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Speaker 1: Someday will be two together before today?

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Speaker 2: Is everybody's Zach? Do you have on air turned off?

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Speaker 2: But I do?

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Speaker 1: Daniel, thank you for my weekly reminder.

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Speaker 2: It is all no problem. And does everybody have their

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Speaker 2: windows closed? My windows were closed.

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Speaker 1: Although I thought the bird chirping was a nice touch,

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Speaker 1: but my doors.

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Speaker 3: In my backyard, I can't. I can't help it.

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Speaker 1: It's Daniel, as the executive producer of the show. I

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Speaker 1: don't mind a little bird chirping.

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Speaker 3: It's my back it's my backyard. So I have a

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Speaker 3: We built a waterfall, right, and an ecosystem has started

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Speaker 3: to blossom. And said waterfall, said water with all, even

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Speaker 3: with the windows closed.

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Speaker 2: Right, all right, let's roll, Daniel, I'm rolling as Donald.

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Speaker 2: Are you rolling?

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Speaker 3: I am as fifty five seconds into the podcast, Daniel.

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Speaker 1: I've he got ten point nine megabytes of content for you.

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Speaker 2: Daniel, that's a lot of megabites. I'm stoked.

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Speaker 3: Wow.

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Speaker 1: Hey everybody, Hello, listeners, Welcome to the program. This is

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Speaker 1: a Scrubs rewatch podcast.

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Speaker 3: We are with Sack and Donald.

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Speaker 1: We are quickly running out episodes, quickly running out of episodes.

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Speaker 1: But don't you worry. We have a whole new plan

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Speaker 1: for you had a big meeting about it, had a

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Speaker 1: very big meeting, Daniel. You weren't there.

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Speaker 2: I was not there. You were right about that.

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Speaker 1: I guess you don't come to big meetings about the

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Speaker 1: future of the show.

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Speaker 2: I trust Joel as the as the iHeart representing executive

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Speaker 2: producer of the show. I know that Joel. Joel was

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Speaker 2: so glorious in this meeting. It went really well.

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Speaker 3: Joel, how did you feel about the Star Wars corner.

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Speaker 4: I'm with Zach that that sounds like a different show.

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Speaker 4: And no, I love you and talk to you about

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Speaker 4: Star Wars. That's a dream of mine. I don't That's

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Speaker 4: all I need every week, teen minutes to make a

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Speaker 4: show that you can do ad sales.

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Speaker 1: Yeah, you can't sell a five minute show, Donald, you can.

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Speaker 3: Sell a fifteen So fifteen minutes it's all we need.

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Speaker 1: We have this out because I think we should just

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Speaker 1: clear the air here. Donald, if you don't mind, in

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Speaker 1: the spirit of just honesty, you feel like doing a

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Speaker 1: separate Star Wars show, You don't have the bandwidth or

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Speaker 1: space and time to do it.

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Speaker 3: Not even a little bit, especially if you're you're busy man.

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Speaker 5: You got young kids.

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Speaker 3: Yeah, you kids, I've got other jobs that.

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Speaker 2: He has a TV show on NBC.

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Speaker 3: Well, it's not on NBC right now. It's on Peacock.

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Speaker 3: That's where you can find it. So isn't it?

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Speaker 2: Isn't it? Sometimes on NBC?

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Speaker 3: It is on NBC when the season hopefully is renewed

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Speaker 3: if the.

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Speaker 1: Show, When do you find out if the show is renewed?

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Speaker 2: Donald? It's Donald, right, it is.

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Speaker 1: When do you find out if?

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Speaker 2: Yeah?

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Speaker 3: With a cue correct, Okay, when do.

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Speaker 1: You find out if the show is renewed?

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Speaker 2: Donald?

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Speaker 1: How will that go down?

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Speaker 3: I'll tell you, Zach, I don't know, to be honest

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Speaker 3: with you, I a ballpark. I believe around upfronts, which

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Speaker 3: is around Mother's Day. So within the next month.

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Speaker 2: May tenth is Mother's Day, I believe something like that.

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Speaker 2: So you're going to.

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Speaker 1: Find out mid May if you have a very lucrative job,

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Speaker 1: and then you might not.

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Speaker 3: And then I might be unemployed. Like so, a lot

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Speaker 3: of pressure are right now.

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Speaker 2: It's a lot of pressures. This is the a lot of.

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Speaker 3: Pressure on me and my status as the you know,

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Speaker 3: breadwinner of the family. That's the first pressure. It's also

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Speaker 3: a lot of pressure on NBC. NBC. I know I

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Speaker 3: know you've got a lot of shows, You've got decisions

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Speaker 3: to make, right, but we know what the right decision is,

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Speaker 3: don't we.

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Speaker 1: I thought the ratings were good with this show, right.

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Speaker 3: The ratings are great with the show. But television ratings

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Speaker 3: don't matter anymore. It's all about streaming ratings now, and

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Speaker 3: so what we do? You know the the However, many

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Speaker 3: people that watch television now the traditional way, that number

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Speaker 3: has diminished so much that they look for, you know,

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Speaker 3: what did the show do in thirty days instead of

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Speaker 3: what did the show do that night?

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Speaker 2: Got it?

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Speaker 1: So what you're what you It isn't like you can say, hey,

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Speaker 1: holy cow, look at the numbers we did, because the

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Speaker 1: powers that be are looking at what the streaming numbers are.

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Speaker 3: Right, and so you can have a showy days per show,

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Speaker 3: though also per show, thirty per show.

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Speaker 1: You could have a show that's doing very well in

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Speaker 1: today's numbers, in its in its live slot, but still

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Speaker 1: not get picked up because it isn't performing well on

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Speaker 1: the streaming.

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Speaker 3: Plot, in the streaming side of things, because that's where

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Speaker 3: everything has to live now.

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Speaker 2: So that's tough.

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Speaker 1: That's you're living in a bit of a limbo state

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Speaker 1: until you find out.

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Speaker 3: Until you find out. Yes, that's what, that's what. That's

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Speaker 3: that's But the great thing of about network television is

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Speaker 3: they still do long seried seasons, you know what I mean.

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Speaker 3: So there's still like twenty two episode seasons on network

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Speaker 3: television streaming it's ten, eight, six, sometimes three.

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Speaker 2: Oh. I love listening to you, count, you.

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Speaker 3: Know what I mean. I'm going backwards.

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Speaker 2: I don't know, no, I see, I'm following in the.

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Speaker 3: Diamonds cool cool cool cool cool cool cool cool cool. Well,

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Speaker 3: you know what I mean, Like one shows picked up Count.

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Speaker 1: Well, I hope for your sake, you seem to money aside,

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Speaker 1: you seem to really enjoy the show. So for your sake,

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Speaker 1: I hope I really.

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Speaker 3: Do enjoy working with Michae O'Malley and John Cryer and

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Speaker 3: Abigail Spencer. I like going to work, and I like

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Speaker 3: being myself in front of the crew, you know what

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Speaker 3: I mean.

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Speaker 1: I like, Well, you're also such a performer, and the

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Speaker 1: benefit for you of doing a multi camon from an

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Speaker 1: audience is that you get the feedback and the laughter

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Speaker 1: and the joy from the audience, which I think is

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Speaker 1: probably very good for your mental health.

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Speaker 3: Absolutely so, NBC do it for me and my mental health.

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Speaker 1: Thank you, Yes, make your decisions. This isn't crazy that

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Speaker 1: somewhere one one person is just going to look at

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Speaker 1: a spreadsheet and be like no, no, and then all

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Speaker 1: those people, all those job out of a job. Or

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Speaker 1: in the case of this Coyote, what's the Wily Coyote

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Speaker 1: movie that got canceled? It's like all of those people,

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Speaker 1: but so much work into that movie, so many years,

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Speaker 1: so many so much blood, sweat and tears. And someone

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Speaker 1: looked at a spreadsheet and said, you know, if we

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Speaker 1: just never released it and took a tax right off,

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Speaker 1: we could, we could, we could recoup a lot of money.

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Speaker 1: And just I imagine one or two people were like, all right,

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Speaker 1: do that. It's just so amazing. And I know in

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Speaker 1: all business, I'm sure, but in Hollywood, how how many

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Speaker 1: huge decisions that affect so many people are made in

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Speaker 1: that way.

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Speaker 3: What's crazy is that it's still art, you know what

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Speaker 3: I mean, and people are betting on art before it's

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Speaker 3: even put out, you know what I mean, Before it's

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Speaker 3: even before the art is even viewed by the public,

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Speaker 3: it's already being it's already being sold and or deemed unworthy.

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Speaker 3: Of being art. You know what I mean. This isn't

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Speaker 3: real art, you know what I mean? Like, but this

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Speaker 3: shit is all art, regardless of what you make, regardless

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Speaker 3: of what. If you've got a story to tell, everyone

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Speaker 3: has a story to tell, and if you're brave enough

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Speaker 3: to put it on some type of recording and release

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Speaker 3: it to the masses, dude, that's art, you know what

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Speaker 3: I mean? And who is anyone to stifle it? That's

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Speaker 3: how I feel.

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Speaker 1: Yeah, well, there's so much money involved, so you do

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Speaker 1: have to understand the capitalism at all. It's just in

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Speaker 1: some of these cases, it's so sad when you think

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Speaker 1: of basically, artists are in Hollywood are stocks, and it's

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Speaker 1: just how it's so fascinating when you zoom out and

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Speaker 1: think of us all being traded up and down like stock. Yeah,

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Speaker 1: your show is a stock.

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Speaker 3: It is.

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Speaker 1: The Wiley Coyote movie is a stock, and they and

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Speaker 1: they buy and trade and sell it. That's how the

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Speaker 1: town works. Yeah, well, I hope you get what you want.

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Speaker 2: Donald Faon so too.

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Speaker 3: Life is life, and it is what it is, and.

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Speaker 1: You'll always find another job. You're very funny and listen.

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Speaker 1: One thing I can say for sure is that talented

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Speaker 1: people work. Sometimes they have more work, sometimes they have

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Speaker 1: less work. But if you're talented and you're kind, you

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Speaker 1: will find work. And I think you're talented and kind.

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Speaker 3: Oh you know some people might disagree. I'm sure, but.

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Speaker 1: Hey, I don't think there's anyone that wouldn't say.

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Speaker 3: I accept and receive it from you. Yo. Can I

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Speaker 3: just say one thing?

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Speaker 2: Yes, it's your show. You can say whatever you want.

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Speaker 3: I want to switch subjects real quick.

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Speaker 2: Okay, is it about Star last week?

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Speaker 3: No, it's not about Star Wars either.

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Speaker 1: We were on a call audience, a big, big call

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Speaker 1: with like ten people from my heart, and I want

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Speaker 1: to Dave Don. Donald brought up Donald brought up Star

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Speaker 1: Wars no less than five times in a half hour

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Speaker 1: zoom call.

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Speaker 2: Yeah, go ahead, Yeah.

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Speaker 1: And we were talking about future guests, and Donald's main

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Speaker 1: request was Dave Filoni. If anyone listening, if anyone listening

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Speaker 1: knows Dave Feloni, he's no, he likes you. Listen of

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Speaker 1: all our listeners, many of whom are in Hollywood. If

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Speaker 1: you have any connection to Dave Filoni, Joelle, what's the

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Speaker 1: email address? Or you can slide into Joel Monique's DMS

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Speaker 1: on Instagram.

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Speaker 5: I will not see your dms on Instagram.

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Speaker 2: Okay, you don't read the dms.

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Speaker 4: Okay, very private, Please don't say me things, but you can't.

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Speaker 4: Email us at scrubs, iHeart at gmail dot com.

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Speaker 1: And Grubsiheart at gmail dot com. We're gonna wait, wait, Donald,

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Speaker 1: calm down. We do have professional means of reaching out

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Speaker 1: to Dave Filoni to make Donald's dreams come true. For

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Speaker 1: those of you who don't know, Dave Filoni is the

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Speaker 1: head of Lucasfilms who decides all this Star Wars stuff

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Speaker 1: that is so important to Donald.

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Speaker 3: But I'm just a creative over there all.

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Speaker 1: I'm just I don't mean to minimize his contributions to

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Speaker 1: the Star Wars universe.

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Speaker 3: Donal, you don't have to roll your eyes either when

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Speaker 3: you say it.

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Speaker 1: I'm just saying that we are going to try the

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Speaker 1: professional means of reaching Dave Filoni. But in case anyone

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Speaker 1: listening is like Dave Feloni's best friend, please help us

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Speaker 1: out for don Anyway, what were you going to say

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Speaker 1: before I took a sea I.

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Speaker 3: Have discovered so last week I was talking about how

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Speaker 3: there's nothing to watch, Yes, so I revisited what done part.

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Speaker 2: One, Oh Dune part one.

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Speaker 3: And well I always loved it. Yeah, great, and now

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Speaker 3: the sequel is just dropped, and did you want just ish?

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Speaker 2: But yes, did you watch it?

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Speaker 3: I've watched it twice already.

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Speaker 2: You watched the sequel twice already. Okay, good, we finally

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Speaker 2: found some content that you like.

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Speaker 3: That's Charlemaye is one fucking Charles Salamy young man.

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Speaker 1: Yeah, Charlemagne, Charlemaye Charona, however you say his name, Charlem May.

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Speaker 1: I was like, I honestly thought that might be a

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Speaker 1: character in the movie. And I was like, oh no,

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Speaker 1: that Tim shallow May you like you some shallow man.

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Speaker 3: He's one charming young man. He's how many times have

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Speaker 3: you watched it? Daniel?

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Speaker 2: Just the one time?

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Speaker 3: But it was have you seen okay, I've seen you.

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Speaker 3: Guys know how I refuse to go to the movies now.

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Speaker 2: Sorry, we know, we know all the reasons.

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Speaker 3: Yes, I wish I would have saw this one in

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Speaker 3: the theaters.

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Speaker 5: Yeah, yeah, you do that right alone.

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Speaker 3: My god, holy shit, he said this was a movie

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Speaker 3: for the theaters.

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Speaker 5: Take it down.

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Speaker 1: Well, I'm glad. Most importantly, I'm glad you found some

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Speaker 1: content that you that you like. Donald That's that's what

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Speaker 1: I like to see.

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Speaker 2: I like to see you.

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Speaker 1: You love art, you love sci fi.

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Speaker 3: This is really good sci fi too. This ain't no

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Speaker 3: bullshit sci fi. This is like the mother of all

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Speaker 3: sci This is I mean, other than two thousand and

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Speaker 3: one A Space Odyssey. Uh, this is the mother. This

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Speaker 3: is the This is the one that Lucas, This is

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Speaker 3: the one that everybody has bitten off of. This is

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Speaker 3: the one that everybody is biting off of. Holy cow, dude,

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Speaker 3: holy cow wow.

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Speaker 1: I want you to just if I could back up

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Speaker 1: for a second, I want you to think that there

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Speaker 1: is a lot of other content out there that you

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Speaker 1: might consume that would make you as excited as this.

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Speaker 1: I want you to be open to the possibility of

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Speaker 1: watching more good things.

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Speaker 3: But I can watch this and see where everybody, you

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Speaker 3: know what I mean, even in the old one as well.

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Speaker 3: I can watch this and see where everybody's getting their

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Speaker 3: ideas from. You know what I mean, and why certain

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Speaker 3: things are so important and you know what I mean,

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Speaker 3: Like this is it's the store every every hero's journey.

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Speaker 3: It seems like this is it. You can see all

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Speaker 3: the tropes, all the tropes are there, but this has

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Speaker 3: done very well. So shout out to Charlemaye for shut up,

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Speaker 3: shut up. Shout out Challow May for carrying this movie

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Speaker 3: and doing a very good job.

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Speaker 2: Same thing with Zindeya and our beloved Florence Pugh Donald.

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Speaker 3: Yeah. Man, she's not really in this one that much,

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Speaker 3: don't you know what I mean? Yeah, but she's not

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Speaker 3: in it that much, man, you know what I mean?

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Speaker 3: I know the next one, she's definitely.

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Speaker 2: The next one.

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Speaker 1: I think the next one is where she gets a

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Speaker 1: lot more to do. Yeah, And I think it's pretty

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Speaker 1: clear there's going to be a next one.

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Speaker 3: I just announced the next one. I think. I don't

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Speaker 3: know that they did, did they?

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Speaker 1: Well, the movie made nine trillion dollars. I'm not going

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Speaker 1: to make a next one.

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Speaker 2: I know that is at least the plan. It's a

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Speaker 2: three parter.

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Speaker 3: I haven't felt this way about a movie or a

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Speaker 3: trilogy in a very long time. I hope they stick

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Speaker 3: the landing. Please stick the landing, you know what I mean.

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Speaker 3: I think the last time I felt this way was

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Speaker 3: Avengers in Game.

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Speaker 1: Well, he's pretty he's he has said he wants to

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Speaker 1: make a third one. He just needs a break from

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Speaker 1: the world of done for a bit you den Villanov

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Speaker 1: French Canadian right talented people as a whole? Should we

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Speaker 1: get into the Scrubs? Donald, Why don't you count us

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Speaker 1: in like you do so beautifully.

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Speaker 3: I'm gonna wait for the plane to.

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Speaker 1: Go by, really, because some of our listeners don't want

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Speaker 1: to wait for the plane to go by.

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Speaker 2: Wait for it, Wait for it, wait for it.

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Speaker 3: Hold five, six, seven?

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Speaker 2: Stories?

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Speaker 3: You're not sure we made about a bunch of dogs

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Speaker 3: and nurses, said.

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Speaker 6: He's the stories net.

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Speaker 3: So gather here, yead here.

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Speaker 1: This is the first episode of Scrubs that I'm not

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Speaker 1: in in any way. Now I've been not been in

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Speaker 1: an episode or two before, but I think even my

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Speaker 1: name was on as a credit. I think this was

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Speaker 1: the first time I was only on as executive producer.

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Speaker 1: I thought I did six episodes, but I guess I

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Speaker 1: only did five.

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Speaker 3: There's one more episode. You come back and you and

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Speaker 3: Elliott are about to have a baby moon or some

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Speaker 3: shit like that.

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Speaker 1: Oh, that's it.

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Speaker 2: They must have delayed it.

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Speaker 1: They must have shot it and delayed it because I

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Speaker 1: thought that I knew I had done six and this

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Speaker 1: is number five. Sorry, this is number six.

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Speaker 3: With the three there's only one episode this whole season

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Speaker 3: with the three of us.

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Speaker 1: Well, audience, you know more than anything from listening to

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Speaker 1: this podcast, that we like to go into each episode fresh.

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Speaker 1: We don't like listening and watching from a place of

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Speaker 1: having a specific point of view going into it. We

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Speaker 1: like to clear our slate. We like to wipe our

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Speaker 1: whiteboards fresh and clean as we take in a new episode,

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Speaker 1: a new oh boy, and I would like to say,

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Speaker 1: are you ready with that caveat? I would like to say,

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Speaker 1: this is probably the worst episode of Scrub. It is

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Speaker 1: a fucking mess. Was abysmal. Yes, Joelle, you're laughing your thoughts, uh.

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Speaker 4: I think when I was watching, I was like, I

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Speaker 4: feel like I like this a little bit more than

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Speaker 4: last week's episode, which it was really difficult for me.

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Speaker 4: I was like, this is a slog, but this one

339
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Speaker 4: was to your point all over the place.

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Speaker 3: It was just what the fuck? What? No idea?

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Speaker 4: The whole cold storyline was just bananas?

342
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Speaker 3: What about? How about the a storyline?

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Speaker 5: Where did you hear Dad on the phone?

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Speaker 3: Where? What the hell? What?

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Speaker 2: What about?

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Speaker 1: Can I just talk about? Like maybe the nator is

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00:16:43,840 --> 00:16:44,760
Speaker 1: how you say that word?

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Speaker 2: Right?

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Speaker 1: The lowest point Nat, dear dear, nator.

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Speaker 2: Look that up, Dannel, because I've heard it both ways.

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Speaker 3: Okay, I've heard it, Dear, I've heard it, Nader, I've

352
00:16:55,280 --> 00:16:58,360
Speaker 3: heard it Nadr. I've heard it.

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Speaker 1: I've heard both, dear, Nat, and I want to say

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Speaker 1: it right for the audience. I want them to think

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Speaker 1: that I know an s a T word here.

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Speaker 3: I've heard it nor, not her, noder, not her, not her,

357
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Speaker 3: not her, not her.

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Speaker 2: It's nader. Now it seems like it's nator in American

359
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Speaker 2: English and nadir in British English.

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Speaker 3: In my British accents.

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Speaker 1: I'm interestingscribed to. Well, I'm an American Daniel, so I

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Speaker 1: feel like I should say nator.

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Speaker 3: I will say it to my British accents.

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Speaker 2: I think for you, Yeah, that's that's.

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Speaker 1: I think that our English fans will say that you

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Speaker 1: nailed that, thank you. I think that the Nator of

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Speaker 1: nine episodes of Scrubs, maybe Turk saying, I can't believe

368
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Speaker 1: you get to see j D naked?

