,360
Speaker 1: still here, and notice AJ still has the camera. Jenny

1441
01:08:40,400 --> 01:08:42,120
Speaker 1: has had enough. This has gotten well out of hand.

1442
01:08:42,200 --> 01:08:43,840
Speaker 1: She thinks they should just call the parents, but the

1443
01:08:43,920 --> 01:08:47,200
Speaker 1: kids all scream no, and as the group argues, Tiny

1444
01:08:47,360 --> 01:08:49,519
Speaker 1: now creeps up and quietly tries to take the camera

1445
01:08:49,560 --> 01:08:51,240
Speaker 1: from AJ, but instead of rolling over, she does the

1446
01:08:51,280 --> 01:08:53,920
Speaker 1: roller derby trick she's been practicing and knocks Tiny down.

1447
01:08:54,280 --> 01:08:56,800
Speaker 1: All this happens within a foot of all the other people,

1448
01:08:56,880 --> 01:09:00,479
Speaker 1: and no one notices anything. AJ screams any and Lolo

1449
01:09:00,560 --> 01:09:02,560
Speaker 1: too busy fighting to notice, so she skates off with

1450
01:09:02,640 --> 01:09:05,000
Speaker 1: Tiny and now Ninja close behind. We also see that

1451
01:09:05,080 --> 01:09:07,640
Speaker 1: Tiny has dropped his keys. Bobby has noticed AJ has

1452
01:09:07,680 --> 01:09:09,680
Speaker 1: gone and finally alerts the babysitter. They pick up the

1453
01:09:09,720 --> 01:09:13,800
Speaker 1: car keys and let's just say borrow tinye car. Now

1454
01:09:13,880 --> 01:09:16,040
Speaker 1: we're outside the met gala again or whatever kind of

1455
01:09:16,080 --> 01:09:18,120
Speaker 1: gal it is. Missus Cooper can't believe her husband is

1456
01:09:18,160 --> 01:09:21,360
Speaker 1: making her leave the gala because of some prank. Again,

1457
01:09:21,880 --> 01:09:26,160
Speaker 1: a message from their kids saying we're in jail. Everything's awful,

1458
01:09:26,240 --> 01:09:28,320
Speaker 1: and the mom is like, I can't believe you'd believe that.

1459
01:09:29,120 --> 01:09:31,519
Speaker 1: I mean, mister Cooper says Emily sounded terrified, but Missus

1460
01:09:31,560 --> 01:09:34,759
Speaker 1: Cooper promises nothing has happened. What kind of kid pranks

1461
01:09:34,800 --> 01:09:36,680
Speaker 1: their parents by saying we're having a horrible night, we're

1462
01:09:36,680 --> 01:09:39,240
Speaker 1: stuck in jail, And what kind of mom is like,

1463
01:09:39,320 --> 01:09:41,200
Speaker 1: I can't believe you'd make me leave for that. She

1464
01:09:41,560 --> 01:09:45,080
Speaker 1: was the worst mom in this whole movie, bar none

1465
01:09:45,800 --> 01:09:46,280
Speaker 1: terrible care.

1466
01:09:46,439 --> 01:09:50,640
Speaker 2: We haven't had a bad mom on the list in

1467
01:09:50,760 --> 01:09:51,200
Speaker 2: a while.

1468
01:09:51,680 --> 01:09:53,800
Speaker 1: She's a bad mom, but an even worse wife. She

1469
01:09:54,479 --> 01:09:58,599
Speaker 1: just bashed this husband the whole movie like you're an Oh,

1470
01:09:58,640 --> 01:10:00,680
Speaker 1: I had to babysit all night because my husband's an

1471
01:10:00,760 --> 01:10:04,479
Speaker 1: idiot like that kind of it was like, oh, yeah,

1472
01:10:04,560 --> 01:10:07,599
Speaker 1: it was terrible, So yeah, I'm putting her. I'm officially

1473
01:10:07,680 --> 01:10:10,599
Speaker 1: nominating her on the list, all right, And now inside

1474
01:10:10,640 --> 01:10:13,560
Speaker 1: the car, something's definitely happening. They drive after Aj on

1475
01:10:13,600 --> 01:10:15,720
Speaker 1: her skates and they're spotted by an out of breath

1476
01:10:15,760 --> 01:10:17,400
Speaker 1: tiny who's trying to run on the streets, but he

1477
01:10:17,479 --> 01:10:20,000
Speaker 1: sees that they've taken his car. They also spot AJ,

1478
01:10:20,120 --> 01:10:22,160
Speaker 1: who's weaving in and out of people and almost hit

1479
01:10:22,280 --> 01:10:25,400
Speaker 1: the ninja on his bike, but in the process, Lola

1480
01:10:25,520 --> 01:10:28,400
Speaker 1: drops her cell phone in the car. We're now back again.

1481
01:10:28,479 --> 01:10:31,000
Speaker 1: Lots going on. Back outside the gala, Missus Anderson is

1482
01:10:31,040 --> 01:10:32,880
Speaker 1: about to give a big speech when her cell phone rings.

1483
01:10:32,960 --> 01:10:35,360
Speaker 1: Loa has accidentally called her. In the middle of the chase,

1484
01:10:35,680 --> 01:10:38,519
Speaker 1: Missus Anderson tells the audiences to babysitter and answers, which

1485
01:10:38,600 --> 01:10:40,880
Speaker 1: is what a mom should do. Lola thinks quick on

1486
01:10:40,960 --> 01:10:43,200
Speaker 1: her toes and says she's just checking in. Everything's fine.

1487
01:10:43,320 --> 01:10:45,760
Speaker 1: Missus Anderson tells the audience everything's fine and goes back

1488
01:10:45,760 --> 01:10:48,760
Speaker 1: to her speech. But back in the car, nothing is

1489
01:10:48,840 --> 01:10:51,840
Speaker 1: in fact fine. Just as Missus Cooper complains about missing

1490
01:10:51,840 --> 01:10:54,080
Speaker 1: their best friend's speech, she sees a kid roller skating

1491
01:10:54,120 --> 01:10:56,519
Speaker 1: down the street. It's Aj. They don't notice it though.

1492
01:10:56,720 --> 01:10:59,360
Speaker 1: They just believe that it's some little girl roller skating

1493
01:10:59,400 --> 01:11:01,439
Speaker 1: on their own and who would let their kids roller

1494
01:11:01,520 --> 01:11:04,880
Speaker 1: skate in the city alone. Back inside Tiny's car, still

1495
01:11:04,880 --> 01:11:06,439
Speaker 1: filled with all the kids, they have their eyes on

1496
01:11:06,520 --> 01:11:09,040
Speaker 1: AJ and she's headed for some picnic tables. She quickly

1497
01:11:09,120 --> 01:11:12,559
Speaker 1: jumps on them, knocking everybody's food off while screaming sorry. Finally,

1498
01:11:12,680 --> 01:11:15,320
Speaker 1: the bad guy wipes out and the kids stop the

1499
01:11:15,400 --> 01:11:17,760
Speaker 1: car to grab AJ. They run away and leave the

1500
01:11:17,840 --> 01:11:21,240
Speaker 1: car behind to sneak in a side door, closing it

1501
01:11:21,320 --> 01:11:23,439
Speaker 1: on Tiny and the Ninja at the very last second.

1502
01:11:24,360 --> 01:11:28,599
Speaker 1: The kids have now found themselves backstage in a pack nightclub. Sorry,

1503
01:11:28,600 --> 01:11:30,200
Speaker 1: I just need to breathe. There's a lot going on,

1504
01:11:30,960 --> 01:11:36,120
Speaker 1: but this is so fast. Again straight from the original movie,

1505
01:11:36,160 --> 01:11:38,479
Speaker 1: where Elizabeth Shoe and the kids find themselves on stage

1506
01:11:38,479 --> 01:11:41,599
Speaker 1: at a blues club. Jenny pushes through the curtain, shocked

1507
01:11:41,640 --> 01:11:44,160
Speaker 1: at what she sees, then accidentally unplugs a wire. Everything

1508
01:11:44,240 --> 01:11:48,200
Speaker 1: including the DJ, shuts down. Now in total silence, Jenny, Lola,

1509
01:11:48,280 --> 01:11:50,120
Speaker 1: and all the kids are standing on stage. The crowd

1510
01:11:50,200 --> 01:11:52,479
Speaker 1: is staring right back at them. Jenny says sorry and

1511
01:11:52,560 --> 01:11:54,519
Speaker 1: tries to walk off, but the DJ tells her to stop.

1512
01:11:54,640 --> 01:11:56,840
Speaker 1: She can't go anywhere. She's got a quote, spill her

1513
01:11:56,960 --> 01:12:00,680
Speaker 1: rage and start rapping. She pushes back, no way she's

1514
01:12:00,720 --> 01:12:03,320
Speaker 1: gonna rap, but eventually she gives into pressure. It gets

1515
01:12:03,479 --> 01:12:06,920
Speaker 1: very eight mile quickly. She's nervous, but eventually gets into it,

1516
01:12:07,800 --> 01:12:10,000
Speaker 1: and the kids all chime in breaking down everything that's

1517
01:12:10,040 --> 01:12:13,240
Speaker 1: happening during the night, which again is exactly what happens

1518
01:12:13,360 --> 01:12:16,120
Speaker 1: during the Original Adventures of Babysitting. She has to sing

1519
01:12:16,200 --> 01:12:18,840
Speaker 1: the blues, and she's singing the babysitter Blues. It was

1520
01:12:18,920 --> 01:12:22,479
Speaker 1: cute in that movie. Then Lola jumps in and we

1521
01:12:22,520 --> 01:12:24,679
Speaker 1: have a real rap battle, but they're really just talking.

