WEBVTT - Ep13 "Will you perceive the event that kills you?"

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<v Speaker 1>How far in the past do you live? Why are

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<v Speaker 1>live television shows not actually live? And what does any

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<v Speaker 1>of this have to do with nuclear bombs or car

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<v Speaker 1>accidents where the Boeing airlines crash in Ethiopia or volcanoes

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<v Speaker 1>or the last episode of The Sopranos. Welcome to Inner

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<v Speaker 1>Cosmos with me David Eagleman. I'm a neuroscientist and an

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<v Speaker 1>author at Stanford University, and I've always been obsessed with

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<v Speaker 1>how we perceive time. In this episode, I'm going to

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<v Speaker 1>dive into an issue about time perception that's always intrigued me,

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<v Speaker 1>which is how long do we have to wait before

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<v Speaker 1>we have a conscious perception of something that just happened

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<v Speaker 1>in the world. And that leads to a very wild question,

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<v Speaker 1>will you perceive the event that kills you? So imagine

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<v Speaker 1>that you're walking down the sidewalk and you're enjoying the sunshine,

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<v Speaker 1>and you're sipping your coffee from a paper cup and

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<v Speaker 1>watching two dogs wrestling around and having fun in the distance,

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<v Speaker 1>and suddenly, from a crane perched ten stories in the air,

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<v Speaker 1>a piano falls and lands right on top of you.

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<v Speaker 1>The question we want to dive into today is will

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<v Speaker 1>you be aware of that final moment, or while you

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<v Speaker 1>feel you're happily watching the dogs and sipping the coffee,

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<v Speaker 1>will the footage just end? Now this is not an

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<v Speaker 1>idle question. It's one that allows us to dig deep

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<v Speaker 1>into what happens in the brain, and it's one that

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<v Speaker 1>sometimes gets wrestled with in courts of law. So let's

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<v Speaker 1>start this story in twenty seventeen when the United States

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<v Speaker 1>it proved a new generation of the Boeing seven thirty

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<v Speaker 1>seven airplane. This was called the Boeing seven thirty seven Max,

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<v Speaker 1>and it was a great evolution for this leading airliner company,

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<v Speaker 1>and it immediately produced hundreds of orders that came pouring

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<v Speaker 1>in from around the world. So everything looked great. But

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<v Speaker 1>then in October of twenty eighteen, a seven thirty seven

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<v Speaker 1>Max took off from Jakarta on its way to Indonesia,

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<v Speaker 1>and thirteen minutes after takeoff, it crashed into the Java

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<v Speaker 1>Sea and it killed all one hundred and eighty nine

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<v Speaker 1>people on board. So that immediately triggered investigations into whether

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<v Speaker 1>something about this new airplane design had anything to do

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<v Speaker 1>with the crash, and those investigations uncovered a serious issue.

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<v Speaker 1>It turns out that some previous seven thirty seven Max

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<v Speaker 1>flights had had serious problems. There hadn't been a crash,

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<v Speaker 1>but nonetheless the passengers had been traumatized. And the problems

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<v Speaker 1>had to do with the failure of a sensor that

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<v Speaker 1>detects the angle of attack, which is just the angle

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<v Speaker 1>between the wing and the wind, and that mattered because

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<v Speaker 1>it affects the amount of lift that the airplane gets. So,

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<v Speaker 1>without going into details, it surfaced that there was this

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<v Speaker 1>inherent design flaw in the seven thirty seven Maxes that

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<v Speaker 1>made these planes really hard to control in some circumstances

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<v Speaker 1>and really dangerous. So the Federal Aviation Administration and Boeing

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<v Speaker 1>moved quickly to give out warnings and training advisories to

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<v Speaker 1>all the operators of the seven thirty seven Max series

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<v Speaker 1>to avoid this kind of problem. But before these got implemented,

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<v Speaker 1>something awful happened. In March of twenty nineteen, Ethiopian Airlines

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<v Speaker 1>Flight three h two crashed because of this exact same problem,

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<v Speaker 1>and that crash instantly killed all one hundred and fifty

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<v Speaker 1>seven people on board, and that led to an immediate

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<v Speaker 1>grounding of all seven thirty seven Max airplanes around the planet.

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<v Speaker 1>Now there are hundreds of angles to the enormous legal

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<v Speaker 1>case around the crash of the Ethiopian Airlines flight, including

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<v Speaker 1>negligence and collusion. But I'm going to zoom in on

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<v Speaker 1>a part of the lawsuit that's currently in the courts,

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<v Speaker 1>and that part of the legal argument comes down to

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<v Speaker 1>millions of dollars and the final half second, and that's

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<v Speaker 1>where neuroscience unexpectedly intersects with aviation. In the aftermath of

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<v Speaker 1>the crash, Boeing executives met with the victims' families and

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<v Speaker 1>they pledged a one hundred million dollar fund for the families,

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<v Speaker 1>separate from any lawsuit. And then Boeing settled for two

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<v Speaker 1>and a half billion with the Justice Department, and they

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<v Speaker 1>agreed to pay five hundred million more to the victim's beneficiaries.

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<v Speaker 1>Then they also paid other fines for alleged misleading statements

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<v Speaker 1>and so on. But Boeing's attorneys argued that they shouldn't

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<v Speaker 1>have to pay out any money for pain and suffering. Now,

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<v Speaker 1>let's be clear on what the legal argument is here.

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<v Speaker 1>In legal terms, while the plane was tilting and heading

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<v Speaker 1>towards the ground, the nausea and terrible fear falls into

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<v Speaker 1>a legal category of mental anguish. But that's a different

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<v Speaker 1>category of damages than pain and suffering, which is what

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<v Speaker 1>happens between a physical injury and the time of death.