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Speaker 3: I like that, Actually, well, why do you want to

370
00:17:58,600 --> 00:18:03,360
Speaker 3: see me naked? That's never like he wants to fuck. No.

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Speaker 2: I don't know, dude.

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Speaker 1: The joke is that the joke of our whole relationship

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Speaker 1: is that we're heterosexual men who are who are silly

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Speaker 1: and flirty in a way, but we love each other.

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00:18:12,920 --> 00:18:14,679
Speaker 1: We're not We don't want to fuck each other. You

376
00:18:14,680 --> 00:18:17,440
Speaker 1: don't not longing to see my cock? What the fuck

377
00:18:17,520 --> 00:18:19,840
Speaker 1: is that?

378
00:18:20,160 --> 00:18:21,280
Speaker 3: Why are you so offended?

379
00:18:21,359 --> 00:18:22,840
Speaker 2: I just thought it was so stupid.

380
00:18:23,080 --> 00:18:24,080
Speaker 3: You're so offended.

381
00:18:24,520 --> 00:18:27,040
Speaker 2: You're literally earnestly man that.

382
00:18:27,040 --> 00:18:29,040
Speaker 3: You long to see my cock? How come I co?

383
00:18:29,200 --> 00:18:31,480
Speaker 3: How come turnkit long to see j d'scock?

384
00:18:31,560 --> 00:18:34,960
Speaker 1: The character is not making a joke. He's earnestly sad

385
00:18:35,240 --> 00:18:37,000
Speaker 1: and jealous that he's mad.

386
00:18:37,320 --> 00:18:41,080
Speaker 3: No, he's mad that she has the privilege of seeing

387
00:18:41,880 --> 00:18:45,439
Speaker 3: you naked when she doesn't even know how to do

388
00:18:45,480 --> 00:18:47,880
Speaker 3: any of it. She doesn't know about eagling. She doesn't

389
00:18:47,920 --> 00:18:48,840
Speaker 3: know what eagling is.

390
00:18:48,880 --> 00:18:51,600
Speaker 1: You didn't think it was odd that Turk is longing

391
00:18:51,720 --> 00:18:52,960
Speaker 1: to see JD naked?

392
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Speaker 3: He I don't think. I don't think that's I don't

393
00:18:55,320 --> 00:18:58,159
Speaker 3: think that's what he's really saying. I think he's saying, Yo,

394
00:18:58,840 --> 00:19:03,640
Speaker 3: you're like him at all. There's nothing him about you.

395
00:19:04,000 --> 00:19:06,359
Speaker 3: And you guys get and you get to bang, You

396
00:19:06,400 --> 00:19:09,840
Speaker 3: guys get to have sex. This doesn't make sense. How

397
00:19:09,840 --> 00:19:10,960
Speaker 3: does this make sense.

398
00:19:11,840 --> 00:19:15,119
Speaker 1: I think it. I think it's really off and weird

399
00:19:15,280 --> 00:19:18,639
Speaker 1: because the whole show was weird, the whole joke. But

400
00:19:18,880 --> 00:19:20,960
Speaker 1: let me come on, I'm all worked up. The whole

401
00:19:21,200 --> 00:19:24,520
Speaker 1: joke of our relationship, which audience has loved and we

402
00:19:24,600 --> 00:19:27,359
Speaker 1: loved playing because it is really us, is that we

403
00:19:27,400 --> 00:19:30,120
Speaker 1: are these kind of guys. You and I do stupid ship.

404
00:19:30,200 --> 00:19:33,000
Speaker 1: You and I do do growing to groin, hug and laugh.

405
00:19:33,480 --> 00:19:35,439
Speaker 1: We don't want to fuck each other. I don't want

406
00:19:35,480 --> 00:19:40,320
Speaker 1: to sound talk. Why longing to see JD's cock?

407
00:19:41,040 --> 00:19:43,760
Speaker 3: Not once, You've never wanted to be like, I wonder

408
00:19:43,800 --> 00:19:44,520
Speaker 3: what it looks like.

409
00:19:44,840 --> 00:19:45,760
Speaker 2: I've seen it.

410
00:19:45,760 --> 00:19:48,840
Speaker 1: It's fine, it's fine, it's cirzy and fine.

411
00:19:49,240 --> 00:19:50,720
Speaker 3: What do we what are we doing?

412
00:19:50,920 --> 00:19:53,359
Speaker 1: It looks like it might it looks it looks like

413
00:19:53,400 --> 00:19:54,160
Speaker 1: it might hurt.

414
00:19:59,359 --> 00:19:59,639
Speaker 2: Wow.

415
00:20:01,320 --> 00:20:04,480
Speaker 3: This yo, this this show makes no sense. What's so?

416
00:20:04,640 --> 00:20:06,280
Speaker 2: I mean, it makes sense, I guess, but it's just

417
00:20:06,520 --> 00:20:09,200
Speaker 2: it's horrible. Does again? I went up before we going there?

418
00:20:09,320 --> 00:20:12,080
Speaker 3: Dad? In the morning, Dad, I just had.

419
00:20:11,920 --> 00:20:15,080
Speaker 1: Sex and then hold them later while she's fucking cold

420
00:20:15,280 --> 00:20:15,720
Speaker 1: doing it.

421
00:20:16,320 --> 00:20:18,000
Speaker 3: Oh, he's got me Doggystown Dad.

422
00:20:18,480 --> 00:20:20,960
Speaker 2: Yeah, this is on ABC.

423
00:20:21,160 --> 00:20:23,520
Speaker 3: By the way, on ABC.

424
00:20:23,440 --> 00:20:24,240
Speaker 2: This was trash.

425
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Speaker 1: And again, before we go into details, I want to

426
00:20:27,400 --> 00:20:30,639
Speaker 1: no disrespect to the creative people behind it. I know

427
00:20:30,680 --> 00:20:32,600
Speaker 1: they were doing their best. The actors are all lovely,

428
00:20:32,640 --> 00:20:34,119
Speaker 1: the writers are all funny people.

429
00:20:34,200 --> 00:20:35,719
Speaker 3: I was not lovely. I was trash.

430
00:20:35,920 --> 00:20:38,600
Speaker 1: This just doesn't work. And Donald was very broad. But

431
00:20:38,640 --> 00:20:41,040
Speaker 1: that's not your mind into that horrible Yeah.

432
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Speaker 2: You are so bad been away along.

433
00:20:42,960 --> 00:20:45,000
Speaker 3: I am very you have been away a long time.

434
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Speaker 3: This motherfucker man straight.

435
00:20:46,760 --> 00:20:48,360
Speaker 1: By the way, Dan, I need that as a sound

436
00:20:48,400 --> 00:20:51,879
Speaker 1: bite on my sound machine. Donald's oh yeah, Donald's line

437
00:20:51,920 --> 00:20:53,720
Speaker 1: reading from his Campbell's soup commercial.

438
00:20:54,000 --> 00:20:57,879
Speaker 2: No, it's not Campbell's folders. Folders a best part of

439
00:20:58,040 --> 00:21:01,040
Speaker 2: waking off. Damn, oh, jessy ya.

440
00:21:01,960 --> 00:21:04,320
Speaker 1: Two things I need for the soundboard are I need

441
00:21:04,320 --> 00:21:09,640
Speaker 1: the song Ocula you totally dissed me on Yeah, I mean,

442
00:21:09,680 --> 00:21:12,800
Speaker 1: I feel like iHeart pays you decently well and you

443
00:21:12,840 --> 00:21:17,040
Speaker 1: should deliver the goods. You're right, I'm I'm just kidding,

444
00:21:17,440 --> 00:21:21,600
Speaker 1: It's okay. And also I need Donald saying you have

445
00:21:21,720 --> 00:21:27,280
Speaker 1: been away a long time, in away a long time.

446
00:21:28,480 --> 00:21:28,920
Speaker 2: All right.

447
00:21:29,000 --> 00:21:32,320
Speaker 1: So Lucy gets up at five thirty in the morning

448
00:21:32,640 --> 00:21:36,280
Speaker 1: and she's overwhelmed her schedule, so she tells her.

449
00:21:36,200 --> 00:21:38,040
Speaker 3: Dad that she had sex.

450
00:21:38,440 --> 00:21:40,520
Speaker 1: She's she's trying to get all in. She has to

451
00:21:40,640 --> 00:21:42,840
Speaker 1: call her dad at five thirty, and then she tells

452
00:21:42,880 --> 00:21:45,760
Speaker 1: her dad that she's having her lady needs taken care

453
00:21:45,800 --> 00:21:48,400
Speaker 1: of and that she's in the middle of a real

454
00:21:48,480 --> 00:21:51,680
Speaker 1: sexual awakening. And then Cole wakes up and says, once

455
00:21:51,720 --> 00:21:53,639
Speaker 1: you wake up the troops. She got a storm the

456
00:21:53,680 --> 00:21:55,680
Speaker 1: beach regarding his morning wood.

457
00:21:56,080 --> 00:21:57,480
Speaker 4: And then she's like, I do have time for that?

458
00:21:57,520 --> 00:22:00,000
Speaker 4: I said, girl, what are you doing? Go to class?

459
00:22:00,520 --> 00:22:00,720
Speaker 2: Well?

460
00:22:00,760 --> 00:22:02,760
Speaker 1: She really, I mean, one thing is for certain. Even

461
00:22:02,760 --> 00:22:08,600
Speaker 1: though Dave Franco's character is the worst, she really does

462
00:22:08,680 --> 00:22:10,680
Speaker 1: love having sex with him.

463
00:22:11,520 --> 00:22:14,400
Speaker 3: Well, not only that, his jokes are starting to become

464
00:22:14,520 --> 00:22:17,640
Speaker 3: charming now too, like by the end of the episode.

465
00:22:18,040 --> 00:22:23,400
Speaker 3: By the end of the episode, I like his character

466
00:22:24,359 --> 00:22:27,320
Speaker 3: the most out of everybody. He's the funny One's the one.

467
00:22:27,359 --> 00:22:28,919
Speaker 2: What are you talking about? I thought he was.

468
00:22:29,200 --> 00:22:31,479
Speaker 1: I think he's the biggest douche in the world.

469
00:22:31,640 --> 00:22:33,919
Speaker 3: He makes me laugh so hard at some of the

470
00:22:34,040 --> 00:22:36,000
Speaker 3: things that he's saying about being stoned.

471
00:22:36,320 --> 00:22:38,080
Speaker 2: Yeah, you were just because there was a weed joke.

472
00:22:38,119 --> 00:22:38,880
Speaker 2: There was a weed joke.

473
00:22:39,400 --> 00:22:44,879
Speaker 3: There's also there's also you know how okay balloons?

474
00:22:45,119 --> 00:22:46,520
Speaker 2: What made those balloons go up?

475
00:22:46,720 --> 00:22:49,200
Speaker 3: I think it was something like this thing.

476
00:22:49,119 --> 00:22:50,560
Speaker 2: Is so stupid. I gotta say. I was just on

477
00:22:50,640 --> 00:22:51,160
Speaker 2: a zoom call.

478
00:22:51,200 --> 00:22:55,480
Speaker 1: The woman who was sign she was pitching me a show,

479
00:22:55,640 --> 00:22:58,280
Speaker 1: and she was being really just gesticulate. It was out

480
00:22:58,280 --> 00:23:01,399
Speaker 1: of a comedy sketch. She kept gesticulating, and then like

481
00:23:01,520 --> 00:23:03,280
Speaker 1: in the middle of an important point, like there'd be

482
00:23:03,320 --> 00:23:09,119
Speaker 1: fireworks because and then and then no, she didn't want them, Joelle.

483
00:23:09,119 --> 00:23:12,440
Speaker 1: This was no one. No one knows how to turn

484
00:23:12,480 --> 00:23:14,639
Speaker 1: this fucking thing off. So she was like making a

485
00:23:14,680 --> 00:23:16,600
Speaker 1: pitch to me, and every time she was like making

486
00:23:16,600 --> 00:23:18,600
Speaker 1: a point, there'd be fireworks, and I just had.

487
00:23:18,480 --> 00:23:23,639
Speaker 2: To start laughing in her face. That's very funny, Daniel.

488
00:23:23,680 --> 00:23:25,360
Speaker 1: We need to do a public service and tell people

489
00:23:25,400 --> 00:23:27,320
Speaker 1: how to turn that off if they want.

490
00:23:27,440 --> 00:23:30,480
Speaker 2: Well, it's you know, we can do it. And in fact,

491
00:23:30,560 --> 00:23:31,720
Speaker 2: I'll insert it right here.

492
00:23:31,920 --> 00:23:33,760
Speaker 1: And Daniel's going to tell you if you if you

493
00:23:33,800 --> 00:23:35,880
Speaker 1: don't want to see that new what is it called?

494
00:23:35,880 --> 00:23:38,800
Speaker 2: It's what is it? They're called reactions. They're part of

495
00:23:38,960 --> 00:23:40,600
Speaker 2: the new mac os Sonoma.

496
00:23:40,720 --> 00:23:42,320
Speaker 1: Yeah, if you don't want that on, Daniel's going to

497
00:23:42,359 --> 00:23:43,680
Speaker 1: tell you how to turn off right now.

498
00:23:44,600 --> 00:23:48,320
Speaker 2: Hey listeners, it's DJ Danel tired of those pesky hand

499
00:23:48,359 --> 00:23:51,600
Speaker 2: gestures ruining your meeting, trying to make a serious point

500
00:23:51,720 --> 00:23:54,880
Speaker 2: only to have it interrupted by fireworks. Sounds like you

501
00:23:54,960 --> 00:23:58,199
Speaker 2: have the latest Apple operating system Sonoma, and need to

502
00:23:58,280 --> 00:24:02,960
Speaker 2: turn off video Reaction, and I'm going to tell you how. First,

503
00:24:03,480 --> 00:24:07,520
Speaker 2: enter your chosen video conferencing app as normal. Once your

504
00:24:07,520 --> 00:24:10,480
Speaker 2: camera has turned on, you'll notice a green video icon

505
00:24:10,560 --> 00:24:12,679
Speaker 2: in the top right of your menu bar, next to

506
00:24:12,720 --> 00:24:15,719
Speaker 2: the day and time. Open the green video menu and

507
00:24:15,760 --> 00:24:18,960
Speaker 2: click the icon next to the word reactions to deactivate it.

508
00:24:19,200 --> 00:24:21,960
Speaker 2: If it's turned off, the icon will look gray instead

509
00:24:22,000 --> 00:24:25,879
Speaker 2: of blue. And that's it. No more thumbs ups or

510
00:24:25,960 --> 00:24:29,080
Speaker 2: hearthands embarrassing you when you're trying to ask your boss

511
00:24:29,080 --> 00:24:34,400
Speaker 2: for a raise. Now back to the show, Thank you, Dan?

512
00:24:34,640 --> 00:24:35,960
Speaker 2: All right? So what.

513
00:24:37,600 --> 00:24:39,840
Speaker 1: Public dun.

514
00:24:40,760 --> 00:24:42,840
Speaker 3: So at the end of the episode, I honestly think

515
00:24:42,960 --> 00:24:47,280
Speaker 3: cole is I started laughing at his jokes midway through.

516
00:24:47,320 --> 00:24:51,080
Speaker 3: I'm like, Okay, that's funny, that's funny. That's the actually

517
00:24:51,080 --> 00:24:53,360
Speaker 3: the better joke of the show. That's the better joke.

518
00:24:53,640 --> 00:24:57,119
Speaker 1: Well, Dave Franco is such a funny performer that I

519
00:24:58,000 --> 00:25:00,800
Speaker 1: like him so much, but I also such a good

520
00:25:00,800 --> 00:25:03,240
Speaker 1: actor that I was like, I fucking hate this character.

521
00:25:03,560 --> 00:25:04,360
Speaker 2: He's the worst.

522
00:25:05,240 --> 00:25:08,520
Speaker 3: But and he and once you get that that's who

523
00:25:08,560 --> 00:25:12,159
Speaker 3: the character is, it became funny to me and I

524
00:25:12,200 --> 00:25:14,439
Speaker 3: started laughing at some of the ship. He said like,

525
00:25:14,960 --> 00:25:17,000
Speaker 3: once the whatever.

526
00:25:16,920 --> 00:25:17,879
Speaker 5: Once you wake the troops.

527
00:25:18,080 --> 00:25:21,280
Speaker 1: Once, once you wake up the troops, you gotta storm.

528
00:25:20,960 --> 00:25:23,000
Speaker 3: The beach, meaning he needs time to fuck.

529
00:25:23,280 --> 00:25:26,000
Speaker 1: He has quite a labido. Maybe you maybe you identify

530
00:25:26,080 --> 00:25:27,880
Speaker 1: with him because he.

531
00:25:27,400 --> 00:25:30,520
Speaker 3: Has quite well, that is his character, but I like

532
00:25:30,600 --> 00:25:33,119
Speaker 3: the fact that you know there's something in there. Also,

533
00:25:33,880 --> 00:25:36,800
Speaker 3: he wants to go hang out with a patient who's

534
00:25:36,840 --> 00:25:39,480
Speaker 3: got some fucked up shit going on, and he's gonna shoot.

535
00:25:39,200 --> 00:25:42,120
Speaker 2: The ship because the guy has weed. Because the guy

536
00:25:42,160 --> 00:25:42,560
Speaker 2: has weed.

537
00:25:43,119 --> 00:25:45,359
Speaker 3: Yeah, but nobody's gonna hang out. Nobody's hanging out with

538
00:25:45,400 --> 00:25:47,480
Speaker 3: the guy. The guys in the hospital for some terminal ship.

539
00:25:47,600 --> 00:25:49,040
Speaker 2: Yeah, but he's just done there.

540
00:25:49,160 --> 00:25:51,920
Speaker 1: No, he's got glaucoma and he's only going there because

541
00:25:51,920 --> 00:25:56,400
Speaker 1: he has government weeds. We'll get there. You're jumping ahead. Uh,

542
00:25:56,520 --> 00:25:59,920
Speaker 1: Turk is really Turk's storyline is that he's mourning Jay

543
00:26:00,400 --> 00:26:03,280
Speaker 1: and then there's a New Orleans style funeral.

544
00:26:03,960 --> 00:26:09,680
Speaker 2: Yes, and Carrie Bosche says he done gone design. Yeah,

545
00:26:09,800 --> 00:26:11,560
Speaker 2: that was really fucking uncomfortable.

546
00:26:12,320 --> 00:26:17,120
Speaker 3: Yeah, I mean this whole show is really uncomfortable.

547
00:26:17,160 --> 00:26:19,480
Speaker 1: Now no, wait, now I have a question. What do

548
00:26:19,520 --> 00:26:21,240
Speaker 1: you call that type of funeral other than a New

549
00:26:21,320 --> 00:26:22,480
Speaker 1: Orleans style funeral?

550
00:26:22,560 --> 00:26:23,360
Speaker 2: Is that what you call it?

551
00:26:24,520 --> 00:26:26,720
Speaker 4: I want to say homegoming, but I think that's just

552
00:26:27,880 --> 00:26:31,159
Speaker 4: it's a very black aspective, because a homegoming, I don't know.

553
00:26:31,240 --> 00:26:33,560
Speaker 1: I've only seen that in reference to it, like a

554
00:26:33,600 --> 00:26:36,520
Speaker 1: New Orleans style funeral. That's what I That's how I

555
00:26:36,560 --> 00:26:39,359
Speaker 1: picture it. It was a cool looking fantasy. By the way,

556
00:26:39,400 --> 00:26:42,679
Speaker 1: they only used it for a split second. There's no fansy.

557
00:26:42,680 --> 00:26:44,280
Speaker 1: I think that's the only fantasy in the whole show.

558
00:26:45,000 --> 00:26:49,560
Speaker 4: New Orleans Tourism Board calls it a jazz funeral. Begets

559
00:26:49,600 --> 00:26:51,680
Speaker 4: at a church or funeral home and leads the way

560
00:26:51,680 --> 00:26:54,200
Speaker 4: to the cemetery more as you're joined by a brass

561
00:26:54,240 --> 00:26:56,520
Speaker 4: band that plays music that starts off heavy and sad

562
00:26:56,560 --> 00:26:58,119
Speaker 4: but soon turns celebratory.

563
00:26:58,200 --> 00:26:59,359
Speaker 2: I think that's so cool.

564
00:26:59,400 --> 00:27:02,520
Speaker 3: By the way, it's freaking awesome that I would love

565
00:27:02,560 --> 00:27:03,040
Speaker 3: a parade.

566
00:27:03,480 --> 00:27:05,040
Speaker 2: I love a parade.

567
00:27:06,400 --> 00:27:07,480
Speaker 3: I love a parade.

568
00:27:08,200 --> 00:27:12,320
Speaker 1: I think that a jazz funeral is fucking cool. I've

569
00:27:12,320 --> 00:27:13,080
Speaker 1: never been to one.

570
00:27:14,040 --> 00:27:17,040
Speaker 3: That would be an awesome way to go A celebration,

571
00:27:17,600 --> 00:27:19,240
Speaker 3: A celebration, a parade.