1522
01:12:24,800 --> 01:12:26,720
Speaker 1: Not sure i'd call it rap. What did you think

1523
01:12:26,760 --> 01:12:28,840
Speaker 1: of the rap battle and the electric slide in this

1524
01:12:29,040 --> 01:12:31,640
Speaker 1: kind of entire scene. Did you find this cringe at all?

1525
01:12:32,880 --> 01:12:35,240
Speaker 2: I don't want to say cringey, It just was kind

1526
01:12:35,280 --> 01:12:37,919
Speaker 2: of I mean, at this point, like you said, we're bouncing,

1527
01:12:38,040 --> 01:12:41,320
Speaker 2: we're moving, we're going. There's a million sets. I kept thinking, like,

1528
01:12:41,720 --> 01:12:44,160
Speaker 2: how many days did they have for shooting this dcom?

1529
01:12:44,280 --> 01:12:47,920
Speaker 2: Because yeah, usually it's like what like six weeks, seven weeks.

1530
01:12:47,960 --> 01:12:50,439
Speaker 2: It doesn't seem like they usually have to do that. Yeah,

1531
01:12:50,720 --> 01:12:54,839
Speaker 2: like this movie just there's so many different sets. We're bouncing,

1532
01:12:54,920 --> 01:12:57,400
Speaker 2: we're moving. At this point, I'm just kind of like

1533
01:12:59,160 --> 01:13:02,960
Speaker 2: it makes sense. I think the audience obviously there's a

1534
01:13:03,080 --> 01:13:06,320
Speaker 2: built in fan base audience that loves both of these

1535
01:13:06,360 --> 01:13:09,479
Speaker 2: girls who both sing like so there's like a this

1536
01:13:09,680 --> 01:13:12,600
Speaker 2: is the moment that makes sense for them. But the

1537
01:13:12,680 --> 01:13:15,840
Speaker 2: fact that it started rapping, I was like, what, Like

1538
01:13:16,000 --> 01:13:18,560
Speaker 2: that was so strange to me that that's what the

1539
01:13:18,840 --> 01:13:21,960
Speaker 2: turn we took I expected. Once we get into the club,

1540
01:13:22,000 --> 01:13:22,800
Speaker 2: I'm like, oh, here we go.

1541
01:13:23,439 --> 01:13:24,200
Speaker 1: I thought the same thing.

1542
01:13:24,400 --> 01:13:28,920
Speaker 2: Yes, I'm okay with it, because both of them looking

1543
01:13:28,960 --> 01:13:33,679
Speaker 2: forward to Yes, we we got a little pre preview

1544
01:13:34,080 --> 01:13:38,120
Speaker 2: of when Jenny or Sabrina's in the car and she's

1545
01:13:38,360 --> 01:13:41,280
Speaker 2: singing to the song, get a little preview of that.

1546
01:13:41,640 --> 01:13:43,160
Speaker 2: Hear them already singing.

1547
01:13:43,400 --> 01:13:45,639
Speaker 1: You know. I was ready for it me too.

1548
01:13:45,880 --> 01:13:48,760
Speaker 2: Then we hit the curveball with the rap, and I'm like,

1549
01:13:49,600 --> 01:13:52,479
Speaker 2: this isn't showcase the talent that I was thinking we

1550
01:13:52,640 --> 01:13:53,040
Speaker 2: were getting.

1551
01:13:53,160 --> 01:13:55,240
Speaker 1: I thought the same thing, But it.

1552
01:13:55,320 --> 01:13:58,120
Speaker 2: Was also like kind of like already where we're going.

1553
01:13:58,320 --> 01:14:03,120
Speaker 2: I felt like I was just like ryetic of Dr Machine.

1554
01:14:03,240 --> 01:14:07,120
Speaker 2: Just Yep, this is Okay, I agree, we keep going.

1555
01:14:09,040 --> 01:14:10,680
Speaker 1: I thought this was a waste of talent. But you

1556
01:14:10,720 --> 01:14:12,280
Speaker 1: know who didn't the crowd who loves it.

1557
01:14:13,080 --> 01:14:14,000
Speaker 2: The crowd loved it.

1558
01:14:14,360 --> 01:14:17,759
Speaker 1: They do and bet uh oh who arrives Now Tiny

1559
01:14:17,840 --> 01:14:21,000
Speaker 1: and Ninja again. These guys are so annoying. They went

1560
01:14:21,080 --> 01:14:26,040
Speaker 1: through the front door, Jenny spots, and it's needed get them, yes,

1561
01:14:26,280 --> 01:14:29,200
Speaker 1: have them or have real danger or something. But the

1562
01:14:29,280 --> 01:14:31,280
Speaker 1: two pawn shop guys jump on stage and now it's

1563
01:14:31,400 --> 01:14:35,120
Speaker 1: their turn to drop the quote unquote facts outside the club.

1564
01:14:35,200 --> 01:14:36,800
Speaker 1: Now the kids file out the back door, and Cheney

1565
01:14:36,840 --> 01:14:39,240
Speaker 1: can't believe she just wrapped AJ calls are cool, and

1566
01:14:39,320 --> 01:14:42,800
Speaker 1: Trey agrees. Emily is not impressed. She didn't end world

1567
01:14:42,920 --> 01:14:46,200
Speaker 1: hunger people, that's what she says. At the police station.

1568
01:14:46,280 --> 01:14:48,360
Speaker 1: Now the coopers have arrived, checking to see if anyone's

1569
01:14:48,360 --> 01:14:50,400
Speaker 1: seen their kids, but all they get are laughs from

1570
01:14:50,400 --> 01:14:54,040
Speaker 1: the cops, which seem rude because there were kids in there.

1571
01:14:54,520 --> 01:14:56,320
Speaker 1: They're like, kids, we never have kids in here. You

1572
01:14:56,400 --> 01:14:59,040
Speaker 1: literally just had nine kids in your thing. Yet we're

1573
01:14:59,080 --> 01:15:01,639
Speaker 1: back on the sidewalking again. Jenny apologize to Emily about

1574
01:15:01,680 --> 01:15:03,200
Speaker 1: what she said at the police station, even though it's

1575
01:15:03,200 --> 01:15:04,800
Speaker 1: been an awful night. There's no reason to take it

1576
01:15:04,840 --> 01:15:06,760
Speaker 1: out on her and hurt her feelings, which is very nice.

1577
01:15:07,120 --> 01:15:09,960
Speaker 1: Emily calls herself an invisible dork, but Jenny argues she's

1578
01:15:10,000 --> 01:15:12,360
Speaker 1: not invisible. She's beautiful and she doesn't need green hair

1579
01:15:12,479 --> 01:15:15,160
Speaker 1: tattoos to get noticed. Being herself is enough and if

1580
01:15:15,200 --> 01:15:18,080
Speaker 1: Trey doesn't see that, that's his loss. Besides, and the

1581
01:15:18,200 --> 01:15:20,639
Speaker 1: lookover and the guys are dancing, boys are dorks, which

1582
01:15:20,680 --> 01:15:23,400
Speaker 1: is very funny. Emily agrees and hugs Jenny, but there

1583
01:15:23,479 --> 01:15:26,439
Speaker 1: is something she should probably tell her. We're now in

1584
01:15:26,479 --> 01:15:28,639
Speaker 1: another New York City block. The Cooper's wonder if Emily

1585
01:15:28,720 --> 01:15:31,439
Speaker 1: meant the North Park Police station. Missus Cooper's just tired

1586
01:15:31,640 --> 01:15:35,680
Speaker 1: and her feet hurt because again she sucks. We're now

1587
01:15:35,800 --> 01:15:38,439
Speaker 1: back with the kids. Aj reveals to Jenny that she

1588
01:15:38,560 --> 01:15:40,840
Speaker 1: left a message saying they were in trouble, and just

1589
01:15:41,000 --> 01:15:43,320
Speaker 1: like that, they all know they're screwed. And then just

1590
01:15:43,400 --> 01:15:45,880
Speaker 1: a staircase away, missus Cooper spots a girl who looks

1591
01:15:45,920 --> 01:15:48,120
Speaker 1: like Emily, but mister Cooper points out that the girl

1592
01:15:48,160 --> 01:15:50,320
Speaker 1: has green hair, so that can't be Emily, so they

1593
01:15:50,360 --> 01:15:52,040
Speaker 1: get in the cabin. They head back to the gala,

1594
01:15:52,120 --> 01:15:55,160
Speaker 1: I think, because why actually find your kids? And now

1595
01:15:55,240 --> 01:15:57,320
Speaker 1: a few feet away from that, Jenny has emily called

1596
01:15:57,320 --> 01:15:58,840
Speaker 1: the parents back to tell them it was a prank.