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<v Speaker 1>Now this is grim stuff, but it's the kind of

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<v Speaker 1>analysis that comes up in courtrooms all the time. Imagine

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<v Speaker 1>that there's a factory and there's a poorly braced machine

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<v Speaker 1>and it falls on a worker, and that person ends

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<v Speaker 1>up pinned for hours and bleeding out, and they're conscious

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<v Speaker 1>the whole time of what is happening to them, and

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<v Speaker 1>they pass away. Now, that would fall under the legal

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<v Speaker 1>category of pain and suffering. That category of damages starts

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<v Speaker 1>at the moment of physical injury and runs until the

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<v Speaker 1>time of death. But Boeing's attorneys argued that while there

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<v Speaker 1>certainly was mental anguish during the six minute roller coaster ride,

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<v Speaker 1>there was no pain in suffering that could be argued

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<v Speaker 1>in this case. Why because the planes impact with the

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<v Speaker 1>ground caused instantaneous death. What Boeing said is that the

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<v Speaker 1>victims died painlessly because the airplane crashed into the ground

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<v Speaker 1>so fast that their brains didn't have time to process

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<v Speaker 1>pain signals. In other words, there was no time between

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<v Speaker 1>injury and death. Just to be clear, Boeing's attorneys aren't

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<v Speaker 1>arguing that the families can't recover massive damages in the lawsuit.

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<v Speaker 1>They're just talking about this specific category of pain and suffering,

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<v Speaker 1>and this isn't an unusual argument in wrongful death cases

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<v Speaker 1>like plane crashes and car accidents, to argue in a

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<v Speaker 1>courtroom about what someone's experience would have been like in

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<v Speaker 1>their final moments, and therefore whether they experienced any pain

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<v Speaker 1>and suffering. It comes down to the issue of whether

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<v Speaker 1>the passengers were aware that the plane hit the ground,

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<v Speaker 1>and this boils down to a question that can only

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<v Speaker 1>be addressed by neuroscience. Time is one of the most

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<v Speaker 1>important elements in our lives, but how we perceive time

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<v Speaker 1>is one of the least understood. So I've devoted a

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<v Speaker 1>large part of my career to try to figure out

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<v Speaker 1>our experience of time, and the lesson that surfaces is

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<v Speaker 1>that our perceptual experience is the result of lots of

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<v Speaker 1>computation in the brain and it doesn't necessarily map on

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<v Speaker 1>to what reality actually is. Now. In a different episode,

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<v Speaker 1>I talked about time seeming to run in slow motion.

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<v Speaker 1>Many people have had this impression when they're in a

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<v Speaker 1>life threatening situation that an event seemed to last longer

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<v Speaker 1>than normal. And in that episode, I told the story

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<v Speaker 1>about when I was eight years old and fell off

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<v Speaker 1>of the roof of a house inner construction and time

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<v Speaker 1>seemed to run in slow motion, and how that eventually

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<v Speaker 1>led to me becoming a neuroscientist because I grew so

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<v Speaker 1>fascinated with this almost totally unexplored area. In this episode,

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<v Speaker 1>I'm going to take you on a totally different path

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<v Speaker 1>through time perception, and we're going to see some mind

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<v Speaker 1>bending surprises along the way. Now, to tackle something as

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<v Speaker 1>big and mysterious as time, it helps begin with something

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<v Speaker 1>very simple, and many years ago I stumbled on a

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<v Speaker 1>simple visual illusion that ended up opening big doors for

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<v Speaker 1>my understanding of time. And that illusion was first noticed

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<v Speaker 1>in the nineteen twenties. It's called the flash lag illusion.

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<v Speaker 1>And here's how it goes. Imagine you're looking out your

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<v Speaker 1>window and you see a bicyclist zipping along the road

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<v Speaker 1>in front of your house, going from the left side

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<v Speaker 1>to the right side, and as they're going by, a

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<v Speaker 1>bright light flashes very briefly on their helmet. Flash. That's

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<v Speaker 1>all I need you to picture. Bike moves along light

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<v Speaker 1>flashes on their helmet. So what hits your eye is

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<v Speaker 1>the bike and the flash in the same location, but

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<v Speaker 1>what you consciously perceive is something different. The way it

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<v Speaker 1>looks to you is that the bike was some distance

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<v Speaker 1>ahead of the flash. It doesn't look like they're in

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<v Speaker 1>the same spot. Now, this flash lag illusion is very

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<v Speaker 1>easy to demonstrate and to quantify, and you can see

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<v Speaker 1>demos of this at Eagleman dot com Slash podcast. But

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<v Speaker 1>the question is why does this happen? So what had

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<v Speaker 1>been proposed in the literature is that maybe what's happening

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<v Speaker 1>is your visual system watches the bicyclist, but it doesn't

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<v Speaker 1>see the bike where it is right now, but instead

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<v Speaker 1>your brain is guessing where the bike will be in

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<v Speaker 1>the next moment. Your brain is making a prediction, and

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<v Speaker 1>that's what you see is this predicted position a little

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<v Speaker 1>bit ahead. But your brain doesn't have that luxury with

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<v Speaker 1>the flash because it didn't know that was about to happen,

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<v Speaker 1>and so it can't make any predictions there. And so

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<v Speaker 1>the bike looks farther ahead to the right in this case,

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<v Speaker 1>and the flash appears exactly where it happened. Now, I

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<v Speaker 1>had some reasons to doubt that framework. So I set

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<v Speaker 1>up a very simple experiment which I presented to test participants.

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<v Speaker 1>Imagine on the screen you're watching the bike moving to

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<v Speaker 1>the right, and I have a flash appear for just

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<v Speaker 1>one frame, and it's perfectly lined up with the bike. Now,

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<v Speaker 1>that's what gives you the flashlight illusion. But now I'm

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<v Speaker 1>going to do one of three things at random after

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<v Speaker 1>the flash is over. Either the bike keeps going, or

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<v Speaker 1>the bike instantly stops, or the bike reverses direction. The

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<v Speaker 1>key thing to note here is that everything up to

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<v Speaker 1>and including the flash is identical, and all I'm doing

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<v Speaker 1>is changing what happens in the future of the flash.