572
00:27:19,800 --> 00:27:22,679
Speaker 1: Well, I told you the John Redders story. I've always

573
00:27:22,760 --> 00:27:25,560
Speaker 1: thought of that. In fact of I think I told

574
00:27:25,600 --> 00:27:28,680
Speaker 1: you guys right when you hear the USC marching band, Yeah,

575
00:27:28,760 --> 00:27:31,320
Speaker 1: the USC marching At the end of the memorial, the

576
00:27:31,440 --> 00:27:34,159
Speaker 1: USC Marching Band came in because John Redder loved the

577
00:27:34,280 --> 00:27:37,679
Speaker 1: USC and they played a whole band at full volume

578
00:27:37,720 --> 00:27:41,679
Speaker 1: in this auditorium, and then it was so powerful And

579
00:27:41,680 --> 00:27:45,800
Speaker 1: I actually put that in wish I was here, shot it,

580
00:27:46,000 --> 00:27:47,760
Speaker 1: and then ended up not using it.

581
00:27:47,840 --> 00:27:50,280
Speaker 2: But I don't know why. I wish I had because

582
00:27:50,280 --> 00:27:51,000
Speaker 2: it was really cool.

583
00:27:51,640 --> 00:27:56,119
Speaker 3: There's something really special about my culture. I remember seeing

584
00:27:56,160 --> 00:27:59,320
Speaker 3: a movie when I was a kid. My mom loved it,

585
00:27:59,359 --> 00:28:01,400
Speaker 3: and it was about this woman who was like the

586
00:28:02,480 --> 00:28:07,600
Speaker 3: she was the nanny to this family, but her daughter

587
00:28:08,240 --> 00:28:16,800
Speaker 3: was actually passing as a white girl, but she was black. Yeah,

588
00:28:17,160 --> 00:28:22,399
Speaker 3: but every check the woman got, she would put a

589
00:28:22,440 --> 00:28:25,560
Speaker 3: little bit away for her funeral. So at the end

590
00:28:25,600 --> 00:28:28,800
Speaker 3: of the movie, when her funeral happens, it's this huge

591
00:28:28,920 --> 00:28:33,240
Speaker 3: parade for this woman who I forget the name of

592
00:28:33,280 --> 00:28:36,840
Speaker 3: the movie. And this is such a classic movie. The

593
00:28:37,160 --> 00:28:39,520
Speaker 3: star of the movie won an Academy Award for it.

594
00:28:39,680 --> 00:28:41,520
Speaker 3: I think she's the first black woman to ever win

595
00:28:41,600 --> 00:28:43,760
Speaker 3: an Academy Award. I'm not, am I wrong?

596
00:28:44,120 --> 00:28:46,600
Speaker 5: You're the first black woman to win an Academy Award.

597
00:28:46,800 --> 00:28:48,240
Speaker 1: Was in.

598
00:28:50,520 --> 00:28:50,600
Speaker 4: You?

599
00:28:51,240 --> 00:28:54,040
Speaker 3: But wasn't she the person that played She might not

600
00:28:54,080 --> 00:28:55,479
Speaker 3: be the person who played this character.

601
00:28:55,520 --> 00:28:58,600
Speaker 4: Then are you saying she's the same woman but not

602
00:28:58,640 --> 00:28:59,200
Speaker 4: for the ale.

603
00:29:00,040 --> 00:29:02,040
Speaker 3: I don't know. I could be wrong. All I know

604
00:29:02,160 --> 00:29:03,760
Speaker 3: is she puts the money away at the end of

605
00:29:03,800 --> 00:29:06,400
Speaker 3: the It's an old movie. It's older than I am,

606
00:29:06,600 --> 00:29:09,600
Speaker 3: and it's probably came out when my mother was very young,

607
00:29:10,760 --> 00:29:13,120
Speaker 3: and she used to love watching that movie. That one

608
00:29:13,160 --> 00:29:15,120
Speaker 3: and Mommy deris. I don't know why Mommy deris, but

609
00:29:15,160 --> 00:29:21,080
Speaker 3: that one and Mommy deris, No why that movie? Imitation

610
00:29:21,200 --> 00:29:24,400
Speaker 3: of Life, Imitation of Life, Imitation.

611
00:29:24,040 --> 00:29:26,320
Speaker 4: Of life, Starrying hating McDonald, Yeah, it's I watched it

612
00:29:26,320 --> 00:29:28,400
Speaker 4: in film school when I was through. I was like,

613
00:29:28,400 --> 00:29:30,000
Speaker 4: I didn't know we were making movies like this.

614
00:29:30,960 --> 00:29:35,200
Speaker 3: Back then, right back then. A girl who is literally passing.

615
00:29:35,000 --> 00:29:37,480
Speaker 5: Nineteen thirty four is the original real estate.

616
00:29:37,800 --> 00:29:42,800
Speaker 3: Passing in white America as a white woman. And she's

617
00:29:42,840 --> 00:29:45,880
Speaker 3: really black, and her mother is like a nanny and

618
00:29:46,880 --> 00:29:49,800
Speaker 3: all types of shit, and it's just a powerful I

619
00:29:49,840 --> 00:29:53,240
Speaker 3: just remember at the end, she puts on this huge

620
00:29:53,280 --> 00:29:56,600
Speaker 3: parade for her funeral. All the money that she put

621
00:29:56,640 --> 00:29:58,160
Speaker 3: away for the funeral, and at the end that's this

622
00:29:58,320 --> 00:30:01,720
Speaker 3: huge parade. Thought, that's a way to go. Man, Like,

623
00:30:01,760 --> 00:30:05,160
Speaker 3: if you're going to go out, let everybody celebrate this

624
00:30:05,240 --> 00:30:06,280
Speaker 3: ship I want.

625
00:30:06,440 --> 00:30:07,240
Speaker 2: I want brass.

626
00:30:07,840 --> 00:30:10,720
Speaker 3: Let everybody celebrate, don't just be. And I mean I

627
00:30:10,960 --> 00:30:15,920
Speaker 3: I dread funerals. I hate crying saying goodbye. I want

628
00:30:15,920 --> 00:30:17,560
Speaker 3: it to be if I want to. If I'm going

629
00:30:17,600 --> 00:30:20,040
Speaker 3: to cry, yeah sure, But I want to celebrate your life.

630
00:30:20,040 --> 00:30:23,520
Speaker 3: I don't want to freaking, you know, mourn that you're going,

631
00:30:24,080 --> 00:30:26,560
Speaker 3: regardless of how you were taking or whatever. You know.

632
00:30:26,840 --> 00:30:29,080
Speaker 3: I want to celebrate whoever. And I hope people want

633
00:30:29,120 --> 00:30:30,080
Speaker 3: to celebrate me when.

634
00:30:29,920 --> 00:30:34,520
Speaker 2: I'm going, you honor me. I'll play a trumpet myself, baby,

635
00:30:34,560 --> 00:30:35,280
Speaker 2: at your funeral.

636
00:30:35,440 --> 00:30:37,440
Speaker 3: I want you to play it out of your buttthole, though,

637
00:30:37,680 --> 00:30:39,880
Speaker 3: I want you to take the trumpet, stick it in

638
00:30:39,920 --> 00:30:40,600
Speaker 3: your button.

639
00:30:40,400 --> 00:30:42,760
Speaker 2: Go, I'm not doing that.

640
00:30:42,840 --> 00:30:44,000
Speaker 3: What would you like me to say?

641
00:30:44,280 --> 00:30:46,200
Speaker 1: Would you like me to perform at your funeral? If

642
00:30:46,240 --> 00:30:47,000
Speaker 1: you die before me?

643
00:30:48,160 --> 00:30:51,840
Speaker 3: I die before you. I want you to do like

644
00:30:54,000 --> 00:30:58,120
Speaker 3: something that something that you know when you were just

645
00:30:58,240 --> 00:31:01,280
Speaker 3: up and coming, something that I want everybody to perform

646
00:31:01,320 --> 00:31:02,600
Speaker 3: at my funeral. I'm not gonna lie.

647
00:31:03,000 --> 00:31:04,000
Speaker 2: What do you want me to do? I want to

648
00:31:04,000 --> 00:31:05,360
Speaker 2: start rehearsing in case you.

649
00:31:05,320 --> 00:31:06,960
Speaker 3: Know, you got to fuck up. Do some type of

650
00:31:07,040 --> 00:31:08,200
Speaker 3: monologue or something like that.

651
00:31:08,280 --> 00:31:10,680
Speaker 1: Okay, something Maybe maybe I'll sing a Corner of the

652
00:31:10,680 --> 00:31:11,600
Speaker 1: Sky from Pippin.

653
00:31:13,320 --> 00:31:14,640
Speaker 3: I prefer you didn't sing.

654
00:31:15,160 --> 00:31:16,040
Speaker 2: Oh you want me to sing?

655
00:31:16,640 --> 00:31:18,400
Speaker 3: I prefer you. I prefer you.

656
00:31:18,840 --> 00:31:19,600
Speaker 2: Oh you want me to do?

657
00:31:19,680 --> 00:31:21,720
Speaker 1: Like an monologue from a play.

658
00:31:22,080 --> 00:31:24,760
Speaker 3: Or something like that, something that touch Hi.

659
00:31:24,920 --> 00:31:27,840
Speaker 1: I'm Zach Braff, I'm six foot tall, I'm with Cia,

660
00:31:28,120 --> 00:31:32,880
Speaker 1: and I'll be performing a monologue from Glengarry, Glenn Ross, Shelley,

661
00:31:32,880 --> 00:31:37,800
Speaker 1: the Machine, Levine Perfect. And then I go into go

662
00:31:37,840 --> 00:31:40,320
Speaker 1: into like a ten minute monologue and I literally just

663
00:31:40,360 --> 00:31:41,160
Speaker 1: give it all I got.

664
00:31:41,240 --> 00:31:43,160
Speaker 3: I love it. That would be the best, That would

665
00:31:43,160 --> 00:31:47,080
Speaker 3: be the best sinned off ever. All right, joking, but I'm.

666
00:31:46,920 --> 00:31:49,920
Speaker 1: Doing awesome I think you're family and friends that that

667
00:31:50,000 --> 00:31:51,960
Speaker 1: didn't know or listen to this podcast to be like,

668
00:31:51,960 --> 00:31:54,360
Speaker 1: what the fuck is Zach doing? No, I think I

669
00:31:54,440 --> 00:31:55,880
Speaker 1: have to say this was Donald Steer.

670
00:31:55,880 --> 00:31:58,880
Speaker 3: You surprised how many people. I think you'd be surprised

671
00:31:58,920 --> 00:32:00,680
Speaker 3: how many people would be like, I'm gonna I'm about

672
00:32:00,680 --> 00:32:03,960
Speaker 3: to buy impromptu ship. Here we go. Motherfuckers come out.

673
00:32:03,840 --> 00:32:06,560
Speaker 1: And if I like, what if I roasted you instead?

674
00:32:06,600 --> 00:32:07,720
Speaker 1: If I did like A like.

675
00:32:07,680 --> 00:32:11,360
Speaker 3: A, then you'd have to go on last.

676
00:32:12,160 --> 00:32:14,720
Speaker 2: Okay, well, do we know who else is performing?

677
00:32:15,760 --> 00:32:18,240
Speaker 3: Well? Definitely definitely new edition.

678
00:32:18,640 --> 00:32:21,840
Speaker 1: Who do you want like if if if, if they're

679
00:32:21,880 --> 00:32:23,160
Speaker 1: still alive, who do you want to perform?

680
00:32:23,200 --> 00:32:24,320
Speaker 2: And assume you can get anyone?

681
00:32:25,600 --> 00:32:29,360
Speaker 3: Assuming jay z.

682
00:32:28,360 --> 00:32:31,720
Speaker 1: Z Okay, maybe he makes a rap specifically about your life.

683
00:32:31,960 --> 00:32:34,400
Speaker 3: I want him to start from the beginning and go

684
00:32:34,520 --> 00:32:35,720
Speaker 3: all the way to the end.

685
00:32:36,000 --> 00:32:39,160
Speaker 2: Yeah, start from Campbell, from the Campbell's.

686
00:32:38,880 --> 00:32:42,520
Speaker 3: Folgers, motherfucker. That's the professional ship I want them to.

687
00:32:43,760 --> 00:32:46,480
Speaker 3: I want him to start from the National Black Theater, right,

688
00:32:47,040 --> 00:32:49,600
Speaker 3: take it from the National Black Theata all the way

689
00:32:49,640 --> 00:32:50,120
Speaker 3: to death.

690
00:32:50,760 --> 00:32:52,800
Speaker 2: Okay, got it? Well, I'm going to put in a

691
00:32:52,840 --> 00:32:53,520
Speaker 2: request for that.

692
00:32:54,160 --> 00:32:54,880
Speaker 3: He's still alive.

693
00:32:54,920 --> 00:32:56,760
Speaker 2: We don't know if he's going to still be alive, right.

694
00:32:56,680 --> 00:32:58,320
Speaker 3: We don't know what it is. We don't know when

695
00:32:58,360 --> 00:32:59,760
Speaker 3: it is. You don't you definite know.

696
00:33:00,040 --> 00:33:02,520
Speaker 1: If it's soon, we could probably get Dion Warwick.

697
00:33:03,520 --> 00:33:09,600
Speaker 3: And vere this way. That's what you can do, you

698
00:33:09,800 --> 00:33:10,720
Speaker 3: Dion Warwick.

699
00:33:10,920 --> 00:33:13,160
Speaker 2: Oh, yeah, that's what friends are for.

700
00:33:13,680 --> 00:33:17,000
Speaker 3: And you can remember.

701
00:33:17,120 --> 00:33:18,880
Speaker 1: I love that song all right, So if you if

702
00:33:18,920 --> 00:33:22,320
Speaker 1: it's soon, I will sing, keep smiling.

703
00:33:22,080 --> 00:33:28,240
Speaker 3: Smiling, keep shot shining, no, and you can always count

704
00:33:28,360 --> 00:33:36,000
Speaker 3: on me. Show that's what friends are fuck, come on now,

705
00:33:36,360 --> 00:33:36,720
Speaker 3: who else?

706
00:33:38,000 --> 00:33:38,480
Speaker 2: Who else?

707
00:33:39,080 --> 00:33:42,040
Speaker 3: I want you to get? The originals?

708
00:33:42,160 --> 00:33:43,080
Speaker 1: Wdney's not alive.

709
00:33:43,200 --> 00:33:44,840
Speaker 3: Wendy Houston is not an original on that.

710
00:33:44,920 --> 00:33:45,880
Speaker 2: Who's the originals?

711
00:33:45,920 --> 00:33:53,280
Speaker 3: It's Dion Warwick, It's Elton John Stevie Wonder and Gladys

712
00:33:53,360 --> 00:33:58,480
Speaker 3: Knight where we came in opened me and now the

713
00:33:58,720 --> 00:34:05,360
Speaker 3: song much small see and I.

714
00:34:05,560 --> 00:34:12,440
Speaker 2: Thank you here.

715
00:34:14,840 --> 00:34:24,120
Speaker 3: Well and the weather to come in from and so

716
00:34:24,760 --> 00:34:31,279
Speaker 3: if you can remember remember, he goes, oh, and then

717
00:34:32,320 --> 00:34:33,200
Speaker 3: keep smiling.

718
00:34:34,560 --> 00:34:36,920
Speaker 1: Well I can keep together, man, I have a contact

719
00:34:36,920 --> 00:34:38,040
Speaker 1: to get together.

720
00:34:38,520 --> 00:34:38,840
Speaker 3: What's that?

721
00:34:39,480 --> 00:34:40,880
Speaker 2: I can get all those people together?

722
00:34:41,480 --> 00:34:43,880
Speaker 3: Awesome for my funeral?

723
00:34:44,000 --> 00:34:46,480
Speaker 1: If I really could, I have a good connection to Elton.

724
00:34:46,520 --> 00:34:48,880
Speaker 3: I can't die. I'd have to die soon, but that

725
00:34:48,960 --> 00:34:49,920
Speaker 3: to happen though.

726
00:34:50,200 --> 00:34:53,080
Speaker 1: Yeah, I don't know how much import is. I don't

727
00:34:53,120 --> 00:34:54,840
Speaker 1: know how important this is to you. But if you

728
00:34:54,920 --> 00:34:57,320
Speaker 1: want it, you're gonna have to die sooner than later.

729
00:34:57,680 --> 00:35:02,440
Speaker 3: If I love this, I'm gonna have to croak now.

730
00:35:02,480 --> 00:35:04,680
Speaker 1: All right, on that note, we'll be right back. Just

731
00:35:04,719 --> 00:35:15,600
Speaker 1: listen to this commercial. You're gonna love it. We have

732
00:35:15,640 --> 00:35:18,680
Speaker 1: to return to talking about Scrubs now. Sarah Chalk is here.

733
00:35:18,760 --> 00:35:21,560
Speaker 1: I guess the contractual thing for season nine was they

734
00:35:21,600 --> 00:35:23,560
Speaker 1: didn't want to pay me and Sarah at the same time,

735
00:35:23,719 --> 00:35:26,800
Speaker 1: so if I left, then they could pay Sarah.

736
00:35:26,960 --> 00:35:29,080
Speaker 3: I don't know what the contract I think that's what

737
00:35:29,160 --> 00:35:31,799
Speaker 3: it was, because I'm getting money like that. Shit. Well,

738
00:35:31,920 --> 00:35:33,879
Speaker 3: we can't keep we can't afford to both of y'all,

739
00:35:33,920 --> 00:35:35,360
Speaker 3: So one of y'all motherfuckers gotta go.

740
00:35:35,719 --> 00:35:35,959
Speaker 2: Well.

741
00:35:36,040 --> 00:35:38,319
Speaker 1: I tapped out and Sarah tapped in.

742
00:35:38,480 --> 00:35:41,360
Speaker 2: That's clear we what's happened. There's no explanation.

743
00:35:41,440 --> 00:35:46,040
Speaker 1: There's no explanation as to why at all. I mean,

744
00:35:46,080 --> 00:35:48,879
Speaker 1: even the young caster introducing themselves to her, they've never

745
00:35:48,960 --> 00:35:54,360
Speaker 1: met her. No one's ever explained why she hasn't been there. Yeah,

746
00:35:53,800 --> 00:35:58,360
Speaker 1: and she's very pregnant, really for real pregnant, not fake pregnant.

747
00:35:58,880 --> 00:36:00,600
Speaker 3: Isn't this the first time? Also, so that the show

748
00:36:00,680 --> 00:36:02,960
Speaker 3: is now opened with someone else doing.

749
00:36:02,800 --> 00:36:08,480
Speaker 1: The yes, so Carrie Boshet in the title sequence puts

750
00:36:08,520 --> 00:36:13,840
Speaker 1: the X ray now facing the right way into the

751
00:36:13,920 --> 00:36:22,399
Speaker 1: light box. So there was some sad scrubs score. When

752
00:36:23,280 --> 00:36:25,719
Speaker 1: Sarah Elliott tells you that I'm that I said that

753
00:36:25,760 --> 00:36:32,240
Speaker 1: I miss you too? Did was like? And then Elliott

754
00:36:32,239 --> 00:36:35,160
Speaker 1: refers to it as riding the eagle, which really upset you.

755
00:36:35,400 --> 00:36:36,200
Speaker 3: It triggers him.

756
00:36:36,960 --> 00:36:38,279
Speaker 2: Yeah, it would trigger you too.

757
00:36:38,320 --> 00:36:41,360
Speaker 3: I think you don't ride the eagle, you eagle?

758
00:36:41,840 --> 00:36:42,799
Speaker 2: Yeah, and I don't.

759
00:36:43,000 --> 00:36:44,960
Speaker 3: Let's do the eagle. Let's eagle.

760
00:36:45,280 --> 00:36:46,000
Speaker 2: It's just eag.

761
00:36:46,200 --> 00:36:48,720
Speaker 1: Those of you out there who like to eagle your friends,

762
00:36:48,760 --> 00:36:51,880
Speaker 1: make sure you're using that correctly. You don't ride the eagle,

763
00:36:52,000 --> 00:36:56,680
Speaker 1: you eagle. It's a it's a verb. We learned that

764
00:36:56,800 --> 00:36:59,080
Speaker 1: JD and Turk had a pillow fight club.

765
00:37:01,560 --> 00:37:02,600
Speaker 3: You don't talk about that shit.

766
00:37:03,200 --> 00:37:05,840
Speaker 1: You don't talk about it. Denise is so fucking nuts

767
00:37:05,880 --> 00:37:10,200
Speaker 1: that she jokingly tells her boyfriend that she's late with

768
00:37:10,280 --> 00:37:14,080
Speaker 1: her period and then it turns him on. He says

769
00:37:14,160 --> 00:37:18,520
Speaker 1: that he vibes on crazy. Obviously, you or someone one

770
00:37:18,560 --> 00:37:21,040
Speaker 1: of you guys pointed it out that they're so obviously

771
00:37:21,440 --> 00:37:24,719
Speaker 1: meant to be. Yeah, Donald, you're the one who point

772
00:37:24,719 --> 00:37:27,200
Speaker 1: out there so obviously meant to be Cox and Jordan,

773
00:37:27,320 --> 00:37:29,120
Speaker 1: and I really see that now more than ever.