1597
01:15:59,120 --> 01:16:01,160
Speaker 1: But when she does this, as Cooper notices, the phone

1598
01:16:01,200 --> 01:16:03,560
Speaker 1: says Elle Perez, and since she doesn't know who it is,

1599
01:16:03,640 --> 01:16:08,479
Speaker 1: she doesn't answer. If your kids are missing and you

1600
01:16:08,600 --> 01:16:11,120
Speaker 1: were just at the police station trying to find them

1601
01:16:11,600 --> 01:16:14,439
Speaker 1: and something's going on, how would you not pick up

1602
01:16:14,520 --> 01:16:15,599
Speaker 1: that phone call?

1603
01:16:16,200 --> 01:16:19,400
Speaker 2: This is a so britest seas. Why aren't you calling

1604
01:16:20,479 --> 01:16:24,240
Speaker 2: the babysitter. Why have you not called the babysitter. Why

1605
01:16:24,280 --> 01:16:27,160
Speaker 2: have you not called Jenny who knows the babysitter. Why

1606
01:16:27,200 --> 01:16:29,559
Speaker 2: have you not called anyone that's at the actual house.

1607
01:16:29,760 --> 01:16:35,320
Speaker 1: Nope, that doesn't mean sense. Eventually it was ridiculous.

1608
01:16:35,560 --> 01:16:39,080
Speaker 2: Yes, eventually they do. But that would be my first thing. Yeah,

1609
01:16:39,800 --> 01:16:41,080
Speaker 2: let me call my babysitter.

1610
01:16:41,479 --> 01:16:42,639
Speaker 1: This is one of the big problems.

1611
01:16:42,720 --> 01:16:46,320
Speaker 2: Let me call my neighbor who lives across the street. Yes, A,

1612
01:16:46,800 --> 01:16:48,840
Speaker 2: can you walk over to the house because I just

1613
01:16:48,920 --> 01:16:50,920
Speaker 2: got a really weird phone call. I'm trying to get home,

1614
01:16:51,000 --> 01:16:52,360
Speaker 2: but I'm still thirty minutes away.

1615
01:16:53,760 --> 01:16:54,960
Speaker 1: Is that agree?

1616
01:16:55,080 --> 01:16:57,280
Speaker 2: I wouldn't be calling my dad who lives thirty minutes

1617
01:16:57,280 --> 01:16:58,920
Speaker 2: away from me, being like, I don't know if you

1618
01:16:59,000 --> 01:17:01,320
Speaker 2: could get there quicker, Yeah, get all ready, it'll be

1619
01:17:01,439 --> 01:17:02,080
Speaker 2: peace of mind.

1620
01:17:02,360 --> 01:17:07,280
Speaker 1: Yes, there's something there was. One of the main problems

1621
01:17:07,320 --> 01:17:11,880
Speaker 1: with this movie was making it two families and two babysitters.

1622
01:17:11,920 --> 01:17:14,240
Speaker 1: Means you have to track two sets of parents on

1623
01:17:14,360 --> 01:17:18,840
Speaker 1: the adventure right again, original adventure babysitting one family. You

1624
01:17:19,000 --> 01:17:21,160
Speaker 1: just set to stick with those parents and find out

1625
01:17:21,240 --> 01:17:23,439
Speaker 1: how do we keep them away? This way you've got

1626
01:17:23,520 --> 01:17:24,640
Speaker 1: to keep too and one of the ways they did

1627
01:17:24,840 --> 01:17:27,920
Speaker 1: is they're both at the gala. Yeah, it's a little

1628
01:17:28,000 --> 01:17:31,439
Speaker 1: I mean again, I get why they did it because

1629
01:17:31,479 --> 01:17:34,679
Speaker 1: you wanted the two dueling babysitters. Good idea, great idea,

1630
01:17:34,720 --> 01:17:37,599
Speaker 1: especially when you can cast Sabrina Carpenter and Sophia Carson.

1631
01:17:37,760 --> 01:17:40,840
Speaker 2: Absolutely one of the families probably should have been out

1632
01:17:40,880 --> 01:17:43,640
Speaker 2: of town so they weren't able to come back, so

1633
01:17:43,760 --> 01:17:44,280
Speaker 2: be something.

1634
01:17:44,720 --> 01:17:47,880
Speaker 1: But this was just very Yeah, you're just you're trying

1635
01:17:47,920 --> 01:17:50,120
Speaker 1: to do too much, and so that's why we keep

1636
01:17:50,160 --> 01:17:51,640
Speaker 1: having to cut back to this to that, to this

1637
01:17:51,800 --> 01:17:54,840
Speaker 1: to that, and you're cutting fifty times and a ninety

1638
01:17:54,840 --> 01:17:57,240
Speaker 1: three minute movie, you're exhausted by the time this movie,

1639
01:17:57,320 --> 01:18:01,760
Speaker 1: So you are exhausted, and again, it's not bad. That's

1640
01:18:01,840 --> 01:18:05,120
Speaker 1: not a bad thing. There's a lot going on.

1641
01:18:05,280 --> 01:18:07,320
Speaker 2: There's a lot going and things are starting to slip

1642
01:18:07,360 --> 01:18:08,160
Speaker 2: through the holes.

1643
01:18:08,439 --> 01:18:11,080
Speaker 1: Right, And this is where it gets a little even

1644
01:18:11,640 --> 01:18:15,200
Speaker 1: more absurd. Emily suggests going to the gala to erase

1645
01:18:15,320 --> 01:18:18,400
Speaker 1: the voicemail before their family hears it, but Jenny doesn't

1646
01:18:18,400 --> 01:18:20,400
Speaker 1: think they even have the money to get there. Katie

1647
01:18:20,439 --> 01:18:22,880
Speaker 1: reveals there's one hundred dollars bill in her mom's fancy

1648
01:18:22,960 --> 01:18:25,040
Speaker 1: coat jacket, so now they have to go to the

1649
01:18:25,080 --> 01:18:27,680
Speaker 1: galla to get it, but again they don't have the

1650
01:18:27,720 --> 01:18:31,240
Speaker 1: money to get there. Okay. As they arrive inside the Galla,

1651
01:18:31,360 --> 01:18:33,519
Speaker 1: Jenny realizes both the Andersons and the Coopers are there,

1652
01:18:33,600 --> 01:18:35,920
Speaker 1: so if she's caught, she'll never get that recommendation letter.

1653
01:18:36,360 --> 01:18:39,200
Speaker 1: And then, finally, in another weird twist, the pawnshop guys

1654
01:18:39,240 --> 01:18:41,240
Speaker 1: find the invite for the gala, so they head over

1655
01:18:41,320 --> 01:18:44,080
Speaker 1: there too. This is where the movie started to go

1656
01:18:44,200 --> 01:18:45,200
Speaker 1: completely off the rail show.

1657
01:18:45,240 --> 01:18:47,439
Speaker 2: Yes, this is where I sort of got like you

1658
01:18:47,600 --> 01:18:48,600
Speaker 2: sort of lost me for it.

1659
01:18:48,680 --> 01:18:51,880
Speaker 1: Y I agree. Bobby smells impressive food and tray spots

1660
01:18:51,920 --> 01:18:53,960
Speaker 1: the coat room. They sneak over through the kitchen, where

1661
01:18:53,960 --> 01:18:56,320
Speaker 1: they see the chefs arguing. One spray's chocolate in the

1662
01:18:56,360 --> 01:18:58,280
Speaker 1: other's face and quits, throwing his hat in the air,

1663
01:18:58,320 --> 01:19:02,240
Speaker 1: which Bobby catches. The event planner is freaking out what's

1664
01:19:02,280 --> 01:19:04,639
Speaker 1: taking so long for dessert, and just like that, Bobby

1665
01:19:04,760 --> 01:19:09,439
Speaker 1: steps in and essentially becomes the head chef of this

1666
01:19:09,720 --> 01:19:13,519
Speaker 1: met Galla thing. And this is where I was like, really,

1667
01:19:14,280 --> 01:19:16,080
Speaker 1: he couldn't have walked over to a regular chef and

1668
01:19:16,160 --> 01:19:18,160
Speaker 1: been like you should have tried this ingredient or something

1669
01:19:18,439 --> 01:19:20,600
Speaker 1: where it's not This little kid is then surrounded by

1670
01:19:20,640 --> 01:19:22,519
Speaker 1: everyone in the kitchen and they're like, he's the head

1671
01:19:22,600 --> 01:19:25,479
Speaker 1: chef now. It was so it's getting so ridiculous.

1672
01:19:25,000 --> 01:19:28,840
Speaker 2: That parfetched too much for me too. And yes, I

1673
01:19:29,000 --> 01:19:33,200
Speaker 2: think especially kids, like the kids do, some kids really

1674
01:19:33,280 --> 01:19:35,160
Speaker 2: do fall in love with like poking and things like that.

1675
01:19:35,439 --> 01:19:40,960
Speaker 2: So there is this like amazing, like you to actually

1676
01:19:41,040 --> 01:19:44,040
Speaker 2: have a kid running in a kitchen is very cool idea.

1677
01:19:45,160 --> 01:19:47,800
Speaker 2: It's its own weird that they yes, make it its

1678
01:19:47,800 --> 01:19:50,360
Speaker 2: own movie, but it's just weird that like it just

1679
01:19:50,520 --> 01:19:55,599
Speaker 2: happened so easily. Yeah, No, they just basically were like, oh,

1680
01:19:56,280 --> 01:19:59,320
Speaker 2: there's a kid here, you're in charge.