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<v Speaker 1>So if prediction is happening, if your brain is just

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<v Speaker 1>guessing ahead where the moving bike is, then of course

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<v Speaker 1>we'll expect to see the same thing every time, which

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<v Speaker 1>is that the bike should be ahead of the flash

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<v Speaker 1>to the right, because it shouldn't matter what happens after

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<v Speaker 1>the flash is already gone. But here's what actually happens.

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<v Speaker 1>If the bike keeps going, it looks like it's ahead

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<v Speaker 1>of the flash on the right, as expected. But if

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<v Speaker 1>the bike stops instantly in the frame after the flash,

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<v Speaker 1>it looks like the flash was on the helmet, there's

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<v Speaker 1>no more illusion. And if the bike reverses its direction

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<v Speaker 1>immediately after the flash, then it looks like the flash

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<v Speaker 1>is off the helmet. In the other direction, the bike

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<v Speaker 1>is off to the left now instead of to the right. Now.

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<v Speaker 1>Why is that's such a weird result. It's so weird

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<v Speaker 1>because I'm asking you what you see at the moment

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<v Speaker 1>of the flash, and your answer depends on what happens

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<v Speaker 1>in the future of the flash. And remember, these conditions

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<v Speaker 1>are randomly interleaved, so you can't know what's actually going

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<v Speaker 1>to happen on any given trial. So there's only two

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<v Speaker 1>possibilities here. Either my test subjects were clairvoyantly seeing into

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<v Speaker 1>the future, which I don't think is happening, or the

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<v Speaker 1>perception that we attribute to some moment in time actually

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<v Speaker 1>depends on what happens next. In other words, what we

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<v Speaker 1>think happen in some moment depends on what happens after

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<v Speaker 1>that moment. Now, this is a wild finding because it

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<v Speaker 1>shows right away that the brain is not using prediction

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<v Speaker 1>guessing ahead. Instead, it's something more like filling in behind.

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<v Speaker 1>The key is that after the flash, your brain continues

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<v Speaker 1>to collect up in information and it retrospectively says what

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<v Speaker 1>it thinks it saw. Nothing is moving backwards in time.

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<v Speaker 1>The correct way to think about this is to think

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<v Speaker 1>about two timelines. There's time in the real world and

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<v Speaker 1>there's time in your head. This is physical time and

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<v Speaker 1>subjective time. And the timeline in your head is simply

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<v Speaker 1>shifted later. It's a delayed version of what is happening

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<v Speaker 1>in the real world. And this is because it takes

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<v Speaker 1>time for signals to move around in the brain and

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<v Speaker 1>get processed. So by the time the information from the

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<v Speaker 1>flash gets fully through the machinery, new information about the

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<v Speaker 1>movement of the bike has been streaming in. So by

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<v Speaker 1>the time you become consciously aware of the flash, your

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<v Speaker 1>brain has incorporated some information that happened after the flash.

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<v Speaker 1>So I published this in the journal Science, and I

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<v Speaker 1>called this phenomenon postdiction as opposed to prediction, and it

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<v Speaker 1>actually became the most highly cited paper of my career

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<v Speaker 1>so far because what it surfaces, in a very simple way,

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<v Speaker 1>is a fundamental feature of our perception, which is that

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<v Speaker 1>we live in the past. The brain collects information and

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<v Speaker 1>that flows around and eventually comes to a conclusion and

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<v Speaker 1>gives you a story of what happened in the world

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<v Speaker 1>out there, and then we think, oh, that's what's happening

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<v Speaker 1>right now. So when I say we're living in the past,

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<v Speaker 1>I mean that by the time we think the moment

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<v Speaker 1>now has occurred, it's already happened. Remember that signals in

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<v Speaker 1>the brain move very slowly. In the cerebral cortex, which

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<v Speaker 1>is the wrinkly outer covering of the brain, most signals

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<v Speaker 1>are traveling around at one meter per second, which is

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<v Speaker 1>three hundred million times slower than signals in fiber optic cables.

0:14:56.760 --> 0:14:59.760
<v Speaker 1>So your brain has a challenge, which is that it's

0:14:59.760 --> 0:15:03.080
<v Speaker 1>true trying to understand what's going on in the outside world.

0:15:03.600 --> 0:15:06.640
<v Speaker 1>But it's big and it's made of billions of cells,

0:15:07.080 --> 0:15:10.640
<v Speaker 1>and so its only good solution is to wait until

0:15:10.720 --> 0:15:14.160
<v Speaker 1>all the signals have been collected up and compiled. It

0:15:14.240 --> 0:15:17.840
<v Speaker 1>gathers the signals from the various senses, and once all

0:15:17.880 --> 0:15:23.120
<v Speaker 1>that information has arrived, your brain develops a conscious narrative

0:15:23.360 --> 0:15:27.560
<v Speaker 1>about what just happened. And the consequence is that your

0:15:27.680 --> 0:15:32.960
<v Speaker 1>conscious mind lives behind reality. When I clap my hands

0:15:33.000 --> 0:15:36.640
<v Speaker 1>together and we think the moment now is occurring, we're wrong.

0:15:36.760 --> 0:15:39.160
<v Speaker 1>It already happens. Some time ago. Our brains had to

0:15:39.200 --> 0:15:43.200
<v Speaker 1>collect the information from the visual system, the auditory system

0:15:43.680 --> 0:15:47.320
<v Speaker 1>process that, stitch it all together and serve up a story,

0:15:47.360 --> 0:15:49.680
<v Speaker 1>and then you say, oh, I just heard a clap.