774
00:37:29,239 --> 00:37:31,480
Speaker 3: Like it's like, oh, even when he stands next to

775
00:37:31,560 --> 00:37:34,680
Speaker 3: Johnny C, even when he's standing next to Johnny C,

776
00:37:35,360 --> 00:37:38,480
Speaker 3: he's like a I'm not gonna say a younger version,

777
00:37:39,000 --> 00:37:42,880
Speaker 3: but he is almost a they almost look alike. Like

778
00:37:43,640 --> 00:37:47,600
Speaker 3: this is the direction the show could have went, you

779
00:37:47,680 --> 00:37:49,600
Speaker 3: know what I mean, and everybody would have said, oh,

780
00:37:49,640 --> 00:37:52,520
Speaker 3: I see where they're going. I'm gonna be honest with you.

781
00:37:52,600 --> 00:37:56,040
Speaker 3: I think my character is way too distracting. I think

782
00:37:56,360 --> 00:37:58,239
Speaker 3: there are so many other stories they could have done

783
00:37:58,280 --> 00:38:01,600
Speaker 3: other than me missing JD. Then sorry Turk missing JD.

784
00:38:02,239 --> 00:38:05,040
Speaker 3: I feel like this is something that we did before

785
00:38:05,160 --> 00:38:09,080
Speaker 3: where he goes to Disneyland, and you know, it just

786
00:38:09,080 --> 00:38:11,560
Speaker 3: seems I mean, I get it. Everything it's supposed to

787
00:38:11,560 --> 00:38:13,879
Speaker 3: be poetry. It all has to rhyme and shit like that.

788
00:38:13,920 --> 00:38:16,640
Speaker 3: But that's a question.

789
00:38:17,120 --> 00:38:19,080
Speaker 2: Joelle. Please, do you guys think the.

790
00:38:19,000 --> 00:38:20,920
Speaker 4: Show would be better if Drew was the lead character

791
00:38:21,000 --> 00:38:22,280
Speaker 4: and we were following his journey.

792
00:38:22,719 --> 00:38:25,960
Speaker 2: Yes, that's a good question. I think, Yes, I do, Actually, yes,

793
00:38:26,120 --> 00:38:26,520
Speaker 2: I do.

794
00:38:26,600 --> 00:38:29,640
Speaker 1: I think that I think this is this is not

795
00:38:30,040 --> 00:38:30,319
Speaker 1: meant to.

796
00:38:30,320 --> 00:38:34,440
Speaker 3: Be Conscious's no disrespect to Carrie, no disrespect to her character.

797
00:38:34,560 --> 00:38:37,400
Speaker 1: No disrespect to Carrie. We've said a thousand times that

798
00:38:37,480 --> 00:38:40,439
Speaker 1: Carrie is a phenomenal actress, and I do take full

799
00:38:40,480 --> 00:38:45,080
Speaker 1: credit for discovering her. Okay, No, she's an extraordinary actress

800
00:38:45,080 --> 00:38:48,680
Speaker 1: and so adorable and beautiful and a sweetheart of a

801
00:38:48,760 --> 00:38:51,600
Speaker 1: human being. I wonder if we were asking too much

802
00:38:51,640 --> 00:38:55,680
Speaker 1: of the audience. Not only were we switching the voiceover,

803
00:38:55,760 --> 00:38:58,719
Speaker 1: but we were switching to the female perspective. I wonder

804
00:38:58,719 --> 00:39:00,800
Speaker 1: if it would have been easier for them to invest

805
00:39:01,000 --> 00:39:04,360
Speaker 1: again in a young male intern.

806
00:39:04,440 --> 00:39:04,759
Speaker 2: I don't know.

807
00:39:04,960 --> 00:39:06,319
Speaker 3: I don't think. I don't think it has to do

808
00:39:06,400 --> 00:39:08,160
Speaker 3: with gender. I just don't think. I just think the

809
00:39:08,280 --> 00:39:11,400
Speaker 3: character is the same character all over again.

810
00:39:11,800 --> 00:39:15,040
Speaker 1: And all right, that's better said. You're right, it isn't

811
00:39:15,080 --> 00:39:18,399
Speaker 1: just it's not perhaps it's not gender. It's it's going

812
00:39:18,440 --> 00:39:22,520
Speaker 1: for the exact wide eyed, goofy person as opposed to

813
00:39:22,880 --> 00:39:26,000
Speaker 1: trying a different angle. I also think that Drew just

814
00:39:26,160 --> 00:39:27,880
Speaker 1: is stealing the show. To be honest, I think that

815
00:39:28,000 --> 00:39:32,520
Speaker 1: he's the most grounded, the most real. I mean, it's

816
00:39:32,560 --> 00:39:35,879
Speaker 1: a great lesson for actors, new actors out there. I mean,

817
00:39:35,960 --> 00:39:39,040
Speaker 1: watch the difference between what we're all doing because we've

818
00:39:39,160 --> 00:39:42,320
Speaker 1: leaned into all the jokes. And look at what Michael

819
00:39:42,320 --> 00:39:45,000
Speaker 1: Mosley's doing. He's in a broad comedy, but he's playing

820
00:39:45,040 --> 00:39:49,759
Speaker 1: it all straight and it really makes a difference. And

821
00:39:49,800 --> 00:39:52,560
Speaker 1: that's what we used to do before we leaned into

822
00:39:52,600 --> 00:39:55,640
Speaker 1: the turn on all these jokes. Now, granted, some of

823
00:39:55,680 --> 00:39:58,759
Speaker 1: the script is doesn't help when Turk's longing to see

824
00:39:58,840 --> 00:39:59,560
Speaker 1: JD's cock.

825
00:40:03,160 --> 00:40:06,680
Speaker 4: Yeah, I just think Drew, like returning with somebody who

826
00:40:06,760 --> 00:40:07,920
Speaker 4: was like I'm not sure I can do this and

827
00:40:07,960 --> 00:40:11,840
Speaker 4: I already failed once is so much more compelling. Then

828
00:40:12,880 --> 00:40:17,640
Speaker 4: I'm really excited to become a doctor. It's hard, which

829
00:40:17,719 --> 00:40:20,239
Speaker 4: is sort of what Lucy's storyline is so far, Like

830
00:40:20,239 --> 00:40:22,120
Speaker 4: I don't want That's what it started out. What the

831
00:40:22,160 --> 00:40:25,279
Speaker 4: issue is where JD when he starts is like I

832
00:40:25,320 --> 00:40:27,719
Speaker 4: really want to be a doctor. Oh my gosh, I'm

833
00:40:27,760 --> 00:40:30,799
Speaker 4: going to have to confront a lot of difficulties. But

834
00:40:30,840 --> 00:40:32,520
Speaker 4: it's not like, oh, it's hard to be a doctor.

835
00:40:32,560 --> 00:40:36,200
Speaker 4: It's emotionally, I'm so vulnerable. Being a doctor is going

836
00:40:36,239 --> 00:40:38,480
Speaker 4: to challenge that aspect of me. But we don't really

837
00:40:38,480 --> 00:40:40,600
Speaker 4: see that so much with Lucy, and so yeah, I

838
00:40:40,640 --> 00:40:42,640
Speaker 4: don't know. I'm very invested in Drew's character.

839
00:40:42,719 --> 00:40:45,160
Speaker 1: We all so we were interns. These are med students,

840
00:40:45,160 --> 00:40:49,240
Speaker 1: And that woman who spoke about the difference last week

841
00:40:49,600 --> 00:40:51,960
Speaker 1: really put that in my head because yet again there's

842
00:40:51,960 --> 00:40:54,560
Speaker 1: a scene where Lucy's being asked to start an IV

843
00:40:54,960 --> 00:40:58,600
Speaker 1: in this episode, and we learned that a med student

844
00:40:58,600 --> 00:41:03,480
Speaker 1: would never be doing that on a patient. So you know,

845
00:41:03,520 --> 00:41:05,520
Speaker 1: there's also this difference the fact that we were we

846
00:41:05,520 --> 00:41:09,040
Speaker 1: were interns, we were further along in our in our process.

847
00:41:09,520 --> 00:41:13,879
Speaker 3: We were comparable at being we were capable, i should say,

848
00:41:14,320 --> 00:41:17,919
Speaker 3: at being in a hospital and working around people who

849
00:41:17,960 --> 00:41:18,680
Speaker 3: were in need.

850
00:41:18,520 --> 00:41:20,360
Speaker 1: Of We were at the point in the in the

851
00:41:20,480 --> 00:41:22,879
Speaker 1: journey where you're actually interacting with people.

852
00:41:22,960 --> 00:41:26,080
Speaker 3: You can do this. Now, you're you're allowed.

853
00:41:26,280 --> 00:41:28,240
Speaker 1: All right, Cole, this is what you were talking about earlier.

854
00:41:28,239 --> 00:41:30,160
Speaker 1: He's going to go leave to hang out with a

855
00:41:30,200 --> 00:41:36,000
Speaker 1: glaucoma patient because the guy clearly has legal weed. This

856
00:41:36,040 --> 00:41:38,640
Speaker 1: is long before weed was as legal as it is

857
00:41:38,719 --> 00:41:40,400
Speaker 1: now in California.

858
00:41:39,880 --> 00:41:42,359
Speaker 3: But or in any weed is legal in New York.

859
00:41:42,440 --> 00:41:45,560
Speaker 1: Bro I know, I'm just saying it's it's such a

860
00:41:45,560 --> 00:41:48,080
Speaker 1: different era that they had to clearly stipulate that it

861
00:41:48,120 --> 00:41:52,600
Speaker 1: was government weed for a glaucoma patient. And they're going

862
00:41:52,680 --> 00:41:55,399
Speaker 1: to watch Benson, which for a lot of people, I'm

863
00:41:55,440 --> 00:41:58,719
Speaker 1: sure they have no knowledge of what Benson is. But

864
00:41:58,840 --> 00:42:01,440
Speaker 1: Donald and I are of the era where we watched Benson.

865
00:42:01,440 --> 00:42:13,080
Speaker 7: That that that Robert Benson was that that that that.

866
00:42:12,719 --> 00:42:15,440
Speaker 1: He was the right hand man for it to the governor,

867
00:42:15,680 --> 00:42:20,520
Speaker 1: to the governor, and uh, the governor was kind of

868
00:42:20,560 --> 00:42:21,560
Speaker 1: a goofy guy.

869
00:42:21,440 --> 00:42:25,520
Speaker 3: Right governor. I forgot there was some dumb ass and

870
00:42:25,680 --> 00:42:27,800
Speaker 3: Benson was the one who was really running the ship.

871
00:42:28,000 --> 00:42:30,760
Speaker 3: Got it wasn't just running the he wasn't just running

872
00:42:30,840 --> 00:42:34,799
Speaker 3: helping run the freaking whatever the state was. He was

873
00:42:34,840 --> 00:42:37,920
Speaker 3: also helping run the house, like the White House and

874
00:42:37,920 --> 00:42:38,840
Speaker 3: stuff like, I mean.

875
00:42:38,719 --> 00:42:40,560
Speaker 2: Whatever, the governor's mansion.

876
00:42:40,400 --> 00:42:44,360
Speaker 3: The governor's mansion. And that's where that joke comes from. Motherfucker.

877
00:42:44,400 --> 00:42:48,799
Speaker 3: I ain't Benson. I ain't here to solve everybody's problems and.

878
00:42:48,760 --> 00:42:51,120
Speaker 1: Ship and whose joke is that that's you.

879
00:42:51,160 --> 00:42:53,600
Speaker 3: No, that's like I think it's like a Martin Lawrence.

880
00:42:53,320 --> 00:42:55,759
Speaker 1: Or all I know is that when Donald and I

881
00:42:55,880 --> 00:42:58,640
Speaker 1: checked into our loft that we rented that we've told

882
00:42:58,640 --> 00:43:02,239
Speaker 1: you about in what what was probably two thousand, the

883
00:43:02,280 --> 00:43:04,319
Speaker 1: summer of two thousand, Donald.

884
00:43:04,320 --> 00:43:05,680
Speaker 3: Two thousand and one or two.

885
00:43:06,520 --> 00:43:09,640
Speaker 1: There were two rooms and one was way better than

886
00:43:09,760 --> 00:43:12,640
Speaker 1: the other. And Donald, well, you got there first, so

887
00:43:12,680 --> 00:43:15,040
Speaker 1: you got Donald Jack did Donald Jack didn't. He's like,

888
00:43:15,120 --> 00:43:17,280
Speaker 1: I'm not fucking standing in that room. I'm not Benson.

889
00:43:18,320 --> 00:43:21,360
Speaker 3: So I slept. I slept in the hallway.

890
00:43:20,880 --> 00:43:25,279
Speaker 1: Back outside my room, outside of his room, because the

891
00:43:25,360 --> 00:43:28,160
Speaker 1: ship was so fucking it was so rustic.

892
00:43:28,400 --> 00:43:29,759
Speaker 2: I don't know if that's the word. It was, so

893
00:43:30,000 --> 00:43:30,600
Speaker 2: it's not.

894
00:43:31,040 --> 00:43:33,480
Speaker 3: Where it was like that ship was like straight.

895
00:43:33,560 --> 00:43:36,439
Speaker 1: First of all, it was an artist loft and the room.

896
00:43:36,560 --> 00:43:38,920
Speaker 1: The place was giant's probably three thousand square feet. It

897
00:43:38,960 --> 00:43:41,200
Speaker 1: was huge, but it hadn't been redone.

898
00:43:41,480 --> 00:43:44,600
Speaker 3: It hadn't been like I've tried to sleep in there

899
00:43:44,640 --> 00:43:46,399
Speaker 3: one night and it was the stuffiest room.

900
00:43:47,880 --> 00:43:48,960
Speaker 2: And dryer were in there too.

901
00:43:49,040 --> 00:43:52,160
Speaker 3: Yeah, I was like, get stuff fuck out of here.

902
00:43:53,160 --> 00:43:56,160
Speaker 1: So anyway, outside the room that I had chosen. There

903
00:43:56,239 --> 00:43:59,719
Speaker 1: was like a you know, a day bed that was nice.

904
00:43:59,719 --> 00:44:02,239
Speaker 1: It was like big and so Donald just slept there.

905
00:44:02,560 --> 00:44:03,239
Speaker 3: I was like, fuck this.

906
00:44:03,960 --> 00:44:04,960
Speaker 2: It was so funny though.

907
00:44:05,000 --> 00:44:08,320
Speaker 3: I'll never forget that summer. Yeah, it's a great summer.

908
00:44:08,840 --> 00:44:10,480
Speaker 3: That's one of my favorite summers of all time.

909
00:44:11,480 --> 00:44:14,799
Speaker 1: So Turk is finally teaching. I guess he got JD's

910
00:44:14,840 --> 00:44:19,400
Speaker 1: classroom because he's teaching, and there's a mix up with

911
00:44:19,520 --> 00:44:24,720
Speaker 1: Lucy's slides. She she mixed up ones from a bachelorette.

912
00:44:24,560 --> 00:44:28,160
Speaker 3: Her sister's bachelorette party were.

913
00:44:27,960 --> 00:44:30,359
Speaker 1: She really goes nuts. She really get that party got wow.

914
00:44:30,440 --> 00:44:33,640
Speaker 1: That was like that was like an above ground pool party.

915
00:44:34,040 --> 00:44:36,920
Speaker 3: I hate to tell you this, man, but bachelorette parties,

916
00:44:36,920 --> 00:44:41,040
Speaker 3: depending on who the bachelorette is, really the things go crazy.

917
00:44:41,080 --> 00:44:43,920
Speaker 3: They get as crazy as bachelor parties. Man. Anything I

918
00:44:43,960 --> 00:44:48,359
Speaker 3: say crazy, I mean sex, yes, and and.

919
00:44:49,200 --> 00:44:53,920
Speaker 4: At least involvement potentially, Yeah, like freaking people lose their minds.

920
00:44:54,120 --> 00:44:56,560
Speaker 3: Yo, dude, I don't know what it is about. It's

921
00:44:56,600 --> 00:44:59,480
Speaker 3: my last night and then everybody else is like, well,

922
00:44:59,520 --> 00:45:01,040
Speaker 3: then it's my last night too.

923
00:45:01,520 --> 00:45:04,600
Speaker 1: You know, you hear the stereotype of men's bachelor parties

924
00:45:04,640 --> 00:45:07,399
Speaker 1: getting crazy, and there's like women's are just like that too,

925
00:45:07,600 --> 00:45:12,759
Speaker 1: and there's escorts or strippers. But I wonder what the

926
00:45:12,800 --> 00:45:14,000
Speaker 1: real percentage of.

927
00:45:14,200 --> 00:45:16,600
Speaker 3: As Shanning Tatum. You could ask Shanning Tatum with the

928
00:45:16,640 --> 00:45:20,640
Speaker 3: real he made a freaking fortune off of Magic Mike

929
00:45:21,719 --> 00:45:22,520
Speaker 3: a fortune.

930
00:45:22,560 --> 00:45:24,640
Speaker 1: I've never seen those movies. Does he does he Works?

931
00:45:24,760 --> 00:45:28,000
Speaker 3: I've never seen. I've never seen one of those movies.

932
00:45:28,080 --> 00:45:30,200
Speaker 3: But it's about what are we doing.

933
00:45:30,040 --> 00:45:30,600
Speaker 5: With our lives?

934
00:45:30,600 --> 00:45:32,680
Speaker 4: These are classic American cinema.

935
00:45:33,400 --> 00:45:36,719
Speaker 3: See magic like it's let's watch Magic mic.

936
00:45:36,800 --> 00:45:40,399
Speaker 1: Maybe this is now going to be a Magic Mike

937
00:45:40,480 --> 00:45:42,239
Speaker 1: Rewatch podcast, a.

938
00:45:42,280 --> 00:45:45,320
Speaker 3: Magic like rewatch. Joe ellis happiest.

939
00:45:46,320 --> 00:45:49,120
Speaker 5: I would love are hitting me?

940
00:45:52,360 --> 00:45:58,960
Speaker 1: What percentage do you think of bacheloretts hook up on

941
00:45:59,000 --> 00:46:01,040
Speaker 1: their bachelor rep party weekend?

942
00:46:02,120 --> 00:46:04,440
Speaker 3: That's probably the same percentage, maybe even more than men.

943
00:46:05,400 --> 00:46:07,880
Speaker 1: Don't they called a hen do a hen do in London?

944
00:46:08,320 --> 00:46:11,920
Speaker 4: Look up with someone like fifteen maybe maybe less ten

945
00:46:11,960 --> 00:46:12,360
Speaker 4: to five.

946
00:46:12,920 --> 00:46:15,880
Speaker 3: No, I say it's I say it's the exact opposite.

947
00:46:15,920 --> 00:46:20,000
Speaker 3: I say it's more than men, really more than I

948
00:46:20,040 --> 00:46:21,759
Speaker 3: think it's five percent more than men.

949
00:46:21,880 --> 00:46:24,480
Speaker 4: That's like when we have the marriage counselorn and she

950
00:46:24,480 --> 00:46:26,080
Speaker 4: said women cheat more than men. I said, what is

951
00:46:26,120 --> 00:46:28,360
Speaker 4: happening my perception of the world crazy.

952
00:46:28,440 --> 00:46:31,320
Speaker 2: She knows, she knows. Well.

953
00:46:31,400 --> 00:46:33,279
Speaker 1: All I know is if I ever get married, I

954
00:46:33,320 --> 00:46:36,760
Speaker 1: hope that the bachelorette party slash hen do is something

955
00:46:36,880 --> 00:46:40,000
Speaker 1: very tame. Like in Napa we went for a girl's weekend.

956
00:46:40,480 --> 00:46:42,480
Speaker 3: Yeah, that's where that should be happening. We went for

957
00:46:42,600 --> 00:46:43,600
Speaker 3: a girls' weekend.

958
00:46:44,520 --> 00:46:45,160
Speaker 2: No want.

959
00:46:45,160 --> 00:46:47,319
Speaker 4: I used to live in Boystown in Chicago, and so

960
00:46:47,400 --> 00:46:52,919
Speaker 4: we would see just troves of bridal parties, like getting drunk,

961
00:46:52,960 --> 00:46:54,680
Speaker 4: and then they would wind up like groping the dudes.

962
00:46:54,680 --> 00:46:57,279
Speaker 4: The dudes are like, I'm in Boystown, I'm not here

963
00:46:57,400 --> 00:47:01,120
Speaker 4: for you. Leave me all loa, Like it's safe. It's

964
00:47:01,120 --> 00:47:02,640
Speaker 4: not cheating because you're gay. It's like it's still a

965
00:47:02,680 --> 00:47:04,319
Speaker 4: human you get just put your hands on what are

966
00:47:04,360 --> 00:47:04,680
Speaker 4: we doing?