1681
01:19:59,560 --> 01:20:02,040
Speaker 1: Yeah, and now, and they're they're going to the gallery

1682
01:20:02,200 --> 01:20:04,880
Speaker 1: adults around. Yeah, they're going to the galla to try

1683
01:20:04,960 --> 01:20:07,000
Speaker 1: to erase the phone call.

1684
01:20:07,600 --> 01:20:09,920
Speaker 2: And get money out of there and get money. Yeah,

1685
01:20:09,960 --> 01:20:14,439
Speaker 2: we're starting to Yeah. But hey, listen, I sung a

1686
01:20:14,520 --> 01:20:17,040
Speaker 2: dog out of all exactly.

1687
01:20:17,560 --> 01:20:20,200
Speaker 1: I get it. I get it. I didn't know what

1688
01:20:20,280 --> 01:20:21,920
Speaker 1: the press, I didn't know what the White House was.

1689
01:20:22,880 --> 01:20:25,839
Speaker 1: I get it. It happens. I was the devil's minion

1690
01:20:25,920 --> 01:20:28,000
Speaker 1: who had to buy the soul of a hockey player.

1691
01:20:28,120 --> 01:20:28,519
Speaker 1: I get it.

1692
01:20:28,680 --> 01:20:29,960
Speaker 2: Here, we're here, this is.

1693
01:20:30,000 --> 01:20:31,800
Speaker 1: What we're doing. This is what we're doing. This is

1694
01:20:31,880 --> 01:20:34,200
Speaker 1: what this is what we're doing. We're in, We're in.

1695
01:20:35,040 --> 01:20:38,400
Speaker 1: It's so true. Meanwhile, Katie and Jenny head to the

1696
01:20:38,439 --> 01:20:40,280
Speaker 1: coat room for one hundred dollars? Do you keep hitting

1697
01:20:40,360 --> 01:20:44,080
Speaker 1: cash with you when you try? I never have cash ever, ever. Ever.

1698
01:20:44,400 --> 01:20:46,719
Speaker 2: I hate when Jordan when we like Vala and Jordan

1699
01:20:46,800 --> 01:20:49,639
Speaker 2: looks at me and goes, hey, I don't have cash.

1700
01:20:49,680 --> 01:20:52,760
Speaker 2: He always does cash on him all the time, Hey

1701
01:20:52,840 --> 01:20:54,600
Speaker 2: do you have five dollars? And I always look him like,

1702
01:20:55,320 --> 01:20:56,320
Speaker 2: why do you even ask me?

1703
01:20:56,439 --> 01:20:58,400
Speaker 1: Yes, it's just the opposite in our family.

1704
01:20:58,479 --> 01:21:01,759
Speaker 2: We go to valet somewhere, wall it into place, Apple

1705
01:21:01,880 --> 01:21:04,439
Speaker 2: pay everything, like, I don't even take my wallet in

1706
01:21:04,800 --> 01:21:05,680
Speaker 2: most of the time now you.

1707
01:21:05,720 --> 01:21:14,800
Speaker 1: Never have cash. Mister and Missus Cooper return to the

1708
01:21:14,840 --> 01:21:16,840
Speaker 1: galla to grab their coats and go home. Jenny and

1709
01:21:16,920 --> 01:21:18,400
Speaker 1: Katie see them and know they need to hurry up.

1710
01:21:18,439 --> 01:21:20,320
Speaker 1: They find the jacket, but before they can get the money,

1711
01:21:20,360 --> 01:21:23,920
Speaker 1: the coat lady grabs it away. Missus Cooper herself trives

1712
01:21:23,960 --> 01:21:26,639
Speaker 1: are a fancy one hundred dollars bill jacket and decides

1713
01:21:26,680 --> 01:21:29,200
Speaker 1: she's getting dessert. Since the Coopers know what Jenny looks like,

1714
01:21:29,280 --> 01:21:31,000
Speaker 1: they have to dress Lola up and heels in a

1715
01:21:31,080 --> 01:21:33,880
Speaker 1: faux fur to go inside and steal the money right

1716
01:21:33,920 --> 01:21:36,880
Speaker 1: from missus Cooper. Meanwhile, in the kitchen, Bobby is now

1717
01:21:37,800 --> 01:21:41,679
Speaker 1: Gordon Ramsey and he's taste testing everything. Nothing's working. Someone

1718
01:21:41,720 --> 01:21:44,200
Speaker 1: brings him seaweed and he agrees that's the secret ingredient

1719
01:21:44,240 --> 01:21:46,599
Speaker 1: he's been looking for, because yeah, when you need something, it's.

1720
01:21:46,760 --> 01:21:50,479
Speaker 2: Sed final straw. That was my final straw.

1721
01:21:50,880 --> 01:21:53,720
Speaker 1: Yeah, seaweed on the seaweed on a chocolate moved and

1722
01:21:53,800 --> 01:21:57,280
Speaker 1: everyone's like, yes, this is it awful? Now, Well, now

1723
01:21:57,320 --> 01:21:59,760
Speaker 1: he thinks it's perfect, and just then Tiny in the

1724
01:21:59,800 --> 01:22:02,840
Speaker 1: nin arrive bad. These guys arrive back at the gala

1725
01:22:03,160 --> 01:22:06,639
Speaker 1: and tells security they are the kids. Yeah, but everyone

1726
01:22:06,760 --> 01:22:09,360
Speaker 1: is suspicious. We're now in the Gallo ballroom. Lola is

1727
01:22:09,400 --> 01:22:11,599
Speaker 1: trying to be inconspicuous but is fumbling in the heels.

1728
01:22:11,840 --> 01:22:13,639
Speaker 1: She ends up sitting next to Missus Cooper and faking

1729
01:22:13,680 --> 01:22:16,240
Speaker 1: a British accent, just as Tiny and then Ninjas bought

1730
01:22:16,240 --> 01:22:18,800
Speaker 1: the kids. Lola examines the fancy coat and drops to

1731
01:22:18,840 --> 01:22:20,680
Speaker 1: the ground. While picking it up, she ravishes through the

1732
01:22:20,720 --> 01:22:23,080
Speaker 1: coat pocket, first finding a twenty, which I'm pretty sure

1733
01:22:23,120 --> 01:22:25,960
Speaker 1: she pockets, and then finding the hundred, which she pockets.

1734
01:22:26,000 --> 01:22:28,320
Speaker 1: So she needed the hundred but also took the twenty

1735
01:22:28,720 --> 01:22:31,559
Speaker 1: With that. Lola says goodbye and leaves. Tiny and Ninja

1736
01:22:31,600 --> 01:22:33,800
Speaker 1: have finally found Jenny and try grabbing the camera from her,

1737
01:22:33,840 --> 01:22:36,400
Speaker 1: but Jenny fights back. Katie stops on his toes and

1738
01:22:36,520 --> 01:22:39,320
Speaker 1: during the melee they successfully get away. Then the ferret

1739
01:22:39,360 --> 01:22:42,200
Speaker 1: pops out of Ninja's jacket. Remember the ferret. He apparently

1740
01:22:42,240 --> 01:22:44,760
Speaker 1: takes him everywhere. The little rodent fully jumps out of

1741
01:22:44,800 --> 01:22:46,760
Speaker 1: the coat and runs into the party, causing everyone to

1742
01:22:46,840 --> 01:22:50,040
Speaker 1: run and scream. Tiny in the Ninja recapture the purple ferret,

1743
01:22:50,040 --> 01:22:52,120
Speaker 1: but security ends up arresting the guys before they can

1744
01:22:52,160 --> 01:22:54,640
Speaker 1: reunite with the animal, and I think that's pretty much

1745
01:22:54,680 --> 01:22:57,960
Speaker 1: the end of that storyline. We're now back in the kitchen.

1746
01:22:58,040 --> 01:23:00,320
Speaker 1: AJ is fast asleep and roller skates, and again, at

1747
01:23:00,320 --> 01:23:02,479
Speaker 1: this point, I feel like an I'm four hours into

1748
01:23:02,520 --> 01:23:04,920
Speaker 1: this movie. There's just so much going on. It is

1749
01:23:06,120 --> 01:23:09,679
Speaker 1: a is and again, it's not bad. It's just there's

1750
01:23:09,720 --> 01:23:10,479
Speaker 1: a lot going on.

1751
01:23:10,920 --> 01:23:13,200
Speaker 2: It's just taxing. It's just like it is my go

1752
01:23:13,280 --> 01:23:14,080
Speaker 2: its okay.

1753
01:23:14,040 --> 01:23:16,640
Speaker 1: Yeah, AJ's fastest, sleeping roller skates, laying on a rack

1754
01:23:16,680 --> 01:23:18,679
Speaker 1: of food. Trey hopes they aren't missing anything and wonders

1755
01:23:18,720 --> 01:23:21,840
Speaker 1: why Emily colored her hair. Emily says because she's boring,

1756
01:23:21,920 --> 01:23:23,960
Speaker 1: but Trey doesn't agree. He thinks she's pretty cool. And

1757
01:23:24,040 --> 01:23:25,840
Speaker 1: then Jenny and Lola run in. It's time to go

1758
01:23:26,080 --> 01:23:30,680
Speaker 1: nice cockblock Jenny. At the police station, flirty Officer mcjames

1759
01:23:30,800 --> 01:23:32,800
Speaker 1: gets a call about a big fat guy named Tiny,

1760
01:23:32,920 --> 01:23:35,280
Speaker 1: a tall, skinny guy in a hood and a sapphire ferret,

1761
01:23:35,720 --> 01:23:38,400
Speaker 1: and yes, he believes it because he wants to hook

1762
01:23:38,439 --> 01:23:40,160
Speaker 1: up with that nineteen year old girl that he pulled

1763
01:23:40,200 --> 01:23:42,840
Speaker 1: over twice today. But I'm a rookie. I'm a rookie.