0:15:50.400 --> 0:15:54.440
<v Speaker 1>The consequence is that your perception of the world is

0:15:54.480 --> 0:15:57.960
<v Speaker 1>something like the airing of a live television show like

0:15:58.040 --> 0:16:02.240
<v Speaker 1>Saturday Night Live, which is not actually live, but it's

0:16:02.360 --> 0:16:06.800
<v Speaker 1>aired with a delay in case someone cusses or falls down,

0:16:06.920 --> 0:16:10.280
<v Speaker 1>or there's a wardrobe mishap, and so it goes with

0:16:10.400 --> 0:16:14.760
<v Speaker 1>your consciousness. It is delayed by a small window while

0:16:14.800 --> 0:16:19.200
<v Speaker 1>your brain puts together its story. What you perceive is

0:16:19.240 --> 0:16:23.600
<v Speaker 1>a delayed version of reality. For all you know, this

0:16:23.720 --> 0:16:26.760
<v Speaker 1>podcast is already over. Okay, not that far in the past,

0:16:27.040 --> 0:16:30.920
<v Speaker 1>but how far in the past are we well in

0:16:30.960 --> 0:16:33.160
<v Speaker 1>the flash lag effect, I was able to show that

0:16:33.200 --> 0:16:36.240
<v Speaker 1>we were about a tenth of a second behind what

0:16:36.360 --> 0:16:39.280
<v Speaker 1>was happening out there, one hundred milliseconds. But that was

0:16:39.320 --> 0:16:42.800
<v Speaker 1>measured from experiments I did in the visual system. And

0:16:42.880 --> 0:16:45.720
<v Speaker 1>for a unified perception of the world with all its

0:16:45.720 --> 0:16:48.720
<v Speaker 1>sights and sounds and textures, you need to wait for

0:16:48.880 --> 0:16:52.080
<v Speaker 1>all the information to stream in from all of the senses.

0:16:52.600 --> 0:16:55.240
<v Speaker 1>And that means that if your brain wants to wait

0:16:55.760 --> 0:16:59.200
<v Speaker 1>to collect up all the information before putting together a

0:16:59.240 --> 0:17:02.560
<v Speaker 1>story of what happened, it needs to wait for the

0:17:02.680 --> 0:17:07.320
<v Speaker 1>slowest information, which is from your toes. That information has

0:17:07.400 --> 0:17:09.119
<v Speaker 1>to climb all the way up the nerves and your

0:17:09.200 --> 0:17:11.480
<v Speaker 1>legs and then up the entire spinal cord all the

0:17:11.480 --> 0:17:15.080
<v Speaker 1>way to your brain. And although the nerves that carry

0:17:15.119 --> 0:17:18.679
<v Speaker 1>touch information are fast compared to some other kinds of nerves,

0:17:18.960 --> 0:17:23.280
<v Speaker 1>they're super slow compared to say, the speed of signals

0:17:23.320 --> 0:17:25.919
<v Speaker 1>in your computer, and so the whole thing takes more

0:17:26.000 --> 0:17:29.200
<v Speaker 1>than one hundred milliseconds. And what I realized was that

0:17:29.280 --> 0:17:32.720
<v Speaker 1>if your brain wants a unified perception of what just

0:17:32.840 --> 0:17:36.120
<v Speaker 1>happened in the world, rather than different pieces streaming at

0:17:36.160 --> 0:17:39.560
<v Speaker 1>different times, it has no choice but to wait for

0:17:39.760 --> 0:17:43.480
<v Speaker 1>all that information to arrive. And one way to demonstrate

0:17:43.520 --> 0:17:46.840
<v Speaker 1>this is if I touch your nose and your toe

0:17:46.880 --> 0:17:50.200
<v Speaker 1>at the same time, you will feel that as simultaneous.

0:17:50.520 --> 0:17:53.000
<v Speaker 1>It's not like you feel the signal from your nose

0:17:53.480 --> 0:17:56.240
<v Speaker 1>and then you feel it later from your toe, even

0:17:56.280 --> 0:17:58.480
<v Speaker 1>though the signal from your nose gets to your brain

0:17:58.680 --> 0:18:01.639
<v Speaker 1>much more quickly. So the question is does your brain

0:18:02.320 --> 0:18:05.680
<v Speaker 1>capture the information from the nose and then say, Okay, cool,

0:18:05.720 --> 0:18:08.600
<v Speaker 1>I've got that, but I'm not going to perceive anything

0:18:08.680 --> 0:18:12.879
<v Speaker 1>yet because something else might be coming up the pipeline. Yes,

0:18:13.080 --> 0:18:16.439
<v Speaker 1>I think that's actually what happens. And because the brain

0:18:16.480 --> 0:18:20.120
<v Speaker 1>has to wait for this slow information to arrive, this

0:18:20.240 --> 0:18:25.040
<v Speaker 1>leads to the bizarre but testable prediction that tall people

0:18:25.720 --> 0:18:29.840
<v Speaker 1>live further in the past than short people. So I

0:18:29.960 --> 0:18:33.560
<v Speaker 1>mentioned my prediction once on a live interview on NPR,

0:18:33.600 --> 0:18:35.639
<v Speaker 1>and then I drove back to my lab and I

0:18:35.680 --> 0:18:38.640
<v Speaker 1>opened my email, and I saw that I had received

0:18:39.000 --> 0:18:43.280
<v Speaker 1>dozens of emails from people who said, I'm short, and

0:18:43.359 --> 0:18:46.159
<v Speaker 1>I really appreciate what you said. But let's get back

0:18:46.200 --> 0:18:50.360
<v Speaker 1>to this question of how far behind reality does your

0:18:50.440 --> 0:18:56.000
<v Speaker 1>consciousness lag. In the nineteen seventies, a neuroscientist named Benjamin

0:18:56.000 --> 0:18:59.800
<v Speaker 1>Libbitt did some studies with people who were undergoing neuros,

0:19:00.800 --> 0:19:04.680
<v Speaker 1>and those studies suggested that we lag as much as

0:19:04.920 --> 0:19:08.359
<v Speaker 1>five hundred milliseconds half a second. I'm not going to