967
00:47:05,080 --> 00:47:05,279
Speaker 5: Yeah?

968
00:47:05,320 --> 00:47:07,400
Speaker 3: I can't just put my penis in your mouth and

969
00:47:07,480 --> 00:47:10,000
Speaker 3: me be gay and say it's not cheating. That's the

970
00:47:10,000 --> 00:47:10,399
Speaker 3: fuck out.

971
00:47:11,480 --> 00:47:13,040
Speaker 4: Do you think that's what she was doing, because they

972
00:47:13,040 --> 00:47:16,080
Speaker 4: were like there was a time where she's like, what

973
00:47:16,080 --> 00:47:16,560
Speaker 4: are you doing?

974
00:47:16,800 --> 00:47:17,000
Speaker 2: Yeah?

975
00:47:17,080 --> 00:47:20,440
Speaker 5: I mean it rained with nine dollars. This is insanely she.

976
00:47:20,680 --> 00:47:23,719
Speaker 1: Was She was I imploied, I inferred that she was

977
00:47:23,760 --> 00:47:24,359
Speaker 1: blowing him.

978
00:47:24,680 --> 00:47:26,480
Speaker 3: That's what I thought. Yikes.

979
00:47:28,360 --> 00:47:30,360
Speaker 1: And then and then Cocks put that picture on the

980
00:47:30,400 --> 00:47:36,160
Speaker 1: wall and then she says, I made it rain.

981
00:47:36,440 --> 00:47:36,800
Speaker 2: Move on.

982
00:47:40,120 --> 00:47:42,080
Speaker 5: Nine dollars? Is not making it rains?

983
00:47:42,440 --> 00:47:44,280
Speaker 3: Yeah, that's that's That's.

984
00:47:44,160 --> 00:47:47,640
Speaker 1: What qualifies is making it and rain. When you make

985
00:47:47,680 --> 00:47:48,760
Speaker 1: it rain common?

986
00:47:49,800 --> 00:47:51,400
Speaker 2: Is it single? Is it singles?

987
00:47:52,520 --> 00:47:52,759
Speaker 3: Yeah?

988
00:47:52,840 --> 00:47:54,000
Speaker 5: It can be usually.

989
00:47:54,080 --> 00:47:55,759
Speaker 3: I mean you can make it rain with hundreds. It

990
00:47:55,880 --> 00:47:57,600
Speaker 3: just has to be a bunch of dollars.

991
00:47:57,960 --> 00:47:59,880
Speaker 1: Wait, but does that makes it rain with hundreds?

992
00:48:00,400 --> 00:48:00,760
Speaker 3: Rappers?

993
00:48:01,560 --> 00:48:04,040
Speaker 2: Rappers? Rappers?

994
00:48:05,280 --> 00:48:06,640
Speaker 3: I mean you make it rain with them? If you

995
00:48:06,760 --> 00:48:09,440
Speaker 3: what if you took out, like, you know, one hundred

996
00:48:09,480 --> 00:48:12,319
Speaker 3: and five dollar bills and made it rain, people would

997
00:48:12,320 --> 00:48:14,919
Speaker 3: be like, oh ship, this motherfucker made it rain. That's donald.

998
00:48:15,000 --> 00:48:17,080
Speaker 2: Have you ever made it ring? Uh?

999
00:48:17,360 --> 00:48:21,840
Speaker 3: In a Gavin De Grau video directed by me I

1000
00:48:21,920 --> 00:48:25,040
Speaker 3: invented making it rain and a Gavin De Grau video

1001
00:48:25,239 --> 00:48:29,600
Speaker 3: Make the Zach, you can check the stats. You could

1002
00:48:29,680 --> 00:48:31,720
Speaker 3: check the stats before that video.

1003
00:48:31,880 --> 00:48:35,719
Speaker 2: I don't ring mother girl.

1004
00:48:36,480 --> 00:48:39,120
Speaker 1: We were by the way, this is now a time

1005
00:48:39,200 --> 00:48:41,560
Speaker 1: when after this episode you should watch on YouTube the

1006
00:48:41,600 --> 00:48:44,200
Speaker 1: Gavin de Graw video for Chariot that I directed where

1007
00:48:44,239 --> 00:48:47,120
Speaker 1: you will see Donald Faison make it Rain.

1008
00:48:47,960 --> 00:48:51,080
Speaker 2: Wow, great song too, Wow mm hmm.

1009
00:48:53,400 --> 00:48:54,880
Speaker 3: Jamie King, Jamie.

1010
00:48:54,680 --> 00:48:58,279
Speaker 1: King is the love interest. Remember that shoot, Donald, That

1011
00:48:58,320 --> 00:48:59,120
Speaker 1: was a crazy shoot.

1012
00:48:59,360 --> 00:49:01,759
Speaker 3: That was one of the open things I had ever

1013
00:49:01,800 --> 00:49:05,759
Speaker 3: seen you do at that point. It was at that

1014
00:49:05,840 --> 00:49:08,920
Speaker 3: point I had never seen you. I mean, well, I

1015
00:49:08,960 --> 00:49:11,120
Speaker 3: take it back, you did. You did direct that episode,

1016
00:49:11,160 --> 00:49:14,279
Speaker 3: but this was something that you had. You were completely

1017
00:49:14,360 --> 00:49:16,640
Speaker 3: like on your own and all you had was Cabot.

1018
00:49:16,640 --> 00:49:20,279
Speaker 3: Really that's it, and me and then everybody else. I

1019
00:49:20,320 --> 00:49:22,400
Speaker 3: didn't know who the fuck they were. There wasn't the

1020
00:49:22,719 --> 00:49:25,759
Speaker 3: normal crew and everything. At least with Scrubs when you

1021
00:49:25,800 --> 00:49:28,279
Speaker 3: directed the first that first episode, at least you had

1022
00:49:28,360 --> 00:49:30,560
Speaker 3: the crew had your back, the cast had your back.

1023
00:49:30,880 --> 00:49:33,759
Speaker 3: You knew everyone, and we were trying to make a

1024
00:49:33,760 --> 00:49:36,719
Speaker 3: great show. At this point, it was like, Doug, I'm

1025
00:49:36,760 --> 00:49:39,960
Speaker 3: trying to make the best video for you, Gavin, and

1026
00:49:40,320 --> 00:49:43,240
Speaker 3: I don't know any of these people, and the set

1027
00:49:43,440 --> 00:49:45,640
Speaker 3: is not working the way it's supposed to.

1028
00:49:45,960 --> 00:49:47,200
Speaker 2: Wasn't. It was a nightmare.

1029
00:49:47,200 --> 00:49:48,680
Speaker 1: It was one of the scariest shoots I've ever been

1030
00:49:48,719 --> 00:49:50,880
Speaker 1: on because I had designed this whole video as a

1031
00:49:50,920 --> 00:49:53,719
Speaker 1: Wanner without the camera cutting. It was a very elaborate

1032
00:49:53,760 --> 00:49:58,000
Speaker 1: moving set and we spent a lot of money on

1033
00:49:58,280 --> 00:49:59,120
Speaker 1: the set.

1034
00:49:59,680 --> 00:50:01,319
Speaker 3: Days when MTV would let you do that too.

1035
00:50:01,400 --> 00:50:02,960
Speaker 1: That was back in the day when there were still

1036
00:50:03,080 --> 00:50:06,080
Speaker 1: big budgets for videos, and we had about one hundred extras.

1037
00:50:06,120 --> 00:50:07,880
Speaker 1: We needed a full day of rehearsal and we just

1038
00:50:07,880 --> 00:50:09,680
Speaker 1: didn't have it, and so we tried to do them

1039
00:50:09,680 --> 00:50:11,360
Speaker 1: one day. I remember it was like six pm and

1040
00:50:11,400 --> 00:50:15,920
Speaker 1: we hadn't shot anything, which is called in director lingo

1041
00:50:16,160 --> 00:50:21,680
Speaker 1: a fucking nightmare. But then then I pivoted, because you

1042
00:50:21,760 --> 00:50:24,040
Speaker 1: have to pivot as a filmmaker when things aren't working,

1043
00:50:24,200 --> 00:50:26,400
Speaker 1: and I said, this is no longer a Wunner, and

1044
00:50:26,520 --> 00:50:29,080
Speaker 1: guess what we're gonna We're gonna do it in pieces,

1045
00:50:29,120 --> 00:50:31,600
Speaker 1: and in between we're going to cut some really beautiful

1046
00:50:31,680 --> 00:50:34,760
Speaker 1: close up shots of very handsome Gavin de Graux singing

1047
00:50:34,760 --> 00:50:37,759
Speaker 1: into the lens. And so it'll be a series of

1048
00:50:37,800 --> 00:50:41,440
Speaker 1: winners that are stitched together with a shot of Gavin

1049
00:50:41,440 --> 00:50:43,000
Speaker 1: singing the lens. And by the way it was, it

1050
00:50:43,120 --> 00:50:47,080
Speaker 1: ended up being a blessing in disguise because everybody wanted

1051
00:50:47,120 --> 00:50:49,200
Speaker 1: to see him singing in close up, whereas the video

1052
00:50:49,239 --> 00:50:52,760
Speaker 1: didn't have that, but uh, it was crazy.

1053
00:50:53,040 --> 00:50:53,600
Speaker 2: It was crazy.

1054
00:50:53,640 --> 00:50:56,680
Speaker 3: Well, the video show told the story of you know,

1055
00:50:58,600 --> 00:51:00,960
Speaker 3: artist and how they get to the stage, you know

1056
00:51:01,000 --> 00:51:03,560
Speaker 3: what I mean, work, Yeah, how they get from the

1057
00:51:03,600 --> 00:51:07,320
Speaker 3: beginning of the beginning of it all to the stage finally,

1058
00:51:07,760 --> 00:51:12,839
Speaker 3: and how there's always that young someone in your life

1059
00:51:12,880 --> 00:51:16,160
Speaker 3: to distract you along the way. And sometimes it's money,

1060
00:51:16,239 --> 00:51:19,759
Speaker 3: sometimes it's Jamie King. Jamie King. That's right.

1061
00:51:20,160 --> 00:51:22,680
Speaker 1: If we had a day of rehearsal, which would have

1062
00:51:22,719 --> 00:51:25,279
Speaker 1: been so expensive, but I could have really done the

1063
00:51:25,280 --> 00:51:27,280
Speaker 1: whole thing as a wanner, woun't have been cool. But anyway,

1064
00:51:27,280 --> 00:51:29,920
Speaker 1: if you're curious, check out the video. All right, we'll

1065
00:51:29,920 --> 00:51:31,839
Speaker 1: take a break and we'll be right back. This this

1066
00:51:31,920 --> 00:51:34,120
Speaker 1: particular ad right here is one of the best we've

1067
00:51:34,120 --> 00:51:34,520
Speaker 1: ever done.

1068
00:51:34,920 --> 00:51:38,120
Speaker 3: Oh man, I hope it's something for like if you

1069
00:51:38,200 --> 00:51:51,480
Speaker 3: were a loved one has mesothelio and we're.

1070
00:51:53,400 --> 00:51:54,040
Speaker 2: You know, I watched.

1071
00:51:54,200 --> 00:51:56,040
Speaker 1: I stopped watching as much CNN as I was watching

1072
00:51:56,080 --> 00:51:57,560
Speaker 1: because it's so bad for me. But I realized when

1073
00:51:57,560 --> 00:51:59,439
Speaker 1: I was watching it that all the ads were aimed

1074
00:51:59,440 --> 00:52:02,440
Speaker 1: at senior So I was I was getting targeted by

1075
00:52:02,480 --> 00:52:05,919
Speaker 1: all these senior citizen ads. I never see I never

1076
00:52:05,960 --> 00:52:08,759
Speaker 1: see young fun ads like like our I don't watch

1077
00:52:08,800 --> 00:52:11,320
Speaker 1: sports obviously, which is usually where our T mobile stuff airs,

1078
00:52:11,920 --> 00:52:15,279
Speaker 1: so I never even see like young fun ads. I

1079
00:52:15,360 --> 00:52:17,200
Speaker 1: just see ads aimed at seniors.

1080
00:52:17,680 --> 00:52:19,879
Speaker 3: I didn't realize that. I didn't realize that a lot

1081
00:52:19,920 --> 00:52:22,719
Speaker 3: of old people stay up late too. I would think

1082
00:52:22,760 --> 00:52:25,000
Speaker 3: they would go to bed early, because late night is

1083
00:52:25,000 --> 00:52:26,719
Speaker 3: when they start trying to sell you all of that

1084
00:52:26,800 --> 00:52:27,600
Speaker 3: old old ship.

1085
00:52:28,000 --> 00:52:31,160
Speaker 1: You know, CNN is constantly trying to sell me something

1086
00:52:31,200 --> 00:52:33,880
Speaker 1: that's like, I shouldn't clean my gutters because it's too

1087
00:52:34,000 --> 00:52:38,600
Speaker 1: dangerous for me to clean my guns, and I'm gonna,

1088
00:52:38,680 --> 00:52:41,480
Speaker 1: I'm gonna gonna, I'm gonna get hurt. I mean, I know,

1089
00:52:41,600 --> 00:52:43,520
Speaker 1: no joke. I know people do get a lot of

1090
00:52:43,560 --> 00:52:46,839
Speaker 1: people get hurt cleaning their gutters, but I am not.

1091
00:52:46,960 --> 00:52:50,080
Speaker 1: I don't think the target demo for that, for that campaign.

1092
00:52:50,239 --> 00:52:51,919
Speaker 1: But I can't tell you how many times I've seen

1093
00:52:51,960 --> 00:52:54,200
Speaker 1: the change to this product so you don't have to

1094
00:52:54,200 --> 00:52:55,239
Speaker 1: clean your gutters.

1095
00:52:54,920 --> 00:53:00,800
Speaker 3: Thing Life Alert Commercial Life Alert. It still exists.

1096
00:53:00,560 --> 00:53:02,919
Speaker 1: That they got a new they got a new lady

1097
00:53:02,960 --> 00:53:03,960
Speaker 1: who fell and can't get up.

1098
00:53:03,960 --> 00:53:04,799
Speaker 3: I can't get up.

1099
00:53:04,920 --> 00:53:05,760
Speaker 2: Yeah, they retired.

1100
00:53:07,120 --> 00:53:08,839
Speaker 3: She fell and didn't get up.

1101
00:53:09,080 --> 00:53:11,680
Speaker 2: She never did get out. She never never got she

1102
00:53:11,760 --> 00:53:17,160
Speaker 2: never did get out, she never did get up.

1103
00:53:24,239 --> 00:53:28,520
Speaker 1: All right here In more Bad Scrubs episodes, Cole is

1104
00:53:28,640 --> 00:53:33,160
Speaker 1: convinced that there's rankings, that's all bullshit. He's tricked by

1105
00:53:33,239 --> 00:53:36,160
Speaker 1: Cocks and Drew and what about this?

1106
00:53:36,160 --> 00:53:37,200
Speaker 2: This was so stupid.

1107
00:53:37,360 --> 00:53:43,239
Speaker 1: Chop pants, So Turk wears sweatpants or sorry, Scrubs, let's

1108
00:53:43,239 --> 00:53:47,520
Speaker 1: say chop on them because he loves pork chops so much.

1109
00:53:48,360 --> 00:53:53,040
Speaker 1: Then Denise says, look, there's JD and like like the

1110
00:53:53,080 --> 00:53:56,080
Speaker 1: worst sitcome ever. Turk goes, where did he wear his

1111
00:53:56,120 --> 00:53:57,200
Speaker 1: pork chop pants?

1112
00:53:58,239 --> 00:54:00,640
Speaker 3: It's not great.

1113
00:54:01,200 --> 00:54:04,960
Speaker 1: Then Elliott says, chillax my brother, which made me cringe a.

1114
00:54:04,960 --> 00:54:08,400
Speaker 3: Bit even more. It made me cringe more than freaking

1115
00:54:09,120 --> 00:54:12,399
Speaker 3: the Zion thing because we we as the old Cruise,

1116
00:54:12,440 --> 00:54:13,320
Speaker 3: should know better.

1117
00:54:13,920 --> 00:54:16,279
Speaker 1: By the way, there's three moments in this episode where

1118
00:54:16,320 --> 00:54:20,319
Speaker 1: white people say things that are very cringey, and the

1119
00:54:20,360 --> 00:54:24,960
Speaker 1: second was chillax my brother. And then when Turkey is

1120
00:54:25,000 --> 00:54:28,640
Speaker 1: auditioning new friends, Kelso says that he wants a black

1121
00:54:28,680 --> 00:54:31,520
Speaker 1: friend to help him out with the sisters and so

1122
00:54:31,600 --> 00:54:33,759
Speaker 1: he can quote get my swirl on.

1123
00:54:34,960 --> 00:54:36,280
Speaker 3: I'm all about the swirl.

1124
00:54:36,360 --> 00:54:38,360
Speaker 2: Okay, what does that mean? Swirrel? I don't even know.

1125
00:54:39,239 --> 00:54:42,000
Speaker 3: It's like when you mix chocolate and vanilla and you swirl.

1126
00:54:42,280 --> 00:54:44,200
Speaker 1: Oh yeah, well then you're a.

1127
00:54:44,160 --> 00:54:48,320
Speaker 3: Snailor that's literally the name of the fucking ice cream swirl,

1128
00:54:48,960 --> 00:54:50,080
Speaker 3: chocolate and vanilla swirl.

1129
00:54:50,120 --> 00:54:52,239
Speaker 1: I didn't know what get my swirl on means. I

1130
00:54:52,280 --> 00:54:54,160
Speaker 1: just knew that didn't sound right coming out again.

1131
00:54:54,760 --> 00:54:59,600
Speaker 3: It means like when you dip you're in some uh

1132
00:55:00,680 --> 00:55:04,120
Speaker 3: it would be swirling, got it or anything? That's not

1133
00:55:04,760 --> 00:55:09,839
Speaker 3: win the more you know, but it has to be sex.

1134
00:55:09,880 --> 00:55:12,040
Speaker 3: It's not dating, it's sex swirling.

1135
00:55:12,160 --> 00:55:13,839
Speaker 2: It's only se yes.

1136
00:55:13,960 --> 00:55:16,520
Speaker 1: So if I not a date with an African American woman,

1137
00:55:16,560 --> 00:55:16,759
Speaker 1: I'm not.

1138
00:55:16,800 --> 00:55:18,879
Speaker 3: That is not swirling. Y'all went out on a date.

1139
00:55:19,000 --> 00:55:20,560
Speaker 3: It's only sex.

1140
00:55:20,920 --> 00:55:26,040
Speaker 1: When we when we copulate mix, I see when we

1141
00:55:26,160 --> 00:55:29,000
Speaker 1: become when our bodies swirl together.

1142
00:55:30,400 --> 00:55:34,480
Speaker 3: Sure have a swirl. Now, Look, if you don't like

1143
00:55:34,520 --> 00:55:36,640
Speaker 3: to swirl, you don't like to swirl, that's you. Everybody

1144
00:55:36,640 --> 00:55:39,400
Speaker 3: each their own. I'm just gonna say this for everybody

1145
00:55:39,400 --> 00:55:45,000
Speaker 3: out there, it's okay to swirl. If you do swirl. Yeah,

1146
00:55:45,239 --> 00:55:47,200
Speaker 3: love has no color.

1147
00:55:47,560 --> 00:55:50,760
Speaker 1: Right, And this is coming from someone who who really

1148
00:55:50,840 --> 00:55:53,879
Speaker 1: has committed his entire life to air.

1149
00:55:54,160 --> 00:55:56,600
Speaker 3: That's not true. I date. I am the rainbow fucking kind.

1150
00:55:56,680 --> 00:55:57,840
Speaker 3: I have dated pretty well.

1151
00:55:57,719 --> 00:56:04,240
Speaker 2: Not I have every I have dated rainbow.

1152
00:56:04,280 --> 00:56:06,240
Speaker 1: If you haven't had sex with a man, I don't think.

1153
00:56:06,160 --> 00:56:08,080
Speaker 3: Right, that's what I'm saying. I said, not the gay

1154
00:56:08,239 --> 00:56:11,960
Speaker 3: kind of rainbow yet. Yes, yes, right, thank you.

1155
00:56:12,320 --> 00:56:14,520
Speaker 1: But you're an equal opportunity.

1156
00:56:14,760 --> 00:56:20,200
Speaker 3: Absolutely, And whoever floats my boat, my wife, who that is?

1157
00:56:20,640 --> 00:56:23,400
Speaker 3: Who it is right now? Yeah, is the one that

1158
00:56:23,600 --> 00:56:24,000
Speaker 3: has me.

1159
00:56:24,360 --> 00:56:26,799
Speaker 1: Do you ever ask you wife if you're trying to

1160
00:56:26,920 --> 00:56:30,120
Speaker 1: if you're trying to propose intercourse with your with your wife, casey,

1161
00:56:30,280 --> 00:56:32,160
Speaker 1: have you ever said, do you want to swirl?