1764
01:23:43,760 --> 01:23:46,240
Speaker 1: Outside the gallia, Lola can't believe everything that's happened. They

1765
01:23:46,240 --> 01:23:48,280
Speaker 1: all agree they made a pretty good team. Lola admits,

1766
01:23:48,280 --> 01:23:50,439
Speaker 1: I totally see why that guy asked you to the concert.

1767
01:23:51,080 --> 01:23:53,800
Speaker 1: Jenny's confused. What guy? Lola thinks his name was Zeke.

1768
01:23:54,320 --> 01:23:56,840
Speaker 1: Jenny can't believe Zach Chase asked her to the concert

1769
01:23:56,920 --> 01:23:58,600
Speaker 1: that would have only been the single most important night

1770
01:23:58,640 --> 01:24:00,760
Speaker 1: of her life. She asked Lola what she says. Lola

1771
01:24:00,800 --> 01:24:03,439
Speaker 1: says she may have implied that Jenny wasn't interested. Jenny

1772
01:24:03,560 --> 01:24:06,080
Speaker 1: is beside herself. Why would she do that? Lola said

1773
01:24:06,080 --> 01:24:08,680
Speaker 1: she was distracted by Officer McDreamy and tells Jenny it's

1774
01:24:08,720 --> 01:24:10,479
Speaker 1: not too late. She calls for a taxi now with

1775
01:24:10,520 --> 01:24:12,720
Speaker 1: one hundred dollars in her hand. Maybe that's what the

1776
01:24:12,760 --> 01:24:15,160
Speaker 1: twenties four, I don't know. At the gala, Tiny and

1777
01:24:15,240 --> 01:24:18,599
Speaker 1: Ninja are arrested by Officer Mcjames McDreamy, mcguy who probably

1778
01:24:18,640 --> 01:24:21,559
Speaker 1: has washboard abs, who says they won't be kidnapping any

1779
01:24:21,600 --> 01:24:24,960
Speaker 1: more exotic animals on his watch. Another guard is caressing

1780
01:24:25,040 --> 01:24:29,120
Speaker 1: the ferret not a euphemism. Missus Anderson tells her husband

1781
01:24:29,120 --> 01:24:31,280
Speaker 1: about a new voicemail from their alarm company, and now

1782
01:24:31,320 --> 01:24:34,880
Speaker 1: the babysitter isn't answering, Hey, that could mean something. He

1783
01:24:34,960 --> 01:24:36,720
Speaker 1: tells her to try the home phone, but we cut

1784
01:24:36,760 --> 01:24:38,599
Speaker 1: to a messy, empty house. No one picks up the phone,

1785
01:24:38,640 --> 01:24:40,120
Speaker 1: and the dog is still licking up the food. At

1786
01:24:40,200 --> 01:24:43,400
Speaker 1: least they tried to call their family. The other lady

1787
01:24:43,520 --> 01:24:46,280
Speaker 1: did not. We're now back outside the concert. The kids

1788
01:24:46,360 --> 01:24:48,960
Speaker 1: arrive but don't have a ticket. Lola says she'll handle

1789
01:24:49,000 --> 01:24:50,640
Speaker 1: this and asks the security guard what's it going to

1790
01:24:50,680 --> 01:24:52,240
Speaker 1: take for all of them to get into the concert?

1791
01:24:52,720 --> 01:24:54,880
Speaker 1: And again, this came off as creepy and weird to me.

1792
01:24:54,960 --> 01:24:56,400
Speaker 1: I'm sorry it just did. I don't know if my

1793
01:24:56,479 --> 01:24:59,240
Speaker 1: mind went to a creepy place, but that sounded creepy

1794
01:24:59,280 --> 01:25:02,760
Speaker 1: to me, he says. Her camera. Lola takes out the

1795
01:25:02,800 --> 01:25:04,800
Speaker 1: memory card and gives up her beloved camera to make

1796
01:25:04,840 --> 01:25:07,280
Speaker 1: things right, and then they all walk into the concert.

1797
01:25:07,880 --> 01:25:09,320
Speaker 1: Jenny thinks she looks like a mess, so with the

1798
01:25:09,320 --> 01:25:11,439
Speaker 1: help of Katie in the bathroom, she transforms into a

1799
01:25:11,560 --> 01:25:14,240
Speaker 1: concert ready, cool looking chick, but she still doesn't think

1800
01:25:14,280 --> 01:25:16,479
Speaker 1: she can do it. Lola tells her to look at

1801
01:25:16,560 --> 01:25:18,920
Speaker 1: everything she did tonight. Went to jail, stole a car,

1802
01:25:19,080 --> 01:25:21,080
Speaker 1: crashed a galup, and fought off criminals. Talking to a

1803
01:25:21,120 --> 01:25:23,760
Speaker 1: boy should be easy. But just as she finds the guts,

1804
01:25:23,800 --> 01:25:26,479
Speaker 1: the concert's over. Everyone's rushing out. Jenny's trying to find

1805
01:25:26,560 --> 01:25:28,479
Speaker 1: Zach in the crowd, calling on his name, and magically

1806
01:25:28,560 --> 01:25:30,719
Speaker 1: she ends up on stage and spots him. He's shocked

1807
01:25:30,760 --> 01:25:33,280
Speaker 1: to see her. She admits someone else had her phone

1808
01:25:33,400 --> 01:25:34,960
Speaker 1: or she would have went to the concert with him.

1809
01:25:35,200 --> 01:25:37,400
Speaker 1: He joins her on stage and tells her she looks beautiful,

1810
01:25:37,439 --> 01:25:40,720
Speaker 1: but she has to go, He insists, so go with her. Dominique,

1811
01:25:40,800 --> 01:25:44,120
Speaker 1: that don't get me started. Already left with her boyfriend.

1812
01:25:44,160 --> 01:25:47,320
Speaker 1: What a tramp? This girl is just hoppin' from one

1813
01:25:47,400 --> 01:25:50,400
Speaker 1: guy in many Dominique was probably fine, she didn't even

1814
01:25:50,400 --> 01:25:50,760
Speaker 1: have a lot.

1815
01:25:50,640 --> 01:25:54,960
Speaker 2: Of I'm sure she's a nice girl. Uh huh ah huh.

1816
01:25:55,120 --> 01:25:57,760
Speaker 1: Don't try that with me, Sabrina. The kids run in

1817
01:25:57,840 --> 01:26:00,599
Speaker 1: to find Jenny and she introduces everybody to Zach. Lolo

1818
01:26:00,640 --> 01:26:02,720
Speaker 1: reveal she got a missed call from missus Anderson, and

1819
01:26:02,760 --> 01:26:05,559
Speaker 1: they listen to her concerned voicemail. Together, Jenny thinks all

1820
01:26:05,560 --> 01:26:07,280
Speaker 1: the parents are probably on their way home by now,

1821
01:26:07,320 --> 01:26:09,599
Speaker 1: and she's bummed she ignored the most important rule of all.

1822
01:26:09,840 --> 01:26:11,880
Speaker 1: You never put a boy before you put the kids.

1823
01:26:12,360 --> 01:26:14,360
Speaker 1: Lola says it's her fault. She should never have taken

1824
01:26:14,400 --> 01:26:16,439
Speaker 1: the job because she thought babysitting was easy, but it's not.

1825
01:26:16,840 --> 01:26:19,120
Speaker 1: The kids list off everything they've done tonight too. They

1826
01:26:19,160 --> 01:26:22,200
Speaker 1: also have something to lose, and so in this together

1827
01:26:22,320 --> 01:26:24,880
Speaker 1: they run off for the towyard, but as they arrive,

1828
01:26:24,960 --> 01:26:26,600
Speaker 1: the toe ladies locking up the gate. They try to

1829
01:26:26,600 --> 01:26:29,000
Speaker 1: stop her, but she insists they're clothes. Jenny hasn't taken

1830
01:26:29,080 --> 01:26:30,840
Speaker 1: no for an answer, And this is the line that

1831
01:26:30,920 --> 01:26:33,559
Speaker 1: they took from the original one. In the original one,

1832
01:26:33,680 --> 01:26:36,080
Speaker 1: the kids are on a subway and a gang comes

1833
01:26:36,160 --> 01:26:38,600
Speaker 1: up to her and they take a knife out and

1834
01:26:38,800 --> 01:26:42,080
Speaker 1: they throw the knife into the kid's foot in front

1835
01:26:42,120 --> 01:26:45,040
Speaker 1: of her. The kid Keith Coogan's foot and say don't

1836
01:26:45,720 --> 01:26:48,920
Speaker 1: with the lords from Hell. And she picks up the knife,

1837
01:26:48,960 --> 01:26:50,200
Speaker 1: pulls it from his foot and puts it in his

1838
01:26:50,280 --> 01:26:54,559
Speaker 1: face and goes don't with the babysitter. And that's where

1839
01:26:54,600 --> 01:26:56,280
Speaker 1: the f so much it must have been two must

1840
01:26:56,360 --> 01:26:59,839
Speaker 1: be must be allowed to f words for the for pg. Thirteen,

1841
01:27:00,120 --> 01:27:02,519
Speaker 1: So that was their nod was don't mess with the

1842
01:27:02,560 --> 01:27:05,559
Speaker 1: babysitter because seeing a Sabrina Carpenter and DCM saying don't

1843
01:27:05,600 --> 01:27:08,800
Speaker 1: put the babysitter probably wasn't going to work. So they

1844
01:27:08,880 --> 01:27:10,880
Speaker 1: grab her keys and hauler to the gate. And now

1845
01:27:10,920 --> 01:27:12,680
Speaker 1: they got the car, it's time to race home. The

1846
01:27:12,760 --> 01:27:15,200
Speaker 1: dirty suv pulls up at the Anderson's house, Jenny tells

1847
01:27:15,200 --> 01:27:16,559
Speaker 1: Trey to get the hose and rints off the car.