0:19:08.440 --> 0:19:10.840
<v Speaker 1>go into the details of his experiment here, but I've

0:19:10.880 --> 0:19:14.600
<v Speaker 1>linked the research on the podcast website. So Libbett's claim

0:19:14.680 --> 0:19:17.000
<v Speaker 1>was that we are half a second in the past,

0:19:17.680 --> 0:19:21.199
<v Speaker 1>and it's worth noting that it might be impossible for

0:19:21.320 --> 0:19:25.000
<v Speaker 1>us to measure the moment of onset of conscious experience,

0:19:25.440 --> 0:19:27.800
<v Speaker 1>so the exact time delay is very hard to know

0:19:27.920 --> 0:19:30.920
<v Speaker 1>for sure, but for now, let's call it about half

0:19:30.960 --> 0:19:34.200
<v Speaker 1>a second in the past. And this happens because the

0:19:34.200 --> 0:19:37.399
<v Speaker 1>brain needs to collect all the signals from the eyes

0:19:37.440 --> 0:19:39.760
<v Speaker 1>and the ears and the skin, and those need to

0:19:39.840 --> 0:19:43.760
<v Speaker 1>travel along their respective nerves and enter the brain in

0:19:43.800 --> 0:19:46.200
<v Speaker 1>the place that they come in in the primary sensory

0:19:46.200 --> 0:19:49.359
<v Speaker 1>cortex for each sense, and then move to the secondary

0:19:49.400 --> 0:19:53.000
<v Speaker 1>sensory cortex and tertiary, and the signals splash out into

0:19:53.080 --> 0:19:57.280
<v Speaker 1>multimodal areas, and everything needs to get stitched together into

0:19:57.320 --> 0:20:01.240
<v Speaker 1>a story of what just happened. And by the time

0:20:01.320 --> 0:20:05.560
<v Speaker 1>this whole process completes itself, the event itself in the

0:20:05.600 --> 0:20:24.000
<v Speaker 1>world is already long gone. Now the more I study this,

0:20:24.160 --> 0:20:27.880
<v Speaker 1>the more I realized that this strange fact has an

0:20:27.960 --> 0:20:33.760
<v Speaker 1>interesting and unappreciated consequence. You probably won't perceive the event

0:20:34.000 --> 0:20:38.040
<v Speaker 1>that kills you, at least if that event happens suddenly.

0:20:38.600 --> 0:20:41.240
<v Speaker 1>So let's return to this scenario of you walking down

0:20:41.280 --> 0:20:44.280
<v Speaker 1>the street and joining your coffee and suddenly the piano

0:20:44.359 --> 0:20:47.800
<v Speaker 1>falls on you. That would be so terrible, right, But

0:20:47.880 --> 0:20:51.000
<v Speaker 1>what we've just seen is that it takes time for

0:20:51.080 --> 0:20:55.800
<v Speaker 1>signals to come together to form a conscious story. So

0:20:55.880 --> 0:21:00.080
<v Speaker 1>that means that if your brain gets damaged before the

0:21:00.119 --> 0:21:05.040
<v Speaker 1>signals come together, then it says though the footage suddenly ends.

0:21:05.760 --> 0:21:07.840
<v Speaker 1>And this would be true not only for our pianos,

0:21:07.880 --> 0:21:11.560
<v Speaker 1>but for any unexpected event like a bullet or a

0:21:11.600 --> 0:21:15.720
<v Speaker 1>bomb explosion. The damage to the brain would happen much

0:21:15.800 --> 0:21:20.240
<v Speaker 1>faster than the time it takes to process the signals

0:21:20.520 --> 0:21:24.359
<v Speaker 1>and come to a conscious conclusion. Now, I've been studying

0:21:24.359 --> 0:21:26.560
<v Speaker 1>this in my lab for many years, and so I

0:21:26.640 --> 0:21:30.040
<v Speaker 1>was really amazed when I saw the great author Cormick

0:21:30.119 --> 0:21:35.440
<v Speaker 1>McCarthy point to this in his post apocalyptic novel The Road.

0:21:36.560 --> 0:21:39.640
<v Speaker 1>So at one point in the novel, the main character

0:21:40.240 --> 0:21:42.640
<v Speaker 1>levels his pistol on a bad guy who was trying

0:21:42.680 --> 0:21:46.520
<v Speaker 1>to attack him, and the bad guy says, quote, you

0:21:46.600 --> 0:21:50.840
<v Speaker 1>won't shoot My companions will hear the shot, And our

0:21:50.920 --> 0:21:55.760
<v Speaker 1>hero says, yes, they will, but you won't. And the

0:21:55.800 --> 0:21:58.920
<v Speaker 1>bad guy says, how do you figure that? And our

0:21:58.960 --> 0:22:03.280
<v Speaker 1>hero says, because the bullet travels faster than the sound,

0:22:03.760 --> 0:22:06.920
<v Speaker 1>it'll be in your brain before you can hear it.

0:22:07.480 --> 0:22:10.399
<v Speaker 1>To hear it, you'll need a frontal lobe and things

0:22:10.400 --> 0:22:14.120
<v Speaker 1>with names like colliculus and temporal gyrus, and you won't

0:22:14.160 --> 0:22:18.439
<v Speaker 1>have them anymore. They'll just be soup. In other words,

0:22:18.440 --> 0:22:21.040
<v Speaker 1>what McCarthy was pointing out is the same issue, which

0:22:21.080 --> 0:22:25.240
<v Speaker 1>is that you need your brain to perceive. No brain,

0:22:25.960 --> 0:22:30.080
<v Speaker 1>no perception. Now, one of the most popular shows in

0:22:30.119 --> 0:22:34.760
<v Speaker 1>television history was The Sopranos, and if you didn't see it,

0:22:34.760 --> 0:22:37.439
<v Speaker 1>it was an intimate story of a mafia family in