1162
00:56:32,880 --> 00:56:41,000
Speaker 3: No? I say, do you want some black dick?

1163
00:56:42,880 --> 00:56:45,799
Speaker 4: You're way too excited about that.

1164
00:56:46,000 --> 00:56:47,160
Speaker 2: The man loves his wife.

1165
00:56:47,239 --> 00:56:51,520
Speaker 1: Listen, the man may may every couple have a love

1166
00:56:51,600 --> 00:56:53,040
Speaker 1: relationship so strong.

1167
00:56:53,160 --> 00:56:53,880
Speaker 2: He's in love with this.

1168
00:56:54,080 --> 00:56:57,720
Speaker 3: I want to tell you something right now. We fight sometimes, yes,

1169
00:56:57,960 --> 00:57:01,040
Speaker 3: and it's horrible, and we say some horrible things to

1170
00:57:01,080 --> 00:57:05,560
Speaker 3: each other, but there is no person on this planet

1171
00:57:05,880 --> 00:57:08,920
Speaker 3: that I would want to spend the rest of my

1172
00:57:09,040 --> 00:57:14,520
Speaker 3: life with other than her. There is not one person

1173
00:57:15,920 --> 00:57:20,160
Speaker 3: she has. I don't know what it is about her,

1174
00:57:20,520 --> 00:57:25,200
Speaker 3: but I really enjoy the life that we have created together.

1175
00:57:25,360 --> 00:57:25,960
Speaker 2: That's amazing.

1176
00:57:25,960 --> 00:57:27,920
Speaker 3: I don't want to sacrifice that or anything.

1177
00:57:28,000 --> 00:57:29,960
Speaker 1: How do you make up when you've had a bad fight?

1178
00:57:30,240 --> 00:57:32,440
Speaker 1: Are you the first person to say I'm sorry?

1179
00:57:32,600 --> 00:57:40,120
Speaker 3: They want to see my black dick? No, I don't.

1180
00:57:40,760 --> 00:57:43,680
Speaker 1: I think I think what happened was I think what happened?

1181
00:57:44,200 --> 00:57:46,920
Speaker 1: You know, I say that, I think what was I

1182
00:57:46,960 --> 00:57:49,200
Speaker 1: think what happened is you got vulnerable and then you

1183
00:57:49,320 --> 00:57:51,520
Speaker 1: felt like you had to pull up your masculinity.

1184
00:57:52,040 --> 00:57:54,160
Speaker 3: Maybe maybe maybe there was a bit of that in there,

1185
00:57:54,200 --> 00:57:58,120
Speaker 3: But that's that's that's that's that. That means nothing to

1186
00:57:58,200 --> 00:57:59,760
Speaker 3: the fact that you don't think I'd.

1187
00:57:59,680 --> 00:58:02,840
Speaker 1: Be saying, I'm sure you do jokingly, but I'm curious

1188
00:58:02,840 --> 00:58:05,000
Speaker 1: for a real answer. When you guys have a bad fight,

1189
00:58:05,160 --> 00:58:07,480
Speaker 1: is it she that normally tries to make amends?

1190
00:58:07,560 --> 00:58:08,280
Speaker 2: Or do you do it?

1191
00:58:09,960 --> 00:58:12,240
Speaker 3: We don't make amends. We just forget about it and

1192
00:58:12,280 --> 00:58:13,000
Speaker 3: move on. That's what.

1193
00:58:13,200 --> 00:58:15,080
Speaker 1: Oh, that seems healthy. Let me write that down.

1194
00:58:15,320 --> 00:58:18,840
Speaker 3: So it's just marriage, that's about. That's what marriage is.

1195
00:58:19,000 --> 00:58:22,200
Speaker 3: Marriage is this. I hate you? I hate you too.

1196
00:58:23,600 --> 00:58:24,400
Speaker 3: I'll talk to you later.

1197
00:58:25,560 --> 00:58:29,160
Speaker 1: Wow, I feel like it might be good to like

1198
00:58:29,240 --> 00:58:31,800
Speaker 1: occasionally talk it out and be like, hey about the

1199
00:58:31,840 --> 00:58:35,080
Speaker 1: other night. I'm sorry, I was feeling this and you

1200
00:58:35,120 --> 00:58:38,000
Speaker 1: were feeling that, and I I, you don't ever do that.

1201
00:58:38,880 --> 00:58:43,760
Speaker 3: Yeah, but that's like, you know, that's that's the boring

1202
00:58:43,840 --> 00:58:47,600
Speaker 3: part of marriage making up. But that's like fucking.

1203
00:58:47,920 --> 00:58:49,560
Speaker 2: I'm asking if that happens.

1204
00:58:49,800 --> 00:58:52,040
Speaker 3: Yeah, that does happen, But that's not the fun part.

1205
00:58:52,080 --> 00:58:56,080
Speaker 3: The fun part isn't the I fucked up my bead.

1206
00:58:56,240 --> 00:58:59,800
Speaker 3: That's there's no even in the argument. The argument's the

1207
00:58:59,840 --> 00:59:06,840
Speaker 3: beat part, like the way that we I don't know, like, yeah,

1208
00:59:06,920 --> 00:59:11,200
Speaker 3: sure we'll have the talk of she's coming home? Is

1209
00:59:11,240 --> 00:59:11,560
Speaker 3: that her?

1210
00:59:11,880 --> 00:59:11,960
Speaker 6: No?

1211
00:59:13,040 --> 00:59:17,200
Speaker 3: Yes, it is the way that we have. Let's ask her. Shit,

1212
00:59:17,680 --> 00:59:23,200
Speaker 3: Ka hit the song down, Casey, come down here. I

1213
00:59:23,280 --> 00:59:26,440
Speaker 3: don't know nothing about raising these fools, so tell me

1214
00:59:26,600 --> 00:59:30,240
Speaker 3: what to do. Don't know nothing about raising these kids.

1215
00:59:30,640 --> 00:59:31,840
Speaker 3: And that's what it is.

1216
00:59:34,120 --> 00:59:37,880
Speaker 2: Hi. We just played your song. Hi guys, Hi, Hi Casey.

1217
00:59:37,960 --> 00:59:39,960
Speaker 3: Were you were y'all just thinking about me and played

1218
00:59:40,000 --> 00:59:41,120
Speaker 3: it for no.

1219
00:59:41,240 --> 00:59:44,520
Speaker 1: Well, Donald, we were talking about when couples argue and

1220
00:59:45,320 --> 00:59:48,480
Speaker 1: then it gets bad, and then we were asking Donald

1221
00:59:48,960 --> 00:59:52,400
Speaker 1: how like whether he or you is the first person

1222
00:59:52,600 --> 00:59:55,400
Speaker 1: after it's calmed down and all the emotions out to

1223
00:59:55,440 --> 00:59:58,240
Speaker 1: be like, hey, sorry about da da da da da

1224
00:59:58,280 --> 01:00:00,840
Speaker 1: da da, And Donald kind of implied that y'all just

1225
01:00:00,920 --> 01:00:02,680
Speaker 1: kind of move on, don't talk about it.

1226
01:00:02,760 --> 01:00:10,600
Speaker 8: Oh no, No, I'm trying to communicate throughout the entire thing,

1227
01:00:12,080 --> 01:00:15,200
Speaker 8: and he doesn't like to communicate his way up.

1228
01:00:15,280 --> 01:00:17,840
Speaker 9: And he also doesn't like to say he's sorry and

1229
01:00:17,960 --> 01:00:22,120
Speaker 9: admit when he's wrong. So the way that I know

1230
01:00:22,440 --> 01:00:24,880
Speaker 9: when he knows he's wrong and he's trying to say

1231
01:00:24,920 --> 01:00:27,440
Speaker 9: sorry is usually because he pulls it out and was like.

1232
01:00:27,960 --> 01:00:29,560
Speaker 5: No, he told us that.

1233
01:00:29,720 --> 01:00:31,800
Speaker 2: We were like, no, he pulls his penis out.

1234
01:00:34,160 --> 01:00:35,680
Speaker 6: Did you tell them you pull your penis out?

1235
01:00:35,920 --> 01:00:38,360
Speaker 2: Yeah, but we thought he was joking. We've done it.

1236
01:00:38,400 --> 01:00:38,920
Speaker 3: Was joking.

1237
01:00:39,680 --> 01:00:42,600
Speaker 1: Oh no, that's his way of making up with him.

1238
01:00:42,600 --> 01:00:43,400
Speaker 2: He pulls up penis.

1239
01:00:43,400 --> 01:00:45,560
Speaker 10: He doesn't know how to say sorry, so he'll just

1240
01:00:45,600 --> 01:00:48,360
Speaker 10: be like he'll he'll he'll ride it out for like

1241
01:00:48,400 --> 01:00:52,200
Speaker 10: three or four days, and then finally he'll be like does.

1242
01:00:52,040 --> 01:00:57,800
Speaker 3: This look Does this look good to you?

1243
01:00:59,360 --> 01:01:01,520
Speaker 2: But it sounds like you? Then forgive him.

1244
01:01:01,560 --> 01:01:05,160
Speaker 10: You guys never have the like guy you know what,

1245
01:01:05,360 --> 01:01:10,400
Speaker 10: because I've already said and voiced everything in my I've

1246
01:01:10,440 --> 01:01:14,440
Speaker 10: communicated everything, I've already talked it out, I've already expressed

1247
01:01:14,480 --> 01:01:16,000
Speaker 10: every But don't.

1248
01:01:15,800 --> 01:01:18,920
Speaker 1: You him, don't you want wouldn't you prefer him to

1249
01:01:18,960 --> 01:01:21,880
Speaker 1: be like, hey, I'm really sorry, I fucked up because

1250
01:01:21,880 --> 01:01:22,440
Speaker 1: of X y Z.

1251
01:01:23,080 --> 01:01:24,920
Speaker 9: I would prefer him to do a lot of things,

1252
01:01:25,280 --> 01:01:31,280
Speaker 9: But that's not who I'm married, and he's I know

1253
01:01:31,360 --> 01:01:33,760
Speaker 9: him better than the back of my hand, and this

1254
01:01:33,840 --> 01:01:37,720
Speaker 9: is how he is. And I will say once that

1255
01:01:37,720 --> 01:01:42,000
Speaker 9: that contact has been made or that's out of the way,

1256
01:01:42,040 --> 01:01:45,400
Speaker 9: then he's I'm sorry, you know, I just tuck like

1257
01:01:45,480 --> 01:01:47,960
Speaker 9: that because of this, this, this, And I'm like, well,

1258
01:01:48,000 --> 01:01:49,920
Speaker 9: just say that ship you could have saved, said that

1259
01:01:49,960 --> 01:01:51,120
Speaker 9: ship three days ago.

1260
01:01:51,240 --> 01:01:57,600
Speaker 2: Right, just so much? Wow, Really, Casey you are you're

1261
01:01:57,680 --> 01:02:00,400
Speaker 2: pretty pretty. You're a pretty great wife here Ca.

1262
01:02:01,360 --> 01:02:03,800
Speaker 9: Yeah, you guys have to remember we've been together how long?

1263
01:02:05,120 --> 01:02:08,520
Speaker 9: Since two thousand and six? I mean, this is a

1264
01:02:08,520 --> 01:02:10,760
Speaker 9: long time. I don't have I'm you know what, I

1265
01:02:10,760 --> 01:02:14,240
Speaker 9: don't have time to sit. I'm not deep, I'm not sensitive,

1266
01:02:15,000 --> 01:02:16,760
Speaker 9: So it's kind of like that's but.

1267
01:02:16,680 --> 01:02:20,200
Speaker 1: You also are a very strong personality, and I wonder

1268
01:02:20,320 --> 01:02:22,960
Speaker 1: that it sounds like you're saying you do, but when

1269
01:02:23,000 --> 01:02:25,280
Speaker 1: the fight's going on, or you're like, do you want

1270
01:02:25,320 --> 01:02:29,200
Speaker 1: to say, like this is not how we should be communicating.

1271
01:02:29,240 --> 01:02:31,120
Speaker 2: You know, I do I say all those things.

1272
01:02:31,320 --> 01:02:32,640
Speaker 6: I mean I do. He knows.

1273
01:02:32,840 --> 01:02:35,720
Speaker 9: I mean, at least I think I say this is

1274
01:02:35,760 --> 01:02:38,760
Speaker 9: not healthy, this is not like even just recently, we

1275
01:02:38,840 --> 01:02:42,080
Speaker 9: had an argument and it all stemmed from like our

1276
01:02:42,200 --> 01:02:46,640
Speaker 9: kids basketball, and I was like, this basketball is one

1277
01:02:46,680 --> 01:02:51,720
Speaker 9: of is a big distractor in our happiness as a family.

1278
01:02:51,320 --> 01:02:53,080
Speaker 6: As a whole. I was like, we need to dial

1279
01:02:53,120 --> 01:02:53,560
Speaker 6: it back.

1280
01:02:53,800 --> 01:02:55,760
Speaker 9: And you know, we fight and it goes and then

1281
01:02:56,880 --> 01:03:01,520
Speaker 9: days later we're like, you know, we've seen penis and

1282
01:03:01,560 --> 01:03:04,960
Speaker 9: balls and everything. Then it's like, yeah, I don't think

1283
01:03:05,000 --> 01:03:07,160
Speaker 9: we need to do this tonight and go to practice

1284
01:03:07,200 --> 01:03:08,880
Speaker 9: and this, and I think we need to scale it back.

1285
01:03:08,920 --> 01:03:11,919
Speaker 2: I'm like, oh, I see, so there's a rhythm to it.

1286
01:03:12,040 --> 01:03:15,600
Speaker 1: There's so you know, even when it's Donald, I mean,

1287
01:03:15,680 --> 01:03:18,200
Speaker 1: you know, I don't have a lot of experience of

1288
01:03:18,320 --> 01:03:24,280
Speaker 1: Donald ever going ever, Hey, I want to reach out.

1289
01:03:24,360 --> 01:03:27,480
Speaker 1: This is awkward and uncomfortable, but I was out of

1290
01:03:27,520 --> 01:03:29,760
Speaker 1: line and I'm sorry. I don't have any experience of that.

1291
01:03:29,880 --> 01:03:32,600
Speaker 9: No, I mean it, and not to be arrogant, but

1292
01:03:32,680 --> 01:03:37,360
Speaker 9: I honestly believe there's times that y'all's friendship probably would

1293
01:03:37,360 --> 01:03:40,680
Speaker 9: have never lasted this long had I not been the Christ.

1294
01:03:40,920 --> 01:03:41,640
Speaker 2: It's true.

1295
01:03:42,000 --> 01:03:44,440
Speaker 1: It's true because he doesn't. Ever, he's never the one

1296
01:03:44,480 --> 01:03:46,960
Speaker 1: to say that, you've been the one to be like,

1297
01:03:47,320 --> 01:03:48,320
Speaker 1: y'all need to talk.

1298
01:03:49,080 --> 01:03:51,640
Speaker 9: Yeah, And that's what I told him the other day

1299
01:03:51,680 --> 01:03:53,280
Speaker 9: when we were talking about something else. I was like,

1300
01:03:53,320 --> 01:03:56,520
Speaker 9: I have no problem going with my tail between my lege.

1301
01:03:56,520 --> 01:03:59,560
Speaker 9: I don't get embarrassed. I have no shame to be

1302
01:03:59,600 --> 01:04:03,280
Speaker 9: the one that says this fire or even not even

1303
01:04:03,280 --> 01:04:05,200
Speaker 9: to my husband, like even if it's a third party,

1304
01:04:05,240 --> 01:04:07,200
Speaker 9: I have no problem to be like, guys, sorry, I

1305
01:04:07,240 --> 01:04:09,640
Speaker 9: blew this out of proportion. I'm the reason this, this

1306
01:04:09,800 --> 01:04:13,800
Speaker 9: whole fight happened, Like, let's get past this for the kids.

1307
01:04:13,880 --> 01:04:14,880
Speaker 6: Like it's my fault.

1308
01:04:14,920 --> 01:04:17,760
Speaker 3: I sometimes I'll take the blame just so we.

1309
01:04:17,680 --> 01:04:21,680
Speaker 9: Can all communicate about it. And which is not healthy, Probably.

1310
01:04:21,600 --> 01:04:24,160
Speaker 1: No, because doesn't that build resentment because after a while

1311
01:04:24,160 --> 01:04:26,479
Speaker 1: you're like, I always fucking am the one who ends

1312
01:04:26,480 --> 01:04:28,440
Speaker 1: the fight. I'm always the one who puts my tail.

1313
01:04:28,280 --> 01:04:30,240
Speaker 5: Between my legs, but I also just like it.

1314
01:04:30,320 --> 01:04:32,240
Speaker 6: But everyone's happy, right.

1315
01:04:32,520 --> 01:04:34,880
Speaker 1: But during those three days where there's tension and you're

1316
01:04:34,920 --> 01:04:37,520
Speaker 1: not talking, do you ever want to be like, hey,

1317
01:04:37,560 --> 01:04:40,080
Speaker 1: this is so stupid. Can we can we can we

1318
01:04:40,120 --> 01:04:41,600
Speaker 1: just talk this out? Like I don't want to be

1319
01:04:41,600 --> 01:04:43,640
Speaker 1: in silent treatment mode sometimes.

1320
01:04:43,680 --> 01:04:48,560
Speaker 9: But then sometimes I'm like whatever, good luck. You know,

1321
01:04:48,760 --> 01:04:51,680
Speaker 9: there's times that we're Donald's like I want to divorce.

1322
01:04:51,720 --> 01:04:56,439
Speaker 3: I'm like, all right, I want a divorce too. Yeah,

1323
01:04:59,080 --> 01:05:02,360
Speaker 3: h no, I hate you. I want a divorce. That's

1324
01:05:02,640 --> 01:05:04,240
Speaker 3: let's do it. But that's what I say now.

1325
01:05:04,280 --> 01:05:06,280
Speaker 9: But there was a time, say a year ago, when

1326
01:05:06,360 --> 01:05:07,760
Speaker 9: you were like, let's get a divorce, and.

1327
01:05:07,720 --> 01:05:09,560
Speaker 3: I'm like, I'm gonna I'm going to divorce you.

1328
01:05:09,600 --> 01:05:13,000
Speaker 9: I'm like, good luck, good luck doing all manual labor

1329
01:05:13,040 --> 01:05:15,640
Speaker 9: to get to the point where you've got to divorce me, because.

1330
01:05:15,440 --> 01:05:21,360
Speaker 8: I'm the one that's gonna have to.

1331
01:05:16,680 --> 01:05:23,120
Speaker 1: Call you Donald Donald baked down, trying.

1332
01:05:22,880 --> 01:05:26,000
Speaker 3: To deal with people. This is what I do.

1333
01:05:26,000 --> 01:05:30,280
Speaker 1: Donald trying to call a lawyer and organize a call

1334
01:05:30,320 --> 01:05:30,920
Speaker 1: with the lawyer.

1335
01:05:31,000 --> 01:05:31,760
Speaker 2: I can't picture it.

1336
01:05:32,000 --> 01:05:36,040
Speaker 1: Yeah, So he'd be like, babe, babe, babe, babe, can

1337
01:05:36,080 --> 01:05:38,480
Speaker 1: you call a lawyer for me, but.

1338
01:05:38,560 --> 01:05:41,760
Speaker 9: Also guys, I have to say and and I'm very

1339
01:05:41,800 --> 01:05:45,880
Speaker 9: grateful for this. We've never had a fight, h that

1340
01:05:46,080 --> 01:05:49,000
Speaker 9: wasn't over stupid ship. Like We've never had like some

1341
01:05:49,080 --> 01:05:52,919
Speaker 9: real crazy marriage doomsday fight.

1342
01:05:53,000 --> 01:05:55,800
Speaker 6: We've at least I don't think so. The fights we

1343
01:05:55,840 --> 01:05:58,320
Speaker 6: have are like stupid ship.

1344
01:05:58,880 --> 01:06:01,880
Speaker 1: Can we give it to a different topic, Casey, One

1345
01:06:01,880 --> 01:06:03,560
Speaker 1: more question for you that came up today. This has

1346
01:06:03,560 --> 01:06:06,120
Speaker 1: nothing to do with your life. You were wondering how

1347
01:06:06,160 --> 01:06:09,280
Speaker 1: what percentage of women at their bachelorette parties are actually

1348
01:06:09,280 --> 01:06:12,240
Speaker 1: hooking up with men? Do you think that it's higher

1349
01:06:12,440 --> 01:06:15,040
Speaker 1: even or less than men less.

1350
01:06:15,320 --> 01:06:17,600
Speaker 3: I've been at least eight or nine, and.

1351
01:06:19,280 --> 01:06:23,480
Speaker 9: I've never experienced anything like that the bachelorette parties.

1352
01:06:23,200 --> 01:06:23,600
Speaker 6: I've gone to.

1353
01:06:23,720 --> 01:06:25,480
Speaker 5: Even with the dudes.