1848
01:27:16,880 --> 01:27:19,280
Speaker 1: Everyone else goes inside to change into their pajamas quickly,

1849
01:27:19,320 --> 01:27:21,840
Speaker 1: but they're greeted by a huge mess once inside. Uh oh.

1850
01:27:22,320 --> 01:27:24,200
Speaker 1: Lola gives everyone a task to clean up as quickly

1851
01:27:24,200 --> 01:27:26,599
Speaker 1: as possible because we cut to the parents and literally

1852
01:27:26,720 --> 01:27:28,360
Speaker 1: the parents say, hey, how long is it going to

1853
01:27:28,400 --> 01:27:30,679
Speaker 1: take us to get home? Fifteen minutes because they wanted

1854
01:27:30,720 --> 01:27:32,000
Speaker 1: to put a clock on it, which was a scene

1855
01:27:32,040 --> 01:27:33,880
Speaker 1: we didn't need. Should have just been somebody going we

1856
01:27:33,920 --> 01:27:35,320
Speaker 1: don't know when the parents are getting home. Clean up

1857
01:27:35,320 --> 01:27:37,680
Speaker 1: as fast as possible, but the Anderson's are going to

1858
01:27:37,720 --> 01:27:39,960
Speaker 1: be home in fifteen minutes. The kids finally finish cleaning

1859
01:27:40,000 --> 01:27:42,960
Speaker 1: and Bobby makes a ton of cupcakes with time to spare.

1860
01:27:43,280 --> 01:27:45,360
Speaker 1: Knowing it's time to leave, Trey and Emily tell Lola

1861
01:27:45,439 --> 01:27:47,560
Speaker 1: and Jenny that they're both awesome babysitters. It's been the

1862
01:27:47,640 --> 01:27:51,080
Speaker 1: coolest night of their lives. Everyone agrees, and the babysitters leave,

1863
01:27:51,479 --> 01:27:53,960
Speaker 1: and just as Jenny pulls away, the Andersons pull up.

1864
01:27:54,520 --> 01:27:56,639
Speaker 1: Missus Anderson is happy to see the house isn't on fire,

1865
01:27:56,680 --> 01:27:58,680
Speaker 1: and Lola jumps on the couch to casually read a

1866
01:27:58,720 --> 01:28:00,679
Speaker 1: magazine is and walk in almost a shot for shot

1867
01:28:00,720 --> 01:28:03,760
Speaker 1: remake of the original Ventures in Baby City. Lola says

1868
01:28:03,840 --> 01:28:06,640
Speaker 1: things couldn't have gone better. The kids were angels and

1869
01:28:06,720 --> 01:28:08,920
Speaker 1: at the Cooper's house, Missus Cooper thanks Jenny for everything.

1870
01:28:09,000 --> 01:28:11,920
Speaker 1: Jenny swears it was no trouble at all, and with

1871
01:28:12,040 --> 01:28:14,240
Speaker 1: that out of the way, we're still on a nearby

1872
01:28:14,280 --> 01:28:16,960
Speaker 1: neighborhood street. Lola gets pulled over by the cops again

1873
01:28:17,680 --> 01:28:20,759
Speaker 1: and it's Officer mcflirty guy who asked the high schooler

1874
01:28:20,880 --> 01:28:22,800
Speaker 1: out this Saturday night or somebody who looks like she's

1875
01:28:22,800 --> 01:28:26,200
Speaker 1: in high school. Hopefully she's just a college dropout. This

1876
01:28:26,320 --> 01:28:29,200
Speaker 1: is hey, so am I. This all seems very morally

1877
01:28:29,240 --> 01:28:31,599
Speaker 1: ambiguous to me, but that's just me. I'm getting old,

1878
01:28:31,680 --> 01:28:34,360
Speaker 1: and so I judge. At the Cooper's house, Jenny is

1879
01:28:34,360 --> 01:28:36,360
Speaker 1: getting into her car when Zach pulls up to return

1880
01:28:36,439 --> 01:28:39,000
Speaker 1: Emily's headphones. He admits he kept them just so he

1881
01:28:39,040 --> 01:28:41,719
Speaker 1: can return them and see Jenny. Emily and Katie scream

1882
01:28:41,760 --> 01:28:43,920
Speaker 1: out the window ask her out, ask him out, which

1883
01:28:43,960 --> 01:28:45,920
Speaker 1: again take off from the original movie, and the guy

1884
01:28:45,960 --> 01:28:48,200
Speaker 1: they were asking out was again our good friend George

1885
01:28:48,280 --> 01:28:51,519
Speaker 1: Newbern in the original movie. They both ask each other

1886
01:28:51,600 --> 01:28:54,160
Speaker 1: out and say yes, and we end up at the

1887
01:28:54,240 --> 01:28:57,800
Speaker 1: Internship building, still not done. Jenny arrives and Lola's there too.

1888
01:28:58,000 --> 01:29:00,240
Speaker 1: Jenny and Mitchi's late because she needed sleep out her

1889
01:29:00,320 --> 01:29:04,160
Speaker 1: date with Zach last night. What the does that mean?

1890
01:29:05,439 --> 01:29:08,519
Speaker 1: Lola says, whoever is picked up for the internship She's okay,

1891
01:29:08,600 --> 01:29:10,880
Speaker 1: I mean, just weird to say that I needed a

1892
01:29:10,920 --> 01:29:13,000
Speaker 1: lot of sleep after my date with Zach last night.

1893
01:29:13,120 --> 01:29:14,720
Speaker 1: That's a weird line to throw out.

1894
01:29:15,080 --> 01:29:18,400
Speaker 2: Yep, it is in a DCM, in a d com.

1895
01:29:18,520 --> 01:29:20,960
Speaker 1: Yeah, and it's a weird lie. You just don't need it.

1896
01:29:21,320 --> 01:29:23,080
Speaker 2: Like that deserves a follow up question?

1897
01:29:23,280 --> 01:29:23,560
Speaker 1: Thank you?

1898
01:29:23,880 --> 01:29:24,519
Speaker 2: Oh really?

1899
01:29:24,880 --> 01:29:28,760
Speaker 1: Really? What happened there? I know. Sorry, yeah, no, I

1900
01:29:28,920 --> 01:29:32,400
Speaker 1: hear you. It is absolutely crazy, but Jenny admits his

1901
01:29:32,479 --> 01:29:35,719
Speaker 1: internship isn't her passion. She called earlier and withdrew her application.

1902
01:29:35,880 --> 01:29:37,760
Speaker 1: She's taking the summer off to have some free time,

1903
01:29:37,800 --> 01:29:41,040
Speaker 1: which brings up the question why why was she there anyway?

1904
01:29:41,120 --> 01:29:42,680
Speaker 1: Lola asked Jenny if she can get some help with

1905
01:29:42,720 --> 01:29:46,280
Speaker 1: school applications, and Jenny says, sure, friends help friends. Lola

1906
01:29:46,280 --> 01:29:49,200
Speaker 1: admits she's retiring from babysitting and they both laugh. Jenny

1907
01:29:49,200 --> 01:29:51,000
Speaker 1: asked Lola for the pictures from the other night, and

1908
01:29:51,080 --> 01:29:54,080
Speaker 1: Lola promises to send them to everyone. With that, Jenny

1909
01:29:54,120 --> 01:29:56,800
Speaker 1: hands Lola her portfolio and they'll see each other soon.

1910
01:29:57,000 --> 01:29:58,800
Speaker 1: Lola opens the folder and it's pictures of the two

1911
01:29:58,840 --> 01:30:01,320
Speaker 1: of them. The portfolio close and it reads the end.

1912
01:30:01,560 --> 01:30:03,720
Speaker 1: That's when wild Side plays as little uploads all the

1913
01:30:03,800 --> 01:30:07,280
Speaker 1: videos we see remembering the crazy night, just like the Hangover,

1914
01:30:07,760 --> 01:30:17,400
Speaker 1: and that's our movie. I'm exhausted. Can we do some

1915
01:30:17,479 --> 01:30:18,080
Speaker 1: real reviews?