0:22:37.480 --> 0:22:39.679
<v Speaker 1>New Jersey, and it was told over eight years. It

0:22:39.760 --> 0:22:43.720
<v Speaker 1>had tens of millions of dedicated fans, and so when

0:22:43.760 --> 0:22:47.399
<v Speaker 1>the finale to the whole show finally arrived, everyone was

0:22:47.440 --> 0:22:50.240
<v Speaker 1>tuned in to see how the show would end. The

0:22:50.600 --> 0:22:55.000
<v Speaker 1>series centers on Tony Soprano, this mafia head in New Jersey,

0:22:55.440 --> 0:22:57.800
<v Speaker 1>and the thing about Tony Soprano is that he's always

0:22:58.320 --> 0:23:01.720
<v Speaker 1>struggling to balance his fan family life and his role

0:23:01.840 --> 0:23:04.879
<v Speaker 1>as a mob boss. So he has panic attacks and

0:23:04.920 --> 0:23:07.600
<v Speaker 1>we get to see him in therapy sessions with his

0:23:07.640 --> 0:23:10.840
<v Speaker 1>psychiatrist throughout the series, and if you've never seen it,

0:23:11.240 --> 0:23:14.560
<v Speaker 1>you can imagine there are life threatening complications all the

0:23:14.560 --> 0:23:18.520
<v Speaker 1>time with other mobsters inside his family and outside, and

0:23:18.720 --> 0:23:23.720
<v Speaker 1>specifically with the New York City based Lupertazzi family, which

0:23:23.760 --> 0:23:26.800
<v Speaker 1>had been working to take down the Soprano family by

0:23:27.080 --> 0:23:30.520
<v Speaker 1>decapitating them, in other words, by taking out their leadership

0:23:31.240 --> 0:23:34.960
<v Speaker 1>some of Tony's family and collaborators. They were gunned down,

0:23:35.080 --> 0:23:37.879
<v Speaker 1>one was put in a coma, and shots were taken

0:23:37.920 --> 0:23:43.359
<v Speaker 1>to Tony. But now in the final episode, things seem

0:23:43.440 --> 0:23:47.400
<v Speaker 1>to have calmed down. Tony seems to be in control

0:23:47.600 --> 0:23:51.400
<v Speaker 1>of his New Jersey empire, and yet as the episode

0:23:51.440 --> 0:23:54.960
<v Speaker 1>is coming to an end, something seems just slightly off.

0:23:55.320 --> 0:23:58.560
<v Speaker 1>Tony is sitting in a diner eating onion rings and

0:23:58.600 --> 0:24:02.639
<v Speaker 1>listening to Don't Stop Believing by Journey on the jukebox.

0:24:03.480 --> 0:24:06.520
<v Speaker 1>The camera passes by people here and there. It's hard

0:24:06.560 --> 0:24:08.880
<v Speaker 1>to tell if anyone seems out of place, like when

0:24:08.880 --> 0:24:12.760
<v Speaker 1>the camera follows one seemingly random man who goes into

0:24:12.800 --> 0:24:15.800
<v Speaker 1>the bathroom behind where Tony is sitting, and we see

0:24:15.840 --> 0:24:20.040
<v Speaker 1>Tony's daughter park across the street, and she runs across

0:24:20.080 --> 0:24:22.600
<v Speaker 1>the street to join him, and we hear the bell

0:24:22.760 --> 0:24:25.880
<v Speaker 1>on the door, which is presumably her entrance, and he

0:24:26.000 --> 0:24:30.480
<v Speaker 1>looks up from his food, and then the video and

0:24:30.720 --> 0:24:35.320
<v Speaker 1>audio cut to blackness and silence, So fans went into

0:24:35.320 --> 0:24:38.520
<v Speaker 1>an uproar. What just happened to the show? Was there

0:24:38.520 --> 0:24:42.440
<v Speaker 1>a broadcasting hiccup? Was this a technical problem with their television?

0:24:43.080 --> 0:24:47.520
<v Speaker 1>But it wasn't. The show ends that way because we

0:24:47.680 --> 0:24:52.200
<v Speaker 1>are in Tony's point of view, and suddenly there simply

0:24:52.560 --> 0:24:57.560
<v Speaker 1>is no more point of view. The fragile circuits necessary

0:24:57.640 --> 0:25:01.600
<v Speaker 1>for Tony's brain to construct a story have been wrecked

0:25:01.640 --> 0:25:06.000
<v Speaker 1>by a bullet, and the damage happens before they've been

0:25:06.080 --> 0:25:09.960
<v Speaker 1>able to stitch together a story about that last half

0:25:10.000 --> 0:25:13.560
<v Speaker 1>second of his life. Now, this scene of Tony's death

0:25:13.600 --> 0:25:16.960
<v Speaker 1>connected back to an earlier snippet of dialogue from two

0:25:17.000 --> 0:25:22.240
<v Speaker 1>seasons earlier, in which Bobby Bachlieri says to Tony, quote,

0:25:22.920 --> 0:25:26.080
<v Speaker 1>you probably don't even hear it when it happens. Right,

0:25:27.280 --> 0:25:30.439
<v Speaker 1>because of the slow propagation of signals in the nervous

0:25:30.480 --> 0:25:34.520
<v Speaker 1>system and the slow stitching together of consciousness, you might

0:25:34.720 --> 0:25:38.080
<v Speaker 1>never even be aware that a gun fired, or that

0:25:38.119 --> 0:25:41.480
<v Speaker 1>a bomb exploded, or that a truck just crashed through

0:25:41.480 --> 0:25:44.720
<v Speaker 1>the wall, or a jet engine fell on your head.