1354
01:06:25,200 --> 01:06:28,960
Speaker 9: They're doing the dances and all that stuff, it's more.

1355
01:06:28,840 --> 01:06:31,480
Speaker 5: Of the cringe, like all the girls are in the corner.

1356
01:06:31,280 --> 01:06:34,160
Speaker 3: Like, oh god, hold on, hold on, hold on, hold on.

1357
01:06:34,520 --> 01:06:36,040
Speaker 3: That's Casey's group of people.

1358
01:06:36,240 --> 01:06:38,560
Speaker 1: That's case that's your group of friends.

1359
01:06:38,680 --> 01:06:40,880
Speaker 3: That's not that's not at all of a sudden act

1360
01:06:40,960 --> 01:06:45,480
Speaker 3: like hold on now, hold on now, this is a

1361
01:06:45,520 --> 01:06:50,160
Speaker 3: different demographic. I don't trust those it's like a fucking

1362
01:06:50,280 --> 01:06:54,360
Speaker 3: bachelorette party.

1363
01:06:52,320 --> 01:06:57,320
Speaker 2: All right, all right, thank you, Casey, thank you Casey.

1364
01:06:57,680 --> 01:07:00,240
Speaker 9: Yes, I just had a four hour breakfast with God

1365
01:07:00,520 --> 01:07:03,360
Speaker 9: and I'm just everybody now.

1366
01:07:06,720 --> 01:07:07,160
Speaker 5: Seeing her.

1367
01:07:07,400 --> 01:07:08,200
Speaker 2: Okay.

1368
01:07:08,040 --> 01:07:13,360
Speaker 1: I love Zach, Zach, Zach, Zach, Zach, I love you, sweetheart.

1369
01:07:14,200 --> 01:07:17,479
Speaker 1: He married, Well, he just has to show his penis.

1370
01:07:18,160 --> 01:07:21,320
Speaker 1: You've all you got to do is basically your recipe

1371
01:07:21,360 --> 01:07:23,720
Speaker 1: is ignored for three days and then whip out your penis.

1372
01:07:25,080 --> 01:07:26,680
Speaker 5: I don't want a magical penis, so.

1373
01:07:29,000 --> 01:07:30,640
Speaker 1: You must have a magical penis.

1374
01:07:31,440 --> 01:07:32,280
Speaker 3: That should be.

1375
01:07:39,760 --> 01:07:39,960
Speaker 2: Well.

1376
01:07:40,040 --> 01:07:41,840
Speaker 1: We all doubted you Donald when you said that your

1377
01:07:41,840 --> 01:07:43,680
Speaker 1: penis solves all your marital problems.

1378
01:07:44,400 --> 01:07:44,800
Speaker 2: Wow.

1379
01:07:45,400 --> 01:07:51,840
Speaker 1: Wow, let's finish up the newsletters. A lie uh Lucy

1380
01:07:51,920 --> 01:07:54,680
Speaker 1: runs out of underwear and so she wears a bathing

1381
01:07:54,720 --> 01:07:59,120
Speaker 1: suit to work. Turkey is auditioning new friends. The funniest

1382
01:07:59,160 --> 01:08:01,480
Speaker 1: one of all was who says that he's ready to

1383
01:08:01,520 --> 01:08:05,160
Speaker 1: take their relationship to the next level physically, And he.

1384
01:08:05,080 --> 01:08:08,560
Speaker 3: Said, did you say physically? He goes weird five, and

1385
01:08:08,560 --> 01:08:10,760
Speaker 3: then he goes get there, and then he gets there

1386
01:08:11,240 --> 01:08:14,600
Speaker 3: and winks, I'm glad that Todd is still a brown.

1387
01:08:15,000 --> 01:08:16,720
Speaker 1: Yeah, Todd should be in more of the show, by the.

1388
01:08:16,720 --> 01:08:19,400
Speaker 3: Way, I know, right, And look, if we're going to

1389
01:08:19,439 --> 01:08:22,080
Speaker 3: introduce new characters, let's at least bring back some of

1390
01:08:22,080 --> 01:08:25,880
Speaker 3: the old ones for more than just their typical line.

1391
01:08:26,040 --> 01:08:27,720
Speaker 1: By the way, Joelle said the show should be told

1392
01:08:27,840 --> 01:08:29,840
Speaker 1: from from Drew's point of view, I think it should

1393
01:08:29,840 --> 01:08:31,080
Speaker 1: be told from Todd's point of view.

1394
01:08:31,120 --> 01:08:37,400
Speaker 3: I want to show that's a dangerous, dangerous show. No, no, no,

1395
01:08:37,600 --> 01:08:40,360
Speaker 3: the fact that Todd is allowed to work at this space.

1396
01:08:40,840 --> 01:08:43,360
Speaker 2: You're right, he's a seasoning. He's a seasoning.

1397
01:08:43,439 --> 01:08:45,320
Speaker 1: You don't want to you don't want to las to

1398
01:08:45,360 --> 01:08:47,160
Speaker 1: have a little salts. You don't want all salts.

1399
01:08:47,560 --> 01:08:49,400
Speaker 3: No, all right.

1400
01:08:49,439 --> 01:08:50,439
Speaker 2: Elliott goes home.

1401
01:08:50,320 --> 01:08:55,440
Speaker 1: After talking to patient and Lucy loses faith in her snore.

1402
01:08:58,160 --> 01:09:01,040
Speaker 1: Lucy banged her boyfriend while talking to her dad and

1403
01:09:01,080 --> 01:09:03,200
Speaker 1: said it was the most turned on she's ever been.

1404
01:09:05,280 --> 01:09:08,599
Speaker 11: Lucy a free And then at that moment, right there,

1405
01:09:08,640 --> 01:09:13,400
Speaker 11: I thought to myself, Elliott should be able to relate

1406
01:09:13,479 --> 01:09:16,120
Speaker 11: to this shit because she is.

1407
01:09:17,200 --> 01:09:22,880
Speaker 3: Her freak flag is way more than Lucy's. So when

1408
01:09:22,920 --> 01:09:25,720
Speaker 3: she said that, I expected Elliott to be like, oh, well,

1409
01:09:25,720 --> 01:09:27,960
Speaker 3: there was this one time, you know what I mean?

1410
01:09:28,479 --> 01:09:31,080
Speaker 4: Yes, but yes, I was so confused by the dynamic

1411
01:09:31,160 --> 01:09:33,960
Speaker 4: between these two and like Elliott is classic why and

1412
01:09:33,960 --> 01:09:36,040
Speaker 4: she always is bleeding hert for her students where she's like,

1413
01:09:36,160 --> 01:09:37,639
Speaker 4: I really want them to like me, and I hope.

1414
01:09:37,720 --> 01:09:39,680
Speaker 4: And so it was conflicting because on the one hand,

1415
01:09:39,720 --> 01:09:41,160
Speaker 4: I was like, oh, maybe this is showing a lot

1416
01:09:41,200 --> 01:09:44,320
Speaker 4: of growth in Elliott in that, you know, She's like, no,

1417
01:09:44,360 --> 01:09:46,559
Speaker 4: it's got to be about me. We remember from the

1418
01:09:46,600 --> 01:09:48,920
Speaker 4: original Scrub series, like I want to be a mom.

1419
01:09:48,920 --> 01:09:50,240
Speaker 5: I'm not sure one of be a doctor all in

1420
01:09:50,280 --> 01:09:50,559
Speaker 5: my life?

1421
01:09:50,920 --> 01:09:51,400
Speaker 3: How to take it?

1422
01:09:51,560 --> 01:09:54,040
Speaker 4: Like, so the end results sort of worked for me,

1423
01:09:54,120 --> 01:09:57,760
Speaker 4: but the initial part, like I really think Elliott would

1424
01:09:57,800 --> 01:10:00,679
Speaker 4: understand Lucy in a much more intimate way so quickly.

1425
01:10:00,680 --> 01:10:01,679
Speaker 5: I have so much in common.

1426
01:10:02,240 --> 01:10:05,439
Speaker 3: They're they're the same freaking character pretty much, you know

1427
01:10:05,479 --> 01:10:08,639
Speaker 3: what I mean. It's like they put they put JD

1428
01:10:09,000 --> 01:10:12,600
Speaker 3: and Elliott and smashed them together and made Lucy, you

1429
01:10:12,680 --> 01:10:15,120
Speaker 3: know what I mean, all of them. It's it's it's

1430
01:10:15,360 --> 01:10:19,160
Speaker 3: very clear that that's what they did, and and it

1431
01:10:19,200 --> 01:10:21,800
Speaker 3: would have been. And she is more like Elliott than

1432
01:10:21,840 --> 01:10:24,640
Speaker 3: she is JD. You know what I mean. Her fantasies

1433
01:10:24,720 --> 01:10:27,360
Speaker 3: are Elliott, you know what I mean, but she does

1434
01:10:27,439 --> 01:10:31,599
Speaker 3: fantasize like JD. Did you know. It's it's it's it's

1435
01:10:31,800 --> 01:10:35,040
Speaker 3: very it's it's very upsetting in a lot of ways,

1436
01:10:35,080 --> 01:10:37,400
Speaker 3: because it's like we could have went so many other ways.

1437
01:10:37,400 --> 01:10:38,800
Speaker 3: We could have just made it so that this is

1438
01:10:38,840 --> 01:10:43,240
Speaker 3: a completely different show with completely new characters. But we're

1439
01:10:43,280 --> 01:10:46,679
Speaker 3: trying to recreate the same shit over and over again

1440
01:10:47,320 --> 01:10:50,920
Speaker 3: in every episode though too. It's not like just one episode,

1441
01:10:50,920 --> 01:10:54,280
Speaker 3: it's every episode. So that being said, we should probably

1442
01:10:54,360 --> 01:10:59,920
Speaker 3: get to the letters. Eat these balls, Zach, eat these

1443
01:11:00,120 --> 01:11:08,200
Speaker 3: balls that eat these balls ahead your sound effects machine.

1444
01:11:08,400 --> 01:11:13,800
Speaker 2: Right, Steve Aoki? Who wow?

1445
01:11:14,680 --> 01:11:16,479
Speaker 1: All right, let's go break, and then when we come back,

1446
01:11:16,479 --> 01:11:18,519
Speaker 1: we'll play the Joel Monique is Down to Get Down

1447
01:11:18,600 --> 01:11:21,719
Speaker 1: song because we know it's an audience favorite. This commercial

1448
01:11:21,800 --> 01:11:35,240
Speaker 1: right here changed my life.

1449
01:11:30,120 --> 01:11:32,600
Speaker 3: And we're back.

1450
01:11:33,040 --> 01:11:39,360
Speaker 2: Get the world out all time. Joel Monique is down

1451
01:11:39,240 --> 01:11:40,160
Speaker 2: to get down.

1452
01:11:42,000 --> 01:11:43,960
Speaker 6: No matter what's between your eggs.

1453
01:11:43,960 --> 01:11:47,320
Speaker 2: Tomorrow morning you could be make an egg Joel money

1454
01:11:47,600 --> 01:11:49,080
Speaker 2: is down, get down.

1455
01:11:49,439 --> 01:11:53,080
Speaker 5: Oh yeah, Joel Monique is down to get.

1456
01:11:54,160 --> 01:11:56,760
Speaker 1: And there's the Joel song. Thank you Dan for playing that.

1457
01:11:56,920 --> 01:11:58,920
Speaker 1: All right, Joel, Let's go to letters.

1458
01:11:59,120 --> 01:11:59,559
Speaker 5: All right?

1459
01:12:00,080 --> 01:12:01,880
Speaker 2: You know Okay, everybody ready.

1460
01:12:02,160 --> 01:12:05,120
Speaker 12: Yeah, Hi, My name is Jeff Richmond from Columbia, Maryland,

1461
01:12:05,160 --> 01:12:08,519
Speaker 12: and I'm calling in to talk about how I love

1462
01:12:08,560 --> 01:12:11,200
Speaker 12: the episode my new girl bro. And I'll make this

1463
01:12:11,320 --> 01:12:13,400
Speaker 12: very quick, but there are four reasons why I really

1464
01:12:13,479 --> 01:12:15,800
Speaker 12: liked this episode. I do like that we still get

1465
01:12:15,840 --> 01:12:18,960
Speaker 12: to see the funny but heartfelt, dynamic relationship between JD

1466
01:12:19,040 --> 01:12:20,920
Speaker 12: and Turk. I really do think it's rare in life

1467
01:12:20,960 --> 01:12:22,679
Speaker 12: to have such a close friend, and at the end

1468
01:12:22,880 --> 01:12:25,559
Speaker 12: of the episode, doctor Cox told Turk how rare it

1469
01:12:25,640 --> 01:12:27,160
Speaker 12: was to be able to work with your best friend,

1470
01:12:27,439 --> 01:12:29,360
Speaker 12: and that to me meant a lot, because having friends

1471
01:12:29,360 --> 01:12:32,320
Speaker 12: at work makes the day so much better. The second

1472
01:12:32,360 --> 01:12:34,839
Speaker 12: thing is is that I love that doctor Cox treats

1473
01:12:35,080 --> 01:12:37,320
Speaker 12: Lucy the same way that he treated JD during the

1474
01:12:37,479 --> 01:12:41,040
Speaker 12: entire series. That line about the dumb shadow was extremely

1475
01:12:41,080 --> 01:12:43,400
Speaker 12: funny and it really honors the core of the show

1476
01:12:43,600 --> 01:12:46,719
Speaker 12: and the relationship between JD and doctor Cox, and also

1477
01:12:46,720 --> 01:12:49,200
Speaker 12: how they're able to transfer that relationship to doctor Cox

1478
01:12:49,240 --> 01:12:52,960
Speaker 12: and Lucy as well. Third, how Lucy looks up to

1479
01:12:53,040 --> 01:12:56,800
Speaker 12: doctor Reid. This episode really celebrates strong, powerful and professional

1480
01:12:56,800 --> 01:13:00,160
Speaker 12: women working in a traditionally male dominated field, and I

1481
01:13:00,160 --> 01:13:02,320
Speaker 12: think this entire episode did a great job with this,

1482
01:13:02,840 --> 01:13:05,800
Speaker 12: but specifically, you know, we were able to see the

1483
01:13:05,840 --> 01:13:08,400
Speaker 12: point of view from a young lady looking up to

1484
01:13:08,520 --> 01:13:11,400
Speaker 12: an older female in the same profession with more experience

1485
01:13:11,439 --> 01:13:12,200
Speaker 12: in that industry.

1486
01:13:12,640 --> 01:13:15,479
Speaker 3: And as I rewatched this season, you know, when I

1487
01:13:15,479 --> 01:13:15,920
Speaker 3: watched it.

1488
01:13:15,880 --> 01:13:17,680
Speaker 12: First, I was single with no kids, and now I

1489
01:13:17,720 --> 01:13:20,519
Speaker 12: have two young children and a wife, and I was

1490
01:13:20,560 --> 01:13:22,519
Speaker 12: able to kind of see how my wife was able

1491
01:13:22,560 --> 01:13:25,599
Speaker 12: to make changes in her life and her professional career

1492
01:13:25,960 --> 01:13:27,880
Speaker 12: as we started having children, so I was able to

1493
01:13:27,920 --> 01:13:30,800
Speaker 12: relate to that a lot. And then finally, I think

1494
01:13:30,840 --> 01:13:33,760
Speaker 12: one of the best gags of the entire show, that's right,

1495
01:13:33,800 --> 01:13:36,439
Speaker 12: I said it when at the very end Cole says

1496
01:13:36,560 --> 01:13:37,639
Speaker 12: you suck Zimmerman.

1497
01:13:38,080 --> 01:13:41,000
Speaker 2: I think that whole joke about there being class.

1498
01:13:40,760 --> 01:13:42,960
Speaker 12: Rankings and ended up being the ranks based on their

1499
01:13:43,000 --> 01:13:48,200
Speaker 12: alphabetical last name, and his last name was double A Aaronson, And.

1500
01:13:48,400 --> 01:13:51,240
Speaker 2: That bit right there, I think is extremely funny. And

1501
01:13:51,600 --> 01:13:56,240
Speaker 2: thank you. Those are my quick tidbits. Thank you, Jeff.

1502
01:13:57,040 --> 01:13:57,360
Speaker 3: Jeff.

1503
01:13:57,400 --> 01:13:59,320
Speaker 1: Okay, Jeff, I like you, and you sound like a

1504
01:13:59,400 --> 01:14:01,920
Speaker 1: nice man. I just don't agree with you.

1505
01:14:04,439 --> 01:14:07,000
Speaker 2: There you go. But you know, he made some good points.

1506
01:14:07,360 --> 01:14:11,000
Speaker 3: Yeah, yeah, but there are points about the old show

1507
01:14:11,000 --> 01:14:14,000
Speaker 3: though the point all of the points are talking about

1508
01:14:14,040 --> 01:14:16,840
Speaker 3: how this show reminds him of the old show.

1509
01:14:18,040 --> 01:14:19,919
Speaker 5: You can still see her longing for the original.

1510
01:14:19,960 --> 01:14:24,240
Speaker 1: But I think I think Joelle like asked someone in

1511
01:14:24,280 --> 01:14:28,240
Speaker 1: her building who's a nice person to watch episode six

1512
01:14:28,320 --> 01:14:29,920
Speaker 1: and be like, do to be a favorite. We can't

1513
01:14:29,960 --> 01:14:34,160
Speaker 1: get anyone to say, Jeff, Jeff, Jeff, remember when I

1514
01:14:34,200 --> 01:14:36,640
Speaker 1: watched Jeff, Remember when I watched your cat.

1515
01:14:36,880 --> 01:14:39,960
Speaker 4: Jeff, Jeff did write it about another episode and I said, Hey,

1516
01:14:40,080 --> 01:14:41,960
Speaker 4: would you like to say something nice abou episode six?

1517
01:14:41,960 --> 01:14:44,920
Speaker 4: And he's so kindly sat in this voicemail. So we

1518
01:14:44,960 --> 01:14:46,400
Speaker 4: appreciate you, Jeff.

1519
01:14:46,400 --> 01:14:50,000
Speaker 1: Jeff, We appreciate you, to appreciate you, the fact, the

1520
01:14:50,040 --> 01:14:51,360
Speaker 1: fact that we needed you, Jeff.

1521
01:14:51,400 --> 01:14:53,040
Speaker 2: We needed you, Jeff, We.

1522
01:14:52,920 --> 01:14:55,400
Speaker 3: Needed the fact that anyone can find helpless.

1523
01:14:55,439 --> 01:14:57,480
Speaker 2: Jeff Richmond, You're our only hope.

1524
01:14:57,880 --> 01:15:02,880
Speaker 3: I like this, Zach Yeah, system a system Yeah, Oh god,

1525
01:15:03,600 --> 01:15:04,320
Speaker 3: come oh.

1526
01:15:07,960 --> 01:15:08,480
Speaker 5: Voicemail.

1527
01:15:09,120 --> 01:15:10,599
Speaker 1: That's how easy it is to get you to come.

1528
01:15:10,640 --> 01:15:14,439
Speaker 1: I could do that ship so easy. Yoda, yoda, come on, baby,

1529
01:15:16,120 --> 01:15:17,680
Speaker 1: you got this, You got this.

1530
01:15:19,800 --> 01:15:20,400
Speaker 3: What's happening?

1531
01:15:22,160 --> 01:15:27,320
Speaker 1: Ewaukee's yub Nub chicky, Why why I celebrate the live?

1532
01:15:29,360 --> 01:15:35,519
Speaker 1: I don't kicking out alien the Ewakey's song made his

1533
01:15:35,720 --> 01:15:39,720
Speaker 1: leg kickout. So I'm gonna I'm gonna text Casey some techniques.

1534
01:15:41,640 --> 01:15:43,960
Speaker 3: First of all, I love you.

1535
01:15:44,720 --> 01:15:47,040
Speaker 1: I'm gonna sing Casey the song so she knows what

1536
01:15:47,120 --> 01:15:48,880
Speaker 1: to do next round. Next time you'll have a fight

1537
01:15:48,920 --> 01:15:51,599
Speaker 1: and you have to get get ignored for three days.

1538
01:15:51,640 --> 01:15:54,640
Speaker 3: Just sing just said, you don't even have to get

1539
01:15:54,680 --> 01:15:56,960
Speaker 3: ignored for three days. And when he whips out his

1540
01:15:57,000 --> 01:15:58,400
Speaker 3: pienis you don't even have to touch it.

1541
01:15:58,800 --> 01:16:07,960
Speaker 1: Just yup, celebrate the life.

1542
01:16:08,160 --> 01:16:17,160
Speaker 2: Yeah, all right, play this could have been a surprise

1543
01:16:17,600 --> 01:16:17,960
Speaker 2: here it is.

1544
01:16:20,160 --> 01:16:23,320
Speaker 13: Hi, everybody, This is Tamika. Thank you for inviting me

1545
01:16:23,400 --> 01:16:27,080
Speaker 13: back for episode two. I don't know if you remember.