1916
01:30:18,560 --> 01:30:22,400
Speaker 2: Yes we can. We will get through these. This is

1917
01:30:22,760 --> 01:30:26,880
Speaker 2: a one star from thunder King six.

1918
01:30:27,120 --> 01:30:29,720
Speaker 1: Hell yeah, I'm kind of scared of this one, are you?

1919
01:30:29,880 --> 01:30:31,559
Speaker 1: The first five thunder Kings were awesome?

1920
01:30:33,040 --> 01:30:38,680
Speaker 2: How dare they tarnish the legend. This was disrespectful, bad actors,

1921
01:30:39,000 --> 01:30:46,760
Speaker 2: horrible camera quality, cheap environments, cliche, annoying characters, crappy soundtrack.

1922
01:30:47,280 --> 01:30:51,360
Speaker 2: This was a Grade A hash. No other show or

1923
01:30:51,520 --> 01:30:55,759
Speaker 2: movie has been called a Grade A hash before thunder

1924
01:30:55,880 --> 01:31:00,560
Speaker 2: King six. So harsh, take a seat, harsh, and just

1925
01:31:01,000 --> 01:31:02,240
Speaker 2: you are disrespectful.

1926
01:31:02,360 --> 01:31:04,920
Speaker 1: That's a little harsh. I have the five star review.

1927
01:31:05,040 --> 01:31:09,120
Speaker 1: This is from Nijuko. This movie is a really good movie.

1928
01:31:09,400 --> 01:31:11,719
Speaker 1: I've watched a few times, and each time I enjoyed

1929
01:31:11,760 --> 01:31:14,160
Speaker 1: watching it. I plan on watching this movie again very

1930
01:31:14,240 --> 01:31:16,439
Speaker 1: soon because I just love to watch it. I like

1931
01:31:16,520 --> 01:31:19,000
Speaker 1: every movie I've seen that is either Sophia or Sabrina

1932
01:31:19,080 --> 01:31:20,639
Speaker 1: in it. But I'll still come back to this movie.

1933
01:31:20,960 --> 01:31:23,280
Speaker 1: I really look forward to watching this movie again very soon.

1934
01:31:23,520 --> 01:31:26,920
Speaker 1: I just can't wait for that moment. Five stars. And

1935
01:31:27,000 --> 01:31:28,799
Speaker 1: now we come to our favorite portion of the program,

1936
01:31:28,880 --> 01:31:30,360
Speaker 1: and we're gonna get through this fast, people, because we

1937
01:31:30,400 --> 01:31:32,720
Speaker 1: know this has been a long episode talking about babysitting,

1938
01:31:33,160 --> 01:31:34,960
Speaker 1: but we need to make us feel a little worse

1939
01:31:34,960 --> 01:31:38,120
Speaker 1: about ourselves. So this feature is called sit that Baby.

1940
01:31:38,760 --> 01:31:41,400
Speaker 1: In conjunction with Jenny's Rules for babysitting, we'll be given

1941
01:31:41,439 --> 01:31:45,960
Speaker 1: a rule for babysitting. According to kidsit dot com, not

1942
01:31:46,080 --> 01:31:48,559
Speaker 1: googling that, and we have to decide if it's true

1943
01:31:48,720 --> 01:31:52,040
Speaker 1: or not. These are babysitter rules that all parents should

1944
01:31:52,040 --> 01:31:54,160
Speaker 1: have forced. Okay, three out of five wins. Who are

1945
01:31:54,160 --> 01:31:54,920
Speaker 1: we playing with today?

1946
01:31:55,400 --> 01:31:56,120
Speaker 2: You get Lisa?

1947
01:31:56,400 --> 01:32:00,680
Speaker 1: Hey, Lisa, all right? So the number one rule true

1948
01:32:00,760 --> 01:32:04,720
Speaker 1: or false? Number one, instruct your babysitter to keep all

1949
01:32:04,880 --> 01:32:07,599
Speaker 1: family matters private unless you think it can affect your

1950
01:32:07,680 --> 01:32:16,000
Speaker 1: pay for the night. From kidsit dot com, I say

1951
01:32:16,040 --> 01:32:16,479
Speaker 1: that's false.

1952
01:32:17,000 --> 01:32:22,160
Speaker 2: That's gotta be false. It is false. Never gossip about

1953
01:32:22,200 --> 01:32:22,679
Speaker 2: the family.

1954
01:32:23,640 --> 01:32:27,559
Speaker 1: A mob it does. It does talk about the family,

1955
01:32:29,120 --> 01:32:31,080
Speaker 1: all right, So hey, we're one for one. Number two

1956
01:32:31,840 --> 01:32:35,880
Speaker 1: established guidelines for all appliances to prevent accidents. They'd say

1957
01:32:35,880 --> 01:32:40,280
Speaker 1: that's true. That seems pretty normal. True, true, all right.

1958
01:32:40,439 --> 01:32:44,519
Speaker 1: Two for two. Number three avoid talking about sexuality, death, Santa,

1959
01:32:44,720 --> 01:32:47,200
Speaker 1: or politics. I'd say that's probably true.

1960
01:32:48,920 --> 01:32:51,400
Speaker 2: I have it as false. They did not say politics.

1961
01:32:52,200 --> 01:32:58,000
Speaker 1: Oh that I'm giving that to us. That's three. We're

1962
01:32:58,040 --> 01:33:02,439
Speaker 1: in there. You can't do that. Uh. Number four in

1963
01:33:02,520 --> 01:33:04,599
Speaker 1: an emergency called the parent cell phone.

1964
01:33:04,439 --> 01:33:09,920
Speaker 2: First true true false? You call damn.

1965
01:33:10,240 --> 01:33:13,040
Speaker 1: I guess an emergency that it makes sense. Okay, okay,

1966
01:33:13,640 --> 01:33:15,640
Speaker 1: number five, Let them fall asleep at least five to

1967
01:33:15,720 --> 01:33:18,640
Speaker 1: ten minutes later than normal to make them feel like

1968
01:33:18,720 --> 01:33:20,479
Speaker 1: it's a special night. Oh I can see that, because

1969
01:33:20,479 --> 01:33:24,240
Speaker 1: then they'll be happy the babysitters coming. I say, yes, true, true,

1970
01:33:25,120 --> 01:33:26,000
Speaker 1: I have it as false.

1971
01:33:26,560 --> 01:33:29,680
Speaker 2: Oh stick? Were these worlds written? Though?

1972
01:33:29,840 --> 01:33:32,160
Speaker 1: I don't know, I'm still gonna say we won. So there?

1973
01:33:33,800 --> 01:33:35,200
Speaker 1: Did we get all the Sabrina seas?

1974
01:33:39,400 --> 01:33:42,400
Speaker 2: We got most of them? Except I did have one

1975
01:33:42,560 --> 01:33:44,800
Speaker 2: question that I wanted to clear up with you. Is

1976
01:33:44,880 --> 01:33:48,880
Speaker 2: it breaking? So in the very very early on when

1977
01:33:48,920 --> 01:33:53,160
Speaker 2: they're both in their cars and Jenny lip sinks the

1978
01:33:53,320 --> 01:33:56,960
Speaker 2: song that's obviously Sabrina and Sophia's song, right when she

1979
01:33:57,160 --> 01:34:01,080
Speaker 2: lip sinks it, is that because it's her singing her

1980
01:34:01,200 --> 01:34:04,160
Speaker 2: own song? Is that breaking the fourth wall?

1981
01:34:04,360 --> 01:34:06,559
Speaker 1: It's like breaking the sixth wall when you're singing your

1982
01:34:06,600 --> 01:34:07,960
Speaker 1: own song. I don't even know how that works. I

1983
01:34:08,080 --> 01:34:08,960
Speaker 1: was like, what is that?

1984
01:34:09,200 --> 01:34:11,040
Speaker 2: I just kind of it wasn't like she didn't look

1985
01:34:11,080 --> 01:34:12,920
Speaker 2: in the camera, but that's what I was like. What

1986
01:34:13,040 --> 01:34:16,679
Speaker 2: would that be considered anyway? That's something to think about, right, Yeah.

1987
01:34:17,479 --> 01:34:21,320
Speaker 2: The Sapphire Ferret was spray painted or.

1988
01:34:21,360 --> 01:34:23,680
Speaker 1: What like it must have been. They just died the

1989
01:34:23,760 --> 01:34:25,120
Speaker 1: first I don't think it's a real thing.

1990
01:34:25,439 --> 01:34:28,840
Speaker 2: Yeah yeah, And then I had the Hangars was the

1991
01:34:29,280 --> 01:34:31,280
Speaker 2: but you did speak about that, but everything else we

1992
01:34:31,360 --> 01:34:32,920
Speaker 2: talked about, but the Hangars really killed me.

1993
01:34:33,320 --> 01:34:34,960
Speaker 1: That was like, that's they're not holding yet.

1994
01:34:35,000 --> 01:34:37,080
Speaker 2: Come on, we had to. We couldn't have think of

1995
01:34:37,400 --> 01:34:38,800
Speaker 2: anything else other than that.