0:25:45.200 --> 0:25:49.439
<v Speaker 1>One moment you're present and thinking, and the next moment,

0:25:49.920 --> 0:25:55.480
<v Speaker 1>your machinery for thought is gone. The broadcast of consciousness

0:25:55.800 --> 0:26:02.920
<v Speaker 1>just cuts way to appreciate the sluggishness of your perception

0:26:03.480 --> 0:26:06.359
<v Speaker 1>is to compare it to the speed of the machinery

0:26:06.400 --> 0:26:09.800
<v Speaker 1>that we're surrounded with. I recently read this great article

0:26:09.920 --> 0:26:13.159
<v Speaker 1>on the anatomy of a car crash, which was in

0:26:13.160 --> 0:26:17.560
<v Speaker 1>the Australian magazine Drive, and the article describes what happens

0:26:17.600 --> 0:26:20.480
<v Speaker 1>when a car is hit in the driver's door by

0:26:20.520 --> 0:26:24.960
<v Speaker 1>another car traveling at fifty kilometers per hour. At zero

0:26:25.080 --> 0:26:28.520
<v Speaker 1>milliseconds is when the other car first touches the driver's door.

0:26:29.160 --> 0:26:33.440
<v Speaker 1>At one millisecond, the car's door pressure sensor detects a

0:26:33.480 --> 0:26:37.440
<v Speaker 1>pressure wave. From here, over the next few milliseconds, different

0:26:37.560 --> 0:26:41.040
<v Speaker 1>sensors pick up on the crash vibrations. So I'll skip

0:26:41.080 --> 0:26:45.800
<v Speaker 1>ahead to five milliseconds, when the car's crash computer starts

0:26:45.840 --> 0:26:48.159
<v Speaker 1>searching for what's going on, trying to work out the

0:26:48.200 --> 0:26:52.320
<v Speaker 1>severity of the crash. By six point five milliseconds, the

0:26:52.440 --> 0:26:57.160
<v Speaker 1>door pressure sensor is registering peak pressures, which causes by

0:26:57.200 --> 0:27:01.080
<v Speaker 1>seven milliseconds the crash computer to con firm that the

0:27:01.119 --> 0:27:04.600
<v Speaker 1>crash is serious and send the next steps into action.

0:27:05.280 --> 0:27:08.600
<v Speaker 1>At eight milliseconds, the computer sends a signal to the

0:27:08.760 --> 0:27:12.600
<v Speaker 1>side airbag, and by eight point five milliseconds the airbag

0:27:12.800 --> 0:27:17.160
<v Speaker 1>fires off. By fifteen milliseconds, it bursts through the foam

0:27:17.200 --> 0:27:21.040
<v Speaker 1>and begins to fill. By seventeen milliseconds, it covers the

0:27:21.119 --> 0:27:25.320
<v Speaker 1>driver's chest and pushes the shoulder away from the impact zone,

0:27:25.640 --> 0:27:28.520
<v Speaker 1>and then by a few milliseconds later, it's pushing the

0:27:28.600 --> 0:27:32.639
<v Speaker 1>chest away. All the while the physical structure of the

0:27:32.720 --> 0:27:35.440
<v Speaker 1>car is crumpling in such a way as to transfer

0:27:35.480 --> 0:27:39.639
<v Speaker 1>the energy away from the driver. By twenty seven milliseconds,

0:27:39.880 --> 0:27:43.679
<v Speaker 1>a mechanism in the seat moves the driver's pelvis away

0:27:43.720 --> 0:27:47.440
<v Speaker 1>from the impact zone, and the air bag starts its

0:27:47.520 --> 0:27:52.359
<v Speaker 1>controlled deflation. Over the next tens of milliseconds, the driver

0:27:52.640 --> 0:27:57.600
<v Speaker 1>and airbag move together as the structure of the car deforms,

0:27:57.920 --> 0:28:02.439
<v Speaker 1>and by fifty milliseconds, the crash computer unlocks the car's doors.

0:28:03.200 --> 0:28:06.520
<v Speaker 1>By seventy milliseconds, the driver moves back towards the middle

0:28:06.520 --> 0:28:09.919
<v Speaker 1>of the car, and the air bag continues to deflate.

0:28:10.680 --> 0:28:15.879
<v Speaker 1>At this point, seventy milliseconds in, the engineers classify the

0:28:15.960 --> 0:28:21.400
<v Speaker 1>crash as complete. Now here's the zinger. After about another

0:28:22.000 --> 0:28:26.800
<v Speaker 1>four hundred milliseconds, the driver becomes aware that there was

0:28:26.840 --> 0:28:30.760
<v Speaker 1>a collision. From the machinery's point of view, the entire

0:28:30.840 --> 0:28:35.440
<v Speaker 1>show is over before consciousness even flickers onto the screen.

0:28:36.920 --> 0:28:38.880
<v Speaker 1>If you ever talk to someone who's been in a

0:28:38.880 --> 0:28:42.640
<v Speaker 1>car accident, you'll already know that no one ever sees

0:28:42.800 --> 0:28:46.320
<v Speaker 1>the airbag deploy They have the experience of driving, and

0:28:46.480 --> 0:28:50.080
<v Speaker 1>suddenly there's a deflating air bag and a strange smell

0:28:50.120 --> 0:28:54.600
<v Speaker 1>of nitrates, But the actual deployment of the bag happens

0:28:54.720 --> 0:28:59.400
<v Speaker 1>way too fast for a person to be conscious of it.