1546
01:16:27,120 --> 01:16:29,080
Speaker 13: I did the highlights and low lights of that episode.

1547
01:16:30,320 --> 01:16:32,240
Speaker 13: I did what's working and what's not working. I'm not

1548
01:16:32,240 --> 01:16:34,400
Speaker 13: sure if you heard that, because I don't think I

1549
01:16:34,439 --> 01:16:37,479
Speaker 13: got it to Joel in time. But for episode six,

1550
01:16:37,520 --> 01:16:39,160
Speaker 13: I'm going to do what I noticed on what I wonder.

1551
01:16:39,479 --> 01:16:41,519
Speaker 13: So what I noticed as I was watching this is

1552
01:16:41,560 --> 01:16:44,479
Speaker 13: that I'm still laughing as I'm watching this episode, So

1553
01:16:44,560 --> 01:16:47,479
Speaker 13: that means the writing is still working. And I think

1554
01:16:47,920 --> 01:16:53,720
Speaker 13: specifically what's working is those moments of unpredictable humor. I'm

1555
01:16:53,720 --> 01:16:58,760
Speaker 13: thinking about early in the episode when Elliott, who looked beautiful,

1556
01:16:59,280 --> 01:17:03,000
Speaker 13: is talking to her and goes, he misses you too,

1557
01:17:03,520 --> 01:17:05,680
Speaker 13: and Turk turns to the side and you hear the BA.

1558
01:17:07,840 --> 01:17:10,439
Speaker 6: Could not have predicted that was coming. That made me laugh.

1559
01:17:11,640 --> 01:17:14,040
Speaker 13: When Lucy's telling the story about how her sister has

1560
01:17:14,080 --> 01:17:15,960
Speaker 13: to have sex with her fiance for the first time.

1561
01:17:15,960 --> 01:17:18,679
Speaker 13: I was just sitting there listening, and then she dropped

1562
01:17:18,680 --> 01:17:21,120
Speaker 13: the in case the stripper got her pregnant.

1563
01:17:21,560 --> 01:17:22,840
Speaker 6: Could not have predicted that.

1564
01:17:23,680 --> 01:17:26,960
Speaker 13: Had Denise started her rant toward Cole with I'm going

1565
01:17:27,040 --> 01:17:29,400
Speaker 13: to get a sock and put Nickels in it, I

1566
01:17:29,439 --> 01:17:31,519
Speaker 13: would have known she was going to end it with

1567
01:17:31,640 --> 01:17:33,680
Speaker 13: beating him with it, because I have brothers like I

1568
01:17:33,760 --> 01:17:37,120
Speaker 13: know how that goes. So it was unpredictable and funny

1569
01:17:37,160 --> 01:17:39,559
Speaker 13: for me when she started out with a jar and

1570
01:17:39,600 --> 01:17:42,479
Speaker 13: then still ended up with beating him with it. So

1571
01:17:42,520 --> 01:17:45,040
Speaker 13: I think it's those unpredictable moments that are really still

1572
01:17:45,080 --> 01:17:50,639
Speaker 13: making me laugh. So good on paper, for sure. So

1573
01:17:50,720 --> 01:17:55,400
Speaker 13: what I wonder since something still isn't quite right is

1574
01:17:56,080 --> 01:17:58,320
Speaker 13: the first thing I wonder is if med school was

1575
01:17:58,360 --> 01:18:01,679
Speaker 13: the right setting watching people learn to do things? Isn't

1576
01:18:01,680 --> 01:18:04,400
Speaker 13: that exciting? Watching people do the damn thing is way

1577
01:18:04,439 --> 01:18:07,639
Speaker 13: more fun. I think about like, and I haven't seen

1578
01:18:07,720 --> 01:18:10,519
Speaker 13: Rocky like the way dudes have seen Rocky, But I

1579
01:18:10,560 --> 01:18:13,000
Speaker 13: feel like we don't spend a whole lot of time

1580
01:18:13,080 --> 01:18:16,479
Speaker 13: watching him get ready to fight. We spend a ton

1581
01:18:16,479 --> 01:18:19,519
Speaker 13: of time watching him fight, And so I think we

1582
01:18:19,520 --> 01:18:21,599
Speaker 13: don't want to spend a whole lot of time watching

1583
01:18:21,640 --> 01:18:22,320
Speaker 13: these kids.

1584
01:18:22,120 --> 01:18:22,639
Speaker 3: Learn the doctor.

1585
01:18:22,680 --> 01:18:24,760
Speaker 13: We want to watch these kids doctor, just like we

1586
01:18:24,800 --> 01:18:29,840
Speaker 13: did with the first group of characters. And then I

1587
01:18:29,840 --> 01:18:34,160
Speaker 13: also wonder who the target audience was. I just want

1588
01:18:34,160 --> 01:18:36,160
Speaker 13: to also point out that I could recognize med School

1589
01:18:36,320 --> 01:18:39,320
Speaker 13: was a way to keep some of the original players

1590
01:18:39,920 --> 01:18:43,240
Speaker 13: engaged while bringing in some new people. But I think

1591
01:18:43,280 --> 01:18:45,000
Speaker 13: it could have been fine just to have them be

1592
01:18:45,080 --> 01:18:48,080
Speaker 13: the next crop of residents coming into the hospital and

1593
01:18:48,160 --> 01:18:52,200
Speaker 13: having the existing characters be doctors in that hospital who

1594
01:18:52,240 --> 01:18:54,400
Speaker 13: were truly doing cameos, because let's face it, y'all are

1595
01:18:54,439 --> 01:18:58,200
Speaker 13: not doing cameos. Target audience. I'm wondering who the target

1596
01:18:58,240 --> 01:19:03,559
Speaker 13: audience is because the existing audience, those existing fans we

1597
01:19:03,600 --> 01:19:06,320
Speaker 13: had been watching that show for like six seven, eight years.

1598
01:19:06,560 --> 01:19:09,040
Speaker 13: We were well past college age, I think, and college

1599
01:19:09,120 --> 01:19:11,439
Speaker 13: kids aren't that exciting to watch unless you're in college.

1600
01:19:11,720 --> 01:19:14,760
Speaker 13: Maybe if you're in high school. So I don't know,

1601
01:19:14,880 --> 01:19:17,640
Speaker 13: Like I'm curious about who your target. Who the target was,

1602
01:19:17,680 --> 01:19:20,439
Speaker 13: not you, but who the target was. Considering that, and

1603
01:19:20,479 --> 01:19:22,960
Speaker 13: considering that it was said in med school, I wonder

1604
01:19:23,400 --> 01:19:26,320
Speaker 13: what the audience investment would have been if Denise or

1605
01:19:26,400 --> 01:19:29,280
Speaker 13: Drew had been the main character, because I know I

1606
01:19:29,360 --> 01:19:33,519
Speaker 13: have found myself wondering what was going on in their head,

1607
01:19:33,600 --> 01:19:35,720
Speaker 13: Like what would their voiceover have been. I don't really

1608
01:19:35,720 --> 01:19:37,960
Speaker 13: care what Lucy's voiceovers are. I don't know why, I

1609
01:19:38,000 --> 01:19:40,400
Speaker 13: just don't. I do have to give some credit to Cole.

1610
01:19:40,400 --> 01:19:42,759
Speaker 13: I gotta give credit where credits due. He was funny

1611
01:19:42,800 --> 01:19:46,000
Speaker 13: for like two point five seconds. It was when Drew

1612
01:19:46,120 --> 01:19:49,960
Speaker 13: was late too. I guess rounds I don't know, and

1613
01:19:50,000 --> 01:19:51,960
Speaker 13: he goes nice of you to join us, Drew to

1614
01:19:52,000 --> 01:19:55,080
Speaker 13: call Cox's attention to it, and then Cox says something

1615
01:19:55,360 --> 01:19:58,360
Speaker 13: and he goes optional, and right there you can see

1616
01:19:58,400 --> 01:20:01,760
Speaker 13: the whole switch where like his eyes droop and his

1617
01:20:01,840 --> 01:20:02,840
Speaker 13: voice changes to.

1618
01:20:02,840 --> 01:20:05,000
Speaker 6: That like, oh, I gotta go.

1619
01:20:05,240 --> 01:20:09,000
Speaker 13: You know he's now like that late nineties Limp Biscuit

1620
01:20:09,160 --> 01:20:12,680
Speaker 13: fan bro. And I know you're probably waiting for me

1621
01:20:12,720 --> 01:20:14,720
Speaker 13: to say, no, shade, but I'm not going to say it.

1622
01:20:14,760 --> 01:20:17,320
Speaker 6: That was shady and I meant it. But he's being

1623
01:20:17,360 --> 01:20:19,320
Speaker 6: he's so predictable.

1624
01:20:18,680 --> 01:20:20,920
Speaker 13: When that's his delivery, and when he's in that mode

1625
01:20:21,160 --> 01:20:24,120
Speaker 13: and predictable is just not funny. And I wish someone

1626
01:20:24,160 --> 01:20:26,479
Speaker 13: had given him that note. So those are all of

1627
01:20:26,520 --> 01:20:29,120
Speaker 13: the things that I wonder, and I wonder if those

1628
01:20:29,160 --> 01:20:32,800
Speaker 13: things were different, if maybe there would have been some

1629
01:20:32,920 --> 01:20:36,640
Speaker 13: chemistry between what was what was good on paper and

1630
01:20:36,680 --> 01:20:38,519
Speaker 13: what was going on on the screen, and we could

1631
01:20:38,560 --> 01:20:41,439
Speaker 13: have gotten some more seasons. So that's it for me.

1632
01:20:42,320 --> 01:20:44,360
Speaker 13: Let me know your thoughts, and thank you for the

1633
01:20:44,360 --> 01:20:45,400
Speaker 13: shout out. The other week.

1634
01:20:45,680 --> 01:20:47,080
Speaker 6: My mother is convinced I'm famous.

1635
01:20:47,160 --> 01:20:50,760
Speaker 2: Bye, Well, I really appreciate you.

1636
01:20:51,439 --> 01:20:55,000
Speaker 1: Very very nice and very nice analysis from Tamika. I

1637
01:20:55,040 --> 01:20:58,719
Speaker 1: really like the way she puts time and effort go ahead.

1638
01:20:59,360 --> 01:21:02,520
Speaker 1: She was wrong about Rocky. There's a lot of training completely.

1639
01:21:02,160 --> 01:21:07,080
Speaker 3: Wrong about Rocky. Is the ultimate movie of Training? Is

1640
01:21:07,160 --> 01:21:12,240
Speaker 3: the hype that's not that's the hype before down Dawn.

1641
01:21:16,840 --> 01:21:22,519
Speaker 2: Ahead, that ship.

1642
01:21:22,720 --> 01:21:25,120
Speaker 3: That ship is hype music for a reason, because you

1643
01:21:25,200 --> 01:21:27,760
Speaker 3: about to run up some motherfucking steps, You about to

1644
01:21:27,760 --> 01:21:30,400
Speaker 3: beat the sheep ship out of some fucking beef.

1645
01:21:33,360 --> 01:21:35,360
Speaker 2: Showing the difference. You've got to do it in Russia.

1646
01:21:35,439 --> 01:21:38,120
Speaker 3: Now you gotta do it in Russia, Rocky, Now you

1647
01:21:38,200 --> 01:21:41,240
Speaker 3: gotta do it in Russia. Had to do it first.

1648
01:21:41,320 --> 01:21:44,200
Speaker 3: You had to do it in Philadelphia in the Philadelphia Hood.

1649
01:21:44,520 --> 01:21:47,320
Speaker 3: Then fucking Polo was like, nah fuck that we going

1650
01:21:47,360 --> 01:21:48,840
Speaker 3: to l A and you had to do it with

1651
01:21:48,880 --> 01:21:53,600
Speaker 3: the brothers and then to beat mister t. Then you

1652
01:21:53,760 --> 01:21:56,479
Speaker 3: had to do it in Russia. Rocky. You had to

1653
01:21:56,560 --> 01:21:59,160
Speaker 3: do it in Russia, and you had to train there too.

1654
01:21:59,439 --> 01:22:02,439
Speaker 1: So I'm just saying, all right, well, thank you, Tamika.

1655
01:22:02,520 --> 01:22:04,840
Speaker 1: I did like what you said. I didn't know what

1656
01:22:04,880 --> 01:22:06,799
Speaker 1: she was on with the jars thing. Is she mistaking

1657
01:22:06,840 --> 01:22:07,599
Speaker 1: another episode?

1658
01:22:07,760 --> 01:22:12,240
Speaker 3: No, So the scene where Cole says some shit and

1659
01:22:12,800 --> 01:22:17,000
Speaker 3: Cox and Turk says, I can't right now, Denise, will

1660
01:22:17,000 --> 01:22:20,120
Speaker 3: you handle this? She says absolutely. She goes, We're gonna

1661
01:22:20,120 --> 01:22:22,519
Speaker 3: take all of your little dumb things that you say.

1662
01:22:22,640 --> 01:22:25,120
Speaker 3: We're going to put it in a jar, nice big jar,

1663
01:22:25,680 --> 01:22:27,599
Speaker 3: and we're going to fill that little jar up with

1664
01:22:27,680 --> 01:22:30,439
Speaker 3: all of your dumb things, and when that jar is filled,

1665
01:22:30,640 --> 01:22:32,479
Speaker 3: I'm gonna take it and I'm gonna beat you over

1666
01:22:32,520 --> 01:22:33,040
Speaker 3: the head with it.

1667
01:22:33,080 --> 01:22:33,519
Speaker 2: Pretty much.

1668
01:22:33,760 --> 01:22:37,560
Speaker 1: I must have blocked that out, all right. Thank you, Tamika,

1669
01:22:37,600 --> 01:22:39,080
Speaker 1: Thank you Jeff.

1670
01:22:39,280 --> 01:22:40,000
Speaker 2: That was really great.

1671
01:22:40,080 --> 01:22:44,160
Speaker 1: Joelle, thank you for helping us find those those awesome

1672
01:22:44,320 --> 01:22:48,360
Speaker 1: calls out. Jelly audience, thank you so much for tuning in.

1673
01:22:48,520 --> 01:22:51,240
Speaker 1: We really appreciate you spending a little bit of time

1674
01:22:51,280 --> 01:22:54,320
Speaker 1: with us. If you get in a fight with your partner,

1675
01:22:54,360 --> 01:22:57,479
Speaker 1: we don't endorse just taking out your penis.

1676
01:22:58,640 --> 01:23:00,240
Speaker 3: Depends on how long y'all been together for.

1677
01:23:00,760 --> 01:23:03,080
Speaker 1: It depends, but we do want it. We do have

1678
01:23:03,160 --> 01:23:06,400
Speaker 1: anecdotal information that for some couples it doesn't work.

1679
01:23:10,920 --> 01:23:13,840
Speaker 3: Listen, my wife gets the joke. She leans in with it.

1680
01:23:14,280 --> 01:23:17,519
Speaker 3: We fight over dumb, dumb, dumb, dumb shit, and we

1681
01:23:17,520 --> 01:23:20,240
Speaker 3: don't fight over real shit because there isn't. We don't

1682
01:23:20,760 --> 01:23:23,800
Speaker 3: argue about that stuff. For some reason, we fight over

1683
01:23:23,880 --> 01:23:27,599
Speaker 3: things that are I can't believe we just had an

1684
01:23:27,680 --> 01:23:29,800
Speaker 3: argument and said I want to get divorced over this

1685
01:23:30,000 --> 01:23:31,120
Speaker 3: dumb shit, you.

1686
01:23:31,160 --> 01:23:31,639
Speaker 5: Know what I mean?

1687
01:23:32,200 --> 01:23:35,360
Speaker 3: Like, I don't know about you guys and how you

1688
01:23:35,400 --> 01:23:40,120
Speaker 3: are with your partners, but you know. I know you're

1689
01:23:40,120 --> 01:23:46,040
Speaker 3: going to find trying. Hey, look I it works for us,

1690
01:23:47,520 --> 01:23:50,240
Speaker 3: and thank god, she freaking gets.

1691
01:23:49,920 --> 01:23:52,679
Speaker 1: Me my only recommendation at all, and take it from

1692
01:23:52,680 --> 01:23:56,120
Speaker 1: someone who's not in a relationship, so I don't really

1693
01:23:56,200 --> 01:23:59,280
Speaker 1: have any fucking leg to stand on. Would be that

1694
01:23:59,360 --> 01:24:03,519
Speaker 1: maybe you wouldn't do the full three days of ignoring

1695
01:24:03,560 --> 01:24:07,960
Speaker 1: each other, but suck it up and be like, I'm

1696
01:24:08,040 --> 01:24:09,280
Speaker 1: sorry sooner.

1697
01:24:11,000 --> 01:24:13,400
Speaker 3: Where's the fun in that though? You know what I mean?

1698
01:24:13,680 --> 01:24:17,480
Speaker 2: Like being in a silent treatment with anyone in my life.

1699
01:24:17,439 --> 01:24:21,880
Speaker 3: There's no we're we're we're having It doesn't work that way.

1700
01:24:22,280 --> 01:24:25,880
Speaker 3: I wish, I wish it did work that way. But

1701
01:24:26,600 --> 01:24:28,680
Speaker 3: you got to be in your feelings also, Man, I

1702
01:24:28,720 --> 01:24:32,479
Speaker 3: gotta let my wife have her time to be angry

1703
01:24:32,520 --> 01:24:35,400
Speaker 3: with me. I don't want to try and you know

1704
01:24:35,439 --> 01:24:37,679
Speaker 3: what I mean, This is this is shit is forever,

1705
01:24:37,880 --> 01:24:39,200
Speaker 3: you know what I mean. So if she's gonna be

1706
01:24:39,320 --> 01:24:42,840
Speaker 3: angry with me for a day, I would I want

1707
01:24:42,840 --> 01:24:44,840
Speaker 3: to allow her to have that shit. Fuck it. You

1708
01:24:44,880 --> 01:24:46,240
Speaker 3: want to be mad at me, be mad at me,

1709
01:24:46,320 --> 01:24:48,160
Speaker 3: and when you do have some shit to say, you're

1710
01:24:48,200 --> 01:24:49,880
Speaker 3: gonna say that shit and we're gonna argue and we're

1711
01:24:49,880 --> 01:24:52,280
Speaker 3: gonna fight about that ship, but we're also gonna make

1712
01:24:52,280 --> 01:24:54,000
Speaker 3: love and we're gonna make up. You know what I mean.

1713
01:24:54,800 --> 01:24:57,720
Speaker 3: This is forever, This isn't you know what I mean?

1714
01:24:57,840 --> 01:25:00,960
Speaker 3: She said something that's true. We yet to have a fight,

1715
01:25:01,360 --> 01:25:03,720
Speaker 3: and I hope we never have a fight about some

1716
01:25:03,960 --> 01:25:08,240
Speaker 3: bullshit that that's gonna that's a real threat to our marriage.

1717
01:25:08,439 --> 01:25:12,160
Speaker 3: We fight about dumb ship like that's my sock. Yes,

1718
01:25:12,240 --> 01:25:15,400
Speaker 3: so fucking what you know what I mean? You know

1719
01:25:15,439 --> 01:25:18,840
Speaker 3: what I mean, like that's dumb ship that doesn't that's

1720
01:25:18,840 --> 01:25:21,000
Speaker 3: not gonna, that's not gonna destroy.

1721
01:25:22,479 --> 01:25:22,559
Speaker 4: What.

1722
01:25:22,720 --> 01:25:24,320
Speaker 3: I hope it doesn't destroy where we have. I hope

1723
01:25:24,320 --> 01:25:25,800
Speaker 3: our marriage is stronger than that. I don't want to

1724
01:25:26,080 --> 01:25:28,679
Speaker 3: chinx it anyway. My point is, you know.

1725
01:25:28,760 --> 01:25:31,320
Speaker 1: To each you guys have a thing that works. That's

1726
01:25:31,360 --> 01:25:35,559
Speaker 1: what we hear and uh and we appreciate you being

1727
01:25:35,560 --> 01:25:36,679
Speaker 1: so candid with us.

1728
01:25:37,040 --> 01:25:40,719
Speaker 2: And that's our show kind of sound.

1729
01:25:42,360 --> 01:25:43,760
Speaker 11: Do or do not?

1730
01:25:44,920 --> 01:25:47,280
Speaker 3: There is no try. I whipped up my penis and

1731
01:25:47,320 --> 01:25:54,680
Speaker 3: said that before to about sure we made about a

1732
01:25:54,760 --> 01:25:55,160
Speaker 3: bunch of.

1733
01:25:59,240 --> 01:26:00,120
Speaker 10: That story.

1734
01:26:00,800 --> 01:26:05,680
Speaker 2: Next all should know. So gather round you here, hop

1735
01:26:06,360 --> 01:26:08,639
Speaker 2: gather around you here, hoard specs.

1736
01:26:08,760 --> 01:26:10,000
Speaker 3: We watch your wiz and

1737
01:26:12,720 --> 01:26:12,760
Speaker 6: H