1996
01:34:39,000 --> 01:34:41,080
Speaker 1: But those aren't holding up. Those aren't killed me. And

1997
01:34:41,120 --> 01:34:43,880
Speaker 1: that was it. All right? Now the team the short

1998
01:34:43,920 --> 01:34:45,640
Speaker 1: and sweet because we hit it all because this is

1999
01:34:45,720 --> 01:34:47,840
Speaker 1: a nine hour episode. This episode is longer than the

2000
01:34:47,880 --> 01:34:50,840
Speaker 1: movie by far. I love how ironically I'm the one

2001
01:34:50,840 --> 01:34:52,639
Speaker 1: who's like ninety minutes. And then I'll be like, here's

2002
01:34:52,640 --> 01:34:56,680
Speaker 1: our forty eight thousand hour podcast. All right, So this

2003
01:34:56,800 --> 01:34:58,720
Speaker 1: week we're gonna score this movie one to ten. We're

2004
01:34:58,720 --> 01:35:00,439
Speaker 1: gonna make ten the best this week because were hurrying

2005
01:35:00,439 --> 01:35:05,479
Speaker 1: through it. Our options are one to ten Keith Coogan, babysitter, movies,

2006
01:35:06,240 --> 01:35:13,840
Speaker 1: car eyelashes, polished tires, repeat, decom plot points one to ten,

2007
01:35:13,960 --> 01:35:21,759
Speaker 1: problematic cops, henna, tattoo, auras, fluzy dominiques. One to ten rage,

2008
01:35:21,840 --> 01:35:27,120
Speaker 1: spilled talk, battle raps, seaweed, ingredients one to ten purple

2009
01:35:27,200 --> 01:35:29,880
Speaker 1: rare ferrets or one to ten psychic rockets, And I

2010
01:35:29,960 --> 01:35:32,320
Speaker 1: think I get to pick this time, don't I am

2011
01:35:32,640 --> 01:35:40,080
Speaker 1: absolutely going with fluozy dominiques, dare she? I also think,

2012
01:35:40,280 --> 01:35:41,280
Speaker 1: do I go first? This time?

2013
01:35:41,960 --> 01:35:42,679
Speaker 2: You can go first?

2014
01:35:42,720 --> 01:35:43,679
Speaker 1: I can? I don't remember.

2015
01:35:43,960 --> 01:35:44,000
Speaker 2: No.

2016
01:35:44,160 --> 01:35:45,960
Speaker 1: Yeah, because the honeyt s runk the kids, I went

2017
01:35:46,000 --> 01:35:46,880
Speaker 1: second and gave it a ten.

2018
01:35:47,760 --> 01:35:48,320
Speaker 2: Oh that's right.

2019
01:35:48,520 --> 01:35:50,920
Speaker 1: Yeah. Okay, So this movie is not as good as

2020
01:35:50,960 --> 01:35:54,240
Speaker 1: the original. No movies are or very few, so I'm

2021
01:35:54,280 --> 01:35:56,320
Speaker 1: not trying to hold it to the same standard as

2022
01:35:56,360 --> 01:35:59,439
Speaker 1: a PG thirteen that stars the one of the women

2023
01:35:59,520 --> 01:36:01,840
Speaker 1: that made me just fall in love with the world.

2024
01:36:02,439 --> 01:36:05,840
Speaker 1: So clearly not, you know, I can't do that. That

2025
01:36:06,000 --> 01:36:10,320
Speaker 1: being said, the movie's incredibly frenetic. There's a lot going on,

2026
01:36:10,600 --> 01:36:15,519
Speaker 1: there's too much going on, the storylines get muddled. The

2027
01:36:15,680 --> 01:36:20,280
Speaker 1: cast is great, it's still fun. So this is not

2028
01:36:20,439 --> 01:36:22,160
Speaker 1: overall not a bad movie. Am I gonna score this

2029
01:36:22,240 --> 01:36:23,720
Speaker 1: a ten? No, of course not. But I'm also not

2030
01:36:23,720 --> 01:36:26,479
Speaker 1: gonna score this a four. This was not this just

2031
01:36:26,600 --> 01:36:30,479
Speaker 1: the cast alone is worth several points in this movie,

2032
01:36:30,880 --> 01:36:33,960
Speaker 1: So I think I'm I'm fair in saying this is

2033
01:36:34,000 --> 01:36:37,360
Speaker 1: a solid six point five to a soft seven. Okay

2034
01:36:37,400 --> 01:36:41,640
Speaker 1: for a dcom this movie, And I think that's I

2035
01:36:41,760 --> 01:36:43,479
Speaker 1: don't think that's being generous, and I don't think that's

2036
01:36:43,520 --> 01:36:46,080
Speaker 1: being harsh. I think with the storyline and with the writing,

2037
01:36:46,240 --> 01:36:47,800
Speaker 1: with some of the stuff that needed to be changed,

2038
01:36:47,800 --> 01:36:52,200
Speaker 1: with the bumbling guys after them, which again it's a dcom,

2039
01:36:52,280 --> 01:36:53,960
Speaker 1: I get it, they have to bring it down, but

2040
01:36:54,000 --> 01:36:55,920
Speaker 1: they could have ratcheted up a little bit more than

2041
01:36:55,920 --> 01:36:59,320
Speaker 1: they did. They didn't have to go straight wacky. I

2042
01:36:59,400 --> 01:37:01,160
Speaker 1: think I'm fair with six point five to seven.

2043
01:37:01,640 --> 01:37:02,679
Speaker 2: Yes, I agree.

2044
01:37:02,840 --> 01:37:08,599
Speaker 1: Oh, by the way, Dominiques, I agree.

2045
01:37:08,680 --> 01:37:12,640
Speaker 2: I think same. The issues I had, the chaotic like

2046
01:37:12,840 --> 01:37:15,639
Speaker 2: going back and forth, I kind of just sank into

2047
01:37:15,880 --> 01:37:19,920
Speaker 2: because that was the demo that they were apparently wanting

2048
01:37:20,000 --> 01:37:20,599
Speaker 2: to go forward.

2049
01:37:20,680 --> 01:37:21,400
Speaker 1: It was what it is.

2050
01:37:21,479 --> 01:37:23,800
Speaker 2: And I'm watching a lot of obviously movies with my

2051
01:37:23,920 --> 01:37:27,200
Speaker 2: kids like more like that have that like like just

2052
01:37:27,360 --> 01:37:31,800
Speaker 2: constant go sure, so I sank into that level. I

2053
01:37:31,920 --> 01:37:33,880
Speaker 2: thought the two girls were so great. I would love

2054
01:37:33,960 --> 01:37:36,479
Speaker 2: to see them and I would one hundred percent watch

2055
01:37:36,560 --> 01:37:38,639
Speaker 2: anything that the two of them were in. I love

2056
01:37:38,720 --> 01:37:42,400
Speaker 2: them that much. That being said, if I see another

2057
01:37:42,439 --> 01:37:45,120
Speaker 2: freaking movie with them and they're not singing together, I'm

2058
01:37:45,160 --> 01:37:48,040
Speaker 2: gonna lose me, right, So that needs to be that

2059
01:37:48,200 --> 01:37:51,840
Speaker 2: needs to be said was documented. I would have given

2060
01:37:51,880 --> 01:37:55,160
Speaker 2: it an eight had that happen, but instead I'm going

2061
01:37:55,240 --> 01:37:56,960
Speaker 2: to do a seven because I didn't need a wrap

2062
01:37:57,000 --> 01:37:59,639
Speaker 2: battle for them. I needed a sing off or something.

2063
01:38:00,040 --> 01:38:03,920
Speaker 2: They performed. Both of them are phenomenal and I needed

2064
01:38:03,960 --> 01:38:05,600
Speaker 2: that a little bit. I thought you would get it

2065
01:38:05,760 --> 01:38:09,960
Speaker 2: in a movie with the two yeah seven seven floozy

2066
01:38:10,479 --> 01:38:15,040
Speaker 2: dominics in her favor. She did nothing wrong, she'd seem

2067
01:38:15,040 --> 01:38:17,320
Speaker 2: like a sweet girl. She didn't do anything they always

2068
01:38:17,360 --> 01:38:22,640
Speaker 2: do as just a good friend. Okay, so thank you

2069
01:38:22,680 --> 01:38:25,400
Speaker 2: everybody first of all for sticking with with us.

2070
01:38:25,800 --> 01:38:28,600
Speaker 1: But anyway, for our next movie, we don't have to

2071
01:38:28,640 --> 01:38:31,599
Speaker 1: go very deep for our deep dive because we're tackling

2072
01:38:31,680 --> 01:38:35,400
Speaker 1: a twenty twenty three coming of age comedy, The Slumber Party.

2073
01:38:35,840 --> 01:38:38,120
Speaker 1: This was produced by Ron Howard and Brian Grazer, which

2074
01:38:38,120 --> 01:38:40,920
Speaker 1: is very exciting. It is available to stream on Disney Plus.

2075
01:38:41,000 --> 01:38:42,760
Speaker 1: So impress us with a little prep on your end.

2076
01:38:43,040 --> 01:38:45,200
Speaker 1: So thank you so much for joining us on this

2077
01:38:45,439 --> 01:38:48,920
Speaker 1: adventure in podcasting. See what I just did there, Serena,

2078
01:38:48,960 --> 01:38:52,040
Speaker 1: thank you very much. We really appreciate it and we

2079
01:38:52,200 --> 01:38:55,040
Speaker 1: will see you next time. Bye, everybody, k