0:28:59.400 --> 0:29:03.400
<v Speaker 1>It strikes me that this sudden disappearance of consciousness with

0:29:03.480 --> 0:29:07.880
<v Speaker 1>no bad feelings or fear probably happens with victims of

0:29:08.040 --> 0:29:12.760
<v Speaker 1>pyroclastic flow from volcanoes. This is a one thousand degree

0:29:13.040 --> 0:29:17.239
<v Speaker 1>wall of hot rock and gas that travels faster than

0:29:17.280 --> 0:29:19.960
<v Speaker 1>one hundred miles per hour, meaning that if you're in

0:29:20.000 --> 0:29:22.760
<v Speaker 1>your house and you don't know that this pyroclastic flow

0:29:22.840 --> 0:29:26.720
<v Speaker 1>is coming, you're going to be consumed before your neural

0:29:26.880 --> 0:29:31.120
<v Speaker 1>signals ever come together to form the conclusion that something

0:29:31.200 --> 0:29:34.560
<v Speaker 1>is amiss and just came crashing through your wall. In

0:29:34.640 --> 0:29:39.120
<v Speaker 1>this case, the speed of the danger outstrips the speed

0:29:39.240 --> 0:29:42.160
<v Speaker 1>of the neural signals, and it's the same with a

0:29:42.280 --> 0:29:46.480
<v Speaker 1>nuclear blast if that comes without warning. Nuclear blasts have

0:29:46.720 --> 0:29:49.240
<v Speaker 1>a series of events. There's a flash of light and

0:29:49.320 --> 0:29:54.120
<v Speaker 1>a pulsive thermal energy heat, and a pulse of nuclear radiation,

0:29:54.560 --> 0:29:57.520
<v Speaker 1>and these all happen at the speed of light. So

0:29:57.600 --> 0:30:01.480
<v Speaker 1>if you see a bomb descending and you realize you're

0:30:01.560 --> 0:30:04.480
<v Speaker 1>going to be quite close to the point blank detonation,

0:30:05.320 --> 0:30:08.400
<v Speaker 1>there's actually no reason to panic, because, just like the

0:30:08.560 --> 0:30:13.080
<v Speaker 1>drivers who never witnessed the airbag's deploy you won't witness

0:30:13.200 --> 0:30:17.840
<v Speaker 1>the bomb burst. Our evolution took place over millions of

0:30:17.920 --> 0:30:21.200
<v Speaker 1>years in which this delay of a few hundred milliseconds

0:30:21.680 --> 0:30:25.560
<v Speaker 1>was plenty fast to react to humans or horses or

0:30:25.640 --> 0:30:29.000
<v Speaker 1>hippopotamia coming to attack you. This window might not have

0:30:29.080 --> 0:30:33.480
<v Speaker 1>been fast enough for a pouncing lion, but our existence

0:30:33.520 --> 0:30:37.040
<v Speaker 1>here allows us to conclude that the signals were fast

0:30:37.120 --> 0:30:41.440
<v Speaker 1>enough that our species was not selected out. But we

0:30:41.640 --> 0:30:46.000
<v Speaker 1>didn't evolve in a world with racing metal cars and

0:30:46.160 --> 0:30:51.040
<v Speaker 1>bullets and nuclear bombs. Under these conditions, the speed of

0:30:51.080 --> 0:30:56.600
<v Speaker 1>the events outstrips the leisurely neural signals. So if you've

0:30:56.640 --> 0:30:59.000
<v Speaker 1>been having a tough day, take this all as a

0:30:59.040 --> 0:31:01.959
<v Speaker 1>piece of good news, which is that your consciousness is

0:31:02.040 --> 0:31:05.719
<v Speaker 1>so slow that you might completely miss out on the

0:31:05.760 --> 0:31:09.720
<v Speaker 1>final thing that brings your story to a close. Like

0:31:09.800 --> 0:31:13.440
<v Speaker 1>Tony Soprano, the song will be playing on the jukebox,

0:31:13.880 --> 0:31:16.760
<v Speaker 1>and then it's not, and the horror that everyone else

0:31:16.800 --> 0:31:22.360
<v Speaker 1>sees is simply not experienced by you. This tardiness of

0:31:22.440 --> 0:31:25.680
<v Speaker 1>consciousness is why I have no fear of dying by

0:31:25.720 --> 0:31:29.880
<v Speaker 1>something sudden, a piano falling on me, or an explosion

0:31:30.320 --> 0:31:33.120
<v Speaker 1>or an unseen hit man. And this is why Boeing's

0:31:33.160 --> 0:31:38.200
<v Speaker 1>council argued the unpopular but presumably correct position that the

0:31:38.320 --> 0:31:41.880
<v Speaker 1>moment of impact at hundreds of miles per hour was

0:31:42.040 --> 0:31:46.240
<v Speaker 1>too fast for any conscious awareness that an impact had

0:31:46.280 --> 0:31:50.800
<v Speaker 1>ever occurred, and therefore, while Boeing's attorneys paid damages for

0:31:50.920 --> 0:31:54.560
<v Speaker 1>all other aspects of the tragedy, they argued against that one.

0:31:55.160 --> 0:31:58.480
<v Speaker 1>Perhaps there's no reason to fear dying from a piano

0:31:58.560 --> 0:32:02.040
<v Speaker 1>falling on your head, because, as your consciousness won't yet

0:32:02.080 --> 0:32:05.560
<v Speaker 1>have caught up, you'll simply be there enjoying a nice

0:32:05.600 --> 0:32:08.880
<v Speaker 1>cup of coffee on a beautiful day, noticing the nice

0:32:08.920 --> 0:32:12.480
<v Speaker 1>clouds in the sky, birds chirping, thinking about something you

0:32:12.520 --> 0:32:15.000
<v Speaker 1>need to remember to put on your to do list,

0:32:15.360 --> 0:32:23.760
<v Speaker 1>and then the footage will suddenly end. To find out

0:32:23.800 --> 0:32:26.360
<v Speaker 1>more and to share your thoughts, head to eagleman dot com,

0:32:26.400 --> 0:32:29.960
<v Speaker 1>slash podcasts, and you can also watch full episodes of

0:32:30.000 --> 0:32:35.160
<v Speaker 1>Inner Cosmos on YouTube at inner Cosmospod. Subscribe to see

0:32:35.200 --> 0:32:41.000
<v Speaker 1>new episodes every week until next time. I'm David Eagleman,

0:32:41.360 --> 0:32:42.600
<v Speaker 1>signing out from the Inner